Woolley & Wallis, Ceramics, 2nd October 2012 by Jamm Design Ltd

Woo l lE y & Wa l li s SA L I S B U R Y SA L E R O O M S

English & EuropEan CEramiCs & glass Tuesday 2nd october 2012

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Clare Durham — Alex Doméracki Freya Yuan CLOCKS Will Hobbs — Richard Price (Consultant)

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PAINTINGS & BOOKS Victor Fauvelle Jo Butler

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Members of The Society

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SALEROOM MANAGER David Jordan

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PRESS & PUBLICITY Kate Williams

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JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

SILVER Rupert Slingsby Lucy Chalmers

ACCOUNTS & OFFICE MANAGER Janice Clift — GENERAL OFFICE Linda Garthwaite Pauline West Ruth Pike

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 John Axford MRICS ASFAV — 424506 Sophie Lister — 424591 FURNITURE Will Hobbs Mark Richards Jim Gale

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director Willi Verdon-Smith

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COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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English & EuropEan CEramiCs & glass Tuesday 2nd october 2012 at 10.00am Viewing Times Friday 28th September Saturday 29th September Monday 1st October Tuesday 2nd October

10.30am – 4.00pm 10.00am – 1.00pm 10.30am – 6.00pm 8.30am – 10.00am

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

Sophie Lister 01722 424591 sophielister@woolleyandwallis.co.uk

John Axford 01722 424506 johnaxford@woolleyandwallis.co.uk

Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

There is no surcharge for using this service.

1. Ten glass rinsers, late 18th/19th century, four green, two amethyst, and two pairs of clear glass, 15.5cm max. (10) £200-300

2. A part suite of enamelled glass, 19th century, overlaid with white panels painted with vignettes of children in fancy dress within elaborate gilt foliate scrolls. Comprising: a jug, two flasks and three glasses. (6) £250-350 Sold on behalf of the executors of Dr John Birch dec’d.

3. Four Continental green glass goblets, probably 19th century, the wrythen bowls raised on stems applied with raspberry prunts, two flared green glasses, and a green glass jug enamelled with starbursts, 13.5cm max. (7) £100-200

4. Nine coloured glass rinsers, 19th century, in green, blue and amber, one unusually bubbled in turquoise, one amber, one cut with facets and engraved with hops and barley, 15cm max. (9) £200-300

Sold on behalf of the executors of Dr John Birch dec’d.

5. Ten amethyst and ruby glass rinsers, late 18th/19th century, most double-lipped, of varying form and thickness, 15cm max. (10) £200-300

6. Six coloured glass decanters, 19th century, five with stoppers, four metal-mounted, one broken and repaired, 28cm max. (11) £150-250 Sold on behalf of the executors of Dr John Birch dec’d.

7. A Bohemian glass vase and two bottles, 19th century, painted with portrait panels alternating with panels of flowers in white overlaid on a ruby ground, the bottles with stoppers, the vase broken through the stem and repaired, 29cm max. (5) £300-500

8. A large pair of table lustres, late 19th century, overlaid in pink glass and enamelled and gilded with floral designs, pierced to received strings of lustres or glass drops, some damages, the drops lacking, 30cm. (2) £50-150

12. Two Venetian glass decanters and stoppers, 19th/20th century, and eight small glasses, with filigree, gold and coloured twists, 19cm. (12) £150-250

13. Two cranberry glass ewers, 19th/early 20th century, one pewtermounted in the Art Nouveau style, the other flashed and engraved with grapevine, with a broken stopper, and a green glass wine bottle with a seal inscribed ‘Middle Temple’, 31.5cm max. (4) £100-200

9. A pair of Bohemian glass candle sticks, 19th century, of hexafoil form, gilded and flashed with green, 24.8cm. (2) £150-250

10. A pair of two-tier table lustres, 19th century, each hung with 27 chains of lustres, 29cm. (2) £150-250

11. A small collection of decorative glass, most 19th century, cranberry, rubyflashed and clear, some damages. Comprising: a cranberry moulded footed bowl, a cut glass bottle and stopper in a metal mount, a gilded vase, a small jug, two engraved beakers, a small basket, a German small vase, a tall Venetian type goblet, and a ribbed glass. (13) £150-250

Sold on behalf of the executors of Dr John Birch dec’d.

14. Various coloured glass, 19th and 20th centuries, including an amber-flashed box and cover, two ruby-flashed bottles and stoppers cut with grapevine, a goblet raised on a blown stem applied with raspberry prunts, and a small ruby glass, the latter broken and repaired, 34cm max. (8) £200-300

15. A Continental opaque glass mug, 19th century, painted with a figure wearing a top hat within floral arrangements, an opaque glass jug with floral garlands and a blue spiral moulded glass beaker, 14cm max. (3) £50-150

17. A pair of Bristol blue glass salts, 19th century, with curved rims and raised on square bases, 7cm. (2) £80-120

18. Two pairs of opaline glass vases, 19th/20th century, one pair with frilled rims, applied with flowers and leaves, the other pair enamelled with birds and branches, each raised on four blue glass feet, some faults, 18.7cm max. (4) £150-250

19. A blue glass jug, early 19th century, with a straight neck and low body beneath a slightly everted rim, and two ruby glass leafshaped dishes, both dishes with a central drill hole, 18cm max. (3) £100-200

20. A pair of glass salts, 19th century, each gilded with Cupid within stylized foliate borders, one cracked, 7.1cm. (2) £50-150

21. A small collection of blue glass, 19th century and later. Comprising: a pair of piggybanks, a three-ringed decanter and stopper, two goblets, two spiral-moulded flutes and an overlaid vase in turquoise and white. (9) £100-200

22. A good pair of candy twist glass vases, probably 19th century, the flattened bodies rising to a knopped neck and quatrefoil rim, spiralled with pink and white alternating canes, 24.5cm. (2) £250-350

16. Four glass scent bottles and stoppers of Bohemian type, a pair richly gilded over cranberry, one amber, faceted with a starcut base, the last amethyst with a wide petalled foot, some damages, 17cm max. (8) £100-200 Provenance: from the collection at Invercauld Castle.

Sold on behalf of the executors of Dr John Birch dec’d.

23. A blue glass jug, 19th century, with flattened bulbous body, and an amethyst glass bottle, the fluted sides spiralling around the narrowed neck, 30.5cm max. (2) £150-250

24. Three Bohemian type overlaid glass bottles, two painted with panels of flowers alternated with cut diaper bands, the last finely painted with butterflies among trailing flowers, with a matching beaker, 19cm max. (5) £120-150

25. A pair of Mary Gregory type vases, 19th century, the cranberry glass enamelled in white with children beneath trees, 27.5cm. (2) £50-100

Sold on behalf of the executors of Dr John Birch dec’d.

26. A tall enamelled glass jug, richly decorated in colourful raised vine and dragonflies, an amethyst glass goblet applied with floral festoons, and a clear bottle and stopper with white and green foliage, 34cm max. (4) £200-300

27. A set of eight ruby-flashed wine glasses, 19th century, engraved with a crest of the sun emerging from clouds and the Latin motto ‘Clarior e tenebris’ (Clarity through darkness), perhaps for the Purves family, 13cm. (8) £150-250

28. A massive glass paperweight, probably St Louis, set with swirling coloured canes, and a large glass plate swirled with red and white, the paperweight 17cm dia, the plate 47cm. (2) £100-200

30. Various Continental glass, 19th century and earlier, including a tall fluted glass bottle applied with two raspberry prunts, a barrel-shaped flask trailed and raised on four feet, an octagonal beaker and two ruby-flashed small bowls engraved with German landscapes, 30.5cm max. (5) £80-120

31. A collection of gilt-decorated glass, variously decorated with foliate bands, vine garlands and other motifs. Comprising: three decanters and stoppers, a glass and cover, eight glasses in four designs, four liqueur glasses and two small tumblers. (22) £150-250

Sold on behalf of the executors of Dr John Birch dec’d.

29. Fourteen amethyst glass plates, lightly moulded with a spiral design, the rims folded, 19cm. (14) £300-500

32. A rare baluster wine glass, 18th century, the flared bowl raised on a stem with a beaded acorn knop above a domed foot, 16cm £400-600

33. A tall flute of Jacobite type, mid 18th century, engraved with a rose and bud spray, an oakleaf, six-sided star and the motto ‘Fiat’, raised on an airtwist stem, 19.5cm. £150-250

34. A Jacobite type wine glass, mid 18th century, the bell-shaped bowl engraved with a six petal rose, raised on a knopped teardrop stem, 15.8cm. £150-250

35. A political wine glass, 2nd half 18th century, the flared bowl engraved with a barrel on its side between the inscription ‘No Excise’, raised on an airtwist stem, 15cm. £500-700 Paper collection label for A. Churchill Glass. The inscription is likely to relate to the imposition of a tax on cider by the Earl of Bute’s government in 1763.

36. A small wine glass, 18th century, raised on a short double series opaque twist stem above a domed foot, 12cm. £300-500

37. A bell-shaped wine glass, 2nd half 18th century, engraved with a rose and bud spray, raised on a plain stem, 17cm. £150-250

38. A Jacobite type flute, mid 18th century, engraved with a rose spray and oakleaf beside the word ‘Fiat’, raised on a flared airtwist stem, 21cm. £500-800

39. A tall cordial, 2nd half 18th century, the small slightly flared bowl raised on a tall airtwist stem, 17cm. £300-600

40. A rare Hanoverian wine glass, c.1740, probably Dutch-engraved with the White Horse of Hanover galloping above the motto ‘Aurea Libertas’, a large sun to the reverse, raised on a flared stem with nine small teardrops encircling the top, 16.3cm. £1,500-2,000

41. An unusual wine glass, 18th century, the bucket-shaped bowl engraved with a thistle and raised on a double-knopped airtwist stem, 15.5cm. £200-300

42. A Jacobite type goblet, mid 18th century, the bowl engraved with a rose and thistle, the underside of the foot with an oak leaf, 16cm. £600-800

43. A rare Jacobite type glass, mid 18th century, engraved with the motto ‘Turno Tempus Erit’ above a rose spray, six-sided star and the word ‘Fiat’, raised on a doubleknopped airtwist stem, 15.5cm. £1,000-2,000 The phrase Turno Tempus Erit is probably borrowed from Virgil, and roughly translates to mean ‘The time will come’; perhaps an insinuation that the Hanoverian victory at the Battle of Culloden could be short-lived.

44. A baluster wine glass, 18th century, the bowl with slightly everted rim raised on a plain stem with a beaded knop above a slightly domed foot, 17cm. £200-300

45. A fluted wine glass of Jacobite type, mid 18th century, engraved with a rose spray, a star and an oakleaf, and inscribed ‘Redeat’, raised on an airtwist stem above a folded foot, 17.5cm. £800-1,200

46. A Jacobite type decanter and stopper, 2nd half 18th century, engraved with two sixpetalled rose sprays and two birds in flight, the flattened stopper with a faceted edge, 28.5cm. (2) £400-600

47. An unusual and large German glass jug, probably 19th century, the faceted body gilded with swags and garlands within further bands, raised on a large circular foot and short stem, 22cm. £200-300 Cf. The Metropolitan Museum, Accession No. 21.110.169 for an almost identical 18th century example.

48. An armorial ship’s decanter and stopper, early 19th century, engraved with roses, thistles and crowned spoiled anchors around the crest and arms of Tweedy above the motto ‘Thole and Think On’, 25cm. (2) £300-500

49. A good green cut glass bottle and stopper, late 18th century, the baluster form faceted with a diamond pattern, the body a rich emerald tone, 17.5cm. (2) £350-450

The decanter is believed to have been made for James Tweedy of Stinfold, near Horsham, who clearly clung to his Scottish roots despite his Southern English location. 50. Two Jacobite type glasses, mid 18th century, one engraved with a rose and raised on a long teardrop stem above a domed folded foot, the other with a rose and butterfly on a double series airtwist stem, 17cm max. (2) £300-500 51. Two wine glasses, 18th century, one with a flared bowl raised on a knopped airtwist stem, the other on a double series opaque twist stem, 15.4cm max. (2) £150-250

51 52. A Jacobite type flute and another, mid 18th century, the first engraved with a rose spray and a six-pointed star raised on a plain stem, the second with a bird and floral spray above a folded foot, 18.5cm max. (2) £300-500 53. A pair of wine glasses with possible Jacobite significance, the bowls and feet cut with six facets to simulate the six-petalled rose, the bowls with a band of polished circles, 14.8cm. (2) £200-300

54. Three spirit flasks and stoppers, 19th century, each engraved with a banner proclaiming ‘Brandy’, ‘Gin’ or ‘Rum’ beneath a carnation, the stoppers slightly domed, 19cm. (6) £150-250

55. Four wine glasses, 18th century, one engraved with the initials ‘TDP’ in a heart, another with a garland band, all raised on varied opaque twist stems, some faults, 15.5cm max. (4) £180-220

56. Three glasses, one with a small bowl raised on a faceted stem, one engraved with hops and barley, one on a short teardrop stem, 17.2cm. (3) £200-300

57. Three early Bohemian glass tumblers, c.1680, two straight sided and engraved with a spiralling fruit and flower design, one tumbler fitting neatly inside the other, the last slightly flared and faceted, engraved with stylized buildings and foliate motifs, 9.6cm max. (3) £150-250

58. Four small wine glasses, 18th century, the bowls variously engraved with flowers and birds, raised on plain stems and folded feet, 12.2cm max. (4) £100-200

59. Three wine glasses, 18th century, one with a wrythen bowl, all raised on double series opaque twist stems, 13.5cm max. (3) £200-300

60. A large pair of overlaid glass goblets, 19th century, the cranberry base overlaid in white and painted with panels of flowers and gilt foliate designs, damage to one foot, 34cm. (2) £200-300

61. Three decanters and stoppers, with tall slender bodies and oval flattened stoppers, one cut and engraved, one green glass, the last plain, 26.3cm max. (6) £100-200

62. Two sealed and dated wine bottles, late 18th and early 19th centuries, one for ‘Wm Adams Mart 1785’, the other for ‘W P Paine Milton 1813’, 27.5cm max. (2) £250-350

63. Various coloured glass, 19th century and later, including five pink plates with dense ribbing, eight green wine glasses of differing form, and two ruby glasses. 16cm max. (15) £100-200

64. A pair of large cut glass vases, the diamond banded bodies raised on square starcut bases, 27.5cm high. (2) £250-350

65. Seven wine glasses, 2nd half 18th century, three engraved with star garlands, the others variously cut and engraved, all raised on faceted stems, 14.8cm max. (7) £300-500

66. A Nailsea decanter, 19th century, of mallet shape, mottled in red and blue, 24cm. £80-120

67. A large green glass carboyle, the rounded body a pale green hue with tapering neck, 50cm. £60-80

68. A cased glass frigger of a three masted ship, late 19th century, in red, white and blue glass with three small figures in the rigging, some faults, 42cm overall. £50-80 Cf. Cyril Manley, Decorative Victorian Glass, pl.5 for a similar example

69. A Bohemian green glass vase, 19th century, overlaid in white with panels of flowers and cut diaper leaves, 29.3cm. £150-250 Sold on behalf of the executors of Dr John Birch dec’d.

70. A good pair of glass vases, 19th century, finely painted with butterflies in flight around large floral arrangements on a swirling ground, 35cm. (2) £500-700

71. A fine and large opaque glass vase and cover, 19th century, well painted to two sides with scenes of courting couples within floral panels, the foot and cover with further floral garlands, the knop modelled as a pear, 47cm. (2) £800-1,200

72. A Thomas Webb & Son Burmese glass vase, c.1880-90, probably gilded by Jules Barbe with a wren in flight before flowering prunus on a graded pink ground, 23.5cm. £300-400

Provenance: the property of a deceased estate.

73. A large faceted decanter and stopper, 1st half 19th century, the twelve-sided body rising to the neck applied with three rings, some faults, 40cm. (2) £150-250

74. A Saxon filigree goblet, c.1620, in vetro a reticello, the tall flaring bowl inset with opaque white threads and, thinner latticino webbing, raised on a folded foot, cracked, 14cm. £200-300

75. A large cut glass ewer and stopper, 19th century, engraved with a band of stags and foliate scrolls above a hobnail band, raised on a starcut square base, 46cm. (2) £150-250

76. A large octagonal glass vase and cover, perhaps French, each panel painted in black with a racehorse and jockey, 40cm. (2) £100-200

Cf. Sotheby’s, 14th December 2004, lot 171 for a similar example.

77. Three pairs of Venetian liqueur glasses, 19th century, finely enamelled with floral and foliate designs, and three Venetian goblets with similar decoration, raised on knopped stems, 19cm max. (9) £100-200

78. A suite of cut glass, 19th century, with thistle-shaped bodies and star cut bases. Comprising: 12 low-footed glasses engraved with a band of thistle, 12 liqueur glasses, ten tumblers and three wines. (37) £400-600

79. A glass and silver onlay combined dessert service, late 19th/early 20th century, decorated with two designs of silver flowers and sprawling leaves, 35cm max. Comprising: a large two-handled dish, two ten-sided bowls and stands, a footed beaker and stand, six bowls and stands, six small plates and a small jug and two-handled bowl in a third design. (27) £200-300

80. A collection of opaque white glass, 18th century and later, some faults. Comprising: a vase and cover, two jugs, three vases, two small tazzae and four goblets. (13) £100-200

81. Five rummers, two straight-sided and cut with a band of lappets, raised on heavy square cut bases, two flared and raised on a short knopped stem, the last cut with a hobnail band, 14cm max. (5) £200-300

82. Seven various glasses, most 18th century, two flared and raised on teadrop stems, two raised on airtwist stems with one on a folded foot, one engraved with a bird and flower, and two flutes, 20cm max. (7) £250-350

83. Two wine glasses, mid 18th century, each raised on a plain stem above a folded foot, 16cm max. (2) £200-300

84. A tall goblet, raised on a moulded faceted stem and domed foot, a moulded jelly glass with everted rim, and a twohandled flattened flask applied with prunts, 20cm max. (3) £150-200

85. Two engraved cordial glasses, 18th century, one engraved with a bird and grapevine, the other with a rosebud, both raised on double series opaque twist stems, 15cm max. (2) £300-400

86. A Masonic wine glass and another, 18th century, engraved with a pair of compasses and the letter G, the other with a garland of polished circles, both raised on faceted stems, 14.3cm. (2) £150-200

87. A pair of jelly glasses, 18th century, with spiral flared bowls, raised on short slightly knopped stems, 12.3cm. (2) £100-200

88. An ale glass and a small wine, 18th century, the ale engraved with hops and barley above a double series opaque twist stem, the wine on a short opaque twist stem above a domed foot, 18cm max. (2) £200-300

89. A cut glass jug and a pair of carafes, 19th century, the carafes cut with stepped necks above hobnail cut bodies, the jug with facets and a diamond band, 18cm max. (3) £100-200

90. Five wine glasses, 18th century, English and Dutch, two raised on coloured twist stems, three on double series opaque twist stems, one knopped, 16cm max. (5) £150-250

91. A set of twelve small wine glasses, c.1820-30, the flared bowls each cut with ten lappets, raised on knopped stems, 12cm. (12) £150-250

92. Five wine and ale glasses, the bowls variously shaped and raised on air or opaque twist stems, one on a folded foot, some damages, 18.2cm max. (5) £100-200

93. Five Prussian decanters and stoppers, 19th century, one pair with a faceted band and penny stoppers, two with a band of hobnail cutting, the last with rows of faceted bands, some nibbling, some stoppers perhaps associated, 25cm max. (10) £300-500

94. A pair of cut glass decanters and stoppers, 19th century, each cut with a hobnail band beneath a stepped neck, and a third decanter engraved with panels of grapevine, ships and windmills between pinched and trailed glass, 28cm max. (6) £200-300

95. Three items of cut glass, variously decorated with stars and polished ovals, all on starcut bases. Comprising: a basket, a tall jug and a footed vase, 27cm max. (3) £50-150

96. Five jelly or sweetmeat glasses, 18th century and later, two flared and spiral moulded, one moulded with a hexagonal pattern, one with a handle and engraved with garlands, the last plain, 12.4cm max. (5) £100-200

97. Two jelly glasses and two wines, 18th/19th century, one wine with a hammered bowl above a double series opaque twist stem, the other with a teardrop stem, some faults, 16.5cm max. (4) £100-200

98. Five wine or ale glasses, 2nd half 18th century, the ale engraved with hops and barley on a double-knopped airtwist stem, two others on airtwist stems engraved with vine and a bird, one with a plain bowl above a folded foot, the last with a band of diamond cutting, 20cm max. (5) £300-500

99. A glass smoke bell and a pair of cut glass egg cups, 19th century, the latter cut with diamond banding above faceted feet, the bell with a folded rim, 18.5cm max. (3) £20-40

100. A set of six engraved large glasses, decorated with panels of fern leaves and reeds, raised on star cut bases, 16.5cm. (6) £100-200

101. An extensive suite of glass, hobnail cut above starcut bases. Comprising: four decanters and five stoppers, twelve bowls, fourteen stands, 34 glasses in three sizes, two tumblers, a small jar and two porcelain labels. (74) £300-400 102. Five cut glass rinsers and two stands, 19th century, three with diamond banding, and twelve glass stirring rods of varying form, 19.5cm max. (19) £100-200 103. Five commemorative glasses of Jacobite relevance, 20th century, all engraved by R C Farquhar, two to commemorate 250 years since the Jacobite uprising, one the death of Bonnie Prince Charlie, two celebrating the 300th anniversary of the Battle of Killiecrankie, all signed on the foot, and three earlier wine glasses raised on opaque twist stems, 20.3cm max. (8) £150-250

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Provenance: from the collection at Invercauld Castle. Two glasses with limited edition certificates. 104. Two pairs of decanters and stoppers, 1st half 19th century, all cut with lappets and reeding to the shoulders and feet, the necks with three rings, one pair with penny stoppers and engraved for ‘Gin’ and ‘Brandy’, one with star cut mushroom stoppers, and a fifth decanter and stopper of similar design, 23.5cm max. (10) £300-400 105. Various cut glass, 19th century, decorated with diamond banding and other cut designs, some faults. Comprising: two ring-necked decanters and stoppers, a large jug, a smaller jug and two condiment dishes. (8) £300-500 106. Two sets of six glass coolers, 18th century and later, the larger set cut with oval facets and ribbed rims, the smaller with large oval facets, both on star cut bases, 11cm high max. (12) £50-150 Provenance: Marquesses of Tweeddale, Yester House, Gifford, East Lothian. 107. Five large wine glasses, 2nd half 18th century and later, all raised on plain or teardrop stems, four on folded feet, 20.5cm max. (5) £150-250 108. Three large glasses, 18th/early 19th century, one flared bowl rising from a plain stem above a folded foot, one raised on an airtwist stem, the last on a faceted stem, one with a chip to the footrim, 19.5cm max. (3) £200-300

109. A large Clichy millefiori chequer paperweight, mid 19th century, set with various canes including the Clichy rose, interspersed with latticino tubes, 7cm. £800-1,200

110. A Continental blue glass cup with cover and stand, 19th century, for the Persian market, cut with panels and gilded with scrolling foliage, the cover mounted with a gilt rose and leaf finial, crack to the base of the handle, 16cm. (3) £300-400

111. A moulded glass portrait bust of Sir Robert Peel, c.184551, by F & C Osler of Birmingham, modelled as a Roman emperor, raised on a square socle, moulded mark to the reverse, 17cm. £200-300

113. A Russian glass beaker, probably late 19th/early 20th century, with a gilt inscription in Russian script roughly translating to ‘I will give you an angel in one day’, 9.3cm. £50-100

The same bust on an octagonal plinth is in the Corning Museum of Glass. The V&A has the similar bust of Prince Albert that was made for the Great Exhibition of 1951.

112. A Beykoz (Turkey) cut glass mug, 1st half 19th century, the diamond patterns highlighted in gilt, 12cm. £250-350

114. A Stourbridge cameo glass vase, 19th century, attributed to Thomas Webb, the yellow body overlaid and carved in white with a spray of blossom issuing from the rim and encircling the shoulder, 14cm high. £250-350

115. Three bell-shaped wine glasses, 18th century, variously engraved with grapevine, roses and butterflies, raised on opaque twist stems, damages, 16cm max. (3) £100-200

116. Six rummers, 18th and 19th centuries, three engraved with a hatched design and monograms of ‘AE’ or ‘ME’, another with stylized flowers and the initials ‘JK’, one with a band of barley, the last with an ovolu and dart band, 13.7cm max. (6) £150-200

117. Three wine glasses, 18th century, one with a pan-topped bowl, one bucket-shaped, all raised on varying opaque twist stems, 15.8cm max. (3) £400-500

118. Two silver-mounted flasks, 19th century, one of flattened faceted form, the other slightly curved, the silver mount engraved with the monogram ‘AC’, one hallmarked for London 1884, the other London 1868, 14cm. (2) £200-300

119. Six various glasses, 18th century, an ale later engraved with hops and barley, four with conical bowls raised on plain and knopped stems, one on a folded foot, the last straight-sided with a hammered bowl above a folded foot, 15.8cm max. (6) £150-200

120. Three German glass rummers, 19th century, one octagonal and gilded with vine on a blue ground, one amber-flashed and engraved with the initials ‘BK’, the other flashed and cut with pink and yellow, 16.8cm max. (3) £100-200

121. A collection of blue flashed glass, 19th and 20th centuries, some faults. Comprising: a pair of cut glass decanters and stoppers, an oval cut vase, a large footed bowl, a large blue plate, a small blue vase and four blue-rimmed goblets. (12) £150-250

122. Two pairs of decanters and stoppers, 19th century, two gilded in the Rococo fashion with scrolling panels, two with gilt inscriptions reading ‘Rum’ and ‘Brandy’, and a fifth small decanter of square-section engraved with ‘Shrub’, 32cm max. (10) £250-350

123. An engraved jug and bowl with matching wine glass, 19th century, the rims with a simple band, the bodies with the monogram ‘AC’, 22.2cm max. (3) £400-600

124. Two lobed decanters and stoppers, 1st half 19th century, the mallet-shaped bodies moulded with eight ribs beneath a single neck ring, 28.5cm max. (4) £200-300

125. Sixteen various glasses, 19th century and later, of varied form and decoration. 17.7cm max. (16) £100-200

126. A large pair of moulded glass jugs, 19th century, with pineapple bodies raised on stepped star cut bases beneath faceted necks, 29cm. (2) £150-250

127. A set of eight jelly glasses, 19th century, the flared bodies variously cut and raised on octagonal bases, some nibbling, 8cm. (8) £100-200

128. A good pair of blue glass goblets, c.1800, the flared bowls rising to a broad rim, the glass a rich cobalt colour, 12.8cm. (2) £100-200

129. A pair of glass decanters and stoppers, 19th century, the slightly flattened bulbous bodies with fluted handles and spouts, engraved with monograms within berried leaf sprigs, 21.5cm. (4) £100-200

130. A small amethyst glass cream jug, perhaps American, applied with a wave-like effect, the neck trailed, incised LV “77”, 9cm high. £50-150

131. A large glass mug, inscribed to ‘Mrs Thomson’ within an oval cartouche and thistle sprays, the rim trailed with fine banding, 18cm high. £150-250

132. A Baccarat paperweight, c.1860-65, inset with a pansy or heartsease, the centre with tiny millefiore canes, star cut to the base, 7cm dia. £200-300

133. A small Continental glass decanter and stopper, the body with a hammered effect beneath three neck rings, with a lemon squeezer stopper, 22cm. (2) £80-120

134. A large slipware dated cider flagon, the glaze running from dark yellow to cream, incised ‘Wm Parrot September 7th 1816’, a chip to the rim, 29cm. £300-500

135. A pair of Davenport terracotta bottle coolers, early 19th century, moulded in high relief with fruiting grapevine between Bacchanalian maskheads, impressed marks, 24.5cm. (2) £80-120

136. A Royal Doulton water jug, c.1928, simulating leather, the rim mounted in silver and hallmarked for Saunders & Shepherd, London 1928, 18cm. £60-120

137. A large West Country slipware jug, 18th century, the bulbous body decorated in a rich olive green glaze extending to just above the foot, with a wide strap handle to the rim and shoulder, 31cm. £200-300

138. Three slipware cooking vessels, decorated to the interiors with a treaclecoloured glaze, one also to the exterior, furnished with side handles and a simple lip spout, 21.5cm max. (3) £100-200

139. A Doulton stoneware silvermounted jug, 20th century, applied with a hunting scene beneath topers, a tree and a windmill, impressed mark, hallmarks for London 1922, 16cm. £80-120

Provenance: the David Drakard Collection, no. E9.

140. A large black-glazed stoneware coffee pot and similar teapot, probably 19th century, each with elaborate metal mounts to the spouts, handles and covers, some damages, 37.5cm max. (4) £50-150

141. A set of five graduated Royal Doulton stoneware jugs, late 19th/early 20th century, sprigged with topers, windmills and hunting scenes, impressed factory mark and number 2892, 21cm max. (5) £150-250

142. A large stoneware flagon and a Bellarmine jug, 19th century and earlier, the flagon impressed with a 4, the Bellarmine with three armorial plaques, both cracked, 46cm max. (2) £150-250

143. A Castleford type teapot of American interest, c.1800, the felspathic stoneware body moulded with the American seal, the reverse with a profile bust of Liberty, all within leaf borders and blue glaze detailing, impressed ‘36’, 23cm. £80-120

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144. A large stoneware tavern mug, 18th/19th century, probably London, sprigged with a stag hunt scene beneath a plaque showing the interior of a tavern, silver mount to the rim with maker’s mark T.H, and a carved stoneware jug with rounded textured body below a scrolling band to the neck, some faults, 22cm max. (2) £150-250 145. Two German stoneware tankards, one finely incised with panels of boats and buildings, the other with the initials GR and large stylized flowerheads, and a round-bodied stoneware mug applied with roses and cherubs, extensive damages to the latter, 18.5cm max. (3) £100-200

145 (part)

146

146. A small black basalt teapot and cover, 19th century, the finely fluted body topped by a recumbent lion finial, together with a Wedgwood sprig mould, numbered 12, a little chipping to the spout, 13.5cm max. (3) £50-150 147. A Wedgwood black basalt moulded flared vase and a basalt milk jug, 19th century, and a Continental Jasperware type oval plaque applied with Classical figures, 23cm max. (3) £50-150

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148. Two black basalt teapots, 19th century, each applied with a band of berried leaves above an undulating leafy border, one with a hinged silver lid, hallmarks for Birmingham 1896, the other with a basalt cover, 25cm max. (3) £100-200 149. Three black basalt teapots, 19th century, two with covers, one with a hinged lid, a black basalt coffee pot, and a white dry-bodied stoneware teapot and sliding cover, damages, losses and repairs, 24cm. (8) £80-120 150. Four Dutch and English red stoneware teapots and covers, 17th century and later, three variously applied with flowers, grapevine and foliate scrolls, the last plain, one with an indistinct impressed mark, some faults, 17cm max. (8) £300-400

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151. A Staffordshire salt-glazed stoneware coffee cup, c.1745, the octagonal form moulded with various panels including a double-headed eagle, a hunter, a stag, a unicorn and an equestrian figure, small chips, 6cm high. £300-500

152. A Lambeth stoneware fish flask, 19th century, perhaps Stephen Green, modelled biting on a cork, the scales finely detailed, 18cm. £200-300 151

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153. A Jasperware cheese bell and stand, probably 19th century, applied with putti at various pursuits between oak leaf borders, 28cm. (2) £100-200

154. An English redware teapot and cover, 18th century, after the Chinese Yixing, the squat cylindrical form applied with chinoiserie figures, pseudo impressed seal mark to the base, some chipping, 15cm. (2) £100-200

155. A Royal commemorative Dicker Pottery (Sussex) plaque of Edward VII, c.1910, shown in profile and inset in a greenglazed surround, the reverse incised with his dates, impressed mark, 19.5cm. £50-150

156. A black basalt coffee pot and cover, 19th century, turned with a geometric design and raised on a circular foot, a tiny chip to the cover’s rim, 24cm. (2) £100-150

157. A large stoneware hunting mug, 19th century, applied with a plaque of a tavern scene, Classical figures either side, all above a hunting scene, the rim metal-mounted, 18.6cm. £150-250

158. A large black basalt coffee pot and cover, 19th century, turned with wide bands, the cover surmounted with a sibyl finial, 27.5cm. (2) £100-150

159. A Cantagalli model of a fruit bowl, late 19th century, with various fruits, gourds and seeds surmounted with a snail, a small frog and a cricket, cockerel mark, some chips, 28cm dia. £80-120

160. An unusual Portuguese Palissy-type dish, early 20th century, modelled with two mice, a toad and two stag beetles on a textured ground, impressed mark, 20.5cm. £200-300

161. A George Jones Majolica strawberry basket, c.1873, modelled with four compartments trailed with flowering and fruiting strawberry branches, impressed factory mark and registration diamond, 30.5cm. £200-400

162. A large salt-glazed stoneware charger, c.1800, the shaped rim moulded with diaper panels, a small rim chip, 39cm. £250-350

163. A Palissy-style two-handled comport, 2nd half 19th century, the handles formed from four curling snakes, the sides applied with winged mask heads, the foot trailed with ivy, some faults, 33.5cm dia. £100-200

164. A large Portuguese Palissy-type dish, early 20th century, the well filled with three fish laid head to tail with seaweed behind, the rim applied with shrimps, smaller fish and shells, impressed mark for M. Mafra, Caldas da Rainha, 32.5cm. £400-600

165. A Majolica cheese bell and stand, 19th century, moulded with cows standing on grass, and two Majolica coolers or vases, moulded with fruit and raised on three feet, some damages, 26cm max. (4) £100-150

166. A Continental Majolica tobacco jar and cover, 19th century, modelled as a pug dog wearing a ribboned collar, his head forming the cover, minor faults, 20cm tall. (2) £60-100

167. A large Majolica jardinière, 19th century, the shaped rim flanked by two putti between leafy swags, and a massive Minton Majolica tray moulded to the underside with trefoils, raised on a low foot, extensive damages and restorations, 53cm max. (2) £150-250

Provenance: from the collection at Invercauld Castle.

168. A large George Jones Majolica jardinière, 2nd half 19th century, decorated with sparrows and dragonflies amidst bulrushes and above waterlilies on a deep blue ground, the interior glazed turquoise, some damages, 31cm high. £400-600

169. A pair of Majolica cornucopia vases, 19th century, the horn-shapes issuing from ram heads and moulded with garlands and putti, indistinct impressed marks and numbered ‘247’, a 1cm rim chip, 27.7cm high. (2) £400-600

170. A large and impressive Majolica vase, 19th century, the Classical form moulded with lappets, leaves and fluting around a large mottled panel of malachite type, indistinct impressed mark and shape number 558, 45cm. £300-500

171. A Majolica figure of a boy, 19th century, titled ‘The Attack’, he digging into a large pie on the table before him, his book open and disregarded by his side, a short crack to the table leg, 18.5cm. £100-200

172. A Majolica tazza, 19th century, modelled with a crane beneath a wide waterlily dish supported by a stem of bulrushes, 16cm high. £150-250

173. A Cantagalli plaque of the Madonna and Child, 19th century, after Della Robbia, the Infant King reaching out to grasp a lily stem, cockerel mark to the reverse, broken and repaired, 44cm. £50-100

174. A George Jones Majolica dog bowl, c.1870, the sides moulded with crossed leafy stalks supporting the oval bowl, blue pad mark, rim chip, 25cm dia. £200-300

175. A Majolica asparagus service, 19th century, moulded with asparagus spears and leaves within basket borders. Comprising: a large platter, an asparagus server, a small dish and six plates. (9) £150-250

176. A Choisy Le Roi oval majolica dish, 20th century, painted with cart horses standing before a sea wall, ‘AF’ monogram, printed mark to the reverse, 34.5cm. £50-150

Cf. Robert Cluett, George Jones Ceramics 1861-1951, p.57 for a garden seat of the same design.

177. A pearlware bust of Matthew Prior, 1st half 19th century, raised on a faux marble socle, some good restoration to the base, 18.7cm. £80-120

178. A rare Pratt ware watch stand, c.1800, modelled as a longcase clock flanked by a boy and girl, the case moulded and enamelled in typical palette with Classical scenes, a small amount of good restoration, 26.8cm. £600-1,000

Sold on behalf of the executors of Dr John Birch dec’d.

Cf. J & G Lewis, Pratt Ware, for a similar example illustrated on the dust jacket.

179. A Staffordshire pearlware bust of John Wesley, 1st half 19th century, dressed in ministerial costume and raised on a faux marble socle, 30cm. £100-200 Sold on behalf of the executors of Dr John Birch dec’d.

Sold on behalf of the executors of Dr John Birch dec’d. 180. A rare pearlware lustre model of Nero, c.1825, the gentle giant standing four square on a faux marble base, decorated in a rich copper lustre, good restoration, 25cm. £600-1,000 The famed Nero belonged to promoter George Wombwell, who staged a lionbaiting in 1825 alongside some dog dealers in Warwick. Despite being ferociously set upon by three English bulldogs, Nero surprisingly did not attempt to retaliate and it was reported in the Morning Herald at the time that “from the beginning of the contest to the end, the lion was merely a sufferer; he never struck a blow in anger.” 180 181. Two pearlware models of foxes, late 18th/early 19th century, standing on tall grassy bases, their coats picked out in blue Pratt type colours, small chips to the ears, 8cm. (2) £150-250 Provenance: from the estate of the late George Burnaby Drayson, former MP for Skipton, 1945-79.

181

182. A large Staffordshire pearlware model of a lion, 19th century, standing with his left paw resting on a ball, his tongue protruding between his teeth, raised on a moulded base, his tail broken in sections and reglued, 30.5cm. £1,000-1,500 Provenance: from the collection of Victor Needham.

183. A pearlware model of the Red Barn, 19th century, the notorious building looking peaceful with a recumbent cow and pecking chicken outside, titled ‘The Red Barn near Polstead, Bury St Edmunds’ to the base, some damages, 17cm. £200-300 The murder of Maria Marten by her lover, William Corder, in 1827 captured the ghoulish imagination of the Victorian public and became a common theme for plays and ballads of the time.

184. A rare Staffordshire inkwell, 1st half 19th century, modelled as a hedgehog snuffling along a flower-encrusted base, his spiny back lifting to reveal a removable inkwell and three smaller holes, the base decorated with gilt and turquoise scrolls, some restoration to the spines, 10.5cm. (3) £1,000-1,500

185. Six Staffordshire spill vase groups, 19th century, including Red Riding Hood, a galloping stag, and figures with baskets of fish, some damages, 29cm max. (6) £100-200 Sold on behalf of the executors of Dr John Birch dec’d.

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186

186. Three black-glazed cow creamers and covers, 19th/20th century, standing four square with gilt detailing, a pearlware creamer printed in blue with children, and a porcelain creamer and cover printed with an Oriental landscape, some faults, 18cm max. (9) £150-250 187. A West Country slipware spaniel, c.1860-80, splashed with yellow and chocolate glazes on a treacle ground, 18cm. £50-150 188. Eight Staffordshire models of dogs, 19th century, most spaniels, and a pair of dalmatians, some damages, 16.5cm max. (8) £80-120 Sold on behalf of the executors of Dr John Birch dec’d.

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188

189. Four Staffordshire figures, 1st half 19th century, two of Hope, one of a gardener and one of a seated Classical figure, a pearlware sheep group, a Staffordshire porcelain model of a sheep, and a pair of Derby models of sheep before bocage, damages, 14.5cm max. (8) £120-150 Provenance: from the collection at Invercauld Castle. 190. Four pearlware cow creamers, 19th century, three with covers, one sponged in Portobello type colours with a milkmaid by her side, three standing four square on grassy bases and decorated in orange and black enamels, some restoration, 17cm max. (7) £200-300

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190

191. A collection of various Toby condiments, 19th century, including one group of three, most typically modelled holding mugs of foaming ale, with two preserve jars and covers, damages to some, 17cm max. (14) £40-60 Sold on behalf of the executors of Dr John Birch dec’d. 192. Three Delft cows, 18th century and later, two recumbent on pad bases, one brightly enamelled and standing four square on a domed base, small damages, 13.5cm. (3) £100-200

191

192

193. Three Staffordshire groups of theatrical or literary interest, 19th century, one of David Garrick as Richard III, one of Uncle Tom and Eva, the third a barefoot sailor proffering a nest of eggs to his sweetheart, the figure of Garrick chipped, 23.5cm max. (3) £80-120 Sold on behalf of the executors of Dr John Birch dec’d. 194. Three Staffordshire animal groups, 19th century, one a pearlware lion resting his forepaw on a ball, a lustre decorated cow creamer and cover, and a model of a cow and her calf, some damages, 20.5cm max. (4) £50-150

193

194

Sold on behalf of the executors of Dr John Birch dec’d.

195. A large pair of creamware models of lions, 19th/early 20th century, with heads turned and each resting one forepaw on a ball, decorated in a brownishorange glaze, 33cm. (2) £80-120

196. A Staffordshire model of a pug dog and a large model of a recumbent lion, 19th century, the pug seated on its haunches with head slightly turned, the lion decorated in a brown lustre with traces of gilding, the pug’s right paw broken and restored, 29cm max. (2) £100-200 195

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204

197. A pair of Staffordshire porcelain figures of a Turk and his companion, 19th century, seated on rocky stumps, he with a pipe, she with a mandolin, each wearing a robe trimmed with ermine, some restoration, 21.5cm. (2) £30-50 Sold on behalf of the executors of Dr John Birch dec’d.

198. Two Staffordshire pearlware figures, 19th century, one of Andromeda weeping over the ashes of Hector, one of the Cobbler’s Wife, and a pearlware bust of a gentleman with an unusual bouffant hairstyle, some faults, 23cm max. (3) £100-200

199. A pair of Staffordshire models of spaniels, 19th century, and a third similar but larger, all wearing chain collars with gilt detailing, seated and with heads turned, a chip to one paw, 33cm max. (3) £100-150 Sold on behalf of the executors of Dr John Birch dec’d.

200. Four Staffordshire figures, 19th century, one double-sided of Gin and Water, one a seated snufftaking gentleman, two gardening figures, some damages, 22cm max. (4) £50-150 Sold on behalf of the executors of Dr John Birch dec’d.

201. Ten Staffordshire figure groups, 19th century, many of the Royal Children at various pursuits, some damages, 25.5cm max. (10) £100-200

202. A Staffordshire holy water stoup, 19th century, modelled with the Virgin and Child above a small pocket, and a clock group moulded with grapevine and Classical figures, 31cm max. (2) £50-150 Sold on behalf of the executors of Dr John Birch dec’d.

203. Two pearlware religious figures, 1st half 19th century, one of Saint Paul before flowering bocage, the other of the Virgin Mary, and a Staffordshire pottery figure of the Virgin Mary, Saint Paul’s sword lacking, 24.5cm max. (3) £100-200 Sold on behalf of the executors of Dr John Birch dec’d.

204. Three Staffordshire pearlware figures of Classical maidens, 1st half 19th century, including Andromache weeping over the ashes of Hector, some damages, 23.5cm max. (3) £80-120 Sold on behalf of the executors of Dr John Birch dec’d.

205. A small Ralph Wood Toby jug, late 18th century, resting a foaming mug of ale on his left knee, the tails of his frock coat falling down either side of his stool, the handle broken and restuck, 16cm. £350-450

206. A Ralph Wood type figure of a shepherd, c.1790, a trussed sheep tied to a stick and slung over his right shoulder, his left foot resting on a rocky stump, some restoration, 23cm. £700-1,000

Paper collection label for Lord Mackintosh of Halifax, no. 191.

207. A Pratt ware Toby jug, 1st half 19th century, typically moulded with a foaming mug of ale resting on one knee, enamelled in a palette of blue, brown, yellow and ochre, some good restoration to his hat, 25cm. £300-400 208. A large Walton pearlware figure of The Widow, early 19th century, seated before flowering bocage, cradling the bundle of sticks to make her last loaf of bread, her right hand resting on her son’s head, applied Walton mark to the reverse, the bocage damaged and repaired, 28cm. £50-150 Sold on behalf of the executors of Dr John Birch dec’d. 209. A pearlware blackamoor toby jug, 19th century, his face and hands blacked, raised on a sponged base, 26cm. £80-120 210. A Staffordshire pearlware figure of Air, 1st half 19th century, standing before flowering bocage and holding a bird aloft in her right hand, raised on a scrolling base, some restoration, 18.8cm. £150-250

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211. Four Staffordshire Toby jugs, 19th century, three typically modelled with jugs of ale and one with a cover to his tricorn hat, the fourth a bearded Toby presenting a game pie and titled ‘Merry Christmas’, together with a Staffordshire model of a snuff-taking toper, some faults, 25.5cm max. (6) £150-250 Sold on behalf of the executors of Dr John Birch dec’d. 212. A Nightwatchman Toby jug, 19th century, and a pearlware pulpit group of the Vicar and Moses, a little restoration to the Nightwatchman, 25cm max. (2) £80-120 Sold on behalf of the executors of Dr John Birch dec’d.

211

212

213. A creamware model of a man on the back of a donkey, 19th century, probably Continental, the donkey laden with flagons to the sides, the rider wearing a broad brimmed hat, decorated in Whieldon-type colours of green, brown and ochre, some good restoration to the donkey’s ears, 16cm. £250-350

214. A Staffordshire pearlware musical group, 1st half 19th century, seated and standing beside a rocky waterfall, he playing a French horn, she a lute, small damages, 18cm. £120-150

216. A pair of Staffordshire figures of Popery and Protestantism, mid 19th century, of Parr type, each figure raised on a titled base and holding a bible and an inscribed scroll, some good restoration, 23.5cm. (2) £50-150

217. A pair of Staffordshire lion group spill vases, 19th century, each modelled with a lion or lioness with their cubs clambering over them, a green snake twisting around the tree behind them, one neck damaged and repaired, 29cm. (2) £150-250

218. A pair of Staffordshire models of spaniels, 19th century, seated with heads turned, the curly coats flecked with gilt, moulded numbers to the bases, 25cm. (2) £80-120

220. A pearlware model of a swallow, modelled in flight with wings outstretched, a tiny amount of restoration to the beak, 15cm. £80-120

221. A pearlware box and cover, 19th century, modelled as a Tudor-style thatched cottage with black beams and leaded windows, the base pierced with nine holes, the chimneys lacking, 14cm across. (2) £100-200

Sold on behalf of the executors of Dr John Birch dec’d.

219. A large Staffordshire pastille burner, 19th century, modelled as a three-storey house with Gothic tracery windows and applied vegetation, minor damages, 14cm. £150-250 Provenance: from the collection of Victor Needham.

215. A Staffordshire pearlware group of Friendship, 1st half 19th century, modelled with two boys standing with arms around shoulders and hands clasped while a small dog gazes up at them, raised on a titled base, the bocage lacking, 15.5cm.£120-180 Provenance: from the collection of Victor Needham.

Provenance: from the collection of Victor Needham.

222. A pair of Staffordshire pearlware models of the Cobbler and his Wife, early 19th century, he mending a shoe while she pours a drink, brightly enamelled and raised on faux marble bases, 16cm. (2) £250-350 Provenance: from the collection of Victor Needham.

223. A Staffordshire pearlware model of a cow, 1st half 19th century, raising her rear hoof and with head turned to dexter, some restoration, 15cm. £150-250

224. A good pearlware model of a seated cat, 1st half 19th century, its tail curling towards its front paws, its head turned to the right, the body decorated in a mottled glaze of green, yellow and black, the cushion on which it rests in blue and manganese, 17cm. £400-600 Provenance: from the collection of Victor Needham.

225. A slipware model of a cat, late 18th/19th century, seated with its tail curled around its paw with head turned to the left, decorated in a treacle glaze and raised on a square base moulded with chasing hounds, 20cm. £300-400 Provenance: from the collection of Victor Needham. Cf. The Rous Lench Collection, Sotheby’s, 1st July 1986, lot 152 for a similar example.

226. A Pratt ware model of a cradle, c.1800, modelled with a recumbent infant and enamelled in the traditional palette of ochre, umber and blue, and a Pratt figure of a boy wearing a hat and twisting his body to the right, small chips to the cradle,16cm max. (2) £250-350

227. An unusual slipware model of a flat iron, 18th century, decorated in a treacle and cream glaze with roundel decoration, 12cm. £200-300 Provenance: from the collection of Victor Needham.

228. A moulded creamware dish, probably 17th century, decorated in a Whieldon type glaze, moulded with six lions around Daniel with his hands tied, the shaped rim made up of mask heads, extensively damaged and repaired, 34cm. £200-300

229. A pearlware plaque of Napoleon, c.1810, of Portobello type, moulded with a profile of the fallen emperor, a small amount of restoration, 15.7cm. £200-300

230. A pearlware plaque, early 19th century, of Portobello type, moulded and enamelled with a gentleman in Eastern dress seated beneath a palm tree with a lady by his side, some chipping to the edge, 16cm. £150-250

231. Literature: Leslie B. Grigsby, English Pottery 1650-1800 The Henry H. Weldon Collection, edition 304 of 1000. £100-150

232. Two Staffordshire moulded plaques, early 19th century, one of Socrates within a rectangular gilded border, the other of another bearded gentleman within a raised and blue enamel border, some good restoration to Socrates’ nose, 16.6cm max. (2) £300-500

233. A large circular pearlware moulded plaque of Napoleon, early 19th century, of Portobello type, moulded after Jacques-Louis David’s painting of Napoleon at the Saint-Bernard Pass, 23.5cm. £100-200 Paper label for the David Drakard Collection, E10.

234. Three Neale & Co. pearlware models of the Seasons, c.1790, of Winter, Spring and Summer, each personified as a figure clutching ivy, flowers and a corn sheaf respectively, impressed titles to the bases, a few small chips, 13.5cm. (3) £480-550

235. A large pearlware bowl, early 19th century, the interior printed with ‘Susan’s Farewell’, a young maiden standing on the shore and waving her handkerchief at ships in the distance, the exterior printed with panels of ‘Jemmy’s Farewell’ and ‘Jemmy’s Return’ between vignettes of Neptune and Venus, cracked, 27.5cm dia. £150-250 Paper label for the David Drakard collection.

236. A large creamware charger, late 18th/early 19th century, printed in black with a rural scene of a milkmaid and other figures before a sailboat on a river with thatched buildings beyond, the shaped rim with sprawling flowers, chips to the rim, 50cm. £200-300

237. A creamware grape tureen and cover, c.1780-90, probably Leeds, formed as a bunch of grapes resting on a large yellow vine leaf, the cover with a vine stalk finial, restoration to the cover’s finial, 20cm. (2) £800-1,200 Paper label for D M & P Manheim.

238. An unusual Staffordshire moulded Bacchus jug, c.1780, of Ralph Wood type, formed with Bacchus draped in a lion skin and holding the base of a cornucopia that forms the jug, the reverse with Pan standing on a barrel holding his pipes and a glass of wine, an owl perched on the flagon slung over his shoulder, restoration to the spout, 33cm. £450-650

239. A large Pratt ware moulded jug, late 18th century, of the Parson, Clerk and Sexton, the sides moulded with the three protagonists drinking and smoking, enamelled in a muted palette, a small chip to the spout, 22.5cm high. £300-500

240. A Pratt ware teapot and cover, c.1800, decorated with bands of leaves and fabric swags in a typical palette, with a small pearlware teapot and cover of Portobello type, some good restoration, 26.2cm max. (4) £150-250 Cf. J & G Lewis, Pratt Ware, p.76 for a similar teapot.

241. Two Mochaware mugs, late 18th/early 19th century, one tall and decorated with a mesh border above a wide band of brown, the other small and painted with stylized corn and fruit beneath a ribbed band, a Jackfieldglazed jug inscribed ‘James Skidmore’ and painted with a bird amidst flowers, and a small Spode salt-glazed stoneware mug, some faults, 18.7cm max. (4) £200-300

242. A pearlware cider jug, early 19th century, painted with flowers and a monogram within a leaf cartouche, and a blue and white pearlware shell dish, damage to the jug, 21cm. (2) £80-120

Provenance: the Gwen Drakard Collection, nos. C93, C31, E49 and E36.

243. A small collection of pottery, 19th century and earlier, including a Pratt ware jug, a creamware tea canister moulded with portraits perhaps of George IV and Queen Caroline, another printed in black, a Talavera triangular salt, a drabware printed jug, a Wilson creamware sauce tureen and cover with sepia decoration, and a Chinese Yixing stoneware teapot and cover, some damages, 19cm max. (9) £200-300

244. A Pratt ware wall plaque, c.1800, moulded with figures in Classical dress beneath a winged mask, a pearlware shaped dessert dish painted with a pattern of elaborate foliate scrolls, and a Staffordshire pottery moneybox modelled as a cottage, the plaque broken and repaired, 19cm max. (3) £80-120

246. A Mason’s Ironstone fluted mug, 19th century, of flared form with fluted handle, and a miniature Mason’s mug, both decorated with Imari designs, and an English porcelain tot with similar decoration, the latter broken and repaired, 9cm max. (3) £80-120

247. Five creamware dishes, 1st half 19th century, three Wedgwood and printed with shells, one with a feathered rim and decorated in a Whieldon-type glaze, the last a Wedgwood armorial charger decorated with a crest of a lion holding a wreath, some damages, 38.5cm max. (5) £150-250

Paper labels for the collections of Gwen and David Drakard, nos. C97, E103, E130 and C43.

245. A collection of stoneware and other pottery items, most 19th century, including a creamware teapot and cover, a printed creamware milk jug, a pair of bough pots, a blue and white charger, a strainer, a stoneware box and cover, a teapot and a candlestick, some damages, 42cm max. (12) £100-200

Sold on behalf of the executors of Dr John Birch dec’d.

248. A large pearlware printed and dated jug, 19th century, inscribed ‘William & Charlotte Rider, Alsager Lodge 1827’ between hunting scenes, a smaller moulded face jug, and a copper lustre banded jug, 21cm high max. (3) £100-200 Sold on behalf of the executors of Dr John Birch dec’d.

249. A collection of Leeds creamware, 20th century, including a pair of floral baskets with stands and pierced covers, a pair of hexagonal pierced vases and covers, a footed vase and cover, a two-handled bowl and two basket-moulded plates with reticulated rims, all with impressed Leeds Pottery marks, 25cm max. (15) £500-800

250. Two creamware teapots, late 18th/early 19th century, one decorated in a Whieldon-type glaze, the other painted with flowers and fruit, and a brown-glazed pearlware jug painted with a sepia panel of a figure crossing a bridge with another standing beneath a ruined archway, some damages and repairs, 19.5cm max. (5) £200-300

251. A pearlware lobster dish and strainer, c.1875, the basket-moulded border decorated with a lobster, shrimps and oysters, impressed registration diamond for J. Dimmock & Co., 55cm. (2) £80-120

Provenance: the Gwen Drakard and David Drakard Collections, nos. E54, B18, and A125. The painted creamware teapot with a paper label for the Stoke-on-Trent Museum, NCS 1986 9.

252. Equestrian interest: a pair of Staffordshire pearlware mugs, mid 19th century, by John and Robert Godwin of Cobridge, each printed in sepia with a Steeplechase scene between pale blue ribbed bands, printed marks, some restoration, 12.5cm. (2) £100-200

253. A creamware footed bowl and cover, late 18th century, applied with a band of leaves above a fluted body, the cover pierced with floral panels, some damages, 23cm. (2) £50-150

254. An octagonal creamware plate, c.1800, decorated in a brown Whieldon-type glaze, and a delftware plate painted with panels of flowers on a sponged manganese ground, 23.7cm max. (2) £150-250

255. Nelson interest: a pearlware loving cup, 19th century, one side printed with Britannia weeping over the ashes of Lord Nelson, the reverse with a scene of a lawyer, a doctor and a clergymen above an eight line poem entitled ‘The Triple Plea’, the base printed with a further rhyme, the interior with vases of flowers, cracked, 20cm across. Together with a Staffordshire figure of Nelson. (2) £100-200

256. A French creamware plate, 19th century, the octagonal form painted with three fleur de lys beneath a crown within a leafy border, impressed mark ‘Mathieu & Cie’, 25cm. £100-200

257. American interest: a large pearlware mug, late 18th/early 19th century, printed in black with the American eagle holding a banner in its beak bearing the legend ‘Pluribus Unum’, beneath the 13 colony stars, all above a banner inscribed ‘James Leech’, the reverse with a simple floral spray, 12.4cm. £50-100

258. A good Thomas Lakin & Co pearlware dessert service, c.1820, the dark surfaces enamelled in white and purple with rococo buildings in rural landscapes, the rims with a stylized fruit border. Comprising: an oval comport, two sauce tureens and covers, two oval dishes, four square dishes, four shell-shaped dishes and six plates. (21) £1,500-2,000

259. A Wedgwood creamware part service, late 18th/early 19th century, decorated with seashells clinging to seaweed tendrils, impressed marks, some faults. Comprising: a tazza, a shaped dish and eight plates. (10) £100-150

260. An English ‘drabware’ part service, 19th century, moulded with large leaves and flowers. Comprising: three shaped dishes and six plates. (9) £300-400

261. A good Spode blue and white printed supper set, 19th century, printed with the Tower pattern. Comprising: four shaped tureens and covers set into a wooden tray around a footed tureen inset with an egg cruet. (13) £500-700

262. A pair of pearlware sauce tureens and covers, 1st half 19th century, boat-shaped and with built-in stands, brightly decorated with scaly green dragons with rich red detailing, 22cm. (4) £150-250

Provenance: from the collection of the father of Spode specialist, Robert Copeland.

Sold on behalf of the executors of Dr John Birch dec’d.

263. Literature: six reference books on porcelain, stoneware, netsuke and cloisonné. (6) £30-50

264. A Swansea pearlware footed coffee pot and cover, c.1800, printed in black with a chinoiserie landscape of figures before pagodas, the tall domed cover with partial flower prints, a little restoration to the rim and finial, 31cm. (2) £200-300

265. Literature: Old English Glasses by Albert Hartshorne, and ten other volumes on English ceramics and furniture. (11) £40-60

Provenance: by repute, from Cardiff Castle in the collection of Lord Bute. Latterly purchased from Mr C Betts of Albany Road in 1965.

266. An unusual pearlware jug, early 19th century, painted with a cork cutter standing before a table in a furnished interior beneath the inscription ‘Success to the Cork Cutter’, gilded with the monogram ‘GR’ above a four line drinking stanza, the handle lacking, 19cm. £50-150

267. A small salt-glazed teapot and cover, late 18th century, each side brightly enamelled with flowers, the spout and handle gnarled, the cover with an acorn finial, some faults, 15.5cm. (2) £150-250

268. An English creamware jug, c.1800, painted in polychrome enamels with sprays of roses, inscribed ‘From hence to the deep May division be tost And prudence recover What folly have lost’ within puce leaf garlands, a chip to the footrim, 17.5cm. £150-250 Paper label for the Gwen Drakard collection, C8. Exhibited: NCS Exhibition, Leeds 1974, no. 21.

269. A pair of pearlware shoes and a pair of Jackfield boots, c.1830-40, the former printed in magenta with vine tendrils, the initials ‘MR’ beneath each sole, the boots modelled as inkwells with gilt button detailing, one shoe restored, 11.7cm max. (4) £300-500

270. A creamware inkstand or desk set, early 19th century, decorated in a mottled brown glaze, and a small pearlware teapot and cover decorated with a leaf sprig design, damages to the teapot, 30.5cm max. (3) £150-250

271. Three small pearlware items, 1st half 19th century, a jug decorated in Pratt colours, a caster with bands of blue, and a small mug inscribed ‘No handy craft Can with our art compare. We make our pots Of what we Potters are’, some faults, 10.8cm max. (3) £150-200

272. A Herculaneum creamware soup plate, c.1810, printed in black with a ship at sea, impressed mark, and a feathermoulded creamware plate, Dutch-decorated with a scene of John the Baptist, 27cm max. (2) £200-300

273. A satirical creamware plate printed with a version of the ‘Wonderful Mill’, early 19th century, showing old women ascending the ladder to the grinding mechanism and emerging the other side as young ladies, within a shaped puce border, a few small rim chips, 25cm. £80-120

274. A Wedgwood creamware plate from the Duke of Clarence service, c.1818, enamelled with the three feathers of the Prince of Wales within blue and gilt borders, impressed mark, and a Turner pearlware plate with feathered edge, painted in blue with a small building beneath a willow, minor damages and restoration, 25.5cm max. (2) £120-150

275. A Liverpool creamware plate, 2nd half 18th century, printed in red by John Sadler with Harlequin, Columbine and Pierrot, the feathered border with flower sprays, 24.7cm. £100-200

276. A Dillwyn pearlware plate, c.1830, printed in black with sailors at sea on a twomasted ship, impressed mark, 22.2cm. £80-120

277. A massive creamware circular charger, late 18th/early 19th century, printed in black with a courting couple seated in a watery landscape with ruins behind, the feather-moulded rim printed with flower sprays, 44.2cm. £300-500

278. Three children’s pearlware plates, 1st half 19th century, two decorated in Portobello colours around a print titled ‘A Pigeon Pie’, the last with a print of a family in a garden titled ‘In Breeches’, 3cm crack to one, 13.5cm. (3) £100-200

279. Two Spode pearlware plates, late 18th/early 19th century, one bat-printed with P406 of two sheep, the other printed in blue with the First Temple Landscape, and a Mason’s Ironstone dessert plate decorated with flowers within a wide moulded border, 23.3cm max. (3) £120-150

280. Three Sewell (Newcastle) pearlware plates, 1st half 19th century, brightly painted with naive pink roses within a petalled border, impressed factory marks, 24cm max. (3) £200-300

Cf. Geoffrey Godden, Mason’s Ironstone China, p.106 for examples from the Mason’s dessert service.

281. A creamware Whieldon-type tea canister, late 18th century, the squaresection body moulded with four panels of Oriental figures at various pursuits, decorated in a mottled green, brown and black glaze, a chip to the shoulder, 12cm. £400-600

282. A miniature creamware tea kettle and cover, 2nd half 18th century, and a matching teabowl, decorated in a sponged manganese Whieldon type glaze, chip to the teabowl, 8cm max. (3) £250-350

283. A creamware cauliflower cream jug, c.1770, finely moulded with creamy florets issuing from rich green leaves, a little good restoration, 9cm. £120-150

284. A pearlware blue and white toy dinner service, 19th century, printed with differing scenes of buildings in landscapes, damages to some. Comprising: a soup tureen, cover and ladle, two covered dishes, two smaller tureens and covers, a comport, a sauceboat, nine oval chargers or stands in various sizes, two oval dishes, five soup plates and fourteen plates in three sizes. (43) £100-200

285. An Italian pottery moulded plaque, 17th century, probably Modena, of the Madonna and Child moulded in high relief and decorated in a slip glaze, incised ‘1626’, some flaking to the glaze, 40cm. £600-800

286. Two large and impressive creamware models of Dogs of Fo, 19th century, each resting a forepaw on a brocade ball and holding a rope between its teeth, the manes and faces finely detailed, raised on square socle bases, damages and losses, 39cm. (2) £1,500-2,000

287. A creamware jug of Napoleonic interest, early 19th century, printed in red with ‘The Governor of Europe Stopped in His Career’ and ‘John Bull peppering Buonaparte in the Front and Rear’, a few small chips, 21cm. £320-380

288. A rare Pratt ware jar and cover, of Napoleonic interest, early 19th century, modelled as the Russian bear squeezing the Corsican Monkey, decorated in a mottled blue glaze with highlights in brown, yellow and ochre, a few small chips, 25cm. (2) £1,800-2,200

289. Two creamware reticulated baskets, 18th/19th century, one oval, one circular and shallow, pierced with varied designs, some small damages and restorations, 27cm max. (2) £250-350

290. A large Whieldon type charger, early 19th century, decorated with splashes of green and ochre on a sponged brown ground, 48cm. £600-800

291. A Davenport stone china soup tureen with cover and stand, 19th century, printed and hand coloured with cranes in Oriental landscapes, printed marks, 29.5cm. (3) £100-200

292. A pair of pearlware ‘Peafowl’ plates, early 19th century, painted with ‘Spartacus’ birds in yellow, ochre and manganese, the foliage sponged in green, restoration to one, 24.6cm. (2) £500-800

293. A Scottish pearlware commemorative plate, c.1820, the well printed with William III on horseback dressed as a Roman emperor above the inscription ‘No Surrender 1690’, the edge with a wide Portobello type border, 26cm. £180-220

294. Two creamware plates, late 18th century, one decorated with a monogram and the date 1792 within a circular floral garland, the rim with leaf swags in brown, the other dish moulded with flower garlands around a pierced rim, 25cm max. (2) £150-250 Paper labels for the Gwen Collection, items C12 and C46.

295. A pearlware gambling ball or teetotum, probably 19th century, the polygonal body painted with many different numbers, surface wear, 7cm. £100-200 Teetotums take various forms, the earliest being a spindle inserted through a cubic die. They are more commonly found as objects of treen or ivory.

296. A creamware cornucopia wall pocket, c.1770, moulded with a bacchanalian Cupid swigging from a flagon of wine, his archery arrows by his side, some restoration, 22.5cm. £250-350

Drakard

297. An unusual romantic pearlware bottle, 19th century, printed with an abstract green ground and the initials ‘SC’, the base inscribed ‘A Token of Respect For my Dear Girl’, 18cm. £250-350

298. A creamware model of a sphinx, 19th century, wearing a feathered headdress and sitting up on a tall stepped base, restoration to the feathers, 27cm. £200-300

299. A Berlin (Funcke) faïence vase, c.1720, with a ribbed neck and foot issuing from a central octagonal section, painted in blue with a peacock and other birds amidst flowers and foliage, a small section of the footrim broken and restored, 27.5cm. £200-300

300. An Iznik-style vase, probably 19th century, painted with a geometric arrangement of stylized flowers on a bright blue ground, 25cm. £100-200

301. A tall Middle Eastern bottle vase, painted in blue and turquoise with dancing figures, stylized flowers and saz leaves in the Iznik style, 54.5cm. £150-250

302. A Moustiers-style plate, probably 19th century, painted in the Olerys manner with a grotesque swordsman of small stature in green monochrome, interlaced OL mark to the reverse, and a ewer of similar type, painted with figures and birds amidst typical floral scrolls, small damages, 26cm max. (2) £100-200

302

303

303. A pair of French faïence two-handled urns, 18th century or later, decorated in the Moustiers style with mythical birds, beasts and elflike creatures in shades of green, ochre and manganese, some damages, 21.5cm high. (2) £300-500 304. A French faïence portrait plate of Jean-Paul Marat, probably late 19th century, and a German pearlware dish moulded and brightly enamelled with fruit, 36.5cm max. (2) £150-250 305. A pair of French faïence plates, 19th century, each brightly enamelled with a bird perched on a flowering branch before a pagoda, 24cm. (2) £100-200

304

305

306. A Damascus (Syrian) pottery dish, 16th century, decorated with a blue flower spray within a triple band, a section broken out and restuck, 20.6cm. £300-500

307. A pair of Molaroni (Pesaro) maiolica vases, late 19th/early 20th century, each painted in blue and black with Cupid, the reverses with landscape scenes, painted mark, old paper label to one, one neck lacking, 17cm. (2) £80-120

308. A small Aragonese faïence dish, mid 16th century, probably Teruel or Muel, naively painted with a green bird within foliate swirls in green and manganese, 18cm. £250-350

309. A Hispano-Moresque lustre charger, mid 19th century, moulded with a fleur-delys and other motifs, decorated in copper lustre with stylized leaves, 35cm. £350-450

310. A Sicilian maiolica shoe flask, 19th century, decorated in blue, ochre, manganese and green with foliate scrolls, 16cm. £250-350

311. A Hispano-Moresque lustre charger, 18th century or earlier, with a raised boss to the centre and moulded leaves to the rim, decorated with a pale greenish lustre, the rim drilled with a hole, 40cm. £250-350

312. A large Delft wall panel, 19th/early 20th century, painted in blue with boats on the water before windmills, 56cm across. £80-120

313. Six various tin-glazed dishes, 19th century, four with shaped rims, painted in blue with foliate and shell scrolls, one painted with a putto within a moulded rim, one a double sweetmeat dish with a central dragon, some damages, 35cm max. (6) £150-250

314. A massive French faïence charger, 18th/19th century, later decorated in blue enamel with travelling figures and a horse in a riverside landscape, the rim with a broad border of smaller landscape vignettes and stylized foliate scrolls, 45cm. £200-300

Cf. Anthony Ray, Spanish Pottery 1248-1898, p.153, no.317 for a similar dish.

315. A massive Moustiers-style faïence two-handled jar and cover, probably 19th century, in the Olerys manner, painted with two panels of bathing figures within floral garlands in a muted palette, painted OL mark, the cover surmounted with a lion finial, 58cm high. (2) £600-1,000

316. A fine and large Porquier-Beau Quimper stand, late 19th century, formed as a six-sided star and painted with large butterflies within pink flowered sprays, yellow line rim, PB monogram to the reverse, 38cm. £600-800

317. A Gallé faïence covered cup and stand, c.1900, well painted in the Imari palette with birds in flight and perched on branches and rockwork, the cup marked ‘E. Gallé Nancy’, 16cm. (3) £150-250

318. Two Spanish faïence bowls, 16th/17th century, probably Teruel or Muel (Aragon), decorated in green and manganese with a stylized central creature, and a small Deruta maiolica dish painted in blue and ochre with a sunburst design, damages and restoration, 23cm max. (3) £300-400

319. A Mexican Talavera dish, c.1775, of rectangular form with chamfered corners, the well painted with a tall building flying a flag, the deep rim with stylized foliage, 31.5cm. £300-500

320. A Faenza maiolica low tazza, c.1780, painted with a central armorial within a foliate band in red, blue and ochre, cracked, restored rim chips, 24.7cm. £200-300

321. Two Continental tin-glazed dishes, 18th century, one painted with a large butterfly and flower spray, the other with birds in flight above buildings, minor damages, 22.6cm max. (2) £120-180

322. A French faïence octagonal câchepot, 19th century, in the Marseilles style, brightly enamelled with figures in and around fishing boats beneath a pink scale border, cracked, 19.5cm across. £100-200

323. Two Delft vases and two small cups, 18th century, one vase octagonal-section and painted with Oriental figures, one decorated in the Imari palette, the cups painted with flowers in blue, damages and restoration, 18.5cm max. (4) £150-250

324. Three Continental polychrome faïence plates, 18th century, one painted with a long-tailed bird in flight above a palace scene, one with a bird perched on a basket, the last with pagoda type buildings, one broken in half and restored, 22.5cm. (3) £150-250

325. A Delft five vase small garniture, probably 18th century, the octagonal section bodies lightly ribbed and decorated with an Oriental floral design, marks for the Two Little Boats (De Twee Scheepjes) factory, and a condiment set of two jugs in a double stand, some damages, two covers lacking, 18cm max. (9) £250-350

326. A large delftware bowl, 18th century, the exterior painted with a landscape scene in blue and manganese, the interior inscribed ‘One Bowl More And Then’, a section broken out and restuck, 30cm. £200-300

327. A large Spanish maiolica bowl, mid 19th century, perhaps Seville (Triana), the well painted in blue with a figure walking his dog beneath trees, the exterior with a continuous wooded landscape, a small amount of restoration to the interior, 35cm dia. £200-300

328. A century, Oriental scrolling

329. Three Dutch Delft vases, 18th/19th century, moulded with rococo panels and painted in blue with ducks swimming before a pagoda, LPK marks to the bases, covers lacking, some damages, 20cm. (3) £100-200

330. Three Delft vases, 18th century, one a reduced bottle vase painted with figures in a landscape in the Chinese style, with a wooden cover, the other two painted with Oriental flowers and rockwork, damages, 24.5cm max. (4) £150-250

331. Two delftware guglets or bottle vases, 18th century, painted in blue with Oriental foliage, and a Delft octagonal vase painted with an all over floral design, two vases extensively damaged, 27cm max. (3) £250-350

Sold on behalf of the executors of Dr John Birch dec’d.

delftware punch bowl, 18th painted in blue with stylized flowers and foliage beneath a border, some restoration, 26.5cm. £250-350

Provenance: from the collection at Invercauld Castle.

332. A Brislington delftware lobed dish, c.1690, the well painted with a flying insect above blue flowers, the rim with stylized flowerheads in blue and ochre, a faint crack, 21.5cm. £400-600

333. An Irish delftware lobed dish, mid 18th century, probably Dublin, after a porcelain shape, painted in the ‘Fazackerly’ palette with a central yellow flower, the rim with hatched borders and further stylized flowers, blue ‘J’ mark to the base, 22.2cm. £600-800 Cf. Peter Francis, Irish Delftware, p.127, pl. 157 for a similar shaped dish.

334. A Lambeth delftware scallop-edged bowl, c.1775, painted with a central flower spray in blue, the exterior left plain, a 5cm rim section broken and reglued, 26.5cm. £100-150

335. A large delftware polychrome dish, c.1740, probably London or Bristol, painted with a central squirrel within stylized flower sprays in shades of green, red, blue and yellow, 33.5cm. £400-600 Provenance: from a deceased estate.

336. A delftware flower brick, 18th century, each side painted with a Chinese figure hiding behind rockwork and watching two birds chasing flies, the shorter sides with flowering peony, the top pierced with 22 small holes around a central larger one, 14cm. £300-400

337. A delftware posset pot and cover, 1st half 18th century, probably London, painted in blue with dense sprays of flowers, some good restoration, 22.5cm dia. (2) £1,200-1,500

338. A large and rare English delftware monteith, c.1680-90, the eight-lobed exterior painted in blue with Oriental figures in landscape scenes, the interior with two seated figures, small damages to two of the lobes, 35cm dia. £3,000-5,000 Provenance: from a deceased estate.

339. A delftware teabowl and an ointment pot, 1st half 18th century, the teabowl thinly potted and painted in blue with a landscape scene, the ointment pot with a floral motif, small rim chips, 5.5cm max. (2) £500-700

340. A Liverpool delftware sweetmeat dish, mid 18th century, the shaped square section split into four traingular compartments, each painted in blue with Oriental foliage and rockwork, raised on three stilt feet, small rim chips, 20.8cm. £500-800

341. A pair of delftware plates, 18th century, painted in blue with a central strutting bird, a figure on a jutting island and other small islands, some damages, 23cm. (2) £100-200

342. Two delftware small plates, 18th century, one Brislington and painted with a bird amidst stylized foliage, the other decorated with a simple floral design in orange, manganese and green, both cracked, 22.5cm max. (2) £200-300

343. A pair of large German tin-glazed plates, 18th/19th century, probably Nuremberg, painted in blue with birds perched above baskets of fruit, within stylized floral borders, painted B marks to the bases, one cracked, 30.5cm. (2) £200-400

344. A pair of Bristol delftware plates, 18th century, each painted with an Oriental fence scene with bamboo and peony within a bianco-sopra-bianco border, some rim chipping, 22.5cm. (2) £100-200

345. A pair of delftware plates, 18th century, painted in blue with a central strutting bird, a figure on a jutting island and other small islands, some damages, 23cm. (2) £100-200

346. Two Bristol delftware plates, 18th century, one painted with a Chinese landscape within a bianco-sopra-bianco border, the other painted with a woolsackshaped panel containing a Chinaman seated on the roots of a flowering tree which towers above him, 22.6cm. (2) £120-150

347. A delftware flower brick, 18th century, the narrow ends painted with an Oriental figure standing behind a fence, the long sides with two smaller figures in a landscape, the top pierced with six rows of four holes, some restoration, 14.5cm. £150-250

348. Two delftware wine labels, c.1800, one painted in manganese for Sherry, the other in dark blue for Burgundy, the latter lacking its suspension hole, 13.8cm. £100-200

349. Two Delft jugs, 18th century, one painted with two figures in a landscape, the other with arrangements of flowers and leaves below stylized stiff leaf borders, some chipping, 22.5cm max. (2) £300-400

350. A delftware vase, 18th century, perhaps Irish, painted with a lady wearing a hat in a landscape with buildings, between large scale borders, drilled, 24cm. £150-250

351. A delftware posset pot, c.1680-90, painted in blue and manganese with Chinese figures seated in rocky landscapes, blue dashes to the scrolled handles, some restoration, 19.5cm dia. £600-800

352. A Continental tin-glazed tankard, 19th century, painted with a large flower spray in blue and black on a celadon coloured ground, with pewter mounts, the lid inscribed ‘1842’, 26.5cm. £80-120

Cf. Bonhams, The Sampson & Horne Collection, 28th April 2010, lot 55 for a similar example with a cover.

353. Six delftware tiles, 18th century, two Bristol painted with baskets of flowers within bianco-sopra-bianco borders, two painted with stylized flowers in blue, green and manganese, two painted with figures in blue, some damages, 13cm max. (6) £150-250

354. A London delftware plate, 1st half 18th century, painted in blue with a bird and flying insects around a vase of flowers, the rim with similar panels, 29cm. £200-300

356. Twelve Delft tiles, 18th century, painted in blue and manganese with Biblical scenes, figures at everyday pursuits, flowers and fish, 13cm. (12) £150-200

357. Five delftware tiles, 18th century, four painted in blue or manganese with Oriental figures at various pursuits, one Liverpool painted with an Eastern figure within a cell diaper border, some damages, 12.7cm max. (5) £200-300

Cf. Jonathan Horne, English Tin-glazed Tiles, p.63, nos. 349 and 351 for London tiles with the same decoration.

355. Four delftware tiles, 18th century, two painted in blue with children at play, one of a simple landscape scene, the last a Biblical tile painted in manganese, some damages, 13cm. (4) £50-150

358. Six Spanish tiles, probably 17th/18th century, decorated with stylized foliate designs in ochre, green, blue and manganese, small damages, 18cm max. (6) £200-300

359. Three Bristol delftware tiles, 18th century, each painted in polychrome with a standing bird within bianco-sopra-bianco borders, framed, some surface fritting, the tiles 13.5cm. (3) £300-500

360. Two London delftware tiles, c.1720, one painted with a naked man, perhaps Adam, clutching his ribs beneath a bare tree, the other with a figure standing beside another figure being trampled by a horse, rim chipping, 12.8cm. (2) £200-300

361. Three Delft tiles, 19th century, two painted with grasshoppers and the initials WG for the Gresham family, one with a foliate design in the same palette, 13cm. (3) £150-250

362. Two delftware tiles, 18th century, one painted in blue, one in manganese, each of Adam and Eve standing beside the Tree of Knowledge, Eve accepting the fruit from the serpent, a lion visible in the background of one, one corner broken off and reglued, 13cm. (2) £200-300

A fragment of an identical tile from the 16th century was recovered from William Gresham’s house in Limpsfield. It is possible that these 19th century Dutch copies were made for a later member of the Gresham family.

363. Five London delftware tiles, c.1730-50, painted in blue, red and green with vases of flowers in octagonal panels, the corners with carnation motifs, some damages, 13cm. £200-300 Cf. Jonathan Horne, English Tin-Glazed Tiles, p.61, nos. 327-330 for similar examples.

364. Seven delftware ornithological tiles, 18th century, variously painted in polychrome enamels with birds in flight, one standing within a bianco-sopra-bianco border, damages, some fragmentary, 12.7cm max. (7) £300-500

365. A pair of Liverpool delftware woodblock tiles, mid 18th century, printed in blue by John Sadler with a Dutch canal scene, surface damage to one, 12.6cm. (2) £300-400 Cf. Anthony Ray, Liverpool Printed Tiles, p.20, No. A5-3.

