2018 - 2020
ARCHITECTURAL
Ä°REM KUL
PORTFOLIO
Content 01
Personal Info
05
2020 - Bakırköy Cumhuriyet Square Urban Design Competition Team: Dicle Hökenek-Ezgi Oğur-Aybil Güngör-Yağmur Aydemir-Kardelen Ülkü-Cevat Mollaoğlu
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2020 - ÇEİS Building Design Competition
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2019 - Rönesans Holding Sustainable Design Future Student Idea Competition
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Arch-402 Institute for Urban Research
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Arch-401 Car Dealership and Maintanence
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Arch-302 Library - [X]
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Small Intervantions and Implementations
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Parametric Design
Team: Ezgi Oğur-Aybil Güngör- Dilşat Dereli
Team: Yusuf Aykın
Individual
Individual
Individual
Team: Aybil Güngör, Burak Dişçeken, Ezgi Oğur, Kardelen Ülkü
Team: Aybil Güngör
İREM
ARCHITECT
CV
PROFILE İREM KUL
KUL
Hello, my name is İrem. I was born in Bursa. I currently live in Istanbul. I studied architecture at Kadir Has University. I continue to develop in architectural design, modeling, technical drawing.
EDUCATIONS 2011-2015 : SEDAT KARAN ANATOLIAN HIGH SCHOOL 2014- UCLA LANGUAGE SCHOOL
2015-2020: KADİR HAS UNIVERSITY (%100 ENGLISH) , ART AND DESIGN FACULTY ARCHITECTURE
Lumion 3D
EXPERIENCES Summer 2017
Portfolio https://issuu.com/iremkul
Linkedin https://www.linkedin.com/in/iremkul/
Modül Mimarlık / Bursa Office Intership
Grasshoper
SketchUp
VISUALIZATION Adobe Photoshop
REFERENCES Architect Parallel 41 Mimarlık Lecturer at Kadir Has University
Email ireemkul@gmail.com
Rhinoceros 2D/3D Autocad
Summer 2018
AHMET M. ÖZGÜNER :
Phone 0544 770 12 20
MODELLING & RENDERING
2017 - FAYASOFT AUTOCAD COURSE
‘97 , İstanbul / TURKEY
CONTACT
PROFESSIONAL SKILLS
BÜŞRA AL : Architect Founder of Plug Ofis Adjunct Lecturer at Kadir Has University
CEM CEMAL ÇOBANOĞLU : Interior Architect Founder of Abra Design Studio Adjunct Lecturer at Kadir Has University
EZGİ TUNCER : Architect Assistant Proffesor Dr. Department of Architecture Kadir Has University
DİCLE HÖKENEK : Architect Adjunct Lecturer at Kadir Has University Founder of Dicle Hökenek Architecture
Summer 2019
Dilmen Yapı / İstanbul Construction Site Internship Suryapı Tempocity Project DBA Mimarlık / İstanbul Office Intership
COMPETITIONS
Adobe Illustrator Adobe Indesign Power Point
CRAFTING Hand Modelling
2020 - Bakırköy Cumhuriyet Square Urban Design Competition
Conceptual Model Hand Drawing
Team: Dicle Hökenek-Ezgi Oğur-Aybil GüngörYağmur Aydemir-Kardelen Ülkü-Cevat Mollaoğlu
2020-CEIS Building Design Competition Team: Ezgi Oğur, Aybil Güngör, Dilşat Dereli
2019-Rönesans Holding Sustainable Design the Future Studnt Idea Competition Team: Yusuf Aykın
LANGUAGES TURKISH ENGLISH
Competitions
05
2020 - Bakırköy Cumhuriyet Square Urban Design Competition Team: Dicle Hökenek-Ezgi Oğur-Aybil GüngörYağmur Aydemir-Kardelen Ülkü-Cevat Mollaoğlu
17
2020 - ÇEİS Building Design Competition
27
2019 - Rönesans Holding Sustainable Design The Future Student Idea Competition
Team: Ezgi Oğur-Aybil Güngör- Dilşat Dereli
Team: Yusuf Aykın
01
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2020 - BAKIRKร Y CUMHURฤฐYET SQUARE URBAN DESIGN COMPETITION
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“ THERE IS A VIEW OF CIRCULATION ON THE STREET, IT IS A PROGRESS AND AN OFFICIAL GATEWAY, IT IS BOTH JOURNEY AND PERFECTION; IT IS A MARCH THAT SERVES TO PROGRESS TOWARDS THE BETTER. “ LEWIS MUMFORD , THE NATURAL HISTORY OF URBANIZATION 1956
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2005
2011
2019
TIME-DISTANCE RELATION
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GREEN AREA DISTRIBUTION
EARTHQUAKE MEETING AREAS
RAILWAY LINE
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1. METRO LINE
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2.TRANSPORT LINES
3. REGISTERED BUILDINGS
4.FLOOR HEIGHTS
5.FULL-EMPTY BALANCE
Architectural Portfolio
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1) PEDESTRIAN ROTATION-GREEN AXLE
2) LEAKING THE GREEN AXLE - APPROACH TO EXISTING BUILDINGS
Transporting the pedestrian circulation passing through İncirli Caddesi to the square without interruption.
Leakage of green tissue into the two main artery walls. Framing the registered buildings in the area with green texture.
3) VEHICLE ROTATION
4) WATER USE IN AREA - CLIMATE BALANCE
Determining a new vehicle route by giving the existing vehicle roads to the periphery without restricting the circulation in the square. Decreasing the vehicle density at the square level.
Suggestion of water and green to dissipate the urban heat island caused by existing asphalt. The reference of the water to the natural flow of the user and directs it towards the square from İncirli street.
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METRO ENTRANCES AND PUBLIC TRANSPORT UNITS
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SUGGESTION FOT USE OF SQUARE, THE RELATIONSHIP BETWEEN İNCİRLİ AVENUE AND SQUARE COAT
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RELATIONS, BETWEEN PLAYING AREA SQUARE CODE AND METRO EXITS
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RELATIONS BETWEEN THE SQUARE COT, THE UNDERGROUND BAZAAR ENTRANCE AND THE LOCAL
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Dry pool and light suggestion 7 . Durak
Sales and market space suggestion
Concert and outdoor cinema suggestion
Exibition area suggestion 13
ROADING AND STOPING MOMENTS “THE SPACES WE” PLACE-ACQUIRE “IN THE PHYSICAL ENVIRONMENT WE LIVE IN ARE ALSO NATURAL PARTS OF VERY DIFFERENT TEMPORALITIES. FROM THE SILHOUETTE THAT SOMETIMES TAKES PLACE IN OUR MEMORY THAT WE ADOPT JUST BY LOOKING AND SEEING THE IMAGES CONSISTING OF ONLY ARE SOMETIMES THE EVERYDAY ELEMENTS OF THE INCREASINGLY STRATIFIED COMPLEXITY OF THE METROPOLIS. IN HIS REMARKS ON ‘WALKING IN THE CITY’, MICHEL DE CERTEAU STATES THAT BEHIND OUR GENERIC PERCEPTION OF THE CITY WE LIVE IN, WHAT GOES BEYOND THE URBAN IMAGE WE BECOME ALIENATED AND REESTABLISHES IT EVERY TIME IS DAILY LIFE PRACTICES (2008). REGARDLESS OF THE SCALE, PLACES, TIME / SPACE ISLANDS ARE ESTABLISHED IN OUR MEMORY AT THE HUMAN SCALE AS A COLLECTION OF SUCH MICRO-LIFE EXPERIMENTS. WE CAN THINK OF PEREC AND CERTEAU’S CONCEPTION AS THE RESULT OF AN URBAN READING WHOLLY, AND THAT THIS CONCEPTION IS VITAL CRUMBS THAT SEEP INTO EVERYDAY LIFE. “ 1- WELCOME: İNCIRLI CADDESI AXIS -NORTH METRO EXITS PROTECT ZONE 2- MEETING-MEETING: CUMHURIYET SQUARE AND GREEN FRONTIER ZONE 3- HAUNT SPACE: URBAN PERIPHERY SQUARE PARK 4- LOCAL: UNDERGROUND MARKET LANDING LOCAL ZONE 5- INTERCHANGE: ISTANBUL STREET AXIS MAIN ARTERY INTERSECTION ZONE 6- PAUSE: ÇARŞI STREET PARK ZONE 7- CONFLICT: COASTLINE GREEN AND REUNION ZONE
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7 . Durak
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Architectural Portfolio
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MOBİ-TON PUBLICITY IN THE CITY WHEN WE EXAMINED HISTORY, THE CITIES HAVE BEEN SHAPED BY THEIR CITIES IN EVERYREGION, THERE WAS SHAPED THE SOCIETY IN ITS REGION, AND AFFECTED BY THE SOCIETY.THERE IS A CONTINUOUS CHANGE WITH CITIES AND SOCIETY THANKS TO THIS MUTUAL INTERAC TION. THIS CONDITION CAUSED DIFFERENCES BETWEEN CITIES AND SOCIETIES. CITIES CAN BE DESCRIBED AS ‘LIVING’ ORGANISMS, BECAUSE OF CHANGE AND ITS INTERACTION WITH THE COMMUNITY. THE MOST IMPORTANT ELEMENT WHY IS THIS SITUATION IS “PUBLIC AREAS”. ACCORDING TO SENNETT, THE CARRIER OF THE PUBLIC AREA DEMOCRACY IS THE HEART OF THE CITY, THE SPIRIT OF THE CITIZENSHIP, AND THE AMBIENCE OF THE CITY. ACCORDING TO İLHAN TEKELİ, PUBLIC AREA IS A VIEW AND MEETING OPEN TO EVERYONE. PUBLIC AREAS PUBLIC FOODS ARE CHANGED AND SHAPED BY THE CITY-FEED PUBLIC. FOR THIS REASON, PUBLIC AREAS ARE IMPORTANT FOR CITIES THAT MAKE SOCIALIZATION AND CONTRIBUTE TO QUALITY OF LIFE.
Mobi - ton
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KARAKOY-EMINONU-BEYAZIT AND DESIGN PRINCIPLES THESE THREE REGIONS ARE THE IMPORTANT CENTER POSITION FOR ISTANBUL, FROM THE DAY THAT HAS BEEN. EMİNÖNÜ-KARAKÖY-BEYAZIT REGIONS HAVE TRACES OF DIFFERENT PERIODS OF CHANGES. FIELDS THAT ARE MANY PEOPLE FROM SEVEN TO SEVEN, EN VIRONMENTS ARE VERY SUITABLE FOR THE PUBLIC FIELD CONCEPT. THE PAVILION DESIGNED IN THREE REGIONS ARE PLACED IN ACCORDANCE WITH THE DESIGN PRINCIPLES, SERVING ALL THE DESIGN PRINCIPLES AND PROGRAMS ARE SHAPED BY THE PROPERTIES OF THE FIELD. ACCORDING TO THE STREET AXES AND THE STABILITY OF THE STREETS, THE PAVILION DESIGNED BY CREATING FLATS IN CURRENT RATIOS, TAKES THE VISITORS. LONGER AND LARGE STREETS ARE ESTABLISHED ON STREETS AFTER HUMAN DENSITY, LARGE FLATS ARE DRAWN AND LARGE SPACES ARE CREATED. THE PROGRAMS OF THE PAVILION THAT FITS THAT THAT IN THREE REGIONS CHANGES ACCORDING TO THE PROPERTIES OF THE RATE. THE UNIT CREATING THE SALE AREAS IS TURNED TO THE FIELDS IN BEYAZIT, THE FISHERS IN KARAKÖY, THE DELIGHT IN EMİNÖNÜ, THE SPICES OF SPICES. PAVILYON SELLING UNIT IS OFF, IT CAN PROVIDE ANY KIND OF WEATHER. WHEN THE PLAYGROUND IN ALL THREE REGIONS ARE PAINTED ON, CHILDREN AND PLAYING THE BALANCE GAMES, THE PERFORMANCE EXHIBITION OF THE STREET ARTISTS IN KARAKÖY, THE WORLD OF THE STUDENT ARTISTS IN KARAKÖY, IS A SHIP TO THE WORLD OF THE STUDENTS. PEOPLE WHICH MIX THE SITES IN THE OPENINGS CAN SHARE THE BOOKS THEY READ HERE WITH OTHER READERS. THE EXHIBITION AREA FIXED IN EACH REGION PROVIDES HUMANS TO TAKE A SHORT EXHIBITION TOUR. WITH THIS FEATURES, THE PAVILION CAN BE TAKEN ANYWHERE,ACCORDING TO THE PROPERTIES OF THE RATE, COMPATIBLE AND VARIETY THE PROGRAMS INCLUDED.
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SIZES ACCORDING TO BEYAZIT STREET DENSITY
DECREASE OF PARTS FROM ALL VOLUME MADE
THE OPENING OF VACANCIES ACCORDING TO STREET AXES
SEMI-CLOSED AREA IDENTIFICATION
CLOSED AREA IDENTIFICATION
SIZES ACCORDING TO KARAKÖY STREET DENSITY
DECREASE OF PARTS FROM ALL VOLUME MADE
THE OPENING OF VACANCIES ACCORDING TO STREET AXES
SEMI-CLOSED AREA IDENTIFICATION
CLOSED AREA IDENTIFICATION
SIZES ACCORDING TO EMİNÖNÜ STREET DENSITY
DECREASE OF PARTS FROM ALL VOLUME MADE
THE OPENING OF VACANCIES ACCORDING TO STREET AXES
SEMI-CLOSED AREA IDENTIFICATION
CLOSED AREA IDENTIFICATION Architectural Portfolio
Mobi - ton LOCATION OF MODULES ACCORDING TO BEYAZIT STREET AXES AND ENVIRONMENTAL FUNCTIONS
LOCATION OF MODULES ACCORDING TO EMİNÖNÜ STREET AXES AND ENVIRONMENTAL FUNCTIONS
LOCATION OF MODULES ACCORDING TO KARAKÖY STREET AXES AND ENVIRONMENTAL FUNCTIONS
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FLY ASH THE FLY ASH IS PROVIDED BY THE COMBUSTION OF THE COAL WHICH WAS DUST. WASTE PROVIDED DURING ENERGY PRODUCTION IN THERMAL POWER PLANT IS ENVIRONMENTAL AND ECONOMICALLY IMPORTANT. USING FLY ASH WITH A WASTE VALUED AND PARTICIPATED IN THE ECONOMY HAS MANY CONTRIBUTIONS TO THE ENVIRONMENT. PRODUCING 1 TON CEMENT MAKES 1 TON CARBONDIOXIDE BUT IF 1 TON OF CEMENT IS PRODUCED, 1 TON CARBONDIOXIDE CAN BE PREVENTED FROM ATMOSPHERE. IT IS IMPORTANT FOR AN ENVIRONMENTAL DESIGN TO REDUCE THE NEED OF WATER IN CONCRETE AT SOME TIME. IF A FLY ASH IS USED IN THE READY-MIX CONCRETE: A. STRENGTH INCREASES B. PREVENTS EQUIPMENT CORROSION, FOR THE GAP IS FILLED. C. PREVENTS CONCRETE CRACKES FOR THAT IT HAS REDUCED THE HYDRATATION TEMPERATURE D. PROVIDES IMPOSSIBILITY THERE IS SERIOUSLY E. REDUCES THE WATER NEED OF CONCRETE IN CERTAIN RATIOS F. PROVIDES INSULATION IN LESS THAN
RECYCLING IN CONCRETE ENVIRONMENTAL AND ECONOMICALLY GAINING OF CONSTRUCTION WASTES CONCLUDED IN ISTANBUL WITHIN THE URBAN TRANSFORMATION PROCESS. CONCRETE OBTAINED FROM DESTRUCTED BUILDINGS SHOULD NOT BE SEEN AS A GARBAGE. REQUIRED CONCRETE TO BE USED IN PAVILION IS RECYCLED CONCRETE. THE RECYCLING PROCESS OF THE CONCRETE IS SIMPLE AS FOLLOWS: 1) CONCRETE AND ASPHALT MATERIALS WHICH ARE DISCONTINED WASTE ARE COLLECTED BY WORK MACHINES ARE LIKE THE WEIGHT BALLS. THE RELATED RECYCLING PLANT IS BRINGED. 2) HERE WASTES ARE SUBMITTED TO THE CONCRETE BREAKING MACHINE AND SEPARED IN SMALL PARTS. THERE IS SOIL PREPARED FOR THEIR SMALL BUILDERS AND THEIR SECOND USES. 3) SPECIFICATION RAW MATERIALS ARE GRAVELED BY SEPARATE CONCRETE SHEETS.
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Education
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Arch-402 Institute for Urban Research
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Arch-401 Car Dealership and Maintanence
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Arch-302 Library - [X]
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Small Intervantions and Implementations
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Parametric Design
Individual
Individual
Individual
Team: Aybil Güngör, Burak Dişçeken, Ezgi Oğur, Kardelen Ülkü
Team: Aybil Güngör
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URBAN TRANSFORMATION AND RESEARCH CENTER
PROJECT ARCHITECTURAL DESIGN / ARCH - 402 ( Tutor: Firuzan Melike SĂ&#x153;MERTAĹ&#x17E; )
Limits; physical, cultural, social fiction are the elements that distinguish the people who live in the environment, or surround them to keep them in a place, and regulate their relationships. This starting point and my analysis process in my project is about addressing the alternatives created by going deep into this border and experiencing its binding attitude. As a result of the urban and historical research I did in my project process, I defined my center as an urban transformation and research center and I advanced my program in this direction. I handled the concept of border as a critique of the border, and then I aimed to provide this contradiction with the walls I created.
Research Center
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Architectural Portfolio
My design consists of four main blocks, and each mass has different functions. These functions integrate with the differences created by the walls and support the programs of the masses. While the walls are a real wall from time to time, at some points they serve semi-open spaces as top covers, sometimes turn into seating areas, sometimes form the viewing terraces. When we look at it from KasÄąmpaĹ&#x;a, it looks like a massive mass with many walls, and when we look at the Pera part, we see a structure with a lively life.
Research Center
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Research Center
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Research Center
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Research Center
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Research Center
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GALLERY OF BMW
PROJECT ARCHITECTURAL DESIGN / ARCH - 401 ( Tutor: Ahmet M. Ă&#x2013;ZGĂ&#x153;NER )
The fact that there is a large green area at the back of our land in Tarabya and a bidirectional slope caused significant effects on the design decisions I made. My basic idea is to create a large and remarkable facade on the front of the land and create a more social space that works with the green with different programs at the back. My design idea consists of three different masses. These were then disintegrated and transformed into different programs. First, I created a structure parallel to the main road and with a large facade. When we look from the front, the building on the right is the gallery and the left is the offices. Then I created a different structure plugin that divides it into two and takes in people coming in. The front part of this annexed structure forms a semi-open passageway. It offers people the opportunity to experience a variety of exhibitions on their way to the main sites. When we proceed from the same structure, there is a mixing and waiting area at the entrance level. This floor also has descent to the refectory and service area. The lower floor of the building consists of a refectory and staff rooms and the lower floor consists of a service area. In the other mass, there is a dormitory on the three sides facing the green and a training unit on the upper entrance level. In the middle of these three masses, it is aimed to create a social area with a large amphitheater and to integrate the green area at the back
Gallery of BMW
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PORCESS DIAGRAMS
creating an iconic structure on the faรงade and adding a structure that divides it into two and creates a transition axis.
Gallery of BMW
to solve the program in three places and to create pitched roofs
two of the buildings divided into three spaces are integrated to each other and fragmented within themselves
having a single iconic structure on the front facade and two structures on the back joining together programs
the collection of masses in a single structure where there are three different programs that I have created
forming a transition axis from the corner point of the single mass formed
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BACK VIEW ELEVATION
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Architectural Portfolio
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+9.00
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+5.00
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B
+10.00
+0.00
+5.00 PLAN
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OFFICE
+13.00
OFFICE
+15.00 +9.00
OFFICE
+5.00
WAITING AREA & DINING AREA
±0.00
±0.00
CLASSES
CAR PARK
-5.00
-5.00
-5.00
REPAIR & MAINTENANCE
-11.00
B-B SECTION
Gallery of BMW
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B
+2.00
+0.00
-5.00 +0.00
+4.00
+4.00 +0.00
B
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GROUND FLOOR PLAN
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+8.00
+0.00
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FRONT VIEW ELEVATION
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DOR
MITO
RY
-12.00
-5.00
-5.00
+17.00
-5.00
Boyalı Çelik Kutu Profil Mekanik taşıyıcı sistem +0.00
B
-5.00
-5.00
+0.00
-4.00 PLAN +6.00
+11.00 +19.00
Döşeme: Doğal Taş Kaplama(30x60cm) Duvar: Sıva+Boya Tavan: Sıva+Boya
OFFICES
+14.00
OFFICES
+10.00
OFFICES
+5.50
GALLERY
ENTRANCE
+0.00
+0.00 CAR PARK
-5.00
ATELIERS
REPAIR & MAINTENANCE
-10.80
Gallery of BMW
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+17.00
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+16.30
650
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Çelik kontsrüksiyon + kaplama 50 cm Koruma betonu 5 cm Geotekstil Su yalıtımı (2 katman) Eğim betonu Geotekstil Isı yalıtımı 5 cm B.A döşeme 50 cm
OFFICE
550
çelik kaplama profil + ısıcam
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Doğal taş 3 cm Yapıştırma harcı 3 cm Düzeltme betonu 9 cm B.A döşeme 40 cm
+11.00 +10.85
OFFICE 450 500
Epoksi zemin Düzeltme betonu 9 cm Radye b.a temel 85 cm Grobeton blokaj 10 cm
+5.85
ENTRANCE HALL & DINING AREA
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600
15
+6.00
15
Doğal taş 3 cm Yapıştırma harcı 3 cm Düzeltme betonu 9 cm B.A döşeme 85 cm
Döşeme: Doğal Taş Kaplama(30x60cm) Duvar: Sıva+Boya Tavan: Sıva+Boya
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+0.00
500
+6.00
+0.00 -0.15 Döşeme: Doğal Taş Kaplama(60x120cm) Duvar: Sıva+Boya Tavan: Sıva+Boya
Döşeme: Epoksi Döşeme Kaplaması Duvar: Sıva+Boya Tavan: Sıva+Boya
-9.00 PLAN
Döşeme: Epoksi Döşeme Kaplaması Duvar: Sıva+Boya Tavan: Sıva+Boya
-5.00
-11.00
400
CAR PARK
Doğal taş 3 cm Yapıştırma harcı 3 cm Düzeltme betonu 9 cm B.A döşeme 85 cm
-5.00
15
Boyalı Çelik Kutu Profil Mekanik taşıyıcı sistem
-5.15
Boyalı Çelik Kutu Profil Mekanik taşıyıcı sistem
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REPAIR & MAITENANCE
500
600
Epoksi zemin Düzeltme betonu 9 cm Radye b.a temel 85 cm Grobeton blokaj 10 cm Sıkıştırılmış serbest zemin
+11.00
+6.00
Döşeme: Doğal Taş Kaplama(30x60cm) Duvar: Sıva+Boya Tavan: Sıva+Boya
+0.00
Döşeme: Doğal Taş Kaplama(60x120cm) Duvar: Sıva+Boya Tavan: Sıva+Boya
Döşeme: Epoksi Döşeme Duvar: Sıva+Bo Tavan: Sıva+Bo
-5.00
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15
-10.85 -11.00
Döşeme: Doğal Taş Kaplama(30x60cm) Duvar: Sıva+Boya Tavan: Sıva+Boya
Boyalı Çelik Kutu Profil Mekanik taşıyıcı sistem Boyalı Çelik Kutu Profil Mekanik taşıyıcı sistem
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Boyalı Çelik Kutu Profil Mekanik taşıyıcı sistem
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Architectural Portfolio
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LIBRARY-[X] / PLAYFUL
PROJECT ARCHITECTURAL DESIGN / ARCH - 302 ( Tutor: Ezgi TUNCER )
Library - [ x ]
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LIBRARY- [X] / PLAYFUL The library is one of the important values of society. It is an important place to transfer and protect information from past to present. Today, new uses have been added to these purposes. Libraries have evolved into a more social area that stands out with different activities such as people working together or individually, and people spending time. My library is x playful. With this x, I aimed to create a space where the library is more active and human flow with a social and fun life. In my Eminönü analysis, this was a major trade center and a wide range of products. Then I crossed the traces of this historical, cultural texture along with my analysis in playful. For example, at certain times, I dreamed that there were some entertainments such as spice festivals, coffee festivals, local shows and games, exhibitions held, workshops organized, and shaped my design in this direction. I moved to the land between the front street and the back street, and I built an inner courtyard. When I examined the squares in Eminönü, it was far from green and cold. That's why I designed the courtyard, which I created, as a social and green space. The height of the structure is related to the surrounding structures and is formed from the front to back. As this rise occurred, I formed terraces that rose gradually with the structure. I moved these terraces to the historical building.On the floor, there are stains in the center which have a seating area and smaller around it.There are tears on the terraces for the trees in these spots.
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Architectural Portfolio
Library - [ x ]
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Architectural Portfolio
Library - [ x ]
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Architectural Portfolio
Library - [ x ]
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Library - [ x ]
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Library - [ x ]
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Library - [ x ]
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Architectural Portfolio
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EXCITEMENT
SMALL INTERVANTIONS AND IMPLEMENTATIONS (Tutors: Birge Yıldırım Okta - Gürkan Okta )
Human beings have many emotions and these feelings are waiting to be revealed in a hidden place within us. When we meet someone in every moment of our lives, we are fi lled with a feeling that we cannot defi ne at the time of the fi rst encounter. When we want to describe it, we say that butterfl ies are fl ying inside us, and when we see the rainbow, there is a feeling of childish joy in us. We thought that if we concretized these feelings, how could we implement it? When we entered, we started to design a space in order to experience the feeling that we cannot defi ne again. We decided to use the best material that could be used to give the feeling of fl ight, the rope, the fluent and transparent material and the lights that would wash our lines to refl ect the rainbow feel. Because the material should be too thin to be visible, and the color should pass the color transition effect. Thus, we aimed to make the feeling change with different color transitions.
Excitement
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Excitement
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Excitement
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FLYING FARM
PARAMETRIC DESIGN Tutor: (Sabri Gรถkmen )
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Architectural Portfolio
Flying Farm
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Flying Farm
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Architectural Portfolio
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