Peter Wilson Fine Art Auctioneers by Jamm Design Ltd

Peter Wilson FINE ART AUC TIONEERS â&#x20AC;¢ EST 1955

THURSDAY 14 FEBRUARY 2019

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Peter Wilson FINE ART AUC TIONEERS • EST 1955 thursday 14 February 2019 at 11.00am

on View: Sunday 10 February Monday 11 February Tuesday 12 February Wednesday 13 February Morning of auction

2.00pm 10.00am 10.00am 10.00am 9.00am

4.00pm 5.00pm 5.00pm 4.00pm 11.00am

Catalogues £10 from the saleroom, £12 by post Buyer’s Premium is 22% plus VAT (26.4% inclusive of VAT)

Please note: We cannot provide condition reports on the morning of the auction. Colours in photography may vary from actual items. All measurements are approximate. For full condition reports and extra images please visit our website:

www.peterwilson.co.uk

Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk www.peterwilson.co.uk Registered in England | Registration No. OC359701

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Peter Wilson FINE ART AUC TIONEERS â&#x20AC;˘ EST 1955

robert stones Managing Director robstones@peterwilson.co.uk

nick allsoPP Saleroom Manager nick@peterwilson.co.uk

chris large Ceramics & Glass, Firearms, Weapons, Musical Instruments, Tribal Art chris@peterwilson.co.uk

stePhen sParrow Pictures, Maps, Coins & Medals stephen@peterwilson.co.uk

mimi thomPson Wine & Spirits Clocks & Works of Art mimi@peterwilson.co.uk

helena waudby Silver, Jewellery & Watches helena@peterwilson.co.uk

daVid byrne Silver, Jewellery & Watches Consultant auctions@peterwilson.co.uk

alan shaw Stamps & Cigarette Cards auctions@peterwilson.co.uk

Jayne tatler Accounts jayne@peterwilson.co.uk

sharon sParrow Administrator auctions@peterwilson.co.uk

adrian smith Interiors Sale Team adrian@peterwilson.co.uk

Cover illustrations: Front & back: lot 190 Inside Front: lot 84 Inside Back: lot 160 2

Paul JerVis Interiors Sale Team paul@peterwilson.co.uk

romana bloor Receptionist marnie@peterwilson.co.uk

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indeX

Collectors Items Metalware Weapons, Medals & Militaria

1-7 8 - 13 14 - 20

Glass

21 - 25

Ceramics

26 - 99

Asian Art

100 - 105

Silver & Silver Plate

106 - 120

Jewellery

121 - 165

Watches

166 - 178

Prints & Engravings (Modern/Contemporary)

179 - 194

Prints & Engravings (18th/19th Century)

195 - 196

Oil Paintings (Modern/Contemporary)

197 - 271

Watercolours, Pastels & Inks (Modern/Contemporary)

272 - 297

Oil Paintings (18th/19th Century)

298 - 303

Watercolours, Pastels & Inks (18th/19th Century)

304 - 313

Bronzes & Sculpture

314 - 336

Clocks & Barometers

337 - 342

Furniture

343 - 387

Rugs, Carpets & Tapestries

388

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collectors items

3 3 A pair of oak carved black forest hanging grouse. With wall hooks. 34 x 18.5cm. £100 - £150

1 1 A Reuge Music Voliere de la Cour, Singing Birds in birdcage. The antique style cage with two automaton singing birds on gullioche base. The movement is comprised of 250 individual parts, assembled by hand in Sainte-Croix Switzerland. 30 x 16cm. £200 - £300

2 2 Eighteen medals from Dog Shows including Crufts, entered by The Great Dane Club. Won at Crufts, Derby, Birmingham and others. Mounted on board, framed and glazed (38 x 30cm). £200 - £300

4 4 A 19th century tortoiseshell veneered tea caddy. With caddy top and concave edges, on ivory feet with ivory edging around the base and in the interior. The interior has two divisions. 17 x 19cm. £300 - £350

5 A Thornbriar Bulldog Club medal shield, hung with various medals including a 1907 British Bulldog Club medal. Plus sixteen other medals including those awarded by the South of England Bulldog Society, London Bulldog Society among others. 26 x 20cm (shield measurements). £100 - £200

6 6 An Arts & Crafts movement copper and brass dinner gong. With hammered copper and etch marks to the brass gong, with stylized ﬂowers on the pediment. 31 x 36cm. £70 - £100

7 7 19th century continental resin plate, depicting an armoured knight being attacked by dogs in the foreground of a fortress. Possibly German. 16.5cm diameter. £70 - £100 5

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

metalware

8 8 Six matched graduated tappit hens, with slight variations in body but all with long neck, bulb ‘belly’, heartshaped lids and acorn thumb-pieces. The largest measure has crown insignia to it’s front, all six have various unidentiﬁed touchmarks. Largest stands at 40 x 14cm. £150 - £200

11 9 A brass L’Autovox (10-12) French horn. An early triple-coil motor horn, patent number 15867/08. The circular trumpet has protective mesh grille to front. With mounting bracket. Suitable for a pre-1915 Brass Era motor car. 32cm length. £200 - £300

10 A 20th century oxidized copper vase, with white metal overlay depicting scenes of Egyptian mythology. 41 x 16.5cm. £80 - £120 11 Pewter collection, comprising; four lobed side plates, ﬁve tappit hens, two tankards, a measure jug and six spoons. Mixed British and continental touch marks. £60 - £80 12 Eighteen 18th and 19th century pewter side-plates, with various unidentiﬁed touchmarks, including London touchmarks. Largest plate 25cm diameter, smallest 20cm diameter. £100 - £150

13 Five pewter chargers of varying sizes and touchmarks. These include Harris, London touchmark amongst others. Largest measures 38cm diameter, smallest 27cm diameter. £70 - £120

13 5

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weaPons, medals & militaria

14 14 Sixteenth Lancers chapska helmet or lance cap, with elaborate front plate, below reeding and yellow and red bands and matching pompom, black horse hair plume, 36cm high £300 - £400

17 17 Williams and Powell 10 bore percussion double barrel sporting gun, Damascus barrels bearing Liverpool address, the engraved metalwork but with plain lock plates, chequered figured stock, with a leather case bearing facsimile label, including cleaning rod, oil bottle, shot flask and powder flask named Hawksley Sheffield, barrel length 78cm, overall length 120cm length of case 84cm £400 - £600

18 18 Westley Richards .450 Monkey Tail breech loading percussion carbine, serial number 7103, with chequered pistol grip stock, Whitworth riﬂed barrel, the lock dated 1873, Esquetcheon named J. Emmett, length of barrel 60cm, with reproduction case ﬁtted out with accessories, the case measures 111cm long. £500 - £800

15 15 The Northampton Regiment Home Service helmet, retailed by F.W. Flight Winchester together with silk bag and tin case named R. De. Burghi -Hodge Esq. The tin measures 35cm high £300 - £500

16 16 Flintlock blunderbuss, the brass cannon barrel named I. Rea Minories London, the lock plate named Gafton 176?, with brass furniture and hand rail stock, 38cm barrel length, 76cm overall length. £500 - £800

19 19 Wallis of Hull 6 bore percussion sporting gun, with Spanish form barrel engraved with Myton Gate address, ﬁnely engraved lock depicting a spaniel chasing a mallard, ﬁgured chequered stock, 98cm barrel, 142cm overall length. £600 - £800

20 20 J. Aston Hythe percussion P53 pattern .577 riﬂe, with chequered stock and iron furniture throughout, three groove riﬂing, barrel length 91cm £500 - £700

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

glass

21 21 Masonic glass beaker, engraved with dividers surrounding the letter ‘G’ sun and moon and twin pillars, the reverse with scrolled ‘G.J.’ monogram, late 18th / early 19th century, 13cm high £100 - £200

ceramics

23 23 Baccarat Sirius Crystal Ball on nickel plated stand, both pieces marked with the Baccarat logo (2) 12cm high £80 - £120

24 24 Lalique owl, together two scent bottles one with opalescent stopper, etched marks to bases, the tallest bottle measures 16cm high £150 - £250

22 22 Set of three Victorian decanters, engraved with leaves and berries below coloured twisted cane rims, (6) 36cm high £100 - £150 25 25 Lalique ﬁgure of a nude lady, on circular base bearing etched mark, 13.5cm high £150 - £250

26 26 Pearlware spill vase circa 1800, modelled as shepherd and shepherdess sat at the base of a tree stump, 27cm high £100 - £150

27 27 Pearlware Admiral Rodney bowl circa 1782, the interior painted ‘Success to Adml Rodney’ the exterior painted with Chinoiserie landscape in underglaze blue, 25cm diameter £100 - £200

28 28 Creamware jug circa 1800, printed with ‘Jack Spritsail’ Frolic, the reverse with a tall ship, also a bowl printed with ‘Poor Jack’ 22.5cm high £80 - £100

For condition reports please go to www.peterwilson.co.uk

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29 29 Chaﬀers Liverpool mug circa 1762, printed in black transfer with Sadler print ‘Triple Plea’ 17cm high

32 32 Rare Lowestoft plate circa 1770, painted with a holed rock, fence and ﬂowering plants, 23cm diameter £600 - £800

35 35 Lowestoft low Chelsea Ewer circa 1775, painted in polychrome enamels by the Tulip painter under blue green border, 9.5cm long £300 - £400

Provenance: The Norman Stretton Collection Lot 140 in Phillip’s Auctioneers sale 21st February 2001. £500 - £800

30 30 Lowestoft creamboat circa 1775 painted with a version of Two Porter landscape pattern, 11cm long £70 - £100

31 31 Lowestoft rare early teabowl circa 1768, painted with the Boy on a tightrope pattern, 7.2cm diameter £250 - £300

33 33 Lowestoft moulded sauceboat circa 1775, printed with ﬂowers under a painted border, crescent mark to base, 17cm long £250 - £300

34 34 Lowestoft coﬀee cup circa 1770, painted with a multi holed root and ﬂowering plants, 6cm high £100 - £150

36 36 Worcester scratch cross type punch pot circa 1754, painted with Zig-Zag Fence pattern in underglaze blue, workman’s mark to base, 15.5cm high £100 - £200

37 37 Staﬀordshire Lord Nelson commemorative jug, sprig moulded with a tall ship below the spout, the side with Nelson and Neptune riding on shells being pulled by sea horses, early 19 th century, 17.5cm high £80 - £120

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

39 40 Pair of Painted plaster Art Nouveau ewers, moulded as gourds with leafwork spouts and handles, each with a maiden standing to one side, applied later oak bases, late 19th / early 20th century, (2) 53cm high £100 - £150

38 38 Staﬀordshire bust of Reverend John Wesley, modelled on marbled plinth, mid 19 th century, 30cm high £100 - £200 39 Bathwell and Goodfellow blue transfer ware, printed with Rural Scenery patterns, to include two tureens, a tureen base and two stands, two meat plates, strainer, egg cup stand, and a plate and a circular footed stand, ﬁrst half of the 19 th century, impressed and printed marks. (13) £100 - £150

41 41 Bathwell and Goodfellow blue transfer foot bath, printed with Italian landscape patterns, ﬁrst half of the 19th century, 28cm high £150 - £200 42 Black basalt Nelson commemorative teapot circa 1805, with hinged cover, moulded with a portrait of the Admiral, the reverse with Britannia, also a treacle glazed Chinoiserie jug printed with a portrait of Nelson and a blue and white plate commemorating Nelson’s four victories prior to Trafalgar printed with Neptune, (3) The teapot stands 18cm high £100 - £200

43 Bathwell and Goodfellow blue transfer tureen and cover with similar stand, printed with Rural Scenery patterns, ﬁrst half of the 19th century, impressed and printed marks. (13) 28cm high £180 - £240

44 44 Pair of Robinson and Leadbeater coloured Parian ﬁgures, modelled as musicians with cello and tambourine, impressed marks, late 19th century, (2) 41cm high £80 - £120

45 45 Minton Kensington Gore Art pottery jardinière, the glazed terracotta body painted with ﬂower studies, date code for 1871, 22cm high £150 - £200 For condition reports please go to www.peterwilson.co.uk

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46 46 Burmantofts vase circa 1890, with moulded and pierce body, decorated with overall turquoise glaze, impressed marks incised AT and 547 to base, 17cm high £80 - £120 47 Flight Barr and Barr twin handled ice pail circa 1820 with cover and interior liner, painted with ﬂoral sprays within gilt and blue borders, (3) 32cm high £1,400 - £1,800

