Woolley & Wallis by Jamm Design Ltd

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Jewellery

Thursday 27th April 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young SALEROOM MANAGER David Jordan

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424500

424599

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FINE JEWELLERY

Thursday 27th April at 11.00am VIEWING TIMES Saturday 22nd April Monday 24th April Tuesday 25th April Wednesday 26th April Thursday 27th April

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 26th April. LIVE BIDDING ILLUSTRATIONS Front cover: Lot 1954 Back cover: Lot 1953 Inside cover: Lots 1857, 1858, 1933 & 1943 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 26th April. Please note there is a 3% +VAT surcharge for using this service.

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1500. Five original jewellery designs by Cartier, gouache on tracing paper. One inscribed in pencil A Grandin Legt. £300-500

1501. A gold Victorian bracelet mounted with banded agate cabochons. With a gold necklace mounted with amethyst and jade beads. £400-600

1502. A late Victorian gold brooch, mounted with emeralds, a ruby and seed pearls. A Victorian gold target brooch mounted with a central cluster of turquoise cabochons. A gold bolt ring. A cruciform pendant. A gold mounted shell cameo pendant. A George III black enamel mourning brooch. With two further brooches and two further pendants. £300-400

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1503. A small jewellery box containing a rock crystal mounted gold cross pendant, a gold signet ring, a pair of green and white paste earrings, a gold neck chain and an amethyst mounted silver cross pendant. £400-600

1504. A Regency gold quizzing glass, on a white metal chain. a garnet five stone ring. Two gold fob seals. A gold snake-link chain. A gold oval link chain. A gold curb-link chain suspending a Regency gold locket pendant. A gold pin and a silver ring mounted with a frog (broken). £600-800

1505. A nineteenth century carved coral figure of a reclining dog, 3.0cm long. And two carved coral cameos depicting female profiles. Metal mounts, both 1.7cm high. Two late 18th century carved rock crystal intaglios, depicting two bearded men, possibly philosophers. Both 1.7cm high. And a late 18th century carved and reverse-faceted rock crystal intaglio depicting a man’s profile. 1.9cm high. A 17th century carved circular carnelian intaglio, depicting a Christian scene with a seated figure holding a cross and a chalice. 1.8cm wide. A 1st to 2nd century AD carved oval intaglio depicting Zeus. Chip to top border. 1.2cm high. A 3rd to 4th century Sicilian carved intaglio depicting a warrior. 1.5cm high. And two 17th century carved intaglios of warriors wearing helmets. 1.8 and 1.2cm high. And a group of fourteen carved hardstone intaglios and cameos, mostly 17th-19th century. £400-600

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1509 1506

1507 1508

1506. A Georg Jensen silver Henning Koppel Modernist brooch, signed with design number 342. 7.8cm wide. A Georg Jensen silver pillbox ring, signed with design number 146. 3.1cm long. Size N. A silver Viking ship brooch pendant by David Andersen, signed to the reverse with initials DA. 5cm high. And a silver stylised toucan silver brooch with gilt decoration. 5.5cm long. £200-300 1511

1507. A silver and gold bangle by Tiffany & Co, the hammered silver cuff applied with a naturalistically designed gold frog swimming in the rippling silver water. Stamped 2001 Tiifany & Co 925 and 750. With Tiffany pouch and box. £600-800

1510

1508. A pair of diamond ear studs, the old circular-cut diamonds are set in rub-over platinum mounts (one butterfly missing). £500-700 1509. An aquamarine and diamond pendant, the emerald-cut aquamarine is set within a diamond-set scroll mount in platinum. Suspended from a finelink platinum chain. £600-800

1513

1510. A pink tourmaline and diamond pendant, the pear-shaped pink tourmaline suspends from an articulated line of diamonds, and two further pink tourmalines. On a diamond-set fine-link white gold neck chain. The chain 40cm long. £600-800

1512 1511. A cultured pearl and diamond kitten brooch, the cat pavé-set with circular-cut diamonds and playing with a pink cultured pearl. In platinum and yellow gold. 3.3cm wide. £200-300 1512. A gold orchid brooch, realistically designed and set with a seed pearl in yellow gold. 6.3cm long. £150-250

1514

1513. A French sapphire and diamond yellow gold spray brooch, centred with a cluster of old cut diamonds and sapphires within gold fringe borders and suspending gold fronds. French control marks. 5.5cm wide. £300-400 1514. A aquamarine, opal and quartz pendant, the oval-shaped aquamarine suspends an opal bead and a briolette-shaped green quartz. On fine-link white gold neck chain. £1,000-1,500 1516

1515

1515. A pair of cultured pearl and diamond drop earrings, the upper sections of millegrain-set circular-cut diamonds in 18ct white gold, suspend a cultured pearl. 2.2cm long. £400-600

1516. An Indian gem-set gold bracelet, the rectangular panels are set with coral, turquoise, a ruby, a diamond a yellow sapphire and a pearl (loose in mount) with foliate decorated counter enamel. 19.5cm long. 35g. £1,000-2,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1518

1517

1520

1519 1517. A 19th century gold strap bracelet, realistically designed as a belt, with functioning buckle. Stamped 9ct. Case by Robert Jones & Sons. £200-300 1518. A fancy-link gold chain, signed Garrard and inscribed ‘oneonetwo’. With London import marks for 18ct gold and dated 1989. 43.5cm long. 64g. £1,000-1,500 1519. A fancy-link gold bracelet, designed as alternating textured lozenge links and green enamel circular links. Stamped 750 and with a French import mark. 18cm long. 26g. £400-600

1521

1520. An 18ct yellow and white integrated gold link necklace, 42g, 43.5cm. £700-900 1521. A gold snake bangle, the stylised serpent has a flexible, articulated body, and with rubies set to the eyes, in yellow gold. Bearing the plaque Brevete S.G.D.G. £800-1,200

1522

1524

1522. Two gold charm bracelets, each containing various gem-set, articulated and enamel charms including a gold sewing machine, a gold and enamel yacht, a gold chastity belt, a lantern, a frying pan etc, on gold bracelet. And a gold watch chain. 42g in total. £400-600 1523. A gold propelling pencil by S. Mordan & Co, a 9ct gold twisted curb-link watch chain with swivel clips and Tbar, and an oval-link watch chain with swivel clip, T-bar and watch key. 87.0g in total. £500-700 1524. A pair of lapis lazuli mounted gold cufflinks, the cushion-shaped plaques are set with lapis lazuli in yellow gold rub-over mounts, conjoined by oval-link chains. With makers mark A.W and Sheffield import marks for 1992. In Patek Philippe case. £200-300

1523

1525

1525. A pair of yellow gold Royal Navy cufflinks, each oval concave disc is applied with a crowned fouled anchor decorated with red guilloché enamel and signed to the reverse Benzie Cowes. Each disc 1.9cm high. Cased by Benzie. £500-700

1526. A pair of coral and diamond cufflinks, set in yellow gold. Fitted case by Lloyd Lawrence. A pair of opal, black enamel and seed pearl cufflinks. Case. And a peridot mounted silver stickpin. £200-300

1526

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1530 1528 1529

1527

1531

1532

1527. A yellow gold dress ring mounted with a large zoisite matrix, the textured gold mount designed as stylised branches in 9ct yellow gold. Maker’s mark A.C. & Co. Size M. £200-300 1528. A citrine and diamond ring, the oval-shaped citrine is set within rose-cut diamond shoulders in platinum and gold. Size Q. £300-400

1533

1535

1534

1529. A blue zircon five stone ring, in carved yellow gold shank, size O½. A diamond solitaire ring, the circular-cut diamond weighs approximately 0.55cts and is set in platinum and gold, size Q. A diamond solitaire ring, the old circular-cut diamond weighs approximately 0.60cts and is set in platinum and gold, size U. A sapphire and diamond three stone ring, set with a sapphire cabochon and two circular-cut diamonds in platinum and white gold, size M½. And a gold ring set with three opal triplets, size Q½. £200-300 1530. A late Victorian small emerald and diamond half hoop ring, set with three emeralds and two cushion-shaped diamonds in 18ct yellow gold. Scroll-pierced shoulders. Birmingham marks for 1899. Size L. £200-300 1531. A ruby and diamond three stone ring, the emerald-cut ruby is set either side with an old cushion-shaped diamond in yellow gold mount with a pierced centre section. Size M. £150-250 1532. A turquoise and diamond half hoop ring, set with three oval-shaped turquoise cabochons and four old cushion-shaped diamonds in yellow gold half hoop mount. Size N. £150-250 1533. An early 20th century diamond-set lady’s wristwatch, the tonneau-shaped diamond with black Arabic numerals and diamonds set to the platinum case. On black silk band. £300-400

1536

1534. A gentleman's Jaeger-LeCoultre W.W.W. British military wristwatch, circa 1940s, the plain black dial with Arabic numerals and military arrow, subsidiary seconds. Manual movement. Stainless steel Military case numbered 279850 F 9140 WWW and the military arrow. Diameter 35mm (excluding winder). £400-600 1535. A lady’s diamond-set Art Deco platinum wristwatch, the tonneau-shaped dial with Roman numerals and millegrain-set diamond case. On black fabric band. Case. £400-600

1537

1536. A 19th century French gold box, with engine turned decoration and vacant rectangular plaque to the top. 26g. 5.2cm long. £300-400 1537. Two hardstone mounted gold fob seals. One depicting an elaborate hunting scene, the other with a coat of arms. £300-400

1538

1538. A late 19th century shell cameo brooch, depicting a seated woman carving a bust, with a putti, within ornately carved gold frame, decorated with blue enamel and seed pearls. With a 19th century gold ring set with a diamond in two rubies. Case. £100-200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1540

1541

1539

1543

1539. An emerald-set line bracelet, mounted in yellow gold. 17.5cm long. £500-700 1540. An early 20th century enamel and gold fishing brooch, the leaping salmon set in silver with polychrome enamel decoration, and a gold fishing rod. 5.8cm wide. £100-200

1542

1541. An early 20th gold and enamel shooting brooch, designed as a silver cock pheasant in flight with enamel decoration and a gold gun. 6.7cm wide. £100-200

1544

1542. A pair of ruby and diamond drop earrings, the pear-shaped lower section is set with a ruby within a diamond border, and suspends from a smaller ruby on fine link chain. Case by Antrobus, Regent Place. £200-400 1543. A pair of Victorian gold scarab earrings, the concentric lozengeshaped drops with pellet borders are surmounted with a scarab. 5.5cm long (total). £150-250

1545

1546

1544. An Art Deco double clip brooch, of abstract scroll design and set with circular and baguette-shaped diamonds in platinum. Separating to be worn as a pair of double clips. 6cm long. £600-800

1545. A single row coral bead necklace, the gold clasp mounted with a coral cameo. The beads graduate from 5.5 to 11.5mm. 48cm long. £600-800 1546. A 19th century gold locket pendant, of oval form and bearing the initials E.G.O and C.A.I.A to the front. With two glazed locket compartment to the inside in yellow gold. 6cm long. £200-300

1548

1547

1547. A mid 19th century lapis lazuli bead necklace, the eleven graduated lapis lazuli beads conjoined with three circular-link chains and a circular cannetille clasp mounted with a lapis lazuli bead. 48cm long. £600-800 1548. An early 20th century diamond bracelet, the central rectangular pierced plaque is millegrain-set with graduated circular-cut diamonds, with two further diamond-set links on corresponding platinum bracelet. In box by Sturbelle Frères (Brussels) £600-800 1549. A large diamond plaque brooch, the carved and pierced brooch of geometric design, set overall with rose-cut diamonds and with four old circular-cut diamonds to the centre, in white gold. 7cm wide. Case. £800-1,200

1549

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1550. An early 19th century seed pearl suite of jewellery, including a necklace designed as five graduated clusters of seed pearls joined with seed pearl swags. Two elaborate seed pearl brooches and a seed pearl pendant. £400-600 Accompanied with seven photographs of members of the current owner's family wearing some of the seed pearl suite. They were all Hendersons after whom Port Henderson in Scotland and Jamaica were named. 1551. A diamond bracelet, centred with a cluster of seven small diamonds with further diamonds to the articulated shoulders. White gold and platinum. Expanding bracelet. 16cm (not expanded). Fitted case. £600-800

1550

1551 1552. A George III garnet necklace, set with circular-cut garnets and suspending a garnet cluster pendant, in closed back gold mounts. 42cm long. £600-800 1553

1553. A late 19th century gold suite of jewellery, comprising a gold brooch with pellet decoration, blue enamel and seed pearls, and matching pair of earrings suspending gold articulated tassels. Case. £500-700 1554. A late Victorian diamond-set arrow brooch, the realistically designed arrow with a horseshoe to the centre is set with old cushion-shaped diamonds in silver and gold. 6.5cm long. Fitted case by Jays, Oxford Street. £400-600

1554

1552

1555. A moonstone and diamond stylised fleurde-lys brooch, set with three moonstone cabcohons and graduated lines of old circular-cut diamonds in silver and gold. 5.5cm high. £800-1,200 1556. A late 19th century gold bracelet, the central panel is set with a garnet cabochon with a stylised gold lizard sitting on top. The bracelet links alternately decorated with blue enamel. 18.5cm long. £300-400 1557. No lot

1555

1556

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JEWELLERY & WATCHES Thursday 20th July 2017

An early 18th century gilt metal pair-cased pocket watch by Tompion & Banger, 3634. Original movement. Estimate: £1,000 - £1,500

ENQUIRIES Jonathan Edwards | Tel: +44 (0)1722 424504 | je@woolleyandwallis.co.uk Marielle Whiting | Tel: +44 (0)1722 424595 | mw@woolleyandwallis.co.uk

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1558. A pair of diamond drop earrings, the pear-shaped diamonds are set within a surround of eleven round brilliant-cut diamonds, a pair of marquise-shaped diamonds, a round brilliant-cut diamond and an inverted pearshaped diamond in white gold. 2.5cm high. £3,000-4,000 1559. A diamond-set horseshoe pendant, set with nine graduated circular-cut diamonds in white gold. 1.5cm wide. On fine-link white gold neck chain. £1,100-1,500 1560. A pink tourmaline and diamond pendant, the pear-shaped pink tourmaline is set within scrolling borders set with single-cut diamonds and suspending a pearl in platinum and gold. On a fine-link platinum neck chain. The chain 40cm long. The pendant 4.6cm long. £200-300 1561. A pair of diamond-set white gold heart-shaped drop earrings, the hearts are pierced with foliate fleurde-lys decoration and millegrain-set overall with round brilliant-cut diamonds in white gold. Pierced conforming decoration to the reverse and suspending from diamond-set bows. £600-800 1562. A pair of aquamarine clip earrings, of geometric design, the emerald-cut aquamarines are set in white gold. Stamped 14ct. 15mm long. £400-600 1563. A diamond line bracelet, alternately-set with clusters of baguette-shaped and circular-cut diamonds in white gold. Stamped 14k. 19.5cm long. £1,000-1,500 1564. A tanzanite and diamond ring, the oval-shaped tanzanite is set within circular-cut diamond shoulders in platinum. Size P. £400-600 1565. An emerald and diamond three stone ring, the the emerald-cut emerald is set with a triangular-cut diamond to each shoulder in platinum and gold. Size L. £2,000-3,000 1566. An opal and diamond cluster ring, the solid white opal cabochon is millegrain-set within a surround of circular-cut diamonds in platinum and yellow gold. Size O. £1,000-1,500 1567. An emerald and diamond-set cluster ring, the pear-shaped emerald is millegrain-set within a surround of cushion-shaped diamonds in platinum. Size P. £600-800 1568. A tanzanite and diamond cluster ring, the emerald-cut tanzanite is set with two tapered baguetteshaped diamonds to each shoulder in gold. Size J. £400-600 1569. A spinel and diamond ring, the slightly oval-shaped deep pink spinel is set with six small circular-cut shoulder diamonds in platinum. Size L. £300-400 1570. An aquamarine and diamond-set cluster ring, the oval-shaped aquamarine is set within a surround of graduated round brilliant-cut diamonds in gold. Size L. £800-1,200 1571. A diamond, ruby and sapphire set double swivel ring, the centre ring is half set with calibré-cut rubies and calibré-cut sapphires and with outer diamond-set swivel half rings. Platinum. Size O. Box. £400-600 1572. An emerald five stone ring, the five oval-shaped emeralds are set in white gold. Size N. £400-600 1573. A ruby five stone ring, the five oval-shaped rubies are set in white gold. Size N½. £800-1,200 1574. A modern egg pendant by Fabergé, decorated with dark blue guilloché enamel with seven circular-cut diamonds in gold rubover settings. Stamped 750 and FABERGÉ, with inventory number 19/1,000. With gold bale. Modern Fabergé box. £400-600

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1558

1562

1559

1560 1564

1561 1563

1565

1566

1569

1567 1570 1568 1572 1571 1573

1574

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1575. A diamond and synthetic green stone cluster ring, the oval-shaped green stone is set within a surround of twenty circular-cut diamonds in white gold and platinum. Size P. £600-800 1576. A sapphire and diamond cluster ring, the slightly oval-shaped sapphire is set within a surround of eight round brilliant-cut diamonds in platinum. Size J. £600-800 1577. A sapphire and diamond ring, the oval-shaped sapphire is set with two princess-cut diamonds to each shoulder in platinum. Size N½. £1,000-1,500 1578. A sapphire and diamond-set cluster ring, the ovalshaped sapphire cabochon is set within a surround of cushion-shaped diamonds in gold. £1,200-1,500 1579. An aquamarine and diamond ring, the emeraldcut aqaumarine is set with a tapered baguette-shaped diamond to each shoulders in platinum and yellow gold. Size M½. £400-600 1580. A sapphire and diamond five stone ring, set with a line of five graduated sapphires and diamonds in platinum. Carved and pierced yellow gold mount. Size N½. £200-300 1581. A sapphire and diamond cluster ring, the ovalshaped sapphire is set within the surround of ten round brilliant-cut diamonds and two further smaller shoulder diamonds in gold. Size P. £1,700-2,000 1582. A sapphire and diamond cluster ring, the circularcut sapphire is set within a surround of circular-cut diamonds in platinum and yellow gold. Size J½. £200-300 1583. A ruby and diamond five stone ring, the three circular-cut rubies and two circular-cut diamonds are set in 18ct gold. London marks for 1990. Size M½. £200-300 1584. A diamond solitaire ring, the emerald-cut diamond is set in platinum. Size S½. £200-300 1585. A ruby and diamond three stone ring, the ovalshaped ruby is set with two round brilliant-cut shoulder diamonds in platinum. London marks. Size O. £2,000-3,000 1586. A diamond cluster ring, centred with a round brilliant-cut diamond, four baguette-shaped diamonds and four further round diamonds to the corners in white gold. Size N £1,100-1,500

1587. A diamond solitaire ring, the circular brilliant-cut diamond weighs approximately 0.45cts and is set in 18ct white gold. Size P½. £600-800 1588. A sapphire and diamond cluster ring, the ovalshaped sapphire is set within a surround of circular-cut diamonds in platinum. Size P. £600-800 1589. A diamond full circle eternity ring, set with singlecut diamonds in platinum. Size O. £300-400 1590. A spinel and diamond cluster ring, the ovalshaped spinel weighs approximately 4.00cts and is set within a surround of twelve round brilliant-cut diamonds in gold. Size O. £1,000-1,500 1591. A diamond and ruby set crossover ring, set with two oval-shaped rubies and three cushion-shaped diamonds in platinum. £300-400 1592. A sapphire and diamond half hoop ring, set with an emerald-cut sapphire, two circular-cut diamonds and two smaller sapphires in carved yellow gold shank. Size O. £800-1,200 1593. A sapphire and diamond five stone ring, the three sapphires are set with two cushion-shaped diamonds in yellow gold with scroll pierced shoulders. Size O. £800-1,200 1594. A tanzanite and diamond-set cluster ring, the octagonal-cut tanzanite is millegrain-set within a surround of fourteen round brilliant-cut diamonds in white gold with gold shank. Size P. £1,400-1,800 1595. A sapphire and diamond cluster ring, the octagonal-cut sapphire is set within a surround of eight round brilliant-cut diamonds in white gold. Size O½. £1,400-1,800 1596. An emerald and diamond three stone ring, the emerald cut emerald is set with a baguette-shaped diamond to each shoulder. In scroll pierced platinum mount. Size G½. £200-300 1597. A diamond solitaire ring, the round brilliant-cut diamond is set in white gold. The diamond weighs approximately 0.77cts. With a fitted 18ct white gold wedding ring. Both size L. £800-1,200

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1575

1576 1577 1580

1578

1581

1579

1584 1582 1585 1583 1586

1587

1588 1589

1590

1591 1593 1592 1594

1595 1596

1597

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1598. A diamond and sapphire set platinum Art Deco wrist watch, the plain dial signed Marcus, with lines of graduated calibré-cut sapphires and circular-cut diamonds to the bezel. Stylised “tied” shoulders. Silk band. 2.9cm high. £800-1,200 1599. A lady’s Art Deco wristwatch by J.E.Caldwell & Co, the signed dial with black Arabic numerals. The case millegrain-set with diamonds and onyx, with further lines of diamonds to the black band. Case. £1,000-1,500 1600. A lady’s Art Deco diamond-set wristwatch, the rectangular dial with black Arabic numerals. The case set with baguette-shaped and circular-cut diamonds, on band set with square-shaped and circular-cut diamonds in platinum. 15.5cm long. £2,000-3,000 1601. A lady’s diamond wristwatch, converted to a bracelet, set with a line of baguette-shaped diamonds within a border of circular-cut diamonds in platinum. The bracelet separates into two sections and is accompanied by the original watch face, the case set with diamonds. Manual movement. The bracelet 15.6cm long. The watch case 17mm wide. £1,000-1,500 1602. A gentleman’s gold wristwatch by Longines, the signed rectangular dial with baton numerals, manual movement and 18ct gold band. London import marks for 1965. The case 2.1cm wide. £1,000-2,000 1603. A lady’s gold Baignoire wristwatch by Cartier, the plain tonneau-shaped dial with black Roman numerals and secret signature at seven. Black baton hands and signed Cartier. Quartz movement. Sapphire winder. 18ct yellow gold fancy link bracelet. 16cm long. £2,500-4,500 1604. A lady’s Jaeger LeCoultre gold wristwatch, the square silvered dial with baton numerals and signed Jaeger LeCoultre, on a brick-link yellow gold band. Numbered 1062569 to case back and 750 to clasp. 16.3cm long. The case 1.3cm wide. £600-800 1605. A lady’s Cartier Panthere Vendome wristwatch, the circular cream dial with black Roman numerals, in steel and gold. Quartz movement. The case 3cm wide (excluding winder). With Cartier pouch. £600-800

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1598 1599

1600

1601

1603

1602

1605

1604

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1606. A pair of sapphire and diamond-set dress cuff links, each circular cut sapphire is millegrain-set with two borders of rose-cut diamonds in platinum. £1,000-2,000 1607. A pair of sapphire and platinum mounted cuff links, each link rub over set with an oval-shaped cabochon sapphire. £5,000-7,000 Accompanied by report number 5777-8872 dated 8th March 2017 from GCS, London stating that the sapphires weigh approximately 38.2cts in total, with no indications of heating. Origin: Sri Lanka (Ceylon). 1608. A pair of lapis lazuli and diamond cuff links, the rectangular lapis lazuli plaques are set within a surround of round brilliant-cut diamonds in white gold. £800-1,200 1609. A pair of amethyst set cuff links, the oval amethyst cabochons are set in gold with gold links. £400-600 1610. A pair of citrine mounted gold cuff links, each link set with a circular-cut deep coloured citrine in rubover yellow gold mount. £400-600 1611. A pair of diamond and black onyx dress cuff links, each rectangular section of black onyx has polished and matted decoration and is set with two circular-cut diamonds in gold and platinum. £800-1,200 1612. A pair of diamond-set dress cuff links, the octagonal form links are set with circular-cut diamonds to the geometric design. White gold. £800-1,200 1613. A pair of diamond and black onyx dress cuff links, each circular section of black onyx is centred with a circular-cut diamond and millegrain-set with a border of smaller circular-cut diamonds in platinum. £800-1,200 1614. A pair of Art Deco dress cuff links, each gold link centred with a square-set circular-cut diamond and alternately quartered with blue and black enamel decoration. £800-1,200 1615. A pair of abstract gold cufflinks, set with a square of lapis lazuli within graduated textured and stepped border of yellow and white gold. Signed P.P&P and with London marks for 1971. £600-800 1616. An early 20th century diamond-set mother-of-pearl dress set, the octagonal links are set with a central circular-cut diamond within black onyx surround on mother-of-pearl, with platinum laurel borders on yellow gold. Fitted case. £400-600 1617. A cased ruby mounted gold dress set, each component set with a circular-cut ruby within a chased gold border. The set comprising four buttons, three studs and a pair of cufflinks. Fitted case by Garrard. £600-800 1618. A gentleman’s diamond-set dress set, including a set of cufflinks and six studs, each set with a circularcut diamond in white gold. £800-1,200 1619. A set of lapis lazuli cuff links and dress studs by Cartier, the cuff links with two graduated lapis lazuli spheres each set with a small round brilliant-cut diamond and joined with yellow gold links signed Cartier and with French control marks. With four similar lapis lazuli and diamond-set studs with sliding gold mounts. £800-1,200 1620. A pair of mother-of-pearl cufflinks, set with a central seed pearl within platinum laurel border on yellow gold. With four matching buttons. Fitted case. £400-600 1621. A gentleman’s dress set, comprising cufflinks, buttons and two studs, of square form with engine turned decoration and set with a central diamond in platinum and yellow gold. Fitted case by Hunt & Roskell. £800-1,200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1622. A late Victorian banded agate and seed pearl brooch, designed as a sunburst and alternately set with seed pearls and banded agate cabochons in yellow gold. 3.7cm diameter. £250-350 1623. A George III cased suite of banded agate jewellery, comprising a necklace, two section brooch, a pair of slides, a cruciform pendant and a pair of drop earrings. Mounted in cut down gold collets, the earrings and necklace with fine-link gold chain. £2,000-3,000

1624. A pair of coral drop earrings, formed with circular coral cabochons and each earring suspending three carved coral battens. 6cm long. Fitted case. £600-800 1625. A pearl and diamond cluster ring, set with an old cushion-shaped diamond within a border of seed pearls in yellow gold. Size O. £800-1,200 1626. A pair of nineteenth century micro mosaic drop earrings, the top circular sections depicting doves and suspending a triangular section with foliate decoration and three baton-shaped gold pendants. Obscure marks but probably the crossed keys of St Peter for the Papal States of Rome. 6cm high. Case. £600-800 1627. An early twentieth century ruby and diamond cluster clip brooch, centred with an oval-shaped ruby (chipped) set within a surround of small cushion-shaped diamonds, a further row of graduated oval-shaped rubies and outer border of graduated cushion-shaped diamonds in gold. 2.4cm wide. £1,500-2,000 1628. A pair of Victorian Etruscan revival gold drop earrings, each disc with fine pellet and wire work decoration and applied with a foliate design centred with fine twisted rope sections. 3cm high. £300-400

1629. An early 19th century three row plaited coral bead choker length necklace, mounted with four cannetille three colour gold sections each centred with a carved coral cameo. 38cm. £600-800

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1630. A pair of Victorian gold earrings, figure-of-eight design and set with turquoise cabochons. 3cm high. £300-400 1631. A pair of Victorian gold drop earrings, designed as heavily fluted batons suspending from detachable floral tops and suspending a ball pendant. 8.5cm high. £600-800 1632. A pair of garnet mounted Victorian gold earrings, the garnets set with a gold star and a seed pearl to the centre, in oval mounts and suspending gold tassels. Case. £600-800 1633. An early nineteenth century garnet and pearl set gold cruciform pendant, set with five cushion-shaped garnets and seed pearls. Gold canetille mount. 6.5cm high. Circa 1830. Fitted case. £1,000-1,500 1634. A nineteenth century archeological revival gold pendant, the circular pendant with fine filigree and pellet decoration to both sides and suspended from a long gold bale. Opening to reveal a glazed locket compartment. 3cm wide. £600-800 1635. A Victorian citrine mounted rivière necklace, matching bracelet and brooch, the necklace is mounted with graduated oval-shaped citrines in gold cut down collets. 39cm. With conforming citrine mounted gold bracelet, 18.5cm. The brooch pendant centred with a larger oval-shaped citrine within a surround of eight smaller citrines and mounted in gold with pellet decoration. Detachable brooch fitting. 5cm wide. £2,000-3,000 1636. A turquoise and seed pearl navette-shaped ring, set with a central line of seed pearls within a surround of turquoise cabochons in yellow gold. Size L. Case by C & A. Giuliano £200-300 1637. A Victorian garnet and diamond scroll brooch, the oval-shaped garnet cabochon is set within a surround of circular-cut diamonds in silver and gold. 3cm wide. £400-600 1638. A 19th century gold heart pendant, set with a large garnet cabochon within foliate carved decoration. Glazed locket compartment to reverse containing hair. 2.3cm wide. On gold snake-link chain. £800-1,200 1639. A French early 20th century seed pearl bracelet, the seven rows of seed pearls are applied with five rows of rose-cut diamond-set gold spacers and with conforming diamond-set clasp. French control mark and makers lozenge with initials ER. 17cm long. £600-800 1640. A Victorian gold shamrock style locket brooch, with fine wirework foliate decoration and twisted rope border. Glazed locket compartment to the reverse. 3.5cm high. £300-400

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1641. A gold box by Cartier, of rectagular form with engine-turned decoration and diamond-set thumbpiece. Marked J.C and 9ct, with London marks for 1934. 8cm long. £600-800 1642. A cased 19th century silver mounted fob seal, with interchangeable purple paste matrixes which read ‘I respond to every touch’, ‘For further particulars enquire within’, ‘Such is life’, ‘The eyes or all the heart or one’, ‘Fidelity’, ‘A letter soothes the pains of absence’. In original case with compartments for the individual seals. £300-400 1643. A gold-mounted and lined bloodstone egg-shaped bonbonnière, circa 1760. The rococo scroll and floral and fauna cagework mounts with white-enamelled label with the words Dieu Vous Benit, meaning God Bless You. Diamond thumbpiece and hinged opening. 4.5cm high. £1,500-2,000 1644. A pair of gold opera glasses, decorated with gardening and musical trophies joined with foliate swags and tied reeded border to the adjusting knob. Signed Hazebroucq Opticiens, Paris. All visible parts are gold including when the glasses are extended. French control marks. With leather case. £3,000-5,000 1645. A Regimental brooch for The Kings Royal Rifle Corps, decorated with green and red enamel and pavéset with rose-cut diamonds in platinum and gold. Case. £200-300 1646. Two gold dog stickpins, one depicting the head of a bulldog with diamond collar and ruby pendant. Gold shaft. The other with the gold head of a hound, with diamond pendant. £600-800 1647. A 19th century gold stickpin, realistically designed as a wild cat with a circular-cut diamond in its mouth, in yellow gold and platinum. £300-400 1648. An early 20th century diamond-set fox stickpin, the running fox is pavé-set with cushion-shaped and rose-cut diamonds in silver on gold. Ruby eyes. 3cm long. £200-300 1649. A sapphire and white enamel stickpin, the sugar-loaf sapphire is millegrain-set within double concentric oval surround applied with white enamel in yellow gold. Case. £300-400 1650. An early twentieth century diamond-set stick pin, centred with a cushion-shaped diamond millegrainset within a surround circular-cut diamonds in platinum. Fitted case. £1,000-1,500 1651. A pair of unusual gold mourning stickpins, with gold and black enamel foliate scroll decoration, and each hinged terminal opening to reveal a circular glazed locket section containing hair. £400-600

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1648 1645 1646

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1652. A morganite ring, the large cushion-shaped morganite is set with triangular-shaped rubies to the shoulders and single-cut diamonds in yellow gold. Size R. £800-1,200 1653. An expanding fine-linked fluted gold necklace, 36g. 45cm. £600-800 1654. A pair of ruby-mounted gold bangles, set overall with graduated oval-shaped rubies in yellow gold. Inner diameter 5.2cm. £3,000-4,000 Accompanied by report number 5775-2255 dated 23rd June 2015 from GCS, London stating that the rubies weigh approximately 55.50cts in total and are natural rubies with no indication of heating. Origin: Burma. One of the bangles contains one synthetic red corundum. 1655. A yellow sapphire and blue enamel ring, the oval-shaped sapphire is set within a bombé blue enamel mount, in yellow gold. Maker’s mark ABD and London import marks for 1998. Size O. £400-600

1656. A coral and diamond dress ring, of abstract design and set with two coral cabochons, set either side of a line of circular-cut diamonds in platinum and yellow gold. Size N½. £600-800 1657. An unusual hessonite garnet and diamond set gold ring, the oval-shaped garnet weights approximately 15.14 cts and is set within a surround of small round brilliant-cut diamonds. Size M½. £1,000-1,500 Accompanied by report number 20017628 dated 19th June 2014 stating that the cushion-shaped garnet weighs 15.14cts and is a Hessonite garnet. 1658. A yellow gold gem set necklace, of articulated foliate design and set with a centre line of round brilliantcut diamonds alternating with sapphires to the shorter necklace section and darker coloured sapphires to the bracelet section, the foliate borders set with rubies and emeralds. The bracelet 18cm and the necklace 38cm. 103g in total. £3,000-4,000 1659. A pair of French stylised gold flower head earrings, the textured gold petals set with a trefoil of diamonds to the centre. French marks and maker M.C. 2cm diameter. £800-1,200 1660. A heavy 18ct yellow gold bracelet, curved and textured links. 20.5cm 209g. £3,000-3,500

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1661. A late nineteenth century reverse carved crystal pendant, depicting a robin standing on a holly branch in the snow. Yellow gold mount with twisted rope border. 2.8cm wide. £600-800 1662. A three-row graduated cultured pearl necklace, the pearls graduate from 9.5-6.5mm. 44cm. The gold clasp centred with an oval-shape rose-cut diamond-set within alternating rows of graduated rose-cut diamonds and seeds pearls. £1,000-1,500 1663. A late Victorian suite of gold jewellery, comprising a diamond-set hinged oval locket pendant. Opening to reveal a glazed locket to each side. A gold necklace with fringe of circular discs with quarterfoil decoration, 45cm. And a pair of small diamond-set gold earrings. 86g in total. Fitted case. £2,000-3,000 1664. A cased suite of Victorian malachite jewellery, comprising a pair of gold mounted malachite drop earrings and conforming malachite and gold brooch, 5.8cm high. Fitted case. £800-1,200

1665. A late 19th century diamond-set hair comb, the blonde tortoiseshell comb surmounted with a line of diamond trefoils in silver and gold. 7cm high. Fitted case by Poile & Smith. £150-250 1666. A large and flat octagonal garnet set brooch, set within a surround of graduated seed pearls and small emeralds with a filigree gold mount. £800-1,200 1667. A pair of Victorian gold drop earrings, designed as waisted batons and applied with shell and fleursde-lys decoration. Suspending from spheres. 6.5cm high. £600-800 1668. A graduated seed pearl necklace, the gold clasp set with four rose-cut diamonds. 78cm. £200-300 1669. A pearl and diamond foliate pendant, the hollow pearl is set within foliate silver and gold diamond-set mount. 3.5cm high. On fine link white gold neck chain. 40cm long. £600-800

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1665 1668 1667

1666 1669

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1670. A garnet and moonstone mounted gold Arts and Crafts brooch by J C Watts, centred with a moonstone cabochon with a foliate enamel border and with a further surround of smaller moonstones alternately mounted with cabochon garnets. Signed to the reverse with the initials JCW. 4.5cm wide. £600-800 1671. A late Victorian snake ring, the intertwining serpent’s heads set with a ruby and a diamond in yellow gold. Size S. £400-600 1672. A diamond-set yellow gold necklace, realistically designed as the leaves of the Judas tree. The graduated leaves in textured gold with one leaf pavé-set with circular-cut diamonds. The clasp signed Torrini. 41cm long (excluding the pendant drop). £600-800 1673. A gold flower head brooch, centred with a diamond and seed pearls with realistic shaded enamel decoration to the petals. Bloomed gilding to the reverse. Marked with a crescent and arrow. 2.2cm wide. Probably American. £600-800 1674. An Edwardian ruby and diamond-set lattice form ring, the scrolls of calibré-cut rubies are set around the nine circular-cut diamonds in platinum and gold. Size J. Case. £1,000-1,500 1675. An Edwardian opal and diamond brooch pendant, the upper section set with an oval-shaped crystal opal with diamond-set scroll border and suspending a pear-shaped crystal opal millegrain-set within a diamond surround in silver and gold. 4.5cm high. £1,500-2,000 1676. A French Art Nouveau gold brooch by Louis Rault, depicting the helmeted female figure with a dragon and to the lower border an owl and head of Medusa. Signed lower left with initials 2.5cm. £200-300

1677. A French Art Nouveau pendant, depicting a nymph in ivory on green enamel ground and with stylised gold hair and surround. 5.6cm long. French marks and rubbed maker’s lozenge. On fine link gold neck chain. 45cm long. £1,000-1,500 1678. An Art Nouveau gem set gold pendant, depicting the Virgin Mary praying to the Holy Grail. Alternately set to the border with calibré-cut rubies and rose-cut diamonds. Engraved with inscription to the reverse dated 1916. 2.2cm wide. On a fine-link 18ct gold neck chain. £400-600 1679. An Edwardian gem-set gold brooch pendant, set with a large oval-shaped garnet within scrolling border set with diamonds, a peridot, and suspending a moonstone. 3.5cm long. £200-300 1680. An Art Nouveau gold pendant, the bi-colour gold naturalistically depicting flowers and set with two sapphires and four seed pearls. On gold chain, 44cm long. £600-800 1681. A French gold holly leaf design necklace, mounted with graduated sections of holly leaves with ruby berries and each joined with a seed pearl. Fine-link gold neck chain. French control marks and maker’s lozenge obscured but probably EB 42cm. £800-1,200

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1682. A pair of 9ct gold and enamel cuff links by Barnet Henry Joseph, the blue and green enamel with stylised peacock feather decoration. Stamped to the reverse with maker’s initials BHJ, Birmingham marks for 1922. £300-400 1683. An Arts and Crafts gold pendant by Barnet Henry Joseph, set with four graduated turquoise cabochons in pierced abstract gold mount, and suspending a pearl. On fine link yellow gold neck chain. The chain 46cm long. Marked B.H.J and 9ct. £250-300 1684. A pair of silver and enamel earrings in the manner of Bernard Instone, of foliate design and decorated with polychrome enamel. £100-200 1685. A silver and enamel necklace in the manner of Bernard Instone, designed as six polychrome enamel foliate panels, set within five graduated moonstone cabochons on fine link silver neck chain. 38cm long. £200-300 1686. An Arts and Crafts silver and enamel brooch, of oval form and depicting a realistic wooded scene in polychrome enamel. In the manner of Fleetwood Charles Varley. 3.5cm wide. Case. £300-400 1687. An aquamarine and diamond-set Arts and Crafts style clip brooch, the cushion-shaped aquamarine is set within a surround of graduated old circular-cut diamonds with pierced floral decoration. Hinged clip. Platinum. 2.8cm long. £600-800 1688. A pair of gem-set silver and gold earrings attributed to Dorrie Nossiter, the triangular upper sections suspend from a carnelian bead and are set with a carnelian cabochon and three pear-shaped green stones. With a faceted carnelian hoop suspended beneath. 5.8cm long. £400-600 1689. A pair of Arts and Crafts drop earrings in the manner of Bernard Instone, the oval-shaped citrines are mounted in yellow enamel decorated silver mounts and suspend from a conforming foliate link. 4.8cm long. £300-400 1690. An Arts and Crafts brooch attributed to Dorrie Nossiter, set with zircons and sapphires in silver and gold. 6cm long. £600-800 1691. A gem-set clip brooch attributed to Dorrie Nossiter, set with a carved jade plaque within a surround of sapphires, pearls, moonstones and chrysoberyl cat’s eyes in silver. 7.5cm high. £600-800 Accompanied by original purchase invoice from Tadema Gallery dated 1998. Literature: Silver Jewelry Designs, Nancy N. Schiffer, 1996, p102. 1692. A silver mounted bead necklace attributed to Dorrie Nossiter, alternately-set with banded agate beads, faceted citrine beads and citrine cubes, the agates mounted either side with a chalcedony rondel. The clasp set with a citrine within a border of smoky quartz, chalcedony and citrines in silver collets. 47cm long. £300-500 1693. A gem-set brooch attributed to Dorrie Nossiter, set with a central moonstone cabochon amongst further moonstones, sapphires, lapis lazuli and pearls in carved foliate silver and gold surround. 8cm long. £600-800 Accompanied by purchase invoice from Tadema Gallery dated 1998. Literature: Jewelry & Metalwork in the Arts and Crafts Tradition, Elyse Zorn Karlin, 1993, page 85. Silver Jewelry Designs, Nancy N. Schiffer, 1996, page 101. 1694. An Arts and Crafts gem-set gold brooch, set with a cluster of fire opal cabochons, a white opal, three rubies and two small diamonds, suspending a yellow diamonds and an untested pearl in yellow gold. 4.2cm long. £600-800

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1695. A late 19th century sapphire and moonstone bangle, the heart-shaped moonstones are set beneath a diamond bow and beside diamond laurels, in silver and gold. Case. £800-1,200 1696. A jade and diamond brooch, the carved jade leaf is set with graduated circular-cut diamonds to the platinum stem. With indistinct inventory number to the reverse and assorted French control marks. 3.5cm high. The double pin hinged clip probably added later. £1,000-1,500 Accompanied by report number 5777-9433 dated 17th March 2017 stating that the jadeite jade is natural with no indication of treatment (may also be called A-jade) 1697. An opal and diamond brooch, the solid white oval opal cabochon, is set within lines of circular-cut diamonds and stylised fleur-de-lys terminals, millegrain-set with circular-cut diamonds in platinum. 4cm wide. £800-1,200 1698. An early 20th century heart-shaped moonstone and diamond brooch/pendant, the moonstone cabochon is set within a surround of rose-cut diamonds in silver and gold. On a gold bar brooch 4cm wide. The moonstone and diamond section detaches to be worn as a pendant. £400-600 1699. A pair of aquamarine and diamond drop earrings, the briolette-shaped aquamarines suspend from two circular-cut diamonds in gold. Screw fittings. 4cm long. £800-1,200 1700. An Edwardian peridot, diamond and seed pearl pendant, the floral design set with diamonds and seed pearls in platinum and gold and suspending two peridots. With a fine-link white gold neck chain. £600-800 1701. A pair of pearl and diamond scroll earrings, each earring centred with a cultured pearl and millegrainset with circular-cut and baguette-shaped diamonds in platinum. Spring loaded clips. Case. £1,000-1,500 1702. A pair of jade and diamond earrings, the circular jade cabochons are set beneath a line of circular-cut diamonds in white gold. £400-600 1703. A moonstone necklace, designed as a line of graduated circular-cut moonstones, the centre section suspending graduated oval-shaped moonstone drops. 38cm. £800-1,200 1704. An untested pearl and diamond-set circular scroll brooch, the pearl is set within a surround of five scrolls set with graduated circular-cut diamonds in platinum and gold. 3cm wide. £1,000-2,000 1705. An early 20th century mother-of-pearl, diamond and seed pearl lozenge-shaped brooch, the ovalshaped mother-of-pearl plaque is carved with the Virgin Mary within open work lines of rose-cut diamonds and seed pearl border. 5.5cm high. £600-800 1706. A sapphire and diamond cluster ring, the sugar-loaf sapphire is set within a surround of old cushionshaped diamonds in yellow gold. Size N. £1,200-1,500 Accompanied by report number 08533 from The Gem and Pearl Laboratory London dated 10th September stating that the square cushion-shaped sapphire weighs 2.10cts and is a natural sapphire with no evidence of treatment observed.

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1707. A boulder opal and diamond ring, the elongated oval cabochon boulder opal is set within a surround of circular-cut diamonds in platinum and yellow gold. Size L½. £2,000-3,000 1708. An opal and diamond navette-shaped ring, the solid white opal cabochon is set within a surround of old-cut diamonds in platinum and gold. Size Q½. £800-1,200 1709. An Art Nouveau brooch pendant set with diamonds and opals, centred with an oval-shaped opal within a scrolling diamond-set foliate inspired mount. Suspending a smaller oval-shaped opal and with detachable diamond-set bale. 6cm high. £1,500-2,000 1710. A goose or duck brooch, realistically formed in silver and gold and set overall with rose-cut diamonds and centred with a blister pearl. Ruby eyes. 3cm wide. £800-1,200 1711. A diamond cluster ring, set with a cluster of old cushion-shaped diamonds in carved and pierced yellow gold mount. Stamped 18. Size U. £200-300 1712. An early 20th century opal and diamond fringe necklace, set with opal cabochons and diamonds on knife-edge links and suspending diamond-set fleur-de-lys and opal and diamond foliate clusters in silver and gold. On oval-link gold chain. Case. £2,000-3,000 1713. An opal and diamond cluster brooch, the oval-shaped opal is set within a surround of twenty circularcut diamonds in platinum. 3.5cm wide (total). Fitted case by Wartski. £4,000-6,000 1714. A late 19th century opal and diamond pendant, the central white oval opal cabochon is millegrain-set within a scrolling border of circular-cut diamonds and suspending a further opal drop in silver and gold. 7cm long. Case. £2,000-3,000 1715. A late Victorian opal and diamond fob watch, of circular-form and pavé-set with rose-cut diamonds and an opal cabochon. Suspended from a double heart brooch set with two heart-shaped opals within diamond border and beneath a diamond-set bow, in silver and gold. 5.7cm high. £400-600 1716. A late 19th century bee brooch, the bee set with a dementoid garnet, a ruby eye, diamond wings and a pearl body, set in silver and gold. With a further pearl to the gold bar brooch. 5.5cm long. Fitted case. £800-1,200 1717. A ruby and diamond cluster ring, the cushion-shaped ruby is set within a surround of old cushionshaped diamonds, and with a larger diamond to each terminal in yellow gold mount. Size L½. £2,000-2,500

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1718. A cased suite of George III fruiting vine inspired seed pearl jewellery, comprising a necklace, tiara, brooch and pair of earrings. Circa 1800. The necklace 46cm. In fitted case by Dickinson of Bath. £800-1,200 1719. A late George III garnet-set gold necklace, the choker length necklace is set with graduated oval-shaped garnets in cut down closed back gold collets. With three festoons of matched oval-shaped garnets. 35cm. £800-1,200 1720. A mid eighteenth century topaz pendant, designed as a cushion-shaped topaz cluster set with lighter coloured and smaller topaz, suspending a further cushion-shaped topaz and an open work foliate cluster and with a larger pear-shaped topaz within lighter coloured topaz surround closed back silver mount. 7.2cm high. £1,500-2,000 1721. An 18th century paste and diamond brooch, of girandole design, the principal sections set with a green paste within concentric surrounds of rose-cut diamonds. In closed back silver mounts. Later brooch conversion. Fitted case by Harvey & Gore. £1,000-1,500 1722. A George III garnet brooch, set with a graduated line of oval-shaped garnets, and suspending three articulated pear-shaped garnet drops, in yellow gold. Case. £400-600 1723. A carved hardstone late Helenistic cameo pendant, depicting the profile of a man, third to second century BC, 1.8cm high. Modern gold mount. £400-600 1724. A George III diamond ring, the pear-shaped rose-cut diamond is set in a closed back silver and gold cut-down collet, surmounted with three small diamonds and two further cushion-shaped diamonds to the shoulders. Fluted reverse decoration. Size J½. £2,000-3,000 1725. A late George III turquoise and diamond-set cluster ring, centred with a later pearshaped turquoise cabochon within a surround of cushion-shaped diamonds and further border of smaller turquoise cabochons. Set in a silver and gold closed back mount surmounted with a stylised coronet set with five graduated cushion-shaped diamonds. The pierced foliate shoulders with shamrocks and scroll shank. Size R. £600-800 1726. An early 19th century gold ring, with three colour shell and foliate scroll decoration to the shoulders. Set with an octagonal hardstone and engraved with the words Le Bonheur appartient á qui fait des heureux, which translates to Happiness belongs to those who do good deeds. Size W. £600-800 1727. A George III agate and gold ring, the oval agate section incorporates the impression of a small scallop-shaped shell. Four wire shank. Size N. £200-300 1728. A George III diamond cluster ring, the circular mount centred with a cushion-shaped diamond pavé-set with two borders of smaller cushion-shaped diamonds in silver and gold closed back mount. Trifurcated shoulders. Size K. £1,000-1,500 1729. An early nineteenth century two row diamond half hoop ring, set with sixteen matched cushion-shaped diamonds in silver on gold. Size L. £400-600 1730. A gold mourning ring for Queen Caroline, the gold ring centred with a cushion-shaped diamond mounted on a rectangular-cut amethyst. There are probably a few strands of hair underneath the diamond. Closed back mount with fluted sides and engraved to the reverse with traces of the original black enamel with a Queen’s crown over the slightly obscured words, ob 20 Nov 1737. Trifurcated and fluted shoulders and Queen Caroline carved to the lower shank with black enamel decoration. Size F½. Queen Caroline (1727- 20th November 1737). Married to King George II, Wilhelmina Charlotte Caroline of Brandenburg-Ansbach was born in 1683 and was more commonly known as Caroline of Ansbach. She was widely mourned following her death in 1737, not only by the public but also by the King who refused to remarry. £1,000-1,500

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1731. An Edwardian diamond-set commemorative pendant. With the words January 21 1906 JDP. NW Wilts to the border and 1966 within. Decorated with two red guilloché enamel borders and set overall with rose-cut diamonds in gold. 4 cm high including bale. With silver fine link chain. £200-300 1732. A Victorian Holbeinesque pendant, centred with a circular cabochon garnet and four seed pearls on an open work scroll mount with enamel decoration and four rose-cut diamonds. Suspending a smaller cabochon garnet and gold pendant with conforming enamel decorations. Engraved with foliate decoration to the reverse and glazed locket compartment. £600-800 1733. An early 20th century lozenge-shaped giardinetto brooch, the foliate design set with rose-cut diamonds on a dark red guilloché enamel ground. White enamel border and seed pearl surround. 3cm wide. £400-600 1734. An Edwardian circular locket pendant, centred with a stylised urn of flowers set with rose-cut diamonds on a circular purple guilloché enamelled ground. Seed pearl border and outer twisted border set with rose-cut diamonds. Shell disc to the reverse. Fine-link platinum neck chain. Pendant 3cm wide. £300-400 1735. An early 20th century pendant, centred with a stylised coronet set with rose-cut diamonds and six seed pearls. Suspending an oval-shaped sapphire and oval-shaped citrine, each set within a surround of small circular cut diamonds. And a further oval-shaped sapphire within a surround of ten small diamonds to the upper section. Fine link gold neck chain. The chain 40cm. £1,500-2,000 1736. A pair of late nineteenth century amethyst drop earrings, the pear-shaped amethysts suspend from gold mounts. 6cm high. Fitted case. £800-1,200 1737. A Victorian amethyst rivière necklace, the graduated oval and circular-cut amethysts are set in gold coronet mounts. 44cm long. £1,800-2,000 1738. An aquamarine mounted gold pendant, designed as a stylised flower head and set with eight brioletteshaped and two oval-shaped aquamarines in yellow gold. 5.5cm long. £800-1,200 1739. An Edwardian gold necklace with gem and pearl set drops, each pearl suspends from a diamond and assorted coloured stones including sapphires, rubies and emeralds. 43cm. £800-1,200 1740. A small Edwardian giardinetto brooch, the basket with diamond-set lattice decoration on blue guilloché enamel ground. Pearl and diamond-set flower heads and diamond-set laurels and bow. Platinum on gold. 2.5cm wide. £600-800 1741. A Belle Époque amethyst and diamond pendant, centred with a cushion-shaped amethyst within a scrolling swag border of diamonds and half pearls, and suspending a further pear-shaped amethyst in silver and gold. 5cm long. Fitted case by Wilson & Gill. £600-800 1742. A pair of Victorian yellow gold drop earrings, with finely engraved foliate decoration. 2.5cm high. £200-300 1743. A 19th century enamel, diamond and seed pearl brooch, of lozenge form, decorated with guilloché enamel and diamond-set inlerlocking hearts beneath a bow, with a border of seed pearls. Glazed locket compartment to reverse, set in gold. 3.6cm wide. £400-600 1744. A sapphire and diamond three stone ring, the emerald-cut sapphire is set between two old cushionshaped diamonds in platinum and yellow gold. Size N½. £2,000-3,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1745. An abstract diamond-set pendant, the sylised leaf is set with graduated circular-cut diamonds, the two principal diamonds weigh approximately 1.45cts each, set in platinum. On a white gold chain. Box. £3,000-4,000 1746. A pair of diamond and pearl set cluster earrings by Raymond Yard, the stylised floral earrings set with graduated pearls and diamonds and tied to the centre with a line of millegrain-set diamonds in platinum. Signed Yard. 2.5cm high. £1,200-1,500 1747. An amethyst and diamond necklace, set with amethyst cabochons set within carved and pierced lozenges set with a central row of circular-cut diamonds, the larger amethysts set with circular-cut and baguetteshaped diamonds. The necklace suspends a scrolling diamond and amethyst-set pendant in platinum and white gold. On snake-link neck chain. £4,000-6,000 1748. A pair of South Sea cultured pearl and diamond drop earrings, the oval-shaped pearls measure 14.00mm and 13.50mm and 12.00mm wide. Suspending from round brilliant and baguette-shaped diamonds in white gold articulated mounts. Box. £1,500-2,000 1749. A pair of diamond drop earrings, millegrain-set overall with graduated circular-cut diamonds in white gold. 6.2cm long. £3,000-4,000 1750. A diamond line bracelet, the thirty six round brilliant-cut diamonds weigh approximately 6.00cts in total and are rub over set in articulated platinum colettes. 16.5cm. £3,000-4,000 1751. A pair of diamond stud earrings, the old cushion-shaped diamonds weigh approximately 1.60cts each, set in white gold. £5,000-7,000 1752. A pair of diamond-set half hoop earrings, each earring set with four lines of graduated round brilliantcut diamonds in platinum. Approx 4.25cts in total. £2,500-3,000 1753. A pair of lilac coloured sapphire and diamond cluster earrings, the oval-shaped sapphires are each set within a surround of fourteen round brilliant-cut diamonds in white gold. £1,000-1,500 Accompanied by report number 5777-8885 dated 9th March 2017 from GCS, London stating that the cushionshaped purple sapphires show no indications of heating. Origin: Madagascar. 1754. A mabe pearl and diamond brooch, the large blister pearl is set within circular and tapered baguetteshaped surround in white gold. 3.3cm diameter. £800-1,200 1755. A ruby and diamond full circle eternity ring, alternately-set with three round brilliant-cut diamonds and three calibré-cut rubies in platinum. Size N. £400-600 1756. A South Sea cultured pearl and diamond ring, the white pearl measures approximately 14.46mm diameter with five single-cut diamonds millegrain-set to each shoulder in white gold. Size O½. £800-1,200 1757. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.80cts and is set with two baguette-shaped shoulder rubies in 18ct white gold. London marks. Size Q. £1,000-1,500 1758. A ruby and diamond three stone ring, the oval-shaped ruby is set with two round brilliant-cut diamonds in 18ct white gold. Size N½. £2,000-3,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1759. A diamond set open work white gold necklace by Buccellati. Of graduated form with round brilliantcut diamonds set to the twisted wirework festoons. 42cm long. £6,000-8,000 1760. A cushion-shaped fancy coloured diamond ring, the diamond weighs approximately 4.21cts and is set within a surround of round brilliant-cut diamonds with further diamonds to the shoulders. 18ct white gold. Size M. £10,000-15,000 Accompanied by report number 2176854060 dated 14th August 2014 from GIA, stating that the cushion-shaped diamond measures 9.78 x 8.94 x 5.72mm and weighs 4.21cts with natural fancy deep brownish yellow colour and SI1 clarity. 1761. A diamond bombé-shaped ring, set with a circular-cut diamond within lines of circular and baguetteshaped diamonds in platinum. Size M½. £6,000-8,000 Accompanied by report number 5777-7643 dated 17th November from GCS, London stating that the round brilliant-cut diamond weighs 1.53cts with H colour, VVS2 clarity and faint fluorescence. 1762. A pair of South Sea cultured pearl and diamond earrings, the pearls measure approximately 14.5mm wide and each suspend from a cluster of three round brilliant-cut diamonds in white gold. £1,500-2,000 1763. A pair of South Sea cultured pearl and diamond single earrings. Each pearl measures 15.1mm and 15.3mm diameter and are set within surrounds of circular-cut diamonds with a larger pear-shaped diamond. The white gold mounts with finely pierced backs. £4,000-6,000 1764. An Art Deco diamond bracelet, designed as three articulated panels, each centred with a marquise shaped diamond within a surround of smaller baguette-shaped, marquise and round brilliant-cut diamonds. Each panel joined with lines of baguette-shaped diamonds and smaller round brilliant-cut diamonds in platinum. Engraved with inventory number 342. 18.3cm long. £10,000-15,000 1765. A sapphire-set line bracelet, set with matched square-shaped sapphires in 18ct white gold. 18cm. £1,500-2,000 1766. An emerald-set line bracelet, set with square-shaped emeralds in white gold. 18cm. £1,500-2,000 1767. A blue and white diamond pendant, a trillion-cut treated blue diamond centred pendant, set within a surround of circular-cut diamonds and suspending from a larger round brilliant-cut diamond and tapered baguette diamond in white gold. Fine-link 18ct white gold neck chain. £800-1,200 1768. A pair of yellow and white diamond-set earrings with cultured pearl drops, each earring has a raised centre section pavé-set with yellow round brilliant-cut diamonds and with a raised scroll section to either side pavé-set with white round brilliant-cut diamonds in white gold. Each earring suspending a slightly drop-shaped cultured pearl. 3.5cm high. £3,800-4,500

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1769. An emerald bead and diamond-set foliate panel necklace, the eleven graduated emerald beads are alternately strung with 18th century open work silver panels and set with rose-cut diamonds to the foliate designs and borders. With a bow-shaped clasp set with further rose-cut diamonds in silver and gold. 59cm. £4,000-6,000 1770. A 19th century carved lava cameo brooch, depicting a bearded man in the classical manner, and signed Finizio to reverse. In an oval yellow gold frame with pellet decoration. 6cm high. Case by Asprey. £300-400 1771. An early 20th century gem set gold cruciform pendant, set with five oval-shaped olivines, seed pearls and centred with a circular cabochon garnet. With scrolled borders on matt ground. Detachable gold pendant loop set with a cabochon garnet. 11.5cm high (including bale). In fitted case by Plante with strutt back. £1,000-1,500 1772. A late 19th century Wedgwood octagonal plaque mounted brooch, depicting the classical scene from The Illiad where King Priam begs Achilles to release the corpse of his son Hector. Mounted in gold with rose-cut diamond border and the plaque signed to the reverse Wedgwood. 4cm wide. Cased. £800-1,200 1773. A finely carved hardstone cameo pendant, depicting a woman wearing a pearl necklace and ruff to her Elizabethan style dress. Her hair tied up with a laurel wreath. 2.6cm high. Set in silver and gold with cushionshaped diamonds and suspended from a diamond bow. 4.8cm high. £800-1,200 1774. A Belle Époque large cabochon emerald and diamond ring, the emerald cabcohon set within diamondset bifurcated shoulders which extend around the border of the stone. Size I½. Case. £3,500-5,500 1775. A late 19th century gold mounted hardstone cameo brooch, the oval hardstone cameo depicting a woman in the classical manner, within ropetwist and pellet decorated border. With detachable pendant fitting. 5.2cm high (excluding bale). £500-700

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1776. An undrilled natural saltwater pearl, the pearl weighs 5.67cts. £1,000-2,000 Accompanied by report number 5777-9017 dated 14th March 2017 from GCS, London stating that the grey pearl measures 10.57 x 8.97 x 8.13 and weighs 5.67cts and is natural saltwater. 1777. An undrilled natural saltwater pearl, the pearl weighs 4.77cts. £2,000-3,000 Accompanied by report number 5777-9018 dated 14th March 2017 from GCS, London stating that the white pearl measures 8.61 - 8.65 x 9.07 and weighs 4.76cts and is natural saltwater. 1778. A pearl pendant, the pear-shaped natural salt water pearl suspends from a silver cap set with rose-cut diamonds. 1.9cm high (total). £2,000-3,000 Accompanied by report number 5777-8889 dated 8th March 2017 from GCS, London stating that the light grey pearl measures 13.1 x 11.4 x 9.7mm and is natural saltwater. 1779. An Edwardian pearl and diamond brooch, designed as stylised ribbons set overall with graduated and circular rose-cut diamonds and set with six graduated natural salt water pearls. Suspending a natural salt water pearl centred diamond-set wreath. Set in silver and gold. 5cm high. Case. £1,500-2,000 1780. A diamond full circle eternity ring, millegrain-set with old circular-cut diamonds in platinum. The diamonds weigh approximately 2.00cts in total. Size R½. £1,000-1,500 1781. A diamond five stone ring, the five round brilliant-cut diamonds weigh approximately 1.85cts in total and are set in platinum. Size L. £1,000-1,500 1782. A diamond five stone ring, the round brilliant-cut diamonds weight approximately 2.25cts in total and are set in platinum. Size O. £1,000-1,500 1783. A collection of thirteen graduated natural salt water pearls, the pearls graduated from 4.86 to 11.18mm and weigh 36.06cts. £5,000-7,000 Accompanied by report number 5777-9022 dated 14th March 2017 from GCS, London stating that the thirteen pearls weigh 36.06cts in total and are natural saltwater. 1784. A two row natural pearl necklace, the pearls graduate from 2.4 to 6.6mm, the clasp set with an emerald-cut aquamarine within a surround of cushion-shaped diamonds in silver and gold. The necklace 50cm longest. £600-800 Accompanied by report number 5777-8880 dated 22nd February 2017 from GCS, London stating that the pearls graduate from 2.4 to 6.6mm, are cream in colour and are natural saltwater pearls, with the exception of four cultured pearls. 1785. A purple scallop pearl ring, the button-shaped natural saltwater scallop pearl is set with rose-cut diamond in white gold. Size K. £1,000-1,500 1786. A non-nacreous natural pearl, the undrilled loose pearl weighs 38.61cts. £7,000-8,000 Accompanied by report number 5777-7984 from GCS London dated 29th November 2016 stating that the natural saltwater clam pearl weighs 38.61cts. 1787. A natural saltwater non-nacreous pearl, the undrilled light yellow pearl measures approximately 13.91 by 14.10mm and weighs approximately 20.05cts. £5,000-7,000 Accompanied by report number 5777-9023 dated 14th March 2017 from GCS, London stating that the non-nacreous natural pearl measures 13.84 x 14.13mm and weighs 20.05cts and is natural saltwater. 1788. A pearl and diamond pendant, the larger natural pearl suspends from an articulated line from graduated circular cut diamonds and a further natural pearl. Set in black gold and both pearls are set with surrounds of small round brilliant-cut diamonds to the reverse. White gold fine link neck chain. The chain 41cm. £5,000-7,000 Accompanied by report number 5777-8887 dated 8th March 2017 from GCS, London stating that the white and grey pearls are natural saltwater. 1789. A late 19th century specimen pearl brooch, of foliate form and set with a conch pearl, a non-nacreous pearl and four different coloured natural saltwater pearls. Within diamond-set leaf clusters in silver and gold. 5.5cm wide. £600-800 1790. Two natural saltwater non-nacreous pearls, the undrilled button shaped pearls measure 11.20 x 11.01mm and 11.66 x 11.65mm. 15.75cts in total. £2,000-3,000 Accompanied by report number 5777-9025 dated 14th March 2017 from GCS, London stating that the non-nacreous pearls weigh 15.75cts in total and are natural saltwater.

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1791. An Edwardian turquoise and diamond set pendant, centred with an oval cabochon turquoise millegrain-set within a surround of circular-cut diamonds in gold and platinum. With a foliate border set with graduated diamonds. Diamond set bale. Fine-link white gold neck chain. £1,000-1,500 1792. A late Victorian diamond five stone ring, the graduated old circular-cut diamonds are set in gold. Scroll carved shoulders. Size M. £1,000-1,500 1793. A 19th century pink tourmaline and diamond ring, the oval-shaped pink tourmaline is set within a surround of rosecut diamonds in silver and gold pierced mount. Size O. £800-1,200 1794. An emerald and diamond half hoop ring, set with three graduated emerald-cut emeralds and six circular-cut diamonds in carved and pierced yellow gold mount. Size O. £400-600 1795. An Edwardian emerald and diamond cluster ring, the baguette-shaped emerald is set within a surround of twelve old circular-cut diamonds in platinum. Size Q. £300-400 1796. A late Victorian diamond-set hinged bangle, the graduated old circular-cut diamonds are each set in cut down silver collets and yellow gold. 6cm inner diameter. £1,200-1,500 1797. An Edwardian ruby and diamond oval-shaped cluster ring, the slightly oval-shaped ruby is set within a surround of graduated circular-cut diamonds in platinum. With a small diamond to each bifurcated shoulder. Size M. £1,500-2,000 Accompanied by report number 2105763557 dated 11th May 2009 from GIA, stating that the cushion-shaped ruby weighs 1.13cts, with purplish red colour and is a natural ruby with no indications of treatment. 1798. A gold half hoop ring, set with a line of five seed pearls and eight small diamonds. Scroll engraved shoulders. Size L ½. £200-300 1799. An Art Deco plaque ring, centred with an untested pearl on a rectangular mount set with rose-cut diamonds in a geometric pattern. With a border of rectangular-cut rubies with a scroll pierced bezel. The stylised fleur-de-lys shoulders set with rose-cut diamonds. Fluted shank. Size M. £600-800 1800. A diamond-set bombé ring, centred with an old circular-cut diamond and pavé-set with smaller circular-cut diamonds in platinum. Size Q½. £1,000-1,500 1801. An Art Deco enamel and diamond brooch, millegrain-set with three lines of graduated circular-cut diamonds within an outer border of black enamel, in platinum. In case by Leysen Fréres. £600-800 1802. A Belle Époque enamel and diamond pendant, the heart-shaped centre section is decorated with light blue enamel underneath a diamond-set laurel and diamond border. With a diamond bow to the top and bottom and suspending a pearl in platinum and gold. Engraved decoration to reverse. Fitted case. £800-1,200 1803. A ruby, emerald and diamond bar brooch, the pear-shaped ruby and emerald are set within a surround of diamonds beneath a diamond-set bow in silver and gold on a yellow gold bar brooch. 4.6cm wide. £600-800 1804. A Victorian diamond-set swallow brooch, realistically modelled in flight and pavé-set with graduated with circularcut diamonds in silver and gold. Cabochon ruby eyes. 4.0cm wide. £1,200-1,500 1805. An early 20th century diamond brooch, the foliate design brooch is millegrain-set with circular-cut and rose-cut diamonds in platinum. 3.6cm wide. Case by Mappin & Webb. £600-800 1806. An unusual diamond-set acorn ring, the acorn is set with a pear-shaped diamond and smaller diamonds to the cup. Set in silver on gold. Gold shank. Size P½. Case. £3,000-4,000 1807. A 19th century gold locket pendant, the circular locket with vacant glazed compartment is set within a surround of seed pearls and pellet and wirework border, in yellow gold. 3.8cm diameter. £300-400 1808. An Edwardian amethyst and diamond-set brooch, the oval-shaped amethyst is millegrain-set within a border of rosecut diamonds and further scrolled surround set with graduated rose-cut diamonds in platinum and gold. 2.2cm wide. £600-800

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1809. A pair of ruby and tanzanite set gold earrings, of abstract design, each earring set with two rubies and two tanzanites in textured yellow gold. Stamped Kim Poor and with maker’s mark K.P and marks for London 2001. Clip and post fittings. Each earring 2.2cm wide. £600-800 1810. A ruby and diamond Odeonesque ring, of architectural design and set with lines of calibré-cut rubies and circular-cut diamonds in platinum and yellow gold. French control marks. Size O. £1,200-1,500 1811. A diamond-set stylised flower head brooch pendant, probably French, centred with a cluster of graduated old circular-cut diamonds and the undulating yellow gold petals tipped with lines of graduated circularcut diamonds. Two rows of larger diamonds to the upper section. Marked deposé. 5.5cm high. £4,000-6,000 1812. A substantial gold flower head brooch set with rubies and sapphires, the centre bombé section is set with cabochon rubies and the petals set with assorted cabochon and faceted graduated sapphires and separated with five oval-shaped sapphires in gold. 44g. 6cm wide. £1,500-2,000 1813. A gem set yellow gold butterfly brooch pendant, the 18ct gold butterfly with rubies and diamonds set to the textured 18ct yellow gold wings. With folding pendant loops 20g in total. 4.5cm wide. £800-1,200 1814. A 1970s aquamarine and diamond-set textured ribbon design brooch, the cushion-shaped aquamarine is mounted with scrolls, each containing three and four small graduated diamonds. 4.5cm wide. £800-1,200 1815. A pair of jade and gold earrings by Buccellati, in the oriental manner. Signed. Each earring 2.7cm high. £2,500-3,000 Accompanied by report number 5777-8869 dated 8th March 2017 from GCS London stating that the natural green jadeite jade shows no indications of impregnation (may also be called A-jade). 1816. A pair of cultured pearl and diamond drop earrings, the large foliate sprays set overall with graduated circular-cut diamonds, the principal diamonds weighs approximately 0.85cts each. Set in white gold. The earrings each suspend a large pearl. £4,000-6,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1817. A late Victorian three stone diamond ring, the three principal cushion-shaped diamonds are set with seven small rose-cut diamonds in gold. Scroll carved shank. Size O½. £3,000-4,000 1818. A diamond set circular pendant, centred with an old circular-cut diamond and pavé-set with two rows of smaller old circular-cut diamonds. The laurel border set with small cushion-shaped diamonds and set in silver with gold folding pendant loops. Possibly converted from a button. 2.5cm wide. Fitted case. £2,000-3,000 1819. A late George III diamond-set stylised cruciform brooch pendant, centred with a cushion-shape diamond with smaller diamonds set to the bifurcated terminals and each divided with a foliate design. Set in silver and gold. Cased. £2,500-3,000 1820. An Edwardian star sapphire and diamond-set drop pendant, the larger oval star sapphire is set in a gold collet and with millegrain-set rose-cut diamond cap suspending from a smaller oval-shaped star sapphire set within a rose-cut diamond-set bow, laurel and scroll platinum mount. Fine-link platinum neck chain. Fitted case by Lambert. £3,000-5,000 1821. A diamond and ruby circular brooch by Giuliano, set with small cushion-shaped diamonds and three cabochon rubies in silver and gold. Signed under the pin hinge. C&AG. 2.2cm wide. £800-1,200 1822. A late Victorian diamond-set Sun in Splendour brooch pendant, the curved rays are set with graduated circular-cut diamonds and centred with a larger old circular-cut diamond in silver and gold. Detachable brooch and pendant fittings. 4cm wide. Fitted case. £2,000-3,000 1823. A sapphire and diamond cluster ring, the square cushion-shaped sapphire is set within a surround of circular-cut diamonds in silver and gold. Bifurcated shoulders. Size H. £4,000-6,000 1824. A late Victorian ruby and diamond foliate brooch, each petal set with an oval-shaped ruby within a surround of circular-cut diamonds, with a central old cushion-shaped diamond and a diamond stem and leaf, in silver and gold. 3.5cm long. £1,500-2,000 1825. A late 19th century French gold bee brooch, naturalistically designed with a large tiger’s eye cabochon and lines of rose-cut diamonds and black enamel to the body. The wings pavé-set with graduated rose-cut diamonds in silver and gold. 4.5cm long. With French control marks and maker’s lozenge E.D. £6,000-8,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1826. A gold brooch modelled as a dog’s head by Cartier, realistically formed and with cabochon ruby eyes. Signed to the reverse. 4cm high. With a Cartier case. £2,000-3,000 1827. An amethyst mounted gold ring by Cartier, the sugar-loaf amethyst is set in a heavy fluted yellow gold mount. Signed Cartier. Size L. £1,000-1,500 1828. A 19th century swallow brooch, pavé-set with rose-cut diamonds in silver and gold. 4.5cm. £600-800 1829. An early 20th century emerald and diamond cluster ring, the rectangular shaped emerald is set with circular cut and baguette-shaped shoulder diamonds in platinum. The shank numbed 0197. Size Q½. Case. £600-800 1830. A necklace formed with five 19th century diamond-set swallows in flight, all pavé-set with rose-cut diamonds and with ruby eyes and joined with fine link gold chain. The necklace 39.5cm. £1,500-2,000 1831. A pair of diamond earrings by Boucheron, of stylised leaf form and set with fourteen round brilliant-cut diamonds within a border of baguette-shaped diamonds in platinum. Signed to the reverse Boucheron London. £4,000-6,000 1832. A stylised gold flower head brooch, set with circular cut rubies and diamonds. Signed to the reverse Boucheron Made in France. 5cm wide. £2,000-3,000 1833. A suite of gold twisted knot style jewellery by Sterlé, French control marks and signed to the reverse Sterlé Paris and numbered 4206. The brooch 6.7cm long. £2,000-3,000 1834. A gold bombé ring mounted with foliate carved emeralds rubies and sapphires, the tutti-frutti ring with heavily fluted shank. Size I. £800-1,200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1835. A gold spray and tassel brooch by Kutchinsky, of stylised palm leaf design, tied with a band of circularcut rubies and suspending two gold tassels. Signed Kutchinsky and with London marks for 18ct gold and dated 1963. 8.6cm long. With matching ruby-set gold spray earrings. Signed Kutchinsky. 2.2cm long. £1,000-1,500 1836. A pair of gold earrings by Bulgari, of bombé-form, set in two colour gold. Stamped 750 and signed Bulgari. In Bulgari box and outer case. £400-600 1837. A pair of flower head clip brooches by Cartier, each clip mounted with four diamond centred cabochon sapphire clusters. Both signed Cartier to the reverse. 5cm high. £2,000-3,000 1838. A gold and enamel tiger brooch by David Webb, stylistically designed with lines of white and black enamel and pear-shaped emerald eyes. Marked Webb and 18k. 6cm long. £2,000-3,000 1839. A moonstone and black diamond ring, of bombé form and pavé-set with moonstone cabochons and circular-cut black diamonds in white gold. Size N. £1,000-1,500 1840. A diamond-set gold brooch by Boucheron, the stylised leaf set with ten round-cut brilliant diamonds. 6.5cm high signed Boucheron Paris, numbered 15137 and with maker’s mark RM in a lozenge. 6.5cm long. £600-800 1841. A gold and enamel fish brooch by Cartier, with blue and red enamel decoration and blowing four circularcut diamond bubbles. Signed to the reverse. 5cm. £800-1,200 1842. A diamond brooch by Marchak, the textured yellow gold leaf form brooch suspends an articulated cluster of marquise-shaped and round brilliant-cut diamonds in platinum. 1960s. Signed with French control marks and maker’s lozenge and inventory number 23982. 6cm long. £3,500-4,000 1843. A gold ring mounted with a diamond scroll by Black Starr & Frost, pavé-set with graduated round brilliant-cut diamonds and signed with initials. Size L½. £650-1,000 1844. A ruby and diamond bombé-shaped ring by Kutchinsky, the top section set with a cluster of circularcut rubies divided by a line of circular-cut diamonds, within concentric fluted borders, in yellow gold. London marks for 1961. Size K. £1,000-1,500 1845. A citrine mounted white gold ring by Cartier, the square shaped cabochon citrine is channel-set in white gold. Size M. £600-800 1846. A diamond-set scrolling bombé cluster ring by Kutchinsky, set with five scrolling lines of graduated round brilliant-cut diamonds to the yellow gold mount with twisted wire work decorations. Signed with initial. Size K. Kutchinsky box. £1,000-1,500 1847. A diamond, onyx and ruby ring by Marina B (Bulgari), centred with a black onyx section and the shoulders pavé-set with small round brilliant-cut diamonds and two cabochon rubies. Signed with intials. Size N. £800-1,200 1848. A diamond-set bombé-shaped ring by Van Cleef & Arpels, the upper section pavé-set with graduated circular cut diamonds, in yellow gold. Signed Van Cleef & Arpels and numbered B5444 and A12. French control marks and maker’s lozenge W.S. Stamped 750 and VCA and with import marks for London 1984. Size L½. £2,000-3,000

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1845 1846

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1849. A carved ruby and diamond-set ring, the oval-shape ruby has carved foliate decoration and is set in a surround of round brilliant-cut diamonds and two larger diamonds in gold. Gilt metal shank. Size R, but expands. £800-1,200 This ring was made for Elizabeth Taylor when she starred in the Franco Zeffirelli film Young Toscanini in 1988. She was cast as the opera diva Nadina Bulichoff. Accompanied with the book Franco Zeffirelli Complete Works. On page 465 Elizabeth Taylor can be seen wearing the carved ruby and diamond ring and is talking to Zeffirelli. Accompanied with a postcard of Elizabeth Taylor with a note to the reverse from Tom Rand dated September 2016 saying, “In 1988 I was asked by Franco Zeffirelli to design the costumes for his forthcoming film Young Toscanini. C Thomas Howell was to play the conductor and Elizabeth Taylor was to play an Opera Diva, the mistress of the Emperor of Brazil. A true story. After a performance of Aiola in the 1870s the Emperor sent the singer a bouquet of roses with a ruby ring hidden within. Knowing Elizabeth Taylor’s love of jewels, Zeffirelli though it would be amusing for the ring not be the paste reproduction I was planning to do, but to be a ruby and diamond ring. A Roman jeweller made the ring. At the end of the film the ring was given to Elizabeth. What she actually wanted, and she always got what she wanted, particularly jewels, was a pair of costume earrings which I had made in London. So she gave me the diamond and ruby ring in exchange for the earrings which remained in her collection of “costume jewels” for the rest of her life. Both the earrings and the ring are in the photograph”.

1849

1850

1850. A tourmaline and gold ring by Bulguri, the oval-shaped cabochon pink touramline is set in yellow gold with heavy fluted shoulders and shank. Signed Bulgari. Size I½. With Bulgari case. £800-1,200 Believed to have originally been bought by Elizabeth Taylor and is accompanied with the following postcard of Elizabeth Taylor with a note to the reverse from Tom Rand dated September 2016, “In 1988 I was asked by Franco Zeffirelli to design the costumes for the film Young Toscanini, that he was planning to direct. The film was to star C Thomas Howell and Elizabeth Taylor. She was to play a Russian Opera Diva, the mistress of the Emperor of Brazil and he was to be Toscanini. During our period of filming in Rome, Elizabeth arranged an evening shopping to Bulgari, where she was well known. She asked her secretary, Roger Wall and I to go with her. She bought herself a watch with diamonds and she bought me this gold and tourmaline ring.”

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Franco Zeffirelli and Elizabeth, wearing lot 1849 as illustrated on page 467 of the Complete Works

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1851. A chrysoberyl catseye cabochon ring, the circular chrysoberyl cabochon is claw-set in plain yellow gold mount. Size N. £800-1,200 1852. A diamond and sapphire set ring, the asscher-cut diamond is set between two emerald-cut sapphires and with further graduated modern brilliant-cut diamonds to each shoulder. Set in platinum with yellow gold shanks. Size P. £2,000-3,000 Accompanied by report number 5777-9019 dated 8th March 2017 from GCS, London stating that the Asscher-cut diamond weighs 1.44cts, with J colour VS1 clarity. Medium fluorescence. Accompanied by report number 611 K9 G15 28041 dated 15th August 2014 from BGI London stating that the assher-cut diamond weighs 1.66, with I colour and VS2 clarity. Medium fluorescence. 1853. A diamond cluster ring, the three principal circular-cut diamonds weigh approximately 1.90, 1.00 and 0.60 cts, set in white gold with inner re-sizing sleeve. Size P. £5,000-7,000 1854. A cushion-shaped sapphire and diamond cluster ring, the sapphire is set within a surround of singlecut diamonds in white gold. Size M. £2,000-3,000 Accompanied by report number 5777-8704 from GCS, London dated 6th February 2017 stating that the cushionshaped sapphire weighs approximately 7.60cts, and is a natural colour-change sapphire exhibiting blue in daylight and purple in incandescent light. With no indications of heating. Origin: Sri Lanka (Ceylon). 1855. A sapphire and diamond-set hinged bangle, set with a larger cushion-shaped diamond and larger ovalshaped sapphire and further smaller sapphires and diamonds in gold. Obscure control mark but possibly Russian. With bloomed gilding. £2,000-3,000 1856. A sapphire and diamond three stone ring, the oval-shaped sapphire is set with two round brilliant-cut diamonds in platinum. London marks. Size O. £3,000-4,000 1857. An impressive early 20th century diamond heart brooch pendant, pavé-set overall with transitional circular-cut diamonds and the centre diamond weighs approximately 0.85cts. Set in platinum with detachable brooch frame and pendant loops. 3.2cm wide. Fitted case by Collingwood. £5,000-7,000 1858. An early 20th century diamond-set heart brooch, pavé-set overall with graduated transitional circularcut diamonds in platinum and gold. The centre diamond weighs approximately 0.40cts. Fluted yellow gold border to the reverse. 2.6cm wide. Fitted case. £3,500-5,000 1859. A late Victorian diamond three stone ring, the three principal cushion-shaped diamonds are set with six small rose-cut diamonds in yellow gold. Scroll carved shank. Size O. £3,000-5,000 1860. A star sapphire and diamond-set ring, the circular cabochon star sapphire is set with five small circularcut diamonds to each pierced shoulder in platinum. Size L½. £800-1,200 1861. An emerald and diamond-set three stone ring, the octagonal-cut emerald is set with two cushionshaped diamonds in gold. Size O. £4,000-6,000

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1856 1853

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1862. An Art Deco abstract diamond pendant, the symmetrical design is millegrain-set overall with graduated circular-cut diamonds with two articulated diamonds suspended, in platinum On a fine-link chain set with five circular-cut diamonds to each side. £4,000-6,000 1863. An early 20th century diamond-set articulated pendant, set with graduated cushion-shaped and rose-cut diamonds to the geometric pierced platinum mount. And a fine-link platinum neck chain. The pendant 5.5cm high. £400-600 1864. A pair of Art Deco vertical scroll brooches, set with a line of calibré-cut sapphires terminating in a larger old circular-cut diamond, two lines of smaller circular-cut diamonds and a section of baguette-shaped diamonds in platinum. The mid section of diamonds with honeycomb back setting and four additional smaller hooks to the hinged pair of principal pins. Circa 1935. 3.5cm high. £6,000-8,000 1865. An onyx and diamond bracelet, the carved and pierced abstract clusters of diamonds are set within French-cut onyx sections in platinum and white gold. 18cm long. £2,000-3,000 1866. An emerald and diamond bracelet, of carved and pierced geometric design and millegrain-set with graduated circular-cut diamonds, baguette-shaped diamonds and emerald-cut emeralds in platinum. 18.2cm long. £5,000-10,000 1867. A diamond line bracelet, the thirty one diamonds are each millegrain-set in a white gold box mount with foliate engraved shoulders. The thirty one old circular-cut diamonds graduate to approximately 1.30cts and weigh approximately 9.00cts in total. Fitted case. £6,000-8,000 1868. A French Art Deco sapphire and diamond bracelet, the octagonal links are millegrain-set with circularcut diamond, each link set within emerald-cut sapphires in platinum and white gold. 17cm long. £2,000-3,000 1869. A diamond five stone ring, set with graduated old circular-cut diamonds in platinum and yellow gold. Size S. Case. £800-1,200 1870. A fine opal and diamond pendant, the oval-shaped Lightning Ridge solid black opal measures 29 x 17 x 5mm deep. White gold mount and millegrain-set with circular and rose-cut diamonds to each quarter. Total height 4.2cm. £4,000-6,000

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1863 1862

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1869 1867

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1871. A diamond three stone ring, the three graduated circular-cut diamonds weigh approximately 0.70, 1.02 and 0.70cts, set between diamond pointers in carved yellow gold mount. Size N. £2,000-3,000 1872. A spinel and diamond three stone ring, the emerald-cut blue spinel is set with an old circular-cut diamond to each shoulder, the diamonds weigh approximately 2.00cts in total. Set in platinum. Size Q. £8,000-12,000 Accompanied by report number 5777-7921 from GCS, London dated 28th Novemeber 2016 stating that purple blue spinel weighs approximately 5.30cts and is natural with no indications of heating. 1873. A spinel and diamond-set ring, the emerald cut spinel is set with two baguette-shaped shoulder diamonds and five graduated circular cut diamonds to the shoulders. Set in white gold and platinum. Size O. £2,000-3,000 Accompanied by report number 5777-884 dated 8th March 2017 from GCS, London stating that the octagonalcut spinel weighs approximately 8.30cts and is a natural spinel with no indications of heating. 1874. A pair of spinel and diamond cluster earrings, the oval-shaped red spinels are set within a surround of circular-cut diamonds in platinum and yellow gold. 1.6cm high. Post fittings. £1,500-2,000 1875. A four row cultured pearl necklace. The well-matched pearls are set with a late 19th century emerald and diamond clasp of sunburst design, and set with a circular-cut emerald within a surround of old cushionshaped diamonds in silver and gold. £10,000-15,000 Accompanied by report number 5777-7635 dated 14th November 2016 stating that the round cut emerald weighs approximately 5.30cts and measures approximately 10.80-11.00 x 8.50mm, and is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia 1876. A diamond cluster ring, the centre cushion-shaped diamond weighs approximately 5.00cts and is set in a surround of fourteen smaller cushion-shaped diamonds in silver and gold. Pierced shank with stylised fleur-delys shoulders. Size J. (Including sizing sleeve to the inner shank). £15,000-20,000 1877. A diamond solitaire ring, the circular-cut diamonds weighs 4.98cts, set in knife-edge platinum shank. Size L½. £20,000-30,000 Accompanied by report number 16028258002 from HRD, Antwerp dated 7th September 2016 stating that the brilliant-cut diamond weighs 4.98cts and has K colour, SI2 clarity. No fluorescence. With laser inscription to the girdle which corresponds to the HRD report. 1878. A ruby and diamond cluster ring, the oval-shape ruby is set within a surround of eight round brilliantcut diamonds in gold. Size N (including re-sizing balls). £10,000-12,000 Accompanied by report number 82262 from SSEF, Switzerland dated 25th September 2015 stating that the ovalshaped ruby measures 7.91 x 6.42 x 4.54mm and weighs 2.046cts. With purplish red of medium strong saturation and no indications of heating. Origin: Burma. 1879. A pair of diamond cluster earrings, the old round brilliant-cut diamonds are each set with ten smaller cushion-shaped diamonds in silver and gold. The principle two diamonds weigh approximately 5.00cts in total. £10,000-15,000

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1879 1876

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1880. A pair of early 20th century diamond and coral drop earrings, each circular coral cabochon is set within a surround of graduated circular-cut diamonds, suspending from an articulated line of smaller diamonds and coral and diamond tops in platinum. 5.5cm high. £3,000-4,000 1881. An Art Deco black onyx and diamond plaque ring, the rectangular bevel-edged section of black onyx is set within a surround of old circular-cut diamonds in platinum. Size Q. £800-1,200

1882. An Art Deco coral and diamond pendant, the circular coral cabochon set within a geometric millegrain-set diamond surround in platinum. 4.5cm long. On a fine link white gold neck chain. 41cm long. £2,000-3,000 1883. A fire opal and diamond ring, the oval-shaped fire opal is millegrain-set within a border of rose-cut diamonds in platinum and yellow gold. Size J. £2,500-3,000

1884. A pair of Art Deco coral and black onyx earrings, each centred with an oval section of deep red coral within a black onyx surround and mounted with gold. 1.5cm high. £400-600 1885. A 9ct gold plug form circular compact by Cartier, the cover with hinged circular handle, fluted decoration and applied with two ladybirds with red and black enamel. Repeated fluted decoration to the base. Signed JC and London marks for 1963. 3.2cm. Fitted Cartier case. £1,000-1,500 1886. An Art Deco ruby and diamond cluster ring, the oval-shaped ruby is set with two baguette-shaped shoulder diamonds and eight graduated old circular-cut diamonds in platinum. Size M½ £2,500-3,500 Accompanied by report number 5777-8706 dated 6th February 2017 stating that the cushion-shaped ruby weighs approximately 1.60cts and is a natural ruby with no evidence of heating. Origin: Burma. 1887. A ruby cluster ring, the oval-shaped ruby is set within a surround of tapered baguette-shaped rubies in platinum with two small diamonds to each shoulder. Size N. £5,000-7,000 Accompanied by report number 5776-5484 dated 16th May 2016 from GCS, London stating that the oval-shaped ruby weighs approximately 1.80cts and is a natural ruby with no indications of heating. Origin: Burma.

1888. An Art Deco panel bracelet, each link is alternately centred with a coral or black onyx rectangular section, set within a surround of rose-cut diamonds and the onyx sections centred with a diamond-set floral motif. Platinum. 18.5cm. Case. £1,500-2,000 1889. A ruby and diamond chequerboard bracelet, set with graduated oval-shaped rubies and circular-cut diamonds in platinum and white gold. 18.1cm long. £3,000-4,000

1890. An Art Deco bar brooch by Lacloche, designed as a cylinder centred with three cabochon rubies set to a black onyx section and fluted bars to the shoulders, coral terminals. Set in gold and platinum. Signed to the reverse J. LACLOCHE with French control marks. Circa 1930s. 4.3cm wide. £3,800-4,500 1891. A pair of coral and black onyx cuff links, each cuff link formed with two fluted carved coral cylinders and with black onyx terminals. Gold mounts. Each larger link 2.2cm wide. £600-800 1892. A pair of Art Deco earrings, set with concentric circles of black onyx and rock crystal, suspended from an articulated line of seed pearls, with millegrain-set white gold diamond mounts. 6cm long. Case. £800-1,200

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1893

1893. A black silk rectangular evening bag by Cartier, with gold coloured trim to the borders and applied with a gold feather, mounted with three sections of lapis lazuli to one side and set with turquoise and sapphire cabochons to the other. Mounted with a rectangular bevel edged mirror to the light blue silk interior. Various compartments with two pouches. Signed Cartier. 27cm wide. With Cartier presentation box. £3,000-5,000 The advertisement from The New Yorker, September 29th 1951, illustrates a similar Cartier evening bag. 1894. A ruby and diamond necklace, mounted with twenty two links each centred with an oval-shaped ruby alternately set within a surround of five round brilliant and five marquise shaped diamonds. The cluster links are separated with twenty two graduated circular and oval-shaped rubies. Platinum. 42cm. £40,000-60,000 Accompanied by report number 5777-9089 from GCS, London stating that the round/oval-shaped rubies are natural with no indications of heating, with the exception of two rubies which show indications of heating with moderate residue in healed fissures. Origin: Burma. 1895. An oval-shaped jade cabochon mounted gold ring, the lilac coloured jade is alternately set within a surround of ten round brilliant-cut diamonds and ten circular-cut amethysts. Size K½. £4,500-5,000 Accompanied by report number 5777-8893 dated 8th March 2017 from GCS, London stating that the lavender jadeite cabochon weighs approximately 11.00cts and shows no indication of impregnation (may also be called A-jade) 1896. A ruby mounted white gold ring, the cushion-shaped ruby is rub over set in a white gold gypsy ring with brushed finish. Size H. £7,000-9,000 Accompanied by report number 5777-8886 dated 8th March 2017 from GCS, London stating that the cushion-shaped ruby weighs approximately 1.60cts and has no indications of heating. Origin: Burma. 1897. A ruby and diamond bracelet, the four platinum sections are each set with circular and baguette-shaped diamonds and are joined with three lines of sixty three oval-shaped rubies in articulated claw set mounts. 18cm. £35,000-45,000 Accompanied by report number 5777-8888 dated 9th March 2017 from GCS, London stating that the rubies weigh approximately 41.50cts in total and are natural rubies with no indication of heating. With the exception of one ruby which shows indications of heating with minor residue in healed fissures. Origin: Burma 1898. A diamond and Burma ruby bracelet, designed with two curved lines of graduated circular-cut and oval-shaped rubies within circularcut diamond borders, and joining to the centre in an oval-shaped scroll. Set in white gold. 18.5cm. £6,000-8,000 Accompanied by report number 5777-9091 dated 14th March 2017 from GCS, London stating that the oval and round-cut rubies weigh approximately 27.5cts in total and are natural rubies with no indications of heating. Origin: Burma.

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1899. An aquamarine and diamond ring, the step-cut aquamarine is set with three graduated baguette-shaped diamonds to each shoulder in white gold. Size W½. £3,000-4,000 1900. A ruby and diamond three stone ring, the cushion-shaped ruby is set between two old circular-cut diamonds in platinum. Size M. £800-1,200 1901. A ruby and diamond cluster ring, the oval-shaped ruby is set with twelve round brilliant-cut diamonds in 18ct white gold. London marks. Size O. £3,000-5,000 1902. A pair of diamond and cultured pearl drop earrings, each cultured pearl suspends from a long baguetteshaped diamond with four articulated calibré cut diamonds and a larger round brilliant-cut diamond in platinum. £800-1,200 1903. An Art Deco diamond-set bracelet, mounted with five rectangular open work links, each millegrain-set with graduated old circular-cut diamonds in platinum. Alternately mounted with circular links, each set with a larger circular-cut diamond within a surround of smaller old-circular cut diamonds. 17.5cm. Fitted case. £2,000-3,000 1904. An Art Deco diamond and ruby bracelet, designed as three articulated panels with seven graduated marquise-shaped diamonds set to the centre of each panel, millegrain-set within surrounds of graduated circularcut diamonds with scroll corners and with small rubies (two missing). Platinum. 18cm long. £25,000-35,000 1905. An Art Deco diamond-set panel bracelet, the four principal links are each pavé-set with an old circularcut diamond within a geometric surround of smaller circular-cut and baguette-shaped diamonds in platinum alternately mounted with four smaller diamond-set links. The clasp tongue stamped with inventory number 391. 17cm. Case. £2,000-3,000 1906. An Art Deco diamond and black onyx bar brooch, set with a line of seven cushion-shaped diamonds within the rose-cut diamond border with black onyx sections to the terminals. Obscured marks but probably French control and makers lozenge marks. 8cm long. £2,000-3,000 1907. A pair of diamond-set clip brooches, of stylised tied fleur-de-lys form and set overall with graduated circular-cut and two baguette-shaped diamonds in platinum. Double pin clips. Cased. £800-1,200

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1906 1905

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1908. A 1930s diamond-set bow brooch, the tied ribbon in three sections and millegrain-set overall with graduated circular-cut diamonds in platinum. 4cm wide. £2,000-3,000 1909. An Edwardian opal and diamond pendant, the fine pear-shaped opal suspends from a laurel form surround, millegrain-set with small circular-cut diamonds in silver and gold. Diamond-set bale and fine-link platinum chain. Cased. £3,000-5,000 1910. A sapphire and diamond bar brooch, set with a central line of calibré-cut sapphires within an outer border of rose-cut diamonds, the central scallop-shaped section, set with a principal diamond which weighs approximately 0.20cts. Set in platinum. 6.5cm wide. Case by Davidson Henderson & Sorley. £600-800 1911. A Belle Époque pink topaz and diamond brooch, the oval-shaped pink topaz is set within a millegrainset border of rose-cut diamonds and further elaborate laurel wreath ruby and diamond border with four bows. Set in platinum and gold. 5cm wide. Fitted case by H. & E. Gaydon. £6,000-8,000 1912. A pink topaz and diamond cluster ring, the oval-shaped pink topaz is set within a surround of circularcut diamonds in platinum and yellow gold. Size P. £1,000-2,000 1913. An Edwardian ruby and diamond cluster ring, the oval-shaped ruby is millegrain-set within a surround of old circular-cut diamonds and within a border of calibré-cut rubies. Set in platinum and gold. Stylised fleur-delys shoulders. Size K. £2,000-3,000 Accompanied by report number 5777-9093 dated 14th March 2017 from GCS, London stating that the cushionshaped ruby weighs approximately 0.80cts and is a natural ruby with no indications of heating. Origin: Burma. 1914. An Edwardian stylised amphora design brooch, centred with an oval-shaped diamond with further graduated circular-cut diamonds in platinum. 4.2cm wide. £4,000-6,000 1915. A late Victorian sapphire and diamond pendant, of grounded open-work hexagonal form and set with seven circular-cut sapphires and small circular-cut diamonds in silver and gold. With detachable brooch mount and fine-link gold chain. Fitted case. £800-1,200 1916. An Edwardian seed pearl sautoir and diamond pendant, the oval-shaped pendant is centred with a pearl within open work floral design millegrain-set with graduated circular-cut diamonds within an undulating border of smaller diamonds. The necklace formed with lattice strung seed pearls. The pendant 3cm high. The pearl necklace 82cm. £3,000-4,000 1917. A 1930s diamond and sapphire set foliate brooch, the floral section millegrain-set overall with graduated circular-cut diamonds and seed pearls. The stem set with lines of graduated circular-cut diamonds and alternating with lines of graduated calibré-cut sapphires. Set in gold and platinum. 6.5cm high. £2,000-3,000 1918. An early 20th century gem-set pennant brooch, the four flags set with diamonds, sapphires (three missing), rubies and yellow stones spell out the word STAR within two diamond-set flag poles, in platinum and white gold. 5.5cm high. £600-800 1919. A diamond-set Belle Époque pendant, the lower circular section centred with an old circular-cut diamond which weighs approximately 1.05cts. With lines of rose-cut diamonds within a surround of millegrain-set circular diamonds. Suspending from a foliate scroll design set with diamonds and an articulated line surmounted with a diamond-set bow. Platinum. On a fine-link platinum neck chain. 5.5cm high. The chain 46cm. £4,000-6,000 1920. An Edwardian diamond and pearl set pendant, the shield-shaped pendant is centred with a stylised fleurs-de-lys design and is set overall with graduated circular-cut diamonds in platinum. Suspended from two larger circular-cut diamonds and with five articulated diamond pendants. On a fine-link platinum chain. 6cm high. Fitted case. £3,000-4,000

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1909 1910

1912 1911

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1914

1915

1918

1916

1919

1920

1917

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1921. An Art Nouveau diamond and pearl brooch pendant, centred with a natural pearl within a surround of millegrain-set graduated circular-cut diamonds and with further diamonds to the foliate scroll design. Suspending a detachable pendant centred with a line of diamonds graduating to approximately 1.30cts within a foliate border of graduated cushion-shaped and rose-cut diamonds. Platinum. 8.5cm high. £8,000-12,000 1922. A pair of pearl and diamond cluster earrings, each natural saltwater pearl is set within a surround of eight cushion-shaped diamonds in silver and gold. £2,000-3,000 Accompanied by report number 5777-8883 dated 8th March 2017 from GCS, London stating that the cream pearls are natural saltwater. 1923. A single-row natural pearl necklace, the natural saltwater pearls graduate from 3.2 to 8.7mm. The clasp set with four old circular-cut diamonds in platinum and gold. The necklace 40cm long. £10,000-15,000 Accompanied by report number 5777-8876 dated 22nd February 2017 from GCS, London stating that the pearls graduate from 3.2 to 8.7mm and are natural saltwater. 1924. A single row natural saltwater pearl necklace, the pearls graduate from 2.5 to 7.2mm. The platinum clasp mounted with a cushion-shaped diamond and has a French control mark and inventory number 1113. 49cm. £2,000-3,000 Accompanied by report number 13817 dated 17th February 2017 from The Gem and Pearl Laboratory, London stating that the 111 pearls graduate from 2.5 to 7.2mm and are natural saltwater pearls. 1925. A diamond solitaire ring, the circular-cut diamond weighs approximately 1.02cts and is set in white gold. Size J. £1,000-1,500 1926. A diamond five stone ring, the centre oval-shaped diamond weighs approximately 1.80cts and is set with four round brilliant-cut shoulder diamonds which weigh approximately 1.80cts in total. Platinum. Size N½. £2,000-3,000 1927. A pair of late Victorian natural pearl and diamond drop earrings, the small button-shaped pearls suspend diamond bows and a drop-shaped natural pearl suspended within the diamond-set pear-shaped wreath. In silver and gold. 5.2cm long. Case by Austin & Williams. £5,000-7,000 Accompanied by report number 5776-6595 dated 8th August 2016 from GCS, London stating that the four light grey and cream pearls measure approximately 6.2 x 5.5 x 4.8mm, 5.5 - 5.6 x 5.7mm, 7.8 - 7.9 x 12.4mm and 7.3 - 7.8 x 12.2mm and are natural saltwater pearls with no indications of treatment. The cream coloured drop-shaped pearl is fully drilled.

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1921

1922

1923

1926

1924 1925

1927

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1928

1928. An early 20th century diamond set tiara with facility for aigrette, set with graduated circular-cut diamonds in silver with a five section knifeedge spray, each suspending an articulated old circular cut diamond. Plain frame with receptacle for a feather. The diamond section 8.5cm high. £1,500-2,000 1929. A Belle Époque giardinetto pendant, the open work basket of flowers set overall with diamonds and lines of calibré-cut ruby highlights (four rubies missing). Seven flower heads centred with circular-cut coloured diamonds and one with a marquise-shaped diamond. Suspending two articulated lines of graduated circular-cut diamonds with a diamond-set bow and two diamond and ruby-set tassels. All suspended from a bow set with diamonds a line of calibré-cut rubies and with a brooch fitting. Platinum fine-link necklace. The pendant 11cm high. The chain 35cm. £8,000-12,000 1930. A pair of fancy yellow and white diamond drop earrings, each earring is centred with a pear-shaped diamond which weighs 2.00 and 2.03cts and set within a surround of smaller white round brilliant-cut diamonds in platinum and gold. Each earring 2cm high. £45,000-50,000 Accompanied by report number 17219337 dated May 27th 2008 from GIA stating that the pear-shaped diamond measures 10.57 x 6.76 x 3.89mm, weighs 2.00cts and is a natural fancy vivid yellow diamond with SI2 clarity. Medium blue fluorescence. Accompanied by report number 5141342211 dated 6th February 2012 from GIA stating that the pear-shaped diamond measures 11.15 x 6.86 x 3.87mm, weighs 2.03cts and is a natural fancy vivid yellow diamond with I1 clarity. Faint fluorescence.

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1929 1931

1930

1933 1932

1934 1931. An early 20th century jade and diamond brooch, the carved oval jade plaque, within scallop-edged border is millegrain-set with circularcut, single-cut and baguette-shaped diamonds in platinum and white gold. 6cm wide. £600-800 1932. An Art Deco tutti fruitti stylised palm design clip brooch, set with three carved emeralds and three carved rubies within shaped diamond-set border. Further diamond-set foliage to the base. 3.2cm high. £4,000-5,000 1933. A French Art Deco tutti-frutti giardinetto brooch, the wide urn with scroll terminals is pavé-set with circular-cut diamonds and a diamond pedestal and two lines of black enamel. The stylised flowers include carved ruby and sapphire leaves, small diamonds and cabochon emerald. Obscured marks to the pin but probably French platinum mark and maker’s lozenge. 3cm wide. £9,000-12,000 1934. A foliate cluster ring by Shreve, set in platinum with yellow and white circular and baguette-shaped diamonds and graduated calibrécut emeralds. Signed. Size O £8,000-10,000

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1935. A late Victorian emerald and diamond set pendant, centred with an eight sided emerald within an open scroll design mount millegrain-set with graduated circular-cut diamonds in silver and gold. On an 18ct white gold fine link neck chain. Case. £2,000-3,000 Accompanied by report number 5777-9095 dated 14th March 2017 from GCS, London stating that the octagonal cut emerald weighs 1.70cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia. 1936. A 19th century emerald diamond and pearl set gold hinged bangle, the detachable centre section is set with a rectangular shaped emerald within the surround of eight cushion-shaped diamonds and a surround of eight part pearls in a gold cannetille mount. The centre section detaches to form a brooch. £3,000-5,000 Accompanied by report number 57778867 dated 8th March 2017 from GCS, London stating that the octagonal cut emerald weighs approximately 2.30cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia. 1937. A Victorian five stone emerald half hoop ring, set with five graduated square-shaped emeralds in a yellow gold mount. Size M. £2,000-3,000 Accompanied by report number 5777-8892 dated 8th March 2017 from GCS, London stating that the emeralds weigh approximately 2.10cts and are natural emeralds with indications of insignificant to minor clarity enhancement. Origin: Colombia. 1938. A diamond solitaire ring, the slightly rectangular emerald-cut diamond weighs approximately 4.20cts and is set in platinum with two tapered baguette shoulder diamonds. Size M½. £18,000-25,000 Accompanied by report number 5777-9431 dated 17th March 2017 stating that the emerald-cut diamond has K colour, VVS2 clarity. 1939. An emerald and diamond three stone ring, the emerald-cut emerald is set with a trillion-cut diamond to each shoulder in 18ct yellow gold. London marked. Size M. £3,000-4,000 Accompanied by report number 5777-8881 dated 8th March 2017 from GCS, London stating that the emerald weighs approximately 1.70cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia. 1940. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 3.03cts and is set with two baguette-shaped shoulder diamonds in platinum. Size P. £30,000-40,000 Accompanied by report number 6177962622 from GIA dated October 21st 2016 stating that the round brilliantcut diamond measures 9.52 x 9.60 x 5.40mm, weighs 3.03cts with G colour, VS2 clarity and no fluorescence. 1941. A pair of emerald and diamond drop earrings, each pear-shaped emerald is set within a surround of alternately set baguette-shaped and circular cut diamonds and suspending from a square octagonal-cut emerald within similar diamond surround. Platinum mount. Probably French. 3.2cm high. £30,000-40,000 Accompanied by report number 5777-8877 dated 8th March 2017 from GCS, London stating that the emeralds weigh approximately 17.10cts in total and are natural emeralds with evidence of minor to moderate clarity enhancement. Origin: Colombia.

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1936

1935

1938 1941 1937

1940

1939

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1942. A diamond set scroll brooch, of geometric design and set with graduated circular, baguette and marquise-shaped diamonds. The principal diamond weighs approximately 1.15cts. Set in platinum. Indistinct maker’s mark, believed to be J.C. Case by Cartier. £6,000-8,000 1943. A tutti-frutti style giardinetto brooch in the Japanese style by Cartier, the pot formed with three rectangular-shaped green tourmalines, the stems set with circular and a baguette-shaped diamond, and the foliage formed from carved sapphires, emeralds and a ruby. And further diamond-centred cabochon ruby berries. Set in gold and platinum. Signed to the base Cartier, London. Pin and clasp probably later. 3cm wide. With Cartier box. £10,000-15,000 1944. A pair of sapphire and diamond earrings by Cartier, the stylised fritillary flowers are pavé-set with circular-cut diamonds and a crown of oval-shaped sapphires the stem set with a tapered baguette-shaped diamond in platinum. Signed Cartier London. 21mm long. Fitted case by Cartier. £3,000-5,000

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1942

1943

1944

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Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 26.4% inclusive of VAT @ 20%

actual size

1945. An Art Nouveau pink and white diamond pendant, the pear-shaped pink diamond weighs 2.77cts and suspends from a scroll mount set with graduated cushion-shaped diamonds. Fitted case by Paris of Liverpool. ÂŁ40,000-60,000 Accompanied by report number 2185033615 dated 28th November 2016 from GIA, stating that the pearshaped diamond measures 14.46 x 8.70 x 2.96mm and weighs 2.77cts. Light pink in colour with VS2 clarity. No fluorescence.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1946 as tiara

1946. A late 19th century fringe necklace converting to a tiara, the line of thirty seven old cushion-shaped diamonds alternately suspend a trefoil of diamonds and a diamond drop, each with two graduated old circularcut diamonds in silver and gold. On a detachable pierced knife-edge chain, each section set with a rose-cut diamond. With stamped inventory number 19926. In fitted case by Cartier. The box contains the original fitting so that the fringe section can be worn as a tiara. £8,000-12,000 With purchase invoice from Cartier from July 4th 1960 for £900

1947. A late Victorian diamond set necklace converting to a tiara and bracelets, designed as graduated diamond set scrolls, the tiara section with larger graduated centre diamonds. Set in silver on gold. With two clasps allowing the piece to be worn as a tiara and different size bracelets. The necklace 36cm and bracelets 19cm and 17.5cm. Designed with tiara frame and fitted case by Fontana of Paris. £6,000-8,000

1947 as tiara

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1946

1947

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1948

1948. A Victorian sapphire and diamond cruciform pendant, the five oval-shaped sapphires are set in gold cut down collets and set with cushion-shaped diamonds in silver scrolls. 7.2cm high. £40,000-60,000 Accompanied by certificate number 5777-8619 from GCS London dated 25th January 2017 stating that the cushion and oval-shaped blue to purple blue sapphires are of Sri Lankan (Ceylon) origin with no indications of heating.

1949. A four row natural pearl necklace, the pearls graduate from 1.80 to 8.00mm. With a gold clasp set with seed pearls. 68.5cm (longest). £25,000-35,000 Accompanied by report number 5777-8646 from GCS, London dated 6th February 2017 from GCS, London stating that the cream pearls are natural saltwater with the exception of 10 cultured pearls. Accompanied by report number 90382 from SSEF, Switzerland dated 28th February 2017 stating that the pearls are natural saltwater, with the exception of 10 cultured pearls. Colour: light cream to cream, partly with rosé and green overtones. Diameters: A: 2.35 - 4.30 - 8.00 - 4.15 - 2.55mm (68.5cm long) B: 2.35 - 3.00 - 6.95 - 3.15 - 2.40mm (65cm long) C: 2.50 - 3.90 - 7.60 - 3.85 - 2.20mm (62.5cm long) D: 1.80 - 3.50 - 6.40 - 3.45 - 2.10mm (61cm long)

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1949

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1950 1950

1950. A late Victorian diamond foliate brooch, realistically designed as a ginkgo leaf and set overall with old cushion-shaped diamonds in silver and gold. 7cm long. Fitted case by Hunt & Roskell. £600-800 1951. A late Victorian diamond-set floral tiara, designed with ginkgo leaves pavé-set with graduated circularcut diamonds with larger cushion-shaped diamond berries and set in silver on gold. Mounted on a detachable frame. 16cm wide but flexible. £10,000-15,000

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1951

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Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 26.4% inclusive of VAT @ 20%

1952. A 19th century pearl and diamond set tiara with bracelet conversion, the bracelet is set with nine natural saltwater pearls, each within an oval-shaped surround of graduated cushion-shaped diamonds. When attached to the frame, which is set with four cultured pearls and small diamonds, it can be worn as a tiara either with a natural pearl and diamond set stylised shell form section which detaches to be worn as a pendant. 18.5cm. Metal frame, the shell form section and bracelet sit in silver and gold. ÂŁ10,000-20,000 Accompanied by report number 5777-9099 dated 14th March 2017 from GCS, London stating that the cream pearls are natural saltwater.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1953. A five row natural pearl necklace, the pearls graduate from 2.65 to 7.40mm. 61cm (longest). With a rectagular-shaped white gold clasp set with fifteen circular-cut diamonds. £40,000-60,000 Accompanied by report number 90383 from SSEF, Switzerland dated 28th February 2017 stating that the 668 pearls are natural saltwater. Colour: light cream to cream, partly with rosé and green overtones. Diameters: A: 2.90 - 4.30 - 7.40 - 4.30 - 3.05mm (61cm long) B: 3.00 - 4.20 - 6.95 - 4.35 - 3.00mm (58.5cm long) C: 2.65 - 4.25 - 6.85 - 4.25 - 2.60mm (56.5cm long) D: 2.90 - 4.25 - 6.55 - 4.30 - 3.00mm (54.5cm long) E: 3.20 - 4.10 - 6.35 - 4.25 - 2.95mm (52cm long)

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1954. A late George III coloured stone rivière necklace, and detachable cruciform pendant. The cut down gold collets mounted with assorted stones including sapphires, emeralds and rubies. Each collet joined by a pair of links each set with a cushion-shaped diamond. The necklace 37cm, the pendant 6.5cm high. Fitted case by S.J. Phillips, 139 New Bond St. £25,000-30,000 Accompanied by report number 5777-9092 dated 3rd March 2017 from GCS, London stating that the gemstones as numbered are: 1, 18, 23: Peridots. 2, 22: Rubies. 3, 8, 10, 12, 17, 21: Topazes.

4, 11: Aquamarines. 5, 13, 19, 24: Garnets. 6: Chrysoprase.

7, 20: Sapphires. 9, 15: Amethysts. 14, 16: Emeralds.

The gem stones numbered 1, 18, 20, 23 as listed above do not conform to the original engraved inscriptions to the back of the necklace.

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24 23

22 2 21 3

20 4

19 5

17 9

10 12 13

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A PRIVATE COLLECTION OF SNUFF BOXES & BONBONNIÃ&#x2C6;RES Tuesday 25th April 2017

A selection from the collection. Various estimates ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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FINE SILVER & VERTU

Tuesday 25th & Wednesday 26th April 2017

A selection from a private collection of Apostle spoons. Various estimates ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 16th May 2017

An exceptionally rare Chinese Imperial turquoise glass bottle inscribed with two poems, dated 1757, 20cm. Formerly the collection of Sir Percival and Lady David. Estimate: Â£100,000 - 150,000

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | jea@woolleyandwallis.co.uk

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THE JOHN PINNICK COLLECTION

to be sold in the English & European Ceramics & Glass sale on Tuesday 23rd May 2017

A small selection of lots including Worcester, Bow and Lowestoft. Various estimates

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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MODERN BRITISH & 20TH CENTURY ART Wednesday 7th June 2017 Entries close 21st April

Craigie Aitchison R.A. (1926-2009) Crucifixion Titled and dated 1984 verso Oil on canvas 46 x 35.5cm Estimate: £15,000 - £20,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 424592 | jb@woolleyandwallis.co.uk

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ARTS & CRAFTS

Wednesday 21st June 2017 Entries close 26th April

A repoussé silver plate by John Pearson, dated 1894, 26cm diameter. Estimate: £2,000 - £3,000

ENQUIRIES Michael Jeffery Tel: +44 (0) 1722 424505 mj@woolleyandwallis.co.uk

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A PRIVATE COLLECTION OF BURMANTOFTS FAÏENCE POTTERY Thursday 22nd June 2017

A selection from over 30 lots of grotesque animals. Estimates from £150 to £500

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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TRIBAL ART & ANTIQUITIES

Wednesday 20th September 2017 Entries close 7th July

An important Benin bronze memorial head, circa 16th century. Sold for a world record price by private treaty.

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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Registered in England No. 2998482

Salisbury Salerooms

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WOOLLEY & WALLIS

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Fine Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 27th April 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

Auction Calendar ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 28th March 2017 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk 20TH CENTURY DESIGN 29th March 2017 – Clarice Cliff, Art Deco & Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 12th April 2017 5th July 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 25th & 26th April 2017 – Fine Silver & Vertu Including A Private Collection of Snuff Boxes and Bonbonnières 18th & 19th July 2017 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th April 2017 – Fine Jewellery 20th July 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 16th May 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 23rd May 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk PAINTINGS 7th June 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk