Woolley & Wallis by Jamm Design Ltd

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Silver & Objects of Vertu

Wednesday 27th April 2016

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

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424505 329477

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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424506 424591 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE, WORKS OF ART & CLOCKS Mark Richards — Jim Gale — Anna Brown — JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

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411854 339161 411854

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

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424503 424592

SILVER Rupert Slingsby Lucy Chalmers

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424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Gemma Bush

Members of The Society

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339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) —

424500

MARKETING Tamzin Corbett

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424590

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424500

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424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

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FINE SILVER & OBJECTS OF VERTU Wednesday 27th April 2016 at 10.00am Viewing Times Saturday 23rd April 2016 Monday 25th April 2016 Tuesday 26th April 2016 Wednesday 27th April 2016

10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Rupert Slingsby 01722 424501 rupertslingsby@woolleyandwallis.co.uk

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

LIVE BIDDING

Please register by 12pm on Tuesday 26th April. Please note there is a 3% + VAT surcharge for using this service.

Front cover: Lot 545 Back cover: Lot 306 Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 26th April. Silver weights are in Troy ounces.

Lucy Chalmers 01722 424594 lucychalmers@woolleyandwallis.co.uk

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1. Auction catalogue: Palace Collections of Egypt Works of Art in Precious Materials 1954, Sotheby & Co, 10th March 1954, hard bound, the cover embossed with the sale title, date and £60-80 G. Hearn, with prices realised. The so-called ‘Palace Collections of Egypt’ were amassed by the former King Farouk of Egypt who was driven into exile in 1952 after an army coup led by Colonel (later President) Nasser. The overall content of the series of sales was of superlative quality and, arguably, the greatest ever of their kind.

4. A novelty electroplated Art Deco cocktail shaker, by James Dixon and Sons, circa 1931, modelled as a rocket, pull-off cover, height 25.5cm. £200-300

7. A late Victorian Britannia metal mounted ram’s horn table snuff mull, the hinged cover with scroll decoration, with a lion paw support, length 32cm. £250-300

2. A pair of early 19th century old Sheffield plated sauce tureens and covers, unmarked circa 1830, oblong bellied form, foliate scroll handles, foliate and gadroon borders, the pull-off domed covers with foliate scroll borders, on four paw feet, engraved with a crest, length 20cm. (2) £200-300

3. A pair of Victorian electroplated wine coasters, by Elkington and Co, 1859, circular form, wire-work body, wooden bases with central buttons, diameter 17.5cm. (2) £150-200

5. A French electroplated vase, in the classical manner, part-fluted decoration, on four elongated legs with ram’s head masks, on a triangular base, drilled for electricity, height 36.5cm. £100-150

6. A novelty electroplated cocktail shaker, by Hukin and Heath, modelled as a dumb-bell, screw-off cover, with a strainer, height 26.5cm. £100-150

8. A pair of early 19th century old Sheffield plated three-light candelabra, by Matthew Boulton, circa 1820, tapering circular columns, gadroon borders, reeded scroll arms each supporting a capital, with a central flame finial, on raised circular bases, height 44.5cm. (2) £300-400

9. A George III old Sheffield plated Argyle, circa 1780, waisted circular form, side scroll handle, gadroon border, the pull-off cover with a fluted finial, height 15.5cm. £100-150

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10. A George III old Sheffield plated Argyle, circa 1790, circular form, scroll handle, the hinged cover with a cone finial, engraved with a crest, height 13cm. £100-150

11. A George III old Sheffield plated Argyle, circa 1780, baluster circular form, scroll handle, beaded borders, the pull-off cover with a knop finial, height 17.5cm. £100-150

12. A George III old Sheffield plated Argyle, circa 1790, urn form, scroll handle, the pull-off cover with an urn finial, on a raised circular foot with a beaded border, height 18.5cm. £100-150

13. A Portuguese silver swan, Oporto post 1938, modelled in a swimming position, textured feathers, with green eyes, height 16.5cm, approx. weight 10.5oz. £150-200

14. A modern electroplated regimental statue of a 1790 cavalry officer, modelled in a standing position holding a sword, the base applied ‘1790’ ‘XV’, on a wooden base applied with a plain silver plaque, Sheffield 2000, height 32cm. £200-300

15. A silver nut cracker, marked STG SIL and an 8, a crown and lion, possibly Australian or Canadian, modelled as a press, dated 1932, height 13.5cm. £200-300

16. An Edwardian novelty silver barrel money box, by Saunders and Shepherd, Birmingham 1902, hinged cover, velvet lined, with a padlock and key, height 10cm, approx. weight 4oz. £250-300

17. An Edwardian silver cigar box, by Charles Dumenil, London 1905, rectangular form, embossed Art Nouveau foliate decoration, the hinged cover with a later presentation inscription, solid cover, wood lined interior, length 25.4cm. £500-700

18. A Victorian novelty cream jug, marked only with maker’s mark, that of Henry William Dee, possibly electroplate, modelled as a monkey climbing up a barrel to get to a jug of beer, the monkey wearing clothes and a fez with a feather in it, height 8.8cm. £200-300

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19. An early Victorian silver vinaigrette, by Joseph Willmore, Birmingham 1842, rectangular form, chased foliate decoration, the underside with a chased sleeping putto, the interior with a pierced gilded grille, initialled, length 2.8cm, approx. weight 0.4oz. £150-200

20. A George III silver-gilt vinaigrette, by Joseph Taylor, Birmingham 1816, rectangular form, embossed with shell decoration, hinged filigree grille, reeded borders, length 2.8cm, approx. weight 0.5oz. £100-150

21. A William IV silver vinaigrette, by Joseph Willmore, Birmingham 1831, in the form of a Maltese cross, engraved with radiating lines, initialled cartouche, fitted with a hinged silver-gilt pierced foliate grille, with a ring attachment, length 2.5cm, approx. weight 0.3oz. £300-400

22. A George III silver snuff box, by Joseph Ash, London 1804, rectangular form, reeded decoration, flush hinged cover, the back side with a hinged compartment, gilded interior, length 7.6cm, approx. weight 2.2oz. £100-150

23. A small collection of five French silver-gilt and gilt metal vinaigrettes, comprising: one of rectangular form, engine-turned decoration, pierced scroll border, plus two of circular form, with pierced grilles, plus a gilt metal vinaigrette with a pierced sphinx grille, plus one of rectangular form, and an oval gold and enamel memorial locket. (6) £300-400

24. An 18th century silver snuff box, unmarked, circa 1740, rectangular form, incurved corners, the hinged cover with an engraved foliate border, the underside with a monogram, length 6.7cm, approx. weight 1.9oz. £150-200

26. A George III silver vinaigrette, by Daniel Hockley, London 1817, also with a French import mark, rectangular book form, the cover applied ‘Souvenir’, and with engraved foliate scroll decoration, length 3.5cm, plus two rectangular vinaigrettes with engine-turned decoration, a French oval box, a sovereign case, and a French cigarette case, approx. weight 6oz. (6) £300-400

27. A mid-19th century Indian colonial presentation silver snuff box, marked Orr, for Peter Orr, Madras circa 1850, rectangular form, the hinged covers and sides with engraved foliate scroll decoration, scroll and fluted borders, inscribed ‘To J.E. Palmer, 28th Reg. N. J’, the interior silver-gilt and inscribed ‘From his friend Captain Baldock, 28th Reg. N. J’, length 7.8cm, approx. weight 3.7oz. £300-400

25. A George III silver travelling shaving brush, by William Price, London 1819, plain cylindrical form, pull-off cover, engraved with a crest, length closed 7.2cm, approx. weight 1.1oz. £100-150

Provenance: The property of the Earl of Chichester.

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28. A Victorian silver ‘castle-top’ vinaigrette, Scott Monument, by John Tongue, Birmingham 1844, rectangular form, the engine-turned base with a vacant cartouche, foliate border and sides, the interior fitted with a silver-gilt pierced foliate grille, length 4.1cm, approx. weight 1oz. £700-900

29. A George III silver reticulated fish vinaigrette, by Joseph Willmore, Birmingham 1818, engraved with scales and fins, hinged head, the body fitted with a hinged silver-gilt pierced foliate grille, with a ring attachment, length 9cm, approx. weight 0.4oz. £600-800

30. A Victorian silver-gilt ‘castle-top’ vinaigrette, Windsor Castle, by Nathaniel Mills, Birmingham 1838, rectangular form, the engine turned base with an initialled cartouche, foliate border and sides, the interior fitted with a pierced foliate grille, length 3.7cm, approx. weight 0.8oz. £700-900

31. A 19th century German silver snuff box, by F. Schmidt, rectangular form, canted corners, the hinged cover with engraved foliate decoration, and with an initialled shield cartouche, length 6.7cm, approx. weight 1.9oz. £100-150

32. A Victorian silver naturalistic vinaigrette, by Susannah Brasted, London 1888, in the form of a poppy head with long stem, pull-off cover, the interior rim pierced with holes, length 8.7cm, approx. weight 2.2oz. £250-300

33. A George III silver-gilt vinaigrette, by John Shaw, Birmingham 1817, rectangular form, decorated with engraved and beaded bands and with a central cartouche, initialled, the interior with a silver-gilt grille pierced with flowers, length 4.2cm, approx. weight 1oz. £250-300

34. Trafalgar interest, a commemorative silver snuff box, by The Pairpoint Brothers, London 1922, rectangular form, the hinged cover engraved with a naval battle and inscribed ‘Britons never, never shall be slaves, in Remembrance of the Battle in Oct 21st 1805’, the sides with ships and shaking hands, length 7.8cm, approx. weight 2.4oz. £200-300

35. A George III silver patch box, by Samuel Pemberton, Birmingham 1791, circular form, with a pull-off cover, bright-cut decoration and a shield-shaped vacant cartouche, diameter 2.4cm, approx. weight 0.1oz. £100-150

36. A George III silver snuff box, by J. Reily, London 1811, rectangular form, engine-turned decoration, plain thumb-piece, gilded interior, length 7.8cm, approx. weight 3.5oz. £100-150

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37. A large silver chick pin cushion, by S. Morden and Co, London 1922, modelled as a chick emerging from a shell, height 6.4cm. £100-150

38. An novelty silver owl pin cushion, by Levi and Salaman, Birmingham 1910, flat standing form, set with red eyes, length 11.5cm. £350-400

39. A novelty silver duck pin cushion, by The Boots Pure Drug Company, Birmingham 1910, modelled in a swimming position, £150-200 length 5.8cm.

40. A novelty silver chick pin cushion, maker’s mark partially worn, Birmingham 1911, on a circular base, the head unmarked, height 5.4cm. £150-200

41. A late 19th century continental silver novelty pin cushion, with import marks for London 1893, importer’s mark of David Bridge, modelled as a swimming fish, with a textured scale body, later velvet cushion, length 13.4cm. £1,000-1,500

42. A novelty silver humpty dumpty pin cushion, by Levi and Salaman, Birmingham 1910, modelled as a smiling Humpty Dumpty, later velvet cushion, height 4.5cm. £200-300

43. A modern American novelty silver lamb pin cushion, marked RM Trush, modelled as a recumbent lamb, length 5cm. £100-150

44. An Edwardian novelty silver chair pin cushion, by Deakin and Sons, Chester 1903, in the Rococo manner, the back embossed with cherubs, velvet cushion, on four scroll capped legs, height 15cm. £150-200

45. A Chinese silver-gilt and enamel snuff box, the underside marked with Chinese characters, oval form, with figural and landscape scenes, length 5.7cm, approx. weight 1.7oz. £150-200

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46. A late-Victorian novelty silver pencil, designed by Mordan, retailed by Angell and Co, modelled as a tennis racket, with a ring attachment, length closed 6.3cm. £200-300

47. Retailed by Asprey and Son, a Victorian gold telescopic plumb bob pencil, maker’s mark W T for Walter Thornhill, also marked M, probably for Mordan and engraved with an arrow, also with a lozenge mark for 12 September 1873, also engraved ‘No.1094’, with six telescopic pull-out sections and with a ring terminal, length extended 12cm, length shut 5cm. £500-700

48. A Victorian novelty parcel-gilt silver retractable swan head pencil, by S. Mordan and Co, also marked with a registration number Rd. 16638, with a ring attachment, gilded beak, stuck in an open position, length 10cm, approx. £400-600 weight 0.4oz.

Plumb bob pencils were also known as spinning tops and peg tops. This pencil was one that Thornhill and Mordan co-operated in. For similar examples and further reading: Bull, K., The KB Collection of Pencils, 2012, pages 68 and 69. 51. A silver and enamel pencil, by William Wright Ltd, Birmingham 1914, the pull-off cover reveals the pencil, the body applied with various enamel flags of the six Allied powers of the First World War, and inscribed ‘FOR “ A SCRAP OF PAPER” 1914’, with a ring attachment, length 8.2cm. £100-150

49. An early 19th century silver filigree quill pen, unmarked, probably Birmingham manufacture, modelled as a feather, foliate scroll decoration, length 18.4cm, approx. weight 0.3oz. £100-150

50. An Edwardian novelty silver bookmark, by Crisford & Norris, Birmingham 1907, modelled as a hand, with the index finger raised, engraved decoration, length 6.8cm, £100-150 approx. weight 0.2oz.

52. A silver-gilt box, by T.F and Co, London 1928, rectangular form, engine-turned decoration, with a foliate scroll thumb-piece, length 9.3cm, approx. weight 6.4oz. £100-150

53. A modern presentation silver 12” ruler, by Richard Jarvis, London 2004, engraved ‘Presidents Rule’, and with the American eagle and engraved with the US presidents form George Washington to George Bush, total length 33.8cm, approx. weight 10oz. £200-300

Provenance: The property of the Earl of Chichester.

Belgium was established in 1839 and its independence was guaranteed by the Great Powers under the Treaty of London. When, on 4th August 1914, the British Ambassador in Berlin protested to the German Chancellor that German troops had invaded Belgium and threatened military intervention unless they were withdrawn immediately, the Chancellor dismissed the threat by contemptuously suggesting that Great Britain could not possibly be considering a general European War on the basis of that mere “scrap of paper” [i.e. the 1839 Treaty of London].

54. A George III silver snuff box, by Joseph Willmore, Birmingham 1808, rectangular form, reeded decoration, flush hinged cover, gilded interior, length 7cm, approx. weight 2oz. £100-150

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55. A Victorian silver and enamel vesta case, by George Unite, Birmingham 1886, retailed by Benzie, Cowes, plain rectangular form, the front enamelled with three hoisted flags, inscribed ‘H.P. Wilson’, with a loop attachment, length 5cm, approx. weight 1oz. £150-200 The hoist of 3 flags denoting B, J & R from the original (1857) International Code of Signals which says “I am loaded with combustibles”.

58. An Edwardian silver and enamel cigarette case, by Walker & Hall, Sheffield 1909, plain rectangular form, the hinged cover applied with the enamel house flag of Elder Dempster’s African Steamship Company, length 9cm, approx. weight 3.5oz. £100-150

56. Three Edwardian silver and enamel vesta cases, plain rectangular form, with a ring attachment, comprising: one by Saunders & Shepherd, Birmingham 1904, applied with an enamelled the burgee of M.S. Dunera, one by William Neale & Son Ltd, Chester 1903, applied with the enamelled burgee of M.S. Devonia and one by M Bros, Birmingham 1906, enamelled with the house flag of the Shipwrecked Fishermen and Mariners Royal Benevolent Society, approx. weight 3.3oz. (3) £150-200

57. An Edwardian silver and enamel vesta case, by John William Barrett, Birmingham 1906, plain rectangular form, the front enamelled with two hoisted flags and engraved ‘I AM LOADED WITH COMBUSTIBLES’, with a ring attachment, with a monogram, length 5cm, approx. weight 1.1oz. £150-200

59. An Edwardian silver and enamel box, by John William Barrett, Birmingham 1907, retailed by Pegler, Southampton, circular form, the hinged cover enamelled with the Royal Albert Yacht Club burgee, diameter 3.8cm, approx. weight 0.6oz. £100-150

60. A silver and enamel vesta case, by Walker & Hall, Sheffield 1914, plain rectangular form, the front enamelled with the house flag of Elder Dempster’s British and African Steam Navigation Company R.M.S. Mendi, the reverse inscribed ‘Souvenir of Voyage by R.M.S. Mendi’, with a ring attachment, length 4.5cm, approx. weight 1.1oz. £100-150

Founded in 1852, the African S.S. Company operated on a number of routes, concentrating on the ports of West Africa.

61. An Edwardian novelty silver vesta case, by Williams Limited, Birmingham 1901, rectangular form, the front embossed with a portrait of Edward VII, with a ring attachment, height 4.8cm, approx. weight 0.8oz. £100-150

The hoist of 2 flags, H & P of the revised (1899) International Code, also says “I am loaded with combustibles”.

R.M.S. Mendi, 4320 tons, was built in 1905 and operated for 11 years before being requisitioned as a troopship in 1916. On 21st February 1917, after dark and in thick fog, she collided with the steamer Darro off St. Catherine’s Point, Isle of Wight, and sank with the loss of 625 native troops and 31 crew out of a total complement of 824 persons.

62. A Victorian novelty cigar vesta case, by A. Robinson and Co., Birmingham 1887, modelled as ten bound cigars, hinged cover, height 4cm, approx. weight 0.5oz. £130-180

63. A late-19th century American silver double stamp box, by Gorham, 1897, rectangular form, the hinged cover and base with beaded borders, length 6cm, approx. weight 1.7oz. £100-150

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64. A late 19th century Austrian silver and enamel cigarette case, maker’s mark of J.R, the clasp with Russian import mark, rounded rectangular form, the cover enamelled with a semi-naked maiden leaning against a white horse, within a landscape setting with butterflies, the interior inscribed and dated ‘1898’, length 9.6cm, approx. weight 4oz. £700-900

65. A Victorian silver and enamel cigar case, by George Heath, London 1889, rectangular form, the hinged cover enamelled with the scene of two topless ladies having a duel, with four ladies looking on within a landscape setting, length 12.7cm, approx. weight 6.9oz. £800-1,200 This case was originally part of a series and the scene following this duel was sold at Christie’s, Centuries of Style, King Street, 16 November 2010, lot 496.

66. A Victorian silver and enamel cigarette case, by Howard James, Birmingham 1887, curved rectangular form, the front enamelled with a Punch Magazine front cover, the reverse with a monogram, length 8cm, approx. weight 3.6oz. £200-300

67. A late 19th century German silver and enamel cigarette case, rectangular form, enamelled with a semi naked lady holding a epee, within an arched border with foliate decoration, length 8.4cm, approx. weight 2.5oz. £400-600

68. An Austro-Hungarian silver-mounted box, by the Weiner Werkstatte, square form, the hinged cover with an enamel scene of a clown sitting on a four poster bed, with a seated woman beside him, the cover signed W.F, length 4.3cm. £200-300

69. A Norwegian silver and enamel dish, by David Anderson, circa 1920, circular form, enamelled with an egret in a landscape setting, black border, diameter 9.8cm. £300-400

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70. A George III silver nutmeg grater, by Joseph Willmore, Birmingham 1812, rectangular form, the hinged cover opens to reveal a hinged grille, with a ring attachment, length 3.8cm, plus a George III silver wine label, by John Reily, London 1818, shaped oval form, pierced ‘MADEIRA’, length 5.2cm, approx. weight 1.4oz. (2) £200-300

71. A Victorian silver-gilt double ended scent bottle / vinaigrette, by Thomas Johnson, London 1866, plain cylindrical form, etched with a monogram, the hinged and screw-off covers applied with a monogram, one end with a vinaigrette with a pierced foliate scroll grille, length 9.8cm. £150-200

72. A French silver-mounted enamel scent bottle, marked with a control mark, shaped rectangular form, decorated with a girl and a dove in a landscape setting, hinged cover, height 6.5cm. £150-200

73. A Victorian ‘castle-top’ silver cheroot case, by Joseph Willmore, Birmingham 1840, rounded rectangular form, embossed with scrolling decoration, one side embossed with Abbotsford Castle, the other side with a ruin, possibly Kenilworth, length 13.2cm, approx. weight 2.8oz. £300-500

74. A presentation silver hunting horn, by Henry Potter and Co, London 1923, tapering circular form, with a band of scroll decoration, inscribed ‘R.A. Harriers, Capt. W. Scott Watson M.C., R.A., Master 19251928, from the Officers R.A. Salisbury Plain’, height 24.8cm, approx. weight 5.2oz. £300-400

75. A 19th century French sewing necessaire, unmarked, comprising a needle case modelled as a lady, pull-off cover, a pair of scissors, a cotton winder, and a knife, in a fitted case with a tooled cover, the interior of the cover with a mirror, a.f, height of needle case 7.8cm. £200-300 Provenance: The property of the Earl of Chichester.

76. An early 18th century silvermounted and tortoiseshell snuff box, unmarked, circa 1700-1720, oval form, the hinged cover inlaid with two conjoined hearts with a serpent running through them, and inscribed ‘IL SONT VNIS MALGRE L’ENVIE’, brass base, length 8.5cm. £300-500

77. A 19th century French circular tortoiseshell snuff box, the cover inset with a gilt metal medallic cliché of Napoleon, signed by Brenet, his laureate bust to left, diameter 8cm. £100-150

78. An Edwardian silver-mounted and tortoiseshell evening bag, by Charles and George Asprey, London 1909, shaped rectangular form, plain mounts, applied with a crowned RC, probably for Lady Rachael Cornell, leather interior, leather handles a.f, length 16.5cm. £200-300

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79. A 19th century French silver eye bath, probably by Keller, oval form, foliate and bead border, on a raised oval foot, height 4cm, approx. weight 1.1oz. £200-300

80. An Edwardian silver candle box, by Williams Limited, Birmingham 1909, cylindrical form, domed hinged cover, height 6.3cm, approx. weight 1.1oz. £100-150

81. A George III silver eye bath, by Hester Bateman, London 1787, oval form, on a raised circular foot, height 4.3cm, approx. weight 0.5oz. £600-800

82. A Victorian silver desk thermometer, by Deakin and Francis, Birmingham 1894, shaped upright rectangular form, pierced foliate scroll decoration, brass back plate, easel support, height 13.2cm. £100-150

83. A late Victorian silver Patience playing cards box, by Gibson and Langman, London 1899, rectangular form, the hinged cover applied in yellow metal letters ‘Patience’ and the four corners with the playing card suits, £100-150 length 11cm.

84. An Edwardian novelty silver fox pepper pot, by William Hornby, London 1904, also marked with a French import mark, modelled in a standing position, pull-off head, length 6.5cm, approx. weight 0.8oz. £400-600

85. An Edwardian silver string box, by E. S. Blanckensee, Birmingham 1908, pierced globe form, hinged cover, on a raised circular foot, height 10.5cm. £150-250

86. A silver scent flask, unmarked, probably 19th century, baluster form, with engraved scrolling decoration, on a raised foot, with a screwoff cover and chain, height 8cm, approx. weight 1.1oz. £200-300

87. A silver clock, by the Goldsmiths and Silversmiths Company, London 1917, rectangular form, hinged scroll handle, on four bun feet, height 11.5cm. £400-600

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88. A pair of George III silver King’s Hourglass pattern asparagus tongs, by Eley, Fearn and Chawner, London 1811, the blades with thread borders, the terminal with a crest, length 23.2cm, approx. weight 6oz. £150-200

89. A pair of William IV silver-gilt grape scissors, by Rawlings and Summers, London 1833, the handles with pierced trailing grapevines, length 19cm, approx. weight 4oz. £150-200

90. A rare pair of George III silver Feather-edge sugar tongs, by Matthew Boulton and John Fothergill, Birmingham no date letter, circa 1773, length 12.8cm, approx. weight 0.8oz. £100-150

91. Exeter military interest, a pair of George III silver Fiddle pattern basting spoons, by Eley and Fearn, London 1802, the terminals later engraved with the badge of the 1st Exeter and South Devon Rifle Volunteers, inscribed ‘Won by B.B, 1868’, length 27.8cm, approx. weight 6.7oz. (2) £180-220

92. A Victorian silver-gilt private-die bread knife and fork, the handles by Robert Garrard, London 1846, the blade and tines by Henry Atkins, Sheffield 1862, the handles with scroll decoration and with a crest and crowned ‘A’, the blade with foliate scroll decoration, length of knife 27.8cm. (2) £100-150

93. A pair of George IV silver Fiddle pattern sauce ladles, by Paul Storr, London 1820, the terminals with a crest, length 18cm, approx. weight 3oz. (2) £200-300

94. A George IV silver Fiddle pattern caddy spoon, by John Bettridge, Birmingham 1828, shaped circular bowl, with foliate engraved decoration, initialled cartouche, length 8cm, plus a George III silver Fiddle pattern caddy spoon, by Joseph Taylor, Birmingham 1816, oval bowl with a fluted border and foliate engraved decoration, vacant cartouche, length 7.8cm, approx. weight 0.4oz. (2) £100-150

The insignia is that of Prince Alfred Ernest Albert, Duke of Saxony and Prince of SaxeCoburg and Gotha, who was nominated and privately invested Knight of the Garter by his grandmother, Queen Victoria, on her birthday, 10th June 1863.

95. A set of six Victorian cast silver naturalistic teaspoons, by Joseph Willmore, Birmingham 1838, gilded flower head bowls, pierced trailing leaf handles, the terminals with a crest, length 10cm, approx. weight 3.5oz. (6) £300-400

96. A pair of 18th century silver serving/asparagus tongs, marks worn, maker’s mark probably HI, circa 1780, central hinged pivot, the arms with Feather-edge decoration, length 23.4cm, £200-300 approx. weight 5.7oz.

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97. A matched set of eight early 18th century silver Dognose pattern dessert spoons, maker’s marks worn, some London 1707, the terminals with a later monogram, approx. weight 5.7oz. (8) £200-300

98. A set of twelve modern silverhandled table and dessert knives, by Terry Shaverin, Sheffield 1991, plain handles, stainless steel blades. (24) £300-400

99. A set of six Victorian silver Fiddle and Thread pattern dessert spoons, over-stamped with maker’s mark of Hunt and Roskell, London 1873, the terminals with a crest, approx. weight 11oz. (6) £100-150

100. Lady Frances Nelson, a George III silver Fiddle pattern dessert spoon, by Eley, Fearn and Chawner, London 1811, the terminal engraved with one of the variants of Admiral Lord Nelson’s crests, namely the stern of the Spanish man-o’war San Josef (captured at the battle of Cape St. Vincent) and the chelengk (presented by the Ottoman Sultan after the battle of the Nile), length £200-300 7.4cm, approx. weight 1.3oz.

101. A pair of William IV silver grape scissors, by Reily and Storer, London 1832, with pierced grape-vine handles, in a fitted case, length 18cm, approx. weight 4oz. £200-300

102. A George III silver Fiddle pattern basting spoon, by Robert Peppin, London 1817, the terminal engraved ‘Joseph Jessopp, Michaelmas Term, 1817’, length 30.5cm, approx. weight 4.3oz. £100-150

Provenance: Frances, Lady Nelson (1761-1831) and thence by descent until sold privately circa 1950; subsequently sold at auction in London in May 2013. Nelson, as a young naval officer of 27, met the newly-widowed Frances ‘Fanny’ Nisbet in the West Indies in 1785 and married her in 1787. Making their home with Nelson’s father in rural Norfolk, a less than happy marriage ensued, with Nelson impatient for another command at sea, and Fanny longing desperately for the warmth and comparative luxuries of her former life in the Caribbean. When the French Revolutionary War began early in 1793, Nelson was recalled to sea and the couple did not see each other again for four years. As it was, he only came home then in order to recuperate from the loss of his right arm during the attack on Tenerife. Back in the Mediterranean in April 1798, the fleet put into Naples after the great victory at the Nile (1st August) where Nelson met Emma, Lady Hamilton, and fell in love with her. Their passionate affair soon scandalised Europe and by the time Nelson returned to England with Emma in November 1800, his marriage to Fanny was over in all but name. Although they never met again, they never divorced either so that, after Nelson’s death at Trafalgar, she retained the title of Viscountess Nelson and, somewhat surprisingly, continued to cherish her unfaithful husband’s memory until her own death in 1831. After Nelson’s death in 1805, his property was dispersed in three directions - Fanny, Emma and his oldest brother William, created 1st Earl Nelson. Amongst this property was a large collection of silver and plate, including extensive quantities of flatware, although no person seems to have received complete services. This spoon is therefore a fascinating relic of Nelson’s legacy to his lawful wife who clearly ordered some additional cutlery just a few years after her husband’s death.

103. A rare George III silver ‘Duty Drawback’ Hanoverian pattern teaspoon, by Hester Bateman, London 1784, the reverse of the terminal scratch initialled, length 12cm, approx. weight 0.3oz. £100-150 The Duty Drawback mark was used on exported wares 1 December 1784 up to 24 July 1785.

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104. A 17th century West Country silver Lion Sejant spoon, marked once to the bowl with maker’s mark TP conjoined, probably by Thomas Punchard, Totnes/ Dartmouth, circa 1666, the reverse of the bowl prick dot initialled ‘PH’ over ‘M’ and possibly ‘Q’, and dated ‘1666’, faceted stem, with a notched motif by the bowl, and with a gilded finial, length 17.5cm, approx. weight 1.2oz. £1,000-1,500 We would like to thank Tim Kent for his help in identifying this mark, for information on the Punchard Family see Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J.H. Bourdon-Smith Limited, 1992, page 122.

105. A rare Mary Tudor silver Slip-top spoon, maker’s mark of a crescent enclosing a mullet, London 1555, faceted stem, length 14.7cm, approx. weight 1oz.

£3,000-4,000

Provenance: Woolley and Wallis, Silver Sale, 31st October 2007, lot 628. Purchased from Spink and Son Ltd, 8th November 1976 for £650. The invoice is included in this lot.

A SMALL PRIVATE COLLECTION OF EARLY SPOONS & FLATWARE

106. A fine Royal William III silver-gilt Dog-nose spoon, by John Ladyman, London 1698, the reverse of the bowl with a plain rat-tail, the reverse of the terminal engraved with a crown and royal cipher of William III, the front of the terminal engraved with a ‘Q’, with a BADA export label, length 19.4cm, approx. weight 2.6oz. £500-700 The matching fork to this spoon was sold in these rooms in the Silver Sale, 29th/30th April 2014, lot 472.

107. A Commonwealth silver Seal-top spoon, by Jeremy Johnson, London 1649, faceted tapering stem, the terminal scratch initialled ‘S’ over ‘RW’, with a BADA export label, length 17cm, approx. weight 1.5oz. £700-900

108. A Charles I silver Seal-top spoon, by Benjamin Yates, London 1639, faceted tapering stem, the seal top finial with traces of gilding and a later monogram, length 17.3cm, approx. weight 1.4oz. £400-600

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104

105

106

107

108

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109. An early 17th century Provincial silver Seal-top spoon, by William Dobson, Lewes, circa 1620, faceted tapering stem, the finial scratch initialled ‘A.W’, with a BADA export label, length 16.1cm, approx. weight 1.2oz. £600-800

110. A Charles II silver Seal-top spoon, maker’s mark of I.C with a bird below, London 1663, faceted tapering stem, gilded seal top finial, with a trade label and BADA export label, length 18.4cm, approx. weight 1.7oz. £400-600

111. A 17th century unascribed provincial silver Seal-top spoon, marked once to bowl with an anchor and D.S, faceted tapering stem with a gilded finial, prick-dot initialled ‘I.C’ over ‘B.P’ ‘1642’, with a trade label and BADA export label, length 16.8cm, approx. weight 1.2oz. £600-800 For the mark see: Jacksons, Ian Pickford edition, Antique Collector’s Club, 1989, page 515.

112. A Charles I silver Seal-top spoon, by Benjamin Yates, London 1634, faceted tapering stem, the seal top finial prick-dot initialled ‘E.F’, the reverse of the bowl engraved with three flower heads, with a trade label and BADA export label, length 17.6cm, approx. weight 1.6oz. £400-600

113. An Elizabeth I silver Seal-top spoon, by William Cawdell, London 1587, faceted tapering stem, the terminal scratch initialled ‘AC’, with a trade label and BADA export label, length 15cm, approx. weight 0.9oz. £800-1,200

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109

110

111

112

113

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114. A collection of eight 18th century Hanoverian three-pronged dessert forks, various dates and makers, including Isaac Callard and Ebenezer Coker, the reverse of the terminals with crests, approx. weight 13.8oz. (8) £300-400 The crests are those of Walton and Kedington.

115. A small collection of 18th century silver Hanoverian flatware, comprising: a George I tablespoon, London 1717, the reverse of the terminal with a crest and scratch initialled ‘I.C’, plus four further Hanoverian pattern tablespoons, and four dessert spoons, approx. weight 13.8oz. (9) £250-300

116. A matched set of eight Hanoverian pattern three-pronged table forks, various dates and makers including Isaac Callard and Paul Hanet, the reverse for the terminal with various crests, approx. weight 15.9oz. (8) £300-400

The crest is that of Catesby, of Whiston, Northants.

117. A set of six George I silver Hanoverian pattern tablespoons, by Philip Robinson, London 1718, the reverse of the terminals engraved with a crest, the reverse of the bowls with a plain rat-tail, approx. weight 14oz.(6) £400-600

118. A set of six George III silver Hanoverian pattern table forks, by Hester Bateman, London 1788, plain terminals, approx. weight 10.5oz. (6) £200-300

The crest is that of Bridgeman, Baron Bradford.

120. A set of six George II silver threepronged Hanoverian pattern table forks, by Richard Scarlett, London 1729, the reverse of the terminals with a crest, approx. weight 11.3oz. (6) £400-600 The crest is that used by a number of families including Barclay, Hall, Irwin, Pigott and Wade.

119. A matched set of six George II silver Hanoverian pattern tablespoons, five by Richard Scarlett, London 1729, one possibly by William Darker, the reverse of the terminals engraved with a widow’s lozenge within foliate mantling, the reverse of the bowls with a plain rat-tail, approx. weight 11.8oz. (6) £300-400 The arms are those of Dalison of Hamptons, Kent, engraved with a lozenge for a spinster of the family

121. An Edwardian silver seal-top spoon, by The Keswick School of Industrial Arts, Chester 1908, faceted tapering stem, spot-hammered decoration, length 16.8cm, approx. weight 1.8oz. £100-150

122. A pair of early 19th century Scottish provincial silver sugar tongs, by Thomas Davie, Greenock, circa 1820, bright-cut decoration, plus a Victorian Scottish silver toddy ladle and an American silver sifting spoon, approx. weight 2.3oz. (3) £100-150

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OTHER PROPERTIES A SMALL PRIVATE COLLECTION OF EARLY SPOONS & FLATWARE, PART II The first part of this collection was sold in these rooms on the 19th January 2016

123. A set of six James II silver lace-back Trefid spoons, by Samuel Hawkes, London 1688, the reverse of the bowls with scroll decoration, the front of the terminals with mask and scroll decoration, the reverse of the terminals later scratch dated ‘1725’ and numbered ‘1-6’, and one with a scratch weight, lengths 20.4cm-20.8cm, approx. weight 12.4oz. (6) £1,200-1,800

124. A collection of eleven 18th century silver Hanoverian pattern tablespoons, various dates and makers, comprising: five with shell heels, some with crests, scratch initials and monograms, approx. weight 21oz. (11) £250-300

125. A small collection of silver flatware, various dates and makers, comprising: six Old English pattern tablespoons, a Bright-cut tablespoon, an Old English tablespoon with shoulders, a York dessert spoon, and a set of five teaspoons, approx. weight 18.5oz. (14) £200-300

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126. A pair of Charles I silver Slip-top spoons, by Jeremy Johnson, London 1646, faceted stems, the terminals scratch initialled ‘E.T’, length 16.3cm, approx. weight 2.5oz. (2) £1,500-2,000 Provenance: Purchased from Sotheby’s, London 19th December 1996. lot 232.

127. An early 17th century West Country silver Lion Sejant spoon, by John Parnell, Truro circa 1620, the reverse of the bowl later prick dot initialled ‘CL’ ‘86’, faceted stem, length 15.9cm, approx. weight 1.3oz. £1,500-2,000 Provenance: Purchased at Woolley and Wallis, the Salisbury Salerooms, Silver and Jewellery 1st July 1998, lot 315. For maker’s mark see Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J.H. Bourdon-Smith Limited, 1992, page 117, figure M.103.

128. A Charles I West Country silver Seal-top spoon, by John Greene, Salisbury circa 1630, the faceted stem with a gilded seal-top finial, prick dot initialled ‘S’ over ‘TS’, length 18cm, approx. weight 1.7oz. £800-1,200 For maker’s mark see Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J.H. Bourdon-Smith Limited, 1992, page 95, figure M.55.

129. A Charles II silver Lace-back Trefid spoon, probably by Edward Hulse, London 1683, the reverse of the bowls with scroll decoration, the front of the terminals with mask and scroll decoration, the reverse of the terminal prick-dot initialled ‘M.C’, length 19.2cm, approx. weight 1.4oz. £200-300 Provenance: Purchased at Christie’s, South Kensington, 15th April 1998, lot 131.

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126

127

126

128

129

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130. A James II silver-gilt Trefid spoon, by William Matthew, London 1685, the bowl, front and reverse of stem with later decoration, on a matted background, length 19.4cm, approx. weight 1.7oz. £200-300 Provenance: Purchased at Christie’s, South Kensington, 20th April 1999, lot 44.

OTHER PROPERTIES

131. A Charles II silver Puritan spoon, maker’s mark of R over W, London possibly 1662, tapering stem, the reverse of the terminal scratch initialled ‘W’ over ‘WE’, length 18.8cm, approx. weight 1.8oz. £800-1,200

132. A James I silver ‘Slip-top’ spoon, by William Cawdell, London 1610, faceted stem, the terminal scratch initialled ‘S?’ over ‘ TI’, length 15.8cm, approx. weight 1.4oz. £800-1,200

133. A late 17th century West Country silver Lace-Back Trefid spoon, maker’s mark only, JM, script, probably for John Murch, Plymouth /Tiverton, circa 1699, the reverse of the bowl with foliate decoration, the reverse of the terminal prick-dot initialled ‘S.W’ over ‘E.P’, ‘1699’, length 20.5cm, approx. weight 1.9oz. £300-400

134. A George I West Country silver Dog-nose spoon, by Edward Sweet of Dunster, Exeter 1711, the reverse of the bowl with a beaded rat-tail, the reverse of the terminal prick-dot initialled ‘IH’ over ‘I.C’, 1714, length 20.2cm, approx. weight 1.5oz £500-700

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132

131

133 134

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135. A George II West Country silver Hanoverian pattern tablespoon, by Pentecost Symonds, Exeter 1740, the reverse of the bowl scratch initialled ‘R.R’, length 20cm, approx. weight 1.8oz. £100-150

136. A late-17th century provincial silver Dog-nose spoon, probably by Robert Colgate, Lewes circa 1700, the oval bowl with a plain Rat-tail, the reverse of the terminal scratch initialled ‘S’ over ‘R*A’, length 17.5cm, approx. £250-300 weight 1.2oz.

137. A 19th century continental parcelgilt silver Apostle spoon, St. Peter, probably Dutch, the reverse of the bowl with an armorial within foliate scroll decoration, faceted tapering stem, length 21cm, approx. weight 2.5oz. £120-180

138. A late-17th century Norwegian silver spoon, maker’s mark unidentified, Bergen circa 1680, the tapering handle engraved with a village scene, the reverse of the bowl with foliate scroll decoration, length 17.5cm, approx. weight 1.3oz. £150-200

139. A set of six late-17th century silver Trefid sweetmeat forks, marked with the maker’s mark ‘N’, engraved with foliate scroll decoration, length 11cm, approx. weight 1.70oz. (6) £1,000-1,500

140. A George I silver canon-handled basting spoon, by Gundry Roode, London 1715, the oval bowl with a plain rat-tail, the tapering handle scratch initialled ‘I.S’ over ‘S.S’, length 40.5cm, approx. weight 4.9oz. £1,500-2,000

Provenance: Christie’s Silver, Objects and Miniatures, 10th November 1992, lot 228.

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141. A silver Ribbon and Reed pattern canteen for thirty-six. by Walker and Hall, Sheffield 1912, the terminals initialled ‘M’, comprising: thirty-six tablespoons, thirtysix table forks, thirty-six dessert spoons, thirty-six dessert forks, eighteen teaspoons, six fish knives and forks, a soup ladle, four sauce ladles and a pickle fork, approx. weight 374oz. (qty) £3,000-4,000

142. A Victorian silver pierced Vine pattern dessert service for six, by Francis Higgins, London 1850 and 1855, the terminals with a monogram, comprising: six dessert forks, six dessert spoons six dessert knives, six teaspoons, a fruit serving spoon and an ice cream spade, approx. weighable 48oz. (26) £1,000-1,500

143. A matched silver Old English pattern canteen for twelve, the majority by Thomas Turner and Co, Sheffield 1912, comprising: twelve table forks, twelve dessert forks, (one different maker, London 1898), six tablespoons, twelve soup spoons, twelve dessert spoons, a soup ladle, a basting spoon, a pair of sauce ladles, a sifting spoon, a pair of knife rests, four salt spoons, a mustard spoon, a bread fork, plus twelve various matched teaspoons, twelve table knives and twelve dessert knives and a four-piece carving set, in a fitted wooden case, approx. weighable 146oz. £1,000-1,500

144. A collection of antique silver Fiddle pattern flatware, various dates and makers including Robert Peppin, London 1820, the terminals with initials, comprising: nine table forks, eleven dessert forks, twelve dessert spoons, twelve teaspoons, three tablespoons, two pairs of sugar tongs, and three sauce ladles, approx. weight 74oz. (52) £600-800

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145. A set of six early 18th century silver Hanoverian pattern three-pronged dessert forks, by Peter Harache, London date letter worn, approx. weight 9.4oz. (6) £300-400

146. A small collection of 18th century silver Hanoverian pattern flatware, comprising: a set of six dessert spoons, by Henry Bayley, London 1758, plus six further dessert spoons, plus five tablespoons and two Scottish tablespoons, approx. weight £300-400 25oz. (19)

147. A set of six George I silver Dog-nose tablespoons, by William Toone, London 1725, the reverse of the bowls with a plain rat-tail, approx. weight 11.5oz. (6) £300-400

148. A set of ten silver and ivory handled fruit knives and forks, by Francis Higgins and Son Limited, London 1913, the green stained ivory handles with fluted silver mounts and fluted scroll terminals. (20) £200-300

149. A set of five American silver Aesthetic Movement table forks, by Tiffany and Co, circa 1871, the terminals with foliate and bird decoration, approx. weight 11oz. (5) £100-150

150. A set of twelve Victorian silver King’s pattern fruit knives and forks, by Aaron Hadfield, Sheffield 1849, the terminals with a crest. (24) £200-300

151. A George III silver Old English pattern basting spoon, by Hester Bateman, London 1783, the terminal with a monogram, length 29.8cm, approx. weight 3.2oz. £120-180

152. A set of twelve late-Victorian silver fruit eaters, by Mappin and Webb, Sheffield 1892, carved ivory handles, the blades with engraved decoration, in a fitted case. (24) £300-400

153. A George III silver Old English pattern basting spoon, by Hester Bateman, London 1785, the terminal with a monogram, length 29cm, approx. weight 3.3oz. £120-180

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A PRIVATE COLLECTION OF MEAT SKEWERS

154

154. A George III Scottish silver meat skewer, maker’s mark DM, possibly for David Manson of Dundee, with Edinburgh marks for 1816, tapering form, ring handle, with an initial, length 23cm, approx. weight 2oz. £100-150 155 (2)

155. A George III silver meat skewer, by John Lambe, London 1774, tapering form, plain ring handle, length 37.4cm, plus a George IV silver meat skewer, by William Eaton, London 1826, of similar form, length 33cm, £200-300 approx. weight 7.8oz. (2)

156. A George III silver meat skewer, by Thomas Devonshire and William Watkins, London 1760, tapering form, with a shell and ring terminal, engraved with a crest, length 32.2cm, approx. weight 6.8oz. £300-400

156

The crest is that of Heber, Middleton and Pengelley.

157. A George III Irish silver meat skewer, by James Keating, Dublin 1789, tapering form, ring handle, length 24.7cm, £200-250 approx. weight 2.8oz.

158. A Victorian silver Bright-cut pattern meat skewer, by Frederick Elkington, Birmingham 1884, ring terminal, engraved with a crest, length 30.8cm, approx. weight 3oz. £100-150

159. A George III silver meat skewer, maker’s mark twice R.W, circa 1770, tapering form, with a shell and ring terminal, length 25.8cm, approx. weight 2.3oz. £100-150

157

158

159

160 (2) 160. A pair of Victorian silver poultry skewers, by George Adams, London 1848, the terminals with foliate finials, length 13cm, approx. weight 0.5oz. (2) £100-150

161. A pair of George III silver poultry skewers, by Richard Crossley, London 1804, plain tapering form, ring terminals, length 15.8cm, approx. weight 0.5oz. (2) £100-150

161 (2)

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162 (2)

162. A pair of George III silver poultry skewers, by Robert Garrard, London 1810, plain tapering form, ring terminals, length 15.8cm, approx. weight 0.5oz. (2) £100-150

163 (2)

163. A George III silver poultry skewer, by Thomas Harrison, London 1773, tapering form, textured ring terminal, plus a George III silver poultry skewer, by Eley, Fearn and Chawner, London 1811, reeded ring handle, approx. total weight 1.3oz. (2) £100-150

164. A George III silver meat skewer, no apparent maker’s mark, London 1774, tapering form, with a shell and ring terminal, length 34.5cm, approx. weight 4oz. £100-150

164

165. A George III provincial silver meat skewer, no apparent maker’s mark or date letter, Newcastle circa 1770, tapering form, ring terminal, length 29.5cm, approx. weight 3oz. £150-200

165

166. A George III silver meat skewer, by J. Mackay, Edinburgh 1819, tapering form, plain ring handle, engraved with a crest, length 27.4cm, approx. weight 2.6oz. £100-150

166

167. A George II silver meat skewer, by John Jacob, London 1758, tapering form, with a ring terminal and ring attachment, the terminal with a crest, length 35.5cm, approx. weight 2oz. £100-150 Crest of is that of Cunningham on a spinster’s lozenge within a strap and buckle inscribed with the motto of Grant.

167 168. A George III silver Bright-cut meat skewer, by George Smith, London 1778, tapering form, ring handle, length 27.5cm, approx. weight 2oz. £100-150 168 169. A William IV silver King’s Husk pattern meat skewer, by William Eaton, London 1836, with a ring terminal, length 30.5cm, approx. weight 4oz. £100-150 169

170

170. A large George III silver meat skewer, maker’s mark only, that of Aldridge and Green, London circa 1780, plain tapering form, plain ring handle, length 57cm, approx. weight 7.5oz. £300-400

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OTHER PROPERTIES

171

172

171. A George III provincial silver teapot, by Barber and Whitwell, York 1815, oblong bellied form, part fluted girdle, gadroon border, scroll handle, the slightly domed cover with a rectangular finial, on four ball feet, length handle to spout 28.5cm, approx. weight 19.8oz £500-700

172. A George III provincial silver teapot, by Robert Cattle and James Barber, York 1808, rounded rectangular form, flush hinged cover with a rounded rectangular finial, on four bun feet, length handle to spout 26.8cm, approx. weight 19.1oz. £400-600

173. A George III provincial silver waiter, by James Barber and William Whitwell, York 1818, circular form, gadroon border, the centre with a crest, on three ball feet, diameter 20.8cm, approx. weight 15.2oz. £600-800 Provenance: purchased from Mary Cooke Antiques.

173

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174. A Victorian silver cream jug, by A and J Savory, London 1852, baluster form, embossed foliate and scroll decoration, leaf capped scroll handle, initialled, on four bracket feet, height 17.5cm, approx. weight 9oz. £150-200

175. A three-piece silver tea set, by W. Kieght and Co, Birmingham 1909, oblong bellied form, scroll handles, on four bun feet, length handle to handle 27cm, plus a pair of sugar tongs, approx. weight 37oz. (4) £200-300

176. A silver salver, by Thomas Bradbury and Sons, Sheffield 1936, circular form, moulded border, on three bracket feet, diameter 34.5cm, approx. weight 35oz. £150-200

177. A George III silver chamber stick, by Ebenezer Coker, London 1772, circular form, gadroon and scroll border, on three webbed feet, with an unmarked pair of scissor trimmers, diameter 15cm, approx. weight 7.9oz. (2) £200-300

178. A Britannia standard silver muffin dish and cover, by The Goldsmiths and Silversmiths Company, London 1935, circular form, the domed cover with an ivory finial, stylised border, with an internal cover, diameter 18.8cm, approx. weight 23.9oz. £300-500

179. A George III silver chamberstick, by John Emes, London 1803, circular form, gadroon borders, with a conical snuffer, engraved with a monogram and crowned ‘A’, diameter 12.5cm, approx. weight 7.4oz. £200-300

180. A pair of Edwardian silver sauce boats, by D and J Wellby, London 1901, oval form, leaf capped flying scroll handles, on three shell capped scroll and pad feet, length 19cm, approx. weight 20oz. (2) £150-200

181. A pair of Edwardian silver sauce boats, by J. Vander, London 1904, oval form, leaf capped scroll handles, on three shell capped pad feet, length 22cm, approx. weight 34oz. (2) £300-400

182. A pair of silver sauce boats, by Rhodes and Sons Limited, London 1933, oval form, leaf capped scroll handle, gadroon border, on three shell mounted scroll and pad feet, length 16.7cm, approx. weight 12.5oz. (2) £100-150

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183. A Victorian silver waiter / tea pot stand, by Edward Farrell, London 1838, oval form, pierced scroll gallery, on four pierced foliate bracket feet, the centre with a crest, length 20.5cm, approx. weight 9.5oz. £200-300

184. A William IV silver toast rack, by Spooner, Painter and Co, Birmingham 1834, on a rounded rectangular foot, plain handle, on four bun feet, length 15.8cm, approx. weight 10.9oz. £150-200

185. A pair of George II silver butter shells, by William Kidney, London 1736, plain shell form, the undersides with scratch weights, length 12.8cm, approx. weight 9.5oz. (2) £600-800

186. A George II silver waiter, by William Peaston, London 1747, circular form, shell and scroll border, the centre with an armorial, the underside with a scratch weight 10:8, on three hoof feet, diameter 18.2cm, approx. weight 9.4oz. £150-200

187. A George III silver swing-handled basket, by John and Thomas Settle, Sheffield 1817, rounded rectangular form, pierced acanthus leaf decoration, gadroon and shell border, pierced swing-handle, with a later inscription, on four bun feet, length 31cm, approx. weight 26.7oz. (2) £500-600

188. A Victorian silver salver, by Robert Garrard, London 1873, circular form, stylised border, the centre chased with foliate scroll decoration, on three gnarl feet, diameter 24.3cm, approx. weight 20oz. £300-500

190. A Victorian silver bachelor’s tea pot, by Alexander Macrae, London 1863, bullet form, chased foliate decoration, the scroll handle with ivory insulators, flush hinged cover with a knop finial, length 17.8cm, approx. weight 8oz. £100-150

191. A Victorian silver-gilt grape dish and pair of grape scissors, by Wakely and Wheeler, London 1889 and 1893, shaped oval form, embossed with birds and foliate scroll decoration, on a matted background, central vacant cartouche, in a fitted case, length 26cm, approx. weight 12oz. (2) £350-400

The arms are those of Willet of Walthamstow quartering Pierpoint impaling Hase.

189. A Victorian silver mug, by Barnard & Sons Ltd, London 1857, circular form, with a scroll handle, engine turned and bright-cut decoration, initialled, in a fitted case, height 9cm, plus a Victorian silver three-piece christening set, by Martin, Hall & Co, the knife Sheffield 1876, the spoon and fork London 1876, beaded borders, engraved fern leaf decoration, in a fitted case, approx. weighable 7.4oz. (2) £150-200

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192. A Japanese silver tea caddy, maker’s mark of S in a circle within a fan shaped punch, circular form, embossed with pond scenes with fish, reeds and irises, the pull-off cover with a foliate finial, height 11cm, approx. weight 9.8oz. £600-800

193. A late-Victorian silver tea caddy, with import marks for London 1900, importer’s mark of William Neal, rectangular form, decorated in the Chinoiserie manner, with figures and pagodas in foliate scroll landscape settings, the slide-off cover with a flower finial, on a scroll foot, height 14.8cm, approx. weight 13oz. £200-300

194. A silver tea caddy, by S. Blanckensee and Sons, Birmingham 1917, in the George I manner, panelled baluster form, the hinged cover with a hinged finial, height 13.5cm, approx. weight 4.8oz. £100-150

195. An American silver tea caddy, by Tiffany and Co, Charles Cook period, 1902-7, circular form, applied with a band of foliate scroll decoration, the pull-off cover with a foliate and thread border and engraved with a monogram, with an interior cover, height 10cm, approx. weight 11.4oz. £200-300

196. A silver tea caddy, by Martin, Hall and Co, Birmingham 1919, oval form, drop ring handles, the cover with an oval finial, length 11.5cm, plus an Edwardian silver tea caddy, by William Devenport, Birmingham 1902, oblong form, chased foliate scroll decoration on a matted background, approx. total weight 12.5oz. (2) £200-300

197. An early Victorian silver cream jug, by Reily and Storer, London 1838, lobed tapering form, embossed foliate scroll decoration, leaf capped scroll handle, gilded interior, on a shell and scroll foot, height 16cm, approx. weight 10oz. £200-300

198. An unmarked silver soap dish, probably early 19th century, oval form, the domed pull-off cover with a crest and motto, length 11.8cm, approx. weight 6.4oz. £80-120

199. A George III silver cream jug and sugar bowl, maker’s mark lost in decoration, London 1805, rounded rectangular form, scroll handles, Greek key borders, on four ball feet, height of cream jug 11cm, approx. weight 12.5oz. (2) £200-300

200. A George III silver swing-handled cream pail, by Daniel Boissonnade, London 1776, tapering circular form, wire-work body, applied with foliate decoration and swags, and applied with two medallions, rope-work borders and swing-handle, with a blue glass liner, height 12.5cm, approx. weight 3oz. £200-300

The crest is that of Pilkington.

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201. A matched three-piece Victorian silver travelling communion set, the flagon by D and C. Houle, London 1863, the chalice and paten by George Pinnell, London 1838, the flagon of baluster form, engraved decoration, with an inscription, on a hexagonal foot, the chalice with a circular baluster bowl, the paten on a circular foot, all engraved ‘IHS’, height of flagon 9.5cm, approx. weight 6.5oz. (3) £200-300

202. An Edwardian silver and enamel cruet set, by Carrington & Co, London 1906, the pots of egg form, enamelled ‘PEPPER’, ‘SALT’ and ‘CAYENNE’, the mustard pot with an enamelled crest and motto, in a wire-work frame with three scroll legs, plus a matching mustard spoon, height 8.5cm, approx. weight 8.8oz. £400-600

203. A Victorian silver cream jug, by Jackson and Chase, London 1879, circular form, shell and bead border, scroll handle, on a raised circular base, height 6.8cm, approx. weight 3.7oz. £100-150

204. A Victorian silver mug, by George John Richards, London 1852, tapering circular form, embossed with a rural scene and a man and two companions lighting a canon aimed at a doll, scroll handle, on four scroll feet, height 11.4cm, approx. weight 5.8oz. £100-150

205. A George III silver mustard pot, by Robert Hennell, London 1791, barrel form, upper and lower reeded bands, scroll handle, the hinged cover with a plain thumb-piece, the interior gilded, the front with a crest, height 7.8cm, approx. weight 3.5oz. £150-200

206. A George III silver-gilt caster, by John W Story, London 1807, cylindrical form, embossed with a band of foliate decoration on a matted background, and with an egg and dart border, on a raised circular foot, pierced screw-off cover with a ball finial, height 9cm, approx. weight 2.8oz. £150-200

207. A set of four silver bonbon dishes, by George Edwards and Sons, Birmingham 1912, shaped circular form, on a raised circular foot, diameter 10cm, approx. weight 8.5oz. (4) £100-150

208. A late-Victorian silver Guernsey milk can, by Nathan and Hayes, Chester 1900, circular form, scroll handle, the pull-off cover with a scroll handle, height 15cm, approx. weight 6.4oz. £100-150

209. A pair of George III silver salt cellars, by Robert and Samuel Hennell, London 1809, circular form, gadroon borders, the bowls with traces of gilding, diameter 9.2cm, approx. weight 7.4oz. (2) £150-200

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210. A late-Victorian silver double cigarette / cigar box, by Joseph Braham, London 1898, rectangular form, with two hinged covers, embossed foliate scroll decoration, central fluted carrying handle, wood lined, the cover monogrammed, length 20.2cm. £500-700

211. A Victorian silver double inkstand, by The Barnards, London 1892, rectangular form, with pierced foliate scroll gallery, gadroon borders, on four foliate mounted scroll bracket feet, with two silvermounted cut-glass inkwells, length 30.5cm, approx. weight 30oz. £500-700

212. A late-Victorian silver-mounted two-handled gallery tray, by William Comyns, London 1900, oval form, the gallery with pierced decoration and inset handles, wooden base with a central shell motif, on four bun feet, length 57cm. £600-800

213. A three-piece Edwardian silver-gilt tea and coffee set, by The Goldsmiths and Silversmiths Company, London 1902, comprising: a tea pot, a coffee pot and a sugar bowl, circular form, chased foliate scroll and trellis decoration on a matted background, mythical beast scroll handles, on a raised circular foot, height of coffee pot 26cm, approx. weight 70.9oz. (3) £600-800

214. A Victorian silver salver, by Martin, Hall and Company, London 1873, circular form, gadroon border, engraved decoration, on three bracket feet, diameter 26cm, approx. weight 20oz. £200-300

215. A silver salver, by Elkington and Co, Birmingham 1937, shaped circular form, with shell motifs and gadroon border, on three bracket feet, diameter 35.4cm, approx. weight 41oz. £300-400

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216. A pair of late-Victorian silver sauce tureens and covers, by Ernest Lawrence, London 1898, oval form, reeded borders and scroll handles, the pull-off covers with urn finials, on a raised oval foot, length handle to handle 23cm, approx. weight 31oz. (2) £400-600

217. An Edwardian silver two-handled soup tureen and cover, by Thomas Bradbury and Son, London 1909, oval fluted form, reeded borders and scroll handles, the pull-off cover with an urn finial, on a raised oval foot, initialled, length handle to handle 38cm, approx. weight 56oz. £500-700

The crest is that for Bowles of Myddleton House, Waltham Cross, Hertfordshire, originally granted to Henry Carington Bowles in 1852 and thence to Sir Henry Bowles, MP, created a baronet in 1926.

218. A four-piece William IV silver tea and coffee set, by Benoni Stephens, London 1835, lobed baluster form, embossed with scenes of game birds, foliate borders, leaf capped scroll handles with ivory insulators, the hinged cover with pheasant finials, on four shell bracket feet, engraved with a crest, height of coffee pot 22cm, approx. weight 84oz. (4) £1,000-1,500

219. A two-handled silver punch bowl, by the Barnards, London 1918, circular form, lion mask drop ring handles, spot-hammered decoration, on a raised circular foot, diameter 29cm, approx. weight 44oz. £600-800

220. A George III silver eight bar toast rack, by Emes and Barnard, London 1812, the arched bars with a central gadrooned and foliate shell capped handle, shell and gadroon border, on four paw feet, length 19.8cm, approx. weigth 13.5oz. £250-300

221. A Victorian silver salver, by Stephen Smith, London 1871, circular form, beaded border, the centre engraved with birds and stylised decoration, on four claw and ball feet, diameter 46.5cm, approx. weight 79.5oz. £800-1,200

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A SMALL PRIVATE COLLECTION

222. A collection of fifteen 18th century silver Hanoverian pattern teaspoons, various makers, the reverse of the terminals with various crests, plus a later Hanoverian pattern spoon, approx. weight 7.9oz. (15) £100-150 The crests include those for Almor Lowry, later Lowry-Corry, Viscount Belmore.

225. A set of nine George I silver Hanoverian pattern tablespoons, by Joseph Barbut, London 1722 and 1723, the reverse of the bowls with plain rat-tails, the reverse of the terminal with an armorial, approx. weight 12.2oz. (9) £200-300 The Shield is recorded in 1634 for Shepard/ Sheppard of Great Rollright, Oxfordshire. Also used by Thomas Sheppard of Thornton Hall, Buckinghamshire, MP for Frome, created baronet in 1809.

228. A matched set of twelve Edwardian silver pistol-grip handled dessert knives, eight by Francis Higgins, London 1905, four marks worn, re-bladed, eight with two crests. (12) £150-200 The crest is that of Meynell.

223. A Victorian silver Fiddle pattern soup ladle, by Elizabeth and John Eaton, London 1861, oval bowl, the terminal with a crest, length £100-150 33.8cm, approx. weight 9.5oz. The crest is that of Curtis Miranda Lampson.

226. A George IV silver King’s Shape Double Threaded pattern soup ladle, by William Chawner, London 1825, oval bowl, the terminal with a crest, length 33cm, approx. weight 7.3oz. £100-150 The crest is probably that of Forster of Carmichael.

229. A set of twelve George II silver Hanoverian pattern tablespoons, by Ebenezer Coker, London 1758, the reverse of the terminal with a crest, approx. weight 29oz. (12) £400-600 The crest is probably that of Forster or Carmichael.

224. A set of twenty three 18th century silver Hanoverian pattern table forks, marked to the top of the terminals with four cancelled marks, the reverse of the terminals with erased crests, approx. weight 49oz. (23) £400-600

227. A set of twelve George III Hanoverian pattern silver table forks, by William Summers, London 1788, the reverse of the terminals with a crest, plus two similar table forks, marks worn, £200-300 approx. weight 27.5oz. (13) The crest is that used by a number of families including Meynell, Dethick, Fletcher and Rutherford.

230. A collection of twelve early 19th century silver-handled table knives, five by William Chawner, London 1831/32, seven with worn marks, reeded handles, re-bladed, some crested. (12) £150-200

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231. A pair of George II silver Rococo soup ladles, by William Turner, London 1754, fluted shell bowl, the terminal with Rocco scroll decoration, and a vacant cartouche, the reverse of the terminal with the crest of a crowned standing cockerel, one bowl heavily repaired, length 40cm, approx. weight 19.4oz. (2) £400-600 The crest is that for Almor Lowry, later Lowry-Corry, Viscount Belmore.

231

232. An 18th century Dutch silver box, maker’s mark of R.S, also marked with a later tax mark, shaped upright cylindrical form, chased with figural scenes, hinged cover, the underside prick-dot initialled ‘K.K’, height 3.2cm, approx. weight 0.4oz. £150-200

233. A William IV silver nutmeg grater, by Taylor and Perry, Birmingham, probably 1836, stylised melon form, with alternate bands of plain and foliate scroll decoration, the hinged cover opens to reveal a hinged grater, length 4cm, approx. weight 0.9oz. £600-800

234. A pair of silver waiters, by Thomas Bradbury and Sons, London 1910, circular form, moulded border, on three gnarl feet, diameter 16cm, approx. weight 15.5oz. (2) £100-150

235. An Edwardian novelty electroplated table bell, by Elkington and Co., 1907, modelled as old Mother Hubbard, holding a stick and dog, with a nodding head, height 10.2cm. £100-150

236. A three-piece Edwardian silver spinster’s tea set, by William Holmes, Birmingham 1906, oval form, with ribbon-tied drapes and part fluted decoration, scroll handles, the teapot inscribed ‘Presented to Lady Dorothy Legge on her marriage to Mr Meynell, by Her Father’s Household servants, Oct 3rd, 1907’, plus a pair of sugar tongs, in a fitted case, length of tea pot handle to spout 22.5cm, approx. weight 12.5oz. (4) £150-200

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237. An Edwardian silver kettle on stand, and a Victorian silver tea pot, by Tessier, (Arthur and Frank Parsons), London 1910, the teapot by George Fox, London 1862, octagonal baluster form, central carrying handle, domed cover with a knop finial, the stand on three scroll legs, with a burner, the teapot of similar form, scroll handle damaged, height of kettle 37cm, approx. weight 80oz. (2) £500-700

238. A large George III silver salver, by Robert Jones, London 1774, circular form, gadroon border, the centre with an armorial, within foliate mantling, on four gadroon paw feet, diameter 39cm, approx. weight 49oz. £800-1,200

239. A late-Victorian silver kettle on stand, by J.B. Carrington, London 1893, oval form, central carrying handle with ivory insulators, pull-out domed cover, the oval stand on four scroll legs with a burner, height 28cm, approx. weight 46oz. £400-600

240. A large George III silver salver, over stamped with maker’s mark of possibly John Swift, London 1776, circular form, the centre with an armorial and motto, the underside scratch initialled ‘G’ over ‘I.S’, and with a later inscription, on four claw £700-900 and ball feet, diameter 38cm, approx. weight 44.5oz.

The arms of Curtis Miranda Lampson, b. 1806, a native of Vermont, USA who was naturalized a British subject in 1846. As a Director of the Atlantic Telegraph Company he displayed great energy and perseverance on his achievement in laying the Atlantic Cable and was created a baronet in 1866 after these arms had been granted. Sir Curtis died in 1885 leaving two sons, a daughter and 6 grandchildren.

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241. A South American silver mug, unmarked, tapering lobed circular form, hammered decoration, scroll handle, later initialled, on a raised lobed circular foot, with traces of gilding, height 16cm, approx. weight 13.5oz. £100-150

242. A set of four early 18th century silver shell butter dishes, maker’s mark only, that of Francis Nelme, circa 1730, shell form, all with scratch weights to the underside, engraved with a crest, length 15.4oz. (4) £1,500-2,000 The crest is recorded for a number of families including Dethick, Meynell, Fletcher, Chamberlain and Roxburgh.

243. A pair of George III silver mugs, by William Grundy, London 1755, plain baluster form, leaf capped scroll handles, engraved with a crest, on circular bases, height 10.4cm, approx. weight 15.8oz. (2) £700-900

244. An 18th century silver dish, unmarked, circular form, heavy gadroon border, engraved with two armorials, the underside with a scratch weight 39oz 8t, diameter 32.8cm, approx. weight 38.7oz. £800-1,200

The crest is that recorded for a number of families including Berryman, Dethick, Fletcher, Higham, Meynell and Slade.

The arms are those of Meynell quartering Pyntz and Littleton Accollee with Alleyne.

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245. A silver coffee pot, by Bracher and Sydenham, London 1912, tapering circular form, scroll handle, domed hinged cover with a knop finial, on a raised foot, height 24cm, approx. weight 27.9oz. £200-300

246. A matched George IV and William IV silver tea set, the pot by Emes and Barnard, London 1824, the cream and sugar by The Barnards, London 1833, compressed circular form, leaf capped scroll handles, the teapot with a domed cover and circular finial, with ivory insulators, length handle to spout 26.2cm, approx. weight 40oz. (3) £300-500

247. A pair of Edwardian silver vases, by Walker and Hall, Sheffield 1906 and 1909, tapering hexagonal form, pierced foliate scroll decoration, wavy-edge border, on raised pierced hexagonal bases, height 30.4cm, approx. weight 22oz. (2) £300-400

248. A Victorian silver salver, by Joseph Rodgers, Sheffield 1844, circular form, foliate scroll border, the centre with engraved foliate scroll decoration and engraved with a crest and monogram, on three bracket feet, diameter 31.5cm, approx. weight 23.5oz. £150-200

249. A George III silver tea caddy, by Crispin Fuller, London 1809, oblong bellied form, fluted girdle, flush hinged raised cover with fluted decoration and a fluted finial, on four ball feet, with a lock, length 15.4cm, approx. weight 14.5oz. £500-800

250. A presentation silver salver, by C.J. Vander, London 1964, circular form, shell and scroll border, the centre with a presentation inscription, on four knurl feet, diameter 32cm, £200-300 approx. weight 47.5oz.

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OTHER PROPERTIES

251. A George II silver coffee pot, by Richard Guerney and Co, London, date letter worn, the cover unmarked, tapering circular baluster form, wooden scroll handle, leaf capped spout, domed cover, knop finial, chased decoration, and later engraved with the arms of Nathaniel Booth, 4th Baron Delamere of Dunham Massey, on a circular foot, height 21cm, approx. weight 25oz. £600-800

252. A George III silver teapot, by Hester Bateman, London 1786, oval form, with bright cut decoration, with two vacant cartouches, stained green ivory pineapple finial and wooden scroll handle, length handle to spout 28cm, approx. weight 12.6oz. £400-600

253. A George II silver coffee pot, by William Shaw and William Priest, London 1749, tapering and baluster form, the domed cover with a knop finial, scroll handle, engraved with an armorial and initial, on a circular foot, height 22cm, approx. weight 20oz. £500-700

255. A George IV silver-mounted coconut cup, by Charles Rawlings, London 1821, the circular coconut bowl with carved decoration with garlands of flowers, plain mount, on a raised circular foot with a foliate scroll border, height 16.3cm. £300-400

256. A Victorian silver tea pot, by Benjamin Preston, London 1858, tapering circular form, engraved and chased trellis decoration, scroll handle, with ivory insulators, length handle to spout 25.5cm, approx. weight 22oz. £200-300

Provenance: purchased from the Langham Family Collections Sale, Slane Castle, Co. Meath, Hamilton, Osborne, King, 27 September 2004. Lady May Langham, only surviving child of the 2nd Langham Baronet married the Earl of Warrington. This family died out in the male line and some of the Dunham Massey silver came to the Langham family in the 18th century.

254. A Russian silver-mounted glass warrior kovsch, maker’s mark NK, 1908-17, oblong form, cut decoration, the front mounted with the head of a warrior in traditional dress, scroll handle with classical decoration, on an oval foot, height 14cm, length 24.5cm. £800-1,200

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257. A 19th century French silver wine taster, maker’s mark of AB in a lozenge, circular form, punch bead and vine decoration, snake ring handle, inscribed ‘J. BARRAUD V’, length 10.8cm, approx. weight 2.6oz. £150-200

258. A late-19th century Dutch cow creamer, 1892, modelled in a standing position, the hinged cover with a fly finial, height 10cm, approx. weight 5oz. £500-700

259. A 19th century French silver wine taster, maker’s mark of ?M in a lozenge, circular form, punch bead decoration, double snake ring handle, inscribed ‘J. MARTIN’, length 10.8cm, approx. weight 2.6oz. £100-150

260. An 18th century French provincial silver wine taster, marks worn, probably Troyes circa 1762, circular form, part-fluted decoration, snake ring handle, inscribed ‘F.N. CHARDON’, length 11.4cm, approx. weight 4oz. £200-300

261. Two similar 19th century French silver beakers, circa 1880, maker’s marks JG and CT in lozenge, tapering circular form, engraved foliate decoration, gilded interiors, height 9cm, £300-400 approx. weight 7.9oz. (2)

262. A late-18th/early-19th century Portuguese silver cream jug, maker’s mark probably MV conjoined, Oporto circa 1800, oval tapering form, scroll handle, height 13.3cm, approx. weight 8.3oz. £100-150

263. A late-18th/early-19th century silver beaker, maker’s mark of I.L.C, with an unidentified town mark, probably German, tapering circular form, with later initials, the interior bowl gilded, on a raised circular foot, height 8.4cm, approx. weight 3.5oz. £150-200

264. Two 18th century French silver beakers, one Paris, the other provincial, marks worn, tapering circular form, engraved foliate and scroll decoration, on raised circular bases, heights 11cm and 10.5cm, approx. weight 9.3oz. (2) £500-700

265. A late-18th century French silver beaker, maker’s mark partially worn, Paris 1788, tapering circular form, on a raised fluted circular foot, height 10cm, approx. weight 2.3oz. £200-300

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266. An early-19th century German silver cream jug, maker’s mark of W, Arolsen, circa 1800-1810, helmet form, engraved foliate borders, loop handle, on a raised circular foot, height 16cm, approx. weight 8oz. £200-300

267. An early-19th century German silver coffee pot, by Johaan Georg Friderich Welle, Arolsen 1800-1810, ovoid body, engraved decoration, scroll handle, lion mask spout, the pull-off cover with a swan finial, on a raised foot modelled as three mythical dolphins, on a raised circular base with a foliate border, height 22cm, approx. weight 25.5oz. £800-1,200

268. An 18th century German silver tea caddy, Bamberg, shaped oval form, with two panels of chased lattice decoration, fluted borders, pull-off covers, height 12cm, approx. weight 4oz. £350-400

269. An early-19th century German silver swing-handled basket, by Johaan Georg Friderich Welle, Arolsen 1800-1810, circular form, pierced and embossed with filigree decoration, figures, bunches of grapes and masks, clear glass liner, on a raised circular foot, approx. weight 8.4oz, height 20cm. £400-600

270. An 18th century Baltic silver drinking cup, Pernau, Estonia, maker’s mark of IG in a shaped punch, tapering circular form, the interior of the bowl gilded, on a raised circular foot, diameter 5cm, approx. weight 0.9oz. £200-300

271. A pair of 19th century Dutch silver wine tasters, with pseudo marks for Reynier Brandt, Amsterdam 1788, circular tapering form, raised centres, engraved with two crests, diameter 12.8cm, approx. weight 10.9oz. (2) £800-1,200

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272. A Brazilian metalware Penca de Balangandans, (a collection of lucky charms), retailer’s marks worn, conventional form, the handle mounted with two birds and set with stones, the hanging charms include a figa (wooden hand), a fish, a pomegranate, a cashew nut, a bunch of grapes and other charms, length 17.5cm. £250-300

273. A pair of South American silver spurs, unmarked, probably 19th century, conventional form, engraved decoration, with rotating steel spikes, length 21.5cm. (2) £400-600

Penca de Balangandans were worn as a powerful protection against bad luck and evil spirits. They were used by slaves coming from West Africa, and were worn on a chain belt around the waist, which symbolically suggests fertility. All the charms have significant meanings; the cashew nut represents plenty, the grapes celebrations, and the fig wards off evil spirits.

274. A South American metal-ware dish, circular form, moulded border, plus a smaller South American dish, circular form, with drop-ring handles, diameters 34.7cm and 21.5cm. (2) £200-300

275. A South American silver platter, marked Plata Fina, Hecho A Mano 0.900, lobed circular form, spot-hammered decoration, diameter 37.5cm, approx. weight 32.5oz. £200-300

276. A Peruvian silver two-handled tray, by Camusso, marked 925, rectangular form, foliate scroll borders and handles, the centre with the coat of arms of Venezuela, length handle to handle 44.5cm, approx. weight 25.8cm. £100-150

277. A South American silver platter, retailed by T.A.N, Bogota, marked 0.925, oval lobed form, spot-hammered decoration, length 55.3cm, approx. weight 28.5oz. £150-200

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278

279

278. An American silver dish, leaf form, textured decoration, on four bun feet, length 28.5cm, approx. weight 17oz. £140-180

William Offley officially founded the Offley- Forrester Company, one of the pioneer Port houses, in 1737. In 1803 a Scottish trader, James Forrester, joined him in partnership and the company took the name Offley-Forrester and Webber. His nephew, Joseph James Forrester joined him in Porto in 1831 when he was 22 years old and subsequently became a national hero in Portugal. He was the first person to map the Upper Douro area. His maps are still of major importance today, as well as a very valuable topographical survey of the Douro river. For his work, the king of Portugal, Pedro V, awarded him the title of Baron Forrester in 1855. Reference The Wine Web.

279. An early 19th century Portuguese silver dish, maker’s mark possibly QW, Oporto, circa 1820, circular form, swirl fluted decoration, foliate shell and scroll decoration, the centre embossed with a foliate scroll cartouche, inscribed a presentation inscription to Offley, Webber and Forrester, diameter 42cm, approx. weight 39.5oz. £2,000-3,000

280. A four-piece Portuguese silver tea and coffee set, Oporto post 1938, lobed circular form, shell and foliate borders, fluted covers with ball finials, on raised circular bases, height of coffee pot 16.5cm, approx. weight 51oz. (4) £300-500

281. A gilded metal-ware bowl, indistinct marks to base, one ‘75’, possibly Greek, circular lobed form, embossed decoration, the border with an £300-400 inscription, on a circular foot, height 16cm.

282. A late 19th century continental silver tray, probably German, oval form, ribbon tied swag and medallion border, length 48cm, approx. weight 47oz. £400-600

283. An Italian silver platter, shaped oval form, gadroon border, length 51cm, approx. weight 47oz. £300-400

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284. An American silver platter, by Gorham, 1933, circular form, foliate scroll decoration, diameter 36.5cm, approx. weight 33.5oz. £300-400

286. A Chinese silver cup and cover on stand, by Zhao Chang, circa 1830, circular form, chased foliate decoration, the pull-off cover with a finial, on a knopped stem on a circular foot, height 13cm, the stand of circular form, on three claw and ball feet, diameter 9.4cm, approx. weight 6.7oz. £200-300

288. A late 18th century Dutch silver two-handled tray, by Diederik Rethmeyer, Amsterdam 1799, oval navette form, the gallery pierced with foliate scroll decoration, inset handles, beaded borders, length 37.2cm, approx. weight 21oz. £400-600

285. A 19th century Dutch silver salver, with earlier pseudo marks, shaped square form, shell and scroll border, on four foliate bracket feet, length 35.2cm, approx. weight 32oz. £250-300

287. A presentation Thai metalware three-light candelabrum, Thainakon, Sterling, Thailand, oval form, with two scroll arms supporting four foliate capitals, the raised oval base with a foliate scroll border and inscribed ‘Presented to Vice Admiral Sir Frank Twiss, K.C, B.D,S,C by Admiral Charoon Chalermtiarana, commander-in-chief, Royal Thai Navy, April 11, 1967’, height 19cm, length 34cm. £200-300 This lot is sold with a small pamphlet on the Black Rod, by Maurice Bond and David Beamish. Frank Twiss was Black Rod in 1970, and he is featured on the front cover of this pamphlet.

289. A 19th century Dutch silver bachelor’s teapot, by Bonebakker and Son, oval form, central girdle, scroll handle, fluted spout, on a raised oval foot, length 20cm, approx. weight 12oz. £100-150

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290. A rare 18th century Dutch silver inkstand, by Lambrecht Van Der Woord, Vlissingen, 1785, shaped oblong form, with a central inkwell with a later hinged cover and a sander, (lacking finial), and a pot and cover, with a snuffer’s stand (lacking scissor trimmers), and a taper stick, with a scroll support for an armorial beneath a Marquess’ coronet, the base with a pierced apron, on four scroll feet, length 23.3cm, approx. weight 34oz. £4,000-6,000 The pair to this inkstand was sold at Christie’s, Centuries of Style, King Street, 10th June 2010, lot 15. Provenance: Lieutenant-General John Campbell, 1st Marquess of Breadalbane, FRS (1762-1834), and thence by family descent to the present owner.

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291. A late-19th century French silvermounted claret jug, maker’s mark partially worn, tapering circular bellied form, the glass body with fluted decoration, scroll handle, the mounts with shell and foliate scroll decoration, height 28cm. £300-400

292. A Chinese silver cocktail shaker, maker’s mark of KMS, also marked with Chinese characters, tapering circular form, embossed with a dragon, pull-off cover with a monogram, height 22.5cm, approx. weight 10.9oz. £300-400

293. A German silver-mounted glass claret jug, by H. Mau, baluster form, the mounts with pierced and embossed foliate decoration, foliate scroll handle, the domed cover with a pierced foliate finial, the frosted glass body with gilt highlights, on a circular foot, height 35oz. £400-600

294. An Indian silver tea pot and cream jug, by S and Co., circular bellied form, chased with elephants and foliate scroll decoration, horn scroll handle, the spout with a mythical beast mount, on circular bases, height of tea pot 20cm, approx. weight 29.5oz. (2) £300-500

295. A late-19th century continental silver kettle and stand, probably Dutch or German, circular form, swirl fluted and foliate scroll decoration, swing wooden baluster carrying handle, the stand on three scroll legs on paw feet, with a burner, height 25cm, approx. weight 24oz. £300-400

296. A pair of Turkish silver goblets, Abdulhamid ii period, 1876-1909, tapering circular bowls, engine-turned decoration, on knopped stems, on a circular base on six bracket feet, height 13.8cm, approx. weight 9.6oz. (2) £500-700

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297. By Eugenio Avolio (1876-1929) an Italian metal ware statue of Pan, signed E. Avolio, modelled in a seated position with his head turned to the side, on a marble plinth, total height 58cm.

ÂŁ3,000-4,000

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A SMALL PRIVATE COLLECTION

298. A George III novelty silver snuff box, by George Ashforth & Co, Sheffield 1808, modelled as a recumbent lion, textured mane and curled tail, hinged base, length 6.6cm, approx. weight 1.2oz. £300-400

299. A cast silver dish, by Fowler & Polglaze Ltd, retailed by Asprey, London 1931, in the form of a fox mask, diameter 9.7cm, approx. weight 3.8oz. £200-300

300. A continental novelty silver owl vesta case, stamped Ges Gesch, with a French tax mark, modelled as two seated owls, with embossed feathers and turquoise eyes, with a ring attachment, length 4cm, approx. weight 0.4oz. £200-300

301. A pair of German novelty silver bird pepper pots, by Neresheimer & Son, Hanau, with import marks for Berthold Muller, London 1912, modelled as standing finches with spread wings, textured feathers, the heads with pierced holes, screw-out stopper, length 8cm, approx. weight 5.3oz. (2) £400-600

302. An Edwardian novelty silver dog vesta case, by Goldsmiths & Silversmiths Co Ltd, London 1907, modelled as a stylised terrier in a seated position, the hinged cover with a swivelling head, height 5.3cm, approx. weight 0.9oz. £400-600

303. An Edwardian novelty silver pig vesta case, by H V Pithey & Co, Birmingham 1908, modelled in a standing position, textured bristles, with a striker on one side, hinged head, length 5.5cm, approx. weight 0.6oz. £300-400

304. A modern novelty silver vesta, by David A Bowles, London 1984, modelled as a fish, spring-action lower jaw, glass eyes, length 6cm, approx. weight 1oz. £100-150

305. An Edwardian novelty silver dog vesta case, by Goldsmiths & Silversmiths Co Ltd, London 1907, modelled as the silhouette of a hound in a seated position, hinged head, pivoting ears, length 6.2cm, approx. weight 0.6oz. £200-300

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306

306. An Edwardian novelty silver cat mantle clock, by William Hornby, London 1907, modelled as a haunched cat, with an arched back and raised tail, textured fur, green cabochon eyes, showing its teeth, one side of the body fitted with an 8-day clock, enamel dial, length nose to tail 21.7cm, height 15.5cm. ÂŁ1,800-2,200

307. A Victorian cast silver owl ink well, by Henry Wilkinson & Co, Sheffield 1851, modelled as an owl perched on a branch, with textured feather decoration, the hinged head with glass eyes, on a cast base modelled as a tree stump, with pen holders and pot, with a hinged cover, height 15.5cm, approx. weight 20oz. ÂŁ1,500-2,000

307

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308. A modern silver figure of an owl, by Mappin & Webb, Birmingham 1969, also signed CA, perched on a branch, with textured feathers and black eyes, height 11.5cm. £100-150

309. A pair of modern novelty silver salt and pepper pots, makers mark GWG, London 1987, each modelled as a semi- detached house, with bay windows, the chimneys with pierced holes, bayonet fitting stoppers, height 5.8cm, approx. weight 6.8oz. (2) £300-400

310. An Edwardian silver folding 12 inch ruler, by Goldsmiths & Silversmiths Co Ltd, London 1901, with four hinged section, in a silver case with hinged cover, total length 30.5cm, approx. weight 1.4oz. £150-200

311. A George III novelty silver vinaigrette, by Joseph Willmore, Birmingham 1818, modelled as a reticulated fish, the hinged head opens to reveal a pierced silver-gilt grille, engraved scale decoration, length 9cm, £500-700 approx. weight 0.4oz.

312. A set of four German silver menu card holders, by Neresheimer & Son of Hanau, with import marks for Berthold Muller, London 1925, each modelled as a game bird in a standing position, on an oval foliate base, length 6.4cm, approx. weight 7.6oz, in a fitted Asprey case. £500-700

313. By The Guild of Handicraft Ltd, an Edwardian silver cream jug, London 1906, baluster form, spot hammered decoration, tri-furcated wire-work handle, on a circular foot, height 8cm, approx. weight 2.9oz. £800-1,200

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OTHER PROPERTIES

314. By Omar Ramsden, a pair of Arts and Crafts silver spoons, London 1932, pointed oval bowls, spot-hammered decoration, with thistle head terminals, length 13.8cm, approx. weight 3oz. (2) £200-300

315. By Omar Ramsden and Alwyn Carr, a pair of Edwardian Art Nouveau silver spoons, London 1903, oval spot hammered bowl, the tapering stem with a stylised foliate motif, and cut decoration, length 16cm, approx. weight 2.3oz. (2) £300-400

316. By Omar Ramsden and Alwyn Carr, a pair of Edwardian Art Nouveau silver spoons, London 1903, spot hammered bowl, the tapering stem with a stylised foliate motifs, length 15.3cm, approx. weight 1.9oz. (2) £300-400

317. By Liberty and Co., a silver and enamel napkin ring, Birmingham 1936, oval navette form, with a green / blue enamel decoration, length 6.4cm, approx. weight 1.4oz. £100-150

318. Designed by Arno Malinowski for Georg Jensen, a pair of Danish silver taper / small candlestick holders, with import marks for London 1960, design number 1061, circular form, shaped border, diameter 5.7cm, approx. weight 2.4oz. (2) £100-150

319. Designed by Allan Scharff for Georg Jensen, a Danish silver shoe horn, design number 475, plain form, length 9.8cm, approx. weight 1.1oz. £80-120

320. An Arts & Crafts silver mounted commemorative trowel and mounted wooden mallet, unmarked, turned wooden handles, with swirled alternating bands of carved foliate and wheatsheaf decoration, the mallet with an inset medallion in the base, both with engraved presentation inscriptions to T. Fenwick Harrison for the laying of the foundation stone of the new Engineering laboratories University of Liverpool, 1910, length of trowel 23.5cm, length of mallet 18cm. (2) £300-400

321. By John Richard Norgate, a modern silver cigarette box, London 1978, rectangular form, the cover with stylised fish and reeds, the hinged cover with a wavy-edge border, the sides engraved with waves, the interior gilded and with a wooden lining, length 11.5cm. £300-400

322. By John Paul Cooper, a pair of fish servers, London 1923, the triangular blade pierced and engraved with a fish within scroll decoration, stylised flower head terminals, length of slice 29.2cm, approx. weight 5.8oz. (2) £400-600

John Richard Norgate, born 1946, he was apprenticed to Asprey and also studied for four years at the Sir John Cass College. He worked for RS Johnston Ltd and then as a freelance silver and goldsmith and part-time lecturer. Ref: Andrew, J., and Styles, D., Designer British Silver, Antique Collector’s Club, 2015, page 524.

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323. A modern parcel-gilt commemorative silver Westminster Abbey goblet, by Hector Miller for Aurum, London 1986, no. 45 of an edition of 750, celebrating the wedding of Prince Andrew and Sarah Ferguson, tapering form, with Royal arms, on a raised circular foot, height 17cm, plus a silver-gilt mounted pot-pourri bowl and cover, celebrating the Ruby wedding of H.M The Queen and Prince Phillip, by Hector Miller for Aurum, London 1988, number 98 of an edition of 150, circular red glass body, the pierced pull-off cover with foliate decoration and a finial of a cherub holding an oval cartouche of ‘EP’ crowned, diameter 8.8cm, with paperwork and boxes, £200-300 approx. weighable 18.5oz. (2)

324. By Hector Miller, a modern commemorative parcel-gilt silver candelabrum, London 1981, edition number 382/400, the three scroll arms with plain circular capitals, the stem with three mythical beasts holding shields, with a Prince of Wales feathers finial, on a raised circular base with flowers, height 32.2cm, approx. weight 19oz. £250-300

325. A modern silver-gilt mounted decanter and wine coaster, by Aurum Limited, London 1980, number 5 of an edition of 250, commemorating the eightieth birthday of Her Majesty Queen Elizabeth the Queen Mother, the decanter a tapering plain glass body, the mount with pierced foliate decoration, and with the arms of Her Majesty Queen Elizabeth the Queen Mother, the coaster of circular form, with similar decoration and a wooden base, with paperwork and boxes, height of decanter 29.5cm. (2) £250-300

326. By H. G. Murphy, a silver mug, London 1932, also marked with the falcon mark, tapering circular form, scroll handle, engraved with a crest and motto, the underside inscribed ‘J.T.W’ , ‘October 25 1932’, height 10.6cm, approx. weight 14oz. £500-700

327. An Art Deco silver cocktail shaker, by The Adie Brothers, Birmingham 1932, tapering circular form, geometric banded decoration, pull-off cover, the interior with a stopper and strainer, height 23cm, approx. weight 13.8oz. £300-400

328. By R. E. Stone, a three-piece Art Deco silver tea set, London 1935, also signed ‘R. E. Stone’, octagonal tapering form, scroll handle, with a stylised border, the teapot with an ivory handle and finial, on an octagonal foot, length handle to spout 24.5cm, approx. weight 35oz. (3) £500-700

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329

329. By Omar Ramsden, an Arts and Crafts silver inkwell, London 1930, the underside inscribed ‘OMAR RAMSDEN ME FECIT’, rectangular form, spot hammered decoration, with a pen well and two inkwells with pierced sides and raised covers with cushion finials, with clear glass liners, on four panelled bun feet, engraved with Prince of Wales Feathers and a star, and initialled, length 26cm, approx. weight 47oz. £2,000-3,000

330. A late-Victorian silver Gothic revival hanging sanctuary lamp, by Carl Krall, London 1886, hexagonal baluster form, pierced with foliate decoration, applied with cabochons, with three scroll arms with a hanging lobed circular pendant, supported by three double length twisted silver ‘chains’, approx. weight 51oz. £2,000-3,000 The firm of Barkentin and Krall produced many ecclesiastical items of silver work, often from the designs of William Burgess (1827-1881).

330

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331. An Edwardian Arts and Crafts silver bowl, by Mappin and Webb, London 1903, circular form, embossed with chrysanthemums, diameter 25cm, approx. weight 18oz. £400-600

332. By W. Connell, a late-Victorian silver Arts and Crafts dish, London 1896, circular form, with cherubs and foliate decoration, punch bead border, diameter 22.2cm, approx. weight 6.5oz. £200-300

333. An 18th century silver cream jug, maker’s mark only CA, possibly for Colline Allen, Aberdeen circa 1760, or possibly colonial, baluster form, leaf capped scroll handle, later embossed foliate scroll decoration, wavy edge border, on four hoof feet, height 11.8cm, approx. weight 6.5oz. £300-400

334. A set of six early 19th century Scottish provincial silver Fiddle pattern tablespoons, by Thomas Davie, Greenock circa 1820, the terminals with script initials, approx. weight 14oz. (6) £300-400

335. A set of six Victorian Scottish provincial silver Fiddle and Shell pattern table forks, by Rettie and Son, with Edinburgh marks for 1841, the reverse of the terminals with an initial, £200-300 approx. weight 13oz. (6)

336. A matched set of five George III Scottish silver Celtic Point pattern tablespoons, by Alexander Henderson, Edinburgh 1791 and 1796, the terminals with an initial, approx. weight 10.9oz. (5) £140-160

337. A collection of early 19th century Scottish provincial silver Fiddle pattern teaspoons, two with a shell terminal and all initialled, comprising: one by Cameron of Dundee, a pair by George Jamieson, Aberdeen, one by George Sangster, Aberdeen, a pair by David Gray, Dumfries, one by I.C and J.S, Dundee, one by Thomas Cumming, Glasgow, plus one other and another spoon, possibly Colonial, approx. weight 5oz. (10) £200-300

338. A mixed lot of Scottish silver flatware, comprising: a Fiddle pattern dessert spoon, by Charles Jamieson, Inverness, a pair of King’s pattern egg spoons, by R and R Keay, Perth, a butter knife, by William Jamieson, Aberdeen, a table fork by R and R Keay, Perth, rhodium plated, a pair of egg spoons, two pairs of sugar tongs and four 18th century teaspoons, approx. weight 11oz. (13) £150-200

339. An early 19th century Scottish provincial silver Fiddle pattern toddy ladle, by John Robertson, Aberdeen circa 1830, oval bowl, the terminal with a script initial, plus three Glasgow Fiddle pattern dessert spoons and three teaspoons, approx. weight 6.8oz. (7) £100-150

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340. An early 19th century Scottish provincial silver Fiddle pattern fish slice, by Alexander Cameron, Dundee circa 1820, the blade with pierced decoration, the terminal with a crest, approx. weight 4.5oz. £150-200

341. A pair of Scottish provincial silver sugar tongs, by William Robb, Ballater, with Edinburgh marks for 1902, wishbone form, length 11cm, approx. weight 0.6oz. £300-400

342. A George III Scottish provincial silver Celtic Point soup ladle, maker’s mark of HC, unascribed, Greenock circa 1810, circular bowl, the terminal with a script initial ‘M’. length 38.4cm, approx. weight 7oz. £200-300

343. A matched set of six George III Scottish silver Celtic Point pattern tablespoons, no apparent maker’s mark, Edinburgh 1794, the terminals with an initial, approx. weight 12oz. (6) £200-300

344. A pair of early 19th century Scottish provincial silver toddy ladles, by William Jamieson, Aberdeen circa 1830, the terminals with a crest, oval bowls, plus an early 19th century Scottish provincial silver toddy ladle, by Peter Gill and Son, Aberdeen circa 1830, the terminal initialled, approx. weight 3.2oz. (3) £120-180

345. A small mixed lot of Scottish silver flatware, various dates and makers, comprising: a provincial tablespoon, by James Erskine, Aberdeen circa 1800, the terminal initialled, plus four Celtic pattern tablespoons, and a Kings pattern tablespoon, approx. weight 12.5oz. (6) £100-150

346. A small collection of Scottish provincial silver flatware, comprising: a set of five George III Celtic Point teaspoons, by John Taylor, Greenock circa 1785, the terminals with script initials, plus an early 19th century tablespoon, possibly by John Heron, Greenock circa 1820, approx. weight 3.5oz. (6) £150-200

347. A large 18th century horn basting spoon, possibly Scottish, the reverse of the bowl with a plain rat-tail, length 47cm. £300-400

348. A Victorian Scottish silver Queen’s pattern soup ladle and basting spoon, by John Muir, Glasgow 1851, single struck, the terminals with an initial, approx. weight 14.5oz. (2) £200-300

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349. A rare early 19th century Scottish provincial silver punch ladle, by John and Patrick Riach, Forres circa 1825, circular bowl, twisted whalebone handle, (slightly bent), length 37.4cm, plus another Scottish provincial silver punch ladle, probably by James Erskine, Aberdeen, circa 1800, and a Scottish provincial toddy ladle with a later pierced bowl, by Emslie and Mollison of £300-500 Aberdeen, with Edinburgh marks for 1836. (3)

350. An early 19th century matched Scottish silver Fiddle pattern canteen for twelve, the majority by James Hewitt, Edinburgh 1823, the terminals with an initial ‘M’, comprising: twelve tablespoons, twelve table forks, eighteen dessert spoons, eighteen dessert forks, a soup ladle, a fish slice, a pair of basting spoons, twelve teaspoons, (one London 1835), a pair of sugar tongs, three mustard spoons, and three salt spoons, approx. weight 114oz. (qty) £1,000-1,500

351. An early 19th century Scottish provincial silver wine label, by David Gray, Dumfries, circa 1830, crescent form, engraved ‘D & G.H.S, To Mrs Gordon of Halleaths for wine 40 years old made from currants 1830’, length 4.4cm, approx. weight 0.2oz. £400-600

352. A rare George IV Scottish provincial silver wine label, by William Ferguson of Peterhead, also with Edinburgh marks for 1826, shaped rectangular form, foliate scroll border, incised and blackened ‘MADEIRA’, length 4.5cm. £700-900

One would assume that D & G.H.S stands for Dumfries and Galloway Horticultural Society.

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353. A rare early 18th century Scottish provincial silver cup, by Simon McKenzie, Inverness circa 1710, tapering circular form, central girdle, scroll handle, with cut-card decoration, height 6cm, diameter of bowl 5.8cm, approx. weight 2oz, together with a copy of The Albert Collection, Robin Butler, Broadway Publishing, 2004. (2) £6,000-8,000 Provenance: The Albert Collection, entry number 284, illustrated on page 124, The Albert Collection, Butler, R., Broadway Publishing, 2004.

354. A George III Scottish provincial silver quaich, by Charles Jamieson, Inverness circa 1810, circular bowl, the lug handles engraved ‘AMG’ and ‘PML’, length handle to handle 14cm, diameter of bowl 7.2cm, approx. weight 2.9oz. £600-800 For a similar example see, Scottish Applied Arts and Design, Lyon and Turnbull, Edinburgh, 13 August 2014, lot 322.

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355. A George III Scottish provincial silver swing-handled sugar basket, by James Erskine, Aberdeen circa 1800, oval navette form, engraved foliate decoration, beaded borders and swing-handle, on a raised circular foot, engraved with a crest and motto, length 17.8cm, approx. weight 9oz. £600-800

356. A George III Scottish silver teapot and sugar bowl, by W. P. Cunningham, Edinburgh 1802, oval bellied form, scroll handles, engraved foliated decoration, gadroon borders, the scroll handle with ivory insulators, flush hinged domed cover with an oval finial, engraved with an initial, length handle to spout 27.3cm, approx. weight 27.8oz. (3) £400-600

Provenance: purchased from Mary Cooke Antiques. The crest and motto are those of Carruthers, of Howmains, Scotland, and the motto is also recorded for Chalmers of Larbert, Stirlingshire.

357. A Victorian Scottish provincial silver caster, by George Sangster, Aberdeen circa 1860, cylindrical form, pull-off domed pierced cover, height 5.5cm, plus a pair of Victorian Scottish provincial silver sugar tongs, by George Jamieson, of Aberdeen, with London marks for 1853, approx. weight 2oz. (2) £150-180

358. A set of six early 19th century Scottish provincial silver Oar pattern teaspoons, by David Gray, Dumfries circa 1820, the terminals with initials, plus a set of six early 19th century Scottish silver Fiddle pattern teaspoons, by James Stobie, Perth circa 1830, the terminals initialled, approx. total weight 5.5oz. (12) £200-300

359. A pair of George III silver serving / asparagus tongs, by John Lloyd or John Laughlin, Dublin circa 1780, scissor action, ring handles, repairs to one arm, engraved with a crest, length 28.8cm, approx. weight 4oz. £200-300

360. A George III Irish provincial silver Celtic Point pattern dessert spoon, by Gibson, Cork, circa 1800, the terminal with a crest and initials, length 18.8cm, approx. weight 0.8oz. £100-150

361. A rare William III Irish silver Dognose table fork, by David King, Dublin 1699, the reverse of the terminal scratch initialled ‘S’, length 19.2cm, approx. weight 2.2oz. £300-500

362. An 18th century Irish provincial silver Hanoverian pattern tablespoon, maker’s mark IB twice, by Jonathan Buck II, Limerick, 1740, the oval bowl with a plain rat-tail, the reverse of the terminal with a crest, length 21.7cm, approx. weight 2oz. £1,000-1,500

Provenance: purchased from J. Weldon, Dublin.

The crest is that recorded for the following Irish families: Ottley, Skeleren, Spyre, Stiock and Vance.

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363. A George II Irish silver waiter, probably by William Williamson, over-struck with maker’s mark of S. Wood, Dublin circa 1740, circular form, cast pierced border with trailing grape-vines and a gadroon outer border, on four grape bracket feet, diameter 16.3cm, approx. weight 5.9oz. £500-700

364. A George I Irish silver footed waiter, by Edward Workman, Dublin 1717, circular form, on a raised circular foot, engraved with an armorial, the underside later initialled, diameter 15cm, approx. weight 6.3oz. £800-1,200 Provenance: purchased from J. Weldon, Dublin. The arms are those of Fletcher of Kenwood, Kent with another in pretence.

Provenance: purchased from J. Weldon, Dublin.

365. An 18th century Irish provincial silver sugar bowl, by John Nicolson, Cork circa 1770, circular form, swirl fluted decoration, the border with a punch decoration, on three shell capped hoof feet, diameter 13cm, approx. weight 5.5oz. £300-400

366. An 18th century Irish silver cream jug, by Samuel Walker, Dublin circa 1770, circular form, scroll handle, wavy-edge border, central girdle, on three lion mask capped paw feet, height 11cm, approx. weight 4.5oz. £200-300

367. A mid-18th century Irish silver counter dish, probably by James Warren, Dublin circa 1760, fluted circular form, the centre with a crest, diameter 12.5cm, approx. weight 2.7oz. £200-300

369. An Irish silver bowl, by Sharman D Neill Limited, Dublin 1913, circular form, fluted decoration, on a circular foot, diameter 16.3cm, plus an Irish silver sauce boat, by West and Son, Dublin 1917, oval form, leaf capped scroll handle, gadroon border, on three shell capped hoof feet, length 19cm, approx. total weight 15oz. (2) £200-300

370. A William IV silver Gibson-type medicine spoon, by Jonathan Hayne, London 1830, the bowl with a hinged cover, tapering handle, with a finger support, length 14cm, approx. weight 1oz. £300-400

Provenance: purchased from J. Weldon, Dublin.

368. A George IV Irish silver cream jug, by Edward Crofton, Dublin 1823, circular baluster form, chased foliate scroll decoration on a matted background, on four bracket feet, height 10cm, approx. weight 10oz. £220-260

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closed

371. An 18th century French gold mounted and tortoiseshell corkscrew, the sheath with a counter mark for Paris 1732-38, tortoiseshell handle, one end formed as a whistle, with pique-work foliate decoration, steel worm, screw-off tapering sheath, with swirl decoration, in a fitted shagreen case, length 6cm. £2,000-3,000

372. A George I gold-mounted snuff box, unmarked, circa 1720, oval form, the cover and base of leather inset with gold stud work, plain thumbpiece, tortoiseshell lined, length 7.4cm. £1,000-1,500

373 373. A George III gold and enamel mounted memorial walking cane, maker’s mark I.H, incuse, probably for John Harvey, London 1773, the tapering handle with engraved foliate decoration, the terminal enamelled with a monogram ‘TJL’, within an enamelled border of names, ‘ HANH. FULLER OB. 10 MAY 1758 AET 40’ and ‘ELIZ. CRISP OB. 14 AUG 1752 AET 84’, the base of the mount with an enamelled collar with names ‘JOHN WARD L.L.D. OB 17 OCT 1758, AE 79’, and ‘THOS. WATSON ESQ, OB 20 SEPT. 1769, AE 83’, tapering malacca shaft with a pierced oval ring hole and brass ferrule, length 108.4cm. £1,500-2,000 The TJL relates to Thomas Llewelyn, a wealthy gentleman, who married Mary Stead. Her sister Hannah married a Fuller, and as the cane says: died in 1758. Mary and Hannah were the daughters of James Watson. Their uncle was Thomas Watson, who again is mentioned on the cane. Thomas Llewelyn was executor of Elizabeth Crisps Will, after her death in 1752. John Ward, fits exactly with that of John Ward of Gresham College. In his will there are details of a trust that was set up for the support of Students, William Stead is mentioned as a Trustee, as well as Thomas Llewelyn. He was desired by the rest of the Trustees ‘to receive Dividends and to pay Moneys in the name of the Trust’. 374. A George III gold mounted walking cane, maker’s mark partially worn, T?, London 1806, the terminal with a monogram A.M, the side inscribed ‘Sir Andrew Mitchell to R.J Uniacke, Halifax, Nova Scotia 1805’, tapering malacca shaft, with a pierced loop ring, length 94cm. £500-700

374

Sir Andrew Mitchell, (1757-1806) was an Admiral of the Blue in the Royal Navy. He married Mary Uniacke, daughter of Richard John Uniacke in Halifax, Nova Scotia on 3 May 1805.

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375. An early 18th century silver-mounted cut glass scent bottle, unmarked circa 1720, tapering and compressed circular form, the mounts with chased decoration, the screw-off cover with a screw-out finial, in a fitted shagreen case, the case with chased foliate mounts, with later part marks for London, green velvet lined, length 13.5cm. £600-800

376. A George II silver campaign set, the beakers by Francis Pages, London 1731, the corkscrew/nutmeg grater by James Slater, engraved with a crest, comprising: two stacking beakers, of tapering oval form, gilded interiors, a corkscrew / nutmeg grater, of tapering form, the sheath unscrews to reveal the pull-off grater, the handle with a compartment for nutmeg, with two forks, a spoon and two knives with rusted blades, the stacking screw-out tapering cannon handles with pull-off covers, in a shagreen case, interior fittings a.f, height of beaker 9cm, length of corkscrew / nutmeg 9.9cm, approx. weighable 17oz. £2,500-3,000 The crest is that of Bugge of Harlow, Essex.

377. A 16th century silver pilgrims badge, unmarked, circa 1550, modelled as St. Margaret of Antioch, with traces of gilding, height 2.4cm, approx. weight 0.09oz. £500-700

378. West Indian Interest, a rare and interesting 18th century mounted glass inkwell and cover, unmarked, circa 1770, of cylindrical form with pierced and decorated sides and an octagonal base, inscribed “The Gift of Samuel Kirshaw DD to Thomas Cockburn Esq, in Acknowledgement of his Good Care of his Affairs in Jamaica 1770”, height 8.3cm. £300-400

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379. A George III silver wine label, maker’s mark I.H, for James Hyde, London circa 1780, scroll banner form, bright-cut borders, incised ‘MADEIRA’, length 4.5cm, approx. weight 0.3oz. £100-150

380. A set of nine ivory liqueur labels, circa 1920, semi-circular form, titled ‘ORANGE BRANDY’, ‘BENEDICTINE’, ‘SLOE GIN’, ‘1795 BRANDY’, ‘KIRSCH’, ‘KUMMEL’, ‘CURACCA’, ‘COINTREAU’ AND ‘ORANGE GIN’, length 3.8cm. (9) £150-200

381. A small collection of four 18th century silver wine labels, two by Richard Binley, circa 1760, one by Sandilands Drinkwater, circa 1750 and one with maker’s mark twice, B.B, rectangular form, gadroon borders, three with crests, incised ‘WHITE WINE’, ‘CLARET’, ‘PORT’ and ‘MADEIRA’, length 4.8cm and £200-300 4.7cm, approx. weight 1.7oz. (4)

underside

382. A 19th century Russian silver-mounted cowrie shell snuff box, assay master A.K, unknown, date mark worn, maker’s mark EM, the mounts with engraved decoration and with a hinged cover, gilded interior, length 8.4cm. £400-600

383. A pair of George III cast silver-gilt wine labels, by Digby Scott and Benjamin Smith, London 1806, openwork wreath form, with trailing grapevines and drapes, pierced ‘CLARET’ and ‘PORT’, length 8.2cm, approx. weight 3oz. (2) £500-700

384. An early 18th century silver-mounted tortoiseshell snuff / tobacco box, unmarked, circa 1700-1720, oval form, fluted decoration, plain mounts, the hinged cover with applied shield cartouche engraved with a crest, length 9cm. £200-300

385. A George III tortoiseshell commemorative snuff box, rectangular form, the hinged cover with engraved decoration and applied gold leaf motifs, the centre with a portrait bust of George III and ‘GOD SAVE THE KING’, the interior cover inscribed ‘Grand National Jubilee, October 25th 1809, in commemoration of George III King of Great Britain & Ireland having this day commenced the 50th year of his reign, beloved by his subjects & his actions, £150-200 the venration (sic) of all the world’, length 6.5cm.

The crest is for Hardy.

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386. A George III silver bougie box, by Thomas Phipps, Edward Robinson and James Phipps, London 1811, circular form, hinged circular cutter, hinged side handle, engraved with a monogram, diameter 5.2cm, approx. weight 1.9oz. £300-400

387. A late-Victorian novelty silver frog pepper pot, by Henry William Curry, London 1883, modelled in a seated position, glass eyes, screw-off base, length £500-700 6.5cm, approx. weight 2.8oz.

388. A Victorian silver ‘castle-top’ cheroot case, by Nathaniel Mills, Birmingham 1839, rectangular form, embossed foliate scroll decoration on a matted background, with a scene of Windsor castle, the reverse with a scene of Warwick castle, length 12.2cm, approx. weight 2.3oz. £300-400

389. A silver-gilt mounted agate box, unmarked, probably late 17th century, oval form, the borders with pierced and engraved decoration, the £200-300 hinged cover with a plain clasp, length 4.3cm.

390. A Victorian parcel-gilt silver posy holder, by Edward H Stockwell, London 1875, with a matted ground, tapering circular form and spring out legs, beaded borders, with a chain and finger ring, length 12.7cm, approx. weight 3oz. £800-1,200

391. A Chinese silver model of a fireman’s helmet, unmarked, circa 1920, conventional form, the front with the royal arms and inscribed ‘HONG KONG FIRE BRIGADE’, height 5.5cm. £300-400

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392. A George IV silver musical snuff box, by Joseph Willmore, Birmingham 1820, rectangular form, the cover engraved with a classical scene within foliate scroll decoration, engraved leaf sides, the interior silver-gilt, with a key, length 8.8cm. £800-1,200

393. A Victorian silver ‘castle-top’ card case, by F. Marston, Birmingham 1850, rectangular form, embossed with a scene of Osborne House, within foliate scroll decoration, the reverse with a cartouche and initials, £1,000-1,500 length 10cm, approx. weight 2.4oz.

394. An 18th century silver-gilt snuff box and spoon, unmarked, circa 1740-60, rectangular form, the hinged cover with two figures in a woodland setting, with a bird, the hinged cover opens to reveal an interior hinged cover with a snuff spoon, length 4.9cm, approx. weight 1.4oz. £400-600

395. A Chinese silver card case, maker’s mark possibly that of Woshing, also marked with Chinese characters, rectangular form, pull-off cover, one side decorated with birds and flowers, and with a vacant cartouche, the reverse with birds and blossom, length 8.4cm, approx. weight 1.7oz. £200-300

396. A late 18th century/early 19th century French silver toilet set, some pieces marked for Paris 1798-1809, maker’s mark PL in a lozenge, comprising an eye bath, (apparently unmarked), a scent bottle, two silver-mounted toilet jars, one cover stuck, and a tongue scraper, in a fitted oval wooden case, the red lined interior with a pull-out oval mirror and stationary wallet, later lock and repairs to case, the cover with a monogram, length of case 16cm, approx. weighable 0.7oz. £400-600

397. An Austro-Hungarian silver-gilt and enamel two handled bowl, apparently unmarked, shaped oval form, part fluted decoration, mythical drop-ring handles, decorated with playful putti in landscape settings above masks and foliate scroll decoration, on a raised oval bracket foot with a collar, some chips, length 9.3cm. £150-250

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398. A rare early 19th century Chinese silver snuff box, by Cumshing, Canton circa 1800, rectangular form, canted corners, with a secret opening device, engraved foliate border, with a central cartouche with initials, length 5.5cm, approx. weight 1.3oz. £600-800

399. A Victorian novelty silver mouse box, by Thomas Johnson, London 1885, the underside with a pull-off cover, retailed by Percy Edwards, £300-400 length 7.2cm, approx. weight 1oz.

400. A William IV silver-gilt snuff box, by Nathaniel Mills, Birmingham 1833, rectangular form, heavy chased foliate scroll border and sides, engine-turned base, the hinged cover applied with diamond coronet, length 9.5cm, approx. weight 7.5oz. £400-600

401. Ballooning interest, a late 18th century French silver and silver-gilt etui, tapering oval form, the cover, base and sides with ballooning scenes, the interior with silver-gilt and gilt metal implements, comprising: a spoon, a pair of scissors, a knife, an ear/tooth pick, a bodkin and a ruler, length of spoon 8.3cm, length of case 9cm. £600-800

402. A George III provincial silver double dog lead, by George Lowe, Chester 1816, the elongated chain links with oval ring attachments, with leather mounts, inscribed ‘William Wynne Sparrow, Red Hill, Beaumaris’, length of silver section 22.5cm, approx. weight 4.5oz. £800-1,200

403. A silver Butterfield type pocket sundial/compass, marked N. Bion, A Paris, possibly late 18th century, rectangular form, the underside engraved with city names, in a fitted velvet lined case, length 7.3cm. £800-1,200

William Wynne Sparrow was the Sheriff of Anglesey in 1822.

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404. A silver crucifix, unmarked, possibly early 18th century, with a ring terminal, length 7.5cm. £200-300

405. A George III silver tea strainer, by Phipps and Robinson, circular form, pierced body, with a hinged handle and wirework spike to fit in a tea pot spout, diameter 4cm, approx. weight 0.3oz. £100-150

406. A late 17th century silver and enamel scissor case, unmarked, conventional form, the raised front with two sections, possibly for bodkins, zig-zag engraved mounts, the sides with blue enamel, pull-off cover, with four applied rings, length 7.5cm. £400-600

407. An Indian silver rosewater sprinkler, unmarked, late 19th century, cylindrical form, with two scroll finger grips, ring plunger handle, the terminal with a pierced rosette, length 12cm, approx. weight 1.7oz. £150-200

408. A 19th century counter box, unmarked, cylindrical form, the screw-off cover with an armorial, the base engraved with a rose, length 5.8cm. £100-150

409. A George III silver pocket corkscrew, by Thomas Willmore, Birmingham 1798, ivory handle, tapering screw-off sheath with engraved decoration, length 7.8cm. £300-400

410. An 18th century silvered base metal tobacco box, probably Dutch, oblong form, the cover and base engraved with classical scenes, within foliate scroll decoration, length 15.8cm. £150-200

411. A mid-18th century Russian silver-gilt and niello snuff box, maker’s mark of Script HJ or HT, Moscow 1841, rectangular form, with foliate scroll decoration, plain thumb-piece, length 5.4cm, approx. weight 1.7oz. £300-400

The arms are those of Plumer of Gilston Park, Hertfordshire, engraved on a lozenge for a spinster.

412. A Victorian silver cigar case, by George Unite, Birmingham 1863, in the form of a bag with simulated straps, with engraved scroll decoration, inscribed ‘Presented to Lieut. Porritt by the members of the 5th Flintshire Rifle Volunteer Corps, length 12.2cm, approx. weight 3oz. £100-150

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413. A pair of Edwardian novelty silver pepper pots, by Charles and George Asprey, London 1904, modelled as chicks, pull-off pierced heads, in a fitted Asprey case, height 3.3cm, approx. weight 2.5oz. (2) £200-300

414. A novelty silver pepper pot modelled as a Dutch girl, by The Pairpoint Brothers, London 1921, modelled in a standing position, hinged base, height 8.2cm, approx. weight 3oz. £200-300

415. A pair of Victorian novelty silver pepper pots, by Heath and Middleton, London 1886, modelled as walnuts, on branch supports, height 3.8cm, approx. weight 2oz. (2) £600-800

416. A German silver model of an elephant, by Neresheimer of Hanau, modelled in a standing position, height 8.5cm, approx. weight 9.8oz. £500-600

417. An Edwardian silver coronation chair, by Saunders and Shepherd, London 1910, height 8.4cm, approx. weight 2.5oz. £100-150

418. Stock Exchange interest, a modern silver model of a bull and bear, by James Dixon and Sons, Sheffield 1977, modelled as a standing bull and a standing bear, on ebonised bases, height 10cm. the bear detached and approx. weight 9oz. (2) £400-600

419. An Edwardian novelty silver double stamp box, by A and J Zimmerman, Birmingham 1909, modelled as a low boy, with a hinged cover and two handles, on four tapering legs, height 5.9cm, approx. weight 1.7oz. £200-300

420. A silver travelling clock, by Charles and Cohen, London 1919, plain rectangular form, with an enamel dial, height 9cm. £200-300

421. A Victorian silver hip flask, makers mark JB, retailed by Leuchars & Son, London 1867, oval form, engine turned decoration, with a screw cap and a pull-off drinking cup, vacant cartouche, length 12cm, approx. weight 4.6oz. £150-200

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422. A Victorian silver nutmeg grater, by Hilliard & Thomason, Birmingham 1881, stylised melon form, with alternate bands of plain and foliate scroll decoration, the hinged cover opens to reveal a hinged grille, length 4.2cm, approx. weight 0.7oz. £400-600

422 423. A George III silver nutmeg grater, maker’s mark D.F, unidentified, London circa 1770, barrel form, with fluted decoration, screwoff cover, the interior with a pull-out grater, height 4.2cm, approx. weight 1.1oz. £300-500

423 424. A Victorian silver nutmeg grater, by Taylor and Perry, Birmingham 1844, stylised melon form, plain fluted decoration, the hinged cover opens to reveal a hinged grater, length 4cm, approx. weight 0.8oz. £300-500

424 425. A Victorian silver horn vinaigrette / scent bottle, by S. Mordan, London 1871, plain hinged cover, the interior with a fitted pierced grille, with a chain attachment, length 8cm, approx. weight 1.2oz. £200-300

425

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426. A George III silver-gilt vinaigrette/perfume flask, by Cocks & Bettridge, Birmingham 1802, rectangular form, engraved foliate decoration, hinged cover and screw-off cap, the neck fitted with a pierced grille, length 4.6cm, approx. weight 0.5oz. £400-600

427. A 19th century Austrian silver and enamel vinaigrette, maker’s mark possibly LP, egg form, the silver-gilt interior with a pierced grille, the body decorated with figures and cherub’s heads on a duck egg coloured ground, with a ring attachment, length 2.8cm. £350-400

426

427 428. A Victorian novelty silver vinaigrette, unmarked, modelled as a thistle head, textured decoration, the hinged cover opens to reveal a gilded pierced foliate scroll grille, with a chain attachment, length 4.7cm, approx. weight 0.8oz. £400-600

428 429. A Victorian silver vinaigrette/whistle, by George Unite, Birmingham 1879, embossed foliate decoration, the interior fitted with a hinged silver-gilt pierced foliate grille, with a ring attachment, length 5.7cm, approx. weight 0.6oz. £600-800

429

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430. A set of four George III silver salt cellars, by Samuel and Charles Young and Co, Sheffield 1814, circular form, with garlands of floral decoration, gadroon borders, on three lion mask pad feet, gilded bowls, with inscription and initials to undersides, diameter 8.5cm, approx. weight 22.5oz. (4) £350-400

431. A George II silver snuffers stand with a pair of George III scissor wick trimmers, by John Cafe, London 1748, the scissors by William Cafe, London 1763, shaped oblong form, shell and scroll border, scroll handle with a shell motif, engraved with an armorial, on four pad feet, the scissors with fluted decoration, ring handles, length 21cm, approx. weight £500-700 7.4oz. (2) The arms are those of Whiting of Etton, Northamptonshire and of Desford, Leicestershire impaling D’Arcy of Norfolk.

432. A George III silver two-handled basket, by Robert Hennell, London, probably 1788, oval form, bifurcated scroll handles, pierced and engraved foliate scroll border, on a raised oval foot, reeded border, length 42cm, approx. weight 24oz. £800-1,200

433. A three-piece William IV silver tea set, by George Burrows and Richard Pearce, London 1830, circular bellied form, embossed with trailing berries, leaf capped scroll handles, the domed hinged cover with an acorn finial, on a shaped circular foot, length handle to spout 28cm, approx. weight 47.5oz. (3) £600-800

434. A Victorian Aesthetic movement parcel-gilt silver mug, by Richards & Brown, London 1877, tapering circular form, engraved with birds, branches and blossom, on a matted background, initialled and dated, with a simulated bamboo handle, beaded border, in a fitted case, height 10cm, approx. weight 7.6oz. £200-300

435. A silver epergne, by Elkington and Co, Birmingham 1914, circular form, pierced decoration, with four pieced foliate scroll arms, each supporting a tapering trumpet vase, pierced border, with a central cut glass bowl, length 37cm, approx. weight 23oz. £1,000-1,500

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436. A pair of early Victorian silver taper sticks, by Henry Wilkinson and Co, Sheffield 1839, tapering baluster stems, foliate shoulders, detachable drip pans, on shaped circular bases with foliate motifs, height 14cm. (2) £300-400

438. A George III silver taper stick, makers mark IH, London 1763, knopped stem, with fluted shoulders, spool shaped capital, on a raised shaped square base, height 15.4cm, approx. weight 5.5oz. £400-600

437. A pair of George III cast silver taper sticks, by William Cafe, London 1763, knopped stems with fluted shoulders, spool-shaped capitals, rope-work borders, on raised square bases with gadroon borders, height 15.7cm, approx. weight 13.4oz. (2) £1,500-2,000

439. An early-Victorian cast silver taper stick, by Charles Fox, London 1838, foliate scroll baluster stem, on a raised shaped circular scroll base with pierced decoration, height 11.5cm, approx. weight 4.3oz. £300-400

440. A George III cast silver taper stick, by Ebenezer Coker, London 1771, baluster stem, shell shoulders, spoolshaped capital with gadroon borders, on a raised shaped hexafoil base with shell and gadroon decoration, with a detachable drip pan, height 16cm, approx. weight 7.5oz. £400-600

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441. A Victorian silver two-handled bowl and cover, by Hunt and Roskell, London 1867, circular form, plain side handles, gadroon border, the hinged cover with engine-turned and stylised decoration, knop finial, the inside of the cover with later facsimile signatures, length handle to handle 18cm, approx. weight 17.5oz. £300-400

442. A pierced silver basket, by James Dixon and Sons, Sheffield 1928, circular form, pierced with trellis and foliate scroll decoration, gadroon border, on three paw feet, diameter 21cm, approx. weight 15.4oz. £150-200

443. A George III silver muffin dish and cover, by John Emes, London 1805, circular form, Greek key border, the domed cover with a foliate finial, diameter 17.8cm, approx. weight 17.5oz. £300-400

444. A George III silver mug, by Peter and William Bateman, London 1806, tapering circular form, scroll handle, with an upper and lower reeded girdle, the underside of the base later inscribed, height 11.5cm, approx. weight 12oz . £200-300

445. A Victorian silver basket, by William Comyns & Sons, London 1887, oval navette form, part-reeded body with pierced foliate decoration and embossed masks, leaf capped handles, on a reeded oval foot, length 25cm, approx. weight 9.6oz. £250-300

446. A George III silver swing-handled basket, by John Emes, London 1798, oval form, bright-cut decoration, reeded borders and swing-handle, engraved with a crest, the underside of the base erased, length 37.7cm, approx. weight 22.9oz. £300-400

447. A three-piece silver tea set, by A and J Zimmerman, Birmingham 1923, tapering octagonal form, scroll handles, on raised octagonal bases, length handle to spout 29cm, approx. weight 37oz. (3) £300-400

448. A George II silver oil and vinegar stand, by Jabez Daniell, London 1748, double circular form, wire-work frame, central baluster and foliate scroll carrying handle, on four shell pad feet, with a scroll cartouche and with two unmarked silvermounted oil and vinegar bottles, height 23.5cm, approx. weight 15oz. £300-400

449. A George III silver waiter, by Thomas Wallis, London 1809, circular form, gadroon border, the centre with a crest, on three fluted bracket and ball feet, diameter 20.5cm, approx. weight 11.5oz. £150-200

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450. A George III silver covered cream jug, by Thomas Robinson, London 1802, shaped square form, incurved corners, partfluted decoration, scroll handle, domed hinged cover with a knop finial, gadroon border, length 14cm, approx. weight 8.5oz. £150-200

451. A George III silver cream jug, maker’s mark partially worn, ?R, London 1800, panelled rectangular form, scroll handle, engraved borders, engraved with two crests within a foliate cartouche, the interior gilded, height 12cm, approx. weight 7.3oz. £150-200

452. A George III silver cream jug, by William Vincent, London 1790, panelled oval form, bright-cut decoration, scroll handle, the interior gilded, height 9.6cm, approx. weight 4.8oz. £200-300

The motto and crests are those of Moorside of Scotland.

453. A George III silver sauceboat, by Hester Bateman, London 1787, plain body, scratch initialled EW, with beaded borders, on a raised oval foot, reeded loop handle, length 17cm, approx. weight 5.3oz. £150-200

454. An Edwardian silver two-handled porringer and cover, by J.B. Carrington, London 1902, in the Charles II manner, circular form, scroll handles, cut-card decoration, the cover with three scroll feet, inscribed, height 13cm, £100-150 approx. weight 17oz.

455. A late-Victorian silver sugar caster, by Ackroyd Rhodes, London 1900, baluster form, embossed foliate decoration and Bacchus masks, on a matted background, pull-off pierced cover, on a raised circular foot, height 24cm, approx. weight 12oz. £150-200

456. A matched four-piece silver tea set, by Viner’s Ltd, Sheffield 1932-1939 tapering rectangular form, canted corners, scroll handles, on ball and claw feet, length of tea pot handle to spout 27cm, approx. weight 53.7oz. (4) £300-400

457. A George II silver salver, by William Hunter, London 1749, circular form, shell and scroll border, chased foliate scroll decoration, on three hoof feet, the centre with an armorial, diameter 26.8cm, approx. weight 19.5oz. £200-300

458. A matched three-piece George III and modern silver tea set, the teapot by Alice and George Burrows, London 1808, the cream jug and sugar bowl by Collingwood and Co, London 1924, the teapot of rounded rectangular form, scroll handle, gadroon border, on four ball feet, the cream and sugar bowl of oblong bellied form, on four ball feet, length handle to spout 25.8cm, approx. weight 37oz. (3) £300-400

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459. A George II silver coffee pot, by Aymé Videau, London 1748, tapering circular form, chased foliate and scroll decoration, the domed cover with a knop finial, scroll handle, on a circular foot, engraved with a crest within foliate mantling, height 23cm, approx. weight 27oz. £600-800

460. A George III silver coffee pot, by Charles Hougham, London 1787, baluster form, scroll handle, scroll capped spout, domed cover, gadroon borders, on a raised circular foot, height 28.5cm, approx. weight 23.5oz. £600-800

461. A George IV silver coffee pot, Timothy Smith and Thomas Merryweather, London 1824, baluster form, chased foliate scroll decoration, scroll handle, the domed cover with fluted and floral decoration, on a circular foot, engraved with a crest, height 24cm, approx. weight 30.9oz. £600-800

462. A George III silver coffee jug, by David Whyte & William Holmes, London 1764, baluster form, gadrooned borders, flame finial, engraved with a crest, scroll wicker-bound handle, on a raised circular foot, height 22cm, approx. weight 14oz. £400-600

The arms are those of Holden of Lancashire impaling Massenden of Helme, Lincolnshire.

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463. A pair of modern silver two-light candelabra, by C. J. Vander, London 1964, tapering circular columns, reeded borders, reeded scroll arms supporting an urn shaped capital, and with a central urn finial, on a raised circular foot, height 37.3cm. (2) £600-800

465. A Victorian silver-mounted glass claret jug, by Charles Boyton, London 1880, the mounts with engraved foliate decoration, leaf capped scroll handle, hinged cover, the glass body etched with trailing grape vines and trellis decoration, height 26.5cm. £500-700

464. A pair of George III silver goblets, by Robert Hennell, London 1792, plain urn form, on a raised circular foot, engraved foliate decoration and crest, height 16cm, approx. weight 12oz. (2) £1,000-1,500 The arms are those of Bond, of Earth, near Saltash, Cornwall, impaling Rundle, also of Cornwall.

466. A silver-gilt three-handled trophy cup, by the Barnards, London 1930, circular form, scroll handles, on a fluted knopped stem on a raised circular foot, on a later ebonised plinth with a inscribed plaque, £300-400 height on plinth 29.6cm, approx. weight 21.8oz.

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A PRIVATE COLLECTION OF BUTT MARKERS

467. An Edwardian silver butt marker, by Harry Akerman, London 1902, retailed by Thornhill, Bond Street, patent no. 20128, modelled as a powder flask, hinged base and cover, with eight numbered ivory balls, length 5.8cm, approx. weight 0.8oz. £1,500-2,000

467 468. A late-Victorian silver butt marker, by John Banks, London 1898, rectangular form, the marker opens to reveal a fan of eight numbered pegs, length £700-900 4.5cm, approx. weight 1.4oz.

468 469. A silver butt marker, by Grey and Co, Chester 1921, plain rectangular form, the hinged cover with a ring attachment, the interior with ten unmarked numbered pegs, length 4.7cm, approx. weight 1.1oz. £300-500

469 470. A silver butt marker, by Asprey and Co, Chester 1924, rectangular form, engine-turned decoration, the cover opens to reveal a hinged section and ten numbered ivory pegs, length 4.5cm, approx. weight 1.5oz. £500-700

470

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471. By Asprey, a novelty silver cartridge butt marker, marked Sterling, ‘Asprey’s Cartridge Place Finder’, and ‘Patent applied for’, modelled as a cartridge, the base turns to produce eight numbered markers, the top engraved with a ‘6’ in a triangle and ‘Loaded by Asprey Smokeless’, height open 10.2cm, height closed 6cm. £1,500-2,000

471 472. A silver butt marker, by George Unite, Birmingham 1923, plain fan form, the marker opens to reveal eight pop-up numbered ivory pegs, length 8cm, approx. weight 1.7oz. £800-1,200

472 473. An Edwardian silver-gilt butt marker, by Charles and George Asprey, London 1907, plain cylindrical form, the pull-off cover with a monogram, the interior with eight numbered ivory pegs, height 7cm, approx. weight 1oz. £300-400

473 474. A silver butt marker, by S. Clifford and Co, London 1911, plain upright rectangular form, hinged cover, with a ring attachment, the interior with ten numbered ivory pegs, height 5.2cm, approx. weight 0.5oz. £300-400

475. An Edwardian silver whistle / cartridge extractor, by J. Vickery, London 1909, cylindrical form, with a ring attachment, the terminal with a cartridge extractor, length £300-500 7.8cm, approx. weight 1.5oz. 474

475

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OTHER PROPERTIES A SMALL COLLECTION OF OBJECTS OF VERTU 476. An 18th century French gold buckle, maker’s mark of JG, oblong form, fluted decoration, length 4.8cm, plus an English gold buckle, maker’s mark W.B, possibly for William Beard, London circa 1820, length 5.7cm, approx. total weight 60g. (2) £250-300 477. A late-18th century gold-mounted glass scent bottle, circa 1790, faceted oval form, bright-cut borders, hinged cover, length 6.5cm.

£150-200

478. By Van Cleef and Arpels, a French gold ink pen and pencil, marked 55953, with rope-work decoration, the retractable pencil with a ring attachment, length of ink pen, gross weight 94g. (2) £800-1,200 479. A 19th century Swiss gold pocket watch, by C.B. Freundler and Cie. Geneva, also marked Aiguilles, No. 2897, circular form, engine-turned decoration, grey enamelled dial, with a chain and key, diameter 2.2cm . £150-200 480. A gold-mounted carved nut scent bottle, unmarked, the mount with rope-work scroll and bead decoration, with a pull-out stopper and chain, length 3.5cm. £400-600 481. By Cartier, Paris, a gold and enamel calendar pencil, cylindrical form, with a blue and white enamelled revolving calendar, with a ring attachment, length extended 12cm, gross weight 48g. £600-800 482. By Kutchinsky, an 18 carat gold and enamel biro, slender cylindrical form, decorated with flowers on a black enamel ground, the pull-off cover with a clip, (fits Parker refills), length, gross weight 38.5g. £400-600 483. A 19th century gold folding ruler, unmarked, rectangular form, central hinge, numbered to six inches, with flower mounts, length 15.3cm, approx. weight 19g, in a leather case. £250-300 484. An early 19th century French two-coloured gold needle case, tapering rectangular form, chased with flowers on a matted background, pull-off cover, length 7cm, approx. weight 6.2g. £300-400 485. A 19th century two-coloured gold aide memoire, unmarked, rectangular book form, engine-turned decoration, foliate and stylised borders, the interior with loose ivory sheets, in a leather case, length 5.8cm, approx. weight 33g. £400-600 486. A 19th century gold toothpick box, unmarked, rectangular form, engine-turned decoration, plain thumb-piece, plus a gilt metal retractable tooth pick, £300-400 approx. weighable 17.5g. (2) 487. An early 19th century French two-coloured gold needle case, tapering rectangular form, chased with flowers on a matted background, pull-off cover, length 7.9cm, with a gold bodkin, approx. weight 17g. (2) £500-800 488. A late 19th century gold mounted gem set scent flask, unmarked, rectangular form, frosted glass body, the mounts with textured decoration, set with diamonds, rubies and sapphires, hinged cover, length 6.8cm. £300-400

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476 (2) 476 (2)

477

479

481

478 (2)

480 482

485 488 484 483

487 486

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489. An 18th century gold mounted German porcelain bodkin case, unmarked, cylindrical form, decorated with flowers on a white ground, plain mounts, length 9.5cm £200-300

490. A George III 18 carat gold-mounted toilet jar, maker’s mark worn, London 1816, circular form, hob-nail cut decoration, the pull-off cover with engine-turned decoration, height 3.5cm, approx. weighable 10g. £100-150

491. A gold and gem set mounted ivory paper knife, unmarked, tapering form, the mount set with a ruby and rose cut diamond flower, in a leather sheath, length 12.6cm £80-120

492. A 19th century silver-gilt and niello work snuff box, assay master possibly Andrey Kovalskiy, Moscow circa 1860, rounded rectangular form, the cover sides and base with townscape and figural scenes, length 8.5cm, approx. weight 2.9oz. £300-500

493. A gold-mounted and enamel miniature teapot, unmarked, probably 18th century, circular form, swing handle, decoration in the Chinoiserie manner with Chinese figures knife throwing in landscape setting, £300-400 height 1.8cm.

494. An 18th century French gold-mounted writing set/necessaire, circa 1770, comprising: a gold- mounted clear glass bottle, and ear pick/scraper, a pencil and knife, with ivory handles/sheaths, a writing tablet and a silk covered calendar, dated 1770, in a velvet lined skin covered case decorated with £600-800 flowers, height 6.5cm.

495. A George I West Country silver Hanoverian Rat-tail pattern basting spoon, by Thomas Salter, Exeter 1713, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘T’ over ‘R.G’, ‘1714’, length 31.5cm, approx. weight 3.9oz. £200-300

496. A pair of George III silver buckles, by Richard Ferris, Exeter circa 1800, rounded rectangular form, with hob-nail cut decoration, steel fittings, length 7.5cm. (2) £100-150

497. A George III silver Old English with Shoulders pattern basting spoon, by Thomas Eustace, Exeter 1781, the terminal with a monogram, length 28.4cm, approx. weight 2.7oz. £150-250

For maker’s mark see, Harrison, M., Exeter and West Country Silver 1700-1900, Bertforts Group, 2014, page 289, entry 238.

For maker’s mark see, Harrison, M., Exeter and West Country Silver 1700-1900, Bertforts Group, 2014, page 292, entry 295.

OTHER PROPERTIES A PRIVATE COLLECTION OF WEST COUNTRY & EXETER SILVER

For maker’s mark and details of the maker see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd.,1992. page 130, M.134.

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498. A pair of George I West Country silver trencher salt cellars, by John Elston, Exeter 1715, rectangular form, canted corners, the front prick-dot initialled ‘T’ over ‘R.G’, ‘1716’, length 7.3cm, approx. weight 3.6oz. (2) £400-600 For maker’s mark and details of the maker see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. BourdonSmith Ltd.,1992. page 87/88, M.46.

500. A George II West Country silver caster, by Samuel Blachford of Plymouth, Exeter 1728, inverted baluster form, pull-off pierced cover, on a circular foot, later initialled to underside of the base, height 11cm, plus another 18th century Exeter silver caster of similar form, with traces of gilding, maker’s mark only, partially rubbed ?S, possibly Pentecost Symons, of Plymouth, height 10cm, approx. total weight 5.4oz. (2) £300-500 For maker’s mark and details of the maker see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. BourdonSmith Ltd.,1992. page 71, M.19.

499. A George II West Country silver footed waiter, by Samuel Blachford, of Plymouth, Exeter 1728, circular form, on a raised circular foot, the underside scratch initialled ‘L’ over ‘N.M’, diameter 17.3cm, approx. weight 7.3oz. £600-800 Provenance: purchased from Biggs of Maidenhead, circa 1970. For maker’s mark and details of the maker see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd.,1992. page 71, M.19.

501. A George I West Country silver mug, by John Burdon, Exeter 1726, tapering circular form, scroll handle, on a circular foot, the underside scratch initialled ‘C’ over ‘WA’, height 12.3cm, approx. weight 9.8oz. £300-500 For maker’s mark see: Jackson’s, Ian Pickford Edition, the Antique Collectors Club, 1989, page 293.

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502. A George I West Country silver teapot, by Samuel Willmot, of Plymouth, over-stamped with maker’s mark of Joseph Collier acting as retailer, Exeter 1726, bullet form, the pull-off cover with a knop finial and chain to scroll handle, on a circular foot, the underside scratch initialled ‘E’ over ‘TK’, and ‘E.E’ top ‘S.R’, length handle to spout 21.2cm, approx. weight 13.8oz. £1,500-2,000 For maker’s mark and details of the maker see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd.,1992. page 78, M.32.

503. A late 17th century West Country silver brandy pan, maker’s mark three times TF conjoined, for Thomas Foote, Exeter circa 1692, tapering circular form, with a lip, turned wooden baluster handle, with a scroll support, the front with a crest, the underside scratch initialled ‘M.V’ over ‘M.G’, ‘1692’, length 30cm, approx. weight 12.3oz. £800-1,200 For details of the maker and a reference to this brandy pan see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd.,1992. page 89, M.48. The crest is used by a number of families including Agar of Cornwall, Foley, Inglis, Stone and Yates.

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504. A George II West Country silver chocolate pot, by Samuel Willmott, of Plymouth, Exeter date letter partially rubbed, probably 1730, tapering circular form, wooden scroll handle, shell capped and scroll mounted spout, the hinged cover with a pull-out finial, the underside of the base scratch initialled ‘MM’ over ‘ML’ ‘1744’, height 24cm, approx. weight 24.8oz. £1,500-2,000 For details of the maker see: Kent, T., West Country Silver Spoons and Their Makers, 1550-1750, J. H. Bourdon-Smith Ltd.,1992. page 143.

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505. An early 18th century West Country silver tea caddy, maker’s mark RW struck three times, possibly for Roland West, Salisbury circa 1710, rectangular form, canted corners, pull-off cover and base, engraved with a crest, the underside of the base scratch initialled ‘B’ over ‘I*B’, height 12.2cm, approx. weight 6.8oz. £600-800 The crest is that of Bruges, of Wiltshire.

OTHER PROPERTIES

505

506

506. A George II silver coffee pot, by William Darker, London 1731, tapering circular form, slightly domed cover with a knop finial, scroll handle, faceted spout, engraved with an armorial with foliate mantling, height 22cm, approx. weight 24oz. £800-1,000 The shield is that of Williams of Anglesey impaling Wynn of Bodfield.

507. A George I silver mug, by William Fleming, London 1723, tapering baluster form, scroll handle, on a circular foot, height 10.2cm, approx. weight 8.3oz. £500-700

508. A good George III two-handled silver trophy cup, by William and John Deane, London 1764, circular form, embossed foliate and part fluted decoration, reeded scroll handles, engraved with a monogram and inscribed ‘The Litchet Cup. The Gift of George Trenchard Esq. won by Beaucephalus, the property of Mr. Robert Kingsbury’, height 11.2cm, approx. weight 9.3oz. £300-400

509. A George II silver mug, by Richard Bayley, London 1739, plain baluster form, scroll handle, on a raised circular foot, height 10cm, approx. weight 5.9oz. £200-300

510. A four-piece silver tea set, by The Cooper Brothers, Sheffield 1922/23, panelled rectangular form, scroll handles, engraved with a foliate border, length of teapot handle to spout 28cm, height of hot water pot 21cm, approx. weight 50oz. (4) £300-400 511. A silver coffee pot and teapot, with a matching electroplated kettle, by Albert Henry Thompson, Sheffield 1916, lobed oval form, scroll handles, domed covers with carved finials, on four scroll feet, initialled, length of teapot handle to spout 14.7cm, height of kettle 25cm, approx. weight 37oz. (3) £250-300

510

511

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512. A matched set of four modern cast silver three-light candelabra, maker’s mark of JCL, London 1961 and 1966, tapering fluted baluster columns with foliate shoulders, with a central spool shaped capital and two scroll arms each supporting a spool shaped capital, gadroon borders, on raised circular bases, height 42cm, approx. weight 204oz. (4) £3,500-4,000

513. A pair of modern silver five-light candelabra, by R. Comyns, London 1965, in the George I manner, knopped stems, on raised circular bases, the four scroll arms each supporting a spool shaped capital, height 35.5cm, weight of branches 43oz. (2) £500-700

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A PRIVATE COLLECTION OF NEFS

514. A late-19th century Dutch silver single masted nef, marked with a tax mark, the hull embossed with mythical fish, the stern with a canopy over figures at a table, the crow’s nest with figures on four pierced wheels, length 17.5cm, height 21cm, approx. weight 9oz. £400-600

515. A late-19th century Dutch silver three masted nef, 1891, the hull with engraved and fluted decoration, the deck mounted with figures, with a rudder, on four double scroll supports, length 29cm, height 17cm, approx. weight 11.3oz. £400-600

516. A late-19th century Dutch silver four masted nef, with import marks for London 1897, importer’s mark of Samuel Landeck, the hull embossed with Neptune and peacocks, the deck mounted with figures and canons, mythical fish figure head, the stern with a pull-out drawer, on four pierced wheels, length 22cm, height 31cm, approx. weight 25.8oz. £600-800

517. A late-19th century continental silver nef, apparently unmarked, probably German or Dutch, the hull with mythical dolphins and sea nymphs, the figurehead with a mythical beast mounted spout, the deck mounted with figures and a canon, length 28cm, height 32cm, approx. weight 20oz. £500-700

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518. A late-19th century silver two masted nef, with import marks for London 1895, importerâ&#x20AC;&#x2122;s mark of Edwin Bryant, with traces of gilding, embossed with Neptune and mermaids, foliate scroll decoration, with a winged mythical beast figure head and anchor, the deck with figures, canons and a canopy over a table, the rigging with figures, on four pierced foliate scroll wheels, length 35cm, height 39cm, approx. weight 66oz. ÂŁ1,500-2,000

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519. A late-19th century silver-gilt single masted nef, with import marks for London 1891, importer’s mark of Thomas Glaser, gilding worn, embossed with mermaids and sea nymphs, foliate scroll decoration, with a winged mythical beast figure head and anchor, the deck with figures, canons and a canopy over a table, the rigging and crows nests with figures, with an engraved rudder, on four pierced foliate scroll wheels, length 29cm, height 25cm, £500-700 approx. weight 19.8oz.

520. A late-19th century silver-gilt single masted nef, with import marks for London 1893, importer’s mark of Thomas Glaser, gilding worn, embossed with mermaids and sea nymphs, foliate scroll decoration, with a winged mythical beast figure head and anchor, the deck with figures, canons and a canopy over a table, with an engraved rudder, on four pierced foliate scroll wheels, length 30cm, height 27cm, approx. weight 20.4oz. £500-700

OTHER PROPERTIES 521. A large and impressive late-19th century German silver-gilt two masted nef, with import marks for Chester 1900, importer’s mark of Berthold Muller, the hull decorated with Salacia and sea nymphs, with foliate scroll decoration, the bow with a spout and mounted with an anchor, with an engraved rudder, the deck mounted with figures, canons, and balustraded stairways and a central compass, the stern with a canopy and with a hanging basket, the rigging with figures, on four swan mounted pierced wheels, on a later wooden plinth applied with a presentation plaque, inscribed ‘Presented to Sir Donald Currie G.C.M.G and Lady Currie on the occasion of their Golden Wedding 18th June 1901 by the Staff of Messrs. Donald Currie and Co. and the Commanders of the Union Castle Line Fleet’, length 50cm, height off plinth 66cm, height on plinth 76.3cm, approx. weight 121oz. £10,000-15,000 Provenance: Sir Donald Currie and then by direct descent to the current owner. Donald Currie was born in Greenock in 1825. At fourteen he entered the shipping office of a relative in Greenock, and four years later he joined the Cunard Steamship Company. In 1862 he started the Castle Shipping Company, which consisted of sailing ships between Liverpool and Calcutta. In 1900 his line merged with the Union Steamship Company, which were the principal line for trade between England and South Africa, to become the Union-Castle Mail Steamship Company. Before Sir Donald’s death in 1909, the company had forty-seven steamers with a gross tonnage of 295,411 tons. In 1880 he entered Parliament as one of the members for Perthshire until 1885, and then he represented West Perthshire as a Liberal Unionist from 1886 until his retirement from Parliament in 1900. In 1880 he purchased the Garth Estate in Perthshire, and four years later he acquired the adjoining Glen Lyon estate. In his later years he was a huge benefactor to universities, and he died on 13 April 1909, in Sidmouth, Devon, and was buried in the churchyard of Fortingal, beside his Highland Home.

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522. A Victorian silver-gilt regimental ewer and pair of goblets, by Stephen Smith, London 1868, slender vase form, engraved fern decoration and engraved with the badge of the 9th Lancers, inscribed ‘Surgeon Major Robert Lewer from the Officers of the 9th Queen’s Royal Lancers, Kabul; 1880’, on a circular foot, the goblets with similar fern decoration and engraved with the badge of the 9th lancers, in a fitted case, height of ewer 35cm, approx. weight 37oz. (3) £2,000-3,000 Surgeon Major Robert Lewer was born in Wimborne Dorset in 3 October 1835. In the Afghan war he was in medical charge of the 9th Lancers on the Khyber line in the first campaign, and then he went on to be acting brigade surgeon for the cavalry brigade on the Kabul-Kandahar march.

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523 524 523. A Victorian silver-gilt mounted glass claret jug, by John Figg, London 1857, slender baluster form, the mount with a raised lip with a Bacchanalian mask, the scroll handle mounted with a female figure passing grapes to a putto, the silver-gilt mounted cork stopper with a bunch of grapes finial, plain glass ovoid body, on a raised circular foot, with scrolls, grapes and mask decoration, in a fitted wooden case, height 41.cm. ÂŁ2,500-3,000 524. A Victorian silver-gilt mounted glass claret jug, by John Figg, London 1857, slender baluster form, the mount with a raised lip with a Bacchanalian mask, the scroll handle mounted with a female figure passing grapes to a putto, the silver-gilt mounted cork stoppers with a bunch of grapes finial, plain glass ovoid body, on a raised circular foot, with stylised decoration and masks, height 41.6cm. ÂŁ2,500-3,000

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525. A pair of George III silver-gilt plates, by Andrew Fogelberg, London 1775, circular form, gadroon border, engraved with an armorial and crest, diameter 24cm, approx. weight 30oz. (2)

£800-1,200

The arms are those of James Brydes, 3rd Duke Chandos, (1711-1789), with Gamon in pretence for the Duke’s 2nd Marriage (1777) to Anna Ekiza, widow of Roger Hope Ellerton. Provenance: James Brydes, 3rd Duke Chandos, and then by family descent to the present owner.

526 A set of three Victorian silver plates, by Robert Garrard, London 1875, circular form, gadroon border, engraved with an armorial, diameter 25.8cm, approx. weight 63oz. (3)

£1,200-1,500

The arms of those of Richard Plantagenet Campbell Temple-Nugent-Bridges-Chandos-Grenville, 3rd Duke of Buckingham and Chandos of Stowe, Bucks., died 1889. Provenance: Richard Plantagenet Campbell Temple-Nugent-Bridges-Chandos-Grenville, 3rd Duke of Buckingham, and then by family descent to the present owner.

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527. A George IV four-piece silver tea set, by John Bridge, London 1825, comprising: a kettle on stand, a coffee jug, a water jug, and a teapot, circular form, with chased classical foliate decoration, with flower bud finial, the kettle with an ivory handle and ivory tap handle, the spout with a mythical beast spout, hinged cover, the stand of tapering circular form, on three haunched lion paw feet, with a burner, the teapot with similar decoration and an ivory scroll handle, the other pieces with wooden scroll handles, engraved with the crest and motto of Glenorchy, height of kettle 42cm, approx. weight 209oz. (4) ÂŁ6,000-8,000 Provenance: John Campbell, MP, Lord Glenorchy, and thence by descent to the present owner.

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528. A James II silver bleeding bowl, maker’s mark possibly that of TO with a fish above, London 1688, circular form, the side handle with pierced scroll decoration and scratch initialled ‘H’ over ‘I.M’, length 20cm, approx. weight 7oz. £1,500-2,000

529. An early 18th century silver brandy pan, maker’s mark only, that of Pierre Platel, London circa 1715, baluster form, engraved with an armorial within foliate scroll mantling, turned wooden baluster handle, scratch weight to underside of base ‘5-7’, length 21.5cm, approx. weight 5.9oz. £1,500-2,000 The arms are those of the Rev Canon Henry James Lee-Warner. He was Canon of Norwich Cathedral 1863-85, and his residence was Thorpland Hall, Norfolk. He married Anne Astley, daughter of the Rev Henry Nicholas Astley, Rector of Little Snoring Norfolk and granddaughter of Sir Edward Astley 4th Baron.

530. A small Queen Anne silver wine cup, maker’s mark partially worn, London 1709, plain tapering form, scroll handle, later gilded bowl, height 5.5cm, approx. weight 2.2oz. £400-600

531 A Queen Anne silver mug, by Nathaniel Lock, London 1702, tapering circular form, scroll handle, the body with a reeded band, on a circular foot, height 10.5cm, approx. weight 8oz. £600-800

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532. A George II provincial silver tumbler cup, by Richard Richardson II, Chester 1742, plain circular form, height 5.8cm, approx. weight 2.8oz.

£800-1,200

534. A George II silver tea caddy, by Elizabeth Godfrey, London 1742, upright rectangular form, chased scroll decoration, engraved with a crowned monogram, slide-off base, the slide-off cover with a hinged shell finial, height 14.8cm, approx. weight 13.5oz. £1,000-1,500 The cypher AW or WA ensigned by the coronet of a countess possibly for Anne, Countess of Winchilsea (1685-1743).

533. A George III provincial silver tumbler cup, by Richard Richardson III, Chester 1767, plain circular form, gilded bowl, height 5cm, approx. weight 1.8oz. £700-900

535. A George III provincial silver ‘sparrow-beak’ cream jug, by Joseph Walley of Liverpool, Chester 1786, baluster form, plain spout, leaf capped scroll handle, on a circular foot, height 8.6cm, approx. weight 2.8oz. £600-800

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536. A Commonwealth silver beaker, maker’s mark JB conjoined, London 1654, tapering circular form, on a wide spread circular base, later scratch initialled ‘W*B’, height 13.8cm, approx. weight 9.7oz. £1,500-2,000 For maker’s mark see Jackson’s, Ian Pickford edition, Antique Collector’s Club, 1989, page 123.

537. A James II silver two-handled porringer and cover, by Benjamin Pyne, London 1688, the cover unmarked, circular form, scroll handles, engraved with birds and foliate decoration, scroll handles, the pull-off cover with a knop finial, the front with an armorial, height 15cm, approx. weight 13.5oz. £1,000-1,500 Provenance: Purchased from Mrs How, 30th June 1961. This lot is sold with the receipt. The arms are those of Molyneux of Stafford impaling Mundy.

538. A Commonwealth silver beaker, maker’s mark JB conjoined, London circa 1655, tapering circular form, on a wide spread circular base, inscribed ‘The gift of John Arnold and Margarett his wife’, height 13.5cm, approx. weight 8.7oz. £1,500-2,000 For maker’s mark see Jackson’s, Ian Pickford edition, Antique Collector’s Club, 1989, page 123.

539. A Queen Anne two-handled silver toilet bowl and cover, maker’s mark partially worn, possibly by Alexander Roode, London 1702, the cover unmarked, circular form, fluted decoration, scroll handles, on a raised circular foot, the cover with the same design and a fluted finial, with a later cut-out section for a sugar spoon, the underside of the cover and base engraved with a crest, length handle to handle 18.5cm, approx. weight 14.3oz. £600-800 The crest is that of Sebright of Besford Court, Worcestershire, created baronets in 1626.

Sir Edward Sebright, 3rd baronet, was born in 1668 and served as Sheriff of Worcester in 1685. He married Anne, daughter and heiress of Thomas Saunders of Beechwood, Hertfordshire and died on 16 Dec 1702, being succeeded by his eldest son Sir Thomas Saunders Sebright, 4th Bt., MP for Hertfordshire, whose younger brother Edward was murdered in 1723 near Calais where a monument was erected to his memory.

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540. A George III silver punch bowl, by Daniel Smith and Robert Sharp, London 1761, circular form, embossed foliate scroll decoration, with a shell, scroll and trailing vine border, on a raised circular foot, engraved with an armorial and a crest, diameter 31.8cm, height 24.5cm, approx. weight 66.5oz. ÂŁ6,000-8,000 The shield and crest are those of the Herbert family with the coronet of an Earl for Henry Herbert, born 1734,10th Earl of Pembroke, and 7th Earl of Montgomery from 1750-1794. Provenance: purchased from Christieâ&#x20AC;&#x2122;s New York, 21 October 1993, lot 511.

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541 A William III silver two-handled Monteith bowl, by Francis Garthorne, London 1700, circular form, fluted decoration, castellated foliate and scroll border, lion mask drop ring handles, on a raised circular foot with a rope-work border, engraved with an armorial within foliate scroll mantling, diameter 30cm, approx. weight 55oz. £4,000-6,000

542. A George I silver two-handled cup and cover, by Richard Bayley, London 1726, circular form, scroll handles, central girdle, the pull-off raised cover with a knop finial, on a raised circular base, patched and later engraved with the arms of Nathaniel Booth, 4th Baron Delamere of Dunham Massey, height 25cm, approx. weight 41.5oz. £800-1,200 Provenance: purchased from the Langham Family Collections Sale, Slane Castle, Co. Meath, Hamilton, Osborne, King, 27 September 2004. Lady May Langham, only surviving child of the 2nd Langham Baronet married the Earl of Warrington. This family died out in the male line and some of the Dunham Massey silver came to the Langham family in the 18th century.

100

543. A George III silver Warwick cruet frame, by John Delmester, London 1763, cinquefoil form, wire-work frame, central shell capped scroll carrying handle, the front applied with a foliate scroll cartouche, engraved with an armorial, on four scroll supports on pierced web feet, with three baluster casters, embossed foliate decoration, on raised circular bases, engraved with a crest, plus two unmarked silver-mounted glass oil bottles, height of frame 26cm, heights of £2,000-3,000 casters 19.5cm and 16cm, approx. weight 50.5oz.

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544 A George II silver two-handled cup and cover, by Aymé Videau, London 1745, circular form, leaf capped scroll handles, applied with scroll, rocaille and trailing grapevine decoration, the pull-off cover with a cone shaped finial with grapevine decoration, on a raised circular foot, engraved with a crest, on a later wooden stand applied with a plaque, inscribed £6,000-8,000 ‘Anniversary Cup, Sandown, 1937, Won by Lord Hurst’s Magnet’, height off plinth 30.5cm, approx. weight 76oz. (2) Provenance: purchased from Dreweatt Neate, Newbury, 3rd April 1996, lot 556.

101

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545. A George IV Royal silver-gilt book cover, unmarked, rectangular form, cast and pierced foliate scroll decoration on a velvet ground, one side applied with the Royal Coat of Arms, the reverse with the crowned cipher of George IV, the interior with a copy of the Royal Kalendar and Court and City Register, 1830, length 18.3cm. ÂŁ2,000-3,000

END OF SALE 102

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JEWELLERY

Thursday 28th April 2016

A French Art Deco gold cigarette case, finely inlaid with mother of pearl billowing clouds over mountains and sea. Indistinct maker's lozenge mark but almost certainly 'Sasportas' for Paul Levy. Stamped to the interior 'L. Feist. Paris. Claridge's' and 'S. A. S. 354'. Further French control marks. 160g, 8cm high. Lucien Feist was a Parisian jewellery retailer who had a store at 25, Avenue Niel between 1921 - 1938 and also at Claridge's, Rue François 1er, between 1922-1929. Estimate: £5,000 - £7,000

ENQUIRIES Jonathan Edwards FGAA | Tel: +44 (0)1722 424504 | jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA | Tel: +44 (0)1722 424595 | mariellewhiting@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 17th & Wednesday 18th May 2016

A Chinese wucai baluster vase and cover, 2nd half 17th century, painted with fruiting vines and squirrels, 40cm. Estimate: £12,000 - £15,000

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | johnaxford@woolleyandwallis.co.uk

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20TH CENTURY & CONTEMPORARY ART Wednesday 8th June 2016

Entries are being accepted until 22nd April

Edward Ardizzone R.A. (1900-1979) The artist with his model Signed, pen, ink and watercolour 28.5 x 27.5cm. One of a private collection of watercolours and drawings by this artist. Estimate: £1,500 - £2,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | victorfauvelle@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 424592 | jobutler@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Old Sarum Kia Motors

D OA

AMESBURY & MARLBOROUGH

E LS

H AS

YR LE

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

r Po

A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D PAY AN Y DISPLA RK CAR PA

A30

94 NEW H

NT O

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

LANE

IN S

RO A

( T)

SALT

UT SO

Y A36

A36(T) SO UTHA MPT ON R

W BED

HAR NH AM

W OOLLEY & W ALLIS S ALEROOMS

SOUTHAMPTON CATHEDRAL

TRE

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Fine Silver & Objects of Vertu

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 27th April 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

112

www.woolleyandwallis.co.uk

Project1_Layout 1 18/03/2016 15:47 Page 3

AUCTION CALENDAR ARMS & ARMOUR 6th April Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 6th April 6th July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 19th April – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th April – Clarice Cliff, Art Deco & 20th Century Design 22nd June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk SILVER 19th & 20th July – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 28th April 21st July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 8th June – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

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