IOANNA TATLI Architecture Portfolio | Selected projects 2008-2016
contents
Academic Design diploma thesis | Atalanti’s system architecture | parametric | sustainable | public
Museum | Cultural center architecture | public
Research diploma thesis “Context in contemporary architecture: from “genius loci” to today’s context”
Residence in Sykies architecture | residential
Chessbook: portable chess kit industrial design | digital fabrication | personal research
Workshops
Hortatzidon Stream landscape | urban | public
Lighting installation parametric | digital fabrication | personal research
Healing the wound architecture | parametric | sustainable | landscape | public
City Cracks | Public para_site urban | public | sustainable | installation
Human chain of cohabitation urban | residential | landscape | parametric
Professional
New City Hall of Stavroupoli architecture | restoration | reuse | public
House renovation in Peuka, Thessaloniki architecture | residential
Urban regeneration urban | residential | landscape
Low budget pharmacy architecture
Interactive membrane structure installation | urban
Museum of Piraeus | Once_now, from rocky earth to oversight of the whole architecture | landscape | public | competition
Marina, hotel and spa architecture | landscape
Germanina | the secret intelligence of an agriculture farm architecture | landscape | competition
Slinky Bench industrial design | competition award
Anatolia | elementary school in Thessaloniki architecture | landscape | competition
01
atalanti’s system IN GOOD TIMES AND IN BAD
PROJECT TYPE: Academic | Public | Design Diploma Thesis DATE: 02-2015 COLLABORATOR: G. Kontominas SUPERVISOR: I. Sakellaridou ADVISORS: G. Anifantis (naval engineer), G. Tatlis (mechanical engineer) AWARDS: Honorable Mention, International Student Competition, International Union of Architects (UIA) / Public Health Group, China, 2015 *Exhibited at the “2015 UIA-PHG Seminar & GUPHA Meeting Health for All”, China, 2015
IOANNA TATLI
ARCHITECTURE PORTFOLIO
2015
case_Α
the scattered city of the Aegean
The concept
Perceiving the sea as a bridge The Aegean, a scattered city The reason for our special interest in ships was the subject of the Greek presence in the 10th Architecture Biennale in Venice, “The Aegean: A Scattered City”. This exhibition was based on the heretical belief of the historian Ruggiero Romano that the Archipelagos Sea can be actually considered to constitute a city. This belief has also been supported by both the historian Aggelos Elefantis and the philosopher Massimo Cacciari. During winter, the Aegean islands have a population of about 1,300,000 inhabitants. However, this number seems to quadruple during summertime and, as a result, some islands reach the population size of big cities. The main reason for this phenomenon is the fact that a great number of tourists, flocking from various places of the world, visit Aegean every year in order to gain new experiences and discover both the beauty and the culture of the islands. The sea surrounding the islands is not a continuous vacuum, but a waterway that ensures their cohesion. By being together and apart, each and every one of these pieces of land keeps its special identity, while participating in a peculiar set. In this context, the ships crossing the Aegean can be perceived as the floating public areas of the archipelagos, where various cultural events can occur and give impetus for providing the concept of travelling with a different meaning. People from different origins and ancestry, with different destinations and objectives travel together. So, we thought to redesign a ship with the view to creating a means that can bring islands and people in contact with each other during the voyage. It would give opportunity for cultural interaction between tourists and local people through various workshops, performance events and exchange of experiences.
The vehicle
Atalanti’s current state (drawings given by THPA)
Atalanti’s current state
Atalanti’s initial state
The ship that was finally chosen for this purpose is ATALANTI, an abandoned cable ship that was initially built to be used as general cargo. The main reason for this choice has been its perfect size (length, width, draft), but also its spatial features. It could host all the required functions as well as operate effectively as international ocean-going ship. The drawings and detailed description of the vessel were provided by THPA (Thessaloniki Port Authority).
LOA LENGTH OVERALL 133.00m BOA BEAM 24.60m SLWL DRAFT 7.30m VOYAGE CLASS INTERNATIONAL OCEAN GOING SHIP TYPE CABLE-LAYING VESSEL COMPLEMENT 25 CREW TRANSIT SPEED 9.5 KNOTS MAXIMUM SPEED 12 KNOTS
study model (scale 1:200)
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Atalanti’s system_the protocol
Uses
Size
Shape grammars New main structure
N=2
Atalanti
Main typologies
Structural unit
Spatial_ structural features
2.15 x 6.10 x 2.85
N=28
N=24 Total number of containers
Built vs void
Nc = 54
• The choice of the size of the container was based on the morphological characteristics of the vessel, as well as the spatial needs of the proposed alternative uses. • The containers were divided into 3 different typologies, depending on the number of missing sides, in order to meet the spatial needs of each alternative use distinctively. • The total number of the containers remains stable. We studied the exact position of each container per use|event as well as the means for their transportation.
Alternative uses (dance_music | photography | fashion | gastronomy)
Containers’ movements for each alteration
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3rd tier
longitudinal elevation
2nd tier 1st tier upper deck main deck water level tween deck
double bottom base line
0
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longitudinal section a-a
Superstructure and Hull plans memorandum 1
Dance and musical performance area
2 3 4 5 6 7 8 9
27 17
Indoor | outdoor waiting area
Dressing rooms
18
Dance room
Projection room
19
Labs
Audio room
20
WC
Storage
21
Administration office
Music “boxes” (2-5 people)
22
Infirmary
Theory room
23
Restaurant-café
Dance room
24
Guest rooms
WC
25
Crew rooms
10
Locker rooms
26
Crew mess room
11
Registry office
27
Bridge
12
Reception
13
Shop
14
WC
15
Café
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Wardrobe
3rd tier
25
26
2nd tier
24
1st tier
23
upper deck
11 17
12
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main deck
6
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3 7 5
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1 Left_bottom Focus points
2 0
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tank top
Right Dance performance
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Right_top Layover_performance night Left_bottom Focus points
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3rd tier
26
25
2nd tier
24
1st tier
23
upper deck
14
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main deck
Superstructure and Hull plans
3 5
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memorandum
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tween deck
1 2 0
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tank top
1 2 3 4 5 6 7 8 9
Fashion event area
10
Printer room
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Crit area
12
Locker rooms
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Shop
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WC
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Café
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Wardrobe
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Indoor | outdoor waiting area
Dressing rooms Projection room Audio room Storage Computer rooms Sewing rooms Laundry room Studio
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Studios
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Theory rooms
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Labs
21
Administration office
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Infirmary
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Restaurant-café
24
Guest rooms
25
Crew rooms
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Crew mess room
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Bridge
Superstructure and Hull plans memorandum
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1
Photography and visual art event area
17
Indoor | outdoor waiting area
2 3 4 5 6 7 8 9
Projection room
18
Studio
Audio room
19
Rest and study area
Storage
20
Labs
Computer rooms
21
Administration office
Dark room
22
Infirmary
Printer room
23
Restaurant-café
Studio
24
Guest rooms
Theory area
25
Crew rooms
10
Studio
26
Crew mess room
11
WC
27
Bridge
12
Locker rooms
13
Shop
14
WC
15
Café
16
Wardrobe
3rd tier
25
26
2nd tier
24
1st tier
23
upper deck
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main deck
6 9
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3
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photography workshop
1
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tank top
9 / 10 reception area
Right_top Fashion workshop Right_bottom Gastronomy workshop Left_bottom Focus points 27
3rd tier
26
25
2nd tier
24
1st tier
23
upper deck
12 15
15
14 11
22
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13
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main deck
Superstructure and Hull plans 8
9 3 5
memorandum
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7 6
4
tween deck
1
0
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2 tank top
1 2 3 4 5 6 7 8 9
Gastronomy event area
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Theory room
Dressing rooms
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Cooking area
Projection room
19
Food storage
Audio room
20
Rest and study area
Storage
21
Administration office
Theory room
22
Infirmary
Cooking area
23
Restaurant-café
Food storage
24
Guest rooms
Rest and study area
25
Crew rooms
10
Locker rooms
26
Crew mess room
11
Shop
27
Bridge
12
WC
13
Café
14
Wardrobe
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Indoor | outdoor waiting area
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Studios
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0
Top Container loading Bottom Top view
01 ATALANTI’S SYSTEM | IN GOOD TIMES AND IN BAD
study models (scale 1:200)
2015
presentation model (scale 1:200)_ fabrication phase
ARCHITECTURE PORTFOLIO IOANNA TATLI
presentation model (scale 1:200)
study models (scale 1:25)_details
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case_B
Perceiving the sea as a limit
A marine heterotopia: Ebola treatment center Ebola is a deadly virus that has killed hundreds of individuals in West Africa so far in 2015. This is the worst recorded outbreak of the virus. The fatality rate of Ebola can be as high as 90%. No vaccine is available, nor is there any specific treatment. Originating in Guinea, Sierra Leone and Liberia, cases have now been confirmed in Nigeria, some countries in Europe, and the US.
Furthermore, as mentioned, Ebola is not an airborne or waterborne virus. Therefore, seawater can be considered as a LIMIT that ensures the isolation of hospitalized patients and prevents further spreading. In this context, the ship is thought to be the most appropriate vehicle to turn into a mobile unit that can facilitate the diagnosis, isolation and treatment of patients with Ebola. In addition, it could be sent to assist countries in Africa that have suffered the hardest hit, as they are also surrounded by sea.
Ebola wards
stern elevation
bow elevation
transverse section b-b
transverse section c-c
3rd tier 2nd tier 1st tier upper deck main deck water level tween deck
double bottom base line
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longitudinal section a-a | presentation model (scale 1:200)
Superstructure and Hull plans memorandum
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1
entry for the medical staff and crew members
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storage for equipement
2 3 4 5
patient entry
18
storage for medical supplies microbiology laboratories (decontamination rooms included)
triage - diagnose area
20
doctors’ offices
6
fence for visitors’ protection
21
doctors’ meeting room
7 8 9
low-probability ward
22
dressing room
23
undressing room
24
restaurant - cafe
10
sterilization room
25
rooms for medical staff
11
decontamination room
26
rooms for crew members
12
high-probability ward
27
ship bridge
13
ebola ward
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machinery room
disinfection of dead bodies
29
motor compartment
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propulsion room
15
dressing room
31
generator room
16
undressing room
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casing
dressing room
19
undressing room
incinerator room morgue
3rd tier
26
2nd tier
25
1st tier
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upper deck
1
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2
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6
20
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32
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main deck
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tween deck
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tank top
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02
PROJECT TYPE: Academic | Public DATE: 09-2013 LOCATION: Thessaloniki, Greece COLLABORATOR: G. Kontominas SUPERVISORS: M. Ananiadou Tzimopoulou, M . Tratsela, Z. Karakinari
hortatzidon stream
*Exhibited at the 8th European Biennial of Landscape Architecture, Spain, 2014. Distinctively selected (10 projects selected out of a 120 submissions) to represent the Aristotle Univeristy of Thessaloniki School of Architecture
RE_DISIGNING THE CITYSCAPE OF THESSALONIKI
The site 2015
Current situation
IOANNA TATLI
ARCHITECTURE PORTFOLIO
The Hortatzidon stream is part of an important cluster of streams that run through the entire city. Sited in the northeast of the city center, it ends up running under the university campus and the Thessaloniki International Exhibition Centre. The area subjected to regeneration is surrounded by university facilities, local importance sports facilities and several museums (sport, culture etc). Quite notable is also its proximity to one of the city’s outdoor theaters. It is a quite unique and important location, as being a point of intersection between the urban and natural environment, bordering to the north by the city’s biggest forest district (Seikh Sou). The built area is very dense around it, stressing the importance of the streambed as free urban area in the region. The neighboring buildings are on average 4 floors high. The boundaries between the stream region and the built environment are loose, with the exception of the clear etching of the busy road in the east. More generally, there is a mild daily motion due to the activities occurring in the overall surrounding region. Τhe site is dominated by indigenous vegetation: laurels, poplars, acacias, chestnuts, walnuts and low conifers are the basic tree types that one can come across. The rich vegetation is not evenly distributed along the site. The abrupt transition from lower to higher areas reveals a lot of bare rock located at the site. After the stream became dry, it was used as a quarry, resulting to a disharmonious flow of the contours, largely due to human intervention. The expansion of housing near the site is the main reason for the gradual shrinkage of its borders. Such an example is the illegal constructions-houses erected on the Westside of the site. In the east region, the construction is limited to a continuous facade along the road. The road continues to the north and south, forcing the stream to stop unfolding.
site photos
p
The concept Current situation analysis
Design process
built vs void space - site’s existing contours - red stands for illegal construction
pressure due to neighbouring buildings
existing vegetations - important tree masses to be preserved
• The site is treated as a “green core” of vegetation which expands in all pos • The terrain is reshaped having as a guide the existing contours (diagram 2 • The old water path is spotted and restored. The riverbed is redesigned to p through the site (diagram 2) • The existing vegetation is taken into consideration and the remarkable ma (diagram 3) • Flora is enriched in order to offer in color, aroma and a plethora of images • Moving to the north, one encounters steeper relief, dense vegetation and m view of the city). • The vegetation starts with coniferous trees as a continuation of suburban to the city more and more deciduous trees appear, while several glades are crea • The most crowded uses are placed towards the south border of the site, near • The plateaus formed by the natural terrain are exploited so as to create entra point-connection with nature)
Presentation model (scale 1:500)
* darker tone material indicates the existing significant preserved tree masses, while lighter indicates the proposed plantings
presentation model (scale 1:500)
ssible directions (diagram 1-diagram 4) 2) provide a curvy water ribbon that runs
asses of trees and bushes are maintained
more peaceful uses (walking, isolation,
forest (Sheick Sou). As one gets closer ated r the city center activities ances to the area (rest-meeting diagram 1_expanding the green core of Thessaloniki’s suburban forest (Sheick Sou)
diagram 2
diagram 3
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Drawings | visualization
0
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20
40
2 1
1
2
3
memorandum plantings
materials
arboreal plants
hard materials
evergreen existing trees
new trees
existing trees
new trees
artificial materials
natural materials
cement tiles
natural stones 1 (pavement)
deciduous
conifer new trees
bushy plants
natural stones 2 (woonerf)
semi-hard materials
soft materials
natural
natural
wooden deck
herbaceous
evergreen pressed soil
section T3 - T3’ (scale 1:200)
trailing plants
3
4
section T1 - T1’ (scale 1:200)
site plan (scale 1:200)
4
Bottom left 1_crossing the stream 2_view of the city - seating 3_open air amphitheater 4_site entrance
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0.2
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位1 0.4
位2
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Drawings | visualization
位5
8
位4
λ3
λ1
λ2 site plan (scale 1:100)
λ3
λ5 section T2 - T2’ (scale 1:100)
memorandum plantings
materials
arboreal plants
hard materials artificial materials
evergreen existing trees
0
0.5
1
2
construction details
Bottom left 1_wooden deck detail (scale 1:20) 2_seating detail (scale 1:20) 3_retaining bar detail (scale 1:10) 4_seating detail_open air amphitheater (scale 1:20) 5_lighting detail (scale 1:10)
new trees
trailing plants
natural stones
semi-hard materials
deciduous
bushy plants
natural materials
cement tiles
existing trees
new trees
natural materials
wooden deck
soft materials natural materials
herbaceous_ pressed soil
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03
PROJECT TYPE: Academic | Public | Parametric DATE: 07-2013 LOCATION: Neochorouda, Greece COLLABORATOR: G. Kontominas SUPERVISORS: A. Tellios, S. Vergopoulos, A. Kalfopoulos, D. Gourdoukis
healing the wound
*Competition Entry, d3 - Housing Tomorrow, 2014 *Exhibited at d3 - Housing Tomorrow Exhibition in Texas, USA, 2014
AN EMERGENCY SETTLEMENT
The site
IOANNA TATLI
ARCHITECTURE PORTFOLIO
2015
Healing the wound x 2
1_environmental wound | place The place is a former quarry, which is located near Neochorouda, a small mountain village in the region of Thessaloniki (Northern Greece). Over the past decades, human activity there has resulted in the creation of a crater, a “wound” in the landscape. site photo before the mining
site photo after the mining
environmental wound
social wound_the cause
The settlement
front view
2_social wound | use The proposed use concerns the creation of a special settlement for people who need to live there for a while (e.g. victims of economic crisis, victims of natural disasters or people who face any other kind of such problems). The settlement represents a new form of urbanization based on the idea of living community, where all residents cooperate for everything and everyone has also his private space. The idea is about a self-sufficient community, where residents will work together and produce and consume products either directly or through exchanges with other areas to ensure sustainability. The aim is to heal the “wound” of the landscape and at the same time to heal people’s “wo unds” caused by any kind of emergency for as long as they wish. 3_form The “healing” is achieved through the landscape itself, starting from the wound (crater) and spreading upwards and towards the edges. Through parametrical process, the starting points are spotted on the crater. There are more points toward the edges and less on the center, creating some kind of atrium for joint activities and lighting. The initial log has junctions, for the structural system to be anchored in the rim of the crater (the number of branches and the rotation angle are parametrically found). Some units of the system become nodes so that all the others can be connected (connectors), in order to create a grid. Each node always has a group of connectors in itsperimeter. Each branched unit that constitutes a connector is replaced by a single curve, while nodes are replaced by double curves. The nodes attract the connectors creating a curvy 3D net (plexus). The net is denser in the perimeter of the crater and looser in its center. Therefore, there are spaces that provide greater security, privacy and protection, while in others there is more lighting and visual contact. Collective action and social activities are located on the ground floor (workplaces, eating spaces, meeting spaces, playgrounds), while the most private and personal spaces are placed higher, in the cavities of the structural system.
T
bird eye view
The concept
The starting points of the “healing” are spotted on the crater. Some units of the system become nodes so that all the others can be connected (connectors), in order to create a grid. Each node always has a group of connectors in its perimeter The initial log has junctions, for the structural system to be anchored in the rim of the crater. Each branched unit that constitutes a connector is replaced by a single curve, while nodes are replaced by double curves. The nodes attract the connectors creating a curvy 3D net (plexus).
Phase V
Phase IV
Phase III
Phase II
Phase I
Formation of habitation units
Decision on the materialism of the structural system
Deformation and sprawl of the “healing” according to the plexus protocol
Completion of the sprawl of the “healing”
Placement of the starting points of the sprawl on the site according to its morphology and the proposed use
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Diagrams | drawings
access staircases and ramps
access (section A - A’)
assemblage of coccoons_neighbourhood (section Β - Β’)
habitation unit private use
sheltering - public use shared facilities
public_private space (section C - C’)
High plexus density level the denser the plexus gets the more hospitable it becomes for the coccoons to be installed | neighbourhood creation
site plan
section T - T’ 25 / 26
Main structure construction
construction stages
Main structure construction
possible materials
an example
4_units of habitation They have the form of nest or cocoon. The place of construction and their size depends on the residents and their needs. Basically, they are located in places where the plexus is denser for more protection and privacy. 5_Materials and methods of construction The structural system uses the main material of the quarry to heal its “wound� (sand, gravel). It is manufactured by a large 3D printer that uses strong glue to create the plexus and turn the simple sand into hard rock. *The 3d printer function is based on the Stone Spray Project by A. Kulik, I. Shergill, P. Novikov
shapes and sizes
Top Private section_habitation units Bottom left Public section Bottom right Habitation unit interior
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04
PROJECT TYPE: Academic DATE: 07-2012 LOCATION: Thessaloniki, Greece COLLABORATOR: G. Kontominas SUPERVISORS: M. Dousi, N. Nomikos AWARDS: 2nd Prize in the Restoration and Reuse of military building student competition, organized by Aristotle University of Thessaloniki School of Archetecture, 07-2012
new city hall STAVROUPOLI, THESSALONIKI
site photo
prospective metropolitan park
Our aim The military camp “Pavlos Melas� has been the pride of the Ottoman army until the liberation of Thessaloniki (1912). Then, the Greek army occupied the camp and made several interventions. The army gradually left the buildings by the end of 1990. Today, they are considered to constitute property of the municipality of Stavroupoli. Lately, there have been a lot of discussions and plans concerning the development of the region, including the creation of a metro station on the southwest side of the camp, the creation of a metropolitan park and the restoration and reuse of the former military buildings. The more spacious of those is about to host the New City Hall of Stavroupoli. In this context, the aim of our proposal was to promote both the building that will house the city hall and the view of its surroundings as part of a future Metropolitan Park. Additionally, we wanted our interventions to respect the character of the preserved building and be integrated with its spatial and aesthetic features. Due to the large width of the main road and the traffic load, it is not always easy for pedestrians to cross the road. Thus, we proposed the creation of a new underpass of large amplitude, which would host commercial uses and would provide a sense of security to pedestrians. As far as both the exterior and the interior are concerned, we removed any arbitrary interventions of the Greek army and restored the building to its original form. However, modern materials were used in order to distinguish the old from the new. In addition, two new glass blocks were designed in order to provide space for staircases and lifts. They rest against the back of the building and are symmetrical to its central axis, respecting the great symmetry that already characterizes it. Another transparent volume, constructed in the same way as the former, connects the upper floors of the two adjacent buildings, creating an arcade downstairs. More generally, transparency is used to describe the new interventions in order not to overshadow the preserved building.
IOANNA TATLI
ARCHITECTURE PORTFOLIO
2015
The site
structure analysis
Analysis_building pathology
exterior
interior
D
0
10
20
40
site plan (scale 1:500)
Design process
reshaping the landscape
very important important of no interest incompatible
new interventions vertical communication
evaluation of current state
new interventions connection to the technical services building
passage leading to prospective underground city council hall
underground passage exhibition for the history of the building data room | storage |mechanical installation executive services support services ceremony hall services directly subordinate to the mayor city council
new intervention design diagram underground passage below Lagkadas Street
proposed uses
exploded axonometric diagram
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Drawings
western elevation (scale 1:100)
first floor plan (scale 1:100)
ground floor plan (scale 1:100)
longitudinal section (scale 1:100)
0
2
5
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transverse section (scale 1:200)
Top Main entrance Middle Dialogue with the prospective park Bottom left Interior organization Bottom right Exhibition section
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05
S
PROJECT TYPE: Academic | Urban | Public DATE: 02-2012 LOCATION: Thessaloniki, Greece COLLABORATOR: G. Kontominas SUPERVISORS: A. Yerolympos, E. Athanasiou
urban regeneration
*Exhibited at Annual Studio Exhibition of Aristotle Univerisity of Thessaloniki School of Architecture vol.2, Thessaloniki, 2012
THESSALONIKI, GREECE
The site
ARCHITECTURE PORTFOLIO
2015
The concept
IOANNA TATLI
the region
the military camp_eastern border
Ιn the northwest suburbs of Thessaloniki, there is an area that remains largely unstructured. This area is called “Dialogi” and it is adjacent to an old train terminal, which is now being used as a storage facility for out-oforder wagons. The Municipality of Eleftherio-Kordelio, intends to transform it into a residential area. It is an attractive landscape (stream, stands of trees, fields), with some unexpected neighbors (old barns, stopped trains, deserted camp). Furthermore, Dialogi is currently inhabited by non affluent families. Thus, providing a friendly and attractive environment to house these layers is considered to be a reasonable, persuasive and beneficial goal. Our aim was to create an aesthetically pleasing and functional urban landscape, different from the usual standards of the Greek city. The initial idea involves the creation of a net of green spaces that “flow” along the north - south axis, linking together the preserved elements (area of the silos, Em. Papas’ Street, the stream). Moreover, promenades and woonerfs encourage pedestrian and bicycle use minimizing the use of asphalt. The area of the silos constitutes the northern border of the area and has been turned into a cultural theme park. The square is located at the core of the region. The facades that were formed, give a more “urban” character at the square and Emmanuel Pappas Street. Facades are also found near the stream, next to the large pedestrian promenade that runs along. However, the buildings there are lower in height and often interrupted by smaller footpaths, creating a pleasant environment for housing and walking. The stream promenade, the pedestrian streets, freeways and woonerfs throughout the entire area create open spaces, transformations of the landscape and improve the quality of life. The organization of the built environment is created by linear building volumes in the blocks, which are surrounded by greenery. The ground floor of the buildings that surround the square form arcades for commercial purposes. Generally, in the whole regeneration area, ground floors host main uses (residential or commercial) providing privacy and comfort. This is how all types of residence become attractive and enhance the feeling of security for the residents. The square is connected to the former military camp Ziaka via a pedestrian promenade. The camp is intended to constitute an environmental and cultural area.
trackage and old granaries_northern border
the stream_southern border
existing residences
The concept
spotting the stream and its special flora
green diagonal axis connecting the notable features of the site (the silo area_the stream)
network of green spaces
neighbourhood formation_circulation network
Site plan proposal railway lines
site section (scale 1:1000)
memorandum 1 local square 2 silo theme park - local cultural center 3 youth center 4 high school
2
5 kindergarden
former military camp Th. Ziakas
6 stream promenade
3 1
4
5
0 5 10
uses
proposed heights
20
50
100
circulation
33 / 34 stream promenade
site section (scale 1:200)
Typical block analysis
facade A1
ground floor plan
facade A2 memorandum
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Housing typology Housing type a’
The types of residential buildings vary from four storey block of flats to two storey houses. Differences are observed in the form and size to be aimed at people of various incomes and to avoid visual monotony.
Housing type b’
These are the types of housing that are placed on the facades (local square, Emmanuel Pappas street, stream). The apartments of these buildings are identical in size and layout, but each time adapted to the contours of the development.
Housing type c’ These are the houses that are placed at the borders of the facades implying that the facades fade away at their endings. Apart from the comfortable places it has a central atrium for better lighting and ventilation. Furthermore, louvers are placed on the facades horizontally or vertically, according to the orientation of the building.
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S
PROJECT TYPE: Academic DATE: 07-2011 LOCATION: Thessaloniki, Greece COLLABORATORS: G. Kontominas, P. Petrou SUPERVISORS: E. Castro, A. Tellios
marina, hotel and spa
*Exhibited at Annual Studio Exhibition of Aristotle Univerisity of Thessaloniki School of Architecture vol.1, Thessaloniki, 2011 *Finalist (3 Prizes, 10 Honorable Mentions, 20 Finalists) in the ISARCH International Student Competition (2nd Edition) *Exhibited at ISArch Exhibition in Barcelona, Spain, 2014
THESSALONIKI, GREECE
The site
ARCHITECTURE PORTFOLIO
2015
The concept
site photos
IOANNA TATLI
People coming from: city center
zone under development city’s periphery
airport
analysis diagrams
This project involves the design of a marina, a hotel, a spa and, the general configuration of a site in Mikra, a region of Thessaloniki, Greece. Mikra constitutes a fast developing industrial area, a landmark of which is the “Macedonia” airport. The northwest side of the plot is by the sea, whereas in the southwest there is the mouth of the little river Anthemountas. The idea was a result of observing the natural characteristics of the site and, mainly, the strong presence of water. So, we were led to a concept with curved forms and sculptural gestures that flow in the area. At the same time, our team took into account the other regions that “communicate” with the site, those that could be considered as “entrances” for visitors. Thus, the main element of the synthesis both functionally and aesthetically, is the existence of the marina. It is expected to serve the residents of Thessaloniki as well as more distant visitors due to its proximity to the sea and the airport. In the project, the existence of the marina is emphasized by its placement in the “heart” of the site. During the evolution of the main idea, the building of the hotel came in dialogue with the marina and was placed in a little “peninsula” that was formed for it in the center of the plot. The purpose of this gesture was to take advantage of the sea view and the orientation as well as the best connection between the different uses of the site. The main building mass extends to the north- south axis and consists of two floors; two curved forms that flow on each other, creating overhangs. The ground floor is divided into three zones, according to the purpose of use. One of these includes a multipurpose hall and the spa and it is open to all visitors regardless of whether they are hosted in the hotel. The second area involves the more “public” parts of the hotel (reception, breakfast hall, lobby, lifts and ramp) and the third one is the most private zone that includes the rooms.
Building design evolution
exploded axonometric diagram
Site design evolution
site plan (scale 1:500)
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37 / 38 east view
southern view | marina
Plans | Sections
first floor plan (scale 1:200)
ground floor plan (scale 1:200)
underground floor plan_spa (scale 1:200)
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section_eastern elevation (scale 1:200)
section_southern elevation (scale 1:200)
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presentation model (scale 1:200)
Construction drawings
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section T - T’ (scale 1:20) grate metal grid
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top set base TG-F 300 terrace drain grill
wall coating 15mm
Y-TONG BLOCK 0.1
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drainage board thermal insulation (polytile 50mm) waterproofing membrane 15mm concrete slab
y-tong wall 10mm adhesive surface
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wooden floor batten 40x80 mm hat channel 40x40 mm
planting filter fabric double brick
chainage wall coating 15mm
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soil 25cm filter fabric 1cm reservoir layer 3cm moisture-retention layer 1cm drainage board 70mm
1_interior wall detail (scale 1:5) 2_green roof detail (scale 1:5) 3_wooden floor detail (scale 1:5)
thermal insulation (polytile 50mm) concrete slab waterproofing membrane
construction details (scale 1:5)
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07
PROJECT TYPE: Workshop | Personal research DATE: 03-2013 COLLABORATOR: G. Kontominas SUPERVISORS: P. Baquerro, F. Giannopoulou
lighting installation
*Participation in Faberarium Workshop and Exhibition 2013: Design & Construct Data Tree Realations (Rhino, Grasshopper, CNC and Digital Fabrication Workshop) *Exhibited at Faberarium Workshop Exhibition, Thessaloniki, Greece, 2013
MOIRE INSPIRED
2015
Moire patterns Project description The project constitutes an installation that is inspired by the moire patterns and can be placed on the entire surfaceof a ceiling or just a part of it. It includes light spots that operate as attractor points, defining the deformation of the original curves throughout the 3 dimensional space. Rhinoceros and grasshopper have been used in order to study and create the digital case study model.
ARCHITECTURE PORTFOLIO
materials | quantities -54 polypropylene stripes 0.5mm -8 plexiglass pieces (frame) 4mm -6 screws and nuts -fishing line or wire machines used CNC laser cutter
IOANNA TATLI
Case study
defining the attractor points_light spots
points of intersection
Fabrication study
cut sheets
exploded axonometric diagram
fabrication process
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08
low budget pharmacy
PROJECT TYPE: Professional DATE: 09-2015 (currently under construction) LOCATION: Kato Poroia, Serres, Greece COLLABORATOR: G. Kontominas
KATO POROIA, GREECE
Initial state 2015
The site
ARCHITECTURE PORTFOLIO
Kato Poroia is a large settlement in the Serres prefecture of Macedonia, Greece, 10km away from the Greek - Bulgarian borders. The settlement is built at the foot of Belles, northwest of Lake Kerkini, and has 970 residents according to the 2011 census. The lion’s share of the residents is occupied with breeding livestock and agriculture. Metal and wood are the most common materials of the village, used in the construction of houses and facilities for centuries. Thus, they are part and parcel of the context. The objective was to renovate an already existing building and transform it into a low budget pharmacy, long-awaited by the community, as the closest pharmacy available is at a driving distance of an hour. During the design process, we took into account the local materials, the characteristics of the surrounding buildings, the distinctive features of the village’s traditional architecture and the very restricted space. This project is still under construction and we are currently supervising the whole procedure.
IOANNA TATLI
initial state_exterior
the site
initial state_interior
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floor plan (scale 1:50)
simple type plasterboard ceiling typical vertical section (scale 1:2)
construction process
exploded axonometric diagram Flooring alteration Superposition of plasterboard ceiling Modification of the facade Installation of new partitions
facade proposal
sections (scale 1:50)
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09
PROJECT TYPE: Professional | Public DATE: 1-2015 LOCATION: Pireaus, Greece DESIGN TEAM: Sparch (Rena Sakellaridou & Morpho Papanikolaou) Collaborators: E. Papaevangelou, G. Papanikolaou, E. Korompeli G. Kontominas, I. Tatli, A. Papadopoulou CONTRIBUTION: participation at preliminary study and final study, CAD drawings, working models, 3d models, renderings, presentation
museum of piraeus ARCHAEOLOGICAL THEMATIC MUSEUM
*Competition Entry, Open Architectural Competition (Preliminary Design) of the Archaeological Thematic Museum of Piraeus, Athens, Greece, 2014
2015
The site
IOANNA TATLI
ARCHITECTURE PORTFOLΙO
ONCE_NOW | from rocky earth to oversight of the whole
site photo
Materiality, land removal, simple geometric shapes and limit transformed into space in the existing building and the museological narrative. Consideration of the recovery of the earthly and rocky structure of the site led to the re-rendition of the gate’s concept as ‘a space of penetration and oversight’. The new Museum is a simple geometric volume with a three-way division. A ‘quarrying product’ that brings to mind the geomorphologic changes in the peninsula’s topography. A concrete block marks the base of the building’s volume while a porous prism, a stone’s volume after its cutting, demarcates its crest. The external structure, an element of optical penetration, surrounds the external motion flow, while in the internal articulation a ‘funnel of light’ surrounds the central course of ascent, descent. The living experience of the whole, of ‘once_now’, reaches its peak with the viewing of the city of Piraeus and Athens in a reflection game with water mirrors of the outdoor glyptotheque. The Museum square and the Public Park advance as a perceivably seamless and consistent space with legibility and size. Curves, fluid forms, create levels and access ramps, create an atmosphere of familiarity and optical diffusion, shaping the square.
the existing building
the archaeological site
Materials | Vegetation
hard materials_water impermeable surfaces
soft materials_water permeable or semi-permeable surfaces
special interest areas_activities
proposed vegetation
Top The main entrance of the building Bottom The view from the rooftop
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Site and building plans
01
masterplan_museum ground floor plan (scale 1:250)
museum 1st floor plan (scale 1:250)
2nd floor
3rd floor
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entrance area_transition to upper floors
exhibition rooms
ground floor section (scale 1:250)
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PROJECT TYPE: Professional | Public DATE: 11-2013 LOCATION: Paphos, Cyprus DESIGN TEAM: Sparch (Rena Sakellaridou & Morpho Papanikolaou) and Christos Marathovouniotis Collaborators: E. Papaevangelou, G. Papanikolaou Architecture students: G. Kontominas, I. Tatli CONTRIBUTION: Participation at preliminary study and final study, CAD drawings, working models, 3d models, diagrams, renderings, presentation AWARDS: 2nd PRIZE, International Architectural Competition for the design of the Germanina’s Agriculture Farm, Cyprus, 2013
germanina AGRICULTURE FARM IN CYPRUS
2015
The site site photo
The secret intelligence of an agriculture farm The site is an old farm, for which we were asked to propose a business and architectural approach as well as to form a complete philosophy of hospitality. The goal is to transform the site into a hospitality experience, the feeling of space and program into the art of experience, the actions into a viable and flexible development program.
ARCHITECTURE PORTFOLIO
The raw material, the limit, the diffusion, the center
IOANNA TATLI
The border: The listed buildings delineate the central outdoor space with their shape, they accumulate the cultural activities, touristic infrastructure, hospitality, relaxation and entertainment programs (Interactive Museum, Agri-tourism, Baths, Accommodation). The enhancement of uses with reversible constructions of (container) type in a discreet relationship with the listed buildings reinforces the concept of limit and functions as a transitional element from and to the central area (Central Square), into the diffusion area (Natural Element). The diffusion: The outdoor space that surrounds the existing building complex is designed as “productive scenery”, acquires discrete interfering and takes an equal part in the interactive experience of the Farm (Experimental and Educational Crops, Artist Guesthouses, Track Networks, Shaded Paths).
study model (scale 1:200)
The center: the role of the central outdoor area, the melting pot of two worlds, the old and the new, as well as of various functions is strengthened. Its size, which acquires public space characteristics, is transformed into a Central Square in the Farm, while a flexible use to the viability of the Complex is sited under the ground (Multiple Use Center). The new building mass is partly concealed, while the shape of the Square, a flowing installation of water and glass, makes the Farm an urban space.
site photos
The concept
the border_the typology of the farm
the center_the porous space
the diffusion_the productive landscape
bird eye view
farmland
commercial uses cultural uses
mixed uses twisting and moving_the osmosis of two different worlds
a new, coherent, active place
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Masterplan
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SEMINARS EXHIBITIONS LECTURE HALL ART WORKSHOPS SHOP
ART WORKSHOPS EXHIBITIONS SHOP
WORKSHOPS
ART WORKSHOPS
SHOP LECTURE HALL
EXHIBITIONS
underground multipurpose hall_alternatives
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Lavandula angustifolia (English lavender) Lavandula stoechas (lavender) Origanum dictamnus (Cretan dittany) Origanum vulgare (oregano) Origanum majorana (marjoram) Rosmarinus officinalis (rosemary) Salvia officinalis (common sage) Sideritis raeseri (Greek mountain tea) Thymus capitatus (thyme)
Sections
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Vitis viniferia Schinus molle Cupressus sempervirens Iris germanica Narcissus tazetta Viola odorata Stipa tenuifolia
Orchard
Organic vineyard
Cultivation of aromatic herbs
Landscape study
plum cherry tree apple tree peach tree pomegranate tree apricot tree
Alcea setosa Gaura lindheimeri red Lavatera bryoniifolia Leukophyllum frutescens Rosa damascena Rosa iceberg Verbena bonariensis
western section
Birdhouse area
Flower field
Kitchen garden seasonal vegetables edible flowers soft fruit bushes; strawberry raspberry bilberry
Trees with edible fruit; Olea europaea (olive tree) Ficus carica (fig tree) graminaceous plants with edible fruit; oat, wheat, barley, rye trailing plants; Medicago sativa
urban farming
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Cultural center
Top Underground cultural center_exterior Bottom Underground cultural center_interior
Guest room construction details
section T1 - T1’ (scale 1:50)
container plan (scale 1:50)
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section T2 - T2’ (scale 1:50)
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11
anatolia
ELEMENTARY SCHOOL IN THESSALONIKI
2015
The site
PROJECT TYPE: Professional | Private DATE: 11-2015 LOCATION: Thessaloniki, Greece DESIGN TEAM: Sparch (Rena Sakellaridou & Morpho Papanikolaou) Collaborators: E. Papaevangelou, G. Papanikolaou, G. Kontominas, I. Tatli, C. Moustakas, P. Liakou, E. Voulgaridou CONTRIBUTION: Participation at preliminary study and final study, landscape design, CAD drawings, 3d models, diagrams, renderings, presentation boards AWARDS: 1st PRIZE, Invited Architectural Competition for the design of the elementary school of the Anatolia American College, Thessaloniki, 2016
Folding space_Unfolding experience
IOANNA TATLI
ARCHITECTURE PORTFOLIO
The school as a little village Architectural approach: The inspiration derived from children’s drawings and the first sketch that a young child does when asked to imagine where he/she wants to live. Usually, it is a rectangular object with a roof, a door and windows, i.e. a little house. A sketch that is immediately appealing to both the young and the old, a simple, attractive image with vividness and character. As experts claim, a child draws these sketches using desire, memory and fantasy as basic materials. The concept: The initial associations, the first design references have to do with simple geometric shapes and notions of intimate, spatial experience. These primary geometric shapes carry knowledge within, have an educational character, motivate the senses and operate as creativity initiators. The school’s educational targets, such as program and space, were approached as a synthesis of a continuous flow of inter-changeable spatial experience. Smallness was chosen for the “dismantling” and the “re-mantling” of the design process. The volumes of the cells – classrooms were composed by folding and unfolding basic geometric shapes. The required functional variety was resolved through simplicity. The indoor and the outdoor spaces of the program were approached as an integrated and varied school microcosm. Choosing antithesis in order to compose the indoor and the outdoor, basic shapes such as the square, the rectangle, or the triangle were used for indoor spaces, while circles, curves and fluid forms were applied tooutdoor spaces. The school was perceived as a spatial atmosphere, an experience that generates intimacy and familiarity, while, at the same time, it motivates fantasy as it awakens the educational experience and transforms it into knowledge. .
site photos
The concept
bird eye view
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Site plan
masterplan (scale 1:250)
ground floor plan_part 2 (scale 1:100)
elevation (scale 1:100)
section (scale 1:100)
Construction phases
01_site identification
02_phase a preparations_ unobtracted educational process
03_phase a
04_scaffolds’ erection_phase b preparations
05_phase b
06_shaping the landscape
07_two systems as a whole
08_a new chld-centered environment
Energy building design
orientation and shading
green area_reduction of ecological footprint
orientation and ventilation
21 June_09:00
21 June_12:00
21 June_15:00
21 December_09:00
21 December_12:00
21 December_15:00
solar shading analysis throughout the day and across seasons
Interior proposal
From top to bottom Classroom layout Library Dining room Between the classrooms_corridors
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I OA N N A TAT L I
ioanna_tatli@berkeley.edu 2508 Benvenue Avenue Berkley, 94704, CA (510) 508 - 3677