Interni Magazine 619 - March 2012

Page 1


INdice/CONTENTS III

INsight 36

42

INtoday milano/Milan , gallerie d’italia progetto di/design by michele de lucchi foto di/photos by mario carrieri testo di/text by antonella boisi

aix en provence, château la coste opera corale/a choral project foto e testo di/photos and text by matteo vercelloni INscape

52

58

48

un silenzio assordante/Deafening silence

di/by andrea branzi

INdesign INcenter

52

58

progetto parete/Wall project di/by nadia lionello foto di/photos by miro zagnoli pubblicoutdoor di/by nadia lionello foto di/photos by simone barberis INprofile

66

alain gilles: simplexity

di/by Maddalena Padovani 66

00 76 72

jerszy seymour: action design di/by Cristina Morozzi INproject

76

alta illuminazione/High lighting di/by Patrizia Catalano

80

archi-mimesi/Archi-mimesis di/by Antonella Galli

86

fughe di colore/Flights of color di/by Stefano Caggiano INview

90

homo naturalis di/by Valentina Croci

86 94

INproduction sole dentro/Sun inside di/by katrin cosseta

INservice 102

traduzioni translations

111

indirizzi firms directorY di/by adalisa uboldi

90

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INdice/CONTENTS II

progetto città CITY PROJECT nil 28 risveglio urbano/urban reawakening SOS paesaggio: ora tocca a noi/SOS landscape: it’s up to us 82 in libreria in bookstores 86 cinema un road movie nel tempo/A road movie in time 88 office&contract palacongressi di/in rimini 90 info&tech suono luminoso/Luminous sound 80

INservice 94 104

traduzioni translations indirizzi firms directorY

107 In&outdoor

2

INtopics 1

editoriale editorial di/by gilda bojardi

INteriors&architecture

abitare nella natura

living in nature a cura di/edited by antonella boisi 8

28

2

in inghilterra/England, mclaren production centre progetto di/design by foster + partners foto di/photos courtesy by mclaren testo di/text by antonella galli

8

in francia/france, white snake house progetto di/design by pierre minassian foto di/photos by erick saillet/photofoyer testo di/text by giovanna albretti

14

in giappone/japan, villa a gonfie vele/ full speed ahead progetto di/design by satoshi okada architects foto e testo di/photos and text by sergio pirrone

20

in brianza, poliform lab progetto di/design by carlo colombo foto di/photos by walter gumiero, gionata xerra testo di/text by antonella boisi

36 28

roma/rome, maison louis vuitton etoile progetto di/design by peter marino foto di/photos by stĂŠphane muratet testo di/text by antonella boisi

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INdice/contents Marzo/MARCH 2012

INterNIews INitaly

21

37

produzione production giallo in bagno/Yellow in the bathroom Bath En plein air cascate di benessere/Cascades of wellness architetture da tavola/Table architecture Coreografie in giardino/Garden choreography Puglia c’est moi! project

l’arte di allestire/The art of exhibit design declub.it mario botta a/in sesto san giovanni 47 IN copertina: i tavolini Collage progettati da Alain Gilles per Bonaldo disegnano un colorato gioco grafico che mette in evidenza le loro ampie possibilità compositive. Quattro piani, tranne uno, sono uniti tra loro. Quello circolare, al centro, funge da perno; gli altri tre gravitano intorno al primo e si posizionano liberamente. A questi si aggiunge un quarto tavolino mobile che completa la composizione. on the cover: the Collage tables designed by Alain Gilles for Bonaldo generate a colorful graphic game that reveals their wide range of compositional possibilities. Four tops, except one, are joined together. The circular top at the center functions as a pivot; the other three gravitate around it and can be freely positioned. They are joined by a fourth, mobile table that completes the composition.

48

53

58

showroom

l’atelier dell’acciaio/The steel atelier premi prizes milano design weekend 2011: il meglio/the best samsung young design award 2011 INternational produzione production dissolvenze cromatiche/Chromatic dissolves la luce in bilico/Balanced light

showroom

Space Asia Hub giorgetti nel mondo/in the world INtertwined 67

giovani designer young designers

70

fotografia photography

studio ddp

74 76 78

Hotpoint-mccurry: family portraits mostre Exhibitions air du temps, air du printemps paesaggio landscapes il/the Meltar resort di/in Asiago

food design

l’arpege di/of alain passard

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LA CUCINA DI ARTHUR BONNET APERTA VISIVAMENTE SULLA ZONA PRANZO. IL SISTEMA ILLUMINOTECNICO DELLA CASA È DI MODULAR.

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DALL’ALTO, DETTAGLIO DEL PARAVENTO METALLICO, IN LASTRE DI ACCIAIO SPESSE 2 CM, CHE MASCHERA LA ZONA NOTTE. LA CASA È COSTRUITA SU PILOTIS POCO PIÙ ALTI DI 7 M, PROFONDITÀ MASSIMA DEL LAGO E, SULLA SUPERFICIE IMMOTA DELL’ACQUA, LA SOLETTA DEL PAVIMENTO FLUTTUA IN ALTEZZA; SEZIONE DELLA PISCINA E UNA PLANIMETRIA; VEDUTA SERALE DELLA CASA SUL LAGO ALLA QUALE SI ACCEDE ATTRAVERSO UNA PASSERELLA TELESCOPICA E RETRATTILE. LA ZONA DELL’INGRESSO È INDENTIFICATA DALLA PORTA D’ACCESSO PIVOTANTE, CHE, INSIEME AI SERRAMENTI A SCOMPARSA DELLE GRANDI VETRATE PERIMETRALI INTERAMENTE SU MISURA, HA RICHIESTO 250 0RE DI LAVORO PER LA DEFINIZIONE DEI DETTAGLI E 600 ORE PER LA PRODUZIONE.

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SCORCIO VERSO VALLE DEL SANDWICH DI COPERTURA CHE ASSECONDA LO SVILUPPO DI CUCINA E TERRAZZA AL SECONDO LIVELLO. IL MURO DI CONTENIMENTO AL PRIMO LIVELLO NASCONDE IL GARAGE; TRE SEZIONI DI PROGETTO; VISTA DA PONENTE DELLA COPERTURA IN ACCIAIO CORTEN CHE SBALZA SULLA TERRAZZA DEL SECONDO LIVELLO ‘PUBBLICO’.

PAGINA A FIANCO, VISTA DI VILLA A. DAL CONFINE ORIENTALE DEL LOTTO TRIANGOLARE. LA COPERTURA AVVOLGENTE IN ACCIAIO CORTEN DELIMITA LA TERRAZZA NATURALE DEL PRIMO LIVELLO ‘PRIVATO’.

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07/02/12 12.40


INTERNI dXiqf )'()

QUI SOPRA, LA ZONA PRANZO CON IL TAVOLO LINK IN CRISTALPLANT®, DESIGN JAKOB WAGNER (2009) PER B&B ITALIA; IN SECONDO PIANO, IL SALONE CON IL DIVANO MOON SYSTEM DISEGNATO DA ZAHA HADID NEL 2007 E PRODOTTO DA B&B ITALIA. ACCANTO, VISTA DELLA PARETE CURVA MULTI-ATTREZZATA CHE INGLOBA IL CAMINO, DIVIDENDO LA ZONA GIORNO E CUCINA DALLE SCALE CHE CONDUCONO ALLA ZONA NOTTE.

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AL LIVELLO INFERIORE, DA SINISTRA, LA PICCOLA GALLERIA D’ARTE FORMATA DA TRE NICCHIE ILLUMINATE CON LUCE ZENITALE CHE ACCOLGONO TRE SCULTURE GIAPPONESI; DETTAGLIO DELLA PARETE ATTREZZATA CHE SEPARA LA ZONA PRANZO E IL CORRIDOIO VETRATO CHE CONDUCE AL SALONE PANORAMICO.

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LA VASCA DA BAGNO, INCASSATA NEL PAVIMENTO, PROTAGONISTA DELL’AMBIENTE COMUNICANTE VISIVAMENTE CON IL GIARDINO DAVANTI AL BOSCO.

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07/02/12 13.51


INTERNI dXiqf )'()

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VEDUTA AEREA DEL COMPLESSO ADAGIATO NEL PAESAGGIO VERDE DELLA BRIANZA. AL CENTRO IL NUOVO CORPO DI SNODO TRA I DUE EDIFICI PREESISTENTI (SULLA SINISTRA IL MAGAZZINO RIADATTATO E DIPINTO DI GRIGIO E SULLA DESTRA LA PALAZZINA RESTAURATA PER GLI UFFICI) CHE FUNGE ANCHE DA AREA D’INGRESSO-ACCOGLIENZA E ASSE DI RIFERIMENTO PER IL COLLEGAMENTO CON IL NUOVO BUILDING (SUL RETRO) CHE ACCOGLIE DIVERSI EPISODI: LO SHOWROOM, LE SALE SHOOTING, IL REPARTO OGGETTISTICA-CATALOGHI-ARCHIVIO, IL RISTORANTE. DUE SCHIZZI PROSPETTICI DI CARLO COLOMBO.

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dXiqf )'() INTERNI

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NELLA PAGINA A FIANCO, IN ALTO, NEI GRANDI VARCHI RETTANGOLARI CHE INCIDONO I NUOVI FRONTI, SI MATERIALIZZA LA TRASPARENZA DEL VETRO CHE SULLA SINISTRA DELIMITA L’INGRESSO ALLE SALE FOTOGRAFICHE E SULLA DESTRA IL SERBATOIO DI LUCE NATURALE PER UN UFFICIO; AL CENTRO, UN ALTRO SCHIZZO PROSPETTICO DI CARLO COLOMBO CHE FOCALIZZA ALTRE PARTI DEL COMPLESSO (COME LA DIVISIONE LOGISTICA COMUNICAZIONE E CONTRACT, SOTTO LE ARCATE CONTINUE DELLA VECCHIA FILANDA RISTRUTTURATA); SOTTO, SCORCIO DELL’EDIFICIO DESTINATO ALLO SHOWROOM VARENNA; IN BASSO UN’AREA OPEN AIR ATTREZZATA CON PERGOLATO A VERDE E DETTAGLIO DEI PANNELLI FOTOVOLTAICI INSTALLATI SUL MANTO DI COPERTURA DELLO SHOWROOM. IN ALTO UN CONTROCAMPO DEL NUOVO BUILDING D’INGRESSO. SOTTO, IL NUOVO BLOCCO DEDICATO ALLE SALE FOTOGRAFICHE: UN INVOLUCRO IN CEMENTO ARMATO A VISTA COMPOSTO CON CASSERI MODULARI SU DISEGNO SUL QUALE SI INNESTANO NELLA PARTE SUPERIORE SUPERFICI IN LEGNO COTTO NATURALE (TERMOTRATTATO) A DOGHE.

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LO SHOWROOM, PROGETTO D’INTERNI DI CHICCO BESTETTI IN COLLABORAZIONE CON IL PROJECT DEPARTMENT POLIFORM. SI NOTANO I RIVESTIMENTI VERTICALI LIGNEI A DOGHE CHE DISEGNANO UNA BOISERIE NELL’AREA D’INGRESSO, UNICI DIAFRAMMI ALL’INTERNO DI UNO SPAZIO APERTO E CONTINUO, DOVE GLI ELEMENTI ARCHITETTONICI CHE RICHIAMANO IL CARATTERE INDUSTRIALE DELL’EDIFICIO SI DECLINANO NEI PILASTRI ROTONDI AD EFFETTO ARRUGGINITO TIPICI DELL’ARCHITETTURA AMERICANA E NELLA COPERTURA FINITA CON TEGOLI PREFABBRICATI. LA PAVIMENTAZIONE È IN CEMENTO GRIGIO TIRATO A CERA.

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INTERNI dXiqf )'()

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UN’ALTRA VISTA DELLO SHOWROOM PROGETTATO DA CHICCO BESTETTI IN COLLABORAZIONE CON IL PROJECT DEPARTMENT POLIFORM, CONCEPITO COME UNA VETRINA A ROTAZIONE DEI PRODOTTI. LO SPAZIO DI UN UFFICIO CREATIVO, MOLTO LUMINOSO E SEGNATO DALLA PAVIMENTAZIONE GALLEGGIANTE. LA SCALA DI COLLEGAMENTO INTERNA TRA LO SHOWROOM E L’INGRESSO SUL LATO OPPOSTO. UN’ASSONOMETRIA DEL COMPLESSO CON L’INDICAZIONE DELLE DIFFERENTI AREE FUNZIONALI.

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dXiqf )'() INTERNI

L’AREA D’INGRESSO, CON L’INSTALLAZIONE, RACCHIUSA IN UNA STRUTTURA A CORNICE DALLO SVILUPPO CURVO, REALIZZATA DALL’ARTISTA DI ORIGINE CECOSLOVACCA NATURALIZZATO TEDESCO GEORG JIRI DOKOUPIL, RIELABORANDO FOTOGRAMMI DI FILM ITALIANI DEGLI ANNI CINQUANTA E SESSANTA.

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INTERNI dXiqf )'()

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dXiqf )'() INTERNI

LA FACCIATA DELL’EDIFICIO DISEGNATO AGLI INIZI DEL SECOLO SCORSO DA MARCELLO PIACENTINI, SEGNATA DAL RIGORE DEI BASSORILIEVI NEOCLASSICI E DALLE OGIVE DI CORONAMENTO SUPERIORE, PROSPIECIENTE A SUD SU PIAZZA SAN LORENZO IN LUCINA, CHE FINO AL 1991 HA OSPITATO IL CINEMA ETOILE. CLASSIFICATO COME LANDMARK HA VINCOLATO LA RICONVERSIONE FUNZIONALE DI PETER MARINO CHE LASCIA INTONSO L’INVOLUCRO ORIGINARIO.

SCORCIO DAL PRIMO PIANO, PENSATO PER L’UNIVERSO DONNA, VERSO IL MOVIE THEATER CON IL GRANDE SCHERMO DI SEI METRI CHE REGALA PROIEZIONI A RITMO CONTINUO DI CORTI E FILMATI D’AUTORE DEDICATI AL CINEMA ITALIANO. LA SALETTA AD INGRESSO GRATUITO DI 19 POSTI È DELIMITATA DA UNA LIBRERIA CHE FUNGE ANCHE DA BARRIERA ACUSTICA.

PAGINA A FIANCO, AL PIANO TERRA, VISTA DALL’AREA D’INGRESSO, VERSO IL BAG BAR SUL FONDO, REALIZZATO IN LEGNO E CORIAN (DUPONT). NELL’INSIEME, SI NOTA LO SLANCIO VERTICALE DELL’ ARCHITETTURA IMPRONTATA A UNA SPAZIALITÀ APERTA E FLUIDA INTORNO AL GRANDE VUOTO CENTRALE CREATO DALLE AVVILUPPANTI VOLUTE, LEGGERE E IRREGOLARI, DELLA SCALINATA ELLITTICA CHE COLLEGA I TRE LIVELLI DELLO STORE.

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INTERNI dXiqf )'()

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VEDUTA D’INSIEME DELLO STORE. PAVIMENTI IN TRAVERTINO CHIARO E SCURO DAL PATTERN GRAFICO, BALAUSTRE IN CRISTALLO TRASPARENTE, CORRIMANI IN PELLE, BOISERIE PERIMETRALI ‘VESTITE’ DI LEGNI BIONDI E BRUNI LUCIDI RITAGLIATE DA AMPIE MENSOLE ILLUMINATE, ESPOSITORI FREESTANDING DI SEGNO LINEARE: TUTTO RIVELA GRANDE ATTENZIONE ALLA CURA DEI DETTAGLI E ALLA QUALITÀ ORIENTATE ALLA MIGLIORE VISIBILITÀ DEL PRODOTTO.

C_In619_R_28_35_luois_vuitton.indd 32

dXiqf )'() INTERNI

PAGINA A FIANCO, SCHIZZO DI PETER MARINO PER IL DISEGNO DELLA SCALINATA ELLITTICA, ELEMENTO ORDINATORE E ASSE DI RIFERIMENTO VISIVO DELLA COMPOSIZIONE, MA ANCHE PERSONALE OMAGGIO ALLA MEMORIA DI ROMA CITTÀ BAROCCA E AL CINEMA CHE RICHIAMA NEL NASTRO DI LUCE SOTTOSTANTE, COME FOSSE LA PELLICOLA DI UN FILM PRIVO DI TAGLI.

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INTERNI dXiqf )'()

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dXiqf )'() INTERNI

LA STRUTTURA APERTA IN METALLO E PELLE CHE SI INNALZA DAL PIANTERRENO FINO AL PIANO SUPERIORE COME UNA COLONNA VERTEBRALE PER ACCOGLIERE UNA PREZIOSA COLLEZIONE DI VALIGIE E BAULI STORICI LOUIS VUITTON. PER FONDALE, LA QUINTA DI RETE METALLICA CHE RIPRODUCE MODULARMENTE I FIORI DEL MONOGRAMMA DEL MARCHIO (UN CLASSICO GIÀ PROPOSTO NELLA MAISON DI PARIGI SUGLI CHAMPS-ELYSÉES).

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."*40/ 76*550/ 30."

SOPRA, VISTA DALLA BALCONATA RETROSTANTE VERSO LA SALA CINEMATOGRAFICA DOC. SI NOTA IL DISEGNO SINUOSO E CONTINUO DEI CONTROSOFFITTI CHE INTEGRANO LE LUCI, INCORNICIANDO L’AMPIO LUCERNARIO RECUPERATO, FONTE DI LUCE ZENITALE PER LO SPAZIO CENTRALE VUOTO. SOTTO, LA SALETTA PRET A PORTER CON LE POLTRONCINE STOKKESTOL DI JENS QUISTGAARD & RICHARD NISSEN, LANGAA, CONCLUSA DALLA PARETE A SPECCHIO CHE DILATA LA PERCEZIONE DELL’AMBIENTE. GLI ELEMENTI ESPOSITIVI SONO STATI REALIZZATI SU DISEGNO DI PETER MARINO CHE HA SELEZIONATO ANCHE GLI ARREDI.

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C_In619_R_28_35_luois_vuitton.indd 35

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dXiqf )'() INTERNI

NELLE PAGINE PRECEDENTI: UNO SCHIZZO A MATITA SU CARTA DI MICHELE DE LUCCHI RELATIVO AL PROGETTO PER LA SALA DI PROMETEO. VISTA DI UNA DELLE QUATTRO SALE DI PALAZZO ANGUISSOLA CHE ACCOLGONO I 13 BASSORILIEVI IN GESSO DI ANTONIO CANOVA ESPOSTI SU CAVALLETTI REALIZZATI IN BRONZO E PROGETTATI SU MISURA PER REGGERNE I PESI. SOPRA, IL CORTILE OTTAGONALE CONCEPITO COME SNODO DELLE GALLERIE CON IL DISCO IN FORMA DI ROSA DEL DESERTO, SCULTURA DI ARNALDO POMODORO, COLLOCATA AL CENTRO. SOTTO, L’ESSENZIALE SCALA IN LEGNO SU DISEGNO CHE COSTITUISCE L’INGRESSO ALLE GALLERIE DI PALAZZO BRENTANI. PAGINA A FIANCO, LA SALA DEDICATA ALLE OPERE DI FRANCESCO HAYEZ CON LE PORTE ANGOLARI E L’ALTO CORNICIONE CHE CIRCONDA L’INTERO PLAFONE.

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C_In619_R_36_41_delucchi_galleria.indd 38

[`d\ej`fe` [\c j\ek`i\ \ [\c g\ejXi\% ;X ^`fmXe\ `c Ôcfjf]f ]iXeZ\j\ >\fi^\j 9XkX`cc\ Xm\mX gXiX^feXkf ` dlj\` X` gfcdfe` [\ccX Z`kk~ m\ijf ` hlXc` ` Z`kkX[`e` j` [`i`^fef# Xc gXi` [\c jXe^l\# g\i ljZ`ie\ gli`ÔZXk`# Zfe leX dX^^`fi\ fjj`^\eXq`fe\ [\ccX d\ek\ \ [\c Zlfi\¿ CËXik\ \ cX Y\cc\qqX efe jfef le cljjf \ cËXjjl\]Xq`fe\ Xc Yilkkf# cX jZ`Xkk\i`X f cË`e[`]]\i\eqX i`jg\kkf X Z` Z_\ Z` Z`iZfe[X# XY`klX XccX gXjj`m`k~% :` i\e[\ g\^^`fi`# Zfd\ `e[`m`[l` \ Zfd\ Zfcc\kk`m`k~# [` hl\c Z_\ gfki\ddf \jj\i\É% < g\iZ_ [` hl\jkf# XccX

Ôe\# jk`Xdf gXicXe[f1 [` leË`e`q`Xk`mX ZlckliXc\ gifdfjjX [X leX YXeZX Z_\ `ee\jZX leX gif^\kklXc`k~ k\iXg\lk`ZX% @e ^iX[f [` ]XiZ` j\ek`i\ d\^c`f% :XgXZ\ [` gi\Ô^liXi\ leX ÈZXjX [X jf^ef Zfe \]]\kk` jg\Z`Xc`É ]fij\ [`i\YY\ cf gj`Z_`XkiX GXfcf :i\g\k# Xlkfi\ Zfe DXi`f 9fkkX \ >`lj\gg\ Qf`j [\c c`Yif ;fm\ XY`kXef c\ \dfq`fe` <`eXl[`# Kfi`ef# )''. ÈhlXj` leX i\Xq`fe\ XccX [\gi\jj`fe\ [` hl\jkf `e`q`f [` d`cc\ee`f# ZXi`Zf [` gi\ZXi`\k~ \ `eZ\ik\qq\É% < efe gfki\YY\ \jj\i\ [`m\ijXd\ek\# Zfej`[\iXkf Z_\# cXjZ`Xk\ Xcc\ jgXcc\ cX ]XZZ`XkX e\fZcXjj`ZX [` GXcXqqf 8e^l`jjfcX# \ [` ]ifek\ cX Zfik\ fkkf^feXc\# ZfeZ\g`kX Zfd\ jef[f [\ccX >Xcc\i`\# Zfe `c ;`jZf `e ]fidX [` ifjX [\c [\j\ikf# jZlckliX [` 8ieXc[f Gfdf[fif# Xc Z\ekif# Xdd`iXY`c\ Zfe jZfiZ` [`]]\i\ek` [X klkk\ c\ m\kiXk\ Z_\ Z`iZfe[Xef `c gfik`ZXkf# cX gi`dX jXcX Z_\ `eZfekif XZZf^c`\ [\` dX^e`ÔZ` YXjjfi`c`\m` `e ^\jjf [` 8ekfe`f :XefmX# ^`~ e\ccX Zfcc\q`fe\ [\c gi`eZ`g\ 8YYfe[`f I\qqfe`Zf% ÈJfef jkXk` j`jk\dXk` jl ZXmXcc\kk` `e Yifeqf \ jl[[`m`j` g\i k\dX e\cc\ gi`d\ hlXkkif jXc\# `e j`ekfe`X Zfe cf jk`c\ [\c gXcXqqf e\fZcXjj`Zf \ ` jlf` [\Zfi`# c\ jXc\ i`ZZ_\ [` jklZZ_` ZfcfiXk` \ X]]i\jZ_` j`X e\` jf]Ôkk` Z_\ e\cc\ gXi\k`É jg`\^X D`Z_\c\ ;\ ClZZ_` Z_\ _X jm`clggXkf# e\` [l\ g`Xe` `e Zl` C\ >Xcc\i`\ jfef lY`ZXk\# [`]]\i\ek` ZfeZ\q`fe` \jgfj`k`m\# [fm\ cX i\cXq`fe\ kiX cËXii\[f \ `c Zfek\e`kfi\ XiZ_`k\kkfe`Zf XkklXc`qqX hl\ccX [\cc\ \gfZ_\ `e Zl` ` gXcXqq` jfef jkXk` ZfeZ\g`k`% CË`eÔcXkX [\cc\ jXc\# (+ `e klkkf# Z_\ Xc g`Xef k\iiX [\c .''\jZf GXcXqqf 8e^l`jjfcX XZZfc^fef c\ fg\i\ [ËXik\ Zfek`elX% D` i`kifmf [XmXek` X hlXkkif ^iXe[` k\c\ [` ?Xp\q Z_\ Èjfef jkXk\ \jgfjk\ `e leX g`ZZfcX \ gi\q`fjX jXcX Zfe hlXkkif gfik\ Xe^fcXi` \ le Xckf Zfie`Z`fe\ Z_\

07/02/12 13.17


INTERNI dXiqf )'()

C_In619_R_36_41_delucchi_galleria.indd 39

("--&3*& %m*5"-*"

07/02/12 13.17


*/TJHIU */UPEBZ

Z`iZfe[X cË`ek\if gcX]fe\É Zfek`elX ;\ ClZZ_`# gi\Z`jXe[f1 È@c gif^\kkf `ccld`efk\Ze`Zf \ [` Zc`dXk`qqXq`fe\ jkXkf ZliXkf `e dXe`\iX dXe`XZXc\ j\eqX Zfdgifd\kk\i\ c\ jkilkkli\ \ c\ [\ZfiXq`fe` fi`^`eXc`% C\ fg\i\ jfef hlXj` e\ccX kfkXc`k~ \jgfjk\ jl ZXmXcc\kk` \ dXek\e^fef cX Zfii\kkX [`jkXeqX [X` [\Zfi` [` jXcX# `e le g\i]\kkf \hl`c`Yi`f kiX cËXiZ_`k\kkliX \ ` hlX[i` `e \jgfj`q`fe\% F^e` jXcX `e]Xkk` [`m\ijX \ cËXkdfj]\iX i`dXe[X X^c` lck`d` jgc\e[fi` [\ccX efY`c`k~ .''\jZXÉ% <[ \ZZfZ` X` [`g`ek` `jg`iXk` Xcc\ m`Z\e[\ [\c I`jfi^`d\ekf2 ZË XeZ_\ cX k\cX [\ccËlck`dX [\cc\ :`ehl\ >`fieXk\ [` D`cXef Zfe cf jZfekif [` GfikX KfjX# le kl]]f \if`Zf e\c efjkif gXjjXkf%%% \ gf`# `e le i`kdf j\iiXkf# @c EXm`^c`f [Xc gfek\ [` JXe DXiZf 8e^\cf @e^Xee`# (/*+$*. \ Xcki\ `ddX^`e` [\` EXm`^c` jZfdgXij` [` D`cXef e\cc\ m\[lk\ liYXe\ XZZfck\ e\cc\ jkXeq\ [\[`ZXk\ XccX jkX^`fe\ [\c IfdXek`Z`jdf cfdYXi[f% Le dfeld\ekXc\ jZXcfe\ fg\iX [` Cl`^` :Xefe`ZX d` Zfe[lZ\ Xc g`Xef efY`c\ [\c .''\jZf GXcXqqf 8e^l`jjfcX Z_\ XZZf^c`\ Xcki\ j\` j\q`fe` \jgfj`k`m\% CX jfeklfj`k~ [\c gXcXqqf `dgi\jj`feXek\% @c Zfigf

