Woolley & Wallis by Jamm Design Ltd

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery & Watches

Thursday 25th January 2018

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424506 424506 424591

CHINESE PAINTINGS Freya Yuan-Richards

424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE ART Alex Aguilar Doméracki JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde MEDALS & COINS, ARMS & ARMOUR Ned Cowell Gemma Bush

424583

424595 424504 424586

341469 341469

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

WATCHES Adrian Hailwood

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb

424500

SALEROOM MANAGER David Jordan

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Natalie Milsted FCCA

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

07775 788500

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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JEWELLERY & WATCHES Thursday 25th January at 10.00am VIEWING TIMES Saturday 20th January Monday 22nd January Tuesday 23rd January Wednesday 24th January Thursday 25th January

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk

Watches Adrian Hailwood 07775 788500 ah@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 24th January. LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 1542 Back cover: Lot 1514 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 24th January. Please note there is a 3% +VAT surcharge for using this service.

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1000

1000. A collection of twenty books on the subjects of jewellery, silver, clocks and watches, including: Art Nouveau Domestic Metalwork, Suffolk: Antique Collectors Club: 1988. F. J. BRITTEN., Old Clocks and Watches & their Makers. London: B. T. Batsford: 1904. J.CULME., The Directory of Gold & Silversmith; Jewellers & Alliked Traders 1838-1914, Vol. I., Suffolk: Antique Collectors Club: 1987. J.CULME., The Directory of Gold & Silversmith; Jewellers & Alliked Traders 1838-1914, Vol. II., Suffolk: Antique Collectors Club: 1987. A. DUNCAN., The Paris Salons 1895-1914; Volume I: Jewellery, The Designers A-K. Suffolk: Antique Collectors Club: 1994. G. GORDON., Cartier; a century of Cartier wristwatches. Hong Kong: Timeless Elegance Co. Ltd: 1998. G. GORDON., Rolex. Hong Kong: Timeless Elegance Co. Ltd: 1989. C. JAGGER., Royal Clocks; The British Monarchy and its Timekeepers 1300-1900. London: Robert Hale: 1983. K. C. JONES., The Silversmiths of Birmingham and their Marks 1750-1980. London: NAG Press: 1981. T. J. LAWSON., Charles Horner of Halifax; a celebration of his life and work. Leicester: GML Publishing: 2002. K. PURCELL., Falize; a dynasty of jewellers. London: Thames and Hudson: 1999. And nine other books £80-120

1001

1002 part

1001. A large assortment of loose stones, including amethysts, garnets, paste, chrysoprase, and various jewellery fittings £200-300 1002. Thirty-eight assorted jewellery boxes and cases, some for prominent west-end and English jewelers £100-150

1003

1003. Seven assorted jewellery boxes, including an early 19th century green leather button box with elaborate blindstamped decoration to the hinged cover within gold acanthus border, 26cm wide, a square hollywood box with dilapidated silk lining to the hinged cover stamped for Fabergé, a rectangular fabric box with cover for Liberty, 23cm wide, a square fabric covered box for Liberty, 9cm wide, a green leather case for Boucheron, a domed ovalshaped box for Hunt and Roskell and a long jewellery case for the Goldsmiths and Silversmiths Company, 36cm wide £400-600 1004. Two 19th century leather jewellery boxes, each with fitted velvet compartments for a serpent necklace £60-80

1004

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1005

1006

1005. A large quantity of jewellery boxes, including four Cartier boxes, a Liberty ring box, a Lacloche box, a Tiffany & Co fitted box, and various other boxes from Garrard, Asprey, Carrington etc £100-200 1006. A large quantity of antique and modern jewellery boxes £100-200 1007. A black leather jewellery casket containing various items of jewellery, including a George III moss agate ring, a blue enamel and diamond heart pendant on chain, two carved coral pendants and various other items of jewellery and costume jewellery £100-200 1008. A red leather jewellery casket, with Bramah lock (without key), the hinged cover with a noble cipher and with two lift-out trays containing assorted jewellery including a garnet intaglio mounted silver ring, a diamond-set kiwi brooch, a child’s jade bangle, a small agate casket with hinged cover, a fob seal with arms beneath a ducal coronet, a lorgnette, assorted rings and various other jewellery items £200-300 1007

1008

1009. A Mappin & Webb jewellery casket of assorted items, including a diamond bar brooch (one missing), a diamond three stone ring (one missing), a diamond and black onyx mourning brooch, a gold signet ring, a watch key, a pair of gold cufflinks and various other items of jewellery and costume jewellery £600-800

1009

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1010

1010. Various items of assorted jewellery, including an emerald and diamond-set clasp, a gold Russian three-colour wedding ring, a gold signet ring, an amethyst and garnet-set object (possibly a watch key), a gold coin quatrefoil slide, a diamond-set swirl clasp, an emerald-set gold hand clasp, a long chain mounted with amethyst coloured paste stones in gilt metal mounts, three enamel rings and various other items £200-300 1011. A large quantity of jewellery and costume jewellery, including two gold bangles, a smoky quartz gold pendant, a selection of gold clasps, a collection of loose emerald and ruby cabochons, a coral-mounted gold brooch, a coral ring, a pair of nephrite gold earrings and various other items of jewellery and costume jewellery £400-600

1013

1012. A blue jewellery box containing various items of jewellery, including a silver ring mounted with six hardstone seals, a gold pendant containing a four leaf clover, a gold cross pendant, and £200-300 various lighters and propelling pencils 1013. A mixed lot of jewellery, including a 19th century oval plaque depicting a seated Britannia, enamel on copper, 4cm high, a Wedgwood oval plaque depicting Zeus, fifty-six assorted continental miniature plaques, enamel on copper with assorted religious subjects, seven carved green beryl pendants, a cultured freshwater pearl necklace, twelve circular porcelain buttons, an oval cabochon moonstone approximately 85cts, a carved cinnabar lacquer bead necklace and a coral necklace £200-300

1011

1012

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1015 1014 part 1014. A quantity of jewellery, including five gem-set gold rings, two gold mourning rings, three gold wedding rings, a silver Arts and Crafts pendant with blue and green enamel decoration by Charles Horner, four gold brooches, two silver brooches, a gilt metal pendant, a Victorian gold brooch set with garnets and seed pearls, two plain 18ct gold wedding bands, a gold rope-twist chain, a silver curb link necklace, a silver locket and various other items of jewellery £600-800 1015. A quantity of jewellery, including a garnet and diamond Victorian gold brooch, a gold snake ring, a garnet and silver pendant, a silver insect brooch, a silver butterfly wing pendant, a paste buckle, a paste brooch, a garnet brooch, a diamond bale, a silver foliate brooch, an emerald and seed pearl twisted gold brooch and a £150-250 silver buckle brooch depicting a knight on horseback 1016. A mixed lot of jewellery, including a curb-link gold bracelet with heartshaped padlock clasp, a curb-link gold charm bracelet, a heart-shaped gold pendant set with seed pearls, eight gold rings, a gold pocket watch, a cheroot holder, a mixed media brooch by Andrew Logan and various other items of jewellery. £300-400 1016

1017. A mixed quantity of Russian items, including ten hardstone, silver, silver gilt and enamel egg pendants, a Russian silver locket and crucifix pendant, a blue enamel Russian silver crucifix pendant on silver chain, two chains, a Russian silver iconographic pendant, maker’s mark EA and stamped 84 zolotnik, with two chains, one set with lapis lazuli batons, the other with malachite batons, both with matching stud earrings £300-400 1018. A mixed quantity of jewellery, including a black enamel locket pendant, a gold horseshoe brooch, four seals, a watch key, a silver necklace mounted with silver coins, two plain gold wedding bands, an emerald eternity ring, a white stone ring, a pearl half hoop ring, another gold ring and various charms £200-300 1019. A boulder opal cameo depicting a winged angel in white metal scarf ring, a pair of gold ropetwist ear studs, a diamond and black enamel mourning ring, with inside inscription for 1878, two diamond-set gold crucifix pendants, an intaglio ring, a George III seed pearl mounted gold crucifix pendant, a silver gilt pendant set with amethyst cabochons, a gold mask ring, a pair of seed pearl cluster earrings, a garnetset necklace with earrings, a cameo stud and a silver crucifix necklace £400-600

1017

1018

1019

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1020 part

1021

1020. An early 20th century synthetic ruby and diamond bar brooch, set in platinum and gold, a synthetic ruby and diamond cluster ring, set in platinum and gold, an emerald and diamond cluster ring, a garnet and diamond half hoop ring, a citrine and diamond ring, a citrine mounted gold bar brooch, a sapphire and diamond circular brooch, a pierced gold ring set with emeralds, a tiger’s eye ring and various other items of jewellery £200-300 1021. A small collection of jewellery, including a gold foliate brooch set with sapphires, a gold wristwatch, five gold brooches, and a gold locket pendant, an amber bead necklace 17g, two gold rings, a coral bead necklace and various other jewellery items £60-80 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

1022

1022. A mixed quantity of jewellery, including a cultured pearl and diamond bar brooch and earrings, a gold strap bracelet, a gold wristwatch, three gold rings, an oval-link gold chain, a paste brooch, a pair of small cultured pearl earrings and a pair of mabé cultured pearl earrings with ropetwist gold borders £400-600 1023. A gold pocket watch on a long gold ropetwist chain, case, an Indian polychrome enamel heart-shaped pendant, an Indian turquoise mounted gold locket pendant, a gold and blue enamel fob watch, a pair of gold cufflinks, case, and a long seed pearl sautoir with rectangular gold clasp, case £1,000-1,500 1024. A set of white paste-set jewellery, including a 19th century articulated foliate necklace set overall with graduated circular-cut white paste stones, on a fine-link silver chain with white paste-set clasp, fitted case, with a matching pair of white paste-set drop earring, fitted case, and a pair of rock crystal-set gold and silver bracelets, formed with open square-shaped links each set with graduated rock crystal stones, combining to form a necklace, each bracelet 19cm long, 38cm as a necklace £200-300 1025. A collection of jewellery, including an agate and rose-cut diamond-set amphora design gold stick pin, 6cm high, a cased set of pearl-mounted dress cufflinks and studs, each designed as a mother of pearl circular disc centred with a seed pearl within a gold laurel border and with two pearl-set gold studs, fitted case by Berry, a cased set of gold and platinum octagonal dress cufflinks and studs, each with tied reeded border, with two smaller studs and two coral-mounted gold studs, a cased set of six circular green-paste dress studs and a Movado silver-cased purse watch with import marks London 1927, closed 4.5cm, and a baroque pearl-mounted stick pin, cased £300-400

1023

1026. A mixed lot of jewellery, including a gold pocket watch, an opal three stone ring, an opal and seed pearl mounted gold foliate brooch, a gold wristwatch, three further gold brooches, a watch key, a wristwatch and four rings £400-600 1027. A mixed lot of jewellery, including a pair of Rhodonite disc cufflinks, each circular section centred with a cross of rose-cut diamonds, a gold-mounted turquoise-coloured bead stick pin, a pair of green-stone cufflinks, a gold ladybird brooch with black and red enamel decoration, 1.3cm long, and a pair of cabochon circular garnet-mounted gold earrings with matching stud £150-250

1025

1026

1024

1027

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1029 1028 1030 1028. A late 19th century gold target brooch, set with with a central rose-cut diamond within a surround of smaller rose-cut diamonds in yellow gold, an Edwardian gold garnet set pendant with an oval-link gold chain, an early 20th century lozenge-shaped ring, set in platinum and gold, size N½, case, a Victorian seed pearl and ruby ring, case, a gold and black enamel locket set with seed pearls and diamonds, two carved shell cameo brooches and a Victorian citrine-mounted gold brooch in case £400-600

1031

1029. A mixed lot of jewellery, including a synthetic ruby and diamond crossover ring, set in platinum and yellow gold, size N, a three-stone ring set with a white stone and two diamonds in white gold, size N, an open crescent brooch set with cabochon moonstones, a shell cameo in gold frame, a gold stick pin set with a diamond, a Victorian garnet and seed pearl brooch, a pair of garnet and seed pearl gold earrings, a sapphire and diamond cluster ring, a gem-set gold ring, two other brooches, a bangle and a pair of earrings £400-600 1030. A mixed quantity of jewellery, including a diamond cluster ring, set in platinum and yellow gold, a gold locket pendant, a blue topaz ring, a turquoise-set gold ring, a diamond half-hoop ring, a £300-400 ruby and diamond seven-stone ring, six other rings and a paste-set fringe necklace 1031. A mixed lot of jewelley, including a sapphire and diamond bar brooch, set in platinum and gold, an aquamarine gold bar brooch in fitted case, a pair of pink tourmaline and white stone drop earrings, a Victorian circular rock crystal brooch, reverse-carved with the letters AB within seed pearl and coral border, a heart-shaped hardstone pendant with diamondset initials for CM, pink paste collar necklace, a rock crystal mounted oval brooch and a £300-400 Scottish brooch set with banded agate and a circular-shaped citrine set in silver

1032

1032. A collection of stick pins, including a gold pin with detachable cushion-shaped diamond stud, cased, a late 18th century gold pin mounted with a circle of rose-cut diamonds in closed-back setting, cased, a gold stick pin set with a small pearl, cased, an Art Nouveau goldplated stick pin mounted with an oval-shaped garnet, an early carved coral cameo-mounted stick pin (cracked), a stick pin with two enamel forget-me-nots, a gold fighting-cock-mounted gold stick pin with enamel decoration and wearing spurs and two other pins £100-200 1033. A mixed lot of paste-set jewellery, including A George III pendant mounted with blue paste stones, set in gold-plated closed-back mounts, 5.5cm high, fitted case, a gold and silver cruciform £100-200 pendant mounted with white paste stones and two paste-mounted bar brooches 1034. A late Victorian gold hinged bangle, set with rubies and diamonds in twisted rope design, a plain gold wedding band, a three-colour gold necklace and a gold bracelet £300-400 1035. A mixed quantity of jewellery, including a diamond three stone ring, set in yellow gold, an emerald and diamond cluster ring, three plain gold rings, two cultured pearl necklaces and an artificial pearl necklace £200-300 1036. A paste collar by Boucher, set with three graduated lines of red and white pastes, with a pair of red and white paste scroll ear clips, and three paste brooches £60-80

1033

1036 1035

1034

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1039

1037 1038

1037. Six items of jewellery, including a George III seed pearl set gold closed crescent brooch, a turquoise-mounted gold heart pendant, a gold bar brooch set with a heart-shaped opal, a turquoise five-stone ring, set in gold, size P½ and a seed pearl-set gold crucifix pendant £150-200 1038. A ruby and diamond half hoop ring, alternately-set with rubies and diamonds in yellow gold, size O½, case, a sapphire and diamond cluster ring, set in yellow gold, size R, case, and a diamond single-stone ring set in yellow gold, size P, case £300-400 1039. Seven rings, including a sapphire and diamond cluster ring, a turquoise three stone gypsy ring, a pearl-set half-hoop ring, a green paste ring, a diamond harem ring, a star sapphire and white sapphire ring and a white sapphire single-stone ring £300-400

1040

1040. An Edwardian peridot and diamond pendant, a pair of amethyst and seed pearl earrings, an amethyst and pearl gold bar brooch, a pair of cultured pearl cluster earrings, a long gold chain set with opals and an amethyst and pearl mounted gold brooch in fitted case £800-1,200 1041. A Victorian silver and gold butterfly bar brooch, the butterfly set with diamond wings and a ruby and sapphire body, a blue stone to the bar brooch, with a cultured pearl-mounted gold ring, size N and a ruby and diamond half-hoop ring, size O½ £200-300 1042. An early 20th century seed pearl and citrine-mounted gold brooch, of foliate and laurel form and suspending a cushion-shaped citrine within the centre, with a gold walking stick brooch suspending a gem-set gold giardinetto beneath, a gold and silver swinging monkeys brooch set overall with paste and a pair of gold foliate earrings each set with a sapphire £400-600 1043. Three items of jewellery, including a diamond cluster ring, set in white gold, size T½, an emerald and diamond cluster ring, set in white gold, size N½, and a 19th century gold pendant set with an oval-shaped aquamarine, with glazed locket compartment to reverse, 3cm high £300-400

1041

1044. Four 19th century amethyst-set gold brooches, including an oval-shaped amethyst brooch, set in gold cannetille surround, 4cm wide, a closed-back gold brooch set with seven graduated amethysts in closed-back mount with cannetille and shell surround, 5cm wide, an amethyst, seed pearl and gold pendant, 3.8cm wide and a large amethyst and gold brooch, 5.5cm wide £400-600 1045. A mixed quantity of jewellery, including a foliate diamond brooch, set in white gold, a gem-set gold snake brooch, an Edwardian quartrefoil pendant set with seed pearls in gold, a gold scroll brooch set with emeralds, a circular onyx brooch set with a diamond and seed pearl, sixteen brooches, four pendants and a silver necklace £400-600 1042

1043

1044

1045

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1047 1048 1046

1046. A mixed lot of pearl and diamond-set jewellery, including a diamond-set hexagonal white gold pendant on a fine-link white gold neck chain, a pair of diamond-set white gold scroll cufflinks set with circular and baguette-shaped diamonds, a pair of gold earrings set with a line of small circular-cut diamonds, a pear-shaped mabé pearl-set yellow gold pendant set with small diamonds and suspending from a fancy-link yellow gold neck chain with a matching pair of mabé pearl and diamond-set gold earrings £400-600 1047. A lozenge-shaped mourning pendant for John Reeves, died 13.May 1787 and Elizabeth Reeves died 2.Jan 1790 with seed pearl initials for JER over plaited hair in gold frame, with another gold and plaited hair mourning pendant with the initials JER in gold, with a circular locket pendant with inscription for John Russell Reeves, died May 1st 1877, with a heartshaped gold locket pendant inscribed with initials M within C to front and GHG for George Henry Goodman to interior, a gold locket pendant decorated with polychrome enamel and a long cord necklace with silver scroll plaques set with paste £150-250 See page 52 for a note on John Reeves

1049

1048. A fancy-link long gold chain, 176cm long, 62g, with a Victorian gold brooch, set with an emerald, glazed locket compartment to reverse, two pairs of cultured pearl cluster studs and £600-800 a two row cultured pearl necklace with a turquoise-mounted gold locket pendant 1049. Three small brooches, including a late Victorian diamond and pearl open crescent brooch, set in yellow gold, a pearl and enamel gold giardinetto brooch and a gold foliate brooch set with seed pearls £100-200 1050. Five gem-set gold pendants, including two pear-shaped tiger’s eye pendants set in a diamond-set gold mount, both 6cm high, two pear-shaped onyx pendants set in abstract diamond-set gold mount, both 6.5cm high and a rock crystal pendant decorated with a line of diamonds in yellow gold, 6cm high £400-600 1051. Five malachite pendants, one pierced and carved pendant with gold foliate mount, 5cm high, two pear-shaped pendants with gold foliate mounts set with small diamonds, an oval pendant with gold mounts with diamond-set terminals and an oval pendant with gold mounts set with a single circular-cut diamond £200-300 1052. Four rings, including a Victorian navette-shaped diamond cluster ring, set in yellow gold, size Q½, a pink tourmaline and diamond three-stone ring, set in yellow gold, size S½, a diamond five-stone, set in yellow gold, size P½ and a bombé-shaped ruby and diamond ring, set within ropetwist border in yellow gold, size S½ £200-300

1050

1053. Four gold rings, including a black enamel (damaged) mourning ring with interior inscription dated 1818, the outer shank reads ‘In Memory Of’, a gold mourning ring with central plaque decorated with black enamel and inscription for Jane Hopegood dated 1809, a turquoise-mounted gold buckle ring and a gold ring set with a scarab £200-300 1054. A lapis lazuli and diamond stickpin in the form of an eagle by Asprey, a pair of diamond and gem-set foliate pierced cufflinks and studs, a pair of lapis lazuli gold cufflinks, a pair of citrine cufflinks, a gold money clip, a gold bar brooch set with a blue zircon, a silver buckle, a gold medallion, a gold pocket watch, a pair of 18ct gold lozenge-shaped textured gold cufflinks set with a line of sapphires, with London hallmarks for 1965, and a cased set of cufflinks and studs £600-800

1052 1051

1053 1054

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1055

1057

1056

1055. A mixed lot of jewellery, including a French gold ring, set with a large garnet cabochon, maker's lozenge for ED, size Q½, with a lady's gold Omega wristwatch, and 18ct gold watch chain, an 18ct gold sovereign case, a gold bar brooch mounted with two cultured pearls, a plain gold wedding band, a circular gold brooch and a gold wristwatch by Hafis, on leather band £1,500-1,800 1056. An Edwardian amethyst and seed pearl gold pendant, chain 40cm long, with an Edwardian pink tourmaline and diamond pendant, of circular form on fine link gold chain, chain 44cm long £300-400 1058 1057. An Edwardian gem-set gold brooch pendant, set with a large oval-shaped garnet within scrolling border set with diamonds, a peridot and suspending a moonstone. 3.5cm long, with a 19th century agate £100-200 box, with domed lid and gilt metal mounts 1058. A Japanese horn hair comb, with foliate decoration, and another similar horn hair comb with foliate decoration £200-300 1059. A Japanese horn hair comb, with foliate mother of pearl decoration, and another similar horn hair ornament with foliate decoration, with another hair comb decorated with a phoenix and mother £300-400 of pearl, and another hair ornament with similar decoration 1059

1060. A silver necklace by Georg Jensen, oval and fancy link design, signed, London marks for 2009, design number 500, 49cm long, with a pair of silver earrings by Georg Jensen, signed, design number 142, and a silver bombé ring, import marks for 1994, size Q½ £100-200 1061. A silver foliate brooch by Georg Jensen, in the form of a pansy and set with a cabochon garnet, signed to the reverse George Jensen, design 113 and stamped with maker’s mark £100-150

1060

1062. A graduated rock crystal spherical bead necklace, with silver caps and mounts, 59cm £200-300 1063. A pair of cultured pearl and diamond drop earrings, the cultured pearls suspend from 18ct white gold upper sections millegrain set with circular-cut diamonds, 2.2cm long £200-300 1064. A diamond-set fox brooch, pavé-set with rose-cut diamonds in silver and gold on white gold bar brooch, 6cm wide £100-200 1065. A collection of ten 18th century diamond swags and bows, each set overall with graduated rose-cut diamonds in closed-back silver mounts £200-300

1062

1061

1063

1065 1064

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1066 1067

1066. A lady’s diamond-set cocktail wristwatch, the rectangular dial with Arabic numerals, the platinum case set overall with diamonds, on 9ct white gold band, with another gold wristwatch and a silver and marcasite wristwatch £200-300

1068

1067. An Art Deco lady’s diamond cocktail wristwatch, the rectangular dial with black Arabic numerals, the platinum case set overall with baguette-shaped and circular-cut diamonds, on black cord band, £300-400 17cm long, case 1068. A lady’s diamond-set cocktail wristwatch, the plain dial with Arabic numerals, in platinum case, on leather band, Asprey case £200-300 Provenance: A gift from the 5th Duke of Portland to his niece, Julian Morrell, on her 21st Birthday 1069 1069. A lady’s diamond-set wristwatch, the square dial signed Hamilton, with black Arabic numerals, the case set overall with graduated circular-cut diamonds in platinum, on four row cultured pearl bracelet, 19cm long £200-300

1070

1071

1070. A lady’s diamond-set platinum dress watch, the dial signed ‘magic’ and set overall with graduated circular-cut diamonds, adjustable white gold and platinum strap bracelet £200-300 1071. A lady’s Art Deco cocktail wristwatch, the square dial with black Arabic numerals, manual movement, the platinum case millegrain-set with circular-cut £100-200 diamonds on black cord band 1072. A silver Ermeto purse watch by Movado, silvered dial with Arabic numeral hour markers. Engine turned case hallmarked Sheffield 1925. 47mm £100-150

1072

1073

1073. A continental white metal purse watch by Gubelin, silvered dial with Arabic numeral hour markers. Leather covered case stamped 0.935. 49mm £80-120

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1074 1074. A large quantity of wristwatch and pocket watch components, including movements, ideal for the purposes of repair £100-150

1075. A quanity of pocket watches and movements £80-120

1076. A hunter pocket watch by P Moser, unsigned keyless-wind three-quarter plate movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. Case stamped 14k with poinçon. 52mm, 95g, with an 18K open-face keylesswind pocket watch, and a lady’s 14K gold trench-style bracelet watch £400-600

1077. A group of five lady’s fob watches, one 9ct gold hallmarked Birmingham 1911, four stamped 14K with poinçon £400-600

1075

1076 1077

1078. A group of five silver watches, to include two pocket watches and three fob watches £150-250

1079. A group of four silver pocket watches, to include a hunter by James Gorham Kensington, a signed key-wind full plate fusée and chain movement with verge escapement, hallmarked London 1822 and three further fusée and chain open-face examples £150-250 1078

1079

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1080 1082

1081

1080. A group of three pocket watches, to include a silver open-face example by D W Kee, a silver Waltham Maximus and a base metal GSTP example by Damas £120-180 1081. A hunter pocket watch hallmarked London 1840, unsigned full-plate key-wind fusée and chain movement with English lever escapement. Round pillars, decorated balance cock with diamond end-stone. White enamel dial with Roman numeral hour markers and subsidiary seconds dial at six. Silver case. 52mm Together with a silver example by Kendall & Dent hallmarked London 1912 £100-150 1082. An open-face pocket watch by J N Masters Rye, hallmarked Chester 1894. Signed full-plate key-wind movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. Silver case. 54mm. Together with a £100-150 Continental white metal keyless-wind example from Riverside Watch Company

1083

1083. A pair-cased pocket watch hallmarked London 1846, unsigned full-plate key-wind fusée and chain movement with verge escapement. Round pillars, pierced and decorated round balance cock. White enamel dial with Roman numeral hour markers. Silver case, 54mm. Together with an open-face pocket watch by A Emanuel Cambridge hallmarked London 1879, key-wind fusée and chain movement with verge escapement £150-200 1084. An open-face pocket watch by Wightwick & Mofs London, hallmarked London 1843. Signed full-plate key-wind fusée and chain movement with verge escapement. Round pillars, pierced and decorated round balance cock with diamond end-stone. White enamel dial with Roman numeral hour markers. Silver case. 47mm. Together with an open-face pocket watch by Booth London, hallmarked London 1844. Signed fusée and chain movement with verge escapement £120-180

1084

1085. An open-face pocket watch by J W Benson London, hallmarked London 1883. Signed full-plate key-wind fusée and chain movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. Silver case. 48mm. £120-180 Together with an example by J N Jones hallmarked London 1888 1086. An open-face pocket watch by A Sellars Reading, hallmarked London 1855. Signed full-plate key-wind fusée and chain movement with English lever escapement. Gilt dial with floral decoration to centre. 18ct gold case. 41mm, 59g. Together with a base metal unsigned open-face chronograph example £300-400

1085

1086

Each lot is subject to a Buyer’s Premium of 25% plus VAT

1088 1087 1089 1087. A group of four silver pocket watches, to include a centre seconds chronograph and three further time-only examples £150-250 1088. An open-face yellow metal pocket watch stamped 0.750, together with a half-hunter silver pocket watch by Army & Navy Victoria, hallmarked London 1911 and a hunter silver pocket watch hallmarked Birmingham 1906 £200-300 1089. An open-face fob watch, hallmarked London 1886. Unsigned full plate key-wind fusée and chain movement with English lever escapement. White enamel dial with Roman numeral hourmarkers. 18ct gold case with dedication engraved to the inner cover. 41mm, 58g. Together with an open-face fob watch stamped 18K with poinçon £200-300 1090. A hunter pocket watch by Tobias Geneve, unsigned keyless-wind movement with club-tooth lever escapement, White enamel dial with Roman numeral hour markers and subsidiary dial to six. Yellow metal case stamped 14K. 53mm, 113g. Together with an 18ct half-hunter pocket watch by Waltham and a lady’s fob watch stamped 14K £600-800 1091. A hunter fob watch by Waltham, hallmarked Birmingham 1909. Signed keyless-wind movement with club-tooth lever escapement. White enamel dial with Arabic numeral hour markers, subsidiary seconds to six. 18ct gold case 38mm, 55g. Together with a half-hunter fob watch stamped 18K with poinçon £200-300

1090

1092. An open-face fob watch by Marcks & Co Ltd Bombay and Poona, unsigned keylesswind pin-set bar movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds to six. Case stamped 18K with poinçon. 32mm, 29g. Together with an open-face fob watch by Cyrus stamped 18K with poinçon £200-300 1093. An open-face pocket watch by W M Greenwood & Sons, hallmarked Birmingham 1927. Unsigned keyless-wind movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary dial to six. 9ct gold case. 48mm, 82g. Together with a 9ct gold pocket watch and a gold plated pocket watch £300-400

1091

1093 1092

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1095

1094. A group of seven rolled gold pocket watches, to include five examples by Waltham, one by Dennison and one by Zenith £150-200

1094

1095. An open-face fob watch, unsigned keyless-wind movement with club-tooth lever escapement, cream enamel dial with Arabic numeral hour markers, yellow metal case, edge decorated with seed pearls, case back decorated with green enamel over guilloché with a diamond to the centre, fitted to a yellow metal pin brooch, 24mm, 20g £400-600

1096

1096. A hunter fob watch by Chopard, keyless-wind movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers. Cover decorated with diamond and ruby floret. 29mm, 23g £300-400 1097. An open-face pocket watch by F Lancaster Liverpool, hallmarked Chester 1821. Signed full-plate key-wind fusée and chain movement with English lever escapement. Gilt dial with three-colour gold floral decoration to the edge, Roman numeral hour markers. 18ct gold case. 49mm, 104g £800-1,200 1098

1097

1098. An open-face pocket watch by C Guinand Geneve, signed key-wind bar movement with cylinder escapement. Gilt dial with floral decoration. Yellow metal case. 38mm, 37g £150-250 1099. An open-face pocket watch by Dupin a Geneve, unsigned key-wind movement with cylinder escapement. Silvered guilloché dial with Roman numeral hour markers, subsidiary seconds dial to six. Yellow metal case. 45mm, 53g £200-300

1099

1100

1100. A hunter fob watch by Robert Roskell Liverpool, hallmarked Chester 1868. Signed three-quarter plate key-wind movement with English lever escapement. White enamel dial with Roman numeral hour markers. 18ct gold case. 39mm, 64g £200-300

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1103

1102 1101 1101. An open-face quarter repeating musical pocket watch, unsigned keywind movement. Gilt guilloché dial with Roman numeral hour markers. Pump action repeat mechanism, music plays on the hour with silence lever. Yellow gold case with poinçon. 58mm, 143g £800-1,200 1102. A half-hunter pocket watch by J.B. Yabsley London, Hallmarked Birmingham 1924. Signed keyless-wind three-quarter plate pin-set movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 9ct gold case. 48mm, 88g, with signed fitted box £300-400 1103. An open-face-pocket watch by Omega, signed keyless-wind movement with club-tooth lever escapement numbered 8246117. Silver dial with Arabic numeral hour markers. Rolled gold case. 46mm £100-150

1104

1105

1104. An open-face chronograph pocket watch by Russells Lts Liverpool, signed three-quarter plate keyless-wind pin-set movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. Case stamped 18K with poinçon. 52mm, 118g £600-800 1105. An open-face pocket watch by James Murray London, hallmarked London 1857. Signed three-quarter plate key-wind movement with duplex escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold case. 46mm, 95g £600-800 1106. An open-face centre-seconds chronograph pocket watch by Thomas Russell Liverpool, hallmarked Chester 1898. Signed keyless-wind three-quarter plate movement with screwed chatons, numbered 96245, English lever escapement. White enamel dial with Roman numeral hour markers, 18ct gold case 55mm, 150g £600-800

1106

1107

1107. An open-face quarter repeater pocket watch by H R Ekegren Geneve, unsigned keyless-wind pin-set movement with club tooth lever escapement. White enamel dial with Roman numeral hour markers, power reserve indication to twelve, subsidiary seconds dial to six. Yellow metal case stamped 18K, numbered 17940. 52mm, 127g £1,000-1,500 1108. An open-face pocket watch hallmarked Birmingham 1892, unsigned three-quarter plate keyless-wind, pin-set movement with English lever escapement. White enamel dial with Roman numeral hour markets, subsidiary seconds dial to six. 18ct gold case. 50mm, 110g £300-400 1109. An open-face chronograph pocket watch, hallmarked Chester 1916. Unsigned keyless-wind pin-set movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six, minutes recorder dial to twelve. 9ct gold case. 54mm, 122g £300-400

1108

1109

1110. An open-face pocket watch, unsigned keyless-wind pin-set movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary dial to six. Case stamped 14K with poinçon. 45mm, 68g £150-200

1110

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1111 1112

1113

1111. A hunter pocket watch by Barwise London, hallmarked London 1893. Three-quarter plate keyless-wind pin-set movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold case. 49mm, 117g £600-800 1112. A half-hunter pocket watch by Waltham, signed keyless-wind Maximus movement numbered 7157135 with screwed chatons and club-tooth lever escapement. White enamel dial with Arabic numeral hour markers, subsidiary seconds to six. Yellow metal case stamped 18C, 45mm, 79g £300-400 1113. An open-face pocket watch by the American Watch Co, hallmarked Birmingham 1883. Signed three-quarter plate keyless-wind movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold £300-500 case. 47mm, 91g 1114. An open-face pocket watch, hallmarked Chester 1874. Unsigned full-plate key-wind fusée and chain movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold case. 51mm, 117g £500-700

1114

1115. An open-face chronograph pocket watch by Newsome & Co London and Coventry, hallmarked Chester 1903. Signed three-quarter plate keyless-wind pin-set movement with English lever escapement. White enamel dial with Roman numeral hour markers. 18ct gold £600-800 case with dedication engraved to inner cover. 54mm, 134gm 1116. A hunter chronograph pocket watch, hallmarked London 1883. Unsigned threequarter plate key-wind pin-set movement with English lever escapement. White enamel dial with Roman numeral hour markers. 18ct gold case. 51mm, 126g £500-700 1117. An open-face chronograph pocket watch by E Wise, hallmarked London 1877. Signed three-quarter plate key-wind movement with English lever escapement. White enamel dial with Roman numeral hour markers. 18ct gold case. 54mm, 132g £600-800

1115

1116

1117

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1118

1119

1118. An open-face pocket watch by Buren, hallmarked Birmingham 1926. Signed keylesswind movement with club-tooth lever escapement. White enamel dial with Arabic numeral hour markers, subsidiary seconds to six. 9ct gold case. 48mm, 78g £150-200 1119. An open-face pocket watch by Sir John Bennet, hallmarked London 1898. Signed three-quarter plate keyless-wind, pin-set movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold case. 51mm, 111g £400-600

1120

1120. An open-face pocket watch by Terry & Co Manchester, hallmarked Birmingham 1907. Signed three-quarter plate keyless-wind pin-set movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold £350-450 case. 45mm, 74g 1121. An open-face pocket watch by Limit, hallmarked Birmingham 1922. Signed keylesswind movement with club-tooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 9ct gold case. 50mm, 96g £200-300 1122. An open-face pocket watch, hallmarked London 1878. Unsigned key-wind fusée and chain movement with English lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold case. 50mm, 100g £600-800 1123. An open-face pocket watch by Waltham, hallmarked Chester 1929. Signed keylesswind movement with club-tooth lever escapement. White enamel dial with Arabic numeral hour markers, subsidiary seconds dial to six. 9ct gold case. 48mm, 80g £200-300

1121

1124. A half-hunter pocket watch with import hallmarks for London 1910, unsigned keyless-wind movement with straight line lever escapement. Silver dial with Arabic numerals. 9ct gold case with Shaw family crest and motto ‘Vincit que Patitur’ to the rear. 45mm, 45g. Together with an 18ct yellow and white gold albert chain 35cm, 6g, with fitted box £200-300

1122

1123 1124

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1125

1126

1127

1125. An open-face pair-case pocket watch signed W’m Rayinge London, full plate key-wind fusée and chain movement with verge escapement. Square baluster pillars, round balance cock with pierced foliate design. White enamel dial with Roman numeral hour markers and Arabic outer minute track. Plated base metal case. 51mm £200-300 1126. A pair-case repeating pocket watch by Thomas Martin, hallmarked London 1730. Full plate key-wind fusée and chain movement with verge escapement. Pierced and decorated circular balance cock with diamond end-stone. White enamel dial with Roman numeral hour markers. 18ct gold case. 48mm, 142g £800-1,200 1127. A pair-case pocket watch by Higgs & Evans London, hallmarked London 1785. Full-plate key-wind fusée and chain movement with verge escapement. Fancy pillars, circular pierced and decorated balance cock. White enamel dial with Roman numeral hour markers. Silver case. 50mm £150-200

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1129

1130

1131

1128

1128. An 18ct gold pocket watch, with foliate engraved decoration to outer case, key-wind. With a long gold ropetwist chain, 168cm, 39g £1,000-2,000 1129. A pair of fancy-link gold chains, one stamped M22U,100cm long, the other 78cm, 116g total £2,000-3,000

1132

1133

1130. A late-20th century Italian diamond-set curb-link gold chain, the yellow gold curb links alternately-set with smaller yellow gold curb links, set with small round brilliant-cut diamonds, stamped 750, Italian maker’s mark 654 VI for Pietro Bisarello srl, Vincenza, 87cm long, 118g £1,800-2,000 1131. Three gold chains, including a snake-link gold chain, an ovallink longuard chain and a fancy-link longuard chain, 45g £400-600 1132. A fancy-link gold bracelet, 20.5cm long, 77g

£1,200-1,500 1134

1135

1133. A gold strap bracelet watch, the mesh-link gold bracelet opens to reveal a watch, plain square dial, manual movement, signed La Femme, the bracelet 18cm long, 77g £800-1,200 1134. A yellow gold strap bracelet, of textured rectangular links with a curb-link border, 19.2cm long 45g £600-800 1135. An Italian gold woven-link bracelet, with plain and textured links, stamped 750 and 1 AR for Arezzo, Italy and with maker’s mark £1,000-1,500 UNO AR for UNO A ERRE ITALIA, 60g 1136. A Victorian curb-link gold bracelet, with a heart-shaped gold padlock clasp, 19.5cm long, 28g, case £300-400 1137. A 9ct gold curb-link bracelet, with a gold padlock clasp and detachable gold key, 27g £300-400

1136

1137

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1140

1141

1142

1138. A reversible two-colour snake-link gold necklace, the links in twocolour gold to one side and textured white gold to the other, clasp stamped 750 and Italian maker’s mark 884 VI for Vicenza, Italy, 45cm, 18g £300-400 1139. A gold curb-link bracelet alternately set with seed pearls and turquoise cabochons, a gold charm bracelet, a blue enamel and seed pearl gold brooch, £150-250 and a curb-link gold bracelet set with an opal (cracked) 1140. A 9ct gold fancy-link longuard chain, 85cm, 39g

1138

£300-400

1141. A gold spherical-link necklace, with rope-twist decoration and alternately-set with bar links, 98cm, 65g £1,000-2,000 1142. A late-20th century Italian longuard chain, the yellow gold byzantinelink chain set with eight lapis lazuli lozenge-form links, clasp stamped 750 and Italian maker’s mark 419 AL, possibly for Vendorafa, Valenza, 99cm, 68g £800-1,200 1143. A three-colour gold collar necklace, of textured brick-link pattern, 37cm long, 87g £1,000-1,500

1139 1143

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1146

1147

1144

1145

1144. A late-20th century Italian longuard chain, the yellow gold byzantine-link chain set with four tiger’s eye lozenge-form links, clasp stamped 750 and Italian maker’s mark 419 AL, possibly for Vendorafa, Valenza, 87cm, 46g £600-800 1148

1145. A late-20th century Italian longuard chain, the yellow gold byzantine-link chain set with eight malachite lozenge-form links, clasp stamped 750 and Italian maker’s mark 419 AL, possibly for Vendorafa, Valenza, 86cm, 51g £600-800

1149

1146. A two-colour gold curb-link chain, with large central crewlink, clasp stamped 750 and Italian maker’s mark 177 VI for Signoretti Renato, Vicenza, applied with company logo, 46cm, 80g £1,000-1,500 1147. A gold ropetwist necklace, 49cm, 62g

£1,000-1,500

1148. A fancy-link gold longuard chain, 196cm long, 103g £2,000-3,000 1150 1149. A French gold collar necklace, set with circular-cut rubies, with French marks and maker’s lozenge, stamped Caplain Paris, 35g, 39cm long £600-800 1150. A fancy-link collar necklace, in bi-colour gold with a matching gold bracelet, 45g, necklace 41cm long, bracelet 18.5cm long £700-900

1151

1151. A pair of sapphire drop earrings, of hoop and fluted bead design in 18ct yellow gold, maker’s mark DM for David Morris, date marks for 1992, 3.5cm long, 11g £150-250 1152. A Victorian sapphire and pearl gold bracelet, the quartrefoil links are alternately-set with a sapphire and a pearl in gold collets, 20.5cm long, 12g £100-200

1153 1152

1153. A green tourmaline bracelet, on white and yellow fancy-link bracelet, 19cm long £300-400 1154. A late Victorian gold brooch, set within chased border and scroll decoration set with seed pearls rubies and an emerald, with glazed locket compartment to reverse containing plaited hair, 4cm long £150-200 1155. A turquoise and diamond necklace, the fancy-link long chain suspends two pear-shaped turquoise drops with diamond terminals in yellow gold, the necklace can be adjusted so that the turquoise pendants can be worn at varying heights, 66cm long, 30g total £800-1,200

1154

1155

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1156. A 19th century amethyst fob seal, the quartered coat of arms above a banner reading 'clarior ex obscuro', translating from latin as 'brighter than the dark', on a modern yellow gold longuard chain, 32g total £400-600 1156 1157

1157. A gold charm bracelet, the curb-link bracelet set with seven seals, a gold locket (damaged), a gold compass (damaged) and various other charms, with two loose fob seals £300-400 1158. A collection of eleven fob seals, on six split rings, depicting various crests, initials and mottos in hardstone £1,000-1,500 1159. A 19th century quartze catseye and diamond stick pin, the large cabochon is set within a surround of rose-cut diamonds in silver and gold, case £150-250

1158

1159

1160. A pair of polychrome enamel cufflinks, of abstract design and decorated with guilloché enamel, with four matching studs in yellow gold, fitted case £400-600 1161. A pair of gold locket cufflinks, the oval locket opens to reveal a glazed locket compartment, one engraved 1893 - 1943, the other plain, both with torpedo terminals, case £200-300

1160

1162. A gold blackamoor stick pin, realistically designed with a gold turban set with rubies and diamonds, case £100-200

1161

1163. A cased set of stick pins, one decorated with turquoise cabochons, with gold safety clip, the other set with a peridot, with gold safety stick pin, fitted case £100-200 1164. A pair of mother of pearl disc cufflinks, set with a central diamond and a border of black enamel in yellow gold, oval chain links £200-300 1165. A realistically carved German hunting stick pin, depicting a huntsman with a pack of dogs attacking a wild boar in ivory around a tree carved out of wood, set in yellow gold, with turned ivory stand and glass domed cover £200-300

1162

1166. Two gold spitfire charms decorated with polychrome enamel , with two gold sail boat charms £80-120

1163

1166 1164

1165

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1168 1167

1169

1167. Six small assorted carved hardstone Renaissance cameos, depicting various Classical scenes and a profile portrait, varying sizes from 1cm high - 1.3cm wide largest £100-200 1168. A late Victorian gold scroll brooch, with foliate engraved decoration, 7cm wide, 14g, fitted case £200-300 1169. A 19th century gold mourning brooch, with a central glazed locket compartment containing hair, with scrolling gold border with black enamel decoration, fitted case, 6.2cm wide, with another similar gold brooch decorated with seed pearls, 5.5cm wide £600-700 1170. An early 19th century gold-mounted micromosaic plaque, depicting two doves within a gold foliate shell border mounted as the centrepiece for a bracelet with two gold chains and clasp, micromosaic 2.8cm wide £600-800

1171 1170

1171. A Victorian emerald-set gold bow brooch, of carved foliate design, 5cm wide £100-200 1172. A pair of 19th century emerald drop earrings, the pendeloque earrings set with graduated emerald-cut emeralds in closed-back yellow gold mounts, 4cm long £100-200 1173. A cased specimen citrine weighing 43.79cts, in original fitted 19th century case £80-120 1174. A 19th century turquoise and diamond forget-me-not ring, set within £200-300 carved yellow gold shank, size F½, with a gold claddah ring, size L 1175. A 19th century gem-set butterfly brooch, set with rose-cut diamonds, rubies and sapphires in silver and gold, detachable brooch fitting and with pendant loop, 3.2cm wide £500-600

1172 1173

1176. A late 19th century seed pearl and blue enamel locket pendant, with glazed locket compartment to reverse, on snake-link gold chain, pendant 3.7cm long, chain 47cm long, 9.8g £200-300 1177. A pair of peridot and seed-pearl drop earrings, each gold earring suspends a pear-shaped peridot, 4.5cm high £80-120 1178. A diamond three-stone pendant, the circular gold pendant is set with three graduated cushion-shaped diamonds in yellow gold, pendant 2.8cm long, chain 45cm long £200-300

1174

1175

1176

1177

1178

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1180

1181

1182

1179

1179. A cultured pearl and diamond foliate ring, the grey cultured pearl in diamond-set foliate platinum surround, with a matching pair of cultured pearl and diamond earrings, size L½ £400-600

1183 1184

1180. Two cultured pearl and diamond pendants and a diamond-set brooch pendant, one black cultured pearl measures 9.8mm and suspending from a diamond trefoil-set pendant loop, the other lighter black cultured pearl measures 11.3mm and suspending from a rubover-set round brilliant-cut diamond, with a £400-600 twisted knot-shape pendant set with round brilliant-cut diamonds 1181. A cultured pearl and diamond cluster ring, the brown round cultured pearl measures 13.4mm and set in a surround of small round brilliant-cut diamonds, in white gold, size O £400-600 1182. A pair of grey cultured pearl and diamond cluster earrings, the grey cultured pearls measure 10.8mm and suspend from foliate diamond clusters in white gold, stamped 750, post fittings £200-300

1185 1183. A cultured pearl and diamond ring, the grey cultured pearl measures 13.8mm and set in a carved and pierced white gold mount, with two circular-cut shoulder diamonds measure approximately 0.38cts each, size O½ £600-800 1184. A pair of cultured pearl earrings, the grey cultured pearls each £400-600 measure 12.6mm approximately, set on white gold post fittings 1185. A two-row cultured pearl necklace, the well-matched round cultured pearls measure approx. 8mm diameter, the white gold clasp set with diamonds, necklace 51cm longest £300-400 1186

1186. A pair of cultured pearl earrings, the grey cultured pearls each measure 12.5mm approximately and set on white gold post fittings £200-300 1187. A fine-link gold necklace mounted with five carved jade pendants and six gold beads, 40cm long, with a fancy-link gold bracelet set with six carved jade panels, 17.7cm long £400-600 1188. A jade, onyx and diamond pendant, centred with a spherical jade bead between two rose-cut diamond-set gold discs and suspending a drop-shaped black onyx bead, with a further rose-cut diamond bead to the base, with yellow gold fine-link chain, 5cm £200-300 1189. A pair of jade and diamond stud earrings, the circular jade discs set with a surround of small round brilliant-cut diamonds, post fittings, 1cm diameter £600-800

1187

1190. A pair of jade and diamond drop earrings, the circular jade discs set within a surround of small round brilliant-cut diamonds, suspending from £1,000-1,500 diamond-set upper sections, post fittings, 2.5cm long 1191. A jade and diamond cluster ring, the oval jade cabochon set within a surround of graduated round brilliant-cut diamonds, size M½ £1,500-2,000

1189

1188 1190

1191

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1192

1193

1194

1195

1192. An aquamarine necklace, the round brilliant, pear, cushion, emerald and triangular-shaped aquamarines set in yellow gold spectacle mounts, 52cm long £1,000-1,200 1193. A plique-à-jour gold pendant, set with sapphires, a moonstone and a cultured pearl in yellow gold, on fine-link yellow gold neck chain £200-300

1196

1194. A plique-à-jour gold pendant, with pink plique-à-jour decoration and set with a sapphire and a diamond in yellow gold, fine link gold neck chain £200-300 1195. A ruby and diamond flowerhead ring, set with an oval-shaped ruby within diamond surround and stylised textured and polished gold petals, size L½ £800-1,200 1197

1196. A ruby and diamond foliate brooch, set in yellow gold with cabochon rubies and circular-cut diamonds, 7cm long £300-400 1197. A pair of ruby-set gold foliate earrings, with white gold clip fittings, 2.5cm high £200-300 1198. A gem-set floral brooch, set with rubies, diamonds and sapphires with yellow and white gold leaves, 5cm £300-400 1199. A diamond bracelet, the oval and foliate links are millegrain-set with circular-cut diamonds in white gold, 19cm long £400-600 1200. A rectangular diamond brooch of pierced geometric design, set with graduated circular-cut diamonds (one missing) in platinum, pendant fitting, 3.6cm wide £300-400

1198

1201. An early 20th century navette-shaped diamond ring, set in yellow gold, size S½, with a a diamond and pearl-set gold stick pin £100-150 1202. A diamond solitaire ring, the oval-shaped diamond weighs 0.51cts and set in platinum, size K £500-700 1199

Accompanied by report number 11118642 dated 13 June 2000 from GIA stating that the oval-shaped diamond weighs 0.51cts and is a nautral diamond with F colour and IF clarity 1203. A ruby and diamond scroll bracelet, set overall with graduated ovalshaped rubies and diamond-set scrolls in white gold, with three matching ruby and diamond scroll brooch pendants, bracelet 17cm long, 47g, pendants 3cm long, 22g total £800-1,200

1200

1202

1201

1203

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1204

1206

1204. An amethyst bead necklace, the graduated demi-spherical amethyst beads centred with a rock crystal rondel and alternately set with smaller spherical amethyst beads, 49cm long, 40g £200-300

1205

1205. Seven amber beads, the oval beads graduate from 25 - 35mm, 84g

£100-150

£250-350

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.The colour of the amber may vary from the catalogue or online illustration. 1208. A two-row amber bead necklace, the oval beads graduate from 7 - 25mm, necklace 45cm longest, 61g £200-300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.The colour of the amber may vary from the catalogue or online illustration. 1209. A single-row amber bead necklace, the oval beads graduate from 5-25mm, necklace 45.5cm, 38g, with a carved agate bead necklace (broken), the spherical beads carved with mythical creatures, possibly Chinese, 43cm, 96g, one spare bead £100-200 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

1208

1209

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1211

1210

1210. Two amber bead necklaces, one with large graduated oval beads set between long rows of smaller oval beads, 140cm, the other with graduating translucent oval beads, 103cm, 133g total £200-300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1211. A single-row amber bead necklace, the oval beads graduate from 10 £200-300 24mm, 66cm long, 45g

1212

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1212. A single-row amber bead necklace, the oval beads graduate from 6-35mm and alternately-strung with smaller oval beads, necklace 97cm, 82g £200-300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1213. A single-row amber bead necklace, necklace 69cm, 51g

£100-200

1213A

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration. 1214. Three coral bead necklaces, 50cm long, 40cm long and 60cm long £100-200 1215. A pair of coral ruby and diamond drop earrings, the spherical ruby sections waisted with a line of calibré-cut rubies in yellow gold, suspending a coral drop, 4.5cm long £200-300

1214 1213

1215

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1216. ROLEX - a gentleman’s stainless steel Oyster Precision reference 4220, discoloured silver dial with alternating batons and Roman numerals. Signed manual wind movement, serial 523982. Fitted to an unsigned brown leather strap with pin buckle. 30mm. Together with a gentleman’s basemetal Tudor bracelet watch £300-400 1217. OMEGA - a lady’s 18k gold bracelet watch reference 10535.61, gilt dial with gold stud hour markers. Signed manual wind calibré 580, numbered 18096335. Case back stamped 0.750 with poinçon. Fitted to a signed 18k gold bracelet. 15mm. With £600-800 fitted box and three additional straps

1217 1216

1218. OMEGA - a gentleman’s gold capped Seamaster chronometer wrist watch reference 2577-62, silvered dial with gold baton markers. Signed bumper automatic calibré 352, numbered 12331778. Stainless steel case back. Fitted to an unsigned brown leather strap with pin buckle. 34mm. Together with a lady’s stainless steel Geneve £200-300 Dynamic automatic bracelet watch 1218

1219

1219. CORTEBERT - a gentleman’s base metal triple-date moon phase wrist watch reference 9303, Gilt dial with Arabic numerals. Signed manual wind calibré 677, serial number 2264580, stainless steel case back, fitted to an unsigned brown leather strap with pin buckle. 35mm. Together with a lady’s £200-300 base metal jump hour wrist watch 1220. LE COULTRE - a gentleman’s gold filled power reserve wrist watch, Silvered dial with Arabic numerals, signed bumper automatic calibré 481, numbered 788337, case back stamped 10k gold filled, serial 1179174, fitted to an unsigned burgundy leather strap with pin buckle. 34mm £600-800

1221 1220

1221. LONGINES - a gentleman’s yellow metal wrist watch made for the American market reference 415-899, silvered dial with gold baton markers. Signed manual wind calibré 19.4 numbered 12159753, case back stamped 14k, serial 147394. Fitted to an unsigned black alligator strap with pin buckle. 34mm £180-260 1222. OMEGA - a gentleman’s 18ct gold wrist watch, silvered dial with alternating gold gold markers and Arabic numerals. Signed manual wind calibré 283, numbered 13893374. Case back stamped 0.750 with poinçon, serial 1382986. Fitted to an unsigned black £400-600 leather strap with pin buckle. 36mm

1223 1222

1223. OMEGA - A gold capped stainless steel Constellation chronometer wrist watch reference 2852, silver ‘pie-pan’ dial with gold dart markers. Automatic calibré 501 numbered 15039033 circa. 1961, stainless steel caseback with gold observatory medallion. Unsigned leather strap with pin buckle. 35mm £200-300 1224. BAUME & MERCIER - a gentleman’s 18k gold wrist watch reference 17.342, white dial with Roman numerals and date indication to three, signed quartz calibré BM8195, Case back stamped 0.750 with poinçon, serial 2172904. Fitted to an unsigned black leather strap with pin buckle. 26mm £400-600

1224

1225

1225. ROLEX - a gentleman’s 9ct gold Precision wrist watch, Cream dial with gold baton markers, handwound calibré 1210 numbered 64605. Case hallmarked Birmingham 1961, numbered 12848, 124460 with inscription to reverse: ‘Link House D. G. Johnson 1923 - 1963. Unsigned brown leather band with gold plated pin buckle Steel clasp. 31mm £600-800

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1226. CERTINA - a gentleman's 18K gold T&C Chronometer wrist watch, silver dial with black and gold baton hour markers, date aperture to three. Signed automatic calibre 25-651, numbered 101884. Case stamped 18K with poincon, numbered 101884. Fitted to an unsigned black leather strap with pin buckle £600-800 1226

1227. LONGINES - a gentleman’s yellow metal wrist watch made for the American market, Silvered dial with rail-track chapter ring. Signed manual wind calibré 22L numbered 7613191, serial number 814415. Bezel set with 12 diamonds, case back stamped 14k. Fitted to an unsigned brown leather strap with pin buckle. 29mm £600-800

1227

1228. OMEGA - a gentleman’s 9ct wrist watch, silvered cross-hair dial with gold hour markers. Signed automatic calibré 501, numbered 16343829, case back hallmarked Birmingham 1959, serial 962790. Fitted to an unsigned brown leather strap with pin buckle. 34mm £400-600 1229. CARTIER - a lady’s gold-plated silver Must de Cartier Tank wrist watch reference 1613, silver dial with black Roman numerals. Signed quartz calibré 057, case back numbered 186075, serial CC175667. Fitted to a signed black strap with signed gold-plated deployant buckle. 20mm £150-200

1228

1229

1230. LONGINES - a gentleman’s 9ct gold bracelet watch, silevered dial with gold baton markers, signed manual wind calibré 19.4, numbered 10996701, case stamped Baume, hallmarked London 1958, serial 11009. Fitted to an unsigned 9ct gold mesh bracelet. 32mm, 45g £600-800 1231. ETERNA - a gentleman’s 18ct gold Eternamatic 3003 bracelet watch, champagne dial with gold baton markers, date aperture to three. Signed automatic calibré 1504K. Case stamped 18K with poinçon, numbered 664 5002 68 hallmarked London 1976. Fitted to an integral 18ct gold bracelet. 37mm, 121g £1,500-2,000

1230

1231

1232. VACHERON CONSTANTIN - A gentleman’s 18k gold bracelet watch reference 7296, white dial with gold baton markers, hand wound calibré K1014 numbered 671816. Case marked 18k 0.750 with poinçon, numbered 487568. Integral 18k gold bracelet. 32mm, 84g £800-1,200 1233. ETERNA - a lady’s 18k white gold bracelet watch, silver dial with black baton markers. Signed manual wind calibré 14350, case stamped 0.750 with poinçon, numbered 844 230, serial 6002592. Diamond bezel, Fitted to an integral 18k white gold bracelet. 22mm, 45g £600-800

1232

1233

1234. UNIVERSAL GENEVE - a lady’s 18k white gold bracelet watch reference 48, silvered bark-effect dial with black baton markers, signed manual wind calibré 501, case back stamped 0.750 with poinçon. Diamond-set bezel, fitted to an integral 18k white gold bracelet with signed clasp. 26mm, 61g £600-800 1235. TUDOR - a lady’s stainless steel Oyster Princess reference 92100, silver dial with silver and black baton hour markers, signed automatic calibré 2670. Case back numbered 7604, serial 944122. Fitted to a signed stainless steel bracelet £100-200 with folding clasp. 23mm

1234

1235

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1236

1236. PATEK PHILIPPE - A gentleman’s 18k Calatrava bracelet watch reference 3563.3, gold ‘Clous de Paris’ dial with black and gold baton markers. Back-set automatic calibré 350 numbered 1185070, case marked 18k 0.750 with poinçon, numbered 2698303. Integral 18k bracelet. 34mm, 99g £2,000-3,000

1237. GRAHAM - a gentleman’s 18ct rose gold Limited Edition Tourbillograph Trigger wrist watch model reference 2TTAR.B03A.C86B, black dial with luminous hour markers, minute recorder dial to nine, hour recorder dial to twelve, running seconds mounted on the visible tourbillon carriage. Signed automatic calibré G1780. Case numbered 28/50. Fitted to a signed black alligator strap with 18ct rose gold pin buckle. 46mm £8,000-12,000

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1237

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1238. An aquamarine and diamond cluster ring, the oval-shaped aquamarine set within a surround of round brilliant-cut diamonds in platinum and 18ct yellow gold, size S £400-600 1239. An emerald and diamond cluster ring, the oval-shaped emerald set within a surround of circularcut diamonds in platinum and gold, size O £800-1,200 1240. A ruby solitaire ring, the ruby cabochon rubover-set in yellow gold, size M (approximately) £200-300 1241. An aquamarine and diamond three-stone ring, the oval-shaped aquamarine set with two round brilliant-cut shoulder diamonds in platinum and yellow gold, size P £400-600 1242. A garnet and diamond cluster ring, the oval-shaped garnet set within a surround of small round brilliant-cut diamonds on plain yellow gold band, inner resizing band, size M £100-200 1243. A sapphire and diamond three-stone ring, the centre circular-cut sapphire weighs approximately 0.52cts and is set between two circular-cut diamonds weighing approximately 0.65cts total, all claw set in white gold with plain yellow gold band, size N½ £400-600 1244. A bi-colour gold ring by Kutchinsky, the textured white gold ring with yellow gold decoration, signed, London date marks for 1966, size M £300-400 1245. An emerald and diamond cluster ring, the baguette-shaped emerald set with graduated circularcut diamonds in white gold, size K £400-600 1246. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in platinum and gold, size R £300-400 1247. An aquamarine and diamond ring, the emerald-cut aquamarine is set within diamond shoulders £1,000-1,500 in platinum, size O½ 1248. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in platinum with stylised yellow gold fleur de lys shoulders, size N £400-600 1249. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of circularcut diamonds in yellow gold, size M½ £400-600 1250. An aquamarine and diamond three stone ring, the emerald-cut aquamarine is flanked with tapered baguette-shaped shoulder diamonds in platinum, size N £1,200-1,500 1251. A gentleman’s aquamarine ring, the emerald-cut aquamarine is set in engraved yellow gold mount, size Q½ £400-600 1252. A French gold ring, set with a diamond and two coral buttons, the old circular-cut diamond weighs approximately 1.50cts and is set with small rose-cut diamonds, stamped with unidentified signature and Paris 1931 £1,200-1,500 1253. A diamond full-circle eternity ring, set with round brilliant-cut diamonds in platinum, size P £300-400 1254. A sapphire and diamond half hoop ring, set with calibré-sut sapphires within lines of circular-cut diamonds in platinum, size O £800-1,200 1255. A sapphire and diamond cluster ring, the rectangular sapphire is set within a border of circularcut diamonds in white gold, size L½ £800-1,200 1256. A tourmaline and diamond ring, the emerald-cut tourmaline is set within diamond cluster shoulders, size O½ £400-600 1257. An aquamarine and diamond cluster ring, the emerald-cut aquamarine weighs approximately 2.15cts and is set within a surround of fourteen round brilliant-cut diamonds in yellow gold, size P £600-800 1258. A sapphire, ruby and diamond cluster ring, set with a cabochon sapphire within border of baguette-shaped rubies and circular-cut diamonds in platinum and yellow gold, size M½ £400-600 1259. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of circular£400-600 cut diamonds in white gold, size P 1260. A sapphire and diamond five-stone ring, alternately-set with three graduated circular-cut diamonds and two sapphires in platinum and gold, size R £400-600

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1242 1238 1239 1243

1240 1244 1249 1241

1245 1250

1246 1251

1247 1252

1248

1254

1253 1255

1256

1257

1258

1259

1260

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1261. A 19th century gold portrait brooch pendant, set within a scallop-edged border of rose-cut diamonds in silver and gold, closed back, fine-link yellow gold neck chain, 3cm wide, chain 39cm long £200-300 1262. An Etruscan revival gold necklace, set with five large glass beads, within scrolling borders with pellet decoration, separated with fluted gold beads and surmounted with stylised gold masks, on gold £2,000-3,000 neck chain, 46cm long 1263. A 19th century zircon and diamond brooch, the stylised star is set with a central circular-cut zircon within a surround of graduated old cushion-shaped diamonds in silver and gold, detachable brooch fitting and later pendant loop, 3.5cm wide, case £600-800 1264. An opal and diamond circular brooch, the large opal cabochon is set within two surrounds of £1,500-2,000 graduated cushion-shaped diamonds in silver and yellow gold, 3cm diameter 1265. A pair of Victorian gold earrings, of foliate and laurel decoration and set with a turquoise and seed pearl cluster, 6cm long £600-800 1266. A large amethyst and diamond ring, the oval-shaped amethyst is set within a surround of circularcut diamonds in silver and gold, size M £800-1,200 1267. An early 20th century heart-shaped aquamarine pendant, suspended from a gem-set coronet in platinum, 5cm long, fitted case £1,500-2,000 1268. A late Victorian sapphire, diamond and pearl bee brooch, the body set with an oval-shaped sapphire and a pearl, with rose-cut diamond wings in silver and gold, on a yellow gold bar brooch with a pearl set to one terminal, 4cm long £300-400 1269. A late 19th century enamel and diamond target brooch, set with a seed pearl and diamond cluster on red enamel ground with a white enamel border and seed pearls, on gold bar brooch, 3.7cm wide £100-200 1270. An amethyst and ruby brooch, the large oval-shaped amethyst is set within foliate pierced mount decorated with rubies and diamonds in silver and gold, 4.7cm wide £400-600

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1261

1263

1264

1262

1267

1266

1265 1270

1268

1269

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1271. A sapphire and diamond giardinetto brooch, set with four principal cabochon sapphires within diamond-set concentric circle surrouds and gem-set foliate decoration, suspending two articulated diamond and pearl swags, in platinum and gold, 7cm wide £1,000-1,500 1272. A pair of diamond drop earrings, set with a cluster suspending a larger pear-shaped cluster of diamonds beneath, in white gold, 3.2cm long £600-800 1273. A sapphire and diamond cluster ring, set with concentric swirls of marquise-shaped sapphires and round brilliant-cut diamonds, set with a central round brilliant-cut diamond weighing approximately 0.50cts, all claw set in white gold, Birmingham marks for 2000, maker's mark BMS, size P ½ £800-1,200 1274. A pair of emerald and diamond half-hoop earrings, each set with a central line of calibré-cut emeralds within round brilliant-cut diamond borders in white and yellow gold, stamped 14kt and marker’s mark C.E.I., post and clip fittings, 2cm long £600-800 1275. An opal-set gold bracelet, the fancy yellow gold links are set with oval opal cabochons, 17cm long £400-600 1276. A diamond scroll necklace, set with graduated circular-cut diamonds in white gold, suspended on an articulated line of graduated circular-cut diamonds and a fine-link neck chain, the centre section detaches to be worn as a brooch, brooch 5.5cm long, necklace 43cm long £1,500-2,000 1277. A cultured pearl and diamond pendant, the pearl suspends from a cushion-shaped diamond and smaller diamonds in white gold, fine-link white gold neck chain £300-400 1278. A rose quartz-mounted gold bangle, with fluted decoration and hinged opening section, French control marks, 5.5cm inner diameter, 71g £600-800 1279. A diamond solitaire ring, the circular diamond weighs approximately 1.10cts, set in white gold, size M½ £1,200-1,500 1280. An emerald and diamond half-hoop ring, the square emeralds and princess-cut diamonds are channel-set in yellow gold, size O £150-250 1281. An orange topaz and diamond ring, the emerald-cut topaz is set with circular-cut shoulder diamonds in platinum, size M½ £300-400 1282. A diamond and sapphire cluster ring, the foliate white gold mount set with circular-cut diamonds and sapphires, signed ‘Birks’, size L½ £200-300 1283. A diamond cluster ring, the centre round brilliant-cut diamond pavé-set within rows of matched smaller circular-cut diamonds in white gold, size N £400-600 1284. An emerald and diamond cluster ring, the circular emerald cabochon is set within a surround of circular-cut diamonds in platinum, size I (approximately) £1,200-1,500 1285. A pair of diamond scroll earrings, set with graduated circular-cut diamonds in platinum, 2cm high, clip and post fittings £600-800 1286. A diamond-set white gold bracelet, the textured brick links are set with a central line of circularcut diamonds, 19cm long, 56g £1,500-2,000 1287. A fancy coloured diamond pendant, the articulated line of fancy coloured and white diamonds suspends a diamond cluster, on fine-link platinum neck chain, 42cm long £1,500-2,000 1288. An aquamarine and diamond pendant, the pear-shaped aquamarine is set beneath a diamond trefoil on fine-link white gold neck chain, 40cm long £600-800 1289. A cultured pearl and diamond pendant, designed as three articulated drops of graduated singlecut diamonds, each suspending a cultured pearl, signed Birks, 3.5cm long £150-250 1290. A yellow gold pear-shaped pendant pavé-set with graduated rubies, 4cm high

£600-800

1291. A multigem-set gold brooch, the brick-pattern centre section set with circular-cut sapphires, rubies, diamonds and citrines, within a border of fourteen cabochon-shaped aquamarines, 4.5cm diameter £400-600 1292. A diamond three-stone pendant, the three diamonds weigh approximately 1.10cts in total, set in white gold, on white gold snake-link neck chain, chain 45cm long £1,000-1,500

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1271

1272

1273

1276

1274

1275 1277

1279

1280

1278

1281

1286

1285 1282 1287 1288 1283

1292

1284 1290 1289 1291

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1293. An Art Nouveau sapphire and diamond pendant, the horizontal lozenge is set with three sapphires in pierced yellow gold, suspended from a seed pearl and sapphire cluster on fine-link gold neck chain, and suspending a drop-shaped pearl, maker’s mark CF, pendant 5cm long, chain 34cm long £200-300 1294. A citrine fringe necklace, the graduated oval citrines are set in gold collets on fine-link gold neck chain and a citrine mounted clasp, 38cm long £400-600 1295. An opal-set gold Art Nouveau pendant by Murrle Bennett & Co, the open-work scroll pendant centred with an oval-shaped opal and suspending a smaller opal, on a fine-link gold neck chain, with a pair of opal-set gold drop earrings, pendant 3.5cm high £300-400 1296. A diamond solitaire ring, the circular-cut diamond weighs approximately 0.90cts and is set in £600-800 yellow gold, size S 1297. A jade and ruby cluster ring, the oval cabochon jade set within a surround of circular-cut rubies in yellow gold, size O £200-300 1298. An Indian ring set with a sapphire, the carved oval-shaped sapphire pavé-set with enamel decoration to the mount, bifurcated shoulders and carved shank, size M £200-300 1299. An Edwardian diamond and peridot foliate necklace, the leaves and berries set with circular and rose-cut diamonds in silver and gold, suspending pear-shaped peridots, on a fine-link white gold neck chain, 41cm £600-800 1300. A sapphire and diamond ring, of scroll form and set with graduated cushion-shaped and circularcut sapphires and diamonds in yellow gold wirework mount, size P½ £800-1,200 1301. An opal and mother-of-pearl silver necklace attributed to Arthur and Georgie Gaskin, each gem-set plaque set within a surround of pierced foliate decoration, the links conjoined with smaller silver links set with hexafoils, on a fine-link silver neck chain, 41cm long £1,000-2,000 1302. An Arts and Crafts gem-set gold brooch, set with a cluster of fire opal cabochons, a white opal and three rubies, suspending a yellow diamond and an untested pearl in yellow gold. 4.2cm long £200-300 1303. An Arts and Crafts turquoise and gold brooch by Murrle Bennett & Co, the turquoise matrix set within gold scroll borders and suspending a pearl, maker’s mark to reverse, 3.7cm wide £200-300 1304. An Arts and Crafts pendant by James Fenton, centred with an oval-shaped flat pearl on blue enamel ground and mounted in silver, Birmingham marks for 1909, 6cm £100-150 1305. A silver-mounted bead necklace attributed to Dorrie Nossiter, alternately-set with banded agate beads, faceted citrine cubes, the agates mounted either side with a chalcedony rondel, the clasp set with a citrine within a border of smoky quartz, chalcedony and citrines in silver collets, 47cm long £150-250 1306. A rectangular brooch by Murrle Bennett & Co, decorated with white and red enamel and seed pearls in yellow gold, maker’s mark to reverse, 2.2cm wide £100-200 1307. A pair of diamond stud earrings, the old circular-cut diamonds weigh approximately 0.50cts each, set in white gold coronet mounts £400-600

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1296

1293 1295 part

1297

1294 1298

1299

1301 1300

1304

1303 1302

1306 1307 1295 part 1305

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1308. A large gold curb-link bracelet, with textured decoration to one side, stamped 22, 20cm long, 111g £2,000-3,000 1309. A diamond scroll brooch, set with graduated circular-cut diamonds with three articulated lines each suspending a baguette-shaped diamond in platinum and white gold, 4.5cm wide £1,500-2,000 1310. A gold toadstool brooch, the stylised gold toadstools in polished yellow gold, the upper sections pavé-set with circular-cut rubies and diamonds, 4.5cm high, case £800-1,200 1311. An opal and diamond cluster ring, the large white opal is set within a surround of circular-cut diamonds in platinum and yellow gold, size O½ £2,000-3,000 1312. An opal and diamond cluster ring, the oval solid white opal is set within a surround of circular-cut diamonds, quartered with marquise and pear-shaped diamonds and diamond underbezel in white gold, size O½ £1,000-1,500 1313. A kunzite and diamond ring, the emerald-cut kunzite set with two rows of round brilliant-cut diamonds to each shoulder, size M £800-1,200 1314. A navette-shaped diamond ring, set with three graduated lines of circular-cut diamonds with diamond shoulders in platinum, size J½ £1,000-1,200 1315. A peridot and diamond cluster ring, the oval-shaped peridot set within a surround of round brilliant-cut diamonds in white gold, size N½ £1,000-1,500 1316. A white gold ring, pavé-set with calibré-cut rubies, bifurcated shoulders, size O

£200-300

1317. A diamond swirl ring, set with graduated circular-cut diamonds in platinum, size K½ £800-1,200 1318. A diamond-set curb-link platinum chain, each link set with single-cut diamonds (one missing) 92cm long, dividing to be worn as two smaller necklaces, 38cm and 56cm, 151g total £2,500-3,000 1319. A pair of sapphire and diamond cluster stud earrings, the oval cabochon sapphires each set within a surround of round brilliant-cut diamonds in white gold £600-800 1320. A pair of black jade and diamond drop earrings, the black jade drops suspend from a diamondset cap and bow, in white gold, 5.7cm long £400-600 1321. A sapphire and diamond cluster ring, the stylised flowerhead set with oval-shaped sapphires and circular-cut diamonds in platinum and yellow gold, size U½ £300-400 1322. A stylised bow brooch, set with a central emerald, with diamond, sapphire and onyx panels in white gold, 4.2cm wide £2,500-3,000 1323. An emerald and diamond brooch, of rectangular form, set with baguette-shaped diamonds, calibré-cut emeralds and circular-cut diamonds in platinum, later brooch fitting, 7.7cm long £800-1,200 1324. A pair of aquamarine and diamond drop earrings, of abstract design and set with emerald-cut aquamarines and circular-cut diamonds in white gold, 6.5cm long £1,500-2,000 1325. A Nardi blackamoor clip brooch, the carved ebony face set in yellow gold with circular-cut £1,000-2,000 aquamarines, engraved decoration and seed pearl earrings, signed S.Nardi, 5cm high 1326. A sapphire and diamond feather brooch, set with graduated sapphires and diamonds in white gold, 3.8cm long £400-600

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1309 1308

1310

1311

1312

1313

1315 1316

1314

1317

1319 1318 part

1322 1321

1320

1323

1324

1318 part

1326 1325

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1327. An early 20th century gold charm bracelet, the fancy-link gold bracelet suspends fifty nine gold and silver theatre tickets with dates and names of performances ranging from Mrs Hemmersley in 'The Commission' in 1895 to Muriel Eden in 'The Gay Lord Quex' in 1899 in The Globe Theatre, to Gloria Clandon in 'You Never Can Tell' in The Prince of Wales Theatre in 1900 to Mrs Manson in 'Africa Flight' in 1939 in Richmond Theatre £800-1,200 1328. A Victorian gold garnet necklace, set with three garnet and diamond trefoils and four further garnet cabochons on snake-link festoon necklace, with a pair of matching garnet drop earrings, necklace 43cm long, earrings 1.8cm long £800-1,200 1329. A late Victorian gold garnet brooch, the stylised bow with engraved decoration is set with a garnet cabochon, suspending a detachable heart-shaped gold pendant set with a garnet cabochon, 6.5 cm £400-600 1330. An Edwardian seed pearl necklace, each link set with seed pearls, with three foliate clusters in yellow gold, 38cm long £200-300 1331. A Victorian gold strap bracelet, set with a flat garnet set with a diamond, on extendable articulated gold bracelet, 21cm longest, fitted case £800-1,200 1332. A late Victorian gold locket bracelet, the glazed compartment opening to reveal a portrait of a young girl, with initials ES to outer case, on twisted link bracelet, 18.5cm long, 49g £400-600 1333. A pair of Victorian gold drop earrings, suspending three ropetwist and bauble pendants, 5.5cm long case £200-300 1334. A long natural saltwater pearl necklace, the baroque pearls have a rectangular diamond-set clasp in silver and gold, 156cm long £200-300 Accompanied by report number 78123-62 dated 30 October 2017 from GCS, London stating that the cream pearls measure from 3.3 - 7.7mm approximately and are natural saltwater with no indications of treatment 1335. An Etruscan revival gold brooch by Pierret, with ropetwist and pellet decoration in yellow gold, signed, 3.8cm long, fitted case by Asprey £150-250 1336. A natural saltwater pearl ring, set in yellow gold scroll mount, size M½

£100-200

1337. A pair of 19th century realistically designed gold angel earrings, with later post fittings, case by C. Giuliano £200-300

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1327

1329

1330

1328

1331

1332

1334

1335

1333

1336

1337

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1338. An Edwardian peridot and seed pearl necklace, comprising two rows of marquise and pear-shaped peridots spaced with seed pearls and suspending a seed pearl and peridot cluster pendant, all in gold mounts with a fine-link gold neck chain, 46cm, fitted case by Sorley of Glasgow £600-800 1339. A diamond cluster ring, of pierced lozenge design and set with graduated circular-cut diamonds in white gold, size Q

£400-600

1340. A sapphire and diamond cluster ring, the square-cut sapphire is millegrain-set within a border of old circular-cut diamonds in platinum and yellow gold, size Q £1,000-1,500 Accompanied by report number 77109-83 dated 4th July 2017 from GCS, London stating that the cushion-cut sapphire weighs approximately 5.5cts and is a natural sapphire with no indications of heat treatment, origin: Basaltic 1341. An Edwardian diamond solitaire ring, the old-cut diamond weighs approximately 0.65cts and is set within diamond-set scroll shoulders, size L, case £800-1,200 1342. A diamond solitaire ring, the circular-cut diamond is set within circular-cut shoulder diamonds in platinum, size L, with a plain yellow gold wedding band, size K½ £400-600 1343. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a scallop-edged border of circular-cut diamonds in platinum and gold, size K½ £600-800 1344. A sapphire and diamond half-hoop ring, set with a line of graduated calibré-cut sapphires within a border of diamonds in yellow gold, size M½ £600-800 1345. An emerald and diamond closed crescent brooch, set with graduated oval-shaped emeralds and circular-cut diamonds in yellow gold, London marks for 1982, 2.8cm wide £600-800 1346. An Edwardian diamond-set bar brooch, centred with a quatrefoil of cushion-shaped diamonds and four smaller diamonds to each shoulder in platinum and yellow gold (cased) and an Egyptian-style brooch with blue enamel sphinx and Egyptian motifs to the mount £200-300 1347. A pair of 19th century pearl and diamond drop earrings, set with a line of diamonds, each suspending a pearl in silver and gold, 3.2cm £100-200 long, case With a verbal report stating that one pearl is natural saltwater, the other is freshwater cultured 1348. An early 20th-century diamond-set bar brooch, centred with a quatrefoil of circular-cut diamonds, millegrain-set with small diamonds to the shoulders in platinum and white gold, 7.6cm wide £600-800 1349. A diamond bar brooch, the centre circular rose-cut diamond set with smaller rose-cut diamonds to the shoulders in platinum and gold, 6cm wide £150-200 1350. A late 19th century heart-shaped red enamel brooch, within diamond-set swags and beneath a blue enamel bow in silver and gold, 4.2cm long £200-300 1351. A late Victorian moonstone and diamond heart pendant, the heart-shaped moonstone cabochon is set within a rose-cut diamond surround in silver and gold, on a seed pearl neck chain, pendant 2cm high, necklace 34cm long, fitted heart-shaped case £100-200 1352. A 19th century intertwined witches heart brooch, beneath a bow, set with rose-cut diamonds in silver and gold, 2.2cm wide £400-600 1353. An Edwardian seed pearl and gem-set pendant, set with pink and green tourmalines and seed pearls in yellow gold, on a fine-link yellow gold neck chain, fitted case by West of Dublin with presentation inscription to the outer case dated 1911 £600-800 1354. An early 20th century garnet necklace, the oval-link chain suspends two cushion-shaped garnets in yellow gold, chain 38cm long £200-300 1355. A small Edwardian giardinetto brooch, the basket with diamond set lattice decoration on blue guilloché enamel ground, pearl and diamond set flower heads and diamond set laurels and bow, platinum on gold, 2.5cm wide £200-300 1356. An opal and diamond pendant, the oval-shaped solid white opal suspends from two circular-cut diamonds in an articulated knife-edge mount, on a fine-link pink gold neck chain, chain 46cm £600-800 1357. A late 19th century lover’s knot brooch, set with diamonds on red enamel ground within a white enamel and seed pearl border in yellow gold, glazed locket compartment to reverse, 3cm wide £800-1,200 1358. A sapphire and diamond pendant, set with triangular sapphires and circular-cut diamonds in platinum and gold, 4.5cm long £800-1,200 1359. A late Victorian aquamarine and diamond brooch, the cushion-shaped aquamarine is set within diamond-set scrolls and suspends a £100-200 pear-shaped aquamarine below, in silver and gold, 3.5cm wide 1360. A cultured pearl three row bracelet, with a sapphire and diamond clasp, the emerald-cut sapphire is set within a surround of circularcut diamonds in white gold, bracelet 17.5cm long £800-1,200

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1341 1339 1342 1340 1344 1343

1345

1338 1347

1352 1346

1348 1349 1353 1350

1351

1355

1354

1356 1357

1360

1358

1359

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1361. A 19th century lava cameo bracelet, the six oval plaques depicting Hercules, Demeter, Dionysus, Orpheus, Flora, and a maenad, in rubover yellow gold collets, joined with oval links, 16.7cm long, case £400-600 1362. A 19th century micromosaic suite of jewellery, comprising a pendant set with a circular micromosaic plaque depicting doves with ropetwist and pellet decoration and further foliate micromosaic plaques in yellow gold, 6.5cm high, with a matching pair of earrings, 5cm high, fitted case £6,500-8,000 1363. A diamond star brooch, set with graduated old cushion and circular-cut diamonds in silver and gold, 4cm wide £400-600 1364. A 19th century gold and black enamel mourning locket, bearing the seed pearl set initials ME to front and a seed pearl-set gold star to reverse, two glazed locket compartments to interior, 6cm high, fitted case £200-300 Provenance: Initials for Muriel Elwes (nee Hargreaves) of Colesbourne Park, Gloucestershire 1365. An Etruscan revival pair of 19th century gold cameo earrings, the shell cameos each depicting a woman in the classical manner, within pellet and ropetwist gold border and suspending from a gold flower, 5cm long £400-600 1366. An Art Nouveau gold buckle, of scroll form and set with a cabochon garnet in yellow gold, 6.5cm high, fitted case £300-400 1367. An oval portrait of Frederick the Great, King of Prussia, backed on copper with engraved gold frame, portrait 6cm wide £400-600 1368. An 18th century portrait gold ring depicting Frederick the Great, in closed-back yellow gold setting, size M½ (glass cracked), case £200-300 Accompanied by a letter which states that ‘this ring was given by the King of Prussia to Marechal Sneckar’ 1369. A Victorian pearl and diamond cluster ring, the cushion-shaped diamond is set within a pearl and diamond surround in yellow gold, size S, case £600-800 1370. A 19th century hardstone cameo brooch, depicting a woman in the classical manner, within yellow gold border set with seed pearls, 5cm long £300-400 1371. A Regency carved shell cameo pendant, depicting the laureate profile of King George IV in the classical manner, mounted in a foliate gold-plated frame, 3.5cm high £300-400 1372. A diamond gypsy ring, set with an old cushion-shaped diamond in yellow gold, size M½ £300-400 1373. A carved shell cameo brooch, depicting Athena, her helmet with a carved depiction of Romulus £200-300 and Remus, in silver rubover frame, 5.5cm high 1374. A large oval pendant, depicting King Solomon with his son Rehoboam in enamel, with Masonic references to the forefront of the image in gilt metal frame with foliate carving to reverse and the inscription ‘In Deo Spes’ meaning ‘Hope in God’, 9cm long £200-300 1375. A 19th century carved ivory profile portrait mounted on an oval carnelian plaque in cameo style, gold Etruscan-style frame with pendant loop, c.1860, pendant 6.5cm high £1,000-1,500 The profile has a strong resemblance to Sir John Everett Millais (1829-1896). He was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He became the youngest student to enter the Royal Academy schools at the age of eleven. 1376. A lava cameo bracelet, depicting a series of female portraits in the classical manner, in gold collets, 18cm long £400-600

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1361

1363

1362 1365

1364

1366

1371

1367 1370

1369

1368

1372

1373 1374

1376 Not actual size

1375

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JOHN REEVES (1774-1856) John Reeves joined the East India Company in 1808 and was dispatched to Canton as Inspector of Tea in 1812. Before his departure to China, Reeves was introduced to the naturalist Sir Joseph Banks who instructed him to collect specimens and information about local flora and fauna in the Far East. At the time, very little was known about China’s natural history, so the information provided by Reeves was particularly valuable. Despite not being a scientist, he earned the honour of being elected to the Royal Society and the Linnean Society in 1817. In Canton, Reeves commissioned paintings of birds, fish, plants and insects from various local Chinese artists and collected original specimens including Mandarin ducks and the Reeves pheasant. A large part of the collection is now held by the Natural History Museum and the Zoological Society. John Reeves’ son John Russell Reeves (1804-1877) and his wife Elizabeth Conway (1808-1882) were both interested in botanical research and actively continued Reeves senior’s work upon joining him in Canton. Later John Russell became one of the founders of the museum at Macau. 1377. Three 19th century gold mourning rings, with black enamel decoration, sizes I½, H & O

£100-200

Provenance: Great-Grandparents of Mary Alice Goodman (née Reeves , thence by descent 1378. A late 18th century gold and enamel mourning ring, with plaited hair to the centre and inscription to the outside for Reverend Jonathan Reeves dated 13th May 1787, with inner inscription in black enamel for Elizabeth Reeves, dated 1790, size N (approximately) £200-300 Provenance: Great-Great-Grandparents of Mary Alice Goodman (née Reeves), thence by descent 1379. A pair of Regency stirrup-form fob seals, including a gold stirrup fob seal, heavily engraved with foliate decoration on matted ground, mounted with a carnelian matrix and engraved with a crest and arms, 4cm high, with a smaller gold stirrup-form fob seal, chased with foliate decoration overall, mounted with an octagonal crystal matrix engraved with the letter A, 3.4cm high £200-300 Provenance: From John Reeves FRS by descent 1380. A Roman carved carnelian intaglio-mounted ring, depicting the goddess Diana, 100-200 B.C., in a modern gold mount, 1.5cm high, size K½ £600-800 1381. A French 19th century gold stirrup-form glove ring, the shank decorated with polychrome enamel bearing the shield for Lambertye, ensigned by the coronet befitting the Marquis de Com-la-Granville, (the title conferred in April 1869). The gold matrix bears the motto 'Fay le bian, arrive que pourra' of the Lambertye family from the Perigord region and roughly translates to 'Do good and what will be will be'. Below it five shields; one: French, two: Loraine, three: unknown, four: Savoy, with an inescutcheon for Lambertye of Perigord, Poitou, size X½ £2,000-3,000 1382. A 19th century carved agate and gold desk seal, the waisted faceted agate set with a gold terminal and a carnelian matrix bearing the coat of arms for a Marchioness, 6.5cm high, fitted case £600-800 1383. A 19th century gold locket fob seal, with foliate inspired repousse decoration and hinged compartment with opens to reveal a glazed locket, set with a bloodstone terminal bearing a coat of arms, 4cm high, fitted case £600-800 1384. A 19th century gold stirrup-form fob seal, chased with linear decoration and set with a smoky quartz bearing the coat of arms for a Scottish family ‘Napier’, 3.5cm high, fitted case £600-800 1385. A 19th century gold bracelet mounted with five intaglios, the bracelet formed with stylised bow links, 17cm, 41g £3,000-4,000 From the left: A carved oval carnelian intaglio depicting Nike, Roman 100-200 A.D., 1.2cm high A carved oval carnelian intaglio depicting Neptune, being drawn through the waves by horse-drawn chariot, 100-200 A.D., 1.9cm wide A carved oval nephrite intaglio depicting magical emblems, set within a surround of rose-cut diamonds, 100-200 A.D., 1.2cm high A carved oval carnelian intaglio depicting Nike with a seated figure, 100-200 A.D., 1.5cm high A carved oval carnelian intaglio depicting Fortuna, holding her cornucopia, 100-200 A.D., 1.2cm high 1386. A late Roman 4th century carved hardstone cameo depicting the Emperor Constantine, 2.5cm high

£2,000-3,000

1387. A carved agate oval cameo, c.1800, depicting the bust of an aging gentleman, possibly Jaicomo Casanova (17251798), in high relief, 2.6cm high £2,000-3,000 1388. A 19th century gold spinning fob seal, chased with foliate decoration and set with a carnelian to each side, one bearing the initials IDDL, the other with an early version of the badge of a Colour Sergeant of the British Army, 4cm high, fitted case £600-800 1389. A 1st century AD fragment carved hardstone cameo, depicting the Emperor Hadrian and his Empress wife Vibia Sabina, 3cm high, fitted case £4,000-6,000 1390. An Imperial Roman carved hardstone cameo, depicting the goddess Juno in profile and wearing her hair tied back with a diadem, 2.5cm high £1,000-1,500

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1377 1378

1379 (2)

1380

1381

1382

1383

1384 1385

1386

1387

1388

1389 1390

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1391. A bloodstone mounted gold signet ring, with vacant matrix and scroll carved shoulders, with inscription to the interior dated 1864, size P £200-300 1392. A gentleman’s gold snake ring, mounted with a carved carnelian intaglio bearing the crest and motto for Roberts, the oval carnelian within intertwined serpent surround, in yellow gold, size S £300-500 1393. A pair of 9ct yellow gold playing card form cufflinks, each rectangular link painted in enamel as the four aces, Birmingham marks for 1990, each link 1.8cm wide, case by Hancocks £300-400 1394. A pair of 18ct gold cufflinks, designed as playing cards, the enamel decoration depicting the Jack, Queen, King and Ace of diamonds, each link 1.7cm high £800-1,200 1395. A gold box by Cartier, of rectangular form with engine-turned decoration and diamond-set £600-800 thumbpiece. Marked J.C. and 9ct with London marks for 1934. 8cm long 1396. A pair of abstract diamond and gold cufflinks, of double lozenge form with waisted diamond decoration in platinum and gold, Tessier case £300-400 1397. A pair of French gold cufflinks, of textured gold triangular form, with French marks

£350-450

1398. A gentleman’s mother of pearl and diamond dress set, the square links set with mother of pearl and a central diamond in 9ct white gold, Birmingham marks for 1980, maker’s mark C&F, fitted case £200-300 1399. A Russian silver egg pendant, decorated with a cross set with turquoise cabochons, hinged opening to reveal a glazed locket compartment, gold decoration reading ‘Russia’ in Cyrillic, rubbed Russian marks, with a circular silver Russian brooch with gold decoration reading ‘God Bless You’ in Cyrillic, stamped £100-150 84 Zolotnik and maker’s mark Μα and St Petersburg mark, 4cm wide 1400. A pair of 18ct yellow gold game bird cufflinks, each oval disc painted with an enamel bird including a mallard, woodcock, partridge and cock pheasant, Birmingham marks for 1990, each link 1.6cm wide, case for Hancocks £600-800 1401. A pair of diamond-set gold cufflinks by Fabergé, each circular link centred with a circular-cut diamond within pellet border and with pink guilloche enamel decoration, workmaster Alfred Thielemann £15,000-20,000 1402. A cased set of dress cufflinks and studs, all of circular shell form centred with a small circular-cut sapphire with yellow gold and platinum mounts, cased £400-600 1403. A pair of 18ct gold cufflinks, with enamel decoration depicting the four vices, London marks for 1967, each link 1.8cm long £800-1,200

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1391 1393

1392 1394

1397 1396

1395

1398

1399 (2)

1400

1402 1401 1403

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1404. A gold posy ring, c1650-1750 engraved to the interior ‘Let Love Indure’ sic, in yellow gold, size X £1,500-2,000 1405. An 18th century gold mourning ring, the outer shank bearing an inscription for Palmer, 1748 in white enamel, alternately-decorated with black enamel skulls, set with a cushion-shaped rock crystal in closed back yellow gold setting, size K approximately £400-600 1406. A child’s gem-set gold ring, the flowerhead set with diamonds, emeralds and a ruby in yellow £100-200 gold, size C 1407. An 18th century mourning ring, set with an oval-shaped rock crystal with rose-cut diamond shoulders, in gold and black enamel shank with inscription for 1769, size M (approximately) £400-600 1408. A 19th century diamond set serpent scarf pin, the realistically designed snake with a diamond £300-400 set head, black enamel decoration and ruby eyes, on textured gold body, 2.5cm long 1409. An 18th century reliquary pendant, depicting The Virgin Mary to one side and St Francis to the other, within gold mount with ropetwist and pellet border, on gold chain, pendant 4cm high, chain 60cm long, case £600-800 1410. A Regency REGARD ring, set with a ruby, an emerald, a garnet, an amethyst, a ruby and a diamond, £600-800 spelling out the word ‘regard’, in engraved yellow gold mount, size O½ 1411. An 18th century garnet and diamond ring, the rose-cut garnet is set within diamond-set shoulders in silver and gold closed back setting, size M½ £400-600 1412. An 18th century gold portrait ring, depicting a lady within gold border, closed back with inscription for Mary Patey 1778, size M½ £200-300 1413. An 18th century diamond crucifix pendant, set with old table-cut diamonds in silver cut down collets and closed-back gold mount, 7.5cm long, fitted case by S.J.Phillips £1,000-2,000 1414. A topaz mounted gold cross pendant, set with graduated orange topaz in yellow gold cut down collets, 6cm high, case £400-600 1415. A 19th century amethyst and seed pearl pendant, the oval-shaped amethyst is set within a double £400-600 surround of seed pearls in yellow gold, 4cm long 1416. Five oval and circular enamel plaques, c1750 in the manner of Guillaume Loir, each depicting Romantic groups with putti, enamel on copper, each with silver frame pavé-set with rose-cut diamonds, largest 4.3cm high, smallest 3.2cm wide £1,500-2,000 1417. A Regency gold cross pendant, set with pink topaz, turquoise and seed pearls in gold cannetille surround, 5cm long £1,500-2,000 1418. An 18th century lozenge-shaped gold mourning brooch, with plaited hair to the centre within a border of diamonds, blue enamel and seed pearls, closed back gold setting and pendant loop, 3.5cm long £600-800 1419. A Regency gold brooch, set with an oval and pear-shaped pink topaz, three seed pearls and a blue £800-1,200 turquoise cabochon, in yellow gold foliate mount, 3.5cm wide 1420. An 18th century gold mourning ring, of lozenge form, the plaited hair decorated with bows and the word ‘L’Amitie’, within seed pearl border in yellow gold, size O £100-200 1421. A gem-set foliate ring, set with rose-cut diamonds, a ruby and emeralds in closed back silver and gold mount, size M £150-250 1422. A late 18th-century diamond brooch, set with graduated rose-cut diamonds in closed-back silver and gold mount, 4.5cm wide, case £750-1,000 1423. A 19th century garnet and diamond ring, the emerald-cut garnet is set within a rose-cut diamond surround and pierced gold shoulders, size O½ £200-300

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1406

1405 1411

1404 1409

1407

1410

1408 1412

1414 1413

1415 1416 1417

1420

1418 1419

1423

1421

1422

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1424. A pair of yellow gold triple-row cross earrings by Tiffany, signed, 2cm

£400-600

1425. A diamond-set full circle platinum eternity ring by Tiffany, signed, size H½, Tiffany case and outer box £1,200-1,500 1426. A sapphire and diamond cluster ring, the cushion-shaped sapphire set within a surround of twelve round brilliant-cut diamonds and two baguette-shaped shoulder diamonds in white gold, size N £1,600-1,800 1427. A yellow sapphire and diamond cluster ring, the cushion-shaped yellow sapphire is millegrainset within a surround of circular-cut diamonds and diamond-set shoulders in platinum, size O £1,500-2,000 1428. A pair of cultured pearl and diamond cluster earrings, one set with a black cultured pearl the other with a silver cultured pearl, each within a surround of circular-cut diamonds in white gold, 2cm wide £1,500-2,000 1429. A fire opal and diamond cluster ring, the pear-shaped fire opal is set within a surround of small circular-cut diamonds in platinum and yellow gold, size N, case £800-1,200 1430. A cultured pearl and diamond ring, the two cultured pearls are set with marquise-shaped shoulder diamonds in white gold, French marks and rubbed maker’s lozenge, inner re-sizing shank, size O £1,000-2,000 1431. A cultured pearl and diamond necklace by Tiffany & Co, the well-matched cream cultured pearls, approximately 8.2cm diameter, with a yellow diamond and white diamond clasp set in platinum and yellow gold, signed Tiffany & Co, 46cm longest strand £1,500-2,000 1432. A pair of diamond scroll earrings, set with graduated circular-cut diamonds in white gold, 2cm wide £800-1,200 1433. A yellow gold snake ring, of twisted chevron design in yellow gold, size N

£400-600

1434. A pair of yellow and white diamond koala earrings, with black onyx features, set in yellow gold, clip fittings, 1.6cm high £1,000-1,500 1435. An elaborate pair of diamond and sapphire-set yellow gold earrings, of pierced circular foliate form and set with sapphires of varying colour within a border of graduated circular-cut diamonds, 3.7cm wide £2,000-3,000 1436. A pair of yellow and white diamond-set double heart earrings, set in platinum and yellow gold, 2.6cm high, post and clip fittings £1,500-2,000 1437. A diamond bracelet, of geometric design, the centre section set with a marquise-shaped diamond within baguette-shaped diamond border and triangular-cut diamond terminals, on a two row diamond bracelet alternately-set with baguette-shaped and three circular-cut diamonds in platinum, French mark, 16.2cm long £6,000-8,000 1438. A gold ‘Love’ bangle, by Cartier, the polished oval band set with screwhead motifs, signed Cartier and numbered BB7459 (the screw which holds the bangle closed is missing) 6.2cm inner diameter £2,000-3,000 1439. A sapphire and diamond pendant, the pear-shaped diamond weighs 0.80cts suspending a larger pear-shaped sapphire in platinum, on fine-link platinum neck chain (broken), pendant 2.7cm long, chain 40cm long, fitted case £2,000-3,000 Accompanied by report number 2155346811 dated 3 April 2013 from GIA stating that the pear-shaped diamond weighs 0.80cts and is a natural diamond with F colour and VS2 clarity 1440. A Boodles ‘velocity’ pendant and earrings, each polished gold torpedo is set with a central line of circular-cut diamonds in yellow gold, pendant 4.5cm high, chain 48cm long, the earrings with diamondset gold hoops, 4.5cm long, case £800-1,200 1441.

A cushion-shaped fancy-coloured diamond weighing 1.00cts, in polished white gold pendant mount £2,000-3,000

Accompanied by report number 6157438210 dated 23 May 2013 from GIA stating that the modified cushioncut diamond weighs 1.00cts and is natural diamond of fancy-deep brown-yellow colour

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1425

1427

1424 1426

1429 1428

1431

1430

1433 1432

1435

1434

1436

1439

1437

1438 1440

1441

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1442. A late 19th century diamond foliate brooch, of naturalistic design, set overall with rose-cut diamonds in silver and gold, 7.7cm long £600-800 1443. A Belle Époque diamond necklace, the central bow and swags set with graduated cushion-shaped diamonds and suspending further diamond festoons and flower heads in silver and gold, on fine-link silver neck chain, fitted case £1,500-2,000 1444. A late 19th century sapphire diamond and pearl pendant, the circular pendant surmounted with a diamond-set bow suspending an articulated pear-shaped sapphire within a border of pearls and diamonds, on a fine-link gold neck chain, pendant 3.5cm high, chain 45cm long £1,000-1,500 1445. A late Victorian diamond folaite brooch, set overall with graduated circular-cut diamonds in silver and gold, 3cm wide £600-800 1446. A multigem-set gold bracelet, set with an oval-shaped peridot, pink and orange topaz and aquamarines in gold, 17.5cm long £600-800 1447. A late Victorian pearl and diamond bracelet, the foliate clusters set with a central pearl within diamond set leaves, in platinum and gold, 17.5cm long £400-600 1448. A late Victorian diamond wings brooch, the stylised wings set within a diamond coronet in silver and gold, 5cm wide, fitted case £500-700 1449. A late 19th century pearl and diamond scroll brooch, set with a central pearl and overall with rose-cut diamonds in silver and gold, 3cm wide £200-300 1450. A late 19th century diamond star brooch, set overall with graduated cushion-shaped diamonds in silver and gold, detachable brooch fitting to reverse, 4.5cm wide £1,500-2,000 1451. A Belle Époque diamond and garnet set brooch, of foliate swirl design, millegrain-set with graduated circular and rose-cut diamonds and four garnets, 3cm wide £2,000-3,000 1452. An amethyst and diamond cluster ring, the octagonal-cut amethyst millegrain-set within a surround of circular-cut diamonds in yellow and white gold, size N £400-600 1453. A late 19th century fighting cock brooch, realistically formed and pavé-set overall with graduated old circular and rose-cut diamonds in silver and gold, enamel decoration to the head and with cabochon ruby eyes, 3cm high £3,000-4,000 1454. A diamond five-stone ring, the graduated old circular-cut diamonds are set in a carved and pierced yellow gold mount, with diamond pointers, size S £1,500-2,000 1455. An emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of circular£400-600 cut diamonds in yellow gold, size M½

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1442

1443

1444

1445

1446 1447

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1450

1453

1452 1454 1455

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1456. An unusual tank track gold bracelet, the traingular links are alternately decorated with foliate engraving, suspending a realistically designed apple which opens to reveal a compartment within, 17.5cm long, 149g £3,000-4,000 1457. A diamond three-stone ring, set with three graduated cushion-shaped diamonds weighing approximately 2.50cts in total, size S½ £1,500-2,000 1458. A diamond bombé-shaped ring, set with a central old cushion-shaped diamond weighing approximately 2.50cts, with diamond-set shoulders and scallop-edged borders set with graduated circular£4,000-6,000 cut diamonds in platinum and white gold, size R 1459. A yellow gold hammered nail ring, size K½

£400-600

1460. An abstract gold bangle by Margaret Turner, set in 18ct yellow gold, maker’s mark and London marks for 2003, 83g £1,500-2,000 1461. An abstract gold ring by Margaret Turner, set with a marquise-shaped diamond in 18ct yellow gold, maker’s mark and London marks for 2002, size Q, 21g £600-800 1462. A diamond-set bombé ring, set with a circular-cut diamond flanked by baguette-shaped diamonds within borders of graduated circular-cut diamonds in platinum, size N £2,000-3,000 1463. A diamond solitaire ring, the circular-cut diamond weighs approximately 2.51cts and is set in platinum and gold, size N½ £5,000-7,000 1464. A diamond solitaire ring, the circular-cut diamond weighs approximately 1.75cts in platinum and yellow gold, size O £4,000-6,000 1465. An abstract silver bangle by Margaret Turner, comprising layer silver loops, some decorated with gold, maker’s mark and London marks for 1995, 110g, 7.3cm inner width £150-200 1466. An onyx and diamond bombé ring, set with a triangular section of circular-cut diamonds in platinum and yellow gold, size I½ £400-600 1467. A gem-set gold ring by Stuart Devlin, set with tourmalines, aquamarines and sapphires within cornucopia design and a cherub, approximately size O (with inner resizing balls), maker’s mark SD and London date marks for 1981 £600-800 1468. A citrine and yellow gold dress ring, the emerald-cut citrine is set in yellow gold twisted rope mount, size P½ £500-700 Provenance: Previously sold in the sale of the estate of the late Henri Dubret (1872 - 1947) 1469. A diamond solitaire ring, the old circular-cut diamond weighs approximately 1.95cts, set in platinum and gold, size P½ £2,000-3,000 1470. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 2.10cts and is set in 18ct yellow gold, size M £3,000-4,000 1471. A boulder opal and diamond ring, the oval opal within textured gold surround, set with a diamond in yellow gold, size J approximately, French marks £300-400 1472. A boulder opal and diamond pendant, the large boulder opal is set in textured and polished yellow gold mount, 6.2cm long £1,500-2,000 1473. A sapphire and diamond bombé-shaped ring, the oval-shaped sapphire is rubover set within a surround of circular-cut diamonds (one missing) in yellow gold, size K £300-400

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1458 1457

1456

1461

1462 1459 1463 1460 1464

1466

1467 1465

1473

1468

1469

1470 1471

1472

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1474. A pair of diamond double clip brooches, of scroll form and set overall with circular and baguetteshaped diamonds in platinum, with additional fitting so the two clips can be worn together as a brooch, brooch 3.8cm wide, clips 2.7cm high £1,500-2,000 1475. An early 20th century sapphire and diamond jabot pin, set with calibré-cut sapphires and circularcut diamonds in platinum, 7cm long, fitted case £200-300 1476. An aquamarine and diamond pendant, the briolette-shaped aquamarine is suspended from diamonds millegrain-set in white gold, pendant 4.8cm long, chain 46cm long £2,000-3,000 1477. An Art Deco seed pearl sautoir, the long plaited seed pearl necklace with a diamond-set demilune to each terminal suspends a diamond-set loop and two green glass drops decorated with plaited seed pearls, necklace 80cm long, pendants 5cm long £400-600 1478. A pair of sapphire and diamond drop earrings, the sapphire cabochon and diamond cluster suspends two lines of articulated diamonds and a further millegrain-set sapphire and diamond pierced panel in platinum, 5.5cm long £5,000-7,000 1479. An Art Deco diamond strap bracelet, of honeycombe design, millegrain-set with circular-cut and single-cut diamonds in platinum, 18.5cm long £4,000-6,000 Provenance: from the collection of Lupino Lane, and thence by descent For more jewellery from Lupino Lane’s collection, see pp. 68-69 1480. An early 20th century bar brooch, of pierced geometric design, millegrain-set with rubies and diamonds in platinum and gold, 6.5cm wide, case £150-250 1481. A sapphire and diamond-set brooch, centred with an oval-shaped sapphire weighting approximately 3.40cts and millegrain-set overall with graduated circular-cut diamonds in platinum, rubbed unidentified marks (possibly French), 4.8 cm wide £6,000-8,000 Accompanied by report number 77103-04 dated 21 June 2017 from GCS, London stating that the oval-cut sapphire weighs approximately 3.40cts and is a natural sapphire with no indications of heat treatment, origin: Burma 1482. A diamond three-stone ring, the centre old circular-cut diamond millegrain set with two pearshaped diamonds and four rose-cut diamonds in platinum and white gold, size U £200-300 1483. A pair of aquamarine drop earrings, the briolette-shaped aquamarine suspends from small diamonds in white gold, 3.5cm long, case £800-1,200 1484. An Art Deco diamond and ruby cluster ring, the cushion-shaped diamond weighs approximately 2.70cts and is set within a surround of calibré-cut rubies, with three graduated baguette-shaped diamonds set to each shoulder in platinum, size N £4,000-6,000 1485. A star ruby and diamond ring, the cabochon ruby is flanked with baguette-shaped and circularcut diamonds in pierced platinum mount, size M £5,000-7,000 1486. An Art Deco diamond brooch, bearing the diamond-set initials ARCM for Associate of the Royal College of Music, millegrain-set in platinum with rectangular border, 5cm wide, case £300-400 Provenance: Judith Green, Associate of the Royal College of Music, daughter of Cecil & Muriel Elwes 1487. An aquamarine and diamond ring, the emerald-cut aquamarine is set with three circular-cut diamonds to each shoulder in white gold, size T½ £600-800 1488. A sapphire and diamond ring, the sapphire cabochon is set within sapphire and diamond underbezel in yellow gold, size J (approximately) £8,000-12,000

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1474

1475

1488 1476

1487

1477

1486 1485

1478 1479 1484

1482 1480

1483 1481

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1489. A pair of aquamarine and diamond drop earrings, the aquamarine briolettes suspend from an articulated line of circular-cut diamonds in white gold, 2.6cm long £600-800 1490. An Art Nouveau ‘Skyscraper’ emerald and diamond ring by H.G.Murphy, C1930, with champlève enamel decoration in yellow gold, struck with maker’s mark HGM, size N £600-800 Illustrated P47 The Jewellery and Silver of H.G.Murphy by Paul Atterbury and John Benjamin 1491. An Art Deco large aquamarine sapphire and diamond brooch, the cushion-shaped aquamarine is set within concentric borders of circular-cut diamonds and calibré-cut sapphires, millegrain-set in pierced platinum mount with diamond-set underbezel, 4.2cm wide, fitted case £11,000-15,000 1492. An early 20th century circular diamond brooch, the old circular-cut diamonds are millegrain-set in platinum and gold, 2.5cm wide £1,000-1,500 1493. A zircon and diamond ring, the emerald-cut blue zircon is set either side with a circular-cut diamond in platinum, size N½ £600-800 1494. An aquamarine and diamond dress ring, the large emerald-cut aquamarine is set with baguetteshaped diamonds to each shoulder in platinum, size K (approximately, with inner re-sizing balls), case £1,000-1,500 1495. An early 20th century navette-shaped ruby and diamond cluster ring, set with a central ovalshaped ruby within a surround of graduated cushion-shaped diamonds in platinum and gold, size M½ £2,000-3,000 Accompanied by report number 78127-19 dated 24 October 2017 from GCS, London stating that the cushioncut ruby weighs approximately 1.20cts and is a natural ruby with no indications of heating, origin: Burma 1496. An Art Deco tourmaline and diamond cluster ring, the emerald-cut tourmaline is millegrain-set within a border of circular-cut diamonds in carved and pierced platinum mount, size P½ £400-600 1497. A pink topaz and diamond pendant, the cushion-shaped topaz is millegrain-set within a surround of rose-cut diamonds, set beneath a diamond bow in platinum, 4.2cm long, chain 44cm long £1,000-2,000 1498. A lady’s Art Deco sapphire and diamond cocktail wristwatch, the plain silver dial with black Arabic numerals, the case set with sapphires and diamonds in a chequerboard pattern, scroll engraved decoration to sides, platinum, cord band, 16cm long £600-800 1499. An Art Deco diamond and onyx dog brooch, the stylised Lakeland Terrier is pavé-set with circular£600-800 cut diamonds, with black enamel decoration and a gold collar, set in platinum, 3.3cm high 1500. A two row cultured pearl bracelet, with an early 20th century emerald and diamond bow clasp, set in platinum, the bracelet 17.5cm long £800-1,200 1501. An Art Deco sapphire and diamond foliate wristwatch, the square dial with black Arabic numerals, the case set with circular-cut diamonds and foliate design sapphires in platinum, sapphire thumbpiece and platinum mesh bracelet set with sapphire and diamond clusters, 17.5cm long £600-800 1502. An early 20th century sapphire and diamond bracelet, the three sapphire cabochons are millegrain-set within foliate diamond decoration in platinum, 19.7cm long £1,500-2,000 Provenance: The property of the Earl of Chichester

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1491

1489

1490

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1492

1494 1497

1495

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1496 1498

1501

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1502

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1503. A pair of diamond drop earrings, the scroll centre sections are millegrain-set with graduated circular-cut diamonds, each suspend five graduated briolette-shaped diamonds, suspended from lines of graduated circular-cut diamonds in white gold, 8cm high, fitted case £4,000-6,000 1504. A two-row natural pearl necklace, the graduated pearls are set with diamond and glass rondels, with a pearl and diamond circular clasp set with ten cushion-shaped diamonds around a drilled half pearl in silver and gold, 39cm longest £2,000-3,000 Accompanied by report number 78127-16 dated 21 November 2017 from GCS, London stating that the cream pearls measure from 3.4 - 6.1mm approximately and are natural saltwater with no indications of treatment 1505. A natural saltwater pearl ring, within diamond surround and diamond shoulders in yellow gold with blue enamel shank, size O½ £2,000-3,000 Accompanied by report number 78127-41 dated 2 November 2017 from GCS, London stating that the cream pearl measures 10.4 - 10.6 x 9.0mm approximately and is natural saltwater with no indications of treatment 1506. A graduated natural pearl necklace, the choker-length necklace with a lozenge shaped platinum clasp pavé-set with circular-cut diamonds, signed for Boucheron, 6cm long £5,000-7,000 1507. A two-row lavender jade bead necklaces, the beads graduate from 7.41 to 13.30mm, with silver clasp, 52cm long £400-600 Accompanied by report number 14322 dated 16 June 2017 from The Gem and Pearl Laboratory stating that the lavender beads measure 7.2 - 13.2mm are natural jadeite jade with no indications of treatment 1508. A pair of pearl and diamond drop earrings, the scrolls of baguette-shaped and circular-cut diamonds suspend a natural pearl with diamond-set cap in platinum, clip and post fittings, 4cm long £3,000-4,000 Accompanied by report number 78132-98 dated 29 November 2017 from GCS, London stating that the white pearls measure 8.1 -8.2 x 9.0mm & 8.0 - 8.1 x 9.0mm and are natural saltwater with no indications of treatment 1509. A pair of natural pearl and diamond drop earrings, with one light brown and one grey pearl, each suspended from a diamond-set cap in yellow gold, 2cm long £2,000-3,000 Accompanied by report number 78130-11 dated 22 November 2017 from GCS, London stating that the light brown and grey pearls are natural saltwater with no indications of treatment 1510. An Art Nouveau natural pearl brooch, of pierced foliate form, in textured yellow gold and set with £6,000-8,000 a central natural pearl, suspending a further natural pearl and diamond drop, 6cm wide Accompanied by report number 5777-8478 dated 13 January 2017 from GCS, London stating that the cream drop pearl measures 13.6 x 9.5 x 7.0mm approximately and is a natural saltwater pearl with no indications of treatment

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1505

1506

1504

1503

1507

1508

1509

1510

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THE LUPINO LANE ‘LAMBETH WALK’ JEWELLERY

1511

Lupino Lane (1892-1959) starred in the 1937 musical Me and My Girl as the cockney barrow boy who inherits an Earldom. He sang and danced the famous ‘Lambeth Walk’, always finishing the chorus with an ‘oi’. It became a show stopper and swept the country. King George VI and Queen Elizabeth attended a performance joining in the shouted ‘oi’. The musical developed into an international craze. It was even popular in Germany much to Hitler’s displeasure. Lupino Lane may have been inspired by those close to him to create commemorative jewellery. His friend, Walt Disney, famously had charms made by Cartier of his cartoon characters. It is known that Noel Gay, Lupino Lane’s co-writer for Me and My Girl, worked on a film ‘Sleeping Car’ (1933) for whom Lacloche Frères made the jewellery. Lupino Lane and cast members doing the Lambeth Walk at the Victoria Palace Theatre. Lupino Lane commissioned this jewellery for his wife, the actress Violet Blythe. It was subsequently Hulton Archive/Getty Images

inherited by his granddaughter, who offers it for sale.

1511. An open-face pocket watch by Elgin, case formed from a US dollar coin, signed keyless-wind movement with club-tooth lever escapement., cream dial with personalised hour markers to read LUPINO LANE, retailed by Barkes & Son Brooklyn, subsidiary seconds dial to six, 38mm £100-150 1512. A 1940s spray and banner platinum clip brooch, reading ‘Sweetheart Mine’, millegrain-set overall with circular-cut diamonds and highlighted with circular-cut and baguette-shaped rubies, 4.7cm wide £2,000-3,000 Theatrical production Sweetheart Mine followed Lupino Lane’s hit musical Me and My Girl. 1513. An Art Deco diamond-set double-clip brooch incorporating a figure of Lupino Lane, dressed as cockney barrow-boy Bill Snibson from the musical Me and My Girl, the figure millegrain-set with circular diamonds with enamel face and hand in the thumbs-up position, both top corners designed with ‘Oi!’, set overall with circular-cut and baguette-shaped diamonds with symmetrical scroll design in platinum, the two side sections detach as separate clips, 5.7cm wide £4,000-6,000 1514. A pair of Art Deco diamond drop earrings incorporating a figure of Lupino Lane, dressed as cockney barrow-boy Bill Snibson from the musical Me and My Girl, the figures with enamel faces and hands in the thumbs-up position, set overall with circular and baguette-shaped diamonds in platinum, 4.5cm high £2,000-3,000 1515. Two late-1930s gem-set and enamel charms, one designed as cockney barrow-boy Bill Snibson from the musical Me and My Girl and wearing a coronet, pavé-set overall with circular-cut diamonds and small rubies, his face decorated with enamel, mounted in platinum with suspension ring, 2cm high, the other gem-set platinum charm incorporating two figures, probably the cockney couple Bill Snibson and Sally Smith from the musical Me and My Girl, he pavé-set with diamonds, she with calibré-cut rubies, each with enamel faces and diamond hats, framed and mounted in platinum with suspension ring, 2.2cm high £400-600 1516. Three late-1930s gem-set platinum charms commemorating the acting career of Lupino Lane, the first reads ‘Me and My Girl’, millegrain-set with small diamonds in platinum and stepped frame, 1.8cm high, the second centred with ‘Oi’ set with rubies and a sapphire tittle, within a circular border of circular-cut diamonds in platinum with suspension ring, 1.2cm wide, the third charm reading ‘Nip’, millegrainset with circular-cut diamonds in a six-sided frame and suspending from an oval-shaped sapphire, 2cm wide £400-600 Lupino Lane was known as ‘Nip’, which was a reference to his first performance in Little Nipper.

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1512

1513

1516

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1515

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1517. A pair of fluted gold earrings by Boucheron, each set with a cabochon coral, signed, French control marks £4,000-5,000 1518. A diamond-set gold strap hinged bangle, the six-bar bangle with stylised buckle set with graduated circular-cut diamonds, 6.2cm wide, 75g £3,000-4,000 1519. A gold lipstick holder by Van Cleef & Arpels, of cuboid form with foliate engraved decoration and £1,000-2,000 a diamond thumbpiece, 5.7cm high, signed 1520. A diamond-set yellow gold ring attributed to René Boivin, set with a line of five cushion-shaped diamonds with fluted and pellet shoulders, not signed, size O, ring box for René Boivin Paris £5,000-7,000 1521. An abstract gold bracelet by John Donald, each panel designed with textured gold cubes and set with square-shaped sapphires and circular-cut diamonds in yellow gold, maker's mark JAD for John £800-1,200 Donald and London marks for 1968, 16.3cm long, 43g, John Donald case 1522. A heavy curb-link gold bracelet, with gold T-bar terminal, stamped 24, 23cm long, 130g £2,500-3,000 1523. A brutalist style opal mounted gold brooch/pendant by Tiffany and Co, c1970, the lozengeshaped brooch is set with three graduated opal cabochons in textured and pierced yellow gold, 5.2cm £800-1,200 long, maker’s mark T & Co in plaque to reverse 1524. A sapphire and diamond cocktail ring, of bombé form, set with a central oval-shaped sapphire within a scrolling surround of baguette-shaped and circular-cut diamonds in platinum, size N½ £2,000-3,000 1525. A pair of diamond-set clips by Van Cleef & Arpels, designed as undulating lines of circular-cut and baguette-shaped diamonds in platinum, signed with initials and indistinct inventory number, 2cm £15,000-20,000

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1517

1518

1519

1520 1521

1525 1522

1524 1523

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1526. A sapphire and diamond five stone ring, alternately-set with graduated sapphires and diamonds in carved and pierced yellow gold mount, size S £1,500-2,000 1527. A late 19th century diamond bow brooch, set with graduated cushion-shaped diamonds in silver and gold, 2.5cm wide, case £400-600 1528. A 19th century ruby and diamond necklace, alternately-set with ruby and diamond clusters and diamond-set oval links, suspending a ruby and diamond clover in silver and gold, 38cm, fitted case £6,000-8,000 1529. A late Victorian ruby and diamond bow brooch, alternately-set with graduated circular-cut rubies and diamonds in silver and gold, 3.7cm wide, case £600-800 1530. A Victorian mistletoe brooch, realistically formed and set with diamonds, demantoid garnets and seed pearls, in silver and gold, 4.2cm wide £400-600 1531. An Edwardian opal, ruby and diamond lavalier, the solid white opal cabochon within diamond scroll surround and ruby and diamond drops suspends two articulated matching pendants, in silver and yellow gold, on fine-link platinum neck chain with an opal set to the clasp, pendant 10.5cm long, chain 45cm long £6,000-8,000 1532. A pair of ruby and diamond drop earrings, the pear-shaped rubies are set within a diamond £600-800 surround and suspend from two further diamonds in silver and gold, 3cm long, case 1533. A pair of ruby and diamond cluster ear studs, the ruby cabochons are set within a surround of circular-cut diamonds in silver and gold, case £400-600

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1526

1527

1529

1530

1528

1532 1531

1533

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1534. A large Indian gold necklace, c1950, in the shape of stylised jasmin buds, each set with a ruby cabochon in yellow gold, 250g ÂŁ10,000-20,000

Not actual size

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Not actual size

1535. A late 19th century sapphire and diamond tiara, set with a line of diamond-set scrolls, each with knife-edge links and graduated sapphire and diamond clusters in silver and gold, on velvet head frame. The tiara can be taken off the frame to be worn as a necklace, accompanied by fine-link neck chain, case ÂŁ18,000-25,000

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1536. An Art Nouveau diamond pendant, the platinum trefoil design centred with a transitional circularcut diamond weighing approximately 1.65cts, the three open-work sections with graduated circular-cut diamonds millegrain-set to the borders and each mounted with further circular-cut diamonds in foliate form, on a fine-link platinum neck chain, chain 48cm, pendant 5cm wide £10,000-15,000 1537. A sapphire and diamond cluster ring, the long oval-shaped sapphire weighs approximately 3.30cts £20,000-30,000 and is set within a surround of old circular-cut diamonds in platinum, size N Accompanied by report number 77100-19 dated 28 April 2017 from GCS, London stating that the cushioncut sapphire weighs approximately 3.39cts and is a natural sapphire with no indications of heat treatment, origin: Burma 1538. A late Victorian ruby, diamond and pearl brooch, the centre oval-shaped ruby set within a surround of old circular-cut diamonds and further graduated diamonds to the scroll mount, suspending a drop-shaped natural pearl and with red stone above, set in silver and gold, 6.5cm high £25,000-30,000 Accompanied by report number 73575 dated 24 March 2014 from SSEF stating that the white drop-shaped pearl measure 9.20 x 12.35 x 15.00mm and is natural saltwater, and that the cushion-cut ruby weighs approximately 4.30cts and is a natural ruby with no indications of heat treatment, origin: Burma 1539. A 19th century ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of cushion-shaped diamonds in silver and gold, size P £4,000-6,000 Accompanied by report number 78131-41 dated 28 November 2017 from GCS, London stating that the ovalcut ruby weighs 4.20cts and is a natural ruby with no indications of heat treatment and moderate amounts of oil in fissures at time of testing, origin: Burma 1540. A 19th century natural pearl, diamond and emerald brooch, the stylised fleur-de-lys is set with graduated diamonds and two emeralds, suspending a natural pearl, in silver and gold, 5.2cm long £12,000-15,000 Accompanied by report number 5775-2882 dated 7 September 2017 from GCS, London stating that the rectangular step-cut emerald weighs approximately 1.50cts and is a natural emerald with indications of moderate clarity enhancement, origin: Colombia Accompanied by report number 10698 dated 16 January 2015 from The Gem and Pearl Laboratory, London stating that the part-drilled cream/white flattened drop-shaped pearl weighs 12.83cts and is a natural saltwater pearl with no indications of treatment 1541. A diamond solitaire ring, the marquise-shaped diamond weighs approximately 1.45cts, set with baguette-shaped shoulder diamonds in platinum, size S½ £4,000-6,000

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1536

1538

1537

1539

1540

1541

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1542. An Art Deco sapphire and diamond pendant, the circular disc millegrain-set with calibré-cut sapphires and circular-cut diamonds, suspending a further pendant set with lines of sapphires, sapphire cabochons and pavé-set with circular-cut diamonds in platinum, suspending a tassel of pearls, on platinum neck chain, chain 66cm long, pendant 9.2cm long £2,000-3,000 1543. A pair of Art Deco ruby and diamond double clip brooches, of abstract scroll design and set with £5,000-7,000 graduated circular-cut diamonds and buff-top rubies in platinum, each clip 3.2cm wide 1544. A French Art Deco sapphire and diamond ring, the sugarloaf-shaped sapphire weighs 16.62cts and is set with baguette-shaped shoulder diamonds in platinum, French control marks, size M £25,000-30,000 Accompanied by report number 04614 dated 4 October 2011 from The Gem and Pearl Laboratory, London stating that the oval-cut cabochon sapphire weighs 16.62cts and is a natural sapphire with no indications of heat treatment, origin: Sri Lanka 1545. A tutti fruiti emerald and sapphire ring, the emerald-cut emerald is set within carved foliate sapphire shoulders and diamonds in platinum, size J½ £3,000-5,000 Accompanied by report number 78130-14 dated 22 November 2017 from GCS, London stating that the octagonal-cut emerald weighs 3.90cts approximately and is a natural emerald with indications of moderate clarity enhancement, origin: Colombia 1546. An Art Deco emerald, diamond and black onyx ring, the emerald-cut emerald is millegrain-set within a border of circular-cut diamonds and triangular onyx cabochons in pierced platinum mount, size O½ £2,000-3,000 Accompanied by report number 78130-10 dated 22 November 2017 from GCS, London stating that the octagonal-cut emerald weighs approximately 1.80cts and is a natural emerald with indications of moderate clarity enhancement, origin: Columbia

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1542

1543

1544

1545

1546

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FINE PORCELAIN & POTTERY Tuesday 20th February 2018

A fine gold-mounted Meissen snuff box, c.1740, finely painted in purple monochrome with scenes of courting couples in formal garden settings, 7.6cm across. Estimate: £1,500 - £2,000

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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FINE SILVER & VERTU

Tuesday 24th & Wednesday 25th April 2018 Entries are now being accepted for this sale

By Fabergé, a silver model of a snail, with work master's mark of Henry Wigstrom, c.1911, length 10cm. Estimate: £3,000 - £4,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Old Sarum Park Westover Garage

Woolley & Wallis Unit 1B Castlegate Business Park Old Sarum Salisbury SP4 6QX

A36 C HUR CH ILL WA YN OR TH D

A36(T) CH URC HIL L

WILTO NR DA

CH 6( T )

EET STR TLE CAS

A3 60

E Kia Motors

rtw Po

A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

N ST

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

( T)

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE

D PAY AN Y DISPLA RK CAR PA

DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

NT O

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

REET

ENDLESS ST

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

LANE

RO A

W BED

IN S

A36

A36(T) SO UTHA MPT ON R

SALT

W OOLLEY & W ALLIS S ALEROOMS

SOUTHAMPTON CATHEDRAL

TRE

ST AN

HAR NH AM

urchill W ay

D OA

AMESBURY & MARLBOROUGH

R EY

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

E LS

HL AS

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery & Watches

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 25th January 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

Project1_Layout 1 14/12/2017 13:12 Page 1

Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 10th January 2018 11th April 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk SILVER 23rd & 24th January 2018 – Silver & Vertu 24th & 25th April 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 25th January 2018 – Jewellery & Watches 26th April 2018 – Fine Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk WATCHES 25th January 2018 – Jewellery & Watches 26th April 2018 – Fine Jewellery & Watches Adrian Hailwood +44 (0) 7775 788500 • ah@woolleyandwallis.co.uk PAINTINGS 7th February 2018 – Modern British Art from the estate of the late Geoffrey Harley 7th March - 2018 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 20th February 2018 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st March 2018 – Clarice Cliff, Art Deco & Design Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 3rd May 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 22nd & 23rd May 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk

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