Isabel Huisman Portfolio Sample by Isabel Huisman

sabel

uisman

Portfolio

lee w lcome.. Hello! I am Isabel Huisman, and I am drawn to interior architecture because of the great impact interior spaces can have on us. I am interested in materiality and engaging the sense of touch in interior spaces. I feel it is of utmost importance to design sustainably with efficient, innovative, and beautiful solutions that stand the test of time.

CORPORATE

RESIDENTIAL

HOSPITALITY

pg. 6-17

pg. 18-25

pg. 34-45

colcclocking Fall 2019 IARC 371 3rd yr Studio Instructor: Rana Abudayyeh

01 4

The concept of Cadence from phase one and two of this semester guided my design for this Amazon Prime Air office facility. I defined the drone space by a waffle structure which rises and falls through the existing grid, integrating drone and human spaces. The point of drone entry and exit is the pinnacle of the cadence concept in my design. The roof waffle structure rises over employee lounge and falls into building where drones enter and touch down on the third floor landing pads, are loaded with packages, and sent back up to deliver them, all viewable by visitors.

in...

View of third floor drone landing pads and visitor viewing area.

Site Analysis

Inspired by Kevin Lynch’s Image of the City essay, my site analysis studied sense of place. I considered how my intervention will become a new landmark amidst this newly accessible layer of air space, and incorporated charging pads on which drones would land to recharge.

Landmark of the Sky

Drone Charging Pod

The roof itself is performative on several levels, with the concept of cadence manifesting on multiple scales. It is made of steel bolted together in seven foot square by three feet high modules. These drone size pods are spanned with nanogel, which is a very lightweight clear glass with incredible thermal insulation. It rotates on a center axis, allowing the drones to land, recharge, and await their next deliver.

Ghosted Axon

Exploded Axon showing mechanics.

Concept Diagram representing the design process from simple form and base building grid to final design.

South Section, showing work flow and material differentiation.

Vitra, Cyl Table

Use Low

High

Time of Day 8am

Vitra, Vlinder Sofa

Bene, Level Lift Pure

Vitra, .04 Office Chair

Arper, Cila Chair

Arcadia, Domo table

Arcadia, Uptown Social Benches

Arcadia, Achella Modular Collection

Vitra, Panton Chair

8pm

Furniture Distribution strategy map.

Early iteration of facade study.

An opening in the building lets the drones fly from the fifth floor to the first floor for maintenance. The roof modules are rotated at ninety degrees and applied to the facade and pushed into the building to create office spaces, which include private, collaborative, and social spaces. Employees and visitors enter on the first floor and visitors have access to floors 1,2,3, and 5, while employees may access every floor.

Left: The fifth floor cafe and kitchen space allows for employees and visitors to interact as drones fly to and from the third floor. Below: Concept Diagram representing the design process from simple form and base building grid to final design.

The interior is a counterpoint and balance to the steel, brick, and glass facades, with tactile materials, smooth and curved forms to contrast the machine-like nature of the drones and provide a warm embrace to employees and visitors. Above: Fourth floor office space. This space provides centralized collaboration tables, with private desk work spaces nested in more intimate pods along the outer edge of the building. Right: Fifth floor employee lounge. This space has tables and couches for employees to relax and socialize. Based on studies, having a space specifically for employees to socialize, or feel welcome to socialize, creates a more healthy work environment and boosts efficiency during working hours.

Spring 2019 IARC 372 3rd yr Studio Instructor: Liz Teston In Collaboration with: Julie Lucas

We designed a four story Memory Care Facility on the 27th through 30th floors of the Bank of America Plaza Building in downtown Atlanta. We were challenged to think about the narrative of the world in 2070. We speculated that the world will be more technologically advanced, but that technology would become more integrated with nature. Technology will be designed based off nature’s forms and tasks. Robotic snails and bees will be designed to complete tasks similar to the natural creatures. Animals that face extinction will be replaced by robotic creatures.

tuf future me 16

emories... Giraffe Hand Mixer 3D printed model actual scale.

ART STUDIO 2

OPEN TO BELOW

CAT CAFE

Scale: 1’-0” = 1/16” 27th Floor

Scale: 1’-0” = 1/16” 28th Floor

1 SALON ART LIBRARY SILENT DISCO

OPEN TO BELOW

RECEPTION SALON DINING

DOWN

STAIRS

OPEN TO BELOW SEEDS LIBRARY

MECHANICAL

STAIRS

DOWN

STAIRS

DOWN

LOUNGE MECHANICAL

CREATURES LIBRARY MECHANICAL WOMEN

WOMEN

DOWN

STAIRS

LOUNGE

JANITOR

MEN MECHANICAL

ELECTRICAL

JANITOR

STAFF KITCHEN

MEN

ELEVATOR LOBBY

ELECTRICAL

MEN

ELEVATOR LOBBY

ELECTRICAL

FREIGHT ELEVATOR LOBBY

STAIRS

DOWN

TELE./DATA

ELEVATOR LOBBY

ELECTRICAL

DINING

MEN

JANITOR

WOMEN

PERSONAL ARCHIVES

WOMEN

JANITOR

CAT CAFE

FREIGHT ELEVATOR LOBBY

DOWN

STAIRS

FREIGHT ELEVATOR LOBBY

DOWN

STAIRS

TELE./DATA

OPEN TO BELOW FREIGHT ELEVATOR LOBBY

COLLABORATIVE KITCHEN

TELE./DATA

ART STUDIO OPEN TO BELOW

STAIRS

DOWN

TELE./DATA

DINING 2

ART STUDIO OPEN TO BELOW

Scale: 1’-0” = 1/16” 27th Floor

Scale: 1’-0” = 1/16” 28th Floor

Scale: 1’-0” = 1/16” N 28th Floor Scale: 1’-0” = 1/16” N 29th Floor

SALON

OPEN TO BELOW

DINING

OPEN TO BELOW

MECHANICAL

LOUNGE

DOWN

STAIRS

DOWN

STAIRS

OPEN TO BELOW

DINING

WOMEN

MECHANICAL

WOMEN

DOWN

STAIRS

DINING

JANITOR

STAFF KITCHEN

MECHANICAL

JANITOR

DOWN

STAIRS

MEN MECHANICAL

MEN WOMEN

WOMEN

DINING

JANITOR

ELECTRICAL

STAFF KITCHEN

OPEN TO BELOW

ELEVATOR LOBBY

JANITOR

MEN

ELEVATOR LOBBY

ELECTRICAL

FREIGHT ELEVATOR LOBBY

ELEVATOR LOBBY

ELECTRICAL FREIGHT ELEVATOR LOBBY

FREIGHT

FREIGHT ELEVATOR LOBBY

STAIRS

DOWN

LOBBY

TELE./DATA

ELEVATOR LOBBY

COLLABORATIVE KITCHEN

OPEN TO BELOW

TELE./DATA

ART STUDIOELEVATOR

STAIRS

DOWN

ELECTRICAL STAIRS

DOWN

COLLABORATIVE KITCHEN OPEN TO BELOW

OPEN TO BELOW

DINING

STAIRS

DOWN

TELE./DATA

OPEN TO BELOW

DINING

Scale: 1’-0” = 1/16” 28th Floor

Scale: 1’-0” = 1/16” 29th Floor

Scale: 1’-0” = 1/16” 30th Floor

The 28th floor contains public space for the residents only, with a lounge and salon area. The 29th floor is where residents may harvest their own food if desired from the vertical farming pods, and cook it in the community kitchens. There is also a made-to-order kitchen if residents do not wish to cook, and a variety of seating scales for multiple dining experiences. The 30th floor is where the resident pods were outlines, to be designed individually in the second phase. OPEN TO BELOW

DINING

STAIRS

DOWN

MECHANICAL

STAIRS

DOWN

MECHANICAL

WOMEN

DINING

JANITOR

STAFF KITCHEN

STAIRS

WOMEN

MEN

DOWN

JANITOR

MEN

MECHANICAL

WOMEN ELEVATOR LOBBY

ELECTRICAL JANITOR

OPEN TO BELOW ELECTRICAL

MEN

ELEVATOR LOBBY

OPEN TO BELOW

Inspired by the French ideas of accepting the aging process as beautiful, we designed a form that mimicked a gracefully folded over study model. This form was placed within the building and used to program the space. The form was designed to be a 3D printed lattice-type structure which mycelium would grow on and between. The mycelium has air cleaning properties, and simulates the natural process of decay and growth. The mycelium allows for varied transparencies on the 3D printed form. This variation in transparency was inspired by the beautiful light emissive quality of the study model and the idea of aging skin.

The program situates the most public space on the 27th floor up to the most private space on the 30th floor. The 27th floor includes a series of libraries to draw in the public and the residents. The libraries include a resident library and reading stage to allow residents to interact with visitors about their past lives. Residents and visitors may also enjoy music, plant, and creatures libraries as well as a cat cafe.

Designing the residence for a single lady who has relatives who visit often, I provided multiple seating areas and a kitchenette. The program includes a circular walking track to accommodate Alzheimer’s disoriented walking patterns. The bathroom and raised garden bed area are on a one-foot high raised floor to include a slight incline within the walking track, incorporating gentle exercise in the daily rituals of life. Using the same design language as the public spaces, there is a 3D printed screen wall enclosing the bathroom with foliage cover rather than mycelium to incorporate greenery and filter light and visibility.

The walls and furniture are all custom and built-in to create an integrated and seamless space. The materials offer cozy tactility and visual interest to offset the offwhite stucco walls of the residence. The goal of this residence was to create a refuge of comfort while still energizing and offering meaning as the resident lives out the rest of their life.

Slab of 31st floor

Sprinkler System

Ceiling of Residence

Plaster/Fiberglass Coating 70 F

Welded Metal Mesh Reinforcement

O2 50 F

Planter Cove CO 2

Structural Beams

3D Printed Screen

Quartz Countertop Sprinkler System

Planting trough

Assemblage Axon Slab of 30th floor

Structural Beams

30th Floor

Plant Bed and Sprinkler Systems

Fall 2020 IARC 475 4th yr Studio Instructor: Ryann Aoukar

The project that I will be presenting is a boutique hotel in pigeon forge Tennessee inspired by the philosophy of religion in architecture. The overall intention of this project is to heighten ones awareness of oneself, others, and their surroundings. Within the very broad genre of religion, I started by seeking inspiration from the days of creation described in the Bible of the Christian Religion. Day one and four went together emphasizing the celebration of light. Day two and five inspired me to highlight elements of sky and water, which led to inspiration from the ritual of baptism. Day three and six inspired use of vegetation and the connections we can have with other humans which sparked the theme of communion which you will see in the restaurant space. Day seven inspired the creation of a meditation area.

demmeditate 24

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The entrance is located off pine mountain road where you enter through a corridor, check in at the reception screen, and make your way to the lobby and elevators up to your room above. The rest of this space contains the lounge as well as an open breakfast area and breakfast bar. Moving up past the restrooms, there is a meditation room which leads into the courtyard. The courtyard paths in plan are inspired by the Christian symbol of the cross. There is another meditation space here that overlooks a pool that is above a sub-terrenian passage which may be accessed through any of these three stair cases. The center pool is sunken three steps which you circulate around or besides to make your way to the series of three pools for swimming. Moving back inside, the restaurant can be accessed from these two places as well as another entrance from the exterior. As you enter you are greeted by a hostess who takes you to standard or bar seating area where your server then takes your order. The main space is designed on one long axis, with the bar as an extension of the pool in the lounge. RIGHT: The Entrance is designed inspired by the separation of light from darkness in day one. As you walk along the corridor you are cleansed from surface bacteria and viruses representing the dark with pure air flowing through the ceiling element representing light.

This is cut through the center axis of the courtyard and shows the levels within of the center sunken pool as well as the stair down into the sub passage way.

The bar table cuts across the restaurant, dipping to meet and change the floor material in these spots for circulation. The theme of communion informed the use of a regular height table for the bar, which allows for groups of two for a direct connection across from each other, inspired also by day six as a celebration of the creation of mankind and our relationship with one another. As a continuation of the celebration of life, there are Spanish moss covered wire half-globe ceiling elements as well as hay planters behind the booths and inside the columns. Inspired by the religious importance of water, the bathroom is designed around the focal point of this sink element that has a column of water streaming down into the basin for hand washing.

Looking across the opposite ends of the courtyard along the strong axis line you see the center pool and circulation as well as the triad of pools at one end inspired by the trinity in Christianity.

At night, the sub passage is lit with blue light to draw guests down and provide clear circulation signals. There is a wall with an opening across part of the three-foot pool at the end to complete the axis line.

In the meditation room, axis and symmetry guided the design of this space, allowing guests to achieve focus in a calm environment. The removable seating poufs provide a multi-purpose space.

Around the other side of the walls enclosing that are three stairways down to the sub passage. This was inspired by the ritual of baptism where one passes under water to be cleansed. The pool above contains small drains that lets water trickle down the walls to create a provocative sound and slight mist.

CONTACT: ADDRESS: 144 Huisman Lane Lookout Mountain, GA 30750 EMAIL: isabel.a.huisman @gmail.com PHONE: c: (706)-996-0566 WEBSITE: https://isabelahuisman. myportfolio.com/