50 Continental porcelain dog head oil lamp base, ﬁtted with glass eyes, late 19th century, 23cm high £100 - £150

48 48 Four hand painted continental porcelain pipes, one by Berlin marked in under glaze blue with sceptre, three painted with ﬁgures, one with a view of Heidelberg, together with a collection of other continental porcelain pipes with printed and painted scenes, mid 19th century to early 20th century, (12) the largest measures 39.5cm high £100 - £150

49 49 Berlin K.P.M teapot, of bullet shape, painted with birds in branches within cartouches on blue and gilt ground, printed marks to bases, mid 19th century, (2) 21cm high £80 - £120

51 51 Five French porcelain boxes, two containing scent bottles, also to enamelled glass boxes, the largest box measures 7.5cm diameter £50 - £100

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

53 Wilhelm Schiller and Son pottery Mastiﬀ dog’s head tobacco jar, late 19th century, impressed marks to base, 15cm high £80 - £120 54 Life size Continental pottery model of a Great Dane, modelled sat on rectangular base, 106.5cm high £300 - £500 57 57 Pair of German stoneware vases by Simon Peter Getz Westwald circa 1890, with moulded bodies decorated in blue and manganese on a grey ground, (2) 29cm high £50 - £100

52 52 Continental porcelain dog head oil lamp base, ﬁtted with glass eyes, late 19th century, 23.5cm high £100 - £150

55 55 Pair of Fischer vases, decorated with densely scrolling ﬂoral patterns, impressed and printed marks to bases, late 19th century, (2) 33cm high £100 - £150 53

56 56 Pottery wall plaque hand painted with a Mastiﬀ dog,with scroll moulded border, monogrammed AL, late 19th century, 33cm high £80 - £120

58 58 Robert Picault planter, with twin handles supported on three feet, also a watering can shape ewer, RP monograms to bases, the ewer stands 25cm high £80 - £120

59 59 Villeroy and Boch orivit pewter beer jug circa 1900, decorated with hops, the pewter mount stamped 2541, 33cm high £150 - £250

54 For condition reports please go to www.peterwilson.co.uk

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60 60 Aynsley vase signed J. Shaw, painted with Pheasants within green and gilt grounds, with wood plinth, (3) the vase stands 26cm high excluding wood base. £80 - £120

63 63 Two Clarice Cliﬀ vases, decorated with Berries pattern on a Cafe Au Lait ground, 21cm high £300 - £500

61 Two Clarice Cliﬀ Stamford shape jugs, decorated with Applique Crinoline Lady pattern, (2) 6.5cm high £150 - £250

62 62 Two Clarice Cliﬀ sugar shakers, painted with Crocus and Nasturtium patterns, (2) 13.5cm high £100 - £200 12

64 64 Large Coalport lidded vase circa 1900, ﬁnely painted with landscapes on a crimson ground heightened with jewelling, printed marks, to base, (2) 33cm high £450 - £550

65 65 Della Robbia vase, painted with leaves and ﬂowers by Violet Woodhouse, ﬁtted with silver plated mount, painted marks to base and ‘V’ artist’s monogram, 21cm high £300 - £500

66 66 Della Robbia twin handled vase, painted with a ﬂeur-de-lis, incised marks and 999 to base, 30cm high £400 - £600

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

71 Minton Secessionist vase, tube lined with ﬂowers on a blue ground, incised 3707 to base, 32cm £100 - £150

67 67 Della Robbia bottle, incised by Annie Beaumont and painted by Annie Smith with leaves and masks, incised and painted marks to base, 19cm high £250 - £350

70 70 Doulton Burslem Luscian ware vase signed Leslie Johnson, painted with a portrait of a lady titled ‘After the Dance’ 20cm high £100 - £200

68 Twelve Royal Crown Derby plates, decorated with imari pattern 1128, (12) 27cm diameter £200 - £300

69 69 Royal Crown Derby octagonal bowl, decorated with imari pattern 1128, with card presentation box, 24cm wide £200 - £300

72 72 Moorcroft wisteria pattern vase, decorated on a cream coloured back ground with green borders, 22cm high £400 - £600

71 For condition reports please go to www.peterwilson.co.uk

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73 73 Moorcroft ﬂambé vase, decorated with leaves and berries pattern, impressed marks to base, 7.5cm high £150 - £250

76 76 Moorcroft vase, decorated with black tulips after Sally Tuﬃn, with box, 20cm high £80 - £120

79 79 Moorcroft ﬂambé vase, decorated with Clematis pattern, impressed and painted marks to base, 20.5cm high £400 - £600

74 74 Moorcroft ﬂambé vase, decorated with clematis pattern, impressed marks to base, 12cm high £200 - £300 75 Three small Moorcroft vases, decorated with Leaf and Berry pattern, Hibiscus and Clematis patterns, impressed marks to base, (3) the tallest measures 9.5cm high £120 - £180

75 14

77 77 Moorcroft ﬂambé vase, decorated with leaves and berries pattern, impressed William Moorcroft and painted signature to base, 16cm high £300 - £500 78 Moorcroft vase and a bowl, decorated with Hibiscus and Clematis patterns, impressed marks to base, paper label to the bowl, 12.5cm high £100 - £150

80 80 Moorcroft vase, decorated with pomegranate pattern, impressed William Moorcroft signature and painted marks to base, 15.5cm high £150 - £250

78 For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

81 81 Moorcroft ﬂambé vase, decorated with Hibiscus pattern, paper label to base, 9cm high £100 - £150

82 82 Pair of Moorcroft vase lamp bases, decorated with Clematis pattern, 27cm high £100 - £200 83 Moorcroft boxed tea for two set, decorated with buttercup pattern after Sally Tuffin, to include teapot and cover, sugar bowl, jug, and two cups and saucers, (8) the box measures 43cm x 30cm £80 - £120 84 ‘The Alchemist’ flambé plaque by Royal Doulton Art Director Charles Noke, depicting a robed figure with cross around his neck standing before a window in a dark interior studying a bottle vase, in the foreground more vases stand, one with smoke rising from within, moulded signature lower right, with original frame, the plaque measures 29cm x 16cm £1,500 - £2,500

For condition reports please go to www.peterwilson.co.uk

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85 85 Doulton Burslem Willow pattern jardinière, 38cm diameter £80 - £120 86 No lot 89 89 ARR Peter Hayes (1946-),“Couple”, a ceramic sculpture of two ﬁgures, mounted on a slate base, incised signature on slate base “Peter Hayes”, overall height 20.5cm, 8in. 87 87 Sevres Paul Milet bowl signed E. Granger, decorated in an Art Nouveau style with raised paste enamelled ﬂowers on a gold foil ground, printed mark to base, early 20th century, 23.5cm diameter £50 - £100

£80 - £120 90 Wedgwood lidded Jasperware campana vase and a Dancing Hours bowl, decorated with ﬁgures on a solid green Jasper ground, (3) the vase stands 30cm high £100 - £200

92 92 Royal Worcester vase signed Roberts, painted with fallen fruit, black printed mark and shape 2491 to base, 8cm high £120 - £180

91 Royal Worcester vase signed by George Johnson, painted with ﬂamingoes within misty landscapes, puce printed marks, shape 2778, and 1920 date code to base, 17cm high £300 - £500

88 88 ARR James Hake (1979-), a small stoneware bottle covered in nuka ash and tenmoku glaze, impressed JH marks, height 18.5cm, 7.25in. £50 - £100 90

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

93 93 Royal Worcester vase signed by Harry Davies, painted with sheep in a landscape, black printed mark, shape G957, and 1954 date code to base, 8.5cm high £600 - £800

94 94 Royal Worcester lidded vase signed H. Ayrton, painted with fallen fruit within moulded gilt borders, pierced cover, black printed mark to base, shape 2048, with a blush ivory interior cover, (3) 34cm high £1,800 - £2,200

95 95 Royal Worcester vase signed by Walter Sedgley, painted with a lady sat within an Italianate landscape, puce printed marks, 1926 date code and F126 shape number to base, 13cm high £500 - £800

96 96 Royal Worcester spill vase signed by Edward Townsend, painted with fallen fruit, puce printed 1928 date code and G923 shape number to base, 15.5cm high £200 - £300

For condition reports please go to www.peterwilson.co.uk

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97 97 Royal Worcester pot-pourri vase and cover signed Charles Baldwyn, painted with swans in ﬂight on a turquoise ground, with raised paste gilt reeds, the cover with pierced holes corresponding to internal holes on the rim, printed marks and 1915 date code to base, (2) 11cm high £850 - £1,000

99 99 Pair of Royal Worcester vases by Harry Stinton, with pierced necks and raised on scrolling feet, painted with highland cattle, green printed G42 shape numbers, and 1908 date codes to bases, (2) 15cm high £1,000 - £1,500

asian art

100 100 A Victorian papier-mâché chinoiserie tray. A gilt pagoda with ﬂoral motifs on scarlet background. 71 x 54cm. £80 - £120

98 98 Royal Worcester twin handled vase, painted with landscapes probably by Harry Davies, within gilt cartouches on navy blue grounds, blue printed mark, 1959 shape number and date code for circa 1894, 14.5cm high £180 - £220

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

102

101 101 Chinese Cong Shape vase, with ring handles supported by elephant masks, painted with ‘Dowager Empress Pattern’, Guangxu period (1875-1908) seal mark to base, 29.5cm high £250 - £350 102 Chinese export porcelain, to include a globular teapot, Qianlong-Jiaqing period, diameter 11cm; also two milk jugs, two plates, oval dish, three cups and a tea bowl, some with European gilding. £80 - £120

104

105

103 103 Two Chinese silk cloths, one of patchwork construction on gold grounds, the other decorated with dragons, Qing Dynasty, the blue ground cloth measures, 120cm x 160cm, the gold ground cloth measures 111cm x 196cm £200 - £300

104 Chinese Imari charger, painted with ﬂowers and a garden fence in an imari pallette, late 18th / early 19th century, together with two Japanese chargers Meiji period imari chargers, (3) the largest measures 35.5cm £80 - £120

105 Japanese bowl and a pair vases, ﬁnely painted with elaborate Imari patterns, Meiji period (1868-1912) (3) the bowl measures 25cm diameter £100 - £150

For condition reports please go to www.peterwilson.co.uk

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silVer & silVer Plate

106 106 Russian silver and niello snuﬀ box, Russian ‘84’ standard mark, Moscow, outer case with belt and buckle design, niello chequerboard patterning and central cartouche, 90mm x 52mm, gross weight approx. 2.45ozt. £70 - £100

109

109 Four piece silver teaset, comprising teapot, coﬀee pot, milk jug and sugar bowl, each piece of compressed oval form with half reeded decoration on collet foot, marks for John Round, Sheﬀeild, 1911, gross weight of set approx. 57.1ozt. £300 - £500

110 Victorian silver whistle, in a silver reeded case brooch, tapered cylindrical form, loop and pin fastening to reverse, length approx. 6cm, gross weight 35.8g, marks for Joseph Jennens & Co, Birmingham, 1845. £110 - £150

110 107 107 A silver dish on three scroll feet with pierced decoration, marks for William Atkin, Birmingham, 1907, 25cm diameter, gross weight 12.63ozt. £150 - £250

108 Pair of large silver plated candelabras, Corinthian columns with square stepped bases, four reeded branches to each, acanthus leaf and beaded decoration to each sconce, marks to base ‘AW EP’, height of each approx. 69.7cm. £200 - £300

108

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

111

111 American sterling silver dish by Towle, embossed ﬂoral decoration to outer rim, marks to base ‘Louis XIV by Towle’ and ‘Sterling 6617’, width approx. 35.5cm, gross weight approx. 23.4ozt. £200 - £300 112 Crocodile skin leather cased silver travelling set, 15 pieces of silver and glass dressing table items, together with silver handled manicure set complete with original notepad and pencil, the case printed with initials ‘E.M.R’., 43cm x 33cm £400 - £500

113

112

113 American sterling silver handled vase by Wallace, vase of compressed trumpet form with applied and pierced decoration on circular spreading foot, waved basket handle, marks to weighted base ‘STERLING 30473’ and ‘WALLACE’, height approx. 49.8cm, gross weight approx. 16.25ozt. £100 - £200

114

114 American sterling silver bowl by Towle, round body with embossed ﬂoral decoration to inside bowl and rim, marks to base ‘Louis XIV by Towle’ and ‘Sterling 52023’, width approx. 25.3cm, gross weight approx. 11.54ozt. £100 - £200 115 American silver bowl by Spaulding, round ﬂuted body on pedestal foot, ‘D’ monogram to front, marks to base ‘Spaulding & Co, Sterling, 2670’ and ‘Dublin 1720 reproduction’, width approx. 20.3cm, gross weight approx. 12.63ozt. £100 - £150

115 21

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116

117 116 American sterling silver basket by Towle, engraved and embossed ﬂoral decoration to bowl and handle, width approx. 25cm. height approx. 15cm, together with a matching bowl, width approx. 15.1cm, both stamped to base 'Louis XIV patented dec. 23. 1919.', gross weight of pair approx. 14.87ozt. £100 - £200 117 Stuart Devlin Surprise silver-gilt egg, hollow textured gilt egg measuring approx. 7cm high, stamped ‘68’ to base, marks for London, 1984, interior containing detachable silver-gilt and enamel ﬁgure of three blind mice, complete on red leather display stand with plaque to front reading ‘Works of Art by Stuart Devlin, Exclusive to Boodles’, measuring approx. 6cm x 10cm x 12.5cm. £180 - £240 118 A silver dish with scrolling border and handle, pierced decoration on pedestal foot, marks for Henry Wigfull, 1912, gross weight 23ozt £250 - £350

119 22

118 119 Georgian silver milk jug, compressed oval body with embossed ﬂoral decoration on 4 ball feet, makers mark ‘ID’, London, 1808, weight approx. 3.93ozt, together with an Elkington & Co Victorian silver cup, tapered oval body with embossed ﬂoral decoration on pedestal foot, marks for Elkington & Co, London 1872. £120 - £220

120 Stuart Devlin silver gilt surprise Easter egg, hollow textured gilt egg measuring approx. 6.5cm high, stamped ‘50’ to base, marks for London, 1978, interior containing silver gilt and enamel scene of a donkey, and mouse surrounded by cacti, complete in ﬁtted black leather box. £300 - £500

120 For condition reports please go to www.peterwilson.co.uk

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Jewellery

122

121

121 Sapphire and diamond two-row 18ct white gold line bracelet, comprising 15 oval mixed cut blue sapphires, total weight of sapphires 7.5 carats, and 90 round brilliant cut diamonds, total diamond weight approx. 5.00 carats, tongue and box snap clasp, gross weight approx. 31.9g. £3,200 - £3,800

122 18ct white gold ruby set line bracelet, 25 oval mixed cut rubies each measuring approx. 6mm x 4mm, total weight of rubies approx. 19.00 carats, each ruby 4-claw set to plain polished 18ct white gold bracelet, tongue and box snap clasp with safety loops, total length approx. 17cm, gross weight approx. 21g, complete with GIA report. £2,200 - £2,600

124 18ct continental gold cuﬀ bracelet, zig-zag polished and hobnail pattern alternating links, tongue box snap clasp, width approx. 3cm, gross weight 61.3g. £1,200 - £1,500

123 Victorian five panel tortoishell piquet work bracelet, the five panels comprising gold and silver floral inlays with gold inlaid borders, waved edges, the reverse of two of the panels marked ‘EC’ in gold lettering, threaded silk cord, each panel 4cm x 3cm. £100 - £200

124

123

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125

126

128 Georg Jensen silver double dolphin brooch, measuring approx. 37mm x 31mm, pin and safety loop fastening to reverse, stamped with pattern no. ‘251’ and ‘GEORG JENSEN SILVERSMITHS LTD STERLING’, hallmarks for London, 1948. £250 - £350

125 Platinum and diamond spray brooch, stylized platinum body set with approx. 1.25 carats mixed cut diamonds, barrel screw clasp fastening to reverse, length approx. 49mm, gross weight approx. 14.3g. £500 - £700

127

128

126 Georg Jensen silver brooch by Nanna Ditzel, Georg Jensen oval mark stamped to reverse and ‘925S Denmark’, pattern number 337B, 40mm diameter, gross weight 10.4g. £100 - £200

129 Georg Jensen blooming ﬂoral silver brooch, measuring approx. 33mm x 33mm, the reverse stamped with Georg Jensen oval mark and ‘925 S DENMARK’, pattern number 71, pin and safety loop fastening, gross weight approx. 11.1g. £100 - £200

127 Georg Jensen silver kneeling deer oval brooch, measuring approx. 45mm x 35mm, pin and safety loop fastening to reverse, design no. 256, Georg Jensen Oval mark and ‘STERLING’ stamped to reverse, gross weight 15.1g. £250 - £350

130 Scandinavian silver and enamel fan shaped brooch by Volmer Bahner of Denmark, silver-white engine turned enamel decoration, pin and safety loop fastening to reverse, length approx. 7cm, weight approx. 13.8g. £50 - £80

129 130

For condition reports please go to www.peterwilson.co.uk

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132

131

131 Emerald and diamond 18ct yellow and white gold crescent brooch, total of 10 round mixed cut emeralds, graduating between approx. 2.0mm and 4.5mm diameter, with a total diamond weight of approx. 0.75 carat, brooch 4cm wide. £250 - £400 132 14ct gold pearl and diamond set brooch, central brilliant cut diamond with a surround of 6 cultured pearls, set to a 14ct gold circular frame, stamped ‘BIRKS’ and ‘14K’ to reverse, pin and safety loop fastening, width approx. 32mm, gross weight 9.1g. £100 - £200 133 Silver gilt and enamelled brooch and earring set by Hans Myhre, abstract design brooch and earrings with blue engine turned enamel decoration, each piece stamped to reverse ‘925 S STERLING’ and ‘MADE IN NORWAY’, pin and safety loop fastening to brooch, clip on fastenings to earrings, gross weight of set 13.5g. £70 - £100

134 Georg Jensen silver brooch designed by Henning Koppel, triangular form, length approx. 6cm, reverse stamped with Georg Jensen oval mark and ‘STERLING DENMARK’, pattern number 327, import marks for London, 1961, pin and safety loop fastening, gross weight approx. 19.6g. £100 - £200

133

135 Charles Horner silver hat pin, scroll design with purple glass thistle ﬁnial, length approx. 27.4cm, gross weight 10.1g, hallmarks for Birmingham, 1909, together with another Charles Horner silver hat pin, scroll design, length approx. 17.9cm, gross weight 3.2g. £100 - £150

134

136

135

136 Platinum and diamond ﬂoral spray brooch, central round brilliant cut diamond weighing approx. 0.40 carat, claw set to stylized platinum ﬂower set with approx. 2.20 carats of mixed cut diamonds, diameter approx. 54mm, bayonet clasp fastening, gross weight approx. 19.6g. £850 - £1,000

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137

140

139

137 Georg Jensen moonlight silver brooch, pattern 159, of stylised foliage set with moonstones, marked ‘925S DENMARK’ with Georg Jensen oval dotted mark, diameter 55mm, gross weight 16.5g, together with a Georg Jensen box. £400 - £600

140 Pair of Georg Jensen silver cornucopia earrings, length of each earring approx. 22mm, stamped to reverse with Georg Jensen oval mark and ‘925 S DENMARK’, pattern number 363, post and butterﬂy pierced ear ﬁttings, gross weight of pair approx. 10.5g. £100 - £200

138 Georg Jensen sterling silver dove earrings, circular wreath design with central dove motif, diameter approx. 23mm, reverse stamped with Georg Jensen oval mark and ‘925 S DENMARK’, design number 66, post and butterﬂy pierced ear ﬁttings, gross weight of pair 13.3g. £120 - £150

141 Pair of Georg Jensen silver earrings by Nanna Ditzel, Georg Jensen oval mark to reverse and ‘925S Denmark’, pattern number 128, screw on fastenings, gross weight approx. 6.1g. £100 - £200

139 Opal and diamond oval cluster 18ct gold ring with diamond set shoulders, the oval cabochon cut opal measuring approx. 9mm x 7mm, 4 claw set to cluster surround of 16 small diamonds, one brilliant cut diamond set to each shoulder, plain polished 18ct yellow gold shank, gross weight 6.2g, ring size M 1/2. £400 - £600 141

142 Pair of circa 1960’s silver gilt and white enamelled ﬂower head clip earrings by Andreas Mikkelsen, lever back clip on fastenings to reverse, each approx. 17mm diameter, gross weight 7.2g. £80 - £100 143 Pair of Norwegian silver gilt and enamel earrings by Ivor Holth, silver white cloisonné enamel, non-pierced clip ﬁttings, 28mm long, gross weight approx. 6.1g. £40 - £60

142 143

For condition reports please go to www.peterwilson.co.uk

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144 18ct gold chocolate coloured Tahitian pearl and diamond drop pendant and chain, four chocolate coloured cultured pearls, each approx. 7mm diameter, two round brilliant cut diamonds weighing a total of approx. 0.25 carat, gross weight 5.0g. £100 - £200 145 Tahitian pearl and diamond set white gold pendant and chain, the pear shaped black Tahitian pearl approx. 11mm x 9mm, the diamond weighing approx. 0.04 carat, gross weight 4.5g. £150 - £200

144

145

146 Amethyst and diamond fancy cluster 18ct yellow gold pendant, central marquise shaped amethyst measuring approx. 20mm x 14mm, surrounded by 36 channel set brilliant cut diamonds, (total diamond weight approx. 1.00 carat), complete on 9ct yellow gold curb link chain, lobster claw fastening, gross weight of necklace approx. 32.2g. £1,800 - £2,200 147 Tahitian pearl and 18ct white gold pendant, the grey-black pearl measuring approx. 13mm x 12mm, tubular bail to 18ct white gold curb link chain, spring ring fastening, gross weight of chain approx. 4.8g. £200 - £300

146

148 Ametrine 14ct yellow gold pendant, the fancy cut ametrine measuring approx. 41mm x 26mm, split claw set to yellow gold surround, pendant bail grain set with 6 small diamonds, complete with 9ct gold ﬁgaro link chain with lobster claw fastening, gross weight of pendant and chain 25.7g. £950 - £1,250

148

147

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151

149 Sapphire and diamond set 18ct white gold lasso drop necklace, two mixed cut oval blue sapphires weighing a total of 2.00 carats, each 4claw set to 18ct white gold necklace set with total of 113 small brilliant cut diamonds (approx. 4.00 carats total), tongue and box snap clasp safety fastening, gross weight 18g. £1,900 - £2,300 150 Butterscotch amber necklace, comprising a single row of oval graduated beads measuring from 30mm x 9mm to 8mm x 3mm, total gross weight of necklace approx. 63g. £500 - £700.

149

151 Edwardian opal set Arts & Crafts design 9ct gold necklace, ﬁve panel graduating drop front, each containing an oval cabochon cut precious opal, drop front to trombone link chain, gross weight 8.3g. £200 - £300

150

152 152 Ruby and diamond 18ct gold cluster ring, the central mixed cut oval ruby measuring approx. 4mm x 6mm, bezel set to octagonal shaped cluster surround comprising 14 mixed cut diamonds and 22 mixed cut rubies, plain polished 18ct yellow gold shank, gross weight 4.8g, ring size O 1/2. £500 - £700

153 153 Tanzanite solitaire 18ct white gold ring with diamond set shoulders, mixed cut oval tanzanite measuring approx. 7mm x 5mm, 4 brilliant cut diamonds milgrain set to each shoulder, plain polished 18ct white gold band, gross weight approx. 3.8g, ring size T 1/2. £250 - £400

For condition reports please go to www.peterwilson.co.uk

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154 154 Diamond marquise shaped cluster French gold ring, total of 11 rose cut diamonds, total diamond weight approx. 1.25 carats, plain polished yellow gold shank with French hallmarks stamped to outside, gross weight 7.1g, ring size O. £650 - £850

155 155 Diamond solitaire 18ct white gold ring, the round brilliant cut diamond complete with GIA report stating ‘Carat Weight 0.46 carat, Color Grade G, Clarity Grade VS2’, 4-claw set to plain polished 18ct white gold shank with diamond set shoulders, gross weight of ring 3.0g, ring size Q 1/2. £700 - £900

156 156 Diamond half-eternity 18ct white gold wedding band, plain polished 18ct white gold shank milgrain set with small diamonds, gross weight approx. 3.1g, ring size R. £200 - £300

157 157 Diamond solitaire platinum ring, the 1.00 carat emerald cut diamond 4claw set to plain polished tapered platinum shank, accompanying GIA certiﬁcate stating ‘colour D, clarity VS1’, weight approx. 3.3g, ring size K 1/2. £2,000 - £3,000

158 158 2.17 carat diamond solitaire 18ct white gold ring, the round brilliant cut diamond weighting approx. 2.17 carats, assessed colour tinted (M+), assessed clarity VS2/SI1, 4-claw set to plain polished 18ct white gold shank, shoulders channel set with 14 small brilliant cut diamonds, carat weight approx. 0.33 carats, gross weight 5.7g, ring size U 1/2. £5,200 - £5,700

159 159 Yellow and white diamond 2-tier cluster ring with diamond set shoulders, the central light yellow diamond weighing approx. 1.23 carats, 4-claw set to tiered diamond cluster surround and diamond set shoulders (total weight 0.70 carats), plain polished 18ct yellow gold shank, gross weight 6.7g, ring size L 1/2. £3,200 - £3,700

160 2.47ct diamond 18ct white gold solitaire ring, the round brilliant cut diamond accompanied by an IGI diamond report stating ‘carat weight 2.47 carats, colour I, clarity VS2’, 6-claw set to plain polished 18ct white gold shank, shoulders channel set with 14 small diamonds, gross weight 5.1g, ring size L 1/2. £10,000 - £12,000 160

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161

162

163

161 Emerald and diamond 18ct yellow gold ring, the central mixed cut oval emerald measuring approx. 9mm x 8mm, gross weight approx. 2.00 carats, twist design shoulders milgrain set with small diamonds, plain polished 18ct yellow gold shank, gross weight approx. 4.1g. £500 - £800 162 Diamond solitaire 18ct yellow and white gold band ring with diamond set shoulders, the central emerald cut diamond weighing approx. 0.51 carat, 3 baguette cut diamonds to each shoulder (total weight of shoulders 0.40 carat), channel set to plain polished 18ct white gold shank with yellow gold border surround, gross weight of ring 11.9g, ring size O 1/2. £1,500 - £2,000 164 163 1.21 carat diamond solitaire 18ct white gold ring, the round brilliant cut diamond weighing approx 1.21 carats, assessed colour I/J, assessed clarity SI,, 4-claw set to plain polished white gold shank, gross weight approx. 3.2g, ring size O 1/2. £4,500 - £5,500 164 19th century Tortoiseshell and piquet work handbag purse, the cushion shaped tortoiseshell case with gold cartouche inlay engraved ‘Annie Steen’, purple silk lined purse within, measuring 7cm x 4cm. £100 - £200

165

165 9ct gold Dunhill ‘Rollagas’ lighter, engine turned decoration to case, length approx. 65mm, gross weight 103.5g, hallmarked for 1964, complete in original ﬁtted red leather box with directions booklet. £150 - £250

For condition reports please go to www.peterwilson.co.uk

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watches PLEASE NOTE: All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness’

166 166 Lady’s Cartier reverso steel watch on leather strap, single rectangular ivory coloured dial, Roman numerals, reverse steel section stamped ‘Cartier’ and ‘2001’, case size 35mm x 25mm, non-Cartier leather strap. £750 - £950

167 167 Lady’s Mauboussin of Paris steel watch on material strap, round steel dial diamond set, mother of pearl bezel surround diamond set with Arabic quaters, 32mm case size, the reverse stamped with reference numbers ‘9112100’ and no. 3532, steel deployment clasp marked ‘Mauboussin.’ £460 - £660

168 Gerald Genta lady’s 18ct yellow gold watch on leather strap, octagonal black dial with date window to 6 O’clock, 18ct gold octagonal head and lugs marked “N0013” and “Gerald Genta” the reverse marked “Success” “Quartz G.3351.7” and “68219” 18ct gold Swiss hallmarks 18ct gold deployment clasp, complete in box. £1,400 - £1,800 169 No lot 168

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170 170 Lady’s Rolex Oyster Perpetual Date steel bracelet watch, round silver tone dial with baton markers and date window to 3 ‘o’ clock, ﬂuted bezel surround, case size 26mm, automatic movement, steel president bracelet, serial number 6748563, circa 1981, complete in original box with paperwork. £700 - £1,000

172 172 Hamilton 1970’s Military wristwatch, round black dial, luminous arabic numerals and batons, tonneau shaped brushed steel case, the reverse stamped with broad arrow ‘523-8290’ and ‘W10-6645-99’ and ‘6689/73’ (dated for 1973), mechanical winding movement, later black leather strap. £300 - £500

171 171 Gent’s Longines Master Collection Chronograph steel watch on leather strap with deployment buckle, silvered dial, Arabic numerals, three subsidiary dials and date window, steel head, case size 43mm, the reverse with glazed compartment revealing automatic movement stamped ‘L.696.2’ and ‘Longines’, the surround with model/serial reference numbers ‘L2.693.4’ and ‘33727452’. £700 - £900

173 173 Gent’s vintage 9ct gold Omega Seamaster bracelet watch, steel dial, automatic Swiss jewelled lever movement, case size 36mm, integral Milanese style bracelet hallmarked 9ct gold, 1967, complete with paperwork marked movement number 23801883.552, ref no. Bh365.5442, complete in box. £600 - £800

For condition reports please go to www.peterwilson.co.uk

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176

174 174 Gent’s Rolex Oyster Perpetual Day-Date 18ct gold bracelet watch, round brushed gold dial with batons and date window to 3 ‘o’ clock, fluted bezel, case size 38mm, 18ct yellow gold president bracelet, automatic movement, screwout crown, fold over snap clasp, complete with paperwork. £4,000 - £6,000 177

175 175 Gent’s Tag Heuer link chronograph steel bracelet watch, round black dial with tachymeter surround, 3 subsidiary dials and date window, satin steel bezel and head, 44mm case size, the reverse stamped with serial and reference numbers WJF2112 and XZ1206, automatic Swiss jewelled lever movement, wishbone link Tag Heuer steel bracelet. £500 - £700 176 9ct gold open face pocket watch, enamelled dial, subsidiary seconds, steel plate, crown winding 15 jewel Swiss lever movement, hallmarked 9ct gold, gross weight 75.7g, case size 50mm. £250 - £350

178 177 Double-sided open face pocket watch and tachymeter gold plated pocket watch by Allen Boddington & Co, King Street, Manchester, enamel dials, subsidiary seconds and month dial, crown winding lever movement, marked to reverse face ‘Mensor’, case size 55mm. £100 - £200 178 Arnold and Frodsham 18ct gold pocket watch, enamel dial, subsidiary seconds, brass 3/4 plate, key wind movement, engraved “JR Arnold, Chris Frodsham, 84 Strand London” and “Z6029”, hallmarked 1851, case size 50mm, gross weight 82.7g. £950 - £1,250

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Prints & engraVings (modern/contemPorary)

179 179 Graham Clarke (1941-), “Menu Turistico”, signed, titled and numbered 207/400 in pencil in the margin, a limited edition triptych of etchings with aquatint, overall framed size 66 x 97.5cm, 26 x 38.5in. £150 - £200

180 180 ARR After Doug Hyde (1972-), “Hearts and Hugs”, signed, titled and numbered 10/95 in pencil in the margin, with DeMontfort Fine Art blindstamp, limited edition print, image size 42 x 56cm, 16.5 x 22in. £150 - £200

181 ARR Ian Rawling (1966-), “Shop Till You Drop”, signed, titled and numbered 16/30 AP in pencil in the margin, with DeMontfort Fine Art blindstamp, limited edition screenprint, image size 50.5 x 33.5cm, 19.75 x 13.25in. £100 - £200

182 182 ARR After Sydney Ivon Hitchens (1893-1979), Still life of poppies and summer ﬂowers in a vase, signed in pencil, colour reproduction print, 49 x 59.5cm, 19.25 x 23.5in. £100 - £200

183 183 After Marc Chagall (Russian/French 1887-1985), Girl holding bushel with donkey, signed in the margin, with certiﬁcate of authenticity on verso, colour print, image size 22 x 22.5cm, 8.75 x 9in. £300 - £500

184 184 ARR After Mackenzie Thorpe (1956-), “Winter Moonlight”, signed and numbered 433/550 in pencil in the margin, with Washington Green blindstamp, certiﬁcate of authenticity attached to verso, limited edition print, image size 45.5 x 32.5cm, 18 x 12.75in. £100 - £200

185 185 ARR After John Wilson, 20th/21st century, “A Working Day” after L.S.Lowry, signed and numbered 2/150, published by Washington Green in September 2007, with certiﬁcate of authenticity on verso, giclee on canvas, 48 x 73cm, 18.75 x 28.75in. £100 - £200

181

For condition reports please go to www.peterwilson.co.uk

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190

187 187 ARR Philip Sutton R.A. (b. 1928), “The Sea, Falmouth”, signed, dated 1972 and titled in pencil in the margin, artist proof lithograph, image size 55.5 x 60.5cm, 22 x 23.75in. £100 - £200 186 186 ARR Ian Rawling (1966-), “Some Like It Hot”, signed, titled and numbered 19/20 AP in pencil in the margin, with DeMontfort Fine Art blindstamp and certiﬁcate of authenticity attached on verso, limited edition screenprint, image size 45.5 x 30.5cm, 18 x 12in. £100 - £200

188 188 Neil Canning A.R.B.A. (b.1960), “Flow” and “Gold”, signed, titled and dated ‘97 in pencil in the margins, numbered 63/75 and 67/75, screenprint in colours, image sizes 57 x 76cm, 22.5 x 30in (2). £100 - £200

189 189 ARR Leslie Moﬀat Ward (1888-1978), “Nocturne, Westminster”, signed, titled and dated 1921 in pencil in the margin, etching, plate size 12.5 x 27.5cm, 5 x 10.75in. £100 - £200 190 ARR After Laurence Stephen Lowry R.A. (British,1887-1976), “Our Town”, signed and numbered 504/850 in pencil in the margin, published by Grove Galleries Ltd, Manchester, colour reproduction print, image size 42.5 x 61.5cm.; 16.75 x 24.25in. £2,000 - £3,000

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191 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “The Notice Board”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 40 x 50.5cm, 15.75 x 19.75in. £1,000 - £1,500 192 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “Huddersﬁeld”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, from an edition of 850, colour reproduction print, image size 45 x 57cm.; 17.75 x 22.5in. £2,000 - £3,000 191

193 ARR After Laurence Stephen Lowry R.A. (British, 1887-1976), “View of a Town”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, colour reproduction print, image size 43 x 54.5cm.; 17 x 21.5in. £2,500 - £3,000 194 After Laurence Stephen Lowry (1887-1976), “Man looking out to Sea”, with Fine Art Trade Guild blindstamp, published in 1973 by Adam Collection Ltd, from an edition of 850, colour reproduction print, image size 35.5 x 25cm, 14 x 10in. £100 - £200

192

194 193 36

For condition reports please go to www.peterwilson.co.uk

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Prints & engraVings (18th/19th century)

195 195 Jean Gilles, 19th/20th century, “The Pierrot” and “The Harlequin”, both signed and numbered 209/350 and 162/350 in pencil in the margin, oval, etchings, each 52.5 x 63cm, 20.75 x 24.75in (2). £150 - £200

196 196 Hedley Fitton (1859-1929), “Place Paolo e Giovanni, Venice”, signed in pencil in the margin, titled on gallery label - ‘The Rembrandt Gallery, London’ verso, published April 10th, 1918 by Robert Dunthorne, 5 Vigo Street, London, ﬁrst state etching, plate size 38 x 49cm, 15 x 19.25in. £300 - £500

oil Paintings (modern/contemPorary) 197 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Carter in Castle Street, oﬀ Deansgate, Manchester”, signed and dated 1986, titled on verso, oil on board, 24.5 x 34.5cm, 9.75 x 13.75in. £1,500 - £2,000

198 ARR Rowland Suddaby (1912-1972), Suﬀolk landscape, signed, oil on canvas, 39.5 x 50cm, 15.5 x 19.75in. £200 - £400

199 ARR Julie Forrester (1954-), Cottage in mountainous landscape, initialled, oil on board, 60 x 60cm, 23.5 x 23.5in. £150 - £200

200 Villard, 20th century, Coastal scene with house, signed, titled and dated 1947 on verso, oil on board, 20 x 30cm, 7.75 x 11.75in. £100 - £200

197

198

199

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201 201 ARR Michael Gutteridge, 20th century, “Great Northern Square, Manchester”, signed and dated 2004, titled on verso, acrylic on board, 39.5 x 49cm, 15.5 x 19.25in. £200 - £400

202 202 ARR Constantine Sterio, 20th century, “Poynton Landscape, Winter”, signed and dated ‘94, titled on verso, oil on board, 12.5 x 23.5cm, 5 x 9.25in. £100 - £200

204 204 Christopher E. Barrow A.B.N.A. (1974-), “Twenty Men in Suits”, initialled, titled on verso, oil on board, 48.5 x 68.5cm, 19 x 27in. £150 - £200

205 205 Giuliana Lazzerini (Italian, 1951-), “The Bench”, signed, titled on artist’s label verso, oil on canvas, 29.5 x 29.5cm, 11.75 x 11.75in. £100 - £200

203 203 John Bulloch Souter (Scottish, 1890-1972), “Rooftops, St. Aubin, Jersey”, together with another Jersey beach scene, both unsigned, one titled on gallery label verso, oil on board, 24 x 32cm, 9.5 x 12.5in (2). £400 - £600 206 206 ARR Adrian Johnson (1960-), Male portrait, initialled on verso, oil on canvas, 39.5 x 39.5cm, 15.5 x 15.5in. £150 - £200

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

207 207 ARR Russell Howarth (1927-), “Saddleworth Church”, signed, titled on verso, oil on board, 37 x 44.5cm, 14.5 x 17.5in. £100 - £200

208 208 Yuji Oki (Japanese, b.1949), “Carmen” - portrait of a reclining female, signed, titled and dated 1989 on verso, oil on canvas, 85.5 x 109.5cm, 33.75 x 43.25in. £200 - £400

209 209 ARR Ida Hannah Anderton (1910-1988), Floral still life, signed and dated ‘January 1983’ on verso, oil on board, 29.5 x 39.5cm, 11.5 x 15.5in. * Ida Anderton was the sister of Theodore Major. £100 - £200

210 210 Horace A. Buttery (exh.1923-27), Farmyard scene, signed and dated 1923, oil on canvas, 50 x 64.5cm, 19.75 x 25.25in. £250 - £300

211 211 ARR David Barrow (b.1959), “Record collectors by the Dance Floor in Wigan Casino”, signed, titled on verso, oil on board, 22.5 x 41.5cm, 8.75 x 16.25in. £200 - £400

212 212 Antonio Sannino (Italian, 1959-), “Vittoria sul Lago di Como” and “Cherry Blossom, Toscana”, both signed and titled on verso, both unframed, oil on canvas, 70 x 100cm, 27.5 x 39.25in (2). £150 - £200 39

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213 213 ARR Jamie Wood, 20th century, “Salford Quays”, signed, acrylic on canvas, 39.5 x 39.5cm.; 15.5 x 15.5in. £150 - £200

216 216 ARR Iain Carby, 20th/21st century, “Blue Chimneys in Rothesay”, signed, titled and dated ‘12 on verso, oil on canvas, 39 x 49cm, 15.25 x 19.25in. £300 - £500

214 214 ARR Ian Norris, 20th/21st century, “My Mistress with a Monster is in Love”, signed, titled and dated 2016 on verso, oil on board, 40.5 x 42cm, 16 x 16.5in. £200 - £400

217 217 David Farren (1972-), “Heavy Rain Reﬂections, Deansgate”, signed, titled on verso, oil on board, 58.5 x 58.5cm, 23 x 23in. £300 - £500

215 215 ARR Mike McDonald, 20th century, “Highland Cottage”, initialled, titled on label verso, oil on board, 48 x 49.5cm, 19 x 19.5in. £100 - £200

218 218 ARR Ian Grant (British, 1904-1993), “Rydal Water in the Lake District”, signed, titled on verso, oil on board, 39.5 x 49cm, 15.5 x 19.25in. £100 - £200 For condition reports please go to www.peterwilson.co.uk

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221 221 Paul Lucien Maze (1887-1979), French harbour scene, signed, oil on board, 45 x 54cm, 17.75 x 21.25in. £500 - £700 219 219 ARR Albin Trowski (1919-2012), Floral still life, signed and dated 1956, oil on board, 49.5 x 34.5cm, 19.5 x 13.5in. £100 - £200

222 222 ARR Mike McDonald, 20th century, “The Village”, initialled, oil on board, 46 x 46cm, 18.25 x 18.25in. £100 - £200

220 220 ARR Helen Clapcott (1952-), “The Roundabout”, signed, titled on verso, oil on paper, 36.5 x 23cm, 14.25 x 9in. £800 - £1,200

223 223 ARR David Barnes (1943-), “Moonlight near Ardmair”, signed and titled on verso, oil on board, 39.5 x 60cm, 15.5 x 23.5in. £400 - £600 41

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226 226 ARR Phil George (1960-), “Norman at the Festival”, signed, titled on gallery label - ‘John Noott Galleries, Broadway’ verso, oil on canvas, 44.5 x 34.5cm, 17.5 x 13.5in. £300 - £500 224 224 ARR Ian Norris, 20th/21st century, “But who comes here? I am invisible and I will overhear their conference”, signed, titled on verso, oil on paper, 45.5 x 35.5cm, 18 x 14in. £200 - £400

227 227 ARR James Downie (1949-), “Home from Work”, signed, dated 2013 on verso, oil on canvas, 29.5 x 39.5cm, 11.5 x 15.5in. £100 - £200

225 225 ARR Gordon Ellis (1920-1978), The Liverpool whaler “Golden Lyon”, signed, oil on board, 50 x 70.5cm, 19.75 x 27.75in. £500 - £700

228 228 ARR Mike Weeden (1957-), “The Herring Snatcher of Staxigoe”, signed, titled on verso, oil on board, 28 x 43.5cm, 11 x 17.25in. £150 - £200

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

231 231 Frederick J. England (1939-), “Valley of the Slag Heaps, Kidsgrove”, signed and dated ‘15, titled on verso, acrylic on board, 24.5 x 30cm, 9.75 x 11.75in. £100 - £200

229 229 Giuliana Lazzerini (Italian, 1951-), “The Magician”, signed, titled on artist’s label verso, oil on canvas, 29.5 x 24.5cm, 11.75 x 9.75in. £100 - £200

232 232 Style of Pierre Adolphe Valette (1876-1942), Flowers in a jar with seagulls and a coastal view beyond, unsigned, oil on board, 65 x 80.5cm, 25.5 x 31.75in. £100 - £200

230 230 ARR Reverend Geoﬀrey S. Bennett (1902-1991), “Red in the Morning”, signed and dated 1970, titled on verso, oil on board, 30.5 x 25.5cm, 12 x 10in. * G.S. Bennett was a very close friend of L.S. Lowry. They used to sit and paint together. Lowry often helped Bennett with his paintings! He gave the eulogy at the funeral of L.S. Lowry. £200 - £400

233 233 ARR Stephanie Dingle (1926-2017), “Poppy Field”, signed, titled and dated 1987 on artist’s label verso, oil on board, 19.5 x 24.5cm, 7.75 x 9.75in. £100 - £200

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234 234 ARR David Wilde (1918-1978), “Early Morning, River Irwell”, signed and titled, acrylic on board, 50 x 40.5cm, 19.75 x 16in. £300 - £500

236 236 ARR Mike Cain (1941-), “Cyclamen”, signed and dated ‘94, titled on gallery label verso, acrylic on board, 58 x 40.5cm, 23 x 16in. £100 - £200

238 238 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Flamenco Dancer”, signed and dated ‘64, titled on verso, oil on board, 90 x 29cm, 35.5 x 11.5in. £300 - £500 235 235 ARR John McCombs (1943-), “Martin Shaw - Boy with Tyre”, signed and dated ‘70, titled on verso, oil on board, 26 x 17.5cm.; 10.25 x 7in. * Attended the Manchester Art School, then St. Martin’s School of Art, 1962-67. McCombs was a member of the Royal Institute of Oil Painters also showing at Tib Lane and Portland galleries in Manchester, Chenil and Mall Galleries and at several public galleries in the north. Salford Art Gallery and Manchester City Art Gallery hold examples. £100 - £200

237 237 Graham Lee (1953-), “Vineyards, Provence II and V”, both signed and dated ‘99, titled on artist’s labels verso, framed together in one frame, acrylic, each 14.5 x 20.5cm, 5.75 x 8in (2). * Member and regular exhibitor at the Manchester Academy of Fine Arts. Has also shown on several occasions at the Royal Academy Summer Exhibitions. Has work in private collections both in the UK and abroad. £100 - £200

239 239 ARR Olivia Pilling (1985-), “John Dalton Street at Night”, initialled, titled on verso, acrylic on board, 50 x 40cm, 19.75 x 15.75in. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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240 240 ARR Malcolm Croft (1964-), “November Vineyard”, signed, titled on verso, oil on canvas, 49.5 x 75cm, 19.5 x 29.5in. £300 - £500

243 243 ARR Emmanuel Levy (1900-1986), “The Pierrot”, signed, oil on canvas, 72 x 53cm, 28.5 x 21in. £400 - £600

241 241 ARR David Barnes (1943-), “The West Coast of Lewis”, signed and titled on verso, oil on board, 70 x 75cm, 27.5 x 29.5in. £600 - £800

242 242 ARR Malcolm Croft (1964-), “Looking towards St. Bees”, signed, titled on verso, oil on canvas, 59.5 x 74cm, 23.25 x 29.25in. £300 - £500

244 244 ARR Emmanuel Levy (1900-1986), “Pat”, signed and dated ‘82, titled on verso, oil on board, 78.5 x 65.5cm, 31 x 25.75in. £150 - £250

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245 245 ARR Henry Wilkinson R.E., A.R.C.A. (1921-2011), Golden labrador retrieving a pheasant, signed, oil on canvas, 50 x 65cm, 19.75 x 25.5in. £400 - £600

248 248 ARR Bohuslav Barlow (1947-), “Menagerie”, signed and dated 96-97, titled on verso, oil on canvas, 51 x 76cm, 20 x 30in. £200 - £400

246 246 ARR Henry Wilkinson R.E., A.R.C.A. (1921-2011), Black labrador retrieving a duck, signed, oil on canvas, 48.5 x 59cm, 19.25 x 23.25in. £400 - £600

249 249 ARR David Barnes (1943-), “West Coast of Anglesey”, signed and titled on verso, oil on board, 45 x 60cm, 17.75 x 23.75in. £400 - £600

247 247 ARR Albert Barlow (1944-), “Not You Again”, signed, titled on verso, acrylic on board, 33.5 x 33.5cm, 13.25 x 13.25in. £200 - £400

250 250 ARR David Wilde (1918-1978), “Memories of the Levenshulme Blitz: In God We Trust”, signed and titled, acrylic on board, 39.5 x 29.5cm, 15.5 x 11.5in. £150 - £200

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

253 Frederick J. England (1939-), “Smokey Old Longton, Stoke-on-Trent”, signed, titled on verso, oil on board, 79 x 59cm, 31 x 23.25in. £300 - £500

251 251 ARR David Wilde (1918-1978), “Nightshift to the Docks, c.1900”, signed and titled, acrylic on board, 51.5 x 71.5cm, 20.25 x 28.25in. £300 - £500

252 252 ARR Henry Wilkinson R.E., A.R.C.A. (1921-2011), Two golden labradors and a pheasant, signed, oil on canvas, 50 x 75.5cm, 19.75 x 29.75in. £400 - £600

254 254 ARR David Barnes (1943-), “Red and Blue Flowers”, signed and titled on verso, oil on board, 39.5 x 29.5cm, 15.75 x 11.75in. £200 - £400

255 255 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Mersey Square, Stockport”, signed, titled on verso, oil on board, 18 x 24.5cm, 7.25 x 9.75in. £1,000 - £1,500

253 47

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256 256 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Black Bull”, signed, with original receipt on verso, oil on board, 12 x 17.5cm, 4.75 x 7in. * The painting was purchased from the Isherwood family on the 16th November ‘02 possibly from the Isherwood exhibition in Wigan. £100 - £200

258 258 ARR Liam Spencer (1964-), “Untitled - View from Manchester studio, in Blue”, initialled, oil on board, 45 x 60cm.; 17.75 x 23.75in. £1,000 - £1,500

259 259 ARR Olivia Pilling (1985-), “Harbour at Wells-next-Sea, Norfolk”, initialled, titled on verso, acrylic on board, 43.5 x 59cm, 17.25 x 23.25in. £300 - £500 260 Frederick J. England (1939-), “Dick Kerr Trams, Tri Junction”, signed and dated ‘18, titled on verso, unframed, oil on canvas, 100 x 40cm, 39.25 x 15.75in. £150 - £250 257 257 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), “Mother as Lancashire Madonna”, signed and dated ‘66, titled on verso, oil on board, 59.5 x 44.5cm, 23.5 x 17.5in. £700 - £900

261 ARR Olivia Pilling (1985-), “Sun going down on Mylor Harbour, Cornwall”, initialled, titled on verso, acrylic on canvas, 58.5 x 74.5cm, 23 x 29.25in. £400 - £600 262 ARR Peter Stanaway (1943-), “Horses and Riders”, signed, acrylic on board, 29 x 39cm, 11.5 x 15.25in. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

263 263 ARR James Lawrence Isherwood F.R.S.A., F.I.A.L. (1917-1989), Figure study after L.S. Lowry, oil on board, 24.5 x 17cm, 9.75 x 6.75in. 260

* The painting was bought directly from the Isherwood family. £300 - £500

261

264 264 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Stockport Viaduct”, signed, titled on verso, oil on board, 24.5 x 19cm, 9.75 x 7.5in. £1,000 - £1,500 262 49

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269

271 269 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Glazebrook Station, Risley Moss Line, Irlam o’ the Heights”, signed, titled on verso, oil on board, 39.5 x 49.5cm, 15.5 x 19.5in. £800 - £1,200

265 265 ARR Stephen Wild (1955-), Oldham street scene with ﬁgures, signed and dated 2010, oil on canvas, 59.5 x 59.5cm, 23.5 x 23.5in. £200 - £400

267 267 ARR Tadeusz Was (1912-2005), Figure, initialled, oil on board, 60 x 50cm, 23.75 x 19.75in. £150 - £200 268 ARR Wilf Roberts (British, 1941-), Mountain lane, signed and dated 2009, titled on gallery label - ‘Oriel Ynys Mon’ verso, oil on canvas, 70 x 50cm, 27.5 x 19.75in. £2,000 - £3,000

266 266 ARR Stephen Wild (1955-), “Happy Anniversary!”, signed, titled and dated 2000 on verso, oil on board, 28.5 x 35cm, 11.25 x 13.75in. £100 - £200

268A ARR Geoﬀrey Key (1941-), "Smokers", signed and dated '97, titled on verso, oil on canvas, 60 x 50cm, 23.5 x 19.5in. £5,500 - £6,500

270 270 ARR Olivia Pilling (1985-), “Viaduct, Ribble Valley”, initialled, titled on verso, acrylic on board, 48.5 x 58.5cm, 19 x 23in. £300 - £500 271 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Nude - Celia”, signed and dated ‘71, titled on verso, oil on board, 28.5 x 19.5cm, 11.25 x 7.75in. £1,000 - £1,500

For condition reports please go to www.peterwilson.co.uk

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268A 51

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watercolours, Pastels & inks (modern/contemPorary)

272

273

274 272 ARR Donald McIntyre R.I., R.Cam.A., S.M.A. (1923-2009), “Mountain Eagle, Queensbury”, signed, titled on exhibition label - ‘Royal Institute of Painters in Watercolours, London’ verso, watercolour, 54 x 75.5cm, 21.25 x 29.75in. £400 - £600

273 ARR Brian Dobson, 20th century, “San Tropez”, signed, titled on verso, watercolour, 51.5 x 72cm, 20.25 x 28.25in. £150 - £200

274 ARR Kurt Jackson (b.1961), “St. Finian’s Bay, County Kerry, Ireland”, signed, titled and dated 9.10.97, watercolour, 56 x 76cm, 22 x 30in. £1,500 - £2,000

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

275 275 ARR Kenneth Lawson (British, 1920-2008), “Exotic Development (Playa del Ingles, Gran Canaria)”, signed, titled and dated 1989 on artist’s label verso, pen and watercolour, 18.5 x 28.5cm, 7.25 x 11.25in. £100 - £150

278 278 ARR Samuel John Lamorna Birch R.A., R.W.S. (1869-1955), Rural lane, signed, gouache, 25.5 x 28.5cm, 10 x 11.25in. £200 - £400

276 276 ARR John Picking (British, b.1939), “Island Remains”, signed, titled on verso, watercolour and pencil, 28.5 x 45.5cm, 11.25 x 18in. £100 - £200

279 279 ARR Peter Shackleton (b.1933), “Working Boats, Venice”, signed, titled and dated 2010 on verso, watercolour and ink, 19 x 24.5cm, 7.5 x 9.75in. £100 - £150

277 277 ARR Jiri Borsky (1945-), “Anniversary Toast”, signed and dated ‘95, titled on verso, watercolour, 23.5 x 18.5cm, 9.25 x 7.25in. £150 - £200

280 280 ARR Samuel John Lamorna Birch R.A., R.W.S. (1869-1955), “Penberth Cove, Cornwall”, signed, titled on verso, watercolour, 29.5 x 44.5cm, 11.75 x 17.5in. * The painting was given by the artist to a family friend of the vendor. £500 - £700

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283 283 ARR Ian Norris, 20th/21st century, “Blackburn Station from Level 7b”, signed and dated 2012, titled on verso, charcoal drawing, 48.5 x 65.5cm, 19 x 25.75in. £300 - £500

281 281 ARR Caroline Bailey (1953-), Harbour scene, signed, mixed media, 53 x 47cm, 21 x 18.5in. £400 - £600

284 284 Don Mckinlay (1929-2017), Quantity of various original sketches mainly portraits and group studies, all unsigned, pencil, unframed, various sizes 28 x 19cm, 11 x 7.5in (6). £100 - £150

282 282 ARR William Turner F.R.S.A., R.Cam.A. (1920-2013), “Knott Mill, Chester Road”, signed and dated 1963, titled on artist’s label verso, watercolour and ink, 25 x 17.5cm, 10 x 7in. £300 - £500

285 285 ARR Ian Norris, 20th/21st century, “Preston Railway Station”, signed and dated 2013, titled on verso, charcoal drawing, 56.5 x 73.5cm, 22.25 x 29in. £300 - £500

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

286 286 ARR Rob Piercy (1946-), “Moel y Ci with the Carneddau in the background”, signed, ink drawing, 25.5 x 38.5cm, 10 x 15.25in. £100 - £200

289 289 Trevor Boyer (1948-), “Prey of the Bald Eagle”, signed, pencil, 20.5 x 11cm, 8 x 4.25in, together with another by the same artist, “Studies of Long-Tailed Ducks”, signed, gouache, 40.5 x 14cm.; 16 x 5.5in (2). 287 287 Julian Dyson (1936-2003), Drawing of a camel and on the reverse of two ﬁgures, one side signed and dated 8.98, double sided, crayon sketches, 19 x 24.5cm, 7.5 x 9.75in. £100 - £200

288 288 Gordon Radford (1936-2015), Sketchpad made by the artist mainly capturing holiday destinations such as Lloret de Mar and Venice, unsigned, A4 sized spiral bound pages, some annotations throughout, pencil, ink and watercolour drawings. £100 - £200

* Both are original illustrations used in publications. The ﬁrst features on page 20 of “Vanishing Eagles” illustrated by Trevor Boyer, written by Philip Burton, published by Eagle Star Insurance Co Ltd. The second illustration is on page 126 of “Ducks of Britain & the Northern Hemisphere” by John Gooders and Trevor Boyer, published 1986. £100 - £200

290 290 Gordon Radford (1936-2015), Sketchbook made by the artist mainly comprising ﬁgure and portrait studies made at the Saddleworth Art Group, unsigned, A4 sized perforated pages, some annotations throughout, pencil drawings. £80 - £120

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293 293 ARR Bob Richardson (1938-), “The River Windrush near Burford, in the Cotswolds”, signed, titled on verso, pastel, 41.5 x 55.5cm, 16.25 x 22in. £200 - £400

291 291 ARR Keith Vaughan (1912-1977), “Standing Figure”, dated ‘Nov 16’, titled on gallery label ‘Anthony Hepworth Fine Art, Bath’ on verso, pencil drawing, 26.5 x 17.5cm, 10.5 x 7in. £300 - £500

292 292 ARR William Selwyn (1933-), “Bait Digger”, signed, titled on gallery label - ‘Tib Lane Gallery, Manchester’ verso, ink and wash on paper, 23 x 31cm, 9 x 12.25in. * The artist was born in Caernarfon and studied at Bangor, he is particularly well known for his farm workers and ﬁshermen. His work is held in very high esteem and can be found in many public and private collections including the National Library of Wales, Arts Council of Wales, University of Bangor, University of Bath, Gwynedd County Council, Anglesey County Council, and many private collections worldwide. £300 - £500

294 294 ARR Charles Frederick Tunnicliﬀe (1901-1979), “Mute Swans”, unsigned, pencil drawing, 30.5 x 73.5cm, 12 x 29in. £500 - £700

295 295 ARR Charles Frederick Tunnicliﬀe (1901-1979), “Yellow Fantail”, titled in pencil in the margin, with studio stamp on verso, pencil and watercolour wash, 20.5 x 27cm, 8 x 10.5in. * This painting was purchased at the studio sale of the artist at Morgan Evans, Anglesey on 3rd May 1986. £400 - £600

For condition reports please go to www.peterwilson.co.uk

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297

296

296 ARR Marc Grimshaw (1957-), “Madison Avenue, New York”, signed, titled on verso, unframed, pastel, 27 x 37cm, 10.5 x 14.5in. £100 - £200

oil Paintings (18th/19th century) 298 John Frederick Herring Jnr. (1815-1907), Farmyard scene with ﬁgure, horses, pigs and chickens, signed, oil on canvas, 70 x 90cm, 27.5 x 35.5in. £1,500 - £2,000

297 ARR Marc Grimshaw (1957-), Italian lake scene, signed, pastel, 39 x 49.5cm, 15.5 x 19.5in. £150 - £200

298 57

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299 299 Edward Corbett (1850-1890), Horses at rest in a ﬁeld, initialled and dated 1861, oil on canvas, 44 x 60cm, 17.25 x 23.75in. * Though of French origin, Corbett spent most of his career working in England, specialising in the painting of horses and fox hunting scenes. A number of his works were engraved in the Sporting Magazine. He exhibited one work at The Royal Academy in 1854. £200 - £400

302 302 William Joseph J.C. Bond (1833-1926), River scene with a Norfolk wherry, signed, oil on canvas, 58 x 48cm, 23 x 19in. £300 - £500

300 300 Style of John Frederick Herring Jnr. (1815-1907), Farmyard scenes with horses, pigs and chickens, unsigned, a pair, tondo, oil on canvas, diameter 39.5cm, 15.5in (2). £200 - £400

303 303 William Mellor (1851-1931), River scene, signed, oil on canvas, 34 x 42cm, 13.5 x 16.5in. £300 - £400

301 301 Herbert St. John Jones (1872-1939), Portrait of a horse in a stable, signed and dated 1912, oil on canvas, 39 x 49cm, 15.25 x 19.25in. £400 - £600 58

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

watercolours, Pastels & inks (18th/19th century)

306 306 A. Megson, 19th century, Portraits of seated, dishevelled soldiers, both signed, a pair, watercolour heightened with bodycolour, 24.5 x 20cm, 9.75 x 8in (2). £100 - £200

304 304 English School, 19th century, Portrait of an elderly man wearing a cowl, indistinctly initialled, watercolour and pencil, 24.5 x 20cm, 9.75 x 7.75in. £100 - £200

307 307 Hercules Brabazon Brabazon (British, 1821-1906), “Karnak”, initialled and titled, watercolour and pencil, 19 x 25.5cm, 7.5 x 10in. £200 - £400

305 305 William James Muller (1812-1845), “A Welsh River”, unsigned, titled on label verso, watercolour, 32.5 x 47cm, 12.75 x 18.5in. Provenance: Originally sold by Sotheby’s, 25 Nov 1999 as part of the Bill Thomson Collection. £200 - £400 308 308 George Shepherd, early 19th century, Mother and child at a fountain head, signed and dated 1829, watercolour, 26.5 x 39cm, 10.5 x 15.25in. £100 - £200

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309 309 Arthur Tucker R.B.A. (1864-1929), “Tintagel, Cornwall”, signed, with gallery label on verso, watercolour, 29.5 x 44.5cm, 11.5 x 17.5in. * Born in Bristol and was the son of Edward Tucker, Snr. Moved to Ambleside, Cumbria and was a founder member of the Lake Artists’ Society. £150 - £200

