5 minute read
SAVOIR FAIRE
walkthrough
savoir faire
firm: studio plow site: san francisco
Custom oak banquettes, Brendan Ravenhill sconces, and Sage Meditation cushions furnish the meditation room at Faire, a tech startup that connects makers with retailers.
Clockwise from top left: A corner lounge shows off the 1910 former warehouse’s extensive windows, their wood frames repainted, and offers alternative work space. Overlooking a velvet sectional and marble table by Norm Architects, reception’s Workstead sconces can be individually controlled. Another lounge features custom curtains and Blu Dot seating. Reception adjoins a French bistro–inspired staff coffee bar with a custom white-oak communal table. The existing scalloped plaster ceiling was painted and a second door installed.
Born in rural Oklahoma,and a graduate of Kansas State University, Brit Epperson’s Midwest roots run deep. But the architect is now based in San Francisco, which is where she founded Studio Plow, the firm name an homage to her heritage, five years ago. Her small team has been busy during the pandemic, including, perhaps surprisingly, with workplace projects, namely the 70,000-square-foot, three-story headquarters for Faire.
The office marks Plow’s second go-around for the digital platform, which connects makers with local and global retailers. The earlier project, completed in early 2019, “was a Craigslist special—a vanilla shell for a maximum capacity of 126,” Epperson recalls. Fast forward less than a year. The Faire office 2.0, prompted by “massive employee growth,” is the antithesis, thanks to the site, Epperson’s response to it, and her client’s vision toward a collegial change in how people work.
Faire now occupies a 1910 brick-and-timber former warehouse. After the architect of record addressed the necessary seismic and infrastructure upgrades, Epperson embraced the building’s rich, architectural history with the maxim: “Let’s lean into it.” Work
spaces, mostly benching configurations, span the three levels. Nothing is crowded: Epperson made sure to limit neighborhoods to 25 employees and intersperse them with amenities. Lounges, a total of 22 throughout, are rife with seating options, beckoning as alternative work zones. Ad-hoc meeting areas can be cordoned off with textile partitions. Dozens of conference rooms plus a boardroom offer more traditional gathering outlets.
There are also multiple spots for recharging. The airy commissary, which doubles as theall-hands space, is populated with minimalist white steel picnic benches and pendant globes along with warmer Windsor-style ash chairs and round teak tables. Just past reception, again warm with a sectional sofa upholstered in brassy velvet, is Petit Faire, a French bistro–inspired coffee bar with a white-oak communal table and accessories from Faire wholesale vendors. Pantries, one per floor, are well-stocked, and live interior landscaping by a local LGBTQ-owned business is everywhere. (There’s also a pop-up with rotating Faire merchandise.)
But the real recharging happens in the dedicated meditation room, a tidy brick vault that Epperson transformed into a restful aerie with built-in oak benches, plush cream meditation cushions and carpet, and integrated speakers for staff to tune into Headspace or Breethe. Employees started trickling in last April, first at 5 percent, then up to 25 on a reservation basis in June. “We gave them lots of places to gather,” Epperson comments, “but it’s all so open that everything feels safe.” Calming indeed.
—Edie Cohen
Clockwise from top: The Douglas fir columns and stair in the commissary/all-hands are original, but the existing concrete floor has been newly sealed. Vegan leather chairs surround the boardroom’s custom table. Flexible partitions throughout help with acoustics and form ad hoc meeting areas, like this one with Afteroom Studio chairs and a custom table.
FROM FRONT BRENDAN RAVENHILL STUDIO: SCONCES (MEDITATION ROOM). TO MARKET: CARPET. SAGE MEDITATION: CUSHIONS. BENTLEY MILLS: CARPET (LOUNGES, CONFERENCE ROOM). RH CONTRACT: COFFEE TABLES. URBAN OUTFITTERS: CHAIRS (CORNER LOUNGE). WEST ELM: SIDE TABLE. EQ3: SOFA (CORNER LOUNGE), RUG (LOUNGE), CHAIRS (COMMISSARY). ARMADILLO: RUGS (CORNER LOUNGE, RECEPTION). WORKSTEAD: SCONCES (RECEPTION). MENU: SOFA, TABLE (RECEPTION), PENDANT FIXTURES (COFFEE BAR), CHAIRS (MEETING AREA). BLU DOT: SOFAS (LOUNGE). TRIPLE SEVEN HOME: SCONCES (COFFEE BAR). ANN SACKS: FLOOR TILE. CEASARSTONE: BAR TOP. SKAGERAK: STOOLS. KLEIN AGENCY: CUSTOM TABLES (COFFEE BAR, MEETING AREA). ALCON LIGHTING: PENDANT GLOBES (COMMISSARY). MUUTO: WHITE BENCHES, TABLES. KAVE HOME: ROUND TABLES. DESIGNTEX: CURTAIN FABRIC (BOARDROOM). HPL CONTRACT: CUSTOM TABLE. LAURA FURNITURE: CHAIRS. MOLO: PARTITION (MEETING AREA). THROUGHOUT CARNEGIE: CURTAIN FABRIC. THROUGH MINTON DOOR COMPANY: DOORS. MISSION GLASS: WINDOWS, STOREFRONT. BENJAMIN MOORE & CO.: PAINT. WAC LIGHTING: LEDS. HUNTSMAN ARCHITECTURAL GROUP: ARCHITECT OF RECORD. MURPHY BURR CURRY: STRUCTURAL ENGINEER. PLANT FAIRIES: INTERIOR LANDSCAPING. COMMERCIAL CASEWORK: WOODWORK. NOVA PARTNERS: PROJECT MANAGEMENT. BCCI CONSTRUCTION: GENERAL CONTRACTOR.
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