Affordable Art Autumn update 1 Original Art, Limited Editions and hand embellished canvasses and prints TRADE BROCHURE
Luminaire Arts Ltd is a leading arts consultancy company and gallery space, found in the heart of Belgravia, London. ‘At Luminaire Arts we represent over 300 extraordinary artists from every breadth of the UK and beyond. We help and assist designers and art lovers find artworks that are perfect for their needs and desires. We are thrilled to be sharing with you our AFFORDABLE ART- AUTUMN UPDATE 1, which features A highly curated selection of fabulous original artwork, across a full spectrum of affordable prices, which can be commissioned in practically any size! The result is an unparalleled selection of contemporary artwork that can be delivered anywhere in the world, normally within 2–4 weeks!’ Paresha Raj Burnett, Chief Curator & Director
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Price category’s (A) to (F+) are listed below. Each artist’s price category is shown in the bottom right hand corner of their pages. The sizes and prices shown below are to give an indication. Please ask for specific sizes to get a formal quotation. ALL PRICES SHOWN ARE RETAIL PRICES (EX VAT)
ALL PRICES SHOWN ARE RETAIL PRICES (EX VAT)
ALL PRICES SHOWN ARE RETAIL PRICES (EX VAT)
A
lways interested in art forms and discovering new ways to express himself, Konvalina started his painting during his time in Houston |2002-2006|. Painting quickly took prominent place in his practice and he maintained a studio ever since. His works has been shown in several exhibitions in Houston, Toronto, Montreal and London and his works are placed in private collections in America, Canada and UK. In 2014 Konvalina retired as a ballet dancer fully transitioning his practice to painting, now living and working in London.
KONVALINA
Portrait of a Landscape No. 18 Portrait of a Landscape No. 12
Portrait of a Landscape No. 20
Summit
Portrait of a Landscape No. 9
Portrait of a Landscape No. 8
Summit No. 7
Portrait of a Landscape No. 13
Portrait of a Landscape No. 7
Summit No. 1
Summit No. 3
Portrait of a Landscape No. 9
L
aura is a London based Italian artist. She studied painting in Venice at the Academy of Fine Art and sculpture at TAM Art Metal-Working School in Pietrarubbia (Pesaro-Urbino), Italy, supervised by sculptor Arnaldo Pomodoro. The tendency towards nothingness is inexorable and universal and even the things that have corporeity not have an illusion of stability.
As things start to transform become more irregular and interesting. Nothing that exists is free of imperfections, and everything is in a constant state of becoming or dissolving. When things are close to nonexistence become naturally more delicate and evocative. In my work, I am intrigued to see how science and art are connected; I try to strike a balance between painting, collage and installation. It revolves around the concept of Wabi-Sabi, transformation, time and connections. In my recent paintings I worked from a mix of papers and my own photographs, either transcribed intact or altered to create a new composition. Through the painting process I try gently to heighten the qualities in the picture that first caught my attention.
LAURA B
A Quiet Afternoon
A Quiet Journey
Musical Whale
Irregular
Chasing the Blue
Blue Symphony
Alioth
Perseverance
Description of a Moment
Into Grey
Itinerary
Yellow
Into One
Blue Zimmer
Interconnection
Leftovers
Transmission
Through My Eyes
“
LIZ I am a self-taught artist born in the UK and now located in Warrington, having lived in Mauritius during my career.
I am interested in the intangible, that which we feel but cannot translate. My paintings begin with feelings derived from alternative perspectives bordering on a spiritual level. Inspirations for me are found within the colours of nature; such as the iridescence of a paua shell or reflected light underwater. Working the contrasts of depth, texture & luminosity and a slightly obsessive edge, intricacy & layering. I choose to take you on a journey of the cosmos around me and the discovery of art being a spiritual experience.�
Resplendent
Amazonite Reflection
Extreme Lure
Amazonite Waters
Amazonite Waters
Iridescent Pearl
Crashing Force New Work 2
Dappled Iridescence Autumn Layers
New Work
Metallic Scales
Evasion 2
Dawn Flight
Rain on Red Hills
Deep Purple Rain
In Yellow Unison
Evasion 1
v
ivienne works with a combination of hand drawn design and CAD, often incorporating processes such as screen prints in her work.
“I have a BA (Hons) degree in ‘Contemporary Surface Design & Textiles’ and I am a freelance artist-designer based in Halifax, West Yorkshire, England. I like to hand draw my designs, but I am also expert in the use of computer assisted design (CAD) technology. My portfolio of work incorporates the use of screen printing, luxury surface patterns, digital printing, hand / machine embroidery, hand / machine knit, and three-dimensional constructed textiles. I specialise in bespoke art work and contemporary costume jewellery products. These include brooches, bracelets, necklaces, hand printed luxury silk scarves, framed artwork which can be made to order. I invite commercial and private commissions tailored to the clients specific requirements.”
VIVIENNE
A Pretty Delphinium
A Single Stem
Twenty Butterflies
No. 11
No. 8
Fly Away Blooming Flowers
A Papillion Dream
No. 9
No. 6
No. 14
No. 10
“
I was born in 1983 here in the UK and grew up in a medium sized town in Cheshire, a lovely place with old empty mill buildings, a gorgeous Victorian park and a rich visual history. I always loved looking at the buildings around me as I grew up, imagining how things were in the past - I still do in fact. With my paintings I aim to evoke thoughts of nature, gardens and skies in those viewing them, but simultaneously I like for the works to retain an element of ambiguity, of total abstraction, thus leaving them completely open to interpretation - I love hearing what people see in my work! Alongside for my passion for natures sits a deep-seated passion for spontaneity and expression , which finds its form in the brush marks and spiralling gestural lines which come to rest on top of the soft atmospheric veils of colour which make up the body of my paintings. My more abstract work focuses on just that, abstraction! But also colour and speed, simply enjoying the colours and the paint. I sometimes like to switch my processes around, allowing myself to work in a much freer, simpler abstract style.
GEORGINA
Greta
Griselda
Agatha
Eleanor Maria 2
Zadie
Emmeline
Dorlinda
Fleur
Alice
Caitlyn
Tanya
Shannon
Emily
Dorlinda
George
Margot
Emmeline
Vanessa
Hayley
F
FREDERICK
rederick attended Salisbury Art College and studied Graphic Design and Foundation at Art. Leaving his studies he pursued a career as a commercial artist, muralist and interior designer. Over the past decade, he has produced commissions for Colfax and Fowler, Cabbages and Roses and Taylor Wimpey amongst many other reputable companies.
Frederick creates art that has an all-absorbing quality, one that makes it hard to tear yourself away. ‘I want the viewer to feel like they are standing in front of a banquet and their eyes want to gorge themselves on everything in sight.’
Rising to the Surface
Mantle
Shape Of Life
Voice Of Formation
Aurora
Broken Boundary
Corallium Rubrum
Limited Edition fine art prints (limited sizes available)
Aurora I
Aurora II
Stenographic Dream I
Metomorphic Rock
Mindscape
Stenographic Dream II
Limited Edition fine art prints (limited sizes available) Interfering Vision
Sublimination
Lost Circumstance
Calbuco
Liquid Texture
Hopes Of Innocence
Limited Edition fine art prints (limited sizes available)
C
laire’s artwork is based on botanical sculpture/ installation/ photography and illustration by creating a body of work around a particular flower. She allows the subject to lead her into new directions as she explores the essence of nature. Claire asks us what do we know about plants. She reflects on what has been planted in our conscious verses our deep experience of plants. With her detailed paintings and drawing of everyday flowers, not in high bloom, but on the wane, her hope is that we re-see, beyond our prejudices, an image of something unfamiliar: Unfamiliar because the flower in her paintings are both magnified and spent, an unfamiliar combination for the viewer. The water colour paintings are botanically correct showing the structure and function of plants at a scale that a bee may observe. Her current project titled - Identity, derives from microscopic studies of plant anatomy of spent Michaelmas daisies.
CLAIRE M
Level
Bestow
Fusion
Covered Tangible
Deep Vetrification Limited Edition fine art prints (limited sizes available)
Embarmed
Adore
Singleton
Individual
Embrace
Vitality
Life
Intense
Lush
Cherish
Limited Edition fine art prints (limited sizes available)
Independent
Adore
Singleton
Limited Edition fine art prints (limited sizes available)
Individual
“
Since my youth, I have been passionate about art which I found was a balance to my interests in more pragmatic subjects, such as maths and science. This very much reflects my personality which also explains my profession as an architect; a profession that is both regimented and boundless. Art gives me the control to break rules and paint by instinct. Painting is my chosen medium, but I am equally fascinated by sculpture and find inspiration in works by Rodin and Michelangelo. I especially admire the manner in which Rodin seemingly left some of his pieces unfinished or rough around the edges to better express movement and life. This is a style I also enjoy in paintings, best exemplified by Turner, an artist whose use of light and tone I feel has greatly affected me in my personal and artistic capacity.�
MIREIA
Frozen Landscape Frozen Landscape
Frozen 1
Shipwreck 1
Winter Thorns
Shipwreck 2
Earth Series 8
Texture
Textured Landscape
Earth Series Landscape
Blossom
Earth Series 3
Earth Series 2
Red Sunset
Earth Series 1
Seaside – as a tryptic
Turquoise Dream
Heaven
Frozen Landscape
“
I started to paint simply for pleasure and very rapidly, to my surprise and delight, my work generated a great deal of interest. This inspired me to experiment with innovative techniques and mixed media to develop my own style. I aim to create bold, vibrant, emotive and energetic canvases. The paintings range from representational images to textural abstracts, from wildlife to majestic coastal scenes with a great deal in between. I like to think that the use of striking colour is the defining indicator of my work." Rachel has participated in many exhibitions throughout the UK to wide acclaim; and has been published on calendars and Christmas and greetings cards. She is regularly invited to exhibit at the Art Shed Gallery in Ware, Hertfordshire. Recently her work has been displayed at the Picture Craft Gallery Holt, Norfolk. Rachel paints both for exhibition and by private and public commission's
RACHEL
Autumn Aurora
After Party
Fire Aurora
Autumn Australis
Golden Aurora
Liquid Gold
Frozen Landscape
Neptune’s Playmates
Pacific Seahorses
Trip
Neptune’s Playmates (detail)
Water Music 3
Bronze Wave
Lignum
Arguntum Wave 1
Aquatic Explosion
Parched Earth
Sunbeams
Kaleidoscope No. 2
Sunlight Collection No. 4
Blue Odessey
Blue Rain
Water music No. 3
Argentum Wave Collection 2
Wave 11
Warm Aurora Marsala Reef
Tropical Wave No. 3
I
MICHAEL H
studied A level art at Blackpool and the Fylde College where I learnt the basics of drawing and painting. I progressed my work further by studying at The Cumbria College of Art & Design where I achieved a degree in fine art. My style changed dramatically from a traditional style to a kind of semi abstract expressionist style of landscape painting to total abstraction which is where I feel most comfortable. Abstract art for me has no limits or boundaries and just gets more enjoyable every time I create a new piece. I use a variety of techniques and applications which may include painting, airbrush, photography and digitally collage. I’m interested in the effect of shapes and forms and how they can be arranged together over interesting grounds to create space and movement.
Calmer Sense
Calmer Sense
Limited Edition fine art prints (limited sizes available)
Black Coffee
Calmer Sense
Sea Flower
Distant Horizona
Unpredictable
Urban Dancer
Blow
Breaking Ties
Distant Mountains
Gravitation
Blue Sands Blue Sands Amp 1 Limited Edition fine art prints (limited sizes available)
Edition 11
In a Frenzy
Red Erosion
Vivid Erosion
Summer Rain
Pink Moon
Violet Sky
No. 101
Blue Orange 4
Blue Sands
Frozen
Limited Edition fine art prints (limited sizes available)
L
LISA isa is a contemporary abstract artist. Sharing her time between North London and North Yorkshire.
“Although I have A 'levels in Art and History of Art, I am mostly self taught. My speciality is acrylic and mixed media and I take my influence from the patterns and textures of our amazing world. I love the feeling of freedom and energy that the use of different mediums allows. Often, something as simple as a variation in texture or direction can create something totally unexpected.”
“Each of my paintings reflects the different layers and adventures in life that create our own unique individuality. It is for this reason that I leave it up to the owner of the painting to decide which way it should hang.” “We all see something different!”
Burgundy Crush Flowerworks II
Flowerworks III
Blue Crush
Flowerworks IV
Lilac Crush
Flowerworks
V
aughn creates his three dimensional art with materials such as plywood and acrylic.
“Patterns interest me: they are the background, the fabric and the landscape in which we live. Patterns are made by the weave of thread in cloth, the repeated laying of bricks in a wall, the individual decisions of a billion consumers or the single pixel of a digital screen. They record a process of thinking and making inside every product created by men.
Patterns are blueprints, used to move data across space and time. Complex patterns inside nature remember a million years of Darwinian history. Patterns of human settlement, grids of streets and pavements remember the interests and politics of people now long gone. The pattern of a fingerprint records identity, controls our access to space and allows movement across national boundaries. Form, identity and icon are spectacles which can be constructed. In a world of spectacle, pattern is silent and barely noticeable. It is often invisible, often unintentional. It is manifested in elegance, logic, beauty, brutality, music, weather, language, planning, coincidence and accident. Patterns are dynamic, stable and restrictive in every measure. I work with patterns because they construct and constrain reality, for better and for worse. Although they are quiet (because they are quiet) they are very powerful. Made visible by art, they can be exposed, interrogated and challenged.�
VAUGHN
Masterplan251 01
Masterplan251 02
Masterplan251 06
Masterplan251 11
Masterplan251 07
Masterplan251 12
Masterplan251 08
Masterplan251 10
Masterplan251 05
Masterplan251 08
I
was born in Exeter, Devon in 1972; and educated at Exeter College. Currently my practice involves ink drawings and abstract painting. My influences are literally all around me, from crowded city to isolated moor, I enjoy walking, extensively over Dartmoor, in local forests and on the south Devon coast. I am a self-taught artist who whilst recovering at home from slipped discs, found my attention drawn to my household paints and old wallpaper stored in the garden shed. I experimented with dripping and then vigorously swiping gloss paints over a large cut section of wallpaper. Impressed with the results I researched local art opportunities, and my work was shown in a local gallery where it was warmly received. My paintings are produced from a standing-above position, I lay my canvas/board on the studio floor, dip thin bamboo into paints, and then from a 360° position begin work.
CASS
Algal Bloom
A Storm is Brewing
Coral Reef
Green Day
Headshock
DNA
I Saw a Tiger
Lines 1
Lines 2 Shallow Water
Supernova
Studio Floor Wires
White Noise
Tutti Fruiti
Sun Spots
Pyrotechnics
“
Grace is an independent fine artist working in London. She has exhibited extensively, including at "The Biscuit Factory", "Vyner Street" and "The Royal British Institute". In 2009 she was awarded a chance to appear alongside Paula Rego and Peter Blake in an international auction of art-works in the 'Newcomers' section and in 2011 worked alongside Katerina Seda at the Tate Modern. Most recently she was selected as a featured artist for Rise Art's Top 100 artists of the future. Grace's abstract landscapes act as a sort of escapism from city life and a channel into the natural world. In particular, Berlin and the ideology surrounding the forest has strongly influenced her work. The poet Tom Westerman reviews Grace's practice from a recent exhibition: 'Through the artist's experience of natural beauty spots within cityscapes and raw pastoral settings the sense of awe these paintings instil work as a powerful reminder of the infinite colour, diversity and multi-dimensionality of human experience.' Grace works with Interior Designers, private collectors and galleries. Her paintings can be found all over the world including London, Oman & New York. Representation includes The Hornshaw Gallery, Degree Arts, Luminaire Arts & Rise Art."
GRACE
Elevation
Luminance Become
Equilibrium
Renew
Turquoise Mountain
Scarlet Mountain
Viridian Blue
Water Blooms I
Water Blooms II
Water Blooms III
Water Blooms IV
Water Blooms V
Water Blooms VI
E
lena is a London based contemporary abstract painter. Praised for her natural feel for colours, she is an astute observer of interpersonal relationships, which inspire her to create thought-provoking works.
A self-taught painter, Elena was born in 1980 in a small town in Transylvania. She lived in Paris and travelled extensively before settling down in London a decade ago. Elena’s paintings are abstract poetical representations of friendships, love stories, family or professional relationships in our cosmopolite and multicultural society. In order to represent feelings, she continuously develops her own language that is dominated by bold colours and shapes. Elena enjoys the versatility of the acrylic mediums and paints, using pouring, spraying, glazing and other techniques to create layers and depth. She loves to explore the way the paint moves and colours blend and to experiment with the textural qualities of the paint using original and unconventional application tools. Elena is proud to participate in prestigious exhibitions like the SWA Annual Exhibition at the Mall Galleries, London and also to have works residing in private collections in USA, Australia, Hong Kong, Belgium, France and the UK.
ELENA
Early Finish
Late Finish
The Anatomy of Culture 18
The Anatomy of Culture 12
The Anatomy of Culture 13
The Anatomy of Culture 16
Motorway I
Dots
Motorway II
Iguazu I
Iguazu II
Krooth Breakfast at El Tovar I
Breakfast at El Tovar II
Friends a
She Wears Purple
Friends b
First Time I Met You
Friends c
Knitting
B
orn into a family of artists, Bagueps studied applied arts in Paris at Oliviers de Serre, specializing in interior design. After graduating, she worked for a French cabinet-making firm for seven years, where she gained her experience in creating materials and finishes.
In her paintings, she strives to translate the peaceful feeling she gets from the inspiration of nature, in particular the beauty of the sky. Having painted since childhood, Bagueps aims to capture the colourful vibrations of the everyday; the sky is a constantly changing canvas she wishes to replicate. Her principal subject is the inbetween; the flux between two states. She begins with an initial inspiration and then lets the painting guide her. Mixing different materials such as acrylic, oil, marble powder and silver powder, the colour and texture takes on its own form.
BAGUEPS
Burnout
Become
Passage Delicat
Between
Gestation
L’Entre
Endre Deux
Confrontation
Endre Deux detail
Endre Deux detail
T
he appeal of Lyra’s ‘scapes’ is in the creation of atmosphere through her connection with colour. She creates abstract but instinctively balanced compositions through an open and experimental approach to her practice. “Colour has always played a big part in my life and art career – loving the way it can transform how we experience and live in any space” “With my paintings, I aim to create atmosphere rather than realism, they are built up in layers using a unique non-brush technique”
LYRA
Intuition 2
Intuition 1
Intuition 3
Colorado 3
Colorado 4
Coexist 2
Coexist 5
Clouds Melt with Colour
Coexist 11
Colours Say Love
Strata 2
Existential 8
Strata 3
Existential 12
Terra Chroma 6
Terra Chroma 7
M
att took to printmaking in 2005. Always exploring heavily layered large format monotypes, his work best described as peaceful abstraction, which is an antidote to to a hectic London lifestyle, harking back to his halcyon days in Australia when he spent his formative years. He likes to allow the viewer to spend time with the work, absorbing the details and read their own interpretation into his work. He has presented work in many group shows and had his first solo in July of 2015
MATT J
Red Mountains 2
Red Mountains 1
Landscape Brown 3
Landscape Rose 1
Landscape Brown 1
Landscape Rose 3
Limited Edition fine art prints (limited sizes available)
Haicenda 1
Haicenda 2
UP
Night Mountains 1
Night Mountains 2 Limited Edition fine art prints (limited sizes available)
Blue Mountains 2
Blue Mountains 1
Blue Mountains 3 Limited Edition fine art prints (limited sizes available)
“
I use a variety of techniques and applications which may include painting, airbrush, photography and digitally collage.
I’m interested in the effect of shapes and forms and how they can be arranged together over interesting grounds to create space and movement.”
NICK
Header
Green
Tangled Thoughts 2
Big Red
Blue Stream
Fracture
Rock Pool
Tangled Thoughts
Fire Inside
L
LISA isa is a contemporary abstract artist. Sharing her time between North London and North Yorkshire.
“Although I have A 'levels in Art and History of Art, I am mostly self taught. My speciality is acrylic and mixed media and I take my influence from the patterns and textures of our amazing world.”
“I love the feeling of freedom and energy that the use of different mediums allows. Often, something as simple as a variation in texture or direction can create something totally unexpected. Each of my paintings reflects the different layers and adventures in life that create our own unique individuality. It is for this reason that I leave it up to the owner of the painting to decide which way it should hang.” “We all see something different!”
Splash II
Splash III
Splash I
Splash IV
Splash V
Splash VI
Splash VII
J
ane’s work references the ever changing outlines of the landscape. Her gestural paintings exude energy and movement, and are often on a large scale. Her abstract paintings contain a real sense of place, inspired in equal measure by the South Downs and London. The amalgamation of these contrasting environments is evident in her work. From this is an obvious process of deconstruction and reconstruction. For Jane the act of painting is a continuous process, always changing and taking away, to create something new.
JANE W
In The Distance Global Landscape
Global Landscape 3
Urban Rhapsody
Colour in Motion
No. 1
Distant Shores Pink Summer Sky
Happy Days
Walking the Neon 1 & 2
Limelight 1 & 2
I
have been an abstract expressionist painter since my early teens. The immediacy and freshness of this style as well as its complexity and boldness has always spoken to me. To this end I usually paint with acrylic paint in an alla prima style, in a spontaneous and physical way, moving back and forth across the canvas, making marks that dance across that surface. I start by introducing colour, shapes and line, then respond to their development. I move these elements around, adding and removing paint in multiple layers, having been described as an emotional painter. I've been described as an emotional painter, my abstract paintings are my first love as I am free to indulge and be spontaneous experimenting with colours and textures, creating multiple layers resulting in visceral unique painting with mood and depth. Over the years I have sold many paintings at Art & Craft Fairs and Exhibitions and, more recently, my paintings are in customers homes all over the world, Australia, Canada, Finland, Germany, Ireland, Netherlands, Spain, UK and the USA My inspiration comes whilst walking on the beach or in the many Areas of Outstanding Natural Beauty that Wales has; a holiday I've taken, seasons, landscapes and my imagination. In my abstracts I try to represent my personal thoughts and emotions which I capture on canvas and express through bold colour, strong composition, textures and shapes
SUSAN W
In the Heat of the Moment
A Precious Day of Memories
Deep Blue Sea
Vitality
A New Day is Dawning
A Precious Day of Memories
Viola a Mezzanette
A Million Combinations
Isolated Island
Ocean Breeze
Aqua
More Than
Black Quartet
Energy of the Ocean
Interstellar
Simply
Seals
Waves
Orange Explosion
Pandora
Orchestra
Murano
Chaldoney
Colour My World
Colour Rush
Colours in Motion
Colours of the Soul
Colourful Journey
Californian Poppies
Bound for Glory
Cosmopolitan Rainbow
Aura
Daydreamer
Midas Touch
Depths of the Ocean
Butterfly Wings
Forest
Floral Spectra
Essence
Lake of Colours City Reflections
S
hirine is an internationally exhibited Lebanese Dutch Artist living and working in London. She attended the Royal Academy of Arts in The Hague (The Netherlands), holds a BA (Hons) in painting from Chelsea college of Art and Design and an MA in Fine Art from Kingston University.
Since 2006 she has been producing work primarily in her west London studio taking exhibitions as a medium to recontextualize her work. Her Art production includes paintings, videos and photographs. Her work has been exhibited in London (UK), Dallas (USA), Beirut (Lebanon), The Hague (The Netherlands), Dublin (Ireland) and Doha (Qatar) as part of ‘Hurouf ‘ an Exhibition hold by Sotheby’s in December 2010. Her work is in many private collections. Colour and movement are vital elements in Shirine’s work. Through them she is constantly searching to express transformative experiences. She is interested in the flow of positive energy which colour can transfer to us. In her work there is a yearning for novelty, love, peace, flow and transcendence.
SHIRINE
Scala
Waltz
Gia
Ema
Score
Limited Edition fine art prints (limited sizes available)
Verge
Volatile
Echo
Flare
Memoria
Limited Edition fine art prints (limited sizes available)
Flow Triptych
Portal Yellow Triptych Limited Edition fine art prints (limited sizes available)
S
ophie is a British artist & architect based in London. She finds inspiration from her environment both past and present; some of this draws from time living in Asia and Australia. Sophie’s work seeks to interpret the essentiality beyond the purely visual. She has a curiosity in how memory can focus this; filter it, and how individuals with the same visual experience can come away with such different visual memories of it. The process of creating allows an idea to expand and distil again as a concept, with images often becoming abstract and calm in the process. Her figurative work is much quicker, it seeks to capture the substance of the pose, be that weight, tension, movement, form or emotion - the life within it.
SOPHIE
Eucalyptus 1
Eucalyptus 5
Eucalyptus 15
Eucalyptus 9
Eucalyptus 10
Eucalyptus 15
Eucalyptus 4
Ocean 1
Ocean 2
Acer 1
Acer 2
Ocean 3
Ocean 7
Acer 5
Acer 7
Leaves 1
Autumn Series 4
Autumn Series 3
Leaves 2
Leaves 3
Leaves 4
Autumn Leaves 1
Autumn Leaves 3
Autumn Leaves 4
Autumn Leaves 5
Autumn Leaves 8
Autumn Leaves 9
S
ophie is a British artist & architect based in London. She finds inspiration from her environment both past and present; some of this draws from time living in Asia and Australia. Sophie’s work seeks to interpret the essentiality beyond the purely visual. She has a curiosity in how memory can focus this; filter it, and how individuals with the same visual experience can come away with such different visual memories of it. The process of creating allows an idea to expand and distil again as a concept, with images often becoming abstract and calm in the process. Her figurative work is much quicker, it seeks to capture the substance of the pose, be that weight, tension, movement, form or emotion - the life within it.
SOPHIE
Female Nude 1
Female Nude 2
Female Nude 6
Female Nude 5
Female Nude 3
Female Nude 7
Female Nude 4
Male Nude 1
Male Nude 3
Male Nude 2
Male Nude 4
K
iran is an artist using the concept of translating the ephemeral nature of thought to a visual form, where the spoken words are silenced and the art imagery is tuned into the invisible forms of engagement, where emotions are aroused and intuition is channelled.
All works are open to the personal perceptions of the viewer for each is impacted through their own processes of personal and impersonal thought. The medium of acrylic, pastels and ink are used in a form that is an extension of a waking meditative practice using the actions of painting to access the instincts that require an exhalation. Where painting as a need becomes as inevitable as breath is to being alive. Previously exhibited works throughout London and visual artist for the published book The Future We Choose alongside numerous features in online and magazine publications. Living and working in the East of England.
KIRAN
Chrysalis Ecliptic
Flux
Abstracts of The Heart
Tidalwaves I
Bloom
Evolution I
Efflorescence
Transpire 1
Ardor 0
Ardor 0b Epiphany
Breathe Halcyon
Halcyon 0c
Night Epiphany
Scope 1
Hope Floats
Lucid Moment
Metanoia
Rain Kisses When I See You Again
When the Skies
J
ennifer is a mixed media artist whose is influenced by the mapping of the journeys and layering of memories, she has made both living and working in many countries abroad. She philosophically explains: ‘My work is based on the journey of life, its layers and strata. Through time and pressure beauty is created, we mine the soul to find the precious things. Life refines and polishes our history and the choices we have made. Our layers and compartments are filled with experiences and memories.’
JENNIFER
Hand finished prints with resin and gold leaf (limited sizes available)
Thames
Robben Island III
Robben Island IV
Atlantic Island I
Robben Island II
Robben Island I
Atlantic Island III
Atlantic IV
Hand finished prints with resin and gold leaf (limited sizes available)
Earth from The Air – Series I + II
Coast
Earth from The Air III & IV Image 2
Hand finished prints with resin and gold leaf (limited sizes available)
No. 3
No.5
No. 4
Print 1
Print 2
Hand finished prints with resin and gold leaf (limited sizes available)
No. 6
No. 7
No. 8
Hand finished prints with resin and gold leaf (limited sizes available)
“
RICHARD K
After an upbringing on the family farm on the coast of North Cornwall, I left my tractor behind to train in graphic design and illustration at Kingston University in the mid '80s. I’ve since spent thirty years in the creative industry in London, first as an illustrator and graphic designer, and now as a full time artist.
Urban life inspires me, seeking to capture the perpetually evolving patterns and rhythms of architecture and people in my work. I paint this 'dance to the music of time' by combining an observational drawing style with colour, marks, texture and pattern. My goal is to spark a recognition and dialogue with the viewer, asking them to discover in my paintings a visual expression of their own urban lives.�
Millennium Sunset
Sloane Square corvette
Sloane Square Crossing
Tower Bridge Dusk
Westminster Heights
Olympus
City Colour
Battersea
Red Light
Albert Bridge 2
London Eye to Parliament
OXO Mall
South of the City
Battersea Cranes II
Albert Bridge
Macys St Paul’s to the City
Central Park Taxis From the Suburbs to the City
West 34th Street New York
From the Suburbs
Corvette in Sloane Square
Spring in Sloane Square
Sloane Square Christmas Lights
Waterloo Clock
Solo in Drury Lane
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RICHARD K
After an upbringing on the family farm on the coast of North Cornwall, I left my tractor behind to train in graphic design and illustration at Kingston University in the mid '80s. I’ve since spent thirty years in the creative industry in London, first as an illustrator and graphic designer, and now as a full time artist.
Urban life inspires me, seeking to capture the perpetually evolving patterns and rhythms of architecture and people in my work. I paint this 'dance to the music of time' by combining an observational drawing style with colour, marks, texture and pattern. My goal is to spark a recognition and dialogue with the viewer, asking them to discover in my paintings a visual expression of their own urban lives.�
5703
6309
5703
3907
Mall Gall 001
3910
3929
Lizzi 01
Girl in Tutu
Seated Nude
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1645
5686
6310
Sarah VI
A
LONDON S
fter studying printing at Putney School of Art, Ana and Sophie formed their company. They have worked from their own studio in South West London since 2006. Their art has evolved slowly, drawing it's inspiration initially from the extraordinarily diverse urban landscapes of their South London homes.
Three years ago Ana and Sophie travelled to Spain in search of more natural material to inspire their work. The dramatic images they brought back took them in a new direction with the Spanish countryside at its heart. Luminaire Arts are pleased to present a selection of screen prints on canvas and on paper. "Tree 1", a study of a gigantic, solitary pine tree in the foothills of the Sierra de Gredos was a finalist in the UK National Open Art Competition and was then selected for the Royal Academy Summer Exhibition. They followed this by taking the Olive Tree as a theme, in particular a unique collection of 1,000 year old trees in the grounds of Banco Santander's headquarters outside Madrid. Most recently they have returned to their home for inspiration, in particular the parks surrounding South West London. Their work has also taken them to include bespoke art for a variety of businesses. Working closely with the client, they create art which captures the essence of the client's business, be it restaurants, universities or office spaces.
Alium Small
Poppy
Alium Silver Blossom
Ragwort
Thistle
Lum 1 Tree 1
Tree 5
Tree 7
Linen Trees
Tree 4
Lum 2
Tree 1
A
riadna is an artist living and working in London, UK. Through her upbringing in Siberia and travelling, she has discovered a connection to nature, which has become a source of inspiration for her evolving art practice. Ariadna is currently developing two bodies of work: “Basal Elements” in black and white and “Organic Wreaths” in colored inks.
The creative process involves experimentation with techniques to imitate and amplify nature. Ariadna creates forms and textures that have a natural aesthetic and quality, reminiscent of organic cells, celestial structures, basic life forms or fossils. Due to the nature of materials and techniques used, the process of making is fluid and alive. The resulting forms and textures are partially chance and partially calculation; the outcome of both ceding the artist’s control over the process and being acutely aware of the development of forms and textures. Just like in nature, every resulting element is unique and cannot be repeated. To complete her compositions, Ariadna uses a combination of cut-out and collage techniques. While echoing shapes of the ink elements, the cutouts represent their stark contrast, highlighting disparity between natural and artificial, valuable and hollow, existence and extinction, having and losing.
ARIADNA
Organic Wreath 1
Organic Wreath 7
Organic Wreath 8
Organic Wreath 3
Basal Elements 1
Basal Elements 3
Basal Elements 2
Basal Elements 6
Basal Elements 5
Basal Elements 4
Organic Wreath 6
Organic Wreath 2
Organic Wreath 5
Organic Wreath 4
I
magery inspired by travel to places near and far around the world. A love and interest of urban cities, their layers of gradual decay and the diversity of rural landscapes and dramatically changing skies are the catalyst for much of her work. Journeys are recorded in sketch books, new places visited and remembered. These are the visual tools of her personal search for an essential energy – the Essence captured of her chosen subject Specialising in oil paintings on panel and also tone of unique works on paper using a range of printmaking techniques. A combination of layers of abstracted marks, colour and line are built up and then partially removed or covered over by subsequent over painting or printing to produce subtle yet powerful images. Clare works from her studio in North London. She attained her Masters Degree from Camberwell College of Art. Her art has been commissioned by various organisations including Claridge's, The Hilton Hotel Paris, The Landmark Hotel and The Carlton Towers in Knightsbridge. Recently, artworks have been reproduced for several universities and organisations in Saudi Arabia. Her artwork has been exhibited across the U.K and abroad and is also held in various private, corporate & national collections including Victoria & Albert Museum, BUPA Headquarters, Care International Scotland and The Langham London.
CLAIRE G
“I will wait for you.” No.1 colour variation solar plate etching.
“I will wait for you.” No. 2 colour variation solar plate etching.
“Overture No. 2” solar plate etching
“Overture No.1” No2 solar plate etching
“Patience” solar plate etching
C
olin trained at the Reigate School of Art in Surrey, and now lives on the Sussex coast, soaking up the wonderful light and the beautiful, varied landscape. His work is inspired by the daily observation of his surroundings, combined with memories of past fleeting moments that are both personal and universal – perhaps a glimpse of the sea through woodland, a cloudburst, a howling gale or a cliff-top walk at sunset. ‘Weather has fascinated me since childhood. It’s the sensation, the feeling of being in the landscape that I aim for – the mysterious, elemental and ever-changing drama of light and shadow, of wind, water and sky transforming a landscape in a blink of an eye. I want to capture the feeling, memory and the essence of a place and time in my work. I’ll sometimes complete a piece outside, but I’m happiest making thumbnail pencil sketches on site with colour, wind and light direction notes, then working up the final painting in the studio with memory and imagination engaged. It’s an organic process where the original sketch and/or memory is reconceived using layers of paint and scraping back and then more layers and scraping until there is a finished piece’
COLIN
Wild & Windy Sea Low Tide
Last Light
Flooded Field
Across the Lake
Glimpses
Cloud Burst
Boundless
Postcard from the Sea III
Nocturne III Land fall
Landfall
Evening Sun, Sand, Sea & Sky
Days End
Gathering Storm
Tempest
First Light
H
enry is a London based artist who has been making his name in the global graffiti scene since 1997 when he first picked up a spray can.
Since being a student at London’s Central St Martins he has gone on to paint artwork all over the world, including; New York, Barcelona, Prague, Milan, across the UK and most notably Dubai, where he worked as part of a world renowned team of artists who successfully broke the Guinness World Record for the largest graffiti wall ever painted. Over the last 20 years he has taken inspiration from some of his favourite artists including Futura 2000 and Dondi as well as his own artistic surroundings. His more recent abstract expressionism work on canvas brings to light some of his influences from much loved artists such as Jean-Michel Basquiat and Franz Kline, whilst maintaining the strong connection to his original art form.
HENRY J
Blue 1 White
“I will wait for you.” No. 2 colour variation solar plate etching.
Blue 2
Dark Oceans 1
Dark Oceans 2 Explosive Anger
Pink 1
Pink 2
Black & White
Red 1
Red 2
Pink 3
Pink 4
Triangle
Grey
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Copyright All works are subject to availability. Copyright to all material and/or works of art comprising or contained within this brochure is held by Luminaire Arts and/or other copyright holders. It is prohibited to reproduce, modify, adjust or otherwise use any of the images or information in any manner or form without the express written permission of the copyright holder. For further information or details of any of the works listed please contact us.
Luminaire Arts Ltd 19, Grosvenor Place Belgravia, London SW1X 7HT 0207 101 5070 www.luminairearts.co.uk www.lumiarts.co.uk
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