Woolley & Wallis Auctioneers by Jamm Design Ltd

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Silver & Objects of Vertu

Tuesday 24th & Wednesday 25th October 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

MARKETING Lyndsey Harvey Tamzin Corbett

424590 424590

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Alex Aguilar Doméracki Freya Yuan-Richards Marta Olszewska

424506 424506 424583 424589 424591

ACCOUNTS Janice Clift (Office Manager)

424500

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Natalie Milsted FCCA ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

FRICS FRSA

424599

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FINE SILVER & OBJECTS OF VERTU DAY ONE: Tuesday 24th October 2017 at 10.00am DAY TWO: Wednesday 25th October 2017 at 10.00am VIEWING TIMES Friday 20th October Saturday 21st October Monday 23rd October Tuesday 24th October Wednesday 25th October

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am (day two until 4.00pm) 8.30am – 9.45am

ENQUIRIES

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% incl. VAT. TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 23rd October. ILLUSTRATIONS

LIVE BIDDING

Front cover: Lot 735 Back cover: Lot 577 www.the-saleroom.com Catalogue £12.00 (£15.00 by post)

Please register by 5pm on Monday 23rd October.

Silver weights are in Troy ounces

Please note there is a 3% +VAT surcharge for using this service.

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DAY ONE: TUESDAY 24TH OCTOBER 2017 AT 10AM

REGIMENTAL SILVER FROM THE ROYAL GREEN JACKETS AND ITS FORMER REGIMENTS

1. A collection of George III/Victorian King’s Hourglass pattern silver flatware, various dates and some date letters worn, by Messrs. Lias, comprising: two soup ladles, a fish slice, a sauce ladle, eight tablespoons, four dessert spoons, twenty-one dessert forks, three teaspoons and three condiment spoons, engraved with a regimental badge, approx. weight 105oz. (42) £700-1,000

2. A collection of George IV silver King’s Hourglass pattern flatware, mostly by William Chawner, London 1827, comprising: a pair of basting spoons, eleven dessert spoons, twelve dessert forks, plus a soup ladle, by Charles Eley, London 1827 and a sauce ladle, makers mark worn, engraved with a regimental badge, approx. weight 62oz. (27) £500-700

3. A collection of George IV silver King’s Hourglass flatware, by William Chawner, London 1825, comprising: two soup ladles, five sauce ladles, two fish slices, fourteen tablespoons, six dessert spoons, forty table forks and nine dessert forks, engraved with a regimental badge, approx. weight 245oz. (78) £1,500-2,000

4. A collection of 19th century Irish silver King’s Hourglass pattern flatware, Dublin, various dates, comprising: eighteen dessert spoons, by William Cummins, Dublin 1820, seventeen dessert forks, maker’s mark worn, Dublin 1820, a small dessert fork, plus a set of eight table forks, by Christopher Eades, date letter worn, engraved with a regimental badge, approx. weight 94oz. (44) £500-700

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

5. A Victorian silver King’s pattern canteen for eighteen, by George Adams, London various dates, 1849-1869, mostly 1857, comprising: two basting spoons, eighteen table forks, eighteen dessert forks, eighteen tablespoons, eighteen dessert spoons, a pair of sugar tongs, six condiment spoons, two sauce ladles, plus two pairs of electroplated nutcrackers, engraved with a regimental badge, approx. weight 204oz. (qty) £1,500-2,500

6. A Victorian silver King’s pattern canteen for eighteen, by George Adams, London, various dates, mainly 1856, some date letters worn, comprising: a pair of basting spoons, eighteen tablespoons, eighteen dessert spoons, eighteen table forks, eighteen dessert forks, a sauce ladle and two pairs of electroplated nut crackers, engraved with a regimental badge, approx. weight 196oz. (77) £1,500-2,500

7. A collection of silver King’s pattern flatware, various dates and makers, comprising: a set of six dessert spoons, a dessert fork, a teaspoon, and a pair of grape scissors, by William Chawner, London 1829, ten ice cream spoons, another pair of grape scissors, two pairs of sugar tongs and a pair of condiment spoons, engraved with a regimental badge, approx. weight 32oz. (24) £300-400

8. A collection of William IV/Victorian silver King’s Hourglass pattern flatware, by William Traies, London, 1837/41, comprising: a soup ladle, four basting spoons, fourteen tablespoons, thirty-three table forks, five dessert forks, six dessert spoons, a sauce ladle and a fish slice engraved with a regimental badge, approx. weight 215oz. (66) £1,500-2,500

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9. A Victorian silver Queen’s pattern canteen for twelve, by George Adams, London 1856/57, some date letters worn, comprising: twelve table forks, twelve tablespoons, twelve dessert spoons, twelve dessert forks, four condiment spoons and a pair of sugar tongs, engraved with a regimental badge, approx. weight 121oz. (53) £800-1,200

10. A collection of silver King’s pattern and King’s Hourglass pattern flatware, various makers and dates, comprising: four George IV tablespoons, by Charles Eley, twenty-four dessert forks, a pair of sauce ladles, two dessert spoons, a tea spoon, three condiment spoons, engraved with a regimental badge, approx. weight 67oz. (36) £300-500

11. A Victorian silver Queen’s pattern canteen for twenty-four, by George Adams, London 1853/56, comprising: twenty-four table forks, twenty-four dessert forks, twenty-four tablespoons, twenty-four dessert spoons, six egg spoons, eight condiment spoons and a pair of sugar tongs, engraved with a regimental badge, approx. weight 258oz. (qty) £2,000-3,000

12. A part canteen of William IV/Victorian silver King’s pattern flatware, by Benjamin Smith, the majority London 1836, marks worn on the fork, comprising: a soup ladle, a table fork, a pair of sugar tongs, twenty five dessert forks, twenty-five dessert spoons, seven sauce ladles and eight condiment spoons, engraved with a regimental badge, approx. weight 130oz. (68) £800-1,200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

13. A collection of George IV silver King’s pattern flatware, by W. Chawner, London 1825/26, comprising: a basting spoon, six tablespoons, thirteen dessert spoons, thirteen table forks, thirty dessert forks and three condiment spoons, engraved with a regimental badge, approx. weight 138oz. (66) £800-1,200

14. A Victorian silver Queen’s pattern canteen for twelve, by George Adams, London 1856/57 comprising: twelve table forks, twelve tablespoons, twelve dessert forks, twelve dessert spoons, and four condiment spoons, engraved with a regimental badge, approx. weight 119oz. (52) £800-1,200

15. A collection of silver King’s pattern flatware, various dates and makers, comprising: seventy-two dessert forks (nineteen London 1893), a tablespoon, five dessert spoons, four teaspoons, an egg spoon, five table forks, five condiment spoons and four mustard spoons, engraved with a regimental badge, approx. weight 191oz. (qty) £1,000-1,500

16. A collection of Victorian silver Queen’s pattern flatware, by George Adams, London various dates, mainly 1856/57, comprising: twenty one tablespoons, ten dessert spoons, two table forks, twenty-two dessert forks, three teaspoons and a condiment spoon, engraved with a regimental badge, approx. weight 132oz. (59) £800-1,200

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17. A set of twenty-four silver-handled King’s pattern dessert knives, by Garrard & Co, London 1958, some date letters worn, engraved with a regimental badge. (24) £300-400

18. A mixed lot of silver flatware, various makers and dates, comprising: a pair of Fiddle pattern basting spoons, by George Adams, London 1844, a pair of George III Fiddle and Thread pattern dessert spoons, eleven various condiment spoons and a pair of sugar nips, with birds-leg arms, engraved with a regimental badge, and seven dessert forks with ivory handles, approx. weight 21oz. (23) £200-300

19. A set of twelve silver-handled King’s pattern table knives and twelve dessert knives, by Garrard & Co Ltd., London 1958, some with worn date letters, engraved with a regimental badge. (24) £300-400

20. A collection of silver King’s pattern flatware, various dates and makers, comprising: a set of six butter knives, by Cooper Brothers & Sons Ltd, Sheffield 1973, assorted tea and coffee spoons, engraved with a regimental badge, approx. weight 66.7oz. (qty) £300-500

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

21. A collection of silver King’s pattern, Queen’s pattern and King’s Hourglass pattern flatware, various dates and makers, comprising King’s Hourglass pattern: a matched set of fourteen tablespoons and a pair of sauce ladles, by William Eaton, plus a table fork; Queen’s pattern: three tablespoons, a dessert spoon and two teaspoons, and King’s pattern: two table forks, a tablespoon, two dessert forks, a pair of dessert spoons, two teaspoons, two ice cream spoons and a condiment spoon, engraved with a regimental badge, approx. weight 82oz. (34) £500-800

22. A collection of Victorian silver King’s pattern flatware, by George Adams, London, various dates, comprising: a basting spoon, eight tablespoons, fifteen table forks, three dessert spoons, nine dessert forks, three teaspoons, a condiment spoon and a pair of electroplated nutcrackers, engraved with a regimental badge, approx. weight 100oz. (41) £700-900

23. A set of six George IV silver King’s Hourglass pattern basting spoons, by William Chawner, London 1825, engraved with a regimental badge, approx. weight 38oz. (6) £400-600

24. A collection of George III/IV silver King’s pattern flatware, by Richard Poulden, London 1818/25, some marks worn, comprising: two basting spoons, nine tablespoons, thirteen dessert spoons, eighteen table forks, six dessert forks and two condiment spoons, engraved with a regimental badge, approx. weight 125oz. (50) £700-1,000

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25. A mixed lot of electroplated King’s and Queen’s pattern knives, comprising seventy-one table knives and fifteen dessert knives, engraved with a regimental badge. (86) £200-300

26. A collection of George IV/Victorian silver King’s pattern fruit knives and forks, comprising: eighteen fruit knives and twenty forks, by Francis Higgins, the majority London 1881, some date letters worn, engraved with a regimental badge, twenty fruit knives by William Chawner, the majority London 1829, some date letters worn, and two further fruit knives. (60) £500-700

27. A set of twenty-nine silver-handled King’s pattern dessert knives and nine table knives, by Garrard & Co Ltd, London 1858, some date letters worn. (38) £400-600

28. A set of twenty-four silver-handled King’s pattern dessert knives, by Garrard & Co Ltd., London 1958, some date letters worn, engraved with a regimental badge. (24) £300-400

29. A set of eighteen silver-handled King’s pattern table knives and eighteen dessert knives, by Garrard & Co Ltd., London 1960, engraved with a regimental badge. (36) £400-600

30. A collection of silver King’s pattern fish knives and forks, comprising: twenty-two fish knives by Goldsmiths & Silversmiths Co. (William Gibson & John Lawrence Langman), Sheffield 1894, eleven fish knives by Goldsmiths & Silversmiths Company Ltd., London 1905 and three other fish knives, seventeen fish forks by Carrington & Co, London 1914, and two other fish forks, engraved with a regimental badge, hollow handles, approx. weight 95oz. (55) £600-800

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

31. A set of eleven silver-handled King’s pattern table knives and nineteen dessert knives, by Garrard & Co Ltd, London 1960, two with worn date letters, engraved with a regimental badge. (30) £300-500

32. A set of twenty-four silver King’s pattern fish knives, by Garrard & Co Ltd, London 1958, engraved with a regimental badge, hollow handles, approx. weight 52oz. (24) £300-400

33. A set of twenty-five silver Kings pattern fish knives, by Garrard & Co Ltd., London 1958, engraved with a regimental badge, hollow handles, approx. weight 48oz. (25) £300-400

34. A matched set of twelve silver-handled King’s pattern table knives, by Garrard & Co Ltd., nine Sheffield 1946, two London 1958 and one date letter worn, plus a set of twelve King’s pattern silver-handled dessert knives, by Garrard & Co, London 1958/1960, engraved with a regimental badge. (24) £300-400

35. A large collection of regimental silver ashtrays, comprising: a set of six, London 1903, rectangular form, pull-out grille, one of armada form, two oval ones by Garrard and Co, a set of four of oval form, seven of square form, seven circular form, and six electroplated ashtrays, approx. weighable 75oz. (qty) £400-600

36. A small mixed lot of regimental silver, comprising: a presentation cigarette box, by William Summers, London 1874, the cover inscribed ‘To the Sergeants Mess 2. Batt Rifle Brigade 1876’ and with a crest and ‘To Martin Dillon Rifle Brigade from Theobald Viscount Dillon 1875’, length 12.2cm, plus a continental cigarette box, another cigarette box and a table cigar lighter modelled as an oil lamp, Birmingham 1932, approx. weighable 13.5oz. (4) £250-300

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37. A set of three 19th century silver entrée dish bases, four covers and four handles, marks worn, rectangular form, gadroon borders, detachable handles, engraved with the regimental badge, heavily repaired, length 29cm, approx. weight 160oz. (11) £600-800

38. A Victorian regimental silver coffee pot, by Aldewinckle and Slater, London 1880. baluster form, part-fluted decoration, scroll handle, bird mask capped spout, domed hinged cover with a fluted finial, inscribed ‘Officer’s Mess 3rd battalion King’s Royal Rifles from Lt. Col. Donald Browne, 1894’, on a circular foot, height 26.5cm, approx. weight 30oz. £250-300

39. A pair of regimental silver café au lait pots, by Henry Atkins, Sheffield 1936, oval baluster form, scroll handles, domed hinged cover with a knop finial, inscribed with the regimental badge and ‘Officer’s Rifle Match’, height 24cm, approx. weight 60oz. (2) £300-400

40. A collection of four large electroplated regimental coffee pots and two teapots, by Cullum and Sharpus, baluster form, the hinged covers with knopped finial, engraved ‘Serjeants’ Mess Monmouthshire Light Infantry’, the handles with ivory insulators, some handles a.f. (6) £100-150

41. A set of four George III Regimental silver entrée dish bases, three covers and three handles, marks worn, probably by Joseph Angell, London 1818, rectangular form, engraved with the regimental badge, gadroon and foliate borders, detachable handles, very heavily repaired, length 32cm, approx. weight 270oz. (10) £600-800

42. A pair of regimental silver chafing dishes, marks worn, circular form, beaded borders, pull-off covers with scroll and beaded handles, with screw-out electroplated handles, one handle stuck, the interior with removable dividers, the covers with the regimental badge and presentation inscription, diameter 26.5cm, approx. weighable 95oz. (2) £400-600

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

43. A collection of eight menu card holders formed from medals, two by Horton & Allday, Birmingham 1902, one Chester 1933, and five marked Sterling Silver, easel backs, height 8cm. (8)

£600-800

44. A small collection of seven silver-mounted regimental whisky tots, by Hukin and Heath, Birmingham 1927 and 1930, two by Elkington and Co, Birmingham 1911, the covers engraved with the badge of The Rifle Brigade. (7) £500-700

45. A pair of Indian regimental silver sandwich boxes, by P. Orr and Sons, Madras, rectangular form, hinged cover and hinged front, the cover engraved with badge of The Rifle Brigade, the interior with three sections and the inside cover inscribed ‘To The Officers 1st Batt. Rifle Brigade A Souvenir From Surgeon-Major James D. Cumming M.S, Barielly, 1889-90’, length 19cm, approx. weight 31oz. (2) £300-400

46. A collection of twenty-four regimental silver napkin rings, by Elkington and Co, Birmingham 1921/22, circular form, numbered 1-24, and inscribed ‘Presented by Major Henley’, and inscribed with the regimental badge, approx. weight 24oz. (24) £300-400

47. A matched set of five regimental silver finger bowls, by D and J Wellby, London 1907, and Wakely and Wheeler, London 1921, circular form, inscribed ‘Officer’s Rifle match’, diameter 12.5cm, approx. weight 46oz. (5) £300-400

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48. A mixed lot of regimental silver items, comprising: a set of three Victorian salt cellars, London 1872, a single salt cellar, London 1922, an Indian salt cellar, a set of six Indian barrel pepper pots, by Hamilton and Co, plus two unmarked matching ones, plus a pair of silver-mounted wooden pepper mills, London 1963, approx. weighable 22oz. (15) £300-400

49. A mixed lot of regimental silver items, comprising: a sugar caster of baluster form, Chester 1924, a pair of Victorian mounts modelled as roses, London 1894, a menu stand, a set of three butter shells, London 1908, a pair of bonbon dishes, and a goblet, a.f, approx. weight 27oz. (qty) £300-400

50. A collection of seven silver regimental trophy cups, comprising: ‘The Henry R. Webb Challenge Cup’, Sheffield 1913, one Sheffield 1937, plus five various, approx. weight 60oz. (7) £300-400

51. A collection of four regimental silver trophy cups, comprising: ‘The Recruits Challenge Cup’, by William Comyns, London 1907, ‘The Inter Platoon Relay Race’, London 1920, ‘Shooting Trophy’, Birmingham 1933, and a plain goblet, Chester 1909, approx. weight 50oz. (4) £250-300

52. A mixed lot of regimental silver trophy cups, comprising: a two-handled trophy bowl, London 1905, inscribed ‘2nd Vo. Batt. Oxfordshire Light Infantry’, ‘Presented by Surgeon Major J.O. Sankey, August 1906 to be awarded annually to the Company whose lines are the cleanest and Best kept during the annual Camp’, plus one Birmingham 1936, and three others, approx. weight 67oz. (5) £300-500

53. A collection of five regimental silver trophy cups, comprising ‘Inter Company Falling Plate’, Birmingham 1926, ‘Young Soldiers Relay Race’, London 1931, ‘Shooting Challenge Cup’, London 1920, ‘Machine Gun Company Cup’, Sheffield 1930, and one other, Chester 1932, approx. weight 66oz. (5) £300-500

REGIMENTAL SILVER FROM THE OXFORD AND BUCKINGHAMSHIRE LIGHT INFANTRY

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

54. A collection of four regimental silver trophy goblets, comprising: a large one, ‘The Upton Cup’, Sheffield 1898, a replica of ‘The Rampur Football Challenge Cup’, Birmingham 1922, plus ‘The Queen Victoria’s Cup Abroad’, Sheffield 1902, and the ‘Open Light Weight 6th Division Ireland’, Chester 1910, height of tallest 32.7cm, approx. weight 47.9oz. (4) £300-500

55. A collection of four regimental silver trophy cups, comprising: ‘The Banbury Cup’, Sheffield 1911, ‘The Inter Company Gymnastic Cup’, by the Goldsmiths and Silversmiths Company, London 1929, ‘The Horner Cup’, Birmingham 1926, ‘The Machine Gun Company Inter-Section Cup’, London 1929, approx. weight 89oz. (4) £400-600

56. A matched set of eleven presentation silver coffee pots, by D and J Wellby, London 1908/09, and 1913/14, tapering circular form, scroll handles, various finials, engraved with the regimental badge and ‘Officers Rifle Match’, with the names of the donors, height 15cm, approx. weight 150oz. (11) £1,000-1,500

57. A collection of five silver regimental trophy cups, comprising: an Indian one by Hamilton and Co, ‘inscribed ‘52 Light Infantry Victor Ludorum Cup’, plus one Birmingham 1923, and three others, approx. weight 60oz. (5) £300-500

58. A collection of four regimental silver trophy cups, comprising: ‘The Inter Platoon Athletic Club’, Chester 1914, ‘The Annual Marching and Turnout Competition’, Sheffield 1937, ‘The White Lion Cup’, London 1931 and ‘Burma District Athletic meeting’, £300-500 approx. weight 68oz. (4)

59. A mixed lot of regimental silver items, comprising: a Victorian cream jug and sugar bowl, London 1887, with the regimental badge of the Oxfordshire Light Infantry and with an inscription to the officers, plus a circular bowl, ‘The North Challenge Bowl, London 1905, and two George III casters, London 1774, the other date letter rubbed, later inscriptions, approx. weight £300-400 38oz. (5)

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60. A mixed lot of silver items, comprising: a cigarette box, Birmingham 1916, the cover with a presentation inscription, plus a crumb scoop, with an ivory handle, Sheffield 1921, a table cigar lighter modelled as an oil lamp, and a square stand, approx. weight 10oz. (4) £200-300

61. A presentation silver salver, by The Adie Brothers, Birmingham 1929, circular form, gadroon border, inscribed ‘From the Officers of the 4th Bn. Oxford and Bucks Light Infantry, October 3, 1929’, diameter 26.3cm, plus a presentation silver waiter, Sheffield 1894, approx. total weight 31.9oz. (2) £250-300

62. A George III silver salver, by Parker and Wakelin, London 1775, circular form, gadroon border, the centre engraved with a regimental badge, on three shell bracket feet, diameter 21cm, plus a silver dish, Sheffield 1933, approx. total weight 19oz. (2) £150-200

63. A mixed lot, comprising silver items: three cigarette boxes, a silver table cigar cutter/piercer, London 1913, inscribed ‘Presented to the Officers, 43 Light Infantry, by Captain M.O. Clarke, and a silver-handled table bell, Royal Fusiliers’, plus three electroplated boxing trophies. (7) £250-300

64. A mixed lot of silver items, various dates and makers, comprising: an inkstand of shaped oval form, by Robert Hennell, London 1863, a sugar caster of octagonal baluster form, London 1893, a cream jug, five napkin rings and a cigar cutter approx. weighable 34oz. (9) £250-300

65. A pair of George IV silver salvers, by Edward Barton, London 1823, circular form, foliate and gadroon border, on three foliate bracket feet, diameter 24.4cm, approx. weight 38oz. (2) £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

66. A late-Victorian regimental silver two-handled trophy cup, by H. Atkins, Sheffield 1897, urn form, part-fluted decoration, leaf capped scroll handles, on a raised circular fluted foot, inscribed with the regimental badge and inscribed ‘2nd Volunteer Battalion Oxfordshire light Infantry, Presented by Archibald Brakespear, Formerly Captain of the Henley Company, Inter Company Team Rifle’, height 48.3cm, approx. weight 70oz. £600-800

67. A George III silver tankard, by Peter, Ann and William Bateman, London 1803, baluster form, later embossed foliate scroll decoration, domed cover with a pierced thumb-piece, late inscribed ‘The General Efficiency Challenge Cup’, height 20cm, approx. weight 25.5oz. £600-800

68. A George III silver two-handled trophy cup and cover, by William Frisbee, London 1805, urn form, part-fluted decoration, leaf capped fluted handles, the cover with a cone finial, engraved with an armorial and later inscription ‘Ladies Challenge prize’, height 33cm, approx. weight 45.5oz. £300-400

69. A late-Victorian regimental silver ewer, by Gibson and Langman, London 1898, baluster form, the scroll handle with ivory insulators, domed cover with a scroll thumb-piece, the spout with a Bacchus mask, on a raised circular foot, engraved with the regimental badge and worn inscription, height 21cm, approx. weight 34.5oz. £300-400

70. A regimental two-handled silver trophy cup and cover, by Carrington and Co, London 1913, circular form, central girdle, scroll handles, on a raised circular foot, domed pull-off cover, inscribed ‘Inter Platoon Athletic Sports Challenge Cup’, height 38.5cm, approx. weight 51oz. £400-600

71. A pair of William IV Irish silver coffee/hot water jugs, by Richard Sawyer, Dublin 1833, lobed baluster form, leaf-capped scroll handles, domed covers with faceted ball finial, on circular bases, inscribed ‘Garrison Cup Kingstown Regatta, July 1833’, height 21.8cm, approx. weight 54.5oz. (2) £600-800

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72. A George III silver mug, by Fuller White, London 1764, baluster form, leaf capped scroll handle, later embossed foliate scroll decoration, on a circular foot, with a later presentation inscription, height 12cm, approx. weight 10.9oz. £150-200

73. An Edwardian silver two-handled trophy bowl, by Horace Woodward & Co Ltd, London 1909, circular form, flying scroll handles, central girdle, on a raised circular foot, inscribed ‘Inter Company L.M.G Match’ length handle to handle 38cm, approx. weight 45.5oz. £200-300

74. Two late-Victorian presentation silver café au lait pots, one by Henry Holland, London 1878, the other marks lost, baluster from, scroll handles, beaded spouts, on raised circular bases, one inscribed ‘Presented to the Officer’s Mess 2nd Oxford Light Infantry’, the other worn, height 21.5cm, approx. weight 21oz. (2) £150-200

75. A silver-mounted glass claret jug, Dudley & Cox, London 1911, circular baluster form, the mount with a gadroon border, scroll handle, height 21.8cm. £100-150

76. A 19th century old Sheffield plated meat dish cover, oval form, fluted decoration, central foliate scroll carrying handle, engraved with the 43 regiment badge, length 45.5cm. £100-150

77. A George III silver waiter, by Ebenezer Coker, London 1764, circular form, shell and gadroon border, the centre with a later regimental crest, on three claw and ball feet, diameter 20.6cm, approx. weight 12oz. £150-200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

78. A 19th century silver badge, unmarked, one side engraved with a badge of Oxfordshire Regiment Sergeant William Brown, 2nd Battalion, 52 Regiment Orange Lodge, Treasurer, the reverse with an engraved image of William of Orange and inscribed ‘The Glorious and Immortal Memory WIII, 1690’, length 6cm, approx. weight 0.4oz. £300-400

78 reverse

78 obverse

79. An Edwardian presentation silver tray, by Williams Limited, Birmingham 1904, rectangular form, leaf capped fluted handles, the centre inscribed ‘The Officers 3rd Batt. Oxfordshire and Buckinghamshire Light Infantry from Colonel Sir. T. Courtenay T. Warner, Bart. C.B. M.P, who joined July 1878 retired April 1912’, length handle to handle 77cm, approx. weight 96oz. £600-800 Colonel Sir Thomas Courtenay Theydon Warner, 1st Baronet, CB (19 July 1857 - 15 December 1934) was a British politician, who served as the Member of Parliament for North Somerset from 1892 to 1895, and for Lichfield from 1896 to 1923. Warner was an officer in the 3rd Battalion, Oxfordshire and Buckinghamshire Light Infantry, where he became Major on 13 January 1902. He received the honorary rank of lieutenant-colonel on 2 August 1902, and later served as lieutenant-colonel in command and honorary colonel of the battalion. He was made a baronet on 9 July 1910, of Brettenham Park, Suffolk.

80. A silver-mounted regimental flag, unmarked, circa 1920, the flag on a wooden handle applied with a plaque, inscribed ‘Flag of “B” or Capt & Bt. Major R. B. Crosse’s Company 52nd Light Infantry carried by Winning Team in Relay Race and used by Capt. G. Field M.C, to coach both winning teams in the Tug-of-war, Lichfield, 7th August 1920’, length 30cm. £100-150

Initially a member of the Liberal Party, he stood at the 1918 general election as a Coalition Liberal, and at the 1922 general election as National Liberal. He was also the first mayor of the Municipal Borough of Walthamstow after its incorporation in 1929. ref: Wikipedia

OTHER PROPERTIES

81. A George III old Sheffield plated Argyle, unmarked, circa 1790, waisted baluster form, scroll handle, pull-off cover with a ball finial, with a hinged water compartment, height 16cm. £150-200 82. A George III old Sheffield plated ewer, by Matthew Boutlon, circa 1810, vase form, scroll handle, gadroon border, the hinged cover with a foliate finial, on a raised circular base, height 27.5cm. £150-200

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83. A set of four Victorian electroplated meat dish covers, unmarked, domed lobed oval form, detachable foliate scroll handles, length of largest 51cm. (4) £200-300

84. A pair of early 19th century old Sheffield plated wine coolers, by Watson and Co, circa 1830, campana form, foliate capped side handles, no liners, on raised circular bases, engraved with a crest, height 28.5cm, plus an old Sheffield plated epergne, of tapering circular form, vine leaf border, on a rectangular base, height 31cm. (3) £500-700 The crest is that of Ellis.

85. A French electroplated champagne bucket, by Christofle, tapering circular form, ribbon and reed border, with two ram’s head side handles, height 20.6cm. £150-200

86. A George IV old Sheffield plated urn, unmarked, circa 1828, baluster form, with oak-leaf mounted side handles, vine and grape borders, the pull-off cover with a cauliflower finial, the tap with a shell handle and mythical beast spout, on a raised shaped square foot on four shell bracket feet, engraved with a crest and dated ‘1825’, height 46cm. £150-200 The crest that of Rattray of Scotland.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

87. A Victorian silver-gilt travelling dressing table set, by John Harris, London 1853, retailed by F.W. West, No.1 St James’s Street, with engine-turned decoration and chased foliate decoration, initialled, fluted glass bodies, comprising: a beaker, a pair of scent bottles, with stoppers, a toilet bottle, a travelling inkwell, and six various toilet jars / boxes, plus an eight-piece manicure and writing set, with mother-of-pearl handles, in a fitted velvet tray, two ivory brushes and a hand mirror, a desk seal, in a fitted brass bound hardwood case, the interior of the cover fitted with a mirror with an easel back and a stationery wallet, the jewellery drawer stuck in a closed position, the case with initials, with a key, length of case 37.2cm, approx. weighable 15oz. £1,000-1,500

88. A Victorian silver travelling dressing table set, by Thomas Johnson, London 1865, retailed by H. Tooke, 24 Church Street, Liverpool, with engine-turned decoration and chased foliate scroll borders, initialled, hob-nail cut glass bodies, comprising: three scent bottles, and ten various toilet jars / boxes, plus a twelve-piece manicure and writing set, with mother-of-pearl handles, a gold toothpick, and a vinaigrette, by E. Smith, Birmingham 1861, in a fitted velvet lined drawer with a push-button opening, in a fitted brass bound walnut case, the interior of the cover fitted with a mirror and a stationery wallet, the front with a jewellery drawer and another drawer, the hinged cover initials with an inscribed brass cartouche ‘F. E. Edwards 28 November 1866’, length of case 33.3cm, approx. weighable 9.8oz. £1,000-1,500

89. A Victorian silver travelling dressing table set, by John Harris, London 1853, retailed by Edwards, 21 King Street, Bloomsbury, London, with engine-turned decoration and chased foliate decoration, initialled, plain glass bodies with star cut bases, comprising: a pair of scent bottles, a pair of toilet bottles, seven various toilet jars / boxes, plus a nine-piece manicure and writing set, with mother-ofpearl handles, in a fitted velvet tray, four ivory brushes in a fitted brass bound hardwood case, the interior of the cover fitted with a mirror, and a stationery wallet, the front with a jewellery drawer, the case with initials, with a key, length of case 33.3cm, approx. weighable 9.5oz. £700-900

90. A silver-gilt travelling dressing table set, by Asprey and Co, London 1933, rectangular form, with engine-turned decoration, clear glass bodies, comprising: a pair of scent bottles, four dressing table jars, a hand mirror and two brushes, plus a green leather jewellery box, in a fitted green leather case with a storm jacket, initialled. £300-400

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91. A Victorian cast parcel-gilt silver caddy spoon, by Francis Higgins, London 1862, shell bowl, pierced lily pad handle, length 8.5cm, approx. weight 0.9oz. £300-400

92. Norie, J., Caddy Spoons, An Illustrated Guide, by John Murray, 1988, with a dust wrapper, signed by the author and dated March 24th 1988. £100-150

93. A George III silver jockey cap caddy spoon, by Joseph Taylor, Birmingham 1799, engraved decoration, the peak engraved with a shield cartouche, length 5cm, approx. weight 0.2oz. £300-400

94. A George III silver caddy spoon, by Joseph Taylor, Birmingham 1806, modelled as a right hand, engraved border, length 6.6cm, approx. weight 0.2oz. £250-300

95. A set of eleven 18th century silver-gilt naturalistic teaspoons and a mote spoon, maker’s mark incuse stamped FH, for Francis Harache London circa 1740, shell bowl, pierced foliate terminals, one repaired and smaller, length 10.5cm, length of mote spoon 11.3cm, approx. weight 5.7oz. (12) £300-400

96. A George III provincial silver meat skewer, maker’s mark only, J.W, for Joseph Walley, Chester 1775, plain tapering form, plain ring handle, length 27.4cm, approx. weight 2.1oz. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

97. A set of six George III silver Fiddle pattern tablespoons, by Eley & Fearn, London 1801, crested, plus a set of six William IV silver Fiddle pattern teaspoons, by William Chawner, London 1831, in a fitted case, approx. weight 19.5oz. (12) £200-300

98. A set of twelve silver and nephrite handled teaspoons, by G E Walton & Co Ltd, Birmingham 1909, tapering handles, in a fitted case. (12) £100-150

99. A matched George III and George IV silver Old English pattern canteen for six, twelve table forks, by Eley and Fearn, London 1821, six dessert forks, by William Chawner, London 1818, six dessert spoons, by Richard Crossley, London 1798, six teaspoons, by William Easterbrook, London 1827, nine various tablespoons, and an Edwardian butter knife, London 1907, in a wooden case, approx. weight 43oz. £400-600

100. A five-piece late-Victorian silver King’s Husk pattern carving set, by The Harrison Brothers, Sheffield 1897, comprising two carving knives, two forks and a steel, in a fitted case. £150-200

101. A mixed lot of flatware, comprising silver items: a George III Bright-cut basting spoon, by Hester Bateman, London 1784, a pair of knife rests, London 1804, a mote spoon, a tablespoon, four ladles, two dessert spoons, three pairs of sugar tongs, a pair of wishbone sugar tongs, nine fruit knives with various handles including agate, thirty-two teaspoons, a sifting spoon, two caddy spoons, a marrow spoon, twenty-two condiment spoons, a fruit knife, a fork, a cased set of six butter knives, a butter knife, and a nut pick, plus electroplated items: a stilton scoop, a crumb brush mount, two pairs of grape scissors and a toddy ladle, approx. weighable 41oz. (qty) £400-600

102. A matched set of six George III silver tablespoons and a sifting spoon with later berry decoration, by various makers, three by Peter & Ann Bateman, London 1794-1814, gilded bowls, engraved decoration, in a fitted case, approx. weight 13.8oz. £200-300

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103. A collection of four George II and George III silver marrow spoons, comprising: a George II one, by John Clayton, London 1739, one London 1748, the reverse of the bowl with initials, plus one London 1771, the reverse of the bowl with a scroll motif, and one London 1767, the heel with initials, approx. weight 6.6oz. (4) £300-500

104. A pair of George III silver Old English Thread pattern salad servers, by Smith and Fearn, London 1788, the terminals with a crest, approx. weight 6.5oz. (2) £200-300

105. A collection of four George II and George III silver marrow spoons, comprising: a George II one, by Benjamin Godfrey, London, date letter worn, the reverse of the bowl with a shell heel, plus one London 1753, the stem initialled ‘S’, one London 1766 and one 1758, the reverse of the bowl with a plain rat-tail, approx. weight 6.4oz. (4) £300-500

106. A set of six George III silver tablespoons, by Thomas Eustace, Exeter 1779, the terminals with a crest and monogram, approx. weight 10oz. (6) £150-200

107. A collection of four George II and George III silver marrow spoons, comprising: a George II one, probably by Robert Peaston, London 1756, the reverse of the bowl with a scroll heel, plus one London 1737, one London 1762, and one 1771, with a shell heel, approx. weight 7.4oz. (4) £300-500

108. A matched set of twelve Victorian and Edwardian silver Hanoverian pattern dessert forks, by George and Herbert Lambert, London 1895-1902, three-pronged tines, approx. weight 17oz. (12) £150-200

The crest is that of Bracken, Montgomery and other families.

Provenance: Frederick Parker Morrell to Philip Morrell, MP, and thence by descent to the present owner.

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109. A George III silver Old English pattern soup ladle, by Hester Bateman, London 1779, shell shaped bowl, gilded interior, the terminal with a crest, length 35cm, approx. weight 5oz. £150-200 Provenance: John Reeves, FRS, Naturalist, (1774-1856), and thence by descent to the present owner.

111. A Queen Anne provincial silver Hanoverian pattern basting spoon, by Thomas Robinson, Chester 1711, the reverse of the oval bowl with a plain rat-tail, length 36.3cm, approx. weight 5.6oz. £1,000-1,500 Provenance: Purchased from J.H. Bourdon-Smith Limited, Mason’s Yard, London 21 March 2007, also featured in their catalogue of 1998.

