Portfolio by Jacky Chau

Architectural / Interior Portfolio Jacky Chau Chun Shing

EDUCATION Spet. 2011- Jun 2017 | Hong Kong

CCC Kei Yuen College Spet. 2017- May 2021 | Hong Kong

Hong Kong Polytechnic University Environment and Interior Design (BA)

EXPERIENCE 2017 -

Freelancer (drawer, painter, graphic designer) 2017 -

Part-time, art/ drawing tutor (for primary & secondary school) Ju|y- Aug. 2019 | Hong Kong

JACKY CHAU CHUN SHING

Internship- PTang Studio Ltd

RECOGNITION& AWARDS 2018//19 Year 2

+852 XXXXXXXX

jackeid17@gmail.com

Nippon Paint Asia’s Young Designer Award Sliver Award 2019/20 Year 3

PolyUDesign E&I Evelopment In Digital ProficIency Award 2020

Young Archiect Competion Hyperloop Desert Campus Finalist 2020/21 Year 4

PolyUDesign E&I Best Technical Drawing Award

SKILL Software - Strong

Hand crafting, Hand drawing, Diagramating, Post Production

Languages Cantonese (native) English (fluent) Mandrain (fluent)

Acadamic

Content 1 Interitage

2 Timer

3 Deity Chair

4 Facade prototyping

5 Membranify

6 Keihoku’s nest

Computition

7 Load Scene

8 秦崚載韻

9 Hyperloop Desert Campus

4 5

TAI O STILIT HOUSE

INHERITAGE

3 BY WINSTON FANG, JACKY CHAU, SARDONNA LEUNG

Site Plan

TIMELINE OF FISHERMAN INDUSTRY Tai O is located at the middle of Pearl River Tai O is abound with yellow croaker, salt and brined fish.

People who travel from Hong Kong to China, vice versa, will take rest in Tai O, which form an ideal business environment.

500+

30000+

520+

1950

1 Inheritage Tai O is a tourist spot in Hong Kong, which young resident from tai O have started in running business by providing customer service, thus to earn their revenue. However, when we visit TaiO, we found that most stilit houses are still occupied by elderly, which were once enrolled into the fisherman industry a few decades ago. Regarding to the scenario of the changes in TaiO major occupation, our mind provoke the following question:

9/2018 - 12/ 2019 CONSTRUCTION METHOD?

SITE SURROUNDINGS

1960

Tai O residents revenue were not enough to purchase boats to foreign country Tai O cannot catch up with development of Fishery Industry, make it difficult to reach out other business opportunities

1970

The Young generation were not willing to inherit fishing and agriculture, instead they would like to strive for a better future in urban area

90+

1980

2683+

Tai O left over a rich historical facts and strong local charactetistic It has successfully transform into a tourist spot

1990

SITE ELEVATION Nippon Paint

DESIGN STATEMENT

FUTURE EXTENSION FORM?

Exported products making it difficult for Tai O’s sea salt and local products to compete with others.

EXTENSION RULES?

Asia’s Young Designer Award Sliver Award

Schematic design Tai O ,Hong Kong with Supervising Tutor: leung Wing Yi Michael Chan Fang Xin Yong

SITE VERTICAL SECTION

SITE HORIZONTAL SECTION

2 storey store room

Kitchen

Toilet

TYPICAL CONSTRUCTION METHOD From 2nd to 4th generation stilit house, contractors mainly used Giam wood and molded concrete base as major supporting materials. However, as we observed the column based of our target house, we found that the joinning method are quite differ.

2nd Gen: Granite

3rd Gen: Diagonal Brace

4th Gen: Concrete base

EXTENSION STORY LINE

Phase I : Mrs Wong gave birth to her kids Total Population: 10 childrens & a couple

PERIODICAL EXTENSION DIAGRAM

Phase II : Children moved out, deck extended for occupation use Total Population: a couple and 3 children

EXTENSION SEQUENCE: DECK-ROOM-DECK-ROOM

Phase III: deck extended for more gathering space Total Population: old women and her housemaid

EXTENSION CONCERN: PRIVACY AND SUNLIGHT LIVELY

QUIET

Toilet was inserted individually to the deck

LESS SUNLIGHT ABSORBTION MORE SUNLIGHT ABSORBTION

First generation stilit house was formed.

TEND TO BE: PRIVATE PLACE

TEND TO BE: PUBLIC , GATHERING SPACE

THE ROOM WHICH PLACE TO THE BACK OF THE HOUSE THE MORE PRIVACY IT HAS. ACCORDING TO TAI O RITUAL

INTERIM SITE MODEL IN 1:20 SCALE Kitchen was inserted individually to the 2nd stage deck. The front deck has been further extend, in order to suit the massice need of workspace.

FORULA OF EXTENSIOM 1

6 Toilet was inserted individually to the 3rd stage deck. Replacing toilet by storage . The front deck has been further extend again. Since the elderly has retired, the workspace no longer exist. It was replaced by gathering space, in order to let her to meet her families.

ORIGIN OF FORM

Extend column and beam

MODULAR TEST

Final Choose

CIRCULATION

2 Timer

Schematic design with Katie lai

Yau Ma Tei Wholesale fruitmarket, Hong Kong Supervising Tutor: KUO Jze Yi

1/2019 - 5/ 2019 The transofrmable architecture which move according to the schedule of wholesale workers in fruitmarket. tecture will jave a stong interaction with workers and fruitmarker, and it will become a significant place for fruitmarket.It will jave a stong interaction with workers and fruitmarker, and it will become a significant place for fruitmarket. The transofrmable architecture which move according to the schedule of wholesale workers in fruitmarket. With two main mechanisms, the automata mechanism located at the center controlling the interior leveling, create a dynamics interior resting space which is inspired by the dynamic movement of the fruit market and the expanding mechanism controlling the exterior facade which creates enclose and open space and introduce nature light to the interior with the moving facade.

Furniture design Supervising Tutor: with : Henry Tung Lai Man Lam,Lin Ren Xian ,Pang Man Lok

3 Deity Chair

1/2019 - 4/ 2019

The sitting object boost people interact, through triggering its machinery characteristic. The circular structure and weaving patterns form geometric patterns, becomes the aesthetic element.The flexibility of structure leads the sitting object can be expanded, further allows the users pose differently , which based on the change of gesture.

MICRO SERVO 9G SG90 32.2 X 11.8 X 31 (WxLxH)

2MM ALUMINIUM HANDLES

5MM ALUMINIUM SHEET WITH PLASA CUT TRACKS & HOLES

PRODUCED BY AN AUTODESK STUDENT VERSION

3MM STEEL RODS

4 Facade Prototyping

Schematic design with Lam Tsz Tong Luke Yuen Siu Faat Bryan Supervising Tutor: GILLES VANDERSTOCKEN

PRODUCED BY AN AUTODESK STUDENT VERSION

9/2019 - 1/ 2020

We want to invent a new way of communication on commercial buildings. Since many of the existing commercial building adopts a curtain glass construction, even with a reflected solar film applied, there is still a too much solar heat gain from the facade. Therefore we propose to build a external glazing which are made out of individual modules. The perforated modules contains cell that can be programmed to open and close, in particular time or showing graphics. The external facade have two main target of audiences, exterior and interior. The smaller graphics in cell can be understood by the people inside, conveying information of space or advertisement. The overall graphics created by the a large number of these cells can be an advertisements for people outside. The aim of this prototype is to improve the sustainability of existing building without completely replacing the curtain wall system and bring in a new method of communicating information.

LAYER E 1

MODULE CONNECTION MODULE CONNECTION LAYER E 1

MODULE 1

MODULE CONNECTION MODULE 1

LAYER YE 2

MODULE 2

1 2

MODULE 2

8 5

The layer modules can be in separate linear form or in a plate form, easy for any maintenance work. Each linear module have electrical conduit behind it, which conceal all the wiring and servos against rain and dust.

MODULE CONNECTION MODULE 1

MODULE 2

The plate can be connected seamlessly with the overlapping layers.

MODULE 2

1.20mm Glazing laminated glass consisting of tempered glass 2.100x100x6mm THK. GMS RHS Facade support frame 3.100mm Ø Stainless steel fixing point 4.35mm Ø Stainless steel rod

The plate can be connected seamlessly with the overlapping layers.

ULE 2

YER YE 2

WIRING & MOTOR CONCEALER LAYER YE 2

PRODUCED BY AN AUTODESK STUDENT VERSION

MODULE CONNECTION

WIRING & MOTOR CONCEALER

MODULE 2

5.50x50x6mm THK. GMS RHS Facade support frame 6.3mm Facade Aluminum panel 7.Steel angle 8.Stainless steel Fixing 9.Curtain wall mullion

MODULE CONNECTION MODULE 1

MODULE 2

The plate can be connected seamlessly with the overlapping layers.

ate can be connected seamlessly with the ping layers.

PRODUCED BY AN AUTODESK STUDENT VERSION

Membran -ify 1/2020 - 5/ 2020

I am using the Voronoi pattern as the mainstructure of the design . also in the spatialquality, I take the layering as the majorityof the design development direction.The membrane is the key element of my design adding layers on theceiling, column, and planters. I try tomake my design to relate the site element.And the design also is the addedfunction of air purifying and mist spraying

Membrane + Purifly

Schematic design with Individual

Supervising Tutor: Gerhard Bruyns

coffer celling plan

sprinklers top section 1:100 membrane celling

spray nozzle

Detail B 1:20

elevation 1:100

section 1:100

Detail A 1:20

axonometric 1:100

scale 1 : 50

scale 1 : 100

coffer celling plan

xc se

tio

se c

tio

membrane celling plan

site plan

scale 1 : 250

The definition

Section B

scale 1 : 250

Section A

scale 1 : 250

Keihoku's Nest 9/2020 - 11/ 2020

Schematic design with Individual

Keihoku, Japan Supervising Tutor: Michael Chan

This pavilion design is the place for meditation and yoga also the spot that can be the venue of the festival. The concept of this project is to bring motivation to keihoku.Also we hope this pavilion can be a spot and served for the festival or event I’m keihoku.So people can hang around with this design and have fun. In the design,it is mainly to use wood as the structure and the polycarbonate as the facade material.It is a movable architecture ,like a transformer.the facade can be extended and extracted by pushing and pulling them. Therefore the Special quality of this Pavilions is flexible.And it can be transformed any form that people want.Also the ‘see through’ frame structure can also let people to interact with each other in the fully open mode. And it can create more privacy in fully close mode as well.Different atmosphere and interaction and experience can be created and in this pavilion.

7 Load Scene 3/2021 - 5/ 2021

Graduation Project Supervising Tutor: PETER HASDELL

SHING GOR’S DOCUMENTARY IN LOAD SCENE

load scene is a strategy of changing scenery on a stage play, by moving the units to perform different scenarios. Props and actors are following the script to act, the script dominates how space interact with props and acter. life is a stage play, and we are the actor and the stagehand as well, we live what we like and change what we want in spatial. Normally, people experience space from place to place, we are experiencing the physical change of the environment, and also we can experience the transition mentally throughout body movement. However, when we meet an extreme condition, when the population keeps rising, and space we allocated will be reducing. Normally, we have to sacrifice the quality of living space into a compact form. Putting the different programs in a micro space, like the subdivided flat in Hong Kong. Which is inhuman for people living. What if we could maintain the same volume of space and change different functions by loading the scene in only one room,(change with unchanged) like the stage play. In the design, I would like to design a housing unit that can transform into a different “scene” to optimize the space with the minimum volume of space and the maximum quality of space.

Schematic design with

(Wu Zhi Ciao PolyU taem)

Xian, China Supervising Tutor: Michael Chan

Located at the Ching Fung Village, Xian, with a beautiful nei ghborhood surrounded by mountains, the Theatre in the mountain not only provide a space for villagers to preform, but a space that connect themtogether and represent the village. The road-facing facade is inspired by the majestic Qinling mountains where the village sits. The range of peaks wave vast the horizon, hiding,soaring- creating layers of craggy silhouettes. At night, the warm lights is defused by the clean white interior and leaked onto the street, just like a beloved scenery from classic poems.

1/2019 - 5/ 2019

FORM The roof of the theatre are following the traditional music elements of Qin Qiang, which creates a dynamic shape to the design.

FACADE Inspired by the beauty of Qinling mountains, the facade pattern represents the village and also let natural light goes into the interior.

SOUND The shape of the roof lets sound performs better as a theatre.The roof of the theatre are following the traditional music elements of Qin Qiang, which creates a dynamic shape to the design.

Drawings and diagrams

ⳛ紎⮖变 Circulation: 閑濨ⳛ紎 Audience circulation

痀ꪨ⮖变 Programme: 銩悎劻ꪨ 0O TIPX

⪬⪴痀ꪨ 1VCMJD 4QBDF

銩悎痀ꪨ 1FSGPSNJOH 4QBDF 䕁⺬ #BDLTUBHF ꅾ⪜䕁⺬ⳛ紎 Backstage Circulation

䌐傽 %BJMZ

⪬⪴痀ꪨ 1VCMJD 4QBDF 鞐㵎 $MBTTSPPN

悎〉ⳛ紎 1FSGPSNFST $JSDVMBUJPO

The patterned openings aim to introduce lighting and natural ventilation to the building, at the same time maintaining room comfort. The wall pattern is inspired by Qinling mountains, responding to the contextual surroundings. The white, minimalist interior allows audiences to focus on stage. The roof structure inspired by the local construction raises from stage to the back of the house. Not only is it guiding the focus to the stage but it also serve as acoustic enhancer.

Design of windows and the wall allow sufficient daylight to penetrate inside, connecting indoor with outdoor space while saving power. The window, designed not only for the views, but also encourage interactions in and outside of the space, such as chatting with villagers passing by. It can be completely closed in winter.

Section

1. 2. 3. 4.

Residential Hallway Swimming Pool Gymnastic Apartment

5. 6. 7. 8. 9. 10.

Gate Ofﬁces Simulation Lab Training Classroom Research Lab Driveway

11. 12. 13. 14. 15. 16.

Enterance Arena Reception Cafe Restaurant Exhibition Space

Linear Spectrum of Program

9 Hyperloop Desert Campus

Young Archiects comprttion Finalist

2020 Summer

With LAM Yuet Lai Timothy TSOI Ka Ming Kevin LAI Yu Nga Katie YUEN Siu Faat Bryan

INTERSTICE OF SPACE Circulation of Staff and Public

The long, slender silvery structure extends in the middle of Nevada desert valleys represents our exploration in breaking the limitation of time and space, “which all happens under the same roof.” Not only should the Hyperloop campus foster the future of transportation, but also a place reconnecting the journey of our ancestors, who passed on the will and knowledge through generations and bring the mankind from wheel to loop. Transparency, or openness, is the key for research and innovation while an unruffled environment is necessary for off-work staff and researchers. Therefore, the spaces are packed in a linear containment and arranged in an order of openness, from public to private programs. This ends up in an ultra-long structure that extends more than 400 meters along the highway. Even though the living area is separated from the main interior, all the programs share a single roof structure. The office, lab, and training center are closely connected, “all the magic happen under one roof.” Environmental wise, the environmental impact is minimized by using low-emissivity glass for the walls, installing photovoltaics and a thermal water heating system on the roof. The power supply is preserved in both active and passive means. The water collected on the roof is filtered, purified, and stored for greywater supply for the building.

Plan

The long, slender silvery structure extends in the middle of Nevada desert valleys represents our exploration in breaking the limitation of time and space, “which all happens under the same roof.” Not only should the Hyperloop campus foster the future of transportation, but also a place reconnecting the journey of our ancestors, who passed on the will and knowledge through generations and bring the mankind from wheel to loop. Transparency, or openness, is the key for research and innovation while an unruffled environment is necessary for off-work staff and researchers. Therefore, the spaces are packed in a linear containment and arranged in an order of openness, from public to private programs. This ends up in an ultra-long structure that extends more than 400 meters along the highway. Even though the living area is separated from the main interior, all the programs share a single roof structure. The office, lab, and training center are closely connected, “all the magic happen under one roof.” Environmental wise, the environmental impact is minimized by using low-emissivity glass for the walls, installing photovoltaics and a thermal water heating system on the roof. The power supply is preserved in both active and passive means. The water collected on the roof is filtered, purified, and stored for greywater supply for the building.