311 311 S.B. Godbold, 19th century, Portrait of Lady Cotton Sheppard, signed and dated 1858, crayon and wash drawing, oval, 42 x 33cm, 16.5 x 13in. £100 - £200

312 312 Continental School, 18th century, Male portraits, both unsigned, red chalk drawings, 46 x 32.5cm, 18 x 12.75in and 44 x 35cm, 17.25 x 13.75in (2). £150 - £200

310 310 Samuel Prout O.W.S. (1783-1852), “Venice”, unsigned, titled on gallery label - ‘The Rembrandt Gallery, Liverpool’ verso, watercolour, 26.5 x 20.5cm, 10.5 x 8in. £100 - £200 313 313 Herbert St. John Jones (1872-1939), Portrait of a horse - “Bellona”, signed and dated 1897, charcoal, 47.5 x 65cm, 18.75 x 25.5in. £200 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

bronzes & sculPture

314 314 Two bronze dogs heads of a mastiﬀ and a terrier mounted on oak shields, after Prosper LeCourtier (signed ‘LeCourtier on the collar). 25 x 20cm. £400 - £500

317 317 A cast bronze bull mastiﬀ, signed C.H Valton. 26 x 18cm. £200 - £300

320 320 19th century bronze Great Dane signed Valton. 29 x 28cm. £300 - £400

321 321 A bronze relief plaque of a mastiﬀ, after Christophe Fratin, signed ‘Fratin’. 17.7 x 26.7cm. £200 - £300

315 315 A spelter figure of a Roman solider standing beside a panther. The base is embossed with the words ‘ANIMVS ET VIS’ and to the rear of the figure group is an unidentified signature and stamp. 69 x 43cm. £100 - £200

316 316 A bronze relief of mastiﬀ and puppies signed W. Wolfe. 16 x 35cm. £200 - £300

318 318 An Art Nouveau copper and brass vase by the WMF Group, Berlin. The hammered copper vase middle is threaded on four sides with brass branch columns unfurling into leaves at the neck. The WMF bird logo is impressed on the base. 39 x 15cm. £80 - £120

319 319 A 19th century veined marble desk tray, mounted with a bronze Great Dane. 25 x 41cm. £200 - £300

322 322 A 19th century French bronze figural lamp on marble base. Depicting a figure of a young girl gathering flowers in her skirt. Height 61cm. £80 - £120 61

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323 323 A mid-19th century French bronze urn. With twin-handles taking the form of grape vines held aloft by putti trying to free a goat from the encircling branches. 42 x 28cm. £300 - £500

324 324 A 19th century mastiﬀ on marble base by J.W Clarke 1886 £300 - £400

325 325 A bronze mastiﬀ, follower of Prosper LeCourtier. 35 x 25cm. £200 - £300

326 326 A 19th century French pewter inkstand, signed Bossu. Depicting a bull mastiﬀ chained to a fence. With two inkwells. 22 x 23cm. £100 - £200 327 A 19th century cast brass bell, possibly a church wall bell. 43 x 36cm. £400 - £500

328 328 ‘Violoncelle’ Lampe Berger designed by Arman, the four bronze cello scrolls surround a Baccarat glass bottle, with sit on twin cello bridge cover, number 224 of 250, etched signature and makers marks, with box and certiﬁcate, funnel and catalytic burner, the Lampe Berger stands 27cm high £600 - £800

329 329 Jean Fenton, 20th century, Female nude studies, monogrammed, sculpted ceramic tiles, a pair, each 23 x 18.5cm, 9 x 7.25in (2). £100 - £200

327 62

For condition reports please go to www.peterwilson.co.uk

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334

333

330 330 A large cast bronze of a Great Dane. 32 x 30cm. £70 - £120 331 After Paul Gayrard, contemporary metal ware model of jockey on rearing horse 82cm tall £200 - £300

332 332 A 19th century marble and alabaster bust of Shakespeare by A. Baily. As enscribed to verso, with the date 1856. 43 x 28cm.

335 335 A 19th century English school bronze of a seated mastiﬀ. 12.7 x 17.8cm . £100 - £150

£200 - £300 333 A 19th century bronze bull mastiﬀ tethered to a post, after Prosper LeCourtier (signed P.LeCourtier). 45 x 33cm. £600 - £700 334 A bronze desk tray veneered in white stone and mounted with a bronze mastiﬀ. 8 x 36cm. £80 - £120

336 336 A cast bronze of a boxer signed Prof. Dehler. 31 x 26cm. £70 - £120

331 63

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clocks & barometers

338 338 A 19th century brass carriage clock with original leather carry case. The brass case has bevelled glass panels and oval glass panel revealing the escapement. The white enamel dial has both Roman and Arabic numerals. Eight-day, two-train movement striking on a single gong. 13 x 8.2cm. £100 - £150

337 337 A 19th century Louis XIV style bracket clock and bracket. The red tortoiseshell boulle veneered case is embellished with brass mounts and overlay taking the form of acanthus leaves and putti, with large brass finial of a single putto sat atop a globe. The glazed front panel frames an embossed brass dial with enamel Roman numerals, and reveals a sunburst pendulum. With matching bracket. Eight-day, two train movement striking on a single bell. Clock dimensions: 47 x 27cm (excluding finial). Finial: 17cm height. Bracket: 29 x 35cm £400 - £600 339 339 An early 20th century German bracket clock. The walnut case has a caddy top pediment with brass acorn finials and brass spandrels to case and dial. The brass face has silvered chapter ring with both Roman and Arabic numerals. Eight-day, two-train movement striking on a double gong. 40 x 23cm. £300 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

341 A 19th century Louis XIV style mantel clock. Veneered in tortoishell with brass mounts, feet and ﬁnial taking the form of acanthus leaves. This frames an enamel face with both Roman and Arabic numerals. Eight-day, two-train movement striking on a single gong. 42 x 18cm. £300 - £400

340 340 A marble Art Deco mantel clock. In a fanned octagonal form with contrasting cream and chestnut marble framing a brass dial with Arabic numerals. Signed Picard Triclot, Troyes. Below the dial on marble plinth sits a spelter ﬁgure of a girl playing a trumpet next to a bird-bath. Eight-day, two-train movement striking on a single bell. 37 x 37cm. £120 - £160

342 342 A 19th century rosewood single weight Vienna regulator with serpentine case. The rounded arch pediment has scrolled crown ﬁnial dropping down to undulating case with caddy bottom. The white enamel dial has brass bezels and Roman numerals with subsidiary seconds dial. Singletrain movement. 100 x 33cm. £300 - £400

341

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Furniture

345 345 Robert ‘Mouseman’ Thompson bread board, adzed oak carved with a mouse, 30.5cm wide, also an ashtray 10cm wide. £120 - £160

343 343 A large oak cruciﬁx with cast iron ﬁgure of Christ. 108 x 60cm. £200 - £250

346 346 George III oak spice cabinet, moulded cornice above two raised and ﬁelded single panel doors opening to reveal seven spice drawers with turned handles, base with three cross-banded drawers with brass bail handles, fretwork bracket decoration, width 53cm (21”), depth 25cm (10”), height 63cm (25”). £200 - £400

344 344 Pair of Robert ‘Mouseman’ Thompson bookends, adzed oak each carved with a mouse, 16cm high £180 - £220

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

348 Edwardian mahogany “surprise” cocktail cabinet, the square top table with two ﬂaps opening with patent design revealing rise and fall compartment containing three bottle Tantalus, glass framed tray, tambour covered compartment, various recessed spaces to hold drinking glasses, square section tapering legs with brass articulated casters, width 60cm (24”), depth 56cm (22”), height 79cm (31”). £300 - £500

347 347 Late 19th century mahogany lace cabinet on stand, two single panelled doors covering ten drawers with turned handles, eight with cane bases, the lower two drawers with solid bases, all standing on four turned legs width 51cm (20”) x depth 36cm (14”) x height 119cm (47”). £400 - £600

348

349 349 Late 19th century wall hanging mahogany thirty six drawer apothecary cabinet, each drawer with labelling aperture and turned handle, width 83cm (33”), depth 14cm (5.5”), height 69cm (27”). £200 - £400 350 Late 18th century walnut knee-hole desk, quartered veneered top with cross-banding and herring bone inlay, one long drawer above two stacks of three ﬂanking central cupboard, original brass handles and steel locks, bracket feet, width 84cm (33”), depth 52cm (20”), height 76cm (30”). £300 - £500

350

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351

352

351 George III oak knee-hole desk, rectangular top above brushing slide one long drawer above two stacks of three short drawers, central cupboard all standing on bracket feet, width 78cm (31”), depth 50cm (20”), height 75cm (29”). £300 - £400 352 Victorian oak Partners desk, green leather inset, each side with one long and two short frieze drawers, pedestals ﬁtted three drawers and one opposing cupboard, width 153cm (60”), depth 94cm (37”), height 76cm (30”). £300 - £500

354

353 353 Two oak and elm Arts & Crafts design single chairs, each with seven spindles to back, solid seat, turned supports, underside of one chair with metal label reading Heal & Son, 196 Tottenham Court Road, London. £200 - £400 354 Late 19th century painted pine child’s Orkney chair, straw back, open arms, solid seat, rectangular section stretcher. £300 - £500

355 355 Early 19th century Windsor chair of yew and elm construction, high-back with pierced splat, solid saddle seat stamped “Nicholson Rockley”, turned legs united by crinoline stretcher. £180 - £220

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

357 Late 19th century William Morris design, Sussex open armchair, ebonised beech frame with seagrass seat, also two similar single chairs. £200 - £300

356 356 Mid 19th century ash and elm wheel-back Windsor chair, top hoop with headrest above pierced splat, saddle seat, turned legs with pad feet, “H” shaped stretcher. £180 - £220 358 358 Orkney child’s chair, stained pine with straw back, arms with closed panel beneath solid seat, drawer to base, all standing on four pot articulated castors. £300 - £500 359 Four Robert “Mouseman” Thompson dining chairs, comprising of two single and two open-arm carvers, each with typical carved, woven lattice splats, close nailed leather seats, front leg with trademark mouse “H” shaped stretchers. £1,200 - £1,500 357

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362

360 360 Victorian stool, elm dish seat of oval shape supported on fruit-wood turned legs united by “H” stretchers, height 36cm (14”). £100 - £200 361 Late 19th century upholstered sofa, sprung seat, back and arms, two loose feather ﬁlled cushions, all standing on four square section tapering legs with brass articulated castors stamped with makers name, one leg stamped Howard & Son’s Ltd, Berners Street, width 210cm (83”), depth 86cm (34”), height 74cm (29”). £1,000 - £1,500 362 Mid 18th century oak gate-leg table, oval top with two leaves supported on baluster turned legs, rectangular section stretchers, top 104cm (41”) x 125cm (49”), height 68cm (27”). £140 - £180

363 363 Late 18th century oak oval drop-leaf table, bobbin turned legs and stretchers with four gates, table top 142cm (56”) x 162cm (64”), height 72cm (28”). £400 - £600

361

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

364 364 Edwardian mahogany quarteto, the four occasional tables with rectangular tops, each with satinwood crossbanding, black and white string supported on spider legs, trestle feet, largest table width 52cm (20”), depth 38cm (15”), height 74cm (29”). £200 - £300

366 366 Edwardian mahogany tea table, rectangular top with serpentine edges, inlaid with bone and satinwood ﬂoral inlays, square tapering legs with four shaped folding shelves, platform base, all standing on short cabriole legs, width 63cm (25”), depth 43cm (17”), height 71cm (28”). £100 - £150

365 365 George III mahogany side-table, rectangular top with ogee edge above one long drawer ﬂanked by two deeper drawers, brass escutcheon and handles, fretted shaped frieze, moulded legs, width 89cm (35”), depth 48cm (19”), height 75cm (29”). £150 - £250

367 367 Welsh coﬀer bach, the miniature chest with rectangular detachable lid above three raised and ﬁelded panels, two short drawers with brass bail handles, bracket feet, width 65cm (25.5”), depth 30cm (12”), height 40cm (16”). £200 - £300

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368 368 Mid 19th century North Wales apprentice chest, ﬁtted two short and two long drawers with turned handles, ebonised cock-beading ﬂanked by quartered columns with Tunbridge ware inlays, brass locks, lower frieze with fretted decoration inlaid with two stars and central drinking cup, width 34cm (13”), depth 21cm (8”), height 33cm (13”). £100 - £200

369 369 Mid 19th century oak court cupboard of 17th century design, top section with two single panel doors decorated with carved stylised flowers and leaves, central arched panel all flanked by two cup and cover baluster columns carved with acanthus leaves, base fitted two three panel cupboards with strap-work decoration wrought hinges, width 142cm (56”), depth 49cm (19”), height 152cm (60”) £300 - £500

370 370 17th century oak court cupboard, over hanging top frieze decorated with stylised ﬂowers and leaves above two cupboard doors, single panels each with strap-work carved decoration, all ﬂanked by turned pendants, base with two three panel cupboard doors, steel hinges, interior with single shelf, all standing on later bun feet, width 135cm (53”), depth 51cm (20”), height 173cm (68”). £500 - £700

371 371 George III mahogany chest of two short and three long graduated drawers, rectangular top with ogee mould, brushing slide, drawers with replacement brass handles, bracket feet, width 84cm (33”), depth 48cm (19”), height 84cm (33”). £200 - £400

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

372 372 George III mahogany chest on stand, top with key pattern fretwork cornice, three short drawers above three long drawers, all with original brass handles and escutcheons, reeded canted corners, stand ﬁtted three matching drawers, all raised on four cabriole legs, width 115cm (45”), depth 56cm (22”), height 158cm (62”). £400 - £600

373 373 George III mahogany chest of drawers, rectangular top cross-banded and inlaid with ebony stringing, brushing slide above four graduated long drawers with cock-beading and brass bail handles, all standing on bracket feet width 87cm (34”), depth 46cm (18”), height 84cm (33”). £200 - £400

374 374 George III oak North Wales dresser, three shelf rack with moulded cornice above base with ﬁve drawers, central arch, gun barrel turned foreleg supports, planked pot shelf, width 160cm (63”), depth 41cm (16”), height 191cm (75”). £400 - £600

375 375 George III oak cottage dresser of unusually small proportions, top section with moulded cornice, three ﬁxed shelves, boarded back, base with three frieze drawers, later brass handles, rectangular section supports, pot shelf with later boarding, width 123cm (48”), depth 33cm (13”), height 175cm (69”). £300 - £400

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377 A pair of Regency Gesso framed oval Girandole wall mirrors, each with classical urn and swag pediment, red silk fabric covered shelf, width 46cm (18”), height 100cm (39”). £1,000 - £1,500

376 376 George III oak North Wales dresser, top section with original wire-work wrought hooks, three ﬁxed shelves, base with three drawers each with turned hardwood handles, all standing on four ring-turned foreleg supports, planked shelf, bracket feet, width 175cm (69”), depth 43cm (17”), height 214cm (84”). £400 - £600

378 378 George III mahogany dressing table mirror, the rectangular glass with moulded frame on stick supports, box base ﬁtted three drawers, all standing on bracket feet, width 48cm (19”), depth 23cm (9”), height 67cm (26”). £80 - £120

377

For condition reports please go to www.peterwilson.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @20%

379 William IV gesso framed overmantel mirror, decorated with moulded and carved acanthus leaf brackets, original rectangular glass, width 114cm (45”), height 69cm (27”). £120 - £220

379 381 George III oak spoon rack, fretted decoration to back board, twelve comparments for spoons, sliding lid to top comparment with single drawer to base, both ﬁtted with brass knob handles, width 34cm (13”), height 70cm (28”). £100 - £150

380 380 18th century walnut table top toilet mirror, arched rectangular glass with moulded edge, bureau type box base, hinged ﬂap opening to reveal writing slope, three drawers and stationery compartments all above single drawers, bracket feet, width 35cm (14”), depth 25cm (10”), height 76cm (30”). £100 - £200

383 Early 19th century oak spoon rack, boarded back with fretted decoration, two rows of spoon hooks, box base with pegged hinged lid, width 37cm 914”), height 54cm (21”). £80 - £120

382 382 Stained pine and pen-work wall pocket, front panel decorated with two exotic birds perched within a basket of ﬂowers, width 30cm (12”), height 33cm (13”). £60 - £80 384 384 Three leaf hardwood screen, possibly Syrian with multiple turned panels, lower section with mother-ofpearl and ivory inlaid decoration, central panel height 193cm (76”), overall width 161cm (63”). £200 - £400

381

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385

387

385 Mid 19th century mahogany wall hanging razor leather strop, unusual protective door, box base with hinged lid, inlaid diamond decoration, width 15cm (6”), height 98cm (38”). £80 - £120 386 Victorian mahogany hall stand, top section with central rectangular mirror, supporting carved crest eagle with feather in beak, replacement coat hooks to frame, grey veined marble table top with single drawer, platform base with metal drip-trays, width 130cm (51”), depth 37cm (14.5”), height 234cm (92”) £200 - £300

rugs, carPets & taPestries 387 Late 19th century Persian carpet, central indigo blue ﬁeld with tendril decoration, multiple banded border with trailing vine, repeating decoration, 333cm (131”) x 220cm (87”). £400 - £600

386

For condition reports please go to www.peterwilson.co.uk

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GLOSSARY OF TERMS F O R P I C T U R E S , D R A W I N G S , P R I N T S , M I N I AT U R E S E T C . The ﬁrst name of names and surname of the artist - in our opinion a work by the artist. ‘Attributed to...’ - in our opinion probably a work by the artist in whole or in part. ‘Circle of...’ - in our opinion a work of the period of the artist and showing his/her inﬂuence. ‘Style of...’ / ‘Follower of...’ - in our opinion a work executed in the artist’s style, of a similar period, but not necessarily a pupil. ‘Manner of...’ - in our opinion a work in the artist’s style, but of a later date. ‘School...’ - Accompanied by place name or country, and date - in our opinion a work executed at that location and period. ‘After...’ - in our opinion a copy (of any date) of a work by the artist. ‘Signed and/or dated and/or inscribed’ - in our opinion the signature and/or date and/or inscription are by the artist’s hand. ‘Bears signature and/or date and/or inscription’ - in our opinion the signature and/or date and/or inscription are by another hand. Dimensions are given height before width.

notes

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conditions oF sale Peter Wilson Fine Art Auctioneers Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following Conditions of Sale and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) “Auctioneer” means the firm of Peter Wilson Fine Art Auctioneers Ltd or its authorised Auctioneer, as appropriate; (b) “Deliberate Forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “Hammer Price” means the level of bidding reached (at or above any reserve) when the Auctioneer brings down the hammer; (d) “Terms of Consignment” means the stipulated terms and rates of commission on which Peter Wilson Fine Art Auctioneers Ltd accepts instructions from sellers or their agents; (e) “Total Amount Due” means the Hammer Price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f ) “Sale Proceeds” means the net amount due to the seller, being the Hammer Price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You” or “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate and words importing any Gender include either gender. 2. BIDDING PROCEEDuRES AND THE BuYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) The maker of the highest bid accepted by the Auctioneer conducting the sale shall be the buyer at the Hammer Price “the buyer” and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The Auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the Auctioneer’s sole discretion. 4. THE PuRCHASE PRICE The buyer shall pay the Hammer Price together with a premium thereon of 26.4% which shall include VAT on the premium at the rate imposed by law.

5. VALuE ADDED TAX Value Added Tax on the Hammer Price is imposed by law on all items aﬃxed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position). 6. PAYMENT (1) Immediately a Lot is sold you will: (a) Give to us, if requested, proof of identity, and (b) Pay to us the Total Amount Due in cash or in such other say as is agreed by us. (2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PuRCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the Total Amount Due. (2) You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment, after which you shall be responsible for any removal, storage and insurance charges. (3) No purchase can be claimed or removed until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILuRE TO COLLECT PuRCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) To proceed against you for damages for breach of contract; (b) To rescind the sale of that Lot and/or any other Lots sold by us to you; (c) To resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deﬁciency in the Total Amount Due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) To remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) To charge interest at a rate not exceeding 1.5% per month on the Total Amount Due to the extent it remains unpaid for more than 3 working days after the sale; (f ) To retain that or any other Lot sold to you until you pay the Total Amount Due;

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(g) To reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) To apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the Total Amount Due and to exercise a lien (that is a right to retain possession of ) any of your property in our possession for any purpose until the debt due is satisfied. (2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions. 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the layout of the accommodation and security arrangements. Accordingly neither the Auctioneer nor its employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale. 10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the Auctioneer nor its employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. The Auctioneer may at its own discretion on your behalf exceed your commission by one bid. An instruction to buy with no upper limit will not be accepted. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the Auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The Auctioneer normally acts as agent only and disclaims any responsibility for default by seller or buyers. 13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters

of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither the Auctioneer nor its employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 information to buyers”. Please note: Condition of items or other faults is not stated within the catalogue and items are sold strictly as seen. If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. The cost of postage, packing, transport, and shipping is the responsibility of the buyer. The cost of postage, packing, transport, and shipping will not be refunded in any circumstance. (2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a Deliberate Forgery may be returned to us by you within 14 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a Deliberate Forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are notable to transfer a good and marketable title to us, you shall have no rights under this Condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions of any person. 17. (1). Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the Auctioneer as appropriate. (2). Such right and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the Auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

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inFormation For buyers 1. Introduction. The following information notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As Auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. Buyer’s Premium. The buyer shall pay the Hammer Price together with a premium thereon of 22% +VAT (26.4% inclusive). VAT will be at the rate imposed by law. 5. ‘Subject to VAT’ indicates that VAT is payable by the purchaser at the standard rate (presently 20%) on the Hammer Price as well as being an element in the buyer’s premium. Items which are subject to VAT will be cleared marked within the catalogue text as well as being labelled in the saleroom. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the Hammer Price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the Hammer Price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and therefore, accept responsibility for inspecting and investigating lots in which they are interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the Auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the Auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstance lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 2 week time limit. (The expression ‘Deliberate Forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for the compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of threat character because, e.g. they may contain prohibited materials such as ivory. Ask us if you need help.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission absentee bidding. Commission bids may be left with the Auctioneer indicating the maximum amount to be bid excluding buyer’s premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. The Auctioneer may at his/her own discretion on your behalf exceed your commission by one bid. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). Debit and Credit card payments where the card holder is not present will only be accepted for transactions up to £500. Credit Card payments may only be made using chip and pin up to £2,000. Please note we no longer take payments over the telephone, you can now pay through our website www.peterwilson.co.uk 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Items not removed within four days of the sale will be subject to a storage charge of £1.50 per item per day. 13. Postage and Shipping. Peter Wilson Fine Art Auctioneers Ltd do not provide a postage and packing service however we recommend the following company who deal with all postage, packing, and shipping for us: T.C. Couriers Nantwich, 3 Barker Street, Nantwich, Cheshire, CW5 5SY. Contact Tony Cartwright on +44 (0) 7746 216 322 or email tony69uk@gmail.com Mailboxes Etc., Peel House, 30 The Downs, Altrincham, WA14 2PX. Contact Alex Pye or Palanivel Kandaswamy on Tel: +44 (0) 161 233 0500, Fax: +44(0) 161 233 0400 Email: info@mbealtrincham.co.uk Website: www.mbealtrincham.co.uk 14. ‘The Artists Resale Right’ From mid – February 2006 living artists are entitled to receive a resale royalty each time their art work is bought or sold by an art market professional. However, from 1 January 2012, the Right will be extended to include sales of works by artists who have died within the last 70 years (following the existing term of copyright). Royalties will be payable to the families and beneficiaries of these artists. This new law has been introduced in the UK following a European Directive. Art work must reach or exceed a certain value before it qualifies for the right. The qualifying threshold in the UK is 1000 euros which is approximately £850. The rates are calculated as a percentage of the sale price and are set out in a sliding scale from 4% to 0.25%. Portion of the sale price Royalty rate From 1000 to 50,000 euro 4% From 50,000.01 to 200,000 euro 3% This will be an extra charge upon the sum for which the art work is obtained, excluding V.A.T. For auctions this is regarded as the hammer price (excluding the buyers premium). For more information please see the Important Notice to Bidders posted in the salerooms or alternatively a full copy of ‘The Artists Resale Right Regulations 2006’ which is available on request.

Peter Wilson Fine Art Auctioneers Ltd Victoria Gallery Market Street Nantwich Cheshire CW5 5DG Telephone: +44 (0)1270 623878 Fax: +44 (0)1270 610508 Email: auctions@peterwilson.co.uk