hISTORY & CULTURE
Strange bedfellows: Why art and science go hand in hand SIÂN ALLERTON
W
hen you think of Albert Einstein, what words come to mind? Physicist? Mathematician? That ‘Eureka’ guy? But would you describe him as an artist? Would you compare him to Van Gogh or Monet? These days, it seems the role of artist and scientist are considered drastically different. The fields are commonly seen as opposites of one another. However, some believe that art and science should go hand in hand; that they are intertwined and can help each other flourish. One such person is Anicka Yi, a conceptual artist who utilises science and technology to create stimulating works of art. If you have visited the Tate Modern in the last few months, or have watched any London Instagram stories, you have probably seen Yi’s work. Her piece ‘In Love with the World’ featured floating robots named ‘aerobes’ which were inspired by organic life forms, like octopi and mushrooms.
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With these aerobes, Yi explored the idea of a world shared with machines which can adapt and evolve on their own. Using AI learning, she questioned whether biology and technology could enable machines to evolve into independent life forms. Electronic sensors around the room acted as alternatives for their senses. The aerobes’ system software responded to these ‘senses’ allowing them to follow a unique flight path. ‘In Love with the World’ is a perfect example of Yi’s ability to create a mesmerising piece of art whilst at the same time asking questions of science and technology. Yi also has a fascination with the progression of life. This can be seen in her piece called ‘Shameplex’ which was exhibited in the Museum of Modern Art in New York City. Seven rectangular, clear, plastic boxes were filled with a layer of green ultrasonic gel. Within the gel, nickel-plated pins were arranged in different geometric patterns. As time progressed, the rusting of the pins began to invade the gel, creating beautifully unique patterns. Yi’s aim was to emphasise the messiness of life and highlight the algorithms that drive our sensory perceptions. ‘Shameplex’ at a glance can invoke feelings of disgust and anguish. However, upon deeper reflection it can bring about feelings of joy, much like that associated with childbirth and pregnancy.