Architectural Portfolio - Svadhyaya by Ishika Shrivastava

SVADHYAYA SVADHYAYA

An Exploration of self through Architecture

ishika shrivastava architecture portfolio

“ Shoot for the moon and if you miss, you’ll be among the stars” I am a person who believes in the originality and uniqueness of the creative process. The process surpasses the final product by miles. As a budding architect, I aim to practice this profession with utmost ethics and principles, and I strive to not fall prey to the tempting art of Plagiarism. I enjoy Architectural Skecthing, Singing and doodling. Conceptualizing ideas is someting I profoundly enjoy.

ISHIKA SHRIVASTAVA Budding Architecture Student Hi! I Am a student at R V College of Architecture, currently pursuing 4th year of Architecture undergraduate. I have an interest in High-tech and Postmodern buildings, and have a futuristic inclination in my designs. I am more of a hands-on person and good with conceptual skills. I love exploring simple,unique and innovative designs.

+91 7358564450 ishikashrivastava75@gmail.com

Education

Competitions

R.V. College of Architecture, Bangalore

2022 2020 2020

2016-2018 2016-2018

2020

2018-2023 2018-2023

D.A.V. Sr. Secondary School, Chennai

Software Skills

Runners up in Single Family Housing - Solar Decathlon India-22 Participated in Archasm Street Furniture Design Competition Won the D’Source Corona Design Challenge under Interactive design category Participated in D-Source Corona Design Challenge - Poster Design

Workshops and Work Experience Participated in Bamboo Workshop Participated in a design Workshop conducted by Nazariya Participated in a design Workshop conducted by Haffele Interned as a Graphic Designer at Material Depot

2019 2019 2021 2021

Publications 2020 2021 2020 2020

Cover Art for Kalpa Newsletter -2020 An analysis of a migrant’s life in Kalpa Newsletter -2021 Cover Art for song ‘Uncooked Blues’ Cover Art for podcast ‘Soul Valley’

Co- Curricular Activities 2022 2017 2022 2022

Graphic Design

Head Of Graphics Committee - RVCA 2022 Cultural Secretary of DAV Sr Secondary School - DAV 2017 Designed the logo for RVCA Exhibtion College representative for the podcast Tales Beyond the Tackboard

Product Design

Architecture Design

Interior Design

Landscape Design

Urban Design

MORPHED TOWN//FACTORY FACTORY SPACE SEM-5, 2020-21

Location: Kanakapura, Bangalore, India

MORTALS// IMMORTALS

[UN]ACADEMY - CAMPUS DESIGN SEM-6, 2021

Location: MG Road, Bangalore, India

MISCELLA

ANEOUS

ARCHITECTURE AGAINST DEATH

CHILD’S PLAY - INTERIOR DESIGN FOR CAS HOLMAN SEM-7, 2021

Location: MG Road, Bangalore, India

WORKING DRAWINGS

WORKING DRAWINGS SEM: 6-7, 2021

IT’S IT’S A A CENTUR CENTUR IT’S A CENTUR IT’S A CENTUR

MORPHED TO

SEM-5

Location: Kanakap

Capitalism came dressed as a boon to any c it or the potential it came along with. But, it d Suddenly, the process wasn’t accounted for gap between the poor and rich to widen an between the working class and the privilege worlds. Most of the working class was found to met with an extremely negative conno

RY RY OF OF THINGS THINGS RY OF THINGS RY OF THINGS

OWN FACTORY

5, 2020-21

pura, Bangalore, India

civilization that saw any kind of significance to didn’t seem to do a lot of good in the long run. anywhere, only the end result. This lead to the nd widen only from this point on. The disparity e class lead to the formation of two different o be in factories, and the factory spaces were otation. How does one bridge the gap?

A CENTURY OF THINGS MORPHED TOWN//FACTORY

In this factory space, the user and the workers there, both would enter this new realm of factory space, where every notion that has caused a disparity between the industrial world and the suburban world would be questioned and lost. With the factory space akin to that of a town, the space would be perceived in a new manner entirely. A perception where the space is met with a lot more warmth and curiosity. This factory space also targets at enhancing the street like spaces between any two blocks by making them more driven by senses. The user is met with stimulations targetted at olfactory, auditory and visual senses. The public realm thereby, is appreciative of the process, since they get to see it at an extremely intimate level.

The following factory spaces take place in this morphed town/factory: • Embassy of smell: perdumery • Monkey Factor: Plant Retail • Cross stitch: Quilt Making • Letter of Spirit: Print Making • 24FPS: Short Film Studio • Game of mirros: Glass making • Theorem Pythogars: Glass Making • Common Estates

MORPHED TOWN FACTORY The project aims at bridging the gap between the factory realm and the public realm. When asked to visualize a factory space, the only imagery that comes to one’s mind is that of highly mechanized intimidating equipments, a dusty foreground and inability to comprehend the process that goes behind the processing of any product. By creating street like spaces between all the seven factory spaces and creating a more intimate experience for the public realm to experience the factory space, the outlook of the factory space could get enhanced. These streets resemble that of a small medieval town, where the senses get enhaced everytime somebody walks through them

TEXTILE TEXTILE

EXHIBITION SPACE EXHIBITION SPACE But, this morphed town/factory is not just limited to its street like spaces and the built encompassing the majority of the massing, the public realm also gets to appreciate the product that gets produced by the end of the process: the end result.

Senses that get enhanced:

Smell Smell Touch Touch Auditory Auditory Sight Sight

GROUND FLOOR PLAN Scale 1:500

PERFUMERY PERFUMERY

SECTION AA Scale 1:500

SECTION BB Scale 1:500

SECTION CC Scale 1:500

CROSS-STITCHIN CROSS-STITCHIN CROSS-STITCHIN

24 24 FPS FPS FPS 24

PLANT-RETAIL PLANT-RETAIL PLANT-RETAIL

NG NG NG

PRINT PRINTMAKING MAKING MAKING PRINT PERFUMERY PERFUMERY PERFUMERY

MORTALS//I MORTALS//I MORTALS//I MORTALS//I

[UN]CAMPUS - C

SEM-6

Location: MG Roa

What is the idea of a campus? Why do cam few questions we were asked to ponder upo of a campus, for me, originates from my prim Having shifted around a lot, the sense of belo important to me. Often, the campus I was a who had been there before me than it did, t question the very idea of a campus belongin

IMMORTALS IMMORTALS IMMORTALS IMMORTALS

CAMPUS DESIGN

6, 2021

ad, Bangalore, India

mpuses even exist to begin with? These were a on before commencing this project. The idea mordial memories of being a part of a campus. onging to a place, growing up, became very a part of, felt like it belonged more to the ones to me. Hence, with this project, I have tried to ng to no one and everyone at the same time.

MORTALS//IMMORTALS [un]CAMPUS

In a world where every campus out there feels alien and new, rusty and chipped to any new student entering it, this campus design, an idea of [un]academy aims at making every student entering the campus feel this sense of ownership that often goes amiss amongst students studying at age old campuses because they weren’t designed according to their needs. MORTALS//IMMORTALS helps every person entering the campus layer themselves onto the campus. They first get introduced to the forest of columns, where the student learns to unlearn by losing themselves in this forest. The forest manifests into these nest like bubbles where the learning takes place, allowing the student to ‘live in their own bubble’ but also help them spectate the streets they have been tucked into.

MORTALS//IMMORTALS is a campus design which aims at answering questions like ‘what it means to get lost in your own bubble of learning?’ and ‘why it is met with such a negativie connotation?’. The campus design resembles a forest of columns one could get lost in and discover themselves in these bubbles akin to sanctuatries of absolute truth.

An Activity plan of MG Road

A sectional view of one of the ‘bubbles’

“We have assigned clever pseudonyms to prevent recognition. Why have we kept our own names? Out of habit, purely out of habit. To make ourselves unrecognizable in turn. To render imperceptible, not ourselves, but what makes us act, feel, aand think. Also because it’s nice to talk like everybody else, to say the sun rises, when everybody knows it’s only a manner of speaking. To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I. We are no longer ourselves. Each will know his own. We have been aided, inspired, multiplied.” -Rhizome

GROUND FLOOR PLAN Scale 1:300 The Campus caters to five main areas of expertise: Visual, Verbal/ Auditory, Physical, Gastronomic and Virtual. It’s open to everyone and is very inclusive in nature. It lets the people admitting there layer themselves onto the forest, by letting them create their own areas of congregation for that particular academic year. They can do this by wrapping fabric around the forest of columns and activating these spaces. This way everybody who enters leaves a part of themselves onto the campus, immortalizing themselves amongst these bubbles - a manifestation of nest like spaces amidst the columns.

This is a detailed view around sometime in the evening. The main congregation area has increased activity as the day progresses. More people can be seen making their way through the campus to their respective bubbles akin to sanctuaries of absolute truth,

The campus works 24/7 making it safer and more inclusive in nature. The exhibition space is inflatable in nature, when in use it increases in size since its a pneumatic structure. The bubbles are there to learn in and for people to spectate the campus through.

VISUAL

LIBRARY EXHIBITION SPACE

ARCHITECTURE ARCHITECTURE A A ARCHITECTURE A ARCHITECTURE A

CHILD’S PLAY - INTERIOR D

SEM-

Location: MG Roa

The idea of a habitat, of a home, dates bac in our blood the need to look for a shelter an about the possibilities of the two being conn our body becomes so used to it, slowly wither That happens because the mind gets so use and to live. But what happens when eve challenged, what happens when we try to

AGAINST AGAINST DEATH DEATH AGAINST DEATH AGAINST DEATH

DESIGN FOR CAS HOLMAN

-7, 2021

ad, Bangalore, India

ck to the time of the cavemen. It’s so inherent nd the need to survive. But, we never wonder nected to each other. The space we inhabit, ring and decaying in this space we call home. ed to that space, it forgets to think, to breathe erything that one knew about a house gets o revisit our primordial memories of ‘home’?

ARCHITECTURE AGAINST DEATH INTERIOR DESIGN FOR CAS HOLMAN Cas holman, in her initial days had worked with Arakawa and GIns, the former an architect and the latter, a poet, two amateurs, who went on to question the very basics and conventions of architecture. The duo had outright declared that they have decided not to die, and have attempted to reverse the aging process and prevent death. Their main principle was to question everything why everything was the way it was. This lead to reimagining flooring and roofing conventions. A similar attempt was made to design Cas Holman’s [a toy designer] space. The playfulness, cognitive dissonance, and physical discomforts found in the space would help her creative mind stay alive and function with utmost effieciency. An aversion to right angles, and absence of symmetry, and a constant shifting of elevations would stimulate the immune system, sharpen the mind and lead to immortality.

COCNEPTUAL DIAGRAMS The above mentioned diagrams talk about how the plan came into being. The integration of play was very important to the design, since Cas holman is someone who believes that ‘Easy is boring’ and ‘Play is as essential as sleep’. Keeping her personality in mind, the design integrates sleep as much as play. After all, the goal is to evade death but also get a goodnight’s sleep simultaneoulsy while Cas tries to achieve that and more.

A slide that gets integrated from the first floor to the ground floor serving as an alternative means of circulation

This pop up workstation gets embedded in the wall and can be used as per Cas’ convenience

A hammide or slammock can be found in the backyard, or more like, Cas can be found relaxing in this on a sunny afternoon

GROUND FLOOR PLAN Scale 1:25

FIRST FLOOR PLAN Scale 1:25

SECTION AA Scale 1:25

SECTION BB Scale 1:25

Hempcrete is used as inlay for most of the walls. Hempcrete brick is a natural eco-friendly construction material that is widely used for the construction of green buildings. The benefit of hempcrete bricks is that it is fire resistance. Once the mixture set it will not catch fire. Hempcrete bricks are energy efficient and sustainable construction material.

Bio Plastics can be used to construct some of the slides in the design. Their flexibilty and their ability to be moulded into any shape makes them very favourable as a material choice. Bio plastics are biodegradable and a sustainable choice for interiors since its eco-friendly as an interior material.

FIRST FLOOR

GROUND FLOOR

BASEMENT FLOOR Material used for the tunnel taking Cas directly from ground floor to basement is Stainless Steel. The reason behind its usage being its resistance to corrosion and its lightness as a material. It is unlikely to tarnish, pit or deteriorate.

EXPLODED ISOMETRIC VIEW With all the three floors

WORKING WORKING D D WORKING D WORKING D WORKING

SEM: 6

This particular section of the journey highlig up until now. All the drawings in this section drafting software. All the drawings were d particular semesters. The drawings were base working drawings of our design which was ups The designing of the space took first follo

GENERAL NOTE 1 DRAWINGS TO BE READ, NOT SCALED. 2.DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT DETAIL DRAWINGS 3.ALL DIMENSIONS ARE IN MILLIMETRES

SCHEDULE

LIGHT

SUPPLY AIR DIFFUSER

RETURN AIR DIFFUSER

NO. DATE

TRAP DOOR

UPRIGHT SPRINKLER

SPEAKER

PENDANT SPRINKLER

SMOKE DETECTOR

REVISION

CONSULTANTS

XYZ

ARCHITECTS

CLIENT

PROJECT TITLE

DRAWING TITLE

DRAWINGS DRAWINGS DRAWINGS DRAWINGS DRAWINGS

6-7, 2021

ghts the technical skills that I have procured were done on AutoCad, an Autodesk digital done by me, guided by my mentors in those ed on the brief which required us to generate meant to be commercial with office spaces stairs. owed by generating the working drawings.

ELEVATION

SCALE: 1:150

DATE : 29/05/2020

DRAWN BY:

CHECKED BY:

ISHIKA SHRIVASTAV JOB NO:

SHEET NO: 20 REVISION NO:

200

12000

6000

50000

6000

14000 200

6000

2000

6000

12000

RAMP SLOPE RATIO-1:10 30M

TOWARDS BASEMENT-1

-3M

14 14

ENTRY

2 0M

6000

FIRE TRUCK MOVEMENT

25742 230

11500 1900

6000 5996

D19

D17

1758 AHU ROOM

ST D1

D21

7803

5632

6398

1385

2212

FIRE ESCAPE STAIRCASE

D12

D22

D11

TOILETS D10 ST

8080

9635

1900

700

6133

6000

18600

8090 8086

2623

MANAGER'S OFFICE

RETAIL SPACE

FIRE ESCAPE STAIRCASE

ENTRY

09M

STORAGE

7460 7462

1000

5164

FEMALE TRIAL ROOMS

MALE TRIAL ROOMS

BILLING COUNTER

8675

1500 ENTRY FOR OFFICE PEOPLE

OHT

34 9 10

10450 10452

20942 FLUSHING PIPE LINE 75MM DIA DOMESTIC PIPE LINE 75MM DIA PHE SHAFT

3300

STAIRCASE HEAD ROOM

9160

6000

2335

DG Y ARD

9485 FIRE ESCAPE STAIRCASE

FIRE SHAFT

DA RAMP RAMP SLOP RATIO-1:12

50000

STORAGE FOR OFFICIAL FILES

919

ROAD

D13

ELV SHAFT

15552

6004 6000

091M

LIFT SHAFT

5099 0

BMS CONTROL ROOM

25742

D18 ST

D16

HT YA

D15

8000

1000

D14

500 F

EXIT

2000

COOLING TOWERS

PART SECTION TERRACE

40000

COORDINATED SITE PLAN

250

BEAM STIRRUPS

100

550

SMOE DETETCTOR PENDANT SPRINLER SUPPLY DUCTS SPEAER UPRIGHT SPRINLER

600

SMOE DETECTOR CABLE TRAY 600600 RETURN DIFFUSER 600600 PHILIPS PANEL LIGHT

2800

400

745

200

1200

600

600600 GRID FALSE CEILING

PART SECTION WITH FALSE CELING

PART SECTION AA

SCHEDULE

D16

2900

115

450

1385

D13

DRAWN BY:

CHECKED BY:

1000

2335 D14

D15

1385

DOMESTIC PIPE

D10 ST

REVISION

NO. DATE

CONSULT

XYZ ARCHITECTS

ARCHITE

1200

CLIENT ENTILATORS

PROJECT TITLE

2292

1065

6398

600

250

091M

DRAWING TITLE

230MM THIC ETERNAL WALL

PROJECT

GF TOILET FLOOR PLAN-SERVICES BEAM STIRRUPS

MIRROR WITH GLAING

745

555

514

234

600

SCALE: 1:150

DATE : 29/05/2020

DRAWN BY:

CHECKED BY:

SMOE DETETCTOR PENDANT SPRINLER

ISHIKA SHRIVASTAV JOB NO:

1023

D10 ST

550

TOILETS

100

D11

400

200

1200

3600

300

253

2800

1385 3580

500

D12

WATER PIPE

230300MM EAM WITH STIRRUPS

2212

1200

300

ST D1

1200

D13

FLUSHING PIPE

CLIENT

D18 ST

400

300

SCHEDU

TOILETS

SOIL PIPE

COOLING TOWERS

D17

D16

5632

1 DRAWIN 2.DRAWIN RELEVAN 3.ALL DIM

XYZ

1758 PART SECTION TERRACE

GENER

SCHEDULE

D11

STAIRCASE HEAD ROOM

DOMESTIC PIPE LINE 75MM DIA PHE SHAFT

REVISION NO:

400

1723

115

DRAWING

SUPPLY DUCTS

SHEET NO: 15

SPEAER RCC

TOIL

UPRIGHT SPRINLER

REVISION NO:

SMOE DETECTOR CABLE TRAY 600600 RETURN DIFFUSER 600600 PHILIPS PANEL LIGHT

SCALE: 1:1

600600 GRID FALSE CEILING

ISHIKA S

CERAMIC TILING WITH GROES300300

2343 SUNEN SLA FILLING

DRAWN BY

JOB NO:

300

9865

TOILET CROSS-SECTION PART SECTION AA

270

600

200

650

1200

400

600

D12

NO. DATE

1900

SHEET NO: 20

KEY PL

CONSULTANTS

FLUSHING PIPE LINE 75MM DIA

450

JOB NO:

ST D1

TOILET FLOOR PLAN

OHT

ISHIKA SHRIVASTAV

TOILETS

3300

DATE : 20/08/2021

364

1000

SCALE: 1:50

D13 D9

1500

PART SECTIONS- OVERVIEW

D11

1 DRAWINGS TO BE READ, NOT SCALED. 2.DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT DETAIL DRAWINGS 3.ALL DIMENSIONS ARE IN MILLIMETRES

1385

D10 ST

TOILET FLOOR PLAN

D12

091M

TOILETS

PROJECT TITLE

1758 D18 ST

GENERAL NOTE

300

2300

990

D11

ST D1

KEY PLAN (NOT TO SCALE)

300

091M

D18 ST

D10 ST

5632

CLIENT

D17

091M

ST D1

5632

D16

5632

300

ARCHITECTS

DRAWING TITLE

D15

6398

D12

D17

D18 ST

XYZ

D13

D14

2212

D15

1300

CONSULTANTS

3015

D14

1495

2212

D17 1763

D16

1385

D15

REVISION

300

D14 NO. DATE

450

DOMESTIC PIPE

1900

450

FLUSHING PIPE

WATER PIPE

2212

SOIL PIPE

CABLE TRAY SMOE DETETCTOR PENDANT SPRINLER SPRINLER PIPE CONNECTING TO FHC SHAFT

BEAM STIRRUPS SPEAER SUPPLY DUCTS 600600 LIGHT PANEL UPRIGHT SPRINLER

RETAIL 600600 GRID FALSE CEILING

PART SECTION-BB

PART SECTION WITH FALSE CELING

200

6000

50000

6000

14000

12000

RAMP SLOPE RATIO-1:10 30M

TOWARDS BASEMENT-1

-3M

12000

6000

2000

900

6000

200

12000 6000

1414 2

ENTRY

6000

14000

6000

FIRE TRUCK MOVEMENT

500 F

160 H

230

6000

1730

1680 2380 FIRE ESCAPE STAIRCASE

LIFT SHAFT

ELV SHAFT

3541

750

1200

9485

2500

5500

6000

DA RAMP RAMP SLOP RATIO-1:12

30000

5000

15552

700

4317

STORAGE FOR OFFICIAL FILES

500

7000

1200

2000

911

4 3 2

D11

1900

9635

1317

8080

2488

2890

9 8 7 6 5

20 21 22

2400

TOILETS D10 ST

50990

6000

D11

HT YARD

1800

1750 D12

BMS CONTROL ROOM

1500

14 15 16 17 18 19

1200

D10

0.91M

D13

5591

1000

4465

11 10

2000

AHU ROOM

2212

1385

6398

5632

7803

12 13

2080

D17

D16

D18 ST

50000

8000 2400 D15

1758

25742 11500 1900

D14

919

1300 911

1200 1245

D12

3982

ROAD

1171

6133

2230

DG YARD

2623

995

MANAGER'S OFFICE

18600

8090

919

D13

4475

3919

ENTRY

2512

1200

5472

1100

2100

6000

2100

900

4435

ENTRY FOR OFFICE PEOPLE

1855 1970

8675

1855

900

2299

BILLING COUNTER

1317

RAMP SLOPE RATIO-1:10 30M

6160

STORAGE

1030

0.9M

D4 D22

700 700 MALE TRIAL ROOMS

4773

D14

700

1100

1800 D21

4320

1200 FEMALE TRIAL ROOMS

D20

5087

D19

D18

1667

1520

7460

D17

1800

1200

D15

D16 D5

5164

1200

RETAIL SPACE FIRE ESCAPE STAIRCASE

1200

1900

700

FIRE SHAFT

12000

2235

TOWARDS BASEMENT-1

9160

20942

40000

-3M

6000

12000

EXIT

2000

10450

103

KEY PLAN (NOT TO SCALE)

K 0M

6500

905

2000

3120 2000

1000

6300

911

3045

FRESH AIR SHAFT

911

6646 2

1200

FRESH AIR FRESH VENTILATION AIR ROOM VENTILATION ROOM

8090

ELV SHAFT

2860

3919

2802

2805

FIRE ESCAPE STAIRCASE

EXHAUST AIR EXHAUST AIR VENTILATION VENTILATION ROOM ROOM

ARCHITECTS

3509

911

700

2090

D3 D8

1200

LT PANEL (CONNECTIONS TO HT YARD AND DG SET)

6000 15552

3859

1200

3120

2890

5221 2000

700

820

2000

2230

1000

2000

1885

700 6510

3700

17900

2890

2185

1400

720

1385

6000

1292

1678 8080

3982

2230

18600

8017

1890

3569

RECEPTION

3282

700 1414

ASST. MANAGER'S CABIN4675

8675

2100

5 EXHAUST AIR SHAFT

PROJECT TITLE

4700

2090

P10

LIFT LOBBY

1855

7462

P19

P18

P17

P16

P15

P13

P14

P12

P11

10450

9160

MANAGER'S CABIN

1972

2355

ASST. MANAGER'S CABIN

700 D4

2342

4406

700 D5

2977

2100

5029

1292

700

1855

2100

2600

700

2275

2445

CLIENT

1910 700

1970

5000

1287

ASST. 3520 MANAGER'S CABIN

1894

6640

6000

1400

4728

7460

3605

4662

23750

6000

8090

NO P7

700 5162 4-SEATER MEETING ROOM

750

CONFERENCE ROOM

3942

7.6M

FIRE ESCAPE STAIRCASE

ELECTRICAL ROOM P6

2532

REVISION

XYZ

11.6M

ELV SHAFT

911

CONSULTANTS

8705

SMOKE DETECTOR

3 NO. DATE

SECURITY CHECK

1580

SPEAKER

PENDANT SPRINKLER

2380 LIFT SHAFT

D9 D4

FIRE SHAFT

WORKSPACE

UPRIGHT SPRINKLER

D6 STORAGE/PANTRY

TRAP DOOR

1600

965

1200

5500

LIGHT

RETURN AIR DIFFUSER

1350

1627

D10

SUPPLY AIR DIFFUSER

FIRE ESCAPE STAIRCASE

DB FROM ALL FLOORS

ELDB

3000

LDB

5248

750 750

911

D24 RPDB

D11 WOMEN'S D7 TOILET

3943

SCHEDULE

D23

2770 DISTRIBUTION BOARD ROOM

6646

4702

ELV SHAFT

LIFT SHAFT

2380

SECURITY CHECK

1 2. R 3.

7787

D22 D15

UPS DB

7.61M

SERVER ROOM

750

3884

D21 D14

FIRE PUMP ROOM

14543 FIRE PUMP ROOM

7.6M

FIRE ESCAPE STAIRCASE

832

D20

5591

D12 D8

11.6M

BREAK ROOM

2710

D14

DA WASHROOM D13 D9

D15 D10

AHU ROOM

D16

5632

7.61M

D19

MEN'S TOILET

D17 D11

6000

913 19

D12 D18

25600

1200

6482

230

7339

1 DRAWINGS TO BE READ, NOT SCALED. 2.DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT DETAIL DRAWINGS 3.ALL DIMENSIONS ARE IN MILLIMETRES

230

11500 800

LIFT SHAFT

26462

3237

2500

GENERAL NOTE

DRAWING TITLE

TYPICAL OFFICE FLOOR PLAN - RCP 30482 A

200

12000

50000

6000

14000 200

6000

2000

6000

900

6000

12000

ENTRY

6000

2400

230

25742 11500 1900

6000

160 H

8000 5591

2488

500 F

2890

OFFICE FLOOR REFELCTED CEILING PLAN 1800

1200

ELV SHAFT

3541

750

1200

CHECKED BY:

700

9485

4317

D13

1900

ENTRY

09M

2100

ENTRY FOR OFFICE PEOPLE

900

4435

900

5472

1855

1100

2100

1855 1970

8675

5087

BILLING COUNTER

6160

STORAGE

D22

1317

2512

1200

1800

D14

700

D21

2299

D20

700 700 MALE TRIAL ROOMS

4773

1100

D19

FEMALE TRIAL ROOMS

1030

4320

1200

D18

1800

1800 1520

7460

D17

1667

1200

D15

D16 D5

5164

3919

1200

4475

1200

RETAIL SPACE

FIRE ESCAPE STAIRCASE

BASEMENT FLOOR REFELCTED CEILING PLAN

ROAD

1245

1200

DG YARD

1171

6133

2230

1300

D12

3982

911

18600

8090

2623

995

MANAGER'S OFFICE

700

FIRE SHAFT

REVISION NO:

919

DA RAMP RAMP SLOP RATIO-1:12

SCA

SHEET NO: 12

5000

15552

1317

8080

LIFT SHAFT

D11

2500

500

50000

2380

FIRE ESCAPE STAIRCASE

2400

DRAWN BY:

TOILETS

D10 ST

1900

9635

STORAGE FOR OFFICIAL FILES

50990

6000

D11

HT YAR D

D10

1750

D12

1730

1680

7000

8 7

091M

D13

BMS CONTROL ROOM

1500

4465

15 16 17

2000

2212

1385

6398

5632

AHU ROOM

7803

911

1758

D18 ST

2080

D17

D16

1000

D15

2000

D14

DATE : 29/05/2020

JOB NO:

FIRE TRUC MOVEMENT

SCALE: 1:150

ISHIKA SHRIVASTAV

RAMP SLOPE RATIO-1:10 30M

TOWARDS BASEMENT-1

-3M

2235

9160

2000

EXIT

6000

10450

10 34 9

20942

40000

GENERAL NOTE 1 DRAWINGS TO BE READ, NOT SCALED. 2.DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT DETAIL DRAWINGS 3.ALL DIMENSIONS ARE IN MILLIMETRES

3015

1495

1300

1763 1300

1200

KEY PLAN (NOT TO SCALE)

115

300

2900

DOMESTIC PIPE

300

WATER PIPE

450

FLUSHING PIPE

450

SOIL PIPE

450

SCHEDULE

GENER

REVISION

300

67.7

2300

NO. DATE

KEY PL

1 DRAWIN 2.DRAWIN RELEVAN 3.ALL DIM

300

990

XYZ

1000

CONSULTANTS

SCHEDU

37.5

364

ARCHITECTS

1385

16 35 1200

75 37.5

15 15

20 300

10 13,7 10

230300MM EAM WITH STIRRUPS

CLIENT

3 EURO-HINGE DETAILS

230MM THIC ETERNAL WALL

300

DETAILS

ENTILATORS

1065

3580

500

400

REVISION NO:

CONSULT

ARCHITE

2292

3600

CHECKED BY:

SHEET NO: 20

1200

DRAWN BY:

1200

67.7

35 DATE : 20/08/2021

15 15

300 SCALE: 1:50

5 20

10 13,7 10

400

PART SECTIONS- OVERVIEW

JOB NO:

NO. DATE

XYZ

DRAWING TITLE

ISHIKA SHRIVASTAV

TOILET LONGITUDINAL SECTION PROJECT TITLE

SPRINLER

CLIENT

DUCTS 00 LIGHT

00 LSE CEILING

C 6000

TIRRUPS

B 6000

141

RAY DETETCTOR T SPRINLER ER PIPE TING TO FHC SHAFT

A 12000

TELESCOPIC CHANNEL PROJECT

A A'

3200

KAFF HOB (780X450X60)

GRANITE SLAB 25 MM

LG FROST FREE REFRIGERATOR

BRICK MASONRY (230X115X75)

4030 780

601

KAFFE HOB (780X450X60)

601

2362

468

426

LG FROST FREE REFRIGERATOR

115

A A'

LG FROST FREE REFRIGERATOR

KAFF HOB (780X450X60) 450 780

601

LG FROST FREE REFRIGERATOR

CHIMNEY

KAFFE HOB (780X450X60)

601

2362

900 468

468

426

1200 115

115

1 101

LG FROST FREE REFRIGERATOR

450

KENT RO WATER PURIFIER CABINETS CABINETS

HENKE

PIGEON PRESSURE COOKER

600 367 CABINETS CABINETS CABINETS CABINETS

CABINET FOR STORAGE

600

73 350

HENKE HENKE

STAINLESS STEEL WIRE BASKET

CUTLERY

PIGEON PRESSURE 3430 COOKER 1495 SINK CABINET

250

Beer Beer

leoville leoville

KAJARIA CERAMIC TILES (300X300)

SHELF STORAGE

MIXER MIXER

STORAGE FOR HEAVY UTENSILS

BRICK WALL (230X115X75)

STORAGE FOR HEAVY UTENSILS

STAINLESS STEEL WIRE BASKET

CUTLERY CUTLERY

65 1495

426

361

426

SHELF SHELF STORAGE STORAGE

426

STORAGE STORAGE FOR FOR HEAVY HEAVY UTENSILS UTENSILS

3800

SS HANDLE

115 LG LG MICROWAVE MICROWAVE

BLOCK BOARD DRAWER BOX

1100

600

426

STORAGE STORAGE FOR FOR PLATES PLATES

3800

OVEN OVEN SKIRTING

TILE DADO

CENTURYPLY BWR PLYWOOD

STORAGE STORAGE FOR FOR HEAVY HEAVY UTENSILS UTENSILS

426

361

426

A A'

3800 SS SS HANDLE HANDLE

OUTER PLAN

600

CENTURYPLY WATERPROOF PLYWOOD

900

A A'

OUTER PLAN 300

307

381

BACKING SHEET 6MM

3800 150

300

6 35 SHELF STORAGE 3800

SHELF STORAGE

307

381

CENTURYPLY WATERPROOF PLYWOOD

417

449

OUTSIDE ELEVATION

FFL

20 25

1169

20MM SCREED FFL

575

BRICK WALL

440

CHIMNEY CHIMNEY

417

449

575

SECTION AA Scale: 1:20

1200

CABINETS FOR STORAGE

CAROUSEL CORNER UNIT

SS HANDLE

SHELF STORAGE

FRAME INSIDE

300

INSIDE

CABINETS FOR STORAGE

FRAME

CABINET FOR BOTTLES

562

897 20

fafafD

1200

OUTSIDE

fafafD

OUTSIDE

BRICK WALL

3000

KAJARIA CERAMIC TILES SS SS HANDLE HANDLE (300X300)

1685 20

20 20MM SCREED

BWR PLYWOOD SHUTTER

Scale: 1:20

LG LG FORST FORST FREE FREE REFRIGERATOR REFRIGERATOR

397

SHELF STORAGE

1502 1169

KITCHENCROSS SECTION

35 SHELF STORAGE

TOWEL TOWEL STAND STAND

25 150 25

FRAME

897 20

SS HANDLE

SHELF STORAGE

200

60 27 25 100

200

TILE DADO

CENTURYPLY BWR PLYWOOD

440

CHIMNEY

BWR PLYWOOD SHUTTER GRANITE GRANITE SLAB SLAB 25MM 25MM

CAROUSEL CORNER UNIT

BACKING SHEET 6MM

150

SKIRTING

1685

3000

600 240

240

Scale: 1:20

LG FORST FREE REFRIGERATOR

397

Scale: 1:20 SHELF STORAGE

KITCHEN OUTER ELEVATION

Scale: 1:20

1502

115

BLOCK BOARD DRAWER BOX

OUTSIDE ELEVATION

3800

KITCHEN FLOOR OUTER PLAN

TOWEL STAND

100 25 110 150

BRICK WALL (230X115X75)

426

GRANITE SLAB 25MM

562 60 291 25

BACKING SHEET 6MM

75 900

SPICE RACK

367

STORAGE FOR PLATES

13 19 600

13 BACKING SHEET 6MM

600

LG MICROWAVE OVEN

1100

SINK CABINET

3000

110 19

MIXER

KENT RO WATER PURIFIER

3200

562 900 291

350

1 101

3430

250 1200 50

Beer

leoville

KAJARIA CERAMIC TILES (300X300)

3200

CABINET FOR STORAGE

CHIMNEY 600

SPICE RACK

MIXER

600

LG MICROWAVE OVEN

LG LG FROST FROST FREE FREE REFRIGERATOR REFRIGERATOR

115

1 101

115

3200

MIXER 600 BRICK MASONRY (230X115X75)

GRANITE SLAB 25 MM LG MICROWAVE OVEN

4030

115

SHELF STORAGE

FRAME

OPEN

3200

300

CABINETS CABINETS FOR FOR STORAGE STORAGE

CABINETS FOR FOR CABINETS STORAGE STORAGE

GRANITE SLAB 25MM

SS HANDLE HANDLE SS

SHELF STORAGE

MIXER

19 600 CABINET FOR FOR BOTTLES BOTTLES CABINET

INSIDE

INSIDE CLOSED

LG MICROWAVE OVEN

562 ffaaffaaffDD

20 100

fa faf faaf fDD

faffaaffaDfD

ffa affa affD D

1502 KAJARIA CERAMIC TILES (300X300)

3000

SINK 3200 CABINET

SHELF STORAGE

25 150

STAINLESS STEEL WIRE BASKET

OPEN

MIXER MIXER

240 600 GRANITE SLAB 25MM WINDOW

20 75 100

1502 100 SINK CABINET

STAINLESS STAINLESS STEEL STEEL WIRE WIRE BASKET BASKET

407

408

407

STUDENT NAME:

CLOSED

LG LG MICROWAVE MICROWAVE OVEN OVEN

200

SOFT CLOSE HINGE

ISHIKA SHRIVASTAVA

Scale: 1:2

USN:

SOFT CLOSE HINGE ISHIKA SHRIVASTAVA SUBJECT CODE: PLATE NO. 6 1:2 USN: SEM: 18ARC72 2 KITCHENScale:CABINET SOFT

200 KAFFE HOB

100

900

75 19

407

408

407

3800

CABINET/INNER PLAN

CLOSE DETAILS

480 6

SUBJECT NAME: PLATE TITLE:

SHEET NO. SEC:

MATERIALS AND METHODS IN KITCHEN BUILDING CONSTRUCTION VII

19MM 19MM BWR BWR CENTURYPLY CENTURYPLY PLYWOOD PLYWOOD

Scale: 1:20

IRW18AT047

INSIDE ELEVATION

Scale: 1:20

407

KITCHEN STUDENT NAME:

240 19MM BWR CENTURYPLY PLYWOOD

WINDOW

SEC:

PLATE TITLE:

3800

SEM:

IRW18AT047

25 150

480

INTERNAL MARKING: GO CHANGE THE SUBJECT CODE: PLATE NO. SHEET NO. WORLD 1 LATE 2

KAFFE KAFFE HOB HOB

18ARC72

900

SUBJECT NAME: (Marks)

MATERIALS AND METHODS IN BUILDING CONSTRUCTION VII (Faculty Names)

CABINET/INNER PLAN

INSIDE ELEVATION

2 KITCHEN FLOOR INNER PLAN

4 KITCHEN INNER ELEVATION/SECTION

Scale: 1:20

INTERNAL MARKING:

Scale: 1:20

LATE LATE

(Marks) (Marks) (Faculty (Faculty Names) Names)

GO CHANGE THE WORLD

OHT

GF-RETAIL 261M

C WORKSPACE GF-RETAIL

230 mm THK BRICK WALL

GF-RETAIL 177M

300

STORAGE SPACE FOR TOPS

WORKSPACE

STORAGE SPACE FOR BOTTOMS

CLOTH HANGER SPACE FOR BOTTOMS

GF-RETAIL 135M

940

SPACE FOR SPORTS WEAR

CLOTH HANGER SPACE FOR FORMAL CLOTHES

WORKSPACE

SHELF SUPPORT

300

SPACE FOR SPORTS WEAR

300

STORAGE SPACE

450

LINEN STORAGE

370

CLOTH HANGER SPACE FOR BOTTOMS

WORKSPACE

300

GF-RETAIL

DRAWER FOR JACKETS

10MM THK PLYWOOD

DRAWER FOR ACCESSORIES

130

93M

255

DRAWER FOR ACCESSORIES

SPACE FOR INDIAN WEAR

870

STEEL STR AS A HANGER ROD

130

210

LINEN STORAGE

1090

370

300

20MM THK PLYWOOD

219M

LINEN STORAGE

RETAIL GF-RETAIL

400

DRAWER FOR WINTER CLOTHES

BASKET FOR STORAGE

RETAIL GF-RETAIL

100

CLOTH HANGER SPACE

255

400

51M

BASKET FOR STORAGE

80 800

800

09M

240

GF-RETAIL -4M

WARDROBE SECTION ELEVATION (INSIDE) 1:10

SEC AA (1:10)

230 mm THK BRICK WALL 20MM THK PLYWOOD

SHELF SUPPORT

5,75

STORAGE SPACE FOR TOPS

300

1090

CLOTH HANGER SPACE FOR FORMAL CLOTHES

LINEN STORAGE

STORAGE SPACE FOR

20MM THK PLYWOOD

EURO HINGE

GF-RETAIL -10M

FALSE CEILING

GE FOR MS

GF-RETAIL -7M

450

135

OFFICE BUILDING CROSS-SECTION

MISCELLANEOUS MISCELLANEOUS AN AN MISCELLANEOUS AN MISCELLANEOUS AN

COMPETITION ENTRIE

SEM-1-8

ND ND COMPETITION COMPETITION WORKS WORKS ND COMPETITION WORKS ND COMPETITION WORKS

ES AND ILLUSTRATIONS

8, 2018-22

5.1

SOLAR DECATHLON SINGLE FAMILY HOUSING - A NZEB

FORM ANALOGY

P A S S I V E D E S I G N S T R A T E G I E S

Situated in Harohalli, Ramnagar, this project was meant to be retreat away from the hustle of the city apart from it being NZEB. There are 2 occupants there residing on a permanent basis and 4 adults and 4 children residing there on an occassional basis. The sun path diagram when superimposed on the site, helped us generate the initial form which was shaped like a trapezium, then studying it further helped us stagger the walls along NW for self shading and place a courtyard to accommodate the wind flowing from NW-SE.

GROUND FLOOR PLAN

FIRST FLOOR PLAN

Roof and terrace

First Floor Mood Board

Ground Floor

The project had the following features: The ground floor comprised of a living room, a dining room, a kitchen, utility area, a courtyard and a storage room. The ground floor had outdoor spaces like an outdoor patio and an outdoor workshop area in adherence with the concept of wellness, since the project is a retreat away from the hustle of the city. The first floor comprised of 2 bedrooms, with one attached bathroom and one common bathroom. It also had a loft space and a multi purpose recreational space.

5.2

ILLUSTRATIONS ‘Who am I?’

‘Everything is a simulation’

‘Reality - a dystopian movie’

COVER ART FOR KALPA NEWSLETTER-2020

LOGO FOR DIMENSIONS-14 AN EXHIBITON BY RVCA ALBUM COVER ART

BASED ON INVISIBLE CITIES BY ITALO CALVINO

@snakitysnakeskin This portfolio is solely created for the purpose of internships in Architectural Firms. All works are carried out by Ishika Shrivastava, unless mentioned otherwsie. Ph: +91 7358564450 E-mail: ishikashrivastava75@gmail.com