CRAFTED The Essential Guide to Rugs
CONTENTS 5
INTRODUCTION
6
ABOUT US
9
OUR ARTISANS
11-21
RUG CONSTRUCTION Weave Style
Knots Per Square Inch Types of Knots 22-35
THE JOURNEY Rug Making Process Fibers
36-53
CHOOSING A RUG Color Sizing
54-63
RUG CARE Common Characteristics Cleaning Your Rugs Rug Pads
4
“Let goo d n e ss, fa i rn e ss, and mo st i m por tan t l y l ove p reva i l in business; p rof its w i l l i n ev i t a b l y fo llow.” — N K C h a u dh ar y, Fou n d er
5
INTRODUCTION At Jaipur Living, it’s our mission to make everything we do as meaningful as it is beautiful. That’s why we’ve put together this book: to pull back the curtain and share an inside look into the art of rug making. We hope that sharing the story behind our rugs—from initial designs to finished product—helps you appreciate the craftsmanship that goes into their beauty. We’ll also share how to choose and care for rugs to make sure that you can get the most out of them for years to come.
ABOUT US In 1978, Nand Kishore Chaudhary (NKC) founded Jaipur Rugs alongside nine artisans working on two looms. Built on the principle of dignity, NKC’s business employed socalled “untouchables,” subverting centuries-old practices that had once shunned the poor, women, and artists
Today—led by NKC’s daughters, Asha and Archana Chaudhary—Jaipur Living carries on NKC’s mission by creating beautiful lives for our customers, the artisans who create our products, and our employees—all while preserving the age-old craftsmanship of handmade rugs.
OUR ARTISANS Our makers are entrepreneurs and our mission is to empower. Every purchase of a hand-woven Jaipur Living rug directly supports the community of artisans we partner with in India. Through social initiatives and the Jaipur Rugs Foundation, we’re proud to support more than 40,000 artisans in 600 villages by providing them with a livable wage, access to health care, leadership education, and opportunities for personal growth and development. 85 percent of our weavers are women, whose employment has afforded them financial independence and personal empowerment.
RUG CONSTRUCTION A rug’s design is just one aspect of the finished product. The construction of a piece is what really brings it to life, giving it a depth and tactility. Different construction types are suited to different designs, but generally when talking about rugs, factors like weave style, fiber and pile are all considered.
Rug Construction
W E AV E S T Y L E
Not all rugs are woven in the same way. The style of weaving determines both the appearance of the finished product, as well as the price (due to the time and labor involved).
Manufacturing times are based on a 5X8 size rug – larger sizes may take longer. The given times include all aspects of construction from spinning wool through to finishing and transporting the rug.
14
Hand-Knotted
Handwoven
Hand-Tufted
Flat-weave
Power-Loomed
price point
$$$$
$$$
$$$
$
$
traffic
High
Medium
Medium
High
High
shedding
Low
Low
Med-High
Low
Low
20+ Years
3-10 Years
3–10 Years
20+ Years
3–5 Years
5–12 Months
3-5 Months
4–6 Months
3–4 Months
1–2 Months
co n s t r u c t i o n s
durability
m a n u fac t u r i n g t i m e
15
H A N D- K N OT T E D
H ANDWOVEN
How to identify: Individual, often uneven
How to identify: Handwoven rugs
knots are visible on the back of these
have a low-to-medium pile (other than
rugs, mirroring the pattern visible on
shags, which have a deep pile) and can
the front of the rug.
have a canvas backing added to them.
•
•
The most labor-intensive weaving
rugs by hand.
process, conducted by speciallytrained artisans •
•
•
•
The loom holds the warp (vertical)
Working off a rug map, artisans
threads in place and allows
tie individual knots to build up the
the interweaving of the weft
rug’s design one row at a time
(horizontal)
The quality of a hand-knotted rug is
•
Different looms are used to
determined by the number of knots
produce versatile rugs, including
per square inch (KPSI)
felted textures, shag, naturals or
A higher KPSI requires greater skills
solid and border rugs.
and results in a higher-quality rug.
16
Weavers use a loom to create these
HA N D -T U F T E D How to identify: These rugs have a canvas backing glued on to hold the knots in place and usually have a cut or cut and loop pile. •
Individual tufts of yarn are punched into a pre-made backing fabric with a special tufting gun, which hooks and pulls yarn through the backing to form loops or piles
•
This process is less skill and laborintensive than hand-knotting, so rugs can be completed in a shorter amount of time and are more affordable.
17
F L AT-W E AV E
P OW ER- LO O M ED
How to identify: With their woven
How to Identify: Typically made
construction, these rugs are flat and
of synthetic fibers like polyester,
don’t have a pile.
polypropylene, or PET yarns. If viscose
•
or other cellulose fibers are used, these
These rugs are often reversible, with designs on both sides.
•
Because they only consist of warp and weft threads, flat-weave rugs
•
power-loomed qualities can have a soft and luxurious, though less durable, characteristics. •
Power-loomed rugs are machine
do not have the thickness of hand-
made on electrically powered looms
knotted and tufted rugs
that are controlled by computers.
They are lightweight and often
•
They feature a wide range of color options, complex designs, a variety
require rug pads to stay in place
of fiber type, and shorter lead times than other constructions. •
This construction is a good option for easy care, owing to their inherent stain-resistant fiber quality.
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Rug Construction
KN OTS P E R SQ UARE INC H ( K P S I)
W H AT I S K P S I ? KPSI (Knots Per Square Inch) is a measurement of the density of knots in a hand-knotted rug and is a general indicator of its quality and durability. However, knot counts can vary substantially depending on many other factors (such as style, origin, etc.), so this measurement is just one aspect to take into account when assessing a rug.
H OW D O YO U M E A S U R E I T ? Turn a hand-knotted rug over and count the individual knots you can see running vertically for 1� and then horizontally for 1�. Multiplying these two figures together will give you the overall KPSI.
18 knots
18 knots
18 knots
18 knots
324 knots square inch
324 knots square inch
FRONT
BACK
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Rug Construction
TYPES OF KNOTS
ASYM M ET RICAL •
Also known as a Persian or Senneh knot
•
Creates a fine weave
•
Formed by wrapping the yarn once around a warp and then passing it under the neighboring warp strand
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SYMMET R ICA L •
Also known as a Turkish or Ghiorde
T IBETAN K NOT •
knot •
•
Both ends of yarn come out
Formed by looping yarn around two warps and a rod
•
After the rod is covered with loops,
between both warps
a cut is made to form a pile and the
Used in Turkey, Iran and the
rod is removed
Caucasus
23
THE JOURNEY The process of making our handmade rugs operates on a decentralized model, supported by comprehensive quality checks along the way. With this approach, we are able to work with and support artisans in many different locations while ensuring the highest quality.
The Journey
T H E M A K IN G O F A H A N D - K N OTT ED RU G
DESIGN
1
The product concept is developed by Jaipur Living’s in-house design team
R AW M AT E R I A L
2
SELECTION The best wool is sourced and processed
HAND-CARDING AND
3
SPINNING Raw wool is cleaned then spun into yarn
DY E I N G
4
Jaipur Living dyes wool to over 3000 colors
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SPOOLING
5
Dyed wool is prepared for weaving
W E AV I N G
6
Artisans weave the rugs from a provided rug map
WA S H I N G
7
The completed rug is cleaned to prepare it for the finishing process
FINISHING
8
Rugs are evened out, trimmed and prepared for export
27
The Journey
F IB E R S The fiber used to weave a rug affects the look and feel of the finished product. It also has an impact on the rug’s durability and function.
Fibers
Texture
Durability
Moisture Resistance
Stain Resistance
Minimal Shedding Sustainability
Wool
Medium
High
Silk
Soft
Average
Cotton
Soft
Average
Hemp
Coarse
Average
Jute
Coarse
Average
Linen
Coarse to Medium
High
Polyester
Soft
High
Polypropylene
Medium to Coarse
High
Viscose/Art Silk/ Rayon
Soft
Low/Average
Sisal
Coarse
Average
Seagrass
Coarse
Average
PET
Soft to Medium
Low to Average
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WO OL Wool is an incredibly resilient natural fiber that comes from the shearing of sheep (and sometimes other animals like alpacas, goats or llamas). It is graded by the length of individual hairs and where that hair comes from on the animal’s body. The best wool often comes from the neck, belly and sections under the legs of the sheep, where is tends to be finer, softer and longer. Climate and habitat also contribute to the quality of wool. Most of Jaipur Living’s stock is sourced from India and New Zealand.
W H Y C H O O S E WO O L? •
Most high-quality wool is very durable, while soft to the touch
•
Naturally resistant to water, dirt and stains, wool is easier to maintain than other materials
•
Easy to dye and holds color well
•
Because wool is an elastic fiber, any marks or indentations from foot traffic can easily be brushed out
•
An excellent insulator
•
As a natural fiber, harvesting wool is more Eco-friendly than creating synthetic fibers
•
Great at hiding dirt and looks better for longer than other fibers
O T H E R C O N S I D E R AT I O N S •
Wool is comparatively more expensive than many other fibers
•
Some people are allergic to wool
•
New wool rugs shed loose fibers for the first few months of use
•
Care must be taken when storing wool rugs to prevent them from being eaten by moths
30
COT TO N Cotton is a fluffy, plant-based fiber that grows around the seeds of the cotton plant. Because they are relatively inexpensive, cotton rugs are popular for simple and casual décor.
W H Y C H O O S E COT TO N ? •
Cotton is easy to clean
•
Rugs woven from cotton are inexpensive
•
Cotton takes color very well so rugs can be bolder and brighter
•
Cotton is a hypoallergenic fiber
O T H E R C O N S I D E R AT I O N S •
Cotton is a lighter fiber than other natural alternatives, so it doesn’t produce very plush rugs
•
Rugs woven from cotton are also not as durable as those woven from other natural fibers
•
Cotton is not as stain resistant as wool
•
Cotton is a less effective insulator than other fibers
31
SILK Silk is a natural fiber harvested from the cocoons of either cultivated or wild silkworms. It requires great skill to weave silk rugs, and they are often true investment pieces.
WHY CHOOSE SILK? •
Silk rugs are often the softest you will find and have an elegant finish
•
Relatively durable and can last a lifetime with proper care
•
Natural luster and shine in the finished rug
•
Silk takes dye very well, which allows for beautiful color variation
O T H E R C O N S I D E R AT I O N S •
Silk is a relatively expensive fiber
•
Footprints and furniture marks show easily
•
Silk is not as stain-resistant as other fibers, so care needs to be taken around the rug
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V IS COSE / A RT S ILK These man-made fibers are created from plant material (e.g. wood pulp). While they were originally created to mimic more expensive natural silk, they are now often desirable in their own right.
W H Y C H O O S E V I S C O S E /A R T S I L K ? •
Art silk adds luster and shimmer to designs
•
Soft to the touch
•
Easy to dye
O T H E R C O N S I D E R AT I O N S •
Fibers may be easily flattened by heavy furniture
•
Harder to clean than wool or cotton
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P LA N T- BASE D FIBERS Plant-based fibers are highly versatile. The term refers to a variety of materials, each derived from a different source: Jute: Corchorus
Seagrass: Marsh plants
Hemp: Cannabis
Coir: Coconut husks
Linen: Flax
Abaca: Banana plants
Sisal: Agave
W H Y C H O O S E P L A N T- B A S E D F I B E R S ? •
They provide a neutral background
•
Strong and durable materials, especially sisal and abaca
•
Eco-friendly production methods
•
Naturally textured and lend themselves to woven patterns
•
Some plant-based fibers (like jute and hemp) take dye well
•
They can be cleaned by simply shaking the dirt out
O T H E R C O N S I D E R AT I O N S
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•
Natural fibers are not as stain resistant as wool and synthetics
•
They absorb moisture and are not suited for damp environments
•
With daily exposure to direct sunlight, they may fade or darken
P ET PET, the abbreviation for polyethylene terephthalate, is a useful fiber made from recycled plastic water bottles! It’s what makes indooroutdoor rugs so versatile and weather resistant.
WHY CHOOSE PET? •
PET is very easy to clean
•
Rugs woven from PET are inexpensive
•
They can look and feel like woven wool
•
Great for families with pets and kids
•
PET rugs keep plastic water bottles out of landfills
O T H E R C O N S I D E R AT I O N S •
More durable for high traffic-areas
•
Stain resistant but can attract oils, which trap dirt
35
P O LY P R OPYLE NE Polypropylene, also known as olefin, is a man-made fiber used extensively in home décor. While it is often seen as simply a costeffective alternative to natural fibers, it also offers unique advantages like fade and stain resistance. Because of this, polypropylene fibers work well in rooms like kitchens, children’s rooms, indoor/outdoor rooms and basements.
W H Y C H O O S E P O LY P R O P Y L E N E ? •
Quick turnaround time and inexpensive to produce
•
Similar look and feel to natural fibers at a lower cost
•
Durable and easy to clean
•
Can be treated to be stain-resistant
•
Good for people who are allergic to wool but want a similar look
•
Resistant to bleaching and fading from sunlight
•
Excellent value
•
Good performance
O T H E R C O N S I D E R AT I O N S
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•
Synthetics are shinier and slicker than true wool
•
Can be difficult to dye, so color options may be limited
P O LY E ST E R Polyester is a man-made fiber that is exceptionally stain and fade resistant, but still soft and affordable. While not quite as durable as other synthetics like nylon, polyester rugs will still wear well if properly constructed. Their relatively lower cost and stain resistance means that they are a good choice for children’s bedrooms and areas where owners may not want to invest in a more expensive option.
W H Y C H O O S E P O LY E S T E R ? •
Soft finish with exceptional resistance
•
Good performance with long-term wear
•
Some polyester can be made with recycled content for sustainability
•
Great value
O T H E R C O N S I D E R AT I O N S •
With extended use, polyester rugs will be prone to matting
•
These fibers are less resilient than wool, so they will crush more easily under furniture and foot traffic
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CHOOSING A RUG There is no exact science to finding the right rug for a space, but there are a few key considerations to take into account that can make the process easier.
Choosing a Rug
CO LOR
Red s
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O rang es
CONFIDENT & BOLD
WA R M & W E L C O M I N G
Red has long been associated with
Orange is a nurturing, welcoming color.
passion, action and energy. It draws
It works well in social spaces because
attention in a space. Dark and bright
of its hospitable associations. Brighter
reds are good for rooms associated
oranges are more energetic, while
with action like kitchens and living
darker shades are grounded and exotic.
rooms, while lighter pinks are subtler
Lighter shades of peach and coral have
and less dominating.
the same feeling but are less intense.
Choosing a Rug
CO LOR
Ye l l ows
Greens
BRIGHT AND CHEERFUL
BA L A N C E D A N D S O OT H I N G
Yellow is the optimist’s color of choice
Green reminds us of nature and helps
because it is so bold and sunny. It is a
us to feel calm and connected. Rich
naturally energizing color, especially
greens feel more lush and verdant,
in its brighter forms. Rich yellows are
while bright and light greens are
more nurturing than stimulating.
energetic in their appeal.
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Choosing a Rug
CO LOR
B l u es
P urp les
CALMING & GENTLE
RICH & INTRIGUING
Blue is a favorite color for many
Purple has long been associated
people because of its subtle, soothing
with royalty so is often seen as a
feeling. Bright blues are more electric and stimulating, while light blues feel pensive and thoughtful.
special color. Rich and bright purples, especially, feel opulent and dramatic while, lighter lilacs are more soothing.
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Choosing a Rug
CO LOR
Brow n s
Grays
EARTHY & GROUNDED
CLASSIC & CONSIDERED
Browns are solid, dependable colors
Gray is a timeless color. Stylish yet
because of their associations with the
unobtrusive, gray work best when
earth. Richer browns feel robust and
combined with other colors but can
inviting, while lighter, neutral browns
also be used in various shades for a
are wholesome and calming.
more layered, tonal effect.
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Choosing a Rug
CO LO R VA RIAT IO NS
Jaipur Living uses the industry-standard
LIGHTING CONDITIONS
Pantone TPX Color Tool for consistency
Some fibers are naturally more reflective
throughout the manufacturing process.
than others, so rugs can appear lighter
Working with textiles, however, means that
or darker in a photograph than they do
there can sometimes be variations in the
in real life. Similarly, the lighting of the
way a rug’s color is perceived:
space where the rug will be used can
HANDMADE VS. MACHINE-MADE Handmade rugs are one-off pieces of functional art, and because each one is
affect the appearance of its color. This is particularly true of fibers with a natural sheen, which can become more evident under brighter lighting conditions.
unique, there can be subtle variations in
ON-SCREEN AND PRINTED
color due to the natural fibers and dyes
IMAGES
being used. Machine-made rugs are usually
Colors can vary from the screen, to the
more consistent and accurate in their color.
printed page, to the dyed fiber. While Jaipur Living’s website and catalog are great for getting an initial feel for a rug, we recommend that physical rug samples are used to make a final decision.
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Choosing a Rug
DY E I NG A N D CO LO R
Rug dyeing is a traditional art that allows artisans to create decorative effects. To obtain different colors, artisans use either natural dyes (derived from plants and naturally occurring mineral compounds) or synthetic dyes (the product of chemical processes). For both types, the process of dyeing is the same First, the dye is added to boiling vats of water, followed by the yarn. The yarn is then stirred around to help the wool take the color. It may also be moved between vats of different temperatures as a part of this process. Once it reaches the desired color, it is left to dry in the sun before being sent off to be spooled and then stored until it is needed.
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Choosing a Rug
DYE ING & CO LO R
A B R A S H /A N T I Q U E This term refers to the color variations sometimes seen in handmade rugs and is caused by factors such as subtle differences in dye lots and raw material preparation. These are not seen as defects, but part of the character of the handmade process and contributing factors to the individuality of each rug.
M OT T L I N G This refers to the process of weaving two colors or fibers together to produce a desired effect on the finished rug.
OV E R DY E D R U G S This process does not refer to the treatment of yarn itself, but rather the dyeing of a whole rug. It results in a new, highly saturated color wash over an existing design and is often used to give a contemporary edge to traditional styles.
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Choosing a Rug
DY E IN G & CO LO R S O L U T I O N DY E I N G
U N DY E D WO O L
With solution dyeing, synthetic fibers
As the name implies, this refers to wool
have pigment embedded into them as a
that is left untreated and shows the
part of their construction, and as a result
natural characteristics of the material.
are less prone to fading. The opposite of this ”yarn dyeing” or “piece dyeing” sees color dyed in after the fiber is produced or harvested, and as a result pigment only penetrates the outer layers of the fiber.
S PAC E DY E I N G This is a technique used to create multicolored yarn, with two or more colors repeated along the length of the thread. These can either be contrasting or complementary and result in a subtle, unpredictable pattern.
T I E - DY E I N G A hank (yarn loosely wound into a ring shape) of yarn is tied and retied before being dyed. This means that some portions are exposed to more dyes than others, producing intentionally inconsistent color variations.
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Choosing a Rug
SIZING M E A S U R E B E F O R E YO U S TA R T Before you start looking at rugs, measure the dimensions of your room to work out the approximate space you have for a rug and any constraints the space may have (door openings, etc.).
B I G G E R I S U S U A L LY B E T T E R A small rug can make a room look smaller and its elements disconnected. When in doubt, go for a bigger size to help tie everything together.
THE 18-INCH RULE Most interior designers advise to leave around 18 inches of bare floor around a rug to get the right proportions. However, you can tweak this for smaller spaces.
D O N ’ T B E A F R A I D TO EXPERIMENT You’re allowed to bend the rules a bit when choosing a rug–they’re only guidelines after all. This is particularly true if you have an unusual space of furniture arrangement to deal with.
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Choosing a Rug
S IZ IN G LIVING ROOM While a couch can sit halfway on the rug, any occasional chairs should be completely on the rug. Leave some floor space around the edges of the room to frame the rug.
9'x12'
8'x10'
5'x8'
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Choosing a Rug
SIZ IN G DINING All dining chairs should be able to still be on the rug when pulled out. The general rule of thumb is to add 2–4 feet on each side of the table.
10'x14'
9'x12'
8'x10'
Rectangular dining room tables work best with rectangular rugs. Round tables can work with both rectangular and round rugs.
10'
8'
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Choosing a Rug
SIZ IN G
BEDROOM Avoid placing a smaller rug at the end of the bed; instead, go with a larger rug to anchor the space. The rug should be at least halfway under the bed.
King
9'x12'
Queen
8'x10'
Twin
5'x8'
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RUG CARE With proper care, a new rug can look its best for years to come. This doesn’t just apply to how rugs are cleaned, but also how they are stored and what other products are used with them to extend their lifespan.
Rug Care
CO M M O N C H A R AC T ERIST IC S
SHEDDING AND SPROUTS New rugs often shed loose fibers as a natural part of the wearing-in process. This will stop over time, particularly after they have been vacuumed a few times. Some rugs are more prone to shedding than others. Loose, long fibers, known as “sprouts� may appear above the surface of the rug and can be trimmed with scissors to even the pile.
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Rug Care
CO M M O N C H A R AC T ERIST IC S CO LO R Sometimes very slight color variations occur across dye lots so the color of handmade rugs may be marginally different from samples.
CREASING When a new rug is delivered, it may show some creases from being folded for shipping. These will disappear after the rug has been laid flat for some time. Rolling the rug with the pile facing outwards and leaving it like that overnight will speed up the process.
ODOR As rugs are shipped in a sealed bag, odors from dyes and fibers can accumulate over time. This odor will naturally dissipate over time when the rug is removed from its bag.
W E A R A N D FA D I N G Rugs are subject to wear and tear over time and can become faded if exposed to direct sunlight. They should be rotated every six months to minimize this.
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Rug Care
C L E A N IN G YOU R RU GS
As functional pieces of décor, rugs are often subjected to different kinds of daily wear and tear. However, with proper care the rugs can look as good as new for years. Different fibers sometimes require different approaches when it comes to cleaning, but there are some common rules for any rug.
GENERAL TIPS: •
Clean spills immediately so that they do not set
•
Don’t rub stains, as this can cause them to become set in the fibers. Instead, blot them with a cloth
•
Make sure any product is completely removed after cleaning
•
After cleaning, use dry towels to absorb remaining moisture
•
When having rugs cleaned professionally (especially handmade rugs), always make use of reputable rug experts
•
Before professional cleaning, ensure that the rug is inspected by the cleaner to confirm its condition and obtain a signed receipt and guarantee of work
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Rug Care
C LEA N I NG YO U R R U G S WOOL RUGS •
Vacuum wool rugs regularly to keep them looking their best
•
When cleaning, use only cold or lukewarm water to avoid shrinkage and damage
•
Blot away any spills immediately and then clean with mild soap and water. Do not use oxygen cleaners
•
Avoid exposure to direct sunlight to prevent fading
•
For best results, professional cleaning is recommended
SILK RUGS •
Never saturate or soak silk rugs with water as this can damage the fibers
•
Blot away any spills immediately and then clean with mild soap and water. Do not use oxygen cleaners
•
For best results, periodic professional cleaning is recommended and encouraged to protect silk fibers
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Rug Care
C L E A N IN G YOU R RU GS
SYNTHETIC FIBERS
(preferably suction or dry extraction)
•
is recommended for best results
Vacuum synthetic rugs regularly to keep them looking their best
•
Blot away spills immediately to prevent stains
•
Shag rugs should be cleaned using spray extraction
•
Products formulated for wool rugs can be used for cleaning shag rugs
Avoid exposure to direct sunlight to prevent fading
•
•
Make sure that any rug cleaners used are safe for use on synthetic fibers
•
SHAG RUGS
•
Shedding is normal after cleaning, but do not pull out fibers as this can
For best results, deep clean annually
damage the rug
(or as needed) •
Vacuuming without a beater bar is
N AT U R A L F I B E R R U G S
best for shag rugs; however, they can
•
Natural fibers are highly absorbent
also be effectively cleaned by simply
and should be cleaned regularly
shaking out any dirt
•
Vacuum regularly to prevent dirt from becoming trapped in the fibers
•
Do not steam clean or saturate with
INDOOR OUTDOOR •
with soapy water, rinse with a hose
water—this can cause rugs to shrink
and leave to dry
or be damaged •
Avoid exposure to direct sunlight to prevent fading
•
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Periodic professional cleaning
For overall cleaning, spray the rug
•
For spot cleaning, remove any remaining matter and clean with soapy water and a sponge
Rug Care
VAC U U MING
Regular vacuuming is important to keep rugs in top condition. It helps to remove any surface dirt before it can be ground into the fibers and prevents discoloration and staining with time.
VA C U U M I N G T I P S : •
Canister vacuums without beater bars are recommended
•
Brooms and other manual sweeping methods are also suitable
•
Use hand-held rug cleaning attachments when possible
•
Beater bars are not recommended because they can damage rugs
•
If beater bars must be used then they should be set to the highest setting and care taken not to damage the fibers
•
Powerful vacuums are not recommended for cleaning because they can pull fibers from the base of a rug
•
Reversible rugs should be vacuumed on both sides to prevent the buildup of dirt on one side of the rug
•
Avoid running vacuums over edges and fringes repeatedly
Some vacuums have mechanical beater bars built into the head. These help to dislodge dirt from surfaces but can potentially damage rugs.
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PREMIUM HOLD Features needle-punched fabric with textured waffle backing for improved gripping power. Rubber side down onto hard floors; fiber side down onto carpet. Provides cushioning, insulation for fine rugs.
U LT R A H O L D Low-profile, high-performance, needlepunched rug pad. Rubber backing offers maximum gripping power. Reversible for use on both hard floors and carpets. Easily trimmed to fit. Will hold for 10 years with the proper maintenance.
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Rug Care
R U G PA DS
SUPER HOLD Pad has a rich, luxurious feel. Made from polyester fabric coated with vinyl compound. Supports rug evenly to help retain appearance. Fire-resistant.
OUTD OOR Open-weave construction allows for maximum air flow. Made from polyester fabric coated with vinyl compound. Easily trimmed to fit. Provides added cushion, comfort to outdoor rugs.
DELUXE Tight-weave construction. Excellent surface coverage and air flow makes rug easier to vacuum. Fire-resistant.
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