COLLECTABLE ART 6:30pm Wednesday 30 September 2020
Lot 56 VHILS
COLLECTABLE ART 6:30pm Wednesday 30 September 2020
Viewing times International Art Centre, 202 Parnell Road, Auckland Friday
25 September
10:00am - 5:00pm
Saturday
26 September
10:00am - 4:00pm
Sunday
27 September
11:00am - 4:00pm
Monday
28 September
9:00am - 5:30pm
Tuesday
29 September
9:00am - 5:30pm
Wednesday
30 September
9:00am - 6:30pm
Parking during viewing: Allocated car parks located directly behind International Art Centre Parking during auction: Upper and lower car parks at rear of International Art Centre Further parking at St John’s Car Park, entry at 244 Parnell Road, 40 metres up from International Art Centre Front cover illustration: Lot 54 Back cover illustration: Lot 86
202 Parnell Road, Auckland, New Zealand Telephone + 64 9 379 4010 Toll Free 0800 800 322 www.internationalartcentre.co.nz
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Lot 20 Karl Maughan
Sale contacts
Richard Thomson Ph +64 9 379 4010 richard@artcntr.co.nz Mobile 0274 751 071
Maggie Skelton Ph +64 9 379 4010 maggie@artcntr.co.nz
Luke Davies Ph +64 9 379 4010 luke@artcntr.co.nz
Conditions of Sale p. 99 Absentee bids p. 93 Telephone bid form p. 93
202 Parnell Road, Auckland, New Zealand Telephone + 64 9 379 4010 Toll Free 0800 800 322 www.internationalartcentre.co.nz
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MARKET WATCH
Realised $12,012
RECENT AUCTION HIGHLIGHTS PETER SIDDELL (1935 - 2011)
Realised $31,230
Realised $40,240
Realised $48,048
Realised $113,000 Realised $82,850
Realised $28,544
Realised $5,525
Realised $9,690
Realised $121,300
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Realised $10,810
IMPORTANT & RARE ART Tuesday 17 November 2020 ENTRIES NOW INVITED
CHARLES FREDERICK GOLDIE Harieta Huirua - A Chieftainess of the Tuhourangi Tribe, 1921 Oil on canvas 28 x 23.2 cm Estimate $350,000 - 450,000
CONSIGN NOW Contact Richard Thomson richard@artcntr.co.nz Telephone 64 9 379 4010 Mob. 0274 751 071
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IMPORTANT & RARE ART
POST SALE REPORT Held 11 August 2020
Banksy realised $144,150
Banksy realised $93,697
Michael Smither realised $132,132 Ralph Hotere realised $60,062 C F Goldie realised $548,568
August’s Important & Rare Art auction saw a spectacularly positive response from buyer’s both here and offshore. In the most exciting art auction to be held in recent times, determined bidding achieving record prices was met with enthusiastic rounds of applause from the floor with standing room only. By embracing the endless benefits of technology through our online bidding platform and App, hundreds of collectors watched and participated remotely. International exposure of art works from our New Zealand premises is attracting worldwide interest from both vendors and buyers. The sale realised the highest total for an art auction in New Zealand to date and included the most expensive painting sold at auction this year. Spirited phone, online and from-the-floor bidding saw Charles Frederick Goldie’s Memories fetch $548,568 and a fine Goldie drawing go for $132,000, a new record for a work on paper by Goldie.
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Two works by Banksy achieved unprecedented results, $144,000 for Soup Can, effectively doubling the previous world record of $60,000, set at International Art Centre’s Collectable Art auction in June. Banksy’s Jack and Jill (Police Kids) reached $93,697. $132,000 was achieved for Colin McCahon’s work on paper View from the Top of Cliff Muriwai. An auction record of $55,255 was achieved for a work by the late Tim Wilson and $132,000 was achieved for Michael Smither’s Lovers’ and Dolphins. A major work by John Walsh, Pare to My Place, 2017 fetched $60,062 - also a record auction price. That work will be exhibited at Auckland Art Gallery in December. The value and enjoyment derived from a well-chosen work of art was clearly acknowledged by buyers and the market in general with sales of over $2.5million. Prices include buyers premium Full results www.fineartauction.co.nz and on our bidding platform auctions.internationalartcentre.co.nz
C F Goldie realised $132,132
Louise Henderson realised $30,031 Colin McCahon realised $132,132
Tim Wilson realised $55,257
C F Goldie realised $36,037
John Walsh realised $60,062
Charles Tole realised $19,220
Charles Blomfield realised $114,118
Teuane Tibbo realised $18,319
Philip Clairmont realised $48,050
Yan Ya Ya realised $42,043
Sydney Thompson realised $50,194
Prices include buyers premium Full results www.fineartauction.co.nz and on our bidding platform auctions.internationalartcentre.co.nz
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GORDON WALTERS (1919 - 95) Tawa, 1968 Screenprint from the Barry Lett Multiples, 53.5 x 42 $3,000 - 5,000
PROVENANCE Purchased new from Barry Lett Galleries, 1968, by present owner
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GORDON WALTERS (1919 - 95) Koru Screenprinted poster 84 x 58 $2,000 - 3,000
EXHIBITED Free New Zealand Art, Artspace, Auckland, 16 March to 16 April, 2005
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PETER SIDDELL (1935 - 2011) Black and White Oil on board 60 x 44 Signed, inscribed & dated 1982 verso $8,000 - 12,000
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LEN CASTLE (1924 - 2011) Large Inverted Volcano (Red) Glazed earthenware 19 x 84 Initials impressed on base $9,000 - 12,000
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LEN CASTLE (1924 - 2011) Small Bowl Stoneware with glazed interior 22 x 22 Initials impressed on base $800 - 1,200
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7 GUY NGAN (1926 - 2017) Animated Colours Screenprint, edition of 50, 100 x 70 Signed $2,500 - 3,500
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ANN ROBINSON (b. 1944) Small Pod Vase Cast glass 23 x 25 $2,750 - 3,250
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LEN CASTLE (1924 - 2011) Blue Bowl Glazed ceramic 43 x 43 x 11 Artist’s stamp impressed on base $2,000 - 3,000
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LEN CASTLE (1924 - 2011) Bowl Wax Resist Decoration Glazed ceramic 34 x 34 x 10 Artist’s stamp impressed on base $1,000 - 2,000
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GRAHAM AMBROSE Blue Bowl Glazed ceramic 53 x 53 x 10 Artists stamp impressed on base $1,500 - 2,500
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MICHAEL LUCAS Blue Platter Glazed ceramic platter 46 x 46 x 11 Artist’s stamp impressed on base $800 - 1,200
Works from the Collection of Ron Sang Auckland
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Works from the Collection of Ron Sang Auckland
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JOHN PARKER (b. 1947) Three Round Red Glazed ceramic, largest 16 x 10 Signed on base $400 - 600
PROVENANCE Purchased directly from the artist
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MICHAEL SMITHER (b. 1939) Oranges in a Seagrass Basket Screenprint, edition of 65, 100 x 70 Signed & dated 2019 $1,800 - 2,200
