Kinghams Auctioneers by Jamm Design Ltd

FINE & DECORATIVE ARTS Friday 29th & Saturday 30th July 2022

FINE AND DECORATIVE ARTS To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ FRIDAY 29TH JULY & SATURDAY 30TH JULY 2022 Viewing Tuesday 26th July – 10.00am to 5.00pm Wednesday 27th July – 10.00am to 5.00pm Thursday 28th July – 9.00am to 4.00pm Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham

John Keightley

Allison White

Adrian Rathbone

Director

Associate Director Senior Valuer and Cataloguer

Auctioneer, Valuer and Photographer

Associate Director

Mark Oliver

Geoff Shepherd

Steven Bruce

Consultant Decorative Arts Specialist

Associate Director Office Manager

Consultant Valuer

James Brown Junior Cataloguer

Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue. Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection. Telephone: 01608 695695 Mobile: 07976 919836 Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

MAP AND DIRECTIONS Our auction site is based in the market town of Moreton-in-Marsh on the edge of the Cotswolds. By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction site

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles

Accomodation www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation. For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222

USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; in person, by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 23% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com. Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchases until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - following 5 working days clearance. • Debit/Credit Cards - American Express or Diners Club not accepted. We accept maxiumum payments of £500 on credit card. • Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kingham & Orme Auctioneers & Valuers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

CONTENTS Day One Silver

1 – 174

Jewellery and Watches

175 – 198

Militaria

199 – 210

Books and Prints

211 – 220

Paintings

221 – 341

Furniture and Clocks

342 – 367

Glass

368 – 415

Day Two Oriental Ceramics and Works of Art 416-477 Work of Art

478-501

Applied Arts and Metalware

502-570

Continental Ceramics

571-624

Art Pottery

625-664

British Ceramics

665-790

DAY ONE

SILVER

1 1. A pair of 18th century Paktong candlesticks, circa 1760s, knopped foliate baluster form, on ogee fluted square bases with cast shell corners, stamped marks EL and pseudo marks, 22.5cm high (2) £200 - £300

3 3. A Chinese export silver goblet, Tuck Chang, Shanghai circa 1900, the rounded beaker bowl of heavy gauge, cast and chased with two writhing dragons amongst clouds, flanking a flaming pearl cartouche, supported on a stem of three entwined bamboo stalks, rooting on the domed and stepped base, 17cm high, 8.16ozt £1,200 - £1,500 4. A Chinese silver ice bucket and tongs, Tuck Chang, Shanghai circa 1910, banded conical form, planished, with bamboo swing handle, claw pad tongs, with internal draining grate, 27.5cm high, 28.75ozt £700 - £1,000 5. A Chinese export silver three piece cruet, Tai Hua, circa 1900, lobed melon form mustard and salt cellar, embossed with panels of bamboo, prunus and other floral specimens, the pepper pot of lobed cylindrical form, 5cm high, 2.75ozt (3) £30 - £50

2 2. A pair of Chinese export silver candlesticks, Wang Hing, Canton circa 1900, hexagonal section domed bases with repousse embossed and chased tendrils emanating from bamboo stems, supporting chased bamboo leaf cylindrical sconces, 15.5cm high, 10.04ozt (2) £800 - £1,200 6 6. A pair of Chinese export silver sugar tongs, circa 1900, fiddle shape, cast and chased in relief with panels of dragons to each side, 14cm long, 1.56ozt £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

7. A small pair of Chinese export silver vases, Wang Hing, Canton circa 1890, globe and shaft form, embossed with populated garden scenes, below key bands and engraved floral necks, 9cm high, 4.13ozt (2) £200 - £300

11 11. A Japanese silver cigar box, cuboid form, textured finish, embossed with a central oval cartouche of peaches in leafy branches, removable lid, cedar lined interior, 19cm wide, 11cm deep, 3cm high £250 - £350

8 8. A Japanese silver vase, 20th century, baluster form, engraved with a mountain landscape scene of temple and pines, 18.5cm high, 12.20ozt £700 - £900 9. A Japanese silver vanity box, ovoid form, double cased, the lid embossed to the outer shell with a fan motif, internal removable dish and powder puff, 9.3cm diameter, 9.47ozt £350 - £400

12. A large Japanese silver vase, 20th century, import marks for London 1942, shouldered form, engraved in the round with a mountain landscape scene with temple and pines, signed, 27.5cm high, 25.27ozt £1,200 - £1,500

10. A Japanese silver vase, 20th century, shouldered form, embossed and engraved with an eagle in flight, signed, 21.5cm high, 11.22ozt £700 - £900

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

13. A Jewish silver spice tower, probably Israeli or Middle Eastern, modelled as a three tier turret, applied with turquoise cabochon set rosettes of filigree scrolls, square base, 9cm high, 2.73ozt £40 - £70 14. An Indian white metal filigree box, circular form with paisley drop and foliate scroll design, the lid denticulated, with butterfly finial, 6.8cm diameter, 3.17ozt £120 - £180 15. An Indian white metal repousse box, probably Kutch, spherical form, chased and engraved with figures and animals in floral and foliate landscape ground, 9.5cm diameter, 3.86ozt £120 - £180 16. An Indian Kutch silver box and cover, or tea caddy, 19th century, rounded bowl form, repousse embossed and chased with ogee arcaded lappets of foliate scrolls between acanthus borders, on four lions paw feet, the domed and reeded lid with bird finial, stamped Persian makers marks, 14cm high, 11.12ozt £100 - £200 17. An early 19th century tortoiseshell cased Dutch silver tea accoutrement set, 1816 to 1830, including twelve bright cut teaspoons, caddy spoon, turned fruitwood handled sugar shovel and spout fitting straining bucket, the cuboid box with mirrored interior lid, strung in ivory and set with mother of pearl, 18.5cm long, 12cm deep £100 - £200

19. A Dutch silver tea caddy, Diemont, Amsterdam 1805, oval barrel form, with ogee domed lid, bright cut banding and moulded beading, 13.5cm high, 9.22ozt £600 - £700

18. A Dutch miniature silver teapot, Amsterdam 1755, spherical form with ogee lid, foliate S scroll handle and swan spout, 5.5cm long, 1.01ozt £400 - £600

20. An 18th century Norwegian silver parcel gilt spoon, Hans Pettersen Blytt, Bergen circa 1730s, pierced trellis terminal with coiled rings, the bowl engraved with floral rosette and geometric border, 15cm long, 1.32ozt £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

25. A pair of Latvian silver sardine servers, Riga circa 1890, including a shovel and trident fork, on twisted arms with cast silver fish terminals, 17.5cm long, 1.76ozt (2) £60 - £80

26 26. A near pair of Ukrainian silver and parcel gilt beakers, Kiev circa 1890, flared form, engraved with foliate and architectural vignettes, 4.5cm high, 1.15ozt (2) £30 - £50

21 21. A 17th century German silver gilt goblet, probably Nuremberg circa 1620, the rounded cup with embossed ogee grape nodules, on a knopped inverse baluster stem, foliate engraved stepped foot, apparently unmarked, 14.5cm high, 4.97ozt £1,000 - £1,200 22. A set of four German silver fruit serving spoons, circa 1910, beaded and floral design with gilt bowls, in fitted box for Freiburg retailer, 19cm long, 6.81ozt (4) £50 - £80

27 27. An Imperial Russian silver mug, Aleksandr Fuld, Moscow 1880, conical form, engraved with geometric and foliate bands, gilt interior, 5cm high, 1.91ozt £30 - £50 28. An Imperial Russian silver salt cellar, 23rd Artel, St Petersburg circa 1908, and a drinking cup 1892, 7cm high, 1.74ozt (2) £40 - £70

23. A set of twelve German novelty silver nursery teaspoons, Bruckmann and Sohne, Heilbronn circa 1890, cast in relief with fairy tale scenes to each terminal, including Cinderella, Puss in Boots, Little Red Riding Hood, Hansel and Gretel etc., gilt bowls, 11cm long, 4.77ozt (12) £70 - £100 24. A set of German silver fish eaters, Koch and Bergfeld, Bremen circa 1900, beaded cartouches to the handles, Jugendstil type motifs to the blades, in a two tier fitted case, 22cm long, 39.90ozt (24) £200 - £400

29. A large Imperial Russian silver footed beaker, Moscow 1879, conical form, chased and engraved with wreathes, entwined ogee cartouche bands and floral bouquets, below a Cyrillic inscription and beaded rim, gilt interior, 23.5cm high, 15.39ozt £700 - £900

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

30 30. A large Soviet Russian silver, green hardstone and onyx casket, St Petersburg circa 1955, cuboid form, nephrite type slabs mounted and joined in silver with applied ropetwist filigree banding, hinged lid, 26.5cm long, 11cm high, 17.5cm wide £1,000 - £1,500

32. A pair of American reticulated silver match box cover, Whiting Manufacturing, New York circa 1897, sleeve form, pierced and embossed foliate scroll design, 9.5cm x 4,5cm x 2cm, 1.88ozt (2) £30 - £50

31. A Continental silver and enamelled box, circular, blue guilloche enamel body, the lid with a painted minstrel and eighteenth century courtly ladies, 5.5cm diameter, 2.45ozt £70 - £100

33. Daniel Sigal for Schroth, an American silver and enamelled box, Montville, NJ circa 2000, octagonal section, the lid set with a yachting scene plaque, 15.5cm diameter, 18.33ozt £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

37 34. A George IV Provincial silver sauce boat, James Barber, George Cattle II and William North, York 1824, squat helmet form, on four ball feet, reeded strap handle and rim, 14.5cm long, 4.43ozt £40 - £70

38. A George IV Irish silver twin handled bowl, James Le Bas, Dublin 1824, squat shouldered form with double strap acanthus C scroll handles, embossed with floral and Rococo foliate scroll decoration, on four lions paw and shell feet, 22cm wide, 13.32ozt £180 - £220

35. A George V Scottish silver five piece tea set, George Edward and Sons, Glasgow 1913, faceted shouldered baluster form, including kettle on stand, teapot, coffee pot, sugar and milk jug, each on four scroll feet, teapot 28cm long, 109.43ozt (5) £800 - £1,200 36. A set of three George III Irish silver spoons, John Shiels, Dublin 1793, bright cut Celtic Point pattern, 17cm long, 2.60ozt (3) £80 - £120 37. A pair of George II or George II Irish silver ladle spoons, Robert Calderwood, Dublin circa 1760, rounded shell back bowls on plain stems with cast and engraved Rococo foliate vine terminals, 18cm long, 4.88ozt (2) £200 - £300

39 39. A George III silver mounted coconut cup, James Phipps, London circa 1760, the polished nut with silver lining and feathered rim, on a knopped baluster stem with ogee domed and gadrooned foot, stamped marks IP, 16.5cm high £300 - £500 38

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

44 40. A George III silver nutmeg grater, William Ellerby, London 1812, of bowfront form with reeded loop hook and border, hinged cover, 10cm high, 2.45ozt all in £100 - £150 41. A Victorian silver snuff box, Owen and Boon, Birmingham 1855, ogee bordered rectangular form, chased with foliate scroll decoration, hinged lid with gilt interior, 7.5cm wide, 5cm deep, 3.27ozt £50 - £80 42. Two George III silver shell back tablespoons, William Fearn, London 1774 and William Skeen, London 1771, cast with scallop shell and scroll heels, 21cm long, 3.61ozt (2) £40 - £70 43. A George VI silver part canteen of cutlery and flatware, Elkington and Co., Birmingham 1938, Old English pattern, including six dinner forks, dessert forks, dessert spoons, associated Vander dinner and dessert knives, various tablespoons, flatware weight 48.32ozt £400 - £600 44. A pair of George III silver sauce tureens, George Smith and Thomas Hannah, London 1799, oval pedestal boat form with twin strap handle, ogee domed lids and urn finials, 23cm long, 28.16ozt (2) £500 - £800

49 47. George III and later silver flatware, various makers and dates, including sauce ladle, teaspoons, coffee spoons and butter knife, 7.13ozt (12) £50 - £80 48. A matched set of six George III and IV silver dessert spoons, George Piercy and Thomas Wallis and Jonathan Hayne London 1811 and 1824, Old English pattern, 17cm long, 5.85ozt £40 - £60 49. A Victorian silver hip flask, Dalman and Narborough, Birmingham 1880, plain cushioned rectangular form with screw cap, 8cm high, 3.33ozt £70 - £100 50. A George VI silver and enamelled compact, Joseph Gloster Ltd., Birmingham 1936, circular form with pale blue guilloche enamel scalloped roundel flanked by bisected wreath, 7cm diameter £40 - £70

53. An Edwardian novelty silver button hook, Crisford and Norris, Birmingham 1910, the handle modelled as a Teddy bear, 15.5cm long £30 - £50

51. An Elizabeth II silver and enamelled compact, Turner and Simpson, Birmingham 1958, circular form, cream guilloche enamel starburst within border, 7.5cm diameter £50 - £80

45. A George III silver sifter spoon, George Smith III, London 1774, Feather Edge Old English pattern with cross and foliate scroll pierced bowl, together with a table spoon, London 1773, 21cm long, 3.19ozt (2) £30 - £50 46. A George V silver capstan inkwell, William Neale, Birmingham 1924, splayed form with hinged lid and integrated liner, 14cm diameter £80 - £120

54 54. A George V silver and enamelled box, Aaron Lufkin Dennison, Birmingham 1927, circular form with blue guilloche enamel lid, hinged with mirror interior, 5cm diameter £40 - £70 52 52. An Elizabeth II silver and enamelled compact, Crisford and Norris, Birmingham 1958, circular, cream guilloche enamel and painted with blue cornflowers, 6.5cm diameter £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

55 55. An Edwardian Old Sheffield Plate ink stand, stepped casket form with lions mask and ring handles, barrel domed hinged lid with two inkwells within, above a dished tray and drawer, gadrooned banding, on pad feet, 27cm wide, 17cm high £60 - £80

60 60. An Edwardian silver reticulated caster, T H Hazelwood and Co., Birmingham 1904, footed, with heart form trellis design, domed and pieced lid, blue glass liner, 18cm high £100 - £150 61. An Edwardian part canteen of silver flatware, John Round, Sheffield 1902, Fiddle pattern, including five dinner forks, seven dessert forks and five dessert spoons, 28.85ozt (17) £250 - £350

56 56. A George VI silver coffee pot, Edward Viner, Sheffield 1939, canted baluster form with fruitwood handle, on four trefoil pad feet, 20cm high, 23.08ozt £250 - £350 57. Victorian and later silver flatware, various dates and makers, including scoop spoon, various preserve spoons, olive spoon etc., 22.5cm long, 6.85ozt £50 - £80 58. A set of six George IV/William IV silver teaspoons, William Bennett, London 1830, Fiddle pattern, 14.5cm long, 4.14ozt (6) £40 - £70 59. A Victorian silver soup ladle, George Adams, London circa 1850 (rubbed), Fiddle Thread and Shell pattern, 31cm long, 7.25ozt £70 - £100

62 62. A George V silver jug, John Hunt, London 1912, footed baluster form, with bracket spout and C S scroll handle, 19cm high, 22.53ozt £200 - £400 63. Sporting Interest, a late 19th Century Elkington electrotype Battle of The Amazons rosewater or sideboard dish, after Antoine Vechte (1799-1868), lozenge Elkington plaque No.795, tennis presentation plaque verso, ‘Burton on Trent Lawn Tennis Tournament, 1st Prize Handicap (closed) won by S.H. Evershed and 1st Prize Lady & Gentlemans Doubles (open) won by Miss A.C. Meakin & S.H. Evershed , June 7th 1884’, 68cm diameter £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

64 64. A George V silver and tortoiseshell pyramid inkwell, Henry Matthews, Birmingham 1922, square section, trapezoid panels and hinged lid, glass liner, 8cm square £200 - £300

67. A pair of Elizabeth II silver wine coasters, Baybrook and Britten, London 2003, plain drum form with fluted borders, 11cm diameter (2) £60 - £80

65. A George III silver chafing dish, John Schofield, London 1798, rectangular form with cushioned lid and gadrooned border, turned wooden handle, 41.24ozt £400 - £600

68 68. An Elizabeth II silver and parcel gilt wine label for Claret, EMS, London 1988, folded and pierced banner form with cast motifs for Eton College, within fruiting grape vines, suspended on chain, 7cm wide, 1.06ozt £120 - £150 69. A George V silver twin handled bowl, Walker and Hall, Sheffield 1927, banded octagonal section rounded form, C scroll ear handles, 29.5cm, 27.82ozt £200 - £400

66 66. A pair of George III silver chafing dishes and covers, Richard Cook, London 1805, each of circular drum form with gadrooned borders and twin swing handles, ogee domed lids with cast and entwined foliate branch handles, 23cm diameter, 103.34ozt (2) £1,500 - £1,800

70. An Edwardian silver and cut glass four piece cruet, Joseph Gloster Ltd., Birmingham 1909 and 1910, the wire stand containing four cylindrical hobnail cut jars, two with silver mounts, with original spoons, 10.5cm high £30 - £50 71. A 9 carat rose gold mounted and stoppered glass double oil and vinegar cruet bottle, H J Cooper and Co. Ltd, circa 1920, the teardrop gourd bottles stabilised with ovoid brackets, flared collars and concave trumpet cork stoppers, marked 9ct gold to each, 16cm high £120 - £180 72. An Edwardian silver six division toast rack, Heath and Middleton, London 1905, wire loaf topped bars on a rectangular frame, 11.5cm high, 6.70ozt £80 - £120 73. An Elizabeth II novelty silver letter opener, Walker and Hall, Birmingham 1985, in the form of a Samurai sword, realistically cast, 18.5cm long, 0.75ozt £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

74. A novelty silver pill box, the lid applied with a pair of cast flintlock pistols, realistically modelled and engraved in high relief, 4cm wide, 0.96ozt £80 - £120

76. An Edwardian novelty silver pepper pot, Birmingham 1903, modelled as a duck, standing, with removable head, 6cm long, 0.53ozt £100 - £150

75. A pair of George IV novelty silver figural salt cellars, Joseph Craddock and William Kerr Reid, London 1822, each cast and modelled in relief as a tortoise supporting a scalloped shell, ogee rimmed with feathered seaweed and shell scroll border, gilt interiors, 13cm long, 18.37ozt £2,500 - £3,000

77 77. A Victorian novelty silver pepper pot, Creswick and Co., Sheffield 1851, modelled as an owl, the removable head set with glass eyes, 9cm high, 2.07ozt £550 - £650

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

85, 86, 87 & 88 85. A Continental novelty silver pin cushion, pseudo Hanau marks, cast in the form of a sleigh, with crowned phoenix and winged putto, raised Rococo scroll decoration, 6.5cm long £50 - £80 78 78. A pair of Elizabeth II novelty silver salt and pepper pots, CME Jewellery Ltd., Birmingham circa 1990, modelled as dogs heads, each spaniel with realistically cast detailing, 4.5cm high, 1.46ozt (2) £80 - £120

86. An Elizabeth II novelty silver pin cushion, D (S) Ltd., Birmingham 1976, in the form of a flower basket, rectangular section, embossed Neoclassical swags and festoons, swing handle, 7.5cm high £60 - £80 87. An Edwardian novelty silver pin cushion, Saunders and Shepherd, Birmingham 1901, in the form of a woman’s shoe, embossed hobnail rosette decoration, original cushion, 6.7cm long £60 - £80 88. An early 20th century novelty white metal pin cushion, in the form of a flower basket, embossed basket weave and floral decoration, original purple velvet cushion, with swing handle, 4.5cm high £40 - £60

79 79. A pair of George V silver menu holders, G Brace and Co., London 1932, modelled as pheasants, cast in relief, 3cm high, 1.19zt (2) £200 - £300 80. An Elizabeth II novelty silver bookmark, Da-Mar Silverware, London 1978, modelled as Winston Churchill, full length in profile, engraved detailing, in fitted box, 11cm long, 0.48ozt £30 - £50

89, 90, 91 & 92 89. An Edwardian novelty silver pin cushion, Adie and Lovekin, Birmingham 1907, modelled as a hare, lying down, 6cm long £80 - £120 90. An Edwardian novelty silver pin cushion Haseler and Bill, Chester 1909, modelled with two swans, pedestal form, 7cm long £70 - £100 91. An Edwardian novelty silver pin cushion, Cohen and Charles, Birmingham 1905, modelled as a sparrow chick, embossed detailing, 5.5cm £60 - £80

81, 82, 83 & 84 81. An Edwardian silver novelty pin cushion, Sydney and Co., Birmingham 1910, in the form of a crown, embossed straps, over purple and ermine design velvet, 3.7cm high £60 - £100

92. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1906, modelled as a hedgehog, 7cm long £80 - £120

82. A miniature Edwardian novelty silver pin cushion, Horace Woodward and Co., Birmingham 1901, in the form of the Coronation throne, with red velvet cushion, 4cm high £50 - £80 83. An Edwardian novelty silver pin cushion, Levi and Salaman., Birmingham 1901, in the form of the Coronation throne, 7.2cm high £80 - £120 84. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1901, in the form of a chair, embossed Chippendale design on cabriole legs, 5.7cm high £40 - £70

93, 94, 95 & 96 93. An Edwardian novelty silver pin cushion, Henry Charles Freeman, Birmingham 1908, in the form of a beehive, the cuboid green velvet base with a rope spiral dome and applied bee, 4.3cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

