Light Liyang Tourist Centre Mutang Bar Air Chinese Opera Base in the Hutong NERO Restaurant Water Living on Paraground Landslide Festival Ongoing Projects Herschel Office L Carpentry
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光 Light.
Dark Room in Mutang Bar
Light bestows the characteristic on space. Light defines time.
Liyang Tourist Centre 2018-2020 Jiangxi, China Renovation Shortlisted World Architecture Festival, 2021 (Display: Completed Buildings)
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Located on the fascinating Route 1, which winds through the beautiful fields and villages in Liyang and enters the vast Wawushan forest in Yangwan, the new visitor centre, was once a forestry base storing, proceeding, and distributing the wood gathering from forest in Liyang. After the the forestry left and conservation area was set up, the natural surroundings has a different meaning. The pleasant environment and climate made it a perfect destination to escape from the busy urban life. The local government decided to turn the old forestry base into a tourist base in order to attract and serve visitors. From deforestation to conservation, the change of the attitude to the environment started from the architectural design of the new centre. All larger plants were identified and listed to be the “dominant” objects in the following design. On the south, small units with different functions were placed at the residual space between the existing plants and formed a settlement in the woods, like where our ancesters lived. The dimensions and the forms were determined by function and capacity. The north part of the site, stands the main building of the centre, converted from the disused dormitory. With information centre, stores, and restaurant, this is the best point to start the exploration.
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a. dining Unit b. meeting room c. reception d. chapel e. plant room f. tourist centre
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Front Elevation
Rear Elevation Section
At the first time we stepped in this terminated forestry base, the site was just another remaining of human activities taken over by the nature. Howerve, behind the rusty machine parts and derelict buildings, piles of spruce lumber collected from the forest nearby had caught our eyes. Exposed under the natural surrounding for years, they were covered with moss, fungi, small plants and animals, but at the same time, stored the last memories of the local forestry history. Rooted deep down under the ground into the special metal base, and fixed by customized circular steel beams at roof level, the spruce lumbers erected in the forest to form arrays pointing to the sky. The glazings were embedded into the gaps between lumbers, allowing sunlight to flow into the building.
Grid Line
Ground Floor Plan
There are twos prototypes of the lumber unit: spiral and linear. The spiral type was used in the spaces with privacy requirements, like meeting and private dining. Walk through the entrance, visitors can get to the heart of the building along the lumber wall. The glazing between lumbers introduces natural light, from sunrise to sunset, into the building. The windows above the entrance also help to keep the indoor space pleasant with fresh air constantly provided. The linear type, used in chapel, welcomes the visitor with the view on both ends and the light gap on the roof. The striped shadows of the 10m walls, formed by the birch lumber and glazing, are the rhythmic prayers filling the sacred space. Roof Plan
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Inside the buildings, looking up along the logs, the visitors will find that they are surrounded by the dense old trees in a sacred forest. As the silhouette of the lumber and the tree outside blurred in the breeze, the boundary between the inside and outside seems to no longer exist.
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Now, Liyang tourist centre has become the most popular stop along Liyang Route 1. Like an ancient settlement hidden in the forest, tent-like structures scattered over the old forestry base formed a comprehensive service facility. Treated with special environmental friendly coating and chemical preservatives, the birches we found will stand and guard the land for decades.
Mutang Bar 2018-2019 Jiangxi, China Renovation
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In China, urban spaces expand and refresh rapidly along with economy growth. On the other hand, a lot of small historical villages are gradually forgotten and dying, though they are precious for culture preservation. Mutang, in the Southern Jiangxi, is one of the dying villages. Buildings, built with wood and ram earth adobe, have stood here for hundreds of years, but are lack of maintenance because of emigration. In the near future, the village would only exist in memory. To stop the tragedy, local government planned to renew the village as a tourist base with history meaning to help it thrive. They carried out a series of renovation of houses and landscape to enrich function of village and provide more jobs for the local. A list of well-known architect studios were invited to design and realize the future of Mutang. Mutang Bar located at the center of the village. In front of the house is the Mutang, which means pond of wood in Chinese. The owner of the house was the chief of village, and who had experienced cruel war and the struggling post-war period with his house. After decades, the village recovered with the efforts of villagers. And now, the village is stepping into a new age. “This is the moment of Mutang,” the chief said during our first visit. The old house was composed with a central main hall and two side halls.We defined these three rooms as Room of Darkness, Starlight and Hope. Then, we transformed the experiences of war and recovery into a sequence of space winding through Mutang Bar. Steel plates with black fluorocarbon coating are used to form the linear circulation, which also works as structure replacing rotten wood beams.
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a. yard b. Room of Darkness c. Room of Starlight d. Room of Hope e. homestay room f. bathroom g. toilet
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GF Plan
1F Plan
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Room of Darkness A giant irregular steel box grows in the room of darkness. Surfaces of the box compressed and redefined the room space. Under the box is an oppressive and dark space. Through a steep staircase, people can explore the steel cavity. Like a phototactic organism, quadrangular-pyramid-shape tentacles of the box stretch through the openings on the walls and roof. Sunlight shines through tentacles and carves a track of time on the cold dark surface of the box.
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a. steel box (PVDF coating) b. old wood beam c. steel underframe (PVDF coating) d. wood rafter e. steel roof tile base (PVDF coating) f. waterproofing PVC layer g. roof tile h. steel capping (PVDF coating) i. extra clear tempered and laminated glass 5+5 mm
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Room of Starlight Through one of the tentacles, people can step on a floating corridor in the main hall. From the corridor, a double height space can be seen. The second floor of old house was removed for a larger and brighter room contrary to the Room of Darkness. Some roof tiles were replaced with glass tiles so the roof looks just like starry sky, and on sunny days, sunbeams stream through the room. In the middle of the room is a semi-subterranean sitting area where friends can sit in a circle and enjoy their drinks.
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Room of Hope At the end of the route is the stage of light. When we restored the windows of the room, we put installations made of triangular prism in the window frames. Colorful light refracted through the prisms illuminate the rough ram earth wall. The Room of Hope keeps changing its appearance as time goes by.
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a. old wood frame b. waterproof house wrap c. exterier wood sill d. plywood e. angle steel (PVDF coating) f. steel plate sill (PVDF coating) g. aluminum trim h. acrylic shelf for triangular prism
Triangular prism installation in the window frames refract colorful light on wall, floor and furniture. It is easy to disassemble for maintainance. 19
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氣 Air.
The Courtyard in Hutong
Air penetrates and diffuses freely.
Chinese Opera Base in the Hutong 2019 Beijing, China Renovation
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Hutong in Beijing is special residential area where the most important feature is negative space in it. Hutong, literally, is the narrow winding alley left between buildings. It is traffic route, social space, trading center and sometimes extension of private residence. Residents here wander, shop, drink tea, play chess, dine, hang their clothes, and even sleep in Hutong. So, this is where you can see a Beijinger’s daily life.
Siheyuan is a historical type of residence commonly found in Hutong area. A siheyuan is composed with a courtyard and four buildings surrounding it. Originally, a siheyuan was a residence for one family, and every building had different functions. In the mid of last century, clan society declined, and migrants from rural area crowded into Beijing and occupied siheyuans. Four or more families squeezed into living space for one family. To solve the high insufficiency of space, Hutong became the extension of siheyuans. And that made the special Hutong culture in Beijing.
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Hutong area is the most precious history and cultural heritage in Beijing, but also the area with highest land value. Lots of old buildings were demolished in Hutong. Dull apartments and wide straight roads occupied. As the old town shrinking, close neighborhood collapsed. It was an alarm, that one day Beijinger would have no chance to enjoy sunshine and hot tea in Hutong. Lying to the South of Tiananmen Square is one of the last Hutong areas. We were entrusted a 2000m 2 area to design a Chinese opera base in Hutong. In the site, there were an old factory, an old temple and remains of few siheyuans, one of which is former residence of great opera master Mei Lanfang. The new opera base is composed of theatre, rehearsal room, administration, and social space. In the project, we preserved the fluidity and ambiguity of Hutong. We studied old maps and excavated to find hints of old siheyuans. Then we rebuild the siheyuans on their original locations. We removed enclosing walls and we added some openings on certain walls to increase transmittance. So, resident and visitors can easily wander through the drama base like air. We attached the function of community center on the drama base to solve the lack of large public space in Hutong.
g A. Cao Chang 5th Lane B. Ching Yun Hutong C. Pigment Guildhall D. San-li River a. Old-factory Performance Hall b. Reserved Guandi Temple c. Entrance Pavilion d. High-temple Performance Hall e. Siheyuan Drama Studio f. Reed Field Cafe g. Drama Salon h. Riverfront Terrace
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Except the materials collected from demolition and excavation, we took use of glass block and roof tile to build surface with high transparency or porosity. We worked with a design institute specialized in traditional Chinese wood building to study the connection of different materials.
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A-A Section A. San-li River B. Cao Chang 5th Lane C. Ching Yun Hutong D. Pigment Guildhall a. Old-factory Performance Hall b. Entrance Pavilion c. Siheyuan Drama Studio d. Reed Field Cafe e. Riverfront Terrace f. High-temple Performance Hall
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B-B Section
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The factory was the youngest building in the site. It was also occupied by rural migrant after it stopped producing in last 70'. We kept the old structure and cleaned up the dilapidated partition walls. Equipped with adjustable lighting and acoustic systems, the factory now works as a performance hall for eighty audiences.
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High-temple Performance Hall was once part of a temple. After the renovation, it is now a simple theatre for thirty audiences.
Through the opening of Entrance Pavilion, the Guandi Temple, a registered historic building, can be seen from the Hutong.
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Contrary to inner walls, outer walls of siheyuan building which facing the Hutong is typically lack of openings for security. The south part of opera base is the Reed Field Cafe close to the San-li River. Instead of traditional style, we designed a large opening with steel plate on the brick wall facing the grass and river. The window is also the best table to enjoy coffee and view.
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a. 8mm steel plate sill (PVDF coating) b. wood closet for machenical facilities c. brick wall d. insulation e. waterproofing f. 8+8 tempered laminated glass (thermal coating) g. plywood h. old wood component i. 2mm steel plate window eave (PVDF coating) j. daylight opening
NERO Restaurant
2021 Munich, Munich Restaurant
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The restaurant located at the edge of the Altstadt, the historic area which can trace back to 12th century, in Munich. The restaurant was one of the best in the city, serving the authentic Italian food and German beer, which also reveals the background of the owner. The owner told us that he was very satisfied by the meal of the restaurant but the dining space itself needed to stand out from the other great competitors nearby. He also shared his childhood memories in Mediterranean villages. Lemon trees, churches, public library, and boqueria……the smells, the colours, and even the tastes, all treasured deeply in his heart. His dream was to build a Mediterranean corner and share the memories in this city he lived. The library was the place where he spent most of the time when he was young.
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The soul of the restaurant is the bar in the centre and the banquet seating on both sides of it. Four tree-like artworks integrated in the banquet seating spread their canopy in the dining hall. Diners can enjoy their meal and cocktail under the “leaves” waving with the breeze entry from the two-storey French window. A two-storey cupboard stands on the east side of restaurant, storing wines and collections of the owner. On the West end of the restaurant is a boqueria displaying the Italian cheese, hams, and many other products used in the food serving in restaurant.
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Becken 400/400/250 5mm abgesetzt
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1
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Project: RUMFORD
Title: 1OG GRUNDRISS - NEUGESTALTUNG
Scale: 1:100 @ A3
Dwg: RS.PP.02
Date: 16.09.2021
Rev Description
Date
21
4
Step on the first floor, the vibe is different from the bustling space around the bar. To provide a more private and relaxing space for customers enjoy quieter dining experience, the elements of library were utilized for new configuration. A gallery surrounds the dining area was occupied by several “library” units with tables overlooking the bar and trees. Bookshelves were used as partition walls between units. Two rows of bookshelves were installed on the walls along the corridor leads to toilets and emergency exit. The access to the toilet were hidden behind a fake bookshelf.
EINGANG
0
1
Project: RUMFORD
5
Title: EG GRUNDRISS - NEUGESTALTUNG
Scale: 1:100 @ A3
Dwg: RS.PP.01
Date: 16.09.2021
Rev Description
Date
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Bar plan
Bar section A
Bar elevation 1
Bar section C
Furnitures and lighting were originally designed to be harmonized with the atmosphere of the restaurant. Standing on the elevated tiled floor, the bar in the core is consist of marble bar top, copper bar front with wood panels, and the brass shlef standing on the bar top.
Project: RUMFORD
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Title: BAR PLAN & ELEVATION
Scale: 1:50.1:30 @ A3 Dwg: RS.DT.11
Date: 12.07.2021
Rev Description
Date
Project: RUMFORD Title: BANQUET SEATING ELEVATION & SECTION Scale: 1:50, 1:30 @ A3 Dwg: RS.DT.13
2
Scale:Scale: 1:30, 1:20, 1:10 @ A3 Dwg: RS.LT.01 1:30,1:20
Date: 10.09.2021
Date: 09.09.2021
GHT
Rev Description
Date
Rev Description
At the both side of the bar are two banquette seating. To provide the dining experience under tree in the town centre plaza in Mediterranean area, two Project: RUMFORD Title: BANQUET SEATING ELEVATION & SECTION tree-like artwork were installed on the back platform of each banquette seating. Above the seating, suspended the bespoke pendant light stretching its arms under the vaulted ceiling.
Scale: 1:50, 1:30 @ A3 Dwg: RS.DT.13
Date: 09.09.2021
Rev Description
Date
Date
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水 Water.
The Seashore in Hainan
Water gives birth to civilization. Water also causes crisis.
Living on Paraground 2015 Hainan, China Urban Student Competition
Honorable Mention Designin Resilience in Asia 2015
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Para- from ancient Greek παρά ( pará, beside, next to, near, from, against, contrary to ) Paraground, an interface to be attached, connects old and new village life, simultaneously a comprehensive system to increase tenacity. Xinxing-Harbour Village, located in Chengmai, Hainan, China, situated between a river and the sea. Through the analysis of the current village, we found that the village is lack of resilience to resist natural disaster with only an embankment. And we also found an interesting linear pattern of village development perpendicular to the coastline, which is formed by the expansion of population and house of the clans. In arrays of houses, there are some aquaculture cooperatives that are the spiritual and industrial hearts of the village. Facing the climate extremes and population growth, the village had to be more resilient. Following the original relative-based village development pattern, we designed a series of composite infrastructure,“paraground”, using platforms in different scale as intervention, to integrate five systems in the village.
Agriculture
Aquaculture
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Livestock Raising
Power System
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Ecological
Traffic Network
Living System
Paraground
I. Industry system We built new cooperatives based on the mapping of old cooperatives and open spaces in the village. These buildings connect with the big-scale factory and transportation center for goods and passengers through paraground. And three main industries are organized.
Resist 01
Resist 02
Converge
Move
Evacuate
1. Aquaculture Marine products can be processed and transported effeciently through the paraground. Oyster industry was inserted to the idle wetland. 2. Livestock raising Reorganized with the mangroves area on the coastline, creating a new ecological loop. 3. Agriculture Organic fertilizer gathered from different industries and STP system can be used at the fields on the eastside. Farm fields are also connected with the paraground. II. Power system Concerning of the additional families and new industry facilities, we took the 2.5 meter tidal range as an opportunity, and inserted tidal power in offshore boathouse. The boathouses is not only emergency shelter but charging station for boats. III. Ecological system A new STP(sewage treatment plant) is built to purify polluted water of living and industry. The mangroves cultivated from the northern village are second filter for water, earth and air. IV. Living system With the local materials, a prototype with modern facilities and sewage system was designed for new development area. The prototype was developed in different size, shape, and connecting type with paraground.
emergency warning normal
STP/Warning System Paraground Cooperative Transportation Center Boathouse Oystershell Shoal Mangrove Seawall
Disaster Preventing
V. Disaster preventing system The main policies to deal with emergency are warning, resisting, and evacuating. The STP on the seashore equips with weather and water sensor. And it alarms villagers when an anomaly is identified. Mangroves and oystershell shoal resist the strikes from the sea, and postpone disaster to the shore. Paragroud is concise connection above ground level from release points(cooperatives) to the transportation center. All the boats are stored in the boathouse and the harbor.
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Cooperatives are the cores of the village. People gather, work, communicate, and evacuate through cooperatives. New cooperatives are designed based on the needs of industry, social network, and disaster preventing. And all the materials used could be found in old village.
Glass
Evacuation
Perforated Plate
Communication
Steel
Leisure Activities
Weathering Steel
Concrete
Progressing
Transportation
Evacuation
Sewege
Storage
Warehouse
Rain Harvesting
Energy
Paraground is a strategy, linking multiple systems based on local specificity and creating values from the coexisting networks. The five systems at last spread into the whole new village, and create strong anchors for future development, resist the risk of future typhoon attack and also improve villagers' lives. 49
Landslide Festival 2016 Nantou, Taiwan Landscape
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Cum Laude Fuji Xerox Academic Scholarship
Taiwan is an island with mountain chains in the center, and there are lots of upland settlements, which are mostly remote, fragile and sensitive to change of environment. Special conditions of these villages are not only limits but also hints that special materials, tools, and methods should be used. Shenmu (Sacred-Tree) Village, a Hakka village surrounded by mountains in Nantou, was formed to support the camphor industry during the Japanese occupation period. In Shenmu, landslides occur every rainy season. To elude the landslides, the villagers have adopted a circulating nomadic life style based on agriculture, religious event and climate.
Raw lacquer is a common forest resource in Taiwan, but forgotten along with the declination of forestry. It is mainly used to produce coating material. In some researches, similar materials were proved to be effective stabilizer of rammed earth, and that gave me a hint to test raw lacquer as stabilizer for durability and structural strength. All the tests were following NZS 4298:1998. In durability test, unstabilized specimens were eroded obviously and water permeated the specimens. However specimens with raw lacquer showed perfect durability with dense membrane formed on the surface of specimens. Water just slid along the surface. No erosion and penetration was detected. In compression test, pure rammed-earth specimens have similar compression strength under 0.2N/mm2. Dark-brown lac-stabilized specimens can be about 10 times stronger than unstabilized ones in compression strength. Some specimens with specific proportion are above 2N/mm 2, approaching the strength of cement-stabilized ones (Daniela Ciancio, et al. 2011) and onethird stronger than rammed-earth with other natural stabilizer like seaweed biopolymer (C. Dove, 2014). All the specimens with more than 2.5% raw lacquer reached requirement of earth construction material, 1.3N/mm 2, in NZS4298. Among all specimens, those with 5% raw lacquer and 10% aggregate are the strongest. Besides compression strength, raw lacquer increases the ductility of rammed earth, which means larger strain is allowed before failure. water 100 ml 20-60 min
40cm
1.3cm erosion
30x
30x
12.
5cm Pe
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m=1/2
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no erosion no penetration
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5.6cm penetration 100% Soil
95% Soil 5% Raw Lacquer
92.5% soil 7.5% raw lacquer 95% soil 5% raw lacquer 97.5% soil 2.5% raw lacquer 99% soil 1% raw lacquer 99.5% soil 0.5% raw lacquer 100% soil
70% soil 5% raw lacquer 20% aggregate 80% soil 5% raw lacquer 10% aggregate 95% soil 5% raw lacquer 80% soil 20% aggregate 90% soil 10% aggregate 100% soil
MAX 34.3 MPa
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To Shenmu, landslide could be a big threat but also an opportunity. Landslides are plentiful supply of gravels and earth, which can be used to restore the damages and construct the renewable protection for the next landslide. Rammed-earth stabilized with raw lacquer, which is accessable around the village, was adopted to organize the materials from landslides and agriculture by-products for the restoration and new constructing, and this new type rammed-earth material had been proved to be stronger, waterproof, and environmentally friendly. I seperated the environment into several layers, stratum, infrastructure and buildings, sediments and temporary constructions, and human activities, from stable to flexible. This project reveals the individual specificity and interaction of these layers through earth-ramming in landscape scale. With anchors in layer of infrastructure and buildings, different steps of earthramming, like sieving, ramming, and layering, are accomplished in different parts of the settlement. All the infrastructure and constructing with rammedearth aim at guiding and utilizing the landslides instead of resisting. "Ramator" reformed from excavator is the main tool to ram the layers together with special bucket.
There are two spiritual spaces in Shenmu, Sacred-Tree Temple and Earth Temple. Earth Temple locates at the intersection of three rivers where also landslides gather. As the religious center of village, traditional events are held here every year. Topography, water/earth flow and excavator dimensions are followed to design a series of earth collecting and ramming infrastructure. When landslides, the flows of earth and stones are guided through the uphill aqueduct, decelerated, filtered, and precipitated for further use. Weathering
d A
Layering
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b Ramming
Sieving
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A. Earth Temple B. He-She River C. Haomagaban River B
a. Sand Blocking Dam b. Earth Reservoir / Excavator Working Way c. Drying Field d. Terrace Temple Courtyard
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Sacred-Tree Temple between village and hunter route is the origin of the village, and the ablution place at the beginning of the forest track. It was redesigned as a shelter to protect Tree and people in forest, using rammed earth brick from Earth Temple and gabion.
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Sieving
Layering
Weathering A a
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A. Sacred-Tree Temple B. Sacred-Tree C. Road to Forest D. Road to Village E. Haomagaban River a. Sunk Chapel / Hunter Shelter
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Restoration Rainy Season Typhoon Season Tree Worship Harvest Festival Hunting Ai-yu Collecting Short-term Harvest Pumpkin Plum Tea Tomato Lacquer Collecting
Time loop of agriculture, religion, landslides and restoration in the village are integrated through the programs of spiritual spaces. In summer, landslides and restoration keep changing the appearance of the village. After each landslide huge rammed earth cubes stabilized with raw lacquer are dried in the court of Earth Temple and form a temporary geological park simulating the time slice of landslide. The cubes are later used to build new sand blocking dam and repair Sacred-Tree Temple. In autumn, earth cubes are piled up to form shelter and outdoor theater with bamboo and canvas for the grand harvest festival. God parade, sacrifice, catering, Chinese opera, different events are hold around the village. In winter, villagers pray in Sacred-Tree Temple and then go hunting and gathering ai-yu and raw lacquer in forest. Cube shelter in front of Earth Temple is used as ai-yu processing hut. In spring, cube of the shelter are recycled and mixed with fiber of ai-yu to construct diversion wall. Two opposite spaces are reorganized as a system of landslides control and utilization, and simultaneously their differences are emphasized by comparison of space arrangement, material and constructing method. Cohesive and dispersive, stagnated and flowing, plan-oriented and sectionoriented, constructing and deconstructing, void and solid, conflict and harmony, two spiritual spaces are telling the story of Shenmu village. The new spiritual spaces design provides a safe and initiative system to face and utilize the threat from nature. They also "ram" the hearts of villagers together.
Spring
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Summer
Autumn
Winter
Spring
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續 Ongoing.
Mutang Bar
What's worth waiting for.
TOWER HEIGHT 24.600
TOWER HEIGHT 24.600 ROOF HEIGHT 22.200
ROOF HEIGHT 22.200
FIFTH FLOOR(WEST PART) 18.700 FIFTH FLOOR(EAST PART) 17.900
FIFTH FLOOR(WEST PART) 18.700 FIFTH FLOOR(EAST PART) 17.900
FORTH FLOOR 14.700
FORTH FLOOR 14.700
THIRD FLOOR 11.025
THIRD FLOOR 11.025
SECOND FLOOR 7.350
SECOND FLOOR 7.350
HERSCHEL HOUSE
HERSCHEL HOUSE
FIRST FLOOR 3.675
5
FIRST FLOOR 3.675
ENTRANCE LEVEL 0.000
ENTRANCE LEVEL 0.000
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Front elevation
Section
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NEWMAN ZIEGLMEIER
3
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Project: 58 HERSCHEL ST
Title: PROPOSED FRONT(NORTH) ELEVATION
Scale: 1:100 @ A2
Date: 09-07-2021
Dwg: HH.PE.01
Rev Description
Date
4
NEWMAN ZIE 0
1
5
Project: 58 HERSCHEL ST
Title: PROPOSED SECTION F
Scale: 1:100 @ A2
Dwg: HH.PS.04
Date: 09-07-2021
Rev Description
Date
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A
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1
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B
D
C
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Project: 58 HERSCHEL ST
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Project: 58 HERSCHEL ST
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Herschel Office
Title: PROPOSED FIFTH FLOOR PLAN
Scale: 1:100 @ A2
Dwg: HH.PP.08
Date: 09-07-2021
Rev Description
Date
2021 Slough, United Kingdom Office
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To increase the productivity, a pleasant space to jump out of the work-mode and enjoy casual talk with others is an important part while designing an office, according to researches. Title: PROPOSED FIFTH FLOOR PLAN
Scale: 1:100 @ A2
Dwg: HH.PP.08
Date: 09-07-2021
Rev Description
Date
Taking use of the existing steel structure, a new pent house on the top of an existing office building in Slough was proposed to amend the shortage of the space for communication, formal or casual, and provide flexible seats in different surroundings to adapt the post-pandemic working scenario. People can choose to sit around the roof top garden or on the stair seating facing the Windsor Castle when they move back to the office. Units in various sizes were placed in the West side of the pent house as personal office, meeting, or classroom after office hour.
Ridge 10.324
ELEVATION REAR RFL 6.143 Ridge 10.324
FFL 4.970
Ridge 10.324
FFL 3.146
ML 2.450 RFL 6.143
GFL 0.000
GFL 0.000
FFL 4.970 FFL 3.146
LAKI
ML 2.450
GFL 0.000
GFL 0.000
ELEVATION B(REAR)
ELEVATION A(FRONT)
Front elevation
Ridge 10.324
Rear elevation
ELEVATION REAR
0
FFL 4.970
ELEVATION C(RIGHT)
3
Project: LAKI CARPENTRY
NEWMAN ZIEGLMEIER
Ridge 10.324
15
Title: PROPOSED ELEVATION A,B
Scale: 1:150 @ A2
Dwg: LC.PE.01
Date: 20-04-2021
Rev Description
Date
ML 2.450 FFL 4.970
GFL 0.000 ML 2.450
Side elevation
ELEVATION D(LEFT) GFL 0.000
Ridge 10.324
ELEVATION B(REAR)
RFL 6.143 FFL 4.970
4.970 FFL 3.146
ML 2.450 0
2.450
3
2.450
15
GFL Project: LAKI CARPENTRY 0.000
0.225 C,D Title: PROPOSED ELEVATION
Scale: 1:150 @ A2 0.170 Dwg: LC.PE.01
Date: 20-04-2021 Rev Description NEWMAN ZIEGLMEIER 0.105
GFL 0.000
Date
15
Title: PROPOSED ELEVATION A,B
Scale: 1:150 @ A2
Dwg: LC.PE.01
Date: 20-04-2021
Rev Description
SECTION E
Section
Date
L Carpentry
Ridge 10.324
FFL 4.970 FFL(EXISTING) 3.146
65 GFL
2021 London, United Kingdom Factory Ridge 10.324
FFL 4.970
ML 2.450
GFL
CYCLE PARKING
CYCLE PARKING
+0.225
REFUSE
+0.170
+0.105 +0.225
±0.000 +0.170
±0.000
REFUSE
object circulation human circulation Ground floor plan
L Carpentry is a busy studio in West London making bespoke furniture. As the business growing, more equipments have to be purchased and more spaces will be needed for them and storage. The old brick was kept to memorize the history of the carpentry and the tempory platforms and partitions were demolished. Scale: An 1:150 open plan was @ A2 Dwg: LC.PP.01 Project: LAKI CARPENTRY Title: PROPOSED GROUND FLOOR PLAN introduced to the new carpentry for easy and flexible rearrangment of areas for display, production, and storage. Service spaces were placed with the vehicular access along the wall on north side for maintenance and better circulation of people and objects. 0
3
15
Date: 20-04-2021
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