365

366. Two London delftware tiles, c.1720, one painted with a sailor holding an oar and a fishing net, stepping over a large anchor, the other with a Biblical scene of an angel appearing among the clouds to a maiden seated below, 2cm rim chip to one, 12.8cm. (2) £200-300

366

367. A pair of Liverpool delftware woodblock tiles, mid 18th century, printed by John Sadler with a Dutch canal scene, some damages, 12.6cm. (2) £300-400 Cf. Anthony Ray, Liverpool Printed Tiles, p.20, no. A5-3.

367

368. A delftware five tile panel, 18th century, painted in blue with continuous grapevine, mounted in a long frame, 65.8cm overall. £150-250

369. A rare Liverpool delftware woodblock tile, mid 18th century, printed by John Sadler with an octagonal panel containing a man driving a cow before a lake, the corners with hatching and foliate scrolls, 12.6cm. £300-500

370. An early London delftware tile, c.1720-40, painted with a Chinaman standing before a jardinière of flowers, small chips, 12.7cm. £200-300 Cf. Jonathan Horne, English Tin-Glazed Tiles, p.56, no. 299 for a similar example.

371. A rare Liverpool delftware woodblock tile, mid 18th century, printed by John Sadler with an octagonal panel containing a man riding a donkey with trees and buildings behind, a small surface chip, 12.7cm. £300-500

Cf. Anthony Ray, Liverpool Printed Tiles, p.20, No. A5-7.

Cf. Anthony Ray, Liverpool Printed Tiles, p.20, No. A5-15.

372. Two London delftware tiles, c.1720, one painted with Moses receiving the Ten Commandments, the other of a soldier standing beside discarded armour and a sword, 12.6cm. (2) £200-300

373. A small Italian tile, late 16th century, perhaps Deruta, with a simple geometric design block ground, 10.5cm.

15th/early decorated on a blue £500-700

Cf. Dora Thornton and Timothy Wilson, Italian Renaissance Ceramics: A Catalogue of the British Museum Collection, Vol II, cat. nos. 381-385 for similar tiles.

374. Four delftware tiles, 18th century, painted with panels of children holding fruit and flowers, within flowerhead panels on a sponged manganese ground, framed, 26.2cm overall. £100-200

374

375

375. Four Bristol delftware shipping tiles, 18th century, painted in blue with roundels containing sailing vessels and a rowing boat, 13cm. (4) £200-300

376. Four early Delft polychrome tiles, early 17th century, each painted with a roundel containing an animal, including a monkey, a stag, a greyhound and a rabbit, the blue corners with white petals, all in a palette of blue, green, ochre and yellow, mounted in a wood frame, small chips, 35cm overall. £800-1,200

377. A very rare Liverpool delftware tile, mid 18th century, printed by John Sadler in manganese with a girl seated on a rocky stump, a church and barn in the background, within a cartouche bordered by trees, in a wooden frame, broken and reglued, 16cm overall. £400-600

378. A Liverpool delftware tile, c.1765, printed in red by John Sadler with ‘Shuttlecock and Battledore’, a lady and gentleman playing this early version of badminton while an older lady looks on with a dog seated in her lap, framed, 15cm overall. £150-250

Cf. Anthony Ray, Liverpool Printed Tiles, p.18, no. A2-1.

Cf. Anthony Ray, English Delftware Tiles, fig. 636.

379. A rare set of six delftware wet drug or syrup jars, early 18th century, each decorated with a cartouche surmounted by birds and a basket, titled ‘S:ROSAR:SOL’, ‘S:BALSAMI’, ‘S:CROCI’, ‘S:eSPIN:CERV’, ‘S:ex ALLIO’ and ‘S:DIACOD’, restoration to two handles, 18cm. (6) £4,000-6,000 Provenance: from the collection at Newton Hall, Northumberland.

380. A delftware wet drug or oil jar, 18th century, titled ‘OL. AMYGDAL.’ in manganese, surmounted by cherubs in blue holding flowers either side of a shell, 17cm. £400-600 Oil of Almonds is still used today as an emollient, and by massage therapists to soften the skin.

381. A delftware wet drug or syrup jar, 1st half 18th century, painted the opposing side to the spout with a banner inscribed ‘S:PECTORA’ surmounted by two birds either side of a basket, some restoration, 18cm. £600-800

382. A delftware wet drug or syrup jar, late 17th/early 18th century, painted in blue with the head of Apollo between two peacocks above a scroll inscribed ‘S:DE:MECON’, with a wide strap handle and knopped spout, restoration to the handle. £500-800 Syrup de Meconium is essentially a form of opium used to promote sleep and ease dry coughs.

383. A delftware ointment pot, c.1680, decorated inside and out with a pale blue glaze, and a small albarello painted with six blue bands, some damages and restoration, 11cm max. (2) £200-300

384. A delftware drug or ointment jar, 18th century, painted in blue with a banner titled ‘U: BASIL: N.’ surmounted by cherubs with flowers either side of a shell, extensively damaged and repaired, 18.5cm. £200-300

385. A Dutch Delft small ointment jar and cover, 19th century, with polychrome decoration, entitled ‘UNGT. OXYD. COBALT’, mark for the Three Bells factory, and a French syrup jar inscribed ‘Syr. de Rhabarb’, some damages, 21cm max. (3) £250-350

386. A tin-glazed albarello, early 19th century, probably Alcora, titled ‘Axung Ursina’ (Bear’s Grease) within a blue and black cartouche, and a plain glazed jar, 16.2cm max. (2) £200-300

387. A Delft ointment jar, 18th century, painted with peacocks and a basket above a cartouche inscribed ‘U APOSTOLORUM’, raised on a flared foot, 19.5cm. £350-450

388. Two Continental tin-glazed wet drug or oil jars, 18th century, painted in blue and titled for ‘O,LUMBRICORU’ and ‘Oll. Laurini’, some damages, 21cm max. (2) £200-300

Ointment of the Apostles was so-called because it contained twelve ingredients (including myrrh and frankincense) and was used in the treatment of wounds.

Oil of Earthworms was used as a pain relief treatment, particularly for arthritis, and produced by boiling up worms with olive oil and wine. The rather more appealing Oil of Bay Leaves was used to alleviate sinus and lung congestion.

389. Three porcelain drug jars and covers, 19th/early 20th century, variously decorated and inscribed ‘IPECA’, ‘SYR:RHAMNI’ and ‘POLVO DIGITAL’, one marked for Limoges, 23.5cm max. (6) £150-250

390. A Continental tin-glazed pharmaceutical or herb bottle, painted with the monogram ‘CM’ above a cartouche inscribed ‘Anethol’, factory mark to the base, 22cm. £100-200

391. Four Italian maiolica vessels, including two albarelli painted with a large bird, the other with a landscape scene and the letter R, a syrup jar, and a bottle vase painted with a deer, some damages, 25cm max. (4) £100-200

Anethol is a substance derived from the oils of anise, fennel, dill, etc.

392. A Lambeth delftware drug jar, 1st half 18th century, painted in blue with two birds either side of a basket of fruit above a cartouche bearing the legend ‘MITHRIDAT’, the base marked with ‘WO’, 18cm. £600-800

393. A Montelupo albarello, 16th century, painted with a blank scroll within bands of blue, ochre and yellow foliage, a motif possibly for a Dominican monastery, damaged and repaired, 27.3cm. £350-450

Mithridatium was a complex preparation containing as many as 65 ingredients, which was devised by and named after Mithridates, the King of Pontus from 131BC, as an antidote against poisons. It was replaced in general usage by Theriacum Andromachi.

Unguentum de Tutia or “tutty” was an ointment of zinc oxide commonly used for eye complaints.

395. An Italian maiolica dated albarello, 18th century, painted in polychrome with a twohandled golden urn beneath a palm tree, the reverse inscribed ‘FC’ and dated probably 1748, 24.5cm. £350-450

Tonka beans are now a banned substance in many countries, but had a variety of occult and more mundane uses. Some believed that desires could be fulfilled by carrying around a bean until the wish came true and then burying or stamping on it.

Paper label for Jonathan Horne Antiques.

396. A delftware drug jar, 18th century, painted with cherubs blowing trumpets either side of a basket of fruit atop the inscription ‘U: TUTIAE’, a long restored crack, 18cm. £500-800

394. A Delft drug jar and metal cover, 18th/19th century, inscribed ‘TONKA’ within a blue cartouche of leaf scrolls surmounted with a vase of flowers, the cover later, 26cm. (2) £200-300

397. An unusually large delftware drug jar, early 18th century, two winged cherubs holding flower stems either side of a shell atop a cartouche inscribed ‘EL: LENITIV.’, restored cracks, 24cm. £700-1,000 Paper label for Alistair Sampson Antiques. Lenitivum was an electuary with ingredients including senna, prunes and liquorice which, as could be expected, had a purgative effect.

398. A Sicilian maiolica bombola, 17th/18th century Caltagirone, painted with a cartouche of three crowned lion heads on a scrolling foliate ground in tones of green, yellow, blue and manganese, cracked, 16.5cm. £250-350

399. A delftware drug jar, 1st half 18th century, painted in blue with a shaped cartouche inscribed ‘U:POPULNEUM’, surmounted by two birds either side of a fruit basket, some damages, 18.5cm. £400-600 Ointment of Populeum contained poplar buds and deadly nightshade and was used in the treatment of burns.

400. A Middle Eastern pottery vase, the waisted form decorated in a degraded turquoise glaze, a miniature glass vase, a terracotta roundel of a stylized face, and a bell-shaped metal vessel, decorated with panels of birds and figures, some faults, 13cm max. (4) £50-150

401. Twelve miniature Jasperware and basalt medallions and intaglios, 19th century, in two frames, most of Classical figures, one of Hercules and the bull, one monogrammed and inscribed ‘Tally Ho’, the largest 3cm. (2) £100-200

402. A collection of scent bottles, 19th century and later, four coloured glass with metal covers, one blue flashed and cut with an ivory cover, five cut clear glass with metal mounts, one silver metal, one miniature porcelain, and a miniature lacquer box with a hinged lid, 9cm max. (14) £200-300

403. Two Sèvres biscuit profile plaques, late 18th/early 19th century, one of a lady, set on a blue base and apparently signed ‘Blanchard’, the other of Louis Philippe, mounted on a black velvet frame and indistinctly signed and dated, and a fragmentary biscuit porcelain plaque of a man wearing an oakleaf garland, the reverse incised ML, damages to the latter, 8.2cm max. (3) £350-450

404. An ivory toothpick box, 19th century, the hinged cover set with three small glazed Jasperware panels of Classical figures, the interior with a mirror, some faults, 9.4cm. £150-250

405. A pair of scent bottles, probably 2nd half 19th century, the flattened circular glass bodies encased in gilt metal cage work of birds perched in scrolling branches, and a smaller gilt metal circular scent bottle engraved with the initials ‘MMA’ amidst scrolling leaves, 6.2cm max. (3) £100-200

406. Literature: sixteen volumes of the transactions of the Wedgwood International Seminar, between 1960-82 (incomplete run), held at the Royal Ontario Museum in Canada. (16) £20-40

407. A Wedgwood Jasperware portrait plaque, 19th century, of an elegant lady with elaborate hairstyle, looking to the right, within a wood frame, impressed mark, the plaque 7.3cm. £150-250

408. Five Jasperware and two black basalt medallions or cameos, 19th century, including a Wedgwood basalt medallion of Antinous, two Wedgwood Jasperware cameos of Classical scenes, a basalt medallion of Henry III, a cameo of Zeus seated with an eagle, a cameo of Bellerophon and Pegasos, and a doublesided cameo of Hercules and Victory and Diana and Asclepius in a gilt metal mount, 4cm max. (7) £150-250

409. A French faïence box, of ‘Veuve Perrin’ type, painted with flower sprays on a white ground, VP mark to the base, mounted and hinged with silver metal, 17cm. £150-250

410. An enamel snuff box, probably 19th century, well painted with shaped panels of birds and flowers in the Kakiemon palette on a black ground with further white enamel flowers, further Kakiemon flowers inside, with gilt metal mounts, cracks and small losses, 7.5cm. £100-200

411. A French enamel snuff box, mid 18th century, perhaps by Antoine Leschandel, richly decorated with Chinese figures beneath a parasol on a terrace, the sides with cherubs and other Classical motifs, the silver mounts with a Paris discharge mark, 7.5cm. £600-1,000

412. A French soft-paste porcelain rectangular box, late 18th century, sparsely painted with flower sprays, with goldcoloured metal mounts, 7cm. £250-350

413. A French enamel silver-mounted snuff box, 18th century, decorated with a dense pattern of ochre dots, the silver with a Paris discharge mark, 5.7cm. £150-250

414. A French soft-paste porcelain shellshaped box, mid 18th century, finely painted with a ribboned floral garland around the sides, the cover with a large flower spray to both sides, unmarked silver mounts, the cover broken in half and reglued, 7.2cm. £400-600

415. A Royal Worcester box and cover, c.1897, the deep blue ground decorated in raised gilding with sprays of fern and other leaves, printed factory mark and gilder’s initials AG, 11.5cm. (2) £100-200

416. An enamel panel, 18th century, probably from the lid of a box, moulded with figures decorated in coloured enamels and gilding within a floral border, 6.8cm. £150-200

417. A Continental enamel plaque, late 17th century, painted with a maiden surrounded by fauns with flowers and musical instruments, within a silver metal filigree frame with jewels, 12cm. £250-300

418. A Battersea enamel plaque, 2nd half 18th century, printed in purple monochrome with Venus and Triton, the goddess surprised by Triton emerging from the waves, in a gilt metal frame, 11.3cm overall. £600-800 Provenance: Sotheby’s, 1st February 1965, lot 238. From the collection of the Hon. Mrs H. Ionides.

419. A Battersea enamel rectangular plaque, 2nd half 18th century, printed with Perseus rescuing Andromeda from the dragon, within a gilt metal frame, 11.5cm overall. £800-1,000 Illustrated: Cook, Simon Francois Ravenet and his Engravings on Battersea Enamels, ECC Transactions, Vol. 3, Part 4, pl. 75d. Provenance: from the collection of the Hon. Mrs H. Ionides.

420. A Bilston enamel plaque, c.1770, painted with a shepherd and companion reclining on a riverbank while their dog drinks, further figures in the background, in a gilt metal frame, a small retouched chip, 11.6cm overall. £800-1,000

421. A Battersea enamel oval plaque, 2nd half 18th century, printed and coloured with a courting couple reclining on a grassy knoll before a monument, perhaps in Chelsea, in a gilt metal frame, 8.6cm. £600-700

Provenance: Sotheby’s, 18th May 1970, lot 117. From the R M Walker Collection.

Old paper label to the reverse.

422. A South Staffordshire oval enamel plaque, c.1770, printed in purple monochrome with a society beauty wearing a high-necked dress, within a gilt metal frame, some cracks mainly to the reverse, 10.3cm overall. £400-500

423. Twenty enamel plaques, 18th and 19th centuries, mostly of religious and Classical figural subjects, many with old paper collection labels, 6cm max. (20) £300-400

424. A Minton Parian figure of the Greek Slave, mid 19th century, the nude figure chained at the wrists, impressed ermine mark and other numerals, 35.5cm. £100-200

425. A Copeland Parian figure of Paul, mid 19th century, leaning against a tree stump with an axe in one hand, his straw hat containing a bird’s nest in the other, 36cm. £80-120

426. A Continental terracotta figure of a shepherd, 18th century, his body twisted, a sheep recumbent at his feet, some small damages, 30.5cm. £500-800

427. A Copeland Parian figure of Beatrice, 19th century, her right hand raised to her breast, chips to her left thumb and forefinger, 55cm. £100-200

Paul and Virginia is a novel by Jacques-Henri Bernadin de Saint-Pierre, which tells the tragic tale of two children who grow up on a paradise island, entirely governed by nature’s laws, and are then corrupted by society with tragic consequences.

428. Two Royal Worcester figures of water carriers, c.1910-11, each carrying a vessel on their head, an amphora in one hand, printed marks and date codes, restoration to one, 24.5cm. (2) £200-300

429. A Minton Parian model of the Babes in the Wood, 2nd half 19th century, recumbent and asleep on the woodland floor, impressed ermine mark, 31cm. £150-250

430. A large matched pair of Royal Worcester figures of Liberty and Captivity, c.1893, each holding a small bird aloft, one free to fly, the other trapped, wearing loose robes and standing before gilded tree stumps, printed marks and date codes for 1893 and 1895, 41.5cm. (2) £400-600

431. A massive black basalt model of a putto, 19th century, possibly personifying Summer, semi-reclining on a rocky base beside sheaves of corn, placing a circlet of corn ears on his head, raised on a circular base with key fret design, unmarked, chips to two toes and one finger, 46.5cm. £1,500-2,000

432. A large Wedgwood black basalt bust of Mercury, 19th century, wearing his winged hat and with head turned slightly to the left, raised on a circular socle base, impressed marks, moustache marks to the base, a chip to one wing, 46.5cm. £400-600 Provenance: presented to the vendor’s great aunt in 1912 as a wedding gift from the Wedgwood family.

433. An Adams & Co Parian bust of Richard Cobden, c.1865, raised on a socle base, various impressed marks to the reverse, 42cm. £200-300 Cobden was a popular Liberal politician, known for his work in the Anti-Corn Law League and on the abolition of slavery. Although well-known in Manchester, Cobden was brought up on the SussexHampshire border.

434. Eight English and Continental figures, 19th century, including a large Parian figure, a black basalt figure and four French biscuit porcelain figure groups, a white-glazed Derby porcelain figure and an enamelled porcelain figure, some damages, 37cm max. (8) £50-150

435. A massive J Holdcroft porcelain model of an owl, c.1877, formed as a lamp, raised on a base applied with flowering waterlilies, impressed registration diamond, small damages, 44.5cm. £100-200

ThE gEoffrEy goddEn rEfErEnCE CollECTion The name of Geoffrey Godden could be said to be synonymous with academic research into English ceramics. With over half a century of experience, and more than 30 reference books to his credit, it is little wonder that Geoffrey is probably the first authority on the subject that new students and collectors turn to. Geoffrey’s expertise has been largely built up around his extensive reference collection, of which we are delighted to be offering examples from a range of 19th century English porcelain factories. What is fascinating is the extent to which the attribution of many pieces of English 19th century porcelain has changed over the decades, thanks to the dedicated research of Geoffrey and other ceramics historians. Items that were previously catalogued as “New Hall” were later split into groups that became known, among others, as Factories X, Y and Z. Factory X has now been attributed to the output of A. & E. Keeling, while Factory Z is now widely believed to be the work of Thomas Wolfe. However, other groups of quality remain unattributed and the number of pieces in the reference collection which are charmingly labelled as “problem” are testament to the amount of work still to be carried out by ceramic historians. The next 38 lots therefore present the perfect opportunity, not only to acquire objects with a unique place in ceramic academic history, but also perhaps to further the research into what remains a fascinating area of ceramic production.

436. A Factory Z (Thomas Wolfe) sugar basin with cover and stand, early 19th century, printed in black with a figure warming his hands before a brazier in pattern 151, a bat-printed Spode jug decorated with rabbits in pattern 557, a teabowl and saucer, perhaps Machin, and a plate printed with children at play, perhaps Keeling partnership, a chip to the sugar basin’s cover, 24cm max. (7) £200-300 Provenance: the Geoffrey Godden reference collection.

437. A small collection of decorative English porcelain, most 1st half 19th century, including a lobed cabinet plate painted with a kingfisher, a J. & M. P. Bell saucer painted with a landscape within a pink border, a milk jug decorated with floral bands and described as “rare W (***) class”, a Pattern Book plate, cup and saucer with gilt garlands, and a King Street Derby milk jug, some wear, 24cm max. (7) £120-150 Provenance: the Geoffrey Godden reference collection.

438. Six English porcelain creamers, late 18th/early 19th century, three New Hall in patterns 186, 2102 and 2383, the other three similarly decorated with naive floral designs in shades of pink and purple, one with a pattern number of 55, 14.5cm max. (6) £200-300 Provenance: the Geoffrey Godden reference collection. Illustrated: Geoffrey A. Godden, Staffordshire Porcelain, pl.54 for the pattern 2383 example.

439. A rare Wedgwood bone china cream jug and four others, 1st half 19th century, variously printed and painted with chinoiserie figures in garden landscapes, including a Chamberlain’s Worcester example in pattern 767, one probably W (***) class, another with an unusual printed ‘Dresden’ mark, 15cm max. (5) £250-350 Provenance: the Geoffrey Godden reference collection. Cf. Geoffrey A. Godden, Staffordshire Porcelain, pl.329 for the Wedgwood jug.

440. Four English porcelain teapots, early 19th century, variously decorated with simple floral garlands in shades of pink, red and purple, some damages. Comprising: a rare Pattern Book spiral moulded teapot, a Factory Y teapot in pattern 113, a Factory Z teapot in pattern 116 (impressed 36 shape number), and a possible early Factory X (Keeling) example. £200-300

441. Four English porcelain jugs, 1st half 19th century, including Samuel Alcock in pattern 2034, John Ridgway and Coalport, all painted with flowers and cobalt blue bands, a similar sauceboat with pattern number 129, and a square Coalport dish painted with birds and flowers, some faults, 20.5cm max. (6) £150-250 Provenance: the Geoffrey Godden reference collection.

Provenance: the Geoffrey Godden reference collection.

Illustrated: Geoffrey A. Godden, Coalport and Coalbrookdale Porcelains, pl. 131 for the Coalport dish.

442. A good pair of Harding & Cockson plates, c.1835, the wells painted with a single bloom within elaborate gilt and moulded borders, an H & R Daniel plate of similar decoration, a rare printed and coloured moulded plate and an unusually-shaped jug painted with flowers and described by Godden as a “quality problem”, 22.7cm max. (5) £150-250

443. Six Machin and Pattern Book class cream jugs, 1st half 19th century, two of the Machin spiral moulded and decorated in pattern 52, another in pattern 4, the Pattern Book in 405 and a simple rose design, 12.8cm max. (6) £150-250 Provenance: the Geoffrey Godden reference collection.

Provenance: the Geoffrey Godden reference collection.

Illustrated: Geoffrey Godden, Staffordshire Porcelain, pl.316 for the Machin pattern 4 jug.

444. Six English porcelain milk jugs, 1st half 19th century, including Minton pattern 501, John Ridgway, Samuel Alcock pattern 2184, Coalport and perhaps Hilditch, all rococo moulded and variously decorated with flowers, birds and gilt designs, damages to some, 13cm max. (6) £100-200

445. Six English porcelain creamers, 1st half 19th century, one fluted Derby, outside decorated with a simple band, one New Hall in pattern 508, one early Minton in pattern 101, one Coalport in pattern 436 with a printed band of roses, the last two described as “problem pieces” with simple gilt designs, some faults, 16cm max. (6) £200-300 Provenance: the Geoffrey Godden reference collection.

446. A Coalport armorial teapot with cover and stand, c.1805, painted with the crest and motto for the Lock family within a pale blue diaper and spearhead border, and a Miles Mason oval teapot and cover, painted in pattern 22 with vases of flowers and pink diaper panels, some faults, 26.5cm max. (5) £200-300 Provenance: the Geoffrey Godden reference collection.

449. Three good English jugs, c.1800, the faceted bodies painted with flower sprays and garlands, one raised on a low foot, one stoneware with an impressed number, 12.5cm max. (3) £120-150 Provenance: the Geoffrey Godden reference collection. Illustrated: the stoneware jug is discussed in the newsletter of the Northern Ceramic Society in 1997 alongside a similar felspathic stoneware teapot and sugar box.

447. Two English porcelain printed cream jugs, early 19th century, one Miles Mason, the other perhaps C J Mason, decorated with scenes of putti and Classical figures, and a Paris porcelain jug painted with a vignette of children playing Blind Man’s Bluff, 16cm max. (3) £80-120 Provenance: the Geoffrey Godden reference collection.

450. Four English porcelain sugar basins and covers, late 18th/19th century, one New Hall in pattern 142, one Factory X (A & E Keeling) with wide fluting, one Grainger’s Worcester of two-handled form in pattern 100, the last decorated with gilt wisteria on a red tendril ground, the latter with a rim chip, 18cm max. (8) £250-350

448. A rare and early Samuel Alcock porter mug, c.1830, moulded and enamelled with a stag and two hounds on an apple green ground, a large Grainger’s Worcester jug printed with figures on horseback, and a smaller painted with a tower before water, some damages and repairs, 20.5cm max. (3) £100-200 Provenance: the Geoffrey Godden reference collection.

451. Two Coalport jugs and a teapot and cover, 1st half 19th century, the latter probably Grainger’s Worcester, all painted in sepia monochrome with landscapes, one jug outside-decorated and bearing the initials M and S, 27cm max. (4) £150-250 Provenance: the Geoffrey Godden reference collection.

Provenance: the Geoffrey Godden reference collection.

452. A Worcester shaped dish, c.1770, printed in black with figures and sailing vessels before ruined buildings, and a Worcester coffee cup and saucer printed with the Tea Party by Robert Hancock, signed in the print, some wear to the rim of the dish, 24.5cm, max. (3) £300-400

453. Two English porcelain teapots and covers, c.1820-30, both painted with sprays of naturalistic flowers, one within moulded panels on a pale blue ground in pattern 197, and a handled dish with similar floral decoration, pattern number 948, some faults, 25.5cm max. (5) £120-150

454. Four Chamberlain Worcester milk jugs, late 18th century, three with fluted moulding and decorated with various gilt foliate and cobalt blue designs, including patterns 60 and 300, the last plain bodied with a naive sepia rose design, a large chip to one rim, 12.2cm max. (4) £100-200

Provenance: the Geoffrey Godden reference collection.

Illustrated: Geoffrey A. Godden, ChamberlainWorcester Porcelain 1788-1852, pl.113 for the pattern 300 jug.

455. Two Coalport porcelain blue and white creamers and two plates, 1st half 19th century, printed with the Broseley pattern and other Chinese landscapes, a Coalport pottery creamer with a rare mark, a Davenport pottery charger and another by John Meir & Son, 33.3cm max. (7) £120-150

456. Five English porcelain blue printed cream jugs, early 19th century, one a rare and early Chamberlain’s Worcester example, the others Hilditch, Machin and Harris & Goodwins, all printed with the Broseley pattern, and a similarly decorated Machin coffee pot, 24cm max. (6) £200-300

Provenance: the Geoffrey Godden reference collection.

Provenance: the Geoffrey Godden reference collection. One with a paper label for the Geoffrey Fisk Collection.

457. A small collection of Factory Z wares, late 18th/early 19th century, including two rare dishes and a teapot stand in pattern 25, decorated with small floral vignettes in simple gilt bands, and two teacups and saucers, one with a band of gilt foliate shells, the other with leafy bands in pink and purple, 19cm max. (7) £250-350

458. Five Chamberlain Worcester jugs, late 18th/early 19th century, variously moulded and decorated with stylized floral and foliate scrolls, one with seaweed tendrils in pattern 403, one monogrammed ‘HM’ and with a moulded T mark to the base, one with a base crack, 13.5cm max. (5) £150-250

Provenance: the Geoffrey Godden reference collection.

459. A Spode comport, c.1805-10, painted in pattern 878 with large flowerheads on a coral ground, a rare Pattern Book class slop bowl and dish in pattern 116, a Spode Imari cream jug in pattern 2375, and a W (***) class jug with a band of orange leaves, 30cm max. (5) £150-250

460. Two Chamberlain’s Worcester spiral moulded teapots and covers, late 18th century, one plain and with a stand, the other painted with gilt and sepia roses in pattern 48, with a matching coffee cup and saucer, the teapot uniquely marked and dated ‘Chamberlain’s Worcester 1796’, 25cm max. (7) £200-300

Provenance: the Geoffrey Godden reference collection.

Provenance: the Geoffrey Godden reference collection. Illustrated: Geoffrey A. Godden, Chamberlain-Worcester Porcelain 1788-1852, p.67 for the dated teapot. 65

461. Seven English porcelain teapot stands, late 18th/early 19th century, four Pattern Book class and variously decorated with lustre thistles, an Imari landscape, a Mandarin scene and an orange and gilt band, an oval New Hall stand in pattern N311, a gilded Factory Z example, and a moulded and painted stand in pattern 994, some faults, 20.8cm max. (7) £100-200

462. Four lustre decorated creamers and two cups and saucers, 1st half 19th century, one creamer pineapple moulded and fully silvered, two with differing designs in silver, blue and red, one pearlware and printed with Queen Caroline, one cup and saucer bat printed with a mother and child, the other painted with purple lustre thistles, some faults. (8) £120-150

463. Five English porcelain footed jugs, early 19th century, one Factory Y painted in the Imari palette with a landscape panel and flowers, two with a band of basket moulding, one of which is left in the biscuit, one fluted with a gilt and enamel cornflower spray, together with a matching teapot or sugar box lid, some faults, 14.5cm max. (6) £150-250

Provenance: the Geoffrey Godden reference collection.

Provenance; the Geoffrey Godden reference collection. The silver jug purportedly part of a wedding present to Joshua Coleman and Mary Ann Sell in 1838/9.

Provenance: the Geoffrey Godden reference collection.

464. Seven English porcelain cups and saucers, 1st half 19th century, including a rare Yates example in pattern 1206, a Rockingham one in pattern 665, a G. F. Bowers & Tunstall in pattern 2050, a printed Dewes & Copestake example, and three “problem” pieces, some faults. (14) £100-200

465. Five English porcelain rococo-moulded cream jugs, 1st half 19th century, including Coalport, Samuel Alcock and Grainger’s Worcester, two others with spouts, one with a matching stand, variously decorated with flowers, some wear, 15cm max. (6) £100-200 Provenance: the Geoffrey Godden reference collection.

Provenance: the Geoffrey Godden reference collection.

466. Four creamers, early 19th century and later, one Ridgway in pattern 487, one Wedgwood in pattern 622 and a modern copy of the same, one Davenport stone china decorated with an Imari pattern, a similar Davenport small mug, a Spode octagonal stone china plate and a W(***) stoneware plate printed in yellow, 23.5cm max. (7) £120-150

467. Five English porcelain fluted jugs, late 18th/early 19th century, two Coalport, one perhaps Chamberlain’s or W (***) class, and two others described as “problems”, all decorated in polychrome enamels with simple flower sprays and garlands, one cracked, 12cm max. (5) £120-150

Provenance: the Geoffrey Godden reference collection.

468. A William Machin biscuit bust of Adam Clarke, c.1832, raised on a square base with an applied and titled lilac plaque, impressed mark to the reverse relating to the publication of the bust on 13th October 1832, 26.5cm. £60-100 Provenance: the Geoffrey Godden reference collection. Adam Clarke was a renowned Irish Methodist theologian whose commentary on the Bible remained an important resource for other theologians for over two hundred years.

470. Six English porcelain creamers, 1st half 19th century, including a rare New Hall example, one Coalport in pattern 1110, variously decorated with stylized floral and foliate designs, a Minton coffee can and saucer in pattern 76, and two dishes of possible Pattern Book class, one numbered 342, some faults, 19.6cm max. (10) £250-350 Provenance: the Geoffrey Godden reference collection.

469. Two dry-bodied stoneware jugs and covers, 19th century, one perhaps Charles Bourne, both sprigged with stag hunt scenes, a Turner stoneware creamer applied with Classical scenes on a brown ground, and a similar black basalt jug applied with fabric swags above a stiff leaf border, 20cm max. (6) £150-250 Provenance: the Geoffrey Godden reference collection.

471. Three English porcelain teapots and covers, late 18th/early 19th century, one a New Hall example in pattern 238, unusually impressed 31 to the base, another similar with wavy moulding, and a Factory Z teapot decorated with silver lustre picked out with red and blue, together with a similarly decorated cream jug, damages to some, 27cm max. (7) £120-150 Provenance: the Geoffrey Godden reference collection.

472. Five English porcelain teabowls and saucers, late 18th/early 19th century, one New Hall in pattern 3, one Spode and one Caughley, variously decorated with flowers and gilt designs, together with a box of Caughley excavation shards. (11) £200-300 Provenance: the Geoffrey Godden reference collection.

473. A pair of Spode porcelain creamers, c.1821, painted with sprays of flowers and butterflies in patterns 3496 and 3525, printed 1821 marks, and a rare Daniel cream jug, cup and saucer painted with flowers and sprigged in mauve slip in pattern 4828, 15.2cm max. Together with a page from the Daniel pattern book. (6) £100-200 Provenance: the Geoffrey Godden reference collection.

474. Four New Hall teapots and covers, early 19th century, decorated in patterns 191 and 213, with two other unnumbered patterns, together with a milk jug also in pattern 213, damages, 24cm max. (9) £150-250

475. Three New Hall teabowls and saucers, late 18th century, and a bowl, all decorated in pattern 421, with a boy and butterfly, 12.6cm max. (7) £120-150

476. Five New Hall teabowls and saucers, late 18th/early 19th century, painted with baskets and garlands of flowers, two similar decorated plates and two milk jugs, 20.5cm max. (14) £250-350

477. A small collection of European and Chinese teawares, most 19th century, including a New Hall trio with a border of pink roses, a Chamberlain’s Worcester fluted teabowl with a Kakiemon design, five Canton enamel quatrefoil teabowls, two Chinese porcelain teabowls, and an Amstel teabowl and saucer with floral garlands, some damages, 13cm max. (13) £50-150

478. Two Caughley dishes and a teabowl and saucer, late 18th/early 19th century, one dish fluted and painted with a sprig design, the other with gilt scrolls and blue flowerheads, the teabowl and saucer with gilt sprays, small chips to one dish, 21cm max. (4) £120-150

479. Various English porcelains, 19th century, including a Spode sugar box and cover in pattern 2475, a Coalport inkwell and cover, a New Hall jug painted in pattern 241, a teapot stand printed in 1213, a small bowl in pattern 709 and a Continental faïence box and cover painted with a castle. (9) £100-200

480. Four English porcelain teapots and covers, 1st half 19th century, variously decorated with flowers and gilt foliate designs, one with Derby factory marks, another with painted pattern number 586, some damages, 26cm. (8) £100-200

481. A New Hall plate, c.1795, decorated in pattern 425 with Chinese figures in a landscape, a Chinese coffee cup with similar decoration, and a Chinese covered jug and saucer painted with flowers, 20cm max. (5) £80-120

482. Three English porcelain blue and white teapots, 19th century, one Spode, one probably New Hall, printed with Chinese dragons or Oriental landscapes, and two other teapots decorated in the Imari palette, some damages, 26cm. (10) £150-250

483. A pair of Coalport botanical plates, c.1830, painted in pattern 4/412 with central blooms within three floral vignettes, two Ridgway cabinet plates finely painted with flowers, and an English porcelain small tureen and cover, painted pattern number 524, 24cm max. (6) £250-350

484. Two English porcelain sugar boxes and covers, 1st half 19th century, one printed in black with landscapes, the other painted with green flowers, a printed teapot and cover, and a Derby spill vase painted with a mountain scene in pattern 68, some faults, 26cm max. (7) £120-150

485. A Pinxton coffee can, c.1805, painted with a riverside view titled ‘In Nottingham’, a Flight & Barr Worcester cup painted with a view titled ‘On the River Dove, Derbyshire’, and a cup and saucer decorated with sepia landscapes within floral borders, restoration to the Flight cup, 14cm max. (4) £150-250

486. Three Chamberlain’s Worcester spiral-moulded teapots and covers, late 18th/early 19th century, three teacups, one teabowl, two saucers and three teapot stands, variously decorated with blue and gilt bands or sepia flowers, some damages, 25cm max. (15) £150-250

487. A Factory X (A & E Keeling) teabowl and saucer with matching slop bowl, c.1790, painted in pattern 171 with baskets of flowers, and a New Hall cup and saucer brightly painted with large floral arrangements, 15.3cm max. (5) £50-150

488. A New Hall blue and white coffee cup and saucer, late 18th century, printed with a Boy on the Bridge pattern within a Fitzhugh border, another New Hall saucer in pattern U526, and a teapot stand printed in brown with a farmer and two cattle pulling a plough, 17cm max. (4) £70-100

489. A Derby teapot and cover and a Barr Worcester trio, late 18th/early 19th century, the teapot decorated in pattern 84 with a peach band and gilt borders, the trio with blue and gilt foliate designs, 23cm max. (5) £300-400

490. Six English porcelain rococo moulded teapots and covers, 19th century, variously decorated with flowers, birds and scrolling leaf designs, one marked for Copeland and Garrett, three with pattern numbers including 2/2200, 326 and 331, damages, 27cm. (12) £100-200

491. A Coalport porcelain part tea service, early 19th century, the spiral fluted bodies painted in pattern 78 with simple flower sprays, minor faults. Comprising: a teapot and cover, a sugar bowl, two teabowls and two saucers. (7) £100-200

492. Four English porcelain teapots and covers, 19th century, printed and hand coloured with Oriental landscapes, flowers and foliage, including New Hall pattern 839, damages, 25cm. (8) £100-200

493. Four New Hall bowls, late 18th century, one printed in pattern 462 with a signpost before a large building, two fluted and painted with flowers in patterns 186 and 171, the last with a band of rosehips in pattern 586, some faults, 12cm. (4) £70-100 All with paper labels for the Nick Lazarus collection.

494. A Derby trio, c.1800, painted with panels of titled landscape views including ‘Dunkerry Cave’ and ‘Rievaulx Abbey’, reserved on a blue ground with large gilt leaves, and a Minton porter mug painted with a view of a bridge spanning a river, some damages, 14cm max. (4) £100-200

495. A pair of David Wilson pearlware plates, early 19th century, painted with rural landscapes within borders moulded with dolphins, a Ridgway porcelain stand or dish and another English porcelain dish, both painted with landscape vignettes, 23.2cm max. (4) £100-200

496. Three English porcelain teapots and covers, 1st half 19th century, two printed with Hope and Charity, one painted in pattern 332 with a floral garland, a Chinese teapot and cover with famille rose decoration and a matching English porcelain cover, with a New Hall and a Davenport saucer, some damages, 26cm max. (11) £120-150

497. A pair of Rockingham sugar bowls and covers, 19th century, decorated in pattern 1484 with blue and gilt prunus sprigs, 20cm. (4) £80-120

498. A pair of Pinxton plates and a cup and saucer, c.1800, decorated with pattern 218 of buildings beneath tall trees, a hairline to the cup, 19.8cm max. (4) £150-250

499. A pair of Davenport porcelain plates, c.1830, painted with pattern 970, one with a Golden Plover, the other with an OrangeLegged Hobby within café au lait borders pierced and finely painted with flowers, and a third plate painted with aquatic birds within a pink border, 24cm. (3) £300-400

500. A New Hall cup and saucer, c.1795, painted in the Imari palette with a boy standing on a scrolling bridge, and a Wedgwood cup and saucer painted with Kakiemon panels of flowers, printed mark, 14cm. (4) £300-400

501. A New Hall sugar bowl and cover, c.1790, printed in blue with a Chinese landscape scene with a figure on a bridge, another in a small boat, and a pearlware coffee pot printed with European landscape panels, the cover lacking, 22cm max. (3) £180-220

502. An enamel bonbonniere, probably 19th century, modelled as a shoe, an enamel saucer, an English porcelain inkwell and a chamberstick, all painted with panels of flowers, damages, 21cm max. (4) £120-150

503. A small collection of miniature porcelain items, 19th century and later, variously decorated with flowers. Comprising: an English blue ground basin and ewer, a Meissen-style teapot and milk jug, a box and cover, a scent bottle, a jug, a saucer and a Willow ware plate with integral stand. (11) £80-120

504. Three English porcelain coffee cans, early 19th century, two painted with figures in landscapes, perhaps by William Billingsley, the Derby can possibly Mansfield decorated with an ivy garland, puce mark ‘N30 A’, some faults, 6cm max. (3) £50-150

505. Three English porcelain bowls, 2nd half 18th century, all decorated in polychrome enamels with chinoiserie scenes of figures in gardens, one broken and riveted, 16.5cm. £100-200

506. Three Royal commemorative mugs, 20th century, two Wedgwood designed by Richard Guyatt for the Coronation and the Silver Jubilee of Elizabeth II, one Myott for the Coronation of Edward VIII, 15.5cm max. (3) £100-200 Sold on behalf of the executors of Dr John Birch dec’d.

507. A Bloor Derby inkstand, c.1830, decorated in a stylized foliate pattern, with a chamberstick, inkwell and penholder, a Derby jug painted with flowers in pattern 58, and a two-handled porter mug inscribed to ‘John Thomas Birch Born March 10th 1865’, some damages, 28cm max. (8) £120-150 Sold on behalf of the executors of Dr John Birch dec’d.

508. Two English porcelain spill vases and a dated mug, 19th century, the spills painted with landscapes in pattern 326, the mug inscribed ‘Sophia Plant 1855’ within landscape vignettes, together with a candlestick figure after Meissen of two children beneath flowering branches, some damages, 21cm max. (4) £100-200 Sold on behalf of the executors of Dr John Birch dec’d.

509. A Coalport commemorative bonbonniere and cover, c.1972, celebrating the Silver Wedding of the Queen and the Duke of Edinburgh, no. 511 of 750, a Royal Crown Derby Imari vase and cover, a modern Meissen zweibelmuster vase, and a Derby plate, 21cm max. (6) £150-250

510. A Mason’s Ironstone part dessert service, 19th century, the wells painted with Oriental flowers, the rims with pink flowers and gilt scrolls on a rich green ground, impressed marks. Comprising: two sauce tureens with covers and stands, eight handled dishes of three shapes and seventeen plates. (31) £600-800

511. A Wedgwood creamware shell-shaped part service, 19th century, formed as a variety of shells bordered in gilt and iron red, impressed marks. Comprising: a tazza, a sauce tureen with cover and stand, two large dishes, two scallop shell dishes and six plates. (14) £250-350

512. A Derby part dessert service, c.1825-30, decorated with wide bands of leaves and seaweed tendrils in gilt and red on a deep blue ground. Comprising: an oval tazza, two sauce tureens and covers, four scallop-edged dishes and 22 plates. (31) £250-350

513. A set of six Minton cabinet plates, c.1878, painted in pattern 5739 with scenes of stags, dogs and huntsmen within bright turquoise bands and reticulated rims, printed and impressed marks, one cracked, 25cm. (6) £300-500 Provenance: from the collection at Invercauld Castle.

514. A Spode bat-printed tea service, early 19th century, printed in black with pattern 1513 of fruiting branches, iron red factory mark and pattern number. Comprising: a teapot, cover and stand, a sugar bowl and cover, a milk jug, two cake plates, six teacups, six coffee cans and six saucers. (26) £150-250 Sold on behalf of the executors of Dr John Birch dec’d.

515. A Spode botanical part tea and coffee service c.1815, painted in pattern 2789 with floral specimens within Imari palette borders, painted factory marks and pattern numbers, some damages. Comprising: a sugar box, cover and stand, a slop bowl, a milk jug, two cake plates, seven teacups, seven coffee cups and eight saucers. (29) £150-250

516. Eleven Royal Crown Derby plates, early 19th century, the rims reserved with three panels of flowers painted by Desiré Leroy, signed, between further pale blue panels richly gilded with triumphant motifs and flower garlands, printed factory marks and retailer’s mark for Phillips Ltd of Mount St., two broken and riveted, 25cm. (11) £6,000-8,000 Provenance: From a titled family.

517. A Royal Worcester ewer, early 20th century, by George Owen and Harry Chair, painted with garlands of roses beneath a band of honeycomb piercing, jewelled and gilded, the handle issuing from a horned maskhead, signed ‘H Chair’, printed mark and partially distinct date code, damaged, 17cm. £300-500

518. A good Royal Worcester two-handled vase, late 19th/early 20th century, the body finely reticulated and gilded by George Owen with a band of honeycomb to the shoulder, painted by Harry Chair with garlands of roses, signed, printed mark and partial date code, 14cm. £3,000-5,000 While this shape (2021) is usually recorded with a cover, there is no indication that this vase was ever fitted with such.

519. An English porcelain part tea service, 19th century, of New Hall type, spiral fluted and painted with sprigs of red flowers, minor damages. Comprising: a teapot, cover and stand, a milk jug, a sugar bowl, a slop bowl, nine teabowls and ten saucers. (25) £100-200

520. Eight English porcelain plates, 19th century, Spode and Chamberlain’s Worcester, all decorated with versions of the Bengal Tiger pattern, some faults, 23.7cm max. (8) £300-400

521. An English porcelain part dessert service, mid-19th century, probably Chamberlain’s Worcester, printed in black with cattle before elaborate buildings, the soup plate with a printed mark, the plates impressed with the number 2. Comprising: a soup plate and six plates. (7) £50-150

522. An unusual Spode stone china tea service, c.1810, decorated in a café au lait ground with gilt bands, impressed marks to some. Comprising: a teapot and cover, a sugar bowl and cover, a slop bowl, two plates, seven cups and eight saucers. (22) £100-200

523. A cased Royal Worcester coffee set, c.1927, decorated in the Imari palette with pattern 1550, the cups’ interiors richly gilded, with six enamelled spoons, in the original fitted box. £150-250

524. An English porcelain part dessert service, 19th century, the wells painted with tight arrangements of flowers within wide gilt stylized foliate borders, some wear and chips. Comprising: two square dishes, two shaped dishes and six plates. Together with a rectangular comport with lilac borders. (11) £200-300

525. Four Coalport dessert plates, c.182530, the wells boldly painted with flowers within rims moulded with grapevine and gilded with foliate motifs, impressed 1 marks, 20.6cm. (4) £500-700 Cf. Geoffrey A. Godden, Coalport and Coalbrookdale Porcelains, p.247, pl.140. The shape is discussed on page 70 as a Society of Arts service.

528. A Ridgway porcelain tea service, 1st half 19th century, decorated in pattern 3/221 with a stylized floral design on a café au lait ground. Comprising: a teapot and cover, a sugar bowl and cover, a milk jug, a slop bowl, two cake plates, eight teacups, five coffee cups and twelve saucers. (33) £150-250

526. A Davenport porcelain tea service, mid 19th century, richly decorated in pattern 1946 with an orange and gilt foliate design, printed factory and registration diamond marks. Comprising: a teapot, cover and stand, a sugar bowl and cover, a milk jug, a slop bowl, two cake plates, eleven teacups, twelve coffee cups and twelve saucers. (44) £100-200

527. Three English porcelain sauce tureens, 1st half 19th century, one Derby with a cover, well painted with flowers and each raised on four feet, and two circular pot pourri vases, similarly decorated and raised on claw feet, damages and losses, 18.5cm max. (6) £120-150

529. A Chamberlain’s Worcester plate, c.1820, painted with a view of figures punting before an island in Killarney, indistinctly titled to the reverse, and a Spode square dish painted in blue and gilt with a wide band of convolvulus, 21.8cm. (2) £150-250

530. A Derby part service, c.1820, decorated in pattern number 50 with a cornflower type sprig with gilt detailing, iron red crossed baton marks, some faults. Comprising: two sauce tureens and covers, three shaped dishes and one plate. (8) £100-200 Sold on behalf of the executors of Dr John Birch dec’d.

Sold on behalf of the executors of Dr John Birch dec’d.

531. An English porcelain ink stand, 19th century, of Rockingham type, encrusted with flowers, chips to the flowers, 34cm. Comprising: a tray, two inkwells with covers, and a central spill. (6) £120-150

Provenance: from the collection at Invercauld Castle.

532. Three English porcelain flower baskets, 19th century, perhaps Rockingham, the rims and handles applied with various blooms, further flowers painted to the interiors, some damages, 23cm max. (3) £120-150 Provenance: from the collection at Invercauld Castle.

533. An English porcelain inkstand, 19th century, probably Coalport, finely painted with flowers, the sides moulded and gilded with leaves, formed of a stand and three inkwells, one with an inner liner, all with covers, a little good restoration, 27cm. (8) £100-200

534. A good Spode cup and saucer, c.1820, finely painted in pattern 2478 with flower sprays on a dense spiral blue and gilt ground, painted Spode and pattern number in iron red, 14cm. (2) £400-600

535. A rare New Hall breakfast bowl and saucer, c.1790, painted with a ribbon border in pink and yellow on a coral ground, 16.2cm. (2) £160-200

534

535

536. A good Coalport trio, c.1820, painted in the manner of William Pollard with spindly floral sprays within a shaped gilt panel border, printed Society of Arts mark to the saucer, 14.8cm. £400-600

537. A good pair of New Hall cups and saucers, early 19th century, well painted with panels of polychrome flowers on a cobalt blue ground with rich gilt design, 14.5cm. (4) £250-350

536

537

538. A good Minton cabinet cup and stand, c.1825, finely decorated in raised gilt with longtailed birds standing amidst foliage and flying insects, on a rich claret ground, the cup raised on three paw feet, 13.4cm. £280-320

539. A Swansea porcelain cup and saucer, c.1815, painted with a repeating pink rose spray within further gilded sprigs, 15cm. (2) £220-250

538

539

540. A miniature Grainger’s Worcester tea set, c.1820, painted with panels of exotic birds and colourful insects on a turquoise ground, iron red ‘Grainger Lee & Co Worcester’ mark to the tray, 13.5cm max. Comprising: a teapot and cover, a sugar box and cover, a slop bowl, a cup and saucer, and a tray. (8) £150-250 Provenance: from the collection at Invercauld Castle.

541. A miniature drab ware part dinner service, 1st half 19th century, the café au lait ground with gilt borders. Comprising: a tureen, cover and stand, a soup plate and four plates in three sizes, together with a miniature Wedgwood coffee pot and cover, and a small Spode cup and saucer. (12) £150-250 Provenance: the Gwen Drakard collection, nos. E80, E76 and E78.

540

541

542. A Swansea porcelain plate, c.1820, painted by Henry Morris with sprays of native flowers including tulip, primula and convolvulus, within a gilt scroll border, 23cm. £250-350

543. A Derby dessert plate, c.1790, painted in pattern 100, probably by William Billingsley, with an arrangement of English flowers including a fleshy pink rose, within a cobalt blue and gilt border, puce factory mark and pattern number, 21.7cm. £150-250 Paper label for the Johnson Hood Collection, B/D no.100/18.

544. A good Spode porcelain armorial plate, c.1822-25, painted with the arms of the English East India Company, the rim moulded with three floral sprays, printed Felspar Porcelain mark, the reverse also printed with a banner titled ‘The London’, 25.7cm. £200-300 The East India Company ordered a service from Spode in 1822 for use of the company in Canton. It is possible that The London was the ship that took it to the Far East in 1824 and that her captain, John Barnet Sotherby, ordered a service for his own use on the ship.

545. A good Coalport plate of unusually large size, c.1900, finely painted with fruit and signed ‘F. H. Chivers’, within a raised gilt foliate border on a rich cobalt blue ground, printed mark and gilded 5351/R, 26.7cm dia. £300-500

546. A Spode armorial plate, c.1830-40, painted with the crest of the Beaumont family at Bretton Hall in Yorkshire, 25.3cm. £80-120

548. A large Worcester boat-shaped bowl, c.1780, decorated with a wide band of gilt seaweed tendrils over cobalt blue, 38cm. £50-150

549. An English porcelain armorial plate, 1st half 19th century, painted with the crests for the Leigh and Tracy families, on a dense flowerhead ground, the rim with three floral panels, 26.5cm. £100-200

550. A large Crown Derby two-handled tray, c.1880, decorated in an Imari pattern of continuous flowering branches, iron red printed mark and pattern number 198, 49.2cm. £200-300

It is likely that this service was made for Thomas Charles Hanbury Tracy (1801-63), who succeeded to the title of 2nd Baron Sudeley in 1858. He served briefly as a Whig MP for Wallingford, and assumed the surname Leigh between 1806 and 1839.

Thomas Wentworth Beaumont was a British politician and soldier who became the country’s richest commoner when he inherited his mother’s estate of Bretton Hall in 1831.

547. A Royal Worcester plate, c.1914, the well painted with an arrangement of fruit, signed ‘G H Cole’, within an elaborate yellow and raised gilt border, printed mark and date code, 24.2cm. £100-200

551. A Ridgway two-handled vase, c.1820, painted with a couple and a dog standing before a river and looking at a house on the opposite bank, the handles formed from twin serpents, some damages, 31cm. £150-250

552. A tall Moore Bros. porcelain lamp base, early 20th century, applied with flowers and leaves, rising from a scrolling rococo foot, printed and impressed marks, some faults, 67cm. £250-350

555. A large pair of Bloor Derby bottle vases and covers, c.1840, one side painted with panels of colourful birds seated in branches, the reverses with flowers, within floral gilt cartouches on a cobalt blue ground, printed red crowned Derby marks, some damages, 45.5cm. (4) £300-500

553. An English porcelain twohandled vase, 19th century, painted with scattered pink roses on a gilt dotted ground, some restoration to the neck, 23.5cm. £100-200

554. A Davenport two-handled vase, 19th century, painted with a spray of flowers within a wide gilt-bordered panel on a green ground, printed mark, 16.3cm. £100-200

556. A Bloor Derby three vase garniture, c.1830, painted with landscape panels, titled to the bases with ‘Kirkstall Abbey’, ‘County of Wicklow Ireland’, and ‘The Castalian Fountain’, on a blue ground gilded with stylized leaves, printed marks, some damages and restorations, 30cm max. (3) £300-500

Provenance: from the collection at Invercauld Castle.

557. A garniture of three English porcelain vases, 19th century, finely painted with arrangements of flowers within moulded panels beneath large applied blooms, on a bright blue ground, some faults, 35cm max. (3) £200-300

558. A large pair of Bloor Derby bottle vases and covers, c.1840, painted with landscape scenes, one titled ‘View in Wales’, the other ‘View in Scotland’, the reverses with panels of flowers, within gilt cartouches on a cobalt blue ground, printed red crowned Derby marks, a short hairline crack to one, 46cm. (4) £400-600

Provenance: from the collection at Invercauld Castle.

559. A pair of Derby quatrefoil dishes, c.1815-20, each reserved with an oval panel painted with a view of Shropshire, one of figures in a boat titled ‘On the Severn, Salop’, the other of a figure and horses crossing a bridge titled ‘At Retley, Salop’, red crossed batons marks, 25cm. (2) £150-250

560. A good pair of Derby shell-shaped dishes, c.1820, each boldly painted with three large floral arrangements, probably by Leonard Lead, iron red marks, 24.5cm. (2) £300-500

561. A good pair of Spode porcelain plates, early 19th century, decorated in pattern 2423 with three birds perched on flowering branches around a peacock feather design radiating from a central floral spray, 21.2cm. (2) £800-1,200

562. Two Pinxton heart-shaped dishes, c.1799-1805, each painted with a central panel, one with a river winding before buildings on its bank, the other with a farmer and his dog standing before hills and a lake, within plain gilt bands, crescent and star marks, one restored, 25.7cm.(2) £200-300

Cf. Leonard Whiter, Spode, pl.195 for an identical plate.

563. Two English porcelain bough pots, c.1810, possibly Coalport, decorated at Mansfield with figures and sheep in watery mountain landscapes, within gilded panels on a yellow ground, each raised on four bun feet, metal liners, the covers lacking, restoration, 21.7cm. (2) £300-500

564. A pair of Derby two-handled vases, early 19th century, each painted with a panel of fruit and vegetables on a cobalt blue ground with gilt foliate motifs, and a pair of Sèvres-style jewelled stands, some damages, 19cm overall. (4) £100-200 Provenance: from the collection at Invercauld Castle.

565. A Swansea porcelain muffin dish and cover, 1st half 19th century, printed and hand-coloured with exotic birds in flowering branches, printed factory mark to the base, 22.2cm. (2) £450-650

566. A Spode comport, c.1810, finely painted with a view of York Minster within a gilt foliate border, titled to the base, painted factory mark, 34cm. £100-200

567. A Ridgway dessert basket and stand, c.1810, painted with flowers in pattern 518, the basket pierced with a scrolling design, 24.5cm. (2) £200-300

Sold on behalf of the executors of Dr John Birch dec’d.

Cf. Geoffey A. Godden, Ridgway Porcelains, pl.73 for a similar basket.

568. A pair of Chamberlain’s Worcester vases, 19th century, one side painted with panels of flowers, the reverse with exotic birds, on a fluted blue ground, the feet and rims reticulated, purple factory marks, some damages, 17cm. (2) £100-200

569. A Spode botanical tureen with cover and stand, c.1805-10, painted with floral specimens including laburnum, Alpine toad flax and St John’s Wort, titled in red, pattern number 1100, 24cm. (3) £250-350

570. A pair of Coalport botanical plates, mid 19th century, the rims pierced with a series of S-shaped holes, the wells painted with floral specimens, damages to one rim, 24.3cm. (2) £100-200

571. A pair of miniature Derby Imari vases, 19th century, a pair of small bottles and one stopper, painted with floral panels on a cobalt ground, and a similarly decorated miniature basin and ewer, one stopper lacking, 8cm max. (7) £100-200

572. A pair of Minton two-handled vases and covers, early 20th century, painted by J E Dean with sailing boats, signed, printed marks to the bases, minor damages, 16.5cm. (4) £50-150

Provenance: from the collection at Invercauld Castle.

Cf. Michael Messenger, Coalport 1795-1926, p.286 for this shape, registered in 1849.

573. A Royal Crown Derby dressing table set, c.1912, decorated in an Imari pattern, printed marks and date codes, some damages. Comprising: three square vases and covers, two bottle vases and covers and two pin dishes. (12) £50-100

574. A pair of Ridgway dishes, 1st half 19th century, painted in pattern 1818 with sprigs of pink blossom and blue forget-menot within a moulded border, 25cm. (2) £120-180

575. A large Rockingham type porcelain model of a cottage, 19th century, applied with flowers and purple-tinged mosswork, pierced with windows to all sides, a few small chips, 24cm. £100-200

576. A Chelsea soup plate, c.1755-58, painted with scattered flowers within a shaped brown line rim, and a Chelsea-Derby plate painted with an urn of flowers within a blue border gilded with flower garlands, 23.7cm max. (2) £150-250 One with a paper label for B & T Thorn & Son, Budleigh Salterton.

577. Two Royal Worcester figures of Rebecca and Louisa, c.1961, from the Victorian Series modelled by Ruth Esther van Ruyckevelt, 21cm max. Together with certificates. (4) £150-250

578. An early Belleek Henshall Twig basket, c.1880, modelled with a threestrand base, the sides applied with finely modelled flowers, pad mark to the base, 27.5cm. £400-600

579. An unusual English porcelain spiral fluted jug, c.1800, in the New Hall manner, painted with a bright floral arrangement between blue and yellow bands, cracked, 17.7cm high. £150-250 Cf. Geoffrey A. Godden, New Hall Porcelains, p.273 for images of both this unusual shape and a distinctive ‘kidney-bean shaped’ flower particular to one New Hall painter.

580. A Belleek Hexagon part tea service, late 19th/early 20th century, the rims tinged with green, second period black marks. Comprising: a tray, a teapot and cover, a sugar bowl, a milk jug and a cup and saucer. (7) £200-300

581. An English porcelain footbath, 19th century, perhaps Coalport, brightly painted with native flower arrangements over a band of moulded flowerheads, cracked and riveted, 46.5cm. £50-100

582. A Belleek part tea service and two Majolica teapots, 19th/early 20th century, one Wedgwood with a Whieldon-type glaze, one moulded with fish in the Aesthetic style, 2nd period black factory marks to the Belleek, some damages, 22cm max. (8) £200-300

583. An English porcelain oval plaque, 20th century, probably a Derby blank, painted with a mass of flowers and fruit, the reverse titled ‘Derby 1934’, framed and glazed, the plaque 23.5cm. £100-200

584. An unusual English porcelain bough pot and cover, 19th century, probably Coalport, each side painted with a panel of a bird amidst flowers, the cover and handles with bird surmounts, the four feet issuing from swan terminals, a small amount of good restoration, 20.5cm. (2) £300-400

585. A pair of English porcelain letter racks, c.1820-30, each modelled as a castellated wall between two octagonal turrets, the central panels painted with flowers resting on a stone plinth, damages and restoration, 16.6cm across. (2) £350-450

586. An unusual Chamberlain’s Worcester small teabowl and saucer, late 18th century, the spiral-fluted body decorated with gilt sprays and later enamelled with a colourful variety of raised beetles, caterpillars and other small insects, 11cm. (2) £400-600

587. A Bloor Derby porter mug, 19th century, painted with figures fishing in a river before buildings, the underside titled ‘View of Darley near Derby’, printed mark, 12.7cm high. £50-150

588. A Chamberlain’s Worcester vase or pastille burner, c.1810-15, finely painted with a panel of feathers on an orange and gilt faux marble ground, raised on the tails of three mythical dolphins, long script mark to the base, the cover lacking, 13.5cm high. £200-300

589. A Spode chamberstick, c.1820, richly decorated in pattern 1166 with garden flowers over a blue and gilt scale ground, iron red mark and pattern number, 7.3cm. £150-250

590. A fine pair of Pinxton porcelain plaques, c.1800, well painted with harbour scenes, rigged ships at sail behind figures waiting on the shore, titled to the reverse with ‘The Clyde from Erskine Ferry’ and ‘Sunset - View on the Welsh Coast’, each signed ‘W W Bailey Pinx.’ to the reverse, within giltwood frames, the plaques 10cm x 14cm. (2) £2,000-3,000

591. A Chamberlain’s Worcester topographical inkwell, c.1810-15, painted with a titled view of Oxford, the dreaming spires visible beyond two figures in a rowing boat, some chipping, 5.5cm. £300-500 Paper label for The Boothman Smallwood Collection, lot 975.

592. A small Derby campana vase and cover with a rare mark, 1916, one side painted with fruit, the other with flowers, the circular base with colourful moths and insects, red mark for Stevenson & Hancock and painted zeppelin mark, 13.5cm. (2) £350-450 The city of Derby was bombed by a zeppelin on 31st January 1916. One kiln at the factory had reached a crucial stage in the firing process when the air raid siren sounded. The kiln fire had to be extinguished and it was not until after the raid that it was found the firing had still been successful. The mark of a zeppelin was added to everything that came out of that one kiln to commemorate the event.

593. A good Chamberlain’s Worcester beaker, c.1800, finely painted with a panel of two figures in Classical dress, one with a dead bird resting in her lap, the other scribing, titled ‘Contemplation’ to the base, on a peach and gilded ground, 8.7cm high. £400-600 Cf. Geoffrey A. Godden, Chamberlain Worcester Porcelain, p.291, fig. 377 for a similar example titled ‘Music’.

594. A Barr Worcester sugar box and cover, c.1800, gilded with a key fret band above a grey faux marble ground, incised B mark, 11.7cm. (2) £400-600

595. A rare Staffordshire porcelain caddy spoon, early 19th century, perhaps Samuel Alcock, moulded as a shell with gilt decoration, painted pattern number 598 in pink to the reverse, 6cm. £100-200

596. A Minton porcelain cabinet plate painted by Antonin Boullemier, with Cupid perched in a tree beside a bird’s nest, holding a chick in his left hand, signed, impressed factory mark, later retailer’s mark for Davis Collamore & Co. New York, 24.5cm. £400-600

597. Five cottage pastille century, variously applied flowers and mosswork, removable roof, some faults,

burners, 19th with colourful one with a 9.5cm max. (6) £150-250

598. A rare and large New Hall tankard and cover, c.1800, painted with naive flower sprays beneath a pink diaper border in pattern 610, painted pattern number to the base, 18cm. (2) £200-300

599. A pair of Staffordshire porcelain models of poodles, 19th century, seated on scrolling bases, their forequarters with rough coat, and a Staffordshire porcelain spill vase with two cows grazing before a hollow tree trunk, some good restoration, 13.5cm max. (3) £300-400

600. A good pair of John Bevington vases and covers, c.1875, the bodies moulded with Neoclassical motifs and applied with large flowers between goat head mask handles, blue JB monogram and crossed swords marks, 23.5cm. (4) £200-300

601. A pair of Coalport bough pots, mid 19th century, of bombé shape, painted with panels of flowers and triumphant motifs in the Sèvres style, blue CBD monogram marks, and a Sèvres-style monteith painted with floral sprays within a blue and gilt wavy rim, blue interlaced LL mark, minor damages, 30cm max. (3) £250-350

602. A pair of Bloor Derby ewers, c.1830, the bodies encrusted with colourful flowers, with gilt foliate scroll handles, and a pair of Derby flower vases with large applied blooms, red printed marks, one handle lacking, 34cm max. (4) £150-250

Provenance: from the collection at Invercauld Castle.

603. A pair of Thuringian porcelain candelabra, 20th century, each modelled with a young girl standing barefoot beneath a flowering tree in which climbs a winged putto, raised on scrolling rococo bases, blue marks for the Plaue-on-Havel factory, 52.5cm. (2) £250-350

606. A large pair of Meissenstyle white-glazed candelabra, 19th century, modelled as a boy and a girl carrying flowers and grapes beneath tall rococo moulded branches, the tree stumps applied with grapevine and oak leaves, double blue crossed swords marks, some damages and repairs, 48cm. (2) £200-300

604. Two large Thuringian porcelain centrepieces, late 19th/early 20th century, each surmounted with a tall pierced basket applied with flowers, the bases with a maiden and a putto garlanding flowers, some damages, 36.5cm. (2) £250-350

607. A Meissen figure group of two putti, 19th century, one banging a drum, the other wearing an outsized helmet, and a Continental porcelain mirror, surmounted with two putti holding a flower garland, the group restored, 23cm max. (2) £120-150

605. A pair of Thuringian porcelain candelabra, 19th century, each modelled as a seated maiden with a putto on her lap, the bases and branches applied with flowers, detailed in blue and gilt, the branches removable, 46cm. (2) £400-600

607A. A Continental porcelain white-glazed candelabrum, 19th century, modelled with two putti respectively holding a bird and a squirrel between two scallop shells, blue crossed swords and star mark, minor damages, 35cm. £50-150

608. A pair of Samson candlestick figures, late 19th century, after Chelsea, modelled as musicians seated before flowering bocage, he with a dog, she with a lamb, some restoration, 28.5cm. (2) £150-250

Provenance: from the collection at Invercauld Castle.

609. A large Meissen candlestick and a rococo-moulded vase, 19th century, the candlestick modelled with a putto standing on the lap of a lady and holding a cornucopia, the base with basket moulding and painted with flying insects, the vase painted and applied with flowers and fruit, a frock-coated figure perched beside one handle, damages and losses, 31cm max. (2) £100-200

610. Two pairs of Continental porcelain candelabra, 19th century, the smaller threebranch and modelled with musicians and squirrels, the larger emblematic of Spring and Summer and modelled with putti, some damages, 36.5cm max. (4) £250-350

611. A Meissen figure of Cupid in Disguise, 19th century, a turban tied round his head and lifting his skirt in his left hand, a large Meissen-style candlestick figure of Cupid in Disguise as a blacksmith, and another Meissen-style candlestick group, some damages, 18.5cm max. (3) £100-200

612. A large French porcelain figure group, 2nd half 19th century, after Meissen, the central figure playing the guitar while a couple and children sit around a rocky stump, draped in long flower garlands, raised on a circular scrolling base, a small amount of restoration, 42.5cm £450-550

613. A large Sèvres bisque porcelain figure of Cupid and a maiden, 18th century, Cupid reclining on a flower-encrusted rocky stump with an empty quiver by his side, the maiden holding further flowers and bending towards him, incised ‘LR’, some damages and restoration, 31cm. £1,200-1,500

614. A large Samson porcelain ‘crinoline’ group, 2nd half 19th century, after Meissen, of a couple courting on a bench beneath a tree in which Cupid perches, blue pseudo crossed swords mark, small damages, 30.5cm. £250-350

615. A large Meissen model of two guinea fowl, 20th century, designed by Paul Walther, one with extended neck, the other crouching beside it, both raised on a rocky stump, blue crossed swords mark and incised numerals, 39cm. £600-800

616. A large pair of Continental porcelain figures, 19th century, after Meissen, each carrying a basket of grapes and flowers, small restorations, 35.5cm. (2) £150-250

617. A large pair of French porcelain busts, 19th century, each of a young lady with long hair, raised on a blue cylindrical socle base with a gilt monogram, blue crossed swords marks to the interiors, some damages, 37cm. (2) £250-350

618. A large pair of Continental porcelain figures, 2nd half 19th century, he holding a lantern and hitching his breeches up with his left hand, she holding a letter tied with ribbon, her other hand in her apron pocket, crowned D marks in red, some restoration, 31.5cm. (2) £300-400

618A. A matched pair of Meissen figures of the Racegoer and his companion, 19th century, he watching the race through a telescope. she examining the racecard she holds in her right hand, her left tucked into a brightly coloured feathered muff, blue crossed swords marks, incised D65 and D66, some damages, 21cm. (2) £500-800

619. A set of four Italian porcelain figures of the Seasons, late 19th century, personified as four gods with putto and attributes denoting the time of year, crowned N marks, small damages, 19.5cm. (4) £100-200

620. A set of four Continental porcelain models of the Continents, 19th century, after Chelsea, each personified as a figure standing with an animal and other attributes on a tall scrolled base, gold anchor marks, small damages, 26cm. (4) £300-500

621. Four German porcelain figures, 19th century, a Meissen figure of a seated lady holding a tatting shuttle, a pair of small figures of children with blue scissor marks, and a Volkstedt figure of a lady wearing gloves, some damages, 14.2cm max. (4) £200-300

622. Three pairs of Continental porcelain figures, 20th century, one a pair of musicians wearing lacy frock coats, one a pair of children in the Meissen style, the last of pastoral groups with sheep, and a single figure of a dancing shepherdess, some damages and restorations, 23.5cm max. (7) £100-200

623. Six Continental porcelain figures, 19th/20th century, including a Meissen figure of a boy with a scythe, two Jacob Petit figures of children, and three German porcelain musicians, small damages, 16cm max. (6) £150-250

624. A Nymphenburg white-glazed model of a greyhound, 20th century, after P J Mene, standing with tail tucked between her legs, and a pair of Berlin (KPM) figures of Summer and Autumn, raised on tall square bases, 22.5cm max. (3) £150-250

625. Three pairs of Continental porcelain figures, 19th/20th century, variously modelled with baskets of flowers and musical instruments, one pair of ladies huddled against the cold, and a Minton figure of a child sitting on the back of a large dog, damages and restoration, 23cm max. (7) £150-250

626. Two Continental porcelain ‘crinoline’ groups, 19th century, each of a courting couple in elaborate, colourful costume, gold anchor marks, small damages, 20cm. (2) £150-250

627. Two pairs of Continental figures, 19th century, one pair of Juno and Jupiter, the other after Chelsea of a dandy and his companion, and a Stevenson and Hancock Derby model of Virgins awakening Cupid, 26cm max. (5) £150-250

628. A pair of Meissen figures of Cupid, 19th century, one pouring oil on two flaming hearts atop a plinth inscribed ‘Je mets le calme’, the other taking aim with his bow and arrow, two doves cooing at his feet, blue crossed swords marks, incised G29 and G30, some damages, 18.5cm. (2) £600-800

629. Two Frankenthal chinoiserie figures, c.1765-75, modelled by Karl Gottlieb Lück, one of a Chinaman wearing a large hat and standing in an exaggerated pose, his companion holding a triangle, each raised on a grassy scrolling base, crowned CT marks, some restoration, 13cm max. (2) £500-1,000

630. Two Meissen figures of huntresses, one 19th century, one perhaps later, each holding a gun and with a dog seated by her side, blue crossed swords marks, some restoration, 14cm. (2) £300-500

631. A pair of Meissen figures of Cupid, 19th century, one bending towards a flaming winged heart, the other tying the wings of a heart with ribbon while a second sits ready-trussed at his feet, raised on tall scrolling bases, blue crossed swords marks, incised P138 and P139, minor losses, 21.5cm. (2) £500-800

632. A pair of Meissen sweetmeat dishes, 19th century, each modelled with a cook seated between two shell-shaped dishes, the interiors painted with flowers, he stirring a saucepan, she holding a goose, blue crossed swords marks, a small amount of restoration, 24.5cm. (2) £300-500

633. Two Meissen sweetmeat figures, 1st half 19th century, each of a man kneeling beside a barrel painted with flowers, wearing a tricorn hat and a knee-length coat, blue crossed swords marks, some restoration, 16cm. (2) £500-800

634. A Meissen mantel clock, late 19th century, a putto seated by the circular timepiece atop of which a cock crows, raised on a rectangular Classical footed base, blue crossed swords mark, incised ‘D78’, minor damages, 28cm high. £600-1,000 Provenance: from the collection at Invercauld Castle.

635. A Furstenberg figure of Neptune, late 18th century, sitting atop a flowing water barrel with a putto and a merboy, all bearing bulrush coronets, blue F mark, minor faults, 19.5cm. £400-600

636. A Höchst figure of a musician, c.1775, seated on a rocky stump and holding a bugle in his right hand, his feathered hat in his left, blue wheel mark and incised ‘MG’ mark, some restoration, 15.7cm. £200-300

637. A rare Meissen figure of Old Father Time, mid 18th century, probably modelled by J J Kändler, holding a scythe in his right hand, the blade resting on the ground beside his left foot, a winged hourglass in his left hand, his wings outstretched, blue crossed swords mark to the reverse, the handle of his scythe broken, 14.7cm. £800-1,200 Cf. Sotheby’s, 5th July 2006, lot 54 for a similar example.

638. Two Meissen figures of children, 20th century, a boy and girl modelled with baskets of flowers, blue crossed swords marks, 12.5cm. (2) £100-200

639. A Meissen figure of a putto gardener, 19th century, digging his hoe into the rococo scrolled base, a rake propped against a tree stump behind him, two potted roses to the other side, blue crossed swords mark, small damages, 11.5cm. £150-250

640. A Meissen bust of a child, 19th century, head turned slightly to the right, wearing a patterned bonnet with a feather, raised on a quatrefoil base, blue crossed swords mark, incised and impressed numbers, small losses, 15cm. £200-300

641. A pair of Continental porcelain sweetmeat dishes, 19th century, after Meissen, each modelled with a figure crouching beside a large reticulated basket, the interiors painted with birds and flowers, pseudo crossed swords marks, a few small chips, 18.5cm. (2) £100-200

642. A Meissen figure of a flowergirl, 19th century, seated on an upturned basket with a basket of flowers resting on one knee, holding her hat in one hand and a posy in the other, faint blue crossed swords mark, 11cm. £200-300

643. Two German porcelain figures of animals, 20th century, a Meissen model of a young calf, and a Furstenberg model of a greyhound, recumbent with head lifted, 11cm max. (2) £80-120

644. A large Samson figural group, late 19th century, after Meissen, of five welldressed gentleman and a seated lady, blue pseudo crossed swords mark, some damages, 39cm. £300-500

645. A pair of Volkstedt Commedia dell’Arte figures, 20th century, each brightly dressed and wearing elaborate hats, one brandishing feathers, printed marks and impressed numbers, 20cm. (2) £100-200

646. A pair of Meissen figures of a shepherdess and her companion, 19th century, raised on tall rococo bases, detailed in gilt, and a Meissen vase and cover, of a maiden and a putto beneath fruiting grapevine, the remains of a monkey above, blue crossed swords marks, damages, 31cm max. (4) £250-350

Provenance: from the estate of the late George Burnaby Drayson, former MP for Skipton, 1945-79.

Provenance: from the collection at Invercauld Castle.

647. A Limbach figure of Autumn, c.1775, modelled as a vintner holding a bunch of grapes in one hand, a basket with further large bunches resting on a tree stump behind him, impressed H mark, a few small chips, 13cm. £100-200

648. A German porcelain model of a pug, 19th/20th century, after Meissen, seated on its haunches with head turned to the right, wearing a collar tied in a bow, impressed shield mark and numbers, 10cm high. £80-120

649. A Continental porcelain figure of Harlequin, 19th/20th century, after Meissen, holding a pig as if playing the bagpipes, 17cm. £200-300

650. A pair of Samson busts of children, late 19th century, after Meissen, one wearing a lilac hood, the other wearing a floral headband, pseudo blue crossed swords marks, minor damages, 23cm max. (2) £100-200

651. A pair of Doccia candlesticks, mid 18th century, left in the white and each modelled with a putto supporting a rococo scrolled sconce on his head, raised on flat scrolled bases, one sconce broken and restuck, 20.5cm. (2) £250-350

652. A Meissen model of a polar bear, 20th century, modelled with a shaggy coat and standing on all fours, blue crossed swords mark, incised ‘T182’ to one foot, 23cm. £400-600

653. A pair of Thuringian porcelain figure groups of Autumn and Winter, 19th century, after Meissen, each of a boy and girl, respectively seated with a goat and fruiting grapevine, and on a sledge with bundles of faggots, blue R marks, 15cm. (2) £300-500

654. A pair of Meissen models of parrots, 19th/early 20th century, each perched on a tree stump with tail and wing feathers highlighted in yellow, blue crossed swords marks, incised C3, damages to the branches, 32.5cm. (2) £250-350

654

655. A Meissen-style figure group, 2nd half 19th century, of a Harlequin type figure beneath a tree with a young maiden holding a parrot aloft, and a Cozzi-style figure of a dandy in striped stockings and a green frock coat, pseudo crossed swords and anchor marks, some damages, 16.5cm high max. (2) £100-200

656. A Meissen figural group, 2nd half 19th century, emblematic of Winter, of a boy seated on a sled and holding an axe, his companion beside him warming her hands on a brazier, perhaps later enamelled, incised G94, cancelled blue crossed swords mark, minor faults, 15cm. £200-300

657. A pair of Derby figures of children, the girl with a lamb, the boy with a small dog, both raised on scrolling shell bases, puce factory marks, the girl restored, 18cm. (2) £100-200

658. A pair of Berlin white-glazed sweetmeat figures, 19th/20th century, each modelled as a vintner standing beside a basket and holding bunches of grapes, blue sceptre marks, small damages, 22cm. (2) £100-200

659. A Meissen figure from the Five Senses, 19th century, personifying Smell, a lady seated beside a small table with flowers in her lap, inhaling the scent of a posy held in her right hand, blue crossed swords mark, incised numbers, 14cm. £200-300

660. Two small Grainger’s Worcester models of squirrels, c.1825, each animal seated on its haunches and eating a nut clasped in its forepaws, the tails and bases with gilt detailing, impressed ‘GRAINGER LEE & CO WORCESTER’ mark to one, restoration to the ears, 6.5cm. (2) £100-200

661. A good German porcelain portrait plaque, 19th century, probably Berlin (KPM), painted with the profile of a Middle Eastern maiden wearing a red beaded headscarf and gold jewellery, in a gilded and glazed double frame, the plaque 18cm. £400-600

662. A Dresden vase, late 19th/early 20th century, finely painted with the portrait of a young girl in period dress, reserved on a Classical gilt foliate ground, printed mark, 14cm. £200-300

663. A good German porcelain oval plaque, 19th century, probably Berlin (KPM), finely painted with a lady wearing a white and black cloak over a brown dress with lace collar, her gaze directed over the viewer’s left shoulder, wearing a slight frown, signed or titled ‘Eva Restout’, in a giltwood frame, small damages to the frame, the plaque 18.5cm. £200-300

664. A Davenport oval porcelain plaque, 19th century, painted with a half length portrait of a woman with dark ringlets, wearing a pink patterned dress, impressed ‘Davenport Patent’ mark, in a gilt wood frame, the plaque 14.5cm. £50-150

665. Two German porcelain plaques, 19th century, one after Angelica Kauffman with a portrait of Dame Als Vestalin dressed as a Sibyl, the other with the Madonna and Child after Raphael, both framed, 16.5cm max. (2) £150-250

666. A Continental porcelain plaque of a young peasant girl, 19th century, wearing a patched apron and holding an empty basket before boats in a harbour, in an elaborate giltwood frame, the plaque 14.5cm. £150-250

667. Three small Continental porcelain plaques, 19th century, probably German, two painted with scenes of the Madonna and Child, the third of a young girl, 8cm max. (3) £200-300

668. A pair of Berlin biscuit porcelain circular portrait plaques, 20th century, of notable naturalist and scientist Alexander von Humboldt, and his linguist and philosopher brother, Wilhelm, mounted in the same frame, impressed titles and marks, each plaque 8cm. £50-150

669. An unusual Russian porcelain quatrefoil dish and a stem cup, 19th century, decorated in white, grey and black with chinoiserie figures and characters on an orange ground, printed green mark to the dish, 21cm max. (2) £150-250

670. Two Limoges plates, 20th century, one painted with the face of a dog, the other decorated with a bold floral arrangement, both within rich gilt and cobalt blue borders, printed marks, 29cm max. (2) £100-200

671. A Russian porcelain part tea service, 19th century, probably Gardner, painted with panels of birds and flowers within raised gilt scroll panels within black borders. Comprising: a sugar box and cover, a cup and three saucers. (6) £200-300

672. A German porcelain coffee pot and cover, late 18th century, after Meissen, moulded with osier bands above painted flowers, a pair of modern Chantilly-style pot pourri vases and covers in the Kakiemon palette, and a bone china oval strawberry dish, damage and restoration to the coffee pot, 22.5cm max. (7) £200-300

673. Various Continental porcelain, most 19th century, variously decorated with figures in landscapes, birds and flowers. Comprising: an Italian two-handled bowl, a Meissen leaf dish, a square dish, a doublesalt, a Meissen-style leaf dish and a Paris milk jug. (6) £150-250

674. A Paris (Schoelcher) porcelain tureen and cover, 19th century, decorated with gilt bands on a green ground, an armorial plate with the crest and motto of the Horrocks family, and an English porcelain sugar box and cover decorated with a grapevine band, 25.5cm max. (4) £100-200

675. Nine Chinese porcelain teabowls, 18th/19th century, a similar coffee cup and a saucer, all decorated with figures in landscapes and at various pursuits, and a large mug painted with flowers, some faults, 13.2cm max. (12) £50-150

676. Three Sèvres plates, c.1869-72, painted with sprays of flowers within gilt scrolling foliate and diaper borders, and a Paris porcelain botanical plate painted with a purple anenome, printed marks, 24cm max. (4) £300-400

677. A Furstenberg part coffee service, 20th century, painted with panels of flowers within gilt husk borders, blue F marks. Comprising: a coffee pot and cover, a sugar bowl and cover, and two coffee cans. (6) £250-350

678. A Sèvres-style coffee can and saucer, 19th century, the can painted with a courting couple, she feeding fruits to her reclining lover, on a jewelled and gilded turquoise ground, interlaced LL marks, 15cm. (2) £80-120

679. A pair of Paris porcelain square section vases, 19th century, painted with chinoiserie figures between moulded Classical columns, printed red marks for Darte Palais Royal No. 21, a 1cm chip to one, 16.5cm. (2) £80-120 Provenance: from Invercauld Castle.

the

collection

681. A small collection of English and Continental ceramics, 19th and 20th centuries, including a Copeland & Garrett shaped dish with a cracked ice pattern, three Doccia-style moulded saucers with two cups, a Coalport blue and raised gilt cup and saucer, a small Royal Worcester twohandled cup, and two coffee cans, some damages, 27cm max. (11) £80-120

682. Twelve Vienna-style plates, late 19th century, the turquoise rims decorated with a raised gilt scrolling design, the wells with a similar petalled motif, blue shield marks and painted 34923 in red, damage to one rim, 24.3cm. (12) £400-600

684. An Alcora porcelain plate and a Vista Allegre octagonal shallow bowl, 18th/19th century, the former painted with a small polychrome flower spray, the latter with blue and gilt sprigs, painted and incised marks, 25cm max. (2) £200-300

685. A Continental porcelain sucrière and cover, 19th century, painted with small figures before buildings in landscapes, the sides applied with two ring handles, four gilt dots to the base, the knop broken and reattached, 17cm. (2) £150-250

680. A Royal Crown Derby vase and cover, c.1919, painted by George Jessop with floral panels on a blue ground, signed, printed marks and date code, a Vienna-style tea canister and cover painted with Classical scenes, and a Meissen-style frill vase and cover applied with flowers, small chips to the latter, 21cm max. (6) £100-200

683. A Paris porcelain dish and four shellshaped dishes, 19th century, the latter probably Derby, decorated with cornflower sprigs, the former with purple flowers within a pink floral border, printed red A mark, some faults, 29cm max. (5) £100-200 Provenance: from Invercauld Castle.

the

collection

686. A Zurich porcelain bowl, c.1770, the exterior finely painted with flowers beneath a gilt dentil rim, a further small flower spray to the interior, blue three dot mark to the inner footrim, some scratching to the interior, 17.8cm. £150-200

687. A Sèvres-style mantel clock, 19th century, the dial painted with Cupid and a maiden within gilt scrolls on a bleu celeste ground, the ormolu casing surmounted with two birds perched above a nest of eggs, raised on a gilt wood base, and two similar vases decorated with pastoral scenes, some faults, 41cm max. (3) £800-1,200

688. A Sèvres-style square dish with ormolu mount, 19th century, the dish painted with a courting couple and a caged bird, perhaps emblematic of Matrimony, raised on an ormolu stand of mermaids holding baskets of fruit and shells, the dish cracked, 20cm high. £400-600

689. A small Sèvres teapot and cover, c.1780-90, the cylindrical body finely painted with vignettes of courting couples within ribboned floral garlands and berried swags, interlaced LL marks and painter’s mark after Fritsch, 12cm. (2) £450-650

690. A pair of Sèvres-style câchepots, 19th century, one side painted with panels of courting couples, the other with musical instruments or gardening implements, within jewelled gilt motifs on a bright turquoise ground, interlaced LL marks, one extensively damaged and riveted, 15.7cm high. (2) £200-300 Provenance: from the collection at Invercauld Castle.

691. A set of twelve Paris porcelain plates, c.1830, each painted with figures in traditional regional costumes against rural landscapes, within blue and gilt borders enamelled with a husk band, a little wear, 22.3cm. (12) £1,800-2,200 Provenance: from a titled family.

691

692. Twelve Sèvres soup plates, c.1846, after the Service Ordinaire de Fontainebleau, the borders decorated with stags, foxes and birds of prey amidst scrolling foliage, reserved with panels containing LP monograms and small grisaille motifs, printed factory marks, three with damages, 23.8cm. (12) £1,200-1,800 Provenance: from a titled family.

692

693. Eight Paris porcelain plates, c.1830, the wells painted with figures in exotic and regional costumes against relevant landscape scenes, within claret and gilt borders enamelled with a husk band, one cracked, 22cm. (8) £800-1,200 Provenance: from a titled family.

693

694. A pair of Paris porcelain vases, 19th century, gilded with a monogram within a shield, the reverse with a lyre, one handle broken and repaired, 21cm. (2) £100-200

695. A large Meissen-style bottle vase, 19th century, applied with large colourful flowers issuing from scrolling green stalks, a small bee or hoverfly to the neck, blue crossed swords mark, some damages, 40cm. £200-300

696. A porcelain pot pourri vase and cover, late 19th/early 20th century, painted with a butterfly and bird’s nest amidst roses on a black ground, the pierced cover surmounted by a putto, minor damages, 33cm. (2) £100-200

697. A pair of Continental porcelain two-handled vases, 19th/20th century, decorated with peach panels of putti in carriages drawn by lions, against a green ground, 46.5cm. (2) £200-300

698. A KPM cabinet cup and stand, 19th century, the saucer painted with a scene of the Vatican, the cup with a portrait of Pope Leo XII wearing the Papal Tiara, damages, in a fitted case. (3) £50-150

698

699

699. A Sèvres-style câchepot, 19th century, one side painted with a panel of three putti riding a goat, the reverse with a panel of various music, gardening and other implements, on a turquoise ground, blue interlaced LL marks, some wear, 18cm across. £350-450 700. A Sèvres-style inkstand, 19th century, richly painted with flowers and fruit beneath bright blue and gilt borders, the stand with two covered inkwells and a central spill vase, blue interlaced LL marks, some restoration, 30.7cm. (8) £100-200 701. A Sèvres part tête à tête service, c.1766, finely decorated with a pattern of small floral sprays within rhomboid panels, interlaced LL marks, the tray with the date code N, damages and losses. Comprising: a two-handled tray, a teapot, a milk jug and one teabowl. (4) £150-250

700

701

702. A Sèvres-style two-handled tray, 19th century, painted with a basket of flowers and Cupid’s attributes within gilt and polychrome enamel leaf garlands, pseudo interlaced LL mark, 32.8cm. £200-300

703. A Nymphenburg part coffee service, c.1780, painted with an ikat textile pattern, sometimes known as a chintz pattern, impressed shield marks. Comprising: a coffee pot and cover, three cups and three saucers. (8) £450-550 This type of fabric-inspired pattern is listed in the price list of 1792 as “en taffent geflammt”.

705. Eight Thuringian porcelain teacups and ten saucers, late 18th century, variously decorated with polychrome cornucopia and puce landscapes and banded flowers, R marks, some damages, 13cm max. (18) £100-200

706. Two Continental porcelain boxes and covers, modern, one Dresden painted with scattered flowers, the other Limoges decorated with flower garlands, and a small Derby pot pourri vase and cover, c.1820, gilded on a cobalt blue ground, the cover of the Derby vase restored, 13.5cm max. (6) £50-100

708. A collection of Chinese porcelain teawares, 18th/19th century, variously decorated with flower sprays, garlands and diaper bands. Comprising: a small bowl, ten teabowls, five ogee-shaped cups, two teacups, two coffee cups and twelve saucers. (32) £100-200

704. A Continental porcelain basket, 19th century, moulded with rococo panels and applied with flowers, the sides pierced, the interior painted with flowers, raised on four scroll feet, Potschappel-type mark, 36.5cm. £250-350 Provenance: from a titled family.

707. A Meissen-style white-glazed tea and coffee service, 19th century, applied with prunus, damages. Comprising: a teapot, a coffee pot and cover, a milk jug and cover, a sugar bowl and cover, a slop bowl, three teacups, six coffee cups and ten saucers. (27) £150-250 Provenance: from the collection at Invercauld Castle.

709. An extensive Copenhagen dinner service, decorated with flowers within osier-moulded borders, blue wave marks, some damages. Comprising: a soup tureen and cover, five small tureens and six covers, thirteen oval dishes in four sizes, 89 plates in three sizes, 17 soup plates, a bowl, three salts and three associated leaf dishes. (139) £300-500

710. A Paris porcelain coffee can and saucer, 1st half 19th century, decorated with a gilt chinoiserie scene within bands of black leaf vine on an orange ground, the can marked No. 32, and a Chantilly coffee can finely painted with birds in flight amidst scattered gilt leaves, early 19th century, blue horn and P mark, 12.6cm. (3) £300-400

710

711. A Saint Cloud blue and white coffee cup and trembleuse saucer, c.1730, painted in blue with a border of rococo strapwork, factory marks in blue including T for Henri Trou, some good restoration to the cup, 12cm. (2) £150-250

711

712. A small Continental porcelain plate, 19th century, painted with a view of Stahleck Castle in the Rhine Valley, 19.5cm. £200-300

712

713. A Sèvres-style tête à tête service, 19th century, painted with panels of courting couples within jewelled borders on a deep blue ground, blue interlaced LL marks, 34cm. Comprising: a tray, a teapot and cover, a milk jug, two cups and saucers, and a cover to a sugar bowl. (9) £200-300

713

714. A French porcelain cane handle, 18th or 19th century, spiral moulded to simulate bark, 9.5cm. £70-100 715. A Paris porcelain paperweight, 19th century, modelled as an upturned apple on a square black base, incised D mark, 8cm. £60-100

714

716. A Sèvres pottery cylindrical vase, 19th century, covered in a speckled green glaze, with ormolu swag mounts, printed MP Sèvres mark, 18.5cm. £150-200

715

717. A Chinese armorial custard cup and cover, c.1800, decorated with the arms of Agar beneath a jagged gilt and blue border, 8.3cm. (2) £80-120 Cf. D S Howard, Chinese Armorial Porcelain Vol. II, p.655 for a bowl from the same service. It is likely that this service was made for Moses Agar, the managing owner of the East Indiaman Queen. 718. A Samson porcelain étui, late 19th century, after Meissen, moulded with rococo panels and painted with courting couples and scattered flower sprays, gilt metal mounts, pseudo blue crossed swords mark, 11cm. £50-100

100

716

717

718

719. A Meissen tea canister, 18th century, moulded and painted with panels of flowers, with single sprays to the shoulder, faint blue crossed swords mark to the base, the cover lacking, 11.5cm. £80-120

720. A pair of Sèvres dishes, c.1765-70, brightly painted with bold flower sprays within blue and gilt borders, interlaced LL marks, one with an indistinct date code, both broken and repaired, 21cm. (2) £200-300

721. A Vincennes dish, c.1755, well painted with delicate flower sprays within a shaped gilt rim, interlaced LL mark with date code C, wear to the gilt rim, 22.2cm. £280-350

722. Three Sèvres plates, c.1774-80, two finely painted with flowers within basketmoulded rims, and a large hexafoil with similar decoration, interlaced LL marks and date codes, 30.5cm max. (3) £300-400

723. A set of eight knives, 18th century, with porcelain handles, probably German, finely painted with flowers, with silver metal mounts and steel blades, some damages, 22cm. (8) £100-200

724. A Frankenthal two-handled sauceboat, 2nd half 18th century, brightly painted with flower sprays and individual blooms within osier-moulded borders, blue crowned factory mark, 23.2cm. £450-650

Provenance: from the collection at Invercauld Castle.

725. Five German porcelain condiment dishes, 19th century, including a Berlin (KPM) salt, a pair of Meissen shell-shaped salts with cancelled marks, and a pair of double salts with blue rims, 9.5cm max. (5) £150-250 Provenance: from the estate of the late George Burnaby Drayson, former MP for Skipton, 1945-79.

726. A Chantilly teapot and associated cover, mid 18th century, the inverted baluster body decorated with delicate sprays of flowers, the strap handle with a garland of flowerheads, red horn mark, the cover probably Mennecy, 19.5cm. (2) £350-450

727. Six Vienna-style small plates, 19th century, each painted with young maidens and Cupid or putti in various guises, titled to the reverses and with blue shield marks, 18.5cm. (6) £150-200

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728. A good pair of Meissen tureens and covers, mid 18th century, moulded with floral panels and painted with flowers within gilded cartouches, the covers surmounted with intertwined flower stems, blue crossed swords mark, 20.5cm. (4) £1,000-2,000 One bearing an old paper label inscribed ‘Heirloom belonging to Settled Estates (1880)’.

729. A Meissen écuelle with cover and stand, 19th century, outside decorated with pastoral scenes of figures with sheep within a pink scale border, cancelled blue crossed swords marks, 24.2cm. (3) £250-300 Traces of paper collection labels.

731. A Meissen oval ribbed sugar box and cover, late 18th century, painted in blue with a variation of the Zweibelmuster pattern, raised on six paw feet, blue crossed swords and lozenge mark, 14.8cm. £600-800

102

730. A Meissen tureen and cover, 1st half 19th century, with panels of flower moulding alternated with painted floral sprays, the cover surmounted with a peeled lemon and applied with almonds, cinnamon sticks and cloves, together with a similarly moulded and decorated stand, blue crossed swords marks, the stand chipped, 28cm. (3) £1,000-1,500

732. A Doccia plate, mid 18th century, painted in underglaze blue with a large central rose within Oriental-style diaper borders, a number of moths and insects picked out in polychrome enamels, a glued crack, 23.2cm. £800-1,200

733. A good pair of Vienna cabinet plates, bearing date codes for 1822 and 1823, each painted with an oval cartouche of a Classical scene within rich gilded borders and panels of grisaille putti on a purple ground, one depicting Agamemnonâ&#x20AC;&#x2122;s sacrifice of Iphigenia, the other with a scene of Pygmalion before the living statue of Venus, blue shield marks and impressed numbers, 24.5cm. (2) ÂŁ3,000-5,000 Provenance: from the collection of Lady Mishcon. Presented as a wedding gift in 1949.

103

734. A Derby figure of Autumn, c.1765, from the French Seasons series, carrying a basket of grapes and stepping over a base applied with further vine and a ripening pumpkin, a tiny amount of good restoration, 22cm. £300-400

735. A Bow model of Flora, c.1755-60, also personifying Smell, raising a small posy of flowers to her nose, her other hand resting on a vase which sits atop a marble plinth to her left, her arm broken at the shoulder and restuck, 25.5cm. £500-800

736. A Derby allegorical figure of Europe, c.1768, wearing a coronet and holding an orb in her right hand, a spilling cornucopia at her feet beside other instruments of Science and the Arts, minor damages, 23cm. £200-300

Old paper collection label for W T Deacon, St Louis, no. 176.

737. A Derby figure of Matrimony, c.1765, personified as a young maiden holding a closed cage on one hip, some restoration to the bocage behind, 23cm. £350-450

104

738. A Derby figure of Earth, c.1780, from a series of the Elements, personified as a gardener holding fruits and a spade in his left hand, a plant pot to his right, raised on a chamfered square base with key fret moulding, various incised numbers, 18.2cm. £350-450

739. A Vauxhall figure of a lady, c.175660, seated on a tall rocky stump on which stands a small pug dog, resting his right forepaw on her knee, a tiny amount of good restoration to her left thumb, 18.5cm. £550-750

740. Two Derby figures of Autumn, c.1760, of a man and a lady seated on rocky stumps with baskets of grapes in their laps, the scrolling bases applied with flowers and picked out in green and puce enamels, minor damages, 12cm max. (2) £800-1,200

741. A near pair of Bow models of sheep, c.1765, standing four square on scrolling bases before flowering bocage, the ewe bending her head to graze, some small losses, 12.5cm. (2) £300-400

742. Two Derby figures, c.1770-80, one of a huntsman resting his rifle on the ground, a powder flask slung by his hip, the other of a girl with a sheep, some restoration, 14.5cm max. (2) £150-250

743. A pair of Chelsea figures of a sportsman and his companion, c.1764, each holding a long staff, he with a satchel, she with a tambourine tied to her waist, standing before flowering bocage and raised on scrolling bases, gold anchor marks, some small damages, 29cm. (2) £800-1,200

744. Two Bow candlesticks, c.1760, each modelled with two yellow birds perched above a nest of chicks, a small dog recumbent at the base, damages and losses, 24cm. (2) £100-200

745. A Derby figure of a lady vintner, c.1765, perhaps personifying Autumn, seated with a basket of grapes on her lap, raised on a short scrolling base, 12cm. £300-400

Provenance: from the collection at Invercauld Castle.

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746. A Bow figure of Autumn, c.1760, personified as a young boy holding grapes, one foot resting on a rock, part of the grape garland lacking, 14cm. £400-600

747. A Bow model of a New Dancer, c.1770, standing before elaborate colourful bocage and raised on a tall scrolling base, some damages, 24.5cm. £400-600

748. A Chelsea chinoiserie flower holder figure, c.1762, of a Chinese lady wearing Eastern robes painted with flowers, seated beside a large vase pierced with seven holes, extensive damages, 20.5cm. £100-200 Cf. Woolley and Wallis, 13th September 2011, lot 390 for a similar pair of figures.

749. A Derby figure of a female Ranelagh dancer, c.1765, her costume delicately painted with flowers, raised on a scrolling base picked out in green and gilt, and a later model of a boy personifying Winter with a bundle of faggots on his shoulder, incised letters to the base, some faults, 28cm max. (2) £300-500

750. Six Derby figures, 18th and 19th centuries, variously modelled with sheep, flowers and a putto, damages and restoration, 17cm max. (6) £100-200 751. A pair of Derby-style candlestick figures of Cupid, kneeling before flowering bocage, a Bow figure of a New Dancer, and a model of a recumbent billy goat, extensive damages and restoration, 26cm max. (4) £120-150 750

751

752. A pair of Derby candlesticks, c.1770, each modelled with two birds perched in flowering bocage, and a Derby model of Athena, all raised on scrolling shell bases, damages, losses and replacements, 27cm max. (3) £100-200 753. A matched pair of Derby figures of musicians, c.1775, he with the bagpipes and she with a lute, and a pair of Continental porcelain copies of the same pair, some damages, 17.5cm max. (4) £120-150

106

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753

English BluE and WhiTE porCElain from ThE 18Th CEnTury

107

754. A rare and early Worcester blue and white two-handled sauceboat, c.1755, painted with the Fisherman with a Net pattern, the exterior moulded with floral cartouches containing further small landscape vignettes, workman’s mark, tiny rim nibbles, 19cm. £300-400

756. A Worcester blue and white spittoon, c.1770, printed with the Three Flowers pattern with further floral sprays and a butterfly to the rim, hatched crescent mark, 10.5cm high. £250-450

755. An early Worcester blue and white fluted teapot and cover, c.1755, painted with the Prunus Root pattern, workman’s mark, 21cm. (2) £500-1,000 Cf. Simon Spero, Lunds Bristol and Earl Worcester Porcelain 1750-58, no.35 for a similar example.

757. A Bow blue and white chamberstick, c.1755-58, the drip pan formed as a leaf and painted with Oriental flowers, the base of the sconce moulded with a band of leaves, some repairs, 13.8cm. £150-250 Cf. Elizabeth Adams & David Redstone, Bow Porcelain, p.164 for a similar chamberstick.

758. An early Longton Hall blue and white bowl, c.1750, painted with a swallow in flight to catch an insect, the reverse with peony and prunus issuing from rockwork beside a fence, the interior with a peony spray, three tiny rim chips, 18.5cm. £300-400

108

759. A Worcester blue and white two-handled sauceboat, c.1760, painted with the Two-Handled Sauceboat Landscape, workman’s mark, 19cm. £400-600

760. A Caughley miniature blue and white trio, c.1780-90, painted with two boats before pagodas in a Chinese landscape, 7.5cm. (3) £200-300

761. A miniature Caughley sparrow-beak jug, c.1780-90, painted in blue with two boats beside an Oriental landscape, a narrow border to the interior rim, 4.7cm high. £220-250

760

762. A Caughley miniature blue and white trio, c.1780-90, painted with two boats before pagodas in a Chinese landscape, 7.5cm. (3) £200-300

763. A Worcester blue and white coffee pot and cover, c.1770-75, painted with the Rock Strata Island pattern, the cover with a floral finial, open crescent mark, a small section broken and reglued, 20.5cm. (2) £100-200

761

764. A Worcester blue and white guglet, c.1768-70, printed with the Pinecone pattern, open crescent mark to the base, 26.5cm. £250-350

765. A Worcester tall blue and white mug, c.1755-60, painted with the Prunus Root pattern, the branches overlapping the rim to continue inside, workman’s mark beneath the handle, a small chip to the inside rim, 12.4cm. £300-400 Paper label relating to the Knowles Boney Collection, no. 803. Sold at Sotheby’s on 5th June 1967, lot 63. 762

763

764

765

109

766. A Worcester miniature blue and white teabowl and saucer, c.1755-60, painted with the Rock Warbler pattern, workman’s mark, 8cm. £320-350

767. A Worcester blue and white feathermoulded sugar bowl and cover, c.1757-60, painted with the Feather Mould Floral pattern, workman’s marks, and a Worcester coffee cup printed with the Fisherman and Cormorant pattern, disguised numerals to the base, a chip to the cover of the sugar bowl, 11cm max. (3) £100-200

768. Two Caughley blue and white milk jugs, c.1780, one printed with the Fisherman and Cormorant pattern, the other with a naturalistic floral spray and large butterfly, the latter with an S mark, 9.5cm max. (2) £180-220

769. A Worcester blue and white part tea service, 2nd half 18th century, painted with the Prunus Root pattern, workman’s and open crescent marks. Comprising: a trio, a teapot stand and a slop bowl. (5) £300-500

770. A Worcester blue and white feathermoulded cup and saucer, c.1755-60, painted with the Feather Mould Floral pattern, workmen’s marks, and a teabowl and saucer, c.1780, printed with the European Landscape Group, hatched crescent marks, 12.3cm. (4) £120-150

771. A Caughley blue and white slop bowl and a Worcester milk jug, 2nd half 18th century, the bowl printed with an Oriental landscape scene, the jug with the Three Flowers group, and a Caughley teabowl and saucer printed with the Quail pattern, 15.2cm max. (4) £120-180

772. A Bow moulded cup and saucer, c.1760, with a moulded pinecone panel between blue diaper bands, and a Lowestoft fluted teabowl and saucer painted with small floral sprays, the teabowl cracked, 12.5cm. (4) £280-320

773. An early Bow blue and white teabowl, c.1752, painted with a crane in an Oriental landscape, and a Chinese porcelain bowl in the Chantilly manner, painted with blue European flowers and insects, incised and painted horn marks, cracks, 11.5cm max. (2) £100-200

774. Two Worcester blue and white milk jugs, c.1770, one painted with the Cannonball pattern, the other with the Mansfield pattern, hatched crescent mark to the former, each with a hairline crack issuing from a firing fault, 8cm max. (2) £180-220

Green initials for the Gilbert Bradley collection.

110

The Bow teabowl with a paper label for Klaber & Klaber ‘Oriental Influences Exhibition April 1978’. The bowl with a label for the Watney Collection.

775. Two Worcester blue and white bowls, c.1770-80, one painted with the Cannonball pattern, the other printed with the Birds in Branches pattern, 10.5cm. (2) £100-200

776. A good pair of Worcester blue and white fluted sauceboats, c.1770, painted with the Rose pattern, open crescent marks, 15cm. (2) £250-350

777. A pair of large Caughley blue and white shell dishes, c.1775, modelled as scallop shells and printed with the Fisherman pattern within blue cell and spearhead borders, 16.5cm. (2) £100-200

778. A Worcester mask jug and a vase, c.1765, printed with the Naturalistic Sprays Group, printed crescent marks, 18cm max. (2) £250-350

779. Two English porcelain blue and white vine leaf dishes, 2nd half 18th century, one Bow painted with a bunch of grapes and scattered insects, the other Worcester painted with the Leaf Dish Floral Sprays, some restoration, 24.5cm max. (2) £50-150

780. A Bow blue and white fluted sauceboat, c.1755-60, painted with the Desirable Residence pattern, and a Worcester cabbage leaf jug printed with the second version of the Parrot Pecking Fruit pattern, damages and restoration to the jug, 21cm max. (2) £150-250

781. A small collection of English blue and white porcelain, 2nd half 18th century, some damages, 21cm. Comprising: two Lowestoft ribbed teabowls painted with the Immortelles pattern, a Worcester jug in the Mansfield pattern, a Worcester Pinecone pattern plate and a Caughley sugar bowl and cover printed with naturalistic flowers. (6) £150-250

782. A pair of Chinese porcelain quatrefoil bowls with covers and stands, 19th century, applied with flowers within a blue diaper band, some damages, 16cm. (6) £100-200

783. A Worcester blue and white sugar bowl and cover, c.1770, painted with the Mansfield pattern, open crescent mark, a feather-moulded stand with a workman’s mark, and a small scallop edged plate printed with the Pinecone pattern, 18cm max. (4) £150-250

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784. A Caughley blue and white shaped dish, c.1780, painted with the Weir pattern, a figure fishing in an Oriental landscape within a stylized Fitzhugh type border, 26.7cm. £250-350

785. A Worcester blue and white dish, c.1775, the well painted in dry blue with an Oriental landscape scene, within a quatrefoil pierced rim painted with flower sprays, 25.7cm. £150-250

786. A large pair of Worcester blue and white sauceboats, c.177080, painted with the Strap Flute Sauceboat Floral pattern, open crescent marks, some damages, 20cm. (2) £150-250

787. A matched pair of Worcester blue and white two-handled sauceboats, c.1760, each painted with the Two-Handled Sauceboat Landscape, the handles slightly different, workmen’s marks, 19cm. (2) £500-800

788. A rare Worcester blue and white potted meat tub, c.1760, the interior printed with the Floral Gift pattern, the exterior with the Early Peony print, open crescent mark, and a jug printed with the Fence pattern, some restoration to the jug, 13cm. (2) £100-200

789. A Worcester blue and white teabowl and saucer, c.1760-65, painted with the Landslip pattern, open crescent mark, 12cm. (2) £150-250

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790. A Worcester blue and white sparrowbeak jug, c.1760, painted with the Cannonball pattern, open crescent mark, 8cm. £150-250

791. A Worcester blue and white sparrowbeak jug, c.1780, printed with the Bat pattern, hatched crescent mark, 9.5cm. £200-300

792. A Lowestoft blue and white sauceboat, c.1760, moulded and painted with panels of a Chinese fisherman in a landscape scene, the interior with a peony motif, workman’s numeral to the footrim, 17cm. £200-300

790

791

792

793

794

795

796

797

Old paper label for Hyam & Co, 158 Brompton Road, SW3.

793. A Worcester blue and white creamer, c.1755, painted with the Two Porter landscape within rococo moulded panels, workman’s mark to the inside footrim, the handle broken and reglued, 12cm. £100-150

794. A good Worcester blue and white teabowl and saucer, c.1760, the ribbed body painted with the Immortelles pattern, open crescent mark to the teabowl, 10.2cm. (2) £80-120

795. A Worcester blue and white butterboat, c.1765-60, painted with the Mansfield pattern, open crescent mark, 7.8cm. £100-200

796. A rare Worcester blue and white bell-shaped mug, c.1760, painted with the Angler pattern, a Chinese fisherman standing before a small building, workman’s mark, 8.5cm high. £400-600 Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751-90, p.115, I.B.36 for an identical mug.

797. A Worcester blue and white sparrowbeak jug, c.1765, printed with the Three Flowers pattern, hatched crescent mark, 9.8cm. £100-200

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798. A Caughley ogee-shaped cup and saucer, c.1790, painted in blue with simple flower garlands within shaped gilt dentil rims, blue backward ‘S’ mark to the saucer, 13.4cm. (2) £150-200

799. Two Worcester blue and white double leaf dishes, c.1770, one printed with the Wispy Chrysanthemum Spray, the other with the Pinecone Group, hatched crescent mark to the former, a chip to the end of one dish, 26.5cm max. (2) £150-250

800. A Worcester tureen and a Caughley cabbage leaf jug, c.1770-75, the tureen printed with the Pinecone pattern, the jug with the Fisherman pattern, the tureen’s cover lacking, some restoration, 29cm max. (2) £150-250

801. A Worcester blue and white bowl, 2nd half 18th century, printed with the Marrow and Flower Sprays pattern, hatched crescent mark, and a smaller bowl painted with the Mansfield pattern, some wear, 18.3cm max. (2) £100-200

802. A large Worcester blue and white bowl, c.1770, painted with the Precipice pattern, the interior with a diaper band, 22.5cm. £200-300

803. A pair of Worcester blue and white sauceboats, c.1755-60, painted with the Triangular Platform pattern, the interior with flowers and flying insects, workmen’s marks, small damages to one, 19cm. (2) £250-350

805. A collection of blue and white teawares, 18th century and later, Chinese, English and German, some damages. Comprising: four U-shaped beakers, four small bowls, seven teabowls, two coffee pots and covers and 26 saucers. (45) £400-600

806. Three Lowestoft teabowls and saucers, c.1770, two blue and white and painted with buildings in a Chinese landscape, with ‘pylon’ trees in the background, the third in the Imari palette with figures on a bridge in a similar scene, some damages, 13.5cm max. (6) £100-200

Provenance: from the collection at Invercauld Castle.

804. A small collection of Liverpool porcelains, 2nd half 18th century, including an unusual Imari pattern Pennington’s teabowl and saucer with long-tailed bird, a Chaffers blue and white saucer, a printed blue and white Wolfe, Mason & Lucock coffee cup, a saucer painted with a similar landscape pattern, and a pearlware saucer painted with a pagoda landscape. (6) £200-300

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807. A Bow blue and white octagonal dish, c.1760, painted with a central panel of a watery landscape within four similar fan-shaped panels, on a powder blue ground, six character pseudo Chinese mark to the base, 26.8cm. £150-250

808. A Worcester blue and white junket dish, c.1770-75, printed with the Pinecone pattern, hatched crescent mark, 26cm. £150-250

809. A large Worcester blue and white dish, c.1770-75, printed with the Pinecone pattern within a shaped border with flower and fruit sprays, hatched crescent mark, 29cm. £300-500

810. A Worcester blue and white mug, c.1775-85, printed with the Parrot Pecking Fruit pattern beneath a diaper band, 11.5cm. £350-450

811. Worcester and Caughley blue and white teawares, 2nd half 18th century, including two Worcester teabowls and saucers printed with fruit and flowers, a Caughley saucer printed with the Pagoda pattern, and a Caughley teabowl and coffee cup printed with the Temple pattern, one teabowl broken and repaired, 12.7cm max. (7) £150-250

812. Two Worcester moulded sauceboats, c.1765, each painted in blue, one with the Sauceboat Peony pattern, the other with the Two Porter pattern, open crescent marks, some damages and restoration, 16.5cm max. (2) £100-200

813. A pair of Worcester blue and white sauceboats, c.1775-80, decorated with the Full Moon pattern, and a square Worcester dish decorated with the K’ang Hsi Lotus pattern, the dish with a tied kite mark, a small filled rim chip to one sauceboat, 25cm max. (3) £400-600

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814. A rare Longton Hall coffee can, c.1755, painted in blue with the Folly pattern, of an obelisk beside a stricken tree and bulrushes, a small figure walking away, 5.8cm. £800-1,200 Cf. The Barbara Leake Collection, Bonhams, 12th March 2008, lot 49 for a similar example.

815. A good Lowestoft blue and white octagonal tea canister, c.1765, painted with a sprawling floral spray, the shoulder with further smaller sprigs, 9cm. £600-800

816. A Worcester blue and white chinoiserie mug, c.1775-80, printed with La Pêche and La Promenade Chinoise patterns, hatched crescent mark, 12.5cm. £120-150

814

817. A Chaffer’s Liverpool blue and white hexagonal beaker, c.1760, painted with the Jumping Boy pattern, three character pseudo Chinese mark to the base, a 4mm filled chip, 6cm high. £400-600

815

816 818. A rare Worcester blue and white barrelshaped jug, c.1765, painted with the Barrel Jug Scroll with the unusual addition of moulded feathery foliate scrolls issuing from a central flowerhead beneath the spout, open crescent mark, 6.5cm. £300-400

817

818

819. A Derby blue and white sauce tureen and cover, c.1765, the quatre-lobed form painted with birds in flight around Chinese buildings, the cover surmounted with a peach finial and applied leaves, some restoration, 15cm. (2) £280-320

820. A Worcester blue and white two-handled sauceboat, c.1765, painted with the Two-Handled Sauceboat Landscape, a figure in a boat rowing towards a pagoda, the exterior moulded with panels painted with Oriental landscapes, workmen’s marks to the base, 19.5cm. £200-300

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819

820

821. Two Worcester moulded sauceboats, c.1755-60, one painted in blue with the Triangular Platform pattern, the other in polychrome enamels with an Oriental fisherman, the reverse with a bird perched in a branch, damages, 20.5cm. (2) £100-200

822. Two Bristol coffee cups, c.1775, painted with green flower garlands, one with an elaborately moulded handle, and a Worcester blue and white teabowl printed with the Mother and Child pattern, one cup riveted, 7.6cm max. (3) £80-120

823. A Worcester blue and white milk jug, c.1770, printed with the Fence pattern, hatched crescent mark, and a Flight Barr and Barr coffee can richly decorated in an Imari type pattern, the can cracked, 12cm max. (2) £80-120

824. Two Worcester scallop-edged plates, c.1775-80, one printed in puce with two Classical scholars conversing before ruins, the other with the Gillyflower pattern, hatched crescent mark, 20.7cm. (2)

825. A Caughley blue and white large mug, c.1775, printed with the Fisherman pattern and later decorated with the monogram WM, a Caughley shaped dish decorated with blue and gilt flowers, and a hexagonal teapot stand printed with the Fitzhugh border, the mug cracked and riveted, 26.5cm max. (3) £150-250

826. A Worcester teapot, c.1770, painted in dry blue and gilt with floral sprigs beneath a gilt dentil border, and a Worcester blue and white jug, c.1755, painted with the Prunus Fence pattern, workman’s mark, the teapot cover lacking, 19.5cm max. (2) £200-300

828. A Chelsea-Derby shaped dish, c.1775, of quatre-lobed form, painted with polychrome floral sprays within a pink husk garland and blue and gilt band, and a Derby fluted bowl decorated in pattern 75, blue and puce marks, some wear to the bowl, 31.5cm max. (2) £220-280

829. A Worcester armorial plate from the Calmady service, c.1772, decorated in the Giles atelier, a Bow octagonal white-glazed plate applied with prunus, and a blue and white small sauceboat painted with a peony spray, extensive damages, 23.5cm max. (3) £100-200

One with a paper label for B & T Thorn & Son, Budleigh Salterton. £200-300

827. A pair of Worcester scallop-edged plates, c.1770, painted in the Giles atelier with dry blue flower sprays and scattered single blooms, a small amount of restoration, 21cm. (2) £200-300

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830. A Chelsea botanical plate, c.1757, of Hans Sloane type, painted with a flowering branch reaching to the rim, with a butterfly, flying insect and caterpillar, and a West Pans leaf-shaped dish, c.1765, painted with flowers and moulded with heartsease, extensive damages, 24cm. (2) £100-200

831. A Worcester shaped dish, c.1775, painted with a central flower before a gilt foliate spray within a ‘French’ green border, and a Bow basket copying the Worcester decoration, a repair to the basket, 23.4cm max. (2) £100-200

832. Two Chamberlain’s Worcester dishes, 1st half 19th century, decorated with the Jabberwocky pattern, printed mark to one, 26.5cm. (2) £120-150

833. A Lowestoft teabowl and saucer, c.1760, painted with large pink carnations within floral garland borders, 12cm. (2) £150-250

834. A Worcester tall fluted coffee cup and saucer, c.1765-70, painted in the Kakiemon palette with the Jabberwocky pattern within a bright turquoise border, square seal marks, 13.5cm. £320-400

835. A Worcester fluted teacup and saucer, c.1780, decorated with the Earl of Dalhousie pattern of landscape vignettes within sprays of flowers and scattered insects, open crescent mark to the saucer, 13.8cm. (2) £250-350

Paper label for the Leo and Doris Hodroff Collection, no.1315. Another label in their hand, claiming ‘Providence’ to the Brigadier Douglas Phelps Collection.

836. A Bow white-glazed prunus coffee cup, c.1752-55, applied with three sprigs of prunus, a Lowestoft coffee cup painted with flowers, the interior with a puce diaper band, and a tall English porcelain coffee cup printed and coloured with English flowers including a divergent tulip, small rim chips, 7.5cm max. (3) £100-200

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837. A Bow sparrowbeak jug, c.1760, finely painted with flowers beneath an iron red border, and an English porcelain footed ewer, perhaps New Hall, 9cm max. (2) £200-300

838. A Lowestoft sparrow beak jug, c.1770, painted with a floral arrangement within a garland border and flying insects, and a Bow coffee cup decorated after the Chinese famille rose, the cup cracked, 8cm. (2) £250-350

839. A Bow octagonal plate, c.1756-58, painted in the Kakiemon palette with the Two Quail pattern, two portly birds ambling beneath finely painted chrysanthemum and prunus, red 4 mark to the base, 23.5cm. £150-250

840. A Worcester junket dish, c.1770, painted with sprays of ‘spotted fruit’ within a shaped green border edged with gilt scrolls, 23cm. £350-450

841. A Worcester saucer dish, c.1768-70, decorated in the manner of James Giles with three large exotic birds within a gilt dentil rim, a riveted crack, 17.2cm. £100-200

842. A lobed Derby plate, 2nd half 18th century, of cinquefoil form, the well painted with colourful birds and a small insect, the rim moulded and enamelled with flowerheads, 20.8cm. £150-250

843. A Derby thistle-shaped mug and a heart-shaped dish, late 18th century, decorated with pink roses and other flowers in the Billingsley manner, between cobalt blue and gilt floral and foliate bands, the mug with a puce factory mark, the dish in blue, 23cm max. (2) £150-250

844. A Worcester scallop-edged plate, c.1768, painted in the Kakiemon manner with a central Jabberwocky within a muddy green rococo scrolled border, wear to the gilt rim, 19.5cm. £150-250

845. A Chelsea-Derby bough pot, c.1775, painted in polychrome enamels with floral garlands draped around green roundels, and a Chelsea-Derby plate, decorated with flower sprays, both with blue and gilded borders, some faults, 23.2cm max. (2) £150-200

Cf. H. Rissik Marshall, Coloured Worcester Porcelain of the First Period, pl. 10, no.181.

846. A Chelsea-Derby two-handled cup and trembleuse saucer, c.1770, painted with garlands of flowers, and two cups with similar floral decoration within blue bands, various marks, 14.7cm max. (4) £150-250

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847. A Worcester part tea and coffee service, c.1765-70, printed in black then finely coloured with the Milkmaids, May Day, the Bagpiper and other rural prints, blue crossed swords marks. Comprising: a coffee pot and cover, a sugar bowl and cover, a slop bowl, three teabowls and three saucers. (11) £1,500-2,500

848. A Baddeley-Littler sweetmeat stand, c.1780, a deep shell cup surrounded by three large scallop shells, painted with flowers to the interiors, the base and stem encrusted with shells and seaweed, 17cm. £800-1,200 Cf. The Victoria and Albert Museum, accession no. C.1243-1924 for an identical stand.

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849. A rare Worcester cabbage leaf or ‘Dutch’ jug, c.1758, finely painted, probably by James Rogers, with a figure on horseback, riding away from his barefoot companion, with sheep standing and recumbent before ruins, the sides with large floral sprays in purple monochrome, some damages and repairs, 21cm. £1,000-2,000 Paper label for Albert Amor Ltd. Cf. The Rous Lench Collection, Sotheby’s, 1st July 1986, lot 249.

850. A rare Derby ecuelle and cover, c.1760, with an unusual scallop-edged rim, the body painted with flower sprays in the Cotton Stem manner, the cover surmounted with a peach finial, 18.2cm. (2) £600-800

851. A rare Worcester double leaf dish, c.1758-60, painted with the Valentine pattern, the two doves of Venus billing and cooing on a quiver of arrows beside a garlanded tree, 26.5cm. £400-600

852. A good pair of Worcester shell-shaped dishes, c.1772, brightly enamelled with birds perched and in flight within a gilt dentil border, 19cm. (2) £500-800

853. A good pair of Chelsea silver-shaped dishes, c.1756, boldly painted with pomegranates and blackcurrants, the other with peaches and blackberries, the handles picked out in puce and gilt, brown anchor marks, 24.5cm. (2) £600-800

Cf. Simon Spero, Worcester Porcelain, The Klepser Collection, pl.78 for a plate of similar decoration.

The pattern is a copy of a Chinese export porcelain pattern, drawn by Lieutenant Piercy Brett and used on a service for Commodore George Anson in 1743.

854. A Worcester fluted tea service, c.1770-72, of ‘Lord Rodney’ type, painted with birds within blue and gilt borders, open crescent marks. Comprising: a teapot and cover, a tea canister and cover, a sugar bowl and cover, a milk jug, a slop bowl, two plates, seven teacups, six coffee cups and six saucers. (29) £800-1,200 Provenance: from the collection at Invercauld Castle.

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855. A Chelsea-Derby bell-shaped cup, c.1770, painted with flowers including a large pink rose, 6.2cm. £250-350

856. A Derby finely fluted jug, c.1760, the ribbed body painted with flowers beneath a brown line rim, minor faults, 9cm. £150-250

This shape was used by Chelsea during the red anchor period and continued at Derby into the later years of the 18th century. The painting on this cup is identical to that seen on other Chelsea-Derby wares of the early 1770s.

857. A rare Bow coffee cup, c.1752, painted in polychrome enamels with a figure fishing beneath a pine tree, the other side with a sailing vessel, a faint hairline crack, 5.5cm. £180-220 Paper label for the C L Exley Collection, no. 218.

858. A Worcester coffee cup, c.1770, printed in black with a figure bent over before ruins, the reverse with a monument beneath a tree, 6cm. £80-120

859. A Derby barrel-shaped mug, c.1760, well-painted with trailing floral sprays beneath a brown line rim, 9.5cm high. £400-600

860. An English porcelain coffee can, late 18th/early 19th century, printed with the King of Prussia, the reverse with Fame blowing trumpets, damages, 6cm. £100-200

861. A large Worcester mug, c.1775-80, brightly enamelled with floral garlands and the monogram JP between cobalt blue and gilt bands, 14cm. £200-300

862. A Worcester teabowl and a flared cup, c.1770-80, painted with Oriental figures in landscapes, 6.7cm. (2) £80-120

863. A large Vauxhall jug, c.1758-60, painted in the Imari palette with peony and bamboo behind holey rockwork, cracked, 14.5cm high. £300-500

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864. A Worcester blue scale spoon tray, c.1765-70, painted with panels of exotic birds and colourful butterflies on a blue scale ground, blue seal mark, 15.4cm. £350-450

865. A good pair of Worcester teacups and saucers, c.1775, the ribbed bodies painted with green and gilt flower sprays within a jagged French green border, 13.1cm. (4) £300-500

866. A Derby oval basket, c.1760, the interior painted with cherries, moths and other insects, the exterior applied with flowerheads where the reticulations join, 21.5cm. £400-600

Paper label for the Robert Drane collection, no. 943.

Cf. H. Rissik Marshall, Coloured Worcester Porcelain of the First Period, pl.33, no.712.

Old paper label for The Antique Porcelain Co. Ltd., New Bond Street.

867. A large Bow three-tier sweetmeat stand, c.1765, modelled with scallop shells painted to the interior with flowers, the base and stem encrusted with shells and seaweed, damages and restoration, 20cm. £250-350

868. A Worcester small reticulated dessert basket, c.1770, the flared sides formed of interlocking circles applied externally with small flowerheads, the interior painted with a simple flower spray, 13.3cm. £200-300

869. A large Derby barrel-shaped mug, c.1765-70, painted with a large arrangement of flowers and barley ears, cracked, 12.5cm. £350-450

871. A Chelsea étui, c.1755, of partridges around a wheatsheaf tied with ribbon and moulded with forget-me-not, apparently constructed from two bases, with silvercoloured metal mounts, 13.4cm. £300-500

872. A Longton Hall rococo moulded vase and cover, c.1755, applied and painted with flowers, the scrolling handle with a leaf spray, some damages to the flowers, 30cm. (2) £300-500

Cf. Chelsea and Other Porcelain, The Collection of Irwin Untermeyer, pl.61 fig. 236 for the complete étui.

Provenance: from the collection at Invercauld Castle.

870. A Worcester printed mug, c.1768-72, decorated in black with the Milkmaids and May Day prints, the cylindrical body slightly tapering, 8.5cm high. £200-300 The May Day print is taken from a Francis Hayman painting and appears on p.20 of the Ladies Amusement.

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873. A rare Chelsea scallopedged dish, c.1758, painted in a delicate pink palette with a chinoiserie scene of figures in a fenced garden before rockwork and a tall pagoda, broken in half and reglued, 22cm. £600-800

874. A good Chelsea saucer dish, c.1754, finely painted with three birds standing and perched on a fruiting branch, flying insects and a butterfly above, brown line rim, the base with a red anchor mark, 16.7cm. £300-500 873

874

875. A Bow plate, c.1765-70, painted with fruit and butterflies in the manner of Chelsea’s Duke of Cambridge service, the rim feather-moulded, red anchor and dagger mark, 8cm hairline, 23.2cm. £280-350

876. A Worcester plate, c.1770, decorated in the Giles atelier with a spray of English flowers to the well within a brown band entwined with leafy tendrils, the rim with a gilt dentil border, 22.6cm. £500-800 875

876

877. A Christian’s Liverpool teapot and cover, c.1765-70, painted with fan-shaped panels of flowers reserved on a blue ground, the cover with additional gilt floral sprays, a small chip to the cover, 19cm. (2) £500-700

878. A Chelsea basket, c.1758, the interior painted with radishes and cherries, the exterior applied with blossom issuing from the twig handles around a pierced rim, brown anchor mark, a tiny amount of restoration to the flowers, 19.5cm. £500-800

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877

878

879. A large pair of Bow leafshaped dishes, c.1755-60, painted in the Kakiemon palette with the Two Quail pattern, a few tiny rim nibbles, 25cm. (2) £700-1,000

880. A rare Worcester saucer, c.1765, decorated in the Giles atelier with unusually naturalistic flower sprays and single scattered leaves, blue crossed swords and 9 mark, traces of gilding to the rim, 13cm. £200-300 Cf. Stephen Hanscombe, James Giles, China and Glass Painter 1718-80, pl.8 for a trio with this decoration. 879

881. An early Worcester quatrefoil vase, c.1755, the lobed form finely painted with a loose flower spray and further single blooms, the sides applied with triangular green handles, restoration to the neck, 16.5cm. £250-350 Cf. Simon Spero, Lund’s Bristol and Early Worcester Porcelain 1750-58, p.222 for the shape, which was loosely derived from Chinese porcelain.

880

881

882

883

882. A rare Worcester lozengeshaped dish, c.1775, painted with a spiralling floral arrangement, a garland of purple monochrome flowers suspended within a shaped sea green border, 26.7cm. £300-500 Cf. H. Rissik Marshall, Coloured Worcester Porcelain of the First Period, p.165, no.311 for the same pattern.

883. A small Chelsea silvershaped dish, c.1756, painted with small sprays of flowers and a moth, within a shaped brown line rim, 21cm. £200-300

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884. A Bow model of a sphinx, c.1752-3, modelled reclining on a tall scrolling base, her head turned to dexter and paws crossed in front of her, wearing a mob cap, beaded necklace and lace-edged cuffs, the details picked out in polychrome enamels, a little wear and nibbling to the edges, 12.5cm high. £1,500-2,000 This model is traditionally believed to represent the actress Margaret ‘Peg’ Woffington (1717-60), who lived for many years with David Garrick but repeatedly refused his offers of marriage. Cf. Raymond C. Yarbrough, Bow Porcelain and the London Theatre, col. pl. III for an enamelled pair, which are discussed on pages 49-52.

885. A pair of Chelsea ecuelles and covers, c.1756, the exteriors painted with fruit including figs, greengages, grapes and strawberries, with nuts, butterflies, ants and other insects, the interiors with cherries, nuts and leaves, the covers surmounted with elaborate floral finials, brown anchor marks, minor damages, 16.5cm. (4) £800-1,200 884

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885

886. A Worcester vase and cover, c.1758, painted with the Mobbing Birds pattern, a long-eared owl perched in the branches of a large tree with other colourful birds, the reverse with a large spray of flowers and further single scattered blooms, a 1cm restored chip to the cover, 20cm. (2) ÂŁ4,000-6,000 Cf. Bonhams, The Sir Jeremy Lever Collection Part II, lot 28 for a similar vase without a cover. There are many variations on this pattern which is believed to have been copied from Chelsea who, in turn, copied it from the Meissen original.

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19th & 20th Century design Wednesday 3rd october 2012

‘Puss in Boots’ a unique silver and enamel pendant necklace by William Burges. Estimate: £20,000 - £30,000

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

fine porcelain and pottery Tuesday 12th february 2012 Entries are currently being accepted for this sale.

ENQUIRIES Clare Durham Tel: 01722 424507 claredurham@woolleyandwallis.co.uk

A good and rare Don Pottery botanical dessert service, c.1810. Estimate: ÂŁ8,000 - ÂŁ12,000

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Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. After sale settlement of the net sum due to you normally takes place within 28 days of the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual clientâ&#x20AC;&#x2122;s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

Woo l lE y & Wa l li s Absentee Bid Form English & European Ceramics & Works of Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Tuesday 2nd October 2012 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

auCTion CalEndar 20TH CENTURY DESIGN 3rd October – 20th Century Design 28th November – British Art Pottery, including Studio Pottery Michael Jeffery 01722 424505 • michaeljeffery@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 16th October Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards 01722 411854 • markrichards@woolleyandwallis.co.uk CLOCKS, POCKET WATCHES & BAROMETERS 16th October Will Hobbs 01722 339752 • willhobbs@woolleyandwallis.co.uk Richard Price 01722 339752 • richardprice@woolleyandwallis.co.uk SILVER 30th & 31st October Rupert Slingsby 01722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers 01722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 1st November Jonathan Edwards 01722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting 01722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 14th & 15th November John Axford 01722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister 01722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS & BOOKS 12th December Victor Fauvelle 01722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler 01722 424592 • jobutler@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 12th February 2013 Clare Durham 01722 424507 • claredurham@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk