sandpaper, chalk, hung out wet (2024)

Page 1


for line upon line percussion

isaac barzso, 2024

this score functions as a guide through a series of convergences and divergences between the three players, represented as misaligned sections of repetition and choices taken by the players to interfere with these repetitions. for most of the piece, multiple options are presented through the material — variation is welcomed throughout.

each page should last roughly one minute (except in the case where fermatas are used). players will always align at the beginning of each page — all other moments of alignment or convergence between players are marked by dashed lines or fermatas.

estimated total length: 35 minutes.

common techniques used throughout (most techniques are specific in the score):

numbers denote the speed of an action, on a spectrum between 1 and 5. this speed may either be changed gradually (with a dashed line connecting two numbers) or suddenly (no line connecting).

dashed slurs denote a granular effect, whether while bowing (bouncing of the bow on cardboard or styrofoam) or while using a ratchet (extremely slow individual clicks).

ricochet bow or stick on surface.

electronics setup

4 exciters (one each on the snare drums’ top heads, bass drum head, and thundersheet)

5 piezo mics (one each on the snare drums’ top heads and bottom heads, one on the bass drum head)

computer running max/ MSP patch

audio interface + speakers (any array is possible for the output)

percussion setup

Cullen:

objects and instruments

aluminum foil ball

bass drum (shared with Matt)

cardboard box

crotales (D4, Bb5, B5, C5)

dog whistle (or other extremely high-pitched whistle)

friction drum/ waldteufel

megaphone (any with trigger mechanism)

metal bowl

ratchet

styrofoam

tam-tam

thundersheet

vibraphone (shared with Matt)

implements (both Cullen + Matt) cylinder vibrator (2 total; one each for snare drum) bow (bass or otherwise) brushes hot rods light sticks (chopsticks or very thin drumsticks)

normal sticks medium mallets hard mallets superball mallet

Cullen: 3 disc vibrators (bass drum, metal bowl, sizzle cymbal)

Matt: 5 disc vibrators (ceramic tile, glass tile, sizzle cymbal, triangle + one handheld)

“kit” setup (not a true seated kit): kick, tom, cymbal on tom, snare, brake drum, wood block, hi-hat, sus. cymbal, sizzle cymbal

Matt:

objects and instruments

almlocken (A4)

aluminum foil ball

bass drum (shared with Cullen)

cardboard box

ceramic tile

cymbals (2 total; one suspended and one “sizzle”)

crotales (B5, C5)

dog whistle (or other extremely high-pitched whistle)

glass tile

megaphone (any with trigger mechanism)

sheet metal (optimally 4 separate sheets, to be struck and bowed)

snare drum

toms (2)

triangle

vibraphone (shared with Cullen)

right side of box edge
left side of box edge

wait to sync with Cullen at end of page

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