Woolley & Wallis by Jamm Design Ltd

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art, Arms & Armour Wednesday 25th March 2015

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Amanda Lawrence

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424505 329477

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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424506 424591 424583 424589

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price (Consultant) — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 Amanda Lawrence — 329477 FURNITURE Mark Richards Jim Gale Anna Brown JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA PAINTINGS Victor Fauvelle Jo Butler

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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411854 339161 411854

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424504 424595

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

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424503 424592

SILVER Rupert Slingsby Lucy Chalmers

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424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

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339752 339752

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

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FURNITURE, WORKS OF ART, ARMS & ARMOUR Wednesday 25th March 2015 at 10.00am Viewing Times Saturday 21st March Monday 23rd March Tuesday 24th March Wednesday 25th March

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES Mark Richards 01722 411854 Head of Department - Furniture markrichards@woolleyandwallis.co.uk

Will Hobbs 01722 339752 Head of Department - Arms & Armour willhobbs@woolleyandwallis.co.uk

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

COLLECTION OF LOTS Lots can be collected from Thursday 26th until Saturday 28th March from the Salerooms in Castle Street. Then all uncollected items will be moved from the Salerooms to the warehouse at Old Sarum on Monday 30th and Tuesday 31st March. Collections on these days must be by prior arrangement, please call 01722 424500. From Wednesday 1st April collections from Unit 2, Danebury Court, Old Sarum Park, Salisbury, SP4 6EB. Accounts to be settled prior to collection.

Jim Gale 01722 339161 Furniture jimgale@woolleyandwallis.co.uk

Anna Brown 01722 411854 Administrator annabrown@woolleyandwallis.co.uk

Front cover: Lot 306 Back cover: Lot 320 Inside covers: Lot 311 This page: Lot 170

LIVE ONLINE BIDDING

Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Please register by 4pm Tuesday 24th March. Please note there is a 3% surcharge for using this service.

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CARPETS, RUGS & TEXTILES

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1. An Afshar rug, with kelim ends, Fars, south west Persia, late 19th century, 206 x 136cm. £200-300

2. A Qashqa’i rug, Fars, south west Persia, early 20th century, 265 x 185cm. £250-350

Provenance: The Property of a Nobleman.

3. A Kurdish / Veramin rug, north west Persia, early 20th century, 186 x 128.8cm. £100-150

A north west Persia rug, c.1920-30, 192 x 145cm.

£100-150

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5. A Fars rug, possibly Afshar, south Persia, 357 x 102cm, together with a Kurdish runner. (2) £50-100 6. An Afshar rug, complete with kelim ends, Fars, south west Persia, late 19th century, 122 x 104.5cm, together with a similar Afshar rug. (2) £100-150 7. A Turkish Yagcibedir runner, west Anatolia, 20th century, 349 x 76.5cm. £100-150 8. A European machine made carpet, with an all over Herati field, 20th century, 278 x 205cm. £80-120

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9. A Kazak rug, south west Caucasus, late 19th century, 234.3 x 114.7cm. £100-150 10. A Chelaberd rug, Karabakh, south west Caucasus, late 19th century, 193.3 x 141.3cm. £500-700 11. A Moghan rug, with a Memling gul field, early 20th century, south Caucasus, 229.7 x 99.4cm. £150-250 Provenance: The Property of a Nobleman.

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12 12.

A Donegal carpet, in Turkish style, Ireland, early 20th century, 548 x 344cm.

£800-1,200

13. Two Turkish rugs, one with an all over floral field, the other with an elongated central medallion, c.1920-30, 194 x 121cm and 213.5 x 101.4cm. (2) £100-150 Provenance: The Property of a Nobleman. 14.

A Turkish Ushak small rug, west Anatolia, early 20th century, 115 x 115.7cm.

£100-200

Provenance: The Property of a Nobleman.

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15. A Yomut Turkmen main carpet, with an all over Kepse gul field, Turkmenistan, second half 19th century, 280 x 170cm. £400-600 16. A Lenkoran rug, Talish area, south Caucasus, c.1920-30, 217 x 141cm. £200-300

17. Three cushions covered with Ersari Turkmen of Beshir fragments, the fragments mid 19th century with a later fabric backing, 85 x79.5cm. (3) £150-250 18. An Ersari Kizayalak chuval, complete with an unusual flat weave back, early 20th century, 97 x 154cm. £200-300

18 17

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19. A good north west Persia carpet, possibly Malayer, mid 20th century, 335.5 x 252.5cm. £500-800

20. A Saraband runner, Hamadan region, north west Persia, early 20th century, 389.2 x 101cm. £200-300

21. A Chinese carpet, decorated with phoenix, first half 20th century, 352 x 276cm. £300-500

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22. A fine Kuba long rug, north east Caucasus, second half 19th century, 325 x 144.4cm. ÂŁ2,000-3,000 23. A good Senneh kelim, north west Persia, second half 19th century, 177 x 128cm. ÂŁ800-1,200

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24. A Qum part silk rug, with an animal, bird and tree field, 20th century, 200 x 130cm. £500-700 25. A north west Persia prayer rug, possibly Tabriz, early 20th century, 187 x 132cm. £100-150 26. A Saraband rug, with kelim ends, Hamadan region, north west Persia, early 20th century, 298 x 171cm. £150-250 27. An Arts & Crafts chenille coverlet, with a plain red field and a floral border, late 19th / early 20th century, 170.3 x 173cm. £80-120 Provenance: The Property of a Nobleman.

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28. A fine Italian embroidered silk hanging, in the Arts & Crafts style reviving the 17th century Venetian silkworks, on a linen ground, decorated with scrolling flowers and foliage, some flowerheads worked with French knots, late 19th / early 20th century, 305 x 176cm. £3,000-4,000 Provenance: Count Redmond Toler Clayton-Browne Clayton (18631937) of the Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. This embroidery formed the furnishings of the villa, the contents of which were shipped back to England just before the outbreak of World War II.

28 29. A late 19th century Italian needlework picture, depicting an urn of vine leaves and grapes with a pair of peacocks flanking the Christian symbol Chi-Rho, 48.5 x 67.5, in a glazed Florentine carved giltwood frame. £300-500

Provenance: Count Redmond Toler Clayton-Browne Clayton (18631937) of the Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (18881971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

λ 30. A Charles II stumpwork embroidered picture, depicting King Charles II with Catherine of Braganza, with attendant figures and with a lion and a unicorn flanking a ship, with various other figures including a dog, a squirrel, a rabbit, a parrot and birds with a man seated underneath a tree playing a flute and with buildings and a castle, with applied seed pearls and overall flowers and foliage, 28.7 x 42.8cm, in a 19th century carved rosewood frame decorated with a coat of arms flanked by eagles, buildings and trees, the base with the date ‘1625’. £1,500-2,000 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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OAK, COUNTRY & WALNUT

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31. An early 18th century oak press cupboard, with a leaf carved frieze above a pair of panelled doors, flanked by turned columns, the base with a lunette carved frieze above part lozenge and panelled doors, the front with a branded mark ‘ER’, 130.4cm high, 164cm wide, 51cm deep. £600-800 32. A 17th century joined oak stool, the seat with a moulded edge on baluster turned and block supports united by peripheral stretchers, 50.3cm high, 49.4cm wide, 29.1cm deep. £300-500 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 33. A joined oak stool, the moulded edge top above carved fret friezes on turned supports united by peripheral stretchers, 17th century and later, 59cm high, 44.4cm wide, 26cm deep £300-500 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

34. An early 18th century oak triple panelled chest, the interior with a till, the front carved with lunettes and foliate rondels, 52.4cm high, 97.8cm wide, 47.7cm deep. £400-600

34 33

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35. An oak chest, the top with later hinges, the interior originally with a till, the triple panelled front inlaid with fruitwood geometric designs, the sides with Gothic cut-out ends, late 17th / early 18th century, 75.3cm high, 133.3cm wide, 47.5cm deep. £400-600

36. A Queen Anne oak gateleg table, the oval drop-leaf top above twin end frieze drawers, with a shaped apron on baluster turned legs united by peripheral stretchers, on stylized Braganza feet, 70cm high, 129.6 x 144.6cm (open). £200-300

37. A late 17th century oak chest, the moulded edge top above four long drawers with panelled fronts, 85.6cm high, 97.5cm wide, 59.3cm deep. £500-800 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

38. A William and Mary and later oak gateleg table, the oval drop-leaf top on block and bobbin turned supports united by peripheral stretchers, the top of one leg stamped ‘76914’, 72.8cm high, 147.5 x 173cm (open). £200-300 38

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39. A George III oak dresser, the raised plate rack with a wavy edge frieze and with three shelves, the base fitted with an arrangement of six drawers and two cupboards, with fielded panel doors, all fitted with gilt brass handles, 209.7cm high, 198.4cm wide, 51.4cm deep. £300-500 40. A George III Welsh oak press cupboard, with turn pendant finials above three ogee panelled doors, each enclosing a shelf above a pair of drawers and a further pair of panelled doors enclosing a shelf with bone escutcheons and brass knob handles, 187.7cm high, 124.5cm wide, 57.7cm deep. £300-500 41. An oak settle, the panelled back carved with foliate lunettes above a twin hinged box seat, with bobbin turned arm supports, 17th century elements, 132.3cm high, 121cm wide, 46.5cm deep. £200-300 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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42. A George III pewter warming meat plate, with a pair of handles on ball feet, the underside stamped ‘MADE IN LONDON’, flanked by two ‘XX’ and ‘SUPERFINE HARD METAL’, 7cm high, 51.2cm wide, 30cm deep. £100-150

43. Four German brass alms dishes, each with a punch decorated outer rim and with a central whorl, 18th century and later, 50cm diameter, max. (4) £300-400

44. Two early 18th century skillets, one handle inscribed ‘WASBROUGH’, 39.7cm wide, the other in bronze by Thomas Pyke of Bridgwater. (2) £80-120

45. An early 18th century bell metal skillet, the handle inscribed ‘T.P.B: WATER IV’ for Thomas Pyke of Bridgwater, on tripod supports, 16cm high, 40cm long, together with a brass mortar and pestle. (3) £100-150

46. A Norwegian birch tankard, the hinged lid centred with a swirl rondel above a zig-zag moulded border with a scroll handle on fluted feet, late 18th / early 19th century, 22.1cm high, 24.5cm wide. £250-350

47. A 19th century Dutch brass jardinière, with lion's mask ring handles on paw feet, 14.5cm high, 26.5cm wide, together with a pair of Mauchline ware sycamore egg cups with a view of Ventnor, three Victorian brass chimney ornaments, a pair of treen shoes with tack inlay and a further treen shoe and two pottery treacle glaze shoe inkwells. (11) £80-120

Provenance: Count Redmond Toler Clayton-Browne Clayton (18631937) of the Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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49 48. A 17th century Spanish or Portuguese leather trunk, embossed with scrolling foliage, the vacant interior with the remains of a linen lining and with 18th century religious engravings, with iron side carrying handles and lock plate and clasp, 53.5cm high, 106cm wide, 58cm deep. £600-800 49. Johannes Blaeu. Hampshire, a hand coloured engraved map inscribed ‘HANTONIA, SIVE, SOVTHANTONENSIS, COMITATUS, Vulgo, HANTSHIRE’, mid 17th century 39 x 48cm, in a later mounted and glazed frame, £100-200 50. John Speed. Buckinghamshire, a hand coloured engraved map inscribed ‘BUCKINGHAM Both Shyre, and Shire, townedeferib.’, dated ‘1666’, in a double sided glazed frame with text to verso, 41.5 x 53.8cm. £100-200 51. A turned treen lignum vitae tobacco jar and cover, of faceted baluster shape, late 18th / early 19th century, 23cm high, 13.8cm wide. £600-800 52. A George III treen lignum vitae cruet, with five cut glass bottles with silver plated lids, with bone finials, 25.4cm high, 20.5cm wide. £300-400

52 51

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53. A late 19th century oak draw leaf dining table in Jacobean style, the panelled top above a carved leaf and gadrooned frieze, on acorn and lobed cup and cover supports with Ionic capitals, united by peripheral stretchers, 77.4cm high, 106.3cm wide, 327.2cm long (open). £600-800 54. A Victorian yew low back Windsor armchair, with an elm seat on turned legs united by a crinoline stretcher. £100-150 55. A harlequin set of Lancashire ash and fruitwood dining chairs, each with a spindle back above a rush seat on stretchered supports, comprising: a pair of open armchairs and eight side chairs, with squab cushions, 19th century. (10) £400-600 56. A George III oak dresser, the plate rack with a dentil cornice above two shelves, the base with three frieze drawers on square tapering supports, 183cm high, 155cm wide, 46.9cm deep. £300-500

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57. Five carved oak panels, two decorated with Romayne busts, one of a man with a helmet the other of a lady with a bonnet, decorated with swags and tree boughs, together with a pair of panels carved with barrels and swags and a panel with a pair of en passant guardant lions and two crowns, 16th century, 36.5 x 21.6cm. (5) ÂŁ300-500

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58. A late 18th century French Provence walnut buffet a glissant, the raised top with a pair of panelled sliding doors flanking a central cupboard, the door with an iron lock plate and carved with leaves and flowers, with a serpentine edge above carved panels of flowers and foliage above a pair of panelled doors, enclosing a converted interior with mahogany drawers, the base centred an urn on cabriole legs carved with leaves and scroll toes, 142.9cm high, 138cm wide, 60cm deep. £500-700

59. A 19th century French oak vendange table, the circular boarded tilt-top on a bow support and sleigh feet, 71.5cm high, 117.3cm diameter. £500-700

60. A Flemish oak draw leaf dining table in 17th century style, the moulded frieze above turned legs united peripheral stretchers and disc feet, 19th century, 81.4cm high, 83.8cm wide, 280.5cm long (open). £500-800

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61. A German stained glass panel, depicting a galleon in stormy seas with further panels of scrolling flowers and foliage with mythical beast masks, 16th / 17th century, 46.5 x 35.3cm. £300-500

62. An Italian carved walnut church foot warmer, with a bronze loop handle above carved panels with scrolling foliage and angels, the hinged door with a gargoyle mask, 18th / 19th century, 18cm high, 23.8cm wide, 20cm deep. £300-500

63. Two similar Italian carved giltwood altar candlestick bases, each decorated with scrolling leaves, 17th / 18th century, 59.8cm high, 24.5cm wide, max. (2) £150-250

64. Two Italian giltwood altar candlesticks, one on scroll tripod supports, both later fitted for electricity, 17th / 18th century, 88.3cm high, 37.6cm wide, max. (2) £150-250

65. A pair of Italian silvered wood altar candlesticks, each with a detachable metal sconce above a baluster turned stem and a triform base, 17th / 18th century, 29.8cm high, 14.5cm wide. (2) £150-250

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66. A George II walnut and oak lowboy, the breakfront top quarter veneered and cross and feather banded, above three drawers with a shaped frieze and on cabriole legs and pad feet, 74.9cm high, 81.2cm wide, 15.9cm deep. £300-500

67. An 18th century fruitwood chest, of four graduated long drawers, 95.3cm high, 94cm wide, 46cm deep. £200-300

68. An early 18th century walnut bureau, crossbanded and inlaid with stringing, the interior with an arrangement of oak pigeon holes and drawers with a central cupboard and a later leather lined surface, above four long graduated drawers fitted with later brass handles and escutcheons, 103cm high, 95.3cm wide, 49.7cm deep. £400-600

69. A George II walnut lowboy, the moulded edge top cross and feather banded, above three frieze drawers with brass plate handles on cabriole legs and pad feet, 70.2cm high, 75.9cm wide, 47.8cm deep. £500-700

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70. A William and Mary walnut gateleg table, the oval drop-leaf top above an end frieze drawer, on baluster and block supports united by peripheral stretchers, previously on castors, 70.5cm high, 106.4 x 128.3cm (open). £1,000-1,500 Provenance: Formerly the property of Miss G.M. Silcock of Lowndes Sq, London S.W. Purchased between the wars from Ronald A. Lee, Bond Street, London.

71. An oyster veneered collector’s cabinet, probably cocus wood, the moulded edge top above a hinged fall revealing five crossbanded and burr veneered graduated drawers with divisions and fitted with turned ebonized disc handles, on turned bun feet, 48.5cm high, 44.2cm wide, 28cm deep. £500-700 72. An elm display cabinet on stand, inlaid feather stringing and crossbanding, the moulded cornice above a pair of frieze drawers, above a pair of glazed doors enclosing a shelf, the stand with two frieze drawers on spiral twist supports united by peripheral stretchers on bun feet, late 17th / early 18th century and later, 163.6cm high, 135.3cm wide, 47.8cm deep. £1,500-1,800

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FURNITURE & WORKS OF ART

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73. A George II mahogany silver table, the dished top with re-entrant corners above frieze drawers to either end with engraved brass plate handles on cabriole legs and pad feet, 72.3cm high, 86cm wide, 56.9cm deep. £600-800 74. An early George II mahogany bowfront hanging corner cupboard, the interior with two shelves and three spice drawers, 113.6cm high, 86.4cm wide, 53cm deep. £200-300 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 75. A George II mahogany standing corner cupboard, with a pair of arched fielded panel doors enclosing a green and parcel gilt painted interior, with three shaped shelves and fitted with three spice drawers with brass knob handles, on bracket feet, 144cm high, 89cm wide, 54cm deep. £150-250 76. A George II mahogany drop-leaf dining table, the oval top on leaf capped cabriole legs and pointed pad feet, 72.7cm high, 119.1 x 130.2cm (open). £400-600

75 76

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77 77. A George III mahogany breakfront sideboard, inlaid with boxwood stringing, with two frieze drawers, a cupboard to the left and a cellaret drawer to the right side, on square tapering legs and spade feet, 92cm high, 196cm wide, 78.3cm deep. £500-800 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. 78. A George III mahogany tray-top commode, the gallery pierced with two handgrips above a frieze drawer and cupboard, the pull-out base with a lidded ceramic pot, 81cm high, 50.5cm wide, 44cm deep. £100-200

79. A mahogany toilet mirror, the arched bevelled plate with a giltwood slip and a moulded frame, with turned brass finials above a serpentine box base, fitted with a drawer and on brass ball feet, 18th century and later, 65.3cm high, 44cm wide, 23.5cm deep. £100-150

80. A George III mahogany spider leg occasional table, with fret corner brackets on stretchered turned and block supports, 70.4cm high, 60.3cm wide, 43.9cm deep. £200-300 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. 81. An early George III mahogany tripod table, the circular tilt-top on a turned stem and cabriole legs and pad feet, 70.3cm high, 77.5cm diameter. £100-200 82. A late Regency serpentine sideboard, with two central drawers, flanked by a cupboard to the left side with a dummy front and two drawers to the right side, all fitted with later brass handles, on square tapering legs and spade feet, 91.9cm high, 187.3cm wide, 73cm deep. £200-300 80 81

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83. A 19th century mahogany serving table, the rectangular plum pudding top above a dentil and blind-fret frieze in the Chinese Chippendale style with a drawer with pierced corner brackets on conforming legs and block feet, 83cm high, 209.4cm wide, 71.5cm deep. £1,500-2,500

84. An early George III mahogany tripod table, the circular tilt-top revolving on a birdcage above a baluster turned stem, cabriole legs and pointed pad feet, 70cm high, 79.5cm diameter. £300-400 85. A George III mahogany bowfront standing corner cupboard, inlaid with boxwood stringing, the frieze with marquetry paterae inlaid with a conch shell and urns of flowers, above a pair of panelled doors enclosing an arched interior with three shelves and two spice drawers, above two further doors with bone escutcheons, 222cm high, 89.5cm wide, 50.5cm deep. £400-600

Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 86. An early 19th century mahogany butler’s tray, with a shaped gallery and pierced handgrips, on an associated folding stand, 80cm high, 66cm wide, 48.8cm deep. £80-120

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87. A George III mahogany artist’s table, the hinged top with a removable rest on a ratchet with drop-flap sides above a frieze drawer on chamfered supports, 77cm high, 52cm wide, 46.5cm deep. £300-500 λ 88. A George III mahogany secretaire bookcase, inlaid stringing, the detachable cornice above a pair of astragal glazed doors enclosing a watered silk lined interior with three adjustable shelves, the secretaire fitted with an arrangement of satinwood veneered cedar lined drawers with turned ivory handles with pigeon holes and a central cupboard door enclosing a drawer inlaid a marquetry patera, with a later inset gilt tooled leather writing surface above three long drawers fitted with replaced brass handles, on bracket feet, top and base possibly associated, 290.5cm high, 101.7cm wide, 56.5cm deep. £200-300

89. A late George III mahogany sewing table, inlaid with ebonized and boxwood stringing, the oval crossbanded hinged top above a divided interior and a pull-out bag, on square tapering legs united by a shaped undertier, 75.5cm high, 55.3cm wide, 38cm deep. £300-500 90. A small mahogany chest, the crossbanded top with an applied moulded edge above four long graduated drawers, 74.5cm high, 64.7cm wide, 47cm deep. £200-400 91. A set of six George III mahogany dining chairs, each with a serpentine top rail above a pierced vase shaped splat on moulded square tapering legs united by ‘H’ stretchers, comprising: an open armchair and five side chairs. (6) £200-300

91 90

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92 92. A George III mahogany breakfront bookcase, the detachable pendant cornice above a foliate and rosette applied frieze, possibly later, above astragal glazed doors carved with leaves and flower paterae, enclosing adjustable shelves, the base with cupboard doors with outline mouldings enclosing four short and two long drawers fitted with brass handles, flanked by cupboards, 232.5cm high, 248cm wide, 53cm deep. £4,000-6,000 Provenance: Bought from Edward A. Nowell, Wells, Somerset. 13th June 1983. 93. A George III mahogany bowfront hanging corner cupboard, inlaid with stringing and kingwood banding, the interior with three shelves, 108.2cm high, 70.1cm wide, 49.5cm deep. £200-300 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 94. A George III mahogany small bureau, the moulded edge flap with later hinges to pigeon holes and drawers, above two short and three long graduated drawers fitted later brass handles and escutcheons, on later ogee bracket feet, 100cm high, 84cm wide, 53cm deep. £250-350 95.

A George II mahogany bowfront hanging corner cupboard, the interior with three shelves, 98.2cm high, 68cm wide, 46.5cm deep. £200-300

Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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96. A George III satinwood tea chest, crossbanded in kingwood, the hinged lid with a silver navette shape handle, the interior with an inlaid oval plaque with initials ‘WC’, above a pair of hinged lidded lift-out canisters, 12.1cm high, 22.7cm wide, 12.7cm deep. £200-300

Provenance: The Dr Lawrie Webster Collection of Boxes. 97. A Regency penwork tea chest, of canted form and decorated with panels of leaves, the interior with a pair of part hinged lidded pull-out canisters decorated with Chinese figures, flanking an aperture for a sugar bowl, 15.4cm high, 31.2cm wide, 15.5cm deep. £400-600

λ 98. A George IV partridge wood sarcophagus shape tea chest, inlaid boxwood and kingwood stringing, the hinged lid to a pair of rosewood tent top pull-out canisters with part hinged lids to foil lining, flanking a cut glass sugar bowl, the front with an ivory escutcheon, the sides with later brass handles on cast gilt brass paw feet, 21.5cm high, 32.3cm wide, 17.8cm deep. £250-350 99. A Regency penwork sarcophagus shape work box, decorated with leaves and flowers with a paper lined vacant interior, on cast gilt brass paw feet and conforming ring handles, 10cm high, 28.8cm wide, 21.6cm deep. £200-300

λ 100. A George III mahogany tea caddy, inlaid boxwood stringing and edging, with a single lidded compartment with an ivory handle, 10.6cm high, 15.3m wide, 10cm deep. £40-60 100

101

λ 101. A George IV rosewood sarcophagus shape tea chest, with boxwood edging, the interior with a pair of part hinged pull-out canisters flanking an associated moulded glass sugar bowl, with gilt brass lions mask ring handles with a bone escutcheon, 17.7cm high, 30.4cm wide, 15.4cm deep. £150-200 102. A Regency penwork sarcophagus shape tea caddy, the lid painted with a panel of flowers within Bacchanalian borders, above scrolling leaves, fruit, birds and urns, the interior painted with a classical battle scene and with twin lidded divisions, on ebonized bun feet, 16cm high, 22.1cm wide, 14cm deep. £300-400

102

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103. A pair of 19th century satinwood cutlery urns, each with a brass and turned vase finial and inlaid with chequer and feather stringing, the revolving pull-up top revealing a tulipwood veneered interior with forty apertures, above a square plinth base with tulipwood banding and green stained sycamore and boxwood stringing, on bracket feet, 67cm high, 26cm diameter. (2) ÂŁ2,000-3,000

104. A rare painted wood teapot tea caddy, with parcel-gilt decoration with a fan patera, the hinged lid with a turned finial to a foil lined interior, probably 19th century, 17.8cm high, 22.8cm wide. ÂŁ2,000-3,000

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λ 105. A William IV tortoiseshell pagoda shape tea caddy, inlaid with mother of pearl flowers, leaves and butterflies, the interior with ivory edging and with twin lidded compartments on ball feet, 12.6cm high, 15.4cm wide, 10.7cm deep. £300-500

λ 106. An early Victorian tortoiseshell pagoda shape tea caddy, inlaid with pewter stringing, the front with mother of pearl flowers, the interior with ivory edging and twin lidded divisions with vegetable ivory handles, on ball feet, 13.5cm, 19cm wide, 12.5cm deep. £300-500

107. A George III gilt rolled paper tea caddy, the hinged lid centred an oval portrait miniature of a lady with initials ‘S.D’, the interior with remnants of foil lining and originally with a lid, 11.1cm high, 12cm wide, 9.1cm deep. £300-400

108. A George III rolled paper tea caddy, of canted form and decorated with panels of flowers, the front with an urn of flowers, the reverse with a coat of arms, the marbled paper interior with a mahogany lid with a brass handle, 11.9cm high, 15cm wide, 10.9cm deep. £200-300

λ 109. A Regency tortoiseshell pagoda shape tea caddy, inlaid pewter stringing the hinged lid with a white metal plaque inscribed with the initials ‘MAR’, to a twin lidded interior with ivory handles on brass ball feet, 15cm high, 17.3cm wide, 10.8cm deep. £200-300

110. A 19th century pear tea caddy, with a diamond escutcheon and a foil lined interior, 17.7cm high, 11.5cm wide. £300-400

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111. An early George III mahogany dining table, comprising: a pair of ‘D’ ends, one with a drop-leaf, the other with twin gate moulded supports with an additional leaf, on brass caps and castors, 72.7cm high, 122cm wide, 240cm long (extended). £500-800

111

112. A George III mahogany hanging corner cupboard, inlaid with ebonized and boxwood stringing, with an astragal glazed door enclosing three shelves, 116.2cm high, 78cm wide, 46cm deep. £100-200 113. A 19th century mahogany two-fold screen, with fabric panels above a fret-work frieze on scroll feet, 122cm high, 31cm wide, each panel. £100-200 112

113

114. A Regency mahogany bowfront sideboard, with a brass rail with urn finials, the base inlaid with boxwood and ebonized stringing, fitted with a central drawer flanked by two deep drawers, one with divisions for bottles, the other with divisions, with a further drawer and cupboard, all fitted with later brass plate handles embossed with a lion on square tapering legs and spade feet, 141.6cm high, 184cm wide, 84.4cm deep. £800-1,200 Provenance: Bought from Edward A. Nowell & Daughter, Wells, Somerset. 24th April 2003.

114

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λ 115. A George IV mahogany breakfast table, with rosewood banding, the rectangular tilt-top on a turned stem, splay legs and brass caps and castors, 71.4cm high, 87 x 125cm. £250-350 116. Seven mahogany dining chairs, comprising: a pair of open armchairs and a side chair each with a pierced vase splat back, a pair of side chairs and two open armchairs, 19th century. (7) £200-300 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London.

115

116

117. A pair of George III mahogany 'D' end console tables, each inlaid stringing and with floral marquetry on square tapering legs and brass caps and castors, 74cm high, 118cm wide. (2) £300-500 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

117

118. A George III mahogany side chair in Chinese Chippendale style, the pagoda top rail above a fret and pierced splat back on fret carved front legs with pierced stretchers, together with a set of six George III ‘Country Chippendale’ mahogany side chairs each with a pierced splat back and a drop-in seat. (7) £200-300

118

119. A George III mahogany side cabinet, inlaid with boxwood stringing, with three frieze drawers above three cupboard doors, each enclosing a shelf, the right hand drawer stamped ‘EDWARDS & ROBERTS’, 81.3cm high, 98.4cm wide. 52.3cm deep. £300-400

119

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120. An 18th century American red walnut ‘Chippendale’ dressing table, the moulded edge top with re-entrant front corners, above an arrangement of three drawers, the central drawer front with a concave reeded fan above a shaped apron with a turned pendant on cabriole legs and pad feet, 78.3cm high, 84.5cm wide, 50.6cm deep. £800-1,200 Provenance: By family repute this table has been in the vendor’s family for the last hundred years and belonged to his grandfather who ran a jute, hemp and flax business in Dundee which made the sails for the Mayflower 2 in the 1960s.

121. A George III mahogany and satin birch cylinder desk, banded with calamander, the tambour revealing a fitted interior with pigeon holes and three drawers and with a later gilt tooled leather writing surface, above two drawers on square tapering legs and brass caps and castors, 93.2cm high, 81.7cm wide, 59.7cm deep. £500-700

121

122. A George III Irish mahogany tall chest, of eight graduated drawers, on bracket feet, 161.5cm high, 84.7cm wide, 48.1cm deep. £500-800 Provenance: Lady Dorothy Elma Hornby née Fry, wife of Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 123. An early George III mahogany bureau, the interior fitted with an arrangement of pigeon holes and drawers above four long graduated drawers and bracket feet, 108.2cm high, 94.6cm wide, 53.6cm deep. £300-500 123

122

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124

124. A mahogany serpentine extending dining table, inlaid with boxwood and ebonized stringing, with two additional leaves, the frame stamped with two ivorine plaques inscribed ‘MUIRHEAD MOFFAT & CO. ANTIQUES GLASGOW’, with an end frieze drawer above moulded square tapering legs, adapted from a George III tea table, 74.2cm high, 229.7cm long (extended), 98.9cm deep. £500-700 125 125. A George II mahogany side table, with a frieze drawer and on chamfered square supports, 72.3cm high, 90.8cm wide, 63.8cm deep. £400-600 126. A George III mahogany washstand, with a shaped three quarter gallery above a frieze drawer fitted with brass knob handles, on ring turned legs united by an undertier, with wavy edge aprons, 101.6cm high, 71.2cm wide, 404.cm deep. £100-200 127. An early George III mahogany ‘North Country’ bureau, the interior with an arrangement of drawers and arched pigeon holes with a central pull-out cupboard with blind fret pilasters, which pulls-out to reveal three short and one long secret drawers, to a later baize lined surface, the lock stamped ‘CHUBBS NEW PATENT 57 ST. PAULS CRYD LONDON DD, 29687’ above three short and three long graduated drawers and wooden castors, 102.6cm high, 119.3cm wide, 53.3cm deep. £300-500 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

126

128

128. A George III mahogany side table, with a frieze drawer fitted with later brass handles on square tapering legs with a printed paper label for ‘PAUL SMITH ANTIQUES 1978’, 76.9cm high, 83.4cm wide, 46cm deep. £200-300

127

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129

130

λ 129. A small George III mahogany bowfront side board, inlaid with boxwood and ebony stringing and rosewood crossbanding, with three drawers above a tambour shutter, 89cm high, 133.2cm wide, 59.3cm deep. £300-500 130. A 19th century mahogany centre table, the circular top above four frieze drawers and on square tapering legs and brass caps and roller castors, united by an ‘X’ stretcher, 72.5cm high, 100.4cm diameter. £200-300 131. A 19th century brass fire companion set, comprising: three fire tools, each with ball finials, on a matching stand with a scroll support, the base decorated with a fleur-de-lys motif, 75.5cm high, 24.1cm wide, 19cm deep. (4) £400-600 132. A cast iron fire-grate in 18th century style, with a classical pediment and turned brass finials, the back stamped ‘74281’, 61.7cm high, 59.5cm wide, 32cm deep, together with a pair of cast iron fire dogs in Regency style. (3) £100-200

132

133. A brass club fender, with green leather seats and a railed front and sides, 53.1cm high, 153.3cm wide, 68.7cm deep. £400-600

131

133

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134

134. A brass club fender, with button upholstered seats on turned column supports, 52.7cm high, 174.2cm wide, 49.5cm deep. £400-600 135. A French gilt brass fire-screen in Louis XV style, decorated with ribbon tied swags and flaming finials on scroll leaf and hoof feet, late 19th / early 20th century, 73.5cm high, 70.7cm wide, 24.5cm deep. £150-250 λ 136. A copper helmet shape coal scuttle, with a rosewood handled scoop, 43cm high, 48.5cm wide, together with a brass coal scuttle. (2) £40-60 135

136

Provenance: The Property of a Nobleman. 137. A 19th century brass and cast iron kettle stand, 30.2cm high, 50.4cm wide, 22.3cm deep. £100-200 138. A French gilt brass fire-screen in Louis XV style, the cast frame decorated with rocaille, leaves and flowers with a central cupid carrying a torch, on scroll feet, late 19th / early 20th century, 78.2cm high, 68.8cm wide, 29.2cm deep. £150-250

137

139. An 18th century English style gilt brass and cast iron fire-grate, comprising: a pair of fire dogs with flaming finials and cast with leaves and scrolling foliage with swags of fruit and flowers on dolphin head feet, supporting a cast iron grate, 66.4cm high, 108.6cm wide, 68.3cm deep. £800-1,200

139

138

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140. A cast iron and brass serpentine firegrate in George III style, the arched back above a railed front and a pierced foliate frieze, with urn finials, 62.6cm high, 63.3cm wide, 39cm deep. £400-600

141. A cast iron and steel serpentine firegrate in George III style, the arched back to a railed front with brass urn finials above a pierced and beaded frieze, 70.6cm high, 65.3cm wide, 33.5cm deep. £500-700 141 140

142. A cast iron serpentine fire-grate in George III style, the rectangular back decorated with a huntsman above a railed front with brass urn finials and a pierced frieze, 80.8cm high, 74.5cm wide, 39cm deep. £400-600

143. A cast iron and steel serpentine firegrate in George III style, with a railed front with engraved urn finials and decorated with oval paterae, 49.3cm high, 53cm wide, 32cm deep. £400-600 142

143

144. A cast iron fire-grate in 18th century style, the shaped railed front with brass fluted columns with flaming finials and with a scroll decorated frieze, 41cm high, 58.4cm wide, 33.5cm deep. £300-400

144

145. A cast iron fire-grate in George III style, the arched back above a railed front with brass fir cone finials and on husk decorated scroll front supports, 63.8cm high, 57cm wide, 24cm deep. £250-350

145

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146

147

146. A large brass log bin, with copper rivets, 52.7cm high, 83cm diameter. £300-400 147. A pair of brass andirons in George II style, each with baluster turned finials, 19th century, 44.7cm high, 19.5cm wide, 18.5cm deep. £100-150 148. A cast iron fireback, decorated with a thistle above a lion with crowned fleur-de-lys and flowers, 74.8cm. £100-200 149. A pair of gilt brass chenets in Louis XV style, each with scroll leaves on fluted supports, late 19th century, 25.8cm high, 40cm wide, 46.6cm deep. (2) £100-200

148

149

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150

150. A Victorian brass and wirework nursery fender, 76.7cm high, 132.3cm wide, 53.5cm deep. £300-400 151. Two Victorian fire tools, with leaf cast bronze handles, each with a registration lozenge, the baluster stem with a pierced shaped pan, 77.5cm long, together with a matched similar poker. (3) £300-400

151

152. A set of three William IV fire tools, each with a stylized foliate handle and faceted stems, above a pierced lyre shape pan, 74cm long. (3) £400-600

152

153. A set of three early 19th century steel fire tools, each with a ball handle and knopped stems, with a pierced pan decorated with an anthemion motif, 76cm long. (3) £300-500 154. A set of three Victorian steel fire tools, each with an inverted baluster handle and knopped stems, with a solid pan, 83cm long. (3) £400-600 155. A George III brass serpentine fender, with moulded borders and a pierced front, 12.3cm high, 126.9cm wide. £100-150

153 154

155

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THE PROPERTY OF A LADY LOTS 156 - 185

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156

156. A ‘Bunny’ sofa by Christopher Hodsoll, with scroll ends, upholstered in check fabric on stained beechwood supports and brass castors, modern, 75.2cm high, 196cm wide, 86cm deep. £800-1,200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 157. A set of three steel fire tools, each with a ball handle and with a solid pan, 81cm long. (3) £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

