Dominic Winter Auctioneers by Jamm Design Ltd

Dominic Winter SPECIALIST AUCTIONEERS & VALUERS

Printed Books & Maps The Gasson Opera Collection Part II 28 & 29 JANUARY 2015

Front Cover: Lot 152 - George Edwards, The Gleanings of Natural History, 3 volumes, 1758-64. Lot 20 - Henry Craighton, Ruins of Gour, 1817. Fine copy.

Dominic Winter SPECIALIST AUCTIONEERS AND VALUERS All lots are offered subject to the Conditions of Sales and Business exhibited in the saleroom. A buyer’s premium of 19.5% of the hammer price is payable by the buyers of all lots, except those lots asterisked, in which case the buyer’s premium is 23.40% Lots marked with a cross (+) are subject to VAT on the hammer price as well as the premium

DAY ONE

TRAVEL & POLAR EXPLORATION ATLASES, MAPS, PRINTS & CARICATURES EARLY PRINTED & ANTIQUARIAN BOOKS DAY TWO

THE GASSON OPERA COLLECTION PART II Wednesday & Thursday 28 & 29 January 2015 Lots 1-766 Day One commencing at 10am Day Two commencing at 11am Viewing: Tuesday 27 January, 9am-7pm and morning of sales from 9am Payment may be made while the sale is in progress: please see the cashier in the auction office. Customers are asked to pay cash or establish a credit reference with the Auctioneers prior to the sale.

Please ensure that all commission bids reach us by 10am on the morning of sale. Telephone bids only accepted for lots with estimated value greater than £300 and should reach us by 9am on morning of sale Results will be posted on our website immediately after the sale.

Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 www.dominicwinter.co.uk

Fax: 01285 862461 info@dominicwinter.co.uk

For directions on how to find us, please refer to map at rear of this catalogue

FORTHCOMING SALES Wednesday 25 February

British & Continental Paintings, Watercolours & Prints

Thursday 26 February

Antique Furniture, Silverware, Jewellery & Collectables Chinese & Oriental Ceramics & Jade

Wednesday 4 March

Printed Books, Maps & Documents Medieval Manuscripts & Illuminated Leaves Bookbinding Equipment & Conservation Materials from the Bodleian Library

Wednesday 8 April

Printed Books, Maps & Documents Travel, Atlases & Natural History

Friday 17 April

Islamic Art including Indian & Persian Miniatures, Japanese Prints & Chinese Watercolours,Photography 1850-2000

Wednesday 13 May

Printed Books, Maps & Documents

Thursday 14 May

Motoring, Cycling, Maritime & Railway History: Models, Toys, Books & Documents, Fine Art

Friday 15 May

Military, Aviation and Naval History Medals, Arms & Armour, Stamps & Coins

Royal Pedigree Roll, late 15th century (March 4th 2015)

Entries are invited for the above sales: please contact one of our specialist staff for further advice

Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 www.dominicwinter.co.uk

Fax: 01285 862461 info@dominicwinter.co.uk

CONTENTS DAY ONE Travel Polar Exploration British Topography Regimental Histories Natural History Maps Decorative Prints & Original Art Caricatures Cotswold Watercolours Antiquarian Art Reference General Literature Cartons Quantity

1-95 96-117 118-133 134-142 143-168 169-249 250-304 305-341 342-351 352-460 461-485 486-512 513-525 526-597

DAY TWO Gasson Opera Collection: Part II Henry Irving & Ellen Terry Music & Theatre: From Other Vendors

601-716 717-748 749-766

TRAVEL & MOUNTAINEERING To commence at 10am

Lot 1

1 Bellew (Captain Francis John). Views in India, published for the author, 1833, lithographed title vignette, 30 uncoloured lithographed views (complete), bound without the list of subscribers, a few letterpress versos printed upside down, scattered light spotting and light toning, modern brown half cloth, morocco label to upper cover, oblong 4to, 20.75 x 28cm (8.25 x 11ins) Scarce. Sometimes attributed to Captain Henry Walter Bellew (1803-1842), brother of Francis John Bellew (1799-1867). Francis John Bellew served in the Bengal Army, retiring as a Captain in 1832 (later publishing Memoirs of a Griffin in 1845) whilst Henry Walter Bellew was killed in 1842 during the First Afghan War (1839-1842). (1) ÂŁ400-600

Lot 1

Lot 2

2 Bellin (Jacques Nicolas). [Atlas, Cartes des Voyages], c.1780, lacking title and premilms., seventy-four uncoloured engraved maps including many folding and double page, occ. slight dust soiling, hinges and joints weak, contemp. half calf with gilt dec. spine, 4to (1)

ÂŁ1200-1500

7 Boilly (Julien-Leopold). Vues Pittoresques de Montpellier, Girieud editeur, Montpellier, circa 1840-50, ten uncoloured lithographic views, some spotting and toning (mainly to margins), first view with ink library stamp to verso, the largest image 285 x 215mm (11.25 x 8.5ins), sheet size 463 x 323mm (18.25 x 12.75ins), with an additional double-page lithograph entitled Vue Generale de Montpellier, published by Girieud, sheet size 430 x 555mm (16.75 x 21.75ins), all bound in near contemporary boards, minor library marks, some edgewear, folio (1)

£200-300

3 Benoist (Felix). Nice et Savoie Sites Pittoresques, Monuments, Description et Histoire des Departments..., reunis a la France en 1860, Paris: Henri Charpentier, 186[3], part volume only comprising sixty-two hand-coloured litho plates, spotting mostly to margins and occasional closed tears to margins, printed upper wrapper torn & frayed, all loosely contained in worn cloth backed boards, folio Sold as a collection of plates. (1)

£400-600

4 Black (Adam & Charles, publishers). Black’s General Atlas of the World, New and Revised Edition, pub. Edinburgh, 1884, col. printed frontis. of ‘The Flags of all Nations’, fifty-five colour printed maps (complete as list), a.e.g., contemp. half morocco gilt, worn and frayed, folio (1)

£80-120

5 Blackie (W.G., ed.). The Comprehensive Atlas & Geography of the World, pub. Blackie & Son, 1886, addn. half title, ten col. plts. of costumes and numerous b & w illusts. to text, sixty-seven (including fifty-five double page) colour printed maps (complete as list), very occ. spotting, a.e.g., contemp. half morocoo gilt, very slight rubbing at extrems., folio (1)

£100-150

8 Bossu (Jean Bernard). Nouveaux Voyages dans l'Amerique Septentrionale, 1st ed., Amsterdam [Paris], Changuion, 1777, half title, four engraved plates (including one folding), lacking rear endpaper, contemporary marbled calf, gilt decorated spine with red morocco title label, 8vo

6 Blaeu (Johannes). Le Grand Atlas ou Cosmographie Blaviane, 12 vols., pub. Amsterdam 1663, facsimile edition, pub. Theatrum Orbis Terrarum Ltd., 1967-68, hemispheral map of the world, printed in colour and 598 uncoloured maps and plates, text in French (a reprint of the first French edition of 1663), dec. gilt leatherette with contrasting blue labels to spines, slight spotting and dust soiling to sidings, folio Limited edition 98/1000. (12)

Howes B627. The present work describes Bossa's third visit to Louisiana in 1771-72, and was published in Paris, not Amsterdam as imprinted, due to the fact he was briefly imprisoned for his criticism of the governor of New Orleans in 1768. (1) £300-500

£400-600

Lot 9

9 Bowen (Emmanuel). Atlas Minimus or a New Set of Pocket Maps of the Several Empires, Kingdoms and States of the known World, Drawn and engraved by J.Gibson from the best Authorities, Revis’d, Corrected and Improv’d by Eman. Bowen, pub. J.Newbery, 1758, dec. frontis and engraved calligraphic title, preface and index, fifty-two (complete as list) uncoloured engraved maps, hinges and joints weak, contemp. gilt calf, worn at extrems., 12mo (1)

11 Buck (Edward J.). Simla Past and Present, 2nd ed., Bombay, Times Press, 1925, numerous maps and illustrations, previous owner note tipped-in at front, original pictorial cloth, a little rubbed and stained, 8vo, together with Calcutta Past and Present, by Kathleen Blechynden, 1st ed., 1905, illustrations, t.e.g., original green decorative cloth, some mottled stains to covers, 8vo, plus Illustrations of Indian Field Sports, Selected and Reproduced from the Coloured Engravings First Published in 1807 After Designs by Captain Thomas Williamson of the Bengal Army, 1892, 10 chromolithographed plates, light offsetting, original red cloth, some fading, oblong 8vo, with others related including Charles Acland’s A Popular Account of the Manners and Customs of India, 1847 and George Francklin Atkinson’s “Curry & Rice”, 5th ed., 1911

£1000-1500

10 Bres (Onorato). Malta Antica, illustrata co’monumenti e coll’istoria , Rome: Nella Stamperia de Romanis, 1816, half title, engraved vignette to title page, folding engraved map, three folding engraved plates (one with minor marginal closed tear), library stamp to title, occasional light spotting, near contemporary quarter morocco, green morocco spine label, some worming to spine, corners slightly fraying, 4to (1)

(25)

£100-150

12 Carl (Katharine A.). With the Empress Dowager of China, 2nd UK impression, 1906, 22 half-tone plates, Working Men’s College Library stamps throughout, labels at front, t.e.g., original red cloth, spine a little darkened, library stamps to covers, 8vo, together with J.O.P. Bland and E. Backhouse’s China Under the Empress Dowager, Being the History of the Life and Times of Tzu Hsi, new impression, December 1911

£400-600

(2)

£200-300

Lot 14

13 Chaillu (Paul B. Du). The Land of the Midnight Sun: Summer and Winter Journeys through Sweden, Norway, Lapland, and Northern Finland, 2 vols., 4th ed., John Murray, 1888, black and white frontispieces (one folding), numerous other black and white plates and illustrations to text, bookplates of George Flemming to upper pastedowns, hinges cracked, original decorative cloth boards, gilt, some slight speckled water stains to spines, very slightly worn, 8vo, accompanying colour map loosely inserted (2)

14 Clarke (J.). A Series of Twenty-Four Views Illustrative of The Holy Scriptures. Selected from Sir Robert Ainslie’s Celebrated Collection of Drawings in Palestine, Egypt, Syria, Corinth, Ephesus..., Engraved and Coloured by, and Under the Direction of J. Clarke, with a Geographical and Historical Account of Each View, Printed by T. Bensley, 1st ed.[?], London: R. Bowyer, n.d., c.1810, twenty-four fine hand-coloured aquatint plates, one leaf of text watermarked 1805 and two plates watermarked J. Whatman 1809, minor scattered marginal spotting to few plates, a.e.g., 19th c. half morocco by Williamson of Lincoln, gilt decorated spine and morocco title label to upper board, large slim 4to (leaf size 32.5 x 23.2cm)

£70-100

Abbey Travel 382 (with plates watermarked 1816). (1)

£300-500

Lot 15

15 Cluver (Philipp). Introductionis in Universam Geographiam tam Veterem quam Novam Libri VI, edited by Augustus Bruzen La Martiniere, pub. P. de Coup, Amsterdam, 1729, dec. engraved frontis., title printed in red & black, forty-seven uncoloured engraved folding and double page maps, three plts. and a folding table, contemp. vellum gilt with gilt armorials to sidings, 4to (1)

ÂŁ800-1200

17 [Columbus, Christopher]. Nuova Raccolta Colombiana, English edition, 10 volumes bound in 14 (including Atlas), Rome, 1990-97, colour and b & w maps and plates, etc., including some folding, uniform printed boards, 4to (except Atlas volume folio) A monumental work, first published in 1892, and here translated into English and enlarged with further related material on the history of the travels and explorations of Christopher Columbus and the discovery of America. (14) £100-150

18 Coronelli (Vincenzo). Memoires, Historiques & Geographiques du Royaume de la Moree, Negrepont, & des Places Maritimes, Jusques a Thessalonique..., Traduit de l’Italien, Amsterdam: Wolfgang, Waesberge, Boom, & Van Someren, 1686, forty-one double-page engraved plates and maps (of 42), plate of the city & fortress of Coron torn with slight loss, few closed tears, some browning and dust-soiling, occasional dampstaining (mostly light), contemporary calf, boards detached, lacking title label to spine, worn, 12mo (1)

16 Cluverius (Philippus). Germaniae Antiquae, libri tres ... Adjectae sunt Vindelicia et Noricum, 4 parts in one, 1st edition, Leiden, Ludovic Elzevir, 1616, half-title present (bound in after *3), engraved title, eleven double-page engraved maps, twenty-six engraved plates, including four double-page, part-titles to Books 2, 3, & 4, blank leaf before Book 4 present, occasional minor marginal marks, contemporary limp vellum, soiled and a little wear to head and foot of spine, thick folio Willems 108. (1)

£300-500

Lot 18

£400-600

Lot 19

19 Covens (Jean & Mortier, Corneille). Nouvel Atlas Tres-exact et fort Commode pour toutes sortes de Personnes Contenant. Les Pricipales Cartes Géographiques Dressé suivant les Nouvelles Observations....., pub. Amsterdam, c.1735, double page engraved title, table of maps, two engraved plts. of armillary spheres and a hemispheral celestial chart and ninety-eight (complete) engraved maps with contemp. outline colouring, old folds, slight marginal finger soiling, contemp. half calf with gilt dec. spine, rubbed and worn at extrems., oblong 4to Koeman C. Atlantes vol 2. Covens & Mortier 13. (1)

£4000-6000

Lot 20

20 Creighton (Henry). The Ruins of Gour Described and Represented in Eighteen Views; with a topographical map, 1st ed., 1817, half-title, folding hand-col. eng. map of Gour in 1801, eighteen fine hand-col. aquatint plts. after T. Medland, manuscript note loosely inserted “Presented to the India Office Library by the Rev. Charles Arthur Molony, M.A. late vicar of Saint Lawrence, Thanet, a Grandson of Mr. Henry Creighton, the author of this book...”, contemp. polished calf gilt, with gilt armorial of the East India College to centre of each board, spine slightly worn & joints cracked, slim 4toEast India College presentation label to upper pastedown, awarded to W.L. Wilkinson as first of his class in drawing, dated 3 December 1822. Abbey Travel 438. Rare. (1)

£4000-6000

21 Cumming (C.F. Gordon). Granite Crags, 1st ed., pub. William Blackwood and Sons, 1884, eight b & w plates, folding map at end, some marks to frontispiece and preliminary leaves, light spotting to final few leaves, contemporary brown cloth gilt, rubbed, 8vo, together with Chapin (Frederick H.), Moutaineering in Colorado, The Peaks about Estes Park, 2nd ed., pub. Sampson Low, 1890, b & w photogravure frontispiece and plates, b & w illuststartions to text, t.e.g., orig. pictorial green cloth gilt, slightly rubbed, 8vo, (Neate C26), with Walkinshaw (Robert), On Puget Sound, 1st ed., New York, 1929, b & w illustrations by Jeanie Walter Walkinshaw, a few spots, original green cloth, slightly rubbed at spine ends, 8vo, (presentation copy, inscribed to Gertrude Gringrich from the author and illustrator, with a 2 pp. autograph letter to Gringrich from Walkinshaw thanking her for a letter, envelope sellotaped to front pastedown), and Bowles (Samuel), The Switzerland of America, A Summer Vacation in the Parks and Mountains of Colorado, Springfield, Mass., etc., 1869, original cloth gilt, slightly rubbed, small 8vo, and France (L.B.) Mountain Trails and Parks in Colorado, 1st ed., Denver, 1887, b & w wood engraved vignette illustrations to text, original brown cloth gilt, slightly rubbed, 8vo, plus Schwatka (Frederick), A Summer in Alaska. A Popular Account of the Travels of an Alaska Exploring Expedition Along the Great Yukon River, from its Source to its Mouth, in the British North-West Territory, and in the Territory of Alaska, pub. St. Louis, 1893, portrait frontispiece, wood engraved illustrations, original cloth gilt, rubbed and faded, 8vo, (Neate S30), plus six others related (12)

£200-300

22 D’Hastrel (Adolfo). Album de la Plata o’Colleccion de las Vistas y Costumbres Remarcables de esta parte de la America del Sur, 2nd ed., pub. Paris, Cihaut Frères, c. 1950, chromolitho. title printed in blue and gold, twelve (complete) litho. plts. with hand colouring, each with paper guard, qtr. calf with gilt and blind stamped cloth sidings, slim folio (1)

23 Dampier (William). Nouveau voyage autour du monde..., 5 vols., Amsterdam: Paul Marret, 1717, three engraved frontispieces, titles printed in red and black, sixty-two engraved plates and maps (many folding, no authoritative collation - presumed complete), excised ownership inscription to titles, occasional small mark or minor worm hole, contemporary calf, gilt decorated spine, 12mo

£150-200

Uncommon edition in French. Volumes titled; tome I nouveau voyage autour du monde, tome II suite du voyage authour du monde, tome III suplement du voyage autour du monde, tome IV voyage aux terres Australes a la Nouvelle Hollande etc fait en 1699, tome V voyage aux terres Australes a la Nouvelle Hollande etc. (5) £600-800

Lot 24

24 Dampier (William). A New Voyage Round the World. Describing Particularly, the Isthmus of America, several Coasts and Islands in the West Indies, the Isles of Cape Verd, the Passage by Terra del Fuego, the South Sea Coasts of Chile, Peru, and Mexico; the Isle of Guam one of the Ladrones, Mindanao, and other Philippine and East-India Islands near Cambodia, China, Formosa, Luconia, Celebes, etc. New Holland, Sumatra, Nicobar Isles; the Cape of Good Hope and Santa Hellena, their Soil, Rivers, Harbours, Plants, Fruits, Animals, and Inhabitants, their Customs, Religion, Government, Trade, etc., 4 vols. (matched set), mixed eds., 1699-1729, thirty-nine engraved maps and plans (12 folding, including double hemisphere folding map by Moll showing California as an island, with short closed tear to fold), twenty-three engraved plates (3 folding), title to vol. 1 trimmed and relaid, spotting and browning to few leaves, matched contemporary calf gilt, joints cracked and wear to extremities, 8vo Comprising vol. 1, 4th ed., pub. 1699, vol. 2 pub. 1699, vol. 3 pub. 1729 and vol. 4 pub. 1709. Sabin 18374, 18375 & 18377. (4) ÂŁ700-1000

Lot 25

25 De lâ&#x20AC;&#x2122;Isle (Guillaume, and Buache, Philippe). Atlas Geographique et Universal, pub. Dezauche, Paris, 1781, dec. title page, eighty-nine (only) double page engraved maps, two additional tipped in maps by Bonne, slight creasing, slight marginal dust soiling and staining, contemp. calf with gilt dec. spine, worn and frayed at extrems., folio (1)

ÂŁ5000-7000

Lot 26

27 Dieffenbach (Ernest). Travels in New Zealand; with Contributions to the Geography, Geology, Botany, and Natural History of that Country, 2 vols., 1st ed., 1843, four tinted lithographed plates, outline engraving of a whale, 4 pp. publisher’s list at end of volume II, frontispieces and titles detached, some light toning and offsetting, bookplates, original green blindstamped cloth, upper covers detached, volume I lacking spine, volume II spine chipped, 8vo

26 De Vaugondy (Robert). Nouvel Atlas Portatif destiné principalement pour L’instruction de la Jeunesee, pub. Paris, 1778, dec. title, contents list with near contemp. ink annotations, fifty-two (complete as list) engraved maps with contemp. outline colouring, some maps with near contemp. ink and pencil marginalia nad annotations, two additional maps (France and the Austrian Empire) by Delamarche tipped in together with four pages of contemp. manuscript text listing islands and towns on Mediterranean islands, some spotting, hinges weak, contemp. marbled calf with gilt dec. spine, 4to (1)

(2)

£700-1000

£150-200

29 Dower (John). A New General Atlas of Modern Geography Comprised in fifty-one Maps Compiled from the Latest and best Authorities, pub. W.S.Orr & Co., c.1850, calligraphic title torn with slight loss but not affecting text and a contemp. dated manuscript ownership signature, contents list, comparison plt. of the principal rivers and mountains of the world and fifty-one (complete as list) engraved maps with contemp. hand colouring, each with paper guard, near contemp. pencil annotation to verso of guards, some dust soiling and slight spotting throughout, endpapers creased with short closed tears with additional presentation inscription to f.e.p., title page and contents list crudely strengthened at gutter, joints weak, contemp. half morocco with paper label to upper siding, worn and frayed with spine crudely strengthened, 4to (1)

£400-600

30 Drouville (Gaspard). Voyage en Perse, Fait en 1812 et 1813, 2 vols., 2nd ed., Paris, 1825, folding hand-coloured engraved map, 60 hand-coloured lithographed plates, a few folding, titles trimmed and laid down, some toning, spotting and offsetting, contemporary red morocco-backed boards, a little rubbed, 8vo (2)

£300-400

31 Dufour (Auguste Henri). Atlas Universel physique, historique et politique de Géographie ancienne et moderne, Paris, Armand Le Chevalier, 1863, forty double-page engraved maps with hand-colouring, a few closed marginal tears (one or two repaired), occasional slight soiling and some centrefolds largely split at foot, library stamp to title verso, contemporary red morocco-backed boards, heavily rubbed, soiled, with some wear to spine and edges, large folio (61.5 x 43cm)

28 Doughty (Charles M.). Travels in Arabia Deserta, 2 vols., 1st ed., Cambridge, 1888, plates and illustrations, lacking folding map contained in volume I rear pocket, one or two light spots, volume I rear hinge broken, original green cloth gilt, volume I head of spine torn without loss, some edgewear, 8vo

(1)

£200-300

32 Dundas (Anne). Beneath African Glaciers; The Humours, Tragedies and Demands of an East African Government Station as Experienced by an Official’s Wife: with Some Personal Views on Native Life and Customs, 1st ed., Witherby, 1924, b & w photographic plates, original cloth gilt, front board slightly bowed with some splitting to upper joint, 8vo, (Neate D54), together with Harris (Walter B.), Tafilet: The Narrative of a Journey of Exploration in the Atlas Mountains and the Oases of the North-West Sahara, 1st ed., Edinburgh, 1895, numerous b & w plates, folding map, original cloth, rubbed and marked, 8vo, (Neate H43), together with Thomson (Joseph), Travels in the Atlas and Southern Morocco, 1st US ed., New York, 1889, two folding maps, numerous b & w illustrations, original cloth gilt, slightly rubbed, 8vo, (Neate T24 UK edition), and Hooker (Joseph Dalton & Ball, John), Journal of a Tour in Marocco and the Great Atlas, 1st ed., 1878, b & w wood engraved plates including folding panoramic frontispiece and cross section diagram (cleanly split along fold), folding map to rear with repaired tear, contemporary half sheep, upper cover near-detached, 8vo, (Neate H109), plus Rickmers (W. Rickmer), The Duab of Turkestan: A Physiographic Sketch and Account of Some Travels, 1st ed., Cambridge, 1913, two folding maps to rear, folding panorama, numerous b & w illustrations and plans to text, original green cloth gilt, spine rubbed and darkened, 8vo

Regarded as the definitive travel book on Arabia. It was reissued in 1921 with an introduction by T.E. Lawrence. (2) £300-400

(5)

£150-200

33 East India Company. The East India Kalendar; or, Asiatic Register for Bengal, Madras, Bombay, Fort Marlborough, China, and St. Helena. For the Year 1791. On a more Extensive plan than any Hitherto Offered to the Public. Containing Complete and Correct Lists of the Company’s Civil, Military, Marine, Law, and Revenue Establishments, Public Offices, Bankers; Greek, Armenian, Mogul, and Portuguese Merchants; Company’s Agents at Home and Abroad; with a Correct List of British European Subjects Residing in India, not in the Company’s Service, 1st ed., J. Debrett, 1791, 156 pp., occasional light spotting or soiling, a few old crease marks, modern cloth-backed boards, 12mo

Lot 29

(1)

£100-150

34 Eyre (Edward John). Journals of Expeditions of Discovery into Central Australia, and Overland from Adelaide to King George’s Sound, in the Years 1840-1; Sent by the Colonists of South Australia, with the Sanction and Support of the Government: Including an Account of the Manners and Customs of the Aborigines and the State of their Relations with Europeans, 2 vols., 1st ed., 1845, 22 lithographed plates, lacking two folding maps (as often), bound without the advertisements, a few light spots, one or two small circular inkstamps of the University of Michigan to plates, small perforations to volume II title, contemporary half calf, chip to volume I spine, joints cracking, a little rubbed, 8vo Ferguson 4031. “This account of Eyre’s explorations contains also much valuable information about the aborigines.” (Ferguson). (2) £200-300

Lot 30

35 Fer (Nicolas de). Introduction a la Geographie, avec une Description Historique sur touttes les parties de la Terre, 2nd ed., Augmentee des Longtitudes et Latitudes des Principales Villes. Suivant les dernieres Observations, Paris, 1717, engraved title and text leaves throughout, six engraved folding maps & plates (one plate with repaired closed tear), title with dampstain to inner margin, contemporary speckled calf, elaborate gilt decorated spine, 8vo (1)

£600-800

36 Fitzgerald (E.A.). Climbs in the New Zealand Alps. Being an Account of Travel and Discovery, 1st ed., 1896, fifty b & w plates, folding map contained in rear pocket, t.e.g., original cloth, calf labels to spine (rubbed and chipped), 8vo, (Neate F36), together with New Zealand Alpine Journal, vols. I & II in one, April 1892-May 1896, folding colour map, folding plan, single-page map and two plates, some toning, Manchester Central Library Rucksack Club bookplate (residue from label removal at front), library cloth, slightly rubbed, 8vo, with Harper (Arthur P.), Pioneer Work in the Alps of New Zealand: A Record of the First Explorations of the Chief Glaciers and Ranges of the Southern Alps, 1st ed., 1896, folding map, b & w photo. plates, orig. blue cloth gilt, rubbed with partly peeled label to upper cover, 8vo, (Neate H36), and Mannering (George Edward), With Axe and Rope in the New Zealand Alps, 1st ed., 1891, folding map, numerous b & w plates, publisher’s catalogue to rear, orig. cloth gilt, chipped to upper corners, 8vo, (Neate M40) (4)

Lot 34

£200-300

37 Florez (Henrique). Clave Geographica para aprender geographia los que no tienen maestro, Madrid: Imprenta de la Viuda de Ibarra, 1802, half title, folding engraved map, two folding plates (both with short closed tear), some dust-staining, offsetting, library ink stamp to verso of final text leaf, contemporary sheep, green morocco spine label, small 8vo (1)

£150-250

38 Gilbert (Josiah & Churchill, G.C.). The Dolomite Mountains. Excursions Through Tyrol, Carinthia, Carniola, & Friuli, in 1861, 1862 & 1963, 1st ed., 1864, half-title present, six chromolithograph plates, two folding maps, wood-engraving to text, some light dampstaining, recent half calf gilt, 8vo, together withYeld (George), Scrambles in the Eastern Graians 1878-1897, 1st ed., 1900, photogravure frontispiece, folding map, illustrations, presentation copy with inscription to front endpaper “Mrs Handford, with the author’s kind regards, July 1900”, occasional spotting, t.e.g., original blue cloth gilt, spine faded with few stains, 8vo Neate G18 & Y07 respectively. (2)

£200-300

Lot 40

39 [Gray, James]. Life in Bombay, and the Neighbouring OutStations, 1st ed., Richard Bentley, 1852, half title, 12 tinted lithographed plates, illustration, scattered light spotting, light offsetting, bookplate, modern half cloth, spine a little faded, 8vo (1)

£150-200

40 Hall (Sidney). A New General Atlas with the Divisions and Boundaries carefully coloured; Constructed Entirely from New Drawings...., pub. Longman, Orme, Brown, Green & Longmans, 1840, calligraphic title, tipped in publisher’s advertisement, fiftythree (complete as list) engraved maps with contemp. outline colouring, some browning to last few maps, contemp. half sheep with red morocco gilt label to upper siding, frayed and worn, folio (1)

42 Henderson (John). Excursions and Adventures in New South Wales; with Pictures of Squatting and of Life in the Bush... Together with a Prefatory Chapter on the Gold Fields..., 2 vols., 2nd ed., 1854, tinted lithograph frontispieces (one close-trimmed), two woodengraved plates, single-page map with outline colour of New South Wales, some toning and light spotting, previous owner inscriptions, library bookplates, contemporary half calf, volume II covers detached, volume I upper joint splitting, rubbed, 8vo

£300-500

41 Heber (Reginald). Narrative of a Journey through the Upper Provinces of India, from Calcutta to Bombay, 1824-1825. (With Notes upon Ceylon, ) An Account of a Journey to Madras and the Southern Provinces, 1826, and Letters Written in India, 3 vols., 4th ed., 1829, numerous wood-engraved plates (‘Roberton Library’ in manuscript to vol. II title and plates), occasional spotting and light soiling, recent blue half cloth (spines a little faded), 8vo, together with From Southampton to Calcutta, by Cadwalladar Cummerbund, 1st ed., 1860, engraved frontispiece, some light spotting and toning, modern cloth-backed boards, 8vo, with two others: Original Letters From India (1779-1815), by Mrs Eliza Fay, Hogarth Press, 1925 and George Smith’s Bishop Heber, 1895 (6)

Ferguson 10365. (2)

£100-150

£150-200

43 Heyl (James B.). Bermuda through the Camera of James B. Heyl 1868-1897, 1st edition, Hamilton, Bermuda, 1951, b & w illustrations from photos throughout, signed presentation inscription to Ernest F. Cook from the author’s daughter S. Heyl to front endpaper, original cloth gilt in d.j., a little chipped and spotted, 4to (1)

£100-150

44 Hillary (Edmund). High Adventure, 1st ed., 1955, colour frontispiece, half-tone illustrations, scattered light spotting, original blue cloth (spine a little faded), price-clipped d.j., losses at spine and margins, sellotape repair to rear panel, 8vo, signed by the author to title as ‘Ed Hillary’, together with The Ascent of Everest, by John Hunt, 1st ed., 1953, colour and b & w illustrations, some light spotting, original blue cloth (head of spine faded), d.j., spine darkened and chipped at ends, 8vo, signed ‘Ed Hillary’ to title, plus No Latitude for Error, by Sir Edmund Hillary, 1st ed., 1961, illustrations, a few spots, previous owner signature and bookseller inkstamp to front pastedown, original cloth, price-clipped d.j., light partial toning to rear panel, 8vo, signed by the author, with four other signed by Hillary including High in the Thin Cold Air, 1963 and No Place for Men, 1964 (7)

£200-300

45 Hillary (Edmund). High Adventure, 1st ed., 1955, colour frontispiece, b & w illustrations, original blue cloth, one or two light mottled stains, d.j., a few chips, 8vo, signed by the author as “Ed Hillary” to title, together with The Ascent of Everest, by John Hunt, 4th impression, April 1954, colour and b & w illustrations, original cloth, price-clipped d.j., a little rubbed with a couple of closed tears, 8vo, signed by Hillary to title, plus No Latitude for Error, by Sir Edmund Hillary, 1st ed., 1961, b & w illustrations, one or two light spots, previous owner signature, original cloth, price-clipped d.j., a little rubbed and toned, 8vo, signed by the author to title, with three others signed by Hillary: Nothing Venture, Nothing Win, 1975, Alpine Sports. 55 Years of an Auckland Mountain Club. 1929-1984, 1986 and View From the Summit, 1999 (6)

£100-150

46 Hunt (John). The Ascent of Everest, 1st ed., 1953, colour and b & w illustrations, light offsetting to endpapers, original blue cloth, price-clipped d.j., spine a little faded and rubbed at ends, 8vo, signed to title ‘Ed Hillary’, together with The Conquest of Everest, by John Hunt, 1st US ed., Dutton, New York, 1954, illustrations, original clothbacked boards (a few light mottled spots), d.j., loss at spine ends, one or two chips, 8vo, signed ‘Ed Hillary’ to title, plus Road to Rakaposhi, by George Band, 1st ed., 1955, half-tone illustrations, some light spots, map endpapers (front endpaper with red bookseller stamp), d.j., loss at head of spine, a little rubbed and chipped, 8vo, signed ‘Ed Hillary’ to title, with four others including Sir Vivian Fuchs’ Antarctic Adventure, 1st ed., 1959, another copy of The Ascent of Everest, 1953 and Peter Mulgrew’s No Place for Men, 1965 reprint, all signed by Hillary

48 Italy - Rome & Pisa. A volume of views of Rome, early 19th c., comprising ninety-nine engraved plates of Rome after Achille Parboni and Tommaso Cuccioni, lacking title, bound with Pisa, Rappresentazione Degli Edifizj piu Cospicui de Pisa..., in Dodici Tavole Incise da Ranieri Grassi..., 4th ed., Pisa: Ranieri Prosperi, 1839, twelve engraved plates, contemporary half calf, gilt decorated spine, extremities rubbed, oblong 8vo (leaf size 16.6 x 22.5cm)

(7)

(1)

49 Johnston (Alexander Keith). The Royal Atlas of Modern Geography, A New Edition, pub. W. & A.K.Johnston, 1888, addn. half title, fifty-four (complete as list), double page engraved maps with contemp. outline colouring, a.e.g., hinges and joints broken with text block loose, contemp. half morocco gilt, frayed at extrems., folio

£150-200

47 Hunt (John). The Ascent of Everest, 1st ed., pub. Hodder & Stoughton, 1953, signed by the author in blue ink to title, colour frontis., several colour plts. and numerous b&w plts. after photos, orig. blue cloth gilt in d.j., very sl. rubbed, 8vo Neate H135. A good copy. (1)

£150-250

£70-100

£100-150

52 La Croix (A. Pherotée de). Nouvele metode pour apprendre la geographie universele..., vols. 1-3 (of 5), 3rd ed., Lyon: Leonard Plaignard, 1717, additional engraved title to vol. 1 (lined to verso), letterpress titles in red & black (two with contemporary signature), thirty-seven engraved plates, charts & maps (including 25 folding maps and 5 folding plates), one or two plates & maps strengthened to margins etc., running titles of vols. 2 & 3 slightly close-trimmed (occasionally affecting few map ruled borders), toning & dust-soiling, occasional spotting & staining, contemporary sheep, gilt decorated spines, rubbed and slight wear to extremities, 12mo

50 Kircher (Athanasius). La Chine Illustree de Plusieurs Monuments tant Sacres que Profanes, et dequantite de Recherches de la Nature & de l’Art, 1st ed. in French, Amsterdam, 1670, additional engraved title, engraved portrait, two folding engraved maps (one with closed tear), eight letterpress plates (folding plate with closed tear), fourteen engraved plates, 61 engraved illustrations, one or two closed tears, some occasional spotting and light toning, bookplate, contemporary calf, rebacked, rubbed, folio

(3)

£300-400

Influential work by polymath Jesuit Kircher, which includes a Chinese-French dictionary, probably the first to be printed in Europe. (1) £1500-2000

51 Knapp (Samuel L.). The History and Topography of the United States of North America, 2 vols., new ed., Boston, 1834, frontispiece and additional engraved title to each, steel-engraved maps and plates, occasional offsetting and spotting, library stamps and labels, library cloth, spines faded, 4to, together with General Introduction to Statistical Account of Upper Canada, Compiled with a View to a Grand System of Emigration, in Connexion with a Reform of the Poor Laws, by Robert Gourlay, 1st ed., 1822, folding map frontispiece (offset to title), a few spots, shelf number label pasted at front, contemporary calf gilt, some worming to spine, rubbed, 8vo, with three others: Robert Gourlay’s Statistical Account of Upper Canada, Compiled with a view to a Grand System of Emigration, volume I only, 1822, The Bubbles of Canada, 1839, and John McMaster’s A History of the People of the United States, volumes I-V only (of seven), 1902 (10)

Lot 53

£100-150

54 Lafond (Gabriel). Voyages autour du mond et naufrages célèbres, 8 volumes bound in 4, Paris, 1843-44, engraved portrait, 77 engraved plates and views, including 32 hand-coloured and heightened with gum arabic, some scattered spotting, a few leaves somewhat browned, contemporary uniform quarter green morocco gilt, rubbed and scuffed with minor wear to extremities, small 4to

53 Laffi (Domenico). Viaggio in Levante al Santo Sepolcro ... et altri luoghi di Terra Santa, 1st edition, Bologna, Eredi d’Antonio Pisarri, 1683, half-title, woodcut head-pieces, etc., full-page woodcut of the Holy Cross, a few leaves with some light browning, and occasional minor marks, later half calf gilt with morocco title label to spine, joints partly cracked at foot, minor wear to extremities, small 8vo Rohricht, Bibliotheca Geographica Palestinae 1679. An account by the author of a Christian pilgrimage from Bologna to the Holy Land in 1678, taking in Malta, Crete, Cyprus and the North African coast before arriving in Jerusalem and other Holy sites throughout Palestine and the Holy Land. (1) £400-600

(4)

£300-400

55 Little (Archibald John). Mount Omi and Beyond. A Record of Travel on the Thibetan Border, 1st ed., 1901, portrait frontispiece, folding map, half-tone illustrations, scattered light spotting, original pictorial cloth, corners bent, a little grubby, 8vo (Neate L43. “Account of journeys in 1892-97. The author passed close by vast snowcovered ranges which remained practically unexplored by Europeans. Omi-shan is a sacred mountain in north-west Szechuan.”). together with Rockhill (William Woodville). The Land of the Lamas. Notes of a Journey Through China, Mongolia and Tibet, 1st US ed., New York, 1891, two double-page maps, b & w illustrations, t.e.g., original cloth, spine with red label, a little rubbed with dampstains, slight lean, 8vo Neate R62. (2)

£100-150

56 Lizars (W.H. pubs.). Lizars’ Edinburgh Geographical General Atlas: Containing Maps of Every Empire, State and Kingdom....., pub. Edinburgh, c.1840, printed title, sixty-nine (complete as list) engraved maps with contemp. outline colouring and a table of mountain chains, near contemp. manuscript number to margin of each map, two uncalled for maps comprising of a bound-in folding map of New Zealand by J.Gellatly and a loosely inserted map of Sardinia by J.Archer, occ. spotting, hinges and joints weak, contemp. morocco, frayed and worn, folio

Lot 54

(1)

Lot 56

£800-1200

57 Madden (Richard Robert). Travels in Turkey, Egypt, Nubia, and Palestine, in 1824, 1825, 1826, and 1827, 2 vols., 1st ed., 1829, half title to vol. I only, hand-coloured aquatint portrait frontispiece to vol. I after Henry Salt (light offsetting to title), pp. 195-200 outer margins trimmed in vol. II, a few light spots, modern cloth-backed boards, 8vo Blackmer 1056. “Madden had trained as a surgeon, though he never practised in England, but because of this he was able to enter areas closed to most Europeans, mainly the harem and some slave bazaars. He travelled in the Levant from 1824-27. His work also contains much information on Egypt and Egptology.” (2) £300-400

58 Marchand (Etienne). Voyage Autour du Monde, pendant les Annees 1790, 1791 et 1792... Precede d’une Introduction Historique; auquel on a Joint des Recherches sur les Terres Australes de Drake, et un Examen Critique du Voyage de Roggeween... par C.P. Claret Fleurieu, 6 vols, Paris, an VI-VIII (1798-1800), atlas with folding hydrographic map (loose and torn without loss), 14 other engraved maps, engraved plate, a few loose, folding tables, some mainly marginal waterstains text vols. (vol. I with a few marginal wormtracks and some insect damage), original pink boards, rubbed, a few wormtracks, 8vo & 4to Hill p. 105-6; Howes F195; Sabin 24751. Presentation copy, vol. I inscribed: ‘a Madame de Bouville, de la part de l’auteur’. “A most important work for the history of geographical discovery in the North-West” (Hill). Marchand was the second Frenchman, after Bougainville, to circumnavigate the world, visiting Norfolk Sound, the Queen Charlotte Islands and the Sandwich Island, “adding considerably to the scanty knowledge of Northwest America” (Howes). (6) £2000-3000

59 Marmol Carvajal (Luis del). L’Afrique de Marmol, de la Traduction de Bicolas Perrot sieur d’Ablancourt..., avec l’Histoire des Cherifs, traduite de l’Espagnol de Die’go Torre’s, par le Duc d’Angoulesmele Pere, Reveue et retouchee par P.R.A., 3 vols., 1st French edition, Paris: Thomas Jolly, 1667, twenty-eight engraved maps by Sanson, vol. 1 & 2 titles lined to verso and vol. 2 title repaired, vol. 3 title lacking and replaced with title of “Histoire des Cherifs” (from rear of volume, title & following leaf repaired), repaired worm trail to few leaves in vol. 1 an dlacking one preliminary leaf (blank?), some browning and slight spotting, contemporary calf, gilt decorated spines, gilt armorial to centre of each board, joints cracked and some wear, 4to

Lot 57

An important description of Africa, where Marmol spent eight years as a prisoner of the Moors. (3) £700-1000

60 Mathews (Charles Edward). The Annals of Mont Blanc. A Monograph, 1st ed., 1898, folding colour map, b & w plates (one loose), occasional minor spotting, contemporary presentation inscription to front endpaper, t.e.g., original cloth gilt in bright condition, 8vo, (Neate M66), together with Whymper (Edward), The Ascent of the Matterhorn, 3rd ed., John Murray, 1880, half-title, numerous wood engraved illustrations, two lithograph maps (one map folding with few closed tears to folds), contemporary half calf, lower board near-detached, rubbed, 8vo, (Neate W65), with Dent (Clinton), Above the Snow Line: Mountaineering Sketches between 1870 and 1880, 1st ed., 1885, half-title, three wood engraved plates including frontispiece, original cloth gilt, rubbed with a little fraying to head and foot of spine, 8vo, (Neate D19), plus Larden (Walter), Recollections of an Old Mountaineer, 1st ed., 1910, b & w illustrations, some spotting, pencil annotation, hinges tender, original cloth, lower joint splitting, edges rubbed, 8vo, with loosely inserted 8pp. autograph letter from the author to a Mr Wilson, dated 1910, discussing his life and contents of the book

Lot 59

(4)

£200-300

Lot 58

Lot 61

61 Mercator (Gerard). Atlas Minor Gerardi Mercatoris Ă J.Hondio plurimis aeneis tabulis auctus atque illustratus, pub. Jan Jansson, Arnhem, 1621, dec. title with lower margin extended, one engraved allegorical plate, 153 uncoloured engraved maps with Latin text, very slight dust soiling, contemp. vellum, oblong 4to Koeman C. Atlantes. Vol 2. Me 193. (1)

ÂŁ5000-7000

Lot 62

62 Mercator (Gerard, and Hondius, Jodocus). Atlas Minor ou Briese & Vive Description de tout le Monde & ses Parties, pub. Jan Jansson, Amsterdam, 1630, title page with pasted on publication slip, title page and f.e.p. with near contemp. manuscipt annotations, 137 (only of 142) uncoloured engraved maps, French text, occ. slight staining, map of Momonia (Southern Ireland) duplicated, contemp. calf, rebacked but retaining original spine, oblong 4to Koeman C. Atlantes. Vol 2. Me 196. (1)

ÂŁ4000-6000

63 Middleton (Charles Theodore). A New and Complete System of Geography. Containing a Full, Accurate, Authentic and Interesting Account and Description of Europe, Asia, Africa and America...., pub. J.Cooke, 1777 - 78, dec. allegorical engraved frontis., titles printed in red & black, twenty uncoloured engraved maps (including eleven folding) and 100 engraved plts., contemp. calf with gilt dec. spines, a little worn at extrems., folio (2)

ÂŁ500-800

Lot 65

64 Middleton (Charles Theodore). A New and Complete System of Geography Containing a Full, Accurate, Authentic and Interesting Account and Description of Europe, Asia, Africa and America...., vol.1 (only of 2), pub. J.Cooke, 1779, title page printed in red & black, dec. engraved frontispiece, fifty-four uncoloured engraved plts. and six b & w engraved maps (including five folding), retaining both world maps, occ. closed tears, occ. juvenile pencil marginalia, contemp. half calf gilt, rubbed and worn, folio Sold as a collection of prints and maps, not subject to return. (1)

ÂŁ200-300

Lot 66

65 Milner (Rev. Thomas & Petermann Augustus). A Descriptive Atlas of Astronomy and of Physical and Political Geography, pub. Wm.S. Orr, 1853, frontispiece of a dec. comparison plt. title, preface and contents, numerous wood eng. vignettes to text, seven eng. astronomical charts with contemp. hand colouring, sixty-five of sixtysix eng. maps with contemp. outline colouring (lacking the map of the world showing the divisions of the oceans), slight spotting and marginal dust soiling, prize label to front pastedown, contemp. gilt dec. calf with armorial crest of Bedford English School to upper siding, worn at extrems., folio (1)

£300-500

66 Mitchell (Thomas Livingstone). Three Expeditions into the Interior of Eastern Australia, with Descriptions of the Recently Explored Region of Australia Felix, and of the Present Colony of New South Wales, 2 vols., 1st ed., 1838, lithographed titles, 6 coloured and 44 uncoloured lithographed plates and plans, large folding map (repair to verso), single-page coloured map, illustrations, 16 pp. publisher’s list at end of volume II, some leaves loosening in volume II, volume I front hinge broken, some light offsetting and a few spots, armorial bookplates and inscriptions from Lord Newborough dated February 1839 to front pastedowns, original green cloth, spines lettered and decorated in gilt, some fading and light ink stains, 8vo Ferguson 2811. Account of Surveyor-General Mitchell’s three expeditions to determine the courses of the large rivers in Southern Australia and is of ethnographic value with its detailed descriptions of Aboriginal life, as well as geology, topography and natural history. (2) £400-600

67 Monin (C.V., and Fremin, M.). L’Univers. Atlas classique et universel de geographie ancienne et moderne, Paris, Armand Aubrée, 1837, 38 uncoloured engraved maps on 32 sheets, including some double-page, a few minor marks, contemporary calf-backed marbled boards, rubbed and somewhat worn to spine and edges, large folio (1)

Lot 67

£150-200

68 Morisot (Claude Barthelemy). Orbis Maritimi sive Rerum in Mari et Littoribus Gestarum Generalis Historia, 1st ed., pub. P. Palliot, Dijon, 1643, title printed in red & black with addn. dec. engraved half title, twenty-three engraved maps to text but lacks folding plate, and nineteen engravings of coins and boats to text, numerous woodcut initials throughout, later endpapers, near contemp. calf with blindstamped armorial and two old paper library labels to upper siding, re-backed, folio (1)

£600-900

69 [Mortimer, Favell Lee]. Far Off; or, Asia and Australia Described. With Annecdotes and Numerous Illustrations, 1st ed., 6th thousand, 1852, frontispiece, folding map, illustrations, pubs. list at end, scattered light spotting, contemporary previous owner inscription and bookbinder’s blindstamp to front endpaper, original green cloth gilt, spine faded, 8vo, together with Sherrin (R.A.A., and Wallace (J.H.), Early History of New Zealand, Brett’s Historical Series, Auckland, 1890, colour frontis., b & w illustrations, including folding panoramas, scattered spotting, a few marginal red stains to first few leaves, original burgundy half morocco, a little rubbed, 4to, plus Willis (A.D., pub.), Interesting Chapters from the Early History of Wanganui; and Wanganui in 1856, 1st ed., Wanganui, 1887, two tinted lithographed plates, advert leaves at end, marginal holes from where previously stitched, one or two spots, original pictorial boards, lacking spine, covers soiled with some loss, 8vo Scarce. Presentation inscription on index leaf from C. Burnett to Mrs Davies, Wanganui, N.Z., Nov. 1887. Cornelius Burnett was the author of the second part, Wanganui in 1856. (3) £150-200

Lot 68

70 Mundy (Captain Godfrey Charles). Pen and Pencil Sketches Being the Journal of a Tour in India, 2 vols., 1st ed., 1832, half title to vol. II only, 19 etched and wood-engraved plates, folding map, some scattered spotting, modern brown half cloth, 8vo (2)

£150-200

71 Murray (Hon. James Erskine). A Summer in the Pyrenees, 2 vols, 2nd ed., 1842, twelve engraved plates, plates a little foxed, orig. blindstamped cloth, rubbed and marked, 8vo (2)

£150-200

72 New South Wales. History of New South Wales, From the Records, vols. I (by G.B. Barton) & II (by Alexander Britton, ed. F.M. Bladen), Charles Potter, Sydney, 1889-1894, facsimile maps and plates, a little light soiling, library bookplates and inscriptions at front, original blue cloth, vol. I covers a little bowed from waterstains, 8vo, together with Historical Records of New South Wales, vol. I, Part I & vols. IV-VII only, Sydney, 1893-1901, facsimile maps, letters and illustrations, occasional light waterstains, library bookplates, vol. I half calf (rubbed), the others in publisher’s blue cloth gilt, a few mottled dampstains, 8vo (7)

£200-300

75 Paz Soldan (Mariano Felipe). Atlas Geografico del Peru, Paris, 1865, seventy-three engraved maps, plans and tinted lithograph views (31 views on 22 leaves), occasional short closed tear to folding maps, minor scattered spotting, near contemporary half calf, contrasting spine labels, a little rubbed and bumped to corners, atlas folio Sabin 59325. (1)

76 Perrot (A. & Achin). Atlas geographique statistique et progressif des departemens de la France et de ses Colonies ... sous la direction de P. Tardieu, Paris, circa 1850, lithographic title and ninety-five engraved maps, including two folding general maps of France and seven folding maps of French colonies (Alger, Martinique, Guadeloupe, Guyane, Senegal, Ile Bourbon & Possessions & Possessions Francaises Orientales), closed tear to final general map at rear of volume, contemporary green morocco-backed boards, heavily rubbed and scuffed, oblong folio (27 x 33cm)

73 Olearius (Adam). The Voyages and Travells of the Ambassadors sent by Frederick Duke of Holstein, to the Great Duke of Muscovy, and the King of Persia ..., containing a Compleat History of Muscovy, Tartary, Persia ... whereto are added the Travels of John Albert de Mandelslo ... from Persia into the East-Indies. Containing a particular description of Indosthan, the Mogul’s Empire, the Oriental Ilands, Japan, China, translated by John Davies, 2nd edition corrected, John Starkey and Thomas Basset, 1669, engraved title, six double-page or folding engraved maps (Livonia, Muscovy, River Wolga, Persia, Province of Kilan & East-Indies), two single-page engraved portraits, and one engraved illustration to text of the Muscovian Language (complete), some minor soiling, map of the River Wolga with some marks, creases, and small repairs, map of Persia with short tear to one fold, and some minor creases, 18th century bookplate of the ecclesiastical library of Peterborough Cathedral to verso of title, contemporary full calf, gilt decorated spine, worn to edges and covers detached, folio Wing 0270. Lowndes III, 1723. (1)

(1)

£70-100

77 Raffles (Sir Thomas Stamford). The History of Java, 2 vols., Black, Parbury, and Allen, 1817, half-title and b & w frontispiece to both volumes, ten contemporary hand-coloured aquatints, fifty-three b & w engraved plates, large engraved folding map with contemporary outline colour, two folding letterpress tables, discreet library stamps to recto of all plates, modern quarter morocco gilt, 4to Abbey travel 554; Tooley 392. (2)

£500-800

78 Robertson (William). The History of America, 2 vols., 2nd ed., 1778, four folding engraved maps, light offsetting, contemporary tan calf, volume I lower cover detached, lacking spine labels, a little rubbed, 4to

74 Parkes (Sir Henry). Fifty Years in the Making of Australian History, 2 vols., 1st ed., 1892, portrait frontispiece to each, some waterstains, bookplates, original cloth, a little rubbed, one or two mottled stains, 8vo (2)

£1000-1500

(2)

£70-100

£100-150

82 Roux (Joseph). Receuil des Principaux Plans, des Ports, et Rades de la mer Meditarranee Estraits de ma Carte en Douze Feuilles. Dediee a Monsgr. le Duc de Choiseul Ministe de la guerre et de a Marine gravee avec Privilege du roy..., Marseille, 1764, engraved title and 103 maps only (of 170, includes one folding), title & final leaf frayed, sewing weak, initial leaves & final leaf detached, dampstained & damp soiled throughout volume, contemporary sheep, oblong 4to, leaf size 17.5 x 23.5cm (1)

£400-600

79 [Roller Coaster]. A Cruise, Or Three Months on the Continent, by a Naval Officer, 1st edition, 1818, 4 hand-coloured engraved plates including frontispiece of the ‘Aerial Mountains’, title-page spotted, ownership name stamp of Charles Wright to frontispiece recto and name to front pastedown, contemporary half calf gilt, rubbed, 8vo One of the earliest accounts and illustrations of a roller coaster in an English book. Abbey, Travel 18. (1) £200-300

80 Rossi (Luigi). Nuovo Atlante di Geografia Universale..., Milan, 1820, forty-nine maps & plates only (of 52, lacking maps 34 & 35 and plate of flags), some with original hand-colouring, some closed tears, marginal fraying & dampstaining, double-hemisphere map and maps of France & Italy torn with loss, soiling and marks mostly to margins, contemporary quarter vellum, boards worn, folio (1)

83 Rowlandson (Thomas, illust.). The Grand Master or Adventures of Qui Hi? in Hindostan. A Hudibrastic Poem in Eight Cantos by Quiz, 1st ed., Thomas Tegg, 1816, sepia aquatint title, folding frontispiece (strengthened to verso), 26 sepia aquatint plates, lacks C8 (as often) but with errata slip, occasional light soiling, modern cloth-backed boards, 8vo

£300-500

81 Rossi (Joseph). Peintures a Fresque du Camposanto de Pise, Florence, 1833, half title, engraved frontispiece and 46 copperengraved plates by J.P. Lasinio fils, scattered light spotting, library stamps to half title and front endpaper, original cloth-backed printed boards, library marks to spine, a little rubbed and stained, folio (1)

Abbey Travel 437. (1)

£150-200

Lot 82

£100-150

Lot 84 84 S.D.U.K. Maps of The Society for the Diffusion of Useful Knowledge, 2 vols. (bound in one), pub. Charles Knight and Co., 1846, title and contents pages, 158 (only) engraved maps with contemp. outline colouring, a few maps trimmed with slight loss and forty-six (including four double page) town plans with contemp. outline colouring, contemp. half morocco gilt, upper board near detached, worn and frayed at extrems., folio

85 Sanson (Nicolas). L’Afrique en Plusieurs Cartes Nouvelles et Exactes et Divers Traittez de Geographie & D’Histoire, [1656], lacking engraved title, but half title present, eighteen uncoloured engraved folding maps, water stained throughout, occ. closed tears, later paper boards 8vo

Sold as a collection of maps not subject to return. (1)

86 Satthianadhan (Krupabai). Kamala: A Story of a Hindu Life by Mrs. S. Satthianadhan, Author of “Saguna.” With an Introductory Memoir by Mrs. H.B. Grigg, 1st ed., Madras: Spinivasa, Varadachari and Co., Mrs. Radhabai Ataram Sagoon, Bombay, 1894, b & w portrait frontispiece, 5pp. publisher’s advert at rear, original red cloth gilt, spine lightly faded, minor marks, 8vo

(1)

£1500-2000

£400-600

Krupabai Satthianadhan (1862-1894) was one of the first Indian women to write in English and the first Indian female to write a novel in English. The Novel considers questions of social and historical change. It is a tragic story of a high-caste Hindu woman’s experience as a child-wife, mother and widow. (1) £100-150

87 Sherer (John). Europe Illustrated: Its Picturesque Scenes and Places of Note, First Series, (France, Belgium and the Rhine), 2 vols., London Printing and Publishing Company, circa 1875, additional engraved title to each volume, 116 steel engraved plates, some light spotting to first and last few leaves, otherwise in generally clean condition, all edges gilt, contemporary red half morocco gilt, a few minor marks, folio (2)

Lot 85

£100-150

Lot 89 88 Sherer (Joseph Moyle). Seenes and Impressions in Egypt and in Italy, 2nd ed., 1825, manuscript author name and ‘Bath books’ to title, previous owner inscription to front endpaper, a few spots, modern cloth-backed boards, 8vo, together with A Ride in Egypt, by W.J. Loftie, 1st ed., 1879, illustrations, (additional colour print pasted at front), publisher’s list at end, previous owner signature to title, 2 pp. autograph letter from the author, dated 1894 tipped-in at end, original pictorial cloth, a little rubbed and stained, 8vo, plus Letters from Egypt, 1863-65, by Lady Duff Gordon, 1st ed., 1865, half title, manuscript library inscription to title, light marginal toning, modern cloth-backed boards, 8vo, with others related, including guides by Cook, Baedeker and Murray (33)

£150-200

89 Sturt (Captain Charles). Narrative of an Expedition into Central Australia, Performed under the Authority of Her Majesty’s Government, During the Years 1844, 5, and 6. Together with a Notice of the Province of South Australia in 1847, 2 vols., 1st ed., 1849, folding map with outline colour, 20 plates (including 4 colour lithographed plates after John Gould), bound without the advertisements, occasional light toning and soiling, contemporary black half morocco, chip at head of spine of volume I, joints end edges rubbed, 8vo

90 Sturt (Captain Charles). Two Expeditions into the Interior of Southern Australia, During the Years 1828, 1829, 1830, and 1831: With Observations on the Soil, Climate, and General Resources of the Colony of New South Wales, 2 vols., 1st ed., 1833, half titles, 13 engraved plates (including four hand-coloured, one repaired to verso), large folding map (torn without loss), single page map (closetrimmed), circular ink stamp to volume II frontispiece and title, some light toning, contemporary black half morocco, joints splitting, spines with residue from old labels, a little rubbed, 8vo

Ferguson 5202. Sturt’s final expedition into the heart of the continent, where he confirmed the non-existence of an inland sea and discovered Cooper’s Creek, the Stony Desert and the Simpson Desert. (2) £300-400

Ferguson 1704. Sturt’s expeditions to explore the river systems of New South Wales, the first of which was drought-affected and resulted in the discovery and naming of the Darling River. The second expedition was to trace the Murrumbidgee River, which flowed into another river, named the Murray by Sturt (unaware that it was in fact the Hume River, discovered earlier by Hume and Hovell). Sturt and his party had to row for nearly 1000 miles, against the current, to Sydney after a relief vessel failed to materialise on the south coast. (2) £300-400

91 Talfourd (T.N.). Recollections of a First Visit to the Alps, in August and September 1841, printed for private circulation, [1841], occasional small inkstamps and light spotting, p.ix with marginal repaired tear, endpapers renewed, original blindstamped cloth, modern reback, some fading, 12mo (not in Neate), together with Sir T.N. Talfourd’s Vacation Rambles. Comprising the Recollections of three Continental Tours, in the Vacations of 1841, 1842 and 1843, 3rd ed., 1851 and Supplement to “Vacation Rambles”, 1854 (Neate T01), plusLongman (W.). A Lecture on Switzerland (printed for private circulation), July 1857, 94 pp., half-title inscribed ‘From the author’, contents leaf loose, contemp. blind-stamped cloth gilt by Westleys, with their ticket, chipped at head and foot of spine, slim 8vo (4)

£100-150

92 Thomson (John). The Straits of Malacca, Indo-China, and China; or, Ten Years’ Travels, Adventures, and Residence Abroad, 1st US ed., Harper, New York, 1875, four maps, 25 wood-engraved plates, illustrations, library stamp to title, one or two spots, original cloth gilt, split to lower joint, light edge wear, 8vo, together with Modern Japan and its Problems, by G.C. Allen, 1st ed., 1928, original yellow cloth, spine faded, light spots, 8vo, plus John Thomson’s l’Indo-Chine et la Chine recits de Voyages, Paris, 1879 (3)

£150-200

93 Whymper (Edward). Travels Amongst the Great Andes of the Equator, 2 vols. (including Supplementary Appendix), 1892-91, numerous wood engraved illustrations, full-page map of Ecuador, folding plan, two folding maps (one contained in rear pocket), all correct as list, original gilt decorated cloth, rubbed and soiled, spines darkened and some minor wear to extremities, 8vo, together with Drake (Samuel Adams), The Heart of the White Mountains. Their Legend and Scenery, 1st ed., 1882, wood-engraved illustrations, three maps, a few light spots, a.e.g., original pictorial cloth, edges rubbed, 4to, plus Chronicles of the White Mountains, by Frederick W. Kilbourne, 1st ed., Boston & New York, 1916, b & w illustrations, map endpapers, front free endpaper browned, joints and edges rubbed, 8vo, with four others related including Thomas Starr King’s The White Hills. Their Legends, Landscape, and Poetry, 1887 and John Anderson and Stears Morse’s The Book of the White Mountains, 1930 Neate W66 & D48. (8)

94 Wilkinson (Robert, publisher). A General Atlas, being a Collection of Maps of the World and Quarters the Principal Empires, Kingdoms &c. with their Several Provinces & other Subdivisions Correctly Delineated, 1800, dec. title page, lacking half title, eightfive (including six double page) engraved maps with contemp. hand colouring (contents list calls for forty-eight), map of North America with later wood engraved map of British possessions tipped on to verso, map of Canaan with repaired closed tear, and four (including one folding) chronological tables, very slight staining throughout, endpapers and title near detached, hinges and joints weak with boards near detached, contemp. half sheep, rubbed, frayed and worn, 4to

£100-150

The atlas appears to contain ‘modern’ geographical maps wich are called for together with ‘historical’ maps which are not listed on the contents page. (1) £500-800

95 Wright (Arnold, editor in chief). Twentieth Century Impressions of British Malaya: Its History, People, Commerce, Industries and Resources, 1st edition, 1908, black and white frontispiece map, numerous black and white illustrations after photographs throughout, all edges gilt, original black full morocco gilt, rubbed and some marks, spine scuffed and marked, and joints somewhat weakened (upper joint partly cracked to extreme head and foot), thick 4to (1)

£300-500

POLAR EXPLORATION 97* Aurora Australis. A Display of the Aurora Australis seen on our Voyage in the South Polar Seas, circa 1920, original watercolour on paper showing a barque against a backdrop of the southern lights, captioned and signed ‘E.W.N. West’ in block capitals in white china ink to lower margin, 14 x 19cm (5.5 x 7.5ins), tipped on to card, framed and glazed It seems quite likely that the barque shown in this watercolour is that of ‘Galgorm Castle’ of Belfast, E.W.N. West having made a drawing of this ship, circa 1890s (John Oxley Library, State Library of Queensland). The ship plied the trade routes of the world, often calling at Newcastle, New South Wales, Australia, to carry coal to South America. On 27 February 1917, while approaching Ireland from Buenos Aires she was shelled by SMS U-49 and sunk. (1) £200-300

96 Armitage (Albert Borlase). Two Years in the Antarctic, Being a Narrative of the British National Antarctic Expedition, 1st edition, 1905, b & w plates and illustrations, colour folding map and 16 pp. publisher’s adverts at rear, a little spotting throughout and heaviest at front, contemporary presentation inscription from T.R. F[inch] to W.R. Finch to front free endpaper with a later pencil presentation inscription above (L.C.M. Johnstone from M.M. Brown), original decorative cloth gilt, rubbed, spine faded and a little nicked at extremities, 8vo Spence 67; Taurus 43. (1)

£400-600

98 British Antarctic Expedition 1910-1913. Ponting (Herbert). Exhibition of the Photographic Pictures of Mr. Herbert G. Ponting F.R.G.S., Fine Art Society, [1914], eight half-tone plates, advertisements at front and rear, ink stamp of The Graves Gallery, 44 Cherry Street, Birmingham at foot of title, occasional light spotting, original printed wrapper, staple rust and light toning to extremities, 8vo (1)

Lot 97

£200-300

101 Hayes (J. Gordon). The Conquest of the South Pole. Antarctic Exploration 1906-1931, 1st edition, 1932, b & w plates and illustrations, some spotting, signed presentation inscription from Antarctic photographer Herbert Ponting to front free endpaper (some paper thinning away from inscription), ‘To Miss L.C. Margaret Johnstone with all best wishes from H.G. Ponting, Christmas 1932’, original cloth gilt, slightly rubbed, partly faded and a few marks, 8vo, together with Antarctica, A Treatise on the Southern Continent, 1st edition, 1928, b & w plates and four folding charts in pocket at rear, original buckram gilt, rubbed and partly faded, large 8vo, plus Joyce (Ernest E. Mills), The South Polar Trail, with an Introduction by Hugh Robert Mill, 1st edition, 1929, b & w plates from photos, pencil ownership inscription of E.M. Johnstone to front free endpaper, hinges cracking, original cloth, rubbed and slightly cocked, spine faded and a little nicked at foot, plus Marr (Scout), Into the Frozen South, 1st edition, 1923, b & w plates from photos, colour illustration of Scout Marr pasted to front pastedown (from the dust jacket?), original cloth, slightly rubbed and soiled, both 8vo (4)

£150-200

99 British Antarctic Expedition, 1910-1913, Simpson (George Clarke). Scott’s Polar Journey and the Weather, being the Halley Lecture delivered on 17 May, 1923, by G. C. Simpson, 1st ed., Oxford: Clarendon Press, 1926, frontispiece map, six figures to text, publisher’s grey printed wrappers with contemporary signature & date of C.L. Eastwick 1926 to upper margin, slim 8vo, in fine condition Conrad, p.189, Rosove 310.A1, Spence 1126. The fore-edge margins of the volume contain several neat pencil annotations in the same hand as the signature to the wrapper, which cross reference various passages of text to Scott’s Last Journey, 2 vols., published in 1913. Sir George Clarke Simpson (1878-1965) was meteorologist on Scott’s Terra Nova expedition, where he was given the nickname ‘Sunny Jim’ by the other expedition members. He constructed one of the continent’s first weather stations, conducting balloon experiments to test the atmosphere and determine how altitude affects temperature. Simpson recorded the temperature and wind observations at the base camp at Cape Evans. He also held command of this station for several months when Scott and his party left for the journey to the South Pole in November 1911. In this work he examines whether abnormally severe weather conditions could have been a major contributing factor leading to the death of the polar party. A scarce title. (1) £200-300

102* Oxford University Arctic Expedition. An album containing 142 corner-mounted and loose black and white photographs, circa 1930s, relating to an unidentified Oxford University Arctic expedition and depicting expedition members, on skis, with tent and hut, sledging and walking, plus photographs of icebergs and floes, scenery and sea birds, crudely corner-mounted and many loose, uncaptioned except for misleading ink inscription suggesting that this was an Antarctic expedition by Stephens in 1902, pencil page references to photograph versos, all 6 x 8cm (2.5 x 3ins), approximately 50 further black and white snapshots of similar sizes pasted in to album rear, all unannotated and possibly unrelated showing British scenes and unidenfied people, contemporary cloth, slightly rubbed and soiled, oblong folio

100 Davis (Charles Henry). Narrative of the North Polar Expedition. U.S. Ship Polaris, Captain Charles Francis Hall Commanding, 1st ed., Washington, 1876, steel-engraved portrait frontis., four maps, woodengraved illustrations, light spotting and marginal water stains at front, endpapers renewed, original cloth gilt, recased with spine and covers relaid, a little rubbed, 4to, together with Farthest North. Being the Record of a Voyage of Exploration of the Ship “Fram” 1893-96 and of a Fifteen Months’ Sleigh Journey by Dr. Nansen and Lieut. Johansen, by Dr. Fridtjof Nansen, 2 vols., 1st US ed., New York, 1897, four folding maps contained in vol. I front and rear pockets, colour and b & w illusttrations, vol. I title detached with library ink and perforated stamp, library bookplate, t.e.g., original cloth gilt, vol. II spine torn at head, a little rubbed, 8vo (3)

(1)

£70-100

£200-300

103 Parry (William Edward). Narrative of an Attempt to Reach the North Pole, in Boats Fitted for the Purpose, and Attached to His Majesty’s Ship Hecla, in the Year MDCCCXXVII, 1st edition, John Murray, 1828, folding engraved chart of the North Coast of Spitzbergen at end, six engraved views and plans, O3 with repaired horizontal tear across centre of leaf (without loss), light marginal spotting at front and rear of volume, and occasionally elsewhere, untrimmed, original boards, neatly rebacked, and retaining original paper spine label, very slightly rubbed to extremities, 4to Sabin 58868. Parry’s fourth voyage, and the first in which he attempted to reach the North Pole by sledge-boat. Good copy. (1) £1000-1500

104* Polar Exploration. An album containing approximately 130 First Day Covers, relating to Antartica etc., 1970s-90s, including a 10th Aniversary Antarctic Treaty first day cover, dated Washington 23rd June 1971, signed by Vivian Fuchs & Edmund Hillary, all contained in platstic sleeves, modern plastic folder, together with nine modern Anarctic service & commemorative medals etc., including US Anarctic Service medal with three ‘wintered over’ bars, plus polar exploration related books, including The Shackleton Voyages, Introduction by Roland Huntford, new ed., 2002, The Heart of the Antarctic..., By E.H. Shackleton, popular ed., 1910, Scott’s Last Expedition, arranged by Leonard Huxley, 2 vols., reprinted, 1947 etc. (a carton)

106 Ross (John). A Voyage of Discovery, made Under Orders of the Admiralty, in His Majesty’s Ships Isabella and Alexander, for the Purpose of Exploring Baffin’s Bay, and Inquiring into the Probability of a North-West Passage, 1st ed., 1819, three folding engraved charts, large folding engraved view, fifteen hand-coloured engraved and aquatint plates, nine uncoloured plates, four engraved tables (three folding), errata slip, four early text leaves short at lower margin and supplied from another copy, partially erased Royal College of Surgeons of Ireland ink stamps to frontispiece chart, title and first introduction leaf verso, some scattered light spotting and soiling, recent brown half diced calf, spine with raised bands and gilt decoration, 4to

£150-200

105 Priestley (Raymond E.). Antarctic Adventure. Scott’s Northern Party, 1st ed., 1914, three folding maps and numerous half-tone plates, scattered spotting, t.e.g., original blue cloth, spine a little rubbed and faded, 8vo Ex-libris Sir Arthur Everett Shipley (1861-1927), zoologist and Vice-Chancellor of the University of Cambridge. Also inscribed “G.R. Shipley Stewart, Mother, Xmas 1927”. (1) £150-200

Abbey Travel 634; Sabin 73376. Account of Sir John Ross’s first Arctic expedition to search for the North-West Passage. The expedition confirmed the discovery of Baffin Bay (by William Baffin in 1616) and whilst sailing further west encountered what Ross thought were a landlocked range of mountains (named the ‘Croker Mountains’ after John Croker, First Secretary to the Admiralty). He then returned to England, despite the protestations of other officers, including William Parry, James Ross and Edward Sabine, who all thought a more thorough exploration of the ‘mountains’ was warranted. This led to a life-long dispute with Sir John Barrow, Second Secretary to the Admiralty over his account, who promptly despatched a second Arctic expedition in 1819, under the command of Parry. (1) £1000-1500

108 Ross (Sir John). Narrative of a Second Voyage in Search of a North-West Passage, and of a Residence in the Arctic Regions During the Years 1829, 1830, 1831, 1832, 1833, 2 vols. (including Appendix), 1st ed., 1835, folding chart with outline colour, 47 plates and charts only (lacking plate 29, Victory’s Crew Saved & Appendix portrait frontispiece), some hand-coloured lithographs, occasional light offsetting, contemporary boards with paper labels to spines, edges a little rubbed and chipped, 4to Abbey Travel 636; Sabin 73381. (2)

£500-800

107 Ross (Sir John). Narrative of a Second Voyage in Search of a Noth-West Passage, and of a Residence in the Arctic Regions During the Years 1829, 1830, 1831, 1832, 1833. Including the Reports of Commander, now Captain, James Clark Ross... and the Discovery of the Northern Magnetic Pole, 1st ed., 1835, folding colour chart (with closed tear), 29 plates, charts and plans, including a few handcoloured lithographs, some scattered spotting, original cloth, rebacked with original spine relaid (faded), edges rubbed, a few mottled stains, 4to Abbey Travel 636; Sabin 73381. (1)

£150-200

109 Scott (Captain R.F.). Scott’s Last Expedition, Being the Journals of Captain R.F. Scott, R.N., C.V.O., Being the Reports of the Journeys & the Scientific Work Undertaken by Dr. E.A. Wilson and the Surviving Members of the Expedition, Arranged by Leonard Huxley, with a Preface by Sir Clements R. Markham, 2 vols., 1st ed., 1913, photogravure portrait frontispiece to each, folding maps and half-tone plates, inscriptions to front free endpapers, adhesive tape residue to upper pastedown of vol. 1, occasional light spotting, t.e.g., original cloth gilt, upper joint of vol. 1 a little frayed, light fraying at head & foot of spines, 8vo Volume one is inscribed “E.A. Shipley with so many thanks for all your help, K. Scott, 1913” and includes a loosely inserted photograph of Kathleen Scott. Each volume is inscribed “G.R. Shipley Stewart, Mother, Xmas 1927”. Ex libris Sir Arthur Everett Shipley (1861-1927), zoologist and Vice-Chancellor of the University of Cambridge. He advised Sir Ernest Shackleton regarding scientific staff for the Endurance Expedition (1914-17), and helped Shackleton interview the candidates. (2) £800-1200

Lot 108

110 Scott (Captain Robert F.). Scott’s Last Expedition, Arranged by Leonard Huxley, with a Preface by Sir Clements R. Markham, 2 vols., 1st ed., 1913, portrait frontispiece and folding map to each vol., numerous colour and half-tone plates and maps, some light spotting, bookplates, t.e.g., original blue cloth, small split to vol. II lower joints, joints and edges rubbed, 8vo, together with The Life of Sir Ernest Shackleton, by Hugh Robert Mill, 1st ed., 1923, half-tone illustrations, scattered spotting, original cloth, spine a little rubbed and faded, 8vo, with other polar related including Griffith Taylor’s With Scott: the Silver Lining, 1916 (ex-libris) and the 1997 edition of the same work, Report of the International Polar Expedition to Point Barrow, Alaska, Washington, 1885 (ex-libris), Edward Shackleton’s Arctic Journey’s, 1937, F.D. Ommanney’s South Latitude, 1938 and Margery and James Fisher’s Shackleton, 1957 (15)

£150-200

111 Scott (Captain Robert F.). South Polar Times, The Folio Society, 2012, twelve facsimile reprints, numerous colour and b & w illustrations, pictorial card wrappers, 4to, housed together in original cloth box with magnetic closure to flap, together with the accompanying volume The South Polar Times Commentary by Ann Savours, Folio Society, 2012, colour and b & w illustrations, original boards, lacking slipcase, plus thirteen others related Limited edition 876/1000 copies, published in collaboration with the Royal Geographical Society, the British Library and the Scott Polar Research Institue, to honour the centenary of the death of Captain Scott and his companions. (15) £100-150

Lot 113

112 Shackleton (E.H.). The Heart of the Antarctic, Being the Story of the British Antarctic Expedition 1907-1909, with an Introduction by Hugh Robert Mill, D.Sc., An Account of the First Journey to the South Magnetic Pole, by Professor T.W. David, F.R.S., 2 vols., 1st ed., 1909, half-titles present, photogravure frontispiece to each, twelve colour plates, numerous b & w plates from photos, three folding maps and folding panorama contained in rear pocket of vol. 2, errata slip attached to upper pastedown of vol. 2 with adhesive tape, upper pastedown of each volume with ownership “lieut. J.H. White, R.N.V.R.”, occasional minor spotting, t.e.g., remainder roughtrimmed, original blue cloth gilt, silver blocked title and illustration to upper board of each, extremities slightly rubbed, few minor marks, 4to (2)

£150-200

113 Shackleton (Sir Ernest). South. The Story of Shackleton’s Last Expedition 1914-1917, 1st ed., 1919, colour frontispiece, folding map at end, half-tone illustrations, text block browned (as usual), a few spots, front hinge a little tender, original blue cloth, upper cover blocked in silver, small split to upper joint, a little rubbed with light mottled stains, 8vo (1)

£500-800

114 South Polar Times, vol. III only, edited by Apsley CherryGarrard, 1914, numerous colour and b & w illustrations, occasional minor scattered spotting mostly to first & last few leaves, a.e.g., original blue cloth in bright condition, inset illustration to upper cover, spine neatly strengthened at head & foot, 4to Limited edition of 350 numbered copies. This volume is a presentation copy. Ex-libris Sir Arthur Everett Shipley (1861-1927), zoologist and Vice-Chancellor of the University of Cambridge. Sir Ernest Shackleton approached Sir Arthur Shipley who was then Master of Christ’s College, to recommend scientific staff for the Endurance Expedition (1914-17). The candidates were then interviewed by Shipley and Shackleton in London. This volume is also inscribed “G.R. Shipley Stewart, Mother, Xmas 1927”. (1) £600-800

Lot 114

116* Terra Nova Expedition. An autograph album containing eight signatures of members of Captain Scott’s British Antarctic expedition, 1910-13, signed in among other unrelated signatures on four nonconsecutive pages, the first signed ‘Edward R.G.R. Evans, “Terra Nova”‘, beneath the signatures of W.H. Diamond and P. Lowry Rusten [of The Mercantile Pontoon Co. Limited, Cardiff], the second page with two autographs of ‘Harry Pennell, Lieutenant, S.Y. Terra Nova, June 10’, with ‘R. Scott’ in clear blue pencil beneath, the third page with autographs of ‘P. Keohane, “Terra Nova”‘, ‘J.H. Mather’ and ‘James Payton’, the fourth page signed by the two other members, ‘George Percy Abbott RN, SS Terra Nova, British Antarctic Expedition 1910’ and ‘Alf J. Brewster. We leave to win. 14-6-10’, the remainder of the album containing unrelated and unidentified autographs, signed quotations and two sketches, family names predominantly Fox and Sullivan, the first three pages containing signatures of F.M. Fox, Frank J. Fox, J. Robinson, Thomas McKilney, John Mander, Egerton Bigg and A.W. Callahan, most dates circa 1909-16, a total of 44 pp. with inscriptions (52 pp. blank), all edges gilt, original padded morocco gilt, rubbed, small oblong 8vo (10 x 13cm)

115* Terra Nova Expedition. Mount Erebus from Hut Point, March 1911, monochrome print from an original drawing by Dr Edward A. Wilson, 27 x 37cm (10.5 x 14.5ins), framed and glazed, related printed letter and receipt, both completed in manuscript and signed by Oriana F. Wilson [wife of the artist] relating to the order of the print by William Oakes, the receipt of 10s for the picture dated 3rd May 1915, both items crudely taped to back of frame

The eight British Antarctic expedition autographs comprise: Captain Robert Falcon Scott (1868-1912), expedition leader; Lieutenant Edward (Teddy) Ratcliffe Garth Russell Evans (1881-1957), second-in-command; petty officer George Abbott, Able Seaman Alfred Brewster; petty officer Patrick Keohane. From the ship’s party: petty officer John Hugh Mather, able seaman James Payton and Commander Harry L.L. Pennell. (1) £1000-1500

The Antarctic sketches by Wilson, of which this reproduction was number 7 from those offered, were reproduced and sold by his widow in her husband’s memory and in order to raise money for the Officers’ Families’ Fund. Wilson died with Captain Scott on the ill-fated return journey from the South Pole in early 1912. (1) £200-300

117* Webb (Archibald Bertram). Captain Scott’s Last Journey, circa 1913, uncoloured lithograph depicting Captain Scott, Edward Wilson and Birdie Bowers on their return from the South Pole, printed signature ‘Arch Webb’ in the print lower right, print impression 31.5 x 53.5cm (12.5 x 21ins), one or two minor spots and marks, original mount with printed caption at foot, laid down on old board, lower margin trimmed around the caption and some marginal adhesion damage where mount border lifting A very rare print, published by Cassell & Co., with no copies traced on OCLC, Trove or at The Scott Polar Research Institute at Cambridge. (1) £500-800

Lot 116

BRITISH TOPOGRAPHY

Lot 121

118 Allingham (Helen & Dick, Stewart ). The Cottage Homes of England, 1st ed., Edward Arnold, 1909, sixty-four mounted colour plates, with captioned tissue guards, t.e.g., remainder untrimmed, original gilt decorated cream cloth, some very light dust-soiling, 4to

120 Boswell (Henry). Historical Descriptions of New and Elegant Picturesque Views of the Antiquities of England and Wales..., Alex Hogg, late 18th century, 90 engraved plates including maps and diagrams, contemporary vellum-backed boards, worn, folio

Limited edition, 359/500 copies, signed by Allingham. (1)

(1)

121 Camden (William). Britannia sive Florentiss Regnorum Angliae, Scotiae, Hiberniae Insularumq Adjacentium ex intima antiquitate Descriptio, pub. W. Blaeu, Amsterdam, 1639, title page with stamped ownership armorial, nineteen uncoloured engraved folding maps by Petrus Bertius, E6 with very slight loss to lower corner, contemp vellum with manuscript title to spine, yapp fore edges, slight staining, 12mo

119 Baert-Duholant (Charles Alexandre Francois). Tableau de la Grande-Bretagne, de l’Irlande et des Possessions Angloises dans les quatre parties du monde, 4 vols., Paris: H.J. Jansen, [1800], five folding engraved maps and six plates (including 4 folding & two single-page portraits), fourteen folding tables, contemporary gilt decorated quarter sheep, paper labels at foot of spines, rubbed, 8vo, together with Malo (Charles), Panorama d’Angleterre, ou Ephemerides Anglaises, Politiques et Litteraires, vol. 1 only (of two), Paris, 1817, four engraved plates including two hand-coloured (one folding) and double-page plate of music, contemporary boards, 8vo, with Montemont (Albert), Londres Voyage, a cette capitale et ses environs, Paris, [1835], folding hand-coloured engraved map, edges uncut, original printed wrappers, upper cover detached, worn, 8vo, plus Voyage d’un jeune Francais en Angleterre et en ecosse, pendant l’automne de 1823, par Adolphe Blanqui Paris, 1824, lithograph frontispiece, inscription to half title (dust-soiled & marked), original printed wrappers, lacking upper cover, worn, 8vo (7)

£200-300

£150-200

(1)

£150-200

£700-1000

124 Colby (Colonel Thomas R.E.). Ordnance Survey of the County of Londonderry, Volume the First (all published), pub. Hodges & Smith, Dublin, 1837, addn. half title, geological map with contemp. hand colouring, folding map of Londonderry with slight staining, five plans of the city, an engraved view of the city, three engraved plts. and seven natural history engravings, including two with contemp. hand colouring, slight spotting throughout, slight water staining, pubs. blind stamped gilt cloth , a little worn and stained, 4to (1)

£70-100

122 Camden (William). Camden’s Britannia, Newly Translated into English with Large Additions and Improvements, pub. F. Collins, A. Swale, and A & J Churchill, 1695, portrait frontis., uncoloured engraved map of Northamptonshire by J. Blaeu, and three uncoloured engraved maps of Merioneth & Montgomery, Herefordshire and Yorkshire (on two sheets) by Christopher Saxton & Philip Lea, remaining maps excised, contemp. blind stamped calf, rubbed, frayed and worn, folio The atlas has the correct text for the 1695 edition of Camden’s Britannia but lacks all the Robert Morden maps. The remaining maps are bound in and may be the remainder of a bowdlerised atlas. (1) £300-500

125 Depping (George Bernhard). L’ Angleterre, ou Description Historique et Topographique du Royaume Uni de la GrandeBretagne, 6 vols., 1st ed., Paris, 1824, half titles present, folding general map of England & Wales to vol. 1 and fifty-nine engraved maps with original outline colouring, sixteen aquatint & engraved plates, folding table, occasional dampstaining and scattered spotting, contemporary speckled sheep, gilt decoration to spines and board edges, morocco labels to spines, paper label at foot of each spine, upper panel of vol. 2 spine torn, some wear to extremities, 12mo

123 Camden (William). [Camden’s Britannia Newly Translated into English with Large Additions and Improvements...., 1695 or later] lacking title, portrait and prelims., seventeen (only) uncoloured engraved maps, some maps with rustholes, occ. closed tears and close trimmed, a few leaves detached, lacking boards, contained in hardboard, folio The maps comprise of:- Britannia Saxonica, Dorset, Oxfordshire, Bedfordshire, Rutland, Lincolnshire, Nottinghamshire, Derbyshire, Staffordshire, Shropshire, Cumberland, Westmorland, Lancashire, Durham, Cheshire, Northumberland [and] The British Islands. Sold as a collection of maps, not subject to return. (1) £200-300

The maps were engraved by Adrien Migneret and taken from the maps of the French cartographer Aristide Perrot. (6) £300-500

126 Drummond (Alexander). Travels Through Different Cities of Germany, Italy, Greece and Several Parts of Asia as far as the Banks of the Euphrates, 1st edition, W. Strahan for the author, 1754, thirtyfive engraved plates, including folding frontispiece and several other folding maps and plates, half calf, worn Provenance: Christie’s 6 June 1984 (Lot 70). (1)

£300-500

127 Faujas de Saint-Fond (Barthelemy). Voyage en Angleterre, en Ecosse et aux Iles Hebrides..., 2 vols., Paris: H.J. Jansen, 1797, halftitles, seven folding engraved plates, contemporary mottled sheep, gilt decorated spines with contrasting labels, paper label at foot of each spine, rubbed to spines and extremities, 8vo (2)

Lot 129

£150-200

128 Guide Books. A mixed collection of forty-five British and foreign guide books, mostly early 20th century, photographic and lithographic guide books, including examples for Great Yarmouth, The Lake District, Brighton, Edinburgh, Southampton, London, Lands End, Lowestoft, Jersey, Dublin, Norway, Innsbruck, Barbados, Madeira and Lisbon, various sizes and condition (45)

£70-100

129 Harrison (Walter). A New and Universal History, Description and Survey of the Cities of London and Westminster, The Borough of Southwark and their Adjancent parts, published by J. Cooke, late 18th century, engraved frontispiece, 101 engraved plates and maps, calf spine, folio (1)

£200-300

130 Keatinge (Colonel Maurice). Travels Through France and Spain to Morocco, printed for Henry Colburn 1817, portrait frontispiece, thirty-three sepia acqua plates., correct as per list, some spotting and browning to margins, cloth boards with leather backstrip, uncut, quarto (33 x 25.5cm) (1)

£300-500

Lot 130

REGIMENTAL HISTORIES 134 Wylly (Colonel H. C.). History of the 1st & 2nd Battalions The Leicestershire Regiment in the Great War, 1st edition, circa 1920, folding maps, b&w plates, original green cloth gilt, some marks, large 8vo, together with Fellows (George), Historical Records of the South Nottinghamshire Hussars Yeomanry 1794 to 1924, 1st edition, Aldershot, 1928, folding maps, a few colour and b&w plates, original two-tone cloth gilt, rubbed and some marks, large 8vo, plus Simpson (Major-General C. R. ed.), The History of the Lincolnshire Regiment 1914-1918, 1st edition, 1931, folding maps, b&w illustrations to text, original cloth gilt, rubbed and minor fraying to extremities, 8vo, and other related regimental histories, all East Midlands and East Anglia interest, including The War History of the Sixth Battalion The South Staffordshire Regiment, 1924, The History of the Fifth Battalion The Bedfordshire and Hertfordshire Regiment by F. A. M. Webster, 1930, The First Buckinghamshire Battalion 19141919, by P. L. Wright, 1920, The History of the 1/5th Battalion The Suffolk Regiment, by Fair and Wolton, circa 1920, etc., mostly original cloth, 8vo (33)

131 Owen (W. pub.). The Natural History of England; or a Description of each particular County, in regard to the curious Productions of Nature and Art, Illustrated by a Map of each County, vol. 2 (only) pub. 1763, title and twenty-seven uncoloured engraved maps by Emanuel Bowen, slight worming to gutter and margins but not affecting image, near contemp. manuscript ownership signature to third blank and B1, hinges and joints weak, contemp. qtr. calf, frayed and worn, 8vo

135 Thompson (R.R.). The Fifty-Second Lowland Division, 19141918, Glasgow: Maclehose, Jackson & Co., 1923, colour frontispiece, numerous black and white illustrations, edges untrimmed, endpapers a little toned, original publisher’s cloth, giltlettered spine, a little rubbed and finger soiled, 8vo, together with Wylly (H.C.), The Border Regiment in the Great War, Gale & Polden, [1924], half-title, a few black and white plates, original gilt-decorated publisher’s cloth, slightly worn, fraying at extremities, 4to, plus Haldane (M.M.), A History of the 4th Battalion The Seaforth Highlanders... , H.F. & G. Witherby, [1927], half-title, a few colour plates and black and white maps, original publisher’s cloth, spine discoloured, 8vo, plus other related titles, regimental histories relating to Scottish regiments including History of the Argyle and Sutherland Highlanders, R.C.B. Anderson, 1954, The Outpost, The Seventeenth Service Battalion, volume 4, The Scots Guards in the Great War, 1914-18, F. Lorraine Petre et al, 1925, and others, all original publisher’s cloth, mostly 8vo

The counties comprise of:- Hertfordshire, Essex, Suffolk, Norfolk, Cambridgeshire, Huntingdonshire, Bedfordshire, Northamptonshire, Warwickshire, Worcestershire, Herefordshire, Shropshire, Staffordshire, Leicestershire & Rutland, Lincolnshire, Nottinghamshire, Derbyshire, Cheshire, Lancashire, Yorkshire, Durham, Westmorland, Cumberland, Northumberland, Monmouthshire, North Wales [and] South Wales. (1) £200-300

132 Ward, Lock & Co. (pub.). Illustrated Guide Books, approx. 400 mixed editions, c. 1920, b & w illustrations and advertisements including folding maps, some spotting, all original red cloth binding, covers and spines slightly rubbed and faded, sold as seen, 8vo (approx. 400)

£150-200

(18)

£150-200

136 Montgomery (Major-General Sir Archibald). The Story of the Fourth Army in the Battles of the Hundred Days., August 8th to November 11th, 1918, 2 vols. (text/maps), 1920, numerous half-tone illustrations, numerous folding maps contained in map volume, a few light spots, original red cloth gilt, 4to, together with Wyrall (Everard), The History of the Second Division 1914-1918, 2 vols., 1st ed., 1921, numerous folding maps, light spotting front and rear, original blue cloth gilt, spines a little faded, 8vo, plus HodderWilliams (Ralph), Princess Patricia’s Canadian Light Infantry 1914-1919, 2 vols., 1st ed., 1923, numerous folding maps (including one contained in volume I rear pocket), a few minor stains, previous owner inscriptions, original red cloth, a few waterstains to covers, 8vo, with other regimental histories including Major C.A. Cuthbert Keeson’s The History & Records of Queen Victoria’s Rifles 17921922, 1923, Lieutenant-Colonel Graham Seton Hutchinson’s The Thirty-Third Division in France and Flanders 1915-1919, 1921 and Lieutenant-Colonel H.M. Davison’s The History of the 35th Division in the Great War, 1926

133 Warner (Rev. Richard). Excursions from Bath, printed by R. Cruttwell, Bath, 1801, wood engraved vignette to title, woodcut maps to text, occasional minor spotting, contemporary half calf gilt with vellum corners to boards, 8vo, together with Warner (Rev. Richard, ‘Peter Paul Pallet’), Bath Characters: or Sketches from Life, Second Edition, with Many Additions. Amongst which are a Poetical Pump-Room Conversation; a New Preface; and an Appendix, Containing a Defence of the Work, and a Castigation of its Persecutors, 1808, ink signature of Thomas H. Foxcroft to title and manuscript list of characters mentioned in the work to front blank, contemporary half calf gilt with vellum board corners, joints cracked, slim 8vo Each of the volumes with the armorial bookplate of Thomas Hammond Foxcroft, of Hinton House, Hinton Charterhouse, Somerset. (2) £100-150

(20)

£150-200

137 Wylly (Colonel H. C.). The Green Howards in the Great War, 1st edition, Richmond, Yorkshire, 1926, b&w plates and illustrations, original green cloth, rubbed and spine heavily faded, rear joint partly cracked at head, large 8vo, together with Bales (Captain P. G.), The History of the 1/4th Battalion Duke of Wellington’s (West Riding) Regiment, 1914-1919, 1st edition, 1920, folding maps, b&w plates, original quarter maroon morocco gilt, very slightly rubbed, 8vo, plus Magnus (Lourie), The West Riding Territorials in the Great War, 1st edition, 1920, b&w plates and illustrations, original cloth gilt, a few minor marks, 8vo, and other related regimental histories, all Yorkshire/Lancashire related, 8vo (14)

140 Grey (Major W. E.). The 2nd City of London Regiment (Royal Fusiliers) in the Great War (1914-1919), 1st edition, 1929, folding maps, b&w plates, t.e.g., original two-tone cloth gilt, a little rubbed, large 8vo, together with Wyrall (Everard), The Die-Hards in the Great War, A History of the Duke of Cambridge’s Own (Middlesex Regiment), 1914-1919, 2 volumes, 1st edition, circa 1920s, folding maps and illustrations, original cloth gilt, very slightly rubbed, plus Maude (Alan H. ed.), The 47th (London) Division 1914-1919, 1st edition, 1922, b&w plates, folding maps at rear, original half morocco gilt, very slightly rubbed, and other London regimental histories in the First World War, including H. C. O’Neill, The Royal Fusiliers in the Great War, 1922, J. H. Lindsay, The London Scottish in the Great War, 1925, C. V. Molony, ‘Invicta’ With the First Battalion The Queen’s Own Royal West Kent Regiment in the Great War, 1923, etc., all 8vo

£100-150

138 Wyrall (Everard). The History of the King’s Regiment (Liverpool) 1914-1919, volume I, 1914-1915, 1st edition, 1928, numerous folding maps, b&w plates, minor spotting to fore-edges, original two-tone cloth gilt, very slightly rubbed, large 8vo, together with Wurtzburg (C. E.), The History of the 2/6th (Rifle) Battalion ‘The King’s’ (Liverpool Regiment) 1914-1919, 1st edition, 1920, b&w plates, folding maps, etc., original green cloth gilt, a little rubbed and upper cover with numerous surface pressure marks, large 8vo, together with Raimes (Major A. L.), The Fifth Battalion The Durham Light Infantry 1914-1918, 1st edition, 1931, b&w plates and illustrations, folding maps, etc., and Veitch (Major E. Hardinge), 8th Battalion The Durham Light Infantry 1793-1926, 1st edition, Durham, circa 1926, folding maps in pocket at rear, b&w plates, both original green cloth, 8vo, plus other regimental histories, various, all North-West England, including Churton, The War Record of the 1/5th (Earl of Chester’s) Battalion, The Cheshire Regiment, 1920, Wyrall, The History of the Fiftieth Division, 1914-1919, 1st edition, 1939, C. H. Cooke, Historical Records of the 16th (Service) Battalion Northumberland Fusiliers, 1923, etc., all 8vo (19)

(19)

141 Blundell (Edmund). Retreat, 1st edition, 1928, untrimmed, original brown cloth gilt, 8vo, limited signed edition 10/112, 8vo, together with Sparrow (Geoffrey), On Four Fronts with the Royal Naval Division, 1st edition, 1918, b&w plates and illustrations, original blue cloth, heavily rubbed, 8vo, plus Corbett (Sir Julian S.), Naval Operations (Official History of the Great War), 2 volumes (text/maps), 1920, numerous folding maps, etc., original blue cloth, rubbed, plus Fayle (C. Ernest), Seaborne Trade (Official History of the Great War), 3 volumes, reprinted, 1997, b&w plates and maps, etc., original blue cloth gilt, and other military history, mostly relating to the First World War, including many modern publications, Pen & Sword series, etc., mainly 8vo, with some 4to (90)

£200-300

142 Wyrall (Everard). The History of the Somerset Light Infantry (Prince Albert’s) 1914-1919, portrait frontispiece of the Duke of York, numerous folding maps and illustrations, endpapers lightly toned, t.e.g., original blue half morocco, boards a little faded and stained, 4to, together with Ward (Major C.H. Dudley), History of the 53rd (Welsh) Division (T.F.) 1914-1918, 1st ed., Cardiff, 1927, portrait frontispiece, folding maps, illustrations, a little light spotting, original red cloth, spine faded with small splits, 4to, with other regimental histories including Sir Frank Fox’s The Royal Inniskilling Fusiliers in the World War, 1928, Everard Wyrall’s The Gloucestershire Regiment in the War 1914-1918, 1931, History of the Dorsetshire Regiment 1914-1919, 3 vols., circa 1932 and Cyril Falls’ The History of the 36th (Ulster) Division, 1922

£150-200

139 Sandilands (H.R.). The 23rd Division 1914-19, Edinburgh: William Blackwood and Sons, 1925, a few maps and black and white illustrations, original publisher’s cloth gilt, 4to, together with Jerrold (Douglas), The Royal Naval Division, With an Introduction by Winston S. Churchill, Hutchinson & Co., 1923, black and white portrait frontispiece, further black and white illustrations and maps to text, some scattered spotting, original publisher’s cloth, giltlettered spine, slightly rubbed, 8vo, plus Atteridge (A. Hillyard), History of the 17th Northern Division, Glasgow: Robert MacIehose & Co. Ltd., 1929, half-title, black and white maps to text, some scattered spotting, library stamp of S.B. Whitmore to title, original publisher’s cloth, discoloured to spine, 8vo, plus other regimental histories including The 74th Division, Dudley Ward, 1922, The 9th King’s in France, Enos H.G. Roberts, 1922, and others (21)

£150-200

(21)

£150-200

NATURAL HISTORY

143 Aiton (William Townsend). Hortus Kewensis; or, A Catalogue of the Plants Cultivated in the Royal Botanic Garden at Kew, 5 volumes, second edition enlarged, 1810-13, t.e.g., remainder untrimmed, contemporary half calf, gilt decorated spines, rubbed and some wear, with joints partly cracked and third and fourth volumes with a little loss to foot and head of spines respectively, 8vo William Townsend Aiton was the son of William Aiton, head gardener at the Royal Botanic Garden, Kew. This second and much enlarged edition of his father’s Hortus Kewensis (originally published in three volumes in 1789) includes plants from the Cape gathered by the under-gardener Francis Masson during his second voyage to South Africa between 1786 and 95, and cultivated at Kew (see Dictionary of South Africa Biography, volume 4, page 2). (5) £300-500

Lot 144

144 Blome (Richard). The Gentlemans Recreation. In Two Parts. The First Being an Encyclopedy of the Arts and Sciences... The Second Part, Treats of Horsemanship, Hawking, Hunting, Fowling, Fishing and Agriculture..., 2 parts in one, 1st ed., 1686, imprimatur leaf, title printed in red and black, eighty-five (of 86) engraved plates (including allegorical frontispiece, lacking one horsemanship plate), woodcut illustrations to text, occasional closed tears mostly to lower margins, short worm trail and few small holes to throughout, light marginal dampstaining to last few leaves, attractive modern speckled panelled calf, gilt decorated spine, folio

145 Cavendish (William, Duke of Newcastle). Neuerofnete Reitbahn oder vollkommener Stallmeister worinnen eine neue Methode die Pferde zu dressiren und nach der Natur und Kunst abzurichten gelehret wird..., Neue verbesserte Auflage, Nuremberg: Gabriel Nicolaus Raspe, 1764, eighty-one of 82 engraved plates (includes additional double-page title, lacking plate 4), one engraved diagram to text, short closed tear to central fold of plate 30, plates 62 & 63 trimmed to ruled border at fore-edge, occasional light spotting and dampstaining, 19th c. half morocco, gilt title to upper board, rebacked, corners worn, folio

Scherdt I, p.72; Wing B3213. According to Schwerdt “Perfect copies are rarely found... some of plates of arms, especially the 10th, and the plate of horsemanship, inscribed to Sir John Skeffington are often missing (both present in this copy). The ‘Gentlemans Recreation’ contains an enormous store of information and is compiled in two parts, of which the former treats of geography and navigation, while the latter deals with field sports and agriculture”. (1) £700-1000

Brunet I, 1700-1701. Nissen ZBI 853. The original English edition was published in 1667 in London, the French translation in 1677 in Paris, and the first German in 1700 in Nuremberg. (1) £2000-2500

Lot 145

Lot 146

146 Cavendish (William, Duke of Newcastle). Neu-eroffnete Reit-Bahn, Nouvelle Methode pour Dresser les Chevaux, en Suivant la Nature & meme la Perfectionnant par la Subtilite de L’Art..., Nuremberg: Jean Zieger & George Lehmann, 1700, halftitle, separate titles in German & French (engraved armorial to verso of French title), additional double-page engraved title and eighty-one engraved plates (complete, including 78 double-page and one folding), two plates detached, text in German & French, lacking front free endpaper, near contemporary half vellum, folio German/French edition based on William Cavendish’s A New Method and Extraordinary Invention to Dress Horses, 1667, the second of his works on horses, the first books in English on formal horsemanship. William Cavendish, 1st Duke of Newcastle (1592-1676) established a riding school in Antwerp during his exile from the Civil War and influenced one of the greatest French riding masters Francois Robichon de la Guerniere. (1) £2000-3000

147 Cosson (E.). Illustrationes Florae Atlanticae..., 2 vols., Paris: G. Masson, 1882-1897, 150 (of 152) lithograph plates (including two double-page), scattered spotting, some browning, near contemporary, half morocco, a little rubbed and worn, folio (2)

£300-500

148 Curtis (John). British Entomology; Being Illustrations and Descriptions of the Genera of Insects Found in Great Britain and Ireland: Containing Coloured Figures From Nature of the Most Rare and Beautiful Species and in Many Instances of the Plants Upon Which they are Found, vols. 1-8 (of 16), 1st edition, printed for the author, 1824-1831, 386 hand-coloured engraved plates, marbled endpapers and edges, near contemporary green half morocco, lightly rubbed and scuffed, 8vo Nissen 1000. (4)

£800-1200

Lot 147

149 Curtis (William). Lectures on Botany, as delivered to his pupils, 3 vols. bound in two, William Phillips, 1803-04, engraved portrait frontispiece, 119 hand-coloured engraved plates, minor offsetting, elaborate manuscript presentation leaf inscribed ‘To Anne Hoare from her uncle, Lord Lyttleton, 1817’ bound to front of each volume, hinges cracked, a.e.g., green straight-grain morocco gilt, gilt decorated spine, gilt lettered direct to spine, a little rubbed and slightly bumped at corners, 8vo (2)

Lot 148

£600-800

151 Descourtilz (Michel Etienne). Voyages d’un Naturaliste, et ses observations faites sur les trois regnes de la Nature, dans pousieurs ports de mer francais, en Espagne, au continent de l’Amerique septentrionale, a Saint-Yago de Cuba, et a St.-Domingue, ou l’auteur devenu le prisonnier de 40, 000 noirs révoltés ..., 3 volumes, 1st edition, Paris, Dufart, 1809, forty-three stipple engraved plates (including the two plates of music printed on a single sheet), eleven folding tables, some light marginal water staining (generally in clean condition), 19th century dark green quarter cloth, a little rubbed, 8vo

150 Darwin (Charles). The Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life, 6th edition, with Additions and Corrections to 1872 (twentysecond thousand), John Murray, 1880, half-title, folding lithographed plate, hinges neatly strengthened, original green cloth, spine darkened and slightly rubbed to extremities, small expert repair at head, 8vo Freeman 405. (1)

£150-200

Sabin 19695. Stafleu & Cowan 1390. Monglond VIII, 348-352. The French Physician, Naturalist and Traveller Michel Etienne Descourtilz (1775-1836) sailed to San Domingo (Haiti) in 1798, stopping en route at Charleston, South Carolina and Santiago de Cuba. He was caught up in the ongoing Negro Revolt in San Domingo, where he was nearly executed on the orders of the rebel leader Jean-Jacques Dessalines, despite the protection of ToussaintL’Ouverture. (3) £300-500

152 Edwards (George). Gleanings of Natural History, Exhibiting Figures of Quadrupeds, Birds, Insects, Plants, &c. Most of which have not, till now, been either Figured or Described. With Descriptions of Seventy Different Subjects, Designed, Engraved, and Coloured after Nature, 3 vols., 1758-64, engraved portrait of George Edwards by J.S. Miller after B. Dandridge, half title vignette, 152 fine hand-coloured copper-engraved plates by and after Edwards, English and French explanatory text in double-column, some light offsetting to text, bookplates, later diced and panelled calf (volume III near uniform), spines and edges lightly rubbed, 4to Anker 126; Fine Bird Books 73; Nissen IVB 288. The Gleanings, often found with Edwards’ A Natural History of Uncommon Birds, is “one of the most important of all Bird Books, both as a Fine Bird Book and as a work of Ornithology. It is still high on each list” (Fine Bird Books). (3) £4000-6000

153 Farrow (James). The Clumber Spaniel, A Monograph, 1st edition, Illustrated Kennel News, 1912, b & w plates, 5pp. commercial ads at rear, a little spotting, half-title heavily browned, original printed wrappers, some browning, spine torn with loss to lower half, 8vo Rare. (1)

£200-300

154 Lafond (Gabriel). Voyages autour du mond et naufrages célèbres, 8 volumes bound in 4, Paris, 1843-44, engraved portrait, 77 engraved plates and views, including 32 hand-coloured and heightened with gum arabic, some scattered spotting, a few leaves somewhat browned, contemporary uniform quarter green morocco gilt, rubbed and scuffed with minor wear to extremities, small 4to (4)

Lot 151

£300-400

Lot 152

156 Ginanni (Francesco). Delle Malattie del Grano in Erba Trattato Storico-Frisco..., con note perpetue ad esso Trattato, e con altre Offervazioni di Storia naturale del mede simo Autore, Pesaro: nella stamperia Gavelliana, 1759, half-title, engraved illustration to title, engraved portrait, folding map, and seven folding plates, occasional light spotting, contemporary full calf with ‘Board of Agriculture 1801’ in gilt to upper board, gilt decorated spine lacking title label, boards detached, extremities worn, folio (1)

£200-300

155 [Gerarde (John). The Herball or Generall Historie of Plantes..., 2nd ed., John Norton et al, 1633 or 1634, numerous woodcut illustrations, one or two with later crude hand-colouring, lacking three initial leaves (including title), lacking twenty-four leaves at end, leaves S2, Pp5-6, Fff6-Ggg3, Dddddd3-6 torn with minor marginal loss, some marginal fraying to initial and final leaves, occasional small hole or short closed tear, scattered spotting, dust-soiling, text block broken into six parts, disbound, folio

157 Hariot (Paul). Le Livre d’Or des Roses. Iconographie Histoire et Culture de la Rose, Paris, [1903], 60 fine chromolithographed plates, each with explanatory text, t.e.g., contemporary calf-backed boards, a little rubbed, 4to

Henrey 155 or 156. (1)

Nissen BBI 792. (1)

£700-1000

158 Harris (Moses). The English Lepidoptera: Or, the Aurelian’s Pocket Companion: Containing a Catalogue of Upward of Four Hundred Moths and Butterflies... , 1st edition, 1775, hand-coloured engraved frontispiece, bound with Lettsom (John Coakley), The Naturalist’s and Traveller’s Companion, Containing Instructions for Collecting & Preserving Objects of Natural History... , 2nd edition corrected and enlarged, 1774 hand-coloured engraved frontispiece, bound with [Curtis, William], Instructions for Collecting and Preserving Insects, Particularly Moths and Butterflies, a few small manuscript corrections in ink, folding engraved plate, some spotting, bound with [Blad, Anders], Fundamenta Entomologiae: Or, an Introduction to the Knowledge of Insects, Being a Translation of ... Linnaeus... , Illustrated by William Curtis, 1st edition, 1772, two engraved plates, occasional minor spotting and old pencil juvenilia to rear endpapers, contemporary calf gilt, some wear with leather loss to spine, joints weak, 8vo (1)

£150-200

162 Noisette (Louis Claude). Le Jardin Fruitier, Histoire et Culture des Arbres Fruitiers, des Ananas, Melons et Fraisiers; Descriptions et Usages des Fruits, 2 vols., 2nd ed., Paris, 1839, half titles, seven uncoloured engraved plates (three folding) in text volume, 147 fine hand-finished chromolithographed plates, five plain lithographed plates, a few minor spots, a.e.g., contemporary tan blindstamped calf, spines and margins faded, slightly rubbed, 8vo

159 Linden (Jean & Lucien, and Rodigas, Emile). L’Illustration Horticole, Journal International Populaire de l’Horticulture dans toutes ses Branches, 1882 - 86, 1895 & 1896, 328 parts (including duplicates ), numerous chromolitho. plts. (including some folding), pubs. printed wrappers, 8vo (328)

£500-800

Nissen BBI 1451. (2)

160 Morris (Rev. F.O.). A History of British Birds, 8 vols. Cabinet edition, pub. Groombridge and Sons, [1863 - 68], titles and contents list to each vol., 358 (complete) engraved plates with contemp. colouring, occ. light spotting, a few volumes with stitching strained, t.e.g., pubs. gilt dec. cloth, some fraying to head of spines, spines on vols. 1 & 2 repaired, 8vo (8)

163 Pluche (Noel Antoine). Spectacle de la Nature: or Nature Display’d. Being Discourses on such Particulars of Natural History as were thought most proper to Excite the Curiosity, and Form the Minds of Youth. Illustrated with Copper Plates. Translated from the Original French, by Mr. Humphreys. The Third Edition, Corrected, 4 volumes, printed for J. and J. Pemberton, 1736-1739, engraved frontispiece to each volume (with early manuscript shelfmark numerals to upper blank margin), 118 engraved plates (including many folding), mostly of plants, flowers, animals, and fish, titlepages printed in red and black, volume 2 with advertisement leaf preceding frontispice and volume 4 with 4pp. advertisements at rear, one or two closed tears, marbled endpapers, contemporary armorial bookplate on front pastedowns, red edges, stitching slightly strained, contemporary calf gilt, worn, 8vo

£200-300

161 Naumann (Johann Andreas). Naturgeschichte der Vogel Mitteleuropas, 12 vols., 1905, 439 chromolithograph plates, 10 uncoloured plates, and black and white illustrations to text, occasional toning or small mark, a little rubbed at corners, half morocco, some joints cracked, folio Nissen 667. (12)

£1800-2200

£800-1200

The complete work was first published in eight volumes in France between 1732 and 1750. (3) £100-150

164 Robertshaw (Cecily A.). Pointers Past and Present, 1st edition, privately published, 2000, b & w photos and illustrations, signed by the author to front pastedown, original spiral-bound pictorial wrappers, small folio (1)

£80-120

168 Winter (Georg Simon). Neuer Tractat von der Reith-Kunst, in zwey Haupt-Theil unterschieden. Der Erste handelt wie man eimen grossen Herrn, Cavallier, und Scholarn, solle unterweisen zu Pferd zu sitzen, die Opera auf der Reit-Schul zu machen ..., Der Andere von Bestellung eines wolerbauten Marstalls, reit-Hauss, und andern dazu gehorigen Sachen, wie auch von Dressirung und Zaumung der Pferde, Ulm, Christian Balthasar Kuhnen, 1674, [4] + 98 pp., title printed in red and black, gothic letter text, woodcut illustrations to text, several woodcut initials, some marks and soiling, with water stain towards lower margin, fore- and lower margins replaced throughout, bound with Bellerophon, sive Eques Peritus. Hoc est: Artis Equestris accuratissima institutio (Wolberittener Cavallier: oder Grundliche Anweisung zu der Reit-und Zaum-Kunst), Nuremberg, Wolfgang Endter, 1678, half-title, additional engraved title, parallel gothic letter text in two columns (Latin & German), 117 copper engraved plates by P. Troschel and Cornelis Nicolas Schurn, including sixty-six double-page, bound with Wolerfahrner Ross-Artzt oder Vollstandige Ross-Artzney-Kunst (Hippiater Expertus, seu Medicina Equorum absolutissima), Nuremberg, Wolfgang Endter, 1678, additional engraved title, two printed titles (German and Latin), gothic letter parallel text in two columns (Latin & German), single double-page copper engraved plate of veterinary implements, and forty-five engraved illustrations to text, second and third parts generally in good clean condition, old vellum, rubbed and marked, later crude reback, retaining vellum title label to spine, thick folio

165 Sweet (Robert). Geraniaceae. The Natural Order of Gerania, vols. I & II only (of 5), 1820-24, 192 fine hand-coloured engraved plates, a few minor spots, bookplates, later plain green boards, a few stains, 8vo Nissen BBI p.178; Sitwell Fine Flower Books, p.141. (2)

£800-1200

166 Waters (Nick). A Bundle of Rags in a Cyclone (The Irish Water Spaniel), 1st edition, Rodington, Shropshire, 1982, b & w plates and illustrations, original cloth in d.j., a little water wrinkled, together with a revised edition of the same work, published 1998, colour and b & w plates, signed presentation inscription to front free endpaper, from the author to Peggy Grayson, 1999, original cloth in d.j., both 8vo (2)

£100-150

167 Williams (Mary Roslin). Advanced Labrador Breeding, 1st edition, 1988, colour and b & w plates, a few minor pencil marks, author’s signed presentation inscription to front free endpaper, for Peggy and Bob [Grayson], original cloth in d.j., minor marks, 8vo (1)

Mennessier de la Lance, II 649-650. Huth 25. Lipperheide 33 & 34 (for the second and third parts). The Bellerophon and Hippiater Expertus by Georg Simon Winter von Adlersflugel (circa 1630-1701) are two of the most important 18th century German treatises on horsemanship, the Bellerophon being a study on the training and use of horses, and the Hippiater an accompanying treatise on veterinary science relating to horses. The shorter first part printed in German only entitled Neuer Tractat was the first but unillustrated version of the Bellerophon, printed by the Ulm printer Christian Balthasar Kuhn. (1) £2000-3000

£80-120

Lot 168

MAPS All lots unframed unless otherwise stated 169* Africa. Mercator (Gerard), Afr. III Tab:, [1578 - 1618], hand coloured engraved Ptolemaic map of Libya and Egypt, strapwork cartouche and decorated with actual and mythical animals, slight spotting, 345 x 480mm, mounted, framed and glazed, together with, De L’Isle (Guillaume), Carte de la Barbarie, de la Nigritie, et de la Guinée, pub. J.A. Dezauche, Paris, 1781, engraved map with contemp. outline colouring, 500 x 620mm, mounted, framed and glazed, with, D’Anville (Jean Baptiste Bourguignon), Carte Particuliere du Royaume de Congo, pub. Paris, 1731, hand coloured engraved map, 260 x 340mm, mounted, framed and glazed, with two others similar (5)

171 Africa. Mortier (Pierre), Carte Particuliere des Costes de L’Afrique qui comprend une Partie de la Guinée et Partie de Mina &c., Carte Particuliere des Costes de L’Afrique qui comprend le Royaume de Gualata &c., Carte Particuliere des Costes de L’Afrique qui comprend le Pays de Cafres &c., [and] Carte Particuliere des Costes de L’Afrique qui comprend le Royaume de Cacheo le Province de Gelofo &c., pub. Amsterdam, c.1700, together four large engraved sea charts with contemp. outline colouring, each with compass rose and numerous rhumb lines, slight offsetting and toning, each approx. 550 x 770mm (4)

£300-500

£150-200

172* Algiers. Braun (Franz & Hogenberg Georg), Algerii Sacacenorum urbis Fortissimae..., pub. Cologne, c.1600, engraved town plan with contemp. hand colouring, 355 x 500mm, mounted, framed and glazed Not examined out of frame. (1)

£100-150

170 Africa. Senex (John), Africa Corrected from the Observations of the Royal Society of London and Paris, c.1720, large engraved map with contemp. outline colouring, one marginal closed tear, 675 x 975mm (1)

£300-500

173 America. Laurie (Robert & Whittle James), A New Map of the Whole Continent of America Divided into North and South and West Indies wherein are exactly Described The United States of North America as well as the Several European Possessions according to the Preliminaries of Peace signed at Versailles Jan. 20 1783, Compiled from Mr. D’Anville’s Map of that Continent but with the addition of the Spanish Discoveries in 1775 to the North of California & Corrected in the Several Parts belonging to Great Britain...., 1794, large engraved map on four conjoined sheets, contemp. outline colouring, inset map of the countries adjoining Baffins & Hudsons Bays, large b & w cartouche, old folds, 1040 x 1190mm (1)

£400-600

174 Asia. Munster (Sebastian), Asia wie es Jetziger Zeit nach den Furnemesten Herrschafften Abgetheilet und Beschriben ist, c.1588, uncoloured woodblock map, lower margin and central fold with partial strengthening to verso, printers woodblock device and German text to verso, 325 x 365mm

Lot 171

(1)

£120-180

175 Asia . Senex (John), Asia Corrected from the Observations Communicated to the Royal Society at London and the Royal Academy at Paris, c.1720, engraved map with contemp. outline colouring, some marginal closed tears and slight fraying, some creasing, 665 x 955mm (1)

178* Board game. Robbers (G.), Het Spel van de Reis om de Wereld, pub. Rotterdam, c. 1880, uncoloured circular board game based on Jules Verne’s novel ‘Around the World in Eighty days’, short marginal tear with slight loss, 580 x 580mm, mounted, together with, Vlieger (J., pubs.), Tramspel, pub. Amsterdam, c.1890, colour litho. board game on the theme of horse drawn trams, laid on later card with additional title excised and placed below game, 365 x 505mm

£150-200

176* Blaeu (Johannes). Staffordiensis Comitatus vulgo Stafford Shire, Ducatus Eboracensis pars Orientalis The East Riding of Yorkeshire [and] Comitatus Brechiniae Breknoke, pub. Amsterdam, c.1650, together three hand coloured engraved maps, East Riding of Yorkshire with repaired marginal closed tears, each approx. 415 x 505mm, mounted, framed and double glazed, Latin text on verso (1)

(2)

£150-200

£200-300

177 Blaeu (Joan). Atlas Maior, 1665, facsimile reprint by Taschen, 2005, numerous col. plts. and maps throughout, pubs. printed col. boards, d.j., folio, together with, Atlas Maior, Anglia, vol.1 [and] Scotia & Hibernia, vol.2, pub. Taschen, c.2007, two volumes with numerous col. plts. and maps, pubs. printed col. boards, d.j., folio, contained in pubs. col. printed slip case, with, Nebenzahl (Kenneth), Maps of the Bible Lands, pub. Times Books, 1986, numerous col. and b & w illusts. throughout, pubs. cloth gilt, d.j., folio, plus, Royal Geographical Society (pubs.), Early Maps of the British Isles, A.D. 1000 - 1579, with Introduction and Notes by G.R.Crone, 1961, fourteen (of twenty), b & w maps, loose in pubs. portfolio, with the explanatory booklet, boards a little stained, folio, and, Gole (Susan, ed.), A Series of Early Printed Maps of India in Facsimile, pub. Jayaprints, New Delhi, revised ed., 1984, title, index and introduction, seventy b & w maps, contained in pubs. cloth gilt portfolio, boards a little faded, folio (6)

£100-150

179 Braun (Georg, and Hogenberg, Franz). Die Stadt Enchuysen, pub. Cologne, c.1590, hand coloured engraved map, 350 x 430mm, Latin text on verso, mounted, together with, Middelburgum Selandiae Opp: situ Operre et Mercimoniis Florentiss, c.1590, hand coloured engraved plan, 320 x 350mm, Latin text on verso, mounted, with, Tubes Oppidum Barbarie & Regia Sedes 1535...., [on sheet with], Africa olim Aphrodisium [and] Penon de Veles, c.1590, together three uncoloured engraved plans on one sheet (as published), topped by a panorama of Tunis together with views of Mahida and the island fortress of Penon de Veles, slight spotting, one small rust hole to image, 335 x 475mm, Latin text on verso, mounted (3)

£150-200

Lot 181

180 Braun (Georg, and Hogenberg, Franz). Tiburtun vulgo Tivoli [and] Varadinum vulgo Gros Wardein [1581 or later], together two engraved town plans with contemp. hand colouring, Varadinum with central fold strengthened on verso and some mount staining, each approx. 335 x 445mm, Latin text on verso

181 Bristol. Rocque (John), A Plan of the City of Bristol Survey’d and Drawn by John Rocque. Engrav’d by John Pine, MDCCXLII, pub. Benjamin Hickey, Bristol, J.Leake, Bath and John Roque, 1743, large uncoloured engraved plan on four conjoined sheets, two inset elevations of the exchange, decorative strapwork cartouche and mileage scale, old folds, some wear with slight loss along folds, small area of loss to image at base of map, 1070 x 1200mm

Published in ‘Civitates Orbis Terrarum’. The plan of Tivoli shows Abraham Ortelius and Georg Hoefnagel descending a hill below the town during their visit in 1578. Hoefnagel points towards the inset vignette of the waterfall at Aniene. (2) £100-200

Scarce. (1)

£1000-1500

182* British Isles. Danckerts (Theodore), Novissima et Accuratissima Totius Angliae Scotiae et Hiberniae Tabula...., pub. Amsterdam, c.1685, hand coloured engraved map, several marginal repaired closed tears, upper margin trimmed to neatline, central fold repaired and strengthened on verso, slight dust soiling, 500 x 575mm, mounted, framed and glazed R.W.Tooley. Printed Maps of the British Isles 1650 - 1750, Danckerts 2. State 1. (1) £100-150

183 British Isles. Senex (John), A New Map of Great Britain Corrected from the Observations Communicated to the Royal Society at London, pub. T & J Bowles and Robert Sayer, c.1760, engraved map with contemp. outline colouring, inset map of the Orkney and Shetland Islands, large b & w cartouche, old folds strengthened on verso, 950 x 645mm R.W.Shirley. Printed Maps of the British Isles. 1650 - 1750. Price 2. state 6. This last state retains the 1714 date and the portrait of Queen Anne. (1) £100-150

Lot 182

184 Caspian Sea & Kamchatka. Homann (Johann Baptist), Geographica Nova ex Oriente gratiosissima duabus tabulis specialissimis contenta quarum una Mare Caspium altera Kamtzadaliam seu Terram Jedso...., pub. Nuremberg, [1725], two engraved maps on one sheet (as published), contemp. hand colouring, uncoloured allegorical cartouche, 495 x 585mm Geographically incorrect in that it shows Kamchatka stretching almost all the way to Japan, with ‘Jedso’, the semi-mythical Island, joined on to Kamchatka with a large unnamed island to the east. (1) £70-100

Lot 183

187 Crete. Jansson (Jan), Creta Iovis Magni Medio jacet Insula ponto...., c.1650, engraved map with contemp. hand colouring compass rose and numerous rhumb lines, slight overall toning, 380 x 485mm, together with, Visscher (Nicolas), Cretae seu Candiae Insula et Regnum cum Diversis aliis Archipelagi Insulis....., pub. Amsterdam, c.1695, engraved map with contemp. hand colouring, slight staining, 495 x 580mm (2)

£150-200

185* Central Africa. Ogilby (John), Aethiopia Superior vel Interior vulgo Abissinorum sive Presbiteriioannis Imperior, c.1670, hand coloured engraved map, decorative cartouche and mileage scale, 290 x 370mm, mounted, framed and glazed, together with, Mercator (Gerard & Hondius Henricus), Abissinorum Regnu, c.1625, hand coloured engraved map, strapwork cartouche and mileage scale, 140 x 180mm, mounted, framed and glazed (2)

£100-150

188 Cyprus. Ortelius (Abraham), Cypri Insulae Nova Descript. 1573, [Antwerp: Christoph Plantin, 1584], hand-coloured engraved map with large strapwork title cartouche and inset map of Lemnos, Latin text to verso, minor light marginal and centrefold browning and four miniscule near-invisible pin prick holes within map, 350 x 505mm Van den Broecke: 149, second state of three (with waves not stipple and showing Tepia). (1) £500-800

186 China & Japan. A collection of thirteen maps, mid 19th century, thirteen colour woodblock maps of China and Japan and three index leaves, the index and some captions are in Japanese, the commentary on the maps is in Chinese, numerous wormholes causing some loss, each approx. 345 x 385mm The maps appear to be historical and those of China show the country from the days of the first emperor through several dynasties with the later maps showing the Great Wall. (13) £200-300

Lot 189

189 Duchy of Lorraine. Waldseemuller (Martin), Lotharingia Vastum Regnum, c.1520, wood block map printed in three colours (red, black and brown) and finished with additional hand colouring in yellow, green and blue, some worming and cracking to image professionally restored on verso, left hand vertical margin replaced, 370 x 265mm

192 England & Wales. Rocque (John), England and Wales Drawn from the most Accurate Surveys, Containing all the Cities, Boroughs, Market Towns and Villages....., pub. Laurie & Whittle, 1794, engraved map on four conjoined sheets with contemp. outline colouring, inset map of the Scilly Isles, large b & w cartouche and compass rose, old folds, some repaired closed tears at base of map and to margins, 1165 x 1000mm, together with, Kitchin (Thomas), A New Map of England & Wales Drawn from Several Surveys &c. On the New Projection...., pub. Laurie & Whittle, 1794, engraved map on four conjoined sheets with contemp. outline colouring, inset map of the Scilly Isles, large b & w cartouche and table of explanation, old folds, strengthened on verso, occ. marginal closed tears, 1250 x 1090mm

The first map of the Duchy of Lorraine and considered only the second map to be printed in colours. (1) £200-300

(2)

£150-200

190 England & Wales. Walker’s Tour through England and Wales, a New Pastime, pub. W. & T. Darton, 1809, engraved map with contemp. outline colouring, sectionalised and laid on later linen, slight loss to sheet edges, slight staining and dust soiling, 520 x 660mm An educational geographical game. (1)

£150-200

193 Europe. Robyn (Jacob), Wassende Pascaert Van t’ Noordelyckste deel van Europae ...., pub. Amsterdam, c.1683, engraved chart of Northern Europe with contemp. hand colouring, some oxidisation to old watercolour causing some cracking and splitting, repaired on verso, trimmed to neat line on horizontal margins, 530 x 600mm, together with, Homann (Johann Baptiste), Tabula Geographica Europae Austriacae Generalis...., pub. Nuremberg, c.1730, hand coloured engraved map of central Europe, 500 x 580mm, with, Du Val (Pierre), L’Europe, pub. Paris, 1677, hand coloured engraved map of North Western Europe (one sheet only of four), 400 x 510mm (3)

191 England & Wales. Moll (Herman), The South Part of Great Britain called England and Wales..., pub. J & T Bowles, Robert Taylor and John King, 1710 [but c.1740], engraved map with contemp. outline colouring, columns of towns and cities to vertical margins, slight toning to old folds, folds strengthened on verso, closed tear skillfully repaired on verso, 610 x 970mm R.W.Shirley. Printed Maps of the British Isles, 1650 - 1750. Moll 6, state 6. (1) £100-150

£150-250

194 Europe. Thompson (George), Thompson’s New Map of Europe, Divided into its Empires, Kingdoms &c. with Views and Descriptions of the most Capital Cities & Towns from the Latest Authorities, 1808, engraved map with sparse contemp. outline colouring, eight uncoloured engraved city prospects to vertical margins, trimmed to neatline with margins replaced, some closed tears, cracking and flaking causing slight loss, repaired on verso, backed with archival tissue, 585 x 1035mm Scarce. (1)

£200-300

195 France. Homann (Johann Baptist), Agri Parisiensis Tabula Partieularis qua Maxima pars Insulae Franciae...., pub. Nuremberg, c.1720, engraved map with bright contemp. hand colouring, 585 x 490mm, together with, De Lisle (Guillaume), Gouvernement General de Picardie qui comprend La Generalité D’Amiens....., 1746, engraved map with contemp. hand colouring, slight water staining, 485 x 565mm, with, Seutter (Matthaus), Artesia cum Finitimis locis velut Sedes as Theatrum Belli....., c.1730, engraved map with contemp. hand colouring, 485 x 565mm, plus, Sanson (Nicolas), La Saintonge uers le Septentrion...., c.1680, engraved map with contemp. hand colouring, slight offsetting, 450 x 560mm, French text on verso (4)

Lot 197

£100-150

196 France. Jansson (Jan), L’Evesche D’Aire...., c.1648, engraved map with contemp. hand colouring, decorative cartouche and mileage scale, 445 x 540mm, French text on verso, together with, Ortelius (Abraham), Regionis Biturigum Exactiss Descriptio...., [on sheet with] Limaniae Topographia Gabriele..., [1584], two engraved maps on one sheet (as published), contemp. hand colouring, 315 x 485mm, Latin text on verso, with, Seutter (Matthaus), Mappa Geographica in qua Ducatus Lotharingiae et Barr ut et Episcopatuum Metens Tullens Verdunens Territoria Tractusque Finitimi...., pub. Augsburg, c.1730, engraved map with contemp. hand colouring, 500 x 580mm, plus, Homann (Johann Baptist), Lotharingiae Tabula Generalis in qua Ducatus Lotharingiae et Barri nec non Metensis Tullensis et Verdunensis Episcopatus, pub. Nuremberg, c.1720, engraved map with contemp. hand colouring, slight overall toning, slight water staining, 490 x 570mm (4)

£100-150

Lot 198

197 Germany. Lotter (Tobias Conrad), Mappa Geographica Circuli Metalliferi Electoratus Saxoniae cum omnibus, quae in eo comprehenduntur Praefecturis......, pub. Augsburg, c.1760, large engraved map on two sheets (as published) with contemp. hand colouring and some later enhancement, large detailed cartouches of mining and mineral extraction, each sheet approx. 590 x 505mm

201 Hungary and the Balkans. Seutter (George Matthaus), Novissima et Accuratissima Hungariae cum Circumjacentibus Regnis et Principatibus...., pub. Augsburg, pub. 1745, engraved map with contemp. hand colouring, large dec. b & w cartouche and mileage scale, 510 x 590mm, together with, Homann (Johann Baptiste), Marchionatus Moraviae Circulus Olomucensis..., pub. Nuremberg, c.1730, engraved map with contemp. hand colouring, large b & w cartouche, 485 x 595mm

A large two sheet map of the Electorate of Saxony detailing scenes of mining and mineral extraction with cutaway details of pumps and tunnels. Another vignette shows a group of instruments used in cartography. This map was first published by Matthaus Seutter in 1736. This example is a later edition by Seutter’s son-in-law, Tobias Conrad Lotter. (2) £100-200

(2)

£100-150

198 Gibraltar. Homann (Johann Baptist), Carte Nouvelle de L’Isle de Cadix & du Detroit de Gibralter, pub. Nuremberg, c.1730, engraved map with contemp. hand colouring, 570 x 490mm (1)

£70-100

202 Hungary. Senex (John), A New Map of the Kingdom of Hungary and of the Countries, Provinces &c. Bordering there upon with their Respective Bannats, Counties, Sanjiacships, Mountains, Passes, Post Roads, Cities, &c....., c.1720, engraved map with contemp. outline colouring, slight dust soiling, 655 x 985mm (1)

£150-200

199 Greenwood (C. & J., publishers). A collection of twenty-two county maps, c.1832, engraved maps, many with contemp. hand colouring, some duplicates, together with the title page from the atlas, various sizes and condition The maps comprise of:- Monmouth, Flint Denbigh & Montgomery, Cumberland (2), Northumberland, Westmorland (2), Lancashire, West Riding of Yorkshire, North Riding of Yorkshire (3), Huntingdonshire (3), Somerset, Berkshire, Glamorgan Brecon & Radnor, Anglesey Caernarvon & Merionethshire, Herefordshire [and] Cambridgeshire (2) (23) £400-600

200 Holy Land. Homann (Johann Baptist), Judaea seu Palaestina ob Sacratissima Redemtoris Vestigia hodie dicta Terra Sancta prout olim in Duodecim Tribus Divisa Separatis ab Invicam Regnis Juda et Israel...., pub. Nuremberg, [1707 or later], engraved map with contemp. hand colouring, large b & w cartouche, inset map of the route followed by the Israelites, some creasing, slight toning, 500 x 575mm, together with, Hollar (Wenceslaus), Chorographica Terrae Sanctae Descriptio, 1657, three hand coloured maps on one sheet (as published), and an inset plan of the Israelites camp in the desert, compass rose and numerous rhumb lines, 375 x 500mm E.Laor. Maps of the Holy Land, nos. 340 & 339 respectively (2)

203 India and South East Asia. Blaeu (Johannes), Magni Mogolis Imperium, pub. Amsterdam, c.1640, engraved map with contemp. outline colouring, 420 x 525mm, Dutch text on verso (1)

£150-200

£120-180

204* Ireland. Petty (William), The Province of Munster Surveyed by Sr. William Petty. Divided into its Counties and the Counties into their severall Barronies....., pub. George Willdey, [1715], hand coloured engraved map, toned overall, 440 x 545mm, mounted, framed and glazed (1)

£100-150

206 Ireland. Bowles (Thomas & John pubs.), A New Map of Ireland Drawn from the Survey made by Sr. Wm. Petty; Divided into its Provinces, Counties and Barronies......., Improved with many Additions not Extent in any other map, 1731, engraved map with contemp. outline colouring, inset map of the British Isles, large b & w cartouche, trimmed to neatline with margins extended, old folds strengthened on verso, one repaired closed tear, 870 x 610mm Uncommon. (1)

£200-300

205 Ireland. Senex (John), Ireland Corrected from the Latest Observations Divided into its Provinces, Counties & Baronies, Shewing the Principal Roads and the Distances of Places in Common Reputed Miles by Inspection, Where Barracks are Erected &c., 1712, engraved map with contemp. outline colouring, inset map of the British Isles, occ. marginal closed tears, 965 x 670mm

207 Isle of Wight. [Jaillot (Alexis Hubert)], Carte Particuliere des Costes Meridionales D’Angleterre qui comprend L’Isle de Wight et le Havre de Portsmouth avec les autres Isles, Bancs et Costes qui sont entre le Havre de Chichester et celuy de La Pole, pub. Paris, 1695, large engraved sea chart with contemp. outline colouring, compass rose and numerous rhumb lines, some oxidisation to old watercolour causing cracking and splitting, skillfully restored on verso, 615 x 880mm

(1)

£200-300

£150-200

208 Italy. Ortelius (Abraham), Ducatus Mediolanensis Finitimarumq Regionu Descriptio...., [1584], engraved map of Northern Italy with contemp. hand colouring, 360 x 480mm, Latin text on verso Marcel van den Broecke. Ortelius Atlas Maps, no. 125. (1)

210 Italy. Delamarche (Charles Francois), Carte D’Italie Divisée en ses Divers états avec les plans des Pricipales Villes, 1820, uncoloured engraved map printed on linen, six engraved town plans to vertical margins, old folds, slight browning, 615 x 930mm

£120-180

(1)

209* Italy. Blaeu (Johannes), Gubbio Citta Regia Antichiss Dell’Umbria [and] Tuder vulgo Todi, c.1663, two hand coloured engraved town plans, each approx. 410 x 560mm, mounted, framed and glazed

£150-200

211 Jamaica & Barbados. Speed (John), A Map of Jamaica [on sheet with] Barbados, pub. Thomas Bassett & Richard Chiswell, [1676], two hand coloured enrgaved maps on one sheet (as published), some worming to central fold, partially repaired on verso, slight rust staining, 385 x 505mm, English text on verso

Two fine town plans from Blaeu’s “Civitates Ecclesiastici - Theatrum Civitatum et admirandorum Italiae”. (2) £300-500

(1)

£100-150

214 London. Bowles (Thomas, pub.), A New & Correct Map of Thirty Miles Round London, Shewing all the Towns, Villages, Roads &c. with the Seats of the Nobility & Gentry and whatever else is remarkable......, c.1740, circular engraved map with contemp. outline colouring on two conjoined sheets, inset distance tables and lists of towns, professional restoration on verso, backed with archival tissue, 635 x 955mm J.Howgego. Printed Maps of London, no.87. (1)

£200-300

212 Lancashire. Hennet (G.), A Map of the County Palatine of Lancaster, Divided into Hundreds and Parishes from an accurate Survey, made in the Years 1828 and 1829, engraved map by James Bingley, contemp. hand colouring, sectionalised and laid on linen, calligraphic title, table of explanation, compass rose and engraved vignette of the New Custom House Liverpol, the whole edged in green silk, 1600 x 1110mm, marbled endpapers, contained in contemp. calf book box, worn at extrems. Brian Kentish. A Catalogue of County Atlases of England and Wales...., and large scale maps, 2012. No.68. (1) £150-200

215 London. Overton (Henry), A New Mapp of the Citty of London much Inlarged since the Great Fire in 1666 in which are Several Streets, Places and Buildings of note which hath been added since aney other Mapps of London before this hath been Published, 1729, engraved map with contemp. outline colouring on two conjoined sheets, old folds, some dust soiling and slight creasing, several marginal closed tears with slight loss, repaired and strengthened on verso, 580 x 950mm

213 Leicestershire. Blaeu (Johannes), Leicestrensis Comitatus Leicester Shire, pub. Amsterdam, c.1640, engraved map with contemp. hand colouring, one small printers fold, some soiling to margins, 385 x 505mm, French text to verso, together with, Blaeu (Johannes), Somersettensis Comitatus, Somersetshire, pub. Amsterdam, c.1640, hand coloured engraved map, 385 x 505mm, French text on verso, with, Jansson (Jan), Wigorniensis Comitatus cum Warwicensi nec non Conventriae Libertas, pub. Amsterdam, c.1645, engraved map with contemp. hand colouring, toned overall, occ. marginal closed tears, central fold partially strengthened on verso, 430 x 530mm, French text to verso (3)

J.Howgego. Printed Maps of London, no 53 (but unrecorded later state). (1) £200-300

£150-250

218 Maps. A mixed collection of approx. eighty British and foreign maps, 17th - 19th century, including British regional and county maps by Morden, Moule, Cole & Roper, Speed, Kitchin, Jansson, Blome, Blaeu, Fullarton and Teesdale, and foreign maps by Bartholomew, Bowen, Tallis, Smith and A & C Black, various sizes and conditon (approx.80)

216 Maps & engravings. A mixed collection of approx. 260 prints, maps and engravings, 18th - 20th century, including maps by Stockdale, Sharpe, Archer and Kitchin, including 18th century maps of North America, the World and the West Indies, together with engravings and prints, including natural history, photographs, portraits, classical, domestic animals, topography, etchings and caricatures, various sizes and condition (approx.250)

£150-200

219 Maps. A mixed collection of eighteen maps, mostly 16th - 19th century, engraved maps of European countries, allegorical maps, West Indies and Australasia including several with contemp. hand colouring, with examples by Mercator, Weller, S.D.U.K., Philip, Gall & Inglis, Munster, Homann, Nisbit, Russell, Seutter. Johnston, Thomson and Wyld, various sizes and condition

£200-300

(18)

£300-500

220 Maps. Hinton (John), A New and Accurate Map of North America Laid down According to the Latest and most Approved Observations and Discoveries, [1763], engraved map by R.W Seale with contemp. hand colouring, old folds, repaired closed tear, slight creasing, 265 x 335mm, together with, A New and Accurate Map of Africa from the Latest and Best Observations, [1763], engraved map with contemp. hand colouring, old folds, 285 x 355mm, with, Hall (Henry), South Africa, pub. Edward Stanford, 1879, engraved map with contemp. hand colouring, sectionalised and laid on linen, slight staining, 415 x 715mm, contained in modern boards with contemp. printed label to upper siding, plus seven lithographic maps by Francis Young of Australia, America and Europe, plus, Seale (R.W.), Worcestershire Drawn from a late Survey, The North Riding of Yorkshire from a late Survey [and] The East Riding of Yorkshire from a late Survey, [1763], together three uncoloured engraved maps, old folds, each approx. 180 x 215mm (13)

217 Maps. A mixed collection of approx. seventy maps, 17th - 20th century, a mixed and varied collection of engraved and lithographic maps, including battle plans, regional and country maps, town views and title pages, including examples by Jansson, Blaeu, Tallis, Archer, Verhaer, Chatelain, Thomson, Munster, Wyld, De L’Isle, De Vaugondy, Henshall, Fullarton and Homann, various sizes and condition (approx.70)

£300-500

£100-150

224 Mexico. Coronelli (Vicenzo Maria), Parte della Nuova Spagna ò del Mexico doue sono le Provincie di Guadalaira, Xalisco, Mecoacan, Mexico...., pub. Venice, c.1695, hand coloured engraved map, large ornate cartouche and mileage scale, slight worming at foot of central fold and margin, professionally repaired on verso, tear with slight loss to strapwork margin at foot of central fold, professionally repaired, 455 x 600mm

221* Maps. A mixed collection of thirteen maps, 17th - 19th century, engraved British & foreign maps, including examples by Morden, Pigot, Jansson, Donne, S.D.U.K., Smith, Cary, De Vaugondy and Blaeu, various sizes and condition, all framed and glazed (13)

£200-300

222 Maps. A mixed collection of eighteen maps, 17th - 19th century, engraved overseas maps, battle plans and railways maps, including examples by Jansson, Ortelius, Seutter, Beek, Johnson & Ward and Petrini, various sizes and condition (18)

(1)

£150-200

£200-300

225 Middle East. Senex (John), A Map of Turky Arabia & Persia Corrected from the Latest Travels and from Observations of the Royal Societys of London and Paris, c.1720, engraved map by G.De L’Isle with contemp. outline colouring, 480 x 600mm 223 Mediterranean. Reynard (Louis), Orientalior Districtus Maris Mediterranei t’Ooster gedeelte van de Middelanndse Zee, c.1720, engraved chart with contemp. hand colouring of the eastern Mediterranean sea, elaborate cartouche, compass rose and numerous rhumb lines, 480 x 585mm (1)

(1)

£150-250

£150-200

226 Norfolk and Suffolk. Jansson (Jan), Nortfolcia vernacule Norfolke [and] Suffolcia vernacula Suffolke, c.1650, together two engraved maps with contemp. outline colouring, Suffolk with mount staining and central fold strengthened on verso, slight toning, 385 x 495mm, Latin text on verso, Norfolk with slight staining and a lot of hand colouring washed out (presumably as a result of cleaning), 385 x 495mm, Latin text on verso, together with, Morden (Robert), Midlesex [and] Buckinghamshire, [1695 or later], together two engraved maps, Middlesex with hand colouring, Buckinghamshire uncoloured, Middlesex trimmed to neat line and with very slight loss on vertical margins, each approx. 370 x 420mm (4)

£100-150

227* North Africa. Ortelius (Abraham), Africae Propriae Tabula In qua Punica regna vides Tyrios et Agenoris urbem, [1590 or later], hand coloured engraved map, 340 x 490mm, mounted, framed and glazed Originally published in the Parergon. Marcel van den Broecke. Ortelius Atlas Maps. No.218. (1) £100-150

229 Ortelius (Abraham). Fori Iulii Accurata Descriptio, [1584], engraved map of northern Italy with contemp. hand colouring, 360 x 480mm, Latin text on verso, together with, Homann (Johann Baptist Heirs of), Ducatus Mantuani ceu Sedis Belli 1733 - 35 Recentissima Delineatio..., pub. Nurumberg, c.1740, engraved map of Lombardy with contemp. hand colouring, 500 x 575mm, with, Ortelius (Abraham), Patavini Territorii Corographia Iac Castaldo Auct., 1584, engraved map of Northern Italy with contemp. hand colouring, Latin text on verso (3)

£300-500

230 Poland. Senex (John), Poland Corrected from the Observations Communicated to the Royal Society at London and the Royal Academy at Paris, c.1720, engraved map with contemp. outline colouring, 650 x 950mm (1)

£200-300

228 North America. Blaeu (Johannes), Nova Virginiae Tabula, pub. Amsterdam, c.1640, hand coloured engraved map of Virginia, orientated to the west, strapwork cartouche and mileage scale, two engraved vignettes, compass rose and numerous rhumb lines, some professional restoration on verso causing slight loss to text, 380 x 485mm, Latin text on verso P.Burden. The Mapping of North America, no.193, state 2. Published in ‘Le Theatre du Monde’ between 1638 and 1658. The map was first issued as a separately published map by Jodocus Hondius from 1618-1629 and is derived from John Smith’s map of Virginia of 1612. Upon Hondius’s death in 1629, Blaeu purchased the plate and the imprint was changed to reflect the new ownership. Blaeu used the map in virtually every edition of his atlas. (1) £400-600

231 Quebec. Tirion (Isaak), Quebek, De Hoofdstad van Kanada; aan de Rivier van St. Laurens: door de Engelschen Belegerd en by Verdrag Bemagtigd in t’Jaar, pub. Amsterdam, 1759, engraved map with contemp. hand colouring, inset map ‘De Rivier boven Quebek’, table of explanation, 330 x 430mm Taken from ‘Hedendaagsche Histoire of Tegenwordige Staat van Amerika’ and is derived from an earlier map by Jefferies. The map shows the English siege of Quebec at the end of the French and Indian war. (1) £80-120

232* Radnorshire, Brecknockshire, Cardigan & Carmarthenshire. Saxton (Christopher & Lea Philip), Radnor, Breknoke, Cardigan and Carmarthen Shires Discribed by C.S., Corrected and Amended with many Additions by P.Lea, c.1689, hand coloured engraved map, inset town plans of Caernarvon, Radnor, Brecknock & Cardigan, one marginal closed repaired tear, 365 x 470mm, mounted, framed and glazed (1)

234 Russia. Homann (Johann Baptist, Heirs), Ingermanlandiae Ingriae novissima Tabula luci tradita, pub. Nuremberg, c.1760, engraved map with contemp. hand colouring, inset b & w view of St. Petersburg, some repaired marginal closed tears, slight creasing, 480 x 560mm Detailed map centered on Saint Petersburg. The map was drawn shortly after the conclusion of the Great Northern War between Sweden and Russia, when Russian control over the area was firmly established. The panoramic view of the city from the water, shows an apparently fictitious naval attack on the Peter and Paul Fortress. This is the second of two states of this map, with a notation in the bottom border indicating that longitude is measured from the Ferro meridian, 20 degrees west of Paris. (1) £120-180

£200-300

233 Russia. Seutter (George Matthaus), Canalis Ladogensis nova Delineatio secundum exemplar Petropolitanum aeri incidit, c.1750, engraved map with contemp. hand colouring, inset view of the Ladoga canal, large b & w cartouche also showing the canal, titles also in Cyrillic, slight dust soiling, 500 x 580mm Te Lodoga Canal was of the most impressive projects initiated by Peter the Great. Commencing in 1708 and finished by Empress Anna in 1732. The canal was built because frequent storms and high waves on the lake made it treacherous for boat traffic. A system of four sluice gates kept the level of the canal two metres higher than the level of the lake, with water fed from specially constructed reservoirs. It followed the southern coast of the lake, from the river Volkhov up to source of the Neva and the fortress at Shlisselburg. It is now a part of the Volga-Baltic Waterway. (1) £150-200

Lot 235

235 Russia. Senex (John), Moscovy Corrected from ye Observations Communicated to the Royal Society of London and Paris, 1712, engraved map with contemp. outline colouring, 970 x 645mm

239 South America. Senex (John), South America Corrected from the Observations comunicated to the Royal Societys of London & Paris, c.1712, engraved map with contemp. outline colouring, 945 x 650mm

(1)

£200-300

£150-200

236 Sea charts. A collection of thirteen sea charts of parts of the British Isles, 19th & 20th century, French and English engraved and printed charts, including a mid 19th century ‘blue backed’ chart of the Firth of Clyde, with others including charts of Milford Haven, the English Channel, Cardiff, St. Ives Bay, Poole, Bristol Channel and the south coast of Ireland, library stamp of book seller, various sizes and condition (13)

£100-150

237 Sea charts. A collection of fifteen charts of Spain, Portugal and France, 19th & 20th century, engraved and printed charts, including the Straits of Gibralter, the Gulf of Lyon, the Morbihan, Vilaine and Marseilles, all with book dealers blind stamp, various sizes and condition (15)

£100-150

238 Sea charts. A mixed collection of eleven charts, 19th & 20th century, engraved and printed charts including examples from South Africa, Sicily, Ivory Coast, Australia, Sumatra & Java and the Atlantic Ocean, together with a plan of Sebastopol, with book sellers blind stamp, various sizes and condition (11)

240* Southern United States. Covens (Jean & Mortier Cornelius), Carte du Mexique et de la Floride des Terres Angloises et des Isles Antilles..., pub. Amsterdam, 1722, engraved map with sparse contemp. outline colouring, additional title of ‘Tabula Geographica Mexicae et Floridae &c.’ above map, 485 x 605mm, framed and glazed, together with, Colton (Joseph Hutchins), Colton’s New York, pub. Johnson & Browning, New York, 1858, engraved map with contemp. hand colouring, inset maps of Albany, Troy, New York, Syracuse, Rochester, Buffalo and Oswego, 430 x 630mm, mounted, framed and glazed

£80-120

(2)

£400-600

241 Speed (John). The Countie of Nottingham described The Shire Townes Situation and the Earls there of Observed, pub. Roger Rea, c.1662, uncoloured engraved map, inset town plan of Nottingham, large strapwork cartouche and mileage scale, trimmed to neat line, collectors stamp to verso with slight showthrough, 380 x 505mm, together with, Huntington both Shire and Shire Towne with the Ancient Citie Ely Described, pub. Roger Rea, c.1662, uncoloured engraved map, inset town plans of Ely and Huntingdon, trimmed to neat line, collectors stamp to verso with slight showthrough, 380 x 500mm, with, Rutlandshire with Oukhan and Stanford her Bordering Neighbour Newely Described, pub. Roger Rea, c.1662, uncoloured engraved map, inset town plans of Oakham and Stanford, strapwork cartouche and mileage scale, trimmed to neat line, collectors stamp to verso with slight showthrough, 380 x 505mm, plus, The Countie of Radnor Described and the Shyre Townes Situatione, pub. John Sudbury and George Humble, c.1627., uncoloured engraved map, inset town pan of Radnor, strapwork cartouche, mileage scale and compass rose, trimmed to neat line, collectors stamp to verso with slight showthrough, 380 x 505mm (4)

Lot 239

£150-200

244 Transylvania. Ortelius (Abraham), Transilvania [1584], engraved map with contemp. hand colouring, 330 x 450mm, Latin text on verso 242 Stockholm. Homann (Johann Baptist), Accurater Grundriss und Prospect Der Kon. Schwed Reich U. Hauptstadt Stockholm...., pub. Nuremberg, c.1730, engraved map with contemp. hand colouring and some later enhancement, decorative cartouche and mileage scale, 490 x 585mm (1)

Marcel van den Broecke, Ortelius Atlas Maps, no.153.1 (1)

£100-150

£150-250

243* Tartary. Speed (John), A Newe Mape of Tartary, pub. Thomas Bassett & Richard Chiswell, c.1676, hand coloured ‘carte a figures’ map, eight costumed figures to vertical margins and four oval vignettes of principal cities along upper horizontal margin, 390 x 515mm, laid on later card, mounted, framed and glazed (1)

£300-500

245 Turkey. Senex (John), Turkey in Europe corrected from Observations Communicated to the Royal Societys at London and Paris, c.1712, engraved map with contemp. outline colouring, one small hole affecting image, 955 x 665mm (1)

£150-200

Lot 247

246* Venice. Chatelain (Henry Abraham), Carte du Plan de Venise L’état de sa Noblesse...., Carte du Gouvernement Civil et Politique de la Republique de Venise..., [and] Carte du Gouvernement Militaire de la Republique de Venise..., pub. Amsterdam, c.1708, together three uncoloured engraved sheets of engraved maps and views with columns of French text below image, each engraving approx. 390 x 470mm, displayed in a triple aperture mount, framed and glazed (1)

£200-300

247* Warburton (J., Bland J., & Symth P., ). A New and Correct Mapp of Middlesex, Essex and Hertford-shire with the Roads, Rivers, Sea Coasts etc., Actually Surveyed by John Warburton Esq. Somerset Herald & F.R.S., Joseph Bland and Paylor Smyth, Gent., c.1725, very large hand coloured engraved map on six conjoined sheets, decorative cartouche, explanation, compass rose and numerous rhumb lines, list of towns and villages below map and numerous coats of arms surrounding the map, very slight worming, very slight loss to upper left corner, skillfully replaced in facsimile, 1155 x 1835mm, framed and glazed (in perspex) Brian Kentish. Large Scale County Maps of England and Wales 1705 - 1832. Item 32. A very large and striking map of part of South East England; remarkable and aesthetically stunning due to the large quantity of armorials. The map had a large number of subscribers (over 700) but few examples survive, probably due to the temptation to display it as a wall map which would have accelerated the maps mortality. (1) £1500-2500

Lot 246

248* World. Visscher (Nicolas), Orbis Terrarum Nova et Accuratissima Tabula, c.1658, engraved hemispheral map with contemp. hand colouring, insular California, map with contemp. hand colouring, two additional hemispheral projections of the polar regions, occ. closed tears, 470 x 560mm, mounted, framed and glazed R.W.Sirley. The Mapping of the World, no.406. (1) ÂŁ800-1200

Lot 248

249 World. Seutter (George Matthaus), Diversi Globi Terr-Aquei Statione Variante Et Visu Intercedente Per Coluros Tropicorum, Per Ambos Polos Et Partciul Sphaerae Zenith In Planum Delineati Orthogranici Prospectus, pub. engraved Augsburg, c.1735, hemispheral map with contemp. hand colouring, twelve additional circular projections, insular California, margins strengthened on verso, 505 x 580mm (1)

Lot 249

ÂŁ700-1000

DECORATIVE PRINTS & ORIGINAL ART All lots unframed unless otherwise stated 250 Bankes (Thomas). A New Royal Authentic and Complete System of Universal Geography, published C. Cooke, circa 1790, engraved allegorical frontispiece torn with loss, title and prelims. detached, numerous plates and folding maps throughout, some maps with closed tears affecting image, some plates and maps lacking, contemporary calf, upper board detached, worn and frayed, folio, together with Vertue (George), The Heads of the Kings of England Proper for Mr Rapin’s History, translated by N. Tindal, published James, John and Paul Knapton, 1786, numerous engraved plates, maps and battle plans throughout, a few plates lacking, contemporary calf, boards detached, worn, frayed, folio, plus Bowen (Emanuel), A Complete System of Geography, volume 1 only, no date, circa 1740, title printed in red and black, torn with loss and laid on later paper, two folding engraved maps only, both with faults, contemporary calf, boards detached, worn and frayed, folio, together with 4 volumes of The History of England by Rapin de Thoyras, all lacking some plates and maps and defective, together with other volumes similar Sold as a collection of prints, not subject to return. (13)

£150-200

253* Dogs. Ward (William), Setters, pub. James Linnell, 1806, uncoloured mezzotint after George Morland, thread margins, one small chip causing very slight loss, 375 x 430mm, together with, Mullins ( George), The Spaniel Dog, pub. Robert Sayer, 1772, uncoloured mezzotint after G.Mullins, a few ink stains affecting image, 315 x 440mm From the estate of the the late Christopher Lennox Boyd. (2)

254 Du Bosc (Claude). The Military History of the Late Prince Eugene of Savoy and of the Late John Duke of Marlborough, volume 1 only, published James Bettenham, 1736, title printed in red and black, additional half-title, numerous engraved plates and folding battle plans, some plates excised, front endpaper with nearcontemporary presentation inscription, contemporary gilt calf, worn and frayed, folio, together with Bankes (Thomas), A New Royal Authentic and Complete System of Universal Geography Ancient and Modern, published J. Cooke, circa 1790, engraved allegorical frontispiece, torn with slight loss, numerous engraved plates and folding maps throughout, some maps defective, contemporary calf, upper board detached, worn and frayed, folio, with Harris (John), The History of Kent in Five Parts, volume 1 only, published D. Midwinter, 1719, engraved portrait frontispiece, numerous engraved plates, some plates excised and lacking, contemporary gilt calf, worn and frayed, folio, and Mercator (Gerald), Atlas sive Cosmographicae Meditationes de Fabrica Mundi et Fabricati Figura, 2 volumes, published H. Hondius, Amsterdam, 1628, engraved title with nearcontemporary hand colouring, frayed and torn with loss, retaining seven (only) hand-coloured engraved double-page maps, remainder excised and lacking, fine contemporary gilt-decorated marbled calf, a little worn at extremities, folio, together with other volumes similar, all defective

251* Besler (Basilius). Phalangium Alobrogicum maius [and] Lilium Convallium, [1613 or later], hand coloured engraving, slight creasing, closed repaired tear to margin not affecting image, 485 x 400mm, Latin text on verso (1)

Sold as a collection of prints, not subject to return. (16)

£300-500

252 Campion (George Bryant, 1796-1870). Royal Horse Artillery, a set of six colour lithographs, toned and slightly faded, 38 x 50cm (15 x 19.75ins), framed and glazed (6)

£100-150

£150-200

£300-500

258* Erotica. Morland (George, attrib.), Mrs Homespun and Sedley Pupil of Pleasure, St Preux and Eloisa, Tom Jones Molly Seagrim and Square, Tom Jones and Molly Seagrim in the Grove, Fanny Hill and the Nosegay Boy Woman of Pleasure, Lady Bellaston & Tom Jones after their Return from the Masquerade, Harriet Ravish’d in the Summer House and [Fanny Hill and Phoebe], c.1780, together eight uncoloured sexually explicit mezzotints attributed to William Ward, each trimmed to image and laid to album page, slight spotting to margins, one image (Fanny Hill and Phoebe) with title written in later pencil manuscript, each approx 320 x 245mm The images are taken from various erotic 18th century novels such as The History of Tom Jones, a Foundling, Memoirs of a Woman of Pleasure (popularly known as Fanny Hill) and Julie, or the New Héloise. From the collection of the late Christopher Lennox Boyd. (8) £300-500

259* Fox Hunting. Quilley (Henry), To the Sportsmen in General of Shropshire. This Print of Stephen Denston, Yeoman of Stanwardine Hall...., pub. Mr Minor, Astley House, Shropshire, 1838, uncoloured mezzotint after R.Jones, a little toned and spotted, 580 x 680mm, together with, Thomson (J.), The Morning of the Chase, pub. Thomas Maclean, 1845, uncoloured mixed method engraving after Francis Grant, some professional repairs to image, laid on modern card, 530 x 630mm, with, Giller (W.), John Mytton Esquire, Halston, Salop, pub. Rudolph Ackermann, 1847 [but later impression], hand coloured engraving after W.Webb, heightened with gum arabic, 530 x 660mm, plus, Hacker (Edward), Mr Willm. Long on “Bertha”...., c.1850, uncoloured mixed method engraving after W & H Barraud, trimmed with slight loss to engraved title at base, slight staining, 440 x 540mm, and, Ward (William), Untitled engraving of two racehorses, c.1800, uncoloured mezzotint, proof before title and letters, one small marginal closed tear, 410 x 560mm (5)

255* Du Monceau (Henri Louis Duhamel). A collection of twelve botanical engravings, originally published in ‘Traite des arbres et arbustes qui se cultivent en France’, Paris, [1800-1825], stipple engravings after P. Bessa and P.J. Redouté with contemporary hand and printed colouring, each approx. 320 x 240mm, mounted (12)

£100-200

£150-200

256 Dugdale (William). The Antiquities of Warwickshire, published Thomas Warren, 1656, portrait frontispiece excised and laid on later paper with slight loss, title printed in red and black, numerous engraved maps and plates throughout, some lacking, 18th-century speckled calf, upper board detached, worn and frayed, folio, together with D’Anville (Jean Baptiste), Atlas Contenant Vingt-Sept Cartes Geographique, published Jean Francoise Bastien, Paris, 1807, twenty-six (of 27) uncoloured engraved folding double-page maps, contemporary half calf, boards detached, 4to, together with Swall (Abel and Child, Tim, publishers), Thesaurus Geographicus. A New Body of Geography or a Complete Description of the Earth, 1695, title-page with near-contemporary manuscript ownership inscription, numerous engraved maps to text throughout, partially excised, hinges and joints weak, near-contemporary calf, worn and frayed at extremities, folio, plus a partially excised scrapbook containing portraits, British topography, classical and historical engravings and maps, contemporary vellum, worn and frayed, folio, plus other volumes similar, all partially excised and defective Sold as a collection of prints, not subject to return. (13)

£200-300

257* Edinburgh. Royal Review of Scottish Volunteers, Queen’s Park, Edinburgh, 25th August 1881, pub. McFarlane & Erskine, Edinburgh, c.1882, large colour printed lithograph, slight browning to margins, 600 x 950mm, framed and glazed (1)

£100-150

Lot 260

260* George Washington. Sadd (H.S.), George Washington, pub. John Neale, [New York, 1844], large uncoloured mezzotint after G.Stuart, occ. repaired marginal closed tears, trimmed within platemark, 710 x 525mm From the estate of the late Christopher Lennox Boyd. (1)

£200-300

262* Green (Valentine). Thos. Fielder, Fruit-Broker, aged 66, pub. V.Green, 1774, uncoloured mezzotint after M.Chamberlain, repaired closed tears affecting image, some creasing and slight dust soiling, 505 x 355mm, framed and glazed, together with, Josi (Christian), The Labourer’s Luncheon, pub. 1797, stipple engraving with contemp. colouring, after G.Morland, 420 x 310mm, framed and glazed, with six classical stipple engravings by F.Bartolozzi, R.Wilkinson and G.Ryland all depicting classical scenes, each approx. 335 x 400mm, all framed and glazed, plus an uncoloured mezzoting of a Spaniel with a duck, trimmed to image, 385 x 480mm, framed and glazed

261* Gould (John and Richter, H.C.). Calothorax Calliope, Trogon Gigas, Zosterops Albogularis, Dasyornis Asstralis [and] Porzana Pygmaea, c.1875, together five hand coloured lithographs, each approx. 500 x 360mm (5)

(9)

£150-200

£150-250

263 Heylyn (Peter). Cosmography in Four Books Containing the Chorography and History of the World, published P.C.T. Passenger, 1683, title-page printed in red and black with additional decorative title, retaining three uncoloured engraved folding maps by Robert Vaughan including North and South America, Insular California, 18thcentury calf, upper board detached, worn and frayed, folio, together with three copies of Thomas Bankes’s Universal System of Geography, all defective and lacking parts, plus Ralegh (Sir Walter), The History of the World in Five Books, published Robert White, 1677, engraved portrait frontispiece torn with loss, title printed in red and black, lacking maps and plates, near-contemporary manuscript inscription to front endpaper, near-contemporary calf, worn and frayed, folio, with other volumes similar, all partially excised and defective Sold as a collection of prints, not subject to return. (14)

£200-300

267* Menus. A collection of ten menus, late 20th century, ten menus from fine French and British restaurants including Hambleton Hall, Paul Bocuse (signed by Bocuse), Giorgio Pinchiorri, Michel Guérard, Michel Bras, Alain Chapel, Jean Schillinger, Domaine Mauvette and Michel Lorain, various sizes, all framed and glazed 264* Hong Kong. William James Aylward (1875-1956). ‘Box Cars of the Sea’, charcoal on paper, original label to verso for American Magazine, 43 x 62cm (17 x 24.5ins), framed and glazed (1)

(10)

£80-120

£150-200

265* Kirkall (Elisha 1682-1742). Three ‘Sea Pieces’ after W. Van der Weld, c.1720 [or later], three mezzotints on laid, printed in green, 400 x 575mm, 335 x 410mm and 330 x 410mm respectively, together with, Dickinson (William), The Situation of His Majesty’s Ship Ambuscade off the Island of Jersey, the 15th of November 1779, pub. 1780, uncoloured mezzotint after Capt W.Adlam, slight marginal fraying and chipping, 445 x 550mm, with, Carlos (W.), A West Indiaman in a Storm, pub. Thomas Maclean, 1834, uncoloured mezzotint after J.Vernet, slight dust soiling largely confined to margins, 300 x 405mm, with one other similar From the collection of the late Christopher Lennox Boyd. (6)

£150-200

268* Mezzotint drolls. Wilson (James), The Sleeping Beauty, pub. Robert Sayer, c, 1780, mezzotint with bright contemp. hand colouring after Jean-Francois Gilles Colson, 355 x 250mm, together with Bowles & Carver (pub), Reynard’s Last Shift, c.1780, mezzotint with bright contemp. hand colouring, trimmed to image, laid on later paper, 335 x 250mm, with, Lawrie (Robert), The Jealous Maids, pub. Robert Sayer, c.1790, mezzotint with contemp. hand colouring after John Collett, trimmed to plate mark, 255 x 340mm, plus, Wilson (James), The Suspicious Husband, pub. R.Marshall, 1772, mezzotint with contemp. hand colouring, trimmed to image and remargined, laid on later paper, 340 x 245mm, with another eleven similar drolls, various sizes and condition

266* Legal Portraits. A large collection of approx. 680 engraved portraits, mostly 18th & 19th century, uncoloured etchings, engravings and mezzotints, occ. duplicates, various sizes and condition, togther with another approx. sixteen prints engravings and aquatints of British & foreign topographical views, natural history & botany and a collection of twenty six outline engravings by Henry Moses from Goethe’s ‘Faust, various sizes and condition (approx.720)

£150-250

(15)

£200-300

269* Mezzotint drolls. A collection of fifteen mezzotint drolls, mostly late 18th century, fifteen uncoloured mezzotints, each approx. 350 x 250mm, various condition Titles include:- The Humorous Fiddler, The Gypsie Fortune-Teller, The Woodman, A Lady at Confession, The Owl Face, Sir John Barley Corn’s Arm Supporters, Five in the Afternoon..., The Prudent Mother, The Prodigal Son receives his Patrimony, The Prodigal Son Revelling with Harlots, The Sleepy Congregation, Harry Dornton Beating the Watchman, Mail Coach Breakfast, Jackey and the Cow [and] Emblems of 1760 & 1780. From the estate of the late Christopher Lennox Boyd. (15) £100-200

270* Mezzotint drolls. A collection of fifteen mezzotint drolls, late 18th century, fifteen uncoloured engravings, each approx. 350 x 250mm, various condition Titles include:- Gretna Green or the Red Hot Marriage, The Return from Scotland or Three Weeks after Marriage, Six Weeks after Marriage, Courtship for Money, Tom Tackle relieving an Old Shipmate, The Suspicious Husband, Consideration or the Second Stage of Elopement, Dealing the Cards, The Appointment Overheard and Prevented, The Jealous Spaniard or Unequal Match, Paris & Helen directing Cupid to inflame each others Heart wth. Love, The Owl Face, Is this my Daughter Ann, The Amorous Thief - or the Lover’s Larceny [and] Emblems of 1760 & 1780. From the collection of the late Christopher Lennox Boyd. (15) £300-500

Lot 269

271* Mezzotint drolls. Autumn [and] Winter, pub. P.Barnaschina, 1799, mezzotint with contemp. hand colouring, 255 x 355mm, laid on later card, together with, Carington Bowles, pub., Cymon and Iphigenia, 1783, mezzotint with contemp. hand colouring, 350 x 250mm, with, Sayer & Bennett, pubs., Expectation, 1781, mezzotint with contemp. hand colouring, margins chipped, 350 x 350mm, plus, Laurie & Whittle, pubs., The Afflicted Family - A Child Lost, 1797, mezzotint with contemp. hand colouring, some spotting to margins, 355 x 265mm, with another seven similar, all with contemp. hand colouring, each approx. 350 x 250mm, various condition From the collection of the late Christopher Lennox Boyd. (11)

£200-300

272* Mezzotint drolls. The Highland Laddie, pub. Bowles & Carver, c.1780 [and] Jockey and Jenny, pub. Carington Bowles, c.1780, together two uncoloured mezzotints, each approx. 360 x 255mm, framed and glazed (2)

Lot 270

£100-150

275* Morland (George, 1763-1804). The Angry Farmer, Boys Robbing and Orchard, Boys Bathing [and] Boys Skating, pub. J.R.Smith, 1790, the set of four uncoloured stipple engravings by Edmund Scott, titles repeated in French, titles faded, each approx. 350 x 410mm, mounted, framed and glazed in good 19th century gilt gesso frames (4)

£100-200

273* Mezzotints. A mixed collection of approx. forty engravings, mostly 18th & 19th century, engraved portraits, genre, classical and mezzotint drolls, including examples by Lowery, Baillie, Zobel, Daw, Spooner, Johnson, Wilson, Ryley, Murphy, Fisher, Turner, Miller, Faber, Watson and Lucas, a few examples with contemp. hand colouring, various sizes and condition From the estate of the late Christopher Lennox Boyd. (approx.40)

£200-300

276* Morland (George). The Farmers Stable, pub. J.R.Smith, 1795, mezzotint by WIlliam Ward with contemp. colouring, trimmed to plate mark and laid on later card, together with, The Contented Waterman, pub. P.Corman, 1790, uncoloured mezzotint by William Ward, slight spotting and staining, 400 x 450mm, with, Cottagers, pub. T.Simpson, 1791, uncoloured mezzotint by William Ward, slight staining, 460 x 555mm, plus, Blind Mans Buff, pub. J.R.Smith, 1788, uncoloured mezzotint by William Ward, trimmed to plate mark, 450 x 545mm From the estate of the late Christopher Lennox Boyd. (4)

274* Morland (George, 1763-1804). Children Playing at Soldiers, Children Nutting, Children Bird-Nesting [and] Juvenile Navigators, pub. J.R.Smith, 1788 and 1789, together four uncoloured mezzotints after G.Keating, E.Dayes and W.Ward respectively, slight spotting, laid on near contemp. card, framed and glazed in 19th century gilt gesso frames (4)

£200-300

£100-200

279* Niagara Falls. The Waterfall of Niagara, c.1760, hand coloured engraving with descriptive text in English & French below image, trimmed along lower margin with slight loss of text, some dust soiling and slight staining to margins, 250 x 400mm, together with, The Island of St Helen, 1754, hand coloured engraving with title in English & French below image, trimmed with slight loss to text, slight dust soiling to margins, 250 x 400mm

277* Morland (George). The Thatcher, pub. G.Morland, 1806, uncoloured mezzotint by William Ward, 480 x 605mm, together with, The Farmyard, pub. J.R.Smith, 1796, uncoloured mezzotint by William Ward, 455 x 555mm, with another copy of the same image, but a proof before title and letters, some marginal closed tears, repaired on verso, backed with later paper, with, The Farmers Stable, pub. J.R.Smith, 1795, uncoloured mezzotint by William Ward, slight spotting, 455 x 550mm From the collection of the late Christopher Lennox Boyd. (4)

(2)

£100-150

£100-200

278* New York. Presented to the Subscribers of the Illustrated News. Birds-Eye View of the City of New York, pub. R.Film & Co. New York, 1853, large hand coloured view with city panoramas above and below the central image, decorative borders, old folds, 610 x 900mm, framed and glazed (1)

£250-350

280* Nozeman (Cornelius & Houttuyn, M. & Sepp, J.C.). A group of three single-page and one double-page hand-coloured engraved plates of birds’ nests and eggs from ‘Nederlandsche Vogelen’, Amsterdam, 1770-1829, the three single-page plates titled Nidus Ardeolae, Palumbi Nidus et ova, nidus Fulicae (pond heron, wood pigeon and coot), plate impressions 27.5 x 42cm or the reverse, the double-page plate titled Milvi Nidus (Western Marsh-harrier), 43 x 55cm (4)

£200-300

Lot 281 281* Paris. Merian (Matthaus), Prosp der Statt Parys...., 1654, uncoloured engraved panorama, very slight spotting, thread margins on vertical borders, old folds, 270 x 795mm, mounted (1)

£200-300

282 Prideaux (Humphrey). The Old and New Testament Connected in the History of the Jews and Neighbouring Nations, volume 1 only, published R. Knaplock & J. Tonson, 1717, title printed in red and black, five uncoloured folding engraved maps and one folding engraved plan, hinges and joints weak, contemporary panelled calf, worn and frayed at extremities, folio, together with Bible [English], The Holy Bible Containing the Old and New Testaments....., pub. Oxford, John Baskett, 1715, general and New Testament titles present (New Testament pub. London), bound with the Book of Common Prayer, pub. Oxford, John Baskett, 1715 at front of volume and the whole Book of Psalms, pub. W.Pearson, for the Company of Stationers, London, 1715 at rear of volume, titlepage with closed tear, front endpaper with later manuscript annotations, lacking upper board, near-comtemporary calf, worn and frayed, folio, plus Cooke (J., publisher), A New Military Dictionary or the Field of War, 1760, portrait frontispiece, title printed in red and black, several engraved plans, maps and portraits throughout, contemporary marbled sidings crudely repaired at spine, rubbed, worn and frayed, folio, plus several volumes of the Modern Part of the Universal History and others similar, all partially excised and defective Sold as a collection of prints and maps, not subject to return. (14)

£150-200

Lot 283 283* Prints & engravings. A mixed collection of approx. sixty-five prints and engravings, mostly 18th & 19th century, etchings, engravings, mezzotints and lithographs of classical and genre scenes, portraits, botany and domestic animals, including examples by Haig, Sartain, Bartolozzi, Dixon, Macbeth, Walker, Hirst, Arkell, Faber, Dawe, Smith and Green, various sizes and condition From the collection of the late Christopher Lennox Boyd. (approx.65)

285* Prints & engravings. A large mixed collection of approx. 1200 prints and engravings, mostly 18th & 19th century, engravings, etchings, lithographs and gravures, including British & foreign topographical views, classical, historical, fashion, portraits and genre, various sizes and condition

£200-300

(approx.1200)

284* Prints & engravings. A mixed collection of forty-seven prints and engravings, mostly 19th century, engravings, lithographs and prints of natural history, botany, British topography, sporting, architecture, and funghi, including examples by Buck, Loggan, Boydell, Ackermann, Clark, Constans and Lizars, various sizes and condition, all framed and glazed (47)

£200-300

286* Prints & engravings. A mixed collection of twenty-eight prints and engravings, mostly 19th century, including etchings, engravings, photographs and watercolours of topographical scenes, ‘Baxter process print’, genre, maps, portraits, coaching and natural history, various sizes and condition, all framed and glazed

£200-300

(28)

£100-200

287 Salmon (Thomas). The Universal Traveller or a Complete Description of the Several Nations of the World, volume 2 only, published Richard Baldwin, 1753, numerous uncoloured engraved plates and maps throughout, some plates lacking, contemporary reversed calf, worn at extremities, folio, together with Middleton (Charles Theodore), A New and Complete System of Geography, 2 volumes, 1778 & 1779, numerous engraved plates and maps throughout, some plates lacking, contemporary reversed calf, rubbed, frayed and worn, folio, plus Gibson (Edmund), Codex Juris Ecclesiastici Anglicani, published T. Bassett & R. Whiteledge, 2 volumes, 1713, title printed in red and black, lacking plates, contemporary reversed calf with contrasting labels to spines, rubbed and worn, spine partially lacking on volume 2, folio, together with other volumes including The Universal Family Bible by Henry Southwell, Camden’s Britannia, 1695, and others similar, all volumes partially excised and defective Sold as a collection of prints and maps, not subject to return. (12)

£200-300

288 Scrap books. Four Victorian scrap albums, c, 1860, containing lithographs, engravings, mezzotints, pencil drawings and watercolours, some pages partially excised, two albums folio and two 4to, mixed bindings The larger folio album has a manuscript card on the front pastedown ‘Theodore Walter the gift of his father. Joseph Walter’. Joseph Walter was a Bristol based artist and the album contains pencil drawings of the ruins of the Bishops Palace in Bristol after the riots and fire of 1831, together with several other drawings and watercolours. (4) £200-300

290* Springs (John 1962 -). Andy Warhol (1928-1987). pen and ink caricature on card, signed by artist to lower right, sheet size 21 x 26cm (1)

£100-150

289* Smith (John Raphael). Sir Richard Arkwright, 1801, uncoloured mezzotint after Joseph Wright, slight marginal staining, 660 x 460mm, mounted, framed and glazed Sir Richard Arkwright (23rd December 1732 -3rd August 1792) was an inventor and entrepreneur during the early Industrial Revolution. He is credited with inventing the spinning frame, which, following the transition to water power, was renamed the water frame. He also patented a rotary carding engine that transformed raw cotton into cotton lap. Arkwright’s achievement was to combine power, machinery, semi-skilled labour and the new raw material (cotton) to create mass-produced yarn. His skills of organisation made him, more than anyone else, the creator of the modern factory system, especially in his mill at Cromford, Derbyshire. Later in his life Arkwright was known as ‘the Father of the Industrial Revolution’. (1) £100-150

291* Springs (John 1962 -). Edward Gibbon (1737-1794), pen and ink caricature with additional red hatching on card, signed by artist to lower left, sheet size 25 x 27cm Published in The Daily Telegraph 5th March 1988. (1)

£100-150

Lot 292

Lot 293

Lot 294

Lot 295

Lot 296

Lot 297

292* Springs (John 1962 -). Franz Schubert (1797-1828), pen and ink caricature on card, signed by artist to lower right, some white correction fluid marks, sheet size 27 x 26cm

295* Springs (John 1962 -). Sir John Betjeman (1906-1984), pen and ink caricature with additional blue and green colouring on card, signed by artist to lower right, sheet size 23.5 x 21cm

Published in The Spectator 18th August 1985. (1)

Published in The Financial Times Weekend Magazine, circa 2004. (1)

£100-150

293* Springs (John 1962 -). Kingsley Amis (1922-1955), pen and ink caricature with additional red hatching on card, signed by artist to lower right, sheet size 16 x 30.5cm Published in The Spectator in the late 1990s. (1)

296* Springs (John 1962 -). C. P. Snow (1905-1980), pen and ink caricature on paper, sheet size 26.5 x 38.5cm (1)

£100-150

297* Springs (John 1962 -). Salman Rushdie (1947-), pen and ink caricature on card (pasted onto card), signed by artist to lower right, sheet size 21 x 31cm

£100-150

294* Springs (John 1962 -). Michael Gambon as Falstaff, pen and ink caricature with additional red and blue colouring on card, signed by artist to lower right, sheet size 22.5 x 27cm Published in The Sunday Telegraph in 2005. (1)

£100-150

Published in The Financial Times, circa 2000. (1)

£100-150

300* Stockholm. Martin (J.F.), Ultsigt af Stockholm frain Langholmen pa Stadens vestra sida, c.1820, uncoloured aquatint, title repeated in French, occ. marginal repaired closed tears, 370 x 540mm (1)

£150-250

301* The African Queen. An English one-sheet poster for the John Huston film starring Humphrey Bogart and Katherine Hepburn, 1950s’ re-release, folded poster with small creases and scuffs to folds and elsewhere, 40 x 27ins, framed and glazed (1)

£80-120

302* Watson (Barbara). Foxgloves & Thistles, Rhododendron [and] Jasmine, late 20th century, together three watercolours, each signed with monogram, each approx. 510 x 400mm, mounted, framed and glazed, together with, Watling (Graham), Foxgloves [and] Daffodils, late 20th century, a pair of large watercolours, each signed by artist to lower right, each approx. 630 x 555mm, mounted, framed and glazed (5)

298* Springs (John 1962 -). P. D. James (1920-2014), pen and ink caricature on card, signed by artist to lower left, sheet size 20 x 27cm Published in The Spectator in the late 1990s. (1)

£70-100

303 Wilson (Philip). A New Complete and Universal Collection of Authentic and Entertaining Voyages and Travels to all Parts of the World, published Alexander Hogg, circa 1790, title-page torn with some loss, numerous uncoloured engraved plates and maps, some excised and lacking, contemporary calf with gilt-decorated spine, upper board detached, worn and frayed, folio, together with Maitland (William), The History of London from its Foundation to the Present Time, published J. Wilkie, 1772, title-page torn with loss, several uncoloured engraved plates but appears to lack maps and plans, partially excised, contemporary half calf, boards detached, worn and frayed, folio, together with other volumes similar, all partially excised and defective

£100-150

Sold as a collection of prints, not subject to return. (11)

£100-200

299* Springs (John 1962 -). Kingsley Amis dining with a companion, pen and ink caricature on card, signed by artist to lower right, sheet size 38 x 29.5cm Kingsley Amis wrote a regular food and wine column for The Spectator. This image was published in Harpers & Queen in 1989. (1) £100-150

304* Windsor. Noyce (E. & Basebee C.), [Six Views of Windsor Castle], c.1835, the set of six lithographs, each with contemp. hand colouring, each approx. 200 x 275mm, mounted, framed and glazed (6)

Lot 300

£150-200

CARICATURES All lots unframed unless otherwise stated

307* Bunbury (Henry, 1750-1811). Satire on a Dancing Bear, published April 1st 1774, etching on laid paper, slight finger-soiling, platemark 21.5 x 27cm (8.5 x 10.5ins) (1)

£200-300

305* Bretherton (Charles, fl. 1760-1783). Playing Cards, circa 1770, etching on laid paper, good margins, plate size 11 x 9cm (4.25 x 3.75ins), sheet size 24 x 15cm (9.5 x 6ins) (1)

£80-120

308* Bunbury (Henry, 1750-1811). The Siege of Namur by Captn. Shandy & Corporal Trim, with The Damnation of Obadiah, and The Overthrow of Dr. Slop, and The Battle of the Cataplasm, published by James Bretherton (1730-1806), 26th January-3rd February 1773, a series of four etchings, three laid down onto later stiff paper, trimmed to platemark, sheet size 27 x 39.5cm (10.5 x 15.25ins) and slightly smaller BM 5212-5216. A set of four satires to illustrate Laurence Sterne’s Tristram Shandy. (4) £400-600

306* Bretherton (James, 1770-1781). High Life below Stairs, as it was represented at Cashiobury the seat of the Earl of Essex, February 23rd 1774, etching on thick paper showing coachman, cook and black footman ‘Kingston’, good margins, platemark 26.5 x 29cm (10.5 x 11.5ins) A satire on slavery and domestic service. (1)

£100-150

309* Bunbury (Henry William, 1750-1811). Coxheath Ho!, published July 1779, etching printed in sepia on laid paper, tipped onto later card, trimmed to plate mark, some light dust-soiling, 23.5 x 31cm (9.25 x 12ins) sheet size, together with The Relief, published by W. Dickinson, October 1781, stipple engraving, tipped onto later card, some dust-soiling, 31 x 35.5cm (12 x 14ins) plate size, plus A Family Piece, published by W. Dickinson, October 15th 1781, stipple engraving in sepia on wove paper, two minor holes, close trimmed, sheet size 29 x 36.5cm (11.25 x 14ins) (3)

311* Cruikshank (Isaac Robert, 1789-1856). Blind-man’s Buff, published by Tregear, circa 1819, aquatint with fine contemporary hand-colour, faint historic crease to upper right corner, 25 x 31cm (10 x 12ins) overall, together with Thomas Howell Jones. Wiley Forresters en Chasse, published by S. W. Fores, May 1828, etching on wove paper with hand-colour, slight spotting, 25 x 35cm (10 x 14ins) plate size BM 15595. A satire on suitability for marriage, the lady shown is Isabelle Forrester, who jilted both Lord Apsley and Mr Biddulph before marrying George Anson. (2) £100-150

£80-120

312* Cruikshank (George). Hunting a Mayor, published by T. Tegg, October 1819, engraving with contemporary hand-colour, some ink stains to verso somewhat affecting image, trimmed to plate mark, 21 x 33cm (8.25 x 13ins) image size, together with The Mountebanks or Opposition Show Box, published by M. Jones, February 1812, etching with aquatint on wove paper, with later hand-colouring, folded into four, 21.5 x 50cm (8.5 x 19.5ins) sheet size, and The Rehearsal or The Baron and The Elephant, published by M. Jones, January 1812, engraving with contemporary handcolour, folded into five, some offsetting of text to right-hand side, 18.5 x 51cm (7.25 x 20ins) image size

310* Attributed to John Cawse (1778-1862). Genius of Bazaar arrived at London, published by T. Tegg, May 29th 1816, etching with contemporary hand-colouring, close-trimmed, 33.5 x 21cm (13 x 8.24ins)

The first item is a satirical attack on the Mayor of London John Atkins, for scaremongering after he had taken measures to prevent riots (BM 13273). The second item is a satire on the expiry of the restrictions on the Regency. The third is a satire on the pantomime performed at Covent Garden in 181112 which caused a sensation by the appearance on stage of a live elephant (BM 11935). (3) £80-120

BM 12836. A satire on the Turkish-style Soho Bazaar, introduced by John Trotter, a wealthy contractor who had made a fortune during the Napoleonic War. (1) £150-200

315* Cruikshank (Isaac, 1746-1811). The Effects of Flattery, published by W. Maynard, October 21st 1791, etching on laid paper, with some hand-colouring, repaired tear to lower right-hand corner, marginal tear to left side, 35.5 x 50cm (14 x 20ins) sheet size

313* Cruikshank (Isaac, 1746-1811). A Ward of Chancery, published by S. W. Fores, February 8th 1792, etching with later handcolouring, trimmed to plate mark, 27 x 37.5cm (10.5 x 15.75ins) BM 8164. A satire on the elopement of the daughter of the Lord Chancellor Edward Thurlow. Thurlow never married but had a number of daughters with his mistress Mrs Hervey. (1) £70-100

Cf. BM 8541. A satire on the art of flattery. (1)

£150-200

316* Cruikshank (Isaac Robert, 1789-1856). The Rider and SandBoy, printed by Hayden, circa 1810, hand-coloured engraving with poem beneath, 17 x 20.5cm (6.75 x 8ins) image size, 38 x 22cm (15 x 8.5ins) overall

314* Cruikshank (Isaac, 1746-1811). Deputy Pendulum’s Motion for an Address, published by S. W. Fores, November 29th 1795, etching with contemporary hand-colouring, text below, trimmed with some slight loss to lower margin, few creases, minor marginal tear, platemark 34.5 x 25cm (13.5 x 10ins)

No other copies traced. Not listed in British Museum Catalogue of Political and Personal Satires. (1) £100-150

BM 8700. It is thought the main character may be Birch, one of the parliamentary deputies who was a noted ‘city-orator’. (1) £100-150

319* Derbyshire. The Triple Alliance, or a New System of D-RB-SHRE Politics, circa 1768, etching on laid paper, good margins, historic fold marks, some light toning, platemark 26 x 35cm (10.25 x 14ins) A satire on the only contested Derbyshire Parlimentary election in the second half of the 18th century. We have been unable to trace any other copy. (1) £200-300

317* Cruikshank (Isaac Robert, 1789-1856). The Beggar’s Petition, published by J. Dawson, printed by W. Smith, circa 1820, engraving with contemproary hand-colouring on watermarked T. Edmonds 1819 wove paper with letterpress poem beneath, small marginal repairs to lower right-hand corner, central horizontal crease, few marginal creases, image size 17.5 x 23cm (7 x 9ins), 41 x 26cm (16 x 10ins) overall Not in the British Museum Catalogue. A satire on the supposed attempt by George IV to reconcile his marriage to Queen Caroline. (1) £200-300

320* Fashion. Les Incommodities de Janvier 1786, published by H. Humphrey, February 1786, etching on laid paper by I. Barlow, contemporary hand-colouring, small tear to left side, laid onto later card, 21 x 16.5cm (8 x 6.5ins) sheet size, together with Tight Lacing or Hold Fast Behind, by Matthew Darly (1720-1778), published by the artist, circa 1777, etching on laid paper, numbered 29 to upper right corner, laid onto later card, some dust-staining, marginal fraying, few ink splatters, 35 x 25cm (14 x 10ins) sheet size, plus I say, quel chemeng a la Pally Royal?, 1817, aquatint on wove paper with contemporary hand-colouring, trimmed to plate mark, manuscript inventory number in ink to lower right corner, 29 x 20cm (11.5 x 8ins) sheet size

318* Davis (Evan). Taste A-La-Mode as in the Year 1735 being the Contrast to the Year 1745, printed for Carrington Bowles, circa 1765, etching on laid paper, with later hand-colouring, neatly window mounted into album street, platemark 24 x 33cm (9.5 x 13ins) BM 2151. (1)

£80-120

(3)

£100-150

321* Fores (S.W., publisher). A Laudable Partnership or Souls and Bodies, Cured without Loss of Time, published September 3rd 1795, engraving on watermarked laid paper, platemark 25 x 35cm (10 x 13.75ins) BM 8741. A satire on quack doctors and dissenting parsons. (1)

£150-200

323* Gillray (James, 1756-1815). Pen-etration, published by H. Humphrey, August 6th 1799, etching on wove paper, with contemporary hand-colouring, 26 x 20cm (10.25 x 8ins) plate size, book plate to verso for Eric Quayle, Zennor, Cornwall, framed and glazed BM 9441. A satire on John Penn (grandson of William Penn, the founder and Lieutenant Governor of Pennsylvania), who is shown by Gillray as a slovenly drunk. (1) £200-300

322* Gillray (James, 1756-1815). Fat-Cattle, To the Society for Improving the Breed, this Sketch of Tavistock Farmyard is dedicated, published by H. Humphreys, January 1902, handcoloured engraving, laid down onto stiff board, trimmed to plate mark at upper and lower margin, 36 x 29.5cm (14 x 11.5ins), together with Cockney & His Wife going to Wycombe, published by H. Humphrey, June 1805, etching with contemporary hand-colour, trimmed to image, laid down onto later card, a little worn at margins, 26 x 36.5cm (10.5 x 14.5ins) overall

324* Harris (James, publisher). A Charge at Ascot 1800, Clear the Course! or Virtue in Danger, 1800, engraving with contemporary hand-colouring, light waterstaining to margins, trimmed to plate, sheet size 25 x 40cm (10 x 15.5.ins)

The first work is a satire on the Duke of Bedford who had established a model farm. The second work depicting a smartly dressed couple in a gig travelling to Wycombe, their emaciated horse unable get above walking pace, was suggested by Sneyd (BM 10471). (2) £150-200

BM 9575. William Henry Fortescue, Earl of Clermont, the ‘Father of the Turf’, is shown with a tall trooper closely following. First issue (a second appeared in 1802 with revised imprint). (1) £100-150

326* Herbert (J., publisher). First Book of the Chronicle of the Isles; containing a curious display of female ambition, assurance, success, and disappointment. Exhibited before the Grand Council of the Isles of Brtiain, in the first and second month, of the forty year of the King, by Mary Ann Clarke, and Second Book of the Chronicle of the Isles; containing the progress and discovery of iniquity, confusion that followeth resignation, contrition for past offences, and meetings of the people upon charges against the Duke of York, 1809, broadsides, each with mixed method etchings (the later handcoloured), letterpress text in four columns, short closed to horizontal folds at edges, minor spotting, sheet size 46 x 36cm (18 x 14ins) BM 11292 & 11311. A pair of satires in the form of newspapers, commenting on the affair between the Duke of York and Mrs Clarke. (2) £300-500

325* Herbert (W., publisher). Mr Woodward in the Character of Mercutio in Romeo and Juliet, published on London Bridge, March 1st 1753, engraving on laid paper with verse beneath in four columns, tear to upper right-hand corner, repaired to verso, some light dust-staining, sheet size 39 x 26cm (15.25 x 10ins) The text is an extract from Act I, scene 4. Not in the British Museum Catalogue. (1) £150-200

327* Hogarth (William, 1697-1764). O’ The Roast Beef of Old England &c., printed for Robert Sayer, circa 1760, etching on watermarked laid paper, with two columns of letterpress verse printed beneath, marginal closed tear to central fold, 17 x 24cm (6.75 x 9ins) image size, 44.5 x 28cm (17.5 x 11ins) overall Cf. BM 3050. Paulson 180. A rare satire on the French belief that the English live on roast beef. (1) £150-200

Lot 326

328* Holland (William, 1757-1818, publisher). A Sale of Fox Hounds, March 1812, etching with hand-colouring, trimmed to plate mark at left and right edge, platemark 25 x 35cm (10 x 13.75ins)

330* June (John, flourished 1740-1770). A Fleet Wedding between a brisk young Sailor & his Landlady’s Daughter at Rederiff, published October 20th 1747, etching on laid paper, platemark 23 x 31cm (9 x 12ins)

A satire on the Prince Regent, showing him as an auctioneer knocking down a pack of hounds with human faces. (1) £100-150

BM 2874. Fleet or clandestine marriages were encouraged by local taverns and often performed by disgraced clergymen. The practice was curbed by Lord Hardwick’s Marriage Act of 1753. (1) £200-300

329* Hume (Sir Abraham, 1749-1838). A Concert [at Cambridge], after Thomas Orde (later Orde Powlett, Lord Bolton), circa 1770, etching on laid paper, some marks and creases, a few short closed marginal tears (repaired to verso), trimmed to platemark, 25 x 32cm (10 x 12.5ins) BM 4479. A satire showing a group of seven musicians. An early owner has identified several of the players in ink to verso: Hellendall, Keamar, Alixis, Wink and Wood. Another copy of this print is held at the Royal Academy of Music (accession number 2005.2033) (1) £100-150

331* After John Nixon (1759-1818). The Sweating Sickness, or The Imaginary Malady (A Bona Fide Fact), published by Laurie & Whittle, December 2nd 1799, copperplate engraving on wove paper, letterpress text beneath, few fold marks, some marginal fraying and short closed tear to upper edge, platemark 20 x 25cm (8 x 9.75ins)17 x 23cm (7 x 9ins), sheet size 43 x 28cm (17 x 11ins) BM 9504. A satire relating to a trick played on Tom Ruby at a dinner party where butter was placed in his hat causing him to believe he had the sweating sickness and was sent to bed, missing the dinner. (1) £70-100

334* Rowlandson (Thomas, 1756-1827). Master Billy’s Procession to Grocers Hall, published by W. Humphrey, March 8th 1784, etching on wove paper, trimmed to plate mark, very slightly toned to margins, sheet size 24.5 x 35cm (9.5 x 14ins) BM 6442. A satire on William Pitt’s procession to recieve the Freedom of the City. (1) £100-150

332* After Jefferyes Hammett O’Neale (flourished circa 1755). A Sequel to the Knights of Baythe, or the One Headed Corporation, [1763], etching on laid paper with later hand-colouring, some waterstaining to right-hand side, sheet size 28 x 43cm (11 x 17ins) BM 4060. A satire on the address of the Corporation of Bath in response to the Peace of Paris. (1) £100-150

335* Sayer (Robert, publisher). Sal Dab giving Monsieur a Receipt in Full, May 29th 1776, mezzotint droll with contemporary handcolouring, trimmed to image, some fraying strengthened to verso, sheet size 35 x 25cm (13.75 x 9.75ins) BM 4623. An anti-French satire and endorsement of women’s boxing. (1) £200-300

333* Parr (Remigius, flourished 1736-1751). Sliding upon the Ice, printed for Thomas & John Bowles, May 23rd 1743, etching on lined paper, after an original painting by Francis Hayman (1708-1776) for the Vauxhall Gardens, trimmed to image (barely touching image to upper edge), short closed tear to right edge, sheet size 24 x 37cm (9.5 x 14.5ins) (1)

£100-150

336* Sayer (Robert, publisher). Sweet Echo, January 15th 1788, mezzotint droll, with contemporary hand-colouring, trimmed to image, 35 x 25cm (14 x 10ins)

Lot 334

(1)

£70-100

339* Williams (Charles, flourished 1799-1826). The R—L Pedagogue and his Ushers, published by N. W. Jones, August 1814, etching on wove paper with hand-colouring, creased where previously folded, short closed tear to upper right margin, with upper outer right corner of blank margin excised, sheet size 26.5 x 37.5cm (10.5 x 14.75ins), together with Cruickshank (Isaac, 1764-1811), The Last Shilling, composed, written and sung, with great applause, by Charles Dibdin, Esq., published by Laurie & Whittle, May 1808, etching on wove paper with hand-colouring, with letterpress verse in two columns beneath, numbered 489 to upper left corner, some dust-soiling and short closed tear to upper margin, sheet size 29 x 22cm (11 x 8.5ins) (2)

£150-200

337* Springsguth (M. C., publisher). Royal Love Letters, circa 1809, woodcut with contemporary hand-colouring, with letterpress poem beneath printed in double column, window mounted, platemark 14 x 18cm (5.5 x 7ins), sheet size 32.5 x 20cm (12.75 x 8ins) A satire on the affair between Frederick, Duke of York and his destitute mistress Mrs Mary Ann Clarke. Not in the British Museum Catalogue. (1) £100-150

340* Woodward (George Murgatroyd, 1765-1809). Five Wives at a Time or an Irishman taken in!! published by Thomas Tegg, [1812 or later], etching on wove paper, with contemporary hand colouring, plate size 24.5 x 34.5cm (9.7 x 13.6ins), together with Le Petit (publisher), The Terrified Dandies. A Scene on Carlisle Bridge, Le Petit, 20 Capel Street, Dublin, circa 1820, etching on wove paper with handcolouring, engraved satirical verse beneath, several repaired tears and some soiling, laid down on later stiff paper, sheet size 33.5 x 24cm (13 x 9.5ins), plus Kay (John, 1742-1826) Military Promenade, 1795, etching, plate 14.5 x 16.5cm (5.75 x 6.5ins), with margins

338* Williams (Charles, flourished 1799-1826). Dismal Dandies or General Mourning & Crape, published by Thomas Teff, 1819, engraving with contemporary hand-colouring, laid down onto later card, showing two dandified army officers, one saying “Adieu Col. Crape! Im for Court thats the place, for exhibiting trappings and makeing a face!!”, the other responds “And I to Parade! that with my humour chomes, for parade and paradeings the son of the times”, 32 x 22cm (12.75 x 8.5ins) image size, (not listed in British Museum Catalogue), together with Woodward (George M., 17601809), Whims of the Moment or the Bedford Level!!, published by S. W. Fores, 1795, engraved with contemporary hand-colour, roughly trimmed to plate mark, 25 x 38cm (10 x 15ins) sheet size

Carlisle Bridge in Dublin was renamed O’Connell Bridge in 1882. (3) £100-150

The second item is a satire on the short haircut favoured by the Duke of Bedford. BM 8763. (2) £100-150

341* Caricatures. A mixed collection of twenty-six cartoons & caricatures, mostly 19th century, etchings, lithograhps and engravings, many with contemp. hand colouring, including examples by Rowlandson, Gillray, Dighton, Heath, Hogarth and ‘Vanity Fair’, various sizes and condition, all framed and glazed (26)

Lot 339

£150-250

COTSWOLD WATERCOLOURS BY TOM MACDONALD Tom MacDonald was born in Sunderland in 1934, and studied at the local college of art under Frank Wood, Herbert Simpson and Henry Thubron. He worked in advertising at the London Press Exchange advertising agency, and later as a graphic designer in Newcastle, where he opened his own design studio. Tom MacDonald’s watercolours of the English regions, especially the North-East, Yorkshire and the Cotswolds were initially exhibited at the artist’s own gallery MacDonald Fine Art, and many have been reproduced on greetings cards. Exhibitions of these watercolours have been held at the Laing Art Gallery, the Hatton Gallery and elsewhere.

342* MacDonald (Tom). Broadway, watercolour over pencil, signed and titled, 33.5 x 50.5cm (13.25 x 19.75ins) mount aperture, framed and glazed

344* MacDonald (Tom). Cirencester, watercolour over pencil, signed and titled, 33.5 x 49cm (13.25 x 19.25ins) mount aperture, framed and glazed

(1)

£100-150

343* MacDonald (Tom). Lord Leycester Hospital, Warwick, watercolour over pencil, signed and titled, 34.5 x 52cm (13.5 x 20.5ins) mount aperture, framed and glazed

345* MacDonald (Tom). Lower Slaughter, watercolour over pencil, signed and titled, 33 x 40cm (13 x 15.75ins) mount aperture, framed and glazed

(1)

£100-150

346* MacDonald (Tom). Fairford, watercolour over pencil, signed and titled, 34.5 x 52cm (13.5 x 20.5ins) mount aperture, framed and glazed

349* MacDonald (Tom). Chipping Campden, watercolour over pencil, signed and titled, 33.5 x 49cm (13.25 x 19.25ins) mount aperture, framed and glazed

(1)

£100-150

347* MacDonald (Tom). Charlecote Park, watercolour over pencil, signed and titled, 35 x 49cm (13.75 x 19.25ins) mount aperture, framed and glazed

350* MacDonald (Tom). Arlington Row, Bibury, watercolour over pencil, signed and titled, 34 x 44.5cm (13.5 x 17.5ins) mount aperture, framed and glazed

(1)

£100-150

348* MacDonald (Tom). Bourton-on-the-Water, watercolour over pencil, signed and titled, 35 x 52.5cm (13.75 x 20.75ins) mount aperture, framed and glazed

351* MacDonald (Tom). Sudeley Castle, watercolour over pencil, signed and titled, 49.5 x 69.5cm (19.5 x 27.25ins) mount aperture, framed and glazed

(1)

£100-150

£150-200

ANTIQUARIAN 353 Aelianus (Claudius). Opera, quae extant omnia, Graece Latineque e regione..., cura et opera Conradi Gesneri Tigurini..., Zurich: Gesneros fratres, [1556], parallel text in Greek and Latin in double column, printer’s woodcut device to title and final leaf, woodcut decorative initials, several woodcut illustrations, a.e.g., old calf, lacking both covers (spine present only), contents generally in clean condition, folio Adams A219. (1)

£300-500

352 Accum (Fredrick). A Practical Treatise on Gas-Light; Exhibiting a Summary Description of the Apparatus and Machinery best Calculated for Illuminating Streets, Houses, and Manufactories, with Carburetted Hydrogen, or Coal-Gas; with Remarks on the Utility, Safety, and General Nature of this New Branch of Civil Economy, pub. R. Ackermann, 1815, seven hand-coloured aquatint plates (two folding, including folding frontispiece), few pencil diagrams, marks & annotations, occasional scattered spotting, contemporary half calf gilt, wear to head of spine, extremities rubbed, 8vo (1)

£300-400

354 [Akenside (Mark)]. The Pleasures of Imagination. A Poem in Three Books, Dodsley, 1744, half-title, title printed in red and black, occasional contemporary marginalia, bound after [Cambridge, Richard Owen], The Scribleriad: An Heroic Poem in Six Books, Dodsley, 1751, engraved frontispiece, engraved vignette to title, six engraved plates (one with short closed tear to fore-edge), bound with [Denton, T.], Immortality: or the Consolation of Human Life. A Monody, Dodsley, 1754, half-title, publisher’s advertisements, bound with [Shebbeare, John], A Love Epistle in Verse, W. Owen, 1753, occasional manuscript marginalia, contemporary calf, joints cracked, some surface loss, 4to (1)

Lot 353

£300-500

358 Bible [English]. The Holy Bible, Containing the Old and New Testaments: Newly Translated out of the Original Tongues: and with the former Translations Diligently Compared and Revised, Oxford: printed by Thomas Baskett, 1747, general and New Testament titles present, containing a vellum bifolium genealogy bound before the New Testament title of the Davidson family of Bunhill with entries dated 1791-1783, and an late 18th/early 19th century continuation bifolium on paper, bound with at front The Book of Common Prayer, and Administration of the Sacraments..., together with the Psalter or Psalms of David..., Oxford: printed by Thomas Baskett, 1747, some dust-soiling to title, a.e.g., late 18th/early 19th century straight grain navy morocco gilt, slight rubbed to extremities, large 4to Herbert 1078. (1)

£300-400

355 Aratus Solensis. Aratou Soles Phainomna kai Diosmeia. Thenos scholia. Eratosthenous Katasterismoi. Metron tes ges periphereias. Tou kubou diplasiasmos. Koskinon. Tou Neilou pegai. Tou kanonos tomei. Dionysiou hymnoi. Accesserunt annotationes in Eratosthenem et hymnos Dionysii, Oxford: Sheldonian Theatre, 1672, additional engraved title, early ownership inscription to title, two folding plates, numerous diagrams and charts to text, few pages of musical notation, text mainly in Greek with some Latin, some toning and a little offsetting, 19th century half vellum, recent title to spine, 8vo Madon 2919; Wing A3596. (1)

£800-1200

356 [Barrington, Daines]. Observations upon the Statutes, Chiefly the More Ancient, from Magna Charta to the Twenty-first of James the First, Ch.xxvii. With an Appendix, being a proposal for new modelling the statutes, 2nd edition, with corrections and additions, printed for W. Bowyer and J. Nichols, 1766, contemporary full tree calf gilt, rubbed and a little wear with joints partly cracked, 4to, together with Prior (Matthew), Poems on Several Occasions, printed for Jacob Tonson, and John Barber, 1718, copper engraved frontispiece, vignettes, head-pieces, etc., wide margins, contemporary panelled calf, later crude reback, marked, large folio, plus other antiquarian folios, including Lucretius, De Rerum Natura, Richard Taylor 1824 (in contemporary gilt decorated full calf), Du Bouchet, Histoire Genealogique de la Maison Royale de Courtenay, Paris, 1661, lacking pages 259-262, (contemporary full calf, gilt decorated spine, rubbed and a little wear with joints partly cracked, folio), etc. (8)

359 Binding. Aminta Favola Boscareccia du Torquato Tasso, Leiden: Elsevier, 1656, title-page with woodcut publisher’s device, woodcut head and tail-pieces and initial letters, without free endpapers, cream silk pastedowns, contemporary armorial bookplate on front pastedown, a.e.g., contemporary woven silver thread and velvet binding, with wreath, flaming heart, and coronet design, threadbare in places, some old stitched repairs to edges, 12mo

£200-300

357 Bewick (Thomas). A New Family Herbal: Or Popular Account of the Natures and Properties of the Various Plants used in Medicine, Diet, and the Arts, by Robert John Thornton, 1st edition, 1810, numerous wood-engraved illustrations throughout, occasional light spotting, contemporary calf, rubbed with some wear to edges, rebacked with original spine retained (endpapers renewed), 8vo (1)

(1)

£100-150

£300-400

361 Bindings. The Poems of Algernon Charles Swinburne, 6 volumes, Chatto & Windus, 1909, toned and occasional foxing, marbled endpapers, t.e.g., remainder rough-trimmed, contemporary half vellum by Riviere & Son, spines with gilt garlands and gilt lettered green morocco spine labels between Greek key rolls, 8vo, together with Sacred and Legendary Art, by Mrs. Jameson, 2 volumes, 8th edition, 1879, numerous plates and illustrations, marbled endpapers, a.e.g., contemporary tree calf by Riviere & Son, gilt decorated spines rubbed, some wear to extremities, 8vo in 4s, plus Oeuvres Completes de Moliere, Precedes de la Vie de Moliere par Voltaire, 2 volumes, Paris, 1869-1875, first volume with contemporary inscription on preliminary blank, bookplate on verso of front free endpapers, a.e.g., contemporary blue straight-grained morocco by Zaehnsdorf, some marks, gilt decorated spines faded, 8vo, plus other 18th, 19th and 20th century leather-bound books, including bindings by Bickers, Holloway, and Lawrence (55)

360 Bindings. The Book of Common Prayer and Administration of the Sacraments..., Together with the Psalter or Psalms of David, London: William Pickering, 1853, title within decorative engraved border, illustrations and decorative borders to text, amorial bookplate of Dudley Coutts Marjoribanks, 1st Baron Tweedmouth (1820-94) to upper pastedown, a.e.g., contemporary gilt decorated brown morocco by M.M. Holloway, spine slightly faded, 8vo, together with Fables de Florian, [new ed., Paris, 1814?], engraved portrait frontispiece and title (signature of W.G. Robinson, 1821 to title), six engraved plates, bound without letterpress title, minor scattered spotting, armorial bookplate of Charles Porter to upper pastedown, a.e.g., contemporary gilt decorated green morocco possibly by de Caumont, 12mo, with The White Lady and Undine, Tales from the German, [by Karoline von Woltmann], London: William Pickering, 1844, b & w plates & illustrations, a.e.g., contemporary gilt decorated red morocco by Riviere, 8vo, with Odes of Ancreon, Translated into English Verse, with Notes, by Thomas Moore, 2 vols., 9th ed., 1815, engraved portrait frontispiece, light spotting, t.e.g., contemporary half vellum by Robinson & Bent of Manchester, gilt decorated spine with contrasting morocco labels, 8vo, and Chiswick Press, The Dramatic Works of William Shakspeare, with Notes, Original and Selected, by Samuel Weller Singer, F.S.A. and a Life of the Poet, by Charles Symmons, D.D., 10 vols., 1826, wood engraved plates and illustrations by John Thompson, edges untrimmed, original cloth-backed boards with printed paper label to spines, vol. 1 rebacked preserving original spine, 12mo, contained in contemporary marbled paper covered slipcases, plus other miscellaneous books including eleven works by L.T.C. Rolt, William Bulmer The Fine Printer in Context..., by Peter Isaac, 1st ed., 1993, Early Lithographed Books by Michael Twyman, 1st ed., 1990 (37)

ÂŁ200-300

362 Birch (Thomas). The Heads of Illustrious Persons of Great Britain, engraved by Mr. Houbraken and Mr. Vertue. With their Lives and Characters, new edition, printed for William Baynes, 1813, 108 copper engraved plates, circular library blindstamp of Leeds Public Library to upper outer corner of title page and each plate, some light offsetting from plates to facing text leaf, occasional minor marginal spotting, endpapers renewed, all edges gilt, fine contemporary straight grained red full morocco, skilfully rebacked with original spine laid down, several small surface marks, spine with gilt volute decorated low raised bands, gilt lettered direct in second compartment, remainder with lozenge tool surrounded by gilt rules, volute cornerpieces, sides panelled, with a wide gilt palmette and tulip roll, and a lozenge and volute roll, with blind rolls between, gilt rope roll on edges, leaf and tendril roll on turn-ins, large folio

ÂŁ300-400

Handsome copy. (1)

ÂŁ250-350

363 Boccaccio (Giovanni). The Decameron, now first completely done into English Prose and Verse by John Payne..., 10 vols., printed for The Villon Society for private circulation, 1886, extra illustrated with numerous 18th & 19th century engravings and illustrations, occasional minor marks, edges untrimmed, bookplate for George Badger Woodward to upper pastedowns, near contemporary half morocco, faded, some loss to head and foot of spines, most joints cracked with some boards detached, small 4to

366 Boswell (James). The Life of Samuel Johnson, LL.D., comprehending An Account of His Studies and Numerous Works, in Chronological Order..., 3 volumes, 2nd edition, Revised and Augmented, 1793, stipple engraved portrait to vol. 1 (with closed tear in gutter margin and reattached), two folding facsimile plates, first gathering in vol. 1 lightly toned, endpapers renewed, contemporary tree calf, smartly rebacked with gilt decorated spines and contrasting labels, 8vo

(10)

(3)

£200-300

£100-150

367 Burnett (Gilbert). Bishop Burnet’s History of his Own Time: With Notes by the Earls of Dartmouth and Hardwicke, Speaker Onslow, and Dean Swift, 6 vols., 2nd ed., Oxford, 1833, vol. I title with engraved vignette, contemporary tan calf by Hayday, upper covers gilt-stamped with Taunton College School armorial, spines with red and black labels and gilt decoration, a few stains, 8vo, together with Heath’s Book of Beauty, 5 vols., 1833-37, engraved portraits, some light spotting, a.e.g., contemporary blue morocco gilt, lightly rubbed, 8vo, plus Extracts from Journals kept by George Howard, Earl of Carlisle: Selected by his Sister, Lady Caroline Lascelles, c. 1870, a few spots, a.e.g., contemporary red full morocco gilt by Larkins, edges a little rubbed, 4to, with three others works leather-bound (16)

364 Boccaccio (Giovanni). Contes de J. Bocace, Traduction Nouvelle, 10 vols., a Londres [Paris], 1779, additional engraved title to vol. 1, 110 engraved plates, contemporary marbled sheep, gilt decorated spines with green morocco title labels, slight wear to head & foot of spines and few joints, small 8vo (10)

£100-150

£350-450

365 Bonaventura (Saint). [Tractatus de profectu religiosorum, Paris, Denis Roce, 1500?], 123 of 124 leaves, consisting of three unnumbered preliminary leaves (lacking a1 (title)), and 120 numbered leaves of main text (i-cxx), some minor marks and a little staining towards rear of volume, contemporary limp vellum, rubbed and marked with a little wear, small 8vo Formerly attributed to Bonaventura, but now understood as the work of David of Augsburg. (1) £200-300

368 Byron (Lady Anne Isabella Noel). Lady Noel Byron and the Leighs: Some Authentic Records of Certain Circumstances in the Lives of Augusta Leigh, and Others in her Family, that Concerned Anne Isabella, Lady Byron, in the Course of Forty Years after her Separation [edited by Ralph Gordon Noel Milbanke, Earl of Lovelace], Strictly Private, Printed for the Descendants of Lord and Lady Byron by William Clowes and Sons, 1887, some ink annotations and corrections, light spotting front and rear, original boards, joints cracking, some fading, original buff wrapper, lacking spine, some chips and tears, 8vo Limited edition, 21/36. Wise, Byron, II, pp. 111-112. Provenance: Malcolm Elwin (1903-1973), Byron family biographer, his notes and corrections. According to Wise, only a few of the thirty-six copies were distributed and most destroyed: “I suppose this must be the most hopelessly unobtainable book in the whole series of Byroniana, surpassing in rarity even Lord Broughton’s ‘Contemporary Account of the Separation of Lord and Lady Byron’, privately printed in 1870, and the first edition of Lady Byron’s ‘Remarks’”. (1) £1000-1500

Lot 366

100

372 Cartari (Vicenzo). Imagines Deorum, qui ab antiquis colebantur, una cum earum declaratione et historia..., Frankfurt: Ludovici Bourgcat, 1687, additional engraved title, title printed in red and black, eighty-eight copper engraved plates, some offsetting, occasional minor marks, 19th century quarter calf, boards detached, 4to

369 Caesar (Gaius Julius). Quae Extant Omnia, Italica Versione e Ms. Codice ad hodiernum Stylum accommodata..., altero Tomo reperiendis, auxit Hermolaus Albritius Universalis Liter. Societatis Albritianae Conditor, Serenissimae Reipublicae Venetae, [Venice, 1737], engraved portrait frontispiece, title in red & black with engraved vignette, five engraved plates & maps (including one folding map and two folding plates) engraved maps and illustrations to text, occasional light dampstaining mostly to inner margins, contemporary vellum, paper label at foot of spine, 4to (1)

(1)

373 Cataneo (Girolamo). Tavole Brevissime per sapere con prestezza quante file uanno a formare una giustissima battaglia..., Brescia, Giovanni Battista Bozola, [1563], printer’s woodcut device to title with manuscript initials D.F.L. to lower margin, woodcut armorial of Count Aluigi Avogadro to verso of title, tables printed in red & black (calculating the organization of infantry squares), occasional woodcut geometrical diagrams (few hand-coloured), few minor marks, lacking front free endpaper, 18th c. vellum, slim 8vo

£300-400

370 Callimachus. Callimachi cyraenaei hymni cum suis scholiis Graecis et epigrammata eiusdem poematium de coma berenices a catullo versum..., 2 parts in one, [Paris]: Henricus Stephanus, 1577, text in Greek and Latin, occasional marginal damp staining, library stamp for Bibliotheque du College Saint-Quirin to initial blank, bookplate for J. Lupus to upper pastedown, later vellum, 4to (1)

(1)

£300-400

£300-500

374 Cheyne (George). The English Malady, or a Treatise of Nervous Diseases of all Kinds, 3 vols. in one, 3rd ed., Strahan and Leake, 1734, some offsetting and spotting throughout, near contemporary ownership inscription to upper pastedown, contemporary panelled calf, rubbed and scuffed 8vo, together with A New Theory of Acute and Slow Continu’d Fevers..., 3rd ed., Strahan, 1722, some offsetting, toning and scattered spotting, contemporary calf, gilt decorated spine, some ware, 8vo

371 Caro (Annibal). De le lettere familiari del commendatore, 2 vols. in one, Venice: Paulo Ugolino, 1603, woodcut vignette to titles, ownership inscription to title of volume one, occasional small stain or ink splatter, closely trimmed occasionally touching text of part two, late 18th century vellum, a little rubbed and stained, 8vo (1)

£300-500

£100-150

(2)

101

£200-300

375 Cicero (Marcus Tullius). In hoc volumine haec continentur. Rhetoricorum ad C. Herennium lib. IIII. M.T. Ciceronis de inuentione lib. II. Eiusdem de oratore ad Quintum fratrem lib. III. Eiusdem de claris oratoribus, q[uod] dicitur Brutus: lib. I. Eiusdem Orator ad Brutum lib. I. Eiusdem Topica ad Trebatium lib. I. Eiusdem oratoriae partitiones lib. I. Eiusdem de optimo genere oratorum praefatio quaedam. Index rerum notabilium, quae toto opere continentur, per ordinem alphabeti..., [Venice: in aedibus Aldi, et Andreae soceri mense Octobri 1521], printer’s woodcut device to title and verso of final leaf, imprint date to colophon, occasional early marginal annotations, title and following leaf strengthened at head, later endpapers, 18th c. vellum, 8vo (1)

380 Dallas (R.C.). Recollections of the Life of Lord Byron, from the Year 1808 to the End of 1814... Taken from Authentic Documents in the Possession of the Author, 1st ed., 1824, half title, folding facsimile letter, a few spots, bookplate, contemporary half red calf, spine faded, label chipped, 8vo, together with Shelley Memorials: From Authentic Sources. Edited by Lady Shelley. To which is Added An Essay on Christianity, by Percy Bysshe Shelley: Now First Printed, 1st ed., 1859, engraved frontis. of Shelley’s tomb in Rome, 24 pp. pubs. catalogue at end, some light spotting, previous owner signature, bookplate, front hinge tender, original purple blindstamped cloth, spine faded, a little rubbed and stained, 8vo, with two others: Conversations of Lord Byron with the Countess of Blessington, 1834 and Thomas Medwin’s Conversations of Lord Byron Noted During a Residence with his Lordship at Pisa, in the Years 1821 and 1822, 2 vols., new ed., 1825

£200-300

376 Cicero (Marcus Tullius). Librorum philosophicorum Volumen primum. Post Naugerianam & Victorianam correctionem emendatum a Joan Sturmio. Academicae quaestiones. Editio is primae liber quartus, qui Lucullus inscribitur...., [Volumen secundum ... De natura deorum. De Divinatione. De Fato. De Somnio Scipionis. De Legibus. De Vniuersitate. De Petitione Consulatus], 2 vols., [Argentorati: Wendelinum Rihelium, 1541], woodcut device to title and final leaf of each volume, imprint to colophon of vol. 1, early underscoring and marginalia, slight dust-soiling, hinges weak, contemporary pigskin with blind roll-work decoration, lacking ties, light wear & dust-soiling, 8vo (2)

(5)

£150-200

£200-300

377 Clark (Daniel Kinnear). Railway Locomotives: Their Progress, Mechanical Construction and Performance; With the Recent Practice in England and America, 2 vols., 1st edition, pub. Blackie and Son, 1860, fifty-nine coloured lithographic plates, mostly of British locomotives, but including several American locomotives, all doublepage, occasional minor spotting (contents generally clean), plate X repaired to lower right corner (without loss), several leaves at front of second vol. neatly re-margined, contemporary half morocco, rubbed and some marks and light soiling to covers, folio (2)

£150-200

378 Crompton (Richard). L’authoritie et Jurisdiction des Courts de la Majestie de la Roygne: Nouelment collect & compose, per R. Crompton del milieu Temple Esquire, London: Caroli Yetsweirti Armig., 1594, perforated library stamp to title and one leaf of text, some leaves cropped to blank margins, occasional early manuscript mostly to court list leaf and at rear of volume, few small worm holes & trail to upper blank margins of few leaves, dampstaining at front & rear, library stamps and bookplate to endpapers, early 20th c. half sheep, library ink stamp to boards and page edges, joints slightly cracked at head, 4to STC 6050. (1)

£150-200

379 Curll [Edmund, publisher]. The Second and Last part of the Case of Impotency, &c. Debated. Containing I. The Tryal of Mervin, Lord Audley, Earl of Castlehaven, for Sodomy, and a Rape, Anno 1631, II. The Proceedings upon the Bill of Divorce, between his Grace Henry Duke of Norfolke, and the Lady Mary Mordant, before the House of Lords, Anno 1699, 3rd ed., London: E. Curll, 1715, ink ownership inscription pasted to title, some light scattered spotting, hinges repaired, contemporary calf, modern reback, board edges slightly rubbed, 12mo

381 Dalton (John). A New System of Chemical Philosophy, vols. 1 and 2 only, Manchester: Printed by S. Russell, 1808-10, eight engraved plates, scattered light spotting, a little offsetting, volume one uncut and bound in original boards, rebacked, volume two in modern calf, gilt and blind decorated spine with red morocco title label, 8vo

ESTC T152195. The first part of this work was entitled “The Case of Impotency as debated in England in that remarkable tryal An. 1613, between Robert, Earl of Essex, and the Lady Frances Howard...”, (ESTC T76337). (1) £100-150

PMM 261; Dibner 44. (2)

102

£1000-1500

382 Dares (Phrygius). Daretis Phrygii Poetarum et Historicorum omnium primi, de bello Troiano, in quo ipse militauit, libri (quibus multis seculis caruimus) sex, a Cornelio Nepote Latine carmine Heroica, & Crispo Sallustio dedicati, nunc primum in luce[m] aediti..., Basel: [J. Parcus], [Mense Martio, 1541], [16], 612, [2]pp., woodcut decorative initials and headpieces, lacking final leaf P12 (blank), some light dampstaining, 19th c. half vellum, 8vo Adams D128. (1)

385 Dictionary. An Universal, Historical, Geographical, Chronological and Poetical Dictionary, Exactly Describing the Situation, Extent, Customs, Laws, Manners, Commodities &c. of all Kingdoms, Common-Wealths, Provinces, Islands and Cities, in the Known World, 2 vols., 1st ed., 1703, a little light toning, volume I lacking front and rear endpapers, contemporary panelled calf, lightly rubbed and stained, 8vo, together with Brooke’s Travelling Companion through England and Wales, 2nd ed., William Darton, 1819, linen-backed sectionalised colour map, paper label and tab to verso, original slipcase (light edge wear), with two others including a defective seventeenth century 12mo edition of the Enchiridion of Epictetus

£250-350

383 Dellon (Charles). Relation de l’inquisition de Goa, 2nd ed., Paris: Daniel Horthemels, 1688, vignettes to title and chapter headers, six plates (including three folding), additional folding engraved plate of a boat tipped in to lower pastedown, some light offsetting, contemporary mottled calf, gilt decorated spine, rubbed and worn, some loss to head of spine, 12mo The first edition, published Leiden, 1667, was unillustrated. (1)

First work ESTC T11413. (5)

386 William Caxton - E. Gordon Duff. William Caxton, the Caxton Club, Chicago, 1905, 26 plates, original single leaf from Chaucer’s Canterbury Tales, printed by William Caxton (Westminster 1476 or 1477) contained in wrapper in rear pocket, untrimmed, original clothbacked boards, paper label to spine, 4to

£200-300

384 Dickens (Charles). A Christmas Carol, in Prose, being A Ghost Story of Christmas... with illustrations by John Leech, 1st edition, Chapman & Hall, 1843, half-title and title verso printed in blue, title printed in red and blue, ‘Stave One’ at head of first chapter, four hand coloured engraved plates (frontispiece with early manuscript name on reverse), publisher’s advertisement leaf at rear, some soiling, stitching partially broken and two plates detached (one a little frayed to foremargin), yellow endpapers, hinges split, a.e.g., original blindstamped salmon cloth gilt, cocked and shaken, some marks, spine with loss at ends, and old glassine paper repair to lower joint, small 8vo Smith, II, pp.16-29. (1)

£150-200

Limited edition, one of 148 copies, of a total edition of 252, with an original printed leaf from William Caxton’s edition of Chaucer’s Canterbury Tales (Bastarda type 2:135, cut by Johann Veldener). The present leaf is from The Squire’s Tale, lines 360-415, begining “She was ful mesurable as wommen be...” and numbered 199/200 in pencil at head of each side. The leaf was originally from Lord Ashburnham’s incomplete copy of the Canterbury Tales (sold at Sotheby’s, May 1898), the Caxton Club acquiring 148 leaves for this edition. (1) £2000-3000

£700-1000

Lot 386

103

387 Duplessis (Georges). Costumes Historiques des XVIe, XVIIe et XVIIIe Siecles, Dessines par E. Lechevallier-Chevignard, Graves par A. Didier, L. Flameng, F. Laguillermie, etc..., 2 volumes, Paris: Librarie d’Architecture de A. Levy, 1867, 150 hand-coloured engraved plates, scattered foxing, ex library copy with the usual ink stamps and labels (plates unmarked), marbled endpapers, edges foxed, near contemporary red quarter morocco gilt, slightly rubbed and dusty, manuscript shelfmark at foot of spines, folio (2)

£200-300

388 Ellis (George Viner & G.H. Ford). Illustrations of Dissections in a Series of Original Coloured Plates, The Size of Life, representing the dissection of the human body, 1 vol. (atlas volume only), 2nd ed., 1876, fifty-eight colour lithograph plates, some spotting, occasional marginal dampstaining, boards detached, contemporary half morocco, rubbed, some loss to foot of spine, atlas folio (1)

£100-150

389 Emblem book. Le Tableau de la Croix representé dans les ceremonie de la Ste messe ensemble le tresor de la devotion aux soufrance de Nre S.I.C. le tout enrichi de belles figures, Paris, F. Mazot, 1651, forty leaves, engraved throughout, all but three leaves engraved on both sides, two plates signed J. Collin, one signed J. Durant, strong impressions, generally in clean condition, a.e.g., late 19th century red half morocco gilt, a little rubbed, small 4to (1)

£200-400

390 English (Thomas, pseud.). The British Monitor; or, the Freeholders Advocate. Deliver’d in a Sermon, Preached at the Assizes for the County Palatine of Lancaster, from the Words, Nevertheless through the Covetousness of them that were of Power, Menelaus Continued still in Authority, Increasing in Malice, and being a Great Traitor to the Citizens... To which is Added the Progress of Corruption; or, a Journey thro’ Westminster, 1734, 23 pp., advert to final leaf verso, woodcut initials, a few leaves closetrimmed at top margin (affecting some pagination), light waterstain and soiling, modern cloth-backed boards, square 4to

Lot 387

ESTC T201645. (1)

£70-100

391 Erasmus (Desiderius). Adagiorum D. Erasmi Roterodami Epitome, Wittenberg, Zacharias Schurer, 1616, title with printer’s woodcut device, some minor marks, including one leaf with slight tear affecting a few letters, later vellum boards incorporating old manuscript, rubbed and some soiling, 8vo (1)

£150-250

392 Fallois (Joseph de). L’Ecole de la Fortification, ou les elemens de la fortification permanente, reguliere et irreguliere, ... pour servir de suite a la Science des Ingenieurs, de M. Belidor, 1st edition, Dresden, George Conrad Walther, 1768, xviii + 252 pp., title with engraved vignette, twenty folding engraved plates, a few minor marginal spots, contents generally in clean condition, marbled endpapers, contemporary full calf, gilt decorated spine, rubbed and some marks to covers, 4to (1)

£200-300

393 Fournier (Georges). Hydrographie, contenant la theorie et la pratique de toutes les parties de la navigation, 2nd edition, Paris: Jean du Puis, 1667, title printed in red and black, large woodcut vignette to title, woodcut folding plate, numerous diagrams and illustrations to text, bookplate of Henry Duke of Beaufort loosely inserted, contemporary half calf, gilt decorated spine, a little worn and fraying at edges, joints cracked, folio (1)

Lot 389

104

£500-800

Lot 393

394 Fox-Davies (Arthur Charles). Armorial Families, A Complete Peerage, Baronetage, and Knightage, and a Directory of some Gentlemen of Coat-Armour..., deluxe edition, Edinburgh: T.C. & E.C. Jack, 1895, 112 engraved plates of armorial bearings printed on india paper, occasional minor spotting, t.e.g., remainder untrimmed, contemporary morocco gilt, extremities rubbed, large 4to Limited signed edition 54/400. (1)

397 Guarini (Giovanni Battista). Il pastor fido, tragicomedia pastorale... Aggiontovi di novo in questa impressione le Rime dello stesso autore..., Venice: Ciotti, 1620, printer’s device to title, wood engraved decorative initials and chapter headings, engraved portrait, six full-page engraved illustrations, occasional damp-staining or small mark, early 18th century calf, gilt decoration, a little frayed at edges, some loss to spine, joints cracked, 8vo

£70-100

(1)

£200-300

395 [Gibbons, John & Fenn, John, editors]. Concertatio Ecclesiae Catholicae in Anglia adversus Calvinopapistas et Puritanos sub Elizabetha regina, quorundam hominum doctrina & sanctitate illustrium renouata..., ac maiori quam hactenus diligentia ab erroribus, si qui obrepserant repurgata & vendicata..., 3 parts in one, Trier: Henricus Bock, 1594, separate title to third part, few woodcut decorative initials, leaves 278-286 missed in foliation, lower outer blank corner of Q3 torn, 3X4 blank discarded, contemporary calf, later morocco title label to spine, joints split, spine worn with loss, 4to

398 Guay-Trouin (Rene). Memoires de Monsieur du Guay-Trouin, Lieutenant General des Armees Navales..., Amsterdam: Pierre Mortier, 1740, engraved portrait frontispiece, titles in red and black, six engraved folding plates (including one map), scattered spotting, occasional small stain or mark, bookplate for Joseph de Comogne, contemporary calf, gilt decorated spine, joints cracked, some wear to edges, 8vo

(1)

399 Gunter (Edmund). The Description and use of the Sector, Crosse-Staffe, and other Instruments: with a Canon of Artificiall Sines and Tangents, to a Radius of 10000.0000. parts, and the use thereof in Astronomie, Navigation, Dialling, and Fortification, &c., by Edm. Gunter sometime Professor of Astronomie in Gresham Colledge in London, four parts in one, 2nd ed., 1636, five engraved plates (including additional title, one plate loose), numerous woodcut illustrations and diagrams, E2 & E3 misbound, lacking leaf L1 (replaced as two leaves from another edition), one folding table, bound without leaf 3L2 (blank), erratic pagination, occasional light dust-soiling, hinges repaired, contained calf, modern reback, 4to

(1)

£150-200

396 Gozzi (Gaspare). Le Stagioni Poema tratto dal Francese... , Venice, 1771, engraved frontispiece, engraved title vignette and four head-pieces, thick paper copy, old light waterstaining, contemporary patterned wrappers, some damp-staining, 4to, together with [Pegge, Samuel], A Narrative of what Passed at the Revolution House, at Whittington, County of Derby, in the Year 1688, with a Perspective View, and Plan of that Cottage, 1st edition [for private circulation, 1788], 1 engraved plate, slightly offset to text, stitched as issued in original grey wrappers, vertical crease, oblong 4to, plus Hollar (Wenceslaus), Characaturas, by Leonard da Vinci, from Drawings by Winceslaus Hollar out of the Portland Museum, 1786, engraved title and 16 engraved plates, some spotting and dustsoiling, a few old ink spots and water stains, later limp morocco gilt, some wear, slim 4to, plus [Sunderland Bridge]. An Oration Delivered at the Opening of the Iron Bridge at Wearmouth, August 9, 1796, by William Nesfield... , 1st edition, 1796, disbound, slim 8vo (4)

STC 12523. (1)

£150-200

105

£200-300

£300-400

400 Heliodorus. Amours de Theagenes et Chariclée, Histoire Ethiopique, 2 vols., Paris, Chez Coustelier, 1743, engraved vignette titles to each, printed in red and black, ten single-page engraved plates, engraved vignette head-pieces, each title with old ownership signature excised from centre of leaf, a.e.g., contemporary full calf with diaper pattern, gilt dec. spines, very slightly rubbed, small 8vo, Cohen-de Ricci 478, The Ethiopian Story, the only known work of Heliodorus, was rediscovered during the Renaissance, and had a wide influence on the development of the European novel, together with Duhamel du Monceau (Henri Louis). Art du Cartier, [from Description des Arts et Metiers, published by the Academie Royale des Sciences between 1761 and 1788], Paris, 1762, printed title, 38 pp. of text, and five copper engraved plates, a few spots and light browning to plate edges, modern good-quality quarter red morocco gilt, folio (450 x 280mm) Provenance for the second work: From the estate of the late Jaime OrtizPatino. A treatise on the complicated process of manufacturing playing cards, taken from Duhamel du Monceau’s ambitious series of treatises on surveying the various skilled crafts and industrial processes current in France in the 18th century. (3) £150-200

401 Hermann (Jacob). Phoromonio, sive de viribus et motibus corporum solidorum et fluidorum libri duo..., Amsterdam: Westenios, 1716, title printed in red and black ink, twelve folding plates, some light scattered spotting and occasional minor mark, ex Inner Temple Library, with their stamps, modern antique-style speckled calf, gilt decorated spine, red morocco spine label, 4to (1)

£200-300

402 Hesiod. Hesiod Ascraei Quae Supersum, cum notis variorum, edited by Thomas Robinson, Oxford: 1737, engraved portrait frontispiece, titles and text in Greek and Latin, some scattered spotting and a little toning to initial and final leaves, paper repair to upper margin of dedication leaves (not affecting text), ex Inner Temple Library, with their bookplate and stamps, modern antiquestyle calf, gilt decorated spine, 4to (1)

£100-150

403 Hesiod. Hesiod Ascrei opera qua quidem extant, omnia Graece cum interpretatione Latina eregione, ut conferri a Graecae linguae studiosis citra negiotium possint..., Basel: apud Oporinum, 1564, some loss to title, text in Greek and Latin, occasional ink marginalia and underlining, small worm hole affecting upper margin of first few leaves, bound with Phocylides, Poemata Pythagorae & Phocylidis, cum duplici interpretatione viti amberbachii, Strassburg: Mylius, 1561, occasional woodcut decorative initials, elaborately blindstamped vellum, a little rubbed and fraying at edges, 8vo (1)

405 Horace Quinti Horatii Flacci Opera, 2 vols., John Pine’s 2nd issue, 1733-1737, engraved frontispiece to each volume, text, decorative initials & illustrations engraved throughout, some offsetting (mostly light), contemporary calf, gilt decorated spines, text blocks split in two, joints cracked, leaf size approximately 22.2 x 14cm, 8vo Rothschild 1548. The first issue has the misprint ‘Post Est’ round the Caesar medal on p.108 in Volume 2, which was corrected in the second issue to ‘Potest’ as in this copy. This copy bound without the printed ‘List of Antiques’ in volume 1. (2) £200-300

£200-300

404 Homer. Ilias et Ulyssea cum interpretatione, Basel: Johann Herwagen the Elder, 1535, occasional woodcut printer’s devices, Greek text, first signature detached with paper strengthening to gutter margins, near contemporary calf, crudely rebacked, some ware and fraying at extremes, folio (1)

£500-800

106

406 Horne (Andrew & Hughes, William). The Booke Called, The Mirrour of Justices: made by Andrew Horne. With the Book, called, The Diversity of Courts, and their Jurisdictions. Both translated out of the old French into the English tongue, by W.H. of Grays Inne Esquire, London: Matthew Walbancke, 1646, lacking A1 (initial blank) and text leaf a3, title to part 2 present, cropped at head and foreedge with loss to running titles, contemporary sheep, joints cracked and some wear, small 8vo, together with [Defoe, Daniel], Memoirs of the Church of Scotland, in Four Periods, I. The Church in her InfantState, II. The Church in its Growing State, III. The Church in its Persecuted State, IV. The Church in its Present State, from the Revolution to the Union, with an Appendix of some Transactions since the Union, 1st ed., 1717, text block splitting, contemporary blind panelled calf, crude reback, 8vo, with Priestley (Joseph), Letters to a Philosophical Unbeliever..., 2 parts in one, 2nd ed., Birmingham, 1787, occasional scattered spotting, contemporary marbled calf, gilt decorated spine lacking title label, central split to spine & text block, joints cracked and some wear, 8vo, and Hill (Richard), The Blessings of Polygamy Displayed, in an Affectionate Address to the Rev. Martin Madan; Occasioned by his late work, entitled Thelyphthora, or, a Treatise on Female Ruin, 1781, errata slip pasted to final leaf, front pastedown inscribed by the author, original boards (detached), lacking spine, worn, 8vo, plus other miscellaneous 18th/19th century antiquarian, including Poems on Several Occasions by Matthew Prior, new ed., 1720, An Inquiry into the Beauties of Painting by Daniel Webb, 1760, Elements of Orthoepy by R. Nares, 1784, The Practical Justice of Peace by Joseph Shaw, 2 vols., 6th ed., 1756, The Miscellaneous Works of John Dryden, 4 vols., 1760, Memoirs of the Court of England, 1707, The History of Scotland by William Robertson, 3 vols., 17th ed., 1806, Hudibras by Samuel Butler, 2 vols., Cambridge, 1744, A New and Complete System of Practical Husbandry by John Mills, 5 vols., 1762-65 (defective), and Destiny; or, the Chief’s Daughter [by Susan Ferrier], 3 vols., Edinburgh, 1831 (27)

£300-500

407 Hume (David). Political Discourses, 1st ed., Edinburgh: printed by R. Fleming, for A. Kincaid and A. Donaldson, 1752, [4], 304pp., errata to contents leaf verso, sewing partly broken and text block splitting in two, contemporary calf gilt, lacking title label, joints and spine splitting, worn, 8vo in 4s Jessop, p.23; Einaudi 2957; Chuo 70. Considered the foundation of classical monetary economics, seven of the twelve discourses being on economics. Contemporary armorial bookplate of Brown of Waterhaughs. (1) £1000-1500

408 [Humphreys, Henry Noel]. The Good Shunammite: ii Kings, Chap iv, v viii, Longman, Brown, Green and Longmans, 1847, twenty illuminated chromolithographic pages, gutta-percha perished and contents loose, dust-soiling & occasional spotting, a.e.g. (rubbed), orig. moulded papier-maché boards (minor chipping to corners), blind embossed morocco spine slightly frayed at head & foot, 8vo Illumination designed by Owen Jones. McLean Victorian book design & colour printing p.92. (1) £150-200

107

Lot 409

108

409 Isidore (of Seville, Saint). Isidori Etymologiarum opus idem de summo bono, [Venice: Bonetus Locatellus between 1501 and 1510?], 8, 7-75, [1], 21 leaves, woodcut decorative initials, doublecolumn text, full-page woodcut of the tree of consanguinity, leaf numbers 7-8 repeated in foliation of first numbered section, title torn to lower blank corner and repaired, some early marginalia, few leaves browned and occasional minor marks, near contemporary limp boards, spine torn & worn with some loss, folio

414 Literary & Philosophical Society of Manchester. Memoirs, vols. 1 & 2 only (of 5), 1st ed., Warrington, 1785, five engraved plates (including frontispiece and two folding), list of members present (includes Joseph Priestley), edges uncut, original boards, upper board to vol. 1 detached, lacking spines, worn, 8vo, together with Wordsworth (William), Yarrow Revisited, and Other Poems, 1st ed., 1835, 12pp. publisher’s list at front and 4pp. list at rear of volume, edges untrimmed, original boards, original paper label to spine, joints cracked, extremities worn, 12mo, with Directory, History, Directory, and Gazetteer, of the County Palatine of Lancaster..., by Edward Baines, 2 vols., Liverpool, 1824, bound without maps and plans, slight dust-soiling, late 19th c. half morocco, rubbed, 8vo, plus six other volumes including City of Liverpool, Selections from the Municipal Archives and Records..., Extracted and Annotated by Sir James A. Picton, 2 vols., Liverpool, 1883, and Lancashire and Cheshire, Past and Present... by Thomas Baines, 4 vols., c.1870

Goff I-188. Goff gives imprint as: Venice, Bonetus Locatellus, for Octavianus Scotus, after 1500. (1) £2000-3000

410 Jacob (William). A View of the Agriculture, Manufactures, Statistics, and State of Society of Germany and parts of Holland and France, John Murray, 1820, scattered light spotting, occasional small mark or stain, scant ink marginalia, modern half calf, red morocco label to spine, 4to, together with Berkeley (George), Recherches sur les vertus de l’eau de gourdron..., Amsterdam: Pierre Mortier, 1745, half title, title printed in red and black, a little toning and offsetting, quarter morocco, 8vo, plus Cairnes (J. E.), Some Leading Principles of Political Economy, Macmillan and Co., 1874, half title, a little dust-soiling, ex library Manchester Reform Club with their book plate and stamps, hinges broken, original publisher’s cloth, a little worn, 8vo, plus Adam Smith Volkswohlstandes, translated by Dr. C. W. Asher, 2 vols. (5)

(11)

£200-300

£100-150

411 Jerrold (William Blanchard, “Fin-Bec”). The Book of Menus, 1st edition, 1876, additional pictorial title, printed red borders throughout, author’s initialled presentation inscription to title ‘L.L.J. from B.J.’, all edges gilt, original gilt and black-decorated green cloth, some dust-soiling and slight edge wear, 8vo, together with The Cupboard Papers, 1st edition, 1881, original decorative cloth, a little rubbed and soiled and minor wear at foot of spine, small 8vo (2)

£200-300

412 John Bull. vol. I, nos. 1-55, 1820-21, vol. III, nos. 108-159, 1823, vol. IV, nos. 1-30, 32-39, 41-52, 1824 and vol. VIII, nos. 369-420, 1828, occasional soiling, tears and losses, some issues trimmed, vol. I contemporary half calf, rubbed, vols. III, IV & VIII bound in green half morocco, rubbed, folio Popular Sunday Tory newspaper, edited by Theodore Hook, which ran from 1820 to 1892. (4) £200-300

415 London Almanack for the Year of Christ 1807, printed for the Company of Stationers, [1806], red duty inkstamp to title, a.e.g., marbled endpapers, original wallet-style black morocco binding, with pocket at front and rear, and with engraved silver mounts and clasp, 30 x 34mm

413 Le Dran (Henry-Francois). Observations in Surgery: Containing One Hundred and Fifteen Different Cases, with Remarks on each, for the Improvement of Young Students, Translated by J.S. (John Sparrow), 2nd ed., 1740, half title, two folding engraved plates (with closed tears), 6 pp. publisher’s list at end, a little light spotting, previous owner signature to title, contemporary calf, small split to lower joints, lightly rubbed, 8vo, together with A Monograph on the Structure and Development of the Shoulder-Girdle and Sternum in the Vertebrata, by W. Kitchen Parker, 1st ed., 1868, 30 colour lithographed plates, library label and marks at front, morocco-backed library cloth, folio, with two others: Charles Bader’s The Natural and Morbid Changes of the Human Eye, and their Treatment, 1868 and William Stirling’s Some Apostles of Physiology, 1902 (4)

The scarcer square-format London Almanack (see Bondy p.41). An attractive copy in very good condition, with the binding unusually embellished with silver furniture. (1) £150-200

416 Longchamps (Buret de). Les Fastes Universels, ou Tableaux Historiques, Chronologiques et Geographiques, 2nd ed., corrigee et augmentee, Brussels, 1822, half title, scattered light spotting, library bookplate, contemporary half morocco, spine splitting, rubbed with some edge wear, oblong folio

£150-200

(1)

109

£100-150

417 Love (John). Geodaesia: or, The Art of Surveying and Measuring of Land Made Easy, Shewing, by Plain and Practical Rules, how to Survey, Protract, Cast up, Reduce or Divide any Piece of Land..., as also, how to lay-out New Lands in America, or elsewhere: and how to make a Perfect Map of a River’s Mouth or Harbour..., 2nd ed., with additions, 1715, contemporary signature ‘Nicholas Kiddiar’ to title, woodcut geometric diagrams and illustrations, some dampstaining to margins mostly at rear of volume, hinges cracked, contemporary panelled calf, later title label to spine, 8vo, together with Wilson (Henry), Leybourn’s Dialling Improv’d; or, the Whole Art Perform’d..., 3rd ed., corrected and improv’d by Charles Leadbetter, 1728, twelve folding engraved plates, few short closed tears, light toning and occasional spotting, contemporary sheep, upper board near detached and lower joint cracked, some wear, 12mo (2)

419 Marchettis (Petrus de). Observationum Medico-Chirurgicarum Rariorum Sylloge, Serenissimo Ferdinando II..., Patavii: Matthaei de Cadorinis, 1664, additional engraved title, one foling engraved plate, a.e.g., contemporary Venetian binding in dark terracotta morocco, elaborate gilt decoration, spine with few small worm holes to upper & lower compartments, light wear to extremities, 8vo Only one UK institutional location found (British Library). (1)

420 Martin (David). Histoire de la Bible, Contenant le Vieux et le Nouveau Testament, par feu Mr. D. Martin Ministre du St. Evangile a Utrecht, Amsterdam: Martin Schagen, 1724, half-title with oval ink stamp, additional engraved general & New Testament titles, letterpress general & New Testament titles in red & black each with engraved vignette, numerous engraved illustrations to text, late 19th c. half calf, gilt decorated spine, red morocco labels to spine, library paper label at foot of spine and to upper board, slightly rubbed, 4to

£100-150

(1)

418 Maherault (Jean Francois Rene). Notice sur Antoine Deparciux, professeur a l’Ecole Centrale du Pantheon et au Lycee Republicain, 1st edition, an VIII [1799], some browning to title along inner margin, recent boards, 8vo, together with [Montyon, Antoine Jean-Baptiste Robert Auget, Baron de], Particularites et observations sur les Ministres des Finances de France les plus celebres, depuis 1660 jusqu’en 1791, Paris, 1812, contemporary quarter calf gilt, slightly rubbed, plus Mirabeau (Honore-Gabriel, comte de), Denonciation de l’Agiotage, au Roi et a l’Assemblee des Notables, 1st edition, 1787, recent boards, all 8vo, plus other mostly antiquarian non-English economics, banking and human sciences (28)

£1000-1500

£150-200

£200-300

Lot 421

Lot 419

110

421 Meal Tub Plot. Malice Defeated: or a Brief Relation of the Accusation and Deliverance of Elizabeth Cellier, Wherein her Proceedings both before and during her Confinement, are particularly Related, and the Mystery of the Meal-Tub fully discovered. Together with an Abstract of her Arraignment and Tryal, written by her self, for the satisfaction of all Lovers of undisguised Truth, 1st ed., London: printed for Elizabeth Cellier, and are to be sold at her house in Arundel Street near St. Clements Church, 1680, [ii], 44pp., woodcut device to title, closed tear to upper margin of title and following leaf, bound with The Tryal and Sentence of Elizabeth Cellier; for Writing, Printing, and Publishing, a Scandalous Libel, called Malice Defeated..., London: printed for Thomas Collins, 1680, [iv], 9-39pp., license leaf present, bound with Tho. Dangerfield’s Answer to a Certain Scandalous Lying Pamphlet, Entituled, Malice Defeated, or, the Deliverance of Elizabeth Cellier. Together with some Particular Remarks made from her own Words..., All which are Wrote by the Hand of Tho. Dangerfield, London: printed for the Author, 1680, 20pp., bound with Oates (Titus), A True Narrative of the Horrid Plot and Conspiracy of the Popish Party against the Life of His Sacred Majesty, the Government, and Protestant Religion: with a List of such Noblemen, Gentlemen, and others that were the Conspirators: and the HeadOfficers both Civil and Military, that were to Effect it..., 1679, [viii], 68pp., bound with The King’s Evidence Justifi’d: or Doctor Oates’s Vindication of Himself, and the Reality of the Plot, Against a Traiterous Libel, Called the Compendium; Contrived by the Jesuits, to the Dishonour of the King and Kingdom, 1679, [ii], 53pp., bound with A Modest Vindication of Titus Oates the Salamanca-Doctor from Perjury: or an Essay to Demonstrate him only Forsworn in several Instances, by Adam Elliot, 1682, [6], 47pp., bound with Bedloe (William), A Narrative and Impartial Discovery of the Horrid Popish Plot: Carried on for the Burning and Destroying the Cities of London and Westminster..., 1679, License leaf, engraved portrait frontispiece, bound with Prance (Miles), A True Narrative and Discovery of Several very Remarkable Passages Relating to the Horrid Popish Plot: as they fell within the knowledge of Mr Miles Prance of Covent Garden, Goldsmith..., 1679, License leaf, engraved portrait frontispiece, some dampstaining and spotting throughout, early 20th c. quarter sheep, joints cracked at head & foot, folio

423 Montenay (Georgette de). Stamm Buch, Darinnen Christlicher Tugenden Beyspiel Einhundert ausserlesener Emblemata, mit schonen Rupffertsucten gezieret..., Runmehr aber mit Lateinischen/ Nispanischen/ Italianischen/ Teutschen/ Englischen und Niderlandischen der fen vermehret, Frankfurt: Johann Carl Unckels, 1619, title within decorative engraved architectural border (with early ink annotation), 100 half-page engraved illustrations to text, engraved portrait (torn & repaired), text in French, Latin, Spanish, Italian, German, English & Dutch, three leaves of text repaired, few leaves close-trimmed to fore-edge touching one or two illustrations, short worm trail to lower margin of four leaves at front of volume, light toning, near contemporary binding covered in old vellum manuscript, joints cracked and slight wear, 8vo

Elizabeth Cellier (flourished 1668-1688) was a Catholic midwife. She stood trial for treason in 1679 for her alleged part in the “Meal-Tub Plot” against the future James II but was acquitted. The plot acquired it’s name as a result of the location in which the incriminating documents were hidden by the conspirator Thomas Dangerfield (1650-1685). (1) £300-500

422 Minsheu (John). Hegemon eis tas glossas, id est Ductor in linguas, The Guide into Tongues. ... with their agreement and consent with one another, as also their etymologies, the reasons and derivations of all or the most part of wordes, in these eleven languages ..., 1st edition, John Browne, 1617, title within woodcut border (soiled and with some loss to upper left corner and margin, now relaid on later paper), damp stained to upper inner margins for most of the volume with some consequent marginal repairs to first few leaves, final leaf with upper outer corner torn away, just touching printed border, later full calf, heavily rubbed and some wear, modern plain reback (endpapers renewed), folio STC 17944. First edition of Minsheu’s major work. (1)

This volume is the first multilingual edition of the work of emblems of Georgette de Montenay (1540-1571), poet and Protestant lady in waiting to Queen Jeanne d’Albret. Originally the work was published in 1567. The multilingual version is considered the first collection of emblems that exclusively relate to devotion and the sacred world. It was widely used for political purposes in Protestant propaganda. (1) £1500-2000

£200-300

111

428 Pergaeus (Apollonius). Locorum Planorum Libri II Restituti a Roberto Simson M.D., Glasgow: Foulis, 1749, woodcut diagrams to text, some fraying to lower edge of title, ex Inner Temple Library with their bookplate and stamps, modern antique-style speckled calf, gilt-decorated spine, red morocco title label to spine, 4to (1)

£200-300

429 Petrarca (Francesco). Librorum Francisci Petrarche impressorum Annotatio, 2 volumes in one, Venice, Simon de Luere for Andreas Torresanus de Asula, 27 March [& 17 June] 1501, 403 leaves (of 404), lacking title only, black letter text in double column, three unnumbered leaves towards centre of volume with some small tears and discolouration to centre of inner margin, mostly without loss of text, later half vellum, a little rubbed and some minor marks, folio Adams P773. (1)

£700-1000

424 Nasmyth (James & James Carpenter). The Moon: Considered as a Planet, a World, and a Satellite, 1st ed., 1874, 24 plates, illustrations, frontispiece paper guard detached, some light marginal waterstains and soiling, presentation inscriptions, hinges reinforced, small constellation map pasted to front pastedown, original blue cloth gilt, rebacked with original spine relaid, edges rubbed, a few dampstains, 4to (1)

£100-150

425 Palladio (Andrea). Le terme dei Romani disegnate da Andrea Palladio e ripubblicate con la giunta di alcune osservazioni da ottavio bertotti scamozzi..., Vicenza: G. Rossi, 1797, additional engraved title, twenty-five engraved plates (seventeen folding), some scattered spotting and a little offsetting, wormholes to gutter margins (not affecting text or plates), near contemporary paper wrappers, a little rubbed, spine mostly deficient, small 4to (1)

£200-300

426 Paris Commune 1871. Paris Incendie. Histoire de la Commumne de 1871, E. Martinet, Paris, [1872], numerous woodengraved illustrations, scattered spotting, library stamp to front endpaper, contemporary calf-backed cloth, spine rubbed with shelf number, folio (1)

£100-150

427 Perefixe (Hardouin de Beaumont de). Histoire du Roy Henry Le Grand, reveue, corrigée, et augmentée par l’Auteur, Paris, 1662, early ink ownership signature of Roger Gale to front endpaper, dated 1700, contemporary mottled full calf, gilt decorated spine, rubbed and some wear to extreme head and foot of spine and outer corners, 4to, together with [Sarpi, Paolo]. La Vie du Pere Paul, de l’ordre des serfs de la Vierge, et theologien de la Serenissime Republique de Venize, trans. Francois Graverol, edition reveue, Venice, 1665, some light browning, contemporary vellum with yapp fore-edges, plus other French antiquarian interest, including John Nickolls, Remarques sur les avantages et les desavantages de la France et de la Gr. Bretagne, par rapport au commerce, 3rd ed., Leiden, 1754, Jean Levesque De Burigny, Vie de Grotius, avec l’histoire de ses ouvrages, 2 volumes, Amsterdam, 1754, and Necker de Saussure, L’Education Progressive, ou Etude du cours de la vie, 3 volumes, Paris, 1836-38, all leather bound, 8vo/12mo

430 Piccolomini (Aeneas Sylvius, Pope Pius II). Opera quae extant omnia..., Basel: Henricpetri, [1571], woodcut printer’s device to title, eighteen woodcut maps to text (including one full page) from Muenster’s Cosmographia, some ink marginalia and underlining throughout, dampstaining, texblock broken, 18th century calf, gilt, worn, spine broken with loss, folio Adams P1334. (1)

Ex libris Roger Gale (1672-1744, the English scholar and antiquary and member of Parliament for Northallerton). A well known collector of manuscripts and antiquarian books, Gale was a member of the Society of Antiquaries and the Royal Society, and for a time a Reader at The Bodleian Libary. His manuscript collection was donated to Oxford in 1738. (8) £200-300

112

£500-700

Lot 431 431 Pico della Mirandola (Giovanni Francesco). De Rerum Praenotione libri novem. Pro veritate religionis contra superstitiosas vanitates editi. De fide theoremata. De morte Chrisci ... de studio divinae & humanae philosophiae: Duo ..., edited by Matthias Schurer, Strasbourg, Johann Knobloch, bound with Hymni Heroici tres. Ad Sanctissimam Trinitatem, Ad Christum, et Ad Virginem Mariam, una Cum commentariis, Strasbourg, Matthias Schurer, 1511, occasional old underlining in brown ink, some leaves browned (contents generally in clean condition), 289 folios (blank leaves V6, f10, I8, o8 and h6 removed), later mottled full calf, gilt decorated spine with morocco labels (marked as volume 2), rubbed and a little wear to upper joint and extremeties, folio Adams P1138 & 1157. Proctor 10052 & 10190. Giovanni Francesco Pico della Mirandola (1469-1533) was the nephew of Giovanni Pico della Mirandola (1463-1494) was like his uncle, an eminent Italian humanist philosopher. The present work contains his account of the life of elder Giovanni Pico della Mirandola (subsequently translated into English by Sir Thomas More in 1510). (1) ÂŁ2500-3500

113

433 Pisa (Bartholomaeus de). Opus Auree & inexplicabilis bonitatis & continentie. Conformitatum scilicet vite Beati Fra. ad vita d. nri Jesu xpi, Milan, Zanotus Castilioneus, 1513, gothic letter text in double column, woodcut illustrated title printed in red and black (with ownership inscription dated 1634 at head), first leaf of main text with decorative woodcut border and woodcut illustration, fullpage woodcut printed in red and black depicting the ‘tree of conformity’ linking Christ and St. Francis, numerous woodcut initials, generally in clean condition, later vellum, folio Adams F906. Sander 205. Often classified as the work of St. Francis, the Liber Conformitatum attempts to establish parallels between the life of St. Francis and the life of Christ. (1) £800-1200

434 Platina (Bartolomeo). Opus de vitis ac gestis summorum Pontificum..., qui Paulo II. in quo Platina definit, usq[ue] ad Clementem eius nominis VII..., 2 parts in one, Cologne: Maternum Cholinum, 1562, printer’s woodcut device to title and verso of final leaf, decorative woodcut initials, light marginal toning and occasional spotting, endpapers renewed, later vellum, folio Adams P1420. (1)

£100-150

432 Pico della Mirandola (Giovanni Francesco). Opera, 2 vols. in one, Basel: Sebastian Henricpetri, 1601, woodcut printer’s device to title, occasional decorative initial, minor marginal worming to final few leaves, occasional scattered spotting, contemporary blindstamped half pigskin over green-dyed vellum, ties lacking, lightly rubbed, corners slightly bumped, thick folio (1)

£600-800

435 Pliny (The Younger). Epistolarum libri X. Una cum eiusde Panegyrica oratione Traiano Imperatori Aug. dicta ..., : quae omnia ... Joannis Mariae Catanaei commentariis ... eiusden De viris in re militari et administranda republica illustribus liber, Conradi Lycosthenis enarrationibus illustratus, Basel, Froben, 1552, title with printer’s woodcut device, numerous woodcut initials, leaf Tt2 & 3 adhering, final blank with printer’s woodcut device to verso (some light soiling), old ownership inscription to head of title Parmentier, dated 1792, engraved portrait of Henri Florent Laurin by Petrus de Jode after Diepenbecke mounted to front pastedown, nearcontemporary full calf, raised bands to spine, with ties, and gilt oval armorials of Marc Laurin (1530-1581) to centre of each cover, rubbed and minor wear to head and foot of joints and extremities, folio Adams P1545. (1)

Lot 433

114

£400-600

436 Raynal (Guillaume Thomas Francois). Histoire Philosophique et Politique des Etablissemens et du Commerce des Europeens dans les Deux Indes, 7 vols., nouvelle ed., Paris, 1778, half titles, engraved frontis. to each, four folding engraved maps, armorial bookplates, contemporary tree calf, vol. I upper cover detached, spines darkened lacking some labels, a little rubbed and scuffed, 8vo (7)

439 Rowlands (Henry). Mona Antiqua Restaurata. An Archaeological Discourse on the Antiquities, Natural and Historical, of the Isle of Anglesey, the Antient Seat of the British Druids... , 1st edition, Dublin, 1723, title printed in red and black, 10 engraved plates, a little spotting and light browning, ex-libris Earls of Macclesfield with engraved bookplate to front pastedown and blindstamped coat-of-arms to title and following two leaves, contemporary mottled calf gilt, rubbed, joints cracked, together with Smith (John), Galic Antiquities: Consisting of the History of the Druids, Particularly of those of Caledonia; A Dissertation on the Authenticity of the Poems of Ossian... , 1st edition, Edinburgh, 1718, scattered near-contemporary manuscript annotations, 4 pp. later manuscript on druids loosely inserted, a little spotting and marginal damp-staining to early leaves, 19th-century panelled polished calf over wooden boards, rubbed, both 4to

£70-100

(2)

£200-300

437 Rossi (Gio Gherardo de). Scherzi poetici e pittorici: Parma, Bodoni, 1794, engraved title, forty engraved plates, some light scattered spotting, endpapers slightly toned, contemporary marbled calf, gilt decoration, contrasting spine label, a little worn at extremities, joints cracked, 8vo (1)

£400-600

438 Rousseau (Jean-Jacques). Eloisa: Or, A Series of Original Letters, Translated from the French, 4 volumes, mixed editions, Dublin, 1766/1761, together with Emilius and Sophia, Or, A New System of Education, 4 volumes, 1783, engraved frontispiece to each and two additional engraved plates to volume 1, some offsetting from all plates to text, half-titles present, plus The Confessions of J.J. Rousseau, Part the Second, To which is added, A New Collection of Letters from the Author, 3 volumes, 1790, halftitles present, plus The Confessions... Part the First, To which are added, The Reveries of a Solitary Walker, 2 volumes, 3rd edition, 1796, half-titles, some spotting and occasional browning to all volumes and engraved armorial bookplate of Thomas Courtenay Warner to each pastedown, uniform contemporary calf, giltdecorated spines with contrasting red and green title labels, rubbed, 12mo (13)

440 Sainctyon (Sieur de ). Histoire du Grand Tamerlam, tirée d’un excellent manuscrit, de quelques autres originaux: tres propre a former un grand capitaine, 1st edition, Paris, Andre Pralard, 1677, title with woodcut vignette, lower outer corner of a2 discreetly repaired, a.e.g., marbled endpapers, later 19th century French red half morocco, gilt decorated spine, a little rubbed to extremities, 12mo Atabey 1082. (1)

£200-300

441 Sannazaro (Jacopo). Opera Omnia, Latine Scripta, Venice: ex Bibliotheca Aldina, 1570, printer’s woodcut device to title and verso of final leaf, contemporary limp vellum, repair to fore-edge of upper cover, lacking ties, small 8vo Adams S314. (1)

£200-300

115

£150-200

442 Sansovino (Francesco). Venetia citta nobilissima, et singolare descritta in XIIII libri, Venice: Steffano Curti, 1663, additional engraved title, near contemporary ownership inscription to title, engraved portrait, occasional decorative initial or printer’s device, a little worming to endpapers, near contemporary vellum, a little worn and wormed, thick 8vo (1)

£300-500

443 Saxe (Maurice, Comte de). Les Reveries ou Memoires sur l’art de la Guerre de Maurice comte de Saxe, duc de Courlande et de Semigalle, Marechal-General des Arme’es de S.M.T.C..., dediés a Messieurs les Officiers Generaux par Mr. de Bonneville Capitaine Ingenieur de Campagne de Sa Majesté le Roi de Prusse, The Hague: Pierre Gosse Jnr., 1756, title in red & black, with engraved vignette and contemporary signature, forty engraved folding plates and plans, few engraved head & tailpieces to text, contemporary mottled sheep, gilt decorated spine, joints cracked and slight loss at head & foot of spine, extremities rubbed, folio (1)

Lot 442

£300-500

444 Scott (Walter). The Waverley Novels, 48 vols., Edinburgh: Adam & Charles Black, 1865-68, engraved frontispieces and illustrations, initial blank or verso of frontispieces with ink stamp of Marie Therese of Bavaria-Wittelsbach with coronet above, a.e.g., contemporary uniform red morocco, gilt decorated spines (with paper label at foot), blind decoration to boards, extremities slightly rubbed, 8vo (48)

£600-900

445 Scribe (August Eugene). Repertoire du Theatre de Madame, 27 volumes, Paris: Baudouin Freres, 1828-1832, occasional spotting and foxing, manuscript index to initial blanks, original quarter red morocco, some slight rubbing and occasional bump, 12mo (27)

£80-120

Lot 446 Lot 443 Lot 444

446 Seyfried (Johann Heinrich). Neu-aufgelegt und vermehrte Medulla Mirabilium Naturae. Das ist: Auserlesene unter den Wundern der Natur allerverwunderlichste Wunder von Erschaffung der Natur ..., Nuremberg, Johann Hofman, 1694, engraved portrait frontispiece of Christianus Augustus, additional engraved title, 53 engraved plates of various natural curiosities, including world map, minerals, unicorn, flying dragon, etc., some folding, one or two with repairs to folds, ownership inkstamp to front endpaper and verso of portrait frontispiece of Wolfgang Kraemer, later vellum, rubbed and some marks and a little wear to upper joint, 8vo Ferguson II, 379. Shirley 488. The second editon of Seyfried’s compendium of natural science. Early ownership inscription to verso of portrait frontispiece of the physician Immanuel Weismann (1683-1745). (1) £600-800

447 Shakespeare (William). The Plays of William Shakespeare... to which are added Notes by Samuel Johnson and George Stevens, 10 vols., Bathurst et al, 1773, engraved portrait frontispiece, scattered spotting and toning, occasional worming (sometimes with slight loss of text) throughout, contemporary calf, contrasting spine labels, rubbed, spines broken, joints cracked, some boards detached, 8vo (10)

£100-150

450 Strauch (Aegidius). Astrognosia synoptice et methodice in usum gymnasiorum et academiarum adornata..., Wittenberg: J. L Quadstedii, 1694, additional engraved title (adhered to front pastedown at gutter with consequent short tear), title printed in red and black, thirty-five plates (one with crude repair to verso, many trimmed to plate mark), some toning throughout, free endpapers lacking, contemporary vellum, recased, 12mo

448 Sophronia: Or, Letters to the Ladies, 1st edition, printed for William Johnston, 1761, some foxing and toning, lower corner of D11 torn away (with loss of text), G6 with paper flaw, early manuscript signature and ink trials on endpapers and preliminary blank, contemporary calf, rubbed, spine ends slightly frayed and corners showing, 12mo Scarce anonymous novel about marriage. (1)

(1)

£200-300

451 Thurloe (John). A Collection of the State Papers of John Thurloe, Esq; Secretary, First, to the Council of State, and afterwards to the Two Protectors, Oliver and Richard Cromwell..., to which is prefixed, The Life of Mr. Thurloe... by Thomas Birch, 7 vols., 1742, engraved portrait frontispiece to vol. 1, ink stamp to verso of frontispiece and lower margin of each title, small worm hole to upper outer corner of initial pages in vol. 1, occasional spotting and toning, contemporary calf, small paper label at head of spines, lower board of vol. 1 detached, joints cracked and some wear, folio

449 Spelman (Henry). Concilia, Decreta, Leges, Constitutiones in Re Ecclesiarum Orbis Britannici..., 1st edition, 1639, lacks initial blank (as often), contemporary full calf, some wear with joints partly cracked, later endpapers, (STC 23066), together with Fortescue (Sir John), De Laudibus Legum Angliae ..., translated into English, illustrated with the Notes of Mr. Selden, and great variety of remarks with respect to the antiquities, history and laws of England, 2nd edition, Henry Lintot for Daniel Browne, 1641, half-title, engraved frontispiece, minor waterstain to lower outer corner of first few leaves, bookplate of Lancashire Independent College Library to front pastedown, contemporary calf, rubbed and heavily marked, later rebacked, fore-edges restrengthened, folio, plus two others (The Bishop of Chester’s Case, with relation to the Wardenship of Manchester, Oxford, 1721 & Nonarum Inquisitiones in curia scaccarii, Temp. Regis Edwardi III, 1807), all folio (4)

£700-1000

(7)

£150-250

452 Turner (Thomas). Narrative of a Journey, Associated with a Fly, from Gloucester to Aberystwyth, and from Aberystwyth through North Wales, July 31st to September 8th 1837, 1st edition, printed for private distribution, 1840, engraved portrait frontispiece and 11 engraved views, errata slip tipped in, hinges cracked, contemporary quarter morocco gilt, rubbed and a little wear to extremities, together with [Elgin, Thomas Bruce, Earl of], Memorandum of the Subject of the Earl of Elgin’s Pursuits in Greece, 2nd edition, corrected, 1815, engraved frontispiece and two engraved illustrations to text, some browning to half-title, first signature neardetached, contemporary boards, some spine repairs, soiling and wear, plus Cutts (Edward Lewes), A Manual for the Study of the Sepuchral Slabs and Crosses of the Middle Ages, 1st edition, 1849, 88 wood-engraved plates (complete), original cloth, slightly rubbed and a little wear to head and foot of spine, all 8vo, plus other miscellaneous antiquarian architecture, etc.

£0-0

(12)

117

£200-300

453 Veen (Otto van). Les Emblemes de L’Amour Humain, Du Sieur Otho Venius, Brussels: Francois Foppens, 1668, vignette title-page, full-page letterpress engraving, 124 full-page oval letterpress engravings (one creased due to printing error), some toning and occasional marginal staining, pastepaper endpapers, a.e.g., late 19th century red morocco, green morocco spine label, spine gilt tooled with flowers, stars, and volutes, covers with gilt foliate border, and inner border composed of drawer handles, flowers, seedheads, and volutes, oblong 4to (1)

£1000-1500

454 [Vincent, Nathanael, edit.]. The Morning-Exercise against Popery. Or, the Principal Errors of the Church of Rome Detected and Confuted, in a Morning-Lecture Preached lately in Southwark, by Several Ministers of the Gospel in or near London, 1st ed., 1675, [8], 354, p.555, [1], 401-668, 677-883, [1]pp., fraying to first & last leaves with loss to lower outer corner of title, some worming to margins at head & foot, occasional dust-soiling, light dampstaining and spotting, contemporary calf, old spine repairs, upper board detached, worn, 4to, together with Smith (Henry), [The Sermons of Master Henry Smith, Gathered into one volume. Printed according to his corrected copies in his life time. Whereunto is added, Gods arrow against atheists, London: Felix Kyngston for Thomas Man, 1611], lacking general title (A1), initial leaves frayed with loss of text, title to second part excised to upper margin, running titles cropped, bound with Three Sermons made by M. Henry Smith, London: John Smethwicke, 1611, title placed at front of volume (as replacement for missing title of first work), occasional ink marks & spotting, dust-soiled throughout volume, 19th c. half calf, rubbed and some wear, 4to (2)

455 Westwood (John Obadiah). Palaeographia Sacra Pictoria: being a Series of Illustrations of the Ancient Versions of the Bible, Copied from Illuminated Manuscripts, executed between the Fourth and Sixteenth Centuries, William Smith, 1843-45, fifty chromolithograph plates, including some heightened with gold and silver, half-title printed in red and black, occasional very light spotting (contents generally in clean condition), top edge gilt, modern goodquality blue crushed half morocco gilt, large 4to (1)

£150-200

456 Wilson (Henry). Leybourn’s Dialling Improv’d: or, the Whole Art Perform’d, I. Geometrically: By Scale and Compasses... II. Arithmetically: By Sines and Tangents. Also, How to Describe all Necessary Furniture for Sun-Dials.... Concluding with Tables Ready Calculated for all Latitudes and Declinations, for the More Expeditious Drawing the Hour-lines Upon any Plain, 1721, twelve folding engraved plates (one with repaired closed tear), manuscript instructions for ink making to rear blank, occasional light dampstaining to margins, later front free endpapers, contemporary panelled sheep, rebacked, upper joint slightly cracked, 12mo

£150-200

(1)

118

£100-150

459 Zacuto (Abraham). Almanach perpetuu[m], sive tacuinus Ephemerides & diariu[m]..., Theoremata aut[ore] Joannis Miachaelis..., cu[m] L. Gauricus... castigionibus & plerisque tabellis nuper adiectis..., [Venice: Lucantonio Giunta], [1525], title in red & black with ink erased signatures, lacking leaves Ff1-Hh7 (23 leaves), title torn and frayed with loss, some fraying and insect damage to margins and light dampstaining, sewing broken with contents loose and pages detached, contemporary limp vellum, torn at head of spine, covers detached, 4to in 8s Adams A45 (listed under Abraham ben Samuel Zacuto). Abraham Zacuto (1452-1510) was a Sephardi Jewish astronomer, astrologer, mathematician, rabbi and historian who served as Royal Astronomer in the 15th century to King John II of Portugal. The crater Zagut on the Moon is named after him. Sold with all faults, not subject to return. (1) £70-100

457 Wordsworth (William, 1770-1850). Hours of Recreation: A Collection of Poems, Written to the Age to Twenty-One. By Charles S. Middleton, 1848, printed dedication to William Wordsworth, subscribers’ leaf, errata slip tipped in at rear, a little spotting and soiling, title signed by William Wordsworth in a scratchy hand, ‘Wm Wordsworth, Rydal Mount’ and additionally with ownership signature of C.E. Fleming, all edges gilt, original red cloth, giltdecorated spine, spine faded and a little frayed at head and foot, small 8vo (1)

£300-400

458 [Wycliffe, John]. Joannis Wiclefi uiri undiquaque piissimi, dialogorum libri quatuor, quorum primus divinitatem et ideas tractat. Secundus universarum rerum creationem complectitur. Tertius de virtutibus vitiisque ipsis contrariis copiosissime loquitur. Quartus Romanae Ecclesiae sacramenta..., Auctus est denique liber, catalogo praecipuorum de Wiclefo nostro scriptorum, quem vita ex optimis fontibus, Germanico idiomate depicta, sequitur, Frankfurt & Leipzig, 1753, bound with D. Iohannes Wiclefii, Beruhmt gewesenen Lehrers auf der Universitat Oxfort in Engelland, Wahrhafte und gegrundete Nachrichten von seinem Leben, Lehrsatzen und Schriften. Aus denen bewahrtesten Urkunden und Schriftstellern gezogen und entworfen von Ludwig Philipp Wirth, Subdiacono und Schloss-Predigern zu Culmbach, Bayreuth und Hof: Johann Gottlieb Vierling, 1754, engraved portrait frontispiece, spotting throughout, contemporary calf with blind and gilt decoration, lacking title label to spine, boards detached, 4to (1)

460 Zincgref (Julius Wilhelm). Emblematum Ethico-Politicorum Centuria, Heidelberg: C. Ammonius, 1666, engraved title, lacking initial blank?, 100 engraved circular emblems by M. Meriam, worming to initial and final dozen leaves, occasional minor mark or small stain, browning to few leaves (including intial gather), 20th century calf, red morocco label to spine, 4to (1)

£150-250

119

£500-700

ART REFERENCE

Lot 461

461 Blondel (Jean-Francois). Description des Festes donnees par la Ville de Paris, a l’Occasion du Mariage de Madame LouiseElisabeth de France, & de Dom Philippe, Infant & Grand Amiral d’Espagne, les vinght-neuvieme & trentieme Aout mil sept cent trente-neuf, Paris, P.G. Le Mercier, 1740, title with engraved vignette by Soubeyran after Bouchardon, engraved headpiece by Regaud, thirteen fine copper-engraved plates, including eight double-page, by Blondel, after Blondel-Gabriel Salley, Rousset and Servandoni, one or two repaired and marginal closed tears, a few text leaves with marginal ink and water stains, contemporary maroon calf, covers stamped with gilt armorial, a little rubbed and stained with marginal repairs, atlas folio

462 Bryant (Jacob & William Cole). Gemmarum Antiquarum Delectus; ex Praestantioribus Desumptus, quae in Dactyliothecis Ducis Marlburiensis Conservantur, 2 vols., John Murray, 1845, engraved frontispiece to each, 108 engraved plates of antique gemstones by F. Bartolozzi after G.B. Cipriani, text in Latin and French, occasional offsetting and scattered spotting, library stamps to volume I title verso and index leaf, t.e.g., contemporary red half morocco, spines with morocco label and gilt decoration, library numbers at foot of spine, a little rubbed and scuffed, folio Originally privately published circa 1783, the work describes the celebrated collection of gems assembled by the fourth Duke of Marlborough. (2) £200-300

The only edition of this sumptuous souvenir of the festivities given by the city of Paris in honour of the wedding of Louise-Elisabeth, daughter of Louis XV, to the son of Philip V of Spain. The celebration was held along the Seine between the Pont Royal and the Pont Neuf, as well as on an island in the river, especially constructed for the purpose, and included a magnificent firework display, as well as a Grand Ball at the Hotel de Ville. Cohen-de-Ricci 288; Berlin Katalog 3012; Lipperheide 2714. (1) £1000-1500

463 Claude (Le Lorrain). Liber Veritatis, or, A Collection of Prints, volume 3 only, published by John Boydell, 1819, without title page, 100 sepia mezzotint plates, by Richard Earlom after Claude Lorrain, occasional spotting, mostly to margins, contemporary half calf, worn with boards detached and spine broken (contents generally in good condition), folio Abbey Life, 200. (1)

120

£1000-1500

Lot 463

121

465 Fashion. Art Goût Beauté, eight original issues, Paris, October 1921-March 1930, a broken run, numerous tipped-in pochoir plates and illustrations, original printed wrappers, with mounted colour illustration to upper cover of each, slim folio, together with Royal and Historic Gloves and Shoes, by W.B. Redfern, Methuen, 1904, colour and b & w plates, original cloth, a few minor marks and spine lightly faded, folio, plus A Cyclopaedia of Costume or Dictionary of Dress, by James Robinson Planche, 2 volumes, 1876-1879, original quarter morocco, somewhat rubbed and marked, 4to Eight issues as follows: October 1921; April 1922; May 1922; August 1922; April 1929; November 1929; January 1930; March 1930. (10) £300-500

466 Fleece Press. The Wood Engravings of Ethelbert White by Hilary Chapman, with an Introduction by Peyton Skipwith, Wakefield, 1992, b & w illustrations including 2 tipped in, original printed wrappers, slim 4to, together with 2 wood engravings (‘Forest Pool’ and ‘A Corner of the Forest’) in mounts, loosely inserted as issued in original cloth book box with printed paper labels to upper cover and spine, 4to (36.5 x 32cm, 14.5 x 12.5ins) One of 200 sets. (1)

467 Goya (Francisco de). La Tauromaquia, Edicion Facsimil, Barcelona, Ediciones Omega, [1947], title page, colophon leaf, forty phototype facsimile plates, plus index leaf at end, all printed on Guarro laid paper, sheet size 345 x 543mm (13.5 x 17.8ins), loosely contained in original cloth-backed printed boards with ties, rubbed and some soiling, minor wear to edges, oblong folio

464 Da Vinci (Leonardo). Trattato Della Pittura di Lionardo da Vinci Nuovamente dato in luce con la Vita Dell’Istesso Autore Scritta da Rafaelle du Fresne...., pub. Bologna, 1786, engraved title with decorative vignette, nineteen uncoloured engraved plts., edges untrimmed, small library stamp and later manuscript annotations to front pastedown, near contemp. half vellum with dec. paper sidings, lower vellum corners lacking, worn and frayed, folio (1)

£100-150

Limited edition 137/500. (1)

£300-500

468 Great Exhibition. Reports by the Juries on the Subjects in the Thirty Classes into which the Exhibition was Divided (Exhibition of the Works of Industry of All Nations, 1851), Presentation Copy, printed for the Royal Commission, 1852, three chromolithograph plates, occasional browning, endpapers relaced, a.e.g., original red cloth, with blind and gilt blocked decoration, large 8vo, contained in modern slipcase

£400-600

(1)

£100-150

469 Griggs (W., publisher). The Journal of Indian Art, [volumes 15], nos. 1-45, 1886-92, a near-complete run lacking only no. 27, over 500 chromos., engravings, many double-page, lacking two plates from no. 22 and one from no. 33, otherwise seemingly complete, contents loose in original printed wrappers, some fraying, slim folio Influential periodical on Indian arts which eventually ran to 9 volumes published between 1886 and 1916. Sold with all faults as a periodical and not subject to return. (a carton) £300-500

Lot 465

Lot 470

122

470 Holloway (Edgar, 1914-2008). Etchings and Engravings, Merivale Editions, 1992, a complete set of 7 etchings and engravings, this special large paper copy on Wookey Hole handmade paper with two extra etchings printed by the artist, all pencil titled, dated and signed by the artist to lower margins, the first seven numbered III/X, loosely contained as issued with title, contents and limitation leaves in original cloth book box with printed paper labels to upper cover and spine, folio (45.5 x 32cm, 18 x 12.5ins)

472 Wingler (Hans Maria). Oskar Kokoschka, The Work of the Painter, 1st English edition, 1958, signed by the artist and dated 1959 to front endpaper, original cloth, rubbed and slight fraying, hinges loosened, 4to, together with Christopher Le Brun, 1st edition, Booth-Clibborn Editions, 2001, 200 colour and b & w illustrations, original white cloth in d.j., signed by the artist to title, 4to, together with Fetting, 1st edition, Dumont Germany, 2009, numerous colour and b & w illustrations, original pictorial boards with orange spine, signed by the artist to title, 4to, and Geoffrey Dashwood, Sculptor, 1st edition, 2011, numerous colour illustrations, original black cloth in d.j., signed by the artist to front endpaper, 4to, plus approximately 70 further modern art reference books and catalogues, many hardback publications, some original cloth in d.j.s, some signed by the artists, including Gilbert & George, Sean Scully, John Hoyland, Clive Head, Albert Irwin, Anthony Caro, Bill Jacklin, Baselitz, Pacheco, etc., G/VG, 8vo/4to

The complete edition comprised 40 copies, set number I containing an extra etching Self Portrait 1936 in four states, sets numbered II to X (as here) containing Self Portrait 1936 in two extra states, these presented in mat mounts. (1) ÂŁ300-500

471 Jones (Owen). Plans, Elevations, Sections, and Details of the Alhambra, printed for the Author, 1842-45, additional decorative titles, frontispiece to volume two, 101 plates (including sixty-five chromolithographed, few double page), a little fraying to edges, some dampstaining, modern sheep over contemporary boards, damp stained, rubbed, folio The first published work to include chromolithgraph printing. (2)

(approx. 75)

ÂŁ1500-2000

Lot 471

123

ÂŁ200-300

473 Lebrun (Louis). Theorie de l’Architecture Grecque et Romaine, deduite de l’Analise des Monumens Antiques..., 3 parts in one, Paris, 1807, half-title, engraved title (oval library label to verso & upper margin of following leaf), twenty-five engraved plates, occasional light spotting, library bookplates, contemporary marbled calf, gilt decorated spine lacking title label, paper labels to upper board, upper board detached, lower joint cracked, slight loss at head of spine, folio

476 Merimee (Prosper). Notice sur les peintures de l’eglise de Saint-Savin, 1st edition, Paris, Imprimerie Royale, 1845, half-title, title, 119 pp. of text, contents leaf and forty-three chromolithograph plates, scattered spotting to text portion, some marginal spotting to plates, oval library stamp to half-title and title, contemporary brown half morocco, rubbed and some soiling, library classification number and label to foot of spine, large folio (61 x 43cm)

(1)

£200-300

477 Piper (John & Tambimuttu). India Love Poems, Paradine/PL Editions Poetry London No. 4, 1977, eighteen colour lithograph plates after John Piper, printed on Arches Velin, untrimmed, original quarter niger morocco with silk boards, with original publishers sandalwood slipcase, large folio

474 Letarouilly (Paul). Edifices de Rome Moderne ou Recueil des Palais, Maisons, Eglises, Convents et Autres Monuments Publics et Particuliers les plus Remarquables de la Ville de Rome, vol 1 only (of 3), Liege: D. Avanzo, 1843, engraved frontispiece, seventy-eight engraved plates (final leaf creased), title torn to lower outer blank corner and relined to verso, some spotting and marginal fraying to few leaves, library bookplates to upper pastedown, contemporary half calf, gilt decorated spine (with some loss), joints splitting, worn, large folio (1)

Limited edition of 200 copies. (1)

£300-400

478 Power (Mark). The Shipping Forecast, Zelda Cheatle Press, 1st edition, 1996, 66 b & w plates, inscribed and signed, original cloth in d.j., large 4to, together with Karsh (Yousuf), Faces of Destiny, 1947, numerous b & w plates, signed and dated 1949, original cloth in d.j., large 4to, plus Beacham (Peter), Down the Deep Lanes, with Photographs by James Ravilious, Devon Books, 1st ed., 2000, numerous b & w plates, original cloth in d.j., with 47 other similar photography related books, mostly modern publications, G/VG

£100-150

475 Marchese (Vincenzo). S. Marco convento dei padri predicatori in Firenze illustrato e inciso principalmente nei dipinti del B. Giovanni Angelico con la vita ..., Florence, 1853, forty engraved plates, light waterstain to lower outer corners of most plates, contemporary half calf gilt, rubbed and scuffed with some wear to extremities, folio, together with Smith (Henry Ecroyd), Reliquiae Isurianae: The Remains of the Roman Isurium (now Aldeborough, near Boroughbridge, Yorkshire), 1852, folding tinted lithographic frontispiece, numerous lithographic plates, including some with hand-colouring, some scattered spotting throughout, original blindstamped cloth, rubbed and some fraying to extremities, large 4to, plus Naville (Edouard), The Temple of Deir El Bahari, 5 volumes, Egypt Exploration Fund, circa 1895-1906, numerous b&w plates, original uniform black cloth-backed printed boards, a little rubbed and some soiling, folio, and other various art, architecture and design folios, including Pasari Society Reproductions, Examples of Greek and Pompeian Decorative Work, by James Cromar Watt, Batsford, 1897, Some Architectural Works of Inigo Jones, by H. Inigo Triggs & Henry Tanner, Batsford, 1901, Views of the Old Halls of Lancashire and Cheshire by N. G. Philips, 1893, Gestickte Bildteppiche und Decken des Mittelalters, ed. Marie Schuette, volume 1 only, 1927, etc., mainly cloth bindings, mostly folio (42)

£150-200

(50)

£150-200

479 Purser (Charles). The Prospects of the Nation in Regard to the National Gallery: Including a Reply to Mr Wilkins, the Architect to the ‘Intended Buildings’, Observations on the Proper Application of Grecian Architecture... , 1st edition, 1833, original printed wrappers, dust-soiled, some spine wear with slight loss at head and foot, slim 8vo Scarce polemic against William Wilkins’s proposed Greek classical design for the National Gallery in London. (1) £100-150

480 Rossetti (William Michael & Swinburn, Alegernon Charles). Notes on The Royal Academy Exhibition 1868, 1st edition, John Camden Hotten, 1868, iv + 51 pp., top edge gilt, contemporary threequarter dark green crushed morocco gilt, very slightly rubbed, 8vo (1)

£200-400

124

£100-150

Lot 483 484 Thomason (George). Catalogue of the Pamphlets, Books, Newspapers, and Manuscripts Relating to the Civil War, The Commonwealth, and Restoration, Collected by George Thomason, 1640-1651, 2 volumes, pub. British Museum, 1908, t.e.g., original maroon cloth gilt, a few minor marks, 8vo, together with Hugo (Thomas), The Bewick Collector, a descriptive catalogue of the works of Thomas and John Bewick, 2 volumes (including Supplement), 1866-68, b&w illustrations to text, original maroon cloth gilt, slightly rubbed, 8vo, plus Squire (W. Barclay), Catalogue of Printed Music, published between 1487 and 1800 now in the British Museum, 2 volumes, 1912, t.e.g., original blue cloth gilt in clean condition, and British Museum. Catalogue of the Books, Manuscripts, Maps and Drawings in the British Museum (Natural History), 5 volumes, 1903-15, original uniform blue cloth gilt in good condition, 4to, plus other bibliographical reference, including Catalogue of the John Rylands Library, Manchester, 3 volumes, 1899, Henry Sotheran, Bibliotheca Chemico-Mathematica, 6 volumes (including first, second, and third supplements in 4 volumes), 1921-52, Rariora by John Eliott Hodgkin, 2 volumes, 1900, De Vinne, The Invention of Printing, 1877, 14 volumes of the English Reprints series by Edward Arber, 1868-71, etc.

481 Saint-Non (Jean Claude Richard, Abbe de). Recueil de Griffonis, de vues, paysages, fragments antiques et sujets historiques, [Paris? no name, 1781], 18 folio etched plates of antiquitites, sculptures, reliefs, etc., bound with an unrelated etched plate of a funerary monument to Francois Roualle by Audran after Girardon, with partial signature of Sir Joshua Reynolds to extreme lower right corner, and his ownership stamp, some light spotting and marks, mainly to margins, sheet size 39 x 25.5cm (15.25 x 10ins), a.e.g., early 19th century red half morocco gilt (by J. Rimell), rubbed and some wear, with upper cover detached, folio Cohen-de Ricci 930-931. A collection of 18 plates of ‘objets de l’antiquité’, which form part of a larger series of engavings, including views of Rome, Venice, Bologna and Naples, under the general title Recueil de Griffonis. (1) £200-300

(41)

482 Schubert (Walter F.). Die Deutsche Werbe Graphik, Berlin: Francken & Lang, 1927, numerous colour and b & w plates (many tipped-in) and illustrations of German graphic design, posters, advertising, book illustrations, theatre, etc., endpapers and title-page lightly foxed, ownership ink stamp on front free endpaper, original linen with yapp fore-edges, spine darkened and frayed at ends, folio (1)

£200-300

£150-200

483 Tanner (Robin, 1904-1988). The Memorial Portfolio, Merivale Editions in Association with Garton & Co., 1989, complete set of twelve etchings, each numbered 62/100, on Fabriano paper, with wide margins, title and contents bifolium (numbered 32) loosely inserted as issued with booklet by John Russell Taylor and contained in original two-tone cloth book box with printed paper labels to upper cover and spine, folio (49.5 x 41cm, 19.5 x 16ins) (1)

£500-800

485 Wallis (N., Architect). The Carpenter’s Treasure; A Collection of Designs for Temples, with their Plans, Gates, Doors, Rails and Bridges in the Gothic Taste..., Forming a Complete System for Rural Decorations..., New Edition, J. Taylor, [1810], title-page slightly dustsoiled and corners a little frayed, sixteen engraved plates, recent calf-backed boards, large 8vo (1)

125

£200-300

GENERAL LITERATURE 486 Aldington (Richard). D.H. Lawrence, 1930, light toning, original cloth-backed boards, 8vo, limited signed edition, 205/250, together with Notes on Joseph Conrad. With Some Unpublished Letters, by Arthur Symons, 1926, portrait frontispiece, margins toned, t.e.g., original cloth-backed boards, partial toning, 4to, signed limited edition, 89/250, plus some limited edition or inscribed books by W.H. Davies, J. Redwood-Anderson and Norman Douglas, Arthur Conan Doyle’s The Exploits of Brigadier Gerrard, 2nd issue, 1896, and Thomas Mann’s The Magic Mountain, 2 vols., 2nd US printing, 1927 (with bookplate of Herbert Asquith, British Prime Minister 1908-1916), Sylvia Townsend Warner, May Sinclair, Francis Brett Young, Ark Press publications, etc. (43)

488 Beerbohm (Max). Cartoons “The Second Childhood of John Bull”, [1911], fifteen coloured plates, loosely contained in original publisher’s cloth-backed portfolio boards, rubbed and some soiling, large folio, together with Bradshaw (Percy V.), The Art of the Illustrator, 19 original issues, The Press Art School, circa 1920s, uncoloured illustrations mounted on card, with separate booklet of text to each, original uniform publisher’s stiff wrappers, stitched as issued, minor wear to spines, slim folio (includes Heath Robinson, E. J. Sullivan, Cyrus Cuneo, C. E. Brock, Dudley Hardy, Frank Reynolds, Spencer Pryce, H. M. Bateman, F. Matania, Harry Rountree, Lawson Wood, and others), plus May (Phil), The Phil May Folio of Caricatures Drawings and Sketches, W. Thacker & Co., circa 1895, numerous b&w plates, t.e.g., original publisher’s quarter vellum gilt, rubbed and some soiling, folio, limited edition 160/250, and Rothenstein (William), Manchester Portraits, A Series of Lithographic Drawings, First Series, Manchester, J. E. Cornish, 1900, 12 uncoloured lithograph portraits, each with accompanying leaf of text, occasional minor spotting, original printed wrappers, stitched as issued, minor fraying, slim folio, plus other illustrated folios, including Thomas Hood, illustrated by Gustave Doré, 1872, The Complete Collection of Randolph Caldecott’s Contributions to the Graphic, 1888, Alfred Stevens and His Work by Hugh Stannus, 1891, Tim Bobbin’s Human Passions Delineated, facsimile edition, Manchester, John Haywood, circa 1870s, etc., all folio

£200-300

(28)

£150-200

489 Brangwyn (Frank, illust.). The Way of the Cross, an Interpretation, with a Commentary by Gilbert Keith Chesterton, Deluxe edition, London: Hodder & Stoughton, [1935], thirteen mounted b & w plates, t.e.g., remainder untrimmed, original vellum gilt, folio, (limited edition of 250 copies, signed by Brangwyn & Chesterton), together with The Way of the Cross..., 1st trade edition, London: Hodder & Stoughton, [1936], thirteen b & w plates, ink stamps to front endpaper, half-title & commentary title leaf, front free endpaper with original pencil sketch depicting Christ carrying the cross, with Mary looking up at him, inscribed ‘Ex Libris Jerome E. Esser’, original black cloth, slight wear to spine, covers slightly rubbed, slim 4to Father Jerome Esser, a Belgian Catholic priest and painter was a friend of Brangwyn. He was a member of the Norbertines based at Crowle and took charge of the mission in 1930. In 1931 the parish at Stainforth near Doncaster was formed and Esser became the parish priest, a job he held until 1948. Provenance: The Father Esser Collection. (2) £250-350

487 Art Nouveau Binding. Leyendas de D. José Zorrilla, 2 volumes, Madrid, Manuel Pedro Delgado, 1901, numerous colour and monochrome plates and decorations after Melida Sorolla and others, original morocco-backed gilt decorated maroon cloth by E. Domenech after designs by Melida, each volume with circular decorative plaster onlay, a little rubbed and some marks (generally in good condition), folio (41 x 30cm), together with an illustrated edition of Victor Hugo, 1883 (3)

£100-150

126

494 Fleming (Ian). Goldfinger, 1st ed., 1959, a few tea? stains to early pages, original cloth, upper cover with gold coins in eye sockets of a skull, 8vo Signed by the author to front endpaper. (1)

£1000-1500

490 Conrad (Joseph & Ford M. Hueffer). The Inheritors, 1st Uk ed., 1st issue, 1901, 32 pp. publisher’s list at end, previous owner inscription in red to half title, original yellow pictorial cloth, a couple of small dents, spine slightly dulled, 8vo (1)

£150-200

491 Cornwell (Bernard). Sharpe’s Gold, 1981; Sharpe’s Company, 1982; Sharpe’s Enemy, 1984, 1st eds., some toning to Sharpe’s Enemy (as often), original cloth, d.j.s, some light stains to Sharpe’s Gold and Enemy rear panel, 8vo, together with 19 other first editions by Bernard Cornwell (except Sharpe’s Revenge, one copy reprinted, the other ex-libris) (22)

£150-200

492 Dan Dare. Dan Dare, Pilot of the Future. Deluxe Collector Editions, vols. 1-12, ed. Mike Higgs, Hawk Books, 1987-1995, col. illusts. throughout, orig. pict. laminated boards, folio (12)

£100-150

493 Egerton (George, pseud. Mrs. Reginald Golding Bright). Keynotes, 4th thousand, 1894, title with design by Aubrey Beardsley (short closed tear to lower edge), publisher’s catalogue at rear, original pictorial cloth, spine slightly darkened, together with Discords, 1st US ed., 1896, original decorated cloth, edges slightly rubbed, plus Allen (Grant), The Woman Who Did, 21st ed., 1895, original decorated green cloth, a few minor marks, all 8vo (3)

495 Folio Society. Monograph of the Paradiseidæ or Birds of Paradise and Ptilonorhynchidæ, or Bower-Birds, by R. Bowdler Sharpe... with a Foreword by David Attenborough, 2011, eighty colour plates, green ribbon marker, original green quarter morocco, a few light marks to lower cover, gilt lettered spine, upper cover illustrated with a bird of paradise, large folio, (limited edition 160/1000 copies), together with Seba (Albertus), Cabinet of Natural Curiosities, Locupletissimi rerum naturalium thesauri 1734-1765, Based on the copy in the Koninklijke Bibliotheek, The Hague, Cologne: Taschen, 2001, numerous colour plates, some doublepage, blue ribbon marker, original pictorial boards in dustjacket, contained in publisher’s original cardboard box, large folio

£100-150

(2)

127

£100-150

496 Folio Society. The Hereford World Map, 2010, colour-printed facsimile map, mounted on canvas, supported by wooden batons, 142 x 120cm (56 x 47.25ins), housed in cloth-covered wooden map box, with two clasps, gilt lettered on hinged lid, together with the two companion volumes, colour and b & w illustrations, original gilt decorated blue cloth, each housed in a blue slipcase, 4to, (limited edition 198/1000 copies), plus King Henry’s Map of the British Isles, 2009, colour-printed facsimile map, 64 x 46cm (25.25 x 18.25ins), housed in gilt decorated cloth-covered map box, plus the companion volume in slipcase, 4to (limited edition of 2750 copies) (5)

£150-200

497 Folio Society publications, 49 volumes, all by Anthony Trollope, including Framley Parsonage, Cousin Henry, Marion Fay, The Duke’s Children, Doctor Thorne, Orley Farm, An Eye for an Eye, He Knew He was Right, Lady Anna, The Way We Live Now, plus others, all in original cloth in original slipcases, 8vo, VG (49)

£100-150

498 Folio Society publications, 78 volumes, including Troilus & Criseyde by Geoffrey Chaucer, 1990, The Folio Golden Treasury, The Best Songs and Lyrical Poems in the English Language by James Michie, 1997, The Canterbury Tales by Geoffrey Chaucer, 1998, plus others similar, all original cloth in original slipcases, 4to/8vo, G/VG (78)

£150-200

499 Furniss (Harold, editor). Famous Crimes, Past and Present, Police Budget Edition, Nos. 1-63, c.1890s, sixty issues, all with illustrations, original illustrated wrappers, some browning, fraying, and tears (No. 36 with significant loss), slim small folio A large and unbroken run of a rare periodical, each issue with a striking - and often gory - cover, in which issues 15-18 give an early account of the crimes of Jack the Ripper. (60) £200-300

Lot 501

500 Goble (Warwick, illust.). The Water-Babies, A Fairy Tale for a Land-Baby, by Charles Kingsley, pub. Macmillan and Co., 1909, halftitle inscribed “To E.A. Armstrong from Warwick Goble, Nov. 1909”, thirty-two mounted colour plates by Warwick Goble (including frontispiece), with captioned tissue guards, a.e.g., original gilt decorated green cloth, spine frayed to extremities and faded, 4to (1)

502 Kelmscott Press. The Shepheardes Calender: Conteyning Twelve Aeglogues, Proportionable to the Twelve Monethes, [by Edmund Spenser], Kelmscott Press, 1896, printed in red and black, 12 full-page wood-engraved plates by Arthur J. Gaskin, 12 woodengraved initials, original linen-backed blue printed boards (some toning to spine), 8vo

£200-300

501 Illuminated Presentation Address. Presented by the directors and staff of the Horlicks Company to Oliver P. Holick on the occasion of his seventieth birthday and the completion of his fiftieth year of service with the company, 1955, bound volume comprising 204 pages, volume contains illuminated address leaf and many leaves of signatures, ranging from directors and members of staff including home sales representatives, production, factory services, laboratory, purchasing department, overseas representatives, West Somerset Bacon Co. Ltd., & staff at the Minehead and Ilminster Dairies etc., with Horlicks Director’s greetings telegram loosely inserted, a.e.g., silk endpapers, original brown padded morocco gilt, blocked vellum monogram to upper board, 4to, contained in original presentation case

Limited edition, one of 225 copies on paper. Peterson A44. A good copy. (1) £1500-2000

503 Lilliput. The Pocket Magazine for Everyone, a broken run, volume 1, nos. 1, 3, 6 & volumes 2-21, 1938-47, numerous b & w and colour illustrations, some slightly disbound, all original colour illustrated wrappers, 8vo 111 individual issues in total, contained in small shelf unit. Full list available from the auction office. (111) £100-150

504 Maugham (W. Somerset). Liza of Lambeth, Jubilee Edition, 1947, light spotting to endpapers, t.e.g., original vellum-backed boards, 8vo, limited edition, 51/1000 numbered and signed by the author, together with A H King, 1st ed., 1933, original cloth, edges a little rubbed, 8vo, with an autograph letter tipped-in at front, undated, signed ‘William’ regarding an invitation to Claridges, plus Ashenden or the British Agent, 1st ed., 1928, light spotting, original cloth, a little rubbed, 8vo, with other W. Somerset Maugham 1st eds. etc., and Ian Fleming’s Moonraker, 1958 re-issue, and The Spy Who Loved Me, 1st ed., 1962

The Horlicks family originated in Gloucestershire, and the business now known as Horlicks Ltd. originated by Sir James and his brother William in 1873. Originally they commenced business in Racine, Wisconsin, for the manufacture of Horlick’s Food, and ten years later manufactured Malted Milk. Horlicks was not marketed in England until 1890. The growing trade in the Home Market, and the Eastern Hemisphere resulted in the construction of the factory at Slough. Oliver Peter Thompson Horlick (1885-1960) was in charge of the works from their inception. He was Vice-President of the Company at the time of his death. (1) £100-200

(20)

128

£150-200

Lot 502

505 Moleiro (Manuel, editor). Atlas Vallard, Barcelona, 2010, numerous colour illustrations, original green cloth gilt in dustjacket, folio, together with Whitfield (Peter), Cities of the World, A History in Maps, The British Library, 2005, numerous colour and b & w illustrations, original boards in dustjacket, folio, plusAllen (Phillip), The Atlas of Atlases, Bounty Books, 2005, numerous colour illustrations, original pictorial boards in dustjacket, large 4to, together with twenty-three others similar, mostly large format, including John Blaeu, Atlas Maior of 1665, Taschen, 2005, and Andreas Cellarius, Harmonia Macrocosmica of 1660, Taschen, 2006 (26)

ÂŁ100-150

506 Roberts (David). The Holy Land, Syria, Idumea and Arabia, 2 volumes; Egypt and Nubia, 3 volumes, Folio Society, 2010, numerous colour plates and illustrations, t.e.g., maroon ribbon markers, original maroon cloth, gilt lettered spines, each set housed in original cloth slipcase, gilt lettered on front cover, large folio Limited edition 515/1000 copies, reproduced from a copy of the first edition in The John Rylands Library. (5) ÂŁ300-500

Lot 506

129

Lot 511

507 [Rogers, J.K.?]. Wild Sport in the Near West, or The Adventures by Field and Flood of Mr. Thomas Grabbum, late of the Firm of Messrs. Brown, Grabbum and Holdit, Ludgate Hill, by J.K.R., [1888], twenty-four b & w full-page plates, each with printed caption to lower margin, a few repaired tears, endpapers and preliminary leaves foxed, original red cloth, spine and upper cover faded and dust-soiled, some minor wear to extremities, oblong folio, together with ten others, including two others similar, by Finch Mason, and several with illustrations by Cecil Aldin

509 Whitaker (Marjorie Olive, i.e. Malachi Whitaker). Frost in April, 1st ed., 1929, original cloth (some slight fading), d.j., closed tear and light creases, 8vo, with a presentation inscription from the author dated 1929, together with Lehmann (Rosamond), A Noyte in Music, 1st ed., 1930, a few spots, original cloth, d.j., spine torn and browned, 8vo, with a 2 pp. signed autograph letter from the author (as Rosamond Philipps) to biographer Malcolm Elwin, dated 1934, declining an invitation due to her second husband (Wogan Philipps) having had a diving accident, plus Bennett (Arnold), Paris Nights and Other Impressions of Places and People, 1st ed., 1913, light spotting, original cloth (spine faded), d.j., spine darkened and chipped at ends, with others by Hugh Walpole, A.P. Herbert, in d.j.s, some reprints

Rare book of humorous cartoon sketches relating the disastrous adventures of Mr. Grabbum during a twelve month sojourn hunting, shooting and fishing in the West Country. COPAC lists only the British Library copy (authorial attribution suggested by BL). (11) £100-150

(24)

508 Warner (P.F., editor). Imperial Cricket, 1912, photogravure frontispiece portrait of George V, colour and b&w illustrations, a few light spots, a.e.g., original vellum gilt, small hole to upper cover, some soiling and stains, 4to, Edition de luxe, 95/100 for Edgar Hornby and additionally signed by P.F. Warner to title (Padwick 83), together with Fifty Years of Sport at Oxford, Cambridge and the Great Public Schools, Eton, Harrow and Winchester, Arranged by the Right Hon. Lord Desborough, ed. Hon. R.H. Lyttleton, Arthur Page and Evan B. Noel, 1922, numerous b & w illustrations, t.e.g., others untrimmed, original calf gilt, spine a little rubbed and faded, 4to (2)

£100-150

510 Whittington Press. A View of the Cotswolds, Photographs by Edwin Smith, with Essays, Commentaries, & a Checklist by Shawn Kholucy et al, Risbury, 2005, b & w plates from photos, original cloth with repeating wood-engraved design laid on to covers, slipcase, folio, (limited edition 229/350), together with Wood Lea Press, The Wood-Engravings of John Nash, A Catalogue... Compiled by Jeremy Greenwood, Liverpool, 1987, tipped-in portrait frontispiece and colour illustrations, b & w illustrations throughout, original quarter cloth in slipcase, folio, (one of 750 copies) (2)

£300-400

£100-150

511 Williamson (Henry). ‘A Chronicle of Ancient Sunlight’, a complete set of all 15 titles, 1st eds., 1951-69, one or two previous owner inscriptions, original cloth, d.j.s, Dark Lantern and Donkey Boy repaired to verso, a few chips and tears, 8vo (15)

£300-400

512 The Yellow Book, An Illustrated Quarterly, volumes I-XIII [all published], April 1894-April 1897, numerous black and white plates with tissue guards, original pictorial yellow cloth, spines lightly discoloured, a little bumped to corners, small 4to (13)

130

£300-400

CARTONS 513 Labheus (P.). Sacrosancta Concilia, 15 volumes in 17, including 'Introduction', 1672, three b&w folding maps, some light spotting throughout, library marked, uniform quarter calf, boards and spines rubbed, some hinges cracked with semi-detached spines, folio, together with further 18th/19th century large format theology, legal and law reference, mostly leather bound, some library marked, folio (17 cartons)

516 Cummins (Genevieve). Antique Boxes, Inside and Out, 1st edition, Antique Collectors’ Club, 2005, numerous b & w and colour illustrations, original blue cloth in d.j., 4to (as new, still sealed in original cellophane), together with Borhan (Pierre), Men for Men, Homoeroticism and Male Homosexuality in the History of Photography Since 1840, 1st edition, 2008, numerous b & w and colour illustrations, original purple cloth in d.j., 4to, and Scarfe (Gerald), Monsters, How George Bush Saved the World and Other Stories, 1st edition, 2008, numerous b & w and colour illustrations, original gilt-decorated black cloth in d.j., 4to, plus Day (F. Holland), Suffering the Ideal, 1st edition, USA, 1995, numerous monochrome illustrations, original gilt-decorated yellow cloth in acetate d.j., 4to, and other modern art, photography & antiques reference, mostly hardback publications, many in d.j.s, G/VG, 4to/folio

£200-300

514 Climber, (later Climber & Rambler), The Magazine for Mountaineer and Rambler, vol. 1, no. 1-vol. 24, no. 12 bound in twenty-three, a run, Nov 1962-Dec 1984, num. b&w illusts., all orig. col. pict wrappers bound in recent morocco/cloth gilt, 4to, together with Crags, nos. 1-33 bound in three, 1976-81, num. b&w illusts., issue no.1 loose in front pocket, all recent cloth retaining orig. col. wrappers, 4to, together with duplicates of nos. 2-33 bound in recent cloth gilt, 4to, plus High Magazine, nos. 1-40 bound in four, 1982-86, col. and b&w illusts., all orig. col. pict. wrappers bound in recent cloth gilt, 4to, and Journal of the Mountain Club of South Africa, vols. 34-38, 40, 41, 43, 44, 46-67, 71-74, 75-77 & 87-89 bound in twenty-eight, Capetown, 1932-86, num. b&w plts. and illists., ex-lib. with usual markings, all 20th c. green cloth gilt, 8vo, together with twenty-three others related, plus National Geographic Magazine, Cummulative Index, 2 vols., pub. Washington, 1952, b&w illusts., orig. cloth gilt, 8vo, plus twenty-nine orig.issues of the Geographical Magazine, c. 1937-1959, and Himalayan Journal, Records of the Himalayan Club, vols. 1-47 (plus Index), a run, pub. London & Oxford, 1929-1991, b&w plts. and illusts., orig. printed wrappers/orig. col. pictorial wrappers, earlier vols. with some wear and fraying to spines, several with lib. inkstamp to upper cover, rubbed, 8vo (8 cartons)

(4 cartons)

517 Design. A Monthly Journal for Manufacturers and Designers, a large broken run, 1949, 1953-68, 1969 (July-Dec), 1970-72, 1974-76, numerous b & w and colour illustrations, library stamps throughout, some marks, mixed red and blue cloth bindings, 8vo, 59 volumes in total, together with The Designer, Journal of the Society of Industrial Artists and Designers, a complete run, 1967-88, numerous b & w and colour illustrations, library stamps throughout, retaining original wrappers, uniform red cloth binding, 8vo, 10 volumes in total, plus Domus, arte e stile nella casa, arte e stile nell’industria, a large broken run, nos. 271-788 (1952-96), numerous b & w and colour illustrations, ex-library stamps throughout, nos. 271, 398-400, 410, 412, 418, 420-421, 423, 429-436, 438, 440-442, 444-445, 464-465, 507, 515, 542, 544, 551-553, 576-577 all in publisher’s original wrappers [40 individual issues in total] 1959 (Jan-June), 1960-62, 67, 69-71, 73-74, 76, 78-79, 82-96 all bound in uniform red cloth, some wrappers worn with minor loss, large 8vo

£200-300

(18 cartons)

515 Cobbett (William). Selections from Cobbett’s Political Works, being a Complete Abridgement of the 100 volumes which comprise the writings of Porcupine and the Weekly Political Register, with notes, Historical and Explanatory, by John M. Cobbett and James P. Cobbett, 6 vols., Ann Cobbett, [1835], blind library stamp to titles, 20th c. quarter morocco library binding, with usual stamps & marks, 8vo, together with Gooden (Stephen, illust.), The Brook Kerith, A Syrian Story, by George Moore, pub. William Heinemann, 1929, engraved vignette to title, nine engraved plates & two illustrations, edges untrimmed, original publisher’s vellum gilt, 8vo, contained in original slipcase, (limited edition 29/375, signed by the author & artist), plus other miscellaneous antiquarian including A Monograph of the British Annelids, by W.C. McIntosh, 2 vols., (parts I & II continued), Ray Society, 1873-74, chromo and b & w litho plates, some dampstaining and tissue repairs, 20th c. quarter morocco, library markings to spine, folio, and The Complete Works of William Hogarth, 6 vols., new revised ed., London Printing & Publishing Co., c.1870, numerous engraved plates, original cloth gilt, slim folio, plus a 20th century postcard album containing approximately 200 early-mid 20th c. colour and b & w postcards, mostly of continental views etc. (a carton)

£150-200

£100-150

518 Dore (Gustave, illust.). The Holy Bible containg the Old and New Testaments, Cassell Petter and Galpin, [1874], titles printed in red and black, numerous blakc and white illustrations, some spotting throughout, a.e.g., black morocco gilt, thick folio, together with Piroli (Thomas, illust.), Compositions from the Tragedies of Aeschylus, designed by John Flaxman, [J. Matthews, 1795], engraved title page, thirty engraved plates, contemporary half vellum, rubbed and discoloured, oblong folio, plus Wade (John Peter), Nature and Effects of Emetics, Purgatives, Mercurials and Low-Diet in Disorders of Bengal and Similar Latitudes, J. Murray, 1792, ownership inscription to title, some scattered spotting, 5 pp. publisher’s advertisments, contemporary sheep, crudely rebacked, 8vo, plus others including The Holy Bible [Amsterdam], 1830, 19th century diced calf, silver clasp, 4to and an 18th century bible, 2 vols., folio (3 cartons)

£200-300

519 Dugdale (James). The New British Traveller, or, Modern Panorama of England and Wales... , 4 volumes, 1819, numerous b & w engraved plates and maps, some light spotting throughout, bookplates to verso of front boards, contemporary half calf, boards rubbed with some loss, lacks spines to all 4 volumes, 4to, together with Dugdale (Thomas), Curiosities of Great Britain, England & Wales Delineated, 9 volumes, c. 1840, numerous b & w engraved plates and maps, damp damage to upper corners, some spotting, original publisher’s gilt-decorated blue cloth, damp damage, rubbing and fading to boards and spines, 8vo, and other 19th-century UK topographical reference, including atlas, some leather bindings, 8vo/4to

£200-300

(a carton)

131

£100-150

520 Lloyd (Nathaniel). A History of the English House, from Primitive Times to the Victorian Period, 3rd impression, Architectural Press, 1951, numerous b & w illustrations, ex-libris plate to verso of front board, previous owner’s inscription to front endpaper, original gilt-decorated green cloth, some minor marks to boards and spine, folio, together with Hicks (Ashley), David Hicks; Designer, 1st edition, 2003, numerous b & w and colour illustrations, original blue patterned cloth in d.j., slight wear with minor tears to spines, 4to, and Ormond (Richard & Blackett-Ord, Carol), Franz Xavier Winterbalter and the Courts of Europe 1830-70, 1st edition, National Portrait Gallery, 1988, numerous b & w and colour illustrations and plates, original cloth in d.j., slight fading to front cover, folio, plus other art, furniture, and garden reference and related, G/VG, 8vo/folio

524 Wain (Louis). At the Pantomime, by Grace C. Floyd, 1st edition, 1906, numerous colour illustrations, pages disbound, some spotting and wear throughout, pencil to some illustrations, original pictorial boards with red cloth spine, boards rubbed with some loss, large 8vo, together with Vida (Marcus Hieronymus), A Poem on the Game of Chess, being a translation of the Latin poem on the same subject, circa 1840, inscription to front endpaper, some water damage to front and rear endpapers and wrappers, slight spotting, contemporary decorated purple cloth, 8vo, plus Macrae (Alexander), A Handbook of Deer-Stalking, 1st edition, 1880, 2 b & w photo plates including frontispiece, some light spotting, original gilt-decorated green cloth, 8vo, plus other 19th/20th-century literature, poetry and miscellaneous reference and related, 8vo/folio

(3 cartons)

(2 cartons)

£100-150

521 Moveables. A large collection of moveable and other juvenile books, 20th century, including pop-up books, shaped books, puzzle books, e.g. Spiderman, Superman, Beatrix Potter, Lewis Carroll, Paddington, Noddy, etc., some defective, but mostly in good condition, various sizes (8 cartons)

525 Walker (A.). A System of Familiar Philosophy: in Twelve Lectures, 1st edition, 1799, 47 folding b & w copperplate illustrations, some spotting throughout, contemporary calf binding, boards rubbed, front board detached, lacks spine, 4to, together with Dyche (Thomas), New General English Dictionary; Peculiarly calculated for the Use and Improvement of such as are Unacquainted with the Learned Languages, printed for Richard Ware, 1740, lacks front and rear endpapers, some marking throughout, inscription to inside front board, contemporary calf binding, boards and spine heavily rubbed, with some loss, hinges cracked, 8vo, and other 18th/19th century miscellaneous antiquarian, including Bibles and pictorial cloth, some odd volumes., 8vo/folio

£150-200

522 Pope (Alexander). An Essay on Man, reproductions of the manuscripts in the Pierpont Morgan Library and the Houghton Library with printed text of the original edition, Oxford: for private circulation of the Roxburghe Club, 1962, half title, title printed in red and black, edges untrimmed, ex library of the Printer’s Library, Oxford, with their stamps, original quarter morocco, large 4to, together with Mineka (Francis E.), The Earlier Letters of John Stuart Mill, 2 vols., University of Toronto Press, 1963, original cloth in d.j., a little rubbed to corners, 8vo, plus Weinberger (Bernhard Wolf), An Introduction to the History of Dentistry, 2 vols., St. Louis: C. V. Mosby Company, 1948, numerous black and white illustrations, original cloth in d.j., a little worn, 8vo, plus others including Goff, Incunabula in American Libraries, Pollard and Redgrave, Short-Title Catalogue, 3 vols, Sothebys Macclesfield Library Catalogue, 10 vols and others including dentistry, bibliography and philosophy interest (2 cartons)

(3 cartons)

£100-150

QUANTITY

526 Brydson (Thomas). A Summary View of Heraldry in reference to the usages of chivalry and the general economy of the Feudal System, with an appendix respecting such Distinctions of Rank as have place in The British Constitution, 1795, some light spotting, heavier spotting to p. 220-225, contemporary half calf, boards and spine slightly rubbed, 8vo, together with Welsh (James), Military Reminiscences, extracted from a journal of nearly Forty Years Active Service in the East Indies, 2 volumes, vol. 1, 3rd edition, vol. 2, 2nd edition, both 1830, numerous b&w illustrationos, and maps, including frontispiece with tissue guard and folding maps, previous owner inscription to vol. 1 front end paper, some light spotting, uniform gilt decorated red morocco, spines slightly faded, 8vo, plus Vavasour (Lady Ann), My Last Tour and First Work, or, A Visit to the Baths of Wildbad and Rippoldsau, 1842, three b&w illustrations, including frontispiece, book plate to verso of front board, some light marks, contemporary half calf, boards slightly rubbed, spine lightly faded, 8vo, and other 18th/19th century antiquarian volumes, many bound in leather, some in modern amateur cloth binding, 8vo/4to

£150-200

523 Salmon (William). Systema Medicinale, a Compleat System of Physick, Theorical and Practical..., 1686, engraved portrait frontispiece, few leaves of text detached and contents sprung, modern amateur brown morocco, 8vo, together with Johnson (Samuel), A Dictionary of the English Language..., Abstracted from the Folio Editions..., to which is Prefixed, a Grammer of the English Language, 2 vols., 2nd ed., corrected, 1760, text block of vol. 1 partly broken, repair to gutter margin of two leaves in vol. 2, modern amateur calf, 8vo, with Pindar (Peter), Works, 5 vols., John Walker, 1794-1801, engraved portrait frontispiece to vol. 1 and engraved titles to vols. 1-4, occasional spotting and dust-soiling, contemporary half calf, gilt decorated spines, joints cracked and some wear, 8vo, plus other miscellaneous 17th-19th century antiquarian, some defective and incomplete (a carton)

£100-150

(3 shelves)

£150-200

132

£200-300

527 Campbell (Colin). William Nicholson, The Graphic Work, 1st edition, 1992, numerous b & w and colour illustrations, original cloth in d.j., spine very slightly faded, 4to, together with Anderson (A.), Aucassin and Nicolete, A. & C. Black, 1911, 6 colour illustrations with tissue guards including frontispiece, gilt-decorated throughout, previous owner’s inscription to front endpaper, some light spotting, original decorated cream cloth, very slight rubbing to boards, 4to, and Hendrix (Lee & Vignau-Wilberg, Thea), Mira Calligraphiae Monumenta, A Sixteenth-Century Calligraphic Manuscript, 2nd printing, J. Paul Getty Museum, 1992, numerous b & w and colour illustrations, 8 plates, original gilt-decorated brown cloth in slipcase, 12mo, plus other mostly 20th-century art and bibliographic reference and related, mostly hardback publications, many in d.j.s, some in modern amateur cloth bindings, 8vo/4to (3 shelves)

531 Modern Biography. A large collection of modern biographical and historical reference and related, all hardback publications, mostly original cloth in d.j.s, 8vo (6 shelves)

532 No lot 533 Frith (W.P.). My Autobiography and Reminisences, 2 volumes, New York, 1888-89, original brown cloth gilt, 8vo, together with Eastlake (Lady), Journals and Correspondence of Lady Eastlake, ed. Charles Eastlake Smith, 2 volumes, 1895, original blue cloth gilt, 8vo, plus Lavery (John), The Life of a Painter, 1st edition, 1940, b&w illustrations, original cloth in rubbed and marked d.j., large 8vo, and Bertram (Anthony), Paul Nash, The Portrait of an Artist, 1st edition, Faber and Faber, 1955, colour frontispiece, b&w plates, original cloth in worn d.j. (split along rear joint), 8vo, plus other art reference, various, mostly original cloth in d.j.s, 8vo/4to

£150-200

528 Waugh (Evelyn). A Tourist in Africa, 1st edition, 1960, 10 b & w illustrations including frontispiece, original blue cloth in priceclipped d.j., spine slightly toned, 8vo, together with Adams (Richard), Watership Down, illustrated edition, 1976, numerous b & w illustrations by John Lawrence, original cloth in d.j. and slipcase, covers slightly rubbed to edges, 8vo, and De la Mare (Walter), Love, 1st edition, 1943, colour frontispiece and b & w illustrated title, bookplate to verso of front board, original cloth in d.j. illustrated by Barnett Freedman, covers and spine rubbed with minor loss, 8vo, plus other modern 1st editions and illustrated literature, including Enid Blyton, Edward Ardizzone, Kenneth Grahame, Graham Greene, Christopher Isherwood, Cecil Beaton, all hardback publications, mostly original cloth in d.j.s, G/VG, 8vo (6 shelves)

(3 shelves)

£100-150

£150-200

535 Surtees (Robert Smith). Mr Sponge’s Sporting Tour, Bradbury, Agnew & Co., c. 1880, numerous b & w illustrations, 13 steelengravings, including frontispiece with tissue guard, some light spotting, contemporary green half morocco, boards and spine slightly rubbed with minor loss, 8vo, together with Leutemann (H.), Reynard The Fox, A Poem in Twelve Cantos. Translated form the German by E.W. Holloway, 1st translated edition, 1852, 37 b & w engravings including frontispiece and half-title, some light spotting and wear, contemporary gilt-decorated full morocco, boards and spine slightly rubbed with minor loss, 4to, and The British Turf and The Men Who Have Made it... , compiled by The Sporting Life, 1906, numerous b & w and half-tone illustrations and engravings including frontispiece, some spotting throughout, contemporary green full morocco, rubbing to boards and spine with minor loss, folio, plus other late 19th/20th century sporting and racing reference and related, all original cloth, some leather binding, 8vo/folio

£200-300

530 Browne (J. Orde). The Vanishing Tribes of Kenya, 1st edition, 1925, 27 b & w photo illustrations, 2 b & w maps including folding to rear, previous owner’s inscription to front endpaper, some light spotting, original yellow pictorial cloth, boards slightly rubbed, spine slightly faded and worn with slight tear to head, 8vo, together with Falconer (J.D.), On Horseback Through Nigeria, or Life and Travel in the Central Sudan, 1st edition, 1911, 32 b & w illustrations including frontispiece, b & w folding map to rear, some light spotting throughout, some loose leaves, original gilt-decorated purple cloth, boards slightly worn and marked, spine rubbed and faded with slight tear to foot, 8vo, and Younghusband (Ethel), Glimpses of East Africa and Zanzibar, 1st edition, 1910, 58 b & w photo illustrations, b & w folding map to rear, frontispiece detached, some slight spotting, some loss to top border of folding map, original blue cloth, rear board damaged with loss to head, spine faded and rubbed with minor loss to head and foot, 8vo, plus other Africa, South Africa and UK travel and natural history reference and realted, including New Naturalist series, mostly hardback publications, some original cloth in d.j.s, 8vo/4to (6 shelves)

£100-150

534 Klee (Paul). The Nature of Creation, 1st edition, pub. Hayward Gallery, London, 2002, numerous colour and b & w illustrations, original cloth in d.j., 4to, together with Sytova (Alla & others), The Lubok, Russian Folk Pictures, 1st edition, pub. Aurora Art, 1984, numerous colour illustrations, original cloth in d.j., 4to, plus Wolf (Tom), Yasuo Kuniyoshi’s Women, 1st edition, pub. Pomegranate Artbooks, 1993, numerous colour illustrations, original cloth in d.j., 4to, plus other art reference, mostly original cloth in d.j.s, 4to/8vo, G/VG

529 Stark (Freya). Seen in the Hadhramaut, 1st edition, 1938, numerous b & w photo illustrations, map after foreword, previous owner’s stamp to verso of front board, some light spotting, original cream cloth, spine slightly toned, 4to, together with Traveller’s Prelude, 1st edition, 1950, 25 b & w illustrations including map, original green cloth in d.j., covers and spine slightly worn with some chipping and minor loss, 8vo, plus Letters, volumes 1-8, all 1st editions, 1974-82, all original cloth in d.j.s, 8vo, and other mixed edition works of Freya Stark, together with other travel writers and travel reference and related, including Cecil Beaton, James LeesMilne, Lawrence Durrell, Edward Lear, and late 19th/early 20th-century travel guides, mostly hardback publications, many original cloth in d.j.s, some half cloth amateur bindings, 8vo/4to (6 shelves)

£100-150

(3 shelves)

£150-200

133

£150-200

536 Mansfield (Katherine). In a German Pension, 1st edition, 3rd impression, [1912], cancelled title with variant device and new address, 4 + 8 pp. publisher’s advertisements at rear, bookplate of Richard M. Davison tipped on to front free endpaper, original blindstamped green cloth gilt, slightly rubbed and darkened on spine, minor wear to extremities, together with a copy of the first American edition, New York, 1926, original cloth with printed paper label to spine, d.j. slightly chipped and soiled with old water stain to upper margins, both 8vo, plus Stories by Katherine Mansfield, a Selection Made by J. Middleton Murry, with the Designs by Zhenya Gay, New York, 1930, original cloth with printed paper label to spine (rubbed), spine a little faded, large 8vo, and Poems, 1st US edition, New York, 1924, original cloth in slightly chipped and browned d.j., 8vo, and The Open Window, the Second Volume, April-September 1911, b & w plates, original cloth-backed boards, spine darkened and a little nicked at head and foot, small 4to, plus other mostly reprint editions of Mansfield books (including paperbacks), letters, diaries and a few volumes with contributions by Mansfield, mostly 8vo

540 Weston (James). Stenography Compleated, Or the Art of Short-Hand Brought to Perfection; 4 parts in 1, 1740, 4 b & w engravings including portrait frontispiece, damp mark to front endpaper through to title, inscription to upper title-page, some light marks throughout, contemporary calf, boards and spine heavily rubbed with some loss, front board partially detached, hinges cracked, 8vo, together with Pratt (Anne), The Ferns of Great Britain, and Their Allies The Club-Mosses, Pepperworts, and Horsetails, c. 1870, numerous colour plates with tissue guards, some spotting throughout, contemporary green half morocco, boards and spine rubbed, front hinge cracked and torn, 8vo, and Asboth (J. De), An Official Tour Through Bosnia and Herzegovina, Authorised English edition, 1890, numerous b & w illustrations, colour folding map, bookplate to verso of front board, some light spotting, original green cloth, boards and spine slightly marked, 4to, plus other 19th/20th century travel, natural history and antiquarian, all hardback publications, some leather bindings, many original cloth in d.j.s, 8vo/4to

Kirkpatrick A1a & A1b, for the first works. (3 shelves)

(3 shelves)

541 Friedlander (Max J.). 11 volumes, Berlin, 1924-33, numerous b&w plates, contemporary uniform maroon cloth, 4to, together with Bernt (Walther), Die Niederlandischen Maler des 17. Jahrunderts, 4 volumes, Munich, 1948-62, 1numerous b&w plates, original cloth, heavily rubbed and some fraying to joints, 4to, plus other art reference, various, including Passavant, Le Peintre-Graveur, 3 volumes, Burt Franklin Reprint, circa 1970, Elisabeth HardouinFugier, The Flower Painters, An Illustrated Dictionary, 1989, Ernst-Gerhard Guse, August Macke, Gemälde Aquarelle, Zeichnungen, Munich, 1986, Josef Scaylea, Moods of the Mountain, Seattle, 1967, Chefs-d'Oeuvre d'Art Ancien a l'Exposition de la Toison d'Or a Bruges en 1907, Brussels, 1908 (limited edition 470/500), Henry Frankfort, Art and Architecture of the Ancient Orient (Pelican History of Art), etc.

537 The Royal Kalendar: And Court and City Register, for England, Scotland, Ireland, and the Colonies, 1820, lacks original front and rear endpapers, some very light marks, amateur quarter cloth binding, 8vo, together with Walch’s Tasmanian Almanac for 1911, folding map to title, numerous advertisements to front and rear, library stamp to rear of map, original decorated red cloth, spine rubbed and faded, 8vo, and other 19th/20th-century calendars, directories, heraldic reference and related, including Debrett’s Peerage, Kelly’s, Burke’s Landed Gentry, mostly original cloth, some in modern amateur cloth binding, 8vo/4to (6 shelves)

£150-200

538 Ashton (John). Hyde Park. From Domesday-Book To Date, 1st edition, 1896, 21 b & w illustrations including frontispiece with tissue guard, 1 b & w map, some light marks, original green cloth, boards and spine slightly rubbed, 8vo, together with Wheatley (Henry B.), Hogarth’s London, Pictures of the Manners of the Eighteenth Century, 1st edition, 1909, numerous b & w illustrations including frontispiece with tissue guard, some light spotting throughout, original gilt-decorated green cloth, boards and spine slightly rubbed to head and foot, and other late 19th/20th century London reference and related, mostly hardback publications, all original cloth, many in d.j.s, G/VG, 8vo/large 8vo (6 shelves)

(6 shelves)

£150-200

542 Hone (Joseph). The Life of Henry Tonks, 1st edition, 1939, original cloth, in d.j., 8vo, together with Epstein (Jacob), The Sculptor Speaks, A Series of Conversations on Art, London, 1st edition, 1931, 34 b&w plates, original cloth in d.j., 8vo, plus Vail (Karole P.B.), Peggy Guggenheim A Celebration, Guggenheim Museum, 1998, original cloth in d.j., large 4to, and other biography, many art related, mostly modern publications (6 shelves)

£150-200

543 Hardy (John). The Retail Compounder: or, Publication’s Friend. An Entire New Work, Shewing by a set of plain receipts (never yet made public)..., 1st ed., printed and sold by Allen & West, 1795, front and rear endpapers detached, period annotations to verso of title and p.51 and 52, some light marks throughout, contemporary brown morocco, boards and spine rubbed with some loss, 8vo, together with Simon (André L.), The History of the Wine Trade in England, 3 volumes, 1964, original burgundy cloth, boards slightly rubbed, 8vo, and Ray (Cyril [ed.]), The Compleat Imbiber, An Entertainment, volumes 1-12, 1956-1971, numerous b&w and colour illustrations, all original cloth in price clipped d.j.s, covers and spines rubbed with some tears and minor loss, 8vo, plus other late 19th/20th century wine and alcohol reference and related, mostly hardback publications, some leather bindings, many original cloth in d.j.s, 8vo/4to

539 Modern literature. A large collection of modern 1st editions and literature, all hardback publications, mostly original cloth in d.j.s, including Arthur Ransome, Graham Greene, Dirk Bogarde, Kazuo Ishiguro, Osbert Sitwell, G/VG, 8vo (6 shelves)

£200-300

£150-200

£100-150

(6 shelves)

134

£200-400

544 Henderson (William Augustus). The Housekeeper’s Instructor; or, Universal Family Cook. Being an Ample and Clear Display of the Art of Cookery... , 8th edition, 1802, 9 b & w illustrations including frontispiece and 2 folding plates, bookplate and inscription to front endpapers, some light toning and marks throughout, contemporary calf, boards and spine rubbed, hinges cracked, 8vo, together with Radcliffe (M.), A Modern System of Domestic Cookery; or the Housekeepers Guide: Arranged on the Most Economical Plan for Private Families, 1st edition, 1823, 12 b & w wood-engravings including frontispiece and half-title, some light spotting, lacks endpapers, rebound in modern quarter cloth, 8vo, and other late 19th/20th-century food guides and cookery books, all hardback publications, all original cloth in d.j.s, G/VG, 8vo/4to, also including 3 volumes of leather-bound 19th-century handwritten receipt manuscripts (3 shelves)

548 Froissart (Jean). Oeuvres De, 25 volumes in 26, 1870-71, frontispiece to volume 1, some slight spotting throughout, uniform contemporary tan quarter calf, boards and spines slightly rubbed to edges and faded, 8vo, together with Véron (L.), Memoires D’un Bourgeois De Paris, 6 volumes in 3, 1853-55, light spotting throughout, t.e.g., uniform contemporary green morocco-backed cloth, spines slightly rubbed to head and foot, 8vo, and Fleury (L’abbé), Histoire Du Christianisme (connue sous le nom d’ecclesiastique), 6 volumes, 1836-37, spotting throughout, uniform contemporary half calf, boards and spines rubbed to edges, 8vo, plus other 19th-century French language, literature and history reference, many leather bindings, all library marked, 8vo (3 shelves)

549 Chassant (A. & Tausin, Henri). Dictionnaire Des Devises Historiques et Heraldiques, avec figures et une table alphabetique des noms, volumes 1-3, plus 'Supplement', volumes 1-2, 187895, some light spotting throughout, contemporary red morocco backed to cloth, boards and spine rubbed to head and foot, 5 volumes in total, 8vo, together with Dupin (M.), Memoires De, 4 volumes, 1855-61, some slight spotting, uniform contemporary quarter morocco, spines lightly rubbed to head and foot, and other 19th century French language history and literature, many leather bindings, all library marked, 8vo/4to

£200-300

545 Gautier (Léon). Les Epopées Françaises, étude sur les origines et l’histoire de la Littérature nationale, 3 volumes, 1865-68, inscription to front endpaper of volume 1, slight spotting throughout, contemporary uniform green quarter morocco, boards and spines rubbed to edges, 8vo, together with Thureau-Dangin (Paul), Histoire de la Monarchie De Juillet, 7 volumes, 2nd edition, 188892, some spotting throughout, uniform original red morocco-backed cloth, boards and spine rubbed with some loss to head and foot of volumes 2 & 4, 8vo, and other 19th-century French language history and literature, many leather bindings, all library marked, 8vo/4to (3 shelves)

(3 shelves)

£150-200

550 Figuier (Louis). Vies Des Savants Illustres, Depuis l'antiquité jusqu'au dix-neuvieme siecle, 5 volumes, 1877-79, La Vie Et les Moeurs Des Animaux, Zoophytes Et Mollusques, 1866, Les Insectes, 1875, Les Oisequx, 1876, Les Animaux Articulés les Poissons Et Les Reptiles, 1876, Comnais-Toi Toi-Même Nations De Physologie, 1879, Les Grandes Inventions Modernes, 1880, Les Races Humaines, 1880, Le Savant Du Foyer, 1880, L'Homme Primitif, 1882, mixed editions, numerous b&w and colour illustrations, including frontispiece, some light spotting throughout, uniform contemporary gilt decorated morocco backed to cloth, spines slightly rubbed to head and foot, 14 volumes in total, 8vo, together with other French language, natural history, and historical reference, many leather bindings, all library marked, 8vo/4to

£150-200

546 De Lavigne (Casimir). Oeuvres Complétes de, Seule edition, 1836, numerous b & w illustrations and plates including frontispiece, slight spotting throughout, contemporary green half calf, boards and spines slightly rubbed, 8vo, together with Thiers (M.A.), Histoire Du Consulat, illustrated edition, 1865, 70 b & w illustrations including frontispiece, some spotting, and Histoire De L’Empire, 2 volumes, illustrated edition, 1865-66, 280 b & w illustrations, light spotting throughout, 3 volumes in total, all uniform contemporary brown morocco laid to cloth, boards and spine rubbed with minor loss to head, 4to, and L’estoile (Pierre De), Mémoires-Journaux de, 10 volumes, 1875-81, some light spotting throughout, uniform contemporary quarter calf with gilt-decorated spine, boards and spines slightly rubbed, 8vo, plus other 19th-century French language history and literature, many leather bindings, all library marked, 8vo/4to (3 shelves)

£150-200

(3 shelves)

£150-200

551 Tipping (H. Avray). English Homes, 3 volumes, Period III Volume 1 Late Tudor & Early Stuart 1558-1649, Period III Volume 2 Late Tudor & Early Stuart 1558-1649, Period IV The Work of Sir John Vanbrugh and His School 1699-1736, London, circa 1920s, numerous b & w illustrations, original blue gilt cloth, folio, together with Weber (Bruce), A House is Not a Home, Bulfinch Press, numerous colour illustrations, original cloth in d.j., folio, and Johnson (Philip), The Architect in His Own Words, New York, 1994, numerous colour illustrations, original cloth in d.j., folio, plus other similar architecture and interiors related, mostly modern publications, G

£150-200

547 Challamel (Augustin). Histoire-Musée de la Republique Française, deplus l’assemblée des notables jusqu’a l’empire, 2 volumes, 3rd edition, 1857-58, numerous b & w illustrations and facsimiles including frontispiece, some light spotting throughout, some water marks to volume 1, uniform contemporary green quarter morocco with gilt-decorated spines, boards and spine slightly rubbed to edges, 8vo, together with Rousseau (J.J.), Oeuvres Complètes de, 17 volumes, new edition, 1832-33, b & w frontispiece to volume 1, some spotting throughout, uniform contemporary purple quarter calf with gilt-decorated spines, some boards and spine rubbed at head and foot, 8vo, and D’aubigné (J.H. Merle), Histoire De La Réformation Du Seizième Siècle, 5 volumes, 4th edition, 1853, some light spotting, uniform contemporary quarter morocco, boards and spines lightly rubbed, 8vo, plus other 19thcentury French language history and literature, many leather bindings, all library marked, 8vo/4to

552 Taylor (Patrick). The Wirtz Gardens, with Photography by Marco Valdivia, 2 volumes, Wirtz International, 2003, numerous colour plates and illustrations, original cloth in d.j.s, contained in slipcase, folio, together with Zuylen (Gabrielle van), The Gardens of Russell Page, 1st edition, New York, 1991, numerous colour illustrations, original cloth in d.j., folio, plus Nelson (E. Charles), Trees of Ireland Native and Naturalized, Dublin, 1993, numerous colour illustrations, original cloth in d.j., folio, and other similar gardens related, mostly modern publications, G

(3 shelves)

£150-200

135

£150-200

£100-150

553 Rudenstine (Angelica Zander). Peggy Guggenheim Collection, Venice, 1st edition, 1985, numerous b & w and colour illustrations and plates, original blue cloth in d.j., covers and spine slightly rubbed and faded, 4to, together with Goodrich (Lloyd), Edward Hopper, reissued edition, USA, 1989, 246 b & w and colour illustrations, original green cloth in d.j., covers lightly toned, oblong 4to, plus Thomas Eakins, 2 volumes, 1st edition, USA, 1982, numerous b & w and colour illustrations and plates, uniform original two-tone cloth in slipcase, spines slightly marked, 4to, and MacGregor (Miriam), Diary of an Apple Tree, The Whittington Press, 1997, limited edition 218/385, 13 b & w illustrations, original decorated boards in slipcase, 4to, plus other modern art reference including Henri Matisse, Henry Moore, Picasso, Manet, John Singer Sargeant, mostly hardback publications, many original cloth in d.j.s, G/VG, 4to/folio (3 shelves)

560 Doyle (Arthur Conan). The Adventures of Sherlock Holmes, volumes 1-2, Tauchnitz Edition, 1893, previousl owner stamp to verso of front boards, some slight marks, contemporary green cloth, 8vo, Round the Fire Stories, Tauchnitz Edition, 1920, The Maracot Deep and other Stories, Tauchnitz Edition, 1929, both in original wrappers, some light spotting, spines creased with minor loss to head and foot, 8vo, together with Mallet (Charles Edward), A History of the University of Oxford, volumes 1-2, both 1st editions, 1924, 47 b & w illustrations including folding plan frontispiece, previous owner’s stamp to verso of front boards, some light spotting, original publishers blue cloth, boards slightly rubbed, spines rubbed with minor tears, 8vo, and other literature, historical and Oxford reference, many hardback publications, mostly original cloth, some in d.j.s, some amateur cloth binding, 8vo/folio (6 shelves)

561 Finberg (Alexander J.). The History of Turner’s Liber Studiorum with a new catalogue raisonne, 1st edition, 1924, numerous b & w illustrations, original cloth gilt, rubbed and some light damp staining, 4to, limited signed edition 588/650, together with Grant (Colonel M.H.), A Chronological History of the Old English Landscape Painters, 8 volumes, pub. F. Lewis, 1957-61, original uniform blue cloth gilt in rubbed and marked d.j.s (volume 7 without d.j.), frayed to edges, 4to, limited edition 290/500, plus Roget (John Lewis), A History of the ‘Old Water-Colour’ Society now the Royal Society of Painters in Water Colours, 2 volumes, 1891, t.e.g., original maroon cloth gilt, some minor marks, and other mostly British art reference, including Royal Academy Illustrated, 1920s-50s, R.R.M. See, English Pastels 1750-1830, Benedict Nicolson, Joseph Wright of Derby, 2 volumes, etc.

554 Bergier (L'Abbé). Dictionnaire De Theologie, volumes 1-8, plus 'Supplement' volume, 2nd edition, 1830-1831, tsome spotting throughout, uniform contemporary gilt decorated half calf, boards and spines slightly rubbed, 8vo, and Diez (Frédéric), Grammaire Des Langues Romanes, 3 volumes, 1874-76, some light spotting, uniform contemporary green quarter morocco, spines slightly rubbed to head and foot, 8vo, plus other French language literature, history and theology reference, many leather bindings, all library marked, 8vo/4to (3 shelves)

£150-200

555 Paperbacks. A large collection of approximately 400 mixed fiction, non-fiction, historical and autobiographical paperbacks, including Penguin, Harvill, Vintage, New York Review of Books publications, all original wrappers, G/VG, 8vo (7 shelves & a carton)

(6 shelves)

£150-200

557 Modern Fiction. A large collection of modern first editions, fiction and crime fiction, including P.G. Wodehouse, C.S. Forester, Dick Francis, Graham Greene, Robert Ludlum, and Elspeth Huxley, all hardback publications, all original cloth in d.j.s, G/VG, 8vo (6 shelves)

£100-150

558 Hart-Davis (Lyttelton). Letters, Correspondence of George Lyttelton and Rupert Hart-Davis, volumes 1-6 (complete), all 1st editions, 1978-84, bookplates to verso of front boards, all original cloth in d.j.s, covers and spines slightly rubbed with some minor loss to head and foot, 8vo, together with Hickey (William), Memoirs of, volumes 1-4 (complete), volume 1 9th edition, volumes 2 & 3 1st editions, volume 4 4th edition, circa 1920s, previous owner’s stamp to verso of front boards, some light spotting, original uniform blue cloth, boards and spines slightly rubbed, 8vo, and other late 19th/early 20th century memoirs and biography reference, all hardback publications, many original cloth in d.j.s, some amateur cloth bindings, 8vo/4to (6 shelves)

(3 shelves)

£150-200

563 Pope (Dudley). Ramage, 1st edition, 1965, Ramage and the Drumbeat, 1st edition, 1967, Ramage and the Freebooters, 1st edition, 1969, Governor Ramage R.N., 1st edition, 1973, Ramage’s Prize, 1st edition, 1974, together with 13 further Ramage 1st editions, all original cloth in d.j.s, some covers and spines slightly rubbed, 8vo, and other modern maritime fiction, including G.S. Beard, Julian Stockwin, Jonathan Lunn, Richard Woodman, Patrick O’Brian, some signed by the author, all original cloth in d.j.s, VGT, 8vo

£100-150

(3 shelves)

559 Modern literature. A large collection of modern 1st editions, literature and poetry, including John Betjeman, W.H. Auden, Virginia Woolf, John Steinbeck, Kenneth Clark, John le Carré, Ian McEwan, all hardback publications, many original cloth in d.j.s, G/VG, 8vo (6 shelves)

£100-150

562 Simpson (Charles). Trencher & Kennel, Some famous Yorkshire packs including the Branham Moor, The York and Ainsty, Lord Middleton’s Hunt, The Sinnington, The Bilsdale & The Farndale, 1st edition, 1927, 24 colour illustrations including frontispiece, 68 b & w illustrations, some light spotting throughout, original red cloth, boards slightly marked, spine faded, 4to, together with Niblock (Margaret), The Afghan Hound, A Definitive Study, 1st edition, 1980, numerous b & w and colour illustrations, original gilt-decorated blue faux leather, slight dent to foot of rear board, 4to, and Earl (Maud, [illust.]), My Dog Friends, edited by the author of “Where’s Master?”, 1st edition, 1913, 12 colour tipped-in plates including frontispiece, some very light spotting, original gilt-decorated blue cloth with illustrated inlay, boards and spine rubbed with minor loss, 8vo, plus other modern dog reference and related, many hardback publications, some in d.j.s, G/VG, 8vo/4to

£150-200

556 Paperbacks. A large collection of approximately 450 mixed historical reference and related paperbacks, including Penguin, Pelican and Cassell publications, all original wrappers, G/VG, 8vo (7 shelves & 2 cartons)

£100-150

£300-400

£100-150

136

£100-150

564 O’Donnell (Captain H. [ed.]). Historical Records of the 14th Regiment, now the Prince of Wales’s own (West Yorkshire Regiment), from its formation, in 1685, to 1892, 1st edition, 1893, numerous b & w and colour illustrations, lacks frontispiece, some light marks throughout, original brown cloth with red spine, boards marked, spine faded and rubbed with slight loss to head and foot, 8vo, together with Whitton (Frederick Ernest [ed.]), The History of the Prince of Wales’s Leinster Regiment (Royal Canadians), volumes 1-2, plus maps, Ireland, 1998, 18 b & w maps in folder, original publisher’s dark blue cloth in slipcase, 4to, plus other late 19th/20thcentury pre-WWI regimental and military history and related, mostly hardback publications, many original cloth in d.j.s, G/VG, 8vo/folio (6 shelves & a carton)

570 Paperbacks. A large collection of approximately 350 biographical and historical reference, non-fiction and fiction paperbacks, including The Diary of Samuel Pepys, 11 volumes, Penguin, Oxford, Batsford publications, all in original wrappers, many unread, G/VG, 8vo (6 shelves & 2 cartons)

571 Bond (Francis). Gothic Architecture in England... , 1912, numerous b & w illustrations and plates, ex-library bookplate to verso of front board, original gilt-decorated maroon cloth, spine slightly rubbed, together with An Introduction to English Church Architecture, from the Eleventh to the Sixteenth Century, 2 volumes, 1st edition, 1913, numerous b & w illustrations, bookplates to verso of front boards, some light marks throughout, uniform original giltdecorated blue cloth, spines slightly faded and rubbed to head and foot, 4to, plus Jourdain (Margaret), English Interior Decoration 1500 to 1830, A Study in the Development of Design, 1st edition, 1950, colour frontispiece, numerous b & w illustrations, ex-library bookplate and stamp to front endpapers, original gilt-decorated green cloth in d.j., cover rubbed with minor loss and slight spotting, spine faded, rubbed and heavy loss, large 8vo, and Faensen (Hubert & Ivanov, Vladimir), Early Russian Architecture, numerous b & w and colour illustrations and plates, original cream cloth in priceclipped d.j., covers slightly rubbed, folio, together with other modern architecture reference and related, all hardback publications, many in d.j.s, G/VG, 8vo/folio

£200-300

565 Modern biography. A large collection of modern biography and historical reference, including China & Hong Kong, mostly hardback publications, many in d.j.s, G/VG, 8vo (6 shelves & a carton)

£100-150

566 Deighton (Len). Funeral in Berlin, 3rd impression, 1965, Billion Dollar Brain, 2nd impression, 1966, ex-libris plates to both versos of front boards, original cloth in d.j.s, covers and spines slightly worn, together with Chamberlin (Mary), Dear Friends and Darling Romans, 1st edition, 1959, ex-libris plate to verso of front board, original cloth in d.j., some slight wear with minor loss to hinges, small tear to top edge of rear cover, 8vo, and Anon, A Room in Chelsea Square, ex-libris plate to verso of front board, original cloth in d.j., very slight wear to spine, 8vo, plus other 1950/60s, and modern 1st edition literature including Anthony Powell, Hammond Innes, Graham Greene, Victoria Holt, Maurice Edelman, all hardback publications, many in original cloth in d.j.s, G/VG, 8vo (6 shelves)

(6 shelves)

£150-200

£100-150

568 Brooke (Richard). Visits to Fields Of Battle in England, of the Fifteenth Century... , 1st edition, 1857, b & w engraved frontispiece, 3 b & w maps, inscription to front endpaper, some light spotting throughout, contemporary blue decorated cloth, boards and spine slightly rubbed, 8vo, together with Evans (John), The Ancient Stone Implements, Weapons and Ornaments of Great Britain, 2nd edition, 1897, numerous b & w illustrations, inscription to front endpaper, some light spotting, original gilt-decorated cloth, front board and spine rubbed, faded and slightly detached, 8vo, plus Hotten (Hohn Camden), A Hand-Book to the Topography and Family History of England and Wales... , circa 1860s, bookplate and inscription to front endpapers, ex-library stamps to title, contemporary green cloth, boards and spine slightly rubbed with minor loss, 8vo, plus other late 19th/20th-century British topography, geography and related, many hardback publications, G/VG, 8vo/folio (6 shelves)

(6 shelves)

£200-300

573 Modern History. A large collection of modern history, biography and related, all original cloth, many in d.j.s, G/VG, 8vo (6 shelves)

£150-200

569 Railway and Transport. A large collection of modern railway, locomotive, bus, automobile and transport history, reference and related, including Ian Allen, PSL, OPC, David & Charles publications, mostly hardback, many original cloth in d.j.s, G/VG, 8vo/4to (6 shelves & 2 cartons)

£200-300

572 Baring-Gould (S.). The Deserts of Southern France. An Introduction to the Limestone and Chalk Plateaux of Ancient Aquitaine, 2 volumes, 1st edition, 1894, 47 b & w illustrations including volume 1 frontispiece with tissue guard, volume 2 lacks front endpaper, half-title and frontispiece, some light spotting, uniform original gilt-decorated blue cloth, boards and spines slightly rubbed to head and foot, 8vo, together with Bertram (James G.), The Harvest of the Sea. A Contribution to the Natural and Economic History of the British Food Fisheries, 1st edition, 1865, 50 b & w illustrations including frontispiece, inscription to front endpaper, some light marks, original gilt-decorated green cloth, boards and spine marked and rubbed with some minor loss to hinges, 8vo, and Geikie (James), The Great Ice Age, and it’s Relation to the Antiquity of Man, 3rd edition, 1894, 78 b & w charts and folding maps, some light spotting throughout, original green cloth, 8vo, plus other late 19th/20th-century travel literature, geology reference and related, many hardback publications in d.j.s, G/VG, 8vo/folio

567 Milligan (Spike). Mussolini, His Part In My Downfall, 1st edition, Michael Joseph, London, 1978, original cloth in d.j., inscribed by the author to title page, 8vo, together with others similar, modern fiction, mostly 1st editions, all original cloth, mostly in d.j.s (6 shelves)

£150-200

£200-300

137

£150-200

574 Horwood (A.R.). British Wild Flowers in their Natural Haunts, 6 volumes, 1919, numerous b & w and colour illustrations and maps including frontispiece with tissue guards, some light spotting, uniform original blue cloth, spines slightly faded and rubbed, 8vo, together with Kearton (R.), British Birds Nests, How, Where, and When to find and Identify them, 1895, numerous b & w illustrations, original gilt-decorated green cloth, boards slightly rubbed, spine faded and worn with minor loss to head and foot, 4to, and Cornish (C.J.), Life At The Zoo, Notes and Traditions of the Regent’s Park Gardens, 3rd edition, 1895, 16 b & w illustrations including frontispiece with tissue guard, original gilt-decorated red cloth, and Animals At Work And Play, their Activities And Emotions, 2nd edition, 1897, 12 b & w illustrations including frontispiece, original gilt-decorated green cloth, all light spotting throughout, all boards and spines slightly rubbed to head and foot, all 8vo, plus other late 19th/20th-century natural history reference and related, mostly hardback publications, many in d.j.s, G/VG, 8vo/folio (6 shelves)

579 Pepys (Samuel). The Diary of, 10 volumes including ‘Pepysiana’ and ‘Index’, reprint edition, 1920, numerous b & w illustrations including frontispiece with tissue guard to each volume, some light spotting throughout, uniform original gilt-decorated blue cloth, boards and spines slightly rubbed at head and foot, volumes 1 & 6 spines faded, 8vo, together with other early 20th-century clothbound literature and reference, including 20 volumes of T.N. Foulis publications, 8vo/4to (6 shelves)

580 Modern History & Reference. A large collection of modern history, geography, topography, language and related reference, all hardback publications, all original cloth in d.j.s, G/VG, 8vo/folio (6 shelves)

£200-300

(6 shelves)

£100-150

£200-300

584 Ishiguro (Kazuo). The Remains of the Day, 1st edition, 1989, ex-libris plate to verso of front board, slightly toned, original cloth in d.j., 8vo, together with Le Carré (John), The Naive and Sentimental Lover, 1st edition, 1971, Tinker Tailor Soldier Spy, 1st edition, 1974, ex-libris plates to verso of front boards, both original cloth in d.j.s, 8vo, and other first editions and modern literature, including Evelyn Anthony, Patrick O’Brian, Douglas Hurd, Dorethy Eden, Martin Amis, all hardback publications, many in d.j.s, G/VG, 8vo (6 shelves)

£100-150

585 Latham (R.C. & Matthews W.). The Diary of Semuel Pepys, 11 volumes, reprint edition, 1983, all volumes have ex-libris plate to verso of front boards, all original cloth in d.j.s, except volumes 1, 2 & 10 lack d.j.s, 8vo, together with other modern political and parliamentary biography and historical reference, mostly hardback publications, many in d.j.s, G/VG, 8vo

£100-150

(6 shelves & a carton)

£100-150

586 Fermor (Patrick Leigh). Roumeli, Travels in Northern Greece, 1st edition, 1966, 21 b & w illustrations including map, ex-libris plate to verso of front boards, original cloth in d.j., 8vo, together with Durrell (Lawrence), Reflections of A Marine Venus, 1st edition, 1953, 7 b & w illustrations, and Bitter Lemons, 1st edition, 1957, both ex-libris plate to verso of front boards, both original cloth in d.j.s, covers and spines slightly worn with some minor loss, and other modern travel, historical reference and biography, mostly hardback publications, many in d.j.s, G/VG, 8vo

£150-200

578 Modern fiction. A large quantity of modern fiction by women authors, including Fay Weldon, Kate Atkinson, Jeanette Winterson, Pat Barker, Helen Fielding, Susan Hill, Joanne Harris, and others similar, all original cloth in d.j.s, G/VG, 8vo (6 shelves)

£150-200

583 Modern Biography. A large collection of modern biography and historical reference, mostly hardback publications, many in d.j.s, G/VG, 8vo/4to

577 Thompson (Hugh). The Admirable Crichton by J. M. Barrie, limited to 500 copies, signed by the author on the limitation page, Hodder and Stoughton, numerous illustrations, gilt decorated vellum binding, some rubbing to spine and boards, 4to, together with Bull (Rene), The Arabian Nights, Constable & Co., 1912, numerous colour and b&w illustrations, original cloth, 4to, plus Doré (Gustave), Milton’s Paradise Lost, with notes and a life of Milton by Robert Vaughan, Cassell & Co., numerous b&w illustrations, original cloth, heavily rubbed to edges, large 4to, plus other children’s illustrated books, mostly modern publications in original cloth and some in d.j.s, 4to/8vo (6 shelves)

£100-150

582 Dorling (Lieutenant-Commander Taprell). The Secret Submarine, A Story of Fighting by Sea and Land, Blackie and Son, 1916, numerous b&w illustrations, original decorative cloth, 8vo, together with Chatterton (E. Keble), The Romance of The Ship, The Story of Her Origin and Evolution, Seeley, Service & Co., London, 1925, numerous b&w illustrations, original decorative cloth, 8vo, plus other similar decorative cloth binding, mostly late 19th and early 20th century, G/VG

576 Read (Miss). Thrush Green, 1st edition, 1959, Fresh From The Country, 1st edition, 1960, Miss Clare Remembers, 1st edition, 1962, The Market Square, 1st edition, 1966, Village Affairs, 1st edition, 1977, together with 19 further mixed edition titles by the same author, all original cloth in d.j.s except ‘Fresh From the Country’, some light marks, covers and spines slightly rubbed and faded, 8vo, together with other modern illustrated and juvenile literature, including Angela Thirkell, Compton McKenzie, Eoin Colfer, King Penguins, Anthony Trollope, mostly hardback publications, many original cloth in d.j.s, 8vo/large 8vo (6 shelves)

£100-150

581 Modern fiction. A large collection of modern fiction, including Isak Dinesen, Iris Murdoch, Graham Greene, Kingley Amis, J.B. Preistley and others similar, all original cloth in d.j.s, G/VG, 8vo

575 Fleetwood (John). The Christian’s Dictionary; or Sure Guide to Divine Knowledge, printed for J. Cooke, circa 1800, 30 b & w engravings including frontispiece, inscription to front endpaper, ink marks to frontispiece and title, some light spotting, contemporary calf, front board detached, boards and spine rubbed with minor loss, 4to, together with Phillips (Richard), A Translation of the Pharmacopoeia of the Royal College of Physicians of London, 1824, b & w illustrations, annotations, marks and light spotting throughout, contemporary calf boards rebound with modern morocco spine, boards rubbed with minor loss, 8vo, and Ryland (John), An Address to the Ingenuous Youth of Great-Britain, together with A Body of Divinity in Miniature, 1814, inscription to front endpaper, some light marks, contemporary red half morocco, boards and spine slightly rubbed, 8vo, plus other 18th/19th-century antiquarian theology, literature and atlases, many bound in leather, 8vo/4to (6 shelves)

£100-150

(6 shelves)

£100-150

138

£100-150

Hutchinson, printed by James & Luke G. Hansard & Sons, 1832, bookplate to verso of front board, some light spotting and creased pages, contemporary half calf, boards rubbed, hinges cracked with loss, spine worn with minor loss, large 8vo, together with other late 19th/20th century British colonial history reference and related, many original cloth in d.j.s, G/VG, 8vo/large 8vo

587 Anglesey (The Marquess of). A History of the British Cavalry, volumes 1-8, all 1st editions, 1973-1997, volumes 1-4 signed by the author to title-pages, numerous b & w illustrations, ex-librish plate to all versos of front boards, all original cloth in d.j.s, 8vo, together with other modern military history, biography and reference, including Arms & Armour Press, Sword & Pen publications, mostly hardback publications, many in d.j.s, G/VG, 8vo/large 8vo (6 shelves)

(6 shelves)

593 Thomas (Bertram). Arabian Felix: Across the Empty Quarter of Arabia, 1st edition, 1932, 81 b & w illustrations including frontispiece, 3 b & w maps including folding map at rear, original sand coloured cloth, boards and spine slightly rubbed and marked, 8vo, together with Gibbon (Edward), The Decline and Fall of the Roman Empire, 3 volumes, 1946, The Heritage Press, New York, numerous b & w illustrations and maps, original publisher’s pictorial cloth in slipcases, spines slightly rubbed at head and foot, slipcases slightly rubbed, 4to, and other modern ancient history and historical reference and related, many original cloth in d.j.s, G/VG, 8vo/4to

588 Anderson (Emily). The Letters of Mozart and His Family, 3 volumes, 1st edition, 1938, original blue cloth, 4to, together with Beckett (Arthur William à), Recollections of a Humourist, 1907, original green cloth, 4to, and Hirst (Damien), I Want to Spend the Rest of My Life Everywhere, With Everyone, One to One, Always, Forever, Now, 1997, numerous coloured illustrations, original cloth in d.j., folio, with other diaries and biographies, many relating to film and music, mostly modern publications (6 shelves)

£150-200

(6 shelves)

589 Tunnicliffe (Charles). Both Sides Of The Road, A Book About Farming, by Sidney Rogerson, 1st edition, 1949, 23 colour illustrations including frontispiece, numerous b&w wood engravings, previous owner’s inscription to front endpaper, original red cloth in d.j., covers and spine slightly toned with some light spotting, 4to, together with Witherby (H.F. et al), The Handbook of British Birds, volumes 1-5, all 1st editions, 1938-41, numerous b&w and colour illustrations, all original dark blue cloth, spines slightly faded, 8vo, and Williamson (Henry), The Story of a Norfolk Farm, 1st edition, 1941, 11 b&w illustrations, including frontispiece, original brown cloth in price clipped, d.j., plus other natural history, topographical, cooking and miscellaneous reference, all hardback publications, many original cloth in d.j.s, G/VG, 8vo/4to (6 shelves)

£100-150

(6 shelves)

£150-200

595 Literary Biography. A large collection of modern literary biography and other book reference and related, including Compton McKenzie, Bernard Shaw, Evelyn Waugh, Dirk Bogarde, Bloomsbury, all hardback publications, all original cloth, mostly in d.j.s, G/VG, 8vo/4to (6 shelves)

£100-150

596 Churchill (Randolf S. & Gilbert, Martin). Winston S. Churchill, volumes 1-5, Companion volumes 1-4 (including all portrait volumes), all 1st editions, 1966-1977, 15 volumes in total, all original cloth in d.j.s, covers and spines slightly worn and faded with some minor loss, 4to, together with The Statutes of the Realm, Printed by Command of His Majesty King George The Third... , volume 6 only, reprint edition, 1963, 4 b & w folding plates, original publisher’s dark blue cloth, boards slightly marked, folio, and other modern political biography, history and related, all hardback publications, all original cloth, many in d.j.s, G/VG, 8vo/folio

£150-200

591 European & American History. A large collection of modern European, American and Russian historical reference and related, mostly hardback publications, all original cloth, many in d.j.s, G/VG, 8vo/4to (6 shelves)

£100-150

594 Grey (Zane). Tales of Lonely Trails, 1st edition, USA, 1922, 72 b & w illustrations, including portrait frontispiece, original green cloth with photo plate, boards and spine slightly rubbed to head and foot, together with British Sports And Sportsmen, The Story of Shipping, Commerce and Industry, Athletics, Tennis Rackets, 3 volumes limited edition of which volumes 1 & 2 are 283/1000, volume 3 is 932/1000, previous owner’s ink inscription to half-title of volume 1, numerous b & w illustrations including frontispiece, all original publisher’s uniform gilt-decorated red morocco, boards and spine slightly rubbed and marked, folio, together with other modern travel, exploration and maritime reference and related, including Freya Stark, many hardback publications, all original cloth, many in d.j.s, G/VG, 8vo/folio

590 Woolf (Virginia). The Captain’s Death Bed and Other Essays, 1st edition, 1950, some light toning to front and rear endpapers, original cloth in d.j., covers rubbed with some minor tears to head and foot, spine toned with tears and minor loss to head and foot, 8vo, together with Waugh (Evelyn), Unconditional Surrender, 1st edition, 1961, inscription to verso of front board, original blue cloth in d.j., covers and spine slightly rubbed with minor tear to foot of front cover, 8vo, and De La Mare (Walter), Behold, This Dreamer... , 1st edition, 1939, colour frontispiece and b & w illustrations to title, some minor spotting, original blue cloth in price-clipped d.j., covers rubbed with some minor tears and loss to head and foot, spine slightly faded with chips and minor loss to head, 8vo, plus other 20th-century literature, poetry and plays, including Bernard Shaw, John Drinkwater, Sacheverell Sitwell, Osbert Sitwell, Alec Waugh, mostly hardback publications, all original cloth, many in d.j.s, G/VG, 8vo (6 shelves)

£150-200

(6 shelves)

£100-150

597 Stevenson (Robert Louis). The Master of Ballentrae. A Winter’s Tale, 1889, some light spotting, original red pictorial cloth, light damp marks to fore-edge of boards, spine slightly faded and worn at head and foot, 8vo, together with Barrie (J.M.), The Works, 10 volumes, Kirriemuir Edition, 1913, limited edition of which this is 63/1000, signed by the publisher, some light marks, all original cloth in slipcases, spines slightly faded, slipcases rubbed and worn with minor loss, 4to, and other late 19th/early 20th century literature including R.L. Stevenson, The National Burns, J.M. Barrie, A. Conan Doyle, all hardback publications, all original cloth, G/VG, 8vo/4to

£100-150

592 Arnold (Edwin Lester). On The Indian Hills, 2 volumes, 1st edition, 1881, 2 b & w frontispieces with tissue guards, bookplate to verso of front board of volume 1, ex-library stamps to title-pages, some light spotting, hinges cracked, loss to front endpaper of volume 2, original gilt-decorated blue cloth, boards slightly rubbed, spines slightly faded, worn and chipped with minor loss to head and foot, 8vo, together with Rajah of Travancore. Hutchinson’s Claim. Report From the Select Committee on the Petition of Mr. Bury

(6 shelves)

139

£150-200

BRITISH & CONTINENTAL PAINTINGS AND WATERCOLOURS MODERN & OLD MASTER DRAWINGS AND PRINTS WEDNESDAY 25 FEBRUARY For more information please contact Nathan Winter nathan@dominicwinter.co.uk

Day Two

THE ANTONY GASSON OPERA COLLECTION: PART II To commence at 11am

601 Aprile (Giuseppe, 1732-1813). The Modern Italian Method of Singing with a Variety of Pressive Examples and Thirty Six Solfeggi, printed by R. Birchall, circa 1791, forty-nine engraved plates of musical notation, a little offsetting, pages slightly fraying at extremities, original paper wrappers with engraved upper cover, oblong folio

603* Bayreuth Festival. A group of eight albumen print cabinet cards of individual performers from ‘Der Ring des Nibelungen’ and ‘Tristan & Isolde’, 1890s, singers include Hans Breuer-Mime, all from the studio of W. Hoffert with him imprint to lower mount

We have been able to trace only one institutional copy of this edition, held at Birmingham University. (1) £100-150

(8)

£150-200

602* Batons. A collection of batons given to Anthony Gasson by various conductors, late 20th together thirteen century, lightweight wooden batons, with turned wood or cork handles, several signed, length 45cm (17.75ins) and shorter, together with a typed letter on headed paper dated 26 November 1984, from Sir Georg Solti’s personal assistant, Charles Kaye, to Anthony Gasson, saying that Sir Georg ‘will be glad to give you the baton’ Batons belonging to the following conductors: Sir Georg Solti (signed); Placido Domingo; Andrew Davis (signed and dated); Sian Edwards; Antony Shelley (signed); Richard Bonynge - two batons (one signed, and with annotation ‘made by R. Horowitz’); Sir Bernard Haitnik - two batons (one signed); Edward Downes (signed); Claudio Abbado; Richard Armstrong; Sir Colin Davis. (14) £300-500

Lot 602

142

606* Bayreuth Festival. A group of sixteen albumen print cabinet cards of individual female singers, circa 1880s/1890s, mostly Costum-Portraits series, many trimmed at one or both upper and lower margins, plus ten related cabinet cards including some not from life

604* Bayreuth Festival. A group of twenty albumen print cabinet cards of Tannhauser, circa 1890s, all from the studio of W. Hoffert and including twelve of individual female performers and eight of two or more singers including children (20)

£200-300

(26)

£200-300

605* Bayreuth Festival. A group of seventeen albumen print cabinet cards of male performers from Tannhauser, 1890s, all from the studio of W. Hoffert, all but one featuring individual singers

607* Bayreuth Festival. A group of eleven albumen print cabinet cards of male performers, circa 1880s/1890s, mostly CostumPortraits series, mostly trimmed at one or both upper and lower margins, plus nine related cabinet cards of groups of mostly male performers

(17)

(20)

£200-300

143

£200-300

611* Britten (Benjamin, 1913-1976). A folded Christmas card signed jointly by Britten and Peter Pears, 'Ben' and 'Peter', [1960], printed design of the three kings after Souza, a little creased, together with a printed compliments slip signed in felt tip 'Britten', a small autograph album leaf with signed sentiment 'Benjamin Britten' plus two black and white photos of Britten and a group of four autograph letters and one typed letter signed by Peter Pears, one dated 1978, two addressed to Mr Rodden, one to Mr Riemens and two to Anthony Gasson, a total of 9pp., two with marginal punch holes, various sizes (9)

£200-300

612* Broadsides. A collection of broadsides relating to the Theatre Royal Drury Lane, and the Lyceum, circa 1825-1835, including an ammendment broadside for Madame Guilietta’s performance of Romeo e Giulietta at the Theatre Royal (owing to the opera being prohibited), a promotional broadside for a performance of a history of music, a promotion for the first performance in English given by Wilhelmine Schroeder Devrient, a promotion of the premiere of Barnett’s Mountain Sylph at the Lyceum, and others, most lightly creased where previously folded, some fraying to edges with some loss (rarely affecting text), approx. 48 x 20cm (19 x 8ins) and similar (20)

613* Broadsides. A collection of thirteen broadsides etc., mainly promoting the Theatre Royal, Drury Lane, but also featuring performances of Acis and Galatea, Beggers Opera, Bohemian Girl, Matilda, Sappho and The Syren, sung by Madame Grissi, Mr Braham, Tambourini, Lablache and others, 1830s/1850s, some spread over two sheets, a few marginal tears but mostly in good condition, 51 x 50cm (19.5 x 20ins) and smaller

608* Billington (Elizabeth, 1765/8-1818). A fine miniature portrait of the singer Mrs Elizabeth Billington, Swiss School, circa 1815, enamel on porcelain, unsigned, two fleabite chips to edge, later giltmetal frame, paper label stuck to verso, 27 x 25mm Mrs Billington first appeared as a singer in Oxford aged 14, having already had a career as a pianist. After marrying James Billington, she moved to Dublin and began working as an opera singer, taking appointments at Covent Garden on her return to England. Cartoonists of the day relished her beauty and fuller stature, as well as her reputation for amorous conquests. She retired to Venice with her second husband and died the following year. Besides cartoons, portraits are uncommon. Reynolds depicted her as St. Cecilia, and two other miniatures are known; one by Pope, the other by Cosway. (1) £300-500

(20)

609 Opera Reference. Brodsky Lawrence (Vera), Strong On Music, the New York music scene in the days of George Templeton Strong, 2 volumes, University of Chicago Press, 1988, numerous b&w illustrations throughout, original printed covers, 8vo, together with Engel (Louis), From Handel to Halle, Biographical Sketches, Swan Sonnenschein & Co., 1890, a few b&w portraits taken from photographs, gilt decorated blue cloth, slightly rubbed, 4to, plus Forsyth (Michael), Buildings for Music, The Architect, The Musician and The Listener from the 17th Century to the Present Day, Cambridge University Press, 1985, numerous b&w illustrations and plans to text, original publisher's cloth in d.j., 4to, plus other related titles on subjects including opera in America, opera history, theatre houses and others, as well as some periodicals including The Opera Quarterly, The Opera Annual and Opera House (6 shelves + 2 cartons)

£100-150

614* Cabinet cards. A group of thirty-two mostly albumen print cabinet cards of male opera singers, late 19th and some early 20th century, including Max Alvary, Arrigo Boito, Francisco D'Andrade, Francois Darmel, J.-F. Delmas, Jean de Reszke, Paul Franz, Heinrich Gudehus, Augustus Harris, Willy Hesch, Schalk, Hermann Winkelmann and others

£200-300

610 Le Theatre. A uniformly bound unbroken run, 1898 to 1907, chromolithograph covers, numerous b&w illustrations throughout, quarter red morocco gilt, slightly rubbed, a few with small amount of loss to head or foot of spine, folio (18)

£200-400

(9)

£400-600

144

£200-300

615* Cabinet cards. A group of twenty-six mostly albumen print cabinet cards of male opera singers, late 19th and early 20th century, mostly signed on front or back, including signatures of Paul Bender, Robert Biberti, David Bispham, Carl Burrian, Italo Campanini, Edmond Clement, John Coates, Armand Crabbe, Giuseppe Del Puente, Ejnar Forchhammer, Anton Forster, Ferdinand Jager, Ernst Krauss, Edward Lloyd, Riccardo Martin, Pol Plancon, Karl Scheidemantel, Erik Schmedes, Antonio Scotti, Ernest van Dyck (x 2) and Anton von Rooy (x 2) (26)

617* Carpentier (Gustave, 1860-1956). Autograph postcard signed, ‘G Carpentier’, stamp postmarked Etretat, 5 December 1918, to Madame Chatelin, a brief note, ‘Mercredi: Pigalle, replies cours de M. E. Schwartz’, with two further marginal notes, one concerning the reimbursement of 5 francs from those not going to Clermont, written to message side of postcard with black and white view of Etretat, stamp and postmark to left margin of image, together with an autograph notecard signed from Charles Gounod (1818-1893), 10 August 1882, referring to a concert at Anvers, referring to his daughter and the unidentified recipient’s wife, 2 pp., small oblong 8vo, plus a brief undated note by Camille Saint-Saens (1835-1921), to an unidentified woman concerning a piano and variations, some spotting, adhesion remains to margin verso, small 8vo

£300-500

616* Callas (Maria, 1923-1977). A head and shoulders, posthumous portrait of Callas in her retirement, 1984, oil on canvas, initialled M. C. and dated lower right, 51 x 40cm (20 x 16ins), framed (1)

£200-300

Carpentier wrote very little music after 1913 but was very active during world war one in helping to bring aid to wounded soldiers. (3) £150-200

145

619* Cartes de visite. A group of approximately 170 cartes de visite of male opera singers and composers, late 19th century, sitters include Luigi Arditi, Michael Balfe, Hector Berlioz, Luigi Donati (signed), Michael Costa, J.-B. Faure, Charles Gounod, Engelbert Humperdinck (signed), Giovanni Mario, Jacques Offenbach, Anton Rubinstein, Emil Scaria, Auguste Vianesi (signed on reverse), Hans von Bulow, Giuseppe Verdi, Richard Wagner, etc., arranged alphabetically in Secol sleeves in an archive box ring binder

618* Cartes de visite. A group of approximately 200 cartes de visite of female opera singers, late 19th century, sitters include Emma Albani, Sigrid Arnoldson, Marian Brandt, Madame Castelli, Anna De Belocca, Giulia Grisi, Minnie Hauk, Rose Hersee, Maria Lehmann, Pauline Lucca, Christine Nilsson, Eugenie Pappenheim, Adelina Patti, Louisa Pyne, Henriette Sontag, Therese Titiens, many of the sitters represented with multiple photographs, a small number not from life, arranged alphabetically in Secol sleeves in an archive box ring binder (approx. 200)

(approx. 170)

ÂŁ500-800

146

ÂŁ500-700

622* Caruso (Enrico, 1873-1921). Autograph letter signed, ‘Enrico Caruso’, Hotel Knickerbocker, New York, 18 December 1914, to the New Zealand-born Australian-raised operatic soprano Frances Alda (1879-1952), in Italian, saying that he has received the letter from Bubina in which he asked about the record of the duet from Carmen, and answering that it is in the possession of Signor Child, two pages with integral blank pages (pp. 2 & 3), 8vo, together with the original stamped and postmarked enveloped adddressed in Caruso’s holograph, together with another short autograph letter signed from Caruso to Felicetti, Viareggio, with a brief question, written in a large and open hand, a few minor marks and spots, with the name of Ada Giachetti and additional autograph of Caruso and a few other words to verso, remains of old album guard, one page, oblong 8vo, plus five photos of Caruso

620* Caruso (Enrico, 1873-1921). Autograph self-carciature signed, 1914, pen and ink on printed grid paper, the smiling Caruso wearing a trilby hat and carrying a cane tucked under his arm, inscribed vertically for Signora Ida [?]Fiori and signed and dated lower right, blue pencil identification of the performer upper left and circular inkstamp of Biblioteca Paolo Litta lower right, 27 x 21.5cm (10.5 x 8.5ins) (1)

£400-600

Alda had frequent onstage singing partnerships at the New York Metropolitan Opera with Caruso. The duet from Bizet’s Carmen referred to may well be one of their own duets. (7) £150-200

623* Commemorative Medals. A group of six commemorative bronze medals for composers and conductors, inculding Haydn, Strauss, Wagner, Albert Carre and Schubert, early 20th century, cast portraits in low or medium relief, many with cast captions and signatures (including A. Harting and C. Aim), approximately 75mm diameter and similar, all very fine (6)

£150-250

624* Commemorative Medals. A group of five commemorative plaques of composers and conductors, including Wagner, Beethoven and Terpischore, early 20th century, three bronze and three white metal portraits cast in shallow relief, most with cast signature, one mounted to wooden plaque, approximately 16cm diameter and similar (5)

625* Commemorative Plaques. A collection of five commemorative plaques celebrating composers and musicians, late 19th/early 20th century, including a bronze plaque in shallow relief celebrating the composer Arturo Toscanini, 1934, a turned and carved wooden plaque celebrating the French composer Daniel Auber, a cast metal desk piece celebrating the composer Giuseppe Verdi and others, approx. 25cm (10ins) diameter and similar

621* Caruso (Enrico, 1873-1921). Autograph self-caricature signed, circa 1910, pencil sketch in profile with a pointed hat, drawn and signed straight into an autograph album, a little soiling and old water stain to loose leaf and with signed and dated inscription of the French tenor Charles Dalmorez (1871-1939) to verso, a small number of other musical autographs also signed straight into the album, including Hector Dufranne (1870-1951), Louise Kirkby Lunn, Emmy Destinn, Gustave Huberdeau, dancers Anna Pavlova and Michelle Mordkine [Mikhail Mordkin] on the same page, New York, 25 March 1911, Riccardo Martin, (Angelo Bada to verso), Alessandro Bonci, Andres Desegurola, Bella Alten, Nellie Stratton Bard, Marie Wilson and a few others, mostly circa 1909-13, a little scattered spotting and finger marks, contemporary boards, oblong 8vo (14 x 17cm) (1)

£100-150

(5)

£400-600

147

£80-120

626* Composers and Conductors. A good group of thirteen cabinet cards, late 19th century, including portraits of Wagner (x 2, head and shoulders by Hans Brand and Elliott & Fry), Frans Liszt (Frans Hanfstaengel), Giuseppe Verdi (Renque), Hans Richter, Anton Rubinstein, Sir Charles Halle (x 2, one signed), Hans Sitt (signed), Arthur Nikisch (signed), Ernst von Schuch (signed, 1911), August Manss (signed), and a group photograph of Hermann Levi, Felix Mottl and Hans Richter, plus four further albumen print cabinet cards of composers not from life (17)

628* Covent Garden. A group of eight printed posters promoting the Italian opera season at the Royal Opera House Covent Garden circa 1912, including performances of Conchita, La Boheme, Aida, Prince Igor, La Tosca, La Fanciulla del West, Madama Butterfly, and La Forza del Destino, sung by John McCormack, James Goddard, Emmy Destinn, Edmund Burke, Miriam Licette, Tarquinia Tarquini, and others, all printed in green and black, lightly creased where previously folded, most with some marginal fraying and loss, generally not affecting text, 76 x 51cm (30 x 20ins)

£150-200

Includes the debut performance in England of Riccardo Zandonai’s Conchita. (8) £200-300

627* Cabinet cards. A group of fourteen large albumen print cabinet cards by W. Hoffert, circa 1890s, featuring individual and groups of singers from performances at Bayreuth, all 13.5 x 21cm (14)

£200-300

148

632* Poster. A promotional poster for the English premerire of Meyerbeer’s L’Etoile du Nord at Drury Lane Theatre, February 1955, woodblock printed in blue and red, few creases where previously folded, a little fraying to right edge and slight loss to lower third, 74 x 50cm (29 x 19.5ins)

629* Covent Garden. A group of fourteen printed posters promoting the performances at the Royal Opera House Covent Garden, circa 1913, including performances of Strauss’ Der Rosenkavalier, Saint-Saen’s Samson et Dalila, Bizet’s Carmen, and others, starring Tarquinia Tarquini, Louise Kirkby Lunn, Emmy Destinn, James Goddard, and others, all printed in black and green, lightly creased where previously folded, most with some marginal fraying and loss, generally not affecting text, 51 x 32cm (20 x 12.5ins)

Meyerbeer supervised the production personally after the opera’s triumphal debut in Paris. The “great musical novelty” included (according to the poster) “a full and complete chorus, three military bands on the stage, a grand orchestra and vocalists of eminence”, the “entirely new scenery, appropriate costumes and costly decorations” were many weeks in preparation! (1) £100-150

Includes the English premiere of Der Rosenkavalier, conducted by Sir Thomas Beecham. (14) £200-300

633* Elgar (Edward, 1857-1934). Incomplete autograph letter signed, ‘Edward Elgar’, n.d., the final page thanking the correspondent for telling him and sending kind regards, one page, 8vo, together with German (Edward, 1862-1936), autograph letter signed, ‘Edward German’, The Laurels, Whitchurch, Salop, 16 August 1895, to Harrie, thanking her (?) for sending the collars and cuffs, with a postcript asking for his nightshirt to be sent on, some soiling, 3 pp., 8vo, plus typed letters signed from William Walton and Malcolm Sargent and four autograph musical quotations signed by Landon Ronald, George Grossmith, Alberto Franchetti and Umberto Giadano

630* Covent Garden. A group of fourteen printed posters promoting the performances at the Royal Opera House Covent Garden, circa 1913, including performances of Puccini’s Madama Butterfly and La Tosca, Zandonai’s Conchita, Wagner’s Die Meistersinger and others, starring Emmy Destinn, Margarete Siems, Amy Evans, Tarquinia Tarquini, John McCormack, and others, all printed in black and green, lightly creased where previously folded, most with some marginal fraying and loss, rarely affecting text, 51 x 32cm (20 x 12.5ins) (14)

£200-300

(8)

631* Covent Garden. State Visit to the Opera, Tuesday, July 2nd, 1889, By Command of Her Most Gracious Majesty The Queen, in Honour of His Majesty The Shah, K.G., fringed silk, printed in blue, 45.5 x 29.5cm (18 x 11.5ins), plus four other commemorative programmes on silk for Royal Opera House Covent Garden Featuring performances by Madame Melba, Madame Albani, and others. (5) £100-150

149

£150-200

634 Ellis (S. M.). The Life of Michael Kelly, Musician, Actor and Bonviveur, 1762 to 1826, 1930, b&w portrait frontispiece, orig. cloth, sl. worn, together with Mackenzie (Alexander Campbell), A Musician’s Narrative, 1927, orig. cloth, plus Armstrong (William), The Romantic World of Music, 1923, b&w portrait frontispiece, orig. cloth, plus Henscagl (George), Musings and Memoirs of a Musician, 1918, b&w portrait frontispiece, orig. cloth, all 8vo, plus other music memoirs and biographies (3 shelves)

£150-200

635 No lot

637* Grisi (Giulia, 1811-1869). Original contract for Giulia Grisi’s farewell season at Covent Garden, April 1861, printed sheet with integral blank completed in manuscript, drawn up in French between Grisi and Frederick Gye (as director of the Royal Italian Opera) for her final farewell season, from 1st May to 3rd August 1861, signed by Grisi at foot of page 2, additionally signed by Gye after an autograph letter by him on page 3, toned and a little dust soiled, fold marks and docket to final page, folio In the contract Giulia Grisi is engaged as ‘Prima donna Assoluta’ with the undertaking that she shall have to sing in more than three performances a week. There is a penalty clause prohibiting Grisi from singing publicly in London and the radius of fifty miles from the conclusion of the present season until 1866. (1) £150-200

636* Farinelli (Carlo Broschi). England’s Lamentation for the Loss of Farinelli, published by H. Roberts, 1739, etching on lined paper with musical score and text beneath, similar to verso titled The Thirsty Toper, 5 x 11.5cm (2 x 4.5ins) image size, 21 x 14cm (8.25 x 5.5ins) overall V & A S.196-2013. (3)

£100-150

150

639* Handel (George Frideric, 1685-1759). A three-quarter life size Parian bust of the composer George Frideric Handel, modelled by Robert Cooke, Staffordshire, circa 1875, unglazed ceramic bust, impressed mark to back, raised on a circular socle with caption, height 44cm (17.25ins) (1)

ÂŁ200-400

638* Handel (George Frideric). A full-length Parian figure of the composer G. F. Handel, probably Continental, circa 1850, unglazed ceramic figure, National Portrait Gallery exhibition label to base, 41cm (16ins) high The figure, understoond to be unique, was loaned by Anthony Gasson to the National Portrait Gallery as part of their 1985 Hallelujah Handel exhibition. (1) ÂŁ700-1000

640* Lind (Jenny, 1820-87). A patinated bronze bust by Carlo Marochetti (1805-1867), signed to back, raised on turned wooden socle, height 32cm (12.5ins) (1)

151

ÂŁ200-300

642* Lind (Jenny, 1820-87). A three-quarter length portrait of the singer Jenny Lind, published by John Mitchell, February 16 1847, hand-coloured lithograph on india paper, by R. J. Lane, printed by M. & N. Hanhart, 34.5 x 25cm (13.5 x 10ins), framed and glazed, together with a full length uncoloured Baxter print portrait, published November 15 1850, 18 x 13cm (7 x 5ins), framed and glazed, an original oval pen and ink head and shoulders sketch, 11 x 9cm (4.5 x 3.5ins), framed and glazed, and a reproduction of a watercolour of Lind at the piano, framed and glazed, plus eight other prints of Jenny Lind and three autograph letters (signed Jenny Goldschmidt and Jenny Lind-Goldschmidt), one dated 1862, various recipients and all short notes, a total of 7 pp. on three bifolia, some toning and spotting and one with adhesion remains to blank margin, all 8vo (6)

£100-150

643* Lyall (Charles). A collection of 23 engraved cartoons of composers, conductors and performers, c. 1870s, including Costa and Gounod, Carl Rosa, The Flying Dutchman, Wagner, etc., many with manuscript captions by Lyall, 28 x 21cm (11 x 8.5ins), and slightly smaller cf. V & A S.1689-2014. (23)

£100-150

641* Lind (Jenny, 1820-87). A Parian bust of Jenny Lind, after a sculpture by Joseph Durham, reduced by Cheverton, Copeland, 1847, unglazed ceramic bust, signed and dated to back, transfer mark to base, raised on circular socle, two small chips to floral headpiece, height 21cm (8.5ins) (1)

£150-200

644* Malibran (Maria, 1808-1836). A bronze commemorative medal celebrating the mezzo-soprano Maria Malibran (1808-1836), by Vittorio Nesti, 1834, bronze medal, obverse: right-facing profile portrait and cast caption MARIA FELICITA MALIBRAN GARCIA, signed Vitt. Nesti to truncation, reverse: PER UNIVERSALE CONSENSO PROCLAMATA MIRABILE NEL CANTO E NELL’ AZIONE MILANO, 44mm diameter, few slight marks to rim, fine Andorfer & Epstein 388; Niggl 1242. (1)

Lot 642

152

£100-150

646 Malibran (Maria, 1808-1836). Manchester Grand Music Hall Festival 1836. A group of four printed programmes for consecutive days of the Festival, Tuesday-Friday, 13-16 September 1836, pub. Manchester, [1836], featuring principal vocal performers Mrs H.R. Bishop, Mrs W. Knyvett, Miss C. Novello, Mrs A. Shaw, Mr Braham, Mr Bennett, Mr Machin, Mr H. Phillips, Mr Terrail, Madame Caradori Allan, Madame Malibran de Beriot, and Signor Lablache, each programme interleaved with blanks and the first three with occasional manuscript notes of an unidentified critic, the remarks written neatly facing the libretto and identified performer, with particular praise for Madame Malibran, ‘The union of surpassing delicacy, pathos and taste, with the most faultless intonation, and a distinctness of articulation, both musical and verbal made this a perfect gem. Many tears were shed at the exquisitely solemn manner with which she vested this air’ (Handel), ‘The effect was electrical. To describe it “my pen were double weak”. “Ah how can idle words prevail unless the heart could speak”‘ (Cimarosa), on the second morning the concert ends with a selection from Handel’s oratorio Israel in Egypt and the singing of Mr Braham followed by Maria Malibran, ‘The demon of exaggeration again possessed Braham. Such shouting was never heard before either within or without the walls of a church. So strenuously did he exert himself, that he must have injured his own powers of hearing correctly. Malibran on the contrary in her recitative, although her voice was thrown out with prodigious strength, and with animation inconceivable, did not deviate a hair’s breadth from the true pitch. It was a most superb effort. The double chorus was given with tremendous power’, earlier in the same programme Malibran had sung an air by Pergolesi, ‘Another gem: nothing more magnificent could be conceived even from this accomplished singer. The rich tones of her voice pervaded the entire church with mellifluous fullness: at the conclusion murmurs of applause, without a possibility of restraining them, burst spontaneously from the auditory, a compliment which was justly her due’, while more damning comments are given to other performers, ‘feeble and inefficient - it ought to have been given to Malibran... ‘ (Mrs H.R. Bishop), ‘Madame Caradori commenced most lamentably out of tune... ‘, ‘tolerably sung’ (Mrs W. Knyvett), ‘Braham again “Bayofbiscayish”‘, ‘Miss Clara Novello did not come up to the anticipations I had formed of her. Her voice was improved certainly... but in real feeling from the heart... she is lamentably deficient’, only two comments appear in the Friday programme, the unidentified critic having missed part of the performance, all original printed wrappers, the first three with spines strengthened, slim 4to, together with a three-page broadsheet programme for the entire festival

645* Malibran (Maria, 1808-1836). Printed receipt signed ‘M.F. Malibran’, Theatre Royal Italien, Paris, 17 March 1831, a printed receipt completed in manuscript and being a receipt for one thousand and seventy-five francs for her ‘deuxieme representation de la semaine courante’, with Malibran’s signature adjacent, a little spotting and offsetting from signature where previously folded, one page, 4to (1)

£150-200

(5)

Lot 646

153

£250-350

648* Malibran (Maria, 1808-1836). A group of ten early concert broadsides featuring Madame Malibran Garcia, 1829-32 the 1829 concerts including one at Theatre Royal Bristol (19th October), the others for King's Concert Rooms, Hanover Square, King's Theatre, Haymarket, Theatre Royal, Drury Lane and Theatre Royal, Liverpool, those for 1830 and one undated for performances at King's Theatre, 44 x 28cm and slightly smaller, three tipped on to mounts, a little occasional spotting and marginal fraying, the final broadside for 1832 printed Bologna [Officina Bodoni?], centred block capital text, 58 x 41cm (10)

£150-200

647* Malibran (Maria, 1808-1836). An intimate autograph letter, signed ‘Maria’, 23 March 1830, in French, to Ernest Legouve, Malibran opens her letter with ‘A cheval, a cheval!’ and playfully reassures Legouve that the two escorts that she has been seen out walking with cannot take his place in her affections, thanking him for the roses he sent her, ‘It was so nice of you to have thought of my birthday tomorrow. What memory, what pretty roses, what a nice gift’, arranging to meet him the next day that she may thank him properly, and begging him to wait in case she is late, explaining that she has been unable to sleep and has risen at four in the morning to write to him still wearing some of the makeup she wore earlier in the evening, 3 pp., 8vo Ernest Legouve (1807-1903) first met Malibran in Paris in 1828, was one of her closest friends, and an early biographer. April Fitzylon in her biography of Malibran suggests that the French author was ‘more than a little in love with her and although there is no evidence that she reciprocated his feelings she did confide in him, and wrote him some very intimate letters’. However, this letter clearly shows a flirtatious nature. (1) £300-500

649* Malibran (Maria, 1808-1836). A group of forty-four printed letterpress broadsides for concerts featuring Maria Malibran in London theatres, 1833-36 venues include Theatre Royal, Covent Garden and Drury Lane, and in performances of 'La Sonnambula', 'Devil's Bridge', 'Fidelio', 'Maid of Artois', 'John of Paris', and a few others, mostly single sheets tipped on to card and several back-toback, a little spotting and occasional fraying, 42 x 22cm and similar sizes (44)

Lot 648

154

£500-800

651* Malibran (Maria, 1808-1836). A group of eighteen portraits of Maria Malibran, all 19th century, a mixture of lithographs, etchings and engravings, after artists including G. Grevedon (1829), V. Nesti, A.M. Huffim, F. Bouchoc, A. Albert and some unidentified, various sizes (18)

650* Malibran (Maria, 1808-1836). A group of twelve sheet music covers and printed sheet music pieces associated with Maria Malibran, circa 1830s, five with uncoloured lithographic covers featuring Maria Malibran, including 'There is No Home Like My Own', 'Spread thy Wings and Away!', 'Malibran's Bajelito Waltz', plus three further sheet music covers and four pieces of music, three of which feature the name of Malibran as singer or composer, some spotting and soiling, all disbound, slim folio (12)

£200-300

652* Massenet (Jules, 1842-1912). Autograph letter signed ‘J. Massenet’, Paris, 14 October, [1884], to E[rnest] Reyer, written in French on verso of pre-printed and perforated telegram form, telling Reyer that he is arriving in Brussels where Stoumon and Calabresi are awaiting him and knowing that the reprise of ‘Sigurd [first performance, Brussels, 1884]’ will be a great success, sending his kind regards to Reyer and also to Madame Caron and his beautiful widow, one page, address panel in Massenet’s holograph to verso, a few minor marks and slight tear to right margin, not affecting text, small 8vo, together with another autograph letter signed, 20 June, no place or year, to an unidentified recipient, thanking him for the newspaper, letter and poetry, boldly signed, 3pp., 8vo, plus an autograph musical quotation signed ‘Massenet’ and inscribed to Eduan(?) Dworzak, Paris, 3 July 1899, one bar from the first Act of his opera Cendrillon, ink on card, 9 x 11.5cm, plus two others signed, both 3pp., 8vo

£200-300

Ernest Reyer (1823-1909) was a French composer whose most famous work was Sigurd. Rose Caron (1857-1930) the French operatic soprano, created the role of Brunnehilde at its premieres in Brussels and also in Paris in 1885. (5) £300-500

Lot 651

155

655* Melba (Nellie, 1859-1931). Signed photograph, [1924], gelatin silver print on card, Melba three-quarter length in profile, signed and inscribed to lower mount, ‘To Edna Thomas - with many thanks for having sung so beautifully at Combe, Nellie Melba, 1924’, some spotting to mount, 25.5 x 16.5cm, together with two autograph letters signed (‘Nellie’ and ‘Nellie Melba’), one to Mrs Alexander Bell, Boston, [1903], the other in pencil and undated to Mr Griffith, some spotting and toning to folds of both, both 3pp., 8vo, the first with original postmarked envelope, plus a clipped signature of Nellie Melba laid on card (4)

£200-300

653* Medals - Singers. A bronze commerative medal cellabrating Meric-Lalande, Francesco Putinati, 1828, obverse; portrait bust in low relief, cast caption ENRICHETTA LALANDE, signed to truncation, reverse; FESTIGGIATA NEL MDCCCXXVIII SIGNORA DEL CANTO ACCLAMAVA NEL MDCCXXVIII LA SOCIETA DEL GIARDINO IN MILANO, 43mm diameter, very fine, together with silvered commerative medal of Josephine Fodor, J. E. Boehm, 1825, obverse; portrait bust in low relief, cast caption, signed to truncation, reverse; inscription, 41mm, good, plus two bronze medals awarded by the Royal Academy of Music to Vivien G. Evans for Singing 1922 and Sight Singing 1923, one with suspension loop and ribbon, 39mm diameter Meric-Lalande made a debut 3 April 1823, she went on to study in Milan and sang the premiere of Meyerbeer’s Il corciato in Egitto, 1824. (4) £100-150

654* Medals. A group of commemorative medals and coins celebrating opera festivals, composers and musicians, including a gilt bronze coin of Leontyne Price, a bronze commemorative medal by Isabella Giordana celebrating Claudio Monteverdi, and commemorative paper knife (16)

656* Miniature. Portrait of a fairy nymph, attributed to Henry Wilkin (1801-1852), watercolour on vellum, half-length portrait of a winged sylph wearing a diaphanous white dress and with a circlet of flowers atop her black ringlets, against a background of clouds, 13 x 10cm (5 x 4ins), gilt mount and frame, glazed, with manuscript attribution on verso

£100-150

(1)

£200-300

657 Mozart (Wolfgang Amadeus). Aria. In diesen Heil’gen Beyum Clavier aus der Opera die Zauberflöte, 1st ed., 1st issue, [Vienna: Musiklisches Magazin, November 1791], 4 pp., engraved, disbound, a little dust soiling, small expert repair to spine, oblong folio, loosely contained in a purpose-made quarter cloth portfolio, together with il Dissoluto Punito osia il Don Giovanni, dramma diocoso in due Atti posto in Musica da Wolfgang Amadeaus Mozart, Rodotto per il Pianoforte da A. E. MUller, Leipzig: Breitkopf and Hartel, [1810], engraved title in Italian, title in German, ownership inscription to engraved title, manuscript index loosely inserted, 182 pp. printed score, damp staining, contents a little shaken, half roan, heavily rubbed, spine deficient, upper board detatched, oblong 8vo, plus Beethoven (Ludwig van), Fidelio Oper in zwei Aufzugen nach dem franzosischen bearbeitet von F. Treitschke, Clavierauszug, Bonn: bei N. Simrock, [1815], title, ownership inscription, 159pp. printed score, later quarter cloth, oblong folio First item: One of the first three excerpts from Die Zauberflöte to be published in the composer’s lifetime, advertised in the Wiener Zeitung on 26 November 1791, shortly before the composer’s death on 5 December. The first issue has no through pagination, and the first line of text is different from other sources. K620/15; Hirsch IV, p. 79 no. 15; RISM M4890, listing just one copy. (3) £200-300

Lot 655

156

Lot 660

658* Nordica (Lillian, 1857-1914). Portrait signed, 1881, albumen print panel print by Van der Veyde, London, three-quarter length in profile, signed presentation inscription from Nordica to Mrs Roberts upper left, a little spotting, 33 x 18.5cm, together with ten cabinet cards of female opera stars, late 19th and early 20th century, including Lillian Nordica (x 2), one of her in the role of Isolde signed, Charlotte Huhn as Ortrud (signed and inscribed), Therese Malten (x 2, both inscribed and one signed), Rosa Sucher (x 2, one signed and inscribed), Maria Brema (x 2, both signed, showing her in Lohengrin and Orfeo), and Katherine Fleischer-Edel as Elsa in Lohengrin (signed to verso) (11)

£200-300

659* Opera Houses. A collection of mixed prints, engravings and photographs of European opera houses, mostly 19th century, including Italian Opera House Haymarket, Covent Garden, Theatre Royal Drury Lane, Bayreuth, Exeter Hall, and others, few with contemporary hand colouring, 28 x 21cm (11 x 8.5ins) and slightly smaller (approx. 100)

661* Operatic censorship. A manuscript licence, signed ‘Ingram Hertford, [Lord] Chamberlain’, March 1821 [1820?], allowing Mr Ebers of the King’s Theatre, Haymarket to have a licence to perform ‘La Gazza Ladra’ [‘The Thieving Magpie’ by Rossini] at his theatre ‘according to the copy thereof delivered to me, and signed by yourself, without any variation whatsoever, unless such variation be likewise approved of by me in due form’, light toning, small marginal split, one page, folio, docketed to verso

£100-150

660* Opera Houses. A large collection of colour and b & w postcards of opera houses around the world, some postally used, arranged alphabetically in Secol sleeves in two ring binder archive boxes (approx. 650)

The first performance of ‘The Thieving Magpie’ in England was at the King’s Theatre, London, on 10 March 1820, three years after its first appearance at La Scala, Milan. (1) £150-200

£200-300

157

663* Operatic Photographs. A group of forty-eight signed photographs of male singers, 20th century, mostly black and white photos of individual performers, signed, and sometimes inscribed to image, signers include Thomas Allen, Carlo Bergonzi, Stuart Burrows, Renato Capecchi, Jose Carreras (x 3), Boris Christoff, Dominic Cossa, John Dobson (x 10), Placido Domingo (x 4), Warren Elsworth, Geraint Evans (x 14, one also signed with Mirella Freni), Arthur Fear, Giulio Gatti-Casazza, Nicolai Gedda (x 2), Nicolai Ghiaurov, Raul Gimenez, Hans Hotter, Gwynne Howell, Jerome Hines and John Graham Hall, many with credit stamps to versos, approx. 25 x 20cm and some slightly smaller (approx. 50)

£200-300

662* Operatic licences. A group of five manuscript licences for vocal benefit concerts at Her Majesty's Theatre and Hanover Square Rooms, London, 1838-41, the licences given to Madame Dulcken, Mr Eliason, Monsieur Benedict, Signora Ernesta Grisi and Madame Caradori Allan, all one page with Lord Chamberlain's signature and seal (torn away and missing from final document), integral docketed blanks, all somewhat toned with some soiling and slight fraying, slim folio (5)

£200-300

664* Operatic Photographs. A group of forty signed black and white photographs of male opera singers, 20th century, mostly individual portraits on and off stage, signed by John Alexander, Thomas Allen (x 2), Fernand Ansseau (x 2), Giacomo Aragall, Francisco Araiza, Rafael Arie, Salvatore Baccaloni, Jules Bastin, Carlo Bergonzi (x 2), David Bispham as Wotan, Hans Peter Blochwitz, Andreas Boehm, Dino Borgioli, Owen Brannigan (x 2), John Brownlee, Renato Bruson, etc., many with photographer credits to versos, mostly 25 x 20cm and slightly smaller (approx. 50)

Lot 663

158

£200-300

665* Operatic Photographs. A group of forty signed black and white (and some colour) photographs of male opera singers, 20th century, including signatures of Mathieu Ahlersmeyer, Thomas Allen (x 2), Luigi Alva, Mikhail Apnatu, Fernand Ansseau, Giacomo Aragall, Tom Burke, Jose Carreras (x 2), Fyodor Chaliapin, Boris Christoff, Marcel Clavere, Arnand Crabbe, Geraint Evans (x 2), Thomas Hampson (x 2), Hans Hotter and others, some with credit stamps to versos, approx. 17 x 12.5cm and smaller (40)

£200-300

666* Operatic Photographs. A group of approximately 100 black and white, and some colour, photographs of male opera singers, composers, etc., 20th century, mostly individual but including some group portraits, subjects include Benjamin Britten, Jose Beckmans, Vincenzo Bellezza, Sigurd Bjorling, Leo Blech, Dino Borgioli, Owen Brannigan, Fritz Busch, Fyodor Chaliapin, Boris Christoff, Placido Domingo, Don Garrard, and others, many approx. 25 x 20cm and similar medium-format sizes (approx. 100)

£150-200

Lot 665

667* Operatic Photographs. A group of seventy signed mostly black and white photographs of female opera singers, 20th century, some with dated inscriptions, signatures include Lina Aimaro, Licia Albanese (x 6), Perceval Allen, Teresa Berganza, Lucine Amara (x 3), Janet Baker (x 3), Rose Bampton (x 3), Margaret Bankier, Fedora Barbieri (x 2), Cecilia Bartoli, Grace Bumbry, Marie Burke, Maria Caniglia (x 2), Victoria de los Angeles, Geraldine Farrar, Johanna Gadski and others, many with credit stamps to versos, approx. 25 x 20cm and similar medium-format sizes (70)

Lot 666

159

£200-300

669* Operatic Photographs. A group of approximately 100 mostly black and white photographs of female opera singers, 20th century, mostly individual portraits, subjects include Frances Alda, Geannine Altmeyer, Marian Anderson, Janet Baker, Agnes Baltsa, Josephine Barstow, Kathleen Battle, Teresa Berganza, Barbara Bonney, Jeanne Brola, Clara Butt, Gwen Catley, Marie Collier, Joan Cross, Lisa Della Casa and many others, some with credit stamps to versos, many approx. 25 x 20cm and some smaller (approx. 100)

£150-200

668* Operatic Photographs. A group of fifty signed mostly black and white photographs of female opera singers, 20th century, signatures include Nadja Afejan, June Anderson, Sheila Armstrong, Irna Bilke, Joyce Blackham, Helen Bouvier, Grace Bumbry, Elizabeth Connell, Victoria de los Angeles, Claire Dux, Emma Eames, Ruth Falcon, Marisa Ferrer, Kirsten Flagstad (x 2), Mirella Freni, and others, approx. 18 x 12.5cm and smaller including postcards (50)

£150-200

670* Operatic Photographs. A group of approximately eighty mostly black and white photographs of opera conductors, patrons, etc., 20th century, signed photographs include Pierre Boulez, Reginald Goodall, Jane Glover, Antal Dorati, Kent Magano, James Levine, Clemens Krauss, Carlos Kleiber, Peter Hall, Bernard Haitink, Charles Groves, Carlo Maria Giulini, Alexander Gibson, Edward Downes, Colin Davis, Albert Coates, Claudio Abbado, plus unsigned photos of some of the same figures and Benjamin Britten, Leonard Bernstein, John Barbirolly, and others, some with credit stamps to versos, many approximately 25 x 20cm and similar sizes (approx. 80)

£150-200

671* Patti (Adelina, 1843-1919). Autograph letter signed, 26 May 1864, to Miss Pyn, asking her to pick a day when she is not singing to come with her mother and father to dine with her, 2pp., adhesion remains on blank final page, 8vo, together with a second autograph letter signed from Patti, Paris, 1st May 1868, in French, concerning the authorisation to print a portrait of her by Monsieur Marse, one page with integral blank, adhesion remains to verso, plus a carbon print photographic portrait of Patti by Barraud, mounted on card, with accompanying biographical text leaf, plus one further engraving of Patti from Illustrated News of the World, plus five leaves featuring Patti from The Graphic and The Sphere, including four front covers, all folio (10)

Lot 669

160

£100-150

675* Portraits. A mixed collection of prints and engravings, including 20th century conductors, composers, and performers, including William Gilbert, Dalius, Sims Reeves, Lisa Perli, Adelina Patti, Nelly Melba, Kirstin Flagstad, etc., mostly black and white, a few autographed, 28 x 21cm (11 x 8.5ins), and smaller (approx. 45)

£150-200

676* Portraits. A collection of mixed prints and engravings of male performers, composers and conductors, mostly 19th and 20th century, including portraits of Rossini, Spontini, Pergolesi, Gounod, and others similar, approximately 53 x 42cm (21 x 16.5ins) and similar (approx. 30)

£100-150

672* Broadsides. A collection of twenty-one broadsides for the Boston Theatre, 1854-55, including performances of Donizetti’s Favorita, Rossini’s Bariere de Siviglia, Belini’s Norma, and others, most staring Giulia Grisi and Giovanni Matteo Mario, occasionally creased where previously folding, few with minor mark or small stain, 49 x 17cm (19 x 6.75ins) and similar Mario and Grisi met in London in 1839 and began living together in 1841. Their tour of America was hugely successful, earning them great acclaim and fortune. (21) £200-300

673* Portraits. A mixed collection of approximately 100 prints and engravings, including portraits of composers, conductors and male performers of the 19th century, including Thomas Simpson Cooke, musical director of Drury Lane, Mr John Kemble, Antonio Tamburini, Sir Michael Costa, C.M. Weber, etc., mostly black and white, 28 x 21cm (11 x 8.5ins) and slightly smaller (approx. 100)

677* Postcards. A group of 270 postcards of female operatic singers, 20th century, mostly black and white photographic portraits, some postally used and some signed including Rosel Landwehr, Maria Labia, Nancy Larsen-Todsen, Lotte Lehmann, Frida Leider, Tiana Lemnitz, Miriam Licette, Gota Ljungberg, Bertha Malkin, Nellie Melba, Claudia Muzio, Maria Muller, Birgit Nilsson, Elisabeth Ohms, Lina Pacary, Lisa Perli, Gertrude Runger, Franca Sacchi, Elisabeth Schwarzkopf, Irene Sironi, Renata Tebaldi, Kiri Te Kanawa, Luisa Tetrazzini, Eva Turner, Luise Willer and others, arranged alphabetically (L-Z) in Secol sleeves and archive box ring binder

£200-300

674* Portraits. A mixed collection of prints and engravings, including female singers and actors of the 19th century, including Giulia Grisi, Emma Sarah Love, Madame Vestris, Madame Pastor, Henrietta Sontag, etc., mostly black and white, 28 x 21cm (11 x 8ins) and smaller (approx. 80)

(approx. 270)

£200-300

161

£700-1000

678* Postcards. A group of approximately 180 postcards of male opera singers, 20 century, mostly black and white photographic portraits of individual singers, some postally used and many signed including Noel Mangin, Josef Mann, Vanni Marcoux, Richard Mayr, Francesco Merli, Angelo Minghetti, Browning Hummery, Kenneth Neate, Derek Oldham, Rolando Panerai, Luciano Pavarotti, Ezio Pinza, Alfred Piccauer, Robert Radford, Heinrich Rehkemper, Helge Roswaenge, Mario Sammarco, Antonio Scotti, Frederic Schorr and others, arranged alphabetically (M-Z) in Secol sleeves in an archive box ring binder (approx. 180)

£700-1000

679* Postcards. A group of approximately 300 postcards of composers, conductors, etc., 20th century, including approximately 230 colour and black and white postcards of composers, a few real photo postcards, but the majority not from life, a group of approximately sixty postcards of conductors, mostly from life and some signed including Karl Bohm, Wilhelm Furtwangler, Albert Coates, Clemens Krauss, Robert Heger, Josef Crips, Arthur Nikisch, August Manns, Alberto Randegger, John Philip Souza, Tullio Serafin, Bruno Walter and Henry Wood, some loose but mostly arranged alphabetically in Secol sleeves in an archive box ring binder (approx. 300)

£300-500

Lot 678

680* Poster. David Hockney (1937-). Die Frau ohne Schatten, Royal Opera House Covent Garden, 1992, a silk screen promotional poster for Richard Strauss' Die Frau ohne Schatten at Covent Garden, 1992, signed by Hockney to lower left corner, limited edition of 100, together with letter of authenticity on Royal Opera House headed paper, sheet size 76 x 50cm (30 x 19.5ins) Purchased by Tony Gasson from the Royal Opera House Trust. (2)

Lot 679

162

£300-500

683* Posters. A collection of promotional posters, mostly displaying concert dates for Royal Opera House, circa 1970s, mainly colour lithograph, 51 x 32cm (20 x 12.5ins) and similar Includes performances conducted by Davis, Mackerras, Boulez, and others. (20) £100-200

681* Poster. A promotional poster for a benefit concert at the Royal Albert Hall, presented by British ORT in aid of United Jewish Relief Agency, conducted by Anatole Fistoulari, featuring solos by the tenor Tito Schipa, Sunday 29th February [1948], printed poster, few creases where previously folded, 76 x 51cm (30 x 20ins)

684* Posters. A collection of promotional posters of male and female opera singers, 20th century, including Placido Domingo (signed), Theresa Berganza (signed), Angela Gheorghiu, Maria Callas, Jessye Norman (signed), 76 x 51cm (30 x 20ins) and similar

The programme included scenes from Mozart’s Don Giovanni, Donizetti’s Elisir D’Amore, the overture from Tchaikovsky’s 1812, and others. (1) £100-150

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£150-200

682* Posters. A collection of promotional posters for opera records, late 20th century, including Joan Sutherland’s Anna Bolena, realised by Decca (signed in silver pen by Dame Sutherland), Teresa Berganza sings Sor and Martin Y Soler (signed in black by Teresa Berganza), Jose Carreras, Bernard Haitink etc, 60 x 42cm (23.5 x 16.5ins) and similar

685* Posters. A collection of promotional posters for concert seasons and performances, mostly at The Royal Opera House Covent Garden, late 20th century, including Handel’s Samson, Mozart’s Mitridate, Strauss’ Capriccio, and others, many signed by cast members including Janet Baker, Margaret Price, Kathleen Battle, Heather Harper, Thomas Allen and others, 76 x 51cm (30 x 20ins) and similar

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(20)

£80-120

163

£150-200

686* Posters. A collection of promotional posters for performances, mostly at Royal Opera House Covent Garden, 20th century, including Mozart’s Idomeneo, Stravinsky’s The Rake’s Progress, Britten’s Peter Grimes, Verdi’s Don Carlo, and others, a few signed by cast members including Kiri Te Kanawa, 76 x 51cm (30 x 20ins), and similar (20)

£100-150

687* Posters. A collection of promotional posters for performances, mostly at Royal Opera House Covent Garden, 20th century, including Verdi’s Otello, Poulenc The Calm Lights, Wagner’s Siegfried, Verdi’s Falstaff, Tippett’s King Priam, and others, a few signed by cast members including Jose Carres, Geraint Evans, and others, 76 x 51cm (30 x 20ins) and similar (20)

£150-200

688* Posters. A collection of promotional posters for performances and concert seasons, mostly at Royal Opera House Covent Garden, 20th century, including Hungarian State Opera, Cherubini’s Medea, Rossini’s Moses in Egypt, Puccini’s Turanadot, Britten’s Death in Venice, Strauss’s Elektra, and others, a few signed by cast members, 76 x 51cm (30 x 20ins) (20)

£100-150

689* Posters. A collection of promotional posters for performances and concert series, mostly at Royal Opera House Covent Garden, 20th century, including Beethoven’s Fidelio, Bizet’s Carmen, Berg’s Lulu, Wagner’s Parsifal, and others, a few signed by cast members, including Josephine Barstow, 76 x 51cm (30 x 20ins) and similar (15)

£80-120

690* Posters. A collection of promotional posters for concert series at Royal Opera House Covent Garden, 1950s to 1970s, colour lithograph including performances of Billy Budd, Swan Lake, Moses and Aaron and others, a few with minor creases or slight marginal fraying, 76 x 51cm (30 x 20ins) and similar (-)

Lot 692

£100-150

691* Posters. A collection of promotional posters for performances and concert series, mostly out Royal Opera House Covent Garden, 1950s to 1990s, mostly colour lithographs, including performances of The Barber of Seville, Carmen, Lucia di Lammermoor, Aida, The Magic Flute and others (15)

£80-120

692* Posters. A pair of promotional posters for performances at the Italian opera, Drury Lane, Thursday 21st April and 12th May [1870], including performances of Gounod’s Faust, Weber’s Abu Hassan and the English premiere of L’Oca del Cairo, conducted by Luigi Arditi, woodblock printed in black and red, creases were previously folded, occasionaly with consequent closed tear, some minor loss, 75 x 50cm (30 x 19.5ins) Luigi Arditi (1822-1903), born in Italy, was a violinist, composer and conductor. He conducted in America, Italy and even Cuba before settling in London. He is buried in Hove Cemetery, Brighton. (2) £100-150

693* Posters. A collection of promotional printed posters for performances, exhibitions and concert series, including some at Royal Opera House, Covent Garden and Snape Maltings Concert Hall, Suffolk, 20th century, including a signed and numbered limited edition poster by David Walker for Handel’s Semele at Royal Opera House, 1982, 76 x 51cm (30 x 20ins) and similar (15)

£150-200

Lot 694

164

694* Press Photos. A group of approximately 100 operatic press and publicity photographs, circa 1950s and later, mostly b & w but including some colour, many depicting two or more performers on stage, many with performances and performers identified and often with photographer’s name or credit label to verso, photographers include Zoe Dominic, Bill Cooper, Shuhei Iwamoto, Reg Wilson, Beth Bergman, Fred Fehl, Clive Barda, Donald Southern, Catherine Ashmore, Winnie Klotz, Jim Caldwell, various press agencies, etc., mostly 10 x 8ins and similar sizes (approx. 100)

£150-200

698* Rossini (Gioachino, 1792-1868 ). Autograph letter signed, ‘G. Rossini’, Paris, 10 September 1843, to his lawyer Filippo Santocanale in Palermo, informing his lawyer that he has received his letter, asking for a copy of the contract to be sent to him in Paris, telling that he will be leaving Paris for a few days, sending regards to Madame Santocanale, etc., a few spots, one page with address-leaf to verso, 4to

695* Opera Houses. A collection of mixed prints and engravings of opera houses, pleasure gardens, theatres and other architecture related, mostly 19th and 20th centuries, including a 19th century impression of Rowlandson's Vauxhall Gardens, two engraved plans of Covent Garden with contemporary hand colour, 19th century lithograph of Teatro di San Carlo Naples, and others similar, approximately 43 x 30cm (17 x 12ins) and similar (20)

(1)

699* Sheet Music. A collection of printed and engraved sheet music from the 19th and 20th centuries, including Pauline Viardot, Six Melodies, She Never Blamed Him, Never sung by Miss Love, by Thomas H. Bayly, Aria from Anna Bolena sung by Madame Pasta, and others, mostly disbound from musical compendia, some with scattered spotting, light offsetting, folio

696* Programme. A souvenir printed programme on silk, and a souvenir Book of Words for the visit of the German Emperor & Empress to the Royal Italian Opera, 8 July 1891, featuring performances by Nelly Melba, Giulia Ravogli, Edouard de Reszke, Jean de Reszke and others, silk programme printed in blue by London Stereoscopic Company, 55 x 30cm (20 x 12ins), book of works including a number of black and white portraits taken from photographs, 8pp of adverts, original printed paper wrappers, some rubbing a slightly chipped to lower edge, 4to, plus a souvenir programme on silk of the State Performance at Royal Opera House Covent Garden in honour of the Marriage of the Duke of York and Princess May of Teck, July 4th 1893 (3)

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£100-150

700* Sheet Music. A collection of mixed printed and engraved sheet music from the 18th century, including Three Sets of Variations for the Piano Forte or Harp by John Hummel, Air with Variations for the Piano Forte composed by W. A. Mozart, Cavantina composed by Sarti, mostly disbound from musical compendia, many with contemporary ownership inscriptions, folio

£100-150

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697 Rossini (Giacchino). il Barbiere di Siviglia Opera Buffa in due Atti del signor Gioachino Rossini, ridotta per il Piano Forte, Paris, [c.1820], title-page, 253 pp. printed score, some light toning and a little offsetting throughout, original cloth gilt, rebacked, slightly rubbed, folio, together with Stendhal (Marie-Henri Beyle). Memoirs of Rossini, by the Author of the Lives of Haydn and Mozart, 1824, engraved portrait frontispiece, some spotting, contemporary blindstamped calf, rubbed and partly faded, 8vo (2)

£500-800

£80-120

£100-150

701* Sontag (Henriette, 1806-1854). A contemporary head and shoulders portrait of the singer Henriette Sontag, circa 1850, pencil on wove paper, inscribed below image ‘La Countess Rossi (Mme. Sontag)’, tipped onto later card mount, sheet size 21 x 13.5cm (8.25 x 5.5ins), together with a contemporary half-length portrait of the Sontag, circa 1830, fine pen and ink with monochrome wash on laid paper, after the engraving by Franz Xaver Stober (1795-1858) published in 1827, inscribed below image ‘Fraulein H. Sontag’, laid down on modern backing paper, image size 21 x 17cm (8.25 x 6.75ins), sheet size 26.5 x 20cm (10.5 x 8ins), plus six other prints and engravings of Heriette Sontag

£100-150

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165

£100-150

706* Tetrazzini (Eva, 1862-1938). Fine full-length portrait in costume by E.F. Foley, New York, 1908, carbon print on thick paper with photographer’s credits in the image and blindstamp to lower right border, signed presentation inscription from the singer to Senora Moore written in lighter area of her evening dress and dated in London 1908, 31 x 23cm (12 x 9ins), together with an unsigned full-length carbon print photograph of her sister and fellow soprano Luisa (1871-1940), from the same studio and showing the singer in the lead role as Lakme [opera by Delibes], 1909, a few surface cracks and chips with loss to three corners, 65.5 x 48.5cm (25.5 x 19ins)

702* Stankowitch (Anna de la Grange de, 1825-1905). Portrait of the soprano by Adolphe Yvon, 1874, fine oval coloured pastel portrait on paper, signed and dated centre left, 52 x 42cm (20.5 x 16.5ins), good quality later near-contemporary French gilt moulded frame by R. Thellier, 119 Rue de la Pompe, Paris Provenance: Purchased by Anthony Gasson at auction in France in the 1990s. The French coloratura soprano Anne de la Grange, one of the most famous opera singers of the 19th century was a protégée of Rossini and Meyerbeer. She took the rolé of Violetta in the American premiere of La Traviata in New York in 1856. Adolphe Yvon (1817-1893) studied under Delaroche, and is famous for his scenes of military history as well as portraits. (1) £400-600

(2)

£100-150

703* Stravinsky (Igor, 1882-1971). ‘Igor Stravinsky’, conducting Firebird, late 20th century, woodblock print, artist’s proof, signed ‘Peter Polaine’, and titled to lower margin, 35 x 44cm (14 x 17.5ins), framed and glazed (1)

£70-100

704* Stravinsky (Igor, 1882-1971). Head and shoulders portrait by Arbit Blatas (1908-1999), 1953, pencil and sepia watercolour on white paper sketch showing the composer in profile, signed, titled and dated in pencil to lower margin, 32.5 x 27 cm (12.75 x 10.5 ins), framed and glazed, together with seven prints by Blatas showing scenes from opera and theatre, each with artist's stamp to lower right hand corner, 51 x 32cm (20 x 12ins) and similar (8)

£100-150

705* Sullivan (Arthur, 1842-1900). Autograph letter signed, ‘Arthur S. Sullivan’, Monday night, n.d., paper watermarked 1865, to Mr Bowley concerning rearrangements for the band’s rehearsal if it can be arranged, asking for a telegram to St. Janes’ Hall with an answer, some spotting, 2 pp. with integral blank, 8vo, together with a lithographic portrait of the composer from a photograph by Elliott & Fry (2)

£150-200

Lot 707

166

707* Theatre Royal Italien. A group of four signed receipts for operatic performances at the theatre in Paris, 1831-38, each a printed sheet completed in manuscript with details of fees, signed by the recipients Rosalbina Caradori Allan, Antonio Tamburini, Giulia Grisi and Giulia Grisi Gerard, a little spotting and soiling, one page, 4to, together with other signed receipts, plus cheques, etc., mostly 19th century, autographs include Giuseppe Persiani, Luigi Lablache, Ann Bishop, twelve cheques from Royal Italian Opera, Covent Garden, plus cheques signed by Beniamino Gigli, Jenny Lind Goldschmidt, Richard Tauber, the remainder mostly Metropolitan Opera payroll cheques not signed by a performer, various sizes (40)

710* Verdi (Giuseppe, 1813-1901). Portrait of the composer by an unidentified artist, late 19th century, watercolour in sepia, black and body colour on off-white paper, head and shoulders portrait of Verdi as an older man wearing a hat, indistinct monogram lower right, 24 x 18cm (9.5 x 7ins), mounted with inset title caption, green baize surround and old decorative gilt frame, glazed The printed title caption inset in the lower mount identifies the artist as Johann Heindrich Ramberg 1763-1840. This is incorrect for the portrait depicts the composer in older age, c. 1880. (1) £150-200

£200-300

708* Theatre Royal, Drury Lane. A broadside promoting the first performance in English of the Magic Flute, Thursday 8th March, 1838, some toning and offsetting, a little fraying to edges with slight loss of text to upper edge, together with an ammendment broadside informing of an alteration to some of the items in the programme, 34 x 20cm (13.5 x 8ins) The majority of the broadside is given over to promoting Charles Kean’s forthcoming performances in Richard III. The ammendment broadside gives the cast including H. Phillips, John Templeton, Michael William Balfe, E. Seguin and others. (2) £200-300

709 Verdi (Giuseppe). Otello, Dramma lirico in quattro atti versi di arrigo boito, Milan: Tito di Gio, [1887], decorated half-title, portrait frontispiece, title-page in red and black, contemporary ownership inscription to title, some toning to page extremities, original cloth gilt, worn, contained within purpose-made book box, folio, together with Toye (Francis), Giuseppe Verdi, His Life and Works, 1931, portrait frontispiece, b & w illustrations, including facsimile letter, original cloth gilt, 8vo, plus Schoelcher (Victor), The Life of Handel, 1857, original cloth, slightly faded to spine, 8vo, and Edwards (H. Sutherland), The Life of Rossini, in one volume, 1869, portrait frontispiece, some spotting, original cloth, 8vo, plus other works, mostly 19th century on Italian composers, American and world opera (3 shelves)

711* Verdi (Giuseppe, 1813-1901). Autograph letter signed, ‘G. Verdi’, no date, envelope postmarked Busseto, 23 October 1887, to his friend the engineer and architect Giuseppe De Amicis [18231910], asking him to forward a letter to Professor Caselli and mentioning the death of his wife’s parrot Lorito, one page, 8vo, together with the original stamped and postmarked envelope, somewhat spotted A portrait of the pet parrot and a bust of it are still to be seen in the Verdi museum that forms part of the Villa Pallavicino, Busseto. For more about Verdi, De Amicis and the parrot see Thomas Russell Ybarra, ‘Verdi: Miracle Man of Opera’ (1955), p. 161. (1) £1000-1500

£150-200

167

713* Visiting cards. A collection of 215 operatic visiting cards collected by Anthony Gasson, 19th and 20th century, mostly printed and often with inscription and/or signature of the personality concerned, these including Madame Albani-Gye, Pasquale Amato, Marie Brema, Regina Resnic, Max Bruch, Georges Bizet, Alessandro Bonci, Jeanne Campredon, Enrico Caruso, Emma Calve, Rose Caron, Luigi Cilla, Paul Dukas, G. Duprez, Leo Delibes (x2), Che Faure, Charles Gounod, Beniamino Gigli, Thomas Hampson, Engelbert Humperdinck, Reynaldo Hahn, Lotte Lehmann, Franz Lehar, Jenny Lind, Nellie Melba, Jules Massenet (x2), Pietro Mascagni, Christine Nilsson, Madame Nordica, Giacomo Puccini (not signed), Adelina Patti, Rosa Ponselle, Tito Schipa, Joan Sutherland, Richard Strauss (inscribed but unsigned), Giuseppina Verdi, Luisa Tetrazzini, Pauline Viardot, etc., uninscribed and unsigned cards include Camille Saint-Saens, Giuseppe Verdi and Siegfried Wagner, etc., approximately 6 x 9cm and similar sizes, presented alphabetically in plastic sleeves and modern ring binder, 4to (1)

£1000-1500

714* Wagner. Three Covent Opera Posters by Ingrid Rosell (1928-), promoting the centenary of the first performance of Wagner’s Ring Cycle at Bayreuth in 1876, two with dedication inscriptions from the artist to Anthony Gasson, slight creases but overall very good, 76 x 51cm (30 x 20ins) and similar (3)

£80-120

715 Weber (Carl Maria von). A manuscript score including piano reductions of Webers Oberon, by A. F. Wustrow, 1826, manuscript title page, manuscript score, toning and offsetting throughout, contemporary paper wrappers with manuscript label to title, folio (1)

712* Viardot (Pauline, 1821-1910). Two signed albumen print cabinet cards of the famous soprano in old age, 1880s, both vignette busts, the first by Nadar, the second by Ordinaire Dinard, both a little spotted and faded and signed ‘Pauline Viardot’ with presentation inscription to Annie and Annie de Mauritz respectively, together with an uncoloured lithographic half-length portrait of the singer as a younger woman by M. Em. Berentzen, a few small spots, 21 x 14cm, and an uncoloured lithograph of her husband Louis Viardot, some spotting, 23.5 x 16cm, all framed and glazed Pauline Viardot was the sister of Maria Malibran (4)

£70-100

£200-300

716 Yorkshire Festival - Malibran. The Fourth Yorkshire Grand Musical Festival, Held on the 8th, 9th, 10th and 11th Days of September 1835, in York Minster, 7 parts bound as one, York, [1835], containing full programmes for performances for morning and evening for the first three days and morning of the last day, complete, printed broadside bound in at front (some torn and frayed), sixty original tickets pasted in, some spotting and dustsoiling throughout, contemporary ownership signature of Anna M. Browne, modern linen-backed boards with printed paper labels, small 4to, together with An Account of the Second Yorkshire Musical Festival... , York, [1825], folding lithographic frontispiece (detached), 48pp., some spotting, first and last leaves detached, disbound, small 4to Maria Malibran, then aged 17 and having made her London debut earlier that year, was engaged as a replacement for Madame Pasta in the part of Rosina in 'The Barber of Seville'. She sang on all four days of the festival alongside Madame Caradon, Braham and others. Braham, along with Mrs Knyvett also appeared in 1835, alongside Giulia Grisi and Mrs Bishop (1)

Lot 713

168

£150-200

HENRY IRVING & ELLEN TERRY From the Collection of Michael Sharvell-Martin

Michael Sharvell-Martin (1944-2010) was a popular British television and stage actor whose career spanned over three decades. He was a familiar character actor on British television screens, guest starring in most prime time dramas and comedies throughout the seventies and eighties. He was mainly a supporting cast actor and is best remembered for his many appearances in the long-running television series Dave Allen at Large. He also had a recurring role as Trevor Botting in the television situation comedy No Place Like Home. During his career he made numerous guest appearances in television programmes such as The Benny Hill Show, Dad's Army, Terry and June, Yes Minister and Murder Most Horrid. His stage appearances included several West End comedy farces and numerous pantomime roles. Away from comedy, Sharvell-Martin had a serious interest in the theatre. In 1996, he was the first chairman of the Irving Society, the organisation dedicated to honouring the life and career of the great Victorian actor-manager Sir Henry Irving.

717 Brereton (Austin). Henry Irving, A Biographical Sketch, 1st edition, 1884, 17 etchings after Whistler et al on india paper, subscribers’ list at rear, extra-illustrated with 8 related photographs including four cartes de visite (Henry Irving, signed; J.L. Toole, signed; Ellen Terry x 2), plus an autograph letter signed from the author to A.V. Dodd and dated 1921, concerning the scarcity of Irving autographs, occasional spotting, t.e.g., remainder uncut, hinges and text block broken with all leaves loose, original parchment gilt, rubbed and soiled, slightly snagged at head of spine, folio One of approximately 85 deluxe copies. (1)

£100-150

718* Garrick (Eva Maria, 1724-1822). Autograph note in the third person, unsigned, Adelphi, 27th December, circa 1800, ‘With Mrs Garrick’s love and compliment of the season’, with place and date beneath, one page with integral address leaf, addressed to Mrs Henderson, Montague Street, Russell Squar[e] in Mrs Garrick’s holograph, seal tear and indistinct handstamps, light toning and dustsoiling, 4to, together with 13 other theatrical autographs including 7 autograph letters signed from Charles Kean (1811-1868), Kate Vaughan, Fred Terry, J.L. Toole, Marion Terry, William Terriss and Lawrence Irving, plus two typed letters signed by H.B. Irving and four others Eva Maria Garrick, nee Veigel, was a dancer and the wife of actor David Garrick. (14) £150-200

719* Irving (Henry, 1838-1905). Portrait by Thomas Oldham Barlow after J.E. Millais, mezzotint, half-length, in profile facing left, inscribed in pencil by Irving and additionally signed in pencil by Millais and Barlow to lower margin below image, 45.5 x 32.5cm (18 x 12.75ins), framed and glazed (1)

£150-200

Lot 719

169

721* Irving (Henry, 1838-1905). Portrait by Henry Herschel Hay Cameron, 1893, sepia photogravure of the actor as Thomas a Beckett in ‘Becket’, head and shoulders in profile, signed and inscribed by the sitter in ink to lower part of image, ‘To F.C. Burnand from Henry Irving, 1893’, 41.5 x 34cm (16.25 x 13.25ins), framed and glazed The dedicatee was presumably the playwright and humorist, Sir Francis Cowley Burnand (1836-1917). This portrait by Julia Margaret Cameron’s son was made during the first run of Tennyson’s play in 1893. Twelve years later, on 13 October 1905, Henry Irving collapsed after a performance of ‘Becket’ in the lobby of the Middleton Hotel, Bradford, and died in the arms of his dresser, Walter Collinson. The chair in which he was sitting when he died is now at the Garrick Club. (1) £200-300

720* Irving (Henry, 1838-1905). Portrait by Ernest Moore, published by Franz Hanfstaengl, 1899, mezzotint, three-quarter length, half turned to the right, 54 x 35.5cm (21.25 x 14ins), signed by Moore and Irving to lower margin below image, mounted, framed and glazed (1)

£100-150

722* Irving (Henry, 1838-1905). A group of seven autograph letters signed, all on Lyceum Theatre letterhead, 1891-1895 and one undated, to various correspondents including two letters to Mr Spencer, various brief notes concerning requests and thanks for books, etc., all in a typically difficult hand, a total of 12 pp., all but one on bifolia, some scattered dust-soiling and toning, one with centrefold damage and one with adhesion marks, neither affecting text, plus a facsimile letter on Lyceum Theatre letterhead concerning the Royal General Theatrical Fund, 2 pp., bifolium, all 8vo (8)

£150-200

723* Irving (Henry, 1838-1905). A group of six autograph letters signed ‘Henry Irving’, various London addresses and Margate, circa 1880s and later, to various correspondents and all in a typically difficult hand, a total of 12 pp., all but one on bifolia, some spotting and a few adhesion marks, one tipped on to an album leaf and two with envelopes preserved (Austin Brereton and Felix Moscheles), all 8vo, plus a further signature of Henry Irving, signed at Lyceum Theatre, a little marginal browning and corner tear, oblong small 8vo

Lot 721

(7 )

170

£100-150

724* Irving (Henry, 1838-1905). A group of ten albumen print cartes de visite of Henry Irving, circa 1870s and later, including one signed to lower mount and four full-length in dramatic roles, together with four cabinet cards of Irving including one with Ellen Terry and one with J.L. Toole (signed by both on lower mount), plus three further cabinet cards after drawings, plus approximately 60 postcards of Irving (one signed), some postally used

726* Irving (Henry, 1838-1905). A group of five autograph letters signed, 1875-1904, including one to Austin Brereton with envelope addressed in Irving’s holograph, one to Mrs Blackmore and one a signed quotation on letterhead, a total of 8pp., 8vo, all separately framed and glazed, the two multi-page letters double-glazed, plus a tinted lithograph of Irving as Hamlet with a signed quote by Irving loosely inserted and dated 27 February 1895, framed and glazed

(approx. 80)

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£150-200

727* Irving (Henry, 1838-1905). A group of four signed photographs of the actor, late 19th century, all head-and-shoulders portraits, including a cabinet card by Window & Grove, a real photo postcard and two smaller photos, all signed to lower margin or mount, all framed and glazed, the latter two in elaborately decorated pressed metal and deep-set gilt wood frames, plus an unsigned albumen print cabinet card of Irving glazed and set within a carved wooden memorial frame of laurel leaves with the actor’s initials and dates beneath, 42 x 40cm

725* Irving (Henry, 1838-1905). Irving as Hamlet, late 19th century, engraved three-quarter length portrait after Edwin Long, some marks and old damp-staining and spotting, signed presentation inscription in pencil from Irving to lower mount, for Malcolm Watson, 1899, 60 x 44cm, card mount chipped and browned at edges, together with a group of twelve further framed and glazed portrait prints of Irving, including a duplicate of the first-named (unsigned), an uncoloured lithograph of Irving as Charles I and portraits by William Nicholson, Edward Gordon Craig, T.O. Barlow, an advertising wood-engraving for Beecham’s Pills, etc., various sizes, all framed and glazed (13)

£100-150

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£200-300

171

£100-150

729* Irving (Henry, 1838-1905). An assorted group of approximately thirty framed and glazed items of Irving ephemera, mostly late 19th and early 20th century, including a silk programme for the play Philip, a paper programme for the farewell of Henry Irving and his company (Theatre Royal, Bradford, 9 October 1905), a telegram to [Nellie?] Farren, 2 April 1897, ‘Delighted to welcome you have kept you my box come by private entrance Burleigh St.’, funeral service programme, invitation and ticket for Westminster Abbey, a montage of tickets and ephemera for a visit of Henry Irving and company to the Prince of Wales’ Theatre, Birmingham, 16 October 1905, the Royal Lyceum Athletic Club Rules and Regulations, 1880, etc., various sizes, all framed and glazed (approx. 30)

£200-300

728* Irving (Henry, 1838-1905). Portrait of Sir Henry Irving as Becket by Henry Herschel Hay Cameron, 1893, photogravure, signed and dated presentation inscription from Irving in the image lower right, now somewhat faded and indistinct, small split lower right, 43 x 36cm, mat mount, together with seven further photographs of Irving, late 19th and early 20th century, including four portraits, plus one of Irving with his dog carrying his walking stick, one seated in a garden with a friend and one showing an invitation luncheon to Mr Henry Irving, 26 September 1891, various processes and sizes, all framed and glazed (8)

£100-150

730* Irving (Henry, and Terry, Ellen). Theatrical portrait by Edmund J. Sullivan, 1899, grisaille watercolour, interior scene with a lady looking out of a large window, and a gentleman standing beside, both dressed in a late 18th century French style, signed and dated lower left, 47 x 32cm (18.5 x 12.5ins), mounted, framed and glazed, together with a theatrical pencil drawing of Henry Irving and Ellen Terry, foxed, and with two folds, framed and glazed, with manuscript label on backboard “original pencil sketch by M. Stretch Dec. 1879. Basis for ‘Illustrated and Dramatic News’ Dec 20 1879. From the Alec Clunes Collection” (2)

£200-300

731* Irving (Henry, and Terry, Ellen). Theatrical portrait of Henry Irving and Ellen Terry as Othello and Desdemona at The Lyceum Theatre, 1881, by Henry Stephen Ludlow (1861-c.1934), pen & ink and sepia wash, titled to upper margin, signed lower left, lightly foxed, 44 x 30cm (17.5 x 11.75ins), mounted, framed and glazed, together with another pen & ink drawing of Irving and Terry by Henry Ludlow similar (2)

Lot 729

172

£200-300

733* Irving (Henry). Pen & ink cartoon, late 19th century, pen & ink heightened with bodycolour, depicting Henry Irving falling into a puddle lettered ‘criticism’ outside the Theatre Royal in Drury Lane, with parcels, top hat, and pince-nez flying, looking up at Charles Dillon’s name on a large poster which is pasted over a smaller broadside saying ‘Last Night of H. Irving’, initialled C & J lower right, 28 x 42cm (11 x 16.5ins), mounted, together with Caricature portrait, late 19th century, black and coloured chalks, full-length, profile facing left, showing the actor wearing a top hat and pince-nez, and carrying a cane, generally foxed and marked, and with a horizontal fold, 53.5 x 38cm (21 x 15ins), framed and glazed (2)

£100-150

732* Irving (Henry). Portrait of Henry Irving as Hamlet, by Bernard Partridge (1861-1945), grisaille oil, full-length, showing the actor descending some steps in an interior, signed lower left, some minor surface flaking, 44 x 31cm (17.25 x 12.25ins), mounted, framed and glazed (1)

£300-500

734* Irving (Henry). Portrait of Henry Irving as Shylock, by Bransby Williams (1870-1961), pencil, half-length, half-turned to the left, titled in pencil at head and signed in pencil at foot, lightly dust-soiled, 22 x 14.5cm (8.5 x 5.75ins), mounted, framed and glazed, together with a pen & ink sketch of Henry Irving as Hamlet, full-length, captioned in ink below image, with additional pencil note ‘Drawing made in Dressing Room by Barnard 1874’, 18 x 13cm (7.25 x 5ins), framed and glazed, plus two printed portraits of Irving Fellow actor Bransby Williams became known as ‘The Irving of the Music Halls’. His first appearance in a music hall was at The London Music Hall in Shoreditch in 1896, during which he gave impersonations of the leading actors of the time, including Henry Irving in ‘The Bells’. Williams purchased the late Irving’s stock in 1923. (4) £150-200

Lot 733

173

736* Irving (Henry). A bronze plaque by L. E. Blackwell with profile portrait of Henry Irving, 1893, patinated bronze sculpture in shalloow relief, cast caption and signature, ownership isncription “A. T. Salisbury Jones” stamped to edge, mounted on square stone plaque with cast bronze ribbon decoration, 20cm (8ins) plaque diameter, 30 x 30cm (12 x 12ins) overall (1)

735* Irving (Henry). Portrait of Henry Irving as The Flying Dutchman in Vanderdecken, by J. Gilbert Hart, watercolour, head and shoulders, half-turned to the left, signed lower left, 22.5 x 16cm (9 x 6.25ins), manuscript title to gilt mount, framed and glazed, together with five others related, comprising a watercolour profile portrait of Henry Irving as Dante, with monogram ‘LJB’, 28 x 22cm (11 x 8.75ins), framed and glazed, a watercolour of Irving by M. Padgett, signed and dated dated ‘97 lower left, 29 x 29cm (11.5 x 7.75ins), framed and glazed, an oil on canvas depicting Henry Irving in Romeo and Juliet at the Lyceum Theatre in 1882, 20 x 23cm (8 x 9ins), a watercolour caricature of Irving, full length, profile turned to the left, smoking a cigar, initialled ‘SB’ lower right, some spotting, mounted, framed and glazed, and a printed caricature of Irving by Phil May laid down onto printed sheet lettered above ‘Sir Henry Irving, A lightening chalk sketch drawn in the Club Room by Phil May’, and below ‘Savage Club House Dinner, Saturday, May 28th, 1910, Fred Grundy in the Chair’ (6)

£100-150

737* Irving (Henry). A bronze bust of Sir Henry Irving by Herbert Hampton, 1905, patinated bronze, cast signature to verso, raised on circular socle, 28cm (11ins) high (1)

£100-150

£150-200

738* Irving (Henry). A moulded ceramic plaque by Leeds Art Pottery, with profile portrait of Sir Henry Irving, circa 1905, moulded ceramic in shallow relief white, blue and yellow glaze, overall craquelure, moulded caption to border “Into thy hands of Lord, Sir Henry Irving, Into thy hands”, impressed signature C. Holding to truncation, pierced for hanging, small chip to edge, impressed Leeds Pottery mark to verso, 28cm (11ins) diameter Lot 736

(1)

174

£80-120

Lot 740 739* Irving (Henry). A bronze plaque by Albert Toft showing a profile portrait of Sir Henry Irving, 1887, patinated bronze sculpture in shallow relief, cast signature and date to truncation, 25cm (10ins) diameter, together with a pair of cast plaster busts of Sir Henry Irving and Ellen Terry, a ceramic bust and three other plaques of Sir Henry Irving (7)

741 Stoker (Bram). Personal Reminiscences of Henry Irving, 2 volumes, 1st editions, 1906, b & w plates, some spotting, original cloth gilt, rubbed and slight wear to extremities, together with Irving (Laurence), Henry Irving, The Actor and His World, New York, 1952, colour portrait frontispiece, b & w plates, original cloth in frayed d.j. and slightly worn publisher’s book box, plus Craig (Edward Gordon), Henry Irving, 1st edition, 1930, colour portrait frontispiece, b & w plates, top edge gilt, remainder untrimmed, original quarter morocco gilt, slightly rubbed and soiled, 8vo, (signed limited edition including two extra illustrations, 55/75), plus other Henry Irving, Ellen Terry and their circle interest, mostly biographies and related, and including some related catalogues

£100-150

740* Sickert (Walter Richard, 1860-1942). Portrait of Henry Irving as Shylock in ‘The Merchant of Venice’, circa 1879, albumen print cabinet card by London Stereoscopic Company after an initialled and captioned pencil drawing full-length portrait of Irving by Sickert, image 14.5 x 10cm (5.5 x 4ins), a little spotted and dust-spoiled, the verso with photographer’s details printed in red and manuscript note upper right ‘H[ors] C[ommerce]’, lovingly and boldly signed and inscribed by the artist ‘To Ellen Terry from Walter Sickert’, framed and glazed

(3 shelves)

Before Sickert became an artist he undertook some acting work, joining Henry Irving’s company of actors at the Lyceum Theatre, London in 1879. Irving and Terry had begun their famous association with Hamlet in 1878, their 1879 production of ‘The Merchant of Venice’ running for an unusual 250 nights. It is known that Sickert in hope and anticipation of joining the company had been to the theatre reguarly ‘to observe’. This photograph of an early drawing for which the whereabouts of the original has not been ascertained, was clearly given as a love token from the smitten and much younger artist to the glamorous and famous actress he befriended. (1) £500-800

175

£100-200

742 Stoker (Bram, 1847-1912). Royal Lyceum Theatre, London. Final returns of “Othello”, 1881, an album comprising two tipped-in printed programmes for performances on 27 May and 15 June (Ellen Terry’s Benefit), plus 21 printed broadsheets for final returns, each completed in manuscript with dates, numbers and returns, and each signed off by acting manager Bram Stoker lower left where signature required, programmes heavily spotted and some spotting to all broadsheet returns, original returns cloth with printed paper label to upper cover, some slight fraying, soiling and fading, narrow tall folio Henry Irving took over the management of the Lyceum Theatre in August 1878, and remained with the theatre until 1902. Bram Stoker became acting manager and then business manager of Irving’s Lyceum Theatre, a post he held for twenty-seven years. Whether, as some suggest the character of Dracula (first published 1897) was based on Henry Irving is debatable. The production of ‘Othello’ comprised twenty-one performances (plus the Ellen Terry Benefit) with the lead roles of Othello and Iago being alternated between Henry Irving and Edwin Booth; Ellen Terry played Desdemona. (1) £1000-1500

743* Stoker (Bram & Irving, Henry). A group of three letters signed ‘Henry Irving’, 15A Grafton Street & Lyceum Theatre, London, 1886-1898, all in the hand of Bram Stoker, the first to Miss Bennett, offering to give testimony about her father’s worth as an actor, the second to an unidentified recipient concerning the loss of Watts Phillips’s letter, and the third to Hassard concerning his recuperation and convalescence in Bournemouth with a long footnote in Irving’s hand, all with some spotting or soiling and one with adhesion remains not affecting text, a total of 7 pp. on 3 bifolia, plus an autograph letter signed from Bram Stoker on Provincial and American Tour letterhead, dated 11 October 1899, written in a hurried and slightly scrawly hand regretting that Henry Irving will not be able to be at the Benefit of his old friend John Hollingshed but will be happy to have his name on the committee for same, 2 pp., adhesion marks to verso, all 8vo (4)

£300-400

Lot 742

744* Terry (Ellen, 1847-1928). Autograph letter signed, ‘Ellen Terry’, 8 March 1902, to her friend Jon regretting that she cannot accept an invitation unless by some chance she happens to be in London, written in red ink on Parker House, Boston letterhead, 2 pp., old adhesion marks to blank area at foot of second page, 8vo, together with a short autograph letter signed ‘Ellen Carew’, circa 1908, to Marie Saker, regretting that she cannot come, old adhesion marks and small tear to left margin, one page, oblong 8vo, plus a third brief note, 19 May 1906, thanking the recipient for the cutting, in a secretarial hand but signed ‘Ellen Terry’, one page with integral blank, some light browning, 8vo, plus three further signed items including a typed note on letterhead for Miss Ellen Terry’s matinee in aid of the Women’s League of Service for Motherhood, 1922, plus Ellen Terry Jubilee Souvenir 1906, thirty mounted photographs of Terry in various roles, mounted to rectos only, dedication leaf detached, hinges cracked, original two-tone cloth, rubbed and soiled, small folio, plus a group of fifty-six postcards of Ellen Terry including some real photo postcards, some postally used

Lot 743

(approx. 60)

176

£200-300

746* Theatre broadsides. A group of ten letterpress theatre broadsides relating to Henry Irving and circle, circa 1862-1905, featuring Henry Irving in Macbeth (Theatre Royal, Manchester, 23 June 1862), Two Roses (New Theatre Royal, Bristol, 31 July 1871), Ici on parle Francais (Theatre Royal, Glasgow, 21 May 1869), The Bells (Royal Lyceum Theatre, 19 February 1872), Formosa (Theatre Royal Drury Lane, 13 September 1869), occasional spotting, toning and marginal fraying, two torn with slight loss, approximately 94 x 32cm and smaller, all framed and glazed (10)

£100-150

745* Terry (Ellen, 1847-1928). A group of eleven framed photographs, etc., late 19th and early 20th century, including a signed photograph, 24 x 18cm, a signed cabinet card by H.S. Mendelssohn, a signed real photo postcard of Terry as Lady Macbeth and a late signed real photograph of Terry in her garden, dated 1926, and mounted in a display with an autograph letter signed from Ellen Terry to Percy Allen, one page, 8vo, other items include a large montage display of six photographs of Terry as the Abbess in ‘Paphnutius’, a woodcut by Edward Gordon Craig showing Terry as Ophelia, 1898, etc., plus one unframed item, an album leaf with quotations signed by Henry Irving and Ellen Terry on separate pieces of paper and dated 13 April 1885 (12)

£200-300

747* Theatrical autographs. An autograph album compiled by Bessie Huntley, circa 1900-20, containing over 100 theatrical autographs and signed notes, mostly pasted in, autograph notes include Henry Irving (note in Bram Stoker’s hand), Eva Moore, Winnifred Emery, Gordon Craig, Irene Vanbrugh, Charles Wyndham, Merrimore, Madge Kendal, Fred Terry, Maude Millett, Ethel Heydon, Dudley Hardy (signed sketch), Gaston Maspero (two-page letter in French to Scott Moncrieff), etc., other signatures include Lillie Langtry, Ellen Terry, Charles Hawtrey, Julia Neilson, Violet Vanbrugh, Leoni Yahne, Herbert Beerbohm Tree, Ellaline Terriss, Seymour Hicks, etc., many on theatre letterheads, some loose, a total of 80 leaves including blanks, original padded morocco, worn with some loss to spine and edges split, 4to (1)

£150-200

748* Irving (Henry & Ellen Terry). A mixed collection of ephemera and memorabilia relating to the actors Sir Henry Irving and Ellen Terry, mostly late 19th century, including four cast bronze commemorative medals celebrating Henry Irving, commemorative stamps, cigarette cards, souvenir silk programme, cabinet cards of Ellen Terry, a tassels end from a jacket worn by Irving whilst performing at the Lyceum in 1873, commemorative tiles of the Irving Society and eight Staffordshire flat back figures showing an actor (some damaged, some reproduction) (a carton)

Lot 746

177

£100-150

MUSIC & THEATRE FROM OTHER VENDORS

749 Albert (Eugen d’, 1864-1932). Izeyl. Musikdrama in drei Aufzugen (vier Bildern)... Klavier Partitur mit Deutschem Text von Otto Singer, 1st edition vocal and piano score, Berlin: E. Bote & G. Bock, [1909?], a little marginal dust-soiling, inscribed presentation inscription from the composer to Theodor Behrens, Berlin, 22 February 1909, inscribed in purple ink to front free endpaper, original limp green morocco, rubbed and slightly soiled, 4to Theodor Behrens (1857-1921) was a German banker, art collector and patron. (1) £150-200

750* Commemorative baton. An ivory conductor’s baton with silver-plated mounts and tip, engraved dedication, ‘Presented to Mr Thomas Boot, conductor, CSHS, by the members, 1895’, 49cm (19.25ins), original plush-lined and hinged baton case, together with a ‘Musician’s Birthday Book’, [1897], numerous autographs of minor and unidentified musicians including Solomon, Arture de Groof, Bainton, etc., presentation bookplate to Mr W. Henry Todd pasted to front endpaper (organist at St. Ann’s Church, Newcastleon-Tyne), some spotting, original gilt-decorated cloth, rubbed, 8vo (2)

£200-300

Lot 750

178

751* Dolin (Sir Anton, 1904-1983). An important archive of letters, programmes, photographs, etc., collected by Dolin’s friend the painter and charity worker Lady Eleanor Campbell-Orde, comprising approximately 260 autograph letters signed (‘Patrick’) and twenty postcards, greetings cards and telegrams, circa 193583, various lengths from short to lengthy mostly sent from various places in Britain and North America, referencing his ballet work and programmes, talking of mutual friends, health, travel arrangements and hopes for meetings, initially addressing her as Eleanor and, later, Ely, written in a clear hand and often on hotel stationery, the majority of stamped and postmarked envelopes retained (initially address to Miss Eleanor Watts, and from 1938 as Lady Eleanor Orde), together with two autograph letters signed from Poppy [Poppea Vanda, ballet fan and supporter of Anton Dolin, d. 1957], both dated 1936 and sent to Eleanor giving a penetrating character analysis of Dolin and hoping that Eleanor will be able to be a good friend of his, 5 pp. on five sheets, 4to, plus a scrapbook containing approximately thirty letters and related ephemera, circa 1930s/1940s, the majority letters of gratitude to Anton Dolin from various organisations and including two typed letters signed by Noel Coward (one simply ‘Noel’), all taped in at margins and mostly to rectos only, contemporary cloth with spine tie, some corner wear, 4to, plus approximately 200 programmes and souvenir brochures (including a few duplicates), many relating to Ballets Russes and the Dolin and Markova Company, notably one programme for Ballets Russes performance at Royal Opera House 24, July 1935 with the printed cabaret programme insert signed to blank verso by nine of the company’s artistes, Leonide Massine, David Lichine, Alexandra Danilova, Irina Baronova, Tatiana Riabouchinska, Tamara Toumanova, Eugenie Delarova, Yurek Shabelevsky and one other, plus approximately forty b & w photographs including publicity photos of Dolin (two signed and inscribed ‘For Ely from Patrick’), Alicia Markova and six of Massine in suit and tie, plus a small quantity of related autographs and letters, mostly relating to Dolin’s silver jubilee in 1948 Sir Anton Dolin (real name Sydney Francis Patrick Chippindall Healey Kay), ballet dancer, was born in Slinfold, Sussex on 27 July 1904. He appeared under the name Patrikeeff in Diaghilev’s production of ‘The Sleeping Princess’ in 1921. He appeared for the first time as Anton Dolin at the Royal Albert Hall in the ‘AngloRussian Ballet’ in 1923. He left Diaghilev in 1925 and then undertook engagements in England. In 1927 he founded the first English ballet company and, the following year, rejoined Diaghilev in Monte Carlo. During the 1930s Dolin appeared in the new Vic-Wells ballet. In 1935 he and Alicia Markova founded their own ballet company with Bronislava Nijinska as the ballet mistress and Dolin as director and first soloist. The company lasted until 1937. He continued to dance and teach up until his death in Paris on 25 November 1983. His last letter in this archive is dated 18 July 1983. Lady Eleanor Campbell-Orde (nee Watts) was born in 1908, married Sir Simon Campbell-Orde in 1938 and died in 1996. The correspondence here reflects a close friendship that lasted from the time that Dolin created the Markova and Dolin company in 1935 and runs near-continuously until 1983, but with few letters written in the final decade. Provenance: From the family of Eleanor Campbell-Orde. (an archive) £1500-2000

Lot 751

179

752 Garaude (Alexis de ). Nouvelle methode de chant et de vocalisation, adoptee pour l’insignement des aleves de la maison royale de St. Denis, et en usage dans les classes de l’ecole royale de musique... , Paris, c. 1820, engraved title with vignette of a singing lesson at a girls’ boarding school, subscribers, preface and music and final leaf of contents engraved throughout, bound with Paer (Ferdinando), Vingt-quatre exercices pour voix de soprano ou tenore... , Paris, circa 1820, engraved title and music, bound with Bordogni (Marco), Trente-six vocalises pour la voix de soprano ou de tenore... , Paris, circa 1820, engraved title and engraved music throughout, some spotting and occasional soiling throughout, a few marginal repairs to last two works and a few closed tear repairs with some slight loss of music or text, contemporary red quarter morocco gilt, slightly rubbed and soiled, 4to Three works concerning singing tuition by notable singing teachers of the period: Alexis de Garaude (1779-1852), French composer and music and singing teacher; Ferdinando Paer (1771-1839), Italian composer, conductor of the Italian opera in Paris 1812-1823; Giulio Marco Bordogni (1789-1856), Italian operatic tenor and singing teacher at the Paris Conservatoire from 1820. (1) £200-300

754* Liszt (Franz, 1811-1886). Autograph Testimonial Note in German, Signed ‘F. Liszt’, translating as ‘At the Concert, Grosvenor Gallery, 8th April 1886, I played with pleasure on the admirable Broadwood Grand Pianoforte’, 7.5 x 11.5cm, mounted beneath a photographic reproduction of the composer/pianist in profile, framed and glazed, modern photocopy with typed details and provenance on Broadwood Pianos letterhead pasted to frame verso

753* [Irving, Henry]. Lyceum Theatre [Menu], Supper, Saturday, 14th February, 1880, to Commemorate the One Hundredth Performance of The Merchant of Venice, single-sided menu on thick paper printed in red, vertical folds, some spotting, pencil name of [the theatre critic] H[enry] Lee at foot, 8vo, together with the original printed invitation to the supper from Henry Irving, Lee’s name [incorrectly spelt Leigh] inserted in manuscript, plus the original stamped and postmarked envelope (11 February 1880) addressed to Henry Lee (3)

During his visit to London in 1886 Liszt played on four Broadwood Concert Grand Pianofortes and two other Broadwood instruments. On the day this note was written he played on No. 22021 at Mr Walter Bache’s Reception, Grosvenor Gallery. The provenance note, dated September 1995, also states that the original frame and mount were destroyed by vandalising burglars, the testimonial surviving and here remounted and reframed. (1) £1000-1500

£70-100

180

755 Manuscript Psalms. A mid-18th century neat manuscript album containing music and verses for various psalms, handwritten in English on 182 pages in total, mostly with musical stave and text, a few leaves blank or with text only, all written in a neat hand in brown ink, ownership inscription of Alexander Frew, dated 1753 to front endpaper and of John Ralph, late 19th century bookplate of Agnes Margaret Dixon to front pastedown, contemporary calf, heavily rubbed and some wear with joints cracked, oblong 8vo (1)

£100-150

758 Rameau (Jean Philippe). Code de Musique Pratique, ou Methodes pour apprendre la Musique, meme a des aveugles, pour former la voix & l’oreille, pour la position de la main avec une mechanique des doigts sur le Clavecin & l’Orgue, pour l’Accompagnement sur touts les Instruments qui en sont susceptibles, & pour le Prelude: Avec de Nouvelles Reflexions sur le Principe sonore, 1st ed., Paris: de l’Imprimerie Royale, 1760, engraved frontispiece, vignette to title, 33 pages of engraved music, occasional light spotting, contemporary mottled sheep. gilt decorated spine, lacking title label, joints slightly cracked at head, 4to

756 Mozart (Wolfgang Amadeus). Il dissoluto punito osia il Don Giovanni... Ridotto per il pianoforto, Hamburg: Giovanni Augusto Bohme, engraved vignette title, 209 pp. engraved music, some spotting and marginal water-staining (heaviest at front), bound with Meyerbeer (Giacomo), Robert der Teufel (Robert le Diable), Hamburg: J.A. Bohme, circa 1830, engraved title and 138 engraved pp. music, spotting throughout, contemporary half calf, some wear, spine lifting and upper cover detached, oblong folio (1)

Hirsch, i 490; RISM Écrits, p.682. Rameau’s last and most comprehensive treatise on composition. (1) £800-1000

£300-400

757 Nathan (Isaac). An Essay on the History and Theory of Music; and on the qualities, capabilities, and management of the human voice, printed for G. and W. B. Whittaker, 1823, half-title, forty-one leaves of engraved music, printed on both sides (lacks one signature, pp.187-191, with pp.159-162 repeated), untrimmed, orig. boards with paper label to spine, rubbed and some soiling, with some wear to spine and joints partly cracked, large 4to Sendrey, Bibliography of Jewish Music, 2061. Isaac Nathan is best-known for his settings of Hebrew Melodies (1815), with words by Byron, which remained in print for much of the nineteenth century. He is also considered the father of Australian music, emigrating there in 1841, and giving some the first performances on that continent of works by Mozart and Beethoven, as well as pioneering the research and transcription of Australian aboriginal music. (1) £150-200

181

761* Strauss (Richard, 1864-1949). Autograph musical quotation signed ‘Dr Richard Strauss’, n.d., a quote from ‘Tileulenspiegel’, a two-bar quotation from ‘Till Eulenspiegel’ [1894-95] signed beneath, on a sheet of plain off-white paper, 10 x 14cm (4 x 5.5ins), framed and glazed

759* Schoenberg (Arnold, 1874-1951). Autograph quotation in German signed, ‘Arnold Schoenberg’, 24 February 1913, on a slip of ruled paper, the two lines of inscription translating as ‘Long live youth! Down with age!’, a little soiling and light vertical crease, 7 x 8.5cm (1)

(1)

£150-200

£400-500

762* Strauss (Richard, 1864-1949). Ink signature, ‘Dr Richard Strauss’, on an off-white slip of paper, 5.5 x 9.5cm (1)

760 Spontini (Gaspard). La Vestale. Tragedie Lyrique en Trois Actes de Mr. Jouy, 2 parts bound in 2 volumes, Paris, [1808?], full orchestral score, engraved throughout, ink stamp of the publisher Erard to both parts, contemporary boards with leather labels to spines, heavily rubbed and upper joint of second volume partly cracked, folio (2)

£150-200

Lot 763

£150-200

182

763* Theatre postcards. A collection of approximately 800 postcards, circa 1900-1950, largely comprising black and white publicity portraits from photographs, approximately half relating to the actress Phyllis Dare (1890-1975) plus a few signed (Gladys Cooper, Terry Thomas, George Robey, Sylvia Storey, George Chirgwin, Lily Brayton, Gertie Millar, Beatrice Kerr and Henri Verbrugghen), some colour tinted, many postally unused, the collection presented in sleeves in two modern postcard album ring binders, 4to (2)

£300-500

765 Wozzeck. Georg Buchner Wozzeck, [Illustrated by[ Rafaello Busoni, 1924, 6 nine hand-coloured lithographed illustrations, of which eight signed in pencil by the artist and numbered 5/5, sheet size 30 x 23cm (12 x 9ins), each window mounted and contained in later cloth book box (a few water spots to upper cover) One of five special sets, the title illustration with a presentation inscription to Madame Harriet Lanier, Berlin, February 1924; together with a one-page manuscript note from the artist describing the edition of five sets and dedicating this set to Harriet Lanier. The subject is George Buchner’s incomplete play Wozzeck, these illustrations were completed in 1924, the year before Alban Berg’s eponymous opera opened in Berlin. (1) £200-300

766 Zeno (Apostolo ). Poesie Drammatiche, 10 volumes, Venice, 1744, engraved frontispiece, title to volume 1 printed in red and black, minor spotting, some light marginal damp-staining towards end, old ink signatures and inscriptions to front free endpapers (Annibale Damiani), contemporary vellum with red morocco spine labels, rubbed and soiled, 8vo

764 Wagner (Richard). Tristan und Isolde, 1923, facsimile score, purple full morocco gilt, contained within original card wrappers, folio Limited edition of 530. (1)

Opera libretti by Apostolo Zeno (1669-1750), who dominated Venetian opera from circa 1695 to circa 1730. (10) £150-200

£150-200

183

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188

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A photograph of a Japanese lady in full dress, circa 1870, by Pyor Floyd, from a rare album of Chinese photographs and watercolours of the 1860s and 1870s. Sold in these rooms 9 October 2014 for ÂŁ48,000.

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Mallard House, Broadway Lane, South Cerney, Cirencester, Gloucestershire, GL7 5UQ 01285 860006 / firstname or info@dominicwinter.co.uk

www.dominicwinter.co.uk

Conditions of Sale and Business 1. The Seller warrants to the Auctioneer and the buyer that he is the true owner or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims. 2. (a) The highest bidder to be the buyer. If during the auction the Auctioneer considers that a dispute has arisen he has absolute authority to settle it or re-offer the lot. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid, divide any lot, combine any two or more lots or withdraw any lot without prior notice. (b) Where goods are bought at auction by a buyer who has entered into an agreement with another or others that the other or others (or some of them) shall abstain from bidding for the goods and the buyer or other party or one of the other parties is a dealer (as defined in the Auction Biddings Agreement Act 1927) the buyer warrants that the goods are bought bona fide on joint account. 3. The buyer shall pay the price at which a lot is knocked down by the Auctioneer to the buyer (“the hammer price”) together with a premium of 19.5% of the hammer price. Where the lot is marked by an asterisk the premium will be subject to VAT at 23.40% which under the Auctioneer’s Margin Scheme will form part of the buyer’s premium on our invoice and will not be separately identified (the premium added to the hammer price will hereafter collectively be referred to as “the total sum due”). By making any bid the buyer acknowledges that his attention has been drawn to the fact that on the sale of any lot the Auctioneer will receive from the seller commission at its usual rates in addition to the said premium of 19.5% and assents to the Auctioneer receiving the said commission. 4. (a) The buyer shall forthwith upon the purchase give in his name and permanent address and pay to the Auctioneer immediately after the conclusion of the auction the total sum due. (b) The buyer may be required to pay down during the course of the sale the whole or any part of the total sum due, and if he fails to do so after such request the lot or lots may at the Auctioneer's absolute discretion be put up again and resold immediately. (c) The buyer shall at his own expense take away any lot or lots purchased no later than five working days after the auction day. (d) The Auctioneer may at his own discretion agree credit terms with a buyer and extend the time limits for collection in special cases but otherwise payment shall be deemed to have been made only after the Auctioneer has received cash or a sterling banker’s draft or the buyer's cheque has been cleared. 5. (a) If the buyer fails to pay for or take away any lot or lots pursuant to clause 4 or breaches any other condition of that clause the Auctioneer as agent for the seller shall be entitled after consultation with the seller to exercise one or other of the following rights: (i) Rescind the sale of that or any other lots sold to the buyer who defaults and re-sell the lot or lots whereupon the defaulting buyer shall pay to the Auctioneer any shortfall between the proceeds of that sale after deduction of costs of re-sale and the total sum due. Any surplus shall belong to the seller. (ii) Proceed for damages for breach of contract. (b) Without prejudice to the Auctioneer's rights hereunder if any lots or lots are not collected within five days or such longer period as the Auctioneer may have agreed otherwise, the Auctioneer may charge the buyer a storage charge of £1.00 + VAT at the current rate per lot per day. (c) Ownership of the lot purchased shall not pass to the buyer until he has paid to the Auctioneer the total sum due. 6. (a) The seller shall be entitled to place a reserve on any lot and the Auctioneer shall have the right to bid on behalf of the seller for any lot on which a reserve has been placed. A seller may not bid on any lot on which a reserve has been placed. (b) Where any lot fails to sell, the Auctioneer shall notify the seller accordingly. The seller shall make arrangements either to re-offer the lot for sale or to collect the lot and may be asked to pay a commission not exceeding 50% of the selling commission and any special expenses incurred in cataloguing the lot. (c) If such arrangements are not made within seven days of the notification the Auctioneer is empowered to sell the lot by auction or by private treaty at not less than the reserve price and to receive from the seller the normal selling commission and special expenses.

7. Any representation or statement by the Auctioneer in any catalogue, brochure or advertisement of forthcoming sales as to authorship, attribution, genuineness, origin, date, age, provenance, condition or estimated selling price is a statement of opinion only. Every person interested should exercise and rely on his own judgement as to such matters and neither the Auctioneer nor his servants or agents are responsible for the correctness of such opinions. No warranty whatsoever is given by the Auctioneer or the seller in respect of any lot and any express or implied warranties are hereby excluded. 8. (a) Notwithstanding any other terms of these conditions, if within fourteen days of the sale the Auctioneer has received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within fourteen days after such notification the buyer returns the same to the Auctioneer in the same condition as at the time of the sale and satisfies the Auctioneer that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. "A deliberate forgery" means a lot made with intention to deceive. (b) A buyer's claim under this condition shall be limited to any amount paid to the Auctioneer for the lot and for the purpose of this condition the buyer shall be the person to whom the original invoice was made out by the Auctioneer. 9. Lots may be removed during the sale after full settlement in accordance with 4(d) hereof. 10. All goods delivered to the Auctioneer's premises will be deemed to be delivered for sale by auction unless otherwise stated in writing and will be catalogued and sold at the Auctioneer's discretion and accepted by the Auctioneer subject to all these conditions. In the case of miscellaneous books, the Auctioneer reserves the right to extract and dispose of books that, in the opinion of the Auctioneer at his absolute discretion, have no saleable value and, therefore, might detract from the saleability of the rest of the lot and the Auctioneer shall incur no liability to the seller, in respect of the books disposed of. By delivering the goods to the Auctioneer for inclusion in his auction sales each seller acknowledges that he/she accepts and agrees to all the conditions. 11. (a) Unless otherwise instructed in writing all goods on the Auctioneer's premises and in their custody will be held insured against the risks of fire, burglary, water damage and accidental breakage or damage. The value of the goods so covered will be the hammer price, or in the case of unsold lots the best bid, or in the case of loss or damage prior to the sale that which the specialised staff of the Auctioneer shall in their absolute discretion estimate to be the auction value of such goods. (b) The Auctioneer shall not be responsible for damage to or the loss, theft, or destruction of any goods not so insured because of the owner’s written instructions. 12. The Auctioneer shall remit the proceeds of the sale to the seller thirty days after the day of the auction provided that the Auctioneer has received the total sum due from the buyer. In all other cases the Auctioneer will remit the proceeds of the sale to the seller within seven days of the receipt by the Auctioneer of the total sum due. The Auctioneer will not be deemed to have received the total sum due until after any cheque delivered by the buyer has been cleared. In the event of the Auctioneer exercising his right to rescind the sale his obligation to the seller hereunder lapses. 13. In the case of the seller withdrawing instructions to the Auctioneer to sell any lot or lots, the Auctioneer may charge a fee of 12.5% of the Auctioneer's middle estimate of the auction price of the lot withdrawn together with Value Added Tax thereon and any expenses incurred in respect of the lot or lots. 14. The Auctioneer’s current standard notices and information (i.e. Collation and Amendments) will apply to any contract with the Auctioneer as if incorporated herein. 15. These conditions shall be governed by and construed in accordance with English Law.

DOMINIC WINTER SPECIALIST AUCTIONEERS AND VALUERS Saleroom and Offices: Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 Fax: 01285 862461

COMMISSION SLIP Please Bid on my behalf at the sale on 28/29 January 2015 up to the amount shown. I acknowledge that I will be required to pay a buyer's premium at the current rate.

Lot ÂŁ Brief Description ______________________________________________________________________________________

Name: Address

Telephone: Email:

Fax:

Postage can be arranged for most purchases. For UK and European customers we use DPD (formerly Parceline) or Royal Mail: a separate charge is added to the invoice (minimum ÂŁ15) and parcels are despatched as soon as possible after payment has been received. All framed and glazed items and all lots for overseas customers outside Europe will be sent to Mail Boxes Etc. (tel: Swindon 01793 525009) or R.F. Shipping (tel: London 0845 873 6240). Both of these companies will quote and invoice separately. Please note: DWBA invoices must be paid before consignments are handed to third party shipping companies.

The nearest train station to the saleroom is Kemble (BR) which is on the London (Paddington) to Worcester Shrub Hill line. Train journey times from London are on average 90 minutes whether direct or with one change, and run at about one per hour from early until late. Several of the trains in each direction are direct and about half the services require a brief change at Swindon. Customers are advised to check train times and book as early as possible for the best range of ticket services and discounts.

National Rail Enquiries:

08457 484950

Telephone advance train ticket booking:

08457 000125 (First Great Western)

Online train timetables and online ticket bookings:

www.nationalrail.co.uk

Taxis from Kemble Station (5 miles/10 minutes) Brian's Cabs Cirencester Radio Cars Cirencester Taxis

01285 655299 / 07980 579947 01285 650850 01285 642767

Taxis from Swindon Station (12 miles/25minutes) V-Cars

01793 701701

Cirencester Visitor Information Centre

+44 (0)1285 654180 cirencestervic@cotswold.gov.uk

Catalogue Produced by Jamm Design â&#x20AC;&#x201C; 020 7424 7830 info@jammdesign.co.uk

Photography by Ben Cavanna â&#x20AC;&#x201C; 07968 342013 bencavanna@gmail.com

Lot 680 - David Hockney, Die Frau ohne Schatten, 1992, signed poster. Rear Cover: Lot 713 - A collection of over 200 signed visiting cards of 19th & 20th century composers and opera singers.