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IN COPERTINA: LAGOON, UNO DEI SEI MONUMENTALI TAVOLI CHE GAETANO PESCE HA REALIZZATO ASSIEME A DAVID GILL GALLERIES DI LONDRA ISPIRANDOSI AI PAESAGGI D’ACQUA PRESENTI IN NATURA. L’AZZURRO VERDOGNOLO DEL PIANO IN RESINA RIPRODUCE, IN QUESTO CASO, LE ACQUE STAGNANTI DELLA LAGUNA DI VENEZIA, EVOCATA ANCHE DALLE BRICCOLE CHE, COME TUTTI GLI ELEMENTI CONNOTATIVI DEGLI ALTRI CINQUE TAVOLI (OCEAN, PUDDLE, POND, LAKE E RIVER), POSSONO ESSERE RIMOSSI ALL’OCCORRENZA. ON THE COVER: LAGOON, ONE OF THE SIX MONUMENTAL TABLES GAETANO PESCE HAS MADE, TOGETHER WITH DAVID GILL GALLERIES OF LONDON, BASED ON WATERSCAPES FOUND IN NATURE. THE GREENISH BLUE OF THE RESIN TOP, IN THIS CASE, REPRODUCES THE STAGNANT WATERS OF THE VENICE LAGOON, ALSO EVOKED BY THE BRICCOLE POLES, WHICH LIKE THE CHARACTERISTIC ELEMENTS OF THE OTHER FIVE TABLES (OCEAN, PUDDLE, POND, LAKE AND RIVER) CAN BE REMOVED WHEN NECESSARY. (FOTO DI/PHOTO BY JOHN ROHRER)

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L’INTERAZIONE TRA LE FACCIATE IN ALLUMINIO ANODIZZATO COSTITUITE DA 17.000 CASSETTE DI FORMA TRIANGOLARE (OGNUNA UN PEZZO UNICO) CHE RIVESTONO L’ARCHITETTURA DEI VOLUMI ENFATIZZA IL GIOCO DI PIENI E DI VUOTI, DI LUCI E DI OMBRE, PROPRIO DELLA DINAMICA DEL PROGETTO. IL DESIGN GEOMETRICO DELLA ‘PELLE’ METALLICA TROVA UNA CONTINUITÀ IN QUELLO DELLE FINESTRE DI VETRO, ANCH’ESSE UNA DIVERSA DALL’ALTRA E DI FORMA TRIANGOLARE.

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SOPRA, LA SALA POLIVALENTE CON LE SEDUTE DELLA SERIE 7 (1955) DI ARNE JACOBSEN PER FRITZ HANSEN. GLI SPAZI DI UN’AULA E DI DUE LABORATORI SCOLASTICI. UNA CAMERA ALL’INTERNO DELL’EDIFICIO PER LO STUDENTATO. LETTO E SEDUTE IN ECO PELLE SU DISEGNO DEGLI ARCHITETTI SONO STATI REALIZZATI APPOSITAMENTE DA MOROSO.

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UNO SPAZIO DI DISIMPEGNO INTERNO. NEI DIVERSI PIANI DEGLI EDIFICI DEL LICEO E DELLO STUDENTATO SONO STATI ADOTTATI COLORI SPECIALI PER L’INVOLUCRO, CON TONALITÀ FLUO, NELLO SPECIFICO ARANCIO, CHE FUNGONO ANCHE DA PERCORSO SEGNALETICO.

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VEDUTA DAL GIARDINO DEI TRE PADIGLIONI ARTICOLATI INTORNO ALLO SPECCHIO D’ACQUA CENTRALE CHE FORMANO IL COMPLESSO ARCHITETTONICO DISEGNATO DA STEVEN HOLL. NEL DISEGNO: LA PLANIMETRIA DEL PIANO TERRA.

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A SINISTRA, LA TEA-ROOM OSPITATA IN UN VOLUME DI VETRO E LEGNO CHE SI APRE SUL GIARDINO. TAVOLINO TRIENNA TABLE DISEGNATO DA ILMARI TAPIOVAARA NEL 1954 E PRODOTTO DA ARTEK, SEDUTE TRES 3 IN LEGNO DI QUERCIA E CUOIO DI ANGELO MANGIAROTTI PER AGAPE CASA. SOTTO, VISTA DELLO SPAZIO ESPOSITIVO ORGANIZZATO AL LIVELLO INFERIORE E CONCEPITO COME UNO SPAZIO A DOPPIA ALTEZZA SEGNATO DA UN MOTO ASCENSIONALE SOTTOLINEATO DAGLI SKYLIGHT RITAGLIATI NEL PIANO DI COPERTURA.

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SCORCIO DI UNA ZONA DEL LIVING CHE INSTAURA UN DIALOGO A 360° CON LA LUCE E LA NATURA DELL’INTORNO. IN PRIMO PIANO, IL SOFÀ E LE POLTRONE DELLA COLLEZIONE SILVER LAKE, DISEGNATA DA PATRICIA URQUIOLA PER MOROSO, ISPIRATA AL MODERNISMO ARCHITETTONICO CALIFORNIANO DEGLI ANNI CINQUANTA.

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QUI SOPRA, LA SCALA DI COLLEGAMENTO INTERNA CON LA PAVIMENTAZIONE IN PIETRA CHIARA E IL RIVESTIMENTO IN LEGNO ROSSO DELLE PARETI, FILO CONDUTTORE DEGLI INTERNI ALLA STREGUA DEGLI SKYLIGHT RITAGLIATI NEL PIANO DI COPERTURA CHE ACCENDONO ZENITALMENTE I TRE PADIGLIONI CHE FORMANO IL COMPLESSO.

LA PLANIMETRIA DEL LIVELLO INFERIORE.

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NELLA PAGINA A FIANCO, IL FRONTE OPPOSTO AL GIARDINO CON LE ZONE D’INGRESSO ALLO SPAZIO ESPOSITIVO DELLA GALLERIA AL LIVELLO INFERIORE E ALL’ABITAZIONE AL PIANO SUPERIORE. SI NOTA LA SAPIENTE TEXTURIZZAZIONE DELLA PELLE ARCHITETTONICA DELL’INVOLUCRO, DECLINATA NEI DETTAGLI CON PANNELLI DI CALCESTRUZZO E DI RAME.

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LA LOUNGE AL TERZO LIVELLO DELLA PENTHOUSE, AL VENTUNESIMO E ULTIMO PIANO DI UNO DEGLI EDIFICI PIÙ ALTI DELLA CITTÀ; AL CENTRO, L’ELEMENTO DI ONICE RETROILLUMINATO CHE È IL SEGNO CARATTERIZZANTE DELLA PENTHOUSE.

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18/10/12 18.12

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PIANTE DEL PRIMO E SECONDO LIVELLO, CON GLI AMBIENTI PRINCIPALI AL CENTRO E I SERVIZI AGLI ESTREMI DELLA PIANTA ELLITTICA. VEDUTE DEL FOYER DI INGRESSO E DELLA SALA DA PRANZO, CON IL DIVANO IN NICCHIA E IL TAVOLO CURVILINEO A SEDICI POSTI. LE SUPERFICI CURVE SONO ESEGUITE IN LEGNO VERNICIATO OPPURE RIVESTITO DA UNA IMPIALLACCIATURA IN EBANO MAKASSAR.

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C_In626_R_16_21_penthouse_tchoban.indd 18

IL SECONDO LIVELLO, CON LA BIBLIOTECA E LA SCALA INTERNA CHE CONDUCE AL TERZO E ULTIMO LIVELLO. QUASI TUTTI GLI ARREDI SONO PEZZI UNICI DISEGNATI ESPRESSAMENTE PER LA PENTHOUSE. PAGINA A FIANCO, L’ANGOLO PANORAMICO DELLA FITNESS ROOM, AL PRIMO LIVELLO DELLA PENTHOUSE. PER I PAVIMENTI, PARQUET A LISTONI IN WENGÉ.

15/10/12 17.32

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C_In626_R_16_21_penthouse_tchoban.indd 19

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LA GUESTROOM, IL LIVING PER RICEVERE GLI OSPITI, AL PRIMO LIVELLO. L’INTERA PENTHOUSE HA UNA SUPERFICIE DI 550 METRI QUADRATI.

C_In626_R_16_21_penthouse_tchoban.indd 20

15/10/12 17.32

INTERNI efm\dYi\ )'()

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UNO SCORCIO DELL’ALLESTIMENTO “GATEWAY” DI NORMAN FOSTER ALL’INGRESSO DELLE CORDERIE DELL’ARSENALE. (FOTO M.V.) SOTTO, IL PROGETTO AIR+PORT DI BIG PER UN GLOBAL HUB IN GROENLANDIA PRESENTATO NELLA MOSTRA POSSIBLE GREENLAND DEL PADIGLIONE DELLA DANIMARCA. NELLA PAGINA A FIANCO, LA GRANDE CUPOLA RIVESTITA DA PIASTRE METALLICHE SERIGRAFATE CON CODICI QR DELLA MOSTRA I-CITY NEL PADIGLIONE RUSSO A CURA DI SERGEI TCHOBAN. (FOTO S.P.)

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IN SENSO ORARIO LO SPAZIO EN PLEN AIR DI EDUARDO SOUTO DE MOURA AFFACCIATO SUL CANALE NEI PRESSI DEL GIARDINO DELLE VERGINI. (FOTO M.V.) LA STRUTTURA DI ÀLVARO SIZA VIEIRA CHE SI SVILUPPA INTORNO AGLI ALBERI COSTRUENDO UN’ALLUSIVA DENSITÀ URBANA. (FOTO S.P.) LA RICOSTRUZIONE DELL’ALLESTIMENTO RIPOSATEVI (TRIENNALE DI MILANO, 1964) DI LUCIO COSTA, PROPOSTA DA MARCIO KOGAN NEL PADIGIONE BRASILIANO. (FOTO S.P.)

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SOPRA, IL PADIGLIONE DELL’IRLANDA, COMMISSARIO ELIZABETH FRANCIS, CURATORE JOHN MCLAUGHLIN . (FOTO S.P.) A SINISTRA, LA SALA DEDICATA ALLA CIUDAD SOCIALIZANTE VS. LA CIUDAD ALIENANTE PROPOSTA DAL VENEZUELA CON I DISEGNI DI DOMENICO SILVESTRO. (FOTO S.P.) PAGINA A FIANCO, IN ALTO: L’ALLESTIMENTO TORRE DAVID/GRAN HORIZONTE (LEONE D’ORO) DI URBAN-THINK THANK E UN’IMMAGINE DELL’EDIFICIO DI CARACAS RIMASTO INCOMPLETO E OCCUPATO IN MODO SPONTANEO, DIVENTANDO UNA FAVELA VERTICALE. (FOTO M.V.) UN’IMMAGINE DELLA MOSTRA CANCHA:CHILEAN SOILSCAPES DEL CILE A CURA DI MARÍA PILAR PINCHART SAAVEDRA, BERNARDO VALDÈS ECHENIQUE. (FOTO S.P.) UNA SIMULAZIONE DELLE PIANTUMAZIONI DI CANNE PROPOSTE NEL PADIGLIONE DELL’ANGOLA, QUALE NUOVA INFRASTRUTTURA SOSTENIBILE DI RIQUALIFICAZIONE URBANA. (FOTO PAOLO UTIMPERGHER)

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PARTICOLARE DELLA ‘PELLICOLA CINEMATOGRAFICA’ ARCHITETTONICA COMPOSTA DAGLI SCATTI DI PINO MUSI PER LA MOSTRA FACECITY CURATA DA FULVIO IRACE E DEDICATA AL PAESAGGIO URBANO CONDIVISO DELLA MILANO DEL SECONDO DOPOGUERRA. L’OPERA È FORMATA DA 21 FOTOGRAFIE CHE DEFINISCONO UNA PARTITURA DI 21 FACCIATE.

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ELEMENTI ESPOSITIVI IN VETRO, TECHE IN ACCIAIO, VETRO, NOCE E SCAFFALATURE IN FERRO ACCOLGONO LE OPERE IDEATE DA CARLO SCARPA PER VENINI TRA IL 1932 E IL 1947 ALL’INTERNO DEGLI SPAZI DELL’EX CONVITTO DELL’ISTITUTO NAUTICO RISTRUTTURATI SU PROGETTO DI ANNABELLE SELLDORF, IN COLLABORAZIONE CON GLI ARCHITETTI FABRIZIO CATTARUZZA E FRANCESCO MILLOSEVICH.

IN MOSTRA OLTRE 300 PEZZI SUDDIVISI IN CIRCA 30 TIPOLOGIE (DAI VETRI SOMMERSI ALLE MURRINE ROMANE, DAI CORROSI AI VETRI A PENNELLATE) CON IL CORREDO DI DISEGNI, BOZZETTI ORIGINALI E FOTO STORICHE. ALLA REALIZZAZIONE HANNO COLLABORATO LA FALEGNAMERIA CAPOVILLA, LA CARPENTERIA ZANON, ALESSANDRO DIAZ DE SANTILLANA, DEVIS ZANATTA, SIMONE CENEDESE, MARINO FILIPPUCCI E MOLTI ALTRI. L’ILLUMINOTECNICA È STATA CURATA DA OTT ART DI VENEZIA CON FONTANA ARTE.

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IN QUESTA PAGINA, DALL’ALTO: FONDAZIONE PRADA, CA’ CORNER DELLA REGINA, VENEZIA THE SMALL UTOPIA, ARS MULTIPLICATA, JOSEPH BEUYS, SCHLITTEN (SLEDGE), 1969. FONDAZIONE PRADA, CA’ CORNER DELLA REGINA, VENEZIA THE SMALL UTOPIA, ARS MULTIPLICATA, ANDY WARHOL, HEINZ TOMATO KETCHUP BOX, 1964.

NELLA PAGINA ACCANTO: FONDAZIONE PRADA, CA’ CORNER DELLA REGINA, VENEZIA THE SMALL UTOPIA, ARS MULTIPLICATA, FUTURISMI: NIKOLAI SUETIN, GIACOMO BALLA, KAZIMIR MALEVIC, FORTUNATO DEPERO.

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NELLA PAGINA ACCANTO, DALL’ALTO: FONDAZIONE PRADA, CA’ CORNER DELLA REGINA, VENEZIA THE SMALL UTOPIA, ARS MULTIPLICATA, MARCEL DUCHAMP. FONDAZIONE PRADA, CA’ CORNER DELLA REGINA, VENEZIA THE SMALL UTOPIA, ARS MULTIPLICATA, EDWARD KIENHOLZ SAWDY, 1971-1972.

SOTTO: FONDAZIONE PRADA, CA’ CORNER DELLA REGINA, VENEZIA THE SMALL UTOPIA, ARS MULTIPLICATA, CLAES OLDENBURG, GEOMETRIC MOUSE, SCALE D ‘HOME MADE’, 1971. IN BASSO: FONDAZIONE PRADA, CA’ CORNER DELLA REGINA, VENEZIA THE SMALL UTOPIA, ARS MULTIPLICATA, VIKING EGGELING, SYMPHONIE DIAGONALE, 1924.

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NELL’AMBITO DI HORIZONS (WWW.HORIZONS-SANCY.COM), RASSEGNA D’ARTE-NATURA PRESSO IL MASSICCIO DI SANCY (AUVERGNE), DALL’ALTO: EDLINE BIANCO E SEAN MCGINNIS, VORTEX (2012), CASCADE DE QUEUREUILH; THOMAS MONIN, DORDHONA VIPERINAE (2010), LE PRÉ DES MANCELLES, MONT-DORE; DAVID MARIN, SECOND LIFE (2012), A COUZE PAVIN, PROCHE COTTEUGE. FOTO DI BERNARD PAUTY.

15/10/12 16.05

INTERNI efm\dYi\ )'()

NELL’AMBITO DI HORIZONS (WWW.HORIZONS-SANCY.COM), ANNUALI INCONTRI D’ARTE-NATURA AL MASSICCIO DI SANCY, IN AUVERGNE, DALL’ALTO: PRISCA COSNIER, LE CHASTRISCOPE (2010), CHASTREIX, PRÉ DU BAFFAUD; MICHAEL MCGILLIS, FLOW LINE (2007) AL PUY DE CHAMBOURGUET, A SUPER BESSE.

C_In626_R_48_51_opinione.indd 51

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15/10/12 16.05

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efm\dYi\ )'() INTERNI

1SP(F55P SBX

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[` EX[`X C`fe\ccf ]fkf [` <]i\d IX`dfe[` NUVOLA , DIVANO CON STRUTTURA IN MULTISTATI E MASSELLO, IMBOTTITURA IN POLIURETANO ESPANSO E RIVESTIMENTO IN TRAPUNTINO CON PIUMA Dâ&#x20AC;&#x2122;OCA SFODERABILI. DI PAOLA NAVONE PER GERVASONI. PISTON, TAVOLINO IN CERAMICA CON FINITURA CEMENTO E INTERNO IN POLIURETANO ESPANSO, DELLA COLLEZIONE SUCCESSFUL LIVING FROM DIESEL WITH MOROSO. DI DIESEL CREATIVE TEAM. BAL, SGABELLO IN PIETRA LECCESE. DI GIULIO IACHETTI PER PIMAR.

C_In626_R_52_59_progetto_raw.indd 52

15/10/12 16.03

INTERNI efm\dYi\ )'()

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PEYE, LAMPADA DA TERRA A LED CON DIFFUSORE IN COMPOSITO DI FIBRA DI VETRO E RESINA DI POLIESTERE INIETTATA, FUSTO IN MASSELLO DI ROVERE E BASE IN ACCIAIO LACCATO. DI NUMÉRO 111 PER LIGNE ROSET. FROLLA, POLTRONA CON IMBOTTITURA IN POLIESTERE SETACCIATO, FIBRA IN POLIESTERE CAVA CONIUGATA RIFATTA E POLIURETANO, RIVESTITA IN PELLE VINTAGE SFODERABILE. DI ANDREA RADICE E FOLCO ORLANDINI PER SKITSCH.

C_In626_R_52_59_progetto_raw.indd 53

15/10/12 16.03

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efm\dYi\ )'() INTERNI

PREI, PICCOLA LIBRERIA REALIZZATA A MANO IN EDIZIONE LIMITATA IN UNA MISCELA DI PASTA DI CARTA, CAOLINO E COLLA DI LEGNO. DI SANDRA BÖHM PER KKAARRLLS. PRESSED, SEDIA REALIZZATA CON UN FOGLIO IN ALLUMINIO PRESSATO, TAGLIATO E PIEGATO, DISPONIBILE NELLE VERSIONI NATURALE, NERA E ROSSA. DI HARRY THALER PER MOORMANN. TRINA, TAPPETO CM 80X160 OPPURE CM 100X200 SU RICHIESTA, IN PLASTICA GRIGIA O NERA LAVORATA TRICOT. DI INFRA PER PIANOPRIMO.

C_In626_R_52_59_progetto_raw.indd 54

15/10/12 16.03

INTERNI efm\dYi\ )'()

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WOODY, LAMPADA DA TERRA A LUCE FLUORESCENTE CON DIFFUSORE IN CRISTALFLEX速 DECORATO LEGNO IN QUATTRO COLORI, STELO IN ALLUMINIO E BASE IN LEGNO NATURALE. DI LUCA MAZZA PER SLAMP. PANAMA, SISTEMA COMPONIBILE DI POUF CON SCHIENALI E BRACCIOLI POSIZIONABILI LIBERAMENTE, RIVESTITI IN TELI DI PELLE BO.HEMIAN KAK NATURALE CON CUCITURE AL VIVO. DI PAOLA NAVONE PER BAXTER.

C_In626_R_52_59_progetto_raw.indd 55

15/10/12 16.03

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efm\dYi\ )'() INTERNI

TERRA, COPRIVASO IN GOMMA RICICLATA E RICICLABILE AL 95% ANCORATA A CALDO CON LATTICE CARBOSSILATO SU TESSUTO NON TESSUTO; SUPPORTO INFERIORE RETE ACCIAIO ZINCATO EVASO INTERNO IN POLIETILENE STAMPATO AD INIEZIONE. DI KATJA PETTERSSON SERRALUNGA. MEL E GAS, SGABELLI IN PIETRA LECCESE. DI GIULIO IACHETTI PER PIMAR. OLDIE, TAPPETO CM 230X300 IN LANA ORGANICA NATURALE ANNODATA A MANO IN NEPAL CON NODO TIBETANO, CON TRAMA E FRANGE COLORATE SU RICHIESTA. DI DANIELE LORA PER CC-TAPIS.

C_In626_R_52_59_progetto_raw.indd 56

15/10/12 16.03

INTERNI efm\dYi\ )'()

130(&550 3"8

MAIO, POUF RIVESTITI IN PELLE CON CUCITURE AL VIVO. DI GIOPATO & COOMBES PER FRAG. MASTRO, TAVOLO CON PIANO IN UNICA LASTRA DI LAMIERA PIEGATA PER PERMETTERE IL FISSAGGIO AD INCASTRO DEI CAVALLETTI IN LEGNO DIABETE. DI GUMDESIGN PER DE CASTELLI.

C_In626_R_52_59_progetto_raw.indd 57

15/10/12 16.03

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efm\dYi\ )'() INTERNI

SFATTO, POLTRONA IMBOTTITA IN GELLYFOAM® FODERATA CON TESSUTO DI COTONE E RIVESTIMENTO IN PELLE SFODERABILE. SCHIENALE E BRACCIOLI SONO MOVIBILI AUTONOMAMENTE TRA LORO PER MEZZO DI MECCANISMI IN ACCIAIO. DI FRANCESCO BINFARÉ PER EDRA. U-LIGHT, LAMPADA A SOSPENSIONE CON DIFFUSORE IN OTTONE TORNITO A MANO E BRUNITO A MANO Ø CM 70. DI MASSIMO CASTAGNA PER HENGE. ALHAMBRA ECO, SEDIA CON SCOCCA IN MATERIALE PLASTICO RICICLATO E SEGATURA DI LEGNO E STRUTTURA IN POLIMERO RICICLATO AD ALTE PRESTAZIONI E IMPASTO DI LEGNO. SONO STAMPATI AD INIEZIONE. IDEATA E PRODOTTA DA GABER.

C_In626_R_52_59_progetto_raw.indd 58

15/10/12 16.03

INTERNI efm\dYi\ )'()

130(&550 3"8

DRIFTED, SGABELLO CON GAMBE IN FRASSINO NATURALE O LACCATO COLORATO E SEDUTA TONDA IN SUGHERO NATURALE IMPERMEABILE. DI LARS BELLER FJETLAND PER DISCIPLINE. ORDINARYDAY (IN A WOODEN FACTORY), CASSETTIERA ALTA A 4 CASSETTI IN LEGNO MASSELLO DI ABETE NATURALE. DI RAPHAEL CHARLES PER MOGG.

C_In626_R_52_59_progetto_raw.indd 59

15/10/12 16.03

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C_In626_R_60_69_cucine.indd 60

efm\dYi\ )'() INTERNI

]fkf [` DXli`q`f DXiZXkf k\jkf [` 8e[i\X G`iilZZ`f

DISEGNATO DA NORBERT WANGEN PER BOFFI, K20 Ã&#x2C6; UN BLOCCO MONOLITICO IN CORIAN A CUI Ã&#x2C6; ABBINATA UNâ&#x20AC;&#x2122;ALZATA CON FONDALE E MENSOLA SUPERIORE CHE OSPITA ANCHE UNA CAPPA A ESTRAZIONE. I CONTENITORI SONO IN NOBILITATO ROVERE.

15/10/12 15.46

INTERNI efm\dYi\ )'()

*/EFTJHO */DFOUFS

B3 DI BULTHAUP NELLA NUOVA VERSIONE CON PIANO DI LAVORO IN CALCESTRUZZO DELLO SPESSORE DI 10 MM. I CASSETTI ACCOLGONO DEGLI INEDITI PRISMI FUNZIONALI UTILIZZABILI IN MANIERA FLESSIBILE, CHE PERMETTONO DI FISSARE IN POSIZIONE GLI OGGETTI E DARE VITA A CONFIGURAZIONI TOTALMENTE PERSONALIZZATE.

C_In626_R_60_69_cucine.indd 61

15/10/12 15.46

*/EFTJHO */DFOUFS

efm\dYi\ )'() INTERNI

W75, DESIGN MASSIMO CASTAGNA PER ROSSANA: CUCINA CON ANTA SQUADRATA E MANIGLIA A GOLA CON PROFILO SUPERIORE DI PRESA IN METALLO BRUNITO. LE FACCIATE SONO IN ESSENZA DI CASTAGNO TERMO TRATTATO NERO, MENTRE IL PIANO È IN PIETRA DI CAPPUCCINO.

C_In626_R_60_69_cucine.indd 62

15/10/12 15.46

INTERNI efm\dYi\ )'()

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BELUGA, DESIGN FERRUCCIO LAVIANI PER ARAN CUCINE: CUCINA IN EQUILIBRIO MATERICO TRA I TUBOLARI METALLICI CHE RITMANO LA COMPOSIZIONE, LA MASSA DELL’ANTA IN ROVERE TERMOTRATTATO E LA LAMIERA FORATA CHE CONFERISCE LEGGEREZZA ALL’INSIEME.

HI-LINE 6, DESIGN FERRUCCIO LAVIANI PER DADA: LE ANTE SONO IN ALUCOBOND NELLA FINITURA ALLUMINIO ANTIMPRONTA, I PIANI DI LAVORO IN QUARZO E ACCIAIO INOX SATINATO.

C_In626_R_60_69_cucine.indd 63

15/10/12 15.46

*/EFTJHO */DFOUFS

efm\dYi\ )'() INTERNI

AK_04, DISEGNATA DA FRANCO DRIUSSO PER ARRITAL, È UNA CUCINA ECOSOSTENIBILE REALIZZATA IN PAPERSTONE, UN COMPOSTO RICICLATO E RICICLABILE OTTENUTO CON CARTA E LEGANTE NATURALE CHE NON RILASCIA FORMALDEIDE.

UNA DELLE POSSIBILI COMPOSIZIONI DEL SISTEMA ICON, DESIGN GIUSEPPE BAVUSO PER ERNESTOMEDA, CHE PREVEDE: STRUTTURA IN MELAMINICO, TELAIO ANTA IN ALLUMINIO ANODIZZATO, FINITURA DI BASI E PIANO IN CORIAN GLACIER WHITE E ARMADIO SCORREVOLE COMPLANARE NELLA FINITURA IMPIALLACCIATO ROVERE TERMOTRATTATO.

C_In626_R_60_69_cucine.indd 64

15/10/12 15.46

INTERNI efm\dYi\ )'()

."5&3*"- ,*5$)&/

LA DIESEL SOCIAL KITCHEN DI DIESEL WITH SCAVOLINI: LE ANTE DELLA COMPOSIZIONE SONO IN UNA SPECIALE IMPIALLACCIATURA IN ESSENZA DI ROVERE BIANCO (RUXE WHITE), MENTRE IL PIANO IN OKITE SAHARA GRIS PRESENTA UNA FINITURA SUPERFICIALE OTTENUTA CON UN SABBIATO FINE A EFFETTO MATERICO.

C_In626_R_60_69_cucine.indd 65

15/10/12 15.46

*/EFTJHO */DFOUFS

efm\dYi\ )'() INTERNI

DI CARLO COLOMBO PER VARENNA, TRAIL PRESENTA UN TOP IN ACCIAIO SCOTCH-BRITE CON TELAIO IN ALLUMINIO DI SUPPORTO E PIETRA FOSSENA E CON BASI A PARETE IN ROVERE. LE STRUTTURE DI BASI E COLONNE SONO IN NOBILITATO GRIGIO SCURO, QUELLE DEI PENSILI IN GRIGIO CHIARO.

C_In626_R_60_69_cucine.indd 66

15/10/12 15.46

INTERNI efm\dYi\ )'()

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CREATA DA GABRIELE CENTAZZO PER VALCUCINE, SINE TEMPORE È UNA CUCINA CHE ESALTA I VALORI DELLA TRADIZIONE ATTRAVERSO IL RICORSO AD ANTICHE TECNICHE ARTIGIANALI IMPIEGATE PER ORNARE LE SUPERFICI IN LEGNO. LA FINITURA DELLE ANTE È IN OLMO, LE SUPERFICI DEI PIANI SONO IN PORFIDO.

NOBLESSE, DESIGN LORENZO GRANOCCHIA PER ASTER CUCINE: MODELLO CON TOP IN ACCIAIO E ANTE DELLE BASI IN LEGNO MASSELLO DI CASTAGNO. LA MANIGLIA È REALIZZATA CON LO STESSO MATERIALE DELL’ANTA, E PREVEDE UN INSERTO IN ACCIAIO.

S2 HL DI SIEMATIC: CUCINA CON ISOLA DOTATA DI ANTE IN LEGNO DI NOCE MIELE LUCIDO, GOLA IN ACCIAIO, PIANO DI LAVORO IN QUARZITE OPACO SILVER MOON E CAPPA IN ACCIAIO.

C_In626_R_60_69_cucine.indd 67

15/10/12 15.46

*/EFTJHO */DFOUFS

DA WERKHAUS, CUCINA CHE ACCOSTA LEGNO E ACCIAIO A UN PIANO REALIZZATO UTILIZZANDO PIETRA CALCAREA DELLA BASSA FRANCONIA LAVORATA A MANO E DALLA SUPERFICIE LUCIDATA.

C_In626_R_60_69_cucine.indd 68

efm\dYi\ )'() INTERNI

KALEA, DESIGN GIAN VITTORIO PLAZZOGNA PER CESAR: CUCINA NELLA VERSIONE CON ANTA BASE, TOP E SPALLE BASI IN ECOCEMENTO CHIARO, E ANTA COLONNE E BANCONE IN ROVERE TAGLIO DI SEGA BRULÉ.

15/10/12 15.46

INTERNI efm\dYi\ )'()

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PROGETTATA DA ANDREA BASSANELLO PER MODULNOVA, LIGHT TECH SI COMPONE DI UNA PENISOLA IN VETRO SATINATO OPACO CON STRUTTURA E SCOCCA IN ACCIAIO E PIANO SALDATO IN UN PEZZO UNICO CON I FIANCHI.

C_In626_R_60_69_cucine.indd 69

15/10/12 15.46

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DALLâ&#x20AC;&#x2122;ALTO IN SENSO ORARIO: OCEAN, PUDDLE, POND, LAKE, RIVER, LAGOON, I SEI TAVOLI DELLA SERIE WATERSCAPE CHE GAETANO PESCE HA CREATO ISPIRANDOSI AI COLORI E ALLE SFUMATURE DEGLI SPECCHI Dâ&#x20AC;&#x2122;ACQUA. LE OPERE SARANNO ESPOSTE A LONDRA DA DAVID GILL GALLERIES DAL 4 OTTOBRE AL 22 DICEMBRE.

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UNA BRICCOLA RICORDA GLI ELEMENTI TIPICI DELLA LAGUNA VENEZIANA, A CUI SI ISPIRA IL TAVOLO LAGOON. IN TUTTE LE OPERE DELLA SERIE WATERSCAPE QUESTI ELEMENTI POSSONO ESSERE RIMOSSI, IN MODO CHE I TAVOLI POSSANO ESSERE UTILIZZATI PER MANGIARE, SCRIVERE O LAVORARE. NELLA PAGINA ACCANTO, IL BLU DEL MARE PROFONDO CON SPRAZZI DI BIANCO E TURCHESE CHE RICORDANO LO SPUMEGGIARE DELLE ONDE CHE SI INFRANGONO SULLA SABBIA: È L’IMMAGINE PROPOSTA DAL TAVOLO OCEAN.

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LA LIBRERIA DELLA SERIE NATUROSCOPIE TRAE ISPIRAZIONE DALLE STRUTTURE RETICOLARI DELLA NATURA. È REALIZZATA IN ALLUMINIO, RAME, FIBRA DI CARBONIO E FINITA CON VERNICE SOFT TOUCH. EDIZIONE GALERIE BSL, PARIGI, 2012.

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SOTTO: DIVANO BORGHESE, ISPIRATO AI PINI DI VILLA BORGHESE A ROMA, DOTATO DI SCHIENALE CON STRUTTURA METALLICA RAMIFICATA, PRODUZIONE LA CHANCE, 2012. IN BASSO: SEDUTA CORVO IN LEGNO, MODELLATA A MANO, PRODUZIONE BERNHARDT DESIGN, 2010. A DESTRA: VASO IN CERAMICA ROSETO, COSTITUITO DA UN INTRECCIO DI RAMI, PRODUZIONE LIGNE ROSET, 2009. NELLA PAGINA ACCANTO: IL NUOVO AIR FRANCE BUSINESS LOUNGE DELL’AEROPORTO CHARLES DE GAULLE DI PARIGI, FIRMATO DA NOÉ DUCHAUFOUR-LAWRANCE CON BRANDIMAGE, 2012 (FOTO LUC BOEGLY).

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NON È LA PRIMA VOLTA CHE TOSHIYUKI KITA (RITRATTO IN ALTO) SI OCCUPA DI DESIGN PER LA TERZA ETÀ. OLTRE AL ROBOT WAKAMARU, IL DESIGNER GIAPPONESE HA PROGETTATO UNA SERIE DI ARREDI, DELLE STOVIGLIE E UNA POLTRONA PER MASSAGGI (SOPRA).

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IL SISTEMA DI TRASFERIMENTO PAZIENTI SASUKE, PRESENTATO ORA CON IL DESIGN DI TOSHIYUKI KITA, IMPIEGA IL MOTORE INTELLIGENTE COOL MUSCLE DEL MARCHIO GIAPPONESE MUSCLE CORPORATION. SOPRA, LE FASI DI TRASFERIMENTO DI UN PAZIENTE A LETTO. IL MOVIMENTO GENTILE E LEGGERO DELLE BRACCIA È GUIDATO DALL’OPERATORE ATTRAVERSO UNA MANOPOLA. NELLA PAGINA ACCANTO: GRAZIE ALLA MASSIMA RIDUZIONE DELLE DIMENSIONI, SASUKE RIESCE A INSERIRSI ANCHE SOTTO UNA SEDIA A ROTELLE, FACILITANDO IL TRASFERIMENTO DA SEDIA A LETTO E VICEVERSA.

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SOPRA: IL CALICE OSSIDO RAME DELLA SERIE OSSIDI DI GIANNI VENEZIANO, DIECI OPERE IN VETRO CHE ESPLORANO LO SPAZIO FANTASMATICO FUORI E DENTRO IL VASO. ACCANTO: LA LAMPADA FAMILY DELL’ATELIER VAN LIESHOUT, LE CUI FORME ANTROPOMORFE EVOCANO IL TEMPO PROFONDO E PREISTORICO DELL’UMANITÀ (FOTO & COPYRIGHT: ATELIER VAN LIESHOUT); LA LAMPADA GIRAFFE DISEGNATA DA PORTA ROMANA, CHE TRAE LE SUE FORME (RIFINITE A MANO) DAL RAPPORTO PRIMORDIALE CON IL MONDO ANIMALE.

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SOTTO: CON IL PROGETTO REPAIR IS BEAUTIFUL PAULO GOLDSTEIN INTENDE ELIMINARE LA FRUSTRAZIONE CHE NASCE DAL RAPPORTO CON UN OGGETTO ROTTO NON FUNZIONANTE. RIPRENDERE IN MANO IL CONTROLLO DEGLI OGGETTI (IL CUI FUNZIONAMENTO CI È SPESSO MISTERIOSO) HA INFATTI UN EFFETTO TERAPEUTICO. A DESTRA: CITY MUSIC DI AKKO GOLDENBELD È UNA MACCHINA PENSATA PER ‘ESTRARRE’ L’ANIMA MUSICALE CONTENUTA IN UN MODELLO IN SCALA DELLA CITTÀ DI EINDHOVEN TRAMITE UN PROCESSO MAGICO-MECCANICO, REALIZZATO DA UN RULLO DI LEGNO CHE PERCUOTE DEI MARTELLETTI SIMILI A QUELLI DI UN PIANOFORTE. (FOTO RENÉ VAN DER HULST)

SOPRA: LA ‘LAMPADA PER CUCIRE’ DINAMICA DEL GRUPPO DI (ART) DESIGNER DOROTHY GREY È ALIMENTATA COME UNA VECCHIA MACCHINA PER CUCIRE, DI CUI ESIBISCE ANCHE IL LINGUAGGIO MECCANICO. TRASFORMAZIONE SCIENTIFICA, EPPURE ‘STREGONESCA’, DELL’ENERGIA DINAMICA IN ENERGIA LUMINOSA. A SINISTRA: OGGI CHE IL TEMPO CRONOLOGICO È MISURATO DAI DISPOSITIVI DIGITALI, IL ‘NOSTRO TEMPO’ HA BISOGNO DI STRUMENTI CHE RIFLETTANO (MISURINO) CIÒ CHE SIAMO COME PERSONE. LA SERIE DI OROLOGI A MATTER OF TIME DI DANIEL WEIL RISPONDE A QUESTA ESIGENZA NON TECNICA MA ‘UMANISTICA’.

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A SINISTRA: IN ALTO, LA PIANTANA PORTASCIUGAMANI RANPIN DI DARIO CERVELLIN E IL SISTEMA DI CONTENITORI LUNI, DESIGN ALBERTO DEMEL. SONO DUE DEI SETTE PROGETTI NATI DA LINEABETA LAB. A SINISTRA, SOPRA: UN MOMENTO DEL WORKSHOP DI DUE MESI CONDOTTO DA JOEVELLUTO CON OTTO DESIGNER (GIORGIA CASTAGNA, DARIO CARVELLIN, ALBERTO DEMEL, MANUELE DE PRETTO E NICOLÒ STIVANELLO). IN ALTO, DUE DEI PRODOTTI NATI DAL WORKSHOP DESIGNERS ONLY DEL GRUPPO SINTESI. IL TAVOLO TEODOFORO DI FILIPPO PROTASONI HA PIANO IN MDF POSTFOMATO IN PVC E FUSTO IN LAMIERA; L’APPENDIABITI VERTIGO DI DAVIDENEGRISTUDIO È REALIZZATO CON FASCE IN LAMIERA CHE RACCORDANO I TRE ELEMENTI STRUTTURALI. SOPRA, IL GIRO PER GLI STABILIMENTI DEL GRUPPO SINTESI, MOMENTO IMPORTANTE PER FAR CONOSCERE AI DESIGNER IL KNOW-HOW PRODUTTIVO DELL’AZIENDA.

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6/ -*/(6"((*0 TPUUJMF & DPMPSBUP 3*1035" */ 13*.0 1*"/0 *- 7"-03& %&--" TJMIPVFUUF -JOFF %* $0-03& q 41&440 $30.*& 13*."3*& 0 '-60 q 1&3$0330/0 QSPGJMJ 40550-*/&"/0 TUSVUUVSF &/'"5*;;"/0 EFUUBHMJ 26"4* "% "453"33& -mJNNBHJOF %"- WPMVNF [` BXki`e :fjj\kX

45Â°/TAVOLINO, DI RON GILAD PER MOLTENI&C, SERIE DI TAVOLINI IN VARIE DIMENSIONI CON PIANO IN CRISTALLO TRASPARENTE EXTRACHIARO. LA STRUTTURA IN NOCE CANALETTO HA PROFILI INTERNI LACCATI OPACHI NEI COLORI ROSSO, GIALLO O BLU, MA Ã&#x2C6; DISPONIBILE ANCHE COMPLETAMENTE IN NOCE CANALETTO O ROVERE NERO.

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INTERNI efm\dYi\ )'()

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BLOOM, DI ARCHIRIVOLTO PER CALLIGARIS, SEDIA CON SCOCCA IN POLICARBONATO E STRUTTURA IN TUBOLARE METALLICO VERNICIATO CHE NE SOTTOLINEA IL PROFILO. CONSOLE PROPAGATION N. 425 DI HERVÉ VAN DER STRAETEN, LIBRERIA IN PLEXIGLAS CON PROFILI ROSSI. EDIZIONE LIMITATA DI 60 ESEMPLARI.

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1. SANTA MONICA LOUNGE, DI JEAN-MARIE MASSAUD PER POLIFORM, POLTRONA, ANCHE GIREVOLE, CON STRUTTURA E SEDUTA IN POLIURETANO FLESSIBILE STAMPATO IN DOPPIA DENSITÀ, RIVESTIMENTO SFODERABILE IN TESSUTO, NON SFODERABILE IN PELLE. PROFILI A CONTRASTO IN 10 COLORI DA CAMPIONARIO. 2. LONG ISLAND, DESIGN E PRODUZIONE ROCHE BOBOIS, POLTRONA CON STRUTTURA IN LEGNO E CINGHIE ELASTICHE, CUSCINI IN PIUMA D’OCA E SCHIUMATO, RIVESTIMENTO SFODERABILE IN LINO STONE WASHED E CUCITURE A CONTRASTO. 3. MILO, DI BUSK+HERTZOG PER SOFTLINE, LOUNGE CHAIR CON POUF, STRUTTURA METALLICA E RIVESTIMENTO IN TESSUTO CON BORDI A CONTRASTO. 4. GULP, DI SIMONE MICHELI PER ADRENALINA, POLTRONA CON BRACCIOLI E SCHIENALE ALTO, FIANCHI E SEDUTA RIVESTITI IN FELTRO IN COLORI A CONTRASTO, PIEDI IN METALLO.

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INTERNI efm\dYi\ )'()

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5. BIRBA, DI MARCO MARAN PER PARRI, POLTRONA INFORMALE IMBOTTITA IN SFERE DI POLISTIRENE ESPANSO. RIVESTIMENTO IN TESSUTI PESANTI E PANNI DI LANA PER LA VERSIONE INDOOR, IN TESSUTI POLIURETANICI SPALMATI O FILATI PER I MODELLI OUTDOOR. UNA GROSSA ZIP IN PLASTICA COLORATA SOTTOLINEA IL PERIMETRO. 6. GRAY 08, DI PAOLA NAVONE PER GERVASONI, POLTRONCINA BASSA IN NOCE, CON CUSCINO SEDUTA E SCHIENALE IMBOTTITI IN POLIURETANO ESPANSO, DISPONIBILE CON FINITURA NATURALE O LACCATA. RIVESTIMENTO SFODERABILE IN TESSUTO CON CUCITURE A CONTRASTO.

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*/EFTJHO */QSPEVDUJPO

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1. CONTRAST, DALLA COLLEZIONE ORIGIN DI BCXSY (BOAZ COHEN E SAYAKA YAMAMOTO), TAVOLINI-SGABELLI REALIZZATI SECONDO TECNICHE ARTIGIANALI DI COSTRUZIONE DELLE BARCHE TRADIZIONALI IRLANDESI, IN FRASSINO TRATTATO SOLO CON ACQUA E PIEGATO A VAPORE. 2. THE ROUND TABLE, DI RON GILAD PER ADELE C, SERIE DI TAVOLI CON PIANO IN CRISTALLO EXTRACHIARO (TONDO, OVALE, RETTANGOLARE) E BASI IN MASSELLO DI NOCE NAZIONALE CON DETTAGLI LACCATI OPACO IN COLORE ROSSO O BLU. 3. FLAG, DI MAURO LIPPARINI PER BONALDO, TAVOLO ALLUNGABILE CON GAMBE IN FRASSINO SBIANCATO O NOCE CANALETTO, INCORNICIATE ALL’INTERNO DA UNA SCOCCA A L, IN METALLO VERNICIATO. PIANO IN NOCE, VETRO O PIETRA BASALTINA.

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INTERNI efm\dYi\ )'()

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4. ROOUND, DI VICTOR CARRASCO PER GLAS ITALIA, TAVOLINI IN DUE ALTEZZE CON PIANO A FORMA DI CERCHIO SCHIACCIATO, IN CRISTALLO TRASPARENTE EXTRALIGHT MM. 8 TEMPERATO. LA BASE È UN CILINDRO CAVO DI CRISTALLO BOROSILICATO TRASPARENTE. LA GIUNZIONE TRA IL PIANO E LA BASE È EVIDENZIATA DA UN ANELLO COLORATO.

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*/EFTJHO */QSPEVDUJPO

efm\dYi\ )'() INTERNI

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INTERNI efm\dYi\ )'()

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1. STOOL 60, DI ALVAR AALTO PER ARTEK, LO STORICO SGABELLO, CHE STA PER COMPIERE 80 ANNI, NELLA COLORATA REINTERPRETAZIONE DI MIKE MEIRÉ, CHE ESALTA BORDI E PROFILI IN UNA PARTICOLARE PALETTE DI COLORI TIPICA DEL LAVORO DI AALTO. 2. RAY, DI MARC SADLER PER SKITSCH, COLLEZIONE DI TAVOLI RETTANGOLARI IN LEGNO DI ROVERE, CON PROFILO DI PIANO E GAMBE COLORATO. 3. CUT TABLE, DI NUMEN/FOR USE PER ELEMENT, TAVOLO IN PINO MASSELLO CON GAMBE A SEZIONE POLIEDRICA ENFATIZZATE DA UNA VERNICIATURA IN VARI COLORI. 4. SHADOW, DI VINCENT VAN DUYSEN PER DE PADOVA, TAVOLO CON STRUTTURA INTERNA IN ACCIAIO, PIANO E LATI ESTERNI IN LAMINATO STRATIFICATO HPL BIANCO O IMPIALLACCIATO ROVERE, LATI INTERNI GAMBE E FASCE ORIZZONTALI IN LAMINATO LACCATO IN VARI COLORI O IMPIALLACCIATO ROVERE NATURALE.

5. THE TRIP CARTOON, DI SELETTI LAB PER SELETTI, TAVOLINO IN LEGNO E MDF DIPINTO A MANO. 6. MONKS, DI PAOLO CAPPELLO PER VALSECCHI 1918, SERIE DI MADIE CON ANTE E CASSETTI, REALIZZATE CON PANNELLI DI LEGNO IMPIALLACCIATO FRASSINO TINTO GRIGIO CON BORDATURA IN RILIEVO E GAMBE LACCATE NEI COLORI ARANCIO, GIALLO, VERDE E AZZURRO.

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16/10/12 10.19

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5)& (-"44 300.4 g% *k\ok 8ekfe\ccX 9f`j` 8iZ_`k\Zkli\ ^cXjj è k_\ jgfkc`^_k è M\e`Z\# Xk =fe[Xq`fe\ :è`# @jfcX [` JXe >`fi^`f DX^^`fi\# [liè^ k_\ 8iZ_`k\Zkli\ 9`\ee`Xc% N`k_ X ki`Ylk\ kf :Xicf JZXigX Xe[ _`j nfibj (0*)$(0+. ]fi M\eè`1 Xe \o_`Y`k`fe k_Xk lj_\ij è k_\ ZlckliXc gifa\Zk f] k_\ ÈJkXeq\ [\c M\kifÉ Xe[ k_\ \o_`Y`k`fe jgXZ\ Yifl^_k YXZb kf c`]\ k_Xebj kf X gifa\Zk Yp 8eeXY\cc\ J\cc[fi]% ;liè^ k_\ 9`\eeXc\ ZliXk\[ Yp ;Xm`[ :_`gg\iÔ\c[# k_\ gifgfj\[ k_\d\ :fddfe >ifle[# Èkf jk`dlcXk\ Zfcc\X^l\j kf i\XZk kf k_\ gi\mXc\ek ki\e[j f] fli k`d\# k_Xk îXek jlZ_ Xkk\ek`fe kf è[`m`[lXc XZk`fej# \eZfliX^è^ k_\d kf [\dfejkiXk\# èjk\X[# k_\ `dgfikXeZ\ f] Zfekèlè^ Zfdd`kd\ek kf k_\ j_Xi\[ `[\Xj k_Xk ]fid k_\ YXj`j f] Xe XiZ_`k\ZkliXc Zlckli\É# _Xj Xcjf Y\\e X[[i\jj\[ Yp Yiè^è^ ^cXjj YXZb èkf k_\ Z\ek\i f] k_\ [\YXk\# Xj X kffc f] \ogi\jj`fe Xe[ i\j\XiZ_ ]fi [\j`ê\ij Xe[ Xik`jkj% N`k_ X _`jkfip k_Xk `j èk\iknè\[ n`k_ k_Xk f] k_\ Z`kp f] M\e`Z\ Xe[# jg\Z`ÔZXccp# k_\ kXc\ek f] î\Xk ZiX]kjd\e% P\jk\i[Xp Xe[ kf[Xp% Fe\ Zf_\i\ek [\m\cfgd\ek `j k_\ ki`Ylk\ kf k_\ M\e\k`Xe XiZ_`k\Zk :Xicf JZXigX (0'-$(0./ # k_\ Ôijk ÊXcZ_\d`jkË f] ^cXjj# lek`c )0 Efm\dY\i Xk k_\ @jcXe[ f] JXe >`fi^`f DX^^`fi\# =fe[Xq`fe\ >`fi^`f :è`% 8 ZfccXk\iXc \m\ek k_Xk cXleZ_\j X gi\Z`j\ j`êXc i\^Xi[è^ k_\ e\\[ efk kf cfj\ gi\Z`flj iffkj# Zfee\Zk\[ n`k_ k_\ jkl[p f] k_\ Zfek\dgfiXip Xe[ _`jkfi`Z Xik f] dXbè^ ^cXjj% K_\ \o_`Y`k`fe È:Xicf JZXigX% M\eè` (0*)$(0+.É# ZliXk\[ Yp DXièf 9Xifm`\i# `j k_\ Ôijk \m\ek f] C\ JkXeq\ [\c M\kif# X cfe^$k\id ZlckliXc gifa\Zk f] =fe[Xq`fe\ :è` è ZfccXYfiXk`fe n`k_ k_\ Jn`jj X^\eZp G\ekXîXd Jk`]kle^ ]fle[\[ Yp DXi`\$Ifj\ BX_Xe\ Xe[ _\i _ljYXe[ ;Xm`[ CXe[Xl % K_\ Ôijk è`k`Xk`m\ fe JZXigX _Xj X gi\Z`j\ i\Xjfe1 _\ î\n lg gif]\jj`feXccp Xd`[jk k_\ ^cXjjnfibj f] DliXef# è ZfekXZk n`k_ k_\ dXjk\i ^cXjjdXb\ij# n_\i\ _\ ^Xè\[ \og\i`\eZ\ Xj X [\j`ê\i# c\Xieè^ XYflk dXk\i`Xcj Xe[ Xkk\ek`fe kf [\kX`c# Xcc Xjg\Zkj j\\e cXk\i è _`j XiZ_`k\ZkliXc nfib% ?\ nXj Xcjf k_\ Xik`jk`Z [ì\Zkfi f] M\ki\i`X M\eè` è X ]\ik`c\ g\i`f[# ]ifd (0*) kf (0+.1 X ^fc[\e X^\ f] M\e\k`Xe ^cXjj% >fè^ Y\pfe[ k_\ èm\ek`fe f] e\n ]fidj# [\cmè^ èkf i\j\XiZ_ fe j_Xgè^# k_\ lj\ f] Zfcfij Xe[ k\Z_e`hl\j f] nfibdXej_`g% 8j [\dfejkiXk\[ Yp k_\ gifkX^fe`jkj f] k_\ j_fn1 fm\i *'' g`\Z\j# f] XYflk *' [`]]\i\ek kpg\j Xe[ k\Z_e`hl\j# èZcl[è^ _`jkfi`ZXc g_fkfîXg_j# fi^Xe`q\[ è k_\ \o_`Y`k`fe jgXZ\ Yl`ck ]fi C\ JkXeq\ [\c M\kif1 k_\ n\jk nè^ f] k_\ îfle[ Õffi f] k_\ EXgfc\fe`Z Yl`c[è^ k_Xk è k_\ (0,'j _fjk\[ k_\ jZ_ffc f] k_\ @jk`klkf EXlk`Zf# -,' d) i\fi^Xe`q\[ Yp k_\ E\n Pfib jkl[`f f] 8eeXY\cc\ J\cc[fi]# è ZfccXYfiXk`fe n`k_ k_\ XiZ_`k\Zkj =XYi`q`f :XkkXilqqX Xe[ =iXeZ\jZf D`ccfj\m`Z_# n_f [\j`ê\[ k_\ i\efmXk`fe f] k_\ fk_\i \o_`Y`k`fe jgXZ\j f] k_\ Zfdgc\o è )''/% K_\ i\jkilZkliè^ _Xj kiXej]fid\[ k_\ ]XZ`c`kp èkf eè\ nXcb$k_ifl^_ ^Xcc\i`\j Zfee\Zk\[ è X j\hl\eZ\ k_Xk ]leZk`fej Xj k_\ dlj\ld `kè\iXip% ÈN\ _Xm\ b\gk k_\ iXk`feXc`jk# \jj\ek`Xc# :Xik\j`Xe ZfeÔ^liXk`fe f] k_\ èk\i`fij# dXib\[ Yp X cfe^ Zfii`[fi n`k_ iffdj fe Yfk_ j`[\jÉ# k_\p \ogcXè# Ènfibè^ è Zcfj\ ZfekXZk n`k_ \oZ\cc\ek M\e\k`Xe ZiX]kjd\e# ZXYè\k dXb\ij# ZXig\ek\ij# n_f nfib\[ n`k_ :Xicf JZXigX è k_\ gXjk fe _`j dfjk `dgfikXek gifa\Zkj è k_\ Z`kp# ]ifd k_\ Dlj\f :fii\i kf =fe[Xq`fe\ Hl\iè` JkXdgXc`XÉ% @e X g\ijg\Zk`m\ f] `[\Xc Zfekèl`kp n`k_ k_\ Zi\Xk`m\ nfic[ f] JZXigX# Xik`jkj Xe[ dXjk\i ^cXjjdXb\ij _Xm\ nfib\[ fe k_\ c`^_kè^ Xe[ k_\ [`jgcXp Ôokli\j# _\cgè^ kf gif[lZ\ X e\lkiXc# Õl`[# c`^_k j\kkè^# ]iXd\[ Yp n_`k\ nXccj Xe[ Z\d\ek Õffij% K_\ XiZ_`m\j Xe[ X jg\Z`Xc`q\[ c`YiXip Xi\ jk`cc è gifî\jj# kf Zfdgc\k\ k_\ fm\iXcc gifa\Zk% $ :Xgk`fe gX^% *. ;`jgcXp Ôokli\j è ^cXjj# ZXj\j è jk\\c# ^cXjj Xe[ nXcelk Xe[ ìfe j_\cm\j gi\j\ek k_\ nfibj Zi\Xk\[ Yp :Xicf JZXigX ]fi M\eè` ]ifd (0*) kf (0+.# èj`[\ k_\ jgXZ\j f] k_\ ]fid\i jZ_ffc f] k_\ EXlk`ZXc @ejk`klk\# i\jkilZkli\[ è X [\j`ê Yp 8eeXY\cc\ J\cc[fi]# è ZfccXYfiXk`fe n`k_ k_\ XiZ_`k\Zkj =XYi`q`f :XkkXilqqX Xe[ =iXeZ\jZf D`ccfj\m`Z_% Fe [`jgcXp# fm\i *'' g`\Z\j f] [`]]\i\ek kpg\j ljè^ k\Z_e`hl\j c`b\ jlYd\ij`fe Xe[ dliiè\# Zfiifj`fe \kZ_è^ Xe[ Yilj_jkifb\j # Xcfe^ n`k_ [iXnè^j# fi`^èXc [\j`êj Xe[ _`jkfi`ZXc g_fkfîXg_j% K_\ i\efmXk`fe _Xj Y\\e [fe\ n`k_ =Xc\êXd\i`X :Xgfm`ccX# :Xig\ek\i`X QXefe# 8c\jjXe[if ;`Xq [\ JXek`ccXeX# ;\m`j QXeXkkX# J`dfe\ :\e\[\j\# DXièf =`c`gglZZ` Xe[ dXep fk_\ij% C`^_kè^ Yp Fkk 8ik f] M\e`Z\ n`k_ =fekXeX 8ik\%

/*/& 300.4 g% */ 8efk_\i \m\ek k_Xk gXpj ki`Ylk\ kf k_\ XcZ_\d`jkj f] ^cXjj% K_\ gifkX^fe`jk `j 9\ik`c MXcc`\e# Xk GXcXqqf :XmXcc` =iXeZ_\kk`# _fd\ f] k_\ M\e\k`Xe @ejk`klk\ f] JZ`\eZ\j# C\kk\ij Xe[ 8ikj% >cXjj Xe[ `kj \ogi\jj`m\ gfk\ek`Xc Xi\ k_\ ]fZlj f] k_\ èk\i\jkè^ i\j\XiZ_ f] 9\ik`c MXcc`\e# k_\ Jn\[`j_ dXjk\i# .+ p\Xij fc[ Æ n_f jkl[`\[ Xk k_\ IfpXc :fcc\^\ f] :iX]kj Xe[ ;\j`ê# Xe[ _Xj nfib\[ jèZ\ k_\ (0-'j è k_\ jkl[`fj f] BfjkX 9f[X% ?`j Zi\Xk`fej Xi\ ]\Xkli\[ è X i\kifjg\Zk`m\# Eè\ Iffdj# ZliXk\[ Yp 8[i`Xef 9\i\e^f Xe[ 9fi^\ BXdiXj n`k_ k_\ Zfeki`Ylk`fe f] =iXeZ\jZX >`lY`c\` Xe[ k_\ jlggfik f] Jm\ejb =fid# Xk GXcXqqf :XmXcc` =iXeZ_\kk` lek`c ), Efm\dY\i% K_\ Ôijk jfcf j_fn è @kXcp ]fi k_\ èm\ekfi f] X gXik`ZlcXi dflc[è^ k\Z_e`hl\ ]fi ^cXjj# n`k_ iffkj è k_\ jZlcgkliXc kiX[`k`fe# ]\Xkli\j -' nfibj è eè\ iffdj# j\Zk`fej k_Xk Zfii\jgfe[ kf [`]]\i\ek g_Xj\j f] _`j ZXi\\i# i\Õ\Zkè^ _`j ]le[Xd\ekXc Zfeki`Ylk`fe kf k_\ Jkl[`f >cXjj dfm\d\ek# Z\c\YiXkè^ `kj ,'k_ Xee`m\ijXip k_`j p\Xi% MXcc`\eËj m\ip g\ijfeXc èk\igi\kXk`fe f] ^cXjj i\Õ\Zkj X jZlcgkliXc XggifXZ_

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INTERNI efm\dYi\ )'() j`d`cXi kf k_Xk j\\e è k_\ nfibj f] I`Z_Xi[ J\iiX% Ă&#x2C6;>cXjj \Xkj c`^_kĂ&#x2030; Ă&#x2020; _\ jXpj# i\]\iiè^ kf k_\ nXp c`^_k `j ZXgkli\[ Yp k_\ m`ki\flj dXjj# k_\ dXk\i`Xc f] XiZ_\kpgXc Xe[ XYjkiXZk j`êj c`b\ `Z\# \ec`m\e\[ Yp m`YiXek [\kX`cj Xe[ îX]kè^j f] Zfcfi% 8 dXk\i`Xc k_Xk `j i\X[p kf d\\k e\n Z_Xcc\e^\j% @e k\idj f] Zfek\ek# è ]XZk# MXcc`\e XeXcpq\j Xe[ i\gi\j\ekj k_\ \o`jk\ek`Xc Zfdgc\o`kp f] Zfek\dgfiXip dXe% 8cfe^j`[\ `Zfe`Z Zfcc\Zk`fej c`b\ k_\ :_Xk\Xl ]Xd`cp [\j`ê\[ è k_\ \Xicp (0/'j# fi k_\ JXk\cc`k\ j\i`\j ]ifd k_\ (00'j# =XZ\j Xe[ ?\X[j# dX[\ è (00($0)# kXb\j `k Zl\ ]ifd k_\ jkfip f] X pfle^ nfdXe è X ZfdX kf eXiiXk\ k_\ èXY`c`kp f] Yf[`\j Xe[ k_fl^_kj kf ]lccp \ogi\jj k_\dj\cm\j% Kf lg[Xk\ k_\ kiX[`k`fe# MXcc`\e n`cc efn Zfd\ kf k\idj n`k_ _Xe[ZiX]k\[ M\e\k`Xe Ycfne ^cXjj# è k_\ 9\i\e^f Jkl[`f f] DliXef# n_`Z_ n`cc gif[lZ\ j\m\iXc nfibj1 Xe \ek`Zè^ fggfikle`kp ]fi [`Xcf^l\ Y\kn\\e knf m\ip [`]]\i\ek i\Xc`k`\j% 8ekfe\ccX 9f`j` $ :Xgk`fe 8Yfm\# X iffd ]\Xkliè^ k_\ NXkZ_\ij Zfcc\Zk`fe )''+$'- % Kf k_\ j`[\# 9\ik`c MXcc`\e Xk nfib% Knf nfibj ]ifd k_\ =XZ\j Xe[ ?\X[j j\i`\j (00($(00) % G_fkfj Yp Fc`m\i ?XXj# Xe[ Zflik\jp f] 9\i\e^f Jkl[`f%

5)& 5)&"5&34 0' 5)& 803-% g% *0 Lek`c ), Efm\dY\i Xk =fe[Xq`fe\ <d`c`f 8eeXY`XeZX M\[fmX f] M\e`Z\# m`j`kfij ZXe \eafp k_\ \o_`Y`k`fe Ă&#x2C6;8c[f Ifjj` K\Xki`Ă&#x2030;# ZliXk\[ Yp >\idXef :\cXek# n`k_ \o_`Y`k [\j`ê Yp >X\ 8lc\ek`# fe k_\ k_\Xki`ZXc k_\d\ Xj XggifXZ_\[ Yp k_\ D`cXe\j\ dXjk\i% Ă&#x2C6;K_\ mfpX^\ f] 8c[f Ifjj` `j X g`cî`dX^\ è j\XiZ_ f] k_\ d\Xeè^ f] XiZ_`k\Zkli\1 X gXk_ kfnXi[j befnc\[^\ ef cfe^\i YXj\[ fe k_\ `[\ek`kp f] X Zfekèlld# Ylk k_ifl^_ `kj ]iX^d\ekj Xe[ gXikj k_Xk Zfd\ kf c`^_k Xj `dX^\j i\cXk\[ kf dfeld\ekj Xe[ d\dfi`\j f] k_\ Z`kpĂ&#x2030; >\idXef :\cXek % D\dfip# ]XekXjp Xe[ [\j`ê è k_\ gf\k`Zj f] 8c[f Ifjj` ZXe g\i_Xgj Y\ j\\e Y\jk è _`j XggifXZ_ kf k_\ k_\d\ f] k_\ k_\Xk\i% K_\ \o_`Y`k`fe è M\e`Z\ ^Xk_\ij# ]fi k_\ Ă&#x201D;ijk k`d\# (- gifa\Zkj Yp Ifjj`# ]ifd k_\ \Xicp (0-'j kf k_\ cXk\ (00'j% K_\ `kè\iXip jkXikj n`k_ k_\ cXi^\ df[\c f] k_\ K\Xkif [\c Dfe[f (0.0 # k_\ XYjfclk\ `Zfe Xe[ klieè^ gfèk f] Ifjj`Ă&#x2039;j ZXi\\i# n_`Z_ e\Xi k_\ j`k\ f] k_\ j_fn# Xk GlekX [\ccX ;f^XeX# Ă&#x2022;fXk\[ fe k_\ nXk\ij f] k_\ cX^ffe [liè^ k_\ K_\Xk\i 9`\ee`Xc fm\i *' p\Xij X^f% @k k_\e Zfekèl\j è X Zi\jZ\e[f f] gifa\Zkj# Xcclj`fej# liYXe i\Xjfeè^# fYa\Zkj Xe[ Ă&#x201D;^li\j% NXm\iè^ Y\kn\\e k_\ [fd\jk`Z [`d\ej`fe Xe[ k_\ jg\ZkXZc\ f] \m\ip[Xp c`]\ Zf]]\\gfkj fe X ^`Xek jZXc\# k_\ k\X j\im`Z\ ]fi 8c\jj` # k_\ j\kj Xc`ê\[ fe X i`jè^ iXdg ZfeZcl[\ n`k_ X ]iX^d\ek f] ZcXjj`ZXc XiZ_`k\Zkli\ è X cXi^\$ jZXc\ nff[\e df[\c% K_\ k_\Xk\ij f] 8c[f Ifjj` Xi\ X Ă&#x2C6;Y\e\Ă&#x201D;Z`Xc fYj\jj`fe ZXgXYc\ f] ^`mè^ \XZ_ gifa\Zk X jfik f] X[[\[ mXcl\ k_Xk `j [ì\Zkcp Zfee\Zk\[ kf X jg\Z`Xc ZXgXZ`kp kf \jkXYc`j_ X i\cXk`fej_`g n`k_ k_\ nfic[Ă&#x2030;# jXpj 8cY\ikf =\ic\e^X è _`j Zfeki`Ylk`fe kf k_\ \o_`Y`k`fe ZXkXcf^l\% =ifd k_\ [\î\\ k_\j`j fe X k_\Xk\i$ZlckliXc Z\ek\i# kf k_\ Zfdg\k`k`fe gifa\Zk ]fi K\Xkif GX^Xeè` fe G`XqqX [\ccX G`cfkkX è GXidX (0-+ # kf k_\ cXk\i gifa\Zkj fe jdXcc Xe[ cXi^\ jZXc\j ]ifd k_\ K\Xkièf JZ`\ek`Ă&#x201D;Zf f] (0./# X gi`mXk\ [`m\ik`jj\d\ek ]fi k_\ jkX^è^ f] [\j`ê jb\kZ_\j Xe[ liYXe `dX^\j# kf k_\ cXi^\ k_\Xk\ij Yl`ck fi j`dgcp [\j`ê\[# c`b\ K\Xkif :Xicf =\c`Z\ è >\efX Xe[ CX =\e`Z\ è M\e`Z\# k_\ GXcXqqf [\c :è\dX f] k_\ C`[f# Xe[ fk_\ij # m`j`kfij ^\k X Zc\Xi fm\im`\n f] Ifjj`Ă&#x2039;j gXjj`fe ]fi k_`j kpgfcf^p1 Ă&#x2C6;8e[ p\k# è ]fidXc k\idj# @ dlZ_ gi\]\i \dgkp k_\Xk\ij# n_\i\ k_\ XZk`fe `j jk`cc kf Zfd\# Xe[ n_\i\ k_\ XiZ_`k\ZkliXc jkilZkli\ `j k_\ dXè jpdYfc f] k_\ XiZ_`k\Zkli\Ă&#x2030;% DXkk\f M\iZ\ccfe` $ :Xgk`fe Knf m`\nj f] k_\ \o_`Y`k`fe Ă&#x2C6;8c[f Ifjj` K\Xki`Ă&#x2030;# Xe è$[\gk_ cffb Xk k_\ gf\k`Zj f] k_\ D`cXe\j\ XiZ_`k\Zk# ]ifd k_\ jkXik f] _`j ZXi\\i kf k_\ \e[ f] k_\ (00'j% g_fkf D%M%

5)& 8": 0' &/5)64*"454 g% +' g_fkfj Zflik\jp Pli` GXcdè Xe[ M$8$: =fle[Xk`fe k\ok 8ekfe\ccX 9f`j` 8k k_\ :XjX [\` Ki\ FZ`# >`l[\ZZX# M\e`Z\# X îflg j_fn f] Iljj`Xe Zfek\dgfiXip Xik$ `jkj# X ZfccXk\iXc \m\ek f] k_\ (*k_ M\e`Z\ 8iZ_`k\Zkli\ 9`\eeXc\% Cffbj Xk Xe le]fi^\kkXYc\ :fddfe >ifle[ ]fi k_\ Ă&#x160;ZfejkilZk`feĂ&#x2039; f] k_\ ]lkli\% 8k k_\ >`Xi[è`# k_\ gXm`c`fe n`k_ k_\ _pg\i$]lkli`jk`Z èjkXccXk`fe f] `$Z`kp# fe k_\ e\n Iljj`Xe cXe[jZXg\ è gifî\jj# kf [\Zf[\ ljè^ k_\ k\Z_efcf^`\j f] k_\ cXk\jk ^\e\iXk`fe% 8k :XjX [\` Ki\ FZ` k_\ \o_`Y`k`fe `j ZliXk\[ Yp BXk\ièX :_lZXcèX Xe[ J`cm`X =iXeZ\jZ_è`# n`k_ XiZ_`k\ZkliXc Zfejlckè^ Yp ;Xi`X GXiXdfefmX Xe[ BlYX Jefg\b% @k `j \ek`kc\[ K_\ NXp f] <ek_lj`Xjkj Ă&#x2020; ]ifd k_\ eXd\ f] k_\ jki\\k k_lj Z_i`jk\e\[ è (0(0 è _fefi f] k_\ i\mfclk`feXi`\j k_Xk n\ek [fne `k kf c\Xm\ k_\ Z`kp fe k_\ì nXp# è j_XZbc\j# kf J`Y\i`X# Xe[ `k nXj ZfeZ\`m\[ Xe[ gif[lZ\[ Yp k_\ DfjZfn$YXj\[ efe$gifĂ&#x201D;k ]fle[Xk`fe M$8$:# n_`Z_ _Xj nfib\[ jèZ\ )''0 kf jlggfik Zfek\dgfiXip Xik è Iljj`X% K_\ gifkX^fe`jk1 Jfm`\k XiZ_`k\Zkli\# k_\ jg\Z`Ă&#x201D;Z \eZcfjli\ f] \m\ip[Xp c`mè^ è X gi\Z`j\ _`jkfi`ZXc dfd\ek# j\\e k_ifl^_ k_\ \p\j f] Iljj`Xe Xik`jkj nfibè^ ]ifd k_\ (0.'j kf k_\ gi\j\ek% 8 dòkli\ f] èjkXccXk`fej# m`[\fj# g_fkfîXg_j# k_ifl^_ n_`Z_ )- Xlk_fij \oXdè\ _fn k_è^j n\i\ Yl`ck Xe[ c`m\[ è [liè^ k_\ Jfm`\k \iX# ]ifd gifa\Zkj f] cXi^\$jZXc\ jfZ`Xc _fljè^ kf Zfcc\Zk`m\ Zfddle`k`\j èj`[\ il^^\[cp df[\ie Yl`c[è^j% Lek`c ), Efm\dY\i# X î\Xk Zflek\igXik kf le[\ijkXe[ k_\ gXjjX^\ ]ifd k_\ Zfddle`jk \iX kf k_Xk f] kf[XpĂ&#x2039;j Iljj`X% D\dfi`\j f] p\jk\i[Xp# i\[ Xe[ îXp k_i\X[j k_Xk befk Xe[ èk\ij\Zk è èĂ&#x201D;e`k\ g\idlkXk`fej% 9lk k_\ i\ZfejkilZk`fe f] k_\ cXle[\i\kk\# n`k_ ]leZk`feè^ nXj_è^ dXZ_è\j# k_\ j\hl\eZ\ f] ZlZbff ZcfZbj g\\bè^ lg ]ifd k_\ Ă&#x2022;ffi# c`b\ ilYYc\ c\]k fm\i ]ifd X k`d\ k_Xk \iXj\[ k_\ \^f f] k_\ì lj\ij# k_\ i\dXèj f] [`cXg`[Xk\[ nè[fnj# _\i`kX^\ f] g_Xekfd cf[^è^j Ylk jk`cc fde`gi\j\ek fe k_\ flkjbìkj f] kf[XpĂ&#x2039;j Z`k$ `\j# è k_\ j\ejfi`Xc \og\i`\eZ\ [\m\cfg\[ fe k_\ k_i\\ c\m\cj f] k_\ i\Ă&#x201D;e\[ M\e\k`Xe j\kkè^ f] :XjX Ki\ FZ`# X _`jkfi`Z Yl`c[è^ ]ifd k_\ \Xicp (0''j# Xi\ Xcc ]ff[ ]fi k_fl^_k% Kf Ă&#x201D;e[ Xe èk\i\jkè^ :fddfe >ifle[% $ :Xgk`fe gX^% +( 8Yfm\1 k_\ èjkXccXk`fe Ă&#x2C6;:i\Xk`fe f] X K`d\ Le`k ]fi ;\X[ Qfe\Ă&#x2030; Yp k_\ [lf FYXdXè9\icè MX[`d QXb_Xifm# E`bcXj E`kjZ_b\ # )'()# ]fid\[ Yp (* ZlZbff ZcfZbj% Kf k_\ j`[\1 DiXbfYXdYiX# )''0$)'()# k_\ nfib Yp 8c\oXe[iX Jlb_Xi\mX% 9\cfn# =fik_Zfdè^ ;Xne Yp 8ij\e`p Q_`cpX\m# )'()# gifa\Zk ]fi X Jfm`\k jkpc\ glYc`Z cXle[ip% Fe k_\ nXcc# <Xik_nfibj Yp 8e[i\` DfeXjkpijb`# (0/.# X j\i`\j f] (/ YcXZb Xe[ n_`k\ liYXe g_fkfîXg_j%

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16/10/12 10.19

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8"5&34$"1& g% .' k\ok J`cmXeX 8ee`ZZ_`Xi`Zf g_fkfj Af_e If_i\i K_\ dXij_ Xe[ k_\ fZ\Xe# k_\ i`m\i Xe[ k_\ cXb\# k_\ gl[[c\ Xe[ k_\ cX^ffe% N`k_ jò dfeld\ekXc nfibj Zi\Xk\[ è ZfccXYfiXk`fe n`k_ ;Xm`[ >`cc >Xcc\i`\j# >X\kXef G\jZ\ i\gif[lZ\j k_\ Y\Xlkp Xe[ gfn\i f] nXk\i è eXkli\# dXbè^ X j`dgc\ g`\Z\ f] ]lie`kli\ c`b\ X kXYc\ èkf X d\kXg_fi f] k_\ îXe[\li f] k_\ nfic[ Xe[ f] fli èe\i# è\m`kXYc\ ]iX^`c`kp% 8j `] kf ^Xq\ [fne fe k_\ nfic[ ]ifd XYfm\% =ifd Xe XìgcXe\ Õpè^ Xk *'#''' ]\\k% 8 q\e`k_Xc m`\n% N`k_ k_\ NXk\ijZXg\ j\i`\j f] kXYc\j# n_`Z_ dXb\ k_\ì [\Ylk è k_\ ]Xcc Xk ;Xm`[ >`cc >Xcc\i`\j è Cfe[fe# >X\kXef G\jZ\ ki`\j kf j_`]k k_\ jlYc`d\ gfn\i f] nXk\ijZXg\j èkf k_\ [fd\jk`Z jZXc\# jZ\e\j fYj\im\[ ]ifd X Yì[Ëj$\p\ g\ijg\Zk`m\% K_\ Zi\Xk`m\ fg\iXk`fe `j j`d`cXi# è jfd\ nXpj# kf n_Xk _\ [`[ è (0/' n`k_ X nfib c`b\ Jlej\k è E\n Pfib fi Æ k_ìkp p\Xij cXk\i Æ n`k_ DfekXeXiX# è )'('% @e k_\ Ôijk ZXj\ _\ glk k_\ DXe_XkkXe jbpcè\ fekf X jf]X# eXiiXkè^ k_\ [\Zcè\ f] X Z`kp# `kj jlej\k# Yiè^è^ k_\ gfn\i f] XiZ_`k\Zkli\ èkf k_\

C_In626_R_102_109_traduzioni.indd 107

*/TFSWJDF 53"/4-"5*0/4

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16/10/12 10.19

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C_In626_R_102_109_traduzioni.indd 109

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"-0/( 5)& #&45 -*/&4 g% 0+ Yp BXkiè :fjj\kX 8 jlYkc\# Zfcfi]lc cXe^lX^\ j_\[j c`^_k fe k_\ mXcl\ f] k_\ j`c_fl\kk\% Cè\j f] Zfcfi Æ f]k\e gi`dXip fi Õlf kfe\j Æ ile Xcfe^ Yfi[\ij# le[\icè\ jkilZkli\j# \dg_Xj`q\ [\kX`cj% 8cdfjk c`b\ Xe XYjkiXZk`fe f] k_\ `dX^\ ]ifd k_\ mfcld\% $ :Xgk`fe gX^% 0+ +, kXYc\ Yp Ife >`cX[ ]fi Dfck\e` :# X j\i`\j f] jdXcc kXYc\j è [`]]\i\ek j`q\j# n`k_ \okiXZc\Xi kiXejgXi\ek ^cXjj kfgj% K_\ jkilZkli\ è :XeXc\kkf nXcelk _Xj dXkk\ gXèk\[ èk\ieXc \[^\j è i\[# p\ccfn fi Ycl\# Ylk k_\ kXYc\j Xi\ Xcjf XmX`cXYc\ \ekì\cp è :XeXc\kkf nXcelk fi YcXZb fXb% $ :Xgk`fe gX^% 0, 9cffd Yp 8iZ_ì`mfckf ]fi :Xcc`^Xi`j# Z_Xì n`k_ gfcpZXiYfeXk\ Z_Xjj`j# jkilZkli\ è gXèk\[ d\kXc klYè^ kf \e_XeZ\ k_\ gifÔc\% GifgX^Xk`fe e% +), Zfejfc\ Yp ?\im mXe [\i JkiX\k\e# gc\o`^cXj YffbZXj\ n`k_ i\[ Yfi[\ij% C`d`k\[ \[`k`fe f] -' g`\Z\j% $ :Xgk`fe gX^% 0- (% JXekX Dfe`ZX Cfle^\# Yp A\Xe$DXi`\ DXjjXl[ ]fi Gfc`]fid# Xe XidZ_Xì Æ Xcjf jn`m\cè^ Æ n`k_ jkilZkli\ Xe j\Xk è [flYc\$[\ej`kp Õ\o`Yc\ dflc[\[ gfcpli\k_Xe\# i\dfmXYc\ ]XYi`Z Zfm\i# efe$i\dfmXYc\ c\Xk_\i Zfm\i% :fekiXjkè^ Yfi[\ij è (' Zfcfij% )% Cfe^ @jcXe[# [\j`ê\[ Xe[ gif[lZ\[ Yp IfZ_\ 9fYf`j# Z_Xì n`k_ nff[\e jkilZkli\ Xe[ \cXjk`Z Y\ckè^# Zlj_`fej è ^ffj\[fne Xe[ ]fXd# i\dfmXYc\ Zfm\i è jkfe\nXj_\[ cè\e n`k_ ZfekiXjkè^ jk`kZ_è^% *% D`cf Yp 9ljb"?\ikqf^ ]fi Jf]kcè\# cfle^\ Z_Xì n`k_ gfl]# d\kXc jkilZkli\# ]XYi`Z Zfm\i n`k_ ZfekiXjkè^ Yfi[\ij% +% >lcg Yp J`dfe\ D`Z_\c` ]fi 8[i\eXcèX# XidZ_Xì n`k_ _`^_ YXZb# j`[\j Xe[ j\Xk Zfm\i\[ è ]\ck è ZfekiXjkè^ Zfcfij# d\kXc ]\\k% $ :Xgk`fe gX^% 0. ,% 9ìYX Yp DXiZf DXiXe ]fi GXii`# è]fidXc XidZ_Xì Ôcc\[ n`k_ gfcpjkpi\e\ g\cc\kj% :fm\i\[ è _\Xmp ]XYi`Z Xe[ nffc Zcfk_ ]fi k_\ è[ffi m\ij`fe# fi è ZfXk\[ fi jgle gfcpli\k_Xe\ ]XYi`Z ]fi k_\ flk[ffi df[\cj% 8 cXi^\ q`gg\i è Zfcfi\[ gcXjk`Z dXibj k_\ Yfi[\i% -% >iXp '/ Yp GXfcX EXmfe\ ]fi >\imXjfe`# cfn nXcelk Z_Xì n`k_ j\Xk Xe[ YXZb Zlj_`fej Ôcc\[ n`k_ gfcpli\k_Xe\ ]fXd# XmX`cXYc\ n`k_ eXkliXc fi cXZhl\i Ôe`j_% I\dfmXYc\ ]XYi`Z Zfm\i n`k_ ZfekiXjkè^ jk`kZ_è^% $ :Xgk`fe gX^% 0/ (% :fekiXjk# ]ifd k_\ Fi`^è Zfcc\Zk`fe Yp 9:OJP 9fXq :f_\e Xe[ JXpXbX PXdXdfkf # kXYc\$jkffcj dX[\ n`k_ k_\ ZiX]kj k\Z_e`hl\j lj\[ kf Yl`c[ kiX[`k`feXc @i`j_ YfXkj# è Xj_ ki\Xk\[ fecp n`k_ nXk\i Xe[ j_Xg\[ n`k_ jk\Xd% )% K_\ Ifle[ KXYc\ Yp Ife >`cX[ ]fi 8[\c\ :# j\i`\j f] kXYc\j n`k_ \okiXZc\Xi ^cXjj kfgj ifle[# fmXc# i\ZkXe^lcXi # YXj\j è jfc`[ [fd\jk`Z nXcelk n`k_ dXkk\ cXZhl\i [\kX`cj è i\[ fi Ycl\% *% =cX^ Yp DXlif C`ggXiè` ]fi 9feXc[f# \ok\ej`Yc\ kXYc\ n`k_ c\^j è YcXeZ_\[ Xj_ fi :XeXc\kkf nXcelk# ]iXd\[ fe k_\ èj`[\ Yp Xe C$j_Xg\[ Z_Xjj`j è gXèk\[ d\kXc% Kfg è nXcelk# ^cXjj fi YXjXckèX jkfe\% $ :Xgk`fe gX^% 00 +% Iffle[ Yp M`Zkfi :XiiXjZf ]fi >cXj @kXc`X# kXYc\j è knf _\`^_kj n`k_ kfgj è k_\ ]fid f] X Zilj_\[ ZìZc\# è \okiXc`^_k kiXejgXi\ek k\dg\i\[ /dd ^cXjj% K_\ YXj\ `j X _fccfn Zpcè[\i f] kiXejgXi\ek Yfifj`c`ZXk\ ^cXjj% K_\ afèk Y\kn\\e k_\ kfg Xe[ k_\ YXj\ `j _`^_c`^_k\[ Yp X Zfcfi\[ iè^% $ :Xgk`fe gX^% ('( (% Jkffc -' Yp 8cmXi 8Xckf ]fi 8ik\b# k_\ _`jkfi`Z jkffc k_Xk `j XYflk kf Z\c\YiXk\ `kj /'k_ Xee`m\ijXip# è k_\ Zfcfi\[ i\èk\igi\kXk`fe Yp D`b\ D\ì # Yiè^è^ flk Yfi[\ij Xe[ gifÔc\j n`k_ X gXik`ZlcXi iXe^\ f] Zfcfij kpg`ZXc f] k_\ nfib f] 8Xckf% )% IXp Yp DXiZ JX[c\i ]fi Jb`kjZ_# Zfcc\Zk`fe f] i\ZkXe^lcXi fXb kXYc\j n`k_ Zfcfi\[ Yfi[\ij f] kfg Xe[ c\^j% *% :lk KXYc\ Yp Eld\e&=fi Lj\ ]fi <c\d\ek# è jfc`[ gè\ n`k_ gfcp_\[iXc c\^j# \e_XeZ\[ Yp [`]]\i\ek gXèk Zfcfij% +% J_X[fn Yp MèZ\ek MXe ;lpj\e ]fi ;\ GX[fmX# kXYc\ n`k_ èk\ieXc jk\\c jkilZkli\# kfg Xe[ j`[\j è n_`k\ ?GC cXp\i\[ cXdèXk\ fi fXb m\e\\i# èe\i c\^j Xe[ _fi`qfekXc YXe[j è cXdèXk\# cXZhl\i\[ è [`]]\i\ek Zfcfij# fi m\e\\i\[ è eXkliXc fXb% ,% K_\ Ki`g :Xikffe# Yp J\c\kk` CXY ]fi J\c\kk`# kXYc\ è nff[ Xe[ D;=# gXèk\[ Yp _Xe[% -% Dfebj Yp GXfcf :Xgg\ccf ]fi MXcj\ZZ_` (0(/# X j\i`\j f] ZlgYfXi[j n`k_ [ffij Xe[ [iXn\ij# dX[\ n`k_ nff[\e gXe\cj m\e\\i\[ n`k_ îXp jkXè\[ Xj_ n`k_ i\c`\] Yfi[\i# c\^j gXèk\[ è fiXe^\# p\ccfn# î\\e Xe[ Ycl\%

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ADELE C srl Via Marco Polo 11 20124 MILANO Tel. 0229006026 Fax 0291434909 www.adele-c.it studio-milano@adele-c.it ADRENALINA DOMINGO SALOTTI Strada della Romagna 285 61121 PESARO Tel. 0721208372 Fax 0721209923 www.adrenalina.it adrenalina@adrenalina.it AGAPE srl Via Pitentino 6 46037 GOVERNOLO DI RONCOFERRARO MN Tel. 0376250311 Fax 0376250330 www.agapedesign.it www.agapecasa.it info@agapedesign.it ARAN WORLD srl Z.I. - Fraz. Casoli 64032 ATRI TE Tel. 08587941 Fax 0858794242 www.aran.it info@aran.it ARRITAL CUCINE Via Casut 103 33074 FONTANAFREDDA PN Tel. 0434567411 Fax 0434999728-848 www.arritalcucine.com info@arritalcucine.com

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ARTEK OY Lönnrotinkatu 7 FI 00120 HELSINKI Tel. +358 106173460 www.artek.fi info@artek.fi Distr. in Italia: RAPSEL spa Via A. Volta 13 20019 SETTIMO MILANESE MI Tel. 023355981 Fax 0233501306 www.rapsel.it rapsel@rapsel.it ASTER CUCINE spa Via Manlio Ferraro s.n. Fraz. Villa Fastiggi 61122 PESARO Tel. 0721281276 Fax 0721282280 www.astercucine.it aster@astercucine.it ATELIER ALINEA AG Bernstrasse 229 CH 3627 HEIMBERG Tel. +41334383272 Fax +41334383271 www.atelieralinea.ch info@atelieralinea.ch ATELIER VAN LIESHOUT Keilestraat 43E NL 3029 BP ROTTERDAM Tel. +31 10 2440971 Fax +31 10 2440972 www.ateliervanlieshout.com info@ateliervanlieshout.com BAXTER srl Via Costone 8 22040 LURAGO D’ERBA CO Tel. 03135999 Fax 0313599999 www.baxter.it info@baxter.it BCXSY Sint Bavostraat 30 NL 5643 MB EINDHOVEN Tel. +31647162410 www.bcxsy.com info@bcxsy.com BERNHARDT DESIGN 1839 Morganton Boulevard USA LENOIR NC 28645 Tel. +18287596539 Fax +18287596259 www.bernhardtdesign.com celiawhite@bernhardt.com BOFFI spa Via Oberdan 70 20823 LENTATE SUL SEVESO MB Tel. 03625341 Fax 0362565077 www.boffi.com boffimarket@boffi.com BONALDO spa Via Straelle 3 35010 VILLANOVA DI CAMPOSANPIERO PD Tel. 0499299011 Fax 0499299000 www.bonaldo.it bonaldo@bonaldo.it

BSL GALERIE 23 rue Charlot F 75003 PARIS Tel. +33144789414 www.galeriebsl.com info@galeriebsl.com BULTHAUP ITALIA srl Via Senato 6 20121 MILANO Tel. 0236551819 Fax 0236552188 www.bulthaup.com info@bulthaup.com CALLIGARIS spa Via Trieste 12 33044 MANZANO UD Tel. 0432748211 Fax 0432750104 www.calligaris.it calligaris@calligaris.it CC-TAPIS Via San Simpliciano 6 20121 MILANO Tel. 0289093884 www.cc-tapis.com info@cc-tapis.com CESAR ARREDAMENTI spa Via Cav. di Vittorio Veneto 1/3 30020 PRAMAGGIORE VE Tel. 04212021 Fax 0421200059 www.cesar.it, info@cesar.it CORTICEIRA AMORIM GRUPPO AMORIM Rua de Meladas, Nº 380 Apartado 20 P 4536-902 Mozelos Tel. + 351 227 475 400 Fax + 351 227 475 410 www.amorim.com www.materia.amorim.com amorim@amorim.com DADA spa S. Provinciale 31 20010 MESERO MI Tel. 029720791 nr verde 800653210 Fax 0297289561 www.dadaweb.it dada@dadaweb.it DE CASTELLI Via del Commercio 16/18 31041 CORNUDA TV Tel. 0423638218 Fax 042383467 www.decastelli.com info@decastelli.com DE PADOVA srl Strada Padana Superiore 280 20090 VIMODRONE MI Tel. 0227439795 Fax 0227439780 www.depadova.it, info@depadova.it DIESEL with MOROSO spa Via Nazionale 60 33010 CAVALICCO DI TAVAGNACCO UD Tel. 0432577111 nr. verde 800016811 Fax 0432570761 www.moroso.it, info@moroso.it

DIESEL with SCAVOLINI spa Via Risara 60/70 - 74/78 61025 MONTELABBATE PU Tel. 07214431 nr.verde 840502222 Fax 0721443402 www.scavolini.com info@scavolini.com DISCIPLINE Via Pietro Mascagni 4 20122 MILANO Tel. 0289280542 Fax 0289280546 www.discipline.eu info@discipline.eu EDRA spa Via Livornese Est 106 56035 PERIGNANO DI LARI PI Tel. 0587616660 Fax 0587617500 www.edra.com edra@edra.com ELEMENT Intera doo, Ilica 168a HR 10000 ZAGREB CROATIA Tel. +3851 390 68 55 Fax +3851 390 68 56 www.element.com.hr info@element.com.hr ERNESTOMEDA spa Via dell’Economia 2/8 61025 MONTELABBATE PU Tel. 072148991 www.ernestomeda.com contatti@ernestomeda.com FRAG srl Via dei Boschi 2 33040 PRADAMANO UD Tel. 0432671375 Fax 0432670930 www.frag.it frag@frag.it FRITZ HANSEN MOEBLER Allerødvej 8 DK 3450 ALLERØD Tel. +45 48 172300 Fax +45 48 171948 www.fritzhansen.com Distr. in Italia: REPUBLIC OF FRITZ HANSEN C.so Garibaldi 77 20121 MILANO Tel. 0249526135 Fax 0236505624 www.fritzhansen.com cp@fritzhansen.com GABER srl Via Schiavonesca 75/1 31030 CASELLE DI ALTIVOLE TV Tel. 0423915521 Fax 0423919417 www.gaber.it info@gaber.it GERVASONI spa V.le del Lavoro 88 - Z.I.U. 33050 PAVIA DI UDINE UD Tel. 0432656611 Fax 0432656612 www.gervasoni1882.com info@gervasoni1882.com

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GLAS ITALIA Via Cavour 29 20846 MACHERIO MB Tel. 0392323202 Fax 0392323212 www.glasitalia.com glas@glasitalia.com HENGE Via Monte Grappa 90 31010 MOSNIGO DI MORIAGO TV Tel. 0438890622 Fax 0438890644 www.henge07.com info@henge07.com KKAARRLLS www.kkaarrlls.com mail@kkaarrlls.com LA CHANCE 59, rue Boileau F 75016 PARIS Tel. +33 661536155 www.lachance.fr, info@lachance.fr LAGO spa Via dell’Artigianato II 21 35010 VILLA DEL CONTE PD tel 0495994299 Fax 0495994191 www.lago.it, lago@lago.it LIGNE ROSET ROSET ITALIA srl C.so Magenta 56 20123 MILANO Tel. 0248514007 Fax 0248022388 www.ligne-roset.it info@ligne-roset.it LINEABETA spa S. Statale 11 km 331 36053 GAMBELLARA VI Tel. 0444644644 Fax 0444644600 www.lineabeta.com info@lineabeta.com MITSUBISHI ELECTRIC EUROPE bv V.le Colleoni 7 20864 AGRATE BRIANZA MB Tel. 03960531 Fax 0396053409 www.mitsubishielectric.it centralino@it.mee.com MODULNOVA srl Via Gabbana 87 33080 PRATA DI PORDENONE PN Tel. 0434425425 Fax 0434425400 www.modulnova.it info@modulnova.it MOGG srl Via U. Foscolo 6 22060 AROSIO CO Tel. 0314141120 Fax 0314141099 www.mogg.it MOLTENI & C spa Via Rossini 50 20833 GIUSSANO MB Tel. 03623591 Fax 0362354448 www.molteni.it customer.service@molteni.it

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MOORMANN NILS HOLGER An der Festhalle 2 D 83229 ASCHAU IM CHIEMGAU Tel. +49 8052 90450 Fax +49 8052 904545 www.moormann.de info@moormann.de MOROSO spa Via Nazionale 60 33010 CAVALICCO UD Tel. 0432577111 nr. verde 800016811 Fax 0432570761 www.moroso.it info@moroso.it MUSCLE CORPORATION www.musclecorp.com PARRI DESIGN srl Via Tosco-Romagnola Est 801 56028 LA SCALA DI SAN MINIATO PI Tel. 0571419872 Fax 0571419855 www.parridesign.it info@parridesign.it PIANOPRIMO srl Via Tolstoi 5 (angolo via Savona 99) 20146 MILANO Tel. 0247712771 www.pianoprimo.it info@pianoprimo.it PIMAR srl S.S. Lecce-Maglie 16 73020 MELPIGNANO LE Tel. 0836483285-426555-429673 Fax 0836429926 www.pietraleccese.com info@pietraleccese.com POLIFORM spa Via Montesanto 28 22044 INVERIGO CO Tel. 0316951 Fax 031699444 www.poliform.it info.poliform@poliform.it ROCHE BOBOIS 18, rue de Lyon F 75012 PARIS Tel. +33 1 53461000 Fax +33 1 46289375 www.roche-bobois.com ROSSANA RB srl Via Provinciale 11 61025 MONTELABBATE PU Tel. 0721498777 Fax 0721499158 www.rossana.com info@rossana.it SAINT LUC DCS Chateau de La Fenardière F 53940 Saint Berthevin www.design-cs.com f.morand@saintluc.fr SELETTI spa Via Codebruni Levante 32 46019 CICOGNARA DI VIADANA MN Tel. 037588561 Fax 037588843 www.seletti.it, info@seletti.it

SERRALUNGA srl Via Serralunga 9 13900 BIELLA Tel. 0152435711 Fax 01531081 www.serralunga.com info@serralunga.com SIEMATIC ITALIA Via C. Battisti 20/10 20078 SAN COLOMBANO AL LAMBRO MI Tel. 0371200659 Fax 0371956854 www.siematic.com info@siematic.it SINTESI - GRUPPO SINTESI spa Z.I. Cosa 33097 SPILIMBERGO PN Tel. 0427519311 Fax 0427519315 www.gruppo-sintesi.com info@gruppo-sintesi.com SKITSCH Via San Marco 46 20121 MILANO Tel. 0236642300 Fax 0229005656 www.skitsch.it info@skitsch.it SLAMP spa Via Tre Cannelle 3 00040 POMEZIA RM Tel. 069162391 Fax 0691623933 www.slamp.com info@slamp.it SOFTLINE ALL KIT V.le del Lavoro 84 - Z.I. Lauzacco 33050 PAVIA DI UDINE UD Tel. 0432675513 Fax 0432675777 www.softline-allkit.com info@softline-allkit.com STUDIO FORMAFANTASMA Kronehoefstraat 1 NL EINDHOVEN 5612HK www.formafantasma.com info@formafantasma.com V+T VENEZIANO GIANNI DI VIRGILIO LUCIANA Via Alessandro Stradella 8 20129 MILANO Tel. - Fax 0291477043 Fax 0803343561 www.venezianoteam.it studio@gianniveneziano.it VALCUCINE spa Via Luciano Savio 11 33170 PORDENONE Tel. 0434517911 nr verde 800019062 Fax 0434517933 www.valcucine.it info@valcucine.it VALSECCHI spa Via Bergamo 1286 24030 PONTIDA BG Tel. 035796156 www.valsecchi1918.com info@valsecchispa.it

VAN DER STRAETEN HERVÉ 11, rue Ferdinand Duval F 75004 PARIS Tel. +33 1 42789999 Fax +33 1 42789990 www.vanderstraeten.fr herve@vanderstraeten.fr WERKHAUS Industriestraße 11+13 D 29389 Bad Bodenteich Tel. +495824 9550 Fax +495824 955155 www.werkhaus.de info@werkhaus.de ZANOTTA spa Via Vittorio Veneto 57 20054 NOVA MILANESE MB Tel. 03624981 Fax 0362451038 www.zanotta.it sales@zanotta.it

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fe cè\ nnn%èk\ie`dX^Xqè\%`k direttore responsabile/editor GILDA BOJARDI bojardi@mondadori.it art director CHRISTOPH RADL caporedattore centrale central editor-in-chief SIMONETTA FIORIO simonetta.fiorio@mondadori.it consulenti editoriali/editorial consultants ANDREA BRANZI ANTONIO CITTERIO MICHELE DE LUCCHI MATTEO VERCELLONI

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redazione/editorial staff MADDALENA PADOVANI mpadovan@mondadori.it (vice caporedattore/vice-editor-in-chief) OLIVIA CREMASCOLI cremasc@mondadori.it (caposervizio/senior editor) ANTONELLA BOISI boisi@mondadori.it (vice caposervizio architetture/ architectural vice-editor) KATRIN COSSETA internik@mondadori.it produzione e news/production and news NADIA LIONELLO internin@mondadori.it produzione e sala posa production and photo studio

N. 626 novembre 2012 November 2012 rivista fondata nel 1954 review founded in 1954

corrispondenti/correspondents Francia: EDITH PAULY edith.pauly@tele2.fr Germania: LUCA IACONELLI radlberlin@t-online.de Giappone: SERGIO PIRRONE utopirro@sergiopirrone.com Gran Bretagna: DAVIDE GIORDANO davide.giordano@zaha-hadid.com Portogallo: MARCO SOUSA SANTOS protodesign@mail.telepac.pt Spagna: CRISTINA GIMENEZ cg@cristinagimenez.com LUCIA PANOZZO luciapanozzo@yahoo.com Svezia: JILL DUFWA jill.dufwa@post.utfors.se Taiwan: CHENG CHUNG YAO yao@autotools.com.tw USA: PAUL WARCHOL pw@warcholphotography.com

ARNOLDO MONDADORI EDITORE 20090 SEGRATE - MILANO INTERNI The magazine of interiors and contemporary design via D. Trentacoste 7 - 20134 Milano Tel. +39 02 215631 - Fax +39 02 26410847 interni@mondadori.it Pubblicazione mensile/monthly review. Registrata al Tribunale di Milano al nÂ° 5 del 10 gennaio1967.

rubriche/features VIRGINIO BRIATORE giovani designer/young designers GERMANO CELANT arte/art CRISTINA MOROZZI fashion ANDREA PIRRUCCIO produzione e/production and news DANILO PREMOLI hi-tech e/and contract MATTEO VERCELLONI in libreria/in bookstores ANGELO VILLA cinema TRANSITING@MAC.COM traduzioni/translations

PREZZO DI COPERTINA/COVER PRICE INTERNI â&#x201A;Ź 8,00 in Italy

grafica/layout MAURA SOLIMAN soliman@mondadori.it SIMONE CASTAGNINI simonec@mondadori.it STEFANIA MONTECCHI internim@mondadori.it

Sedi Esterne: LAZIO/CAMPANIA CD-Media - Carla Dallâ&#x20AC;&#x2122;Oglio Corso Francia, 165 - 00191 Roma Tel. 06/3340615 - Fax 06/3336383 mprm01@mondadori.it PIEMONTE/VALLE Dâ&#x20AC;&#x2122;AOSTA/LIGURIA Luigi Dâ&#x20AC;&#x2122;Angelo Cell. 346/2400037 e-mail:luigi.dangelo@mondadori.it TRIVENETO Mondadori PubblicitĂ Padova Tommaso Gentile, Elfi Sartori, Paola Zuin Galleria Borromeo, 4 - 35137 Padova Tel. 049/8752025 - Fax 049/8751461 monpubpd@mondadori.it VERONA F.C.G. PubblicitĂ / Enzo Filippini Via Alberto Mario, 10 - 37121 Verona Tel. 045/8000868 - Fax 045/591081 mpvr01@mondadori.it EMILIA ROMAGNA/SAN MARINO Marco Tosetti / Irene Maseâ&#x20AC;&#x2122; Dari Via Pasquale Muratori, 7 - 40134 Bologna Tel. 051/4391201 - Fax 051/4399156 irene.masedari@mondadori.it TOSCANA/UMBRIA Marco Marucci - Gianni Pierattoni Paola Sarti - M.Grazia Vagnetti Piazza Savonarola, 9 - 50132 Firenze Tel. 055/500951- Fax 055/577119 mondadoripubblicita.fi@mondadori.it ABRUZZO/MOLISE Luigi Gorgoglione Via Ignazio Rozzi, 8 - 64100 Teramo Tel. 0861/243234 - Fax 0861/254938 monpubte@mondadori.it PUGLIA/BASILICATA Media Time - Carlo Martino Via Diomede Fresa, 2 - 70125 Bari Tel. 080/5461169 - Fax 080/5461122 monpubba@mondadori.it CALABRIA/SICILIA/SARDEGNA GAP Srl - Giuseppe Amato Via Riccardo Wagner, 5 - 90139 Palermo Tel. 091/6121416 - Fax 091/584688 email: monpubpa@mondadori.it ANCONA Annalisa Masi, Valeriano Sudati Via Virgilio, 27 - 61100 Pesaro Cell. 348/8747452 - Fax 0721/638990 email:amasi@mondadori.it; valeriano.sudati@mondadori.it

segreteria di redazione editorial secretariat ALESSANDRA FOSSATI alessandra.fossati@mondadori.it responsabile/head ADALISA UBOLDI adalisa.uboldi@mondadori.it assistente del direttore assistant to the editor AZZURRA TORNIOLI internir@mondadori.it contributi di/contributors SILVANA ANNICCHIARICO STEFANO CAGGIANO VALENTINA CROCI FRANCESCO MASSONI SERGIO PIRRONE ALESSANDRO ROCCA fotografi/photographs IWAN BAAN INHO LEE-ERAE MARTIN MAI MAURIZIO MARCATO SERGIO PIRRONE EFREM RAIMONDI JOHN ROHRER PAOLO UTIMPERGHER MATTEO VERCELLONI progetti speciali ed eventi special projects and events CRISTINA BONINI MICHELANGELO GIOMBINI promotion ANTONELLA ZACCURI

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ABBONAMENTI/SUBSCRIPTIONS Italia annuale: 10 numeri + 3 Annual + Design Index Italy, one year: 10 issues + 3 Annuals + Design Index â&#x201A;Ź 84,00 Estero annuale: 10 numeri + 3 Annual + Design Index Foreign, one year: 10 issues + 3 Annuals + Design Index Europa via terra-mare/Europe by surface-sea mail â&#x201A;Ź 120,20 via aerea/air mail: Europa/Europe â&#x201A;Ź 143,40 USA-Canada â&#x201A;Ź 166,60 Resto del mondo/rest of the world â&#x201A;Ź 246,70 Inviare lâ&#x20AC;&#x2122;importo a/please send payment to: Press-Di srl Servizio Abbonamenti, servendosi del c/c. postale n. 77003101. Per comunicazioni, indirizzare a: Inquiries should be addressed to: INTERNI - Servizio Abbonamenti Casella Postale 97- 25197 Brescia Tel. 199 111 999 (dallâ&#x20AC;&#x2122;Italia/from Italy) Costo massimo della chiamata da tutta Italia per telefoni fissi: 0,14 â&#x201A;Ź iva compresa al minuto senza scatto alla risposta. Tel. + 39 041 5099049 (dallâ&#x20AC;&#x2122;estero/from abroad) Fax + 39 030 3198202 e-mail: abbonamenti@mondadori.it www.abbonamenti.it/interni Lâ&#x20AC;&#x2122;editore garantisce la massima riservatezza dei dati forniti dagli abbonati e la possibilitĂ di richiederne gratuitamente la rettifica o cancellazione ai sensi dellâ&#x20AC;&#x2122;art. 7 del D.leg.196/2003 scrivendo a/The publisher guarantees maximum discretion regarding information supplied by subscribers; for modifications or cancellation please write to: Press-Di srl Direzione Abbonamenti 20090 Segrate (MI) NUMERI ARRETRATI/BACK ISSUES Interni: â&#x201A;Ź 10 Interni + Design Index: â&#x201A;Ź 14 Interni + Annual: â&#x201A;Ź 14 ModalitĂ di pagamento: c/c postale n. 77270387 intestato a Press-Di srl â&#x20AC;&#x153;Collezionistiâ&#x20AC;? (tel. 199 162 171). Indicare indirizzo e numeri richiesti. Per pagamento con carte di credito (accettate: CartasĂŹ, American Express, Visa, Mastercard e Diners), specificare indirizzo, numero di carta e data di scadenza, inviando lâ&#x20AC;&#x2122;ordine via fax (+ 39 02 95103250) o via e-mail (collez@mondadori.it). Per spedizioni allâ&#x20AC;&#x2122;estero, maggiorare lâ&#x20AC;&#x2122;importo di un contributo fisso di â&#x201A;Ź 5,70 per spese postali. La disponibilitĂ di copie arretrate Ă¨ limitata, salvo esauriti, agli ultimi 18 mesi. Non si accettano spedizioni in contrassegno. Please send payment to Press-Di srl â&#x20AC;&#x153;Collezionistiâ&#x20AC;? (tel. + 39 02 95970334), postal money order acct. no. 77270387, indicating your address and the back issues requested. For credit card payment (CartasĂŹ, American Express, Visa, Mastercard, Diners) send the order by fax (+ 39 02 95103250) or e-mail (collez@mondadori.it), indicating your address, card number and expiration date. For foreign deliveries,add a fixed payment of h 5,70 for postage and handling. Availability of back issues is limited, while supplies last, to the last 18 months. No COD orders are accepted. DISTRIBUZIONE/DISTRIBUTION per lâ&#x20AC;&#x2122;Italia e per lâ&#x20AC;&#x2122;estero for Italy and abroad Distribuzione a cura di Press-Di srl Lâ&#x20AC;&#x2122;editore non accetta pubblicitĂ in sede redazionale. I nomi e le aziende pubblicati sono citati senza responsabilitĂ . The publisher cannot directly process advertising orders at the editorial offices and assumes no responsibility for the names and companies mentioned. Stampato da/printed by Mondadori Printing S.p.A., Via Luigi e Pietro Pozzoni 11 Cisano Bergamasco (Bergamo) Stabilimento di Verona nel mese di ottobre 2012

Questo periodico Ă¨ iscritto alla FIEG This magazine is member of FIEG Federazione Italiana Editori Giornali ÂŠ Copyright 2012 Arnoldo Mondadori Editore S.p.A. â&#x20AC;&#x201C; Milano. Tutti i diritti di proprietĂ letteraria e artistica riservati. Manoscritti e foto anche se non pubblicati non si restituiscono.

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