C_In619_R_36_41_delucchi_galleria.indd 40

dXiqf )'() INTERNI

`ek\ief jkXkf i\Xc`qqXkf jl gif^\kkf [` :Xicf =\c`Z\ JfXm\ kiX `c (.., \ `c (../ \ `c Zfigf X]]XZZ`Xkf jl m`X DXeqfe` [`j\^eXkf e\c (/)0 [X Cl`^` :Xefe`ZX g\i cËXmmfZXkf 8ekfeX KiXm\ij`% C\^^f Z_\ j` gl Zfej`[\iXi\ È`c j`dYfcf [\ccX i`eXjZ`kX [\ccX Z`kk~ `e j\^l`kf Xcc\ i`]fid\ Zfdg`lk\ [X DXi`X K\i\jX [Ë8ljki`X \ [X jlf Ô^c`f >`lj\gg\ @@ g\iZ_ j\^eX `c gXjjX^^`f [\c gfk\i\ \Zfefd`Zf kiX cËXi`jkfZiXq`X \ cX elfmX Yfi^_\j`X `ccld`eXkXÉ# d\eki\ cX kiXj]fidXq`fe\ f[`\ieX ]ilkkf [\c i\jkXlif Zfdg`lkf e\^c` Xee` EfmXekX# X fg\iX [\^c` XiZ_`k\kk` MXcc\# 9if^c` \ 9liZb_Xi[k% @c d`f fZZ_`f fiX ]fZXc`qqX cX m`jkX [\c jl^^\jk`mf ^`Xi[`ef `ek\ief Z_\ GXcXqqf 8e^l`jjfcX Zfe[`m`[\ Zfe cX ZXjX Z_\ ]l [\c DXeqfe`% C\ Xcki\ j\kk\ j\q`fe` \jgfj`k`m\ j` kifmXef e\cc\ efm\ jXc\ [` GXcXqqf 9i\ekXe` >i\gg` le Xckif gif^\kkf [` Cl`^` :Xefe`ZX \ e\ccË\o j\[\ [\ccX 9XeZX :fdd\iZ`Xc\ @kXc`XeX# Zfjkil`kX jl g`XqqX [\ccX JZXcX [X ClZX 9\ckiXd`# kiX `c (0'0 \ `c (0(( [XccX gifjj`dX gi`dXm\iX `c Yl`c[`e^ fjg`k\i~ leX j\c\q`fe\ [` fg\i\ [\c Ë0'' [\ccX iXZZfckX @ek\jX JXegXfcf efeZ_ cË`e^i\jjf [\Ôe`k`mf [\cc\ >Xcc\i`\ [Ë@kXc`X %

UN’INFILATA DI SALE DI PALAZZO BRENTANI GREPPI. IL COLORE DIFFERENTE SOTTOLINEA LE SETTE SEZIONI ESPOSITIVE. LIGHTING DESIGN DI STUDIO ILLUMINA. PAVIMENTAZIONE LIGNEA DI LISTONE GIORDANO DELL’ESCLUSIVA GAMMA ATELIER: RÉSERVE ROVERE SIENA 1348 OLIO NATURALE PIALLATO A MANO, RISPONDENTE A SPECIFICI CRITERI IN TERMINI DI PERFORMANCE TECNICA E DI ISOLAMENTO DEL SOTTOFONDO. PAGINA A FIANCO, LO SPAZIO DEL BOOKSHOP CAFFETTERIA. IL GIARDINO DELLE SCULTURE IN UNO SCHIZZO A MATITA SU CARTA DI MICHELE DE LUCCHI.

07/02/12 13.17


INTERNI dXiqf )'()

("--&3*& %m*5"-*"

8cc\ >Xcc\i`\ [` GXcXqqf 9i\ekXe` >i\gg` XZZ\[f XkkiXm\ijf leX j\dgc`Z\ \[ \jj\eq`Xc\ jZXc\kkX `e c\^ef% ;XccX jkiX[X cË`eÔcXkX [` Ôe\jki\ fjZliXkX [X k\e[X^^` dfiY`[` Z_\ i`gi\e[fef `c Zfcfi\ [\cc\ j\q`fe` [\c dlj\f c\ jXc\ i`kdXef `e]Xkk` ` k\d` \jgfj`k`m` Æ `c gX\jX^^`f cfdYXi[f# cX g`kkliX [` ^\e\i\# cX jg\i`d\ekXq`fe\ Xkdfj]\i`ZX jlc m\if# `c j`dYfc`jdf Æ XeZ_\ Zfe `c ZifdXk`jdf [\cc\ gXi\k` % E\cc\ Xc` /''\jZ_\ cX jkilkkliX `ek\ieX \ `c [\Zfif ZXdY`Xef iX[`ZXcd\ek\% 8eXc`qqX ;\ ClZZ_`1 ÈgXjjXe[f [Xc j\ek`d\ekf Xi`jkfZiXk`Zf \ efY`c`Xi\ X hl\ccf Yfi^_\j\ g` ]leq`feXc\# `c elfmf jk`c\ `ekif[lZ\ leX ZfeZ\q`fe\ [\ccX ZXjX g` `e]fidXc\# `ekifjg\kk`mX \ Zfe]fik\mfc\ [fm\ Xjjldfef `dgfikXek\ ilfcf Zfdgfj`k`mf cX kXgg\qq\i`X# ` i`m\jk`d\ek` k\jj`c` \ ^c` Xii\[` \k\if^\e\`# efe g` Zfj `eki`ej\ZXd\ek\ c\^Xk` Xc gif^\kkf XiZ_`k\kkfe`ZfÉ% >c` XdY`\ek` [`j\^eXef le gXcZfjZ\e`Zf k\XkiXc\ `[\Xc\# c\ fg\i\ jfef Xc Z\ekif [\ccX Zfek\dgcXq`fe\% È@e XcZle\ jXc\ jkXkX gfjj`Y`c\ leË\jgfj`q`fe\ Zfe ZXm` X^^XeZ`Xk` X leX YXiiX ÔjjXkX j\eqX [Xee\^^`Xi\ c\ [\ZfiXq`fe`% @ hlX[i` g` g`ZZfc` jfef dfekXk` jl gXee\cc` ÔjjXk` [`i\kkXd\ek\ jlcc\ cXdgX[\ X jk\cf% E\ccX dX^^`fi gXik\ [\cc\ jkXeq\ cË`ccld`eXq`fe\ gfikXkX [Xc gXm`d\ekf% CË\jgfj`q`fe\ X ZXmXcc\kk` _X ]Xmfi`kf `em\Z\ leË`ccld`eXq`fe\ jg\Z`ÔZX hlX[if g\i hlX[if1 c\ cXdgX[\ X c\[# ÔjjXk\ [`i\kkXd\ek\ XccËXjkX [\c ZXmXcc\kkf [`]]fe[fef clZ\ fdf^\e\X jlc [`g`ekfÉ%

CX d`X m`j`kX j` ZfeZcl[\ e\ccX JXcX [\cc\ :fcfee\ Zfe c\ fg\i\ [` 9fZZ`fe`# hlXkkif ZXgfcXmfi` [\ccX jkX^`fe\ gi\]lkli`jkX1 leX iXggi\j\ekXq`fe\ [` D`cXef Z_\ Zi\jZ\mX% <# `e Z_`Xm\ d\kX]fi`ZX# Zfek`elX X Zi\jZ\i\ f^^`# c\^Xe[f `c jlf gXjjXkf X leX m`j`fe\ ]lkliX [\ccX Z`kk~ \ [\ccX jlX ]il`q`fe\% Gi`dX [\ccËljZ`kX `eZfekif cX ZX]]\kk\i`X \ `c Yffbj_fg% Hl`# le ^iXe[\ jg\ZZ_`f [`cXkX m`j`mXd\ek\ cX gifjg\kk`mX [\ccf jgXq`f jlccX gXi\k\ g` jki\kkX [` ]fe[f# [fm\ jkXkf j`jk\dXkf `c YXeZfe\% C`Yi` \ g`ZZfc` f^^\kk` jfef `em\Z\ XccfZXk` jlccX jZX]]XcXkliX X klkkËXck\qqX Z_\ fZZlgX `c cXkf g` cle^f# kXmfc` \ gXeZ_`e\ `e ifm\i\ dXjj\ccf j\^lfef `c i`kdf [\cc\ Ôe\jki\ cle^f `c cXkf gXiXcc\cf Z_\ X]]XZZ`X jlc ^`Xi[`ef% CËXdY`\ek\ cld`efj`jj`df% 8ccX jki\^lX [\cc\ jXc\ \jgfj`k`m\# lk`c`qqX jfi^\ek` X c\[# Z_\ j\^lfef `c Zi`k\i`f [\ccX jfjk\e`Y`c`k~% DX cf XeZ_\ `e df[f eXkliXc\% :fd\ klkk` ^c` jgXq` `ek\ie` [\` mXi` gXcXqq` X]]XZZ`X `e]Xkk` jlccËXdg`f ^`Xi[`ef gfgfcXkf [` jZlckli\ [` mXi`\ \gfZ_\ \ [`d\ej`fe`1 leËlck\i`fi\ jXcX \jgfj`k`mX fg\e X`i gi`dX [` ljZ`i\ \ [` cXjZ`Xi\ le clf^f ]\c`Z\ [\ccX Z`kk~ [fm\ kiXjZfii\i\ hlXcZ_\ fiX \ [X Zl` ÈkiX]l^Xi\É leX clZ\ [`m\ijX%

C_In619_R_36_41_delucchi_galleria.indd 41

07/02/12 13.17


*/TJHIU */UPQJDT

C_In619_R_42_47_Chateau la coste.indd 42

dXiqf )'() INTERNI

07/02/12 13.44


INTERNI dXiqf )'()

*/TJHIU */UPQJDT

53" -& DPMMJOF %* -& 16: 45 3 1"3"%& " /03% %* "*9 &/ 1307&/$& */ 'SBODJB *- 3*%*4&(/0 $03"-& %&- EPNBJOF %* $I¹UFBV -B $PTUF )" 53"4'03."50 -mBOUJDB B[JFOEB WJOJDPMB 3*26"-*'*$"5" %"- 16/50 %* 7*45" %&* 7*(/&5* & %&--" 26"-*5 %&- 130%0550 '*/"-& "PD BQQFMBUJPO Em0SJHJOF $POUSËMÀF #*0-0(*$0 */ 6/" 4035" %* NVTFP FO QMFJO BJS "1&350 "- QVCCMJDP %"--" 4$034" &45"5& $)& 6/*4$& QBFTBHHJP BHSJDPMP BSDIJUFUUVSB & BSUF DPOUFNQPSBOFF

$)¹5FBV -B $PT5F

gif^\kk` [` KX[Xf 8e[f# =iXeb F% >\_ip# A\Xe Eflm\c `ejkXccXq`fe` [` C`Xd >`cc`Zb# Kfd J_Xeefe# ?`ifj_` Jl^`dfkf k\jkf \ ]fkf [` DXkk\f M\iZ\ccfe`

UN’IMMAGINE DELL’ART CENTRE DI TADAO ANDO E DEL PERCORSO PEDONALE DI ACCESSO. SULLA SINISTRA UNO SCORCIO DELLA PARTE ESTERNA DELLA CAFFETTERIA-RISTORANTE SOSPESA SUL VELO D’ACQUA INSIEME ALLA SCULTURA INFINITY DI HIROSHI SUGIMOTO. SOPRA L’ANTICO CHÂTEAU E GLI EDIFICI DELLE VECCHIE CANTINE OGGI DEPOSITI E CENTRO DI DEGUSTAZIONE.

2_C_In619_R_42_47_Chateau la coste.indd 43

E

\c jlf j\Zfe[f mfcld\ Z_\ gifj\^l\ cË`e[X^`e\ jlc iXggfikf kiX elfmX XiZ_`k\kkliX \[ \[`ÔZ` g\i cX gif[lq`fe\ [\c m`ef :Xek`e\ J\Zfcf OO@# XiZ_`k\kkliX \ gX\jX^^` [\c m`ef# <c\ZkX <[`kfi\# D`cXef# )'(( =iXeZ\jZX :_`fi`ef i`c\mX Èle ZXdY`Xd\ekf [` ifkkX e\c dfe[f [\ccËX^i`ZfckliX `e ^\e\iXc\ \ [\ccX m`k`ZfckliX e\ccf jg\Z`ÔZ`f \ [` i`Õ\jjf [\ccËXiZ_`k\kkliX X j\im`q`f [\ccX gif[lq`fe\ [` m`ef# cX gif^\kkXq`fe\ [\cc\ ZXek`e\É% CËXlki`Z\ fjj\imX Zfd\ X` ^\jk` `Zfe`Z` \ ÊdljZfcXi`Ë [` ZXek`e\$jZlckliX# m`jkfj` ^\jk` [` jg\kkXZfcf XlkfZ\c\YiXk`m\# ÔeXc`qqXk\ X jklg`i\ `c m`j`kXkfi\ Zfe cX gifgi`X `ddX^`e\ [` ZfekiXjkf i`Z\iZXkf i`jg\kkf X` gX\jX^^` [\ccË`ekfief# j` Xjj`jkX f^^` X le Xkk\^^`Xd\ekf g` Xkk\ekf Xc [`Xcf^f# XccËXjZfckf \ XccX mXcfi`qqXq`fe\ [\c mXcfi\ Xekifgfcf^`Zf$ZlckliXc\ [\c gX\jX^^`f m`e`Zfcf# [fm\ c\ ZXek`e\ [`m\ekXef ` ZXg`jXc[`# ` ]lcZi` gif[lkk`m` \ ` i`]\i`d\ek` XiZ_`k\kkfe`Z` e\c gX\jX^^`f%

22/02/12 09.32


*/TJHIU */UPQJDT

dXiqf )'() INTERNI

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VISTA DEL MUSIC PAVILLION DI FRANK O. GEHRY CIRCONDATO DA ULIVI E VIGNE. SOTTO L’INSTALLAZIONE DI LIAM GILLICK MULTIPLIED RESISTANCE SCREENED E, PAGINA A FIANCO, L’OPERA DROP DI TOM SHANNON, UN GRANDE MASSO SCULTOREO DI ACCIAIO INOX SPECCHIANTE SOSPESO SUL PRATO CHE RIFLETTE LA MUTEVOLE SCENA DELL’INTORNO.

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*/TJHIU */TDBQF DALLA MOSTRA THE NATURE IS MY KINGDOM - LA NATURA È IL MIO REGNO (FINO AL 29 GENNAIO, PRESSO L’EX OSPEDALE SANT’AGOSTINO DI MODENA), ANSEL ADAMS, CANYON DE CHELLY NATIONAL MONUMENT, ARIZONA, 1947 CA. (PRINTED 1952 CA.), SILVER GELATIN PRINT © 2011 THE ANSEL ADAMS PUBLISHING RIGHTS TRUST, COURTESY OF THE ANDREW SMITH GALLERY, SANTA FE, NEW MEXICO.

ANSEL ADAMS, MOUNT WILLIAMSON, SIERRA NEVADA, FROM MANZANAR, CALIFORNIA, 1944 (PRINTED 1952 CA.), SILVER GELATIN PRINT, © 2011 THE ANSEL ADAMS PUBLISHING RIGHTS TRUST, COURTESY OF THE ANDREW SMITH GALLERY, SANTA FE, NEW MEXICO.

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DALLA MOSTRA THE NATURE IS MY KINGDOM - LA NATURA È IL MIO REGNO (FINO AL 29 GENNAIO, PRESSO L’EX OSPEDALE SANT’AGOSTINO DI MODENA), ANSEL ADAMS, FALLEN TREE, KERN RIVER CANYON, SEQUOIA NATIONAL PARK, CALIFORNIA, SILVER GELATIN PRINT ©2011 THE ANSEL ADAMS PUBLISHING RIGHTS TRUST, COURTESY OF THE ANDREW SMITH GALLERY, SANTA FE, NEW MEXICO.

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C_In619_R_52_57_design a muro.indd 52

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INTERNI dXiqf )'()

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HEIGH-HO, VETRINE PENSILI IN CRISTALLO TRASPARENTE EXTRALIGHT TEMPERATO CON SCHIENALE A SPECCHIO O LUMINOSO CON IMPIANTO A LED. DISPONIBILI CON O SENZA CHIAVE SOSTENGONO UN PESO MAX DI 15 KG. DESIGN PIERO LISSONI PER GLAS ITALIA. DELLA COLLEZIONE J&V 5X10 CELEBRATION DI JANNELLI& VOLPI DELLA LINEA J&V ITALIA DESIGN, IRIDE 4 FILI,RIVESTIMENTO MURALE IN TESSUTO NON TESSUTO, ALTEZZA CM 100. DESIGN DIEGO GRANDI. RESERVE FILO DI LAMA, PARQUET IN LISTONI DI ROVERE DA CM 190 CON FINITURA A OLIO. DI LISTONE GIORDANO. MILKY STAR, ELEMENTI IN CERAMICA CON E SENZA GANCIO APPENDIABITI, COMPONIBILI O COMPOSTI IN UNICO PANNELLO, CON FUNZIONE ANCHE DI RADIATORE AD ACQUA CALDA. DESIGN STUDIO PUDELSKEN PER POLI KERAMIK. LINE BENCH, PANCA-TAVOLINO IN LISTELLI DI FRASSINO O LAURO PRETO SPAZZOLATI E VERNICIATI, CON TELAIO IN ACCIAIO VERNICIATO IN DIVERSI COLORI. DESIGN LUCA BOTTO PER LA CIVIDINA. DELLA COLLEZIONE J&V 5X10 CELEBRATION DI JANNELLI&VOLPI DELLA LINEA J&V ITALIA DESIGN, TIME AFTER TIME, RIVESTIMENTO MURALE IN TESSUTO NON TESSUTO, ALTEZZA CM 70. DESIGN MATTEO RAGNI.

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*/EFTJHO */DFOUFS

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PIVOT, SCRIVANIA WORKSTATION A MURO, IN ROVERE O NOCE NATURALE, COMPOSTA DA PIANO TINTO WENGÈ E CASSETTI RIBALTABILI IN MASSELLO. DESIGN RAW EDGES PER ARCO. LIGHTSPRING, LAMPADA A LED A LUCE INDIRETTA IN TUBOLARE DI ALLUMINIO VERNICIATO E DIFFUSORE IN PMMA STAMPATO AD INIEZIONE.DESIGN RON GILAD PER FLOS.

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INTERNI dXiqf )'()

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PICO UP, PIASTRELLA IN GRES PORCELLANATO NON SMALTATO AD IMPASTO OMOGENEO CON DECORO IN RILIEVO, DISPONIBILE NEI FORMATI 120X120, 60 X120 E 60X60 CM, IN DIVERSI COLORI NATURALI, ROSSO E BLU. DESIGN RONAN & ERWAN BOUROULLEC PER MUTINA. CLEMATIS, SISTEMA DI MENSOLE A MURO IN DIVERSE MISURE E FUNZIONI, CON STRUTTURA IN ALLUMINIO ANODIZZATO O VERNICIATO CON TOP IN VETRO IN DIVERSI COLORI, DOTATA DI SISTEMA A SCOMPARSA PER L’ALLOGGIAMENTO DI CAVI E CASSETTO SCORREVOLE CHE PROLUNGA IL PIANO D’APPOGGIO. DESIGN MIRKO ZANIN PER AL2698. SLEEPY, LAMPADA CON STRUTTURA A SCALETTA IN TUBOLARE VERNICIATO E PARALUME IN TELA. DESIGN STUDIO CLASS PER BUSSO.

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SCRAPWOOD, RIVESTIMENTO MURALE IN TESSUTO NON TESSUTO, NELL’ALTEZZA DI 45X900 CM, RIPRODUCENTE LISTONI DI LEGNO. DISEGNATA DA PIET HEIN EEK. DA ROSSANA ORLANDI. TETRIS, SPECCHI MODULARI LIBERAMENTE COMPONIBILI CON SISTEMA DI AGGANCIO TRAMITE CALAMITE FISSATE A MURO. DESIGN JULIA DOSZA PER FIAM ITALIA.

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RANDOMITO, MODULO LIBRERIA IN FIBRA DI LEGNO VERNICIATA E SCHIENALE IN MELAMINICO: È LIBERAMNENTE COMPONIBILE E REVERSIBILE VERTICALMENTE. IDEATO E PRODOTTO DA MDF ITALIA. TROFEI CANOTTIERI MILANO. COLIBRÌ, APPLIQUES A LED A LUCE INDIRETTA, DELLA COLLEZIONE DI LAMPADE IN ALLUMINIO VERNICIATO. DESIGN EMILIANA MARTINELLI PER MARTINELLI LUCE. LES AMOUREUSES E EMMA, DECORI ADESIVI DELLA COLLEZIONE LES STIKETTES. DESIGN PASCAL MELLOUL PER LE PRÉ D’EAU.

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*/EFTJHO */DFOUFS

PIC-NIC, TAVOLO CON STRUTTURA IN COR-TEN, ACCIAIO INOX, ACCIAIO MAISTRAL O LACCATO RAL CON PIANO E PANCHINE IN LEGNO DI ABETE NATURALE O PIETRA SERENA, PROPOSTA DA QUATTRO, SEI E OTTO POSTI. DESIGN ANDREA LORETA, CHIARA PACIFICI E MARCO FLECCONI PER DE CASTELLI. ORTI NEL PARCO DEL TICINO.

C_In619_R_58_65_design in citta.indd 59

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HAPPY HOUR, SEDUTA IMPILABILE E TAVOLINO SMONTABILE IN FERRO ZINCATO VERNICIATO A POLVERI TERMOINDURENTI CON DECORO TRAFORATO TRAMITE PUNZONATURA, DISPONIBILE IN BIANCO, NERO, GIALLO CURRY E ROSSO RUBINO. DISEGNATO E PRODOTTO DA UNOPIÙ. CASCINA VIA TERTULLIANO.

C_In619_R_58_65_design in citta.indd 60

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16##-*$065%003

NETWORK, COLLEZIONE DI PANCHE REALIZZATE IN MASSELLO DI TEAK IN DIVERSE MISURE. DESIGN RODOLFO DORDONI PER RODA. CASCINA CUCCAGNA.

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FELIX BENCH, PANCA IN LASTRA METALLICA PIEGATA E FORATA AL LASER, LACCATA A POLVERI TERMOINDURENTI NEI COLORI RAL. È DISPONIBILE ANCHE NELLA VERSIONE ACCIAIO INOX ED È ADATTA ANCHE PER INDOOR. DESIGN WILLIAM SAWAYA PER SAWAYA & MORONI. PARCO PUBBLICO BOSCOINCITTÀ.

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16##-*$065%003

QUEEN, PANCA IN PIUMA DI CEMENTO DISEGNATA DA ANGELO MICHELI E REALIZZATA IN EDIZIONE LIMITATA DA DOMODINAMICA. PARCO PUBBLICO VIA POMPEO LEONI.

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NASTRO, PANCA IN LAMIERA DI ACCIAIO INTAGLIATA E PIEGATA, ZINCATA E VERNICIATA A POLVERI TERMOINDURENTI NEI COLORI; SI PUÒ FISSARE A TERRA TRAMITE TASSELLI ED È DISPONIBILE ANCHE NELLA VERSIONE INOX. RAL DESIGN GIO TIROTTO PER MODO. BAGNI BOTTA E PISCINA CAIMI.

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16##-*$065%003

TOO GHETER, SET DA BAR COMPOSTO DA TAVOLINO E SGABELLI ALTI, COMBINABILI IN UN UNICO VOLUME, IN TUBOLARE DI ALLUMINIO VERNICIATO BIANCO, CON PIANO TAVOLO E SEDUTE IN DURAWOOD. DISEGNATO E PRODOTTO DA CORRADI. CHIOSCO PIAZZA XXIV MAGGIO.

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dXiqf )'() INTERNI

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C_In619_R_66_71_Gilles.indd 66

IN ALTO: TAVOLINI TECTONIC, BONALDO, 2008, CON STRUTTURA IN ACCIAIO E PIANO IN ACCIAIO VERNICIATO. IL PIANO È DISPONIBILE IN DUE VERSIONI: IN FILO D’ACCIAIO E IN LAMIERA. SOPRA, BIG TABLE, BONALDO, 2009. TAVOLO FISSO O ALLUNGABILE, DISPONIBILE IN DIVERSE DIMENSIONI E MOLTE VARIANTI DI FINITURA. GAMBE IN ACCIAIO VERNICIATO E PIANO DISPONIBILE IN CRISTALLO, IMPIALLACCIATO LEGNO O LEGNO MASSELLO.

07/02/12 12.21


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dXiqf )'() INTERNI

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2_C_In619_R_66_71_Gilles.indd 66

IN ALTO: TAVOLINI TECTONIC, BONALDO, 2008, CON STRUTTURA IN ACCIAIO E PIANO IN ACCIAIO VERNICIATO. IL PIANO È DISPONIBILE IN DUE VERSIONI: IN FILO D’ACCIAIO E IN LAMIERA. SOPRA, BIG TABLE, BONALDO, 2009. TAVOLO FISSO O ALLUNGABILE, DISPONIBILE IN DIVERSE DIMENSIONI E MOLTE VARIANTI DI FINITURA. GAMBE IN ACCIAIO VERNICIATO E PIANO DISPONIBILE IN CRISTALLO, IMPIALLACCIATO LEGNO O LEGNO MASSELLO.

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ALAIN GILLES RITRATTO NELLA SUA CASA DI BRUXELLES DA SERGE ANTON/LIVINGINSIDE. SUL FONDO, I TAVOLINI COLLAGE PER BONALDO, 2011. QUATTRO PIANI, TRANNE UNO, SONO UNITI TRA LORO. QUELLO CIRCOLARE, AL CENTRO, FUNGE DA PERNO; GLI ALTRI TRE GRAVITANO INTORNO AL PRIMO E SI POSIZIONANO LIBERAMENTE. A QUESTI SI AGGIUNGE UN QUARTO TAVOLINO MOBILE.

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BUZZIHOOD, 2012, PICCOLE CABINE DA APPLICARE A MURO PER CONSENTIRE L’ISOLAMENTO ACUSTICO A CHI DEVE COMUNICARE AL TELEFONO IN UN AMBIENTE AFFOLLATO. SONO REALIZZATE IN TESSUTO RICICLATO DISPONIBILE IN VARI COLORI. A SINISTRA, I PANNELLI ACUSTICI BUZZIBLINDS, UN ALTRO PROGETTO DI ALAIN GILLES PER BUZZISPACE, 2011.

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INTERNI dXiqf )'()

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SOTTO: BUZZIHUB, PICCOLE ISOLE DI PRIVACY PER GLI AMBIENTI OPERATIVI, BUZZISPACE, 2011. LA VERSIONE SINGOLA È COMPOSTA DA SISTEMA SEDUTA E DIVISORIO. IN BASSO: BUZZI COCKPIT, SORTA DI BOZZOLO ACUSTICO CHE, DISPOSTO SUL PIANO DELLA SCRIVANIA, GARANTISCE LA PRIVACY E IL BENESSERE PERSONALE DI CHI LAVORA. BUZZISPACE, 2012.

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C_In619_R_66_71_Gilles.indd 69

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dXiqf )'() INTERNI VASI MODULARI COMPONIBILI IN PLASTICA ROTAZIONALE DELLA COLLEZIONE ROCK GARDEN, QUI EST PAUL?, 2008.

DISEGNI E RENDERING DELLA LAMPADA SOLARE RICARICABILE PER O’SUN, 2012, UN PROGETTO ‘SOCIALE’ PENSATO PER CHI NON HA ACCESSO ALL’ENERGIA ELETTRICA.

SOTTO: CONTAINER, MOBILE CONTENITORE MULTIFUNZIONALE E MODULARE PER CASAMANIA, 2011. LA BASE IN LEGNO DI OLMO NATURALE FUNGE DA STRUTTURA D’APPOGGIO PER I MODULI CHE POSSONO VARIARE NELLE DIMENSIONI, NEI COLORI E NEI MATERIALI.

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IN ALTO, FIRST SUPPER, MAK, VIENNA, 2008. LA MOSTRA ESPLORAVA, MEDIANTE UNA TAVOLA COLLETTIVA, L’IDEA DI COSTRUIRE UNA SOCIETÀ DI ‘AMATEURS’, FATTA CIOÈ DI PERSONE CHE CONSIDERANO L’INNAMORAMENTO, LA PASSIONE E LA NON PROFESSIONALITÀ UNO STILE DI VITA. SOPRA, WORKSHOP CHAIR, UNA SEDIA FATTA DI POCHI PEZZI DI LEGNO ASSEMBLATI MEDIANTE RESINA, CHE TUTTI POSSONO COSTRUIRE DA SOLI, 2001.

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KEN KUTS, SERIE DI VASI IN VETRO DI MURANO, COVO, 2002.

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INSTALLAZIONE LIVING SYSTEM REALIZZATA CON RESINA OTTENUTA DALLA FARINA DI PATATE, VITRA DESIGN MUSEUM, WEIL AM RHEIN, 2007.

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LA STANZA DELLO SCIROCCO AL TRAMONTO (NELLA FOTO QUI SOTTO), INSIEME A LA STANZA DELLO SCIROCCO ALL’ALBA, ARRICCHISCONO LA COLLEZIONE DI OGGETTI DISEGNATI DA MARIO TRIMARCHI PER ALESSI. IN ACCIAIO INOSSIDABILE LA PRIMA E IN ACCIAIO COLORATO CON RESINA EPOSSIDICA LA SECONDA, UTILIZZANO LA STRUTTURA IN TESSERE D’ACCIAIO COME FRAME PER CREARE UN GIOCO DI LUCI E OMBRE. PAGINA A LATO. CILLIROSE, INSIEME A CILLINA (IN QUESTA PAGINA IN ALTO A DESTRA) E CILLIOPTICAL (IN QUESTA PAGINA A SINISTRA), COMPONGONO LA FAMIGLIA DI LAMPADE DISEGNATE I LOVE ANIMALS DA PIER PAOLO PITACCO. UNA LAMPADA/SCULTURA DOMESTICA A FORMA DI PASSEROTTO DI GRANDE FORMATO (40 X 18 CM ALTO 23), STRUTTURA IN ACCIAIO VERNICIATO BIANCO E TESSUTO ELASTICO COLORATO. LAMPADINE LED IN QUATTRO VARIANTI.

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PHYLUM, DI ANDREA MORGANTE, È UNA LAMPADA DA TAVOLO ISPIRATA A UN FIORE: UNA COROLLA REALIZZATA IN ACCIAIO INOSSIDABILE ALL’ESTERNO E IN ACCIAIO COLORATO CON RESINA EPOSSIDICA BIANCA ALL’INTERNO, PROTEGGE E RIFLETTE LA LUCE. PAGINA A LATO. AMANITA DI HUMBERTO E FERNANDO CAMPANA È REALIZZATA IN RATTAN INTRECCIATO A MANO. LA FORMA RICORDA QUELLA DELL’OMONIMO FUNGO, LA TRAMA DEL RATTAN CONSENTE PICCOLI PASSAGGI DI LUCE. LA LUCE È MODULABILE GRAZIE A UN SISTEMA A TRIPLA ACCENSIONE.

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LA COLLEZIONE DI RUBINETTERIA SKIDOO DI CARLO COLOMBO PER TEUCO SI ISPIRA ALLA FORMA DEL FLATIRON BUILDING DI NEW YORK (IN BASSO) E NE RIFLETTE LO SPIRITO DI DINAMISMO METROPOLITANO. DA SINISTRA: IL RUBINETTO DA PARETE CON MISCELATORE A FIANCO; LA COLONNA DOCCIA EFFETTO TOTEM; IL RUBINETTO DA APPOGGIO CON LA LEVA DI COMANDO VERTICALE. I 25 PEZZI CHE COMPONGONO LA COLLEZIONE COPRONO A 360° LE FUNZIONI DEL BAGNO.

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INTERNI dXiqf )'()

IL LAVABO E IL PIATTO DOCCIA IMPRONTA DI DORIANA E MASSIMILIANO FUKSAS PER CATALANO SONO CARATTERIZZATI DA LINEE FLUIDE RACCHIUSE IN PERIMETRI PULITI E GEOMETRICI. NEL LAVABO LE TUBAZIONI A VISTA FUNGONO DA PORTASALVIETTE. A DESTRA, LA COPERTURA ONDULATA IN ACCIAIO E VETRO DEL POLO FIERA DI RHO PERO (PH. M. MARCATO) DI FUKSAS. QUI SOPRA, UNO SCHIZZO DEL PROGETTO, DI DORIANA MANDRELLI FUKSAS.

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ACCANTO: I TAVOLINI ELIAS & SON DELLO STUDIO LLOT LLOV, REALIZZATI IN VETRO, SPECCHIO E LEGNO DI FAGGIO. L’EFFETTO OTTICO DELLE SUPERFICI SPECCHIANTI SEPARA LA STRUTTURA DEL TAVOLO DALLA SUA STESSA IMMAGINE, CHE, PUR VISIVAMENTE E PROSPETTICAMENTE COINCIDENTE CON LA PRIMA, NE RESTA TUTTAVIA DISTINTA.

SOPRA: IL TAVOLO SHADOW DI VINCENT VAN DUYSEN PER DE PADOVA, CON STRUTTURA IN ACCIAIO E FINITURE IN ROVERE. LE LINEE ESSENZIALI NE FANNO UN PRODOTTO ADATTO SIA A CONTESTI RESIDENZIALI CHE DI LAVORO.

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ACCANTO: I TAVOLINI/LAMPADE FISS FAMILY DI RUI ALVES (MY OWN SUPERSTUDIO), UNA REINTERPRETAZIONE DELLE FORME ARCHETIPICHE DELL’ARREDO LEGATE AL LEGNO CHE IL DESIGNER, FIGLIO E NIPOTE DI FALEGNAMI, LAVORA CON MAESTRIA. SOTTO: LA SCAFFALATURA IN LEGNO MIU DEL PORTOGHESE RUI ALVES È DOTATA DI ELEMENTI IN ALLUMINIO VERNICIATO CHE POSSONO ESSERE SMONTATI E RICOMBINATI IN TOTALE LIBERTÀ E DIVENTANO ESSI STESSI DEI “RACCOGLITORI” DI LIBRI E RIVISTE.

SOPRA: LA SEDUTA DOUBLE SIDE DI MATALI CRASSET PER DANESE, IN PIANI IN MULTISTRATO DI BETULLA; CON UN SEMPLICE GESTO, LO SCHIENALE SI PUÒ TRASFORMARE IN PIANO D’APPOGGIO SU CUI SCRIVERE O LAVORARE AL COMPUTER. ACCANTO: I CINQUE ELEMENTI DELLA SERIE ‘WELCOME TO THE JUNGLE’ DI RUI ALVES, PENSATI PER UNIRE L’ARREDO FUNZIONALE ‘ADULTO’ ALL’ARREDO ‘GIOCATTOLO’ DEI BAMBINI. JAMES (L’ELEFANTE), JOHN (L’IPPOPOTAMO), JEREMY (IL LEONE), JERRY (LA GIRAFFA) E JOE (IL COCCODRILLO) POSSONO INFATTI ESSERE USATI COME TAVOLI, SGABELLI O APPENDIABITI. POSSONO PERSINO ‘SALTARE’ L’UNO SOPRA ALL’ALTRO, E DIVENTARE COSÌ DEGLI SCAFFALI.

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SOPRA: CHIEDENDOSI “COSA FAREBBE MADRE NATURA SE AVESSE LA PROTOTIPAZIONE RAPIDA”, I GIOVANI DESIGNER INES PASIC E ZORAN SUNJIC HANNO DISEGNATO LA MANIGLIA KVAKVA (DAL VERSO DELL’ANATRA, CHE IN CROATO SIGNIFICA ANCHE ‘MANIGLIA’), REALIZZATA IN LEGA DI ALLUMINIO E LEGNO E ISPIRATA ALLA SEMPLICITÀ ESTETICO-FUNZIONALE DI UN RAMO. SOTTO: LO SGABELLO IN LEGNO OPEN, DISEGNATO DA CLÁUDIO CARDOSO E TELMA VERÍSSIMO DEL PORTOGHESE STUDIO VERISSIMO, È DOTATO DI UNA INTERCAPEDINE COLORATA CHE LO RENDE FUNZIONALE COME SEDUTA MA ANCHE COME FERMAPORTE.

IL LINGUAGGIO FORMALE DEI TAVOLINI DELLA SERIE SOFT DISEGNATA DA CURTIS POPP TRAE ISPIRAZIONE DALLA SEMPLICITÀ VERNACOLARE DI UN FASCIO DI BASTONI.

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SOPRA: APEEL DI ALKESH PAMAR, UNA COLLEZIONE DI UTENSILI PER LA CUCINA REALIZZATI CON LA BUCCIA DI ARANCIA, RESISTENTI ALL’ACQUA.

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IN ALTO: SKY PLANTER, UNO DEI VASI CAPOVOLTI REALIZZATI DALL’AZIENDA NEOZELANDESE BOSKKE. ACCANTO E SOPRA: LA SVEDESE LIES-MARIE HOFFMANN MENTRE SCOLPISCE TRONCHI DI OLMO INFESTATI DA MALATTIE TRASFORMANDOLI IN PANCHINE PUBBLICHE.

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1.2. IL BAULE REALIZZATO DA STUDIO SWINE CONTENENTE IL KIT NECESSARIO PER TINGERE TESSUTI IN MODO NATURALE. COMPRENDE I SEMI PER LA COLTIVAZIONE DI PIANTE IDONEE ALL’ESTRAZIONE DI COLORANTI VEGETALI, GLI STRUMENTI PER LA TINTURA E I CALZINI IN FIBRA DI BAMBOO. E LA MODA SEGUE LE STAGIONI IN SENSO LETTERALE. 3. DISEGNATO E AUTOPRODOTTO DALL’INGLESE JAIL, FIRST BRANCH È, DI FATTO, IL RAMO MANCANTE PER SALIRE FACILMENTE SUGLI ALBERI.

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4. THE HIGHRISE WORMERY DI BEN FURDSON È UNO STRUMENTO CHE CONSENTE DI OTTENERE FERTILIZZANTE PER PIANTE DALLA DECOMPOSIZIONE DEI RIFIUTI UMIDI.

07/02/12 12.47


INTERNI dXiqf )'()

)0.0 /"563"-*4 5. LA CITTÀ PER UCCELLI (BIRD CITY) REALIZZATA DALL’OLANDESE EVELIN VISSER; LE CASETTE SONO DIMENSIONATE A SECONDA DELLA SPECIE (FOTO JOOST GOVERS). 6. L’ARNIA DA GIARDINO IN PAGLIA E LEGNO (THRIVE HIVE) PROGETTATA DA TOM BACK PER CREARE UN’HABITAT PROTETTIVO ALLE API, DANNEGGIATE DALL’INQUINAMENTO E DALL’ELETTROSMOG.

5.

6.

7. 7. THE TIDE È UNA PANCA SCOLPITA DAL MOVIMENTO DELLE MAREE DEL TAMIGI. PROGETTO DEL NAD.LAB (MARC PURSER, SANTIAGO ORTEGA, MAXIME GEIB, KLEMENS SCHILLINGER) DEL ROYAL COLLEGE OF ART DI LONDRA. 8. SEBASTIAN COX TAGLIA PERSONALMENTE I LEGNI DI NOCCIOLO DELLA FORESTA NEL LINCOLNSHIRE E REALIZZA LO SGABELLO KERF E LAMPADA DA TAVOLO ROD.

8.

C_In619_R_90_93_uomo_natura.indd 93

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07/02/12 12.48


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1.

C_In619_R_94_101_giallo.indd 94

07/02/12 13.04


INTERNI dXiqf )'()

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3.

4.

1. ALICE, DI JACOPO FOGGINI PER EDRA, POLTRONA LUMINOSA IN FILO DI POLICARBONATO, REALIZZATA A MANO CON EFFETTO NON FINITO, IN VARIE COMBINAZIONI DI COLORE. 2. WALL RUPTURE, DI THIERRY DREYFUS PER FLOS, INSTALLAZIONE LUMINOSA DALLA COLLEZIONE SOFT ARCHITECTURE FORMATA DA UNA FENDITURA NELLA PARETE, RIFINITA IN ORO E ARGENTO, E ILLUMINATA INTERNAMENTE DA UNA SORGENTE A LED.

C_In619_R_94_101_giallo.indd 95

3. FOG, DI ODOARDO FIORAVANTI PER CASAMANIA, TAVOLINO CON PIANO IN VETRO ACIDATO E BASE IN POLIETILENE. 4. ENTAILLES, DI PHILIPPE NIGRO PER LIGNE ROSET, DIVANO CON PROFONDITÀ DI SEDUTE E ALTEZZE DI SCHIENALI DIVERSE, CONNOTATO DA INTAGLI FUNZIONALI CHE CONSENTONO DI INSERIRE PICCOLI TAVOLINI DA APPOGGIO. DISPONIBILE IN TINTA UNITA, BICOLORE E/O BIMATERIALE.

07/02/12 13.04


*/EFTJHO */QSPEVDUJPO

dXiqf )'() INTERNI

1. 505, EDIZIONE 2011, CURATA DA NICOLA GALLIZIA, DEL SISTEMA DISEGNATO DA LUCA MEDA PER MOLTENI&C, CON L’INTRODUZIONE DI NUOVE MODULARITÀ ALL’INSEGNA DELLA FLESSIBILITÀ E DELL’ASIMMETRIA, ELEMENTI QUALI VANI MULTIMEDIA, ANTE SALISCENDI O A RIBALTA, MADIE, MODULI APPESI O NUOVI TIPI DI PARTIZIONI, ESSENZE E COLORI COME IL GIALLO. 2. PALIO, DI ORLANDINI DESIGN PER BIESSE, POLTRONA CON STRUTTURA IN TUBOLARE D’ACCIAIO E RIVESTIMENTO TESSILE PERSONALIZZABILE PIEGATO A ORIGAMI. IMBOTTITURA IN GOMMA POLIURETANICA E MOLLEGGIO A CINGHIE ELASTICHE. 3. GAGA, DI WILLIAM SAWAYA PER LA BAROCK’N ROLL COLLECTION DI SAWAYA&MORONI, SEDIA IMBOTTITA E RIVESTITA IN TESSUTO, CON SCHIENALE A MAGLIA REGOLARE.

1.

2.

3.

C_In619_R_94_101_giallo.indd 96

07/02/12 13.04


INTERNI dXiqf )'()

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4. COLLECT CABINET, DISEGNATO DA SARA LARSSON PER A2, MADIA IN LEGNO E MDF LACCATO CON ANTE A SUPERFICIE TRIDIMENSIONALE. 5. ALICE DI KENZO MAISON, POUF-TAVOLINO IN POLIURETANO RIGIDO LACCATO LUCIDO A SUPERFICIE DIAMANTATA. 6. LANDSCAPE, DI JEFFREY BERNETT PER B&B ITALIA, VARIANTE A DONDOLO DELLA OMONIMA CHAISE LONGUE, CON NUOVO MATERASSINO A SUPERFICIE TRIDIMENSIONALE STUDIATO DA KVADRAT.

5.

4.

6.

C_In619_R_94_101_giallo.indd 97

07/02/12 13.04


*/EFTJHO */QSPEVDUJPO

dXiqf )'() INTERNI

1.

1. STUDIO, DI THOMAS BERNSTRAND PER MUUTO, LAMPADA A SOSPENSIONE IN ALLUMINIO DISPONIBILE IN 5 COLORI. 2. EILEEN, DI GIUSEPPE BAVUSO PER RIMADESIO, MADIA CON ANTE AD APERTURA SCORREVOLE COMPLANARE, IN VETRO LACCATO LUCIDO O OPACO DISPONIBILE NEI 50 COLORI DELL’ECOLORSYSTEM. 3. NEOWALL, DI PIERO LISSONI PER LIVING DIVANI, PROGRAMMA DI IMBOTTITI COMPONIBILI CON MODULI LINEARI DI DIVERSE MISURE, ASSEMBLABILI TRAMITE SPECIALI GANCI. RIVESTIMENTO IN PELLE O TESSUTO. 4. TABOGA, DI CINI BOERI PER ARFLEX, RIEDIZIONE DELLA POLTRONA DISEGNATA NEL 1976, CON NUOVI TESSUTI E BASE IN TUBOLARE METALLICO VERNICIATO BIANCO.

2.

3.

4.

C_In619_R_94_101_giallo.indd 98

07/02/12 13.04


INTERNI dXiqf )'()

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5. PAPILLON, DI ALESSANDRO DUBINI PER I 4 MARIANI, POLTRONCINA FISSA O SU RUOTE, CON RIVESTIMENTO IN CUOIO, PELLE O TESSUTO CON CUCITURE TONO SU TONO O A CONTRASTO. 6. L002T, DI ALBERTO BASAGLIA E NATALIA ROTA NODARI PER PEDRALI, LAMPADA DA TERRA AD ARCO CON STELO IN ACCIAIO VERNICIATO E DIFFUSORE IN POLICARBONATO TRASPARENTE CON GUSCIO INTERNO IN POLICARBONATO OPALINO. 7. FAVN, DI JAIME HAYÓN PER FRITZ HANSEN, DIVANO 3 POSTI CON STRUTTURA IN ACCIAIO, SCHIENALE A SCOCCA IN SCHIUMA POLIURETANICA RINFORZATA CON FIBRA DI VETRO, RIVESTIMENTO IN TESSUTO DI 10 COLORI. 8. CAPE, DI KONSTANTIN GRCIC PER ESTABLISHED & SONS, DIVANO CON RIVESTIMENTO MORBIDO INTERCAMBIABILE IN VARI COLORI E IN DIVERSE PESANTEZZE, ISPIRATO AI TELI COPRIDIVANO.

5.

6.

7.

8.

C_In619_R_94_101_giallo.indd 99

07/02/12 13.04


*/EFTJHO */QSPEVDUJPO

dXiqf )'() INTERNI

1. 3 PLATES, DI NATHAN YONG PER SPHAUS, PORTAOGGETTI CON PIANO IN LAMIERA D’ACCIAIO TORNITA IN LASTRA, BASE IN TONDINO D’ACCIAIO. 2. MADEMOISELLES, DI NOTO_ MARCO GUAZZINI + TSUKASA GOTO PER OFFICINANOVE, ESPOSITORI IN TRE DIMENSIONI, IN ACCIAIO VERNICIATO NEI 190 COLORI DELLA SCALA RAL. 3. TEC, DI ALFREDO HÄBERLI PER ALIAS, TAVOLO CON STRUTTURA IN ALLUMINIO VERNICIATO E PIANO RETTANGOLARE O QUADRATO IMPIALLACCIATO OPPURE IN VETRO VERNICIATO. 4. FLUX, DI JERSZY SEYMOUR PER MAGIS, SEDIA INDOOR-OUTDOOR CON STRUTTURA IN TONDINO DI ACCIAIO TRATTATO CATAFORESI E VERNICIATO POLIESTERE.

1.

2.

3.

4.

C_In619_R_94_101_giallo.indd 100

07/02/12 13.04


*/EFTJHO */QSPEVDUJPO

dXiqf )'() INTERNI

1. 3 PLATES, DI NATHAN YONG PER SPHAUS, PORTAOGGETTI CON PIANO IN LAMIERA D’ACCIAIO TORNITA IN LASTRA, BASE IN TONDINO D’ACCIAIO. 2. MADEMOISELLES, DI NOTO_ MARCO GUAZZINI + TSUKASA GOTO PER OFFICINANOVE, ESPOSITORI IN TRE DIMENSIONI, IN ACCIAIO VERNICIATO NEI 190 COLORI DELLA SCALA RAL. 3. TEC, DI ALFREDO HÄBERLI PER ALIAS, TAVOLO CON STRUTTURA IN ALLUMINIO VERNICIATO E PIANO RETTANGOLARE O QUADRATO IMPIALLACCIATO OPPURE IN VETRO VERNICIATO. 4. FLUX, DI JERSZY SEYMOUR PER MAGIS, SEDIA INDOOR-OUTDOOR CON STRUTTURA IN TONDINO DI ACCIAIO TRATTATO CATAFORESI E VERNICIATO POLIESTERE.

1.

2.

3.

4.

2_C_In619_R_94_101_giallo.indd 100

22/02/12 09.38


INTERNI dXiqf )'()

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6.

7.

5.

5. MODERN, DI PIERO LISSONI PER PORRO, MADIA CON ANTE SMALL, NELLA NUOVA VARIANTE IN LACCATO OPACO GIALLO. 6. AUDREY SOFT, DI PIERO LISSONI PER KARTELL, SEDIA CON STRUTTURA IN ALLUMINIO LUCIDATO, CON O SENZA BRACCIOLI, SEDUTA E SCHENALE IMBOTTITI, RIVESTIMENTO IN TESSUTO KVADRAT. 7. NUB, DI PATRICIA URQUIOLA PER ANDREU WORLD, POLTRONCINA A SCHIENALE ALTO CON ELEMENTI TORNITI IN MASSELLO DI BETULLA VERNICIATA GIALLA. 8. EC04, DI STEFAN DIEZ PER E15, LOUNGE CHAIR CON SCOCCA IN IMPIALLACCIATO DI QUERCIA FLESSIBILE NELLA NUOVA VERSIONE VERNICIATA GIALLA. 9. PIANA, DI DAVID CHIPPERFIELD PER ALESSI BY LAMM, SEDIA IN POLIPROPILENE 100% RICICLABILE CARICATO CON FIBRA DI VETRO; REALIZZATA IN 6 COLORI, HA UN SISTEMA SINCRONIZZATO DI APERTURA E CHIUSURA IN UN UNICO PUNTO DI ROTAZIONE.

8.

C_In619_R_94_101_giallo.indd 101

9.

07/02/12 13.04


INTERNI dXiqf )'()

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6.

7.

5.

5. MODERN, DI PIERO LISSONI PER PORRO, MADIA CON ANTE SMALL, NELLA NUOVA VARIANTE IN LACCATO OPACO GIALLO. 6. AUDREY SOFT, DI PIERO LISSONI PER KARTELL, SEDIA CON STRUTTURA IN ALLUMINIO LUCIDATO, CON O SENZA BRACCIOLI, SEDUTA E SCHENALE IMBOTTITI, RIVESTIMENTO IN TESSUTO KVADRAT. 7. NUB, DI PATRICIA URQUIOLA PER ANDREU WORLD, POLTRONCINA A SCHIENALE ALTO CON ELEMENTI TORNITI IN MASSELLO DI BETULLA VERNICIATA GIALLA. 8. EC04, DI STEFAN DIEZ PER E15, LOUNGE CHAIR CON SCOCCA IN IMPIALLACCIATO DI QUERCIA FLESSIBILE NELLA NUOVA VERSIONE VERNICIATA GIALLA. 9. PIANA, DI DAVID CHIPPERFIELD PER ALESSI BY LAMM, SEDIA IN POLIPROPILENE 100% RICICLABILE CARICATO CON FIBRA DI VETRO; REALIZZATA IN 6 COLORI, HA UN SISTEMA SINCRONIZZATO DI APERTURA E CHIUSURA IN UN UNICO PUNTO DI ROTAZIONE.

8.

2_C_In619_R_94_101_giallo.indd 101

9.

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C_In619_R_102_110_traduzioni.indd 102

dXiqf )'() INTERNI

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09/02/12 09.54


INTERNI dXiqf )'()

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C_In619_R_102_110_traduzioni.indd 104

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09/02/12 09.54


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C_In619_R_102_110_traduzioni.indd 105

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09/02/12 09.54


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C_In619_R_102_110_traduzioni.indd 107

*/TFSWJDF 53"/4-"5*0/4

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9lqq` :fZbg`k n`cc Y\ fe\ f] k_\ e\n `k\dj 8cX`e >`cc\j n`cc Yi`e^ kf ;\j`^e N\\b `e D`cXe `e 8gi`c# kf^\k_\i n`k_ k_\ N\c[\[ kXYc\ ]fi 9feXc[f Xe[ k_\ i\Z_Xi^\XYc\ FËJle jfcXi cXdg# _`j Ôijk kil\ `e[ljki`Xc [\j`^e \og\i`d\ek n`k_ X jfZ`Xc ]fZlj% $ :Xgk`fe gX^% -- 8Yfm\1 K\Zkfe`Z kXYc\j# 9feXc[f# )''/# n`k_ jk\\c jkilZkli\ Xe[ gX`ek\[ jk\\c kfg% K_\ kfg Zfd\j `e knf m\ij`fej1 `e jk\\c n`i\ fi j_\\k% 8Yfm\# 9`^ KXYc\# 9feXc[f# )''0% =`o\[ fi \ok\ej`Yc\ kXYc\# XmX`cXYc\ `e [`]]\i\ek j`q\j Xe[ dXep [`]]\i\ek Ôe`j_\j% C\^j `e gX`ek\[ jk\\c# kfg `e ^cXjj# nff[ m\e\\i fi jfc`[ nff[% $ :Xgk`fe gX^% -. 8cX`e >`cc\j `e _`j _fd\ `e 9iljj\cj# `e X g_fkf Yp J\i^\ 8ekfe&C`m`e^@ej`[\% @e k_\ YXZb^ifle[# k_\ :fccX^\ kXYc\j ]fi 9feXc[f# )'((% =fli kfgj n`k_ k_\ \oZ\gk`fe f] fe\ Xi\ af`e\[ kf^\k_\i% K_\ Z`iZlcXi kfg# Xk k_\ Z\ek\i# ]leZk`fej Xj X g`mfk2 k_\ fk_\ij ^iXm`kXk\ Xifle[ `k Xe[ Xi\ ]i\\cp gfj`k`fe\[% 8 ]flik_ dfY`c\ kXYc\ `j k_\e X[[\[% $ :Xgk`fe gX^% -/ 9lqq`?ff[# )'()# jdXcc ZXY`ej kf XkkXZ_ kf k_\ nXcc kf g\id`k XZfljk`Z `jfcXk`fe ]fi g\fgc\ n_f _Xm\ kf dXb\ X g_fe\ ZXcc `e X Zifn[\[ gcXZ\% @e i\ZpZc\[ ]XYi`Z# XmX`cXYc\ `e X iXe^\ f] Zfcfij% C\]k# k_\ 9lqq`9c`e[j XZfljk`Z gXe\cj# Xefk_\i gifa\Zk Yp 8cX`e >`cc\j ]fi 9lqq`JgXZ\# )'((% $ :Xgk`fe gX^% -0 9\cfn1 9lqq`?lY# jdXcc gi`mXZp `jcXe[j ]fi fg\iXk`m\ jgXZ\j# 9lqq`JgXZ\# )'((% K_\ j`e^c\ m\ij`fe `j Zfdgfj\[ f] X j\Xk`e^ Xe[ [`m`[\i jpjk\d% 9\cfn1 9lqq` :fZbg`k# X jfik f] XZfljk`Z ZfZffe gcXZ\[ fe k_\ [\jbkfg kf \e_XeZ\ gi`mXZp Xe[ g\ijfeXc n\ccY\`e^% 9lqq`jgXZ\# )'()% $ :Xgk`fe gX^% .' ;iXn`e^j Xe[ i\e[\i`e^j f] k_\ i\Z_Xi^\XYc\ jfcXi cXdg ]fi FËJle# )'()# X ÊjfZ`XcË gifa\Zk dX[\ ]fi k_fj\ n_f [f efk _Xm\ XZZ\jj kf \c\Zki`Z`kp% Df[lcXi mXj\j `e ifkfdflc[\[ gcXjk`Z ]ifd k_\ IfZb >Xi[\e Zfcc\Zk`fe# Hl` \jk GXlc6# )''/% 9\cfn1 :fekX`e\i# dlck`]leZk`feXc Xe[ df[lcXi jkfiX^\ ]fi :XjXdXe`X# )'((% K_\ eXkliXc \cdnff[ YXj\ ]leZk`fej Xj X jkilZkli\ ]fi k_\ df[lc\j k_Xk mXip `e k\idj f] j`q\# Zfcfi Xe[ dXk\i`Xc% $ :Xgk`fe gX^% .( :_`c[i\eËj Z_X`i ÊDp Ôijk kiXejcXk`feË `e i\ZpZc\[ gcXjk`Z# Hl` \jk GXlc6# )''/ g_fkf :cXl[\ Jd\b\ej&;\j`^e McXXe[\i\e %

"$5*0/ %&4*(/ g% .) Yp :i`jk`eX Dfifqq`

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09/02/12 09.54


*/TFSWJDF 53"/4-"5*0/4

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09/02/12 09.54


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09/02/12 09.54


INTERNI dXiqf )'() A2 DESIGNERS Junex-Huset, Grännavägen 24 SW 561 34 Huskvarna Tel. +4636387154 - Fax +4636145859 www.a2designers.se - info@a2designers.se AL26.98 (Roto srl) Via delle Pezze 33 35013 CITTADELLA PD Tel. 0495979111 - Fax 0499402438 www.al2698.com - info@al2698.com ALESSI spa Via Privata Alessi 6 28887 CRUSINALLO DI OMEGNA VB Tel. 0323868611 - Fax 0323868804 www.alessi.com - info@alessi.com ALIAS spa Via delle Marine 5 24064 GRUMELLO DEL MONTE BG Tel. 0354422511 - Fax 0354422590 www.aliasdesign.it - info@aliasdesign.it ANDREU WORLD S.A. C/Los Sauces 7, Urb. Olimar E 46370 CHIVA - VALENCIA Tel. +34 96 1805700 - Fax +34 96 1805701 www.andreuworld.com aworld@andreuworld.com Distr. in Italia: DESSIÈ srl Via di Tiglio 1735 - Loc. San Filippo 55100 LUCCA Tel. 058394102 - Fax 058394266 www.dessie.it - info@dessie.it ARCO Parallelweg 2/III 7102 DE Winterswijk www.arco.nl - info@arco.nl ARFLEX - SEVEN SALOTTI spa Via Pizzo Scalino 1 20833 GIUSSANO MB Tel. 0362853043 - Fax 0362853080 www.arflex.com - info@arflex.it ARTHUR BONNET Route de Nantes B.P.1 F 85660 ST.PHILIBERT DE BOUAINE Tel. 0033251457575 - Fax 0033251419827 www.arthur-bonnet-kitchens.com B&B ITALIA spa Strada Provinciale 32, n.15 22060 NOVEDRATE CO Tel. 031795111 - Fax 031791592 www.bebitalia.com - info@bebitalia.com BIESSE spa Via Nobel 43 20851 LISSONE MB Tel. 039484322 - Fax 039481812 www.biesse2000.it - biesse@interbusiness.it BONALDO spa Via Straelle 3 35010 VILLANOVA DI CAMPOSANPIERO PD Tel. 0499299011 - Fax 0499299000 www.bonaldo.it - bonaldo@bonaldo.it BUSSO - BUSSOLARI srl Via del Tappezziere 6 40138 BOLOGNA Tel. 051530029 - Fax 051534825 www.busso.biz - info@buzzo.biz BUZZISPACE Kernenergiestraat 65 B 2610 ANTWERP Tel. +323 8206120 - Fax +3238206121 www.buzzispace.com - info@buzzispace.com CASAMANIA Via Ferret 11/9 31020 VIDOR TV Tel. 04236753 - Fax 0423819640 www.casamania.it - casamania@casamania.it CATELLANI & SMITH srl Via A. Locatelli 47 24020 VILLA DI SERIO BG Tel. 035656088 - Fax 035655605 www.catellanismith.com info@catellanismith.com CERAMICA CATALANO srl S. Provinciale Falerina km 7,200 01034 FABRICA DI ROMA VT Tel. 07615661 - Fax 0761574304 www.catalano.it - segreteria@catalano.it CERAMICA CIELO spa Via Falerina km 7,800 01034 FABRICA DI ROMA VT Tel. 076156701 - Fax 0761540363 www.ceramicacielo.it - info@ceramicacielo.it CERAMICHE MUTINA srl Via Ghiarola Nuova 16 41042 FIORANO MODENESE MO Tel. 0536812800 - Fax 0536812808 www.mutina.it - info@mutina.it

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*/TFSWJDF */EJSJ[[J CORRADI spa Via G. Brini 39 40128 BOLOGNA Tel. 0514188411 - Fax 0514188400 www.corradi.eu - info@corradi.eu COVO srl Via degli Olmetti 3/b 00060 FORMELLO RM Tel. 0690400311 - Fax 0690409175 www.covo.com - mail@covo.it DANESE srl Via Canova 34 20145 MILANO Tel. 02349611 - Fax 0234538211 www.danesemilano.com info@danesemilano.com DE PADOVA srl Strada Padana Superiore 280 20090 VIMODRONE MI Tel. 0227439795 - Fax 0227439780 www.depadova.it - info@depadova.it DECASTELLI Via del Commercio 16/18 31041 CORNUDA TV Tel. 0423638218 - Fax 042383467 www.decastelli.com - info@decastelli.com DOMODINAMICA srl Via Molise 23 40060 OSTERIA GRANDE BO Tel. 0516941911 - Fax 051945853 www.domodinamica.com info@domodinamica.com Distr. in Italia: MODULAR DOMODINAMICA Via Molise 23 40060 OSTERIA GRANDE BO Tel. 051945896 - Fax 051945853 www.domodinamica.com info@domodinamica.com DUPONT™ CORIAN® Via Piero Gobetti 2/c 20063 CERNUSCO SUL NAVIGLIO MI Tel. 800876750 - Fax 0292107755 www.corian.it E15 DESIGN UND DISTRIBUTIONS GMBH Hospitalstrasse 4 D 61440 OBERURSEL Tel. +49 617197950 - Fax +49 6171979591 www.e15.com - e15@e15.com EDRA spa Via Livornese Est 106 56035 PERIGNANO DI LARI PI Tel. 0587616660 - Fax 0587617500 www.edra.com - edra@edra.com EMU GROUP spa Z.I. Marsciano 06055 MARSCIANO PG Tel. 075874021 - Fax 0758743903 www.emu.it - info@emu.it ESTABLISHED & SONS 5-7 Wenlock Road UK LONDON N1 7SL Tel. +44 20 76080990 - Fax +44 20 76080110 www.establishedandsons.com info@establishedandsons.com FIAM ITALIA spa Via Ancona 1/b 61010 TAVULLIA PU Tel. 072120051 - Fax 0721202432 www.fiamitalia.it - fiam@fiamitalia.it FLOS spa Via Angelo Faini 2 25073 BOVEZZO BS Tel. 03024381 - Fax 0302438250 www.flos.com - info@flos.com FRITZ HANSEN MOEBLER Allerødvej 8 DK 3450 ALLERØD Tel. +45 48 172300 - Fax +45 48 171948 www.fritzhansen.com Distr. in Italia: REPUBLIC OF FRITZ HANSEN C.so Garibaldi 77 20121 MILANO Tel. 0249526135 - Fax 0236505624 www.fritzhansen.com - cp@fritzhansen.com GLAS ITALIA Via Cavour 29 20846 MACHERIO MB Tel. 0392323202 - Fax 0392323212 www.glasitalia.com - glas@glasitalia.com I 4 MARIANI spa Via Sant’Antonio da Padova 102/104 22066 MARIANO COMENSE CO Tel. 031746204 - Fax 031749060 www.i4mariani.it - info@i4mariani.it

JANNELLI & VOLPI srl Via Melzo 7 20129 MILANO Tel. 02205231 - Fax 0229408547 www.jannellievolpi.it www.jv-italiandesign.com showroom@jannellievolpi.it store@jannellievolpi.it KARTELL spa Via delle Industrie 1 20082 NOVIGLIO MI Tel. 02900121 - Fax 029053316 www.kartell.it - kartell@kartell.it KENZO MAISON Distr. in Italia: CLUB HOUSE ITALIA spa Via Balzella 56 47122 FORLÌ Tel. 0543791911- Fax 0543725244 www.clubhouseitalia.com info@clubhouseitalia.com KVADRAT A/S Lundbergsvej 10 DK 8400 EBELTOFT Tel. +4589531866 - Fax +4589531800 www.kvadrat.dk - kvadrat@kvadrat.dk LA CIVIDINA srl Via Cividina 176 33030 MARTIGNACCO UD Tel. 0432677433 - Fax 0432677480 www.lacividina.com - info@lacividina.com LAMM spa Via Verdi 19/21 43017 SAN SECONDO PARMENSE PR Tel. 0521877511 - Fax 0521877599 www.lamm.it - info@lamm.it LAUFEN ITALIA srl Via Matteotti 157 20082 BINASCO MI Tel. 029001601 - Fax 0290052219 www.it.laufen.com - info@laufen.it LE PRE D’EAU 355 Rue Victor Hugo F 76300 SOTTEVILLE-LES-ROUEN Tel. +33235880171 - Fax +33235620819 www.lepredeau.com contact@lepredeau.com LIGNE ROSET - ROSET ITALIA srl C.so Magenta 56 20123 MILANO Tel. 0248514007 - Fax 0248022388 www.ligne-roset.it - info@ligne-roset.it LISTONE GIORDANO - MARGARITELLI spa Fraz. Miralduolo 06089 TORGIANO PG Tel. 075988681 - Fax 0759889043 www.listonegiordano.com info@listonegiordano.com LIVING DIVANI srl Strada del Cavolto 17/17 22040 ANZANO DEL PARCO CO Tel. 031630954 - Fax 031632590 www.livingdivani.it - info@livingdivani.it MAGIS spa Via Triestina Accesso E 30020 TORRE DI MOSTO VE Tel. 0421319600 - Fax 0421319700 www.magisdesign.com info@magisdesign.com MARTINELLI LUCE spa Via T. Bandettini 55100 LUCCA Tel. 0583418315 - Fax 0583419003 www.martinelliluce.it info@martinelliluce.it MDF ITALIA spa Via Morimondo 5/7 20143 MILANO Tel. 0281804100 - Fax 0281804108 www.mdfitalia.it - infomdf@mdfitalia.it MODO srl Vial Villafranca 34 35010 CAMPODORO PD Tel. 0499065385 - Fax 0499065911 www.modoarredo.com MODULAR LIGHTING INSTRUMENTS 22-24 St. Giles High Street UK WC2H 8TA LONDON Tel. +44 (0)20 7681 9933 Fax +44 (0)20 7681 9943 www.modular-lighting.co.uk all@modular-lighting.co.uk MOLTENI & C spa Via Rossini 50 20833 GIUSSANO MB Tel. 03623591 - Fax 0362354448 www.molteni.it customer.service@molteni.it

MUUTO Peder Hvitfeldt Stræde 4 DK 1173 COPENHAGEN Tel. +45 32 96 98 99 www.muuto.com - info@muuto.com Distr. in Italia: NORDIC DESIGN Via S.Carlo 2/A 37016 GARDA VR Tel. 0457235995 susan@nordicdesign.it OFFICINANOVE Via Maremmana 8 56012 CALCINAIA PI Tel. 0587422192 - Fax 0587423749 www.officinanove.it - info@officinanove.it PEDRALI spa Strada Provinciale 122 24050 MORNICO AL SERIO BG Tel. 0358358840 - Fax 0358358888 www.pedrali.it - info@pedrali.it POLI KERAMIK GmbH Oberre Lend 24 A 6060 HALL IN TIROL Tel. +435223-56870-0 Fax +435223-56836 www.poli-keramik.com POLIFORM LAB Via Trento 2, casella postale n.1 22044 INVERIGO CO Tel. 031695701 - Fax 031695744 www.poliform.it - info.poliform@poliform.it PORRO srl Via per Cantù 35 22060 MONTESOLARO CO Tel. 031783266 - Fax 0317832626 www.porro.com - info@porro.com QUI EST PAUL? www.qui-est-paul.com - info@rotodesign.fr RIMADESIO spa Via Furlanelli 96 20833 GIUSSANO MB Tel. 03623171 nr verde 800 901439 Fax 0362317317 www.rimadesio.it rimadesio@rimadesio.it RODA srl Via Tinella 2 21026 GAVIRATE VA Tel. 03327486 - Fax 0332748655 www.rodaonline.com - info@rodaonline.com SATI www.sati.es SAWAYA & MORONI spa Via Andegari 18 20121 MILANO Tel. 0286395 - Fax 0286464831 www.sawayamoroni.com info@sawayamoroni.com SILENT GLISS ITALIA srl Via Reggio Emilia 33 20090 REDECESIO DI SEGRATE MI Tel. 02269031 - Fax 0226903599 www.silentgliss.it - info.com@silentgliss.it SPAZIO ROSSANA ORLANDI Via Matteo Bandello 14-16 20123 MILANO Tel. 024674471 - Fax 0248008387 www.rossanaorlandi.comi info@rossanaorlandi.com SPHAUS srl C.so Matteotti 64 20831 SEREGNO MB Tel. 0362330355 - Fax 0362242238 www.sphaus.it - sphaus@sphaus.com TEUCO GUZZINI spa Via Virgilio Guzzini 2 62010 MONTELUPONE MC Tel. 07332201 nr verde 800270270 Fax 0733220391 www.teuco.it - teuco@teuco.it UNOPIÙ spa S. Statale Ortana km 14,500 01038 SORIANO NEL CIMINO VT Tel. 07617581 - Fax 0761758555 www.unopiu.it - info@unopiu.it VITRA INTERNATIONAL AG Klünenfeldstrasse 22 CH 4127 BIRSFELDEN Tel. +41 61 3771509 - Fax +41 61 3771510 www.vitra.com - info@vitra.com Distr. in Italia: UNIFOR e MOLTENI & C. infovitra@molteni.it nr. verde 800 505191

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fe c`e\ nnn%`ek\ie`dX^Xq`e\%`k direttore responsabile/editor GILDA BOJARDI bojardi@mondadori.it art director CHRISTOPH RADL caporedattore centrale central editor-in-chief SIMONETTA FIORIO simonetta.fiorio@mondadori.it consulenti editoriali/editorial consultants ANDREA BRANZI ANTONIO CITTERIO MICHELE DE LUCCHI MATTEO VERCELLONI

NELL’IMMAGINE: UNA ZONA DEL BOSCOLO PALACE HOTEL DI ROMA, COME APPARE DOPO IL PROGETTO DI RISTRUTTURAZIONE DI ITALO ROTA E ALESSANDRO PEDRETTI. IN THE IMAGE: A ZONE OF THE BOSCOLO PALACE HOTEL IN ROME, AFTER THE RENOVATION PROJECT BY ITALO ROTA AND ALESSANDRO PEDRETTI. (FOTO DI/PHOTO BY ALBERTO FERRERO)

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redazione/editorial staff MADDALENA PADOVANI mpadovan@mondadori.it (vice caporedattore/vice-editor-in-chief) OLIVIA CREMASCOLI cremasc@mondadori.it (caposervizio/senior editor) ANTONELLA BOISI boisi@mondadori.it (vice caposervizio architetture/ architectural vice-editor) KATRIN COSSETA internik@mondadori.it produzione e news/production and news NADIA LIONELLO internin@mondadori.it produzione e sala posa production and photo studio rubriche/features VIRGINIO BRIATORE giovani designer/young designers GERMANO CELANT arte/art CRISTINA MOROZZI fashion ANDREA PIRRUCCIO produzione e/production and news DANILO PREMOLI hi-tech e/and contract MATTEO VERCELLONI in libreria/in bookstores ANGELO VILLA cinema TRANSITING@MAC.COM traduzioni/translations

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grafica/layout MAURA SOLIMAN soliman@mondadori.it SIMONE CASTAGNINI simonec@mondadori.it STEFANIA MONTECCHI internim@mondadori.it ELENA MARIANI

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segreteria di redazione editorial secretariat ALESSANDRA FOSSATI alessandra.fossati@mondadori.it responsabile/head ADALISA UBOLDI adalisa.uboldi@mondadori.it assistente del direttore assistant to the editor BARBARA BARBIERI barbara.barbieri@mondadori.it

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C_In619_R_112_colophon.indd 112

contributi di/contributors GIOVANNA ALBRETTI STEFANO CAGGIANO PATRIZIA CATALANO VALENTINA CROCI ANTONELLA GALLI CRISTINA MOROZZI SERGIO PIRRONE fotografi/photographs SIMONE BARBERIS MARIO CARRIERI WALTER GUMIERO STÉPHANE MURATET ERICK SAILLET/PHOTOFOYER GIONATA XERRA MIRO ZAGNOLI progetti speciali ed eventi special projects and events CRISTINA BONINI MICHELANGELO GIOMBINI

N. 619 marzo 2012 March 2012 rivista fondata nel 1954 review founded in 1954

corrispondenti/correspondents Francia: EDITH PAULY edith.pauly@tele2.fr Germania: LUCA IACONELLI radlberlin@t-online.de Giappone: SERGIO PIRRONE utopirro@sergiopirrone.com Gran Bretagna: DAVIDE GIORDANO davide.giordano@zaha-hadid.com Portogallo: MARCO SOUSA SANTOS protodesign@mail.telepac.pt Spagna: CRISTINA GIMENEZ cg@cristinagimenez.com LUCIA PANOZZO luciapanozzo@yahoo.com Svezia: JILL DUFWA jill.dufwa@post.utfors.se Taiwan: CHENG CHUNG YAO yao@autotools.com.tw USA: PAUL WARCHOL pw@warcholphotography.com

ARNOLDO MONDADORI EDITORE 20090 SEGRATE - MILANO INTERNI The magazine of interiors and contemporary design via D. Trentacoste 7 - 20134 Milano Tel. +39 02 215631 - Fax +39 02 26410847 interni@mondadori.it Pubblicazione mensile/monthly review. Registrata al Tribunale di Milano al n° 5 del 10 gennaio1967. PREZZO DI COPERTINA/COVER PRICE INTERNI € 8,00 in Italy PUBBLICITÀ/ADVERTISING Mondadori Pubblicità 20090 Segrate - Milano Pubblicità, Sede Centrale Divisione Living Direttore: Simone Silvestri Responsabile Vendite: Lucie Patruno Coordinamento: Silvia Bianchi Agenti: Ornella Forte, Nicola Fogliaro, Marco Ronaghi, Mauro Zanella Tel. 02/75422675 - Fax 02/75423641 e-mail: direzione.living@mondadori.it www.mondadoripubblicita.com Sedi Esterne: LAZIO/CAMPANIA CD-Media - Carla Dall’Oglio Corso Francia, 165 - 00191 Roma Tel. 06/3340615 - Fax 06/3336383 mprm01@mondadori.it PIEMONTE/VALLE D’AOSTA/LIGURIA Luigi D’Angelo Cell. 346/2400037 e-mail:luigi.dangelo@mondadori.it TRIVENETO Mondadori Pubblicità Padova Tommaso Gentile, Elfi Sartori, Paola Zuin Galleria Borromeo, 4 - 35137 Padova Tel. 049/8752025 - Fax 049/8751461 monpubpd@mondadori.it VERONA F.C.G. Pubblicità / Enzo Filippini Via Alberto Mario, 10 - 37121 Verona Tel. 045/8000868 - Fax 045/591081 mpvr01@mondadori.it EMILIA ROMAGNA/SAN MARINO Marco Tosetti / Irene Mase’ Dari Via Pasquale Muratori, 7 - 40134 Bologna Tel. 051/4391201 - Fax 051/4399156 irene.masedari@mondadori.it TOSCANA/UMBRIA Marco Marucci - Gianni Pierattoni Paola Sarti - M.Grazia Vagnetti Piazza Savonarola, 9 - 50132 Firenze Tel. 055/500951- Fax 055/577119 mondadoripubblicita.fi@mondadori.it ABRUZZO/MOLISE Luigi Gorgoglione Via Ignazio Rozzi, 8 - 64100 Teramo Tel. 0861/243234 - Fax 0861/254938 monpubte@mondadori.it PUGLIA/BASILICATA Media Time - Carlo Martino Via Diomede Fresa, 2 - 70125 Bari Tel. 080/5461169 - Fax 080/5461122 monpubba@mondadori.it CALABRIA/SICILIA/SARDEGNA GAP Srl - Giuseppe Amato Via Riccardo Wagner, 5 - 90139 Palermo Tel. 091/6121416 - Fax 091/584688 email: monpubpa@mondadori.it ANCONA Annalisa Masi, Valeriano Sudati Via Virgilio, 27 - 61100 Pesaro Cell. 348/8747452 - Fax 0721/638990 email:amasi@mondadori.it; valeriano.sudati@mondadori.it

ABBONAMENTI/SUBSCRIPTIONS Italia annuale: 10 numeri + 3 Annual + 1 Interni OnBoard + Design Index Italy, one year: 10 issues + 3 Annuals + 1 Interni OnBoard + Design Index € 91,90 Estero annuale: 10 numeri + 3 Annual + 1 Interni OnBoard + Design Index Foreign, one year: 10 issues + 3 Annuals + 1 Interni OnBoard + Design Index Europa via terra-mare/Europe by surface-sea mail € 123,20 via aerea/air mail: Europa/Europe € 146,40 USA-Canada € 169,90 Resto del mondo/rest of the world € 249,70 Inviare l’importo a/please send payment to: Press-Di srl Servizio Abbonamenti, servendosi del c/c. postale n. 77003101. Per comunicazioni, indirizzare a: Inquiries should be addressed to: INTERNI - Servizio Abbonamenti Casella Postale 97- 25197 Brescia Tel. 199 111 999 (dall’Italia/from Italy) Costo massimo della chiamata da tutta Italia per telefoni fissi: 0,14 € iva compresa al minuto senza scatto alla risposta. Tel. + 39 041 5099049 (dall’estero/from abroad) Fax + 39 030 3198202 e-mail: abbonamenti@mondadori.it www.abbonamenti.it/interni L’editore garantisce la massima riservatezza dei dati forniti dagli abbonati e la possibilità di richiederne gratuitamente la rettifica o cancellazione ai sensi dell’art. 7 del D.leg.196/2003 scrivendo a/The publisher guarantees maximum discretion regarding information supplied by subscribers; for modifications or cancellation please write to: Press-Di srl Direzione Abbonamenti 20090 Segrate (MI) NUMERI ARRETRATI/BACK ISSUES Interni: € 10 Interni + Design Index: € 14 Interni + Annual: € 14 Interni + OnBoard: € 14 Modalità di pagamento: c/c postale n. 77270387 intestato a Press-Di srl “Collezionisti” (tel. 199 162 171). Indicare indirizzo e numeri richiesti. Per pagamento con carte di credito (accettate: Cartasì, American Express, Visa, Mastercard e Diners), specificare indirizzo, numero di carta e data di scadenza, inviando l’ordine via fax (+ 39 02 95103250) o via e-mail (collez@mondadori.it). Per spedizioni all’estero, maggiorare l’importo di un contributo fisso di € 5,70 per spese postali. La disponibilità di copie arretrate è limitata, salvo esauriti, agli ultimi 18 mesi. Non si accettano spedizioni in contrassegno. Please send payment to Press-Di srl “Collezionisti” (tel. + 39 02 95970334), postal money order acct. no. 77270387, indicating your address and the back issues requested. For credit card payment (Cartasì, American Express, Visa, Mastercard, Diners) send the order by fax (+ 39 02 95103250) or e-mail (collez@mondadori.it), indicating your address, card number and expiration date. For foreign deliveries,add a fixed payment of h 5,70 for postage and handling. Availability of back issues is limited, while supplies last, to the last 18 months. No COD orders are accepted. DISTRIBUZIONE/DISTRIBUTION per l’Italia e per l’estero for Italy and abroad Distribuzione a cura di Press-Di srl L’editore non accetta pubblicità in sede redazionale. I nomi e le aziende pubblicati sono citati senza responsabilità. The publisher cannot directly process advertising orders at the editorial offices and assumes no responsibility for the names and companies mentioned. Stampato da/printed by Mondadori Printing S.p.A., Via Luigi e Pietro Pozzoni 11 Cisano Bergamasco (Bergamo) Stabilimento di Verona nel mese di febbraio 2012

Questo periodico è iscritto alla FIEG This magazine is member of FIEG Federazione Italiana Editori Giornali © Copyright 2012 Arnoldo Mondadori Editore S.p.A. – Milano. Tutti i diritti di proprietà letteraria e artistica riservati. Manoscritti e foto anche se non pubblicati non si restituiscono.

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