94. A George V novelty silver pin cushion, A and J Zimmermann, Birmingham 1911, modelled as a cushion with piped edged and knotted corners, central velvet dome, 8.5cm diameter £80 - £120 95. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1907, modelled as a bell, with triangular suspension, 4.8cm high £70 - £100 96. A Polish Imperial novelty silver pin cushion, Warsaw circa 1890, in the form of a Welsh hat, bright cut engraved, red velvet, 5.5cm high £50 - £80

100

103

99. A Victorian novelty silver pin cushion, Mappin and Webb, Sheffield 1896, modelled as Princess Louise’s Cradle, circa 1850, cast and chased in the Italian style, 5.8cm long £80 - £120

103. A pair of Edwardian silver candlesticks, Walter Latham and Son, Sheffield 1906, 18th century style, multi knopped foliate baluster form, on square ogee and honeysuckle bases, removable sconces, weighted, 22.5cm high £150 - £250

97 97. A George V novelty silver pin cushion, Saunders and Shepherd, Chester 1911, in the form of a woman with fan, green velvet bell form skirt, the upper body embossed in relief, 7cm high £80 - £120

100. Three Edwardian and George V silver pin cushions, Saunders and Shepherd, Birmingham 1909 and Sydney and Co., Birmingham 1911, trefoil, lobed and oval forms, on cabriole legs, 6.5cm long (3) £40 - £60 101. A novelty white metal pin cushion, stamped mark for Mappin and Webb, modelled as a cat with a basket of laundry, stamped silver, 7cm long £40 - £70

104. An Edwardian silver teapot, Martin, Hall and Co., Sheffield 1901, banded round bowl form, ogee rim, on four shell pad feet, ebony handle, 25.5cm long, 20.05ozt £150 - £250 105. An Edwardian silver sugar bowl, Martin, Hall and Co., Sheffield 1901, banded hemispherical form with ogee denticulated rim, on four shell pad feet, 10.5cm diameter, 6.46ozt £40 - £70 106. A Victorian silver hot water jug, Hawksworth Eyre and Co., London 1899, footed beaker form, gadrooned below a Gothic incised border, wide covered lip, ebony handle and finial, 19.5cm high, 14.06ozt £150 - £250 107. Three George III silver tablespoons, Hester Bateman, London 1773 and 1776, Old English pattern, 22.5cm long, 6.32ozt (3) £120 - £180

98 98. An Edwardian novelty silver pin cushion, Carrington and Co., London 1904, cast in relief as a camel, sitting, with two saddle bags, on a wooden plinth base, 9.5cm long £100 - £200

102 102. An Edwardian novelty silver pin cushion, import marks William Moering, London 1901, in the form of a covered gondola, 9cm long £60 - £80

108. An Elizabeth II silver sauce boat, Adie Brothers, Birmingham 1961, helmet form, on three cast shell moulded feet, acanthus ear handle and beaded border, 15.5cm long, 4.24ozt £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

109. A George V silver and enamelled compact, Henry Clifford Davis, Birmingham 1936, circular, the lid painted with a mountain lakeside scene, within a green guilloche enamel ground, 7cm diameter £20 - £40 110. A George VI silver and enamelled compact, Joseph Gloster Ltd., Birmingham 1944, circular with a central pale green guilloche enamel roundel within dark green border, 7cm diameter £40 - £70

119 117. An Edwardian silver hot water jug, Hawksworth, Eyre and Co., Sheffield 1910, plain footed beaker form, ebony handle and finial, 19.5cm high, 13.13ozt £100 - £150 118. A George V silver gilt travelling shaving brush, Finnigans Ltd., London 1919, engine turned tubular form with hinged lid and screw fixing brush, 8.5cm long £20 - £40

111 111. A George V silver and enamelled box, Adie Brothers, Birmingham 1928, circular form, champagne enamel painted with pink and yellow roses, mirrored interior lid, 6cm diameter £50 - £80 115 112. A George VI silver and enamelled compact, Adie Brothers, Birmingham 1937, circular form with pale green guilloche enamel radiating bands within green border, 7.5cm diameter £40 - £70

115. A George VI silver and enamelled compact, Joseph Gloster Ltd., Birmingham 1937, cushioned square section, radiating diaper guilloche within a pale blue enamel border, 7.5cm square £40 - £70

119. Three George V silver dishes, Asprey and Co., Birmingham 1931, octagonal form with fluted rims, two with cut glass liners, 11cm diameter, 4.42ozt (3) £40 - £70

113. A George VI silver and enamelled compact, William Neale and Son, Birmingham 1939, octagonal section, radiating blue guilloche enamel with central star motif, 7.5cm diameter £40 - £70

116 116. A George VI silver and enamelled cigarette case, Adie Brothers, Birmingham 1950, cushioned rectangular form with radiating cream guilloche enamel to the central panel within a green border, 8cm x 7cm, 2.91ozt £40 - £70

114 114. A George V silver and enamelled compact, Crisford and Norris, Birmingham 1934, canted square section, blue guilloche enamel radiating wave design, 7.5cm square £40 - £70

120 120. An Edwardian silver postal scale, Levi and Salaman, Birmingham 1908, embossed with fleur de lys motifs, 7cm high £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

124 124. A Victorian silver and tortoiseshell desk paper clip, Goldsmiths and Silversmiths Company, London 1898, the pierced and cast Rococo scroll and feathered quatrefoil clip with fairy and birds in branches, on cushioned base, applied monogram and date, 12.5cm x 9.5cm £120 - £180

122 125

121. A Continental gilt miniature rocking chair, the seat back, seat and footrest with figure and landscape scenes in pink guilloche enamel, 8cm high and a white metal aide memoir dated 1923 (2) £40 - £60

125. An Edwardian silver chamberstick and snuffer, Grey and Co., London 1902, reticulated drum form with stepped foot and shovel wind guard, C S scroll strap handle and conical snuffer, 2 inch candle diameter, 10cm high, 2.28ozt £40 - £70

122. An Elizabeth II silver and parcel gilt Torah breastplate, D J Silver, London 1973, canted rectangular form, applied with cast decoration of lions, columns, crown, book and interchangeable plaques, suspended from three looped chains, 27.5cm x 24.5cm, 26.95ozt £1,000 - £1,200

123 123. A Victorian silver cigar case, Joseph Gloster, Birmingham 1900, four cigar shaped sections, chased foliate decoration and vacant cartouche, gilt interior, 13.5cm x 8.5cm, 4.92ozt £280 - £300

126 126. A George III silver gilt vinaigrette, John Thropp, Birmingham 1819, circular form, chased floral wreath design around a central rosette of radiating fronds, pierced foliate scroll grille, 3cm diameter, 0.50ozt £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

127. A George V silver three piece tea set, Adie Brothers, Birmingham 1932/33, banded and rounded footed for, with beaded borders, fruitwood handle and finial, 27.5cm long, 25.19ozt (3) £400 - £500

131

128

131. A George V silver and oak tazza, Charles Perry and Co., Birmingham 1925, in the Arts and Crafts style, splayed and stepped form and barley twit column supporting a plain dished bowl, 14.5cm high £60 - £80

128. A Queen Anne silver vinaigrette or patch dispenser box, probably John Holland, London circa 1711, circular drum form, the lid with rotating disc with pierced trefoil opening corresponding to a piercing in the lid of the same shape, fluted and ropetwist bands to the edges, 2.5cm diameter £300 - £400

132

129

132. A Victorian silver castle embossed card case, Nathaniel Mills, Birmingham 1851, rectangular with engine turned decoration between relief embossed images of Warwick and Kenilworth castles, 6.5cm x 9cm, 2.34ozt £500 - £800

129. A small George II silver footed cup, Thomas Parr II, London circa 1730, rounded bell bowl with everted rim, on a turned foot, 4.3cm high, 1.15ozt £400 - £500

133. An Edwardian silver and enamelled pill box, Birmingham 1906, circular, with cream guilloche enamel and painted dog rose decoration, 3.8cm diameter, 0.57ozt £30 - £50

130. A Victorian silver photograph frame, Charles Dumenil, London 1899, rectangular, embossed in relief with knotted foliate scrolls, Rococo cartouche, oak backed, with easel support, opening 20cm x 15cm, overall 32cm x 24.5cm £200 - £300

134. A George V silver and enamelled compact, Charles S Green, Birmingham 1929, circular with inset hinged lid, blue guilloche enamel, radiating zigzag motif, within chased and engine turned body, 5.8cm diameter £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

135 135. A George II silver lemon strainer, William Justis, London 1737, the rounded bowl with fluted rim, pierced concentric petal rosette design to the centre, twin foliate ogee lyre scroll handles, 15cm long, 2.06ozt £250 - £350

138 138. An American Aesthetic Movement silver jug and bowl, Gorham, RI 1880, ogee form, planished and embossed in the Aurora pattern with putti sailing in a storm, between floral bands, the handles of each with Japonesque foliate specimens, 12.5cm high, 7.65ozt (2) £300 - £400

136

139

136. A George III silver teapot and stand, Timothy Renou, London 1794, canted cuboid form, bright cut decorated with bands of Neoclassical lappets and foliate scrolls, festooned cartouches and carved wooden handle, the stand on four bracket feet, 27cm long, 19.76ozt (2) £700 - £900

139. Christopher Dresser (attributed) for Hukin and Heath, a silver plated double basket, circa 1880, part reeded hemispherical footed bowls united by an ebony dowel handle, stamped marks 2597, 20.5cm long £70 - £100

137

140

137. A pair of Victorian silver casters, Robert Garrard II, London 1856, cast baluster form, engraved with festoons above a relief moulded Rococo scroll and pilaster lappet base, the domed lids pierced with alternating foliate scroll and trellis panels, 17.5cm high, 15.68ozt (2) £500 - £600

140. Christopher Dresser for Hukin and Heath, a silver plated chamber stick, circa 1880, the hemispherical domed base supporting a cylindrical stem with crimped sconce, ebony dowel handle and beehive striker match holder, stamped marks and number 11635, 18.5cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

148. Clement Oswald Skilbeck, a PreRaphaelite white metal plaque, 1914, circular, embossed in relief with an image of St Michael holding sword and scales, in front of a banner, incised mark and date, 11.5cm diameter £400 - £500

141 141. Archibald Knox for Liberty and Co., a pair of Arts and Crafts silver sugar tongs, Birmingham 1906, spade pad ended arms united by a circular loop spring, 7cm long, 0.31ozt £80 - £120 142. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled Sarepta teaspoon, Birmingham 1904, cast in relief with a stylised bud and pointed foliate terminal in green blue enamel, pointed spade form bowl, model 332, 11cm long, 0.47ozt £100 - £150

146 146. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled box, Birmingham 1904, splayed with rounded lid, set with a central coiled bud motif in red and blue green enamel, 5.3cm diameter, 0.93ozt £300 - £400

149 149. A pair of Arts and Crafts silver candlesticks, W G Sothers Ltd., Birmingham 1923, square section splayed trumpet form, dished drip trays and angled baluster sconces, weighted, 26.5cm high (2) £200 - £300

143. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled Sarepta teaspoon, Birmingham 1902, cast in relief with a stylised bud and pointed foliate terminal in orange and green enamel, model 332, 11cm long, 0.34ozt £100 - £150

150. An Edwardian Arts & Crafts silver table cigarette casket, domed cover with oval vacant cartouche, hammered finish, maker’s mark rubbed, Birmingham 1906, 12cm wide £70 - £90

144. Liberty and Co., Cymric Silver, catalogue of designs, circa 1905, quarter bound in vellum, with cloth boards £350 - £450

147 147. Edward Spencer for the Artificers Guild (attributed), an Arts and Crafts silver and copper caddy, circa 1910, ovoid cauldron form on three conical legs, ogee domed lid with agate finial, the body applied with fluted fan segments, below ropetwist bands, 16cm high £150 - £250

151. An Arts and Crafts silver double cruet set, Joseph and Jenners, Birmingham 1905, bulbous elephants foot form embossed with tulips, including two pepper pots, salt cellars and a mustard pot, in fitted box £100 - £150

145 145. Archibald Knox for Liberty and Co., an Arts and Crafts silver and enamelled cigarette case, Birmingham 1929,planished rectangular form, engraved with a foliate lappet and tendril frame, around a central coiled bud roundel in blue green enamel, 8.5cm x 9.5cm, 5.01ozt £350 - £450

152

148

152. Guild of Handicrafts, a pair of Arts and Craft silver salad servers, London 1939, planished and notched handles with incised and cushion topped finials, 20.5cm long, 6.70ozt (2) £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

153

154

153. Bernard Instone, a set of four Arts and Crafts silver and enamelled coffee spoons, Birmingham 1928, circular concave bowls on plain wire stems with turquoise effect enamel terminals, 8cm long, 0.74ozt (4) £80 - £120

158. Walter von Nessen for Chase Brass and Copper Co., an Art Deco Viking cocktail jug, circa 1935, flared conical form with applied ribbed band, chrome and silver plate, 22.5cm high £40 - £70

154. A set of twelve Art Nouveau silver plated knife rests, Christofle, circa 1910, each of sinuous organic tendril design with splayed bracket ends, 10.5cm long (12) £100 - £200

159. Howard Reichenbach for Chase Copper and Brass Company, an Art Deco chrome Gaiety cocktail shaker and glasses, circa 1933, cylindrical form with black enamelled banding, six hemispherical footed cups, 29cm high (7) £150 - £250

155. Johan Rohde for Georg Jensen, a pair of sterling silver sugar tongs, pierced and stylised acorn handles, maker’s mark and import marks for London 1930, 10cm long, 0.69ozt £30 - £50 156. Nils Christensen, a set of six Danish Secessionist silver teaspoons, Copenhagen 1924, ogee dog nose form, planished and incised with beaded and feathered detailing, 12cm long, 1.81ozt £20 - £40 157. David Andersen, a Norwegian Skonvirke silver lidded tankard, Oslo 1906, cylindrical peg type form, on three spherical feet, engraved with Scandinavian Celtic knot and zoomorphic scroll design, gilt interior, 16cm high, 13.61ozt £400 - £500

158

159

160. An Art Deco silver plated cocktail shaker, conical form with central ribbed band, stepped shouldered lid, 23cm high £30 - £50 161. An Art Deco silver plated cocktail shaker, Harrods circa 1930, one pint capacity, conical form with high shouldered lid and plain cap, 20.5cm high £30 - £50 162. A French Art Deco silver plated cocktail shaker, VF, Paris circa 1930, Boston style, the conical body with concentric fluted banding, ogee form beaker top, stamped marks, 24.5cm high £80 - £120

160

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

162

166 166. A French Art Deco enamelled and rhinestone set silver plated photo frame, rectangular form, geometric panels of reticulated spiral and champleve enamel floral motifs in green and black, stamped mark and depose, easel support, opening 14cm x 10.5cm, overall 18cm x 14cm £320 - £350

163 163. An American Art Deco novelty silver cocktail shaker, Tuttle, Boston 1920s, modelled as a milk churn, made for Shreve Crump and Co., stamped marks, 2 pint, 125, 22cm high, 19.19ozt £1,200 - £1,800 164. Keith Murray for Mappin and Webb, an Art Deco silver plated comport, circa 1934, circular shallow dished form, engraved with a band of concentric rings and geometric batwing design, concentric ringed conical foot, W28609, Mappin Plate, 24cm diameter £50 - £80 167 167. Gio Ponti (attributed), an Italian Modernist silver plated bar tool set, PM Italy, circa 1950s, including bottle opener, ice tongs, fork and cocktail spoon, on a fitted tray, all with reeded detailing to the handles, tamped marks, 27.5cm long £100 - £150

165 165. An Art Deco style silver dish, S Blackensee and Sons, Birmingham 1937, shallow rounded form with inverted coiled strap handles, 23cm diameter, 16.74 £400 - £500 168 168. David Mellor for Walker and Hall, a set of Pride pattern knives and silver plated forks, designed 1953, including six forks and six ivorine handled knives, marked to each Walker and Hall Sheffield, 18cm and 18.5cm long (12) £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

169. A Spanish Modernist silver silent butler or serving dish and cover, Barcelona circa 1950s, heavy gauge circular pan form with hinged lid and angled thumb piece, tapered teak handle, 26cm long, 16.46ozt £180 - £220

170 170. An Irish Modernist silver caddy spoon, Thomas O’Connor and Sons, Dublin 1973, the handle in the form of a Celtic torque, 8cm long, 1.03ozt £50 - £80

172

171 171. Christopher Lawrence for Boodle and Dunthorne, a Modernist silver mug, London 1970, rounded barrel form with everted rim, angled hollow handle, 8.5cm high, 7.37ozt Note: mugs of the same design appear with the CJ Vander sponsor mark, for whom Christopher Lawrence worked and designed in the early 1970s £300 - £400

173

172. Gerald Benney, a Modernist silver and hardwood Wimbledon tennis centenary trophy, London 1977, the conical spire body with ball finial, half textured in bark effect, set with a roundel engraved with the emblem of the Wimbledon Tennis Championship, on a cylindrical Macassar wood stand, 30cm high, 11.66ozt £800 - £1,200 173. A Modernist silver novelty surprise egg, Peter Nicholas and Co., London 1988, textured engine turned wave design, opening to reveal a removable parcel gilt snowdrop model, 6cm high £100 - £150 174. Nicola Moss, a Modernist commemorative St Dunstan medallion, London 1988, circular form, cast in relied with scenes from the life of the saint, the reverse with a cross between four roundels of sun, moon, eagle and lamb, made for the 1000th anniversary of his death, 7.5cm diameter, 4.90ozt £80 - £120

174

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

JEWELLERY AND WATCHES 178. A late 19th Century hard paste porcelain brooch, painted with a tavern scene with Cavalier and boy with drum, in a gilt metal brooch mount, 4.5 by 3.5cm, in presentation box £70 - £90 179. An 18 carat gold and opal brooch, two opposing open coiled tendril wings with two oval cabochon opals and seed pearls, stamped BH 18K, 4cm long £30 - £50 184

180. A 14 carat rose and yellow gold ropetwist chain necklace and earrings, 45cm long, 12.8g (3) £120 - £180

184. An Arts and Crafts silver and mother of pearl pendant, in the style of John Paul Cooper, heart shaped open ropetwist frame with applied leaves and berries, around a central roundel, 6.5cm long, 10.6g £40 - £70

175

181. William IV, gold sovereign, 1833, second bust r., R. crowned shield, in secure plastic holder, graded by NGC XF 45 £600 - £800

175. Three yellow metal stick pins, including riding crop and horseshoe, enamel and split pearl floral motif and revivalist rosette, 7cm long, 5g (3) £30 - £50

182. Two gold rings, one 14 carat, one 9 carat, including Modernist bicolour ring and another, sizes Q1/2, 4g (2) £50 - £80

185. Carl Bucherer, an 18 carat gold woven box, circa 1970s, rectangular basket weave design, hinged lid, marked CB750, 3.5cm x 3cm, 23.9g £1,500 - £1,800

183

186

183. Jenkins and Jenkins, an American Art Nouveau silver brooch, Baltimore circa 1910, bar form, cast and chased in relief with floral and foliate design, 7.5cm long, 13.1g £30 - £50

186. Willy Winnaess for David Andersen, a Norwegian silver gilt and enamelled leaf brooch and pair of earrings, cream basse taille enamel, clip on earrings, of single leaf design, brooch 7cm long, 12.9g (3) £40 - £70

176 176. A 14 carat gold, pearl and sapphire brooch, the central stone within radiating leaves and open ropetwist loops, separated by blue stones, 4cm diameter, 6.6g £50 - £80

177 177. Murrle Bennett and Co., a gold, amethyst and split pearl brooch, the central facet cut stone within a cluster of half pearls, within a further open ring of seed pearls, 2.5cm long, 3.6g £50 - £80

185

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

187. Willy Winnaess for David Andersen, a Norwegian silver gilt and enamelled double leaf bracelet, cream basse taille enamel interlocking leaves, 18.5cm long £50 - £80

192 198

192. A pair of Modernist silver and gem set earring, Guild of Handicraft, London 1998, dollar signs set with facet cut blue stones, 6.5cm long £150 - £200 188 188. Willy Winnaess for David Andersen, a Norwegian silver gilt and enamelled leaf necklace, cream basse taille enamel leaved, linked and suspended form a chain, 42.5cm long, 17.6g £80 - £120

198. A George III silver cased hunter pocket watch, William Clark of Long Buckby, 1804, the white enamel dial with letter markers spelling Walter Cooke, front winder hole, signed to the movement, 5.5cm diameter £120 - £180

193. Three Maundy silver pennies, George III 1792, George IV 1826, Victoria 1871 £40 - £60 194. Monarchs of the Twentieth Century commemorative coin set, Victoria gold sovereign, 1852, Edward VII shilling 1906, George V Threepence 1921, George VI sixpence 1945, Elizabeth II Churchill crown 1965 £300 - £500

MILITARIA

189 189. Willy Winnaess for David Andersen, two Norwegian silver gilt and enamelled leaf brooches, red and blue basse taille enamel, single leaf design, 7cm long, 16.1g (2) £40 - £60

199 199. An English flintlock pocket pistol by Twigg of London, circa 1800’s, steel barrel, locks engraved, shaped wooden grip, 14cm long £350 - £450

195 195. Omega, a Swiss silver watch box, cuboid form, embossed with the Omega emblem, with hinged lid and cedar lined interior, stamped Tezler, 800, 15.5cm x 8.5cm x 3.5cm £300 - £400

200. World War One German steel Demag fighting knife bayonet, crank handle, housed in blackened steel scabbard with leather belt loop, blade marked Demag Duisburg within a circle, reverse DRGM, 28cm long £200 - £300

196. Waltham, a 10 carat gold pocket watch, signed American Waltham Watch Co., white enamelled dial, chased foliate scroll decoration to the case, 4cm diameter £50 - £80

190 190. Aksel Holmsen and Ivar Holth, two Norwegian silver gilt and enamelled Viking ship brooches, modelled as stylised boats in full sail, one in white and black enamel, the other in white and red, 4cm, 9.0g (2) £30 - £50 191. Alicia de la Paz Ortiz Cuevas, a Mexican Modernist silver necklace, bracelet and earring set, Taxco circa 1980s, of graduated half tubular batons, stamped marks 950, necklace 43cm long, 205.7g (3) £30 - £50

201. World War Two German Army (Wehrmacht) Officer’s dress dagger, housed in hammered scabbard with two hanging strap rings and silver portepee knot, eagle cross guard and orange celluloid grip, pommel with oak leaf decoration, blade marked WKC on ricasso, 39.5cm long £400 - £600

197. Rotary, a 9 carat gold ladies bracelet wristwatch, 15mm diameter, on link bracelet with safety chain, 13.4g £50 - £80

201

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

BOOKS AND PRINTS 210. The Memoirs of Field-Marshall Earl Alexander of Tunis, 1940-1945, 1962, edited by John North, signed by Alexander of Tunis to the frontispiece, Cassell, London, hardback cloth binding with dust jacket £40 - £60 211. Douglas Bennett, Irish Georgian Silver, 1972, Cassell & Co, the title page signed by the author, blue linen binding with dust jacket £150 - £200 212. Margaret Thatcher, Baroness Thatcher LG, OM, DStJ, PC, FRS, HonFRSC, Prime Minister of The United Kingdom 1979-1990 (British, 1925-2013), black and white photograph mounted on card with signature below, 15.5 by 12.5cm, framed £70 - £90 213. Guillaume Gustave Berggren (Swedish, 1835-1920) and others, sepia photographic views in Istanbul, Egypt, topographical, figures. (loose in an album). 202 202. Third Reich German SA dagger, housed in painted scabbard with nickel silver mounts, hilt and wood grip inset with eagle and swastika and enamel SA badge, etched double edged blade with inscription Alles fur Deutschland, marked Solinger axt und Hauer Fabrik, 37cm long £400 - £600 203. A World War One era set of binoculars, The Imperial Aitchison London, 8x NR28437 FOREIGN £30 - £50

Provenance: the vendor offers the Berggren photo depicting historic records showing the Suez Canal and showing ships in dry dock. Mosque Constant which is a port in Rumania, unveiling ceremony of the Ferdinand de Lisseps statue at Port said, Cimetieres Anglais Scutari, etc. Capt.R.J.Radcliff D.O.B. 1879, sailed with the Pacific Steam Navigation Company which was formed in 1838, operating to South America from Liverpool. It was sold to the Royal Mail Line in 1938. The Berggren photo’s also depict Suez Canal and also some ship in dry dock. £200 - £300 214. Cecil Aldin, illustrator, The Posthumous Papers of the Pickwick Club by Charles Dickens, vols I and II, 1910, Chapman & Hall and Lawrence & Jellicoe, London, gilt tooled linen spines and boards (2) £40 - £60 215. Lionel Edwards, My Hunting Sketchbook, vols I and II, 1928, illustrated, Eyre & Spottiswoode, London, full linen boards (2) £80 - £120

204 204. A World War One 15 carat gold and enamelled Royal Artillery sweetheart brooch, 5cm long £150 - £250 205. First World War casualty group, awarded to Sergeant Lowry Lees, British War Medal and Victory Medal and Memorial Plaque (5514 SJT L LEES 14 LOND R), cased £30 - £50 206. A Gulf War personalized helmet, circa 1988/89, GS MK6 Nato stock No 8415-99-132-6005, Serail Number 462273, Batch 6-1196 N.P. Coventry £30 - £50 207. A British Paratrooper helmet, 1976, CN 8415-99-9736749, W.S.M LTD £30 - £50 208. A Swastika pin badge, enamel swastika mounted on mother of pearl and silver pin, Arthur Johnson Smith, Chester 1911, accompanying note reads ‘1933 after a street fight from one of Sir Oswald Mosley’s Blackshirts, admitted to Mayday Hospital Croydon. The N**i Swastika as worn’ £30 - £50

216. Arthur Rackham, illustrator, Undine, by W.L. Courtney, 1909, William Heinemann, London, gilt tooled blue linen binding, with two other works by the same illustrator, Rip Van Winkle, 1931 and Peter Pan, Hodder & Stoughton (3) £80 - £120 217. George Sheringham, illustrator, The Duenna, A Comic Opera in Three Acts, by Richard Brinsley Sheridan, 1925 first edition, introduction by Nigel Playfair, Constable & Co, London, burgundy linen boards with gilt tooled title, rough cut endpapers £30 - £50 218. Vanity Fair, First, Second & Twelfth Series, with illustrations by Spy amongst others, with three volumes of Vanity Fair - A Weekly Show of Political, Social & Literary Wares, gilt tooled green cloth bindings (6) £80 - £120 219. Sporting Interest, ‘Sudbourne Mares, Pedigrees’, (Stud Book), 1900, The Liverpool Printing & Stationery Company, tooled full leather binding, marbled inner boards and endpapers, (unused/no entries) £100 - £150 220. Arthur Rackham, illustrator, Rip Van Winkle, by Washington Irving, 1905, tipped in illustrations, William Heinemann, London, gilt tooled green linen binding £50 - £80

209. Two editions of the Second World War German propaganda magazine Signal, English language editions, Second November 1942 and Second April 1943 (2) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

PAINTINGS

221 221. John Martin (British, 1789-1854), The Fall of Man, 1831/35, mezzotint (with etching), 18 by 29cm, framed. Provenance: with William Weston Gallery

£400 - £600

225 225. Robert Oskar Lenkiewicz (British, 1941-2002), Painter with Women/St Anthony Theme, signed l.r., colour print No.39/195, 58 by 58cm, framed. £1,000 - £1,500

Note: Artist Resale Rights apply

226. Ken Tsuji (Japanese, 1946), large shell in a landscape, signed l.r., monochrome etching No.22/95, 18 by 33cm, framed £100 - £150 227. Arthur Ralph Middleton Todd R.A. (British, 1891-1966), Siena, Tuscany, signed l.r., monochrome etching, 27 by 25cm, framed.

222 222. John Martin (British, 1789-1854), Adam Hearing the Voice of the Almighty, mezzotint in black ink, 20 by 28cm, framed. Provenance: with William Weston Gallery

£50 - £80

Note: Artist Resale Rights apply

£400 - £600

223. Sir Francis Seymour-Haden (British, 1818-1910), Newcastle in Emlyn, signed l.r., titled u.r, monochrome etching, 11.5 by 15cm, framed £50 - £80 224. Helene Tupke-Grande (German, 1871-1946), Sailboats, signed l.r., woodcut in colour, 20 by 24cm, another similar woodcut print of fishing boats by a different artist, indistinctly signed l.r., and Charles Samuel Keene (British, 1823-1891), fishing boats and a canal scene, 10 by 15cm each, all framed (3) £100 - £150

228 228. Bryan Wynter (British, 1915-1975), a Cornish harbour with fishing boats, signed with initials l.r., woodblock print, 10 by 14.5cm, framed. Provenance: from the artist’s wife to Wills Lane Gallery to the current vendor in the 1980’s. Note: Artist Resale Rights apply £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

229 229. Bryan Pearce (British, 1929-2006), a Cornish harbour scene with lighthouse, signed l.r., No.2/30, monochrome etching, 12 by 15cm, framed. £200 - £300

Note: Artist Resale Rights apply

233 233. Heaton, Butler & Bayne (British, late 19th Century), Faith, Hope and Charity, circa 1874, watercolour, 34 by 19cm, framed. Provenance: with Moss Galleries, London, cat No.47, Exhibition: Designs in Watercolour and Pencil for Stained Glass, 1850-1950, 25th November - 24th December, 1988 £400 - £600 234. Emma Walter (British, act.1855-1891), still life of a nest with eggs, flowers and a butterfly on a mossy bank, oval, signed and dated 1887 l.r., watercolour, 28 by 39cm, gilt frame £100 - £150

230 230. John Piper C.H. (British, 1903-1992), St Nicholas Church, Alcester, signed l.r., screen print in colour No.58/100, 50 by 65cm, framed. £400 - £600

Note: Artist Resale Rights apply

231. Attributed to George James Howard, 9th Earl of Carlisle, H.R.W.S. (British, 1843-1911), views of Venice, a pair, watercolour, 16 by 23cm, framed as one back to back £80 - £120

235 235. Helena J. Maguire (British, 1860-1909), Feeding Time, signed l.l., watercolour, 30 by 43cm, gilt frame £150 - £250 236. Emma Walter (British, act.1855-1891), still life of an arrangement of fruit and flowers, signed l.l., watercolour, 32 by 40cm, gilt frame £150 - £200

232 232. Charles Haselwood Shannon R.A. (British, 1863-1937), study for The Wise and Foolish Virgins in The Walker Art Gallery, Liverpool, signed with initials and dated 1919 l.l., titled l.r., pencil heightened with white chalk, 26 by 38cm, framed. Provenance: with Abbott & Holder

£400 - £600

237. William Ellis (British, 19th Century), portrait of a black and tan King Charles Spaniel on a tasselled cushion signed and dated 1868 l.r., pastel, 52 by 73cm, gilt frame £200 - £300 238. British School, 19th Century, a European street scene with a tower and figures, bears signature David Roberts l.r., pencil and watercolour heightened with white, 11.5 by 16cm, framed £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

246 244. British School, late 19th Century, studies for Shakespeare’s A Mid Summer Night’s Dream, three, watercolour and bodycolour, 22 by 7.5cm, framed (3) £80 - £120 245. Riccardo Magni (Florentine, 1886-1964), A La Princesse Rosemunde, signed with initial l.r., inscribed with title, Bruxelles Noel and dated 1938 verso, gouache, 13 by 8cm, gilt frame £80 - £120

239

246. Gianni (Italian, 20th Century), portraits of an elderly lady wearing a white spotted headscarf, two of a toothless man and a man smoking a pipe with a water urn upon his shoulder, four, all signed, watercolour, 40 by 30cm, framed (4) £200 - £300

239. Sir Walter Westley Russell R.A. (British, 1867-1949), The Beach, signed l.r., titled verso, gouache, 22 by 34cm, framed. Provenance: with Abbott & Holder, London. Exhibited Goupil Gallery, 1912 £100 - £150 240. French School, mid 19th Century, preparatory study for Daniel in the lion’s den, pencil on grid paper, 37 by 29cm, framed £30 - £50 241. Alfred W. Elmore R.A. (British, 1815-1881), portrait of a young lady, bust length, oval, signed with initials c.r. inscribed verso - ‘From Sketchbook of Alfred Elmore R.A.’, pencil, 10.5 by 7cm, framed £80 - £120 242. British School, circa 1770, portrait of a young lady, bust length in a blue dress holding an ewer, oval, pastel, 81 by 65cm, unframed £100 - £150

247 247. Paul Sandby (British, circa 1730-1809), figure with horse, donkey and dog in a landscape, watercolour and pencil, 39 by 54cm, framed. Provenance: Lot 79, Sotheby’s 18th & 19th Century British Drawings and Watercolours, 14th November 1991 £300 - £500 248. John Baptist Jackson of Battersea (British, 1701-c.1780), The Crucifixion, after Tintoretto, right sheet, watercolour heightened with white, 52 by 40cm, framed. Note: with ‘John Baptist Jackson, 18th Century Master of the Color Woodcut’, Jacob Kainen, Smithsonian Institution, 1962, illustrated on page 117 (2) £150 - £200 249. Joseph Andrews (British, 1874-1936), A ......... Hayfield Evening, signed and dated 1908 l.r., indistinctly titled verso, watercolour, 25 by 34cm, framed £50 - £80

243 243. Neapolitan School, 19th Century, Napoli Da Mare, (The Bay of Naples), gouache, 25 by 32cm, framed £100 - £150

250. Robert Turner (British, act.1825-1848), Harbour Street Scene, signed and inscribed ‘Exh R.A. 1839-44 below mount l.r., pencil and wash, 23 by 33cm, framed £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

260

251 251. Isabel Broughton (British, fl.1889-1910), Gathering Sticks, signed with monogram l.r., titled verso, watercolour, 48 by 72cm, gilt frame £200 - £300 252. Robert William Satchwell (British, late 18th/early 19th Century), portrait of Archbishop Abbott, from the original picture by Van Dyck, titled, signed, inscribed and dated 1816 verso, watercolour, 17.5 by 14cm, in the original gilt frame £300 - £400

261. George Price Boyce R.W.S. (British, 1826-1897), Abinger Mill Pond, Surrey, signed and dated 1866-7 l.l., inscribed verso, watercolour, 32 by 40c, gilt frame. £200 - £300

Provenance: with Peter Nahum

253. D’Esposito (act.c.1900), The Grand Harbour, Valletta, Malta in moonlight, signed and dated 1902 l.l., watercolour, 11.5 by 29.5cm, gilt frame £200 - £300 254. Francis Seymour Leslie (British, 1851-1925), View by Milton Creek near Portsmouth, titled, signed and dated 1904 l.l., watercolour, 20 by 30cm, framed. Provenance: with Michael Appleby of St. James’s

£100 - £150

255. Charles Henry C. Baldwyn, Royal Worcester artist (British, 1859-1943), Chickens in a Farmyard, signed l.l., watercolour, 22 by 28cm, framed £100 - £120 256. Charles Henry C. Baldwyn, Royal Worcester artist (British, 1859-1943), On the Scent, signed l.l., watercolour, 30 by 47cm, framed £100 - £150

262 262. Otto Klar (South African, 1908-1994), a rustic dwelling with outbuildings and a figure, signed l.r., pen and ink, 17 by 36cm, framed £80 - £120 263. Patrick Cullen (British, 20th/21st Century), Red Window, signed l.l., titled on label verso, watercolour, 70 by 47cm, framed. £70 - £90

Note: Artist Resale Rights apply

257. Charles Henry C. Baldwyn, Royal Worcester artist (British, 1859-1943), a river scene, signed l.r., watercolour, 30 by 45cm, framed £100 - £150 258. Charles Henry C. Baldwyn, Royal Worcester artist (British, 1859-1943), woodland scenes, a pair, both signed l.l., watercolour, 30 by 46cm, gilt frames (2) £200 - £300 259. Francis Seymour Leslie (British, 1851-1925), View on the Thames at Long Reach, (between Dartford and West Thurrock Marshes), signed, dated 1897 and titled l.r., watercolour, 14.5 by 27cm, framed. Provenance: with Michael Appleby of St. James’s

£100 - £150

260. George James Howard, 9th Earl of Carlisle, H.R.W.S. (British, 1843-1911), Friedberg, signed, dated 1909, titled and inscribed verso, watercolour, 26 by 36cm, gilt frame. Notes: George Howard was an English aristocrat, peer, politician and painter, the last Earl of Carlisle to own Castle Howard. Belonging to the ‘Etruscan School’ of painters, he was a friend and patron to a number of Pre-Raphaelite artists, particularly Edward Burne-Jones. William Morris was an intimate friend. £300 - £500

264 264. Joseph Floch (Austrian, 1894/5-1977), draughtsman on a patio terrace, signed l.r., pencil and pastel heightened with white, 27 by 34cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

268 265. Edward Wesson (British, 1910-1983), a church interior with pews and flower arrangements, signed and inscribed l.r., watercolour, 34 by 24cm, framed £80 - £120

266 266. Simon Pooley (British, 1955), a Cornish harbour scene with fishing boats, signed l.r., mixed media, 26 by 30cml framed. Note: Artist Resale Rights apply

£200 - £300

267. Richard Lannowe Hall (British, 1951), Running on Clouds, signed with monogram l.r, titled and dated 2005 verso, gouache, 40 by 40cm, framed £100 - £150 268. John Knapp-Fisher (British, 1931-2015), Penberry and Carnllidi, signed l.l., dated 1979 l.r., titled and inscribed verso, watercolour, 26 by 75cm, framed. Note: Artist Resale Rights apply

£1,000 - £1,500

269 269. Roberto Estopinan (Cuban/American, 1921-2015), torso of a woman, signed and inscribed l.r., pastel ,100 by 64cm, framed, with a copy of ‘Estopinan, Sculptures and Related Drawings’, Schweyer-Galdo Editions, Michigan, 1983 (2). Provenance: gifted by the artist and his wife to the current vendor in the late 1980’s £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

270

273

270. Louis William Wain (British, 1860-1939), Merry Motorists Painting Book, cover illustration for the 1910 publication by Raphael Tuck & Sons, signed l.r., gouache, 32 by 41cm, framed £1,000 - £1,500

273. John Hassall (British, 1868-1948), illustration for W.D & H.O. Wills showcard, 1907, Card Times, Capstan Navy Cut Tobacco & Cigarettes, signed l.r., gouache, 72 by 51cm, framed. Note: Artist Resale Rights apply

£300 - £500

274. Samuel John Lamorna Birch (British, 1869-1955), A Sketch in my Garden......., signed and dated 1947 l.r., indistinctly titled l.l., watercolour and pencil, 18 by 25cm, framed. Note: Artist Resale Rights apply

£80 - £120

275. John Lewis Chapman (British, 1946), River Ouse at York, signed l.l., titled on Unicorn Gallery label verso, gouache, 17 by 25cm, gilt frame. Note: Artist Resale Rights apply

£100 - £150

276. Henry Cotterill Deykin (British, 1905-1989), portrait of a lady, head only, charcoal and coloured chalk, 25 by 24cm, gilt frame £40 - £60 271 271. John Yardley R.I. (British, 1933), The Ice-cream Seller, Chipping Campden, signed l.l., titled verso, watercolour, 24 by 33cm, framed. £100 - £150

Note: Artist Resale Rights apply

277. Hubert Williams (British, 1905-1989), St Andrew, Undershaft, signed l.r., titled verso, pen and watercolour, 39 by 28cm, framed £40 - £60 278. Karl Hagedorn (German, 1889-1969), a winter city landscape, signed l.r., pen and watercolour, 43 by 26cm, framed £50 - £80 279. Clarence V. Mackenzie (British, 1889-1949), Brixham, signed and titled verso, watercolour, 34 by 25cm, framed £40 - £60 280. Katherine Mackenzie (British, 20th Century), At Saundersfoot, signed l.r., titled verso, watercolour, 25 by 34cm, framed £40 - £60

272 272. Martyn Richardson Mackrill (British, 1962), steam boats and sailing vessels off the coast of Dover, signed and dated 1984 l.l., watercolour, 17 by 54cm, framed. Note: Artist Resale Rights apply

281. Karl Hagedorn (German, 1889-1969), Boston, signed and dated 1935 l.r., titled verso, watercolour, 34 by 45cm, framed £100 - £150

£200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

282. Bryan Conway (British, 20th/21st Century), The Forge in Winter, signed l.r., watercolour, 37 by 54cm, framed £40 - £60 283. Frank Hider (British, 1861-1933), Gathering Shadows, signed l.r., titled verso, oil on canvas, 45 by 34cm, gilt frame £350 - £450 284. Frank R. Coleman (British, 19th Century), A Pretty Kitten, titled below, oil on re-lined canvas, 75 by 55cm, gilt frame £200 - £300 285. Heywood Hardy (British, 1842-1933), The 1st of November, signed l.r., titled on plaque below, oil on canvas, 45 by 60cm, gilt frame. Note: the setting is Knole House, Kent owned by The National Trust £5,000 - £6,000

283

285

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

286. Thomas Rose Miles (British, act.1869-1906), fishing boat in a heavy swell, signed l.l., oil on re-lined canvas, 60 by 90cm, gilt frame £800 - £1,200 287. William James Muller (British, 1812-1845), a mill house with figure fishing in the foreground, oil on canvas, 29 by 39cm, gilt frame £100 - £150 288. Benjamin Barker II of Bath (British, 1776-1838), a landscape with cattle watering and figures in the foreground, signed l.r., oil on re-lined canvas, 37 by 58cm, gilt frame £100 - £150 289. Mary Evelina Kindon (British, c.1855-c.1925), The Young Artist, signed l.l., oil on canvas, 34 by 24cm, gilt frame.

286

Note: Exhibited R.A, R.S.A., B.I, London Salon and Society of Women Artists, Glasgow Institute of Fine Arts, Walker Art Gallery, Manchester City Art Gallery and Royal Hibernian Academy £300 - £500 290. Ludovic Van Geluwe (Belgian, 19th Century), portrait of a young girl, bust length wearing a bonnet and holding a rabbit, oval, signed c.r., oil on re-lined canvas, 51 by 43cm, gilt frame £300 - £500 291. George Shalders R.I. (British, c.1826-1873), The Watering Place, signed and dated 1859 l.r., titled on plaque below, oil on board, 45 by 80cm, in the original serpentine gilt frame £300 - £500 292. Alfred Fowler Patten R.B.A. (British, 1829-1888), The Bashful Swain, signed and dated 1890 l.c., titled on plaque below, oil on canvas, 75 by 62cm, gilt frame £1,000 - £1,500 293. Alexandre Jean Couder (French, 1808-1879), Beautiful Bounty, signed l.l., oil on canvas, 54 by 44cm, gilt frame £400 - £500 294. Italian School, 19th Century, two standing winged cherubs holding scrolls, oval, oil on panel, 21 by 16cm, in a gilt Florentine frame £150 - £200 295. E.S. England (British, act.1890-1910), a farmyard scene with chickens and a rooster feeding from a tray, signed l.r., oil on canvas, 24 by 35cm, framed £150 - £250

292

295

296 296. After Sir David Wilkie R.A. The Jew’s Harp, oil on panel, old label verso reads Wilkie, 42 by 33cm, framed £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

297

298

297. Oliver Clare (British, 1853-1927), still life of strawberries, apples and other fruit on a mossy bank, signed l.r., oil on board, 20 by 24cm, gilt frame £150 - £200 298. Oliver Clare (British, 1853-1927), still life of an apple and strawberries on a leaf on a mossy bank, signed l.r., oil on board, 14 by 19cm, gilt frame £150 - £200 299. Follower of Sir Godfrey Kneller (1646-1723), Portrait of a Lady, oil on canvas, three quarter length in oval, 23 by 18cm, framed £100 - £200 300. Attributed to William A Breakspeare (1856-1914), In Council, oil on board, signed and titled, 18 by 30cm, framed £300 - £500

302 302. Oliver Clare (British, 1853-1927), still life of apples, grapes, raspberries and greengages on a mossy bank; still life of an apples and plums on a mossy bank, a pair, both signed l.r., oil on canvas board, 25 by 20cm, gilt frames (2) £400 - £600

301

303

301. James Wyon (British, 1804-1868), A Family Visit, signed and dated 1862 l.r., oil on re-lined canvas, 44 by 35cm, gilt frame.

303. 19th Century School, a study of two Saints in the manner of an early Italian fresco, tempera on panel, 50 by 50cm, in a carved gilt wood frame £600 - £800

Provenance: with Richard Hagen, Broadway

£300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

309 304. British School, 19th Century, a peasant boy in a cart hauled by dogs, oil on canvas, 50 by 60cm, gilt frame £200 - £300 305. Pio Rossi (Italian, 1886-1969), a wooded landscape, signed l.l., oil on canvas, 45 by 65cm, gilt frame £150 - £250

307 307. Owen Bowen (Staithes Group, British, 1873-1967), a shepherd with his dog and flock at a gate, signed and dated 1908 l.l., oil on canvas, 45 by 60cm, in the original gilt frame. Note: Artist Resale Rights apply

£400 - £600

306 306. Vincent Clare (British, 1855-1930), still life of apples, pears and grapes on a mossy bank, signed l.r., oil on canvas, 24 by 34cm, gilt frame £150 - £250

308. John Strevens (British, 1902-1990), L’Automne, signed and titled verso, oil on canvas, 43 by 34cm, gilt frame. Note: Artist Resale Rights apply

£150 - £200

309. Agnes Augusta Talboys R.W.A. (British, 1863-1940/1), Kittens Playing, signed l.r., and verso, oil on canvas, 52 by 70cm, in the original gilt frame £2,000 - £3,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

310 310. Gyula Boros (Hungarian, 1951), still life with a Nuremberg covered cup, candle, glass flute, nuts and fruit on a table, signed l.r., oil on panel, 50 by 59cm, gilt frame £200 - £300

314

311 311. Style of Sonia Delaunay, geometric composition in yellow, black and red, A. L’Ancien Broyeur Parsi label verso, oil on canvas, in a stepped frame £100 - £150

313 313. Vonn Stropp (1962), Policy (Exercise), signed, titled and dated 1992 verso, oil on board, 29 by 39cm, gilt frame £150 - £200

312 312. Grainger Smith (British, 18921961), a landscape with cottages and figures in the foreground, signed verso, oil on board, 30 by 40cm, framed £80 - £120

314. Hong Viet Dung (Vietnamese, 1962), Boats, signed and dated l.l., titled on Cicada gallery label verso, oil on canvas, 100 by 100cm, framed £2,000 - £3,000

316 316. Noel Betowski (British, 1952), Forsythia & Arch, signed and dated 1996 l.l., titled verso, oil on board, 17 by 19cm, framed. Provenance: The Ashbourne Gallery. Note: Artist Resale Rights apply £150 - £200

315. Norman Ruscoe (British, 20th Century), Hope Bowdler Hill from N. of Ticklerton, signed l.r., titled verso, oil on canvas board, 17 by 29cm, framed £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

324. Raymond Campbell (British, 1956), still life of a copper kettle, a blue and white plate, pewter mug, onion and fruit on a partially clothed table, signed l.r., oil on canvas, 44 by 60cm, gilt frame. Note: Artist Resale Rights apply £800 - £1,200 325. Brian Bradshaw (British, 19232016), standing female nude in an interior, signed and dated 1957 l.r., oil on panel, 49 by 61cm, framed. Note: Artist Resale Rights apply £800 - £1,200 326. Jacqueline Williams (British, 1962), Still Life with Singer Sargent, signed with initials l.r., oil on board, 80 by 55cm, framed. Note: Artist Resale Rights apply £500 - £800 324

327. No lot 328. David Wilde (British, 1913-1974), Dragon Night Begins, signed l.r., titled l.l., acrylic, 55 by 78cm, mounted.

321. Elizabeth Bridge (British, 19121996), Singapore Orchids, titled, signed and dated 1980 verso, oil on board, 39 by 28cm, framed £50 - £80

Note: Artist Resale Rights apply £100 - £150

322. John Lewis Chapman (British, 1946), a Cotswold village with figures, dog and horse, signed l.l., oil on canvas, 44 by 60cm, gilt frame.

329. David Wilde (British, 1913-1974), Fire in a Cornfield, signed l.r., titled l.l., artist notes verso, acrylic, 50 by 71cm, mounted.

Note: Artist Resale Rights apply £400 - £500

Note: Artist Resale Rights apply £150 - £200

323. A..Larsen (early 20th Century), Nymph, signed l.r., oil on board, 30 by 23cm, gilt frame £150 - £200

317 317. Roy Ray (British, 1936), composition with a circle and a cross, signed verso, mixed media, 12.5 by 12.5cm, framed. Provenance: The Stour Gallery £50 - £80 318. James Wright (British, 1935), Logging, signed l.r., oil on canvas, 50 by 75cm, gilt frame £80 - £120 319. Ricardo Cejudo Nogales (Spanish, 1952), Blue, signed l.r., titled, signed and dated 2003 verso, oil on canvas, 55 by 56cm, gilt frame £200 - £300 320. Kandwaldeep Kang (Nicks) (British, 1964-2007), Sapphic Summer II, signed l.l., signed, titled and dated 2006 verso, oil on board, 27 by 35cm, gilt frame £200 - £300

325

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

330 330. David Wilde (British, 1913-1974), At Aber Alice, Mickey and Mystery Cat Watch the Arrival of the Magician just before he Manifests Himself whilst The Alice Doppelganger Looks back at Us, signed l.r., titled l.l., artist notes verso, acrylic 51 by 77cm, framed. 335

£250 - £350

Note: Artist Resale Rights apply

331. David Wilde (British, 1913-1974), Stranger in a Strange Land, A Tribute to Robert A. Heinlein, signed l.r., titled l.l., artist notes verso, acrylic, 41 by 68cm, framed. £150 - £250

Note: Artist Resale Rights apply

332. David Wilde (British, 1913-1974), High Tide, Menai Straits, signed l.r., titled l.l., acrylic, 47 by 69cm, mounted. Note: Artist Resale Rights apply £150 - £200

335. David Wilde (British, 1913-1974), Moon Flower, signed l.r., titled l.l., artist notes verso, acrylic, 40 by 29cm, framed. £80 - £120

Note: Artist Resale Rights apply

336. David Wilde (British, 1913-1974), Aber Falls by Night, signed l.r., titled l.l., acrylic, 23 by 25cm, framed. £50 - £80

Note: Artist Resale Rights apply

333. David Wilde (British, 1913-1974), Around Falmouth, Autumn, signed l.r., titled l.l., acrylic, 49 by 74cm, mounted. £150 - £200

Note: Artist Resale Rights apply

337 337. David Wilde (British, 1913-1974), The Old Boat, Aber, signed l.r., titled l.l., acrylic, 18 by 30cm, framed. Note: Artist Resale Rights apply

£50 - £80

338. David Wilde (British, 1913-1974), The Somme 1916, signed l.r., titled l.l., acrylic, 22 by 47cm, framed. 334 334. David Wilde (British, 1913-1974), Bethesda Quarry Blasting Day, signed l.r., titled l.l., acrylic, 46 by 61cm, framed. Note: Artist Resale Rights apply £100 - £150

Note: Artist Resale Rights apply

£80 - £120

339. David Wilde (British, 1913-1974), Caernarvon Coast With Castle, signed l.r., titled l.l., acrylic, 46 by 68cm, mounted. Note: Artist Resale Rights apply

£150 - £200

340. David Wilde (British, 1913-1974), Autumn Rhapsody, signed l.r., titled l.l., acrylic, 52 by 74cm, mounted. Note: Artist Resale Rights apply £80 - £120 341. David Wilde (British, 1913-1974), Dragon Night Somewhere in Wales, signed l.r., titled l.l., artist notes verso, acrylic, 54 by 76cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

FURNITURE AND CLOCKS

342

346

342. A George III walnut/fruitwood drum table, circular star inlaid and sunburst veneered top, the frieze with four small drawers alternating between false drawers with turned ebonised handles, baluster turned support, sabre tripod base, 68cm high, 46cm diameter £150 - £250

346. A George III fruitwood standing dresser, circa 1770, moulded top with plate stand beading, triple frieze drawers with stamped oval brass handles and brass escutcheons, serpentine and ogee apron, tapered legs terminating in pad feet, 89cm high, 169cm wide, 46cm deep £1,000 - £1,500

343. A figured walnut bureau on stand of Queen Anne design, plain moulded cornice with a cushion frieze drawer over a fall-front opening to a fitted interior of drawers, pull-out pigeon holes around a central cupboard, the base with a single long drawers on substantial carved cabriole legs with paw feet, 165cm high, 112cm wide, 59cm deep £300 - £500

344 344. A pair of Regency simulated rosewood library bergere chairs, circa 1820, curved cane backs and seats with period buttoned green leather seat pads, roundels to the front rail, outswept rear legs, reeded tapered front legs, height to top rails 81cm (2), Provenance: Collection of the late Sir Frederick Ashton £400 - £600 345. A George III mahogany chest of drawers, circa 1770, crossbanded and strung throughout, moulded top, two short over three long drawers with brass loop handles, bracket feet, 100cm high, 90cm wide, 47cm deep £300 - £500

347 347. A 17th century and later wooden apothecary chest on stand, the upper section comprising acanthus carved cornice over a bank of thirty till spice drawers with metal ring handles, on a bobbin turned stand, stretchers, 155cm high, 88cm wide, 29cm deep, Provenance: purchased by vendor’s aunt in auction at Victor Side & Co, Woodstock £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

351 352

348. A carved wood overmantel mirror frame, possibly 18th Century, of Rococo design with scroll work carved in high relief and fretwork, 175cm by 146cm, (frame only) £300 - £500

353 353. A pair of gilt wood side chairs of Louis XVI design, late 19th or early 20th Century, carved ribbon top rails, oval upholstered backs with fluted supports, finals and drapery, similarly upholstered seats, fluted legs, 86cm high (2) £150 - £250 349 349. A pair of decorative occasional tables of Regency design, octagonal inset pietra dura tops of sea shell and scroll design, tapered supports, X bases with ebonised paw feet, 70cm high, 47cm wide £150 - £200 350. A pair of Chinese hardwood occasional side tables, 19th Century, rectangular crossbanded tops, stretchers with mortise and tenon joints, block legs, 50cm high, 40cm wide, 29cm deep (2) £200 - £300 351. A Chinese bamboo topped hardwood altar table, moulded top, fretwork scroll frieze, mortise and tenon joints, moulded block legs, 84cm high, 159cm wide, 33cm deep £500 - £800 352. A French work table of Louis XV design, late 19th Century, serpentine crossbanded and parquetry inlaid hinged cover opening to a blond wood veneered fitted interior with mirror, covered and open storage, gilt metal mounts, cabriole legs, sabots, 73cm high, 55cm wide, 38cm deep £200 - £300

354 354. A William IV mahogany framed library armchair, circa 1835, dark green leather button back and studded upholstery, overhanging arms, fluted tapered legs, metal castors, 95cm high, 72cm wide, 74cm deep £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

355. A George III mahogany linen press, circa 1800, plain moulded cornice, double panelled doors opening to a bank of slides, the base with two short over one long drawer, bracket feet, 200cm high, 123cm wide, 65cm deep £100 - £150 356. An Arts & Crafts oak metamorphic armchair, circa 1910, adjustable slatted backrest, sides and retractable seat to form a recliner, 95cm high £80 - £120

361

357 357. H M Baillie Scott (attributed), an Arts and Crafts walnut chair, the plank back splat inlaid with marquetry rose, between angled uprights with splayed tops, the over stuffed and sprung seat on tapered square section legs united by II stretchers £100 - £200 358. A George II red walnut drop leaf table, circa 1745, possibly Irish, the demi lune flaps supported on gate action legs, of cabriole form, carved with horse hoof feet, the single drawer with Rococo scale swan neck handle, 121cm wide, 72cm high, 148cm long £150 - £250

359 359. An Aesthetic Movement walnut buffet sideboard, circa 1880, the wide plank top on an open arcaded shelf with turned column supports, over two panel doors and conical ball pad feet, 137cm wide, 87cm high, 46cm deep £80 - £120 360. A Mid 20th century Modernist teak console side table, circa 1950s, three mullioned drawers with brass rod handles, on square section legs united by a canted H stretcher, 120cm wide, 75cm high, 49cm deep £40 - £60

362

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

361. Carl Malmsten (Swedish, 1888-1972), a Samsas armchair, circa 1960’s, black button back leather upholstery, tapered black stained legs, plaque to underside, height 82cm £80 - £120 362. A 19th Century Scottish longcase clock, plain moulded cornice, circular painted dial with Roman numerals and subsidiary seconds and date dials, the trunk door flanked by fluted pilasters with acanthus capitals, raised on bracket feet, 210cm high, (two weights, pendulum and winding key) £200 - £300 363. Alexander Bohme, Hamburg, a 19th Century mahogany bracket clock, of architectural form with pediment, marquetry and parquetry inlay throughout, arched silvered dial with Roman numerals and date aperture flanked by pilasters, front door opening to a concealed drawer below, side sound grilles, lozenge below signed ‘Discrimine Salus, bracket feet, the movement striking on a bell, 38cm high, (key and pendulum) £150 - £250 364. Barraud & Lunds, Cornhill, London, a late 19th Century Self Winding wall clock, 30cm white painted dial with Roman numerals, brass bezel, mahogany case, (later battery conversion, pendulum) £100 - £200 365. James Braham, Torquay, a 19th Century circular mahogany wall clock, 30cm painted dial with Roman numerals, single fusee movement, (pendulum) £100 - £150 366. J. Clowes, London, a William & Mary longcase clock, amboyna and walnut case, plain moulded cornice, blind fretwork scroll frieze, brass dial with cherubs holding orb spandrels, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, flanked by ebonised pilasters, the trunk door with pendulum window and ebonised border, 213cm high, (pendulum, weight, winder and door key) £400 - £600

367 367. A 19th Century French ormolu bracket clock, circa 1870, of Empire design, surmounted with a standing figure playing a string instrument, a lyre and frieze below of cherubs making music, 8cm silvered dial with Roman numerals signed Brocot, Paris, the movement striking on a bell, height 42cm, (key and pendulum) £500 - £600 366

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

GLASS 371. Theresienthal, a Bohemian enamelled armorial glass roemer, circa 1900, olive green, the tulip bowl decorated with gilt, blue and red enamel heraldic arms, possibly a German duelling club, on a knopped and prunted stem, 19cm high £30 - £50 372. A Bohemian etched and engraved glass goblet, facet cut and amber washed, decorated with a hunting scene of leaping deer and stag in thicket, 17.5cm high £40 - £70 373. A pair of Nailsea Verre Moire glass fairy lamps, combed opaque over ruby domed shades, 8cm diameter, 3.5cm opening, 7.5cm high £50 - £80 374. A Nailsea Verre Moire glass fairy lamp shade, combed opaque over ruby domed form, 8cm diameter, 3cm opening, 8cm high £40 - £70

368 368. A George III cut glass spirit decanter, circa 1770, canted square section with facet cut shoulder, engraved name for Whisky, button stopper, 22cm high £40 - £60

376 376. Baccarat, a 19th century gilt craquelure glass liqueur decanter or scent bottle, ring necked mallet form with rusticated crackle texture, the octagonal stopper with gilt decoration, 17.5cm high £40 - £60 377. A Jade green glass scent or liqueur bottle, probably Baccarat, circa 1860, shouldered form, gilt Greek key bands, ovoid stopper, 15cm high £70 - £100

369. A large opaque glass charger, late 19th Century, possibly Murano, painted with Fragonard’s La Mosca Cieca, signed Ghisetti, jewelled and gilt scroll border, diameter 47cm £200 - £300

378. Baccarat, a 19th century rock crystal glass perfume bottle, square section, cut and optic moulded lozenge diaper design with facet cut ball stopper, 16cm high £30 - £50

375

370 370. A Bohemian etched and engraved glass biscuit barrel, slice cut cylindrical form, decorated in the round with a lakeside scene with deer and stags, amber washed, 17cm high £50 - £80

375. A French Palais Royale glass and gilt mounted pedestal egg box and scent bottle, the jade green box with hinged lid opening to reveal a fitted opaque milk glass bottle with stopper, 12cm high £130 - £160

379 379. An enamelled satin glass scent bottle, probably Continental, circa 1890, painted with ribbon and floral vines, yellow metal hinged lid, 10cm high £140 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

380 380. Thomas Webb and Sons, a cameo glass bowl, circa 1885, squat ovoid form, white over blue dog rose design, white metal mounts, 10.5cm diameter £180 - £220 381. Jules Barbe for Thomas Webb, a pair of gilded satin glass vases, circa 1880, double gourd form, cased and variegated beige over opaque, decorated with raised gilt chrysanthemum and insect design, 22cm high (2) £350 - £450

386 384 384. Stevens and Williams, an etched glass Burgundy wine carafe, shouldered mallet bottle form, engraved with the name within a tendril vine cartouche of the floral emblems of the British Isles, acid mark, 28cm high £30 - £50

386. Richardson, a Stourbridge Arts and Crafts miniature glass ewer, circa 1880, globe and shaft claret jug form, ribbon trailed with blue thread and loop handle, polished pontil, 8cm high £30 - £50

382 382. Stevens and Williams, a Victorian glass claret jug, circa 1890, trumpet form, modelled with an applied snake handle facet cut with scales, above an etched chevron lappet base, 37cm high £200 - £300 383. Stevens and Williams, a Victorian triple cased controlled bubble glass match holder or spill vase, circa 1880, footed spherical form, cranberry and white opaque with colourless outer shell of graduated wrythen strands of air bubbles, 9cm diameter £30 - £50

387 385 385. Christopher Dresser for James Couper (attributed), a Clutha style chalcedony glass vase, dimpled triangular section bottle form, with folded rim, 20cm high £300 - £400

387. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass liqueur decanter, circa 1890, wrythen tapered form, with spherical ball and bobble stopper, 23.5cm high £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

388

393 388 388. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts wine glass, circa 1880, four dimpled wrythen tulip or poppy head form, on plain stem and foot, 12.4cm high Note: examples of this glass are in both the Museum of Modern Art, New York and the Metropolitan Museum of Art, New York £20 - £40

391 391. An Art Nouveau silver overlay glass scent bottle, probably American circa 1900, spherical form, concentric ring trellis interwoven with flowering vines, 17cm high £250 - £300

389. Harry Powell for James Powell and Sons. Whitefriars, a set of four Arts and Crafts glass salt cellars or sweetmeat dishes, circa 1880, ball knopped pedestal tazza form, the shallow crimped bowls on conical optic wrythen feet, 8.5cm diameter (4) £40 - £70

393. Kralik, a Secessionist iridescent threaded glass vase, squat ovoid form in cased opaque pearlescent lustre, applied with green web trailed band, 20cm diameter £30 - £50 394. Josef Rindskopf, a Secessionist iridescent glass vase, double ogee bulbous form, with crimped rim, combed opaque lappets over green lustre, 33.5cm high £120 - £180 395. Loetz for Boudon and Klahr, a Secessionist glass Cobalt Papillon iridescent glass and pewter mounted vase, the French Art Nouveau mount of twin handled knotted and whiplashed tendril form, encasing a conical baluster form vase, 26.5cm high £2,000 - £3,000

392 392. A Bohemian Secessionist enamelled glass vase, probably Haida circa 1900, spherical form, painted in the round with a stylised pastoral hilly landscape scene with figures and buildings, 16cm diameter £60 - £80

390 390. Harry Powell for James Powell and Sons, Whitefriars, a pair of Arts and Crafts glass leather bottle carafes, circa 1890, optic ribbed conical sac form with applied rigaree stitching, 21cm high (2) £80 - £120

396 396. Loetz, a Secessionist Cobalt Papillon iridescent glass jug, circa 1900, baluster form, with plain handle, blue oilspot lustre decoration, 18cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

399 399. Emil Hoppe for E Bakalowits & Sohne, Vienna, a Secessionist wine glass, 1906, from service no. 130, multi faceted ogee bowl with intaglio border to the rim, on serpentine knopped stem and splayed 14 sided foot, manufactured by Meyr’s Neff, 17.5cm high Note: Born in 1876 in Austria, Hoppe became an architect working under Otto Wagner, before establishing his own practice in 1909. During this time he designed textiles and postcards as well as a single wine service. The largest wine glass from an extensive service of drinking glasses, individual examples appear in museums and collections throughout the world including the British Museum, MAK Vienna and Neue Galerie New York. The chandelier manufacturer and crystal glass retailer E Bakalowits, located in Vienna, commissioned wine services and decorative glass designed by architects including Koloman Moser and Josef Hoffmann, supplying the Imperial court and Bohemian elite of Europe.

395

See: Neuwirth, W. 1985, Glas 1905-1925, vol. 1, p. 48, ill. 23 and 24; Studio, Yearbook of Decorative Art, 1907, S. 221 £100 - £200

397

398

397. Koloman Moser for Loetz (attributed), a Secessionist ruby crackle glass vase, circa 1900, high relief rusticated and crackled barrel form, in red, 15cm high £40 - £70

398. Koloman Moser for Loetz, a Secessionist glass Krokodil jug, circa 1903, barrel form with integrated hollow handle, colourless crackled ice of craquelure texture, polished pontil, 20cm high £50 - £80

400 400. Napoleone Martinuzzi (attributed), a large Italian Murano glass vase, circa 1930s, green, shouldered and footed form, with coiled rigaree handles, 40.5cm high £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

410

401 401. Napoleone Martinuzzi (attributed), an Italian Murano glass vase, circa 1925, green, double ogee form with applied multi loop twin handles to the lower section, 15.5cm high £80 - £120

406. Salvador Ysart for Monart, a Moncrieff glass 234 bowl, UB IV shape, flared form, pink and opaque draining to yellow with brown swirls, 30.5cm diameter £50 - £80

410. Irene Stevens for Webb Corbett, a set of four Modernist cut glass dishes, ogee bowls cut with geometric horizontal stripes between circular lenses, on stems and conical feet, acid marks, 9.5cm diameter (4) £30 - £50

402. Barnaby Powell for James Powell and Sons, Whitefriars, two ribbon tail glass vases, sea green, designed circa 1932, one of barrel beaker form, the other flared trumped form, 18cm and 14cm high (2) £40 - £70 407 407. Josef Inwald for Barolac, a pair of novelty blue opalescent glass salt and pepper pots, Czechoslovakian circa 1930s, modelled in relief as two fish, screw fitting nose caps, original foil label to one, 7.5cm long (2) £30 - £50

403

409. Len Green for Webb Corbett, a Modernist cut glass vase, circa 1960s, footed trumpet form, decorated with vertical bands of stylised mitre cut leaves, acid mark, 20cm high £30 - £50

411. A Thomas Webb limited edition glass vase, commemorating the Investiture of H.R.H. The Prince of Wales, 1969, No.32/50, 24cm high, bin presentation case with certificate £50 - £80

403. Ludwig Kny for Stuart and Sons, a pair of Art Deco Waterford pattern candlesticks, circa 1930s, the circular bases reverse mitre cut with geometric diamond design, cylindrical lens cut sconces, acid marks, 11cm diameter (2) £40 - £60 412 404. Ludwig Kny for Stuart, an Art Deco cut glass decanter, circa 1930, shouldered form, decorated with vertical bands of stylised wheat motifs below concentric ring neck, and mushroom stopper, acid mark, 24cm high £40 - £70 405. James Hogan for James Powell and Sons, Whitefriars, a green and colourless glass goblet or vase, model M53, designed circa 1933, conical form on splayed conical sea green foot, 17cm high £30 - £50

412. Sam Herman (attributed), an art glass bowl, irregular squat ogee gourd form, cased with streaky blue over marbled green and opaque included glass, apparently unsigned, 12cm diameter £30 - £50 408 408. An Art Deco enamelled glass cocktail shaker, shouldered form, painted with blue anchor and rope, within red banding, 22cm high £30 - £50

413. Eric Dobson and Michael Harris for Mdina, a studio glass Tiger vase, ovoid form, case, signed Mdina, 15cm high £20 - £40 414. Joseph Said after Eric Dobson for Mdina, a studio glass Tiger sculpture or large paperweight, 1991, hollow sphere form, signed and dated Mdina 91, 12cm diameter £30 - £50 415. Erik Hoglund for Kosta Boda, a Swedish Modernist glass slab Robot bowl or paperweight, H699, circa 1960s, amber coloured square form impressed with a relief moulded stick figure to the centre, 8cm square £40 - £70

406 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

DAY TWO

ORIENTAL CERAMICS AND WORKS OF ART 416. A Chinese bowl, gently flared rim, the exterior polychrome painted in raised enamels with a Greek key border containing a mythical bird and dragon chasing a flaming pearl, the interior painted with a gilt stylized script roundel surrounded by four bats in iron red, Qianlong seal mark in puce, 7cm high, 16.5cm diameter £100 - £150

420 420. A Japanese Kyoto Ware teapot, enamelled with chrysanthemums on a folded hexagonal section ovoid body with twisted handle, impressed marks, 15.5cm high £50 - £80 421. A Chinese pale grey crackle glaze baluster vase, unmarked, 13cm high £50 - £80

417 417. A pair of Chinese blue and white baluster vases, early 20th Century, flared openings, painted with suspended fish on a geometric scrollwork and strapwork ground, blue four character script marks, height 31cm (2) £100 - £150 418. A Japanese Banko ware teapot, cane loop handle, enamelled panels with an exotic bird and floral devices, impressed pagoda mark to base, 15cm high £40 - £60

422 422. A late 19th/early 20th Century Chinese baluster vase, extended neck, ovoid body, the whole decorated with iron red bats amongst clouds, lappet border, underglaze blue six character script Yongzheng mark within a double blue circle, 39cm high £800 - £1,200

419 419. A pair of 19th Century Chinese moonflasks, zoomorphic gilt twin handles, famille rose decorated with roundels of battle scenes and exotic birds on a floral yellow ground, lappet bases, height 25cm (2) £200 - £300

423. A 19th Century Chinese provincial blue and white baluster vase, two-dimensional beast handles, the body decorated with an acanthus leaf and lappet border containing a band of trailing foliage, 38cm high £400 - £600 424. A pair of Chinese ornamental models of shi shi beasts, each in coloured enamels, one with a ball, the other with a small beast in its claw, on raised plinths, 34cm high (2) £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

425. A 19th Century Chinese vase, cylindrical neck, gilt elephant trunk twin handles, the body painted with generational figures and gilt scrip, 34.5cm high (a/f) £100 - £150

442. A Chinese blanc de chine footed bowl, the frieze with moulded design of exotic birds in flight, gadroon border, 21cm diameter £300 - £400

426. A Chinese ornamental figure of Hotei, seated grinning, partially wearing a robe and clutching a bead necklace, 30cm high £200 - £300

443. A pair of 18th Century Chinese porcelain figurines, modelled as joyful and playful boys upon a stump with frog below, 15.5cm high (2) £200 - £300

427. A late 18th Century Chinese Export side plate, famille rose decoration with a central scene titled Batavia, gilt border, 22.5cm diameter £100 - £150 428. A pair of Chinese circular squat vases, electric blue mottled glazed, 9cm high (2) £200 - £300 429. A Chinese reticulated oval basket on matching stand, blue enamel decoration of scrollwork, white foliage and character marks in gilt, red printed pictorial mark, 32cm wide £150 - £250 430. A pair of Chinese blanc de chine Buddhas, 19th Century, the smiling figures seated in repose with open robes and holding a peal, mounted on gilt metal naturalistic oval plinths, 19cm high (2) £1,000 - £1,500 431. An oriental turquoise figure of a Geisha, modelled standing with a fan beside foliage, 15cm high, wooden plinth £200 - £300

444. A Chinese blue and white tea bowl and saucer, probably Qianlong, circa 1740, painted with watery landscape designs within geometric trellis panelled border, 11.5cm diameter £40 - £70 445. A Chinese blue and white Tek Sing cargo rabbit bowl, ogee form, painted with a central hare, within trellis and cartouche border, 16.5cm diameter Provenance: Nagel Auctions sticker

446. A pair of Chinese famille rose vases, square section double gourd form, the lower body painted with gilt dogs on incised foliate yellow grounds, below a collar of peony and roots, the upper section with green hatch band below prunus root shoulder, 15cm high (2) £200 - £400

432. A set of six 18th Century Chinese tea bowls and saucers, decorated with gilt cartouche panels containing polychrome foliage (12) £400 - £600 433. A Chinese provincial blue and white baluster vase, 19th Century, of rectangular section with angular handles, blue and iron red decoration of a mountainous river landscape, 33cm high £200 - £300 434. An 18th Century Chinese porcelain watch stand, of cartouche from with applied foliage, polychrome and gilt decoration, lobed base, 13.5cm high £200 - £300 435. A 19th Century Chinese baluster vase, famille rose decorated in enamels with scenes of exotic birds amongst flowering foliage and fruit, 45cm high £700 - £1,000 436. A 19th Century Chinese blue and white pagoda vase, of tiered and tapered square section, painted with a battle scene with figures on horseback, 50cm high £400 - £600 437. A 19th Century Chinese blanc de chine figure, modelled as a standing elder with a wooden staff, realistic hair and beard, on a raised naturalistic plinth, 32cm high, together with a smaller and later blanc de chine figure of a seated deity, 21cm high (2) £200 - £300

433

438. A pair of 19th Century Chinese cylinder sleeve vases, decorated in iron red, gilt and polychrome with figures at leisure in domestic interiors, blue four character script marks, 31cm high (2) £200 - £300 439. An early 19th Century Chinese porcelain figure of a reclining smiling Buddha, green, yellow and purples glazes, 20cm wide £200 - £300 440. A pair of Chinese coloured enamel porcelain candle holders, in the form of smiling bearded men in robes, their hats forming the bobeches, on raised plinths, 21cm high (2) £300 - £500 441. A Chinese monochrome baluster vase, sang de boeuf glaze, impressed Qianlong seal mark to base, 24cm high £200 - £300

£30 - £50

446

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

450

450 (reverse)

447. A pair of Chinese blanc de chine cockerels, 19th Century, modelled standing with one claw raised on a stump, 26cm high (2) £100 - £150 448. A Chinese polychrome bowl, Kangxi mark, ogee form, yellow ground, enamelled with flowers and scrolling foliage, turquoise interior and underside, four character seal mark, 17cm diameter £500 - £800 449. A monumental Chinese famille rose decorated baluster vase, mid 19th Century, turquoise interior, winged beast twin handles, the body with recessed cartouche panels of figures scenes on an extensive floral ground with wild animals, lappet base, 88cm high £2,000 - £3,000 450. A Chinese famille rose vase, Shende Tang Zhi mark in iron red, 慎徳堂製 (Hall of Prudent Virtue), Daoguang period (1821-1850), shouldered form with archaistic twin handles, relief moulded pendant and tassels to each, painted in the round with boys at play and in procession, between turquoise ground ruyi lappet bands, key borders, the neck with yellow ground foliate scroll and lotus flower enamelling, four character red mark on turquoise, 25.5cm high £800 - £1,200 451. Chinese School, early 20th Century, a woven picture of ducks amongst reeds, 66 by 57cm, gilt frame £60 - £100 452. A series of eleven 19th Century Chinese rice paper paintings, depicting figures in traditional costume, two junks and three interiors with domestic furniture, largest 20 by 15cm, in six gilt frames (6) £400 - £600

452

453. Chinese School, 19th Century, ornithology studies, two birds, a pair, one on a fruiting branch, the other perched on a blossom branch, one signed l.r., watercolour, 30 by 34cm, framed (2) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

454. A Chinese cinnabar lacquer snuff bottle, of shouldered form, carved in relief with figures and pagodas in a wooded mountainous landscape, jade stopper, archaic seal signature to base, 6cm high. Provenance: from the collection of Agatha Aronson

£70 - £90

455. A Chinese opaque glass snuff bottle, internally painted with a bird on a prunus blossom branch, signed, jade stopper, 8cm high. Provenance: from the collection of Agatha Aronson

£50 - £80

456. A Chinese clear glass snuff bottle, internally painted with a Geisha holding a fan in a landscape, signed, jade stopper, 7cm high. Provenance: from the collection of Agatha Aronson

£70 - £100

457. A Chinese clear glass snuff bottle, moulded beast mask shoulders, internally painted with Geishas around a table and in a landscape, signed, agate stopper,8cm high. Provenance: from the collection of Agatha Aronson

£100 - £150

458. A late 19th Century Canton treen table casket, carved throughout in high relief with figures and pagodas in wooded landscapes, 7.5cm high, 25cm wide, 10cm deep £100 - £150 459. An Islamic brass scribe’s inkwell, incorporating quill holder, 23cm long £80 - £120 460. A large Chinese gilt bronze figure of a deity, seated cross legged and wearing a headdress, mounted on a lotus leaf plinth raised on a domed octagonal plinth, 60cm high, in three sections £600 - £800

470. A Chinese soapstone carving, in the form of five robed figures mounted upon a rocky outcrop, 34cm high, 25cm wide £100 - £150 471. A Chinese red and black lacquer circular covered vessel, carved in high relief with two figures in a mountainous landscape, 15cm diameter £150 - £200 472. A Chinese moulded red translucent figure of a seated female deity, raised on a lotus leaf, gilt remnants, 21cm high £50 - £80 473. An Oriental carved hardwood and Malacca cane, circa 1889, the pommel in the form of a parrot’s head, set with glass eyes, 88cm long £80 - £120 474. A 19th century Polynesian Kris (Keris) knife, folded steel blade, with carved marine ivory Garuda handle, tooled bronze, in a hardwood scabbard, 44.5cm long £50 - £80 475. A Chinese reticulated hardwood vase or jar cover, pierced geometric symbol to the top, 6cm internal diameter, 7.5cm overall £20 - £40 476. A Japanese gilt metal and black lacquer table casket, early 20th Century, pagoda, reeds and bird decoration, 14.5cm wide £100 - £150 477. A late 19th Century Cantonese wooden table casket, carved throughout with figures and pagodas in wooded landscapes, 10cm high, 26cm wide, 11cm deep £150 - £200

461. A Japanese gilt antimony kodansu, Meiji period, 18681912, arched cover with swing handle, two short over one long drawer, raised birds amongst foliage decoration, 17cm high, 19cm wide, 12cm deep £200 - £300 462. A Chinese double gourd clear glass snuff bottle, internally painted with dragons amongst clouds chasing flaming pearls, signed, (reputedly one of the Wangs), jade stopper, 9cm high. Provenance: from the collection of Agatha Aronson

£100 - £150

463. A Japanese bronze study of a bird perched on a rock beside a flower, Meiji period, 1858-1912, openwork tendril plinth, 30cm wide, wooden plinth £200 - £300 464. A Chinese pale jade bi, the front carved with a bearded man seated beside a pagoda, the reverse with script, 5.5 by 3.5cm £70 - £90 465. A pair of Japanese cloisonne covered vases, Meiji period, 1868-1912, of hexagonal tapered form, decorated with panels of Geishas on a blue ground, 12.5cm high (2) £80 - £120 466. A 19th Century Cantonese enamel baluster vase, decorated with cartouche panels of fashionable ladies at leisure, scrolling floral ground, 22cm high £200 - £300 467. A pair of 19th Century Cantonese enamel Meiping vases, famille rose decoration of panels of figures at leisure, gilt detailing, 26cm high (2) £150 - £200

466

468. A Chinese bamboo brush pot, the exterior carved with script in relief, 14cm high £80 - £120 469. A Japanese cast iron tea pot, 19th Century, of lobed ovoid form, loop handle, cast two character mark to base, 18cm high £100 - £150

474

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

WORK OF ART

478 478. A large Ashford marble candlestick, circular turned black marble base inlaid with petra dura hardstone specimens of flowers, square section column and urn sconce with forget me not wreath, 27.5cm high £200 - £300

481 481. A George IV textile pictorial sampler, strawberry border framing a double-fronted gated house surrounded by plants, animals, insect and motto, worked in coloured silks on fine linen by Mary Ann Meachum, aged 9, 1824, 43 by 31cm, gilt frame £300 - £500 482. Textiles and samplers, a pair of George III oval embroidered pictures, one a memorial, 23 by 16cm, gilt frames, another of a woman with a lamb, a portrait of Clinton, a George III oval sampler map of the counties of England, dated 1786, an early stumpwork floral panel, 40 by 21cm and a small portrait of a lady (7) £80 - £120

479 479. An Austrian cold painted bronze figure of a bulldog, realistically modelled standing, apparently unmarked, 12.5cm long £70 - £100 480. Rundell, Bridge and Rundell, a George III mahogany campaign canteen chest, circa 1810, the hinged lid with velvet lining and label, opening to reveal a fitted interior of four removable trays, each with hand written labels, the flush brass top carrying handle inscribed for the Right Honourable Susan Countess of Guilford, 42cm wide, 26cm deep, 19.5cm high £40 - £70

483. An Italian fruitwood carte de visite stand, 19th Century, in the form of a standing cherub presenting an open shell, on a naturalistic base, turned circular plinth, height 55cm £200 - £300 484. Luci Chialli, a Neo-Pompeian bronze Grand Tour oil lamp or smoking companion, Italy circa 1850s, modelled as a sprouting tree stump, supported on a tripod base of three rams head and bent hoof legs united by acanthus leaves, surmounted by a stork eating a snake, from which hangs a double oil lamp urn with coiled and entwined serpents, tweezers and pipe cleaning tool, signed twice L.Chialli, 35cm high £200 - £300

485. Asprey and Son, a revivalist bronzed copper and gilt cigar casket, circa 1870, cuboid form, cast with Classical Triumphal friezes of a procession with figures, horses and chariot, the lid with central bust plaque, within foliate scroll and fan motif border, egg and dart, pellet and bead and zigzag bands, on four feet, the interior lined in cedar, incised marks for Asprey and Son, 166 Bond Street, 21.5cm wide, 11cm high, 19.5cm deep Note: with accompanying letter from Asprey and Co., dated 1970 £400 - £600 486. A George III mahogany tea caddy, circa 1800, crossbanded and barbers pole strung, marquetry inlay of a shell, inset and urns of foliage, fitted interior with triple lift-out lidded tea vessels, 13cm high, 24cm wide, 13cm deep £70 - £100 487. A 19th Century Halstaff & Hannaford boulle work stationery box, of bombe form with caddy top, opening to a fitted interior of blue watermark silk lined divisions, paper label to underside, 17cm high, 30cm wide, 18cm deep £200 - £300 488. An Austrian cold painted bronze model of a parrot on a suspended hoop perch, early 20th Century, realistic plumage and colouring, unmarked, 20cm high £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

APPLIED ARTS AND METALWARE 502. Arthur Simpson of Kendal, a pair of Arts and Crafts carved oak bookends, segment form, adzed and carved with knotted foliate tendril motifs, weighted and set with Moroccan leather bases, 16.5cm high (2) £200 - £300

489 489. A pair of 19th Century straw-work baskets, of scalloped form with birds on branches design, 10cm diameter (2) £80 - £120 490. A Black Forest desk barometer, 20th Century, carved as a strolling bear with cub on a naturalistic plinth, 32cm high, 28cm wide £150 - £250 491. James Pradier (French, 1790-1852), Saffo assisa, signed and with Susse foundry stamp, bronze, 23 by 27cm £500 - £600 492. Scientific Instruments, a Victorian white metal compound microscope by C.W. Dixey, Optician to The Queen, New Bond St, London, with additional lenses, other accessories and three bone mounted slides, housed in a fitted mahogany case with chamfered corners and mounting hole, width 16cm £80 - £120 493. An 18th Century treen straw splitter, of balloon shape with inset brass cutters, stamped J. Austin, on a faceted plinth, 10cm high £80 - £120 494. An Edwardian mahogany book rest, circa 1905, pokerwork floral decoration to the ends, 28cm wide £30 - £50

503 503. Christopher Dresser for Richard Perry Son and Co., a pair of Aesthetic Movement brass chambersticks, circa 1885, dished teardrop form with inverted tail, conical snuffers, stamped marks, 15cm high (2) £120 - £180 504. An Arts and Crafts copper and brass plate warmer, circa 1900, two tiers with a pair of burners, on outswept brass legs with insulators to the feet, 12.5cm high, 52cm wide, 21cm deep £70 - £90 504A. W.A.S Benson, an Arts and Crafts copper and brass table oil lamp, circa 1890, wavy rim vaseline glass shade, glass chimney, conical bracket for the oil vessel, fluted column, brass knop, stepped and domed weighted base, stamped W.A.S Benson to the filler cover, 55cm high excluding shade £150 - £250

495. An embossed and gilt tooled black leather triptych desk blotter, circa 1930, with associated paper inserts, 30 by 47cm £50 - £80 496. Alfreda E. Beresford (British, late 19th/early 20th Century), Lands End, signed l.r., titled verso, miniature on ivory, 7.5 by 11cm, gilt metal frame £50 - £80 497. J..C.. (British, late 19th/early 20th Century), a series of ten alabaster tablets, of various sizes, each carved with figural and animal scenes in relief, signed with monogram and some dated 1901, largest 10.5 by 18cm (10) £100 - £150 498. A pair of Victorian gilt metal bookmarks, the finials each in the form of a hand clutching a striped agate ball, 9cm long (2) £50 - £80

505 505. Yougham Art Metal Workshop, an Irish Arts and Crafts copper chamberstick, circular tray form repousse decorated with rosehips or stylised thistles, impressed marks, 15.5cm diameter £40 - £70

499. A mid 19th Century rosewood table top music easel, circa 1860, fretwork lyre design, hinged to fold flat, 38 by 22cm £80 - £120 500. A Regency mahogany library book rest, circa 1820, scrollwork fretwork gallery on three sides with a central vacant cartouche, bun feet, 38 by 22cm £70 - £90 501. A framed decorative display of ten ‘Grand Tour’ plaster cameos, mounted on a marbled paper ground, 19 by 14cm £50 - £80

506 506. Keswick School of Industrial Arts, an Arts and Crafts copper inkwell, the splayed square section well with hinged and domed lid, on an integrated circular tray with upturned edges, stamped mark, 14cm diameter £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

511. An Arts and Crafts copper and enamelled dish, broad rim, repousse decorated with a central coiled fish, within a border of stylised trees between blue green enamel roundels, seaweed band to the edge, 22.5cm diameter £200 - £300 511A. A E Jones, an Arts and Crafts copper and enamelled casket, circa 1905, cuboid form with slightly domed lid, set with a circular cabochon plaque in blue green enamel, within silver band, riveted strap corner bracket feet, cedar lined interior, 5cm high, 12cm wide, 10.5cm deep £150 - £180

507 507. Margaret Gilmour (attributed), a Glasgow School Arts and Crafts brass tray, oval form, repousse decorated with geometric stylised grape and vine design, 71.5cm long £100 - £200 508. Keswick School of Industrial Arts, a large Arts and Crafts copper vase, bulbous baluster form, planished, stamped marks, 30.5cm high £150 - £200

512. Jesson, Birkett and Co., an Arts and Crafts copper chamberstick, circa 1904, planished rounded bowl form, strapped and riveted throughout, with sunken sconce within, the wide strap fluted handle riveted to the body, 22cm long £150 - £250 513. Jesson, Birkett and Co., an Arts and Crafts silvered copper chamberstick, circa 1904, planished rounded bowl form with sunken sconce within, the wide strap fluted handle riveted to the body, stamped marks, 22cm long £150 - £250 514. A large Glasgow School, Arts and Crafts brass charger, repousse decorated with the head of a maiden within a border of planished hearts, 60cm diameter £150 - £250

509 509. John Paul Cooper (attributed), an Arts and Crafts copper and enamelled box, cuboid form with plain panel sides, ropetwist strung borders and strap hinges and corners, the lid set with a cloisonne enamel roundel of stylised flowers in blue, green and red, within coiled wire applied cartouche, 15.5cm wide, 8.5cm high, 9.5cm deep £300 - £400

510 510. A large Arts and Crafts copper wall charger, in the style of John Pearson or W H Mawson for Keswick, embossed with a galleon to the centre within tulip and poppy flower border, apparently unmarked,57.5cm diameter £400 - £500

515 515. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter and glass mug, model 0358, circa 1905, the cylindrical holder with moulded coiled bud motif, angled and pierced handle, with green glass highball, 14cm high £180 - £220

516 516. Archibald Knox for Liberty and Co., a pair of Arts and Crafts Tudric pewter candlesticks, model 023, circa 1900, splayed and ogee stemmed with relief moulded vine and leaf motifs, below a denticulated drip collar and removable sconces, 14cm high (2) £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

518

521

522

517. Archibald Knox for Liberty and Co., a pair of Arts and Crafts Tudric pewter candlesticks, model 022, circa 1900, squat form with knotted foliate columns, raised on four open strap brackets, removable sconces, 13cm high (2) £200 - £400 518. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter vase, model 029, circa 1900, twin handled poppy head form, with bisected whiplash tendril handles, relief moulded with foliated terminals and a band of oval motifs, 15.5cm high £250 - £350 519. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter crumb tray, model 0532, circa 1905, segment form with asymmetric handle, relief moulded Celtic knot and leaf design, 25cm long £100 - £150 520. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter twin handled mug, model 0929, ogee horizontally textured form, with loop handles terminating in bisected stylised leaf motifs, 10.5cm high £200 - £300

523

521. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter and glass mug, model 0354, circa 1905, the reticulated cylindrical glass holder with pierced knotted tendril and berry design, loop handle and green glass highball, 15cm high £180 - £220 522. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter mug or tankard, model 0334, circa 1910, cylindrical form with strap handle, relief moulded knotted and budding tendrils, 13.5cm high £200 - £300 523. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter inkwell, model 0141, circa 1905, the square tray base with four relief moulded poppy head roundels, conical squat turret body with knotted tendril motif band, the hinged lid with geometric tendril plaque, 5.5cm square £300 - £500 524. Liberty and Co., an Arts and Crafts Tudric pewter biscuit barrel, mode 01561, planished ovoid form, relief moulded lily pad border to the shoulder, three strapped domed lid, swing handle, 21cm high £140 - £180

525 525. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter tea caddy, cylindrical form with cushion domed lid, moulded with knotted tendril panel border, 9.5cm high £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

529. WMF, a Jugendstil copper, brass and glass vase, the splayed base incised with geometric scroll motifs, two coiled horn form handles united by a ring, supporting an etched glass trumpet vase, 18cm high £60 - £80

526 526. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter and glass bowl, model 0319, circa 1905, the green hemispherical domed dish within a four bracket strap holder, relief moulded bud and tendril band, 13.5cm diameter £300 - £500 527. Archibald Knox for Liberty and Co., an Arts and Crafts Tudric pewter and Powell glass dish, model 0593, circa 1905, circular form, reticulated bud lappets with four open buttress bracket feet, green glass liner, 12cm diameter £200 - £400

530 530. WMF, a Jugendstil silver plated double photo frame, modelled in relief with a draped maiden holding a bough of flowers, between knotted and whiplash tendril motifs, central arch and bracket feet, openings 13.5cm x 9cm, overall 25.5cm x 32.5cm £100 - £200

528 528. Archibald Knox for Liberty and Co., a Tudric Arts and Crafts pewter and glass twin handled bowl, model 0318, ogee form, relief moulded and pierced knotted tendril and design with integrated handles, green liner, stamped marks, 34cm wide £500 - £800

531 531. WMF, a pair of Jugendstil brass candlesticks, circa 1910, planished with hemispherical domed bases, incised petal and embossed rivet design, the tapered square section stems with spherical ball knops, supporting concave sconces, stamped marks, 28cm high (2) £150 - £250 532. WMF, a Jugendstil silver plated dish, oval pellet tray form, cast in relief in the Art Nouveau style with a maiden’s head and sinuous tendril hair, 14cm long £80 - £120

529

533. WMF, a Jugendstil silver plated claret jug, model 106, footed trumpet form, embossed with bands of shell and diamond drops, to the rim and base, angled handle, 33.5cm high £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

536. WMF, a pair of Jugendstil silver plated candlesticks, square section flared form with open splayed strap design, blind knotted panels and cup form sconces, stamped marks, 15.5cm high £160 - £180

534 534. WMF, a Jugendstil silver plated easel back mirror, the bevelled shield form glass within an angled and bracketed frame, embossed with geometric and sweeping linear designs, 39cm high £350 - £450

537 537. WMF, a Jugendstil silver plated and etched glass claret jug, the globe and shaft form body engraved with floral design, mounted with relief moulded and reticulated foliate tendril entwined handle and lidded rim, stamped marks, 33.5cm high £200 - £300

535 535. WMF, a pair of Jugendstil silver plated trough dishes, model 129, rectangular section stepped boat form, cast in relief with trailing ivy design, on bracket feet, 10cm long (2) £80 - £120

538 538. Ignatius Taschner, a Jugendstil brass candlestick, circa 1905, the ribbed conical body with embossed vertical bands, on a domed planished and repousse decorated ogee diaper base, in the Nuremburg style, the hemispherical sconce similarly decorated, stamped mark, 14.5cm high £40 - £70 536 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

539

541

542

539. A Jugendstil pewter and glass claret jug, possibly WMF, flared trumpet form, whiplash foliate handle, relief moulded trellis and floral, 46cm high £200 - £400

540 540. H Moreau, a pair of Art Deco bronzed art metal figural bookends, circa 1920s, modelled as sitting elephants with ivorine tusks, on marble bases, 13cm high (2) £250 - £300 541. Georges Lavroff, Faison Dore, an Art Deco patinated bronze figure, circa 1925, modelled as a pheasant, signed in the cast G Lavroff, 51cm high £400 - £500 542. Josef Lorenzl, an Art Deco patinated at metal figural table lighter, Golfer, circa 1925, modelled as a boy with golf bag, the central club becoming a striker, 21cm high £350 - £400 543. H Moreau, a pair of Art Deco art metal and Macassar bookends, modelled as dogs reading, 14cm high (2) £200 - £250

544 544. Pierre le Faguays for Max Le Verrier, Harmonie, an Art Deco green patinated art metal figure, circa 1925, modelled as a semi nude woman with hoop, signed in the cast Fayral, on marble plinth, 26cm high £1,400 - £1,600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

545 545. Egret, an Art Deco bronze figure of a panther, circa 1925, modelled standing and snarling, green patination, on black marble base, signed to the cast Egret, 61cm long £1,000 - £1,200

547 547. Pierre Le Faguays, an Art Deco patinated art metal figure, circa 1925, modelled as a nude woman, arm raised holding a chrome ball, on stepped plinth and marble base, signed Fayral, 34.5cm high £450 - £550 548. Maurice Frecourt, a pair of Art Deco patinated art metal and marble bookends, modelled as sealions and balls, 12.5cm high (2) £300 - £400 549. H Moreau, an Art Deco figural inkwell, modelled as a toucan eating a berry, next to a reeded casket form well, on marble base, 32cm wide £250 - £300

546 546. Josef Lorenzl, an Art Deco silvered bronze figure of a dancer, circa 1925, modelled with one leg bent, arms outstretched, on circular onyx base, signed in the cast Lorenzl, stamped real bronze, made in Austria, 31.5cm high £1,600 - £1,800 550 550. An Art Deco chromed and marble figural inkwell, modelled as a sealion with ball, on veined marble slab base, 18cm long £250 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

551 551. An Art Deco Ronson Pic a Cig cigarette dispenser, circa 1934, modelled with a monkey, articulated mechanical movement, 13cm high £400 - £500

556 556. Karl Hagenauer, Nefertiti Bust, a carved hardwood and brass figure, stylised form after the Egyptian original, stained and applied with metal detailing, stamped marks, 21.5cm high £300 - £500

552. Jaume Sabartes Gual, a silvered and gilt patinated bronze figure, Diana, circa 1925, modelled kneeling with bow, on black marble base, signed in cast Gual, 25cm high £200 - £300 553. Germaine Oury Desruelles, Fille at Chevre, an Art Deco silvered bronze figure group, circa 1925, modelled as a nude woman with goat, on marble base, signed Germaine, 50cm long £1,800 - £2,200 554. An Art Deco chromed photo frame, modelled with two dice, enamelled, raised on chess pawns, the cylindrical supports holding a glass plate for a photograph, 9cm x 14cm, overall 30cm long £250 - £300 557 557. Karl Hagenauer, an Austrian bronze sculpture, African Bust, circa 1940s, modelled with earring and necklace, stamped marks, 12.5cm high £200 - £300

555 555. Karl Hagenauer, Madonna, an Austrian bronze and brass bust figure, circa 1945, modelled as a stylised head with brass collar, stamped marks, 20cm high £200 - £400

558 558. Karl Hagenauer, an Art Deco carved hardwood and chrome bust, circa 1930, modelled as an African head, the base in the form of a necklace, stamped marks, 17.5cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

559 559. Sudre, a French Art Deco enamelled metal and Macassar novelty cocktail stick set, in the form of swimmers and dive board, the cylindrical tube containing celluloid sphere headed forks, 15cm long £250 - £300

163 562. Sudre, an Art Deco enamelled metal and Macassar cocktail glass marker set, modelled as a newspaper vendor, the folded clips printed with various newspaper titles, 15cm high £250 - £300

560 560. Sudre, an Art Deco enamelled metal and Macassar cocktail stick set, modelled as a snooker player, the twin pronged sticks with coloured celluloid ball finials, 11.5cm high £300 - £350 561. Sudre, an Art Deco enamelled metal and Macassar cocktail stick set, modelled as Laurel and Hardy, standing next to a lamp post, the hat and ball finial celluloid sticks in a tubular stand, 15cm high £300 - £400

563 563. Sudre, an Art Deco enamelled metal and Macassar cocktail stick set, modelled as a jester, the twin prong sticks with dice finials, contained in a tubular holder, 12.5cm high £250 - £350

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

564

567

564. Edouard Fornells, an Art Deco celluloid powder box, circa 1925, decagonal form, relief moulded with leaves, moulded mark Fornells Paris and to the inside lid Editions E Fornells Paris, probably produced for Rene Lalique, 10.5cm diameter £150 - £200

567. A Czechoslovakian Art Deco enamelled and celluloid compact, octagonal form, applied with two Scottie dogs in relief, red enamel and chrome stripes, 9cm diameter £120 - £180

565

569

565. Edouard Fornells, an Art Deco celluloid powder box, circa 1925, canted square section, orange plastic with gilded reeding and domed finial, moulded mark Editions E Fornells Paris, France, 9.5cm square £150 - £200

569. An Art Deco wrought iron and glass light, modelled with the silhouette of Josephine Baker dancing in front of a circular frosted glass panel, contained in a coiled strap trough with suspended tassels, on marble slab, 41cm high £550 - £650

566

570

566. L T Piver, a French Art Deco enamelled compact, circular form, incised with a stylised face, green enamel, 7.5cm diameter £60 - £80

570. Carver Craft, an Art Deco bakelite and chrome desk lamp, the domed shade on a strapped reeded column support and stepped base, 32cm high £350 - £400

568. An Art Deco uplighter, large dished chrome shade with glass discs below, tapered cream painted support with a glass knop, circular base, 167cm high £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

CONTINENTAL CERAMICS

571 571. A Continental faience glazed vase, octagonal section inverse baluster form, painted with a griffon and floral sprays above Chinese lappet frieze, 17.5cm high £50 - £80

574 574. A pair of Vienna style pedestal vases, circa 1930, with twin wrythen snake moulded handles, painted in the round with allegorical scenes within a lemon ground , reeded and anthemion moulded decoration and knopped stem on cylindrical base with gilded meandering foliate decoration, 40cm high £700 - £900

572 572. A Delft polychrome pharmacy jar, probably French, circa 1800, inverse baluster form, labelled for Pil Cocciae, the reverse painted with Coca plants, 23cm high £400 - £500 573. A 19th Century Vienna circular plaque, Makert Der Mittag, a scantily clad maiden floating above roses, raised gilt border of scrollwork, lozenges and roundels on a lavender ground, titled verso and blue beehive mark, 41cm diameter £400 - £600

575 575. A late 19th Century KPM plaque, painted with a portrait of a young lady, half length seated wearing classical drapery, indistinctly signed l.r., impressed marker’s mark and incised No.203-145, 19 by 14cm, gilt frame £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

578 576. A late 19th Century KPM plaque, painted with a portrait of a young lady, bust length wearing a black scarf and fur trimmed cape, impressed maker’s mark and No.237-158, 22 by 15cm, gilt frame £400 - £600 577. A late 19th Century Vienna trinket box, of circular form, the domed hinged cover painted with Psyche and Zephyr, raised gilt border, title and blue beehive mark to base, 7.5cm diameter £150 - £200 578. A late 19th Century KPM plaque, Bagedere, signed Wagner, impressed maker’s mark and incised No.255/195, 25 by 19cm, gilt frame £3,000 - £5000 579. A late 19th Century oval KPM convex plaque, painted with a portrait of a young lady, half length wearing classical drapery, impressed maker’s mark, 12 by 10cm, gilt frame £200 - £300 580. A late 19th Century Berlin porcelain oval convex plaque, Herbst, signed Wagner, impressed marks, and title verso, 17 by 12cm, gilt frame £250 - £350 581. A late 19th Century Vienna circular concave plaque, Der Winter, raised gilt scrollwork border on a red ground, blue beehive mark, 35cm diameter, gilt frame £400 - £600 576 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

582. A late 19th Century Vienna clock, of architectural form incorporating a cupola, columns and plinth, painted cartouches of Venus and infant cupids, raised gilt borders and detailing, gilt metal mounts, circular movement with Roman numerals, blue beehive mark, 30cm high £700 - £1,000 583. A late 19th Century Vienna porcelain circular stand, raised centre, painted with three named classical scenes, Deianira et Nessus, Aurore et Cephale and L’enlevement d’Europe, raised gilt borders on burgundy ground, blue beehive mark, 29cm diameter £100 - £150

592. A pair of late 19th Century Vienna cabinet plates, painted classical scenes, one titled Cupido a Agaia, both signed Bouer, gilt borders, blue beehive marks, 16cm diameter (2) £50 - £80 593. A late 19th Century Vienna cabinet plate, painted classical scene titled Psyche, signed Hegewalol, raised gilt and jewelled border, blue beehive mark, 23cm diameter £200 - £300 594. A late 19th Century Vienna cabinet plate, painted with a portrait of a semi-nude female with auburn hair, raised gilt border on a cobalt blue ground, blue beehive mark, 24cm diameter £200 - £300

584 584. A pair of late 19th Century hard paste oval porcelain plaques, painted with a self portrait of Elisabeth Louise Vigee Le Brun and a classically draped maiden, printed Firenze marks and C & A. Schwicker, Florence paper labels verso, 16 by 12.5cm, in gilt Florentine scrollwork frames (2) £250 - £350 595 585. A 19th Century Paris porcelain desk inkstand, of Rococo design in the form of a shell on a raised scroll base, pastel pink and blue glaze, gilt detailing, 25cm wide £200 - £300 586. A set of six Potschappel porcelain cabinet plates, decorated with Watteau scenes, reticulated and gilt serpentine borders, maker’s marks, 22cm diameter (6) £100 - £150

595. L Jackl for Royal Vienna, a pair of pedestal vases and covers, late 19th century, twin handled inverse baluster form, decorated with painted allegorical scenes on a relief C Scroll gilded ground and royal blue glazed border, with twin gilded scroll handles and square swept pedestal base, signed, blue beehive underglaze mark, 26.5cm high (2) £500 - £600

587. A late 19th Century hard paste cabinet plate, painted with a scene, The Fortune Teller, moulded gilt scroll border, blue printed mark S.P.M surmounted by an eagle, 23cm diameter £100 - £150 588. A pair of Vienna cabinet plates, late 19th Century, each painted with a names historical scene, King Edward I and Rinaldo and Armide, raised gilt foliage borders on a deep blue ground, scalloped edges, blue beehive marks, 23.5cm diameter (2) £300 - £500 589. A 19th Century Paris porcelain figure in the form of a seated dog, serpentine plinth, gilt detailing, 17cm high, 20cm wide £200 - £300 590. A traditional Iznik design tin glazed earthenware plate, shallow well, predominantly blue decoration of stylised foliage, 34cm diameter £200 - £300 591. A late 19th Century Vienna cabinet plate, painted with a classical scene of a winged maiden with cherubs in flight, jewelled and gilt border, blue beehive mark, 24cm diameter, and another with title to base, 24cm diameter (2) £70 - £90

596 596. A late 19th Century Vienna twin handled vase, painted with a classical or mythological figure group scene, ox blood red ground, raised gilt and jewelled borders, raised scroll foot, blue beehive mark, 20cm high £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

599 597 597. A late 19th Century Berlin plaque, painted with a named scene, Psyche am Wasserspiegel, signed Riess, titled verso, 26 by 16cm, gilt frame £300 - £500

599. A late 19th Century KPM plaque, Reverie after Angelo Asti, signed R. Dietrich, impressed mark and incised No.255-195, 23 by 17cm, gilt frame £2,000 - £3,000 600. Four late 19th century Meissen bowls, shallow circular form, decorated with gilt heightened relief moulded trailing convolvulus on a white glazed ground, underglaze blue crossed sword marks, 28.5cm diameter (4) £200 - £300 601. Four late 19th century Meissen plates, circular dished and denticulated form, relief moulded trailing vines and flowers on a royal blue ground, underglaze blue crossed sword marks, 27cm diameter (4) £150 - £250 602. A pair of early 20th century Meissen bowls, shallow circular form, painted with peonies, geraniums and summer flowers in a gilded foliate moulded border, underglaze blue crossed sword marks, 25cm diameter (2) £100 - £200 603. Two early 20th century Meissen grape plates, circular dished form, decorated in relief with fruiting vines, white glaze with gilded highlights, underglaze blue crossed sword mark, 28cm and 24cm diameter, together with two similar examples, 25cm diameter (4) £150 - £250 604. A pair of late 19th century Meissen bowls, shallow circular form, decorated with gilt heightened relief moulded trailing convolvulus on a dark blue glazed ground, underglaze blue crossed sword marks, 28.5cm diameter (2) £100 - £200

598 598. A late 19th Century KPM plaque, painted with a winged cherub with arrow, impressed mark and No.8-7, 20 by 17cm, gilt frame £300 - £500

605. A set of three early 20th century Meissen relief moulded fruiting vine plates, circular scalloped form with heightened gilt detail on royal blue ground, and a similar example with coral glazed ground (4) £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

608

606. A collection of late 19th and early 20th century Meissen painted plates, circular form, including relief moulded autumn fruit and flowers with gilded trellis cartouche , 28cm diameter, and two similar examples, one with painted floral sprays within floral and gilt heightened royal blue border, 28cm and 30cm (3) £100 - £150 607. After Johan Schoenheit for Meissen, a Sense of Touch figure, circa 1870, modelled as a woman sitting feeding a bird in a cage, from the set of five senses figures, impressed number 36 and underglaze blue mark, 16cm high £300 - £500 608. J J Kaendler for Meissen, a large 19th century figure, Count von Br hl’s Tailor on a Goat, circa 1880, after the original, modelled wearing a green coat and florally striped waistcoat, orange breeches and black knee high boots, the goat adorned with scissors, spectacles, iron and pin cushion, underglaze blue mark, 45cm high £5,000 - £8,000

609 609. A Royal Copenhagen painted bowl, 1965, decorated with a shoreside scene with boat and Borsen type building, painted marks, 26cm diameter £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

610

612

610. Bouvier, a pair of Quimper figural bookends, modelled as an old Dutch woman spinning and a man with crutches, signed, 23.5cm high £300 - £400

614 617. LeJan, an Art Deco ceramic figure of an elephant, Dolly, white craquelure glaze, modelled with trunk raised and charging, signed Lejan and titled Dolly, 41cm long £200 - £300

611. E Margerie for Georges Bastard, an Art Deco ceramic liqueur decanter, modelled as a huntsman, the head with cork stopper, painted marks £480 - £550 612. Royal Dux (attributed), an Art Deco mask hand mirror, modelled as a woman’s head resting her chin on her hand, the arm forming the handle, 21.5cm long £200 - £250 613. Ernst Wahliss, Turn, an Art Nouveau bust, Daphne, circa 1900, blush glazed with foliate wreath headdress, on socle base, 44cm high £1,000 - £1,500 614. Orchies, an Art Deco figural ashtray, modelled with a monkey sitting between two blue pool glazed troughs, cream craquelure glaze, 20cm long £140 - £170

618

615. Stephan Dakon for Katzhutte, an Art Deco figure group, Dancers, circa 1935, the woman wearing a green dress with floral edging, printed marks, 32.5cm high £350 - £400

618. Edouard Cazaux for Orchies, an Art Deco ceramic figure group of two doves, white craquelure glaze, signed Dax, 36cm long £180 - £220

616

619

616. A French Art Deco ceramic figural desk tidy, circa 1930, modelled as a kangaroo, white and marble glazed, on a compartmented base with pen rest, troughs and holders, signed Ganuch** and France, 31cm high £350 - £400

619. Charles Lemenceau, an Art Deco ceramic figure of an elephant, circa 1930, modelled standing, with trunk raised, 23cm long £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

620 620. L Francois, an Art Deco ceramic figure group, modelled as elephants, white craquelure glaze, 46cm long, 29cm high £200 - £400

622 622. Louis Wain for Amphora, a Lucky Haw Haw cat vase, circa 1915, modelled standing, painted with meow meow notes on green body, signed, registration number to underside 638314, 14cm high £1,200 - £1,500

621 621. Luighi Salesio, an Art Nouveau terracotta bust of a woman, cold painted and modelled in shawl, incised signature, 43.5cm high £300 - £500

623 623. Carl Werner for Hutschenreuther, a figure of a Balinese dancer, modelled with sword, gilt highlighted costume, moulded signature, printed marks, 31cm high £150 - £250 624. Royal Dux, Tango Dancers, an Art Deco figure group, circa 1930, modelled in red outfits and hat, highlighted in gilt, printed marks, 42cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ART POTTERY

628 625. Philip Richardson for Moorcroft, a very large Heron vase, circa 1995, baluster form, impressed marks and underglaze green signature and date, 67.5cm high £500 - £800

627 627. William Moorcroft for James MacIntyre, a Pansy on White salad bowl, 1912, squat footed baluster form, with metal rim, printed mark, underglaze green signature and dated, 22cm diameter £100 - £200 626 626. William Moorcroft, a Pomegranate and Blackberry Panel plate, circa 1914, on celadon ground, circular shallow dish form, impressed Burslem marks, underglaze green signature, 21.5cm diameter £50 - £80

628. William Moorcroft, a large Moonlit Blue vase, circa 1925, shouldered form, impressed marks and underglaze teal signature, 32.5cm high £3,500 - £4,500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

629 629. William Moorcroft for Liberty and Co., a large Claremont jardiniere or bowl, circa 1905, shouldered ovoid form, printed marks and underglaze green signature, 30cm diameter £3,500 - £4,500

630. Moore Brothers, an Aesthetic Movement pate sur pate moonflask vase, circular form, on four peg feet, the central image of a winged putto riding a snail, on brown glazed ground, geometric and honeysuckle motif gilded borders and feet, printed marks, 16cm high £400 - £600

631 631. A W N Pugin or Christopher Dresser for Minton, a Gothic Revival wash bowl, 1865, painted with a band of floriated ornament, foliate scrolls and bulrush motifs, in red, green and blue on gilt ground, within a zigzag border, impressed marks, 38.5cm diameter £40 - £70 632. Christopher Dresser for Minton, an Aesthetic Movement jug and bowl, 1883, the jug of angled baluster form, decorated with red ground bands of pomegranate, prunus and Japanese flora, between green borders of Gothic trefoils and foliate scrolls, 20.5cm high (2) £120 - £160 630

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

635. Christopher Dresser for Samuel Lear, an Aesthetic Movement art pottery jug, circa 1880, bulbous shouldered and conical form with angular square section handle, 27.5cm high £50 - £80 636. Christopher Dresser for Watcombe, an art pottery jardiniere, dimpled ovoid form with flared and crimped neck, green drip glazed, 19cm high, 23cm diameter £40 - £60

633 633. Christopher Dresser for Minton, an Aesthetic Movement twin handled dish, 1865, footed and flared form, painted with a gilt ground band of stylised geometric flowering vine of alternating pink and blue petal flowers, impressed marks, 22cm diameter £40 - £60

637. Christopher Dresser for Ault, an art pottery flower vase, circa 1885, relief moulded as a shell with nine individual stem holes, green majolica glaze, relief moulded mark, 17cm high £50 - £80

634

638

634. Christopher Dresser (attributed) for Minton, a pair of Aesthetic Movement vases, 1888, twin handled double gourd form, the elongated necks with distorted elephant mask handles between orange ground relief moulded and gilded acanthus leaf and foliate tendril bands, Japonesque geometric rattan and chrysanthemum bands above a raised gilt foliate scroll body, on wave and cloud conical feet, impressed and printed marks, 28.5cm high (2) £1,000 - £1,500

638. Christopher Dresser for Ault, a large art pottery majolica glazed peacock vase, circa 1880, relief moulded to each side, with nine flower holes to the edge, green glaze, moulded marks, 41.5cm high £400 - £600 639. A Bretby art pottery vase, twin handled bottle form, with pierced holes to the angled handles, green iridescent majolica glaze, impressed marks, 33cm high £50 - £80

640

635

640. John Pearson, an Arts and Crafts lustre plate, circa 1890, circular dished form, painted with a flower within fruiting vine border, gold ground, the underside with bird and branch, monogram, 19.5cm diameter £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

641

641. Robert Wallace Martin for Martin Brothers, a stoneware sculptural jar, 1899, modelled as a characterful standing bird with rounded belly and ruff, striped black on brown breast, pale blue, green and tan wings, flanged neck to the body, incised marks to the head R W Martin + Bros, and to the base Martin Bros London + Southall 4-1899, 23.5cm high Provenance: Sotheby’s 29th May 2003, lot 372

£25,000 - £35,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

642

vFor details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

642 642. Robert Wallace Martin for Martin Brothers, a stoneware sculptural jar, 1891, modelled as a sly characterful standing bird figure, with broad beak, grimacing, his squinting eyes with opposing glances, long scaly legs and tail feathers in graded shades of green, incised marks to head RW Martin + Bros, London + Southall, 6-1891, and to the base Martin Bros, London + Southall, on wooden base, 29.5cm high £30,000 - £40,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

643

643. Robert Wallace Martin for Martin Brothers, a stoneware sculptural jar, circa 1885, modelled as a characterful Mohican bird, long broad beak with flat, pierced eyes and crested brow, webbed feet and short tail feathers, fixed position head, incised marks to head RW Martin Bros, London + Southall and to the body Martin London, on wooden base, 29cm high £25,000 - £35,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

644

647

644. Mark V Marshall for Royal Doulton, a large stoneware vase, shouldered form, tubelined with stylised foliate tendrils, impressed marks and incised monogram, 41cm high £400 - £600

647. Eliza Simmance for Royal Doulton, a large stoneware vase, shouldered form, decorated with azalai type floral design on Glasgow School knotted geometric bands, impressed marks, 39cm high £500 - £800

645. Frank Butler for Doulton Lambeth, a large stoneware ewer, 1877, shouldered form, sgraffito decorated with leaves and applied with relief moulded mask medallions of Classical and grotesque busts, between lions mask and rings, 48cm high £700 - £900

648 648. A Royal Doulton stoneware vase, ovoid form, decorated with Art Deco style fruiting branch design, impressed marks, £100 - £150

646 646. Eliza Simmance for Doulton Lambeth, a stoneware jug, 1876, ogee shouldered form with conical neck, sgraffito decorated with vertical bands of alternating seaweed and geometric quatrefoil rope motifs, purple and green beaded lappet neck, impressed marks and incised monogram, 29.5cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

651. Ester Lewis for Doulton Lambeth, Carrick Catle, Lock Goil, a painted ceramic plaque, titled and signed verso, printed mark, 20cm x 32.5cm, framed £200 - £300

649

652

649. Mary Butterton for Doulton Lambeth, a faience painted vase, 1877, inverse baluster form, decorated with camellias on brown ground, impressed marks and painted monogram, 37.5cm high £250 - £300

652. Walter Gandy for Doulton Lambeth, a pair of faience vases, 1877, double ogee gourd form, painted with yellow dog roses on brown ground, impressed and painted marks, 28cm high £250 - £350

650 650. Esther Lewis and Catherine Vargas for Doulton Lambeth, a faience charger, circa 1884, broad rimmed dish form, slip decorated with aquatic scene of fish and seaweed, surrounding a central roundel of ship in sail at night, impressed marks and painted monograms, 34.5cm diameter Note: illustrated in Eyles, D. 2002, Doulton Lambeth Wares, Somerset: Richard Dennis, p.148 £500 - £600

653 653. John McLennan for Doulton Lambeth, a large faience charger, 1881, painted with a Classical woman feeding doves, signed, impressed Pinder Bourne and Co. Burslem mark, 49.5cm diameter Note: illustrated in Eyles, D. 2002, Doulton Lambeth Wares, Somerset: Richard Dennis, p.158 £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

657 657. Ruskin Pottery, an eggshell Crystalline bowl, circa 1932, flared footed form, bands of blue, green and orange, impressed marks, 20.5cm diameter £50 - £80 658. Clarice Cliff for Newport Pottery, a Viscaria plate, ogee serpentine square form, Bizarre and Wilkinson marks, 25cm diameter £30 - £50 659. Clarice Cliff for Newport Pottery, an Aurea Delecia bowl, shape 662, wide brimmed cylindrical form, printed Made in England mark and moulded number, 25.5cm diameter £50 - £80

654 654. Richard Joyce for Pilkington, a Royal Lancastrian lustre vase, circa 1925, rouleau form, painted with deer and stags between trees, below a geometric spiral neck and chevron shoulder, impressed marks, painted monogram, 20.5cm high £200 - £400

660. A Wedgwood lustre bowl, Dragon design by Daisy MakeigJones, circa 1925, printed marks and painted No.Z4830, diameter 18cm £150 - £250 661. Millicent Taplin for Wedgwood, an Arts and Crafts creamware jug, circa 1928, octagonal section baluster form, painted with stylised flowers purple, blue and yellow, below double swags and dots, impressed and painted marks, CM5416, indistinct monogram, 17cm high £50 - £80 662. Alfred and Louise Powell for Wedgwood, lustre creamware tea ware, circa 1920, including tea cup, saucers and plate, decorated in reverse lustre with trailing rose bands, the cup inner rim with stylised leaf band, impressed marks, painted AMH5734, 23.5cm diameter (4) Note: see Batkin, M, 1982, Wedgwood Ceramics, Woodbridge: Richard Dennis, p.149, pl.358 for an example of this cup and saucer in the same design £30 - £50 663. Roger Cockram, a large studio pottery salt glazed ewer, ovoid form, incised decoration, glazed in blue, seal marks and incised signature £300 - £500

655 655. Charles Cundall for Pilkington, a Royal Lancastrian lustre vase, 1908, squat baluster form, painted with barges in full sail to each side, between fruiting vines, in bronze on blue ground, impressed marks, painted monogram and date cypher, 13.5cm high £200 - £400 656. Ruskin Pottery, a Crystalline bowl, circa 1932, rounded form with everted rim, bands of blue, green, yellow and orange, heavy drip lava glaze over textured orange peel, impressed marks, 23cm diameter £70 - £100

664 664. David Leach, a Lowerdown studio pottery vase, ovoid form, painted with fern design, impressed seal mark, together with another vase, 9cm high (2) £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

BRITISH CERAMICS 665. A pair of Minton majolica jardinieres, inverse baluster form with relief moulded pilaster straps, modelled with lions masks and rings, on lions paw feet, gadrooned rims and pink interiors, impressed marks, 35.5cm high (2) £800 - £1,200

670. J Hancock for Royal Doulton, a pair of hand painted bird plates, circa 1910, decorated with pheasants and snipe within gilt foliate moulded borders, puce printed mark and tilted verso, 23cm diameter (2) £100 - £200

666. A 19th Century Minton cabinet plate, painted with a roundel of the 1840 painting Trial by Jury after Landseer, signed with initials H.M, raised gilt, blue ad reticulated border, printed marks for Goode & Co, 25cm diameter £150 - £250

671 671. C Hart for Royal Doulton, twelve rose painted porcelain cabinet plates, early 20th century, circular form with shaped gilded rim, decorated with rose blooms, buds and forget-me-not sprays, the ivory borders decorated with gilded floral swags and acanthus scrolls, signed, green printed crowned lion marks, 26cm diameter (12) £1,500 - £2,500 667 667. A pair of Davenport scene painted vases and covers, twin handled urn form, decorated with Tintern Abbey and another ruin, the reverse with rural landscape scenes of figures and water, within raised gilt prunus and cobalt blue grounds, relief moulded acanthus feet and necks, looped and beaded handles, 36.5cm high (2) £500 - £800 668. David Dewsbury for Royal Doulton, a pair of botanical painted cabinet plates, early 20th century, decorated with orchid studies within ivory glazed and acid etched gilded laurel wreaths and beaded swags, signed, titled verso, printed puce crowned lion marks, 27cm diameter (2) £100 - £200 669. John Hugh Plant for Royal Doulton, a set of twelve painted maritime plates, circular form with shaped and beaded gilt border, early 20th century, decorated with 19th century sail boats and coastal scenes, signed, titled verso, printed green crowned lion marks, 26cm diameter (12) £500 - £800

672. Frederick Chivers for Coalport, two fruit painted plates, circa 1910, circular form with shaped rim, decorated with peaches, plums and grapes on moss covered ground, the royal blue borders with acid etched and painted gilt foliate scroll and flower bud decoration, printed green marks, 26cm diameter (2) £250 - £350 673. Stefan Nowacki, a pair of painted maritime plates, circa 1980, circular crimped form, decorated with shipping scenes within apple green and gilded border, signed, painted gilt monogram verso, 19.5cm diameter (2) £250 - £300 674. R A Shufflebotham for Caverswall China, a large Campana urn vase and cover, twin handled form, orange ground, painted with a central vignette after Boucher, Men and Women with Birds and Cages, below panels of floral bouquets, signed, 51cm high £200 - £400 675. Keith Hancock for Caverswall, a very large fruit painted urn vase and cover, 1978, ovoid pedestal form, on integrated block plinth, fluted foot and neck, decorated with two oval panels of fallen fruits, on gilt cobalt blue ground, signed, 80cm high £400 - £600 676. Stefan Nowacki for Lynton, a large pedestal urn vase and cover, twin handled ovoid form, painted with a central bouquet of flowers in hanging basket, within tooled and raised gilt cartouche, on a hand marbled pink and blue ground, wishbone handles, signed, 51cm high £500 - £800 677. Stefan Nowacki for Lynton, a pair of large pedestal urn vases and covers, relief moulded with tassel handles, on wreath and stepped socle bases, each painted with a maritime view of Napoleonic ships at sea, within raised gilt foliate cartouches, 52cm high (2) £1,500 - £2,500

670

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

678. A late 19th Century circular porcelain plaque, painted with a pair of cherubs in an embrace, 14cm diameter, sealed in a wooden easel frame £80 - £120 679. An English porcelain circular plaque, painted with The Royal Pets after Landseer, signed James Rouse and dated 1877, 38cm diameter, gilt cushion frame £1,000 - £1,500

683. Stefan Nowacki for Lynton Porcelain, a painted twin handled pedestal vase and cover, decorated with Dutch sailing vessels and harbour scenes within lyre shaped panels with raised gilt and jewelled enamel foliate and anthemion borders, on knopped and flared foot and gilded quatrefoil stepped base, signed, gilt printed mark, 45m high £500 - £800

680. A late 19th Century oval convex plaque, painted with a young lady, three quarter length holding a water vessel standing beside a fountain, signed G. Freemont and dated 1877 c.r., 26 by 19cm, in a sealed gilt frame £300 - £500 681. A late 19th Century English porcelain plaque, painted with a floral study titled Autumn, signed C.H. Smith and dated 1880 l.r., 24 by 30cm, gilt frame £300 - £400

684 684. Coalport, a Chicago Exhibition jewelled cabinet cup and saucer, 1893, gilded throughout and applied with a band of concentric graduating turquoise jewels, within raised geometric borders, printed marks, 11.5cm diameter £450 - £550 685. Coalport, a Chicago Exhibition jewelled cabinet cup and saucer, 1893, crimped conical form, graduated turquoise jewels on gilt ground, printed marks, 9.3cm diameter £450 - £550

682 682. Leslie Johnson for Royal Doulton, a pair of Lactolian Ware cabinet plates, circular scalloped form, circa 1900, circular panels painted with 19th century ladies within a pate-sur-pate stylised lily and foliate border, signed, printed puce crowned lion marks, 23cm diameter. (2) £100 - £200

686. Arthur Schuck for Royal Worcester, a set of seven fruit painted dessert plates, 1921, square form, pears, cherries, blackberries and apple blossom, with elaborate black enamelled stylised floral rim, with raised red and orange detail and gilt apple green and black beaded borders, signed, puce marks, retailer’s mark, Ovington Brothers, New York, 21cm wide £1,000 - £1,500 687. W A Hawkins for Royal Worcester, a pair of still life painted plates, 1909, each with fruit, ceramics and glass on draped tables, within tooled gilt bands, green ground and relief moulded foliate scroll border, signed, puce marks, 21cm diameter (2) £1,000 - £1,500 688. Horace Price for Royal Worcester, a fruit painted dish, 1941, circular lobed and footed form, decorated with apples, grapes and berries on moss covered ground, signed, puce printed marks, 14cm diameter £140 - £160

683

689

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

689. A Sebright for Royal Worcester, a pair of fruit painted cabinet plates, circa 1930, painted with panels of apples, peaches, grapes and berries, within a powder blue and gilded trellis and foliate scroll border, signed, 23.5cm diameter, printed puce marks, together with a similar cabinet plate circa 1932, with acid etched and cobalt blue border, signed 26.5 cm diameter, gold printed marks (3) £250 - £350

691 691. G Moseley and A Shuck for Royal Worcester, a fruit painted coffee can and saucer, circa 1938, decorated with peaches, blackberries, apples and grapes on moss covered ground, signed, puce printed marks, 5cm high (2) £150 - £250 692. Moseley, Rushton, Phillips et al for Royal Worcester, six fruit painted cabinet cups and saucers, circa1922, decorated internally with apples, peaches and berries on moss covered ground, signed, puce printed marks, saucers 9.5cm diameter (12) £1,200 - £1,500

690 690. Horace Price for Royal Worcester, a fruit painted coffee cup and saucer, circa 1930, decorated with peaches, grapes and berries on moss covered ground, within relief moulded borders, signed, blue printed marks (2) £100 - £200

692

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

695. R Austin for Royal Worcester, a rose painted vase, circa 1909, twin handled teardrop form. decorated with pink and yellow blooms, signed, 21cm high £200 - £300 696. R Austin for Royal Worcester, a rose painted jug, circa 1912, cylindrical tapered form, decorated with pink and yellow blooms and buds, relief moulded and gilded D shaped handle and banded detail, signed, shape No.1047, 22.5cm high £150 - £200 693 693. Kitty Blake for Royal Worcester, a fruit painted vase, elongated baluster form, painted with blackberries, flower and leaves, shape No.2491, 14cm high, together with a fruit painted pot, ovoid form, signed, 7.5cm high (2) £60 - £100

701 701. A Royal Worcester fruit painted cabinet cup and associated saucer, circa 1960, shaped relief moulded and gilded border, decorated with peaches, berries and cherries on moss covered ground, indistinctly signed, printed black mark (2) £100 - £150

697. Edward Townsend for Royal Worcester, a fruit painted pin dish, circa 1939, octagonal form, decorated with apples and berries on moss covered ground, signed, blue printed mark, 11.5cm diameter, together with a similar circular pin dish, circa 1960, indistinctly signed, 11.5cm diameter (2) £100 - £200 698. E Lockyer and F Harper for Royal Worcester a fruit painted cup and saucer, circa 1918, decorated with apples, grapes and cherries on moss covered ground, signed, puce printed marks, 9.5cm diameter (2) £100 - £150 699. Walter Austin for Royal Worcester, a fruit painted coffee cup and saucer, circa 1922, decorated with peaches and damsons on moss covered ground, retailed by the Northern Goldsmiths of Newcastle Upon Tyne, signed, puce printed marks, 5.5cm high, 11.5cm diameter (2) £150 - £250

694 694. R Austin for Royal Worcester, a rose painted vase, baluster form, circa 1923, decorated with pink blooms and leaves, signed, shape No.290, 19cm high £100 - £150

702 702. Harry Ayrton for Royal Worcester, an Art Deco style cabinet cup and saucer, circa 1936, rectangular shaped saucer with gilded reeded handles, decorated with peaches, apples, grapes and berries on moss covered ground, signed, puce printed marks (2) £300 - £500

700. Edward Townsend et al for Royal Worcester, four fruit painted cabinet cups and saucers, circa 1930, decorated in the round with peaches, apples, berries and pears and gilded interiors, signed, Moseley, Ayrton, Everett and Townsend, puce and blue/black printed marks, 5.5cm high, 11.5cm diameter (8) £1,000 - £1,500

703. Edward Townsend for Royal Worcester, a fruit painted cabinet cup and saucer, circa 1926, decorated with plums, cherries and apples on a moss covered ground with gilt interior, signed, puce printed marks, together with a similar example, Ayrton et al, circa 1923, signed puce printed marks, (4) £200 - £300

703

695 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

704. William Ricketts for Royal Worcester, a fruit painted plate, circa 1919, decorated with pears and grapes on moss covered ground, signed, puce printed mark, 15cm diameter £60 - £100 705. John Freeman for Royal Worcester, a fruit painted tea cup, circa 1957, decorated with peaches and berries on moss covered ground, gilded exterior, signed, black printed mark, 10cm diameter, together with a similar fruit painted saucer, signed, 11cm diameter (2) £80 - £120 706. John Smith for Royal Worcester, a fruit painted plate, circa 1960, circular form with gilded lobed and relief moulded border, decorated with peaches and grapes on moss covered ground, signed, black printed marks, 15cm diameter £180 - £220

708 708. William Powell for Hadley’s Worcester, a painted gourd form twin handled bottle vase, circa 1906, decorated in the round with egrets in wetland landscape, lobed body with foliate moulded apple green C scroll handles and trumpet shaped neck, signed, green printed mark, 18.5cm high £150 - £250

707 707. A Royal Worcester fruit painted christening mug, circa 1960, cylindrical form, decorated with peaches and grapes on moss covered ground, indistinctly signed, 7cm high, black printed mark, together with a fruit painted miniature bowl, decorated inside and out with peaches and grapes on moss covered ground, signed, black printed marks, 5cm diameter (2) £80 - £120

709. John and Harry Stinton for Royal Worcester, a matched pair of Highland Cattle painted vases, 1915, footed and shouldered ovoid form, decorated with cows in Highland mountain scenes, signed, puce marks, 17.5cm high (2) £300 - £500 710. P Love for Royal Worcester, a fruit painted twin handled sucrier and cover, circa 1949, baluster form, decorated in the round with pears, grapes and berries on moss covered ground, gilded scroll twin strap handles and gilded gadroon moulded rim and flower form finial, signed, black printed mark, 11.5cm high £200 - £300 711. A Royal Worcester fruit painted plate, circa 1960, circular form, decorated with apples and grapes on a moss covered ground, signed, black printed marks, 27cm diameter £60 - £100 712. A pair of Royal Worcester fruit painted bowls, circa 1960, circular form, decorated inside and out with apples, peaches, grapes and berries on moss covered ground, signed, black printed marks, 26cm diameter (2) £300 - £500 713. Lisa Sykes for Royal Worcester, a pair of fruit painted potpourri jars and covers, circa 2000, ovoid shouldered form, each decorated in the round with peaches, grapes and berries on moss covered ground, above relief moulded basket-weave and trellis gilded frieze, the gilt reticulated basket-weave and rope twist cover with flower bud finial, signed, black printed and gilt painted marks, 27cm high, in presentation boxes (2) £1,500 - £2,000

713

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

715 714. Sally Wood for Royal Worcester, a fruit painted potpourri jar and cover, circa 2000, ovoid shouldered form, decorated in the round with peaches, grapes and berries on moss covered ground, above relief moulded basket-weave and trellis gilded frieze, the gilt reticulated basket-weave and rope twist cover with flower bud finial, signed, black printed and gilt painted marks, 27cm high, in presentation box £800 - £1,200 715. Sally Wood for Royal Worcester fruit painted dragon bowl, circa 1960, oval form, decorated all round with peaches, grapes, apples and berries on moss covered ground, denticulated and beaded gilt rim and winged dragon and C scroll moulded handles, on four swept, foliate relief moulded feet, shape No.254, 38cm wide £800 - £1,200

716. William Bee for Royal Worcester, a pair of fruit painted pedestal vases and covers, circa 1928, decorated with circular panels of peaches, apples and berries and painted and gilded cartouche within powder blue ground, the domed covers with knopped gilded finials, shape No.2713, 19.5cm high (2) £300 - £500 717. John Freeman for Royal Worcester, a miniature fruit painted jug, circa 1950 decorated with apples and grapes on moss covered ground, signed, 3.5cm high, together with a miniature fruit painted bowl, 5cm diameter (2) £100 - £150 718. William Roberts for Royal Worcester, a fruit painted vase, tapered wrythen form, decorated with peaches and cherries on moss covered ground, fruit detail verso, signed, shape No.G957 8cm high £150 - £250 719. M Johnson for Royal Worcester, a fruit painted dish, circa 1960, elongated oval form, decorated with apples and grapes on moss covered ground, within lobed, gadrooned and C scroll gilded border, signed, 25.5cm wide £350 - £450 720. R Sebright for Royal Worcester, a fruit painted dessert plate, 1930, decorated with plums and gooseberries within a powder blue border, puce marks, 23.5cm diameter £80 - £120 721. Roberts et al for Royal Worcester, a fruit painted miniature teaset, circa 1950, decorated with peaches grapes and apples, comprising teapot, milk jug and sugar bowl, cup, saucer and side plate and a plated miniature spoon. 8.5cm maximum height (7) £800 - £1,200

716

722. Harry Ayrton for Royal Worcester, a fruit painted vase, circa 1936, ovoid pedestal form, decorated with apples and berries, with blackberry vignette verso, gilt decorated moulded neck on foliate moulded and gilded baluster stem and circular relief moulded base, signed, shape No.2260, 14.5cm high £350 - £340

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

726. Albert Shuck for Royal Worcester, six fruit painted dessert plates, circa 1925-1932, circular form with shaped edge, painted with summer fruit and flowers within royal blue border and blush pink border, with anthemion, shell, foliate scroll and gilded decoration, signed, 23cm diameter; together with a matching fruit painted bowl, lobed square form, signed, 24.5cm wide (7) £300 - £500

723 723. R Sebright for Royal Worcester, a fruit painted dessert plate, 1908, plums and gooseberries within a gilt cartouche blue ground border of wild flower specimens, puce mark, 23.5cm diameter £80 - £120

727. Kitty Blake for Royal Worcester, a bramble painted twin handled dish, 1908, oval section, ogee rimmed, on foliate bracket foot, with C scroll acanthus handles, decorated with blackberries, signed, green mark, 24cm long £100 - £150

724. E Townsend for Royal Worcester, a fruit painted plate, ogee gadrooned rim, decorated with plums and damsons, 24cm diameter £80 - £120

730. Harry Stinton for Royal Worcester, a Highland Cattle painted twin handled vase and cover, 1936, footed ovoid form with foliate whiplash handles, signed, puce marks, 17.5cm high £200 - £400 731. Harry Stinton for Royal Worcester, a Highland Sheep painted vase, 1934, rounded cylindrical form with reticulated collar, decorated with sheep grazing in misty Autumn landscape, signed, puce marks, 14.5cm high £300 - £400 732. Harry Stinton for Royal Worcester, a Highland Cattle painted vase, 1917, teardrop bottle form with splayed foot, decorated with cows in misty mountain landscape, signed, puce marks, 21cm high £200 - £400

725 725. J Smith for Royal Worcester, a fruit painted plate, ogee gadrooned gilt rim, decorated with pears and grapes, 24cm diameter £80 - £120

735. John Stinton for Royal Worcester, a Highland Cattle painted jardiniere, 1914, lobed and shouldered squat ovoid form, relief moulded Rococo arcading, decorated with cows in a misty lakeside mountain landscape, signed, puce marks, 27cm diameter £500 - £800

728. Harry Stinton for Royal Worcester, a Highland Cattle painted vase, 1919, rounded cylindrical form with reticulated neck, decorated with watering cows in a misty mountain landscape scene, on four scroll feet, signed, puce mark, 22cm high £300 - £500 729. Harry Stinton for Royal Worcester, a Highland Cattle painted vase, 1919, rounded cylindrical form with reticulated neck, decorated with watering cows in a misty mountain landscape scene, on four scroll feet, signed, puce mark, 22cm high £300 - £500

724

734. John Stinton for Royal Worcester, a Highland Cattle painted twin handled pedestal vase, 1906, urn form with relief moulded foliate handles and acanthus beaded lid, blush ivory ground, decorated with cows in a misty mountain landscape, signed, puce marks, 28cm high £300 - £500

733. H Davis for Royal Worcester, a sheep painted vase, circa 1954, tapered wrythen form, decorated with ram and ewe in a Highland landscape, signed, shape No.G957, 8.5cm hig £250 - £350

736 736. John Stinton for Royal Worcester, a cabinet plate, painted with a scene of cattle watering, raised gilt vine border, dated 1912, 22cm diameter £200 - £300 737. Harry Stinton for Royal Worcester, a pair of Highland Cattle painted spill vases, 1918, waisted form, decorated with cows in misty mountain landscape, signed, puce marks, 15.5cm high (2) £200 - £400 738. Harry Davis for Royal Worcester, a scene painted part dessert service, 1902, the tazza with a central image of Sandringham, within green ground and gilt bubble ground, gadrooned rim, the other two plates with Loch Lomond and Loch Katrine, grey marks, puce titles, signed, 24cm diameter (3) £200 - £300 739. Harry Stinton for Royal Worcester, a vase circa 1919, trumpet form, decorated with Highland cattle in a mist covered mountainous landscape, signed, shape No.G923, puce printed marks, 15cm high £600 - £800 740. James Stinton for Royal Worcester, a vase circa 1923, trumpet form, decorated with Highland cattle in a mist covered mountainous landscape, signed, shape No.G923, green printed marks, 15cm high £600 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

744

741 741. Harry Stinton for Royal Worcester, a twin handled pedestal vase, circa 1912, tapered ovoid form, decorated with highland cattle in a mist covered mountainous landscape, with gilded foliate flared neck, angular shot silk handles and anthemion and acanthus moulded stepped circular base, shape No.1921, puce printed mark, 31cm high £1,500 - £1,800

744. James Stinton for George Grainger & Co, Worcester, painted and blush ivory vase, onion form decorated with a cock pheasant in landscape, knopped, reeded and flared neck, signed, shape No.799, 12.5cm high £100 - £150 745. W Stinton for Locke & Co, a blush ivory tea caddy and cover, painted with a cock pheasant in landscape, oval panelled and acanthus moulded form, electroplated dome and crimped lid, signed, 12cm high £80 - £120 746. G H Cole for Royal Worcester, a floral painted jug, circa 1908, cylindrical tapered form, decorated with dog rose and violets, relief moulded blush ivory handle and banded detail, signed, shape No 1047, puce printed marks, 23cm high £150 - £250

742 742. Harry Stinton for Royal Worcester, a painted vase, inverse baluster form circa 1930, decorated with Highland Cattle in mountain landscape, signed, shape No.2481 10cm high £300 - £500 743. Harry Stinton and Frank Roberts for Royal Worcester, a fruit painted teacup and saucer, circa 1924, decorated with apples, blackberries and peaches on a moss covered ground, signed, puce marks, 11cm diameter, 5.5cm high (2) £250 - £350

747 747. C H C Baldwyn for Royal Worcester, a low pedestal comport, circa 1907, decorated with a flight of swans on a sky blue ground with rushes heightened in gilt, within blush pink reticulated and painted panel border, signed, puce printed mark, 23cm diameter £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

750. A Royal Doulton Factory Proof prototype figure, modelled as a resting hiker, printed mark Property of Royal Doulton, painted Factory Proof, 25.5cm high £1,200 - £1,600 751. A Royal Doulton Factory Proof prototype figure group, modelled as a camping cowboy with dog, printed and painted marks, 21cm high £1,200 - £1,600 752. Charles Noke for Royal Doulton, The Shakespeare Jug, limited edition No.38/1000, 27cm high, with accompanying certificate £300 - £500 753. A set of three Royal Doulton Classics limited edition Parian busts, Aristotle HN4344, Plato HN4343 and Socrates HN4342, modelled by Do Phillips, 37cm high, with certificates (3) £100 - £150 754. A Copeland Parian figural comport, circa 1862, the reticulated bowl of foliate scroll panels supported on an acanthus capital column, surrounded by three women, Classically draped, on gilt highlighted bracketed base with garland swags, 38.5cm high 748

Provenance: Richard Dennis Parian Exhibition 1984, label to underside £100 - £200

748. A Hadley’s Worcester rose painted vase, circa 1909, teardrop form, decorated with pink and yellow blooms and leaves, anthemion and arcaded moulded borders, twin pierced foliate moulded handles on circular swept base, shape No.229 H1238, 36cm high £200 - £300

755 755. A Staffordshire slipware bird whistle, circa 1800, modelled as a bird, on pedestal base, striped slip decoration, the tail forming the mouthpiece, 14.5cm high £200 - £300

749

756

749. A Royal Doulton factory prototype figure, modelled as a Native American, standing next to a buffalo head, printed mark and painted Factory Proof, 23cm high £1,200 - £1,600

756. A salt glazed stoneware flatback Medici Lion, circa 1800, modelled and pierced in 2 dimensional profile, 10.5cm long £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

757

760

757. A Doulton and Watts stoneware reform flask, modelled as Lord John Russell, impressed marks, the True Spirit of Reform, salt glazed and modelled in relief, 19cm high £150 - £200

760. A Chamberlains, Worcester miniature scene painted pot and cover, circa 1820, footed ovoid form with lions mask and ring handles, decorated with a scene of Worcester from across the river, within a gilt foliate scroll red ground, 6cm high £50 - £70 761. Two Leeds creamware teapots, circa 1780, spherical form, each with leaf moulded spouts, one with entwined stand handle, the other painted with floral decoration (2) £150 - £250

758 758. A Bartmann Bellarmine jug, salt glazed stoneware, probably 17th century, circa 1680, relief moulded with coat of arms below bearded mask, 22.5cm high £400 - £600 759. A 19th century agateware double jointed flask, medallion of Marianne, 19.5cm high £50 - £80

762 762. A Staffordshire pearlware obelisk, probably Enoch Wood, circa 1800, granite effect painting, 34cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

763

763. Whitman and Roth, a pair of Staffordshire majolica figures, Disraeli and Gladstone, modelled standing beside plinths, 43cm high (2) £1,000 - £1,500

766. Two relief moulded and painted porcelain tea cups, probably Swansea, decorated with floral bouquets between raised Rococo floral scroll decoration (2) £20 - £40

764. A large pearlware coffee pot, probably Leeds circa 1780, together with a miniature redware teapot, circa 1760, 31cm high (2) £150 - £200

767. A Worcester blue and white bowl, circa 1758, Man in the Pavilion pattern, rounded and footed form, 12.3cm diameter £80 - £120

765. A collection of 18th century Worcester and other tea ware, including tea bowls, and slop bowls, wrythen moulded fluting and gilded, some painted with foliage £40 - £60

768. A Worcester blue and white saucer, circa 1760, Plantation pattern, 12cm diameter £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

775A. Advertising Interest, a large Ternhill Thick Rich Cream glazed earthenware storage jar, George Lewis proprietor, Ternhill Creamery, Market Drayton, blue transfer shield to front, impressed oval maker's mark Post-Dundas Pottery, Glasgow, 16cm high £300 - £500 776. A pair of mid 19th Century Staffordshire chimney dogs, circa 1860, seated with blackberry spots, Disraeli curls, gilt collars with padlocks, oval turquoise plinths with bocage, 12cm high (2) £80 - £120 777. A pair of Staffordshire figures of the King and Queen of Prussia, circa 1870, modelled standing on plinth bases, with polychrome and gilded detail, 41 and 42.5cm high, (2) £40 - £60 778. A Staffordshire figure group of the ‘Princess Royal & Frederick of Prussia’, circa 1857, modelled standing together on a titled oval plinth base, 40cm high, together with a figure of a queen, modelled standing, holding flowers, on a circular base, 34.5cm high, and a figure titled ‘Princess May’, (3) £80 - £120 769 769. An English Delft blue and white vase, circa 1730-1750, inverse baluster form, painted with fence, flower and cane design, concentric borders, 15.5cm high £80 - £120 770. A pair of 19th Century Parian ware figures, Euterpe and Thalia, gilt detailing, circular plinths, unmarked, 33cm high (2) £70 - £90 771. A Wedgwood Parian ware bust, The Shakespeare Memorial Bust, Published Under the Special Sanction of The National Shakespeare Committee by Howell James & Co, 1864, F.M. Miller sculptor, socle, 32cm high £70 - £100

779. Two Staffordshire figures of huntsmen, circa 1860, modelled standing beside stone columns with fawns seated on top, on oval plinth bases, 42cm high, together with a figure group of a musician couple, modelled as an accordion player and a harpist, 45cm high, (3) £50 - £80 780. A pair of Staffordshire portrait figures, the ‘Duke of Edinburgh’ and ‘Duchess of Edinburgh’, circa 1870, modelled standing on oval plinth bases, in gilt decorated Royal dress, 45cm high, (2) £60 - £80

772. A Belleek first period Grass kettle and covered sugar bowl, relief moulded and highlighted in gilt and coloured lustre, back marks, 16cm high (2) £350 - £450

781

773 773. Frederick Elkington for Wedgwood, an electroplated encased three piece tea set, circa 1880, squat ovoid form, relief moulded with Classical figures, overlaid with silver plated copper, impressed Wedgwood marks, 21cm long (3) £100 - £200

781. A large Sunderland Lustre Masonic jug, mid 19th century, shouldered form, with low handle, transfer printed with verse 'the world is in pain...', the reverse with 'Let Masonry from People to Pole...', the front with a view of the iron bridge over the Wear, 26cm high £150 - £200

774. Wedgwood for Farrow and Jackson, eight creamware disc bin labels, circular, printed with black three digit numbers, stamped marks, 8cm diameter (8) £60 - £100

782. A large named Sunderland Lustre jug, mid 19th century, shouldered form, painted dedication Mary Carswell, transfer printed and coloured with the Sunderland Iron Bridge , the reverse with the Downing print of ships at sea, a verse under the spout Forget me Not, 27cm high £150 - £250

775. A late 19th Century earthenware scent flacon and stopper, of moulded lozenge form, transfer printed and overpainted chinoiserie decoration of figures around a veranda, petal foot, 23cm high £80 - £120

783. A Sunderland Lustre Sailor's jug, Robert Maling, Ouseburn Bridge pottery, mid 19th century, shouldered form, transfer printed and hand coloured with three scenes, There's the Girl that I Love Dearly, Sailor's Fairwell and Sailor's Return, 24cm high £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

784. A William IV Sunderland Lustre jug, Robert Maling, Ouseburn Bridge pottery, The Mariner's Compass, shouldered form, transfer printed and coloured with ships at sea and a verse, 'When first i was a foremast man...', 24cm high £80 - £120

787 787. A Sunderland Lustre jug, Robert Maling, Ouseburn Bridge pottery, shouldered form, transfer printed and coloured with Grace Horsley Darling, the reverse with William Darling and his Daughter, lifeboat scene, 17cm high £80 - £120 785 785. A Sunderland Lustre jug, mid 19th century, shouldered form, transfer printed to each side with a scene 'Pond in which the body of Weare was found', depicting the extraction of a corpse from the Hill Slough pond, Elstree, 1823, 18.5cm high

788. A small Sunderland Lustre jug, mid 19th century, shouldered form, printed with a verse 'Ladies all', 7.5cm high £20 - £40

Note: the Radlett of Elstree Murder was a widely publicised and reported crime and trial around the killing of William Weare in Radlett, Hertfordshire in 1823, by John Thurtell, over a gambling debt. £150 - £250

789 789. A Sunderland Lustre jug, Adam Clarke, transfer printed with an image of the Wesleyan Minister, the reverse with a verse 'O that I could my Lord receive', the rim and handle with floral motifs, 14.5cm high £50 - £80 790. A Sunderland Lustre jug, mid 19th century, The Sailor's Tear and the Sailors Farewell, shouldered form, transfer printed, the reverse with Britannia, lion and ship, 24cm high £70 - £100 786 786. A Sunderland Lustre jug, Robert Maling, Ouseburn Bridge pottery, mid 19th century, shouldered form, Country Lad and Lass, transfer printed and coloured with verse 'Forget not Christ the Lord of Hosts', the reverse with 'Here's to the wind that blows', the central image of courting couple with cow, 19cm high £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms. CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TERMS OF CONSIGNMENT FOR SELLERS

3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £2.50 plus VAT per lot. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

(e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 23 per cent plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice. 8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

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Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations). Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. Credit cards – Visa or Mastercard (American Express or Diners Club not accepted). Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the cardholder is not present. Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid. We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. 13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM