Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Modern British Art

Tuesday 26th November 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

—

424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Doméracki Freya Yuan

— — — —

424506 424591 424506 424506

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Will Hobbs Gemma Bush Mark Richards Jim Gale

— — — —

339752 339752 411854 339161

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

—

424504 424595

MODERN BRITISH ART Michael Jeffery Victor Fauvelle

— —

424505 424503

PAINTINGS Victor Fauvelle Jo Butler

— —

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

— —

424501 424594

Tribal Art Will Hobbs

—

339752

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS & OFFICE MANAGER Janice Clift — Ruth Pike MARKETING Tamzin Corbett GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

424500

—

424590

—

424500

—

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

—

424599

MODERN BRITISH ART

INCLUDING THE COLLECTION OF LESLIE GOODAY O.B.E.

Tuesday 26th November at 11.00am Viewing Times Friday 22nd November Saturday 23rd November Monday 25th November Tuesday 26th November

10.00am – 5.00pm 10.00am – 1.00pm 10.00am – 5.00pm 9.00am – 11.00am

ENQUIRIES Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Victor Fauvelle 01722 424503 victorfauvelle@woolleyandwallis.co.uk

Jo Butler 01722 424592 jobutler@woolleyandwallis.co.uk

Front cover: Lot 97 Back cover: Lot 248 Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm Monday 25th November. There is no surcharge for using this service.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

Design for the British Pavilion Expo 1970, Osaka

LESLIE GOODAY

OBE RI FRIBA FCSD FRSA (1921-2013)

ARCHITECT, ARTIST, COLLECTOR Following service in the RAF from 1939-1945 Leslie Gooday was a Staff Architect engaged on the 1951 Festival of Britain, South Bank Exhibition before commencing private practice for Chartered Architects and Industrial Designers. He designed many major exhibitions for the United Kingdom Atomic Energy Authority and was Exhibition Design Consultant to British Nuclear Fuels plc, Ideal Standard Limited, Vauxhall Motors Limited and Reed Corrugated Cases. Other exhibitions were designed for the governments of Great Britain, Northern Ireland and Nigeria, Shell International Petroleum, The Nuclear Power Company, British Telecommunications, ICI and ICL and the Civil Aviation Authority. He received an award from the American Museum of Modern Art for the best designed exhibition stand at the British Exhibition in New York and a Civic Trust award for the National Swimming Baths at Richmond Surrey (1964), which are now listed by English Heritage together with his private house in Surrey. He was awarded the OBE for his design services to this country in designing the Progress of Mankind section of the British Pavilion at the Expoâ&#x20AC;&#x2122;70, Osaka, Japan and in the last years of his architectural and design practice designed the new Sellafield Visitors centre for British Nuclear Fuels, Cumbria and the British Golf Museum at the R&A Golf Club of St Andrews, Scotland. His paintings have been exhibited in annual one man exhibitions and in many art galleries including the RI and the RBA at the Mall Galleries, Waterman Gallery and Alresford Gallery. Michael Jeffery

THE LESLIE GOODAY COLLECTION

2 1. ‡ DAVID COWAN DOBSON (1893-1980) Portrait of a Lady in a Hat, 1934 signed and dated 34 oil on canvas 92 x 71.5cm.

£300-500

Provenance: Sotheby’s 5th May 1992 Leslie Gooday OBE 2. ‡ JOHN HENRY AMSHEWITZ (1882-1942) Portrait of a Lady in a Fur Shawl, (possibly Mrs Amshewitz) signed top left corner oil on canvas 86 x 68cm.

£500-1,000

Provenance: British and Continental Pictures, Christie’s South Kensington, 23rd May 1996 lot 62 Leslie Gooday OBE 3. ‡ CHARLES MOZLEY (1914-1991) L’Amour a Maxims, 1981 signed and dated acrylic on paper 36 x 51cm.

£200-400

Provenance: 20th Century Visual Arts Bonhams 24th April 1996 lot 26 Leslie Gooday OBE 4. ‡ WILLIAM SELBY (born 1933) Pinchas Zuckerman and the English Chamber Orchestra signed and titled to paper label on verso oil on board 30 x 32cm.

Provenance: 20th Century Visual Arts, Bonhams 24th April 1996 lot 93 Leslie Gooday OBE

£150-250

5. ‡ ROGER BISSIÈRE (French 1884-1964) Femme accoudee signed oil on canvas board 38 x 53cm. £1,000-2,000 Provenance: Galerie Simon, Paris The Leicester Galleries, London, purchased private collector Impressionist & Modern Pictures, Christie’s South Kensington, 23rd June 1997, lot 221 Leslie Gooday OBE

6. ‡ BLAIR ROWLAND HUGHES-STANTON L.G. (1902-1981) Figures in a Boat, 1938 signed and dated 38 pen, ink and watercolour size 55 x 76cm. £2,000-3,000 Provenance: Sotheby’s 23rd July 1991, lot 914 Leslie Gooday OBE Blair Hughes-Stanton was married to Gertrude Hermes

7 7. ‡ ARCHIBALD GEORGE BARNES (1887-1934) Nude Study with Peacocks unsigned watercolour on paper 52 x 51cm.

£400-600

Provenance: Selected Watercolours and Oil Paintings, Sotheby’s Billingshurst, 15th January 1991 lot 79 Leslie Gooday OBE

8. ‡ ANDREI ZADDRINE (Russian, born 1960) Hands unsigned oil on canvas board 24.5 x 30cm.

£80-120

Provenance: Royden Prior Gallery, 2001

9. ‡ IDA SIMPSON Still life with Pears and Palette signed oil on canvas 61 x 92cm.

£80-120

10. ‡ JOHN CRAXTON, in the manner of Man on a Sofa unsigned oil on canvas 34 x 44cm.

£50-100

11. ‡ GABRIEL COHEN (French born 1933) Indian in a Temple signed, titled and dated 1974 oil on canvas 74 x 88cm. £300-500

12. ‡ CYRIL W. EDWARDS (born 1902) Birkenhead Docks oil on canvas 50 x 63cm. £300-500 Provenance: Sotheby’s Billinghurst, 2nd June 1987 lot 1423 Leslie Gooday OBE

13. ‡ MIKE BERNARD (born 1946) Old Portsmouth, 1998 signed and dated, titled to paper label on verso acrylic and collage on board 51 x 70cm. £100-200 Provenance: Mall Galleries Leslie Gooday OBE

14. ‡ LINDA NORRIS Winter Floods tilted lower middle, paper label to verso mixed media on paper 14.5 x 38cm. £80-120

15. ‡ MOIRA HUNTLY (born 1932) Village near Colne, 1996 signed, also with a label verso watercolour and gouache 35.5 x 34.5cm. £100-200 Provenance: Alresford Gallery Leslie Gooday OBE

18 16. ‡ GWILYN JOHN BLOCKLEY (born 1921) Flowers - Wood Shelf signed oil on board 19 x 21cm. £100-200 Provenance: purchased directly from the artist 1997 Leslie Gooday OBE

17. ‡ SANDY MURPHY (born 1956) Hedgerow and Blue Hills, 1986 signed and dated lower right, titled and dated to verso oil on board 63 x 67cm. £200-400 Literature: Christie’s South Kensington, 14th July 1999, lot 239 Leslie Gooday OBE

18. ‡ GWILYN JOHN BLOCKLEY (born 1921) Vase of flowers signed watercolour on paper 32 x 33cm. £300-500

19. ‡ WILLIAM SELBY (born 1933) Swan Vestas signed acrylic on canvas 72 x 47cm. £300-500

20. ‡ LEO McDOWELL (1936-2011) In The Studio signed lower left gouache on paper 47 x 33cm. £100-200

21. ‡ SARAH TUCKER Bridge over a Pond paper label to verso batik 46 x 29cm. and another by the same artist. (2) £80-120

22. ‡ LEO McDOWELL (1936-2011) Jetty, signed, titled to label on verso gouache on paper, 38.5 x 26cm.

£100-200

23. ‡ GEORGE LARGE (1936) Roof Tops Lichfield, 1999 signed and dated, titled to label on verso watercolour on paper 38 x 44.5cm.

£200-300

Provenance: The Mall Galleries, 2001 Leslie Gooday OBE

24. ‡ CLAUDE HARRISON (1922-2009) Four Batsmen signed and dated June 1998, also signed, dated and titled with a label verso oil on board 31 x 40cm. £400-600 Provenance: The Contemporary Fine Art Gallery, Eton, Christmas 1998, Catalogue number 34 Leslie Gooday OBE

25. ‡ CLAUDE HARRISON (1922-2009) Small Winner signed and dated Dec 1996, also signed, dated and titled with paper label to verso oil on board 31 x 34cm. £400-600 Provenance: The Contemporary Fine Art Gallery, Eton, Christmas 1998, Catalogue number 23 Leslie Gooday OBE

26. ‡ HARRY BILSON (Icelandic born 1948) The Cellist signed and dated 1998 oil on board 28 x 44cm.

