The Prince's Trust by Jamm Design Ltd

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Evening of Art Auction 100 per cent of the profits to support disadvantaged young people

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Dear Supporter, On behalf of The Prince’s Trust South West, it is my great pleasure to welcome you to this fantastic art collection. All of these wonderful pieces have been generously donated for our third Evening of Art Auction by some of the country’s most renowned artists. We are hugely grateful to them for making this event possible. This auction gives you the chance to acquire some truly outstanding art. With your help we would like to raise £75,000 for disadvantaged young people in the South West. I would like to thank our sponsors and supporters Coutts & Co, Withy King, Reside Bath, Pritchards, Matthew Clark and The Roper Family Trust. As a result of their contribution, all of the money raised from this event will go straight towards changing the lives of young people. We are also grateful to iBid who will be facilitating the silent auction technology, and to Paul Martin for hosting the live auction. Today’s economic environment remains challenging for the young people that we support. They face multiple barriers and find it hard to compete for opportunities. It is estimated that there are nearly 60,000 unemployed 16 to 24 year-olds in the region. This level of unemployment triggers many other problems including crime, anti social behaviour and mental health issues, and is a huge waste of human potential. The Prince’s Trust works with around 3,500 disadvantaged young people in the area every year. We help them to develop the confidence, skills and motivation they need to move forward with their lives. Three-quarters of our young people progress into a job, selfemployment or training as a result of our support. You can be part of helping more young people by participating in this auction. This year, all pieces will be available online ahead of the event via www.eveningofartauction.com. The artwork will also be exhibited at the Evening of Art Auction where guests can bid using the silent auction technology or by participating in the exciting live auction. We could not have held this evening without the help of our wonderful committee, led by Jenny Bower, and the other volunteers who have worked so hard over the last year to help plan this event. Once again, my most sincere thanks to the artists for their wonderful artwork, and to you for your invaluable support.

Tara Leathers Director of Fundraising

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Evening of Art Auction Thursday 8th October The Assembly Rooms, Bennett Street, Bath, Avon BA1 2QH Champagne reception and Silent Auction 7.00pm Bid on pieces of art easily using readily available touch screen tablets. Dinner, Live Auction and Entertainment from 8.00pm TV Presenter Paul Martin will host the live auction of six pieces of art.

Specialist Emma Sykes of Bonhams Bath - emma.sykes@bonhams.com Viewing lots by appointment and all Princeâ&#x20AC;&#x2122;s Trust enquiries Please contact Katherine Morgan on 0117 943 4950 or via email katherine.morgan@princes-trust.org.uk

iBid

The Princeâ&#x20AC;&#x2122;s Trust, Canningford House

Tel 020 7524 7813 enquiries@ibid-events.com www.ibid-events.com

38 Victoria Street, Bristol BS1 6BY Tel 0117 943 4948 www.princes-trust.org.uk

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LOCATION

The Assembly Rooms Bennett Street, Bath, Avon BA1 2QH

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Further information This year all artwork will be available to view and bid for online in advance of the event via eveningofartauction.com. You will be able to bid on artwork right up until the evening of the event, Thursday 8th October. Thereafter, the website will be closed to any more online bids. All art has been independently valued by Bonhams. The Silent Auction The highest bids for each piece of art, taken from the above website, will be transferred onto our Silent Auction technology on the day of the event. The state-of-the-art touch screen tablets will be waiting for guests on arrival at the Assembly Rooms to continue with the final bidding on the night. Anyone who registers and bids online before the event will be able to keep their log in details and use them on the night with the Silent Auction tablets; simple! What if I don’t attend on the night? If you are a winning bidder from your online bid but do not attend the event, you will be informed of your success by email and a Prince’s Trust member of staff will contact you to arrange payment and delivery of art. Please note that delivery charges will apply. The Live Auction TV presenter Paul Martin will be conducting the Live Auction on the evening. Six of the most exclusive and collectable pieces from the exhibition will be auctioned in this way. These items are listed separately on the website and in this catalogue. For further guidance, or should you have any queries, please contact Katherine Morgan on 0117 943 4950 or katherine.morgan@princes-trust.org.uk. From everyone at The Prince’s Trust, enjoy the art, the evening and thank you for helping make positive changes to the lives of disadvantaged young people.

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RAFFLE A raffle will be held on the evening of the auction. If you are attending the Evening of Art in person, you will have the chance to take part and win one of these special prizes: ➔ Lunch for four in the Director’s Dining Room at Coutts’ Head Office in the Strand, kindly donated by Coutts & Co. This prize is to be arranged for a mutually agreeable date before 8th October 2016. ➔ One night’s accommodation at the Abbey Hotel, Bath, inclusive of dinner in the award winning 3AA rosette restaurant Allium, kindly donated by Ian and Christa Taylor of the Abbey Hotel. The prize is valid Sunday to Thursday night and excludes peak midweek dates.

Director’s Dining Room at Coutts’ Head Office

➔ Case of Ruinart Champagne. Ruinart is the oldest established Champagne house, exclusively producing champagne since 1729. Founded by Nicolas Ruinart in the Champagne region in the city of Reims, the house is today owned by the parent company LVMH Moët Hennessy Louis Vuitton. Abbey Hotel, Bath

Terms and Conditions apply

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SILENT AUCTION LOTS Lot 1 Andrew Macara NEAC RBA (British, b. 1944) Snow Covered Trees, La Clusaz, France, 2015 Oil on Belgium flax linen canvas made by V.A. Claussen Signed lower left 410 x 510mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,000 - £3,000

Andrew Macara briefly studied Contemporary Art with Leonard Fuller at St Ives School of Painting but considers himself a largely self – taught artist. He is a member of both the Royal Society of British Artists and the New English Club. Andrew has one of the most distinctive styles of present day contemporary British Artists. He is established as a very collectible contemporary figurative artist and over the years his paintings have proved to be a good British Art Investment. Andrew travels extensively which provides rich creative inspiration including this piece Snow Covered Trees, La Clusaz, France. It was painted following a fresh fall of snow in La Clusaz, France. The sun is shining on the snow and the strong blue shadows made a stunning subject. For more information, go to macara.com

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Lot 2 Annie Ovenden (British, b. 1945) Lanhydrock Park in Winter, 2013 Oil on canvas Signed bottom left 400 x 500mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 - £5,000

Annie Ovenden is a figurative fine artist and a member of Sir Peter Blake’s Brotherhood of Ruralists. Despite Channel 4’s repeated showings of a film about her Village Portrait Project, Annie is probably best known for her tree studies and paintings depicting the landscape of Cornwall where she lives. In 1975 Sir Peter Blake asked Annie to join a group of seven like minded artists, subsequently called The Brotherhood of Ruralists. The Ruralists’ first public showing as a unified entity took place at the Royal Academy in 1976 followed by an exhibition at the Bath Festival in 1977. From these showings until 2007 The Ruralists maintained a vigorous exhibition program. In 1981 a major exhibition of work by The Ruralists - presented, not so much as a retrospective, but more as a report on work-in-progress - was organised by The Arnolfini, Bristol and The Camden Arts Centre, London. Funded by The Arts Council of Great Britain, the exhibition included visits to Birmingham City Museum & The Third Eye, Glasgow. The Ruralists final show together was at Horsham Museum in 2007. In 2008, a major touring exhibition was organised by Southampton University on the English Pastoral Tradition subtitled From Samuel Palmer to The Ruralists. Annie has built up an international reputation for her landscape paintings and drawings. Her work has been included in solo, group and museum exhibitions throughout Britain and is in several important collections worldwide. She is represented by Catto Gallery, Hampstead; Clerkenwell Fine Art, London and Castle Cary; Red Rag, Bath and Twenty-Twenty, Much Wenlock. Lanhydrock Park in Winter is a stunning representative of Annie’s tree studies of Cornwall where she lives. Please visit the artist’s website at annieovenden.yolasite.com 11

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Lot 3 Martin Elphick (British, b. 1951) Dancers, 2015 Limited edition sculpture 3/9, cast in Jesmonite Carved signature under base 300 x 100mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £150 - £200 Martin Elphick began sculpting without formal training after an earlier professional career. He uses both traditional techniques modelling, carving, casting with material like clay, wax, stone and bronze and their modern equivalents. He makes both figurative and abstract pieces for indoors and gardens, and undertakes some commissions including portraiture. Following a recent solo show Martin is gaining increasing recognition and beginning an exciting new phase of work. He is an Associate Artist at 44AD Gallery. Dancers was modelled in wax, cast in Jesmonite, and finished in acrylic. Jesmonite is a compound used for architectural features and sculpture. This is number 3 of an edition limited to 9, each finished and mounted differently. The base is oak, turned by Dick Mather. To find out more information, visit Martin’s website martinelphick.com

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Lot 4 Richard Neville (British, b. 1960) Evening Light in Girona, 2015 Watercolour on paper Signed right hand corner 500 x 410mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300 - £500 Richard Neville is Managing Director South West and Wales of Coutts one of the oldest private banks. When not managing the Coutts business and looking after his clients, Richard paints watercolour landscapes. The City of Girona is one of Richard’s favourite inspirations, he has also painted images of New York and Chicago which attracted much interest at two recent North Somerset shows. He has won the Jean Kent Award in North Somerset and has been the selectors’ choice at the Clevedon Art Club summer show. Richard’s work is now attracting interest from numerous galleries. Richard has donated Evening Light in Girona, a watercolour, following a recent visit to Spain.

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Lot 5 Madeleine Floyd (British, b. 1969) Highgrove Christmas Tree, 2011 Ink and watercolour on paper Signed bottom right 220 x 310mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 - £1,500 Madeleine Floyd was born in 1969 and studied Fine Art and Illustration at Camberwell College of Art, London. Her illustrations, watercolours and paintings are well known and Madeleine writes and illustrates her own books, which have become international best sellers. Her work has been championed by many including The National Trust, Cliveden and Highgrove and also features on a range of products. Highgrove Christmas Tree, is from a series of watercolour and ink illustrations produced for Highgrove House which was later published and became a hugely successful Christmas card. More information can be found on Madeleine’s website madeleinefloyd.com

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Lot 6 Robbie Wraith (b. Britain 1952) Portrait Studies, 2014 Red chalk Signed lower right 200 x 420mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,000 - £3,000

Robbie Wraith left Stowe at the age of 16 to study with Pietro Annigoni, in Florence, at his invitation. He has had 33 solo exhibitions in the UK, Europe and USA, and is a member of the Royal Society of Portrait Painters. His work is in the collections of HM The Queen, HRH The Prince Of Wales, The Royal Collection Windsor, the Vatican Museum, The National Trust, Chatsworth House and many others. Portraits have included HM The Queen, Nelson Mandela, The 11th Duke & Duchess of Devonshire (commissioned by HRH The Prince Of Wales), the Archbishops of Canterbury and York, and Sir Roger Penrose. Robbie exhibits regularly at The Royal Academy, New English Art Club. Portrait Studies is a red chalk drawing completed in 2014. Robbie’s work can be viewed at his website robbiewraith.com

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Lot 7 Olivia Clifton-Bligh (British, b.1971) Goldfinch and Lavender, 2015 Hand burnished linocut print, illuminated with copper leaf, (limited edition 7/30) Signed and dated by the artist bottom right 670 x 290mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300 - £500 Olivia Clifton-Bligh studied Art at Goldsmiths College and now works from her studio at Bull Mill Arts, an artists’ collective established by Lord Bath on Longleat Estate in Wiltshire. She is an award winning sculptor and print maker specialising in lino and woodcut techniques. Her work explores the rich metaphor of oral storytelling traditions and draws from the flora and fauna of the surrounding landscape. Olivia is a member of the Royal British Society of Sculptors and exhibits her work in London and widely throughout the UK. Goldfinch and Lavender is a beautiful example of one of her prints. Olivia works with linoleum and woodcuts, pressing each piece by hand and illuminating her scenes with metallic leaf. See more of Olivia’s work at bullmillarts.co.uk

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Lot 8 Rob Ryan (Cyprus, b.1962) Why Are You So Naughty?, 2011 Screenprint in pink and red, A/P Signed bottom right 640 x 580mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200 - £300 Rob Ryan was born in Akrotiri, Cyprus, and studied Printmaking at the Royal College of Art. Although Ryan views himself first and always as a fine artist, he works primarily with papercut printmaking, applying the method to a variety of mediums including ceramics, textiles, home wares and jewellery. Rob has collaborated with many high-profile clients, including Paul Smith, Liberty of London, Fortnum & Mason, Tatty Devine and Vogue. His work often consists of whimsical figures paired with sentimental, grave, honest and occasionally humorous pieces of writing, which he admits are autobiographical. “Why Are You So Naughty?” A/P screenprint typifies Rob’s unique style. Rob’s work can be found at robryanstudio.com

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Lot 9 Thomas Dowdeswell (British, b. 1979) The Anti-Sex League, 2014 Limited edition print 1/25, 300gsm smooth fine art paper Signed bottom right 280 x 400mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £120 - £180 Thomas Dowdeswell is self-taught and began painting at 21, upon the sudden death of his father. Inspired by Orwell’s 1984, Dowdeswell creates dynamic and unrivalled social commentaries, discussing sex, identity, individuality and technological developments. He has exhibited in Britain, Europe and America. He is represented by Debut Contemporary, View, Union and Kids of Dada. Recently Thomas worked with Wild in Art and the National Literacy Trust. He was commissioned with the challenge of creating a visual interpretation of a notable London literary work which was displayed in 2014 via the London literary trails. In 2013 Thomas supported the Gromit Unleashed event by painting Being Gromit Malkovich. The sculpture raised £21,000 in support of Bristol’s Children’s Hospital. The Anti-Sex League is a limited edition print. Discover more at thomasdowdeswell.com

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Lot 10 Lisa Takahashi (b. 1981) The Chain Gang, 2014 Three colour linocut, limited edition print, 75/75 Signed underneath image, bottom right hand corner 700 x 500mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200-£300 Lisa Takahashi is a Bristol based printmaker and painter, best known for her bold and colourful figurative works of art. She regularly exhibits at the Royal Academy Summer Exhibition and is represented by: Wychwood Art, Stow on the Wold; The Brook Gallery, Budleigh Salterton and Jerram Gallery, Sherbourne. The Chain Gang is a three colour linocut print made by carving and printing three tiles. The edition of The Chain Gang sold out on buyer’s day at the Royal Academy Summer Exhibition 2015 – this is the last available print. For more information visit lisatakahashi.com

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Lot 11 Sonya Rothwell (b. 1975) Luminous Moon, 2015 Oil and iridescent pigment on canvas 800 x 800mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 - £1,500 Sonya Rothwell studied at Central Saint Martins College of Art. She worked for several years in London and Sydney as a Senior Art Director before following her heart to become a full time artist. She recently returned to England and set up residence in The Courts, a National Trust property in Wiltshire. Within The Courts Garden is Gallery Beautiful which Sonya opened for art lovers of alchemy. Sonya can often be seen in her studio live painting in front of a crowd. Sonya believes art is born of alchemy. She steps far enough away from herself into ‘the flow’ – a calm, intensely focused meditative state – to allow a new dance to begin. The creation process of Sonya’s huge radiant pieces is physical. Working on the floor with her hands, she encourages melding pools of luminous colour to alchemically paint themselves. Luminous Moon embodies Rothwell’s creativity, freshness and magic. Find out more about Sonya at gallerybeautiful.com and sonyarothwell.com

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Lot 12 Simon Kenny (Irish b. 1976) The New Dawn, 2015 Mixed Medium Signed on the front and reverse 1220 x 920mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,500 - £3,500 Simon Kenny was born in 1976 in Dublin, Ireland, and discovered his love of art at a young age. Following his natural artistic instinct he acquired techniques and preferences which he relates through his work. His personality is a big part of his work, and as he starts on a new painting he embarks on a personal journey through a host of emotions, all carefully considered and expressed through colour and form, offering the viewer a direct visual connection to his mind set. Simon is a multi-award winning artist, celebrated nationally and internationally for his vibrant, expressive paintings. His work is praised as being dramatic, atmospheric and captivating with a style best described as ‘lyrical abstraction’. His technique encompasses brush and palette knife work, subtle under-painting and graduating alterations in colour. Characterised as a ‘radical Turner’, in recent press coverage he has attracted significant attention for his growing collection of colour burst oil paintings. Simon’s fascination with the world around him clearly manifests itself through his work, yet no piece is ever site specific. His aim is for the viewer to connect personally with each composition - to be reminded of a place they once knew, or visited by an unexpected moment of emotion. The New Dawn is an abstract expressionist painting in mixed media reflecting the vibrancy, drive and passion of the young mind. Simon painted the piece especially for The Prince’s Trust Evening of Art. To find out more about Simon visit simonkenny.artweb.com 21

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Lot 13 Paul West (b. 1965) Coquet Island, Warkworth, Northumberland, 2012 Acrylic on board Signed bottom right 330 x 330mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200 - £300 Paul West is a London based artist, a graphic designer and Art Director by profession. He draws inspiration from rugged landscapes influenced from his Dorset roots and frequent travels around Northumberland. Low horizons, huge skies and the secrets of woodlands and solitary trees are key features in his work. Paul creates stark, emotive works, creating spaces with brooding volume, scarred with 'frenetic' deconstructed mark-making. Coquet Island captures the storms crashing on the beach with the Coquet Island lighthouse in the distance. Paul’s work can be viewed on his website p-west.co.uk

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Lot 14 Paul Robinson (British, b.1959) The Proposal, 2006 Oil on board Signed bottom left 250 x 300mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 - £1,500 Paul Robinson was born in Penrith, Cumbria in 1959, and grew up in the Eden Valley village of Lazonby. He studied Fine Art at Carlisle College of Art. After moving to London he embarked on a successful career as a freelance illustrator, working for many leading publications such as the Sunday Times and the Radio Times. He moved to North Norfolk in 1999 and discovered a whole new world to explore; a landscape consisting of an immeasurable expanse of sea and sky. He also turned his attention to the subjects on his door-step to fuel his imagination. This resulted in an ongoing series of paintings which includes; his ladies with stick thin legs, walking their reluctant dogs in the wind, rain and snow, romantic interludes, and bustling towns created from his imagination. These paintings are based on the eccentric characters he spots on his travels, his familiar childhood surroundings, as well as the beautiful towns and villages dotted along the North Norfolk coast. Each piece of Paul’s work is accompanied by often humorous titles to illustrate the story behind the painting. His work is included in private, corporate and public collections worldwide. The Proposal is a perfect example of Paul’s quirky interpretation of a snapshot of everyday life. (She’s not exactly gorgeous, and her legs are rather skinny, but there’s only one girl in the world for George, and that is his sweetheart Winnie) Paul’s work can be viewed via his web site paulrobinsonpaintings.com 23

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Lot 15 Eloise Govier (British) Blossom in May, 2015 Oil on canvas Signed bottom right 270 x 170mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £600 - £800 Eloise is an acclaimed installation and performance artist who has exhibited nationally and internationally. Her exhibitions abroad include Japan, Amsterdam, and Gaudi’s Casa Batlló in Barcelona. Her practice and research centre on material engagement and understanding the transformational properties of those engaged in making (both individual and collective). The durational and co-constituted elements of material engagement are pronounced in her painting practice, and she is indebted to the philosophies of AntiForm and Expressionism. Eloise uses different mediums such as oil, grass and polystyrene to evoke ‘materials in action’ in an attempt to create and capture moving, growing, feeling things. Blossom in May is a vibrant oil on canvas piece To find out more about Eloise’s work please visit eloisegovier.com 24

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Lot 16 Emma Rose (British, b. 1963) Rough Seas, 2013 Indian ink and acrylics on canvas Signed bottom right, and on reverse 300 x 405mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 - £600 Emma Rose specialises in contemporary, semi-abstract painting with an emphasis on colour and texture. Emma worked for many years in London, a career spanning theatre, film and photography. In tandem she studied at the Chelsea Studios before leaving for the country idyll of Wellow, old home of the Brotherhood of Ruralists, pop-art king Sir Peter Blake and sculptor Peter Watts. Emma paints from an ‘internal reservoir of remembered senses’. With an obsession for colour, form, texture and patina, her eye finds beauty in the most unlikely places, which makes her work atmospheric and evocative. She studied abstract theory, colour and technique in Bath, which fuelled her creative passion to open her own studio in Wellow and gallery in Bath. She frequently exhibits her work in London, Toronto and completes commissions for clients worldwide. Emma is a great supporter of charitable projects, contributing two Lions to the Lions of Bath and one Swan in the Swans of Wells; both Public Art Projects. Using Indian Inks and acrylics Emma produces vibrant and arresting work which can be seen in Rough Seas. To see more of Emma’s work visit emmaroseartworks.com

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Lot 17 Bev Houlding (b.1955) Silver Ball, 2003 Oil an board Signed in black ink lower right 812 x 812mm Provenance: Donated by Neil and Angie Harbury to The Prince’s Trust Evening of Art £1,500 - £2,000 Bev Houlding was born in Birmingham and studied Fine Art Painting at Goldsmiths College (1974 – 77). In 1984 she opened a studio and gallery with husband and fellow artist Mark, first in Fareham, before relocating to Emsworth and then to Cornwall. Silver Ball (oil on board) captures Bev’s intense signature style, both in terms of technique and subject. For Bev the creative process starts with carving her image from the board, applying oils and varnish, and last – but certainly not least! – setting the work alight with a blow torch. This scene depicts a Hyrlian match, an oldfashioned rugby, native to Cornwall. See more of Bev’s work at houldingandhoulding.co.uk 26

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Lot 18 Becky Mair (British, b. 1965) Impluse, 2012 Acrylic on board Signed in pencil lower left 630 x 770mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,200 - £1,800 Becky Mair was born in Chatham, Kent and completed a Foundation Course at Canterbury College of Art in 1985. She then went to live and work in London mainly within the art related industries; advertising, film and television, and prêt a porter fashion houses. Having returned to Kent, Becky married a farmer with whom she has three children. Becky completed a BA Honours degree in 2004 at UCA Canterbury. Becky has developed her own immediate response to a technique developed by the abstract artist Jackson Pollock, whilst studying his process at University. His unique style inspired her to produce a fluid, energetic, representational reaction to his work. Working mainly in acrylic paint, ink or domestic emulsion paint; Becky works directly from the tube or paint pot. Using a stick or tube to flick and direct the paint from a standing position over the paper or canvas. Becky is an award winning artist, Best Selling Published Artist, 2013,; Best Newcomer, Fine Art Trade Guild. Becky is exhibiting nationally in galleries in England, Ireland, Wales, Scotland and the Channel Isles. Becky expresses an impression of the subject matter, its stature, energy, and essence which can be seen in Impulse (acrylic on board). To see more of Becky’s work visit beckymair.com

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Lot 19 Annemarie Blake (Irish) The Green Brownie Saturday Evening, Glastonbury Festival, 2014 Conte drawing, oil on Somerset Paper Embossed bottom right with artist’s stamp and signed on reverse 500 x 500mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 - £600 Born in Dublin, Annemarie Blake was a draughtsman and silkscreen printer before studying History, Printmaking and Painting in Cork and London. She works predominantly with Somerset Paper, canvas and board panel, upon which she coats numerous layers of composition, imbuing her art with great depth and texture. The Green Brownie Saturday Evening is based on drawings and observations made at Glastonbury Festival in 2014. Annemarie has sought to keep a real sense of spontaneity in her painting, in an effort to capture the energy, atmosphere and immediacy of this annual temporary city. For more about the artist, her work and exhibitions visit annemarieblakefineart.co.uk 28

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Lot 20 Amber-Lauren Ballantyne - Styles (British, b. 1994) Morning Glory, 2014 Acrylic on board Signed bottom right 500 x 1000mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 - £600 Amber-Lauren is a 20 year old artist, first backed by The Prince’s Trust in April 2014. She creates large abstract pieces and watercolours and is currently creating a collection of Pop-Art Portraits for a London exhibition later this year. Her clients include famous celebrities from stage and screen and her subjects have included HRH The Prince of Wales, with whom she’s enjoyed personal correspondence. Amber-Lauren’s career derived from a period in her life when she was an elite Gymnast. Despite successfully representing Great Britain she was harangued by her coach, which lead to serious health issues. This lead Amber-Lauren to produce a series of paintings depicting ‘real’ women of all shapes and sizes. Her first exhibition was a great success and caught the interest of local TV, radio and national media. Amber-Lauren applied for mentoring from The Prince’s Trust in order to start and make a success of her business Amber-Lauren Fine Art. Amber-Lauren is delighted to donate her art to the organisation whose support helped to put her name on the Art World map! Morning Glory (acrylic on board) represents Amber-Lauren’s vibrant and abstract style. To find out more about Amber-Lauren visit amber-laurenfineart.co.uk

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Lot 21 Erica Timothy (British, b. 1959) Quaver, 2009 Crank clay with iron oxide and tea dust glaze Signed on base 310 x 220 x 100mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £80 - £120 Erica Timothy is an emerging talent in contemporary ceramics with her work increasingly sought after by serious collectors and galleries. Erica’s ceramics are intuitive, sculptural and organic with a narrative and natural beauty. Her work displays the influence of Anish Kapoor, Barbara Hepworth and Henry Moore, combined with strong inspiration from nature. From the round bottom vessels of West Africa to the fabulously extravagant horns of antelopes, cattle and sheep, which led to her early series of horned vessels. Erica engages and enhances the craft form of ceramics, challenging and overturning its second class status within the world of fine arts, to explore witty and thought provoking themes that resonate. Process is important to Erica, who sees it as integral to her way of working. There is no imposed or pre-imagined order to her work, instead she allows the work to develop as she creates, continually experimenting and refining her skills and ideas as she progresses. This achieves an organic form that lives as a beautiful piece of art, yet on close inspection, evokes a polemic or an ideology. Quaver (crank clay) is an example of Erica’s organic style of work. Erica’s work can be viewed at her website ericatimothy.co.uk 30

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Lot 22 Frank Beanland (British, b. 1936) Number 16, 2001/2002 Acrylic on newspaper 390 x 910mm Provenance: Donated by Lime Tree Gallery, Bristol to The Prince’s Trust Evening of Art £600 - £800 Frank Beanland was born in Bridlington, Yorkshire and studied at Slade School of Fine Art 1959-61 and Hull College of Art 1952-57. He lived in Cornwall 1962-64 and moved to East Anglia 1966. He won a Boise Scholarship and studied in Stockholm 1962, lectured at Swansea College of Art 1964-65, was resident at the Micheal Karolyi Memorial Foundation Venice 1965-66, and was later artist-in-residence at the Centre Artistique de Rencontres Internationales, Nice. Frank embarked on an impressive exhibiting career, and received many commissions for screens and printed textiles for hospitals, churches and private homes. More recent works on paper build on the ‘serial’ style Frank has developed and are no less arresting and successful. Working from a remote barn, Frank’s influences are multifarious and deep; nature, his surroundings and experience inform his deceptively simple abstract works. His work garners healthy respect, and his work is found in many ‘Modern British’ collections. Number 16 is one of a series on acrylic on newspaper, which was an experimental phase that Frank went through, producing perhaps his most interesting work since the ‘70s. To see more of Frank’s work and other artists at Lime Tree Gallery visit limetreegallery.com

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Lot 23 Keith Jansz (British, b. 1961) Lilies & Sculpture – Still Life in Studio, 2013 Oil Signed bottom right 300 x 250mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300 - £500 Keith Jansz started painting for the first time since school after running the London Marathon in 1995. Two months later he suffered a broken neck in a tragic car accident, resulting in complete paralysis. After six months in the National Spinal Injuries Centre, Keith returned home to begin the painful process of adjusting to his new situation. Unable to do anything for himself Keith naturally experienced the depths of despair. In 1996 the gift of a book entitled ‘Painters First’, a collection of biographies of the Mouth & Foot Painting Artists, inspired Keith by reading their triumphs and successes. Eager to encourage this spark of interest Keith’s wife arranged a meeting with the mouth artist Trevor Wells who persuaded Keith to try painting by holding a brush in his mouth. Despite disastrous early efforts Keith persevered and in 1998 he was accepted as a Student Artist by the international self help organisation, the Mouth & Foot Painting Artists. This achievement spurred Keith on to work with such determination that in 2000 he was promoted to a full Member Artist within the Association. Keith has held a number of solo exhibitions in the UK and Italy and his paintings have been exhibited in museums around the world including; Lisbon, Madrid, Copenhagen, Shanghai and Atlanta. Keith enjoys exploring the sensations of light in his paintings, which can be seen in Lilies & Sculpture – Still Life in Studio. For more details on Keith’s work go to keithjansz.com 32

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Lot 24 Nick Cudworth (British, b.1947) Blue Steel Grey Dawn, 2013 Oil on linen Signed on reverse 300 x 600mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,000 - £3,000 An artist of range and renown, Nick Cudworth was born in Derby and studied at Chelsea School of Art. Nick was commissioned by The Royal Mail to design a set of stamps for the Commonwealth Games which were on show at The Post Office Museum in Bath. In 1999 The National Portrait Gallery in London purchased a painting of film director Ken Loach for their permanent exhibition. Nick lives in Bath and works off the street, in his studio and gallery. Blue Steel Grey Dawn depicts the dramatic sky line of Port Talbot on an early wet morning where the smoke and steam are punctured by the eerie furnace lights. More of Nick’s work can been seen in his gallery in Bath and on his website nickcudworth.com

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Lot 25 Robin Gray (b.1942) Biosearch, 2015 Acrylic on canvas Signed bottom right 1010 x 760mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 - £1,000 Robin Gray studied at Beckenham School of Art from 1958 to 1962 where he specialised in painting. He held his first One Man Exhibition in 1965 in the Sun Lounge in Fairfield, Croydon where his brightly coloured acrylic paintings caused a lot of interest and sold well. Robin was one of the first painters to use the new acrylic paint and he has continued to do so. He also enjoyed a highly successful teaching career, believing that the art teacher should never forget that he/she is first and foremost an artist. Robin has continued to successfully combine teaching art and photography with painting. Robin has been influenced by natural history, geology, fossils, and all things microscopic, Biosearch is no exception. He has been described as a creator of ‘organic abstracts’ and art critics often found interesting ways of describing his work. His work is on display in collections worldwide. Further work can be seen on Robin’s website robingrayartworks.com 34

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Lot 26 Rory Browne (British, b.1966) Being There; Bluebell Wood and Silver Birches, 2015 Oil on canvas Signed bottom right 1000 x 1000mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,500 - £3,500 Rory Browne was born in 1966; he is an established landscape and cityscape artist who studied at the Chelsea School of Art. His work is held in numerous public and private collections in the UK and abroad. He is a regular contributor to the Royal Academy Summer Exhibition. He has also been the recipient of numerous awards. His regular exhibitions attract hundreds of viewers and his work is celebrated for its sense of place and textural quality that itself reflects the beauty of creation that alludes to a spiritual element of the environment. Rory is delighted to donate this piece of work to The Prince’s Trust; giving opportunity to young people and helping ‘them’ to build good memories and realise the possibilities inherent in their plans and intentions. Being There; Bluebell Wood and Silver Birches, (oil on canvas) engenders in the viewer a sense of having ‘been there’. Bluebell woods are synonymous of reflective walks, peaceful contemplation, good memories and the emerging possibilities of late spring into summer. Rory’s work can be viewed through his web site RoryBrowne.co.uk 35

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Lot 27 Peter Lord CBE (British, b. 1953) Morph’s Self Portrait, 2015 Coloured pencil on paper Signed lower right 420 x 300mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £500 - £700 Peter Lord CBE, was born in Bristol, he is a British film producer, director and co-founder of the Academy Award-winning Aardman Animations studio, an animation firm best known for its clay-animated films and shorts. In 1981 Nick Park joined the group. He graduated in English from the University of York in 1976. In cooperation with David Sproxton, a friend of his youth, he realised his dream of making and taking an animated movie and founded Aardman. In 1976 they created Morph, a stop-motion animated character made of plasticine, who was usually a comic foil to the TV presenter Tony Hart. In 1981, Morph appeared in his own TV series The Amazing Adventures of Morph. Lord was made a Commander of the Order of the British Empire (CBE) on 17 June 2006. Morph’s Self Portrait (coloured pencil on paper) was drawn especially for The Prince’s Trust Evening of Art. For more about Peter and his work at Aardman, visit aardman.com

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Lot 28 Mark Demsteader (British, b.1963) Bethany, 2015 Pastel and collage Signed bottom right 1170 x 810mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 - £5,000 Mark Demsteader was born in Manchester where he still lives and works. He is largely self taught having spent years studying the figure at life drawing classes and developing a unique style through close observation of the human form. In recent years Mark’s reputation has flourished, such that he has become one of the most popular figurative artists working in Britain today. His powerful depictions of the female form in clean and assured lines of pastel and gouache have sparked a renaissance of interest in traditional life drawing. His technical ability is tempered by the natural sensitivity with which he imbues each subject. Although isolated in the picture plane each model Mark draws seems to live and breathe their expression and poise, conveying a sense of narrative that invites the viewer to ask more questions about them than the artist answers. This can be seen as you look at Bethany. See more of Mark’s work at markdemsteader.com 37

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Lot 29 Roger Hooper (b. 1950) Cheetah Cub, Masai Mara, Kenya, 2015 Lambda print mounted on aluminium Limited edition, 3/50 Signed on the reverse with edition number 1000 x 660mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,200 - £1,800 Roger Hooper is passionate about wildlife and the environment. He has photographed many extraordinary aspects of our planet and has travelled to all seven continents. He sees photography as a way of informing others of the frailty and beauty of the world around us. An important aspect of Roger’s work is his strong association with WWF and he has photographed a number of their projects. Roger’s photographs have featured in several WWF publications, in his books Dotted Plains, Spotted Game, Art in the Wild and Focus on the Wild and in a number of public and private collections. Roger has become especially well known for his wildlife photography of Africa. Cheetah Cub, Masai Mara was taken on a recent trip to Kenya. More of Roger’s work can be view on his website rogerhooper.co.uk

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Lot 30 Bonnie-Helen Hawkins (British, b.1969) Tiberius The Tiger, 2015 Limited Edition Print – (print run of 25) A/P Signed bottom right hand corner 1320 x 980mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 - £1,500 Bonnie-Helen Hawkins is known as the painter of Westonbirt Arboretum, seascapes and British wildlife. She combines the atmosphere of impressionism with dedication to fine art technique and nods to abstract modernism to create her work. With two studios, one gallery style in the city of Bath, the other at home in a typical English village. Bonnie has exhibited extensively in the UK, France, The Netherlands and the USA, her work appears in private collections throughout the world. The Prince’s Trust supported Bonnie at the start of her now extensive career. Tiberius The Tiger is a striking example of Bonnie’s exotic wildlife drawings. For more information visit bonniehelenhawkins.com

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Lot 31 Sally Muir (British, b. 1954) Cone, 2014 Charcoal on paper Signed dogs left paw (bottom right painting) 700 x 490mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £400 - £600 Sally Muir studied at Bath School of Art and Design and achieved a First Class (Hons) Degree in 2003. She paints portraits, landscapes and –last but not least – Dogs! She works with a variety of media, including oil, watercolour, pen and ink, print and as per Cone, charcoal. In 2010 she won the Holburne Portrait Prize for a painting of her son. Sally was commissioned by the Holburne Museum Bath, to paint a portrait of Bill Bailey with Dog. Her work is exhibited in many public and private collections. For more, go to sallymuir.co.uk

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Lot 32 Pete Gilbert (British, b.1959) Sunset over Kingston Great Common- New Forest, 2014 Watercolour Signed bottom left and top right back 560 x 600mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £700 - £1,000 Pete Gilbert is a self taught artist who has earned a living from his art since leaving school at the age of sixteen. He spent his early years as an airbrush illustrator, working for several commercial art studios and advertising agencies. Later as a graphic designer running his own business “the Image Works”. Now living in the New Forest his paintings are mostly of the forest and in particular the secret places and the less trodden path. His latest exhibition in January 2015 at St Barbe’s in Lymington was a fifty painting exploration of ponds, puddles and paths. Sunset over Kingston Great Common is a watercolour depicting a chalk path cut by the New Forest ponies across the heath land. Discover more at petegilbert.me.uk 41

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Lot 33 Lawrence Nash RWA (British b. 1958) Ref 1209, 2012 Coloured pencil on paper Signed reverse middle 470 x 670mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £800 - £1,200 Lawrence Nash RWA is an Academician, council member and Honorary Secretary at the Royal West of England Academy, Bristol. Born in Watford he now lives and works in Bristol. He studied fine art in Watford, Wimbledon, Cheltenham and Birmingham, and attained a BA first class honours degree and MA in Fine Art. He has exhibited widely across the UK including; the Royal Academy London, The Royal West of England Academy, The Axiom Art Centre, The Victoria Art Gallery Bath and the Walsall Museum & Art Gallery. There is no striving for progressive improvement or perfection within Lawrence’s work; each line is drawn without correction and blips and errors are accepted and nurtured. The spaces between the lines are as important as the lines themselves, acknowledging the blank background of the paper, allowing for new errors to appear and for older ones to blossom or dissolve. Ref 1209, while retaining the background of the paper, considers the forces of structure, composition and totality normally associated with painting. To view more of Lawrence’s work visit lawrencenash.co.uk

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Lot 34 Jo Taylor MRBS (b. 1970) Confluence ii, 2015 Porcelain Incised underneath - Jo Taylor 2015 340 x 330 x 260mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,000 - £1,500 Jo Taylor graduated with a distinction from Bath Spa’s Masters programme in July 2012. Since then Jo has exhibited her sculpture extensively, including a solo show at The Holburne Museum in Bath, “Hospitality” at Bath Abbey, The Open West, “COLLECT 2015” at the Saatchi Gallery London, and “Sweet 18” at the Kasteel d’Ursell, Belgium. A member of the Royal British Society of Sculptors, Jo has been shortlisted for several prestigious prizes including the Perrier-Jouet Arts Salon Prize. In 2015 she was an invited demonstrator at the International Ceramics Festival in Aberystwyth. Jo’s ceramic sculptures celebrate the ornamental. Her inspiration comes from decorative architectural features such as ornate plaster ceilings, elaborate wrought iron, stone facades and carved wood. Each sculpture is created using a combination of thrown and hand-built techniques. Jo uses the potter’s wheel to create pieces with marks that suggest direction and energy, joined with elegant hand crafted pieces. The construction process is organic, evolving with each addition until a decision is made to stop. Confluence ii showcases Jo’s organic, unplanned style which results in elegant work demonstrating fragility, rigidity and fluidity. More of Jo’s work can be found at jotaylorceramics.com 43

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Lot 35 Catherine Beale (British, b. 1969) On the Moors, 2014 Watercolour Signed bottom left 385 x 325mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £300- £500 Catherine Beale is an English painter specialising in contemporary watercolour portraits and landscapes. Brought up in Wiltshire, she painted in Singapore and Malaysia for over a decade where Asian living inspired a love of saturated colour. Notable commissions include the British High Commission, the U.S. Embassy, Reuters and Caltex. Catherine returned to the UK in 2006 and continues to be inspired by her surroundings in Bath, as well as painting portraits to commission. She experiments with modern watercolour pigments to create atmospheric “gravity paintings” of the landscape as well as dramatically lit larger-than-life portraits of adults, children and animals. Catherine has exhibited in London with the Royal Watercolour Society, the Royal Institute of Painters in Watercolours and the Society of Women Artists. She has also shown locally with the Royal West of England Academy Bristol and Bath’s Holburne Portrait Prize and Bath Society of Artists. In 2014 Catherine was elected an Associate Member of the Society of Women Artists. On the Moors (watercolour on paper) depicts a cob cottage on Dartmoor with approaching weather. To view more of Catherine’s work visit catherinebeale.co.uk

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Lot 36 Celia Read (British, b.1941) The First Elegy and The Third Elegy (2006) Watercolour Signed by the artist bottom right The First Elegy - 280 x 380mm. The Third Elegy - 290 x 380mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £600 - £800 Celia Read studied at Putney School of Art, Sir John Cass and Central St. Martins 1984 - 91. She set up her studio in Park Studios, North London in 1992. She lives in London with her husband Tom Read and has studios in Finsbury Park and Andalucia. The profound impact of a holiday in Italy, spent looking at Piero della Francesco’s masterpieces, took Celia Read by surprise, and led her to re-explore the meaning of the Christian narrative that had imbued her childhood. Wondering how people from different cultures and religions view the great religious master pieces of Western Civilisation, she used painting as a way of meditating on the insights and inspiration from her own heritage, whilst reading and learning from others. In these paintings we can feel her commitment to seeking a way to allow that which is deeply mysterious to inhabit her work, to celebrate and give form to the sacred in a secular society. Celia’s work is found in many public and private collections, both in the UK and abroad. The First Elegy & The Third Elegy are from a series painted in response to Rilke’s /Duino Elegies’, part of a group of works titled ‘Announciation, Resurrection, Incarnation’, first shown in 2006. These pieces sit side by side. See more of Celia’s work at celiaread.com

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Lot 37 Mike Richards (British, b. 1960) Captain Teapot 1 – The Crescent, 2009 Photograph 630 x 485mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200 - £300 Born in 1960, Mike Richards grew up in London. He spent his early career working on IT systems at New Scotland Yard. In the late nineties he relocated to Bath and began to pursue his interest in performance. After completing an acting course he worked on numerous films including Harry Potter and the Order of the Phoenix. In 2009 Mike began to work as a performance artist and, with friend Neil Thayer capturing images of each performance, Captain Teapot was born. Images of Captain Teapot have included; Mike fishing for teapots in the River Frome, reading “The Times” on a post box and smashing teapots in the circus. Mike had a place on the fourth plinth in Trafalgar Square, as part of Anthony Gormley’s 2009, “One and Other” project. He has also worked on projects with the Wellcome Trust and Bath based charity, Wherever the Need. Captain Teapot 1 – The Crescent is Mike’s first work as Captain Teapot from 2009. You can view more of Captain Teapot’s adventures at smashateapot.com

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Lot 38 Natalie Rymer (b. 1974) Winter Falls, 2015 Acrylic on Canvas Signed NR by artist bottom right 1200 x 1000mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,200 - £1,800 Natalie Rymer trained at Wimbledon School of Art London, studying Fine Art and Painting. She lives with her husband and two children on the borders of Kent and Sussex. The tranquillity and beauty of the English countryside is depicted in Natalie’s distinctive landscapes, seen as blocks of colours, patterns and shapes. Her imaginative eye for colour leads her to use a warm, rich palette with numerous painting techniques to develop a variety of surface textures. Natalie’s strong instinct for innovative design and composition invites the viewer to take a second look at scenes and subjects that seem at first to be ordinary and familiar. Her artwork is spontaneous and her recent work uses acrylic paints on canvas and it is her vivid imagination that captures the heart of the viewer. Winter Falls is a stunning winter landscape. It depicts the mood and colours of winter, demonstrating Natalie’s spontaneous style. To see more of Natalie’s work please visit natalierymerart.com

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Lot 39 Susan Derges (British, b.1955) Bridge, 2011 Digital C Type print, edition 7/9 610 x 300mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 - £5,000 Susan Derges is one of the world’s most celebrated photo artists. She was born in London and studied at Chelsea School of Art and Slade School of Fine Art. Much of her work revolves around the creation of visual metaphors exploring the relationship between the observer and the observed; the self and nature or the imagined and the ‘real’. Her practice reflects the work of the earliest pioneers of photography but is also very contemporary in its awareness of environmental issues and the complexity of its conceptual meanings. ‘Alder Brook’ of which Bridge is a part of, is a series of work made over a period of a year which focused on one location near the Artist’s home. The images are digitally reworked in her studio, combined with silhouettes of the subject matter contained in the reflections to give a sense of both the physicality and the ephemerality or transience of what is there. See more of Susan’s work at susanderges.com

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Lot 40 Nina Dolan Never Ending, 2015 Oil on gesso panel Signed on the reverse 410 x 330mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £1,200 - £1,800 Nina Dolan studied painting under John Wynn Morgan before going on to Chelsea School of Art and Bath Spa University. She was Director of the School of British Art in the 1980s. Nina has shown with the Beaux Art Gallery London, Contemporary Art Society, ASB Gallery, Royal College London, Islington Art Fair, Leighton House, the Soane Museum and the Royal West of England Academy. Her works are held in numerous collections internationally. This year the Chelsea Arts Clubs committee elected her for a solo exhibition. Alongside her oil paintings, Nina’s large drawings have recently been shown at The Royal West of England Academy. Never Ending is an oil painted on gesso panel. Her paintings are like statements of belief, exuberant acts of witness to the glory of the world. Although reminiscent of things seen, they are by no means illustrative, being composed of strong colour and expressive linear forms in space. More information can be found at ninadolan.co.uk 49

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Lot 41 Ibiye Camp (b. England, 1991) Twigs and Twists, 2014 String on wood 970 x 400mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £200-£300 Ibiye Camp is a London based artist, currently residing in Hoxton. She is a student at Byam Shaw, Central Saint Martins, (London University of Arts), studying BA Fine Art. Ibiye works with oil, acrylic, wool, digital and conventional photography and occasionally clay. Ibiye’s work draws on everyday London life - its diversity, energy and style. Her work is influenced by pop culture, which can be seen in dance performances that make reference to modern tradition. Using documentary practices, performance and audience participation as her medium, she questions issues of tradition and modernity. Twigs and Twists (using string on wood) emanates the energy and diversity of Ibiye’s work. More of Ibiye’s work can be found at ibiyecamp.tumblr.com

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Lot 42 Kimathi Donkor (British, b. 1965) Notebook IV, 2014 Watercolour and pencil on paper 320 x 240mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £500-£700 Kimathi Donkor is a contemporary British artist whose large-scale figurative paintings are genuine cornucopias of interwoven reference: to Western art, social and political events, and to the artist's own biography. He has exhibited in museums and galleries across the UK and internationally. Kimathi’s family roots stem from Ghana, Jamaica, England, Zambia and Poland. His meticulously crafted compositions draw on antique traditions of portraiture and history painting. However, the themes of his work often address dramatic modern subjects - ranging from urban conflict in contemporary London to the adventures of Ghana's anti-colonial heroine, Yaa Asantewaa. By using friends or family as sitters, Kimathi believes it imparts a degree of intimacy to the monumentality of his figures. Notebook IV, is an excellent example of Kimathi’s meticulous work, drawing on antique styles of portraiture but with a modern theme. More of Kimathi’s work can be found at kimathidonkor.net 51

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Lot 43 Lindsay Telling (British b.1960) Fishy Dishes, 2014 Hand cut, fused and slumped glass Large 300 x 300mm, Medium 160 x 300mm small 135 x 150mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £100 - £150 Lindsay Telling studied at Bristol School of Art and works principally with glass. She is influenced by the natural world, particularly the landscape of Cornwall, and the art of John Piper, Graham Sutherland and Kurt Jackson. Lindsay has exhibited her work at the Royal West of England Academy, and New Street Gallery Penzance. She is represented by Fowey River Gallery, Cornwall and The Meudon Hotel, Mawnam Smith. Most of Lindsay’s work is commissioned; she recently completed and installed an internal window at Clifton College, designed by one of the pupils. Lindsay launched Silks in Glass last year at the champion trainer Paul Nicholls’ Owners Day. This is a unique and personal way in which racing colours are portrayed in glass. Fishy Dishes embodies Lindsay’s intention to take nature in its simplest form and translate it into glass in an evocative way. Her work can be found on waterfrontglass.co.uk and silksinglass.co.uk

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Lot 44 Debbie Boon (British, b. 1960) The General Acrylic on canvas Signed bottom right 900 x 900mm Provenance: Donated by the Artist and Collier & Dobson Gallery to The Prince’s Trust Evening of Art £3,000 - £5,000 Debbie Boon was born in 1960 and graduated from Loughborough College of Art. Her work has the ability to sit comfortably in both traditional and contemporary settings and graces the walls of numerous boutique hotels, including Micheal Caines’s signature restaurant in The Royal Clarence Hotel, Exeter. Debbie works on canvas using heavy bodied acrylics and glaze mediums, developing her paintings with layered application of impasto and brush work to create texture and depth, capturing the energy and vibrancy that reflect life and all its visual personality. The General (acrylic on canvas) is hand finished in a beautiful frame and supplied with a certificate of authenticity. To view more of Debbie’s work visit debbieboon.com

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Lot 45 Jason Kelly (British b.1986) 8 of Hearts (white) Fine art print, with spot glazes and white diamond crust. Artist Proof “A.P. 2/2” Signed in pencil by the artist, lower right of print Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £700- £1,000 Born in Cornwall, Jason Kelly is a conceptual artist, influenced by the St Ives School, particularly the abstract work of Barbara Hepworth and Sir Terry Frost. Jason has experimented with printmaking in collaboration with Sir Peter Blake, Barbara Rae and other artists. 8 of Hearts is produced by the renowned printers Coriander Studio. This artist's proof is from Jason’s edition 8 of Hearts, and is one of three colour-way variations. Each print portrays the eight of hearts playing card, each heart and number is made up of an individual element of the Chinese 100 Yuan note. The number 8 was chosen because of its association in China with good luck and fortune. Chinese currency was therefore used instead of the British pound which features as the main element of Jason’s other work. See more at jasonkelly.co.uk 54

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PAUL MARTIN Paul Martin is an antiques dealer and professional drummer, best known for being the presenter of various BBC antiques programmes including Flog It!, Trust Me, I'm a Dealer and Paul Martin's Handmade Revolution. Born in Teddington, Middlesex, he was educated at Falmouth Grammar school, after his family moved to Cornwall, and then studied art and woodwork at Falmouth College of Arts. Following graduation, he was employed at Pinewood Studios, spending two years as a scenic painter on film sets, working first on Santa Claus: The Movie with Dudley Moore. He then developed a parallel career, as an antiques trader and dealer, as well as a professional drummer. Martin worked with bands such as Average White Band, the Quireboys and Dogs D'Amour in the 1990s. To this day, he can be seen playing in local jazz and blues bands around Wiltshire. From the age of 25, he owned a pitch on London's famous Portobello Road. He also worked as an antiques props stylist for magazines like Marie Claire and New Woman, whilst also undertaking larger projects by designing antique sets for television shoots for BBC One's The Clothes Show and Granada TV. Martin was discovered by a team from BBC Bristol when he was interviewed about his passion for oak furniture. He was then signed up to present Flog It!, which has led to a series of television shows and spin-off books. Paul is delighted to be supporting The Princeâ&#x20AC;&#x2122;s Trust Evening of Art Auction.

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LIVE AUCTION LOTS Live Lot 1 Sir Quentin Blake CBE FCSD RDI (British, b. 1932) The Underwater Family Outing, 2014 Pen, ink and watercolour on paper Signed top right 570 x 760mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,500 - £5,000 Sir Quentin Blake is Britain’s most celebrated illustrator. He studied English at Downing College, Cambridge, going on to do a postgraduate teaching diploma at the University of London, followed by life-classes at Chelsea Art School. He taught illustration for over twenty years at the Royal College of Art. His first illustrated children’s book appeared in 1960, and since then he has worked on over 300 publications, collaborating, among many other writers, with Russell Hoban, Michael Rosen, John Yeoman and, most famously, Roald Dahl. Sir Quentin is also known for his own picture books such as Clown and Zagazoo, and his illustrations to classics such as Don Quixote and Candide. In the past fifteen years he has worked on many projects for museums, hospitals, and other public spaces. In 1999 he was appointed first Children’s Laureate. He was knighted in 2013 for services to illustration, and he is also a chevalier of the Légion d’Honneur. The Underwater Family Outing in pen, ink and watercolour represents Quentin’s famed style of illustration as depicted in many children’s books. See more of Sir Quentin’s work at quentinblake.com

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Live Lot 2 Sir Peter Blake CBE RDI (British, b. 1932) I Love You, 2010 Screen print embellished with golf leaf, embossed, with vanishes. Printed on Somerset paper 410gram Limited edition, Artists proof 14/18 Signed bottom right 1365 x 420mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 - £3,500 Sir Peter Blake is the Godfather of British Pop Art and amongst our country’s most famous artists. He studied at the Gravesend School of Art and later at The Royal College. In the early 1960s, he emerged as a leading figure in the Pop Art movement, designing the iconic cover of the Beatle’s LP Sgt. Pepper’s Lonely Hearts Club Band. A Prince’s Trust Ambassador for over 14 years, Sir Peter has donated numerous works during that time, I Love You (screen print), being the latest. This piece has been printed by Coriander Studio, Fine Art Printmakers and Publishers. For more about the artist and his work, go to peterblakegallery.com

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Live Lot 3 Peter Brown NEAC (British, b.1967) Late Summer Afternoon Cheap Street, 2013 Oil on canvas Signed bottom right 635 x 508mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £5,000 - £7,000 Peter Brown is an all weather painter who started his professional career on the streets of Bath in 1995. This is where he affectionately earned his nickname ‘Pete the Street’! He paints directly from the subject throughout the year in all weathers. He’s won numerous awards, including in 2008 The Prince of Wales Award for Portrait Drawing. He is represented in public and private exhibitions in London, Bath and Edinburgh. Peter remains artistically attached to his beloved Bath, but his love of travel, recently to France, Spain and India, has broadened his creative horizon. Peter is exclusively represented by Messum’s, Cork Street, London. He lives in Bath with his wife Lisa and five children. Late Summer Afternoon Cheap Street (oil on canvas) was painted in 2013 looking upon the daily life of Cheap Street, Bath. More information can be found on Peter’s website petethestreet.com

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Live Lot 4 Ken Howard OBE RA (British, b. 1932) Mousehole Harbour, Morning Light, 2014 Oil on board Signed bottom right and title and dated on the reverse 200 x 250mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 - £5,000 Ken Howard OBE is a figurative painter and Royal Academician, In 1998 he was elected president of the New English Art Club, and in 2010 he was awarded the OBE for services to Art. Born in London in 1932, Ken studied at the Hornsey School of Art and first exhibited at the Royal Academy aged just 20. After completing National Service, he studied at the Royal College of Art, and thereafter embarked on a career that culminated in 2011 with the publication of his autobiography, Light and Dark. Ken plays an active role in supporting his fellow artists as a member of the New English Art Club, the Royal Institute of Oil Painters, the Royal Society of Painters in Watercolours, as an Honorary member of the Royal Society of British Artists and as a Royal Academician. His paintings can be found in many public collections including The National Army Museum, The Imperial War Museum and the Guildhall Art Gallery, London. He is represented by the Richard Green Gallery. Mousehole Harbour, Morning Light demonstrates Ken’s strong sense of tone and use of light. The image is painted in Cornwall where he has a studio. See more of Ken’s work at kenhoward.co.uk

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Live Lot 5 Anita Klein (Australian, b. 1960) Watching Mad Men, 2010 Acrylic on board Signed bottom right 600 x 600mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £3,000 - £5,000 Anita Klein is one of Britain’s best loved painters and printmakers. She studied at Chelsea and the Slade School of Art. She works in London and Italy and has exhibited her prints and paintings extensively in the UK, Europe, the USA and Australia. In 2003 she was elected president of the Royal Society of Painter Printmakers and she has work in many private and public collections including the Arts Council England and the British Museum. Anita’s work celebrates the small domestic moments we all share. While family photo albums record our lives as one long round of birthdays and holidays, the very moments we should most value are almost always ignored and forgotten. Her prints are often used as sketches for large oil and acrylic paintings which are exhibited regularly in London and elsewhere by Eames Fine Art and Advanced Graphics London. Watching Mad Men (acrylic on board) reflects the humour and ambiguity from which her paintings are renowned. To see more of Anita’s work, visit her website anitaklein.com

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Live Lot 6 Nick Park CBE (British, b.1958) Wallace and Gromit, 2015 Watercolour and ink Signed by the artist bottom right 300 x 405mm Provenance: Donated by the Artist to The Prince’s Trust Evening of Art £2,000 - £3,000 A Prince’s Trust Ambassador of over 15 years, Nick Park is one of Britain’s most acclaimed animators and filmmakers. He’s got the Academy Awards to prove it! Four of them in all: three in the category of Best Animated Short Film (Creature Comforts, The Wrong Trousers and A Close Shave) and one more recently in the category of Best Animated Feature Film for The Curse Of The Were-Rabbit. All four films were created and produced at Aardman, where Nick is co-director with founders Peter Lord and David Sproxton. Nick was heavily involved with the extremely popular Shaun in the City trail (2015), both in London and Bristol which raised money for The Bristol Children’s Hospital. Wallace and Gromit - This unique watercolor and ink was painted especially for The Princes Trust Evening of Art. For more about Nick and his work at Aardman, visit aardman.com

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Index of Artists ARTIST

ARTIST

PAGE

J Jansz, Keith - Lilies & Sculpture - Still Life in the Studio 32

B Ballantyne - Styles, Amber - Lauren – Morning Glory 29 Beale, Catherine - On the Moors 44 Beanland, Frank - Number 16 31 Blake, Annemarie - The Green Brownie Saturday Evening, Glastonbury Festival 28 Blake CBE RDI, Sir Peter - I Love You 58 Blake CBE FCSD RDI, Sir Quentin - The Underwater Family Outing 57 Boon, Debbie - The General 53 Brown NEAC, Peter - Late Summer Afternoon Cheap Street 59 Browne, Rory - Being There; Bluebell Wood and Silver Birches 35 C Camp, Ibiye – Twigs and Twists

D Demsteader, Mark - Bethany Derges, Susan - Bridge Dolan, Nina - Never Ending Donker, Kimathi - Notebook IV Dowdeswell, Thomas - The Anti-Sex League

37 48 49 51 18

F Floyd, Madeleine - Highgrove Christmas Tree 14

H Hawkins, Bonnie-Helen - Tiberius The Tiger Hooper, Roger - Cheetah Cub, Masai Mara, Kenya Houlding, Bev - Silver Ball Howard OBE RA, Ken - Mousehole Harbour, Morning Light

54 21 61

L Lord CBE, Peter - Morph’s Self Portrait

Cudworth, Nick - Blue Steel Grey Dawn

G Gilbert, Pete - Sunset over Kingston Great Common - New Forest Govier, Eloise - Blossom in May Gray, Robin - Biosearch

K Kelly, Jason - 8 of Hearts Kenny, Simon - The New Dawn Klein, Anita - Watching Mad Men

M Macara NEAC RBA, Andrew - Snow Covered Trees, La Clusaz, France 10 Mair, Becky - Impulse 27 Muir, Sally - The Cone 40

Clifton- Bligh, Olivia - Goldfinch and Lavender 16

E Elphick, Martin - Dancers

PAGE

41 24 34

39 38 26 60

N Nash RWA, Lawrence - Ref 1209 Neville, Richard - Evening Light in Girona

42 13

O Ovenden, Annie - Lanhydrock Park in Winter

P Park CBE, Nick – Wallace and Gromit

R Read, Celia - The First Elegy and The Third Elegy Richards, Mike - Captain Teapot 1 - The Crescent Robinson, Paul - The Proposal Rose, Emma - Rough Seas Rothwell, Sonya - Luminous Moon Ryan, Rob - Why Are You So Naughty? Rymer, Natalie - Winter Falls

45 46 23 25 20 17 47

T Takahashi, Lisa - The Chain Gang Taylor, Jo - Confluence ii Telling, Lindsay - Fishy Dishes Timothy, Erica - Quaver

19 43 52 30

W West, Paul - Coquet Island, Warkworth, Northumberland Wraith, Robbie - Portrait Studies

22 15

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Proud to support The Princeâ&#x20AC;&#x2122;s Trust Evening of Art

Designers of auction catalogues, fine art books and brochures 020 7424 7830 info@jammdesign.co.uk www.jammdesign.co.uk

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Conditions of Sale for the Evening of Art Auction on Thursday 8th October 2015 (the “Sale”)

The items offered in this Sale and listed in this catalogue (the “Property”) will be sold by Prince’s Trust Trading Limited, a company registered in England and Wales under number 3161821. Prince’s Trust Trading Limited is a company which has covenanted to pay its net profits each year to The Prince’s Trust, a charity registered with the Charity Commission under number 1079675. These terms constitute the contract for sale (the “Contract for Sale”) of any lot by Prince’s Trust Trading Limited (the “Seller”) to the Purchaser (as defined below) at the Sale. Any questions in relation to the auction should be directed to the Seller and not to the auctioneer, who serves merely as auctioneer for the Seller in conducting the sale. The Sale is subject to the following terms and conditions which govern the sale of all the Property offered (as amended by any posted notices or oral announcements during the auction) (the “Conditions of Sale”): 1. The Seller assumes no risk, liability or responsibility for the authenticity or the authorship of any of the Property (that is, the identity of the creator or the period, culture, source or origin, as the case may be, with which the creation of any property is identified herein); The Property is sold with all faults and imperfections and errors of description; The Seller does not make or give and does not agree to make or give any representation of fact, undertaking, obligation, guarantee, contractual promise or warranty or undertake any duty of care of any kind or nature, expressed or implied, in relation to any description (which shall include inter alia physical condition, size, quality, rarity, importance, genuineness, attribution, authenticity or provenance) of any of the Property or any estimate in relation to it, nor in relation to satisfactory quality of the Property or its fitness for purpose. No statement made in the auction catalogue, at any time before, during or after the Sale, in any Sale invoice or elsewhere, will be deemed to be such a representation of fact, undertaking, obligation, guarantee, contractual promise or warranty. 2. Any of the Property may be withdrawn by the Seller at any time before the Sale. 3. Unless otherwise announced by the auctioneer at the time of the Sale, all bids are per lot as numbered in the catalogue. 4. The Seller reserves the right to reject a bid from any bidder. Property may be offered subject to a reserve price. In the event of any dispute between bidders, the auctioneer will have sole and final discretion either to determine the successful bidder or to reoffer and resell the lot in dispute. If any dispute arises after the Sale, the Sale records of the Seller will be conclusive in all respects. 5. If the auctioneer determines that any opening bid is not commensurate with the value of the Property, he may reject the same and withdraw the Property from Sale, and if, having acknowledged an opening bid, he decides that any advance thereafter is insufficient, he may reject the advance. 6. The sale of any lot is complete and the Contract for Sale is made at either the fall of the auctioneer’s hammer in the case of the live auction, or at the announced closing time of the silent auction. Thereupon, the highest bidder acknowledged by the auctioneer for any lot is the purchaser (the “Purchaser”) of that lot (the “Lot”) and is contractually bound to: assume the risk and responsibility of the Lot; sign a confirmation of purchase thereof; and pay the full amount of his highest bid for the Lot (the “Purchase Price”). 7. Title to the Lot remains in and is retained by the Seller until the Purchase Price and all other sums payable by the Purchaser to the Seller have been paid in full, and received in cleared funds by the Seller. The Seller is entitled to withhold possession of the Lot from the Purchaser until this time. The Seller is only required to hold the Lot for 90 days from the date of the Sale, after which, if the Purchaser has not collected or arranged for collection of the Lot, the Seller may, at its sole discretion, send the Lot to external storage for the account and at the risk and expense of the Purchaser. Any charges associated with the transport and storage of the Lot are to be borne by the Purchaser and will be added to the Purchase Price.

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8. Risk in the Lot passes to the Purchaser at the fall of the auctioneer’s hammer in respect of the Lot. The Seller will thereafter not be responsible for the Lot and the Purchaser will indemnify the Seller and keep the Seller fully indemnified from and against all claims, proceedings, costs, expenses and losses arising in respect of any injury, loss and damage caused to the Lot after the fall of the auctioneer’s hammer until the Purchaser obtains full title to it. 9. All lots must be claimed within 12 months of the Sale, unless otherwise noted. 10. If the foregoing conditions and other applicable conditions are not complied with, without prejudice to any other remedies available to the Seller by law, which for the avoidance of doubt includes the right to take legal proceedings against the Purchaser for any sum due under the Contract for Sale and/or damages for breach of contract, the Seller, at its sole discretion, is entitled to exercise one or more of the following rights: to terminate the Contract for Sale immediately for breach of contract; to retain possession of the Lot; to be paid interest on any monies due at the rate of 5% per annum above the base rate of National Westminster Bank Plc to be calculated on a daily basis; to retain as liquidated damages all payments made by the Purchaser; to resell the Lot by auction, private treaty or any other means to any third party, on three days’ written notice of intention to sell to the Purchaser, following which the Purchaser will be liable to Seller for payment of any shortfall between the Purchase Price and the sum of the price achieved upon resale all other charges due hereunder and any incidental damages. The Seller is under no obligation to achieve an optimum or fair market value for the Lot upon resale. 11. The Purchaser will indemnify the Seller against all legal and other costs of enforcement, all losses and other expenses and costs incurred by the Seller (whether or not court proceedings will have been issued) as a result of the Seller taking any of the steps under clause 10. 12. Payments for purchases must be made in pound sterling (unless otherwise noted) and in any one of the following forms: cash, cheque (backed by cheque guarantee card) or major credit cards. 13. In no circumstances will the Purchaser be able to rescind the Contract of Sale. 14. Subject to paragraph 16, in no circumstances will the Seller be required to refund any amount paid in respect of any lot to the Purchaser. 15. The Purchaser will be wholly responsible for any removal, storage, shipping, delivery costs, other charges and expenses incurred by the Seller in connection with the Lot and for complying with all import or export regulations in connection with the Lot. 16. If the Seller is prevented from performing its obligations under the Contract for Sale by circumstances beyond its control or if performance of its obligations would by reason of such circumstances give rise to a significantly increased financial cost to it, the Seller will not, for as long as such circumstances prevail, be required to perform such obligations. In such circumstances, the Seller will not be deemed to be in breach of the Contract of Sale, or be liable for failure to fulfill any of its duties thereunder and will only be liable to refund the Purchaser such sum that is equal to the Bid Amount (where this has been fully paid by the Purchaser) less any costs incurred by the Seller in connection with the Lot. 17. References in these Conditions of Sale to the singular will include references to the plural (and vice-versa) and reference to any one gender will include reference to other genders. 18. These Conditions of Sale, as well as the Purchaser’s and the Seller’s, respective rights and obligations hereunder, will be governed by and construed and enforced in accordance with the laws of England and Wales. 19. By bidding at the Sale, whether present in person or by agent, commission bid, telephone or other means, the bidder will be deemed to have agreed to these Conditions of Sale and to have consented to the exclusive jurisdiction of Courts of England and Wales. These Conditions of Sale and the documents referred to herein constitute the entire agreement between each bidder at the Sale and the Seller.

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With thanks…

The Prince's Trust would like to thank the following people and organisations who have generously donated their time and effort to help make tonight a very special evening.

First and foremost our headline sponsors Coutts & Co and Withy King. Along with our other sponsors and supporters Reside Bath, Pritchards and The Roper Family Trust.

Our incredible committee who have dedicated so much time and passion to this event over the last 18 months – to Jenny Bower, Alison Woodhead, Morag Scott-Farrar, Suzanne McCarraher and Richard Neville.

Danielle Clarke for her support in securing donations of artwork; Emma Sykes of Bonhams Bath for her valuation and art expertise; and Paul Martin for conducting our Live Auction. To our headline act and drinks reception musicians ‘Colin McCarraher's Quintet’, thank you for sharing your talents. Jacki Connell and all at Jamm Design for kindly designing our auction catalogue at no cost to The Trust, Cambrian Printers in Aberystwyth for their contribution to the auction catalogue and Minuteman Press Bath for the invitations. Matthew Clark for donating the champagne and wine for the evening; Searcys and The Assembly Rooms for all their support. We would also like to thank all those supporters who have offered their help and assistance since this catalogue went to print, as well as all of this evening’s guests and volunteers. Finally, our sincere thanks go to the talented artists who have made this event possible.

Prince’s Trust Trading Ltd is a Registered Company No: 3161821. All net proceeds from this event will be donated to The Prince's Trust, a registered charity, incorporated by Royal Charter, in England and Wales (1079675) and Scotland (SC041198).

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