16 ROBERT DICKERSON (1924 - 2015) Advising of the Settlement & Conferring with Junior Counsel - a pair Offset lithographs, edition of 500, each 30 x 27 Signed $400 - 800
RUTH CASTLE (b. 1931) Onion Baskets - A Pair Dyed rattancore 20 x 45 $200 - 400
PROVENANCE Purchased directly from the artist
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SUSANNAH BRIDGES Flame Bowls Ceramic with a satin/matt charcoal exterior and gloss “Flame Glaze” interior 32 x 21.5, 27 x 18, 12 x 16 $900 - 1,200
PROVENANCE Purchased directly from the artist
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Works from the Collection of Ron Sang Auckland
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GRETCHEN ALBRECHT (b. 1943) Waterfall Watercolour and collage on paper 80 x 120 Signed, inscribed Waterfall & dated 1989 $6,000 - 8,000
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PAT HANLY (1932 - 2004) Spring Garden Oil Pastel on toned paper 30 x 32.5 Signed, inscribed Spring Garden & dated 1977 verso $7,000 - 10,000
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PHILIPPA BLAIR (b. 1945) Hollywood Pool with Lilo Acrylic on canvas 280 x 100 Signed & dated 1981 $3,000 - 5,000
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ALAN IBELL (b. 1983) Kindling, 2013 Acrylic on hardboard 120 x 150 Signed, inscribed on artist’s label affixed verso & dated 2013 $2,500 - 4,500
PROVENANCE Sanderson Contemporary
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RICHARD ORJIS (b. 1979) Flower Idol, 2006 Type C print, edition of 8, 97 x 83 $4,000 - 6,000
PROVENANCE Private Collection, Auckland
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OTIS FRIZZELL (b. 1971) Skull Spray stencil, edition 8/20, 91 x 66 Signed & dated 2013 $1,000 - 2,000
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JOHN SHOTTON PARKER (1944 - 2017) Plain Song Mixed media on paper 105 x 74 Signed, inscribed Plain Song & dated 1989 $3,500 - 4,500
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SHANE COTTON (b. 1964) Incomplete Y’s Acrylic on Fabriano paper 78 x 54 Signed, inscribed Incomplete Y’s & dated 2014 $8,000 - 12,000
PROVENANCE Private Collection, Wellington Purchased from Hamish McKay Gallery 2014, label affixed verso 23
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FATU FEU’U (b. 1946) Equation of Authority Oil on canvas 180 x 228 Signed, inscribed Equation of Authority & dated 1993 verso $15,000 - 25,000
PROVENANCE Collection of the artist EXHIBITED Fatu Feu’u Fa’afofoga, RKS Art, Auckland 19 May - 5 June, 1992 This work comprises a grid of 20 square alternating bold frangipani flowers and X-like formations. The composition is partly informed by the Samoan tradition of siapo – a practice based on geometrical precision and repetition. It has a sense of expressionistic unruliness through loose brushwork and drips of paint. The palette functions in a similar way: foundational colours are restrained and earth-like, indicative of traditional tapa practice, and overlaid with neon yellows and greens. This encapsulates the juxtapose nature of Fatu Feu’u’s work in which he bridges traditional Samoan art and New Zealand modernism. The frangipani flower, though not native to Samoa, is closely associated with the country. In this painting it functions as an instant visual symbol, and a metaphor for Feu’u’s unification of two visual cultures. As with all of his work, Samoan patterns, devices and techniques are not re-imagined through the filter of European-inspired Expressionism, but are left in their native form, wholly intact.
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By 1993, when Feu’u completed this painting, he was gaining recognition for his contribution to New Zealand painting. For decades, he had been working in a relatively insular art world in which Pacific art was under-represented and over-appropriated. In spite of this, he had gained a degree of institutional recognition, partly helped by his association with Fomison, Clairmont and Maddox (the stylistic similarities between these four painters are obvious). He was represented by RKS Galleries in Auckland along with Hanly, McCahon and Hotere. Equation of Authority can be seen as a rightful assertion of Feu’u’s position in New Zealand’s modern art narrative. Nearly three decades later, the title reminds us of the need to go further in recognising and promoting Pacific art in New Zealand. It speaks to a levelling of cultural and artistic duality, in which we are compelled to view cultural memory and consciousness through a bicultural lens.
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JOHN PULE (b. 1962) Reclining Nude Oil on canvas 43 x 72 Signed & dated 1987 $1,500 - 2,000
EXHIBITED Restless Spirits, Paintings by John Pule, Ika Lologo, Newton 14 - 26 November 1988. Original exhibition flyer and photo of the artist affixed verso
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YUKI KIHARA (b. 1975) Legacy Collage on paper, 29.5 x 27.5 $2,500 - 3,500
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ANDY LELEISI’UAO (b. 1969) Choirs of Luplatis Part II Acrylic on canvas 91 x 75.8 Signed & dated 2013 verso $6,000 - 8,000
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SIMON KAAN (b. 1971) Untitled - From the Beijing Series Oil on carved wood 89 x 190 Signed & dated 04-05 $10,000 - 15,000
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ANDY LELEISI’UAO (b. 1969) Choirs of Etropedia Part I Acrylic on canvas 76.3 x 60.9 Signed & dated 2013 verso $4,000 - 6,000
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EMILY WOLFE (b. 1972) Lace Curtain with Bird Acrylic on canvas 45.5 x 50.5 $4,000 - 6,000
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SERAPHINE PICK (b. 1964) Flight Over Wastelands Oil on canvas 138.5 x 187.5 Signed, inscribed & dated 1991 $15,000 - 20,000
PROVENANCE Private Collection, Wellington Brooke Gifford Gallery, Christchurch
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ALEXIS HUNTER (1948 - 2014) Passionate Instincts V Oil on canvas 129 x 89.5 Signed, inscribed Passionate Instincts V & dated 1983 verso $5,000 - 8,000
PROVENANCE Private Collection, UK British Council Collection label affixed verso
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MARTE SZIRMAY (b. 1946) Triangle from series C Cast polyester resin & Nelson marble dust, unique sculpture 26 x 36 x 30 $2,000 - 3,000
EXHIBITED Marte Szirmay: Sculpture as Object and Material New Vision, Auckland
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MARTE SZIRMAY (b. 1946) Untitled Cast polyester resin & Nelson marble dust 7x8 $200 - 300
EXHIBITED Little Works, Auckland City Art Gallery, 1978 35
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KEN KENDALL (1928 - 2012) Prickles Bronze sculpture 30 x 24 x 15 Signed & dated 1979 $1,200 - 1,800
37 KEN KENDALL (1928 - 2012) Reclining Girl Terracotta sculpture 21 x 20.5 Signed $800 - 1,200
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38 KEN KENDALL (1928 - 2012) Jamie Removing a Prickle Terracotta sculpture 21 x 14.5 Signed $800 - 1,200
39 KEN KENDALL (1928 - 2012) Standing Boy Terracotta sculpture 44 x 19 Signed $1,200 - 1,800
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JEFF THOMSON (b. 1957) Weaving Corrugated iron sculpture 158 x 65 Signed & dated 2009 verso $3,000 - 5,000
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PHILIP CLAIRMONT (1949 - 84) Untitled Ink on paper 30 x 20 Signed & dated 1974 $5,000 - 8,000
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RALPH HOTERE (1931 - 2013) Nude #2 Ink on paper 28 x 20 Signed. Dated 1991 verso $5,000 - 8,000
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RALPH HOTERE (1931 - 2013) Aoraki is the Mountain, Waitaki the River Lithograph, edition of 15, 67 x 50 Signed, inscribed Aoraki is the Mountain, Waitaki the River, Te Maunga Ko Aoraki Te Awa Ko Waitaki Te Whare Ko Uenuku Te Iwi Ko Te Katiawa Te Tako Tai Rawhiti & dated 2004 $5,000 - 8,000
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43 JOHN EDGAR (b. 1950) Untitled Coromandel granite with Red granite 12 x 12 x 4 $1,200 - 1,600
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JON TOOTILL (b. 1951) Pepeha for Lily Acrylic on canvas 120 x 135 Signed, inscribed Pepeha for Lily Ro Waitaki Toku Awa (Yellow Hat 2) & dated 2006 verso $5,000 - 7,000
PROVENANCE Private Collection, Auckland Purchased from Milford Galleries, Auckland, 2006 Exhibition titled Pepeha for Lily Ko Waitaki Original exhibition label affixed verso
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HARIATA ROPATA TANGAHOE (b. 1952) Mother & Child Acrylic on canvas 107 x 81 Signed & dated 1987 $3,000 - 5,000
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ROY GOOD (b. 1945) Notched Modular No. 7 Acrylic on Perspex 54 x 54 Signed, inscribed Notched Modular No. 7 & dated 2019 verso $2,500 - 3,500
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IAN SCOTT (1945 - 2013) Vermillion Light, 1984 Acrylic on canvas 122 x 91 Signed, inscribed Vermillion Light & dated 1984 verso $5,000 - 8,000
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IAN SCOTT (1945 - 2013) Small Lattice No 121 Acrylic on canvas 92 x 92 Signed, inscribed & dated 1985 on stretcher verso $4,000 - 6,000
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ROY GOOD (b. 1945) Double Notched No.2 Acrylic on Perspex 60 x 60 Signed, inscribed Notched Modular No. 2 & dated 2019 verso $3,000 - 4,000
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JOHN RADFORD (b. 1965) Tip - for Western Park Path, Ponsonby - Marquette Plaster sculpture 37 x 75 x 17 $2,000 - 3,000
One of the life size John Radford Sculptures in Western Park Path
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JOHN WALSH (b. 1954) The Night Pack, 2017 Oil on fortified paper 35.5 x 45 $5,000 - 7,000
PROVENANCE Purchased from the John Walsh, National Bank exhibition, PAULNACHE Gallery, 2017
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53 ANDY LELEISI’UAO (b. 1969) Unmalosa Acrylic on canvas 101 x 75.5 Signed $5,000 - 7,000
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54 BANKSY (British b. 1974) Have a Nice Day Screenprint on wove paper edition 235/500, 34 x 98.7 Numbered $40,000 - 60,000
This work is accompanied by a Certificate of Authenticity from Pest Control
In one of the first ever screenprints released by Banksy, the artist portrays law enforcement in a bold and striking way in Have a Nice Day. Twenty seven military or riot police are depicted in a single, intimidating line. In the centre of the group is a grey and black tank, underneath which the words Have A Nice Day are written. The police are kitted out in black riot gear, marching in unison against an unseen threat or in fact towards the viewer. The faces of the police, which in reality would
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be covered with protective visors, are covered with bright yellow acid-house style smiley faces; a motif we see fairly regularly in Banksy prints, particularly when it comes to portraying figures that use fear as a means of control. Whether or not Banksy intended Have a Nice Day to intimidate or amuse, the artwork certainly speaks both to the idea that the police force are not all they seem, perhaps even hiding behind their smiles.
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55 BLEK LE RAT (French b. 1952) The Violinist Lithograph, edition 6/20, 76 x 56.5 Signed $1,500 - 2,500
PROVENANCE Purchased DK Johnson, Official agent for Le Rat 2013, by current owner
56 VHILS (Portuguese b. 1987) Nothing Lasts Forever Screenprint enhanced with ink, edition 67/100, 70 x 50 Signed $1,000 - 2,000 PROVENANCE Purchased from Pictures on Walls, London 2008, by current owner 57
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PROVENANCE Purchased from The Aquarium Gallery London 2008, by current owner
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JAMIE REID (British b. 1947) God Save the Queen Lithograph, edition 67/100, 38.5 x 28 Signed & inscribed God Save the Queen $1,000 - 2,000
58 58 MR BRAINWASH (French / American b. 1966) Handle with Care Five colour screenprint on archival paper, edition 30/75, 57 x 76 Signed Thumbprint in ink & dated 2013, verso $1,500 - 2,500 PROVENANCE Purchased from Lieberman Gallery, London, 2013, by current owner
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PENNY (British 21st Century) Money Shot Spray paint on card 15.3 x 9.5 Signed & dated 2013 $1,000 - 2,000
PROVENANCE Purchased directly from artist, 2013 59
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KUSHANA BUSH (b. 1983) Man Renouncing His Shirt Gouache & pencil on paper 76 x 56 Signed & inscribed ‘Man Renouncing his Shirt’ From All Things to All Men & dated 2011 verso $6,000 - 8,000
PROVENANCE Purchased from Brett McDowell Gallery EXHIBITED Kushana Bush, All Things To All Men, Hocken Library, Dunedin, 2011, and Pah Homestead, TSB Wallace Arts Centre 2012 ‘Where Do I End and You Begin’, Edinburgh Art Festival, Scotland, 1 August - 14 October 2014
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MAX GIMBLETT (b. 1935) Untitled Quatrefoil Libra gloss on aluminium 38 x 38 $2,000 - 4,000
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59c DAMIEN HIRST (English b. 1965) For the Love of God Diamond Skull 2007 Silkscreen print Diamond Dust, edition 172/250, 100 x 75 Signed $20,000 - 30,000
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ILYA BOLOTOWSKY (American 1907 - 1981) Untitled Yellow, Red Tondo, Blue Diamond Three screenprints, edition 8/25, each 56 x 75, image size 40 x 40 Signed & numbered $2,000 - 3,000
Ilya Bolotowsky was a leading early 20th-century Russian-American abstract painter based in New York City. His work constituted a search for philosophical order through visual expression. It embraced cubism and geometric abstraction. He was influenced by Dutch painter Piet Mondrian. Bolotowsky adopted Mondrian’s use of horizontal and vertical geometric pattern and a palette restricted to primary colours and neutrals. Having turned to geometric abstractions in 1936 Bolotowsky co-founded American Abstract Artists, a cooperative formed to promote the works of abstract painters.
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ELLSWORTH KELLY (British 1923 - 2015) Red/Blue (Untitled) from Ten Works x Ten Painters Screenprint on Mohawk Superfine Cover paper, 1964, from the unsigned edition of 500, 55.6 x 45.7 Published by Wadsworth Atheneum, Hartford, Connecticut $4,000 - 6,000
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ANDY WARHOL (American 1928 - 87) Campbell’s Soup Sunday B. Morning silkscreen print 89 x 58 Fill in your own signature and Published by Sunday B. Morning stamped verso $1,500 - 2,500
63 ANDY WARHOL (American 1928 - 87) Mao Sunday B. Morning silkscreen print 84 x 74 Fill in your own signature and Published by Sunday B. Morning stamped verso $1,500 - 2,500
62 64 ANDY WARHOL (American 1928 - 87) Marilyn Sunday B. Morning silkscreen print 91.5 x 91.5 Fill in your own signature and Published by Sunday B. Morning stamped verso $2,500 - 3,500
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ANDY WARHOL (American 1928 - 87) Marilyn, Silver Sunday B. Morning silkscreen print 91.5 x 91.5 Fill in your own signature and Published by Sunday B. Morning stamped verso $2,500 - 3,500
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ANDY WARHOL (American 1928 - 87) Flowers Hellblau Sunday B. Morning silkscreen print 90 x 90 Fill in your own signature and Published by Sunday B. Morning stamped verso $2,000 - 3,000
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ANDY WARHOL (American 1928 - 87) Poppy Flowers Sunday B. Morning silkscreen print 90 x 90 Fill in your own signature and Published by Sunday B. Morning stamped verso $2,000 - 3,000
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BERNARD VILLEMOT (French 1911 - 90) Bally Orange Framed French Vintage Poster 58 x 39 Signed in plate $1,500 - 2,000
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BERNARD VILLEMOT (French 1911 - 90) Bally Blonde Framed French Vintage Poster 58 x 39 Signed in plate $1,500 - 2,000
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ROLAND HUGON 35e Grand Prix Monaco 77 Lithographic poster 101 x 68 Printed 1990 Automobile Club de Monaco $1,500 - 2,000
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ANDY WARHOL (American 1928 - 87) Chanel Poster Framed poster 172 x 118 $2,000 - 3,000
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72 GRAHAME SYDNEY (b. 1948) Fog at Kane’s Pond Lithograph, edition of 50, 36.5 x 58 Signed, inscribed Fog at Kane’s Pond & dated February 2007 $1,500 - 2,500
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GRAHAME SYDNEY (b. 1948) Evening at the Shearer’s Kitchen Photographic print on archival paper, edition of 10, 46 x 74 Signed, inscribed Evening at the Shearer’s Kitchen & dated 2013 $1,500 - 2,000
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GRAHAME SYDNEY (b. 1948) Perriam’s Shoes Egg tempera on board 29 x 55.5 Signed, inscribed Charlie Perriam’s Property, Upper Clutha Valley, - Drawings begun Dunedin, - March 13th 1975, painting begun 17 March, completed 1 April, 1975 & dated 1975 verso $15,000 - 20,000
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GRAHAME SYDNEY (b. 1948) Fog at Ranfurly Lithograph, edition of 75, 46 x 46 Signed, inscribed Fog at Ranfurly & dated September 2005 $1,200 - 1,800 75
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DAVID BARKER (b. 1941) Stingray Bay Acrylic on board 70.6 x 187.5 Signed & dated 1991 $8,000 - 12,000
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DAVID BARKER (b. 1941) Wild Oats Oil on canvas 50 x 90 Signed, inscribed Wild Oats & dated 1975 verso $2,000 - 3,000
78 78 ANDREW COATES (b. 1955) Coastal Scene with Ship and Figures Oil on board 61 x 92 Signed $8,000 - 12,000 PROVENANCE W H Patterson Fine Arts, London Original label affixed verso
79 ANDREW COATES (b. 1955) Evening Sky, Milford Oil on board 21 x 31.5 Signed $1,500 - 2,500
80 ANDREW COATES (b. 1955) Late Afternoon, Wanaka Oil on board 18.5 x 28.5 Signed $1,500 - 2,500
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STAR GOSSAGE (b. 1972 ) Untitled Mixed media on paper 51 x 70 $1,500 - 2,500
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MICHAEL SMITHER (b. 1939) Shoreline Screenprint, edition AP, 48 x 66 Signed & dated 1977 $1,800 - 2,500
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JOHN PULE (b. 1962) Naau Woodblock print, edition of 10, 40 x 57 Signed, inscribed Naau & dated 1994 $1,000 - 1,800
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MICHAEL SMITHER (b. 1939) Taranaki III Screenprint, edition of 75, 19.5 x 62 Signed & dated 2007 $800 - 1,200
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PAUL DIBBLE (b. 1943) Four Oars Cast bronze, edition 2 of 3, 48.4 x 15.4 Signed & dated 2003 on top of base $13,000 - 15,000
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PATRICIA FRANCE (1911 - 95) Women in Landscape Gouache on board 20 x 21.5 $2,500 - 3,500
87 STAR GOSSAGE (b. 1972 ) She’s at the Doorstep Oil on wood panel 198 x 46 Signed, inscribed She’s at the Doorstep & dated May 2012 verso $7,000 - 10,000 87
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Works from the Frans Baetens and Magda Van Gils Collection International Art Centre is delighted to offer works from the Private Collection of Muka Studio founders Frans Baetens and Magda Van Gils. These two passionate art teachers collaborated with leading New Zealand artists in the production of handmade prints, initially using the two small stone lithography presses they had brought with them from Belgium in 1983. Some of he artists they worked with included Gretchen Albrecht, Don Binney, Tony Fomison, Nigel Brown, Fatu Feu’u, Dick Frizzell, Ralph Hotere, Pat Hanly, Allen Maddox, Para Matchett, Robyn Kahukiwa, Michel Tuffery and Selwyn Muru. The Muka Studio Gallery soon had over 100 well known artists exhibiting and working in lithography with them. In 1988 a huge antique Voirin Press, identical to the presses Picasso and Miro used was added to the studio’s assets. Prints for international artists included Ed Ruscha, Michael Kvium,
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Panamarenko, Martin Assig, Fred Cress, Kazuo Katase, Luk Tuymans, Ann Veronica Janssens and many others. In November 1987 at Muka studio, Frans and Magda organised an exhibition of original artworks exclusively for youth. What had been intended as a single show met with great popular success and became an important annual event which lasted for some 35 years and travelled nationwide. Through the efforts of Frans and Magda many young New Zealanders were give the invaluable opportunity to view and acquire especially selected works of art. Please download the International Art Centre App as further works from this collection will be included in our ART at HOME online auctions. For instructions visit our website www.internationalartcentre.co.nz
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PAT HANLY (1932 - 2004) Expo Bride and Groom Lithograph, edition of 35, 53 x 68 Signed, inscribed Expo Bride and Groom & dated 1993 $1,500 - 2,500
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GAVIN CHILCOTT (b. 1950) Self with Lopsided Pots Watercolour 52 x 73 Signed, inscribed & dated 27.5.89 $1,000 - 2,000 91
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DICK FRIZZELL (b. 1943) Unconscious Woman Lithograph, edition of 65, 51 x 146 Signed, inscribed Unconscious Woman & dated 2003 $1,500 - 2,500
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DICK FRIZZELL (b. 1943) Pink Cup Monotype 54.5 x 67 Signed, inscribed #1 & dated 6/10/99 $1,500 - 2,500 92
92 DICK FRIZZELL (b. 1943) Ukelele Monotype 54.5 x 67 Signed, inscribed #2 & dated 22/9/99 $1,500 - 2,500
93
DICK FRIZZELL (b. 1943) Blue Vase Monotype 54.5 x 67 Signed, inscribed #3 & dated 6/10/99 $1,500 - 2,500 93
59
94 94
DICK FRIZZELL (b. 1943) Mickey to Tiki Tu Meke - It’s About Time Screenprint, edition of 250 Signed, inscribed It’s About Time & dated 2007 $3,000 - 5,000
95
60 COLLECTABLE ART Wednesday 30 September
95
DICK FRIZZELL (b. 1943) Mon Repos Screenprint, edition of 100, 44.3 x 128.9 Signed, inscribed Mon Repos & dated 2017 $2,500 - 3,000
2
97
96
96
DICK FRIZZELL (b. 1943) Big Kiss Screenprint, edition of 80, 120 x 79 Signed, inscribed Big Kiss & dated 2007 $2,500 - 3,500
97
DICK FRIZZELL (b. 1943) Ochre Tiki Screenprint, edition of 80, 60.5 x 49.5 Signed, inscribed Ochre Tiki & dated 2006 $1,500 - 2,000
98
DICK FRIZZELL (b. 1943) The Long Ride Home Screenprint, edition of 100, 73.8 x 73.2 Signed, inscribed The Long Ride Home & dated 2014 $2,400 - 2,800 98
61
99
BANKSY (British b. 1974) Walled Off Hotel Framed Poster, open edition, 59 x 42 Walled Off Hotel embossed Stamp $1,000 - 1,500
PROVENANCE Original till receipt affixed verso
99
100
SHEPARD FAIRY (American b. 1970) Print and Destroy Offset Lithograph, open edition (Sold Out) 91 x 60.5 Signed in pencil $300 - 500
PROVENANCE This version carries the artist’s signature in pencil, lower right Some people say print will be wiped out by digital media, but I say you can never replace the provocative, tactile experience of a print on the street or in a gallery Printing still matters. SHEPARD FAIRY
62 COLLECTABLE ART Wednesday 30 September
100
101
TREVOR MOFFITT (1936 - 2006) The Passageway Oil on board 54.5 x 59 Signed & dated 1974 Inscribed The Passageway verso $3,000 - 5,000
PROVENANCE Purchased directly from the artist by current owner c.1975
102
JEFFREY HARRIS (b. 1949) Untitled Domestic Scene Acrylic & oil pastel on paper 43 x 67 Signed & dated 31-1-70 $2,000 - 3,000
101
102
63
104 PAUL RADFORD (b. 1957) Portrait (Blue) Oil on canvas mounted to board 69 x 51.5 Signed $800 - 1,200
105
JOHN NICOLL (b. 1943) Life Sign Acrylic on MDF 100 x 100 Signed & dated 1990 $1,500 - 2,500
106
PEATA LARKIN (b. 1973) Poutama Cross (BLK Steps - Version 2) Acrylic on mesh on canvas 24.5 x 49.5 Signed, inscribed Poutama Cross (BLK Steps - Version 2) & dated 2010 verso $1,200 - 1,800
103 PAUL RADFORD (b. 1957) Portrait (Red) Oil on canvas mounted to board 69 x 51.5 Signed $800 - 1,200
107
LUISE FONG (b. 1964) Around About PVC and acrylic on canvas 110 x 152 Signed, inscribed Around About & dated 2004 verso $1,500 - 2,500
104
105
103
64 COLLECTABLE ART Wednesday 30 September
106
107
65
108
DEAN PROUDFOOT While the Brave Battles with the Pilgrim... the Flagstaff Falls for a Fourth Time Oil on canvas 120 x 92 Signed, inscribed & dated 2014 $1,500 - 2,500
66 COLLECTABLE ART Wednesday 30 September
109
DEAN PROUDFOOT Still Life with Passion Oil on canvas 120 x 84 Signed, inscribed Still Life with Passion & dated 2011 $1,400 - 2,000
110
JUSTIN SUMMERTON (b. 1952) Starry Night, Mt Eden Oil on canvas 91 x 74 Signed & dated 2020 $5,000 - 7,000
67
112
111
113
68 COLLECTABLE ART Wednesday 30 September
111
SYLVIA SIDDELL (1941 - 2011) Le Liaisons Dangereuses (Portrait of Actress Bridget Armstrong) Oil on hardboard 60 x 39.5 Signed & dated 1987 $500 - 1,000
112
SYLVIA SIDDELL (1941 - 2011) Self Portrait Oil on canvas 51 x 38 Signed & dated 1988 $800 - 1,200
113
SYLVIA SIDDELL (1941 - 2011) Provisions Oil on canvas 30 x 30 Signed & dated 2007 $300 - 500
114
114 SIMON CLARK Just Do It Yourself, 2014 Oil & 24 carat gold leaf on board 61 x 61 Inscribed Yourself $4,000 - 5,000
69
115 JENNA PACKER (Working 2008 - current) Diversions Acrylic on aluminium 47 x 61 Signed $4,000 - 6,000
70 COLLECTABLE ART Wednesday 30 September
116
ELIZABETH REES (b. 1959) Gathering Clouds Oil on canvas 50 x 60 Signed & dated 2010 $6,000 - 8,000
71
117
PETER O’HAGAN (1942 - 2013) The Hartford Alumni Take Tea in the Pump Room, Bath Watercolour, gouache and tinted Gum Arabic 70 x 72 Signed & dated 2003 $3,000 - 5,000
PROVENANCE Jonathan Grant Galleries
117
118 PETER O’HAGAN (1942 - 2013) Dîner à Paris Gouache on paper 59 x 70 Signed $2,000 - 3,000 PROVENANCE Purchased from the Artist
119 PETER O’HAGAN (1942 - 2013) Sending a Parcel Back Home Oil on canvas 45 x 60 Signed $1,000 - 2,000
118
PROVENANCE Jonathan Grant Galleries
120
119
72 COLLECTABLE ART Wednesday 30 September
PIERA MCARTHUR (b. 1929) Restorative Powers of Dom Perignon Acrylic Marouflage on canvas 168 x 137 Signed, inscribed & dated 2007 $8,000 - 12,000
PROVENANCE Purchased from SOCA, 2007
120
73
121
122
74 COLLECTABLE ART Wednesday 30 September
123 121 DEAN BUCHANAN (b. 1952) Patterned Lansdcape Oil on stretched hessian 101 x 200 Signed & dated 1989 $3,000 - 5,000
122
DEAN BUCHANAN (b. 1952) Nikau Fantasy Oil on stretched hessian 79 x 103 Signed & dated 2002 $1,500 - 2,500
123
DEAN BUCHANAN (b. 1952) Sunshine Oil on stretched hessian 154 x 93 Signed & dated 1990 $2,000 - 3,000
75
124
DOUGLAS BADCOCK (1922 - 2009) Pioneer Cottage, Wakatipu District Oil on board 40 x 55 Signed & dated 1971 $2,000 - 3,000
125
DOUGLAS BADCOCK (1922 - 2009) Winter Afternoon, The Shotover, Wakatipu District Oil on board 38 x 52 Signed & dated 1974 $1,500 - 2,500
124
125
126 A AUSTEN DEANS (1915 - 2011) Autumn, Mt Peel Oil on board 44 x 86 Signed $1,000 - 2,000
128 DOUGLAS BADCOCK (1922 - 2009) Skiers Watercolour 28 x 39.5 Signed $1,000 - 2,000
127
129
PETER BEADLE (b. 1933) Remarkables and Frankton Arm Oil on board 41 x 51 Signed $1,000 - 1,500
76 COLLECTABLE ART Wednesday 30 September
A AUSTEN DEANS (1915 - 2011) Misty Morning, Mayfield Oil on canvas board 39 x 85.5 Signed & dated 1968 $1,000 - 2,000
126
128 127
129
77
130
132
134
131
133
135
130
MILAN MRKUSICH (b. 1957) Passive Element, 1968 Screenprint from the Barry Lett Multiples 56 x 33 $800 - 1,200
133 ROSS RITCHIE (b. 1941) Three Screenprint from the Barry Lett Multiples 43 x 43 $300 - 500
131
TOSS WOOLLASTON (1910 - 98) Patrick Lucas Screenprint from the Barry Lett Multiples 45.5 x 56 $300 - 500
134 ROBERT ELLIS (b. 1929) Motorways Screenprint from the Barry Lett Multiples 56 x 45.5 $300 - 500
132
RALPH HOTERE (1931 - 2013) Red on Black Screenprint from the Barry Lett Multiples 56 x 45.5 $1,000 - 2,000
135 PAT HANLY (1932 - 2004) Inside the Garden Screenprint from the Barry Lett Multiples 42 x 51 $700 - 1,000
78 COLLECTABLE ART Wednesday 30 September
138
136
139
137
136
JEFFREY HARRIS (b. 1949) Lovers Etching, edition of 14, 49.5 x 36 Signed, inscribed & dated 1988 $800 - 1,200
137
RUSSELL JACKSON (b. 1947) Tawharanui Sheep Oil & enamel on board 51 x 93 Signed, inscribed Tawharanui Sheep & dated 2007 $1,000 - 2,000
138
MICHAEL SMITHER (b. 1939) Pukekura Park, New Plymouth Screenprint, Artist’s proof, 78 x 98 Signed & dated 2008 $1,000 - 2,000
139
SHANE COTTON (b. 1964) Broken Water Screenprint, edition of 60, 56 x 76 Signed, inscribed Broken Water & dated 2008 $1,000 - 1,500
79
140
PARA MATCHITT (b. 1933) Huakina (1986), Screenprint , edition of 20, 53.5 x 81 Signed, inscribed Huakina & dated 1986 $2,400 - 2,800
140
141 IVY GRACE FIFE (1905 - 76) Raining Oil on board 96.5 x 47 Signed & dated 1964 $1,000 - 2,000
2
141
80 COLLECTABLE ART Wednesday 30 September
142
ANNIE BAIRD (1932 - 99) Dunedin with Gas Works Watercolour 73 x 53 Signed & dated 20/12/79 $1,000 - 1,500
143
PHILIP WADDINGTON (Working 1970s - 2010) Kuia with Children Watercolour 70 x 51 Signed & dated 1974 $1,500 - 2,500
142
144
144
ROBERT ELLIS (b. 1929) Captured & Described Lithograph, edition AP/7, 76 x 56 Signed & dated 2002 $500 - 800
143
81
145
WILLIAM HENRY ALLEN (1894 - 1988) Village Oil on board 30.5 x 40.5 $800 - 1,200
145
146 WILLIAM HENRY ALLEN (1894 - 1988) Tree - Copper Beech at Gestingthrop Hall, Essex Oil on board 46 x 37 Signed with initials $800 - 1,200
146 147
WILLIAM HENRY ALLEN (1894 - 1988) Harvesting Oil on canvas board 29 x 39 Signed with initials $500 - 1,000
PROVENANCE Sheila Allen Estate Collection
147
82 COLLECTABLE ART Wednesday 30 September
150
148 148
CHARLES FREDERICK GOLDIE (1870 - 1947) A Good Joke Chromolithograph 39 x 31 Signed in plate $3,000 - 5,000
149
ARTIST UNKNOWN Portrait of a Young Naval Officer Oil on canvas 33 x 28 $1,000 - 2,000
149
150
CHARLES FREDERICK GOLDIE (1870 - 1947) Sophia Chromolithograph 38 x 46.5 $2,000 - 3,000
151
BESSIE KENDON BLOMFIELD (1880 - 1984) Giant Kauri trees Oil on board 52 x 45 Signed & dated 1975 $500 - 1,000
151
83
152
152
DICK FRIZZELL (b. 1943) Overnight Success Screenprint, edition of 150, 76.5 x 56.2 Signed, inscribed Overnight Success & dated 2009 $1,300 - 1,600
153
DICK FRIZZELL (b. 1943) Phantom Flowers Screenprint, edition of 75, 70 x 50.5 Signed, inscribed Phantom Flowers & dated 2004 $1,200 - 1,600
154
NICOLAS DILLON Quail Family Watercolour 37 x 56.5 Signed & dated 2010 $1,000 - 2,000
154
153
84 COLLECTABLE ART Wednesday 30 September
155
156 155
GORDON CROOK (1921 - 2011) The Boating Pond Screenprint, edition of 10, 54.5 x 72 Signed & dated 1993 $1,500 - 2,000
156 MAUDE BURGE (1865 - 1957) Venice Watercolour 31 x 39 Signed $1,500 - 2,500
157
ARTIST UNKNOWN Mother & Child Oil on board 37 x 30 $1,500 - 2,000 157
85
158 158 TIM WILSON (1954 - 2020) Lake Te Anau Oil on canvas 45 x 90 Signed $1,000 - 2,000
159
159
160 WILLIAM DARGIE (Australian 1912 - 2003) Reclining Nude Charcoal 20.5 x 40 Signed $500 - 1,000
161 160
86 COLLECTABLE ART Wednesday 30 September
STANLEY PALMER (b. 1936) Matai Bay Bamboo etching, edition of 60, 30.5 x 58 Signed, inscribed & dated 1978 $400 - 600
CRAIG PRIMROSE (b. 1956) Mountain Vista Oil on canvas 80 x 60 Signed & dated 2011 $1,000 - 2,000
161
87
88 COLLECTABLE ART Wednesday 30 September
Lot 7 Guy Ngan
valuation SERVICES www.internationalartcentre.co.nz
International Art Centre provides formal valuations for insurance purposes, specialising in the preparation of catalogued and photographed inventories. Written valuations can be arranged by appointment. We provide free informal, verbal estimates for any of the works in your collection.
Charles Blomfield Lake Tarawera, 1883 Oil on canvas 50 x 90cm Reproduced courtesy of The Fletcher Trust Collection
International Art Centre Appointed Valuers of The Fletcher Trust Collection
For valuation enquiries & quotes contact Maggie Skelton maggie@artcntr.co.nz
202 Parnell Road, Auckland, New Zealand Telephone + 64 9 379 4010 Toll Free 0800 800 322
89
Recent Prices Realised Prices quoted are fall of the hammer which attract buyers premium
Collectable Art 30 June 2020 1 8000 2 23000 3 23000 4 15000 5 5750 6 1050 7 1200 8 700 9 700 10 800 11 900 12 1600 13 800 14 2000 15 1000 16 900 17 150 18 4500 19 2000 20 22500 21 7500 23 2800 24 2800 27 4750 29 7800 30 4000 31 45000 32 41000 33 52000 34 5500 35 2750 36 6500 37 4750 38 14200 39 800 40 500 41 400 42 350 44 550 45 350 47 17000 48 8500 50 650 51 2500 52 1200 53 550 54 5000 55 200 56 2400 57 1800 58 1200
59 6750 60 16000 61 8000 65 2800 66 700 67 1500 68 1000 69 1250 70 4000 71 3900 73 4000 74 700 76 750 78 400 79 700 81 2000 82 2000 83 3950 88 1500 90 2500 91 2750 92 300 93 2000 95 2500 96 1000 97 1700 98 2000 99 6100 100 3250 101 800 102 800 103 2000 104 2000 105 1000 106 1000 107 5000 108 1675 110 800 112 3250 113 4100 114 1600 115 6000 116 3000 117 1100 119 800 121 900 122 35000 123 8000 124 2400 125 7000 126 2000 127 1000 128 750 130 2450
131 5250 132 3750 133 1300 135 5250 136 4750 138 3000 139 800 141 2250 142 200 143 200 144 700 145 1400 146 1000 147 700 151 1000 152 4250 153 1200 154 1500 156 1000 158 500 159 1750 160 1400 163 750 165 400 166 300 167 400 168 1000 169 1800 171 900 172 1000 173 300 174 1000 175 1000 Important & Rare Art 11 August 2020 1 17000 2 9000 3 11000 5 21000 6 10000 6a 16000 7 78000 8 120000 9 21000 12 14000 14 16000 15 11750 16 10000 19 6500 20 20000
21 7500 24 14000 25 16000 26 14000 29 25000 30 3250 33 40000 35 50000 36 110000 37 110000 38 50000 40 455000 41 110000 42 30000 43 10000 44 10000 45 5500 46 95000 47 22000 48 21500 49 42500 50 35000 51 25000 53 20000 54 3000 56 5500 58 41000 59 19000 60 7000 61 5800 62 6000 64 7000 65 5750 66 47500 67 2000 68 2800 69 10000 70 8000 71 3750 72 14000 73 9000 75 7500 77 46000 79 25000 80 7000 81 6500 82 6750 84 5500 85 5500 86 1800 87 6500 88 3300 89 4000 90 4500
57 6000 59 450 60 1600 61 1800 63 200 65 125 66 175 67 2100 69 300 Art at Home Online 4 June 2020 72 500 73 500 75 4300 2 125 76 500 3 100 77 600 4 150 78 375 5 425 79 900 6 225 80 1000 7 8500 83 1300 8 600 84 400 9 2000 85 600 10 1100 86 450 11 2000 87 300 12 300 89 375 13 10000 92 1500 14 6000 93 2300 15 850 94 750 18 100 95 1500 19 4000 96 50 20 400 98 170 21 800 100 100 23 7000 101 350 24 25 102 300 25 400 103 650 26 1000 104 200 27 600 105 425 28 600 106 175 29 1400 107 400 30 1000 108 400 31 1400 110 325 33 550 111 175 34 475 112 2500 35 600 37 250 40 1700 41 200 42 1800 45 150 46 425 47 1000 48 900 50 400 51 400 52 400 53 4000 54 550 91 2750 92 4500 93 15250 94 13000 95 3750 96 1100 97 2000
www.fineartauction.co.nz 90 COLLECTABLE ART Wednesday 30 September
Lot 29 Peter Robinson
Lot 55 Blek Le Rat
91
Important & Rare Art
COLLECTABLE ART
Important & Rare auctions are the proven, pre-
The buzz generated by our Collectable Art auctions
eminent sale category for major works of art offered
reflects the popularity of these sales: an event at
for sale in New Zealand. These auctions take place
which seasoned connoisseurs and budding collectors
three times annually. As we fast approach our 50th
alike converge to appreciate one of the most eclectic
year in business, experience continues to equal
and diverse offerings available to the market. Works
results. 2014 saw Important & Rare auctions realise
span the vital period from mid-century modernism
five of New Zealand’s top ten auction prices. The
through to the cutting-edge of today’s Contemporary
following year saw new records set with the two top
art in New Zealand.
prices in Auckland achieved. With the addition of the record $1.377 million paid for a C F Goldie in April’s
This sale category is an increasingly significant event
2016 sale, International Art Centre achieved the three
in our auction calendar. Offering a number of lower-
highest art auction prices in New Zealand’s history.
priced works from highly-sought after artists in print
Due to an appreciative, and greatly valued clientele of
and edition form, as well as quality works from artists
nationwide and international buyers and sellers we
whose presence on the secondary market is just
look forward to breaking new ground.
beginning to crystallise.
ALWAYS CONSIG
ENTRIES NOW INV 92 COLLECTABLE ART Wednesday 30 September
Single Owner Auctions
ART AT HOME ONLINE only Auctions
From time to time, the secondary market is fortunate
A quick, easy and reliable solution to larger low
enough to be exposed to one of those rare collections
value consignments. During the 2020 nationwide
which transcends the value of its individual works of
lockdowns we stayed connected to our clients,
art, and stands to represent something iconic in its
keeping them close to our art. The time was spent
entirety. Our team is well-versed in the process of
productively, resulting in the development of our
offering single-owner collections for sale, and take
own online bidding platform and App, successfully
pride in the process of curating a single-owner sale
auctioning works of art with no exhibition viewing,
when the opportunity arises. We offer a targeted
no printed catalogue, while using state-of-the-art
marketing campaign and maximise the use of both
twenty-first-century technology. All transactions were
electronic and print-based collateral to effectively
contactless and we reduced our carbon footprint along
showcase such collections to maximum effect. The
the way. While the personal service, excitement and
strong networks we have established locally and
atmosphere of our famous live Parnell Road auctions
internationally are reflected in some of the private
remain and will continue to grow, the success of this
collections which have been entrusted to us in recent
online only platform has encouraged us to introduce
years.
this as an exclusive and permanent sale category.
GNING
VITED
CONTACT Richard Thomson Ph +64 9 379 4010 M. 0274 751 071 E. richard@artcntr.co.nz Maggie Skelton Ph +64 9 379 4010 E. maggie@artcntr.co.nz Luke Davies Ph +64 9 379 4010 E. luke@artcntr.co.nz www.fineartauction.co.nz 202 Parnell Road, Auckland
93
Index ALBRECHT G.....................................17 FRANCE P.........................................86 PARKER J...........................................12 ALLEN W H...................... 145, 146, 147 FRIZZELL O...................................... 22 PARKER J S....................................... 23 AMBROSE G........................................ 9 FRIZZELL D....... 90, 91, 92, 93, 94, 95, PENNY............................................... 59 BADCOCK D..................... 124, 125, 128 ................................ 96, 97, 98, 152, 153 PICK S................................................ 32 BAIRD A...........................................142 GOLDIE C F..............................148, 150 PRIMROSE C.................................... 161 BANKSY....................................... 54, 99 GOOD R....................................... 47, 50 PROUDFOOT D....................... 108, 109 BARKER D....................................76, 77 GOSSAGE S................................. 81, 87 PULE J ........................................26, 83 BEADLE P.........................................127 HANLY P..............................18, 88, 135 RADFORD P............................ 103, 104 BLAIR P..............................................19 HARRIS J.........................................136 RADFORD J.......................................51 BOLOTOWSKY I...............................60 HOTERE R.......................... 42, 44, 132 REES E..............................................116 BRAINWASH MR.............................. 58 HUGON R.......................................... 70 REID J............................................... 57 BRIDGES S.........................................14 HUNTER A........................................ 33 RITCHIE R.......................................133 BUCHANAN D...................121, 122, 123 IBELL A.............................................20 ROBINSON A...................................... 6 BURGE M.........................................156 JACKSON R......................................137 SCOTT I.......................................48, 49 CASTLE L.............................. 4, 5, 8, 10 KAAN S.............................................. 29 SIDDELL P.......................................... 3 CASTLE R...........................................13 KELLY E.............................................61 SIDDELL S.......................... 111, 112, 113 CHILCOTT G.....................................89 KENDALL K.................... 36, 37, 38, 39 SMITHER M...................15, 82, 84, 138 CLAIRMONT P...................................41 KENDON BLOMFIELD B................ 151 SUMMERTON J...............................110 CLARK S...........................................114 KIHARA Y.......................................... 27 SYDNEY G........................72, 73, 74, 75 COATES A..............................78, 79, 80 LARKIN P........................................ 106 SZIRMAY M................................. 34, 35 COTTON S................................. 24, 139 LE RAT B........................................... 55 TANGAHOE HARIATA R ................ 46 CROOK G..........................................155 LELEISI’UAO A.....................28, 30, 53 THOMSON J.....................................40 DARGIE W....................................... 160 LUCAS M............................................ 11 TOOTILL J......................................... 45 DEANS A A...............................126, 129 MATCHITT P................................... 140 UNKNOWN ARTIST................ 149, 157 DIBBLE P........................................... 85 MCARTHUR P................................. 120 VHILS................................................ 56 DICKERSON R...................................16 MOFFITT T.......................................101 VILLEMOT B...............................68, 69 DILLON N........................................154 MRKUSICH M................................. 130 WADDINGTON P.............................143 EDGAR J............................................ 43 NGAN G............................................... 7 WALSH J........................................... 52 ELLIS R.....................................134, 144 NICHOL J........................................ 105 WALTERS G.....................................1, 2 FAIREY S......................................... 100 O’HAGAN P........................117, 118, 119 WARHOL A....62, 63, 64, 65, 66, 67, 71 FEU’U F............................................. 25 ORJIS R..............................................21 WILSON T........................................158 FIFE I G............................................141 PACKER J......................................... 115 WOLFE E............................................31 FONG L.............................................107 PALMER S........................................159 WOOLLASTON T............................. 131
94 COLLECTABLE ART Wednesday 30 September
Absentee Bid Form - collectable art 6:30pm Wednesday 30 September I instruct International Art Centre to bid on my behalf for the following lots up to the prices indicated below. I understand my bids are to be executed at the lowest attainable price level. All bids are subject to Conditions of Sale printed in this catalogue.
REGISTRATION NUMBER NAME ADDRESS EMAIL
TELEPHONE
LOT NUMBER
ARTIST NAME
MAXIMUM BID $NZ excluding buyers premium
Signature ...........................................................................................
/
/ 2020
International Art Centre offers this service to clients unable to attend sale and is not responsible for error or failure to execute bids. Email to info@internationalartcentre.co.nz before 3pm day of sale
Alternatively, register as a member on our website then leave bids online www.fineartauction.co.nz or our bidding platform auction.internationalartcentre.co.nz
202 Parnell Road, Auckland, New Zealand Tel + 64 9 379 4010 email info@internationalartcentre.co.nz www.fineartauction.co.nz
95
96 COLLECTABLE ART Wednesday 30 September
97
151
98 COLLECTABLE ART Wednesday 30 September
Lot 21 Richard Orjis
155 Lot 108 Dean Proudfoot 99
100 COLLECTABLE ART Wednesday 30 September
Lot 65 Andy Warhol
Conditions of Sale and A Guide to Buyers The highest bidder shall be the buyer. In the event of any dispute as to the bidding in respect of any lot, that lot may be offered again at the discretion of the auctioneer whose decision shall be absolute and final. The auctioneer has the right (i) to refuse any bid; (ii) to advance the bidding at his absolute discretion; (iii) to place a reserve on any lot; (iv) to place a bid or bids on behalf of the seller; (v) to withdraw any lot from sale; (vi) to require a successful bidder to pay forthwith the whole or any part of the purchase price. The auctioneer acts as the agent of the seller and neither he nor the seller shall be responsible for any defects or faults in any lot or for any errors of description or for genuineness or authenticity of any lot and no compensation shall be paid in respect of same. From the time of lot being sold, such lot will be the responsibility of the buyer. Successful bidders are required to pay for purchases immediately on completion of sale unless otherwise arranged. All intending buyers are required to register for a bidding number prior to auction commencing. Subscribers can use their permanent bidding number. We reserve the right to ask for identification if you are a first time client of International Art Centre. Each lot shall be paid for and removed at the buyers expense by no later than 5:00pm Friday 2 October 2020 unless otherwise arranged failing which the auctioneer and/or the seller shall have the right to forfeit any deposit paid by the buyer and to resell the lot either by public or private sale and any deficiency on costs of resale shall be borne by the defaulting buyer. No lot may be collected whilst auction is in progress. Payment can also not be made until completion of auction. SUBJECT BIDS When the auctioneer declares a lot ‘subject’ this means the bid is below the set reserve and is subject to vendor accepting, rejecting or negotiating the bid. International Art Centre will endeavour to make contact with the vendor immediately after sale or the following day. If the bid is accepted, the highest bidder is obligated to make purchase.
ABSENTEE BIDS Absentee bidding arranged - please refer to absentee bidding in back of catalogue Fax to (09) 307 3421 or post to PO Box 37 344 Parnell before 3pm day of sale. Please do not be offended if a member of our staff ask for your credit card details as security. Absentee bids can also be left via our website to registered members. Our website www.fineartauction.co.nz acts as a useful auxiliary to the catalogue but we recommend inspection or a condition report prior to leaving a bid. Our staff will gladly supply you with a condition report on any lot. TELEPHONE BIDS Telephone bidding available to subscribers and registered bidders. There is no charge for this service. PAYMENT OPTIONS Eftpos: Available for transactions depending on your daily limit. Bank deposits: Bank instructions on invoice if paying by direct debit. Quote the Lot number(s) purchased and Surname as reference. International Art Centre no longer accepts cheque or cash payments in excess of NZ$10,000. Credit cards: Visa and Mastercard accepted - 2% surcharge. PROTECTED OBJECTS ACT Art objects over 50 years old made by an artist or maker born in or related to New Zealand may be protected New Zealand objects, and therefore require permission from the Ministry for Culture and Heritage in order to be exported. Applications for permission to export can be made at https://mch.govt.nz/ nz-identity-heritage/protected-objects/exporting FREIGHT & PACKING International Art Centre arrange door to door delivery both nationally and internationally. Please arrange insurance on your items prior to them leaving our premises. OTHER ENQUIRIES Should you have any questions relating to the sale or if we can be of any other assistance please contact us during business hours on (09) 379 4010, Toll Free 0800 800 322 or email info@internationalartcentre.co.nz BUYERS PREMIUM 17.5% Buyers premium plus GST on premium applies to all lots. (Total buyers premium is 20.12% including GST)
ESTIMATES Estimates are provided for each entry and act as a guide only. They are prepared well in advance of sale and are subject to revision at any time. Estimates are based on hammer price and do not include buyers premium.
101
102 COLLECTABLE ART Wednesday 30 September
Lot 78 Andrew Coates
202 Parnell Road, Auckland, New Zealand Tel + 64 9 379 4010 www.internationalartcentre.co.nz