Portfolio Jacky Tang
Tang Ping Ki Jacky 1982 Born in Hong Kong Gender Male Current Position Senior Architect Education 2002-2006 Bachelor of Applied Chemistry in Hong Kong Baptist University 2007-2011 Bachelor’s Degree of Applied Science – Architectural Science in Curtin University 2013-2015 Master of Architecture in Tokyo Institute of Technology Professional Practice 2008-2010 2011-2012 2013 2013-2014 2015-2017 2017-Now
Store Project Designer, Gucci Group Limited (Hong Kong) Architectural Assistant, SLHO & Associates Ltd. (Hong Kong) Architectural Assistant, AGC Design Ltd. (Hong Kong) Part-time, Kengo Kuma & Associates (Tokyo) Architect, Sou Fujimoto Architects (Tokyo, Japan) Architect, X-architects (Dubai, United Arab Emirates)
Language English (Excellent) Cantonese (Native) Mandarin (Fluent) Japanese (Beginner) Software Rhinoceros, Grasshopper, Maya, Sketchup, 3ds max, Revit, AutoCAD Vray 3.5, Photoshop, Illustrator, Indesign, Lightroom Word, Excel, PowerPoint MacOS, Windows Award
Exhibition
O-okayama Architecture Master Thesis Silver Prize 2016 Top 6 Entries of Hong Kong Wan Chai Community Green Station Design Idea Competition 2018 Japanese Junction 2016 - Exhibition in Nikken Sekkei Tokyo Building, 1F Gallery
Self-introduction Jacky Tang is an international award-winning architectural designer, specialist in museum, cultural and mixed-used projects. He came from Hong Kong and received his master degree from Tokyo Institute of Technology in Japan and has practice experience in Dubai, Tokyo and Hong Kong. In 2018, he is one of the lead design architects to win the museum design competition with 12,000 square meters built up area in Medina, Saudi Arabia. Before he moved to Dubai, he is the design architect in Sou Fujimoto Architects in Tokyo for awarded competition project, House of Hungarian Music in Budapest, Hungary. He is key design architect to handle complex geometry design from schematic stage to detail design until construction design stage from 2015 to 2017. He has rich experience on high-end luxury retail. He was the store designer in Gucci Group (Hong Kong) from 2008 to 2010 and completed flagship stores including façade design in Singapore, Hong Kong and Taiwan. Selected Projects
• House of Hungarian Music, Budapest, Hungary, 9,220 sq.m. | Design Architect • Creation Story Museum, Medina, Saudi Arabia, 120,000 sq.m. | Lead Design Architect • Al Dhaid Heritage Park Visitor Center, Sharjah, United Arab Emirates, 2,000 sq.m. | Design Architect • Private Museum, Abu Dhabi, United Arab Emirates, 2,500 sq.m. | Design Architect • Tainan Museum of Fine Arts, Tainan, Taiwan, 26,400 sq.m. | Design Architect
Availability 6 weeks notice Email lebronjacky@gmail.com Mobile +971-507759378 Personal Particulars
On going / Built
Creation Story of Museum Design Competition Location: Medinah, Saudi Arabia Year: 2018 April Built up Area: 12,000 sq.m. Architect: X-architects Programme: Museum, Commercial and Public Garden
Urban Condition / Site The project is an integrated cultural complex development located in Al Madinah Al Munawwara city, on a land to the south of the Prophet’s Mosque, called “the land of Alsafia”, a plot which was once a rich garden full of beautiful palm trees. The site has a total area of 4419 m2. It is considered a dense urban fabric with high activity and traffic including local and global visitors all around the year. The location of the plot on a direct axis to Al Salam gate of the Prophet’s mosque magnifies its significance. Within its boundaries lies an existing water well that irrigates the cultivated areas in central parts of the city and highlights the cultural importance of landscape and agriculture in the city’s identity.
- URBAN OASIS -
Being enclosed by four streets, the significant site intensifies the use of the project and amplifies its perception as a landmark icon amidst taller buildings and calls for potential activation of street level and creating opportunities of connections with its surroundings.
GARDEN MULTI-PURPOSE
COMMERCIAL MUSEUM
EXISTING CONDITION
WALLED GARDEN
NEW PROGRAM
4%
PROGRAM MASSING
PROGRAM SHIFT
CONNECTION WITH NATURAL WALK
B’
A
A’
LIFT LIFT
RETAIL
B
RETAIL MUSEUM
25m
50m
100m
STEPPING PALM TREES GARDEN 3D PUBLIC VESSEL
MUSEUM
ADDITION OF COMMERCIAL PROGRAM CREATED A WALLED GARDEN
CIRCULATION - SPIRAL RETAIL LOOP
SITE PLAN | SCALE 1:1000
SITE
PALM SANCTUARY FALAJ SYSTEM
WEST
SITE
SITE SECTIONS | SCALE 1:1000
PREVAILING WIND PASSIVE COOLING
ENVIRONMENTAL DESIGN
Professional Work
RELOCATION OF ARTESIAN WELL
EAST
- PALM SANCTUARY -
VIP DROP OFF
GARDEN
WATER FEATURE
MUSEUM ENTRY
PLAZA
VISITOR DROP OFF
AL HUSSEIN BIN ALI ROAD
ROOF PLAN | SCALE 1:300
Professional Work
KING FAISAL ROAD
MUKHAYRIK STREET
LOADING / UNLOADING AREA
- PRIMORDIAL - URBAN OASIS WATERS - -
OFFICE LOADING
OFFICE SERVICE
SERVICE
SERVICE
SERVICE
VIP ROOM SERVICE CORRIDOR MAIN MEDIA EXPERIENCE
GARDEN
POST SHOW 1 PRE SHOW 2 WATER FEATURE
THRESHOLD
LAVATORY LAVATORY PRE SHOW 1
MUSEUM ENTRY POST SHOW 2
RECEPTION & TICKETING GIFT SHOP
ARRIVAL & SEATING
INDIVIDUAL
GROUP
MUSEUM PLAN | SCALE 1:300
Professional Work
LOBBY & SEATING
INFINITE VOID
- EARTHLY GARDENS -
PALM SANCTUARY
ROOF GARDEN RF
RF
ROOF GARDEN CAFE
2F
CAFE
KING FAISAL ROAD 1F
CAFE 1F
CAFE MF MULTI-PURPOSE ROOM
MUKHAYRIK STREET
SERVICES
GARDEN WITH WATER FEATURE
MAIN MEDIA EXPERIENCE
POST SHOW 1
PRE SHOW 2
WATER FEATURE
SECTION A A’ | SCALE 1:125
PALM SANCTUARY
MULTIPURPOSE RF
2F
1F
RF
ROOF GARDEN CAFE SHOPS
RESTURANT
14M
RESTURANT
CAFE
1F
SHOPS MF
MULTI-PURPOSE AL HUSSEIN BIN ALI ROAD
SERVICES
PLAZA
SERVICES MUSEUM
WATER FEATURE
9M SERVICES MUSEUM RECEPTION / TICKETING
MUSEUM ENTRY
MAIN MEDIA EXPERIENCE SECTION B B’ | SCALE 1:125
Professional Work
House of Hungarian Music Liget Budapest Competition Entry: 1st Prize Location: Budapest, Hungary Building Area: 2688 sq.m. Architect: Sou Fujimoto Architects Programme: Music Hall and Museum Space Current status: Construction design stage completed Target Completion: Late 2018 Phase involved: Preliminary Design, Schematic Design, Detail Design, Construction Design phase
Professional Work
GFGF PLAN PLAN
GF PLAN
SECTION
SECTION SECTION
email: lebronjacky@gmail.com
email: lebronjacky@gmail.com
Professional Work
Professional Work Professional Work
Tel: +80-87488298
Tel: +80-87488298
lebronjacky@gmail.com mail: email: lebronjacky@gmail.com
MF CEILING PLAN MF MFCEILING CEILINGPLAN PLAN
ELEVATIONS ELEVATIONS ELEVATIONS Professional Work ProfessionalWork Work Professional
Tel: Tel:+80-87488298 +80-87488298
House of Hungarian Music Magyar Zene Hรกza I
Sou Fujimoto Architects
email: lebronjacky@gmail.com
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House of Hungarian Music
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Entrance Hall Tree Pots Studies Faelhelyezési Tanulmány
imoto Architects
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House of Hungarian Music
Magyar Zene Háza
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1:200 Testing Model
1:500 Testing Model
1:500 Testing Model
Professional Work
Al Dhaid Heritage Park Visitor Center Location: Sharjah, United Arab Emirates Programme: Museum Area: 2000 sq.m. Year: 2017 Architect: X-architects, Dubai Position: Design Architect Phase involved: Concept Design, Schematic Design, Detail Design, Tender Document
Al Dhaid Heritage Park Visitor Center
VISITORS CENTRE - INTERIOR VIEW
3.17
SECTION - NORTH TO SOUTH
AL DHAID HERITAGE P
+3.96
ON
OUTDOOR SEATING AREA
MAIN ENTRANCE
ARCHEOLOGY +0.00
A/C SERVICE CORRIDOR
-5.44
SERVICE CORRIDOR
CAFE EXHIBITION SPACE
-4.76
STAFF
Al Dhaid Heritage Park Visitor Center AL DHAID HERITAGE PARK , SHARJAH, UAE
AbuEXTERIOR DhabiVIEW Private Museum 1.4 1 Location: Abu Dhabi, United Arab Emirates Programme: Museum Area: 2500 sq.m. Year: 2017 Architect: X-architects, Dubai Position: Design Architect Phase involved: Concept Design, Schematic Design
3.8 DESIGN CONCEPT - TENT
3.9 CONCEPT DEVELOPMENT
DUE TO OVER 50m LONG SPAN STRUCTURALLY DEFORMED IN THE CENTER
FURTHER THE “TENT” CONCEPT RE-ADJUSTING CURVES ON ALL SIDES
H.E. DR. AL-OTAIBA MUSEUM STAGE 3 - SCHEMATIC DESIGN REPORT 9 JAN 2018
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1. ENTRANCE 2. LOBBY 3. RECEPTION 4. LIBRARY/MEETING AREA 5. MUSEUM AREA 6. FLEXIBLE SEATING 7. SPIRAL STAIRCASE TO BASEMENT 1 8. DOOR TO EXTERIOR POET SPACE 9. EXTERIOR POET SPACE 2
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BASEMENT PLAN ENTRANCE email: lebronjacky@gmail.com 1.2. MAINTAINANCE STORAGE 3. PLANT ROOM 4. STAFF PANTRY
7. MALE LAVATORY 8. FEMALE LAVATORY 9. LIFT 10. FIRE PROTECTED STAIRCASE
Abu Dhabi Private Museum
Tel: +971-507759378
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email: lebronjacky@gmail.com
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H.E. DR. AL-OTAIBA MUSEUM
STAGE 3 - SCHEMATIC DESIGN REPORT
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Park Hyatt Phuket Residential Villa Location: Phuket, Thailand Type: Residential Architect: Kengo Kuma & Associates Year: 2014 Phase involved: Schematic Design, Detail Design, Construction Design
Professional Work
Park Hyatt Phuket Stone House Location: Phuket, Thailand Type: Residential Architect: Kengo Kuma & Associates Year: 2014 Phase involved: Concept Design
1:50 Study on 3D Louvres
Yamatobari
Structure
3D Screen
Professional Work
Hong Kong Third Street Location: Sheung Wai, Hong Kong Area: 300 sq.m Programme: Restaurant and Shop Completion: 2016 Architect: Sou Fujimoto Architects Phase involved: Preliminary Design, Schematic Design, Detail Design
Professional Work
Professional Work
GUCCI Singapore Paragon Flagship Company: Gucci Group (Hong Kong) Ltd. Collaboration with: James Carpenter Design Associates, New York Location: Orchard Road, Singapore Facade Contractor: Josef Gartner - Permasteelisa Group Interior Contractor: Far East Interior, Singapore Position: Store Project Planner Completion: 2010 Oct
Professional Work
GUCCI Korea Flagship Facade Renovation Company: Gucci Group (Hong Kong) Ltd. Professional work Location: Seoul, Korea Position: Store Project Planner Completion Date: 2011
Professional Work
Competition
Hong Kong Wan Chai Community Green Station Design Idea Competition International Competition - Top 6 Entries Year: 2018 Building Area: 400 sq.m. Location: Wan Chai, Hong Kong Member: Jane Luk, Jacky Tang
Green Activity Space for Community
Design Concept
Shades between Natural and Artificial
Activated Street Front
Facade Idea - Plastic bottle storage
Group Competition
Site Inspiration
Sustainable Strategy
第49回セントラル硝子国際建築設計競技 Group Competition Theme: A City Symbol Loved by Residents Member: Jacky Tang, Jakob Sellaoui Site Location: Tokyo, Japan Year: 2014
第49回セントラル硝子国際建築設計競技
Group Competition Theme: A City Symbol Loved by Residents Member: Jacky Tang & Jakob Sellaoui Site Location: Tokyo, Japan Year: 2014
Together under same roof The purpose of our design is to investigate and illustrate a possible relationship between the former Futakotamagawa ,Tokyo school building and its new contemporary purpose and positioning in the contemporary townscape. We believe, that the history of structure and site can be combined with a communal usage. The main design element is the roof, with its ability to connect and create space and meaning. Under the roof, there are different possibilities of activities, which could happen under different scale activities of continuous roof. The configuration of the roof resembled a urban courtyard, which enclosed the existing playground, open space of Futakotamagawa school. Activities/Roof in Descenting order Different activities might require different size of headroom. In the proposal, we were trying to arrange the activities according to size and intimacy among people, which Design Concept by - Under One Roof are connected a new element, One Roof, which symbolizing shelter and identity for society. Design Concept - Under One Roof
Katsura Detached Palace Complexity of roof shapes
Katsura Detached Palace Complexity of roof shapes
Elimination of ornaments Transformed and Simplified
Elimination of ornaments Transformed and Simplified
Rearranged and Re-ordered according to activities size
New Light Weight Roof
7 4
3
Rearranged and Re-ordered according to activities size
15
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Existing Structure
9
2 14 Main Entrance
10
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1
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1. History museum of Futakotamagawa 2. Foyer 3. Classroom 4. Workshop 5. Stadium 6. Changing room 7. Community centre 8. Skate park 9. Music performance stage 10. Open stage 11. Sharing room 12. Flea market 13. Small restaurants 14. Sports court
1. History museum of Futakotamagawa 2. Foyer 3. Classroom 4. Workshop 5. Stadium 6. Changing room 7. Community centre 8. Skate park 9. Music performance 15. Modern Art Garden 16. room Sculpture stage 10. Open stage 11. Sharing 12. FleaGarden market 13. Small restaurants 14. Sports court 15. Modern Art Garden 16. Sculpture Garden
email: lebronjacky@gmail.com
Group Competition
Group Competition
Tel: +80-87488298
IASS2016 New National Stadium Japan Design Competition Group Competition Year: 2016 Building Area: 62830 sq.m. Location: Tokyo, Japan Member: Jane Luk, Sylvia Chen, Jacky Tang (Architect), Ben Luk (Structural Engineer)
Structural Concept - Pure Spherical Geometry
Stress Analysis
Traditional Cultural and Sustainable Skin
Glazed roof at south side for sunlight penetration for growth of turf Thatched roof canopy for sun and rain protection Open facade for natural ventilation
Group Competition
Thesis
Mass Tower
Proposition of New Typology of Skyscraper in Shibuya
Master Thesis - Individual work University: Tokyo Institute of Technology Award: O-okayama Architecture Master Thesis Silver Prize 2016 Selected works for Exhibition: Japanese Junction 2016 Site Location: Shibuya, Tokyo, Japan Instructor: Professor. Okuyama Shinichi Date: 2015
Symbolic meaning of skyscraper in history
Design Methodology
Skyscraper is a capitalism product, which owned by private developer. Took reference to Equitable Building, early skyscrapers dominated whole plot of land, maximize the development and decorated with luxurious moldings to show their social class. The private owner sets different prices according to the height of floors and views, which prioritize the value of occupants. Reference to Chrysler Building and Empire State Building, height competitions happened around 1930s, clients and architects had been chasing the highest height limit of buildings. Those implied the symbolic meaning of Social class, Economic Power, Authority and Human Ambitious. Took Flatiron building built in 1902 as an example, the lifespan of skyscrapers could be estimated more than 100 years. The appearance of skyscrapers contributed as part of city image but could not escape being obsolete. They will be continuously documented as a part of the urban history as monuments.
This thesis took Shibuya station building as hypothetical site to design a counter proposal on current development. It pro- posed addition of compact apartment units, small start-up, social media offices, market and food bazaar, outdoor entertainment and events for public with connection to continuous public terrace which adjoined with flyover to different shopping arcades and railways platforms in different levels. Not only occupants, passengers, all people could freely use the continuous public terrace in 24 hours.
Research on Publicness Typologies on Skyscraper International style dominated architecture style in 1950s, skyscraper was designed with offset from site boundary, public plaza and public podium firstly introduced. Non-occupants could freely use the public space. The form of public space changed by means of public program on bottom part of skyscrapers during post-modernism period. It was hybrid of public programs, such as infrastructure, shopping arcade, theatre and sports facilities to cater the complex demand of society. From the investigation of 36 publicness related examples. Five major typologies of skyscraper are proposed: Observation Deck, Public Plaza, Public Podium, Public Terrace and Public Programs. Research principle of selective typologies is proposed to create the new type of skyscraper.
By rearrangement of programs, building mass splits into two adjacent slender, different height buildings. By further morphing building forms, it transformed to double helix accessible facade surface. The double helix surface was composed by series of 3 dimensional continuous architectural fins. At low level, they are the continuous steps and it transformed to vertical fins in mid-level and changed to balconies on upper level. The low level of continuous helix public terrace from Tower A connecting with Hachiko Open Plaza provides resting space for temporarily stay. It gradually rises up over JR line linking pedestrian flow to market place and food bazaar on upper level. The low level of another helix from Tower B adjoins with pedestrian bridge on south district linking with new green promenade which will be completed in 2016 and gradually rises up to connect with Ginza line platform. Public events could happen on the continuous double helix building surface. The programs and atmosphere could be visible and attractive to participants not only on ground level. Thesis statement This thesis serves as a discourse to encounter historical symbolic meanings of skyscraper from capitalism, authority converted to publicness by proposing double helix occupiable building surface as a new publicness typology of skyscraper. “MASS TOWER� acts as social condenser and generates changeable and mobile human flux, which represents current and future social status.
Master Thesis
Selected work for Japanese Junction Exhibition in 2016
Symbolic meaning of skyscraper in history
Development Time line of Skyscrapers in Japan v.s. Economy Economy
email: lebronjacky@gmail.com
Master MasterThesis Thesis
Tel: +80-87488298
Research on Publicness Typologies on Skyscraper
Research Principle : Formation of Publicness Typologies of Skyscraper
Master Thesis
Master Thesis
Master Thesis
Master Thesis
3F -Continuous Terrace Level Plan
2F - Ginza Line Platform Level Plan
1F - JR Platform Level Plan
GF- Concourse Level Plan
Master Thesis
Master Thesis
Master Thesis
Master Thesis
Shibuya South Connected to Ebisu
Formation of Skyscraper Surface
Transformation of Fins from Architectural elements to Spatial Structure
180m
1
180m
2 3
Shibuya South Connected to Daikanyama
To be built 2026
Balcony
Mass Tower A
Facade Fins Continuous Steps
4
1. Morph the orthogonal lines to 3 dimensional curve 2. Duplication and shift the generative lines 3. Connection of lines become series of architectural fins 4. Rotation of Fins along curve on different levels becomes surface - Ground to Podium - Horizontal - Continuous steps - Mid level - Vertical - Architectural facade fins - Upper level - Horizontal - Balcony
To be built 2026
Bridge Connection
Hikarie
Slope 6 degree
180m
New Green Path Sky Lounge
Highway
Flyover to Hikarie
Night Bus
Performance Deck Continuous Terrace GINZA
Bridge Connection
Line
Shibuya Mark City
JR Line Platform
Roof Obvservation Deck connected with Sky Terrace to extend the enjoyment
To be built 2026
Toyoko Line Platform
Pedestrian Bridge
+30.00 +19.20
Start-up oďŹƒce and Apartment on upper floors
To HIKARIE
New Typology of Skyscraper
+33.00
Lobby
+35.00
T7
Lobby
GINZA +26.00
Double Helix Surface Creates Double Continuous Citizen Square
LINE To SHIBUYA Mark city
Hachiko Open Plaza
183m
Observation Deck
Continuous Double Helix Accessible Building Surface
Mass Tower B
View
110m To be build 2016 Void
Carparking Taxi
Outdoor Gallery
JR Platform
Hachiko Open Plaza
Bus
Shibuya Mark City
Miyashita Park Shibuya North Connected to Shinjuku
Infrastructure 1
View
Infrastructure 2
Skyscraper facade as 3-dimensional surface connection Shibuya Station is one of the most complicated and busiest district in the world. The site has rich historical context, was penetrated and superimposited by massive transportation on different levels. Instead of conventional linear connection, 3 dimensional surface connection to infrastructure attached with public open space where people can enjoy and stay temporarily are suggusted in this thesis. Restricted the slope of 3 dimensional surface between 4-6 degree, people could barely feel the discomfort of level changes. Based on the research principle of Publicness Typologies on Skyscraper, 3 different characters of Publicness typologies are proposed for new building on Shibuya Station Building, including T2 - Observation Deck, T3 - Open Plaza and T5 - Terrace.
Bunkanmura
Master Thesis
Master Thesis
End Mr. Jacky Tang
Architect, Tokyo - Dubai m. +971-507759378 e. lebronjacky@gmail.com
Selected work for Japanese Junction Exhibition in 2016