Intercut Issue Nine

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ROBOTS DIFFER BIOLOGICALLY from humans; blood and vessels are replaced by machinery and code. But humanity not only derives from biology, but rather

same “human” attributes despite their programmed origin. Pixar’s WALL-E exemplifies how film can delve into the complex link between robots and humanity, as demonstrated through WALL-E’s

written by amanda schenkman

the humanity of wall-e illustrated by tenley abbott

stems from emotions as well. To that point, I pose the question: what in fact makes something “human”? Being “human” is often linked to qualities like kindness, sensitivity, and sympathy. But in cinema, humanity can be defined in different and interesting ways. For example, robotic characters within films often possess these

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relatable and undeniably human nature. Without compassion for others and a moral compass to lead the way, living beings would have no way of relating to or feeling for one another, making their humanity basically worthless. Therefore, these emotion-based attributes such as compassion and sympathy


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