House of Fairytales Ideas Competion

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Hans Christian Andersen Museum House of Fairytales Ideas Competion Jacob Miller, Adam Anderson and James Bogle

An Ugly Duck Thoughts for a new House of Fairytales Reference # 90274

Hans Christian Andersen is surely a man who has shaped the modern world at a global scale. With almost two hundred stories translated into many different languages, KLV LQĂ€XHQFH UHDFKHV IDU SDVW WKH FLW\ OLPLWV RI 2GHQVH <HW 2GHQVH ZDV $QGHUVHQÂśV ELUWK SODFH D SODFH ZLWK D strong local culture evident in everything from its people, to its architecture, to the rich identity expressed in his VWRULHV 2XU SURSRVDO UHFRJQL]HV +DQV &KULVWLDQ $QGHUVRQ DV WKH OLQN EHWZHHQ 2GHQVH DQG WKH :RUOG DQG KLV museum must make it its mission to bring into being the importance of this relationship.

We have observed two existing conditions that the House of Fairytales must navigate: the global context of Hans Christian Andersen’s work and the local context of Odense. We have We have observed two existing conditions that the House of Fairytales must navigate: the approached this context in terms of the anti-icon and the icon, or the ugly duckling and the swan. The *OREDO FRQWH[W RI +DQV &KULVWLDQ $QGHUVHQÂśV ZRUN DQG WKH /RFDO FRQWH[W RI 2GHQVH 7KLV anti-icon acts in favor of the local, it is completely respectful of the physical and ephemeral characteristics of its physical surroundings. Its architecture may not be LV RXU ODXQFKLQJ SRLQW DQG LQ DQ DWWHPSW WR UHDOL]H LWV IRUP ZH FDQ GLVFXVV RXU SURSRVDO LQ extreme, but it goes out of its way to establish itself as something which belongs. Through two parts: The Anti-Icon and the Icon, or the ugly duckling and the swan, or the Icon. The the use of a mat building typology, the House of Fairytales can maximize its use of site by anti-icongalleries (ugly ducking) in program) favor of the local, it is of the physical scattering (the bulkacts of the throughout its completely eastern siderespectful while remaining low andephemeral out of sight. Bright and transparent corridors take the visitor a journey that and characteristics of its physical surroundings. Itson architecture may not be has been conceived as a narrative between the work on display and the Fairytale Garden. extreme yet it goes out of its way to establish itself as something which “belongsâ€?. Through This dialogue is present throughout the museum, whether one is looking from the galleries into one of WKH XVH RI D 0DW %XLOGLQJ 7\SRORJ\ WKH +RXVH RI )DLU\WDOHV FDQ PD[LPL]H LWV XVH RI VLWH E\ the three central gardens, or watching the performance of a story in the outdoor amphitheater. The scattering galleries (thefloor, bulkrespecting of the program) throughout eastern sideOur while remaining museum remains a single the character of theits neighborhood. strategy seeks to fully engage the public at the ground level through the weaving of museum program and garden. ORZ DQG RXW RI VLJKW %ULJKW DQG WUDQVSDUHQW FRUULGRUV WDNH WKH YLVLWRU RQ D MRXUQH\ ZKLFK

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On the site’s west side one encounters the Icon. Here, Lotze’s Garden raises dramatically from the The two are constantly in dialogue with one whether looking onfabric, to oneand of the three ground, offering a unique formal engagement withanother, Odense’s developing urban serving ascentripetal the gateway into thewithin world of Christian Anderseninbythe offering views of the or historic district of gardens theHans Museum, performing new “tinderboxâ€?, admiring Odense and Lotze’s Garden. The garden offers open space, an outdoor performance space, Âł/RW]HÂśV *DUGHQ´ 7KH PXVHXP UHPDLQV RQH VWRU\ WDOO UHVSHFWLQJ WKH SURSHUW\ RI WKH and easily accessible views both outward and inward. Beneath this garden canopy, visitors are greeted asQHLJKERUV 2XU VWUDWHJ\ VHHNV WR IXOO\ HQJDJH WKH SXEOLF DW WKH JURXQG OHYHO WKURXJK WKH they enter by stone sculptures of Hans Christian Andersen’s characters. These function as column supporting canopy’s program structure.and At the museum’s center, Hans Christian Andersen Tower rises weaving the of museum garden. above the city, surmounted by a statue of the man himself, dipped in gold. An elevator allows visitors to access the tower’s top where they can stand beside the golden Andersen and survey the city /RFDWHG RQ WKH VLWHV ZHVW VLGH RQH HQFRXQWHUV WKH 6ZDQ ,FRQ +HUH Âł/RW]HÂśV *DUGHQ´ from above. This feature also serves as an iconic beacon to be seen from near and far, a wayfinding raises from the ground.forAn gesture offering a unique formal engagement device fordramatically the city and an advertisment theiconic museum.

ZLWK 2GHQVHÂśV GHYHORSLQJ XUEDQ IDEULF DQG VHUYHV DV WKH JDWHZD\ LQWR WKH XQLYHUVH RI +DQV &KULVWLDQ $QGHUVHQ DV ZHOO DV WKH KLVWRULF GLVWULFW RI 2GHQVH /RW]HÂśV *DUGHQ RIIHUV RSHQ space, an outdoor performance space and easily accessible views both outward and inward. %HQHDWK WKLV JDUGHQ FDQRS\ YLVLWRUV DUH TXLWH OLWHUDOO\ JUHHWHG DV WKH\ HQWHU E\ IDYRULWH +DQV &KULVWLDQ $QGHUVHQ FKDUDFWHUV VWRQH VFXOSWXUHV RI VRPH PRVW UHFRJQL]DEOH IXQFWLRQ DV WKH FDQRS\ÂśV VWUXFWXUH 7KLV DUULYDO KRSHV WR EH D VSHFWDFOH WKDW ZRXOG DWWUDFW WKH DWWHQWLRQ RI D global audience. At the museums center, Hans Christian Andersen Tower rises above the city. At the museums center, Hans Christian Andersen Tower rises above the city. At its top is the man himself, dipped in gold. An elevator allows visitors to access the towers top, where accompanied by a statue of Hans Christian Andersen, they are treated to panoramic views of the city. The tower and the glowing statue of the man himself serves as an iconic beacon seen from near and far, an orientation, and foretelling of the inner beauty of the museum and garden below. We can only project as to how much of a global presence this, or any proposal will have. <HW EHFDXVH RI WKH QDWXUH RI +DQV &KULVWLDQ $QGHUVHQÂśV ZRUN WKH +RXVH RI )DLU\WDOHV ZLOO EH DQ LQHYLWDEOH OLQN EHWZHHQ 2GHQVH DQG WKH ZRUOG 7KHUHIRUH LWV VXFFHVV DV D SRWHQWLDO must see attraction relies on the dialogue between the work on display and its dialogue with WKH PXVHXPV PRUH DFWLYH SURJUDP VXFK DV SXEOLF JDUGHQV SHUIRUPDQFH VSDFH FDIHV DQG VKRSV 2XU SURSRVDO DWWHPSWV WR UHDUUDQJH WKH H[LVWLQJ SURJUDP LQ D ZD\ WKDW DOORZV IRU WKH possibility of discovery at the home Hans Christian Andersen.

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Our intent theHouse HouseofofFairytales Fairytales to to be become an iconic widely visible green heart to the city of nt of this proposal is is forfor the reformed as anand iconic and widely visible green heart to the city Odense. Raising and bridging Lotze’s Garden across the future tram line and bicyle path allows for a flow of VH %\ UDLVLQJ DQG EULGJLQJ /RW]HœV *DUGHQ DFURVV WKH IXWXUH WUDP OLQH DQG ELF\OH SDWK LW DOORZV IRU D ÀRZ RI GLIIHULQJ different types of movement, while acting as threshold into the world of Hans Christian Andersen. The openV RI PRYHPHQW ZKLOH VLPXOWDQHRXVO\ DFWLQJ DV WKUHVKROG LQWR WKH XQLYHUVH RI +&$ 2SHQLQJ LQWR WKH SODWIRUP DQG ing of the platform into the museum itself speaks to a major theme in the stories, revealing the power of inner beauty. LWVHOI VSHDN WR D PDMRU WKHPH LQ +&$œV VWRULHV D UHYHDOLQJ RI WKH SRZHU RI LQQHU EHDXW\

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Located on the site’s west side one encounters the Swan (Icon). Here, “Lotze’s Gardenâ€? raises dramatically from the ground. An iconic gesture offering a unique formal engagement with Odense’s developing urban fabric, and serves RQ WKH VLWHÂśV ZHVW VLGH RQH HQFRXQWHUV WKH 6ZDQ ,FRQ +HUH Âł/RW]HÂśV *DUGHQ´ UDLVHV GUDPDWLFDOO\ IURP WKH JURXQG as the gateway into the universe of Hans Christian Andersen, as well as the historic district of Odense. Beneath this F JHVWXUH RIIHULQJ D XQLTXH IRUPDO HQJDJHPHQW ZLWK 2GHQVHÂśV GHYHORSLQJ XUEDQ IDEULF DQG VHUYHV DV WKH JDWHZD\ garden canopy, visitors are quite literally greeted as they enter by favorite Hans Christian Andersen characters; stone XQLYHUVH RI +DQV &KULVWLDQ $QGHUVHQ DV ZHOO DV WKH KLVWRULF GLVWULFW RI 2GHQVH %HQHDWK WKLV JDUGHQ FDQRS\ YLVLWRUV sculptures of some most recognizable function as the canopy’s structure. This arrival hopes to be a spectacle that OLWHUDOO\ JUHHWHG DV WKH\ HQWHU E\ IDYRULWH +DQV &KULVWLDQ $QGHUVHQ FKDUDFWHUV VWRQH VFXOSWXUHV RI VRPH PRVW would attract the attention of a global audience.

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