£200-300

Provenance: 20th Century British Art, Christie’s South Kensington, 16th September 1998, lot 203 Leslie Gooday OBE

27. ‡ HARRY BILSON (Icelandic born 1948) Harlequins at Play signed and dated 1982 oil on board 28 x 44cm.

£200-300

Provenance: 20th Century British Art, Christie’s South Kensington, 16th September 1998, lot 201 Leslie Gooday OBE

28. ‡ JOHN BRATBY R.A. (1928-1992) Jimmy Cossins signed, also titled verso oil on canvas 56 x 41cm.

£1,000-2,000

Provenance: Modern British & Continental Paintings, Christie’s South Kensington 2nd May 1997, lot 274 Leslie Gooday OBE

29. ‡ JOHN BRATBY R.A. (1928-1992) Rima and Jean signed oil on canvas 76 x 152cm.

£3,000-5,000

Provenance: Thackeray Gallery, 21st October 1971 Christies, 31 Oct 1996, Lot 292 Leslie Gooday OBE

30. ‡ JOHN BRATBY R.A. (1928-1992) Ape, 1962 signed and dated 6.62 oil on board, unframed 122 x 122cm.

£5,000-8,000

Provenance: Christies 31 Oct 1996, Lot 294 Leslie Gooday OBE

32 31. ‡ JONATHAN CLARKE (born 1961) No.6 The Brotherhood cast aluminum 85cm. high

£500-1,000

Literature: Head On Jonathan Clarke, Chapel Galleries, May 2000 plate 14 for a comparable sculpture

32. ‡ ERNST EISENMAYER (born 1920) Bird with Open Wings unsigned patinated iron 107cm. high

£400-600

Provenance: Leslie Gooday OBE, purchased in the 1960s

33. ‡ ERNST EISENMAYER (born 1920) Standing Man unsigned patinated bronze on concrete base 49cm. high

£400-600

Provenance: Leslie Gooday OBE, purchased in the 1960s Eisenmayer was commissioned to produce a steel and bronze sculpture for the British Pavilion at Expo 70 Osaka, Japan, the pavilion designed by Leslie Gooday.

34 34. â&#x20AC;Ą DAME ELISABETH FRINK C.H., R.A. (1930-1993) Bird on a Bull, 1957 signed, titled and dated 57, round exhibition label numbered 26 pen, brush, ink and watercolour 75 x 54.5cm.

ÂŁ5,000-8,000

Provenance: 20th Century British Art, Christies South Kensington, 16th September 1998, lot 158 Leslie Gooday OBE It is believed this work is in its original painted frame and has an exhibition number 26 label, attached to the front.

35. ‡ STANLEY JONES (born 1933) Essex Landscape, 1962 signed and dated 1962, numbered 25/50 in pencil lithograph in colours on paper 50 x 78cm. £200-400 Literature: An example of this lithograph is held in the Tate Gallery collection (PO6318)

36. ‡ JOHN KNAPP-FISHER (born 1931) Old Tree and Stump, 1997 signed and dated, titled to paper label on verso ink on paper two prints and a painting by other hands 17 x 9.5cm. £150-250

37. ‡ VICTOR PASMORE (1908-1998) Deep Inside I Looked, 1974 from Word and Image signed, numbered 33/60 and dated 74 intaglio print by Marlborough Graphics 70.5 x 60cm. (sheet) £300-500 Provenance: Leslie Gooday OBE

38. ‡ VICTOR PASMORE (1908-1998) Points of Contact no.24, 1974 signed, dated 74 and numbered 33/70, gallery label to verso screenprint on paper 96 x 66cm. (sheet) £300-500

Provenance: The Selective Eye Gallery Leslie Gooday OBE

39. ‡ VICTOR PASMORE (1908-1998) When The Curtain Falls, 1974, from Word and Image signed, dated 74, numbered 33/60, also titled on a gallery label verso intaglio print by Marlborough Graphics 71 x 60.5cm. (sheet) £400-600 Provenance: The Selective Eye Gallery Leslie Gooday OBE

40. LESLIE GOODAY O.B.E. (1921-2013) Artist’s Collection signed, also titled verso mixed media 39 x 56cm.

£150-250

41. LESLIE GOODAY O.B.E. (1921-2013) Studio Shelf 4 signed, also titled verso mixed media 36.5 x 57cm.

£150-200

42. LESLIE GOODAY O.B.E. (1921-2013) The Anchor Stone of the Argo signed, also titled verso mixed media 30 x 31cm.

£100-200

44 43. LESLIE GOODAY O.B.E. (1921-2013) Butterfly signed, also titled verso mixed media 25 x 64.5cm. (image) £150-250

44. LESLIE GOODAY O.B.E. (1921-2013) Alchemy II signed, also titled verso mixed media 30 x 60.5cm. £150-250

45. LESLIE GOODAY O.B.E. (1921-2013) Love Bite, signed lower right, titled to label on verso mixed media 32.5 x 40.5cm. £150-250 Provenance: Leslie Gooday OBE

46. LESLIE GOODAY O.B.E. (1921-2013) Aztec III signed, also titled verso mixed media 29 x 41cm. £150-200

OTHER PROPERTIES

47 47. ‡ DAME LAURA KNIGHT R.A. (1877-1970) Footlights signed and titled etching with aquatint 20 x 15cm.

£150-250

48. ‡ SIR FRANK BRANGWYN R.A R.W.S R.B.A (1867-1956) A Street in Cirq, no.2 (Gaunt 197), 1912 signed in pencil etching 30.5 x 20cm. (image) £100-200

49. ‡ SIR FRANK BRANGWYN R.A. R.W.S. R.B.A. (1867-1956) St Walburgh’s Church; The Foundry; Design for an Ex Libris three, all lithographs 41 x 38cm. and similar (3) £200-300

50. ‡ SIR FRANK BRANGWYN R.A. R.W.S. R.B.A. (1867-1956) Studies of workmen four, all lithographs, unframed 39 x 29cm. and similar (4) £100-200

51. ‡ SYLVIA GOSSE (1881-1968) Taking tea in Camden signed pencil with watercolour, mounted, unframed 20 x 21.5cm.

£100-200

Gosse was trained by Sickert and was influenced by the Camden Town Group

52. ‡ SIR STANLEY SPENCER R.A., in the manner of Studies of a Female Nude signed with initials pencil 53 x 42cm. £400-600 Provenance: Stanley Spencer Studio Sale, Thursday 5th November 1998, by repute 53. ‡ EDWARD WOLFE R.A. (1897-1982) Portrait of a Young Woman signed pencil 59 x 47cm. £150-200 54. ‡ SIR CECIL BEATON (1904-1980) portrait studies stamped Cecil Beaton from Miss E Hose pencil on paper 30 x 19.5cm. £100-200 Provenance: Miss Eileen Hose was secretary to Cecil Beaton

55 55. ‡ BERNARD FLEETWOOD-WALKER R.A. R.W.S. (1893-1965) Self portrait of the artist with his wife signed with initials pencil heightened with red chalk 46 x 35cm. £200-300 The artist is with Peggy, his second wife c.1940 56. ‡ ROBERT SARGENT AUSTIN (1895-1973) Sleeping child signed and dated Mar. 2nd 1935 pencil 41 x 31cm. £100-150

57. ‡ KATE ELIZABETH OLIVER A.S.W.A. (1881-1960) Portrait of a Girl inscribed verso pencil 23 x 19cm. (image) £100-200

58. ‡ LAURENCE STEPHEN LOWRY R.A. (1887-1976) Sketch of a Boy Smoking, 1907 signed and dated pencil 16.5 x 13cm. £2,000-3,000

Provenance: Given by the Artist to Mrs L Keane, Salford Eldon E Worrall Auctioneers, Liverpool (1980-81) Harry ‘Vince’ McCaffrey Capt. Frederick J Taylor private collection 59. ‡ LAURENCE STEPHEN LOWRY R.A. (1887-1976) Couple walking a dog next to a lamp post Inscribed March for Tommy?, dated 1961 in biro pencil and coloured pencil 14 x 9cm. £1,000-2,000 Provenance: Given by the Artist to Mrs L Keane, Salford Eldon E Worrall Auctioneers, Liverpool (1980-81) Harry ‘Vince’ McCaffrey Capt. Frederick J Taylor private collection 60. ‡ LAURENCE STEPHEN LOWRY R.A. (1887-1976) Landscape with Trees signed with initials pencil 8.5 x 12cm. £1,500-2,000 Provenance: Given by the Artist to Mrs L Keane, Salford Eldon E Worrall Auctioneers, Liverpool (1980-81) Harry ‘Vince’ McCaffrey Capt. Frederick J Taylor private collection

61. ‡ BERNARD DUNSTAN R.A., N.E.A.C. (born 1920) Easels in the Studio/Portrait of a Child signed with initials oil on board 34.5 x 24cm. £1,000-1,500 Provenance: Lady Mishcon

62. ‡ BERNARD DUNSTAN R.A., N.E.A.C. (born 1920) Putting on stockings II signed with initials, also titled and dated 1984 verso pastel on paper 20cm. square £600-800 Provenance: Lady Mishcon

63. ‡ WILFRED GABRIEL DE GLEHN (1870-1951) Portrait of a nude seated in a landscape signed with initials oil on board 61 x 50.5cm.

