Dominic Winter by Jamm Design Ltd

Dominic Winter SPECIALIST AUCTIONEERS & VALUERS

Fine Art, Antiques & Natural History 2/3 OCTOBER 2013

Lot 341 Front Cover: Lot 50

Dominic Winter SPECIALIST AUCTIONEERS AND VALUERS All lots are offered subject to the Conditions of Sales and Business exhibited in the saleroom. A buyer’s premium of 19.5% of the hammer price is payable by the buyers of all lots, except those lots asterisked, in which case the buyer’s premium is 23.40% Lots marked AR may be subject to Artist’s Resale Right (see Important Notices in this catalogue).

PAINTINGS & WATERCOLOURS OLD MASTER & MODERN PRINTS ANTIQUE FURNITURE & EFFECTS SILVER, CERAMICS & CHINESE ART Wednesday 2 October 2013 Lots 1-397 commencing at 11am Followed by

NATURAL HISTORY BOOKS SPORTING & WILDLIFE ART FOSSILS & SPORTS MEMORABILIA Thursday 3 October 2013 Lots 400-626 commencing at 11am Viewing: Tuesday 1 October, 9am-7pm and morning of sales from 9am Payments: For full details please refer to the information on the Contents Page Please ensure that all commission bids reach us by 10am on the morning of sale. Telephone bids only accepted for lots with estimated value greater than £300 and should reach us by 9am on morning of sale Results will be posted on our website immediately after the sale.

Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 www.dominicwinter.co.uk

Fax: 01285 862461 info@dominicwinter.co.uk

For directions on how to find us, please refer to map at rear of this catalogue

China. A good album of 200 vintage gelatin silver print photos of Chinese trade and production, c. 1925. Estimate: ÂŁ2000-3000 (6 November)

AUTUMN/WINTER 2013 CALENDAR Wednesday 6 November

Printed Books, Maps & Documents Vintage & Contemporary Photography Cuban Revolution Artefacts & Photos

Thursday 7 November

Historic Aviation & Transport Memorabilia Important Concorde Archive

Friday 8 November

Medals, Arms & Militaria

Wednesday 11 December Printed Books, Maps & Documents Royalty Letters, Photographs & Memorabilia Friday 12 December

Childrenâ&#x20AC;&#x2122;s & Illustrated Books Modern First Editions, Private Press Books Film Posters, Comics, Original Artwork Beatrix Potter Books & Letters Richard Jefferies Books & Letters

Entries are invited for the above sales: please contact one of our specialist staff for further advice

Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 www.dominicwinter.co.uk

Fax: 01285 862461 info@dominicwinter.co.uk

CONTENTS

DAY ONE Watercolours & Drawings Old Master Prints Paintings Oriental Art Etchings, Lithographs & Woodcuts Modern Prints Modern Watercolours & Drawings Les Matthews Modern Paintings Ceramics & Glass Oriental Works of Art Silver & Gold Collectables Sculpture Clocks & Scientific Instruments Furniture & Boxes

1-40 41-48 49-79 80-91 92-123 124-142 143-174 175-179 180-211 220-238 239-264 265-295 296-335 336-347 348-355 356-397

DAY TWO Natural History & Sporting Books Falconry Books Falconry Art Fishing Books & Pictures Fishing Rods Sporting Art Sculpture Fossils Anthony Knibbs Ceramic Egg Displays Traditional Sports

400-475 476-483 484-503 504-513 514-517 518-555 556-559 560-598 599-609 610-626

IMPORTANT NOTICES All lots are offered subject to the Conditions of Sales and Business exhibited in the saleroom and printed at the back of this catalogue. For full terms and conditions of sale please see our website or contact the auction office. A buyerâ&#x20AC;&#x2122;s premium of 23.4% of the hammer price is payable by the buyers of all asterisked lots, except those lots not marked with asterisk, in which case the buyerâ&#x20AC;&#x2122;s premium in 19.5%. Artist's Resale Right Law ("Droit de Suite") Lots marked with a (AR) may be subject to Droit de suite. Droit de suite is payable on the hammer price of any artwork sold in the lifetime of the artist, or within 70 years of the artist's death. The buyer agrees to pay Dominic Winter Auctioneers Ltd. an amount equal to the resale royalty and we will pay such amount to the artist's collecting agent. Resale royalty applies where the Hammer price is 1,000 Euros or more and the amount cannot be more than 12,500 Euros per lot. The amount is calculated as follows: Royalty For the Portion of the Hammer Price (in Euros) 4.00% up to 50,000 3.00% between 50,000.01 and 200,000 1.00% between 200,000.01 and 350,000 0.50% between 350,000.01 and 500,000 Invoices will, as usual, be issued in Pounds Sterling. For the purposes of calculating the resale royalty the Pounds Sterling/Euro rate of exchange will be the European Central Bank reference rate on the day of the sale. Please refer to the DACS website www.dacs.org.uk for further details.

For enquiries concerning any lot in this sale, please contact a member of our specialist staff

Paintings, Watercolours & Prints Nathan Winter MA (History of Art) Susanna Winters MA (History of Art) Colin Meays BA Hons (Conservation)

Antique Furniture, Silver, Ceramics, Collectables & Chinese Works of Art Dominic Winter Henry Meadows BA Hons, MRICS

Sporting Pictures & Prints John Trevers

Natural History & Sporting Books Paul Rasti

WATERCOLOURS & DRAWINGS To commence at 11am

1* Album. A mid-19th century album of drawings and sketches, approx. 122 drawings on fifty leaves (some leaves blank, a few drawings loosely inserted), in a variety of hands, mostly pen & ink, some with wash or watercolour, and some pencil drawings, incl. landscapes, figure and animal studies, humorous cartoons, etc., a few dated (1848-1863), orig. half morocco gilt, worn, with sl. loss to extrems., oblong folio (1)

3* American School. Panoramic mountain landscape with snowcapped mountain ridge in the distance, later 19th century, watercolour on wove paper, unsigned, 33.5 x 48cm (13.25 x 19ins), torn at head with some loss, creased to lower edge, mount dampstained, gilt moulded frame, glazed Possibly a view of the Rocky Mountains or Sierra Nevada. (1)

£200-300

£100-150

2* Aldridge (Frederick James, 1850-1933). Making for Shoreham, watercolour on wove paper, signed lower left, 33 x 50cm (13 x 19.75ins), framed and glazed, Gallery Thirty Three, Billingshurst label to verso (1)

£100-150

4* Bulleid (George Lawrence, 1858-1933). Roman girl holding a lyre, 1902, watercolour, of a reclining girl in a diaphanous dress holding a lyre, signed and dated lower left, light overall spotting, 17 x 19cm, (6.75 x 7.5ins), mounted, framed and glazed George Lawrence Bulleid was a painter, in oil and watercolour, of figure and mythological subjects and still-life. He exhibited at the major London galleries from 1884 and was elected Associate of the Royal Watercolour Society in 1889. (1) £200-400

Left: Lot 191 5

5* Cull (Alma Claude Burlton, 1880-1931). Table Mountain, Cape Town, South Africa, watercolour, signed lower left, 23.5 x 31.5cm (9 x 12.5ins), mounted, framed and glazed (1)

£200-300

6* Cutler (Cecil E.L., fl.1886-1934). Portrait of George V, gouache on paper, head and shoulders portrait of the King in military dress saluting, signed lower right, 23.5 x 16.5cm (9.25 x 6.5ins), framed and glazed (1)

£150-250

7* Downman (John, 1750-1824). Portrait of Edward Morgan (1759-)in profile, aged 25, 1784, watercolour on thin oval paper, with black and white chalk, and stump, signed and dated in pencil lower left, some pale discoloration, and with several horizontal tears (without loss), contemp. gilt frame, glazed, inscribed in an early hand to verso ‘Edwd Morgan Esq, 1784-aged 25’

Lot 6

Edward Morgan (7th August 1759-28th June 1831), of Golden Grove (Gouldgreave), Gwylgre, Llanasa, Flintshire, Wales, was the son of Peter Morgan of Gwylgre (1724-1780) and Margaret Hesketh of Warrington, Lancashire (1734-1779). He was a Lieutenant-Colonel of the Flintshire Militia, Justice of the Peace, Deputy Lieutenant and also became High Sheriff of Flint in 1792. He married Louisa Griffith the daughter of Thomas Griffith of Pentre Rhual, Yr Wyddgrug, Flintshire, Wales in April, 1792 and they had seven children, (four boys and three girls), four of which are recorded as having died in infancy. (1) £500-800

Lot 7

9* Earp (Henry, Senior, 1831-1914). Landscape with horses pulling a waggon and figures, watercolour, signed lower right, 19 x 48cm (7.5 x 19ins), mounted, framed and glazed (1)

£150-200

10* English School. Seascape, 1878, watercolour, showing turbulent waves crashing on the shore of a rocky cove, framed by cliffs, and with yachts in the distance, a few fox spots, initialled ‘CW. senr’ and dated lower left, 43.5 x 71cm (17 x 28ins), gilt mount and frame, glazed (1)

£100-150

8* Circle of Richard Earlom (1743-1822). A collection of twelve pencil, pen, ink & wash studies of heads and figures, classical subjects etc., together twelve studies of figures & heads etc. on 18th century laid paper, mainly pencil heightened with white chalk, but including several monochrome or sepia wash drawings, 27 x 40cm (10.6 x 15.8ins) and smaller, each individually mounted in passepartout and contained in cloth-backed portfolio boards

11* English School. Panoramic view of a hilltop town and estuary, later 18th century, watercolour on paper, some toning and discolouration, 51 x 66cm (20 x 26ins), framed & glazed, together with another late 18th/early 19th century watercolour view of a waterfall within a wooded landscape (relined onto canvas), 31 x 40cm (12.25 x 15.75ins), framed and glazed

(1)

(2)

£400-600

£100-150

12* English School. View near Hornsey Wood, 1781, watercolour on laid paper, mounted with pencil caption and date to lower margin, image size 98 x 152mm (3.75 x 6ins), together with a collection of three similar etched views of farm buildings and landscapes, pub. J. Williamson, no.20, Strand, London, April 12, 1802, each approx. 11 x 17.5cm (4.25 x 6.75ins), orig. blue paper wrappers, side stitched as issued, slim oblong 8vo

14* Fowler (Walter, 1857-1911). Returning from market, 1906, watercolour, showing a stormy landscape, with two windswept laden figures traversing a path beside a cottage and trees, signed and dated lower left, mounted

(2)

(1)

£150-250

13* Faber (John, the elder, c.1660-1721, attrib.). Portrait miniature of a clergyman, 1712, oval pen & ink head and shoulders portrait of a gentleman in robes and wig, signed ‘J. Faber, Oxon, 1712’, 9.5 x 7.5cm (3.75 x 3ins), framed and glazed, inscribed indistinctly on verso of frame ‘Revd. Mr. Denison(?), University College, Oxford’ (1)

£150-200

15* Circle of Thomas Frye (1710-1762). Portrait of a gentleman with hands clasped, black chalk, with stump work, heightened with white chalk, head and shoulders portrait on laid paper, few minor closed tears to edges, pin holes mostly to upper corners, 42.7 x 32.4cm (16.75 x 12.75ins)

£500-800

(1)

£300-500

16* Gaskell (George Percival, 1868-1934). Hayrick building, 1918, watercolour, showing figures haymaking and hayrick building, with buildings in the distance, signed and dated lower left, 21.5 x 27.5cm (8.5 x 10.75ins), framed and glazed (1)

£100-150

19* Groenewegen (Adrianus Johannes, 1874-1963). Cows resting in a landscape with milkmaid, watercolour, signed lower right, 21 x 30cm (8.25 x 11.75ins), gilt moulded frame, glazed (1)

£200-400

17* German School. The Travellers’ Rest, 1796, gouache on laid paper, showing two gentlemen on horseback conversing with an innkeeper and his wife outside the doorway of a wayside hostelry, dated and signed Zahn lower right, 11.5 x 17.5cm (4.5 x 7ins), contemp. tortoiseshell frame, glazed (1)

£100-150

18* Glass paintings. A pair of 18th century genre scenes, mid. 19th c., one depicting a young lady seated at a table spinning cotton, with an elderly woman seated in a wing-backed armchair reading, and a cat playing with yarn in the corner, some surface rubbing, the other showing a gentleman seated at a table writing with a quill pen, watched by two women and a dog, sl. surface rubbing, and with 8” crack to upper right corner (no loss), both 35 x 27.5cm (10.75 x 13.75ins), matching gilt frames (2)

20* Harding (George Perfect, 1780-1853). “John Overton”, 1800, pen & ink on paper, head and shoulders portrait miniature of mapmaker and publisher John Overton (1640-1713) in stiff tab collar and wig, initialled and dated to right-hand side, titled to lower margin below image, 9 x 7.5cm (3.5 x 3ins), framed and glazed, with old printed label on verso of frame annotated in ms. ‘From the Wellesley Collection’

£100-150

(1)

£200-300

Lot 21 21* Hayes (Claude, 1852-1922). Panoramic landscape with fieldworkers, 1895, watercolour, heightened with bodycolour, signed and dated lower right, 49.5 x 70cm (19.5 x 27.5ins) mount aperture, framed and glazed, together with Stormont (Howard Gull, 1844-1923), Houses by a river in the Scottish Highlands, 1889, watercolour, signed and dated lower right, 35.5 x 50cm (14 x 19.75ins), framed and glazed, plus Wimperis (Edmund Morison, 1835-1900), View down a mountain river, 1873, watercolour, signed with initials, and dated 1873 lower left, 28.5 x 45cm (11.25 x 17.75ins) mount aperture, contemp. moulded gilt frame, glazed (3)

22* Italian School. Cameriere d’onore o Segreto in Anticamera, 18th century pen, ink & wash on paper, depicting the costume of a Papal chamberlain, some light marks and spotting, 21.5 x 16.5cm (8.5 x 6.5ins) mount aperture, framed and glazed, together with Valerio (Theodore, 1819-1879), Italian landscape with children playing by a fountain, pencil on paper, heightened with traces of bodycolour, signed lower right, some overall toning and discolouration, 27 x 36.5cm (10.5 x 14.25ins), framed and glazed (2)

£100-150

£200-300

23* Meuris (B., 19th c.). “Nisida”, oval gouache, showing a moonlit view of the Isle of Nisida in the Gulf of Naples, with figure and boats, signed lower left, titled in lower margin below image, 34 x 44.5cm (13.5 x 17.5ins), framed and glazed (1)

Lot 22

£300-400

26* Miniatures. Goddess and a putto in a landscape, late Victorian, circular watercolour on ivory, signed Joly on right-hand side, diameter 4.5cm (1.75ins), mock tortoiseshell mount in brass heart-shaped frame, together with an oval miniature portrait of a boy with a toy boat, early 19th c., 6 x 5cm (2.5 x 2ins), plus two others similar (4)

£150-200

24* Miller (Frederick, late 19th century). Shoreham Harbour by Moonlight, watercolour on paper, signed and dated 1879 lower right, 20 x 34.5cm (8 x 13.5ins), mounted and laid down on card (1)

£100-150

25* Miniature. “Godfrey Heathcote, Anno Aetatis 70”, 1771, watercolour on ivory, oval half-length portrait miniature, of a gentleman in a wig, some damage and re-touching, 8.5 x 6.5cm (3 x 2.5ins), framed and glazed, titled in ms. on verso of frame (1)

£100-150

27* School of George Morland (1763-1804). Landscape with figures and cattle by a rocky outcrop with trees, pen, ink & watercolour on paper, 40.5 x 33cm (16 x 13ins) mount aperture, gilt frame, glazed, with an early note by Elizabeth Weston referring to this work, handwritten in ink on card, attached to verso ‘An early sketch of Morland’s. Given by Morland to Mr Pickering, of Winsone Green, by whom it was given to Mr Parsons of Walcote Leicestershire at whose sale it was purchased May 1840 Elizabeth Weston’ (1)

Lot 26

£150-200

Lot 28 28* Naples. A pair of fan-shaped paintings of Vesuvius and the Bay of Naples, mid. 19th c., gouache on paper, both showing Vesuvius smoking, with figures, buildings, and fishing boats, 50 x 15cm (19.5 x 6ins), framed and glazed

29* Naples. A panoramic view of the Bay of Naples and Vesuvius, mid. 19th c., gouache, showing Vesuvius smoking, with buildings, trees, figures, and fishing boats, 40 x 82cm (15.75 x 32.25ins), decorative black and gilt frame, glazed

(2)

(1)

ÂŁ200-300

Lot 29 12

ÂŁ300-500

Lot 30

30* Nottingham (Robert A., fl.1853-1875). Views in the Lake District, a pair of large watercolours, one of an angler fishing in a rocky river, with children collecting firewood on a nearby path, titled ‘Nr Ullswater’ on back board, the other of a cottage and a figure amongst trees by a river, both signed and dated 1868, 58 x 87cm (22.75 x 34.25ins) and 55 x 83cm (21.5 x 32.75ins), mounted, framed and glazed (frames in need of restoration) Robert Nottingham was a painter of landscapes in watercolour. He exhibited twenty-two watercolours at the Royal Society of British Artists, Suffolk Street, and also exhibited at the Royal Academy. Later in his life he lived at Bowness in the Lake District. (2) £400-600

31* Prints & drawings. A group of twenty early 19th century picturesque landscapes and seascapes, twenty pen, ink, and sepia wash drawings on twelve leaves, several with extensive descriptions in ink to margin, largest 16 x 22.5cm (6.5 x 9ins), smallest 7 x 6.5cm (2.75 x 2.5ins), together with nine engraved Irish views, incl. six pub. by Alexander Hogg, and three engraved Irish town plans, plus an 18th century copper engraving on laid paper of Daphnis and Chloe after Titian, plus a pen & ink cartoon entitled ‘Animal Magnetism as practised at Berlin in 1820’ by Prof. Baden Powell, signed lower left, foxed, 28.5 x 44.5cm (11 x 17.15ins), plus approx. twenty-five other prints and engravings various (a folder)

Lot 31

£100-150

Lot 32

32* Pyne (James Baker, 1800-1870). Italianate hillside landscape at sunset, with pack horses and distant village settlements, watercolour on wove paper, signed and numbered ‘248’ lower right, 28.5 x 42cm (11.25 x 16.75ins), gilt moulded frame (with loss of some moulding) (1)

£300-500

33* Reynolds (Samuel William, 1773-1835). A collection of three small landscapes, together three pen, ink & watercolours on wove paper, unsigned, 117 x 167mm (4.5 x 6.5ins) and smaller, each trimmed to image and mounted (3)

£200-300

Lot 33

35* Rome. “Piazza Navona”, early 20th c., pen & ink, black chalk, and watercolour, on laid paper, border rule in brown ink, showing the square looking northwards with the Moor Fountain and Egyptian obelisk, titled in ink in lower margin below image, image size 28.5 x 43.5cm (11.25 x 17.25ins), mounted, framed and glazed (1)

36* Sculpture studies. Four studies for monumental figure sculptures, late 19th c., pen, ink and monochrome wash on paper, including a study of George and the Dragon etc., Richard I(?), two female saints, one holding a goblet and book and the other holding a branch of blossom (both reticulated in pencil), three inscribed J.T. Reynolds, 26 Palmerston Road, Northampton, each approx. 37 x 13.5cm (14 x 5.5ins), framed and glazed

34* Robinson (Arnold Wathen, 1888-1955). Arthurian scene with lady and a knight, watercolour, showing a lady in flowing robes kneeling before a tree with a dagger pointing towards her from the branches, with a knight and castellated tower in the background, 17 x 10cm (6.75 x 3.75ins), framed and glazed Provenance: from the family of the artist. (1)

£100-150

(4)

£100-150

37* Valter (Frederick E., 1850-1930). Cows resting at dusk, 1895, watercolour on paper, heightened with bodycolour, signed and dated lower right, 24.5 x 46cm (9.5 x 18ins), framed and glazed (1)

£150-200

Lot 37 15

£200-300

38* Von Brocktorff (Charles Frederick (1775-1850)). Albanian costumes, a pair of watercolours, one depicting a gentleman in a turban and elaborate costume with ceremonial knives, entitled ‘Albanese Military’, the other depicting a lady in a gown and goldtrimmed jacket, wearing a head-dress and holding an umbrella, title obscured by mount, both signed in pencil lower right, both 17.5 x 17.5cm (7 x 7ins), mounted, framed and glazed (2)

£200-300

39* Delarue (Louis Felix, 1720/31-1765/77). Apollo triumphant over Python, pen, ink and grey wash on paper, indistinctly signed lower right, relined (with some marks and slight paper loss), 20.3 x 28.3cm (8 x 11.2ins), mounted (1)

£300-500

40* Stuart (Sir John James, 1779-1849). English Civil War Battle scene (possibly The Battle of Worcester), 1839, pen, ink and watercolour on pale blue wove paper, heightened with bodycolour, signed and dated in pencil lower right, 127 x 176mm (5 x 6.9ins), mounted With a later (presumably incorrect) attribution to ‘Sir James Smart of Allen Bank’, to verso. (1) £70-100

Lot 38

Lot 39

OLD MASTER PRINTS 41* Aldegrever (Heinrich, 1502-1561). The Adoration of the Shepherds, 1553, copper engraving on laid paper, trimmed to plate margins, some scattered spotting and marks to edges, 110 x 70mm (4.3 x 2.75ins), framed and glazed Hollstein 39. (1)

£200-300

42* Callot (Jacques, 1592-1635). Essequie Celebrate in Fiorenza dal Ser[enissi]mo Gran Duca per la Morte dell’Imperator Mattias, 1619, engraving on laid paper, trimmed to border with slight wear & fraying, 275 x 203mm, framed and glazed, together with Altdorfer (Albrecht, 1480-1538), Saint Christopher carrying Christ, 1521-1526 [or later], copper engraving on wove, probably a later impression, trimmed to border, 63 x 58mm, laid-down on mount board, framed and glazed, with Van Leyden (Lucas, 1494-1533, after), The Fool and the Woman, 1520 [but later], engraving on wove, trimmed to border, 102 x 76mm, laid-down on mount board, framed and glazed, plus others after Rembrandt, Hollar and Beham etc. (11)

£200-300

Lot 41

43* Durer (Albrecht, 1471-1528). Sol Iustitiae, c.1499 [but later], engraving on laid paper (probably late 16th/early 17th century), few minor repairs to verso (mostly to margins), 108 x 78mm (4.25 x 3ins), framed & glazed Bartsch 79, Mader/Hollstein 73. (1)

Lot 42 17

£400-600

Lot 44

44* Goudt (Hendrick, 1582/88-1630/48). Tobias and the Angel (after Adam Elsheimer), 1608, copper engraving on laid paper, some overall light browning and marks, with some marks and minor creases to margins, plate size 136 x 192mm (5.3 x 7.5ins), sheet size 166 x 248mm (6.5 x 9.75ins), framed and glazed Bartsch 1. (1)

ÂŁ400-600

45* Graf (Urs, 1485-1529). Four woodcut illustrations of biblical subjects, woodcut illustrations with later hand-colouring, two with monogram, each 44 x 34mm (1.75 x 1.25ins) and mounted, together with Danube School, The Holy Family, early 16th c., woodcut illustration with later hand-colouring, framed & glazed, 110 x 95mm (4.25 x 3.75ins), framed and glazed, plus six other handcoloured woodcuts of biblical scenes, each approx. 90 x 65mm (3.5 x 2.5ins), mounted in two matching frames, glazed (4)

ÂŁ200-300

Lot 45 18

Lot 46

46* Leyden (Lucas van, 1489-1533). Joseph interpreting his dreams to Jacob, 1512, engraving on laid paper, trimmed to the border line, early ink inscription to verso ‘No.6. Giuseppe Davanti a Faraone, Luca d’Olanda’, tipped on to later album leaf, 130 x 170mm Hollstein 19. (1)

£300-500

47* Pasqualini (Giovanni Battista, 1585-c.1635). The Virgin feeding the Child, 1621, copper engraving on laid paper after Guercino, lower margin with eng. dedication to Zaccaria Pasquanalini by the engraver “Io Bapta Centen DD. F Centens Inv. Romae Superior licena, 1621”, close-trimmed to border, 290 x 217mm, tipped onto later sheet at edges with pen & ink ruled border, framed & glazed (1)

£100-150

Lot 47 19

48 Phillips (Thomas, RA, 1770-1845). An album of approx. 200 portraits by or after Thomas Phillips, c. 1800-1830, including an original pencil self-portrait of head and shoulders (15 x 12.5 cm), an etched plate on india paper from the drawing (annotated as etched by Mrs D[awson] Turner to lower mount), a further unsigned pencil sketch self-portrait (initialled P), plus two pencil sketches of Mrs [Elizabeth] Phillips by her husband, both unsigned, 1814, the largest approx. 23 x 18.5 cm, plus three proofs of an etched plate of Mrs Phillips after a sketch by her husband, the first identified as etched by Mrs D Turner, the third slightly creased and with a long initialled pencil note by Thomas Phillips to lower margin, further small unsigned pencil sketches by Thomas Phillips of Susanne Fraser, Alexander von Humboldt, plus children Scott Phillips and May Phillips, each with accompanying etched plate from the drawing by Mrs Dawson Turner, plus further larger pencil portraits of Dawson Turner, Mrs Dawson Turner (x 2), Maria Turner, E[lizabeth] Turner and Hannah Turner, mostly captioned in pencil and dated 1815, plus three small unsigned sketches of trees and landscapes, plus mezzotint portraits after drawings by Phillips of John Charles Viscount Althorp, Napoleon, Thomas Viscount Anson, Reverend Doctor Matthew Arnold, General Sir Charles Asgill, Robert Ashby, Sir Joseph Banks (engraved Samuel William Reynolds), Duke of Beaufort, William Buckland, Bishop of Lichfield, Lord Byron (engraved Thomas Lupton), Joseph Cartwright, Rev. E. Cogan, William Hart Coleridge, Edward Copleston, Archdeacon Corbett, G. Courthope, Sir Humphrey Davy, Charles Dibden, Rev. J. Dibden, George O'Brien Wyndham (third earl of Egremont, engraved S.W. Reynolds) Sir Henry Charles Englefield, Lady Augusta Fane, Henry Edward Fox, The Bishop of Chichester, Charles Earl Grey, Henry Hallam, William Honeywood, Lord Jersey, Rev. John Collier Jones, G. A. Legh Keck, John Kentish, William Kerr, M. Lambard, John George Lambton, Peter Laurie, Thomas Lowten, Ebenezer Maitland, Rev. Mr Norris, Thomas Phillips (engraved T. Lupton, signed by Phillips within the plate impression), Joseph Planter, Count Platoff, Mr Powell, Thomas Priestley, David Ricardo, Sir James Saumarez, Rev. A. P. Saunders, Adam Sedgwick, Timothy Smith, Andrew Spottiswoode, George Granville, Lord Stowell, Samuel Thornton, Edward Lord Thurlow, Sir Nicolas Tindal, Joseph Wainwright, Dr Samuel Wilson Warneford, The Duke of Wellington, Mrs Whitmore, George Hyde Wollaston, William Shakespeare, plus one titled ‘A Game of Chess’, plate impressions mostly 35 x 25 cm or larger, plus further etchings and engravings, the great majority being portraits and including various states for the same subject, various sizes, some marked as 'private plate' and with other occ. pencil notes to mounts, all neatly pasted, window-mounted or fixed on guards, occasional spotting, a contemp. manuscript index (for 92 items) bound in at front, the whole augmented and now rearranged alphabetically with some miscellaneous non-portrait Phillips' prints and sketches at rear, a grand total of seventeen drawings and 203 prints on 197 sheets, preceded by a brief autograph letter signed by Thomas Phillips pasted to first leaf, 21 May 1812, ‘Sir, I have the honour to inform you that the plate engraved by Mr N[iccolo] Schiavonetti from my portrait of Sir Jos. Banks is now completed...', and requesting that payment is made upon delivery, 1 p., 4to, a.e.g., contemp. calf gilt, rubbed, professionally rebacked to match and corners restored, atlas folio, 60 x 46 cm (24 x 18 ins) Thomas Phillips painted over 700 portraits, many of which are entered in the transcript of his sitter book held at the National Portrait Gallery. He is now chiefly remembered for his portraits of 'the men of genius of his time', especially Byron, his portrayals capturing the interior life of the individuals concerned. He did not etch himself and his sole attempt at etching is included near the end of the album. Family friend to Phillips was the banker, botanist and antiquary Dawson Turner (1775-1858), who later wrote a memoir of Phillips. Not only are there portrait sketches and prints of Dawson Turner and other family members in the album, but many plates and proof impressions in the album are identified as engraved by Dawson Turner's talented wife, Mary (1774-1850). Mary was tutored by John Crome and at the time many of these drawings and engravings were produced, John Sell Cotman acted as drawing master to Turner's daughters, two of whom are featured in this album. These and the other sketches plus related etchings date from around 1814/15 and the pencil notes suggest they were written by a member of Phillips' own family. The largest collection of Phillips' work is held at Petworth House, Sussex, the then home of Phillips' patron George O'Brien Wyndham, third earl of Egremont. Provenance: Collection of the late Hon. Christopher Lennox-Boyd. (1) £2000-3000

Lot 48 21

BRITISH & CONTINENTAL PAINTINGS

Lot 49

50* Barbizon School. Le Jouet, circa 1840-50, oil on copper, showing a sunlit cottage door scene, with a young woman carrying a bundle on her head, standing beside an open gate, offering a toy to a baby held by a female figure looking over a stable door, signed J.F. Millet lower right, 21.5 x 16.5cm (8.5 x 6.5ins), mounted, framed and glazed

49* Adams (H., 19th c.). “View of the Thames”; “View in Surrey”, together a pair of river landscapes, oil on canvas, the first an evening scene showing a river running beside thatched cottages, signed lower right, and the second showing a punt resting on the shore of a tree-lined river, both titled and signed by the artist on the verso, both 51 x 76cm (20 x 30ins), matching gilt moulded frames, second item glazed (2)

A fine small-scale painting on copper, bearing the signature 'J.F. Millet', which would benefit from further research. The composition bears comparison to some of the works of Jean Francois Millet (1814-1875) in his ‘maniere fleurie’ style of the mid to late 1840's. Provenance: Private collection, Gloucestershire. (1) £3000-5000

£200-300

Lot 50 signature 22

Lot 50

51* Brooke (John William, 1853-1919). Pair of portraits of brothers, oil on canvas, one showing head & shoulders of a young boy in a sailor suit, signed upper left, the other a half-length portrait of a small boy in tucked and lacy white gown with blue satin shoulder bows and sash, signed upper right, both 30.5 x 23cm (12 x 9ins), matching frames Portrait painter John William Brooke lived in London and Leeds, but travelled extensively on the Continent. He exhibited widely, including twelve paintings at the Royal Academy. His portraits are held at the National Portrait Gallery, London, and the City Art Gallery, Leeds. (2) £200-300

52* Colonial School. A gentleman’s paddle-steam pleasure yacht, c.1860s/70s, oil on canvas, showing a yacht flying the Blue Ensign, on an Eastern sea, with islands in the distance, some minor edgewear, 19 x 30cm (7.5 x 11.75ins), framed (1)

£100-150

53* Colthurst (Francis Edward, 1847-1945). The Post Office, Itchen Stoke, Hampshire, oil on board, signed lower right, 27.5 x 36cm (10.75 x 14.25ins), signed and captioned to back board, gilt painted frame (1)

Lot 51

£200-300

54* Continental School. Head of a bearded old man, late 18th/early 19th c., oil on canvas, head and shoulders portrait of an elderly man in a blue robe gazing down, re-touched and re-lined, 48.5 x 41cm (19 x 16ins), framed (1)

£200-300

55* Continental School. Portrait of Frederick the Great (1712-1786), King of Prussia, late 18th century, oil on canvas, half length portrait, showing the sitter wearing jacket with Star of Order of the Black Eagle, and tricorn hat, within painted oval, relined, gilt moulded frame The Order of the Black Eagle was founded by King Frederick I of Prussia in 1701, and was the highest order of chivalry in the Kingdom of Prussia, until it became extinct in 1918. (1) £200-300

Lot 54

56* Continental School. Classical landscape with figure and ruined temple, oil on wood panel, probably late 18th century, soiled and discoloured, 30 x 36.5cm (11.75 x 14.5ins) Requires restoration. (1)

£100-150

57* English School. Portrait of William Price (1750-1815), oil on canvas, monogramed WFC to verso and inscribed ‘enlarged by W. FrankChandler A.R.C.A. from a miniature, Sept. 1912’, short tear to canvas, some cracking and discolouration, 61.5 x 51cm (24.25 x 20ins), gilt moulded frame with ancanthus leaf decoration Provenance: Tibberton Court, Gloucestershire. (1) £100-150

Lot 55

58* English School. Portrait of William Philip Price (1817-1891) as a young man, c.1835, oil on canvas, three quarter length portrait in the manner of Sir William Beechey, showing the sitter seated wearing a black jacket, burgundy waistcoat, wing collared shirt and cravat, 124.5 x 99cm (49 x 39ins), gilt moulded frame with acanthus leaf decoration William Philip Price (1817-91) was the son of William Price of Gloucester and his wife Frances George, daughter of Phillip George of Bristol. Price was a Deputy Lieutenant and J.P. for Gloucestershire and in 1849 was made High Sheriff of Gloucestershire. As a Liberal politician he sat in the House of Commons in two periods between 1852 and 1873. He ran a successful timber company, and was involved in the Railway industry, being a director of the Midland Railway Company. Provenance: Tibberton Court, Gloucestershire. (1) ÂŁ800-1200

Lot 59 59* Felix (Karl Eugen, 1837-1906). Venetian coastal view, oil on canvas, showing the domed church and campanile on the Island of San Giorgio Maggiore, with yachts and gondola in the foreground, signed lower right, 40.5 x 60.5cm (16 x 24ins), framed (1)

60* Hartmann (M., late 19th/early 20th c.). Moonlit Arcadian landscape, 1899, oil on canvas, showing three robed female figures in a coastal landscape, with trees, rocks, and crescent moon, the central figure standing, flanked by two seated figures, one with a lyre and the other with a harp, signed and dated lower right, relined, 30.5 x 50.5cm (12 x 20ins), gilt moulded frame

ÂŁ300-500

Provenance: The Earls Manvers, Thoresby Hall, Nottinghamshire, and thence by descent. (1) ÂŁ300-400

Lot 60

Lot 61

61* Leslie (Charles Robert, 1794-1859). Sancho Panza before the Duchess, oil study on board, 23 x 29.5cm (9 x 11.7ins), with orig. handwritten label to verso: ‘Sancho Panza before the Duchess’ painted by C. R. Leslie R.A., The original sketch for the picture National Collection, elaborately gilt moulded frame, glazed

62* After Claude Lorrain (c.1604/5-1682). La Veduta di Delfi con una Processione Sacrificiale, 1795, oil on canvas, relined, 71 x 90cm (28 x 35.5ins), framed, with plaque engraved ‘E. Weaver - 1795’ The original painting by Claude hangs in the Galleria Doria Pamphilj in Rome. (1) £300-500

A preparatory study for the large-scale exhibition work, by C. R. Leslie of the same title, exhibited at the Royal Academy in 1844, purchased by Robert Vernon, and presented to the National Collection in 1847 (now Tate Britain). (1) £300-500

63* Morris (C.). Sheep by a Lochside, c.1880, large oil on canvas, signed by artist lower left, 75 x 126cm (29.5 x 49.5 ins), framed (1)

£300-500

Lot 62

Lot 63 29

64* Naive School. Portrait of an infant, c.1830, oil on canvas, of a young child playing with a pink rose and wearing a white muslin dress with blue silk sash and shoulder bows, a white frilled bonnet, blue shoes, and a coral necklace, seated against a fringed red velvet curtain, relined, 76 x 63cm (30 x 24.75ins), early gilt moulded frame

Lot 65

At this time of high infant mortality parents wanted their offspring portrayed as bonny and healthy, and it is significant that this plump and rosy child sports a necklace of coral, worn for its supposed life-saving properties. (1) £1000-1500

65* After Caspar Netscher (1639-1684). Lady Knitting, probably later 18th or early 19th c., oil on copper, showing a seated young woman knitting, with a basket containing balls of wool on a table behind, 21.5 x 17.5cm (8.5 x 7ins), framed (1)

£200-300

66* Manner of John Sargent Noble (1848-1896). Bloodhound in kennel, oil on canvas, showing a dog watching a bird perched on a metal bowl outside his kennel, inscribed ‘J.S. Noble, fecit.’ lower right, 51 x 40.5cm (20 x 16ins), framed (1)

£200-300

Lot 66

67* Attributed to James Northcote (1746-1831). Portrait of James Newman Tanner of Sherwell House Plymouth, Devon, oil on canvas, half-length portrait of a seated gentleman in dark brown coat, relined, 89 x 76.5cm, gilt moulded frame incorporating acanthus leaf and foliage decoration James Newman Tanner (1765-1848), leather merchant and leading member of the Devon and Cornwall Congregational Union. He lived at Sherwell House, North Hill, Plymouth, which in 1948 was bought by Plymouth Council and became a girls grammar school. (1) ÂŁ400-600

Lot 68 68* Peel (James, 1811-1906). Landscape with cottage and crofters, large oil on canvas, of a hilly and wooded landscape, with peasants (incl. one riding a donkey), a rustic stone cottage, and a river and ruined castle in the background, relined, 61 x 101.5cm (24 x 40ins), gilt moulded frame James Peel was a prolific painter of the British countryside, particularly of the North Eastern counties, Lake District and North Wales. He exhibited in London from 1843 to 1888, at the Royal Academy, British Institution, Royal Institute of Oil Painters, Society of British Artists and Arthur Tooth & Sons Gallery, as well as at the Glasgow Institute of the Fine Arts, Royal Hibernian Academy, Manchester City Art Gallery and Walker Art Gallery in Liverpool. Peel was elected a member of the Society of British Artists in 1871. (1) £1800-2000

70* Pollentine (Alfred, 1836-1890). Coastal scene of the seashore with figures and fishing boat, oil on paper, signed lower right, 27.7 x 38cm (11 x 15ins), framed and glazed The British artist Alfred Pollentine is best known for his Venetian scenes, although he produced many home country seascapes. (1) £200-300

69* Pettitt (Edwin Alfred, 1840-1912). “Arundel Castle From the Park”; “Eastbourne from Beachy Head”, a pair of oils on board, both titled lower right, the first signed lower right, both 13 x 38cm (5.25 x 15ins), both titled in pencil on verso Edwin Pettitt was best known for his views of Northern England and the South of Scotland. He exhibited at the Royal Academy from 1858 until 1880, as well as at the Royal Institute and Royal Society of British Artists. (2) £200-300

71* Rolfe (Alexander Frederick, 18151907). The Duel, oil on panel, showing two figures in 18th century costume, one standing with sword falling from his hand and the other on the ground, within a wooded landscape, signed lower left, 14 x 19cm (5.5 x 7.5ins), together with Mother & Child in a Garden, oil on panel, showing a child exploring in a country garden, with mother standing by, gate piers & trees in the background, signed lower left, 11.3 x 20.5cm (4.5 x 8ins), matching gilt moulded frames (2)

ÂŁ200-300

Lot 71

72* Schmidt (E. Trier, late 19th/early 20th c.). Still life of roses in a vase, oil on canvas, of yellow roses in a tall vase, with a trinket box, necklace, and cup and saucer, signed top right, 70 x 54cm (27.5 x 21.25ins), gilt mount, early gilt moulded frame, glazed (1)

ÂŁ700-1000

Lot 72 33

73* Stocks (Arthur, 1846-1889). “Self-Portrait”, oil on paper, sometime mounted on board, head and shoulders portrait of the mustachioed artist wearing a white shirt and a red flat-crowned cap, ms. inscription on verso ‘ “Studio Sale, Walter & Arthur Stocks, Christies, 15th Sept 1993, Lot 142”, overall size 27 x 26cm (10.75 x 10.25ins) Son of engraver S. Lumb, Arthur Stocks was a genre and portrait painter. He studied with his father and then at the Royal Academy Schools. He exhibited at the RA between 1867 and 1889, amongst other places, and was elected RI in 1882. Both his brothers were also painters. (1) £200-300

74* Talmage (Algernon Mayow, 1871-1939). Cattle in Watermeadow, oil on canvas, signed lower right, relined, 45 x 61cm (17.75 x 24ins), moulded gilt frame (1)

£800-1200

75* Circle of Charles Towne (1763-1840). Cows and sheep in a water meadow, oil on canvas, relined, 46 x 61cm (18 x 24ins), gilt moulded frame Charles Towne specialised in horse and dog portraiture as well as landscape with sheep and cattle. His landscapes are minutely detailed and precise, paying homage to the Dutch Old Masters. (1) £700-1000

76* Urbahn (Oskar, b.1800). “The Letter”, oil on canvas, interior scene showing three gentlemen sitting round a table smoking clay pipes, one of them reading aloud from a piece of paper, and a fourth man standing, with oak furniture, tiled fireplace, large leaded window, wall clock, and hanging model ship, signed lower right, 65.5 x 80.5cm (25.75 x 31.75ins), framed (1)

£300-500

Lot 73

Lot 74 34

Lot 75

Lot 76 35

77* Wallis (Walter, exh.1882-1893). “Nanette”, 1881, oil on board, profile head and neck portrait of a young woman wearing a white cap, signed and dated lower right, 26 x 18.5cm (10.25 x 7.25ins), framed (1)

£100-150

78* Willett (Arthur Reginald, 1868-1951). View of Arundel Castle, Sussex from the river, 1915, oil on board, scratched-in signature & date lower right, 46.5 x 31cm (18.25 x 12.25ins), together with View of St. Mary’s, Bramber, Sussex, oil on board, scratched-in signature lower right, caption and date 1916 in pencil to verso, 46.5 x 31cm (18.25 x 12.25ins), modern matching frames, with Minerva Gallery, Bideford framing label to verso of each, plus “Near Arundel, 1914” oil on canvas, showing a river with cottage, sheep and figure, captioned, signed & dated to verso of canvas, and captioned in pencil to stretcher, 34.5 x 54.5cm (13.5 x 21.5ins), and “On the Adur, 1914”, oil on canvas, showing river with cottage and trees, signed lower left, captioned, signed & dated to verso of canvas, 35.5 x 51cm (14 x 20ins), matching modern frames with Minerva Gallery, Bideford framing label to verso of each (4)

Lot 78

£200-400

79* Williams (Francis H., exh. 1882-1900). Brother and sister in a parkland setting, 1886, oil on canvas, of a boy in a sailor suit seated on the roots of a large tree, and a small girl with long blonde hair seated on the grass beside him, wearing a pale blue dress trimmed with lace, signed and dated lower left, 91 x 71cm (35.75 x 28ins), gilt moulded frame Francis Williams was a portrait and genre painter who exhibited at the Royal Academy, the Royal Institute of Oil Painters and the Royal Society of British Artists. (1) ÂŁ2000-3000

ORIENTAL

Lot 80 80* Chinese School - Cultural Revolution. ‘New Treatment Class’, c. 1970, fine watercolour and India ink drawing on three joined sheets of paper, showing a female soldier with six smiling women and a child being supervised for acupuncture treatment for deafness, featuring a diagram of the ear and other first aid accoutrements, Chinese script title and signature upper left and further signature seals lower left and right, laid onto backing paper with white silk brocade edging, overall sheet size 160 x 86cm (63 x 34ins), framed and glazed When the Communist Party took over the People’s Republic of China in 1949, they were aware that acupuncture was still the preferred form of treatment among millions of people so they removed the prohibition on its teaching and practice. However, acupuncture only really regained its popularity in China after the Cultural Revolution in 1966. The subject of this drawing is deafness which was blamed, not on chance, illness or nature, but on the traitor Liu Shaoqi, (the former Chairman of the Republic), on the bureaucrats at the ministry of health and the bourgeois medical authorities. Whether true or false, adults and children were encouraged to claim that acupuncture had cured their deafness with gratitude for their beloved leader Chairman Mao. In the early 1970s many hundreds of political posters were produced by publishers such as The People’s Fine Arts Publishing House in Peking, and this watercolour may have been intended for such a poster. (1) £500-800

81* Chinese School. Two watercolours of exotic birds and flowers, early 20th c., one with faint vertical fold, both signed, 62 x 57cm (24.5 x 22.5ins) and 57 x 57cm (22.5 x 22.5ins), both mounted, framed and glazed (2)

£100-150

Lot 81

Lot 82

Lot 83

Lot 84

82* Chinese School. Portrait of young woman, c.1880s, pen, ink and gouache on paper, half length portrait (with lower half of figure not present), poem text above, upper and lower attached blank paper sheets waterstained, with upper sheet torn, some creasing, image size (including poem text) 84 x 32.5cm (33 x 12.75ins), overall dimensions 48.5 x 147.5cm (58 x 19ins), with wooden baton at foot (1)

£150-200

83* Chinese School. Portrait of a lady playing a Pipa or Liuqin (Chinese mandolin), mid 19th century, pen, ink and gouache on paper, full length portrait of seated lady playing four stringed Chinese mandolin, large vertical tear to upper portion of image (approx. 57cm), generally without loss, some minor soiling and marks to margins, overall dimensions 120 x 56cm (47.5 x 22ins), with wooden baton at foot (1)

£200-300

84* Chinese School. Parrakeet on branch with berries, late 19th century, pen, ink and gouache on finely reeded woven support, wooden baton at head and foot, image size 89.5 x 27.5cm (35.25 x 10.75ins), overall dimensions 113 x 32.5cm (44.5 x 12.75ins) (1)

£150-200

85* Chinese School. Mountainous landscape with lake, boats and houses at waters edge, 20th c., brush drawing on paper, with title and red ink stamps upper right, wooden batons at head and foot, image size 133 x 67.5cm (52.5 x 26.5ins), overall dimensions 192 x 75cm (75.5 x 29.75ins), together with another smaller Chinese School landscape (2)

£150-200

Lot 85 39

86* Isfahan School. Standing male figure in coloured robes, holding a flask of wine, early to mid 17th c., pen, ink and opaque watercolour on paper, heightened with gold, within a calligraphic border, the five Persian couplets commentating on the pious and affable nature of the young man depicted, a few small losses, closed tears and light staining, laid down on card, 21 x 11.5cm (8.25 x 4.5ins), together with another young male figure, late to early 17th c., pen, ink and opaque watercolour on paper, heightened with gold, some small abrasions and closed tears, laid down on card, 16.3 x 9cm (6.25 x 7.5ins) (2)

ÂŁ3000-5000

87* Japanese School. Views of Mount Fuji, two 20th century watercolours on silk, heightened woth bodycolour, each signed lower right, 120 x 42cm (47.5 x 16.5ins) and 38 x 43cm (15 x 17ins), framed & glazed (2)

89* Mewar School. Equestrian portrait, 19th c., gouache and gold on paper, minor flakes to right border, 20 x 22cm (8 x 7.75ins), framed and glazed (1)

£150-200

£200-300

90* Mughal School. Portrait of a Mughal Emperor and his wife, 19th c., possibly depicting Shah Jahan and Mumtaz Mahal, each with halo and holding a lotus flower, pen, ink and opaque watercolour, 14 x 17.5cm (5.5 x 6.75ins), framed (1)

91* Yoshitsuya (Utagawa Ichieisai, 1822-1866). Three Men at a Dining Table, served by a Japanese female attendant, colour woodblock, sheet size 35 x 24cm (13.75 x 9.5ins), mounted, together with another similar woodcut by the same artist, similar size, mounted

88* Kano School. Bird at waters edge with rushes and bamboo, 18th century, monotone brush drawing on paper, some toning and creases, within decorative woven border, green plain silk panel at head and foot (upper panel torn), wood an ivory baton at foot, image size 31.5 x 50cm (12.5 x 19.75ins), overall dimensions 101.5 x 53cm (40 x 21ins) (1)

£200-300

(2)

£300-500

£80-120

ETCHINGS, LITHOGRAPHS & WOODCUTS including PRINT PORTFOLIOS

92 Amiguet (Marcel (1891-1958) ). Visages, 12 Compositeurs de Musique Gravés a l’eau Forte par Marcel Amiguet, Texte Yvanhoé Rambosson, Editions de Luxe l’Acropole, Paris, 1928, twelve etched portraits on Van Gelder watermarked paper, each numbered 31, and signed in pencil by the composer and artist (except portrait of Stravinsky not signed by the composer), sheet size 51 x 33.5cm (20 x 13.25ins), loosely contained in original printed wrappers, stritched as issued, in later purpose-made drop-over book box, folio Limited edition 31/100 on Holland paper, from a total edition of 331. (1) £700-1000

93* Anderson (Alfred Charles Stanley, 1884-1966). Old Mill and Haymakers, Norfolk, etching showing figures haymaking in the fields, with windmill in background, signed in ink to lower margin, plate size 16.5 x 34cm (6.5 x 13.5ins), framed and glazed (1)

£100-150

96* Busoni (Rafaello, 1900-1962). Georg Buchner’s Wozzeck, 1924, nine hand-coloured lithographed illustrations, of which eight signed in pencil by the artist and numbered 5/5, sheet size 30 x 23cm (12 x 9ins), each window mounted and contained in later cloth foldover box One of only 5 special sets, the title illustration with a presentation inscription to Madame Harriet Lanier, Berlin, February 1924, together with a one-page manuscript note from the artist describing the edition of five sets and dedicating this set to Harriet Lanier. The subject is George Buchner’s incomplete play Wozzeck, and these illustrations were completed in 1924, before the opera by Alban Berg opened in Berlin in 1925. (1) £300-500

97 Crane (Walter, 1845-1915). Four photogravure plates from the Book of Genesis, Lemercier, Paris 1899, captioned tissue guards, some marginal repairs to plates and guards, sheet size 54 x 39.5cm (21.25 x 15.5ins), loose and contained in modern cloth dropback box

94 Baskin (Leonard, 1922-2000). Sibyls. A Book of Poems by Ruth Fainlight, Gehenna Press, Searsmont, Maine, 1991, 14 colour woodblock prints, including title and colophon, of which 12 numbered and signed by the artist with poem opposite, loose as issued and contained in original cloth foldover box by Gray Parrot & Co., with a loose prospectus for Sibyls and Capriccio, each with a colour woodblock illustration by Baskin, folio Limited edition, 13/26 signed by artist and poet. (1)

The plates are captioned ‘Genesis III: 4. Serpens Decipit Evam; Genesis III: 19. Poena Hominis; Genesis VI: 22. Consruitur Arca; Genesis VII: 23. Diluvium’. The plates were designed by Crane to appear in a projected Bible, to have been published by the Illustrated Bible Society in 1901, with illustrations by other artists including Riviere, von Uhde, Gerome, Abbey, Tissot et al, an example of the proposed publication is held at the National Art Library, Victoria and Albert Museum. (4) £100-150

£500-700

98 De Geetere (Frans, 1895-1968). Spasmes, [Paris, c. 1930, ] 12 etched erotic plates, plus introduction leaf and colophon leaf (apparently issued without title), sheet size 38 x 28.5cm (15 x 11.25ins), mounted passepartout and captioned, modern cloth dropover box

95* Brockhurst (Gerald Leslie, 1890-1978). Xénia, etching, signed in pencil, plate size 20 x 15cm (8 x 6ins), framed and glazed (1)

£100-150

Limited edition, 127/150. (12)

£300-500

99 Dunoyer de Segonzac (Andre, 1884-1974). Notes prises au front, Paris, Societe Litteraire de France, 1917, printed title, twelve b&w plts., and printed colophon leaf, loosely contained in orig. cloth-backed boards, printed label to upper cover, with ties, rubbed and some minor marks, slim folio Limited edition 63/220. (1)

£100-150

100 Geiger (Willi, 1878-1971). Die Verwandlungen der Venus. 10 Radierungen von Willi Geiger zu ausgewaehlten Stellen aus der Rhapsodie von Richard Dehmel, Munich, 1909, title and contents leaf, ten original sepia etchings., sheet size 58.5 x 46.5cm (23 x 18.25ins), ex libris stamp to front endpaper, orig. blue cloth with red leather label to upper cover, rubbed, some wear to spine ends and extremities, lge. 4to Limited edition, 26/150, signed by both artist and poet. (1)

£300-500

101 Geiger (Willi, 1878-1971). Stierkampf, 20 Radierungen, [Leipzig?], n.d., circa 1920-25, twenty etchings, each signed in pencil, some light spotting and toning, sheet size 62 x 48cm (24.5 x 19ins), loosely contained in orig. pubs. cloth portfolio, rubbed and some light soiling, slim atlas folio (1)

£300-500

102* Harding (Frank, late 19th/early 20th c.). Harwich Harbour, drypoint etching, signed and captioned in pencil to lower margin, plate size 11 x 31.5cm (4.25 x 12.25ins), framed and glazed (1)

£80-120

103* Hollyer (Frederick, 1837-1933). The Dove That Returned in the Evening, c. 1900, platinotype photograph after the painting by George Frederick Watts (1817-1904), 29 x 91cm (11.5 x 36ins), period frame, glazed (1)

£100-150

Lot 101

Lot 103 44

Lot 105

104* Houdard (Charles-Louis, late 19th/early 20th c.). Landscape with a track beside a river and trees, colour etching, signed in pencil lower right, image size 24 x 33.5cm (9.5 x 13.25ins), framed and glazed (1)

£80-120

105* Khnopff (Fernand, 1858-1921). Des Grelots, etching on Van Gelder Zonen laid paper (with watermark), unsigned, plate size 20 x 15cm (7.75 x 6ins), sheet size 48.5 x 34cm (19 x 13.3ins), together with fourteen other original etchings by Belgian artists, as issued in Société des Aquafortistes Belges, Seizième Année, Concours de No. 1905, published Brussels, Van Campenhout, Imprimeur de la Société, 1905, each sheet with printed title tab mounted to upper right corner, all loosely contained in orig. cloth-backed printed portfolio boards, with ties, rubbed and some marks, folio The other artists represented in this album of etchings are: P. Abatucci, O. Coppens, A. de Launois, F. Gaillard, G. Goudy, A. Heins, F. Hens, L. Huygens, E. Laermans, A. Le Majeur de Merpers, A. Michaux, Ch. Michele, Beth. Patte and A. van Olsbeek. (1) £300-500

Lot 104

106* Legrand (Louis, 1863-1951). Les Bars, [1909], a series of eight drypoint etchings on laid paper, watermarked Pellet et Legrand, as published by Gustave Pellet Editeur, 51 Rue Le Peletier [Paris], from the edition of 65 without the remarques, each signed with initials, and numbered 3/65, with publisherâ&#x20AC;&#x2122;s small circular red inkstamp to lower right margin, sheet size 44 x 31cm (17.25 x 12.25ins), tissue guard to each, loosely contained in orig. pubs. wrappers with etched illustration to upper cover, slim folio Arwas A384-391 (Exsteens E270-277). The titles are : Fin de Souper, Sportsmen, Aux Folies, Le Pochard, Prince K, English Bar & La Negresse. (1) ÂŁ1000-1500

107 Liebermann (Max, 1847-1935). Max Liebermann. 54 Steindrucke zu Kleinen Schriften von Heinrich von Kleist, Berlin, [1917], b & w lithographed illustrations, t.e.g., original vellum, light discolouration, 4to Limited edition, 183/270 numbered and signed in pencil by the artist. (1) £100-150

109* Pellew (Claughton, 1890-1966). “Kites”, 1925, woodcut on thin paper, showing three boys on a cliff-top above the sea flying kites, signed, dated, and titled in pencil to lower margin below image, image size 12.5 x 14cm (5 x 5.5ins), sheet size 34 x 19.5cm (13.25 x 7.5ins), mounted Provenance: given to the vendor by the grandson of art historian and author Arthur Rowland Howell (1881-1956), owner of St. George’s Gallery, Hanover Square, London, between 1921 and 1931. (1) £300-500

108* Mucha (Alphonse). Four decorative printed menu cards for Champagne Moet & Chandon, c. 1900, four chromolithographic printed cards, heightened with gold, each with blank central portion and art nouveau female figure holding champagne to left margin, sheet size 22 x 15cm (4)

£400-600

110* Prescott (Charles Barrow, 1870-1932). ‘“Water Carriers” Morocco’, etching, signed and titled in pencil to lower margin below image, plate size 27.5 x 20.5cm (11 x 8ins), together with Robins (William Palmer, 1882-1959), ‘The Stable’, 1925, etching, pencilled signature and date to lower margin below image, plate size 16 x 24cm (6.5 x 9.5ins), mounted (2)

£70-100

111 Rambert (Charles, fl. 1836-67). Le Mal. Suite de Dessins Composes par Rambert. Premier Cahier de Six Feuilles Contenant l’Usure, l’Ivrogneirie, la Debauche, le Duel, la Guerre, le Calomniateur, Kaeppelin, Paris, 1851, six lithographed or zincographed plates, some with black ink, pen and crayon heightening, title a little soiled with marginal repairs relaid onto backing paper, l’Argent plate with repaired tear, largest sheet size 55.5 x 39.5cm (21.75 x 15.5ins) mounted passepartout, modern cloth foldover case with marginal fading Scarce. Some of the plates are recorded in the collection of the Art Institute, Chicago. (6) £200-300

112 Rops (Felicien, 1833-1898). Das Erotische Werk des Felciien Rops. Zweiundvierzig Radierungen des Meisters in Schwarzem und Farbigem Lichtdruck, privately printed, 1905, 42 colour, sepia and b & w mounted plates, contained in modern cloth foldover box (small splits at folds), 4to Limited edition, 407/500. (1)

£250-350

113 Slevogt (Max, 1868-1932). Lederstrumpf - Erzählungen von James Fenimore Cooper, Berlin, Cassirer, 1909, title printed in red and black, five books paginated as one with part-titles to each book, 312 lithos. incl. fifty-two full-page, lacks signed limitation leaf at rear(?), hinges weak, t.e.g., remainder unttimmed, orig. red morocco gilt, together with a group of seventy-nine ‘proof’ lithographs to the same work, some with adhesion marks to versos, all window-mounted, some with pencil notes in an unidentified hand, contained in two made-to-match near-contemp. red moroccobacked book boxes with marbled sides and morocco edging, spines gilt with sub-title ‘Probedrucke von Max Slevogt 1909’, all rubbed with some wear to spine ends and extremities, lge. 4to Max Slevogt’s illustrations to Fenimore Cooper’s Leatherstocking Tales series, which included The Last of the Mohicans, and other titles, was the first publication of Paul Cassirer’s artistically adventurous Pan-Presse. The book was published in a signed limited edition of 250 copies, plus a deluxe issue of 60 copies on Japan paper. (3) £500-800

Lot 111

Lot 113 48

Lot 115

114* Spilliaert (Leon, 1881-1946). Plaisirs d’Hiver, Dix Lithographies Originales (Collection du Petit Artiste), Brussels, Edition de l’Art Decoratif C. Dangotte, 1918, ten lithographs (five in colour and five uncoloured), sheet size 33 x 24cm (13 x 9.5ins), with printed title leaf, loosely contained in orig. pubs. card overwrapper, slim folio Limited edition 43/100, signed by the artist. (1)

£200-400

115* Stokes (George Vernon, 1873-1954). Buildings by a river, etching, signed and numbered 1/75 in pencil to lower margin, plate size 28.5 x 24.5cm (11.5 x 9.75ins), framed and glazed, together with Cain (Charles William, 1893-1962), Leaving the boat, etching showing children disembarking from a small boat, with mountainous hillside landscape in background, signed and numbered ‘34.77’ in ink to lower margin, plate size 25 x 32.5cm (10 x 12.75ins), framed and glazed (2)

£100-150

116* Sturges (Dwight Case,1874-1940). “A Summer Day”, 1915, etching, signed in pencil to lower margin below image, image size 24.5 x 24cm (9.5 x 9.75ins), mounted, framed and glazed, early gallery label of W.B. Simpson on verso of frame, plus “Mrs. S.”, etching, signed in pencil to lower margin below image, image size 24.5 x 19.5cm (9.5 x 7.75ins), mounted, framed and glazed, label as above on verso (2)

Lot 116

£100-150

117*AR Tanner (Robin, 1904-1988). The Memorial Portfolio, Twelve Etchings, 1989, twelve etchings printed on Fabriano mould-made paper, published by Merivale Editions in association with Garton & Co., each print with title blindstamped to lower right corner, and numbered in pencil 94 from the edition of 100 sets, sheet size 38 x 46cm (15 x 18ins), contents loosely contained in orig. two-tone cloth solander box by Smith Settle, folio, VG (1)

ÂŁ1200-1500

Lot 118 118 Vrieslander (John Jack (1879-1957)). Rose Mirliton, Kurt Wolff, Leipzig, 1914, 20 photolithograph illustrations, each individually mounted in passepartout, loosely contained in later cloth dropover box, folio, limited edition, 129/1050, together with Variete, Leipzig, 1901, nine lithographed illustrations only (of 12), each mounted in passepartout and loosely contained in later cloth dropover box, plus another suite of 22 lithographed plates by Vrieslander, oneiric and erotic subjects in the manner of Beardsley, possibly from Schlafende Frauen (lacking title), most titled in pencil beneath image, a few light spots, each mounted in passepartout, loosely contained in later cloth dropover box, folio (3)

£200-400

119* Walcot (William, 1874-1943). Old St. Pancras Town Hall, London, etching with drypoint, signed in pencil to lower margin, plate size 16.5 x 25cm (6.5 x 10ins), framed & glazed (1)

£70-100

120* After George Frederick Watts (1817-1904). Sir Galahad, pub. J. Caswall Smith, 1898, mezzotint of Sir Galahad standing beside his horse, by Emil Wehrschmidt, Printsellers’ Association blind stamp and pencil signatures of artist and engraver at foot within plate impression, some spotting and old damp stains to margins, 72 x 41cm (28.5 x 16ins), framed and glazed, together with George John Pinwell (18421875, after), The Elixir of Love, 1870, etching [by Robert Walker Macbeth] on paper, artist’s name and date lower left, trimmed to margins and relaid, 36 x 85cm (14 x 33.5ins), period oak frame, glazed (2)

£100-150

Lot 120 51

Lot 122

121* Woollard (Dorothy E.C., 1886-1986). “Place des Cordeliers, Dinan”, etching, signed in pencil to lower margin below image, plate size 25 x 23cm (10 x 9ins), mounted, framed and glazed, together with Voisin (Henri Leon, b.1861), View of a canal and viaduct, etching, signed in pencil to lower margin below image, plate size 7.5 x 5.25cm (3 x 5.25ins), mounted, framed and glazed, plus another similar by Voisin, of a coastal town, slipway, and yachts, plus five other framed items, incl. two etchings signed ‘Rhys’ (8)

£100-150

122*AR Nevinson (Christopher Richard Wynne, 1889-1946). La Cité, Paris, etching on handmade wove paper (watermarked J Whatman), signed in pencil, the full sheet, plate size 176 x 275mm (6.8 x 10.75ins), sheet size 251 x 393mm, tab mounted to top margin, orig. frame (without glass), with orig. typewritten label by Alex, Reid & Lefevre to verso (1)

£3000-5000

Lot 123

123*AR Nevinson (Christopher Richard Wynne, 1889-1946). Reliefs at Dawn, 1918, lithograph on laid paper, signed and dated lower right, laid down on card, mount stained, and with some minor foxing to extreme top margin, image size 278 x 364mm, sheet size 367 x 445mm, with original painted label for Ernest Brown & Phillips, The Leicester Galleries, retained from the previous frame Leicester Galleries, Nash and Nevinson, The Graphic Work (1977). With early ownerâ&#x20AC;&#x2122;s name T. G. Robinson in pencil to verso of mounting card. (1) ÂŁ10000-15000

MODERN PRINTS

124* Ackroyd (Norman, 1938- ). Spilling Cloud, 1979, etching with aquatint, signed, dated, titled and numbered 82/90 in pencil, plate size 34.2 x 54.5cm (13.5 x 21.5ins), with wide margins, some minor marginal marks, framed and glazed (1)

£100-150

Lot 126

125* Ardizzone (Edward, 1900-1979). St. Paul’s School from the South, lithograph on thick wove paper, signed, titled and numbered 41/100 in pencil to lower margin, some overall toning, image size 35 x 53.5cm (13.75 x 21ins), sheet size 42.5 x 61cm (16.75 x 24ins) (1)

£150-200

126* Benedictus (Edouard (1878-1930)). Variations. QuatreVingt-Six Motifs Decoratifs en Vingt Planches par Benedictus, nouvelle ed., c. 1930, 20 pochoir plates, plate 1 with short marginal tear, light marginal toning, a couple with marginal library inkstamps and numbers, sheet size 47.5 x 37.5cm (18.5 x 14.75ins), each loose and contained in a later cloth dropback box (20)

£300-500

127* Benedictus (Edouard (1878-1930)). Nouvelles Variations. Soixante-Quinze Motifs Decorarifs en Vignt Planches par Benedictus, Paris, [1928], 20 pochoir plates, perforated library stamp to title, small inkstamps to verso of plates, sheet size 48 x 37cm (18.75 x 14.5ins), loose as issued and contained in later cloth dropback box (20)

£300-500

Lot 127

Lot 129

128* Blake (Peter, 1932-). Fat Boy, 1974-78, woodcut on Japanese Tonosawa paper, signed in pencil and inscribed by the artist to lower margin, ‘“Fat boy” working proof, for Kate’, image size 15.3 x 12.9cm (6 x 5ins), framed and glazed One from a series of five woodcuts entitled ‘Side Show’ and published in an edition of 100. (1) £250-350

129* Brotherhood of Ruralists. Colour poster, c. 1975, featuring a group photograph set against a decorative green background, signed in the lower blank area by the seven members (Graham Arnold, Ann Arnold, Peter Blake, John Howorth, David Inshaw, Graham Ovenden and Annie Ovenden), ink limitation number lower right, 4/40, 58 x 45cm (23 x 19ins), framed and glazed (1)

£250-350

130* Burr (James, 1926-). Flowers of Silence, 1987, colour lithograph, signed in pencil and numbered 9/30, sheet size 80 x 60cm (31.5 x 23.5ins), framed and glazed, together with three other signed limited edition colour lithographs by James Burr: “Tentacles of the Storm”, 1986; “Wind Caught by Trees”, 1986 and “The Black Flower of Night”, 1987, plus Le Witt (Jan, 1907-1991), “Fireflower”, c. 1970, colour screenprint, signed in pencil, titled and captioned ‘Artist’s proof’, sheet size 50 x 66cm (19.75 x 26ins), and Shapiro (Shmuel, 1924-1983), Composition, 1966, colour lithograph, signed in pencil, dated and numbered 39/100, sheet size 40 x 57cm (15.75 x 22.5ins) (6)

£100-150

131* Cliffe (Henry, 1919-1983). Tree Woman, 1958, colour lithograph, signed in pencil, dated and numbered 14/20, sheet size 76 x 56cm (30 x 22ins) (1)

£150-200

Lot 131

132* Crook (Pamela Jane, 1945-). “Zani Juggling”, 1989, handcoloured relief etching, showing a masked perfomer on a curtained stage, signed and dated in pencil to lower margin below image, image size 30 x 20cm (11.75 x 8ins), mounted, framed and glazed Limited edition 1/25 copies. (1)

£150-200

133* Dali (Salvador, 1904-1989). Surreal landscape with figure on a cloud, colour etching, signed in pencil and numbered 142/175, plate size 48 x 38.5cm (19 x 15ins), framed & glazed (1)

£200-300

Lot 132 134 Hockney (David and Spender, Stephen). China Diary, 1st ed., 1982, b&w and colour illusts., half-title, signed by the authors, orig. red cloth gilt, together with an original three-fold colour lithograph of ‘Red Square and the Forbidden City’ by David Hockney, signed, dated and numbered by the artist in pencil lower right, 745/1000, folded and loosely enclosed as issued in tissue and printed wrappers chemise, both enclosed in orig. card book box with printed label to upper cover, box somewhat soiled, together with David Hockney by David Hockney, reprint, 1977, colour and b&w illusts., orig. cloth in d.j., both 4to (2)

£500-800

135* Hockney (David, 1937-). Ojai Festival, 1981, offset colour lithograph poster on foam board, 75 x 55.5cm (29.5 x 21.75ins), together with Travels with Pen, Pencil and Ink Drawings and Prints 1961-1979, The Tate Gallery, 1980, offset colour lithograph poster on thick wove paper, sheet size 76 x 51cm (30 x 20ins), framed and glazed Baggott, Hockney Posters, 81 and 48 respectively. (2)

£100-150

136* Hockney (David, 1937-). Salts Mill, Saltaire, Yorkshire, 1997, colour reproduction print, signed in black marker, 44 x 98cm (17.25 x 38.5ins) mount aperture, framed and glazed (1)

Lot 133

£300-500

137* Inshaw (David, 1943-). Sharon’s Hat, etching on paper, artist’s proof, signed and numbered in pencil to lower margin, A.P. 4/6, print size 41 x 36cm (16 x 14ins) (1)

Lot 135

Lot 136

£100-150

138* Inshaw (David, 1943-). Girl sitting in a garden, 1975, screenprint on paper, signed, dated and numbered in pencil to lower margin, 9/85, image 46 x 44.5cm (18 x 17.5ins), framed and glazed (1)

£150-200

Lot 139 139* Keith (Elizabeth, 1887-1956). Street Scene, Soochow, 1924, colour woodcut, signed in pencil within the image to lower right, titled in pencil to lower left margin, old framer’s pencil annotations to blank margin at top, image size 37.8 x 25.4cm (15 x 10ins), sheet size 40 x 27.5cm (15.75 x 10.8ins), framed and glazed (1)

£300-500

140* Rowell (Kenneth, 1922-1999). Two Figures in a Landscape, 1964, colour lithograph, signed in pencil, dated and numbered 3/25, sheet size 57 x 80cm (22.5 x 31.5ins), together with Ceremony, [1965], colour lithograph, signed in pencil and numbered 15/75, sheet size 80 x 57.5cm (31.5 x 22.75ins), plus eight other lithographs etc by Albany Wiseman, Debby Mason, Johnathan Skelton and others, including two duplicates, and Wunderlich (Paul, 1927-2010). La Fleur, 1969, colour lithograph, signed in pencil lower left and numbered 62/75, sheet size 65.5 x 50 (25.75 x 19.75ins) (11)

£100-150

141* Thornton (Valerie, 1931-1991). St Margaret’s, Kings Lynn, 1978, etching with aquatint, 59 x 39.5cm (23.25 x 15.5ins), signed, dated and captioned in pencil by artist to lower margin with limitation 49/50, framed and glazed (1)

£150-200

142 Vertes (Marcel (1895-1961)). Nous les Abstraits, Preface de Roger Peyrefitte, Editions Leda, Paris, 1960, 31 colour lithographed plates, (title torn at gutter), loose as issued in cloth portfolio with ties, some paper adhesions to upper cover, oblong folio Limited edition, 155/278. (1)

£100-150

Lot 141

MODERN WATERCOLOURS & DRAWINGS 143* American School. Fairground scene, c.1930s/40s, watercolour on laid paper, showing a brightly-coloured scene with stalls, rides, and figures, indistinctly signed lower right, 21 x 26.5cm (8.25 x 10.5ins), mounted, framed and glazed, with ink stamp to verso of the Peridot Gallery, 6 East 12th Street, New York (1)

£100-200

144* Barbier (Georges, 1882-1932). Costume design, 1924, pen, ink, and gouache, of a young woman wearing a heavily embellished black tunic with long train, and a fringed and beaded headdress, with a pen, ink, and pencil detail of the back view to upper right, signed and dated, inscription in ink to lower margin on verso “6 - 6 de 3 - No 7” (possibly referring to the magazine issue for which this drawing may have been produced), 23.5 x 18cm (9.25 x 7ins), mounted (1)

£500-800

Lot 143

145* Bateman (Henry Mayo, 1887-1970). Omar Khayyam and female attendant, 1923, pen and black ink on wove paper, signed and dated lower right, captioned beneath: “LXV. But fill me with the old familiar juice. Methinks I might recover by and by.”, 22.25 x 16.75cm (8.75 x 6.5ins)

Lot 144

As reproduced on page 89 of The Book of the Omar Khayyam Club (Second Book, 1910-1929), privately printed, 1910-1931. (1) £100-150

148* Cohen (Minnie Agnes (1864-1940)). A Dutch girl in a coastal landscape, watercolour, of a small girl wearing a bonnet, sitting on a bank, signed in pencil lower left, 25 x 35cm (10 x 13.75ins), mounted, framed and glazed Minnie Agnes Cohen studied at the Royal Academy Schools in London, and then in Paris. During an illustrious career her work was hung in the most important Salons of London, Paris, Antwerp, the Hague, Hanover, Berlin and Florence. Her work was mostly figurative, and many of her paintings were done in Holland in the picturesque fishing village of Katwyk, at the mouth of the Old Rhine. Katwyk was home to a number of artists, who were attracted there by the richness of the subject matter, quality of light and the costume of the locals, in the same way that artists, including Cohen, were attracted to Cornwall. Cohen painted very much in the Newlyn plein air style and she is known to have been a regular visitor to St. Ives during the period between 1921 and 1939. Her works rarely come on the market. (1) £300-500

146* Benito (Edouardo Garcia, 1891-1981). Cover design, probably for Vogue Magazine, c.1930s, pen, ink, watercolour, and gouache, on wove paper, signed lower right, verso with printed label of the Associated Artist’s Guild & Author’s Guild, 10-11, Jermyn Street, London, and additionally inscribed in ink ‘copyright’, 34 x 28cm (13.5 x 11ins), mounted (1)

149* De Zwart (Willem, 1862-1931). Summer Landscape, watercolour, heightened with bodycolour, signed lower left left, 17 x 26cm (6.7 x 10.25ins), framed and glazed, together with Schneider (Gustav, 1910-), Tubingen, 1956, watercolour with pen and ink on thick wove, signed and dated lower right, additionally inscribed with the artist’s name and title to verso, 16 x 22.5cm (6.25 x 8.9ins), framed and glazed

£400-600

147* Brangwyn (Frank, 1867-1956 ). Barnard Castle Bridge, c. 1905, watercolour on paper, signed with monogram lower right, 28 x 35.5cm (11 x 14ins), framed and glazed, with handwritten label of the Fine Art Society, dated November 1962 to verso

(2)

Provenance: Matthew Biggar Walker; Fine Art Society; Judge Miles Archibald; Moss Galleries; Private Collection. Exhibited Fine Art Society, November 1962. Literature: Cyril Bunt, The Watercolours of Sir Frank Brangwyn, R.A., Leigh-on-Sea, 1958, 54. (1) £500-700

£150-200

Lot 147

Lot 148 61

Lot 150

Lot 151

150* Du Plessis (Henry Enslin, 1894-1978). Coastal view in north Wales, gouache and watercolour on board, of a row of houses overlooking a beach, with a ruined castle on a hill in the background, with Shell-mex & B.P. catalogue label to verso (numbered 318), and remains of Shell-mex & B.P. backing paper, framed and glazed (1)

151* Ehrlich (Georg, 1897-1966). Mother and child, 1935, coloured chalks on laid paper, signed and dated lower right, 31.5 x 49cm (12.5 x 19.25ins) (1)

ÂŁ200-300

152* Fassianos (Alecos, 1935-). Walking Man, pen, black ink & watercolour on wove paper, signed centre left, with inkstamp of Marlborough Galerie AG, Zurich to verso, sheet size 24.5 x 21cm (9.7 x 8.25ins) A major retrospective of the work of Greek artist Alecos Fassianos was held at the National Gallery, Athens in 2004. (1) £300-500

153*AR Fell (Herbert Granville, 1872-1951). “The Gods Entertained in the Peasants Cottage”, pen, ink, and watercolour, showing Philemon and Baucis showing hospitality to Jupiter and Mercury, monogrammed lower right, 14.5 x 22.5cm (5.75 x 8.75ins), contemp. Arts & Crafts style wooden frame, decorated with gilt laurel wreath tools, with green and blue painted swags, and gilt fillets and dots, glazed, overall size 26 x 33cm (10.25 x 13ins) (1)

Lot 152

Lot 153 63

£500-700

154* Gaskin (Arthur Joseph, 1862-1928). Portrait of a girl with apples, 1918, pastel and black crayon, head and shoulders portrait of a girl in a checked dress, wearing a hat, and holding a box of apples, monogram and date lower left, 25 x 17cm (10 x 6.75ins), mounted Arthur Gaskin was an English illustrator, painter, teacher, and designer of jewellery and enamelwork. His wife, Georgina, was also a designer, and they collaborated on many projects. Arthur studied at the Birmingham School of Art and later taught there, and subsequently became a member of the Royal Birmingham Society of Artists. Arthur and Georgie were members of the Birmingham Group of Artist-Craftsmen, which sought to apply the principles of the Arts and Crafts movement across the decorative arts, and Gaskin was one of the designers for William Morris’s Kelmscott Press. The artist died in Chipping Campden in the Cotswolds. (1) £500-700

155 Hermann-Paul (Rene Georges (1864-1940)). Les Voeux Perpetuels, 1906, fifteen original pencil and ink drawings on india paper, one with collage, each signed by the artist and mounted on deckle card, each with manuscript caption in ink to tissue guards, the largest 31.5 x 49cm (12.25 x 19.25ins), one leaf with two pages of manuscript notes relating to the drawings, front endpapers (one with manuscript title) detached and a little toned, contemporary tan full calf, spine titles in gilt, spine and edges rubbed and scuffed, large folio The series of original illustrations for the picture story published in L’Assiette au Beurre, number 268, in 1906. (1) £800-1200

156* Johnson (Anthony Bones, 20th c.). A fantasy suite of eight original pencil drawings, 1974-77, featuring the artist in various situations with a semi-naked woman with drugs and alcohol, all signed (5) or initialled and dated in pencil, some minor spotting and marks, one with light waterstaining, each approx. 35 x 39cm (14 x 15.5ins), four framed and glazed and four in mounts Anthony Johnson, aka Bones, was living in London when these drawings were made. He still works as an artist, now living in San Carlos, Ibiza. (8) £300-500

157*AR Jones (Barbara, 1912-1978). Christ’s Hospital Girls’ School, Hertford, 1950s, watercolour on paper, 32 x 44cm (12.5 x 17.25ins), framed and glazed with printed caption label [Katherine House Gallery, Marlborough] to glass lower right stating that the watercolour is signed to verso (1)

Lot 156

Lot 157

£500-800

159* Lockyer (Isabel de B., exhibited 1914-1939). The Shop Window, gouache on paper, signed in ink and dated 1930, 21 x 17cm (8.25 x 6.75ins), framed & glazed The original design for a linocut printed in the same year. Little is known about the artist, though her work bears the influence of the Grosvenor School and William Giles. (1) £500-800

158* Knox (William, 1862-1925). “Low Tide, Venice”, watercolour, with bodycolour, Venetian scene with boats and figures, and buildings in the distance, signed lower left, 26.5 x 36cm (10.5 x 14.25ins), framed and glazed, titled on old Gladwell & Co. gallery label on back board (1)

£200-300

160* Parsons (Karl, 1884-1934). Head of a young woman, 1907, pencil on paper, showing the head of a young lady in semi-profile, initialled and dated lower left, image size 16 x 14cm (6.5 x 5.5ins), sheet size 22.5 x 19cm (9 x 7.5ins), framed and glazed Karl Parsons was one of the principal stained glass artists of the Arts & Crafts period. He was a pupil, and then assistant, to Christopher Whall and subsequently ran his own studio at Lowndes & Drury’s Glass House between 1908 and 1930. He succeeded Whall as the principal teacher of stained glass at the Central School of Arts & Crafts in 1906, continuing until 1929 when he retired from the post. (1) £300-500

Lot 159

Lot 162

Lot 161

161* Parsons (Karl, 1884-1934). Madonna & Child, 1919, pencil on paper, showing a full-length portrait of Mary seated, wearing a starpatterned gown, with floral circlet on her head, holding a slumbering infant Jesus, surrounded by Madonna lilies, Nodding Star-of-Bethlehem, and daisies, initialled and dated lower right, sheet size 16 x 11cm (6.25 x 4.5ins), mounted, framed and glazed (1)

£300-500

162* Pauser (Sergius, 1896-1970). Head and shoulders portrait of Annie Berger, 1937, black chalk on thick wove paper, signed and dated lower right, with an unfinished watercolour landscape to verso, sheet size 51 x 36.3cm (20 x 14.25ins) Provenance: By descent from the family of Annie Berger of Vienna. The Berger family were vintners in pre-war Austria, just outside Vienna. (1) £150-200

163* Peppercorn (Arthur Douglas, 1847-1924). Moorland scene, watercolour on artist’s board, stamped Turnbull’s Aquarelle Tablet J.L. & J. Turnbull Beaumont Mill to verso, signed lower right, 22.5 x 29.5cm (8.75 x 11.5ins), mounted, framed and glazed (1)

Lot 163

£100-150

Lot 164

164* Pope (Hilda Chancellor, 1913-1976). “The Pier”, watercolour, heightened with bodycolour, signed lower right, 28.5 x 37cm (11.25 x 14.5ins), mounted, framed and glazed, with Leicester Galleries labels to verso Exhibited: Artists of Fame & Promise, Leicester Galleries, July-August 1961, number 39 (purchased by Geoffrey Dell Esq.). (1) £300-500

165* Reiss (Manfred, 1922-1987). Original artwork for a London transport advertising poster “Come and See Me at the Zoo, Camden Town Lords or Chalk Farm Station”, 1939, gouache on artist’s board, showing an ostrich’s head and neck, lettered above and below, signed and dated lower right, 73 x 47.5cm (28.75 x 18.75ins) Manfred Reiss was born in Leipzig, Germany, the son of Polish Jews. In 1937 the family moved to London, where Reiss pursued a successful career in graphic design. In the late forties and early fifties, he was one of the most prolific British poster designers, producing a large volume of work for the Post Office, amongst other clients. His original designs rarely come onto the market, and the two offered here are particularly early ones. (1) £300-400

166* Reiss (Manfred, 1922-1987). Original artwork for a circus advertising poster “Bertram Mills Circus”, 1939, gouache on artist’s board, showing a clown swinging on a trapeze, lettered below, some edge-fraying, signed and dated lower right, 50.5 x 76cm (20 x 30ins) (1)

Lot 165

Lot 166 69

£300-400

167* Robinson (Arnold Wathen, 1888-1955). Portrait of a young woman, pencil on paper, three-quarter length profile portrait of a female, in gown and headdress, holding a rosary, against a landscape, 17.5 x 6cm (7 x 2.5ins), mounted, framed and glazed Arts & Crafts stained glass artist Arnold Wathen Robinson attended Clifton College and Royal West of England Academy. He was subsequently apprenticed to Christopher Whall from 1906 until 1912, where he met and befriended Karl Parsons and Edward Woore. Around 1912 Robinson started to work with the Glass House in Fulham, mostly undertaking commissions for churches and institutions in Bristol. In particular, and working with Woore, he undertook commissions for the firm Joseph Bell & Son, eventually becoming a director of the firm, and then owner in 1923. Arnold Robinson was also heavily involved with the Bristol Guild of Applied Art. Established in 1908 by followers of William Morris’s Arts and Crafts creed, the Guild was a cooperative of skilled workers offering hand-crafted work to replace massproduced goods, improving the relationship between the worker and his work. Initially the Guild was unsuccessful, but in 1918 it was bought as a business by three private owners, including Arnold Robinson, after which it flourished. Provenance: from the family of the artist. (1) £200-300

169* Robinson (Arnold Wathen, 1888-1955). Small pencil drawing of a seated female, pencil on paper, showing a young woman in medieval dress bending over a plant in a pot, sheet size 10 x 7cm (4 x 2.75ins), mounted, framed and glazed, together with A pen & ink design for a bookplate, showing a young robed figure with a halo, in profile, kneeling and holding a lantern, with ‘Ex Libris’ on a scroll above entwined in an arch of foliage, and a blank scroll below, sheet size 9.5 x 7cm (3.75 x 2.75ins), framed and glazed, plus three other small framed items, comprising a black crayon caricature by Edward Woore entitled ‘Poverty Staring a Man in the Face’, initialled in pencil lower right, a watercolour of Mary and Joseph and the Star of Bethlehem by Rex F. Hopes, signed in pencil lower right, and a photogravure by Louis Davis entitled ‘The Angel of the Christmas Tree’

168* Robinson (Arnold Wathen, 1888-1955). Portrait of a young woman, black crayon and watercolour, head and shoulders portrait of a young woman in Saxon-style dress and headdress, 20.5 x 17.5cm (8 x 7ins), mounted, framed and glazed Provenance: from the family of the artist. (1)

Provenance: from the family of the artist. (5)

£150-200

170* Sieffert (Paul, 1874-1957). A collection of twenty-four decorative designs, c. 1920s, twentyfour original designs in pen & ink, pastel and watercolour on wove paper, including six full-page, six half-page, and twelve vignettes, each signed or initialled, sheet size 34 x 26cm (13.5 x 10.25ins), and smaller, plus six colour etchings after several of the designs, all contained in individual passepartouts (the smaller illustrations in pairs), all contained in later plain portfolio Paul Seiffert (1874-1957) was a pupil of Jean Leon Gerome, Gabriel Guay and Albert Maignan, and was an important French artist and designer of the early 20th century, receiving the Legion d’Honneur in 1931, and the Diplome d’Honneur at the Exposition Internationale in 1937. He produced public decorative works, and illustrations for books including Aux Flancs du Vase (by Albert Samain), Poèmes Inachevés and Polyphéme. (1) £800-1200

Lot 171

171* Spencer (John, 1925-2000). Neapolitan Scene, 1958, pen, black ink and monochrome wash, initialled and dated to upper right corner, 33 x 46.5cm (13 x 18.25ins), framed, together with Children in Naples, 1958, pen and black ink on paper, initialled and dated lower right, 46.5 x 33cm (18.25 x 13ins), framed and glazed, plus a study of a pregnant cow resting by the same artist, pen, red ink and pink wash, heightened with white bodycolour, signed and dated to upper right corner, 30.5 x 24cm (12 x 9.5ins), framed, and another study of cows resting by the same artist, pen and black ink on paper, 33 x 43.5cm (13 x 17ins), framed and glazed Provenance: Formerly in the collection of Elizabeth Rawson. (4)

ÂŁ200-300

172* Sutherland (Graham, 1903-1980). An original curtain design for Horrocks Ltd, gouache and pastel, 45 x 25cm (17.5 x 9.75ins), mounted, framed and glazed (1)

ÂŁ150-200

Lot 172 72

173* Taunton (Donald Battershill, 1885-1965). A collection of original stained glass designs for John Hardman Studios, together eight pen, ink & watercolour designs on paper or card, mostly mounted on thick card, depicting projected stained glass windows for various churches, incl: three-light memorial window in memory of Philip James Kelly, vicar of St. Mary the Virgin, Acocks Green, Birmingham, depicting St. Oswald in the centre; a large five-light window and tracery window with The Good Shepherd in the centre for a church in South Croydon; a design for the North Aisle East Window of Rudston Parish Church, All Saints, depicting the Crucifixion; a pair of windows for Georgetown Convent, Columbia, U.S.A., depicting the Annunciation and the Nativity; a large fourlight window and tracery for St. Mary Magdalene, Fleet, depicting St. Peter, The Word Was Made Flesh, The King of Kings, and St. John, some light dust-soiling, all signed lower right, largest 55 x 37.5cm (21.75 x 15ins), smallest 12.5 x 18.5cm (5 x 7.25ins) Prolific stained glass designer Donald Taunton was born in Birmingham and studied at the School of Art there, subsequently joining John Hardman’s Studio in Birmingham. Hardman’s stained glass studio was closely associated with Pugin, one of the pioneers of the Arts & Crafts movement. For most of his life Donald Taunton lived in London and was in charge of the Hardman studio there. He exhibited between 1926 and 1936, including at the Royal Academy. (8) £300-500

174* Wiles (Bernard Harper, 1883-1966). “Irrawaddy, Upper Burma”, 1912, watercolour, showing a river scene, with boat in the fore-ground, signed and dated lower right, 35.5 x 52cm (14 x 20.5ins), mounted, framed, and glazed, titled on back board, together with “Early Morning, Shwegu, Upper Burma”, 1912, watercolour, showing a bridge and a village, with a figure in the fore-ground seated on the ground by a fire, signed and dated lower right, 22.5 x 32.5cm (8.75 x 12.75ins), mounted, framed and glazed, titled on mount (2)

Lot 173

Lot 174 73

£300-400

LES MATTHEWS (1946-) The artist Les Matthews was born in Bristol and studied art at Gloucester College of Art, and the Royal College of Art. He was elected a member of the Bristol Savages in 1990, and has exhibited regularly at the Royal West of England Academy. He is well known for his bird’s-eye view cityscapes as well as hyper-realist fantasy paintings.

Lot 175

Lot 176 175* Matthews (Les, 1946-). Summer’s End, 1983, watercolour on paper, signed and dated lower left, 52 x 72cm (20.5 x 28.25ins), with decorative wash border to mount, framed and glazed (1)

£150-200

176* Matthews (Les, 1946-). Woman undressing, 1989, watercolour on paper, signed and dated lower left, 35.5 x 51cm (14 x 20ins), wash border mount, framed and glazed (1)

£100-150

177* Matthews (Les, 1946-). Holding the Histories of the Night, oil on canvas, 101.5 x 71cm (40 x 28ins), framed, with title, artist’s name and address handwritten to verso of frame (presumably in the artist’s own hand) (1)

£200-300

178* Matthews (Les, 1946-). Venus of the Clearing, 1979, oil on canvas, signed and dated December 1979 to lower centre, 91 x 142.5cm (36 x 56ins), framed, with title and presentation inscription by the artist to stretcher verso (1)

£300-400

179* Matthews (Les, 1946-). The Star of the Andromeda Spiral, 1973, oil on canvas, signed and dated lower centre, additionally titled and inscribed with the artist’s name and address to verso of stretcher, 109 x 137cm (43 x 54ins), framed and glazed (1)

Lot 177 74

£300-500

Lot 178

Lot 179 75

MODERN PAINTINGS

Lot 180

180* Aubery (Jean, b.1880). “Route au Printemps, Marseille”, oil on canvas, one or two small surface marks, signed lower right, 33 x 41cm (13 x 16ins), framed Reference: Gérald Schurr, Les Petits Maîtres de la Peinture 1820-1920, 1985, volume VI. (1) £700-1000

181* Board (Edwin John, 1886-1975). British coastal scene with lighthouse on a rocky headland beside a sandy beach, oil on board, monogram lower right, a few marks, 40.5 x 51cm (16 x 20ins) (1)

£100-150

Lot 181 76

Lot 182

182* Brock (Richard Henry, fl.1897-1915). A cow and drover, 1902, oil on canvas, of a weather-beaten rustic with a staff walking behind a large docile white cow with horns, signed and dated lower left, 36 x 50.5cm (14 x 19.75ins), early gilt moulded frame Richard Henry Brock was the brother of talented artists Charles Edmund Brock and Henry Matthew Brock. Richard shared a studio with his brothers in Cambridge, but where they gained reputations as book illustrators, Richard concentrated on painting, producing mostly landscapes and country scenes in oils. (1) ÂŁ700-1000

183* Brown (Bob, 1936-). Evening, West Wittering, c. 1988, oil on board, signed lower right, 19 x 23cm (7.5 x 9ins), additionally signed and inscribed with title by the artist to verso, framed (1)

ÂŁ100-150

Lot 183

184* Buccafusca (Emilio, 1913-). “Sciopero-Lampo”, oil on canvas board, 46.5 x 35cm (18.25 x 13.75ins), titled and inscribed to verso “Buccafusca 39 Sciopero-Lampo, Rendere omaggio”, framed and glazed The title translates as ‘Lightning Strike’ and is from the artist’s series of works depicting views from an aeroplane. (1) £3000-4000

185* Copnall (Frank Thomas (1870-1949)). Portrait of Dr Ouranofski, Knight of St. Stanislav, Russia, oil on canvas, signed lower right, 61 x 51cm (24 x 20ins), framed Provenance: Royal Academy Exhibition label to verso. The Order of the Knights of Saint Stanislaus was originally established in 1765 to honour the service to King of Poland and later added to the Russian Empire awards system from 1832 to 1917. (1) £150-200

186* Cyrlas-Williams (John, 20th c.). Reverie, oil on canvas head & shoulders portrait of a young woman in profile, rose-pink blouse and yellow, cream & blue neck scarf, unsigned, 61 x 46cm (24 x 18ins), small patch repair to verso, remnants of signed title label “Reveire, J. Cyrlas-Williams, Porthcawl” attached to stretcher, gilt frame (1)

£200-300

Lot 185

187* Denton (Troy, 1949-). Indian Chief, oil on canvas, relined, signed lower left, 61 x 51cm (24 x 20ins), framed (1)

Lot 186

£300-500

Lot 188

Lot 189 80

Lot 190 188* Gosling (Annabel, 1942-). ‘Afternoon Shadows’, oil on canvas, signed lower right, 51 x 76cm (20 x 30ins), framed (1)

£300-500

189* Harris (Brenda, 20th c.). Plants in Terracotta Pots, oil on canvas, signed lower left, image size 29 x 24cm (11.5 x 9.5ins), framed and glazed, together with bay window and stone steps, with iron balustrade, plant pots and climbing plants, oil on canvas, signed lower right, image size 29 x 24.5cm (11.5 x 9.5ins), framed and glazed Brenda Harris was born in Dublin and has been a fulltime artist for the last twenty years, specialising in oil and watercolour. Her work has featured in television programs in Ireland and the UK. Paintings by Brenda Harris are held in private and corporate collections in Ireland, Europe and America. (2) £200-300

190*AR Hitchens (John, 1940-). Changing Skies, 1966, oil on canvas, 46 x 91.5cm (18 x 36ins), inscribed by the artist to verso ‘Changing Skies, John Hitchens 1966, 18 x 36 ins, Petworth, Sussex’, framed and glazed Provenance: Private collection, Bristol. (1)

£400-600

191*AR Kadar (Bela, 1877-1956). Zwei Madchen, gouache on paper, signed lower left, 29 x 23.5cm (11.5 x 9.25ins), framed and glazed, with Anthony Hepworth gallery label to verso Provenance: Private collection, Bristol. (1)

£1500-2000

Lot 191 81

192* Komarov (Valeriy Vladimirovich, 1949-). Wooden Russian churches in a snow, 1989, tempera on board, monogram ‘K.B.’ lower right, artist’s name, title and date in pencil to backing board, 38.5 x 52.5cm (15 x 20.5ins), framed and glazed

Lot 194

Seemingly titled ‘Severnaya Zem[ly]a’, an archipelago in the Russian high Arctic. (1) £150-200

193* Kraus (Walter, 20th c.). Still life, oil on board, signed top left, 36.5 x 37.5 (14.25 x 14.75), framed (1)

£150-200

194* Lambillotte (Georges, 1915-1998). Still life of Anemones in a glass jug, oil on canvas, signed lower left, 40 x 50cm (15.75 x 19.75ins), gilt moulded frame

195*AR Laudy (Jean, 1877-1956). Still life of a bouquet of pink roses in vase, oil on paper, signed J. Laudy lower right, 58.5 x 45cm (23 x 17.75ins), framed and glazed

The landscape, still life and portrait painter Georges Lambillotte attended the Academy of Fine Arts in Namur in 1929. He entered the Circle of Art Exhibition “The Sketch” in 1934 and 1937. In 1935 he enrolled at the Academy Bruxelles and continued his training under the leading artists Alfred Bastien and Frans Smeers. (1) £300-500

Jean Auguste Laudy (1877-1956) was a painter of portraits, interiors and flowers and still lifes. He studied at the Antwerp and Brussels Academies of Fine Arts, where he worked with Isidore Verheyden from 1894 to 1895. (1) £600-800

196* Le Bas (Edward, 1904-1966). Calf on the farm at Firle Place, Sussex, oil on canvas board, framed and glazed, with Green and Stone framer’s label to verso Provenance: Collection of Captain and Mrs Michael Boyle, Hampshire. (1) £200-300

197* Le Bas (Rachel Anne, 1923-). Autumn Storms on Exmoor, oil on canvas, relined, 60.5 x 92cm (23.75 x 36.25ins), framed Provenance: artist address and picture title in manuscript to verso. (1) £300-500

198* Lessore (Helen, 1907-1994). Summer Garden, oil on card, inscribed in pencil to image ‘Greetings Telegram to Craigie Good wishes for Tuesday - Love from Helen’, 197 x 150mm (7.75 x 6ins) Provenance: A painted telegram from Helen Lessore to the artist Craigie Aitchison (1926-2009). Bequeathed by Aitchison to the present owner. A close friend of Craigie Aitchison, Helen Lessore was the first to promote his work through her gallery, the Beaux Arts Gallery in the late 1950s and early 1960s. (1) £100-150

Lot 198

Lot 197 83

Lot 199

Lot 200 199*AR Lloyd (Reginald J., 1926-). Old Workings, 2011, acrylic on hardboard, signed and dated lower right, 48 x 74cm (19 x 24ins), captioned to verso, framed

201*AR Lloyd (Reginald J., 1926-). Early Warning, 1998, acrylic on canvas, signed and dated lower right, 76 x 101cm (30 x 40ins), captioned to verso, gilt moulded frame

(1)

£400-600

£700-1000

200*AR Lloyd (Reginald J., 1926-). Inlet, 2011, acrylic on canvas, signed and dated lower right, 45 x 71cm (17.75 x 28ins), captioned to verso, gilt moulded frame

202*AR Lloyd (Reginald J., 1926-). Incoming Tide, 2010, acrylic on canvas, signed and dated lower right, 101.7 x 81cm (40 x 32ins), captioned to verso, framed

(1)

£400-600

£700-1000

Lot 201

Lot 202 85

205* Mathews (Denis, 1913-1997). Pub in Chungking, China, c. 1954-55, drybrush oil on paper, 40 x 52cm (15.75 x 20.5ins), framed and glazed, with original Redfern Gallery label to verso Provenance: Exhibited Redfern Gallery, London, 3-26 February 1955, no. 93, where purchased by Dr. R. Ramsay Garden. Denis Mathews (1913-1997) studied at the Slade School 1930-33 and 1935-36. His first one-man show was the Leicester Galleries in 1947, and he also exhibited at the Redfern Gallery and Agnew’s. He was secretary of the Contemporary Art Society from 1946 to 1956. He travelled widely in Europe, Morocco and China (where he travelled as part of the second labour delegation to China). See Patrick Wright, Passport to Peking, A Very British Mission to Mao’s China, Oxford University Press, 1910. (1) £150-200

203* Mackenzie (James Hamilton, A.R.S.A., A.R.E., 1875-1926). “Campo Vaccino, Rome”, oil on panel, signed lower left, 16 x 22cm (6.25 x 8.5ins), framed James Hamilton Mackenzie was born in Glasgow and educated at the Glasgow School of Art. In 1898 he won the Haldene Travelling Scholarship and travelled to Italy, studying at the Instituto de Belli Arti in Florence until returning to Glasgow in 1901. He was elected a member of the Glasgow Art Club in 1901, and later became their President. He was a regular exhibitor at the Royal Scottish Academy, and was elected to associate membership in 1923. (1) £300-500

204*AR MacTaggart (Sir William, 1903-1981). “Plough and Stubble, East Lothian”, oil on board, signed lower left, 17.5 x 23cm (7 x 9ins), gilt moulded frame, inscribed in the artist’s hand to verso ‘Plough and Stubble, W. MacTaggart RSA Jr.’ and with printed exhibition label Provenance: Bonhams, Edinburgh, lot 38, 23rd April 2009, ‘Property of a Lady of Title’. Exhibited: Aitken Dott & Son (The Scottish Gallery), Festival Exhibition, 1959, no 34. (1) £3000-4000

206* Michie (James Coutts, 1861-1919). Oriental girl with rabbit, oil on panel, showing a girl seated in a yard wearing a conical hat and feeding a large lop-eared rabbit, vertical crack, signed lower left, 26 x 18cm (10.25 x 7.25ins), gilt moulded frame James Coutts Michie was a Scottish painter who specialised in landscapes and portraits. He studied at the Trustee Academy in Edinburgh, and later in Paris. He travelled widely on the continent and in North Africa before settling in England around 1893. He became an Associate of the Royal Scottish Academy. (1) £1000-1500

Lot 205

Lot 204

Lot 207

207* Navarro (Francisco Martinez, 20th c.). Harbour scene with moored fishing boats, Valencia, oil on board, signed upper right, 34 x 53cm (13.25 x 21ins), gilt frame (1)

£150-200

208* Stuart-Hamilton (Clova, 20th-21st c.). “Barn and Bell Tower”, oil on canvas, of a continental landscape in spring with buildings and tree blossom, initialled lower right, gallery label on verso, 91 x 70.5cm (35.75 x 27.75ins), framed (1)

£150-250

Lot 208 88

Lot 209

209* Thomson (Leslie, 1851-1929). Brora, oil on canvas, laid down on board, signed (somewhat indistinctly) lower right, 35 x 51.5cm (13.75 x 20.25ins), framed and glazed Provenance: Exhibited at the Scottish Artistsâ&#x20AC;&#x2122; Benevolent Association Special Exhibition, Glasgow, March 1915, for the relief of artists in distress owing to the war, with handwritten and printed labels. The Scottish landscape and coastal painter John Leslie Thomson was influenced by Daubigny and the Barbizon School of plein-air painting. He exhibited at the Royal Academy from 1873, and was a member of the New English Art Club. (1) ÂŁ200-300

Lot 210

210* Verpilleux (Emile Antoine, 1888-1964). Summer Landscape, 1936, oil on board, signed and dated lower right, 33 x 40.5cm (13 x 16ins), contemp. art deco moulded frame, glazed The London-born Belgian painter and print maker, Emile Antoine Verpilleux, studied fine art at the Academie des Beaux Arts in Antwerp. He applied unsuccessfully to join the London Group in 1914. (1) £200-300

211* Workman (Harold (1897-1975)). Behind the Fair, 1936, oil on canvas, signed lower right, 46 x 40cm (18 x 15.75ins), framed Provenence: artist’s title label to verso and presentation inscription: “To Mrs Evans with the artist’s best wishes, Harold Workman, Nov. 1936”. (1) £200-300

Lot 211

CERAMICS & GLASS

Lot 220

Lot 221 221* A Worcester chestnut basket and stand, c. 1760-80, of quatrefoil form, the cover and stand pierced with moulded flowers and branch handles, painted with green sprays of flowers, the basket with twin handle, green sprays of flowers and gold painted base on a white ground, 28cm wide, minor damage

220* A Worcester porcelain chestnut basket and stand, c. 176080, of quatrefoil form, pierced with moulded flowers and twin branch handles, the interior painted in blue with a spray of flowers over painted with red and gold, the cover and stand similarly decorated in a clobbered-ground of red, blue and gold, blue crescent mark to base, 28.5cm wide, minor damage (1)

(1)

ÂŁ300-500

224* An unusual Dutch delft blue and white plate, mounted with a Chinese blue and white ovoid box with white metal lining, with white metal, foliate and scroll mounts raised on three scroll cabriole supports, the plate with ‘Chinese’ characters in blue, 18cm diameter x 22cm high, some damage

222* A French porcelain and ormolu censer, 19th century, the celadon porcelain bowl supported in gilt-metal stand formed as three monopodium lions with ring handles on paw feet united by foliate and shell base, 23.5cm high (1)

£100-150

(1)

225* A Victorian blue and white pottery drainer, printed with figures before a river with ruins in the background titled ‘Pemb; Coll.’, 30.5cm wide, together with a Royal Doulton pottery tobacco jar, circa 1900, with tubular lined decoration, impressed mark to base no ‘8435’, 14.5cm high, plus a Gaudy Welsh Tulip pattern miniature part tea service comprising, six cups, five saucers, teapot (lacking lid), sugar bowl and milk jug, some damage

223* Decorative ceramics, including a crested Arcadian China Despatch Rider ‘Aberdare’; Coronet Ware Despatch Rider ‘Enfield’ (damaged) plus two motorcycles and riders ‘Swansea’ and ‘Rothesay’, together with a bisque figure of ‘The Gentleman in Khaki’, plus a Studio Pottery vase decorated with a flambé type glaze, monogram to base, 17cm high (7)

£70-100

(-)

£100-150

226* A collection of coloured Art glass, including a Kosta glass paperweight modelled as a fish designed by Vicke Lindstrand, 21cm long, plus a green glass bottle vase indistinctly signed and dated ‘1969’, 15cm high (-)

£70-100

228* An impressive Lladro figural group, ‘Old Fashioned Motorist’ sculpted by Salvador Furio, modelled as a motorcyclist with lady in sidecar holding a puppy, 40cm high on a wooden base (1)

£700-1000

227* A Liverpool pottery blue and white plate, 19th century, printed with a clipper in stormy waters, within a border of shells, flowers and fruit, 26cm diameter (some damage) (1)

£70-100

229* A Lladro figure of a motocross rider, 25cm high together with another Lladro figure ‘The Riders’ modelled as a young boy on a motorbike, 21cm high on a wooden base, (some restoration to the latter) (2)

£150-200

Lot 230

Lot 232

Lot 233

230* A Lladro figure of a cricketer, modelled as a batsman, 42cm high (1)

£100-150

231* A Lladro figure of a Geisha kneeling arranging flowers, 19cm high, together with a John Jenkins porcelain Chinese dragon 18cm high (2)

£70-100

232* A Meissen group of a shepherd and companion, early 20th century, modelled sitting beneath a tree with lambs, 26cm high, blue crossed swords mark to base (some damage) (1)

234* A Dennis China Works pottery vase, designed by Sally Tuffin, with incised decoration of aircraft in flight, 20cm high, together with a smaller vase in the same pattern, 8.5cm high, plus a Dennis China Works dish decorated with an angel, limited edition 02/25, 15.5cm diameter

£100-150

233* A Victorian parian figure, modelled as a female before a vase in classical drapery holding a fan, on a socle, impressed ‘14’, 40cm high (1)

(3)

£100-150

235* Royal Doulton figure, ‘St. George’, H.N. 2051, 18cm high, together with a Royal Doulton white glazed group, ‘The Gift of Life’, H.N. 3524, 22cm high (2)

£100-150

237* A Rosenthal porcelain vase c.1890, painted with two children within an oval cartouche on a purple lustre ground, over painted in gold with acorns and oakleaves, green backstamp to base, painted ‘Dec.1112. 28’, with remains of collection label, 15.5cm high on a hardwood stand (1)

£300-500

236 A pair of Art Nouveau glass vases by Joseph Rindskopf Diluvium, of square form engraved with flowers on an agate coloured ground, gilded rims, 12cm high (one with small chip) (2)

£100-150

238* A Victorian ‘Florence’ pattern pottery part wash set by Henry Alcock & Co., comprising twin handle baluster slop pail and cover, a wash bowl and soap dishes and covers, each painted with floral sprays within gilt borders, brown printed backstamp, slop pail 40cm high, bowl 38cm diameter (-)

£100-150

ORIENTAL WORKS OF ART

239* A Chinese bronze figure of a recumbent horse, in the Tang style his head turned to the left with saddle and stirrups, 18cm long, together with Knopf (Alfred. A.), The Great Bronze Age of China, The Metropolitan Museum 1980, hbb, 386pp, numerous illustrations plus Kerr (Ross), Later Chinese Bronzes, Victorian & Albert Museum 1980, hbb, 115pp, numerous illustrations (3)

241* A Japanese bronze monkey, Meiji period, finely detailed with its leg outstretched and foot clenching a nut, 9cm long, signed on base

£70-100

(1)

240* A bronze figure of a Bodhisattva, modelled in a standing position with right hand raised on raised openwork base, lacking one support, traces of gilding, 14cm high, together with a collection of oriental bronze antiquities (-)

£80-120

242* A Japanese bronze, Meiji period, modelled as an elder standing on a boat holding a staff, detailed in gold, 16cm long (1)

£80-120

243* A Chinese bronze openwork belt buckle, 19th century, in two parts formed as two chilong and bats with beast head catch, signed on each side with three characters, 11cm wide (1)

£150-200

244* A Chinese porcelain celadon charger, 19th century, decorated with stylised flowers, deep foot rim, 41cm diameter (1)

£100-150

246* A Chinese porcelain blue and white bowl, 18th century, painted with a dragon chasing the sacred pearl within a stormy sky, three character mark to base, 23.5cm diameter (1)

£100-150

247* A Chinese hardstone “boys with elephant” carving, the elephants head turned to one side, surmounted by two boys, one holding a ruyi sceptre, the other telling the other to be quiet whilst holding a vessel, 13cm wide 245* A Chinese blanc de chine figure of Guanyin, early 20th century, typically modelled on a lotus base with fish rising from the waves, 47cm high (some damage) (1)

(1)

£70-100

£200-300

Lot 250

Lot 251

248* A Japanese black lacquer hokai (covered food container), 19th century, of ribbed circular form with engraved brass floral decorated mounts, on four splayed supports, the interior of plain lacquer with green rope, 43cm high

250* A Japanese four case lacquered inro, late 19th century, decorated with figures and houses in a mountainous landscape, 7cm high

(1)

£200-300

£100-150

251* A Japanese four case lacquered inro, late 19th century, lacquered in gold with insects and flowers, with three character signature, with floral carved netsuke and gold lacquered toggle, 7.5cm high (1)

249* A Japanese four case cinnabar lacquer inro, late 19th century, carved with figures depicting an elder and child the reverse with three figures standing under a pine tree, the compartments lacquered in speckled gold and each with a poem, 7.5cm high, together with a three case red lacquered inro, decorated with dragons on a black lattice work ground and scroll border, the cases in speckled gold, bound by gold bullion cord, 7cm high (2)

£200-300

252* A Japanese boxwood single case inro, decorated with insects in horn and stained ivory, 8cm high x 9cm wide together with an ivory netsuke finely carved as a rat, plus various sword menuki and kashira

£200-300

(6)

£80-120

255* A Chinese jade boulder, 20th century, carved in relief with an elder, child and pine tree before a mountainous landscape, 16cm wide (1)

£100-150

253* An Oriental erotic carving of a couple embracing, together with a collection of oriental ivory including a Japanese figure c.1900 carved as an elderly man holding a bamboo cane, 16cm high (some damage), a Chinese seal carved as a dragons head and a cylindrical bodkin case carved with dragons, plus two reproduction ivory effect erotic figures (7)

£100-150

254* A fine Japanese ivory medical figure of a nude, carved in the reclining position with her hand supporting her head, 32cm long, on a hardwood stand, together with a smaller example, 10cm long, on a hardwood stand (2)

£300-500

256* A Chinese celadon jade carving, late Q’ing Dynasty to early Republic, carved as a boy holding a ruyi sceptre whilst seated on a pomegranate, 5cm high (2ins) The pomegranate represents sons and daughters. (1)

£500-800

259* A Japanese netsuke carved from a nut, finely carved as a sack which opens to reveal a Buddha playing a board game with a child, together with a circular carved ivory netsuke, carved with a mythical beast with boxwood figural toggle (2)

£80-120

257* A Chinese celadon jade “Pei”, carved as an elder and child standing before a ling-xi tree, the reverse carved with a poetic essay, apocryphal mark and signed ‘Zigang’, pierced for suspension, 6cm high, together with a “Bi” with archaistic design within sectioned panels, and stylised chilongs to each shoulder the centre with rice grain pattern, 11.5cm wide, plus a hardstone pendant carved as a basket of flowers, with gold coloured metal suspension ring, 6cm high (3)

£300-500

260* A Chinese porcelain blue and white punch bowl and cover, early 20th century, the domed cover with raised mushroom handle on curved base painted throughout with stylised flowers and scrolls with gilt painted borders, 29cm diameter (1)

261* A Chinese four-fold table screen, with embroidered panels, depicting figures in a fret cut frame, approx. 70cm high (in need of restoration)

258* A Japanese boxwood netsuke, 19th century, finely carved as a bearded man holding a pot above his head, he stands before a table with what appears to be a knife, 5.5cm high, together with an ivory netsuke carved as a leper, signed in black ink plus a bone netsuke carved as a seated elder holding a bowl of flowers, 4cm high (3)

£80-120

(1)

£100-150

262* A Chinese porcelain ‘Squirrel & Vines’ pattern part tea set, comprising ovoid teapot, sugar bowl, tea bowl and three saucers, each moulded in relief with brown squirrels clambering across vines, teapot 20cm wide, some damage

£150-200

(6)

100

£300-500

Lot 262

263* A Chinese porcelain teapot, late 18th century, of cylindrical form with cover, decorated in the famille-rose palette with insects and foliage, 16cm high

264* An Oriental ovoid pottery vase, possibly Japanese or Korean, c. 1900, decorated in an all-over brown glaze with stencilled characters and devices, 42cm high

(1)

ÂŁ100-150

101

ÂŁ100-150

SILVER & GOLD

267* A Georg Jensen silver brooch, designed by Arno Malinowski, modelled with a kneeling deer in an oval frame, numbered ‘256’, hallmark c.1945-51, 4.5cm wide (1)

£150-200

265 A George III silver beaker, plain and tapered raised on everted foot, John Wakelin & William Taylor, London 1780, 11cm high, 6.1oz (1)

£100-150

266* A George I silver brandy warmer, the plain bowl with sparrow beak, fruitwood handle, William Fordham, London 1726, 17cm long

268* A Victorian silver calling card case, shaped and finely engraved with floral scrolls, John Newton Mappin, Birmingham 1895, 10cm x 7cm, 2.3oz, in a fitted leather case

(1)

£150-200

102

£100-150

269* A cameo brooch, carved with a spray of flowers, in a silver mount stamped ‘900’, together with a modern amber brooch set in a stylised swirl mount, plus a silver bangle with three small diamonds (3)

£50-80

Lot 271

270* A Victorian silver four-light candelabrum, the knopped column supported by three branches each with detachable sconce and drip tray, the central column with detachable flame snuffer and drip tray, all individually hallmarked, engraved ‘From A.A.A Hungerford to I. Arrowsmith in remembrance of his skill & unremitting attention DURING A SEVERE ILLNESS AT YATTENDEN, Augt 1844’, Creswick & Company, Sheffield, 1843, 65cm high, weighted, in original oak fitted box (1)

£500-700

271* Silver Churchill Centenary Medals, produced by the Churchill Centenary Trust (no 150), comprising 24 silver gilt medals each hallmarked, in a blue leatherette album, with certificate approx. 21oz (1)

£200-300

272* A Continental silver and enamel cigarette case, c.1920, finely enamelled with a peacock perching on a branch with engine turned decoration, stamped ‘925’, 9cm x 6.5cm (1)

£200-300

Lot 272

103

273* A silver and enamel cigarette case, finely enamelled in blue with engine turned decoration, the edge engraved with foliate scrolls, gilded interior, Charles S Green & Co, Birmingham 1926, 9cm x 6.5cm, together with a similar silver and enamel cigarette case, Hasset & Harper Ltd, Birmingham 1933, 8.5cm x 6.5cm, overall weight approx. 8oz (2)

ÂŁ100-150

275* A George VI silver cigarette case, rectangular with engine turned decoration engraved with monogram within yellow metal border, gilded interior, W.H. Manton Ltd, Birmingham 1947, 12cm x 8cm, together with a similar cigarette case, Jay, Richard Attenborough & Co, Chester 1926, 9.5cm x 8cm, plus another, with engine turned decoration, gilded interior and engraved with presentation inscription, Garrard & Co, Birmingham 1956, 9cm x 8cm, total weight approx. 17.5oz

274* An Art Deco silver and enamel cigarette case, with black and white enamel and chiselled border, Joseph Gloster Ltd, Birmingham 1933, 8.5cm x 7cm, together with a similar cigarette case, Alexander Clarke & Co Ltd, 1932, 8.5cm x 7cm plus a silver and enamel cigarette case and a compact (4)

(3)

ÂŁ100-150

104

ÂŁ150-200

278* A Continental silver and enamel compact, c.1920, with pink chequered enamel within chased rose encrusted silver border rounded at the top, with blue stone cabachon catch, enclosing two hinged compartments and mirror, stamped ‘925’, 9cm x 4cm together with an Art Deco rectangular silver compact, the hinged lid enamelled in black, with thumb-piece catch, enclosing two hinged compartments and mirrors, 8.5cm x 4.5cm

276* A Continental Art Nouveau silver and enamel cigarette case, c.1900, the cover finely enamelled with a young lady in long robes surrounded by flowers, 8.5cm x 7cm, stamped ‘800’ (minor damage) (1)

£100-150

(2)

£100-150

277* A collection of Continental silver cigarette cases, including a rectangular case with rosewood end pieces, the hinged lid enclosing compact and cigarette compartment, stamped ‘800’, 11.5cm x 8cm, plus a case with black enamel and marquisette and turquoise, stamped ‘935’, 8.5cm x 6cm, total weight approx 20oz (5)

279* Georg Jensen silver Cactus flatware, c.1930s, designed by Gundolph Albertus, comprising spoon, fork and two coffee spoons, each with marks for 1933-44, approx. 4.5oz

£150-200

(4)

105

£150-200

283* A 9ct gold Cartier notebook and propelling pencil, with fish-skin covers, gold catch formed as a hinge with the pencil securing it, stamped ‘9ct Cartier London’, pencil 12.3g gross, together with an Asprey travelling inkwell plus a Victorian ivory calling card case (3)

£100-150

280* A silver and enamel hat pin by Charles Horner (enamel damaged), Chester 1909, together with another silver hat pin, the pierced silver top with a galleon and ‘Kirkwall’, a Continental Art Deco silver bar brooch, set with a smokey quartz, stamped ‘835’, plus an 18th century silver-gilt patch box, enamelled in blue and gold with white cabachons, the silver engraved ‘forget me not Christmas - 1782’, the hinged lid inset with engraved plaques for day and night, 3cm diameter (4)

£80-120

281* Silver Medallic History of Medicine Medals, produced by The Department of Medical History, comprising 66 24ct gold on sterling silver, in a blue leatherette album with certificate, approx. 58oz (1)

£300-500

282* A Continental silver coloured metal bird, the feathers formed with wire, mounted on a carved wooden base, 20cm high overall

284* A Georg Jensen silver ‘Magnolia’ paper knife, c. 1920s, numbered 117, 17cm long, approx. 2oz

(1)

£100-150

106

£100-150

285* A silver three-piece condiment set by Gerald Benney, comprising salt, pepper and large pepperette, each of plain rounded form, London 1955, plus a heavy gauge goblet by Gerald Benney, with a berk design, the interior gilded, London 1968, 10cm high, total weight approx. 17oz (4)

288* A pair of George III silver serving spoons, each plain and engraved with monogram, Peter and William Bateman, London 1807, together with three further George III silver serving spoons, various silversmiths and dates, approx. 10oz (5)

£200-300

£100-150

289* A George V silver three-piece teaset, of oblong half gadrooned form, Walker & Hall, Sheffield 1919, total weight 41.5oz (3)

£200-300

286* A Continental silver and enamel snuff box, c.1920, rectangular with green guilloche enamel throughout and engraved borders, gilded interior, imports marks stamped ‘925’, 8cm x 5cm, together with a rectangular silver snuff box, engine turned throughout, gilded interior, Frederick Thomas Buckthorpe, London 1916, 8.5cm x 5cm, total weight approx. 6.3oz (2)

£100-150

287* South Africa. Krugerrand, dated 1981, 1 oz gold (1)

£600-700

290* A George III white metal toasting fork, with tortoiseshell spiral twist handle, 34cm long together with a Scottish toasting fork c.1880, with horn grip and ivory pommel, 56cm long (2)

107

£80-120

293* A Chinese silver trumpet shape vase, early 20th century, with entwined dragons leading to domed foot, Wang Hing & Co, 21.5cm (8.25ins) high, together with a Chinese silver salt pot, Wang Hing & Co and pepperette, total weight approx. 9.5oz (3)

294* An Irish silver vesta case, engraved with monogram and crest, Dublin hallmarks, approx. 2oz, together with a silver coloured metal rectangular snuff box, the lid engraved with foliate scrolls, plus a silver top dressing table bottle, a collection of snuff boxes including a papier mache box, the hinged lid painted with a Scottish child and dog, a Townson & Mercer Ltd, London pocket barometer, plus a Hugh Wallis Arts and Crafts brass bowl, 22.5cm diameter

291* A fine Art Deco silver and enamel three-piece lady’s vanity set, comprising cigarette case, stamp case and compact, all finely enamelled in black with white engine turned borders, Adie Brothers, Birmingham 1932, in a fitted leather case (1)

£80-120

(20)

£200-300

£100-150

292* A collection of silver items, including a toast rack, Sheffield 1937, 12cm long, a circular dish 12.5cm diameter, London 1958, a smaller dish, Sheffield, Millennium mark, 10cm diameter, three Arts and Crafts seal top teaspoons each with hammered bowl by Sandheim Brothers 1901, a cased reproduction ‘Owl Knopped’ spoon, London 1974, a cased pair of silver seal top spoons, Sheffield 1920, ten various tea and coffee spoons, silver back mirror and brush etc, weighable silver 18oz

295* A George III silver wine funnel, with plain bowl engraved with initials, thumb piece, spout with reeded decoration, London 1792, possibly Robert Hennell I, 13cm long, 3.2oz

(-)

(1)

£150-200

108

£100-150

COLLECTABLES

296* An enamel ‘Colman’s Starch’ advertising sign, early 20th century, in red, black and white (some damage), 92cm x 97cm (1)

£100-150

299* A fine pair of brass heraldic lions, early 19th century, each modelled in the standing position, their front paws raised, on rope twist octagonal bases, 36cm high (2)

£400-600

297* An enamel advertising sign for ‘Smoke Stansfield’s Superfine Shag’, early 20th c., in red and white, 91cm x 46cm, together with a Tabs and Robin Cigarettes enamel signs, each rectangular with yellow and red script on a navy blue ground, 27cm x 72cm (3)

£200-300

298* A collection of Victorian, Edwardian and later advertising packaging, including a tin ruler for Blue Band Margarine, the 10inch ruler printed “Just Like Best Butter”, together with the Laurel Vest Pocket Safety Razor, complete in walnut effect tin, Harvey’s Eradicating Worm Powders (unopened), a large box in the form of a pencil for Wolff’s Bridge Pencils containing miniature pencils, various vintage buttons mounted on card including The Wedgwood set linen buttons, soap boxes etc.

300* A cast iron shield-shape Armorial, 19th-century, with three crowned lion heads and three fleur-de-lys, mounted on a mahogany shield, 31cm high x 28cm wide

(-)

(1)

£70-100

109

£70-100

301* A Victorian mahogany artists box, by Winsor & Newton Ltd., the hinged lid enclosing paper label for Rathbone Canvas Board, with palette, paints and brushes and other accessories, 8cm high x 38cm wide x 28cm deep (1)

£80-120

302* A brass bulkhead Holosteric Compensated barometer by Schatz, with white enamel dial, 15.5cm diameter overall together with a collection of Victorian drinking glasses, Hungarian porcelain birds, 18cm high (26)

£70-100

304* An Australian Aboriginal hardwood boomerang, shows signs of use!, 41cm long (1)

305* A Coco de Mer (Lodoicea maldivica) bowl carved with handle and shaped edges, 28cm long

303* A Victorian style mahogany miniature tester bed, with shaped footboard between two turned uprights, raised canopy with turned bobbins, united by pine slats, 60cm high x 31cm wide x 51cm deep Probably a travelling salesman’s sample. (1)

£50-70

The Coco de Mer comes from the palm endemic on the islands of Praslin and Curieuse in the Seyschelles. The name Lodoicea is derived from Lodoicus the Latinised form of Louis, in honour of King Louis XV of France. (1) £100-150

£200-300

110

306* An Austrian bronze mouse, c.1890, finely detailed with its head turned to the right, 8cm long, together with an Austrian cold painted bronze kingfisher c.1890, 5.5cm high (2)

£100-150

307* An Austrian cold painted bronze dachshund by Bergman, modelled scratching its ear, impressed ‘B’ to base, 5cm high (1)

310* An Anyi figure (Lagoon Region, Africa), the female figure carved in the standing position with elongated neck and scarification marks, 38cm high on a later stand together with a fertility figure carved in the standing position with hands on head (some damage), 25cm high

£80-120

308* A pair of mid Victorian mahogany and brass candlesticks, each with fluted column, brass urn sconce on a square base, 25cm high (2)

(2)

£200-300

309* An Victorian cane with ivory handle and silver ferrule engraved to ‘Dr Veale’, Chester 1897, 76cm overall, together with an archive of sheet music and photographs from the same estate relating to composer Derek Veale including a Music Manuscript Book titled ‘Little Lady words and music by Derik Veale’, and stage performance photographs c.1930s, plus two other walking canes including an Indian malacca cane with white metal top embossed with figural embossed decoration engraved ‘G.C. Veale, Harrogate’, 89cm overall (-)

£70-100

111

£100-150

312* An Arts and Crafts copper charger by Hugh Wallis, circular with beaten finish and copper and silvered chevron border, stamped with HW monogram, 57cm diameter Hugh Wallis (Fl.1894-1922) lived in Altrincham, Manchester and was part of the Northern Art Workers Guild. (1) £100-150

313* A collection of 18th century & later fire marks, comprising Sun lead mark, 18th century (Bulau 537) policy number 450594; Royal Exchange lead mark, 18th century (Bulau 625) number 190075; Royal Exchange lead mark c.1840 (Bulau 632); Sun copper mark (Bulau 549); Sun Fire Office 1710 uncirculated copper mark late 19th century (Bulau 551); County Fire Office rectangular copper plaque late 19th century (Bulau) plus a Croatian enamel mark (uncirculated) depicting a family group

311* A South German copper and brass casket (Minnekastchen), 17th century, engraved with exotic birds, vases of flowers and fruit, with bow carrying handle, the hinged lid with sliding bar to reveal key hole, the underside of lid with fine steel lock, with key, 4.5cm high x 7.5cm wide x 5cm deep (1)

£700-1000

In 1953 Alwin E. Bulau wrote a book, Footprints of Assurance based on Harold V. Smith’s collection (the former Chairman of the Home Insurance Company). Bulau’s book is now the standard for fire mark collector who identify marks by the Bulau number. (7) £300-500

112

316* A morning hat, c. 1920 by Thomas Townsend & Co, in its cardboard hat box, together with a pair of Victorian hand screens, each with tapestry panels and brass handle

314* A Waterman’s Ideal Fountain Pen, with silver case stamped ‘Sterling’, the clip stamped ‘PAT Sep 26.05’, together with various fountain pens including a cased silver Parker Flighter set with instructions (5)

(3)

£70-100

£100-150

317* A bloodstone hookah pipe, 19th century, finely carved, 18cm long, together with a French circular miniature of a 16th century female, probably wax on slate, reverse signed ‘L. Basset’ under convex glass in a fruitwood circular frame, 17cm diameter, a horn buckle in the form of eagles heads, in a fitted case plus a Victorian ovoid glass vase enamelled ‘A Present from Ware’, 10cm high (4)

315* A late Victorian stained glass panel, painted with a wheatsheaf and rabbit within a blue shield within green glass border with oak leaf and acorn panels, the base with motto ‘Moriendo Vivam’, 38cm high x 31.5cm wide in a period oak frame (1)

£100-150

113

£70-100

320* A cylinder musical box by Nicole Freres, Geneva, 19th century, the rectangular rosewood case inlaid with foliate scrolls, enclosing signed brass movement no.20325, 12cm high x 43cm wide x 14.5cm deep (1)

£200-300

321* A mother of pearl scrimshaw nautilus shell, engraved ‘The Great Eastern Steam Ship, Launched Jany 31st 1858’ inscribed to ‘Thomas & Ann James 16th Oct 1858’, engraved with a picture of the ship, 12cm wide (some damage), together with an Ostrich egg painted ‘RMS Moor’ with a picture of the ship, the reverse painted with a portrait of a African native approx. 15cm high The R.M.S. Moor was part of the Union-Castle Shipping Line operating between Europe and Africa from 1900-77. (1) £70-100

318* A good collection of iron keys, 17th century and later, including a French Night Latch key, various English kidney bow keys many of them from churches and country estates and continental door keys (36)

£100-150

322* An ivory pounce pot, 19th century, intricately carved on a pedestal base, 12cm high, together with a pair ivory pedestal pots, each carved as a lotus, 7cm high, plus an Indian ivory box and cover carved with a lion, bear and other wild animals, 9cm wide (4)

319* A cast iron ‘Jolly Nigger’ money bank, wearing a top hat, 18cm high, together with another 15cm high (2)

£100-150

323* A collection of Victorian and later propelling pencils, including a silver pencil by Sampson Mordan, London 1827, a 9ct gold pencil, c. 1920, (total weight 15.9g), an ivory pencil carved with clenched fist, plus a miniature pencil with agate crucifix all in a black tin box, the inner lid inscribed ‘S. Mordan & Co, 73 Cheapside London’

£80-120

(30)

£200-300

324* A French kingwood veneered scent bottle box, c.1880 the shaped lid with watercolour botanical cartouche in a pierced brass frame, enclosing three cut glass rectangular bottles each with square mushroom stopper and decorated with gold painted stars, lined in watered silk, bearing brass engraved makers plaque for Tahan Ft, v.de laPaix, with brass knob, 10cm high x 14cm wide x 8.5cm deep (1)

£150-200

325* A Chinese embroidered silk panel, the centre with flowers on a peach ground within a blue foliate border, 41cm high x 60cm wide, together with an Oriental woollen carpet, 20th century, with four medallions within geometric repeating borders, on a dark red ground, 210cm x 124cm

Lot 320

(2)

114

£70-100

Lot 323

Lot 324

115

Lot 326

Lot 327

Lot 328

326* A brass combination snuff box, 19th century, of rectangular form with two dials and sliding catch, 8cm long (1)

£70-100

327* A Coalbrookdale-style cast iron stick stand, modelled as a putto entwined with a snake, on a grassy base with detachable drip tray, 82cm high (32.25ins) (1)

£100-150

328* A Victorian lacquered brass enema syringe by Arnold & Sons, London, in a fitted-lined plush mahogany case, 6cm high x 30cm wide x 15cm deep, with accessories including tube (1)

£100-150

329* A tôle ware grocer’s tea canister, retaining original paint, decorated with a flag and other devices and numbered ‘7’, with domed cover on a black ground, 45cm high (1)

£300-500

330* A Victorian brass tobacco box, of square form engraved ‘Press’ Tobacco Shanty’ with caddy cover leading to vase shape finial on a flared base, with an interior cover with vase handle, 28cm high (1)

Lot 330

116

£150-200

Lot 329

Lot 331

Lot 333

Lot 334

331* An unopened bottle of truffles, c.1900, the deep green bottle with black wax seal printed with label for ‘Truffes du Perigord, J.A. Sharwood & Co Ltd London’, 16cm high (1)

£50-70

332* An Irish bog oak truncheon, traditionally carved with shamrocks, 36.5cm long, together with two similar, various sizes (3)

£70-100

333* An English violin, early 20th century, with two piece back, paper label inscribed ‘Bill? 1924’, 60cm overall, in its wooden case with bow (1)

£70-100

Lot 335

334* A walking stick carved as a golf club, with brass ferrule, 87cm long together with a hardwood walking stick inlaid with brass geometric decoration, 92cm long (2)

£50-70

335* A pair of Continental cast iron wall plaques, early 20th century, cast as characterful heads, possibly for advertising purposes, 31cm high (2)

£100-150

117

SCULPTURE

336* Portrait busts. A pair of alabaster busts of William Shakespeare and John Milton, late 19th century, 19cm (7.5ins) high (2)

£100-150

338* Landes (Benson 1927-). Jennie, original bronze sculpture of a seated girl titled 'Jennie', finely modelled, signed, on a black marble base (cracked to front edge), 67cm (26.5ins) overall height With an original handwritten letter from the artist to the owner of this work, dated 21st August 2004. (1) £700-1000

337* After Bruno Zack (1891-1935), Dominatrix, a reproduction Art Deco figure, modelled as a scantily clad nude female holding a riding crop in simulated ivory and bronze on a faux marble base, 32.5cm high (1)

339* Berjean (P., 20th Century). Native and Lion, a French Art Deco bronze sculpture, depicting an African native hunter spearing a silvered lioness, on a black marble base, signed, 32cm (12.5ins) high, 58cm (22.75ins) wide

£100-150

(1)

118

£300-500

341* Carrier-Belleuse (Albert-Ernest de, 1824-1887). Liseuse, an ivory and bronze (chryselephantine) figure, titled ‘Liseuse’ finely modelled wearing medieval drapery, her face and hands in ivory, holding an open book on a socle, signed, 40.5cm (16ins) high (1)

£700-1000

342* Kenett (Frederick Leslie, 1924-2012). A group of fourteen abstract forms, c. 1980s, plaster maquettes for sculptures, a few with scuffs and marks, eleven maquettes approx. 30cm (12ins) tall or wide, and three somewhat smaller

340* Bronze. The Capitoline Brutus, early 19th c., a bronze bust of the Capitoline Brutus, unsigned, supported on a marble column plinth, overall height 38cm (15ins)

Born in Berlin, Frederick Leslie Cohen (he later changed his name) was forced to leave his country by the National Socialist party, and coming to England in 1939. He joined the US Intelligence Corps during the war whereby he developed an interest in photography and later worked professionally. He specialised in photographs of sculpture, working for museums, governments and publishers, inculding among his many projects the Acanthus History of Sculpture series. From the mid 1960s he ceased work as a photographer of sculpture and became a sculptor himself. It is understood that these maquettes were never made into bronzes. (14) £700-1000

After the famous Capitoline Brutus, a 4th-3rd century BC bronze bust, which was donated to the Capitoline Museums in Rome by Cardinal Pius da Carpi in 1584, where it still resides today. (1) £1000-1500

343* Art Deco Mantel Clock. A Continental Art Deco mantel clock, c.1930, square two-hole clock with Arabic numerals supported in a black and marble base with brown veining and onyx inserts, surmounted by a bronzed figure of an ‘Aryan’ youth scantily clad holding a spear, 44cm high x 64cm wide (1)

Lot 341 119

£400-600

344* A saltglaze stoneware maquette by George Tinworth, c.1900, sculpted as a seated model of Sir Henry Doulton by his desk, incised with ‘GT’ monogram, 9.5cm high, ex Pulver Collection It has been suggested by Geoffrey Godden that this was a prototype for a larger model of Tinworth’s employer which was never commissioned and therefore only bears the artist’s monogram and not the factory stamp. There are also three clear impressions of fingers to the rear of the desk. George Tinworth (1843-1913), worked for the Doulton factory at Lambeth from 1867 until his death. Regarded as by far the most famous of the Doulton studio potters, his pieces were shown at the Royal Academy where they were admired by John Ruskin amongst others. (1) £600-800

345* New Zealand School. Cannibal Cove, HMS Adventure, 1773, by Jonathan C. 1993, contemporary bronze sculpture depicting two hogs leaping over a coopered barrel (some damage to front pigs rear legs), on rectangular, on rectangular plinth, incised with the title, with impressed foundry mark of a cockerel and signed Jonathan C. NZ 93 A.P.I, 13cm high, 38cm length, 11.2cm width (1)

£70-100

346* Pietra Dura. A 20th century pietra dura, typically worked in the Italian Renaissance style, with a vase of flowers set into a light marbled arched plaque, 80cm high x 51cm wide (1)

£300-500

Lot 344

347* Tandi (James, 1956-). African nude, a polished black carved stone sculpture of a female bust wearing head scarf, detailed necklace and earrings, signed, 33cm (13ins) high together with an African hardwood carving of a female bust signed ‘Nyami’, 38cm (15ins) high (2)

Lot 346

120

£200-300

CLOCKS & SCIENTIFIC INSTRUMENTS 348* A collection of boxwood rules, mostly 19th century, including a brass mounted rope gauge by John Rathbone & Sons Birmingham, a brass mounted rule and caliper by Stanley Rule & Level Co, New Britain Connecticut another by E. Preston & Sons Birmingham, a fourfold rule by J Rathbone & Sons Birmingham, a Dock Companies timetable rule with brass slide by Dring & Fage, Tooley Street London, plus another by G. Richardson No12 Upper East Smithfield (used to calculate the number of days for storage charges) (17)

£200-300

Lot 348

349* A brass 30-hour clock movement, the central plate engraved ‘Cornelius Muzzle Bolney’, with calendar aperture and foliate engraved decoration, the chapter dial engraved with black roman numerals and boys and crown spandrels, the movement later, 24.5cm x 24.5cm, together with a musical clock movement and assortment of bells and other spares (1)

£100-150

350* A good collection of ivory rules, mostly 19th century, including a 12 inch three-fold ironmongers rule with caliper by P.J. Harding, a 25 inch four-fold rule, together with a caliper by Avern Sons & Barris, London, possibly for cork cutting, (measurements in Spanish and English), a folding sector ruler by T. Blunt London and another by Cox Devonport plus two 6 inch folding sector rulers (14)

£200-300

Lot 350

121

351* A George II brass dial longcase clock, by Thomas Gilkes, Sibford, 18th century, the eight day movement with signed dial, calendar aperture surrounded by foliate engraving, subsidiary seconds dial and chapter ring engraved with black roman numerals, the spandrels pierced with masks and scrolls, in a later pine case, movement 30cm x 30cm overall, case approx. 196cm high, with pendulum and weights

352* A painted dial longcase clock by R Clementson, Dunstable, c.1820, the eight day movement with unusually wide winding holes, seconds aperture, black painted arabic numerals, shaped pierced steel hands within gold painted laurel border with patarae type spandrels, in an oak case with brass capped pilasters, movement 28cm x 28cm overall, case 192cm high, with weights, winding key and pendulum (the latter damaged)

The Gilkes family were prolific clockmakers in North Oxfordshire over a period of 150 years. Thomas Gilkes (1665-1747) was born in Sibford Gower, Oxfordshire and was the son of a Quaker Thomas Gilkes Senior who he learned his trade from. Gilkes had two sons Thomas and Richard who he too passed his trade onto and they produced clocks in Charlbury and West Adderbury respectively. (1) ÂŁ300-500

Probably converted from a 30 hour movement. (1)

122

ÂŁ250-350

355* An Edwardian Vienese drop dial wall clock, the circular white enamel dial with black roman numerals, brass pendulum, in a mahogany and glazed case with ebonised turned finials, 116cm long

353* A brass theodolite by W & S Jones, London, 19th c., signed on the circular base plate ‘W, & S, Jones, 30 Holborn, London’, with two levels raised on central pillar with quadrant supporting telescope with lens cap, approx. 32cm high x 23cm wide, some parts missing (1)

(1)

£200-300

354* A French brass carriage timepiece, early 20th century, with platform escapement, white enamel dial with black roman numerals, 11 x 8.5cm overall, in its leather carrying case (1)

£100-150

123

£180-220

FURNITURE & BOXES

356* A Victorian elm smokers bow armchair, the carved scroll top rail over three fret cut vertical splats, with shepherds crook arms, solid seat over four turned baluster supports united by cross stretcher 80cm high, together with a similar elm armchair with spindle uprights, solid seat over turned supports united by cross stretcher 80cm high (2)

358* An oak bank of drawers from the Fishing Retailers Crudgington of Bath, late 19th century, with five small drawers over four medium and three large drawers each with turned handle and individually marked for respective fishing product i.e. fly boxes and casts etc, 56cm high x 83cm wide x 24cm deep (1)

359* A pair of mahogany bookends, each with foliate carving and bearing the monogram of the Rothschild family, 82cm high, together with a Victorian gesso picture frame, decorated with C-scrolls and floral moulding, 76cm high x 92cm wide plus a carved giltwood pediment

357* A Victorian button upholstered tub armchair, on turned supports, 74cm high, together with similar square footstool plus a William IV mahogany dining chair (3)

£300-500

£100-150

£80-120

(3)

124

£100-150

363* A Victorian papier-mâché tea caddy, of sarcophagus form painted with floral sprays and inlaid with abalone, the hinged lid enclosing twin division, each with cover on four bun feet, 11cm high x 18cm wide x 11cm deep, together with a mahogany stationery box (converted from a cutlery box), 19th century, the sloping lid inlaid with Britannia within an oval cartouche with herringbone banding, enclosing divisional interior, 26cm high x 25cm wide x 30cm deep

360* A Victorian mahogany apprentice chest of drawers, the straight front with two short and three long drawers, 33cm high x 28cm wide x 19cm deep (1)

(2)

£100-150

£80-120

361* A Chinese tea caddy, the rectangular box lacquered with fern, enclosing lead lining, 17cm high x 29cm wide x 20cm deep, together with two other Chinese boxes plus a Regency period leather covered jewellery box on brass lions paw feet (4)

£70-100

364* A French fruitwood buffet, early 19th century, the rectangular top over two drawers and two shaped panelled cupboards each with pierced scroll wrought iron mounts, the shaped apron over four cabriole supports, 103cm high x 142cm wide x 56cm deep (1)

362* A Chinese lacquer tea caddy, 19th century, of octagonal form decorated in gold with panels of figures and buildings, the hinged lid enclosing two pewter lift out canisters each with ivory handle, on three lions paw feet, 13cm high x 21cm wide x 14cm deep (1)

£100-150

125

£400-600

365* A George III mahogany fall front bureau, the hinged fall enclosing an arrangement of divisional interior including an inlaid door flanked by secret compartments each inlaid with classical column, with two short and three long drawers each with bow handle and pierced brass back plate, on bracket supports, 110cm high x 101cm wide x 54cm deep (1)

£150-200

366* An elm butchering block, probably for military use, c.1900, the rectangular block showing little sign of use, over iron carrying lugs, 122cm wide (1)

£100-150

367* A Chinese hardwood cabinet with a bank of twenty drawers, each carved with characters over two further drawers and two cupboards with brass mounts, on shaped supports, 70cm high x 61cm wide x 22cm deep, together with a hardwood table cabinet, 42cm high (2)

£150-200

368* A George III style floor standing corner cabinet, with blind fret cut cornice over astragal glazed doors enclosing shelves on bracket supports, 195cm high x 75cm wide x 44cm deep (1)

£70-100

369* A Regency mahogany elbow chair, the reeded top rail over two horizontal bars, with reeded arms, stuffed seat over turned supports 82cm high, together with an oak high back chair with foliate carved back between two barleytwist columns over stuffed seat on turned supports united by barley twist cross stretcher 108cm high

Lot 365

(2)

£70-100

Lot 366

Lot 367

370* A Welsh ash and elm stick-back chair, 18th century, the shaped top-rail over vertical uprights, solid seat with turned supports, 90cm high (front legs later) (1)

126

£1000-1500

371* A George III mahogany cheese coaster, of typical form with turned ends each with roundels, on four brass casters, 23cm high x 43cm wide x 26cm deep

373* A Victorian mahogany straight front chest of two short and three long drawers, with turned knobs on bracket supports, 97cm high x 100cm wide x 55cm deep

(1)

£150-200

£100-150

374* An oak chest of drawers, early 19th century, the rectangular top over two short and three long drawers each with bone key escutcheon, on bracket supports, 102cm high x 110cm wide x 52cm deep (1)

£150-200

372* A Victorian walnut straight front chest of two short and three long drawers, on turned supports, 123cm high x 101cm wide x 47.5cm deep (1)

£100-150

375* An oak coffer, early 19th century, the twin panelled cover over repeating frieze and two panels, on reeded block supports, 56cm high x 82cm wide x 45cm deep (1)

Lot 373

127

£150-200

Lot 379

376* An oak and mahogany crossbanded bow front hanging corner cabinet, the two doors inlaid with an arched design, enclosing shelved interior, 100cm high x 69cm wide x 43cm deep (1)

£70-100

377* A set of six Edwardian Hepplewhite style mahogany dining chairs, each with cupids bow top rail over pierced acanthus backsplat, stuffed seats over block supports united by crossstretcher, 99cm high (6)

£100-200

378* An Edwardian mahogany draw leaf dining table, the square top with extending leaves over four cabriole supports, 74cm high x 92cm square (1)

Lot 381

£50-80

128

Lot 383

379* An Edwardian mahogany demi lune display cabinet, with glass top and door, enclosing shelves, 97cm high x 58.5cm wide x 28.5cm deep (1)

£100-150

380* An Anglo-Indian mahogany child high chair, 19th century, carved with foliate decoration and monogram, with safety bar and adjustable foot rest raised upon tapered acanthus supports, 91cm high (1)

£100-150

381* A Chinese hardwood standard lamp, mid-20th century, carved as a dragon on a stylised circular base with four curved supports, approx. 180cm high (1)

£70-100

382* A walnut lowboy, early 18th century, the rectangular top quarter veneered with herringbone crossbanding over one long and two deep drawers each with brass handle and bats wing back plate, on cabriole supports, 76cm high x 104cm wide x 60cm deep (1)

£300-400

Lot 382

383* A Regency gesso overmantel mirror, the cornice moulded with acanthus leaves and floral swags over central oval bevel edged mirror flanked by two rectangular mirrors, with radial moulding to each side, 83cm high x 142cm wide (1)

£300-500

129

384* A Victorian mirror, with heavy gesso frame moulded with floral decoration, 125cm x 146cm (1)

£100-150

387* A ‘Thonet’ bentwood pub table, late 19th century, with circular bevel edged glass over bentwood substructure, 62cm deep x 70cm high (1)

£200-300

388* A Shaker style rocking chair, mid-19th century, with original wooden woven seat, together with a ‘Chinese’ country chair, c.1900, with rush seat (2)

£80-120

385* A Victorian brass and mahogany adjustable music stand, on a cast iron base formed as four lions paw feet, 136cm high (1)

£70-100

386* A Moorish octagonal occasional table, with parquetry and mother-of-pearl inlaid top, the base with bobbin turned spindles, 75cm high

389* An oak single drawer side table, early 19th century, the rectangular top over long drawer with radial moulding on four tapering block supports, 76cm high x 76cm wide x 48cm deep

(1)

£70-100

130

£80-120

390* A Chinese hardwood spice cabinet, 20th century, the rectangular top over a bank of sixty-four drawers each with individual spice plaque, over four further drawers and two central cupboards flanked by doors and drawers beneath with brass mounts, 115cm high x 101cm wide x 25cm deep

392* A Middle Eastern tray top table, c. 1920, the circular brass tray top finely engraved with camels, elephants and other wild animals, pharaohs, Egyptian masks and Arabic script all in a circular repeating decoration on a six tier folding wooden base carved with bobbin supports, 57cm deep x 55cm high

(1)

£200-300

£70-100

393* A Chinese papier mâché tea caddy, late 19th century, decorated with figures and houses, the hinged lid enclosing twin division each with cover, 11cm high x 22cm wide x 12cm deep (1)

£80-120

391* A Victorian leather dome-top stationery box, finely tooled in gold and dark red on a red leather ground, the hinged lid enclosing divisional interior, 16.5cm high x 22cm wide x 11cm deep

394* An Edwardian rectangular mahogany gallery tray, with twin brass handle and parquetry inlay, 64cm wide

(1)

£100-150

131

£50-70

Lot 396

395* A Victorian terracotta campana shaped urn, moulded with acanthus on socle and square base, 76cm high (1)

£300-500

396* A Victorian ladies writing desk, with roll top action opening to reveal three drawers, the hinged fall with painted panel depicting figures in 18th century costume, tooled leather inset, with single drawer similarly painted, brass panel inserts to the sides and gilt painted, on four fluted tapering supports, 90cm high x 79cm wide x 43cm deep (1)

£150-200

397* An Edwardian mahogany writing table, the canted rectangular top hinged lifting to reveal divisional interior for stationery with central hinged fall and ivorene manufacturer’s plaque for ‘Britisher Patent Writing Table’, on four cabriole supports, 75cm high x 90cm wide x 46cm deep (1)

£100-150

Lot 397

132

DAY TWO

NATURAL HISTORY & SPORTING BOOKS To commence at 11am 401 Alpheraky (Sergius). The Geese of Europe and Asia. Being the Description of Most of the Old World Species, 1st ed., pub. Rowland Ward, 1905, col. frontis. after P.P.Sushkin, twenty-four chromo. plts. after F.W. Frohawk, some scattered spotting, t.e.g., orig. two-tone green cloth gilt, a few minor marks, 4to (1)

£300-400

402 Apperley (Charles James “Nimrod”). Remarks on the Condition of Hunters, The Choice of Horses and their Management, pub. M.A.Pittman, 1831, EXTRA ILLUSTRATED with twenty eng. plts.including fourteen with contemp. hand colouring, some spotting, later endpapers, t.e.g., later crushed morocco gilt, gilt dec. turn-ins and gilt dec. spine by Root & Son, 8vo, together with Nimrod’s Hunting Tour in Scotland and the North of England, 2nd. ed., pub. C.Templeman, 1857, addn. half title, orig. cloth wrappers preserved and bound in at rear, t.e.g., later end papers, later half morocco with gilt dec. spine by Root & Son, 8vo, with, The Chace, The Turf and The Road, pub. John Murray, 1837, eng. portrait frontis., thirteen eng. plts. (complete as list), orig. cloth wrappers preserved and bound in at rear, later end papers, t.e.g., later crushed morocco gilt, gilt dec. turn-ins and gilt dec. spine, 8vo, and The Horse and the Hound, Their Various Uses and Treatment...., pub. A & C Black, 1842, dec. title, six b & w eng. plts., some spotting, later end papers, t.e.g., later half morcco with gilt dec. spine by Root & Son, 8vo

Lot 401

(4)

£200-300

403 Archer (Sir Geoffrey and Godman, Eva M.). The Birds of British Somaliland and the Gulf of Aden. Their Life Histories, Breeding Habits, and Eggs, 4 vols., 1st eds., 1937-61, col. plts., maps, etc., b&w illusts. to text, couple of small tape marks to endpapers, vols. 1 & 2 t.e.g., all orig. dark green cloth gilt, vols. 3 & 4 in d.j.s, 4to (4)

£150-200

404 Baily’s Magazine of Sports and Pastimes, vols. 1-32, 63-112, 1860-78 & 1895-1919, numerous portraits and plates, a few spots, vols. 1-32 in original cloth gilt (in bright condition), vols. 63-112 in contemporary half calf, spines rubbed with occasional splits and tears, 8vo (82)

405 Baker (E.C. Stuart). The Fauna of British India, including Ceylon and Burma, 8 vols., 2nd ed., 1922-30, num. col. plts., b & w illusts. to text, orig. cloth gilt, rubbed, 8vo, (the standard work on Indian birds), together with The Indian Ducks and their Allies, pub. Bombay Natural History Society, 1908, thirty chromos. after Gronvold, Lodge and Keulemans, t.e.g., remainder rough-trimmed, contemp. olive half morocco gilt, rubbed and a little faded on spine, tall 8vo, plus Indian Pigeons and Doves, 1st ed., Witherby, 1913, author’s presentation copy, signed on flyleaf, twenty-seven colourprinted plts. after Gronvold and Lodge, some minor marginal spotting, t.e.g., contemp. olive half morocco gilt, a little rubbed, tall 8vo, and two others by Stuart Baker

Lot 402 400 Ali (Salim). The Birds of Kutch, 1st ed., Published for the Government of Kutch by Humphrey Milford, Oxford University Press, 1945, twenty double-sided col. plts., b&w illusts., orig. cloth in d.j., rubbed, 4to (scarce: 1000 copies were printed, 500 copies were retained by the Maharao but most were destroyed by white ants when they were stored badly in a cellar), together with The Birds of Travancore & Cochin, 1st ed., pub. Oxford University Press, 1953, num. col. plts., b&w illusts. to text, orig. cloth in d.j., slight fraying to extrems., 4to, plus The Birds of Sikkim, 1st ed., pub. Oxford University Press, 1962, num. col. plts., b&w illusts. to text, orig. cloth in d.j., some rubbing, 4to, and Ali (Salim and Ripley, S. Dillon), Handbook of the Birds of India and Pakistan, Together with those of Nepal, Sikkim, Bhutan and Ceylon, 10 vols., 1st eds., OUP, 1968-74, numerous col. and b & w illusts., all orig. cloth in sl. frayed d.j.s, 8vo (13)

£250-300

(12)

£150-200

134

£150-200

Lot 407

Lot 408

406 Bannerman (David Armitage). The Birds of Tropical West Africa. With Special Reference to those of the Gambia, Sierra Leone, the Gold Coast and Nigeria, 8 vols., 1930-51, num. col. plts., b&w illusts. to text, t.e.g., orig. cloth gilt, vols. 1-4 spines faded, some marks, 4to, together with Birds of the Atlantic Islands, 4 vols., pub. Oliver & Boyd, 1963-68, num. col. and b&w plts., b&w illusts. to text, orig. cloth gilt in d.j.s, slight fraying to extrems., 4to, plus The Birds of West and Equatorial Africa, 2 vols., 1953, num. col. and b&w illusts., orig. cloth gilt in d.j.s, slight fraying to extrems. 8vo (14)

408 Beckford (Peter). Thoughts upon Hare and Fox Hunting, in a Series of Letters to a Friend, in which are given Ample Directions for Errecting a Kennel, the Management of Hounds, and the Duties and Qualifications Necessary for the Huntsman and Whipper-In. Also an Account of the Most Celebrated Dog Kennels in the Kingdom, new ed., 1796, 20 engraved plates, one or two minor spots, original covers bound-in, t.e.g., modern crimson full morocco by Root, upper cover with gilt vignette of a mounted huntsman following hounds, spine with raised bands and fox masks in compartments, 8vo, together with Thoughts on Hunting. In a Series of Familiar Letters to a Friend, by William [i.e. Peter] Beckford, Albion Press, 1810, engraved frontis., additional title and eight engraved plates, single leaf pubs. list, original paper spine label bound-in at end, a few spots, t.e.g., modern burgundy full morocco by Root, upper cover titled with gilt fox masks and hounds, spine with raised bands and fox masks in compartments, 8vo

£200-300

407 Beckford (Peter). Thoughts upon Hunting in a Series of Familiar Letters to a Friend, 3rd. ed., 1784, eng. allegorical frontis., thirty-one b & w eng. plts., a.e.g., hinges partially cracked, later manuscript ownership signature to f.e.p., later endpapers, 19th century crushed morocco with gilt dec. spine, a little rubbed at extrems., 8vo, together with Warburton (Roland E.Egerton), Hunting Songs, Ballads &c., 1st.ed., pub. J.Seacome, Chester, 1834, addn. half title, col. litho. portrait frontis., twelve b & w lithos., each with tissue guard, litho. vignettes to text, addn. 19th c. newspaper cuttings relating to hunting tipped in at rear, t.e.g., book plate of Sir William A.H.Bass Bart., near contemp. red crushed morocco with gilt dec. spine by Bickers & Son, 8vo, with EardleyWilmot (Sir John E.), Reminiscences of the Late Thomas Assheton Smith Esq., or the Pursuits of an English Gentleman, 2nd. ed., pub. John Murray, 1860, eng. portrait frontis, add. half title, seven wood eng. plts. (complete as list), t.e.g., contemp. half morocco with gilt dec. spine by J.Sampson, a little rubbed and worn at extrems., 4to, plus Surtees (Robert Smith), Handley Cross or Mr Jorrock’s Hunt, pub. Bradbury, Agnew & Co., 1851, Plain or Ringlets, pub. Bradbury Agnew & Co., c.1870, [and] Mr Romford’s Hounds, pub. Bradbury Agnew & Co. c.1860, numerous etched illusts. after John Leech, all with contemp. hand colouring, contemp. half morocco gilt (non-matching), 8vo (6)

Lot 409

A handsome pair. (2)

£400-600

409 Beckford (Peter). Thoughts on Hunting, in a Series of Familiar Letters to a Friend, [1820], half title, engraved frontis., folding engraved plan of a dog kennel, wood-engraved illustrations, some by Thomas Bewick, pubs. list at end, with four loose extra handcoloured aquatinted fox hunting plates after R.D. Davis, light offsetting to title, a few spots, original boards, paper label to spine, upper joint splitting, a few stains, contained in a modern red morocco-backed dropback box by Root, spine with raised bands and gilt sporting motifs, 8vo (1)

£120-180

135

£150-200

410 Berkeley (Grantley F.). Reminiscences of a Huntsman, 1st ed., 1854, hand-coloured frontis. and three b & w plates by John Leech, 24 pp. pubs. list, original covers and spine bound-in at end, a few spots, t.e.g., modern burgundy full morocco by Root, upper cover titled and decorated with gilt fox masks and hounds, spine with raised bands and hunting vignettes to compartments, 8vo, together with The Sporting Repository, Containing Horse-Racing, Hunting, Coursing, Shooting, Archery... Anecdotes on Sporting Subjects, Interspersed with Essays, Tales and a Great Variety of Miscellaneous Articles, 1904, 22 colour plates, mostly after Alken, upper cover and spine bound-in at end, t.e.g., modern burgundy half morocco gilt by Root, spine with raised bands and sporting vignettes, 8vo, plus The Quorn Hunt and its Masters, by William C.A. Blew, 1899, colour map, 12 hand-coloured plates by Henry Alken, 14 pp. pubs. list, original covers bound-in at end, t.e.g., modern burgundy half morocco by Root, spine with hunting vignettes, 8vo, with three others: Essay on Hunting, 3rd ed., 1820 (lacking frontis.), A Loose Reign, by “Wanderer”, 1887 and Captain Pennell-Elmshirst’s The Cream of Leicestershire, 1883 (6)

£300-500

411 Borrer (William). The Birds of Sussex, 1st ed., 1891, xx handcol. litho. plts. with tissue guards, folding map, bound without four leaves of ads at rear, t.e.g., recent good quality navy half morocco gilt by Bayntun-Riviere, 8vo, together with Bucknill (John A.), The Birds of Surrey, 1st ed., 1900, photogravures, b & w illusts. to text, folding map at rear, some minor spotting of prelims., t.e.g., remainder rough-trimmed, orig. cloth gilt, rubbed, joints partly cracked, 8vo, plus Arnold (E.C.), Birds of Eastbourne, 1st ed., 1936, col. and b & w illusts. by the author plus two small original watercolour drawings of birds mounted on front pastedown, orig. cloth gilt, a trifle rubbed, slim 4to, and other London and Home Counties avifaunas (13)

412 Brabourne (Wyndham W. Knatchbull-Hugessen & Chubb, Charles). The Birds of South America, 2 vols. (Text/Plates), 1912 & 1917, thirty-eight fine hand-col. litho plts. after Gronvold (complete), occ. spotting to a few plts., double-page col. map, t.e.g., orig. printed wrappers retained in near-contemp. half morocco gilt, rubbed, 4to, plus seventeen chromo. litho plts. by Keulmans and Smit loosely inserted

£200-300

Zimmer, Ayer Ornithological Library, p. 85/6. As projected, this work was to have comprised 16 volumes with 400 plates, but the death of the senior author terminated the publication after the issue of the present volume, containing only the list of species. A series of 38 of the plates intended for this work was issued subsequently, under separate authorship and title, as “Illustrations of the Game Birds and Waterfowl of South America, ” by H. Grönvold, 1917. (2) £300-500

136

413 Bree (Charles Robert). A History of the Birds of Europe, Not Observed in the British Isles, 5 vols., 2nd ed., enlarged, 1875-76, 225 hand-col. eng. plts. of birds and eggs and one uncol. plt. (correct as list), some minor spotting, orig. blindstamped cloth gilt, spines a little sunned, 8vo Nissen 136. (5)

416 Cook (John). Observations on Fox-Hunting, and the Management of Hounds in the Kennel and the Field. Addressed to a Young Sportsman, about to Undertake a Hunting Establishment, 1st ed., 1826, three lithographed plates, a few light spots, a.e.g., modern red full morocco gilt by Morrell, spine with raised bands and gilt hunting motifs, 8vo, together with Radcliffe (F.P. Delme), The Noble Science: A Few General Ideas on Fox-Hunting, for the use of the Rising Generation of Sportsmen, and more Especially those of the Hertfordshire Hunt Club, 1st ed., R. Ackermann, 1839, hand-coloured additional title, nine hand-coloured plates, coloured illustrations, pubs. list at end, original upper cover and spine boundin at end, light spotting front and rear, a.e.g., modern crimson full morocco by Riviere, spine with raised bands and gilt decoration, plus Vyner (Robert T.), Notitia Venatica: A Treatise on Fox-Hunting. Embracing the General Management of Hounds and the Diseases of Dogs: Including Distemper and Rabies; Also Kennel Lameness, its Cause and Cure, new ed., 1847, portrait frontis., nine plates, most tinted lithos., pubs. list, original covers bound-in at end, t.e.g., modern burgundy half morocco by Root, spine with raised bands and dog and fox motifs, 8vo

£200-300

414 Butler (Arthur G.). Foreign Finches in Captivity, 2nd ed., 1899, pub. Brumby and Clarke, 1899, sixty chromo. plts. by F. W. Frohawk (complete), one plt. detached and frayed to margins, t.e.g., orig. two-tone cloth gilt, some fading, rubbed to extrems., 4to (1)

£70-100

415 Chasen (Frederick Nutter). A Handlist of Malaysian Birds. A Systematic List of the Birds of the Malay Peninsula, Sumatra, Borneo and Java, Including the Adjacent Small Islands, 1st ed., Singapore, 1935, folding map frontis., paper repair to fore-edge of title, occ. underscoring in red ink, contemp. half morocco, rubbed, 8vo, together with Wilkinson (E.S.), Shanghai Birds. A Study of Bird Life in Shanghai and the Surrounding Districts, 1st ed., pub. Shanghai, 1929, thirty-three col. plts. (complete), orig. dec. cloth, a little rubbed on spine, tall 8vo, plus Smythies (Bertram E.), The Birds of Borneo, 1st ed., 1960, tipped in col. frontis., numerous fullpage col. plts., large folding map at rear, orig. cloth in sl. frayed d.j., 8vo, and others related (10)

(3)

£150-200

137

£300-400

418 Crawshay (Richard). The Birds of Tierra Del Fuego, pub. Bernard Quaritch, 1907, twenty-one hand-col. litho. plts. (one plt. detached), twenty-three b & w photographic plts., one col. map, t.e.g., contemp. qtr. morocco gilt, minor wear to extrems., 4to

417 Cory (Charles B.). The Birds of Haiti and San Domingo, 1st ed. in book form, Boston, Estes & Lauriat, 1885, map frontis. (inscription and inkstamp to verso), twenty-two hand col. litho. plts. with tissue guards (correct as list), some minor spotting and occ. damp staining to margins, orig. cloth gilt, some rubbing, 4to Nissen IVB 204, Zimmer p.138. (1)

Three hundred copies printed, this copy unnumbered. (1)

£300-500

£500-800

419 Davies (Hugh). Welsh Botanology; Part the First, A Systematic Catalogue of the Native Plants of the Isle of Anglesey..., 2 parts in one, 1st ed., London: Printed for the Author by W. Marchant, 1813, one eng. plt., errata leaf present, untrimmed, orig. boards, slight loss to spine, some wear, 8vo Rees 1549. (1)

138

£100-150

423 Edwards (Lionel, illust.). Brown Jack, by R. C. Lyle, 1st ed., pub. Putnam, 1934, col. frontis., num. b&w plts., t.e.g., remainder untrimmed, orig. qtr vellum gilt, 4to, limited edition 88/250, signed by author, artist and owner of Brown Jack, together with Tally Ho Back!, by Rancher, 1st ed., pub. County Life, 1931, num. b&w plts., orig. qtr. cloth, rubbed and some fading, folio, plus A Sportsman’s Bag, With an Introduction by Crascredo, pub. Country Life, 1937, num. mounted col. plts., orig. cloth in heavily spotted d.j., slight chipping to spine ends, folio, plus seven others illustrated by Lionel Edwards, incl. My Irish Sketch Book, 1st ed., pub. Collins, 1938, etc.

420 Delacour (J. & Jabouille, P.). Les Oiseaux de l’Indochine Francaise, 4 vols., pub. Paris, 1931, sixty-six colour-printed plts. after Gronvold, one uncol. plt., untrimmed, orig. wrappers retained in recent crimson half morocco gilt, small folio (4)

£250-350

(10)

£150-200

421 Delacour (J. & Jabouille, P.). Les Oiseaux de l’Indochine Francaise, 4 vols., pub. Paris, 1931, sixty-six colour-printed plts. after Gronvold, one un-col. plt., contemp. green cloth gilt, small folio (4)

£250-350

424 Egan (Pierce). Pierce Egan’s Anecdotes (Original and Selected) of the Turf, the Chase, the Ring and the Stage; the Whole Forming a Complete Panorama of the Sporting World; Uniting with it a Book of Reference and Entertaining Companion to the Lovers of British Sports, 1st ed., 1827, 13 hand-coloured aquatinted plates by Theodore Lane, light offsetting and scattered spotting, a.e.g., modern crimson full morocco gilt by Root, spine with raised bands and decorated with sporting motifs in compartments, 8vo

422 Dresser (H.E.). A Manual of Palaearctic Birds, 2 vols., 190203, b&w frontis. to vol. 1, col. frontis. to vol. 2, t.e.g., remainder untrimmed, recent half morocco gilt by Hatchards, 8vo (2)

Abbey Life, 283; Tooley 194. (1)

£100-150

139

£200-300

425 Egan (Pierce). Boxiana; Or, Sketches of Antient and Modern Pugilism, vols. I-III, 1818-21, additional engraved title to vol. I, 34 engraved plates and portraits, a few folding, occasional light spotting and offsetting, original printed boards, vol. I spine with loss at head and foot, joints cracked, a few repairs and light soiling, modern cloth d.j.s, 8vo Hartley 587. (3)

428 Harris (Stanley). Old Coaching Days, pub. Richard Bentley & Son, 1882, addn. half title, twelve (complete as list) tint stone lithos., orig. dec. cloth wrappers preserved and tipped in at rear, later half morocco with gilt dec. spine by Morrell, 8vo, together with Malet (Captain Harold Edaile), Annals of the Road or Notes on Mail and Stage Coaching in Great Britain, pub. Longmans Green & Co., 1876, addn. half title, EXTRA ILLUSTRATED with thrityseven engraved, aquatinted and litho. col. plts., t.e.g., later half morocco with gilt dec. spine by Morrell, 8vo, with Reynardson (C.T.S. Birch), Down the Road or Reminiscences of a Gentleman Coachman, 2nd.ed., pub. Longmans Green & Co., 1875, addn. dec. chromolitho. title page, twelve col. litho. plts. (complete as list), later end papers, later half morocco with gilt dec. spine by Morell, 8vo, plus, Hamworth (Capt.M.E.), Road Scrapings: Coaches and Coaching, pub. Tinsley Brothers, 1882, addn. dec. half title, eleven tinted litho. plts. (complete), later endpapers, t.e.g., later half calf, gilt dec. spine, spine a little faded, 8vo

£300-500

426 Folkard (Henry Coleman). The Wild-Fowler, 1st.ed., pub. Piper, Stephenson & Spence, 1859, addn. half title with eng. sporting vignette, twelve uncoloured engraved plts. and five b & w wood engraved vignettes (complete as list), occ. spotting, t.e.g., later half calf with gilt dec. spine by Root & Son, 8vo, together with Johnson (T.B.), The Gamekeeper’s Directory: Containing Instructions for the Preservation of Game...., 2nd. ed., pub. Piper Brothers & Co., 1851, addn. half title, eng. sporting frontis. later end papers, t.e.g., near contemp. half calf with gilt dec. spine, 8vo, (2)

(4)

£200-300

£120-180

427 Greene (W.T.). Parrots in Captivity, 3 vols., 1st ed., 1884-87, eighty-one fine col. printed lithos. after A. F. Lydon, heightened with hand-colouring and gum arabic, t.e.g., orig. gilt-dec. cloth, slight rubbing and a few marks, large 8vo

429 Harrison (J.C.). The Game Birds of the British Isles, Text by Colin Laurie McKelvie, Memoir by The Honourable Aylmer Tryon, pub. Ashford Press Publishing in Association with J.C.Harrison Ltd, 1989, twenty-five fine col. plts., each with tissue guard, pubs. cloth gilt, in orig. slipcase, folio, VG

(3)

(1)

£1500-2000

£100-150

430 Harrison (J.C.). The Birds of Prey of the British Islands, pub. Fine Bird Books, 1980, twenty fine tipped-in col. illusts. after watercolours by the artist, t.e.g., orig. three-quarter brown morocco gilt with slipcase, atlas 4to Limited edition 116/275, signed by the artist. (1)

140

£200-300

Lot 427

141

Lot 432

431 Heath (John, ed.). The Moths and Butterflies of Great Britain and Ireland, vols. 1-3, 4 (2 parts), 7 (2 parts), 9 & 10, 1976-83, together 9 vols., num. b&w illusts., all orig. cloth gilt in d.j.s, some rubbing, 4to, together with D’Abrera (Bernard), Butterflies of the Neotropical Region, 7 vols., 1981-95, col. illusts. throughout, all orig. cloth in d.j.s, folio, plus Butterflies of the Oriental Region, 3 vols., 1982-86, col. illusts. throughout, orig. cloth gilt in d.j.s, folio, plus seven others related, all VG (26)

£150-200

432 Hogg (Robert, and Johnson, George W.). The Wild Flowers of Great Britain, 11 vols., 1863-80, 924 hand-col. litho. plts., orig. gilt-dec. red cloth, rubbed, vols. 2 & 3 rebacked preserving orig. spines, vols. 5 & 6 with some staining to covers, rubbed, 8vo (11)

£400-600

433 Horsbrugh (Major Boyd). The Game-Birds & Water-Fowl of South Africa, 1st ed., pub. Witherby & Co., 1912, sixty-seven colourprinted plts. by Sgt. C. G. Davies (complete), some minor scattered spotting, a.e.g., later olive half morocco gilt, spine sunned, 4to, together with a facsimile reprint of the same work, pub. Winchester Press, Johannesburg, 1978 (limited edition 106/500) (2)

£200-300

434 Hudson (G.V.). The Butterflies and Moths of New Zealand, pub. New Zealand, 1928, fifty-three col. plts & nine b&w plts. (complete), orig. half morocco gilt, rubbed, skilfully rebacked preserving orig. spine, 4to (1)

£100-150

Lot 433

142

436 Jackson (Frederick John & Sclater, W.L.). The Birds of Kenya Colony and the Uganda Protectorate, 3 vols., pub. Gurney and Jackson, 1938, port. frontis. to vol. 1, twenty-four col. plts. by George Edward Lodge, large folding map, b&w illusts. to text, t.e.g., orig. cloth gilt, rubbed and some fading, large 8vo (3)

£100-150

437 Jardine (Sir William). Birds of Western Africa, Naturalist’s Library, vols. XXII & XXIII, pub. Edinburgh, 1843, port. frontis. and addn. hand. vign. title to each, sixty-four hand-col. plts. (complete), contemp. half morocco gilt, rubbed, 8vo (2)

438 Jesse (Edward). Gleanings in Natural History, with Local Recollections, to which are Added Maxims and Hints for an Angler... 1st-3rd Series, 1832-35, folding facsimile chart, three b & w plates, some light spotting, previous owner signature to vol. I title, bookplates, contemporary tan half calf, spines gilt with contrasting green labels, slightly faded, 8vo, together with The Greyhound and Coursing, by Adair Dighton, 1st ed., 1821, half-tone illustrations, extra-illustrated with 24 colour and b & w engraved plates, occasional spotting, author presentation inscription to front endpaper, contemporary green full morocco gilt by Wallis, spine with gilt decorations (faded to brown), 8vo, plus Fallodon Papers, by Viscount Grey of Fallodon, 1926, woodcut illustrations by Robert Gibbings, partly unopened, light offsetting, t.e.g., original cream cloth gilt, d.j. (some spotting), modern cloth d.j., 8vo, limited edition, 11/100 signed by the author, with others including W. Bromley-Davenport’s Sport, 1885, Geoffrey Gambado’s An Academy for Grown Horsemen, 1809 (lacking a plate), C.T.S. Birch Reynardson’s Sports & Anecdotes of Bygone Days in England, Scotland, Ireland, Italy and the Sunny South, 1887, and others by Surtees, Underhill and Watson

435 Humphreys (Henry Noel and Westwood, John). The British Butterflies and Their Transformations, new ed., revised and corrected by the author, 1860, forty-two hand-col. plts., a.e.g., together with Humphreys (Henry Noel and Westwood, John Obadiah), The British Moths and Their Transformations, 2 vols., new ed., 1860, 124 hand-col. plts, uniform near-contemp. green half morocco gilt by Hatchard & Co., some wear to extremities, 4to (3)

£100-150

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£200-300

Lot 438

143

£300-500

442 Kirby (W.F.). European Butterflies and Moths, 1882, sixty-one hand-col. plts., one uncol. plt. (correct as list), occ. spotting, a.e.g., orig. gilt dec. cloth, rubbed to extrems., large 4to, together with Humphreys (H. Noel), The Genera and Species of British Butterflies. Described and Arranged According to the System Now Adopted in the British Museum, [1859], addn. hand-col. title (small tear and some fraying), thirty-two hand-col. plts., orig. gilt dec. cloth, rebacked preserving orig. spine, 8vo, plus Kappel (A. W. & Kirby, W. Egmont), British and European Butterflies and Moths, [1895], thirty col. plts. (complete), orig. dec. cloth gilt, rubbed and some marks, 4to

439 Johnstone (William Grosart & Croall, Alexander). The Nature-Printed British Sea-Weeds: A History, Accompanied by Figures and Dissections of the Algae of the British Isles, 4 vols., 1st ed., [1859-60], addn. eng. title to each, 221 nature-printed plts., one uncoloured plt., scattered spotting, t.e.g., good quality crimson half morocco, by Winstanley, Manchester, gilt-dec. spines with raised bands, 8vo (4)

£400-600

440 Jones (Paul). Flora Magnifica, Text by Wilfrid Blunt, Foreword by Prof. E.G. Waterhouse, pub. Tryon Gallery, 1976, sixteen fine fullpage colour-printed plts. printed at the Curwen Press, t.e.g., orig. half vellum gilt with slipcase, tall folio Limited edition 262/506. (1)

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£150-200

£100-150

441 King (Major W. Ross). The Sportsman and Naturalist in Canada, or Notes on the Natural History of the Game, Game Birds, and Fish of that Country, 1866, six chromo. plts., eng. illusts. to text, a.e.g., contemp. calf gilt, slight split to head of spine, rubbed and some scuffing, together with Taverner (P.A.), Birds of Western Canada, 1st ed., pub. Victoria Memorial Museum, Ottawa, 1926, numerous col. and b & w illusts., orig. printed wrappers preserved in recent quarter morocco, gilt-dec. spine with raised bands and bird motifs in compartments, plus Macoun (John and James M.), Catalogue of Canadian Birds, 1st ed., Ottawa, 1909, author’s presentation copy to J.H. Guerney, inscribed on flyleaf, contemp. cloth gilt, a little rubbed and marked, all 8vo (3)

£100-150

443 Kirkman (F.B., ed.). The British Bird Book. An Account of All the Birds, Nests and Eggs Found in the British Isles, 4 vols., 1910-13, num. col. and b&w plts, handsome green half morocco gilt by Sotheran, large 4to (4)

144

£200-300

444 Lilford (Lord). Notes on the Birds of Northamptonshire and Neighbourhood, 2 vols., pub. R.H.Porter, 1895, num. b&w plts. after Thorburn and Lodge, folding litho. map of Northamptonshire, t.e.g., remainder rough-trimmed, contemp. olive half morocco gilt, spines a little sunned, 4to

447 Malet (Captain Harold Esdaile). Annals of the Road or Notes on Mail and Stage Coaching in Great Britain...., 1st. ed., pub. Longmans, Green & Co., 1876, add. half title, errata slip to pp. B, ten col.lithographs and three woodcut vignettes (complete as list), pubs. ornate red cloth gilt, large 8vo, together with Reynardson (C.T.S.Birch), Down the Road or Reminiscences of a Gentleman Coachman, 2nd.ed., pub. Longmans Green & Co., 1875, addn. dec. chromolitho. title, twelve chromolitho. plts., complete as list, pubs. ornate red cloth gilt, large 8vo., with Corbett (Edward), An Old Coachman’s Chatter with some Practical Remarks on Driving, 2nd ed., pub. Richard Bentley & Son, 1891, add. half title with later pencil ownership signature, eight litho.plts. (complete as list), very occ. spotting, partially uncut, pubs. dec. printed boards, a little rubbed and bumped, large 8vo, plus Apperley (Charles James, pseud. Nimrod), The Chace, The Turf and The Road, pub. James Murray, 1837, engraved portrait frontis. thirteen eng. plts. (correct as list), some spotting throughout, two plts. with short closed tears, near contemp. ink ownership signature to rear of frontis. with slight ink showthrough, contemp. half calf, a little rubbed and worn, spine faded and a little chipped, 8vo

Large Paper Edition of 100 copies. Zimmer, Ayer Ornithological Library, p. 400. (2) £150-200

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£100-150

445 Lodge (George E.). Memoirs of an Artist Naturalist, 1st. ed. pub. Gurney and Jackson, 1946, addn. half title, sixteen colour plts. and eight b & w plts. (complete as list), signed pen and ink sketch of grouse in flight over a moor to verso of half-title, pubs. cloth gilt, bumped at extrems., d.j. with col plt. of a red kite to upper cover, a little frayed, 4to (1)

£200-300

446 Lowe (E.J.). A Natural History of British Grasses, 1862, seventy-four hand-col. plts., a.e.g., 20th c. half morocco gilt, rubbed, 8vo, together with Britten (James), European Ferns, pub. Cassell, n.d., c. 1880, num. col. plts., b&w illusts. to text, contemp. half calf gilt, rubbed and scuffed, 4to, plus Badham (Charles David), A Treatise on the Esculent Funguses of England..., 1847, num. hand-col. plts., remains of small label to title, contemp. boards, rebacked, rubbed, 8vo, plus Tripp (F. E.), British Mosses, Their Homes, Aspects, Structure, and Uses, 2 vols., new ed., 1888, num. hand-col. plts., near-contemp. half calf with morocco labels to spine of each, 4to (5)

448 McPhail (Roger). Fishing Season. An Artist’s Fishing Year, pub. The Tryon Gallery, 1990, numerous colour and b & w illusts. throughout, t.e.g., pubs. half morocco gilt with gilt leaping trout to upper board, original sepia watercolour study of an osprey to f.e.p. signed by artist, 4to., with slip case

£150-200

Limited edition 86/100. (1)

145

£100-150

Lot 450

449 Meinertzhagen (Colonel R). Nicoll’s Birds of Egypt, Published under the Authority of the Egyptian Goverment, 2 vols., 1st ed., 1930, port. frontis. of Michael Nicoll to vol. 1, col. plts. after G.E. Lodge, Roland Green and H. Gronvold, photogravures, illusts. to text, three folding maps, orig. cloth gilt in torn and tattered d.j.s, 4to, together with Birds of Arabia, by Colonel R. Meinertzhagen, 1st ed., 1954, col. plts. after George Lodge, D.M. Reid-Henry and Miss Talbot Kelly, b & w illusts. from photos, sketch maps and illusts to text, orig. cloth in sl. frayed d.j. (minor sellotape marks to endpapers), 4to, and Pirates and Predators. The Piratical and Predatory Habits of Birds, by Colonel R. Meinertzhagen, 1st ed., 1959, col. plts. after G.E. Lodge, J.G. Millais and others, b & w illusts. from photos and illusts. to text, orig. cloth in sl. frayed d.j., tall 8vo (4)

£200-250

450 Meyer (H.L.). Coloured Illustrations of British Birds, and their Eggs, 7 vols., 1857, 434 hand-col. litho. plts., orig. blind-stamped cloth, gilt dec. spines recased, rubbed and some wear Nissen 628. (7)

£600-800

451 Millais (J.G.). The Natural History of the British SurfaceFeeding Ducks, 1902, half-title present, forty-one col. plts., num. b&w plts. and illusts., occ. spotting, previous owner inscription to front endpaper, orig. two-tone cloth gilt, a few minor marks to upper cover, 4to Limited edition 43/600. Large Paper Copy. Ex-libris Lord Cornwallis, with his bookplate. (1) £300-500

146

452 Murray (James A.). The Avifauna of British India and its Dependencies, A Systematic Account, With Descriptions of All the Known Species of Birds Inhabiting British India..., 2 vols., 1887-90, thirty-seven litho. plts. (incl. eighteen hand-col.), occ. spotting, orig. gilt dec. cloth, slightly rubbed, 8vo (2)

Lot 453

£100-150

453 Patterson (Arthur H.). Notes of an East Coast Naturalist. A Series of Observations Made at Odd Times During a Period of Twenty-Five Years in the Neighbourhood of Great Yarmouth, 1st ed., 1904, author’s first book, twelve col. plts. after Frank Southgate, 40 pp. publisher’s catalogue at rear, some scattered spotting, orig. cloth gilt, a little rubbed on spine, together with Nature in Eastern Norfolk, 1st ed., 1905, twelve col. illusts. after Frank Southgate, some spotting and finger soiling, orig. cloth gilt, faded on spine, a little worn at extremities (from the library of the illustrator, inscribed on front pastedown ‘Southgate, Post Office, Hunstanton, 1905’), and Through Broadland in a Breydon Punt, by ‘John Knowlittle’ (Arthur H. Patterson), pub. Norwich, 1920, port. frontis., b & w illusts. from photos and sketches by the author, orig. cloth gilt, a little rubbed on spine (dedication leaf signed ‘John Knowlittle’), and Through Broadland by Sail and Motor, 1st ed., 1930, b & w photo frontis. of the author with H. Blake (the publisher of this volume), numerous b & w illusts. from sketches by the author plus original oval pen and ink sketch of a bird by A.H. Patterson mounted on front pastedown, signed and dated 1908, orig. cloth in frayed and torn d.j., and Wild Life on a Norfolk Estuary, 1st ed., 1907, b & w photo frontis., numerous illusts. from sketches by the author, 48 pp. publisher’s catalogue at rear, t.e.g., modern blue half morocco by Sotheran, gilt-dec. spine with raised bands and contrasting labels, and three others by the same author (8)

£150-200

454 Paul (William). The Rose Garden, 2 parts in 1, 1st ed., 1848, fifteen hand-col. litho plts. (one with small tear, neatly repaired), b&w wood eng. illusts. to text, occ. spotting (affecting a few plts.), a.e.g., later half morocco gilt, spine faded, 8vo (1)

Lot 454

£150-200

147

455 Perrin (Mrs. Henry, and Boulger, Prof. G.S.). British Flowering Plants, 4 vols., pub. Quaritch, 1914, 300 full-page colourprinted plts. after drawings by Mrs Perrin, some minor scattered spotting, t.e.g., remainder rough-trimmed, orig. off-white cloth lettered in gilt, darkened on spines, 4to (4)

458 Rickman (Philip). A Selection of Bird Paintings and Sketches, Written and Illustrated by Philip Rickman, Forward by HRH The Duke of Edinburgh KG KT, pub. Curpotten Ltd for Fine Sporting Interests Limited, 1979, mounted port., thirty-one full-page mounted col. plts. with tissue guards, num. b & w illusts. to text, a.e.g., orig. green half morocco, spine with raised bands and gilt sporting bird motifs in compartments, with cloth slipcase, large folio

£100-150

456 Pollard (H.B.C. & Barclay-Smith, Phyllis). British & American Game-Birds, With a Chapter on Shooting in America, by Eugene V. Connett, 1945, twenty col. plts. after Philip Rickman, with captioned tissue guards, t.e.g., remainder untrimmed, orig. quarter pigskin gilt, a little rubbed, slim 4to (limited edition 56/125, with orig. pencil remarque by Rickman), together with a trade edition of the same work, orig. cloth in sl. frayed and soiled d.j., plus Rickman (Philip), Bird Sketches and Some Field Observations, 1938, col. frontis., numerous b & w illusts. to text after pencil drawings by the artist, some spotting of prelims., orig. cloth in torn and repaired d.j., 4to, and Walpole-Bond (John), A History of Sussex Birds, 3 vols., 1st ed., 1938, numerous full-page col. plts., after Philip Rickman, t.e.g., orig. cloth in d.j.s (d.j.s a little dust soiled and darkened on spines), 4to (6)

Limited edition 162/500, signed by Philip Rickman. (1)

£100-150

459 Rickman (Philip). A Selection of Bird Paintings and Sketches, Foreword by HRH the Duke of Edinburgh, KG KT, pub. Curpotten Ltd. for Fine Sporting Interests Ltd., 1979, mounted port., thirtyone full-page mounted col. plts. with tissue guards, num. b&w illusts. to text, a.e.g., orig. green half morocco, spine with raised bands and gilt sporting bird motifs in compartments, with cloth slipcase, tall folio Limited edition 79/500, signed by Philip Rickman. (1)

£150-200

457 Priest (Captain Cecil Damer). The Birds of Southern Rhodesia, 4 vols., 1st eds., 1933-36, col. and b&w illusts., orig. cloth gilt, slight fading to spines, large 8vo (4)

£100-150

460 Saunders (Edward). The Hymenoptera Aculeata of the British Islands. A Descriptive Account of the Families, Genera, and Species Indigenous to Great Britain and Ireland, with Notes as to Habits, Localities, Habitats, etc., 1st ed., 1896, fifty-one hand-col. plts., three un-col. plts., contemp. half morocco gilt, wear to extrems. large 8vo British Bee Books 417. (1)

Lot 458

148

£150-200

464 Seebohm (Henry). A History of British Birds, with Coloured Illustrations of Their Eggs, 4 vols. bound in seven, [1883], sixtyeight chromo. plts. of eggs, EXTRA ILLUSTRATED with 290 handcol. plts. [from Morris’ British Birds], each vol. bound with specially printed title, t.e.g., later olive half morocco by Sotheran, spines with raised bands and gilt decoration to compartments, slight fading to spines, large 8vo (7)

£400-600

461 Saxby (Henry L.). The Birds of Shetland, with Observations on their Habits, Migration, and Occasional Appearance, 1st ed., Edinburgh, 1874, half title, eight tinted lithographed plates, original cloth covers bound-in at end, t.e.g., modern green half morocco by Root, spine with raised bands and gilt decoration, together with Gray (Robert), The Birds of the West of Scotland Including the Outer Hebrides, with Occasional Records of the Occurrence of the Rarer Species throughout Scotland Generally, 1st ed., Glasgow, 1871, half title, 15 tinted lithographed plates, original upper cover and spine bound-in at end, a few spots, t.e.g., modern green half morocco by Morrell, spine with raised bands and gilt decorations (faded to brown), 8vo (2)

£200-300

462 Sclater (William Lutley). Systema Avium Ethiopicarum. A Systematic List of the Birds of the Ethiopian Region, 2 vols., pub. British Ornithologists’ Union, 1924-30, numerous annotations and numbering in pen and pencil, recent cloth gilt, 8vo (2)

£100-150

463 Scott (Peter, illust.). Morning Flight, 1st ed., pub. Country Life, 1935, num. mounted col. plts., t.e.g., remainder untrimmed, orig. two-tone cloth gilt, rubbed and some marks, in slipcase, folio, (limited edition 235/750, signed by Peter Scott), together with Wild Chorus, 1st ed., pub. Country Life, 1938, mounted col. frontis., mounted col. plts., b&w plts., orig. cloth, in slipcase, folio, (limited edition 1019/1250, signed by Peter Scott), plus Observations of Wildlife, 1st ed., pub. Phaidon, Oxford, 1980, num. col. and b&w illusts., orig. qtr. morocco gilt, in slipcase, 4to, plus nine others illustrated by Peter Scott

465 Seth-Smith (David). Parrakeets. A Handbook to the Imported Species, 1st ed., 1903, twenty colour plts. after Goodchild, Gronvold and others, including eighteen hand-col. lithos. and two colour reproduction plts., modern maroon cloth, large 8vo

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(1)

£100-150

149

£150-200

466 Shepherd (Mandy). The Falkland Islands, An Artist’s Portfolio, pub. Peregrine Books, 1998, forward by Lord Inge, numerous colour and b & w illusts. throughout, signed ink dedication on half title with original pencil drawing of a gentoo penguin, initialed in pencil by artist, t.e.g., pubs. half morocco gilt, with slip case, 4to. Limited edition 155/350, signed by artist. (1)

£70-100

467 Smythies (Bertram E.). Birds of Burma, 1st ed., pub. American Baptist Mission Press, Rangoon, 1940, thirty-one colourprinted plts., folding map at rear, contemp. brown leather gilt, a little rubbed and marked, 8vo, together with a 3rd (revised) edition of the same work, 1986, numerous col. and b & w illusts., orig. offwhite simulated morocco in d.j., folio The first edition of this work is very scarce, a pencil note on the flyleaf of this copy reads ‘One of about 10 copies that got out of Rangoon at the time of publication just as Rangoon fell to the Japanese 1942’. (2) £150-200

468 Stephenson (John & Churchill, James Morss). Medical Botany: Or, Illustrations and Descriptions of the Medicinal Plants of the London, Edinburgh and Dublin Pharmacopoeias; Comprising a Popular and Scientific Account of all those Poisonous Vegetables that are Indigenous to Great Britain, 4 vols., 1st ed., 1831, 185 hand-col. eng. plts. (complete), a few slightly trimmed to margins, one plt. with small tear to fold, some occ. spotting, contemp. half calf, gilt dec. spines with morocco labels, some rubbing, 8vo Nissen 1891. (4)

Lot 466

Lot 468

150

£700-1000

469 Tattersall (George). The Cracks of the Day, edited by Wildrake, 2nd ed., R. Ackermann, 1843, additional engraved title, 47 steel-engravings of racehorses, occasional light spotting, a.e.g., modern red half morocco, spine with raised bands and gilt decorations, 8vo, together with Mason (William Hayley), Goodwood. Its House Park and Grounds, with a Catalogue Raisonne of the Pictures in the Gallery of His Grace the Duke of Richmond, 1st ed., 1839, half title, six engraved plates, a few spots at front, armorial bookplate of Sir William Bass, t.e.g., modern crimson half morocco, spine with raised bands and horsehead and horseshoe decorations, 8vo, plus [Badcock, John], Conversations on Conditioning. The Grooms’ Oracle, and Pocket StableDirectory..., 2nd ed., 1830, folding coloured aquatinted frontis. (backed onto linen), pubs. list and original paper spine label at end, some spotting, later green half morocco by Root, spine faded, 8vo, with six others on horse racing, including William Day’s The Racehorse in Training, 1880 and William Day’s Reminiscences f the Turf, 1886 (9)

£300-500

470 Thornbury (Walter). Cross Country, 1st ed., 1861, engraved frontis. a few spots, t.e.g., later half red calf, spine with green label and hunting motifs, a little faded, 8vo, together with four others by John Wilmot, “Scrutator”, Alfred Watson and Diane Chasseresse, 1862-90, uniformly bound, plus The Stud, for Practical Purposes and Practical Men, by Harry Hieover, 1849, half title, two engraved plates, a few spots, t.e.g., later tan half calf by Larkins, spine with red and green labels and gilt trophies, lightly faded, 8vo, with four others uniformly bound (10)

£100-150

471 Vaurie (Charles). Tibet and its Birds, 1972, three col. plts., num. b&w illusts., maps etc., pubs. half morocco gilt by Sangorski & Sutcliffe, slight fading to spine, 4to Limited edition 3/65, signed by the author. (1)

£150-200

472 Watson (Alfred E.T., editor). Fur, Feather & Fin Series, 12 vols., 1893-1906, b&w illusts. after A.K. Stuart-Wortley, A. Thorburn, Charles Whymper and others, and from photographs, untrimmed, orig. qtr. parchment gilt, some darkening and staining to spines, 8vo

473 Whitaker (J.I.S.). The Birds of Tunisia. Being a History of the Birds found in the Regency of Tunis, 2 vols., 1905, author’s presentation copy, inscribed on half-title to Don Rinaldo, “... from his affectionate birdy friend”, four b&w plts. fifteen fine hand-col. litho. plts. after H. Gronvold, two folding col. maps, t.e.g., remainder untrimmed, contemp. dark green half morocco gilt by R.H. Porter, some rubbing, large 8vo

Large Paper Edition limited to 157 copies. Ex-libris William Hall, Baron Wavertree, with his fine engraved armorial bookplate. Each volume includes a chapter on how to cook the animal once caught! (12) £300-500

Limited edition 15/250 copies, signed by the author. (2)

151

£400-600

FALCONRY BOOKS 476 Allen (Mark). Falconry in Arabia, Foreword by Wilfred Thesiger, 1st ed., 1980, col. plts. and b & w illusts. to text by MaryClare Critchley-Salmonson (signed on title by the artist), col. and b & w illusts. from photos, orig. cloth in d.j., some light soiling, 8vo, together with McElroy (Harry), Desert Hawking II, 1st ed., 1977, numerous b & w illusts. and diags., orig. cloth in sl. frayed and torn d.j. (cloth a little dampstained), 4to, plus Upton (Roger), Arab Falconry. History of a Way of Life, 1st ed., 2002, numerous col. illusts. from photos, pict. endpapers, orig. laminated boards in matching d.j., 4to, and others of Arab, Persian, Indian and Afghanistan falconry interest, G/VG (15)

£100-150

474 Wright (John). Fruit Grower’s Guide, 3 vols., [1891-94], addn. vign. title to each, forty-three chromo. plts. (correct as list), a.e.g., later good quality olive half morocco gilt, spines sunned, 4to (3)

£250-350

477 Belany (James Cockburn). A Treatise Upon Falconry, printed for the author, Berwick-Upon-Tweed, 1841, wood eng. frontis., occ. minor spotting, t.e.g., contemp. mottled half calf gilt, recent contrasting morocco labels to spine, rubbed, 8vo Scarce. (1)

£300-500

478 Fisher (Major Charles Hawkins). Reminiscences of a Falconer, 1st ed., 1901, addn. half title, thirteen b & w illusts. (including seven photogravures), some creasing and spotting, later ownership signature to f.e.p., book plate of John Dudley Falconer, orig. dec. gilt cloth, worn at extrems., 8vo, together with a 1997 reprint of the same work (2)

479 Mavrogordato (Jack). A Hawk for the Bush, 1st. ed., 1960, numerous col. and b & w illusts. after G.E.Lodge, prelims. a little foxed, pubs. dec. cloth, d.j.with slight scuffing, 4to, together with 1973, 1978 & 1985 reprints of the same title, (1973 signed and inscribed by the author), plus, A Falcon in the Field, 1st. ed, 1966, half title signed and dated by author, numerous col. and b & w illusts. after G.E.Lodge and D.M.Henry, col. plts. with tissue guards, pubs. cloth, d.j. a little spotted and frayed at extrems., 4to, and Behind the Scenes, 1st. ed., pub. 1982, signed and inscribed on title by the author, numerous b & w illusts. throughout, pubs. cloth gilt, d.j., 8vo, and a 1982 reprint of the same title

475 Yarrell (William). A History of British Birds, 3 vols., 2nd ed., 1845, num. wood eng. illusts., handwritten letter from Yarrell bound in at front of vol. 1, regarding an appointment “... to facilitate young Mr Norman’s examination of the Butterflies at the Rooms of the Entomological Society... “, a.e.g., 20th c. morocco gilt, some rubbing, 8vo Bookplates of Herbert G.H. Norman and Charles Gibbs. (3)

£70-100

£100-150

(7)

152

£200-300

FALCONRY ART 480 Michaëlis (H.von). Birds of the Gauntlet, 1st. ed., 1952, numerous col. and b & w illusts., slight spotting to prelims., pubs. cloth gilt, d.j. a little creased and torn, 4to, together with Stevens (Ronald), The Taming of Genghis, 1st. ed., [1956], addn. half title, contemp. ink presentation signature to f.e.p., pubs. dec. cloth, d.j., 8vo, plus Meinertzhagen (Colonel R.), Pirates and Predators, 1st. ed., 1959, numerous col. and b & w illusts. throughout, slight spotting to prelims., pubs. cloth gilt, spine faded, stained, 4to, and Heatherley (Francis), The Peregrine Falcon at the Eyrie, 1st. ed., 1913, numerous b & w illusts. throughout, pubs. cloth gilt with b & w photographic illust. to upper board, stained and worn, 4to, with others related (10)

£100-150

481 O’Broin (Liam). The Sparrowhawk. A Manual for Hawking, edited Michael Comyns, 2nd imp., 1993, signed by author on halftitle, col. and b & w illusts., numerous diags., orig. cloth gilt in d.j., tall 8vo, together with North American Falconry and Hunting Hawks, Silver Anniversary Edition, 5th printing, Denver, Colorado, 1985, col. and b & w illusts., pict. endpapers, orig. blue mock morocco, lettered and blocked in silver, with d.j., folio, plus Ford (Emma), Gyrfalcon, 1999, numerous col. illusts. from photos and paintings, orig. cloth in d.j., oblong folio, and De Chamerlat (Christian Antoine), Falconry and Art, pub. Sotheby, 1987, numerous col. and b & w illusts., orig. cloth gilt (a little damp marked) in d.j. and card slipcase, square 4to, and others of falconry interest, mostly G/VG (approx. 80)

484* Digby (R. David, 1936- ). European Sparrow-hawks (Accipiter nicis), two watercolour studies on one sheet, titled and signed in pencil by artist to lower right, 275 x 225 mm, mounted, framed and glazed

£150-200

482 Schlegel (Hermann & Verster de Wulverhorst, A. H.). Traite de Fauconnerie, facsimile ed., pub. Pion Limited. 1979, title, two b & w and fourteen fine colour reproduction plates, together with separate introductory booklet by Gavin Bridson, all loosely contained in orig. red cloth portfolio, with large gilt label to upper cover, with ties, atlas folio, together with Wolf (M.), Le Groënlandais, Faucon Blanc Mué, 1979, large colour reproduction of a falcon with hood and jesse’s resting on a falconer’s gauntlet, from the above work, 660 x 430mm, mounted, framed and glazed, plus two copies of ‘The Falconer 2002 Anniversary Edition’, pubs. red gilt cloth retaining pubs. cellophane wrappers, oblong 4to (4)

(1)

£100-150

£150-200

483 Wood (Casey A. and Fyfe, F. Marjorie). The Art of Falconry, Being the De Arte Venandi Cum Avibus of Frederick II of Hohenstaufen, Stanford University Press, California, 1961, numerous b & w illusts., orig. cloth in d.j., 4to, together with Moran (David Taylor), Life on the Wing. Adventures with Birds of Prey, Round Table Press, Colorado, 1996, author’s presentation copy, signed and inscribed on title, numerous col. and b & w illusts., orig. gilt-dec. boards in d.j., 4to (no. 218 of an unspecified limitation), plus Brown (Leslie and Amadon, Dean), Eagles, Hawks and Falcons of the World, 2 vols. in one, reprinted, 1989, numerous col. illusts., orig. cloth in d.j., 4to, and other falconry interest, mostly G/VG (approx. 80)

£150-200

485* Digby (R. David, 1936- ). Study of a Goshawk, 1989, watercolour and gouache ‘head and shoulders’ study, artist’s notes below image, signed and dated in pencil by artist lower right, 270 x 200 mm, mounted, framed and glazed (1)

153

£100-150

486* Digby (R. David, 1936- ). Adult Female Gyrfalcon (Falco rusticolus), gouache and bodycolour, signed and titled in pencil below image by artist, 250 x 195 mm, mounted, framed and glazed (1)

£100-150

487* Digby (R. David, 1936- ). Peregrine falcon with hood, jesse and bells, circular watercolour, diameter 205 mm, artist’s signature on verso of frame, mounted, framed and glazed, with Lodge (G.E.), Four colour prints of falcons and hawks, c.1980, each approx. 280 x 205 mm, mounted, framed and glazed, with a larger colour print of an Intermewed Eyass Falcon, titled ‘Black Jess’, published by The Tryon Gallery, 600 x 470 mm, mounted, framed and glazed, (limited edition of 750), plus an unattributed oil on board of a golden eagle, 270 x 210 mm, framed, plus Brodrick (W.), Falconer’s Favourites, pub. John van Voorst, 1865, facsimile ed., c.1990,six colour printed plts. with descriptive text, each with tissue guard, publishers stiff boards, oblong folio (8)

£200-300

Lot 489

488* Falconry. A mixed collection of twenty-two hoods, 20th century, leather and snakeskin hoods, various sizes, with approx. thirty falconry bells, various sizes, together with Jameson (E.W. & Peeters Hans), An Introduction to Hawking, pub. Davis, California, revised ed., 1977, several b & w illusts. throughout, pubs. dec. stiff boards, large 8vo (22)

£100-150

489* Henry (David Morrison, 1919-1977). ‘Baldie’, pencil drawing of a peregrine falcon with jesses on a falconer’s gauntlet, titled and signed in pencil by artist, 230 x 190 mm, mounted, framed and glazed (1)

£100-150

490* Kelly (Chloe E. Talbot, 1927-). European Sparrow Hawks, five watercolour and gouache studies, signed by artist below the image, 370 x 275 mm, mounted framed and glazed (1)

£150-250

Lot 490

154

Lot 494 491* Kristupas (Richard David, 1954-). Goshawk perched on a branch, gouache on brown paper, signed lower right, 33.3 x 27.5cm (13 x 11 ins), framed and glazed, backboard with artists’ and gallery exhibition label for Pierrepont Gallery, Thoresby Park, September 3rd October 4th 1993 (1)

£100-150

492* Lambert (Terence 1954 -). Peregrine falcon with wood pigeon, pencil drawing, signed below image by artist, with greetings card signed by artist on verso, 255 x 120 mm, mounted, framed and glazed (1)

£70-100

493* Proud (Alistair 1954 -). Head Studies of an Adult tiercel Peregrine, watercolour of two ‘head and shoulders’ studies of a male Peregrine on one sheet, titled and signed in pencil by artist, 205 x 250 mm, mounted, framed and glazed (1)

£100-150

494* Proud (Alistair 1954 -). Peregrine falcon and teal, watercolour and gouache, signed by artist in lower right, 260 x 360 mm, mounted, framed and glazed (1)

£150-200

495* Proud (Alistair 1954 -). Studies of Goshawk (Accipiter gentilis), two water and body colour studies on one sheet, titled, with notes and signed by artist in pencil, overall paper size 445 x 380 mm, mounted, framed and glazed (1)

Lot 495

£120-180

155

498* Proud (Alistair 1954 -). Head Studies of female Goshawk [and] Head Studies of first year female Sparrowhawk (Accipiter nisus), together two watercolours, each with two head studies and a drawing of a falconry hood, titled and signed by artist in pencil, each approx. 210 x 270 mm, mounted, framed and glazed (2)

£150-250

499* Proud (Alistair 1954 -). Head Studies of Common Kestrel (Falco tinnunculos) [and] head Studies of adult Lanner Falcon, together two watercolour and gouache studies, each titled and signed in pencil by artist, each approx. 225 x 280 mm, mounted, framed and glazed (2)

£150-250

496* Proud (Alistair 1954 -). Studies of first year female Sparrowhawk, four water and body colour studies on one sheet, titled and signed by artist in pencil, overall paper size 425 x 340 mm, mounted, framed and glazed (1)

£100-150

497* Proud (Alistair 1954 -). Goshawk on bow perch, watercolour, signed lower right, 33 x 25cm (13 x 9.75ins), mounted, framed and glazed (1)

£70-100

500* Proud (Alistair 1954 -). Sparrow hawk on the glove, watercolour of a Sparrowhawk with jesse on a falconer’s glove, signed by artist to lower right, 320 x 260 mm, mounted, framed and glazed (1)

Lot 498

156

£120-180

Lot 502

501*AR Tunnicliffe (Charles Frederick, 1901-1979). Gyrfalcon, pencil and watercolour study, signed by artist to lower right,440 x 335 mm,mounted, framed and glazed A watercolour sketch probably produced as a precursor to a finished painting. (1) ÂŁ700-1000

502* Tunnicliffe (Charles F. after). Peregrine Falcon, water and body colour on paper, signs of adhesion to margins, 300 x 230 mm, mounted This image was used on page 46 of Bird Portraiture, 1945, written and illustrated by Tunnicliffe. A small black and white version of the same image was also used in his Shorelands Summer Diary, pub. 1952. (1) ÂŁ100-150

503* Tunnicliffe (Charles Frederick, 1901-1979). Hawks & Falcons, pub. Circle Press, 1975, set of ten lithographs, printed in sepia on handmade paper by J. Green, the two larger prints signed by the artist in pencil, the remainder signed with initials, each numbered 4/90, 585 x 390 mm (larger plates), 395 x 290 mm (smaller plates), loosely contained in original paper wrappers portfolio, together with three additional wood-engravings by the same artist, unsigned (1)

ÂŁ200-300

Lot 503

157

FISHING BOOKS & PICTURES

506* Armstrong (Robin, 1947-). Early Season: Big Sea Trout falls to a large sunk lure, watercolour, signed by the artist to lower right, watercolour remarque of a fishing fly with leader and manuscript title. 470 x 690 mm, mounted, framed and glazed (1)

£200-300

504* Armstrong (Robin, 1947-). ‘In all his Glory, for Chris Baxter, Christmas 1990’, watercolour and gouache study of a leaping salmon, signed by the artist in lower right, watercolour remarque of a fishing fly with the leader running into the manuscript title, second remarque of a fishing reel, 530 x 350 mm, mounted, framed and glazed (1)

£150-250

505* Armstrong (Robin, 1947-). As the tide drops away from the sea-pool, fresh Sea-trout run in off the tide, and as they get the first scent of the home river, they will splash and dive just like the young smelts they were two years previously......., watercolour study of a hooked Sea-trout, signed and dated by artist below his description, 355 x 500 mm, mounted, framed and glazed

507* Armstrong (Robin, 1947-). Leaping salmon at Evans Weir, Tavistock, mixed medium on board, signed by artist in pencil to lower right, with four lines of manuscript verse by Ted Hughes, 750 x 490 mm, framed

(1)

£150-250

158

£200-300

510 Falkus (Hugh). The Sea Trout, pub. The Flyfisher’s Clasic Library, 1995, numerous b & w illusts. to text throughout, limited edition 164/250, signed by author, dressed fishing fly by Annie Douglas set into front paste down, marbled endpapers, a.e.g., red morocco gilt, 8vo, contained in silk lined book box, together with Armstrong (Robin),SplitCane and Sable. A Book of Fish, Men and Nature, 1st. ed., 1988, printed remarque of a Plaice to f.e.p., half title with orig. watercolour drawing of a fishing fly with dedication and signature by author, a.e.g., pubs. morocco gilt, 8vo, contained in slip case, with Chaytor (A.H.),Letters to a Salmon Fisher’s Sons, Introduction by Hugh Falkus, pub. Flyfisher’s Classic Library, 1992, addn. half title, pubs. qtr. morocco gilt, 8vo, contained in slip case, plus Quinn (Tom),Angling in Art, pub. 1991, numerous col. and b & w illusts. throughout, pubs. cloth gilt, d.j., 4to, with Miller (Jess),Antique Fishing Tackle, Hardy Reels, Forword by James Booth, c.1987, col. illusts. throughout, signed and dated by author on pp.1, pubs. stiff colour printed boards, large folio, together eighteen others (23)

£150-250

511 Grey (Edward, Viscount of Fallodon). Fly Fishing, Haddon Hall Library Series, 1899, five photogravure plates, two colour lithographed plates of flies, original covers bound-in at end, t.e.g., modern green half morocco by Root, spine with raised bands and gilt decoration (faded to brown), together with Sandeman (Fraser), Angling Travels in Norway, 1st ed., 1895, half title, four colour lithographed plates of flies, illustrations, a few spots, t.e.g., modern red half calf by Bickers, spine faded, 8vo (2)

£150-200

512* McPhail (Roger). Salmon Fishing, watercolour, composed of eight vignettes of fishing scenes, fish, and wildlife, signed by artist to lower left, 450 x 305 mm, Tryon Gallery label to verso of frame, mounted, framed and glazed This image was used as an illustration in ‘Fishing Season, An Artist’s Year, pub. The Tryon Gallery 1990. (1) £200-300

508* Armstrong (Robin, 1947-). Rising Brown Trout, mixed medium on board, signed by artist to lower left, 750 x 500 mm, framed (1)

£150-250

509 Bainbridge (G.C.). The Fly Fisher’s Guide, Illustrated by Coloured Plates, Representing Upwards of Forty of the Most Useful Flies, 2nd ed., Liverpool, 1828, nine engraved plates (eight handcoloured), occasional light spotting and offsetting, small bookplates of Thomas and William Stansfeld, contemporary half vellum, some light soiling, modern cloth cover, 8vo Westwood & Satchell, pp. 20-21. (1)

513 Walton (Izaak and Cotton, Charles). The Complete Angler, or the Contemplative Man’s Recreation, ed. Edward Jesse, Henry Bohn, 1856, numerous engraved plates and illustrations, one or two spots, a.e.g., modern green full morocco by Bayntun, upper cover with gilt vignette of a seated fly fisherman and dog within elaborate border, spine with raised bands and gilt decoration, 8vo

£200-300

(1)

159

£200-300

FISHING RODS 514* Fishing Rod. Hardy Bros. ‘Gold medal’ Palakona fly rod, c.1960, a 9ft. 6inch, split cane, three piece, trout fly rod, with spare upper section, with manufacturers canvas rod bag, all contained in later hard travelling case with adjustable sling, complete with original dated receipt ‘As new’ condition. (1)

£70-100

520* Armour (George Denholm, 1864-1949). ‘Mr. Mulliner, Mary & Betty’, humorous pastel sketch on brown paper (from a sketchbook), showing Mr. Mulliner sitting in a wheelbarrow, with Mary moving him and Betty following on behind, captioned to lower margin, image size 16.5 x 25cm (6.5 x 10ins), framed and glazed

515* Fishing Rods. Three Bruce & Walker fly fishing rods, including a 9ft 6 inch two piece reservoir trout rod, appears unused, in cloth rod bag and metal Snowbee travelling rod tube, together with a 14 ft ‘hexagraph’ three-piece salmon rod, in cloth rod bag, and a 10ft 6 inch ‘hexagraph’ three-piece sea-trout rod, in cloth rod bag (3)

(1)

£100-150

516* Fishing Rods. Two ‘Bruce & Walker’ trout fishing rods, 9 foot two-piece ‘hexagraph’ trout rod, in manufacturers cloth rod bag, with a ‘Snowbee’ metal travelling rod tube, with a 9 foot two-piece ‘hexagraph’ trout rod, in cloth rod bag and plastic travelling rod tube, with a ‘Bob Church’ 11 foot two-piece carbon fly rod, in manufacturers cloth rod bag (3)

£100-150

517* Fishing Rods. A collection of four fly fishing rods, including a Hardy ‘Sovereign’ 8ft 6in two-piece trout rod, with cloth rod bag, together with a Leeda ‘Rimfly’ 10ft two- piece fly rod, with cloth rod bag, plus an ‘M.A. Grinmall’ 7 ft. 6 inch. two-piece brook fly rod, and another similar two-piece 6ft brook rod, both with cloth rod bags (4)

£100-150

SPORTING ART

518* Aldin (Cecil Charles Windsor). “Op It!”, [An English Bulldog see off a German Dachshund], pub. C.H.Ltd., c.1916, chromolithograph, title printed below image, 230 x 470 mm, contemp. stained oak frame

521* Batt (Arthur, 1846-1911). A Dark Bay Hunter in a Stable, with hay and spilled bucket of water, 1877, oil on canvas, signed and dated lower left, relined, 40.5 x 51 cm (16 x 20 ins), gilt frame

(1)

£150-200

522* Beetles. A fine Victorian display of exotic beetles, presented in a deep maple frame, 43 x 36 cm

519* Aldin (Cecil Charles Windsor, 1870-1935). Pair of Coaching prints, pub. Lawrence and Jellicoe, 1907, pair of chromolithographs, each approx. 270 x 700 mm, framed and glazed (2)

£200-300

(1)

£100-150

£150-200

523* Binns (David). Two Magpies, 1973, watercolour, signed and dated by artist to lower right, 320 x 720 mm, framed and glazed (1)

160

£100-200

524* Cleminson (Robert, active 1864-1903). Setters in a Highland Landscape, oil on canvas, signed by artist lower left, 755 x 1260 mm, framed (1)

£400-600

Lot 522

525* Edwards (Lionel Dalhousie R., 1878-1966). Come to Britain for Racing. pub. Travel Association of Great Britain and Northern Ireland, c.1920, orig. colour photolithograph poster, slight spotting, 740 x 480 mm, framed and glazed A dramatic racing scence showing the horses and jockeys gathering at the start at Goodwood racecourse. (1) £200-300

526* Equestrian Relief. A brass relief of a horse, late 19th/early 20th century, a brass plaque of a horse wearing a saddle and bridle, mounted on red velvet (mostly faded to green), dimensions of horse 21.5 x 25cm (8.5 x 10ins), framed and glazed

Lot 523

(1)

161

£50-80

527* Feline study. Portrait of a Lynx, c.1960, pastel head study in profile, signed lower right, 470 x 550 mm, framed and glazed (1)

£70-100

528* Fraser (James Winchester). Cocker spaniel with Woodcock [and] Flatcoat with Pheasant, together, two pastel drawings of gundogs, signed below image, each approx. 160 x 120 mm, with two pencil studies of dogs, each approx. 40 x 90 mm, mounted, framed and glazed, together with Panet (Trada),’Carlo’, 1965, pastel study of an English springer spaniel, signed and dated lower left, 440 x 340 mm, framed and glazed (3)

£70-100

531* Lambert (Terence 1954 -). Three studies of feathers, three watercolours of Red Grouse, Blackcock and Woodcock feathers, each signed by artist below image, each approx. 420 x 180mm, mounted, framed and glazed

529* Hollyer (William Perring). The Lookout, 1884, oil on canvas, signed and dated lower left, 340 x 445 mm, framed W.P.Hollyer specialised in Highland scenes often featuring cattle. He also painted domestic animals, including some of his own pets. This fine study of Border collies on a hillside guarding the sheep below is a typical example of the artist’s work. (1) £300-500

The Grouse and Blackcock feather studies were used in ‘The Grouse - Artist’s Impressions’. The Woodcock feather studies was published in ‘The Woodcock - Artist’s Impressions’. Both books were published by Swann Hill Press in 2007 and 2006 respectively. Both books were illustrated by the leading wildlife artists of the day and included work by Roger Mcphail, Terence Lambert, Owen Williams and Ben Hoskins. (3) £300-500

530* Kelly (Richard Barrett Talbot, 1896-1971). Pinkfeet in Flight, watercolour, faint monogram lower right, 23 x 29cm (9 x 11.25ins), framed and glazed (1)

£100-150

162

533* Lambert (Terence 1954 -). Red Squirrel, brown ink on scraper board, signed by artist in lower left, 440 x 170 mm, mounted framed and glazed (1)

£100-150

532* Lambert (Terence 1954 -). Guinea Fowl, mixed medium on canvas, signed by artist in lower left, 240 x 190 mm, framed (1)

£150-250

534* Lee (Ann, 1753-1790). Study of Cerambyx beetles, 1773, pen, ink, and watercolour on vellum, showing six beetles, signed and annotated in blue ink to lower margin, 30.5 x 23.5cm (12 x 9ins), mounted, framed and glazed (1)

£200-300

535* Loates (Michael J., 1947-). A collection of nine pen & ink studies, each signed in pencil by artist, images include three of birds, one still life of dead game, one study of a blackberry and four studies of fish (trout and pike), 200 x 180 mm and smaller

Lot 533

(9)

163

£100-200

Lot 536

Lot 537 164

Lot 538

536*AR Lodge (George Edward, 1860-1954). Woodcock, watercolour heightened with body colour, signed by artist to lower left, 285 x 440 mm, mounted framed and glazed (1)

£1500-2500

537*AR Lodge (George Edward, 1860-1954). Pheasants in a ride, watercolour heightened with body colour, signed by artist to lower right, 280 x 440 mm, mounted, framed and glazed (1)

£1500-2500

538*AR Lodge (George Edward, 1860-1954). Covey of Partridges, watercolour heightened with body colour, signed by artist to lower right, 280 x 440 mm, mounted, framed and glazed (1)

£1500-2500

539* Mauve (A. ). Pug, c.1890, oil on board with signature to lower right, 170 x 120 mm, framed (1)

£100-150

Lot 539

165

540*AR Milliken (Robert W., 1920-). Wigeon over Stranford Loch, oil on canvas, signed by artist to lower right, 660 x 860 mm, framed (1)

£500-800

541* Milliken (Robert W., 1920-). English Partridge at Holkham, large watercolour, signed by artist to lower right, 540 x 740 mm, mounted, framed and glazed (1)

£300-500

542* Milliken (Robert W., 1920-). Shelduck over the Loch, large watercolour, signed by artist to lower right, 535 x 730 mm, Tryon Gallery label to verso of frame, mounted, framed and glazed (1)

£200-300

Lot 540

543* Milliken (Robert W., 1920-). Greylags at South Island, large watercolour, signed by artist to lower right, 540 x 690 mm, Tryon Gallery label to verso of frame, mounted, framed and glazed (1)

£200-300

Lot 541

544* Milliken (Robert W., 1920-). A Flight of Wigeon, large watercolour, signed by artist to lower right, 500 x 690 mm, Tryon Gallery label to verso of frame, mounted, framed and glazed

Lot 542

(1)

166

£200-300

545* Milliken (Robert W., 1920-). Pinkfeet over the Wash,. large watercolour, signed by artist to lower right, 500 x 690 mm, Tryon Gallery label to verso of frame, mounted, framed and glazed (1)

Lot 549

£200-300

546* Milliken (Robert W., 1920-). ‘An Incident at Holkham’, 1978, pencil drawing of fighting cock pheasants, signed, titled and dated by artist to lower left, 290 x 365 mm, mounted, framed and glazed, together with ‘Woodcock’, c.1980, pencil drawing of a woodcock on th ground, signed by artist in lower right, 250 x 320 mm, mounted, framed and glazed (2)

£100-150

547* Munnings (Alfred James, 1878-1959). The Belvoir Hunt Point to Point Meeting on Barrowby Hill, pub. Frost & Reed, 1922, colour photolithograph, 420 x 500 mm, framed and glazed (1)

£100-200

548* Payne (Charles Johnson, “Snaffles”). ‘The Glad Throng that goes Laughing Along, pub. Fores, 1913, colour lithograph, heightened in bodycolour, 300 x 960 mm, framed and glazed (1)

£200-300

549* Pemberton-Longman (Joanna, 20th c.). Dead Gull, oil on canvas, signed by artist lower right, 500 x 600 mm, framed, contemp. gallery labels on verso Joanne Pemberton-Longman is a member of the Society of Wildlife Artists (1) £100-150

Lot 550

550* Pratt (Joseph Bishop, 1854-1910). [Setters at Work], pub. Thomas Agnew & Sons, 1904, uncoloured engraving on India laid after Heywood Hardy, proof before title and letters, signed in pencil by artist and engraver below image, slight spotting largely confined to margins, image size 560 x 540 mm, contemp. stained oak frame with Thomas Agnew Gallery labels on verso (1)

551* Robjent (Richard, 1937-). Indian Shikra hawk, 1984, watercolour, signed and dated lower right, 255 x 345 mm, mounted, framed and glazed (1)

£200-300

Lot 548 167

£100-150

Lot 554 553* Trickett (John). Cock Pheasant breaking cover, c.1980, oil on canvas, signed by artist to lower right, 400 x 500 mm, framed (1)

£200-300

554*AR Tunnicliffe (Charles Frederick, 1901-1979). Silver Pheasant, pencil, watercolour and gouache on paper, 42 x 73.5 cm (16.5 x 29 ins), framed and glazed See Charles F. Tunnicliffe, The Composition Drawings, pub. Bunny Bird Fine Art, 1986, page 28. (1) £700-1000

552* Selfe (Madeline). Ballymoss by Mossborough, oil on canvas, signed lower right, 640 x 800 mm, framed and glazed Ballymoss was a highly successful stallion who won the St.Ledger, The King George Sixth & Queen Elizabeth Stakes, The Eclipse Stakes and the Prix de l’Arc de Triumph. (1) £300-500

555* Wilkinson (Henry 1921 - 2011). Eight engravings and dry point etchings of working dogs, including four finished with watercolour, all signed and numbered in pencil by artist below image, various sizes, mounted The breeds and limitation numbers are as follows:- Welsh Springer 51/150, Cocker spaniel with teal 4/150, Pair of yellow Labradors 11/150, Springer spaniel with woodcock 2/150, Black labrador with mallard 27/150, Gordon setter with teal 102/150, Jack Russell terrier with rat 207/250, Pair of Black labradors 56/150. (8) £150-200

Lot 553 168

SCULPTURE

556* Armstrong (Robin, 1947-). Leaping Sea Trout, cast bronze model of a sea trout, limited edition 10/12, 250mm high, with original label to base (1)

£300-500

557* Holmuist (Ray, 20th c.), Carved wooden salmon, varnished carved wooden fish model in profile, possibly a Sockeye salmon, burn stamp with artists name, town and state (Homer, Alaska) on verso, length 950mm, height 310mm (1)

£70-100

558* Sporting Paraphernalia. Table lighter, early 20th c., cold painted spelter ‘Strike-Lite’ table lighter in the form of a pheasant, complete with wand, on wooden base, length 320mm, height 210mm, together with two Otter paw brooches, early 20th century, one with a sterling silver mount, the other with silver plate mount, one with inscription ‘W.T.O.H. Lune, June 9th 1911, 16lbs’, the other blank, both with brooch pins, each approx 85mm in length, with one large brass vintage fishing reel 110mm diameter and another wooden example, 90mm diameter, plus two cast metal models of a toad on a naturalistic base, 110mm length, and two ‘Fortnum & Mason’ large caviar jars, ‘Crown Devon’ stamp to base, each with a b & w image of a Sturgeon on the side of the jar, one jar with chip to rim, each 115mm high (9)

£100-150

Lot 556

Lot 558 559* Woodcock. Carved naturalistic model, 2002, lifesize hand painted wooden model of a resting woodcock, signed ‘C.H.G.’ on base, length 210mm, height 100mm (1)

169

£50-80

FOSSILS

562* Ammonites. A collection of sixteen polished ammonite sections, from the white lias of Somerset, lower Jurassic, 170 million years, nicely presented in a frame, 25 x 30cm overall (1)

£50-80

560* Aepyornis Egg. A giant elephant bird egg (reconstructed), approx. 1500 years old, approx. 35cm high, on carved wood stand This extinct giant flightless bird from Madagascar is said to have produced the largest egg of any creature. (1) £1000-1500

563* Asteroceras Obtusum. A superbly preserved honey calcite ammonite from the cliffs of Lyme Regis, approx. 190 million years, beautifully detailed with smaller Promicroceras ammonite set in lime, 23cm wide overall

561* Amethyst. A fine amethyst “Cathedral”, Rio Grande Du Sol, Brazil, nicely detailed, 55cm high, with hardwood stand (1)

£150-200

(1)

£200-300

564* Asteroceras Obtusum. A well-detailed ammonite, Scunthorpe, Lincolnshire, Lower Jurassic, 190 million years, 23cm across (1)

170

£300-500

567* Carcharocles Megalodon. A very large Megaladon tooth from South Carolina, USA, Miocene period, approx. 8 million years, exhibiting most of the serrations and excellent blade detail, 11cm high, mounted on a mahogany base

565* Brasilia Similis. A very large ammonite from the Inferior Oolite of Beaminster, Dorset, approx. 160 million years, with traces of lustrous nacre, 22cm across (1)

£150-200

(1)

£200-300

566* Cadoceras Sublaeve. A large 1kg+ specimen from the Jurassic, Lower Callovian Kellaways formation, Cotswold Water Park, near Cirencester, approx. 160 million years, approx. 13cm wide, mounted on a polished oak base (1)

£120-180

568* Carcharodontosaurus Tooth. A large dinosaur tooth from the Cretaceous of Morocco, Kem Kem, Morocco, approx. 95 million years, a fine example having most, if not all, of the serrations that run along the edge, 6.5cm long From the Tyrannosaurid dinosaur which would have been at least 5 metres in length. (1) £150-200

171

Lot 569 569* Cladocyclus. A fossil fish, North East of Brazil, Lower Cretaceous, 110 million years, nicely detailed example, 78cm long This fish was at the top of the food chain in its environment, everything else was its prey! (1) £350-450

572* Crotalacephalus and Paralejurus. An attractive pair of naturally positioned trilobites, Morocco, from the Emsian/Eifellian of the Devonian period, approx. 385 million years, the preservation is excellent in both with clear and sharp pustulation to the exoskeleton and good lens detail to the eyes, 17cm wide

570* Cleoniceras Ammonite. A fine cut and polished ammonite pair, west coast of Madagascar, approx. 110 million years, revealing the intricate chambers showing excellent calcite preservation, 25cm across (1)

(2)

£200-300

573* Dactilioceras Ammonite group. A fine cluster of ammonites, Schlieffhaussen, Germany, Lower Jurassic period, 170 million years, approx. 32cm across

571* Cleoniceras Ammonite. A polished ammonite, Madagascar, the shell of this species has slight iridescence, 25cm across, mounted on polished hardwood base (1)

£200-300

(1)

£150-200

172

£100-150

576* Fossil Auricaria. A substantial pair of sliced and polished bookends made from rare fossil wood from the Monkey Puzzle Tree, Madagascar, Triassic period, approx. 230 million years, preserved in red agate which is the most desirable of fossil wood colour and clearly show preserved tree rings, 27cm high (1)

£200-300

574* Epariatites. A popular ammonite from the Frodingham iron stone, Frodingham, Scunthorpe, 195 million years, polished to reveal the structure of the ammonite, 15.5cm high (1)

£150-200

577* Fossil Brittlestarfish, A good example set into matrix, Morocco, Ordovician period, 420 million years, 25cm across (0)

578* Fossil collection. A collection of various shells, fossils and minerals, including a section of a polished ammonite, coral and flints

575* Fossil Auricaria Tree Stump. A well detailed section from the Monkey Puzzle Tree, Madagascar, Triassic period, approx. 230 million years, this example has been agatised with lots of the orignal bark still preserved, the top has been polished to reveal the internal structure of the wood, 27cm high (1)

£100-150

(14)

£70-100

£200-300

579* Fossil Fish Plate. An attractive specimen of three Knightia alta, Wyoming, USA, approx. 50 million years, set in rectangular plaque, 26cm wide The Knightia alta was related to the herring. (1)

Lot 576

173

£50-70

582* Fossil whale vertebrae. A good size example dredged from the North Sea, Pliocene period, approx. 4 million years, 35cm across (1)

£100-150

580* Fossil marble table top. A hexagonal table top made from Orthoceras fossil marble, Moroccan Sahara, Devonian period, 360 million years, set with a central ammonite and eight sections of bellamites within brass division, 45cm across (1)

£70-100

583* Harpactocacinus Punctatus. A fine fossil crab set in stone, Verona, Italy, Eocene period, 48 million years, 18cm across (1)

£200-300

581* Fossil sculpture. An unusual carved fossil group of five ammonoids, Moroccan Sahara, Devonian period, 360 million years, 63cm high (1)

584* Keichousaurus Hui. A complete reptile from the Triassic period, China, approx. 220 million years, the preservation on this specimen is good, it has Dorsal preservation so that the skull is fully exposed with detailed teeth, approx. 16.5cm wide

£200-300

(1)

174

£200-300

587* Malachite boulder. A well-formed boulder, Zambia, sliced and polished, weighing 10.2 kg (1)

588* Mammoth tusk. A slightly curved partial tusk, found in a Wiltshire gravel pit, Ice Age, 50, 000 years, 68cm long

585* Kepplerites. A small assemblage of mid-Jurassic ammonites with a smaller Cadoceras, Cotswold Water Park, Ashton Keynes, approx. 160 million years, 15cm high (-)

£500-700

(1)

£1000-1500

£80-120

589* Mosasaur teeth. Six finely detailed teeth, Morocco, Eocene period, 50 million years, approx. 12cm long Mosasaurs were massive carnivorous marine reptiles. (1)

586* Kosmoceras Jasonii. An assemblage of ammonites, Cotswold Water Park, Ashton Keynes, Jurassic, 160 million years, 16cm wide (1)

£50-80

Lot 588

175

£150-200

590* Mosasaur. A fine example of Mosasaur jaws and teeth in original matrix, Morocco, Eocene period, 50 million years, approx. 49cm across (1)

£350-450

593* Scyphocrinites. An excellent fossil Crinoid, recently discovered, Alnif, Morocco, Silurian period, approx. 430 million years, showing fine detail to the crown, pinnules and stem, from a rarer and more aesthetic red deposit recently discovered, approx. 29cm high (1)

£150-200

591* Neolithic tools. A collection of flint hand axes and arrowheads from the Neolithic period, found in the northern deserts of Mauritania, North Africa, approx. 4000 BC, axeheads 21cm & 18cm, arrowheads various sizes (9)

£150-200

594* Sea Shells. A framed collection of cowry shells, various sizes, well displayed in a deep glazed display case, 68cm x 74cm

592* Odontochile Trilobite. A large specimen, Morocco, midDevonian period, approx. 400 million years, well detailed, set in base, 15cm wide (1)

(1)

£70-100

595* Sea Shells. A large and comprehensive collection of sea shells, many with identification labels and tags, including Carrier shells, Trumpet shells, Horse Conch, Tulip shells, Oliva shells, Cowry shells, Strombe and Scorpion shells, Tun and Helmet shells, Scallop shells and many more species

£80-120

(approx. 29 boxes)

176

£2000-3000

Lot 595

177

596* Shark’s teeth. A collection of fossil shark’s teeth, from the phosphate deposits of Khouribga, Morocco, Eocene period, 50 million years, well presented in a deep glass case, 39.5 x 29.5cm (1)

£70-100

597* Therizinosaurus Egg Nest. A fascinating and rare dinosaur egg nest, formed as 17 eggs, Late Cretaceous, Henan Kaoguo, Xixia County, Kaoguo and Majiachuan, China, 75-65 million years old, eggs approx. 8cm x 9cm, overall size 41cm x 20cm The Therizinosaurs were the vicious little creatures featured in the Jurassic Park kitchen scene. This example shows the typical random arrangement of the nests. (1) £1500-2000

598* Turtle Coprolite. An exceptionally large example of fossil excrement, Madagascar, Eocene period, 40 million years, 30cm long (1)

Lot 596

Lot 597

178

£70-100

ANTHONY KNIBBS CERAMIC EGG DISPLAYS 602* Knibbs (Anthony R.). Raptors, n.d., c.1990, thirteen hand painted life-size ceramic eggs displayed in a custom built box frame, signed by the artist with a manuscript identification key to verso, 300 x 350mm (1)

£70-100

599* Knibbs (Anthony R.). Raptors, n.d., c.1990, fifteen hand painted life-size ceramic eggs, displayed in custom built box frame, signed by the artist, with a manuscript identification key on verso, overall size 330 x 410mm (1)

£70-100

603* Knibbs (Anthony R.). Garden and Woodland birds, n.d., c.1990, fifty-three hand painted life-size ceramic eggs, displayed in a custom built box frame, signed by the artist with identification key to verso, 300 x 350mm (1)

£100-150

604* Knibbs (Anthony R.). Sparrow Hawk eggs, Red Kite eggs [and] Common Buzzard eggs, n.d., c.1990, three sets of hand painted life size ceramic eggs, with six, two and three eggs respectively, each displayed in custom built box frame, signed by artist, description on verso, 180 x 180mm, 140 x 170mm and 150 x 200mm respectively (3)

£80-120

605* Knibbs (Anthony R.). Birds of Prey, Sparrow Hawk [and] Red Kite, n.d., c.1990, three sets of hand painted life size ceramic eggs, with seven, five and three eggs respectively, each displayed in custom built box frames, signed by artist signature with description on verso, 180 x 220mm, 180 x 180mm and 150 x 180mm respectively 600* Knibbs (Anthony R.). Garden and Woodland Birds [and] Small Passerines, n.d., c.1990, two sets of thirty-five and fortythree hand painted life- size ceramic eggs, each set displayed in a custom built box frame, signed by the artist with an indentification key on verso, 200 x 250mm and 250 x 300mm respectively (2)

(3)

606* Knibbs (Anthony R.). Small Waders, Lapwing [and] ‘Blue Eggs’, n.d. c.1990, three sets of six, four and eight hand painted life-size ceramic eggs, each set displayed in a custom built box frame, signed by the artist with manuscript identification key verso, 130 x 180mm, 150 x 150mm and 200 x 150mm respectively

£100-150

601* Knibbs (Anthony R.). Birds of Prey, n.d., c.1990, twelve hand painted life-size ceramic eggs displayed in a custom built box frame, each with a printed identification label, 330 x 430mm (1)

£80-120

The ‘blue eggs’ comprise of:- Pied Flycatcher, Redstart, Starling, Whinchat, Guillemot, Dunnock, Jackdaw and Song Thrush. (3) £70-100

£70-100

179

Lot 608

607* Knibbs (Anthony R.). Types of Cuckoo eggs [and] Clutch of Lapwing eggs, n.d., c.1990, two sets of hand painted life size ceramic eggs with twenty and four eggs respectively, each set displayed in a custom built box frame, signed by the artist with description on verso, 230 x 180mm and 170 x 170mm respectively The Cuckoo eggs are paired with its usual host species:- Meadow Pipit, Pied Wagtail, Reed Warbler, Robin and Dunnock. (2) £70-100

608* Knibbs (Anthony R.). A collection of ten Guillimot eggs, n.d., c.1990, ten hand painted life size ceramic eggs displaying the different colour variations of guillimot eggs, each with a felt base to enable display or use as a paperweight, each approx. 80mm in length (10)

£70-100

609* Knibbs (Anthony R.). A mixed collection of nineteen eggs, n.d., c.1990, nineteen hand painted life size ceramic eggs from various species, each with a flat base to enable display or use as a paper weight, various sizes Species represented include a clutch of five lapwing eggs, two large raptor eggs, (possibly Golden Eagle), two Guillimot eggs and two clutches of Plover eggs. (19) £80-120

Lot 609

180

TRADITIONAL SPORTS

610* Billiards. A rare billiards mace, c.1790, original softwood shaft with mahogany head, 144cm (57ins) An example similar to this can be found in the Thurston Museum, Liverpool. John Thurston was a cabinet maker working with Gillow until setting up his own company in 1799. (1) £300-500

611* Billiards. Collier (John), The Billiard Players, c.1920, monotone gravure after John Collier, vertical crease affecting image, 320 x 510mm, mounted, framed and glazed (1)

£100-150

612 Boxing. Bordelais (Francois de). La Lecon de Lutte, pub. Paris, 1899, b&w illusts. to text, orig. pict. wrappers, oblong 8vo, together with Fleischer (Nat), Training for Boxers, 8th revised ed., 1931, b&w illusts. throughout, orig. pochoir wrappers, 8vo, plus Esbonnet (Edmond), Les Rois de la Lutte..., pub. Paris, 1910, port. frontis., num. b&w illusts., to text, modern wrappers and spine with orig. wrappers overlayed (some loss to extrems.), all contained in individual recent morocco-backed book box by Sangorski & Sutcliffe/Zaehnsdorf, 8vo (3)

Lot 612

£150-200

613 Boxing. The Fancy; or True Sportsman’s Guide: Being Authentic Memoirs of the Lives, Actions, Prowess, and Battles of the Leading Pugilists, from the Days of Figg and Broughton, to the Championship of Ward, by an Operator [John Badcock], vol. 1 (of 2) only, 1826, additional uncol. aqua. half-title (chipped at inner margin), twenty-eight numbers including twenty-three with eng. port. frontis. (correct?) of pugilists, plus three further sporting plts. incl. one folding, some spotting and occ. marginal browning or old water stains, contemp. calf, worn, lower cover det. and upper cover deficient, 8vo The majority of this scarce work is devoted to pugilism, but also includes pedestrianism, horse racing and other sporting events of the time. (1) £150-200

614* Cricket. Major Clarke’s XI versus Knole Park XI, Knole Park, Gloucestershire, August 1874, group portrait of both teams plus umpire, oval albumen print mounted on card, good tonal contrasts but with marginal closed tears without loss, image 20 x 24.5cm, contemp. ink caption and surname identification of all but umpire and one other of the twenty-five men present, names include Jenner Fust, E.M. Grace [cricketing legend and older brother of W.G. Grace], Cobden, Fletcher, Calley, Miles, Rumsey, Law, Gore, R. Long, Wallington, Bird, McPherson, Taylor, Townsend, W. Long, Hadow, Radcliff, Pearce and Hills, together with two further albumen print group portraits, 19.5 x 24.5cm, the first of ‘Breakfast on No. 6’ mounted to verso, the second of ‘St Ald[g]ate’s 1875 Club’ to a second album mount One individual is common to all three group portraits, T.C.P. Calley. Major-General Thomas Charles Pleydell Calley, 1856-1932, educated at Harrow and Christ Church, Oxford. He seems to have played cricket for the Household Brigade c. 1879-81. (2) £100-150

Lot 610

181

Lot 613

Lot 614

615* Cricket. A late Victorian silver-plated and cut glass condiment set by P.A. & S.S. Philip Ashbry & Sons, Sheffield, c. 1891, the carrying handle formed by three crossed cricket bats with cricket ball knop, overall height 15cm (1)

£150-200

617 Exercise Handbook. Indian Clubs, Dumb-Bells, and Sword Exercises, by Professor Harrison, Champion Athlete of London, Darton & Hodge, [1866], wood-eng. frontis. and illusts. to text incl. some full-p., some spotting, partly broken, orig. pictorial boards (Champion Handbooks series), covers det. and backstrip deficient, rubbed and corner wear, sm. 8vo (1)

£70-100

616* Croquet. An Edwardian period croquet mallet by F.H. Ayres Ltd., the flat-bottomed walnut head having inlaid ebony alignment and gold transfer lettering ‘M. Barry’ and manufacturer’s name (a few minor marks and edge chips), the polished ash or maple shaft with finely diced grip and stamped ‘3 lb 8’, overall length 70cm, with associated canvas carrying bag ‘Another remarkable player who competed in these early Champion Cups, winning in 1907, was M. Barry, of sombre appearance with a heavy drooping moustache, who played a game and a style entirely of his own. He was a centre player and used a short mallet, the toe of which he raised when aiming, keeping his legs bent and allowing his wrists to swing loosely with the mallet, letting the mallet swing back from the top of the shaft. His stroke play was extremely inaccurate but when he was on his game this was of no consequence at all, for to him seven yards was a mere short roquet and he could run hoops from a yard away at any angle... ‘, D.M.C. Prichard, The History of Croquet, p. 71. (1) £150-200

Lot 618

182

618* Football and Cricket. A group of cartes de visite of Harrow sportsmen, mid 1870s, incl. a team photograph of a Harrow Football team with ball by Hills & Saunders, identified in later pencil to verso as Dr H.M. Butler’s House [Headmaster’s] Football Eleven Champions in 1873, window-mounted with fifteen further cartes de visite of individual Harrow cricketers (and footballers) on six broken album leaves, with ink names beneath and later pencil notes, names include J.K. Bournee(?), A. Banbury, A.J. Webbe, F.L. Shand, P.E. Crutchley, J.P. McInroy, Lord Anson, G.B. Walker, R.A. Yerburgh, F.W. Gore, C.W.M. Kemp, F.D. Leyland, E.H. Hills, W.H. Long, P.F. Hadow, plus three further non-sporting Harrovians (F. Stayner, A.D. Godley & A.G. Russell), remaining window mounts captioned with photos missing

621 Golf. The Rules of Golf of the Ten Oldest Golf Clubs from 1754 to 1848. Together with the Rules of the Royal & Ancient Golf Club of St. Andrews for the Years 1858, 1875, 1888, by C.B. Clapcott, Published at the Office of Golf Monthly, Edinburgh, July 1935, one or two light spots, previous owner inscription to front pastedown scribbled out, original cloth-backed boards, spine a little faded, a little rubbed with light marginal stains, 8vo Limited edition of 500. Donovan & Murdoch 12400. (1)

£200-300

Harrow Football, like many Public School versions of pre-association football, had its own set of rules and was a mixture of football and rugby. One Harrow footballer from this period who went on to represent England in association football (1876-79) was Beaumont Jarrett, though it has not been possible to ascertain whether he is among the eleven players in the group portrait offered here. Jarrett is featured in the earliest known photograph of an England football team, taken just before England’s fifth international match in 1876, three years after the photograph in this lot. (19) £200-300

619 Football. Gibson (Alfred & Pickford, William. Association Football & The Men Who Made It, 4 vols., 1st ed., [1905-06], numerous portraits and plates, a few light spots, endpapers browned, original blue pictorial cloth, a little rubbed with light marginal dampstains, 8vo (4)

£100-150

622* Shotgun Cartridges. A shop display for Nobel’s Sporting Cartridges, Glasgow & London, early 20th c., the deep framed display inlaid with a variety of shotgun cartridges laid out in a shield formation in a reeded ebonised glazed case, 72 x 46cm

620* Golf. A silver cigarette case by James Dixon & Sons, hallmarked Birmingham, 1939, all-over engine-turned decoration, the front engraved with a figure of a lady golfer teeing off, measuring 8.5 x 7.5cm (1)

Non UK buyers please investigate shipping legislation before bidding. (1) £300-500

£150-180

183

623 Tennis. Rowan’s Tennis Guide, pub. Rowan & Co. Ltd., Glasgow (Clothiers and Outfitters to Gentlemen and their Sons, Complete Sports Outfitters), Season 1925, 270 pp. including 16 p. centre section of illustrated ads. of tennis and golf accessories, orig. yellow limp cloth, lettered and blocked in black, 9 x 6cm A rare survival in excellent condition. The text includes detailed information about each tennis association around Glasgow, West Scotland, East Scotland and Central Counties. Clubs range from Abercorn, Anchor Lane, Busby, Jewish Athletic, King’s Park, Liberton, Stepps, Titwood, Waverley, etc. (1) £50-80

625* Tennis. A group of three early lawn tennis rackets comprising; a 13 oz racket, c. 1900, with elongated head, convex wedge stamped ‘The Magic Series. Cook’s, London’, orig. coarse gut strings (broken), scored and grooved fishtail handle (overall length 70cm); another early racket with elongated head, convex wedge stamped ‘Forward’, Halford, orig. two-tone gut stringing with four runs of double mains (in perfect condition), hexagonal scored handle with leather butt, (overall length 70cm); another early racket with convex wedge (manufacturer’s transfer print illegible), orig. two-tone coarse gut stringing with only one break, scored fantail handle, a little chipped at end, overall length 68.5cm (3)

624 Tennis. Marshall (Julian, Spens, Peter James and Tait, Rev. J.A. Arnan), Tennis, Rackets, Fives. All-England series, pub. George Bell & Sons, 1890, 106 pp., illustrated ads. both front and rear, orig. cloth, lettered and blocked in black, rubbed, slim 8vo

£100-150

626* Tennis. An Edwardian period tennis racket paperclip, mounted on polished oak base, the brass tennis racket on spring hinge and having the very rare orig. enamelled tennis ball attached to the centre of the strings, overall length 22cm

Everitt, Racket Sports Collectibles, p. 15, ‘This is a difficult coaching manual to find, which also takes a look at the history of each game. There are three full-page advertisements for Ayres, Prosser, and Gradidge’s equipment’. (1) £150-200

(1)

184

£150-200

INFORMATION FOR BUYERS AFTER THE AUCTION Online results If you weren’t present or able to follow the auction live, you can find results for the sale on our website shortly after the sale has ended. Payment The price you pay is the amount at which the auctioneer’s hammer falls (the hammer price), plus a buyer’s premium (a percentage of the final hammer price) and vat where applicable. You will be issued with an invoice made out to the name and address provided on your registration form. Please note successful bids made via the-saleroom.com cannot be invoiced or paid for until the day after an auction. A live bidding fee of 3% + vat will be added to your invoice.

METHODS OF PAYMENT Cheque Cheques will only be accepted on the day of the sale by prior arrangement (please contact our office for further information). Cheques by post will be accepted but a period of 5 working days will be required for the cheque to clear before purchases can be collected or posted. Cash Payments can be made at the Cashier’s Office, either during or after the sale. Debit Card There is no additional charge for purchases made with these cards. Debit cards drawn on an overseas bank, however, will be subject to a 2% surcharge. Credit Cards Visa and Mastercard are accepted, a 2% surcharge will apply. It is a good idea to let your card provider know in advance if you are intending to buy something. This can help cut down the time we need to seek authority when you come to pay. Bank Transfer All transfers must state the relevant invoice no. If transferring from a foreign currency, the amount we receive must be the total due after the currency conversion and the deduction of any bank charges. Collection/Postage/Delivery If you attend the auction in person and are successful in your bid, you are free to collect your item once payment has been made. Successful commission or live bids will be invoiced to you the day after the sale. When it is possible for our in-house packing department to send your purchase(s), a charge for postage/packing/insurance will be included in your invoice. Where it is not possible for our in-house packing department to send your item you will be required to make your own arrangements or to contact Mailboxes etc (tel: 01793 525009) who may be able to help. We provide a monthly delivery service to Central London, usually on Wednesday of the week following an auction. Payment must be received before this option can be requested. A charge will be added to your invoice for this service.

185

Conditions of Sale and Business 1. The Seller warrants to the Auctioneer and the buyer that he is the true owner or is properly authorised to sell the property by the true owner and is able to transfer good and marketable title to the property free from any third party claims. 2. (a) The highest bidder to be the buyer. If during the auction the Auctioneer considers that a dispute has arisen he has absolute authority to settle it or re-offer the lot. The Auctioneer may at his sole discretion determine the advance of bidding or refuse a bid, divide any lot, combine any two or more lots or withdraw any lot without prior notice. (b) Where goods are bought at auction by a buyer who has entered into an agreement with another or others that the other or others (or some of them) shall abstain from bidding for the goods and the buyer or other party or one of the other parties is a dealer (as defined in the Auction Biddings Agreement Act 1927) the buyer warrants that the goods are bought bona fide on joint account. 3. The buyer shall pay the price at which a lot is knocked down by the Auctioneer to the buyer (“the hammer price”) together with a premium of 19.5% of the hammer price. Where the lot is marked by an asterisk the premium will be subject to VAT at 23.40% which under the Auctioneer’s Margin Scheme will form part of the buyer’s premium on our invoice and will not be separately identified (the premium added to the hammer price will hereafter collectively be referred to as “the total sum due”). By making any bid the buyer acknowledges that his attention has been drawn to the fact that on the sale of any lot the Auctioneer will receive from the seller commission at its usual rates in addition to the said premium of 19.5% and assents to the Auctioneer receiving the said commission. 4. (a) The buyer shall forthwith upon the purchase give in his name and permanent address and pay to the Auctioneer immediately after the conclusion of the auction the total sum due. (b) The buyer may be required to pay down during the course of the sale the whole or any part of the total sum due, and if he fails to do so after such request the lot or lots may at the Auctioneer's absolute discretion be put up again and resold immediately. (c) The buyer shall at his own expense take away any lot or lots purchased no later than five working days after the auction day. (d) The Auctioneer may at his own discretion agree credit terms with a buyer and extend the time limits for collection in special cases but otherwise payment shall be deemed to have been made only after the Auctioneer has received cash or a sterling banker’s draft or the buyer's cheque has been cleared. 5. (a) If the buyer fails to pay for or take away any lot or lots pursuant to clause 4 or breaches any other condition of that clause the Auctioneer as agent for the seller shall be entitled after consultation with the seller to exercise one or other of the following rights: (i) Rescind the sale of that or any other lots sold to the buyer who defaults and re-sell the lot or lots whereupon the defaulting buyer shall pay to the Auctioneer any shortfall between the proceeds of that sale after deduction of costs of re-sale and the total sum due. Any surplus shall belong to the seller. (ii) Proceed for damages for breach of contract. (b) Without prejudice to the Auctioneer's rights hereunder if any lots or lots are not collected within five days or such longer period as the Auctioneer may have agreed otherwise, the Auctioneer may charge the buyer a storage charge of £1.00 + VAT at the current rate per lot per day. (c) Ownership of the lot purchased shall not pass to the buyer until he has paid to the Auctioneer the total sum due. 6. (a) The seller shall be entitled to place a reserve on any lot and the Auctioneer shall have the right to bid on behalf of the seller for any lot on which a reserve has been placed. A seller may not bid on any lot on which a reserve has been placed. (b) Where any lot fails to sell, the Auctioneer shall notify the seller accordingly. The seller shall make arrangements either to re-offer the lot for sale or to collect the lot and may be asked to pay a commission not exceeding 50% of the selling commission and any special expenses incurred in cataloguing the lot. (c) If such arrangements are not made within seven days of the notification the Auctioneer is empowered to sell the lot by auction or by private treaty at not less than the reserve price and to receive from the seller the normal selling commission and special expenses.

7. Any representation or statement by the Auctioneer in any catalogue, brochure or advertisement of forthcoming sales as to authorship, attribution, genuineness, origin, date, age, provenance, condition or estimated selling price is a statement of opinion only. Every person interested should exercise and rely on his own judgement as to such matters and neither the Auctioneer nor his servants or agents are responsible for the correctness of such opinions. No warranty whatsoever is given by the Auctioneer or the seller in respect of any lot and any express or implied warranties are hereby excluded. 8. (a) Notwithstanding any other terms of these conditions, if within fourteen days of the sale the Auctioneer has received from the buyer of any lot notice in writing that in his view the lot is a deliberate forgery and within fourteen days after such notification the buyer returns the same to the Auctioneer in the same condition as at the time of the sale and satisfies the Auctioneer that considered in the light of the entry in the catalogue the lot is a deliberate forgery then the sale of the lot will be rescinded and the purchase price of the same refunded. "A deliberate forgery" means a lot made with intention to deceive. (b) A buyer's claim under this condition shall be limited to any amount paid to the Auctioneer for the lot and for the purpose of this condition the buyer shall be the person to whom the original invoice was made out by the Auctioneer. 9. Lots may be removed during the sale after full settlement in accordance with 4(d) hereof. 10. All goods delivered to the Auctioneer's premises will be deemed to be delivered for sale by auction unless otherwise stated in writing and will be catalogued and sold at the Auctioneer's discretion and accepted by the Auctioneer subject to all these conditions. In the case of miscellaneous books, the Auctioneer reserves the right to extract and dispose of books that, in the opinion of the Auctioneer at his absolute discretion, have no saleable value and, therefore, might detract from the saleability of the rest of the lot and the Auctioneer shall incur no liability to the seller, in respect of the books disposed of. By delivering the goods to the Auctioneer for inclusion in his auction sales each seller acknowledges that he/she accepts and agrees to all the conditions. 11. (a) Unless otherwise instructed in writing all goods on the Auctioneer's premises and in their custody will be held insured against the risks of fire, burglary, water damage and accidental breakage or damage. The value of the goods so covered will be the hammer price, or in the case of unsold lots the best bid, or in the case of loss or damage prior to the sale that which the specialised staff of the Auctioneer shall in their absolute discretion estimate to be the auction value of such goods. (b) The Auctioneer shall not be responsible for damage to or the loss, theft, or destruction of any goods not so insured because of the owner’s written instructions. 12. The Auctioneer shall remit the proceeds of the sale to the seller thirty days after the day of the auction provided that the Auctioneer has received the total sum due from the buyer. In all other cases the Auctioneer will remit the proceeds of the sale to the seller within seven days of the receipt by the Auctioneer of the total sum due. The Auctioneer will not be deemed to have received the total sum due until after any cheque delivered by the buyer has been cleared. In the event of the Auctioneer exercising his right to rescind the sale his obligation to the seller hereunder lapses. 13. In the case of the seller withdrawing instructions to the Auctioneer to sell any lot or lots, the Auctioneer may charge a fee of 12.5% of the Auctioneer's middle estimate of the auction price of the lot withdrawn together with Value Added Tax thereon and any expenses incurred in respect of the lot or lots. 14. The Auctioneer’s current standard notices and information (i.e. Collation and Amendments) will apply to any contract with the Auctioneer as if incorporated herein. 15. These conditions shall be governed by and construed in accordance with English Law.

DOMINIC WINTER SPECIALIST AUCTIONEERS AND VALUERS Saleroom and Offices: Mallard House, Broadway Lane, South Cerney, Gloucestershire GL7 5UQ Tel: 01285 860006 Fax: 01285 862461

COMMISSION SLIP Please Bid on my behalf at the sale on 2/3 October 2013 up to the amount shown. I acknowledge that I will be required to pay a buyer's premium at the current rate.

Lot ÂŁ Brief Description ______________________________________________________________________________________

Name: Address

Telephone: Email:

Fax:

Postage can be arranged for most purchases. For UK and European customers we use DPD (formerly Parceline) or Royal Mail: a separate charge is added to the invoice (minimum ÂŁ15) and parcels are despatched as soon as possible after payment has been received. All framed and glazed items and all lots for overseas customers outside Europe will be sent to Mail Boxes Etc. (tel: Swindon 01793 525009) or R.F. Shipping (tel: London 0845 873 6240). Both of these companies will quote and invoice separately. Please note: DWBA invoices must be paid before consignments are handed to third party shipping companies.

The nearest train station to the saleroom is Kemble (BR) which is on the London (Paddington) to Worcester Shrub Hill line. Train journey times from London are on average 90 minutes whether direct or with one change, and run at about one per hour from early until late. Several of the trains in each direction are direct and about half the services require a brief change at Swindon. Customers are advised to check train times and book as early as possible for the best range of ticket services and discounts.

National Rail Enquiries:

08457 484950

Telephone advance train ticket booking:

08457 000125 (First Great Western)

Online train timetables and online ticket bookings:

www.nationalrail.co.uk

Taxis from Kemble Station (5 miles/10 minutes) Brian's Cabs Cirencester Radio Cars Cirencester Taxis

01285 655299 / 07980 579947 01285 650850 01285 642767

Taxis from Swindon Station (12 miles/25minutes) V-Cars

01793 701701

Cirencester Visitor Information Centre

+44 (0)1285 654180 cirencestervic@cotswold.gov.uk

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Lot 494 (actual size)

Back Cover: Lot 501