Kinghams Auctioneers by Jamm Design Ltd

FINE & DECORATIVE ARTS Friday 27th & Saturday 28th May 2022

FINE AND DECORATIVE ARTS To be held at: 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ FRIDAY 27TH MAY & SATURDAY 28TH MAY Viewing Tuesday 24th May – 10.00am to 5.00pm Wednesday 25th May – 10.00am to 5.00pm Thursday 26th May – 9.00am to 4.00pm Day of the Sale Auction scheduled to start at 10am with bidding in the room and live bidding on the internet bidding platforms. Telephone bids and commission bids are accepted and potential bidders will need to be registered with us before the sale.

SPECIALISTS

George Kingham

John Keightley

Allison White

Adrian Rathbone

Director

Associate Director Senior Valuer and Cataloguer

Auctioneer, Valuer and Photographer

Associate Director

Mark Oliver

Geoff Shepherd

Steven Bruce

Consultant Decorative Arts Specialist

Associate Director Office Manager

Consultant Valuer

James Brown Junior Cataloguer

Live internet bidding is available on www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com together with a fully illustrated catalogue. Catalogue £10.00 (£14.00 by post)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ NB. Please telephone to arrange collection. Telephone: 01608 695695 Mobile: 07976 919836 Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

MAP AND DIRECTIONS Our auction site is based in the market town of Moreton-in-Marsh on the edge of the Cotswolds. By Car We are centrally located on the A44 in reach of motorways the M5, M4, M40 and M42

By Rail Moreton-in-Marsh’s train station is less than a mile from the auction site

By Plane The nearest International Airports are Birmingham, 45 miles and Heathrow, 70 miles

Accomodation www.cotswolds.com/accommodation

DELIVERY SERVICES FOR BUYERS We offer an in house packing service for most items and paintings up to 110cm x 80cm. Please email enquiries@kinghamsauctioneers.com for a quote or call 01608 695695 for a quotation. For Furniture: Stephen Morris Shipping PLC, 9 Ockham Drive Greenford, London, UB6 0FD Tel: 02088 322222

USEFUL INFORMATION FOR BUYERS Please see full Terms and Conditions at the back of this catalogue.

Buying at Kinghams Auctioneers Ltd:

Condition

There are several ways you can bid at our auctions; in person, by leaving a commission bid, on the telephone and live via the internet.

Bidders must satisfy themselves as to the condition of each lot. Condition reports are available on request. (no later that 48 hours before the sale).

Bidding in Person

Buyer’s Premium

It is essential that all prospective buyers register with us prior to the auction. Proof of identification will be required in order for a bidding number to be allocated which can then be used when bidding for an item.

There is a buyer’s premium of 23% plus VAT on the first £500,000 of the hammer price of each lot. 18% plus VAT on the excess of £500,001 and up to £1,000,000 of the hammer price of each lot, and 15% plus VAT on the excess of £1,000,001 of the hammer price of each lot.

Commission Bids Kinghams will execute bids if you are unable to attend the sale. Bids can be left with our staff during or after viewing, or in advance by telephone or e-mail: enquiries@kinghamsauctioneers.com

Telephone Bids Lines must be booked by 5pm the day before the auction begins. Lines are booked on a first come first served basis. Full name, address and telephone numbers will be required together with proof of identity. Bank and/or credit/debit card details are necessary to secure the line.

Live Internet Bidding Register online via www.the-saleroom.com, www.invaluable.com, www.easyliveauction.com and www.liveauctioneers.com. Various charges apply, please check with your bidding platform.

Payment Must be made in full before items can be removed from the premises. If buyers are unknown to us, we cannot handover purchases until payment has been cleared. Payment Methods - We accept payment by: • Cash - up to £9,000 (subject to money laundering regulations). • Cheques - following 5 working days clearance. • Debit/Credit Cards - American Express or Diners Club not accepted. We accept maxiumum payments of £500 on credit card. • Bank transfer to: HSBC Bank, 32 Bridge St., Evesham, WR11 4RU Account No.: 51655345 Account Name: Kingham & Orme Auctioneers & Valuers Ltd Sort Code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payments.

CONTENTS Day One Silver

1 – 202

Jewellery

203 – 315

Coins and Militaria

316 – 330

Books and Illustrations

331 – 379

Prints and Paintings

380 – 529

Day Two Oriental Ceramics and Works of Art

530 – 612

Works of Art

613 – 688

Clocks and Furniture

689 – 719

Glass

720 – 756

Continental Ceramics

757 – 788

Moorcroft

789 – 82

Art Pottery

825 – 875

British Ceramics

876 – 943

Ryans Collection of Staffordshire Figures

944 – 1097

DAY ONE

SILVER 8. A Continental silver bowl, lobed form with embossed hobnail panels, stamped marks, 92.5, 29.5cm diameter, 9.80ozt £80 - £120

1. A pair of Chinese white metal salt and pepper pots, tapered hexagonal form with pierced domed lids, each side engraved with Chinese script, 9.5cm high, 4.98ozt (2) £200 - £300

5 5. A set of six Chinese export silver teaspoons, circa 1900, each cast with a pierced finial of bird in prunus, on branch stem, 12cm long, 2.43ozt (6) £40 - £70

9 2

9. A German silver box, Nuremberg circa 1700, oval form, the led embossed in high relief with a wreath of gadrooning and beading around a central chased foliate scroll, stamped marks and later French import mark, 6.5cm long, 1.42ozt £450 - £500

2. A pair of Japanese silver vases, Meiji, inverse baluster form, each engraved with prunus branches and birds, struck marks, 14.5cm high, 10.90ozt (2) £200 - £300 3. A Chinese silver miniature model of a tea kettle on stand, early 20th Century, repousse decorated with birds amongst foliage, struck marks, 9cm high £150 - £200

6 6. A Persian silver box, probably Hussain Parvaresh, Isfahan circa 1960s, cuboid form, finely engraved and etched with geometric foliate roundels, cartouches and borders, of birds and foliate scrolls, the interior lined in lacquered wood and engraved with an inscription from A A Hoveyda, Prime Minister of Iran, stamped marks, 20cm wide, 5.5cm high, 13cm deep, 32.82ozt £300 - £500

10 10. A 17th century German silver box, WP, Konigsberg 1685, oval form, the lid embossed in high relief with a Romantic pastoral landscape of Venus and Adonis, the body with bouquets of fruit between engraved festoons, 10cm wide, 5cm high, 4.95ozt £800 - £900

4 4. A novelty Chinese white metal condiment, early 20th Century, in the form of a seated Mandarin, 12cm high, together with a Chinese white metal miniature model of a junk (2) £150 - £200 7 7. An Indian Kutch silver box and cover, or tea caddy, 19th century, rounded bowl form, repousse embossed and chased with ogee arcaded lappets of foliate scrolls between acanthus borders, on four lions paw feet, the domed and reeded lid with bird finial, stamped Persian makers marks, £100 - £200 14cm high, 11.12ozt

11. A pair of cast silver gilt figural salt cellars, marks for Soissons, Reims circa 1790, modelled in relief as stylised Viking ships with shields, on dolphin wheels, each with a pair of putti supporting a globe studded with fleurs de lys, 8.5cm long, 6.28ozt (2) £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

16 15. Three 19th century Dutch silver forks, Amsterdam 1896, three pronged Hanoverian pattern, 18.5cm long, 3.87ozt (3) £40 - £70

12 12. An Imperial Russian silver gilt and cloisonne enamelled spoon, Moscow circa 1910, the twisted stem with crown terminal, 11.5cm long, 0.49ozt £30 - £50 13. A large Polish silver spice tower, Warsaw 1871, modelled with a central ball knopped spire with bell within, flanked by four turrets, each with a revolving flag finial, the compartments with blind arcading and hinged door, on cylindrical and domed foot, banded with tooled foliate borders throughout, 35cm high, 20.40ozt £1,000 - £1,200

16. An early 19th century tortoiseshell cased Dutch silver tea accoutrement set, 1816 to 1830, including twelve bright cut teaspoons, caddy spoon, turned fruitwood handled sugar shovel and spout fitting straining bucket, the cuboid box with mirrored interior lid, strung in ivory and set with mother of pearl, 18.5cm long, 12cm deep £200 - £400 17. A 19th century Italian silver miniature watering can or olive oil pourer, Naples circa 1840, ogee shouldered basket form, embossed with laurel husk lappets, twisted strap handle and finely tapered spout, 8cm high, 1.05ozt £30 - £50

20 20. A 17th Century German silver and enamelled knife in sheath, Saxony circa 1680, the handle embossed and chased with medallions for John George III, Elector of Saxony, his coat of arms and foliate scrolls, on a green enamel ground, the sheath with relief moulded Classical busts, on a blue ground, stamped steel blade, 13.5cm long £600 - £800

18 18. Two 19th century historical revival Dutch silver gilt Apostle spoons, cast and chased decoration, stamped pseudo marks, 21cm long, 3.90ozt (2) £40 - £70 14 14. A pair of 19th century Ottoman silver spoons, Turkey circa 1890, shouldered and ogee shaped with engine turned decoration, tourgha marks, 16cm long, 2.08ozt (2) £30 - £50

19. A 17th century Norwegian silver spoon, Jochum Jochumsen Kirsebom, Stavanger circa 1620, the onion shaped bowl on an engraved Classical pilaster stem with twisted spiral strap and ball finial, stamped mark IK, 14cm long, 0.84ozt £500 - £600

21 21. A Continental silver and enamelled box, probably Austrian, circular form, the lid and edge decorated in pale yellow guilloche enamel, 4.5cm diameter, 1.31ozt £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

22. David Andersen, a silver gilt and enamelled spoon, circa 1910, the bowl back painted with lilies, yellow guilloche enamel ground, 15cm long, 1.00ozt £40 - £70

25. A silver and enamelled needle case, circa 1905, cylindrical tube form, purple guilloche enamel with cap lid, stamped sterling, 4.5cm long, 7.7g £30 - £50

28. An Austrian silver gilt and champleve enamelled snuff box, Vienna circa 1900, canted rectangular form, the edges cast in relief with foliate scrolls, the lid with a central turquoise guilloche enamel cartouche within purple ground and chased foliated wreath, 8.5cm x 5.5cm, 3.06ozt £40 - £70

23. A Norwegian silver gilt and enamelled novelty salt cellar, Magnus Aase, Bergen, modelled as a Viking ship with white basse taille enamel, blue glass liner, 0.90ozt £40 - £70

26. A Swiss silver gilt and enamelled box, Glatou, Geneva, cushioned rectangular section, the lid and sides in blue guilloche enamel, with central cream and floral painted cartouche, within gilt borders, 6.5cm x 4cm, 2.13ozt £50 - £80 27. Two Continental silver gilt powder compacts, each with printed enamelled covers depicting courtly couples within a blue panelled border with bright cut engraved leafage scrolls, both stamped 800 and a Swiss silver compact, the cover enamelled with figures conversing and a shepherd boy with his flock, import marks, stamped 925, approximate weight all in 8.31ozt (3) £80 - £120

29 29. A French novelty silver salt pot, Maison Eschwege, Paris circa 1910, modelled as an owl, cast and chased, set with glass eyes, 6.5cm high, 1.57ozt £40 - £70

24 24. An Austrian silver gilt and enamelled needle case or lipstick holder, Georg Adam Schied, Vienna circa 1910, the white guilloche enamel body painted with purple flowers, beaded bayonet cap, 7cm long, 1.18ozt £40 - £70

30 30. A French silver and enamelled box, import marks London 1907, circular with turquoise guilloche enamel lid, engine turned to the side, gilt interior, 4.5cm diameter, 0.92ozt £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

31. A French gilt and enamelled portable atomiser, together with a silver and guilloche enamel tubular case, Le Kid, a band of blue, between pink flowers on cream, the barrel form case similarly decorated, 6.5cm high (2) £50 - £80

35. A set of ten George IV Irish silver teaspoons, Charles Marsh, Dublin 1827, Fiddle, Thread and Shell pattern, 14.5cm long, 10.23ozt (10) £80 - £120

39. A Victorian silver snuff box, Edward smith, Birmingham 1857, ogee pellet form, chased and engraved with foliate scroll and floral decoration, hinged lid and gilt interior, 9cm long, 3.10ozt £200 - £300 40. An Edwardian silver and ivory fruit knife and fork, William Briggs and Co., Sheffield 1903, together with a page turner magnifier and sewing tool, 18.5cm long (4) £50 - £80

32. A 19th century French silver gilt and ivory cased sewing set, the oval box fitted with scissors, thimble, needle case, awl and threader, 11cm long £80 - £120

36 36. A George III Provincial silver meat skewer, John Langlands, Newcastle circa 1760, plain form with loop handle, 32cm long, 3.46ozt £180 - £220 37. A collection of George II and later silver flatware, including George III knife rest, Robert Gainsford, Sheffield 1798, including spoons and teaspoons £60 - £80 33 33. A pair of George III Colonial or American silver asparagus tongs, T.C struck once, circa 1800, plain tapered Old English form, with ribbed and fluted pads, 28.5cm long, 6.430zt

41 41. An Edwardian silver miniature porringer, Wakely and Wheeler, London 1906, squat ovoid form with fret pierced foliate handle, gilt interior, 7.5cm long, 1.40ozt £30 - £50

Note: see Bonhams, London, 25th November 2004, lot 56, for an example of this mark on a pair of mustard pots £150 - £250 34. A George III Scottish Provincial silver and niello enamelled wine label for Sherry, I.O’D and A Rollo, Dundee circa 1790, crescent form, black enamel filled lettering, stamped I.O’D twice, 5cm wide, 0.35ozt £60 - £80

38. A pair of Elizabeth II cast silver taper sticks, Wakely and Wheeler, London 1967, octagonal section knopped and stepped baluster form in the George I style, 10.5cm high, 10.42ozt £300 - £500

42. A Victorian silver quaich or twin handled porringer, Wakely and Wheeler, London 1889, the hemispherical bowl with fluted rim and fret pierced foliate scroll handles, 15cm long, 3.18ozt £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

50. An Elizabeth II silver tea strainer and stand, Barker Ellis Silver Co., Birmingham 1987, the rounded stand with three shell and trefoil feet, open foliate handles to the strainer, 12cm long, 3.13ozt £40 - £60

55. A Victorian silver mustard pot, Pinder Brothers, Sheffield 1898, squat shouldered boat form, embossed with foliate scroll panels, reeded handle and rim, on four ball feet, glass liner, 9.5cm long, 2.13ozt £30 - £50

51. An Elizabeth II silver footed bowl, WW, London 2001, shallow rounded form with beaded borders, 23.5cm diameter, 22.06ozt £150 - £250

56. A George V silver Monteith, R F Mosley and Co., Sheffield 1912, hemispherical footed bowl form, half fluted with embossed cartouches and cast ogee scroll and shell rim, heavy lions mask and triangular swing handles, 30cm diameter, 65.26ozt £1,000 - £1,200

43. A George V silver compact purse, Mappin and Webb, Birmingham 1917, plain cushioned rectangular form, suspended on two chains with finger ring, the gilt interior with mirror and hinged compartment, 6cm x 5cm, 2.55ozt £50 - £80 44. A pair of Victorian silver and ivory handled fish servers, Atkin Brothers, Sheffield 1860, the carved rope form handles with crests, the knife blade pierced and chased to each side with a dolphin within a coiled caged of concentric rings, the five prong fork with knotted foliate trellis, in fitted velvet lined Moroccan leather case, 37cm long £80 - £120 45. A Victorian silver punch bowl, London 1864, circular footed form, repousse floral and C scroll frieze, presentation inscription ‘Liverpool Polo Club Cup, on ebonised socle base with silver engraved band, 38cm diameter £300 - £400 46. A George VI silver waiter, serpentine border, hoof feet, maker Barker Brothers Ltd, Birmingham 1937, 26cm wide, 23.24ozt £200 - £300 47. An Elizabeth II silver table cigarette casket, machine engraved cover, stepped bracket feet, maker J.B. Chatterley & Sons, Birmingham 1953, 17cm wide, and a smaller table cigarette casket, (a/f) (2) £80 - £120

57. A pair of George VI silver salt and pepper pots, Sydney James Hall, Chester 1946, stepped conical form with angled lids, 5.5cm high, 1.28ozt (2) £30 - £50

52 52. A Victorian silver box, Deakin and Francis, Birmingham 1896, embossed heart form, foliate C scroll decoration, hinged lid with gilt interior, 7.5cm, 2.00ozt £40 - £60 53. A George IV silver three piece tea set, William Hunter, London 1826, footed ogee ovoid form, embossed with floral and shell cartouche decoration below wave bands, the rims of cast foliate scroll and fox mask design with C S handles, including teapot, jug and bowl, 28cm long, 52.15ozt (3) £700 - £900

58 58. An Edwardian silver and cut glass four piece cruet, Joseph Gloster Ltd., Birmingham 1909 and 1910, the wire sand containing four cylindrical hobnail cut jars, two with silver mounts, with original spoons, 10.5cm high £50 - £80 59. Four George III and later silver sugar tongs, various makers and dates from 1792, plain fiddle and Old English forms, 4.01ozt (4) £40 - £60

48. A late Victorian silver bon-bon basket, repousse scroll and fretwork design, Birmingham 1899, 14cm wide, 2.23ozt £40 - £60 49. A large George VI silver tray, Elkington and Co., Birmingham 1940, twin handled ogee fluted oval form, 63.5cm x 42cm, 86.16ozt £600 - £800

54. A George III silver cruet, Thomas Daniell and John Wall, London 1781, the reticulated and bright cut oval stand with entwined foliate scroll and laurel swag band between Vitruvian scroll and beaded borders, on four ball and claw bracket feet, with central handle, eight cut glass and silver mounted bottles and stoppers, slice and notch cut, 25.5cm high £250 - £350

60 60. A George VI silver helmet shaped cream jug, Gladwin Ltd, Sheffield 1940, pedestal boat form, C scroll handle, rectangular plinth, 11cm high, and a pair of Victorian silver sugar tongs, 7.68ozt (2) £70 - £90

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

61. A pair of Victorian novelty electroplated and carved ivory fish servers, William Yates, Sheffield 1900, the handles realistically modelled as crab claws, the blade engraved with a Highland scene of stag in mountain lakeside view, 32.5cm long, in fitted leather case £40 - £60 62. A George V silver four piece tea set, Daniel and Arter, Birmingham 1931, fluted ogee baluster form, ebony handles and foliate reeded borders, teapot 30cm long, 63.73ozt (4) £400 - £600

68. A pair of George V novelty silver menu holders, Sampson Mordan, London 1932, modelled as owls, set with glass eyes, 3.5cm high, 1.38ozt (2) £300 - £400

65 65. A George III silver vinaigrette, Samuel Pemberton, Birmingham 1809, palm fitting chamfered cuboid form, bright cut decorated with entwined foliate branches, diamond punched grille, on fob suspension, 4cm, 0.49ozt £40 - £70

63 63. A pair of George II silver tea tongs, probably Ebenezer Coker, London circa 1750, scissor action C S and foliate scroll design with tongue heeled oval bowls, stamped makers mark to one EC, 11.5cm long, 0.94ozt £30 - £50 64. A George VI silver tea strainer, Viners, Sheffield 1951, denticulated bowl with hook rests, the handle pierced with a stylised flower terminal, 15cm long, 1.42ozt £50 - £80

66. A George III silver brandy pan, Rebecca Emes and Edward Barnard, London 1820, cylindrical footed plain form with turned fruitwood handle, 26cm long, 8.70ozt £100 - £150

69. A Victorian silver chamberstick, James Deakin and Son, London 1890, naturalistically modelled as a rose, with thorny stem and leaves, on rusticated domed and weighted base, loop handle, 13cm high £300 - £400

67. A Victorian silver mustard pot, George Fox, London 1872, baluster form, banded and reeded to the lower section, engraved acanthus and moulded beaded rim, with S scroll handle, gilt interior, 7.5cm high, 3.24ozt £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

74. A George VI silver caster, London Assay Office, London 1937, footed Queen Anne baluster form with pierced foliate and diaper panels to the domed lid, 20cm high, 8.98ozt £50 - £80

78. A Victorian silver vinaigrette, George Unite, Birmingham 1871, ogee bordered scroll cartouche form with engine turned decoration, pierced foliate grille, 4cm long, 0.68ozt £40 - £70

75. A Victorian silver spoon, Samuel Hayne and Dudley Cater, London 1861, Old England pattern, cast with the symbolic plants of the British Isles, 16.5cm long, 1.01ozt £30 - £50

79. A George V silver gilt travelling shaving brush, Finnigans Ltd., London 1919, engine turned tubular form with hinged lid and screw fixing brush, 8.5cm long £40 - £70

70 70. An Elizabeth II silver figure of a pig, import marks London 1979, realistically modelled standing, 5cm long, 1.06ozt £120 - £180

80. A pair of George V silver vases, A & J Zimmerman, Birmingham 1912, octagonal section, banded and footed trumpet form, weighted, 12cm high (2) £30 - £50

71 71. An Edwardian silver figure of a pig, import marks William Geiger, London 1907, realistically modelled sitting, 3.5cm high, 0.97ozt £120 - £180 72. A George III silver snuff box, Samuel Pemberton, Birmingham 1807, plain rectangular palm fitting form, gilt interior, 5cm x 3.3cm, 0.81ozt £70 - £100 73. A George V silver double cruet, William Lister and Sons, London 1915, footed and banded beaker form with applied foliate scroll lappets, ogee domed lids and glass liners to the mustard pots, with matching scroll terminal spoons, in fitted case, 18.01ozt (10) £150 - £250

76 76. A matched pair of Victorian cast silver vine handled mustard spoons, Yapp and Woodward and Joseph Walton, Birmingham 1839 and 1843, the bowl in the form of a bud emerging from an entwined leafy tendril, 11cm long, 1.30ozt (2) £80 - £120

81 81. A pair of Edwardian cast silver grape scissors, William Hutton and Sons, London 1901, the handles modelled as fruiting vines, in fitted velvet lined leather case, 18cm long, 5.00ozt £80 - £120

77. A pair of Edwardian silver commemorative spoons, Carrington and Co., London 1905, cast shell bowls and coat of arms terminals commemorating the Great Exhibition 1853, 15cm long, 3.39ozt (2) £40 - £70

82 82. An Elizabeth II silver spirit measure or jigger, W I Broadway and Co., Birmingham 1992, double ended flared trumpet form with circular handle, gilt interiors, 11.5cm high, 1.88ozt £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

88. A Victorian silver stilton scoop, Elizabeth Eaton, London 1854, Queens Pattern, 20.5cm long, 2.85ozt £50 - £80

83 83. A set of three George III silver wine labels for Rum, Orange and Hollands, Thomas and Daniel Leader, Sheffield 1808, fluted rim pellet form, on rolo chains, 3.5cm wide, 0.58ozt (3) £80 - £120

89 86 86. A Victorian silver mounted and cut glass claret jug, James Charles Edington, London 1852, the facet cut globe and shaft body etched with floral specimens, the handle neck and spout cast in the Mannerist style with mask, C scroll and fruit motifs, spring loaded articulated lid mechanism, 30cm high £300 - £500

89. A George III sucket spoon, William London, London 1765, the bowl with engraved tail, chased foliate scroll design to the stem and two pronged fork finial, 12.5cm long, 0.63ozt £120 - £180 90. An Elizabeth II silver Armada dish, J M & S, London 2000, plain with incised banding, 20cm diameter, 11.31ozt £100 - £150 91. A Victorian silver gilt and glass combination vinaigrette scent bottle, Sampson Mordan, London 1862, the canted cuboid bottle with hinged base and pierced foliate grille, 9.5cm high £350 - £400

84 84. A George III silver wine label for Port, Solomon Hougham, London 1816, embossed in relief with fruiting grape vines, shell and lions mask, suspended on chain, 5.5cm long, 0.44ozt £30 - £50 87 87. A Victorian silver and ivory handled stilton scoop, George Adams, London 1861, plain with rounded conical handle, 21cm long £70 - £100 92 92. A Victorian silver and glass double ended scent bottle, Sampson Mordan, London 1875, slice cut cylindrical body with screw and hinged caps, in fitted leather and velvet case, 13.5cm long £80 - £120

85 85. A George IV silver wine and niello enamelled wine label for Madeira, William Bateman, London 1822, crescent form with black enamel filled lettering, on rolo chain, 5cm wide, 0.35ozt £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

98. A Victorian silver vinaigrette, Nathaniel Mills, Birmingham 1845, castle top form with engine turned designs within foliate scroll cartouches, pierced gilt grille, 4cm x 3cm, 0.60ozt £200 - £250

105. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1909, modelled as a boot or shoe, 9cm long £50 - £80

99. A Victorian silver vinaigrette, D&M, Birmingham 1876, castle top form, engraved and chased with foliate scrolls, pierced grille, 3.5cm x 2.5cm, 0.53ozt £150 - £200

93 93. A 9 carat rose gold mounted and stoppered glass double oil and vinegar cruet bottle, H J Cooper and Co. Ltd, circa 1920, the teardrop gourd bottles stabilised with ovoid brackets, flared collars and concave trumpet cork stoppers, marked 9ct gold to each, 16cm high £120 - £180 94. A George V silver mounted double oil and vinegar bottle, Hukin and Heath, Birmingham 1930, organic entwined gourd form with bulbous brackets, hinged lids to each, 16cm high £100 - £150 95. A pair of Victorian silver mounted cut glass atomiser scent bottles, George Brace, London 1892, the spherical wrythen cut rock crystal type bodies with domed push button lids, in a fitted velvet and satin lied Moroccan leather case, 14.5cm high (2) £150 - £250

100. A Victorian novelty nut and white metal vinaigrette, made from a walnut, opening to reveal a velvet lined cavity and an enclosed compartment with pierced monogram grill, fob loop attachment, 3.5cm long £40 - £70 101. A George III novelty silver patch box, Thomas Willmore, Birmingham 1803, in the form of a book, engraved with a tooled leather binding, 2.5cm x 1.7cm, 0.18ozt £100 - £150 102. An Elizabeth II silver novelty pepper grinder, D (S) Ltd., Birmingham 1977, modelled in the form of a coopered milk churn with handles, applied with a Silver Jubilee plaque, 11cm high £50 - £80 103. A George V novelty silver money box, Deakin and Francis, Birmingham 1917, modelled as a Post Office letter box, oval section, engraved detailing, screw base, 6.5cm high £350 - £450

96. A silver gilt enamel atomiser, blue guilloche enamel and floral frieze, (enamel a/f), together with a green guilloche enamel lipstick holder, a red enamel scent flask, a blue enamel miniature hand mirror and a blue guilloche enamel circular locket containing a lock of hair (5) £100 - £150

106 106. An Edwardian novelty silver pin cushion, Robert Pringle, Birmingham 1906, modelled as a camel, with single hump back, 5.3cm high £120 - £180 107. An Edwardian novelty silver pin cushion, Levi and Salaman, Birmingham 1906, modelled as a clog, together with a George V example of a shoe or boot, Birmingham 1918, 7.5cm long (2) £50 - £80 108. Three George VI silver and enamelled compacts, Crisford and Norris, Henry Clifford Davis and Turner and Simpson, Birmingham 1948 to 1950, circular form, in cream guilloche enamel and painted with various flowers, approximate weight all in 9.05ozt (3) £80 - £120

109 104

97 97. A George IV silver nutmeg grater, Samuel Pemberton, Birmingham 1823, oval section with ogee domed lid, banding to the body, steel grate, 3.5cm long, 0.49ozt £280 - £320

104. A George V novelty silver pin cushion pedestal compact, Birmingham 1911, the hinged lid with swan finial, weighted, 6.5cm high £80 - £120

109. A Victorian novelty silver plate and straw opal glass preserve pot and stand, circa 1890, the ovoid bowl, probably James Powell and Sons, Whitefriars, in the form of an apple, with realistically modelled lid, the leaf stand with coiled wire handle and cage, 18cm long £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

116. An Elizabeth II silver and enamelled vanity set, Walker and Hall, Birmingham 1961, cream guilloche enamel painted with roses, including lipstick holder, cigarette case and compact, together with a matching additional compact, approximate weight all in 11.17ozt (4) £150 - £250

110

113

110. A George V silver, parcel gilt and enamelled compact, Crisford and Norris, Birmingham 1929, circular with yellow guilloche enamel panels to each side, within tooled foliate vine borders, 2.28ozt £50 - £80

113. A George V silver and enamelled cigarette case, Cohen and Charles, London import 1924, ogee pointed arch form, engine turned to each side with fleur de lys motifs, the lid with blue and white borders, gilt interior, 10.5cm long, 3.33ozt £40 - £70

117 117. An Edwardian silver and enamelled match box cover, Liberty and Co., Birmingham 1909, cuboid form, the top with green guilloche enamel painted with gilt quatrefoil and foliate motifs, within a ribbon and reed border, 4.5cm x 3cm, 1.15ozt £50 - £80

111

114

111. A George VI silver and enamelled compact, Henry Clifford Davis, Birmingham 1947, circular with pink guilloche enamel lid, 8cm diameter, 3.19ozt £60 - £80

114. A George V silver and enamelled lipstick, Erich Kellerman, London import 1911, of bullet shell form, pale green guilloche enamel to all surfaces, 7cm long, 0.73ozt £60 - £100 118 118. A George VI silver compact, David Sutton and Sons, London 1951, square section, engine turned, flush inset hinged lid and gold button release, 6.5cm square, 3.89ozt £50 - £80

112

115

112. A George V silver and enamelled compact, Adie Brothers, Birmingham 1929, circular form, painted with a portrait of a terrier, gilt interior, 5cm diameter, 1.31ozt £80 - £120

115. A set of four Victorian novelty silver bridge dishes, A and J Zimmerman, Birmingham 1898, each in the form of a card suit, including heart, club, diamond and spade, with crimped borders, 10cm long, 2.36ozt (4) £40 - £70

119. Asprey, London, an Elizabeth II silver and enamel powder compact, Henry Clifford Davis, Birmingham 1952, square form, machine engraved, the cover with an enamelled scene of courtly figures in a landscape in the manner of Watteau, 6.19ozt £100 - £150 120. A George V silver and enamelled compact, Henry Clifford Davis, Birmingham 1936, circular, the lid painted with a mountain lakeside scene, within a green guilloche enamel ground, 7cm diameter £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

130. Asprey, London, a child’s silver Humpty Dumpty bowl and matching spoon, bright cut engraved with the central character and scenes from the nursery rhyme, maker Asprey & Co, London 1938, 7.77ozt all in, in a branded fitted presentation case £200 - £300

121

125

121. A George V silver gilt and enamelled pill box, Henry Clifford Davis, Birmingham 1925, circular form, the hinged lid painted with a Highland loch scene of cows and heather, within beaded border, 4.5cm diameter, 0.78ozt £40 - £70

125. Sporting interest, a pair of early 20th Century white metal novelty knife rests, in the form of racing greyhounds wearing coats with No.1 insignia, 9cm long (2) £50 - £80

122. A George VI silver and enamelled compact, Deakin and Francis, Birmingham 1947, octagonal form, cream guilloche enamel scallop shell design, 8cm diameter, 2.41ozt £50 - £80

126. A pair of William IV or early Victorian silver candlesticks, Samuel Walker and Co., Sheffield 1837, multi knopped baluster form, on stepped and fluted square ogee bases, moulded with honeysuckle lappets, weighted, 24cm high (2) £400 - £600 127. A Victorian silver four piece tea set, Robert Hennell III, London 1863, baluster form, embossed with inverted heart form lappets, relief moulded with floral bouquets to each, the handles cast and chased with flowering vines, including teapot, coffee pot, jug and twin handled bowl, teapot 24cm long, 70.93ozt (4) £600 - £800

123 123. A George VI silver and enamelled compact, Henry Clifford Davis, Birmingham 1950, canted square section, Champagne guilloche enamel painted with a fox head, 7.5cm square £100 - £200

128. An Edwardian silver and jade rattle, Cohen Hewer Cheshire, Chester 1908, embossed knopped form with six bells, whistle and ring teether, 15cm long £80 - £120

124. An Elizabeth II silver and enamelled compact of Hunting interest, Garrard and Co., Birmingham 1954, circular form, white guilloche enamel painted with huntsman and horse with hounds, 8cm diameter £100 - £200

132. A Victorian silver reticulated and lobed pedestal comport, Mappin Brothers, Sheffield 1897, quatrefoil trellis design embossed with C scroll and floral cartouches, within a foliate scroll border, 26cm diameter, 11.25ozt £100 - £150 133. A George III silver reticulated sugar basket, Hester Bateman, London 1783, pedestal cup form, pierced with bands of Neoclassical motifs and scrolls, beaded borders, swing handle, blue glass liner, 16cm high, 3.53ozt £200 - £300 134. A Victorian silver three piece tea set, John Round and Son, Sheffield 1898, reeded boat form, with angled handles, including teapot, jug and bowl, 24.39ozt (3) £200 - £400 135. An Edwardian silver toilet mirror, Henry Matthews, Birmingham 1904, serpentine edged, the embossed foliate scroll frame with Romantic landscape cartouches of minstrel and garden terrace, velvet backed, the bevelled glass 37cm x 25cm, overall 51cm x 35cm £100 - £200 136. A George VI silver and enamelled match case, Mappin and Webb, Birmingham 1937, cushioned rectangular form, blue guilloche enamel panels to each side, 6.5cm x 4.5cm, £80 - £120

128

124

131. A Victorian silver sauce boat, D and M Davis, Chester 1896, ogee rimmed helmet form, with open acanthus ear scroll handle, on three shell and stepped pad feet, 15.5cm long, 4.94ozt £40 - £60

137. A Victorian silver reticulated basket, Sheffield 1862, chased and engraved open basket weave and flame lappet bands, with coiled strap swing handle, 28.5cm diameter, 22.74ozt £200 - £300

129. A George V silver salver, Viners, Sheffield 1935, ogee fluted rim, on three shell scroll or dolphin head feet, 20.5cm diameter, 10.64ozt £70 - £100

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

145. A pair of George V silver dishes, Goldsmiths and Silversmiths Company, London 1926, the shallow bowls on conical feet, engraved in the Japanese style with central chrysanthemum rosettes, 8cm diameter, 4.95ozt (2) £200 - £300

138 138. An Edwardian silver plated novelty inkwell, the silver mounted glass bottle marked for Williams Ltd., Birmingham 1903, modelled in relief as two gnomes hauling a block, 10.5cm high £80 - £120 139. A pair of silver encased cat figures, modelled seated upright, hallmarked for Camelot Silverware Ltd, Sheffield 2008 also marked Crosa and dated 2003, 29cm high (2) £200 - £400

142 142. A late Victorian novelty silver inkstand, Saunders and Shepherd, Birmingham 1894, in the form of an oversized pen nib, maker , Rd.No.228648, blue glass liner, 1.12ozt £180 - £220

146 146. A Victorian silver caster, Barnet Henry Joseph, Birmingham 1887, flame reeded pedestal urn form, on square base with ogee domed and bright cut pierced lid, 13.5cm high, 4.51ozt £40 - £70

140 140. A pair of George V silver four division toast racks, Hukin and Heath, Birmingham 1913, the open rectangular curb bases with triangular section curved wire separators, 8.5cm high, 12.47ozt (2) £300 - £500

143 143. Masonic Interest, an early 20th Century green glass scent bottle, silver overlaid decoration of Art Nouveau design, Khartoum Temple script, date 1914 and insignia to the frieze and cover, 10cm high £80 - £120

141

144

141. Asprey London, an Edwardian silver triple section retractable beaker, gilt interior, engraved monogram, maker Charles & George Asprey, London 1901, 3.97ozt £280 - £320

144. A Victorian silver jug, Stephen Smith and Son, London 1877, squat ovoid and reeded form with beaded rim and fluted acanthus strap handle, 14cm long, 6.73ozt £100 - £150

147 147. An Edwardian silver box, William Comyns, London 1908, the embossed and reticulated lid with Louis XIV Sun King mask within laurel wreath, the cylindrical base with festooned swags, 6cm diameter, 1.21ozt £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

153 151. Two Elizabeth II silver and mother of pearl baby’s teething rattles, Crisford and Norris, modelled as owls, one with a celluloid teething ring, each with bells, together with a Victorian ivory aide memoire, 16cm long (3) £50 - £80

154. W A S Benson, a pair of Arts and Crafts silver plated tea caddies, circa 1900, inverse baluster form, with conical lids and milled finials, stamped marks, 10cm high (2) £50 - £80

152. A Victorian silver and champleve enamelled cup and saucer, Thomas Smiley, London 1875, decorated with green and white enamel flowering leafy stems, the cup handle cast as a gnarled branch, 15.5cm diameter, 10.92ozt £350 - £450 148 148. A pair of Victorian silver servers, Hilliard and Thomason, Birmingham 1890, including five pronged fork and shovel, cast foliate scroll, caryatid and crowned wreath handles, engraved to the tine and bowl, in fitted case, 14cm long, 1.97ozt (2) £70 - £100

153. A Victorian Aesthetic Movement silver tea set, Hukin and Heath, London 1883, organic textured and irregularly crimped foliate form, the teapot with integrated spout and hinged lid, rattan handle, including jug, bowl and teapot, 11.5cm high, 16.24ozt (3) £1,000 - £1,200

155 155. W A S Benson, an Arts and Crafts silver plated twin handled bowl, circa 1900, the ogee bowl with two quaich type handles of open looped and scrolling wire design, stamped marks, 16cm wide £70 - £100

149. An Edwardian novelty silver baby’s rattle, Crisford and Norris, Birmingham 1910, modelled as a Teddy bear, with bells and whistle, suspended from a celluloid ring, 11.5cm long £40 - £70 150. Two Victorian silver and mother of pearl baby’s teething rattles, indistinct makers and dates, baluster turned, embossed and chased with foliate scrolls, attached bells, 12cm long (2) £50 - £80

154

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

162

159 159. George Hart and Reynell Huyshe after Charles Robert Ashbee, an Arts and Crafts handled dish, Guild of Handicraft, London 1925, rounded planished form with double tendril handle, set with a freshwater mother of pearl cabochon, stamped Hart and Huyshe, 17.5cm long, 5.43ozt £1,000 - £1,200

156

160. Guild of Handicraft, an Arts and Crafts silver seal top spoon, London 1910, planished with square section tapered stem and poppy head finial, 14.5cm long, 0.93ozt £80 - £120

156. W A S Benson, an Arts and Crafts silver plated egg steamer, circa 1900, the ogee bowl with domed cover and horn finial, on a three legged base with pointed leaf feet, 21cm high £100 - £150

161 157 157. W A S Benson, an Arts and Crafts silver plated teapot, circa 1900, squat ovoid form with ropetwist and beaded banding, on three angled three toed paw feet, the triangular spout with internal grille, concentric ribbed lid with removable strainer, rattan handle, stamped marks, 25.5cm long £100 - £150 158. W A S Benson, an Arts and Crafts silver plated insulated pedestal jug, circa 1900, footed urn form with strap handle and helmet form lip, stamped marks, 26cm high £80 - £120

161. Charles Robert Ashbee for the Guild of Handicraft, an Arts and Crafts silver plated muffin dish, circa 1905, ogee domed lid with lyre form wire cage finial set with a mother of pearl cabochon, the warming dish base with beaded internal rim, 24cm diameter £600 - £800 162. A set of four Arts and Crafts silver and ceramic salt cellars, circa 1900, in the Guild of Handicraft style, planished and flared cylindrical form, reticulated and embossed with stylised leaf design to the rims, Ruskin style green glazed liners to each, stamped marks 925 and leaping fish, possibly Newlyn or Leicester, 4.5cm high (4) £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

167. A E Jones, an Arts and Crafts silver three piece tea set, Birmingham 1903, planished conical form on splayed feet, fluted strap band handles to the jug and bowl, green Ruskin cabochon set finial, the teapot with wooden handle, 21cm long, 16.59ozt (3) £500 - £700

168

163

168. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled Egbert teaspoon, Birmingham 1904, cast in relief with a stylised tulip motif in blue green enamel, 11cm long, 0.41ozt £100 - £150

163. A pair of Arts and Crafts silver pedestal vases, Mappin and Webb, Sheffield 1907, twin handled planished ogee bowls with fret cut lip, scrolling whiplash tendril handles bisected and coiled, on splayed feet, set with blue stone cabochons and bracket feet, 20cm high, 23.15ozt (2) £1,200 - £1,500

165 165. Kate Harris for William Hutton and Sons, an Arts and Crafts silver box, Birmingham 1902, heart shaped with hinged lid, embossed in relief with tendrils and quatrefoil flowers, gilt interior, 6.5cm wide, 1.55ozt £150 - £250

169. Archibald Knox for Liberty and Co., six Arts and Crafts Cymric silver and enamelled teaspoons, Birmingham 1901, the terminals with open knotted tendril design, blue green enamel highlights, 12cm long, 2.02ozt (6) £400 - £600

164 164. John Gatecliff, an Arts and Crafts silver and enamelled pedestal bowl and cover, Chester 1907, the planished oval dish with applied wire banding, supported on a four strand stem, united by a coil wreath, on oval domed foot, the lid set with raised purple enamel cabochon motifs in the form of hearts and oval, 8.5cm high, 1.55ozt Note: based in Otley, Yorkshire, Gatecliff became a teacher and metalworker until around 1945 £100 - £200

169

166 166. A set of six Art Nouveau silver buttons, import marks Robert Friederich, London 1903, modelled in relief with maidens’ heads wearing floral headbands, flanked by flowers, 3cm diameter, 1.15ozt (6) £60 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

170

170. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled Sarepta teaspoon, Birmingham 1904, cast in relief with a stylised bud and pointed foliate terminal in green blue enamel, pointed spade form bowl, model 332, 11cm long, 0.47ozt £150 - £200

171

176

171. Archibald Knox for Liberty and Co., a Cymric Arts and Crafts silver and enamelled Sarepta teaspoon, Birmingham 1902, cast in relief with a stylised bud and pointed foliate terminal in orange and green enamel, model 332, 11cm long, 0.34ozt £150 - £200

176. Edward Spencer for the Artificers Guild, an Arts and Crafts gem set silver, copper and walnut pedestal bowl, London circa 1913, model 2025, the turned shallow dish with planished band, on a decagonal bowed column, decorated with punched banding, on ogee domed and ropetwist banded foot, set with red and orange cabochons, 22.5cm diameter

174

Note: an almost identical example appears in the 1913 Studio Yearbook £400 - £600

174. Charles Fleetwood Varley for Guild of Handicraft, a silver and enamelled box, London 1903, planished cuboid form, the lid set with an oval plaque of a rural landscape in yellow green and blue enamel, 6.5cm long, 3.5cm high, 3.5cm deep, 2.67ozt £400 - £600

172 172. Liberty and Co., a Cymric Arts and Crafts silver and enamelled matchbox case, Birmingham 1905, planished cuboid form with circular cabochon in blue green enamel, 7cm x 5cm x 2.8cm, 1.48ozt £350 - £400 173. Gallia, two Art Nouveau silver plated vases, Christofle circa 1900, footed ovoid form, relief moulded with stylised holly leaves between fanned foliate fronds, stamped marks, 4332, the other inverse baluster form with four branched spouts around a central opening, modelled in relief with stag beetles and oak leaves, stamped marks, 18.5cm and 15cm high (2) £40 - £60

177

175

177. Bernard Cuzner for Liberty and Co., a pair of Arts and Crafts silver dishes, Birmingham 1919, broad rimmed oval form, incised with Persian style bands of foliate scrolls and applied blind fret rosettes, 16.5cm long, 7.75ozt (2) £200 - £300

175. Edward Spencer for Artificers Guild, an Arts and Crafts silver spoon, London 1926, planished bowl with rattail back, the round finial cast with lily and wheat motif within ropetwist border, 14cm £80 - £120 long, 0.78ozt

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

181. Omar Ramsden, an Arts and Crafts silver dish, London 1935, circular planished form with applied ogee foliate handle and moulded lip, presentation inscription, 10.5cm diameter, 4.70ozt £280 - £350

182 178 178. Omar Ramsden, an Arts and Crafts silver bowl, London 1933, planished octagonal section hemispherical form, on six pointed bracket feet, each side with a cast and pierced entwined foliate scroll pediment, 12.5cm diameter, 5.67ozt £1,000 - £1,500

182. Keswick School of Industrial Arts, an Arts and Crafts silver plated muffin dish, circa 1920, the hemispherical planished domed lid with broad rim and turned ebony finial, on a brad rimmed dish base, 20.5cm diameter £70 - £100 183. Nils Christensen, a set of six Danish Secessionist silver teaspoons, Copenhagen 1924, ogee dog nose form, planished and incised with beaded and feathered detailing, 12cm long, 1.81ozt £40 - £60 184. Peter Behrens (attributed), a Jugendstil silver cigarette or cigar case, Martin Mayer, Mainz circa 1902, hip fitting rectangular form, embossed in relief with concentric ogee and angled stepped arcading, gilt interior, 13cm x 8.5cm, 4.73ozt, in fitted case £200 - £400 185. A Secessionist silver gilt and enamelled compact, probably Austrian circa 1920, chamfered rectangular form with green and black oval, painted with fruiting grape vine, 9.5cm x 5.5cm, 3.85ozt £80 - £120

179 179. Omar Ramsden and Alwyn Carr, an Arts and Crafts silver cigarette case, London 1909, hip fitting planished rectangular form, embossed with knotted and scrolled dog rose wreath, 9cm x 8.5cm, 3.27ozt £400 - £500 180. Omar Ramsden, an Arts and Crafts silver cigarette case, London 1925, planished cushioned rectangular form, engraved with the arms of Westminster Abbey and inscription from the Dean and Chapter, 8.5cm x 6.5cm, 2.28ozt £400 - £500

186

181

186. After Jan Eisenloffel, a pair of Arts and Crafts silver candlestick lamp bases, Gibson and Co., Sheffield 1908, tapered and splayed square section, embossed with rivetted banding, shallow dished and rimmed sconces, 24cm high to fittings (2) £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

187. Liberty and Co., a set of six Arts and Crafts silver and hardstone teaspoons, Birmingham 1924, each with a specimen coffee bean bead terminal, quartz, lapis lazuli and carnelian, 9.5cm long, 1.48ozt (6) £120 - £180

197. A matched pair of Modernist silver dishes, A E Jones, Birmingham 961 and 1970, triangular teardrop form, 10.5cm long, 3.54ozt (2) £20 - £30

193. Hugo Grun, a Danish Modernist silver jug, circa 1960, footed organic teardrop bottle form with strap handle, 13cm high, 1.79ozt £30 - £50

198. Christopher Lawrence, a Modernist silver commemorative dish, London 1994, for the Bank of England, four section oval form with cast laurel wreath around a central plaque of Britannia and dates 1694 1994, 11cm long, 1.98ozt £100 - £150 199. Stuart Devlin, a Modernist silver and parcel gilt twin handled porringer, London 1982, for the Christening of Prince William, relief moulded to the lower section with a band of flowering waterlilies, engraved and numbered to the underside, 422, in Franklin Mint limited edition box, 11cm wide, 4.81ozt £250 - £300

194

188 188. Johan Rohde for Georg Jensen, a pair of sterling silver sugar tongs, pierced and stylised acorn handles, maker’s mark and import marks for London 1930, 10cm long, 0.69ozt £70 - £100 189. Liberty and Co., a set of six Arts and Crafts silver and enamelled coffee spoons, Birmingham 1936, planished cast with interlocking bud terminals, in blue green enamel, 9.5cm long, 1.38ozt (6) £150 - £250 190. A Continental silver and enamelled compact, circa 1920, circular with inset lid, pale blue guilloche enamel to all sides, the lid applied with a marcasite and black enamel knotted plaque, 5.5cm diameter, 1.67ozt £80 - £120

194. A Danish Modernist silver and enamelled cruet set, Volmer Bahner, Copenhagen circa 1960s, including pepper pot, salt cellar and spoon, the spoon and bowl with basse taille enamel in red and white with vine motif, the ovoid pepperette with guilloche panels with the same leaf motifs, 5cm diameter, 1.58ozt (3) £80 - £120

200. Brian Fuller, a Modernist silver wine taster, London 1993, the plain rounded dish with cast grape leaf and vine thumb piece and loop handle, 10.5cm long, 2.50ozt £100 - £150

195. A Spanish Modernist silver chafing dish and cover, Barcelona circa 1950s, circular pan form with hinged lid and angled thumb piece, tapered teak handle, 26cm long, 16.46ozt£180 - £220

201 191. A George V Art Deco silver cigarette case, Adie Brothers Ltd, Birmingham 1922, sunburst design champagne guilloche enamel cover with central jade type and marcasite mount, gilt interior, approximate weight all in 3.09ozt £80 - £120

196

201. Patrick Mavros, a South African Modernist silver and hardwood menu holder, modelled with a porcupine and tree stump, signed to plaque, 6cm long £100 - £150

196. A Norwegian Modernist silver and enamelled bowl, Thune, Oslo circa 1970, conical form with pale blue basse taille enamel interior, in rusticated chevron design, 16.5cm diameter, 7.04ozt £400 - £500

202. Patrick Mavros, a South African Modernist silver and hardwood figure group, modelled as two antelope, 8cm high £250 - £300

192 192. David Andersen, a Norwegian silver gilt and enamelled tea strainer, circa 1920, ogee tricorn form in red guilloche enamel, 12.5cm long, 1.14ozt £180 - £220 195

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

JEWELLERY 203. An 18ct gold diamond set ring, the split band united with three heart shaped motifs with illusion set single cut diamonds, 1.75cm internal diameter, total weight 3.5g £40 - £60

211. A 22ct yellow gold wedding band, 2.5gms; together with a 9ct gold black oval gem set ring with reticulated scroll work shoulders, 2.5gm total weight (2) £60 - £100 212. A 9ct yellow gold locket, lozenge form with chased foliate scroll decoration, 2cm high, 4.8ms; together with two 9ct gold front & back heart shaped lockets. (3) £100 - £150 213. An 18ct yellow gold diamond set gypsy ring 3.3gms together with a 9ct gold diamond set openwork five petal flower form ring, 3gms (2) £100 - £150

204 204. A pair of 14kt yellow gold turquoise and diamond set earrings, each of chandelier design with five oval turquoise cabochons within lozenge diamond set surrounds, 4.5 cm, stamped 14kt, total weight 12g (2) £250 - £300 205. A Platinum band, stamped 950, 1.75cm internal diameter 7.2g, together with a white metal and gem set eternity ring, 2g (2) £60 - £80

214. Two 9ct gold signet rings, each monogrammed, 6g total weight (2) £60 - £80 215. A collection of 9ct yellow gold and gold metal pendants, to include two armorial medallions, gem set cross, a turquoise and seed pearl heart shaped locket etc (6) £80 - £120 216. Two Victorian yellow metal and intaglio carved carnelian seal fobs, one with a hunting dog, the other with a dove and olive branch, 3cm high (2) £40 - £70

206. A pair of 18ct white gold and diamond set hoop earrings, reticulated beaded foliate decoration, each stamped 750, hinged,1.5cm diameter, total weight 5.4g (2) £50 - £80 207. Three 9 carat gold and hardstone set swivel seal fobs, including citrine, bloodstone, cameo and carnelian (3) £70 - £100 208. A 14ct yellow gold stick pin, circa 1900, crescent form set with graded seed pearls and trefoil garnet set surmount, 7cm; together with two 9ct gold gem and pearl set examples, all cased (3) £50 - £80 209. Four 9ct gold gem set dress rings, and a gold metal pearl and emerald set ring (indistinct marks) 18.2gms total weight (5) £100 - £200 210. A 15ct yellow gold bar brooch with vari-hue green enamelled five petalled flower within double ogee open frame, 5cm wide, together with three other examples to include 9ct gold faux bamboo and pendant heart bar brooch, a pearl and garnet set crescent moon brooch and a sapphire and pearl ellipse form example. (4) £60 - £100

217 217. A 15 carat gold and platinum enamelled bar brooch, applied with a pheasant, the head highlighted in green and red enamel, 6cm long, 3.4g £50 - £80 218. Two Victorian gold and black enamelled mourning brooches, one dated 1880, each with raised C scroll borders and gilt lettering around a glazed cartouche, 4cm (2) £70 - £100 219. A Victorian gold metal double link chain, unmarked, 25cm long, 6.5g £30 - £50 220. A Victorian carved shell cameo brooch, depicting Zeus and Hera, in gold metal rope twist frame, 4cm high, together with a pair of 9ct gold and black onyx cufflinks, a 9ct gold wedding band and a gold metal five stone diamond ring, marks rubbed, 14.9g total weight excluding brooch, (5) £120 - £180

221 221. An Edwardian 9 carat gold, amethyst and split pearl brooch, the central facet cut stone within a six petal open frame of half pearls, flanked by double bar arms, 5cm long, 2.5g £40 - £70 222. An 18ct gold scarab amulet ring, marks rubbed, 18mm diameter, total weight 5g £100 - £200 223. A 9ct yellow gold garnet set pendant, double ogee scroll form, 3.5cm long, together with a 9ct gold kerb link chain, 54cm long, total weight, 7.4g £60 - £80 224. An 18ct rose gold opal gypsy set ring, 15cm internal diameter, together with two 9ct yellow gold ring, cameo and amethyst settings, total weight 10.6g (3) £100 - £150 225. A 9ct yellow gold and turquoise ring, a 9ct gold signet ring and a 9ct gold Sagittarius reticulated pendant,15mm diameter, total weight 4.9g (3) £40 - £60 226. A Victorian 9ct rose gold watch chain with pendant tassel, and circular fob, approximately 17g, 35cm long £120 - £180 227. A 19th century diamond set pendant, the central oval mother of pearl panel painted with cherubs and globe, the bow surmount and foliate surround set with rose-cut diamonds and suspending baroque pearl, 5.5cm high £100 - £200 228. Three decorative brooches to include a 19th Century brown agate cabochon brooch, in gold metal mount with pierced scroll border 6.5cm wide, a shell carved and seed pearl cameo brooch, octagonal oblong form, depicting Nereid in a hippocamp drawn carriage 3.75cm together with a gold metal brooch in the form of a tree branch with intertwined foliate fronds, 5cm wide (3) £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

235. A 9k yellow gold pave-set diamond heart shaped pendant, with a pave-set blue diamond bale, approximately 5.3ct diamond weight, 4cm length £400 - £600

229 229. A 22ct yellow gold wedding band, 3.2gms £80 - £120

236. A collection of gem set 9ct yellow gold and gold metal dress rings (7) £150 - £250

230. An 18ct yellow gold three stone diamond and ruby ring, together with an 18ct yellow gold five stone diamond ring, 5.1gms total weight £150 - £200

237 237. A 9ct yellow gold Mexican Dos Pesos ring, coin dated 1945, in open work caged setting, total weight 5.4g £100 - £150 238. A 9ct yellow gold ring, open work textured rib design and bark textured band, together with a gold metal open work ring, 12g total weigh (2) £100 - £200 239. A 9ct gold five stone diamond ring, open work bark textured design, with illusion set single cut stones, together with a 9ct gold pave-set diamond ring, total weight 14.5g (2) £150 - £250

233 233. A Victorian gold metal gem set brooch, double scroll from with raised and chased floral decoration, a central cut garnet flanked by oval cut peridots, surmounted with graded gold metal spheres, 4.5cm wide £100 - £200

245. A 9k tri-colour gold plait necklace, 40.5cm long, together with a 9ct tri-colour flat lozenge link necklace 41cm long, total weight 32.2g £250 - £250 246. A 14k yellow gold rectangular reticulated pendant, with low relief Chinese script and engraved bamboo to reverse, 3.5cm high, together with 8.2g, together with a 9ct gold rope twist chain, 42cm long, £200 - £300 247. A 9ct yellow gold necklace with reticulated three swag links, 42cm long, together with a 9kt tri-colour necklace and a 9ct yellow gold fringe collar necklace, total weight 26.6g (3) £200 - £300 248. Three 9ct gold fancy link necklaces total weight 26.7g together with a gold metal example 7.9g (3) £250 - £350 249. A 9ct yellow gold diamond set tied bow pendant and chain, a 9ct yellow gold square link chain, another rope twist example, a yellow gold and gem set foliate pendant and a silver gilt gem set pendant (5) £250 - £350

234. A 9K white gold diamond set dress ring, 4.4gms, together with a 9ct yellow gold diamond and gem set ring, 7.6gms (total weight) (2) £120 - £140 240 240. A 9ct yellow gold 1/10 Krugerrand coin pendant, 1984, faceted machine cut bezel and diamond set S scroll surmount, 3cm high, total weight 6.1g £100 - £200 241. A 9ct yellow gold tiered illusion set diamond dress ring, together with a 9ct yellow and white gold 6 stone ring and 10K gold and diamond set foliate scroll ring, total weight 10.2g (3) £100 - £200 235

243. A 9ct yellow gold open work ‘1/2 oz’ pendant, 4cm high, with 9ct yellow gold link chain 25.9g, together with a9ct yellow gold monogrammed open work pendant, 5.75cm high 19.7g, and a 9ct yellow gold flat S link chain 46.5cm long 10.4g (3) £400 - £600 244. A 9ct yellow gold fringed collar necklace, 4ocm long; together with a 9ct yellow gold open work Greek Key necklace, 44 cm long, total weight 29.2g £250 - £350

231. An Edwardian 9ct yellow gold hinged bangle, raised floral decoration inset with gemstones and pearl, 8.1gms £80 - £120 232. A pair of gold metal and lapis lazuli teardrop pendant earrings, together with a pair of oval cabochon set examples, indistinct marks (4) £80 - £120

242. A 9ct gold fancy l ink necklace, 44cm long, together with a 9ct gold rope twist necklace, 51 cm long, total weight 15.1g (2) £150 - £200

250. A late 19th century gold metal and enamelled heart shaped locket, with chased floral decoration set with seed pearls and garnets, opening to reveal vacant and glazed aperture, 26mm high, total weight 7.3g £60 - £80 251. A sterling silver and garnet set lozenge form pendant, engine turned honeycomb decoration reserving a 9ct gold ‘C’ scroll border and single garnet drop, with silver kerb link chain, pendant 4cm long £20 - £40 252. A 9ct yellow gold and diamond ring, stepped lozenge setting with nine cut diamonds, marks rubbed, 19mm internal diameter, total weight 2.7g £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

253. A selection of coloured sapphires, oval and circular cut, to include yellow, pink, green, pale blue and purple, largest 1cm diameter (7) £200 - £400

261. A 925 white gold pave set diamond and sapphire floral set band, together with a 925 yellow gold ring, planished form 7.4g, total weight 15.5g (2) £50 - £80 262. An 9ct yellow gold and seven stone blue sapphire ring, circa 1976, reticulated flower head form, together with two 9ct gold diamond and sapphire set dress rings, total weight 12.4g (3) £150 - £250 263. A pair of mid 20th century gold, mother-of-pearl cufflinks, with central pink sapphire cabochon highlight and connecting chain, foreign marks, diameter of cufflink face 1.5cm, 9g £200 - £300

254 254. A 9ct gold and opal set bracelet, sixteen square cut opals in double link square collared gold setting, stamped 375, 18.5cm long, total weight 12.6g £100 - £150 255. A collection of various 9 carat gold charms, including cameo set whistle, turquoise set propelling pencil charm, animals, keys, lockets etc., 69.1g £400 - £600 256. An Anglo Indian diamond, emerald and pearl pendant, 19th century, set in gold and silver, the central green stone within Persian teardrop scroll studded with natural pearls, three double drops below, suspended on a double chain with loop, 6.5cm long, 6.2g £150 - £250 257. A 9ct yellow gold gem set pendant on 9ct gold square link chain, a 9ct gold monogram pendant ‘S’, on 9ct yellow gold flat link chain, total weight 19g, together with a yellow metal chain (3) £200 - £300

264. Three 9ct yellow and white gold rings, including a three stone diamond set band, total weight 10.1g (3) £100 - £200 265. A 10K white gold single cut cushion form garnet set dress ring, with gem set shoulders, together with a 9ct yellow gold garnet set ring, total weight 7.9g (2) £50 - £80 266. A 9ct yellow gold baguette cut diamond set dress ring, intertwined open work strap design flanked by diamond set bands, together with a 9ct gold and baguette cut diamond set ring of wrythen lozenge design, total weight 9.3g (2) £150 - £250 267. Three 9ct yellow gold diamond set dress rings, total weight 11.6g (3) £150 - £250 268. Three 9ct yellow gold diamond set dress rings, total weight 13.5g (3) £200 - £300

270 270. Norsk Filigransfabrikk, a Norwegian silver gilt and enamelled brooch, circa 1890, cloisonne guilloche enamel diamond pointed four petal flower in blue and white, with three filigree rosette drops, 6cm long, 6.6g £80 - £120

271 271. A 9 carat gold Celtic Iona style ring, pierced knot design, approx size J, 2.2g £30 - £50 272. An Arts and Crafts Iona style silver and moonstone tiara, circa 1900, the wire frame with pierced Celtic knot band, set with five graduated oval cabochons, 14cm diameter, 0.73ozt £200 - £300

258. A 9ct yellow and white gold ingot pendant, 3.5cm high with square link chain, approximately 46cm long; together with a 9ct yellow gold snake link necklace 36cm long, total weight 20.3g (2) £150 - £250 259. A 9ct gold and white metal wrythen textured open work ring, together with a gold metal open work heart scroll ring stamped 925, and a 9ct gold and cultured pearl dress ring, total weight 15.1g (3) £80 - £120 260. A gold metal and raw citrine set dress ring, open work scrambled design, together with a 9ct yellow gold lapis lazuli and diamond set ring, total weight 11.8g £50 - £80 (2)

273 269 269. An Arts and Crafts white metal and green cabochon brooch, circa 1940s, bar form with applied floral and leaf motifs set with turquoise type stones, 8.5cm long £50 - £80

273. An Art Nouveau silver gilt and enamelled pendant mirror, Meyle and Mayer (attributed), circa 1900, scrolling foliate oval form with open trellis and painted cloisonne enamel blue flowering plant, hinged to the top loop to reveal a bevelled glass, indistinct stamped marks and 900, 6cm long, 31g £120 - £180

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

280. A large Arts and Crafts silver and enamelled butterfly brooch, John Atkins and Sons, Birmingham 1918, model 2577, basse taille engraved in variegated turquoise, blue and purple, 6.5cm wide, £100 - £200 18.9ozt

277 274 274. A George V silver and enamelled brooch, James Fenton, Birmingham 1912, circular form with turquoise blue radiating concentric wavy guilloche enamel, 3.5cm diameter, 9.9g £30 - £50

277. An Arts and Crafts silver and enamelled brooch, circa 1920, lobed baton form in variegated yellow and brown enamel, inlaid with stylised floral and trefoil motifs in the Secessionist style, 3.5cm long £20 - £40

281 281. Willy Winnaess for David Andersen, a Norwegian silver gilt and enamelled leaf brooch, single leaf with cream basse taille enamel, 6.5cm long, 7.1g £30 - £50

278 275 275. An Arts and Crafts silver, enamel and stained horn hatpin, Barnstaple School style, the five petal flower with multi stamen and cabochon centre, ropetwist banded, 4.5cm diameter £30 - £50

278. A Secessionist silver and enamelled brooch, circa 1920, the central rectangular plaque painted in the Japonesque style with lotus flower in cylindrical pot, in orange, green and black, on white enamel, stamped 800, 4.5cm long, £20 - £40

282 282. Willy Winnaess for David Andersen, a Norwegian silver gilt and enamelled four leaf brooch, yellow basse taille enamel leaves, 6.5cm long, 8.4g £50 - £80

279 279. An Arts and Crafts silver and enamelled dragonfly brooch, John Atkins and Sons, Birmingham 1917, model 1100, dark blue basse taille enamel body with variegated purple tipped turquoise wings, 5cm wide, 5.4g £40 - £70 276 276. A Norwegian silver gilt and plique a jour enamelled pendant, circa 1900, circular milled S scroll and green enamel wreath with an open filigree ruyi head and guilloche suspended drop within, 4.5cm long £80 - £120

283 283. Bernard Meldahl, a Norwegian silver gilt and enamelled leaf brooch, five blue basse taille enamel serrated fronds, 5cm diameter, 8.6g £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

284

287

290

284. N M Thune, a pair of Norwegian silver gilt and enamelled earrings, red and white enamel leaf and lily of the valley flowers, screw fitting, 3cm long, 3.8g £30 - £50

287. Aksel Holmsen, a large Norwegian silver gilt and enamelled flower brooch, the six blue petal daisy with white basse taille enamel centre, on plain stalk, 8cm diameter, 24.0g £40 - £70

290. Aksel Holmsen, a Norwegian silver gilt and enamelled flower brooch, in the form of an orchid, white guilloche enamel petals and ball knopped stamen, 6.5cm long, 22.9g £80 - £120

288 285 285. Knut Andreas Rasmussen, a Norwegian silver gilt and enamelled ribbon brooch, blue basse taille enamel textured stripe and dot design, 5cm long, 6.5g £30 - £50

288. N M Thune, a Norwegian silver gilt and enamelled double leaf brooch, purple basse taille enamel veined leaves, 6.5cm long, 6.7g £30 - £50

291 291. Marius Hammer, a Norwegian silver gilt and enamelled buckle, oval form, green enamel ribbed band with white beaded border, 6.5cm long, 25.7g £40 - £70

289 289. Aksel Holmsen, a Norwegian silver gilt and enamelled double leaf brooch, green basse taille enamel stripe design, 6cm long, 7.1g £40 - £70 286 286. Arne Nordlie, a Norwegian silver gilt and enamelled lily of the valley brooch, basse taille green and cream leaves and flowers, 5cm long, 5.8g £30 - £50

292 292. Marius Hammer, a Norwegian silver gilt and enamelled brooch, circular form with green radiating enamel around a central red cabochon, within tooled laurel and green ribbon wreath border, 2.5cm diameter, 5.4g £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

293

296

299

293. An Arts and Crafts silver and enamelled dragonfly brooch, John Atkins and Sons, model 1099, blue purple variegated basse taille enamel, 4cm wide, 2.7g £40 - £60

296. A David Andersen silver and enamelled butterfly brooch, vari-hue green, yellow and black eye enamelled decoration, 5.5cm wide £80 - £120

299. Finn Jensen, a Norwegian silver gilt and enamelled necklace, seventeen shell or leaf form links of red feathered guilloche enamel, 42cm long, 38.3g £100 - £200

294

297

294. A silver and enamelled brooch, in the form of a bluebird, basse taille variegated enamel, modelled standing on a branch, 3.5cm long, 2.9g £20 - £40

297. Willy Winnaess for David Andersen, a Norwegian silver gilt and enamelled two leaf brooch, blue basse taille enamel leaves, 4cm wide, 4.2g £20 - £40

295. Two silver and enamelled butterfly brooches, each with basse taille purple and green enamel wings, 5cm and 3cm wide, 12.4g (2) £50 - £80

300 300. Elvik and Co., a Norwegian silver gilt and enamelled brooch, knotted crimped bow form in yellow enamel, 6cm long, 13.4g £40 - £70 301. Aksel Holmsen, a Norwegian silver gilt and enamelled bracelet, eight rectangular panel links basse taille engraved with stylised leaves, in green enamel, 19.5cm long, 12.1g £50 - £80

298 298. A Hroar Prydz enamelled silver butterfly brooch, with amber body and variegated amber and white guilloche enamel wings, stamped Sterling 925S Norway, 5cm wide £80 - £120

302 302. Aksel Holmsen, a Norwegian silver gilt and enamelled bracelet, seven cushioned rectangular panels of emerald green pinstripe guilloche enamel, 18.5cm long, 23.4g £80 - £120

295

303. A modernist limited edition purple and black galalith and metal necklace, circa 1980, fringed form, signed to reverse, mounted on a black silk cord, 11.5cm high, 40.5cm wide £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

304. A modernist limited edition purple and red galalith and silver metal necklace, circa 1980, on purple silk cord, signed, 12.5cm high, 40.5cm wide £200 - £300

311. An Omega gold plated pocket watch, white enamel dial with Roman chapter ring, gold filigree hands and subsidiary seconds dial, the hinged cover with engraved armorial decoration; double hinged back, Registration No. 4337000, 5cm diameter £80 - £120 312. An Austrian silver gilt and enamelled fob watch brooch, FWH, circa 1900, red bezel and back with split pearl studs and a dove of peace, suspended from a bow pin, 7.5cm long £150 - £200 308

305 305. A George V 9 carat gold vesta case, Birmingham 1916, hip fitting with engine stripe design, 4cm x 3.5cm, 14.3g £120 - £180

308. Sheaffer, Triumph Imperial fountain pen, gold plated fluted stripe design, together with a Parker 61 rainbow cap liquid lead pencil, 13cm long (2) £20 - £40 309. A 9ct gold cased Perfex 17 jewel Incabloc ladies wristwatch, with linked barkwork strap, together with a string of white freshwater pearls, each of cushion form, with 18ct gold clasp 50cm in length (2) £120 - £180 310. A 9ct gold cased ladies wristwatch together with a collection of gold stick pins and jewellery to include a 9ct gold five stone ring, a gold metal turquoise set portrait pendant etc £80 - £120

313. Waltham, a 14ct gold plated pocket watch, keyless manual wind movement signed American Waltham USA Traveler, numbered 17287777, case numbered 407157, length 6.9cm, total weight 110g £100 - £200 314. An 18kt yellow gold cased ‘Waltham’ small fob watch with Arabic numerals and subsidiary dial, together with a 9ct gold case watch (no strap) (2) £80 - £120 315. A Continental turquoise guilloche enamelled fob watch, the reverse decorated with a pansy, 2.5cm diameter, together with a ‘Borel’ ball pendant black enamel fob watch, with gilded leaf and bird decoration on yellow metal chain, 2.5cm high £150 - £250

306 306. Liberty and Co., a George V 9 carat gold compact, Birmingham 1912, circular with inset lid and pinstripe decoration to each side, 5cm diameter, 23.8g £120 - £180

307 307. Dunhill, London, a Tallboy white metal table lighter, bark textured, 11cm high £40 - £60

312

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

COINS AND MILITARIA 316. A pieces of eight coin from the wreck of the English flagship HMS Association, sunk off the Isle of Scilly on October 22nd 1707, with certificate £100 - £200 317. A pieces of eight coin from the wreck of the English flagship HMS Association, sunk off the Isle of Scilly on October 22nd 1707, mounted as a silver pendant and chain, with certificate £100 - £200

326

318 318. 1897

Victoria, gold half sovereign, £80 - £120

319. Elizabeth II Silver Proof sets, to include Alderney, Classic British Motorcars Four-Coin Collection; St Helena, History of the RAF £5 Silver Proof Two-Coin Set; Solomon Islands, Wright Flyer Silver Proof Coin; Alderney, The 2009 50th Anniversary of the Mini £5 Silver Proof Coin; Countdown 2009 XXX Olympiad £5 Silver Proof Coin, all boxed with certificate except Countdown 2009 coin (9) £100 - £200

324. World War One interest, Zeppelin fragments from LZ 74 which was shot down on 24th September 1916, together with section of fabric written ‘part of covering of Zepp L32 that fell in flames in Billericay, this ....pieces like it, also quantities of burned & charred material including small bits of aluminium picked up in the fields at Peasdown principally...’ £40 - £60

320. Isle of Man, Gibraltar, Liberia and Sierra Leone, Golden Wedding Anniversary Silver Crown and other denominations sixteen coin set, FDC boxed in Pobjoy Mint of issue with certificate, limited edition 153 of 3,000 £150 - £200 321. Isle of Man and Gibraltar, The Queen Mother Proof Silver Crown sixteen coin set, FDC boxed in Pobjoy Mint of issue with certificate, limited edition 71 of 5,000 £150 - £200 322. Isle of Man, The Classic Gold Angel Privy Mark Collection 1991 six gold coin set, FDC boxed in Pobjoy Mint of issue with certificate, limited edition 87 of 500 £150 - £200 323. Victoria, a silver Victoria Jubilee Specimen Set, 1887, in original case £150 - £250

325

326. First World War M.C. group, awarded to Captain Harold Ward Wilson, 20th Battalion, London Regiment, Military Cross, in Royal Mint case of issue, .V.R (Captn H.W. Wilson 20th London Regt. 14 Sept 1918), British War and Victory medals Capt H.W. Wilson) (3) M.C. London Gazette 31st January 1919: ‘For conspicuous gallantry and initiative in leading his company in the attack near Haverincourt on 14th September, 1918. After capturing Kimber trench, the other officers of the company having been killed, he held a front of 700 yards with about fifty men under intense barrage fire for twentyfour hours, when he was reinforced, but refused to be relieved and remained on in command of the sector for another eighteen hours. He showed endurance and determination under trying conditions’ with London Gazette supplement £200 - £300 327. Three Second War British SOE ‘button compasses’, comprising of two buttons that are balanced on top of each other to aid prisoner escape attempts (3) £40 - £60

325. Six Second World War United States Air Force sterling silver badges, three with Amico hallmarks, together with a pair of Officer’s lapel badges and a Prepare for Combat insignia pin for the Army Air Forces Eastern Flying Training Command by the Robbins Co. of Attleboro Massachusetts. £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

328. Volunteer Force Long Service Medal, V.R., unnamed, together with a miniature First World War pair, War and Victory medals (3) £40 - £60 329. French 1771 eagles head artillery side arm sword, replica, brass decorated eagle head grip with R mark and plain crossguard grip, housed in black leather scabbard with brass fittings, scabbard throat marked 386, 65cm long £30 - £50 329a. A 19th century flintlock blunderbuss, 13 inch barrel, lock stamped Tower and GR cypher, with steel ramrod, 69cm long £150 - £200 330. World War Two German Navy Officer’s dress dagger, housed in hammered scabbard with two hanging strap rings, cross guard with fouled anchor to centre of both sides, orange celluloid grip with wire binding and portepee, etched blade marked on ricasso with Knight Head trademark of WKC, reverse etched Abken, 41cm long, note: taken by owner’s father, who was a Royal Marine Commando in 30 Assault Unit, commanded by Ian Fleming £400 - £600 330A. A reproduction 17th century pikeman’s set of armour, to include a morion helmet, breastplate, tassets and gorget £400 - £600

328

BOOKS AND ILLUSTRATIONS 332. A Few Chapters in Workshop Re-Construction and Citizenship, by C.R. Ashbee, M.A. Architect, Kings College, Cambridge, No.8/75, with special hand-coloured blocks, signed by C.R. Ashbee, published by The Guild and School of Handicraft, London, 1894, card outer boards, rough cut end papers £400 - £600 333. The Yellow Book - An Illustrated Quarterly, 20 volumes, London, Elkin Mathews & John Lane, The Bodley Head, comprising Volume 1 April 1894, Volume II July 1894, Volume III October 1894, Volume IV January 1895, Volume V April 1895, Volume VI July 1895, Volume VII October 1895 (x2), Volume VIII January 1896 (x2), Volume IX April 1896 (x2), Volume X July 1896 (x2), Volume XI October 1896 (x2), Volume XII January 1897 (x2) and Volume XIII April 1897, numerous plates and illustrations by Beardsley, Rothenstein, Sickert, Frederic Leighton et al, original publisher’s yellow cloth bindings (20) £300 - £500 334. The Right Honourable Baroness Thatcher, L.G., OM, DStJ, P.C, F.R.S., HonF.R.S.C, former Prime Minister of The United Kingdom, 1979-1990, The Downing Street Years, 1993, signed by the author, No.62/250, Harper Collins, London, full blue leather binding with gilt spine title and end papers, in a blue cloth bound cardboard slipcase £100 - £150

331 331. Modern English Silverwork, An Essay by C.R. Ashbee, Together with a Series of Designs by the Author Drawn upon a Hundred Separate Lithograph Plates and Coloured by Hand, with a Descriptive Index, 1909, limited edition of 200, Kelmscott, Essex House, Broad Campden, published by B.T. Batsford, London, green cloth outer boards £500 - £700

335. Rowling, J.K. Harry Potter and the Goblet of Fire, first edition, hardback, London, Bloomsbury, 2000, with dust cover £60 - £100 336. Henry P. Raleigh (American, 1880-1944), ‘Must Children Die and Mothers Plead in Vain? Buy More Liberty Bonds’, lithograph in colours, The Sackett & Wilhelms Corporation, 97 by 72cm, framed £100 - £150

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

344. The Artist, Volume 19, January to June, 1897, Guild of Handicraft page 167-171, William Waterhouse Hylas and Nymphs page 249 £20 - £40

337 337. The Artist, Volume 20, July to December, 1897, National Competition Awards page 492-529, Elean Ward casket page 492 £20 - £40 345 345. The Artist, Volume 22, May to August 1898, Gilbert Marks page 133-137, Home Arts and Industries page 143-154, Yattendon, Fivemiletown £20 - £40

338 338. The Artist, January to April, 1902, C.R. Ashbee page 1724, Chester Arts & Crafts Exhibition page 49-52, John Williams early American silverwork page 65-69, Gorham Ramsden & Carr page 115-119 £20 - £40 339. The Artist, 1900, Design for Embroidery page 453-457, Van der Velde page 36, Gustav Gurschner page 74-83 £20 - £40 340. The Artist, Volume 23, September to December, 1898, Jewellery at the Salons page 27-30, Lalique and Fouquet, A Modern Bedroom page 36-41, Voysey, Ambrose Heal, Edgar Simpson page 155-163 £20 - £40

346 346. The Artist, 1899, Frederick Rhead Dutch pottery page 199, Vulliamy grotesque pottery page 145-146, Norman Ernst Spittle page 182-185, Sixth Arts Crafts Exhibition (Ashbee, Heal, Voysey) page 177 £20 - £40 347. The Portfolio, An Artistic Periodical, edited by Philip Gilbert Hamerton, 1890, Designs of Walter Crane page 12-18, Bensons Lamps page 19-22, Burne Jones mosaics at Rome £20 - £40 348. The Artist, Volume 21, January to April, 1898, PreRaphaelite Movement page 25-39 £20 - £40

341 341. The Artist, Volume 24, January to April 1899, Frederick Rhead pottery page 64-72 and 198-200 £20 - £40 342. The Artist, Volume 25, May to August, 1899, Ernest and Norman Spittle page 182-185 £20 - £40 343. The Artist, September to December, 1901, Birmingham Metalwork page 8-16, Birmingham Guild of Handicraft, WAS Benson, Glasgow and Paris Exhibition page 26-33, Maison Moderne jewellery, Wylie & Lochhead, Samuel and Oliver Baker page 145148, Liberty Cymric silver £20 - £40

349 349. Milton, Le Paradis Perdu Traduction De Chateaubriand, Amable Rigaud, Libraire-Editeur, Paris, 1868, cloth binding with inner marbled boards £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

350. Natural History/Angling/Sporting interest, The Rev. W. Houghton, British Freshwater Fishes, circa 1879, illustrated with colour plates of each species drawn from nature by A.F. Lydon and numerous engravings, London, William Mackenzie, B. Fawcett, Engraver & Printer, Driffield, 204 pages, green cloth boards and leather spine with gilt title £150 - £200

357 357. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), The Annunciation, signed and dated 1960 l.l., pencil, 24 by 34cm, framed. £300 - £500

Note: Artist Resale Rights apply

358. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Gara Bay, signed l.r., pencil, 31 by 35cm, framed.

351 351. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Hounds of the Baskervilles, signed and dated 1984 l.l., watercolour, 37 by 47cm, framed. Note: Artist Resale Rights apply

£300 - £500

352. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Full House at The Bull, signed and dated 1980 l.r., red pen and ink, 21 by 34cm, framed. Note: Artist Resale Rights apply

£150 - £200

353. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Les Filles (The Madam), signed and dated 1978 l.r., pen and ink, 17 by 12cm, framed. Note: Artist Resale Rights apply

£150 - £200

Note: Artist Resale Rights apply

359. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), The Little Devil, pen and ink, 6.5 by 5cm, framed. £50 - £80

Note: Artist Resale Rights apply

360. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Comments on Life, signed and dated 1938 l.l., pen and ink, 22 by 29cm, framed. £150 - £200

Note: Artist Resale Rights apply

361. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), The Impassive Gardener, signed and dated 1933 below mount, pen and ink, 27 by 25cm, framed. £150 - £250

Note: Artist Resale Rights apply

354. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Gossips, signed and dated 1969 l.r., pen and ink, 35 by 47cm, framed. Note: Artist Resale Rights apply

£150 - £200

355. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Falling Star, signed l.r., pen and ink, 22 by 27cm, framed. Note: Artist Resale Rights apply

£150 - £200

356. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Celt Warriors Below a Fort; Celts Making early Needles and Celts on the Ridgeway overlooking the Malvern Hills, three, one signed l.r., one signed with initials l.r., pen and ink, largest 15 by 14cm, framed (3). Note: Artist Resale Rights apply

£150 - £200

362 362. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), North Cotswold Farm, Broadway, signed l.r., gouache, 37 by 3cm, framed. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£400 - £600

365. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Quarrymen, signed and dated 1957, watercolour, 28 by 23cm, framed. £500 - £800

Note: Artist Resale Rights apply

366. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), The First Rocket Launched into Orbit, October 1957, signed and dated 1957 l.r. titled l.l., pen and ink, 29 by 21cm, framed. £250 - £350

Note: Artist Resale Rights apply

363 363. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Beach Watchers, signed 1966 l.r., watercolour and bodycolour, 54 by 76cm, framed. £400 - £600

Note: Artist Resale Rights apply

367 367. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Temptation of St. Anthony, signed and dated 1956 l.r., watercolour, 34 by 48cm, framed. £300 - £500

Note: Artist Resale Rights apply

364 364. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Garden of the Gods, signed and dated 1958 l.r., gouache, 36 by 54cm, framed. Note: Artist Resale Rights apply £400 - £600

368 368. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Save the Union, signed and dated 1956 l.r., watercolour, 54 by 37cm, framed. Note: Artist Resale Rights apply 365

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£600 - £800

373

371

374 371. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), The Taxman, signed and dated 1950 l.r., watercolour, 23 by 15.5cm, framed. £300 - £500

Note: Artist Resale Rights apply

372. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Wilsons, signed and dated 1950 l.r., pencil and wash, 37 by 50cm, framed. £200 - £300

Note: Artist Resale Rights apply

373. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Bathing Girls, signed l.r., watercolour, 35 by 27cm, framed. £150 - £250

Note: Artist Resale Rights apply 369 369. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Eurydice, signed and dated 1956 l.r., watercolour, 36 by 50cm, framed.

374. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Coventry, 14th November 1940, signed and dated March 1941 l.l., watercolour, 27 by 19cm, framed. £300 - £500

Note: Artist Resale Rights apply

£400 - £600

Note: Artist Resale Rights apply

370

375

370. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Brownfield Site, signed and dated 1950 l.r., watercolour, 37 by 52cm, framed.

375. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 19152010), Spanish Civil War, signed and dated below mount, watercolour, 36 by 48cm, framed.

Note: Artist Resale Rights apply

£200 - £300

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£500 - £800

376 376. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 1915-2010), Van der Decken (The Flying Dutchman), signed and dated 1935 l.r., watercolour, 53 by 73cm, framed. Note: Artist Resale Rights apply £800 - £1,200 377. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 1915-2010), Ulysses and the Isle of Sirens, signed l.l., gouache, 37 by 54cm, framed. Note: Artist Resale Rights apply £500 - £800 378. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 1915-2010), London 1935, signed and dated 1935 l.r., pen and ink and watercolour, 66 by 47cm, framed. Note: Artist Resale Rights apply £1,500 - £1,800 379. Norman Neasom R.W.S. R.B.S.A. S.A.S. (British, 1915-2010), A Chance Encounter, pencil and watercolour, 21 by 18cm, framed. Note: Artist Resale Rights apply £100 - £150

378

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

PRINTS AND PAINTINGS 383. A pair of George III reverse glass mezzotints, Admiral Lord Nelson/Admiral Lord Nelson Giving his last Orders to Capt Hardy and The Death of Admiral Lord Nelson/The Monument of Admiral Lord Nelson who Died for his Country, published by J.Hinton, 1806, 25 by 35cm, Hogarth frames (2) £200 - £300 384. Seven assorted George III reverse glass mezzotints, The Fair Florists after W,B, Walker, The Effects of Early Industry, J. Hinton, 1809, (a/f), Midsummer Holydays, The Affectionate Wife, J. Hinton, 1808, Persuasion, after D. Gerolimo, Connubial Happiness, J. Hinton, 1808 and Pomona, Hogarth frames (7) £300 - £500 385. Two George III reverse glass mezzotints, Mrs Clark’s Examination before the Committee of the House of Commons and The Duke of York and Mrs Clark, published by J. Hinton, 1809, 25 by 35cm, and another, Sir Francis Burdett Addressing the Freeholders of the Country of Middlesex, 35 by 25cm, Hogarth frames (3) £80 - £120 380 380. Two George III reverse glass mezzotints, Admiral Lord Nelson mortally wounded by a Musket Ball in the ever memorable Victory of Trafalgar ... and another, Death of Lord Nelson, published by P. Stampa, 1805, 35 by 26cm, Hogarth frames (2) £100 - £150 381. A set of three George III reverse glass Mezzotints, Spring, Autumn and Winter, published by C & T. Stampa, Hatton Garden, 1805, 36 by 24cm, and another, Spring & Summer, published 1799, 26 by 35cm, all in Hogarth frames (4) £150 - £200 386 386. Two George III reverse glass mezzotints, Field Marshall Blucher with the Prussian Army, 24 by 34cm, and General Kilerman arriving with a Flag of Truce, 25 by 35cm, Hogarth frames (2) £100 - £150 387. A pair of George III reverse glass mezzotints, Spring/Summer and Autumn/Winter, published by W.B. Walker, London, 1807, 25 by 35, Hogarth frames (2) £150 - £250

382 382. A George III reverse glass mezzotint, Spanish Pointer/Chien D’Arret Espagnol, printed for R. Sayers & J. Bennett, Fleet Street, 1775, 25 by 35cm, Hogarth frame £100 - £150

388. Four assorted George III reverse glass mezzotints, to include Two Hunters and the Stables of his Excellency the Ambassador of France, London 1753, The Prodigal Son Revelling with Harlots, W.B.Walker, 1805, His Royal Highness William Augustus Duke of Cumberland and Divine History Attended by Moses...., (a/f) largest 25 by 36cm, Hogarth frames (4) £150 - £250 389. Albrecht Durer (German, 1471-1528), Martyrdom of the Ten Thousand, (1496), woodcut, 40 by 29cm, framed, (Bartsch 117) £300 - £500 390. Albrecht Durer (German, 1471-1528), Death of the Virgin, from the Life of the Virgin, (1510), woodcut, 29 by 20cm, mounted, (Bartsch 93) £400 - £600 391. Jacob van Meurs (Dutch, 1619/20-1680), Africae Accurata Tabula, coloured map of the African continent with illustrations of wild animals, 43 by 54cm, framed £50 - £80 392. Charles Laborde (French, 1886-1941), Berlin street scenes, two etchings, 22 by 27cm, unframed (2) £100 - £150 393. Yaacov Agam (Israeli /French, 1928), Message of Peace, from Official Arts Portfolio of the XXIVth Olympiad, Seoul, Korea, (1988), signed l.r., No.28/300, screenprint in colours, 90 by 73cm, framed.

383

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £200

394. Fanny Rabel (Polish/Mexican, 1922-2008), half-length portrait of a female nude, signed l.r., lithograph, 33 by 23cm, framed £50 - £80 395. Sylvia Edwards (British, 1937-2018), Pastoral Friends; Treetop Enquirer, a pair, both signed l.r., titled l.c., colour screenprints, No.99 & 66/250, 47 by 45cm, gilt frames (2) £80 - £120 396. Sylvia Edwards (British, 1937-2018), Reach for the Moon, signed l.r., titled l.c., colour screenprint, No.20/175, 58 by 78cm, framed £50 - £80 397. Elyse Ashe Lord (British, 1900-1971), still life of flowers in a Chinese vase, signed in pencil l.r., No.39/75, 23 by 18cm, unframed. £70 - £100

Note: Artist Resale Rights apply

398. Anton Lock (British, 1893-1970), horses in a field and horses in a clearing, two etchings, signed in pencil, 13.5 by 20.5cm and 16 by 18.7cm, framed (2) £30 - £50 399. Carel Weight R.A. (British, 1908-1997), The Day of Doom and Allegro Strepatoso, two colour reproductions, both signed and inscribed in pencil, No.196/250 and No.196/225, 64 by 59cm and 50 by 65cm, unframed (2). £80 - £120

Note: Artist Resale Rights apply

406. John Piper C.H. (British, 1902-1992), Scotney Castle, Kent, Levinson 265, signed and Christie’s blind stamps l.r., published by CCA Galleries, colour lithograph, 1976, Numbered.65/120, 44 by 56cm, framed. £400 - £600

Note: Artist Resale Rights apply

407. Paul Nash (British, 1889-1946), Raider on the Moors, colour lithograph, 1940, signed and titled in the plate, 34 by 54cm, framed £300 - £500 408. Anton Lock (British, 1893-1970), two horses besides a fence; horses in a hilly landscape, two, both signed l.r., monochrome etchings, 13 by 18cm, framed (2). £40 - £60

Note: Artist Resale Rights apply

409. Nicola Hicks M.B.E. (British, 1960), Duck, signed and dated 1996 l.r., No.13/75, monochrome etching, 40 by 56cm, framed. £100 - £150

Note: Artist Resale Rights apply

410. John Lowrie Morrison ‘Jolomo’ (Scottish, 1948), a Scottish landscape with a cottage, signed l.r., limited edition colour print, No.44/195, 20 by 20cm, framed. £80 - £120

Note: Artist Resale Rights apply

400. After Pablo Picasso, Chouette Perche, print with printed signature and Art Suisse Geneva stamp, 17.5 by 12.2cm, framed £50 - £80 401. Russell Sidney Reeve (1895-1970), The Elephant Act, (S.P.17), from School Prints, printed at The Baynard press, chromolithograph, 42 by 68cm, framed. £80 - £120

Note: Artist Resale Rights apply

402. Feliks Topolski R.A. (Polish, 1907-1989), Three Judhes, signed l.r., No.121/250, lithograph, 39 by 55.5cm, unframed. £80 - £120

Note: Artist Resale Rights apply

403. Mabel Alington Royds (British, 1874-1941), The Snake Charmer, signed l.l., woodcut, 12.6 by 17.8cm, framed £80 - £120 404. Ralph Rosenborg (American, 1913-1992), a standing nude, inscribed to the British actor Alan Bates, signed and dated (19)73 l.r., monochrome etching, 14 by 9cm, framed £50 - £80

411 411. Barbara Rae C.B.E. R.A. F.R.S.E. (Scottish, 1943), Winter Almonds, signed l.r., titled l.c., colour screenprint, No.86/125, 76 by 78cm, gilt frame. £600 - £800

Note: Artist Resale Rights apply

405. John Piper (British, 1903-1992), Dorchester Abbey, Dorchester Abbey Restoration Appeal label verso, unsigned, print in colours, 56 by 77cm, framed, note: Artist Resale Rights apply £50 - £80

412 412. Barbara Rae C.B.E. R.A. F.R.S.E. (Scottish, 1943), Pueblo, signed l.r., titled l.c., colour screenprint, No.96/125, 75 by 75cm, gilt frame. 406

Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£600 - £800

413. Michael Rothenstein R.A. (British, 1908-1993), The Garden, signed l.r., No.21/75, woodcut print in colours, 62 by 54cm, framed.

415. Edward Bawden R.A. (British, 1903-1989), St. Pauls, signed l.r., titled and Artist Proof No.99/100 l.l., one of the artist’s nine London Monuments, linocut in colours, 65 by 50cm, framed.

£400 - £600

Note: Artist Resale Rights apply

£2,000 - £2,500

Note: Artist Resale Rights apply

416. Peter Blake R.A. (British, 1932), ‘The Meeting’ or ‘Have a Nice Day, Mr Hockney’, 1981-83, pub. Tate Gallery, 1985, colour reproduction poster, 67 by 67cm, loose as new in card tube. Note: Artist Resale Rights apply £50 - £80

414 417

414. Michael Rothenstein R.A. (British, 1908-1993), Cockerel, signed l.r., No.36/50, screenprint in colours, 50 by 58cm, framed. Note: Artist Resale Rights apply

417. Andy Warhol (American, 1928-1987), Brillo Soap Pads box, multiple, signed in black maker pen, 13.5 by 16.5 by 7cm £500 - £700

£400 - £600

415 For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

418. William Shackleton (British, 1872-1933), sleeping girl by a stream, signed and dated 1894, watercolour, 16 by 22cm, gilt frame £200 - £300 419. Edwin F. Cole (British, late 19th/early 20th Century), a half-timbered thatched house with a gardener at work to the foreground, watercolour, 26 by 36cm, framed £50 - £80

426 426. Clare Burton (British, act.1897-c.1910), portrait of Aubury Burton and her Mother, signed and dated 1903 l.l., titled and dated verso, pastels, 56 by 45cm, gilt frame. Provenance: Lot 280, Sotheby’s, 26th September 2001 £200 - £300

420 420. John Russell R.A. (British, 1745-1806), portrait of a lady, half length in a blue dress and white lace bonnet, pastel, 68 by 52cm, in the original gilt frame £1,500 - £2,000 421. Warren Williams A.R.C.A. (British, 1863-1918), Glaslyn Looking Towards Pass of Aberglaslyn and Snowdon in Distance, signed l.l., titled verso, watercolour, 35 by 53cm, framed £200 - £300 422. Jessie Pym (British, 1868-1946), Autumn Work, signed l.r., titled verso, watercolour, 34 by 44cm, framed £50 - £80 423. J..T..Steadman (British, late 19th/early 20th Century), portrait of a red haired young lady, bust length wearing a blue and white bonnet, woodland beyond, signed l.l., watercolour, 34 by 22cm, framed £300 - £500 424. John Linnell (British, 1792-1882), ‘Buxted Churchyard, Sussex’, titled, signed and dated 1824 verso, pencil, 37 by 55cm, framed. Note: sketch for the Eidodendron published by William Burgess in 1827 £200 - £300 425. Augustus Jules Bouvier (French, 1825-1881), Finishing Touches, signed and dated 1878 l.r., signed and titled on Yorkshire Fine Art Exhibition, York, 1879 label verso, watercolour, 55 by 35cm, gilt frame £100 - £150

426 427. Vera Cuningham (British, 1897-1955), portrait of Judith, bust length in profile, wearing a black hat and purple coat, titled and signed verso, gouache, 34 by 26cm, gilt frame. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£100 - £150

429 428. T...Light (British, 19th Century), The Bud & The Blossom, titled l.l., signed l.r., pencil, 23 by 17cm, framed, together with British School, 19th Century, Cries of London, pencil. 22 by 18cm, framed (2) £100 - £150 429. Maria Gianni (Italian, 1873-1956), Naples from Posillipo, signed l.r., titled verso, gouache, 19 by 41cm, gilt frame £400 - £500

430 430. Maria Gianni (Italian, 1873-1956), a view towards Sorrento, Italy, signed l.r., gouache, 29 by 44cm, gilt frame £400 - £500

434

431. French School, mid 19th Century, preparatory study for Daniel in the lions den, pencil on grid paper, 37 by 29cm, framed £50 - £100

434. Mark Rowbotham (British, 1959), Henley Party, signed with initials l.r., pastel, 31 by 25cm, framed.

432. Australian Interest (early 20th century), a quantity of architectural drawings by Edward Bucknole, Victoria etc, including woollen mill designs and plans, also some student artworks, nudes etc, note: Edward Bucknole is mentioned in the Journal of the Royal Victorian institute of architects vol. 25 (1927-1928) £100 - £200

435. Meryl Watts (British, 1910-1992), Boat Pattern, signed l.r., watercolour and chalk, 37 by 27.5cm, framed £80 - £120

433. Philippe Cara Costea (French, 1925-2006), a female nude from behind standing beside a table, signed and dated 1960 l.r., gouache, 82 by 45cm, framed. Note: Artist Resale Rights apply

£200 - £300

Note: Artist Resale Rights apply

£250 - £350

436. Vera Bassett (British, 1912-1997), woman in a hat smoking, signed u.r., pencil and watercolour, 40 by 29.5cm, framed £70 - £90 437. Evelyn Hill (20th Century), untitled, signed l.r.., pencil, 34.5 by 52cm, framed £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

438 438. Sir Jacob Epstein (British, 1880-1959), Sunita reclining, signed l.r., pencil, 38 by 55cm, framed. Note: Artist Resale Rights apply

£1,000 - £1,500

439. Samuel John Milton Brown (British, 1873-1965), Queen Mary at Southampton, pencil, 17 by 27cm, framed £200 - £300 440. Ernest Fedarb (British, 1905-?), two figures conversing, signed l.r., watercolour, 13 by 17cm, framed £70 - £90 441. Feliks Topolski R.A. (Polish, 1907-1989), study of an old woman, signed with initials l.l., pen and ink and watercolour on card, 25 by 28.5cm, unframed. Note: Artist Resale Rights apply

£70 - £90

442. Edgar Woollatt (British, 1871-1931), Early Morning Brittany, signed l.l., titled verso, pastel, 41 by 55cm, framed £100 - £150 443. Edward William Stott (British, 1859-1918), study of a young woman, full length, with stamped signature l.l., pencil, 36.5 by 22cm, unframed, mounted £60 - £80

445 445. Leon Underwood (British, 1890-1975), reclining woman, signed and dated 1930 l.r., pastels, 36 by 46cm, framed. Note: Artist Resale Rights apply

444. Ernest William Aldworth (British, 1889-1977), In Full Cry, signed l.r., gouache, 21 by 34cm, framed £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£300 - £500

446 446. Augustus John O.M., R.A. (British, 1878-1961), portrait of Dorelia, signed John and inscribed Kamibenesa Ki Dorelia l.r., black chalk, 28 by 22cm, framed. Provenance: a private Cotswold collection since the early 1980’s. Note: we are grateful to Rebecca John for kindly authenticating this work and for pointing out the comparison with Yale’s ‘Dorelia Asleep’ from 1903. She has also explained the inscription in the Welsh Romani language, which translates as ‘all my love to Dorelia’. Note: Artist Resale Rights apply

£20,000 - £30,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

448 447. Max Raedecker (Dutch, 1914-1987), untitled, signed, dated 1976 and inscribed l.r., coloured chalks, 23 by 29cm, framed £70 - £90 448. Gerard A. Mitchell (British, 1956), fishing boats in an estuary, a pair of triptychs, both signed l.l, watercolour, 18 by 80cm, framed (2). Note: the artist has had many exhibitions in galleries in the UK and abroad in the USA, Canada, Hong Kong and most of Western Europe £800 - £1,200 449. F. Lennox Campello (American, 1956), Frida Kahlo, signed and dated 2000 l.r., titled l.l., pencil, 17 by 40cm, framed £80 - £120 450. Miklos Farkashazy (Hungarian, 18951964), a sunlit seascape with sailing boats, signed l.l., black ink on paper, 42 by 30cm, framed £80 - £120 451. Aaron Bohrod (American, 1907-1992), female nudes in various poses, three, two signed l.r., one signed with initials l.r., pen, ink and watercolour, largest 30 by 22cm, framed (3) £80 - £120 452. Christopher Richard Wynne Nevinson A.R.A. (British, 1889-1946), The Nighttime Approach, signed l.r., pastel, 64 by 44cm, framed £3,000 - £5,000 453. Michel Henry (French, 1928-2016), still life of yellow flowers in a footed vase, signed l.l., gouache, 49 by 62cm, framed, and another smaller still life study of flowers in a glass vase, signed l.l., gouache, 24 by 15cm, framed (2). Note: Artist Resale Rights apply

£100 - £150

452

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

454. Isidore Rosenstock (French, 1880-1956), still life of roses in a glass vase and loose on a marble plinth, signed l.l. watercolour, 85 by 120cm, gilt frame. £300 - £500

Note: Artist Resale Rights apply

455. Victor Pasmore (British, 1908-1998), clouds and waves, signed with initials l.r., pen and ink, 15.5 by 16cm, framed. Provenance: gifted by the artist to the current vendor’s late mother whilst on Porthmeor beech. £100 - £150

Note: Artist Resale Rights apply

458 458. Style of Evert Collier, circa 1880, trompe l’oeil of a halfopened string bound parcel revealing Bacchus holding his son, oil on panel, 58 by 45cm, unframed. Note: probably inspired by the sculpture of the same subject in the Louvre. £100 - £200 456 456. Mary Fedden R.A. (British, 1915-2012), woman reclining on a beach, signed and dated 1980 l.l., watercolour, 14 by 24cm, framed.

459. Manner of Meindert Hobbema, a river landscape with a water mill, bears signature, oil on panel, 24 by 41cm, gilt frame £100 - £150

£500 - £800

Note: Artist Resale Rights apply

460 460. British School, early 19th Century, portrait of George Boswall, bust length, wearing a white stock and black tunic, oil on board, 64 by 50cm, gilt frame. Note: script verso relating to the sitter, ‘George Boswall 1777-1831’ £80 - £120

457 457. Follower of Willem Key, mid 16th Century, portrait of a bearded cleric, bust length, wearing a black cap and holding a glove, oil on poplar panel, 65 by 48cm, framed. Note: it has been tentatively suggested that the sitter is French Protestant Reformer Guillaume (Wilhelm) Farel (1489-1565) £400 - £600

461. Mary Wigley (British, mid 19th Century), portrait of Miss Pryce, half length, wearing a pearl tiara, white silk dress and holding a bouquet of flowers, drapery background, landscape beyond, signed and dated 1840 l.l., titled, signed and dated 1840 verso, oil on canvas, 95 by 75cm, in the original gilt frame with moulded scroll corners £400 - £600 462. Alfred H. Vickers (British, 1853-1907), a coastal scene with a shepherd and shepherdess with their flock and other cattle in the foreground, signed and dated 1898 l.l., oil on canvas, 30 by 50cm, gilt frame £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

470. George Shalders R.I. (British, c.1826-1873), The Watering Place, signed and dated 1859 l.r., titled on plaque below, oil on board, 45 by 80cm, in the original serpentine gilt frame £750 - £850

463 463. British School, mid 19th Century, portrait of a Military Officer, half-length standing wearing red tunic with a double row of brass buttons, bullion epaulettes and a medal, oil on canvas, 29 by 24cm, in the original serpentine gilt frame £150 - £200

471 471. Attributed to James Edwin Meadows, a village fair with figures outside a cottage in the foreground, oil on canvas, 37 by 50cm, gilt frame £300 - £500

464. British School, late 19th Century, a pastoral landscape with cattle and storm clouds gathering, illegible signature verso, oil on canvas, 20 by 31cm, gilt frame £100 - £150 465. Frederick Hall (British, 1860-1948), Autumn - The Bridge, signed l.r., oil on board, 35 by 45cm, framed £150 - £250

472 472. T.. A.. Jameson (British, ?-1840), a Scottish Highland landscape with loch and a hunting scene in the foreground with dogs and figures wearing kilts, tartan and Tam O’Shanter, signed l.l., oil on re-lined canvas, 50 by 72cm, gilt frame £300 - £500

466

473. Percy Hall (Irish, 1935), Cork, Ireland, signed and dated 1972 l.c., titled verso, impasto oils on board, 60 by 50cm, framed £100 - £150

466. George Armfield (British, 1808-1893), Lying in Wait, signed l.r., oil on canvas, circular, in a 19th Century gilt frame £400 - £600

474. Anne Gordon (Scottish, 1941), Autumn in Skye, signed l.r., titled, signed and dated 2002 verso, oil on board, 39 by 39cm, gilt frame £100 - £150

467. Emile Charlier (Belgian, 1862-?), Home at Last, signed l.r., titled on label verso, oil on canvas, 35 by 45cm, gilt frame £200 - £300

475. James Donovan (British, 1974), Waiting for Rain, titled and dated 1998 on Highgate Fine Art label verso, acrylic on canvas, 40 by 50cm, framed.

468. French School, circa 1880, fashionable ladies on a terrace, sailing boats beyond, oil on board, 40 by 30cm, framed £300 - £500 469. Continental School, 19th Century, portrait of a young lady, bust length in a pink dress and holding a flower, oil on canvas (unstretched), 54 by 41cm, gilt frame with eglomise border £40 - £60

Note: Artist Resale Rights apply

£80 - £120

476. Ferenc Olgyay (Hungarian, 1872-1939), a riverside cottage, inscribed on exhibition label verso, tempera, 37 by 52.5cm, framed £150 - £200 477. British School, mid 20th Century, study of a seated man smoking a pipe, oil on board, 35 by 39cm, framed £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

480. Gustave Holte (20th Century), Wait for My Order, signed and dated 1971 l.r., oil on panel, 40 by 30cm, gilt frame £70 - £100 481. Eden Box (Eden Fleming) (British, 1919-1988), Waiting, titled and signed verso, oil on canvas, 46 by 61cm, unframed. Note: Artist Resale Rights apply

£300 - £500

482. Anton Lock (British, 1893-1970), A Farm Scene, signed l.l., titled verso, oil on canvas, 25 by 29cm, gilt frame; two horses in a landscape, signed verso, oil on board, 26 by 36cm, gilt frame (2). Note: Artist Resale Rights apply

£100 - £150

483. Anton Lock (British, 1893-1970), Forest, signed verso, oil on canvas, 45 by 34cm, framed. Note: Artist Resale Rights apply

481

£50 - £80

484. William Ratcliffe (British, 1870-1955), ‘Still Life’ - a dish of fruit, jug and pot plant on a table, signed l.r., titled, signed in pen with address 101 Wilbury Road, Ernest Brown and Philips Leicester Galleries labels and chalk date 4th June 1971 verso, oil on canvas, 40 by 50cm, framed. Note: William Ratcliffe was one of the Camden Town group of artists in the early 20th Century along his friend and mentor Harold Gilman.

478. Edward Henry Holder (British, 1847-1922), a rustic cottage on a country lane with infants in the foreground, signed and dated 1891 l.l., oil on re-lined canvas, 37 by 55cm, gilt frame £200 - £300 479. Gilbert Adams (British, 1906-?), Wilcot - a landscape with houses, signed with initials l.l., signed, titled and dated 1978 verso, oil on board, 25 by 35cm, and another, a landscape and cloud study, signed with initials l.l., oil on board, 30.5 by 45.5cm, framed (2) £50 - £80

Note: Artist Resale Rights apply

484

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£3,000 - £5,000

487. Leopold Plomteux (French, 1920-2008), Paysage Exotique, signed l.l., titled verso with artist notes and dated 1969, oil on canvas laid down on board, 60 by 48cm, framed £150 - £250

491. Michel Henry (French, 19282016), still life of pears in a comport on a balcony, signed l.l., oil on canvas, 24 by 19cm, unframed. Note: Artist Resale Rights apply £100 - £150

485 485. Frances John (British, 20th Century), Cubist Self Portrait, titled on Royal Institute Galleries label verso, oil on canvas, 45 by 35cm, framed £80 - £120

492 488 488. Dod Procter (British, 1892-1972), seated female nude and a vase, signed l.r., oil on canvas, 48 by 38cm, framed. Note: Artist Resale Rights apply £150 - £250 489. Roy Nockolds (British, 19111979), two vintage racing cars on a track, including a red Sunbeam Tiger, (unfinished), signed verso, oil on board, 26 by 31cm, framed. Note: Nockolds joined the RAF in WW2 and soon became an official war artist, painting for the Ministry of Information. He later illustrated for Autocar, Motor and Motor Sport magazines.

492. Sergey Cherep (Russian, 1969), a harbour scene with fishing boats, signed l.r., oil on canvas, 60 by 40cm, framed £700 - £900 493. Dorothea MacLagan (British, 1895-1982), Girls by the Shore, titled verso, oil on canvas laid down, 30 by 23cm, framed £70 - £90 494. Kenneth Denton (British, 1932), Sundown, Brecon, signed l.r., titled and signed verso, oil on board, 40 by 60cm, gilt frame. Note: Artist Resale Rights apply £80 - £120

Note: Artist Resale Rights apply £80 - £120 486 486. Chris Saijers (1901-1943), portrait a seated female nude, signed with initials l.r, signed and dated 1937 verso, oil on canvas, 38 by 28cm, framed £100 - £150

495 490 490. Pal Fried (Hungarian, 18931976), portrait of a black muse, signed l.l. and verso, oil on canvas, 55 by 45cm, framed £150 - £200 487

495. Cathleen S. Mann (British, 18961959), portrait of Joan Whitehead (b.1910) and Rufford Edward Whitehead (19121985), full length in an interior with their pet dog, signed with monogram l.r., oil on relined canvas, 150 by 120cm, gilt frame. Note: Artist Resale Rights apply £500 - £800

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

500. Margaret Green (British, 1925-2003), Gazing at Tree, signed l.l., titled verso, oil linen laid on board, 24 by 19cm, gilt frame. Note: Artist Resale Rights apply

£300 - £500

501. John Randall Bratby R.A. (British, 1928-1992), portrait of John Mortimer Q.C, barrister and author, bust length, signed l.l., oil on canvas, 40.5 by 35.5cm,l framed. Note: Artist Resale Rights apply

£400 - £600

502. John Randall Bratby R.A. (British, 1928-1992), portrait of Michael Medwin, actor and film producer, bust length, signed l.c., oil on canvas, 51 by 41cm, framed. Note: Artist Resale Rights apply

£400 - £600

496 496. John Edwards (British, 20th Century), Lelant, signed l.l., titled on Leon Suddaby, St Ives Gallery label verso, 60 by 75cm, framed. £100 - £150

Note: Artist Resale Rights apply

497. Jacqueline Williams (British, 1962), Still Life with Singer Sargent, signed with initials l.r., oil on board, 80 by 55cm, framed. £800 - £1,000

Note: Artist Resale Rights apply

498. Adrian Johnson (British, 1960), head study, signed with initials u.r., oil on canvas, 61 by 61cm, framed £150 - £200 499. Lionel Bulmer (British, 1919-1992), walking in the meadow, signed l.r., oil on board, 40 by 50cm, framed. £300 - £400

Note: Artist Resale Rights apply

503. John Randall Bratby R.A. (British, 1928-1992), portrait of Nicholas Parsons, actor and presenter, bust length, signed l.l., oil on canvas, 45 by 35cvm, framed. Note: Artist Resale Rights apply

£400 - £600

504. John Randall Bratby R.A. (British, 1928-1992), portrait of Lord Thorneycroft, Chancellor of the Exchequer, later Home Secretary, bust length, signed l.l., oil on signed, 51 by 41cm, framed. Note: Artist Resale Rights apply

£300 - £500

505. John Randall Bratby R.A. (British, 1928-1992), portrait of Robert Robinson, radio and television presenter, journalist and author, bust length, signed l.c., oil on canvas, 40.5 by 35.5cm, framed. Note: Artist Resale Rights apply

£300 - £500

506. John Randall Bratby R.A. (British, 1928-1992), portrait of George Carmen Q.C. barrister, bust length, signed l.c., oil on canvas, 50 by 40cm, framed. Note: Artist Resale Rights apply

£400 - £600

507. John Randall Bratby R.A. (British, 1928-1992), portrait of Sir Peter Hall, theatre, opera and film director, and friends, signed u.l., oil on canvas, 92 by 122cm, framed. Note: Artist Resale Rights apply £1,000 - £1,500

508. Norman Laycock (British, 1920-1985), canal scene at sunset, signed l.l., oil on board, 16.5 by 24cm, framed £80 - £120

509. Robert Lee (British, 1915-2007), On Reflection, signed and inscribed on artist label verso, oil on canvas laid down on board, 45.5 by 41.5cm, framed £100 - £150

510. Hylton-Hylton (British, 20th Century), landscape study, signed l.l., oil on panel, 15 by 21cm, framed £30 - £50 500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

501

504

502

505

503

506

507

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

519. David Wilde (British, 1913-1974), Snowden, signed l.r., titled l.l., acrylic, 22 by 24cm, framed. £50 - £80

Note: Artist Resale Rights apply

520. David Wilde (British, 1913-1974), Sunlit Path, signed l.r., titled l.l. artist notes verso, acrylic, 49 by 73cm, mounted. £150 - £250

Note: Artist Resale Rights apply

511 511. Arthur Karl Maderson (Irish, 1942), Evening Mist Glastonbury, signed with initials l.l., titled verso, gouache, 13 by 15cm, framed £200 - £300 512. Thomas Coates (British, 1941), woman ironing, signed with monogram l.l., oil on canvas board, 30 by 30cm, framed. £200 - £300

Note: Artist Resale Rights apply

513. Rene Le Forestier (French, 1903-1972), figures at a table, signed l.l., oil on canvas, 19.5 by 24.5cm, framed £40 - £60

521 521. David Wilde (British, 1913-1974), Alice & Mickey Witness the Golden Hour at Lyn Padarn, signed l.r., titled l.l., artist notes verso, acrylic, 53 by 70cm, mounted. £150 - £200

Note: Artist Resale Rights apply

514 514. Richard Eurich R.A. (British, 1903-1992), Ponies in the New Forest, signed and dated 1960 l.l. inscribed with titled verso, oil on board, 20.5 by 25.5cm, framed. Note: Artist Resale Rights apply

£600 - £800

515. William A. Gaw (American, 1891-1973), Terrace, signed l.l., verso ‘Study of Sculpture’, oil on board, 21 by 17cm, gilt frame £200 - £300 516. Alex Koolman (British, 1907-1998), seated nude, oil on board, 30.5 by 20.5cm, framed £50 - £80 517. Jack Millar (British, 1921-2006), Kite Flying, Heste Bank, Lancaster, signed with initials l.r., titled verso, oil on board, 20 by 24cm, framed £150 - £200 518. David Wilde (British, 1913-1974), Steelworks by the Sea, signed l.r., titled l.l., acrylic, 51 by 73cm, mounted. Note: Artist Resale Rights apply

£150 - £200

522 522. David Wilde (British, 1913-1974), Blaze at Port Penrhyn, signed l.r., titled l.l., acrylic and mixed media, 50 by 75cm, mounted. Note: Artist Resale Rights apply

£200 - £300

523. David Wilde (British, 1913-1974), Eye of the Storm, signed l.r., titled l.l., artist notes verso, acrylic, 52 by 73cm, mounted. Note: Artist Resale Rights apply

£150 - £200

524. David Wilde (British, 1913-1974), Mouth of the River Ogwen with Fried Eggs, signed l.r., titled l.l., artist notes verso, acrylic, 51 by 70cm, mounted. Note: Artist Resale Rights apply

£150 - £250

525. David Wilde (British, 1913-1974), Slate Jetties, Penmaenmawr, signed l.r., titled l.l., acrylic, 51 by 72cm, mounted. Note: Artist Resale Rights apply

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£150 - £250

524

525

526. David Wilde (British, 1913-1974), Autumn, The Cob, Llanfairfechan, signed l.r., titled l.l., acrylic, 50 by 68cm, mounted.

528. David Wilde (British, 1913-1974), Stained Glass Landscape, signed l.r., titled l.l., artist notes verso, acrylic, 52 by 69cm, mounted.

Note: Artist Resale Rights apply

£200 - £300

Note: Artist Resale Rights apply 527. David Wilde (British, 1913-1974), Thorn Trees (Various), signed l.r., titled l.l., acrylic, 49 by 67cm, mounted. Note: Artist Resale Rights apply

£200 - £300

529. Duncan MacGregor (British, 1961), a racing yacht and buoy, signed l.l., oil on board. 120 by 110cm, framed.

£150 - £200

Note: Artist Resale Rights apply

529

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

£1,000 - £1,500

DAY TWO

ORIENTAL CERAMICS AND WORKS OF ART

530

531

532

530. Two Japanese Satsuma vases, Meiji and later, shouldered form, one painted and enamelled with wisteria, the other decorated with a Mandarin duck on a riverbank below wisteria, gilt marks, one for Soko China, 15.5cm high (2) £80 - £120

532. A Japanese studio pottery moonflask vase, twin handled flattened ovoid form, painted with a mountain landscape scene with bridge and figures to each side, printed mark, 27.5cm high £40 - £60

531. A Chinese blue and white pedestal bowl, probably Kangxi, painted with cracked ice and peony, hemispherical cup form with everted rim, on splayed foot, 12.5cm diameter

533. A pair of Chinese blanc de chine Buddhas, 19th Century, the smiling figures seated in repose with open robes and holding a pearl, mounted on gilt metal naturalistic oval plinths, 19cm high (2) £1,500 - £2,000

Note: Strachan Collection label

£100 - £150

533

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

534. A large Chinese famille rose vase, Qianlong seal mark, of ovoid form with extended neck, moulded with peach tree branches with ripe fruit and blossoms, six character Qianlong seal mark in red to the base, 60cm high £4,000 - £6,000

534

536 536. A pair of Chinese famille verte ginger jars and covers, 19th Century, painted in polychrome with lappet shoulders and scrolling foliage, below, 24cm high (2) £400 - £600

535 535. A pair of Chinese blanc de chine cockerels, 19th Century, modelled standing with one claw raised on a stump, 26cm high (2) £200 - £300

537. A Japanese satsuma plate, Meiji period, 1868-1912, painted with figures of leisure in a river pagoda landscape, quatrefoil gilt border, seal signature, 22cm diameter £40 - £60 538. A Japanese Hirado porcelain figure of a dragon, Meiji period, 1868-1912, blue scales, four claws, modelled roaming, 16cm high, 22cm wide £70 - £90

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

539. A pair of Japanese Hirado porcelain candlesticks, Meiji period, 1868-1912, in the form of chrysanthemum, 16.5cm high (2) £30 - £50 540. A Chinese pale grey crackle glaze baluster vase, unmarked, 13cm high £50 - £80 541. A Japanese ceramic sake kettle, cane handle, marks to base, 14cm high including handle £30 - £50

546. Two Chinese blue and white temple vases and covers, 19th Century, the smaller decorated with birds and insects amongst foliage, blue four character script mark, 22cm high, the larger with prunus blossom decoration, double blue circle mark, 31cm high (2) £150 - £200 547. A Chinese pouring vessel, bulbous form with three loop rings to the shoulder and a small spout to the front, hand painted with blue decoration, 26cm high £150 - £250

542 542. A pair of Chinese yellow ground planters, late 19th/early 20th Century, of tapered circular form decorated with dragons amongst clouds chasing flaming pearls, 15.5cm high (2) £200 - £300 543. A Chinese provincial dish, the inner decorated with seals in iron red and pagoda landscapes in green enamel, 38cm diameter £200 - £300 544. A pair of late 18th Century Chinese blue and white soup plates, painted with bamboo trees and other foliage beside a balustrade, 23cm diameter (2) £40 - £60

548 548. A Chinese polychrome bowl, Kangxi mark, ogee form, yellow ground, enamelled with flowers and scrolling foliage, turquoise interior and underside, four character seal mark, 17cm diameter £500 - £800

545. Three Chinese Republican famille rose bowls, Ya Wan Zheng Cang marks, circa 1950s, rounded form with everted rims, painted and enamelled with peonies, prunus, insects and various floral sprigs, 9.5cm diameter £30 - £50

546

549

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

549. A Chinese carved wooden figure of Guanyin, late 19th or early 20th Century, modelled wearing robes standing upon a lotus leaf, 42cm high £200 - £400 550. A large Chinese carved softwood figure of a female deity, 20th Century, modelled standing wearing a robe and holding jewels, dark stained, 60cm high £200 - £300

554 554. A Chinese enamel snuff bottle and stopper, of bombe form, the frieze decorated with a European mermaid and infant, blue four character script mark to base, 6.5cm high £150 - £250

551 551. A Chinese green soapstone panel with brown inclusions, of serpentine form, carved in high relief with two birds and a prunus blossom tree, on a mottled brown fret carved stand, 19cm high, 20cm wide £150 - £200 552. A Chinese brown soapstone desk seal box, 20th Century, of oval form with reticulated cover opening to reveal seven coloured seals, raised foot, 8cm high £200 - £300 555 555. A Chinese hardwood treen netsuke, in the form of a recumbent water buffalo, signed, 8.5cm wide £100 - £150 556. A Chinese green jade armrest, stud and beast carved, 12.5cm wide, together with a circular jade buckle carved with a seated figure upon a dragon, 5cm diameter (2) £200 - £300 557. A Chinese treen export table casket, late 19th Century, serpentine cover, blind carved throughout with panels of figures in wooded balustrade and pagoda landscapes, 8.5cm high, 26cm wide, 11cm deep £200 - £300

553

558

553. A Chinese soapstone carving, in the form of five robed figures mounted upon a rocky outcrop, 34cm high, 25cm wide £150 - £250

558. A Chinese pale celadon jade carving of a finger citron and ruyi head, russet brown inclusions, 6.5cm long £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

559. A Chinese treen export table casket, late 19th Century, serpentine cover, blind carved throughout with panels of figures in wooded balustrade and pagoda landscapes, 8.5cm high, 26cm wide, 11cm deep £200 - £300 560. A Chinese pale jade netsuke, in the form of a man with a giant gourd, brown veined inclusions, 5.5cm wide £50 - £80

569. A pair of Chinese silk sleeves, late 19th or early 20th Century, each embroidered in coloured thread with figures at leisure, 49 by 9cm each, in two frames (2) £50 - £80

565. A Chinese pale jade netsuke, carved in the form of a trio of seated buddhas, 3cm high £40 - £60 566. A Chinese pale jade bi, the front carved with a bearded man seated beside a pagoda, the reverse with script, 5.5 by 3.5cm £70 - £90

570. China (early 20th century), Chinese/Japanese/Korean pen ink watercolour of an Islamic couple, red seal stamp associated script, appears to be dated in ink, 29cm x 20cm, provenance: Wah Cheong Gallery Hong Kong established 1902 £80 - £120 571. China (early 20th century), Chinese/Japanese/Korean pen ink watercolour of two women tending sheep, red seal stamp associated script, appears to be dated in ink, 20cm x 28cm, provenance: Wah Cheong Gallery Hong Kong established 1902 £80 - £120

567

561 561. A Chinese pale jade netsuke, in the form of a man and infant playing with a ball, 6cm wide £70 - £90

567. A Chinese pale jade netsuke, in the form of a recumbent stylized shishi, 5.5cm wide £50 - £80

572. A selection of early 20th century Chinese cigarette pin-up advertising posters, White Horse, Double Crane, Hatamen, My Dear, and a similar poster, all framed, largest approx 76 by 50cm (5) £30 - £50 573. An large panoramic watercolour of Kung Fu or Sholing Wushu practitioners overlooked by Mandarin officials, probably 19th century Qing dynasty, Chinese inscriptions in white ink, framed, 63cm by 128cm, provenance: formally in a collection in the South West of England £200 - £300

568 568. A Chinese pale jade netsuke, in the form of a recumbent shishi and infant, 5.5cm wide £80 - £120 562 562. A series of three mottled green jade bangles, and a violet example, largest 8cm diameter (4) £50 - £80 563. A Chinese pale jade netsuke, in the form of a gourd surmounted by a locust, 5cm wide £80 - £120

564 564. A Chinese pale jade netsuke, in the form of a recumbent cat with an insect, mottled brown inclusions, 4cm wide £50 - £80 574

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

574. A Chinese famille rose enamelled snuff bottle, iron red Qianlong mark and of the period, shouldered form, painted in the round with three dogs in a rocky cliff edge landscape, clouds and wisteria, on a butterscotch ground, the tooled gilt metal lid set with a red sapphire cabochon, four character mark, 5.5cm high excluding stopper £800 - £1,200

582. λ A Japanese ivory netsuke, Meiji period, 1868-1912, carved in the form of a human skull with emerging centipede, signed, 4cm wide £70 - £100

588. λ Two Japanese ivory netsukes, Meiji period, 1868-1912, one carved as an elder seated on an outcrop holding a staff, 3.5cm high, the other as a seated rotund man feasting, inset red seal signature, 3.5cm high (2) £200 - £300

575. A Japanese Banko ware teapot, cane loop handle, enamelled panels with an exotic bird and floral devices, impressed pagoda mark to base, 15cm high £40 - £60 576. A pair of Chinese silk embroidered sleeves, insects amongst foliage design in blue, green and brown silks, 52 by 8cm, framed (2) £70 - £100 577. A Chinese carved hardstone figure, modelled kneeling with rosary, on a later granite base, 9cm high £80 - £120 578. λ Two Japanese ivory netsukes, Meiji period, 1868-1912, each carved as a recumbent dog, one with a backpack, the other clutching a sack, largest 4cm high (2) £150 - £250

583 583. λ A Japanese ivory Shibayama model of an elephant, Meiji period, wearing a saddle strolling with trunk up, 5.5cm high £100 - £150

589. λ A European ivory figurine, late 19th Century, probably Dieppe, carved as a standing lady in 18th Century dress wearing a bonnet and holding a parasol, circular socle, 15.5cm high £200 - £300

584. A large Japanese bronze wall charger, Meiji period, 1868-1912, of circular form with a robed bearded elder beneath a tree in relief, ogee border, seal mark to reverse, all-over dark brown patina, 45cm diameter £300 - £500 590

579. A treen netsuke, carved as a standing bearded elder with another elder upon his shoulder clutching a fish, signed, 7.5cm high £100 - £150 580. λ An ivory letter knife, 19th Century, probably Dieppe, the handle profusely carved with fruiting vines, 25cm long £150 - £200

587. λ Two Japanese ivory netsukes, Meiji period, 1868-1912, one carved as a trio of dancing musical figures, signed, 3.5cm high, the other as a seated man playing a flute beside a water buffalo, 4cm wide (2) £150 - £200

590. A Chinese bronze censer, Qianlong four character mark, squat baluster form with relief moulded lions mask handles, 17cm diameter, 1.36kg £150 - £250

585 585. λ A Japanese ivory okimono, Meiji period, 1868-1912, carved as a crab with articulated pincers and limbs, 9cm wide £80 - £120

591. λ A group of Japanese ivory okimonos, netsuke and related components, Meiji period, 1869-1912 and later, to include two craftsmen groups, a rabbits netsuke, signed, man with horse netsuke, phenolic netsuke of Hotei, signed etc, (parcel) £50 - £80

586. λ Two Japanese ivory netsukes, Meiji period, 1868-1912, one carved as a robed man with fan and gent playing a drum, signed, 5cm high, the other as a seated beaded elder wearing a patterned robe with a horned beast below, signed, 3.5cm high (2) £100 - £150

581 581. λ A Japanese ivory miniature kodansu, Meiji period, 1868-1912, of rectangular form with metal mounts, raised gilt decoration of exotic birds, figures and landscape scenes, cartouche panelled double doors opening to three long graduated drawers with gilt figural handles, 7.5cm high, 9cm wide, 5cm deep £300 - £500

587

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

592. λ Two Japanese ivory okimonos, Meiji period, 18681912, a robed lady with infant, signed, 13cm high, signed, 16cm high (2) £30 - £50 593. λ A group of Japanese ivory okimonos, Meiji period, 1868-1912, one of a man wearing a rice hat with an infant, a gardener gathering gourds, a man with chopsticks and infant on a plinth and an exotic bird in flight, largest 27cm high (4) £50 - £80

600 600. An antique Persian Sarab long rug, camel wool, numerous small animals and people, 336 by 136cm £400 - £600 601. An antique Ersari Turkmen main carpet, with large tribal guls, 19th Century, 320 by 270cm £700 - £900 602. A Persian Tabriz rug with fine weave, traditional design, 150 by 100cm £150 - £200 603. An Afghan Ersari carpet, of traditional design and colour, 355 by 225cm £300 - £400

604. An antique Ersari Beshir main carpet of traditional design, 19th Century, 415 by 160cm £800 - £1,000 594 594. λ A Japanese ivory okimono, Meiji period, 1868-1912, standing man, with an infant holding a net, 16cm high £50 - £80 595. An antique hardwood tribal knobkerrie, plain ball head, tapered shaft, length 43cm £80 - £120 596. A pair of 18th/19th century Korean paintings of dignitaries, mixed media, signed, with associated script, 46 by 27cm, framed £400 - £600 597. A pair of 18th/19th century Korean paintings of a dignitary in navy blue robe and another of a noblewoman, mixed media, signed, with associated script, 19 by 14cm, framed £400 - £600 598. A 19th Century Chinese silk embroidered picture, two exotic birds on a branch guarding a nest of eggs, eglomise border, gilt frame, 25 by 23cm £70 - £90 598a. Indian School (19th century), two scenes depicting women flower picking with men riding horses over tigers and a group in prayer, paintings separated by script, gouache, 39 by 77cm, framed £50 - £80

605 605.

An Afghan war rug of classic design, 180 by 130cm £250 - £350

606. A Turkish Karapinar long rug, of traditional village design, 370 by 121cm £600 - £800

599. A Japanese hardwood bridge marker, Meiji period, 1868-1912, raised gilt decoration of a bird amongst foliage, Shibayama markers with insects and a bird, 9cm wide £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

609 609. An Afghan rug of Hatchli/ensi door hanging design, 180 by 150cm £250 - £300

607 607. An antique Caucasian Kazak rug, of linked medallion design, 260 by 135cm £500 - £700 608. A Persian Bijar rug, with traditional herati design, 180 by 108cm £150 - £200

610. λ A Chinese Qing dynasty mandarin fan frame, with relief cast gilt-metal guards, the sticks alternating in carved and coloured ivory, mother-of-pearl, tortoiseshell, enamelled and filigree silver and sandalwood £200 - £300 611. λ Chinese ivory brise fan parts, a box containing a large selection of 18th and 19th century carved and pierced ivory fan guards and sticks £100 - £200

612. λ A Chinese Qing dynasty ‘Pien Mien’ fan / screen of ivory, kingfisher feather and embroidered silk, circa 1840, of a type used by the ladies of the Imperial Court during the summer time, brightly and boldly applied to one side with raised birds of paradise on branches, butterflies and flowers made using principally turquoise Kingfisher feathers all applied to a gold foil ground, the verso with delicately embroidered floral designs, all set within an embroidered circular frame with carved ivory handle, the terminal shaped and carved as a stylised bat, 17cm wide £1,500 - £1,800

612

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

WORKS OF ART 613. A late 19th/early 20th Century French white ostrich feather fan, mother of pearl guards and sticks with gilt and silvered floral devices, 52cm high, in a silk bound and lined fitted Duvelleroy branded box with associated Duvelleroy ‘Language of the Fan’ guide (s.d) £50 - £80 614. A 19th Century European ivory ink vessel, in the form of an eagle with hinged head with realistic plumage, gilt metal mounts and feet, 12cm high £150 - £200 615. Eugene Bernoud (French, 19th Century), bust of Jesus Christ, titled Salvator Mundi, ivory and white metal on an integral socle, signed, 10cm high £100 - £150

618. A 19th Century linen and silkwork alphabet and verse sampler by Hannah Radfirth, Cromford School, Derbyshire, Aged 6 years 1839, cross stitched with bowls of flowers and verse ‘Teach me to feel anothers woe, to hide the fault I see, That mercy I to others show, that mercy show to me, 37 x 43cm, framed £60 - £100 619. A 19th Century linen and silkwork motif and verse sampler by Sarah Lewis, February 21 1849, cross stitched with flowers, birds and figures, with alphabet and verse ‘The loss of gold is much, the loss of time is more, the loss of Christ is such, as no one can reestore, 29.75 x 24cm, framed £50 - £80

620. A 19th Century European boulle snuff box, of circular form, pull-off cover with brass inlaid design of two birds perched upon a potted plant, 8cm diameter £60 - £80 621. A William IV rosewood dressing case, circa 1833, the cover with inlaid brass monogram surmounted by a coronet, shell engraved flush brass side carrying handles, opening to a fully fitted interior with concealed looking glass to the inner cover behind a crimson crushed velvet panel, clear cut glass cosmetic jars with Gothic arched friezes with silver and gilt covers, (some pierced) with matching monograms and hallmarked for Charles Reily & George Storer, London 1833, the lockplate stamped J. Bramah and J.T. Needs, single long base frieze drawer containing antique ivory backed brushes and a letter opener, 17cm high, 40cm wide, 34cm deep (key) £1,500 - £2,000

616 616. λ An ivory miniature hand mirror, 19th Century, possibly Dieppe, wrythen turned handle, scroll border oval frame with an inset portrait miniature of a lady in 18th Century dress collecting flowers, 20cm high £80 - £120

617 617. A portrait miniature of King Edward VIII, gouache, inscribed in gilt within a foliate scroll border, Vidal Brunton Angess July 1936, in Rowley maple frame, 11cm diameter, framed £120 - £180

623

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

622. A mid 19th Century French amboyna dressing case by Louis Aucoc Aine, Paris, circa 1850, brass bound and strung with bow corners, flush side carrying handles, the hinged cover opening to a fully fitted interior, the inner cover with a Royal blue velvet and matching watermarked silk backed panel concealing a looking glass for wall or easel use, the interior with original frosted and cut glass cosmetic jars and related vessels, with bright cut engraved, (some pierced) covers with raised wreath framed cartouche with E.C. monograms, duty marks and marks of Jean BaptisteCasimir, multiple blue morocco lined undertiers containing fitted and lift-out compartments for tortoiseshell and other manicure, brushes, writing and other related requisites, two secret drawers concealed within, manufacturer’s engraved mark to the front inner rim, 16cm high, 37cm wide, 26cm deep, (key). Note: highly respected ‘Necessaire de Voyage’ manufacturer, Aucoc started life in 1821 by Jean Baptiste-Casimir Aucoc. An accomplished silversmith, he specialised in the production of fine dressing cases leading him to the appointment of King Charles X. Later him and his son gained medals for their dressing cases shown at The Great Exhibition of 1851. This later led to further prestigious appointments such as that by King Louis Philippe I, Napoleon III and other Royalty. In 1876 a sixteen year old Rene Lalique was given a two-year apprenticeship at the firm. £2,500 - £3,000 623. A late Victorian coromandel dressing case, circa 1870, brass bound and strung with a central vacant cartouche with bright cut engraved scrollwork detailing, the hinged cover opening to a fully fitted interior with gilt tooled blue morocco, bright cut engraved hinges and Bramah lockplate, velvet lined, the inner cover with a crushed velvet backed removable looking glass concealing a correspondence slip, the upper section with clear cut glass cosmetic jars and bottles with bright cut engraved plated mounts each with a vacant cartouche, the fall-front fitted for manicure and related steel and mother of pearl accessories, revealing two long drawers, one fitted for a watch and jewellery, watermarked blue silk cushioned base, 20cm high, 34cm wide, 24cm deep (key) £700 - £900 624. A large collection of assorted 19th Century treen lace bobbins, bead finials, (approximately 74) £100 - £150

625. A collection of assorted 19th Century and later mainly treen lace bobbins, some metal, bead finials, (wooden box) £100 - £150

632. An 18th Century pewter single reeded charger with ownership initials ‘A.B’ to the front rim, circa 1700-1720, 46cm diameter £60 - £80

626. Golfing/Out of the Ordinary Interest, ‘The Hallo Trophy’, circa 1962, a golfing trophy in the form of a human skeleton golfer, winning recipient plaques to the wooden plinth, 37cm high £50 - £80

633. Ten 19th Century pewter 1/2 pint measures of various form, with pub names and verification marks (10) £40 - £60 634. A 17th Century pewter triple reeded charger by Richard Webb of London, worked 1685-1701, clear hallmarks to the front rim along with ownership initials, touchmark to the reverse, circa 1690, 42.5cm diameter £80 - £100 635. An 18th Century pewter lidded communion flagon, of large size with erect thumbpiece and curve handle, 33cm high £60 - £80 636. Three 19th Century pewter 1 quart measures with various verification marks, pub names and makers’ marks (3) £40 - £60

627 627. A Continental gilt miniature rocking chair, the seat back, seat and footrest with figure and landscape scenes in pink guilloche enamel, 8cm high and a white metal aide memorie dated 1923 (2) £80 - £120 628. A set of three pewter ‘Newbury Corporation’ plain rim plates by Hellier Perchard of London, worked 1709-1759, each plate bears the ‘Burrough of Newbury’ stamp to the front rim and a full set of hallmarks, touchmarks and London label to the reverse, circa 1730, 25cm diameter (3) £400 - £600 629. Three 19th Century pewter 1 pint spouted measures, each engraved with pub/landlord names (3) £60 - £80 630. An 18th Century pewter single reeded charger with ownership initials, engraved to the reverse, circa 1730, 42.5cm diameter £40 - £60 631. An 18th Century pewter single reeded charger with maker’s touchmark to the reverse, circa 1720, 43cm diameter £60 - £80

637 637. A pair of brass pricket candlesticks, Flemish, 17th Century, the prickets over dished drip pans, multi baluster stems, domed feet, 36cm high (2) £150 - £200 638. A pair of brass pricket candlesticks, North European, 18th Century, the prickets over dished drip pans, multi floral knop stems, raised on triangular plinths and ball feet, 48cm high (2) £150 - £200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

644. S. Mordan & Co, London, a set of gilt metal postal scales, 19th Century, bright cut engraved and fretwork frame with inset porcelain plaques painted with cherubs, stamped maker’s mark, with four graduated circular flat weights, mounted on a figured walnut plinth, 17cm high, 26cm wide £400 - £500 645. Saul Fanfani (Italian, 1856-1919), an Art Nouveau bust of a young lady, signed verso, bronze base forming the sleeveless dress with enamel cabochons to the straps, signed Schumacher foundry mark, 34cm high, 38cm wide £300 - £500 646. A Regency tin foot warmer, circa 1820, contained in an insulated hinged wooden case with a chinoiserie damask cover, acorn feet, 9.5cm high, 28cm wide, 24cm deep £50 - £80 647. A 19th Century easel looking glass of Baroque design, cushion form with pediment, pressed brass mounts, bevelled central plate, 58 by 31cm £50 - £80

639

648. A 19th century bronze inkwell, realistically modelled as a crab, 24cm wide £300 - £400

639. A Turkish Ottoman brass tulip candlestick, 17th century or later, the spun and flared base supporting a hexagonal section baluster stem and petalled sconce, 26.5cm high £200 - £400 640. A Turkish Ottoman brass tulip candlestick, 17th century or later, the spun and flared base supporting a hexagonal section baluster stem and petalled sconce, 23cm high £200 - £300 641. An Edwardian mahogany coin collectors’ cabinet, circa 1910, brass swing handle to the cover, single arched glazed door opening to a graduated bank of seventeen long drawers with division interiors, brass pulls, (some missing/loose), 42cm high, 33cm wide, 32cm deep £100 - £150 642. Taxidermy, a late Victorian green parrot, mounted on a branch in a naturalistic setting, on a circular ebonised plinth, under a glass dome, 48cm high £100 - £150 643. A series of four George IV oval portrait miniatures of members of the Birks family of potters, to include J. Birks, wearing a bonnet, dated 1829 verso, a gentleman, seated, (unnamed), both in black glazed ceramic and gilt frames, Isaac Birks and Frances Mary Birks, both dated 1829, in modern frames, watercolour and pencil, largest 12 by 9cm (4) £80 - £120

649 649. A 19th Century French double desk inkstand, of Rococo design, gilt metal scrollwork frame surmounted with a cherub holding floral branches, kingwood plinth with inset quatrefoil porcelain plaque painted with cherubs in the manner of Sevres, 30cm wide £400 - £500 650. A 1960s silvered Playboy Bunny figure, on wooden base, 29.5cm high £100 - £200

644

651

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

651. An Austrian cold painted bronze model of a parrot on a suspended hoop perch, early 20th Century, realistic plumage and colouring, unmarked, 20cm high £200 - £300

655. A pair of late 19th Century French ormolu mounted bronze candelabra of Rococo design, circa 1880, six lights with detachable bobeches on bronze scroll branches supported by cherubs, fluted marble columns in cast ormolu mounts on scroll feet, 55cm high (2) £300 - £500

652 652. Dorothy Brook (British, 20th/21st Century), Reclining Nude, bronze, from an edition of 9, 20cm high, 54cm wide £1,500 - £2,000

Note: Artist Resale Rights apply

653. A stained wood and cut glass tantalus, two square section hobnail cut spirit decanters with facet stoppers, within a wooden cradle, hinged fall front door with key, 37.5cm high £70 - £100 654. A 19th Century Miller & Sons bronze library or study table lamp, twin handled urn finial, double branch with one stamped Miller & Sons, 179 Piccadilly London, acanthus and lion paw base, gadroon edged circular plinth, 63cm high, (converted to electricity) £300 - £500

656 656. Len Gifford (British, 20th Century), Ballerina, bronze, 33cm high £150 - £200 657. Grace Kelly (American, 1929-1982), autograph with a sepia photograph above, 35 by 19cm, framed as one £80 - £120 658. Judy Garland (American, 1922-1969), a signed photograph of the actress and singer, marked Loew’s Inc, 1939, 23 by 18cm, framed £80 - £120 659. Judy Garland (American, 1922-1969), autograph with a sepia photograph above, 35 by 19cm, framed as one £100 - £150 660. Mabel Lucie Attwell, a nursery tablecloth, together with a Snow White and Seven Dwarves tablecloth (2) £100 - £200 661. An Egyptian revival bronze tobacco jar, urn form with integrated base, the lid in the form of an Egyptian bust, 21.5cm high £100 - £200 662. A Modernist bronze pedestal bowl, circa 1970s, modelled in relief with two African tribal heads, on a textured stem and splayed base, cast monogram, 27.5cm high £100 - £200

655

663. After Michael Powolny, a cast figural dish, modelled with a putto on a polar bear, holding a floral garland, on a circular dish, signed in cast M. Powolny, 28cm long £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

671 664. A Jugendstil silvered cast metal plaque, Einer Trage Des Anderen Last, modelled in relief with Roman man and woman in profile, on a planished panel, framed, 43.5cm square £100 - £200

670. WMF, a pair of Jugendstil brass Zeppelin dishes, circa 1910, rectangular form, embossed with the airship flying over coastal mountain scene, 15cm x 20cm (2) £100 - £150 671. Orivit, a Jugendstil pewter mounted ceramic jardiniere, circa 1900, shouldered form, turquoise souffle glaze, within a cage of budding sinuous tendrils, stamped, 19cm high £1,500 - £2,000

667 665 665. Robert ‘Mouseman’ Thompson of Kilburn, a carved oak bowl, shallow form with adzed exterior and relief modelled mouse, 16.5cm diameter £120 - £180 666. Jan Eisenloffel (attributed) for Carl Deffner, a Jugendstil brass kettle on stand, the riveted cuboid burner with green glazed sides, ogee from kettle with flat top and hinged lid, 18.5cm long £100 - £200

667. WMF, a Jugendstil silver plated box, circular form with banded sides, engraved with pebble mosaic design, gilt interior, 6.5cm diameter £40 - £70 668. Orivit, a Jugendstil pewter vase, circa 1900, conical ogee chalice form, relief moulded with stylised tulips and fishscale buds, stamped marks, 3037, 16cm high £40 - £70 669. WMF, a novelty silver plated and glass claret jug, modelled as a bird, the colourless glass body in a relief moulded Rococo scroll and wing cage, hinged beak spout, 36cm high £400 - £600

672 672. WMF, a Jugendstil silver plated and glass basket, oval section, relief moulded with band of stylised blossom, the double strand handle similarly cast with seeding foliate motifs, on four ball feet, colourless glass liner, stamped marks, 26cm long, 18cm high £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

673. Hugo Leven for Kayserzinn, a Jugendstil pewter vase, model 4443, footed trumpet form with three naturalistic bracket handles, relief moulded with stylised berries and leaves, cast mark, 35cm high £200 - £400

679. A E Jones, an Arts and Crafts silver plated copper inkstand, the domed and splayed conical well with hinged lid, on an integrated planished and arched rectangular trough pen tray, stamped numbers 1824, 21cm wide £50 - £80

674. A Jugendstil copper and brass inkwell, squat ogee domed form, embossed with strapped arcading and band of triangular lozenges and studs, 12cm diameter £30 - £50

680. An Arts and Crafts copper mirror, Newlyn style, rectangular form with circular aperture, repousse decorated with fairy and pixie riding a dolphin in a moonlit foliate aquatic landscape, opening 11.5cm diameter, 34.5cm x 28.5cm overall £80 - £120

675. William Soutter & Sons, an Arts & Crafts brass planter, of teardrop form with tendril tripod legs and pad feet, maker’s mark, 24cm high £40 - £60

685 685. W A S Benson, two Arts and Crafts copper, brass and silver plated jugs and a cast iron entree dish, circa 1900, including insulated jug, oval dish, 30cm long (3) £70 - £100

676. Liberty and Co., an Arts and Crafts pewter and Ruskin cabochon set box, model 01021, planished cuboid form with cushioned top, set with a blue roundel, cedar lined, 11.5cm wide, 7cm high, 9cm deep £80 - £120

681 681. Keswick School of Industrial Arts, a pair of Arts and Crafts copper candlesticks, repousse decorated interlaced and beaded bands, the reeded and dished tray bases with wrythen fluted column stems and removable sconces, stamped marks to the sconces, 18cm high (2) £80 - £120

686 686. W A S Benson, an Arts and Crafts copper and brass kettle, squat curling stone form with fluted and strapped brass band, faceted spout and asymmetrical rattan handle, stamped marks, 28cm long £80 - £120 687. George Hart & Reynell Huyshe for Guild of Handicraft, an Arts and Crafts copper bowl, circa 1920s, planished form with ropetwist border, stamped Hart and Huyshe mark, 23.5cm diameter £70 - £100

677 677. Archibald Knox for Liberty and Co., a Tudric Pewter Arts and Crafts biscuit barrel, model 0194, bowed cuboid form, relief moulded with chequered stylised leaf design, 12cm high £200 - £300 682 682. An Arts and Crafts Cornish copper inkwell, Newlyn style, the circular dish repousse decorated with fish and seaweed, the cylindrical pot with a band of foliate scrolls, four circular apertures, 19.5cm diameter £70 - £100 683. An Arts and Crafts copper box, oval form, repousse decorated with a bird on branch, wings spread, a band with raised inscription to the body, 14cm wide, 7.5cm high £60 - £80

678 678. A E Jones, an Arts and Crafts silver and copper tray, twin handled oval serpentine form, planished and applied with silver Tudor roses and ribbon laurel borders, stamped numbers 2439, 52cm long £70 - £100

684. W H Mawson for Keswick School of Industrial Arts, an Arts and Crafts copper tray, oval form, repousse decorated with a band of characterful George and Dragon motifs, stamped marks, 63.5cm x 46cm £100 - £150

688 688. Arne Jacobsen for Stelton, a Modernist stainless steel Cylinda Line cruet set, designed 1967, including salt, pepper and mustard, with spoon, on tray, 10.5cm diameter £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

CLOCKS AND FURNITURE

695

689. An Arts and Crafts copper and enamelled wall clock, circa 1900, the octagonal dial repousse embossed with Arabic numerals, set with four segmented panels of blue green enamel, on three planished planks united by an embossed strap, pendulum, 74cm long £200 - £300 690. Samson Charas, Bristol, an 18th Century mahogany and walnut longcase clock, plain moulded cornice, blind fretwork frieze, square brass dial with mask and scroll spandrels, silvered chapter ring with Roman numerals, subsidiary seconds dial and date aperture, the movement striking on a bell, flanked by ebonised barleytwist pilasters, burr walnut trunk door with circular pendulum window, 220cm high, (winding key, two weights and pendulum) £400 - £600 691. William Nicholas, Birmingham, a 19th Century mahogany strung longcase clock, arched swan neck hood with brass eagle finial, painted dial with lunar equation in the arch, seasonal figure spandrels, subsidiary seconds and date dials, triple Gothic arched trunk door flanked by fluted Corinthian columns, 245cm high, (two weights, key and pendulum) £300 - £500

692. Thomas Tanner, London, a George III musical mahogany crossbanded longcase clock, arched hood with ball and eagle finials and Corinthian columns, brass dial with moon equation, mask and scroll spandrels, silvered chapter ring with Roman numerals, subsidiary seconds dial, the movement striking on nine bells, arched trunk door flanked by fluted pilasters, 250cm high, (three weights and pendulum) £500 - £800 693. A leather and gilt brass travel clock and barometer, circa 1920, white enamelled dials within a folding purse form case, 16.5cm x 9.5cm £80 - £120 694. An early 20th Century desk easel timepiece, mahogany square cushion frame, silvered dial with Roman numerals signed H. Pidduck & Sons, Hanley, brushed brass back, 21 by 21cm, (key) £70 - £90 695. A George III ebonised bracket clock, caddy top with brass swing handle, arched brass dial with strike/silent subsidiary dial, mask and scroll spandrels, silvered chapter ring with Roman numerals, pendulum and date apertures, side windows, gilt borders, gilt metal shaped bracket feet, double fusee movement striking on seven bells, 46cm high, (two door keys and pendulum) £2,000 - £3,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

698

699

700

696. A late Victorian brass desk timepiece, of classical architectural form with pediment, Corinthian columns and stepped plinth, 6.5cm silver chapter ring with Roman numerals, presentation plaque below ‘Presented to F.H. Rowland by a few friends in Grays as a slight token of their appreciation of his uniform courtesy while station master at Grays, August 1887’, 17.5cm high, 25cm wide £80 - £120 697. A Regency rosewood breakfast table, circa 1820, circular tilt top, pyramid support with applied acanthus mouldings, trefoil plinth with acanthus scroll feet, 157cm diameter £400 - £600 698. A Regency rosewood pier cabinet, circa 1820, of Empire design, green veined marble top, egg and dart moulded border, single door with inset pleated green silk panel within a brass grid frame opening to a height adjustable shelf, flanked by turned columns with brass capitals, egg and dart moulded plinth, height 103cm, width 62cm, depth 43cm £200 - £300 699. A Regency mahogany whatnot, circa 1820, acorn finials, four graduated tiers united by baluster and ring turned supports, the base with a single frieze drawer with turned handles, on ceramic castors, height 154cm, width 58cm, depth 30cm £200 - £300 700. A George III country pine demi-lune floor standing corner cupboard, circa 1800, plain moulded cornice over twin fluted doors flanked by pilasters, the lower section with twin panelled doors, bracket feet, height 190cm, width 80cm, depth 53cm £150 - £200 701. A walnut circular occasional table, early 20th Century, inset pietra dura top with central Maltese cross motif within a ribbon border and further panels of radiating specimens, moulded serpentine frieze, cabriole legs terminating in claw and ball feet, height 62cm, diameter 53cm £300 - £500 702. An Edwardian mahogany framed standing vitrine, circa 1910, of demi-lune form in two sections each with mirror backs and shelf, plinth, height 171cm, width 71cm, depth 40cm £80 - £120

703 703. A George III country oak and mahogany crossbanded tallboy, circa 1780, plain moulded cornice, two short over three long drawers with pierced handles and escutcheons to the chest, the lower section with a central short drawer flanked by two deeper drawers either side, serpentine apron, cabriole legs, pad feet, height 169cm, width 101cm, depth 55cm £300 - £500

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

710. A wrought iron washstand, Italian, 17th/18th Century, of tripod form with scrollwork frame, gilt detailing, undertier, height 72cm £150 - £200 711. A Charles II fruitwood bobbin turned joined side chair, circa 1680 and later, upright finials, plank seat, stretchers, height 83cm, width 47cm £100 - £150 712. A Gothic oak choir stall, English, 14th/15th Century, the lectern rest flanked by fleur-de-lis carved post finials, blindcarved with decorated Gothic roundels, united by a pierced frieze of quatrefoil panels between arches, above a sloping prie dieu kneeling plank, 131cm high, 96cm wide, 73cm deep Provenance: gifted by the Southall family to Holy Trinity Church, Morton Bagot, Warwickshire £800 - £1,200

712

704. A George III mahogany spider leg side table, circa 1780, single gateleg action, ring turned legs with inverted serpentine stretcher, pad feet, width 87cm, depth open 75cm, depth closed 38cm £100 - £150 705. A Regency mahogany breakfast table, circa 1820, rectangular moulded tilttop, baluster pedestal, reeded sabre legs, brass cappings and castors, 126 by 100cm £180 - £220

709. A late 17th Century oak chest, circa 1680, triple panel top, blacksmith hinges, candle box, chip carved frieze, triple panel front with stylized roundels, oak leaf struts, stiles, height 72cm, width 120cm, depth 55cm £150 - £200

713. A mid Victorian burr walnut credenza, circa 1870, of breakfront form with gilt metal fittings, strung and marquetry inlay, central double panelled doors opening to shelving, flanked either side by serpentine glaze display areas, plinth, height 107cm, width 172cm, depth 41cm £1,000 - £1,500 714. Ambrose Heal for Heals, an Arts and Crafts Cotswold School oak dresser, circa 1920s, of small proportions, the base with a drawer over cupboard doors, below a shelved and pegged rack, 77cm wide, 137cm high, 46cm deep £150 - £250

706. A late 17th Century oak plank chest, circa 1690, moulded edge top, wire hinges, lunette carved frieze, triple panel front and sides, stiles, height 75cm, width 146cm, depth 63cm £100 - £150 707. A George III English oak table top cleric’s box, the sloping front engraved with a tulip, ownership initials ‘M.T’ and dated 1751, the top with a coin slot and original iron lock and hasp, the interior fitted with three drawers including one secret drawer, height 30, width 73cm, depth 47cm £300 - £400 708. A late Victorian or Edwardian light oak carpenter’s chest, panelled top and sides with chamfered edges, fitted interior with baize lined and lift-out compartments, stiles, height 69cm, width 92cm, depth 57cm £100 - £150 713

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

716

719

715 715. Gordon Russell, a rosewood veneered coffee table, circa 1970, rectangular top, chrome legs of square section, width 91cm, depth 49cm £150 - £250

717

716. Ole Wanscher for A J Iversen, a set of six Danish Modernist rosewood dining chairs, circa 1943, diaper lattice bar backs over black leatherette upholstered seats, on tapered front legs with moulded edges, united by stretchers, 83cm high

717. Arne Jacobsen for Fritz Hansen (attributed), a pair of Dot stools, designed circa 1953, model 3170, each with three tubular metal legs lacquered grey, supporting laminate steam bent beech circular seats, 35cm high (2) £50 - £80

Note: Nyt Tidsskrift For Kunstindustri, no.7, July, 1945, p. 75 for a similar example. Illums Bolighus, Center of Modern Design, Copenhagen, 1961, n.p. Bodil Busk Laursen, S¿ren Matz and Christian Holmsted Olesen, eds., Mesterv¾rker: 100 rs dansk m¿belsnedkeri, Copenhagen, 2000, pp. 46, 54, 131 for a similar example. (6) £800 - £1,200

718. Two 1950s wall lights, with two frosted glass shades, wall lights 23cm high (2) £40 - £70 719. Franco Bresciani for Harvey Guzzini, an Italian Modernist Bud Grande mid 20th century chrome floor standing standard lamp, circa 1968, the tubular shaft on splayed base, supporting a hemispherical tulip form shade, in opaque butterscotch, 168cm high £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

GLASS 722. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, turquoise ground with yellow daffodil within latticinio and yellow cog lozenge frame, signature canes to base, engraved S9 23/25, 7.5cm diameter, 5.5cm high £80 - £120

720

725

720. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, green aventurine ground, green clover leaf within green and amber cog border, signature canes to base, engraved S17 23/25, 7.5cm diameter, 5.5cm high £80 - £120

725. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, blue floral centre circled by five pink and aventurine rose buds within a green and blue cog border, signature canes to base, engraved S7 23/25, 7.5cm diameter, 5.5cm high £80 - £120

723 723. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, with pink and aventurine central flower within latticinio and yellow cog pentagon frame and purple cog border, signature canes to base, engraved S6 23/25, 7.5cm diameter, 5.5cm high £80 - £120

721 721. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, blue ground with white and purple petaled central flower within white and pink ribbon border, signature canes to base, engraved S8 23/25, 7.5cm diameter, 5.5cm high £80 - £120

726

724

726. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, green ground, green winged, aventurine butterfly within blue cog and latticino border, signature canes to base, engraved S5, 23/25 , 7.5cm diameter, 5.5cm high £80 - £120

724. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, with central radiating floral cogs within polychrome floral border on green ground, signature cogs to base, engraved S3, 23/25 , 7.5cm diameter, 5.5cm high £80 - £120

722

727

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

727. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, blue ground, pink tipped white flower within five petaled cog border, signature canes to base, engraved S4, 23/25, 7cm diameter, 5cm high £80 - £120

730 730. William Manson and John Deacon for Strathearn, a limited edition paperweight, 2006, blue ground, flower and berries with pink and green cog border, signature canes to base, engraved S20 23/25, 7cm diameter, 5cm high £80 - £120

728 728. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, central blue dahlia within blue and green cog border on blue aventurine ground, signature canes to base, engraved S1 23/25, 7.5cm diameter, 5cm high £80 - £100

732 732. A Bohemian enamelled glass heraldic stein, circa 1890, green with pewter lid and thumbpiece, decorated with a coat or arms, 22cm high £40 - £70

729 729. William Manson and John Deacons, Strathearn Collection limited edition paperweight, 2006, dark purple ground, pink stemmed aventurine flower with ribbon twist, cog and latticinio border, engraved S12 23/25, 7cm diameter, 5cm high £80 - £120

731 731. Theresienthal, a Bohemian enamelled armorial glass roemer, circa 1900, olive green, the tulip bowl decorated with gilt, blue and red enamel heraldic arms, possibly a German duelling club, on a knopped and prunted stem, 19cm high £40 - £70

733 733. A 19th century Bohemian enamelled and gilded, aventurine glass carafe, circa 1870s, the ovoid and shaft bottle form body with silver mica inclusions, decorated with daisies and floral motifs, with gilt stems and foliage, 17cm high £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

737 734 734. Baccarat, a 19th century rock crystal glass perfume bottle, square section, cut and optic moulded lozenge diaper design with facet cut ball stopper, 16cm high £40 - £60

737. Thomas Webb and Sons, a Victorian high relief etched Cameo type wine glass, circa 1890, the rounded bowl engraved and modelled with raised blossom branches, polished pontil, 11cm high £30 - £50

738

735

738. Thomas Webb and Sons, an Alexandrite glass vase, circa 1900, bulbous form with crimped petal rim, optic martele effect body, draining from teal blue to pink and amber, polished pontil and etched Rd number 80164, 7cm high £100 - £200

735. Thomas Webb and Sons, a cameo glass biscuit barrel, circa 1880, tapered ovoid form, engraved with fuchsias in opaque over blue, silver plated mounts with leaf finial and scrolled trap handle, 21cm high £200 - £300

736

739

736. Thomas Webb and Sons, a cameo glass scent bottle, circa 1880, spherical form, white over pink, carved with dog roses, silver screw cap, 6cm high £200 - £300

739. Harry Powell for James Powell and Sons, Whitefriars, an Arts and Crafts glass decanter, circa 1907, square section shouldered form with leaf stopper, 25cm high £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

740

742

740. Otto Thamm for Fritz Heckert, a large Changeant iridescent glass vase, circa 1903, hexagonal section shouldered gourd form with crimped rim, wavy lustre decoration, 42cm high £500 - £800

742. Loetz, a Secessionist Candia Papillon iridescent glass vase, circa 1900, goose necked dimpled bottle form, 24.5cm high £200 - £300

741

743

741. Otto Thamm for Fritz Heckert, a large Iris iridescent glass vase, circa 1903, bottle form with elongated neck, yellow draining to green and blue lustre oil spots, 43cm high £500 - £800

743. Loetz for Juventa, a Secessionist iridescent glass and pewter vase, circa 1905, the Crete Papillon baluster form body within a cast floral and whiplash tendril twin handled cage, 31cm high £1,500 - £2,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

744. Josef Hoffmann for Wiener Werkstatte, a Secessionist glass vase, circa 1924, made by Ludwig Moser, lobed form in blue, 19cm Note: see Wiener Werkst tte Catalogue 1928, p.208, no.63 and Br han, T. 1992, Glaskunst der Moderne, p.171, no.66, for examples of this design £800 - £1,200

745 745. Josef Hoffmann for Wiener Werkstatte (attributed), a Secessionist glass bowl, circa 1910, probably made by Moser, conical form with slice cut facets, topaz, 23cm diameter £50 - £80 746. A pair of Secessionist enameled glass vases, circa 1920, shouldered form, blue opaque painted with stylised tulips and scrolling tendrils, 16.5cm high (2) £70 - £100

744

747 747. Wolfgang von Wersin for Tiroler Glaschutte, a Secessionist glass vase, circa 1924, cobalt blue, flared trumpet form with applied pulled prunts or knops and tooled rigaree foot, in the historicist manner, 14cm high Note: Czech born German architect and designer Wolfgang von Wersin (18821976) worked with a number of Austrian and German factories to design domestic and decorative objects in silver, glass and ceramics, including the Nymphenburg Porcelain factory and the Tyrolean glass factory in Kufstein, Kramsach, now part of the Riedel factory. His wares were distributed for sale by DeWe AG.

748

749

748. Frederick Carder for Steuben, a Bristol Yellow glass bowl, model 2851, circa 1920, optic ribbed with folded rim, 29cm diameter £50 - £80

749. Libochovice, an Art Deco Sklo Union moulded glass jug, model 1449, circa 1930s-50s, modelled in relief with open square frame panels on a rusticated ground, 19cm high £30 - £50

See: Ziffer, A. 1991, Wolfgang von Wersin, Munich, p.213, plate 177 for an illustrated example of this design in a different colour £40 - £70

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

754

750

752

750. William Wilson and Frank Hill for Whitefriars, a Commemorative multicoloured opaque twist glass goblet vase, 1953, for the Coronation of Elizabeth II, the conical bowl hand engraved with date, cypher and crown, on blue and red helical core and multi-strand opaque twist stem, engraved mark and number 1302, 20.5cm high £30 - £50

752. Otto Brauer for Holmegaard, an amber glass Gulvase, designed 1962, shouldered bottle form, in variegated burnt orange to yellow, 30cm high £40 - £70

754. Eric Dobson and Michael Harris for Mdina, a studio glass Tiger vase, circa 1970, spherical form with flared rim, mottled and marbled with aventurine inclusions, signed and with label underside, 14.5cm high £30 - £50

755 755. Milan Metelach, Milos Pulpitel and Rudolf Schwedler for Harrach, a Modernist Harrtil glass bowl, circa 1950s, irregularly crimped and coiled dish form in green with white opaque internal lattice decoration, 13.5cm diameter £30 - £50

751

753

751. David Hammond for Thomas Webb and Sons, a Modernist glass martini mixer jug, circa 1950s, conical with folded lip, controlled bubble inclusions to simulate rainfall, etched with an umbrella, 17cm high

753. Geoffrey Baxter for Whitefriars, Architectural Slab 2, a Modernist textured glass sculpture, 1969, rectangular form with indented squares, 17.5cm x 7.5cm £30 - £50

Note: see Hajdamach, C R, 2009, 20th Century British Glass, plate 639, for an illustrated example £40 - £60

756 756. Tapio Wirkkala for Iittala, a Modernist Sointu glass vase, circa 1960s, cuboid form with moulded textured fluting, incised TW and sticker label, 16cm high £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

CONTINENTAL CERAMIC

766

768

767

769

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

757. An Italian maiolica loving cup, late 18th/early 19th Century, of silver shape painted in typical palette with a frieze of wild animals, chevron painted foot, 18.5cm high £80 - £120

770. Alfred Stellmacher sepia blushed ivory porcelain oil lamp base, circa 1870, modelled as four standing elephants, united with a domed Howdah, raised on quatrefoil scrolled bracket base, printed and impressed marks, 24cm high £40 - £60

758. An 18th Century Dutch Delft blue and white circular plate, painted with chrysanthemum within a cartouche and lozenge border, 29.5cm diameter £50 - £80 759. A set of twelve 18th Century Dutch Delft titles, manganese decorated, each painted with various landscape and figure scenes within roundels, 13 by 13cm (12) £100 - £150 760. A 19th Century French faience barber’s bowl, decorated in polychrome with a central figure of a man wearing a hat and cloak playing a violin surrounded by birds, insects and foliage, left hand side dimple, painted ‘P’ mark to base, 33cm wide £80 - £120 761. A late 19th Century European majolica jardiniere stand, circa 1870, of trefoil form with moulded winged lions amongst acanthus leaves, golden yellow glaze throughout, impressed shield mark to base, 50cm high £150 - £200 762. Karlsruhe Majolica, a German faience pottery vase, spherical form, turquoise ground, painted in the Persian style with flying geese and peacock eyes, 24cm high £200 - £300 763. Two Samson blue scale cabinet plates, early 20th Century, pseudo Chelsea gilt anchor marks, 19cm diameter (2) £30 - £50 764. Three Samson cabinet plates, late 19th Century in the manner of Chelsea and Meissen, two moulded and with floral decoration, one painted with two exotic birds in a garden, pseudo gilt ‘Chelsea’ anchor mark, 24cm diameter (3) £50 - £80

771 771. Creil Montereau B and Cie, a French painted and silvered charger, circa 1880, decorated with blue tits on a thistle entwined with convolvulus and cytisus, gilt rim, impressed marks, 37.5cm diameter £250 - £350

765. A late 19th Century Vienna style portrait plaque, Mary Queen of Scots, unmarked, 8.5cm high, framed £60 - £100 766. Jules Sarlandie (French, 1874-1936), a Limoges Art Nouveau convex enamel portrait plaque, depicting a young lady in profile wearing diaphanous robes, signed l.r., 32 by 23cm, in a moulded gilt and wooden frame £1,500 - £2,000 767. A Berlin K.P. M porcelain portrait plaque, late 19th/early 20th Century, Erbluth after Asti, signed Wagner l.c., impressed monogram and sceptre marks, incised No.275 223 verso, 27 by 22cm, in a gilt scroll frame with integral outer frame £3,000 - £4,000 768. A Berlin K.P.M porcelain portrait plaque, late 19th/early 20th Century, ‘Lassitude’ after Asti, signed A. Scherf l.l., impressed monogram and sceptre marks, 255 195 and titled verso, 23 by 18cm, gilt frame £3,000 - £4,000 769. A Berlin K.P.M porcelain portrait plaque, early 20th Century, Una Gitana after Asti, impressed monogram and sceptre marks, incised 315 255, Copyright by Braun Clemans & Co and dated 1902 in pencil verso, 31 by 25cm, in a gilt frame £2,000 - £3,000

772 772. A Royal Copenhagen Blue Onion pattern teapot, circa 1936, hexagonal ovoid form on bracketed foot, with pierced gallery rim, the spout and wishbone handle each with a relief moulded mask, underglaze blue and white decoration, incised 1118, second quality, 18cm high £800 - £1,200

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

773. Joseph Ferdinand Regnier for Sevres, an exhibition pate sur pate tri colour celadon ground vase, circa 1867, Second Empire, twin handled pedestal double ogee form, the flaring neck flanked by gilt enriched relief moulded horned lions masks, mouths open, the main opposing panels painted and hand tooled with allegorical putti in clouds, representing the seasons, Winter and Summer, one holding a spinning thread, the other with wheat sheaf, within quatrelobed and beaded cartouches, interlinked by roundels of flaming urn and spoils of harvest, the ground with foliate fronds, above a tooled gilt and foliate lappet band, ribboned knop and arcaded floral foot and top rim, signed and dated in underglaze blue, Napoleon III gilders mark 67 and body mark 1862, 41cm high Note: for an almost identical pair of vases of the same design, without the tooled gilding seen on this example, see Christie’s sale 1716, 24th October 2006, lot 160 £6,000 - £8,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

774. Three early 20th century Meissen floral decorated and relief moulded dishes, each painted with sprays and sprigs of summer flowers and leaves within teal glazed and gilded high relief floral and foliate borders, underglaze blue crossed swords and impressed marks, largest 31cm diameter (3) £250 - £350

777. An early 20th century Meissen part dessert set, including comport and four side plates, hexagonal scalloped form, the fan shaped hexagonal panels decorated in gilded high relief with portrait busts, anthemion shells and floral garlands, with gilded trellis and floral moulded border, painted underglaze crossed sword and impressed marks, plates 20.5cm diameter, comport 10cm high (5) £150 - £250 778. Three early 20th century Meissen floral decorated and relief moulded plates, including a wrythen moulded example with acid yellow border reserving painted floral panels, 23cm diameter, a similar white glazed example, and a larger dished plate with painted floral sprays and moulded shell and foliate scroll border, 27.5cm diameter, each with underglaze blue crossed sword and impressed marks (3) £200 - £300 779. Two early 20th century Meissen relief moulded grape leaf plates, heptagonal denticulated form with polychrome and gilded detail, each with underglaze blue crossed swords and impressed marks, 24cm diameter (2) £100 - £200 780. Five early 20th century Meissen relief moulded grape leaf plates, heptagonal denticulated form with polychrome and gilded detail, including a set of three side plates with royal blue and gilded leaves, 16.5cm diameter, largest 29cm diameter (5) £200 - £300

775 775. Six early 20th century Meissen dishes, circular form, decorated in high relief with sinuous convolvulus flowers and leaves heightened in gilt, to a dark blue ground, underglaze crossed swords and impressed marks, 28.5cm diameter (6) £150 - £250

781. Jeanne Grut for Royal Copenhagen, a figure of a Guinea Pig, marks indistinct, 9.5cm high £40 - £60 782. Knud Khyn for Royal Copenhagen, large polar bear figure, sitting with upward gaze, underglaze printed and painted marks, numbered 0/825, 30cm high £100 - £200 783. Knud Khyn for Royal Copenhagen, a figure of standing bull on oval naturalistic base, impressed signature, printed and painted marks, No. 1195, £100 - £200

776 776. Four of early 20th century Meissen dishes, circular scalloped form, painted with floral sprays within a high relief moulded foliate border, heightened with gilt, together with a fruit painted example each with underglaze blue crossed swords and impressed marks, 25cm diameter (5) £150 - £250

784 784. Paul Dachsel for Amphora, a large Secessionist vase, circa 1900, shouldered ovoid form, modelled in high relief with four cats heads, brambles and vines, on a jewelled and cratered ground, highlighted in gilt, impressed marks, 8179, 45cm high £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

785

787

785. Sigismund Wernekinck for Goldscheider, Polar Bear, model 4144, circa 1911, modelled striding on an oval plinth, impressed marks and signature, 29 65, 44cm long £200 - £400

787. After Pablo Picasso, a Padilla limited edition vase, 1993, number 11 of 200, wide necked bulbous form, polychrome decorated with a stylised face, painted marks and signature to body, 29cm high £150 - £250

786. Louis Wain for Amphora, a Futurist pottery Lucky Mascot Cat vase, circa 1919, modelled sitting upright, moulded meow meow notes to the body, highlighted in blue and green on white ground, incised signature, 29cm high £5,000 - £6,000

788. Paolo Staccioli (Italian, 1943), a ceramic tile with three stylized horses, iridescent lustre glaze, signed and dated 2001 l.r., 24 by 24cm £80 - £120

786

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

MOORCROFT 789. Philip Gibson for Cobridge, a stoneware Bottle Kiln vase, 1998, shouldered inverse baluster form, impressed marks, gilt signature and date, 26.5cm high £80 - £100 790. Sally Tuffin for Dennis Chinaworks, a polar bear teapot and cover, circa 2000, impressed and underglaze blue script marks, 14.5cm high. Note: unrecorded and only one of two produced

£400 - £600

791. Philip Richardson for Moorcroft, a Fairy Rings jardiniere, circa 1987, footed form, impressed marks and underglaze monogram, 22cm high £100 - £150 792. Emma Bossons for Moorcroft, two Queens Choice lamp bases, baluster form on wooden bases, 26cm high to fittings (2) £150 - £250 793. Walter Moorcroft, an Orchid lamp base, circa 1960, shouldered baluster form, impressed marks and underglaze blue monogram, 33cm high £100 - £150 794. Walter Moorcroft, a Hibiscus vase, circa 1960s, shouldered form, impressed marks and underglaze green monogram, late Queen Mary sticker, 18.5cm high £70 - £90 795. Walter Moorcroft, a Flambe Clematis vase, circa 1960s, inverse baluster form, impressed marks, underglaze green monogram, 15cm high £200 - £250

802 802. William Moorcroft, a Red Flamminian alms dish wall plaque, circa 1908, circular with central convex bosse and broad rim, incised signature, 30.5cm diameter £100 - £150 803. William Moorcroft for Liberty and Co., a Red Flamminian twin handled vase or biscuit barrel, circa 1908, cuboid form with angled handles, printed marks and underglaze green signature, 13.5cm high £80 - £120

796. Walter Moorcroft, a Pansy jug, spherical form, impressed marks, 12cm high £40 - £60 797. William Moorcroft for James MacIntyre, a Rose, Tulip an Forget me Not twin handled vase, circa 1907, kantharos form, pink and blue on a cream ground, gilt detailing, printed mark and underglaze green signature, 13cm high £500 - £800 798. William Moorcroft for James MacIntyre, a Florian Ware miniature pansy twin handled pedestal vase, circa 1903, kantharos form, printed marks, Rd.No.360575 and underglaze green signature, 8cm high £600 - £900 799. William Moorcroft for James MacIntyre, a Florian Ware Violet vase, circa 1902, waisted gourd form, printed mark and underglaze green signature, 30cm high £600 - £800 800. William Moorcroft for James MacIntyre, a Cornflower twin handed vase, circa 1900, conical form with strap handles, green and teal blue colourway, printed marks and underglaze green signature, 20.5cm high £400 - £600 801. William Moorcroft for James MacIntyre, an Eighteenth Century inkwell, circa 1908, the integrated cuboid vessel on a shaped pen tray, printed marks and incised signature, 23cm long £80 - £120

804 804. William Moorcroft, a Flambe Leaf and Berry jug, circa 1928, ovoid form, with incised concentric ring base, impressed marks and underglaze blue monogram, 18cm high £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

809. William Moorcroft, a flambe Leaf and Berry vase, inverse baluster form, circa 1927, impressed marks and underglaze blue signature, 23.5cm high £600 - £900 810. William Moorcroft, a Spanish low bowl, circa 1916, impressed marks and underglaze green signature, 15cm diameter £400 - £600 811. William Moorcroft, a Pomegranate on ochre three piece tea set, circa 1914, ovoid form with loop over handles, underglaze green signature, impressed Burslem mark, teapot 21cm high £300 - £500 812. William Moorcroft, a Pansy on white vase, circa 1914, baluster form, impressed Burslem mark and underglaze green signature, 14.5cm high £100 - £200

805 805. William Moorcroft, a Cornflower pedestal vase, 1913, footed ovoid form, underglaze green signature and date XII-1913, 22cm high £1,100 - £1,500 806. William Moorcroft for Liberty and Co., a Hazledene vase, circa 1903, squat ovoid, shouldered form, printed mark and underglaze green signature, 19cm diameter, 12cm high £1,600 - £1,800

807

813

807. William Moorcroft, a Wisteria on blue teacup and saucer, circa 1930, footed beaker form, impressed marks and underglaze blue monograms, 17cm diameter £100 - £150

813. William Moorcroft, an Flambe Landscape vase, circa 1918, baluster form, impressed marks and underglaze blue signature, 26.5cm high £2,600 - £3,000

808. William Moorcroft, a Pomegranate vase, circa 1915, twin handled amphora form, impressed Burslem marks and underglaze green signature, 13.5cm high £20 - £40

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

814 814. high

William Moorcroft, a large Claremont vase, circa 1920, shouldered form, impressed marks and underglaze blue signature, 35cm £4,000 - £5,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

815. William Moorcroft, a Seagull table box and cover, circa 1930, of rectangular form, underglaze blue monogram,19.5cm wide £400 - £600 816. William Moorcroft, a salt-glazed Fish bowl, squat circular form, circa 1930, impressed marks, facsimile signature, underglaze blue monogram, 26cm diameter £400 - £600

820

817 817. William Moorcroft, a Powder Blue Revived Cornflower vase, circa 1920, squat baluster form, impressed marks and underglaze blue signature, 18cm high £150 - £250

823

821

818 818. William Moorcroft, a Pansy on White dish, circa 1915, circular with inverted rim, impressed Burslem marks and underglaze green signature, 11cm diameter £80 - £120

821. William Moorcroft for James MacIntyre, a Blue Poppy vase, circa 1903, footed beaker form with banded rim, printed marks and underglaze green monogram, 9cm high £300 - £500

823. William Moorcroft, a Pomegranate on ochre tray, rectangular form, underglaze signature and date, 13cm x 8cm £150

819. William Moorcroft, a Powder Blue Revived Cornflower bowl, circa 1920, squat footed ogee form with everted rim, impressed marks and underglaze blue signature, 26.5cm diameter £120 - £180 820. William Moorcroft for James MacIntyre, a Florian Crocus jardiniere, circa 1903, octagonal shouldered form, blue on blue, printed marks and underglaze green monogram, 28cm diameter £500 - £800

small 1914, green - £250

824

822

824. William Moorcroft, a Hazledene coffee can and saucer, circa 1914, impressed Burslem mark and date, underglaze green signature to saucer, 11.5cm diameter £200 - £400

822. William Moorcroft for James MacIntyre, a Grape Lustre biscuit barrel, circa 1908, twin handled cuboid form, yellow ground, underglaze green signature, 17cm high £200 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

ART POTTERY

825

830

825. Christopher Dresser for Minton, an Aesthetic Movement blue and white teapot and stand, 1882 to 1884, the squat pear form body with bisected hoop handle, decorated with bands of stylised cornflowers, impressed and printed marks, 23cm high (2) £600 - £800

830. Christopher Dresser for Minton, an Aesthetic Movement vase, 1871, bulbous thistle form, painted in raised enamels with rose garlands below a tooled gilt Greek key band and alternating moth and narcissus neck, impressed marks, 10.5cm high £150 - £200 831. Christopher Dresser for Minton, an Aesthetic Movement jug, 1875, baluster form, painted with lilies with entwined and knotted trailing stems, on a gilt band, impressed marks, 29.5cm high £80 - £120

826 826. Christopher Dresser for Minton, an Aesthetic Movement vase, circa 1870, round cylindrical beaker form, supported on three pierced and knotted angled baluster feet, decorated with cyclamens on blue celeste ground, 11.5cm high £150 - £200 827. Christopher Dresser for Minton, an Aesthetic Movement censer vase, 1868, squat ovoid form on three gilt spike feet, painted with roses and rose hips between gilt blue ribbon swags, on bleu celeste ground, impressed marks, 18cm diameter £120 - £180

832

828. Christopher Dresser for Minton, a relief moulded porcelain vase, 1868, the snowdrop bell flower form body applied with relief moulded snowdrop plants on three bulb feet, impressed marks, 16cm high £50 - £80

832. Christopher Dresser for Minton, an Aesthetic Movement twin handled ice bucket or seaux, 1875, rounded and footed cylindrical form, decorated in the cloisonne style on bleu celeste ground, the central band with opposing birds flanking a stylised jardiniere with geometric plants, between raised gilt lappet and hexagonal lattice borders, the reticulated and bracketed handles modelled in the Chinese style, impressed marks, 18cm high £1,500 - £2,000

829. Christopher Dresser for Minton, a set of six Aesthetic Movement tea cups and saucers, 1875, bleu celeste ground, relief moulded with gilded lily pads, naturalistic branch handles, 14cm diameter (6) £120 - £180

833. Christopher Dresser for Watcombe, a pair of Aesthetic Movement terracotta vases, circa 1885, conical form, transfer decorated with stylised acanthus lappets and geometric borders, painted numbers 2200, 15cm high (2) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

834. Christopher Dresser for Wedgwood, an Aesthetic Movement Persian water ewer, circa 1877, shouldered form, blue and white printed decoration, impressed marks, 29.5cm high £50 - £70

838. Christopher Dresser for Minton, an Aesthetic Movement Avon water ewer, 1881, barrel form, decorated with alternating vertical panels of prunus and willow between chrysanthemum rosettes, impressed marks, 30cm high £60 - £80

835. Christopher Dresser for Minton, a pair of Bamboo Sprigs jardinieres, 1879, cuboid form with knop finials, transfer printed with cane frames and leafing branches, impressed marks, 20cm high (2) £120 - £180

836

839

836. Christopher Dresser for Minton, two Aesthetic Movement vases, 1873 and 1876, flattened bottle form, with applied beads to the tooled gilt band necks, bleu celeste ground, painted with gorse garlands and rose wreath, impressed and printed marks, 10cm high (2) £250 - £350

839. William S Coleman and Christopher Dresser for Minton, an Aesthetic Movement terracotta twin handled vase, flattened and lobed moonflask form, decorated with a bird in flight over dogrose and moon, 25.5cm high £120 - £180 840. William S Coleman for Minton, a pair of Game pattern dinner plates, 1881, transfer decorated with a border of woodcock and ferns, impressed marks, 26cm diameter (2) £100 - £200

837

841

837. Christopher Dresser for Minton, an Aesthetic Movement twin handled Chinoiserie vase, 1865, inverse baluster form with ring handles, on integrated simulated hardwood four bracket foot, craquelure bleu celeste glaze with a band of Greek key and pink ribbon to the neck, highlighted in gilt, impressed marks, 25cm high £400 - £600

841. Annie Davis for Della Robbia, an art pottery plate, circa 1900, slip and sgraffito decorated with radiating leaves within an ogee rimmed border of onion lozenges, incised and painted marks ADs, 23.5cm diameter £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

842

844

842. Ruth Bare for Della Robbia, an art pottery dish and cover, circa 1900, slip decorated with knotted ribbon deign to the domed lid, the broad rimmed bowl with lip, decorated with geometric bands in green and yellow, incised and painted marks, 20cm diameter £200 - £400

844. Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, gourd form with open mouth, slip decorated and incised with raised rose design on marbled blue green ground, painted mark, 14cm high £50 - £80

845 845. Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, bulbous bottle form, slip decorated with raised tulip design on marbled green ground, painted mark, 16cm high £40 - £70 843 843. Edmund Harry Elton for Sunflower Pottery, a very large Elton Ware vase, bulbous bottle form, slip decorated and incised with raised floral design on marbled blue green ground, painted mark, 53cm high £200 - £400

846. Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, spherical double gourd form, slip decorated and incised with raised poppy design on marbled blue purple ground, painted mark, 16cm high £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

847

849

847. Edmund Harry Elton for Sunflower Pottery, an Elton Ware jug, baluster form with crimped rim, slip decorated and incised with raised floral design on marbled pink green ground, painted mark, 14.5cm high £50 - £80

849. Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, ovoid form with wide flared neck, slip decorated with raised floral design on marbled blue green ground, painted mark, 15cm high £50 - £80

848 848. Edmund Harry Elton for Sunflower Pottery, an Elton Ware lustre jug, iridescent gilt crackle, played trumpet form with bulbous neck band and incised banding, loop handle, painted mark, 22cm high £120 - £180

850 850. Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, ribbed cylindrical trumpet form with six open stranded handles, slip decorated and incised with a band of raised floral design on marbled blue green ground, painted mark, 36cm high £150 - £250

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

851 851. Edmund Harry Elton for Sunflower Pottery, an Elton Ware lustre vase, iridescent gilt crackle, ovoid shouldered form with everted rim, painted mark, 21cm high £120 - £180 852. Edmund Harry Elton for Sunflower Pottery, an Elton Ware lustre vase, iridescent gilt crackle, dimpled ovoid form, painted mark, 21cm high £150 - £200 853. Edmund Harry Elton for Sunflower Pottery, a large Elton Ware lustre vase, iridescent gilt crackle, ovoid form, painted mark, 31cm high £200 - £300

854

852 854. Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, double gourd form with six stranded handles to the neck, slip decorated and incised with raised floral design on marbled blue green ground, painted mark, 18.5cm high £70 - £100 855. Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, bulbous bottle form with raised studs to the neck, slip decorated and incised with raised floral design on marbled blue ground, painted mark, 12.5cm high £40 - £70

857. A Doulton Lambeth stoneware umbrella stand, impressed foliage pattern, impressed marks, circa 1920, 62cm high £200 - £300 858. Hannah Barlow for Royal Doulton, a series of working sketches of animal designs for Doulton stoneware, horses, sheep and lambs, goats, birds, birds and a bust study of a negro, pencil and wash, largest 23 by 30cm, loose and unframed (10) £400 - £600

856. Edmund Harry Elton for Sunflower Pottery, an Elton Ware vase, cylindrical bulbous ogee gourd form, slip decorated and incised with raised poppy and insect design, painted mark, 24cm high £80 - £120

855

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

856

859. Robert Wallace Martin for Martin Brothers, a four handled stoneware aquatic vase, 1892, shouldered bulbous form, relief moulded and carved with grotesque and characterful fish, molluscs and seaweed, blue ground, with milled rim, incised marks 11.1892, Martin Brothers London + Southall, 30.5cm high £14,000 - £18,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

860. Robert Wallace Martin for Martin Brothers, a stoneware sculptural bird jar and cover, 1891, modelled as a characterful monk with bald head, bushy eyebrows and opposing sideways looking eyes, the broad beak slightly ajar, his talons crossed, saltglazed in browns and mottled blue, speckled breast and striped tail feathers, incised marks to the base Martin Bros, London + Southall, to the head RW Martin + Bros 1-1891, London + Southall, 31cm high £35,000 - £45,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

861. Robert Wallace Martin for Martin Brothers, a stoneware sculptural bird jar, circa 1890, modelled as a characterful figure with high forehead, protruding hooked beak, inset scaly eyes and webbed feet, glazed in brown and green with pale blue highlights, on wooden base, incised mark to body Martin Bros and to head Martin Bros, London + Southall, 31cm high £35,000 - £45,000

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

867

868

862. William De Morgan for Merton Abbey, a three Persian tile panel, circa 1880, Manchester variation, framed, impressed marks verso, each tile 15.5cm square Note: see Catleugh, J. 1983, William De Morgan Tiles, Richard Dennis, p.112 fig.155 for the illustrated design of this pattern £200 - £400 863. Francis Pope, a stoneware bust of an officer, 1893, modelled in relief, £300 - £400

864 864. Van Briggle, an American art pottery figure of an elephant, circa 1930s, matt turquoise glaze, incised marks, 6.5cm high £40 - £70

866. A Wedgwood lustre bowl, Dragon design by Daisy Makeig-Jones, circa 1925, printed marks and painted No.Z4830, diameter 18cm £300 - £500

869 870. Jane Fitzgerald for Troika, an art pottery textured wheel vase, circa 1979, relief moulded to each side with abstract designs in blue and green, 12cm high £80 - £120

867. Alfred and Louise Powell for Wedgwood, lustre creamware tea ware, circa 1920, including tea cup, saucers and plate, decorated in reverse lustre with trailing rose bands, the cup inner rim with stylised leaf band, impressed marks, painted AMH5734, 23.5cm diameter (4)

871. Troika, a large art pottery textured wheel vase, relief moulded to each side with abstract designs in brown and blue green, painted marks and indistinct monogram, 19.5m high £120 - £180

Note: see Batkin, M, 1982, Wedgwood Ceramics, Woodbridge: Richard Dennis, p.149, pl.358 for an example of this cup and saucer in the same design £40 - £70

872. Sue Lowe for Troika, an art pottery textured Marmalade pot, relief moulded with abstract designs in blue and ochre, 9.5cm high £50 - £80

868. Millicent Taplin for Wedgwood, an Arts and Crafts creamware jug, circa 1928, octagonal section baluster form, painted with stylised flowers purple, blue and yellow, below double swags and dots, impressed and painted marks, CM5416, indistinct monogram, 17cm high £80 - £120

873. David Lloyd Jones (1928-1994), a studio pottery box and cover, rounded bowl form with ogee domed lid, powder green glazed with tenmoku type interior, impressed seal mark, 8cm diameter £20 - £40

869. Frederick Rhead for Wood, a pate sur pate vase, inverse baluster form, decorated in the Iznik style with cornflowers, gilt marks, 19cm high £40 - £70

874. Ryoji Hayashi, a studio pottery bowl, Japanese, kyo ware, footed, with incised bands of geometric line and scroll motifs, around a floral centre, signed, 17cm diameter, in wooden box £30 - £50

865

875

865. Daisy Makeig Jones for Wedgwood, a fish and coral lustre bowl, footed octagonal form, gilt marks, 20cm diameter £200 - £300

875. Walter Awlson (Scottish, 1949), Sunbather II, signed and No.18/75. ceramic and bronzed ceramic, 14cm high, 35cm wide, note: Artist Resale Rights apply £100 - £150

871 and 870

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

BRITISH CERAMICS 876. A Worcester Royal China Works painted cabinet cup and saucer, decorated with pheasants and snipe in landscapes, within gilt C scroll borders, 11.5cm diameter £100 - £200 877. A Royal Worcester commemorative silver mounted scent bottle, Golden Jubilee 1887, circular flask form, modelled in high relief with the head of Queen Victoria, the edge and reverse with the floral emblems of the British Isles, highlighted in gilt, the screw cap in the form of a crown, gilt mark, in fitted Moroccan leather case, 7.5cm long £100 - £200 878. Harry Davis for Royal Worcester, a scalloped rim square dish, painted with freshwater fish, signed, printed marks and date cypher for 1906, 24 by 24cm £200 - £300

883 883. Freeman et al for Royal Worcester, a fruit painted tea trio, circa 1949 to 55, including cup, saucer and plate, decorated with apples, peaches, grapes and cherries, 16cm diameter £150 - £250

879 879. John Stinton for Royal Worcester, a twin handled vase and cover, reticulated rim, the frieze painted with a Highland landscape scene with cattle beside a stream, signed, shape No.1428, printed mark and date cypher for 1928, the extremities undecorated, 29cm high £700 - £900 880. Townsend and Moseley for Royal Worcester, a set of six fruit painted coffee cups and saucers, circa 1938, the footed and flared cups painted to the interior and exterior with various fruits, gilded feet and handles, the ogee rimmed saucers similarly decorated, signed, puce marks, 12cm diameter (12) £1,200 - £1,800 881. Townsend and Moseley for Royal Worcester, a fruit painted coffee set, 1938, the baluster form coffee pot with peaches, blackberries, cherries and apple, gilt spout and handle, the bowl and jug each gilded to the interiors, 17.5cm high (3) £1,200 - £1,800 882. Frank Roberts for Royal Worcester, a fruit painted bowl, circular form, decorated with apples, peaches and grapes on a naturalistic ground, within a black and white chevron and striped border with gilded floral bouquets and foliate swags, puce mark, shape No.2577, dated 1920, 30cm diameter £300 - £500

884 884. A Royal Worcester fruit painted miniature tea trio, 1952 to 1954, including cup, saucer and plate, decorated with grapes, cherries and peaches, indistinctly signed, 9cm diameter (3) £100 - £150 885. Four Royal Worcester dog brooches, 1932, relief moulded and modelled as a Cocker Spaniel, Setter, Bedlington Terrier and Terrier, printed marks, 6cm long (4) £150 - £250 886. Ricketts for Royal Worcester, a fruit painted vase, 1923, spherical onion form with relief moulded arcading to the shoulder, decorated with peaches and grapes, signed, together with a Kitty Blake, bramble painted pin dish, signed, vase 13cm high (2) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

880

881

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

100

889

887 887. James Rouse Snr (British, 1802-1884), a Derby porcelain botanical plaque, painted with tulip, roses, honeysuckle, daffodils and pansies in a basket on a ledge, signed l.l., 24 by 19cm, gilt frame £400 - £600

889. Edward Raby for Royal Doulton, a painted cabinet plate, decorated with a blossoming firethorn, crimped and jewelled in gilt, signed, museum number, 23cm diameter Note: formerly in the collection of the Victoria and Albert Museum £300 - £400 890. Joseph Hancock for Royal Doulton, a scene painted vase, ovoid form, decorated in the round with an extensive mountain lake view of flying geese and herons, signed, 19cm high £150 - £200

888

891

888. Stefan Nowacki, a painted and jewelled porcelain scent bottle, canted cuboid form, the central panel decorated with a coastal scene of lighthouse and ship, between raised gilt and jewelled panels of floral and starburst motifs, screw cap, gilt monogram, 7.5cm high £100 - £200

891. P Curnock for Royal Doulton, an Edward VII dessert service prototype plate, circa 1905, painted with alternating floral baskets and festoons, within a tooled raised gilt and turquoise ground foliate and shell scroll border, printed marks and museum reference number to the reverse, 22cm diameter Note: one of a small number of plates form the service still in the Royal collection, formerly owned by the Doulton Museum £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

101

892. C B Brough for Royal Doulton, an Edward VII dessert service unfinished prototype plate, circa 1905, painted with alternating floral baskets and festoons, within a raised paste gilt and turquoise ground foliate and shell scroll border (untooled), printed marks and museum reference number to the reverse, 22cm diameter Note: one of a small number of plates form the service still in the Royal collection, formerly owned by the Doulton Museum £300 - £400

895 895. Alboin Birks for Minton, a pate sur pate plate, the central circular plaque depicting a putto wounded by cupid’s arrow, resting on a cloud, brown ground, within raised gilt border and starry ground, the rim relief moulded and pierced with acanthus scrolling waves and radiating segments, signed with monogram, gilt and impressed marks, 23.5cm diameter £150 - £200 893 893. A Royal Doulton dessert plate, circa 1905, decorated with raised and tooled gilt oak leaf swags and cartouches, beaded roundels with acorn branches alternating with birds in flight, on a green ground, museum acquisition number to the reverse, signed HB, 22.5cm diameter £300 - £400

896 896. Alboin Birks for Minton, a pate sur pate plate, 1926, decorated with three blue ground panels of pairs of industrious putti, between raised gilt foliate scroll panels, signed and monogramed to each, gilt marks, 26cm diameter £300 - £500

894 894. Leslie Johnson for Royal Doulton, a painted cabinet plate, the centre decorated with a scene from Twelfth Night, within a raised gilt foliate scroll and cornucopia ground, painted title and quote to the reverse, Olivia “Why dost thou smile so, and kiss thy hand so oft”, printed mark and sticker, 26.5cm diameter £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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897

898

897. Lawrence Birks for Minton, a pate sur pate twin handled vase, 1894, pedestal ovoid form with knotted foliate handles and shell moulded foot, the central oval panel of a young cupid amongst irises, within raised gilt cartouche, on a salmon pink ground, the reverse with green ground roundel of axes and olive branches tied with ribbon, signed LB, impressed and gilt printed marks, 17cm high £1,500 - £2,000 898. Alboin Birks for Minton, a pate sur pate vase, circa 1905, pedestal twin handled urn form, the central panel of Aphrodite with Bacchanalian putti, after Louis Solon, between olive green Neoclassical bands of foliate scrolls, masks and cornucopia, the back panel decorated with a festoon of ribbon strung and bowed roses and foliage, relief moulded ribbon and wreath handles, signed with monogram, 38cm high Note: this is a factory discarded prototype for the fully decorated and finished vase which appears in Bernard Bumpus, 1992, Pate Sur Pate, Art of Ceramic Relief 1849-1992, p.147 Provenance: Birks family

£500 - £800

899. Alboin Birks for Minton, a pate sur pate twin handled pedestal vase, ovoid urn form, the central oval panel depicting Aphrodite releasing Erotes from a flaming cauldron, within raised gilt cartouche of laurel husk and ribbon festoons, above relief moulded acanthus lappets, between fluted neck and foot, with lid, signed to the plaque, gilt mark, 34.5cm high £800 - £1,200 900. Len Rivers for Birks Rawlings and Co., a poppy painted twin handled pedestal vase and cover, ovoid urn form, decorated in the round with naturalistic flowers, gilt handles and highlights, signed, printed mark, 45.5cm high Note: illustrated in Goodfellow, P. 2006, Vine Pottery, pp.126 and 117 pl.312 and 264 £400 - £600

899

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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901

905

907

901. A Birks Rawling and Co. reticulated vase, circa 1915, shouldered form, pierced with fishscale lappets and drops, highlighted in gilt, printed mark, 13.5cm high £40 - £60 902. A collection of Birks and Rawlings Savoy China and Kiang Si parian and crested ware, including Dutch boy and girl, various souvenir miniatures and other items £100 - £150

904 904. A Royal Doulton prototype character jug, John Gilpin, modelled and painted with green hat and black green cloak, printed marks Property of Royal Doulton Tableware Ltd, Not Produced for Sale, 17cm high £1,500 - £1,800 905. Leslie Harradine for Royal Doulton, a stoneware figure of a boy sitting on a plinth, model H48, designed circa 1914, modelled as a smitten child, on green glazed pedestal, impressed marks, 15cm high £100 - £150

903 903. F Chivers for Coalport, a fruit painted pedestal vase, twin handles, inverse baluster form, the central roundel decorated with peaches, grapes and gooseberries, within raised gilt foliate border, relief moulded open scroll acanthus handles, on a cobalt blue ground, gadrooned socle and rim, signed, printed marks, 21cm high £300 - £500

906. A Royal Doulton prototype figure, modelled as an 18th century woman with feather, standing next to a chair, printed marks Property of Royal Doulton Tableware Ltd, Not Produced for Sale, 23cm high £120 - £180 907. Leslie Harradine for Royal Doulton, a Pelican figure, HN123, modelled with beak raised, matte red glaze, 11.5cm high £300 - £400

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

104

915

911

908 908. A Royal Doulton prototype figure of Lord Nelson, modelled on plinth with deck and rigging, printed marks, 33cm high £350 - £400

911. A George Jones majolica garden seat, late 19th Century, of cylindrical form with moulded with sparrows and insects amongst bulrushes above waterlilies in the Aesthetic manner, painted No.332/84, 45cm high, Reference: Robert Cluett ‘George Jones Ceramics, 18611951’, p.57, fig.86 £500 - £800

915. A Minton parian figural dish, 1869, modelled as two allegorical putti carrying a shell, one figure draped in ivy, the other in wheat, impressed marks, 26cm high £100 - £200

909. A Royal Doulton Kingsware miniature figural whisky jug, Coachman, modelled as a man with hand in pocket, the arm forming the handle, removable head stopper, 14.5cm high £80 - £120

916 916. C Delpech for Art Union of London, a parian bust of Apollo, 1861, an interpretation after the Classical Belvedere statue, 35cm high £100 - £150

912 912. A ceramic garden seat, late 19th Century, of barrel form, transfer printed design throughout in the Aesthetic manner of stylized foliage in an autumnal palette, moulded studded bands, incised No.2632, 48cm high £200 - £300

910 910. Leslie Harradine for Royal Doulton, a Dutch Woman figure, model H9, designed circa 1912, glazed stoneware with black decoration, impressed marks and monogram MP, 11cm high £40 - £60

913. A Minton majolica jardiniere, turquoise glazed and modelled as a grotesque toad like mammal, impressed marks, 21cm long £150 - £200 914. A Minton majolica Chinaman teapot and cover, modelled as a seated oriental with his plait forming the handle grasping a grotesque mask, printed marks, 14cm high £50 - £80

917 917. A Belleek first period wine cooler, circa 1880, footed form, relief moulded classical putti amongst bullrushes, scroll feet with scalloped shells, printed marks, 26cm high £200 - £300

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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926. A Spode scene painted covered cabinet cup and stand, circa 1810, banded cylindrical form with relief moulded Pegasus handles and butterfly finial, painted with a main view of Lambton Hall near Durham, the reverse with a View near Henley, Oxfordshire, within gilt foliate scroll cobalt blue ground, the saucer with three similar named views of Bedford Bridge, Ambersley Castle and View in Wales, painted names and marks, 13.5cm high

918. A Belleek second period ewer, circa 1880, relief moulded rococo scrolls, printed marks, 25cm high £100 - £150

Note: see Whiter, L. 1970, Spode, pl.188 for a companion example to this cup £50 - £80

919 919. Belleek, a Bamboo teapot, circa 1900, relief moulded, pearlescent glaze, second period black mark, 20.5cm long £30 - £50 920. John Bell for Minton, a figural chess set, after the 1851 Great Exhibition original, modelled as putti, circa 1990 later trial, from the original block moulds £250 - £300

924 924. A 19th Century American stoneware Bulkley, Fiske & Co Morning Salute reform flask, in the form of a saluting soldier wearing epaulettes and tunic, olive glazed upper section, 28cm high £150 - £200

927 927. Three Spode coloured earthenware match pots or spill beakers, cylindrical pedestal form, two in blue grey, the third in brown, painted with bands of scrolling flowering vines, impressed marks, 11.5cm high (3)

921. A collection of Minton Archival Fine Art Print Collection ceramic designs, circa 1995, of various historical patterns, framed £200 - £300

Provenance: National Museum of Wales, exhibition 1952 label to one and museum numbers to all £50 - £80

922. A Minton Harewood bottle vase, circa 1885, lobed and footed gourd form with tasseled ribbon handle, faience type glaze, decorated with puce Rococo panels, 37.5cm high £80 - £120

925 925. A pair of salt-glazed stoneware flasks, in the form of Queen Victoria and Prince Albert, circa 1845, impressed marks for Burton, Late Gillbank & Burton, Picket St, Strand, 38cm high (2) £400 - £600 928 928. A Spode rose and seaweed painted slop bowl, circa 1820, pattern 2812, decorated with pink cabbage roses in gilt weed cartouches, 16cm diameter, together with a blue and white pearlware plate, lotus flower design (2) £30 - £50

923 923. Arthur Birks, a black basalt jug, circa 1840s, oval section helmet form, relief moulded with textured nautical and aquatic motifs of seaweed, crustaceans and shells, signed to paper label, 21cm high Note: illustrated in Goodfellow, P. 2006, Vine Pottery, p.15 pl.13 and 14 £80 - £120

926

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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929. An early 19th century Wedgwood jasperware biscuit barrel, circa 1840, cylindrical form, decorated with Classical women, plinths and trees, silver plated mounts and swing handle, impressed Wedgwood, 25.5cm high £40 - £70 930. A Wedgwood & Bentley hardwood prestige jewellery casket, ebony strung cover with a black and white jasper ware oval cameo, blue microfibre lined interior with lift-out upper section, stamped Wedgwood, with certificate No.3/50, 10cm high, 30cm wide, 20cm deep, (two keys) £100 - £150 931. A Wedgwood Jasperware water filter, circa 1865, white on blue, with relief moulded classical putti between acanthus leaf borders, impressed marks, 68cm high £2,000 - £3,000

929

932 932. A Staffordshire Ridgway stone china part dinner service of plates and soup dishes, circa 1820, patter 1184, hexagonal with relief moulded gadrooned rims, painted with Oriental Imari style peony design, printed marks, J & W R, four plates and three bowls, 26cm diameter (7) £30 - £50 933. A Liverpool Pennington blue and white sauce boat, circa 1790, relief moulded pedestal form with acanthus lappets and S scroll handle, floral printed decoration, 11cm high £120 - £180 934. A Worcester black transfer printed tea bowl and saucer, circa 1760, decorated with Hancock’s Milkmaid pattern, the interior with a swan, 12cm diameter £80 - £120 935. A Worcester black transfer printed coffee cup and saucer, circa 1760, decorated with Hancock’s Milkmaid pattern, 12cm diameter £80 - £120 936. A Worcester black transfer printed jug, circa 1760, blue crossed sword Meissen mark, decorated with Hancock’s Laden Donkey pattern, the reverse with milkmaids, baluster sparrow beak form with entwined double strand handle, 11cm high £80 - £120

931

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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934

935

936

937 937. A Worcester blue and white mug, circa 1765, crescent mark, Plantation pattern, cylindrical form with strap handle, 9cm high £80 - £120 938. A Worcester blue and white tea bowl, circa 1775, pseudo character mark, decorated in the Fisherman pattern, together with a Mandarin decorated tea bowl, 7.5cm diameter £50 - £80

940 940. An S. Green of Lambeth salt-glazed stoneware commemorative character jug in the form of Lord Nelson, 19th Century, eagle head handle, impressed mark within a cartouche, 21cm high £100 - £150 941. A 19th Century agate clay life mask of a gentleman, life size, 20cm high, 13.5cm wide £100 - £150 942. A pottery life mask of the Welsh artist Gwendolen Mary John, (1876-1939), sister of the artist Augustus John, old label and date 1939 inside, 22cm high, 14cm wide £180 - £220 943. An assorted group of late 18th Century English porcelain tea and coffee wares, to include Newhall, Worcester Flight & Barr, coffee cans, two wrythen tea bowls, saucers, waste and sugar bowls (14) £50 - £80

939 939. A 19th Century treacleware pen stand, modelled as a boot, with squared toe, rosette buckle and three pen apertures, 12cm long £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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RYANS COLLECTION OF STAFFORDSHIRE FIGURES Harry Ryans was born on 28th of January 1927 in Castleford, Yorkshire. The son of a coal miner, he never lost his Yorkshire accent nor Northern pride despite living in London for over sixty years. He joined the army in 1945 and a few days after his 18th birthday, he was involved in the operation to take Berlin. After leaving the army Harry returned to Yorkshire, where he excelled in art above all other subjects at school, enrolling in Leeds College of Arts in 1948. There, he gained a National Diploma in Design and then a Certificate in Education, paving the way into his chosen career as an art teacher. His teaching career proved relatively brief, however, including an ill-fated spell teaching in Australia. He eventually settled in London and, with encouragement from friends and his brother, Dennis, he found his way into the art trade. He had a pitch on the Portobello Road and traded from his home, first in Richmond, then Alexandra Court, Queensgate, South Kensington, where he moved in the early 1970s and lived for over 50 years until his death in December 2021. Working as a dealer and collector specialising in Victorian-era Staffordshire pottery and paintings on glass, his lifelong passions, Harry’s specialist knowledge, exceptionally high standards, and sharp wit won him loyal clients and friends across the UK, Europe and America. Harry’s collection comprising around two-hundred individual pieces exhibits a strong thematic diversity, with impressive depth across various categories: he was known for seeking out scarce examples, replacing and Harry pictured here during his upgrading pieces to ensure the best possible condition, and for his attention to detail. In the following pages time in the army you will find a fantastic selection of animal figures, such as a rare pair of rabbits, lions, zebra spill vases, and a menagerie of dogs, highlights of which include a pair of spaniels with the popular ‘Disraeli’ curls, a pair named Grace and Majesty, some pipe-smoking spaniels, and a pair of greyhounds with hares. ‘M Grath’, the famous Waterloo Cup winning greyhound, and his 1871 rival, ‘Pretender’, form a highly desirable pair rarely seen at auction in recent decades; further sporting figures include cricketers, possibly modelled as George Parr and Julius Caesar, and the boxers Heenan and Sayers, adversaries in the sport's first ever world title fight. Policitcal, Military and Literary figures have noteworthy presence in this collection, with a seldom-seen early 19th Century pair modelled as Milton and Shakespeare, and several figures modelled after actors in Victorian productions of Shakespeare’s plays. The circus performer Ellen Eliza Blight, mauled to death by a tiger before an audience in 1850, is commemorated with a figure titled ‘Death of the Lion Queen’, and a desirable pair of Punch and Judy puppet show figure groups also feature in this collection.

946 945

944 944. A Staffordshire figure of King Edward VII as the ‘Prince of Wales’, circa 1862, modelled standing with a black and white dog seated to his left, polychrome enamel painted with gilded details, on a titled oval plinth base, 36.5cm high . £80 - £120

945. A pair of Staffordshire Crimean War figures of General Simpson and General Brown, circa 1855, modelled on horseback holding flags, with cannons, polychrome enamel painted with gilded details, on titled naturalistic oval plinth bases, tallest 33cm high (2) £40 - £60

946. A pair of Staffordshire equestrian figures of Prince Frederick William of Prussia, and Victoria, Princess Royal, circa 1857, modelled on horseback, both wearing blue coats and pink and green feathered hats, the Prince saluting and the Princess sitting side-saddle, on titled oval gilt-line plinth bases, 35.5 and 36.5cm high (2) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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947

950

953

947. A Staffordshire figure of ‘Sir Charles Napier’, circa 1850, modelled standing, holding a telescope in his right hand, his left foot resting on the barrel of a cannon, on a textured base, 32.5cm high. £50 - £80

950. A Staffordshire figure group titled ‘The Soldiers Farewell’, circa 1855, modelled as a Scottish soldier wearing a blue jacket and a kilt, and a lady leaning on his shoulder, polychrome enamel painted with gilded details, on a titled plinth base, 32.5cm high. £50 - £80

953. A Staffordshire figure of King John signing the Magna Carta, circa 1860, modelled seated, sheltered by a royal tent flanked by servants, polychrome enamel painted, on a naturalistic oval giltline base, 32cm high. £40 - £60

949

951

954

949. A pair of Staffordshire equestrian figures of the Duke and Duchess of Cambridge, circa 1860, modelled on horseback, the Duke holding a feathered hat in his right hand, the Duchess riding side-saddle, polychrome enamel painted with gilded details, on naturalistic titled plinth bases, tallest 34cm high (2) £50 - £80

951. A Staffordshire figure of King Edward VII as the Prince of Wales circa 1862, modelled standing with an iron red and white dog seated to his left, polychrome enamel painted with gilded details, on a titled oval plinth base, 36.5cm high. £80 - £120

954. A Staffordshire figure group of ‘Ridley and Latimer’ burning at the stake, circa 1860, modelled standing back to back surrounded by burning wood and flames, wearing black robes, on a naturalistic base bearing the title and inscription: “Be of good comfort, Master Ridley, and play the man: we shall this day light such a candle, by God’s grace, in England, as, I trust, shall never be put out.”, 24cm high. £100 - £150

948. A Staffordshire equestrian figure of the ‘Duke of Cambridge’, circa 1860, modelled on horseback, holding a feathered hat in his right hand, polychrome enamel painted with gilded details, on a naturalistic titled plinth bases, 34cm high. £20 - £40

952. A Staffordshire figure of the ‘Duke of Clarence’, circa 1891, modelled standing beside a cannon, his left hand resting on the barrel, enamel painted with gilt details, on a titled oval plinth base, 40cm high. £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

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957. A pair of Staffordshire greyhounds, ‘M. Grath’ and ‘Pretender’, circa 1871, modelled standing on grasspainted oval plinth bases with a leafed design, each with gilt collars, 23.5cm high, (2). Notes: Master Grath, owned by Lord Lurgan, won the Waterloo Cup of 1868, 1869, and 1871, defeating Pretender to claim his third title. £300 - £500

959 959. A pair of Staffordshire figures titled ‘The Sultan’ and ‘Omer Pacha’, circa 1860, modelled on horseback, polychrome enamel painted, on titled oval bases, tallest 28cm high (2) £50 - £80

955 955. A Staffordshire figure of Garibaldi, circa 1870, modelled on horseback, wearing a stripe painted shawl, his right hand resting on a sheathed sabre, on a titled oval base, 31.5cm high. £20 - £40

958 958. A Staffordshire figure of ‘Sir De Lacy Evans’, circa 1854, modelled standing beside a cocked hat on a table, his left hand resting on a pedestal, polychrome enamel painted with gilded detail, on a titled plinth base, 31cm high. £80 - £120

960. A pair of Staffordshire figures of the murderer ‘James B Rush’ and his mistress ‘Emily Sandford’, circa 1849, both modelled standing beside columns and holding speech scripts, polychrome enamel painted, on titled bases, 25.5 and 24.5cm high, together with models of ‘Potash Farm’, Rush residence, and ‘Stanfield Hall’, the place of the double murder, 22cm high, (4). Notes: the Murders at Stanfield Hall in Norfolk, perpetrated by James Bloomfield Rush in November of 1848, were the subject of much public attention, with the crime inspiring commemorations in the form of pottery, a life-size waxwork of Rush at Madame Tussauds, as well as a novel by Joseph Shearing, and the 1948 film ‘Blanche Fury’. Rush was the tenant-farmer at Potash Farm near Wymondham, Norfolk, who plotted to kill and defraud his Landlord, Isaac Jermy, of his estate - he shot and killed Jermy and his son at the doorstep of Stanfield Hall on the 28th November, 1848, in an attempted disguise as the rival claimants of the estate. He failed to kill Mrs Jermy and a servant, who later identified him in court, with his mistress Emily Sanford refusing to support his fake alibi. £300 - £500

956 956. A Staffordshire pottery bust of Neptune, circa 1826, modelled wearing hair decorations and a fish robe, on a pink marble painted rectangular pedestal base, dated verso 1826, 35cm high.£80 - £120

957

960

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

111

961

962

963

961. A Staffordshire figure of ‘Dick Turpin’, circa 1850, modelled on horseback, wearing a green coat and patterned yellow undercoat, polychrome enamel painted with gilded details to his hat, on a naturalistic and pink painted oval plinth base bearing a gilt title, 32.5cm high. £50 - £80 962. A Staffordshire pottery bust of John Wesley, circa 1825, polychrome enamel painted, on a pedestal base, 31cm high. £150 - £250 963. A Staffordshire figure of ‘Archbishop Cranmer’ burning at the stake, circa 1860, modelled standing surrounded by burning wood and flames, in a gesture of prayer, wearing white robes with gilded details, on a naturalistic base bearing the title and inscription: “Burned at Oxford March 21 1556”, 23cm high. £100 - £150 965 965. A Staffordshire Crimean War figure of 'General Pélissier', circa 1855, modelled on horseback, wearing a black plumed hat and blue jacket with gilded details, on a naturalistic titled base featuring a foliate scroll design, 32cm high. £50 - £80

964 964. A pair of Staffordshire pottery dogs, circa 1860, modelled as seated black and white spaniels, with ‘Disraeli’ painted curls and gilt collars, 26.5cm high, (2) £50 - £80 966 966. A pair of Staffordshire figures of ‘Don Quixote’ and ‘Sancho Panza’, circa 1850, modelled on horseback, with titled oval bases, tallest 24cm high (2) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

112

969 967. A pair of Staffordshire flatback horses, circa 1860, modelled standing on oval bases, with spotted design, 22cm high, (2) £50 - £80 968. A pair of Staffordshire pottery poodles, circa 1860, modelled seated with textured fur and gilt collars, 14cm high, (2) £50 - £80

972 972. A Staffordshire figure of the Abolitionist John Brown, circa 1863, modelled standing between two slave children, wearing a blue coat with gilded details, on a titled oval plinth base, 34.5cm high. £200 - £300

975. A Staffordshire Crimean War figure of Field-Marshall Lord Raglan, circa 1855, modelled standing in front of a cannon, wearing a blue coat and orange belt, his right hand famously missing, on a rectangular base bearing the title ‘Raglan’, 33.5cm high. £80 - £120

969. A pair of Staffordshire pottery spaniels, Grace and Majesty, circa 1850, modelled standing on pink arch bases with leaf moulded decorations, iron red and white colourway, 26cm high, (2) £400 - £600 970. A pair of Staffordshire pottery dogs, circa 1860, modelled as setters, in rust and white colourway with gilt collars, seated on stylised bases, 28.5cm high, (2) £100 - £150

973

971. A pair of Staffordshire pottery dogs, circa 1860, modelled as seated King Charles spaniels, iron red and white colourway with yellow eyes, 28.5cm high, (2) £50 - £80

973. A pair of Staffordshire figures of the King and Queen of Prussia, circa 1870, modelled standing on plinth bases, with polychrome and gilded detail, 41 and 42.5cm high, (2) £40 - £60

968

974. A Staffordshire figure of the Abolitionist John Brown, circa 1863, modelled standing in white dress with gilded details between two slave children, on a titled oval plinth base, 34.5cm high. £200 - £300

976. A pair of Staffordshire enamelled figures of Milton and Shakespeare, circa 1810, both modelled leaning on plinths atop marble-painted rectangular bases, with gilded decorations and scrolls bearing excerpts from their respective works aradise Lost and he Tempest approx. 44cm high (both), (2) £250 - £350

971

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

113

977

979

981

977. A Staffordshire figure of a ‘Sailor’, circa 1855, modelled standing with a boy to his right, holding a ship with stripe painted sails and wearing a blue coat with gilded details, on a plinth base, 40cm high. £80 - £120

979. A double sided Staffordshire Crimean War figure, circa, modelled as a soldier and a sailor, standing beside cannonballs and an anchor respectively, polychrome enamel painted, 33cm high. £80 - £120

981. A Staffordshire figure of ‘Leopold King of Belgium’, circa 1840, modelled standing with his right hand holding a sceptre and globus cruciger atop a fur-draped column, his left hand resting a sword against a plinth, on an oval base, 30.5cm high. £50 - £80

978

980

982

978. A Staffordshire figure of a ‘Sailor’, circa 1855, modelled standing with a boy to his right, holding a ship and wearing a blue coat with gilded details, on a titled plinth base, 43cm high. £80 - £120

980. A double sided Staffordshire Crimean War figure, circa, modelled as a soldier and a sailor, standing beside cannonballs and an anchor respectively, polychrome enamel painted, 33.5cm high. £80 - £120

982. A Staffordshire figure of Joseph John Gurney, circa 1850, modelled standing at a plinth, wearing a black coat and a gilt-decorated waistcoat, on a titled plinth base, 28.5cm high. £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

114

985. A Staffordshire figure of a cricketer, circa 1860, modelled as a batsmen at the wicket, standing beside a blazer, his whites painted with a dotted pattern, 35cm high. £100 - £150

988. A pair of Staffordshire pottery figures, circa 1880, modelled as the evangelical preachers Moody and Sankey, each standing with one hand on a Bible atop a red and green painted column, on titled oval plinth bases, 35cm high, (2) £80 - £120 989. A pair of Staffordshire pottery figures, circa 1880, modelled as the evangelical preachers Moody and Sankey, each standing with one hand on a Bible atop a red and green painted column, on titled oval plinth bases, 43cm high, (2) £100 - £150

983 983. A Staffordshire figure of Ellen ‘Nellie’ Chapman as the Lion Queen, circa 1850, modelled standing surrounded by a seated lion and a leopard, holding a circus ring on her shoulder, on an oval giltline base, 32cm high. £80 - £120 986 986. A Staffordshire figure of a cricketer, circa 1860, modelled as a batsmen at the wicket, standing beside a blazer, his whites painted with small crosslike decorations, 35cm high. £100 - £150

990 990. A Staffordshire pottery figure of Victor Emmanuel II, ‘King of Sardinia’, circa 1860, modelled standing, with gilt decorations to his white clothing, 42.5cm high. £50 - £80

984 984. A pair of Staffordshire pottery figures of dogs, circa 1870, modelled as seated black and white spaniels, with israeli painted curls and gilt collars, 32cm high, (2) £80 - £120

987

991

987. A Staffordshire pottery figure of the cricketer George Parr, circa 1861, modelled standing beside a bat and wicket, holding a ball and wearing an orange cap, 33.5cm high. £200 - £300

991. A pair of Staffordshire pottery figures of dogs, circa 1870, smoking pipes, with black painted spots and gilt collars, modelled seated on scrolled plinth bases, 26.5cm high, (2) £150 - £250

985

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

115

992

995

992. A Staffordshire pottery figure of a black and white ‘Disraeli’ greyhound, circa 1860, modelled recumbent next to a hare, on a serpentine plinth base with floral painted motifs. £250 - £350

995. A pair of Staffordshire flat back zebra and foal spill vases, circa 1860, modelled as zebras standing with their foals before a tree, 31.5cm high, (2) £150 - £250

993

996

993. A large Staffordshire figure of Pope Pius IX, titled ‘His Holiness the Pope’, circa 1870, modelled standing next to a plinth with a Bible, in a gesture of blessing, 47cm high. £50 - £80

996. A pair of Staffordshire flat back spill vases, circa 1870, modelled as zebras standing before a tree, 28cm high, (2) £200 - £300

994

997

994. A pair of Staffordshire flat back spill vases, circa 1860, modelled as elephants standing in front of a tree, 17cm high, (2) £100 - £150

997. A pair of Staffordshire pottery Lion and Lamb figures, circa 1860, modelled seated with a recumbent lamb, on an oval giltline base, 26cm high, (2) £400 - £600

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

116

998 998. A pair of Staffordshire pottery Lion and Lamb figures, circa 1860, modelled seated with a recumbent lamb, on an oval giltline base, 22cm high, (2) £400 - £600

1001 1001. A Staffordshire figure of ‘Cardinal Manning’, circa 1875, modelled standing with his right hand resting atop a plinth, on an oval base, 35cm high. £50 - £80

1002 999 999. A pair of Staffordshire pottery greyhound figures, circa 1860, modelled standing, painted with ‘Disraeli’ curls, one holding a hare in its mouth, tallest 27.5cm high (2) £200 - £300

1000 1000. A pair of Staffordshire pottery rabbits, circa 1870, recumbent with black spotted markings, eating lettuce leaves, 25cm wide, (2) £600 - £800

1002. A Staffordshire figure of Jumbo the elephant, titled ‘Jumbo’, circa 1875, on an oval plinth base, 28cm high . £200 - £300

1003 1003. A Staffordshire Crimean War figure titled ‘Soldiers Dream’, circa 1855, modelled as a Scottish soldier falling asleep leaning on a drum, polychrome enamel painted with gilded details, on a naturalistic gilt-line base, 35cm high. £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

117

1006. A Staffordshire Crimean War figure of Field-Marshall Lord Raglan, circa 1854, modelled standing beside a cannon, his right hand famously missing and his left resting on a plinth, on a rectangular base, 40cm high. £80 - £120

1004 1004. A pair of Staffordshire dog figures, circa 1860, modelled as spaniels holding baskets of flowers in their mouths, iron red and white painted, 21cm high. £50 - £80

1009 1009. A Staffordshire figure of Garibaldi, circa 1865, modelled standing and leaning on a column, on a plinth base, 48cm high. £80 - £120 1007 1007. A pair of Staffordshire portrait figures, the ‘Duke of Edinburgh’ and ‘Duchess of Edinburgh’, circa 1870, modelled standing on oval plinth bases, in gilt decorated Royal dress, 45cm high, (2) £60 - £80

1005 1005. A Staffordshire theatrical figure of ‘Othello & Iago’, circa 1858, modelled standing beside one another on an oval plinth base, 30.5cm high. £60 - £100

1010 1010. A Staffordshire figure of Garibaldi, circa 1865, modelled standing beside his horse, on a naturalistic base, 36.5cm high. £80 - £120

1008 1008. A Staffordshire figure of Garibaldi, circa 1865, modelled standing beside his horse, on a naturalistic base, 22.5cm high. £50 - £80

1011

1006

1011. A Staffordshire figure of ‘Topsy & Eva’, circa 1870, modelled kneeling and holding hands, on a stylised oval plinth base, 21cm high. £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

118

1012 1012. A Staffordshire figure of Florence Nightingale, titled ‘Miss Nightingale’, circa 1855, modelled standing with her left hand resting on a pile of books atop a plinth, on a plinth base, 36cm high. £80 - £120 1013

1013. A pair of Staffordshire figures of seated cats, circa 1860, wearing collars with small bells, white with enamel painted details to the faces, 34cm high, (2) £200 - £300

1016

1015 1014 1014. A Staffordshire figure of Florence Nightingale, titled ‘Miss F Nightingale’, circa 1855, modelled standing, dressed in blue, on a plinth base, 26.5cm high. £80 - £120

1015. A Staffordshire figure of Florence Nightingale, titled ‘Miss F Nightingale’, circa 1855, modelled standing, wearing a pink dress and an orange bow, on a plinth base, 27.5cm high. £100 - £150

1016. A Staffordshire figure of Heenan and Sayer, circa 1860, modelled barechested, wearing coloured shorts, on an oval base, 23cm high. £80 - £120 1017. A Staffordshire figure of Heenan and Sayer, circa 1860, modelled barechested, wearing white shorts with gilt decorations, on an oval base, 23cm high. £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

119

1023

1018 1018. A Staffordshire figure of MajorGeneral Sir George Cathcart, circa 1855, modelled riding a horse, on a naturalistic base bearing the title ‘G. Cathcart’, 31cm high. £80 - £120

1020 1020. A Staffordshire figure of Robert Peel, titled ‘Sir R. Peel’, circa 1850, modelled on horseback, atop an oval plinth base featuring a naturalistic and floral design, 33.5cm high. £100 - £200

1023. A Staffordshire figure of ‘Shakespeare’, circa 1870, modelled standing at a column topped by books on which his right elbow rests, polychrome enamel painted with gilded decorations to his coat, on a titled oval plinth base, 38cm high, together with a Staffordshire pottery model titled ‘Shakespeare’s House’, circa 1860, enamel painted with gilded timber details, on a titled base, 25.5cm high, (2) £50 - £80

1021. A Staffordshire figure of ‘Henry V Trying on the Crown’, circa 1847, modelled standing, placing the crown on his head, beside a plinth atop which lies a cushion and sceptre, colour painted and gilt decorated, on a rectangular base, 37cm high. £100 - £200

1019 1024

1019. A Staffordshire pottery figure titled ‘Death of the Lion Queen’, circa 1850, modelled as the circus performer Ellen ‘Nellie’ Chapman, flanked by a recumbent lion and a spotted leopard, on an oval base, 36.5cm high. £250 - £350

1024. A Staffordshire figure of George Washington, circa 1855, modelled standing, holding a hat and a scroll, wearing trousers with gilded stripes, on a rectangular plinth base titled ‘WASHINGTON’, 39.5cm high. 1022 1022. A Staffordshire figure of ‘Eliza Cook’, circa 1850, modelled standing on a titled oval base, wearing a blue coat with gilded details and a white floral-painted dress, 25.5cm high. £50 - £80

Note: this figure was more commonly made as portrait of Benjamin Franklin, but was also frequently titled as George Washington. £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

120

1025 1025. A Staffordshire figure group, ‘Samuel & Eli’, circa 1860, Eli modelled seated between Eli and a plinth with a jug, on a titled oval plinth base, 29cm high, together with an equestrian figure of ‘Queen Alexandria’, circa 1901, 33cm high, a figure of ‘Sir George Brown’, modelled on horseback, on a titled plinth base, and a smaller equestrian figure titled ‘Duke Cambridge’, (4) £50 - £80

1027 1027. A Staffordshire Elephant of Siam spill vase, circa 1860, modelled as an elephant rescuing a boy from the window of a castle, encrusted with shredded clay, on a gilt-line plinth base, 17.5cm high. £50 - £80 1029 1029. A Staffordshire figure of General Sir William John Codrington, circa 1856, modelled standing beside a cloak with a cocked cannon and flag to his right, on a naturalistic oval plinth base titled ‘G Codrington’, 33cm high. £50 - £80

1028

1026 1026. A Staffordshire figure of Arthur Orton, titled ‘Sir R Tichborne’, circa 1874, modelled standing with a bird in his left hand and a shot-gun in his right hand, mainly unpainted with a pink waistcoat and black hat, on a titled plinth base, 36.5cm high. Note: Arthur Orton (1834-1898), was a claimant to the Tichborne estates, impersonating the heir Roger Tichborne upon his return from Australia 1866, who was declared lost at sea in 1854. Orton was sentenced to fourteen years imprisonment for perjury in 1874, and even after his release, despite a confession which he soon retracted, he continued his claim; he died in 1898, with his coffin plate even bearing the Tichborne name. £50 - £80

1028. A Staffordshire pottery clock figure, circa 1850, possibly modelled as Euston Station, with two figures holding baskets of grapes either side of a clock tower topped by a train and carriages, polychrome enamel painted with gilded details, 38.5cm high. £50 - £80

1030 1030. A Staffordshire figure of Garibaldi, circa 1865, modelled standing, holding a flag titled ‘Libert ’, on a textured plinth base, 33cm high. £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

121

1034. A Staffordshire figure group titled ‘Napoleon’ and ‘Albert’, circa 1860, both men modelled standing either side of a wall with a pile of cannonballs, shaking hands, polychrome enamel painted with gilded details, on a titled rectangular base, 36cm high, together with a figure of ‘Louis Napoleon’, modelled on horseback, wearing a green cape and blue coat with gilded details, on a titled oval plinth base, 32.5cm high, (2) £50 - £80

1031 1031. A Staffordshire figure of a spaniel, circa 1860, modelled seated, iron red and white colourway, on a blue plinth base, together with another spaniel figure with a pup, and a figure of a black and white spotted cat, modelled recumbent on a blue painted base, tallest 21.5cm high (3) £50 - £80 1032. A Staffordshire figure of Captain Cook, circa 1845, modelled seated, his right arm leaning on a table with a manuscript, polychrome enamel painted, on a plinth base, 18cm high. £80 - £120

1035 1035. A Staffordshire figure group, circa 1860, modelled as Napoleon and Albert shaking hands, on a gilt-line oval base, 32cm high, and a smaller example, together with a Crimean War alliance figure group, circa 1860, modelled as Queen Victoria flanked by the Emperor of France and the Sultan of Turkey, on a titled base, 28cm high, and a figure group titled ‘The Wounded Soldier’, polychrome enamel painted with gilded details, on a titled plinth base, 31cm high, (4) £80 - £120

1033 1033. A Staffordshire figure group titled ‘Napoleon’ and ‘Albert’, circa 1860, both men modelled standing either side of a wall with a pile of cannonballs, shaking hands, polychrome enamel painted with gilded details, on a titled oval plinth base, 28cm high, together with a figure of ‘Louis Napoleon’, modelled on horseback, wearing a green cape and blue coat with gilded details, on a titled oval plinth base, 27.5cm high, (2) £50 - £80

1036

1034

1036. A Staffordshire figure of a girl walking the tight-rope, circa 1870, together with a figure of a dancer, and a figure of a man holding a bird, modelled standing beside a chair with a basket of birds, each on gilt-line bases, tallest 28cm high, and a figure group titled ‘Fortune Teller’, modelled as two women beneath a vine bower, one seated, the other with a child, 30cm high, (4) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

122

1037

1038

1037. Three 19th Century Staffordshire equestrian figures depicting fox hunting scenes, modelled as hunters on horseback with chasing dogs, on naturalistic painted bases, tallest 23.5cm high (3) £50 - £80 1038. A pair of Staffordshire figures of Hamlet and Lady Macbeth, circa 1850, modelled standing, Hamlet holding the skull of Yorick, each dressed in white with gilded decorations, on oval plinth bases, tallest 30.5cm high (2) £50 - £80

1039 1039. A Staffordshire toby jug, circa 1880, modelled as a monkey playing the cello, polychrome enamel painted, on a gilt-line base, 30cm high. £40 - £60

1040

1041

1040. A Staffordshire figure of George Washington, circa 1855, modelled standing, holding a hat and a scroll, polychrome enamel painted with gilded details, on a circular plinth base titled ‘G Washington’, 39.5cm high.

1041. A Staffordshire figure of the Duke of Wellington, circa 1850, modelled standing, wearing a patterned waistcoat and blue coat with gilded details, on a plinth base titled ‘Wellington’, 43cm high . £40 - £60

Note: this figure was more commonly made as portrait of Benjamin Franklin, but was also frequently titled as George Washington. £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

123

1044 1042 1042. A Staffordshire figure of ‘Sir Colin Campbell’, circa 1857, modelled standing beside a cannon with flags, wearing an orange coat and holding a round plumed hat to his head, on a titled plinth base, 26.5cm high £30 - £50

1045

1043 1043. A Staffordshire figure of Dan O’Connell, circa 1850, modelled standing beside a draped column with a hat, his left hand resting on another column, on a gilt-line oval plinth base titled ‘D.O. CONNELL’, 41cm high. £80 - £120 1044. A collection of 19th Century Staffordshire figures, to include ‘Havelock’, modelled standing at a column with a scroll in his right hand, 31cm high, ‘Moody’, modelled standing beside a column with a Bible upon which his right hand rests, on a titled base, 24cm high, a figure of Walter Scott with his dog, 36cm high, and an equestrian figure of a man holding a rifle, 34.5cm high, (4) £80 - £120 1045. A Staffordshire pottery model of ‘Shakespeare’s House’, polychrome enamel painted with shredded clay and gilded timber details, 26cm high, together with four other models, ‘Trinity College’ (Cambridge), ‘School’, and a house titled ‘Mary Jane Hall, Born May 6th 1849, Wisbeach’, and a lighthouse scene with two figures in a dinghy, (5) £80 - £120

1046 1046. A selection of 19th Century Staffordshire pottery models, to include the castle of ‘Sebastopol’, a castle titled ‘The Redan’, a stately home modelled with twin turrets, and two models of Balmoral castle, one white with gilded details, the other light-brown painted, on titled bases, tallest 24cm high (5) £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

124

1049. A selection of 19th Century Staffordshire animal figures, to include a spill vase modelled as a goat and a man, on a naturalistic oval gilt-line base, a spill vase modelled as a black horse, another vase depicting two chickens in a pen, and a figure of a parrot, modelled perched on a branch, tallest 22cm high (4) £50 - £80

1052 1052. A Staffordshire figure of ‘William Palmer’, circa 1855, modelled standing beside a plinth with a scroll in his left hand, on a titled rectangular gilt-line base, 29.5cm high, together with a Staffordshire pottery model of ‘Palmer’s House’, circa 1855, 20cm high, (2) £100 - £150

1047 1047. A pair of Staffordshire figures, ‘Queen of England’ and ‘Prince of Wales’, circa 1870, modelled standing, the Prince beside a draped column, the Queen with her arms folded, her dress featuring gilded decorations, on titled oval plinth bases, tallest 44cm high (2) £50 - £80

1050 1050. A Staffordshire figure titled ‘Queen’, circa 1860, modelled seated, together with a figure of a young girl, circa 1860, modelled standing, holding a ball, on a naturalistic painted oval base, and a figure of a girl, circa 1860, modelled standing beside a cat seated on a plinth, her dress white with floral painted and gilded decorations, on a raised oval base, tallest 22cm high (3) £50 - £80

1048

1053

1048. A pair of Staffordshire puppet show figure groups of Punch and Judy, circa , each modelled in orange painted tents flanked by a boy and a girl on either side, on grass-painted bases, 21.5cm high, (2) £150 - £250

1053. A Staffordshire doorstop figure of Mr. Punch, circa 1860, modelled reclining beside his dog against a pile of books, polychrome enamel painted, on a shaped base, 29.5cm high. £100 - £200 1051 1051. A Staffordshire pottery character pot, circa 1860, modelled as a man’s head, double sided, his hat forming the lid, polychrome enamel painted with gilded details, 13cm high, together with a Staffordshire Toby character, circa 1860, modelled seated, on a rectangular base, 13.5cm high, (2) £50 - £80

1049

1054

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

125

1054. A Staffordshire Crimean War figure of General Windham, circa 1855, modelled standing beside a wall with a flag and cannonballs, a manuscript in his left hand, wearing a green fur-topped cape, on a rectangular base titled ‘G. Windham’, 46.5cm high. £80 - £120

1055 1055. A Staffordshire Crimean War figure of General Pelissier, circa 1855, modelled standing beside flags, holding a scroll in his left hand, a fur topped garment draped over his right arm, polychrome enamel painted with gilded details, on an oval plinth base titled ‘G Pelissier’, 45cm high. £80 - £120

1057. Two Staffordshire figures, circa 1850, ‘C Napier’, modelled standing, holding a naval hat, on a titled plinth base, and ‘Dundas’, modelled standing, holding a hat in his right hand, resting his left hand on a cannon, on a titled oval base, tallest 41.5cm high, (2) £50 - £80

1058

1060

1058. A Staffordshire figure of ‘Sir Colin Campbell’, circa 1850, modelled standing beside a cannon, his right hand resting on a flag, on a titled rectangular giltline base, 36cm high, together with a figure of ‘MG Havelock KCB’, circa 1855, modelled standing beside a cannon, his left hand resting on a fur draped plinth, with gilded decorations, on a titled plinth base, 33cm high, and a figure titled ‘RS. Dundas’, circa 1850, modelled standing between two flags, a telescope in his right hand, on a titled base with foliate scroll design, 32.5cm high, (3) £80 - £120

1060. A Staffordshire figure of King Richard the Lionheart, 19th Century, modelled standing with a flag, his armour and crown featuring gilded decorations, on an oval gilt-line plinth base, 40cm high. £50 - £80

1056. A Staffordshire Crimean War figure of General James Simpson, circa 1855, modelled standing beside flags, holding a scroll in his hand, a fur topped garment draped over his left arm, polychrome enamel painted with gilded details, on an oval plinth base titled ‘G Simpson’, 45cm high. £80 - £120

1061 1061. A Staffordshire figure of Prince Albert, circa 1850, modelled standing beside a plinth, holding a plumed hat in his right hand, wearing a pink painted robe of the Order of the Garter, on an oval base, 30cm high, together with a figure group of the Princess Royal and Frederick of Prussia, 31cm high, and a figure titled ‘Kossuth’, (3) £80 - £120

1059

1057

1059. A Staffordshire figure group spill vase, circa 1880, modelled as Snow White and a witch standing before a tree, on a naturalistic oval base, 30.5cm high. £40 - £60

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

126

1064 1064. Three Staffordshire Shakespearian figures, ‘Shylock’ and ‘Falstaff’, circa 1860, both modelled standing with canes, polychrome enamel painted with gilded details, on titled naturalistic plinth bases, 24cm high, together with a figure of Miss Vandenhoff as Juliet, circa 1852, modelled standing on an oval plinth base, 20cm high, (3) £50 - £80 1062 1062. A Staffordshire theatrical figure of Jenny Lind, circa 1847, modelled standing, her right hand touching her hat, on a titled plinth base, 21cm high. £40 - £60

1066 1066. A Staffordshire figure group of Charlotte and Susan Cushman as Romeo and Juliet, circa 1850, the couple modelled standing and embracing, Juliet wearing a light pink dress, polychrome enamel painted with gilded decorations, on a titled naturalistic base bearing an excerpt from Act III Scene 5 of Shakespeare’s work, 26cm high. £30 - £50

1065 1065. A Staffordshire figure group spill vase of Jenny Marston and Frederick Robinson as Perdita and Florizel from Shakespeare’s ‘A Winter’s Tale’, circa 1852, modelled standing before a tree, holding hands, polychrome enamel painted, on a titled naturalistic base, 29.5cm high. £30 - £50

1063 1063. A Staffordshire figure of the Duke of Wellington, circa 1850, modelled seated in a spoon back armchair, wearing a blue coat with gilded decorations, on a serpentine base titled ‘Wellington’, 31cm high. £80 - £120

1067 1067. A Staffordshire figure group of Charlotte and Susan Cushman as Romeo and Juliet, circa 1850, the couple modelled standing and embracing, Juliet wearing a light blue dress, polychrome enamel painted with gilded decorations, on a titled naturalistic base bearing an excerpt from Act III Scene 5 of Shakespeare’s work, 26cm high. £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

127

1070

1072 1070. A Staffordshire figure group titled ‘Highland Jessie’, circa 1860, modelled as a soldier and a woman standing side by side, polychrome enamel painted with gilded details, on a titled oval plinth base, 37cm high, together with a figure of ‘Robert Burns’, circa 1870, modelled standing, his right arm resting on a tree, on a titled oval plinth base, 34cm high, (2) £40 - £60 1071. A pair of Staffordshire pottery dogs, circa 1860, modelled as seated King Charles spaniels, iron red and white colourway, 20cm high, (2) £30 - £50

1068 1068. A Staffordshire figure group titled ‘The Victory’, circa 1856, modelled as an English sailor sitting on a gun, a French soldier to the left and a Turkish soldier to the right, both standing, polychrome enamel painted with gilded details, 35cm high. £80 - £120

1072. A pair of Staffordshire pottery zebras, circa 1870, modelled with their front leg raised, on a naturalistic oval plinth base, 21.5cm high, (2) £40 - £60

1074 1074. A Staffordshire figure of Solomon Rarey, circa 1860, modelled standing next to his horse Cruiser, polychrome enamel painted with gilded details, on a gilt-line oval plinth base, 23cm high. £30 - £50

1073

1069 1069. A Staffordshire figure of Sir Charles Napier, circa 1870, modelled standing beside his horse, wearing an orange jacket decorated with medals, on a titled naturalistic base, 22cm high. £20 - £40

1073. A pair of Staffordshire figures, ‘F.G. Manning’ and ‘Maria Manning’, circa 1850, both modelled standing, Mr Manning leaning on a column holding a script, on titled oval plinth bases, 24.5cm high, (2) £50 - £80

1075 1075. A Staffordshire figure of Solomon Rarey, circa 1860, modelled standing next to his horse Cruiser, polychrome enamel painted with gilded details, on an oval plinth base titled ‘Rarey’, 23cm high. £30 - £50

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

128

1076. A Staffordshire figure of Sir W.F. Williams, circa 1860, modelled on horseback, his plumed hat tucked underneath his shoulder, on a titled oval plinth base, 23cm high. £30 - £50

1077

1079

1081

1077. A Staffordshire figure of Sir Colin Campbell, circa 1860, modelled on horseback, his hat resting beside his right arm, on a titled oval plinth base, 23cm high. £30 - £50

1079. A Staffordshire figure of Hamlet, circa 1852, modelled standing, holding the skull of Yorick, polychrome enamel painted with gilded details, on a titled naturalistic base, 28cm high. £40 - £60

1081. A Staffordshire theatrical figure of ‘Jenny Lind as Alice in Meyerbeer’s Opera’, circa 1847, modelled kneeling, clinging to a crucifix statue, polychrome enamel painted, on a titled pedestal base with a textured and serpentine design, 34cm high. £40 - £60 1082. A Staffordshire figure titled ‘Old Maid’, 19th Century, modelled as a woman with a cat and a bird, seated beside a table with a teapot and loaf of bread, on a titled plinth base, 22.5cm high, together with a figure group of a man on horseback pulling a single carriage with a seated lady, on a serpentine base titled ‘Prince and Princess’, 18.5cm high, and small equestrian figure, (3) £50 - £80 1083. A pair of Staffordshire pottery exotic birds, circa 1850, modelled perched on a green and brown mound, on oval bases, 24.5cm high, together with a larger similar example, modelled clasping a child by its robe in its right claws, 33cm high, (3) £80 - £120

1078 1078. A Staffordshire theatrical figure of Louis Antoine ‘Jullien’, circa 1847, modelled standing beside a lectern, wearing striped trousers and a blue tailcoat with gilded details, on a titled plinth base, 19.5cm high, together with figure of Jenny Lind, circa 1850, modelled standing, holding a script, on a titled pedestal base, 19cm high, (2) £50 - £80

1080 1080. A Staffordshire figure of ‘Dan O’Connell’, circa 1875, modelled standing beside a draped pedestal, wearing a black coat with gilded details, on a titled oval plinth base, 43.5cm high. £50 - £80

1084. A Staffordshire pottery figure group titled ‘St Patrick’s Day’ circa 1860, modelled as a man standing atop barrel, playing the fiddle, with a couple dancing either side of him, on a titled naturalistic plinth base, 35cm high. £80 - £120 1085. A pair of Staffordshire equestrian figures, titled ‘Prince of Wales’ and ‘Princess’, 19th Century, modelled on horseback, wearing plumed hats and tartan painted scarves, on titled naturalistic plinth bases, tallest 30cm high (2) £50 - £80

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

129

1082

1083

1085

1084

1088

1086

1087

1086. A Staffordshire figure of Robert Burns, circa 1850, modelled standing, holding a book and a bonnet, polychrome enamel painted, on a plinth base titled ‘ROBt BURNS’, 33.5cm high. £20 - £40

1087. A Staffordshire figure of Robert Burns, circa 1850, modelled standing, leaning against a plinth with agricultural tools, a book in his left hand, polychrome enamel painted, on a plinth base titled ‘R Burns’, 27cm high. £50 - £80

1088. Three Staffordshire figures of Richard Cobden, Sir Robert Peel, and Thomas Slingsby Duncombe, circa 1848, modelled standing beside columns, Sir Peel’s bearing a sheet inscribed “Repeal of the Corn Law”, Duncombe’s inscribed “President of the Trades”, polychrome enamel painted with gilded details, on titled plinth bases, tallest 23cm high (3) Note: these three figures are linked through their involvement in the campaign to reform the Corn Laws, in place from 1815 to 1846. £80 - £120

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

130

1091. A Staffordshire equestrian figure titled ‘P.L. of Hesse’, 19th Century, modelled as a man on horseback holding a plumed hat, on a titled naturalistic oval plinth base, 24cm high, together with a figure of ‘Sir W F Williams’, modelled on horseback, 22.5cm high, and another equestrian figure modelled as two trick riders standing on horseback, 25.5cm high, and a (3) £50 - £80

1094. A Staffordshire figure group titled ‘La Polka’, circa 1850, modelled as a man and a woman dancing, polychrome enamel painted with gilded decorations, on a titled plinth base, 20cm high, together with a figure titled ‘Bloomers’, circa 1852, modelled as a woman standing, in white dress with gilded details, on a titled plinth £50 - £80 base, 25cm high, (2)

1089 1089. A Staffordshire pottery jug, circa 1880, modelled as a King Charles Spaniel seated on its hind legs, wearing a plumed hat, iron red and white colourway, 27cm high. £20 - £30

1095 1092 1092. A Staffordshire equestrian figure titled ‘Falkoness’, 19th Century, modelled as a woman on horseback with a falcon perched on her right hand, wearing a plumed hat and tartan painted scarf, polychrome enamel painted with gilded decorations, on a titled naturalistic plinth base, 31cm high. £40 - £60 1090 1090. A Staffordshire figure group of the ‘Princess Royal & Frederick of Prussia’, circa 1857, modelled standing together on a titled oval plinth base, 40cm high, together with a figure of a queen, modelled standing, holding flowers, on a circular base, 34.5cm high, and a figure titled ‘Princess May’, (3) £80 - £120

1095. A Staffordshire equestrian figure of a horse and jockey, circa 1860, on a gilt-line plinth base, 28cm high. £20 - £40 1096. A Staffordshire figure of ‘G.H. Spurgeon’, circa 1860, modelled standing in a pulpit, his right arm raised, on a titled oval base, 32cm high. £20 - £40

1093. A Staffordshire pottery spill vase of a cow and milk maid, circa 1880, the maid modelled seated at the cow’s udders, on a naturalistic plinth base, 22.5cm high. £20 - £40

1097

1094

1097. Two Staffordshire figures of huntsmen, circa 1860, modelled standing beside stone columns with fawns seated on top, on oval plinth bases, 42cm high, together with a figure group of a musician couple, modelled as an accordion player and a harpist, 45cm high, (3) £50 - £80

1091

For details of the charges payable in addition to the final Hammer Price of each lot please refer to paragraphs 5 to 9 of the Buyer’s terms at the back of the catalogue.

131

ENTRIES INVITED FOR OUR NEXT AUCTION

RENE LALIQUE AND HIS CONTEMPORARIES 8TH JULY 2022

Rene Lalique, Escargot, electric blue vase Sold for £16,000 (including premium)

Kinghams Auctioneers Ltd 10-12 Cotswold Business Village, London Road, Moreton-in-Marsh GL56 0JQ Telephone: 01608 695695 Email: enquiries@kinghamsauctioneers.com Website: www.kinghamsauctioneers.com

132

NOTES

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NOTES

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TERMS & CONDITIONS OF SALE AND BUSINESS These Conditions of Sale and Business constitute the contract between Kinghams Auctioneers limited and the seller, on the one hand, and the buyer on the other. By bidding at the auction, and/or consigning to Kinghams Auctioneers limited, you agree to be bound by the following terms. CONDITIONS OF SALE 1. DEFINITION In these terms of business: Kinghams Auctioneers Ltd is referred to as ‘Kinghams’. The Kinghams representative conducting the auction is referred to as the ‘auctioneer’. 2. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers if the transaction is not completed and paid for.

b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting. Special terms may be used in catalogue descriptions of particular classes of terms in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of the Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. English law applies to the interpretation of these Conditions. TERMS OF CONSIGNMENT FOR SELLERS

3. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment. 4. DESCRIPTIONS AND CONDITION OF LOTS Every effort is made to ensure the accuracy of statements relating to authorship, descriptions, origin, date, age, provenance and condition of lots. Statements made orally or in the catalogue are opinions given after careful consideration and research. Prospective buyers are given ample opportunity to view lots before any sale. When bidding, buyers acknowledge that they are fully satisfied as to the description and condition of the lot. 5. ATTRIBUTION OF PICTURES (a) If the forename(s) (or asterisks where not known) and surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work by the named artist. (b) If the initials of the forename(s) and the surname of the artist are given, this indicates that in the opinion of Kinghams the picture is a work of the period of the named artist and may be wholly or in part his work. (c) If the surname of the artist is given, this indicates that in the opinion of Kinghams the picture is a work of the same school of the named artist, or by one of his followers, or in his style and of uncertain date. (d) The term ‘Bears signature’ indicates that in the opinion of Kinghams this is not the signature of the artist.

1. INTERPRETATION In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’ etc. refer to Kinghams Auctioneers Ltd. 2. WARRANTY The Seller warrants that possession in the lots can be transferred to the Buyer with good and marketable title, free from any third party right and encumbrances, claims or potential claims. The Seller has provided all information concerning the items ownership, condition and provenance, attribution, authenticity, import or export history and of any concerns expressed by third parties concerning the same. 3. COMMISSION Commission is charged to sellers at a flat rate of 15% plus VAT on each lot. There is a lotting charge of £2.50 plus VAT per lot. 4. REMOVAL COSTS Items for sale must be consigned to the saleroom by and stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

(e) All other terms are self-explanatory. 6. FORGERIES Notwithstanding Condition 4, any lot which proves to be a deliberate forgery may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence provided that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium. 7. THIRD PARTY LIABILITY Every person on Kinghams premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against Kinghams in respect of any injury they may sustain or any accident which may occur. 8. DISPUTES Any dispute not covered in these terms of business will be settled at the sole discretion of Kinghams. 9. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of the Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

5. LOSS AND DAMAGE OF GOODS a) Loss and Damage Warranty – Kinghams is not authorised by the FSA to provide insurance to its clients and does not do so. However, Kinghams for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until the hammer falls. To justify accepting liability, Kinghams makes a charge of 1.5% of the hammer price plus VAT. The liability assumed by Kinghams shall be limited to the lower pre-sale estimate or the hammer price if the lot is sold. b) If the owner of the goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owners risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 5(a) is inapplicable. 6. ILLUSTRATIONS The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 7. MINIMUM BIDS AND OUR DISCRETION Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 8. We may sell lots below the reserve provided if we can account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 10% below the formal reserve.

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8. RESERVES a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to unreasonably high reserves {in which case goods carry the storage (Condition 17) and loss damage warranty (Condition 5(a) charges as stipulated in these Terms of Consignment}. b) A reserve once set cannot be changed except with our consent. c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. d) Reserves are not usually accepted for lots expected to realise below £50. 9. ELECTRICAL ITEMS These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 10. SOFT FURNISHINGS The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.The rights of disposal referred to in clauses 9 and 10 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection upon request. 11. DESCRIPTIONS Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 4 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. 12. UNSOLD ITEMS If an item is unsold it may at our discretion be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. 13. WITHDRAWN AND BOUGHT IN ITEMS These are liable to incur charges on being bought in or withdrawn after being catalogued. 14. CONDITIONS OF SALE You agree that all goods will be sold subject to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses, liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 15. AUTHORITY TO DEDUCT COMMISSION AND EXPENSES AND RETAIN PREMIUM AND INTEREST You authorise us to deduct commission at the stated rate and all expenses incurred from your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. You authorise us at our discretion to negotiate a sale by private treaty not later than the close of business 48 hours after the day of sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply. 17. STORAGE We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make storage charges.

18. SETTLEMENT Subject to funds having cleared in our account we aim to pay you no later than four weeks following the sale. If the buyer has not paid for the goods no settlement will be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. Please note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 11 above and you should therefore bear this in mind before parting with the proceeds of sale. INFORMATION FOR BUYERS 1. INTRODUCTION The following notes are intended to assist buyers particularly those who may be inexperienced or new to our saleroom. All sales are conducted in accordance with our Conditions of Sale. Our staff will be happy to help you with anything you do not fully understand. 2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly, if you buy your primary contract is with the seller. 3. THE BUYER The highest bidder acknowledged as such by the auctioneer will be the buyer. If any dispute arises, the auctioneer has absolute discretion to settle the matter. The auctioneer rules the bidding and bids cannot be retracted. The auctioneer reserves the right to refuse any bid. The successful bidder, whether bidding for himself or for a third party, is entirely responsible for paying for the lots they have bought in accordance with Kinghams’s Conditions of Sale and Business. The auctioneer reserves the right to bid on behalf of the sellers for any lot and to withdraw, consolidate or divide any lot or lots. 4. REGISTRATION Unless registered already on a bidding platform, it is essential that all prospective buyers register with us, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/passport), a valid debit or credit card and a copy of a utility bill confirming their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. The paddle may be used to indicate your bids to the Auctioneer during the sale. If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately. 5. BUYER’S PREMIUM - COMMISSION CHARGES There is a buyer’s premium of 23 per cent plus VAT on the hammer price of each lot up to and including £500,000. The buyer’s premium is 18% plus VAT on the hammer price of each lot on the excess of £500,001 up to and including £1,000,000. The buyer’s premium is 15% plus VAT on the hammer price of each lot on the excess of £1,000,001. 6. VALUE ADDED TAX Lots on which the buyer may have to pay VAT on the ‘hammer price’ are indicated in the catalogue with the following symbol *. The buyer must pay this VAT at the rates that apply on the day of the auction in addition to the buyer’s premium and VAT thereon. 7. AUCTIONEERS MARGIN SCHEME This scheme allows auctioneers to sell items without VAT on the hammer price. The buyer then pays an amount equivalent to VAT. This amount cannot be refunded and is not shown separately on the invoice. 8. PAYMENT Buyers must pay in full before items can be removed from the premises (please see “payment methods” below). Invoices will be issued from the day of the sale. Buyers must pay their invoice in full within 24 hours and advise when they will be collecting their item(s). Any invoices which remain unpaid after seven days will incur interest at 5% above the base rate, charged from the date of the sale. If buyers are unknown to us, we cannot hand over purchases unless we have adequate references or payment is cleared.

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Payment Methods We accept payment by: Cash – up to £9,000 (subject to money laundering regulations). Cheques – bankers draft, cashiers cheque, personal cheques and travellers cheques are all accepted. Credit cards – Visa or Mastercard (American Express or Diners Club not accepted). Debit cards – Visa, Delta, Switch, Connect Please note that we are unable to accept any card payments where the cardholder is not present. Bank transfer to: HSBC Bank, Bridge St, Evesham WR11 4RU Account no.: 51655345 Account name: Kinghams Auctioneers Ltd Sort code: 40-20-27 IBAN: GB91MIDL40202751655345 SWIFTBIC: MIDLGB22 Please note that a fee of £15 will be added for international bank payment. 9. LIVE INTERNET BIDDING Live online auctions are in conjunction with the-saleroom.com, invaluable.com and easyliveauction.com We ask that you register for the sale a minimum of 24 hours before the auction. When you have registered, you can watch the auction in real time; simply click the bid button to place a bid. If your bid is successful we will notify you after the sale for payment. Charges will be made for internet bidding dependent on the auction platform. See their terms and conditions for details. 10. TRANSFER OF RISK Each lot is the buyer’s sole responsibility from the fall of the hammer. 11. COMMISSION BIDS If instructed, Kinghams will execute bids and advise prospective buyers. This service is free. Buyers who cannot come to a sale may leave their bid with our staff after/during viewing, or make their bid in advance by telephone or email (enquiries@kinghamandormeauctioneers.com). Such bids are placed at the buyer’s own risk. Bids must be made at least one hour before the sale starts, but we advise buyers to make bids at the earliest possible opportunity. When making bids, buyers must provide: Their full name Address Email address Contact telephone numbers The number of the lot they wish to buy Their maximum bid amount – excluding commission which will be added to the invoice afterwards Buyers must state what their maximum bid would be. We cannot accept an instruction to ‘buy’ or unlimited bid. We will ensure that lots are bought as cheaply as possible depending on the bids made and other reserves. If identical bids are placed, they will be dealt with on a “first come first served” basis. 12. TELEPHONE BIDS Lines for telephone bidding should be booked 24 hours before the auction. Lines are booked on a “first come first served basis.” Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line. 13. DATA PROTECTION Kinghams will use information provided by its clients or obtained by Kinghams relating to its clients for the provision of auction services or as required by law. Kinghams may need to record telephone conversations for security or legal reasons or as necessary to provide a higher quality of service. Clients agree that Kinghams may use sensitive information that they supply to Kinghams. Unless permitted by law, Kinghams will not otherwise process sensitive personal data without express consent. By agreeing to the Conditions of Sale and Business, clients agree to the processing of their personal information.

14. STORAGE AND COLLECTION Please note all items after the auction will be removed to store. Arrangements for collection can be made with the office. 15. ELECTRICAL GOODS AND SOFT FURNISHINGS These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations. 16. EXPORT OF GOODS Buyers intending to export goods should check whether an export licence is required and whether there is any specific prohibition on importing goods of that character because e.g. they may contain prohibited materials such as ivory. Ask us if you need help. 17. PACKING AND DESPATCH We offer a packing and despatch service for smaller lots. We also use national and local carriers. Further details can be obtained from our office. 18. DROIT DE SUITE ROYALTY CHARGES A work of art by a living artist, or those who have died within the last 70 years, which costs more than the UK sterling equivalent of €1,000 will incur a royalty charge. We pass this payment onto the Design and Artists Copyright Society (DACS), and do not charge a handling fee. Buyers can calculate royalty charges on the DACS website. Items marked with the † symbol in the catalogue will potentially incur royalty payments. We use the euro to UK sterling exchange rate which applies on the day of the sale. It is the buyer’s responsibility to check the relevant exchange rate. The actual qualifying threshold is calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on the DACS website. The royalty charge for pictures which achieve a hammer price of more than the UK sterling equivalent of €1,000, but less that the UK sterling equivalent of €50,000 is 4%. On works of art that achieve a hammer price of more than the UK sterling equivalent of €50,000 a sliding scale of royalty charges applies. For a complete list of the royalty charges and threshold levels please download more information from the DACS website. The royalty charge is added to invoices, and must be paid before purchases are removed. VAT is not paid on royalty charges. 19. CITES LICENSE - IMPORTANT NOTICE RELATING TO SPORTING AND NATURAL HISTORY Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling. Certain species (λ) are also subject to CITES regulations when exporting/ importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or maybe obtained from Animal Health, Wildlife Licensing and Registration Service, Zone 1/17, Temple Quay House, 2 The Square, Bristol BS1 6EB. Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

CONTACT US KINGHAMS AUCTIONEERS CALL ON 01608 695695 OR EMAIL enquiries@kinghamsauctioneers.com WWW.KINGHAMSAUCTIONEERS.COM