architecture
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francis victor lim
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01.
shameless self promotion.
parametic design.
Notes:
Extruded Aluminium Thermosash unitised high performance transom. 160mm. PW800 Mullions
Thermosash unitised high performance panel system window sill - 160mm PW800.Refer to engineers specifications
SARC 321 CONSTRUCTION ASSIGNMENT 3: FACADE CLIENT:
ARCHITECT:
Guy Shaw
Francis Lim
SITE:
222 Wakefeild ST, Wellington, New Zealand TITLE:
3D Cutaway - Detail
SCALE AT A3:
1:20
DATE:
13/10/2015
DRAWNG NO:
A305
hobby, travels
200 x 800 Steel Out Trigger
canon EOS 600D, 18-55/3.5-5.6 ISO 2012 - present
800 Galvanized Steel Maintaincance Catwalk
personal photography.
Extruded Aluminium Unit Frame. Refer to engineer specifications
Thermosash unitised high performance panel system window head - 160mm PW800.Refer to engineers specifications
09.
Dimond Hibond Composite Steel Flooring W/ 110mm Reinforced Concrete Topping. PolishedFinish
- All dimensions and levels to be checked on site before commencing work, any discrepancy shall be 13mm GIB Quietline Suspended adjusted to builders and engineers 1200 x 600mm Ceiling Tile specifications
CAD. technical knowledge.
08.
Insulating Curtain Glass Wall with Low-E Coating in Thermosash high performance seismic frame
- Architectural Drawings shall be read in conjuction with all relevant Engineers documentation
core + facade detail drawings technical, construction
Extruded Aluminium Thermosash PW800 Mullions
sarc 321 - victoria university, wellington VUW 2014, 2015
digital, drawing, model making.
Extruded Aluminium Thermosash PW800 Mullion @ 1500 spaced Centers
construction drawings.
Stainless Steel Spandrel Panel with Insulation
earthquake museum commercial, memorial.
arci 312 - victoria university, wellington VUW 2015
a means to catharsis.
05.
digital, drawing, model making.
- All Work shall comply with the N.Z.B.C, and all other relevant and associated standards, codes and Territorial authority by-laws.
school of music education
harmoninity.
04.
arci 312 - victorua university, wellington VUW 2015
2
analogue + digital installation, folley, canopy.
arci 362 - victoria university,wellington VUW 2015
fo lde d, w e av e d + s tr e t c he d.
07.
model making.
masak, makan food & beverage.
arci 311 - victoria university, wellington VUW 2015
is it time to cook? is it time to eat?
06.
digital, virtual reality, model making.
HDB government housing residential
design 8 - national university of singapore NUS 2016
skygallery @ dawson.
03.
digital, model making.
heritage retrofit/ rejuvination student residential HUB
[re] cuba - the king & jester
arci 412 - victoria university, wellington VUW 2016
about me.
f r ancis lim. VUW architectural graduate. [bas] Contact
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+64
277168001
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francisvictor.lim@gmail.com
work experience:
Mar 2015 - Dec 2015 Contact Centres New Zealand Careers Advisor - Telesales Marketer Outbound Calling to Australia - Part Time
Oct 2014 - Mar 2015
Stupendous Enterprises Limited Grocery Employee Newlands New World - Part Time
01.
4
Mar 2013 - Jul 2013
a
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Banks Group Limited.
Retail Salesperson Bank Shoes Liquidation Store - Part Time
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Wellington,
skills gained at work:
Developed fast on the spot thinking, vocal articulation and how to build rapport within a pressured environment. Also learned to adapt within a changing work environment. Developed organization and initiative skills from a basic job. Learnt to work and cooperate within a team and group Ability to adapt to pressure, along with the development of people skills and management eg. customer service.
education: National University of Singapore (NUS), School of Architecture Singapore, M.Arch (Prof.) Exchange, Victoria Abroad Scholarship Grant [2016] Victoria University of Wellington (VUW), School of Architecture M. Arch (Prof.), Architecture [2016 - 2017] Victoria University of Wellington (VUW), School of Architecture BAS, Architecture [2013 - 2015]
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i like architecture. i like photography i like to travel.
NZ
St Patrick’s College (SPC), Kilbirnie, Wellington NCEA Level 1,2 & 3 (Merit), College Diploma [2008 - 2012] NZ Red Cross Comprehensive First Aid Course Qualified and achieved the CPRL2 requirements [2010]
installation / exhibition / published / online: 2016 | Community - Virtual/ Actual, Design 8 Studio Project Compilation. National University of Singapore, School of Architecture (NUS) End of Year Exhibition 2016 VUW School of Architecture Cuba + Dixon Heritage Restoration Scheme, Wellington City Council 2015 | End of Year Exhibition 2015 VUW School of Architecture
skillsets: Photoshop Illustrator InDesign Autodesk Revit Autodesk 3DS Max Phinoceros 5.0 -Grasshopper Sketch Up Drawing & Model Making VR Visualization
..... ..... .... .... ... .... ... ... ...
reference: Michelle Duffy Form Teacher 2009 - 2012 St Patrick’s College, Kilbirnie E: mduffy@stpats.school.nz P: 027 5245222 Anneke Prins Tutor in Research Design Methodologies VUW School of Architecture E: anneke_prins@hotmail.com
5
the k ing + the je ster
02.
VICTORIA UNIVERSITY (VUW) 4TH YEAR tutor: VICTORIA WILLOCKS (VUW Faculty) The idea of Heritage is defined as something that is handed down from the past, envoking a sense of nostalgia. Cuba x Dixon design studio explores the idea of refortification of design within the urban densification that is occuring within the built environment today. Therefore careful and with a virtuoso sense of craft and structural integration must be undertaken to resolve a coherent and fitting design.
6
The design project titled the ‘King and the Jester’ explores the idea of the fusion on heritage and contemporary design. Restorring power with the Former BNZ building through fortification of a ground up approach as opposed to a hanging and parasitic approach within the TG Mcarthy building. Hanging programs and cantelevering multifunctional study rooms which can be used by the occupants. Joining the days of future past, through multiple instances in the design, most notibly through the double skin facade study cubby space identified as a focal point within the construction drawings. Attempting to restore value the the heritage buildings through new program and new life while preserving heritage elements and respecting the original architectural elements. Through circulation and program distribution, the attempt at blending both heritage and modern was achieved through the bleeding of program through circulation, while bringing new life into Cuba St, with the implementation of a student community HUB, filled with apartments, student facilities and gathering spaces. Exploring the junction between the new and old.
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Double Skin Facade - Heritage x Modern
Integrated double skin facade as occupiable study cubby space acting as the threshold between the modern and contemporary acting as a key heritage approach
8
Suspension x Rebuilding
Respectively restoring power the the former BNZ building by building from the ground up, while suspending new programs within the proposed intervention, invertically mimmicking one another. Key Strategy for urban densification.
Circulation Space
Blending both Heritage and Modern together through circulation and level changes to experience the gradient change. TG Mcarthy building acting as the mediating space between the two.
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sk yg a l l er y @ d aws on .
03.
national university of singapore tutor: WINSTON LIM (NUS Faculty) Architecture for the people, by the people A project done during my exchange in Singapore, dealing with new housing typologies that were foreign from the eye’s of a New Zealander.
10
Exploration of the idea of a ground up initiative, guided by the brief was thoroughly analysed and studied from a fresh perspective. Integrating a foreign New Zealand aspect to the design methodology and to the design itself, attempting to break away from the typical Singaporean HDB typology. The main goal of the proposed design provides space for each individual homeowner to express their own individuality through expanding their current units on to a provided floor/ balcony plate. Therefore over time, the sky gallery would have a multitude of diverse unit facades and can be shown through an expressive gesture. The sense of expressive gesture is not only shown through the units, but through the formulation and methodologies when approaching the initial massing stages. Acknowledging the observed site conditions and proactively reacting to issues and opportunities at hand. Considered as the final frontier of the edge of Queenstown, before the green conservation to the north, integration of a complex form that does not intrude, but blend the two existing conditions together. The intensive study of proximity reaction towards the site boundaries within a parametric manner was a key factor in which gave birth to the overall form of the proposed design. Certainly unseen within the regular HDB typology seen in Singapore and the surrounding context
11
A strong, deliberate design massing was intensity studied, exploring different densities of which the scheme would work at. Initially starting from a medium density (PR=2.8) to an end density of 3.5. Reiterating the core ideal of merging and bridging the two exisiting conditions on the site. Serpentine form along with terraced edges create a symbiotic relationship that benefits both the immediate site along with Skyville and Skyterrace respectively. Creating a permeable courtyard creating indoor and outdoor flow through the main housing blocks, creating a familiar sense and the attempt at recreating the kampong ethos within a modern and contemporary manner.
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15 The project overall attempts to take the conventional HDB aspects such as housing units, but interpreting the manner through foreign eyes and methodologies. Reflecting Singapore’s diverse culture giving a sense of individuality and expressiveness to the people and the building. Letting people voice and shape their own space for their own functions. Exposure to cultural and methodological differences between New Zealand and Singapore, helped me personally to develop a new skill set and sparked my interest in Medium-High Density housing along with the use of VR in architecture. It is also worth the note, that the use of VR visualization during the final presentation of design, was the first ever done in NUS, with various of the panel members along with studio colleagues acclaimming that the visualization as a successful representation of the design.
h a r m o n i n i t y .
site parameters.
deriving volumes.
defining thresholds.
legible link of elements.
public space nodes.
04.
victoria university of wellington tutor: rory tungatt Harmoninity - in regards to a practical and conceptual sense looks at the harmony and balance between differing architectural elements and programs.
16
One of the two 3rd year keystone projects undertaken for design at a bachelor level dealing with more practical constraints which are present within practice - more specifically tight programmatic arrangement, to drive conceptual desires. Exploring a juxtaposing methodology to drive concepts and design intent within the design. Primarily juxtaposing structural elements, materiality and the ideas of Public vs Private, Massey vs Victoria and the Audience and the performer. Using architecture to define these elements within a spatial manner, using different materiality and thresholds to define and refine the idea as a whole, while still acknowledging the issues and opportunities that the side and project brief provides. Thinking critically about site parameters to derive volumes through rigorous massing exercises. To not only identify thresholds of design but to also legibly link elements into the present, yet dull site of the proposed design, intending to rejuvinate the area and to also create a vibarant learning space for not only public but also current students.
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a me ans to c atharsi s .
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05.
victoria university of wellington tutor: nabil adir A catharsis can be defined as the action of purifying or the cleansing of emotions which is directly related to pity and fear. The second of the two 3rd year keystone projects undertaken at VUW at a bachelor level. Dealing with more of a narrative driven design research. Utilizing the idea of techtonics and careful integration of structural elements within a Wellington context to develop a design proposal. Therefore, through art and architecture or any extreme change in emotion can eventually result in renewal and restoration. Emulating the narrative of an earthquake was deemed as another central idea which reinforced the idea of catharsis, shifting between the idea of order and chaos, ultimately resulting in a sense of renewal as people move within the built environment. The careful consideration of structure integrated within design was implemented showing the juxtaposition of the two conditions that doned on the underlying concept of the design.
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1 - Reception 2 - Museum Shop 3 - Bathrooms 4 - Storage 5 - Main Atrium 6 - Restaurant 7 - Outdoor Eating Area 8 - Central Memorial
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GROUND LEVEL FLOOR PLAN
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14 - Office Space 15 - Meeting Rooms 16 - Office Reception 17 - Kitchenette 18 - IT Room 19 - Storage 20 - Main Exhibition 21 - Exhibition 2
20
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9 - Small Lecture Hall 10 - Circulation Crush 11 - Large Lecture Hall 12 - Public Seating 13 - Entry to Memorial
14
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FIRST LEVEL FLOOR PLAN
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DRAWN SCALE 1:500
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DRAWN SCALE 1:200 10
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it ti me to c o ok? it time to e at ?
24
06.
victoria university of wellington tutor: achille egard The idea of ‘Masak & Makan’ - Cooking & Eating is an essential ritual that we as humans engage in everyday life. It is central and crucial to our nature as we live. Analogue heavy driven design, dealing with a more physical approach to delibirate a design, through research and exploration of drawing, geometry and especially materiality, to propose a flexible and yet kinetic design. It is not only a time consuming ritual but also an active ritual in which we share with others around us. But throughout the day we as humans prepare and take part in this ritual at least three times a day.
is is
Focusing on the idea and tradition of ‘three squares a day’ as it refers to the idea of eating three full, hearty meals throughout the day. Indulging and consuming breakfast, lunch and dinner, as it is a core ritual in everyday life. The project heavily relied on the exploration of ideas through drawing, and model making to comminicate the idea.
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folded, weaved + stretched.
07.
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victoria university of wellington tutor: tane moleta + valentina soana The origami pavilion revolved around the idea of using parametric design to communicate the idea through atmosphere, site and details. Primarily using the tools of parametric design and grasshopper to generate a pavilion that is proposed to be installed on the Wellington Waterfront. Developing key parametric and digital skills to pinpoint and identify various core logical moves that influence the whole idea of design. Learning to think in a different manner in terms of design and methodologies that come within. Narrowing down the key ideas and logic behind the ideas of arts anc crafts, such as paper folding, fabric scrunching and painting to emulate within the design process. Transitioning from a given logic and idea into a built design that can be intergrated within the enviroment in which we stand. The project was heavily influenced by digital design and the limitations the logics taken. The transition and communication of these ideas were centralized through the re-iterations and process in truly finding a core logic that can be emulated through digital parametric design.
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--/60/60 FRR Fire rated Door NZBC C4 2
Large Landing for escape stair with 400 min clearing at door locations NZBC D1 4.3.5
Segregated Fire Cell
200
NOTES:
- All Work shall comply with the relevant and associated standar authority by-laws.
Lift Opening Width 1090
Separately Pressurised Lift Well Segregate Fire Cell enclosed by 200mm reinforced concrete wall 60/60/30 FRR
1
Stair Pressurisation
400 MIN
A106
1232
2800
2800
Lift Well
- Architectural Drawings shall be all relevant Engineers documen
- All work to be undertaken shal practice for each respective trad or material defects shall be the c to remove, repair or to replace ( contract
250250
Sprinkler Riser
4313
90mm x 45mm Timber framing with 2 layers of 10mm Gib Fyreline both sides, Acoustic insulation
848
4797
500
- All architectural drawings must
- This drawing must be read in c building and specification clause
1600
1250
200mm reinforced concrete wall Gib Fireline 13mm on sides exposed to open plan retail space
- All work shall comply with the t the Building, Resource and Dem for this project.
- All proprietary items and mater installed or applied in strict acco manifacturers recommendations
Electrical Riser
500
c onstr u c ti on dr aw i ngs .
1 A105
B 500mm x 500mm Reinforced Concrete Column Male WC
Female WC Bathroom Fixtures, refer to Fixtures schedule
200mm reinforced concrete wall 60/60/30 FRR
08.
283200 643 134
7500
Bathroom Exhaust
Bathroom Exhaust
Plumbing Riser
Wet Services Riser
114383
915
915
Access Panel Door
Sliding door into comms room allows for easy access for tenants on the west wing
Guy Shaw
Comms Room
2000
2502
ARCHITECT:
Hatch indicates potential Kitchenette Location (Fitout)
HVAC Supply
SARC 321 - CON ASSIGNMENT 1: CLIENT:
Carpark Extract
HVAC Exhaust Ground Floor Riser
Francis Lim SITE:
222 Wakefiel
Electrical Riser
Kitchen Exhaust
Ground Floor Riser
TITLE:
505
Data Riser
500
victoria university of wellington tutor: guy marriage & Victoria willocks(VUW Faculty)
ACC WC
Wet Services Riser
33
4333
32
1625
3
2378
4110
760
A
Core Plan SCALE AT A3: 1:50 TUTOR:
1585
4
DATE: 06/08/15
D
INSULATING CURTAIN GLASS WALL WITH LOW-E COATING IN THERMOSASH HIGH PERFORMANCE SEISMIC FRAME
THERMOSASH UNITISED HIGH PERFORMANCE CURTAIN WALL STICK SYSTEM FOOT CW40 W/ THERMAL BREAK REFER TO ENGINEERS SPECIFICATIONS
300
MIN CONCRETE PARAPET CONNECTED A TOP EXISTING TG MCCARTHY BUILDING
FLEXIBLE FLASHING WATERPROOF MEMBRANE OVER BUILDING PAPER FOR FULL WIDTH/ DEPTH
FLOORING FINISH
PRE FINISHED NON-PERFORATED METAL APRON FLASHING PRE-FINISHED METAL CAP FLASHING CONTINUOUS IN CONCRETE WALL 50
DIMOND HIBOND COMPOSITE STEEL FLOORING W/100mm REINFORCED CONCRETE TOPPING
METALCRAFT METDEK 400 ROOFING
MIN. DEPTH
70
GUTTERBOARDS
H3.2 TREATED TIMBER JOIST BOARDS SPECIFIED WITH ACCORDANCE TO NZBC E2/AS1
BASE FLASHING EXTENDED 200mm W/ OVERLAP ABOVE THE ANTICIPATED WATERLINE
PACKER TO SUIT
PRE-FINISHED SELF DRILLING/ TAPPING SCREW WITH RUBBER WASHER FOR FIXING GIB RONDO SUSPENDED CEILING ACCESSORY SPACED @ 1200mm
EXISTING TG MCARTHY CONCRETE FACADE FACING CUBA ST
13mm GIB QUIETLINE SUSPENDED 1200x600mm CEILING TILE
PRE-FINISHED 8G WAFER-TEK SCREW
BRADFORD GOLD CEILING R3.6 INSULATION METALCRAFT STEEL FRAMING
310 UNIVERSAL STEEL BEAM CONNECTED TO MOMENT FRAME RESISTING LATERAL LOADS
34
2A
WALL CAVITY
Curtain Wall Threshold
2B
1:5
Parallel Gutter 1:5
35
CONCRETE PARAPET CONNECTED A TOP EXISTING TG MCCARTHY BUILDING INSULATING CURTAIN GLASS WALL WITH LOW-E COATING IN THERMOSASH HIGH PERFORMANCE SEISMIC FRAME PRE-FINISHED SELF DRILLING/ TAPPING SCREW WITH RUBBER WASHER FOR FIXING
PRE FINISHED NON-PERFORATED METAL APRON FLASHING EXISTING TG MCARTHY CONCRETE FACADE FACING CUBA ST
DETAIL AREA 2A - CURTAIN WALL THRESHOLD REFER TO DRAWING ABOVE
DETAIL AREA 2B - PARALLEL GUTTER REFER TO DRAWING ABOVE
THERMOSASH UNITISED HIGH PERFORMANCE CURTAIN WALL STICK SYSTEM FOOT CW40 W/ THERMAL BREAK REFER TO ENGINEERS SPECIFICATIONS
PRE-FINISHED METAL CAP FLASHING CONTINUOUS IN CONCRETE WALL
BASE FLASHING EXTENDED 200mm W/ OVERLAP ABOVE THE ANTICIPATED WATERLINE
CO
FLOORING FINISH
DIMOND HIBOND COMPOSITE STEEL FLOORING W/100mm REINFORCED CONCRETE TOPPING
FLEXIBLE FLASHING WATERPROOF MEMBRANE OVER BUILDING PAPER FOR FULL WIDTH/ DEPTH
METALCRAFT METDEK 400 ROOFING
PRE-FINISHED 8G WAFER-TEK SCREW 13mm GIB QUIETLINE SUSPENDED 1200x600mm CEILING TILE
GUTTERBOARDS
Pr
[ S
Ad H3.2 TREATED TIMBER JOIST BOARDS SPECIFIED WITH ACCORDANCE TO NZBC E2/AS1 310 UNIVERSAL STEEL BEAM CONNECTED TO MOMENT FRAME RESISTING LATERAL LOADS
INTERIOR STUDENT GALLERY SPACE
DOUBLE SKIN FACADE CAVITY W/ STEEL MOMENT FRAMES. REFER TO ENGINEERS SPECIFICATIONS FOR SIZING
EXISTING TG MCARTHY FACADE FACING CUBA ST
WALL CAVITY
5 C W
METALCRAFT STEEL FRAMING
Dr
1
3D Exploded Assembly
Re Sc
R
Detail Area - Heritage + 2 Modern 1 : 10
Sh
Notes:
ALL W AND A STAN AUTH
ARCH CONJ DOCU DOCU
TIMBER VITEX DECKING 150x25mm
STONE OR PRECAST CONCRETE COPING
DECKING SCREW PANELLISED FOR REMOVAL AND ACCESS RUBBED OR EMBOSSED THROUGH WALL FLASHING AND CAP RECEIVER
METAL CAPPING, FIX THROUGH SIDES ONLY WITH ACCORDANCE TO NZBC E2/AS1
ALL D ON SI DISCR BUILD
ALL C HERIT CLAU
12mm min. SEPARATION LOW PROFILE TIMBER PROPIETARY SUPPORTS SHOP FRONT SIGNAGE
METAL CAP FLASHING
H3.2 TREATED TIMBER JOIST BOARDS SPECIFIED WITH ACCORDANCE TO NZBC E2/AS1
40 mm min FALL PRE-FINISHED DRILLING/ TAPPING SCREW W/ RUBBER WASHER FOR FIXING ATOP OF DECKING
PRE-FINISHED DRILLING/ TAPPING SCREW W/ RUBBER WASHER FOR FIXING ATOP OF DECKING
40 mm min FALL
WATERPROOF DECKING MEMBRANE
THERMAL BREAK - SHEET INSIDE UNDERLAY GUTTERBOARDS GUTTERBOARDS
WATERPROOF DECKING MEMBRANE WITH 25 mm min. LAP
DOWNPIPE
SOFFIT LINING
1A
Low Parapet Wall to Deck
1B
1:5
Hidden Deck Parapet Gutter 1:5
36
37
SELECTED TIMBER TRIM 18x18mm DETAIL AREA 1B - HIDDEN DECK PARAPET REFER TO DETAIL DRAWING ABOVE
AXXIS STEEL FRAMING GIB INTERIOR CLADDING
SOFFIT LINING
BUILDING WRAP
DETAIL AREA 1A - LOW PARAPET WALLTO DECK REFER TO DETAIL DRAWING ABOVE
STAINLESS STEEL SPANDREL PANEL WITH INSULATION
CONST
THERMAL INSULATION Project: WEATHERBOARD CLADDING
DETAIL AREA 1C - SOFFIT TO CURTAIN WALL HEAD REFER TO DETAIL DRAWING ABOVE
THERMOSASH UNITISED HIGH PERFORMANCE CURTAIN WALL STICK SYSTEM HEAD - WITH ENTRY 160mm CW40 W/ THERMAL BREAK REFER TO ENGINEERS SPECIFICATIONS
[re Stu
Address:
58 Cub Well
INSULATING CURTAIN GLASS WALL WITH LOW-E COATING IN THERMOSASH HIGH PERFORMANCE SEISMIC FRAME
Drawn B
Reduced Scales:
1C
Soffit and Curtail Wall Head 1:5
1
Detail Area - Deck Overhang 1 : 20
Deck
p h o t o g r a p h y .
Nara Deer Park, Japan 2016
Shinsaibashi, Japan 2016
Osaka Castle, Japan 2016
38
39
Ayutthaya, Thailand 2016
Osaka, Japan 2016
Saigon, Vietnam 2016
Marina Bay, Singapore 2016
Ayutthaya, Thailand 2016
Osaka, Japan 2016
09. Personal photography as a hobby, documenting travels, experiences and people met. Being able to travel around South East Asia during my exchange and New Zealand as my second home, explores a broad subject matter in terms of the photography world. Heavily influenced by my uncle, teaching me compositional techniques and artistic qualities which are present in photos. Capturing moments, scenes and people. For more photography: www.instagram.com/heyitsflimmy