157 158. A pair of Louis XVI painted fauteuil, each upholstered with later green check fabric on part ribbed and turned tapering front legs. (2) £800-1,200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. O.F. Wilson Antiques, Chelsea 159. A giltwood long stool in Louis XVI style, the padded seat upholstered with later striped fabric above a laurel decorated frieze on leaf carved stop fluted tapering legs, 19th century, 44.5cm high, 150.5cm wide, 53.5cm deep. £300-500 158

Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

159

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160. A painted plaster tobacconist shop sign figure, in the form of a Blackamoor holding a roll of tobacco, inscribed ‘WE SELL TOBACCO’, 73.7cm high, 23cm wide, 15.5cm deep. £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 161. A 'Windsor Loose Back' easy armchair by Kingcome, on turned walnut front legs and castors, modern. £150-250 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 162. A painted wood and leather faux book occasional table, with a hinged top on turned supports, modern, 45.2cm high, 44.1cm wide, 35.5cm deep. £100-200

161

Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 162A. Four tôle tea canisters, comprising: a pair of green painted examples numbered ‘12’ and ‘14’, converted into table lamps, together with a red painted example with a twin light fitting, a black japanned canister with lid and a modern tea canister lamp base, with shades, 19th century and later, 73.3cm high, max. (5). £200-400 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 163. An early 19th century ebonized open armchair, with a cane back and seat to a moulded frame with a squab cushion on scroll front legs and brass castors. £200-300 162

Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

162A

163

160

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164. A 19th century Scandinavian painted pine display cabinet on chest, with a pair of glazed doors enclosing two shelves above three long graduated drawers, on bracket feet, 179.7cm high, 109.8cm wide, 56.3cm deep. £200-300 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

165. A Victorian terracotta bust of a bearded gentleman, the reverse with an impressed signature ‘A. COKE 1871’, 56.9 cm high, 44cm wide, 23cm deep. £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

164

166. A three-fold découpage screen, the arched top above printed panels of ribbon tied frames with panels of flowers, the reverse with classical urns, 101.7cm high, 31cm wide, each panel. £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

167. An early 19th century Swedish painted pine side cabinet, fitted with an arrangement of six drawers flanking a central shelf above a pair of doors, enclosing two shelves, 120cm high, 120cm wide, 48cm deep. £250-350 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

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168. A Chinese stained vellum trunk, with brass side carrying handles and clasps, early 20th century, 38cm high, 80.3cm wide, 59.1cm deep. £100-150 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

168

169. A ‘Parsons’ console table designed by Justin Van Breda, mahogany veneered with a pair of frieze drawers, modern, 75.2cm high, 150cm wide, 45cm deep. £300-500

169

Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 170. Two French carved and painted wood Folk Art doll figures, each with articulated legs, one with fabric and leather arms, 19th century, 456.6cm high, max. (2) £100-150 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 171. A small collection of French leather and card cartonnier filing boxes, five with brass swing handles and dated ‘1919’, ‘1922’, ‘1930’, ‘1938’ and ‘1939’, together with a pair of faux book filing boxes inscribed ‘CAHIERS D’ANNECY' and ‘MELANGES’, 31cm high, 28cm wide, 18cm deep, max (7) £80-120 170

171 (not including the console)

Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

172. A ‘Roma’ sofa designed by Paolo Moschino for Nicholas Haslam, upholstered in striped fabric, on square tapering legs, modern, 82.5cm high, 214cm wide, 100cm deep. £800-1,200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

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173. A late 19th century French ebonized and painted commode, decorated with chinoiserie scenes, with two short and three long graduated drawers, fitted with turned knob handles with panelled sides and on turned feet, 90.7cm high, 129.8cm wide, 60.4cm deep. £1,000-1,500 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. Purchased from Colefax & Fowler, 21st April 2008.

174. A 19th century carved marble model of recumbent lion, 21cm high, 44.5cm long. £200-300 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

λ 175. A Victorian ebonized wood and beadwork book trough, with a pair of handles above a split baluster decorated front, 17.5cm high, 45.5cm wide, 21cm deep, together with a mahogany and kingwood box, the sliding cover marquetry inlaid with a lion with a shield and with fan spandrels, with applied ivory eyelets. (2) £80-120 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

176. A ‘Trieste’ sofa designed by Paolo Moschino for Nicholas Haslam, covered in Brittainy glazed linen with a buttoned seat and four squab cushions, modern, 73cm high, 190cm wide, 95.6cm deep. £800-1,200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

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177. A painted pine architectural scale model of a timber framed Tudor house, in two halves, the top lifts-off to reveal a floor plan with rooms on a painted and ebonized base, early 20th century, 31.8cm high, 65cm wide, 53.4cm deep, together with a leather photograph album stamped ‘HAGELSTEIN BROS. PHOTOGRAPHERS of the FINE ARTS AND MANUFACTURERS 100 Fith Avenue, NEW YORK CITY’, with photographs showing the restoration of the building. (2) £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

178. A ‘Lindsay’ oak veneered coffee table designed by Phiippe Hurel, Paris, with an undertier, modern, 40cm high, 151cm wide, 100.1cm deep. £800-1,200

179. A pair of ebonized stools, each covered in striped fabric, on turned tapering legs and castors, 37.6cm high, 55cm square. (2) £300-500

Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

180. An ebonized dining table designed by Christian Liaigre, modern, 72cm high, 198.9cm wide, 85cm deep. £500-700 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

180

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181. Eleven black and white topographical photographs, of mainly Italian views of Venice, a view of the Doges Palace, the Grand Canal, the Bridge of Sighs and San Giorgio, Venice by Carlo Ponti (1823-1893), together with a view of the Pantheon, Rome, seven with Fine Art Society labels, late 19th century, 45.3 x 35cm, all mounted, framed and glazed. (11) ÂŁ300-500 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

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182. A limed oak centre table designed by Philippe Hurel, Paris, modern, 74.5cm high, 140cm wide, 89.3cm deep. £1,000-1,500 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

182

183. A coloured lithograph map of Venice, inscribed ‘PIANTA DI VENEZIA EDIZIONE DELLA LITOGRAFIA VENEZIANA’, 51.7 x 70.3cm, together with a map of New York with landscape vignetttes, drawn and engraved by ‘J. RAPKIN’ and published by ‘JOHN TALLIS & CO’, both framed and glazed. (2) £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

183 184. Two 19th century Italian painted food containers, of bentwood and metal construction, one inscribed ‘ORZO MONDO’ and the other ‘OSSI DI SEPPIA’, late 19th century, 14.3cm high, 41.3cm wide, 19.8cm deep. (2) £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate.

184

185. An Italian lacca povera domed trunk, decorated with flowers and foliage, the hinged top, now broken, with a vacant interior and an iron lock plate, late 18th / early 19th century, 29.8cm high, 48.7cm wide, 33.8cm deep. £100-200 Provenance: The Property of a Lady, removed from a cottage on the Stourhead Estate. 185

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CONTINENTAL FURNITURE & WORKS OF ART

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186. An early 19th century Swiss cherry and satinbirch commode, the moulded edge top crossbanded and quarter veneered and inlaid with corner flower heads, above two long drawers fitted with gilt brass handles and escutcheons on faceted front tapering legs and brass sabots, 86.4cm high, 102.8cm wide, 57.1cm deep. £600-800

186

187. A late 19th century Swiss walnut centre table in 18th century style, the serpentine edge moulded top inset with pink griotte marble, above scroll and leaf carved cabriole legs terminating in stylized paw feet, 76.4cm high, 102.6cm wide, 63.9cm deep. £300-500

187

188. A Dutch oak and marquetry commode, inlaid with flowers, urns and butterflies, later converted into a music cabinet, now with a hinged door revealing shelves and hi-fi equipment, 78.3cm high, 88.9cm wide, 50cm deep. £100-200

188

189. A 19th century Baltic mahogany guéridon, the circular replaced top with a beaded edge on a turned stem and a triform base with applied ormolu palmettes, 74.9cm high, 75cm diameter. £600-800

189

190. A Louis XVI style giltwood bergère, with a carved flower crest above leaf capped scroll arms and stop fluted tapering legs, the base with a stencil mark inscribed ‘Friedrich Otto Schmidt Wien 1. Singerstrasse 16 Schmidt Miksa Budapest 5. Lipotkor 4’, late 19th / early 20th century. £150-250 190

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191. An early 18th century Italian walnut serpentine tea table, the hinged fold-over top banded in ash and inlaid with a coat of arms with two crowned eagles above a bust of a man and with a dragon, the conforming interior inlaid with two monograms, on twin gate supports above a frieze drawer and on cabriole legs decorated with penwork leaves and on scroll and block feet, possibly Ferrara or Bologna, 80cm high, 89.5cm wide, 46.5cm deep. £2,000-3,000

191

Provenance: Count Redmond Toler Clayton-Browne Clayton (18631937) of the Villa La Punta, Cervara, Santa Margherita, Liguria, Italy. Bequeathed to his nephew, Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

192. A Venetian glass wall mirror, with a bevelled oval plate surrounded by marginal plates etched with leaves and flowers, with applied flower heads within a laurel wreath with a scroll surmount etched with the lion of St Mark, late 19th century, 93.4 x 56.5cm. £300-500 Provenance: The Property of a Nobleman.

193. A 19th century Italian giltwood and composition jardinière stand, the basket wire-work top above a cherub stem decorated with scrolls leaves and flowers on a tripod base, with scroll feet, 117.4cm high, 60cm wide. £800-1,200 Provenance: The Property of a Nobleman. 192

193

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194

194. A collection of carved giltwood architectural swags and pendants, probably South German, late 18th century and later. (11) £300-400 195. A pair of 19th century Italian walnut ottomans, each with a hinged upholstered seat revealing a vacant interior above a panelled front and sides with fluted pilasters, 45cm high, 80.4cm wide, 44,3cm deep. (2) £400-600 195

196. A late 19th century giltwood and composition four-fold screen, the arched panels with ribbed sides and with scrolling leaf and floral swag decoration, with cut velvet damask panels, 205.3cm high, 63.8cm wide, each panel. £500-700 197. A continental painted gilt and composition side table in Baroque style, the later leatherette top above a leaf and floret frieze on leaf and swag decorated column legs united by ‘X’ stretchers, the reverse with three later drawers, late 19th century, 86.5cm high, 149cm wide, 69.8cm deep. £400-600

196

197

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198. A 19th century Italian giltwood and composition centre table, the circular marble top above a vine leaf frieze, the rockwork base with four cherubs entwined with vine leaves and grapes, 86.8cm high, 87.3cm diameter. £1,500-2,500 Provenance: The Property of a Nobleman.

199. A late 19th century Italian giltwood and composition guéridon, the circular top inset with onyx above a scroll and leaf frieze with three winged putti monopodia supports with paw feet, 74.4cm high, 52.7cm diameter. £500-700 Provenance: The Property of a Nobleman. 198

201. A late 19th century Italian giltwood and composition guéridon, the circular top inset plush fabric above an acanthus decorated stem with applied leaf scrolls and rosettes with a triform base and scroll feet, 72.7cm high, 80.5cm diameter. £500-700 Provenance: The Property of a Nobleman.

200. An Italian Florentine giltwood wall mirror, the rectangular plate to a leaf scroll carved frame, early 20th century, 86.3 x 71.2cm. £200-300

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202. A 19th century continental mahogany bedside table, the grey marble top above a frieze drawer and a cupboard with a false front, on column supports united by an ‘X’ stretcher and on brass castors, 77.3cm high, 46cm wide, 37.4cm deep. £100-150 Provenance: The Property of a Nobleman.

202

203. A late 19th century French mahogany and brass mounted three tier étagère in Louis XVI style, with parquetry trellis tiers, on toupie feet, 75.8cm high, 35.5cm wide, 25.4cm deep. £500-800

203

204. A quartetto nest of French beech and oak occasional tables, each inlaid in the Art Nouveau manner, on turned supports united by stretchers, late 19th / early 20th century, 73.5cm high, 56cm wide, 37cm deep, max. (4) £250-350

205. A French mahogany and brass mounted bureau de dame, the top with a tambour above a Vernis Martin panels decorated with cherubs and signed ‘V. FREYDIER’, the interior with three drawers and two inkwells with a pen tray and a plush lined surface above a frieze drawer on fluted tapering legs, early 20th century, 86.8cm high, 66.5cm wide, 42cm deep. £500-700

204

205

206. A Louis XV style giltwood bergère, the moulded frame carved with rocaille scrolls and leaves, late 19th century. £300-500 Provenance: The Property of a Nobleman.

207. A Louis XV style giltwood bergère, the moulded frame carved with scrolls, flowers and leaves on cabriole legs and scroll toes, late 19th century. £300-500 Provenance: The Property of a Nobleman.

206

207

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208. Eight Louis XV giltwood fauteuil, each with a moulded cartouche shape back with a floral leaf crest, covered with watered silk on front cabriole legs, comprising: a set of five chairs and a further set of three, the three, two stamped, one, ‘J. DELAUNAY’ and the other ‘F.D’. (8) £2,000-3,000 Provenance: The Property of a Nobleman. Jean-Baptiste Delaunay was made maître on 13th November 1764.

209

209. A pair of Louis XV giltwood canapé, each with a moulded frame with a flower and leaf surmount, to a padded back, seat and armrest covered in watered silk on cabriole legs, 88.4cm high, 107cm wide, 64cm deep. (2) £1,200-1,800 Provenance: The Property of a Nobleman. 210. A French giltwood wall mirror in Louis XVI style, the rectangular central plate flanked by marginal plates to a moulded frame, with an urn of flowers surmount and conforming finials, late 19th century, 178.5 x 99cm. £1,000-1,500 211. A late 19th century giltwood and composition guéridon in Louis XVI style, the bréche violette marble top above a scrolling leaf and flower carved frieze, above floral swags and on spiral fluted tapering legs united by an ‘X’ stretcher with an urn and flower finial, 79cm high, 79.5cm diameter. £400-600 210

Provenance: The Property of a Nobleman.

211

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212. A late 19th century French giltwood and composition overmantel mirror, with a rectangular plate with a beaded slip and a ribbon tied surmount with swags of flowers, 156 x 111cm. £300-500 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London.

213. A late 19th century French painted and giltwood jardinière table, with a lift-out metal liner above an open base decorated with stiff leaves and with three cherubs, one holding a laurel branch, the reverse with a brass trade label inscribed ‘S. DAWES & SONS ANTIQUE DEALERS CHELSEA’, 89.9cm high, 74.7cm wide, 41.5cm deep. £400-600 Provenance: The Property of a Nobleman.

214. A late 19th century French painted and giltwood music stand, the top inset with verde antico marble above a frieze drawer, with a mirrored shelf above four divisions, the sides carved with leaves and musical instruments, 99.4cm high, 62.5cm wide, 37.5cm deep. £300-500 Provenance: The Property of a Nobleman.

215. A late 19th century French giltwood and composition overmantel mirror, the arched plate with a beaded slip, a cartouche surmount and a leaf moulded outer border, 136.5 x 114.5cm. £300-500 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London.

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216

216. A Transitional kingwood commode, with ormolu mounts, the moulded incarnat turquin marble top above an arrangement of nine drawers fitted with ribbon tied swag handles and escutcheons, the top of the carcass inscribed in pencil ‘MONDOM J M E’, 88.5cm high, 125.5cm wide, 64.9cm deep. £2,000-3,000 Provenance: Lord Charles Spencer-Churchill. 217. A Louis XVI style carved giltwood fauteuil after the model by Jean-Baptiste Sené, the leaf and flower head top rail above Doric capital columns and downswept acanthus carved walnut arms, the barrel front seat with an entrelac carved frieze and spiral fluted legs, 19th century. £800-1,200 This fauteuil is based on the celebrated suite of furniture supplied for MarieAntoinette's 'cabinet intérieur', her private apartment at the Château de Saint-Cloud in 1787. In October 1787 Jean Hauré received the order to furnish the grand cabinet and this was entrusted to Sené, Vallois and Régnier. This famous suite which survived the revolution was amended with later copies and it was reproduced throughout the 19th century. 218. A late Louis XV Aubusson tapestry sofa back, woven with a young shepherd in a laurel leaf medallion with garlands of flowers and ribbon tied trophies, 60.3 x 155cm in a glazed moulded gilt frame. £1,000-1,500 217

218

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λ 219. A pair of continental tortoiseshell and giltwood mirrors, with later plates, ripple mouldings and ebonized beading, second half 19th century and later, 45 x 39.54cm. (2) £800-1,200 220. A pair of Louis XVI style bergère, each with a laurel carved frame with scroll arms with a silk upholstered back and seat, above a fluted frieze and stop fluted tapering legs, late 19th century. (2) £250-350 221. A late 19th century French giltwood and composition oval wall mirror, the moulded frame decorated with husks to a leaf scroll surmount, 71.4 x 60cm. £200-300 219

221 220 222. A pair of red painted bergère in Louis XV style, each with a leaf and moulded carved frame and upholstered in plush fabric. (2) £400-600 223. A continental giltwood wall mirror, with twin circular plates with ribbon tied surmounts and carved with leaves and flowers, with eight candle sconces, 55.5 x 147.5cm. £150-250 224. An early 20th century French painted and parcel-gilt bed, with Aubusson tapestry panels decorated with flowers and foliage, 105.5cm high, 148cm wide, 210.4cm long with a base. £300-500

222

223

224

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225

225. A Napoleon III ebonized and marquetry box by Paul Sormani, with amboyna panels and inlaid with brass pewter and copper foliate decoration, the lock plate stamped ‘PAUL SORMANI 10 Rue Charlot, Paris.’ 9.5cm high, 32.5cm wide, 24.3cm deep. £800-1,200

226

λ 226. A late 19th century French red leather and brass gentleman’s toilet box by Paul Sormani, the lid with initials ‘N.B.’ to a green leather fitted interior, with brushes and silver plated topped bottles and containers, the lid fitted with ivory handled and steel utensils; scissors, files, tweezers, a penknife and with a lift-out mirror, stamped ‘P. SORMANI RUE CHARLOT 10’, 11.1cm high, 27.1cm wide, 18.4cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. 227. A 19th century French electrotype stationery casket by L. Oudrey, decorated with scrolling foliage, shells, birds and pine cones, the domed lid to a divided leather and silk lined interior stamped by the retailer ‘ASPREY & SON, 166. BOND STREET, LONDON’, the left side signed ‘L. OUDREY. Pre Editeur’, 16.5cm high, 21.8cm wide, 11cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes. 228. A late 18th century German engraved steel box, the hinged lid with Victory, the sides and front with swags of flowers, the interior with a mythical beast, 2.8cm high, 6.3cm wide, 4.2cm deep. £100-150 227 λ 229. A 19th century French ivory étui, the interior fitted with gilt metal utensils including a pair of scissors, a needle case, a thimble and a bodkin, 11cm wide. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes.

228

229

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230 231

λ 230. A 19th century continental rosewood and mother of pearl inlaid box, with a steel swing handle and with a rectangular plaque inscribed ‘CARLSBAD’, to a vacant interior, 5.5cm high, 19.9cm wide, 7.2cm deep. £40-60 231. A 19th century French ebonized and boulle work jewellery box, the lid decorated with a cut foliate brass panel to a button silk lined interior, 11.3cm high, 27.4cm wide, 19cm deep. £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes.

232

λ 232. A 19th century Dutch rosewood and brass mounted box, the domed lid inscribed ‘LEPELTJES’, which translates as ‘SPOONS’, 15.3cm wide, together with a similar box. (2) £20-40 Provenance: The Dr Lawrie Webster Collection of Boxes. 233. A mid 19th century French pearwood sarcophagus shape box, the hinged lid with carved mother of pearl spandrels decorated with birds and animals and with a steel handle, the now vacant interior with a mirror to the lid, on mother of pearl feet, 8.3cm high, 15.7cm wide, 11.3cm deep. £40-60 Provenance: The Dr Lawrie Webster Collection of Boxes. 234. A 19th century French leather and brass mounted Palais Royal étui, with a strap handle, the silk and plush lined interior fitted with gilt brass implements including: a faceted needle case, a thimble and button hooks, stamped with the retailers name ‘FENOUX F.B. DE S.M.L’EMPEREUR, 119. PALAIS ROYAL. 120’, 18cm wide, 8.7cm deep. £40-60 Provenance: The Dr Lawrie Webster Collection of Boxes.

233

234

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235

λ 235. An early 19th century French tortoiseshell and ivory Palais Royal étui, the interior with a lift-out tray fitted with mother of pearl utensils including: reel holders, a bodkin with a squirrel handle, a pair of scissors, a glass scent bottle, a thimble and a needle case with a gilt metal and enamel pansy, with a cut steel escutcheon and on ball feet, 6.1cm high, 15.8cm wide, 11.3cm deep. £300-500 Provenance: The Dr Collection of Boxes.

Lawrie

236

Webster

λ 236. A Victorian tortoiseshell scent bottle box, inlaid with pewter stringing and with a vacant plaque to the hinged lid, revealing an ivory edged interior and fitted with three glass bottles with engraved silver plated lids, each with a monogram, 7.3cm high, 13.4cm wide. 6.5cm deep. £200-300 λ 237. A mid 19th century red leather and ivory mounted étui, the hinged lid with an agate cabochon, the interior with a mirror to the interior to the lid and with a lift-out tray fitted with a thimble, button hook, file and scissors, 6.5cm high, 15.5cm wide. £50-100 Provenance: The Dr Collection of Boxes.

Lawrie

Webster

238. A Victorian red leather and brass mounted oval étui, the plush lined interior fitted with gilt brass utensils including: scissors, a thimble, a penknife, bodkins and tweezers, by Betjemann, 14cm wide.£60-80

237

Provenance: The Dr Collection of Boxes.

Lawrie

238

Webster

λ 239. A 19th century French rosewood and brass mounted toilet box, the hinged lid with a vacant plaque and fitted with a silk pouch and a mirror, above five glass jars and bottles with engine turned silver lids each with a monogram, and with two lift-out trays with steel and ivory handled utensils above a leather lined compartment fitted with brush boxes, compartments and an associated ivory shoe horn and a comb, the hinged fall front stamped with maker’s mark ‘A.C. PARIS’ revealing a plush lined drawer with four divisions, the base with a leather trade label for ‘A. CHRISTOPHE RUE DU TEMPLE 33 PARIS’, 23.6cm high, 30cm wide, 23.5cm deep, together with its original leather travelling case and with five travel labels removed from the case. £600-800 Provenance: The Dr Lawrie Webster Collection of Boxes. 239

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LIGHTING

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240. An Edwardian gilt brass and cut glass ceiling light, the leaf decorated corona above a frame hung with lustres and faceted drops, 100cm high, 59cm wide. £500-700 241. A late 19th century gilt brass hall lantern, with four cut and bevelled glass panels with beaded edges and with scroll decoration, with four lights, 101.7cm high, 41.5cm wide, 42cm deep. £500-700

240

241

242

242. A pair of 19th century carved giltwood and gesso three light wall appliques, each with a ribbon tied back with leaf scroll arms, 81.9cm high, 48.7cm wide. (2) £300-500 Provenance: The Property of a Nobleman.

243

243. A pair of late 19th century French gilt and patinated bronze candlesticks in Empire style, later converted into table lamps with pleated shades, the candlesticks, 29.3cm high, (excluding fitting). (4) £500-700

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244

245

244. Military interest. A pair of 19th century figural candlesticks, each modelled with a cherub standing on a cannonball balancing a drum on his head, the base draped with a banner and with war trophies, 19.3cm high, 9cm wide. (2) £150-250 245. A pair of 19th century bronze candlesticks in Renaissance style, each with a pierced canopy above a mythical beast support, 19.9cm high, 8.9cm wide. (2) £150-200 246. A matched pair of late 19th century French gilt brass and Sèvres style porcelain candelabra, with three flower head lights to an urn decorated with cherubs and panels of flowers, 35.5cm high, 27cm wide. (2) £100-150

246

247. A pair of French ormolu wall lights in Louis XV style, each with a fluted pilaster back plate with a bust of Minerva surmount, with three leaf scroll branches and strapwork decorated sconces, 32cm high, 23.5cm wide. (2) £80-120 248. A pair of French gilt brass and onyx candelabra in Louis XVI style, each with five lights with urn sconces, leaf scroll branches and hung with chains, the baluster stems applied with angels masks, late 19th century, 51.5cm high, 22.2cm wide. (2) £100-150 249. A pair of 17th century style bronzed five light wall appliques, with scroll back plates, 63.6cm high, 46.3cm wide. (2) £200-300 Provenance: By repute Oxford University.

247

249 248

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250 251

λ 250. A pair of early 20th century Scandinavian hammered pewter and narwhal tusk mounted candelabra, with scroll branches and three lights, the bases inscribed ‘GOTTFRID ANDERSON, P A 50-ARSDAGEN 15.2 ‘1930’, the underside marked ‘SATURN’, 26.8cm high, 27cm wide. (2) £150-250 251. A pair of late Regency bronze candlesticks, with later glass drip pans, 16.8cm high, 8.5cm diameter. (2) £80-120 252. A pair of French ormolu and porcelain mounted four light candelabra in Louis XV style, each with scroll branches and the central light with a snuffer finial, the porcelain painted with panels of flowers, late 19th century, 39.2cm high, 24cm wide. (2) £150-250 253. A pair of French ormolu wall lights in Louis XVI style, each with a flaming urn back plate with three swag decorated sconces, above a bud pendant, 38cm high, 24.5cm wide. (2) £80-120

252

254. A pair of late Victorian gold painted spelter figural table lamps, in the form of a Moor playing a banjo and with a flamenco dancer, standing on Moorish plinth bases, with shades, 86.2cm high. (4) £150-250 255. A pair of Italian ebonized and giltwood three light wall appliques in Empire style, modern, 61.2cm high, 37.8cm wide. (2) £150-200

253

255 254

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257

256 256. A set of four Victorian silvered brass twin branch wall lights by Richard Evered & Son, each with an oval back plate and a faceted tapering stem with an urn surmount with scroll arms and turned sconces, the back plate stamped a shield, ‘R E & S’, 30.1cm high, 31cm wide. (4) £300-500 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. The company of Richard Evered & Sons was founded in Birmingham in 1809, they exhibited at The Great Exhibition in 1851. 257. A set of six gilt brass wall lights, each with a brass wall plate, drilled for electricity, 20cm high. (6) £200-300 258. An Italian giltwood girandôle, with a circular plate to an eagle surmount and a pair of scroll arms with fluted sconces, 20th century, 95.5cm high, 40.5cm wide. £100-150 259. A pair of nickel plated desk lamps, with adjustable stems and heads, each on a stepped base, modern, 58.5cm high (extended), 18.4cm wide. (2) £250-350 260. A pair of late 19th century French gilt and patinated bronze candlesticks, each with a baluster stem on a foliate decorated circular base, later adapted into table lamps with pleated shades, the candlesticks: 26cm high (excluding fitting). (4) £500-700 261. A pair of French ormolu twin light wall appliques in Louis XV style, decorated with scrolling leaves, 29cm high, 21cm wide. (2) £80-120 258

261 259

260

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262 262. A Regency gilt and patinated bronze colza three light chandelier, with a stiff leaf corona hung with chains to scroll arms with pierced sconces, the body decorated with a laurel wreath band and with winged grotesque masks to a bud pendant, 96.5cm high, 66.6cm wide. £500-700 Provenance: The Property of a Nobleman.

264 263. A set of four Napoleon III ormolu wall lights by Victor Paillard, each with a ribbon tied quiver of arrows back plate, with a laurel wreath to acanthus scroll arms, draped with tassels and leaf and fluted nozzles, the reverse stamped ‘V.P. CROWNED’, 52cm high, 43.,2cm wide. (4) £2,000-3,000 264. A Regency gilt and patinated bronze dish light base, with a circular glass panel and rosette terminals, the guilloche moulded frame, above a leaf and bud pendant, 20cm high, 71.3cm diameter. £150-250 Provenance: The Property of a Nobleman. 265. A 19th century gilt brass chandelier, decorated with dragons and with three leaf and scroll arms, 56cm high, 63cm wide. £200-300

263 265

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266. A Regency mahogany occasional table, the circular top on a ring turned stem, the triform based inlaid with ebonized stringing and on disc feet, 65cm high, 51.3cm diameter. £100-150 Provenance: The Royal College Ophthalmologists removed from Cornwall Terrace, London.

of 17

λ 267. A late Regency rosewood work table, with satinwood banding and fitted with two drawers with turned knob handles on a ‘U’ shape support, inlaid with a marquetry tablet on splay legs and brass paw sabots and castors, 72.4cm high, 46.5cm wide, 36.9cm deep. £400-600

266

267

268. A William IV mahogany coaching table, on chamfered ring turned stretchered supports, 75cm high, 94cm wide, 56.1cm deep, (open). £300-500

268

λ 269. A William IV rosewood Canterbury after a design by J.C. Loudon, with three divisions and decorated with carved laurel wreaths above a frieze drawer and on brass caps and castors, 54.5cm high, 51.5cm wide, 39.2cm deep. £400-600

269

270. An early 19th century mahogany work table, inlaid with stringing, the top with an oval panel above a drawer fitted with a baize lined writing surface on a ratchet with compartments for pen and ink, above a further drawer and a slide-out sewing bag, possibly Scottish, 74.7cm high 56cm wide, 45.8cm deep. £400-600

271. A Regency mahogany tripod table, the square tilt-top with a moulded edge on a baluster turned stem and downswept legs, 75.6cm high, 51cm wide. £250-350 270

271

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λ 272. A George IV rosewood and brass marquetry library table, with two frieze drawers and on solid trestle ends, 71cm high, 116.8cm wide, 72.4cm deep. £1,000-1,500

272

λ 273. A Regency mahogany sofa table, inlaid with ebonized stringing, the reeded edge drop-flap top crossbanded in rosewood, satinwood and kingwood above two frieze drawers to either side, on panelled and reeded trestle ends united by a reeded stretcher on conforming legs, terminating in foliate cast brass caps and castors, 71.7cm high, 109.5cm wide (closed), 78cm deep. £500-1,000

273

274. A Regency mahogany card table, inlaid with ebonized edging, the ‘D’ shape hinged and swivel top, on twin ring turned baluster supports and lappet carved splay legs terminating in foliate brass caps and castors, 74.3cm high, 91.5cm wide, 45cm deep. £500-700

274

λ 275. A Regency rosewood writing table, inlaid with brass and tulipwood stringing and with brass mounts, with a pair of frieze drawers one with divisions and fitted with brass locks by ‘J.T. NEEDS’, the reverse with false fronts on solid trestle ends united by a stretcher on cast foliate sabots and brass castors, 72.4cm high, 91.5cm wide, 50.2cm deep. £600-800

275

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276

276. A Regency mahogany scroll end sofa, with a ribbed tablet back above plush upholstered back and seat with a squab cushion and bolsters, the scroll arms with gilt brass rondels and on splay legs to brass paw sabots and castors, 88cm high, 203cm wide, 67.5cm deep. £400-600 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. 277. A 19th century mahogany candle stand, the moulded top with button rondels to the corners on a fluted stem and tripod supports, 99.4cm high, 45.9cm wide. £300-400 λ 278. A William IV rosewood breakfast table, with nulled decoration the circular tilt-top on a turned and gadrooned stem, the triform base with lobed bun feet and sunken brass castors, the block stamped ‘JAMES WINTER 101 WARDOUR ST’, 74.5cm high, 120.7cm diameter. £500-700 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. 279. A Regency kingwood centre table in the manner of William Trotter, the oyster veneered tilt-top with a nulled edge above a waisted stem with brass foliate mounts, on splay legs and brass paw sabots and castors, 72.3cm high 91.1cm wide 60.4cm deep. £600-800

277

279

278

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280

280. A George IV mahogany scroll end sofa, the shaped back carved with leaf scrolls above a squab and bolster cushions and on ribbed tapering legs and later ceramic castors, 91.5cm high, 206.5cm wide, 64cm deep. £600-800 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. λ 281. A Regency rosewood four tier whatnot, inlaid with brass stringing, the top with a drawer on turned column supports and brass caps and castors, 117.6cm high, 49.5cm wide, 38.2cm deep. £300-500 282. A George IV mahogany breakfast table, inlaid ebonized banding, the circular tilt-top on a baluster turned stem and part ribbed splay legs, terminating in brass caps and castors, 71.5cm high, 97cm diameter. £500-700 283. A William IV mahogany sofa table, the solid top above a pair of frieze drawers, the reverse with false fronts, with a turned stretcher and brass caps and castors, the underside of one drawer with a paper label inscribed ‘Belongs Thos. R. Wilson France 1834’, 73cm high, 93.2cm wide (closed), 62.3cm deep. £600-800

281

283 282

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284

285

284. A William IV giltwood and gesso landscape overmantel mirror, with an inverted breakfront diaper frieze and Corinthian capital cluster column pilasters, the reverse with a paper trade label for H. J Buchan, ‘HOUSE DECORATOR, PICTURE AND LOOKING GLASS FRAME MANUFACTURER.....159 HIGH STREET, SOUTHAMPTON’, 61 x 151cm. £300-500 Henry Buchan was trading at 159 High Street, Southampton in 1830. 285. A Victorian gilt wicker waste paper basket, with silk and velvet swags, 47.8cm high, 36.2cm deep. £80-120 Provenance: The Property of a Nobleman. 286. An early Victorian cream painted and parcel gilt side chair, the moulded frame decorated with leaves and flowers with an oval padded back and seat upholstered with petit point needlework on cabriole front legs with leaf scroll toes. £50-100 Provenance: The Property of a Nobleman. 287. A William IV giltwood and composition centre table, the circular grey veined marble top above a leaf scroll frieze and a baluster stem with applied flowers and scrolls, with tripod legs decorated with cabochons and on stylized shell feet and sunken brass castors, 75cm high, 74.4cm diameter. £800-1,200 Provenance: The Property of a Nobleman.

286

288. A William IV giltwood landscape overmantel mirror, with three rectangular plates with ebonized reeded slips to a spiral twist baton decorated frame with applied rosettes, 60.1 x 143.6cm. £300-400 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

287 288

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289 λ 289. A Regency rosewood and brass mounted side cabinet, inlaid with brass marquetry, the raised back with a three quarter gallery above ‘X’ shaped supports and two frieze drawers above cupboards below enclosing a shelf, flanked by turned columns on turned bun feet, 113.3cm high, 92.7cm wide, 41.9cm deep. £600-1,000

290

Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. 290. A George IV mahogany bookcase, the shaped top with turned rondels above a waterfall open bookcase with four shelves and fitted with two drawers with turn knob handles above a pair of panelled doors enclosing an adjustable shelf on turned feet, 173cm high, 95cm wide, 41.5cm deep. £400-600 λ 291. A William IV simulated rosewood prie-dieu, on turned front supports and brass caps and castors stamped ‘CROWNED I.W. LEWTY’S PATENT’. £40-60 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 292. A George IV mahogany side table in the manner of Gillows, fitted with three frieze drawers flanked by rectangular panels, with fan spandrels and on ring turned tapering legs, 77.8cm high, 95cm wide, 52.7cm deep. £200-300 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. λ 293. A pair of William IV rosewood nursing chairs, each on carved cabriole legs and scroll front feet and ceramic castors. (2) £80-120 291

Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

293

292

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294

295

294. A William IV mahogany twin pedestal sideboard, inlaid boxwood stringing and kingwood crossbanding, each pedestal with a hinged top revealing baize lined cutlery divisions with a cellaret drawer to the right side and a cupboard to the left, each with a foliate brass handles above cupboards and with a central bowfront drawer, 113.9cm high, 170.4cm wide, 57.3cm deep. £800-1,200 Provenance: Sir Henry Russell Hornby, Bt, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent. 295. A Regency mahogany and sabicu writing table, the crossbanded top with a gadroon moulded edge above a conforming frieze drawer with a diamond escutcheon, the reverse with a false front on panelled trestle ends with swirl rondels, united by a turned and faceted stretcher, on brass castors, 75cm high, 72.3cm wide, 39cm deep. £400-600 296. A William IV mahogany armchair, with leaf carved scroll arms supports on turned front legs and brass caps and castors, in need of re-covering. £300-500 297. A Regency mahogany sofa table, with gilt brass mounts and inlaid with stringing, the drop flap top above a pair of frieze drawers, the reverse with false fronts on ring turned column supports and brass caps and castors, 72.4cm high, 92.2cm wide (closed), 70.2cm deep. £400-600 298. A 19th century oak and ebonized console table, the black marble top above a plain frieze and carved scroll and leaf tapering legs terminating in paw feet, 91.4cm high, 136cm wide, 68.4cm deep. £800-1,200

296

297

298

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299. A set of ten George IV mahogany dining chairs, inlaid with ebonized stringing, the curved tablet back above a laurel wreath and ribbed splat above a drop-in seat on ribbed and ring turned baluster front legs, united by an ‘X’ stretcher, possibly Scottish or North Country, comprising: a pair of open armchairs and eight side chairs. (10) £2,000-3,000 300. A George IV mahogany whatnot in the manner of Gillows, with vase turned finials above reeded columns, the base with a panelled cupboard door enclosing an adjustable shelf, 128.3cm high, 59.7cm wide, 47.3cm deep. £600-800 301. A George IV mahogany library armchair, button upholstered with green leather, the wing reclining back above scroll and lappet carved front supports on conforming front legs and brass caps and castors, with a pull-out foot-rest. £1,000-1,500 Provenance: Sheffield Park, nr. Uckfield, Sussex.

Sheffield Park

301 300

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William Henry Hornby: a commission by Gillows On 19th May 1831 William Henry Hornby (1805-1884) married Margaret Susannah Birley. They were to live at Brookhouse Lodge in Blackburn and just over two weeks before they were married they placed an order with Gillow & Co. to furnish the principal rooms. William Hornby was the son of John Hornby who originally had come to Blackburn to learn the business of cotton merchant from his brother in-law Richard Birley. They then purchased a share in a spinning mill and eventually they built their own spinning mill at Brookhouse. In 1841 when John Hornby died his estate was valued at £200,000. His son who succeeded his father in the family cotton business was later to become Mayor of Blackburn and its Member of Parliament from 1857 to 1865. We are extremely fortunate to know the full details of the commission by Hornby as the original bill issued by Gillow to Hornby has survived and retained by a direct descendant and the vendor of the following four lots. On the 3rd May 1831 the order was placed and included ‘a set of handsome Mahogany Imperial dining tables’ for £45.0.0., ‘a pair of handsome Rosewood Card tables' for £22.00, '2 handsome Mahogany four post Bedsteads 7ft long 6ft wide double screw and lathe bottoms, foot pillars 8ft high...mahogany moulded cornices' for £28.8.0 (one of which is lot 302). The entire order was delivered to Brookhouse Lodge by canal as outlined in the invoice 'To paid Carriage of the above by Canal to Preston' even the foreman's time was detailed on the invoice 'To our Foreman's journey & time at Blackburn unpacking & fixing furniture, Window curtains..3 days..To paid his Coach fare & expenses'. The final bill came to £475 and was paid on the 7th July 1831. Lots 302 and 304 feature on the bill, however the bookcases (lot 303) and the clothes horse (lot 305) do not but were presumably ordered at a similar time. The bookcases each have a handwritten label inscribed 'Bookcase to Brookhouse Mills to be treated with great care L.G.H.' Brookhouse Mill was one of only a few combined spinning and weaving mills in Lancashire and was established by John Hornby in 1828. The initials on the labels are those of Letitia Grace Hornby the wife of Sir William Henry Hornby the first baronet, who was born at Raikes Hall in 1841. Presumably the bookcases were moved to Brookhouse Mill from Raikes Hall at the end of the 19th century.

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302. A William IV mahogany four poster bed by Gillows of Lancaster, the flame veneered pelmet with egg and dart mouldings above turned poles with ring holders on acanthus carved and wrapped spiral twist front posts with lancet arch panels, 222.3cm high, 191.3cm wide, 225.5cm deep, together with a modern mattress and base, with some adaptations. ÂŁ2,000-3,000 Provenance: William Henry Hornby (1805-1884) of Brookhouse Lodge, Blackburn, Sir William Henry Hornby, (1841-1928) 1st Baronet of Brookhouse, born at Raikes Hall, Blackpool, Sir Henry Russell Hornby, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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303. A pair of George IV mahogany bookcases by Gilllows of Lancaster, each with a detachable moulded cornice above a pair of astragal glazed doors enclosing eight adjustable shelves, the interior stamped ‘GILLOWS • LANCASTER’, above a pair of panelled doors with reeded looped corner outline mouldings, enclosing two adjustable shelves, with the remains of a paper label inscribed in pen ‘Bookcase to Brookhouse Mills to be treated with great care L.G.H.’ to a plinth base, 246.3cm high, 134.1cm wide, 45cm deep. (2) £8,000-12,000

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Provenance: William Henry Hornby (1805-1884) of Brookhouse Lodge, Blackburn, Sir William Henry Hornby, (1841-1928) 1st Baronet of Brookhouse, born at Raikes Hall, Blackpool, Sir Henry Russell Hornby, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent

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Extract from original receipt

λ 304. A pair of William IV rosewood candlestands by Gillows of Lancaster, each with a fixed circular top with a moulded edge on ring turned baluster stem and tripod supports, slight differences to height and mouldings and with adaptations, 78.1cm high, 42cm diameter, max. (2) £1,500-2,500 Provenance: William Henry Hornby (1805-1884) of Brookhouse Lodge, Blackburn, Sir William Henry Hornby, (1841-1928) 1st Baronet of Brookhouse, born at Raikes Hall, Blackpool, Sir Henry Russell Hornby, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent

305. A William IV mahogany clothes horse by Gillows of Lancaster, with turned finials and block and column supports, with a brass catch and stamped ‘G.L.’ twice, 101.1cm high, 72.5cm wide. £300-400 Provenance: William Henry Hornby (1805-1884) of Brookhouse Lodge, Blackburn, Sir William Henry Hornby, (1841-1928) 1st Baronet of Brookhouse, born at Raikes Hall, Blackpool, Sir Henry Russell Hornby, (1888-1971), 2nd Baronet of Brookhouse, of Barraclough, Clitheroe, Lancashire and thence by descent.

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306. A good William IV mahogany partnersâ&#x20AC;&#x2122; library table attributed to Gillows of Lancaster, moulded edge rectangular top inset a later gilt tooled leather writing surface above three panelled frieze drawers to either side, on boldly carved baroque revival acanthus and scroll legs, each centred a cabochon with scroll toes and lobed bun feet to sunken brass castors, 78.8cm high, 194cm wide, 123cm deep. ÂŁ15,000-20,000 Provenance: The Ceremony Room at Old County Hall, Trowbridge, Wiltshire. There is a possibility that this table was brought to Old County Hall by John Thynne, 4th Marquess of Bath when he was appointed chairman on the newly founded Wiltshire County Council in the 1880s. For a similar library table in rosewood and with brass marquetry inlay see Susan Stuart, Gillows of Lancaster and London 1730-1840, Volume II, page 291, pl. 308. A very similar table was sold by Bonhams, The Knightsbridge Sale, 30th September 2008, lot 262.

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307. An early Victorian oak Gothic fire-screen, the top with crenellated candle holders above spiral twist columns and with quatre foil brackets, the underside stamped ‘GILLOW’ and the slip inscribed in pencil with ‘FIRESCREEN FROM NORTON HALL DAVENTRY NORTHAMPTONSHIRE’, 119.9cm high, 89.4cm wide, 44.5cm deep. £100-150

307

308. A Victorian oak occasional table, the moulded edge drop-flap top above a frieze drawer and a cupboard door with a false front, on lappet carved and fluted tapering legs and brass castors, 74.8cm high, 47.4cm wide, 38cm deep. £200-300 309. A late Victorian ebonized and amboyna book table, with parcel-gilt decoration on a revolving centre, 75cm high, 53.3cm wide. £200-300 310. An early Victorian oak drum table, the octagonal rotating top with four frieze drawers and four hinged compartments with brass locks stamped ‘MORDAN & CO MAKER LONDON, CROWNED PATENT’, with faceted knob handles on a lappet carved stem and triform base to brass castors, 78cm high, 111cm wide. £100-200

308

309

310

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311 detail 311 λ 311. A rare Regency rosewood and Tunbridge ware Pembroke table, the top inlaid with boxwood stringing and cube parquetry specimen woods, on square tapering legs, 68cm high, 63.5 x 84cm (open). £200-300 312. A 19th century Irish Killarney yew ‘strawberry wood’ tripod table, the circular top with a gallery and inlaid with marquetry scrolling flowers, on an open base with conforming inlay, 65cm high, 46.3cm diameter. £200-300 313. An early 19th century giltwood pier mirror, the later rectangular plate flanked by a pair of Corinthian capital columns with a frieze decorated with cherubs harvesting wheat, to a ball decorated cornice, 88.4 x 53.9cm. £100-200 314. An early Victorian mahogany library table, the top inset a later gilt tooled red leather writing surface, above lappet and scroll carved trestle ends united by a ring turned stretcher, on bun feet, 72.5cm high, 136.3cm wide, 65.3cm deep. £300-500

313

312

314

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315 316 315. A mahogany serving table by Theodore Alexander, with calamander crossbanding fitted with three frieze drawers, one with a brass makers’ plaque, on square tapering legs united by an undertier, modern, 90cm high, 140.5cm wide, 38.5cm deep. £300-500 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. 316. A quartetto nest of 19th century mahogany occasional tables, each with ebonized beading and satinwood banding, the rectangular tops with oval panels on ring turned supports, 69.8cm high, 49.1cm wide, 34.4cm deep, max. (4) £200-300 317. A 19th century mahogany fire-screen, with a pull-up panel and with a serpentine shelf with brass supports, 102.8cm high, 44cm wide. £40-60 Provenance: The Property of a Nobleman. 318. A mahogany bottle carrier, with a brass handle and poles with divisions for ten bottles, possibly Campaign, 54.5cm high, 55.8cm wide, 24cm deep. £500-700 319. A mahogany drum table in Regency style, the octagonal top inset green gilt tooled leather, above four drawers, early 20th century, 75.2cm high, 135cm wide. £300-500 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London.

317

318

319

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320. A Napoleon III gilt brass domed stationery casket, engraved with foliate strapwork decoration and applied with thirteen pietra dura oval panels, of birds and flowers, the sides each with a butterfly, with a silk lined divided interior 15.2cm high, 18.3cm wide, 11.1cm deep. £1,000-1,500

321. A Victorian gilt brass photograph frame, decorated with leaves and with a pair of strapwork doors applied with agate cabochons, the easel back inscribed ‘WESTLEY & CO. Strand, Torquay’, 22.6cm high, 22.2cm wide, 9cm deep. £250-300 322. A Victorian ebonized and gilt brass mounted domed jewellery casket, with foliate strapwork panels applied with fern agate cabochons, with a silk lined interior, 12.3cm high, 19cm wide, 12.5cm deep. £300-400

322

321 323. A Victorian gilt brass and pietra dura mounted photograph frame, the oval floral panels set within bead edge hinged frames to a pierced and engraved back, 24cm high, 28.5cm wide. £100-200 324. A late Victorian gilt brass and onyx photograph frame, in the form of an artists’ easel, the doors with strapwork hinges and onlaid with hardstone flowers revealing apertures for two photographs, 28.5cm high, 25cm wide, 17cm deep. £100-150

323

324

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325. A mid Victorian brass oval tea caddy, repoussé decorated with panels of Bacchanalian revelry, the silvered interior with foliate decoration, with a lift-out hinged lidded canister, the base stamped 'H&A 68', with a further pierced lidded compartment, with a mahogany base, 15.2cm high, 20.6cm wide, 17.2cm deep. £500-700 By family repute this caddy was purchased at the Great Exhibition of 1851. It is believed the maker was Harcourt & Allen of Birmingham.

326. A mid 19th century cut brass and mother of pearl sewing box, decorated with scrolling foliage on blue lacquer panels, the silk lined interior fitted with five mother of pearl reel holders and with various utensils: a needle case, a pin cushion and lidded compartments, 6.1cm high, 20.2cm wide, 14.1cm deep. £150-250

327. A Victorian burr walnut and gilt brass mounted jewellery box, with strapwork mounts and a plush lined divided interior, 8.5cm high, 27.8cm wide, 17.5cm deep. £50-100 Provenance: The Dr Lawrie Webster Collection of Boxes.

Provenance: The Dr Lawrie Webster Collection of Boxes.

328. A Victorian coromandel and brass stationery box, with strapwork mounts to a divided interior and with makers mark for ‘TRUSSELL, BRIGHTON’, 16.3cm high, 22cm wide, 11.9cm deep. £100-150 Provenance: The Dr Collection of Boxes.

328

Webster

λ 329. A Victorian oak decanter box, the hinged lid with a sunken brass handle inscribed ‘ROBERT ELLIS CUNLIFFE DEC. 14.1881. FROM ARTHUR GREG’, the interior with a pair of glass decanters and stoppers and with an ivory retailers plaque inscribed ‘OLLIVANT & BOTSFORD. SILVERSMITHS, MANCHESTER’, 19.8cm high, 20.cm wide, 11.6cm deep. £50-100 Provenance: The Dr Collection of Boxes.

Lawrie

Webster 329

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330. A George III mahogany miniature bureau bookcase, inlaid with chequer stringing and with a pair of glazed doors enclosing a shelf above a hinged fall revealing pigeon holes and three drawers above three long drawers, all fitted with brass knob handles, 44.3cm high, 23.6cm wide, 14.4cm deep. £2,000-3,000

332. A George III mahogany miniature bureau, the hinged fall with a bone escutcheon revealing pigeon holes and drawers and a sliding well cover, above three long graduated drawers, 33.4cm high, 30cm wide, 19.8cm deep. £1,000-1,500

331. A Dutch walnut and marquetry miniature bombe bureau, inlaid with urns of flowers, birds and floral sprays, the fall enclosing four drawers above three long drawers, and ebonized bun feet, late 18th / early 19th century, 37cm high, 43.7cm wide, 26.2cm deep. £400-600

333. An Arts & Crafts ash and oak doll’s settee, with faux bamboo supports and silvered terminals, together with a pair of matching armchairs and a pine and beech folding table, the settee: 34.5cm high, 33.9cm wide, 18cm deep. (4) £300-400

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334 335

334. An early Victorian papier-mâché chamberstick by Jennens & Bettridge, with a ring handle and decorated with gilt floral sprays, the underside stamped with ‘JENNENS & BETTRIDGE’, 8.5cm high, 21.3cm wide. £200-300 336

This is an unrecorded item not found in the Jennens & Bettridge archive. 335. A 19th century bois durci wall mirror, with a bevelled plate to a scroll and flower decorated frame, 27.8 x 18.5cm, together with a bois durci photograph frame decorated with putti and a classical female mask. (2) £150-250 336. A Victorian papier-mâché tray, the centre painted with a peacock with gilt outer decoration, 63.3 x 79.4cm. £120-150

338

337. A pair of Victorian beadwork bellpulls, each decorated with bead and raised work flowers and leaves, 174.4cm long. (2) £200-300 338. A Victorian papier-mâché tea caddy, decorated with floral sprays and gilt highlights, the interior with twin lidded divisions each with a mother of pearl handle, 9.4cm high, 18.9cm wide, 12.3cm deep. £80-120 Provenance: The Dr Collection of Boxes.

339

Lawrie

Webster

339. A 19th century French papier-mâché writing slope, with mother of pearl inlaid borders, gilt highlights and painted floral sprays, the interior with a plush lined slope and two replaced glass inkwells, 32.5cm wide. £100-200

337

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340. An early 19th century Italian Roman micromosaic plaque, depicting the Piazza Della Rotonda, with a view of the Pantheon and the Fontana Del Pantheon, 3 x 3.7cm, within a plated copper frame. £800-1,200 This depiction of the Pantheon shows it with its twin bell towers which were removed in 1883.

340

341. A 19th century Blue John tazza, mounted on a later base, 11.1cm high, 9.4cm diameter. £800-1,200 342. A late 19th century continental carved walnut plaque, depicting an amorous couple in front of trees and a building, in a scroll and flower carved surround and a glazed moulded frame, 37 x 30.3cm. £200-300 343. A pair of carved and painted wood plaques, each carved with classical urn above a cartouche centred with war trophies, 76.7 x 75.7cm. (2) £800-1,200

342

341

343

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344

345 344. A 19th century reverse glass picture of a tiger, in a verre églomisé mount within a gilt wood moulded frame. 38.5 x 43.3cm. £200-300 345. Four George III reverse glass pictures of 18th century Navy Admirals, ‘Sr. GEORGE BRIDGES RODNEY.’, damaged, 35.7 x 25.3cm, ‘Sr. Edward Hawke’, ‘Sold by JOHN EYNON, Map & Print-feller, at y Corner of Castle Alley, Royal Exchange in Threadneedle STREET, LONDON.’; ‘Sr. George Pocock.’, ‘Publish’d March 25th 1762, Printed for John Banks & Son at the Black Horse, Cornhill.’; and an untitled portrait. (4) £100-200 Provenance: The Property of Dr & Mrs Emanuel. 346 346. A pair of embossed and printed trompe l’oeil pictures of dead birds after Michelangelo Meucci, each in an ebonized and gilt oval frame, 41.5 x 34cm. (2) £120-180 347. Two Victorian glass bell Alum Bay souvenirs, filled with coloured sands depicting the cliffs and a landscape scene and The Needles, the base of one with a printed paper label inscribed ‘The natural coloured Sand of Alum Bay, so arranged as to represent THE NEEDLES ROCKS, ALUM BAY, Isle of Wight by W. Carpenter,’ 17cm high, max. (2) £100-200 λ 348. A 19th century tortoiseshell card box, with pewter stringing and ivory edging, with a plush lined divided interior, 9.4cm wide, together with a late 18th century shagreen case, containing an associated brass compass. (2) £100-150 349. An Edwardian mahogany and marquetry table revolving bookcase, the base stamped ‘113’, 33cm high, 33.6cm square. £150-200

347

348 349

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351 350

350. A pair of late 19th century French white marble and ormolu mounted urns in Louis XVI style, each with a fir cone finial above satyr masks with laurel swags, 31.2cm high, 12cm wide. (2) £800-1,200 351. A pair of 19th century gilt bronze serpent curtain tie backs, 11.9cm high, 24.7cm deep. (2) £100-200 352. A pair of French gilt spelter and Sèvres style porcelain urns in Louis XVI style, painted with panels of birds and flowers, each on a giltwood base, late 19th century, 31.6cm high, 13.8cm wide. (2) £150-250 353. A pair of 19th century French ormolu vase mounts, decorated with leaf and ‘C’ scrolls. 5.8cm high, 14cm wide. (2) £80-120

352

353

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354. An early 20th century suede leather writing case, the plated lock and clasp to a fold-out interior fitted with various stationery and letter pouches, with a strap handle, 21 x 24.5cm. £30-50 Provenance: The Dr Collection of Boxes.

Lawrie

Webster

355. A Victorian brown leather and brass mounted étui, the plush lined interior fitted with mother of pearl handled utensils, including: tweezers, button hooks, a penknife, a pair of scissors, a thimble and a Samuel Mordan propelling pencil and pencil case, 14cm wide. £80-120 Provenance: The Dr Collection of Boxes.

Lawrie

354

Webster

λ 356. A late Victorian black leather sewing box by Mappin & Webb, the plush lined and silk interior with a pouch and needle compartments to the lid with cotton reels, above various mother of pearl handled and steel utensils including: scissors, a file, thimbles, an ivory glove stretcher, a penknife, needles, bodkins and a button hook, the lid inscribed ‘MAY 15th A MANY HAPPY RETURNS OF THE DAY’, the base with retailers mark ‘MAPPIN & WEBB, CUTLERS, LONDON & SHEFFIELD’, 26.5cm wide, 20cm deep. £80-120 Provenance: The Dr Collection of Boxes.

Lawrie

Webster

357. A 19th century French red leather musical étui, with a strap handle above a fitted interior with a mirror to the lid and with a pull-out plush lined tray fitted with mother of pearl reel holders, steel utensils including: scissors, a bodkin, a needle case and a thimble, above a musical movement, 9cm high, 15.8cm wide, 10cm deep. £150-200 Provenance: The Dr Collection of Boxes.

Lawrie

355

356

Webster

358. A George IV faux tortoiseshell work box, the divided interior with a needle case, a bone thimble and a lidded compartment with a coloured engraving of a lake scene to the inside of the lid, on brass claw and ball feet, the based lined with marbled paper and inscribed in pen ‘Anne Stansfield Junr, given to her by her Aunt Rawdon July 1829’, 7.5cm high, 19.1cm wide, 12.9cm deep. £80-120 Provenance: The Dr Collection of Boxes.

Lawrie

Webster

357

358

359. A 19th century mahogany and satinwood work box, the interior with marbled paper edging and fitted with a mirror to the lid, with a lift-out tray with lidded compartments and with mother of pearl handled and steel utensils, 10.3cm high, 29.7cm wide, 20cm deep. £80-120 Provenance: The Dr Collection of Boxes.

Lawrie

Webster 359

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λ 360. A Victorian black leather and gilt tooled writing slope by J. Turrill, the hinged lid with initials ‘A.R.B’ within bands of scrolling flowers and foliage, the mahogany and coromandel interior with leather covered light and ink boxes, ‘Coombs patent 1844’, each with a gilt brass handle, flanking a pen tray, the hinged slope revealing a fitted two handled lift-out tray and with the makers trade label inscribed ‘J. TURRILL, Dressing Case & Buhl, MANUFACTURER, 52, NEW BOND STREET, LONDON.’ with a false secret front revealing three drawers each with an ivory handle, 15.4cm high, 45.6cm wide, 26.5cm deep. £250-350

360

Provenance: The Dr Lawrie Webster Collection of Boxes.

361. A Victorian black leather jewellery box by Leuchars, with gilt tooled line decoration, the hinged lid with a gilt brass monogram to a plush lined interior with two pull-out trays, one with divisions, fitted with a Bramah lock and the front edge stamped ‘W. LEUCHARS, MAKER, 38, PICCADILLY, LONDON.’, 16cm high, 32.7cm wide, 24cm deep. £100-200

361

360 detail

Provenance: The Dr Lawrie Webster Collection of Boxes. λ 362. A Victorian black leather gentleman’s shaving box by Lund, the fitted mahogany interior with pouches and a mirror inset to the lid with ivory handled blades, scissors, tweezers, a corkscrew, the majority stamped ‘W. LUND’, with a leather cased hone, glass scent bottles, a needle case, compartments for brushes and two silver boxes and covers, one for a shaving brush the other for wax, each with a crest of a unicorn’s head out of a coronet, hallmarked ‘JD’ LONDON 1841, the leather stamped ‘LUND FLEET STREET LONDON’, 7.2cm high, 26.5cm wide, 10.4cm deep. £150-250 William Lund set up his manufactory and retail shop at 23 & 24 Fleet Street, London in around 1835 joining his father Thomas Lund in business. Provenance: The Dr Lawrie Webster Collection of Boxes.

362

363 363. A William IV tooled leather writing box by Bramah & Prestage, with a sunken brass handle inscribed ‘W. H. RICHARDS’, the flame mahogany veneered interior with a writing surface and a twin lidded compartment the underside with pen loops and a letter pouch a further hinged lidded compartment with a lift-out tray and an inkwell compartment, with a green printed maker’s label inscribed ‘BRAMAH & PRESTAGE, 124 Piccadilly, MANUFACTURERS, By Appointment, To their Royal Highnesses THE DUCHESS of KENT and THE PRINCESS VICTORIA’, the brass lock stamped ‘I. BRAMAH 124 PICCADILLY’, 9.5cm high, 35.5cm wide, 25.3cm deep. £200-300 Bramah & Prestage set up a partnership and took out a lease on premises at 124 Piccadilly in 1836 and they parted company in 1841. W.H.Richards (1816-1885), a mining engineer at Cuiaba and Morro Velhos gold mines in Brazil during the 1840s. Perhaps this was a 21st birthday present before he set out overseas.

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364

365

364. A 19th century German walnut and parquetry sewing box, the interior with a divided lift-out tray with silk lined lids and a needle compartment, 14cm high, 25.5cm wide, 17.3cm deep. £30-50 365. An early Victorian coromandel tea chest, with a mother of pearl plaque and escutcheon, the interior with a pair of hinged lift-out canisters flanking a cut glass sugar bowl, 14.7cm high, 30cm wide, 15.2cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. 366. A 19th century mahogany and brass bound writing slope, the lid with a brass plaque inscribed ‘Mrs McConnal’, the interior with a later baize lined slope, with divisions for ink and pens, with later lids, with sunken brass carrying handles, 12.5cm high, 37.9cm wide, 25.5cm deep. £100-150

366

367. A Regency mahogany and brass mounted writing slope, the hinged lid with an inset oval plaque inscribed ‘J. SOBER, 1807’, the interior with a later lined writing surface and fitted with a pen tray and inkwell compartments, 15cm high, 35.5cm wide, 24.2cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 368. A Victorian Tunbridge ware and rosewood box, the hinged lid with a mosaic panel of a stag with bands of flowers, to a mother of pearl escutcheon and a paper lined vacant interior, 10.7cm high, 22.8cm wide, 15.4cm deep. £100-200 369. A Victorian Tunbridge ware inkwell, decorated with a micromosaic wreath with two pen holders and a glass well, 7.2cm high, 10.1cm diameter. £20-40

367

Provenance: The Dr Lawrie Webster Collection of Boxes.

368

369

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λ 370. A 19th century mahogany and brass mounted Campaign Officer’s shaving case, the hinged lid inset with a leather cased mirror and with a bone comb and a hone, above three slide-out trays fitted with various utensils and implements including: a tortoiseshell handled file, scissors, brushes, ivory handled razors, boot-pulls and bottles, 8cm high, 22.5cm wide, 9cm deep. £200-300 370

Provenance: The Dr Collection of Boxes.

Lawrie

Webster

λ 371. A Victorian rosewood and mother of pearl dressing case, inlaid with pewter stringing the interior fitted with a pull-out mirror to the lid above an arrangement of glass and silver plated topped bottles and boxes, with lidded compartments and a lift-out tray to the interior, with mother of pearl handled utensils, the base with a jewellery drawer, and with sunken brass handles, 16.1cm high, 33cm wide, 22.7cm deep. £150-200 Provenance: The Dr Collection of Boxes. 371

Webster

372. A Victorian macassar ebony dressing case, the hinged lid inset with a brass plaque inscribed with the initials ‘R.E.B.G.’, the interior fitted with a mirror to the lid above various cut glass bottles and jars, six with silver plated lids and with mother of pearl handled utensils and lidded compartments, above a fall front revealing two drawers, one lined and with divisions for jewellery each with a sunken brass handle, 19.1cm high, 30.5cm wide, 23cm deep. £300-400 Provenance: The Dr Collection of Boxes.

372

Lawrie

370 open

371 open

Webster

373. A George III mahogany paint box, by Reeves & Sons, inlaid with ebonized and boxwood stringing, the interior fitted with lift-out trays containing print blocks with paper labels inscribed ‘REEVES & SONS, NO. 150, CHEAPSIDE, LONDON’, one label for ‘SOCIETY FOR THE ENCOURAGEMENT OF ARTS MAN LECTURES AND COMMERCE, ADELPHI, MAY 17 1781’, with a base drawer fitted a sunken brass handle, fitted with four ceramic palettes, 7.6cm high, 23.7cm wide, 20.2cm deep. £150-250

372 open

λ 374. A 19th century bird’s eye maple writing slope, decorated with parquetry stars and with kingwood and stained fruitwood feather banding with ebony corners, the interior with a later lined slope and with four lidded compartments each with a parquetry specimen and stained wood star and fan, each with an ivory handle, 13.8cm high, 40.4cm wide, 23.5cm deep. £150-250 Provenance: The Dr Collection of Boxes. 373

Lawrie

Webster 374

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SCULPTURE

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375. After Antoine-Louis Barye (French, 1796-1875). A large bronze group ‘Le Cerf Debout’, the naturalistic base signed ‘BARYE’ and impressed ‘SUSSE FRERES’, late 19th / early 20th century, 45.7cm high, 49.2cm wide. £2,000-3,000 Provenance: Purchased from Westerham Antiques at the Olympia Fine Arts Fair.

376. A late 19th century bronze desk stand, modelled with a roaring lion on a naturalistic base, signed ‘MARTIN’, 12.5cm high, 17.4cm wide, 11.5cm deep. £150-200

377. After Frederic Remington (American, 1861-1909). A bronze group of the ‘BRONCO BUSTER’, late 20th century, 58.5cm high, 49cm wide. £300-500

377

378. After Auguste-Nicolas Cain (French, 1822-1994). A bronze centrepiece, decorated with hunting trophies within an outer band of game birds, signed ‘CAIN’, on naturalistic feet, 7.7cm high, 34cm diameter. £100-150 376

378

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379. A Victorian carved Meerschaum model of a Bolognese terrier, with glass eyes, under a glass dome on an ebonized base, the terrier: 9.9cm high, 12.6cm long. (2) £100-150 Provenance: The Property of a Nobleman.

379 380. A late 19th century carved wood group of a lion and lioness, the roaring lion crouching on a rocky outcrop with two cubs, all with glass eyes, 40.2cm high, 22cm wide, 20cm deep. £400-600

380

381. An Austrian cold painted bronze model of a kingfisher, mounted on a socle base as a car mascot, late 19th century, 12.3cm high. £100-150

381

382. An Austrian cold painted bronze model of a fox, late 19th century, 9.4cm high, 18.5cm long. £150-250

382

100

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383. An Austrian cold painted bronze Orientalist table lamp by Bergman, modelled with two Arabs next to a mosque, the steps adorned with a rug with swords, a hookah, coffee pot, a beaker and a plate, the reverse stamped with ‘B’ in a vase and also inscribed ‘Beng’, late 19th century, 35.7cm high, 11.8cm wide, 10.8cm deep. £800-1,200 See Joseph Zobel, Antique Vienna Bronzes, p.198 for an identical lamp with its canopy.

384. Henri Allouard (French, 1844-1929). A gilt bronze bust of a young lady, signed ‘H. Allouard’ and stamped ‘F. BARBEDIENNE, Fondeur’, on an associated mahogany socle, 45.4cm high, 21cm wide. £600-800

385. A pair of Victorian gilt spelter figures of Sir Francis Drake and Sir Walter Raleigh, each with a bowling ball in their right hand on fluted socles, 41.3cm high, 19cm wide. (2) £80-120 Provenance: The Property of a Nobleman.

385A. A 19th century French ormolu group of two wrestling putti, 28.5cm high, 21.5cm wide, 15.3cm deep. £280-320

384

383

385 385A

101

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386. After the antique. A 19th century Italian bronze model of the Sandalbinder, Napoli, 17.3cm high 6.9cm wide. £100-150 387. After the antique. A late 19th century Italian bronze model of Narcissus, the circular base signed ‘SOMMER, NAPOLI’, 62.9cm high, 24cm diameter. £1,000-1,500 Narcissus was discovered in August 1862 in a humble Pompeian house and was displayed soon afterwards in the Museo Nazionale. 388. Frederick W. Pomeroy, (1856-1924). A late Victorian bronze relief double portrait rondel, of J. D. Sedding and his wife Rose, 15.7cm diameter, and a gilt bronze relief portrait bust of Zavier Sigaloni by Preault, signed and dated 'AUG 1830', with suspension ring, 16.7cm diameter. (2) £100-150 Provenance: the collection of Ralph Holland (1917-2012), art historian. 387

John Dando Sedding (1838-1891) was an English Church Architect and an influential figure of the Arts and Crafts movement. He and his wife Rose died withing a few weeks of each other in 1891. The original memorial by Harry Wilson and Pomeroy was in St. Andrew’s

386

Holborn. The church was largely detroyed in the Second World War. 389. A 19th century plaster bust of a Judge, wearing a wig and robes on a turned socle, 74cm high, 60cm wide, 29cm deep. £100-200 390. A late Victorian painted terracotta group of a lady seated on an armchair reading, signed ‘J. TAYLOR’, 53.3cm high, 62cm wide, 45.2cm deep. £300-500 Provenance: The Property of a Nobleman. 388

102

391. A late 19th century French plaster bust of a lady, the reverse with a plaque inscribed ‘MUSEES NATIONAUX MOULAGE’, on a plush covered plinth, 43.7cm high, 82.5cm wide, 18.4cm deep. £200-300

390

389

391

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392. A classical carved marble portrait bust of a boy, with almond eyes and thick curling hair, possibly Roman 2nd / 3rd century A.D. or later, 21.3cm high, 16cm wide, 16.5cm deep. £500-800 Provenance: By family repute this bust was discovered by German soldiers digging trenches when establishing a new line of defence in Romania in 1944. It was excavated near Cilibiu along with a torso and arms and a quantity of French gold coins minted for Napoleon. It is thought that these coins were left in Romania by Napoleon's army on its way to Russia. The bust was bought from the German soldiers for food by the previous vendor's grandfather who was a priest.

393. An early 20th century Italian carved white marble model of a classical male figure, signed ‘Gno Rossi’, 35cm high, 15.8cm wide, 11.9cm deep. £200-300 Provenance: The Property of a Nobleman.

394. A 19th century carved white marble model of Cupid, kneeling with his right hand outstretched towards some flowers, 51cm high, 42.5cm wide, 27cm deep. £500-700 This Cupid is after a well known marble group by Antoine-Denis Chaudet (1763-1810), now in Le Louvre Provenance: The Property of a Nobleman. 392

393

394

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395

396

395. A 19th century marble sculpture of a young Bacchus, wearing a crown of vine leaves and grapes and holding a ewer in his left hand, standing on a naturalistic base next to a tree trunk, the base inscribed ‘B. SAXF. ROMA 1867’, 118cm high, 38cm wide. £1,000-1,500 Provenance: The Property of a Nobleman. 396. A 17th century Italian carved marble group of the infant Hercules, the winged figure holding a club in his right hand, sitting on a rocky plinth draped with the pelt of the Nemean lion, 90.8cm high, 38cm wide. £2,000-3,000 Provenance: The Property of a Nobleman.

104

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397. Marshall Wood (1834-1882). A carved marble model of Daphne, standing with her back to a laurel tree, the base signed ‘M.WOOD. Sc. 1869’, 95.2cm high, 26.8cm wide. £3,000-4,000 Provenance: The Property of a Nobleman. Marshall Wood was a pupil of Sir Francis Chantrey and he exhibited at the Royal Academy from 1854. In 1859 he exhibited an unfinished version of Daphne at the Academy. He executed statues of Queen Victoria for Sydney, Montreal, Calcutta, Ottawa and Melbourne. Whilst visiting Melbourne in 1880, there to help install his statue of Queen Victoria in Parliament House, he exhibited another version of Daphne at the Melbourne International Exhibition.

105

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398

399 λ 398.

A Victorian turned ivory gavel, with the initials ‘A.F.Q’, 15.9cm long.

£80-120

λ 399. Eleven ivory gentleman’s toilet items, two hand mirrors, four brushes, a pair of boot-pulls, a button hook, a shoe horn and a leather cased razor hone, ten with the Smyth double crest of a unicorn and stag, ducal coronet and the motto ‘EXALTABIT HONORE’, late 19th century, 26.7cm long, max. (11) £50-100 λ 400. A Victorian carved ivory brooch, of a bust of a young lady with flowers in her hair, 4.8cm high. £80-120 λ 401. A scrimshaw whales tooth, decorated with a three masted sailing ship and with an urn of flowers, 15cm long. £200-300 402. A Scandinavian bone handled knife, the scabbard etched a rampant lion crest, with a reindeer pulling a sleigh and dated ‘1927’ and initialled ‘ARC’, 25.5cm long. £60-80 λ 403. A 19th century leather cased toilet set, the lid with a sunken handle, comprising: ivory backed brushes, mirrors, a shoe horn and button hook, glove stretcher and other utensils, all in a fitted plush and leather lined case, with foliate engraved brass work, 9cm high, 37.4cm wide. £100-150 400

402

106

401

403

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404

405

λ 404. A late 19th century continental carved ivory model of a rearing ibex, with glass eyes, 11.2cm high, 12.4cm long. £300-400 λ 405. A late 19th century German carved ivory group of a young boy, seated on a barrel holding a stein, the base with a wax seal inscribed ‘R.B.E.Z.A. MUNCHEN’, 15cm high, 5.4cm wide. £300-500 406. A 19th century bone carving, depicting four bears climbing a tree, possibly Russian, 16.1cm high, 4.6cm wide. £100-150 λ 407. A stained pine and ivory cane handle, inset with three carved ivory grotesque heads, 19th century, 8.5cm high. £80-120 λ 408. A Victorian ivory and ebony dog whistle, carved in the form of a greyhound’s head with red stone eyes and on a 9ct gold chain, 5.5cm long. £100-150

407

406

408

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ORIENTAL FURNITURE & WORKS OF ART

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409

λ 409. Two Ottoman sherbet spoons, each with a coral terminal to an ivory stem and a tortoiseshell bowl, Turkish, early 19th century, 25.5cm long, max. (2) £200-300 λ 410. A 19th century Chinese Canton ivory brooch, carved with flowers and foliage in a silver filigree mount, 4.3cm high. £80-120

411

λ 411. A late 19th century Chinese carved ivory seal and stopper, carved with a dragon, 6.5cm high, together with a European carved ivory section of a cross with a sleeping cherub. (2) £40-60

410

λ 412. Two late 19th century ivory graduated bead necklaces. (2) £80-120 λ 413. A late 19th century Chinese Canton carved ivory card case, decorated with panels of figures amongst trees and buildings, 7.5 x 4.2cm. £50-100 412

413

109

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414. A pair of Chinese hardwood Ming style open display shelves, the bases carved with Greek key motifs, 20th century, 179/.7cm high, 90cm wide, 40cm deep. (2) £1,000-1,500 415. A 19th century cloisonné and gilt brass mounted table lamp, with an adjustable stem, 49.7cm high, (extended), 15cm wide. £150-250

415

416. A Chinese carved hardwood standard lamp decorated with a scaly dragon with foliate panels on claw and ball feet with a brass twin light fittings, 174.5cm high (excluding fitting), 41cm wide. £50-100 417. A Chinese giltwood jardinière stand, the lobed top inset with marble with a leaf carved surround and a leaf and berry pierced frieze, late 19th century, 81.4cm high, 47.5cm wide. £300-400

414

Provenance: The Property of a Nobleman. 418. A nest of three Chinese padouk occasional tables, each with fret carved friezes on stretchered supports, late 19th / early 20th century, 71.3cm high, 50.2cm wide, 36.5cm deep, max. (3) £200-300

417

416

110

418

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419. A pair of Chinese hardwood jardinière stands, each with a panelled top above a carved frieze decorated with dragons chasing a pearl on moulded square supports and scroll feet united by peripheral stretchers, Qing Dynasty, 95.6cm high, 37cm square. (2) £3,000-5,000

419

λ 420. A Chinese rosewood side table, the panelled top above a carved fret and ball frieze on square legs terminating in scroll feet, late 19th century, 86.7cm high, 90.8cm wide, 45.2cm deep. £400-600

420

λ 421. A Chinese rosewood altar table, the panelled top above a carved fret frieze, on open panelled legs with scroll feet, late 19th century, 99cm high, 139.5cm wide, 43.7cm deep.£800-1,200

421

111

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422

λ 422. A collection of thirty-nine models of frogs, including a Royal Crown Derby bone china example, a Japanese carved ivory netsuke, Chinese hardstone and jadeite examples and various other carvings and models in bronze, wood, and brass, contained within a glazed hardwood display cabinet and with a Chinese box and cover. (41) £500-1,000 423. A set of eight Chinese horses of Wu Mang, possibly carved of stained horn, 20th century, 5.6cm high, 7.5cm wide. (8) £80-120

423

λ 424. A late 19th century Chinese Canton carved ivory figural part chess set, with puzzle ball bases, natural and stained red, the king: 143 cm high, the pawn: 5.8cm high, together with thirty turned bone gaming pieces, natural and stained red. (60) £100-200 λ 425. A late 19th century Chinese Canton carved ivory figural chess set, with puzzle ball bases, natural and stained red, the king: 16.6cm high, the pawn: 7.4cm high, contained in a Japanese lacquer box. (33) £150-250

112

424

425

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λ 426. A good 19th century AngloIndian ivory and sadeli work box, Bombay, with ebony stringing, decorated overall with panels of geometric parquetry, the fitted interior with a lift-out tray with lidded compartments, pots and covers, bobbins, a thimble, a sadeli needle case and other sewing utensils, on bun feet, 12cm high, 32.3cm wide, 23cm deep, together with a silk embroidered cover for the box and contained within a pine travelling box, the lid inscribed ‘Mrs Sheppee’s Work Box’. (3) £400-600 426

λ 427. A 19th century Anglo-Indian sandalwood and ivory work box, Bombay, decorated with sadeli circles and with radiating sunburst veneers, the interior with a lift-out tray fitted with lidded compartments and with reel holders, a pin cushion, a thimble and lidded pots, on bun feet, 8cm high, 25.5cm wide, 17.8cm deep. £200-300

λ 428. A mid 19th century Anglo-Indian sandalwood and ivory card box, Bombay, decorated with bands of ebony and sadeli, the interior with a red leather lined lift-out tray with four divisions above four further divisions to the base with white metal side carrying handles, 7.1cm high, 30cm wide, 22.6cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes.

Provenance: The Dr Lawrie Webster Collection of Boxes.

λ 429. An Anglo-Indian ivory sewing box, Vizagapatam, lac decorated with bands of ribbon tied flowers, the hinged lid with a monogram ‘H L’, the sandalwood interior with a lift-out tray with divisions and fitted with reel holders, clamps, a tape measure and a thimble, above a base drawer, early to mid 19th century, 9.1cm high, 29cm wide, 23.8cm deep. £500-800 Provenance: The Dr Lawrie Webster Collection of Boxes. Included with the lot is an invitation from His Highness the Maharaja to invite Mr and Mrs H.G. Alderton of the White House, Mysore to the Durbar at the Palace 26th September 1925.

113

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431

430 λ 430. A 19th century Anglo-Indian ivory and sandalwood sarcophagus shape box, Vizagapatam, with an ebony ground and inlaid with bands and circles of sadeli, with a later strap handle to a vacant interior on bun feet, 6cm high, 22.5cm wide, 17.7cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 431. An Anglo-Indian horn and ivory stamp box, Vizagapatam, with fret carved panels lac decorated with two goddesses and with bands of fruit and flowers, the sandalwood interior with four divisions, on carved paw feet, 5.3cm high, 18.5cm wide, 8.1cm deep, together with a similar tortoiseshell example with a plush lined interior. (2) £80-120 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 432. An Anglo-Indian sandalwood and ivory lozenge shape box, Bombay, decorated with ebony and sadeli borders, the lid with a fret panel, first half 20th century, 4cm high, 17.2cm wide, 10cm deep. £40-60 Provenance: The Dr Lawrie Webster Collection of Boxes. 432

λ 433. A late 19th century Anglo-Indian sandalwood and ivory book slide, Bombay, decorated with ebony and sadeli bands and circles, with folding arched ends, 15cm high, 30.5cm wide, 13.7cm deep. £50-80 Provenance: The Dr Lawrie Webster Collection of Boxes. 434. A late 19th century Indian silver trinket box, embossed with scrolling flowers and foliage, 12.8cm wide. £40-60 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 435. A late 19th century Anglo-Indian sandalwood and ivory glove box, Bombay, decorated with panels of geometric parquetry within borders of ebony and sadeli work, the interior with a pair of leather gloves, 6.4cm high, 27.6cm wide, 10.9cm deep. £100-150 Provenance: The Dr Lawrie Webster Collection of Boxes. λ 436. A late 19th century Anglo-Indian sandalwood and ivory cribbage box, Bombay, inlaid with ebonized banding and with sadeli decoration, the plush lined interior with division, 5.7cm high, 28.5cm wide, 10.7cm deep. £80-120

433

Provenance: The Dr Lawrie Webster Collection of Boxes.

435

434 436

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λ 437. A 19th century Ceylonese macassar ebony workbox, of scalloped outline, the interior with inlay to the underside of the lid with an ivory elephant within a band of flowers above a lift-out tray with eleven lidded compartments, the lids inlaid with tortoiseshell, ivory and rosewood with engraved decoration, 11.5cm high, 30.5cm wide, 19.8cm deep. £200-300 Provenance: The Dr Lawrie Webster Collection of Boxes.

λ 438. A late 19th century Japanese ivory and white metal server in the form of a shovel, the handle carved with monkeys, 26.3cm long and a cased pair of gilt metal and mother of pearl fork and shovel servers. (3) £50-80

438

439. A Burmese ebonized carved wood jardinière stand, the circular top above elephant head monopodia and on scroll feet, 82.3cm high, 44.5cm wide. £100-150 Provenance: The Property of a Nobleman. λ 440. A Japanese carved ivory box and cover, decorated with tigers, late 19th / early 20th century, 9.7cm high, 10.5cm wide. £100-150 439

441. An Indian hardwood occasional table, on three elephant’s head and trunk legs, late 19th / early 20th century, 39.1cm high, 37.3cm diameter. £40-60

440

442. A Japanese bronze jardinière, the lobed body decorated with birds amongst trees, the base with a maker's mark, Meiji 1868-1912, 28.8cm high, 37.4cm diameter. £300-400

441

442

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443

443. A late Victorian bamboo four-fold screen, with silkwork embroidered panels, decorated with various birds including a peacock, 161.3cm high, 58.5cm wide, each panel. £100-150 Provenance: The Property of a Nobleman.

444. A late 19th century oriental style lacquer bowfront corner cabinet, with four open shelves with faux bamboo supports, the base with a cupboard decorated in gilt with birds flying amongst trees and flowers, 137.9cm high, 74.9cm wide. 53cm deep. £150-250

444

445. A pair of late 19th century bamboo and lacquer jardinière stands, each with two tiers decorated with birds, 141.4cm high, 40.3cm deep. (2) £300-500

445

λ 446. A Victorian wrought iron and upholstered armchair in the manner of R.W. Winfield, the later upholstered seat on an ‘X’ frame base and with scroll supports. £300-500

447. A late Victorian walnut lady’s armchair, the button upholstered back on turned front legs. £80-120 446

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447

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448

448. A mahogany twin pedestal desk in George III style, the moulded edge top inset a gilt tooled leather writing surface above an arrangement of nine drawers all fitted with gilt brass swag handles, 76cm high, 122.7cm wide, 73cm deep. £500-800 449. A giltwood and composition pier mirror in George I style, the arched bevelled plates surrounded by marginal plates and a leaf and scroll carved frame with a central female mask flanked by eagles’ heads, late 19th / early 20th century, 199.5 x 82cm. £600-800 450. A Chippendale style giltwood wall mirror, with a leaf and acorn carved frame with ‘C’ and ‘S’ scrolls and rocaille with a pagoda surmount, late 19th / early 20th century, 135.7 x 74.5cm. £300-500

449

451. A mahogany twin pedestal desk, the gilt tooled red leather writing surface above an arrangement of nine drawers on bracket feet and castors, late 19th / early 20th century 76.8cm high, 153cm wide, 78.5cm deep. £500-700 450

451

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453

452 452. A 19th century mahogany bookcase cabinet, the detachable fluted cornice with carved paterae rondels above a pair of astragal glazed doors enclosing three adjustable shelves, the base with two frieze drawers fitted with later brass handles and cupboards below enclosing an adjustable shelf, 237.8cm high, 140cm wide, 47.5cm deep. £200-300 453. An Edwardian mahogany work table, inlaid with boxwood stringing, the twin hinged top revealing a silk lined interior with a sliding tray with divisions and lidded compartments, the front and sides with faux fret-work inlay, 72.5cm high, 42cm wide, 44.1cm deep. £100-150 454. A Victorian giltwood wall mirror, the bevelled oval plate to a moulded frame and with a leaf scroll and cabochon surmount, 80 x 47.5cm. £100-200 454

455. A wing armchair in Queen Anne style, with scroll arms and on ebonized cabriole front legs and pad feet. £500-700 456. A Victorian chaise longue, on turned walnut legs, 72cm high, 179cm wide, 61cm deep. £300-500

456 455

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457. A Victorian oak writing table in the manner of A.W.N. Pugin by Holland & Sons, the moulded edge top inset a writing surface above a pair of frieze drawers fitted with iron loop handles, one drawer stamped ‘HOLLAND & SONS’, on faceted column supports united by a central chamfered stretcher on castors, 75.3cm high, 122.8cm wide, 82.4cm deep. £1,500-2,000 From 1847 until his death in 1852 Augustus Welby Northmore Pugin provided designs for the new Palace of Westminster which were carried out by Gillows and Holland & Sons. This table is similar to ones found in the Brougham Room in the House of Lords Library.

459. A Victorian mahogany desk chair by Holland & Sons, upholstered in brown leatherette, the back legs stamped ‘HOLLAND & SONS’. £100-200

458. A Victorian mahogany bookcase by Holland & Sons, with a pair of glazed doors enclosing four adjustable shelves, flanked by pilasters above a pair of fielded panel doors, the right door stamped ‘HOLLAND & SONS’, enclosing a shelf, 231.7cm high 131.7cm wide, 42.7cm deep. £1,000-1,500

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460. A set of ten mahogany open armchairs in mid 18th century style, the leaf and scroll carved back with an interlaced splat above a dropin seat with scroll arms and lions head terminals, on claw and ball feet, 20th century. (10) £400-600 461. A late 19th century giltwood an composition oval wall mirror in Adam Style, with marginal plates and a leaf moulded frame, 85.9 x 121.7cm £200-300 462. A Victorian giltwood oval girandôle, the oval plate with a moulded frame and a cartouche surmount, the base with three scroll sconces, 99.5 x 56.2cm. £200-300 463. A Victorian mahogany twin pedestal desk, the moulded edge top inset with a green leather writing surface above an arrangement of nine drawers, 74.8cm high, 138cm wide, 74.4cm deep. £300-500 Provenance: The Royal College of Ophthalmologists removed from 17 Cornwall Terrace, London. 464. A pair of mahogany wing armchairs in George II style, on leaf capped cabriole front legs and claw and ball feet, late 19th / early 20th century. (2) £400-600

461

463

120

462

464

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465. A pair of late Victorian walnut armchairs in the manner of Gillow & Co., with scroll backs and arms, with bead and flower carvings on panelled square tapering legs and ceramic castors, the back legs stamped ‘M’ and ‘1126’. (2) £600-1,000 Provenance: The Royal College Ophthalmologists removed from Cornwall Terrace, London.

of 17

465

466. A 19th century mahogany waterfall open bookcase, inlaid with ebonized stringing and with two drawers with turned ivory handles, one drawer stamped ‘HINDLEY LONDON’, 136.7cm high, 76.9cm wide, 31.1cm deep. £300-500 467. A late Victorian walnut lady’s armchair by Gillow & Co., on turned front supports, the back leg stamped ‘GILLOW & CO. LANCASTER’ ‘L11807’. £100-200 467

466

λ 468. A late Victorian rosewood threefold screen by Howard & Sons, with a blind fret frieze above fabric panels, the base edge stamped ‘HOWARD & SONS BERNERS ST.’ 113.7cm high, 55.6cm wide, each panel. £200-300

468

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469. A walnut sofa table in Regency style, the reeded edge dropflap top above a frieze drawer on trestle ends and cabriole legs, late 19th / early 20th century, 70.5cm high, 92.9cm wide. 56.5cm deep. £200-300

λ 470. A late Victorian rosewood demi-lune card table by Hampton & Sons, the fold-over top on twin gate supports with brass strengthening struts to a frieze drawer stamped ‘HAMPTON & SONS PALL MALL EAST’ the legs with incised decoration on brass caps and castors, 76.4cm high, 91.5cm wide, 45.2cm deep. £200-300

471. An oak and wicker Orkney child’s armchair, with a drop-in seat on stretchered supports, late 19th / early 20th century. £300-500 472. A walnut luggage rack, with an oak back and brass edging, the underside with an ivorine plaque inscribed ‘KENDAL, MILNE & CO. FURNISHERS & DECORATORS, MANCHESTER’, late 19th / early 20th century, 51.3cm high, 61cm wide, 40.4cm deep. £200-300 473. A pair of mahogany window seats in George III style, each covered in watered silk with scroll ends and carved paterae, on square tapering legs, late 19th century, 68.5cm high, 99.4cm wide, 37cm deep. (2) £300-500

471

474. A Victorian mahogany long stool, the serpentine moulded edge, centred carved cartouches and on flower carved cabriole legs and scroll toes, 46cm high, 120.4cm wide, 56.2cm deep. £150-250

472

474 473

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475

476

475. A pair of satinwood Sheraton revival open armchairs, each with a cane back and seat and with an oval panel painted possibly with the portraits of George III and Queen Charlotte, the frames painted with bell flowers, paterae and panels of floral sprays, late 19th century. (2) £500-700

477

476. A pair of Barcelona chrome and black leather stools, originally designed by Ludwig Mies van der Rohe, each with a button upholstered seat on an ‘X’ frame base, 38.4cm high, 60.5cm wide, 62.2cm deep. (2) £100-150 477. An early 19th century gilt brass doorstop, the serpentine leaf scroll handle and stem above a seated dog on an iron base, 38.3cm high, 17.5cm wide. £150-200 478. A Victorian brass doorstop, with a rope twist handle and stem, stamped ‘4654’, 51.8cm high, 15cm wide. £100-150 479. A Victorian brass doorstop, in the form of a basket of flowers and fruit, 34.5cm high, 15cm wide. £150-200 478 479

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480 480. Three 19th century cast iron boot scrapers, 26cm high, 36.5cm wide, 29.3cm deep, max. (3) £150-200 481. A Victorian Doulton pottery ‘Simplicitas’ blue and white toilet pan, later mounted with an elm seat and back carved with a thistle and a rose, the pan marked ‘DOULTON & CO. LIMITED. THE SIMPLICITAS PATENT, WORKS, LAMBETH & PAISLEY’, 119.4cm high, 34.5cm wide, 56.5cm deep. £500-700 482. A French ash and wicker Champagne vineyard basket, early 20th century, 39.9cm high, 68.5cm wide, 48.4cm deep. £100-150 482 483. An oak and brass bound jardinière by Lister, with a lift-out tin liner and with an ivorine plaque inscribed ‘R.A.LISTER & CO. LTD MAKERS, DURSLEY. ENGLAND’, 15.8cm high, 43.9cm wide, 34.5cm deep. £150-250 484. A 19th century brass library book grab, with a carved horn handle, 127.4cm long. £100-150

481

485. A copper wine cistern, repouseé decorated with bands of scrolling flowers and leaves, with ring handles, 19th century, 27.3cm high, 68cm wide, 55.3cm deep. £300-400 483

Provenance: The Property of a Nobleman. 486. Two glass bell shaped covers, each with a handle, 33cm high, 46.7cm diameter, max. (2) £100-150 485

484

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486

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487. A lead model of a deer, 20th century, 92.8cm high, 79cm long, 21.5cm deep. £500-700

488. A composition stone garden statue of Discobolus, raised on a plinth, 141.8cm high, 68cm wide, 36.5cm deep. £300-500 487 489. An Italian bronze fountain head, in the form of a Neapolitan fisherman standing on a rocky outcrop and a shell encrusted base, late 19th / early 20th century, 53.2cm high, 40cm wide. £500-700

490. Five stone carvings, comprising: a lion’s mask plaque, two Roman style portrait busts, one on a socle, a plaque of a sea monster and a heraldic shield carved with quartered castles and lions rampant, 49.3cm high, 31.1cm wide, max. (5) £200-300 488 491. A pair of lead planters, each decorated with female masks to the body and on a stiff leaf foot, 19th century, 22.5cm high, 27cm diameter. (2) £300-400

489

491 490

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492 493

492. A granite trough, 35.7cm high, 88.9cm wide, 58.5cm deep. £200-300 493. A carved stone planter decorated with a male mask, 27cm high, 26cm wide, 31cm deep. £100-150 494. A composition stone garden statue of Andromeda, raised on a plinth, 165.3cm high, 32.3cm wide, 40cm deep. £300-500 495. A granite trough, 32.3cm high, 92cm wide, 58cm deep.

£200-300

496. A French carved marble water stoop in the form of a shell, probably 19th century, 15.5cm high, 38.6cm wide, 44.5cm deep. £200-300

494

497. An Irish Mourne granite oval trough, 37.6cm high, 62.6cm wide, 55.6cm deep. £300-400 The Mountains of Mourne, are a granite mountain range in County Down in the south-east of Northern Ireland.

495

496

126

497

Please note the granite troughs are extremely heavy and will require professional removal.

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498

498. A pair of French reconstituted stone faux wood planters, 68cm high, 50cm wide. (2) £500-700 499

499. Two granite troughs, one broken into three pieces, both pierced with holes, 23cm high, 93cm wide, 46.6cm deep and 30.3cm high, 95.5cm wide, 49cm deep. (2) £200-300 500. A granite trough, 32.3cm high, 92cm wide, 58cm deep.

£250-350

500

501

λ 501. A croquet set, comprising: four ash handled mallets, four balls, hoops, a peg and a small hammer, on a rosewood and brass stand, one ball marked ‘JAQUES LONDON’. £300-400

502

502. An American brass scales by The Computing Scale Company, with silvered dials inscribed ‘BRITISH APRIL 10. 1899 NO. 7495’, ‘ PATENT, APRIL 11. 1900. NO 6815’, with a ceramic pan on a mahogany base, 93cm high, 72cm wide, 41cm deep. £150-250

Please note the granite troughs are extremely heavy and will require professional removal.

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503

504 505 503. A Coco de Mer (Lodoicea Maldivica), with a polished brown patination, 31 x 29cm £300-400 504. A zebra skin rug, with a black felt backing, 268 x 200cm.

£450-550

505. A Coco de Mer (Lodoicea Maldivica), with a black polished patination, 31 x 24.5cm. £200-300 506. Four stuffed birds, comprising: a thrush, two ducks and a black headed gull in a naturalistic setting within a glazed case, damages, late 19th / early 20th century, 45.2cm high, 52.5cm wide, 23.2cm deep, together with a great crested grebe in a naturalistic setting and a glazed case. (2) £50-100 507. An Edwardian stuffed pike, in a naturalistic setting within an ebonized glazed case, the reverse with a glass panel inscribed with gilt lettering ‘PIKE, Taken at BOSMERE, SUFFOLK, by W.J. HUNT, Aug. 1906. Wgt 14lbs. 6oz’, 42.7cm high, 97cm wide, 17.5cm deep. £100-150

128

506

507

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λ 508. A Victorian walnut collector’s chest, the moulded edged burr veneered top above seven graduated drawers with turned knob handles and cabriole legs, containing a large collection of sea shells, 89.2cm high, 50.4cm wide, 47.5cm deep. £300-500

508 detail

509. A Coco de Mer (Lodoicea Maldivica), with a polished brown patination, 36 x 30cm. £300-400

508

λ 510. Natural history. A small collection of items, including: a kapok, two strands of silk produced by silkworms in Brisbane, Australia, a mermaid’s purse, a cedar of Lebanon cone, a porpoise’s jawbone, a whale's eardrum captured in Shetland 1905, a taxidermied flying fish, an amber boulder weighing approximately 300g, a tortoise shell, a dried snake skin, two antlers, fossils, copper pyrites, minerals and a sisal leaf. (A lot) £100-200

509

511. A Coco de Mer (Lodoicea Maldivica), with a black patination 28.5 x 26.2cm. £300-400 512. Two Brendel botanical specimen models, of Pisum Sativum and Anthemis Cotula, each on an ebonized wood base with green printed labels inscribed ‘PHYWE Original Brendel Modell’, second half 20th century, 39.9cm high, 20cm wide, max. (2) £500-800

510

513. A Coco de Mer (Lodoicea Maldivica), carved into the form of a basket, 37 x 26.5cm. £100-150

511

512

513

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515

514

514. A horse’s hoof and gilt brass mounted inkwell, the hinged cover revealing a detachable cut glass well, 6.6cm high, 10.7cm wide, 14cm deep. £100-150 515. Four carved and painted wood decoy pigeons, 37.5cm long, max. (4) £350-450 516. A carved and stained ash hat stretcher, with an iron handle and mounts and with an ivorine plaque with a scale for head sizes, 34.5cm high, 31cm wide, 16.5cm deep. £200-300 517. A parcel-gilt wood panel decorated with the crowned cypher of Edward VII, 48.4 x 38cm. £100-200 516

518. A late Victorian carved oak and brass mounted whip rack, in the form of a horseshoe, decorated with leaves and flowers, 41 x 38.7cm. £300-400 519. A set of 19th century oak and cherry jockey’s scales, with a brass handle and scales on turned legs and ceramic castors, 71cm high, 56.5cm wide, 38.9cm deep. £300-400

517

130

518

519

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λ 520. A horn riding crop by Swaine & Adeney, with an 18ct gold handle inscribed ‘KENNETH ANDREWS’ and ‘K.A' marked 'SWAINE & ADENEY LONDON', 60cm long. £400-600

523

λ 521. A late Victorian rhinoceros horn lady’s riding crop, the embossed silver handle by W.S., Birmingham 1882, 58.5cm long, together with another rhinoceros horn lady’s riding whip with an antler handler and silver ferrule stamped ‘BRIGG’ with initials ‘J.H.T.’, 63.7cm long. (2) £300-500

λ 523. An early 20th century rhinoceros horn parasol handle, with a 12ct gold ferrule, stamped ‘BRIGG, LONDON’, with a part malacca shaft, 21cm long, the rhinoceros horn 4cm long. £300-500

λ 522. A George V rhinoceros horn riding whip, the carved handle above a silver ferrule inscribed ‘L.B. FROM C.F. 1929’, the silver by ‘W.B. LONDON 1924’, with a leather thong, the rhinoceros horn: approximately 56.6cm long. £300-500

524

λ 524. A late 19th century briar riding crop, the handle well carved and painted with a horse’s head with glass eyes, with small label inscribed ‘LONDON H&R’, the continental silver ferrule inscribed ‘VON KIELCE BIS ZUR LIPA HR’, with a leather loop handle, 66.2cm long. £50-80

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λ 525. A mahogany and rosewood stickstand, with circular apertures for sixty-five sticks, with arched panelled ends, 81.4cm high, 99cm wide, 40cm deep. £300-400 526 526. A brass and nickel silver coaching horn by Boosey & Co, stamped ‘TRADEMARK BOOSEY, BOOSEY & CO. MAKERS, 295 REGENT ST, LONDON 36511’, with a leather case, 111.4cm long. (2) £350-450 525

527. A late Victorian oak wall mounted stick rack, with brass hooks for ten sticks, 75.6 x 76 cm. £300-400 528. A nickel plated coaching horn by Boosey & Hawkes, with a cushioned rim and inscribed ‘L.P.,The Clippertone N.V.A. Boosey & Hawkes Ltd, Makers, 205 Regent St London, W.1’, with an applied plaque inscribed ‘D. HAIGH’, 72.4cm long. £250-350

528

529. An antler hat rack, applied two ivorine shields each with a crown and inscribed ‘Arundel Park’, early 20th century, 67.8cm wide. £80-120

527

530. A brass and nickel silver plated coaching horn by Gisborne, with a foliate mouth piece and banded decoration, stamped ‘GISBORNE MAKER’ and with initials ‘JRS’, 67.8cm long. £350-450

530

531. A French wicker fishing creel, with leather straps, 20.3cm high, 34.5cm wide, 19cm deep. £150-250 532. A brass coaching horn by Boosey & Hawkes, stamped ‘BOOSEY & HAWLKES LTD, LONDON, ENGLAND, MADE IN ENGLAND,’ early 20th century, 131.7 cm long. £300-400

530 detail

529

532

132

531

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ARMS & ARMOUR

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533

534

535

536

537

538

λ 533. A Persian khanjar, with a curved blade, 34.2cm long with central medial ridge and gold inscription, with a shaped walrus ivory handle, with a silver coloured metal scabbard with foliage decoration and leaf scroll finial. 56cm long. £300-400 534. A Somali billao dagger, with an asymmetrical blade, horn handle and triple point pommel, later gilt, 41.5cm long. 535. A Malayan kris, with an etched 35.5cm long blade and a wood handle carved a stylized bird head, in a wood scabbard.

£50-100 £100-150

536. A Corsican Vendetta knife, the blade etched ‘Vendetta Corsa,’ and ‘che la mia ferita sia mortale,’ may the wound be fatal, with decorated bone scales, 32.2cm long open, a similar larger knife marked ‘Corsic’ on the bone scales, 52cm long open and a French folding knife, the embossed brass scales with Napoleon, 17.5cm long open. (3) £120-160 537. A Spanish navaja folding knife, with an etched blade decorated a dancing lady and foliage, signed ‘Grab. Angel Collado 1912’ indistinctly marked ‘Alvaro Garcia, Albacette’, the reverse inscribed ‘No me saques sin razon Ni me guardes sin honor,’ with a ratchet lock and with horn scales, 42.5cm long open, and three Spanish navaja folding knives, with brass or horn scales, one blade with inscription as above, 58.5cm, 72.2cm and 80.5cm long open. (4) £120-160 538. A Japanese tanto, the 32cm long blade, unsigned, with a bound sharkskin handle, cast iron tsuba, marked with a character, with a lacquered scabbard. £100-150

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539. A cased Adams percussion revolver, 5 shot 54 bore, No.40622, signed on the top strap ROBERT ADAMS. 76, KING WILLIAM STREET, LONDON., with an octagonal barrel, London proof marks, the cylinder numbered, the frame signed ADAMS PATENT NO. 40622, with safety and diced walnut handle, 29cm long, in oak baize lined fitted case with C & J.W Hawksley copper and brass shot flask, bronze bore mould, cleaning rod, pewter oil bottle, a turned boxwood container with three nipples and a later nipple key. £800-1,200 539

540. An early 19th century French cuirassier’s steel breastplate, with a medial ridge, flared base and studs, indistinctly marked in script ‘Manufree Rale I, No.660, Klingenthal 1828,’ stamped ‘660’ and ‘2T,’ 39.6cm high with a later backplate, indistinctly marked ‘Manufee Rle Chatellerault....’ and stamped ‘1711 3T1 L.’ (2) £250-350

540

541. A continental iron door lock, with engraved decoration including two rampant lions flanking a shell, the handle with a bronze lozenge knob, 29.5cm long, with reverse plate and handle. (2) £100-150

541

542. An iron man trap, 63cm long, a guantlet, with traces of engraved decoration and with five ribs, 24.5cm long and a steel blade, 46.5cm long in a bound softwood sheath. (4) £250-350

543. A steel halberd, with a faceted shaft with two crescent blades and pointed tip, on a wood pole, 242cm long and a similar pike, with slender pointed tip and faceted shaft, on a wood pole, 241cm long. (2) £150-200 542

543

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544. An early 19th century Indian fighting axe, with pierced crescent blade and silver rosettes on hardwood grips, 65.5cm long. £200-300 Provenance: The Property of a Nobleman.

545. A cast iron mace, 63cm long and another mace, 60cm long. (2) £100-150 Provenance: The Property of a Nobleman.

544

545

546. A French side arm by Talabot, Paris, 19th century, with scabbard, two theatrical swords, a tulwar, an epee and three scabbards. (8) £100-200 Provenance: The Property of a Nobleman.

547. Three morocco leather powder flasks, a pig skin shot pouch, a nipple wrench, a wad cutter, another powder flask, a flattened horn shot flask, a Hobson’s patent clay thrower and a Neatsfoot oil tin. (10) £100-150 546

547

Provenance: The Property of a Nobleman.

548. A late 17th century horseman’s sword, and a mid 18th century small sword with iron mounts. (2) £300-400 Provenance: The Property of a Nobleman.

549. A 1796 pattern cavalry troopers sabre, with stirrup hilt, 96.5cm long, with scabbard. £100-150

136

Provenance: The Property of a Nobleman. 548

549

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550

551

550. A 1863 Tower 2 band percussion musket, with socket bayonet and scabbard; and a cut down officer’s Snider rifle by Beattie. (2) £300-500 Provenance: The Property of a Nobleman.

551. A .577 2 band Enfield percussion rifle, converted to Snider, breech loading, marked Tower 1864, complete with socket bayonet and a similar percussion rifle, marked Tower 1864, with bayonet. (4) £300-500

552

Provenance: The Property of a Nobleman.

552. A .577 rifled Artillery Snider carbine, marked Tower 1867, complete with Artillery bayonet and scabbard. (3) £300-500 Provenance: The Property of a Nobleman.

553 553. A .577 rifled Artillery Snider carbine, marked Tower 1867, complete with Artillery bayonet and scabbard. (3) £300-500 Provenance: The Property of a Nobleman.

554. A .577 rifled Artillery Snider carbine, marked Tower 1867, complete with Artillery bayonet and scabbard. (3) £300-500 Provenance: The Property of a Nobleman. 554

137

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555. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1874, complete with bayonet and scabbard, with another similar rifle having indistinct Tower date, with bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

555

556. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1874, complete with bayonet and scabbard, with another similar rifle, marked Tower 1874, with bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

556

557. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1874, complete with bayonet and scabbard, with another similar rifle, marked Tower 1874, with bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

557

558. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1874, complete with bayonet and scabbard, with another similar rifle, marked Tower 1874, with bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

558

559. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1874, complete with bayonet and scabbard, with another similar rifle, marked Tower 1874, with bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

138

559

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560. Nine brass firemans helmets, with cast crestings and another leather helmet, badges lacking and missing. (10) £300-400 Provenance: The Property of a Nobleman.

560

561. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1874, complete with bayonet and scabbard, with another similar rifle, marked Tower 1878, with bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

561

562. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1878, with leather sling and complete with bayonet and scabbard, with another similar rifle, marked Tower 1878, with leather sling, bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

562

563. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1876, with leather sling and complete with bayonet and scabbard, with another similar rifle, marked Tower 1878, with leather sling, bayonet and scabbard. (6) £200-300 Provenance: The Property of a Nobleman.

563

564. A .577 2 band Enfield rifle, converted to Snider, breech loading, marked Tower 1878, complete with bayonet and scabbard, with another similar rifle, marked Tower and indistinct date, with bayonet and scabbard. (6) £100-200 Provenance: The Property of a Nobleman.

564

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Furniture & Works of Art Wednesday 1st July 2015 We are currently accepting entries, closing date 1st May 2015

A late 19th century Venetian carved and painted wood Blackamoor waiter, with Murano glass earrings, 60cm high. Estimate: ÂŁ1,000 - ÂŁ1,500

ENQUIRIES Mark Richards Tel: +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

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Fine Silver Wednesday 29th April 2015

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

A George III silver plate from Admiral Lord Nelson's Copenhagen service, by Timothy Renou, London 1801. Estimate: £8,000 - £12,000

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Jewellery Thursday 30th April 2015

ENQUIRIES Jonathan Edwards FGAA Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

An Art Deco stylised palm design brooch by Cartier, set with six graduated Burmese rubies. Estimate: ÂŁ25,000 - ÂŁ30,000

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Asian Art Wednesday 20th & Thursday 21st May 2015

A Moghul celadon jade-mounted dagger, 19th century, the cruciform hilt inset to each side with foil-backed gem stones, bordered in gold to depict a central foliate design, 38cm overall. Estimate: ÂŁ10,000-20,000

ENQUIRIES John Axford Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

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Clocks, Watches & Scientific Instruments Friday 17th July 2015 Entries are now being accepted for this sale

Actual size

ENQUIRIES Richard Price Tel: +44 (0)7741 242421 richardprice@woolleyandwallis.co.uk

The smallest known English Grande Sonnerie bracket clock, circa 1745.

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Tribal Art & Antiquities Wednesday 2nd September 2015 Entries are now being accepted for this sale

A Santa Cruz feather currency roll, 80cm wide. Sold for ÂŁ24,400

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

F IS

HER TO N

CHIPPER

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WOOLLEY & WALLIS

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WINCH ESTER ST

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LL R O AD

Salisbury Salerooms ark eP hiv

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A36 Ch

WILTON & WARMINSTER

Sarum Business Park

A36(T) CH URC HIL L

S OUT H

Westover Garage

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Old Sarum Park

A 3 6(

MR HA ND WY

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

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LW AY W ES T IL

D SR SE VI DE WILTO NR DA

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EET STR TLE CAS

A3 60

Old Sarum Kia Motors

D OA

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

E LS

H AS

YR LE

CASTLE RD A345

LONDON, ANDOVER & WINCHESTER

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A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

D PAY AN Y DISPLA RK CAR PA

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A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

SALT LANE

LANE

SALT

RO A

( T)

EET

UT SO

Y A36

A36(T) SO UTHA MPT ON R

STR

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

WIN

SOUTHAMPTON CATHEDRAL

BED

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture & Works of Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

25th March 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

Project1_Layout 1 26/02/2015 14:12 Page 3

AUCTION CALENDAR 2015 PAINTINGS 11th March 3rd June – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ARMS & ARMOUR 25th March Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 25th March 1st July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 15th April – Clarice Cliff, Art Deco & 20th Century Design 17th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 21st April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk SILVER 29th April – Fine Silver & Objects of Vertu 15th July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 30th April 16th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 20th & 21st May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 17th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

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