£2,000-3,000

64. ‡ PAUL LUCIEN MAZE (1887-1976) Jessie, 1960 signed pastel 26 x 35cm. £600-800 Provenance: Wildenstein & Co., Ltd., Paul Maze Exhibition, 16 June - 8 July 77, No. 50

65. ‡ PAUL LUCIEN MAZE (1887-1976) Autumn landscape signed pastel 24 x 35.5cm. £400-600

66. ‡ PAUL LUCIEN MAZE (1887-1976) Sail boats at sea signed watercolour over pencil 19 x 31.5cm. £800-1,200

67. ‡ RONALD OSSORY DUNLOP R.A. (18941973) Sailing Boats in the Harbour signed oil on board 25 x 30cm. £400-600

68. ‡ SIR NOEL COWARD (1899-1973) Beach Scene signed oil on canvas 24.5 x 19.5cm.

£500-700

Provenance: The Estate of the actor Peter Arne and by descent

69. ‡ SIR FRANCIS ROSE (1909-1979) Cecil Beaton as a Young Man signed Rose, titled in pen to verso oil on canvas 45 x 35cm.

£800-1,200

Literature: Paintings & Works of Art Bonhams, 26th March 2007 lot 58 for another portrait

70. ‡ ROBERT ARTHUR WILSON (1884-1979) Student at Broadstairs signed, also signed and titled verso egg tempera 60 x 50cm.

£2,000-3,000

71 71. â&#x20AC;Ą REX JOHN WHISTLER (1905-1944) Little Miss Muffet, c.1936 signed oil on panel with articulated eyes 35.5 x 30cm.

ÂŁ4,000-6,000

Provenance: Colonel Reggie Cooper, returned by him to Laurence Whistler Fine Art Society London, Private Collection Exhibited: Paintings for Children, 56 Brook Street, June 1936 Rex Whistler - A Talent Cut Short, Salisbury 2013 (ex. catalogue)

72. ‡ TRISTRAM HILLIER R.A. (1905-1983) Una Ermita signed with initials and dated ‘74, also titled and dated on the overlap oil on canvas 26 x 31cm. £4,000-6,000 Provenance: Purchased from the artist by Commander G.W. Sudlow By descent

73. ‡ TRISTRAM HILLIER R.A. (1905-1983) Spanish Peasants Drinking signed and dated ‘63 oil on board 29 x 33cm. £3,000-5,000 Provenance: Purchased from the artist by Commander G.W. Sudlow By descent

74. ‡ SIR GEORGE CLAUSEN R.A. (1852-1944) Summer Night, St John’s Wood signed, also signed and titled verso oil on canvas 39 x 46cm.

£15,000-20,000

Provenance: The Fine Art Society No. 3087 November 1966 Purchased by Ronald Smoldon Private collection

75 76 75. ‡ SIR GEORGE CLAUSEN R.A. (1852-1944) Over the fields signed watercolour 22.5 x 29cm.

£500-800

Exhibited: Leicester Galleries June 1909, No. 60 76. ‡ JESSIE M. KING (1875-1949) Children in a floral pasture signed pen, ink and watercolour 44.5 x 26cm.

£1,000-2,000

Provenance: Private collection

77 77. ‡ EDWARD BAWDEN R.A. (1903-1989) The Mansion House signed, titled and numbered Artist’s Proof 8/15 linocut 50.5 x 66cm. 78. ‡ ERIC RAVILIOUS R.C.A. (1903-1942) Coach Builder pencil on paper design for High Street 44 x 28cm. (image)

£300-500

£2,000-2,500

Provenance: The Artist’s Family Fine Art Society Private Collection Literature: J M Richards & E Ravilious High Street, page 13 for the lithograph

78 lithograph

79 79. ‡ SIR MATTHEW SMITH C.B.E. (1879-1959) Seated nude pencil 49 x 33cm. With a further pencil study of a lady seated verso

£800-1,200

Provenance: Mrs Unity Viney, Broadstairs Kent Exhibited: New Grafton Gallery, British Drawings 1900-1940, 1974

80. ‡ SIR MATTHEW SMITH C.B.E. (1879-1959) Flowers in a jug signed oil on card 40 x 33.5cm. £4,000-6,000 Provenance: The collection of the artist’s brother H.F. Smith until his death in 1966 Anthony Farrell, purchased for £800

81. ‡ SIR JACOB EPSTEIN C.B.E. (1880-1959) Epping Forest signed gouache 56 x 43cm.

£1,500-2,500

Provenance: The Leicester Galleries, Exhibition of paintings by Jacob Epstein, November 1944 Purchased by John Selby Private collection

84 82. ‡ CECIL LAURENCE BURNS (c.18631929) Boats moored in a harbour, probably Bombay signed watercolour 27 x 43cm. £300-500

83. ‡ DAVID BOND WALKER (1891-1977) Ruin in a Coastal Landscape signed oil on board 28 x 40cm. £100-200

84. ‡ E. LLOYD TS 5 Ratnagiri, Royal Indian Navy, 1935 signed, titled and dated 35 gouache 25 x 42cm. £200-300

85. ‡ ADRIAN SCOTT STOKES R.A. (18541935) Crosses overlooking water signed verso tempera on board 25.5 x 21cm. £100-200 Provenance: Jarvis collection

86. ‡ WILLIAM MARSHALL BROWN (18631936) Boys bathing signed oil on paper 31.5 x 48cm. £300-400

87. ‡ BERNARD HAILSTONE (1910-1987) Hadlow Mill and Meadows, 1948 signed and dated oil on board 48 x 59cm. £100-200

88. ‡ LEONARD HITCHCOCK (born 1953) Traveller signed, titled, dated April 1977 and inscribed with the artist’s address on a label verso acrylic on board 36 x 54cm. £400-600

89 89. ‡ ROSALIE WINIFRED THURSTON (1905-1991) Valley near Fasano, Lake Garda, Italy signed watercolour 37 x 31cm. £300-500

90. ‡ LORD METHUEN R.A. (1886-1974) Claverton No. 2, 23rd July 1948 signed, titled on the stretcher oil on canvas 54 x 77cm.

£1,000-1,500

Provenance: The Leicester Galleries 31st March 1949 Collection of Margaret Fisher-Prout

91. ‡ ETHELBERT WHITE R.W.S. (1891-1972) Cool depths signed oil on canvas 54 x 65cm.

£600-800

92. ‡ CHARLES MARCH GERE R.A. R.W.S. (1869-1957) Cader Idris from Barmouth signed and dated 1938 oil on canvas 64 x 91cm. £2,500-3,500 Exhibited: Royal Academy, 1938, No. 82

94 93. ‡ ANGELA STONES (born 1921) Streetscene signed oil on board 45 x 32cm.

£100-200

94. ‡ TONY HALL Bath Abbey from Parade Gardens signed watercolour over pencil 34.5 x 36cm.

£250-350

95 95. ‡ JOHN MATHISON R.G.I. (1935-1991) Helmsdale signed and dated ‘90 oil on canvas 94 x 102cm.

