IrieZine #4 (October 2011) by IrieZine

REAL JAMAICANS’ LIFE, REAL JAMAICANS’ MUSIC

FAMILY BUSINESS Danny and Niko Browne’s Musical Dynasty

MAHIMA

LUTAN FYAH DEFENDS THE

INTERNATIONAL POWER OF AUHENTIC REGGAE

Concert for a Cause

CARLTON BROWN High Fashion Gets Down to Earth

BEHIND THE SCENES OF MISS JAMAICA WORLD: The Beauty Beyond the Stage

IRIEZINE

OCTOBER 2011

CONTENTS

IRIEZINE

Lutan Fyah: In Defense of Reggae Music Miss Jamaica World 2011

4 IRIE VIBES

34 38

6 IRIE GLOBAL REPORT Atlanta- Dirty South Dancehall

8 IRIE IMPACT

Farmville Jamaica Live: Reaping What We Sow

10 IRIE FYAHSIDE 2

Janga Soup: Jamaican Crayfish Soup

Mahima: Music for Life

12 IRIE SCENE

Smoking Jacket: Girls Night Out

14 IRIE COVER STORY

Lutan Fyah: In Defense of Reggae Music

20 IRIE FOUNDATION Danny and Niko Browne

22 IRIE MUSIC

Conkarah: Staking His Claim

IRIEZINE

Carlton Brown: Tailor Made

26 Danny and Niko Browne

26 IRIE STYLE-DESIGNER Carlton Brown: Tailor Made

32 IRIE ART

D. Andy: Art that Clicks

34 IRIE EVENT Miss Jamaica World 2011 Mahima: Music for Life

IRIEZINE

IRIE

VIBES

Author: Dominic Bell

The Platinum Prince Rides

Once More Dancehall’s ‘Platinum Prince’ Sean Paul released a video for his Alexis Jordan assisted Got 2 Luv U, the first single from his tentatively untitled 5th album. The song covers Ryan Tedder of OneRepublic’s more emotional Not to Love You, revamps the track with a raw, sexy, dancehall edge. The oh so hot Got 2 Luv U video was directed by Ben Mor, and was shot on location at the legendary Hard Rock Hotel in Las Vegas, Nevada. The video features several shots of the hotel’s luxurious interior, breathtaking structure, and infamous nightlife, along with prominent product placements from brands such as Mini Cooper, Rémy Martin and more. The Got 2 Luv U video garnered over a million views on YouTube within a week while clocking an impressive count of over four million views and counting (at time of print). The record has also entered the Billboard Hot 100 chart so congrats to Sean Paul!

Khaled says "Gully" Contemporary Dancehall stalwart Mavado has signed a recording contract with International superstar DJ Khaled’s American record label We The Best Music Group. Mavado has had a banner year for 2011 with a string of hit singles like Star Bwoy, Pepper, Tump, Settle Down, Delilah, and several more. Now the flagship dancehall strike anew with the foreign record label which has scored hit singles from DJ Khaled’s compilation albums and rapper Ace Hood. Since the signing, Mavado has collaborated with Ace Hood on the track Emergency produced by Jamaican born hiphop heavyweight Boi-1da

The Teacha’s in Detention The long awaited premier of Vybz Kartel’s reality dating show Teacha’s Pet aired on September 23rd at 10:00 pm on local television station CVM. The “too raw for TV version” however has been pulled from Lime Mobile TV due to the pending trial of the dancehall artiste regarding the charges of murder, conspiracy to murder, and the illegal possession of a firearm, which were laid against him on October 3.

IRIEZINE

Jamaica played their part as one of the host nations of the Arthur’s Day celebrations on September 22nd. On Arthur’s Day, lovers of the Guinness brand pay homage to the legacy of brand’s creator Arthur Guinness through a series of concerts worldwide. The Jamaican leg of the celebrations featured a concert at the National Indoor Sports Centre supported by acts Assassin, I-Octane, and soca band KES. The concert was broadcasted and streamed live on the Guinness Caribbean Facebook page and various other formats to the delight of many viewers throughout Jamaica and the Caribbean region. Though the event was much scaled down from the previous year’s outdoor stadium concert, it was pegged as one of the year’s best events so far.

Producing and Directing duo Carlene Samuels and Jay Will of Creative Source continue their firm hold on local reality television with the airing of their sound clash series Guinness Sounds of Greatness. Guinness Sounds of Greatness is hosted by Semille Blake and Leighton “Walshy Fire” Walsh, and also features commentary from “Chris Swag”, a 3D cartoon character voiced by Chi Ching Ching .The show features 12 sound systems over an 11 week period compete in themed “sound clashes” for the “Guinness Sound of Greatness” title, one million dollars, and Serato sound system equipment. Viewers can tune in to Guinness Sounds of Greatness every Saturday from 9:30 to 10:30 pm on local television station TVJ.

On September 11, 2011, Danielle Crosskill, who wore the sash of Miss Ocean Spray, was crowned Miss Jamaica World 2011 in the most controversial pageant the nation has seen to date. The conflict stemmed from pageant favourite Chavoy Gordon, who fouled while answering during the onstage interview segment. When asked her views on the False Start Rule in athletics, Gordon not only asked for the question to be repeated, but choked on her second chance. When the nerve stricken beauty who had won a myriad of sectional prizes ( including surprisingly: Most Aware, Best Legs, Best Skin Tone and the Beauty with a Purpose Award) asked for another opportunity to answer, she was cordially asked to exit the stage by way of a “thanks” by the MC Denise Hunt. To the shock of the audience Gordon returned to the stage moments later where she once more failed to give a satisfactory answer. The crown went to the vivacious underdog Danielle Crosskill. Gordon was subsequently crowned Miss Jamaica Intercontinental 2011.