113. A George II Scottish silver marrow scoop, by James Glen, Glasgow, 1743, conventional form, plus a George III silver marrow scoop, maker’s mark SJ, possibly for Samuel Jerman, London 1766, approx. weight 2.6oz. (2) £200-300

110. A collection of four George II and George III silver marrow spoons, comprising: a George II one, by Edwardian Bennett, London 1738, the reverse of the bowl with a shell heel, plus one London 1737, one London 1791 and one with a shell heel and initials, approx. weight 5.9oz. (4) £300-500

112. A collection of five George II and George III silver marrow spoons, comprising: a George II one, by George White, London 1742, the reverse of the bowl with a plain heel, plus one London 1754, the reverse of bowl with a crest, one by Eley and Fearn, London 1797, one 1777 and one with a shell heel, London 1774 approx. weight 5.9oz. (5) £400-600

114. A William IV silver Fiddle pattern Irish marrow scoop, by Peter Walsh or Philip Weekes, Dublin 1831, plus a George III silver marrow scoop, conventional form, by Josiah & George Piercy, London 1811, approx. weight 3.4oz. (2) £200-300

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115. A set of six George II silver Hanoverian Rat-tail pattern tablespoons, by James Wilkes, London 1729, the reverse of the bowls with a plain rat-tail, the reverse of the terminals with scratch initials ‘W’ over ‘MM’, approx. weight 11.6oz. (6) £200-300

116. A set of eight George III silver Hanoverian pattern tablespoons, maker’s mark possibly W.C or V.C, unidentified, London 1761, the reverse of the terminals with initials, length 20.3cm, approx. weight 14.5oz. (8) £200-300

117. A matched set of six George I silver Hanoverian Rat-tail pattern tablespoons, by John Holland, London 1720 and 1724, the reverse of the bowls with a plain rat-tail, the reverse of the terminals with a crest, approx. weight 10.9oz. (6) £200-300

118. A set of six George III Old English pattern silver tablespoons and five dessert spoons, by Peter, Ann and William Bateman, London 1801, the terminals with a crest, plus a matching silver dessert spoon, by R. Crossley, London 1806, approx. weight 21.6oz. (12) £200-300 Provenance: Frederick Parker Morrell to Philip Morrell, MP, and thence by descent to the present owner.

119. A set of six George II silver Hanoverian pattern tablespoons, by Ebenezer Coker, London 1749, the reverse of the terminals with a crest, approx. weight 14.5oz. (6) £200-300

120. A collection of nine George II silver Hanoverian pattern tablespoons, various dates and makers, the terminals with crests and initials, comprising: a pair London 1725, by Charles Jackson, another pair, London 1754, plus four various and a pair of silver sugar nips, Sheffield 1936, approx. weight 22oz. (10) £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

121. A collection of Victorian silver Military Fiddle and Thread pattern flatware, by George Adams, London various dates 1848-1862, comprising: five table forks, six dessert forks and six dessert spoons, plus a set of twelve William IV silver Fiddle and Thread pattern tablespoons, by Mary Chawner, London 1836, approx. weight 70oz. (29) £700-900

122. A pair of 18th century Norwegian silver ‘Dog-nose’ spoons, by Jacob Jensen Smidt, Stromso circa 1757, the reverse of the bowls with engraved foliate decoration, the reverse of the terminals prick dot initialled ‘R.J.S’ over ‘E.J.D’ over ‘1757’, length 19.7cm, approx. weight 2.7oz. (2) £300-400

123. An American silver Severn pattern canteen for eight, by S. Kirk and Son, comprising: eight small table / dessert forks, eight table knives, eight dessert spoons, eight soup spoons, eight coffee spoons, eight fish forks, eleven teaspoons, eight oyster forks, three tablespoons, sauce ladle, two butter knives, six silver-handled side knives, in a fitted wooden case, approx. weighable 77oz. (qty) £800-1,200

124. A collection of forty-six pairs of silver sugar tongs, the majority antique, comprising: a pair of early 19th century Scottish provincial silver sugar tongs, by James Orr, Greenock circa 1814, plus various towns, including Glasgow, Newcastle, Edinburgh, Dublin, York, London, Birmingham, and Exeter, plus a continental pair and an electroplated pair, in a fitted four drawer lockable cabinet with a key, approx. weighable 57.5oz. (47) £600-800

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125. A silver canteen for twelve, by James Dixon and Sons, Sheffield 1963-5, King’s shape with foliate and gadroon motifs, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons, twelve table knives, twelve dessert knives, twelve soup spoons, twelve fish forks, twelve fish knives, (hollow handles), twelve coffee spoons, and twelve teaspoons, approx. weight 162oz. (qty) £1,000-1,500

126. A Victorian silver Grecian pattern for twelve, by George Adams, London 1876 and 1877, the reverse of the terminals with a crest, comprising: twelve table forks, twelve tablespoons, twelve dessert forks, and twelve dessert spoons, plus twenty-three worked ivory handled table knives and eighteen dessert knives, approx. weight 128oz. (48) £1,000-1,500

127. A late-Victorian silver Old English pattern canteen for twelve, by George Lambert, London 1899, the terminals with a crest, comprising: twelve tablespoons, twelve table forks, twelve dessert spoons, twelve dessert forks, plus seven ivorine handled table knives and eight dessert knives, approx. weight 99oz. (63) £800-1,200

128. A German silver canteen for twelve, the majority by B.F, with foliate and reeded handles, comprising: eleven table forks, twelve dessert forks, twelve tablespoons, twelve dessert spoons, twelve fish knives, twelve fish forks, twelve table knives, twelve dessert knives, twelve cake forks, twelve teaspoons, eight coffee spoons, a pair of sauce ladles, a pair of carvers, and seven serving pieces, plus other items including an electroplated ham bone holder and eight other items, approx. weighable 155oz. (qty) £800-1,200

The crest is that of Smith of Jordanhill for Sir Henry Babington Smith (1863-1923). In 1894 he became private Secretary to the 9th Earl of Elgin on his appointment as Viceroy of India. In 1898 he married the Viceroy's eldest daughter, Lady Elisabeth Bruce, in India. This canteen was commissioned by the newly-weds on their return to London in 1899.

The crest is that of Haselwood, of Northants and Suffolk.

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129. Ten George II/III silver Hanoverian pattern tablespoons, various maker’s and dates, one with a shell heel, nine with initialled terminals, approx. weight 19oz. (10) £300-400

130. A matched set of twelve Victorian silver Fiddle and Thread pattern tablespoons, by George Adams, London 1843-72, plain terminals, approx. weight 33oz. (12) £250-300

A PRIVATE COLLECTION OF WINE LABELS

131. An early 19th century Scottish provincial silver wine label, by George Booth, Aberdeen circa 1820, rectangular form, canted corners, incised ‘MADEIRA’, length 4.3cm, approx. weight 0.2oz. £100-150

132. A George III silver wine label, maker’s mark IMcC, probably Scottish circa 1800, crescent form, incised ‘MARCELLA’, length 4cm, approx. weight 0.2oz. £100-150

133. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1800, oval eye form, incised ‘WHISKEY’, length 4.8cm, approx. weight 0.2oz. £150-200

134. An early 19th century Scottish provincial silver wine label, by George Booth, Aberdeen circa 1820, rectangular form, reeded borders, incised ‘WHISKY’, length 3.5cm, approx. weight 0.2oz. £100-150

135. A George III silver wine label, by Edward Thomason, Birmingham 1818, narrow rectangular form, incised ‘SOUTERN’, length 6.9cm, approx. weight 0.5oz. £100-150

136. A George III silver wine label, by Peter and William Bateman, London 1812, large scroll form, feather-edge border, incised ‘RUM’, length 6.8cm, approx. weight 0.5oz. £150-200

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137. An early 19th century Scottish provincial silver wine label, by William Jamieson, Aberdeen circa 1820, slender rectangular form, canted corners, reeded border, incised ‘RUM’, length 4.3cm, approx. weight 0.2oz. £150-200

138. A large early 19th century Scottish provincial silver wine label, by William Jamieson, Aberdeen circa 1825, oval form, reeded border, incised ‘PORT’, length 6.5cm, approx. weight 0.7oz. £200-300

139. An early 19th century Scottish provincial silver wine label, by Edward Livingstone, Dundee circa 1800, narrow rectangular form, incised ‘SHERRY’, length 4.1cm, approx. weight 0.1oz. £100-150

140. An early 19th century Scottish provincial silver wine label, by William Ferguson, Elgin circa 1835, shaped form, foliate scroll and shell border, incised ‘WHISKY’, length 5.7cm, approx. weight 0.3oz. £250-300

141. An early 19th century Scottish provincial silver neck-ring wine label, by Joseph Pearson, Dumfries circa 1800, rounded rectangular form, incised ‘CLARET’, length 5.8cm, approx. weight 0.4oz. £150-250

142. A George III Scottish silver wine label, by William Peat, Edinburgh 1815, shaped form, with a cherub handing a wine cup to a reclining bacchanalian figure, inscribed ‘To Mrs M. Whytock for HOME MADE WINE from Cal: Hort: Soc 1816’, rhodium plated, length 7.2cm, approx. weight 1.1oz. £300-500

143. An early 19th century Scottish provincial silver wine label, by David Gray, Dumfries circa 1820, crescent form, incised ‘WHISKY’, length 4.7cm, approx. weight 0.2oz. £150-200

144. An early 19th century Scottish provincial silver wine label, by David Gray, Dumfries circa 1820, shaped rectangular form, incised ‘CLARET’, length 4.5cm, approx. weight 0.2oz. £150-200

145. An early 19th century Scottish provincial silver wine label, by William Ritchie, Perth circa 1810, crescent form, engraved border, incised ‘MADEIRA’, length 4.5cm, approx. weight 0.2oz. £150-200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

146. An early 19th century Scottish provincial silver wine label, by Alexander Stewart, Inverness circa 1810, rectangular form, canted corners, reeded border, incised ‘BRANDY’, length 5cm, approx. weight 0.3oz. £150-200

147. A 19th century silver wine label, marked H.F four times, rectangular form, canted corners, reeded borders, incise ‘MOSELLE’, length 4.8cm, approx. weight 0.2oz. £150-200

148. A George III Scottish silver wine label, maker’s mark of MK conjoined, circa 1790, rectangular form, incised ‘MADEIRA’, length 4.6cm, approx. weight 0.2oz. £150-200

149. An early 19th century Scottish provincial silver wine label, by John Leslie, Aberdeen circa 1800, rectangular form, incised ‘PORT’, length 3.5cm, approx. weight 0.2oz. £100-150

150. An early 19th century Scottish provincial silver wine label, by Robert Keay, Perth 1800, cartouche form, engraved foliate decoration, incised and blackened ‘BRANDY’, length 5cm, approx. weight 0.3oz. £150-200

151. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1800, rectangular form, canted corners, reeded border, with a raised shield pediment, engraved with a crest, incised ‘WHISKY’, length 4.6cm, approx. weight 0.3oz. £150-200 The crest and motto are those of Harvey of Scotland.

152. An early 19th century Scottish provincial silver wine label, by David Gray, Dumfries circa 1820, rectangular form, incised ‘SHERRY’, length 4.6cm, approx. weight 0.4oz. £150-200

153. A George III Scottish provincial silver wine label, by Edward Livingstone, Dundee circa 1800, oval form, incised and blackened ‘HOCK’, length 4.2cm, approx. weight 0.2oz. £200-300

154. An early 19th century Scottish provincial silver wine label, by Andrew Davidson, Arbroath circa 1835, rectangular form, canted corners, engraved border, incised ‘GIN’, length 3.8cm, approx. weight 0.3oz. £300-400

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155. A George IV provincial silver ‘Cutout letter’ wine label, by Barber, Cattle and North, York circa 1825, modelled as the letter ‘C’, plus another George IV provincial silver ‘Cut-out letter’ wine label, by Barber and North, York circa 1825, modelled as the letter ‘P’, approx. weight 0.7oz. (2) £150-200

156. A Victorian silver neck ring, by William Summers, London 1871, pierced with vertical slats and pierced ‘SWEET’, plus another neck ring with a shield cartouche, incised ‘CLARET’, approx. weight 0.9oz. (2) £200-250

158. A William IV silver wine label, by John Fry, London 1831, crescent form, feather-edge border with a raised pierced pediment, engraved with a crest, incised ‘MADEIRA’, plus a similar Victorian one, London 1848, incised ‘SHERRY’, approx. weight 0.7oz. (2) £200-250

159. A George III silver wine label, by Hester Bateman, London circa 1780, crescent form, pierced wavy-edge border, incised ‘PORT’, plus a similar William IV label, by Rawlings and Summers, London 1836, also incised ‘PORT’, approx. weight 0.7oz. (2) £150-200

160. A Victorian silver ‘cut-out word’ wine label, by Henry Dee, London 1869, tilted ‘GIN’ hanging from a rope, length 5.4cm, plus a Victorian label, by Stephen Smith, London 1868, rope-work crescent form, pierced ‘PORT’, approx. weight 1.1oz. (2) £100-150

162. A George III silver wine label, by William Turton and William Walbancke, London circa 1790, crescent form, with a central pierced pediment, bright-cut borders, incised ‘RUM’ and a label of goblet, ribbon and festoon form, by Charles Rawlings, London 1824, incised and blackened ‘RUM’, approx. weight 0.6oz. (2) £150-200

163. A pair of George III silver wine labels, maker’s mark of T.W, unidentified, circa 1780, plain scroll form, incised ‘MARSALA’ and ‘SHERRY’, approx. weight 0.5oz. (2) £200-250

The crest granted in 1663 to Turton, then of West Bromwich, Staffs.

The crest is that for many families including Cole, Jeppy, Rous, Vener and Odell.

161. A George III silver wine label, by Hester Bateman, London circa 1780, plain scroll form, incised ‘MOUNTAIN’ and another similar, unmarked, incised ‘BRANDY’, approx. weight 0.5oz. (2) £100-150

157. Two George III silver wine labels, by Hester Bateman, London circa 1780, scroll form, feather-edge borders, incised ‘MADEIRA’ and ‘PORT’, approx. weight 0.5oz. (2) £250-350

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164. A George III silver wine label, by Richard Redrick, London circa 1780, crescent form, pierced wavy-edge border, incised and blackened ‘W*PORT’, plus a similar larger one by John Rich, London 1804, incised ‘PORT’, approx. weight 0.4oz. (2) £150-200

165. A matched pair of George III silver neck-ring wine labels, one by Phipps and Robinson, London 1805, and one by Phipps and Phipps, London 1816, shaped oblong form, engraved border, incised ‘VIDONIA’ and ‘SHERRY’, length 6.6cm, approx. weight 1.6oz. (2) £100-150

166. A George III silver wine label, by Hester Bateman, London circa 1780, crescent form, pierced wavy-edge border, incised ‘RENISH’, plus a similar smaller one by Hester Bateman circa 1780, incised ‘ELDER’, approx. weight 0.3oz. (2) £200-300

167. A George IV silver wine label, by Mary and Charles Reily, London 1828, shaped cartouche form, foliate and shell border, incised ‘WHISKEY’, length 8.2cm, plus an early 19th century silver wine label, by Joseph Angell, date letter lost in piercing, shaped oval form with cornucopia, pierced ‘PORT’, approx. weight 2.5oz. (2) £200-300

168. A George III silver wine label, by John Reily, London 1813, scroll form, bright-cut borders, raised oval cartouche, incised ‘CLARET’ and another George III label, by Richard Binley, London 1794, pierced ‘SHERRY’, approx. weight 0.6oz. (2) £250-300

169. A 19th century Scottish silver wine label, by J.M , Edinburgh circa 1860, broad rectangular form, foliate borders, incised ‘ISLAY’, plus a Victorian silver label, by Walter Knowles and Co, Sheffield 1846, broad rectangular form, incised ‘BOURGUILLE’, approx. weight 0.6oz. (2) £150-200

170. A George III silver wine label, by Hester Bateman, London 1780, horseshoe form, with nail decoration, incised ‘WHITE WINE’, plus another similar, unmarked, incised ‘MANZANILLA’, approx. weight 0.5oz. (2) £150-200

171. A George III Scottish silver wine label, by Robert Gray and Sons, Glasgow 1819, arched rectangular form, reeded border, shell pediment, incised ‘SHRUB’, plus another label by the same makers, Glasgow 1825, shaped oval form, incised ‘MADEIRA’, approx. weight 0.8oz. (2) £150-200

The crest is that of Blagrove.

172. A matched pair of William IV / Victorian silver ‘Lady Bountiful’ wine labels, by J and J Angell, and Joseph Angell, London 1834 and 1850, with a vine and grape border, pierced and incised ‘BRANDY’, length 5.2cm, approx. weight 0.7oz. (2) £150-200

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173. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1800, rectangular form, canted corners, reeded border, incised ‘SHRUB’, length 4.4cm, approx. weight 0.2oz. £150-200

174. An early 19th century Scottish provincial silver wine label, by William Ferguson, Peterhead, circa 1825, rectangular form, foliate scroll borders, incised ‘CURRANT’, length 4.5cm, approx. weight 0.3oz. £400-600

175. An early 19th century Scottish provincial silver wine label, by George Booth, Aberdeen circa 1820, rectangular form, reeded borders, incised ‘RUM’, length 4cm, approx. weight 0.2oz. £150-200

176. An early 19th century Scottish provincial silver wine label, by Charles Murray Perth circa 1820, rectangular form, canted corners, reeded border, re-titled ‘WHISKEY’, length 4.2cm, approx. weight 0.3oz. £150-200

177. An early 19th century Scottish provincial silver wine label, by Alexander Stewart, Inverness circa 1810, narrow rectangular form, canted corners, incised ‘BRANDY’, length 4.8cm, approx. weight 0.3oz. £150-200

178. An early 19th century Scottish provincial silver wine label, by William Jamieson, Aberdeen circa 1815, rectangular form, canted corners, reeded border, incised ‘WHISKY’, length 3.4cm, approx. weight 0.3oz. £100-150

179. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1810, oval eye form, engraved border, incised ‘RUM’, length 5.2cm, approx. weight 0.2oz. £150-200

180. An early 19th century Scottish provincial silver wine label, by George Booth, Aberdeen circa 1820, rectangular form, incised ‘SHERRY’, length 4.3cm, approx. weight 0.2oz. £150-200

181. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1810, oval eye form, engraved border, incised ‘W. WINE’, length 5.2cm, approx. weight 0.2oz. £150-200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

182. A George III Scottish provincial silver wine label, by Edward Livingstone, Dundee circa 1800, scroll form, feather-edge border, incised ‘RUM’, length 3.7cm, approx. weight 0.1oz. £150-200

183. An early 19th century Scottish provincial silver wine label, by Robert Keay, Perth circa 18020, narrow rectangular form, incised ‘LISBON’, length 3.7cm, approx. weight 0.2oz. £100-150

184. An early 19th century Scottish provincial silver wine label, by William Ferguson, Elgin circa 1835, shaped rectangular form, feather-edge border, incised ‘PORT’, length 4.8cm, approx. weight 0.3oz. £150-200

185. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1810, rectangular form, canted corners, reeded borders, incised ‘MADEIRA’, length 3.5cm, approx. weight 0.2oz. £100-150

186. A George III Scottish provincial silver wine label, by William Scott, Dundee 1780, crescent form, Feather-edge border, incised ‘PORT’, length 4.4cm, approx. weight 0.3oz. £150-200

187. An early 19th century Scottish provincial silver wine label, by David Manson, Dundee circa 1810, rectangular form, canted corners, reeded border with shells, incised ‘WHISKY’, length 3.4cm, approx. weight 0.1oz. £100-150

188. An early 19th century Scottish provincial silver wine label, by William Ritchie, Perth circa 1810-15, rectangular form, canted corners, incised ‘WHISKY’, length 5.5cm, approx. weight 0.3oz. £150-200

189. An early 19th century Scottish provincial silver wine label, by James Erskine, Aberdeen circa 1810, oval eye form, incised ‘RUM’, length 4.8cm, approx. weight 0.2oz. £100-150

190. An early 19th century Scottish provincial silver wine label, by Alexander Mollison, Aberdeen circa 1840, rectangular form, canted corners, incised ‘WHISKY’, length 3.8cm, approx. weight 0.2oz. £150-200

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191. A George III silver wine label, by James Hyde, London 1794, shaped rectangular form, with a pierced pediment, incised ‘RUM’, plus a George III label incised and blackened ‘CALCAVELLA’, London 1802 and another incised ‘SHERRY’, approx. weight 0.9oz. (3) £150-200

192. A small collection of three antique silver wine labels, comprising: one of broad rectangular form, by Thomas Hyde, London, circa 1785, incised ‘HERMITAGE’, plus two by John Reily, incised ‘SHERRY’ and pierced ‘CLARET’, approx. weight 0.9oz. (3) £150-250

193. A collection of three George III silver wine labels, by Thomas Hyde, Phipps and Robinson and Susanna Barker, broad rectangular form, pierced decoration, incised ‘HOCK’, ‘SHERRY’ and ‘CLARET’, approx. weight 0.9oz. (3) £200-300

195. A Victorian silver wine label, by Hawksworth, Eyre and Co, Sheffield 1844, trailing vine form, with bunches of grapes, incised ‘SHERRY’, length 7.7cm, plus two others with Bacchanalian cherubs incised ‘HOLLANDS’ and ‘PORT’, approx. weight 1.3oz. (3) £150-200

196. A small collection of three George III silver wine labels, scroll form, with raised oval pierced pediments, all with crests, comprising: one by James Phipps, London circa 1780, bright-cut border, incised and blackened ‘FRONTINIAC’, plus one by Hester Bateman, incised ‘PORT’, and one by Margaret Binley incised ‘CLARET’, approx. weight 0.8oz. (3) £250-300

The crest is that of Berger, Chrystie, Crabb, Deaves and Madox.

194. A set of three George III silver wine labels, by Thomas and James Phipps, London 1817, broad rectangular form, gadroon border, engraved with a crest, incised ‘VIN DE GRAVE’, ‘PORT’ and ‘SHERRY’, length 5.5cm, approx. weight 3.6oz. (3) £150-250 The crest is that of Butler.

The crest are those of Gepp, Adeane, Shorter, Blackwell and other families.

197. A set of three electroplated wine labels, shaped oval form, with lion pelt decoration, gadroon border, applied ‘MADEIRA’, (x2) and ‘SHERRY’, length 8cm. (3) £100-150

198. A pair of Victorian silver wine labels, by Hilliard and Thomason, Birmingham 1893, shaped form, with Bacchanalian cherubs with a ewer and urn and trailing grape vines, incised ‘IRISH’ and ‘BRANDY’, plus another similar, untitled, approx. weight 1.2oz. (3) £200-300

199. A pair of George IV silver wine labels, by Charles Rawlings, London 1822, rectangular form, canted corners, reeded borders, raised shield cartouches, incised ‘PORT’ and ‘MADEIRA’, plus a similar label, incised ‘CLARET’, approx. weight 1.1oz. (3) £150-250

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

200. A collection of three George III silver wine labels, including one by Phipps and Robinson, London 1793, broad rectangular form, with a raised pierced shield pediment, engraved with crests, incised ‘SHERRY’, ‘SHRUB’ and ‘MADEIRA’, approx. weight 1oz. (3) £200-300

201. A collection of three provincial silver wine labels, comprising: one by Barber, Cattle and North, circa 1825, incised and blackened ‘MADEIRA’, plus two by Barber and Whitwell, York, incised ‘RUM’, and ‘SHERRY’, approx. weight 1.2oz. (3) £250-300

The crest is that of Cuming of Scotland.

202. A small collection of three George III silver wine labels, scroll form, with raised oval pierced pediments, two with crests, comprising: one by James Phipps, London circa 1780, feather-edge border, incised ‘PORT’, plus one incised ‘CALCAVELLA’, and one by John Rich, London circa 1780, pierced ‘SHERRY’, approx. weight 0.9oz. (3) £200-300 The crest is that of Graham, created Dukes of Montrose in 1707.

203. A collection of three antique silver wine labels, various dates and makers, circular form, two with reeded borders and incised ‘SHERRY’ and ‘BRANDY’, plus one label incised and blackened ‘P’, approx. weight 1.2oz. (3) £200-300

204. A set of three George III silver wine labels, by Emes and Barnard, London 1818, shaped rectangular form, foliate and shell decoration, pierced ‘CLARET’, ‘PORT’ and ‘MADEIRA’, length 5.3cm, approx. weight 2.3oz. (3) £150-200

205. A small collection of three late 18th/early 19th century silver wine labels, urn and festoon form, bright-cut borders, comprising: one by Joseph Taylor, Birmingham 1795, incised ‘WHITE’, plus one by Charles Fox, London 1826, incised ‘AMONTILLADO’, and one London 1805, incised and blackened ‘PORT’, approx. weight 1oz. (3) £200-300 The crest is that of various families including Badley, Osborne, Jackson, Salmon and Rattray.

206. A collection of three George III silver wine labels, crescent form, comprising one by Josiah Snatt, London 1812, incised ‘TENERIFFE’, one by Phipps and Robinson, incised and blackened ‘WHITE WINE’, and one unmarked, incised and blackened ‘W. PORT’, approx. weight 0.8oz. (3) £150-250

207. A collection of three Newcastle silver wine labels, comprising: a pair by John Robertson, Newcastle circa 1800, shaped rectangular form, incised and blackened ‘RUM’ and ‘BRANDY’, plus one by Thomas Watson, Newcastle 1803, incised ‘SHERRY’, approx. total weight 1.5oz. (3) £120-180

208. A matched set of three George III silver wine labels, by Richard Binely, London circa 1765, plain crescent form, incised ‘WHITE WINE’, ‘MADEIRA’ and ‘CLARET’, length 4.8cm, approx. weight 1.2oz. (3) £150-250

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OTHER PROPERTIES

209. A Chinese silver tea canister, by Leun Wo, Shanghai circa 1920, circular bellied form, with cherry blossom on a matted background, pull-off cover, height 10cm, approx. weight 6oz. £150-200

210. A pair of Chinese silver vases, circa 1920, tapering circular form, with embossed foliate and bird decoration, on a matted background, pierced blossom handles, on raised circular bases, height 17.5cm, approx. weight 10oz. (2) £400-600

211. A Chinese silver cocktail shaker, by Wing Nam and Co, Hong Kong circa 1935, tapering circular form, engraved with landscape scenes with figures and buildings, pull-off cover, inscribed ‘Presented to Mrs E. R. C. MacVicker by the Crew of H.M.S Otus, as a token of esteem 1933-35’, height 23cm, approx. weight 11oz. £400-600

212. A small collection of Indian silver items, comprising: a bottle of cylindrical form, chased foliate scroll decoration on a matted background, pull-out stopper, a cigarette box of rectangular form, chased foliate decoration, gilded interior, a vase of tapering circular form, and a small cigarette box, height of vase 29.5cm, approx. weight 40oz. (4) £400-600

213. A Chinese silver model of a junk, circa 1920, the deck mounted with five canons, on a carved hardwood stand, in a fitted wooden case, height 23.5cm, £200-300

214. A Chinese silver bowl, by Luen Wo of Shanghai, circa 1920, shaped circular form, applied with a dragon, on a shaped raised circular base, diameter 19.3cm, approx. weight 26.8oz. £800-900

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

215. A German silver dish, by Carl Frey and Son, circular form, embossed foliate and scroll decoration, with three oval cartouches, plus an Austrian silver dish, maker’s mark of A.K, of pierced circular form, diameters 33.4cm and 29.3cm, approx. weight 36oz. (2) £300-400

216. Three late 19th / early 20th century French silver-mounted Chinese Famille Rose stem cups, maker’s mark P.C on a lozenge, with hinged tipping covers, engraved foliate borders, the ceramic bodies with stylised lotus and ‘Chou’ decoration, one badly damaged, height of tallest 13cm. (3) £200-300

217. A German silver sugar box and cover, retailed by Somme, lobed circular form, domed hinged cover, length 13cm, plus German silver tea canister, of octagonal form, embossed with figures and foliate scroll decoration, and a Scottish silver sugar bowl, oval form, Edinburgh 1805, approx. weight 21oz. (3) £250-300

218. A German silver gallery tray, by Carl Frey and Son, circular panelled form, pierced scroll decoration, moulded border, diameter 31cm, approx. weight 16oz. £200-300

219. An Egyptian silver dish, circa 1950, circular form, pierced and engraved vine border with an applied outer vine border, on three pierced bracket feet, diameter 38cm, approx. weight 39oz. £250-300

220. A 19th century Chinese Export silver salver, by Wongshing, circa 1850, circular form, foliate and shell border, the centre chased with foliate leaf decoration on a matted background, on three paw feet, diameter 32cm, approx. weight 49oz. £500-700

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221. A 19th century Indian silver colonial pepper pot, by Charles Nephew and Company, Calcutta circa 1850, cylindrical form, the screw-off cover with a slide-action locking device, inscribed ‘CAYCANE’, height 6.7cm, approx. weight 3.4oz. Provenance: John Reeves, FRS, Naturalist, (1774-1856), and thence by descent to the present owner. £150-200

222. A 19th century Indian silver Colonial pap boat, by Hamilton and Co, Calcutta, circa 1830, oval form, gadroon border with a shell and scroll motif, length 13.3cm, approx. weight 3.7oz. £200-300

223. An Indian silver card case, unmarked circa 1890, rectangular form, embossed with running animals and birds in a forest setting, with an initialled cartouche, the reverse with figures, length 10cm, approx. weight 4oz. £120-150

224. A small Danish silver tankard, by Svend Toxvaero, circa 1950, in the 17th century manner, circular form, embossed foliate decoration, scroll handle, the hinged cover set with a coin, on three pomegranate feet, height 11.5cm, approx. weight 11.8oz. £150-200

225. A late 18th century French silver beaker, Paris 1793, maker’s mark L.T crowned, tapering circular form, the raised circular base with a trailing grapevine border, plus another French beaker of similar form, heights 11.5cm and 11cm, approx. weight 8.2oz. (2) £300-400

226. Two 19th century French silver wine tasters, circular form, one plain with a double snake ring handle, by ‘P.Roch’, and one with fluted and beaded decoration, inscribed, lengths 10.8cm and 10cm, approx. weight 5.4oz. (2) £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

227. A pair of American silver candlesticks, by James Samuel Bell & Louis Willmott, New Jersey circa 1920, the columns mounted with three cherubs, the capitals with female masks, detachable drip pans, on raised circular bases with foliate decoration, height 22cm. (2) £300-400

228. A 19th century continental silver inkwell, globe form, the hinged cover with a duck finial, rope-work borders, with a glass liner, on a raised circular foot on a wooden base, height 13.5cm. £150-200

229. A pair of American silver candlesticks, by The International Silver Company, Connecticut, baluster form, urn shaped capitals, on raised circular bases, height 23.5cm. (2) £200-300

230. A 19th century Portuguese silver toothpick holder, Oporto, modelled as the standing figure of a blacksmith, on a raised circular fluted base on four pierced foliate scroll feet, with a central foliate urn holder, height 22cm, approx. weight 8.9oz. £150-200

231. A pair of American silver candlesticks, by Bakes, baluster form, urn shaped capitals, on raised circular bases, with gadroon borders, height 22.8cm. (2) £200-300

232. An American silver teapot, by Gorham and Co, retailed by Mermoid and Jaccards, circa 1900, ovoid form, carved ivory scroll handle, beaded borders, the hinged cover with an urn finial, engraved with a monogram, on a raised circular foot, height 15.5cm, approx. weight 10.5oz. £200-300

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233. A pair of late 19th century German silver graduated jardinières, by Koch and Berffeld, also stamped Gutruf, oval form, foliate and beaded borders, on four bun feet, initialled, with metal liners, length 47cm and 30cm, approx. weight 70oz. (2) £800-1,200

234. A pair of German silver dishes, by Friedlaender, rectangular form, spot hammered decoration, angular stepped handles, on four bracket feet, plus a smaller similar German dish, by the same maker, lengths 36cm and 28cm, approx. weight 53oz. (3) £300-500

235. A German silver entrée dish and cover, by Carl Frey and Son, lobed circular form, domed pull-off cover with a detachable handle, plus a German silver double-lipped sauce boat and stand, foliate and thread border, gilded interior, a butter dish and cover, with a carved ivory ball finial, by Friedlaender, circa 1920, and a circular dish, approx. weight 69oz. (4) £400-600

236. A pair of German silver meat platters, by Carl Frey and Son, oval form, moulded border, length 54.5cm, approx. weight 106oz. (2) £800-1,200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

237. A twelve-piece Indian silver tea set, by Mawji Raghavji, Bhuj, Cutch, circa 1900 circular form, chased foliate decoration on a matted background, scroll handles, wooden insulators, on four ball feet, the covers lacking finials, the tray of shaped oval form, chased foliate decoration, on four bracket feet, with four cups and saucers of circular form, with matted decoration and scroll handles with wood insulators, in a fitted wooden case, the cover inscribed ‘M.K.S.V of Cutch’, length of tray handle to handle 63cm, approx. weight 171oz. (12) £2,000-3,000

238. A 19th century Australian silver-mounted emu egg inkstand, unmarked, circa 1875, the egg with pierced mounts and drop ring handles, the hinged cover modelled as a standing emu, applied with an inscribed plaque ‘presented to Edward Blondell by the Eagle Farm Sabbath School, Queensland, 1875’, on a raised oval foot on an ebonised oval vase, length 19cm. £400-600 Provenance: from the collection of Dr Venetia Newall.

239. A Burmese silver rice bowl, unmarked, circular form, heavily embossed with figures, with foliate scroll borders and decoration, diameter 29cm, approx. weight 63oz. £800-1,000

240. A suite of three continental silver dishes, one with a test scrape, but otherwise apparently unmarked, probably Portuguese, 19th century, lobed circular form, the larger dish embossed with a fisherman and animals within foliate scroll decoration, diameters 48.5cm, 29.3cm and 29.2cm, approx. weight 64.9oz. (3) £800-1,200

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241. A late-18th / early 19th century French silver-gilt vase on stand, Paris 1797-1809, urn form, with rams’ heads and fluted decoration and with an applied border, pull-out liner, on a raised square plinth applied with four lion’s heads, height 24.3cm, approx. weight 28oz. £300-500

242. An early 19th century French silver-gilt two-handled sugar bowl and cover on stand, Paris 1819-39, circular form, applied with foliate and mask decoration, leaf capped scroll handles, beaded borders, on a raised circular foot, the stand of circular form, with a beaded border, length handle to handle 18cm, approx. weight 17.5oz. (2) £150-200

243. A French silver tureen and cover, by Lebrun, Paris, oval form, gadroon border, fluted leaf capped handles, the pull-off cover with a fluted handle and beaded border, engraved with an initial, length 36.5cm, approx. weight 71oz. £700-900

244. A Russian silver-gilt and enamel throne salt cellar, maker’s mark of Savikov, unknown assay master, Moscow 1895, the tapering rectangular throne seat with a hinged cover, the back with a castellated border, with two colour blue, red and pink foliate decoration, on a matted background, height 8.6cm, approx. weight 4.2oz. £500-700

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

245. An early 17th century German parcel-gilt silver tankard, by David Eckirch, Augsburg circa 1610, also marked with an Austro-Hungarian duty free stamp 1809/10 for older works, and a later Austro-Hungarian tax mark, tapering circular form, chased foliate scroll and fruit decoration on a matted background, scroll handle, the domed hinged cover with a pierced thumb-piece and knop finial, on a spread circular base, height 13.5cm, approx. weight 12.5oz. £2,000-3,000 David Eckirch was born into a family of goldsmiths at Ulm in 1569. He became a master goldsmith in 1601. He died in 1613. For a similar tankard by this maker see Sotheby’s London, Dr. Heller’s Lexicon, 4 December 2012, lot 42.

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246. A Russian silver-gilt egg, by Grachev, Moscow circa 1915, pull-off cover, matted decoration, length 6.5cm, plus two metal ware and enamel eggs, with vari-coloured cloisonné enamelled decoration, approx. weighable 2.2oz. (3) £300-400 Provenance: from the collection of Dr Venetia Newall.

247. A collection of three Russian silver travelling egg cup sets, various makers, egg form, the egg opens to reveal two screw-out bases which form two egg cups, one with niello decoration, one silver-gilt with engraved decoration and one embossed, plus a silver and niello work egg cup/ miniature goblet, probably Turkish, the centre with a fish, approx. total weight 9oz. (4) £300-400 Provenance: from the collection of Dr Venetia Newall.

248. By The Franklin Mint, two modern silver-gilt and enamel eggs, 1987 and 1991, one musical, with blue enamelled decoration, which opens to reveal a firebird and diamond and enamel brooch, the underside inscribed ‘The Fabergé Firebird Egg, House of Igor Carl Fabergé, the other with pink enamelled decoration on a hard stone base, the cover pulls-off to reveal a basket of flowers, the base inscribed ‘ House of Fabergé presents The Fabergé Rose Bouquet 96’, heights 16.5cm and 15.5cm. (2) £400-600

249. By Fabergé, A Russian silver egg, the gold thumb-piece and body with work master’s mark of Henrik Wigstrom, ovoid form, fluted decoration, the hinged cover with a gold thumbpiece set with a sapphire, gilded interior, length 6.5cm, approx. weight 2.5oz. £1,000-1,500 Provenance: from the collection of Dr Venetia Newall.

Provenance: from the collection of Dr Venetia Newall.

250. A fine Russian silver-gilt niello work and gem set spoon, possibly by Alexander Kordes, assay master Nikolay Dubrovin, Moscow 1834, the reverse of the bowl with a firebird and foliate decoration on a matted background, the tapering handle set with turquoise cabochons, length 17.5cm, plus a set of six silver-gilt and niello work teaspoons, the reverse of the bowls with architectural scenes, and two further spoons, approx. weight 6.5oz. £200-300

251. A Russian silver-gilt and enamel box, by Feodor Ruckert, Moscow 1908-17, rectangular form, with varied coloured foliate enamel decoration with a dark blue border, set with coloured stones, length 9.2cm, approx. weight on a matted background rope-work borders, on an oval foot, length 15.8cm, approx. weight 5oz. £300-400 Feodor Ruckert was one of Fabergé’s workmasters, He specialised in cloisonné enamel for the Moscow workshop. He also worked independently for himself and for other retailers.

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Each lot is subject to a Buyerâ&#x20AC;&#x2122;s Premium of 26.4% inclusive of VAT @ 20%

252. A pair of late 19th century silver-mounted cut-glass claret jugs, by Shanks and Co, Moscow 1890, Assay master unknown, the plain mounts with a monogram and with a stylised mythical dolphin scroll handle, the hinged cover with a shell thumb-piece and engraved with a monogram, hobnail and star cut decoration, height 26cm. (2) ÂŁ3,000-4,000

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reverse

253. A 19th century Russian silver and niello work snuff box, Moscow 1884, rectangular form, the cover with two horses and riders, the base with a port scenes, the sides with trellis decoration, length 8cm, approx. weight 2.4oz. £150-200

254. A 19th century Russian silver and niello work cheroot case, Moscow 1865, assay master Viktor Savinkov, rectangular envelope form, sprung hinged cover, with a locking mechanism, chequer board decoration with a vacant shield cartouche, the base with a view of the Kremlin, length 10.4cm, approx. weight 4.6oz. £300-400 Provenance: from the collection of Mrs Igor Vinogradoff, and then by descent to the present owner.

Provenance: from the collection of Mrs Igor Vinogradoff, and then by descent to the present owner. Purchased Christie’s 2 Feb 1960, lot 149 (part).

255. A late-19th century Russian silver and enamel unidentified item, horse shoe form, with a ring attachment, one side with vari-coloured enamel foliate scroll decoration on a matted background, with traces of gilding, length 9cm. £100-150

256. An early 19th century Russian silver snuff box, maker’s mark unidentified, assay master Nikolay Dubrovin, Moscow circa 1830, modelled as a recumbent pug dog, with later red eyes, the hinged base with fluted decoration, length 7cm, approx. weight 1.4oz. £700-900

257. A late-19th century Russian silver tea glass holder, assay master unknown, Moscow 1896, maker’s mark possibly that of Grachev, also marked with a French import mark, the scroll handle formed by two intertwined snakes, wire-work frame, on a circular foot, height 9cm, approx. weight 4.5oz. £150-200

258. A collection of fourteen miniature silver tables and chairs, various dates and makers, comprising: three tables, four settees, a stool and seven various chairs, approx. weight 7.2oz. (14) £200-300

259. A small collection of silver miniatures, comprising: a chamber stick of heart shape, Birmingham 1891, a chamber stick of circular form, Chester 1893, plus a miniature jug and a caddy spoon, approx. weight 1.4oz. (4) £100-150

260. A George IV silver miniature silver chamber stick, by Joseph Willmore, Birmingham 1829, naturalistic leaf form, with a conical snuffer, length 5.6cm, plus a 19th silver-mounted tortoiseshell card case, carved decoration, inscribed ‘I.M. Whitehead’, length 8.5cm. (2) £150-200

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261. A Victorian novelty silvermounted letter knife, by S. Mordan and Co., London 1895, ivory blade, the handle modelled as an owl, with textured feathers, and inset with glass eyes, length 23.2cm. £300-400

262. A Victorian silver travelling pocket apple corer, by George Unite, Birmingham 1866, plain tapering circular form, with a ropework border, full length 13.8cm, approx. weight 1oz. £100-150

263. A Chinese silver letter knife, by Wang Hing, plain blade, the handle modelled as a dragon, length 27.5cm, approx. weight 3.8oz. £300-400

264. A George III silver sealing wax and taper holder, by T. Phipps and E. Robinson, London 1804, rectangular form, separating into two sections, one with a hinged cover, inscribed ‘Matthew Gwyn Esq. Neath, Glamorganshire’, length 18cm, approx. weight 3oz. £200-300

265. A silver king, possibly a caricature of King Alfred, by F.J Ross and Sons, of Winchester, London 1924, flat form, with engraved details and holding an orb and sword, length 8.4cm, approx. weight 0.5oz. £100-150

266. A late 17th / early 18th century silver penner / quill case, the base with traces of a maker’s mark, of trefoil cylindrical form, the pull off cover with a matrix, engraved with a coat of arms, length 12.5cm, approx. weight 1.5oz. £150-200

267. A Victorian silver whistle pencil, by S. Mordan and Co, the cylindrical extending pencil mounted with a whistle terminal, with a loop and ring attachment, length 6.8cm, approx. weight 0.5oz. £180-220

268. A Victorian novelty silver pencil, unmarked, probably by S. Mordan and Co, modelled as a gin bottle with an enamelled label ‘Genuine Hollands, GENEVA, J.D.K. &Z, Rotterdam’, with a ring attachment, length closed 3.8cm, approx. weight 0.4oz. £200-250

269. A Victorian gold novelty telescopic pencil, unmarked, modelled as an umbrella, twist-action mechanism, with a pearl handle and ring attachment, length closed 5.2cm, approx. weight 4g. £150-200

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270. An early 19th century Chinese silver-mounted mother-of-pearl snuff box, unmarked, rectangular form, canted corners, the panels carved with figural and landscape scenes, reeded mounts, plain thumb-piece, length 8.5cm. £300-400

271. An 18th century gold mounted shagreen watch case, unmarked, circular form, the hinged cover and base with a stud-work border, diameter 5.5cm. £200-300

272. An early 18th century Dutch silver and mother-of-pearl tobacco box, by Willem Wobbe, Amsterdam 1735, rectangular form, canted corners, plain mounts with moulded borders, the motherof-pearl cover and base engraved with biblical scenes and with inscriptions, length 11.2cm. £300-400

273. An early 19th century Scottish silver-mounted agate vinaigrette, unmarked, circa 1820, rounded rectangular form, reeded sides, agate cover and base, the hinged cover opens to reveal an unmarked silver-gilt grille, pierced and engraved with thistles, (hinge a.f), length 4.8cm, plus an 18th century silver-gilt and coloured glass box, the cover with a simulated blue and brown hardstone panel, the interior with two compartments with hinged covers, the inside of the cover set with a mirror, length 6.8cm. (2) £300-500

274. A silver mounted tortoiseshell powder flask, unmarked, probably second half of 18th century, with a screw-action pouring spout, with a ring attachment and on four cast feet, length 11.3cm. £300-400

275. A 19th century Norwegian silver Hovedvansaeg, Bergen circa 1820, heart form, the hinged cover with a silvergilt crown, inscribed, length 6.8cm, approx. weight 0.7oz £250-300

276. A 19th century French silvermounted box, of rectangular form, lacquered sides, the hinged cover with silver and mother-ofpearl, the interior fitted with two compartments, length 5.8cm £150-200

277. An 18th century gold-mounted agate dish, circa 1750-60, cartouche form, plain mount, length 7.5cm. £200-300

278. An 18th century silver-mounted mother-of-pearl snuff box, unmarked, rectangular form, the panels carved with figural scenes, engraved mounts, pierced thumb-piece, length 7.8cm. £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

279. A Victorian silver box, by Abraham Brownett & John Rose, London 1859, rectangular form, engine-turned decoration, the hinged cover with a vacant cartouche, gilded interior, length 16.2cm, approx. weight 10oz. £300-400

280. A Chinese silver snuff box, marked with Chinese characters and ‘85’, rectangular form, the hinged cover and base with chased foliate decoration and with a vacant cartouche, and plain thumbpiece, length 6.6cm, approx. weight 2.5oz. £200-300

281. A 19th century silver and niello work snuff box, maker’s mark Pierre-Adrien Guichard, circa 1850, rectangular form, the foliate niello work decoration, gilded interior, length 7.3cm, approx. weight 2.2oz. £150-200

282. A Victorian silver snuff box, by George Unite, Birmingham 1875, oblong form, engine-turned decoration, the hinged cover with a foliate thumb-piece and with a crest within a strap cartouche, plain tapering circular form, 9.3cm, approx. weight 2.9oz. £100-150

283. A 19th century French silver and niello work snuff box, maker’s mark of L.B in a lozenge, oval form, the cover, tapering sides and base with geometric decoration, gilded interior, length 7.8cm, approx. weight 2.3oz. £200-300

284. A George III silver snuff box, by Matthew Linwood, Birmingham 1817, cartouche form, swirl-fluted decoration, hinged cover, gilded interior, length 8.3cm, approx. weight 1.9oz. £200-300

286. A Victorian silver snuff box, by Cronin and Wheeler, Birmingham 1846, rounded rectangular form, engraved foliate and engine-turned decoration, initialled, length 9cm, plus a George III silver snuff box, by John Shaw, Birmingham 1806, rectangular form, engraved Greek Key and foliate decoration, length 7.2cm, approx. total weight 4.6oz. (2) £200-300

287. A late-19th century AustroHungarian silver and niello work snuff box, maker’s mark FB, rectangular form, with foliate scroll niello decoration, the hinged cover with swags and drapes and with a central initialled cartouche, length 9.8cm, approx. weight 3oz. £200-300

The crest is that of Alcock, Hancock, Mallet, Perrin, Rigg and many other families.

285. A 19th century Austro-Hungarian silver and niello work snuff box, maker’s mark C.R, rectangular form, the hinged cover with scene of a deer being chased by a huntsman and dog, within foliate scroll decoration, the sides and base with similar decoration, length 10cm, approx. weight 3oz. £200-300 Provenance: From the collection of Mrs Igor Vinogradoff, and then by descent to the present owner.

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288. An early-Victorian naturalistic silver inkstand, by Joseph Willmore, Birmingham 1839, of branch and lotus leaf form, with a scroll handle, central glass inkwell with a pull-off cover, the front with a letter rack/pen rest, length 16cm, approx. weight 2.7oz. £300-400

289. A matched pair of Victorian silver graduated playing card boxes, one by Samuel Jacob, London 1899, one by Gibson and Langman, London 1899, modelled as sedan chairs, with foliate scroll decoration, inscribed, height 9.5cm and 5.8cm, approx. weight 6.7oz. (2) £200-300

290. An Edwardian novelty silver owl head string holder, by W & G Neal, London 1906, the head set with glass eyes, pull-off base with a beaded border, diameter 6.5cm, approx. weight 4oz. £200-300

291. A silver dressing table box, by Nathan and Hayes, Chester 1907, shaped rectangular form, domed hinged cover, stylised borders, the hinged cover opens to reveal a velvet lined interior with spaces for rings, the front with a pull-out drawer, on four bracket feet, length 14.5cm. £300-500

292. A novelty silver dressing table box, by A and J Zimmerman, Birmingham 1922, modelled as a low boy, the hinged covers open to reveal a silk lined interior, on four barley-twist legs, height 10cm. £200-300

293. A 19th century silver-mounted cowrie shell snuff box, unmarked, with a hunting scene, on a Victorian silver stand, London, 1889, length 9cm. £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

294. An Edwardian Art Nouveau silver photograph frame, by W J Myatt & Co, Birmingham 1904, rectangular form, with sinuous foliate decoration on a textured background, velvet easel back, later wooden strut, height 18.2cm, plus another Edwardian Art Nouveau silver photograph frame, by A and J Zimmerman, Birmingham 1904, rectangular form, with sinuous foliate decoration on a textured background, velvet easel back, later wooden strut, height 10.3cm. (2) £150-200

295. An Edwardian Art Nouveau silver photograph frame, by A and J Zimmerman, Birmingham 1906, rectangular form, with sinuous foliate decoration on a textured background, velvet easel back, height 29cm. £150-200

296. A late-Victorian silver photograph frame, by James Samuel Bell & Louis Willmott, London 1896, rectangular form, with applied wire-work mounts, easel back, height 23.5cm. £150-200

297. An Edwardian silver photograph frame, by S. Blanckensee and Sons Limited, Birmingham 1905, also marked with a registration number, shaped upright rectangular form, embossed with a standing Viking in a long boat pulled by two swans and with a cherub at the helm, wooden easel back, height 23cm. £500-700

298. An Edwardian silver-mounted stationery wallet and blotter, by Mappin and Webb, London 1907, retailed by Asprey, rectangular form, foliate border, the centre with a crest, the red leather back, length 28.7cm. £150-200

299. A set of six silver-gilt sandwich flags, by Albert Sydenham, Birmingham 1936, with pull-out plastic sandwich names, and additional names, in a fitted case, height 7.5cm. £150-200

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300. A Victorian silver-mounted tortoiseshell tea caddy, unmarked, octagonal form, the hinged cover inlaid with a shield cartouche and foliate mantling, ivory stringing, height 8.5cm. £400-600

301. A late-Victorian silver-mounted tortoiseshell playing cards box, by Saunders and Shepherd, Chester 1897, rectangular form, the hinged cover mounted with the playing card suits in silver, and with a playing card under glass, the interior of the hinged cover set with two whist markers, length 10.2cm. £300-400

302. An 18th century silver-mounted ivory snuff mull, waisted oval form, the rim inscribed ‘Charles Anderson Weaver born in the year 1712’, the hinged cover applied with an oval cartouche, engraved with an armorial and inscribed and dated ‘Chas. Anderson 1767’, the hinge damaged and cracks to ivory, height 6.2cm. £150-200

303. An 18th century silver and shagreen box, the base with a worn maker’s mark ?R, oval cylindrical form, silver base and cover, the flush-hinged cover set with a compass, height 8cm. £1,500-2,000

The shield of that of The Worshipful Company of Weavers.

304. A small collection of three silver-mounted cigarette boxes, comprising: a silver one by George Betjemann & Sons Ltd, London 1924, rectangular form, the hinged cover set with crocodile skin, length 16.5cm, plus a silver-mounted coromandel box, by M Chapman, Son & Co Ltd, London 1902, and a silver-mounted snake skin box, London 1918, with ivory stringing, the cover with an inscribed shield ‘A Token of Appreciation from the M.T.R.A.S.C Workshop Boys, Bulford Camp, 13.12.19’, length 12.5cm. (3) £250-300

305. A five-piece silver and tortoiseshell dressing table set, by Collett & Anderson, London 1920, comprising a hand mirror, two hair brushes and two clothes brushes, with inlaid decoration, inscribed, plus a silver and tortoiseshell mounted glass toilet jar, two brushes and two clothes brushes. (10) £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

306. A 17th century continental silver reliquary, unmarked, oval form, applied wavy wire-work borders, central ring attachment, the front with a fragment and label within a scroll border, under rock crystal, the reverse with a wax seal, length 4.2cm. £300-400

307. A seventeenth century silver-gilt mounted rock crystal crucifix, probably German, Augsburg, maker’s mark N?, the cross with foliate mounts to the ends and mounted with Christ, at the base of the cross two figures, on a raised tapering square base with canted corners, on four ball feet, the cross is cracked and repaired, height 11cm. £800-1,200

308. A presentation Britannia standard silver snuff box, by Lee and Wigfall, Sheffield 1924, tapering rectangular form, the flush hinged cover, engraved with the shield of the Worshipful Company of Ironmongers of the City of London and inscribed ‘all this done upon the gad’, ‘King Lear 1,2’ and ‘30 June 1925’, length 9cm, approx. weight 3.7oz. £150-200

309. A continental silver panel, apparently unmarked, probably German, possibly 17th century, rectangular form, canted corners, embossed with a classical figural scene, under glass in a fitted frame, length 12 cm, length of frame 22.8cm. £300-400

310. A Victorian silver-mounted snake skin stationery box, by John Braisher, London 1889, rectangular form, slanted hinged cover, applied with foliate scroll decoration, and with an initialled cartouche, blue fitted interior, with a lock and key, length 22.8cm £200-300

311. A modern silver collapsible box, by the Adie Brothers, Birmingham 1961, rectangular form, engine turned decoration, the base engraved with the badge of ‘NO NAIL BOXES LTD’, the inside of the cover inscribed ‘Bramwell Bernard Snell 1943-1962’, length 13.5cm, approx. weight 9.8oz. £150-200

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312. A Victorian silver vinaigrette, by Wheeler & Cronin, Birmingham 1843, rectangular form, scroll borders, engraved foliate scroll decoration, applied with a shield cartouche, the interior with a pierced and engraved foliate scroll grille, length 5.2cm, approx. weight 1.3oz. £150-200

312 313. A George IV silver-gilt watch vinaigrette, by Lawrence & Co, Birmingham 1828, circular form, with engine-turned decoration, the interior with a hinged pierced foliate scroll grille, initialled, diameter 2.8cm, approx. weight 0.4oz. £150-200

313 314. A George III silver-gilt vinaigrette, by John Shaw, Birmingham 1813, rectangular form, engraved and engineturned decoration, the hinged cover with a vacant cartouche, the interior with a pierced and engraved foliate grille with a cornucopia, length 4.2cm, approx. weight 1oz. £200-300

314 315. A George III silver vinaigrette, by Joseph Willmore, Birmingham 1807, oval form, fluted shell hinged cover and base, pierced and engraved silver-gilt grille, with a ring attachment, length 3.3cm, plus a Victorian silver vinaigrette, by Gervase Wheeler and Co, Birmingham 1857, rectangular form, engine-turned decoration, pierced foliate scroll grille, approx. total weight 1.2oz. (2) £200-300

315 316. A Victorian silver whistle vinaigrette, by George Unite, Birmingham 1875, tapering circular form, chased with foliate scroll decoration, on a matted background, the hinged cover opens to reveal a pull-out pierced and engraved foliate scroll grille, with a ring attachment, length 6.5cm, approx. weight 0.7oz. £200-300

316

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

317. A George III silver patent slideaction vinaigrette, by Daniel May, London 1801, also stamped Patent, rectangular form, canted corners, the hinged cover with engraved foliate decoration and with a push button that opens two eye holes, gilded interior, length 3.2cm, approx. weight 0.5oz. £300-400

317 318. An 18th century silver egg vinaigrette, unmarked, ovoid form, chased foliate decoration, the interior with a pull-out pierced grille, length 4cm, plus a 19th century continental silver egg vinaigrette, of fluted form, the hinged cover opens to reveal a pierced grille, length 4.7cm, approx. weight 1.3oz. (2) £200-300 Provenance: from the collection of Dr Venetia Newall. 318 319. A George III silver nutmeg grater, by Joseph Willmore, Birmingham 1809, rectangular form, canted corners, the hinged cover and base with engraved foliate decoration, the interior with a hinged grater, length 3.3cm, approx. weight 0.7oz. £300-400

319 320. A George III silver nutmeg grater, by Phipps and Robinson, London 1792, oval form, the hinged cover and base with engraved decoration, the cover with a vacant cartouche, length 5.2cm, approx. weight 1oz. £350-400

320 321. A George III silver nutmeg grater, by Phipps, Robinson and Phipps, London 1812, oblong form, hinged cover and base, the cover with a crest, length 5.3cm, approx. weight 1.8oz. £400-600

321

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322. A Victorian silver and enamel vesta case, by L. Emmanuel, Birmingham,1886, rectangular form, the front enamelled with the head of a deer hound, the reverse inscribed ‘F.H. Kingsbury’ length 5cm, approx. weight 0.9oz. £300-400

323. A late 19th century American silver and enamel vesta case, rectangular form, the front enamelled with a gentleman’s and lady’s feet in four stages, 1. meeting, 2. walking together, 3. lying down together and 4. getting amorous, with a ring attachment, length 4.2cm, approx. weight 0.7oz. £300-400

324. A Victorian silver and enamel vesta case, by J. Hillcox, Birmingham, possibly 1885, rectangular form, the front enamelled with the head of a boxer dog, the hinged cover with a ring attachment, length 4cm, approx. weight 0.5oz. £200-300

325. A pair of Victorian silver ribbon threaders, with import marks for London 1898, importer’s mark of John Smith, of stork scissor form, the interior with a baby, ring handles, on a tortoise base, plus a George III silver apple corer, by Phipps and Robinson, London 1797, turned baluster green stained ivory handle, and a late-Victorian silver card case, by William Harrison Walter, London 1894, with raised reliefs of visitors arriving in a classical and woodland setting, approx. total weight 4oz. (3) £250-300

326. A late 19th century American silver vesta case, by Gorham, shaped rectangular form, modelled as a stylised caricature of an oriental man, the hinged cover with a ring attachment, length 4.5cm, approx. weight 0.5oz. £100-150

327. A Victorian silver scent bottle, by George Unite, Birmingham 1885, cylindrical form, with chased foliate and fluted decoration, length 6.3cm, plus a Victorian silver scent bottle of egg form, by George Unite, Birmingham 1889, retailed by Thornhill, with a chain attachment. (2) £150-200

328. A small collection of silver boxes, comprising: a Victorian one by Robert Thornton, Birmingham 1869, the cover with a crest, a cigar case by S. Mordan and Co, London 1918, the front engraved with the arms of Edinburgh, a French snuff box and two cigarette cases, approx. weight 22oz. (5) £200-300

329. A Victorian silver castle-top aide memoire, Kenilworth and Warwick castles, by Taylor and Perry, Birmingham 1842, shaped rectangular form, the front and back with a view of the castles, silk lined with an ivory sleeve, length 8.5cm. £300-400

330. An Edwardian silver card case, by Saunders and Shepherd, Birmingham 1902, rectangular form, embossed foliate scroll decoration, length 9.8cm, plus a mother-ofpearl card case with abalone shell lattice decoration, approx. weighable 2oz. (2) £120-180

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

331. A Victorian silver-gilt ‘castle-top’ card case, Windsor Castle and Kenilworth Castle, by Nathaniel Mills, Birmingham 1841, rectangular form, the front and back with a raised scene of the Castles, on a matted background, within pierced foliate scroll decoration, length 9.7cm, approx. weight 2.3oz. £400-600

332. A Victorian silver ‘castle-top’ card case, St. Paul’s Cathedral, by Alfred Taylor, Birmingham 1856, rectangular form, scroll borders, the front with a raised scene of the Cathedral, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with an initialled cartouche, length 10.1cm, approx. weight 2.3oz. £1,000-1,500

333. A Victorian silver ‘castle-top’ card case, Warwick Castle and Kenilworth Castle, by Taylor and Perry, Birmingham 1838, rectangular form, the front and back with a raised scene of the Castles, engraved foliate scroll decoration, a matted background, length 9.5cm, approx. weight 2.4oz. £400-600

334. A Victorian silver ‘castle-top’ card case, Windsor Castle and Kenilworth Castle, by Nathaniel Mills, Birmingham 1838, rectangular form, the front and back with a raised scene of the Castles, on a matted background, within engine-turned decoration, length 9.8cm, approx. weight 2.3oz. £400-600

335. A Victorian silver ‘castle-top’ card case, Windsor Castle and Westminster Abbey, by Joseph Willmore, Birmingham 1845, rectangular form, the front and back with a raised scene of the Castle and Abbey, on a matted background, within foliate scroll decoration, length 10.5cm, approx. weight 3oz. £1,000-1,500

336. A Victorian silver engraved ‘castletop’ card case, Calton Hill, Edinburgh, by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of the hill, scroll borders, engine- turned decoration, the reverse with similar engineturned decoration, and with an initialled cartouche, length 10cm, approx. weight 2.4oz. £700-900

337. A Victorian silver castle-top card case, Kensington Palace, by Nathaniel Mills, Birmingham 1848, rectangular form, scroll borders, the front with a raised scene of the Palace, a matted background, within foliate scroll decoration, the reverse with similar decoration and with an initialled cartouche, with a chain attachment, length 9.2cm, approx. weight 1.9oz. £1,000-1,500

338. A Chinese silver card case, maker’s mark unidentified, rectangular form, chased with blossom decoration, and a shield cartouche, the reverse with a dragon, length 8.5cm, approx. weight 1.9oz. £350-400

339. A Victorian silver ‘castle-top’ card case, The Scott Memorial, by Frederick Marston, Birmingham 1870, rectangular form, scroll borders, the front with a raised scene of the Memorial, on a matted background, within foliate scroll decoration, the reverse with an initialled cartouche, length 10cm, approx. weight 2.1oz. £400-600

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A PRIVATE COLLECTION OF WINE LABELS, CONTINUED

340. A collection of seven 19th century silver ‘cut-out letter’ wine labels, engraved with foliate decoration, including one by Gibson and Langman, Sheffield 1897, modelled as a ‘B’, plus various others, titled ‘S’ (x2), ‘G’, ‘H’, ‘P’ and ‘B’, approx. weight 2.1oz. (7) £150-200

341. A collection of six Victorian silver wine labels, various dates and makers including Alfred Taylor, incised and blackened ‘BRANDY’ and ‘GIN’, plus various others incised ‘BRANDY’, ‘WHISKEY’ and ‘RUM x2, approx. weight 2.1oz. (6) £150-250

342. A collection of nineteen old Sheffield and electroplated wine labels, various designs and titles, including: ‘KIRCHEN WASSER’, ‘RUDEISHEIMER’, ‘RATTISBONNE’, ‘TAVEL’, ‘TURENNE’, ‘GRAPE’, ‘LEKEYO’, ‘WHITE BURGUNDY’, ‘GINGER BRANDY’, ‘VIDONIA’, ‘BUCELLAS’, ‘HOLLANDS’, ‘CLARET’, ‘COGNAC’, ‘CURRANT’, ‘BEAUCELLAS’, ‘GINGER’, ‘BRONTI’ and ‘TENERIFF’. (19) £150-200

343. A collection of six antique silver wine labels, unmarked, of cartouche form, incised ‘NICE’, ‘OLD HOCK’, ‘WHITE WINE’, and ‘PORT (X3), approx. weight 1.8oz. (6) £150-200

344. A collection of eleven antique silver ‘Cut-out’ letter wine labels, comprising: a Scottish ‘K’, by James and William Marshall, Edinburgh circa 1850, a large ‘C’, London 1815, plus other letters ‘R’, ‘I’,’W’, and ‘S’ x2, ‘G’, ‘H’, ‘A’ and an electroplated label ‘IW’, approx. weighable 3.3oz. (11) £150-250

345. A collection of six silver ‘cut-out word’ wine labels, various dates and makers, titled ‘CLARET’, ‘BURGUNDY’, ‘MARSALA’, ‘BRANDY’, and ‘MADEIRA’ (x3), approx. weight 1.9oz. (6) £300-400

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

346. A collection of seventeen silver wine labels, kidney form, including a set of six, London 1930, incised ‘GRENADINE’, ‘PORT’, ‘COINTREAU’, ‘LIQUEUR BRANDY’, ‘CHERRY BRANDY’ and ‘ITALIAN’, plus a set of four incised ‘WHISKEY’, plus ‘KUMMEL’, ‘COCKTAIL’, ‘CURACOA’, ‘SHERRY’, ‘WHISKY’, ‘PORT’ and ‘ORANGE’, approx. weight 2.3oz. (17) £150-250

347. A collection of nine antique silver ‘Cut-out’ letter wine labels, comprising a large ‘S’, within a rectangular frame, by W. King, London 1842, a pair by Phipps and Robinson ‘R’ and ‘H’, plus other letters ‘V’, ‘B’, ‘R’, ‘I’,’T’, and ‘S’, approx. weight 2.9oz. (9) £150-250

348. A collection of six Victorian silver wine labels, engraved cartouche form, including a pair by George Unite, Birmingham 1867, incised ‘GINGER BRANDY’ and ‘MARASCHINO’, plus various others incised ‘MADEIRA’, ‘WHISKY’ and ‘BRANDY x2, approx. weight 1.5oz. (6) £200-300

349. A collection of eight silver wine labels, narrow rectangular form, comprising: a set of four, by John Gough, Birmingham 1882, incised ‘CURACOA’, ‘WHISKEY’, ‘GIN’ and ‘BRANDY’, plus a set of three, Birmingham 1901, pierced ‘BRANDY, ‘WHISKEY’ and ‘GIN’, and one pierced ‘CHAMPAGNE’, approx. weight 2,1oz. (8) £150-200

350. A collection of five antique silver wine labels, narrow rectangular form, pierced pediments, comprising: one by Phipps and Robinson, London 1794, incised ‘SHERRY’, plus one incised ‘CHARTREUSE’, unmarked, one ‘RUM’, and two ‘PORT’, approx. weight 1.2oz. (5) £250-300

351. A collection of seven silver ‘cut-out word’ wine labels, comprising: an Irish pair by West and Son, Dublin 1904, pierced ‘SLOE GIN’ and ‘CHERRY BRANDY’, a set of three, Birmingham 1895, pierced ‘PORT’, ‘I. WHISKY’ and ‘S. WHISKY’, plus a pair by S. Mordan and Co, ‘PORT’ and ‘BRANDY’, approx. weight 2.7oz. (7) £150-250

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352. A collection of five antique silver wine labels, narrow rectangular form, comprising: one by Thomas Wallis, London circa 1790, incised and blackened ‘BRITISH’, plus one ‘LISBON’, one ‘MADEIRA’ and two ‘MOUNTAIN’, approx. weight 0.8oz. (5) £200-300

353. A George IV silver-gilt wine label, by Charles Reily, London 1828, shaped oval form, vine and shell decoration, incised ‘WHISKEY’, plus a silver-gilt label incised ‘MADEIRA’, and a pair of unmarked labels of scroll and vine leaf form, incised ‘RUM’ and ‘SHRUB’, approx. weight 2.5oz. (4) £200-300

354. A collection of seven 19th century silver ‘cut-out letter’ wine labels, plain form and some with a thread border, including one by George Unite, Birmingham 1863, modelled as a ‘P’, plus various others, two unmarked, titled ‘B’ (x2) ‘G’ (x2), ‘M’, and ‘P’, approx. weight 2.6oz. (7) £150-250

355. A small Collection of five antique silver wine labels, various date and makers including Hester Bateman, one unmarked, crescent form, feather-edge borders, incised ‘CURRANT WINE’, ‘SCOTCH WHISKEY’, and ‘MADEIRA’, (x3), approx. weight 1.4oz. (5) £300-400

356. A collection of five antique silver wine labels, narrow rectangular form, comprising: one by Margaret Binley, London circa 1780, incised ‘MOUNTAIN’, plus one ‘BUCELLAS’, one ‘BRANDY’ one ‘WHITE WINE’, and one ‘CALCAVELLA’, approx. weight 1.1oz. (5) £200-300

357. A collection of five antique silver wine labels, narrow rectangular form, pierced pediments, comprising: one by Peter, Ann and William Bateman, London 1802, incised and blackened ‘GRAVE’, plus one by Hester Bateman, incised ‘SHERRY’, plus one ‘W.WINE’, and two ‘MADEIRA’, approx. weight 1.1oz. (5) £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

358. A collection of four George II silver wine labels, by Sandilands Drinkwater, two with his first mark circa 1735, and two circa 1745, escutcheon form, chased vine decoration, incised ‘CHAMPAGNE’, ‘RHENISH’ ‘BURGUNDY’ and ‘PORT’, approx. weight 1.5oz. (4) £250-300

359. A matched set of four Victorian silver and enamel ‘cut-out letter’ wine labels, by Rawlings and Summers, London 1851-54, with blue and red enamel scroll and foliate decoration, modelled as the letters ‘M’, ‘P’ ‘H’ and ‘S’, approx. weight 1.6oz. (4) £200-300

360. A collection of three George III silver wine labels, including one by Emes and Barnard, London 1819, broad rectangular form, gadroon borders, comprising ‘RUM’, ‘SHERRY’, one retitled ‘BRANDY’ and one ‘MARSALA’, approx. weight 1.8oz. (4) £150-200

361. A set of four George III silver wine labels, by Phipps and Robinson, London circa 1790, crescent form, mounted with a goblet cartouche engraved with a crest, bright-cut borders, incised ‘LISBON’, ‘ ‘PORT’, ‘SHERRY’ and ‘MADEIRA’, length 4.7cm, approx. weight 1.2oz. £200-300 The crest is that of Andrews.

362. A small collection of four modern silver animal wine labels, comprising: one by Brian Leslie Fuller, London 1986, mounted with a squirrel, applied ‘PORT’ on a matted background, plus two with birds, incised ‘WHISKY’ and ‘PORT’ and one with a squirrel, London 1972 incised ‘PORT’, approx. weight 2.8oz. (4) £150-250

363. A collection of four antique Irish silver wine labels, comprising: one by Andrew Goodwin, Dublin circa 1780, bright-cut border, incised ‘PORT’, another by John Townsend, Dublin circa 1800, incised and blackened ‘HOCK’, plus one retailed by M. West incised ‘GENEVA’ and one possibly by Matthew Bellow of Belfast, incised ‘PORT’, approx. weight 0.9oz. (4) £250-300

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364. A Victorian silver wine label, by Hunt and Roskell, London 1882, banner form, pierced ‘NOYEAU’, length 6.2cm, approx. weight 0.3oz. £100-150

365. A George III provincial silver wine label, by Mary Huntingdon, Chester circa 1825, crescent form, reeded border, incised ‘MADEIRA’, length 4.4cm, approx. weight 0.2oz. £100-150

366. A George IV silver wine label, by George Pearson, London 1822, scroll form, gadroon and shell border, pierced ‘PORT’, length 6.3cm, approx. weight 0.5oz. £100-150

367. A George III silver wine label, by George Pearson, London 1821, oval form, with a Bacchanalian cherub and mask with pierced trailing grapevines, with a crest and motto, pierced ‘MOSELLE’, length 6.5cm, approx. weight 0.7oz. £100-150

368. A George III silver wine label, by William Bateman, London 1815, crescent form, with pierced Prince of Wales feathers, bright-cut border, incised ‘SIRCIAL’, length 5.2cm, approx. weight 0.2oz. £200-300

369. A William IV silver wine label, by the Barnards, London 1830, shaped oval form, vine scroll and shell border, incised ‘MOSCATEL’, length 6.5cm, approx. weight 0.8oz. £100-150

371. A George III silver wine label, by Crispin Fuller, London 1800, scroll form, bright-cut borders, incised ‘RATTAFIER’, length 4.8cm, approx. weight 0.2oz. £100-150

372. A Victorian silver small wine label, by Joseph Willmore, Birmingham 1844, cupid and scroll form, with goblet and urn, within vine leaf decoration, incised ‘ORANGE CURACAO’, one head replaced, length 4.8cm, approx. weight 0.2oz. £100-150

The crest and motto are those of Owen.

370. An early 19th century silver AntiCorn Law League wine label, by Mordan, stamped out with sheaves of wheat, a cornucopia of fruit, a scythe, rake, sickle and a bale of wool and the word ‘FREE’ on each side, pierced ‘BRANDY’, length 5.4cm, approx. weight 0.2oz. £150-200

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

373. A George III silver wine label, by Peter, Ann and William Bateman, London 1800, crescent form, with pierced Prince of Wales feathers, bright-cut border, incised ‘MAMSEY’, length 5.4cm, approx. weight 0.3oz. £150-200

374. An early 19th century Scottish provincial silver wine label, by Peter Gill, Aberdeen circa 1810, rectangular form, incised ‘SOTERNE’, length 4.2cm, approx. weight 0.2oz. £200-300

375. A George III silver wine label, by John Rich, London 1785, crescent form, beaded border, incised and with traces of blackening ‘CURRANT-WINE’, length 4.8cm, approx. weight 0.2oz. £100-150

376. A George III provincial silver wine label, by Hampston and Prince, York circa 1781, shaped rectangular form, bright-cut border, incised ‘WHITE WINE’, length 5cm, approx. weight 0.3oz. £150-200

377. A George IV silver wine label, marks worn, of shaped form, with pierced trailing grapevines and with a circular cartouche, engraved with a crest, incised ‘CANARY’, rhodium plated, length 6.8cm, approx. weight 1.2oz. £100-150

378. A George III silver wine label, by Susanna Barker, London 1790, broad rectangular form, pierced and engraved border with a beaded outer border, incised ‘CALCAVELLA’, length 4.8cm, approx. weight 0.3oz. £100-150

The coronet and crest of the Earls of Berkeley created 1679.

379. A Victorian silver armorial wine label, by Rawlings and Summers, London circa 1850, shaped oval form, with pierced vine and tendril decoration, mounted with a crown, pierced ‘SHERRY’, length 5.8cm, approx. weight 1oz. £300-400

380. A Victorian silver wine label, by George Adams, London 1856, vine leaf form, pierced ‘RAKI’, length 7cm, approx. weight 0.4oz. £100-150

381. A George III armorial wine label, possibly by Hester Bateman, London circa 1780, broad shaped rectangular form, with a crown pediment, with a basket and foliate decoration, incised ‘PORT’, length 5.5cm, approx. weight 0.4oz. £150-200

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OTHER PROPERTIES

in box

382. A Victorian 10ct gold pencil, by S. Mordan and Co, retailed by Leuchars and Son, modelled as a salmon, the tail pulls out to reveal a pull-out extending pencil, with a ring attachment, in a fitted case, length 5.7cm, approx. weight 10g. £600-700

383. A novelty silver penknife, by G W Lewis & Co, Birmingham 1935, modelled as a salmon, with textured scales, red eyes, length open 18cm, length closed 11cm. £500-700

384. A Victorian silver baby’s rattle and whistle, by George Unite, Birmingham 1862, baluster form, engraved decoration, with nine hanging bells, and with a ring attachment and coral teether, length 14cm, approx. weight 2oz. £150-200

385. A pair of silver “Ekutta” egg toppers, by H.J.C. & Co Ltd, scissor form, ring handles, length 10.5cm, approx. weight 1oz. £150-200

386. A William IV silver-gilt baby’s rattle and whistle, maker’s mark partially worn, ? and H, Birmingham 1830, baluster form, embossed foliate scroll decoration, with ten bells, a coral teether and a ring attachment, length 12cm. £150-200

387. A George III silver pocket corkscrew, by Samuel Pemberton, Birmingham circa 1800, tapering circular cover, tapering handle, length 7.8cm. £250-300

388. A late 19th century German goldmounted penknife, unmarked, the blades by W. Weber, Hamburg, oblong form, engraved decoration, inscribed ‘Baron Von Luhdorf, Hamburg’, below a crown, with two blades, a corkscrew and a nail file, length closed 8.8cm. £100-150

389. A late 18th century Dutch silver pocket corkscrew, marked with a later Dutch tax mark, the scroll handle with a shell motif, the screw-off cover of tapering form, chased with masks and foliate decoration, length 8.2cm. £350-400

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

390. A George III silver mustard pot, by Hester Bateman, London 1788, panelled oval form, the domed-hinged cover with a ball finial and pierced thumb-piece, engraved and pierced decoration, with a blueglass liner, liner stuck, plus a later spoon, length 11cm. (2) £300-400

391. A late-Victorian silver-mounted Doulton tea caddy, the mounts by Saunders and Shepherd, Chester 1896, retailed by Zimmerman, 98 Jermyn Street, rectangular form, with blue/brown decoration, and ‘Honest Tea is the best policy’, also applied with an initialled and dated cartouche, height 14cm. £200-300

392. Two pairs of silver-mounted glass whisky tots, one pair by Richard Burbridge, London 1934, one pair by Hukin and Heath, Birmingham 1932, tapering conical form, scroll handles, plain hinged covers, with four whisky labels. (8) £300-400

393. An Edwardian Art Nouveau silver tazza and waiter, by William Hutton and Sons, London and Sheffield 1906, circular form, with a pierced foliate border, the tazza on four pierced legs, with a detachable bowl, diameter of waiter 22cm, height of tazza 10cm, approx. weight 22oz. (2) £150-200

394. A pair of Edwardian silver candlesticks, by Thomas Bradbury, London 1901, in the classical manner, the columns with drapes and beaded borders, on raised square bases, height 14cm. (2) £150-250

395. A three-piece silver tea set, by E S Barnsley & Co, Birmingham 1913, circular baluster form, cut-card decoration, scroll handles, length handle to spout 25cm, approx. weight 51oz. £300-400

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396. An Edwardian silver replica cup, the Holms Cup, by Nathan and Hayes, Chester 1909. the circular bowl with an inscription, on a raised circular fluted and lobed foot, height 10.8cm, approx. weight 10.8oz. £100-150

397. A George III provincial silver cream / small sauce boat, by John Langlands, Newcastle 1769, oval bowl, gilded interior, wavy-edge border, scroll handle, the body with an engraved border and with three shell capped hoof feet, length 13cm, approx. weight 3.2oz. £150-200

398. A George III silver swing-handled sugar basket, by Henry Chawner, London 1791, oval form, reeded border and swing handle, length 15cm, approx. weight 6.4oz. £150-200

399. A Victorian silver castle-top swing-handled basket, by John Tongue, Birmingham 1846, shaped oval form, embossed with scenes of the Scott Memorial, Windsor Castle, Kenilworth Castle, and Abbotsford House, pierced and engraved handle, on four bun feet, length 19.3cm, approx. weight 5.5oz. £300-400

400. An Edwardian silver-gilt christening mug, by Sebastian Garrard, London 1905, circular form, scroll handle, on a circular foot, inscribed ‘To Julian Ottoline Morrell from her Godfather, Portland, 5th July 1906’, height 8.2cm, approx. weight 7.9oz. £100-150

401. A mixed lot of silver items, comprising: a George III silver waiter, by John Hutson, London 1796, circular form, moulded border, on three bracket feet, the centre with a crest, plus pierced circular bowl, with scroll decoration, by R F Moseley & Co, Sheffield 1929, and a silver capstan inkwell, Birmingham 1920, approx. weighable 20.6oz. (3) £300-400

Provenance: Julian Morrell, daughter of Lady Ottoline and Philip Morrell, and thence by descent to the present owner.

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402. A George IV silver goblet / Kiddish cup, by Charles Fox, London 1820, circular tapering bowl with a foliate band of decoration, on a raised circular foot with a gadroon border, initialled and inscribed in Hebrew, height 13.2cm, approx. weight 7oz. £150-200

403. A George III silver brandy pan and cover, by Emes and Barnard, London 1817, circular form, pull-off cover with a knop finial, the spout with a hinged cover, turned wooden baluster handle, length 22cm, approx. weight 9oz. £300-500

404. A George III silver two-handled cup, by Jacob Marsh or John Moore, London 1772, circular form, central girdle, scroll handles, inscribed ‘1762’, and ‘BC’, height 13.5cm, approx. weight 10oz. £150-200

405. Two similar George III silver swing-handled sugar baskets, one by Smith and Fearn, London 1791, the other by William Crowder, London 1801, panelled rectangular form, reeded swing-handled and borders, on raised shaped rectangular bases, lengths 14.2cm and 11.5cm, approx. weight 11.8oz. (2) £300-400

406. A George III silver wine funnel, by Peter, Ann and William Bateman, London 1812, circular form, reeded border, with a slide clip, initialled, height 12.3cm, approx. weight 2.5oz. £250-300

407. A Victorian silver teapot, by The Barnards, London 1876, shaped oval form, engraved foliate decoration, scroll handle with ivory insulators, tapering spout, flush hinged cover with an oval finial, length handle to spout 25.5cm, approx. weight 18oz. £200-300

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408. A Victorian silver teapot, by John Samuel Hunt, London 1850, circular baluster form, with alternate panels of engraved decoration, scroll handle with ivory insulators, faceted spout, engraved with a monogram, length handle to spout 23.5cm, approx. weight 25.5oz. £200-300

409. A George III silver salver, by Robert Rew, London 1763, circular form, gadroon border, on three hoof feet, diameter 22.5cm, approx. weight 15oz. £200-300

410. A George II silver salver, by Robert Abercromby, London 1742, circular form, shell and scroll border, the centre with a crest, the underside with a later inscription and facsimile signatures, diameter 27cm, approx. weight 17.5oz. £150-200

411. A George III silver teapot and cream jug, by Charles Chesterman, London 1804, oval form, part-fluted decoration, scroll handles, flush hinged fluted domed cover, initialled, length handle to spout 30cm, approx. weight 21oz. (2) £200-300

The crest is that recorded for a number of families including: Datmer, Mittlewell, Owen, Scroggs and Stringer.

412. A George III silver tea pot, by Abraham Peterson, London 1803, shaped oblong form, part-fluted decoration, flush hinged fluted domed cover, scroll handle, length handle to spout 29.5cm, approx. weight 17oz. £200-300

413. A two-handled silver dish, by Walker and Hall, Sheffield 1937, circular form, pierced and engraved vine and grape decoration, vine borders and handles, on a raised circular foot, length handle to handle 41.3cm, approx. weight 40oz. £480-520

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414. A six-piece silver cruet set, by The Adie Brothers, Birmingham 1935, circular form, with stylised foliate borders, on raised circular bases, with two clear glass liners and three condiment spoons, in a fitted case, approx. weight 19oz. £200-300

415. A George III silver eight-bottle cruet frame, marks worn, London possibly 1798, oval form, pierced and engraved gallery, beaded borders, central pierced carrying handle, on four pierced claw and ball feet, with eight silver-mounted glass condiment jars and bottles, some London 1881, height 24.5cm. £300-400

416. A six-piece silver condiment set, by The Goldsmiths and Silversmiths Company, London 1936, heavy form, comprising a pair of circular salt cellars, a pair of mustard pots and a pair of pepper pots, on three shell capped scroll legs on pad feet, with four Feather edge condiment spoons, London 1931 and 1935, in a fitted case, height of pepper pot 13.5cm, approx. weight 47oz. (10) £600-800

417. A Victorian silver five-bottle cruet frame, by Charles and George Fox, London 1857, cinquefoil form, central pierced handle, wire-work frame, with a scroll cartouche, on four shell pad feet, with five cut-glass sauce bottles, one with a spoon, height 17.5cm, approx. weight 6.8oz. £200-300

418. A ten-piece silver condiment set, by William Hutton and Sons Limited, Sheffield 1933, circular wire-work form, comprising: two mustard pots, four pepper pots and four salt cellars, with blue glass liners and four condiment spoons, in a fitted case, approx. weight 11oz. £280-320

419. A George III silver five bottle cruet frame, by Hester Bateman, London 1788, oval form, central scroll carrying handle, pierced and bright-cut decoration, beaded borders, on four claw and ball feet, with five silver-mounted cut-glass bottles, height 22cm. £250-300

Provenance: purchased at Shrubsoles, London, circa 1982.

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420. A Victorian silver hot water pot, by the Fenton Brothers, Sheffield 1875, tapering circular form, embossed foliate decoration, the scroll handle with ivory insulators, the domed cover with a foliate thumbpiece, height 18cm, approx. weight 14.5oz. £200-300

421. A silver kettle on stand, by D and J Wellby, London 1911, circular tapering form, leather-bound swing-handle, the pull-off cover with a ball finial, the circular stand with fluted legs, and turned wooden side handles, with a burner, height 59oz. £500-700

422. A modern silver coffee pot, by John Henry Odell, London 1970, tapering circular form, domed hinged cover with a knop finial, scroll handle, height 26.5cm, approx. weight 29oz. £200-300

423. A George III silver agricultural trophy goblet, by Burwash and Sibley, London 1809, circular bowl, gilded interior, on a raised circular foot, engraved with a tree and corn, and ‘The Prosperity and security of Great Britain’, height 11.8cm, approx. weight 6oz. £150-200 This inscription relates to the Workington Agricultural Society, who were also active on the Isle of Man and was under the presidency of John Curwen (1756-1823).

part 424. A late-Victorian silver inkstand, by William Hutton and Sons, Sheffield 1900, shaped rectangular form, with a pierced scroll gallery, with two pen wells and a central chamberstick, with two silver-mounted cut glass inkwells, with crowned initials, the base inscribed, on four shell bracket feet, length 25.5cm, approx. weight 26oz. £250-300

425. A small mixed lot, comprising: a George III silver dish cross, by Samuel Herbert & Co, London circa 1760, conventional form, lacking original burner, plus Old Sheffield plated items: an oval salver, a dish cross, a pair of wine coasters, and electroplated items: a muffin dish and cover, a chamber stick, a coaster, a kettle stand and burner, a lighter and a mug, approx. weighable 14oz. (qty) £250-300

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426. A George IV silver teapot, by Thomas Death, London 1820, oblong bellied form, part-fluted decoration, leaf capped scroll handle, foliate borders, the flush hinged cover with a foliate finial, engraved with a crest, on four foliate bracket feet, length handle to spout 28.5cm, approx. weight 20oz. £250-300

427. A pair of silver dishes, by Mappin and Webb, Sheffield 1917, circular form, pierced foliate scroll and lattice decoration, trailing vine border, on a raised pierced circular foot, diameter 23.5cm, approx. weight 49oz. (2) £300-500

The crest is that for Archer of Liverpool, Reynolds and Steward.

428. A George III silver swing-handled cake basket, by Richard Mills, London 1768, oval form, pierced with mullets and scroll decoration, and embossed with ears of wheat, pierced swing-handle, on a pierced oval foot, with a rope-work border, the centre with a crest and motto, length 33.3cm, approx. weight 23.7oz. £300-400 The crest is that of Vyell.

429. A Victorian silver teapot, by Robert Garrard, London 1839, plain bullet form, flush hinged cover with a knop finial, scroll handle, on a raised circular foot, length handle to spout 23.2cm, engraved with a crest and motto, approx. weight 18.4oz. £300-400 Provenance: Major E. A. Warry, of Shapwick House, near Castle Cary, then by descent to the present owner. The crests are those of Lee-Guinness.

430. A three-piece George III silver tea set, Naphthali Hart, London 1805, oblong bellied form, scroll handles, the teapot with ivory insulators, a flush-hinged cover with a rectangular finial, on four ball feet, length handle to spout 26cm, approx. weight 34.8oz. (3) £300-500

431. A large presentation silver salver, by Carrington and Co, London 1934, circular form, gadroon border, on three hoof feet, the front engraved with a presentation inscription and facsimile signatures, diameter 42.5cm, approx. weight 72oz. £500-700

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432. A four-piece Edwardian Scottish silver tea set, by James Weir, Glasgow 1904/5, oval bellied form, foliate scroll borders, scroll handles, on four leaf capped scroll feet, engraved with a crest, length handle to spout 28.5cm, approx. weight 59oz. (4) £600-800 The crest is that of Bazley, Drew and Savory.

434. An early-Victorian silver teapot, by John James Keith, London 1837, compressed lobed circular form, scroll handle with ivory insulators, the hinged cover with a flower finial, on four shell bracket feet, length handle to spout 28cm, approx. weight 22oz. £250-300

433. A matched George III silver tea set, by Solomon Hougham, London 1807 and 1813, circular form, part-fluted decoration, gadroon borders, the teapot with a foliate capped spout, and with a central applied mask, the scroll handle with ivory insulators, on a circular foot, length handle to spout 23cm, approx. weight 51oz. (3) £700-900

435. A silver Treasury inkstand, by Charles Stuart Harris, London 1910, rectangular form, central hinged scroll handle, with two hinged compartments, one opens to reveal two glass inkwells and a glass liner, the other opens to reveal a glass liner, the interior with a presentation inscription, on four claw and ball feet, length 18cm, approx. weight 29.4oz. £300-400 Provenance: Julian Morrell, daughter of Lady Ottoline and Philip Morrell, and thence by descent to the present owner.

436. A silver soufflé dish, by Walker and Hall, Sheffield 1934, circular form, plain side handles, with a liner, length handle to handle 23cm, approx. weight 41oz. £300-400

437. A George III silver bread basket, by Thomas Robinson, London 1808, rectangular form, shell and gadroon border, engraved with a crest, part fluted decoration, length 31.8cm, approx. weight 24oz. £600-800

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438. A pair of George III silver wine coasters, by Young, Walker and Crowder, Sheffield 1809, circular form, part-fluted decoration, egg and dart border, the wooden bases set with central buttons, diameter 14.7cm. (2) £600-800

439. A George III silver teapot and matching stand, the teapot by Peter and Ann Bateman, London 1792, the stand by Peter and Jonathan Bateman, London 1790, oval form, scroll handle, flush-hinged domed cover with a wooden finial, engraved with an initial within foliate mantling, the stand of oval form, on four fluted bracket feet, length of stand 15.4cm, approx. weight 15.9oz. (2) £300-500

440. A silver two-handled tray, by S. Blanckensee and Sons, Chester 1935, rectangular form, scroll handles, moulded border, length handle to handle 59.5cm, approx. weight 93oz. £600-800

441. A three-piece William IV silver tea set, by John Wakefield, London 1832, circular and tapering form, lead capped scroll handles, the teapot with a hinged cover and flower finial, with ivory insulators, gilded bowls, engraved with a monogram, approx. weight 48.5oz. (3) £700-900

442. A William IV silver swing-handled basket, by J and J Angell, London 1835, circular form, swirl and embossed foliate decoration, the swinghandle with a foliate scroll motif, crested, on a shaped circular foot, diameter 25.8cm, approx. weight 20.5oz. £300-400

443. A four-piece Art Deco tea set, by The Adie Brothers, Birmingham 1937, tapering panelled rectangular form, scroll handles, on a raised rectangular foot with canted corners, length of teapot handle to spout 28.8cm, approx. weight 56oz. (4) £400-600

The crest is that of Messenger / Massinger.

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444. A William IV silver four-piece tea set, by the Barnards, London 1835/36, lobed circular bellied form, leaf capped scroll handles with ivory insulators, the hinged covers with flower finial, on four pierced foliate scroll feet, the coffee pot engraved with a presentation inscription ‘This tea service (consisting of coffee pot, tea pot, sugar basin and cream jug) presented by Mrs Ann Ormerod and her Sons to Mr James Harrison as a small Token of Esteem for his truly honorable Conduct and rarely equalled Promptitude in liquidating the Claims of the Executors of their relative and his Partner the late Mr Thomas Seech 1836’, height of coffee pot 25cm, initialled, approx. weight 80.5oz. (4) £1,200-1,500

445. A George III silver swing-handled basket, maker’s mark worn, London 1797, oval form, reeded swing-handle and borders, the centre with an armorial, on a raised oval foot, length 35.5cm, approx. weight 23.5oz. £800-1,000 The arms are those of Cathrall of Freeman engraved on a lozenge for a spinster.

446. A four-piece silver tea set, by E. Viner, Sheffield 1932, circular bellied form, scroll handles, swag borders, on four fluted bracket feet, approx. weight 49.9oz. (4) £400-600

447. A Victorian silver salver, by D and C Houle, London 1847, circular form, foliate shell border, the centre with engraved foliate scroll decoration, on three scroll bracket feet, diameter 40cm, approx. weight 48oz. £400-600

448. A four-piece George IV silver tea and coffee set, by Burrows and Pearce, London 1829, compressed circular and baluster form, with chased foliate scroll decoration on a matted background, leaf capped scroll handles with ivory insulators, the hinged covers with acorn finials, on four shell bracket feet, height of coffee pot 21.5cm, approx. weight 78oz. (4) £1,000-1,500

449. An Edwardian silver two-handled tray, by the Goldsmiths and Silversmiths Company, London 1907, shaped oval form, moulded border, length handle to handle 65.8cm, approx. weight 94oz. £800-1,000

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450. A late-Victorian silver biscuit box and cover, by Gibson and Langman, London 1899, lobed oval form, hinged cover, on four bracket feet, length 20cm, approx. weight 21.8oz. £200-300

451. A George IV silver two-handled sugar bowl, by Benjamin Smith, London 1824, lobed circular form, pierced foliate and branch handles, on four leaf capped scroll feet, with a later sugar spoon, London 1895, length handle to handle 20.5cm, approx. weight 15.7oz. (2) £200-300

452. A George III silver swing-handled sugar basket, maker’s mark partially worn T?, London 1769, circular wire-work form, applied with birds and foliate decoration, gadroon border, rope-work swing handle, on a circular foot, height 8.2cm, approx. weight 5.4oz. £150-200

453. A George III silver beaker, London 1820, tapering circular form, engine-turned decoration and base, engraved with a crest, height 8cm, plus a late 19th century Indian silver beaker, chased foliate scroll decoration, with a shield cartouche inscribed, height 10cm, approx. weight 9oz. (2) £200-300 The crest is that of Brewer, Davis and Kett.

454. A George III silver seven-bar toast rack, by Henry Green, London 1796, shaped rectangular form, central ring handle, on four baluster feet, initialled, length 18.3cm, and a George III silver cream jug, by the Hennells, London 1801, oval form, scroll handle, initialled, approx. weight 12.9oz. (2) £200-300

455. A Victorian silver sauce boat, by John Samuel Hunt, London 1860, oval form, wavy-edge border, leaf capped scroll handle, on a raised oval foot, the underside stamped ‘HUNT AND ROSKELL, LATE STORR AND MORTIMER’, length 19.7cm, approx. weight 13.4oz. £200-300

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456. A William IV silver meat platter, by William Bateman, London 1833, oval form, ribbon and reed border, engraved with two armorials, length 38cm, approx. weight 36oz. £600-800

457. A modern silver-mounted wooden fish serving board, by Asprey and Co, London 1963, modelled as a salmon, with a silver head and tail, length 85cm. £600-800

The crest and motto are those of Warry.

458. A George II silver sauce boat, by Lewis Pantin, London 1737, oval form, wavy-edge border, leaf capped scroll handle, on four heavy scroll legs with hoof feet, engraved with an armorial within foliate mantling, length 20.8cm, approx. weight 14.9oz. £1,500-2,000

459. A modern silver coffee pot, by L. A. Crichton, London 1918, tapering circular form, engraved cherub and foliate scroll decoration, scroll handle, domed cover with an acorn finial, on a circular foot, height 22.5cm, approx. weight 23oz. £250-300

460. A silver salver, by E. Barnard and Sons, London 1937, circular form, moulded border, on four bracket feet, diameter 31.2cm, approx. weight 30oz. £200-300

461. A George III provincial silver mug, by Dorothy Langlands, Newcastle 1804, tapering circular form, scroll handle, on a raised circular foot, engraved with a monogram, height 13.5cm, approx. weight 9.6oz. £200-300

END OF DAY ONE

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DAY T WO: 25TH OCTOBER AT 10AM

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DAY T WO: WEDNESDAY 25TH OCTOBER 2017 AT 10AM A PRIVATE COLLECTION OF NUTMEG GRATERS 462. A George III silver nutmeg grater, by Peter Carter, London 1787, oval form, bright-cut borders, hinged cover and base, the cover with a foliate garland and initialled cartouche, length 5.2cm, approx. weight 1.2oz. £250-350

462 463. A George III silver nutmeg grater, by Thomas Willmore, Birmingham 1799, plain egg form, the screw-off cover with a ring attachment, the interior with a grater, length 3.8cm, approx. weight 0.4oz. £200-300

463 464. A Victorian silver nutmeg grater, by Yapp and Woodward, Birmingham 1854, fluted melon form, the hinged cover opens to reveal a hinged grater, length 4cm, approx. weight 1.1oz. £300-500

464 465. A William and Mary / William III silver nutmeg grater, maker’s mark T.K, for Thomas Kedden, circa 1690-1700, tubular form, engraved decoration, the pulloff cover opens to reveal a pull-out tubular grater, the base cover opens to reveal a compartment, length 6.8cm, approx. weight 0.9oz. £700-900

465 466. A George III silver nutmeg grater, maker’s mark mis-struck, London 1796, fluted barrel form, the cover and grille with an unusual bayonet fitting, height 5cm, approx. weight 1.1oz. £300-400

466

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467. A George III silver nutmeg grater, by Susanna Barker, London 1788, oval form, bright-cut borders, hinged cover and base, the cover inscribed ‘C.F.Y from J.G.M May 16 1900’, the body with traces of gilding, length 5.5cm, approx. weight 1.2oz. £250-300

467 468. A George III silver nutmeg grater, no apparent maker’s mark, Birmingham 1799, ovoid form, bright-cut decoration, domed pull-off cover, engraved decoration, with a pull-out grater, length 2cm, approx. weight 0.3oz. £250-300

468 469. A Victorian silver naturalistic nutmeg grater modelled as a nut, by Hilliard and Thomason, Birmingham date letter worn, the hinged cover opens to reveal a hinged grater, length 4cm, approx. weight 0.6oz. £700-900

469 470. A William and Mary / William III silver nutmeg grater, maker’s mark worn, circa 1690-1700, tubular form, engraved decoration, the pulloff cover opens to reveal a later grater, scratch initialled ‘I.P’, the grater with a later monogram, length 6.2cm, approx. weight 0.5oz. £250-300

470 471. A George III silver nutmeg grater, by Joseph Taylor, Birmingham 1803, barrel form, engraved decoration, the screw-off cover inscribed ‘King’, height 4cm, approx. weight 0.5oz. £250-300

471

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472. A George III silver nutmeg grater, by Peter, Ann and William Bateman, London 1802, oval form, hinged cover and base, the cover initialled, length 4.3cm, approx. weight 1oz. £300-400

472 473. A William and Mary silver nutmeg grater, unmarked circa 1690, plain tear drop form, hinged cover and base, with engraved decoration, the cover later initialled ‘C.A.S’, length 4cm, approx. weight 0.7oz. £700-900

473 474. An early 19th century French silver spice pot / nutmeg grater, also marked with a French import mark, circular baluster form, embossed foliate scroll decoration, pull-off cover, the interior with a removable grater, diameter 3.5cm, approx. weight 0.8oz. £200-300

474 475. A George III silver nutmeg grater, by Joseph Taylor, Birmingham 1797, plain oval form, hinged cover and base, length 3.8cm, approx. weight 0.6oz. £250-300

475 476. A George III silver nutmeg grater, possibly by John Shekleton, London 1794, fluted barrel form, screw-off cover, initialled and inscribed, height 3.8cm, approx. weight 0.5oz. £250-300

476

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477. A George III silver nutmeg grater, by Thomas Willmore, Birmingham 1799, oval form, hinged grater, the cover initialled, length 3.8cm, approx. weight 0.6oz. £250-300

477 478. A George IV silver nutmeg grater, by Thomas Shaw, Birmingham 1824, rectangular form, reeded decoration, hinged cover and base, the cover with a vacant cartouche, length 3.8cm, approx. weight 1.1oz. £300-500

478 479. A George III silver nutmeg grater, by Joseph Taylor, Birmingham 1797, oval form, pull-off domed cover and base, engraved decoration, length 3.3cm, approx. weight 0.4oz. £250-300

479 480. A George IV silver nutmeg grater, by Joseph Willmore, Birmingham 1830, oval tubular form, hinged cover and side, the side opens to reveal the grater, the body with initials, length 6.6cm. £300-400

480 481. A George III silver-gilt nutmeg grater, by Joseph Taylor, Birmingham 1799, barrel form, screw-off cover, engraved decoration, with a gilded grater and the cover with a monogram, height 4.2cm, approx. weight 0.6oz. £300-400

481

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482. A George III silver nutmeg grater, maker’s mark worn, Birmingham 1801, egg form, fluted decoration, pull-out grater, the screw-off cover with a ring attachment, the interior with a grille, length 5cm, approx. weight 0.6oz. £250-300

482 483. A 19th century Dutch silver nutmeg grater, 1886, rectangular form, reeded decoration, hinged cover and base, length 4.8cm, approx. weight 1.2oz. £300-400

483 484. A 19th century Dutch silver nutmeg grater, maker’s mark G.K, octagonal cylindrical form, hinged cover and side, which opens to reveal the grater, engraved decoration, length 7cm, approx. weight 1.1oz. £250-300

484 485. A George III silver nutmeg grater, by Thomas Willmore, Birmingham circa 1800, rectangular form, canted corners, pull-off cover and base, the cover engraved with a cartouche, length 3.3cm, approx. weight 0.6oz. £300-350

485 486. A George III silver nutmeg grater, unmarked circa 1770, urn form, embossed and chased foliate decoration, with an acorn finial, on a raised circular base, height 4.5cm, approx. weight 0.7oz. £300-400

486

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487. A George III silver nutmeg grater, maker’s mark partially worn, probably that of Samuel Pemberton, Birmingham 1801, fluted egg form, pull-out grater, hinged cover, length 4.8cm, approx. weight 0.6oz. £250-300

487 488. A late-Victorian silver nutmeg grater, by George Unite, Birmingham 1890, rounded rectangular form, hinged cover and grater, length 3.8cm, approx. weight 1oz. £300-350

488 489. A late-Victorian silver nutmeg grater, by Thomas Hayes, Birmingham 1897, oval tubular form, hinged side and cover, the side opens to reveal the grater, length 7.8cm, approx. weight 2.8oz. £400-600

489 490. A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1799, oval form, hinged cover and grater, the cover with an engraved border and inscribed ‘E.Winter’, length 3.5cm, approx. weight 0.6oz. £250-300

490 491. An 18th century continental silver spice pot / nutmeg grater, unmarked, circa 1740, shaped urn form, chased decoration, hinged cover, on a raised circular foot, with a pull-out grater, height 4.8cm, approx. weight 0.8oz. £200-300

491

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492. An American silver nutmeg grater, by Gorham and Co., 1870, fluted melon form, the hinged cover opens to reveal a hinged steel grater, length 5.2cm, approx. weight 1.5oz. £300-400

492 493. A George III silver nutmeg grater, by John Shaw, Birmingham 1814, rectangular form, reeded decoration, the hinged cover opens to reveal a hinged grater, length 4.3cm, approx. weight 1.2oz. £300-500

493 494. A late-Victorian silver urn / pepper pot base by John Beresford, London 1888, oval urn form, with an unmarked domed pull-off cover, plus an oval grater, height 6.4cm, approx. weight 0.9oz. (3) £100-150

494 495. A Victorian silver nutmeg grater, by Hilliard and Thomason, Birmingham 1855, ovoid form, engraved foliate scroll decoration, the interior with a hinged grater, with an initialled cartouche, length 4cm, approx. weight 0.6oz. £400-600

495 496. A Dutch silver nutmeg grater, maker’s mark GL, 1866, octagonal tubular form, hinged side and domed cover, the side opens to reveal the grater, length 6.3cm, approx. weight 0.9oz. £250-300

496

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497. A George III silver nutmeg grater, by Phipps and Robinson, London 1804, rectangular form, hinged cover and base, the cover with Greek Key decoration, length 4.3cm, approx. weight 1.3oz. £400-600

497 498. A James II silver nutmeg grater maker’s mark partially worn, London 1686, tubular form, engraved decoration, the pulloff cover opens to reveal a grater, length 6cm, approx. weight 0.8oz. £600-800

498 499. A Victorian novelty silver nutmeg grater, by Hilliard and Thomason, Birmingham 1856, pear form, the hinged cover opens to reveal a hinged grater, plain thumb-piece, length 3.8cm, approx. weight 0.7oz. £600-800

499 500. A George III silver-gilt nutmeg grater, by Phipps and Robinson, London 1795, oval form, bright-cut borders, hinged cover and base, gilded interior and grater, length 4.8cm, approx. weight 1.2oz. £250-300

500 501. A Victorian novelty silver nutmeg grater, by Jane Brownett, London 1886, modelled as a walnut, the silver-gilt interior with a hinged grater, length 4cm, approx. weight 1.2oz. £600-800

501

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OTHER PROPERTIES A PRIVATE COLLECTION OF WINE LABELS, CONTINUED

502. A collection of three George III silver wine labels, crescent form, comprising one by Peter, Ann and William Bateman, London 1804, incised ‘ORANGE’, one by Peter and Ann Bateman, London 1794, incised ‘SWEET’, and one unmarked, incised ‘S. BROWN’, approx. weight 0.6oz. (3) £200-300

503. A collection of three George III silver wine labels, crescent form, comprising one by William Parker and Benjamin Simpson, London 1800, incised and blackened ‘CLARET’, one by Phipps and Robinson, incised ‘WHITE.WINE’, and one Richard Evans, incised ‘BRANDY’, approx. weight 0.oz. (3) £150-250

504. A collection of three George III silver wine labels, crescent form, comprising one by George Smith, London circa 1790, bright-cut border, incised ‘MOUNTAIN’, one by Elizabeth Morley, London 1794, incised ‘W. WINE’, and one unmarked, incised ‘PORT’, approx. weight 0.8oz. (3) £150-250

505. A collection of four antique silver wine labels, comprising three of broad rectangular form, feather-edge borders, incised ‘FLORENCE’, ‘CONDRIEUX’ and ‘NICE WINE’, plus one of rectangular form, foliate and scroll border, incised ‘FRONTINIAC’, approx. weight 1.6oz (4) £200-300

506. An Early-Victorian silver wine label, by Paul Storr, London 1837, cartouche form, scroll borders chased lattice decoration, pierced ‘SHERRY’, length 6.3cm, approx. weight 0.8oz. £200-300

507. A small collection of four antique silver wine labels, various dates and makers, broad rectangular form, reeded borders, incised ‘MOSELLA’, ‘CURRANTS’, ‘MONTILLA and ‘CLARET’, approx. weight 1oz. (4) £150-200

508. A collection of four antique silver wine labels, narrow rectangular form, one incised ‘MOUNTAIN’, one ‘MADEIRA’ and two unmarked labels, incised and blackened ‘CALCAVELLA’ and ‘WHITE WINE’ , approx. weight 0.9oz. (4) £150-200

509. A George IV provincial silver wine label, by Joseph Hicks, Exeter 1829, rectangular form, canted corners, reeded border, pierced ‘AMONTILLADO’, plus a smaller William IV provincial silver wine label, by John Osmont, Exeter circa 1832, incised ‘SHERRY’, length 3.2cm, approx. weight 0.6oz. (2) £200-300

510. A collection of four provincial silver wine labels, comprising: one by Barber, Cattle and North, circa 1825, incised ‘MADEIRA’, plus three by Barber and Whitwell, York, incised ‘RUM’, ‘W.CHAMPAGNE’ and ‘MADEIRA’, approx. weight 1.7oz. (4) £300-400

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511. A collection of four Newcastle silver wine labels, comprising: a Victorian pair by Reid and Sons, Newcastle circa 1845, oval form, with a raised shield cartouche and reeded borders, incised ‘SHERRY’ and ‘PORT’, plus one by Langlands and Robertson, rectangular form, canted corners, reeded borders, with a shield cartouche, engraved with a crest, incised ‘SHERRY’ and another label, by William Lister, incised ‘SHERRY’, approx. total weight 1.5oz. (4) £200-300

512. A pair of George III silver-gilt wine labels, by Paul Storr, London 1816, cartouche form, with foliate and shell borders, applied ‘HOCK’ and ‘SAUTERNE’ on a matted background, length 8cm, approx. weight 3.1oz. (2) £1,000-1,500

513. A collection of four Victorian silver wine labels, various dates and makers, pierced shaped oval form, pierced and incised ‘CHAMBERTIN’, ‘MADEIRA’, ‘SHERRY’ and ‘WHISKEY’, approx. weight 1.9oz. (4) £150-200

514. A pair of 19th century silver armorial wine labels, unmarked, rectangular form, mounted with a walking horse, engraved details, pierced ‘PORT’ and ‘MADEIRA’, length 5.4cm. (2) £150-200

515. A collection of four early 19th century silver wine labels, by Joseph Willmore and Unite and Hilliard, Birmingham various dates, pierced oval wire-work form, incised ‘SAUTERN’, ‘SHERRY’ (x2), and ‘PORT’, approx. weight 1.5oz. (4) £200-300

516. A George III silver-gilt wine label, by Benjamin Smith, London 1814, shaped oval form, wine and scroll border, pierced ‘SAUTERNE’, length 6.3cm, plus an electro-gilded vine label of vine form, engraved with a crest and pierced ‘PORT’. (2) £150-200 The crest is possibly for Bales of Northamptonshire.

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517. A mid 18th century silver wine label, by John Harvey, London circa 1745, pierced with a Bacchanalian cherub and scroll and vine decoration, incised ‘CLARET’, length 5.8cm, approx. weight 1oz. £200-300

518. A George IV silver wine label, by J. Millidge, Edinburgh circa 1820, shell form, applied ‘SHERRY’, length 5.7cm, approx. weight 0.8oz. £200-300

519. A modern Britannia standard silver wine label, by Michael W Druitt, London 1973, Bacchanalian mask form, pierced ‘SHERRY’, length 6.8cm, approx. weight 2oz. £100-150

520. A George III silver wine label, by Thomas Hyde, London circa 1785, broad rectangular form, bright-cut border, incised ‘SACK’, length 4.2cm, approx. weight 0.2oz. £100-150

521. An Edwardian Irish silver neck ring wine label, by M. Harris, Dublin 1906, circular form, reeded borders, incised ‘CLARET’, diameter 8.1cm, approx. weight 0.8oz. £100-150

522. A George III Irish provincial silver wine label, by Carden Terry and John Williams, Cork circa 1815, crescent form, bright-cut borders, incised ‘MADEIRA’, length 5.4cm, approx. weight 0.2oz. £200-300

523. A George III silver armorial wine label, by James Phipps, London circa 1780, the scroll body with a bright-cut border, applied with a pierced harp pediment, incised ‘PORT’, length 4.5cm. approx. weight 0.2oz. £300-500

524. A George IV silver wine label, by John Reily, London 1823, oval form, applied with a dog’s head, pierced ‘VIDONIA’, length 4.4cm, approx. weight 0.7oz. £300-400

525. A Victorian cast silver wine label, by Alexander McRae, London 1865, shell form, incised ‘WHISKY’, length 5.2oz. £150-250

The crest is that of Byngley, Cope of Ireland, Critchley, Derwell, and others.

The crest is that of Cust, Earls of Brownlow.

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526. A George IV silver-gilt wine label, by Thomas Johnson, London 1826, shaped form, with a central boar’s head and trailing grapevines, pierced ‘PORT’, length 6.2cm, approx. weight 1.2oz. £200-300

527. A modern silver armorial wine label, by Michael W Druitt, London 1973, modelled as an ostrich head, pierced ‘WHISKY’, length 6.4cm, approx. weight 0.4oz. £100-150

529. A George III silver wine label, by Hester Bateman, London circa 1780, scroll form, feather-edge border, mounted with a winged eagle pediment, incised ‘CLARET’, length 6cm, approx. weight 0.4oz. £300-500

530. A modern silver armorial wine label, by Michael W Druitt, London 1973, modelled as an eagle with spread wings, and applied with a cross, pierced ‘BRANDY’, length 6cm, approx. weight 0.7oz. £100-150

The crest is that of Bew, Currell of Devonshire, Kidwell of Wales, Sankey of Ireland, and others.

The crest is that of Fisher.

532. A William IV silver-gilt wine label, by Paul Storr, London 1835, also marked with a French import mark, scroll cartouche form, pierced ‘NOYAU’, length 5.3cm, approx. weight 0.8oz. £400-600

528. A William IV silver-gilt wine label, by Paul Storr, London 1835, shell form, incised ‘BRANDY’, length 3.8cm, approx. weight 0.4oz. £300-500

533. A George III silver wine label, unmarked, circa 1800, modelled as a fouled anchor, pierced ‘PORT’, length 5.4cm, approx. weight 0.4oz. £150-200

531. A Victorian novelty silver ‘cut-out letter’ wine label, by Rawlings and Summers, London 1846, modelled as the letter ‘S’, with foliate decoration, and supported by Mr. Punch and Toby the dog, length 4.5cm, approx. weight 0.7oz. £200-300

534. A George III silver-gilt wine label, by George Pearson, London 1818, oval form, with a Bacchanalian cherub and mask with pierced trailing grapevines, pierced ‘PORT’, length 6.5cm, approx. weight 0.8oz. £100-150

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535. A George III silver wine label, by Peter, Ann and William Bateman, London 1799, modelled as a Bacchanalian Cherub with outstretched arms holding a banner, vine border, incised ‘GIN’, length 5.7cm, approx. weight 0.5oz. £300-400

536. A George III silver armorial elephant wine label, by Edward Farrell, London 1815, modelled in a standing position, pierced ‘LISBON’, length 8.4cm, approx. weight 0.7oz. £1,500-2,000

Provenance: The Albert Collection, no.671, illustrated in Butler, R,. The Albert Collection, page 274.

537. A matched set of three early Victorian silver-gilt wine labels, by Samuel Whitford, London 1837 and 1838, cartouche form, engraved with a crest and coronet, and incised ‘XEREZ’, ‘OPORTO’ and ‘RHEIN-WEIN’, length 5cm, approx. weight 1.3oz. (3) £300-400

538. A George IV cast silver wine label, by Edward Farrell, London 1827, shaped form, with bacchanalian revellers, scroll borders, pierced ‘SHERRY’, length 7.8cm, approx. weight 2.2oz. £300-400

Engraved with an Earl's coronet and a rampant lion crest.

539. A matched pair of George IV silver wine labels, by Philip Rundell, London 1820, one with date letter lost in piercing, shaped form, with heavy foliate and shell decoration, pierced ‘CLARET’ and ‘SHERRY’, lengths 8.5cm, approx. weight 3.7oz. (2) £400-600

540. A George III cast silver wine label, by Digby Scott and Benjamin Smith, London 1804, openwork wreath form, with trailing grapevines and drapes, pierced ‘SHERRY’, length 8cm, approx. weight 1.7oz. £200-300

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OTHER PROPERTIES THE TOM LAWSON COLLECTION OF HAT PINS Tom Lawson purchased his first hat pin in 1971, when he was visiting The Royal Mile in Edinburgh. Since then he has built up an extensive collection, and has written widely on the subject. His most well-known publication being his 2002 book on Charles Horner of Halifax. Charles Horner is the leading name in hatpin production at the beginning of the twentieth century, and Tom’s collection contains a large variety and number of Horner hat pins. Following on from the hat pins, we also include in this sale Tom Lawson’s collection of menu card holders, which show the variety of materials that were used, and includes a very good Omar Ramsden and Alwyn Carr silver and enamel menu example. Tom Lawson writes on his collection: ‘My excitement when I came across art nouveau long stemmed hatpins in antique shops instantly made me an enthusiastically serious collector. The 'journey' from Victorian times - Charles Horner - through the Edwardian period including the suffragette movement, legislation against dangerous headwear in public, numerous patents, music hall jokes, murder plots and much more, has given me enormous pleasure. As a member of the British and two American hatpin societies and several other clubs, I enjoyed researching and writing numerous articles. My collection holds many wonderful memories which reflect my trip through a fascinating period of history and I hope others will enjoy sharing this’.

572 & 567

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541. A collection of twelve 9 carat gold hat pins, comprising: one of shell form, set with a pearl, one with a glass egg, one modelled as a golf club, one of Art Nouveau form, set with two stones, plus eight others with wire-work decoration and ball finials. (12) £200-300

542. A collection of ten Charles Horner silver hat pins, comprising: one with a ladybird finial under glass, one of thistle form with a purple head, one modelled as a treble clef, one with an enamelled flower, a sword, one with a coloured glass finial, plus various others with wire-work and ball finials. (10) £200-300

543. A collection of fifteen various silver hat pins, comprising: an Edwardian one modelled as a teddy bear, by Allday and Lovekin, Birmingham 1908, an Art Nouveau one with purple enamel decoration, one with a purple glass ball finial with overlay, one modelled as a shamrock with inlaid hardstone, one modelled as a peacock, Chester 1908, plus some with wire-work and ball decoration and others. (15) £200-300

544. A collection of fifteen various silver hat pins, comprising: an Edwardian one modelled as a cockerel, by May and Co, Birmingham 1909, one modelled as a grouse, one with the shield of Glastonbury Abbey, one modelled as a kangaroo, one as a golf club, one with enamelled decoration, by L. Emmanuel, Birmingham 1910, plus a pair with pink Ruskin cabouchons, and various others. (15) £200-300

545. A collection of fifteen various silver hat pins, comprising: one modelled as crossed golf clubs and a purple glass finial, Birmingham 1910, one with a Lincoln imp finial, one modelled as a golf club, one as a Welsh hat, by Crisford and Norris, Birmingham 1908, a green ball finial with overlay, a Japanese one with iris decoration, one of seal form, one with mother-of-pearl, two with enamel, plus various others. (15) £200-300

546. A collection of five Edwardian Charles Horner 9 carat gold hat pins, comprising one with a central heart shaped tiger’s eye stone, Chester 1906, four others with wire-work decoration and a gold plated one, with a CH monogram. (6) £150-250

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547. A collection of ten Edwardian silver Charles Horner hat pins, comprising: one with a butterfly finial, Chester 1906, enamelled body, the wire-work wings set with purple stones, an Art Nouveau one with a central coloured glass ball and wire-work decoration, two set with paste finials and various others. (10) £200-300

548. A collection of ten Charles Horner silver hat pins, comprising: one of thistle form, with wire-work and a yellow glass head, Chester 1912, one modelled as a treble clef, one with a coloured glass bead, one a faceted coloured green finial, plus various others with wire-work and ball finials. (10) £200-300

549. A collection of ten Charles Horner silver hat pins, comprising: one modelled as a grenade, one pierced with the emblem of the Isle of Man and with a blue enamel border, titled ‘MONA’, one with a glass egg finial, two with coloured glass finials, and various others with wire-work and ball finials. (10) £200-300

550. A collection of silver and enamel hat pins, comprising one by Charles Horner, Chester 1910, with blue / green enamel decoration, four by Arthur Johnson Smith, Birmingham 1908 and Chester 1909, with blue / green enamel decoration, plus one marked ‘Queensway Pure Silver’, with purple, green and blue decoration, a pierced Art Nouveau one and one other. (8) £200-300

551. A collection of twelve 9 carat gold hat pins, comprising: a French gold mounted tiger’s eye handled sword, one of buckle form with blue enamel decoration, plus ten others with wire-work decoration and ball finials. (12) £200-300

552. A collection of twenty various hat pins, various materials, comprising: one with a hardstone ball finial, inset with a Stanhope with a souvenir of Niagara Falls, plus a silver-mounted one of thistle form, with a purple flower, by Allday and Lovekin Limited, Chester 1909, a silver clover leaf one, one with an electroplated wasp finial, a banded agate cross, seven with Blue John and hardstone ball finials, an Art Deco one enamelled with a falcon, plus seven various others. (20) £200-300

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553. A large collection of hat pins, various materials, including: an electroplated one modelled as a bulldog’s head, various silver and metal ware examples, some with enamel decoration, some with hardstone finials, gilt metal examples, some with military ‘Sweet heart’ buttons, plus glass examples and various others. (qty) £200-300

554. A large collection of hat pins, various materials, including: several set with paste and coloured glass, some with enamel decoration, one modelled as a claw, two with the Indian peace sign, and various others. (qty) £200-300

555. A large collection of hat pins, various materials, including an unmarked silver gold club, various silver and metal ware examples, plus enamel examples, base metal hat pins, and some later with plastic finials. (qty) £200-300

556. A collection of eight pairs of ‘Norene’ hat pins, comprising: a pair with the Indian peace sign enamelled in green, three pairs with enamelled decoration, a pair decorated with a dragon fly, a plain pair and two other pairs, all on original cardboard backing. (8) £300-400

The ‘Norene Safety Hat Pin’ was an early 20th century patented hat pin by Mrs Dunn. The name comes from a combination of her daughter’s names Norah and Irene. The point of one pin slots into the back of the other. They have a wire mesh back to comply with the laws of the day when it was illegal to have the very long hat pins unprotected. The mesh was sometimes sprinkled with perfume to be used as a pomander.

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557. A large collection of ceramic hat pins, comprising; one with a Moorcroft ball final, several Ruskin finials, Japanese Satsuma examples, plus some with glass ball finials, and two with glass bird finials. (qty) £200-300

558. A large collection of hat pins, various materials, including: one enamelled with an owl on a purple ground, various silver and metal ware examples, some with enamel decoration, one with carved ivory, some with glass finials, gilt metal examples, some with military ‘Sweet heart’ buttons, plus various others. (qty) £200-300

559. A collection of hat pins, various materials, including: a pair of silver and tortoiseshell flower heads, London 1910, a cased tortoiseshell pair, plus fifteen further tortoiseshell examples, some with inlaid pique work, plus ivory examples, an electroplated cockerel titled ‘CHANTECLAIR’, a carved wooden head of an owl and dog, plus military ‘Sweet heart’ buttons and others. (44) £200-300

560. A collection of glass mounted hat pins, many by The English Glass Company Ltd, of Leicester, some on original cardboard backing, plus a sample book of coloured glass buttons and collection modelled as thistles, on cardboard backing, and others, plus a printer’s first proof of Tom Lawson’s ‘Little Things in Glass and Metal; and Plastic too’. (qty) £150-200

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561. A late-Victorian silver buckle and buttons set, by Charles Horner, Chester 1900, with textured decoration, comprising: a large buckle, a pair of smaller buckles, a set of six buttons and a set of twelve small buttons, in a fitted case, plus a cased pair of thistle hat pins, with a purple and yellow glass flower, Birmingham 1911, plus a boxed silver pair and another cased pair. (4) £200-300

562. A collection of cased hat pins, comprising: a gold plated pair of twisted wirework form, set with turquoise cabochons, a gold plated pair of scroll form, retailed by B. Fase and Co, Oxford Street London, a silver and enamel pair, a cased pair with a 9 carat tie pin and three button studs, a pair with blue / green enamel decoration, plus five further sets of hat pins with button studs. (10) £200-300

563. A small collection of reference books relating to hat pins, comprising: Lawson, T., Charles Horner of Halifax, GML Publishing, 2002, plus Baker’s Encyclopaedia of Hat pins and Hat pin stands, Stanhope’s, a Closer View by Jean Scott, An illustrated A-Z of materials used in the Manufacture of hat pins, by Pamela Barrett, journals of the Hat Pin Society of Great Britain, plus other volumes and related ephemera. (qty) £30-40

564. A large quantity of ceramic and electroplated hat pin stands, comprising: one with a stag’s head finial, one with a thistle finial, plus various others including souvenir examples, and an ebony case with silver mounts and titled ‘Hat Pins’, Birmingham 1895. (qty) £200-300

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detail

565. A collection of three silver-mounted hat pin stands, comprising one by Saunders and Shepherd, Chester 1904, plain circular base, one by A and J Zimmerman, Birmingham 1905, the base with foliate scroll decoration, one by Crisford and Norris, Birmingham 1907, with a jester finial, plus a silver and tortoiseshell ring stand, London 1919. (4) £200-300

566. A late-Victorian /Edwardian novelty silver hat pin/ vinaigrette, by William J Holmes, also stamped silver and with a registration number 507468, ball form, the pull-off cover with pierced and engraved foliate decoration, length 17cm. £100-150

567. An Edwardian novelty silver hat pin stand, maker’s mark worn, Chester 1905, modelled as a harp, with a fluted column and green velvet cushion, on a circular base, height 4.7cm. £300-400

568. By Georg Jensen, a Danish silver hat pin and guard, design number 56, the centre set with a lapis lazuli cabochon, the terminal with a ball and bead cover, together with a book on George Jensen, by Jorgen Moller. (2) £150-200

569. A novelty silver hat pin stand, by Crisford and Norris, Birmingham 1910, the stem modelled as a hunting whip, finial missing, on a horseshoe shaped cushion, on a wooden base, plus another hat pin stand modelled as a hunting whip, lacking silver horse shoe base, partmarked, and a hat pin stand modelled as a stick stand, rectangular from, Birmingham 1905, and one with a thistle finial, by Allday and Lovekin, Birmingham 1907. (4) £200-300

570. A silver and enamel hat pin set, with light blue and white enamel decoration, comprising: a pair of hat pins, an oval brooch, two circular brooches, and a set of six dress studs, in a fitted case, plus another hat pin set, including a pair of hat pins, an oval buckle with green enamel decoration and white borders, and a set of six dress studs, in a fitted case, and a hat pin set with green foil decoration under glass, comprising: a pair of hat pins, a brooch and six dress studs, cased. (3) £200-300

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571. A collection of fifteen various silver hat pins, comprising: an Edwardian one modelled as a hot air balloon with a hanging gondola, by Allday and Lovekin, Birmingham date letter obscured, one modelled as a sword, one with hardstone and a central orange glass cabochon, one with a seal, a blue glass ball finial with over-lay, one with the symbol of the Isle of Man with green enamelled decoration, two with enamel decoration, plus some with wire-work and ball decoration and others. (15) £200-300

572. A small collection of five Edwardian Charles Horner silver hat pins, Chester 1908 and 1909, comprising: two of thistle form, with faceted yellow glass, plus two pins with Art Nouveau decoration and faceted purple and yellow glass and a silver and enamel hat pin, with green blue Art Nouveau decoration. (5) £200-300

573. A collection of fifteen silver hat pins, comprising: an Edwardian one by Charles Horner, Chester 1904, heart form with blue and green under glass, one with a lady in a bonnet, possibly a depiction of Emily Pankhurst, Birmingham 1909, one with a lady’s head, by A and J Zimmerman, Birmingham 1904, one enamelled with a badge of Glastonbury Abbey, one with a pierced ball finial, three with hardstones, one with enamel decoration, and six others. (15) £200-300

574. A collection of ten Charles Horner silver hat pins, comprising: one of buckle form, Chester 1912, with pink enamel decoration with white studs, plus one of wishbone form, one with a hardstone and wire-work decoration, one with a yellow glass thistle, one with purple glass, plus various others with wire-work and ball finials. (10) £200-300

575. A collection of fifteen various silver hat pins, comprising: an Edwardian one modelled as a standing bear, by Pearce & Thompson, Birmingham 1909, an Art Nouveau one with enamel decoration and a purple glass thistle, one enamelled with a butterfly, another with enamel decoration, a shamrock set with hard stones, one with stylised Art Nouveau decoration, by Charles Horner, Chester 1923, plus some with wire-work and ball decoration and others. (15) £200-300

576. A collection of fifteen silver hat pins, comprising: one modelled as a fox’s head, by Allday and Lovekin, Birmingham 1908, one modelled as a Welsh hat, Chester 1910, one with green / blue enamel decoration, one enamelled with flowers, one with a blue hardstone cube finial, one with an Indian peace sign, plus various others. (15) £200-300

One is illustrated on the front cover of Lawson, T.J., Charles Horner of Halifax, by GML Publishing 2002.

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detail 577. By Murrle Bennett and Co, a pair of Art Nouveau 9 carat gold and abalone shell hat pins, marked with maker’s mark and 9ct, with pierced decoration and mounted with a rounded triangular piece of abalone shell, in a fitted case. (2)

£200-300

detail 578. A silver-gilt and pliqué-a-jour enamel hat pin, marked Sterling, shield form, with a central blue stone doublet, with foliate swags and tassels, in a later case.

£100-150

detail 579. A late 19th century Austro-Hungarian silver and enamel hat pin, unmarked, modelled as the torso of a Moor, with vari-coloured enamel clothes, in a later Cartier box. (2)

£100-150

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580. A pair of silver menu card holders, by Grey and Co, Chester 1913, circular form, each with a salmon fly under glass, on three supporting feet, plus another similar by the same maker, Birmingham 1909, painted with a pheasant under glass, height 4.5cm. (3) £150-200

581. A pair of Victorian novelty silver menu card holders, by John Harris, London 1853, modelled as rearing horses, against a fence, length 6cm, approx. weight 4.3oz. £100-150

582. A collection of six silver menu card holders, comprising: one modelled as the Naval Crown, by H. Matthews, Chester 1910, an Indian pair of circular disc form, by Orr of Calcutta, engraved with a monogram and crown, on raised circular bases, plus one of disc form, set with hardstone, one of shaped form, and one of disc form. (6) £200-300

583. A collection of six novelty silver menu card holders, comprising: one modelled as a stag’s head, by Sydney and Co, Birmingham 1907, on a circular wooden base, plus five of various wish bone form, one mounted with a swan. (6) £200-300

584. A pair of Edwardian silver-mounted Wedgwood Jasperware menu card holders, by Cohen and Charles, Chester 1905, disc form, with classical maidens on a light blue ground, plus a silver-gilt and enamel menu card holder, by Mappin and Webb, London 1913, disc form with blue enamel decoration and a silver and enamel menu card holder of shamrock form, Dublin 1966. (4) £200-300

585. A set of four novelty silver menu card holders, by William Hutton and Sons, Birmingham 1910, modelled as a fox mask and crossed hunting whips, on D-shape wire-work bases, length 6.5cm, approx. weight 1.9oz. (4) £200-300

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586. A pair of Edwardian novelty silver owl menu card holders, by S. Mordan and Co, Chester 1909, modelled in standing positions, set with glass eyes, on circular bases, plus an Edwardian single novelty silver owl menu card holder, by Crisford and Norris, Birmingham 1907, modelled in a standing position, red eyes, on a domed base, heights 5cm and 3cm, approx. weight 2oz. (3) £200-300

587. A pair of Edwardian novelty silver menu card holders, by Levi and Salaman, Birmingham 1909, modelled as a vintage car, with three passengers, wire-work support, length 6cm, approx. weight 1.2oz. (2) £100-150

588. A set of four continental silver-gilt and hardstone menu card holders, marked 935, and also with a French import mark, the different coloured hard stone carved with a seated goddess, on rectangular bases with canted corners, in a fitted case, height 3.2cm. (4) £150-200

589. A set of four novelty silver fox mask menu card holders, by S. Mordan and Co, Chester 1913, the heads with textured fur and set with glass eyes, on circular bases, in a fitted case, height 2.9cm, approx. weight 2.6oz. (4) £200-300

590. An Edwardian Art Nouveau silver and enamel menu card holder, by Liberty and Co., Birmingham 1906, also with a registration number, with pierced and chased stylised decoration and with green blue enamel decoration, length 3.6cm, approx. weight 0.3oz. £100-150

591. By Ramsden and Carr, an Edwardian silver and enamel menu card holder, London 1907, shaped rectangular form, pierced intertwined decoration, the centre with a blue green enamel cabochon, on three scroll feet, length 8.5cm, approx. weight 1.2oz. £300-400

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592. A large collection of ceramic and glass menu card holders, comprising: one modelled as a heron with a vase, by Bing and Groendahl, and three others by the same maker, of globe form, decorated with flowers, two Royal Copenhagen examples with blue flowers, a Royal Copenhagen menu board, with a blue bell and butterfly decoration, plus a set of six of shell form, and other pairs and examples. (qty) £200-300

593. A large collection of ceramic and glass menu card holders, comprising: a Copeland shell, on a blue rocky base, an oval pair with a ribbon-tied mount, an earthenware pair, one modelled as a butterfly, one of menu board form, with an electroplated pierced foliate mount, a pair of glass flowers, plus other examples and a hardstone floral menu card holder. (qty) £200-300

594. A large collection of menu card holders, comprising silver examples: a silver-mounted boar tusk holder, Edinburgh 1906, easel support, plus an unmarked silver-mounted one, of double tusk form, and a metal ware peacock, plus electroplated items: a monkey holding a fan, one modelled as two geese and one as two chicks, plus one of shell form, one of fan form, two of disc form, one with a clown’s head and one other, plus various base metal ones including: a pair of peacocks, the underside with ‘Jaipur School of Art’, two enamelled ladies, a Guinness is Good For You’ holder and various others, plus a wooden peacock. (qty) £200-300

595. A set of six novelty silver menu card holders, by John Evans, London 1922, modelled as a standing cut out of a pig, on raised circular bases, height 3.6cm. (6) £400-600

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596. A set of six Chinese silver menu card holders by T.J, circa 1920, modelled as the Chinese characters for ‘happiness’, height 4.3cm, plus a single unmarked one mounted with a figure and a pair of unmarked silver and enamel fish menu card holders, (9) £200-300

597. A collection of six silver menu card holders, comprising: a pair of Luckenbooth form, by Wilson & Sharp, Edinburgh 1896, on a wire-work base, plus another of Luckenbooth form, on a domed hardstone base, plus one pierced ‘Menu’, London 1908, one of oyster shell form, Birmingham 1898, and one modelled as a lyre, Birmingham 1901. (6) £200-300

598. A collection of six novelty silver menu card holders, comprising: a set of three modelled as an English rose, a Scottish thistle and an Irish shamrock, by Horace Woodward & Co Ltd, Birmingham 1905 and 1906, on hexagonal bases, plus a pair of shield form, Birmingham 1905, and one pierced ‘MENU’, by S. Mordan and Co, Chester 1908, approx. weight 4.5oz. (6) £200-300

599. A collection of six silver menu card holders, comprising: a pair of oval form, by James Samuel Bell, London 1912, with scenes of ducks and antelope painted on clear glass, on scroll supports, plus a modern pair of elephant menu card holders, London 1970, plus a silver-gilt one by A. E. Jones, Birmingham 1921, and another menu card holder, approx. weighable 6oz. (6) £200-300

600. A mixed lot of six silver menu card holders, comprising: a pair of pierced semi-circular form, by Rosenthal, Jacob & Co, London 1885, wire-work supports, a pair by H. Matthews, London 1900, pierced foliate scroll decoration, plus two singles with wire-work decoration, approx. weight 4.4oz. (6) £200-300

601. A mixed lot, comprising silver items: a pair of menu card holders, London 1920, modelled as glass balls mounted on raised circular bases, plus a 19th century Dutch silver-mounted scent bottle, a Georg Jensen spoon, inscribed 1904-1979, a cigarette case, an overlay scent bottle, a silvermounted horn spoon, an enamel handled letter knife, plus a tortoiseshell hair piece and a Venetian glass scent bottle. (10) £200-300

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detail 602. A small collection of four 19th century silver vinaigrettes, comprising: one by Wardell & Kempson, Birmingham 1805, the cover engraved with an image of the Round Tower at Windsor Castle, one by Tye & Kilner, Birmingham 1826, flat rectangular form, engine-turned decoration, pierced and engraved foliate grille, plus one by Cocks and Bettridge, Birmingham 1811, grille a.f, and one by Matthew Linwood, Birmingham 1808, approx. weight 1.9ox. (4) £300-400

603. A small collection of silver items by Charles Horner, comprising: an Edwardian book marker, modelled as a cutlass, with a turquoise cabochon, Chester 1902, a thimble Chester 1898, two Dorcas thimbles, a brooch, the centre with a photograph, Chester 1899 and a table clip by William Comyns, London 1902. (6) £80-100

OTHER PROPERTIES

detail 604. A small collection of four 19th century silver vinaigrettes, comprising: one by Samuel Pemberton, Birmingham 1809, large flat rectangular form, engraved decoration, pierced and engraved foliate grille, plus one by Abraham Kemp, Birmingham 1853, another by Samuel Pemberton, Birmingham 1811, and one by T. Shaw, Birmingham 1823, the grille with a basket of flowers, approx. weight 2oz. (4) £300-400

605. A collection of small silver items and objects of vertu, comprising: a late 18th / early 19th century gold mounted ivory tooth pick case, the hinged cover set with two ovals containing lockets of hair, the interior with a mirror, a gold and turquoise thimble, a Victorian baby’s rattle and whistle, by Hilliard and Thomason, Birmingham 1852, with five bells and a coral teether, a.f, a gold thimble, a ceramic thimble, plus two pencils, three book marks, an enamel oval of a young girl’s head, a ceramic oval of the Madonna and Child, a carved hard stone matrix, plus a pair of Hester Bateman miniature spoons, a cased fork and spoon and a single spoon, approx. weight of gold 11g, approx. weight of silver 2.7oz. (qty) £400-600

open

606. A George III travelling three-section silver spice box, by Robert Nicholls, London 1785, cylindrical form, gilded interiors, the central section with a pierced sifting cover, the top and bottom section with cork lined covers, height 9.6cm, approx. weight 5oz. £800-1,000

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607. A matched set of four silver menu card holders, three by The Adie Brothers, Birmingham and London 1932, one over-stamped with maker’s mark of Selfridge and Co Ltd, Birmingham 1932, modelled as a running fox and hound, and running hare and greyhound, in a fitted case, length of longest 6.5cm, approx. weight 3.4oz. (4) £350-400

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open 608. A Victorian silver-gilt and glass scent bottle / vinaigrette, probably by S. Mordan, plain circular form, the hinged glass front opens to reveal a pierced foliate scroll grille, the push button is stuck, so cover does not close, with a chain and ring attachment, length 8.8cm. £200-300

609. An Edwardian silver miniature paint box, by William Hornby, London 1905, modelled as a rectangular artist’s palette, the hinged cover opens to reveal eight sections for paints and a compartment with a two section paint brush, with a ring attachment, length 5.2cm, approx. weight 1.1oz. £300-400

detail 610. A George I silver patch box, probably by John Albright, London circa 1720, circular form, the hinged cover stamped with a portrait of George I and ‘GR’, diameter 2.2cm, approx. weight 0.2oz. £150-200

611. A silver butt marker, by John Hill, London 1920, retailed by J. Vickery, 177 to 183 Regent Street, rectangular form, the hinged cover opens to reveal a hinged side that opens to reveal nine ivory numbered pegs, (one missing), the front initialled, length 4.5cm, approx. weight 1.2oz. £200-300

612. A pair of silver-mounted scent bottles and two matching toilet jars, by William Hair Haseler, Birmingham 1938, engine-turned covers, the glass bodies with engraved linear decoration, plus a silver-mounted tortoiseshell dressing table box, cover a.f, plus two silver and tortoiseshell mounted toilet jars. (7) £350-400 613. A late-Victorian silver-mounted novelty liqueur decanter, by William Hutton and Sons, London 1898, modelled as a cockerel, clear glass body, the mounts with a hinged cover, set with glass eyes, chips to foot, height 16.5cm, plus a late-Victorian silver liqueur decanter, by H. King, Chester 1896. (2) £200-300

613

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614. An Edwardian silver and hardstone miniature photograph frame, by James Fenton, Birmingham 1904, modelled as a cross and mounted with thistles, height 6.4cm, plus another miniature silver and hardstone photograph frame, by the same maker, Birmingham 1900, height 4.5cm. (2) £200-300

615. An Edwardian 9 carat gold miniature photograph frame, by Robert Pringle, Birmingham 1901, plain heart form, red easel back, height 3.7cm. £100-150

616. A German novelty silver-mounted scent flask, with French import marks, cylindrical form, hob-nail cut glass body, the hinged cover with a puppy’s head and front legs, in a case, length 8cm. £250-300

617. A Victorian silver-mounted novelty glass scent bottle, by S. Mordan and Co, London 1894, modelled as an owl, the screw-off head with textured feathers and set with glass eyes, plain glass body, length 5.3cm. £350-400

618. A Victorian silver hip flask, by George Unite, Birmingham 1845, oval form, engraved foliate scroll decoration, pull-off drinking cup, screw-off cover, length 11.4cm, approx. weight 3.9oz. £150-200

619. A novelty silver paper weight, by the Goldsmiths and Silversmiths Company, London 1924, modelled as a curling stone, inscribed ‘Bert from Reg, 12.1.1925’, diameter 8.5cm. £150-200

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620. A novelty silver pin cushion, by Charles Turner, Birmingham 1910, modelled as a pixie, with a recovered cushion body with detachable separate arms, legs and head, length 8.5cm. £600-800

621. An Edwardian novelty silver rhino pin cushion, by Levi and Salaman, Birmingham 1908, modelled in a standing position, on a rectangular base with canted corners, length 5.4cm. £700-900

622. An Edwardian novelty silver bulldog pin cushion, by Britton, Gould & Co, Birmingham 1906, modelled in a standing position, height 5cm. £300-400

623. An Edwardian novelty silver fish pin cushion, by Blanckensee & Co, Birmingham 1908, with textured scales, gilded eyes, on a hinged ring, length 5.4cm. £300-400

624. An Edwardian novelty silver golden pheasant pin cushion, by S. Mordan and Co, Chester 1905, modelled in a walking position, on an oval base, length 9.6cm. £300-400

625. An Edwardian novelty silver pin cushion, by H.V Pithey and Co, Birmingham 1909, modelled as a standing bear muzzled and chained, with a cushion to his back, on an oval unmarked base, with a cushion, height 8.2cm. £600-800

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626. A Victorian silver inkwell, by Henry Wilkinson and Co, Sheffield 1872, shaped circular form, pierced decoration, beaded border, with a silver-mounted cut-glass inkwell, the hinged cover with a beaded border and urn finial, diameter of base 20.4cm, approx. weight 7.5oz. £150-200

627. An Edwardian Royal presentation silver inkwell, maker’s mark worn, Birmingham 1904, modelled as a capstan, hinged cover, with a rope-work girdle, inscribed ‘Presented to Captain Welch R.N by His Majesty King Edward VII, Christmas 1904’, on a square base with plank decoration with a pen stand, on four ball feet, length 11.5cm. £300-500

628. An Edwardian silver-mounted glass watch inkwell, by H. Matthews, Birmingham 1908, tapering square body, the plain hinged cover opens to reveal a watch, length 9cm. £300-350

629. An Edwardian novelty silver barometer and thermometer, by H. Matthews, Birmingham 1908, modelled as a banjo barometer, wooden back, length 20.8cm . £150-200

630. A silver travelling clock, by A. Buckley Limited, Birmingham 1927, rounded rectangular form, engine-turned decoration, plated easel back, length 9.5cm. £100-150

631. A silver clock, by Charles and Richard Comyns, London 1916, bombé form, ribbon and reed border, later engraved with a monogram and date, on four bracket feet, height 12.5cm. £150-200

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632. A late-Victorian silver clock, by William Comyns, London 1897, upright rectangular form, hinged scroll handle, enamel dial, on four bun feet, height 15.5cm £300-400

633. A late-Victorian silver clock, by the Mappin Brothers, London 1896, rectangular form, hinged carrying handle, with a blue enamelled dial, on four bun feet, height 6.8cm. £150-200

634. A silver bracket clock, maker’s mark worn, Birmingham 1921, of arched upright rectangular form, the front engraved with classical motif, hinged side handles, enamel dial and domed glass front, wooden back with a pull-out electroplated circular panel, on a rectangular base on two ball and two wooden bracket feet, height 20cm. £600-800

635. An Edwardian silver clock, by Cohen & Charles, London 1901, arched rectangular form, on four bun feet, enamelled dial, height 7.2cm. £150-200

636. A silver clock, by Charles S Green & Co Ltd, Birmingham 1921, circular and tapering rectangular form, on a raised rectangular foot, enamel dial, wooden back, height 13.8cm. £150-200

637. A silver and pink enamel dressing table clock, by the Adie Brothers, Birmingham 1935, panelled rectangular form, with an engine-turned top, wooden back, length 12.2cm. £300-400

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638. A late 19th century Dutch silver cow creamer, with London import marks for 1891, modelled as a standing cow, the hinged cover with a fly finial, height 9.5cm, approx. weight 5.4oz. £300-400

639. A pair of modern cast silver grouse, by Edward Barnard, London 1956 and 1957, modelled in standing positions, textured feathers, height 13cm and 10cm, approx. weight 37oz. (2) £1,000-1,500

640. A pair of modern novelty silver mouse pepper pots, by W.W, London 2001, modelled as mice seated on their haunches, with red glass eyes, height 5.8cm, approx. weight 3oz. (2) £150-200

641. A late 19th century Dutch silver cow creamer, with English import marks for London 1893, importer’s mark of Samuel Landeck, modelled in a standing position, the hinged cover with a stylised fly finial, length 16.5cm, approx. weight 7oz. £500-700

642. A modern silver cow creamer, by R. Comyns, London 1968, modelled in a standing position, the hinged cover with a fly finial, length 15cm, approx. weight 4.9oz. £300-400

643. A Victorian silver finial, part marked, modelled as a standing horse, mounted on a green marble base, length 7.8cm, plus a modern silver model of a standing poodle, by A.E. Jones, Birmingham 1972, approx. weighable 7oz. (2) £200-250

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644. A silver statue of a sailor, by Mappin and Webb, Sheffield 1935, standing to attention and saluting, on a weighted tapering ebonised plinth, applied with a vacant plaque, height 16cm. £200-300

645. A large Edwardian silver wager cup, by Neresheimer of Hanau, with import marks for Chester 1904, importer’s mark of Bethold Muller, modelled as a standing lady in medieval dress, her raised arms holding a fluted drinking cup, tapering dress, height 35cm, approx. weight 21.9oz. £700-900

646. A Victorian silver model of a sailor, by the Army & Navy Cooperative Society Ltd (Frederick Bradford Macrea), London 1889, the stand by H. Woodward and Co Limited, London 1894, modelled as a standing sailor with his hand on his hip, his beret inscribed ‘EDINBURGH’, on a capstan shaped stand on three tripod legs, height 21.8cm, approx. weight 9oz. £150-200

647. A pair of Edwardian silver and enamel candlesticks, by William Hutton and Sons, Birmingham 1906, the enamelled columns decorated with flowers in the Japanese manner, with dark blue borders, on raised square bases with foliate scroll borders, height 16cm. £400-600

648. A French novelty silver table cigar lighter, retailed by Cartier, Paris, modelled as a street gas lamp, on a spread circular base inscribed, ‘Belgische Maatschappij voor gas en electriciteitsbedrijf in West -Vlaanderen’, translates as ‘Belgian Society for gas and electricity company in West -Vlaanderen’, height 25cm. £300-400

649. A late-Victorian novelty silver nib inkstand, by Heath and Middleton, London 1896, the front with a crowned initial, with a pen rest, later glass liner, height 13.8cm, approx. weight 2.1oz. £200-300 The Gothic initial P, ensigned with the coronet of a German marquis.

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650. A Victorian novelty silver owl pepper pot, by George Unite, Birmingham 1868, modelled in a standing position, the pierced pull-off head set with red and black glass eyes, height 8.5cm, approx. weight 1.9oz. £300-400

651. A modern silver model of a grouse, by E. Barnard and Sons, London 1970, modelled in a standing position with textured feathers, height 11.8cm, approx. weight 8.4oz. £400-500

652. A continental novelty small silver toby cream jug and sugar bowl and cover, with import marks for London 1902, importer’s mark of Theodor Hartmann, the sugar bowl with a hinged hat cover, the jug with a scroll handle, height 6cm and 5.2cm, approx. weight 5.2oz. (2) £300-400

653. A pair of modern novelty silver owl pepper and salt pots, by R. Comyns, London 1962, modelled in standing positions, textured feathers, the pull-off covers set with glass eyes, one eye missing, height 7.5cm, approx. weight 3.7oz. (2) £150-200

654. A Victorian novelty silver long-eared owl pepper pot, by George Ivory, London 1859, modelled in a standing position, the pierced pull-off head set with glass eyes, height 7.8cm, approx. weight 3.3oz. £300-400

655. A novelty silver pepper pot, by R.H.H, Sheffield 1925, modelled as a partridge, pull-off pierced head, height 9.5cm, approx. weight 4.4oz. £400-500

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656. A late-Victorian silver and enamel cigarette case, by George Heath, London, possibly 1883, rectangular form, the front enamelled with a standing nude lady holding a pair of peaches, length 8.2cm, approx. weight 2.9oz. £300-400 657. An Edwardian Royal presentation silver and enamel cigarette case, by Alfred Clark, London 1904, rectangular form, the hinged cover with the signature of Edward VII in gold lettering on an enamelled ground of striped blue, red and black enamel with gold coloured stringing, length 8.7cm, approx. weight 3.7oz. £600-800 Provenance: Presented to John Savile Lumley-Savile, 2nd Baron Rufford by King Edward VII around 1905.

656

657

John Savile Lumley-Savile inherited Rufford in 1896. King Edward VII regularly stayed at Rufford, Nottinghamshire, where he was entertained in grand style. House guests usually included Royal favourites such as the Hon. Mrs George Keppel. Lord Savile was considered a perfect host and a fine sportsman - an excellent shot and enthusiastic huntsman. He was also in the best traditions of the Savile’s, a responsible Landlord who was greatly respected by his tenants.

658. A German silver and enamel cigarette case, rectangular form, textured decoration, the front enamelled with an armorial, length 10.2cm, plus an Austrian silver and niello work cigarette case, with foliate decoration and gold highlights with an initialled cartouche, length 9.8cm, approx. weight 8oz. (2) £200-300

659. A George III silver snuff box, by Joseph Turner, Birmingham 1805, rounded rectangular form, plain thumb-piece, length 6cm, plus a continental silver and enamel box, oval form, the hinged cover enamelled with flowers within a pearl coloured border, with a ring attachment, approx. weight 1.9oz. (2) £200-300

660. A small collection of four Art Deco silver compacts and cigarette case, comprising: a French gem set compact, maker’s mark Z.L in a lozenge, fluted decoration, the sides applied with gold bands, the cover set with sapphires and diamonds, plus a French silver compact retailed by Dunhill, Pairs, square form, reeded decoration, plus a silver and enamel watch / compact, with import marks for London 1928, importer’s mark of H. C. Freeman Limited, rectangular form, black enamel decoration, gilded interior, plus a Danish silver cigarette case, by Anton Michelsen, 1935, rectangular form, blue thumb-piece, approx. weight 15oz. (4) £600-800

661. An Edwardian silver-gilt compact, with import marks for Birmingham 1907, importer’s mark of Steinhart & Co bag form, textured surface with sapphires, the interior with two sovereign holders, a mirror, a compact, an aide memoire, two hinged compartments and a clip, the base with a pencil, and with a chain attachment, length 12.5cm, approx. weight 7oz. £400-600

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662. A late-18th / early-19th century composition snuff box, circular form, the pull-off cover inlaid with a Jasperware panel of classical figures on a see-saw, under glass with a gold band, tortoiseshell lined, diameter 7.7cm. £200-300

663. A George II silver snuff box, maker’s mark three times, E or F ? with a stag’s head above, circa 1740, oval form, the hinged cover with a decorated border and inscribed ‘From Jo. Smithson to James Hill’, length 7.5cm, approx. weight 1.3oz. £150-200

664. An early 19th century ivory snuff box, circa 1820, circular form, tortoiseshell lined, the pull-off cover with a spray of flowers under glass, diameter 6.2cm. £150-200

665. A late-18th / early-19th century burr-walnut snuff box, circular form, the pull-of cover with a painted scene under glass of a courting couple under a tree, signed, diameter 9cm. £300-400

666. A late-18th / early 19th century ivory snuff box, circa 1800, circular form, the pull-off cover painted with figures in a landscape setting, the sides and base decorated with flowers, diameter 7.8cm. £300-400

667. A George II silver snuff box, by Edward Hall, London 1731, oval form, the hinged cover chased with foliate scroll decoration, the base engraved ‘S’ over ‘W.S’ ‘1742’, length 7.1cm, approx. weight 1.4oz. £200-300

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668. An 18th century gold-mounted agate snuff box, unmarked circa 1760, rectangular form, incurved sides, with scroll cage-work, some losses, length 7.1cm, plus an 18th century gold-mounted scent bottle, circa 1760-70, with scroll cage-work decoration, and with a fluted stopper, height 9.7cm. (2) £1,000-1,500

669. An 18th century gold-mounted green agate egg, unmarked, French or English, the green hardstone body overlaid with pierced foliate scroll decoration and with birds, the hinged cover with an enamelled border in red ‘DIEU VOUS BENIT’, push button diamond opening, length 5.5cm. £1,000-1,500 Provenance: from the collection of Dr Venetia Newall.

670. An 18th century French gold and enamelled box, by George-Antoine Croze, Paris, 1781, circular form, the cover and base with a panel of pearlescent enamel with red pellets over a wavy rayed ground, within a white opaque band and with a ‘pearl’ and green leaf border, diameter 4.6cm, approx. weight 49.3g. £1,500-2,000

671. An early 19th century French gold-mounted mother-ofpearl snuff box, circa 1810, cartouche form, beaded borders, the hinged cover with a central cartouche, length 8.5cm. £300-400

672. A late-Victorian silver box, by G Loveridge and Co, Birmingham 1900, rectangular form, the hinged cover applied with an Indian miniature of a temple on ivory, under glass and with foliate mounts, length 5.3cm, approx. weight 2.5oz. £100-150

673. A late-17th century / early 18th century silver and tortoiseshell snuff box, circa 1700, oval form, fluted cover and base, the mounts with engraved decoration, central vacant cartouche, length 7.5cm. £300-500

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A PRIVATE COLLECTION OF SNUFF BOXES

674. A 19th century silver and agate snuff box, marked with a French import mark and maker’s mark RS, rectangular form, engine-turned sides, agate cover and base, length 7.9cm. £200-300

675. A George III silver snuff box, by William Ellerby, London 1811, shaped rectangular form, flush-hinged cover with a plain thumbpiece, with bands of reeded decoration, the hinged cover with a vacant cartouche, length 8.4cm, approx. weight 2.3oz. £300-400

676. A George IV silver snuff box, by Thomas Shaw, Birmingham 1824, rectangular form, the hinged cover with a foliate scroll border and engine-turned decoration, inscribed ‘To Mr D.R. Brown from His Friend Aitken Dott, 1855’ foliate scroll thumb-piece, gilded interior, length 8.8cm, approx. weight 5.6oz. £200-300

677. An early-Victorian silver table snuff box, by Joseph Willmore, Birmingham 1839, rectangular form, bombe sides with foliate scroll decoration, the hinged cover with foliate scroll and fish-scale borders, engineturned base, gilded interior, length 9.7cm, approx. weight 6.9oz. £300-400

Aitken Dott was born in Edinburgh and in 1842 he set up his business as a master carver and gilder and his company advertised itself as supplying picture frames, ornamental modelling, carving and gilding.

678. An early 19th century silver-mounted agate snuff box, unmarked, circa 1820, rectangular form, reeded mounts with a foliate scroll thumb-piece, gilded interior, agate cover and base, length 8cm. £400-600

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679. A George III presentation silver snuff box, by John Shaw, Birmingham 1818, rectangular form, engine-turned cover, sides and base, the hinged cover with initials and a plain thumb-piece, the interior gilded and inscribed ‘From J.D. Gleig Madras Civil Service to Alexander Bell Esq,’ length 8.4cm, approx. weight 3.9oz. £200-300

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680. A George IV silver raised relief snuff box, by Thomas Shaw, Birmingham 1827, rectangular form, the hinged cover with a scene of classical warriors around a seated man, foliate scroll sides, engine-turned base with a crested cartouche, foliate scroll thumb-piece, gilded interior, length 7.1cm, approx. weight 3.3oz. £400-600

681. An early-Victorian silver raised relief snuff box, by Edward Edwards, London 1841, the panel with a part mark, by John E. Terrey, rectangular form, the hinged cover with a scene of three horses in a landscape setting, foliate scroll border, reeded sides, engine-turned base, plain thumb-piece, gilded interior, the inside cover inscribed ‘Presented by George Meggeson to his esteemed friend John Raines’, length 9.5cm, approx. weight 7.2oz. £700-900

682. A William IV silver snuff box, by Francis Higgins, London 1832, rectangular form, the hinged cover embossed with two figures dancing in a landscape setting with a house behind, reeded sides, engine-turned base, length 8.2cm, approx. weight 4.4oz. £300-400

683. A William IV silver raised relief snuff box, Mazeppa, by Edward Smith, Birmingham 1835, rectangular form, the hinged cover with a scene of Mazeppa strapped to a horse being pursued by wolves, silver-gilt interior, initialled, foliate thumb-piece, engine-turned sides and base, length 8.2cm, approx. weight 6oz. £600-800

684. A George III silver raised relief snuff box, by Joseph Willmore, Birmingham 1812, rectangular form, the hinged cover with a scene of a classical warrior and two seated women, oak leaf border, reeded sides and base, gilded interior, length 7.2cm, approx. weight 2.4oz. £250-300

685. A George IV silver raised relief snuff box, by Thomas Shaw, Birmingham 1829, rectangular form, the hinged cover with a hunting scene with mounted huntsmen and dogs chasing a fox, engine-turned sides and base with a vacant cartouche, foliate scroll thumb-piece, gilded interior, the inside cover inscribed ‘Presented to Mr. Alexander Forbes of Levens by Richard Rushton Preston, as an acknowledgement of his valuable services in the formation of the new plantation at Preston Patrick, A.D 1838’, length 8cm, approx. weight 4.6oz. £600-800

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686. A George IV silver raised relief snuff box, by William Eaton, London 1825, rectangular form, the hinged cover with a racing scene with a grand stand behind, reeded sides, engine-turned cover and base, foliate scroll thumb-piece, gilded interior, length 8.5cm, approx. weight 4.2oz. £300-400

687. A Victorian silver raised relief snuff box, by G R Collis & Co, Birmingham 1851, rounded rectangular form, the hinged cover with a hunting / horse racing scene with mounted riders, engine-turned sides and base, foliate scroll thumb-piece and borders, gilded interior, length 10.2cm, approx. weight 4.6oz. £200-300

688. An early-Victorian silver table snuff box, by Joseph Willmore, Birmingham 1844, rectangular form, bombé sides with foliate scroll decoration, the hinged cover with foliate scroll borders and engine-turned decoration, also engraved with an armorial, engine-turned base, gilded interior, length 9.5cm, approx. weight 9oz. £300-400

689. An early-Victorian silver table snuff box, by Nathaniel Mills, Birmingham 1838, rectangular form, bombé sides with foliate scroll decoration, engineturned base, gilded interior, length 9.7cm, approx. weight 6.3oz. £300-400

The arms are those of Brand of London impaled by another.

690. An 18th century silver-mounted agate snuff box, unmarked, possibly Scottish, circa 1760-70, oblong tapering form, the hinged cover with engraved scroll decoration and set with a brown agate panel, the grey base with a mount with engraved decoration, length 7.5cm. £400-600

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691. A Victorian silver-gilt raised relief snuff box, Mazeppa, by Edward Smith, Birmingham 1843, rectangular form, the hinged cover with a scene of Mazeppa strapped to a horse being pursued by wolves, silver-gilt interior, foliate thumb-piece, engine-turned sides and base, the base with a vacant cartouche, length 8cm, approx. weight 4.3oz. £600-800

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692. A George IV silver-gilt raised relief snuff box, by Thomas Shaw, Birmingham 1829, rectangular form, the hinged cover with a scene of two greyhounds and a dead hare in a landscape setting, engine-turned sides and base with a vacant cartouche, foliate scroll thumb-piece, gilded interior, the inside cover inscribed ‘Presented by a Friend to John F. Sherriff as a slight recompense for his valuable services’, length 9cm, approx. weight 4.1oz. £600-800

693. A George IV silver raised relief snuff box, by Thomas Shaw, Birmingham 1827, rectangular form, the hinged cover with a scene of seated warriors drinking around a table listening to music, foliate scroll sides, engine-turned base with a vacant cartouche, foliate scroll thumbpiece, gilded interior, length 7.8cm, approx. weight 4.1oz. £300-400

694. A 19th century French Limoges enamel scent bottle, the mount with a French control mark, cylindrical form, decorated with Renaissance female busts with foliate scroll decoration in white on a red/brown ground, the inside of the cover with a crown and ‘London’, length 9.8cm. £800-1,200

695. A 19th century silver-gilt mounted scent bottle, shaped baluster form, the blue glass ground decorated with gilt flowers, the mount with a hinged cover with foliate scroll decoration, and with a stopper, length 12.3cm. £200-300

696. A George IV silver raised relief snuff box, by Edward Smith, Birmingham 1827, rectangular form, the hinged cover with a hunting scene with a horseman and hounds chasing a fox, in a landscape setting, reeded sides, engine-turned base with a vacant cartouche, foliate scroll thumb-piece, gilded interior, length 7.3cm, approx. weight 3.5oz. £300-400

697. A Victorian silver-gilt snuff box, by Yapp and Woodward, Birmingham 1846, rectangular form, engine-turned decoration, foliate scroll borders, the hinged cover with a crest, length 8.3cm, approx. weight 4.8oz. £150-200

OTHER PROPERTIES

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698. By Omar Ramsden, an Arts and Crafts silver tea glass holder, London 1930, also inscribed ‘OMAR RAMSDEN ME FECIT’, circular form, spot-hammered decoration, scroll handle, and with an upper and lower band of chased scroll decoration, with a clear glass liner, total height 11.2cm, approx. weight 5.3oz. £300-400

699. By Omar Ramsden, an Arts and Crafts silver quaich, London 1932, also engraved ‘OMAR RAMSDEN ME FCT’, tapering circular form, spot-hammered decoration, plain lug handles, on a raised circular foot, length handle to handle 15.8cm, approx. weight 5.9oz. £700-900

700. By Omar Ramsden, an Arts and Crafts silver caddy spoon, London 1927, spot hammered fig-shaped bowl, the spread scroll handle bends back to form a finger ring, the base engraved ‘SLIGO’, length 7.8cm, approx. weight 1.3oz. £800-1,200

701. By Omar Ramsden, an Arts and Crafts silver dish, London 1935, also engraved ‘OMAR RAMSDEN ME FECIT’, rectangular form, spot-hammered decoration, length 12.8cm, approx. weight 3.2oz. £200-300

702. By Omar Ramsden and Alywn Carr, an Arts and Crafts silver pin dish, London 1913, rectangular form, spot-hammered decoration, on four scroll feet, length 6.8cm, approx. weight 0.6oz. £200-300

703. By Omar Ramsden, an Arts and Crafts silver pin dish, London 1922, shaped rectangular form, spot-hammered decoration, on four ball feet, length 7.6cm, approx. weight 0.8oz. £200-300

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704. By Omar Ramsden and Alwyn Carr, a silver and enamel dish, London 1912, also signed ‘OMAR RAMSDEN ET ALYWN CARR ME FECERUNT’, circular form, spot-hammered decoration, with a central red enamel boss with overlaid foliate decoration, repairs, diameter 18.9cm, approx. weight 6oz. £1,000-1,500

705 By Omar Ramsden, an Arts and Crafts silver dish, London 1924, also engraved OMAR RAMSDEN ME FECIT, circular form, spot-hammered decoration, with a central Tudor rose boss, diameter 15.4cm, approx. weight 4.9oz. £500-700

706. By Omar Ramsden, an Arts and Crafts silver goblet, London 1936, the base engraved ‘OMAR RAMSDEN ME FECIT’, tapering circular bowl, spot-hammered decoration, on a knopped and pierced stem with grapes and vines, on a raised circular foot, with a rope-twist border and inscribed ‘Ann’, height 12.2cm, approx. weight 5.1oz. £800-1,200

707. By Omar Ramsden, a pair of Arts and Crafts silver dishes, London 1935, also engraved ‘OMAR RAMSDEN ME FECIT’, circular form, spot-hammered decoration, castellated border, the bases set with a 1935 crown, diameter 11.5cm, approx. weight 10.5oz. (2) £700-900

708. By Omar Ramsden, a pair of Arts and Crafts silver pin dishes, London 1933, also engraved ‘OMAR RAMSDEN ME FECIT’, rectangular form, spot-hammered decoration, cast pierced scroll and bud borders, on four pierced sinuous legs terminating in rectangular feet, length 9.7cm, approx. weight 6.2oz. (2) £800-1,200

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709. By Christopher Lawrence, three modern parcel-gilt silver surprise mushrooms, London 1981, no. 133/250, London 1982, no. 124/250, and 1984, no. 51/250, each opens to reveal a different scene, with glass beads and enamel decoration, on slate bases, height 14cm, 13cm and 9.5cm. (3) £300-400 open

Provenance: from the collection of Dr Venetia Newall. 710. By Peter Nicholas, three modern silver surprise eggs, London 1989, one 1990, and one 1991, the interior of one with a detachable brooch, the other two with bunches of flowers again with flowers, plus a surprise egg by Christopher Lawrence, London 1984, textured decoration, gilded band, the interior with two courting rabbits, and a silver-gilt egg of pierced form, with textured decoration, London 1988, plus four gilt metal stands, approx. weighable 14oz. (9) £300-500

709

open

Provenance: from the collection of Dr Venetia Newall.

710

711. By Stuart Devlin, a silver-gilt surprise egg, London 1973, number 102 of an edition of 300, the egg with textured decoration, the cover opens to reveal a silver hippo’s head, in a fitted case, retailed by Collingwood of Conduit Street, height 7.5cm. £200-300

711

712. By Anthony Elson, two modern silver clockwork eggs in egg cups, London 1980 and 1981, no. 31/200 and no. 149/200, the oxidised and silver-gilt egg cups, with an egg which pulls off to reveal a clockwork merry-go-round with a gilt canopy and a rotating cockerel and horses, the other reveals two seated bunnies, height 11cm. (2) £300-400

712

Provenance: from the collection of Dr Venetia Newall. 713. By Stuart Devlin, a silver-gilt surprise egg, London 1969, number 102 of an edition of 300, the egg with textured decoration, the cover opens to reveal a silver rabbit’s head, in a fitted case, retailed by Collingwood of Conduit Street, height 7.5cm. £200-300 714. By Christopher Lawrence, a modern silver vase, London 1973, tapering form, with a textured girdle, height 16.8cm, approx. weight 7.4oz. £250-300 713

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715. A modern continental parcel-gilt silver model of a falcon, probably Italian, with out-stretched wings, gilded beak and talons, and set with red eyes, perched on a gloved hand with gilt highlights, on a large agate base, total height 67.5cm, length of base 45cm. ÂŁ4,000-6,000

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716. By Liberty and Co, an Edwardian silver caddy spoon, Birmingham 1906, tapering shovel shaped bowl, spot-hammered decoration, the tapering handle with a cross and intertwined Celtic motifs, length 11.4cm, approx. weight 1oz. £300-400

717. By Bernard Instone, an Arts and Crafts silver caddy spoon, marked B.I and Silver, circular bowl, spot-hammered decoration, the tapering handle with a shell motif, length 8.2cm, approx. weight 1oz. £300-400

718. Designed by Archibald Knox for Liberty and Co, an Edwardian commemorative silver Cymric spoon, Birmingham 1902, also stamped ‘CYMRIC’, circular bowl chased ‘AD 1902 EDVII’, the tapering handle with a ball motif, length 10.8cm, approx. weight 0.9oz. £300-400

719. By Winifred King and Company, an Arts and Crafts silver spoon, Birmingham 1925, oval bowl, spot-hammered decoration, the terminal with pierced decoration, length 15cm, approx. weight 1.1oz. £100-150

720. By Missiaglia, a modern Italian artichoke pepper mill and pepper pot, Venice, circa 1970, the rotating stalk of the pepper mill mounted with a snail, length 17.7cm. (2) £300-400

721. By Missiaglia, a modern Italian artichoke pepper mill and pepper pot, Venice, circa 1970, the rotating stalk of the pepper mill mounted with a snail, length 17.7cm. (2) £300-400

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722. By Tiffany and Co, an American Art Deco silver cream jug, John Moore period, 1907-47, tapering circular form, the back and front chased with two birds in a tree, height 7cm, approx. weight 5.6oz. £300-400

723. An Arts and Crafts silver-mounted flambé glaze mazer bowl, the mounts by Millicent, Duchess of Sutherland, Birmingham 1910, also stamped D.S.C.G, for the Duchess of Sutherland Cripple Guild, the bowl signed Bernard Moore, circular form, the mounts with stamped flower decoration, the ceramic body with flowers, damage, together with a book on Bernard Moore by Aileen Dawson, diameter of bowl 20.7cm. (2) £100-150 This bowl is illustrated in Dawson, A., Bernard Moore, Master Potter 1850-1935, Richard Dennis, 1982, figure 52, page 82.

724. Designed by C. H . Kattue for the Delheid Brothers, a Belgium Art Nouveau silver vase, signed C.H. Kattue, 1919, tapering circular form, embossed with chrysanthemums, height 18cm, approx. weight 10.4oz. £200-300

725. A three-piece Edwardian Arts and Crafts silver bachelor’s tea set, by Nathan and Hayes, Chester 1909, circular form, ivory scroll handle and finial, spot-hammered decoration, on three tapering bracket feet, length handle to spout 17.5cm, approx. weight 14.4oz. (3) £250-300

726. A pair of Edwardian silver and enamel candlesticks, by Williams Limited, Birmingham 1909, tapering square form, with panels of dark green enamel decoration, scroll side handles, in raised shaped square bases, height 28.5cm. (2) £400-600

727. A modern Britannia standard silver bowl, by MB, Sheffield 2013, circular form, spot-hammered decoration, diameter 22cm, approx. 15.7oz. £150-200

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728. By Georg Jensen, a Danish silver footed dish, design no. 42E, circa 1930, oval bowl, spot hammered decoration, on an acanthus stem, on a raised panelled oval foot with ball decoration, length 9.8cm, approx. weight 1.9oz. £200-300

729. Designed by Johan Rhode for Georg Jensen, a Danish silver footed bowl, design no. 17A, also with London import marks for 1936, importer’s mark of Georg Jensen Ltd, tapering circular bowl, spot hammered decoration, on a pierced stem with ball motifs, on a raised circular foot, height 10.6cm, approx. weight 5.7oz. £380-420

730. Designed by Gundorph Albertus for Georg Jensen, a Danish silver bowl, design no. 512, also with London import marks for 1936, importer’s mark of Georg Jensen Ltd, tapering circular bowl, spot hammered decoration, on a knopped stem, on a circular foot, diameter 13.3cm, approx. weight 5.4oz. £300-400

731. By Georg Jensen, a Danish silver footed dish, design no. 42B, circa 1930, oval bowl, spot hammered decoration, on an acanthus stem, on a raised panelled oval foot with ball decoration, length 12.3cm, approx. weight 3.49oz. £250-300

732. By Georg Jensen, a Danish silver goblet, design no. 296B, circa 1930, circular bowl, spot hammered decoration, on pierced grape stem, on a circular foot, height 6.9cm, approx. weight 3.2oz. £280-320

733. By Georg Jensen, a Danish silver dish, design no.17A, assay master C. Heise, with import marks for London 1925, importer’s mark of George Stockwell, circular tapering bowl, spot-hammered decoration, on a pierced scroll and bead support, on a raised circular foot, height 10.2cm, approx. weight 5.4oz. £300-500

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734. By Georg Jensen, a Danish silver sauce boat, design number 11, Copenhagen 1915-18, oval form, twisted scroll handle, spot-hammered decoration, on a raised oval base with bud decoration, length 24cm, height 14cm, approx. weight 13oz. £1,500-2,000

735. By the Artificers Guild, an Arts and Crafts silver powder pot and cover, London 1919, tapering circular form, spot-hammered decoration, with an applied chased band of swimming fish, the pull-off cover with a Chrysoprase finial and punch borders, diameter 11.3cm, approx. weight 12oz. £800-1,000 See front cover illustration.

736. By H.G. Murphy, a silver Art Deco bowl and cover, London 1935, also marked with the falcon mark, circular bellied form, spot-hammered decoration, the pull-off cover with engraved decoration and with a tapering finial with cone decoration, diameter 11.8cm, approx. weight 10.6oz. £2,000-3,000

737. By the Artificers Guild, an Arts and Crafts silver hand mirror, London 1920, circular form, spot-hammered decoration, applied with four Celtic motifs, and applied with a Chrysoprase cabochon with a rope-work border, tapering fluted handle with a cone finial and foliate junction, length 35.5cm. £400-600

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738. By Stuart Devlin, a modern parcel-gilt silver rose bowl / centrepiece, London 1974, tapering circular form, with a pierced textured wire-work cover, with six holes for taper candlesticks, mounted with a large finial formed by a silver-gilt mounted piece of amethyst, diameter 20cm, height 22.5cm, approx. weighable 22oz. £2,000-2,500

739. By Gerald Benney, a pair of modern silver wine coasters, London 1983, circular form, textured decoration, in a Gerald Benney box, diameter 10cm, approx. weight 10.6oz. (2) £600-800

740. By Tom McEwan, a modern silver vase and dish, London 2001, the vase of baluster form, with engraved decoration, height 29.5cm, the dish of circular form, with engraved decoration, diameter 40.8cm, approx. weight 99.2oz. (2) £2,000-2,500

741. An Edwardian silver epergne, by Thomas Latham & Ernest Morton, Chester 1906, central detachable oval bowl, foliate scroll border, with eight wirework scroll arms each supporting a tapering trumpet vase, on a raised oval foot, height 33.5cm, length 48cm, approx. weight 49.8oz. £600-800

Tom McEwan studied at the Central School of Art 1979-1982 before getting his MA in Silversmithing and Jewellery at the Royal College of Art in 1986.

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742. A Britannia standard silver covered jug, by R. Comyns, London 1935, tapering circular form, scroll handle, domed hinged cover with a scroll thumb-piece and knop finial, the spout with a hinged cover, on a raised circular foot, height 22.4cm, approx. weight 35oz. £700-900

743. By the Art & Book Company, an Arts and Crafts silver ciborium, London 1941, the spot-hammered bowl with a beaded border, the pull-off cover with chased feather decoration and with a cross finial set with amethysts and rubies, knopped foliate stem, on a raised spread circular foot embossed with ornamental doves, trailing vines and grapes, with a stylised border, applied with a Chi Rho, within an amethyst border, gilded bowl, the body with traces of gilding, height 33cm, approx. weight 28.5oz. £500-700

744. A silver honey skep, by Thomas Bradbury and Sons, Sheffield 1911, conventional form, fluted decoration, the pull-off cover with a fluted finial, height 11.3cm, approx. weight 6.2oz. £400-500

745. A pair of silver tumbler cups, unmarked, circular bellied form, chased acanthus decoration with fluted columns, gilded bowls, engraved and embossed decoration, diameter 10cm, height 8.5cm. £400-600

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A PRIVATE COLLECTION OF WINE LABELS, CONTINUED

746. A pair of George IV provincial silver wine labels, by Joseph Hicks, Exeter 1829, rectangular form, canted corners, reeded borders, incised ‘GIN’ and ‘RUM’, length 4.5cm, approx. weight 0.8oz. (2) £200-300

747. A matched pair of William IV silver wine labels, one by Thomas Edwards, and one by William King, London 1833, vine leaf cartouche form, with two reclining cherubs, incised, ‘CHABLIS’ and ‘PORT’, length 7cm, approx. weight 1.4oz. (2) £200-300

748. A pair of George III silver wine labels, by Phipps and Robinson, London circa 1790, broad rectangular form, with a raised pierced shield pediment, engraved with a crest, incised ‘HOCK’ and ‘PORT’, length 4.3cm, approx. weight 0.7oz. (2) £150-200

749. A pair of George III silver wine labels, by Thomas and James Phipps, London 1816, broad rectangular form, reeded border, incised and blackened ‘W. HERMITAGE’ and ‘R.HERMITAGE’, length 4.8cm, approx. weight 0.8oz. (2) £150-250

750. A pair of George III silver wine labels, by Peter and William Bateman, London 1807, crescent form, with pierced Prince of Wales feathers, bright-cut border, incised ‘CHERRY BRANDY’ and ‘RASPBERRY BRANDY’, rhodium plated, length 5.2cm, approx. weight 0.6oz. (2) £150-200

751. Two similar George III silver wine labels, one by John Reily, London 1813, the other by Susana Barker, London 1792, rectangular form, pierced scroll border, engraved decoration, pierced ‘VIN DE GRAVE’ and ‘BURGUNDY’, approx. weight 0.5oz. (2) £200-300

752. A pair of Chinese silver and enamel wine labels, marked with Chinese characters, shield form, blue enamel border, the centres applied ‘B’ and ‘W’, length 3cm. (2) £100-150

753. A George III silver wine label, by Jane Dorrell and Richard May, London circa 1770, kidney form, gadroon border, incised and blackened ‘SETJUS’, length 4.8cm, plus a George III silver wine label of kidney form, rope work border, by Margaret Binley, London circa 1775, incised ‘GREAVE’, approx. weight 0.6oz. (2) £200-300

754. A George III silver wine label, by Joseph Ash, London 1803, broad arched rectangular form, reeded borders, engraved with a monogram and incised ‘LISBON’, length 4.4cm, plus a George III silver wine label, by Smith and Hayter, London 1794, with a crested pediment, incised and blackened ‘MADEIRA’, approx. weight 0.7oz. (2) £150-250

Provenance of the Setjus label: The Albert Collection.

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Illustrated in Butler, R., The Albert Collection, Broadway Publishing, 2004, page 290, entry 443.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

755. By Charles Boyton, a silver Art Deco wine label, London 1934, also signed Charles Boyton, triangular form, incised ‘GIN’, length 5.2cm, approx. weight 0.6oz. £100-150

756. By H. G. Murphy, a modern silver wine label, London 1938, also marked with the falcon mark, shaped broad rectangular form, beaded border, incised ‘BRANDY’, length 4.4cm, approx. weight 0.2oz. £100-150

757. By Omar Ramsden, an Arts and Crafts silver wine label, London 1937, shaped rectangular form, vine and grape decoration, incised ‘WHISKEY’, length 4.5cm, approx. weight 0.4oz. £200-300

758. A silver and enamel whisky label, by Elkington and Co, Birmingham 1915, shaped oval form, mounted with a thistle, the front enamelled in black and white with a horse and ‘WHITE HORSE’, length 3.8cm, approx. weight 0.5oz. £100-150

759. An Art Nouveau electroplated ‘slotin’ wine label, probably by WMF, shaped oval form, with a central maiden’s head and scroll decoration, with slot in card titles, length 6.8cm. £100-150

760. Designed by Mark Fitzpatrick, a modern silver wine label, made by C.J. Vander, London 1992, modelled as a stylised bunch of grapes, applied with a gilded banner incised ‘MOUNTAIN’, length 8cm, approx. weight 1.6oz. £100-150 This wine label was the winning entry in a competition initialled by The Wine Label Club for silversmiths to create an original design of a wine label with a contemporary style.

761. A matched set of seven silver wine labels, by S. Mordan and Co, Chester 1907-09, modelled as playing card suits comprising: two of spade form, titled ‘SCOTCH’, and ‘SHERRY’, two of heart form, titled ‘WHISKY’ and ‘BRANDY’, two of club form, titled ‘PORT’ and ‘IRISH’ and one of diamond form, titled ‘SHERRY’, approx. weight 2.8oz. (7) £150-200

762. By R. E. Stone, a modern silver wine label, London 1958, cartouche form, applied with a monogram, inscribed ‘MORGON BEAUJOLAIS’, length 5.2cm, approx. weight 0.7oz. £100-150

763. Two pairs of modern silver and enamel wine labels, by Turner and Simpson, one pair Birmingham 1937, shaped rectangular form, engine-turned decoration enamelled in black on a pale blue ground ‘WHISKY’, ‘PORT’, ‘BRANDY’ and ‘SHERRY’, approx. weight 2.5oz. (4) £100-150

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764. A George IV silver wine label, by John Reily, London circa 1825, scroll form, with a border of pierced oak leaves and acorns, pierced ‘MADEIRA’, length 7.5cm, approx. weight 1.3oz. £200-300

765. A George III silver wine label, by John Douglas, London 1809, large broad rectangular form, reeded border, incised ‘AURQUEBUSADE’, length 6.3cm, approx. weight 0.5oz. £100-150

766. A George III silver wine label, by Phipps, Robinson and Phipps, London 1814, shaped form, with a cherub handing a wine cup to a reclining bacchanalian figure, with pierced grapevines, and pierced ‘PORT’, length 5.8cm, approx. weight 1.1oz. £100-150

767. A George III armorial wine label, by Susanna Barker, circa 1790, banner form, bright-cut border, applied with an oval pediment with foliate mantling, engraved with a bird with spread wings, pierced ‘FRONTINIAC’, length 4.8cm, approx. weight 0.2oz. £100-150

768. A large George III silver wine label, by Phipps and Robinson, London 1808, broad rectangular form, incised and blackened ‘RED HERMITAGE’, length 6cm, approx. weight 0.7oz. £200-300

769. A George III silver wine label, by Hester Bateman, London circa 1780, scroll form, mounted with a goblet and festoons, bright-cut border, incised ‘PORT’, length 4.5cm, approx. weight 0.4oz. £150-200

771. A William IV silver wine label, by Reily and Storer, London 1833, shaped form, with a cherub and basket of grapes, with a vine border, pierced ‘SHERRY’, length 5.5cm, approx. weight 0.9oz. £100-150

772. An early-Victorian silver wine label, by Sampson Mordan, London 1840, shaped oblong form, with four cherubs and trailing grape-vines, pierced ‘CLARET’, length 6.5cm, approx. weight 0.6oz. £150-200

The crest is that of Antweisel.

770. A George IV silver wine label, by Charles Rawlings, London 1821, shaped form, with a cherub handing a wine cup to a reclining bacchanalian figure, with pierced grapevines, and pierced ‘MADEIRA’, length 5.7cm, approx. weight 0.8oz. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

773. A George III provincial silver wine label, by John Langlands and John Robertson, Newcastle circa 1785, banner form, with a pierced raised oval pediment engraved with a crest, incised ‘MADEIRA’, length 5.4cm, approx. weight 0.4oz. £100-150

774. A George III silver wine label, by Hester Bateman, London circa 1785, goblet form, bright-cut border, incised ‘HOCK’, length 4.5cm, approx. weight 0.1oz. £150-200

775. A George III silver ‘Lady Bountiful’ wine label, by Benjamin and James Smith, London 1809, with a vine and grape border, and with a leopard’s head, incised ‘CLARET’, length 7cm, approx. weight 1.5oz. £200-300

777. A large George III silver wine label, maker’s mark worn, London 1791, oval form, engraved with an armorial within foliate mantling, incised ‘SHERRY’, length 8.8cm, approx. weight 1.3oz. £300-400

778. A George III Irish silver wine label, by George Nangle, Dublin circa 1795, crescent form, with pierced and engraved Prince of Wales feathers issuing from a crown, bright-cut borders, incised ‘BRANDY’, length 4.8cm, approx. weight 0.2oz. £200-300

The crest is that of Meinhardt Schomberg.

776. A George II silver wine label, by Sandilands Drinkwater, London circa 1745, cartouche form, incised ‘MOUNTAIN DEW’, length 5.5cm, approx. weight 0.3oz. £100-150

Provenance: The Albert Collection. Illustrated in Butler, R., The Albert Collection, Broadway Publishing, 2004, page 290, entry 543.

779. A George III Irish provincial silver wine label, by John Nicolson, Cork circa 1790, crescent form, with pierced and engraved Prince of Wales feathers, bright-cut borders, incised ‘S’, length 5.6cm, approx. weight 0.2oz. £200-300

780. A 19th century silver wine label, unmarked, shaped oblong form, with Eros shooting his arrow, and with two warrior supports with a banner under a crest, incised ‘PORT’, length 6.2cm. £100-150

781. A metal ware wine label, possibly Colonial, modelled as a bat, with stretched out wings, applied ‘BRANDY’, length 9.8cm. £200-300

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782. A Victorian silver armorial wine label, by Rawlings and Summers, London 1859, modelled as a winged horse with engraved decoration and holding a sword, incised ‘SHERRY’, length 6.6cm, approx. weight 08oz. £300-500

783. A George III silver armorial wine label, unmarked circa 1790, banner form, modelled as a standing lion with the front paw raised, incised and blackened ‘MADEIRA’, length 4.6cm, approx. weight 0.3oz. £150-200 The crest is that of Cope, Lemon, Sheath, Walpole and other families.

785. A George III armorial silver wine label, unmarked circa 1790, banner form, pierced and engraved with a hand holding a head on a spike with the motto ‘FAC ET SPERA’ incised ‘HOCK’, length 3.2cm, approx. weight 0.3oz. £200-300 The crest is that of Hance.

786. A George III armorial wine label, possibly by Margaret Binley, unmarked circa 1780, banner form, with a griffin head and torso, incised ‘GIN’, length 3.8cm. £200-300

788. A George III silver armorial wine label, by James Hyde, London circa 1790, rectangular form, mounted with an arm and hand holding a spear and with the motto in a banner ‘QUI SERA SERA’, pierced ‘SHERRY’, length 6cm, approx. weight 0.4oz. £300-500

789. A rare George III silver wine label, by Peter and Jonathan Bateman, London 1790, crescent form, incised ‘WHISKY’, length 4cm, approx. weight 0.1oz. £150-250

The crest is that of Ffolkes, Baronets (cr. 1774) of Hillinton, Norfolk.

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784. A George III silver armorial wine label, unmarked, circa 1800, modelled as two armoured arms holding a disc, incised and blackened ‘MADEIRA’, height 4.2cm, approx. weight 0.2oz. £150-200 The crest is that of Tallantire.

787. A George III armorial silver wine label, unmarked circa 1790, banner form, bright-cut border, applied with a bird with spread wings, incised ‘MALS. MADEIRA’, length 4.5cm, approx. weight 0.1oz. £100-150 The crest is that of Burrow, Eastfield, Fallon, Read and other families.

790. A George III silver armorial wine label, unmarked, circa 1800, modelled as two arms issuing from a crown holding a leopard’s head, incised ‘PORT’, length 4.6cm, approx. weight 0.3oz. £150-200 The crest is that of Frowicke.

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OTHER PROPERTIES

Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

791. An Edwardian silver flour shaker, by Thomas Bradbury & Sons Ltd, Sheffield 1904, circular form, scroll handle, on a raised circular foot, height 10.3cm, approx. weight 5.6oz. £200-300

792. A pair of George III Scottish silver waiters, by Alexander Gardner, Edinburgh 1773, circular form, gadroon border, on three fluted hoof feet, the centres with a crest and motto, diameter 17.2cm, approx. weight 20oz. (2) £500-700 The crest is that of Campbell of Ardpatrick of Argyllshire.

793. A George III Scottish silver Oar pattern soup ladle, by William Constable, Edinburgh 1811, the terminal with a script initial, length 34cm, approx. weight 7.3oz. (2) £150-200

794. A set of eight 19th century Scottish silver provincial Fiddle pattern dessert spoons, by Alexander Cameron, Dundee circa 1830, the terminals with a script initial, approx. weight 8.4oz. (4) £200-300

795. A set of four early 19th century Scottish silver provincial Fiddle pattern toddy ladles, by Alexander Cameron, Dundee circa 1830, the terminals with a script initial, approx. weight 3.9. (4) £200-300

796. A set of six early 19th century Scottish silver provincial Fiddle pattern table forks, by John Heron of Greenock, with Edinburgh marks for 1832, the terminals with a script initial, approx. weight 14.8oz. (6) £200-300

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797. A mixed lot of Scottish silver flatware, various dates and makers, comprising: a set of six George III Celtic Point pattern tablespoons, by Alexander Henderson, Edinburgh 1798, plus a set of eight dessert spoons, Edinburgh 1795, a pair of sugar tongs, by J. Douglas, Dundee circa 1800, two sets of six teaspoons, three further teaspoons, and eight condiment spoons, approx. weight 31oz. (qty) £250-350

798. A set of twelve Scottish silver Hanoverian pattern table forks, assay master Hugh Gordon, Edinburgh 1748, over-stamping London marks of Paul Hanet, the reverse of the terminals initialled, approx. weight 23.9oz. (12) £300-400

799. Three early 19th century Irish silver Fiddle pattern basting spoons, all the terminals with a crest, comprising: one by Richard Sawyer, Dublin 1807, the reverse of the heel with scratch initials, plus one by Arthur Murphy, Dublin 1808, and one Dublin 1822, approx. weight 12.5oz. (3) £250-350

800. A George III Irish silver ‘hook-end’ basting spoon, marks worn, possibly by David Peter, Dublin circa 1774, the terminal with a crest and initial, the reverse of the terminal with scratch initials, plus another George III Irish silver hook-end basting spoon, marks worn, possibly by John Craig, Dublin circa 1763, with two applied wire-work hooks, the terminal with a widow’s lozenge, plus a George III Irish silver Celtic Point pattern silver straining spoon, by John West, Dublin 1803, approx. weight 12.5oz. (3) £600-800

801. A collection of Irish silver flatware, comprising: a George III marrow scoop, by M. Keating, another marrow scoop, two tablespoons, a pair of sugar tongs, four dessert spoons, a ladle, a caddy spoon, a set of six Bright-cut teaspoons, a set of ten teaspoons, a set of six teaspoons, seven further teaspoons, two pickle forks, a set of four egg spoons, two condiment spoons, and a plated spoon, approx. weight 31oz. (qty) £300-500

802. A collection of three George III/IV Irish silver basting spoons, various maker’s and dates, comprising: two Fiddle pattern basting spoons, one by Charles Marsh, Dublin 1825, one by Joshua Buckton, Dublin 1823, and a Bright-Cut and Star basting spoon by Michael Keating, Dublin circa 1790, crested, approx. weight 9oz. (3) £200-300

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The crests are those Despard, Brady, Forde, Nuttall, Reddy and other families.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

803. A George III Irish provincial silver Celtic point pattern dessert spoon, by Samuel Purdon, Limerick circa 1800, the terminal with a crest, length 18.3cm, approx. weight 0.6oz. £300-500

804. A pair of George III Irish provincial silver Bright-cut Celtic pattern tablespoons, by George Halloran, Limerick circa 1790, the terminals with script initials, lengths 14cm and 13.8cm, approx. weight 4.5oz. (2) £800-1,200

805. A pair of George II Irish silver Hanoverian pattern tablespoons, by Esther Forbes, Dublin circa 1730, the reverse of the terminal with widow’s lozenge crest, approx. weight 4oz. (2) £200-300

806. A pair of George III Irish provincial silver ‘hook-end basting’ spoons, by Carden Terry, Cork circa 1790, the terminals with initials, length 30cm, approx. weight 7.5oz. (2) £300-500

807. A George III Irish silver waiter, maker’s mark only, that of Michael Walsh, Dublin circa 1760, circular form, shell and scroll border, the centre with chased foliate scroll decoration and with a crest, on three hoof feet, diameter 18.2cm, approx. weight 8.3oz. £200-300

808. A George III Irish silver waiter, by Catherine Fox, Dublin 1747 circular form, chased foliate decoration, shell and gadroon border, the underside engraved ‘No. 34’, on three hoof feet, diameter 17.5cm, approx. weight 8oz. £200-300 The crest is that of O’Reilly

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809. A pair of mid 18th century Irish silver candlesticks, by Bartholomew Mosse, Dublin circa 1740, knopped stems, spool shaped capitals, elongated drip pans, on raised shaped square bases, height 21.1cm, approx. weight 29oz. (2) £2,000-3,000

810. A pair of George III Irish silver sauce boats, by Matthew West, Dublin circa 1780, plain oval form, leaf capped scroll handles, on three shell capped hoof feet, engraved with a crest, length 20cm, approx. weight 17.8oz. (2) £1,000-1,500 The crest is that for the Irish families Arthur, Bingham, Marlay Naundsell, O’Donovan and other families.

811. A George III Irish silver cream, by Joseph Jackson, Dublin circa 1780, baluster form, fluted decoration below a scroll border, engraved with a crest, height 11.8cm, approx. weight 4.7oz. £200-300 The crest is that of Phibbs of Rathmullin. 812. A George III Irish silver two handled cup, by John Moore, Dublin circa 1780, circular form, leaf capped scroll handles, on a raised circular foot, embossed foliate decoration, gilded bowl, later inscribed ‘Presented by the Officers of the West Kent Yeomanry, to Mr Thomas Joseph Soloman of the Cobham Troop’, the foot inscribed ‘ 2nd Prize for carbine shooting in the Wildernesse Park, May 12, 1836’, height 12.8cm, approx. weight 12.2oz. £150-200 811

813. A George III Irish silver goblet, by John Laughlin, Dublin circa 1780, vase shaped bowl, engraved decoration, on a raised circular foot with a gadroon border, engraved with a crest, height 16.5cm, plus an Irish silver waiter, marked with Hibernia and a harp, circular form, inner swag border and outer beaded border, engraved with a crest, on three hoof feet, diameter 15cm, approx. total weight 12.8oz. (2) £300-400 The crest on the goblet is that of the Ven. Dr. Edward Synge, Archdeacon of Kilala. The crest on the waiter is that of Marchmont.

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812

814. An Irish silver cigarette casket, maker’s mark worn, Dublin 1916, rectangular form, the cover with strap-work hinge, wood lined, on four tapering bun feet, length 24cm. £400-600

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

A PRIVATE COLLECTION

815. A pair of George III silver entrée dishes and covers, by Robert Sharp, London 1795, shaped rectangular form, the pull-off covers with a large unmarked cone finial with stiff leaf decoration, length 25.8cm, approx. weight 8oz. (2) £1,500-2,500 815

816. A pair of George III silver sauce boats, maker’s mark possibly that of Parker and Wakelin over-striking another, London 1772, oval form, leaf capped scroll handle, gadroon borders, on three quilted scroll feet, engraved with a crest, length 20cm, approx. weight 24.8oz. (2) £1,000-1,500 The crest is probably that of Skinner.

816

817. A George II silver sugar bowl, by James Shruder, London 1738, plain circular form, on a raised circular foot, diameter 11cm, approx. weight 7.5oz.

£400-600

Provenance: purchased form N. Bloom and Son, Conduit Street, London 27 April 1993.

817

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818. A George III silver mustard pot, by Hester Bateman, London 1785, circular form, pierced and engraved with foliate decoration, pierced borders, scroll handle, the raised hinged cover with an urn finial and pierced thumb-piece, with a blue glass liner, height 10.5cm, approx. weight 3oz. £400-600

819. A George III silver mustard pot, by Robert Hennell, London 1789, octagonal form, pierced and engraved foliate borders, fluted scroll handle, the hinged cover with a crest and plain thumb-piece, with a blue glass liner, height 7.2cm, approx. weight 3oz. £200-300

Provenance: purchased from Steppes Hill Farm Antiques, Stockbury, 28 February 1996.

820. A George III silver mustard pot, by Aldridge and Green, London 1771, circular form, pierced scroll decoration, domed cover with a pierced thumb-piece, scroll handle, with a blue glass liner, height 8cm, approx. weight 2.7oz. £200-300

821. A pair of George III silver salt cellars, by Paul Storr, London 1817, rounded rectangular form, gadroon borders, gilded bowls, on raised rounded rectangular bases, engraved with a crest, the foot also stamped with an ‘M’, length 10.2cm, approx. weight 10.5oz. (2) £1,500-2,000 Provenance: purchased from Barbara Cattle, York, February 1985. The crest is that of Shrawley.

822. A George III silver mustard pot, by Hester Bateman, London 1788, oval form, pierced and engraved with foliate decoration, pierced borders, scroll handle, the hinged cover with a pierced thumb-piece, with a blue glass liner, length 10.5cm, approx. weight 3oz. £300-500

823. A George III silver mustard pot, by Charles Clark, London 1767, circular form, pierced with mullet decoration, hinged cover with a pierced thumb-piece, scroll handle, with a glass liner, height 7cm, approx. weight 2.4oz. £150-200

Provenance: purchased from ADC Heritage, 2 Old Bond Street, London 24 May 1991.

Provenance: purchased from Christopher Warner, Harrogate, 7th September 1990.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

824. A rare George III silver cream jug, by Peter and Jonathan Bateman, London 1790, plain helmet form, loop handle, on a raised square base, height 14.8cm, approx. weight 2.9oz. £500-700

825. A George I silver kitchen pepper, by George Jones, London 1724, cylindrical form, domed pierced cover, fluted scroll handle, on a spread circular foot, height 8cm, approx. weight 2.1oz. £300-500

Provenance: purchased from E.P. Mallory and Son Ltd, Bath, 5th June 1989.

Provenance: purchased from Steppes Hill Farm Antiques, Stockbury, 28 February 1996.

826. A George III silver cream pail, by Francis Splisbury, London 1769, tapering circular form, pierced and engraved with foliate scroll decoration, and with a dog, a squirrel and a bird, rope-work swing handle, with a blue glass liner, height 6.3cm, approx. weight 2.5oz. £300-400

827. A George III silver two-handled lemon strainer, by Edward Aldridge, London 1764, circular form, reeded border, pierced decoration, with two double scroll side handles, length 24cm, approx. weight 3.2oz. £300-400

Provenance: purchased from Steppes Hill Farm Antiques, Stockbury, 10 February 1997.

828. A George II silver salver, by Edward Wakelin, London 1748, circular form, foliate, shell and scroll border, on three gnarl feet, diameter 30.7cm, approx. weight 30oz. £600-800

829. A George II silver ‘sparrow-beak’ cream jug, by John Gamon, London 1735 baluster form, scroll handle, on a raised circular foot, height 8cm, approx. weight 2.3oz. £300-400

Provenance: purchased from Payne and Son, Oxford, October 1989.

Provenance: purchased from Gavina Ewart, Broadway, Worcestershire, 18 May 1991.

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830. A George III silver Old English pattern basting spoon, by Hester Bateman, London 1786, the reverse of the terminal with a crest, length 28.7cm, approx. weight 3oz. £100-150

831. A George III silver meat skewer, by John Moore, Birmingham 1776, tapering rectangular form, with a shaped ring terminal, length 28.8cm, approx. weight 2oz. £150-250

832. A George III silver Old English pattern basting spoon, maker’s mark only possibly that of Paul Callard, circa 1770, the reverse of the terminal with initials, length 28cm, approx. weight 3.5oz. £100-150

833. A rare pair of George III silver sugar tongs, by Peter and Jonathan Bateman, London 1790, no date letter, Bright-cut decoration, the terminal initialled, length 13.2cm, approx. weight 0.8oz. £60-80

834. A pair of George III silver Onslow pattern sauce ladles, by John Lampfert, London date letter worn, the circular bowls with a crimped edge, length 17.5cm, approx. weight 2.9oz. (2) £100-150

835. A George III silver stilton scoop, by Peter and Ann Bateman, London 1799, rectangular blade with one raised side, tapering stained green ivory handle, length 26.5cm. £150-200

836. A pair of George III provincial silver Old English pattern sauce ladles, by Cattle and Barber, York 1812, oval bowls, the terminals with a crest, approx. weight 3.5oz. (2) £100-150

837. A George III silver Old English pattern basting spoon, by Matthew Roker, London 1771, the reverse of the terminal with a crest, length 30.7cm, approx. weight 4.3oz. £100-150

838. An early 19th century Scottish provincial silver Oar pattern toddy ladle, by Robert Naughton, Inverness circa 1820, plain terminal, plus an early 19th century Scottish provincial silver Celtic-point silver toddy ladle, by John Keith, Banff circa 1800, the terminal with an initial, approx. weight 2oz. £200-300

The crest is that of Brock, Cabot, Judge, Martin and other families.

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The crest is that of Bromwich, Charlton, Howe, Lloyd, Hughes, and other families.

Provenance: purchased from N & I Franklin, Bury Street, St. James’s, 4 May 1994.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

839. A George II large silver Hanoverian pattern basting spoon, by Isaac Cookson, Newcastle 1728, the reverse of the terminal scratch initialled ‘H’ over ‘I*F’ over ‘1730’, length 35.6cm, approx. weight 5.4oz. £500-700 Provenance: purchased from Steppes Hill Farm Antiques, Stockbury.

840. A George III silver serving trowel / fish slice, by Samuel Herbert and Company, London 1764, the triangular blade, pierced foliate scroll decoration, turned wooden baluster handle, the reverse of the blade scratch initialled ‘B’ over ‘I.E’, length 19cm, approx. weight 3.8oz. £300-400 Provenance: purchased from J.H. Bourdon-Smith Ltd, Mason’s Yard, St. James’s, 22 November 1989.

841. A pair of George III silver Hanoverian pattern basting spoons, by Isaac Callard, London circa 1750, the reverse of the terminals with a crest, length 31cm, approx. weight 7.5oz. (2) £250-300 Provenance: purchased from Steppes Hill Farm Antiques, Stockbury, September 1995.

843. A pair of George III provincial silver Old English pattern basting spoons, by Joseph Hicks, Exeter 1802, plain terminals, length 30.3cm, approx. weight 5.5oz. (2) £150-250

842. A small collection of three George III silver butter spades, by Smith and Fearn, London 1790 and 1792, triangular blades, one crested, and two with stained green ivory handles, length 16.5cm, 16.7cm and 17cm, approx. weight 3.3oz. (3) £250-300 Provenance: one was purchased form Timothy Coward, Braunton, N. Devon, 7 June 1991.

844. A George II silver toddy ladle, by Thomas Whipham and William William I, London 1750, oval bowl, tapering circular socket, turned wooden baluster handle, length 33cm, plus two 18th century Hanoverian pattern tablespoons, approx. weight 4oz. (3) £100-150

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845. A small collection of George III silver teaspoons, by Hester Bateman, comprising: a set of six Feather-edge pattern, London circa 1775, the terminal initialled, plus a set of four Old English pattern, London 1786, a Hanoverian pattern spoon and a Feather-edge pattern spoon, approx. weight 5.2oz. (12) £200-300

846. A matched set of ten silver Old English pattern table forks, the reverse of some terminals with crests, comprising: four by Eley and Fearn, London 1817, four by J. Barber and Co, York 1821, and two London 1825, by William Chawner, approx. weight 20oz. (10) £300-400

847. A matched set of eight George III silver Old English pattern tablespoons, four by Hester Bateman, London 1784, and four by William Sumner, same date, the terminals with a crest, approx. weight 14.8oz. (8) £200-300

848. A small collection of silver condiment spoons, comprising: an Onlsow pattern pair of salt spoons, an Onlsow pattern mustard spoon, circa 1760, a set of four provincial old English pattern spoons, by Hampton, Prince and Co. York 1804, initialled, and a Scottish provincial silver mustard spoon, by David Grey, Dumfries circa 1820, approx. weight 2.7oz. (8) £100-150

The crest is that of Croone.

Provenance: the Onslow pattern salt spoons were purchased at Marks Antiques, Curzon Street, London 30 September 1995, the York spoons purchased from J.H.Bourdon-Smith Ltd, 12 March 1995.

849. A set of six George III Hanoverian pattern tablespoons, probably by Thomas Evans and George Smith, London 1769, the reverse of the terminals with a crest, length 21cm, approx. weight 14.5oz. (6) £300-500 The crest is that of Ashbee, Boyle, Greaves, Lumley, Meade and other families.

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850. A set of four George III silver Old English pattern tablespoons, four by Hester Bateman, London 1788, the terminals with scratch initials ‘H’ over ‘N*F’, approx. weight 6.2oz. (4) £120-180

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851. A set of twelve George III silver Feather-edge pattern teaspoons, possibly by Thomas Doxsey, London circa 1775, the stems with shoulders, the terminals with a crest, approx. weight 5.9oz. (12) £200-300 Provenance: purchased from Steppes Hill Farm Antiques, Stockbury, 17 March 1995.

852. A matched set of eleven George III silver Old English pattern dessert spoons, by Hester Bateman, six London 1774, three 1783, one 1780 and one 1781, the terminals with crests and initials, approx. weight 11.9oz. (11) £400-600

The crest is that of Shrawley.

853. A small collection of Scottish provincial silver spoons, comprising: a set of six George III Celtic point teaspoons, by Edward Livingstone, Dundee circa 1800, the terminals initialled, plus set of four teaspoons, by William Scott, Dundee circa 1790, and a long teaspoon, by Peter Lambert, Aberdeen circa 1810, approx. weight 4.3oz. (11) £200-300

854. A small collection of silver teaspoons, comprising: a Hanoverian pair, by Philip Roker, two further Hanoverian pairs, a York pair by Barber and Whitwell, two single York examples and a pair of feather-edge spoons with shoulders, by T and W Chawner, approx. weight 6oz. (12) £300-400

Provenance: the Edward Livingstone spoons were purchased from Forsyth Antiques, Perth, 20th August 1996.

855. A collection of twelve George III silver Old English pattern tablespoons, by Hester Bateman, London, with initials and crests, comprising: a pair 1783, a pair 1787, a pair 1786, two 1780, one 1775, and on 1776, plus a Hanoverian pattern tablespoon, 1772, and a Bright-cut pattern one, London 1786, approx. weight 23oz. (12) £300-500 The crest is that for Ashby, Hackett and Baggeley.

856. A set of six George III silver Hanoverian Scroll back teaspoons, maker’s mark script S.T, possibly for Samuel Thompson, Newcastle circa 1760, the reverse of the bowls with foliate scroll decoration, the reverse of the terminals scratch initialled ‘I.N’ over ‘A.A’, plus a set of six George III silver teaspoons, by Thomas Woodhouse, London circa 1760, the reverse of the bowls with a shell motif, the terminals scratch initialled ‘H.H’, approx. weight 4.9oz. (12) £200-300 Provenance: the scroll back teaspoons purchased from Barbara Cattle, York, 23 March 1994, the shell back teaspoons, purchased from Shredds of Portobello, 18 June 1996.

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857. A set of six George III silver fruit knives, by Paul Storr, London 1818, the plain blades with a crest, tapering reeded handles with shell motifs, length 21.4cm. (6) £300-500 Provenance: purchased from Alan Bennett, Truro, 2 June 1995. The crest is that for Bendish, Cramer, Devereux, Gosel and Harrison.

858. A George III silver sugar basket and cream pail, by William Turton, London 1782, in the Robert Adam manner, classical urn form, with alternated striped matted and plain decoration, beaded borders and swinghandles, on raised circular bases on a square foot with a circular motif, with blue glass liners, heights 16cm and 12.8cm, approx. weight 14oz. (2) £800-1,200 Provenance: purchased from J.H. Bourdon-Smith Ltd, Mason’s Yard, St. James’s, 22 February 1990.

859. A pair of George III silver wine coasters, by Thomas Jackson, London 1775, circular form, pierced foliate scroll decoration, gadroon borders, with turned wooden bases, with a crest, diameter 11.5cm, height 4.5cm. (2) £800-1,200

860. A pair of George III silver butter shells, by E and E Aldridge, London 1760, plain shell form, engraved with a crest, on two supporting whelk feet, length 14.6cm, approx. weight 6.4oz. (2) £600-800

Provenance: purchased form N. Bloom and Son, Conduit Street.

Provenance: purchased from ADC Heritage, 2 Old Bond Street, London 10 February 1990.

The crest is that of Banning, Dickman, Lindsay and Redpath.

The crest is that of Bland, Johnson, May and Warren.

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861. A pair of George II silver candlesticks, by Abraham Buteux, London 1730, octagonal baluster columns, spool shaped capitals, on raised octagonal bases, engraved with a cipher, height 15cm, approx. weight 21oz. (2) £3,000-4,000 Provenance: purchased Rare Art (London), The London Silver Vaults, 18th June 1995.

862. A George II provincial silver coffee pot, by James Kirkup, Newcastle 1728, tapering cylindrical form, wooden scroll handle, the spout with an applied motif, domed cover with an acorn finial, on a raised circular foot, height 24.8cm, approx. weight 25.4oz. £1,500-2,500 Provenance: purchased form N. Bloom and Son, Conduit Street, London 24 July 1990. The crest is that recorded for Aurd, Bell, Hunt, Kerr, Frazer and other families.

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863. A James I silver Apostle spoon, St. Mathias, by William Cawdell, London 1611, fig-shaped bowl, slightly tapering faceted stem, gilded apostle finial, pierced nimbus, the reverse of the bowl with prick-dot initials, ‘N.H’ over ‘H.B’, over ‘1621’, length 18cm, approx. weight 1.9oz. £2,000-3,000 Provenance: purchased from E.P. Mallory and Son Ltd, Bath, 31 August 1996.

864. A Charles I silver Apostle spoon, St. Jude, probably by Thomas Paulson, London 1637, fig-shaped bowl, slightly tapering faceted stem, gilded apostle finial, the nimbus with a dove, the reverse of the bowl with prick-dot initials, ‘G.Y’, length 18.3cm, approx. weight 1.9oz. £2,000-3,000 Provenance: purchased from J.H. Bourdon-Smith Ltd, Mason’s Yard, St. James’s, 14 March 2004. Sold in these rooms, Early Spoons, Fine Jewellery and Silver, 30 April 2003, lot 312.

865. A Charles I silver Slip-top spoon, by Thomas Paulson, London 1638, fig-shaped bowl, tapering faceted stem, the top scratch initialled ML conjoined, length 17.8cm, approx. weight 1.7oz. £1,500-2,000 Provenance: purchased from J.H. Bourdon-Smith Ltd, Mason’s Yard, St. James’s, 14 March 2004.

866. A William III West Country silver Lace-back Trefid spoon, by Richard Sweet II, Chard circa 1700, the reverse of the bowl with foliate scroll decoration, the terminal also with foliate scroll decoration, the reverse of the terminal prick-dot initialled ‘T.W’ over ‘W.W’ over ‘1700’, length 19.7cm, approx. weight 1.5oz. £1,500-2,000

867. A William III West Country silver Lace-back Trefid spoon, by Edward Sweet II, Dunster circa 1700, the reverse of the bowl with foliate scroll decoration, the terminal also with foliate scroll decoration, the reverse of the terminal prick-dot initialled ‘M.S’ over A.Q?’ over ‘1704’, length 19.7cm, approx. weight 1.5oz. £1,500-2,000

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OTHER PROPERTIES

868. A late 15th century silver-gilt Seal-top spoon, probably French circa 1470, and assayed in London in 1530, also marked with mark of a tent, slender fig-shaped bowl, faceted tapering stem with a fluted baluster seal-top finial, length 15.9cm, approx. weight 1.2oz. £2,000-3,000 Provenance: A Private Collection. Other spoons from this collection have been sold in these rooms 25/26 April 2017, (lots 1180-1190), and 26 October 2016 lots 1189-1205. The Harvey Clarke Collection. Illustrated and discussed in How, G., in collaboration with How J., English and Scottish Silver Spoons, Volume Three, Addendum, pages 13013, plate 6. They write: ‘The leopard’s head in the bowl is that used in London from 1528-4: the date letter struck on one of the back facets of the stem near the bowl is the London date-letter for 1530, and the maker’s mark, struck on the back facet and almost touching the date letter, is a ‘tent’ and is not elsewhere recorded on English silver. We are satisfied that the marks are genuine and the spoon is genuine, though we are not certain that the finial is original, and we consider that the spoon can be accepted as a freak, probably made by a Continental craftsman working in this country.’ We are very grateful to Tim Kent who has inspected the spoon and has given us his opinion on it. He writes: 1. The modern provenance is excellent, Harvey Clarke and the How’s, therefore the spoon cannot be a modern imposition. 2. The evidence makes it very clear that foreign goldsmiths were working in London, (and indeed provincial centres such as Taunton), from an early date, and in addition foreign spoons were circulating here. 3. I agree with the Hows that this spoon is entirely genuine, and I go further to say that, in my opinion it is in original state, probably made in France circa 1470, and submitted for assay in London at the later date of 1530. In this conclusion, I differ slightly from the Hows. 4. The stem marks are of typical continental character (maker probably French). 5. I am sure that the gilding is original, and the degree of wear is exactly what one expects. 6. I am very largely in agreement with the Hows: the spoon is unusual, but this does not detract from its credit. I see no evidence of any later addition to the seal, and the gilding is, I consider, entirely original. There is no evidence of any later re-working.

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869. An Elizabeth I silver Seal-top spoon, maker’s mark of C or G enclosing an S, London 1588, fig-shaped bowl, tapering faceted stem, the finial with traces of gilding and scratch initialled ‘E.W’, length 16.2cm, approx. weight 1.3oz. £1,000-1,500 Provenance: purchased from Barrington and Barrington, 55 Castlegate, Newark, 27 July 2002.

A SMALL PRIVATE COLLECTION OF EARLY SPOONS

870. A Charles I unascribed English provincial silver Seal-top spoon, marked once in the bowl, circa 1640, fig-shaped bowl, faceted stem, the gilded terminal with prick-dot initials ‘R.H over ‘R.S’ ‘64’, length 16.7cm, approx. weight 1.1oz. £600-800

871. A Charles I West Country silver Seal-top spoon, by John Green, Salisbury circa 1634, the reverse of the fig shaped bowl prick dot initialled ‘NS’ over ‘LO’ ‘1634’, faceted tapering stem with a gilded finial, length 16.5cm, approx. weight 0.9oz. £1,000-1,500

872. A Charles I West Country silver Seal-top spoon, by Robert Tyte, Salisbury circa 1627, fig shaped bowl, faceted tapering stem, the finial with traces of gilding and scratch initialled ‘D.S’ over I*E’, ‘1627’, length 19cm, approx. weight 1.5oz. £1,000-1,500

873. An Elizabeth I silver Seal-top spoon, by Nicholas Bartholomew, London 1579, fig shaped bowl, faceted tapering stem, the finial with traces of gilding and prick-dot initials, length 15.3cm, approx. weight 1oz. £1,000-1,500

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874. A James II silver Trefid spoon, probably Thomas Issod, London 1687, the reverse of the oval bowl with a ribbed rat-tail and scroll decoration, the reverse of the terminal with scratch initials ‘C’ over ‘WE’, length 18.2cm, approx. weight 1.3oz. £400-600

875. A late-17th century unascribed English provincial silver Trefid spoon, marked five times with a five petal rose, circa 1680-1700, the reverse of the oval bowl with a ribbed and beaded rat-tail, the reverse of the terminal with scratch initials ‘E.G’ over ‘A.P’, ‘1739’, length 19.8cm, approx. weight 1.1oz. £600-800 For mark see: Jackson’s, Ian Pickford edition, The Antique Collector’s Club, 1989, page 524.

876. A late-17th century West-Country silver Trefid spoon, Salisbury circa 1680, the reverse of the oval bowl with a ribbed rat-tail, the terminal with prick-dot initials, ‘I.R’ over ‘I.L’ ‘1682’, length 19.1cm, approx. weight 1.6oz. £600-800

OTHER PROPERTIES

877. A William and Mary provincial silver Trefid spoon, by Peter Pemberton Chester 1692-3, the reverse of the bowl with a ribbed rat-tail, the reverse of scratch initialled ‘S*L’ over ‘C*F’ ‘1690’, length 20.1cm, approx. weight 1.5oz. £600-800

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878. A 17th century provincial silver Apostle spoon, marked three times with a five petal mark, unascribed circa 1650, gilded bowl, faceted slight tapering stem with a gilded Apostle finial, lacking emblem, length 16.8cm, approx. weight 1.2oz. £600-800

879. A James I silver Apostle spoon, St. Zelotes, maker’s mark worn, London 1610, fig-shaped bowl, faceted stem, the gilded finial with a plain nimbus, length 17cm, approx. weight 2.1oz. £1,000-1,500

880. An Elizabeth I silver Seal-top spoon, maker’s mark of a mullet over an annulet, London 1584, fig-shaped bowl, tapering faceted stem, the gilded seal-top finial with later prick dotting ‘1642’ over ‘MG’, length 17.5cm, approx. weight 1.8oz. £800-1,200

881. A Charles I silver Apostle spoon, probably St. Paul, by Edward Hole, London 1632, fig-shaped bowl, tapering faceted stem, the finial with traces of gilding and with nimbus with a dove, length 17.7cm, approx. weight 1.6oz. £1,500-2,000 Provenance: purchased from Barrington and Barrington, 55 Castlegate, Newark, 27 February 2002.

882. A Charles I silver Apostle spoon, St. Paul, by Benjamin Yates, London 1635, fig-shaped bowl, tapering faceted stem, the finial with traces of gilding and with nimbus with a dove, length 18.2cm, approx. weight 1.7oz. £1,500-2,000 Provenance: purchased from Barrington and Barrington, 55 Castlegate, Newark, 27 February 2002.

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EARLY SPOONS FROM THE DAVID CONSTABLE COLLECTION 883. A Charles II unascribed provincial silver Trefid spoon, possibly Salisbury area, circa 1684, the oval bowl with a ribbed rat-tail, the terminal with a central cartouche within foliate scroll decoration, prick-dot initialled ‘M’ over ‘SP’ ‘84’, length 19.6cm, approx. weight 1.6oz. £600-800 Provenance: The Constable Collection, Lawrence’s Crewkerne, 12 October 2010, lot 220. Christie’s South Kensington, 10 November 1998, lot 67, from the Paterson Collection. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 724-725, spoon no.148. 884. A William III silver Lace-back Trefid spoon, by Richard Sweet II, Honiton, circa 1701, the reverse of the bowl with foliate scroll decoration, scroll rat-tail, the reverse of the terminal prick dot initialled ‘A.N’ over ‘R.T’ ‘April 25 1701’, length 20.6cm, approx. weight 1.8oz. £1,000-1,500 Provenance: The Constable Collection, J. H .Bourdon-Smith Ltd. The Griffin Collection, part 10, 3 June 2010, lot no.49. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 688-689, spoon no.138. 885. A Charles II West Country silver Lace-back Trefid spoon, by William Rowe, Liskeard, circa 1680, the reverse of the oval bowl with a ribbed rat-tail and foliate scroll decoration, the terminal also with scroll decoration, length 19cm, approx. weight 1.3oz. £600-800 Provenance: The Constable Collection. Lawrences, Crewkerne, 5 July 2011, lot no. 149. Anthony and Jane Sale collection. During the period between these sales the set was split up and the spoons went to different homes; they were split by the late Tim Coward, a North Devon dealer. Griffin Collection part V, Phillips, New Bond Street, 19 July 2002, lot no 230. Griffin Collection part I, Phillips, London, 24 April 1997, lot no 40, a set of six, failed to sell. Treffry family, Place, Fowey, Cornwall. 886. A William and Mary West Country silver Lace-back Trefid spoon, by Francis Glanville, Launceston, circa 1694, the reverse of the oval bowl with a ribbed rat-tail and foliate scroll decoration, the reverse of the terminal with prick dot initials ‘I.B’ over ‘1694’, length 19.3cm, approx. weight 1.5oz. £600-800 Provenance: The Constable Collection. Lawrences, Crewkerne, 5 July 2011, lot no. 149. Anthony and Jane Sale collection. How of Edinburgh, 1989. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 678-679, spoon no.135. 887. A William III West Country silver Lace-back Trefid spoon, by Francis Servant I or II, Bideford circa 1700, the reverse of the oval bowl with a ribbed rat-tail and foliate scroll decoration, the terminal with similar decoration, the reverse of the terminal with prick dot initials ‘I.B’ over ‘E.B’ over ‘1701’, length 20.5cm, approx. weight 1.6oz. £800-1,200 Provenance: The Constable Collection. Lawrences, Crewkerne, 5 July 2011, lot no. 160. Anthony and Jane Sale collection. Sanda Lipton Antique Silver, 1989. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 684-685, spoon no.137.

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888. A William and Mary East Anglian silver Trefid spoon, by Thomas Havers, Norwich circa 1697-1702, the oval bowl with a ribbed rat-tail, the reverse of the terminal with prick dot initials ‘I.B’ over ‘T.M’, length 20.3cm, approx. weight 1.7oz. £1,500-2,000 Provenance: The Constable Collection, Nicholas Shaw Antiques, Private Collection, Griffin Collection, part V, Bonhams, London 19 July 2002, How of Edinburgh. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 648-649, spoon no.125. illustrated in Hartop, C., East Anglian Silver 1550-1750, page 67, no. 39. Exhibited Norwich Cathedral Treasury, 23 September to 17 October 2004.

889. A large James II silver Trefid spoon, by John King, London 1686, the oval bowl with a plain rat-tail, length 25.8cm, approx. weight 3.7oz.

£2,000-2,500

Provenance: Constable Collection, Nicholas Shaw Antiques, sold in these rooms, 28 July 2004, lot 760, Sold by order of The Trustees of the Arkon Art Museum, Ohio. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 630-631, spoon no.117. This spoon also has an additional punch which contains a crest. This particular mark makes the spoon very interesting because usually crests are engraved on silver, not struck. The owner must have commissioned this punch for their own silver.

890. A Queen Anne Scottish silver Dog-nose spoon, by John Luke II, Glasgow circa 1709/10, the oval bowl with a large plain rat-tail, the reverse of the terminal with initials ‘AM’ over ‘EJC’, length 20cm. £800-1,200 Provenance: Constable Collection, Nicholas Shaw Antiques, Lyon & Turnbull, Edinburgh, 10 February 2004, lot 259. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 944-945, spoon no.220.

891. A rare Queen Anne Scottish provincial silver Dog-nose spoon, by David Dunlop, Canongate circa 1704, the oval bowl with a plain rat-tail, the reverse of the terminal with scratch initials ‘RG’ over ‘HG’ over ‘Od’ over ‘11 9’, length 19.4cm, approx. weight 1.8oz. £1,500-2,000 Provenance: Constable Collection, Nicholas Shaw Antiques, The John Noble Collection. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 938-939, spoon no.217.

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892. A Commonwealth silver Puritan spoon, by Steven Venables, London 1653, oval bowl, tapering stem, length 17.5cm, approx. weight 1.5oz.

£800-1,200

Provenance: The Constable Collection, Nicholas Shaw Antique, Christie’s 9 November 1994, lot 226. Thomas Lumley, a well-known silver dealer had this spoon in his stock for £40 in January 1994, The Wills Collection. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, page 509, spoon no.99. also illustrated in How, Vol.I, pp.9 and 138.

893. A Charles II provincial silver Trefid spoon, by Marmaduke Best, York, 1665, the oval bowl with a rudimentary rat-tail, the reverse of the terminal with scratch initials ‘T*S’, length 18.8cm, approx. weight 1.4oz. £1,500-2,000 Provenance: Constable Collection, Nicholas Shaw Antiques, This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 782-783, spoon no.118. This is an important York spoon as it is made to the new design outside of London, indicating the mobility of goldsmiths and journeyman and their wish to produce the latest fashions. The goldsmith had not quite shaken off the earlier style of spoon-making - he struck a mark in the bowl, unusually for a trefid. Also, you would expect to see a reeded rat-tail but this spoon has a rudimentary rat-tail.

894. A William and Mary West Country silver Lace-back Trefid spoon, by Thomas Foote with Edward Spicer acting a retailer, Exeter circa 1689, the reverse of the oval bowl with an engraved rat-tail, the terminal with prick dot initials ‘MT’ over ‘F.C’, over ‘1689’, length 18.7cm, approx. weight 0.9oz. £600-800 Provenance: The Constable Collection. Lawrences, Crewkerne, 5 July 2011, lot no. 167. Anthony and Jane Sale collection. J. H. Bourdon-Smith in 1995. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 640-641, spoon no.122.

895. A William and Mary Sussex silver Trefid spoon, by Robert Colegate, Lewes circa 1690, the oval bowl with a ribbed rat-tail, the reverse of the terminal with scratch initials ‘E’ over ‘IM’ over ‘WA’, length 20.2cm, approx. weight 1.6oz. £1,000-1,500 Provenance: The Constable Collection. Christie’s South Kensington, October 2008.

896. A George I West Country silver Spatula-end spoon, by Edward Sweet II, Dunster, with Exeter marks for 1715, the oval bowl with a beaded rat-tail, the reverse of the terminal with prick-dot initials ‘IS’ over ‘EM’ over ‘1719’, length 20cm, approx. weight 1.3oz. £300-400 Provenance: The Constable Collection, Lawrences, Crewkerne, 5 July 2011 lot 149. Anthony and Jane Sale Collection. J.H Bourdon-Smith, 1987. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 740-741, spoon no.155.

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897. A Queen Anne Wessex silver child’s Dog-nose spoon, by William Webb II, Winchester circa 1705, the oval bowl with a ribbed rat-tail, the reverse of the terminal with scratch initials ‘B’ over ‘R.E’, length 15.5cm, approx. weight 0.7oz. £300-500 Provenance: Constable Collection, J.H. Bourdon-Smith Ltd., Sold in these rooms, Early Silver Spoons, 2 May 2001, lot 71. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 782-783, spoon no.170.

898. A Charles I silver Child’s Slip-top spoon, possibly by Timothy Eman, London 1632, fig-shaped bowl, tapering faceted stem, length 10.6cm, approx. weight 0.3oz.

£1,000-1,500

Provenance: The Constable Collection, Walter, H. Wilson.

899. A pair of James II silver sucket spoons/forks, maker’s mark of RS above a mullet, London circa 1686, the oval bowls with a plain rat-tail, scratch initialled ‘T.H 6 May 86’, length 13.5cm, approx. weight 0.6oz. (2) £1,000-1,500 Provenance: Constable Collection, The Albert Collection, item 448. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 774-775, spoon no.167.

900. A Charles II silver child’s Puritan spoon, by Jeremy Johnson, London 1662, the oval bowl with a rudimentary rat-tail, tapering stem, the terminal prick-dot initialled ‘EPM’, length 14cm, approx. weight 0.7oz. £700-900 Provenance: Constable Collection, J.H. Bourdon-Smith Ltd. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 766-767, spoon no.163.

901. A Charles II silver child’s Trefid spoon, by Adam King, London 1672, the reverse of the oval bowl with reeded rat-tail, the reverse of the terminal scratch initialled ‘M.F’, length 14.4cm, approx. weight 0.6oz. £500-700 Provenance: Constable Collection, J.H. Bourdon-Smith Ltd. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume II, pages 768-769, spoon no.164.

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902. A Charles II West Country silver Seal-top spoon, by Nathaniel Winter II, Cirencester circa 1660, faceted stem, the gilded finial prick-dot initialled ‘TK’ over ‘CB’ over ‘1664’, length 18.7cm, approx. weight 1.5oz. £1,000-1,500 Provenance: The Constable Collection. Lawrences, Crewkerne, 5 July 2011, lot no. 170. Anthony and Jane Sale collection. J. H. Bourdon-Smith in 1993. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume I, pages 480-481, spoon no.92.

903. An Elizabeth I provincial silver Seal-top spoon, by John Gladwin and John Utting, Lichfield, circa 1580, the reverse of the fig shaped bowl with scratch initials ‘A.D’, faceted tapering stem, gilded cushion Sealtop finial, length 15.3cm, approx. weight 1.1oz. £2,000-3,000 Provenance: Constable Collection, How of Edinburgh. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume I, pages 460-461, spoon no.82.

904. A Charles I West Country silver Apostle spoon, St. James the Less, marked four times with an escallop mark, probably for the Cooper Family of Bristol, circa 1640, fig-shaped bowl, faceted tapering stem, gilded finial the terminal prick-dot initialled ‘M.R’ over ‘A.H’ ‘1646’, length 18.1cm, approx. weight 1.8oz. £1,500-2,000 Provenance: Constable Collection, J.H. Bourdon-Smith Ltd., Phillips Auctioneers, London.

905. A James I East Anglian silver Slip-top spoon, marked with a stylised fleur-de-lys or trefoil in a pelleted circle, unascribed, probably Suffolk, circa 1610, the reverse of the fig-shaped bowl with scratch initials ‘WEN’, the terminal with a notch, length 15.5cm, approx. weight 1oz. £1,500-2,000 Provenance: The Constable Collection, Daniel Bexfield. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume I, pages 144-145, spoon no.16. See Hartop, c., East Anglian Silver 1550-1750, 2004 page 88, spoon no. 63 and 64 for spoons with the same marks.

906. A Charles I silver Slip-top spoon, by Edward Hole, London 1634, fig-shaped bowl, faceted tapering stem, the terminal scratch initialled ‘O’ over ‘IM’, length 16.7cm, approx. weight 1.4oz. £1,000-1,500 Provenance: Constable Collection, J.H. Bourdon-Smith Ltd. This spoon is illustrated and written up in Constable, D., Silver Spoons of Britain, Constables Publishing 2016, Volume I, pages 146-147, spoon no.17.

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906

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907. A Queen Anne silver Dog-nose basting spoon, by Benjamin Watts, London 1706, the oval bowl with a plain rat-tail, the reverse of the terminal with a cipher, length 42.6cm, approx. weight 8.1oz. £1,500-2,500 Provenance: The Constable Collection, Nicholas Shaw Antiques.

908. A Queen Anne silver Hanoverian Rat-tail pattern basting spoon, by John Ladyman, London 1711, the oval bowl with a plain rat-tail, the terminal scratch initialled ‘MK’ over ‘RB’ within a border of mullets, also pricked with a small monogram above the rat-tail, length 39.5cm, approx. weight 8.2oz. £1,000-1,500 Provenance: The Constable Collection, sold in these rooms 24 April 2007, lot 169.

909. A rare George I large silver marrow spoon, by Thomas Mann, London 1723, basting spoon size, with a plain moulded rat-tail, scratch initialled ‘WD’, length 37.2cm, approx. weight 4.1oz. £700-900 Provenance: The Constable Collection, purchased in these rooms, 31st October, 2007, lot 445.

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OTHER PROPERTIES

910. A pair of George III silver candlesticks, by John Winter, John Parsons and Charles Hall, Sheffield 1781, tapering circular form, with draped decoration, urn shaped capitals with acanthus leaf decoration, on raised circular bases with fluted decoration, beaded borders, height 29.5cm. (2) £300-400

911. An Edwardian Regimental silver two-handled trophy cup, by The Barnards, London 1908, campana form, leaf capped scroll handles, with a girdle of roses, thistles and shamrock, above acanthus leaf decoration, on a raised circular foot, inscribed ‘Challenge Cup Brigade Point to Point Steeplechase (teams of 4 per regiment)’, the reverse inscribed ‘Presented by Colonel Le Roy-Lewis to the 1st South Western Mounted Brigade’, height 23cm, approx. weight 56.5oz. £800-1,200

912. A Victorian silver-mounted claret jug, maker’s mark worn, Sheffield 1882, tapering circular body with a glass apron, long scroll handle, the mount with a flush hinged cover, on a circular foot, length 26cm. £250-300

913. A modern silver-mounted cut glass claret jug, maker’s mark WW, London 2001, tapering circular form, the plain mounts with a scroll handle and domed hinged cover with a knop finial, the body engraved with a sow and piglets in a farm setting, height 27cm. £200-300

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914. A Victorian silver ewer, by Stephen Smith, London 1875, circular bellied and tapering form, the scroll handle mounted with an intertwined snake, engraved classical foliate decoration, height 27.4cm, approx. weight 17.5oz. £600-800

915. A Victorian silver ewer, by Frederick Elkington, Birmingham 1871, slender baluster form, leaf capped scroll handle, hinged cover with traces of gilding, the body with fern decoration and engraved with a crest and monogram, on a raised beaded circular foot, height 30cm, approx. weight 17.4oz. £600-800 The crest is that of Postlethwaite.

916. A Victorian silver coffee pot, by Martin, Hall and Company, Sheffield 1856, baluster form, scroll handle with ivory insulators, embossed foliate scroll decoration, domed hinged cover with a melon finial, on four scroll bracket feet, inscribed ‘Presented to the Rev. W. J. Meggison by his Friends and the Congregation of Wombwell Church, June 1857’, height 23cm, approx. weight 22.5oz. £200-300

917. A George III silver coffee pot, by John Payne, London 1765, baluster form, domed hinged cover with a fluted urn finial, wooden scroll handle, on a raised circular foot, engraved with a crest, height 24.5cm, approx. weight 25oz. £700-900 The crest is that used by a number of families including: Adams, King, Mills, Shipton and Wolley.

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918. A Victorian Regimental silver-gilt two-handled trophy cup with an associated cover, over-stamped with maker’s mark of Gibson and Langman, London 1893, the cover London 1803, vase form, with cast bifurcated snake handles above an acanthus leaf girdle, foliate borders, the pull-off cover with a knop finial, engraved ‘10 Royal Hussars 1871 Hunter’s Cup’, with the cipher of The Prince of Wales and the initials A. E for Albert Edward, within an applied oak leaf wreath, the reverse inscribed ‘Presented by H.R.H The Prince of Wales’, ‘Facsimile of cup won by H. S. Gough presented by him to The Officers’ Mess 10th Royal Hussars on his leaving the Regiment, 19th August 1889’, height 36cm, approx. weight 76.4oz. £1,500-2,000

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919. A Victorian silver-gilt ewer and pair of goblets, by Frederick Elkington, Birmingham 1871, the ewer of ovoid form, scroll handle, decorated in the Greek revival manner with classical maidens and foliate decoration, on a raised circular foot, the goblets with urn shaped bowls, with similar decoration, on raised circular bases, with a monogram and crest, height 20.8cm, height of goblets 17.5cm, approx. weight 32oz. (3) £1,000-1,500 The motto, crest and monogram are those for Oliver.

920. A Victorian silver ewer and pair of goblets, by Martin, Hall and Co, London 1878, tapering circular form, engraved foliate decoration, scroll handle, the domed hinged cover with a pierced thumb-piece, height of ewer 30.5cm, height of goblets 13.5cm, approx. weight 33oz. (3) £1,000-1,500

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921. A George III silver tea caddy, by Hester Bateman, London 1782, oval form, flush-hinged cover with an urn finial, engraved borders, the front with a crest, with a lock and key, length 11cm, approx. weight 9.8oz. £1,000-1,500 The crest is that of Ashby, Band, Forbes and Widdowson, and other families.

923. A four-piece George IV silver tea and coffee set, by Emes and Barnard, London 1821, oblong bellied form, part-fluted and foliate scroll decoration, the teapot and coffee pot with a fluted leaf-capped scroll handle with ivory insulators, foliate borders, gilded bowls, on four shell bracket feet, the coffee pot on a circular foot, length of teapot handle to handle 30cm, approx. weight 76.5oz. (4) £1,000-1,500

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922. A graduated pair of George III silver tea caddies, By Peter Gillois, London 1769, rectangular bombé form, embossed foliate and scroll decoration, the hinged covers with flower finials, on four pierced feet with a pierced apron, initialled, height 15.2cm, approx. weight 25.4oz. (2) £2,000-3,000

924. A pair of Victorian silver candlesticks, by Andrew Crespel and Thomas Parker, London 1871, in the 17th century manner, knopped stems, spool shaped capitals, foliate decoration, detachable drip pans, on spread square bases with canted corners, height 14.5cm, approx. weight 23oz. (2) £300-400

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925. A presentation silver trophy bowl, by E. Barnard and Sons Ltd, London 1928, compressed circular bowl, mounted with three cast dragons, on a raised circular and triangular base on three paw feet, inscribed ‘The Stewards Bowl, Presented by Mashonaland Turf Club Ltd., Hack Race, Run for August 17th 1928’, on a wooden plinth with a vacant silver plaque, diameter 32cm, height 28cm, height on stand 35.5cm, approx. weight 79.6oz. £2,000-3,000 Mashonaland Turf Club was founded in 1892 in northern Rhodesia, (now Zimbabwe).

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926

926. A pair of George III silver travelling chamber sticks, by Samuel Whitford, London 1817, circular form, which unscrews to reveal two velvet pads holding screw-in circular capitals, with a conical snuffer and pair of scissor snuffers/ trimmers, by Emes and Barnard, London 1816, engraved with a later crest and initials, diameter of base 13cm, approx. weight 16oz. (2) ÂŁ1,000-1,500 Provenance: purchased from, S.J. Phillips, New Bond Street, London. The crest is that of Spencer.

927. A pair of George III silver candlesticks, by Ebenezer Coker, London 1763, knopped stems with shell shoulders, spool-shaped capitals, detachable drip pans, on shaped square bases with shell corners, height 25cm, approx. weight 37oz. (2) ÂŁ1,500-2,000

927

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928

928. A pair of Victorian silver figural salt cellars, by Hunt and Roskell, London 1892, also stamped Hunt and Roskell, Late Storr and Mortimer, modelled as a gentleman and lady holding baskets, with gilded bowl, the gentleman also holding a bunch of grapes, the lady holding some flowers, on raised shaped circular bases, height 17.2cm, approx. weight 33.4oz. (2) £3,000-4,000

929. A Victorian silver ewer, by John Samuel Hunt, London 1851, baluster from, embossed with trailing grape vines and bunches of grapes, scroll handle, domed hinged cover with a bunch of grapes finial, on a raised circular foot, engraved with a crest, foot rim stamped ‘HUNT & ROSKELL LATE STORR MORTIMER & HUNT 5728’, height 35cm, approx. weight 34.4oz. £1,500-2,000

929

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930. A pair of George III silver entrée dishes and covers, by William Stroud, London 1801, rectangular form, canted corners, gadroon borders, engraved with armorials, the handles modelled as standing lions, length 29.5cm, approx. weight 109oz. (2) £2,000-3,000 The arms are those of Turnor of Stoke-Rochford impaling De Grey.

931. A pair of late-Victorian silver three-light candelabra, by The Goldsmiths and Silversmiths Company, London 1900, knopped columns with foliate shoulders, spool-shaped capitals, with two leaf capped scroll arms with three capitals, on spread square bases with foliate borders, plus two additional drip pans to use the columns as 27.6cm tall candlesticks, total height 48.5cm, approx. weight of branches 66.8oz. (2) £700-900

931

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932

932. A set of four George III silver two-handled sauce tureens and covers, by Robert Sharp, London 1796, plain oval form, reeded border and handles, the domed pull-off covers with ring handles, engraved with armorials, on raised oval bases, length 24cm, approx. weight 89oz. (4) £2,000-3,000 The shield and crest are those of Sir John Barrington, 9th Bt, of Barrington Hall, Essex.

933. A Victorian silver epergne, by Charles and George Fox, London 1860, the stem modelled as three playful putti, holding a pierced wire-work basket, on a circular pedestal base with foliate decoration, on four bracket feet, inscribed ‘May’ and ‘June’, also initialled, height 28.8cm, approx. weight 38.8oz. £1,000-1,500

933

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934. A Victorian silver mounted claret jug, by W & G Sissons, Sheffield, 1883, plain circular body, plain mounts and scroll handles and beaded borders, hinged cover and a pierced thumbpiece, engraved with a crest, height 26.5cm. £300-400

935. A late-Victorian silver mounted lemonade jug, by Mappin & Webb, Sheffield 1899, tapering circular form, plain silver mounts, scroll handles, hobnail cut glass body, height 22.2cm. £300-400

936. A Victorian silver ewer, by Martin, Hall and Company, London 1883, in the classical manner, baluster form, engraved with chariots and figures, the scroll handle with ivory insulators, the hinged cover with a helmet finial, on a raised circular foot, height 33.3cm, approx. weight 24.4cm. £800-900

937. A George III silver coffee pot, by Whipham and Wright, London 1763, baluster form, scroll handle, domed hinged cover with an acorn finial, on a raised circular foot, height 25cm, approx. weight 22oz. £500-800

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938. A George III provincial silver tankard, by John Langlands, Newcastle 1769, baluster form, central girdle, domed hinged cover with a pierced thumb-piece, scroll handle with a heart-shaped cartouche, the handle with scratch initials ‘S’ over ‘I*S’, on a raised circular foot, height 20.2cm, approx. weight 25.8oz. £1,000-1,500 Purchased from J.H. Bourdon Smith Ltd, London, September 1997.

940. A George III silver two-handled cup and cover, by Richard Cooke, London 1807, urn form, with bifurcated snake scroll handles, foliate borders and a foliate and cornucopia frieze, the pull-off cover with fluted decoration and with a cauliflower finial, on a raised circular foot with a leaf border, engraved with two armorials, with traces of gilding, height 38.5cm, approx. weight 90oz. £2,000-3,000 The shield is that granted to the City of Southampton in 1575, ensigned by a royal crown of 1807 design. The arms on the reverse are those of Hauge of Yorkshire impaling Stewart.

939. A George II silver kettle on stand, by Paul Crespin, London 1754, circular baluster form, embossed foliate and shell decoration, wicker-bound swing-handle, with two mask motifs, the domed hinged cover with a large unmarked bird finial, the stand of circular form, with pierced foliate decoration, with a detachable burner, engraved with an armorial, height 72.7oz. £1,000-1,500

941. A Victorian silver coffee pot, by The Barnards, London 1842, baluster form, chased foliate scroll decoration, leaf capped scroll handle with ivory insulators, the hinged cover with a flower finial, on four scroll bracket feet, engraved with a crest, height 27cm, approx. weight 28.5oz. £300-400 The crest is that of John Middleton, a Merchant of Glasgow in 1864.

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942. A George III silver chamber stick, by Paul Storr, London 1817, circular form, gadroon borders, urn shaped capital, leaf capped scroll handle, with a conical snuffer and chain, engraved with a crest, diameter 16cm, approx. weight 14oz. ÂŁ1,200-1,800 Engraved with an episcopal mitre and the badge of a Royal Duke, probably for Frederick, Duke of York and Albany and Bishop of Osnabruck.

943. A set of four George III silver salt cellars, by Paul Storr, London 1805, circular form, fluted girdle, gadroon borders, gilded bowls, engraved with a crest, on raised part-fluted circular bases, diameter 8.5cm, approx. weight 20.7oz. (4) ÂŁ2,000-3,000 The crest is that used by a large number of families including: Agar, Dixon, Keith, Pigg and Yates.

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944. A George III silver coffee jug on stand, by Paul Storr, London 1808, circular bellied form, with a fluted border, ivory scroll handle with snake head mounts, hinged cover, the stand of circular form with three drop-ring handles, on three legs with paw feet, on a shaped triangular base, with a burner, cover later and unmarked, engraved with an armorial, height 27.8cm, approx. weight 51oz. ÂŁ5,000-7,000 The arms are those of Thomas Villiers, 1st Earl Clarendon, incorporating symbols of his creation in 1782 as a noble of the Kingdom of Prussia.

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945. A Victorian silver tea caddy, by Robinson, Edkins & Aston, Birmingham 1841, square bombe form, embossed foliate scroll decoration, pull-off raised cover, on four scroll feet, height 12cm, approx. weight 7.9oz. £150-200

946. A George III silver caster, by Benjamin Smith, London 1816, tapering form, bayonet fitting domed pierced cover, height 11.5cm, plus a George IV silver sugar caster, by Joseph Angell, London 1824, baluster form, the pull-off cover with a ball finial, on a raised circular foot, initialled, approx. weight 13oz. (2) £300-400 The crest is that for many families including Adams, Lovat, Mills, Vaux and Egerton.

947. A George III silver nine-bar toast rack, by Hester Bateman, London 1785, oval form, central ring handle with a crest, on four claw and ball feet, length 16.8cm, approx. weight 5.3oz. £300-500 The crest is that of Lambe, Lewart, Welman and other families.

949. Two George III silver cream boats, one by Stephen Adams, London 1771, the other by James King, London 1769, oval form, wavy-edge border, scroll handles, on three shell capped hoof feet, lengths 16cm, and 12cm, approx. weight 9.1oz. (2) £200-300

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948. A late-Victorian silver Argyle, by Joseph Clarke, London 1896, baluster form, string-bound scroll handle, beaded border, pull-off cover with an ivory finial, height 14.5cm, approx. weight 11.7oz. £300-400

950. A Victorian silver-mounted glass biscuit barrel, by John Clemmens, Birmingham 1868, the mounts with a swing-handle, the pull-off cover with a coiled rope and label engraved ‘Biscuits’, later glass body, height 18cm, approx. weight 4.4oz. £300-400

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951. A pair of George III silver goblets, by Henry Chawner London 1790, plain urn shaped bowls, on a raised circular foot with a reeded border, height 13.8cm, approx. weight 11.7oz. (2) £300-500

952. A pair of George III silver goblets, by Henry Chawner and John Emes, London 1796, urn shaped bowls, bright-cut border, engraved with a vacant cartouche, on a raised circular foot with a textured bead border, height 16.2cm, approx. weight 13.4oz. (2) £500-800

953. A George II silver waiter, by John Neville, London 1745, circular form, pierced grapevine border with masks, the centre with a later armorial, on three pierced vine bracket feet, diameter 20cm, approx. weight 11.4oz. £250-300

954. A George III silver waiter, by Daniel Smith and Robert Sharp, London 1787, circular form, the centre engraved with an armorial, moulded border, on three bracket feet, diameter 20.9cm, approx. weight 12.8oz. £250-300

The arms are those for the marriage of Lady Bridget Feilding, 2nd Daughter of the 4th Earl of Denbigh, to a colonel Otway.

The arms are those of Leigh of Warwickshire, engraved on a lozenge for a spinster.

955. A George III silver goblet, by John Swift (Junior), London 1779, plain urn shaped bowl, gilded interior, engraved with a crest, on a raised circular foot with a beaded border, height 14.5cm, approx. weight 6.3oz. (2) £150-200

956. A George III silver goblet, by Naphthali Hart, London 1809, plain urn shaped bowl, engraved with an armorial, gilded bowl, on a raised circular and reeded foot, height 16.8cm, approx. weight 8oz. £300-400 The shield is that granted in 1570 to Corpus Christi College, 185 Cambridge.

The crest is that of Jolliffe of Somerset.

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957. A George III silver wax jack, by Robert Hennell, London 1785, circular form, beaded borders, scroll handles, the cutters with a bright-cut border, height 15.3cm, approx. weight 6.5oz. £800-1,200

958. A George III silver lemon strainer, by Edward Aldridge, London 1771, circular form, beaded borders, with a clip initialled, scroll handle, length 16.6cm, approx. weight 2.5oz. £200-300

959. A pair of silver pepper pots, by the Goldsmiths and Silversmiths Company, London 1938, octagonal baluster form, on raised octagonal bases, the undersides of the bases inscribed ‘Neville Chamberlain September 1938, height 10.5cm, approx. weight 5.4oz. (2) £100-150 On the 15th September 1938 Neville Chamberlain met Adolf Hitler at his summer retreat on the Austrian Border.

960. A George III silver bougie box, by Henry Tudor and Thomas Leader, Sheffield 1782, plain cylindrical form, beaded loop handle and borders, the pull-off cover with a brightcut border, with a chain and original conical snuffer, height 7cm, approx. weight 3.6oz. £500-700

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961. A large silver salver, by H. Atkins, Sheffield 1925, circular form, moulded border, the centre engraved with an armorial, on four gnarl feet, diameter 41.5cm, approx. weight 68.5oz. £700-900

962. A pair of George III silver wine coasters, by Henry Wilkinson and Co, Sheffield 1864, circular form, embossed foliate decoration, foliate borders, the centres with turned silver bases, diameter 17cm. (2) £600-800

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963. A George III silver-gilt beaker, by William Price, London 1813, cylindrical form, engraved with a monogram below a crest, height 9.4cm, approx. weight 7oz. £150-200 The earl’s crest ensigning a cipher for possibly the Earl of Lanesborough, Leicester, Leven, Lincoln, Liverpool, Londsdale and other towns.

965. A two-handled silver-gilt sugar vase and cover, by Ernest J Lowe, London 1936, urn form, with swirl fluted decoration above acanthus leaves, fluted side handles issuing from satyr masks, on a raised square foot, height 18cm, approx. weight 24.9oz. £200-300

964. A George III silver-gilt beaker, by S. Godbehere and Co, London 1805, tapering circular form, gilded interior, with an upper and lower fluted girdle, engraved with a crest, height 9cm, approx. weight 7.3oz. £200-300 The arms are those of George III, used between 1 January 1801 and 8 June 1816.

966. An Edwardian silver-gilt two-handled cup and cover, by Wakely and Wheeler, London 1908, circular form, with chased foliate scrolls, with applied ribbon tied husks, foliate scroll handles, the pull-off cover with an urn finial, on a raised circular foot with acanthus leaf decoration, height 24.5cm, approx. weight 15oz. £150-200

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967. A George II silver small two-handled porringer, by Fuller White, London 1749, circular form, scroll handles, pert-fluted decoration, rope-work girdle with punch decoration, length handle to handle 12cm, approx. weight 2.2oz. £300-400

968. A late 17th century provincial silver tumbler cup, marked with a York town mark circa 1680-1700, circular form, with two bad splits, the underside inscribed ‘Samuel Trotter’ and (?) coln, (possibly Lincoln?), diameter 7.8cm, plus an 18th century silver-mounted coconut cup, unmarked, the plain nut with a silver mount engraved with two crests, on three shell capped hoof feet, approx. weighable 2.2oz. (2) £200-300 The crests are those of Lee and Guinness.

969. A pair of George II silver butter dishes, marks worn, possibly by William Grundy, London 1751, shell form, gadroon borders, length 13.5cm, approx. weight 6.9oz. (2) £300-400

970. A George II silver snuffer’s tray, by William Gould, London 1750, shaped oval form, with a scroll and shell border, leaf capped scroll handle, engraved with a crest, on four shell pad feet, length 21.2cm, approx. weight 9oz. £300-400 The crest is that of Bell, Grinston, Mason, Roe and Wychcombe and, other families.

971. A Charles II silver two-handled porringer, maker’s mark of I.B with an animal above, possibly for John Buck, London 1678, circular form, scroll handles, embossed and chased acanthus leaf decoration, engraved with a later crest, height 12.8cm, approx. weight 18oz. £1,500-2,000 For maker’s mark see Jackson’s, Ian Pickford Edition, Antique Collector’s Club, 1989, page 133. The crest is that used by a number of families including: Cook, Jones, Lynn, Tatlock and Yates.

972. A George III silver chamber stick and pair of scissor snuffers, by David Willaume, London 1727, the snuffers maker’s mark CO, London 1726, circular form, ring handle, spool shaped capital, engraved with a crest, on three bun feet, the snuffers with a crest and ring handles, diameter 13cm, approx. weight 11.5oz. (2) £300-400 The crest is that of Montgomery.

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973. A George II silver sugar bowl and cover, by Ralph Maidman, London 1731, circular form, pull-off cover, on a raised circular foot, height 8.5cm, approx. weight 6.8oz. £800-1,200

974. A matched pair of Queen Anne and George III silver tea caddies, one by Richard Watts, London 1710, the later copy possibly by William Abdy, London 1789, rectangular form, canted corners, domed pull-off covers with ball finials, engraved with a crest and monogram, heights 10cm and 9.8cm. approx. weight 8.7oz. (2) £700-900

975. A silver strawberry dish, with London Assay Office marks for 1956, fluted circular form, the centre engraved with The Royal Arms, the underside with a scratch weight ‘19.18’, diameter 22.3cm, approx. weight 17oz. £200-300

976. A George III provincial silver beaker, by Richard Richardson IV, Chester 1781, plain tapering form, height 6.8cm, approx. weight 3.1oz.

977. A Queen Anne silver sugar caster, by Anthony Nelme, London 1707, baluster form, central girdle, bayonet fitting cover with a knop finial, on a circular foot, length 21.7cm, approx. weight 12oz. £1,000-1,500

£600-800

Provenance: purchased from J.H. Bourdon-Smith Limited, Mason’s Yard, London 8th February 1991.

978. A George I silver two handled cup, by Jonah Clifton, London probably 1715, circular form, leaf capped scroll handles, central girdle, on a raised circular foot, inscribed ‘The Gift of Lady Wintringham to her nephew captain Richardson’, on a circular foot, height 11.5cm, approx. weight 13.5oz. £600-800

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979. A pair of Queen Anne silver footed waiters, by John Stockar, London 1713, circular form, the centres with a crest, on raised circular bases, diameter 14.2cm, approx. weight 11.2oz. (2) £1,500-2,000

980. A pair of George III provincial silver mugs, by Richard Richardson III, Chester 1772, baluster can form, scroll handles, gilded interiors, the bases engraved ‘I.O’, height 6.7cm, approx. weight 6.4oz. (2) £1,500-2,000

Provenance: purchased form J.H Bourdon-Smith Limited, Mason’s Yard, London.

Provenance: purchased from J.H. Bourdon-Smith Limited, Mason’s Yard, London 2 October 1991, also featured in their catalogue of 1990.

The crest is that of Martin of Ham Court, Worcestershire.

981. A Charles II provincial silver chalice, marks worn, probably by Thomas Mangy, York circa 1675, tapering circular bowl, with engraved foliate decoration, on a knopped stem, on a spread circular foot, height 23.3cm, approx. weight 13.8oz. £2,000-3,000

982. A set of nine George III silver plates, by Wakelin and Taylor, London 1781, circular form, beaded borders, engraved with two crests, the reverse with initials, scratch weights and numbered, diameter 24cm, approx. weight 128oz. (9) £2,500-3,000 The arms are those for Clive quartering Herbert impaling Windsor.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

983. A rare Charles II provincial silver peg tankard, by John Douthwaite, Newcastle circa 1675, cylindrical form, the interior with five pegs, the hinged cover with a pomegranate thumb-piece, fluted scroll handle terminating in a shield cartouche, on three foliate capped pomegranate ball feet, the front engraved with an armorial within foliate mantling, height 19cm, approx. weight 23.4oz. £6,000-8,000 For maker’s mark see Jackson’s, Ian Pickford Edition, Antique Collector’s Club, 1989, page 492. The arms are those of the descendants of the Revd. Thomas Thorp, sometime Vicar of Chillingham, Northumberland and Berwick on Tweed.

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984. A George II silver strawberry dish, by Christian Hillan, London 1739, circular fluted form, the centre engraved with an armorial with foliate scroll mantling, diameter 23cm, approx. weight 15oz. ÂŁ2,000-3,000 Provenance: purchased from, S.J. Phillips, New Bond Street, London. The shield is that of Clayton impaling an unidentified shield.

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FINE JEWELLERY

Thursday 26th October 2017

Previously owned by Norman Loudon, owner of Shepperton Studios, which merged to form part of the Pinewood Studios Group: A diamond clip brooch by Bulgari. Estimate: £12,000 - £15,000 An impressive diamond cluster ring by Bulgari, the central diamond weighing 8.15cts, with certification from GIA. Estimate: £60,000 - £100,000 Accompanied by the original memorandum from Bulgari

ENQUIRIES Charlotte Glyde | Tel: +44 (0)1722 424586 | cg@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 14th & Wednesday 15th November 2017 Two Japanese Komai-style models of shrines, c.1910 23cm and 37cm. Estimates: £2,000 - £3,000 & £5,000 - £8,000 Provenance: from the Webers Family collection, Bristol.

ENQUIRIES John Axford Tel: +44 (0)1722 424506 jea@woolleyandwallis.co.uk Alexandra Aguilar Doméracki Tel: +44 (0)1722 424583 aad@woolleyandwallis.co.uk

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MEDALS & COINS, ARMS & ARMOUR Wednesday 22nd November 2017

A selection of the swords to be included in the catalogue. Estimates from £600 - £3,000

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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THE STUDIO POTTERY COLLECTION OF PROFESSOR LUKE HERRMANN Wednesday 13th December 2017

Dame Lucie Rie DBE A porcelain bowl with bronzed rim, glazed apple green. Estimate £20,000 - £30,000 A porcelain bowl with sgraffito decoration. Estimate £20,000 - £30,000

ENQUIRIES Michael Jeffery Tel: +44 (0) 1722 424505 mj@woolleyandwallis.co.uk

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SILVER & VERTU

Tuesday 23rd & Wednesday 24th January 2018 Entries are now being accepted for this sale

An Arts and Crafts three-piece silver tea set, by William H Hasler, Birmingham 1911. Estimate: £300 - £500

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM ASIAN ART SALES The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. ALL OTHER SALES The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (††) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (††) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss

with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

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A345 Castle Rd

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Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

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WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

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Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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A354 DORCHESTER WEYMOUTH & BLANDFORD

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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SOUTHAMPTON CATHEDRAL

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Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Fine Silver & Objects of Vertu

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

24th & 25th October 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.wo o lleyan d wallis.co .u k

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Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 4th October 2017 10th January 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2017 – Design 13th December 2017 – The Studio Pottery Collection of Professor Luke Herrmann 14th December 2017 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 18th October 2017 – English & European Ceramics & Glass 20th February 2018 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk SILVER 24th & 25th October 2017 – Fine Silver & Vertu 23rd & 24th January 2018 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 26th October 2017 – Fine Jewellery 25th January 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk ASIAN ART 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk PAINTINGS 29th November 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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