City, Sea, Land & Travel Brochure Winter 18
To receive ‘Trade Discounts’ or request jpegs of any of the art, please email info@luminairearts.co.uk
TRADE CLIENTS ONLY
Luminaire Arts Ltd is a leading arts consultancy company and gallery space, found in the heart of Pimlico, London. ‘At Luminaire Arts we represent over 300 extraordinary artists from every breadth of the UK and beyond. We help and assist designers and art lovers find artworks that are perfect for their needs and desires. We are thrilled to be sharing with you our PREMIUM ART BROCHURE - SPRING 18, which features A highly curated selection of fabulous original artwork, across a full spectrum of prices, which can be commissioned in practically any size! The result is an unparalleled selection of contemporary artwork that can be delivered anywhere in the world, normally within 2-4 weeks!’ Paresha Raj Burnett, Chief Curator & Director 2
Ownership of Artist relationship You agree that the business relationship between the Artist and Us is entirely owned by Us. You will not approach the Artist directly or correspond with the Artist in any way, except with express written authorisation from Us regarding their Artworks. Copyright All works are subject to availability. Copyright to all material and/or works of art comprising or contained within this brochure is held by Luminaire Arts and/or other copyright holders. It is prohibited to reproduce, modify, adjust or otherwise use any of the images or information in any manner or form without the express written permission of the copyright holder. For further information or details of any of the works listed please contact us.
3
Price categories are listed below. Each artist's price category is shown in the bottom right hand corner of their pages.
AFFORDABLE ART - PRICE CATEGORIES sizes (cm)
IA
A
A+
B
B+
SQUARE
£
£
£
£
£
61 X 61
295
600
690
795
895
76 x 76
325
650
748
860
987
91 x 91
395
795
925
1,100
1,250
102 x 102
450
875
995
1,150
1,330
122 x 122
575
1,125
1,295
1,500
1,695
RECTANGULAR
£
£
£
£
£
40 X 50
225
450
525
595
685
50 X 60
275
525
595
695
795
61 X 76
325
600
690
795
895
91 x 30
275
525
595
695
750
91 X 61
350
675
777
825
995
102 X 41
325
625
650
750
850
122 X 91
495
1,000
1,150
1,322
1,595
152 x 122
650
1,250
1,450
1,650
1,900
Please note that Luminaire Arts reserves the right to alter price categories if necessary.
All prices shown are Retail Prices (ex Vat)
Contact us here for your Trade Discounts Contact us for different sizes or colour requirements
4
Price categories are listed below. Each artist's price category is shown in the bottom right hand corner of their pages.
PREMIUM ART - PRICE CATEGORY sizes (cm)
C
C+
D
D+
E
E+
F
F+
SQUARE
£
£
£
£
£
£
£
£
61 X 61
1,050
1,195
1,395
1,595
1,825
2,100
2,395
2,795
76 x 76
1,137
1,295
1,495
1,695
1,985
2,285
2,595
2,995
91 x 91
1,450
1,675
1,925
2,250
2,500
2,750
3,375
3,925
102 x 102
1,530
1,760
1,995
2,295
2,675
3,075
3,495
3,995
122 x 122
1,975
2,250
2,595
2,995
3,450
3,950
4,550
5,225
40 X 50
795
895
1,050
1,195
1,375
1,575
1,795
2,095
46 X 60
895
1,050
1,195
1,395
1,595
1,850
2,125
2,450
61 X 91
1,180
1,350
1,560
1,795
2,050
2,375
2,695
3,150
70 X 100
1,312
1,495
1,735
1,995
2,295
2,635
2,995
3,495
91 X 122
1,750
1,995
2,295
2,650
3,050
3,495
3,995
4,650
100 X 126
1,825
2,095
2,450
2,750
3,250
3,650
4,125
4,750
122 X 152
2,195
2,500
2,895
3,295
3,795
4,395
4,995
5,795
RECTANGULAR
Please note that Luminaire Arts reserves the right to alter price categories if necessary.
5
MICHAEL L Michael is a British visual artist, living and working in London. His training and experience, beginning with an earlier degree in mathematics, has included painting while travelling across Asia, as well as teaching art and photography. He gained a Masters Degree in Fine Art at Middlesex University. Michael has exhibited widely across London, United Kingdom and Europe and is represented by galleries in the UK and Italy.
6
West End Ghosts XIII
A+ 7
Strand and Lancaster Pl
E Smithfield and Royal Mint Ct
Wardour St
Piccadilly Circus
James St
St James's Park
A+ 8
Route V
Park Rd and Marylebone Rd
Henlys Corner
The Mall and Whitehall
Oxford St
Piccadilly Dusk IV
A+ 9
BAGUEPS Born into a family of artists, Bagueps studied applied arts in Paris at Oliviers de Serre, specializing in interior design. After graduating, she worked for a French cabinetmaking firm for seven years, where she gained her experience in creating materials and finishes. In her paintings, she strives to translate the peaceful feeling she gets from the inspiration of nature, in particular the beauty of the sky. Having painted since childhood, Bagueps aims to capture the colourful vibrations of the everyday; the sky is a constantly changing canvas she wishes to replicate. Her principal subject is the inbetween; the flux between two states. She begins with an initial inspiration and then lets the painting guide her. Mixing different materials such as acrylic, oil, marble powder and silver powder, the colour and texture takes on its own form.
10
Burnout
Become
A+
Passage Delicat
Original Art on canvas
11
Become
Burnout
Filorange
Etre en Passe Deux
Green wave
L’Entre
Nerfdarnold
Nerfdarnoldbleu
A+ Original Art on canvas
12
Between
Confrontation
Blanc de Passage
Endre Deux
Gestation
Hope
Black Night
A+ Original Art on canvas
13
LYRA The appeal of Lyra's ‘scapes' is in the creation of atmosphere through her connection with colour. She creates abstract but instinctively balanced compositions through an open and experimental approach to her practice. “Colour has always played a big part in my life and art career - loving the way it can transform how we experience and live in any space” “With my paintings, I aim to create atmosphere rather than realism, they are built up in layers using a unique non-brush technique”
14
Intuition 2
Intuition 1
Intuition 3
A+ Original Art on canvas
15
Colorado 3
Colorado 4
Coexist 2
Coexist 5
Original Art on canvas
Clouds Melt with Colour
Coexist 11
A+ 16
Colours Say Love
Strata 2
Existential 8
Strata 3
Original Art on canvas
Existential 12
Terra Chroma 6
Terra Chroma 7
A+ 17
JANE ELIZABETH Jane Elizabeth was born near London, spent her teenage years on the Isle of Wight, and several subsequent years attending University in the UK and Canada. Following this, Jane had a long career in the NHS as a speech and language therapist, working primarily with children with communication disorders. She also followed her passion for dance through postgraduate study in Dance Movement Therapy at Roehampton Institute in London. During these years, Jane also painted and exhibited her work, as time and circumstance allowed, and then made the decision in 2015 to work as a full time painter. Jane’s painting is inspired by her dance background, and by her travels through the beautiful landscapes and coastlines of the UK, mainland Europe and New Zealand. She spends as much time as she can outdoors in nature, trying to capture the fleeting movement of light and shadow as the weather moves across hills, valleys and water; her photographs, sketches and notes are later used as inspiration for her paintings back in her small studio on the English/Welsh borderlands.
18
Rain over Moray
B 19
A Line in the Land
Falling Cloud II
The Gentleness of Air
Holy Island II
Mountain Falls in Winter
Torrent
Lightspout Hollow
B
Stardust 20
The Haar Storm Clearing
Windblown
B 21
GERARD A lot of my work is influenced by experiences of travel so the imagery focuses on hotel facades, restaurants, yachts, marinas, cars (including classic cars/racing cars). I am particularly interested in reflections in windows and this is a pictorial device that underpins and unites all of my work. I am fascinated by the real and the abstract possibilities that reflections create. This enables me to explore the contrast between a 'real' space and an 'illusory' reflected space. The dislocation of figures and scale; interiors looking outward; exterior views looking inwards etc., which creates all sorts of visual possibilities, and drives the work towards its final resolution. Most of my paintings are acrylic on canvas which combines the spontaneity of watercolour with the sturdiness of oil paint. Acrylic dries fairly quickly so that I can generate an immediacy within the work as it progresses. So the paintings retain the element of freshness that I am always trying to capture .These technical experiences have enabled me to participate in demonstration classes for magazines, books, workshops etc. I have shown widely across the U.K. but mostly across the South and London galleries.
22
Monte Carlo Landscape
B+ Acrylic on canvas
23
Monte Carlo Marina
Restaurant Reflection Neptune's
Reflection Central Hotel
Reflection Monte Carlo Bay
Restaurant Reflection Cafe Rouge. St.Pauls
Restaurant Reflection Cafe Royal
B+ Acrylic on canvas
24
Restaurant Reflection Drakes Restaurant Bar
Restaurant ReflectionThe Waterfront
Ritz Chauffeur
Sailing by a Duesenberg
Acrylic on canvas
B+ 25
ANDREW F Born in the UK in Birmingham in 1979, Andrew graduated from Lancaster University with a First Class Honours Degree in Fine Art and Geography in 2001. Andrew was awarded a scholarship in recognition of his achievement and contribution to the Art Faculty. His large canvases were exhibited at the university for three years. Andrew lived in Abu Dhabi from 2004 until 2015 and took inspiration from the arid and exotic landscape and water that makes up Abu Dhabi and its surrounding islands. His work is a direct and emotional response to the natural world and in particular the physical geography of the landscape. When drawing and painting he works and reworks areas as if sediment is being deposited then eroded, scratched, scraped, up to the point where the fluidity of the landscape flows across the canvas, texturing each composition until it reads like Braille. He paints in an instinctive way, interpreting the force of nature and moving between impressionism and semi-abstraction. His work is in many private and corporate collections including Goldman Sachs, Coutts Bank, Standard and Poor’s and Dubai Multi Commodities Centre. Andrew has exhibited in the UK at the Royal Birmingham Society of Artists and lives in Stratford-Upon-Avon.
26
Emerald Gorge
B+ Original Art on canvas
27
Blue Yellow and Grey Landscape
Chartreuse Green Meadows
Shocking Pink Landscape
Flying Over Abu Dhabi, August 2014
Original Art on canvas
Red Summit
Teal and Pink Lavender Headland
B+ 28
Blue Yellow and Lemon and Lime Coastline
Low tide between the channel
Sea Crocuses lining the shore on Yas Island
Original Art on canvas
Dazzling Light Watching The Fish In The Shallows
Luminous Low Tide, Yas Island
Ink blue sky, thunderstorm over Yas Island
Rain Clouds Over Abu Dhabi
Winter Clouds Over Yas Island
B+ B+ 29
GINA Gina’s landscape paintings are both a description from memory and an exploration of the aesthetic qualities of the painting medium. The horizon line is a recurring reference in her work, along with contrasts of light found in a dramatic landscape. Rather than focusing on the sky, like many traditional landscape artists, Gina is instead drawn to the details and earthy textures on the ground. In all, she aims to capture the experience of a place; a depiction of what she has seen, smelt, touched and heard. Through a slow process of building up many thin layers of both acrylic and oil paint, Gina continually scrapes off and adds layers, using different tools to make marks. In doing so, the physical process of her work remains clear to the viewer, as well as sensing her connection to that place. Gina moved to London, from Australia, in 1996 to pursue her career as an Interior Designer. In 2003, Gina changed her path and went on to study full time at Wimbledon School of Art obtaining a BA Fine Art painting degree in 2006, just at the same time she began a family. From 2012 she attended regular life drawing classes at Heatherly’s School of Art and has only recently begun to paint again from September 2013. Gina draws inspiration from her memory and connection with the Australian landscape. She also spends much of the year on the East coast of the Scottish Highlands and is inspired from her time spent outdoors in the vast open spaces, witnessing the seasonal changes and dramatic beauty.
30
GC21 GC20
GC22
GC24
Original Art on canvas
B+ 31
GC23
GC25
GC34
B+ Original Art on canvas
32
GC26
GC31
GC27
GC35
GC28
GC36
B+ Original Art on canvas
33
RICHARD K “After an upbringing on the family farm on the coast of North Cornwall, I left my tractor behind to train in graphic design and illustration at Kingston University in the mid ‘80s. I've since spent thirty years in the creative industry in London, first as an illustrator and graphic designer, and now as a full time artist. Urban life inspires me, seeking to capture the perpetually evolving patterns and rhythms of architecture and people in my work. I paint this ‘dance to the music of time' by combining an observational drawing style with colour, marks, texture and pattern. My goal is to spark a recognition and dialogue with the viewer, asking them to discover in my paintings a visual expression of their own urban lives.”
34
Millennium Sunset
Sloane Square corvette
Sloane Square Crossing
B+ Original Art on canvas
35
Tower Bridge Dusk
Olympus
City Colour
Westminster Heights Battersea
Original Art on canvas
Red Light
B+ 36
Albert Bridge 2
OXO Mall
South of the City
Battersea Cranes II London Eye to Parliament
Original Art on canvas
B+ 37
Albert Bridge
Macys
St Paul's to the City
Central Park Taxis From the Suburbs to the City
Original Art on canvas
West 34th Street New York
B+ 38
From the Suburbs
Sloane Square Christmas Lights
Original Art on canvas
Corvette in Sloane Square
Waterloo Clock
Spring in Sloane Square
Solo in Drury Lane
B+ 39
COLIN Colin trained at the Reigate School of Art in Surrey, and now lives on the Sussex coast, soaking up the wonderful light and the beautiful, varied landscape. His work is inspired by the daily observation of his surroundings, combined with memories of past fleeting moments that are both personal and universal - perhaps a glimpse of the sea through woodland, a cloudburst, a howling gale or a cliff-top walk at sunset.‘Weather has fascinated me since childhood. It's the sensation, the feeling of being in the landscape that I aim for - the mysterious, elemental and ever-changing drama of light and shadow, of wind, water and sky transforming a landscape in a blink of an eye. I want to capture the feeling, memory and the essence of a place and time in my work. I'll sometimes complete a piece outside, but I'm happiest making thumbnail pencil sketches on site with colour, wind and light direction notes, then working up the final painting in the studio with memory and imagination engaged. It's an organic process where the original sketch and/or memory is reconceived using layers of paint and scraping back and then more layers and scraping until there is a finished piece'
40
Wild & Windy Sea IfsS
Last Light
Flooded Field
Across the Lake
B+ Original Art on canvas
41
Glimpses
Cloud Burst
Boundless
Postcard from the Sea III
Nocturne III Land fall
Original Art on canvas
B+ 42
Landfall
Evening Sun, Sand, Sea & Sky
Original Art on canvas
Days End
Gathering Storm
Tempest
First Light
B+ 43
44
Dark Clouds Over This Pool of Light
Pathways to the Sea
A Nice Day to Walk on the Thames
Ochre Trees in the Breeze
Original Art - watercolours on paper
Dark Shadows as the Sun Swings Around
Strong Sun Gentle Breeze
C+ 45
SUE Sue studied at Croydon College of Art and then followed a career in graphic design, working as both in-house and as a freelance designer within publishing, marketing and product development. Art in one form or another has always consumed a large part of her life and after inspiring journeys to South Africa and Australia she left the world of digital design to rekindle her love of painting. She works with acrylics, painting abstract landscapes on canvas, with texture being an important ingredient to the finished work. The paintings are completely from imagination and the challenge she always sets herself is to capture an atmospheric scene, a mysterious place where the colours and shapes can mean many different things that can change as the work is viewed. “Every painting is a journey that takes me along many different directions to its final destination and when it is done I often wonder how did I get there. “ Alongside the fantasy world of landscapes, Sue also paints on canvases with irregular sides. As part of looking to create something a little different, these geometric shapes and designs have evolved. This style of painting is a completely different discipline being quite structured against the free flowing fluidity of the landscapes. The works can be hung any which way. Sue works from her home studio.
46
Coastal Hideaway
Atlantis
C+ 47
Golden Days
Illusion
Horizon
Into the Blue
Hyphocus
Liahora
C+ 48
Destiny
C+ 49
ELLIE A love of landscape is central to my work. I am always drawn to the sea, lakes and rivers. Echoes, distortions and reflections create interesting effects to work with. Originally from Guernsey, the stunning and diverse landscape, inspired me to develop my method of working. I love drawing and photographing on location, in different times of day and various weather. I use a combination of the sketches and photos to start the paintings. I enjoy working with a variety of oils, pigments, varnishes and inks. I revel in the investigative process sanding back and revealing sections of the image. I tip my canvases to allow the paint to pool and drip. I enjoy finding new textures, and experimenting with oil and water based paint. Salt and thin areas of plaster change the character of the image. I've currently been focusing on London. The city is such a fascinating beautiful subject. Mist and smog cast a haunting veil over the landscape. I'm interested in the Victorian gothic architecture reflected in modern glass. I also work on Commission and have been fortunate enough to work in different areas of the country and abroad. During the last few years, I've done projects based on the Madagascan rainforest and Hungzhou in China.
50
Wren’s Place
C+ 51
Houses of Parliament
Silver River
Bridge
Muswell Hill
Tooley Street
C+ 52
Canonbury Rooftops
St Pancras Hotel
Votive Cathedral
St Paul’s
Threadneedle Street
C+ 53
HENRIETTA Henrietta paints abstracts in oil on canvas in which she aims to evoke a time and a place, creating spaces full of light and memory. “It is not the appearance of a chosen motif but its own energies and mystery that form the heart of my paintings.“ Nature is the basis, the starting point, for the paintings, which rapidly take on a direction of their own where the dancing light or the feel of the wind becomes the main focus. They are compositions woven from images of the natural world. “It is the power and energy of nature that excites me. Light and movement allow the creation of the space in my work, often opening up huge vistas. The finished pieces range from almost totally abstract compositions evoking a sense of place to more easily recognisable landscape images: the natural world modulated by time and season, disclosed by visual texture and colour” Henrietta's works can be found in collections in New York, Houston, Sydney, Perth, Paris as well as the UK
54
Streams of Light
Tranquil Pools
To The Sea
D Original Art on canvas
55
Golden Summer Isles
Reflection
Original Art on canvas
Pathways to the Sea
Setting Seas
Red Sands
Coastal Calm
D 56
A Summers Day
Light Across the Water
Original Art on canvas
Soft Spring Skies
Sealights
Silver Cloud Lights
D 57
Summer Cloud Light
Late Skies
Original Art on canvas
Autumn Leaves
Tidal Light
Golden Skies
D 58
D Original Art on canvas
59
GAIL Gail lives and works as a painter in Cambridge (UK). She achieved a first class BA (hons) degree in Fine Art at Exeter College of Art and Design in 1981, after which she lived in Madrid for a year. She has been painting all her life! She has spent a lot of time in Andalucia (where her ancestors came from) and also, Italy and France. She has had solo shows both locally and in London, Scandinavia and Spain. ‘My work reflects a world of memory and dream. I am inspired by the natural world and how it touches us at a deeper level. I grew up in Cornwall - whose wild beauty is a strong influence as is the light and colour of Andalucia. My ancestors are from Cordoba, hence my name. I live and work in Cambridge; the ever-changing skies and flat watery strips of land are perfect for dreaming and reflecting. I am passionate about the process of painting - and work very intuitively building up layers of different materials, which can include plaster, paper and both acrylic and oil paint. I love playing with the tactile qualities of the materials and also the illusory aspects of painting. I find the process transformational and I really live each painting as I make it. The most exciting moment is when, and I can never quite predict when this will happen, a painting takes on a life of its own. l then have to surrender to it and let it take me where I need to go.'
60
Rocky Coast Pacific North West
Out West
D
Prussia Cove
Morning Moorland
Rocky Coast
The Promise
Cornish Tides
Shoreline 2
Dissolving Country
D
Approaching Solstice
Fell
Dusk in the Moor
Dartmoor
Incoming Tide
Waterway
Shoreline 1
Evening Walk
D
ADRIENNE Adrienne paints in oils on canvas or linen and sometimes on silk or wood. “My latest work is abstract paintings suggesting land and seascapes. “It is imagination, it comes from nowhere and is not worked out in advance and decided upon in terms of content or shape or colour - it forms itself, the colours merge and it is allowed to be. I like the image to form itself as I start to work and build up layers of colour and shade. I am interested in painting in a seamless way avoiding lines and edges and even brush strokes. Lines and edges define things and influence how we perceive them so I like to remove any lines and edges by merging colour and form and so make suggestions to the viewer that might trigger a memory or feeling of somewhere or something. This smooth, seamlessness I think suggests a transience and so fluid subjects like air or skies or memories can be caught and held for our gaze. The work is about potential expressed in a non verbal language and because it is not prescriptive it is more open to allowing our own creative and emotional interpretation�
D 64
Fine Sand
Ever Green
Inlet
D Original Art on canvas
65
Dream Pool
Purple Sky
Original Art on canvas
Sea Air
Light Haze
Soft Land
Momentum
D 66
River Mouth
Soft Light
Original Art on canvas
Air of Intensity
Warm Lands
Velvet Land
Dream Light
D 67
PAUL B Paul specialises in contemporary semi-abstract seascapes and landscapes. The two themes are very different in mood, style and perspective, but all endeavour to generate a sense of intimacy and isolation while leaving the subject open to interpretation. The intention is to create from memory to produce finished work that is abstracted and more expressional than representational. Paul’s main aim is to create work that is most definitely painted; an antidote to mass produced visuals we consume everyday. This is accomplished by using rich textures, multiple layers and brush/palette knife marks. Paul wants his paintings to tease out more than the eye can see, to draw people in and invite them to experience – not just consume – an image.
68
The Tempest Recedes
The Westward Seas
Under The Falling Sun 2
D Original Art on canvas
69
Before the Wilds
Fall Away
Restless Past
The Abandonded Day
The Forgotten Mile
The Heavens Wept
D Original Art on canvas
70
The Night is Now Behind Us I
The Night is Now Behind Us 2
The Plains
They Stole The Past
Unending
Yesterday Burns
D Original Art on canvas
71
Night Drops
Atlantis Breaks
Twilight
The Sleeping Tides
Blazing Seas
The Tides Turn
D Original Art on canvas
72
Beneath The Heavens
After the Storm
Scorched Skies
The Ocean Breaks
The Shallows
Ghost of Yesterday
D Original Art on canvas
73
WILLIAM B Inspired by the old master, but retaining a very contemporary approach to the nude, William’s paintings are stunning in their exploration of the body, water and light. “I have always been inspired by the human figure and the effect light has upon it. I have used various ways of portraying the body such as dance, swimming and also boxing but it is the body itself that interests me rather than the activities in particular. It is the physicality of the form and the beauty of the athletic figure that makes me want to paint.” “I usually have an idea of how I want the painting to look but in some pieces the original idea moves into something else and I leave some of the older workings, the initial sketches and drawing, the structure as I love to leave that energy visible. I try to convey emotionally charged work using light and shadow as well as rich and contrasting colour. I want a level of realism but I also want to escape from the confines it can impose and react to the paint and image in a more expressive way.” William uses lots life drawing for reference but information and ideas come from all areas including films, books and magazines, which are all utilized to reinforce the imagery of the painting. Klimt, Bacon, Schiele, Leonardo Da Vinci, Caravaggio, Waterhouse are some of the artists that he has studied and that have had a great influence on his work.
74
Emerald & Blue
9111
Emerald Diver
D
Rising II 75
Refractions
Swimmers Surfacing
9108
9114
9368
9112
9105
9059
D 76
9302
9118
9201
9298
9294
9417
9185
9203
D 77
EDWARD B Born January 1987. I have spent my life in the stunning surroundings of the Pembrokeshire National Park. I love to capture movement and take aspects of the natural environment: colour, atmosphere and mood and transfer those qualities into a visual form. The inspiration for my work encompasses both the physical and non-physical. I try to breathe life into my work to give the sensation of freedom and to demonstrate the beauty of the unaltered outside world, a world full of movement and colour.
78
North Westerley
Headland Mist
Emerald Oceans
E Original Art on canvas
79
Beginnings
Unforgiving Skies
Tomorrows Promise
Magenta Light
Crimson Rainstorm
Mixed Emotions
Dancing Light
Original Art on canvas
E 80
Autumnal Gales
Overwhelming Emotions
Sapphire Escape
Sweeping Embrace Barren Frontier
Original Art on canvas
E 81
JEN Jen is a mixed media artist whose art is influenced by mapping of journeys and layering of memories. She has been both living and working in several countries. She philosophically explains: ‘My work is based on the journey of life, its layers and strata. Through time and pressure, beauty is created - we mine the soul to find precious things. Life refines and polishes our history and the choices we have made. Our layers and compartments are filled with experiences and memories.’ The study of clay has influenced my art in the use of minerals, textures and formations. The resin creates the contrast between the dynamism of the elements of earth and water. The essential life forces!” Jen’s paintings can be truly appreciated when seen in person. In print, it is impossible to capture the spectacular and unique 3-dimensional effect of Jen’s work, integrated with earth pigments, oils, resin and precious metal leaf.
82
Thames VIII
F
F Original Art on canvas – hand embellished in patinated silver leaf and resin
83
Aqua I
Aqua II
Aqua III
F Strata IV
Strata V
Original Art on canvas – hand embellished in patinated silver leaf and resin
F
Strata VI
84
Breathe 3
No. 3
No. 4
F Strata I
Strata II
Original Art on canvas – hand embellished in patinated silver leaf and resin
F
Strata III
85
Strata IV
Strata V
F Original Art on canvas – hand embellished in patinated silver leaf and resin
86
North Sea II Earth From The Air I
North Sea III
F Earth From The Air II
F
North Sea IV
Original Art on canvas – hand embellished in patinated silver leaf and resin
87
KATHERINE L Katharine graduated with a fine art degree from Bristol in 2003. Since then she has been regularly showing her paintings in London and throughout the UK. She has become established painting contemporary beach scenes based on locations in the West Country and Scotland. More recently she has been focussing on the more structured landscape of woodland and particularly the effect of light through the trees. These painting maintain her distinctive painterly style. Working from sketches and photographs loosely based on definite locations. Katharine endeavours to create a window on an imaginary space. She likes to use gestural marks and loose brushwork to engage the viewer and charge the composition with movement and dynamism, whilst maintaining balance, building up the paint and alternating transparent and opaque layers, dripping, washing, splashing, allowing it to take its own fluid course and give the image a life of its own.
88
By York Gardens
Eyot Bridge
F Original Art on canvas
89
Caught in the middle
Corporation Islalnd
Original Art on canvas
The Eighth Bridge
Willow and Poplar
Eyot Bridge
F 90
Street View Rio
Spring Trees
Central Square
F Original Art on canvas
91
Babassu
Path Through the Jungle
Botanical I detail Botanical 1
Original Art on canvas
F 92
Subtropics 1
Pools at Iguassu
Original Art on canvas
Subtropics 2
Top of the Falls
F 93
City, Sea, Land & Travel Brochure Winter 18 TRADE CLIENTS ONLY
Luminaire Arts Ltd - 7 Denbigh Street – Pimlico – London - SW1V 2HF 0207 101 5070 info@luminairearts.co.uk www.luminairearts.co.uk www.lumiarts.co.uk