IRIEZINE

IRIE GLOBAL REPORT:

Atlanta- Dirty South Dancehall

tlanta, Georgia is a home away from Yard for many Jamaicans and children of such decent. The city has long been a hub for West Indians migrants, and hosts one of the strongest Jamaican communities in the United States. Throughout the southern metropolis you will taste authentic Jamaican cuisine, hear patois spoken amongst friends in public venues, and see the colors black, green, and gold displaying national pride in the windows of shops, restaurants, and cars. From these same vehicles and buildings one will often hear Jamaican music blasting over the airwaves. Reggae, one of the island’s most recognizable entities, is a way of life for Yardies here. The dancehall/reggae movement helps curb the sense of nostalgia for many island natives and connects people of all races to our positive vibrations. The dynamic Jamaican music scene in Atlanta brings out people of every nationality to dance, socialize and represent who they are. There are parties to accommodate all types of reggae lovers; from soirees in the most lavish venues attended by beautiful models and V.I.P. patrons, to local bashments with avid attendants dressed to ‘puss foot’ in the latest Yard trends. For the more polished crowd promoters Trends Concept have Atlanta’s top selectors infuse reggae, Dancehall, Hip-Hop, Pop, and Soca to cater to the dance’s diverse crowd. The lively rhythm of Atlanta is also driven by Jamaican inspired events inspired events, underground talent and urban fashion. Local artistes like Madd People whose performances have gained increasing popularity and Dré whose alternative infused reggae and dancehall acts draws large crowds are a testament to the strength of Jamaican music in the region. Clothing lines such as Rep-JA attract people of all nationalities to Jamaican-American lifestyle. Reggae stage shows, family fun days, Caribbean Carnival and Atlanta’s annual Jerk Festival are also large attractions that draw individuals from far and wide to celebrate West Indian and Jamaican culture. Georgia’s southern hospitality meets Jamaica’s island flavor creating an unforgettable experience for those who live, work and visit the city. Deejays, dancers, fashionistas, artistes, and reggae enthusiasts willingly share their passion for the genre and carib-culture. Out of many, Atlanta’s reggae scene is a vibrant gathering of music, art, and lifestyle. Atlanta Caribbean is you, me, and “all ah we”. 6

IRIEZINE

IRIE GLOBAL REPORT:

IRIE IMPACT:

FARMVILLE JAMAICA LIVE

REAPING

WHAT WE

SOW

Author: Nneka Jackson

n an economic climate where many of Jamaica’s natural resources are being sold to the highest bidder, the nation is struggling to be self sufficient. Agriculture in Jamaica is not as strong as it once was, however, a new programme, ‘Farmville Jamaica Live’ is changing the way people look at the once flourishing industry. Spokesperson Tracy-Ann Lewis gave IrieZine some insight into this up-and-coming organization. Capitalizing on the widespread success of the game, Lewis encourages the Jamaican public to get ‘hands on’. In the face of the Ministry of Agriculture’s “Eat Jamaican” campaign, Farmville Jamaica Live attempts to move the online networking generation away from their screens and toward active change. As Tracy Ann puts it “In this generation there is a stigma attached to farming and we are working to have it remove permanently.” As youcan probably guess the idea for the programme came from the cult following of the popular Facebook game. As the name alludes, participants in the project can experience the real life incarnation of the online game, planting, reaping, and selling traditional Jamaican crops on selected plots of land. The 10 ft by 10ft plots are planted with traditional crops including, tomato, callaloo, okra ,cucumber, sweet pepper, sorrel, melon, and ginger to name a few.

Lewis describes the setting, “On Sunday at Farm Fest there are several activities such as motor sports, treasure hunts, horseback riding, bicycle races, farm tours, board games and also a farmer’s market when there is a harvest.” By making farming into a social event, Tracy-Ann has managed to garner attention with plots leased by entertainers such as Assassin and DMajor. The project is also government endorsed as heads of state including: Prime Minister the Hon. Bruce Golding, Minister of Labour- the Hon. Pearnel Charles, Minister of Transport- Mike Henry, and Minister of Health- the Hon. Rudyard Spencer also signed up to plant reap and sell their crops. “There has also been an overwhelming corporate response” says Tracy, Farmville Jamaica Live’s corporate partners include: Digicel, Mayberry, KLAS, BESS FM, Caribbean Broilers, Rumfire, Rumbar, Real Vibes, Copa Airlines, Sagicor, COK. 8

IRIEZINE

Whenever there is an excess harvest where farmers can barter and sell produce, we help that along or we find the market for excess produce

The program which started on Sunday July 18th, 2010 at Thetford Great House and Country Club in Bushy Park St. Catherine, helps facilitate farmers to sell their produce at various markets in the area, including a farmers market at the Great House itself. Tracy Ann explains “The long-term goal is far more advanced than words can describe, where nation building, and self-sufficiency is concerned.” Farmers are given the opportunity to come out each Sunday and check on their crops while enjoying the week to week activities. The initiative also helps farmers to process excess crops, “Whenever there is an excess harvest where farmers can barter and sell produce, we help that along or we find the market for excess produce, “ said Lewis.

FARMERS ARE DIVIDED

INTO

CATEGORIES

Global FarmersPersons who live abroad and wish to lease a plot(s) in Jamaica to take part in the farming activities.

IRIEZINE

Active Farmers- Who are involved in the week to week or day to day production of their crop. Absentee Farmers- Persons living in Jamaica but don’t have the time to oversee their farm. Go Green Company Farmers- Companies who wish to be a part of our” Let’s Go Green” Campaign and also compete against other companies for the “Go Green Company of the Year Award”

And the benefits of Farmville? “Stress relief-spending times in the outdoors, savings on groceries, self gratification, and of course, uplifiting Jamaica!” exclaims the proud organizer whose goals are, “to have over 2,000 members locally and globally, along with a fully established Agro-Tourism product.” Lewis sums it all up; saying, “The ultimate goal is to get the new generation involved in farming and have an appreciation for it. Eat what you grow and grow what you eat.” For more information on Farmville Jamaica go to: http://www.facebook.com/media/set/?set= a.10150256715975068.527209.817155067& type=3#!/Farmvillejamaicalive 9

n Jamaica, we eat a lot of soup – red peas, mannish water and chicken foot, Janga Soup is no exception. Janga is derived by the locals to fresh water crayfish a.k.a. shrimp. They can be found in many rivers island wide, particularly in the parish of Saint Elizabeth. Of course, they can be cooled in many ways: curried, jerk and the other famous recipe – Jamaican Peppered Shrimp. Interestingly enough, this soup is said to be aphrodisiac which provides long endurance for men, so to all the man out there, nyam it up! if not for your woman, then definitely for the taste.

IRIE FYAHSIDE:

JAMAICAN CRAYFISH SOUP

IRIE INSTRUCTIONS

INGREDIENTS I lb of Janga Crayfish ½ cup of vinegar and water 1 teaspoon of vegetable oil 1 chopped carrot, celery 3 cloves of garlic crushed 3 sprigs of thyme 1 cup of water 1 cup of flour 1 teaspoon of salt ½ cup of water 1 lb yellow or white yam chopped 2 Irish Potatoes chopped 2 medium cho cho 1 gallon of water (4 ½ liters) 2 Scotch Bonnet Peppers 6 pimento grains 1 stalk scallion 1 onion diced 1 packet Maggi or Grace Chicken soup mix Salt and pepper to taste Coarsely chopped parsley 10

JANGA SOUP

Wash the Janga in vinegar and lime, then rinse in water. Remove the shells from the Janga and set aside. (Do not discard the shells, to be used for stock) In a sauté pan, add the vegetable oil, then sauté carrot, celery and crushed garlic to pan for 5 mins. Add Janga shells and thyme and fill pot with water. Cook the Janga shells and seasonings for 10 minutes. Drain the shells and the remaining seasonings through strainer and set the liquid aside. Sift the flour and salt in the bowl and add the water. Knead until the dough forms into a ball. If the dough is sticky, add additional flour, 1 tablespoon at a time, until the dough comes together in a solid ball. If the dough is too dry, add additional water, 1 tablespoon at a time. Peel and cut yam, potatoes and cho cho in small bite size pieces. Wash and set aside In a large pot, boil the water then add the yam, potatoes, cho cho, peppers, pimento grains, scallion and onion. Cook for 15 minutes. Stir and add the soup mix, stock, and spinners. Cook for another 15 minutes. Stir the ingredients while cooking. Add the Janga and cook for 3 minutes. Add Salt and black pepper to taste and let it simmer until done. Spoon the soap into bowls, sprinkle with parsley and serve.

IRIEZINE

IRIE SCENE:

SMOKING JACKET

GIRLS NIGHT

OUT

Author: Dominic Vassell

mokin’ Jacket, one of Kingston’s most well known event franchises, was true to the theme: Girls’ Night Out an all female revue. Hosted by recording artiste Farenheit, the show saw friends and fans enjoying the chilled out vibe at the classy and chic Carlos Cafe Restaurant and Bar. The crowd was buzzing as they waited to hear headliners Danielle, Timberlee and Denyque with supporting acts Natalie Storm, as well as upcoming artistes CK, Devina Burn and Kimberly Nain. While Danielle was no-show, the ladies each took the stage in a performance to remember. The night opened with CK looking bold and sexy as she sang her two singles Heartbreaker and Rescue Me. Dressed in ‘barely there’ black and resonating confidence, the flirty CK took command of the stage, and with her sexy energy she was definitely a heart breaker.

Next in line was the girl with the big voice, Kimberly Nain! Looking comfortably casual in leggings and flats, Kim established her bubbly and created a humorous rapor with the audience. “How does it feel...” she belted, as she laughingly revealed to the crowd that she was that voice behind the popular KFC jingle. The talented newcomer showed off her impressive vocal range hitting some serious notes as she prepped the audience for the main event with a cover Billionaire by Bruno Mars. The golden voiced diva then serenaded the crowd with flawless rifts and falsettos, performing three of her singles L-O-V-E, I Want You and Real Man. Following Kim was Devina Burn. The statuesque vocalist gave a saucy yet soulful performance. The edgy amber haired empress exuded lots of attitude; gyrating to her Latin rhythm infused tune, Make You Feel. She then turned up the heat inviting Macka Diamond onto the stage to perform their collaboration You Like It. Both Macka and Burn demonstrated a dance they called the ‘Powa Wine’ which was “for all the ladies who know you can hold your man” according to Miss Diamond

IRIEZINE

IRIE SCENE: SMOKING JACKET Natalie Storm was next to take the stage. Storm sported a tough black leather punk rock look with a blonde low cut hairdo. She turned up the vibes and brought the dancehall to the evening with her rough and raw presence. It was a high energy performance as she sang and deejayed through her hit songs Back It Up and God Bless which got the audience riled up. She closed by giving her fans an exclusive performance of her latest song, Bright Boy. In a midriff baring plaid shirt and daisy dukes, sexy cowgirl Timberlee strutted out next. With her signature ‘bad gyal’ attitude and old school dancehall vibe, she began with an acoustic version of her single No Stress. She then roused the audience with the crowds favourite, Bubble Like Soup. Timberlee finished up with an exclusive performance of her a new track on the Bedroom Riddim. Looking sweet and sexy as always, Denyque was a true crowd stopper as she closed the show. The sultry singer managed to make her near illegal shorts elegant, and showed of those killer gams in dazzling pumps. Denyque’s growth as a performer was evident as she was fully in tune with the audience. Despite a sprained ankle she delivered a smooth and energetic show. With a clear voice and sultry swag she rocked singles Super Girl and Hooked on Me. Denyque broke up the set, charming the audience with an acoustic cover of Jessie J’s Price Tag showing her mellow side and versatility. Lastly she brought Reggae artiste Chino to the stage for their collaboration Driving Me Insane. The clear on stage chemistry between the two brought the song to a higher level as the crowd rocked to the rhythym. Smokin Jacket:Girl’s Night Out brought the music, and proved that female acts can work together and produce pure entertainment.

IRIEZINE

IRIE COVERSTORY:

Author: Tanaka Roberts

t has been about 12 years since Lutan Fyah emerged onto the music scene, after shifting careers from sports to music. Fyah retired from his post as a football player with the Constant Spring Hazards in 1998, and since then he has delivered a continuum of compellingly conscious lyrics in songs like Save The Juveniles, De La Vega and Crystal Clear, gaining notable favour in the international arena. “Reggae lovers and fans of Jamaica gravitate towards we music. Some artistes jus a play with di ting and sing whatever they feel like and don’t care about morals,” explained the musician, “I choose to sing a different kind of song because music is entertainment and education at the same time.” The artiste describes his music a as having a “raw gritty roots” sound. His music is evocative of Reggae’s forefathers and with these powerful vibrations as his foundation, Fyah’s international career has ascended beyond the reach of many of his peers.

Celebrated International Reggae artiste Lutan Fyah is known for his brutal honesty and unapologetic way of “speaking his mind”. His interview with Iriezine of course only emphasized these characteristics. Just days after returning to the island from back to back tours in Europe and Africa, the artiste’s overwhelming international success is evident, though he has yet to receive a comparable level of recognition at home. As he sat with us, the artiste made no attempt to “pretty up” his responses; like the lyrics in his songs he simply tells it like he sees it.

IRIEZINE

DI PEOPLE LOVE DI VIBE MAN

IRIEZINE

WHAT THE FANS OF REGGAE LOVE IS NOT WHAT THEY GETTING, BUT WHAT LUTAN SING THEY LOVE … SO THEY ENCOURAGE ME TO KEEP DOING IT

In defence of authentic reggae music he pinpoints Bob Marley and Peter Tosh’s unapologetic use of our native dialect, even to foreigners with no attempts to “twang” to please a single soul. With this dedication to producing meaningful records, it is not surprising that he has been the recipient of several international awards including the IRAWMA (International Reggae and World Music Awards) award for Spiritual Service Through Music in 2009. The artiste spoke frankly about the demand for substantive music, saying, “What the fans of Reggae love is not what they getting, but what Lutan sing they love … so they encourage me to keep doing it.” Fresh from a month long European tour through France, Germany, Italy and Poland, and subsequent African tour through Durban, Capetown, Johannesburg, and Zimbabwe, the soulful singer was much in tune with his fan response and shared experiences from his extensive travels across the globe. While each country was unique, the connective thread in his accounts was the overwhelming 16

crowd response he received, “Tear dung! Di people love the vibe man. Me always perform from me heart and try to do mah best to connect with the people no matter what type of vibe I in otherwise,” he declared with much pride. The artiste is adamant that he has liked everywhere he has gone, but as one might expect, Lutan’s strong affiliation with the Rastafarian culture has made Africa a particular favorite continent to visit. In Zimbabwe he found the time to take on the philanthropic task of donating building blocks and footballs to a primary school. Local Reception Meanwhile many are of the opinion that within Jamaica Lutan Fyah is an underrated artiste. To this he responds, “No, Jamaican people love Lutan Fyah gone to bed! Is just true is what on the forefront dem a get,” alluding to the mainstream push for up-tempo dancehall that has consumed the local market. Lutan explains that no matter the genre

IRIEZINE

LUTAN FYAH IN STUDIO

artistes who are generally favourites overseas do not often share a similar partiality at home commenting “this has always been the case from way back, like in the days of Shabba Ranks.” When asked if he believed he was doing enough to remain relevant in Jamaica, an assertive Lutan made it clear that his music is not made only for the charts, commenting “Lutan Fyah concentrates on making music. I’m always making music. I think that is enough… I’m not making music to make me popular.” He however admits that he tries to maintain a balance between creating pure reggae and keeping up with current trends in order to keep reggae in the hearts of the youth, “Mi ah try keep the music in the most original form while communicating with the younger generation. Me need to have fresh music fi di youths.” Fyah unfailingly extols the benefits of an artiste remaining true to themselves, emphasizing the impact of coming from a culture as such rich and unique as Jamaica’s. While he has dedicated himself

IRIEZINE

to socially conscious and positive lyrics, he understands the darker elements which have emerged in the music today, saying “Artistes sing what they see- their culture, so it don’t make sense to try fight out a artiste cause dem cyaan sing weh dem nuh know as their reality.” The entertainer is clear on the close ties between Jamaicans and their music, saying “Music is life. Is like food we need it to survive; so we have a song for everything.” Having achieved such longevity in an atmosphere where an artiste is considered to have had a substantial career if they last 3 years; Fyah stays sharp. He is always mindful of the constant flow of talent on the island, “The amount of music made in Jamaica it’s like Jamaica is too small- when you check it the competition is a lot so you find that you always have to keep creative.”

Lutan Fyah concentrates on making music. I’m always making music. I think that is enough… I’m not making music to make me popular

continued >

He strongly believes that today, the onus is upon artistes to broaden their horizons and deliver authentic Jamaican music to the world, and not just to familiar places with an already established following. “It’s a wide world and there are only certain territories that people investing in. Reggae is all over the world but the world is bigger than reggae right now so there is always room for growth and improvement.” Fyah implores artistes to stay true to the world healing power of authentic Jamaican music, saying, “A lot of people call themselves artistes but dem need to just make the music raw for the world to like it so reggae can become a universal sound.”

IRIEZINE

FORWARD TO THE FUTURE

IRIE COVERSTORY: LUTANFYAH

The prolific lyricist is now in the creative process of compiling his new album Window to Your Soul in succession of his 2008 Africa album. He says he draws inspiration for the new project from, “Jamaican life: how we gwaan, how we dance, weh we talk bout and weh we wear; we lifestyle; how we party.” When asked which songs would be featured on the album the singer spontaneously belts passionate lyrics from the love song, Bring You Roses, shortlisted to appear on the album. In addition he is in the process creating videos for singles for the album, including Bring back the Love to be released later on this year. Fyah’s focus is on building a catalogue of music that can be passed from one generation to the next. “Well I just want the people to know that this music is for a lifetime and I would want to say that everyone should get a collection of these songs because this type of music will last,” he confidently articulated. To the younger artistes with hopes of acquiring

IRIEZINE

the international success Lutan has secured for himself he advised, “First it take a great focus. Make your own music and work on an image. Just be yourself and make music in the rawest, original and pure form.” Fyah jokingly closed the interview with an ode to Jamaica’s favourite son, “ Aww mek me gi you like how Bob woulda put it:

Well the I jus want to thank the I dem for the love and support of Lutan Fyah music which provided the impetus to create music and keep creating a better song every time I sing. Give thanks for the fans.”

IRIE FOUNDATION:

Danny and Niko Browne

Like Father Like Son Author: Tanaka Roberts

icholas ‘Niko’ Browne hopes to carry on the legacy of Mainstreet Records, the production house his father has built over the years. The son of long time renowned producer Danny Browne has made his stamp on the duly labeled Lifeline Music, as he marks the second generation of musicians from the Browne clan to take on the Jamaican music industry. After performing for some time with vintage reggae group “The Bloodfire Posse” Danny Browne helped form Mainstreet Records, producing a catalogue of classic hits including Oh Me, Oh My by the late great Garnet Silk and Heads High by Mr. Vegas. Danny has worked with many of Jamaica’s musical giants ranging from consummate crooner Richie Stephens, to internationally renowned dancehall acts such as Beenie Man and Spragga Benz to and many other. In the mid 90’s the elder Browne was also responsible for the formation of the Mainstreet Crew, featuring artistes such as; General Degree, Red Rat, Goofy, Hawkeye, Bucaneer, Lady G and Crissy D. 20

These days however his work is more concentrated within the Gospel Music industry, producing songs for reggae/gospel artistes such as Prodigal Son, DJ Nicholas and Jason Mighty to name a few. Young Nicholas is well aware of his father’s influence on his career, stating “Well you can definitely say Daddy was my inspiration. I grew up in the studio! It’s the only thing in life I had that much exposure to. Watching him made me know exactly what I wanted to do with my life from early out.” Early exposure to the music industry has given Niko a focused advantage over many Jamaican youths as he explains, “knowing that my place was in music basically allowed me to skip that period in life where people ‘try to find themselves’ or ‘figure out what dem wah do’.” Young Niko Learned well at his father’s feet and he is not opposed to puling form his experience, “ I do admire his work and style of work, it’s always different from the rest!” remarks the young Browne.

IRIEZINE

It is no small wonder then Than Niko’s own brand of talent stands out from the pack. His rapid rise within the industry is nothing short of remarkable. To date Niko has produced the Set It Off Riddim which was released in summer 2010. He has worked with Konshens, Bugle, Agent Sasco, Romain Virgo, Raine Seville, Denyque, Exco Levi, Atomic, Ryan Mark, Omari, and Versatile. At the moment he is focused on launching the career of new artiste Conkarah , and the release of new singles from established artistes such as Konshens recent hit “Simple Song” and Romaine Virgo’s “Iam Rich in Love”; the videos for both singles can be viewed on jamaicansmusic.com. Considering the foundation that Niko has inherited from his father’s expertise, the young protégé is driven to produce what he considers to be “more quality, top notch feel good Reggae and Dancehall music!”

Well you can definitely say Daddy was my inspiration.

Nicholas “Niko” Browne

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IRIE MUSIC:

CONKARAH STAKES HIS CLAIM 22

IRIEZINE

IRIE MUSIC:

CONKARAH STAKING HIS

CLAIM Author: Tanaka Roberts Photos: Contributed

hile enrolled in the University of Charleston,West Virginia; Nicholas Murray found himself auditioning for the school’s choir. It was here that he discovered the potential of his vocal talent; “The choir director told me I had a very good and powerful baritone voice, and after my first session I was hooked,” the afro wearing singer remarked ardently. With no doubts in his mind and dreams bigger than his hair, it was then that he decided to pursue a musical career.

The young musician has his ambitions set as high as they can go, hoping to someday tour Europe and the world by extension, “I would describe my music as ‘feel good’ reggae,” said the square jawed singer, “I want to perform in front of thousands of fans, and portray a more positive image of Jamaican music, to be a true ambassador for reggae,” he stated determinedly. In fact he chose a stage name that would reflect just this aspiration; to

conquer the world through music, a musical ‘Conkarah’. The crooner whose rugged yet breezy voice is just as much of a paradox as his gentle demeanor and passionate performance, was first introduced to the music arena with the video for a demo he recorded in England called Runaway. Thereafter the artiste found himself back to his roots in Jamaica to further hone his newfound musical talent. In the same vein as the legendary

IRIEZINE

IRIE MUSIC: CONKARAH

Bob Marley the young artiste sways towards the more acoustic side of the genre. His unique sound in addition to his distinctive appearance easily separates Conkarah from his counterparts. In this distinctiveness he finds much satisfaction, as conforming to the status quo of the Jamaican music industry is by no means within his scope. “To me music is my form of freedom,” says the enthusiastic artist. In spite of his adamant intent to remain an individual, he admits to the impact of other artistes on his work. Conkarah professes that German reggae sensation Gentleman is very influential to his craft adding, “I would love to work with Gentleman, he is the boss!”

IRIEZINE

I want to perform in front of thousands of fans, and portray a more positive image of Jamaican music, to be a true ambassador for reggae The vocalist currently works with budding producer of Lifeline Music, Nicholas ‘Niko’ Browne who produced his debut single ‘Forever’. To date he has collaborated with Mr. Vegas on a rendition of Jimmy London’s A Little Love for the Steely and Clevie Memories album. Thus far the artiste describes his musical journey as being “Exciting and refreshing”. Though he acknowledges that there are vices within the industry he commented that, “I wouldn’t necessarily say that there is anything ‘unattractive’ about the industry however, it can be challenging - but this pushes me to be creative and innovative. My love for music and the people that appreciate it makes it worthwhile, every day.” The artiste is quite focused and ready for the fruition of his efforts in his upcoming album. In closing Conkarah told the IrieZine that he is working hard in the studio saying “Everyone can look out for more good music from the team.” Readers can also check out the video for his debut single Forever which was recently shot by yet another talented newcomer, director Darren Scott. 25

IRIE STYLE - DESIGNER:

CARLTON BROWN-TAILOR MADE

here is nothing pretentious or phony about Carlton Brown, but what you see is not at all what you get, the creative genius of the designer is a surprise to many. Brown appears to be your average Jamaican man, yet within the last decade e has become an icon in the Jamaican fashion scene

IRIEZINE

IRIE STYLE - DESIGNER: CARLTON BROWN

Brown has become the symbol of fine style for Jamaican men, leading to a cameo in the music video for the breakout hit Swaggin. Brown described his design philosophy saying, “It’s about the fit, the fit is the most important thing. People think they can put on tight pants and then you are stylish. You don’t want tight but fitted. Whatever your body sculpture, skinny ,fat or thick; I think the clothes should represent that and compliment that.”

ith a keen eye for structure and an immutable sense of style, the clothing guru’s rugged exterior and assertive manner break the effeminate stereotype of males in the fashion world. The husband and father is; plain spoken, easy going, but with a no nonsense attitude and a sharp eye for detail. Brown has cornered the local market for custom made men’s clothing, with pieces ranging from elegantly casual to haute couture. Brown has become the ‘go-to’ red carpet designer for entertainers such as Voice Mail, and NickyB, and has also been endorsed by international celebrity Rockmund Dunbar.

When asked who his influences were, Carlton expounded; “Andrew Ramrope was a mentor to me and professor tailor, and the deceased Ronnie Wallace who was family to me. But internationally I like Steve McQueen, back in 199 his break out collection” Brown pauses in a moment of awe, “he will use strips of wood to make up a dress or blouse, it was unreal. I like Tom Ford because he can take a fashion house like Gucci all the way back to the top. Ralph Lauren is a classic. I also like Innovative designs. Oswald Botoin, and lesser known designer like Tom Bowen out of England: weird but practical.” The fashion world appreciates Carlton’s spot on style sensibility. The tailor has shown collections in many international shows including, Culture to Couture London, Barbados Fashion Week, St.Kitts Fashion Week, and shows in St. Maarten. In 2009 Carlton was prominently featured in Toronto Fashion Week, which was a pivotal moment in his career. Carlton describes the experience, “Toronto was my biggest international show, it was a big show but I basically got to have my show . I had an entire collection and I invited my whole flock.” By his ‘flock’ Brown is referring to his support team and fellow designers, as he believes in the synergy of a creative collective. Brown’s Toronto Collection was a smash hit, gaining much media attention and rare eviews , “ The quarter-jack created a big stir,” say Brown of the one armed piece, “ people couldn’t stop talking about it. It was exciting!”

Carlton’s focus on structured men’s pieces came from a frustration he felt during his early design years, “Every time I would talk to an entertainer dem would seh dem a go buss a clothing line, and when you look its t-shirts. That’s not a clothing line, but it was the ‘in ting’ at the time cause it quick and easy.” Brown does not hold back his critique, saying, “Is like you put paint in a bucket and keep adding water, it’s just water down fashion. But as my wife said longevity is the name of the game. I’m happy I stuck it out to let that phase pass by.”

Brown has come a long way. He was raised in the home of a seamstress and a tailor where he absorbed many intricate design and sewing techniques. By the time he completed his studies at the Edith Dalton James Community College, it was clear that Carlton was headed for the top. Carlton’s success lead to his being chosen as one of the judges for Mission Catwalk, a locally produced reality television show. The show allowed him to impart his arsenal of knowledge to a newer generation of designers.

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As a judge on the show he emphasized finishing and technique. Brown relayed “ Jamaican designers don’t lack talent but we have a problem with teaching technique, and finishing a garment. One of the contestants when you looked at their garment it looked ok on the outside but inside the stitching was crooked. They didn’t know the technique,” Carlton said, “I showed them the tiles on the floor and asked them if they were straight or crooked. The reply was ‘straight’. So I asked if they thought they got that way by chance or if there was a technique. That’s when they got it and I could show them the technique.” Carlton’s attention to detail did not go unnoticed.

The Jamaican collective from the Mission Catwalk team including: Brown, Keneea Linton, Sandra Kennedy,Barry Moncrieffe and Camesha Powell, exhibited in Miami Beach Interntional Fashion Week. Each designer was allotted four pieces to make up a collection of 20. To Brown’s surprise he was singled out of the bunch “When the organizers saw my stuff they took me out of the Jamaican group and moved me to open the men s collection for the entire show!” Always the perfectionist, Carlton remarked “My only disappointment is I didn’t have a ten piece collection. I had good reviews, but with more pieces it would be better.” His thoroughness was also noted by the judges who

found that the Jamaican contingent, and Carlton in particular was very hands on behind the scenes of every show, checking every pleat and button. Carlton critical eye gives some insight into the local industry. Brown comments “Funding is a key particular challenge. People see names of designer like Dolce and Gabbana, and Steve and don’t realize they have financial backers. You also need the right people around you or you can end up like Marc Jacobs who don’t even own his own name, that’s why you see “Marc by Marc Jacobs.” Brown realizes there will be challenges to his dream of owning and operating his own label and outlets worldwide, saying , “We don’t have

Jamaican designers don’t lack talent but we have a problem with teaching technique, and finishing a garment a manufacture industry in Jamaica. In the nineties you had Garmex. and Freezone, but what happened to those spaces? All those machines?” The designer wants to create a fully Jamaican produced product but explained, “To manufacture here doesn’t just cost an arm and a leg, is you whole body dem want.” Carlton does not mince his words, where he feels the fashion industry is not being taken seriously, and marketed as a premium product, saying “private or corporate sponsorship could work, but government funding- they will dictate where u go. You could all end up in festival beside the Jonkunno.” With such a driven mind and high hopes for fashion industry Carlton closes by saying ,“My dream, I haven’t achieved it yet. But I will always, always be pushing myself to the highest level.”

IRIEZINE

IRIE STYLE - DESIGNER:

CARLTON BROWN

IRIEZINE

IRIE ART:

A BRUSH THAT

CLICKS

or most people photography is not recognized as an art form. It is seen merely as a medium for capturing important moments and preserving memories.

But for 20 year old Denieze “Spunk” Anderson, photography is a lot more than just taking pictures. For her it is a skill which requires as much human sensibility as would a painting; for her a camera is simply a brush that clicks; for her photography is art. Denieze’s interest in the field was piqued about two years ago while she perused the work of a well-established Jamaican photographer, Ryan LueClarke. Needless to say she was very impressed and zealously inspired. It was not long before Spunk, as she is called by her peers, experimented with her very own photo shoot. At the time all she had was her iPhone, so the shoot was nothing extravagant, but it was her first step into the field and it gave her the momentum she needed 32 to actively pursue a career in

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photography. After honing her skills, the ambitious young entrepreneur went on to open her very own studio. Denieze has been the proud owner of D. Andy Photography Studio for over a year now. Like any other artist, Denieze uses photography as an outlet for her â&#x20AC;&#x153;creative mojoâ&#x20AC;?. She also channels that creativity into her hand accessory line called, SPUNK, as fashion is another one of her many passions. The diverse and driven young mogul is also about to graduate with her bachelors in Mass Communications with a specialization in television. She foresees television production and broadcasting in her near future, but currently she is more focused on her photography and her accessory line. www.d-andyphotography.com

creative

mojo

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The 2011 Miss Jamaica World Pageant was eventful to say the least. Fom the ‘false start’ answer from judges’ favourite Miss Appleton Jamaican Rum Chavoy Gordon and the screams of fans at Best Body winner and crowd favourite Miss Usain Bolt’s Tracks and Records Zara MacGraham, to the final crowning of exotic beauty Miss Ocean Spray Danielle Crosskill. But beauty wasn’t only to be found on the MJW stage; Iriezine took a few candid snapshots of the audience’s experience on pageant night, then followed the crowd to Fiction Lounge were the afterparty was one to remember.

“She’s a Queen”

IRIEZINE

Miss Jamaica World 2011

IRIE STYLE EVENT:

The Winning Moment

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IRIE STYLE EVENT:

Official MJW Trainer Steve Ming

The Queen with Promoter Carlos Phillpots

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IRIE STYLE EVENT:

AFTERPARTY....

Top 5 Contestant Zahra MacGraham, Sister Miss Jamaica Universe Shani MacGraham Shirley, and brother in-law Fiction owner David Shirley

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IRIE EVENT:

MAHIMA: MUSIC FOR LIFE ENTERTAINMENT

FOR A

CAUSE Author: Tanaka Roberts

amaican Sunday evenings usually feature quiet time with family or friends. Sunday, October 2, was indeed a family atmosphere but it was far from quiet, as the, Lawns of the Jamaica Pegasus Hotel were laden with patrons from all over the island in support of MAHIMA: Music for Life. The overwhelming turnout was evidenced by the “SOLD OUT” sign which greeted many at the entrance of the venue only minutes after the slated show time of 8 pm. The third staging of what has now become an annual event had an impressive lineup and an even more notable cause. As a victim of breast cancer herself, Monique ‘Mahima’ Geourzoung was passionate in the fight against cancer, believing in the empowerment of the health care experience. Geourzoung created the concept of a live music event to fund the development of the only public oncology hospital in Jamaica. Mahima died on September 30, 2010 at the age of 36, but the turnout for this year’s event shows that the support she initiated for the cause is still very much alive. Initially the event was hosted at “The Deck” a popular bar in the New Kingston area; however this year’s organizers sought an even bigger affair. Promoters Zen Events collaborated with Grace Blends, Jamaica Arts Holdings, Supreme Systems, Absolute Entertainment, Caribtix, The Jamaica Pegasus and members of the entertainment industry to create a star studded benefit concert to raise funds for Hope Institute. Proceeds from ticket sales supported the fund raising effort; however patrons were also given the option to pledge a donation of any amount. Among the masses were several very familiar faces from the entertainment industry. 38

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Promoters, public figures and artistes including Keida, Serani and Bling Dawg mingled with the crowd. However it was the stars on stage that made the night unforgettable. Performances rolled through the night directed by mistress of ceremonies Claudette Powell. Marcus I kicked off the night, followed by a mellow performance from the group Blue Grass in the Sky which set the tone for the show. The crowd witnessed a surprising performance from Farenheit, who has kept a considerably low profile lately while promoting his club series Brand New Machine in Kingston, Montego Bay and New York. The singer who is now back in the studio with producer Supa Hype, took the stage with a rendition of Frank Ocean’s Swim Good, and continued with a well received set that had the crowd singing along. Up and coming vocalist Janine ‘Jah9’ Cunningham, known for her uniquely haunting vocals and socially conscious lyrics, was on next. Fans were entranced by her prowess as she delivered messages through song, with the cautionary Stay out of Harm’s Way. Always a favourite, Chino had everyone grooving. Opening with an acoustic version of Nuh Put Nuh Woman Pon Yuh Head, the crooner followed through unraveling song after song to the pleasure of the audience members. Fresh off tour Chino described his involvement in the concert as a ‘no brainer’ saying, “It’s a worthy cause. Artistes aren’t just looked upon as entertainers but also as role models, so we have to show our support through our talent.” Jamaica’s own diva, Cherine Anderson represented for the ladies. The songstress and her band The Rockfort Rebels delivered a high energy performance keeping the crowd captivated with each song, including Real Love, Rebel, Eagles and Doves and Bob Marley’s Redemption Song. Cherine encouraged Iriezine readers to be aware of breast cancer, “Women let us make a committed effort to take care of ourselves and men too. Help your women to take care of themselves,” highlighting the fact that a significant amount of breast cancer lumps are found by women’s partners. Next Tarrus Riley went to work on MAHIMA. Met by welcoming cheers from the crowd as he be

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gan the lyrics of Lion Paw, Riley delivered a continuous onslaught of hits, leaving the crowd frenzied alongside band member, legendary saxophonist Dean Fraser. The two explained their genuine support of cancer awareness to Iriezine , as one of their back-up singers is now battling with the illness. Riley, who is in the process of shooting videos for singles Come Over and Armageddon said, “We should all love and take care of ourselves as a preventative measure”. Reggae veterans Chalice brought the crowd back into a meditative state as they graced the stage performing classics from their 30 plus years catalogue. Protoje followed, quickly establishing himself as another crowd favorite, singing popular tracks No Lipstick and Rasta Love from his Seven Year Itch album. “Reggae music is alive” proclaimed the budding new artiste who has been making waves in the local music industry. He commended the audience for their support and expressed his joy at seeing Jamaicans unite for such an important cause. In the wee hours of the morning a newly wed Jah Cure emerged on to the stage, his powerful voice arousing the ( by then) lethargic crowd as he belted Prison Walls and Longing For among other hits. “I’m supporting more life innuh. I make world music and this is a worldly cause so I have to give my support and do anything to fund the program,” Cure explained. MAHIMA performers since its inception, Rootz Underground closed the show. Stephen Newland of lead singer the band (which was credited for being a part of the inspiration for the concert) stated “Rasta is Life. Our dear friend fell victim to cancer so we have to continue this cause and celebrate with her in spirit.” Mahima Music for Life proved to be not only an excellent stage show, but also an excellent means of spreading cancer awareness. The concert’s unification of the corporate world, the entertainment industry and the public serves as a testament to the indomitable spirit of Mahima herself.

IRIEZINE

IRIE TEAM:

CREDITS Executive Team Alex Morrissey CEO, Jamaicansmusic.com Akhbar Nunes CEO, IrieZine Sean Patrick Marketing Director, IrieZine Marc Patrick Financial Director, IrieZine Tanaka Roberts Head Writer, IrieZine

Designers Taj Francis Jonoi Messam

Contributers Writers Dominic Bell Nneka Jackson Photography Sean McNaughton Alrick Brown

IrieZine is the official eZine of Jamaicansmusic.com focusing on Jamaican Entertainment and Culture, we promote brand Jamaica to the world through our publication andd social media presence.

www.jamaicansmusic.com facebook.com/jamaicansmusic twitter.com/jamaicansmusic

Lance Brown

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