3. Woolley & Wallis - 20th Century Design by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

20th Century Design

Wednesday 13th October 2010

Specialist Departments Please dial 01722 followed by the number listed below

FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

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339752 411854 339161 339752

CLOCKS Will Hobbs — Richard Price (Consultant)

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ENGLISH & EUROPEAN CERAMICS & GLASS John Axford MRICS ASFAV — 424506 Clare Durham — 424507 ASIAN ART John Axford MRICS ASFAV — Sophie Lister Tim Wright (Consultant) 20TH CENTURY DESIGN Michael Jeffery

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ACCOUNTS & OFFICE MANAGER Janice Clift — GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite PRESS & PUBLICITY Clare Durham

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director John Axford MRICS ASFAV Willi Verdon-Smith FRICS

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PAINTINGS Victor Fauvelle Jo Butler

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BOOKS & MANUSCRIPTS Liz Merry (Consultant)

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SILVER Rupert Slingsby Lucy Grazier

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JEWELLERY Jonathan Edwards FGAA Marielle Whiting

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Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424510

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Jonathan Edwards Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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20TH CENTURY DESIGN

WEDNESDAY 13TH OCTOBER 2010 AT 10.30AM Viewing Times Saturday 9th October Monday 11th October Tuesday 12th October Wednesday 13th October

ENQUIRIES Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

10.00am – 1.00pm 10.00am – 7.00pm 9.00am – 4.00pm 9.00am – 10.30am

Index

lots

Glass including Lalique

601-711 643-660

Ceramics 712-1002 including Clarice Cliff 793-860 Wedgwood Elfin Plaque 875 Textiles Works on Paper including Dodo Burgner The Ballets Russes

1003-1006 1016-1093

Furniture Sculpture Metal Ware including Liberty & Co

1094-1148 1149-1176 1177-1320

1026-1042 1043-1049

1304-1320

GLASS 601. An Emile Gallé cameo glass vase, square section, yellow glass cased in purple decorated with cyclamen, cameo signature 10cm. high £400-600

602. An Emile Gallé cameo glass vase, tapering form, yellow glass cased in red, decorated with prunus spray, cameo signature 11cm. high £400-600

601

603. An Emile Gallé cameo double overlay glass vase shouldered form on applied foot, acid etched in purple with clematis flowers cameo Galle signature 22cm. high £1,500-2,000 Provenance 20th Century Decorative Arts, 1st May 2008, Christie’s South Kensington, lot 312

602 604. A Loetz glass vase, shouldered form with pinched rim, covered in a golden iridescence, four opalescent liqueur glasses, and a jug unsigned vase 9cm. high £80-120

605. A Loetz phanomen glass box and cover circular section on three ball feet, pink glass, internally decorated and cased in clear unsigned 15cm. diam. £400-500

606. A pair of Austrian iridescent glass vases, pinched form, the green glass with surface iridescence unsigned 32cm. high £150-200

607. A small continental iridescent glass vase, probably Loetz, barrel form with beaded decoration, covered in a golden iridescence unsigned 9cm. high £50-80 603

604

605

606

607

608

609

612

613

610

614

611

615

608. A Bakalowits & Sohne wine glass, the design attributed to Otto Prutscher, clear glass, the stem cased in amethyst with cut design unsigned 21.5cm. high £300-400 609. A Schott & Gen, Mainz glass tea service comprising, teapot, infuser and cover, milk-jug and sugar basin on a tray, a jug and saucer and two cups various marks 11cm. high £50-150 610. A Schott & Gen glass tea set, comprising; teapot, strainer and cover, milk-jug, six cups, saucers and beakers acid etched mark teapot 14cm. high £80-120 611.

616

A leaded glass light, probably Scottish, unsigned 41cm. diam.

£100-200

612. A James Couper & Sons Clutha glass vase, designed by Dr Christopher Dresser, ovoid, dimpled body with knopped neck, pale green glass with aventurine and white stripe inclusions, unmarked 20.5cm. high £600-800 613. A pair of James Couper & Sons Clutha solifleur vases possibly designed by Dr Christopher Dresser, ovoid body with slender neck and flaring lip green glass with aventurine inclusions unsigned 22cm. wide £800-1,200 614. A pair of Aesthetic Movement painted glass vases, shouldered form with everted rim, painted with birds perched on a prunus branch, before a full moon unsigned 15.5cm. high £80-120 615. A pair of English glass vases, ovoid body with flaring rim, the pale green glass with bubble inclusions, applied handles, and another similar unsigned 19.5cm. high £80-120

617

616. A James Powell & Sons sea green glass bottle with silver stopper, the bottle with applied George V blue glass prunt, stamped hallmarks London 10cm. high £100-200 617. A James Powell & Sons sea green glass decanter with silver mount designed by Harry Powell, bellow form internally decorated with white melted threads stamped London 1912 26cm. high £800-1,200 Literature Lesley Jackson Whitefriars Glass Richard Dennis Publications, page 107 plate 43 618. A James Powell & Son, Whitefriars Sky Blue glass goblet vase, designed by Harry Powell and Barnaby Powell, with diamond moulded bowl and knopped stem with aventurine inclusions unsigned 17.5cm. high £400-500 Literature Lesley Jackson, Whitefriars Glass, Richard Dennis Publications, page 112 plate 74 for a comparable goblet.

618

619

623

620

624

621

625

622

626

619. A Webb & Corbett clear glass decanter and stopper, designed by Herbert Webb, cut with wavy line decoration, and a John Walsh Walsh Leaf vase designed by Clynne Farquharson unsigned 25cm. high £100-200 620. A large collection of Webb Corbett Duke of Kent glass, cut with vertical foliate sprays some with acid etched marks £100-200 621. A glass ginger jar and cover probably Stevens & Williams, clear glass with ruby threaded decoration, and a streaked glass vase unsigned 17cm. high £80-120 622. A James Powell & Sons, Whitefriars amber glass vase, designed by William Wilson and Albert Tubby, cylindrical form, cut and etched with a geometric design unsigned 23cm. high £200-300 Literature Lesley Jackson Whitefriars Glass page 128 an identical vase illustrated plate 123. 623. A Gray-Stan glass vase, designed by Mrs Graydon-Stannus, flaring bucket form, graduated green with whorls, cased in clear etched Gray-Stan British18.5cm. high £80-120

627

624. A Gray-Stan glass vase, designed by Mrs Graydon-Stannus, pulled white and orange glass, cased in clear on applied foot etched Gray-Stan mark 17.5cm. high £80-120 625. A Nazing glass vase, tall bucket form with everted rim, blue and white lattice design, cased in clear unsigned 15cm. high £80-120 626. A Stevens & Williams rainbow glass vase, barrel form, green glass cut with lens decoration to the shoulder unsigned 25.5cm. high £150-250 Literature Roger Dodsworth, British Glass Between the Wars, page 47 plate 335 for a comparable vase 627. A Stevens & Williams green glass vase, designed by Keith Murray, swollen fluted form on applied foot, acid etched mark and facsimile signature 24.5cm. high £150-200

628

628. A cut and etched glass vase, probably Scandinavian, flaring cylindrical form, cut with a stylised fan tailed fish amongst waterweed unsigned 20cm. high £60-100 629. ‘Regent’ a set of six Ravenhead Glass enamelled glass Slim Jim’s designed by Hardie Williamson with printed design, and eight glasses similar unsigned 14cm. high £60-100 629

630

631

632

633

630. An Art Deco enamelled glass vase, flaring, footed form, enamelled with Egyptian lotus flower decoration unsigned 18.5cm. high £80-120

631. A Muller Fres, Luneville plaffonier, mottled orange glass graduating to blue rim, acid etched signature 40.5cm. diam. £100-150

634

632. An Art Deco cameo glass shade, spherical form with orange overlay, with brass mount unsigned 35cm. high £150-200

633.

A mirrored glass tray and twelve Baccarat shot glasses glasses with acid etched mark tray 24.5cm. wide £50-100

634. An Art Deco Daum acid etched glass vase, urn shaped, on applied foot, etched with a band of geometric flowers and foliage, etched Daum +Nancy France 33cm. high £350-450

635

635. A tall Schneider amethyst glass vase, slender, ribbed form on applied base acid etched Schneider 55cm. high £350-450

636. A Marcel Goupy Art Deco enamelled glass vase shouldered orange glass enamelled with stylised birds perched on a branch above flies, highlighted in gilt enamelled signature to base 20cm. high £800-1,200 636

637

641

638

642

637. A modern frosted glass Victoire car mascot unsigned 25cm. wide

639

640

643

644

£600-700

638. An Art Deco H. D Leupart frosted glass vase modelled in low relief with stylised foliage design signed in the body 15cm. high £100-200 639. A continental opalescent glass vase flaring conical form, cast in low relief with sailing ships at sea, stained green unsigned 20.5cm. high £50-100 640. An Art Deco Etling frosted glass vase, moulded in relief with thistles, a tall cut glass vase, another cut and polished glass vase decorated with Fuchsia, possibly Moser, and another smaller glass vase moulded marks, 26cm. high £100-200 641. An Art Deco Etling frosted glass figure, modelled as a half nude young girl, with stepped metal illuminating base moulded mark Etling France 87 figure 26cm. high £150-200 Literature Victor Arwas, Art Deco, Academy Editions, page 252 for a similar figure 645 642. A large frosted glass plaffonier, in the manner of René Lalique, cast in relief with hydrangea flower heads, stained pink unsigned 50cm. diam. £300-500

LALIQUE GLASS

643. A modern Lalique clear and frosted glass model of an owl etched Lalique France mark 6.5cm. high £100-150 644. A modern Lalique clear and frosted glass model of a bird etched Lalique France mark 8.5cm. high £80-120 645. ‘St Christopher’ no. 1142 a Lalique clear and frosted glass car mascot, designed by René Lalique, intaglio R Lalique France 11.5cm. high £400-600 646. ‘St Francois’ No. 1055 a Lalique opalescent glass vase, designed by René Lalique, stencil R Lalique France 18cm. high £1,500-2,000 646

647

650

648

651

652

649

653

647. ‘Dahlias No1’ model no. 3210, a Lalique opalescent glass bowl, designed by René Lalique, intaglio moulded R Lalique France 24cm. diam. £300-500 648. ‘Algues’ No. 10-389, a Lalique opalescent glass charger stencil mark R Lalique France 36cm. diam. £300-400 649. A modern Lalique clear and frosted glass bowl, etched Lalique France 23.5cm. diam. £100-200

654

655

650. ‘Vallauris’ No.84, a Lalique frosted glass box and cover, designed by René Lalique, etched R Lalique France 16cm. diam. £150-200

651. ‘Gui’ No.3223, a Lalique opalescent glass bowl, designed by René Lalique, wheel cut R Lalique signature, chip to one foot 24cm. diam. £100-150

652. ‘Poissons No.1’ model no. 3211 a Lalique opalescent glass bowl, designed by René Lalique intaglio R Lalique mark 24cm. diam. £300-500

653. ‘Vezelay’ No. 281, a Lalique opalescent glass dish, designed by René Lalique, etched R Lalique France No.281 11.5cm. square £100-200 656

654. ‘Soucis’ No.324 a Lalique clear and frosted glass cendrier, designed by René Lalique etched R Lalique France 10cm. high £300-500

655. A modern Lalique Naiade clear and frosted glass cendrier etched Lalique France 10cm. high £50-100

656. ‘Paquerettes’ no. 10-3029 a Lalique clear and frosted glass dish, designed by René Lalique, with sepia staining, stencilled R Lalique France mark 16cm. wide £150-200

657. ‘Ondines’ No.3003, a Lalique opalescent glass plate, designed by René Lalique, etched Lalique 27cm. diam. £800-1,200 657

658. ‘Bellis’ No.1097, a Lalique opalescent glass vase, designed by René Lalique, with remains of blue staining stencil R Lalique France 15cm. high £500-600 658

659. ‘Sauterelles’ No.888 a Lalique green glass vase, designed by René Lalique etched R Lalique, base repaired 28cm. high £500-800 659

660. ‘Fontainebleau‘ no 1036 a Lalique blue glass vase, designed by René Lalique, wheel cut R Lalique 18cm. high £1,500-2,000 660

661. A Monart glass bowl, shallow bowl, yellow glass graduating to orange, with whorls, cased in clear unsigned 41cm. diam. £200-300

662. A Monart Stoneware glass vase, shape GA, shouldered form with collar neck, pitted green glass surface decorated with blue and green pulls, unsigned 24cm. high £400-600

661

Literature Ysart Glass, Volo Editions, page 107 plates 107 and 109 for examples of this technique.

663. A Monart glass baluster vase mottled blue and green glass cased in clear unsigned 18.5cm. high £200-400

662

663

664. A tall Monart glass vase, shape DJ, mottled blue with purple and yellow whorls, cased in clear, on applied foot unsigned 41cm. high £80-120 Literature Ysart Glass Volo Editions, page 188 for a reproduction of this shape

665. A Monart glass vase flaring cylindrical form, pulled amber glass with controlled air bubble columns, cased in clear unsigned 23.5cm. high £200-300

664

666. A Monart glass vase, low flaring form on applied foot, swirling yellow graduating to purple rim, with white and purple inclusions, the foot with marvered white surface decoration unsigned 23.5cm. diam . £300-500

665

667. A Monart glass vase, shouldered form, mottled blue and red glass, cased in clear unsigned 18.5cm. high £200-300 666

667

668

672

669

673

670

671

674

675

668. A Whitefriars Cloudy glass vase, pale blue glass with air bubble inclusions, on applied foot unsigned 25cm. high £150-200 669. A Whitefriars Cloudy glass vase, flaring cylindrical form, mottled blue graduating to green, and another smaller unsigned 20cm. high £200-300 670. A Whitefriars Munstead glass vase designed by Gertrude Jekyll, footed goblet form, unsigned 21cm. high £150-200 Literature Whitefriars Glass, Museum of London, page 265 plate 388 for a reproduction of the range of Munstead vases, including shape 4.

676

671. A James Powell & Sons, Whitefriars cut glass vase swollen cylindrical form, cut and polished angled panels, and another Whitefriars cut glass vase model no.C526, decorated with a stylised angel fish unsigned, tall vase 24.5cm. £100-200 Literature The fish vase illustrated in the Whitefriars glass catalogue page 60. 672. A Whitefriars Streaky glass vase, rectangular section, streaked amber glass vase, and a streaked vase unsigned 20cm. high £80-120 673. A Whitefriars Studio glass bowl, designed by Geoffrey Baxter, pewter glass applied with tangerine spots unsigned 21cm. diam. £80-120 Literature Lesley Jackson, Whitefriars Glass, Richard Dennis Publications page 142 plate 166 for comparable pieces 674. A Whitefriars glass Knobbly vase designed by William Wilson and Harry Dyer, thick irregular form with green striations, and two others 26cm. high £60-100

677

675. A Whitefriars Studio Range glass vase, designed by Peter Wheeler, white glass, cased in orange stripes, cased in clear, and another Whitefriars Old gold Studio Range vase unsigned12cm. high £100-200 676. A Whitefriars glass vase, designed by Geoffrey Baxter, smoked glass vase applied with white rim, and a plate in the same range unsigned vase 13cm. high £100-200 677. A Whitefriars glass dish designed by Geoffrey Baxter, triangular blue glass with internal white swirl decoration unsigned 35cm. wide £150-200 Literature Lesley Jackson Whitefriars Glass, page 87 figure 219 for an original press photograph of Geoffrey Baxter in 1961 next to a display of this range. 678. A Whitefriars glass vase by Geoffrey Baxter, flattened blue glass with pulled rim, applied with white line decoration, cased in clear, Whitefriars paper label 15cm. high £150-200 678

679. A Whitefriars Willow glass vase, designed by Geoffrey Baxter, tapering rectangular form, with textured finish unsigned 23cm. high £200-250

680. A Whitefriars Cinnamon glass vase, designed by Geoffrey Baxter, tapering rectangular form, with textured finish unsigned 23cm. high £200-250

679

681. A Whitefriars Indigo glass vase, designed by Geoffrey Baxter, cast in low relief unsigned 27cm. high £80-120

682. A Whitefriars Indigo glass vase, designed by Geoffrey Baxter, rectangular form, with textured finish unsigned 23cm. high £150-200

680

683. A Whitefriars Twilight glass fruit set, in original card box, designed by Geoffrey Baxter, comprising large bowl and six side bowls original paper labels bowl 19cm. diam. £50-150

681

682

684. A Whitefriars Knobbly glass vase, designed by William Wilson and Harry Dyer, heavy irregular clear glass with green striations, a pair of Whitefriars ruby Coffin vases, a pair of textured candlesticks, and five other vases unsigned Knobbly vase 22cm. high £100-200 683

684

686

685

689

690

687

690A

688

691

685. A Kosta Boda glass paperweight, by Ulrica Hydman Vallien, modelled in low relief and painted with red, blue, black and yellow submarine life, and an iridescent glass bowl etched marks8.5cm. high £50-100 686. ‘Sea Kelp’ a Caithness limited edition paperweight, designed by Colin Terris, in fitted box with certificate, five Isle of Wight weights, eight other weights and four other glass items etched marks, dated 1975, numbered 1490/1500 8cm. wide £200-300 687. A Peter Layton glass vase, pulled irregular green glass with lustre finish, etched Peter Layton 1980 to base 21cm. high £100-200 692 688. A Peter Layton glass vase, pulled red glass with white and black surface decoration, unsigned 21cm. high £60-100 Provenance Purchased at the same exhibition as lot 687 689. A stipple engraved glass vase by Laurence Whistler, dated 1983 on Leerdam glass body, engraved with a portrait of the Lady Madonna, with downcast stare etched LW 3/83 IV, 21cm. high £400-600 690. A Steven Newell glass jug, tapering square section clear glass body, surface decorated with marvered finish, applied blue glass handle, and another Stephen Newell jug etched Newell to handle 21cm. high £150-200 690A. A Steven Newell amethyst glass jug, all, slender form with applied handle etched Newell below handle 49cm. high £250-350 693 691. A Mdina glass vase by Michael Harris, elliptical form, with applied zigzag band in blue, applied paper label etched signature dated 67 12.5cm. high £80-120 692. A Pauline Solven glass onion vase, ovoid with everted rim, streaked green and white glass cased in clear etched Pauline Solven 1970 16cm. high £200-300 693. A Wayne D Filan glass vase, pear shaped form with everted rim, swirled blue and white glass, cased in clear etched Wayne D Filan 1970 26cm. high £80-120 694. A Sam Herman glass vase, shouldered form, internally decorated with cloudy and streaked blue glass cased in clear, applied purple rim etched Samuel Herman 1970 25cm. high £200-300 694

695

696

699

700

697

701

698

702

695. A large Nuutajarvi glass bird designed by Oiva Toikka, etched signature 23cm. wide 696.

703

£60-100

A clear glass horse head sculpture, cast from a model by L Fouette, etched signature 18.5cm. high £100-200

697. A cut and etched glass vase, probably Whitefriars, decorated with two angel fish amongst water weed, a WMF Ikora glass footed bowl and a crackled glass jug etched commemoration to base 27cm. high £80-120 Literature Whitefriars Glass, Museum of London page 331 for comparable shapes and designs illustrated plate 584.

698. A W.M.F glass vase, barrel form, mottled pink graduating to a blue rim, cased in clear unsigned 22cm. high £50-100 699. A continental etched glass vase, decorated with stylised figures, and a glass vase, probably Moser, cut and etched with flower stems unsigned 12cm. high £100-200 700. A large Handkerchief glass shade, probably Italian, white glass with opaque band, the rim with applied red band unsigned 39cm. high £100-200 704

701. A Flygfors Coquille bowl, opaque and purple glass cased in clear, another smaller and a collection of continental glass various marks 26cm. wide £60-120 702. A collection of Scandinavian post war glass, including a short Holmegaard amethyst vase, model 14985, a Holmegaard flaring glass vase, dated 1962 and a Riihimien, Finnish glass vase various marks £150-200 703. An amethyst glass vase attributed to Riihimaki, moulded form cased in clear, a Flygfors bowl, a Holmegaard vase an ice pail and glasses, and two other glass items various marks £100-200 704. A Leerdam Unica glass vase, designed by Floris Meydam, clear heavy glass cut and etched with a stylised female nude, etched Leerdam Unica 5008-505, Meydam 22cm. high £150-200

705

705. A Holmegaard olive green Gul vase, designed by Per Lutken, original paper label 42cm. high £50-80

706

707

708

709

706. A Leerdam Unica glass vase designed by Floris Meydam, model AM2059, green and opaque pink glass with pulled rim, etched marks, date mark for 1956 14.5cm. high £80-120

707. A Kosta Boda glass bowl, by Bertil Vallien, with martele finsh, etched marks, paper 18cm. wide £60-80

708. A Murano glass Tribu vase after a design by Flavio Poli for Seguso, blue to pink glass cased in clear unsigned 21cm. high £150-200

710

709. An Orrefors Aerial vase by Edwin Ohlstrom, red glass with pulled air bubble decoration, cased in clear etched marks, 12cm. diam. £100-200

710. A Steven Newell glass vase, twisted, elliptical form internally decorated with columns of green and blue etched Newell 31cm. high £250-350

711. A Venini glass tall bottle and stopper designed by Fulvio Bianconi, lemon, opaque and blue stripes with opaque ball stopper, acid-etched Venini, Murano, Italia mark 42cm. high £800-1,200 Literature Catalogo Verdi, Venini trade catalogue 1969 page 31 this shape illustrated. Provenance Design Since 1935, Sotheby’s 13th May 1998 lot 128. 711

712

716

713

717

714

718

715

CERAMICS

719

712. An Aesthetic Movement Minton pottery charger, painted with a portrait of a maiden picking blossom, a formal garden of white lilies and clipped hedges, in colours, impressed marks 39cm. diam. £500-800 713. A Linthorpe Pottery plate, probably designed by Dr Christopher Dresser, model no.299, painted with flower stems, in colours impressed mark painted FB monogram 29cm. diam. £100-200 714. Three Arts and Crafts pottery plates, one painted with a galleon at full sail, one with a clipper at sea, the other a heraldic design, in colours unsigned 31cm. diam. £80-120 715. A Minton stoneware bread plate, the rim moulded in low relief with inscription ‘Eat Thy Bread with Joy and Thankfulness‘ unmarked 32.5cm. diam. £100-200

720

716. A large Wedgwood pottery charger, painted by C Jones, with a display of wild opium poppies and tortoiseshell butterflies, in colours impressed mark, artists paper label to reverse 52cm. diam. £100-200

721

717. Nine Minton tiles designed by John Moyr Smith, printed in colours with scenes from history and literature impressed marks, minor damages 15cm. square £150-200 718. A tin-glazed three tile panel possibly retailed by Morris & Co, painted with flowers in shades of yellow, green and blue, later framed, each tile 15cm. square £200-300 719. A set of three Brownhills Pottery Company decanters, square section, cast in low relief with Aesthetic flowers, in colours, with pewter covers and labels impressed marks 23cm. high £50-100 722

723

720. A Burmantoft’s Faience pottery wall plaque, rectangular, modelled in relief with a water carrier figure, glazed blue unmarked minor glaze chips 40cm. high £50-100 721. A Minton Pottery charger, the design attributed to AWN Pugin, slip decorated with white lily flowers, the rim with geometric cube design printed marks, restored 36cm. diam. £400-600 722. A J C Edwards tile designed by C F A Voysey, decorated in low relief with a devil portrait, glazed green, later framed impressed marks to reverse 15.5cm. square £300-400 723. A collection of tiles including Minton and Godwin, including; a large tile in the manner of A W N Pugin, printed in colours with foliate designs various marks, damages 21cm. wide £100-200

724

725

726

730

727 (part)

731

728

732

729

733

724. ‘Scroll’ a William De Morgan tile, painted in ruby lustre, later wooden frame, unsigned 15cm. square £100-200 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis, page 146 plate 631 for the original design. 725. ‘Tulip and Trellis’ a William De Morgan tile, on Carter’s, Poole blank, in later wooden frame impressed marks, crazed and surface wear 15.5cm. square £100-200 The Tulip and Trellis design was produced by William De Morgan and also for Morris & Co directly. 726. ‘Fair Lady (Red)’ HN 2832, a Royal Doulton figure, two pairs of Persian Kittens, model 1296, and four Beswick birds various marks £80-120 727. A collection of twenty-four Royal Doulton figures, painted in colours, comprising; My Love, Florence, Janet, Mother and Baby, Christmas Morn, Hilary, Kate, Rachel, Lorraine, Susan, Fragrance, Wendy, Dinky Do, The Last Waltz, Penny, and year figures ‘Penny 1993, Jennifer 1994, Deborah 1995, Bella 1996, Jessica 1997, Rebecca 1998, Lauren 1999, Rachel 2000, and Melissa 2001, printed marks £500-800 728. ‘Autumn Breezes’ HN1913, a Royal Doulton figure, painted in colours, printed and painted marks £50-100 729. ‘Columbine’ HN.1297, a Royal Doulton figure, designed by L Harradine, painted in colours, printed and painted marks, feint hairline to base rim £100-200

734

730. A tall pair of Burmantoft’s Faience candlesticks, Corinthian pillar form, glazed red impressed marks, restored 45cm. high £200-250 731. A pair of Royal Doulton Slater’s Patent stoneware vases modelled in low relief with flowers and foliage, in colours, another pair of Royal Doulton Slaters Patent vases and two others impressed marks, damages 27cm. high £150-200 732. A Doulton Lambeth stoneware jug, tapering form, incised and painted with geometric repeat, another Doulton Lambeth jug and a Doulton Lambeth vase impressed marks, 20.5cm. high £80-120 733. A Doulton Lambeth stoneware tyg, modelled in low relief with drinking and hunting scenes, the handles each modelled as a hound impressed marks 14cm. high £50-80 734. ‘The Little Land’ a rare Royal Doulton figure, modelled as a little child, designed by Harry Tittensor, painted in colours, printed and painted marks, impressed signature 19cm. high £1,000-1,500 735. ‘Flower Seller’s Children’ HN1342 a Royal Doulton figure, painted in colours printed and painted marks, chips to petals 21cm. high £50-100 735

736

737

738

739

736. A pair of Pilkington’s Lancastrian vases, shouldered form with knopped necks, covered in a streaked green glaze with aventurine inclusions printed bee mark, small chip to rim of one 17.5cm. high £250-350

737. A Ruskin Pottery stoneware vase, covered in a mottled blue glaze, a pair of modern cased glass vases and a cameo overlay glass vase impressed marks, Ruskin 22.5cm. high £50-150 740

738. A Bretby Pottery jardiniere, cast in low relief with oriental figures in a landscape, a Bretby charger, and two Denby Danesby Ware vases impressed marks, jardiniere 26cm. high £50-80

739. Six Ruskin Pottery stoneware brooches, each with metal mount, and an Arts and Crafts enamelled copper brooch stamped Ruskin marks, largest 4.5cm. long £60-100

741

740. A pair of Minton Pottery plaques by John Currie, each painted with a seated maiden in a garden setting, in colours, framed one signed J Currie plaques 15 x 11cm. £400-600 Exhibited The Edwardians - John Currie The Potteries Museum & Art Gallery 30th March-9th June 2002

741. A Ruskin High-fired stoneware lamp base, ovoid form, sang de boeuf, with sliver grey neck, speckled with mint impressed marks, facsimile signature dated 1936 22cm. high £500-800

742. A tall Ruskin Pottery stoneware vase, cylindrical form with flaring neck, covered in a purple lustre glaze impressed mark, dated 1920 36cm. high £400-600 742

743

747

744

748

745

746

749

750

MOORCROFT POTTERY 743. A collection of six Moorcroft Pottery reference books, including; Moorcroft Pottery, Richard Dennis catalogue, Two Moorcroft books by Paul Atterbury, The Phoenix Years and Winds of Change by Fraser Street, and a promotional video by Moorcroft and a Christie’s Moorcroft Pottery poster £50-80 744. A James Macintyre Aurelian vase, designed by William Moorcroft, printed in salmon and blue and highlighted in gilt printed and painted marks 24cm. high £200-300 745. A pair of James Macintyre Aurelian vases, designed by William Moorcroft, printed in salmon and blue, highlighted in gilt printed and painted marks 9.5cm. high £150-200 746. ‘Hibiscus’ a Moorcroft Pottery vase, designed by Walter Moorcroft, painted in colours on a green/blue ground impressed marks, paper label 18cm. high £200-250 751 747. ‘African Lily’ a Moorcroft Pottery vase, designed by Walter Moorcroft, painted in colours on a pale green ground impressed marks, paper label 12.5cm. high £180-220 748. ‘Clematis’ a Moorcroft Pottery vase, designed by Walter Moorcroft, painted in colours painted blue signature 11.5cm. high £180-220 749. ‘Hibiscus’ a Moorcroft Pottery bowl, designed by Walter Moorcroft, and a Hibiscus ginger jar and cover impressed mark and painted blue signature, applied paper label 16cm. diam. £80-120 750. ‘Springflowers’ a Moorcroft Pottery vase, designed by Walter Moorcroft, painted in colours impressed marks, painted blue signature 18cm. high £350-450 751. ‘Hedge’ a Moorcroft Pottery vase painted in colours on a white ground painted blue signature 23cm. high £300-500 752. ‘Wisteria’ a Moorcroft Pottery vase, designed by William Moorcroft, painted in colours on a blue ground impressed marks, green signature 19.5cm. high £400-500 752

753

754

755

756

753. ‘Violet’ a Moorcroft Pottery vase designed by Sally Tuffin, ovoid, painted in colours impressed and painted marks 17cm. high £200-300

754. ‘Spring Blossom’ a Moorcroft Pottery twin-handled vase, designed by Sally Tuffin, painted in colours on an ivory ground impressed marks, painted WM monogram 26cm. high £200-300 757

758 755. ‘Puffin’ a Moorcroft Pottery vase, painted in colours impressed and painted marks, second mark 24cm. high £100-200

756. A Moorcroft Pottery limited edition vase, designed by Michelle Martin, painted by Jim Carroll, dated 2003, painted in colours impressed and painted marks, signature 32/75, 27.5cm. high £150-200

757. ‘Hepatica’ a Moorcroft Pottery miniature vase, designed by Emma Bossons , shape 32, painted in colours, a ‘Tembusu’ vase produced in 2002, ‘Nivalis’ shape 32 vase (2003) and another shop special 32 vase impressed and printed marks 6cm. high £100-200

758. ‘Black Tulip’ a Moorcroft Pottery vase, painted in colours, impressed and painted marks 30cm. high £200-300

759. ‘Carp’ a Moorcroft Pottery twin-handled vase, designed by Sally Tuffin, painted in colours on a celadon ground painted marks, St monogram and John Moorcroft signature 34cm. high £1,000-1,500 Literature Paul Atterbury Moorcroft Pottery, Richard Dennis page 184 plate 1 for a comparable vase.

759

760. ‘Poppy’ a Dennis China Works box and cover, designed by Sally Tuffin, inscribed ‘Here is the Flower of Dreams For Me’, painted in colours impressed and painted marks, No.73 13cm. diam.£80-120

761. ‘Carnation’ a Dennis China Works charger, designed by Sally Tuffin, painted in shades of blue printed and painted marks, painted No.2 31cm. diam. £100-200 760

761

762

763

766

764

765

767

768

762. A Bough Pottery covered bowl and saucer, dated 1922, painted with fruiting apple stems, in shades of green, blue and red, painted marks A.H.A artist cipher 17cm. wide £80-100 Provenance Sold with a Balmoral Castle postcard inscribed ‘From Her Majesty The Queen for the St Michael & All Angels sale & Bazaar’. 763. A Wemyss Ware Biscuit Box and cover, cylindrical form, painted with cherries in shades of red and green, the cover inscribed ‘Biscuits’ impressed, printed and painted marks 13cm. diam. £300-400 764. A Wemyss Ware tankard, painted with plums in colours on a white ground impressed, printed and painted marks, small chip to inside foot rim 14.5cm. high £80-120 765. A Wemyss Ware tyg, painted with dog roses, in colours on a white ground, impressed and painted marks, professionally restored handle, 14cm. high £160-200 766. A pair of Wemyss Ware fluted dishes, painted with the Cabbage Rose pattern, in colours unmarked, damages 17cm. diam. £100-150

769

767. A Wemyss Ware tyg, painted with shamrock leaves, in green on a white ground impressed and printed marks 11cm. high £400-500 768. A Wemyss Ware Goose Flower holder, modelled as a duck, painted in colours impressed and printed marks, restored rim 18cm. high £150-200 Literature Wemyss Ware Rogers De Rin, 1976 catalogue page 27 catalogue umber 38 for four similar pieces. 769. A Large Wemyss Ware pig, modelled resting on its haunches, glazed green, impressed marks 40cm. wide £400-600 770. A large Wemyss Ware pig, modelled resting on it’s haunches, painted in shades of black, pink and white painted Wemyss Made in England, chipped tail 39cm. wide £100-200 770

771

772

773

775

776 part

774

777 771. A Wedgwood porcelain figure by Kathleen Goodwin, modelled resting on a mushroom, painted in colours etched signature 19cm. high £300-500

778

779

780

781

782

783

Provenance Wedgwood Exhibition 1982, Richard Dennis C8575 772. A Shelley Pottery Harmony Ware vase, ribbed ovoid form, covered in a graduated green to brown glaze, a Harmony Ware ginger jar and cover and a chamberstick printed marks 23.5cm. high £100-200 773. ‘Hollyhocks’ a Carlton Ware lustre twin-handled bowl pattern no.3972, painted in colours, a Myott jug and a collection of ceramics printed marks, damages 31cm. wide £200-300 774. An Art Deco Crown Devon jug, ovoid painted with circle and triangle abstract design, another similar and two other jugs printed marks, star crack to main, paint flakes 13.5cm. high £150-200 775. ‘Woman with bead necklace’ a Beswick wall plaque, model no.8187, painted in colours printed and painted marks, chip to back rim, 30cm. high £150-200 776. Forty-two Beswick Beatrix Potter figure, painted in colours, including; ‘Amiable Guinea Pig’, ‘Simpkin’, ‘Ginger’, ‘Pig-wig’ and ‘Pickles’ various marks £600-800 777. ‘Spaniard Pushing a Donkey’ a Beswick figure group, model no.1224, painted in colours printed and impressed marks, 16cm. wide £80-120 778. ‘Appaloosa Stallion’ a Beswick horse painted in colours and another Beswick horse printed marks, paper label to one 19.5cm. high £100-200 779. A Beswick Rocking Horse Grey mare facing left, painted in colours printed mark, remains of paper label 20cm. wide £80-120 780. ‘Marilyn Monroe’ and ‘Marlene Dietrich’ two Keith Francis limited edition figures, painted in colours, printed marks 25cm. high £100-200 781. ‘Susie Cooper’ and ‘Beach Belle’ two Kevin Francis limited edition figures, painted in colours printed and painted marks 26cm. high £100-200 782. A Carlton Ware Guinness advertising lamp, modelled as a sea lion balancing a globe shade on its snout, printed marks 37cm. high £300-400 783. A Carlton Ware Guinness advertising lamp, modelled as a toucan, with paper shade printed marks, chip to base, repaired tail feathers 24cm. high £200-300

784

787

785

788

786

789

790

784. A Bursley Ware floating bowl, designed by Charlotte Rhead, tubeline decorated with flowers and foliage in colours printed and painted marks 26cm. diam. £150-200 785. An Art Deco Thomas Forrester Syrian vase and cover, modelled in low relief and painted in colours printed factory marks, small hairlines to top rim, 32cm. high £200-300 786. A Crown Devon Lustrine jardiniere, ovoid printed and painted in colours and gilt with parrots amongst rose boughs, on a pearl blue lustre ground printed mark 19cm. high £80-120 787. A Susie Cooper Pottery vase footed form with inverted rim, incised with squirrels, painted brown highlights on a blue ground incised Susie Cooper mark, 20cm. high £80-120 Literature Susie Cooper Productions Victoria and Albert Museum, page 39 catalogue number 81 for a comparable carved vase. 788. A Clarice Cliff twin-handled Conical cup and saucer, painted with bands, and a small collection of Susie Cooper and Clarice Cliff various marks cup 8cm. high £80-120 789. ‘Old Gold Keystone’ a Wedgwood part service designed by Susie Cooper, comprising tea pot and cover, milk-jug and sugar bowl, six cups, saucers, side plates and two sandwich plates, five soup bowls and saucers printed marks 25cm. wide £80-120

791

790. A Susie Cooper Productions Falcon coffee set for six, resist decorated in blue, comprising; coffee pot and cover, milk-jug and sugar basin, six cans and saucers printed mark, 19.5cm. high £60-80 791. A large Crown Devon ginger jar and cover, printed and painted with eagles attacking a fallen deer, in colours, highlighted in gilt on a pale blue ground printed and painted marks 35cm. high £500-700 792. ‘Jazz’ a pair of Carlton Ware vases pattern no. 3352, printed and painted in colours on a red ground, highlighted in gilt printed and painted marks, paper collection label 9cm. high £800-1,200 Provenance The Harrimann Judd Collection, Sotheby’s online auction.

792

793

794

795

796

798 797 799

800

CLARICE CLIFF 793. ‘Viscaria’ a Clarice Cliff Bizarre Biarritz plate painted in colours printed mark 23cm. wide £80-120 794. ‘Blue Firs’ a Clarice Cliff Bizarre Biarritz plate, painted in colours printed factory mark 23cm. wide £80-120 795. ‘Viscaria’ a Clarice Cliff Bizarre Biarritz plate, painted in colours printed factory mark 23cm. wide £60-100 796. ‘Delecia Pansies’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours, and another Conical sugar sifter printed marks 14cm. high £200-300

801

797. ‘Special Achievement Award’ a Clarice Cliff beer tankard, printed in colours printed factory mark 16cm. high £50-100 798. ‘Budgerigars’ a Clarice Cliff centrepiece, model no.867, painted in colours printed marks 27cm. wide £60-100 799. A Clarice Cliff George jug, painted with a spray of flowers, in colours on a mushroom ground printed mark 18cm. high £80-120 800. ‘Nasturtium’ a Clarice Cliff Bizarre Hereford biscuit barrel and cover, painted in colours printed factory mark, small chip to top rim 17cm. high £150-200 801. A Clarice Cliff Bizarre Stamford tea set, painted with green and yellow arc design, comprising; teapot and cover, large water jug, milk-jug and sugar basin on a rectangular tray printed factory marks, teapot spout chipped and restuck 14cm. high £200-300 802

802. ‘Lucky Cat’ a Clarice Cliff figure, painted in colours with orange, green and black dots unsigned, cup detached 11cm. high £100-200

803. ‘Cafe’ a rare Clarice Cliff Bizarre vase, shape no.200, painted in colours printed factory marks 19cm. high

£2,500-3,500

Provenance The Sevi Guatelli Collection Literature Sevi Guatelli & Leonard Griffin The Best of Clarice Cliff, Best 50, this vase illustrated on the front cover, and page 238.

804. ‘Cornwall’ a Clarice Cliff Bizarre Stamford tea for two, painted in colours, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory marks £3,000-4,000

805. â&#x20AC;&#x2DC;Latona Dahliaâ&#x20AC;&#x2122; a rare Clarice Cliff Bizarre charger, painted in colours on a Latona ground, printed and painted marks 46cm. diam. ÂŁ1,000-2,000 Literature A comparable charger, possibly this charger, illustrated in a promotional advert for Latona Ware, 1929. Provenance The Sevi Guatelli Collection

806

807

810

808

811

812

809

813

806. ‘Orange Chintz’ a Clarice Cliff Fantasque Bizarre tazza with electroplated low foot, painted in colours printed factory mark 22cm. diam. £100-150 807. ‘Delecia Pansies’ a Clarice Cliff Bizarre plate, painted in colours printed factory mark 22.5cm. diam. £80-120 808. ‘Bobbins’ a Clarice Cliff Fantasque Bizarre plate, octagonal form, painted in colours inside a yellow band printed factory mark 23.5cm. diam. £300-400

814

809. ‘Melon’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside orange and black bands printed factory marks 22.5cm. diam .£150-200 815

810. ‘Coral Firs’ a Clarice Cliff Bizarre flaring beaker, painted in colours printed factory mark 7cm. high £180-220 811. ‘Umbrellas and Rain’ a Clarice Cliff Fantasque Bizarre large beaker, painted in colours between orange and blue bands printed factory mark 11cm. high £300-400 812. ‘Original Bizarre’ a Clarice Cliff Bizarre large beaker, painted with a broad band of yellow and red diamonds flanked by blue, black and green triangles, between yellow and red bands printed factory mark, yellow band overpainted, 12cm. high £250-300 813. ‘Crocus’ a Clarice Cliff Bizarre beaker painted in colours between yellow and brown bands printed factory marks, small flat chip to top rim 9.5cm. high £80-120

816

817

814. ‘Tartan’ a Clarice Cliff Bizarre Lynton tea cup, saucer and side plate painted in colours, and a Bizarre Conical tea cup, saucer and side plate printed marks 18cm. diam. £100-200 815. ‘Crocus’ and ‘Gay Day’ two Clarice Cliff Bizarre Tankard coffee cans and saucers painted in colours printed factory marks, 6cm. high £100-200 816. ‘Crocus’ a Clarice Cliff Bizarre cigarette and ashtray model no.463, painted in colours, and a banded 463 cigarette and ashtray printed marks, 7cm. high £120-180 817. ‘Nuage’ a Clarice Cliff Bizarre cigarette and ashtray, model no.420, painted in colours printed factory marks, restored 9cm. wide £80-120

818

818. ‘Bamboo’ a Clarice Cliff Eton water jug painted in colours, and a Globe teapot, cover and milk-jug, transfer printed with blue foxglove stems printed factory marks 14.5cm. high £100-200

820 819

823

821

824

825

822

826

819. ‘Secrets’ a Clarice Cliff Bizarre Conical tea cup and saucer, painted in colours printed factory mark 7cm. high £80-120 820. ‘Nasturtium’ and ‘Sungay’ two Clarice Cliff Bizarre plates, painted in colours printed factory marks, Sungay restored chip, 20cm. diam. £80-120 821. ‘Pastel Trees and House’ a Clarice Cliff Fantasque Bizarre plate painted in colours inside green, blue and pink bands printed factory marks 22.5cm. diam. £200-300 822. ‘Melon’ a Clarice Cliff Fantasque Bizarre cake plate painted in colours inside orange band printed factory marks, hairline to well 22.5cm. diam. £80-120

827

828

823. ‘Autumn’ a Clarice Cliff Fantasque Bizarre cigarette and ashtray model no.463, painted in colours printed factory marks 9.5cm. wide £300-400 824. ‘Stroud’ a Clarice Cliff Bizarre fern pot painted in colours printed factory marks 7.5cm. high £80-120 825. ‘Coral Firs’ a Clarice Cliff Bizarre 463 cigarette and match, painted in colours printed marks 7cm. high £280-320 826. ‘Melon’ a Clarice Cliff Fantasque Bizarre cigarette and ashtray, model no.463, painted in colours printed factory mark 9cm. wide £250-300 827. ‘Rudjard’ a Clarice Cliff Bizarre preserve pot painted in colours printed factory mark 9cm. diam. £100-150 828. ‘Secrets’ a Clarice Cliff napkin ring, shape no.556, painted in colours printed factory mark 5cm. high £80-120

829

830

829. ‘Pastel Melon’ a Clarice Cliff Fantasque Bizarre plate painted in colours inside green, pink and blue bands printed factory mark 19cm. high £200-300 830. ‘Coastal Oak’ a Clarice Cliff Bizarre side plate painted in colours printed factory marks, light wear 17.5cm. diam. £80-120 831. ‘Original Bizarre’ a Clarice Cliff Bizarre tazza, painted with a band of radiating green orange and blue triangles, printed gilt mark, oxidised blue 17.5cm. diam. £100-150 832. ‘Killarney’ a Clarice Cliff Bizarre square dish painted in colours printed factory mark 12cm. wide £80-120

831

832

836 833

834

837

838

835

839

840

833. A Clarice Cliff ‘Water Lily’ bowl model no.973, painted in colours, printed green mark 22cm. wide £50-100 834. ‘Rhodanthe’ a Clarice Cliff Bizarre vase, ribbed form, painted in colours, a ‘Pansies’ 613 vase, and a tray printed marks, damages 10cm. high £200-300 835. ‘Celtic Harvest’ a Clarice Cliff teapot and cover, painted in colours, a large ewer, a bowl and a preserve pot and cover printed marks, damages 17cm. high £200-300 836. ‘Sunrise’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours above yellow and orange bands printed factory mark 14cm. diam. £120-180 837. ‘Oranges’ a Clarice Cliff Bizarre side plate painted in colours inside orange band printed factory mark 15cm. diam. £120-180 841

842

838. ‘Rhodanthe’ a Clarice Cliff Bizarre plate painted in colours printed factory mark 23cm. diam. £80-120 839. ‘Orange Erin’ a Clarice Cliff Bizarre side plate painted in colours printed factory mark 15cm. diam. £180-220 840. ‘Melon’ a Clarice Cliff Bizarre beaker, painted in colours printed factory marks, restored orange band to top rim 9.5cm. high £200-300

843

844

841. A Clarice Cliff single handled Lotus jug enamelled in colours with a floral spray on a mushroom ground printed mark 30cm. high £100-200 842. ‘Goldstone’ a Clarice Cliff Bizarre Isis vase, painted to the shoulder and neck with a geometric design in coral red, on a speckled brown ground printed and painted marks 25cm. high £100-200 843. ‘Coral Firs’ two Clarice Cliff Bizarre bowls, painted in colours printed factory marks, damages largest 19.5cm. diam. £80-120 844. ‘Original Bizarre’ a Clarice Cliff Bizarre side plate and a small dish painted in colours, printed factory marks, hairline to side plate 14.5cm. diam. £80-120 845. ‘Original Bizarre’ a Clarice Cliff Bizarre tea for two painted with yellow diamonds between red triangle borders, comprising; teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory marks, small chip to spout 14cm. high £550-650

845

846. ‘House and Bridge’ a rare Clarice Cliff Fantasque Bizarre Conical sugar sifter between orange bands printed mark, flat chip to base rim 14.5cm. high £500-800

846

847. ‘Rudyard’ a Clarice Cliff Bizarre Mei Ping vase, painted in colours between green and blue bands printed factory marks, 16cm. high £1,000-2,000 Provenance The Sevi Guatelli Collection

847

848. ‘Inspiration’ a Clarice Cliff Globe vase, painted with sprays of stylised foliage printed and painted marks 15cm. high £100-200

848

849

850

853

854

851

855

852

856

849. ‘Crocus’ a Clarice Cliff Bizarre Athens teapot and cover, shape no.36, and a small collection of Crocus printed marks, damages 14cm. high £200-300 850. A Clarice Cliff Water Lily bowl , painted in colours, a Yoo Hoo Daffodil coffee pot and cover, and four Clarice Cliff moulded ware items printed marks, damages 21cm. wide £200-300 851. A Clarice Cliff vase modelled in low relief with foliage boughs, painted in colours on a mushroom ground, and an Art Deco tea service retailed by Lawleys, printed and painted with stylised flowers printed marks, damages to service, vase 21cm. high £80-120 852. ‘Hollyhocks’ a Clarice Cliff Conical sugar sifter, painted in colours, and two other Clarice Cliff Conical sugar sifters printed marks 14cm. high £100-200 853. ‘Delecia Citrus’ a Clarice Cliff Bizarre book end, painted in colours printed factory marks, minor chips 16cm. high £80-120 854. ‘Capricorn’ a Clarice Cliff star sign, modelled in low relief and painted in colours printed factory mark 18cm. high £250-300 855. ‘Blue Crocus’ two Clarice Cliff Bizarre plates and an ashtray painted in colours printed marks, 20cm. diam. The plates have the date code for 1935

£200-300

856. ‘Inspiration’ a Clarice Cliff Bizarre vase shape 774, painted with a galloping horse, in colours printed factory mark 21cm. high £100-200

857

857. ‘Art in Industry’ a Clarice Cliff Wilkinson’s Pottery Bizarre dinner service, designed by Billie Waters, painted with a deer leaping past a stylised tree, the borders with wavy line and dot motif, in shades of grey and black, comprising; two large tureen and covers, two small tureen and covers, two saucers, a large platter, twelve dinner, entree and side plates printed factory marks, facsimile signatures platter 42cm. wide. £1,500-2,000 This design was produced for the 1934 British Art in Industry exhibition, an exhibition designed to bring artists and designers together and to display the strength of British manufacturing.

858. ‘Orange Lucerne’ a Clarice Cliff Applique Bizarre vase, shape no.195, painted in colours printed and painted marks 22.5cm. high £3,000-5,000

858

859. ‘Arabesque’ a Clarice Cliff Bizarre single-handled Isis vase, painted in colours between yellow bands printed factory mark, small hairline to top rim 25.5cm. high £300-500

859

860. ‘Nasturtium’ a Clarice Cliff Bizarre Stamford tea for two, painted in colours, comprising; teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory marks, small chips to side plate and one saucer, teapot 12cm. high £800-1,200

860

861

865

862

866

863

WEDGWOOD

861. A Wedgwood ‘Noah’s Ark’ nursery tea set, designed by Daisy Makeig-Jones, printed and enamelled in colours with vignettes, comprising; teapot and cover, milk-jug and sugar basin, five cups, saucers and two side plates printed and impressed marks, minor damages 8.5cm. high £80-120 Literature Maureen Batkin, Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 126 for a comparable service. 862. ‘Tiger and Buck’ a Wedgwood earthenware figure, designed by John Skeaping, covered in a white glaze printed mark, impressed mark and artists name 34cm. wide £200-300

867

864

868

863. A Wedgwood Veronese Ware vase shouldered form with everted rim, decorated in silver lustre with flower stems on a plum ground impressed marks, 17cm. high £50-100 Literature Maureen Batkin, Wedgwood 1846-1959 Richard Dennis Publications, page 164 for comparable Veronse Ware items 864. A pair of Wedgwood ‘Garden’ tureen and covers designed by Eric Ravilious, printed in colours on a yellow band printed factory marks, 25cm. wide £50-100 865. A Wedgwood Dragon lustre bowl, designed by Daisy Makeig-Jones, and a Wedgwood Butterfly lustre bowl printed and painted marks 9.5cm. high £100-200 866. A Wedgwood Butterfly lustre vase, designed by Daisy Makeig-Jones, the exterior pearly, the interior orange lustre, highlighted in gilt, and a Carlton Ware bowl pattern 2885, printed mark 12cm. diam. £80-120 867. ‘Tiger and Buck’ a Wedgwood earthenware figure group, designed by John Skeaping, covered in a matt white glaze impressed and printed marks, small bruise to base, 33.5cm. wide £200-300

869

870

868. ‘Persephone’ a Wedgwood service designed by Eric Ravilious, printed with vignettes on a green ground, comprising; two tureens and covers, two graduated platters, a sauce boat and tray, six dinner, eight entree plates, nine bowls, milk-jug, sugar basin, two cups, four saucers and ten side plates printed marks £300-500 869. A Wedgwood earthenware tray, by Norman Wilson, mottled blue glaze to interior, the exterior matt mushroom, indistinct impressed marks 17cm. wide £60-80 870. A Wedgwood bowl by Norman Wilson, the exterior glazed burgundy, the interior mottled blue with silver dash rim and flower stem impressed marks, NM mark 20cm. diam. £80-100

871

871. A Wedgwood black basalt pedestal bowl, by Norman Wilson, impressed marks, NW monogram 16cm. wide £80-120 872

872. A Wedgwood black basalt bowl, by Norman Wilson, fluted form with glass glaze, and a dish similar impressed mark, small chip to rim, 20cm. wide. £80-120 873. A Wedgwood earthenware bowl, by Norman Wilson, the interior glazed blue, the exterior silver and rust mottled impressed mark, NW monogram, small chip to top rim 15.5cm. diam. £60-80 874. A Wedgwood earthenware bowl by Norman Wilson, flaring form with cut bands, glazed mushroom on a white ground printed mark, NW monogram 16.5cm. diam. £150-200

873

874

875. ‘Elfin Palace’ a rare Wedgwood Fairyland lustre plaque, designed by Daisy Makeig-Jones, rectangular printed and painted in colours and gilt, in original wooden frame, printed mark to reverse, facsimile signature and date 20 to the front 27 x 20cm. £10,000-15,000 Literature Una des Fontaines, Wedgwood Fairyland Lustre, page 195 for an example of this plaque in the black and gold colour way.

876

880

881

884

886

888

877

878

882

885

887

889

879

883

876. A Wedgwood earthenware vase, designed by Keith Murray, faceted ovoid form with collar neck, covered in a Matt White glaze printed mark and facsimile signature 19cm. high £100-200 877. A Wedgwood earthenware vase, designed by Keith Murray, ribbed, barrel form covered in a Moonstone glaze printed mark KM monogram 14cm. high £100-150 878. A Wedgwood earthenware vase, designed by Keith Murray, drum form on ribbed foot, cream and mottled glaze printed marks and facsimile signature 19cm. high £150-250 879. A Wedgwood earthenware vase, designed by Keith Murray, fluted form on shallow foot, covered in a matt white glaze printed mark, facsimile signature 23.5cm. high £100-200 880. A Wedgwood earthenware vase, designed by Keith Murray, ribbed, ovoid form with collar rim, covered in a Matt Straw glaze printed mark and facsimile signature 15.5cm. high £80-120 881. A Wedgwood earthenware vase, designed by Keith Murray, ribbed cylindrical form on shallow foot printed mark KM monogram 19cm. high £80-120 882. A Wedgwood earthenware vase, designed by Keith Murray, shape 3808, flaring, fluted form glazed in a Matt Straw glaze, and another glazed Matt White, printed mark and facsimile signature 19cm. high £100-200 883. A Wedgwood earthenware jug and two mugs, designed by Keith Murray, and a plate, all covered in a Matt Straw glaze printed mark, facsimile signature jug 21.5cm. high £80-120 884. A Wedgwood earthenware bowl, designed by Keith Murray, with faceted rim, covered in a Matt Green glaze printed factory mark facsimile signature 24cm. diam. £80-120 885. A Wedgwood earthenware footed bowl, designed by Keith Murray, covered in a Matt Green glaze, printed factory mark, facsimile signature 26cm. wide £100-200 886. A Wedgwood earthenware vase, designed by Keith Murray, ribbed ovoid form with collar rim, covered in a Matt Green glaze printed mark, facsimile signature 16cm. high £80-120 887. A Wedgwood earthenware vase, designed by Keith Murray, shouldered form, with ribbed decoration, covered in a Moonstone glaze printed mark KM monogram 30cm. high £300-400 888. A Wedgwood earthenware vase, designed by Keith Murray, shouldered, ribbed form, covered in a Matt Green glaze printed factory mark, facsimile signature, hairlines 29cm. high £100-200 889. A Wedgwood earthenware lamp base, designed by Keith Murray, rounded cylindrical form with flaring foot, covered in a matt yellow glaze impressed marks 28cm. high £150-200

890

894

891

895

892

896

893

897

890. ‘Harvest Putti with Pigeons’ a pair of Ashtead Pottery book ends, designed by Percy Metcalfe, M.73, painted in colours printed marks, one professionally restored 18.5cm. high £500-600 891. ‘Corn Girl’ an Ashtead Pottery figure, designed by Allan G Wyon, 1927, model M72, painted in colours printed and painted marks 21cm. high £350-450 892. An Ashtead Pottery wall mask, model M.41, painted in colours printed and painted marks, 8cm. high £80-100

899 898

893. An Ashtead Pottery mask, designed by Phoebe Stabler, model no.M.44, glazed white incised and printed marks 15cm. high £300-400 894. ‘Buster Boy’ an Ashtead Pottery figure, designed by Phoebe Stabler, model M51, painted in colours printed and impressed marks, 18cm. high £350-450 895. ‘Buster Boy’ a Carter, Stabler & Adams, Poole Pottery figure, designed by Phoebe Stabler, glazed in colours, impressed marks, facsimile signature 18cm. high £350-450 896. ‘Shy’ a plaster figure designed by Phoebe Stabler, modelled seated on a pedestal festooned with flowers etched Phoebe Stabler 1914, minor chips 43cm. high £200-400 897. ‘Carter’s Tiles’ a Poole Pottery advertising paperweight, glazed red, an Alan Caiger Smith Aldermaston bowl and a Pilkington’s Royal Lancastrian vase inscription to base rim, minor chips to base rim 11.5cm. wide £80-120

900

898. Six Poole Pottery advertising postcards, black and white images of making and decorating the pots and also a Gieves Gallery display. 14 x 9.5cm. £50-100 These postcards are part of a set produced in 1937. some are reproduced in Poole Pottery by Hayward & Atterbury, published by Richard Dennis 899. A Carter, Stabler & Adams, Poole Pottery Chinese Blue terracotta vase ovoid with loop handles, covered in a blue glaze, and a floating bowl similar impressed marks, 18cm. high £100-200 900. A Carter, Stabler & Adams, Poole Pottery plate, painted to the well with a fruiting grape vine, the rim with vine border, in colours, and two Poole Pottery Nursery Ware plates impressed and painted marks 27cm. diam. £100-200

901

901. A pair of Poole Pottery leaping gazelle book ends designed by John Adams, covered in a matt blue glaze impressed marks, restored ears 20cm. high £100-200 902. ‘Three Wise Monkeys’ pair of Carter, Stabler & Adams Poole Pottery book ends, designed by Hugh Llewellyn, each modelled as a family of three monkeys, glazed deep ochre impressed marks, minor chips 17.5cm. high £400-500 902

903

904

907

905

908

906

909

903. A Carter, Stabler & Adams, Poole Pottery vase, shouldered form, pattern ZW, by Ann Hatchard, painted with stylised flowers and foliage in colours impressed and painted marks, small hairline to top rim 36cm. high £300-500 904. A pair of Carter, Stabler & Adams, Poole Pottery twin-handled vases ovoid form, painted in the Bluebird pattern, in colours, and three other Poole Pottery items, impressed and painted marks 17cm. high £100-200 905. ‘Farmyard’ a Carter’s Poole Pottery four tile panel, designed by E.E. Stickland, painted in colours with chickens and a cockerel, impressed and painted marks, panel 30.5 x 30.5cm. £150-200 Literature Clarice Cliff & Art Deco, Woolley and Wallis 16th April 2008 for a comparable set lot 122. 906. Seven Carter’s Tiles designed by Reginald Till, each printed with food and drink vignettes in colours £50-100 910

907. A Poole Pottery limited edition Studio charger, dated 1998, by Karen Brown, painted in colours with long boats, in colours printed and painted marks, dated 98 number 27/100 41cm. diam. £300-400 908. A Poole Pottery Delphis bowl, shape no.58, painted with a band of flowers heads in orange and yellow on a red ground printed and painted marks, small chip to foot rim 34cm. diam. £50-100 909. A Poole Pottery six tile panel by Tony Morris, painted with a Lobster, in colours on a deep blue ground, framed 53 x 38cm. £200-300 910. A Poole Pottery Studio charger, by Tony Morris painted with a sun setting behind Stonehenge, painted in colours printed and painted marks 41cm. diam. £300-400 911. A Poole Pottery Studio charger, by Tony Morris, painted with butterflies, printed and painted marks 41cm. diam. £300-400

911

912

913

914

915

912. A Poole Pottery Atlantis plate by Guy Sydenham, slip decorated with a mythical bird impressed mark GS monogram 27cm. diam. £150-200 Literature Leslie Hayward and Paul Atterbury, Poole Pottery Richard Dennis Publications, page 144 for a contemporary photograph circa 1972-1977 for comparable examples

913. A Purbeck Pottery charger designed by Robert Jefferson incised with an eagle resting, incised RJ monogram 31cm. diam. £50-100

916

914. A Poole Pottery Atlantis vase, by Catherine Connett, incised with leaf design, glazed black on terracotta, impressed and incised marks 21cm. high £100-200

915. A Poole Pottery Atlantis vase, by Catherine Connett, tapering cylindrical form, incised with vertical columns, glazed brown and ochre impressed marks 20.5cm. high £200-250

917 916. A Poole Pottery Atlantis vase by Guy Sydenham, dimpled square section, painted in turquoise, the dimples picked out in orange impressed mark, GS monogram 14cm. high £400-600

917. A Poole Pottery Atlantis vase, by Catherine Connett, tapering form with wide flaring rim, glazed white to interior, the exterior incised with bands, glazed blue, white and black impressed and incised marks 18cm. high £150-200

918. A large Poole Pottery Atlantis vase, by Jennie Haigh, swollen form with everted rim, incised with geometric frieze, glazed blue impressed and incised marks 33.5cm. high £300-500 918

919. A set of three Hornsea Studio Craft vases, designed by John Clappison, pedestal form, cast in low relief, glazed white, and two Carlton Ware dishes printed marks largest 35cm. wide £60-100

919

920 920. A Fulham Pottery flower vase, designed by Constance Spry, flaring form covered in a grey glaze, and another smaller with loop handles printed marks 29cm. wide £50-150

921

922

921. A Buller porcelain vase, shouldered form painted with brown foliate border, another similar, a Bullers porcelain horse and a Bullers jar and cover incised marks 14cm. high £60-100

922. ‘Chaos’, ‘Boredom’ and ‘Sick of you Farts’ three punk inspired pottery mugs, with applied safety pins, painted with anarchic statements and splash work painted marks largest 13cm. high £80-120

923

924

923. A Sandy Brown earthenware teapot and cover slip decorated, a Kaiser biscuit porcelain plate, a continental crystalline glaze vase and three other items various marks teapot £80-120

924. A Winchcombe Pottery stoneware flagon, covered to the foot with an oatmeal glaze, and a collection of studio pottery impressed seal mark 40cm. high £80-120

925

925. Sotis Filippides (born 1963) a large irregular form black bowl, the exterior glazed blue and ochre impressed seal mark 34cm. diam. £150-200

926

927

930

928

929

931

TROIKA 926. A Troika Pottery vase and cover square section, resist decorated with a black glaze, and two modern bowls printed mark 14.5cm. high £60-70 927. A Troika Pottery Urn vase, by Louise Jinks, painted in shades of ochre and blue, and two Cylinder vases painted marks 25.5cm. high £80-120 928. A Troika Pottery vase, square section, covered in a black glaze with resist decorated flowerhead design painted mark 11.5cm. high £50-100

932

929. A Troika Pottery Wheel vase, by Penny Black, modelled in low relief, glazed in colours, and a Troika Pottery Spice Jar vase £80-120 930. A Troika Pottery vase, slab form, modelled in low relief with geometric panels, in shades of ochre and blue painted marks, 17.5cm. high £250-350 931. A Troika Pottery Wheel vase, modelled in low relief with geometric panels, glazed ochre and blue painted marks LJ monogram 16cm. high £250-350

933

932. A Troika Pottery cube vase, on square feet, modelled in low relief with geometric panels, in shades of ochre and blue, the feet glazed bronze painted mark, re-sprayed panel to interior 18cm. high £300-350 933. A Troika Pottery flask, modelled in low relief with geometric panels, painted in shades of ochre and blue on a white shoulder painted marks AL monogram 20.5cm. high £300-500 934. A Troika Pottery Chimney vase, modelled in low relief with geometric panels, glazed ochre and blue painted marks 20cm. high £300-350 934

935

936

939

937

940

941

CONTINENTAL CERAMICS

938

942

935. A tall Goldscheider Pottery modelled a peasant girl, model no. 2462/158, modelled digging with a spade, glazed impressed marks, 72cm. high £400-600 936. A pair of Art Nouveau Royal Dux vases, compressed form, each modelled with figures resting beside flowers, in colours applied pink triangle mark 25cm. high £80-120

943

937. A pair of Art Nouveau pottery vases, cast with three foliate handles, painted with opium poppies in colours on a sand ground impressed mark 33cm. high £250-350 938. An Art Nouveau Royal Dux pottery centrepiece, modelled with a maiden supporting a large flower stem, another resting on the rim, applied pink triangle, impressed marks 41cm. high £200-300 939. A continental pottery table centrepiece, modelled to the rim with snails, glazed in colours incised 352 to the base, firing cracks to the top rim 53cm. wide £50-150 940. A large Art Nouveau Amphora vase shouldered form, applied with oak foliage sprays in pink and white on a mottled green lustre ground, highlighted in gilt impressed marks, 29cm. high £100-150 941. A Ceramique D’art terracotta model of a seated hound, cast from a model by F Borrdler, modelled seated wearing collar, signed in the cast impressed marks, numbered 24, restored 27cm. high £100-200

944

942. A pair of Sevres vases, the decoration in the manner of Dr Christopher Dresser, tapering cylindrical form on barrel feet, painted with stylised flowers and foliage in colours painted mark 26cm. high £300-500 943. A large Czechoslovakian model of a tribesman on a camel, probably Royal Dux, modelled with a young boy in attendance, painted in colours, highlighted in gilt impressed marks, hairlines to base 60cm. high £200-300 944. An Art Nouveau earthenware figural vase, in the manner of Goldscheider, a maiden resting on the rim of a giant conch shell, another girl standing beside, with lily pad stems below, glazed in colours impressed 7847, one leg restuck 47cm. high £200-300 945. An Art Nouveau Arte Della Ceramica, Chini & Co pottery vase, probably designed by Galileo Chini, painted with a maiden before orange opium poppies, a distant landscape with long and winding road, in colours impressed mark, repaired chip to side, minor glaze frits 26cm.high £150-200

945

945 mark

946

950

947

951

948

949

952

953

946. A Wachtersbacher Steingutfabrik pottery vase the design attributed to Christian Neureuther, stencil decorated with geometric roundel and another vase, impressed and printed marks 13.5cm. high £50-150 947. A Karau Pottery figure designed by Willy Russ, model no.477, the nude holding a flaming heart and mythical bird, glazed silver grey impressed marks, signed to the base, head re-stuck 35cm. high £200-300 948. A Rookwood Pottery vase, compressed form with cylindrical neck and everted rim, painted with opium poppies, in colours on a brown ground impressed marks 24cm. high £300-400 949. A Gmunder Keramik ewer, resist decorated with leaping gazelle in green on a cream ground, two German Secessionist stoneware tankards and a collection of studio pottery incised marks 27cm. high £50-100 950. A Continental pottery vase, possibly Italian, with applied rope twist handles, painted with heraldic motif in yellow and green on a blue ground, and a jug similar painted monogram 27cm. high £80-120

954

951. A Clement Massier earthenware vase, swollen form, painted with mistletoe, in gold and green lustre glaze small glaze nick to top rim 10.5cm. high £200-300 952. A Van Briggle pottery vase modelled in relief with three native indian heads, glazed deep red and blue etched marks to base 31cm. high £600-1,000 953. A Van Briggle ovoid vase, modelled in low relief with a frieze of foliage, glazed matt blue, another similar, two smaller Van Briggle vases and three Van Briggle pink glazed vases incised marks 11cm. high £100-200 954. A Vallauris lustre plaque by Jean Baptiste Gaziello, painted with a seaside landscape of trees, framed painted signature, remains of paper label to reverse plaque 25 x 15cm. £800-1,200 955. A large Rozenburg den Haag Art Nouveau pottery charger painted with white calla lily stems before a sunrise landscape, in colours painted marks, repaired rim 44.5cm. diam. £300-500 955

956

960

957

961

958

959

962 956. A Katshutte Pottery figure of an awakening maiden, a blue towel draped over her shoulder printed mark F79, chipped finger 28cm. high £120-180 957. ‘La Cantiniere’ a Robj decanter and stopper, painted in colours, ‘L’ecuyere’ and ‘Vieux Marc de Champagne’ two Robj decanters printed marks, damages 31cm. high £250-350 958. A continental pottery model of two buffalo cast from a model by Lemanceau, glazed in colours impressed signature, minor damages 46cm. wide £50-100

963

964

959. An Art Deco crackle glaze pottery model of a stylised bird designed by L Fontinelle, painted marks 21cm. wide £80-120

960. A continental porcelain night-light in the manner of Robj, modelled as a rotund figure in a turban, painted in colours, unsigned 19cm. high £80-120 961. A tall Amphora pottery vase with twin-loop handles, painted in colours with a pelican impressed marks 45cm. high £80-120 962. A Serapis Fayance bowl for Ernst Wahliss, probably Karl Klaus, printed and painted with stylised bell flowers to the well, highlighted in gilt, and an Art Deco Saumont, France glass box and cover, modelled in relief with beetles printed and painted marks, restored 25.5cm. wide £100-200 965 963. An Art Deco Royal Dux figure of a pierrot, by Schaff modelled holding a guitar, painted in colours applied pink triangle, impressed and printed marks 38cm. high £100-150 964. A Rosenthal vase and cover, hexagonal form, dated 1928, painted with panels of red cranes between borders of overlapping leaf and trailing wisteria, in colours, highlighted in gilt printed and painted marks 32cm. high £350-450 965. An Edward Cazaux stoneware plate painted with an exotic bird to the well in blue, highlighted in gilt etched Cazaux to back 23cm. diam. £150-200 966. A Boch Freres Art Deco vase model D.815, designed by Charles Catteau, tall cylindrical form with inverted rim, painted with columns of black and white stylised flowers on a lemon yellow ground printed mark, painted marks CT monogram 45cm. high £200-300 966

967

968

969

967. An Art Deco Boch Freres gilt metal mounted vase, designed by Charles Catteau, model no.D.944, painted with hanging bowls of flowers, between columns, in colours on a crackled white ground printed marks, 36cm. high £200-300

968. A Boch Freres Keramis vase designed by Charles Catteau, pattern D.1174, enamelled with geometric flowers in colours on a crackled white ground printed marks 28cm. high £200-300

970 969. A Keramis Pottery bowl, designed by Charles Catteau, model D.750, painted to the well with a geometric flowerhead in yellow, orange and red on a crackle ground printed marks, facsimile signature hairline to rim 30cm. diam. £100-200

970. A Longwy Primavera bowl, painted with a two stylised nude figures beside a deer, in shades of brown, cream and black, on a crackled ground printed mark 30cm. diam. £600-800

971. A Goldscheider Pottery wall mask, model no.6288, modelled as a woman holding up a theatrical mask, painted in colours printed and impressed marks 36cm. high £1,000-1,500 Literature Yvonne Brunhammer, Art Deco Style, Academy Editions, front cover for a comparable mask. 971

972

973

974

975

972. A Goldscheider Pottery wall mask model no.3269, modelled as a girl with blue hair and golden hair band , offering up her hand impressed and printed marks, original paper label 30cm. high £150-200

973. A Goldscheider Pottery mask of a woman holding a bead necklace, model no.7121, glazed in colours printed and impressed marks, professional restoration 31cm. high £600-700

976

977

974. A Goldscheider Pottery wall mask model no.7495, modelled as a stylised woman, her hands raised to her cheek, glazed in colours printed and impressed marks 31cm. high £500-600

975. A Rosenthal figure of a pierrot, designed by Rudolf Greiner, modelled lying down printed and painted marks, restored 32cm. wide £200-300

976. ‘Mermaid on a fish’ a Ronzan Pottery figure group, painted in colours, on a circular tray printed and painted marks, minor restoration to fins 37cm. high £500-600

977. An Art Deco Italian Pottery bust modelled her head down turned smelling a yellow rose, painted in colours indistinct painted marks, Italy 27cm. high £500-600

978

979

978. A Lenci Pottery wall mask, modelled as woman in floral headscarf, painted in colours painted marks, hairline to back rim 29cm. high £500-800

979. A Lenci Pottery figure group, modelled as a peasant girl, seated supporting a standing child, a chicken nestled on her lap, glazed in colours painted marks 33cm. high £300-500

980. ‘Le Ceramiche Lenci’ a Lenci loose leaf photographic catalogue and pricelist £1,000-1,500 980

981. â&#x20AC;&#x2DC;il Ventoâ&#x20AC;&#x2122; a Lenci Pottery figure model no 363, modelled as a sophisticated woman in cheque suit and lime green hat, caught in the wind, glazed in colours painted marks 38cm. high ÂŁ6,000-7,000 Literature The Lenci price list states Lenci as the designer of this figure and lists the price as 125 lira.

982. A large Art Deco Katshutte Pottery figure of a girl modelled wearing pink summer dress and broad rimmed hat, printed mark 41.5cm. high £300-500

983. A Goldscheider Pottery figure of a Butterfly dancer, cast from a model by Josef Lorenzl, model no. 5900, modelled wearing butterfly wing robe, spray glazed in red and grey impressed marks, printed marks facsimile signature 46cm. high £2,500-3,500

984. ‘The Captured Bird’ a large Art Deco Goldscheider Pottery Bat Girl figure model no. 5230, designed by Josef Lorenzl, modelled with arms outstretched to display her cape, with spiders web design, standing before a flower filled urn printed and impressed marks, impressed artist signature, small frit to nose and fingers 47cm. high £2,000-3,000 Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 118 for an identical figure 982

983

984

985

989

986

987

990

985. A set of eight Royal Copenhagen twin-handled dishes model no. 12441, each elliptical form with scallop shell handles, printed to the centre with a leaping goat before stylised foliage printed and painted marks 25cm. wide £100-150 986. A Royal Copenhagen pottery bust of a woman, model no.159/2897, designed by Johannes Hedegaard, modeled wearing head scarf, glazed blue and turquoise, printed and painted marks 33cm. high £200-300 987. A Royal Copenhagen Faience vase, shouldered form, pattern 723/3208, in shades of yellow and brown, two others decorated with birds and two other cylinder vases printed and painted marks 18cm. high £80-120 988. Six Royal Copenhagen Faience year mugs, a Royal Copenhagen butterfly box and cover, and six Royal Copenhagen pin dishes printed and painted marks, mugs 7.5cm. high £60-100 989. A Royal Copenhagen vase, decorated with prunus blossom, Two Royal Copenhagen Faience a square dishes, a box and cover and a tea cup and saucer printed and painted marks vase 18cm. high £60-100 990. A Soholm, Denmark vase, designed by Gerd Hiort Petersen, model no.3330, cast in relief with figures and stylised cats, covered in a streaked ochre glaze incised marks 24.5cm. high £200-300 991. A Royal Copenhagen Faience vase, shouldered rectangular form, model no 711/3455, another similar and three smaller, printed and painted marks 19cm. high £80-120 992. A Royal Copenhagen Faience vase, model no.870/3121, shouldered form painted with geometric design in brown, a dish painted with brown and yellow submarine scene,s and a large collection of Royal Copenhagen and Scandinavian ceramics various marks 19cm. high £150-200 993. Two Arabia stoneware lidded jars, rounded square section, painted in shades of blue and green incised Arabia BH marks 11.5cm. high £80-120 994. A Rosenthal Studio Line vase, designed by Martin Freyer, cast in low relief, glazed, matt black printed marks facsimile signature 32cm. high £50-100 Martin Freyer (1909-1974) designed the VW car emblem for Volkswagen. 995. A Gustavsberg beaker by Stig Lindberg, conical form, painted in colours, and a Gustavsberg wall plaque by Lisa Larsson printed marks beaker 14cm. high £80-100 996. A Kahler Keramik ovoid vase, ribbed form covered in a matt green glaze, and a bowl similar incised marks 15cm. high £80-120

988

991

992

993

994

996

995

997

998 997. A Kahler Keramik vase, triangular, tapering form with pulled, flaring rim, covered in a silver-grey matt glaze incised marks 28cm. high £80-120 998. A Kahler Keramik vase, model no. D.1174, shouldered square section, covered in a silver-grey matt glaze, and six others impressed marks, 13cm. high £100-200

999. A Gambone pottery bowl, circular with flaring rim, glazed blue painted marks 18cm. diam. £80-120

1000. A Gambone pottery square dish, painted with red and ochre brush strokes on a n electric blue ground painted marks 14.5cm. wide £100-200

999

1000

1001. A Fantoni pottery vase, deep flaring form, graduated brown to orange glaze painted marks 14cm. high £250-350

1002. A Fantoni pottery bottle vase shouldered form with narrow solifleur neck, glazed brown and orange, and a Fantoni bowl painted marks 21cm. high £150-200 1001

1002

TEXTILES 1003. An embroidered silk panel probably Morris & Co, embroidered with a border of scrolling carnation glowers, on a green ground unsigned 119cm. square £200-300

1003

1004

1004. A Morris & Co silk embroidered panel, decorated with pink tulip flowers, framed unsigned 49 x 43cm. £200-300

1005. A pair of Arts and Crafts silk curtains, decorated with lily flowers on a red ground 209 x 163cm. £300-500

1006. ‘Stones of Bath’ an Arthur Sanderson & Sons printed cotton curtain, designed by John Piper, unsigned 193 x 180cm. £150-200 1005

1006

1007

1010

1008

1011

1009

1012

1013

A COLLECTION OF PYROGRAPH PICTURES BY MRS W. GREENALL 1007.‘Judith in the tent of Holofernes’ by Mrs W Greenall, an etched and painted wood panel etched mark, dated 1930, titled to reverse 41 x 31cm. £200-300

1008.‘Joanna of Aragon’ and ‘The Madonna in Bayern’ by Mrs W Greenall, two etched and painted wood panels, framed etched marks 21 x 18cm. £150-200

1009.‘Via Dolorosa, Jerusalem’ by Mrs W Greenall, an etched and painted wood panel, framed and two other panels etched marks 21 x 18cm. £250-300

1010.‘Market Scene’ by Mrs W Greenall, an etched and painted wood panel, dated 1928, framed etched marks, panel 21.5 x 17cm. £200-300 1014 1011.‘Queen Vashli’ from a picture by Ernest Normand, by Mrs W Greenall, an etched and painted wood panel by, dated 1929, framed signed and dated, annotated to reverse image 40 x 31cm. £200-300

1012.‘For He Had Great Posessions’ from the painting by G.F. Watts RA’ by Mrs W Greenall, an etched and painted wood panel, dated 1929, framed etched marks 31 x 18cm. £150-200

1013.‘Bond’s Hospital, Coventry’ by Mrs W Greenall, an etched and painted wood panel, dated 1933, framed, ‘Bablake Cloisters, Coventry’ and two smaller Coventry scenes etched signatures and dates 32 x 22cm. £150-200

1014.‘Nude Model in the Studio’ by Mrs W Greenall, an etched and painted wood panel, framed pencil details to reverse image 30 x 24cm. £200-300

1015.‘The Studio Fire’ by Mrs W Greenall an etched and painted wood panel, framed signed and titled to reverse image 39 x 27.5cm. £200-300 1015

1016

1018

1017

WORKS ON PAPER & REFERENCE BOOKS FILM POSTERS

1016. ‘The Deerhunter’ a British Quad film poster, printed by Lonsdale & Bartholomew, starring Robert De Niro, and ‘Heaven Can Wait’ a British Quad film poster 101.5 x 76cm. £100-200

1017. ‘Kramer vs Kramer’ a British Quad film poster, printed by Lonsdale and Bartholomew, ‘Harry & Walter Go To New York’, and ‘Convoy’ two British Quad film posters 101.5 x 76cm £100-200

1018. ‘Grease’ a British Quad film poster, printed by Lonsdale & Bartholomew, starring John Travolta and Olivia Newton-John, ‘Annie Hall’ a British Quad film poster starring Woody Allen and ‘Comin Home’ a British Quad film poster, 101.5 x 76cm. £100-200

1019. An Art Deco Strand cinema board, listing prices and times, in black and chrome frame unsigned 153 x 53cm. £80-120 1019

1020. ‘Saturday Night Fever’ a film poster, published by Marathon Graphic Ltd, and seven other posters 89 x 59cm. £100-200 Provenance Karel Reisz

1021. ‘Andy Warhol’s Frankenstein’ a film poster, printed in the USA 107 x 71cm. £80-120 1020

1021

1023

1022 1022. ‘High Anxiety’ a British Quad film poster, published by Lonsdale & Bartholomew, starring Mel Brooks, and ‘Blazing Saddles’ and ‘The Frisco Kid’ British Quad posters, 101.5 x 76cm. £100-200

1023. ‘One Flew Over The Cuckoo’s Nest’ a film poster, published by GAU, and two various ‘The Long Riders’ film posters 104 x 69cm. £80-120 Provenance Karel Reisz 1024

1024. ‘La Cage aux Folles II’ a film poster, printed in the USA by GAU, ‘Dance With a Stranger’ a film poster and a collection of film posters 104 x 69cm. £80-120 Provenance Karel Reisz

1025. ‘Raging Bull’ a film poster, printed in the USA, 104 x 69cm.

£80-120

Provenance Karel Reisz 1025

DODO BURGNER ORIGINAL ARTWORK

1026. ‘Kenen Sie Den Kurfurstendamm ? (do you know Kurfurstendamm street)’ a pen and ink collage story board by Dodo Burgner signed, with printed studio backstamp 64 x 48cm. £250-350 This storyboard includes images used by Dodo Burgner for Ulk magazine including the cafe scene.

1027. A watercolour portrait of a dancer by Dodo Burgner and another similar main signed in pencil Wolff to the reverse largest 51 x 36.5cm . £80-120

1028. Three watercolour fashion designs by Dodo Burgner unsigned, one dated 9 5 25 sheet size 55 x 31.5cm. £100-200 1026 1029. A watercolour of a woman riding a motorcycle by Dodo Burgner, and another of a young couple resting before their broken down car one signed Dodo Motorcycle 38 x 21cm. £100-200

1030. Three early watercolour sketches by Dodo Burgner, each signed in pen Wolff 25 x 15cm. £80-120

1027

1028

1029

1030

1031. A watercolour portrait of a shoe shine boy by Dodo Burgner unsigned image 12.5 x 12.5cm. £80-120

1032. A watercolour fashion portrait of a woman in a red cloche by Dodo Burgner, mounted on paper, unsigned image 25 x 22cm. £100-200 1031

1032

1033. A pen and ink fashion design by Dodo Burgner, signed in ink, annotated in pencil sheet 45 x 32cm. £300-500

1034. An Art Deco pen and ink costume design by Dodo Burgner, signed in the design and annotated in pencil 36 x 23cm. £300-500

1033

1034 1035. A pen and ink drawing of three bathers lying on the beach by Dodo Burgner signed Dodo sheet 29.5 x 23cm. £100-200

1036. Seven pages of pencil sketches by Dodo Burger, dated 1924/1925 three signed Wolff sheet 26.5 x 21.5cm. £100-200 1035

1036

1037

1038

1039

1037. A watercolour sketch of a young couple sitting on a balcony drinking cocktails by Dodo Burgner unsigned 39 x 30cm . £100-200

1038. A watercolour design of a female diver by Dodo Burgner, on paper, unsigned image 46 x 39cm. £200-300

1039. Four watercolour sketches by Dodo Burgner two signed Dodo largest 31 x 24cm. £100-200

1040

1040. A watercolour sketch of a porter holding a basket of flowers for a young lady by Dodo Burgner, and two other sketches, one signed Wolff one Dodo largest sheet 36 x 26cm. £80-100

1041. A watercolour and pencil study of a nude by Dodo Burgner unsigned sheet 45 x 32.5cm. £80-120

1042. a watercolour design of a dancer in elaborate costume by Dodo Burgner, another similar and a watercolour of a pierrot serenading a woman main signed DW sheet 34 x 27cm. £80-120 1041

1042

THE BALLETS RUSSES

1043. ‘Ballet Russe (Tamara Karsavina) Theatre de Monte Carlo 1911’ a rare poster designed by Jean Cocteau for the first performance, published by Eugene Verneau and Henri Chachoin, Paris, framed signed in the print 91 x 57cm £4,000-6,000

1044. ‘Ballet Russe (Vaslav Nijinsky) - Theatre de Monte Carlo 1911’ a rare poster designed by Jean Cocteau for the first performance, published by Eugene Verneau and Henri Chachoin, Paris, framed signed in the print image 90 x 56.5cm. £4,000-6,000 Diaghilev arrived at the Monte Carlo Opera House in 1911 as a dancer and immediately began to direct his own productions. He organised a troupe of 80 artists including Nijinsky, Fokine and Lifar, with stage sets by internationally recognised artists including Matisse, Braque and Picasso, he was also able to use Bakst’s costume designs and for the first production he used Cocteau to provide the graphic art for his posters. The poster depicts Nijinsky wearing the costume of roses designed by Leon Bakst for Le Spectre de la Rose. Although this production transferred to Paris the poster was reduced in size to fit the smaller billboards. Literature Charles Spencer The World of Diaghilev, Elek, page 79 for the image used as a later poster for 1913

1045

1046

1047

1045. ‘La Carnaval de Schumann, Paris Opera 1910 - Ballet Russes de Serge de Diaghilev ‘ a pen and ink design by Andre Dunoyer de Segonzac, framed, titled, signed and dated image, stamped studio mark to reverse 26 x 18cm. £500-600 Provenance Marina Franca Salz, New York gifted by the artist).

1048 1046. ‘Bolm dans le Carnaval de Schumann: Pierrot’ a pen and ink by Andre Dunoyer de Segonzac, framed signed and titled image 17 x 10.5cm. £500-600

1047. ‘Carnaval de Schumann’ a pen and ink design by Andre Dunoyer de Segonzac, framed, titled, signed and dated image, stamped studio mark to reverse 24 x 18cm. £500-600 Provenance Marina Franca Salz, New York (acquired from the artist). Exhibited Paris, Musee des Arts Decoratifs, Les Ballets Russes de Diaghilev 109-1929, 1939 no.208

1048. A collection of drawings by the photographer L Bert, depicting Ballets Russes characters including Fokine, Lopokova and Karsavina £80-120 Provenance Music in Art 13th October 1998 Phillips New Bond Street, lot 142.

1049. ‘Raymonde’ a pair of watercolour costume designs for Raymonde and Abderakhman by Alexandre Benois, dated 1945, framed titled, monogrammed and dated in pencil image 32 x 23cm. £3,000-5,000 1049

1050

1052

1051

1055

1056

1053

1054

1057

1057A

1050. A pair of 1960s pen and ink drawings on paper by G Legge, framed, signed in the design, image 56 x 38cm. £50-150 1051. A folio of 1960s designs by Rosetta Wong including designs at the London College of Furniture dated 1966 £80-120 1052. ‘Oz - School Kids Edition’ a magazine

£50-100

1053. ‘La Dunduce Pies de Buducon’ conte crayon drawing by Victor Emile Prouve dated 4-8-36, signed, titled and dated in pencil, image 57.5 x 43.5 cm. £400-600 1054. ‘George Atkin & Mrs Atkin - Golden Wedding Day’ an illuminated page by James Orr Marples, May 23rd 1905, signed by his friends 60 x 46.5cm. £50-150 1055. A linocut print of a riverscape, and two other prints, inscribed and indistinct signatures in pencil 30.5 x 21.5cm £50-150 1058 1056. ‘The Star of Bethlehem’ a gouache painting on card by Angus Racey Helps, and another gouache of the three kings, signed to the front and titled to the reverse largest 28.5 x 24cm. £150-200 1057. Ian Auld (1926-2000) an ink, pen and wash picture of a woman arranging flowers, on paper, framed signed in pen 50 x 37cm. £120-180 1057A. 'Furnished Accomodation' No.4, an acrylic on canvas by Robert Young, paper label to reverse 158 x 162cm. £80-120 Provenance Redfearn Gallery November 3rd 1971

1059

Exhibited Robert Young The Vancouver Art Gallery, 1974. 1058. An acrylic on board marine painting by C J Palmer, framed painted signature image 63 x 41cm. £100-200 1059. ‘Battle Scene’ an oil on canvas surrealist painting, by Williams, showing the influence of Salvador Dali, framed signed Williams, titled to verso 39 x 29cm. £100-200 1060. An impressionist painting of flowers in a jug, by William Leiper, framed signed Wm Leiper image 52 x 42cm. £300-500 1060

1061

1062

1065

1066

1063

1067

1064

1068

1061. ‘Jack and Jill’ a lithographic print by Walter Crane, with lyrics to the nursery rhyme, in common frame, and another print by Walter Crane printed monogram Jack and Jill image 15cm. square £60-100 1062. ‘William Morris’ a portrait published by Walker & Boutall from a photograph taken in 1889, framed, image 26.5 x 21cm. £100-200 1063. ‘Specimens of Medieval Architecture’ by W Eden Nesfield, a portfolio £150-250 1064. ‘The Savoy’ an illustrated quarterly publication, illustrated by Aubrey Beardlsey, January 1896, and a print of ‘Madonna & Child’ by Aubrey Beardsley, signed in the print Quarterly 26.5cm. high £100-200 1069

1070

1065. ‘The Studio’ volumes 1-100, one hundred volumes, all bound in green £500-800 1066. ‘The Studio’ a general indices for volumes 1-42 (1893-1908) reproduced by Sims & Reed, 1979 £50-100 1067. ‘Seven Happy Days’ seven prints by Jessie M King, published in The Studio MCMXIII, in folio signed in the prints £50-150 1068. ‘Thompson’s Gardener’s Assistant’ volumes 1-6 and ‘Modern House Construction’ volumes 1-6 twelve books with cover designs by Talwin Morris 28.5 x 23cm. £50-150

1071

1072

1069. ‘Designs for Needlework’ a Liberty & Co catalogue, undated

£50-100

1070. ‘La Verrerie Francaise’, ‘Le Mobilier Francais’ and ‘La Ceramique Francaise Moderne’ (1910-1925) three volumes, £50-100 1071. ‘La Lorraine’ fourteen journals dedicated to the arts and designs, illustrated with furniture and glass designs by Galle, Vallin and Louis Majorelle, circa 1904, and two copies of La Plume, £50-100 1072. ‘Daily Mail Ideal Home Book’ 1947-8, 1948-9, 1949-50, 1950-51, 1952-53, 1955 and 1957, seven contemporary journals, and five other books £80-120 1073. ‘Monographien des Kunstgewerbes’ by Gustav Pazaurek, a reference book, 1925 illustrating contemporary glass including Haida, Orrefors and Leerdam £50-100 1074. ‘La Sculpture Decorative’ a folio of designs by Henri Rapin, for the 1925 Paris exhibition, £150-200 1073

1074

1075

1076

1077

1079

1078

1080

1081

1075. ‘Plastics Designs and Materials’ a reference book by Sylvia Katz, and a collection of books on plastics, Art Deco and post war design £50-80

1076. A large collection of books relating to Victorian Design, History and Politics £100-200

1077. A collection of French Art Nouveau and Art Deco furniture catalogues and journals £100-200

1078. A collection of Decorative Arts and Design auction catalogues including the Herman Dommisse Collection, Christie’s Amsterdam, Wiener Werkstatte 100 Years, Souvenirs of Concorde and The Thomas Howath Collection of Charles Rennie Mackintosh £50-150

1082

1083

1079. ‘Noah’s Ark’ eight Nursery border prints designed by Clifford Webb, printed by Frederick Warne & Co, signed in one print, each print 76 x 25.5cm. £150-250

1080. ‘This Week Outdoors April 24-30’ a London Underground poster, printed by Waterlow & Sons, ‘Lord Mayor’s Show’ a lithographic poster and ‘Chestnut Sunday - Bushey Park’ a lithographic poster by Charles Burton 101 x 63cm. £200-250

1084

1081. ‘Australia’ a lithographic poster by Percy Trompf, framed signed in the print Trompf image 51 x 31cm. £150-200

1082. ‘David Hockney at Andre Emmerich 1969’ a poster designed by David Hockney, framed dated in the print poster 93 66.5cm. £100-200

1083. ‘Contemporary British Drawings, Tel Aviv Museum 1980’ (Celia) a poster, framed signed in the print image 68 x 48cm. £100-200

1084. ‘David Hockney - Some Very New Paintings’ a poster, 1 September to 30th November 1993, framed, image 100 x 61.5cm. £80-120

1085. ‘The New World Festival of the Arts 1982’ a poster designed by David Hockney, 97.5 x 91cm. £100-200 1085

1086

1087

1088

1089

1090

1091

1092 1086. Three Russian revolution posters largest 117 x 58cm. £50-80 Provenance Karel Reisz 1087. ‘Conchiglie’ a lithographic zinc plate print on paper by Fornasetti, from a design by Pierro Fornasetti, framed, and another ‘Cornici’, framed printed stamp mark, with a letter of authenticity from Barnaba Fornasetti image 51 x 48cm. £600-800 1088. A collection of twelve pen and ink cartoon original designs by Billy Williams, with stamped C W Williams and Charles Gilbert Artists agency stamps, signed to design 21.5 x 15cm. £60-100 1089. A collection of twelve pen and ink cartoon original designs by Billy Williams, with stamped C W Williams and Charles Gilbert Artists agency stamps, signed to design 21.5 x 15cm. £60-100 1090. A collection of twelve pen and ink cartoon original designs by Billy Williams, with stamped C W Williams and Charles Gilbert Artists agency stamps, signed to design 21.5 x 15cm. £60-100 1091. Two Flikker books published by Alecto, 1972

£50-100

1092. ‘Summertime’ a modern print after a painting by Jackson Pollock, framed, signed in the print frame size 153 x 40cm. £50-100 1093. ‘The Ring’ a watercolour on paper by Norman Lindsay, highlighted in silver and gilt, framed signed and indistinct date 1922 image 26.5 x 17cm. £700-900 Norman Alfred William Lindsay (1879-1969). An Australian artist of merit, his erotic paintings and etchings caused considerable controversy in the late 1930s, particularly in America. 1093

1094 1094 side

FURNITURE 1094. A pair of Coalbrookdale cast iron armchairs designed by Dr Christopher Dresser, with cast foliate decoration, painted white, with wooden slats unsigned 89cm. high ÂŁ3,000-5,000 Literature Michael Whiteway Christopher Dresser A Design Revolution, Victoria and Albert Museum, page 111 catalogue number 146 for a bench in this design

1095. An Art Nouveau rosewood and veneer writing desk, the design attributed to Louis Majorelle, gently flaring feet, with carved decoration, patinated bronze drawer handles unsigned 78cm high, 101 cm. wide. ÂŁ2,000-3,000 1095

1096

1100

1097

1101

1098

1102

1099

1103

1096. An Arts and Crafts oak stool, rectangular section, the top with pierced decoration, the plank legs with pegged joints unsigned 47cm. high £80-120 1097. An Arts and Crafts oak gate leg table applied label 92cm. wide

£80-120

1098. A pyrographed oak screen the central panel depicting a Spanish maiden unsigned 88cm. high £20-50 1099. An Arts and Crafts carved wall mirror, in the manner of Arthur Simpson, Kendal, carved with a frieze of fuchsia, unsigned, remains of retailers paper label 59cm. diam. £200-300 1104

1100. An Aesthetic Movement armchair, on an X stretcher, arms and back with carved decoration, highlighted in gilt, with horsehair padded seat, unsigned 99cm. high £200-300 1101. A set of four walnut dining chairs, the designed attributed to Morris & Co, with strung seats unsigned 91cm. high £100-200 1102. Five ebonised wood Sussex chairs, probably Morris & Co, with rush seats, comprising two carvers and three chairs, and six rolls of William Morris wall paper unsigned 84cm. high £100-200

1105

1103. An Aesthetic Movement ebonised wood occasional table, pierced under rail, on turned legs unsigned 65cm. high £80-120 1104. An Aesthetic Movement oak dressing chest, two sets of graduated drawers, with patinated brass furniture, and a chair unsigned 138cm. wide £200-400 1105. An Aesthetic Movement walnut sideboard, the back inset with mirror and stained wooden panels decorated with oak and acorn wreath, ebonised wood detailing unsigned 183cm. high, 183cm. wide £200-400 1106. An Aesthetic Movement oak chair, the back inset with a Minton tile designed by John Moyr Smith, 87cm. high £100-150

1106

1107

1108

1111

1109

1110

1112

1113

1107. An Arts and Crafts mahogany table, in the manner of William Birch, turned legs and circular top unsigned 71cm. high, 60cm. diam. £80-120

1108. A Cotswold School oak dressing table mirror, designed by Edward Barnsley, on sleigh feet, single drawer compartment unsigned, missing metal handles 52cm. high £100-200

1109. A Wylie & Lochhead rush seated hall chair turned legs with angled arm rests and turned bobbin back rest, triangular rush seat unsigned 84cm. high £80-120

1110. A pair of ash Gimson high-back chairs, with strung seat unsigned 99cm. high

£200-400 1114

1111. A mahogany wall shelf the design attributed to Gustav Siegel, pierced secessionist back panel unsigned 78cm. wide £100-200

1112. An Arts and Crafts oak tub chair, possibly retailed by Liberty & Co, unsigned 76cm. high £80-120

1113. An oak rush seated sofa and two armchairs, in the manner of Richard Norman Shaw, turned legs and carved decoration unsigned 138cm. wide £300-500 1115 1114. A William Birch oak hall chair, plank construction, the central vertical back splat inlaid with bell flower panel unsigned 94cm. high £100-200

1115. A nest of three oak occasional tables probably Heal’s unmarked 51 x 33cm.

£80-120

1116. A Stanley Webb Davies walnut cabinet, dated 1959, by Sidney Allan Johnston and Fred Ellison, applied paper label, carved monograms and date 79cm. high £200-300 1116 label

1116

1117

1118

1121

1122

1119

1120

1122A 1117. An Arts and Crafts oak table, in the manner of Charles Eastlake, square top with flaring turned legs unsigned 90 x 91cm. £200-300 1118. An Arts and Crafts table, possibly retailed by Liberty & Co, turned wooden legs supporting octagonal table top unsigned 66cm. high, 53cm. wide £80-120 1119. An Arts and Crafts oak hall stand, in the manner of Shapland & Petter, with pierced foliate panels, inset with a copper galleon plaque unsigned 199cm. hgih £400-600

1123

1120. A Cotswold School teak bedside table by Joseph Maslin, rectangular form, with single drawer compartment stamped J Maslin 58cm. high £100-200 1121. A Heal’s weathered oak bureau, four drawer form, with turned oak handles, inset ivorine label 104.5cm. high, 73.5cm. wide £250-350 1122. A Gordon Russell oak occasional table, circular top, unsigned 68cm. wide £150-200 1122A. A Gordon Russell nest of three occasional tables applied label, impressed marks largest 61 x 38cm. £100-200 1123. A large Heal’s oak dining table originally designed by Philip Tilden for Winston Churchill at Chartwell unsigned 228 x 121cm. £1,500-2,000 Literature Susanna Goodden At The Sign of the Fourposter - A History of Heal’s page 48 and 49 for comparable examples 1124. A large Heal’s Newlyn oak wardrobe, central mirrored door flanked by cupboards, above drawers on turned legs, below flaring cornice, applied metal label 202cm. wide, 197cm. high. £2,000-4,000 Literature At The Sign of the Four Poster page 21 a woodcut of this wardrobe reproduced from 1898.

1124

1124 label

1126

1125

1125. A gilt wood hall mirror set with a lithograph by Louis Icart, published by L’Estamp Modern, dated 1920 signed in pencil 149cm. high £400-600

1126. A large Art Deco mirror probably Rowley Gallery, the central silvered gesso panel of a nude woman kneeling beside a horse unsigned 210cm. wide, 72cm. high £800-1,000

1127. An Art Deco Heal’s veneered chest of drawers, seven drawers, with chromed metal handles applied ivorine label 100cm. high £100-200

1127

1128. An Anders Svendsen, Kobenhavn burr wood two drawer chest, on tapering, reeded legs and painted ebony detailing factories marks to the key 89cm. high, 100cm. wide £800-1,200

1129. An Art Deco walnut veneer extending dining table and six chairs, in the manner of Epstein, comprising table, one leaf, one carver and five chairs, the chairs with cream leather seats unsigned, table 145cm wide, leaf 31cm wide £800-1,200

1128

1129

1130

1131

1132

1134

1135 top

1133

1135

1130. A Danish teak drinks trolley, in the manner of Hans Wegner, hinged top and single drawer to front, on castors 70cm. wide £200-300

1131. A Gordon Russell walnut sideboard rectangular with four central drawers, flanked by doors, applied label 141 x 49cm. £150-200

1136

1137

1132. A Danish teak extending low coffee table, with inset formica panel, indistinct stamped mark 105cm. long (unextended) 54cm. high £60-100

1133. A set of eight Gordon Russell teak chairs, designed by W.H. Russell, with embroidered seats, unsigned 86cm. high £200-300

1134. A painted wrought iron and marble coffee table, in the manner of Gilbert Poillerat, 48cm. high, 104cm long £500-700

1138

1135. An Arabia, Finland ceramic tray by Greta Lisa JaderholmSnellman, on painted wood trolley, the tray painted with flower spray, dated 1936, possibly produced for an exhibition, painted inscription 62cm. wide £100-200

1136. A black leather and chromed metal Wassily chair, designed by Marcel Breuer, 75cm. wide £80-120

1137. A black leather and chromed metal Wassily chair, designed by Marcel Breuer, 75cm. wide £80-120

1138. An Italian ebonised wood occasional table, the rectangular top with enamelled geometric design in shades of blue unsigned 102 x 46cm. £300-500 1138 top

1139

1140

1142

1141

1143

1144

1139. An enamelled glass mirror, dome top form, enamelled with a border of animals and geometric panels unsigned 71cm. high £50-80

1140. A pair of painted metal garden chairs, possibly retailed by Heal’s, with painted curved wooden slat seats unsigned 81cm. high £80-120 1145 1141. A Lucite stool with padded seat unmarked 64 cm. high

1146

£250-350

1142. A pair of chrome, glass topped tables, square section unsigned 61cm. square £150-200

1143. An Arkana fibreglass chair, cast marks to base 67cm. high

£50-80

1144. A Merrow Associates chrome and rosewood veneer occasional table, rectangular section, with glass shelf and top, on castors unsigned 63 x 45cm. £200-300 1147 1145. A Merrow Associates chrome and veneer occasional table, with inset glass top, on castors unsigned 53 x 56cm. £150-200

1146. A Merrow Associates chrome and rosewood veneer occasional table, with inset glass top, on castors unsigned 53 x 56cm. £150-200

1147. An Artek table designed by Alvar Aalto, rectangular with bent fan topped legs unsigned 120cm. diam. £180-220

1148. A pair of Vitra Design Louis 20 chairs designed by Phillipe Starck, cast marks 84cm. high £150-200 1148 marks

1148

1149

1150

1153

1151

1152

SCULPTURE 1149. A plaster figural maquette modelled as a philosopher painted red, unsigned 37 cm. high £50-100

1150. A plywood and perspex sculpture, possibly a clock makers display piece, the decoration comprising clock components unsigned 34cm. high £50-100

1151. A gilt patinated bronze bust of a young woman cast from a model by Joseph Hovell, dated 1940, on onyx base with additional veined marble base signed in the bronze and dated 1940 29cm. high £300-400

1154

1152. A patinated bronze figural seal, modelled as a maiden wearing a bonnet unsigned 7cm. high £50-100

1153. A collection of G Leonardi trade catalogues and papers including two mounted photographs of the British Industries Fair 1938, and invoice book £150-200

1154. ‘Karmelita’ a G Leonardi plaster Leonardene figure modelled in exotic dress and headdress, covered in a silver glaze impressed marks, 45cm. high £100-150

1155. A G Leonardi plaster Leonardene figural lamp model no.280, modelled as a woman holding up a bowl with flowing drape, covered in a silver glaze impressed marks, minor nicks 55cm. high £250-350 This metallic finish was the most expensive range produced by Leonardi and this figure retailed at 40 shillings. 1155

1156

1157

1158

1156. A Hagenauer silvered bronze sculpture modelled as a stylised figure sailing a boat stamped mark 37cm. high £400-600

1157. A Hagenauer style silvered metal wall pocket, modelled as two stylised faces, with scrolled hair, unsigned 21cm. high £300-500

1158. A Hagenauer patinated bronze bowl, hammered finish, the well with single flower stem stamped marks 28cm. diam. £120-180

1159. A Hagenauer silvered bronze bust of an indian brave with single stylised feather headdress, on rectangular base stamped marks 19cm. high £700-900

1159

1160

1164

1161

1165

1162

1166

1163

1167

1160. An ivory family of ducks, in the manner of Ferdinand Preiss, on onyx base etched marks to base 8.5cm. wide £100-200 1161. A patinated bronze figure of a dancer modelled balancing on one leg, on square wood base, unsigned 32cm. high £60-100 1162. A patinated metal panel, probably originally a book cover, stamped in low relief with a profile portrait of a woman unsigned, stamped mark to base 20cm. high £50-100 1163. A silvered metal car mascot, modelled as a standing woman, her arms outstretched behind, with metal mounts unsigned 26cm. high £50-60 1164. A patinated bronze model of a Panther modelled alert, climbing a tree stump unsigned 48cm. high £300-500 1168 1165. A sculpture portrait bust painted by John Hass, modelled by B Worth, signed inside 33cm. high £50-100 1166. ‘Pensive Girl’ a terracotta sculpture by Martha Gibbs, on wooden base applied paper label 32cm. wide. £80-120 Provenance The Chelsea Art Society. 1167. ‘Mother and Child’ a plaster figure cast from a model by Alec Miller (1879-1961), modelled seated, resting on a sphere, on wooden base signed in the cast, 39cm. high £350-450 Alec Miller originally trained as a wood carver in Glasgow before joining the Guild of Handicraft in 1902. He stayed at Chipping Camden after the guild closed, before moving to California in 1939. 1168. ‘Good Harvest’ a plaster figure cast from a model by Gilbert Bayes, dated 1936, made for Allied Newspapers, signed, titled and dated in the cast 41cm. high £500-800 Literature Louise Irvine & Paul Atterbury Gilbert Bayes Richard Dennis Publications, page 166. 1169. A Cubist bronze figure of a guitar player cast from a model by Joel & Jan Martel, on marble base signed in the bronze 21cm. high £1,000-1,500 1169

1170. ‘Message of Love’ a tall patinated bronze figure, cast from a model by Pierre Le Faguays, on tall tapering black marble base signed Le Faguays to the base 77cm. high £6,000-8,000

1171

1172

1173

1171. A cold painted bronze and ivory figure of a dancer, cast from a model by Josef Lorenzl, on onyx base unsigned 29cm. high £1,500-2,000

1172. A pair of patinated metal and alabaster figural lamps, cast from a model by Brevete, each modelled as a dancer wearing a alabaster skirt, stamped mark, foundry mark 36cm. high £1,500-2,000

1174

1173. A bronze figure of a woman cast from a model by Josef Lorenzl, modelled wearing high heel shoes, on green onyx base signed in the bronze R Lor Austria 13.5cm. high £400-500

1174. A patinated bronze figure of a man racing with a hound, attributed to Renée Sintenis, on black marble base unsigned 31cm. wide £3,000-4,000

1175. ‘Enclosure’ polished bronze abstract sculpture, cast from a model by Naomi Blake FRBS, on square marble base paper label to base 34cm. high £500-800 Naomi Blake has confirmed the authenticity of this sculpture. 1175

1176. ‘Sonny Boy’ and ‘Hoop Girl’ a pair of bronze and ivory figures cast from a model by Ferdinand Preiss, on rectangular marble bases, etched F Preiss to base, 20.5cm. high £6,000-8,000

1177

1180

1178

1181

1179

1182

1183

METALWARE 1177. A set of three Kartell red plastic stacking tables, designed by Giotto Stoppino, circular on three moulded legs moulded marks 43cm. diam. £50-100

1178. A Smith’s Sectric advertising wall clock `Craven A Never Vary’, electric movement cast makers mark 34 x 33cm. £50-100

1184

1179. An Emol globe radio the metal globe inset with speaker, on tube pedestal stand signed to the dial 108cm. high £80-120

1180. A Sciolari Cubic lamp, original paper label 56cm. high, 67cm wide

£150-200

1181. A Bang & Olufsen Beovision Beocentre 2200 stereo and Beovox X25 speakers, in original box, 73cm wide £80-120

1182. An AWU patinated metal mantle clock, and two other mantle clocks 22cm. high

£50-100

1185 1183. An Art Deco peach tinted mirror glass clock, on shaped wood base, and another similar 31cm. high £60-100

1184. A Modernist painted metal and glass table lamp, the domed opaque glass shade, with hanging chains, grey enamelled base unsigned 34cm. high £50-100

1185. A Dutch Modernist table lamp with wooden stem, shallow domed foot and shade later painted olive green applied label to base 41 cm. high £50-100

1186. A pair of Holophane copper and glass ceiling lights, stamped marks 40cm. high 1186 (one of two)

£200-300

1187

1188

1191

1189

1190

1192

1193

1187. A Taylor brushed steel barometer and thermometer, designed by Kenneth Grange, 17cm. wide £80-120 1188. A Modernist chrome and enamelled metal desk lamp on circular foot unsigned 45cm. high £50-100 1189. A pair of Berg, Denmark electroplated candlesticks, three sconce form with arched feet, and another stainless steel candlestick stamped marks 23cm. wide £50-150

1194

1195

1190. A Ruppel painted metal napkin holder, designed by Marianne Brandt, flaring, pierced triangular body on domed foot, painted mint green printed mark to base 21cm. wide £200-300 1191. A pair of patinated brass candlesticks, with wide flaring sconce and foot, the stem with red bakelite discs, and another pair similar unsigned 11cm. high £200-400

1196

1197

1192. An amber perspex table lamp, square section, on stepped base, with chrome fitting unsigned 48cm. high £40-60 1193. A wrought iron wall mirror, in the manner of Edgar Brandt, shaped rectangular from unsigned 100cm. wide £300-500 1194. An Elkington electroplated teapot, milk-jug and sugar basin, with ebonised wood handle and finial stamped marks, teapot 25cm. wide £80-120 1195. A collection of Lundtofte stainless steel cutlery, designed by Tias Eckhoff, comprising; five knives, forks and six spoons, six butter knives, tea spoons and cake forks with ivory and black plastic handles, stamped marks £50-150 1196. A Reed & Barton stainless steel elliptical bowl, on shaped foot, model no.65, stamped marks, AC monogram 29cm. wide £80-120 1197. A Christofle electroplated pouring vessel designed by Lino Sabattini, with rosewood handle stamped marks to foot rim 26 cm. wide £150-250 1198. A pair of silvered bronze and alabaster table lamps, cast from a model by Albert Cheuret, signed in the casting 38cm. high £300-400 1198

1199

1200

1203

1201

1204

1205

1202

1206

1199. A pair of Arts and Crafts iron electric candlesticks, on shallow tripod foot, twin branch form unsigned 54.5cm. high £80-120 1200. A pair of Robert Mouseman Thompson oak nut crackers, with carved mouse signature 21cm. long £50-80 1201. A desk top extending book shelf unsigned 43.5cm. wide £50-100 1202. A hammered pewter box, with hinged cover, the cover with owl design set with glass eyes, the front set with elliptical stone unmarked 21cm. wide. £50-100 1203. A Hugh Wallis copper tray, elliptical form, the well etched with entwined flower wreath, and three other Hugh Wallis trays, stamped marks to all four main 50cm. wide £100-200 1207

1208

1204. A pair of W.A.S Benson gilded brass wall/desk lights, the cast foot rim supporting curved stem and adjustable fitting, unsigned 37cm. high £300-500 Literature Ian Hamerton W A S Benson Arts and Crafts Luminary and Pioneer of Modern Design, ACC publishing, page 115 for a comparable lamp with cast base illustrated plate 91. 1205. A large Arts and Crafts copper mirror, hammered in relief with Art Nouveau flower stems, with two applied candle sconce, unsigned 154 x 78cm. £500-800 1206. A pair of wood book ends by Leonard Daniels, dated 1938, decorated with Surrealist landscapes signed and dated 16cm. high £80-120 1207. A copper and brass fireplace, possibly Scottish, cast in relief with thistle flowers, with hinged doors unsigned 86cm. wide £200-300

1209

1208. A pair of Glasgow School oak bellows, carved with a panel of stylised rose flowers unsigned 66cm. long. £50-100

1210

1209. An Arts and Crafts patinated copper stickstand, triangular section, stamped with a mythical creature to two sides unsigned 58cm. high £50-80 1210. A large Scottish brass planter by Margaret Gilmour, square section, each side decorated in low relief with stylised flower sprays stamped MG monogram monogram 26cm. high £400-600 1211. A large pair of Art Nouveau bronze door plates, cast in low relief with flower stems unsigned 49cm. high £150-200 1212. A pair of twin-branch patinated copper lights, cast with scrolling foliate supports, unsigned 53cm. high £200-300 1211

1212

1213. An Art Nouveau patinated bronze vase, designed by Gustav Gurschner, cast in low relief with a large beetle and geometric borders cast Gurschner, 10618.5cm. high £600-900 1213

1214. An Art Nouveau patinated bronze planter cast from a model by Gustav Gurschner, model no. 1471, rectangular section, cast in low relief with foliate design stamped marks Gurschner, Kunst Erzgiesserei Wien 27.5cm. wide £700-900 1214

1215. A Tiffany Studios bronze Zodiac inkwell, model no.1072, cast in low relief with star signs, with rounded, hinged cover stamped marks, 16.5cm. diam. £300-500 1215

1216

1217

1220

1221

1218

1222

1219

1223

1216. An Arts and Crafts metal hall lantern, with frosted glass shade unsigned 36cm. high £100-150 1217. An Art Deco bronze ceiling light in the manner of Edgar Brandt, six branches all cast in low relief with stylised flower panels, unmarked 64 cm. high £300-500 1218. A pair of electroplated metal lamp bases, in the style of Gorham, cast in low relief with oriental scenes unsigned 31cm. high £250-350 1219. A silvered metal table lamp base, cast in low relief to the stem and base with entwined foliate design unsigned 29cm. high £100-150

1224

1225

1220. A copper vase on three brass feet, in the manner of A E Jones, the vase set with white-metal foliate band, the cover with ceramic stone finial unsigned 15cm. high £100-200 1221. An Arts and crafts brass wall mirror, rectangular form with riveted corner decoration inscription to reverse 46 x 37cm. £80-120 1222. An Aesthetic Movement slate mantle clock, in the manner of Lewis F Day, the incised decoration highlighted in gilt, the dial enamelled in blue with a oriental scene of a bird flying past a pagoda building unsigned 32cm. high £200-300

1226

1227

1223. An Aesthetic Movement four piece electroplated tea set, cast in low relied with Japoniste scenes, comprising; tea pot and cover, hot-water pot and cover, milk-jug and a sugar basin, with ivory finials stamped marks hot-water 22.5cm. high £80-120

1224. A pair of Roycroft Workshop patinated copper Princess candlesticks, designed by Karl Kipp, stamped mark to base 19cm. high £100-200 Literature Judy Rudoe Decorative Arts 1850-1950, British Museum Press page 102 catalogue number 264 for a comparable pair. 1225. A pair of floor standing patinated metal smoker’s compendium, in the manner of Goberg, unsigned 87cm. high £80-120 1226. An Arts and Crafts silvered metal box with hinged cover, the cover with enamelled medallions, and another similar unsigned 15.5cm. wide £80-120 1227. An Arts and crafts copper casket with hinged cover, the cover with Celtic entrelac enamelled in green and blue, a book shelf, and a copper mounted glass vase unsigned casket 10.5cm. wide £100-200 1228

1228. An American patinated metal and glass table lamp, cast in low relief with flower and foliate panels, cast marks to base 61cm. high £200-300

1229

1233

1230

1234

1231

1232

1235

1236

1229. An electroplated metal four piece service, comprising coffee pot and hinged cover, tea pot and hinged cover, milk-jug and sugar basin with cover, on tray, cast in low relief with panels of fruit and foliage stamped with numbers tray 44cm. wide £100-200 1230. An American Aesthetic Movement Reed & Barton electroplated three piece tea set, cast in low relief with flower spray panels, comprising teapot and hinged cover, hot water pot and hinged cover and a sugar basin and cover stamped marks, 20cm. high £80-120 1231. A Christofle electroplated jug, a Christofle lamb bone holder and a pair of Christofle sugar tongs stamped marks, jug 15.5cm. high £150-200

1237

1232. An Art Nouveau W.M.F electroplated dish the centre modelled as an awakening female figure stamped marks 22cm. high £500-800 1233. A set of Art Nouveau electroplated fish forks and knives, cast in low relief with ivy leaves, stamped marks £200-300 1234. A W.M.F Art Nouveau pewter dish cast in low relief with a couple kissing in profile, and another W.M.F dish decorated with an Art Nouveau maiden stamped marks 28cm. wide £100-200 1235. An Art Nouveau W.M.F. pewter dish, cast in low relief with a fairy and a water sprite, inside whiplash border, stamped A K & Cie 27cm. wide £80-120

1238

1236. A pair of Art Nouveau W.M.F silvered pewter vases each with whiplash handles, each cast with a child variously listening to a shell and holding a large fish stamped marks 28.5cm. high £300-400 1237. A Secessionist W.M.F electroplated metal box with hinged cover, rectangular section, cast in low relief with geometric panels stamped marks 21cm. wide £300-400 1238. A Peter Bruckmann Secessionist silver bowl with glass liner, circular, cast in low relief with abstracted foliate design stamped marks 19cm. diam. £400-500 1239. A pair of Art Nouveau W.M.F pewter vases, one with glass liner, cast in relief with a maiden amongst sinuous flower stems stamped marks 36cm. high £1,000-1,500 1239

1240

1244

1241

1245

1242

1246

1243

1247

1240. A set of Aesthetic Movement Benham & Froud brass and ebonised wood fire tools, the design attributed to Dr Christopher Dresser, on tripod stand feint cast mark 49cm. high £300-500 1241. A pair of wrought iron fire dogs, designed by Dr Christopher Dresser, tapering domed foot with knopped central stem, with cast decoration cast regd diamond 20cm. high £80-120 1242. A pair of patinated metal fire dogs in the manner of Dr Christopher Dresser, on stepped square base cast regd diamond 23cm. high £80-120

1248

1243. A Hukin & Heath electroplated cruet tray designed by Dr Christopher Dresser, central D handle, the six bowls each with textured finish stamped marks 20cm. high £200-300 1244. A Hukin & Heath electroplated metal egg cruet tray and four cups, model no 1971, probably designed by Dr Christopher Dresser, with central T Bar handle, stamped and etched marks 16cm. high £200-300 1245. A Benham & Froud copper and brass kettle, designed by Dr Christopher Dresser, with overslung brass handle, ebonised wood finial stamped marks 18cm. high £50-150 1246. A Hukin & Heath electroplated metal and glass cruet, model no.49, the design attributed to Dr Christopher Dresser, angled handle, the faceted tray on three bun feet, with glass bottles, stamped marks, 12cm. wide £150-200 Literature Michael Whiteway, Christopher Dresser A Design Revolution, page 144, to compare the handle of this cruet with the milk-jug handle designed by Dr Christopher Dresser and produced by Hukin and Heath

1249

1247. A Hukin & Heath electroplated metal three piece tea set, model no. 1643, on shaped twin-handle tray, comprising teapot and cover with ebonised wood finial, milk-jug, sugar basin and tongs stamped marks to tray and tea pot £150-200 1248. An Elkington & Co electroplated metal three piece service, the design attributed to Dr Christopher Dresser, model no.18730, comprising coffee pot with hinged cover, milk-jug and sugar basin, with cast geometric decoration, stamped marks coffee pot 22.5cm. high £300-500 Literature Christopher Dresser Metalwork The Andrew McIntosh Collection Lyon & Turnbull, 19th April 2005 lot 44 for a lidded jug with identical handle design. 1249. An Elkington & Co electroplated cruet tray, designed by Dr Christopher Dresser, with central T bar handle, a Hukin & Heath silver cruet tray and a Hukin & Heath electroplated lily pad bowl various marks 13cm. high £200-300 1250. A Hukin & Heath silver and glass cruet set, the design attributed to Dr Christopher Dresser, with central bar and loop handle, the faceted glass bottles with silver mounts stamped marks, Birmingham and London marks, the tray London 1882, 10.5cm. high £200-300

1250

1251

1255

1252

1253

1256

1254

1257

1258

1251. A Glasgow School copper jardiniere, stamped in relief with climbing rose flowers unmarked 17cm. high £80-120 1252. An Arts and Crafts copper mirror, shaped rectangular form with easel back, stamped in relief with foliage sprays unsigned 27cm. high £100-200 1253. A copper mounted glass inkwell probably Newlyn, the coaster base with pierced panels and repousse hammered with fish, the cover with similar fish and applied finial unsigned 12cm. high £100-200

1259

1260

1254. A Newlyn copper jardiniere, drum form with applied twisted handles, repousse hammered with a scaly fish amongst waterweed unsigned 20.5cm. high £300-500 1255. A Newlyn copper pin tray, with fluted rim, another similar, and a collection of Hugh Wallis and various continental metal work both stamped Newlyn 11cm. diam. £60-100 1256. A Newlyn copper tray, elliptical form with pierced rail, the base hammered in relief with a frieze of fish, shells and waterweed stamped Newlyn 62cm. wide £80-120 1257. An Arts and crafts copper string box probably by Newlyn, repousse hammered with three galleons at full sail, with riveted wave seam unsigned 9.5cm. high £100-150 1258. A Newlyn copper tea caddy and cover, drum form, hammered in relief with three fish swimming, the cover hammered `Tea’ stamped Newlyn to base 10cm. high £250-350

1261

1259. A Newlyn copper twin-handled vase, tapering cylindrical form, hammered in relief with a fish swimming, stamped Newlyn to base 27cm. high £400-600 1260. A Newlyn copper box with hinged cover, rectangular form, the cover hammered with cray fish, the front with a scaly fish stamped Newlyn to base 22.5cm. £250-350 1261. A Newlyn copper tray, rectangular, hammered in relief with a ship at full sail, stamped Newlyn 39cm. wide £300-400 1262. A pair of Newlyn copper wall sconce, each hammered in relief with three scaly fish, with twin sconces, etched William P Wright, 37cm. high £800-1,000 William Wright is a listed Newlyn artist, please see Newlyn brochure included in this lot. 1262

1263

1264 1263. A John Pearson repousse copper jardiniere, with everted rim, hammered in relief with flowers and foliage signed J Pearson 1890 23cm. high £650-750

1264. A large repousse copper log box, probably John Pearson, octagonal form, hammered in relief with panels of flower stems unsigned 33cm. high £800-1,200 1266

1265

1265. An Arts and Crafts copper twin-handled vase designed by John Williams, hammered in relief with fish amongst water lily pads unsigned 20cm. high £150-200 Literature The Studio 1986 a similar vase illustrated.

1266. A repousse hammered copper charger, attributed to John Pearson, the well hammered with a carnation flower, the rim scrolling sprays of Tudor rose unsigned 51cm. diam. £800-1,200

1267. ‘Bethnal Green Schools Swimming Association’ a large copper charger by John Pearson, dated 1896 to the well inside laurel wreath, the rim with a band of scaly fish and inscription, a band of shields inscribed with winners and dates, mounted on wood with applied shields inscribed with winners, charger 77cm. diam. £3,000-5,000 1267

1268

1272

1269

1273

1270

1271

1274

1275

1268. A Hugh Wallis hammered copper jardiniere flaring conical form, decorated with a fruiting tree motif, stamped HW mark to top rim 21cm. high £100-200 1269. A Christofle Aesthetic Movement silvered metal box and cover model no.368988, decorated with Persian interlaced foliage panels, 1276 flanking simple flower head panels stamped marks £80-120 Literature Christofle Tarif Album 1883 this design illustrated page 123

1277

1278

1270. A pair of Art Deco Walker & Hall silver vases, stepped trumpet form with flaring rim, stamped marks, Sheffield 1938 25.5cm. high £350-450 1271. An Art Deco electroplated metal tazza, knopped stem, supporting shallow twin-handled bowl, stamped in relief with panels, stamped R&M 2042cm. wide £200-300 1272. A Just Andersen, Denmark polished bronze bowl, on shallow foot, the rim with stamped decoration stamped marks, LB 1933 28cm. high £80-120 1273. A continental silver mounted ice pail, with drainer, the flaring bucket shaped body enamelled with foliate swags stamped mark to handle 24.5cm. high £150-250 1274. A pair of fairground carved wood horses, stylised form probably 1950s unsigned 31cm. wide £50-100

1279

1275. A Thomas Bradbury and Son silver pedestal bowl, twin-handled form, on pierced foot, hammered finish stamped marks, Sheffield 1931, 21cm. wide £300-400 1276. An electroplated metal toast rack, in the manner of Dr Christopher Dresser, model no.1697, rod and ball construction stamped marks 20cm. wide £100-150 1277. An Art Deco polished metal vase in the manner of La Maison Desny, conical body on semicircular foot, and angular top rim stamped CC mark to front of foot 23cm. high £80-120 1278. A Koch & Bergfield, German silver and ivory box and cover, model no.82185, hammered form, on three ball feet, stamped crescent moon and crown marks, 830, 18.5cm. diam. £200-300 1279. A Keswick School of Industrial Art electroplated square dish, with rope twist border, on ebonised wood feet, seven Keswick napkin rings, and a Keswick School of Industrial Art silver caddy spoon stamped marks dish 15cm. square £100-200 1280. An Art Deco electroplate and macassar ebony tea set, comprising; teapot and hinged cover, coffee pot and hinged cover, hot-water urn on stand, on a twin-handled tray stamped RM tray 67cm. wide £800-1,200

1280

1281

1284

1282

1285

1286

1283

1287 1281. A Continental Secessionist white metal cutlery set, comprising knife, fork, spoon, butterknife and a cake fork, each handle with whiplash berried sprays cast in low relief in silk-lined presentation case stamped marks to spoon 18.5cm. wide £150-200

1288

1289

1282. A Keswick School of Industrial Arts Staybrite caddy spoon, hammered finish, and another caddy spoon similar stamped marks £80-120

1283. An Arthur Duckworth silver dish, lobed hammered form, stamped marks, Chester 1945 8.5cm. diam. £50-100 1284. An Arts and Crafts enamelled copper casket, with hinged cover, the cover enamelled with panels of flower stems, the front enamelled with a blue panel initialled J M C, unsigned, cracks to enamel 11cm. wide £150-250 1285. An Arts and Crafts enamelled metal box and cover, possibly Scottish, the front enamelled with domed panel of a pre-raphaelite maiden before trees, the cover and sides stamped in low relief with flocks of birds flying unmarked 12cm. wide £500-800 1286. A Russian silver and enamel hand mirror, the back cast in low relief with cyclamen stems, enamelled purple, stamped marks 900 22cm. long £300-500 1287. A silver three piece cruet by T Wilkinson, each piece modelled as a artillery shell stamped marks, Birmingham 1919 7cm. high £50-80 1288. An Alexander Sturm silver goblet, model no.Y566, in the manner of Dagobert Peche, faceted form, inscribed ‘Ballon - Fuchsjagd 9 Mai 1929’, stamped marks 22cm. high £200-300 1289. An Emanuel Josef Margold electroplated metal box and cover, rectangular form cast in low relief with flower sprays, stamped marks, 13cm. wide £180-220 1290. A James Hardmann & Co silver gilt chalice, in the manner of A W N Pugin, cast in low relief with a border of fleur de lys, the knopped stem set with garnets, stamped marks, Birmingham 1867 12.5cm. high £200-300 1290

1291

1295

1292

1296

1293

1297

1294

1298

1291. A Deakin & Francis silver cruet set, textured finish, comprising; salt with glass liner, pepper pot, mustard pot and cover with glass liner, two serving spoons, in fitted case stamped marks, Birmingham 1973 pepper 6.5cm. high £250-300 1292. An enamel and stone set brooch by George Hunt, oval, enamelled with a lady in a blue feathered hat, with blue enamelled leaf border set with rock crystal and pearls, and another George Hunt enamel brooch signed G Hunt 1931, 6cm wide. £150-200 1293. A Henrik Moller, Norway silver belt buckle, cast and pierced with Norse Revival design based on Norwegian wood carvings, a David Andersen silver belt buckle applied with stones, and another cast in low relief with Norse design stamped and cast marks main 8cm. wide £100-200

1299

1294. An Arts and Crafts Adie & Lovekin silver belt buckle, wirework form, an Art Nouveau belt buckle and a set of eight Spurrier & Co silver buttons, stamped marks, main 8.5cm. wide £100-200 1295. A novelty electroplated cocktail shaker, designed by Emil Schuelke, probably made by Napier, modelled as a penguin, the hinged beak the spout, unsigned 32cm. high £400-500 1300

Literature Simon Khachadourian The Cocktail Shaker, page 109 for a comparable shaker 1296. A Georg Jensen silver sauce spoon, with beadwork terminal, a Georg Jensen silver pin tray and a Georg Jensen silver hairbrush stamped marks spoon 17.5cm. long £100-200 1297. A Georg Jensen silver compact, model no.275, stamped marks 6cm. wide

1301

£80-120

1298. Six Georg Jensen enamelled silvered gilt year spoons 1975-1980, each enamelled with flower or foliage motif stamped marks 15cm. long £150-200 1299. An Arts and Crafts white metal brooch, in the manner of the Artificers Guild, wirework foliate panels, set with moonstone unmarked 4cm. wide £300-500 1300. A continental white metal and enamel belt buckle, cast in low relief with peacock feathers, with enamelled green and blue eye design unsigned 8cm. wide £50-150

1302

1301. A Georg Pierre carved horn Scarab brooch, set with turquoise stone body, the carved decoration highlighted in gilt etched monogram 9cm. wide £100-200 1302. A Piel Freres electroplated metal and enamel belt buckle, cast with Egyptian Revival fan flowers, with two blue and green enamel roundels stamped PF mark 8cm. wide £300-500 1303. An Arts and Crafts white metal brooch, converted from a belt buckle, foliate design set with opal stones unsigned 8cm. wide £80-120 1303

LIBERTY & CO. 1304 1304. A Liberty & Co oak monks bench simple plank form with hinged seat, heart shaped cut-out to the arms, applied ivorine label to back 122cm. wide £150-200

1305. A Moorish octagonal occasional table, inlaid with bone and mother of pearl panels, unsigned ,57cm high £200-300

1305

1306

1306. A Moorish inlaid table, possibly retailed by Liberty & Co, inlaid with abelone shell unsigned 47cm. high £80-120

1307. A Liberty & Co oak chair, the back carved with fruiting vine panels, with studded leather slung seat, applied ivorine label, 94cm. high £150-200

1308. An Arts and Crafts patinated metal mirror, elliptical form, cast with rose flower roundels unsigned 84cm. wide £80-120 1307

1307 detail

1309. An Arts and Crafts Liberty & Co patinated copper mirror, circular with stamped decorative roundels, applied label 56cm. diam. £300-500

1308

1309 1310. A set of six Liberty & Co silver and enamel cake forks, in a fitted case stamped marks, Birmingham 1927 £100-200

1311. A set of twelve Liberty silver and enamel cake forks, the terminals enamelled green and blue, in fitted silk-lined case, stamped marks, Birmingham 1928 £750-850 1310

1311

1312

1313

1314

1316

1315

1317

1312. A Liberty English Pewter and green glass jar and and cover, model no.0861, the pierced body cast in low relief with berried foliage, the cover with a flowerhead stamped marks 13cm. high £250-300

1313. A Liberty English Pewter and enamel tray, designed by Archibald Knox, cast in low relief with ivy foliage panels, and overslung handle stamped marks 31cm. wide £350-450

1314. A Liberty Tudric Pewter and enamel inkwell, model no.0141, the square base set with flour blue/green enamel roundels, the hinged cover with a rectangular blue/green enamel panel, the drum well cast with stylised entrelac stamped marks 15cm. wide £400-500

1315. A Liberty & Co Tudric Pewter crumb tray designed by Archibald Knox, model no.0532, cast in low relief with stylised foliage panels stamped marks 25cm. wide £150-200

1318

1316. A Liberty & Co pewter tray, designed by Archibald Knox, model no.0547, pierced and cast in low relief with stylised flowers and foliage stamped number £100-200

1317. A Liberty Solkets pewter three piece tea set, designed by Archibald Knox, cast in low relief with whiplash foliage, comprising teapot and cover, milk-jug and sugar basin on twin-handled tray stamped marks tray 46cm. wide £350-450

1319

1318. A continental Secessionist gold necklace in the manner of Theodore Fahrner, hammered finish, the drop and chain set with amber coloured panels unmarked £200-300

1319. A Liberty & Co Cymric silver belt buckle, designed by Archibald Knox, cast with whiplash foliage design, stamped marks, Birmingham 1901 8cm. wide £150-250

1320. A Liberty & Co yellow metal and turquoise pendant simple wirework frame with turquoise stone unmarked 2.5cm. wide £300-500 1320

English & European Ceramics & Glass Tuesday 12th October 2010

ENQUIRIES Clare Durham Tel: 01722 424507 claredurham@woolleyandwallis.co.uk John Axford Tel: 01722 424506 johnaxford@woolleyandwallis.co.uk

Silver Wednesday 27th October 2010

ENQUIRIES Rupert Slingsby Tel: 01722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Grazier Tel: 01722 424530 lucygrazier@woolleyandwallis.co.uk

A fine William IV silver-gilt inkstand, by William Bateman, London 1832. Estimate: £6,000 - £8,000

Jewellery Thursday 28th October 2010

ENQUIRIES Jonathan Edwards FGAA jonathanedwards@woolleyandwallis.co.uk Marielle Whiting mariellewhiting@woolleyandwallis.co.uk Tel: 01722 424504

Portugal, Military order of Aviz, a rare paste-set late 18th century sash badge. Estimate: ÂŁ800 - ÂŁ1,200

Furniture & Works of Art Tuesday 9th November 2010

An 18th century Italian carved marble bust of a moor. Estimate: ÂŁ2,000 - ÂŁ3,000

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk Mark Richards Tel: 01722 411854 markrichards@woolleyandwallis.co.uk

British Art Pottery Wednesday 1st December 2010 Closing date for entries 14th October

The sale includes a good selection of Martin Brothers, William De Morgan, Moorcroft and studio pottery

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Oil Paintings, Watercolours, Prints, Miniatures & Books Wednesday 8th December 2010 Entries are now being accepted for this sale

One of 42 lots of miniatures from the Hugo Jellema collection To be sold 8th December 2010

Thomas Hazelhurst (c. 1740 - c.1821) A portrait miniature of a lady Oval, in a gilt locket frame with blue glass reverse Signed with initials Estimate: ÂŁ800 - ÂŁ1,200

ENQUIRIES Victor Fauvelle Tel: 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays VIEWING All our specialist auctions are on view at least two days prior to the sale, and details will be found in the relevant catalogues. BIDDING To bid at the auction, you will need a bidding number. This can be obtained from the office either during the view or on the day of the sale. ABSENTEE BIDDING If you are unable to attend the sale you can leave a written commission bid. This will be executed on your behalf by the auctioneer who will endeavour to purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. On the more expensive lots it is usually possible to bid on the telephone by prior arrangement with the office. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot where practical. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 19.5% + VAT at the appropriate rate. SALE RESULTS Results from this sale are available from our office on 01722 424500 and are posted on our website www.woolleyandwallis.co.uk a few days after the sale. STORAGE CHARGES Storage charges will be levied on all lots in the Furniture and Works of Art and Clock sales not collected within 14 calendar days of the sale. This will include a handling fee of £20 (+VAT) per consignment and a storage charge of £2 (+VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

ARTISTS RESALE RIGHT / DROIT DE SUITE Lots potentially subject to the levy are marked with a ‡ symbol next to the lot description. Works by living artists who are nationals in European Union Countries and certain other countries are subject to the levy if they sell for a hammer price of the sterling equivalent of €1.000 or more. The levy will be added to the purchaser’s invoice and the full amount will be paid by us to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale, or for any further information. Royalty

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design - Tel. 020 8901 7522

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 17.5% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. There is a minimum charge of £5 per lot. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest.

4. THE PURCHASE PRICE

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

5. VALUE ADDED TAX

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition orestimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. EXPORT LICENCES European Community and United Kingdom. The following are examples of categories with the current limits above which either an EC or a UK licence is required for the export of cultural goods more than 50 years old. Archaeological objects Elements of artistic, historical or religious monuments Zero Manuscripts, documents and archives (excluding printed matter) Architectural, scientific and engineering drawings produced by hand Photographic positive or negative or any assemblage of such photographs Textiles (excluding carpets and tapestries) Paintings in oil or tempera Watercolours, gouaches and pastels Prints, Engravings, Drawings and Mosaics

Zero

Zero £10,200 £10,200 £34,300 £103,000 £20,600 £10,200

An EC licence is required for the export from the European Community of cultural goods controlled by EC regulations. A UK licence is required for the export from the UK to another member state of the EC of all cultural goods valued at or above the UK licence limit but below the EC licence limit. EC and UK licences are issued by the Department of National Heritage.

Packing and Despatch We have negotiated competitive rates with Alban Shipping – Specialist Shippers of Antiques, Collectors’ Items and Fine Art, for the packing and despatch of lots purchased at our salerooms. Unfortunately, Woolley & Wallis are unable to offer any other packing and despatch service of their own. Alban Shipping collect items for our Salisbury Salerooms on a weekly basis and offer a fast, friendly and efficient shipping service via all methods of modern transport, by air, sea and road, including – air-post, courier, air and seafreight. They also offer a case making service.

Insurance Full comprehensive Transit Insurance is charged from £2.50 or 1.5% of the hammer price. For further details please contact: Mr. Andrew Jackman on 01582 493 099 who will be able to assist with any enquiries or information that you may require. Alban Shipping Specialists Shippers of Antique, Collectors’ Items and Fine Art Unit 4, Premier Business Park, Dencora Way, Luton, Bedfordshire LU3 3HP

Quotations Alban Shipping will be pleased to provide a prompt individual quotation for this service. Minimum Charge Their minimum charge is £35 plus VAT which includes the collection, expert packing and despatch for inland delivery. Mastercard and Visa are welcome.

Telephone Fax E-mail Web

01582 493 099 01582 490 147 info@albanshipping.co.uk www.albanshipping.co.uk

WOO L LE Y & WA L LI S

Delivery Instructions

Please complete and return to: Woolley & Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508 Name

GOODS FOR COLLECTION

Address

Sale Date

Lot No(s)

Description

Postcode Telephone

Fax

Name Delivery address

Postcode Telephone

Fax

Email Mobile Please tick relevant boxes: For collection from

Castle Street

Old Sarum

Accounts

Date

I authorise Alban Shipping to collect the above lots on my behalf and deliver to the address given above. I understand that payment is to be made direct to Alban Shipping.

Carrier

Date

Signed

For Office Use

Date

WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

20th Century Design

Brief Decription

Wednesday 13th October 2010 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

Auction Calendar PAINTINGS 8th December Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424503 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 9th November Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 12th October John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Clare Durham 01722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 13th October 1st December (British Art Pottery, including Studio Pottery) Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 26th October Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price 01722 339752 • richardprice@woolleyandwallis.co.uk SILVER 27th October Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Grazier 01722 424530 • lucygrazier@woolleyandwallis.co.uk JEWELLERY 28th October Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424504 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th November John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk BOOKS & MANUSCRIPTS 8th December Liz Merry 01722 424500 • lizmerry@woolleyandwallis.co.uk

• Entries can be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk