Kinghams Auctioneers by Jamm Design Ltd

STYLE & SOPHISTICATION: A CELEBRATION OF ART DECO Thursday 26th May 2022

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STYLE & SOPHISTICATION A CELEBRATION OF ART DECO To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ THURSDAY 26TH MAY Viewing Tuesday 24th May – 10.00am to 5.00pm Wednesday 25th May – 10.00am to 5.00pm Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham Director

John Keightley Associate Director, Senior Specialist

Allison White

Mark Oliver

Auctioneer, Valuer and Photographer

Consultant Decorative Arts Specialist

Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com, www.liveauctioneers.com and www.drouot.com together with fully illustrated catalogue. Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd (Collection Address) 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection. Telephone: 01608 695695 Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

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MAP AND DIRECTIONS Our auction site is based in the market town of Moreton-in-Marsh on the edge of the Cotswolds. By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction site

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles

Accommodation www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation.

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USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue. Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; in person, by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 23% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com, www.liveauctioneers.com and www.drouotonline.com. Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchases until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - following 5 working days clearance. • Debit/Credit Cards - American Express or Diners Club not accepted. We accept maxiumum payments of £500 on credit card. • Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kinghams Auctioneers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

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1. An Italian Art Deco silver cigarette case, Contini Renato, Florence circa 1935, rectangular section with alternating horizontal and vertical ribbed bands, 15cm x 8.5cm, 7.19ozt £80 - £120 2. An Art Deco silver and enamelled match or cigarette case, Barker Brothers Silver Ltd., Birmingham 1931, bevelled rectangular form, cream guilloche enamel starburst segment within black border, 6cm x 4.5cm, 1.26ozt £70 - £100 3. A French Art Deco silver and enamelled cigarette case, circa 1925, cushioned rectangular form, black banded champleve enamel geometric zigzag design, 10.5cm x 8.5cm, 4.57ozt £150 - £250 4. An Art Deco silver cigarette case, Charles S Green and Co., Birmingham 1935, rectangular form, engine turned barleycorn and stripe design, to each side, gilt interior, 8cm x 7.5cm, 3.46ozt £40 - £60 5. A German Art Deco silver and enamelled cigarette case, Louis Kuppenheim, Profzheim circa 1925, cushioned rectangular form with overlapping chevron motif in black enamel on a mottled blue lacquer ground, lacquered interior, 12cm x 8.5cm, 5.29ozt £120 - £180 6. A German Art Deco silver and enamelled cigarette case, Louis Kuppenheim, Profzheim circa 1925, cushioned rectangular form with geometric optical stripe design in black champleve enamel, gilt interior, 9cm x 8cm, 3.66ozt £150 - £250 7. A French Art Deco enamelled cigarette case, RS A, circa 1925, cushioned rectangular form with band of geometric motifs in white metal, white craquelure enamel and red, on black lacquer, gilt interior, 9cm x 8cm £70 - £100 8. A French Art Deco enamelled cigarette case, RS A, circa 1925, cushioned rectangular form with a diagonal band of geometric segment and lightning bolt motifs in white metal, white craquelure enamel and red, on black lacquer, gilt interior, 11.5cm x 9cm £80 - £120 9. A German Art Deco silver and enamelled cigarette case, Louis Kuppenheim, Profzheim circa 1925, cushioned rectangular form with a band to each side of stylised rosettes in red champleve enamel, on black lacquer ground, 10cm x 8cm, 3.78ozt £200 - £300

10. A French Art Deco enamelled cigarette case, circa 1925, bevelled rectangular form, decorated with a triangle motif in multicoloured champleve enamel, gilt interior, 8.5cm x 12cm £70 - £100 11. A French Art Deco silver and enamelled compact, Societe d’Alliages de Metau, Paris circa 1925, segmented fan form decorated with stylised geometric scroll design in black champleve enamel, within red border, the back and sides also enamelled, the gilt interior with mirror and lidded compartment, suspension loop to the top, 7cm long, 3.12ozt £150 - £250 12. A French Art Deco silver and enamelled lipstick, Paris circa 1925, black tubular form with red capped ends, central suspension loop, stamped marks, 5.5cm long £70 - £100 13. A French Art Deco enamelled cigarette case, RS A, circa 1925, cushioned rectangular form with band of geometric bars motifs in white metal, white craquelure enamel and red, on black lacquer, gilt interior, 12cm x 8.5cm £70 - £100 14. An Art Deco silver and jade set enamelled compact, Goldsmiths and Silversmiths Company, Birmingham 1936, rectangular form, the lid with pale green guilloche radiating enamel and central cared jade and marcasite plaque, within an emerald green border, opening to reveal a self wiping mirror, engine turned to the underside, 8.5cm x 6cm, 3.95ozt £100 - £150 15. An Art Deco silver and enamelled compact, Hasset and Harper Ltd., Birmingham 1932, convex circular form, blue guilloche enamel lid with woven concentric decoration, 5.5cm diameter, 1.71ozt £40 - £60 16. A George V silver and enamelled compact, Bravingtons Ltd., Birmingham 1935, circular with lime green guilloche lid, 7cm diameter, 3.00ozt £50 - £80 17. An Art Deco silver and enamelled compact, Albert Carter, Birmingham 1934, the central rectangular panels flanked by triangular sides, in graduated pale green guilloche enamel to the front and back, opening to reveal a gilt and mirrored interior, 9cm, 4.09ozt £100 - £150 18. An Art Deco silver and enamelled compact, Mappin and Webb, Birmingham 1936, square form with graduated turquoise to white pearlescent guilloche enamel starburst centre, within a blue border with black corners, engine turned back, 6.8cm square, 2.82ozt £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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19. Kurt Wendler for Rosenthal, an Indra ceramic and gold plated bracelet, circa 1925, six porcelain plaques painted with stylised Art Deco Oriental motifs, highlighted in gilt, 21cm long, in original box £80 - £120 20. Aksel Holmsen, Norne, a Norwegian silver gilt and enamelled bracelet, five rectangular green guilloche enamel panels of tartan weave design alternating with raised black and green rosette links, 19cm long, 21.5g £60 - £100 21. A bakelite bead necklace, graduated cherry oval beads, 84cm long £80 - £120 22. Jakob Bengel, an Art Deco chrome and galalith necklace, graduated snake link with central faceted red cabochon, 40cm long £250 - £350

23. Jakob Bengel, an Art Deco chrome and galalith gate bracelet, five layers of linked segments in red, 18cm long £200 - £300 24. Jakob Bengel, an Art Deco chrome and galalith gate bracelet, linked segments in black, 18cm long £200 - £300 25. Jakob Bengel, an Art Deco chrome and galalith gate bracelet, five layers of linked segments in blue and black, 18cm long £200 - £300 26. Jakob Bengel, an Art Deco chrome and galalith bangle, coiled strap with reeded red plastic floral ends, 7cm diameter £200 - £300 27. Jakob Bengel, an Art Deco chrome and galalith pendant necklace, round section snake link chain with geometric panel pendant in red and black, 47cm long £250 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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28. Gio Ponti (attributed) for Arthur Krupp, an Art Deco silver plated five piece tea set, circa 1934, fluted beaker form bodies with flat lids and stepped fluted cylindrical finials, angled handles and ogee lips, including teapot, coffee pot, covered bowl, jug and tray, 21cm high, 46cm long (5) Note: Ponti produced several designs for the German silver manufacturer in the 1930s, including a similar tea set £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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30 & 31

29. Guild of Handicraft for Goldsmiths and Silversmiths Company, an Art Deco silver bowl, London 1935, planished rounded form applied with stepped and incised geometric banding, 19cm diameter, 21.14ozt £500 - £600

32. Gundorph Albertus for Georg Jensen, a set of twelve silver Cactus coffee spoons, designed 1930, import marks George Jensen, London 1935, 10cm long, 5.38ozt (12) £200 - £300

30. Jean Emile Puiforcat, a French silver beaker, Paris circa 1930, flared form with concentric stepped foot, 7.5cm high, 2.84ozt £300 - £350 31. Charles Boyton, a pair of Art Deco silver napkin rings, London 1937, stepped cylindrical form with concentric ring ends, 5cm diameter, 3.70ozt (2) £150 - £250

33. R E Stone, an Art Deco silver and ivory commemorative tea strainer, London 1935, the lobed and planished bowl pierced with 1935 between G M, for the Silver Jubilee, cast geometric crown rest and shaped scroll handle, 12.5cm long, 1.42ozt £80 - £120 34. R E Stone for Asprey, an Art Deco silver twin handled dish, London 1935, planished circular form with denticulated rim, set with a Silver Jubilee commemorative coin, cast crown handles, 14cm long, 2.97ozt £120 - £180 35. Charles Boyton, an Art Deco silver and ivory brush and mirror set, London 1932, the circular backs with incised geometric banding, on sectioned stems with stepped pommels, including two stem handled brushes, two clothes brushes and a mirror, 24cm long £400 - £500 36. Sigvard Bernadotte for Georg Jensen, a pair of silver ice tongs, model 163, designed circa 1937, sprung scissor action, with circular diagonal trellis terminals and acanthus claw bowls, 14cm long, 2.01ozt £80 - £120

32-34

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37. A pair of French Art Deco silver, enamel and cut glass dressing bottles, Andre Delpy, Paris circa 1930, frosted and polished chevron design to the bodies, the lids painted with geometric pyramid and cloud design in grey, white and black, highlighted in gold, 14.5cm high (2) £500 - £800

38. An Art Deco silver sugar caster, James Ramsey, London 1936, footed ovoid beaker form with conical lid, incised stylised leaf design to the body, pierced to the lid with bar and dot motifs, 19cm high, 7.60ozt £400 - £600 39. A pair of German Art Deco silver vases, Adolf Kander, Berlin circa 1925, planished, undulating cylindrical form on conical bases, 18cm high, 5.83ozt (2) £450 - £550

40. An Art Deco silver four piece teaset, Edward Viner, London 1934, canted cuboid boat form, etched stepped bar banding and carved ivory handles, 29.5cm long, 55.69ozt (4) £1200 - £1500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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41. Keith Murray for Mappin and Webb, an Art Deco silver plated comport, circa 1933, circular dished form with stepped rim, engraved with a geometric overlapping chevron design, concentric ringed conical foot, W28485, Prince’s Plate, 23.5cm diameter £70 - £100

42. Keith Murray for Mappin and Webb, an Art Deco silver plated comport, circa 1934, circular shallow dished form, engraved with a band of concentric rings and geometric batwing design, concentric ringed conical foot, W28609, Mappin Plate, 24cm diameter £70 - £100

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43. Keith Murray for Mappin and Webb, an Art Deco silver plated mug, circa 1934, footed conical form with concentric banding, angled and stepped handle, W27689, Prince’s Plate, 8.5cm high £40 - £70

44. Keith Murray for Mappin and Webb, an Art Deco silver plated sugar shaker, circa 1932, conical, stepped shoulder form, pierced to the cap with geometric motifs, incised concentric ring decoration, model W27685, 18cm high £40 - £70

45. An Art Deco silver caster, Edward Barnard, London 1936, cylindrical form on stepped conical foot, with pierced and stepped lid, 15cm high, 6.27ozt £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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46. Asprey and Co., The Thirst Extinguisher, a novelty silver plated cocktail shaker, circa 1932, conical hydrant form, with revolving eight recipe base, shield plaque and side handle, bayonet lid with nodules and cork seal, engraved with recipes for Tom Collins, Dry Martini, Clover Club, Between the Sheets, Old Fashioned, Whisky Sour, Side Car and Manhattan, stamped marks A&Co, 3212 S, Made in England with registration number, 38cm high £1000 - £1500 47. Keith Murray for Mappin and Webb, an Art Deco silver plated cocktail shaker, circa 1933, shouldered conical form with bands of concentric rings, angled and stepped handle, the pouring spout with cork sealed bayonet stopper and safety chain, slightly domed and stepped lid, stamped marks, model W27795, 22.5cm high £200 - £400 48. Sylvia Stave for C G Hallberg, a Scandinavian Art Deco silver plated cocktail shaker, Sweden circa 1930, shouldered ovoid form with concentric band, the screw fitting stepped lid with shallow domed top, cork lined and with bayonet strainer plate, stamped marks, 20.5cm high £60 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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49. A novelty chrome Rooster cocktail shaker, modelled after the Wallace Brothers design of 1928, in the form of a cockerel with screw tongue, 34cm high £200 - £300 50. Sudre, a French Art Deco macassar and enamelled metal cocktail stick set, in the form of a bar tender the stick finials modelled as various barware including shaker and glasses, around a central stylised figure, signed, 18.5cm high £200 - £300 51. A French Art Deco silver plated cocktail shaker, VF, Paris circa 1930, Boston style, the conical body with concentric fluted banding, ogee form beaker top, stamped marks, 24.5cm high £80 - £120

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52. Sudre, a French Art Deco macassar and enamelled metal cocktail stick set, in the form of a bar with sailor, the fork finials modelled as various barware including shaker and glasses, the bar applied with nautical rope, signed, 12.5cm high £200 - £300

54. Sudre, a French Art Deco Macassar and enamelled metal cocktail stick set, in the form of an ice hockey player, the skewers modelled as hockey sticks with celluloid finials, 10cm high £200 - £300

53. An Art Deco novelty cigarette dispenser, in the form of a barman and bar, modelled with cocktail shaker and glasses, gilt metal and tortoiseshell lacquer, 20cm high £200 - £250

55. Sudre, a French Art Deco macassar and enamelled metal cocktail stick set, modelled as Josephine Baker in Tropical costume, the fork finials in black and pink celluloid, 16.5cm high £200 - £300

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For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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56. An Art Deco silver plated and bakelite cocktail set, circa 1930, including shaker, tray and six goblets, the conical form beakers with orange disks, the shaker with handle, 31cm diameter (8) £350 - £450 57. Waring and Gillow, an Art Deco macassar and chrome tray, circa 1930, rectangular form, with canted chromed metal corners and handles, inlaid with ebony and metal banding, 47cm x 34cm £400 - £500

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58. An Art Deco black marble and chrome twin inkwell desk stand, circa 1935, the canted rectangular slab with two integrated cuboid wells, carved pen tray and blotter rest, with blotter, on disc feet, 37cm wide 22cm dee Note: formerly a gift to Philip Kerr, Marquis of Lothian, British Ambassador to the United States of America 1939-1940, thence by descent. £80 - £120

59. An Art Deco chrome, ebonised and etched glass ink stand, square section with geometric cuboid inkwell, and sectional trough pen tray, on splayed platform, 25.5cm square £150 - £250

60. An Art Deco Unigraph chrome and black enamelled desk calendar weather station, circa 1935, the cylindrical drum with Fahrenheit temperature gauge and barometer, flanked by octagonal columns, on a stepped base, 26cm long £60 - £100

61. Valentine for Parker, a No.4 fountain pen, circa 1935, bronze candy stripe with lever filler, 14 carat gold Parker nib £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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62. A pair of Art Deco chrome and frosted glass table lamps, the disc knopped cylindrical stems on square marble bases, supporting stepped and reeded domed shades in polished and frosted colourless glass, 42cm high (2) £100 - £200

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63. Frederick Thomas Cash, an Art Deco chrome and black lacquer bankers desk lamp, circa 1930, with patented articulated spring adjustable arm, dished circular base, with ditching bucket form shade, 41.5cm high £70 - £100

64. Christian Dell (attributed) for Kurt Zeisse, an Art Deco Molitor Spezial desk lamp, circa 1930, bakelite, chrome and enamelled metal, the black hemispherical shade suspended from an arched arm on fluted cylindrical column and circular base, 48cm high Note: Christian Dell designed for Molitor Zweeckleuchten, the industrial lighting brand of the Kurt Zeiss Elektroindustrie company around 1928-1930. Among the commercially produced Bauhaus influenced designs, using Bakelite and chrome, was the Spezial model shown here. His other designs were later produced by Kaiser Idell in the 1930s and continue to be manufactured under Fritz Hansen £100 - £200

65. Eileen Gray for Jumo, an Art Deco desk lamp, circa 1930s, the trough form shade supported by two tubular stems, on a curved wedge form base, 46cm high £350 - £450

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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66. Costebelle, a Penguin glass lamp, circa 1930, frosted and relief moulded with penguins, the backdrop modelled as ice, in metal stand, moulded mark 37cm wide, 31cm high £1500 - £2000

67. Hyppolyte Francois Moreau, an Art Deco figural table lamp, modelled as a dog reading a book, on black lacquer base, with scalloped shade, 31cm high £250 - £300 68. Max Le Verrier, a bronze Boubou car mascot, circa 1925, modelled as a monkey carrying a lantern, on granite base, signed in cast M LeVerrier, 17.5cm high £400 - £600

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69. Michel Zadounaisky, an Art Deco wrought iron table lamp, modelled as a leaping deer and stylised S form flower branch, with crimped sconce, 24cm high £600 - £800

70. An Art Deco chrome and frosted glass double light table lamp, open concentric frame, segmented circular form on ball and disc base, supporting spherical globe craquelure shades, 31cm high £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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71. Edgar Brandt (attributed) and Muller Frères, an Art Deco frosted glass and wrought iron table lamp, circa 1925, relief moulded pink domed mushroom conical shade with irregular nodules, on a tooled multi strap and coiled stand, moulded mark to shade Muller Fres Luneville, 46cm high £900 - £1100

72. Paul Kiss and Muller Frères, an Art Deco wrought iron and frosted glass table lamp, circa 1925, the angled base with open foliate and floral panel, on square foot, twin branch supports holding a rectangular fluted tent form shade, signed to the metal Paul Kiss, Paris, 26cm high £1000 - £1500

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73. Karl Hagenauer, Dancer, an Austrian Art Deco chrome figural table lamp, circa 1927, modelled as a nude figure holding a glass cylindrical shade, stamped marks, 53cm high £400 - £600 74. A pair of Art Deco silvered art metal bookends, circa 1930, modelled as sealions on marble bases, 11cm high (2) £250 - £350 75. Max Peinlich, a pair of cold painted art metal bookends, circa 1925, modelled in the Egyptian style as nude women with headdresses, 17cm high (2) £250 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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76. After René Lalique, Revelation Masque De Femme, a silvered gesso wall plaque, after the 1935 design, in black frame, 33cm square £500 - £600

77. Marcel Bouraine, a silvered gesso panel, designed circa 1925, modelled as a face peering through foliage, 68cm square, framed £500 - £700

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78. A pair of Art Deco chrome five sconce candelabra, each angled four section grate with starburst wedges, supported on four splayed branches from hexagonal conical feet, 37cm high (2) £350 - £400

79. Two Art Deco chrome and bevelled glass swing photograph frames, the double glass plates supported in a buttressed angular frame, 37cm x 27cm, overall 41cm high (2) £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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80. After A M Cassandre (French 1901-1968), SS Statendam, Holland America Line 1929, poster, designed 1928, on museum wove paper, 100cm x 70cm, framed £500 - £800

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81. Novita, a Belgian Art Deco plaster advertising bust for Jacques chocolate, modelled as a woman in pearls eating a bar of chocolate, 48cm high £350 - £450 82.

An Art Deco carved alabaster urn vase, inverse baluster form, 29cm high £50 - £80

83. Jean Vernon, Le Secret du Bonheur bronze plaque set jewellery box, circa 1930, relief moulded with an allegorical depiction of three women with dove and floral garland, the velvet lined box with blue cloth exterior, with key, 17.5cm x 13cm x 5.5cm £150 - £250 84. Maurice Model, an Art Deco glass timepiece, circa 1935, polished and frosted, modelled as two rams, flanking a central clock face, signed, 23cm high £900 - £1200

84 (detail)

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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85. Georges Lavroff, an Art Deco bronze and marble figural clock garniture, circa 1930, modelled with Diana reclining, flanked by a pair of lamps, 17cm high (3) £3400 - £3800

86. A French Art Deco silvered bronze figural clock, circa 1930, Duverclrey and Bloquel movement, modelled with sealion and ball on a rocky outcrop, on marble base, 23.5cm high £200 - £400

87. Leon Hatot, an Art Deco burr walnut and marquetry inlaid clock, circa 1925, cuboid form, the 5 inch silvered dial with Arabic numerals, within a satinwood band of stylised ebony inlaid flowers, ATO movement, on squat brass feet, 30cm high £120 - £180

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88. Josef Lorenzl, an Art Deco figural patinated bronze and mirrored table clock, circa 1930, modelled with a nude female dancer, the circular green glass with reverse cut lens markers, on a black painted wooden base, signed to the figure, 37.5cm high £700 - £1000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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89. Luce, Peacock Dancer, an Art Deco silvered and cold painted bronze figure, circa 1925, modelled dancing, on stepped onyx base, signed Luc, 39cm high £2500 - £3000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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90. Marcel Bouraine, Danseuse au Cerceau, an Art Deco bronze figure of a nude dancer, circa 1925, modelled with hoop, on marble pyramidal base, 44cm high £2000 - £2500

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91. Georges Van de Voorde, Printemps, an Art Deco bronze figure, circa 1925, modelled as a nude woman and floral plinth, on marble base, signed in cast, 26cm high £1000 - £1500 92. Louis Sosson, Skier, an Art Deco gilt bronze and ivory figure, circa 1925, modelled as a woman in ski outfit, on marble pyramidal base, 24cm high £1200 - £1800

93. Demetre Chiparus, a silvered and gilt patinated art metal figure group, circa 1930, modelled as a woman feeding goats, on marble base, 75cm long £700 - £900

94. Alberton Bazzoni, Speed, an Art Deco bronze figure group, circa 1930, modelled as a man and horse’s head, on marble base, signed in cast, 36cm high £2200 - £2500

95. Salvadoro, an Art Deco patinated art metal figure group, circa 1925, modelled as a woman with two dogs, on marble base, 56cm long £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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96. Karl Hagenauer, The Indian, an Austrian Art Deco silvered bust, circa 1930, modelled as the head of a Native American, stamped marks, 17cm high £800 - £1200

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For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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97. Josef Lorenzl, Diana with Hounds, an Art Deco silvered bronze figure group, circa 1925, modelled as a nude woman with bow, flanked by two dogs, on green onyx base, signed in cast Lorenzl, 48cm high £7500 - £8500

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98. Georges Van de Voorde, Vanite, an Art Deco bronze figure group, circa 1925, modelled as a nude woman feeding a peacock, on marble base, signed on plaque, 50cm long £1200 - £1500

99. Pierre Le Faguays, Le Pilote, an Art Deco bronze figure, circa 1925, modelled as a man with sledge hammer, on marble base, signed in cast, 46cm long £1400 - £1800

100. Demetre Chiparus, a patinated art metal figure group, circa 1930, modelled as a woman with stag, on marble base, 75cm long £700 - £900

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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101. Josef Lorenzl, Dancer, an Art Deco silvered bronze figure, circa 1925, modelled as a nude woman, on onyx column base, signed in the cast Lorenzl, 44cm high £1000 - £1500

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102. Jaume Sabartes Gual, a silvered and gilt patinated bronze figure, Diana, circa 1925, modelled kneeling with bow, on black marble base, signed in cast Gual, 25cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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103. Jacques Villeneuve, Woman and Goat, an Art Deco silvered bronze figure group, circa 1925, modelled as a seated nude with prancing goat, on granite base, 64cm long £800 - £1200

104. Affortunato Gory, Friends, an Art Deco patinated art metal and ivorine figure group, circa 1930, modelled as a kneeling woman feeding deer, 84cm long £300 - £400

105. Pierre Le Faguays, Alerte, an Art Deco bronze figure, circa 1925, modelled as a man with bow, on marble base, signed in cast, 41cm long £1800 - £2000

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106. Demetre Chiparus, Accident de Chasse, an Art Deco silvered bronze figure group, circa 1925, modelled as Diana with dog, on marble slab base, 43cm long £3500 - £4500

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107. Louis Sosson, Dutch Child, a patinated bronze and carved ivory figure, circa 1920, modelled with hands in pocket, wearing clogs, on alabaster slab base, signed L Sosson, 16.5cm high £200 - £400 108. Josef Lorenzl, an Art Deco gilt patinated bronze figure, circa 1925, modelled as a nude female dancer, with floral ear muffs, arched back and arms raised, signed to the figure, mounted on a turned base, 23.5cm high £600 - £800

108 107

109. Demetre Chiparus, a patinated art metal figure group, circa 1930, modelled as a woman with deer, on marble base, 60cm long £700 - £900

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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110. Demetre Chiparus, Julienne Lullier, an Art Deco bronze bust, circa 1925, modelled as the head of the artist’s wife, on black marble base, signed in cast, 38cm high £2200 - £2400

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111. Pierre Le Faguays, Hunter, an Art Deco bronze figure, circa 1925, modelled as a man with spear on rocky shard, 60cm long £2000 - £2500

112. Jacques Limousin, Lion Hunter, a large patinated art metal figure group, circa 1920, modelled as a man with spear attacking a lion, on marble base, 88cm long £2000 - £2500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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113. Ugo Cipriani, Le Lancer, an Art Deco patinated art metal figure group of Diana with dogs, circa 1925, modelled on onyx and marble base, signed Uriano, 71cm long £600 - £800

114. Germaine Oury Desruelles, Fille at Chevre, an Art Deco silvered bronze figure group, circa 1925, modelled as a nude woman with goat, on marble base, signed Germaine, 50cm long £1800 - £2200

115. Josef Lorenzl, an Art Deco silvered bronze wall mask, circa 1925, modelled in relief as a woman’s head, 21.5cm long £400 - £500

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116. Michel Decoux, Mes Amies, an Art Deco bronze figure group, circa 1925, modelled as a nude woman with panthers, on marble base, signed to base, 70cm long £3000 - £3500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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117. School of Paul Jouve (French 1878-1973), Panther in Landscape, oil on board, signed indistinctly, 85cm x 121cm, framed £550 - £650

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For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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118. Josef Lorenzl for Goldscheider, Aida, model 5281, designed circa 1923, modelled as a standing odalisque or attendant, geometric floral and feather painted costume with green and blue shawl, printed marks, incised 112 65, 47cm high £1000 - £1500

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119. Stephan Dakon for Goldscheider, Arabella, model 7776, designed circa 1937, modelled with arms spread holding floral painted red dress, printed marks incised 7, 41cm high £300 - £500

120. Stephan Dakon for Goldscheider, Dance Study, model 8126, designed circa 1937, modelled with arms spread holding floral painted green dress, impressed marks, incised 31 11, signed to plinth and underside and titled to plinth Tanzstudie, 40cm high Provenance: Christie’s London, 12th May 2000, lot 12 £300 - £500

121. Josef Lorenzl for Goldscheider, Dancer in Pose, model 6492, designed circa 1931, modelled as a woman in blue floral dress, printed and incised marks 99 11, sticker label and signed, 40.5cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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122. Stephan Dakon for Goldscheider, Dancer in Swinging Movement, model 7078, designed circa 1935, modelled in sinuous pink floral dress, impressed marks and signature, 163 2, 26cm high £600 - £800

123. Stephan Dakon for Goldscheider, Congress, model 6330, designed circa 1931, modelled as the actress Lilian Harvey, in blue floral dress, as Cristl from the 1931 film Congress Dances, impressed marks, incised 404 16, 33cm high £300 - £500

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124. Josef Lorenzl for Goldscheider, Standing Dancer in Butterfly Dress, model 5715, designed circa 1928, painted in red, blue and yellow, printed marks incised 349 8, signed to dress, 41.5cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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125. Stephan Dakon for Goldscheider, Blonde Dream, model 6930, designed circa 1934, modelled in floral patterned blue and grey skirt and top, impressed marks 71 11, 42cm high £400 - £600

126. Claire Weiss for Goldscheider, Unmasking, model 7691, designed circa 1936, modelled as a woman in blue floral dress and feathered hat, holding a mask, impressed marks, 28 4, 36cm high £700 - £900

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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127. Josef Lorenzl for Goldscheider, Captive Bird, model 5230, designed circa 1922, modelled as dancer Niddy Impekoven in winged costume, painted as a spider’s web with butterflies and insects, incised marks 1180, 12, 46.5cm high £2100 - £2500

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128. Wilhelm Thomasch for Goldscheider, Seated Pierette with Lute, model 5030, designed circa 1922, modelled as a the female clown on plinth, green costume, printed marks, signed and incised to pedestal 78 8, 34cm high £300 - £500

129. Josef Lorenzl for Goldscheider, Carmen, model 5232, designed circa 1923, modelled with head shawl and fan, blue floral dress, printed and incised numbers 133 14, signed to plinth, 35cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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130

131

130. Josef Lorenzl for Goldscheider, Carmen, model 5088, designed circa 1923, modelled with head shawl, fan and pink foliate dress, printed marks, incised 63 16, inscribed to plinth, 51cm high £400 - £600 131. Josef Lorenzl for Goldscheider, Seated Rococo Lady with Book and Parrot, model 5501, designed circa 1925, modelled in floral painted dress, foot on a cushion, impressed marks 27 8, signed Laurenzl, 37cm high £1000 - £1500 132. Josef Lorenzl for Goldscheider, Clotilde von Derp, model 5732, designed circa 1928, modelled as the German dancer in breeches, coat and ruff, yellow colourway, printed marks, impressed 3 7, 34cm high £400 - £600

132

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133. Josef Lorenzl for Goldscheider, Standing Dancer in Butterfly Dress, model 5715, designed circa 1928, painted in blue, green and purple , printed marks incised 43 11, signed to dress, 40cm high £800 - £1200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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134. Stephan Dakon for Goldscheider, Veil Dancer, model 5570, designed circa 1926, modelled as a woman in lightning bolt and floral jumpsuit dress and land scarf, purple ground, printed marks incised numbers 7 8, signed to plinth, 36cm high £1000 - £1500

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135. Stephan Dakon for Goldscheider, Bubi, model 6210, designed circa 1930, modelled as actress Louise Brooks, in red shorts, impressed marks, incised 394 11, 35cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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136. Stephan Dakon for Goldscheider, Cheek to Cheek, model 5712, designed circa 1927, probably depicting the Dolly Sisters in pink dresses with blue green arm wings and hats, printed marks and incised 208 16, 39.5cm high £1500 - £2000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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137. Paul Philippe for Goldscheider, Dancer in Peacock Costume, model 5405, designed circa 1924, modelled as a nude female with beaded costume and fanned skirt and cap, printed marks, 47cm high £1500 - £2000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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138. Goldscheider, Grock, Laughing Clown wall mask, model 6640, designed circa 1932, modelled as the Swiss clown Charles Adrien Wettach, printed and incised marks, 19.5cm long £200 - £400

139. Kurt Goebel for Goldscheider, Standing Mask, model 7616, designed circa 1936, modelled as the stylised head of a woman, with gold painted hair, on aventurine cuboid base, printed and incised marks 8, 37cm high £1800 - £2000

140. Aladin Luxe, an Art Deco ceramic figural pot and cover, circa 1930, modelled as a woman’s head, with floral hair, in the Robj style, marked A L Made in France, 20cm high £250 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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141. Robj (attributed) for Primavera, an Art Deco figure, Spanish Dancer, circa 1930, modelled in arched pose with fan, painted marks, 27cm high £900 - £1100

142. Constantin Holzer Defanti for Rosenthal, Korean Dancer, circa 1922, a ceramic figure, modelled with knee raised, polychrome decorated and highlighted in gilt, 41cm high £1100 - £1400

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143. Stephan Dakon for Katzhutte Hertwig, an Art Deco figure of a woman in pink dress and hat, model H41, designed circa 1935, printed marks, 43cm high £450 - £550

144. Stephan Dakon for Katzhutte Hertwig, an Art Deco figure of a woman in variegated pink dress and hat, designed circa 1935, printed marks, 50cm high £700 - £900

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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145. Stephan Dakon for Keramos, Wien, an Art Deco figure of a sailor boy, circa 1935, modelled in blue jacket and beret, printed marks and incised Dakon, 23cm high £250 - £350

146. Schaff for Royal Dux, an Art Deco figure of a Spanish lady, circa 1935, modelled in blue dress, highlighted in gilt, impressed marks 3095, 38cm high £400 - £500

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147. Abele Jacopi for Lenci, a figural vase, Ragazza Abyssinia, circa 1936, modelled as a semi nude woman resting on a large water urn, signed and painted marks, 45cm high £1200 - £1800

148. Royal Dux, Tango Dancers, an Art Deco figure group, circa 1930, modelled in red outfits and hat, highlighted in gilt, printed marks, 42cm high £250 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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149. Royal Dux, an Art Deco figure group, Rudolph Valentino and Vilma Bank, circa 1925, modelled as the dancers from Son of The Sheik, impressed marks 2993, 32cm high £300 - £500 150. Royal Dux, an Art Deco figure group, Tango, circa 1925, modelled as dancers in embrace, impressed marks 3164, 23.5cm high Note: thought to be Rudolph Valentino from the 1921 film Four Horsemen of the Apocalypse £400 - £500

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151. Demetre Chiparus for Etling, a ceramic pastille burner, circa 1925, modelled as a kneeling Japanese woman in kimono, holding a tray, painted marks Etling, France, 22cm high £900 - £1100

152. Alexandre Kelety for Aladin Luxe, an Art Deco ceramic figural night light, modelled as a robed woman with a peacock, moulded signature and painted marks, 25cm high £400 - £500

153. Demetre Chiparus for Etling, a ceramic pastille burner, circa 1925, modelled as a seated woman in shawl and dress, holding a bowl, painted marks SE GB Etling, France, 19cm high £900 - £1100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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154. Robj, Paris, an Art Deco decanter set with drinking cans, the flask model Whisky, in the form of a Scots Guardsman, highlighted in gilt, together with a mirrored and bakelite handled tray, printed marks, 28cm high £550 - £650

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155. Joe Descomps, Meditation, ceramic figure modelled as a nude woman with arm drapes, circa 1930, reclining on a platform base, 59cm long £1000 - £1200

156. Rene Vincent (French 1879-1936), Raquette Ram, lithograph poster, signed in the plate, 102cm x 72cm, framed £400 - £600

157. An Art Deco wall mask, circa 1930, matt green plaster, modelled as a woman’s face with shoulder, 27cm long £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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158. Charles Lemanceau, an Art Deco rabbit, circa 1929, modelled crouching, white glazed, 36cm long £250 - £350

159. Longwy, an Art Deco ceramic figure group of two fish, circa 1935, white craquelure glaze, printed mark FSG, 36cm high Note: examples of the same model are often stamped Longwy £200 - £300

160. Charles Catteau for Boch Frères, an Art Deco relief moulded vase, circa 1930, footed ovoid form, modelled with elephants, cream glazed, printed marks, 30cm high £300 - £500

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161. Leslie Harradine for Royal Doulton, Clotide, figure HN 1599, designed 1933, modelled with floral painted dress and cape, violet and magenta colouring, printed and painted marks, 19.5cm high £200 - £300 162. John Wadsworth for Minton, an Art Deco sgraffito lamp base, circa 1935, stepped cylindrical form, decorated with stylised graduated trailing leaves, below concentric bands in blue and white, printed mark, 15cm high £100 - £150

161

162

163. Edmund Kent for Pilkington, an Art Deco tubelined galleon tile, designed circa 1927, PT1302, decorated with a ship in full sail on stylised waves and clouds, 10.5cm square

164. Edmund Kent for Pilkington, an Art Deco tubelined galleon tile, designed circa 1937, PT1598, decorated with a ship in full sail on stylised waves and clouds, 10.5cm square

165. Edmund Kent for Pilkington, an Art Deco tubelined galleon tile, designed circa 1927, PT1302A, decorated with a ship in full sail on stylised waves and clouds, 10.5cm square

Note: see Corbett, A & B, 2013, Pilkington Tiles 1891-2010, p.112, for a catalogue page illustrating this design £40 - £70

166. Edmund Kent for Pilkington, an Art Deco galleon tile, designed 1930, PT1373, painted with a Viking ship in full sail, matte glazed, 10.5cm square Note: see Corbett, A & B, 2013, Pilkington Tiles 1891-2010, p.108, for the original dated design for this tile £40 - £70

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167. Keith Murray for Wedgwood, four matt green glazed beer mugs, circa 1934, incised concentric ring decoration to the base, printed facsimile signatures, 12cm high (4) £150 - £200

168. Keith Murray for Wedgwood, a matt green glazed vase, circa 1934, squat ovoid form with relief moulded concentric stepped shoulder, facsimile signature, 30cm diameter £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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169. A Paragon Art Deco tea set for two, circa 1933, including teapot, jug, bowl, cups and saucers, ovoid and hemispherical form with relief moulded banding and stepped teapot finial, sponged peach ground, highlighted in silver lustre, 24cm long (7) £50 - £80

170. Eric Slater for Shelley, an Art Deco Eve Block and Bands part tea set, circa 1931, pattern 12288, including conical hot water pot, sugar bowl and six tea plates, each with concentric grey and yellow bands, 19.5cm high (8) £80 - £120

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171. Clarice Cliff for Newport Pottery, a trial Lotus jug, circa 1931, painted with campanulas, apparently unrecorded design, in pink with green and yellow leaves, blue tendrils, printed Made in England mark, 25cm high £200 - £400 172. Clarice Cliff for Newport Pottery, an Aurea Delecia bowl, shape 662, wide brimmed cylindrical form, printed Made in England mark and moulded number, 25.5cm diameter £100 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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173. Carter, Stabler and Adams, a Poole Pottery PN pattern broad rimmed bowl, circa 1925, painted with bluebirds and stylised flowers, impressed and painted marks, 33cm diameter Provenance: Albert E Wade Collection; Sotheby’s 2002 £100 - £200 174. David Furese for Ashtead Pottery, an Art Deco twin handled vase, model V32, circa 1930, shouldered form with relief moulded antelope handles, converted to a lampbase with gilt metal fixing, 36cm high £100 - £150

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175. Erté, a large Sevenarts limited edition cameo glass vase, circa 1980, for the Erte Foundation, purple over colourless, frosted and polished, cylindrical form, modelled with a woman, number 143 of 300, acid marks, 49cm high £1200 - £1800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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176. Muller Frères, a large etched glass dish, incuse carved in relief to the reverse with geometric sunburst and floral motifs, concentric bands to the stepped foot, intaglio signed Muller, 49cm diameter £300 - £500

177. Muller Frères, a relief carved amber glass vase, circa 1930, conical footed bucket form, decorated with incuse frosted panels of stylised elephants between triangle and concentric line bands, incised mark Muller Fres Luneville, 17cm high £350 - £400

178. Charles Schneider, an Art Deco pate de verre glass vase, circa 1930, square section, shouldered and angled twin handled form, relief moulded with graduated overlapping trapezoid motifs over stylised clouds, frosted and polished, colourless to mottled pink purple, acid mark Schneider, 19cm high £300 - £500

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179. Monart, a Moncrieff art glass vase, RA VI, circa 1935, baluster form, mottled green with black and aventurine neck, remnants of sticker, 21.5cm high £300 - £400

180. William Wilson and Harry Powell for James Powell and Sons, Whitefriars, a Sapphire blue glass vase, circa 1934, optic moulded shouldered double ogee gourd form, after a Roman shape found at Mount Jerizim (Gerizim), with spiral trailing and controlled bubble decoration, polished pontil, 15cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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181. Barnaby Powell for James Powell and Sons, Whitefriars, two ribbon trail glass vases, sea green, designed circa 1932, one of barrel beaker form, the other flared trumpet form, 18cm and 14cm high (2) £50 - £80

182. Tom Hill for James Powell and Sons, Whitefriars, an amber glass bowl, model 9090, designed circa 1937, optic moulded five sided form with folded rim, 28.5cm diameter £40 - £70

183. James Hogan for James Powell and Sons, Whitefriars, a green and colourless glass goblet or vase, model M53, designed circa 1933, conical form on splayed conical sea green foot, 17cm high £30 - £50

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184. Ludwig Kny for Stuart, a part suite of Art Deco cut glass wine glasses, Oleta Villiers pattern circa 1930, the conical bowls cut with vertical stripes and mitres, below concentric rings, on lens cut stems and radial cut feet, including six claret glasses and three large claret glasses, etched marks, 15.5cm and 16.5cm high (9) £80 - £120

185. Ludwig Kny for Stuart, an Art Deco cut glass and chrome cocktail set, circa 1930, including shaker and four glasses, each with alternating bands of concentric frosted stripes, acid marks, 23cm and 8cm high (5) £80 - £120

186. Ludwig Kny for Stuart, an Art Deco cut glass decanter, circa 1930, shouldered form, decorated with vertical bands of stylised wheat motifs below concentric ring neck, and mushroom stopper, acid mark, 24cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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187

187. Emil Weidlich for Elme, a set of six Swedish glass lemonade glasses, circa 1930, Neptun design, cylindrical form, uranium green optic ribbed, each engraved with a different fish in aquatic ground, incised marks Neptun Elme, 14cm high (6) £100 - £200

188

188. Jacob E Bang for Holmegaard, an Art Deco glass Kluk Kluk decanter, designed 1928, smoky green with crown stopper, 26.5cm high £30 - £50

189. Edward Hald for Orrefors, a Fish Graal glass vase, designed 1936, spherical form, painted with an aquatic scene of fish and seaweed, cased in glass, incised marks and signed Edvard Hald, 11.5cm high £200 - £400

189

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190. Joma, an Art Deco enamelled glass vase, circa 1930, ovoid shouldered form, decorated with panelled bands of concentric floral and shard motifs, on a frosted ground, signed, 23cm high £250 - £300

191. Albert Mazoyer, an enamelled glass and wrought iron vase, circa 1925, the conical body decorated with ovals of stylised flowers, within foliate scroll and bud ground, mounted with scrolling horn handles, signed in enamel and stamped to metal rim, 29cm high £400 - £500

192. Louis Majorelle for Daum, an Art Deco glass and wrought iron vase, circa 1925, conical bucket form mottled opaque body in blue, green and orange on white, within a strapped cage, incised marks Daum Nancy, 23cm high £1400 - £1800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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193. P Maynadier, an Art Deco opalescent glass light shade, circa 1930, relief moulded dished and lobed form with stylised lily of the valley flowers and fluted rim, frosted, suspended from three chains, moulded mark, 38cm diameter £100 - £200

194. David Gueron for Degue, an Art Deco glass and silvered bronze pendant light fitting, in the form of a butterfly with frosted glass wings, signed Degue, 69cm high £600 - £800

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195

196

197 195. A French Art Deco bronze and glass four branch pendant light, modelled as two seated women holding floral baskets, the frosted glass shades surrounding a central dished shade, 79cm high £800 - £1200

196. An Art Deco wrought iron and moulded glass pendant light, the tooled multi strap column suspension with open ring supporting four frosted glass domed shades, relief moulded with floral design £200 - £400

197. Holophane, an Art Deco glass, copper and brass pendant ceiling light, model 4523, three concentric stepped tiers of fluted and frosted glass, within a circular lacquered cradle, suspended from three bracket straps, moulded marks, 33.5cm diameter, hangs 38cm £250 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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199 200

198. A pair of Art Deco milk glass and chrome wall lights, stepped fan design, white opaque, 18.5cm high (2) £80 - £120

199. An Art Deco style uplighter, large dished chrome shade with glass discs below, tapered cream painted support with a glass knop, circular base, 167cm high £50 - £80

200. Muller Frères, an Art Deco moulded glass and wrought iron pendant light, circa 1925, the central cuboid frame with pyramidal floral glass shades, to each side and the underneath, flanked by four bracket arms suspending relief moulded conical shades, signed Mulled Fres, Luneville, 67cm diameter £300 - £500

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203. An Art Deco walnut asymmetrical two bay chest, the cross panel veneered drawers with chrome handles, on stepped figured base with figured veneer sides, 93cm wide, 62cm high, 51cm deep £120 - £180

201. After Georges Lepape (French, 1887-1971), Lady of Fashion, The Rowley Gallery label verso, print in colours, framed, 58 by 45cm. Note: image used for the February 1919 edition of Vogue £150 - £200

204. A pair of Art Deco walnut, maple and leather upholstered tub armchairs, the studded bucket form seats with fiddleback veneer, on square tapered and cabriole legs (2) £120 - £180

202. An Art Deco chrome and glass cocktail trolley, tubular circular hoop design, united by black glass shelf, on wheels, 69cm diameter, 80cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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205. An Art Deco birchwood/sycamore pull out dining table and eight chairs, square section cabriole legs, upholstered backs above walnut veneered chevron grilles, the table with one extra leaf, 105cm wide, 77cm high (9) £200 - £400

206. A pair of figured walnut armchairs, stepped demilune panel sides in stained and blonde burr veneer, on ebonised feet, 76cm wide, 82cm high (2) £300 - £500

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207. A figured maple and walnut Art Deco style occasional table, the canted square top on four ebonised lyre legs, united on a circular base, 60cm square, 61cm high £200 - £400

208. An Art Deco figured and birdseye maple cocktail cabinet, breakfront form with mechanical fall front cupboard lined in satinwood and mirrored, above a baize lined drawer and fluted bowed double doors, flanked by cupboard doors, 147cm wide, 113.5cm high, 54cm deep £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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209. A nest of three figured walnut occasional tables, rectangular panel sides, 59cm wide, 45cm high, 38cm deep £80 - £120

210. Umberto Brunelleschi (Italian, 1879-1949), Cinderella (Pochoir), signed l.r., No.33 and blind stamp l.l., gouache/stencil, 31 by 42cm, framed £200 - £300

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TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms. CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for. 3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist. (e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TERMS OF CONSIGNMENT FOR SELLERS 1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £2.50 plus VAT per lot. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

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8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 23 per cent plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice. 8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

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Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations). Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. Credit cards – Visa or Mastercard (American Express or Diners Club not accepted). Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the cardholder is not present.

13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment.

14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office.

9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamsauctioneers.com ). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid. We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM