WATSON Ar ch itecture Visualiz at i o n
A Collection of Selected Works 1
Building the future and keeping the past alive are one and the same thing.
Experience June 2019
Jack Watson
&
June 2017
Architectural visualization
Environment Design
Profile Highly responsible and versatile designer specializing in architectural visualization and related roles that employ technical and problem-solving skills through study of traditional architecture and planning.
May 2017
May 2017
Portfolio
Artstation
@__.jackal
Jackaldraws.com
in/jackisawatson/
odkn
2
Details jackaldraws@gmail.com
05 . 07 . 1993
INTP
March 2013
2011
2002
3D Visualizer Assisted small creative team, developing
various conceptual visualizations consisting of a new lobby and community outreach space for the Starbucks World Headquarters in Seattle, Washington.
Photo by Addie Watson
+1 (541) 510 0905
sketching & conceptualization to creating base files for the final style guide. Tasked with developing design intents, producing 2D drawings, and networking within a diverse range of directors in the Global Retail Design department. Project Involvement: • New York Flagship - House of Innovation • Shanghai Flagship - House of Innovation • Melrose for the Nike Live Concept • Harajuku • Guangzhou
Second Story Interactive Studios
June 2016
Adobe Photoshop Adobe Indesign Adobe Illustrator Sketchup Pro Autodesk Revit Autodesk AutoCAD Choas Group V-Ray Podium Enscape Render Maxwell Render Bluebeam Revu
Retail Experience Designer I Collaborated on various projects from initial
Dec 2013
June 2017
His skills range from traditional mediums such as drafting with felt-tip pens, oil portraiture and landscape painting, to digital expertise in matte-painting and 2D/3D design visualization. He is very intrigued by story telling through urban & space planning, architectural history, cultural relevancy, and critical regionalism.
Skills
NIKE Inc. - Brand Design Retail
Mobile
Birthday
Oct 2016
March 2016
CLIMATE Arch, LLC
Archi tectural Intern Worked as sole draftsman,
procuring architectural visualization, site research, and organizing construction documents for permitting and client discussion. Observed client meetings, discussed needs and worked to improve the usage and well-belling of each inhabitant.
Sarrazin in office and furniture design mainly for a mobile office for job hosting site, Coroflot. As seen on: • Interior Design Magazine • Designboom • Contract Design • Curbed • Portland Design Week 2016 & 2017
Administrative Assistant
Contributed to monthly announcement posters and monthly brochures. Collaborated in auditing guest lists for academic events. Focused on effective communication skills and teamwork and was trusted with confidential information, data entry and a variety of tasks that required constant improvisation.
WW Autowerks Inc.
Porsche Technical Assistant
Working with my father handling sensitive diagnostic industrial equipment for engine reconstruction and tune-ups. Fostered relationships with clients, understood the need for fast turn-arounds and restorations. Tasked with inventory, sales and assisting on complete restorations from vintage to late model Porsches. I continue to assist on Porsche parts sales on Ebay.
Recognition 2017
Portland State Architecture Department
Architecture Design Studio Guest Critic 2015
Ernest Publishing - C3: Initiative (2013-2015)
2014
AIA: Traversals
Demos: Wapato Correctional Facility
In the Gallery _ End-of-Year Student Exhibition
Los Osos
Environmental Design Intern Collaborated closely with designer Laurence
THE ART INSTITUTES - Student Services
Present
Architectural Heritage Center Member
Education 2016 2014 2014 2012
Portland State University
Bachelors of the Arts in Architecture The Art Institute of Portland - Transfer
3d Animation & 2d Design
MBTI
3
01 02 03 04
Contents
05 06 07 08 09 10 11 12
4
Professional Nike New York Flagship Coroflot Mobile Office Tomahawk House Seventh - Day Adventist Church
Personal Portland Old Town Front Street MICHIGAN Central Station - Concourse Family coastal Residence Pavillion of the ceramic union
Academic Arbiter Townhouses Urban Decay / Gaea Salve Boat Building School For Youth
Appendix Selected Works 2011 - 19
5
Professional
6
01 02 03 04
Nike New York Flagship Coroflot Mobile Office Tomahawk House Hood View Church
7
01
Nike New York Flagship House of Innovation 650 5th Ave, New York City, NY
Client NIKE Inc. Completion Date Fall 2018 5th Ave & W 52nd St, NYC Location Project Size 69,000 sq ft Company Nike Inc. Department. Global Retail Design Design Team Andy Thaemert Sr. Creative Director
Ryan Lingard Design Director
James Austin Retail Designer II
Laurence Sarrazin Retail Designer I
Jack Watson Retail Designer I
W5
4th
W5
3rd
St
St
W5
ve nA
1st
St
St
diso
W5
Ma
5th
Ave
2nd
House of Innovation is the location where the shopping experience is personalized around all aspects of the customer’s sport goals and product needs in a synthesis of immersive digital and analogue experiences. During this project, I contributed to every aspect of the design process and specifically focused on 4 major areas. The athlete* breakroom, athlete* service entry, and the Speedshop.
8
Eddie Lee / Hypebeast
9
Athlete* Service Door
Decorative Stair in Atrium
Lead the design development of the service threshold and conceived various options for the door handle and trim treatment.
Developed visuals and drawings for design intent presentations and contextual material analysis.
Service Door Concept Render - Lisa Jarnell Design Development - Jack Watson
10
Flagship Exterior - Service Door Design Render by Lisa Jarnell Design Development - Jack Watson
Atrium Stair Render - Terrazzo Tread Detail Design Direction - Ryan Lingard, James Austin Design Support - Jack Watson
11
DETAIL 01
Expert Home Initiative Tunnel
Arena Service Desk
Collaborated on the Service desk over multiple schemes as this floor requires constant flux. These designs 2'-2 1/4" TYP 3'-0" TYP1 1/2" influenced the customization desk on opening day.
Collaborated in designing an immersive, storytelling space that prepared Nike Members as they ascend towards the Nike Expert Studio.
1/4"
1'-6" 3'-4" TYP
6 01
12'-0"
11'-1"
9'-1 3/4"
6 02
DETAIL 02
DETAIL 01
6 02
6 03
ELEVATION AA
3/4" Detail 01 Arena Service Desk Concept Design Direction - Ryan Lingard, Taylor Quinn Design Development - Jack Watson, Andre Brown
DETAIL 01
Detail 02
Detail 03
DETAIL 02
DETAIL 03
3/4"
DETAIL 02
3"
1 1/2"
3"
Entry Tunnel to Expert Studio- Composite Render Design Lead - Ryan Lingard, Ben Kaplan Design Development & Render - Jack Watson
3"
1 1/2"
3"
1 1/2"
ELEVATION BB
1/4"
12
Tunnel to Expert Studio- Composite Render Design Lead - Ryan Lingard, Ben Kaplan Design Development & Render - Jack Watson
Arena Service Desk Concept Design Direction - Ryan Lingard, Taylor Quinn Design Development - Jack Watson, Andre Brown
1 1/2"
3"
DETAIL 03
13
Athlete* BreakRoom Developed most efficient breakroom layout, handling all 2D & 3D components in its realization. Provided base visualizations for assisting in procuring Environmental Graphic Design functions.
Athlete Fuel Hub Design Development - Ryan Lingard , Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn
14
Lounge Design Development - Ryan Lingard , Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn
Group Work Area Design Development - Ryan Lingard, Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn
Quiet Room Hall with Partition Design Development - Ryan Lingard , Jack Watson, Matt Geiger Environmental Graphic Design - John Dunn
15
House of Innovation - NYC Photography
Sneaker Bar - Speedshop Photo by Michael Wells
16
Wall Fixture - Speedshop Photo by Eddie Lee / Hypebeast
Retail Floor - Speedshop Photo by Michael Wells
Lockers - Speedshop Photo by Eddie Lee / Hypebeast
17
House of Innovation - NYC Photography
18
The Arena - First Floor Photo by Michael Wells
Footwear Salon Photo by Michael Wells
Retail Space - Women’s Floor Photo by Eddie Lee / Hypebeast
Expert Studio Tunnel Photo by Michael Wells
19
Entrance & Conference Area Photography by Josh Partee
02
Firm Design Team
Coroflot Mobile Office Client Completion Date Project Type Project Size 20
Los Osos Laurence Sarrazin Principal
Eric Ludlum Associate Principal
COROFLOT Spring 2016 Office 280 sq ft
Hand-Eye Supply 714 NW Glisan St Portland, Oregon
Visualization
Jack Watson
Graphic Identity
Jack Watson Jonah Ross The Collected Works
Experiential Designer
Design Build
Caleb Roach James Woodhead Joshua Dugi
Photography
Christine Taylor Jim Golden Studio Josh Partee
21
Interactive Assets
Axon for Submission in the Portland Design Week Tour
Layout A
Work
1
22
Components Laid Out Photography by Jim Golden Studio
Components Assembled Photography by Jim Golden Studio
MEET
Option 01 June 22, 2016
Layout C2
Coroflot Mobile Office Interior Layout Layout B2
Work
Respite
Work
2 Option 02 June 22, 2016
MEET
Roof: Square
Coroflot Mobile Office Interior Layout Layout B2
Work
MEET
3 Option 03 June 22, 2016
Coroflot Mobile Office Interior Layout Layout B3
23
Exterior Membrane & Workshop Context Photography by Josh Partee
24
Lounge & Conference Area Photography by Josh Partee
Structure & Membrane Detail Photography by Josh Partee
Food Prepping Station Photography by Josh Partee
Work Area Photography by Josh Partee
Work Stations Photography by Josh Partee
25
03
Tomahawk House Tudor Style Home (b. 1929) 1625 NE Marine Dr Portland, Oregon
Client Mr. & Mrs. John Cooney Completion Date Spring 2017 Project Type Residential Project Size 4,801 sq ft Firm Design Team
CLIMATE Arch, LLC John Cooney Principal
Amy Cooney Principal
Brian Kimura
Principal
Jack Watson Architectural Intern
Columbia River NE Marine Drive
This charming project consists of a 1929 Tudor Style house, located in North Portland and sits directly beside the Columbia River. It was bought by my firm’s principal architects with the intention to update many of the gathering spaces and eventually throughout the whole site. I was asked to plot the existing plans and sections in AutoCAD and proceed to model it in Sketchup. These plans and models would be used in future permitting and additions by the owners. The drawings and model required a quick turnaround and provided me with the opportunity to recreate an existing structure from period drawings.
26
Living Room Rendering
27
Enkindling a Gem Context & Conditions
The property sits on the waterfront of the Columbia, which includes a sandy beach and plenty of room for a yacht or sail boat. The interior space boasts glossy mahogany doors, base trim, crown moulding, and windows which are in excellent condition. A second kitchen and guest quarters are located in the daylight basement. Although the quality of the original gathering spaces were in fantastic condition, the Spanish Revival style of the interior thresholds didn’t coexist with the English Tudor scheme. Bringing some artistic liberties into my visualizations, I included a coffered ceiling on both the living room and upper hall. Using an art deco revival wallpaper, brings a hip and contemporary backdrop to the warm tones exhibited in the furnishings.
Existing Conditions - Front Elevation
Render - Dining Room
Existing Conditions - Living Room
Servant Quarters WC
Patio
Bedroom
Kitchen Hall Utility
Living Room
Family Room
WC
-1 Basement Floor Plan 1
WC
Dining Room
Hall
Ground Floor Plan
Sun Room
Master Bedroom Bedroom
2 Second Floor Plan Render - Upper Hall
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29
04
Hood ViEw Church Hood View Seventh-DayAdventist 26775 SE Kelso Rd Boring, Oregon Client
Hood View Seventh-Day Adventist Church Completion Date Spring 2017 Location 26775 SE Kelso Rd Boring, OR Year Built 1929 Project Size 10,799 sq ft Total Restrooms - 279 Sq Ft (Phase I) Narthex 4187 Sq Ft (Phase II) Sanctuary 6342 Sq Ft (Phase III) Firm Design Team
CLIMATE Arch, LLC John Cooney Principal
Amy Cooney Principal
Brian Kimura
Principal
Jack Watson Architectural Intern
Hwy 174 SE 268th Ct
N Fork Deep creek
SE 262th ave
SE Kelso Rd
SE Amisgger Rd
The Mid-Century, low profile church of Hood View needed renovations to their aged Sanctuary, Narthex, and west wing restrooms. This included providing individual restrooms, experimenting with lighting attitudes, and providing a space that accomidated both the elderly generations while inviting future generations to join, worship, and find counsel. CLIMATE met with the congregation, hosted community organizations to gauge their needs, then began negotiating conservative means of bringing life back into their church.
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Rendering - Sanctuary Modernization Proposal
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1'-9"
19" MAX
60" MIN
60 FL " CL R R MIN
48" MIN 48" MIN
60 FL " CL R R MIN
1'-9" 48" MIN 48" MIN
19" MAX
60 FL " CL R R MIN 60 FL " CL R R MIN
60" MIN
ADA DOOR CLR FLR
ADA DOOR CLR FLR
ADA DOOR 2'-8" MIN CLR FLR
ADA DOOR CLR FLR
ADA DOOR CLR FLR
ADA DOOR CLR FLR
Climate Architecture + Landscape, LLC 4033 N Willamette Blvd, Portland, OR 97203 CONTRACTOR: TBD
Climate Architecture + Landscape, LLC 4033 N Willamette Blvd, Portland, OR 97203 CONTRACTOR: TBD
PROJECT: Hood View Seventh-day Adventist Church LOCATION: 26775 SE Kelso Rd; Boring, OR 97009
ARCHITECT:
1 16 " 1 16 "
1'-9"
= =
1'0" 1'0"
10'-0"
3'-44"
2'-0"
30" MIN. 2'-8" MIN
ARCHITECT:
11'-0"
3
SANCTUARY SANCTUARY
PROJECT: Hood View Seventh-day Adventist Church LOCATION: 26775 SE Kelso Rd; Boring, OR 97009
821"
3'-0"
7
59"
40" MAX
3'-4"
2'-10"
2'-421"
2'-10"
2'-1121"
1'-821"
5'-1041"
4'-2" Rendering - West Wing
SANCTUARY SANCTUARY SANCTUARY
SANCTUARY
SANCTUARY
WING WING
CLASSROOM CLASSROOM CLASSROOM WING WING CLASSROOM CLASSROOM WING WING WING
ENTRY ENTRY
12"ENTRY MAX
59"
ENTRY
40" MAX
1'-6"
NARTHEX
NARTHEX
1'-0"
3'-0"
2'-10"
8"
1 16"
1'-5"
NARTHEX NARTHEX
1'-578"
SCALE:
PROJECT LOCATIO
DOOR SCH RCP & ELEC ACCESSIBIL ACCESSIBIL
PROJECT EXTENTS: EXTENTS: (1 2 PER 2 75) PROJECT 2 2 59 SQ FT BATHROOM 59 SQ FT BATHROOM ER2 200) 2 1 2 RENOVATION RENOVATION PROJECT EXTENTS: PROJECT EXTENTS: PROJECT PROJECT EXTENTS: EXTENTS: PROJECT EXTENTS: ENTRY ENTRY FT BATHROOM 259 SQ BATHROOM FT BATHROOM 259 259259 SQ SQ FT SQ BATHROOM FT BATHROOM 259 SQ FT RENOVATION RENOVATION RENOVATION RENOVATION RENOVATION
NARTHEX
59"
NARTHEX NARTHEX 1'-9"
10'-0"
2
2
821"
40" MAX
2'-0"
1'-3"
10'-0"
1'-0"
3'-441"
3'-4"
1'-6"
2'-10"
OCC LOAD 71 72
A3.0 A4.0 A5.0 A5.1
FIXTURES PROVIDED 2 1 2
EX EX
18" MIN
ADA DOOR ADA SINK CLR CLR FLR FLR
30" MIN.
3'-1181" ADA DOOR ADA SINK CLR FLR CLR FLR
18" MIN 12" MIN
ADA SINK CLR FLR
= 1'0"
CLASSROOM CLASSROOM
CLASSROOM WING
R REA USE AREA OCC OCC LOAD FLOOR LOAD FACTOR FACTOR AREA OCC OCC OCC LOAD LOAD LOADFACTOR SQ FTA-3 FT 30 30 3997 SQ FT 71 71 30 SQ FTA-3 FT 30 30 3997 SQ FT 72 72 30
1
1'-0"
ADA SINK CLR FLR
8"
1 SCALE: 1 1 16" "SCALE: = 1'0" SCALE: 16 16" = 1'0"
1'-6"
SCALE: 1'-3" 1 SCALE:
1'-5"
Archival Rendering from original architects
2'-421"
Phase III
HIP -3. PLACES OF WORSHIP , cludes ded g, tended forassembly worship, for worship, recreation uses recreation intended or amusement orforamusement worship,including, recreation including,or amusement including, ommunity ,galleries, community halls, bowling halls, courtrooms, alleys, courtrooms, community dance dance halls, halls, halls, funeral courtrooms, funeral dance halls, funeral laces p. WING of religious worship. M OM WING
SFIXTURES FIXTURES FIXTURES PROVIDED PROVIDEDREQ'D (1 2 PER 2 150) 2 1 1 0 ER 2 200) 2 1
12" MIN
architecture+landscape LLC
CODE DIAGRAM
Sanctuary Modernization
PROJECT EXTENTS: 259 SQ FT BATHROOM RENOVATION
NAME COVER SHEET DEMO PLAN PLAN INTERIOR ELEVATIONS SECTION & DETAIL DETAILS DETAILS TYP. WALL DETAIL ADA SINK SECTION WALL TYPES
N UNCHANGED
Cafe Addition Phase II
3
3'-1181"
CLIMATE
BATHROOMS SERVE CLASSROOM WING (SHADED AREA)
SHEET INDEX
SHEET A0.0 A1.0 A1.1 A2.0 A2.1 A2.2 A2.3 A2.4 A2.5 A2.6
Climate Architecture + Landscape, LLC 4033 N Willamette Blvd, Portland, OR 97203 TBD
Phase I YODE ECHANICAL CODE (OMSC) (OMSC) SPECIALTY CODE (OMSC) LECTRICAL CODE DE (OESC) (OESC) SPECIALTY CODE (OESC) LUMBING ODE E SPECIALTY CODE Narthex Modernization & EACH CODE
CIES (OSSC A-2)
After meeting, it was apparent the church required an increase in community restrooms, including two private ADA restrooms. This called for Climate to reimagine their existing cramped stall filled restrooms, while providing an external niche that didn’t interrupt the foot traffic going through the Sunday School wing. This niche also provided a space for parents to wait on their children while in the restroom as needed and provided adequate space for the once lacking ADA requirements by Oregon code. Working through this process with our principal, we found this arrangement to be the best for their needs.
architecture+landscape LLC
CODE DIAGRAM CODE DIAGRAM CODE CODEDIAGRAM DIAGRAM CODE DIAGRAM
2
Ada Restroom Addition
CLIMATE
1 1SERVE 1 1 OMS = " = 1'0" 1'0" SCALE: SCALE: = 1'0" SCALE: SCALE: 16" 16 16" = 16"1'0" OMS SERVE OOM WING OOM WING SIS DED AREA) M FORM TANDARDS STANDARDS TO THE OFMINIMUM OF THETHE FOLLOWING FOLLOWING STANDARDS OF THE AREA) FOLLOWING DED BATHROOMS SERVE BATHROOMS BATHROOMS BATHROOMS SERVE SERVE SERVE BATHROOMS SERVE CLASSROOM WING CLASSROOM CLASSROOM CLASSROOM WING WINGWING CLASSROOM WING Y TRUCTURAL ODE CODE (BASED (BASED SPECIALTY ONON 2012 2012 INT'L CODE INT'L BLDG BLDG (BASED CODE) CODE) ON 2012 INT'L BLDG CODE) (SHADED AREA) (SHADED (SHADED (SHADED AREA) AREA) AREA) (SHADED AREA) 117.1-2009 .1-2009 LITY STANDARD: ICCA117.1-2009 ADA Restroom Addition in IECC) NERGY ECIALTY ALTY CODE EFFICIENCY CODE (BASED (BASED SPECIALTY ONON 2009 2009 IECC) CODE IECC)(BASED ON 2009 West Wing NROTECTION ION (NFPA) (NFPA) ASSOCIATION (NFPA)
1
M STANDARDS OF THE FOLLOWING
OCC LOAD 71 72
Existing Condition - The Sanctuary
Existing Condition - The Narthex RAM RAM
MARY
CODE (BASED ON 2012 INT'L BLDG CODE) 117.1-2009 ECIALTY CODE (BASED ON 2009 IECC) ION (NFPA) Y CODE (OMSC) CODE (OESC) ODE
OCC LOAD FACTOR 30 30
ARCHITECT:
CONTRACTOR:
HIP tended for worship, recreation or amusement including, , community halls, courtrooms, dance halls, funeral p.
R AREA SQ FT SQ FT
S
HOOD VIEW SEVENTH-DAY ADVENTIST CHURCH 26775 SE KELSO RD, BORING OR 97009
N
MUNICIPALITY CLACKAMAS TRI COUNTIES
FIXTURES PROVIDED 2 1 2
2 2
LLC Existing Condition - The Sanctuary
Facilities
ENTRY
AP
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SHEET SHEET INDEX SHEET INDEX INDEX SHEET INDEX SHEET INDEX
= 1'0"
A3.0 DOOR SCHEDUL 2'-1121" 1'-821" 5'-1041" A3.0 DOOR SCHEDUL A4.0 RCP & ELECTRIC EET 12" A4.0 RCP & ELECTRIC EET A5.0 ACCESSIBILITY R N MAX 4'-2" A5.0 ACCESSIBILITY R N A5.1 11'-0" Plan - Main Floor Interior Elevations - ADA Restroom Rendering - ADA Restroom 0 DOOR DOOR SCHEDULE 3 A3.0 A3.0 DOOR DOOR SCHEDULE SCHEDULE A3.0 A3.0 DOOR SCHEDULE DOOR SCHEDULE SHEET NAME SHEET SHEET NAME NAME SHEET NAME MECHANICAL MECHANICAL PERMIT PERMIT SUBMITTAL SUBMITTAL A5.1 ACCESSIBILITY R MECHANICAL MECHANICAL PERMIT PERMIT SUBMITTAL SUBMITTAL MECHANICAL PERMIT SUBMITTAL MECHANICAL PERMIT SUBMITTAL ELEVATIONS A3.0 DOOR SCHEDULE SHEET NAME MECHANICAL PERMIT SUBMITTAL HOOD HOOD VIEW VIEW SEVENTH-DAY SEVENTH-DAY HOOD VIEW SCHEDULE SEVENTH-DAY 5'-11" 5'-4 " 4 0 RCP RCP & & ELECTRICAL ELECTRICAL A4.0 A4.0 RCP & ELECTRICAL & ELECTRICAL A4.0 A4.0 RCP & ELECTRICAL RCP & ELECTRICAL A0.0 COVER A0.0 A0.0 COVER COVER SHEET SHEET SHEET A0.0 COVER SHEET RCP PLUMBING PLUMBING PERMIT PERMIT SUBMITTAL SUBMITTAL ELEVATIONS PLUMBING PLUMBING PERMIT PERMIT SUBMITTAL SUBMITTAL PLUMBING PERMIT & SUBMITTAL PLUMBINGPLUMBING PERMIT SUBMITTAL & DETAIL A4.0 RCP ELECTRICAL A0.0 COVER SHEET ADVENTIST ADVENTIST CHURCH CHURCH ADVENTIST CHURCH PERMIT SUBMITTAL 0 ACCESSIBILITY ACCESSIBILITY REQ REQ A5.0 A5.0 ACCESSIBILITY ACCESSIBILITY A5.0 A5.0 REQ REQ ACCESSIBILITY REQ ACCESSIBILITY REQ A1.0 DEMO A1.0 A1.0 DEMO PLAN DEMO PLAN PLAN A1.0 DEMO PLAN ELECTRICAL ELECTRICAL PERMIT PERMIT SUBMITTAL SUBMITTAL & DETAIL ELECTRICAL ELECTRICAL PERMIT PERMIT SUBMITTAL SUBMITTAL ELECTRICAL PERMIT SUBMITTAL ELECTRICAL PERMIT SUBMITTAL A5.0 ACCESSIBILITY REQ A1.0 DEMO PLAN 26775 26775 SE SE KELSO KELSO RD,RD, BORING BORING 26775 ORSE ORKELSO RD, BORING OR ELECTRICAL PERMIT SUBMITTAL 1 ACCESSIBILITY ACCESSIBILITY A1.1 PLAN A1.1 A1.1 PLAN PLAN REQ A1.1REQ PLAN A5.1 A5.1 ACCESSIBILITY ACCESSIBILITY A5.1 A5.1 REQ REQ ACCESSIBILITY REQ A1.1 PLAN A5.1 REQ ACCESSIBILITY ACCESSIBILITY REQ 97009 97009 97009
DEFERRED DEFERRED SUBMITTALS SUBMITTALS DEFERRED DEFERREDSUBMITTALS DEFERRED SUBMITTALS SUBMITTALS DEFERRED SUBMITTALS DEFERRED SUBMITTALS
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Community
Worship
Narthex enhancements
Sanctuary Modernization
The congregation felt the it was imperative that for their church to continue its operations, it needed to change the way they thought of their narthex. Originally, the space was used as a temporary seating area with some small gathering areas that weren’t completely defined. As we began conceptualizing the space we found ways to subtly call out certain areas by changing the carpeting, by choosing a type that distorted its pattern or included another pattern overlay as an option. Another idea that was worth including was a means of getting more people to stay in the narthex as it would be seen as a communal space. Knowing this, a cafe was fashioned in the west side of the space which would enhance the atmosphere with rich aromas and provide a service that inticed people to loiter. Finally, the lighting needed a remedy as this corridor was dark, so adding a linear track system that was parallel with the length felt most natural to encourage foot traffic flow.
Render - Upper Hall
34
Render - Upper Bathroom
The Sanctuary in its existing condition was dark, uncomfortably cramped, and shuttered from decades of opposing renovations. A variety of materials were present but it seemed like the best option to strip the interior to its bare roots. As the ceiling and girders in the roof were of a lighter wood, a modern look could easily be achieved by exposing the existing Mid-Century qualities. Originally, the stage featured a second floor stage that was framed out in a black painted box. Although theatrical, this made the stage feel unreasonably heavy so white gypsum was used to achieve the most efficient angled walls for keynote presentations and song lyrics. A baptistery was placed under the stage as the original tub was tucked inside the existing black box and needed to be the center of the church’s initiative. Lastly, new LED recessed lights with decorative pendants were hung throughout to bring delicacy to the now well-lit sanctuary.
Render - Upper Hall
Render - Upper Bathroom
35
Personal
05 06 07 08
Portland Old Town on Front Ave Michigan Central Station - Concourse Single Family Residence Pavillion of the ceramic union
W Burnside
Portland Old town on front Ave
SW Ash St
SW pine St
38
Tom Mccall Park
Old commercial district Naito Parkway, Tom McCall Park Portland, Oregon
SW 1stAve
October 2018 Historic Architecture 6 City Blocks
SW 2nd Ave
Start Date Project Type Project Size
SW Ankeny St
Naito Pkwy (FrontAve)
05
SW Ash & Front Street (From left to right) Lewis & Flanders Block, Central Block
Willamette River
Portland has lost many wonderful architectural gems over the last century, especially regarding the cast iron buildings that lined the center of commerce of what was once Front Ave, (now Naito Parkway). I’ve begun a personal project to bring awareness to what that street could have looked like if we had preserved these historically significant buildings.
39
Facing West on Front Street
1 Kamm Block (1884)
Demolished
2 Smith Block (1872)
Saved
3 Lewis & Flanders Block, Ankeny Block (1869)
Demolished
Facing East on Front Street
4 Ankeny & Watson BLDG (1868)
Demolished
40
5 Central Block (1879)
Demolished
6 Oregon Steam Navigation Company Block (1865 & 1870)
Demolished
41
Details
Experiential Renders & Historical Conditions
Historical Conditions - Overall View looking North
42
Historical Conditions - Overall View looking North
Rendering - Overall View looking North
Rendering - Overall View looking North
43
44
Rendering - Corner Detail of Central Block
Rendering - Elevation Detail of Kamm Block
Rendering - Corner Detail of Kamm Block
Rendering - Overall View looking South
45
Rendering - Concourse from Ticket Booths
06
Michigan Central Station - Concourse Original Architects
Completion Date Location Project Type Project Size 46
Reed & Stem Warren & Wetmore
Jan. 4, 1914 Detroit, Michigan Transit 500,000 sq ft
North Corktown
Michigan Central Station 2405 West Vernor HWY Detroit, Michigan
downtown Corktown Financial District
Like much of Detroit, Michigan, the Central Station has seen better days. I felt it would be enjoyable to recreate what the depot could be like if it was still in use today. The Beaux-Arts Classical style provides the waiting area and lobby with a fruitful abundance that filled the ambient spaces with life. Complimentary to this, the concourse curated an elegant, but orderly, appearance that balanced the bustle of the thousands of travelers that passed through its gates each day.
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“Nothing symbolizes Detroit’s grandiose rise and spectacular fall like Michigan Central Station. No other building exemplifies just how much the automobile gave to the city of Detroit — and how much it took away.” -Dan Austin of Historicdetroit.org During its construction, Central Station was an object of great civic pride, as the design echoed a return to classicism and romanticized transportation. It’ s grand proportions set a grand atmosphere that most riders were not accustomed to in 1913. The original concourse featured 20 huge, copper skylight windows that provided a flush of natural light. The walls that surrounded this space were a playful array of brick and concrete that was reflected in the pink marble tile floors.
Historical Condition - Exterior, (1920s)
Historical Condition - Interior Concourse, (1960s) Photograph by Normal Hammerl
48
Historical Condition - Interior Concourse, (1960s)
Existing Condition - Interior Concourse, (2015)
49
Render - Photobooth & Shoe Polishing corner
Render - Arrival at the Concourse
Render - Overhead Detailing
50
Render - Hat Shop & Seating
Render - Gate Detailing
51
07
Single Family Residence
Original Build Date 1890 Project Size 1295 sq ft Project Type Residential
The original victorian ’farmer’s house’ design was featured in the Details of Victorian Architecture booklet, showcasing various ornate plans, sections, details, & perspectives from quaint residences to the Palace of Fine Arts of the 1889 Paris Exposition. Albeit grand and historically relevant to any Anglo-Saxon inspired residence, the original sandstone ’farmer’s house’ interior lacked natural sunlight, exhibited a vague floor plan and spatial usage, and would need to integrate a more contemporary and playful language for a single family. With this in mind, I sought to capture all of these functions throughout by opposing the soberness and coldness of the exterior by applying the warmth and softness that natural dark wood paneling would provide when cast with dramatic lighting.
52
Rendering - Vestibule & Front Door
53
Kitchen
Living Room
UP Existing Condition Elevation - Farmer’s House From ’Details of Victorian Architecture’ Book
Existing Condition Elevation - Farmer’s House From ’Details of Victorian Architecture’ Book
DN
WC
Vesitbule
Closet
Hall
Dining Room
Study
Closet
1 Elevation - Modernized Facade
First Floor Plan
Render - Overall Exterior
Nook
Closet
Master Bed Room
Bed Room Closet
Hall DN
WC
Wash room
Master WC
Nook
2 Second Floor Plan
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Render - Overall Perspective
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Entertainment
Living Room & Kitchen The first floor can be thought of as a showpiece for many families. In this home, I felt it would be fun to experiment with more flamboyant materials, wall coverings and accent pieces that one wouldn’t typically see in a traditionally designed home. As floor space was limited, I felt it necessary to keep the floors less clutterd with larger patterns and overall statement pieces. In this respect, the kitchen was left simplified, with subtle cabinet handles and quiet color scheme. The gold provides a touch of elegance to remind the eye of the ceiling’s generous height. The living room was designed to captivate, while serving as an entertainment space, eager to please. The wallpaper was inspired off of many late 19th century hotels and clubs that sported playful tropical themes and typically were named after a wholesome animal.
Render - Living Room
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Render - Living Room
Refuge
Upper Hall & Bathroom In the upstairs hall, one would be surprised to find how light the space feels. Originally this second floor would’ve surely been used as an attic space, but with the main hall radiating through transom window-topped thresholds, the space took on a new quality. I’ve added a shared closet and a seating area that could provide someone a place to take in tranquility that a space like this could provide. One can imagine the type of colors that would seep into this white space over the span of the year. The second room that is shown is the master bath, feeling glossy, black herringbone tile, a standing shower and a square bathtub. Since the location of this water closet is tucked in the corner of the house, I decided it would be appropriate to include a skylight, allowing the most amount of light while conserving the privacy expected in a restroom.
Render - Upper Hall
Render - Upper Bathroom
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Pavilion of the ceramic union
Completion Date 1878 Location Paris Exposition Universelle Project Size 1295 sq ft The 1878 Paris Exposition Universelle hosted many fascinating national treasures and innovations at the time. One of the more modest structures, the Pavilion of the Ceramic Union, showcased each nation’s best expressions of the craft. This building would’ve sat just beside the Eiffel Tower for less than a year, furnished with lavish tropical plants that provided an unexpected oasis in the midst of the world’s fair. I reimagined this pavilion as a coastal landmark, as the overhang and large windows seemed well placed in a different scenic environment.
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Historical Reference - Magazine Advertisement
Conceptual Matte Painting - Coastal Viewpoint Setting
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Render - Entrance
Elevation - Facade
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Render - Rear Outlook
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Academic
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Arbiter townhouses Basketball Court Pavilion Boat building School for Youth
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Arbiter Townhouses Half Block Section between NE Skidmore St, NE Mason St & NE Cleveland Ave
Institution Term Course
Portland State University
Winter 2016 Arch 481: Arch. Design Studio Focus Multi-Family Housing Chris F. Chatto Instructors ZGF Architects
Jason Essel ZGF Architects
N Skidmore St
N Vancouver Ave
I-5 Highway
Fremont Bridge
N Williams Ave
N Shaver St
NE Cleavland Ave
N Mason St
Pressured to bridge the gap between modern multi-family living alongside traditional single-family residences, it was architecture that would either make or break this social dilemma. This anxiety resides between the coexistence of old ways of thinking and new when it comes to living closer to the neighbors. Located between North Williams and Northeast Mason, this half block site must ensure a smooth and gradual transition from an existing contemporary five-story, multifamily apartment building, and the rest of the opposing neighborhood. The following shows two phases that, I feel, are equally applicable to the existing context & conditions.
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Composite Render - Penthouse Level Entrance
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Context
Initial Approach
Phase I
P h a s e II
Firstly, it was important to establish a context. With a team of other students, we visited our site and gathered as much initial data as we could through photography, some brief neighborhood interviews, and post-visit research. The photos taken, as well a dive into 19th & 20th century home styles, provided us with a good narrative to build upon for our upcoming work.
HI s t o r i c a l A r c h i t e c t u r e i n c o n t e x t Row House Apartments
Tudor (English Cottage)
Bungalow / Craftsman
Ranch House
Row House
Minimal-Tradition / Worker’s Cottage / Vernaculur
Buckman Three Four Square Multi-Family w/ Commerical at Grade
Victorian / Queen Anne Non-Contributing
Design Reference - Inspiration
Site Plan - Ground Floor
Site Plan - Second Floor
Context - Reference Photos
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Composite Render- Initial Design Concept
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P R OJ E C T B Y
Final Design
P O R T L A N D S TAT E U N I V E R S I T Y
P R E CP h ID EeNIII TS as
P R OJ E C T B Y
ARCHITECTURE DESIGN STUDIO 481 W I N T E R 2Using 0 1 6a
J A C K W AT S O N
P O R T L A N D S TAT E U N I V E R S I T Y
ARCHITECTURE DESIGN STUDIO 481 WINTER 2016 T Y P I C A L PA S A D E N A C O T TA G E C O U R T U N I T P L A N
EXTENSIVE GREEN ROOF &
X T E N S I V E G R E E N R O O F & P OT E N T I A L H O R T I C U LT U R A L T H E R A P U T I C U S E S
Design Reference - Inspiration
J A C K W AT S O N
tiered elevation, a new typology can be investigated to address both the monolithic qualities of the apartments against the quaint and subtle elevations of the house across the street. Each unit would comprise of private gardens, a patio, a social gathering space, and a large single-family floor plan. Loosly based upon Pasadena’s cottage courts, the living and dining P OT E N T I A L H O R T I C U LT U R A L T H E R A P U T I C U S E S rooms within each unit are easily accessible from the front door and take up a majority of the unit plan. Between each unit there was an opportunity to provide social spaces the entire property. Using this opportunity, a playground and neighborhood garden area seemed to work very nicely for their I S R A E L I P U B L I C H O U S I N G D E V E LO P M E N T B Y C H Y U T I N A R C H I T E C T S ( 1 9 8 0 ) playfulness and incentives to pull neighbors together.
I S R A E L I P U B L I C H O U S I N G D E V E LO P M E N T B Y C H Y U T I N A R C H I T E C T S ( 1 9 8 0 )
Render - Tiered Entries at each Residence
Site Plan - Final Design
4TH FLOOR
I S R A E L I P U B L I C H O U S I N G D E V E LO P M E N T B Y C H Y U T I N A R C H I T E C T S ( 1 9 8 0 )
2069 SQFT
Utility chase
4TH FLOOR
Penthouse
2069 SQFT 3rd Floor Unit
4TH FLOOR Tuck-under parking
2nd Floor Unit
2069 SQFT
1st Floor Unit 68
Diagram - Tiered Unit Arrangement
Render - Tiered Townhouse Approach
3RD FLOOR
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W Burnside St
Burnside Bridge
Urban decay / gaea Salve Institution Term Course Instructors
Portland State University
Fall 2015 Arch 480: Design Studio
Zeljka Carol Kekez
Muricio Villarreal
Dylan Morgan
Miguel Camcho-Serna
Place Architects Place Architects
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Place Architects Place Architects
Tom Mccall Waterfront Park Portland, Oregon
Willamette River Naito Parkway
Tom Mccall Park
This project consisted of an exhibition concerning the Willamette River, a historical and topographical study of the Portland’s interaction with the river, and a proposal for a new architectural intervention. There is a simple way we could begin to change the river for the betterment of itself and people living in a city, specifically by changing how the citizens see their coexistence with the river.
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The River & Convenience 1926
Guild’s Lake
Today
Filled & Developed ”Industrial Sanctuary”
1883
Today
River usered for corporate shipping
Seawall erected in 1928
Industrial Wharf
Portland Waterfront The seawall’s elevation today creates a barrier and although it keeps onlookers safe, the condition of the river’s pollution could be attributed to this lack of daily connection. A dynamic ’draw-barrier’ for the waterfront would mend these severed ties that historical settlers had the privilage to experience.
Exhibition - ’Affecting the River, a Drop at a Time’
The River as an Organic Machine Exhibition at PLACE Architects The exhibition grasped the historical context of the Willamette and how it had been initially used out of convenience. By early logging and industrial work, the surrounding streams and rivers of the now metropolitan area would be sculpted and in certain zones, eventually covered over. The Seawall along the western waterfront is a prime example of safety through convenient building methods. Through contemporary capabilities, the people of Portland would begin creating ways to reintegrate the river’s qualities and organic systems back into our now matured urban landscape. But as we arrive at this point, isn’t it time for us to humble ourselves to where it all began?
The River & Capabilities 1996
Today
Spills provoke new strategy for city waste
Overhauling an antiquated wastewater system
Flooding & Sewage
To change our perception of the river, we need to walk on its shores. The main goal of this term was to reestablish intimacy between the community and river within the urban fabric.
Big Pipe
1915
Today
Major depots for freight & passenger trains until the 1980s
Part of the Pearl Redevelopment Plan
Hoyt Street Train Yard
Conceptual Poster - Portland & the River Exhibition
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Located in NW Portland, adjoined to the Willamette and was the wetlands at the foot of the west hills. This swamp naturally filtered the contaminants and sediments while providing a critical wildlife habitat to the west of the Willamette River. After the forming of the city of Portland, this lake would be the canvas for the Lewis and Clark Centennial Exposition in 1905.
Tanner Springs
After a number of aggressive floods and a lackluster sewage system, the city decided to inact a plan to transport our waste water from Portland all the way to the mouth of the Columbia. There were a number of benefits that increased the communial enjoyment of the river which invited many to indulge in a dip on the Eastside Esplanade, one of the few public access points on the waterfront.
What is now known as the Pearl district was once the center for some of the major freight & passanger terminals and warehouses for the railroad industry in the early 1900s. After the railroad decommisioned the buildings in the 1980s, the city found a means of relating the city back to the natural aspects of the waterfront. Tanner Springs is that concept, executed in the urban fabric.
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The River & Coexistance
A Dynamic Waterfront Solution
A dynamic stitch
Tanner Springs
Lower Position - low / calm tidal level
Existing Path Elevation
Broadway Bridge
Intervention Site
Proposed Path / Activity Space
Existing Path Elevation
Viewpoint for 4th of July Celebrations on the Water Picnic And Lounge Area
Presentation And Play Space
Faster Traffic
Proposed Path / Activity Space
Slower Traffic
Spacial Usages
Steel Bridge
Raised position - high / turbulent tidal Level
Event And Gallary Space
Concert Hall and Community Pool Farmers Market
Food Carts
Crew & Dragon Rowing Dock
Burnside Bridge Intervention Site
Willamette River
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My intervention is located at Tom McCall Park, hugging the contours of the Willamette River. Initially, walking on the path one will encounter tourist attractions that are open to the elements, cyclist traffic, and a disconnection from the river’s surface.The new pavilion I’m proposing would lower tourist attractions, food carts, and general events that consist of slower foot traffic to the grade of the river. The existing path would be left intact for faster bike traffic and as cover for events below. The Tom McCall Park would be altered, becoming tiered for theater spaces, playgrounds, and dining areas.
Render - Urban Waterfront Solution
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Boat building center for Youth 823 Naito Parkway Portland, Oregon
Institution Portland State University Term Fall 2014 Course Arch 381 Design Studio Instructors John Cooney Climate Architecture + Landscaping, LCC
Tom Mccall Park
SW Yamhill St
morrison Bridge
SW TAylor St Willamette River
Naito Parkway
This site is located on the West side of the Willamette River, between SW Yamhill St and SW Taylor St. It sits directly across the street from Tom McCall Park, providing a large area for recreational activities and space for events if necessary. The project consisted of creating a boat building center for youth, so I chose a method called strip planking. This building style allows thin but elongated wooden strips to be laid on top of each other then sealed in place. This method is quick, simple, and can be taught to youngsters very effectively. The following pages illustrate the type of work, space, and equipment needed to create a boat building facility. Then after determining the square footage, these assets would be divided up and arranged in the order necessary for efficiency. But before that, I would need to take a site analysis of whom I am going to be helping. The next page shows a diagram of poverty rates, crime demographics, and local metro conditions.
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Render -Cast Off
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.
Demographics & Homelessness As Portland grows, the population, as well as its needs, changes. Citizens that have lived here their entire lives know this, and have seen their environments change rapidly over the last few decades and the “at-risk� and homeless community have experienced this first hand. For thousands in the metropolitan area, families have not been able to break free of poverty, to a point where many units are unable to keep their children in school, become single parents, or the youth run away from the family entirely. Below is a few charts demonstrating the conditions our city faces, (Data from 2010 Census, and Portland Police Department).
14,008
51% of Metro Population have their bachelorS Degree or Higher
50,139
Population in 2010
Kids Enrolled in school ages 3 - 17 in households 29%, Some College
4,654
10%, High School Degree
Households below Poverty level
10%, No High School Degree
669 Children that are not enrolled Drug Laws
Of the 4,654 Households in the metropolitan area, 5% are a female house holder, without a husband. And 5% are a nuclear family.
Homicide Larceny Disorderly Conduct
28% are families with children 1% are youth under 18, without family (We are focusing on this group)
Urban Center
Simple Assault
71% of individuals in each family are over the age of 18
Tree cover Lawn / Grass Street / Buildings Parking River Naito Parkway
Hawthorne Bridge
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Morrison Bridge
Burnside Bridge
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Spacial Planning
By addressing the standard dimensions of wood shop tools / machines, I could begin creating adequate spaces for those activities.
Layered ≈ 20,000 sf
5 Student Canoes
Workstations
270 sf
FORM
3 Potential Art Boar Studios 3 Potential Artist Boat Studios
31.3%
Loading Bay
Entry
SF sf 297 297
Egress Stairwell
Senior Director Studio
LiftArea
Lift Area
LiftArea
Work Bay
LiftArea
Lookout Cast Off
Elev
First Floor
Unloading Dock
Second Floor
Third Floor
Penthouse
Third Floor
Unloading Dock
_Sanding _Epoxy Application _Sealant Application 2nd Floor _Final Check
600 SF sf 600
SEAL
3.3%
Open
Open Programatic Programmatic Space Space
22.3%
22.3%
Utilites
28972897 SF sf
Open Programatic Space
43.1%
LAUNCH
2nd Floor Sanding and Epoxy application
Sanding and Epoxy application
Program
Program
Second -Form Setup andFloor
Utilites
1st Floor
1st Floor -Form Setup and Strip Fitting -Form Removal and Trimming
3.3%
_Form Setup Strip Fitting _Wood Strip Fitting -Form Removal _Form Removal and Trimming _trimming
Open Programatic Space
43.1%
First Floor
Ground Floor -Lumber Delivery -Strip & Form Cutting
_Lumber Delivery Ground Floor _Precision Cutting -Lumber Delivery _Project Overview -Strip & Form Cutting _Newcomer Initiative
Min. Space Dimensions Student Workshop
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LiftArea
Up
General Offices
Egress
31.3% 240 SF
Work Bay
240 sf
Workstations
Naito Parkway
Work Bay LiftArea
240 SF
PrepArea
DN
DN
Lookout
5 Student canoeS
120 sf
Top Floor -Accesory Installation -Final Examination -Storage -Awaiting Christening
Lounge
Lounge
Work Bay
5 Student 5 Student canoe FormsCanoe Forms
-Accesory Installation _Accessory installation -Final Examination _Final Examination -Storage _Storage _Awaiting Christening -Awaiting Christening
Up
DN
Egress
120 SF
TopTopFloor Floor
LiftArea
Tool Storage
Preparea Below Willamette River
Work Area
LiftArea
60 sf
200 SF sf 200
Tool Storage
PREP
60 SF
Up
Observation Path
Perimeter
Lockers
Boat Building Stages
120 SF sf 120
Perimeter Workbenches Workbenches
Up
Showcase Up
SF sf 112 112 2424 SF sf 6060 SF sf
Observation Path
3 Band saw 2 Table Saw w/
2 miter saws outfeed table 3 Bandw/ Saws tables 2 Miter saws w/ Consolidated Consolidated tables Lumber Lumber (Upright) (Upright) 5 Mobile 5 Mobile Workstations Workstations
DN
Layered ≈ 20,000 WC sf
LiftArea
5,000 sf
Egress
Layered Floors = 20,0000 5,000 sf sf
5,000 SF
Table saw w/ outfeed table
Work Bay
5,000 sf
Proportions of Space Min. Space Divisions Dimensions for Student Woodshop
Proportions of Space Divisions
Layered Program Layered Program Consolidation Consolidation
Layered Program Consolidation
Section Model - North View
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Appendix
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Misc. Jobs & Personal Works
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view
1. Project A.S.H. - Main Character Overview - Personal (2015) 2. Project A.S.H. - First Level Initiative - Personal 3. UKEN Games - Sky Tactics by Cloud Breakers - Professional [2015] - Boss Starship States 4. Project A.S.H. - Level Initiative - Personal 5. Project VALERIE - Gun Concept - Art Institute Club Project (2013) 6. Project VALERIE - Gun Concept - Art Institute Club Project (2013) 7. Last Stand - Personal (2015) 8. A Little Lost - Personal (2015)
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9. A Brief Struggle - Evangelion Neon Genesis Fan Art - Personal (2016) 10. Underground Restroom - Personal (2018) 11. Zebra Sketch - Day at the Zoo Personal (2013) 12. Crab Sketch - Day at the Zoo - Personal (2013) 13. “Delivery Boy” Overview - Industrial Design Final @ Art Institute (2013) 14. “Delivery Boy” Arm Construction - Industrial Design Final @ Art Institute (2013) 15. Inca Temple Composite Sketch - Design & Layout Class @ Art Institute (2013) 16. Bug-Inspired Industrial Forklift - Quicksketch Class @ Art Institute (2013)
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Thank YOu
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Jack Watson jackaldraws.com US MOBILE +1 541.510.0905 jackaldraws@gmail.com
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