JAKUB DANIEL
CV
JAKUB DANIEL, Bc. Poříčská 2083, Újezd nad Lesy, Prague 9, Czech Republic mob: (+420) 723 930 622, e-mail: kubadaniel.kd@gmail.com
PERSONAL
EDUCATION
• Nationality Czech • Age 25 • Location Prague, CZ
2017-presence CZECH TECHNICAL UNIVERSITY IN PRAGUE, CZECH REPUBLIC Faculty of Architecture, Program of architecture and urban planning Masters degree studies
LANGUAGE SKILLS • Czech language • English language • German language
Native C1 B1/B2
COMPUTER SKILLS • OS MS Windows • OS MAC • • • • • • •
AutoCAD ArchiCAD SketchUp Adobe Photoshop Adobe InDesign Adobe Illustrator MS Office
2018
EINDHOVEN UNIVERSITY OF TECHNOLOGY, NETHERLANDS Department of Built Environment, Architecture program Erasmus program, spring semestr 2017-2018
2017
NATIONAL UNIVERSITY OF SINGAPORE, SINGAPORE School of Design and Environment, Department of architecture Exchange program, winter semestr 2017-2018
2013-2017
CZECH TECHNICAL UNIVERSITY IN PRAGUE, CZ Faculty of Architecture, Program of architecture and urban planning Bachelor degree - graduated 2017
2005-2013
HIGH SCHOOL OF NATURAL SCIENCES, PRAGUE Private school institution
2011
BELL HIGH SCHOOL, OTTAWA, CANADA English language foreign program, Spring semestr
TRAININGS 2013-2015
STUDY OF ART TECHNIQUES WITH AKAD. ARCH. JIŘÍ VLČEK Graduate of Academy of Arts, Architecture and Design in Prague
2012-2013
STUDY OF DRAWING WITH MGA. MICHAL BENEŠ Graduate of Academy of Arts, Architecture and Design in Prague
2012
DID DEUTSCH-INSTITUTE BERLIN, GERMANY German language foreign program, summer school
2010
DID DEUTSCH-INSTITUTE AUGSBURG, GERMANY German language foreign program, summer school
WORK EXPERIENCE 2016-presence ANARCHITECT studio (http://anarchitekt.cz/) Junior architect 2018 LEVS Architekten, Amsterdam, Netherlands Internship, 3 months 2016
TRSY LANDART FESTIVAL (http://www.trsy.cz) Organisation-Volunteer coordinator, Exhibiting artist
2014-2016 JV DESIGN STUDIO Junior architect, assistant 2013
DITTELBRUNN INTERNATIONAL WORKCAMP, GERMANY Construction work in location
COMPETITIONS 2018
24H DISRUPTIVE CHALLENGE AnArchi organization, Eindhoven, Netherlands 2nd place - Will be exhibited on the Dutch Desing week autumn 2018
2018
INTERNATIONAL WORSHOP OF URBAN PLANNING Technical University of Dortmund, Germany
2016 CAFÉ LIBRARY COMPETITIVE WORKSHOP Czech Technical University in Prague, Faculty of Civil Engineering 1st place 2015
STAIRCASE COMPETITIVE WORKSHOP Czech Technical University in Prague, Faculty of Architecture 1st place - Constructed in November 2015
LANGUAGE CERTIFICATES 2012 CERTIFACATE OF ENGLISH LANGUAGE CAE (C1) University of Cambridge 2012
CERTIFACATE OF GERMAN LANGUAGE (B1) Deutsche Institut
Design studio Renato Kindt, ATVZ 7. semestr 2017/2018 Eindhoven University of Technology
TECTONIC EXERCISES: HOUSE FOR KAZUO ISHIGURO Process of first designing tectonic principles for a “reading space” and their translation into a family house of Nobel price holder Kauzo Ishiguro and his family. With our teachers we went through process of describing and composing different conditions and aspects of space before we got to know what we are designing as our final outcome - the house for Kazuo Ishiguro. We were working with space according to Peter Zumthor`s book “Atmospheres” and Kenneth Framton`s “Studies in Tectonic Culture”. Step by step we were defining and specifying conditions and emotions we wanted for our design to resonate. Four weeks before the end of semester we got to know the task and the location of the family house. Before that we were basically designing what Peter Zumthor calls “a formless house”. The most interesting part of the project was the possiblity to focus on particular aspects without being weighten down by local conditions, constructional problem ets. 90% of thinking and 10% of working let to the outcome that the house almost drew itself.
THE STORY OF THE HOUSE
BODY OF ARCHITECTURE I sit inside and outside in the same time. I think about this place. It is this the one? It is forth one this afternoon. Aaaand in that moment the piano is starting to play. It is part of the space, but I cant see it. It is somewhere behind me. I think I found it. Originally I was looking for places only for reading. I found out that for me it is not only about that. The places I usually read in are in transportation, public coffee houses, places with people, rush, noise and action in surrounding. Reading is becoming not only text on the paper but now everything that envelopes me. The spot is absolutely public, therefore, I never know what is going to happen and most importantly to what is the book going to connect. The people, sounds, smells are part of the atmosphere. When I am reading the atmosphere becomes the background. Background which steps into my subconscious and outside of my active perception is weaving through the imagination generated by the text.
- INSTRUMENT 1 The first musical instrument is not only about the sound it makes but also about the idea of the randomness in the produced sounds. On itself the instrument is balance and without human interaction stays this way. With pushing the ball the smaller balls inside starts to randomly hit the metal. The reaction depends entirely on the power and frequency of the outer interaction. It is symbolic for the type of noise I noticed in the spot. Sounds which are produced by the building enveloping certain space. Without the space the sounds would not happen. People crossing it. People talking and leaving, Birds flying in and out. They all together create noises and sounds which translates into atmosphere and background. There is no pattern or order in it. This sounds are produced everywhere in the designed section depending on the current inhabitants.
People create noises around me. Inconspicuous and irrelevant – footsteps, light echo from hard concrete floor. Subdued background is complimented with louder and more recognizable – speech, calling, knocking from adjacent building site. Rhythm is irregular, disharmonic and raw. And then change! The piano again! Melody is pushing everything away and it is distracting me from the reading for a few seconds before I tune it down again. Winter sun is low in the sky. Dispersion through the clouds makes is incredibly soft. The intensity changes and when the sun burst through the cloud for a few second I can feel the heat through my clothes. My eyes are not getting tired as the light changes and does not become monotonous.
- INSTRUMENT 2
The air is fresh, cold and clean. Scent as the strongest human sense is not disturbing me here. People are coming to have a break. Smell of cigarettes is filling the air. I don’t mind, I am used to it. Sometimes I smoke myself. Change, I notice it and then right in the background again. I feel a bit cold. Just chilly. It is middle of February. It is part of the place. The cold is actually helping to keep me awake. Before I tried in the library and warm and heavy air almost made me fall asleep.
The second instrument is representation of the tension in metal construction. The spring is suspended from an object or a beam. On its wire are two paper cubes with 5 full sides. They amplify the sound of metal tension. The spring can be touched lightly or stressed. The instrument especially simulates tension in steel cables which hold the ramp. Unfortunately, the original model was thrown out during the workshop cleaning.
The space around is formed by light glass façade panels, that shields me from wind and still offer a view on the people coming from another building. They create a movement in my scenery. Different heights, colors, speeds. Smudges on the periphery of the visual perception. The noise comes and goes with them. So is the smell. Everything together is very irregular and disharmonic, but I am realizing that this sudden changes and disturbtions are keeping me focused.
THE LIGHT ON THINGS
THE SOUND OF SPACE Interiors are like instruments; they are collecting sounds, amplifying, transmitting. What will the sound be of a space when you walk through it, and how will it be when you talk to each other. What is the sound of the building itself?
Imagine how the light falls, where shadows arise? Plan the building as a pure mass of shadow, then, put light in it as you were hollowing out the darkness, as if the light were a new mass seeping in. Look at the way each material reflects the light.
MATERIAL COMPABILITY
TENSION FROM INTERIOR TO EXTERIOR
Imagine all the possibilities that a material entails, how it can be crafted, how it’s used and how it weights. What reaction is going on when composed with other materials?
What is inside and what is outside? Sometimes instead of reflection a semi reflection can create a more pleasant effect. Window with semi reflective glass layer can work with this effect to create overlay between the interior and exterior. Over the day the ratio of reflection and transparency differs with the amount of light coming from the inside and the outside. That gives a long time observer time to watch a different atmospheres in one room throughtout the day.
In the room the main light source is focused on the tilted wall. Wooden lattices divide the remaining space to define the room. There is additional light source on the other side to define the space. As the space enclosed semi reflective surface on the floor can help to enlarge the feeling of space. Wooden element creating the construction are sunken un the mass of sand and help to support it. The load bearing construction of the cealing is the mass of the send enstrenghed by chemicals and eventual reinforcements.
Relationship between the main opening and reflective facade. This window is the only which is transparent a opens the interior to the outside observer. Opening is pointed to the near by tree.
IN THE LANDSCAPE The landscape has long and straing horizont. Another way of creating tension is to induce slight changes into the environment. For me Kazuo Ishiguro`s work and life is about the hamony of imagination and reflection. As he was growing up he reflected the british enrironemnt as he could only imagining about the japan cultural inharitance. As his work contains characters in which shows characterictics of both cultures, for example butler with british story but almost japanese sense of servility, he realizes that he should more focus on the relations between different character rather than the characters themselves. For me the task is to design a house that keeps relation with its enviroment but it also makes you wonder and imagine. At first you might hace an observation but then I also want the house to surprise you. As Ishiguro`s stories shift and change I also wanted for my desing to show different atmospheres over a day, a week and a year.
TENSION FROM EXTERIOR TO INTERIOR Experimenting with mirror and the reflection of the landscape. We percieve the lanspace as sequence of our views. My experiment was about trying to put the landscape in cotranst with it self. To collage the lanscape in real time and try if it not disturbs itself too much.
BETWEEN COMPOSURE AND SEDUCTION Sketch showing the sequence of scenography characters over the house. Reflective facade and the semi transparent openings helps to direct the light and design every room with its own atmospheres. Going throught the house is then a way of discovering the atmospheres in a sequence as going up or down through the house. As one approaching the house is reflective. As you enter the the interior is of different material and it comes as an unexpected change. One way then continue up through the rammed eartch core with connects even the top floors with basement. The house is slowly opening more and as you leave the wooden box in the third floor as you enter enclosed roof atrium. At the end of the way ou enter the roof terrace and can decide to finnish the way in the tea house. The other way leads you down to the writing room with spot lights and afterwards you can continue into hidden subground atrium and then walk up into the landscape.
INTERACTION WITH THE SURROUNDINGS
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ROOF TERRACE
A
B
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SECOND FLOOR
A
ROOF TERRACE
A`
The istrument is reflected in tension of curtain wall construction of the roof atrium
B`
A`
FIRST FLOOR A
B
B`
A` A
GROUND FLOOR
TEA HOUSE
B`
A
A`
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BASEMENT WORKROOM
B
C
C`
A`
CROSS SECTION ELEVATION WEST
LONGITUGINAL PERSPECTIVE SECTION
LONGITUDINAL SECTION ELEVATION WEST
CROSS PERSPECTIVE SECTION Roof terrace
Parents`s floor
Assistent`s quaters
Daugther`s floor
Common space
Kazuo Ishiguro`s workroom
Flooded - Summer workshop 2018 Estonian Academy of Arts
BORG HOTEL SOOMA Two weeks building workshop focused on designing small sleeping shelter in Sooma National park in Estonia. River basin in Estonia get flooded every year in spring months and our goal was to design shelter to withstand these temporary conditions. The shelter is a third year continuation of the Flooded workshop. We have expanded the place of original native village. The heritage of the second workshop - the floating sauna is in the bay that creates delta of the second smaller stream. The team consisted of students from all around world and was lead in very good spirit. The project went through many stages of designing and changing where student took turns in designing different parts so the project was actually collective. The shelter is around 6 meters tall to partly stay above the water level during the floods. Inside we can find 2 sleeping platforms with a small side door that can be used from a canoe. First conical shaping in layout and second conical shaping in elevation creates optical illusion so the shelter has to two different faces - one facing the river and the other one road axis.
RIVER JUNCTION WITH THE SHELTER AS SIGNIFCANT POINT
International Spring Academy, April 2018 TU Dortmund, Germany
URBAN WASTELAND DORTMUND Workshop experimenting with new urban plan revitalizing urban wasteland in Dortmund in the area of former train depo. Patrick Brenzel DE + Jakub Daniel CZ + Silvana De Bari IT + Jannik Spatz DE As an Erasmus student I got the opportunity to participate in the workshop organized by Technical University of Dortmund. The workshop included Eindhoven University of Technology and Politecnico di Torino. In mixed groups our task was to design a revitalization of former train depo in area adjacent to the center of Dortmund. During the analysis we realized that our area is situated in between two other districs, one residential and the other commercial, which are not centrilized and separated from the rest of the city. Our design would create an indispensable puzzle piece that binds all the districts together. Consequently, by designing new train station we oriented the movement direction and connected the districts to the rail system. We wanted create lively atmoshere for all the social groups. In order to do that we proposed to used mix used city fabric. Including three main zones-campus, residential and park. To keep the street alive and enjoyable we prevented the cars to park on the streets by restricting car access and diverting it only through one street around the train station. Balance of inhabitants and those passing through was the reason for defining commercial zones and public spaces adjecent to the north-south and east-west axes. Campus area developes the only remaining architecture in the area - the water tower. Square in front of the tower was only paved and the rest left for the locals to finish it themselves. This approach promises that the community will feel free to interact more with their environment and indentify it as their own. The rest of the campus are is left for student accommodation and school institutes. Residential part of the masterplan includes housing blocks with inner courts and public structures as park restaurant or markethall with library/gallery. The proposed masterplan is quite dense so we included proposal for building guidelines. Block would be divided into single buildings and designed by different architects to ensure the more dynamic character of the street. Also, the flat roof would be compulsory to be used as common terraces. As a result, we can create social interaction and lower the anonymity in every building. Moreover, it compensates for the lack of privacy in the streets and surface.
ATMOSPHERE OF REVITALIZED TRAIN DEPO
RESIDENTIAL BLOCKS
CAMPUS AREA
TRAIN TRACKS
TRAIN TRACKS
CYCLING PATH GREEN LINE NEW TRAIN STATION
TRAFFIC ROAD
SCHOOL/PUBLIC BUILDING STUDENT ACCOMODATION
RESIDENTIAL BLOCK INNER COURT URBAN ROOF TERRACES
MIX-USE STREET
RESIDENTIAL BLOCK INNER COURT URBAN ROOF TERRACES
PEDESTRIAN STREET
HIPSTERSTADT FORMER TRAIN DEPO
PUBLIC BUILDING
PUBLIC PARK
B
A`
BACK PARK GARDENS
A
KRONPRINCESTRASSE
B`
URBAN MASTERPLAN
PUBLIC B.
PUBLIC B.
PUBLIC B.
MAIN PUBLIC SQUARE COMMERCIAL ZONE
RESID
CROSS SECTION AA` - RELATIONSHIP OF STREET AND RESIDENTIAL BLOCKS
PUBLIC SPACE COMMERCIAL ZONE PLAYGROUNDS OUTDOOR ACTIVITIES
DENTIAL AREA
COURTHOUSE
KRONPRINCESTRASSE
CONNECTING STAIR RESIDENTIAL BLOCK
PEDESTRIAN STREET
MAIN PUBLIC SQUARE
GALLERY/MARKETHALL
MIX-USED STREET
RESIDENTIAL BLOCK TRAFFIC ROAD
GREEN LINE CYCLING PATH TRAFFIC ROAD
UNDERPASS
RESIDENTIAL BLOCKS REVITALIZED GREENERY
PARK AREA
CROSS SECTION BB` - RELATIONSHIP OF CONNECTING PUBLIC SPACES
MAIN PUBLIC SQUARE WITH MARKETHALL AND GALLERY
STAIRS CONNECTING NORHTERN DISTRICT WITH THE NEW SQUARE
Bí-Da Michal Bílek Jakub Daniel
24 hour disruptive challenge, April 2018
THE 3 YEAR CITY 21
Současná podoba interiéru fa To sebou přináší vrstvení mate úrovni, proto si návštěvník zpr záměr. Hlavním cílem pro nás místo, ve kterém se nebudete vložit úplně nový prvek – výra objímá, obklopuje, požírá, prot
Vestavba ve tvaru C nedosahu Prostorově vyboulená konstru byla povrchově dokončena v posílena vznikem komunikačn odstoupenou terasou pod ko podlahy a grafickým přesahem matně bílém provedení. Totéž čítárny je provedeno těžkým a při konferencích, jednoduše s v podobě záclon před pásem pomocí rozptýlení světla o stě Běžné osvětlení je řešeno spu
24
Design of emergency city scenario for 10 000 inhabitants. Competetive workshop organized by AnArchi Study Association in Eindhoven. Jakub Daniel CZ + Angela Heringer HU + Kenzo Joy Lam NL + Paulina Szulz PL The task of this challenge was to create conceptual idea for new accutly growing city. Workshop reflected the need of backup plans for inhabitation in todays world. Criterium was to accommodate broad spectrum of refugees - Syrian refugees, African refugees, Fire or flood local refugees or quickly growing population. Several conditions were defined in the beginning. First, the city must be self sufficiant as possible. Second, must hold 10 000 people. Third, crisis requires the year to be built in one year. Fourth, the city must work for three years and then be dismentled and transported elsewhere. Our approach was to focus on the structure from the first day. To design a crisis narrative from the beginning till the end. We understood that the refugees will come in waves and with the growth of the pupulation the city will grow with it. To respond immediately we decided to use domes as giant tents to shelter the first wave. With any other following other the populaiton will grow out of the dome and helps to build their own environment. As the time goes the refugee city will eventually become their home. So the narrative must continue through the whole time. New community will be created with the structures and to ensure that the community will work together we need to give them opportunities and bind them together. This social part of the design was incredibly important to us. As the refugees lost almost everything we need to give them a sense of responsibility and purpose. Eventhough the city is only temporary. After three years the city would be dismentled and transported away. Therefore, the impact on the landscape should be minimal. The structures and domes are raised above the ground. This way we wanted to create minimal foundations and minimize the structural imprint. In order to be self sufficient the domes cumulate heat and store it in the water and underground. They also create large surface which works as water collector. In the end, the city can be gradually taken apart and being built in the same time in other location.
VISUALIZATION OF THE MAIN AXIS
CONCEPT OF CRYSIS SCENARIO REFUGEE INHABITATION
1st WEEK 300
1st MONTH 1000
5th MONTH 5000
1-3rd YEAR 10 000
Crisis happens unexpectedly and the most important thing is the first responce. We are counting on gradual arrival of refugees. We plant the seed - the first dome- which shelters the first group. Everything is provided inside and the people are living in difficult conditions, but they are provided for. The domes are stored and they are prepared to be assembled immediately. Smaller triangles are easily transportable to requiered location. Dome provides large sheltered environemt from outdoor conditions - something that we need in the time of crysis.
Receiving more people with the time the dome is not sufficient and the people inside need to make room for the new incoming refugees. New domes are planted and the existing one are starting to expand. Load bearing structure starts to grow out of the dome. Domes working as seed are connected with path to provide comfortble connections. For the beginning every single dome hosts all the functions they need to secure the refugees.
The time of the first responce has passed and the people are settled. To provide purpose of their time they can participate on creating their new temporary environment. Load bearing structure provides surface for building new small scale houses. Material and professional help is provided by the municipality. Cooperation and opportunity for self development gives the refugees purpose and to care for new environment. Common work also helps to bond locals and refugees. Moreover, it creates new social structures. As people move out of the dome, more space is available for more permanent fuctions. For example, schools, hospitals or recreational facilities. With multiple domes we can start to diversify their function on urban scale.
The final step on the way is to transform the domes into the center of interest. People live outside in the expanded structure. Diversification is the key to maintain the temporary urban fabric. Domes are transformed into social public spaces. They become the centers of bussines and organization. Other function is to help creating binding and positive atmophere.
AXONOMETRY OF THE THE FULL REFUGEE CITY IN EINDHOVEN
VISUALIZATION OF THE CONCEPT IN THE ENVIRONMENT, ELEVATED STRUCTURE HELPS TO PRESERVE THE CURRENT LANDSCAPE
Design studio Dr. Swinal, ATSS 7. semestr 2017/2018 National Univeristy of Singapore, School of Design and Environment
V+A REALITY No.9 Design of scientific building focused on development of virtuality “VR” and augmented reality “AR” in Jurong Innovation district in Singapore. Jurong Innovation district is a gateway project to Jurong West Research Induarial area. The main idea of the district is to create an interface for connecting research complexes with local inhabitants and the public. Interactive district that would educate, accomodate and host people coming from different environments. Our task was to develop urban plan “the Neuron” that had been designed by student in previous semester. Urban plan was divided into 4 “villages” and 10 clusters. My building belongs to village which main purpose is to develop and present solftware technologies and light industrial fabrication. After group analysis of our cluster we divided the functions between our buildings in order to compliment each other. My building has three main functions - Developement of VR and AR technology, light industrial 3D fabrication and hosting Start up offices with starting Maker communities. Every of those functions require different variety of spaces. I vertically arranged them from basement level with the assembly hall and all other supporting function. Through mid level with open public groundfloor and closed upper floors with laboratories and projection offices. Until the roof leven is finished with with sort of attics characteristic Maker community. Passive design was one of the most important of site analysis and the following design. The building follows the extremely hot climate conditions of Singapore. Two open atriums helps with passive air flow. Roof surface is maximized to create large water collector. The site is also situated next to large traffic artery and needs to deflect it.
INNER VR CAVE ATRIUM
COMMUNITY
MAKER COMMUNITY
BRINGING IDEAS WORKPLACE COOPERATION CONNECTIVITY RELAX
7. 6.
MAKER COMMUNITY
ROOF GARDEN, WATER COLLECTOR
URBAN RESPONCE TO THE STREET AND NOISE
NOISE
5. GREEN AND BLUE STRATEGY - ROOF WATER COLLECTOR, PASSIVE VENTILATION CONTROLED LABORATORIES PROJECTION ROOMS DAYLIGHT OFFICE
1. G B1 B2
NOMAD COFFEE WORSPACE START UP OFFICE, STORE ASSEMBLY HALL - OFFICE ASSEMBLY HALL - PRODUCTION, SHARED WORKSHOP STORAGE, TECHNOLOGY, SECURITY STAFF
EGMS, STORAGE, DISTRIBUSION, TECHNOLOG
TRANSITION CONCEPT SCHEME The greatest challenge was to find a way how to present and embody the idea of virtual and augmented reality. I chose the idea of transition from the real to the virtual. To achieve that expression I used several architectural elements.
VIRTUAL REALITY
AUGMENTED REALITY
REALITY
SIMPLE AXIS ARTIFICIAL
NATURAL
NATURALITY DARK
LIGHT
LIGHT ENVIRONMENT
VOID EXPRESSION
TYPOLOGY PROJECTIONS EXPERIMENTS
ENCLOSED OFFICE DAYLIGHT OFFICE MAKERS HOUSE
CROSS PERSPECTIVE SECTION
A C
B
SITUATION LAYOUT LONGITUAL SECTION OF THE COMMUNITY CENTER
PEDESTRIAN BRIDGE NEW GREENERY TO CREATE SHELTER POND
STATUE OF ST. JAN OF NEPOMUK CAR BRIDGE
Design studio Zavล el-Zdebkรก, ATZBP 6. semestr 2015/2016
CENTER OF ZDISLAVA VILLAGE OPEN SPACE FOR MARKETS AND SOCIAL OCCASIONS
RELOCATED SPORT AREA
CAR BRIDGE
CONCENTRATED PARKING SPACE
Bachelor thesis study studio with the topic of renewal of the Zdislava square. Design consist of the urban plan for the area and three new buildings - Community center with multipurpose hall, bus station with grocery store and pilgrim house.
Village carrying name of Zdislava of Lemberk was founded 1406 by german settlers. Until its renaming in 1947 the village used to be called Schรถnbach. Local urban developement, similar to the original name, is naturaly connected to the stream as the village surrounds it for four kilometers. Zdislava lies on the pilgrim road called Via Saktra adjacent do Via Regia - St. Jacobs way leading to Santiago de Compostela. Pilgrimage that used to present the social, economical and religious bond between the tri-border region of Germany, Poland and Czech kingdom. Nowadays, the pilgrimage become a turistic artery for visiting the sacral landmarks of the region. The history of Zdislava played a key part of my design, eventhough the religious consciouness was mostly lost during the communist period. During the analysis I went through very thorough research about local sacral buildings and artefacts. Consequently the become the cornerstone for the urban design of the village square. The main feature of the undeveloped village square is the statue of St. Jan of Nepomuk. Due to his atributs and religous character, traditionally his statue should be placed on a bridge or in its vicinity. In current state we cannot speak of a bridge but more likely of a burried stream corridor. This condition and also analysis of the old maps led me to idea to reopen the stream, build a new bridge on the church axis and place the statue on its rigtfull place. Moreover, I connected the banks of the stream with other two new pedestrian bridges. Another part of my design was to solve the problem of vastness of the village square unequal to its actual use. It was necessary to reduce the empty surface and create new borders in order to define it. Redesign it so the square woudl be invisibly divided into spaces which offer different function. Creating the pond helped me to reduce the size of the square area, provide sheltered spaces with surrounding trees and still keep enough open area to use it for markets and social occasions. The pond also helps to reinvite the locals to spend more time around it. In summer helps to cool down the temperatures and in wintyer provides place for ice skating. My architectural task become to compliment the existing structures and fill the empty spaces co finish the scenography of the village dominated by the baroque church. Traditionally the villages in the region were founded on intersetions of trade routes. The movement of traffic is natural part of the village center. For that reason I decided not to interviene with the existing road, but rather expend it and adapt it to new functions. To achieve that I had to relocate and focus the economical, administrative and sport functions into the reconstructed center. Three new building helped to enclose and define the square. Each one of them provides missing fuction for the village community. A _ Bus station with grocery store B _ Community center C _ Pilgrim house
A BUS STATION WITH GROCERY STORE The building is connecting two different functions under one common roof. Connection to traffic and movement gives this small building an opportunity to bring new character based in technology into traditional mountain region. Steel and glass surfaces in contrast to wooden walls, slate roofs and small openings.
CROSS SECTION OF WAITING ROOM
EXPLODED AXONOMETRY
CROSS SECTION OF THE SHOP
GSEducationalVersion
ELEVATION - EAST
LAYLOUT GROUND FLOOR
B COMMUNITY CENTER WITH MULTIPURPOSE HALL
Design consists of two function which are complimentary and therefore my concept was to express their engagement in the form of the building. Pub and multipurpose hall are both mainly placed on the first floor to create wheelchair accesible space and by opening the window-door they can easily break the barrier and connect the interior and exterior for traditional rural celebration or sport tournaments. Pub and multipurpose hall can be used seperately but if desired the partition wall can be removed and the spaces will merge. The expression and construction work with local traditional materials but they are used in modern way. I chose the combinaton of plaster, wood panels and slate roof tiles.
ELEVATION - NORTH
ELEVATION - SOUTH
LAYOUT GROUND FLOOR SC 1:200
LAYOUT 1ST FLOOR
LAYOUT GROUND FLOOR
CROSS SECTION OF THE BEDROOM
CROSS SECTION OF THE SUNDAY SCHOOL
C PILGRIM HOUSE WITH SUNDAY SCHOOL
PŘÍČN
Ý ŘEZ
SITUA CÍ
Third building I propose for the village carries the religious spirit and hope for renewal of local pilgrim tradition. Czech republic is the most atheistic country in Europe due its denial through communist period. However, we cannot forget that our culture and society stands on firm foundations and tradition of the Christian faith. Zdislava is named after canonized czech noble woman - Zdislava of Lemberk. The center of the village is dominated by baroque church of St. John the Baptist and the baroque statue of St. John of Nepomuk. Pilgrim house is emerging from the medow behind the church. His interior is divided into three parts- Sunday school, common dinning groom and common bedroom. Roof of the house is covered with grass climbing all the way up. Making the house slightly less visible. I decided for this aprchoach in order not to collide with dynamic baroque form of the church. West facade is opened to the medow and hills belonging to the church officials. Steel prism penetrates the wave of the roof and the entrance to the building opposes the entrance to the church. Construction consists of preloaded concrete shell components.
ELEVATION - WEST
ELEVATION - EAST
Bí-Da Michal Bílek Jakub Daniel
Současná podoba interiéru To sebou přináší vrstvení m úrovni, proto si návštěvník záměr. Hlavním cílem pro n místo, ve kterém se nebude vložit úplně nový prvek – v objímá, obklopuje, požírá, p
Vestavba ve tvaru C nedos
Prostorově vyboulená kons Design studio Zavřel-Zdebká, October-November 2015
WORKSHOP STAIRCASE 1
byla povrchově dokončena posílena vznikem komunik odstoupenou terasou pod podlahy a grafickým přesah matně bílém provedení. To čítárny je provedeno těžkým při konferencích, jednoduš v podobě záclon před páse pomocí rozptýlení světla o Běžné osvětlení je řešeno s
24
Winning design for construction “I wanted to work only with characteristics of the provided wooden board material. The biggest challenge was to make the boards look dynamic and light - loosing the “boxy” feeling. Next part of the design was to profile the single step. The biggest advantage of the board material became the use CNC cutter to model the step according to my preferences. This technology led me to idea of multiple staircase profiles connected with threaded rods.”
Fasteners distance matrix M20 fastening matrix M16 round matrix M16 distance pad M18
pieces 120 16 16 288
hangign clips screw M8x60 screw M8x80 screw M5x70
2 18 8 29
threaded rods M16 2m Total price
8 150 EUR
AXONOMETRY - CONSTRUCTION PRINCIPLE
1170
1065
SECTION-ELEVATION
+2,800
16 15
Detail C
14 13 12 11 10
7 6
0
/28
75
x1
16
2800
9 8
5 4 3 2 1 +0,000
LAYOUT
4665 173
4492 450
560
560
560
560
560
560
560
122
980
173
Detail A 4167
141 183
4350
141
4492
DETAIL 277
40
hranol 80x100mm
17 +2,800
277 277
22
3 16 3
hranol hranol80x100mm 80x100mm
1717 +2,800 +2,800
hranol 80x100mm 50
5050
2222
matice distanční M20 80x100mm ocelový plechhranol tl. 3mm hranol 80x100mm
9292
2020
matice maticedistanční distančníM20 M20 ocelový ocelovýplech plechtl.tl.3mm 3mm
6
165
27
závitová závitovátyč tyčM16 M16
6
závitová tyč M16
20
92
15
40
22
ocelový plech tl. 3mm 40
podložka M18
ocelový ocelovýplech plechtl.tl.3mm 3mm
matice maticedistanční distančníM20 M20
204
204 204
2
22
ocelový plech tl. 3mm WT-S/T WT-S/T6,5 6,5xx65 65mm mm ocelový ocelovýplech plechtl.tl.3mm 3mm
8282
50
10
WT-S/T 6,5 x 65 mm
15 3
82
podložka podložkaM18 M18
28
165 165
matice distanční M20
50
40
4040
5050
5050 2 22222
kontejner
22
50
20
kontejner kontejner
2222
5050
2020
92
10
ocelový plech tl. 3mm
hranol 80x100mm
ocelový ocelovýplech plechtl.tl.3mm 3mm
hranol hranol80x100mm 80x100mm
204
10
110
1010
110 110
408 9292
1010
204 204 408 408
3
Zdeněk Zavřel Markéta Zdebská Matúš Berák 01 Michal Bílek 02 Jakub Brejša 03 Jakub Daniel 04 Jiří Foller 05 Maroš Galáž 06 Stefan Knecht 07 Kristýna Lennerová 08 Anton Lukáč 09 Laura Molínová 10 Thu Huong Phamová 11 Tomáš Rudý 12 Daniela Salvová 13 Petr Slavíček 14 Martin Smola 15 Pavlína Šilhánková 16 Dagmar Tománková 17 Kristýna Tomanová 18 Marek Ulč 19 Nikola Žuchová 20
foto Lubomír Kotek
3
Design Studio Zavřel-Seho, ATOS 4. semestr 2014/2015
CABLE STATION TO JEŠTĚD TOWER Complimenting station for Ještěd Tower television transmitter (part of the UNESCO heritage)
My goal was to design befitting pendant to the dominating transmission tower on the top of the Ještě mountain. I decided to take the key elements of the transmission tower and implement them into my design. One them was the circular shape and the other to use similar material to reach the common tectonic expression. Lower cable station and the site creates the borderline for summer and winter tourism. Throughout the year the station connects the touristic track system leading to Liberec city and around the mountain. For winter season, my design includes suggestion for expanding the ski lifts to connect with rest of the Ski Areal Liberec. The station shelters several functions. Larger building is for cable station with accomodation for technical crew and storing background for Mountain rescue service. Smaller building is for mountain buffet. Composition of the building is designed to withstand extreme mountain conditions. The shape of the roof prevents to accumulate snow and decreases the risk of injury by falling snow. Most of the building is built into the ground to create natural insulation and minimalize the surface. The casing of the main tubus that covers cable mashine is covered by small circular openings with windows and reflectors that permit the light to get in. In the night or foggy conditions the tubus can light up to create orientation point.
BORDERLINE OF WINTER AND SUMMER TOURISM
EASILY MAINTABLE IN EXTREME CONDITIONS
ORIENTATION POINT
SKETCH OF THE CONTEXT CONTINUITY
SITE AXONOMETRY
SITE
Wint er to
urism
Summ
er to
urism
ELEVATION WEST
LONGITUGINAL PERSPECTIVE SECTION
CROSS PERSPECTIVE SECTION
0 1 :2 0 2.NP
LAYOUT 2ND FLOOR
P 1:
200
LAYOUT GROUND FLOOR
-1. N
LAYOUT 1ST UNDERGROUND FLOOR
1. NP 1:150
PORTFOLIO Jakub Daniel FA ČVUT 2013/2014
Design studio Kvízová-Fenclová, ZAT 2. semestr 2013/2014
LOOKOUT TOWER Rehabilitation and renewal of landscape destroyed by surface mining. Design of small studio on the articially originated lake island. Additional assignment: Design of lookout tower in the middle of the lake island
When walking up on the lookout tower the greates moment was for me the final step when the whole view to landscape opens up at one. To achieve that effect I chose to cover the load bearing core with wooden cloak. Through the lattices you can see glimpses of the landscape, but the full view is revealed only on the top. To emphasize this moment the staircase on the upper part of tower is moved inside the concrete core. Layout of the sferic triangle was developed from local conditions. Aerodynamic shape is directed according to the wind streams. The full wooden wall with entrance is perpendiculary opposing the pedestrian bridge.
LAYOUTS THROUGH THE TOWER
PERSPECTIVE SECTION SC 1:100
Design studio Kvízová-Fenclová, ZAN 1. semestr 2013/2014
THE SUN THEATRE Wall, opening, staircase - architectural expression of interior and exterior space defined by cube of 7,5m Universal, simple and effective, those are the words which fits the description of my project. Theatre due its construction is easily transportable in one piece by a truck. It provides spaces for performances and can be use as a projecting surface from inside and outside. Originally I intended to follow the concept of black box and keep the theatre closed, but then I decided to impliment the rotating facade panels into the design and open the interior to the sun. Panels enable the people inside to reflect and direct the sunlight. Hydraulic tables in the floor due it its division offers variety of stage formations. From classical to catwalk of humble size.
LIGHT SKETCH
CONCEPTUAL USE OF SPACE AND PROJECTION
VARIATION OF STAGE TABLES
LAYOUT GROUND FLOOR - ROTATING FACADE
CLOSED FACADE
LAYOUT DIVISION OF STAGE TABLES
OPEN FACADE
LAYOUT 2ND FLOOR - STAIRCASE TO GALLERY
SECTION