Nazywam się JAGNA NAWROCKA i jestem rzemieślniczką sztuki. Tworzenie traktuję jako proces przetwarzania wrażeń zmysłowych i intelektualnych w historie. Opowiadanie językiem sztuki nie określa granic gartunkowych, ważny jest przekaz. Ten z kolei, wypowiadany nieraz szeptem, musi trafić do innej głowy, żeby tam zapuścić korzonki i zakwitnąć obrazem. Bardzo mocno i wytrwale wierzę w dialog i pokładam wszelkie nadzieje w ludziach. Ostatecznie wszyscy potrzebujemy jednego. Wszyscy mamy ciało, a każde bijące serce wykonuje pracę wtórowaną dźwiękiem. Powietrze drży pod naciskiem wdechów i wydechów, a skóra ogrzewa się na słońcu. W ciągłym poruszeniu, w trwaniu.
Sztuka nie mówi wprost. Do jej odczytania potrzeba fantazji napędzanej intuicją. Dzięki tworzeniu stałam się strażniczką wrażliwości. Bronię uczuć i aktywuję świadomość. Uważam, że czuła obserwacja jest bramą do zrozumienia świata. Szukam w nim połączeń, żaru życia, zatopionych lądów i szmerów czasu.
Moją misją jest kojenie zmęczonego umysłu. Moją wizję przedstawiam na kolejnych stronach.
Zapraszam do kontaktu: +48 513 008 803 jagnanawrocka@gmail.com @nongajaj
Jagna Nawrocka was born in 1996 in Torun, Poland education:
2003-2015 – The Karol Szymanowski State Music School Complex, Instrumental Department, Toruń, Poland 2014-2015 – Theatre Course, Teatr R. Bezimienni, Toruń, Poland 2015-2016 – University of Wrocław, Philological Faculty, Journalism and Social Communication, Poland 2015-2016 – Academy of World Cinema, New Horizons Association, Wrocław, Poland 2015 – Journalism Internship, Kampus TV, Wrocław, Poland 2016-2018 – Printmaking Studio ODT Swiatowid, Wrocław, Poland 2016-2019 – Eugeniusz Geppert Academy of Art and Design, Faculty of Painting and Sculpture, Art Mediation, Wrocław, Poland 2018-2019 – Accademia di Brera, Erasmus+, Milan since 2019 – Strzemiński Academy of Art, Faculty of Visual Arts, Łódź, Poland prizes:
2012 – special prize in Competion of Edward Stachura Poetry Recitation, Baj Pomorski Theatre, Toruń 2014 – special prize for film review as a chance to be a Jury member of the main competition of Tofifest Film Festival, Toruń 2015 – special prize for television documentary concept, Bydgoszcz 2018 – first prize in „The Best Sculpture of the Year”competition, The Eugeniusz Geppert Academy of Art and Design, Wrocław exhibitions:
2017 – Reja 17 „Yesterday”, MDK Śródmieście, Wrocław 2018 – „Interventios Mediation” Library on the Sand Island, Wrocław 2018 – collective exhibition „Carnevale”, Macondo Foundation for the Development of Culture and Art, Wrocław 2018 – exhibition of the competition works „The Best Sculpture of the Year”, The Eugeniusz Geppert Academy of Art and Design, Wrocław 2018 – students of professor Przemysław Pintal exhibition „115 reasons”, The Eugeniusz Geppert Academy of Art and Design, Wrocław 2018 – „Trojan”, Mikstury Kultury Festival, Czasoprzestrzeń, Wrocław 2018 – 16. SURVIVAL Art Review, Wallenber Pallace, Wrocław 2019 – „Residenza a Milano”, Milan 2019 – Thinkpink Gang exhibition, „Mermaids”, Browar Mieszczański, Wrocław voluntary:
2013 – Tofifest Film Festival, Toruń 2015 – National Museum, Wrocław 2015-2016 – Think Tank lab Triennale, Wrocław 2015-2017 – European Capital of Culture 2016, Wrocław 2016 – Polish Theatre, Wrocław 2016 – Guitar Masters Festival, Wrocław 2016 – Theatre Olimpics, Wrocław
2016 – American Film Festiwal, Wrocław 2016 – National Forum of Music, Wrocław 2016 – Millenium Docs Against Gravity Film Festiwal, Wrocław 2017 – New Horizons Cinema, Wrocław 2017 – Jazztopad Festival, Wrocław 2017 – Event Production, National Forum of Music, Wrocław 2018 – Valletta 2018, Malta experience:
2012-2013 – editor of the fashion blog: https://livecreatehavefun.blogspot.com 2014 – editor of the journal: Pod Wiatr in Bydgoszcz, Poland 2015 – marketing and social media specialist Film Discussion Club, University of Science and Technology, Wrocław, Poland 2015-2016 – journalist in Kampus TV, Wrocław 2015-2016 – editor of the cultural blog:, https://wheremag.wordpress.com 2016 – Event Promotion ESK 2016, Wrocław 2016-2017 – Audience Service, National Forum of Music Wrocław 2017 – organization of the exhibition „Rozmowy” and media promoting, Wrocław 2017 – social media marketing specialist, Macondo Foundation for the Development of Culture and Art, Wrocław 2017 – Jodie Mack’s animation workshop, POSTHASTE PERENNIAL PATTERNS - THE PLEASURE OF THE TEXTILE, Wrocław 2017 – artistic journey to Italy, open-air drawing session, Design Week 2017, Milan 2017 – weaving workshops Tartaruga Studio, Łódź 2017 – running a collage and literature workshop „Autobiographical notebook”, Pana Tadeusz Museum, Wrocław 2017 – artistic journey to USA, working on a film documentary and photo session, Virginia, California, Denver/Colorado, New York 2017-2019 – publications of texts artistic cristism, https://artkrytyka.blogspot.com 2018 – project and catalog design of exhibition „Intro”, Opole 2018 – hosting a meeting with Honarata Martin, Entropia Gallery, Wrocław 2018 – UX Design and UI Design, ValueLogic, Wrocław 2018 – hosting special screenings of project in Virtual Reality, 16. Survival Art Review, Wrocław 2018 – internship in Valletta Contemporary, Art Gallery, Malta 2018 – costume designer and dancer, Dance Makers’ project: Long-lasting Landscapes, Milan 2019 – curating of „Residenza a Milano” exhibition, Milan 2019 – hosting a Panel Discussion during 100 FLAG project, CSU, Wrocław 2019 – running a shadow puppets workshop „Secret Garden”, Slot Art Festival, Lubiąż 2019 – open-air art session MADOA, Wykwit, Wrocław 2019 – running a shadow puppets workshop „Abstract Garden”, Punto y Raya Junior, Wrocław
Drawing Illustration
Structures of the Nature, fineliner, 15 x 21 cm, 2017
3/18, Close-up, fineliner/felt tip, 150 x 100 cm, 2018
Ilustracions for a zine Fury, charcoal/felt tip, Milan, 2019
Ilustracion for the book Locomotive by Julian Tuwim, fineliner, 2018
Graphic design
Font design for a typography placard, computer graphic, 2018
Planet 1, Dry Needle, 17 x 25 cm, 2017
Self-portrait, drawings for a stop-animation, charcoal/pencil/marker, 50 x 50 cm, 2018
Typography design, acrylic, 2018
Flowers, aquatint etching, 11 x 17 cm, 2016
Editorial design for the zine Fury, Cracow/Wroclaw/Milan, 2019
SCULPTURE TEXTILE ART COSTUME DESIGN
Confession, gypsum, natural size, “Interventions Mediation� project, exhibition documentation, 2018
Tkanka (Tissue), photo session for a costum book, 2018
Tkanka (Tissue), exhibition form, metal wire, 2018
Mother Eart and Crator, characters and costume consept, model of silk/coton/twine/plasticine, 2020
Tworzywo (Material), textile art, branding photo session, Wrocław, 2019
Tworzywo - obiekt (Material - object), photography, costume poster, 100x70, Wrocław, 2019
A and B, Act without words 2 - Samuel Beckett, concept art for a costume design, Milan, 2019
Fotografia
Śnienia (Dreaming), analog photography, Ami 66, Głuszyca, 2018
Głębiny (Depths), from Choreo serie, digital photography, Łódź, 2020
Choreo serie, fabric study, digital photography, Łódź, 2020
Composition I, photografphic installation, digital print, 169,5 x 150,5, Wrocław, 2019
Tworzywo - catalog, editorial design for the project catalogTworzywo (Material), A4, model: Daniel Stojanowski, Wrocław, 2019
MULTIMEDIA
Proces, exprimental film, 3 min 20 s, 2018
Prast, Present, Future, Dream, video-installation, shooting and editing in association with Łukasz Oleszczuk and Michał Rozenkowski, 3min20sec, Wrocław, 2019
Prast, Present, Future, Dream, project concept, Wrocław, 2019
Storyboard for fashion film for branding campaign, The Esc, Milan, 2019
Concept art of a drawing animation for the branding movie, The Esc, Milan, 2019
Na całych jeziorach (Everywhere on the lakes - you), space design in Virtual Reality, Unity, Wrocław 2018
Kowboj 01
Bohater na koniu przemierza stepy papierowy kaktus i zachodzące słońce
Zatrzymanie Zejście z konia
Majestatyczny krok, błysk gwiazdy na bucie Kowboja na bucie papierowa Plastelinowa para bohaterów, błyskotka
Kowboj dostrzega kaktusa Kamera wjeżdża za zielony kartonik
Kowboj zamierza się Kamera ”zza ramienia”
Cowboy concept art, storyboard/script, animated short movie, Łódź, 2020
“Due to its venue, this year’s SURVIVAL makes it possible to travel in time. Wrapped in mystery, the history of the Wallenberg-Pachaly palace provides fertile ground for speculations about its past. What did the walls hide? In the Polish society conspiracy theories fulfil the role of media events. Lies masked as assumptions become truths. A particularly important question in recent years has been one about what you believe in. The Amber Room is a symbol of a lost artwork and stolen national capital. Its history dates back to 1701, whn Frederick I of Prussia ordred Gdańsk master craftmen to produce the lavish interiors of a room. During WW2 the treasure got lost and has never been found. All we know in that in 1942 it was transported to the castle in Konigsberg, and then the track is lost. The media regularly inform about progress in the search and present arguments concerning the ownership of the treasure. The real story has evolved into a legend and opens up an area for speculation, because all that is left is a single photograph. Now the spirit of the Amber Room haunts the Wallenber-Pachaly palace. By putting on special goggles, the visitor is given the possibility to venture into virtual reality and look at the venue from the perspective of a dreamer or believer in conspiracy theories. What you see is the Baltic amber, the Gold of the North, the treasure of th Polish nation. Lost, looted, perhaps is never actually existed? Virtual reality drags the guest into a game of truth. In the multi-dimensional dialogue with reality the viewer can reflect on the fluid character of capital. Can the value of culture be expressed in numbers? How to valuate a lost treasure?” JN
Bursztynowa Komnata/The Amber Room , interactive installation in Virtual Reality, in collaboration with Michał Żołnieruk, description accompanying the work during the exhibition: 16. Survival Art Review, 2018
Curating
Carnevale, exhibition/happening organized in cooperation with Macondo Foundation for the Development of Culture and Art, Wrocław, 2018 series of drawings Carnevale, marker, digital graphic other functions: a curator, a poster designer, a host of the event
Residenza a Milano, final exhibition organized in colaboration with Alicja Adamczewskato complete students exchange in Accademia di Brera in Milan, 2019; functions: a curator, an artist, an instructor of shadow theatre workshop drawing techniques, textile art, multimedia
Secret garden, workshop/exhibition, Slot Art Festival, LubiÄ…Ĺź 2020 instructor, concept in cooperation with Zuzanna Legan (assistant)