JESSICAOWENS THE PENNSYLVANIA STATE UNIVERSITY LANDSCAPE ARCHITECTURE PORTFOLIO 2016
JESSICAOWENS 534 BRYCE ROAD QUEENSTOWN, MD 21658 t. (301) 802-8716 e. jessicaowens1005@gmail.com w. issuu.com/j-owens
REFERENCES Larry Gorenflo, PhD | Penn State Professor lgorenflo@psu.edu (814) 863-5337 Sean Callahan | Lane Engineering, LLC Principal scallahan@leinc.com
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EDUCATION
SKILLS
THE PENNSYLVANIA STATE UNIVERSITY
SOFTWARE
Bachelor of Landscape Architecture, 4th year College of Arts & Architecture GPA: 3.45/4.0
AutoCAD | Adobe Creative Suite | SketchUp | Rhino E-on VUE | E-on LumenRT | ArcGIS
BARCELONA ARCHITECTURE CENTER Planning, Design, and Management of Public Urban Spaces & Systems Study Abroad Summer 2015 THE UNIVERSITY OF MELBOURNE Expected Date of Travel: Study Abroad Fall Semester 2016
VISUALIZATION Hand Drafting | Computer Rendering | Model Making Laser Cutting
LEADERSHIP ALPHA PHI, GAMMA RHO CHAPTER Fall 2012- Present Promoted member development + leadership
WORK EXPERIENCE INTERN | LANE ENGINEERING, LLC August 2015- January 2016 | Easton, MD Produced AutoCAD plans + cost estimates, attended site visits, assisted the land surveying crew for 2 weeks SERVER | HARRIS’ CRAB HOUSE May 2015- August 2015 | Kent Island, MD Multi-tasked by handling orders while striving to maintain excellent customer service
ALPHA PHI PHILANTHROPY ASSISTANT Fall 2012- Spring 2013 Organized our annual parents weekend and philanthropy event LANDSCAPE ARCHITECTURE STUDENT SOCIETY Fall 2012- Present Penn State Landscape Architecture LASS Member SOCIETY FOR ECOLOGICAL RESTORATION [SER] Fall 2012- Present Penn State SER Member
FIELD OPERATOR | CASSINELLI WINERY + VINEYARD May 2013- August 2013 | Church Hill, MD Assisted with maintenance and upkeep of both winery and vineyard, managed a field crew team, furthered skills in customer service
AWARDS EXCELLENCE IN MATERIALS May 2015
PUBLICATIONS
The Penn State Department of Landscape Architecture
REPRESENTING LANDSCAPES: DIGITAL (2016) Counts, Maria Debije. Representing Landscapes: Digital. Ed. Nadia Amoroso. New York, NY: Routledge, 2016. N. pag. Print.
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“We keep moving forward, opening new doors, and doing new things, because we’re curious and curiosity keeps leading us down new paths.” - Walt Disney
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PROJECTCATELOG MCKEES LAWN JUNIATA STREETSCAPE GREENING INDUSTRY [SUB]URBIA PLAZA SPRING CREEK CORRIDOR PROFILE SEATING WESTERLY PARKWAY DAN KILEY EXHIBITION GRADING HAND GRAPHICS
6 10 16 20 22 26 28 30 32 34
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MCKEESLAWN MCKEES ROCKS, PENNSYLVANIA McKees Rocks, often known as “The Rocks”, was formally known for its intensive industry with steel and iron productions. Today, Mckees Rocks is becoming known for its upcoming music and arts programs for the young generations of our time. The “Mckees Lawn” design successfully combines 3 defined nodes into one unified space that reflects past industrial productions, and plans for the future of music and arts for the downtown district. This temporary space will utilize its time wisely, quickly transforming this vacant lot to accommodate the urgent needs of an outdoor space for the community.
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CONCEPTUAL PLAN VIEW
NTS
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PROGRAM ELEMENTS
1
3 2
GREEN NODE
EVENT NODE
SOCIAL NODE
This node is dedicated open green space located adjacent to the Chartiers Creek. This space can allow for ecosystems such as plant and wildlife occupy the space and allow people to enjoy it from the pathways.
The east end of town is becoming popular for its jazz programs for the younger generation. Having dedicated outdoor event space that is close by can help to promote music and arts for the community.
Approximately 17,000 cars drive down Chartiers Avenue per day. The social node is placed along the busy downtown corridor to attract people in to the space and socialize with the community and the environment.
SITE SECTION A-A’
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C AR CH ARTI T ER ERS AVEN NUE E ENT NTRA RA ANC N E
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OPEN GREEN SPACE
OPEN GREEN SPACE
PROPOSED GREEN GROCER
M
JUNIATASTREETSCAPE PITTSBURGH, PENNSYLVANIA PITTSBURGH Over a 7 week period, The Penn State University Pittsburgh Studio conducted thorough research and analysis of the Lower Northside while collaboratively working with local community members. The existing conditions of this residential street holds a unique opportunity to create a green connection design proposal. Not only green in color with the introduction of native plantings, but a design that can promote a green and healthy lifestyle for the community of Manchester.
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MANHATTAN STREET
MANCHESTER GROWING TOGETHER GARDEN
OPEN GREEN SPACE
JUNIATA STREET
MARKET SPACE MANCHESTER PRE-K-8TH GRADE
STOWMWATER REMEDIATION
PLANTING PALETTE
Rain garden pockets are used to enhance the aesthetic quality of Manchester’s Juniata Street, while also offering an element of sustainability and environmental justice. The pockets are intended to collect stormwater runoff and bioremediate water, safely introducing clean water back into Pittsburgh’s aquifer.
WET ZONE SPICE BUSH (Lindera benzoin) SWAMP ROSE (Rosa palustris) BLACK-EYED SUSAN (Rudbeckia fulgida) SWAMP AZALEA (Rhododendron viscosum) SENSITIVE FERN (Onoclea sensibilis) SWAMP MILKWEED Asclepias incarnata) BLACK LOCUST (Robinia pseudoacacia)
MODERATE/ DRY ZONE INKBERRY (Ilex glabra SWEET PEPPERBUSH (Clethra alnifolia) OBEDIENT PLANT (Physotegia virginiana)
SEATING ELEMENT
RAISED DROP INLET
STREET RUNOFF SIDEWALK RUNOFF INFILTRATION
A DRY ZONE
ON-STREET PARKING
A’ DRY ZONE
MODERATE ZONE
WET ZONE
RAIN GARDEN POCKET
MODERATE ZONE
12-18”
11 PEDESTRIAN ZONE
JUNIATA STREET
FESTIVAL STREET SPACE GREEN GROCER
OUTDOOR OPEN AIR MARKET + GREEN GROCER Currently, Manchester is classified as being a “food desert”. The green grocer combined with the outdoor open air market can create a new central destination for locallyy ggrown p products and ggoods for the p people p of Manchester. This can help to promote healthy living for the community.
MANCHESTER’S “FOOD DESERT” This location can hold different festivals and/or markets throughout the year. Vehicle traffic can be directed down Manhattan Street, which is a two-way traffic corridor for cars. Currently, Manchester is classified as being within a “food desert”. The green grocer combined with the outdoor open air market can create a new central destination for locally grown products and goods for the people of Manchester. This can help to promote healthy living for the community and more communal interaction for Manchester.
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JUNIATA STREET
JUNIATA STREET
75%
In its first year, a protected bike e increases bicycle traffic on the street by an average of 75%.
96%
96% of people riding in protected bike lanes feel safer on the street because of the lanes.
THE GREEN LANE PROJECT The Green Lane Project is a PeopleForBikes program helping cities, like Pittsburgh, create protected bike lanes. Protected bike lanes are a part of a larger linked system for traveling across Pittsburgh. Implementing the Green Lane Project along Juniata will allow for a more livable street, will make it easier to get around, save money, and promote an active lifestyle.
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MANCHESTER GROWING TOGETHER GARDEN
The three large locust trees on site are currently existing trees and are being preserved within this proposal JUNIATA STREET
The adjacent basketball courts are an active space for kids to interact. Almost everyday kids meet up in this space and play basketball with friends.
Manchester field is currently used for little league baseball, and also occupied by Manchester Elementary. People use this space as a park recreational space for soccer games and running around. At night, the sports field lights come on, which illuminate the linear park space in dark hours.
BASKETBALL COURTS
MANCHE ESTER FIELLD
Porous rubber ground material allows for zero percent rainwater runoff from this space. All rainwater that falls within this space enters the ground within this space.
Naturally vegetated stepped seating has been implemented in replace of metal bleachers to watch sports games.
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N NTS
OUTDOOR RECREATIONAL SPACE The existing space currently has graffiti on the most surfaces, including the large existing canopy trees. This space also currently serves as a commemorative nook reflecting on the violent past of Manchester. This newly invented space can allow for a different form of reflection that is positive towards the younger generation. Dedicating space for this form of art will solve the problem of graffi graffiti ti.
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REEN PRODUCTION
GREENINGINDUSTRY LA ESCOCESA, BARCELONA, SPAIN During a 6 week study abroad program in Barcelona, Spain, we conducted analysis and research for the city of Barcelona. Our site, La Escocesa, is series of abandoned industrial sites that are completely vacant. This design proposal is intended to create a new greening industry and allows for harvesting of vegetation to then be spread throughout the city. Currently, there is approximately 28% of green space within the city. The goal of this design is to increase that percentage over a long span of time, through different phases of harvesting.
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PLAN VIEW- LA ESCOCESA
A
NTS
2
3
CAREER DE BOLIVIA
3
LA ESCOCESA
2
2
A
E CARR
1
R DE
PERE
IV
1 2
1
GREEN PRODUCTION Zon ne 1 contains a variety of vegetation for perrsonal harvesting use to b be sold on site. Typ pes of personal harr vested vegetation incllude pistachios, ora anges, chestnuts, garrlic, etc.
Zone e 2 is is strictly fo or indu ustrial harvesting pracctices, yet vegetattion has not reached a mature state. Over time, zones 2 + 3 will interchange, depe ending on the rate of growth of planting gs and maturity. y
Zone e 3 is at the mature state e for industrial harvesting. e Trees can be safely removed, and transsported throughout the rest of the city. y
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2 MARKETING PRODUCTION
The market zone, located within the abandoned factory of La Escocesa, products grown on site from zone 1 can be marketed here to the general public. This zone is vital to the entire site s production.
Market Zone
§ 1:10
MATURE FOR INDUSTRIAL HARVESTING
PREMATURE FOR INDUSTRIAL HARVESTING
ZONE 3 INDUSTRIAL HARVESTING
REFUGE ZONE
ZONE 2 INDUSTRIAL HARVESTING
SERVICE ROAD
BUILT MENT RON ENVI 1
2
AMIC DYN TION RVEN INTE
3
3 1 2
3 3
1
3 2
2
1
NTS
E RAGM AIC F
MOS
EXIST
I
OND NG C
ITIO N
S
R CAR
CT ISTRI
EL P ER D
ERU
UD LENO
POB
CA RR
ER
DE
BA CD ER OD A
G AV. DIA
ONAL
MATURE FOR INDUSTRIAL HARVESTING
1:10 MARKET ZONE LA ESCOCESA
ZONE 1 PERSONAL HARVESTING
ZONE 1 PERSONAL HARVESTING
REFUGE ZONE
ZONE 3 INDUSTRIAL HARVESTING
SPRING ANNUAL SITE EVENTS
JANUARY
APRIL
MAY
SUMMER JUNE
JULY
AUGUST
SEPTEMBER
OCTOBER
DECEMBER
MAPLE HARVEST FESTIVAL PUMPKIN CARVING COMPETITION MUSIC EVENTS SUMMER CAMPS CHRISTMAS MARKETS SNOWMAN BUILDING COMPETITIONS LLO OC O OCAL CA C ALL FALL A FA HARVEST FESTIVA FESTIVAL LOCALLY GROWN FARMER’S MARKETS
[SUB]URBIAPLAZA STATE COLLEGE, PENNSYLVANIA In the year 2040, the hybridized community has been successfully built where intertwining the modernized built environment with the organic natural realm forms a thriving [sub] urbia. This civic space revitalizes human interaction with the environment and enhances the blending of the natural and built environment. The unified pedestrian plaza is an important intersection of this blending of two contrasting realms into a cultural meeting space for residents and visitors to enjoy. Active opportunities held within this space year-round allows for an annual interaction with the changing environment where the seating elements are presented.
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NOVEMBER
ICE SCULPTURE COMPETITIONS
(As)
To N. Atherton To Street
BLDG E (Retail + Residential)
(Gb)
Main Pathway
Lawn 1
1
1
To To Westt Ciirc rclle
2
L Lawn 3
3
BLDG D (Re esidential) To East Cirrcle E
1 d
Lawn 2 4
Rain Ra ain G Garde n
(Arr) Pavillion
(As))
((B Bn)
(Gb ((G G Gb)
(Ar (Ar)
1a BERM CONSTRUCTION DETAIL GeoCell is placed horizontally for edge protection and stabilization of the manufactured berm to avoid erosion over time.
1b Layers of GeoCell Compacted Earth
GEOCELL POCKET LAYER DETAIL GeoCell netting is spead across the berm’s surface, following the contours. The individual cell modules are then filled with gravel + soil with plantings on top.
Filled with soil + gravel
Individual pocket modules of GeoCell filled with soil + planted Existing grade Surface installation following slope contours
5 Ft.
Geotextile membrane
15 Ft.
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Vehicular
Pedestrian
Green Space
SPRING CREEKCORRIDOR BELLEFONTE, PENNSYLVANIA In efforts to protect our watershed’s water quality, the implementation of low impact development areas (LID) is a simple yet extremely beneficial approach in the conservation of natural features and planning for the future. Water is essential for all forms of life and it is our environmental responsibility to return areas back to their natural and cultural histories (Steiner 2008). By using a sustainable approach integrating multiple green infrastructure improvements such as green walls can begin to rebuild our lost natural communities and return the watershed back to being a healthy, successful ecosystem.
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Bellefonte
Spring Creek Watershed
24
treet mb S W La
7
te Wa et
Train Station Former Bush House Hotel Lot Built in 1869, The Bush House Hotel burned in 2006- the lot is currently vacant
3
Talleyrand Park
Spring Creek
et tre pS nla Du
Built in 1889 and renovated in 1976- the site of the Bellefonte Historical Railroad
2
tre
1
Vertical Green Wall Corridor
rS
Preserved Historical Sites
A park that begun being built in the early 1970's in attempt to restore stream banks
4
The Bush Arcade
5
The Manse (The First National Bank)
6
Brisbin Home
7
The Gamble Mill
An arcade reviously burned in a fire in 1887, the new structure built in the late 1880's Originally a residence home then transformed in the First National Bank in 1881
1 5
2
Historical residence
eet h Str W Hig
Present structure built in 1892-Mill previously burned by a fire- is now a restuaurant
6
4 3
Talleyrand Park
THE HEXAGON TYPOLOGY The meaning of the “six� often is regarded to a deeper meaning of union, balance, interfacing and communication (Venefica 2014). The shape of the hexagon is often found to be naturally created in beehives which denotes to the overall meaning of community and successful productivity. The use of the hexagonal shape throughout these vertical gardens withholds the deeper meaning of balancing the natural world with the built environment and bringing back natural habitat to the community thus bringing about successful productivity in nature within the Spring Creek watershed.
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SECTION DETAIL
RHINO 3D 3D-MODEL MODEL
PROFILESEATING STATE COLLEGE, PENNSYLVANIA This quaint plaza, located within a busy university campus, is a destination for students to come and sit back, recline, and relax. With the opportunity for visitors to lounge on the Lamboo seating features. The warm sensation the Lamboo color and texture brings to the site provides a welcoming experience into the plaza. The crimson profile of the seating highlights the unique opportunity to sit back and lounge within the space. The complementary colors of the crimson with the varying shades of green maximize the contrast of the seating element. The evanescent pavers fade in and out, creating circulation and guiding the visitor to the center of the space where the seating elements are presented.
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27
ILLUSTRATIVE SECTION
STORM CLOUD
WATER FLOW
WATER FLOW
GRASSY HILL
WESTERLY PARKWAY
WESTERLYPARKWAY STATE COLLEGE, PENNSYLVANIA This group exhibition analyzes the many planting typologies presented in Dan Kiley’s vast array of landscape projects. My group further analyzed Dan Kiley’s use of the Cockspur Hawthorn in his design work at The Art Institute of Chicago. Kiley utilized the tree for its ability to make space under its tree canopy. We explored this specific tree presented in Kiley’s work in the form of a bosque, creating voids and solids. Throughout the different seasons, the tree takes on new form thus creating new experiences throughout the year within the bosque form.
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LIMESTONE BLOCKS VEGETATED BIO-SWALE
FLOW SPLITTER LIMESTONE STEPPING STONES
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PLANTING TYPOLOGIES This series of planting typology diagrams show the breathing of the landscape and how these planting typologies take on their own form. The planting typologies range from the structured form of the grid, all the way to the loose form of the forest.
PLANTING TYPOLOGIES This series of planting typology diagrams show the breathing of the landscape and how these planting typologies take on their own form. The planting typologies range from the structured form of the grid typology, all the way to the loose form of the forest typology.
GRID TYPOLOGY
BOSQUE TYPOLOGY
ALLEE TYPOLOGY
QUINCUNX TYPOLOGY
FOREST TYPOLOGY
The grid typology enhances the entrance to the site off of Park Avenue. The Lirodendron tulipifera grid intrigues the visitor from off the road, and guides the eye in to the site through the grid. The grid typology serves as a unnatural occurance that happens within nature, allowing the visitor to get a sense of a man-made space. As the visitor enters the site, the typologies blend and intertwine with one another, becoming much more “natural” towards the southeast end of the site.
The bosque typology serves as a broken continuation of the grid typology. The bosque of Liquidambar styraciflua has a more natural feel to the overall form the typology takes on, yet a group of one species of tree is still unnatural within the wild. This is a point within the site where the transiton into more natural planting typologies begins.
The allee typology of Platanus occidentalis’ frame the main pathway within the site. The allee of the trees slowly creates a more intamate space for the visitors as they become enclosed under the tree canopies. The tight enclosure that the visitor experiences when walking along the pathway, leads the visitor into the dense forest typology.
The quincunx typology creates a slow transition into the dense forest typology. It is a continuation off of the allee typology that frames the main pathway of the site. The quincunx of the Acer saccharinum’s is a dense grouping of trees, yet not as dense as the forest typology that is adjacent.
The forest typology takes on the most naturalistic form out of the rest of the planting typologies that are present on site. The forest typology frame the eastern edge of the site, serving as a vegetative barrier from the site and the adjacent neighborhoods.
0
50 100
200
400 ft
0
50 100
200
400 ft
0
50 100
200
400 ft
DAN KILEYEXHIBITION STATE COLLEGE, PENNSYLVANIA This group exhibition analyzes the many planting typologies presented in Dan Kiley’s vast array of landscape projects. My group further analyzed Dan Kiley’s use of the Cockspur Hawthorn in his design work at The Art Institute of Chicago. Kiley utilized the tree for its ability to make space under its tree canopy. We explored this specific tree presented in Kiley’s work in the form of a bosque, creating voids and solids. Throughout the different seasons, the tree takes on new form thus creating new experiences throughout the year within the bosque form.
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0
50 100
200
400 ft
0
50 100
200
400 ft
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STORMWATER MANAGEMENT
INV. OUT 1.0 1104.48
INV. OUT 2.0 1103.33
1105
11 07
11 08
1106 1105.95
1106.30
1109.20
3.3 3% 1108.20
TC 1108.00 BC 1107.50
2.5 0%
TC 1108.43 BC 1107.93
09 11
RDI 2.2 1109.00
2.50 %
2.0 2.0 0%
TR 1110.50
1109
11 11
1108.92
UPPER FFE FE 1110.50 50 LOWER R FFE 1100.50 0
1109.04
3.33%
TC 1108.81 BC 1108.31
1110.20
1111.20
TC 1111.94 BC 1111.44
1108.20
2 RISERS @ .5' 1 TREADS @ 1'
1107.34
TC 1111.13 BC 1110.63
1104.45
1106.60 1106.48
TC 1110.70 BC 1110.20
TC 1111.42 BC 1110.92
TC 1110.99 BC 1110.49
13 11
11 11
2 111
11 06
1107
1109
111 0
1113
01 11
1102
110 5
LPS 1101.50
32
INV. OUT 3.0 1102.01
Dia (in) 8" 8" 8" 8" 8" 8"
S (ft/ft) 0.01 0.01 0.01 0.01 0.01 0.01
L 51 40.47 72.7 42 47.5 86.4
n* 0.015 0.015 0.015 0.015 0.015 0.015
Inv. Out 1106.11 1105.6 1105.2 1105.09 1104.67 1104.2
Inv. In 1105.6 1105.2 1104.67 1104.2
1103
1104
PIPE DATA Pipe from Rim 1.3 to 1.2 Rim 1.2 to 1.1 Rim 1.1 to OUT 1.0 Rim 2.3 to 2.2 Rim 2.2 to 2.1 Rim 2.1 to OUT 2.0
TW 1107.40 BW 1099.40
1100.98
11 10
0% 5.6
TC 1111.66 BC 1111.16
TC 1109.15 BC 1108.65
11 09
TC 1110.62 BC 1110.12
1111
TC 1112.47 BC 1111.97
1113
1112
5% 2.3
TC 1110.70 BC 1110.20
11 08
TC 1113.29 BC 1112.79
1110.20
TC 1111.01 BC 1110.51
1100.80
TS 1110.50 BS 1108.50
11 00
2.2 2%
TC 1111.72 BC 1111.22
TC 1111.42 BC 1110.92
TC 1114.93 BC 1113.43
TC 1111.30 BC 1110.80 1109.20
RDI 3.3 1110.00
1100.50
TC 1108.65 BC 1108.15
11 08 RDI 3.2 1109.00
TC 1110.91 BC 1110.41 1111.20
RDI 3.4 1111.00
1 111
12 11
1.50%
TC 1111.71 BC 1111.21
3.33%
1100
1 111
TC 1111.63 BC 1111.13 1110.20
TC 1112.01 BC 1111.51
1110
1111.20 TC 1111.53 BC 1111.03
TC 1109.22 BC 1108.72
1110.20
10 11
TW 1107.20 BW 1099.20
1100.95
2.56%
TC 1108.33 BC 1107.83
RDI 3.1 1108.00
08 11
1111
TC 1111.90 BC 1111.40
TC 1112.12 BC 1111.62
13 11 TC 1113.74 BC 1113.24
1.50%
TC 1110.33 BC 1109.83
TC 1111.06 BC 1110.56
TC 1111.33 BC 1110.83
1112.20
TC 1113.07 BC 1112.57
% 3.70
RDI 3.5 1111.00
1112.20
1111.20 RDI 3.61112.00
TC 1113.10 BC 1112.60
TC 1113.61 BC 1113.11
TC 1112.26 BC 1111.76
1112
TC 1113.02 BC 1112.52
TC 1113.93 BC 1113.43
1108.20
HPS 1108.50
TC 1108.46 BC 1107.96
1109.20
TC 1111.71 BC 1111.21
1112.20
11 12 TC 1113.44 BC 1112.94
1109.20
2.00%
1108
GATHERING RING SP SPACE
DI 1107.74
BR RIDGE RIDGE
TC 1109.78 BC 1109.28
TC 1111.38 BC 1110.88
1110.20 TC 1112.52 BC 1112.02
TC 1108.11 BC 1107.61
TC 1108.22 BC 1107.72
1109.20
09 11
1111.20
TC 1111.73 BC 1111.23
TC 1112.80 BC 1112.30
1107
11 10
1111.20
1108
1114
1113
TC 1110.99 BC 1110.49
1111.20
1112
DI 1108.68
2.00%
1111
DI 1110.78
0% 2.5 TC 1112.51 BC 1112.01
TC 1108.06 BC 1107.56 1106.50
RDI 2.3 1110.00
1104.98
1108.20
TC 1109.11 BC 1108.61
TC 1110.65 10.6 BC C 1110.15 11
1105.12
1105.88
1104.92
1107.66
TC 1109.06 BC 1108.56
TC 1110.33 BC 1109.83
10 11 1109.20
TC 1111.38 BC 1110.88
1106.12
1107.20
7.20%
TC 1111.35 BC 1110.85
1110.20
1106.15
TC 1107.58 BC 1107.08
1108.20
TC 1108.92 BC 1108.42
11 09
1110
1110.20
BR 1106.90
DI 1106.94 TC 1108.27 BC 1107.77 TC 1108.44 BC 1108.94 TC 1108.24 BC 1107.74 1108.20
11 08
0% 2.8
0%
12 11
TC 1110.90 BC 1110.40 TC 1110.82 BC 1110.32
TC 1111.20 BC 1110.70
1111
TC 1112.99 BC 1112.49
TC 1108.70 BC 1108.20 TC 1108.86 BC 1108.36
TC 1109.77 BC 1109.27 TC 1109.81 BC 1109.31
RDI 1.3 1111.00
TOC 1112.00 BOC 1111.50
TC 1109.10 BC 1108.60
1108.20
1110.20
11 07
TC 1107.33 BC 1106.83
2 110
TC 1111.00 TC 1111.09 BC 1110.50 BC 1110.59 TC 1111.12 BC 1110.62
1106.20
OFF
1109.20
TC 1109.11 BC 1108.61
TC 1111.51 BC 1111.01
1106.18
TC 1107.06 BC 1106.56
TC 1108.21 BC 1107.71
1 110
11 11
1109.20
TC 1108.04 BC 1104.54
04 11
DI 1110.50
1109
1100
1111.20
2.50%
03 11
11 11
11 10
TC 1110.79 BC 1110.29 TC 1110.85 BC 1110.35
DI 1108.48
1.64%
1111.20 1111.20
11 07
1107.20
11 08
RDI 2.1 1108.00
DI 1108.19
GATHERING SPACE
1098
1108.20
1108.20
RDI 1.2 1110.00
TC 1106.87 BC 1106.37 DI 1106.38
TC 1108.76 BC 1108.26 DI 1110.11
TC 1107.04 BC 1106.54
TC 1108.02 BC 1107.52
10 99
1109.20
1106.04 DI 1106.70
TC 1108.20 BC 1107.70
TC 1108.52 BC 1108.02
TC 1108.59 BC 1108.09
11 09
1.85%
5.0 0%
TC 1110.01 BC 1109.51
TC 1107.32 BC 1106.82
11 08
1110.20 1110.20
3.0 0%
TC 1107.42 BC 1106.92
TC 1108.47 BC 1107.97 TC 1108.69 BC 1108.19
1110.20
0 111 1109.20
1105.91
1106.02
TC 1108.62 BC 1108.12
RDI 1.1 1109.00
111 0
110 6
TC 1107.80 BC 1107.30
TC 1109.33 BC 1108.83
1108.20
3.3 3%
1108.20
1106.61
DI 1107.76
1109.20
9 110
11 09
110 9
SITE GRADING (46 )
(47 ) (45)
47 48 4 8
46
49
(48 )
8.64 TC 48.64 BC 48.14
(46)
.00 C 52 .50 TC T 51 BC
50 51
0 50 5
51 52
.50% 2.50% 2
49.89
TC 51.76 BC B 76 C5 51.26
TC TC 50.65 BC B C5 50.15
52
50
TC 1.4 .46 BC 51 5 50.966
TC 51 1.24 BC 1.2 24 50.744 4 14 TC 50.14 49.64 C4 BC B
% .48% 2.48% 2
TC
TC 52.57 BC 57 52.07
TC T C 50 0.6 .65 BC B C5 50.155
TC 50.83 BC 0.8 5 50.333
51 D.I. 50.44
D.I. 1 51.4 51
TC 53.26 TC BC 52.76 6
47
% 0% .00 2.0
TC 51.76 TC BC 51.26
TC 53.68 TC 5 C 53.18 BC B
53
49
52 50
TC 51.21 TC 5 C 52.71 BC B
TC 53.01 TC 52.51 BC 5
52
% 2.00
2.2 25 5% %
52.55 TC .05 52..0 BC
.29 C 53 .79 TC T 52..7 BC
2.2 5%
50
.80 C 51 .30 TC T 51 BC
0 .50 1.5 51 5
TC 53.28 BC B 28 C5 52.78
5522
TC 51.34 BC 34 5 50.844
% 0% 00 2..0
51 D.I.. 8 0.9 50 5
% 0% 00 2..0
.05 50.55
51
51.81 TC .31 51..3 BC
TC 53.58 BC 58 53.08
TC 52.47 BC 47 51.97
TC T C 51 BC
) (48
0 .00 2.0 52 TC 51.50 BC 52.00 TC .50 51..5 BC
TC 52.77 BC B 77 C5 52.27 27
TC T C 52 .33 BC BC 5 51.83
C 48.71 TC T 1 BC 48.21
7 52.27
3 53 5
D.I. 50.85
% 0% .00 2.0
TC 53.29 TC BC 52.79
51.81 TC 5 .31 51 BC BC D.I. 4 .4 51.41 1 .01 2.0 52 TC 51.51 BC
.80 C 51 .30 0 TC T .00 2.0 51 52 BC TC 51.50 BC
(47) .00 C 52 .50 TC T 1.5 51 B BC
48
(48)
53
.27 C 52 .77 TC T 51 BC
HP 53.43
S HPS 2.16 52.16
52 5 2
4 TC 50.14 BC 49.64
49 4 9
(48.64)
2.56%
2.2 5%
2.27%
9.10 TC 49.10 48.60 BC 4 BC 8.36 48.36 4
2 52 5
51
TC 53.68 BC 53.18
49
) ((47
48
52.95
51 50
47
50
TF FFE FE 54 54.09
28% 3.28
TF FFE FE 54 54.09
) ((46
46 4 6
BF FFE FE 45 45.09
54.11 .11
BF FFE FE 45 45.09 TW 57.50 0 BW 54.30 30
45 4 5.0 00 0
44
) (44
TW 9.7 .75 BW 49 45.755
TW TW BW 48.43 44.43
BF FFE FE 45 45.75
49
BF FFE FE 45 45.75
4 48
45.59 59
47
5 75 .75 9.7 49 TW 45.75 BW 45
(47)
LPS 46.94 .59 W 49 .59 TW T 4 45 BW
47.00 47
TW 9.7 .75 BW 49 45.755 4
46
45.59 59
LPS 42.75
0 .00 9.0 49 4
45.75 45 75 75
43
) (43
(48)
54 54.75
50
12.50%
2.00% .00%
TW 44.84 84 BW 48.77 77 44.77
00 4 .00 49
BW 50.50
BW 50.50
54 54.75
TW TW BW 49.00 45.00
TW TW BW 48.55 44.55
45 44 4 4.8 80 0
13.33% 19.23% %
44.84 84 44.77 44.40
2..0 00 0% %
) (45
HP 54.50
% 1% 21.3
2..0 00 0% %
5 45 4
.75 W 49 .75 TW T 45 BW BW
4 46.00
45.43
4 45.00
3 .43 8.4 48 TW 44.43 BW
(46) (45)
45
(44)
(43)
(42)
) (42
(41)
) (41
(40)
33
HAND GRAPHICS
34
35
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