APPENDIX - DESIGN EXPLORATIONS DINING CENTER
SELECTED
SELECTED
Chengjie Jacob Li
work sample
January 2021
APPENDIX - DESIGN EXPLORATIONS MAIN CENTERPIECE 185
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SELECTED
Chengjie Jacob Li 3333 Broadway, E14J New York NY 10031 | +1 929 255 8381 | chengjie.li@columbia.edu
education
distinctions
Columbia GSAPP (Class of ‘21) Master of Architecture 09.2018 - 05.2021
Clifford Wong Scholarship in Architecture 2015 McGill University International Entrance Award 2012
McGill University School of Architecture Bachelor of Science (Architecture) 09.2012 - 05.2016
- Assisted studio instructor in the daily operation of the class - Provided feedback to students during desk crits and reviews
Drawing: Revit Rhino Grasshopper Discover AutoCad Processing Python, C++
Toshihiro Oki Architect, NYC 05.2019 - 12.2019 / 8 months Intern - Developed concepts and produced drawing sets for a range of small scale commercial and residential projects in Manhattan
Research: Rapid Prototyping ArcGIS DIVA HOT2000
experience Columbia GSAPP Core I Studio, NYC Teaching Assistant 09.2019 - 01.2020 / 4 months
Chengjie Jacob Li
skills
Dissing + Weitling Architecture ALS, CPH DK Intern 04.2018 - 09.2018 / 6 months - Developed concept designs for various bridge projects and competitions under Design Director Poul Ove Jensen Freelance Architectural Designer/Design Consultant 09.2017 - present Past & current collaborations with BrianBrush.com & RuthOtero.com - Public art installations + architecture competitions - Interior drawings + visualization Bjarke Ingels Group, NYC Design Assistant 09.2016 - 09.2017 / 12 months - Developed concept designs for commercial & private commission/ competition projects across various scales under AgustinPerez-Torres (partner) and Maria Sole Bravo (associate) - Produced visualization and models for multiple projects in SD & DD phases AECOM, PEK CN Intern 05.2015 - 08.2015 / 3 months - Assisted the project team in the schematic design phase of a large scale commercial development in southeast China. 3D modelling, visualization, drafting, research and design studies. Habitat for Humanity Central Arizona On-Site Volunteer 03.2016
Post-Production: VRay 3ds Max (animation) Adobe . Photoshop . Illustrator . Indesign . Lightroom . Premiere . After Effects
languages English Mandarin French (limited work proficiency)
specialty Embodied Energy Housing Policies Millwork Drawings Acoustics Parametric Design Healthy Building Materials
references Maria Sole Bravo Bjarke Ingels Group 646 284 2439 mabr@big.dk
Jaffer Kolb new-affiliates.us 917 543 7973 jaffer@new-affiliates.us
Toshihiro Oki toshihiro-oki.com 917 362 1263 office@toshihiro-oki.com
David Benjamin thelivingnewyork.com deb2024@columbia.edu
Feb 2021
Chengjie Jacob Li
Table of Content
Professional Work
ADV V Fall 2020 critic: David Benjamin ADV IV Spring 2020 critic: Lindy Roy Core III Fall 2019 critic: Adam Frampton Core II Spring 2019 critic: Toshihiro Oki Core I Fall 2018 critic: Anna Puigjaner Tech III Fall 2018 critic: Sarrah Khan Tech V Fall 2019 critic: Philip Palmgren Generative Design Fall 2019 critic: Danil Nagy
Toshihiro Oki Architect 30 E71st St Water Island Seagram Cheim Reade Gallery Bjarke Ingles Group SHA, DUHA, 205M, EMPO, ALTO, NBCU, WAVE, DISNEY, TSPC, HART, HTTR, KING Dissing+Weitling Aecom Freelance
academic work
work sample After declaring state and national emergency, on March 22, Governor Andrew Cuomo ordered all non-essential workers to stay home; subsequently over 500 million sq of commercial space stood vacant for nearly two months. Today, only 10% of New York’s 1.2 million office workers have returned to working in person. It makes one wonder: what’s the future of NYC’s commercial office stock?
Indeed, Manhattan’s mostly densely built neighborhoods may just offer a solution to many of the city’s problem with social justice and climate change. As a major part of the city’s stride towards the Green New Deal, Local Law 97 of the Climate Mobilization Act of 2019 demands all buildings larger than 25,000 sqft to meet decarbonization targets by 2024. Our studio imagines a Climate Design Corps comprised of young people volunteering their time and energy to physically manifest the GND through acts of design and building. And my proposal is focused around Office Building Adaptive Reuse to achieve decarbonization, create jobs, and address New York’s housing crisis all at once.
$500B *GND projection of ANNUAL economic output due to climate change by year 2100
social justice
polycarbonate panels R = 3.0 - 3.7
Median Rent vs. Median House Income (US Census 2014)
particle board [densified wood + paper waste]
terrazzo floor finish [crushed glass + rubble aggregate]
Global Average Surface Temperature (US EPA 2017)
climate change
Global Greenhouse Gas Emission (IPCC AR5 2014) Sea Level Change Projection (NOAA 2017) 1950
‘Architecture is the will of an epoch translated into space. Living, Changing, New. Not yesterday, not tomorrow, only today can be given form.’
Federal Disaster Relief Fund Appropriation 10-year rolling median (Congressional Research Service 2018)
1960
1970
1980
1990
2000
2010
2020
2030
2040
ADV V STUDIO instructor: David Benjamin Fall 2020
As demands for high end office spaces begin to shift from traditional commercial hot zones like midtown to newer developments in Hudson yards and Chelsea, already high tensions between landlords and tenants are made worse by Covid rent strikes. From the mayor’s office to private corporations, leaders are toying with the idea of converting midtown offices into homes, quoting the success of Lower Manhattan, which in recent decades have turned from an almost exclusively office district into a vibrant residential neighborhood.
2050
chengjie.li@columbia.edu
GSAPP
academic work
work sample
shared terrace and communal kitchen
polycarbonate over cladding double facade
existing reinforced conrete and steel structure
15F
DUPLEX APT
existing bronze mullion and window units
sliding door winter garden
15F
DUPLEX APT
upcycled/ flipped furniture
staircase from reclaimed lumber and steel
post consumer recycled glass and concrete terrazzo floor topping
15F DUPLEX APT
PHASE
Design
Demo Construction
TASKS
WORK FORCE
- Survey - Design - Community engagemnt
-Climate Design Corp -Propspective Residents
- Removal - Demolition
- Private contractors - Residents
- offsite manufacturing - transportation - assembly - cleaning - furnishing
-Local lumber industry -Climate Design Corp -Residents -Propspective Residents
- maintenance - financial/ social empowerment
-Social workers -NGOs -Residents
28˚C
clinic
Arbor Realty Trust Strategic Partners Clayton Dubillier Rice MIC Capital Nearwater Capital Temasek Servcorp Vista Holdings SPS Holding Universal Capital L1 Health Banco de Bogota Fintech Lindenmann Capital
26˚C
playground kitchen 24˚C
work space
event space
bathroom
owned 22˚C
temperature
social services
museum
20˚C
amenities
living room
emergency rental
18˚C
bedroom
Wells Fargo 16˚C
circulation
mechanical (closed loop)
14˚C
gym+theatre+lounge
12˚C
Current Condition; 100% offices (97% ‘occupied’); lobby, restaurant on GF;
Phase I s on iti . nd ly co on na d tion ns rma o nf ri
Post-occupancy
Phase II
Phase III
Phase IV
CDC conducts survey and design, begins renovating office floors into
CDC implements shared kitchen, museum, and closed loop energy
amenities, health clinic, event space, family space and emergency housing
chengjie.li@columbia.edu
Office leases end (~50%) and relocate; Climate Design Corp moves in and sets
ADV V STUDIO instructor: David Benjamin Fall 2020
waste-based fiberglass laminate partition boards
0%
10%
20%
30%
40%
50%
60%
70%
80%
90%
GSAPP 100%
relative humidity
academic work
work sample l
rce Fo
Fe ee U br n .S ua N . C ry e on 7 w gr , 20 D es 1 e s 9 a
Climate Design Corps
G
r
*national service
Affordable Homes
n za ti o ni Cle an
En
La
erg
yF
w 97
shared spaces
As is the case in most enduring concentrated metropolis, New York’s opportunity of evolution lies the Anthropocene of existing built forms. Buildings constructed in the postwar boom often out live their designed life cycle; maintaining and upgrading them is appropriate given the structures were built to resist once in 500 year environmental loads, with safety redundancy of 20%. However, it is pathetic and agonizing how they are operating today. 2020’s Energy Star Rating report put buildings made in this era in the worst performing tier, worse than the typical masonry high-rises from the 30s, as well as the more technologically advanced and
chengjie.li@columbia.edu
ina
nci
ng
L Wi ocal nd La En w 9 erg 8 y
environment-minded skyscrapers of the 80s. All of International Style’s signature moments, the full height glazing, metallic envelope structure, hermetic and stable indoor climate, inevitably lead to extremely high consumption of both embodied and operational energy. The Seagram building uses an overhead HVAC system, as well as perimeter heaters to mitigate the immense thermal bridging through its single glazed curtain wall and all bronze exterior finishing. On the other side of energy inefficiency, we find that the building has a chronic vacancy from proxy offices set up by high profile financial institutions and law firms, who’s more total absence from the office space might be guaranteed by the new and more lenient work from home model. So the proposal to convert the office building into housing can simultaneously reduce its energy use intensity, and sequester its embodied carbon by avoiding demolition and building from scratch. How do we design not just housing, but affordable, green, stable, and just homes, for those who are most in need, while preserving the legacy of a modern icon?
ADV V STUDIO instructor: David Benjamin Fall 2020
L Pro ocal pe Law r ty -As 96 ses sed
bo
g
ar
din
ec
Gra
Showcase for Green Materials and Building Strategies
D
al
c Lo
Inspired by the success of Comedores Populares in Peru and other similar models in Japan, Mexico, and Canada, Collectivity is addressed by the elimination of in-unit kitchens for communal kitchens, enabling more natural sharing of domestic labor and resources.
bedrooms, bathrooms
Construction Jobs
Cl L En ocal erg La yE w9 ffic 5 ien cy
Climate justice is social justice. Climate change becomes a ligitable issue for architects through us addressing the housing crisis - the two challenges are inherently one, and urgent. The existing solutions we have to address low income housing in the US is corrupt and ineffective, and simply cannot undo decades of systematic oppression. As a stagnant system and extreme weathers continue to exacerbate the ongoing crisis, we are forced to look for immediate solutions that can solve high consumption of low performing buildings and shortage of housing stock at once.
Duplex arrangement is instituted in the units to achieve a more sensible distribution of thermal comfort zones, as well as flexibility of apartment sizes. Minimized private space, more semi-private space for sharing of domestic labor and resources
Office Building Adaptive Reuse
B
L Gre ocal en Law Ro ofs 92, 9 4
ct
m clim obil ate ize s cha tate ng an ea dc nd ity eco po no licie mi s c in to equ add alit ress y;
A im p N ril at ew 1 e 8 Yo , 2 M rk 01 ob Ci 9 ili ty za Co ti un on ci l A
ew
N en Gre 016 2
ask al T De
GSAPP
academic work
work sample
Energy Star Rating 2020 median score : 78 (B-Office)
*Via Verde 96
740 Park Avenue 20
Manhattan House 53
The Plaza 1
601 Lexington Ave 66
Trump Tower 51
Trump Hotel 23
Lipstick Building 48
The Osborne 18
550 Madison Ave 89
Lever House 20
ADV V STUDIO instructor: David Benjamin Fall 2020
432 Park Ave 6
Riverh
Chrysler Building 68 Seagram Building 3
444 Madison Ave 77 building age
operating energy
Macy’s Herald Sq 30
chengjie.li@columbia.edu
GSAPP
work sample
academic work
As a fairly new form of artistic expression, urban projective multimedia installation has the power to engage and reconceptualize buildings in the urban environment. Artists such as Refik Anadol and Michel Lemieux often use it to celebrate technology, recall neglected history, and voice political ideologies. The question of quarry reclamation is one example of such contested grounds, where advances in technology, willful neglect of history, and conflict between political parties converge. The program of the residency, which is an incubator and facility for projections, therefore seeks to engage massive amounts of inorganic material through the process of ‘photo-morphosis’, and perpetuate the purpose of the quarry as a place of production, except instead of exporting mineral material to the metropolis, the product is the mobilization of the quarry pit itself as an immersive mirage. It might even help us contemplate on a global scale and across geological time, how we are intimately living with and using up mineral material that took scores of millions of years to create. The artists will live and work both individually and collaboratively within the tower leaning against the pit wall. Individual living/working pods attaches to, and draws from the central spine that is simultaneously structure, MEP, and circulation.
chengjie.li@columbia.edu
ADV IV STUDIO instructor: Lindy Roy Spring 2020
Anthropocenery is a short-term residency for a group of New Media artists who are encouraged to explore projected visual installation using the pit walls and other elements within Tomkins Cove Quarry, and transform them into performative objects.
GSAPP
academic work
ADV IV STUDIO instructor: Lindy Roy Spring 2020
work sample
chengjie.li@columbia.edu
GSAPP
academic work
ADV IV STUDIO instructor: Lindy Roy Spring 2020
work sample
chengjie.li@columbia.edu
GSAPP
academic work
work sample
FAMILY UNIT 1
+
NEIGHBORS FROM TWO FLOORS BELOW (OR ABOVE)
FAMILY UNIT 3
Creating a flexible structure that would be easily adaptable to different post-nuclear family structures. In the vein of that interest, we also wanted that flexibility and freedom of layout to allow the structure to be able to have a long building lifetime. To avoid alienating the neighborhood, we decided to take two typologies that were already familiar to New York - the tower and the rowhouse - and invert the populations that usually live in those spaces.
FAMILY UNIT 4
SHARED SPACE WITH OTHER UNITS
SHARED SPACE WITH OTHER UNITS
SHARED SPACE WITH OTHER UNITS
GROUP OF MICRO-UNITS
SHARED SPACE WITHIN UNIT
GROUP OF MICRO-UNITS ON FLOOR BELOW
PUBLIC SPACE WITHIN NEIGHBORHOOD
TYPICAL FLOOR PLAN SCALE: 1/8” = 1’
Instead of the tower representing gentrification and the new, it houses seniors and their nurses as well as families who want to live together in the same proximity. The layout of the tower focuses on the unit of the room, and allows families to adapt the rooms as needed to their living situation. A balcony acts as secondary circulation, but allows allows for a more domestic scale within an urban structure. In contrast, the rowhouse, when assembled in a series of units, becomes a slab building that houses a more transient population in a series of micro-units. The two volume types overlap and co-exist and where they overlap, communal program is created to service both buildings. Adjacent to the communal program on the street side within the slab buildings, public spaces are created that serve both the communities within the block and the communities in the vicinity. The ambition is to create housing that is easy to grow into, adaptable as families and their structures change, and create living spaces that are a part of the neighborhood and not against what already exists.
HOUSING STUDIO instructor: Adam Frampton Fall 2019 (partner: Adela Locsin)
FAMILY UNIT 2
UNIT LAYOUT AXONOMETRIC
chengjie.li@columbia.edu
GSAPP
academic work
HOUSING STUDIO instructor: Adam Frampton Fall 2019
work sample
chengjie.li@columbia.edu
GSAPP
academic work
HOUSING STUDIO instructor: Adam Frampton Fall 2019
work sample
chengjie.li@columbia.edu
GSAPP
academic work
HOUSING STUDIO instructor: Adam Frampton Fall 2019
work sample
chengjie.li@columbia.edu
GSAPP
academic work
SITE AXONOMETRIC
0
24’
48’
HOUSING STUDIO instructor: Adam Frampton Fall 2019
work sample
72’
1 : 2.7 SKY EXPOSURE PLANE
17 F ROOF
16 F AFFORDABLE MULTI-FAMILY HOUSING
15 F SHARED LIVING
14 F AFFORDABLE MULTI-FAMILY HOUSING
13 F AFFORDABLE MULTI-FAMILY HOUSING
12 F SHARED LIVING
13 F AFFORDABLE MULTI-FAMILY HOUSING
13 F AFFORDABLE MULTI-FAMILY HOUSING
8F SHARED LIVING
9F AFFORDABLE MULTI-FAMILY HOUSING
8F AFFORDABLE MULTI-FAMILY HOUSING
7F SHARED LIVING
6F AFFORDABLE MULTI-FAMILY HOUSING
5F AFFORDABLE SENIOR HOUSING
4F
4F
MEZZANINE AND ROOF GARDEN
ROOF GARDEN
3F
06
SHARED FLOOR
2F
’
12’
18’
3F MICRO-UNIT HOUSING
2F
AFFORDABLE SENIOR HOUSING
MICRO-UNIT HOUSING
1F
1F
AFFORDABLE SENIOR HOUSING
MICRO-UNIT HOUSING
MEZZANINE RETAIL
GF
06
EAST 151st STREET ELEVATION
’
12’
18’
SCALE: 1/8” = 1’
chengjie.li@columbia.edu
GSAPP
academic work
work sample
PARAPET 1” THK GLASS RAILING ALUMINUM PARAPET CAPPING BRICK VENEER W/ MORTAR JOINT 3/4” PLYWOOD SHEATHING METAL FLASHING RETENTION TEE
ROOF ASSEMBLY R=49.2 SOIL RESERVOIR LAYER MOISTURE-RETENTION LAYER AERATION LAYER 6” RIGID INSULATION AVB CONCRETE ON METAL DECK
WALL ASSEMBLY
BRICK VENEER 1” AIR GAP AVB 2” THK RIGID INSULATION BRICK TIE 5/8” GWB 2X6 CFS STUD WALL BATT INSULATION 6” CFS STUD WALL
TILT AND TURN WINDOWS WITH COMPOSITE FRAME RADIATOR UNIT
FLOOR ASSEMBLY 3/4” TONGUE & GROOVE FLOORBOARD 4” CONCRETE ON METAL DECK LIGHT GAUGE STEEL BEAM INTUMESCENT PAINT
R=51.0 1” INSULATING SHEATHING 6” RIGID INSULATION CAST IN PLACE WAFFLESLAB 14X14 RC COLUMN PILE FOUNDATION
chengjie.li@columbia.edu
HOUSING STUDIO instructor: Adam Frampton Fall 2019
R=22.0
GSAPP
BRONX, NY 40°49’05.40” N TEMPERATURE
D EG ° F
AVG HIGH MEAN AVG LOW
1 0 ,0 0 0
100
9 ,0 0 0
90
8 ,0 0 0
80
7 ,0 0 0
70
6 ,0 0 0
60
5 ,0 0 0
50
4 ,0 0 0
40
3 ,0 0 0
30
2 ,0 0 0
20
10
JAN
F EB
M AR
AP R
M AY
JU N
JU L
AU G
DIRECT NORMAL DAYLIGHT
FC
11 0
SEP
O CT
NOV
GIFU PREFECTURE 岐阜県
D EC
KITAGATA E X ISTING CON D IT ION 2ND HIGHEST TEMPERATURE RECORDED IN JAPAN: 41.0°C (105.8°F) IN AUG 2018
AVG HIGH MEAN AVG LOW
1 ,0 0 0
0
JAN
FEB
MAR
A PR
M AY
J UN
J UL
AU G
SEP
O CT
NOV
D EC
35°26’00.50” N C H . R 4 C O MPL I AN C E & H O T T E R CLIMAT E A DA P T ION CLIMATE ZONE: 3B (WARM, DRY)
COMPARED TO NEW YORK, GIFU HAS MORE DIRECT SUNLIGHT EXPOSURE IN THE WINTER MONTHS, AND LESS IN THE SUMMER.
EN C L O SED C O R R I D O R AS BA RRIE R LAY E R - CONT INUOUS INS ULAT ION - HIGH P E RF ORMAN C E G L AZI N G - SO L AR GA IN DE F LE CT ION - IMPA CT RE S IS TA NCE
chengjie.li@columbia.edu
HOUSING STUDIO instructor: Adam Frampton Fall 2019
on dela Locsin
academic work
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GSAPP
academic work
HOUSING STUDIO instructor: Adam Frampton Fall 2019
work sample
chengjie.li@columbia.edu
GSAPP
work sample
sashino Art University Library 2010
academic work
TU Delft Library 1998
symbol
enment
elitism
circulation
symbol
storage
mocracy
living room
Stacks as stage
structure
Phillip Exeter Library 1971
Bibliotheque Nationale 1854
Before 1850s, ever expanding archive; ‘todo el mundo’ in one room. Laurentian Library 1571
Philips Exeter Library 1971
NYPL 1911
St. Genevieve Library 1850
Musashino Library 2010
TU Delft Library 1998
STACKS READING SPACE
Early 20th c, 300ft
0
battle between books and public space;
100m
TYPOLOGIES OF THE IDEAL LIBRARY
With every passing day the contemporary library is increasingly taking on a motley of functions, often picking up the slacks from other public institutions. As one of the last free public spaces in the city, the library provides free access to the internet, and shared amenities such as event spaces, volunteer resources, and even shelter; and therefore is making the transition from an archive of knowledge into social infrastructure. Tucked under one floating canopy that extends the width of the park from sidewalk to sidewalk, the programmed rooms scatter from north to south. These rooms are at angles with each other and are enclosed by another layer of full height structural glazing, therefore creating in-between conditions that form a continuous communal space with a variety of reading and working niches. The canopy
is further populated by customized skylights; on one hand providing adequate natural lighting for the programmed rooms, and on the other hand accentuating the active spaces, and acting as an inviting beacon that encourages passersby to engage with the building. The juxtaposition of physical and mental activities is further fractured by the overlaying of the urban context reflected on different curvature of glazing, and natural light piercing out from inside the building. The level of reflections and transparency fluctuates throughout the day from morning to night, and varies between different seasons of the year. The intangible and immaterial thus becomes as integral a part of the architecture as the steel columns or the concrete floors.
chengjie.li@columbia.edu
LIBRARY instructor: Toshihiro Oki Winter 2019
e France
Reading Room as
GSAPP
academic work
LIBRARY instructor: Toshihiro Oki Winter 2019
work sample
chengjie.li@columbia.edu
GSAPP
academic work
LIBRARY instructor: Toshihiro Oki Winter 2019
work sample
chengjie.li@columbia.edu
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a
a’
b
b’
c
c’
d
Graphic Exercise
d’
chengjie.li@columbia.edu
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BROADWAY STORIES instructor: Anna Pugjaner Fall 2018
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chengjie.li@columbia.edu
GSAPP
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ROADWAY STORIES instructor: Anna Pugjaner Fall 2018
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chengjie.li@columbia.edu
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BROADWAY STORIES instructor: Anna Pugjaner Fall 2018
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chengjie.li@columbia.edu
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work sample F
E 20' - 0"
20' - 0"
220' - 9"
H
G
20' - 0"
J
I
20' - 0"
20' - 0"
20' - 0"
K
L
20' - 0"
A
20' - 9"
B
C
20' - 0"
D
20' - 0"
F
E
20' - 0"
20' - 0"
20' - 0"
220' - 9"
H
G
20' - 0"
140' - 0"
J
I
20' - 0"
20' - 0"
20' - 0"
K
L
20' - 0"
20' - 0"
COUNTER
COUNTER
STORAGE 560 SF
STAR DRESSING ROOM 1 392 SF
COUNTER
COUNTER
STAR DRESSING ROOM 2
151' - 11 13/16"
6
347 SF
15' - 0"
5 15' - 0"
5
STAR DRESSING ROOM 2
6
347 SF
STAR DRESSING ROOM 2 347 SF
1856 SF
LOBBY / PRE-FUNCTION
7
5572 SF
BACKSTAGE 15' - 0"
1856 SF
75' - 0"
BACKSTAGE 15' - 0"
BACKSTAGE
7
5572 SF
427 SF
427 SF
15' - 0"
8
15' - 0"
15' - 0"
8
ENSEMBLE DRESSING ROOM 1
15' - 0"
ENSEMBLE DRESSING ROOM 1
15' - 0"
427 SF
1856 SF
LOBBY / PRE-FUNCTION
5572 SF
ENSEMBLE DRESSING ROOM 1
15' - 0"
L 20' - 9"
COUNTER
5
8
K 20' - 0"
15' - 0"
15' - 0"
15' - 0"
20' - 0"
4
COUNTER
15' - 0"
20' - 0"
15' - 0"
392 SF
4
151' - 11 13/16"
J
I
20' - 0"
205 SF
3 STAR DRESSING ROOM 1
15' - 0"
15' - 0"
392 SF
75' - 0"
H
G
246 SF
15' - 0"
15' - 0"
3
LOBBY / PRE-FUNCTION
220' - 9"
20' - 0"
COAT CHECK
560 SF
205 SF
STAR DRESSING ROOM 1
4
15' - 0"
F
E 20' - 0"
BOX OFFICE
2 STORAGE
COAT CHECK
560 SF
205 SF
16' - 11 25/32"
246 SF
STORAGE
15' - 0"
BOX OFFICE
2
COAT CHECK
7
D 20' - 0"
140' - 0"
16' - 0"
16' - 11 25/32"
16' - 0"
246 SF
3
C 20' - 0"
1
BOX OFFICE
2
B 20' - 0"
1 16' - 11 25/32"
1
6
A
20' - 9"
140' - 0"
1
9
2075 SF
2075 SF
CONCESSIONS
OFFICE
OFFICE
10
459 SF
GAS METER ROOM
I.T. / ELEC INCOMING
182 SF
147 SF
100 SF
981 SF
FIRE PUMP ROOM
UP
328 SF
UP
WATER METER ROOM
GAS METER ROOM
I.T. / ELEC INCOMING
182 SF
147 SF
100 SF
UP
D
E
F
G
H
I
K
J
L
A
C
B
D
E
F
G
H
I
K
J
L
A
Audtorium Roof 60' - 0"
TERRACE
W.C.
BACKSTAGE
LOBBY
F
E 20' - 0"
20' - 0"
220' - 9"
H
G
20' - 0"
J
I
20' - 0"
20' - 0"
20' - 0"
Roof 50' - 0"
TERRACE
W.C.
BACKSTAGE
LOBBY
Level 2 23' - 11 5/8" CIRCULATION RAMP
Office Level 11' - 0"
DRESSING ROOM
L
CABARET 310 SEATS A
3
B
C
20' - 0"
D
20' - 0"
F
E
20' - 0"
20' - 0"
20' - 0"
220' - 9"
H
G
20' - 0"
J
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20' - 0"
20' - 0"
20' - 0"
K
L
20' - 0"
A
16' - 11 25/32"
16' - 0"
16' - 11 25/32"
16' - 0"
COUNTER
COUNTER
6
347 SF
STAR DRESSING ROOM 2 347 SF
BACKSTAGE
1856 SF
LOBBY / PRE-FUNCTION
7
15' - 0"
75' - 0"
15' - 0"
5572 SF
ENSEMBLE DRESSING ROOM 1
15' - 0"
427 SF
9 BOH CORRIDOR
15' - 0"
15' - 0"
BOH CORRIDOR 2075 SF
2075 SF
CONCESSIONS
OFFICE
2075 SF
OFFICE
10
459 SF
459 SF
981 SF
182 SF
147 SF
981 SF
UP
328 SF
UP
100 SF
11
WATER METER ROOM
FIRE PUMP ROOM
15' - 0"
15' - 0"
I.T. / ELEC INCOMING
GAS METER ROOM
182 SF
147 SF
I.T. / ELEC INCOMING UP
E
F
G
H
I
K
J
L
A
C
B
D
E
F
G
H
I
K
J
L
A
Audtorium Roof 60' - 0"
DRESSING ROOM
G
I.T. / ELEC INCOMING
147 SF
100 SF
H
UP
I
K
J
L
Roof 50' - 0"
Roof Terrace 41' - 1"
CIRCULATION RAMP
DRESSING ROOM
TERRACE
CIRCULATION RAMP
CONCESSION
TERRACE
Level 2 23' - 11 5/8"
CONCESSION
Level 2 23' - 11 5/8"
Level 2 23' - 11 5/8"
CIRCULATION RAMP
CIRCULATION RAMP
Office Level 11' - 0"
Office Level 11' - 0"
DRESSING ROOM
LOBBY
Roof Terrace 41' - 1"
BLACK BOX THEATER
CIRCULATION RAMP
W.C.
F
Audtorium Roof 60' - 0"
BLACK BOX THEATER
BACKSTAGE
E
VIEWING DECK
Roof Terrace 41' - 1"
CONCESSION
STADIUM 450 SEATS
D
Roof 50' - 0" VIEWING DECK
BLACK BOX THEATER
LOBBY
C
B
Audtorium Roof 60' - 0"
Roof 50' - 0"
CIRCULATION RAMP
GAS METER ROOM
182 SF
11
VIEWING DECK
DRESSING ROOM
328 SF
UP
100 SF
11
WATER METER ROOM
FIRE PUMP ROOM
15' - 0"
981 SF
BACKSTAGE
W.C.
Office Level 11' - 0"
DRESSING ROOM
LOBBY
BACKSTAGE
W.C.
DRESSING ROOM
Level 1 0' - 0"
Level 1 0' - 0"
Level 1 0' - 0"
Ext. Ground -4' - 0"
Ext. Ground -4' - 0"
Ext. Ground -4' - 0"
5
RECITAL 315 SEATS
West Elevation View
BOH CORRIDOR CONCESSIONS
OFFICE
10
459 SF
427 SF
9 15' - 0"
9
ENSEMBLE DRESSING ROOM 1
8
15' - 0"
15' - 0"
8
15' - 0"
15' - 0"
ENSEMBLE DRESSING ROOM 1
1856 SF
LOBBY / PRE-FUNCTION
7
5572 SF 15' - 0"
15' - 0"
75' - 0"
392 SF
BACKSTAGE
1856 SF
427 SF
4
STAR DRESSING ROOM 1
15' - 0"
15' - 0" 151' - 11 13/16"
15' - 0" 151' - 11 13/16"
6
347 SF
BACKSTAGE
TERRACE
560 SF
5
STAR DRESSING ROOM 2
5572 SF
328 SF
L 20' - 9"
15' - 0"
15' - 0"
15' - 0"
COUNTER
5
STAR DRESSING ROOM 2
8
K 20' - 0"
COUNTER
5
GAS METER ROOM
20' - 0"
STORAGE
15' - 0"
15' - 0"
392 SF
COUNTER
WATER METER ROOM
20' - 0"
4
COUNTER
FIRE PUMP ROOM
J
I
20' - 0"
246 SF
STAR DRESSING ROOM 1
4
CONCESSIONS
H
G
205 SF
3
15' - 0"
392 SF
4
220' - 9"
20' - 0"
15' - 0"
16' - 11 25/32" 15' - 0" 15' - 0"
STAR DRESSING ROOM 1
D
20' - 0"
COAT CHECK
560 SF
205 SF
3
UP
F
E 20' - 0"
BOX OFFICE
2 STORAGE
COAT CHECK
560 SF
C
D 20' - 0"
1
246 SF
STORAGE
205 SF
B
C 20' - 0"
140' - 0"
BOX OFFICE
2
A
B 20' - 0"
1
10
FLEA MARKET 460 SEATS
20' - 9"
We were asked to imagine a fully functional contemporary theatre space in Brooklyn’s Greenpoint, comprising of a 500-700 seats main auditorium, a black box theatre, front & back of house, landscape, and connection to the urban fabric as well as energy grid. Many of the city’s successful new theatres, such as St.Ann’s Warehouse and the National Sawdust, provided clues for us to solve Jake Li DESIGNERS Erin Biediger the issue of the relavence of creating a theatre Jake Li Audrey Dandenault space Erin in Biediger the neighborhood. We decided that not De Jesus Ubri AudreyNelson Dandenault Nelson De Jesus only should theUbri auditorium be able to host a wide range of events from big productions, to small independent shows, but also be utilized during the off-hours of the performance-realm, as vessel for a gala, or perhaps a flea market. Further more, taking cue from avant garde trends such as immersive performance, we propsed to suspend the black box theatre above the main stage to inspire interactions between the two spaces - two simultaneous performances. 2
Level 1 0' - 0" Ext. Ground -4' - 0"
140' - 0"
LOBBY / PRE-FUNCTION
DRESSING ROOM
Level 1 0' - 0"
20' - 9"
COAT CHECK
W.C.
BACKSTAGE
LOBBY
Ext. Ground -4' - 0"
246 SF
7
CONCESSION
Level 1 0' - 0"
BOX OFFICE
3
Roof Terrace 41' - 1"
CIRCULATION RAMP
Ext. Ground -4' - 0"
1
6
Audtorium Roof 60' - 0"
DRESSING ROOM
CONCESSION
140' - 0"
2
L
Office Level 11' - 0"
DRESSING ROOM
K 20' - 0"
K
J
16' - 0"
D 20' - 0"
UP
I
Level 2 23' - 11 5/8"
2 C
100 SF
CIRCULATION RAMP
ARENA 460 SEATS
20' - 0"
I.T. / ELEC INCOMING
147 SF
H
BLACK BOX THEATER
Office Level 11' - 0"
B
GAS METER ROOM
182 SF
G
BLACK BOX THEATER
CONCESSION
20' - 0"
F
Roof Terrace 41' - 1"
CIRCULATION RAMP
Level 2 23' - 11 5/8"
A
E
VIEWING DECK
DRESSING ROOM
CIRCULATION RAMP
1
D
Roof 50' - 0" VIEWING DECK
Roof Terrace 41' - 1"
CIRCULATION RAMP
BLACK BOX THEATER
TERRACE
C
B
Audtorium Roof 60' - 0"
Roof 50' - 0" VIEWING DECK
DRESSING ROOM
WATER METER ROOM
328 SF
UP
11
151' - 11 13/16"
C
FIRE PUMP ROOM
15' - 0"
WATER METER ROOM
15' - 0"
15' - 0"
328 SF
11
B
459 SF
981 SF
FIRE PUMP ROOM UP
11
A
2075 SF
OFFICE
10
459 SF
981 SF
BOH CORRIDOR CONCESSIONS
75' - 0"
10
BOH CORRIDOR
15' - 0"
15' - 0"
BOH CORRIDOR CONCESSIONS
North Elevation View
9 15' - 0"
9
ARCHITECT Stephan Potts ARCHITECT Stanev Potts Architects 1103 Spruce Street Stephan Potts PA 19107 StanevPhiladelphia, Potts Architects 1103 Spruce Street Philadelphia, PA 19107CONSULTANT STRUCTURAL Shinjinee Pathak STRUCTURAL Silman CONSULTANT 32 Pathak Old Slip Shinjinee Silman New York, NY 10005 32 Old Slip New York, NY 10005 MECH., ELEC., & PLUMBING ENGINEER Sarah Sachs MECH.,BuroHappold ELEC., & PLUMBING ENGINEER 100 Broadway #23 Sarah Sachs New York, NY 10005 BuroHappold 100 Broadway #23 New York, NY 10005 ENVELOP CONSULTANT Alex Barmas ENVELOP CONSULTANT DeSimone Consulting Engineers 140 Broadway, 25th Floor Alex Barmas NewConsulting York, NY 10005 DeSimone Engineers 140 Broadway, 25th Floor New York, NY 10005 DESIGNERS
6
GALA 460 SEATS
Five AHU distribute air to the spaces through overhead variable air volume systems to the five distinct climate zones we identified in the buildBrooklyn, NY 11222 Brooklyn, NY 11222 ing, separating back-of-house from auditorium, black box theatre, circulation ramp, and frontof-house spaces. On the West side, the facade FLEXIBLE THEATRE is a double skin glazing system, manifested in ARRANGEMENTS a catwalk, roller blinds, and passive ventilation assembly to mitigate glare and heat gain/loss. NTS
FLEXIBLE THEATRE ARRANGEMENTS
1 M-300 M---
NTS
FLEXIBLE THEATRE ARANGEMENTS
M-300
A R C H I T E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107 ST R U CT UR AL CONSU LT AN T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005 M E CH AN ICA L C O N SU L T AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005 E N CL O S U R E CO N S U L T A N T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005 DESIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu
NO.
DATE
In order to integrate our design toCLits site, we decided to include 3 ‘green’ areas to the building’s immediate perimeter, buffering the border between our building and Transmitter Park. These green zones are used for bioswales to mitigate storm runoff as well as for rainwater collection.
REVISION
01
1 OCT 2019
SD SUBMISSION
02
22 OCT 2019
DD SUBMISSION
03
26 NOV 2019
CD SUBMISSION
Greenpoint Theatre 1 8 G r e e n p o i n t Av e B ro o k l y n , N Y 1 1 2 2 2
chengjie.li@columbia.edu MASSING
GREENPOINT THEATRE instructor: Sarrah Khan Fall 2019
D 20' - 0"
16' - 0"
C 20' - 0"
151' - 11 13/16"
B 20' - 0"
75' - 0"
A
GSAPP
academic work
work sample
15 A
B
C
D
E
F
G
H
I
J
K
15 A
L
AIR GAP TO HELP COOL FACADE AND LOWER SOLAR HEAT GAIN
220' - 9" 40' - 0"
20' - 0"
20' - 0"
100' - 0"
20' - 0"
20' - 9"
FINISH METAL PLATE
140' - 0"
-
A-200 -
F-100
1-
1
METAL BRACING FOR OUTER SKIN
2 A-301
EXTERIOR SHADING SYSTEM
---
AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107
14' - 3"
15' - 11 3/4"
1
BOX OFFICE
14 2 15' - 0"
A-300
DN
UP
STORAGE
COAT CHECK
RAMP ZONE
3
PERSONAL HOSTING SPACE
15' - 0"
COUNTER
A-400
2 A-700
1 Interior ELE Ramp
SHOWER
CHANGE/ MAKEUP SPACE
392 SF
ø 5'
- 0"
- 0"
15' - 0"
ø 5'
5
COUNTER
2
Lobby
7
A-400
VERTICAL CIRCULATIONS
F-101
1
A-201
STAGE
BACKSTAGE
2166 SF
2250 SF
DOUBLE PANE GRAZING
NO.
ENSEMBLE DRESSING ROOM 1
6538 SF
DATE
REVISION
1 OCT 2019
SD SUBMISSION
02
22 OCT 2019
DD SUBMISSION
03
26 NOV 2019
CD SUBMISSION
AIR GAP TO HELP COOL FACADE AND LOWER SOLAR HEAT GAIN
Office Level 17' - 5 7/8"
MECHANICAL CONSULTANT Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005
A-700
440 SEATS
01 CURTAIN WALL FOOTING
GIRDER BEYOND
DROPPED CEILING TIE
SIGHTLIN E
NE SIGHTLI
1
AUDITORIUM
8
SINGLE PANE PUT GLAZING
RIGID INSULATION
2
7806 SF
COUNTER
15' - 0"
75' - 0"
1 A-300
1
347 SF
STEEL COLUMNS
DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu
15 A
CONCRETE SLAB ON METAL DECKING
NO. DATE REVISION STRUCTURAL CONSULTANT 01 1 OCT 2019 SD SUBMISSION Shinjinee Pathnak 02 22 OCT 2019 DD SUBMISSION Silman 03 Slip 26 NOV 2019 CD SUBMISSION 32 Old New York, NY 10005
COUNTER
2
F-101
WARDROBE RACKS
A-201
Interior ELE Lobby
SHEAR WALLS
15' - 0"
165' - 11 3/4"
6
PILE FOUNDATIONS
PERSONAL HOSTING SPACE
SIGHTLINE
E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005
Level 2 (Terrace) 19' - 11 3/4"
Nelson De Jesus Ubri - nd2584@columbia.edu
CHANGE/ MAKEUP SPACE
SHOWER
STAR DRESSING ROOM 2
WARDROBE RACKS
15' - 0"
A-503
3 F-200
M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005
E N CL OSU R E CON S U L T AN T
SIGHTLINE
UP
TERRACE PAVERS
Alex Barmas ARCHITECT DeSimone Consulting Engineers 140 Broadway, 25th Floor Stephan Potts New York, NY 10005 Stanev Potts Architects DSpruce E SIG N E R S 1103Jake Street Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Philadelphia, PA 19107 Audrey Dandenault - amd2291@columbia.edu
STAR DRESSING ROOM 1
1
S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005
INSULATED HEAD MULLION
M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005
896 SF
4001 SF
4
AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107
RIGID INSULATION
S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005
2
CURTAIN WALL CMU FOOTING WITH FURRING
STRUCTURAL BEAM
FLOOR FINISH
DROPPED CEILING
Level 4 1 0' - 0" HHAC SYSTEM BEYOND
CONCRETE FLOOR SLAB
CONSULTANT ENCLOSURE Greenpoint Alex Barmas Theatre Engineers DeSimone Consulting 18 Gree25th npoint AveFloor 140 Broadway, B ro o k l y n , N Y 1 1 2 2 2 New York, NY 10005
SHOWER
2 A-503 3
4
A-700
A-700
UP
10
SINGLE PANE OUT GRAZING
11 15' - 0"
258 SF
FIRE PUMP ROOM
2
A-711
3
12
5
GAS METER ROOM
AIR HANDLING UNIT 800 SF
2
A-200
F-100
SYSTEM 1 DETAIL
A-100 1
WEST FACADE BASE DETAIL 1 1/2" = 1'-0"
DESIGNERS 0001 Jake Project Li -number cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Date 191021 Audrey Dandenault - amd2291@columbia.edu Scale 1'0" Nelson De Jesus 3/32" Ubri -= nd2584@columbia.edu
LOADING ZONE
A-503 2
2
LEVEL 1
A-700
WATER METER ROOM 215 SF ELECTRICAL INCOMING SERVICES ROOM 1 IT INCOMING SERVICES ROOM
CMU CURTAIN WALL FOOTING
1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2 WEST FACADE PARAPET DETAIL 1 1/2" = 1'-0"
*Level 1 3/32" = 1'-0"
DATE
NO.
0001
Project number
191021
Date
1-1/2" = 1'-0"
Scale
12/13/2019 3:46:26 PM
15' - 0"
GENERATOR
Greenpoint Theatre
INNER FACADE MULLION
1
CONCESSIONS
DOUBLE SKIN CURTAIN WALL CAVITY
INTERIOR SHADING SYSTEM
12/13/2019 3:54:36 PM
SHOWER
30' - 0"
HVAC SYSTEM BEYOND
9
F-210
REVISION
01
1 OCT 2019
SD SUBMISSION
02
22 OCT 2019
DD SUBMISSION
03
26 NOV 2019
CD SUBMISSION
14
15 A
FRAMING - LEVEL 2
15 A
FRAMING - LEVEL 3
B C FRAMING - LEVEL 4
D
E
F
G
H
I
J
PARAPET
K FRAMING - ROOF LLEVEL
2 A-301
1 F-210
Audtorium Roof 57' - 0"
AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107
AUDITORIUM
M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005
Level 4 1 0' - 0" Ext. Ground -4' - 0"
DROPPED CEILING
S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005
HVAC SYSTEM BEYOND 9' - 10"
DRESSING ROOM
BACKSTAGE
AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107
SLAB BEYOND
18 Greenpoint Ave Brooklyn, NY 11222
Level 1.5 (Offices) Level 5 14' - 11 7/8"
---
LOBBY
RIGID INSULATION
CONCRETE SLAB ON METAL DECKING
4' - 11"
S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005
Level 2 (Terrace) 19' - 11 3/4"
DRESSING ROOM
E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005
FACADE GRAZING
STRUCTURAL 3D VIEW
OUTER FACADE LAYER
DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu
COLUMN BEYOND
M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005 E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005 DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu
CAT WALK BEYOND
NO.
E-W Section 3/32" = 1'-0"
01
DATE
REVISION
1 OCT 2019
02
22 OCT 2019
DD SUBMISSION
03
26 NOV 2019
CD SUBMISSION
Project number K
J
I
H
G
F
E
D
C
B
15 A
STEEL COLUMNS
FRAMING - PRATT TRUSS VERTICAL CIRCULATIONS
PER DRAWING
Scale
Roof 50' - 0"
DOUBLE SKIN - INNER LAYER
UPPER MEZZANINE
Level 4 (Upper Mezzanine) 37' - 5 3/8"
PRE-FUNCTION
TERRACE
S-100
1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2
RAMP WITH PLANK
RAMP BAR
Greenpoint Theatre
Level 3 (Black Box) 30' - 0"
CIRCULATION RAMP
FRAMING - RAMP
Level 2 (Terrace) 19' - 11 3/4" Level 1.5 (Offices) Level 5 14' - 11 7/8"
---
E-W SECTIONS
CIRCULATION RAMP LOBBY
BOX OFFICE
Greenpoint Theatre 1
WEST FACADE SYSTEM DETAIL ELEVATION 3/4" = 1'-0"
2 F-210
Level 4 1 0' - 0" Ext. Ground -4' - 0"
1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2
CURTAIN WALL FOOTING
COLUMN SHELL
STRUCTURAL COLUMN
Level 1 4 0' - 0"
INNER FACADE MULLION
0001
Project number
0001
Project number
191021
Date
SYSTEM 1 ROADMAP
CONCRETE FLOOR SLAB
STORAGE
MECHANICAL CONSULTANT Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005
DD SUBMISSION CD SUBMISSION
191021
Date Audtorium Roof 57' - 0"
STRUCTURAL CONSULTANT Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005
REVISION SD SUBMISSION
22 OCT 2019 26 NOV 2019
191021
Date CAT WALK
3/32" = 1' -0"
Scale
ENCLOSURE CONSULTANT Alex Barmas DeSimone Consulting Engineers E-W Ramp Section 2 3/32" = 1'-0" 140 Broadway, 25th Floor New York, NY 10005
A-300
1" = 1' - 0"
Scale
12/13/2019 3:54:32 PM
FRAMING - AUDITORIUM ROOF
DATE 1 OCT 2019
02 03
CATWALK
2 A-301
ENTRY TO BLACK BOX
NO. 01
0001
11/24/2019 1:40:52 AM
L
ARCHITECT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107
CURTAIN WALL MULLION
SD SUBMISSION
12/13/2019 3:48:43 PM
1
FOUNDATION FOOTING OUTER FACADE MULLION
F-200
GLAZING AS SPEC'ED
2
WEST FACADE SYSTEM DETAIL PLAN 3/4" = 1'-0"
3
WEST FACADE SYSTEM DETAIL SECTION 3/4" = 1'-0"
DESIGNERS Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu
NO.
DATE
REVISION
01
1 OCT 2019
SD SUBMISSION
02
22 OCT 2019
DD SUBMISSION
03
26 NOV 2019
CD SUBMISSION
F
Audtorium Roof 57' - 0"
D
10
Roof 50' - 0"
FRAMING - LEVEL 4
Roof 50' - 0"
FRAMING - ROOF LEVEL
Fire Stair Landing 2 37' - 5 1/2"
Greenpoint Theatre
Level 4 (Upper Mezzanine) 37' - 5 3/8"
Level 4 (Upper Mezzanine) 37' - 5 3/8"
Level 3 (Black Box) 30' - 0"
Level 3 (Black Box) 30' - 0"
AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107
AR CH IT E CT Stephan Potts Stanev Potts Architects 1103 Spruce Street Philadelphia, PA 19107
S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005
S T R U C T U R A L CO N S U L T A N T Shinjinee Pathnak Silman 32 Old Slip New York, NY 10005
M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005
M E CH A N ICAL CON SU LT AN T Sarah Sachs BuroHappold 100 Broadway #23 New York, NY 10005
E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005
E N CL OSU R E CON S U L T AN T Alex Barmas DeSimone Consulting Engineers 140 Broadway, 25th Floor New York, NY 10005
DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu
NO. 01
DATE 1 OCT 2019
DE SIG N E R S Jake Li - cl3794@columbia.edu Erin Biediger - egb2151@columbia.edu Audrey Dandenault - amd2291@columbia.edu Nelson De Jesus Ubri - nd2584@columbia.edu
REVISION
NO.
SD SUBMISSION
01
DATE 1 OCT 2019
REVISION SD SUBMISSION
02
22 OCT 2019
DD SUBMISSION
02
22 OCT 2019
DD SUBMISSION
03
26 NOV 2019
CD SUBMISSION
03
26 NOV 2019
CD SUBMISSION
18 Greenpoint Ave Brooklyn, NY 11222
STRUCTURAL 3D VIEW
Fire Stair Landing 1 17' - 5 3/4" Level 1.5 (Offices) Level 5 14' - 11 7/8"
Level 1.5 (Offices) Level 5 14' - 11 7/8"
Greenpoint Theatre
0001 191021
Date
Level 4 1 0' - 0"
Level 1 4 0' - 0"
1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2
EGRESS SECTION
HVAC - 3D VIEW
Level 4 1 0' - 0"
0001
Project number
PER DRAWING
Scale
1
FRAMING - RAMP
RAMP WITH PLANK
Egress Section 1 1/4" = 1'-0"
S-100
11/24/2019 1:40:52 AM
Scale
2
Egress Section 2 1/4" = 1'-0"
3
Egress Section 3 1/4" = 1'-0"
chengjie.li@columbia.edu
Project number
191021
Date
A-503
NTS
Scale
M-107 1
HVAC_Iso
0001 191021
Date
1/4" = 1'-0" 12/13/2019 3:49:33 PM
Project number
Greenpoint Theatre
1 8 G re e n po in t Av e B ro o k l y n , N Y 1 1 2 2 2
12/13/2019 3:56:40 PM
Level 5 14' - 11 7/8"
GREENPOINT THEATRE instructor: Sarrah Khan Fall 2019
Level 3 (Black Box) 30' - 0" PRE-FUNCTION
Level 2 (Terrace) 19' - 11 3/4"
Greenpoint Theatre
Level 4 (Upper Mezzanine) 37' - 5 3/8"
BLACK BOX THEATER
TERRACE
TERRACE PAVERS
TERRACE BEYOND
Roof 50' - 0" UPPER MEZZANINE
GSAPP
work sample
academic work
Bush Terminal Food Distribution Centre advocates for a series of strategies that are synergistic with the conditions of the site and surrounding dependent energy systems and conditions. We have examined and catalogued the existing local food business on-site, urban energy and water infrastructure, and environmental conditions including the location of the site within the floodplain. This proposal preserves and works with existing businesses, siting relevant infrastructure around these and the natural conditions of the site.
chengjie.li@columbia.edu
BUSH TERMINAL FOOD HUB instructor: Philip Palmgren Spring 2019
This project seeks to decentralize the food distribution network in New York City through the implementation of a new food distribution centre on our site in Sunset Park, Brooklyn. Currently, the largest food distribution centre in New York is located in Hunts Point in the Bronx, and commercial truck traffic driven through the Brooklyn-Queens Expressway is contributing to a rapid decay in transportation infrastructure in New York, as goods are delivered northbound through the city in order to reach Hunts Point and other final destinations. Our proposal aims to reduce food-related truck traffic through the city by up to 45%, preserving the longevity of critical infrastructure, reducing carbon emissions in the city, and strengthening the resiliency of New York City’s food systems as a whole.
GSAPP
Water and energy systems are symbiotic, and an on-site wastewater treatment facility is coupled with a closed-loop energy production system that produces biofuel for local transportation and an N+1 redundancy energy storage bank. A large, hollow berm is designed to protect critical infrastructure, and a direct, physical connection to existing buildings provides an opportunity for pedestrian connection to the buildings, plus imaginings of consumer-level offerings that work in tandem with wholesalers on
chengjie.li@columbia.edu
academic work
the site. An existing railway runs adjacent, under the berm, delivering goods to the buildings in conjunction with existing truck routes, now much reduced, and the introduction of a cargo barge terminal. Complete streets, a walkable berm with connection to both the waterfront and businesses, and passenger ferry access, supports a vibrant community overlaid on the industrial programs of the site.
BUSH TERMINAL FOOD HUB instructor: Philip Palmgren Spring 2019
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GSAPP
Gen 8-15
Gen 9-25
Gen 11-35
Gen 18-4
Gen 22-28
Gen 24-17
Gen 29-8
Gen 30-28
Gen 30-35
Gen 32-27
Gen 36-12
Gen 39-16
Gen 42-2
Gen 48-17
Gen 48-31
This class experiments with generative tool Discover developed by Danil Nagy for Autodesk. By iterating with propitious traits/ ‘genes’ in parameters, meanwhile eliminating poor traits, the algorithm utilizes a Darwinian logic to narrow down optimization. The Pavillion is the result of the subdivision of 3 ellipses stacked vertically with 8’ between that change in size and proportion to yield a series of points. The points are moved radially outwards in series to create 3 spirals of points. The points are interpolated to curves that vary in size and cross section. Corresponding to its position on the spiral, the curves are longer and provide more or less overhang. The top of each curve is connected to a ring beam at the center of the installation to resolve the curves from falling forward. Each curve is a continuous metal/wood member.The connecting element is wire and the ring beam is wood/metal.
chengjie.li@columbia.edu
DISCOVER: BURNING MAN PAVILION instructor: Danil Nagy Spring 2019
academic work
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GSAPP
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Graphic Exercise
academic work
chengjie.li@columbia.edu
GSAPP
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undergrad academic work
McGill University chengjie.li@columbia.edu
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undergrad academic work
0
2m
5m
10m
McGill University chengjie.li@columbia.edu
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professional work
Architect Toshihiro Oki, architect p.c. 2005 Hazen Street East Elmhurst, NY 11370 tel: 917.362.1263 MEP engineer Rosini Engineering, PC 20-02 40th Ave Long Island City , NY 11101 646.747.7475 Lighting Designer Tirschwell & Co., Inc. 21 West 39th Street New York, NY 10018 212.563.0994 Expediter Support for Architects,LLC - Michael Zenreich 149 West 36th Street, 7th floor New York, NY 10018 212.242.7440
Date
Issue
8 / 6 / 19
DOB ISSUE
Toshi was my second semester studio critic at GSAPP. Under Toshi’s supervision, I worked on several small Him and I struck up a friendship and I started helping scale renovation projects from concept proposal to Project out at his office the summer after my first year at design development to construction administration. UNIT 1A Columbia, and thus began the most valuable learning Besides honing vn model making and working drawing RENOVATION experience of my architecture education. As a mentor skills, I was able to try my hands at business skills such 30 71st Street and supervisor, Toshi teaches and leads1A byEastexample as specfying products, filing for permits, assisting client his tireless diligence, consistant scrutinyNewtoYork, detail, in legal depositions, and working with contractors to NY 10021and Drawingseemingly Title understated style, never failed to produce develop millwork drawings. DEMOLITION PLAN effortless designs that inspire by their elegant materiality and flawless construction. Date 8 / 6 / 2019 Scale
1 / 4'' = 1' - 0''
Drawn
TO
Drawing No
chengjie.li@columbia.edu
D-100.00 Page No 6 OF 12
_E71 st Renovation (CD + CA)
No
Toshihiro Oki Architect
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professional work Architect
Toshihiro Oki, architect p.c. 34-01 38th Ave Long Island City, NY 11101 tel: 347.639.1961
Contractor Manager Shawmut Design & Construction 3 East 54th Street New York , NY 10022 212.920.8967 MEP Engineer Rosini Engineering, PC 24-02 40th Ave Long Island City, NY 11101 212.904.0422
No
Date
Issue
3 / 9 / 2018 PRICING ISSUE
_E71 st Renovation (CD + CA)
3 / 22 / 2018 BOARD ISSUE
area of work
DOB #
Seal/Signature Project
ART LOFT RENOVATION 35 East 20th Street 7th floor New York, NY 10003 Drawing Title
INTERIOR ELEVATIONS Date
3 / 22 / 2018
Scale
1 / 2'' = 1' - 0''
Drawn
TO
Toshihiro Oki Architect A-407.00 Drawing No
Page No
chengjie.li@columbia.edu
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_Water Island Renovation (Concept)
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Toshihiro Oki Architect chengjie.li@columbia.edu
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professional work
5 3
1
4
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Dissing + Weitling introduced me to the design of infrastructural scale projects, among some of which we also studied industrial design scale assembly solutions. While exceptionally specializing in the structure and code of bridge design, D+W emphasizes on the experience and iconic value of bridges as urban architecture. The power of any bridge to instantly become a landmark and affect the urban life quality, pragmatically and emotionally, is fascinating when considered together with the myriad of forms, materials, and agendas it could take. For the competition entries shown here, I helped the design teams research, sketch, draft, and build through parametric 3D modelling software.
Competition Entries
节点四，园山 - 成功大道
2
96
chengjie.li@columbia.edu
141
Dissing+Weitling
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Type: Commission Project Leader: Lorenz Krisai Year: 2016 Involvement: Design stuidies, physical models, presentation drawings, renders.
Type: Commission Project Leader: Maria Sole Bravo Year: 2017 Involvement: Research, design stuidies, physical models, presentation drawings, renders.
Harlem Central Development (Concept + SD)
King St Condos, Toronto (SD)
professional work
Bjarke Ingels Group chengjie.li@columbia.edu
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Can Anma, Ibiza (Competition)
professional work
Type: Competition Project Leader: Ruth Otero Year: 2017 Involvement: Research, design stuidies, presentation drawings, renders.
Bjarke Ingels Group chengjie.li@columbia.edu
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professional work
DOUBLE HEIGHT ZIG ZAG 63
ZIG ZAG FRENCH BALCONIES
ZIG ZAG BALCONIES 66
12’ x 12’ BALCONIES 64
24’ x 12’ BOXES
12’ x 12’ Boxes 70
5’ x 12’ BOXES 71
65
68
12’ x 12’ Boxes - Deep 67
Facade Design Iterations
STRAIGHT FACET
69
Bjarke Ingels Group chengjie.li@columbia.edu
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Massing Study, Sectional & Kinetic Models
professional work
Bjarke Ingels Group chengjie.li@columbia.edu
,noitpo lwob reit-3 sihT smees ti hguohtla htiw llew krow ot t’nseod ,senalp eht k05 rof llew noitcnuf eht rof dna srotatceps setius eht fo noitacol
1 noitpo lwob reit-3 MOCEA
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noitpo lwob reit-2 MOCEA
noitpo lwob reit-2 sihT tcapmoc tsom eht si ti tub evah nac ew eht reffo ton seod esruocnoc niam nepo rof gnikool era ew oot era setius eht dna needih
9
snoitces sedis gnol / 2 noitpo lwob reit-3 s’MOCEA rof aedi s’GIB
Sports Bubbles Idea
dluoc lwob reit-3 sihT eht fi krow yllaitnetop eht emoceb reit elddim tub staes sexob/setius sedis gnol eht gnola ylno lliw moceA .muidats eht fo sa siht gnitsujda no krow segap txen eht ni swollof
ylno setius ehT htob no raeppa eht dna sedis gnol ta tuc si reit reppu ot snoitacol eseht ni thgil artxe wolla .sexob eht
2 noitpo lwob reit-3 MOCEA
31
noitces sedis dne / 2 noitpo lwob reit-3 s’MOCEA rof aedi s’GIB
reppu ehT dluow esruocnoc ssecca evig ot krow - staes reppu eht ot k05 gnihcaer nehw sa dna - srotatceps eht rof ytinema na miuidats elohw
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Shanghai Pudong FIFA Worldcup Stadium (competition)
ew dluoC edulcni yllaitnetop rof stnaruatser eht siht ta setius eht esruocnoc-dim dda ton ot level ?saera wen
01
This sketch shows the green area define by a connecting path - for pedestrian and bikes - that connects big opening within the green area - each of them dedicated to a specific sport
Bjarke Ingels Group chengjie.li@columbia.edu
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Shanghai Pudong FIFA Worldcup Stadium (competition)
professional work
Bjarke Ingels Group chengjie.li@columbia.edu