£700-1,000

Provenance: Thackeray Gallery, London Purchased by Mercantile and General Reinsurance Ltd. 27th April 1982

96. ‡ AUGUSTUS WILLIAM ENNESS R.B.A. (1876-1948) A Highland River signed oil on canvas 64 x 76cm. £1,000-1,500

97 97. ‡ FREDERICK GORE C.B.E., R.A. (1913-2009) No. 5 Harvest Dust Meopham signed, also signed and dated 1970 twice and titled on stretcher oil on canvas 72 x 91cm. £4,000-6,000

98. ‡ JOHN PIPER C.H. (19031992) Standing Nude signed and dated 13.IV.71 watercolour over wax crayon 50.25 x 37.5cm. £3,000-5,000

99. ‡ JOHN PIPER C.H. (19031992) Standing Nude stamped Schoellers Parole paper pen, ink, watercolour and scratching out 48 x 32cm. £3,000-5,000

101

100

A PRIVATE COLLECTION OF PAINTINGS & SCULPTURE

100. ‡ JOHN PIPER C.H. (1903-1992) Near Newcastle signed watercolour, bodycolour, gouache with pen and ink 34.5 x 53cm. £600-1,000 Provenance: Private collection

101. ‡ JOHN RATTENBURY SKEAPING R.A. (1901-1980) Stables at Triniteres, 1960 signed, titled and dated 60 watercolour 33 x 42cm. £300-500 Provenance: Private collection

102

102. ‡ PAUL LUCIEN MAZE (1887-1979) Saddling Up signed pastel on paper 20.5 x 24cm.

£600-800

Provenance: Private collection

103. ‡ PAUL LUCIEN MAZE (1887-1979) Jockeys at the Start signed pastel on paper 37 x 55cm. Provenance: Private collection

103

£1,200-1,800

104

104. ‡ DOUGLAS PORTWAY (1922-1993) Abstract oil on paper 37 x 54cm.

£800-1,200

Provenance: private collection

105

105. ‡ SEAN RICE (1931-1997) Prospero from The Tempest patinated bronze on slate base, and another Sean Rice figure of a man in a tricorn hat 47cm. high (2) £500-800 Provenance: Private collection

106. ‡ LEON UNDERWOOD R.C.A. (1890-1975) Moses Transcendent, (Law of Moses), 1961 signed, dated 61 and numbered V/VII in the cast patinated bronze on wood 46cm. high

£2,000-3,000

Provenance: Private Collection Literature: Ben Whitworth, The Sculpture of Leon Underwood, The Henry Moore Foundation/Lund Humphries page 141 catalogue number 204

106

107. â&#x20AC;Ą MICHAEL AYRTON (1921-1975) Girl Wringing Out Her Hair, 1962 gallery paper label to base patinated bronze, mounted on wooden base 26cm. high Provenance: Bear Lane Gallery, Oxford, 1962 purchased by Mrs Yablon Private collection

ÂŁ4,000-6,000

OTHER PROPERTIES

108 108. ‡ MICHAEL AYRTON (1921-1975) Kings Act IV Sc 1, (one of the eight kings from Macbeth) titled pen, ink and wash 28 x 19cm. (sheet) with a study of a river and town-scape, two other Shakespearian studies (signed and dated 1958) and a Christmas card from Michael & Elisabeth Ayrton (5) £800-1,200 Provenance: Given by the artist to Michael Jaffe Literature: Victoria and Albert Museum collection E.49-1943 a comparable design given by Michael Ayrton. This design for Macbeth was made circa 1941-42 for the production which premiered at the Piccadilly Theatre on 8th July 1942.

109

109. ‡ MICHAEL AYRTON (1921-1975) Greek Landscape signed and numbered 16/50 lithograph 40 x 46cm. (image)

£300-500

110. ‡ MICHAEL AYRTON (1921-1975) Portrait, October 1 1964 signed A, ink on newspaper 60.5 x 42.5cm.

£600-1,000

110

111

111. ‡ OPHELIA REDPATH (born 1965) Girl in love signed and titled pen, ink and watercolour with bodycolour 17.75 x 12.75cm.

£100-150

112. ‡ ROBERT SAWYERS (1923-2002) Monochrome on colour, a self-portrait watercolour 37 x 40.5cm.

£500-700

112

113

114

113. ‡ WILLIAM BAILLIE R.S.A. P.R.S.W. R.G.I. (1923-2011) Figure in Tibetan Headdress signed, also signed verso acrylic on canvas 44 x 29cm. £250-300

114. ‡ ROY TURNER DURRANT (1925-1998) Figure study, 1984 signed and dated pastel 30 x 21cm.

115. ‡ JOHN BELLANY R.A. (born 1942) Two wives signed and titled watercolour over pencil 75.5 x 57.5cm.

£300-500

£2,000-3,000

Provenance: Royal Academy Summer Exhibition 1989, No. 5

115

116 116. ‡ KEITH VAUGHAN (1912-1977) Study of Four Male Figures signed oil on canvas 76 x 51cm.

£25,000-35,000

Provenance: Given to the present vendor by one of the models in the painting, by repute

117. ‡ GEORGE BISSILL (1896-1973) Miner signed pen and ink 18 x 23cm. £400-600 Provenance: England & Co

117

118. ‡ HAROLD YATES (1916-2000) Man’s Error, 1943 signed and dated in ink, dated 27 Jan 43 in pencil, labels verso pen, ink and watercolour 22 x 28cm. £150-200

118

Provenance: The Modern Art Gallery, Charles II Street Jack Bilbo & The Moderns, England & Co, 1990 catalogue number 79

119

120

119. ‡ JOSEF HERMAN R.A. (1911-2000) two figures in a landscape, untitled drawing unsigned ink wash on paper 19.6 x 11cm. £200-300

120. ‡ JOSEF HERMAN R.A. (1911-2000) Three figures, untitled drawing unsigned ink wash on paper, 19.6 x 11cm. £300-400

121. ‡ BRYAN PEARCE (1929-2007) Cows in a field signed, also inscribed verso ink on paper 30 x 42cm. £1,000-1,500 Provenance: Wills Gallery, St Ives, purchased in 1979 private collection

121

122. ‡ PATRICK FERGUSON MILLARD R.B.A. (1902-1977) Cheetah coloured chalks 41.5 x 31.5cm. £300-500

123. ‡ GEOFFREY DASHWOOD (born 1947) Study of a Fallow Pricket dama dama male (just head) signed, titled and dated 1977 pencil on paper 20 x 16.5cm. £100-200

122

123

124 124. ‡ LAURENCE BRODERICK (born 1935) The Otter signed, titled and numbered 35/75 in pencil lithograph on paper 43.5 x 57cm. 125. ‡ LAURENCE BRODERICK (born 1935) An Dobhran III, 1992 signed and titled in the cast AC1 and foundry mark bronze 36cm. wide

125

£150-200

£1,000-1,500

127

Provenance: Private collection, purchased directly from the artist in 1994 126. ‡ MAX BARRETT (1937-1997) Figure of a Woman driftwood and iron nails 148cm. high

£700-900

Provenance: New Craftsman Gallery 127. ‡ DAVID BRADFORD (born 1945) Tug signed in white pen douglas fir 33cm. high, 51cm. wide

£200-400

128. ‡ BRYAN KNEALE R.A. (born 1930) Crab signed acrylic on canvas 35.5 x 24.5cm.

£300-500

128

Exhibited: The Redfern Gallery, October 7th 1954, catalogue number 22 purchased by Mrs Murphy Kneale visited Rome in 1948 and was inspired by the Futurist and metaphysical painters. Returning to London in 1951, he experimented with painting using a palette knife - eventually holding his first show at The Redfern Gallery in 1954. By 1960 his interests had developed in the sculptural form holding his first exhibition of sculpture also at The Redfern Gallery 129. ‡ BRYAN KNEALE R.A. (born 1930) Study for Sculpture signed and dated 1959 ink on paper 50 x 34cm.

£200-400

Exhibited: The Redfern Gallery, February 1961, purchased by Dr Widdup

126

129

A PRIVATE COLLECTION OF PRINTS RELATING TO THE

ROYAL COLLEGE OF ART 130. ‡ SIR PETER BLAKE R.A. (born 1924) Babe Rainbow, 1968 screenprint on tin 66.5 x 44.5cm. £100-200 Provenance: private collection

130

131

131. ‡ SIR EDUARDO PAOLOZZI R.A. (1924-2005) Lots of Pictures Lots of Fun, 1971 signed, dated 1971 and numbered 575/1000 screenprint 73.5 x 56cm. £100-200 Provenance: private collection

132. ‡ JOHN HOYLAND R.A. (1934-2011) Dream, 1996 signed, titled, dated 96 and numbered 97/100 screenprint on paper, published by the Royal College of Art Twelve Artists Portfolio, 1996 76 x 66cm. £200-400 Provenance: Royal College of Art given to the present vendor by the RCA

132

133

133. ‡ ANTHONY DAVIES R.C.A. (born 1947) The Return of Big Tone, 1983 signed, dated 1983 and numbered 2/30 etching 50 x 66cm. £300-500 with eleven other prints by Amanda Faulkner, Michael Vaughan, Andre Bicat, Susie Allen, Clive Burton, David Tindle, Ivor Abrahams, Alan Green, Adrian Berg, Rose Finn Kelcey, Alistair Grant, and Brian Fielding (12) Provenance: Royal College of Art, given to the present vendor by the RCA

134. ‡ SUSAN HILLER R.C.A. (born 1940) The territory of imagination is not the property of a privileged group, 1983 signed, titled and dated 1983, annotated HC (hors de commerce) lithograph 50 x 66cm. £100-200 Provenance: Royal College of Art, given to the vendor by the RCA

134

135. ‡ HELEN CHADWICK R.C.A. (born 1953) Untitled, 1992 signed, dated 1992 and numbered 49/50 verso lithograph 29 x 29cm.

£150-250

Provenance: Royal College of Art, given to the present vendor by the artist

135

136

136. ‡ ANA MARIA PACHECO R.C.A. (Brazilian born 1943) Study 1, 1994 signed and dated 1994 etching 56 x 76cm. £200-400 Provenance: Royal College of Art given to the present vendor by the RCA

137. ‡ JOHN HEWITT R.C.A. Raft, 1996 signed, dated 96 and numbered 97/100 lithograph 56 x 76cm. with four other prints by Rosalind Kindle, Freya Payne and June Wayne (5) £200-400 Provenance: Royal College of Art, given to the vendor by the RCA

137 138. ‡ PATRICK PROCKTOR R.A. (1936-2003) Portrait of Molly Parkin, 1983 signed and numbered 23/25 etching on paper 30 x 30cm. with six other prints by Lilian Lijn, Dorothea Wight, Marc Balakjian, Adrian Heath, Brian Perrin and Brendan Neiland (7) £200-400 Provenance: private collection, from Birgit Skiold memorial portfolio

138 139. ‡ DEREK BOSHIER R.C.A. (born 1937) Two People Dancing in Mexican Masks, 1983 signed, titled and dated 1983, annotated HC (hors de commerce) etching 66 x 50cm. £100-200 Provenance: Royal College of Art, given to the present vendor by the RCA

140. ‡ BILL JACKLIN R.A. (born 1943) Man with a Bib signed etching on paper, annotated HC (hors de commerce) 65 x 50cm. £100-200 Provenance: Royal College of Art, given to the vendor by the RCA

139

140

OTHER PROPERTIES

141

142

141. ‡ EDWARD WESSON R.I. S.M.A. (1910-1983) On The Seine, Paris signed and titled watercolour 23 x 29cm. £100-200

142. ‡ EDWARD WESSON R.I. S.M.A. (1910-1983) Westminster Abbey signed watercolour 35.5 x 26cm. £100-200

143 143. ‡ ALFRED J. WILSON (1906-1963) The Cave, 1938 signed and dated 1938, also titled verso watercolour 26.5 x 32cm. £100-200

144. ‡ WILLIAM COOPER (1923-2011) Sherborne Abbey from Long Street signed oil on board 41 x 51cm. £200-300

145. ‡ ELIZABETH PARSONS (born 1953) The Water Meadows signed lower left, paper label to verso oil on canvas 30 x 38cm. £200-400

144

145

Provenance: The Richmond Gallery, Cork Street private collection

146. ‡ REGINALD BRILL (1902-1974) View on The Thames, London signed watercolour over pen and ink on buff paper 27.5 x 38cm. £200-300

146

147

147. ‡ DAVID TINDLE R.A. (born 1932) Thames dock side, Waterloo Bridge, 1963 signed and dated 1963 watercolour on paper 37.5 x 54.5cm. £300-500 Provenance: Private collection

148. ‡ JOHN COPNALL (1928-2007) Townscape partially inscribed to verso oil on board 19 x 40cm. high £500-600 Provenance: Piccadilly Gallery private collection

148

149

150

151

149. ‡ JEREMY LE GRICE (1936-2012) Newlyn Harbour signed oil on paper 35 x 26cm. £150-250

150. ‡ ALAN LOWNDES (1921-1978) Trawler in Dry Dock, 1961 signed and dated 1961, annotated in pencil pen and ink 24 x 34cm. £500-800

152

153

151. ‡ BRUCE YARDLEY (born 1962) Vaporetto on the Grand Canal, Venice signed oil on canvas 49 x 60cm. £400-600

152. ‡ ERIC WARD (born 1945) First Light at St Ives signed lower left, titled to verso oil on canvas 40 x 50cm. £300-500

153. ‡ ERIC WARD (born 1945) Morning Light at St Ives signed, paper label to verso oil on board 24.5 x 29cm. £200-400

154. ‡ JOAN GILCHREST (1918-2008) Godrevy signed with initials oil on board 60 x 84cm. £3,000-4,000 Provenance: Purchased directly from the artist in April 1989

154

155

156

157

155. ‡ JOHN HALLIDAY (born 1933) Sicilian Farmhouse signed and titled verso oil on canvas 23.5 x 31cm. wide £300-500 156. ‡ GYRTH RUSSELL (1892-1970) Rheims Market signed oil on board 38 x 50cm. £300-400 157. ‡ HUGH BRANDON-COX (19172003) Village landscape signed watercolour on paper 23 x 26cm. £150-250

158

159

158. ‡ GRAHAME WHEATLEY (born 1943) Street Event signed, also titled verso oil on canvas 76 x 50cm. £200-300 Provenance: Goldmark Gallery 159. ‡ BARBARA WYKEHAM (19232006) Lilies for the House signed, also inscribed in pen verso, paper label gouache on paper 39.5 x 50cm. £100-200 160. ‡ ANDREW MACARA (born 1944) Swans on a lake signed and dated 2001 oil on canvas 31 x 41cm. £400-600

161. ‡ LINDSAY KEIR (born 1961) Goose, 2006 signed and dated mixed media and gold leaf 29 x 29cm. £100-200

160

161

162

163

162. ‡ BRIAN BRADSHAW (born 1923) Rocky landscape signed watercolour and pencil 37 x 55cm.

£500-800

163. ‡ BRIAN BRADSHAW (born 1923) Landscape, 1953 signed and dated pen, ink and watercolour 40 x 52cm.

£500-800

164

164. ‡ BRIAN BRADSHAW (born 1923) Mountain landscape, 1955 signed and dated pen, ink and watercolour 39.5 x 51cm.

£500-800

165. ‡ GUY WORSDELL (1908-1978) Still life with vases and ammonite signed oil on board 61 x 45cm.

£250-350

165

166

167

166. ‡ KEITH MILOW (born 1945) Lines Over Manhattan, 1974 signed, titled and dated in pencil graphite on paper 45.5 x 61cm. (sheet) £400-500

167. ‡ COLIN SELF (born 1941) The Circus Drawings (on Cartoon) Circus Artists in Rehearsal, 2000 signed and dated in pencil aerosol on incised card 15.5 x 23cm. £600-800

168

168. ‡ ANTHONY BENJAMIN (1931-2002) Untitled, 1961 dated Dec ‘61 in pencil and to verso pen, ink, gouache and watercolour on paper 58 x 91cm. £400-600

169. ‡ HENRY CLIFFE (1919-1983) Festival 7, 1966-67 titled and dated on label to verso watercolour and coloured chalks on paper 56 x 76cm. £350-450

169

170

171

170. ‡ HENRY CLIFFE (1919-1983) Untitled, 1970 signed and dated in pencil wax crayon with charcoal on paper 52 x 63.5cm.

£250-350

171. ‡ HENRY CLIFFE (1919-1983) Untitled, 1967 signed and dated in pencil, lower left gouache and watercolour on paper 55 x 75cm.

£500-700

172

172. ‡ HENRY CLIFFE (1919-1983) Beginnings, 1967-68 unsigned, titled and dated to label on verso gouache and watercolour on paper 56 x 76.5cm.

£350-450

173. ‡ HENRY CLIFFE (1919-1983) Red Form 2, 1971 unsigned, titled and dated to label on verso gouache and watercolour on paper 63.5 x 52cm.

£250-350

173

174

175

176 174. ‡ ALAN CHARLES HOBSON R.C.A. (1942-2002) Trees in a Landscape unsigned oil on canvas 51 x 51cm. £300-500 175. ‡ ANN WALKER Anemones signed with initials, also signed verso oil on canvas 50 x 39cm.

£100-200

176. ‡ BRIAN YALE (born 1936) Rainbow signed and dated ‘82 acrylic on canvas 36 x 48in

£600-800

Provenance: Thackeray Gallery, London Purchased by Mercantile and General Reinsurance Ltd. 27th April 1982 177. ‡ ALFRED STOCKHAM R.W.A. (born 1933) Skull signed, titled and dated 1982 verso oil on board 15 x 20cm. £150-250

177

178. ‡ ALFRED STOCKHAM R.W.A. (born 1933) Yacht and Trellis titled verso oil on canvas 40 x 51cm. £200-400 Provenance: Festival Gallery Bath, 1978 purchased by Mr R. Brooks

178

179

179. ‡ ALFRED STOCKHAM R.W.A. (born 1933) Sheep and Clouds titled verso oil on canvas 41 x 41cm. £200-400 Provenance: Festival Gallery Bath, 1978 purchased by Mr R. Brooks 180. ‡ ALFRED STOCKHAM R.W.A. (born 1933) Yacht at evening; Silo a pair, both signed, titled and dated 82 on backing board verso oil on canvas board each 15.25 x 20.25cm. (2) £200-300

Provenance: Dominic Nevill, Bath

180

181

182

181. ‡ THÉRÈSE OULTON R.C.A. (born 1953) Sea Garden No. 5 signed, titled and dated 1989 verso oil on canvas 56 x 48cm. £1,500-2,500 Provenance: Marlborough Fine Art, London, 1989, No. 39444.6

182. ‡ JOHN TALBERT MCLEAN (born 1939) Barlanark, 1996 signed and dated 96 verso oil on canvas 71.5 x 132cm. £1,500-2,000 Provenance: Francis GrahamDixon, London, C3991

183. ‡ FIONA RAE (born 1963) Untitled, 1987 oil on canvas 102 x 133cm. £5,000-8,000 Provenance: Karsten Schubert, London

183

184 184. ‡ AFTER FELIX TOPOLSKI R.A. (1907-1989) City; Piccadilly Circus; Westminster; Speaker’s Corner; Trafalgar Square; Trooping the Colour, 1973 6, all signed and numbered 36/150 all colour reproductions each 30 x 42cm. (6) £200-400

185. ‡ VAL ARCHER (born 1946) Fig Tart, 1992 initialled and dated in pencil, paper label to one, watercolour on paper, 11 x 10.5cm. and another Blackberry Bottle, (2)

£300-500

Provenance: Christie’s Contemporary Art

185

186. ‡ VAL ARCHER (born 1946) Spanish Chillies, 1996 initialled and dated oil on board 13.5 x 19cm.

£300-500

Provenance: Christie’s Contemporary Art

187. ‡ ASHLEY RYE (born 1955) Ack-actown signed and dated 19/10/93 pen and ink 41 x 59cm.

186

187

188

188. ‡ ANN ELIZABETH GILLMORE Armed Bullheads, 1962 signed and titled on a label and exhibition label to verso oil on canvas 40 x 30cm.

£300-500

£80-120

Exhibited: Paris Salon, 1962

189. ‡ ROB WOOLNER (born 1946) Cutting through; Night circle No. 1 two, both signed, one with initials and one dated 05 both mixed media 39.5 x 62cm. and 23 x 18cm. (2)

189

£120-180

190

191

192

190. ‡ BRIAN CROUCH (born 1929) Untitled abstract, 1959 signed and dated 59 oil on canvas 91 x 66cm. £500-800

191. ‡ ELIZABETH LEARY Untitled abstract unsigned oil on board 72 x 27cm.

£200-400

192. ‡ ROBERT HUNTER (1920-1996) Captive Image 5, 1960 signed and dated 60, with labels verso gouache on oil paper 42 x 25cm. £300-500

193

194

Provenance: New Art Centre, Sloane Street, August 1960, purchased by Miss Loehms, private collection

193. ‡ NICHOLAS COLLIER (born 1947) Blue corner signed mixed media 19.5 x 24.5cm. £100-150

194. ‡ SIR TERRY FROST R.A. (19152003) Black, white and red sun signed on mount mixed media on monotype 38 x 47cm. £500-800

195

195. ‡ CYRIL WILSON (1911-2003) Seeds for Sabines II signed and dated 66, also titled verso oil on canvas, unframed 76 x 102cm. £300-500

196. ‡ LEONARD RENTON (born 1921) Rounds (5) signed with a monogram, titled on a label verso gouache and mixed media on board 36.5 x 49cm. £150-250

196

197

200

198

199

197. ‡ ROBERT TAVENER (1920-2004) Horseguards (No.6), 1968 signed, titled, dated 68 and numbered 6/50 in pencil linocut 46 x 59cm.

£150-250

198. ‡ MICK ROONEY R.A. (born 1944) Casino signed, dated 1984 and numbered 31/100 in pencil colour lithograph on paper 63.5 x 43cm.

£150-200

199. ‡ PATRICK PROCKTOR R.A. (1936-2003) Marcus and a Pink, 1972 signed and numbered 200/500, with a gallery label verso aquatint on paper 60.5 x 41cm.

£200-300

Provenance: Redfern Gallery, 1972 bought by Colin Sparks

200. ‡ JULIAN TREVELYAN R.A. (1910-1988) Camel Corps, (Cat No.253) signed, titled and numbered in pencil etching with aquatint on T H Saunders mould-made paper, published by Christie’s Contemporary Art/Institute of Contemporary Prints, 1975 35 x 48cm. £200-300 Literature: Silvie Turner, Norman Ackroyd, Frances Carey and Patricia Jordan Evans Julian Trevelyan Catalogue Raisonne of Prints, Lund Humphries, catalogue number 253

201. ‡ SANDRA BLOW R.A. (1925-2006) Side Effect signed, titled and numbered 27/50 screen print on wove paper 119 X 119cm. Provenance: private collection

201

£800-1,200

202

202. ‡ MARY NEWCOMB (1922-2008) Reflection of a White Bridge (A fish has risen in the centre of the River) River Conway, 1982 oil on canvas 83 x 93cm.

£20,000-30,000

Literature: Christopher Andreae Mary Newcomb, 1996, plate 42

EDITIONS ALECTO

203

204 204. ‡ STANLEY WILLIAM-HAYTER (1901-1988) Small Horse (Black & Moorhead 45), 1931 signed in the plate etching on wove paper 6 x 8.5cm.

205

£100-200

Provenance: Editions Alecto 205. ‡ SIR HUGH CASSON P.R.A. (1910-1999) Chiswick House, 1979 signed and dated 1979, HP artist’s proof aquatint 34 x 45cm.

£100-200

Provenance: Editions Alecto

206

207

206. ‡ SIR EDUARDO PAOLOZZI R.A. (1924-2005) Eduardo Paolozzi Editions Alecto (Selasa) signed and titled in the print published by Editions Alecto in a print run of 2000 for the PSA Supplies Division lithograph on paper 93 x 73cm. (sheet) £200-300 Provenance: Editions Alecto 207. ‡ ALLEN JONES R.A. (born 1937) A Fury for Prints, 2003 signed, dated 2003 and numbered AP 4/25 lithograph 84 x 59cm.

208

£200-300

Provenance: Editions Alecto

209

208. ‡ DAVID HOCKNEY R.A. (born 1937) Picture of a Still Life that has an elaborate frame signed in the print lithograph, published by Editions Alecto in a print run of 2000 for the PSA Supplies Division 100 x 72cm. (sheet) £200-300 Provenance: Editions Alecto

210 203. ‡ JOHN BYAM SHAW (1872-1919) The Start numbered 28/50 drypoint etching 10 x 15.5cm.

209. ‡ DAVID HOCKNEY R.A. (born 1937) An Etching and a lithograph for Editions Alecto, 1973 signed and dated in the print lithographic poster published in a print run of 2000 93 x 69cm.

211

£100-150

Provenance: Editions Alecto, sold with a copy of a letter of authentification from the artist’s son James ByamShaw. Editions Alecto produced a run of 50 prints to raise money for a building appeal for the Byam Shaw School of Art, founded by John Byam Shaw in 1910.

£200-300

Provenance: Editions Alecto 210. ‡ TOM PHILLIPS C.B.E. R.A.(born 1937) After Raphael ?, 1973 EA825 signed and dedicated in pencil screenprint on R.K.Burt mould-made paper 73.5 x 60cm.

£400-600

Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 200 catalogue number 905

212 211. ‡ NORMAN STEVENS A.R.A. (1937-1988) Flight of Steps, 1973 EA.841 signed, titled and dated 73, 2nd Colour proof aquatint, scraped and burnished, copperplate 30 x 27cm.

£100-200

Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 234 catalogue number 1077 212. ‡ SIR EDUARDO PAOLOZZI R.A. (1924-2005) Moonstrips Empire News, 1967 stamped EA and numbered 489, eight signed and annotated in pencil artists proof, from an edition of 500 and 50 artists proofs a complete set of ninety-two screen prints with photo-screen on wove papers, with typology by Gordon House, published by Editions Alecto, 1967, in original formed magenta acrylic case 38 x 25.5cm. £1,500-2,000 Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 191-199 catalogue numbers 710-897 213. ‡ PATRICK PROCKTOR R.A. (1936-2003) Forbidden City, Peking, from A Chinese Journey, 1980 EA983 signed and marked HC (hors de commerce) aquatint on paper 45 x 60cm.

213

£400-600

Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981, Lund Humphries, page 205 catalogue number 962 214. ‡ COLIN SELF (born 1941) Prelude to 1000 Objects No.1, 25th August 1971 signed, titled and numbered of an edition of 60 in pencil to verso, etching on Crisbrook paper and Prelude to 1000 Objects no’s 3,4 and 6 68.5 x 54cm. (4) £500-1,000

214

Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 231 catalogue numbers 1052, 1054,1055, 1057 215. ‡ BIRGIT SKIÖLD (1923-1982) Shisen-do, EA 839,1974 signed and titled in pencil, unnumbered from an edition of 60 with some artist’s proofs etching with aquatint and lithograph printed in cream, blue, black image paper 63 x 61cm. (sheet) £200-400 Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 232 catalogue number 1062. illustrated page 248.

215

216

217

218

216. ‡ CECIL KING (1921-1986) Threshhold (Black) EA876, 1974 signed and numbered in pencil artist’s proof screenprint on Bockingford paper 56.5 x 76.5cm.

£200-300

Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 149 catalogue number 560

217. ‡ CECIL KING (1921-1986) Threshhold (Orange) EA877, 1974 signed and numbered in pencil artist’s proof screenprint on Bockingford paper 60 x 90cm.

£200-300

Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 149 catalogue number 561

219 218. ‡ MICHAEL ENGLISH (born 1941) Yellow No.1, 1979 EA973, (BR Type 4 Diesel Electric Loco) signed, titled and numbered in pencil screen print and hand spraying on B.F.K Rives paper 77 x 109cm. (Sheet)

£200-400

Provenance: Editions Alecto Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 108 catalogue number 374

219. ‡ DEREK HIRST (born 1930) Sidlesham Sunrise, 1981 EA992 signed, dated 1981 and titled in pencil screenprint on Arches 88 paper 71 x 56cm.

£200-400

Provenance: Editions Alecto

220

Literature: Tessa Sidley Editions Alecto - Original Graphics, Multiple Originals 1960-1981,Lund Humphries, page 133 catalogue number 428

220. ‡ WILHELMINA BARNES-GRAHAM C.B.E. (1912-2004) Beach, 1999 signed and dated in pencil, 10/75, paper label to reverse silk-screen print on paper, 1999, framed image 39 x 29cm.

£650-750

221. ‡ WILHELMINA BARNS-GRAHAM C.B.E. (1912-2004) Orange & Lemon Playing Games (Series No.2), 1999 signed, dated 1999 and numbered 3/70 paper label verso silk screen on paper 40 x 28cm.

£750-850

Provenance: Private collection

221

OTHER PROPERTIES

222

223

222. ‡ SIR TERRY FROST R.A. (1915-2003) Untitled oil on card 15 x 8cm. £800-1,200 Provenance: Christie’s 7.12.06, lot 275 Private collection 223. ‡ PETER LANYON (1918-1964) The Harbour St Ives signed and inscribed verso A Happy Christmas and New Year from The Lanyons oil on panoramic view postcard with collage 22.5 x 8.5cm. £4,000-6,000 Provenance: sold with a copy of a letter of authentication from Sheila Lanyon 224. ‡ SIR TERRY FROST R.A. (1915-2003) SS, 2003 signed and numbered 1/30 in pencil eight etchings on Chinese tissue, in presentation folio, published by Stoneman Graphics 46 x 43cm. (sheet) £3,500-4,500

224

225. ‡ DAWN SIDOLI (born 1933) Dried Flowers and Pewter Vase signed and dated 1992, gallery labels verso oil on canvas 62 x 50cm. £350-450 Provenance: Mall Galleries Private collection 226. ‡ MICHAEL FINN (1921-2002) Untitled signed and dated 1990 on stretcher verso acrylic on canvas 51 x 51cm.

£450-550

Provenance: Sims Gallery A comparable, larger example dated 2001 is held in the collection of University College, Falmouth

225

226

227. ‡ PADDY MACMIADHACHAIN R.W.A. (Irish born 1929) The Pier St Ives signed, also titled and dated 1993 verso oil on board 25 x 20cm. £450-550 228. ‡ ALEXANDER MACKENZIE (1923-2002) St Ives, Christmas 1985 signed and dated 85 linocut with collage 12.5 x 17.5cm. £150-250

227

228

229. ‡ HENRY MOORE O.M. C.H. F.B.A. R.B.S. (1898-1986) Sculptural Objects, SP30, 1949, (Cranmer 47) Schools Print lithograph, printed by W S Cowell Ltd signed and dated in the print 76 x 49cm. £200-400

230. ‡ LYNN CHADWIDK C.B.E. (1914-2003) Two Standing Figures signed, dated 73 and numbered 64/99 colour lithograph on FK Rives paper 70 x 50cm.

£400-500

231. ‡ LYNN CHADWICK C.B.E. (1914-2003) Sitting Figures II, 1971 signed, dated and numbered 23/150 in pencil lithograph on BFK Rives paper 76.5 x 56cm.

£300-500

232. ‡ LYNN CHADWICK C.B.E. (1914-2003) Sitting Figures II, 1971 signed, dated and numbered 56/150 in pencil lithograph on BFK Rives paper 76.5 x 56cm.

£300-500

233. ‡ LYNN CHADWICK C.B.E. (1914-2003) Two Seated Figures, 1971 signed, dated and numbered 99/100 lithograph on BFK Rives wove paper 76 x 56.5cm.

£300-500

229

231

230

233

232

234. ‡ ANTONY GORMLEY R.A. O.B.E (born 1950) Flying figure signed with initials and dated 1985 pencil with tea wash 24 x 17.5cm. £1,200-1,800

235. ‡ ANTONY GORMLEY R.A. O.B.E (born 1950) Snowfall, 2002 signed, numbered 187/200 and dated 02 in pen lower right offset lithograph on paper 69.5 x 100cm. £300-500

234

235

237

236 236. ‡ JOHN SKELTON F.R.B.S. M.B.E. (1923-1999) Flower and Seed, 1970 signed and dated 1970 to base, original paper label to underside of base Spanish alabaster and marble on marble base 18cm. high, 20.5cm. wide £300-500 Provenance: copy of original invoice John Skelton private collection

237. ‡ JOHN MULVEY Leaves, 1989 signed and dated 1989 in the cast and numbered 2/12 bronze on green veined marble base 65cm. high

238. ‡ BRIAN WILLSHER (1930-2010) Prince of War signed, titled and numbered 1/9 to the base bronze 90cm. high, 36cm. wide

£100-150

£2,000-3,000

Provenance: Brian Willsher, Boundary Gallery, 9th February-17th March 1990

238

Literature: Brian Willsher, Boundary Gallery, front cover illustration

239. ‡ DAMIEN HIRST (born 1965) Ho, Ho, Ho!, 1997 printed facsimile signature screenprint in white on perspex, published by Momart, London in an edition of 1700 Be Faithful to Your Dreams by Tracey Emin, 1999, a bronze buckle by Anthony Caro, a calendar by Richard Deacon and Humpty Dumpty, 1990 two medallions by Bill Woodrow, published by Momart 76 x 65cm. £2,000-3,000

239

240

240. ‡ DAMIEN HIRST (born 1965) Bromphenol Blue, 2005 signed in pencil spot etching on paper from an edition of 65 75 x 92cm.

£8,000-12,000

241 241. ‡ DAMIEN HIRST (born 1965) Xylene Cyanol Dye Solution, 2005 signed in pencil, lower right aquatint in colours on wove paper, published by the Paragon Press 95 x 72cm.

£7,000-10,000

242

242. ‡ DAVID OXTOBY (born 1938) January 1968; Nashville skyline; Billy; Wigwam; Song to Noody; Title page: all from a suite of 12 Bob Dylan prints set of six, all signed, titled and dated 77, all numbered Artist’s Proofs from an edition of 10 all coloured etchings, unframed each 48 x 37.5cm. with a copy of the book Oxtoby’s Rockers by David Sandison, 1978 (7) £100-200

243

244

243. ‡ SIR EDUARDO PAOLOZZI R.A. (1924-2005) Z.E.E.P (Zero Energy Experimental Pile), 1969-1970 label to verso lithograph on paper 89 x 64cm.

£100-200

244. ‡ SIR EDUARDO PAOLOZZI R.A. (1924-2005) Unikat, 1975 signed, titled and dated in pencil screenprint on paper 64.5 x 42.5cm.

£150-200

Provenance: Prints, Christie’s South Kensington 26th October 1994.

245. ‡ SIR PETER BLAKE R.A. (born 1932) Studio Tackboard II signed and numbered 92/350 coloured screenprint 59 x 39cm.

245

£100-200

246 246. ‡ JOE TILSON R.A. (born 1928) The Software Chart, 1968 signed, dated and numbered 57/150 screenprint on perspex and silver foil mounted on card 64 x 128cm.

£800-1,200

247. ‡ JOE TILSON R.A. (born 1928) Transparency 1 Yuri Gagarin, 12th April 1961 screenprint on paper and perspex, 1961, painted frame label verso 30.5 x 30.5cm. £800-1,200

247

Provenance: Christie’s South Kensington, 26th March 1997, lot 262 Literature: Tate Gallery P02330, an example given by the artist in 1976

248. ‡ BRIDGET RILEY C.B.E. (born 1931) Start, 1999 signed, titled and dated 99, Painters Proof in pencil screenprint in colours on wove paper 35 x 38cm.

£800-1,200

248

249

250

251 249. ‡ WILLIAM GEAR (1915-1997) Untitled, 1958 signed, numbered 20/20, dated 58 in pencil lithograph in colours on paper 48.5 x 36cm. (image) £400-600 Provenance: Private collection 250. ‡ GORDON HOUSE (1932-2004) Series 40cm. D, Proof 3, 1965 signed, titled and dated 65 in pencil 40.5 x 39.5cm. (image) £100-200

252

253

251. ‡ BERNARD COHEN (born 1933) II, 1965 (EA34) signed, dated and numbered 32/75 in pencil, embossed ea lithograph on paper by EA 56 x 76.5cm. £200-300 252. ‡ JANE O’MALLEY (born 1944) Still life with bowl of oranges and vase on a table signed and numbered 88/100 screenprint 32 x 45.5cm. £150-200 Provenance: Penwith Gallery 253. ‡ LEONARD RENTON (born 1921) Continuum, 1968 signed with a monogram and dated 68 in the print monoprint 35 x 47cm. £100-150 254. ‡ ROBYN DENNY (born 1930) Suite 66 III, 1966 signed, dated and numbered 49/75 in pencil screenprint on wove paper 76 x 49.5cm. £500-800 255. ‡ ROBYN DENNY (born 1930) Suite 66 VIII, 1966 signed, dated and numbered 41/75 in pencil screenprint on wove paper 76 x 49.5cm. £500-800

254

255

256. ‡ MARC VAUX (born 1932) Untitled (yellow), 1969 signed, dated and numbered 29/120 in pencil screenprint on paper 59.5 x 59.5cm. £200-300

257. ‡ MARC VAUX (born 1932) Untitled (red), 1969 signed, dated and numbered 61/150 in pencil screenprint in colours on paper 64.5 x 64.5cm. £200-300

256

257

258

259

260

261

258. ‡ RICHARD SMITH (born 1931) VI, (Proscenium Suite), 1971 signed, dated and numbered in pencil etching on wove paper 57 x 57cm. £300-500

259. ‡ RICHARD SMITH (born 1931) VII, (Proscenium Suite), 1971 signed, dated and numbered 3/40, etching on wove paper 57 x 57cm. £300-500

260. ‡ RICHARD SMITH (born 1931) I, (Butterfly Suite), 1972 signed, dated and numbered 29/40 in pencil etching and aquatint on wove paper 63.5 x 92cm. £300-500

261. ‡ RICHARD SMITH (born 1931) II, (Butterfly Suite), 1972 signed, dated and numbered 33/40 in pencil lithograph in colours on wove paper 64 x 92cm. £300-500

262. ‡ RICHARD SMITH (born 1931) Untitled, 1972 signed and dated in pencil lithograph in colours on wove paper, 59.5 x 90cm. £300-500

262

263

263. ‡ DAME ELISABETH FRINK C.H., R.A. (1930-1993) Etchings Illustrating Chaucer’s ‘Canterbury Tales’, 1972 unsigned etchings on wove paper published by Leslie Waddington, 1972, in green presentation case 65 x 46cm. (sheet) £1,000-2,000 Provenance: Csaky Art, 2006 private collection

264

264. ‡ DAME ELISABETH FRINK C.H., R.A. (1930-1993) The Nun’s Priest’s Tale, (Canterbury Tales), 1975 signed, titled and numbered in pencil, Waddington’s paper label to verso etching and aquatint on paper 80 x 58cm. £300-500 Provenance: Private collection

265. ‡ DAME ELISABETH FRINK C.H., R.A. (1930-1993) Spinning Man V, 1965 signed and numbered in pencil, 61/65 lithograph on paper 80 x 57.5cm. £1,000-1,500

265

266. â&#x20AC;Ą DAME ELISABETH FRINK C.H., R.A. (1930-1993) Soldier, 1974 (FCR240) signed and numbered 8/8 and stamped Meridian London bronze 34cm. high ÂŁ30,000-40,000 Literature: Annette Ratuszniak, Catalogue Raisonne of Sculpture 1947 -93, FCR240, p.126 for another example illustrated

267. ‡ DAME ELISABETH FRINK C.H., R.A. (1930-1993) Eagle Owl, 1973 (Wiseman 87) signed and numbered 177/250, with original certificate lithograph on TH Saunders mould-made HP paper printed at the Curwen Press, published by Leslie Waddington Prints Ltd London 77.5 x 57cm. (sheet) £800-1,200 Provenance: Private collection

267

268. ‡ DAME ELISABETH FRINK C.H., R.A. (1930-1993) Dead pheasant signed watercolour 76 x 56.5cm. £2,500-3,500

268

269. ‡ DAME ELISABETH FRINK C.H., R.A. (1930-1993) Head, 1967 (FCR191) bronze signed and numbered 6/6 50cm. high

£80,000-120,000

Literature: Annette Ratuszniak, Catalogue Raisonne of Sculpture 1947 -93, FCR191, p.110 for another example illustrated

20th Century Sale Calendar

5th March

Clarice Cliff & Art Deco

4th June

Modern & Contemporary Art

18th June

Arts & Crafts

10th September

20th Century Design

26th November

Modern British Art

2nd December

British Art Pottery

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler Tel: +44 (0)1722 424592 jobutler@woolleyandwallis.co.uk

Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013

ENQUIRIES Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

Aelbert Cuyp (Dutch 1620-1691) Portrait of a lady, aged 26 Signed and dated 1642 Oil on panel, 64 x 54cm Estimate: ÂŁ6,000 - ÂŁ8,000

British Art Pottery Wednesday 11th December 2013

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Three Lucie Rie bowls. Estimates from £500 - £1,500

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales. Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

LW AY W ES T IL

D SR SE VI DE HU

T) C

WILTON & WARMINSTER

CENTRAL CAR PARK

N SCOTS L SALISBURY S OUT H

A 3 6(

MR HA ND WY

ST WE

F IS

HER TO N

CHIPPER

A36(T) CH URC HIL L

WILTO NR DA

EET STR TLE CAS

A3 60

The Portway A36 C HUR CH ILL WA YN OR TH D

D OA

AMESBURY & MARLBOROUGH

E LS

R EY HL AS

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

T WIN S BED L SALT

WINCH ESTER ST

N EW

LL R O AD

L C ANA

NEW STR EET

ST ANN S

Warehouse – Furniture, Clocks, Works of Art, Tribal Art. 2 Danbury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB

SOUTHAMPTON CATHEDRAL

UT SO

Y A36

( T)

C UR

A3 09 4 NEW H

ARNH AM

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD O

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

A338 BOURNMOUTH & RINGWOOD D

NT O

A33 8

A36(T) SO UTHA MPT ON R

OA D

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Modern British Art

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 26th November 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR ASIAN ART 13th & 14th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk MODERN BRITISH ART 26th November Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk PAINTINGS 4th December Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20TH CENTURY DESIGN 11th December – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk FURNITURE, WORKS OF ART 7th January 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 21st and 22nd January 2014 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 23rd January 2014 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk TRIBAL ART 11th February 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 19th February 2014 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMCIS & GLASS 25th February 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk