Woolley & Wallis Auctioneers

FINE JEWELLERY THURSDAY 14TH & FRIDAY 15TH JULY 2022 10.00AM

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Emily O’Donnell Megan Corbett

424595 424504 424586 424561 424562

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES 339752 446980

ASIAN ART

GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Leyanne Hind

Freya Yuan­Richards Michelle Yu

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS

MARKETING Chloe Davie

411854 446974 339161 446974 339161

Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

JAPANESE ART Alexandra Aguilar Alana Ker Mercer

424583 424591

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424500

CASTLE GATE RECEPTION

ACCOUNTS 424506 424583 424589 +44 (0)7812 601098 424591 424571

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan­Richards Neil Grenyer Jim Gale Suzy Becsy Sarah Stone

424502 446974 424509

Sally Litherland

Will Hobbs Molly O’Reilly

John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

Jeremy Lamond MRICS ASFAV FRSA Neil Grenyer Amanda Lawrence

424501 424594

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

446951

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FINE JEWELLERY THURSDAY 14TH JULY 2022 10.00AM

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

LOTS 1000-1398

FRIDAY 15TH JULY 2022 10.00AM LOTS 1399-1656

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

both days at our Castle Street Salerooms, SP1 3SU

VIEWING AT CASTLE STREET, SP1 3SU Saturday 9th July Monday 11th July Tuesday 12th July Wednesday 13th July

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm

No viewing on the days of the sale

Emily O’Donnell 01722 424561 eo@woolleyandwallis.co.uk

Megan Corbett 01722 424562 mc@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Wednesday 13th July

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 13th July

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Facebook: @woolleyandwallis

ILLUSTRATIONS Front cover: Lot 1654 Inside front cover: Lot 1646 Page 1: Lot 1656 Inside back cover: Lot 1605 Back cover: Lot 1645

Twitter: @woolleywallis Pinterest: Woolley and Wallis

Catalogue £10.00 (£15.00 by post) 3

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT Please note that lots marked † are subject to VAT on the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1000

1000 A mixed group of jewellery, comprising: a garnet bracelet; a hardstone cameo stick pin depicting Achilles, the reverse inscribed ‘Rose’; a garnet ring and brooch; a chrysoprase and paste cluster ring; a gold and nephrite cabochon ring; a sapphire eternity ring; a 9ct gold and synthetic blue spinel ring; a silver, marcasite and enamel pendant with a French inscription to the reverse; a mid 20th century step­cut citrine ring; a charm depicting a horse and jockey; a 9ct fancy link bracelet; a silver, amethyst and marcasite cicada brooch; a 22ct gold wedding band; a 9ct gold wristwatch; an 18ct gold and rock crystal compass charm; a blue enamel ship’s wheel charm inscribed QE2 MAY 1973; three fine bangles, one suspending a lantern charm, the other suspending chrysoprase and seed pearl heart charms; a set of six paste buttons; an Art Deco­ style paste bracelet; a green and white paste brooch and a floral spray brooch set with red and colourless paste stones; a silver pocket watch by Elgin National Watch Co.; and a gilt metal pocket watch by Waltham; twelve cases £200­300

1001

1001 A large group of jewellery, comprising: a shell cameo pendant by Bimonte; a carnelian, banded onyx and silver bracelet; a lady’s 9ct wristwatch by Accurist; a wristwatch by Avia; a shell cameo brooch; a pair of diamond­set heart studs; an 18ct gold, sapphire and diamond three­stone ring; a 9ct and diamond signet ring; a heart­shaped stick pin; a 9ct gold heart­shaped pendant and curb chain necklace; two lapis lazuli necklaces; two pairs of gold hoop earrings; eleven 9ct bangles; a cased enamelled pheasant bar brooch; a silver and gem­set ring; a double­strand cultured pearl necklace; a silver and moonstone fringe necklace; a pair of cabochon garnet stud earrings; together with a group of costume jewellery (not illustrated) £1,000­2,000 λ 1002 A coral and gilt metal hand mirror, 19th century, possibly Italian, the mirror framed in gilt metal with snake motifs, supported by a coral branch carved with acanthus leaves and animal heads, length 32cm £200­300

1002 5

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1003 λ 1003 A large collection of jewellery, comprising: four pairs of cufflinks and three single cufflinks; a rock crystal and turquoise pendant; a carved onyx, diamond and sapphire fish pendant; a gilt metal fox ornament; a belcher link chain necklace; a 9ct horseshoe pendant necklace; a single cross­shaped earring suspending moonstone and figurative pendants; a light blue cord bracelet with a star of David charm set with diamonds; two mother of pearl figa pendants; fourteen cameos including one hardstone cameo; a silver propelling pencil (lead deficient) with onyx seal finial; a conch shell carving of a townscape; three mother of pearl buttons; four diamond stick pins; five stick pins with finials deficient; a propelling pencil designed as a key; a 9ct gold corkscrew by Asprey; two pairs of buttons and three loose buttons; a silver modernist chain bracelet; four pairs of earrings; a citrine cluster brooch; and a group of eight figurative coral beads, and a collection of enamelled tokens bearing Catholic imagery £400­600

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1004 A mixed group of jewellery, comprising: a 15ct gold, paste and half seed­pearl ring, mid 19th century, engraved ‘Annie Montgomerie’, British hallmarks; thirteen rings of various designs; five chain necklaces, one by Chiampesan, stamped 375, another stamped 14K; five pendants including a Victorian sovereign coin; a cultured pearl and turquoise necklace, marked 9ct; six brooches, two marked for 9ct gold; two pocket watches, one marked 18ct with an added chain; a pair of opal stud earrings and a pair of 9ct golf cufflinks, British hallmarks £600­800

1004

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1005

1006

1005 A group of jewels and objects, comprising: an Art Deco 9ct gold propelling pencil, dated 1933, British hallmarks; two gold and turquoise propelling pencils, mid 19th century, terminating in bloodstone seals, one accented with turquoise cabochons; a 9ct gold Parker fountain pen, British hallmarks; a 9ct gold matchbox and coin case incised with floral scrolls, one end with a vesta strip, British hallmarks; a gilt metal and enamel eye glass; a Chinese carnelian pendant carved as a fish on lotus leaves; a gold and carved chalcedony scent bottle, circa 1830; and a Victorian gilt silver cuff set with three enamelled coins; and a pair of green and colourless paste pendent earrings £400­600 1006 A mixed group of Victorian and early 20th century gold jewels, comprising: a stick pin set with a circular­cut diamond; a ring set with a conch shell cameo depicting Cupid and Psyche; a bar brooch set with a circular­cut diamond and terminating in seed pearls; a half seed pearl crescent bar brooch; a fancy link bracelet suspending a seal set with foil­backed rock crystal; two watch chains; two pocket watches, one by Dent, inscribed and dated 1905, case; the other unsigned, British hallmarks for 9ct gold; a gilt metal brooch set with garnets; and a gilt metal magnifying glass pendant £1,000­1,500

1007

1007 A mixed group of jewellery, including a Victorian gold mourning locket, a gold mourning ring (damaged), a gold heart pendant, a Victorian turquoise and diamond gold brooch and various other items of jewellery and costume jewellery £400­600 1008 A group of jewellery, comprising: a Victorian 9ct gold charm bracelet suspending five hardstone seals, to a heart­ shaped padlock clasp, British hallmarks; a gold chain necklace composed of textured linking, length 80cm, stamped 750, Italian maker’s marks; and a shell cameo brooch carved with a young woman in profile, length 5.6cm £800­1,200

1008 7

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λ 1009 A group of 56 stick pins, late 19th/early 20th century, comprising: two set with moonstones; three set with amethysts; two set with carnelian; one set with purple paste; one of garter design in black enamel with a glazed compartment for hair; one set with a star sapphire; two set with diamonds; one set with a quartz cat’s eye; four with gold finials in various designs; one with a mother of pearl cabochon; three with shell cameos; three with enamelled miniatures depicting dogs; one set with coral cabochons; one set with a beetle wing case; one set with an Egyptian scarab; three set with banded onyx; one of engraved silver; one set with lapis lazuli; one in turquoise and gold enamel; seven set with garnets; six set with turquoise; nine set with seed pearls and one set with an opal £400­600

1009

1010 A group of 25 stick pins, of various designs, including five set with rubies; three set with turquoise; six set with pearls (untested); three set with amethysts; one set with a colourless paste stone; one of navette outline in blue and white enamel; one set with a cabochon garnet; one of onyx inset with a seed pearl; and four in plain gold, designed as a bee, a masonic square and compass, an engraved sphere and an abstract knot around a baton, total weight 28.9 grams £300­500 λ 1011 A group of ten stick pins, the finial designs including: a grapevine in varicoloured gold; a polished coral cabochon; a cultured pearl; a rope twist coil centring on a cultured pearl; a sprig of daisies in white enamel and seed pearls; a geometric arrangement of four square sapphires and a seed pearl; a pair of flowers in rubies and seed pearls; a sapphire and diamond cluster; a cushion­ shaped chrysoberyl; and a buff­topped amethyst topped with rose­cut diamonds, total weight 16.8 grams £300­500

1010

1012 A group of ten stick pins, the finial designs comprising: a circular­cut citrine in a border of seed pearls; an oval citrine; a collet­set oval amethyst; a ring of half pearls (untested); a circular­cut garnet in a carved oval mount; a circular­cut diamond in a mount of wheel design with a ropetwist border, stamped 18ct; a horseshoe set with serpentine and aventurine cabochons and one seed pearl; a rectangular light blue paste stone; a cabochon amethyst in a carved floral border; and a caved cabochon garnet inset with a smaller turquoise cabochon, total weight 27.4 grams £200­500 1013 A group of eight stick pins, with finial designs including: a diamond cluster in a rope twist border; a ruby between seed pearls on a knife wire bar; the numeral 2 set with rose­cut diamonds; a hook shape set with rose­ cut diamonds; a sword handle and guard set with cultured pearls and diamonds; and three sapphire and diamond stick pins, total weight 19.7 grams £300­500

1011

8

1012

1013

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1016

1015 1014

1014 A natural pearl and diamond stick pin, set to one end with a natural pearl measuring approximately 8.0 x 6.8 x 6.9mm, length 73mm, 1.8 grams £200­300 1015 A brown and white diamond stick pin, the top set with a brilliant­ cut brown diamond weighing approximately 1.9 carats, within a border of pavé­set brilliant­cut diamonds, length 5.4cm £800­1,200 1016 A Victorian gold and diamond hat pin, late 19th century, the bulb­ shaped finial with an Islamic moon and star set with rose­cut diamonds, length 18.9cm £180­200 1017 A mixed group of jewels, comprising: a mid­19th century pearl, turquoise and diamond pendant on a rope twist chain (pearls untested); a cultured pearl bar foliate bar brooch, fitted case; a shell cameo brooch depicting two goddesses and an eagle, reverse signed C.Noto; two smaller shell cameo brooch/pendants depicting a woman in profile and a rose respectively; a bar brooch set with a cabochon opal, stamped 9ct; an enamelled egg­shaped pendant of pierced open work design of Arabic calligraphy, fanning open to reveal a Arabic inscription, to a fine curb chain; and a 9ct gold ring set with a cultured pearl, size P, British hallmarks £400­600 1018 A group of jewellery, comprising: a banded agate brooch; a Victorian seed pearl, amethyst and citrine double heart brooch; an Edwardian seed pearl and enamel pendant; a cross pendant set with blue paste stones, stamped 14K; a Victorian seed pearl and turquoise bow brooch, stamped 15CT, with a simulated pearl safety clasp; a bar brooch of ropetwist and forget­me­not design; an opal tie pin signed MB&Co.; and a silver­cased 9ct gold and amber cigarette holder (amber broken and restuck), total weight 46.9 grams £400­600

1018

1017

1019 A group of jewellery, comprising: three stick pins, one set with a cabochon opal, one designed as a hand with shirt cuff holding a cushion­ shaped diamond, connected by a chain to a third stick pin terminating in a small pearl (untested); a navette­shaped ring set with a brilliant­cut and single­cut diamonds, size L½; a blue guilloche enamel and seed pearl fob watch with a bow surmount; a three­stone diamond ring, size Q; a 9ct gold opal cluster ring, size L½, British hallmarks; and a sapphire and diamond cluster ring, size N½, stamped 18ct Plat, combined weight 40.9 grams. £300­400

1019

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1020 1021 1020 A mixed group of jewels, including two bar brooches of horseshoe design, one late 19th century, set with cushion­shaped sapphires and diamonds and seed pearls; a bar brooch with a Welsh Regimental badge, pin stamped 15; a 9ct gold charm depicting a quail, British hallmarks; two charms depicting a top hat and a mirror; a gold suspension hoop with floral designs; a low­carat gold and glass intaglio seal; and a gold propelling pencil set with turquoise cabochons and a flat­cut amethyst £200­300 1021 A group of gem­set jewellery, comprising: a brooch designed as a basket of flowers, set with rubies, sapphires, emeralds and simulant diamonds; a gold pendant set with circular­cut sapphires; a ring set with princess­ and brilliant­cut diamonds, British hallmarks for 9ct white gold; a citrine and diamond cluster ring in 18ct gold, British hallmarks; and four other 9ct gold rings, sizes J-T½ £400­600 1022 A group of six bar brooches, late 19th/early 20th century, including a regimental brooch with enamel and rose­cut diamonds, stamped 14CT PLAT; a 9ct brooch with crown and dates 37 and 97, British hallmarks; a brooch with red and gold enamel escutcheon depicting three swords beneath a crown, above a pair of wings, stamped 15CT; a horse head and riding crop brooch, stamped 9ct; a dachshund brooch, British hallmarks for 9ct gold; and a gilt metal pin £150­250 1022

1023 A group of amethyst jewels, comprising: a Georgian amethyst and half seed pearl brooch, length 28mm; a ring of cluster design set with an oval amethyst within a half pearl border, size O½; and a mid 19th century pendant set with an oval amethyst and suspending an articulated fringe, length 60mm, pearls untested £300­500 1024 A group of gold jewellery, comprising: a chain suspending a propelling pencil; a curb link fob chain suspending a gold nugget; a pair of cufflinks composed of South African coins and bullet­ shaped terminals; a pair of 9ct gold oval cufflinks, British hallmarks; an early 20th century 9ct gold Rolex wriswatch; and a small pocket watch £1,200­1,500

1023

10

1025 A mixed group of gold jewellery, comprising: a 1970s brooch of abstract textured design set with emeralds and diamonds; three signet rings, one inlaid with onyx; two diamond rings; three wedding bands including one of twist design, one of bicoloured design; a curb­link charm bracelet with a heart­shaped padlock clasp; two bangles; a curb link watch chain with swimming club medal dated 1924; a snake chain necklace; a pair of hoop earrings; and a lady’s Tudor Royal wristwatch £1,000­1,500

1024

1025

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1026

1026 A collection of jewellery, comprising: a single row cultured pearl necklace, the clasp set with circular­cut sapphires, stamped 585; a ring set with step­cut blue topazes and accented with single­cut diamonds, size M½, British import hallmarks for 9ct gold; a 9ct gold band of ridged design, size J½, British hallmarks; and a ring set with a cushion­shaped citrine within a rope twist border, size N½, British hallmarks for 9ct gold £200­300 1027 A mixed group of watches, comprising: three 18ct gold pocket watches, one 41mm diameter, British hallmarks, the second 30mm diameter, stamped K18, the third 36mm diameter, inscribed David & Mary Graham, 1873; an 18 carat gold wristwatch, the front aperture with a green enamel border showing the hours, to an expanding 18ct Britannic strap, case 25mm diameter, British hallmark; and fob watch by J Barth et Fils, Geneva, the case enamelled with red guilloché enamel, the front with an enamelled design of irises in the Art Nouveau manner, set with rose­cut diamonds and a circular­cut ruby, signed J. Barth & Fils Genève, to a later matched bow brooch surmount, stamped 750, Italian maker’s mark, length 52mm, total combined weight 219 grams £1,000­1,500

1027

1028 A gold half hunter pocket, the plain dial with Roman numerals and subsidiary seconds dial, stem wind, with an 18ct gold open­faced pocket watch, key­wind with London hallmarks for 1869, 4.8cm wide £1,200­1,500 1029 An 18ct gold pocket watch, Waltham, circa 1919, the circular white enamel dial with subsidiary seconds dial and blued stee hands, the exterior plain, surmounted by a winder and handle, length 7.9cm including handle, signed Waltham, case with British hallmarks, sponsor’s mark ALD, numbered 165932, stamped Dennison watch company, movement signed ‘the ‘Russell’ model, 17 Jewels’, case stamped Armour Winston £600­800 1030 An 18 carat gold pocket watch, Rundell, Bridge and Rundell, circa 1797, the engraved and textured gold dial with Arabic numeral indicators and hands of curled design, the reverse decorated with concentric flora scrolls in three­coloured gold, surmounted by a push winder, length 76mm including winder and handle, interior signed Rundell Bridge & Rundell, numbered 4683, British hallmarks for 18ct gold, 112 grams £1,000­1,500

1028

1031 A Victorian 18ct gold pocket watch, Waltham, circa 1886, the front with blue enamel Roman numeral indicators surrounding an aperture, opening to reveal the white enamelled dial with subsidiary second dial and blued steel hands, surmounted by a winder, dial 4cm diameter, winding movement, suspension loop deficient, signed AW CO. Waltham, numbered 13315, British hallmarks for Chester, 18ct gold, date letter for 1886 £600­800

1029

1030

1031

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1032

1033

1032 A gold pocket watch, Waltham, the reverse engraved with a spray of flowers within a decorative border, the front with a plain centre and decorative border, opening to reveal a white enamelled face with subsidiary seconds dial and blued steel hands, surmounted by a winder and suspension hoop, length 5.7cm incluind suspension hoop, dial and movement signed Waltham, case numbered Q6688, movement numbered 3073720 £300­500 1033 An 18ct pocket watch, Dent, 1927, and a 9ct gold cigar cutter, Asprey, 1963, connected by a bicoloured gold chain, pocket watch 6.5cm including winder and suspension hoop, signed Dent, British hallmarks for 18ct gold, cigar cutter 3.7cm including bail fitting, signed Asprey, British hallmark for 9ct gold £1,000­1,500 1034 A gentleman’s 18ct gold pocket watch. Dent, the white enamelled dial with subsidiary seconds wheel and blued steel hands, to a plain gold case, surmounted by a winder and pendant loop, to a snake link watch chain attached to a 9ct gold propelling pencil, watch 7.8cm including winder and pendant fitting, chain length 35.5cm, pencil 7.5cm not including pencil lead, watch and pencil with British hallmarks, watch dial and movement signed Dent, 196.9 grams £1,500­2,000 1035 An 18ct gold pocket watch, Dent & Co., circa 1886, the front with central aperture and Roman numeral indicators in blue enamel, opening to reveal a white enamelled face with blued steel hands, surmounted by winder and handle, the interior of the front inscribed ‘Presented by Lord Clinton’s North Devon Tenantry and and Employees, December 1886’, the reverse with the initials CFT, British hallmarks for 18ct gold, sponsor’s mark EN, date letter for 1886, numbered 30238, gilt metal watch chain £200­300 1034

The ‘Lord Clinton’ in the inscription refers to Charles Hepburn­Stuart­Forbes­Trefusis, 20th Baron Clinton (1834­1904), a conservative MP and landowner in Devon and Scotland, who served as Under­Secretary of State for India 1867­8.

1036 A Victorian gold pocket watch, EW Streeter, circa 1893, the white enamel face with black enamel Roman numeral indicators, blued steel hands and subsidiary seconds dial, case in 18ct gold, lenth 70mm including winder and suspension hoop, British hallmarks for 18ct gold, movement signed EW Streeter, 110.3 grams £600­800

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1037

1038

1037 A fine enamel, seed pearl and diamond pocket watch, 19th century, the exterior depicting a vase of flowers with birds on one side, and a cornucopia of flowers on the other, in blue, pink and white enamel on a black ground with gold reserve, accented with rose­cut diamonds and half seed pearls, to outer decorative borders in blue and white enamel, the winder similarly decorated, opening to reveal a white enamelled face with Arabic numeral indicators and gold hands, with winding key aperture, length 3.9cm including suspension hoop, movement signed 23820, winding key deficient £500­700

1039

1038 Lapel watch, early 20th century, designed to be worn in a buttonhole, with a small circular dial projecting from a larger cased movement, dial 10mm, case 31mm including winder £100­150 1039 A group of gold jewellery, comprising: a turquoise and diamond ring; a 9ct gold wristwatch by Jaeger LeCoultre; a 9ct gold wristwatch by Longines; a cocktail swizzle stick; a pendant depicting a key and initials GF, a cross pendant, a bracelet and an owl charm £500­700

1040

1040 A lady’s 14ct gold and diamond wristwatch, Baume & Mercier, the circular gold dial with baton indicators and gold hands, within a bezel set with brilliant­cut diamonds and a cabochon synthetic sapphire winder, to a gate link bracelet, quartz movement, dial 1.3cm, bracelet length 17.5cm, signed Baume & Mercier, Swiss assay mark for 14ct gold, stamped 14K £1,000­1,500 1041 A lady’s 9ct gold Rolex, mid 20th century, the circular silvered dial with blue steel hands, to a plain circular bezel and black cord bracelet, dial 1.7cm diameter, length 16.0cm, manual winding movement, dial signed Rolex, case back numbered 2726 and 40993 0780, clasp stamped 9CT £200­300 1042 A stainless steel ‘Air King’ watch, Rolex, 1960s, the circular enamelled dial with a diagonal grid pattern, to baton and Arabic numeral indicators, the Rolex logo at 12, to tapered hands and a blued steel second hand, automatic movement, dial 28mm diameter, signed Rolex, Oyster Perpetual, Air King, Super Precision, case numbered 5500 and 574991 (each number slightly obscured), reverse inscribed MS Heath, 7th September 1961 £1,000­1,500 1043 A lady’s Art Deco diamond cocktail watch, 1920s, the silvered rectangular face with black enamel numeral indicators and blued steel hands, to a bezel and integrated bracelet of geometric design set with single­cut diamonds, the back links plain, dial 1.2 x 0.6cm, bracelet length 16cm, watch case interior stamped All Plat, plain bracelet section stamped 18ct £600­800

1042

1041

1043

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1045 1044 1044 A two row cultured baroque pearl necklace, mounted with a converted Victorian silver and gold brooch of foiliate design set with cushion­shaped and rose­ cut diamonds, with a rectangular gold clasp, length 130 cm £1,800­2,500 1045 A black cultured pearl necklace, designed as a single row of black cultured pearls, diameters approximately 12.6­15.3mm, to a hook and eye clasp, length 46.5cm, clasp stamped 750 for 18 carat white gold £800­1,200 1046 A single­row cultured pearl necklace, set with emerald and ruby beads, 106cm long £150­200 1047 A citrine pendant and a cultured pearl, ruby and diamond necklace, the gold pendant set with a large citrine weighing approximately 90.00 carats, length 4.6cm; the necklace composed of a single strand of cultured pearls, approximately 8.7mm diameter, to a clasp set with a circular­cut ruby and single­cut diamonds, length 46cm £200­300 1048 A pair of cultured pearl and diamond earrings, the diamond­set coronets each suspend a cultured pearl, in white gold, post fittings, 1.2cm high £200­300 1046

1049 A pair of cultured pearl and diamond drop earrings, the diamond wings set with graduated circular­cut diamonds suspending cultured pearls in platinum and gold, 3.7cm high £600­800 1050 A Victorian natural pearl, blister pearl and diamond pendant, designed as a foliate spray set with rose­cut diamonds and natural pearls, suspending a large blister pearl, length 5.2cm, one diamond deficient £800­1,200 Accompanied by GCS report no. 79223­93, stating that the three pearls measuring 3.9 x 3.8 x 3.7mm ­ 7.4 x 5.3 x 4.4mm are natural, saltwater, and the largest pearl measuring 29.0 x 16.4 x 8.5mm is a natural blister pearl.

1047

1048 14

1049 1050

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1051 1052

1051 An emerald bead and diamond necklace, composed of a double row of graduated emerald beads measuring approximately 3.7­8.8mm diameter, to a foliate clasp set with circular­cut, single­cut and half­moon diamonds, length approximately 49cm, 46.5 grams £1,500­2,000 1052

A single row amber bead necklace, 72cm, 85grams

£400­600

1053 A group of jewellery, comprising: a gold bracelet set with turquoise cabochons and half cultured pearls, length length 19cm, stamped 15; a pair of gold ear clips of knot design, diameter 2.1cm, Austrian assay marks; and a three­strand cultured pearl bracelet set with circular­cut sapphires, length 17cm, stamped 9ct £400­600

1054 Two lady’s wristwatches, Omega, the first with a square dial, to a mesh bracelet, manual winding movement, dial 12 x 12mm, bracelet length 145mm, signed Omega, British hallmark for 9ct gold; the second with a circular dial, to a later bracelet of foliate design, manual winding movement, dial 17mm, bracelet length 168mm, dial signed Omega, bracelet unsigned, bracelet stamped 750 £600­800 1055 A group of jewellery, comprising: an 18ct gold, sapphire and diamond cluster ring, size M½, British hallmarks; a 9ct gate link necklace, length 41cm, British hallmarks; and a gold fancy link chain bracelet set with oval amethysts, length 18cm, combined weight 35 grams £700­900

1053

1054 1055 15

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1056

1057

1056 A Victorian guard chain, composed of belcher links, the clasp suspending a T­bar, length 45cm, marked 9ct, 12 grams £120­150 1057 A tassel necklace, the box link chain culminating in a shell motif set with a simulated pearl, suspending two tassels, necklace length 52cm, stamped 750 £300­500 1058 A 9ct gold guard chain, composed of faceted belcher linking, length 147cm, stamped 9C, 26.9 grams £400­600 1059 A 9ct gold Albert chain and 9ct gold necklace, lengths 43cm and 41.5cm respectively, total weight 89 grams £1,000­1,500

1058

1060 A gold charm bracelet, mid 20th century, the curb link bracelet suspending five charms, including a heart inscribed ‘I Love You’, a guitar, a violin, a drum and a grand piano with opening top, to a heart padlock clasp, length 20cm, British hallmarks for 9ct gold, 67.2 grams £1,200­1,600

1059

1060 16

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1061 1061 A gold charm bracelet, mid­20th century, the fancy link bracelet suspending 15 gold charms, the charm designs including a hinged ‘Jonah and the Whale’, an acorn opening to reveal a squirrel, a caravan opening to reveal a figure at a table, a figure of Cupid, and the three monkeys symbolising ‘speak no evil, hear no evil, see no evil’, several with British hallmarks for 9 carat gold, length approximately 190mm, 39 grams £400­600

1062

1062 A group of gold jewels, comprising a gold Krugerrand dated 1974; a Victorian half sovereign pendant dated 1883, a gold cross pendant set with seed pearls; and a short gold chain, total weight 47.9 grams £2,000­3,000 1063 A gold necklace, Italy, 1960s, the gate links culminating in a graduated fringe, length 440mm, stamped 750, Italian maker’s mark £800­1,200 1064 A charm bracelet, the fancy link chain bracelet with tassel clasp, suspending an extensive collection of gold, silver and base metal charms, mostly travel­themed, including: a half sovereign, dated 1914; a Tibetan prayer wheel, stamped 14K; a 9ct gold rhinoceros, British hallmarks; and an outline of Sri Lanka engraved with an elephant and set with a light green gemstone, stamped 585 £600­800 1065 A gold bracelet, France, 1960s, composed of intricate mesh linking, length 18.5cm, French assay marks for 18 carat gold, French maker’s mark, 45 grams £1,000­1,500

1063

1065 1064 17

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1067

1066

1066 A long gold rope twist chain necklace, length approximately 160cm, 45 grams £1,500­2,000 1067 A 9ct gold watch chain, composed of fancy linking, to a T­ bar pendant, length 38cm, British hallmarks, 30.6 grams £500­700 1068 A ruby and white stone­set gold bangle, the 7 stones in star­ shaped setting on textured gold bangle, 5.6cm inner diameter, 28g £100­200 1069 A gold perfume bottle, early 20th century, of cylindrical design with a hinged lid and hoop fitting, opening to reveal a faceted glass stopper, length 5.8cm, indistinct assay marks, 20.3 grams £400­600

1068

1070 A gold charm pendant, designed as a scuba diver’s air tank, length 39mm, stamped 750, stamped OE and Italy, 11.2 grams £800­1,200 1071 A pair of diamond stud earrings, each designed as a brilliant­cut diamond within a gold collet setting, post fittings, case £300­500

1071

18

1069

1070

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1073

1072

1074

1072 A pair of jadeite, onyx and enamel earrings, designed in the Art Deco style, composed of onyx and white enamelled roundels accented with single­cut diamonds, suspending a carved jadeite disc, each length 4.4cm, post fittings £400­600 1073 A diamond­set cruciform pendant, millegrain­set with single­cut diamonds mounted in platinum, to a fine­link platinum neck chain, cross 3.6cm high (including bail), chain 46cm long £400­600 1074 A pair of gold hoop earrings, Cartier, 1978, each designed as a bicoloured gold hoop, each length 1.9cm, post fittings, signed Cartier Paris, numbered 111969, French assay marks for 18ct gold and maker’s marks, British import hallmarks for 18ct gold, sponsor’s mark JC for Cartier London £800­1,200 1075

1075 An Italian gold, opal and diamond pendant, 1970s, designed as a textured medallion depicting the scales of Libra, applied with green enamel, and set with a cabochon opal and a brilliant­cut diamond, to a bail fitting, length 6.2cm including bail, Italian marks for 750, indistinct signature £1,000­1,500 1076 A gold zodiac pendant, circa 1952, the gold medallion depicting a crab and star for Cancer, the border reading ‘Imaginative.

Loyal. Sensitive. Versatile’, the reverse inscribed ‘Moise July 14 1945’, length 3.7cm including bail, stamped Copyright 1952 By Rotter, stamped 14K £600­800

1077

1077 A diamond­set cruciform pendant, set with single­cut diamonds within a plain border, on fine­link platinum neck chain, cross 3.6cm high (including bail), chain 48cm long £600­800

1076

19

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1078

1079

1078 A gold, sapphire and ruby necklace, designed as a fine chain spectacle­set with oval and pear­shaped multicoloured sapphires and rubies, length 45cm £550­650 1079 Two diamond cross pendant necklaces, one set with tapered baguette diamonds and centring on a brilliant­cut diamonds, to a fine curb chain, pendant length 2.8cm including bail, chain length 41cm, stamped 750; the other channel­set with baguette diamonds and bordered with brilliant­ cut diamonds, pendant length 2.1cm, chain length 39cm, British hallmarks for 18ct white gold £600­800

1081

1080 A pearl and enamel bird brooch, designed as two birds on a branch, their bodies set with a grey and a cream pearl (pearls untested), their plumage in multicoloured enamel, length 36mm, signed Carnegie, stamped 14K, 9.1 grams £500­700 1081 An emerald and diamond pendant, set with a pear­shaped emerald within a surround of diamonds in white gold on a white gold necklace, 44cm long £600­800 1082 A gold, ruby and diamond brooch, 1970, of abstract textured design, set with circular­cut rubies and single­cut diamonds, length 5.8cm, British hallmark for 18ct gold, sponsor’s mark A&W £500­700 1083 A diamond brooch and a pair of cultured pearl and diamond earrings, the brooch designed as a spray of lilies, set with single­cut and marquise­shaped diamonds, length 6.6cm, the earrings of pendent design composed of floral motifs set with single­cut diamonds and cultured pearls, each 4.1cm long, screw fittings £800­1,200

1080

1082

1083 20

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1085

1086

1084 1084 A diamond cross pendant by Theo Fennell, set with round brilliant­cut diamonds in 18ct white gold on an Italian ropetwist white gold neckchain, the pendant with maker’s mark and London hallmarks for 2003, pendant 5.5cm high, chain 42cm long £1,500­2,000 1085 A turquoise and diamond bracelet, designed as a line of brilliant­cut diamonds within a border of turquoise cabochons, length 17.5cm, 31.9 grams £1,200­1,500 1086 A diamond bracelet, the articulated links of knotted design in white gold, set with brilliant­cut diamonds, length 18cm, British and European convention assay marks for 18ct gold, fitted case stamped Watling £400­600 1087 An Austrian carved rose quartz, nephrite, cultured pearl and diamond brooch, mid 20th century, depicting a sprig of cherry blossom, length 5.5cm, Austrian assay marks for gold, indistinct maker’s marks £500­700

1087

1088 An amethyst and diamond pendant, mounted in 18ct white gold, the pear­shaped amethyst within a border and foliate bail millegrain­set with brilliant­cut diamonds, to a fine chain necklace, pendant length 3cm, chain length 39cm, pendant stamped 750, chain with British hallmarks £400­600 1089 An amethyst and gold brooch, circa 1975, designed as a flower in carved amethyst, mounted in 18ct gold, British hallmarks, sponsor’s mark PP&P, 4.6cm diameter, 25 grams £400­600 1088

1089 21

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1090

1091

1090 An 18ct white gold and diamond cross pendant, set with baguette diamonds within a border of brilliant­cut diamonds, to a fine link chain, cross 3.6cm, chain 50cm, British hallmarks £600­800 1091 A gold and aquamarine necklace, designed as a fine chain spectacle­set with oval aquamarines, length 50cm £500­700 1092 A diamond­set gold necklace, rubover­set with round brilliant­cut diamonds with bar connecting links in two­ colour 18ct gold, Birmingham marks for 1999, 43cm long, 24.5g £500­700 1093 A gold, diamond and enamel bracelet, the front composed of floral links set with single­cut diamonds and accented with green enamel, the back of plain rectangular linking, length 17.3cm £800­1,200

1092

1094 A carnelian and silver gilt necklace, Lady Gloria Dale, 1970s, designed as a series of spherical and cylindrical carnelian beads to a chain composed of rope twist and cylindrical links, the centre suspending a trapezoid carnelian bead pendant, length 82.5cm £400­600

1093

Lady Gloria Dale (1922­2013) was a British textile designer, member of Britain’s Comtemporary Applied Arts and a long­ standing British Crafts Council patron. She amassed an important collection of antique beads on her travels throughout the Middle East, and started designing jewellery around the collection upon her return to England in the early 1970s.

1095 A fancy and white diamond pendant, the pear­ shaped fancy­coloured diamond weighs approximately 0.70cts and suspends within a surround of round brilliant­cut diamonds on a diamond bail, in 18ct white gold, on a white gold neck chain, pendant 2.5cm high, chain 40cm long £600­800

1095

1094

22

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1096

1096 An opal and diamond brooch pendant, the solid white opal set within abstract surround set with graduated old circular­cut diamonds in platinum, folding pendant loop, 3.6cm wide £1,000­1,500

1098

1097 An emerald and cultured pearl prayer bead necklace, alternately strung with with graduated emerald beads and cultured pearls, to a curb chain tassel with emerald and cultured pearl terminals, length 59 cm £4,000­5,000 1098 A pair of morganite and diamond earrings, of pendent design, suspending elongated cushion­shaped morganites weighing a total of 7.74 carats, accented by trefoils of brilliant­cut diamonds and a baguette diamond link, post fittings, length 40mm, case £1,000­1,500

1097

1099 A diamond cross pendant, 1930s, designed as a Celtic cross in white gold, set with circular­cut diamonds, to a fancy link platinum chain, cross 4.8cm, chain 21cm £1,000­1,500 1100 An enamel and diamond penguin brooch, modelled as a standing penguin, applied with green enamel and pavé­set with brilliant­cut diamonds, its eye set with a circular­cut ruby, length 4.7cm, numbered 2550, indistinct assay marks £600­800 1101 An opal and diamond bangle, set with graduated oval solid white opals set within diamonds in pierced yellow gold mount with hinged opening £400­600

1099

1101

1100 23

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1104 1103 1102

1102 An emerald and diamond pendant necklace, the pear­shaped pendant pavé­set with brilliant­cut diamonds, centred on a cabochon emerald within a border of smaller brilliant­cut diamonds, to a white gold cable­link chain necklace, pendant length 4.4cm, necklace length 60cm, necklace stamped 750 £2,500­3,500 1103 A diamond cross pendant, set with brilliant­cut diamonds weighing a total of 3.14 carats, to a fine link chain necklace, pendant length 30mm, necklace length 400mm, case £2,000­3,000 1104 A gold and diamond necklace, Marco Bicego, designed as five twisted gold wirework strands set with brilliant­cut diamonds, length 41cm, signed Marco Bicego, Italian maker’s mark, stamped 750, fitted case stamped Marco Bicego £1,200­1,800 1105 A pair of emerald and diamond earrings, each of day and night design, composed of a square surmount suspending a detachable tassel, set with brilliant­cut diamonds and step­cut emeralds, post fittings, butterfly fittings stamped 750, length 6.4cm; together with a small bar brooch set with brilliant­cut diamonds, allowing one of the tassels to be worn as a brooch, case stamped La Création £1,500­2,000

1105

1106 A jadeite and diamond pendant, set with a jadeite plaque carved with a design of a bird and a lotus leaf, the bail fitting set with circular­cut diamonds, length 50mm including bail £500­700 1107 A jadeite, sapphire and diamond pendant, set with a section of jadeite carved to depict a fruiting gourd vine, to a gold surmount set with circular­cut sapphires and brilliant­cut diamonds, length 3.8cm including bail, bail stamped 750 £500­700 1108 A group of three chalcedony bangles, two set with lines of circular­cut tsavorite garnets, one set with a line of brilliant­cut diamonds, inner circumferences approximately 19cm £2,000­3,000 1109 A mother of pearl pendant, Bulgari, designed as an orthodox gold cross inlaid with mother of pearl, length 6.2cm including bail, signed Bulgari, Italian maker’s mark; together with a smaller silver cross pendant set with colourless paste stones, length 2.7cm £400­600

1107 1106

24

1108

1109

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1110

1110 A French gold pelican brooch, the stylised bird set with an emerald cabochon eye in textured and polished yellow gold, maker’s lozenge and French control mark, 4.7cm high £700­800

1111

1111 A rock crystal and ruby flower brooch, the carved rock crystal flowers with ruby stamens, set in 14ct yellow gold with diamond­set leaves, maker C&F and London hallmarks for 14ct, 1954, 6.7cm high, fitted case £600­800 1112 A gem­set gold spray brooch, set with graduated circular­cut diamonds and cabochon emeralds in yellow and white gold, 5.5cm longest £600­800

1112

1113 A ruby and diamond brooch, designed as a spray of roses, set with circular­cut rubies and brilliant­cut diamonds, length 5.2cm, French import assay mark for 18 carat gold, case stamped N Bloom & Son £400­600 1114 A ruby and diamond brooch, 1960s, designed as an abstract floral spray, set with step­cut rubies and circular­cut, single­cut and baguette diamonds, length 5.9cm, maker’s mark, stamped 750 £600­800 1115 A gem­set gold wheatsheaf brooch, the two intertwined wheatsheafs set with a central line of diamonds or rubies in textured 18ct yellow gold, London hallmarks for 1960, 7.5cm high £500­700

1114

1113

1115

25

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1117 1116

1116 A group of seven rings, including two diamond five­stone rings, the smaller stamped 15ct; an 9ct gold and emerald five­stone ring, British hallmarks; a sapphire and diamond five­stone ring, stamped 18ct; a sapphire seven­ stone ring; an 18ct gold wedding band set with three diamonds in star borders, British hallmarks; and an 18 carat ring of scroll design set with small cushion­shaped diamonds, British hallmarks, sizes K-O, total weight 21.9 grams £800­1,200

1118

1117 A group of three rings, including a ring set with a cabochon opal between shoulders set with circular­cut peridots, size N, British hallmarks; a half eternity ring channel­set with square step­cut diamonds and emeralds, partial British hallmarks, size N½; and a ring set with three single­cut diamonds in star borders, size R½, total weight 11.6 grams, case £200­300 1118 An 18ct gold signet ring, engraved with a crest, maker’s mark CG&S, Birmingham hallmarks for 1989, size P½, with another gold signet ring set with a bloodstone engraved with a coat of arms, London hallmarks for 1933, size S½ £500­700

1119

1119 A group of four rings, comprising: an emerald and diamond three­stone ring, stamped 18CT; a synthetic sapphire and rose­cut diamond cluster ring; a blue zircon and colourless stone ring; and a simulant diamond ring, stamped 18ct, sizes P-R £400­600 1120 A ruby and sapphire cluster ring, designed as a partially articulated bouquet composed of circular­cut sapphires and rubies and brilliant­cut diamonds in floral clusters, within a rope twist border, size M½, stamped 750, indistinct Italian maker’s mark, case stamped Martin Fils £300­400

1120

1121 A sapphire and diamond cluster ring, the cushion­ shaped sapphire set with a surround of diamonds and smaller sapphires in white gold, size P½ £600­800

1121

1122

26

1122 A sapphire and diamond ring, the ring of five­ stone design with two principal stones deficient, set with one oval and two cushion sapphires, accented with rose­ cut diamonds, size Q½, sizing beads, stamped 18CT £300­500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1123

1125

1124

1123 A late 19th century cameo and diamond ring, the carved hardstone depicting the profile of an African woman within a surround of rose­cut diamonds in yellow gold, size P £1,200­1,500 1124 A ruby and diamond cluster ring, the oval­shaped ruby is set within a surround of old circular­cut diamonds in platinum and gold, engraved 2.44ct to inside shank, size L £1,800­2,500 1126

1125 A cultured pearl and diamond ring, 1960s, of cluster design, set with a large cultured pearl within an asymmetrical border of marquise­shaped, brilliant­cut and tapered baguette diamonds, size L½ £1,500­2,000 1126 A cultured pearl and diamond ring, of abstract design, set with a silver and golden cultured pearl, pavé­set with round brilliant­ cut diamonds in white gold, size M £300­400

1127

1127 An 18ct gold and diamond eternity ring, the two bands of gold separated by a series of collet­set brilliant­cut diamonds, size N½, British hallmarks £100­200 1128

1128 A diamond solitaire ring, the princess­cut diamond weighs approximately 0.19cts, set in platinum, London hallmarks for 2002, size M½ £100­200 1129 A sapphire and diamond half hoop ring, alternately­set with seven circular­cut sapphires and diamonds in 18ct white gold, maker’s mark AJW and London hallmarks for 1997, size P £300­400

1129

1130 A sapphire and diamond half eternity ring, channel­set with a line of baguette diamonds weighing a total of 2.53 carats, within borders of calibré­cut sapphires weighing a total of 0.97 carats, size O½, stamped 750 £1,200­1,800

1130

1131 A sapphire and diamond ring, of cluster design, set with an oval sapphire weighing 2.79 carats, within a border of brilliant­cut and tapered baguette diamonds weighing a total of 0.98 carats, size O, stamped 750 £2,000­3,000 1132 A platinum and diamond half eternity ring, channel­set with princess­cut and baguette diamonds in alternation, size J, British hallmarks £300­500

1131

1132 27

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1133

1134

1135

1133 A five­stone sapphire ring, set with five graduated oval sapphires in claw settings, the mount with engraved scroll decoration, size M½ £400­600 1134 A five­stone diamond ring, designed as a series of five graduated brilliant­cut diamonds totalling 0.90 carats, in square settings, size N½, stamped PLAT £800­1,200

1136

1137

1135 A Bulgari ring, ‘B­Zero’, of bicoloured design, each side insribed ‘BVLGARI’ twice, size J, British hallmarks for 18 carat gold, sponsor’s mark SB for Bulgari, Italian maker’s mark £200­300 1136 A ropetwist gold ring by Cartier, formed of three rows of three colour gold ropetwists, size T £500­700 1137 An 18ct gold ring set with a marquise­shaped ruby and two round brilliant cut diamonds, twisted rope border decoration, London marks for 1995, size O £400­600

1138

1138 A diamond and green paste ring, designed as a double bombé hoop, the front pavé­set with brilliant­cut diamonds and circular­cut green paste stones, size P, stamped 18K, maker’s mark AvD, one paste stone deficient £300­400

1139

1139 A ruby­set gold ring, the heart­shaped ruby cabochon is set to a fluted gold crossover ring, stamped 750, size N £200­300 1140 A diamond ring, designed as an oval openwork plaque set with three brilliant­cut diamonds, to a border and foliate shoulders set with smaller brilliant­cut diamonds, the settings with millegrain borders, size M½, stamped PLAT £850­950 1141 A diamond ring, of ribbon scroll design, pavé­set with brilliant­cut diamonds, size P, stamped 750, Italian maker’s mark £800­1,200

1140

1141

28

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1143

1142

1142

A five stone ruby ring, the five oval rubies are set in gold, size M

1144

£400­600

Accompanied by GCS report no. 81306­66, stating that the rubies are of Myanmar (Burmese) origin, with no indications of heat treatment.

1143 An amethyst and diamond cluster ring, the oval­shaped amethyst is set within a surround of rose­cut diamonds in silver collets and chased gold mount, size O £200­300 1144 A diamond and ruby ring, late 18th century, set with three rose­cut diamonds in closed­back cut­down collet settings, the shoulders accented with rose­cut rubies, the band with engraved decoration, size L½, later shank £400­600

1145

1145 A gold and rock crystal reverse intaglio ring, collet­set with an oval rock crystal cabochon carved and gilded to the reverse with a figure of Britannia crowned by Victory, to a dark brown ground, size N½, stamped 18CT £600­800 1146 An aquamarine and white stone cluster ring, the tapered cushion­shaped aquamarine set within a surround of single­cut white stones in silver, size N £400­600 1147 A gold signet ring, Tiffany & Co., engraved with the arms of a French count, its motto reading ‘Defendez le Bercil’ (‘defend the flock’), size I½, signed Tiffany & Co., stamped 14K, 14.2 grams £500­700 1148 size N

A plain gold signet ring, maker D&F and Birmingham hallmarks for 2005, 10g, £200­300

1146

1147

1148

29

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1149

1150

1149 A Russian silver gilt samorodok cigarette case, of rectangular form set overall with variously cut stones, pastes and pearl, with maker’s mark, 88 Zolotnik and Kokoshiuk, 9.8 cm wide, pearl untested £350­450 1150 A 9ct gold samorodok­style rectangular cigarette case by Dunhill, signed by Bando, with slide­action spring­loaded opening, London marks for 1966 and with AD for Alfred Dunhill, the cover marked ‘Dunhill London’ with the signature of Bando, 13cm long, 209g (total), leather box by Dunhill and silk sleeve, with two spare expandable cigarette containers £2,000­3,000 Matteo Cellini was a famous Dunhill craftsman having started there in 1919.

His name was kept up until the 1960’s as a brand.

1151 An Austro­Hungarian gold and nephrite cigarette case, late 19th century, composed of polished nephrite, the hinged lid lined with gold, measuring 8.9 x 6.5 x 1.5cm, Austro-Hungarian assay marks £800­1,200 1152 A pair of glass cameo buttons, late 19th century, each depicting a lion, to gilt metal mounts, each 2.9 x 2.3cm £200­300 1151

1153 Five fob seals and a charm, 19th century, comprising: a smoky quartz carving of a bear, the base engraved with a seal, length 4.5cm; four gold fob seals with hardstone bases, one carved with two putti on a see­saw with the inscription ‘Such is Life’, another depicting a mirror with the inscription ‘Toujours La Meme’ (always the same), the largest 3.3cm high £200­300 1154 A gold keyring by Cartier, designed as three­colour gold interlocking bands suspending a plain gold band in 18ct yellow gold, signed and numbered B12561, dated 1991, 21g, 7.5cm total length, Cartier box £200­300

1152

1153 30

1154

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1155

1156 1155 A mother of pearl dress set, first half 20th century, comprising a pair of cufflinks, four buttons and three studs, each set with polished mother of pearl within a border accented with black enamel, the cufflinks with bar connectors, cufflink and button fronts 1.2 x 1.2cm, each stamped 14K, fitted case £400­600 1156 A mid 20th century seed pearl and mother of pearl dress set, comprising: four buttons, a pair cufflinks and a pair of collar studs, each of octagonal outline, inlaid with mother of pearl and centred on a seed pearl, each stamped Plat 9ct, cufflinks and buttons 13 x 13mm, collar studs 7 x 7mm, combined weight 12.3 grams, plus four gilt metal button fittings, fitted case stamped Asprey £400­600

1157

1157 A pair of gold burgee cufflinks, inscribed 1905 ­ 1906 and Naneen in 18ct yellow gold, Birmingham hallmarks for 1906, each disc 1.8cm longest £400­500 1158 A pair of 18ct gold and enamel cufflinks, the oval terminals emailed with translucent and opaque blue enamel in a spiral pattern, connected by chain linking, each end 1.9 x 1.4cm, British hallmarks for 18ct gold £800­1,200 1159 Two pairs of cufflinks, one with oval terminals engraved with vine leaf designs, to figure 8 connectors, maker’s mark EFB, British hallmarks for 15ct gold, each end 1.8 x 1.3cm, the other of baton design, set to each end with a sugarloaf sapphire, to bar connectors, each end 2.1cm, sapphires possibly synthetic £400­600

1158

1160 A pair of onyx and diamond cufflinks, 1920s, the ends of navette and octagonal outlines, composed of carved onyx, millegrain­set with circular­cut diamonds, to chain connectors, length of navette ends 1.6cm, case £300­400 1161 A pair of gold and white enamel cufflinks, early 20th century, each end of square outline, applied with white enamel, connected by chain linking, each end 1.2 x 1.2cm, stamped 15CT, case stamped Saunders Ltd £200­300

1159

1162 A pair of French ruby and white ceramic­mounted gold cufflinks, the white discs with crosshatch decoration, within a surround of old cushion­shaped rubies in gold, French control marks, maker’s mark (possibly for Giusti), 1.4cm wide £600­800 This lot is to be sold without reserve

1160

1163 A pair of white gold and diamond cufflinks, each end of square outline, engraved with radiating lines and centred on a brililant­cut diamond, to chain link connections, each end 1 x 1cm, stamped 750, Italian maker’s mark £300­400 1164 A pair of sapphire, ruby and diamond cufflinks, each composed of oval terminals set with a brilliant­cut diamond, a circular­cut sapphire or a circular­cut ruby, to chain link connectors, each end 1.4 x 1.1cm, each stamped 15 for 15 carat gold, total weight 10.4 grams £400­600 1165 No lot

1162

1163

1161

1164 31

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1167

1168

1169

1166 1166

Twenty loose unmounted spinels, in various colours, 80.40cts total £1,500­2,000

1167 A gold, enamel and diamond Imperial Society of Knights Bachelor brooch, Garrard, of sunburst design, centred on a sword impaling a crown, applied with blue and red enamel and set with single­cut diamonds, 3.2cm diameter, British hallmarks for 9ct gold, sponsor’s mark G&CO Ltd for Garrard £600­800 1168 A silver and gold St Christopher pendant by Buccellati, the gold plaque within textured silver border, signed, 3.7cm high including bail £250­300 1169 A pair of platinum screw back earring fittings, Cartier, early 20th century, each signed Cartier £100­200

1170

1170 A pair of diamond ear clips, 1960s, each of comet design with scrolling tails, set with single­ and brilliant­cut diamonds, length 4cm, clip fittings, maker’s mark T, stamped 750 and K18 £1,500­2,000 1171 A pair of Retro gold and diamond ear clips, 1940s, each designed as a ribbon bow, set with pear­shaped and circular­cut diamonds, each measuring 2.3 x 2.4cm £1,000­1,500 1172 A sapphire and diamond bracelet, designed as an articulated strap set with a series of graduated step­cut sapphires between borders of circular­ and brilliant­cut diamonds, length 18.5cm £2,000­3,000 1173 A sapphire and diamond bracelet, each octagonal plaque set with sapphires and diamonds in silver, 15.5cm long, with matching earrings, 16mm wide, clip fittings £2,000­3,000

1171

1172

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1174

1175

1176

1178

1177 1174 A peridot and diamond brooch, 1950s, of bouquet design, set with circular­cut, single­cut, cushion­shaped and baguette diamonds and two circular­cut peridots, 4.7 x 4 cm £600­800 1175 An Edwardian aquamarine and seed pearl pendant necklace, early 20th century, the pendant designed as a bow set with half seed pearls, suspending a knifewire pendant set with seed pearls and an oval aquamarine, to a festoon belcher link chain necklace, the front accented with seed pearls, to a barrel clasp, necklace length 520mm, pendant length 47mm £200­300 1176 An Edwardian seed pearl and amethyst pendant, set with hexagonal amethysts within seed pearl scrolls, suspending three graduated pear­shaped amethysts, the larger two with seed pearl trefoils in yellow gold, pendant 6.2cm long, chain 39cm long £600­800 1177 An Arts and Crafts chrysoberyl and pearl necklace, circa 1900, the front composed of stylised floral motifs set with circular­cut chrysoberyls, suspending a fringe of drop­shaped pearl pendants, the back chain composed of navette­shaped links, length 39.5cm, French assay mark for 18 carat gold, pearls untested £600­800

1178 An Art Nouveau peridot and diamond pendant necklace, circa 1900, of foliate scroll design, set with rose­cut diamonds and circular­cut peridots, to a detachable fine chain, pendant length 4.4cm, chain length 41.5cm £1,800­2,000 1179 A pair of jadeite earrings, of top and drop design, the surmounts and pendants set with carved jadeite, hook fittings, each length 5.3cm £1,000­1,500 Accompanied by GCS report no. 5782­1487 dated 3rd May 2022, stating the carved natural jades have a total weight of 11.27g and have no indications of impregnation.

1180 A gold, moonstone and sapphire necklace, early 20th century, the front of festoon design, composed of cabochon moonstones and a cushion­ shaped sapphire in spectacle settings, to a fine back chain and open work barrel clasp, length 35.5cm £400­600 1181 Two Victorian bar brooches, late 19th century, the first of knife wire construction in silver on gold, with a foiliate scroll set with circular­cut diamonds, length 4.1cm, later steel pinl; the second of arabesque scroll design, set with half seed pearls and circular­cut diamonds, length 4.3cm, stamped SS18, pearls untested £200­300

1180

1181 1179 33

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1182

1183

λ 1182 A coral cameo necklace, 19th century, designed as series of coral cameos depicting women and Bacchic figures, connected by a double row of chain linking, length 36cm, indistinct assay mark, case £2,000­2,500 λ 1183 A pair of Victorian coral earrings, of girondole form, set with coral beads and drops in gold, with a matching Victorian coral brooch set with graduated corals and three coral drops in gold, earrings 5.7cm high, brooch 3.6cm wide £2,000­3,000 λ 1184 A set of coral and tortoiseshell jewels, late 19th century, comprising two tortoiseshell hair pins and a brooch, each surmonted by a crown motif in gilt metal set with coral beads, largest 100 x 70mm, the brooch fittings later added £200­300 1185 A Victorian blue enamel and pearl pendant, with glazed locket compartment to reverse, maker’s plaque DB, 5.6cm high, with a smaller Victorian gold semi­spherical brooch set with a seed pearl, diamonds and blue enamel decoration in yellow gold, 2cm wide £600­800 1184

1186 A blue enamel and diamond bracelet, formed from a Victorian clasped hand clasp decorated with blue enamel and three graduated rose­cut diamonds in yellow gold, on later snake­link gold bracelet, 19.5cm long £1,200­1,500 1187 A pair of turquoise and diamond earrings and brooch, early 20th century, comprising: a pair of drop earrings each designed as a turquoise cabochon within a border of millegrain­set circular­cut diamonds, to a circular­cut diamond surmount, length 21mm, later post fittings; and a bar brooch set with turquoise cabochons and rose­cut diamonds, length 4.8cm, total weight 10.4 grams £1,500­2,000

1185

1187 34

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1188

1189

1190

1191

1188 A gold and ruby pendant, late 18th century, designed as a stylised spray of pomegranate branches, set with table­cut rubies, the reverse with engraved decoration, length 2.8cm, fittings possibly later, with indistinct marks £150­200

1192

1189 A Victorian diamond flower brooch, late 19th century, set with circular­cut and cushion­ shaped diamonds, length 2.2cm, later safety chain, 2.2 grams £300­400 1190 A rose­cut diamond drop pendant, the George III diamond plaque set overall with rose­cut diamonds in closed­back silver mounts, later converted to a pendant with yellow gold fittings, 3.1cm high £600­800 1191 A late Victorian acrostic pendant, late 19th century, of horseshoe design, set with a sequence of circular­cut stones including diamond, emerald, amethyst, ruby, emerald and topaz/citrine, their initials spelling the word ‘Dearest’, measuring 3.5 x 3.2cm, stamped 15CT £400­600 1192 A pair of gilt metal earrings and an emerald mourning pendant, 19th century, the earrings of articulated wheat sheaf design, culminating in an amphora­shaped drop, length 60mm, screw fittings; the mourning pendant of padlock design with scrolled borders, set with a step­cut emerald, a glazed compartment containing a lock of hair to the reverse, length 27mm £300­500 1193 Two Victorian amethyst bangles, one gold bangle of hinged design, applied with a naturalistic spray of gold leafs set with a buff­topped amethyst, inner circumference 16cm, the other gilt metal bangle of similar hinged design, centring on a lobed motif with scrolled borders set with a cabochon amethyst, inner circumference 15.8cm £600­800

1193

1194 An amethyst and diamond pendant, early 20th century, claw­set with an oval amethyst, within a gold scrollwork border collet­set with circular­cut diamonds, length 3.2cm including bail £300­400 1195 A gold, hessonite garnet and half­pearl pendant/brooch, mid 19th century, composed of two lobed plaques connected by snake chain links, overlaid with openwork gold scrolls set with cushion­shaped hessonite garnets and half pearls, length 8.5cm, pearls untested £600­800 1196 A Victorian seed pearl and gold locket, set with a seed pearl horseshoe mounted on hinged flap which opens to reveal the inside of the locket, the locket chased with foliate decoration in yellow gold, 4cm high including pendant loop £300­400

1194

1197 A gold and rock crystal reverse intaglio brooch, late 19th century, of circular outline with a rope twist border, set with a domed rock crystal carved with a reverse intaglio of a terrier, 2.9cm diameter, 6.9 grams £300­400 1198 A Victorian pearl and diamond stick pin, late 19th century, designed as a crescent moon set with rose­cut diamonds, terminating in a pearl, pearl untested, length approximately 66mm, 1.2 grams, case £80­120

1197

1198

1196 1195

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1201

1199

1200

1199 A George III enamel and diamond ring and a garnet and half pearl locket brooch, the navette­shaped ring applied with blue enamel and set with cushion­shaped diamonds, size M, one diamond deficient; the brooch of cruciform design set with circular­cut and oval garnets accented with seed pearls, suspending three pear­shaped garnet pendants, the reverse with a glazed compartment containing a lock of hair, length 55mm, pearls untested £200­300 1200 A pair of ruby and diamond ear clips, each set with cabochon rubies and brilliant­cut diamonds, length 2.5cm each, clip and retractable post fittings £1,500­2,000

1202

Accompanied by GCS report no. 5782­1163, stating that the rubies weighing an approximate total of 26.00 carats are of Afghan (Jegdalek) origin, with no indications of heat treatment 1201 A group of six ruby jewels, comprising: a demi­parure, the pendant and earrings each formed of an oval cabochon ruby inset with a lasqué­cut diamond and suspending a fringe of emerald beads, earrings with hook fittings, length 4cm each; and a group of three pendants, each set with a cabochon ruby, a crescent­shaped red paste stone and a lasqué­cut diamond, two surmounted by a ruby bead, one surmounted by a seed pearl and green paste stone and suspending a similar tassel, length of longest 3.9cm £600­800 1202 A pair of diamond earrings, each designed as an articulated foliate drop set with single­ and lasqué­cut diamonds, post fittings, length 7.9cm each £1,000­1,500 1203 A seed pearl 6 row necklace, on a George III blue enamel and seed pearl clasp (probably converted) set in closed back gold setting, 68cm long £400­600 1204 An aquamarine and marcasite clip brooch, Sybil Dunlop, composed of three graduated pear­shaped aquamarines in scrolled frames set with rose­cut marcasites, length 5.7cm, clip fitting stamped S.Dunlop, London £300­400 1205 A mid 19th century enamel and diamond brooch, the oval disc depicting a bird of paradise and flowers within lattice rectangular border and scrolling diamond and seed pearl surround in yellow gold, 5.5cm high, case £800­1,200

1203

1206 A mid 20th century French sapphire and diamond bracelet, the mesh bracelet alternately­ set with two cushion­shaped sapphires and two cushion­shaped diamonds in yellow gold collets, 18cm long £1,000­1,500

1206

36

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1208

1209

1207

1207 A Victorian shell cameo brooch, late 19th century, the oval shell carved with a depiction of Zeus and Hera with an eagle among clouds, within a gold scroll border, length 7.2cm £200­300 1208

A Victorian shell cameo brooch, depicting Calliope in profile within gold border, 5.5cm high £100­200 This lot is to be sold without reserve.

1209 A Victorian shell cameo brooch, depicting a profile on shell, within gold ropetwist border, 3.6cm high £200­300 1210 A Victorian hardstone cameo brooch, set within a border of seed pearls and twisted rope decoration in yellow gold, 5cm high, case £600­800 1211 Two amethyst brooches, mid 19th century, and a later pair of amethyst earrings, the brooches each set with oval amethysts within stamped scroll settings, lengths 6.7 and 4.7cm; together with a modern pair of earrings of similar design, each length 2.7cm, screw fittings, stamped 14K, two cases £400­600 1212 A Victorian Scottish citrine pendant/brooch, designed as a stag’s head, its antlers supporting a large circular­cut citrine within a border of half pearls, surmounted by oak leaves and an acorn set with an amethyst briolette, to a detachable bail set with a circular­cut citrine, the reverse initialled CJS, length 7.2cm, pearls untested, fitted case £600­800

1211

1210

1212

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1213 An Indian silver, enamel, emerald, ruby and sapphire vanity case with 'Tutti Frutti'­style clasp, in the manner of Cartier, first half 20th century, the hinged case of rectangular outline, intricately engraved and enamelled to the front and base with a design of peacocks and songbirds among foliate scrolls, set with a carved ruby, sapphire and emerald to the front above the clasp, opening to reveal a gilt silver and leather interior with various compartments including a hinged powder compartment inset with a mirror, and a holder for a comb, unsigned, measuring 178 x 186 x 24mm including carved stones, comb and lipstick holder deficient, case stamped Cartier £1,500­2,000 Cf.: Olivier Bachet and Alain Cartier, Cartier: Exceptional Objects, Palais Royal, 2019, p.289, for four very similar Indian vanity cases purchased, embellished and sold by Cartier Paris, 1930s­1950s.

1214 A 19th century bowenite Middle Eastern lion’s head dagger hilt / cane handle, in the Mughal manner, with cabochon ruby eyes and the lower edge mounted with a surround of further rubies and rose­cut diamonds, 8cm high £400­600 1215

A gem­set gold perfume bottle, with etched foliate decoration and sapphire and diamonds, 6.5cm high £600­800

1216 An early 19th Century gold split ring, with five early 19th Century fob seals, mounted with a citrine carved with the profile of a bearded man, a chalcedony carved with a crown and mother to the garter surround ‘King and Constitution’ and bloodstone carved with the profile of a man, an amethyst carved with a profile, possibly of the Duke of Wellington, a vacant and a badly damaged cornelian and a rock crystal probably carved with the profile of Hercules weiring the nemean lion skin, 4.2 cm high £800­1,200 1217 A George III gold­mounted agate snuff box, the base rim engraved with foliate decoration, scratched inventory number 7007A, the hinged cover with raised thumbpiece, 4.8cm wide £1,500­2,000 1218 A 17th century chalcedony intaglio, inscribed with Arabic calligraphy, the centre quoting the 'Throne Verse', of the Qur'an, (Chapter 2 verse 256), the border reading 'In the name of God the Merciful the Compassionate' and quoting Qur'an chapters 109, 112, 113 and 114, measuring 4.5 x 3.2cm, case £2,000­3,000 1219 A Masonic fob seal, the mount designed as a book, square and compass on a pedestal, beneath an arch culminating in an eye, to a chequered floor, the base engraved ‘we have found’, with an additional Greek word, the dark carnelian seal with a cursive signature, 3.8cm high, 17 grams £500­700 1220 A Regimental brooch for the Loyal Suffolk Hussars, set with diamonds and enamel in platinum and gold, 2.7cm high, case £400­600 1221 A mid 19th century carnelian intaglio ring, inscribed with Arabic script for the prophet Ali, on a stylised gold band where two serpent’s head meet to clasp the intaglio between them in yellow gold, inscribed to interior E.W.Lawrence and a rubbed inscription MHR RLP and rubbed date, size R £600­800

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1213

1216

1217

1214

1218

1215

1220

1221 1219

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1222 A lady’s diamond wristwatch, Longines, the rectangular silvered dial with blued steel hands, the bezel set with brilliant­cut and baguette diamonds in millegrain borders, the sides and watchback with engraved details, to a black fabric strap, length 185mm, adjustable, 16 x 12mm, manual winding movement, signed Longines, numbered L21827 and 32742090, stamped 18K, Swiss and European convention assay marks for 18ct white gold £1,200­1,500 1223 A lady’s 18ct white gold and diamond wristwatch, Piaget, the circular silvered dial with baton indicators within a bezel set with brilliant­cut diamonds, to an intricately constructed mesh bracelet engraved with a diagonal basket weave pattern, dial 2cm, bracelet length 16cm, signed Piaget, British import hallmarks for 18ct gold £1,500­2,000 1224 A lady’s diamond­set wristwatch, David Morris, the square dial with diamond markers at 12, 3, 6, and 9, the dial and bezel pavé­set with round brilliant­cut diamonds, diamond winder, colourless synthetic sapphire crystal, quartz movement, case 22mm, black fabric strap, fitted case £1,500­2,000 1225 An gentleman’s ‘Seamaster Professional, Planet Ocean’ stainless steel wristwatch, Omega, the black enamelled dial with date aperture, the hands and indicators highlighted in white enamel, to a black and orange enamel rotating bezel, winder and helium vent, the case back with a design of a hippocamp, to a stainless steel bracelet and deployant clasp, automatic movement, dial measuring 3.2cm diameter, bracelet inner circumference 19cm, dial, case back and bracelet signed Omega, bracelet numbered 1502/824, fitted case and papers, two spare links £500­700 The proceeds from the sale of this watch will benefit the Thanet Cat Club, registered charity no.1190850 1226 A gentleman’s stainless steel and diamond ‘Dolce Vita’ wristwatch, Longines, the rectangular dial with a guilloché surface, Roman numeral indicators, blue steel hands and subsidiary seconds dial, the bezel set with two lines of brilliant­cut diamonds, to a stainless steel link bracelet with double deployant clasp, inner circumference 150mm, dial 25 x 17mm, signed Longines, numbered L5.512.0 and 43747008, quartz movement £500­700 1227 A lady’s diamond wristwatch, ‘Tonneau’, Cartier, the elongated silvered dial with Roman numeral indicators and blued steel hands, the bezel set with brilliant­cut diamonds, the winder an inverted brilliant­cut diamond, to a black leather strap with deployant clasp, inner circumference 17cm, dial 28 x 17mm, manual winding movement, dial signed Cartier with secret signature at X, case back signed Cartier, maker’s mark for Cartier, numbered 25049NX and 2711, inscribed ‘mécanique’, clasp additionally signed Cartier, case back and clasp with Swiss and European convention assay marks for 18 carat white gold £6,000­8,000 1228 A gentleman’s 18ct gold chronometer wristwatch, Tag Heuer, the white circular dial with date wheel, the hands and hour indicators applied with luminescent paint, to an 18ct gold bezel and link bracelet with deployant clasp, automatic movement, dial 2.7cm diameter, bracelet inner circumference 19.5cm, dial, case back and clasp signed Tag Heuer, case back numbered WH514 and 8665, Swiss and European convention assay marks for 18 carat gold £3,000­4,000 1229 A gentleman’s gold Seamaster De Ville, Omega, signed dial with baton numerals and date aperture, automatic movement, on 18ct gold mesh band, case 2.9cm wide £1,500­2,000

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1226

1227

1225

1229

1223 1224

1222

1228

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1230 A pair of white gold centre­hinged inverted D design cufflinks, Cartier, signed with French control marks, 2cm wide, in double compartment Cartier box, with a pair of lapis lazuli­set white gold cufflinks, the carved fluted oval lapis lazuli set in white gold rubover mounts, 1.2cm high and another pair of cufflinks £600­800 1231 A pair of ruby and diamond cufflinks, each composed of a circular front set with calibré­cut rubies and brilliant­cut diamonds, centring on a rose diamond, connected by chain links to spherical backs pavé­set with circular­ cut rubies, front sections 1.6cm diameter, French import assay mark for silver £1,500­2,000 1232 An early 20th century mother­of­pearl dress set, comprised of cufflinks, buttons and dress studs, the discs decorated with mother of pearl applied with a central diamond, diamond border and a further carved laurel border in 18ct yellow gold and platinum, fitted case £1,500­2,000 1233 A pair of French natural pearl and diamond cluster cufflinks, each pearl is set within a surround of cushion­ shaped diamonds in platinum and gold, French control marks and stamped ‘Depose’, each link 1.5cm long £4,000­5,000 Pearls are natural saltwater as per verbal report from GCS 1234 A pair of Japanese shell cameo cufflinks, the carved shell depicting flowers within a lozenge­shaped and a circular gold collet, 2.1cm widest, case £800­1,200 1235 A pair of gold wolf cufflinks, 1960s, the realistically modelled wolves with diamond­set eyes and black enamel decoration, signed VCA, numbered, inscribed CaS, 2.5cm wide £1,000­1,500 The present cufflinks were designed by the artist Cleanthe Weill and are believed to be commissioned to be made

by Van Cleef & Arpels for a relative of the present owner in California in the early 1960s, and have since been passed down within the family. The inscription CaS stands for ‘Cleanthe à Sam’.

1236 A pair of 18ct gold and rock crystal reverse intaglio cufflinks, Deakin and Francis, each collet­set with a rock crystal reverse intaglios depicting a snipe and a mallard in flight, backed in mother of pearl, the back fittings modelled as gun cartridges, British hallmarks, intaglios 17 x 11mm, 21.8 grams £800­1,200 1237 A cased set of four dress studs and cufflinks, designed as buttons with gold thread on mother of pearl ground and enamel borders in gold, cased by Mappin and Webb, 1.9 cm diameters £400­600 1238 A pair of mid 20th century white enamel cufflinks, designed as concentric circles in 18ct yellow gold, each disc 15mm £400­600

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1233 1231 1232

1235 1236 1234

1237

1238

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1239 A diamond cluster ring, set with graduated round brilliant­cut diamonds in white gold, the diamonds weighing approximately 0.80cts in total, size P £600­800 1240

A diamond ring, set with three brilliant­cut diamonds weighing a total of 1.13 carats, size M £1,000­1,500

1241 A sapphire and diamond cluster ring, the circular cut sapphire is set with circular cut diamonds to the pierced square white gold mount, size P £600­800 1242 A diamond three stone ring, the trefoil of round brilliant­cut diamonds weigh approximately 0.90cts in total, set in yellow gold, size L½ £400­600 1243 A sapphire and diamond ring, set with a step­cut sapphire between claw­set brilliant­cut diamond shoulders, size L½, stamped 18ct, 3.6 grams £300­400 1244 A ruby and diamond crossover ring, set with a pear­shaped ruby and a pear­shaped diamond with square­ shaped rubies and diamonds in yellow gold, size O £1,500­2,000 1245 A sapphire and diamond ring, claw­set with an oval sapphire, to shoulders set with tapered baguette diamonds, size M½, French assay mark for 18ct gold, French maker’s mark, numbered 25641 £600­800 1246 An aquamarine and diamond cluster ring, set with a heart­shaped aquamarine within a border of diamonds on a diamond­set shank in 18ct white gold, size L½ £600­800 1247 An opal and diamond ring, of cluster design, set with a black opal cabochon within a foliate mount set with brilliant­cut diamonds, size M, stamped PT for platinum, indistinct maker’s mark £1,000­1,500 1248 An aquamarine and diamond ring, claw­set with a step­cut aquamarine weighing approximately 5.00 carats, to stepped shoulders set with brilliant­cut diamonds, size M½, stamped PLAT £1,400­1,600 1249

A sapphire and diamond five stone ring, set in 18ct gold with carved and pierced shoulders, size O½ £1,500­2,000

1250 An emerald and diamond ring, of cluster design, set with a step­cut emerald weighing 4.67 carats, to a border and shoulders set with brilliant­cut diamonds weighing a total of 1.80 carats, size N, stamped 18K £2,500­3,000 1251 A sapphire and diamond three­stone ring, set with three oval shaped sapphires and six small cushion­ shaped diamonds in a heavy yellow gold mount, size L½ £1,000­1,500 1252 A diamond three stone ring, set with graduated round brilliant­cut diamonds in platinum, total approximate diamond weight 0.55cts, size N½ £600­800 1253 A sapphire and diamond ring, of cluster design, set with an oval sapphire weighing 2.78 carats, within a border of brilliant­cut diamonds weighing a total of 0.88 carats, size O½, stamped 750 £1,500­2,000 1254 A diamond eternity ring, of full eternity design, set with brilliant­cut diamonds, size M, French assay mark for 18ct white gold £1,200­1,500 1255 A diamond cluster ring, set with graduated old cushion­shaped diamonds with diamond shoulders in platinum, size M½ £300­400

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1240

1243 1241

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1248

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1247

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1252

1242

1244

1251

1254

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1256 A diamond pendant necklace, claw­set with a brilliant­cut diamond weighing approximately 1.00 carat, to a fine curb link chain, length 40cm £1,000­1,500 1257 A diamond solitaire pendant, the round brilliant­cut diamond weighs approximately 0.65cts, claw­set in white gold on a fine­link white gold neck chain, 40cm long £600­800 1258 A pair of sapphire and diamond­set gold earrings, the crossover bombé sections pavé­set with round brilliant­cut diamonds and invisibly­set with French­cut orange sapphires in yellow gold, one sapphire missing, stamped ‘750’, retractable posts and with clip fittings, 2cm high £1,000­1,500 1259 A diamond­set heart­shaped pendant, set with a central pear­shaped diamond within pavé­set diamond surround in yellow gold, 2.3cm wide £1,000­1,500 1260 A peridot and diamond necklace, set with 9 oval­shaped peridots within diamond border and diamond­ set links in white gold, with plain oval­link back chain, the peridots weigh approximately 32cts in total, diamonds approximately 3.50cts in total. 43cm long £3,000­5,000 1261 An orange topaz and diamond ring, the emerald­cut topaz set with diamond trefoil shoulders in white gold, size P½ £600­800 1262 A topaz and diamond ring, the oval­shaped topaz set with tapered baguette­shaped shoulders in platinum, with an expanding shank with hinged opening, size N (when closed) £800­1,200 Accompanied by report no.17224, stating that the topaz weighing 4.64 carats is natural topaz.

1263 A diamond ring by David Morris, of chevron design, set with marquise­shaped diamonds in gold, approximately 2.00cts total maker’s mark DM, size P approximately £500­700 1264 A morganite and diamond ring, set with a cushion­shaped morganite weighing 5.70 carats, to border and shoulders set with brilliant­cut diamonds weighing a total of 0.90 carats, size N, stamped 750 £1,200­1,800 1265 A diamond line bracelet, set with round brilliant­cut diamonds in yellow gold, total approximate diamond weight 4.90cts, 18.5cm long £2,000­3,000 1266 A pair of diamond stud earrings, each set with a brilliant­cut diamond weighing approximately 0.85 carats, post fittings £1,500­2,000 1267 A coloured diamond and diamond ring, claw­set with a rectangular mixed diamond of brownish tint weighing 2.64 carats, between shoulders set with circular­cut diamonds, size N, stamped 18CT PLAT £7,000­9,000 1268 An aquamarine and diamond ring, of cluster design, set with a cushion­shaped aquamarine, within a border of brilliant­cut diamonds, mounted in white gold, size N, band stamped 5.16 and 750 £800­1,200 1269 A diamond cluster ring, claw­set with a brilliant­cut diamond weighing 1.10 carats, within a border of smaller brilliant­cut diamonds, size K½, British hallmark for 18ct gold, sponsor’s mark JDW, case stamped Watling £1,500­2,000 Accompanied by report number 20006891 dated 2nd November 2012 from Anchorcert stating the round brilliant­ cut diamond weighs 1.10cts and is a natural diamond.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1270 A diamond cluster pendant, set with an old circular cut diamond suspending a diamond cluster in platinum, on fine­link white gold neck chain, pendant 2.2cm high, chain 39cm long £3,000­4,000 1271 A diamond solitaire pendant, the round brilliant­cut diamond weighs approximately 0.50cts, set in 18ct yellow gold on a fine link yellow gold neck chain, 40cm long £400­600 1272 A ruby necklace, designed as an articulated collar channel­set with step­cut rubies, inner circumference 38.5cm, numbered 2143 £6,000­8,000 1273 A pair of pear­shaped diamond drop earrings, set with a round brilliant­cut diamond suspending smaller diamonds and a pear­shaped diamond in platinum and gold, the pear shaped diamonds weigh approximately 1.80 and 1.70cts, total approximate diamond weight 4.00cts, 2.5cm high £6,000­8,000 1274 A pair of ruby and diamond earrings, each of cluster design, set with oval rubies weighing a total of 2.96 carats, within borders of brilliant­cut and baguette diamonds, width 1.5cm, post fittings, case £1,500­2,000 1275 A diamond tennis bracelet, designed as an articulated line of brillant­cut diamonds weighing a total of 8.20 carats, in claw settings, length 18cm, stamped 18K, case £4,000­6,000 1276 A ruby and diamond cluster brooch, the oval­shaped ruby is set within a surround of old cushion­shaped diamonds in 18ct white gold, Birmingham hallmarks for 1988, 5.7cm wide £300­400 1277 A diamond three stone ring, set with three round brilliant­cut diamonds in platinum and 18ct white gold, approximately 1.20cts in total, London hallmarks for 2006, size N £1,000­1,500 1278 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.90cts, claw­set in yellow gold, size M £3,000­4,000 1279 A ruby and diamond three stone ring, the oval­shaped ruby flanked with circular­cut diamonds in 18ct yellow gold, size N £1,000­1,500 1280 A diamond three stone ring, set with three graduated round brilliant­cut diamonds in platinum, the diamonds weighing approximately 1.40 carats in total, London hallmarks for 2002, size N £1,200­1,800 1281 A ruby and diamond ring, claw­set with an oval ruby weighing approximately 0.60 carats, between shoulders set with triangular diamonds, size K½ £400­600 Accompanied by a report from the Gem & Pearl Laboratory, stating that the ruby is of Burmese origin, with no indications of heat treatment

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1272

1271 1270

1273

1274

1275

1276

1278

1277

1280

1279

1281 49

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1282 A gold necklace, Tiffany & Co., designed as a heart, suspended from a black silk rope twist necklace, length 70cm, fastened by tying, pendant length 34mm including bail fitting, signed Tiffany & Co., British hallmarks for 18 carat gold £600­800 1283 A Happy Diamonds pendant and earrings by Chopard, the heart­shaped pendant containing 5 free moving diamonds in gold collets within a pavé­set diamond surround in 18ct yellow gold, signed, on a circular­link gold Chopard chain, pendant 2.6cm high, chain 41cm long, with a matching pair of heart­shaped diamond earrings in yellow gold,1.3cm high, post fittings the diamonds weigh approximately 2.50cts in total £4,000­6,000 1284 A Bulgari Cicladi 18ct gold pendant, formed from graduated spinning discs on circular­link gold chain, signed, pendant 5.4cm long, chain 45cm longest £2,000­3,000 1285 A gold heart pendant by Tiffany & Co, the two interlocking hearts in white and yellow gold, on fine snake link white and yellow gold neck chains, signed, with London hallmarks for 2008, pendant 4.1cm high, chain 40cm long, Tiffany case and outer box £1,500­2,000 1286 A coin ‘Monete’ pendant, Bulgari, collet­set with an ancient bronze coin, to a leather cord necklace and gold clasp, length 390mm, pendant 30mm including bail, pendant signed Bulgari, inscribed ‘Nicomedia Constantinus AVG AD 307-337’, stamped 750 £800­1,200 λ 1287 A pair of coral Serpent Boheme earrings by Boucheron, set with pear­shaped coral cabochons within textured circular mount in 18ct yellow gold, maker’s lozenge and French control marks, signed, with a matching gold ring set with coral and lapis lazuli in yellow gold, size N½ £2,000­3,000 1288 An Etruscan Revival­style gold and silver bracelet, second half 19th century, the hinged bangle with rope twist decoration, the front suspending a fringe of silver medallion pendants in the Ancient Greek manner, inner circumference approximately 15cm £400­600 1289

A gold Bvlgari Bvlgari ring by Bulgari, in 18ct yellow gold, signed, with inner re­sizing balls, size J½ approximately £500­700

1290 A pair of sapphire­set gold cufflinks by Boucheron, the fluted gold cylinders decorated with a band of calibré­cut sapphires in 18ct yellow gold, signed and numbered 28206, French control marks and maker’s lozenge £2,000­3,000 1291 A pair of diamond and gold ear hoops by Cartier, each earring set with a brilliant­cut diamond quatrefoil in 18ct yellow gold, signed Cartier Paris and numbered 243324, 3cm, post later added £1,000­1,500 1292 A diamond and emerald ring, Cartier, the wide band decorated with a parade of elephants, set with brilliant­ cut diamonds, the elephants’ eyes accented with emeralds, size M, signed Cartier, numbered 661297, French assay mark for 18ct gold, French maker’s mark for Pierre Brun, size no. 53, fitted case stamped Cartier £8,000­12,000 1293

A 'Tubogas' ring, Bulgari, composed of gas­pipe linking, signed, stamped 750, Italian maker's mark, size M ½ £400­600

1294 A yellow sapphire ring, early 20th century, claw­set with an oval yellow sapphire, within an open work gold mount, size L £6,000­8,000 Accompanied by report number 292723/20057000 dated 14th March 2022 from Anchorcert stating the cushion mixed cut sapphire weighing 17.99 carats is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

1295 A gold ‘Trinity’ wedding ring, Cartier, designed as three interlocking bands in yellow, rose and white gold respectively, size T½, signed Cartier, numbered BE5456, Swiss and European convention assay marks for 18ct gold, fitted case and outer box stamped Cartier £400­600 1296 A pink topaz and diamond ring, the oval­shaped pink topaz set with round brilliant­cut diamonds to the shoulders in yellow gold, size L £2,000­3,000 1297 A pink tourmaline ring by David Morris, the cabochon heart­shaped tourmaline set within polished 18ct yellow gold surround and spherical shank, maker’s mark and London import marks for 1973, size O £400­600 1298 A gold cylindral box by Kutchinsky, of fluted design with a sapphire thumbpiece, hinged opening, London hallmarks for 1958, maker’s mark, 7.8cm wide, 95g £3,500­4,000 1299 A pair of diamond and onyx cufflinks by Kutchinsky, the rectangular links set with three rows of diamonds between black onyx in 18ct white gold, signed, with London import marks for 1975, 2.2 cm wide, case £1,500­2,000 1300 Two gem­set ‘Caleidos’ rings, Bulgari, collet­set with an oval citrine and pink tourmaline respectively, to plain gold mounts, sizes L½ and M½, each signed Bulgari, stamped 750, Italian maker’s marks £600­800 1301 Two diamond bracelets, each in bicoloured gold, one of ridged design, the other composed of pyramidal links, each set with brilliant­cut diamonds, each length 17cm, each stamped 14K £2,000­3,000 50

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1286 1285

1282

1284 1290 1288

1287 1283

1289 1295

1296 1291

1292

1293

1294 1297

1300

1299

1298

1301

51

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1302 A diamond cluster ring, the old cushion­shaped diamond is set within a surround of smaller old circular­ cut diamonds in white gold, size L½ £300­400 1303 An emerald and diamond ring, millegrain­set with an oval emerald weighing 0.50 carats, within an open work border of brilliant­cut diamonds, size N, stamped PLAT £700­900 1304 A sapphire and diamond cluster ring, set with a circular­cut sapphire within a border of diamonds in platinum, size R½ £600­800 1305 A diamond solitaire ring, early 20th century, claw­set with an old European­cut diamond weighing approximately 0.50 carats, the shoulders set with rose­cut diamonds, size O, stamped 18ct Plat, numbered 269 £150­250 1306

A diamond cluster ring, set with graduated old cushion­shaped diamonds in platinum and gold, size R £600­800

1307

An Edwardian diamond, emerald and sapphire three stone ring, set in yellow gold, size O½

£200­300

1308 A sapphire and diamond cluster ring, early 20th century, collet­set with an oval sapphire, within a millegrain border set with circular­cut diamonds, French assay mark for platinum, size J½ £1,000­1,500 1309 A diamond solitaire ring, claw­set with a brilliant­cut diamond, mounted in platinum, size S½, indistinctly marked, 3.0 grams £150­250 1310 A peridot and diamond ring, centring on a square mixed­cut peridot, within an openwork mount millegrain­ set with brilliant­cut diamonds, size M £500­700 1311 A diamond solitaire ring, the old cushion­shaped diamond weighs approximately 1.90cts, claw­set in platinum, size N½ £800­1,200 1312 An early 20th century enamel flower brooch, set with a seed pearl and shaded enamel leaves in yellow gold, 3.5cm wide £1,000­1,500 1313 An opal and diamond brooch/pendant, circa 1900 composite, designed as a laurel wreath in a heart outline, set with circular­cut diamonds, the centre suspending a trefoil pendant set with cabochon opals and circular­cut diamonds, approximately 32 x 37mm, case £400­600 1314 An emerald and diamond jabot pin, each terminal set with a pear­shaped emerald within scrolling diamond border in white gold, 8.1cm wide £2,800­3,500 1315 An emerald and diamond brooch, of openwork design, set with an oval­shaped emerald within pavé­set diamond surround in yellow gold, 5.8cm wide £2,000­3,000 1316 An early 20th century diamond bow brooch, set with rose cut diamonds millegrain­set in platinum and gold on black silk, 5.5cm wide £300­400 1317 A French early 20th century diamond and ruby set giardinetto brooch pendant, with latice vase and small pearl pendant, French control mark to pin, 3.2 cm wide, pearl untested £600­800 1318 A pair of enamel and seed pearl­set gold earrings, alternately­set with shaded enamel leaves and seed pearl leaves in yellow gold, clip fittings, 2.5cm wide £400­600 1319 An amethyst, opal, enamel and diamond bee brooch, circa 1900, its thorax and abdomen set with an oval and pear­shaped amethyst, its wings applied with translucent yellow and green basse­taille enamel and accented with rose­cut diamonds, its eyes set with a pair of opal cabochons, later safety chain, 6 x 19mm, fitted case stamped Goldsmiths and Silversmiths Company £400­600 1320 An Art Deco diamond clip brooch, set overall with circular­cut diamonds with raised square­shaped diamond accents and a kite­shaped diamond terminal, in white gold, 3.2cm high, case £600­800 1321 A pair of jade and diamond earrings, the carved jadeite discs set within a border of diamonds in white gold, 1.8cm wide, earring backs missing £1,500­2,000 Accompanied by report number 31231­54 dated 5th November 2020 from GCS, London stating that the natural green jadeite jade shows no indications of impregnation 1322 A pair of pearl and diamond earrings, early 20th century composite, each designed as a trefoil of pearls suspending a line of claw­set cushion­shaped diamonds, terminating in a pear­shaped drop set with circular­cut diamonds, length 35mm, screw back fittings, pearls untested £1,000­1,500

52

1323 A pair of aquamarine and tourmaline drop earrings, the circular­cut aquamarine suspending a cushion­ shaped pink tourmaline on a knife­edge link set with a diamond in yellow gold, screw fittings, 2.8cm high £600­800

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1304 1312 1305

1306 1302

1313 1307

1314

1319

1303 1308

1309

1320

1315

1316

1310

1321

1311

1317 1322

1323 1318

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1324 A Victorian black enamel bangle, designed as a stylised buckle with scrolling decoration in gold, 5.5cm inner diameter, 58g £1,200­1,500 1325 A late 19th century Egyptian Revival enamel pendant, the stylised lotus flower decorated with polychrome enamel and a border of rubies and diamonds in yellow gold, on a fancy­link gold neck chain alternately­set with coloured glass beads, pendant 3.7cm high, chain 34cm long £800­1,200 1326 An Ancient Egyptian Faience and gold necklace, c.1549­332 BC and later, designed as a modern gold chain of stirtup­shaped linking suspending a fringe of Ancient Egyptian faience scarab and Djed pillars, length 44.5cm. £1,500­2,000 Accompanied by a certificate of authenticity.

Provenance: Acquired from a Private East Coast collection, USA, ex­Lady Hamlyn collection, London, acquired in 1980.

1327

A sapphire ring, set with a polished sapphire, to a tapered silver mount, size D½

1328

No lot

£1,500­2,000

1329 A Victorian gold and gem­set parure, comprising a gold necklace formed of chased panels set with emeralds and seed pearls, alternately set between scrolling links in yellow gold, 42cm long, with a matching pair of earrings, screw fittings, 7cm high, fitted case £3,000­4,000 1330 A gold pen by Kutchinsky, decorated with panels of blue enamel on white ground, with ivy leaves and red dots on 18ct yellow gold, signed to lid, 12cm high £1,500­2,000 1331 A 19th century enamel mummy brooch, with polychrome enamel decoration and glazed locket compartment to reverse, in silver, with matching silver and enamel earings with gold shepherd’s hook fittings, brooch 6.2cm high, earrings 4cm high (mummy only) £800­1,200 1332 A Victorian turquoise and diamond bracelet, set with turquoise cabochons and old cushion­shaped diamonds in a carved gold mount and a bracelet set with graduated turquoise cabochons, 17.5cm long, fitted case £1,500­2,000 1333 An early 20th century Eqyptian Revival gold winged sun brooch, set with a pear­shaped peridot within carved wings and serpents in yellow gold, 4cm, case £200­300 1334 An early 20th century Egyptian Revival winged sun brooch, set with a central faience scarab which swivels, within gold border and repoussé gold wings, 8.2cm wide £600­800 1335

A sapphire bombé ring, the pale blue cabochon sapphire is rubover­set in polished yellow gold mount, size N £800­1,200 This lot is to be sold without reserve 1336 An early 20th century French diamond­set gold necklace, formed as 6 lozenges pierced with foliate design, separated with seed pearls and diamond swags in platinum and gold, French control marks to clasp, stamped inventory number 6745, 40cm long £600­800

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1324

1325

1326

1327

1330

1329

1334

1335 1332 1331

1333

1336

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1337 A pair of emerald and diamond earrings, of cluster design, set with oval emeralds weighing a total of 6.16 carats, within borders of brilliant­cut diamonds, each 15 x 14mm, stamped 18K, post fittings, case £2,000­2,500 1338 A jade and diamond cluster ring, the oval jade cabochon set within a surround of round brilliant­cut diamonds in white gold, size J £600­800 1339 An aquamarine, sapphire and diamond ring, set with a step­cut aquamarine, to geometric shoulders with millegrain borders set with calibré­cut sapphires and single­cut diamonds, size N½, stamped 750 £800­1,200 1340 An emerald and diamond cluster ring, the emerald­cut emerald weighs approximately 2.90cts, set within a surround of round brilliant­cut diamonds, approximately 1.20cts of diamonds in total in platinum and white gold, size O½ £800­1,200 1341 An aquamarine ring, claw­set with an oval aquamarine weighing approximately 7.00 carats, to a plain white gold mount, size R½, 4.5 grams £400­600 1342 A pair of fancy coloured and white diamond earrings, designed as three asymmetric clusters set with white, pink and yellow diamonds respectively in white gold, 2cm wide, post fittings £3,000­4,000 1343 An emerald and diamond bracelet, the 7 cabochon emeralds are set within openwork graduated diamond­ set surround in silver and gold, 2.6cm wide, 18.8cm long £1,500­2,000 Accompanied by DSEF report no. 033467, stating that the emeralds are natural, with indications of moderate to significant clarity enhancement.

1344 A pink sapphire and diamond bracelet by Scavia, the two rows of pink sapphire clusters set with diamonds and divided by diamond quatrefoils and cultured pearls in white gold, marked, 18cm long £5,000­7,000 1345 A sapphire and diamond bracelet, composed of gate links, the front set with oval sapphires and brilliant­ cut diamonds, length 170mm £1,500­2,000 1346 A tanzanite and diamond cluster ring, centred with a cushion­shaped tanzanite weighing approximately 2.00cts, set within a surround of graduated round brilliant­cut diamonds, with further circular­cut diamonds to the bifurcated shoulders in gold, size O½ £1,200­1,500 1347 An aquamarine and diamond ring, claw­set with a cushion­shaped aquamarine weighing 2.25 carats, within a border of brilliant­cut diamonds totalling 1.25 carats, size N½, stamped 18CT £1,200­1,800 1348 An emerald and diamond cluster ring, set with a cabochon emerald within a border of circular­cut diamonds, size O, 11 grams £800­1,200 1349 A fancy coloured and white diamond dragonfly brooch, set with graduated fancy diamonds to the body and baguette­shaped and circular­cut diamond wings in platinum and gold, 3.2cm wide £1,800­2,000 Accompanied by a gemmological report from WGI. 1350 An amethyst, diamond and onyx pendant, the large circular­shaped amethyst with a border alternately­ set with diamonds and pairs of onyx, suspending a cultured pearl in platinum, 6.4cm high £1,500­2,000 1351 A pair of diamond two stone earrings, the round brilliant­cut diamonds weigh approximately 1.10cts in total. claw­set in white gold, 12mm high £600­800 1352 A pair of diamond drop earrings, each composed of a baguette diamond surmount suspending an antique pear­shaped diamond drop within a millegrain border, later post fittings, each 1.6cm long £4,000­6,000

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1337

1342

1341

1340 1339

1338

1343

1344

1345 1349 1348 1347 1350 1346 1351

1352 57

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1353 A French enamel, pearl and diamond bangle/brooch pendant, third quarter 19th century, centring on a flower set with cushion­shaped diamonds, within an oval border, on a ground of red basse­taille enamel, within a foliate border of geranium leaves in green enamel and pearls, surmounted by two silver cherubs, and a pendant hoop, length 6cm, converting to a bangle via a detachable fitting with similar geranium leaf scrolls in gold and pearls to the shoulders, inner circumference 15.5cm, and converting to a brooch via a detachable brooch fitting, French assay marks for 18 carat gold and maker’s marks A&A, pearls untested, fitted case N.Bloom & Sons £2,000­3,000 1354 An emerald solitaire ring, late 19th century, claw­set with a step­cut emerald, to a plain gold band, inscribed ‘ACB July 1st 1888­TPF’, size L £300­400 1355 A sapphire and diamond half hoop ring, set with five graduated cushion­shaped sapphires with diamond pointers in carved and pierced yellow gold mount, size L½ £200­300 1356 A Victorian diamond five stone ring, set with graduated old circular­cut diamonds in 18ct yellow gold, London hallmarks for 1896, size L½ £300­400 1357 An Edwardian red enamel and seed pearl heart pendant, the red guilloche enamel applied with a seed pearl forget­me­not in yellow gold, glazed locket compartment to reverse, 1.8cm wide £300­400 1358 A Victorian turquoise and diamond­set gold bangle, set with a central seed pearl with diamond flowerhead surround and a border of buff­top turquoise, with pearl and diamond laurels and engraved gold band, 5.5cm inner diameter, with a matching turquoise, pearl and diamond pendant (formerly one earring) 5cm high (including bail) and a similar Victorian turquoise and diamond brooch, 3.7cm wide, pearls untested, in a fitted Phillips of Cockspur St box £1,500­2,000 1359 A late 19th century enamel and diamond heart brooch, the interlocking diamond hearts on green enamel ground within white enamel border and surmounted with a diamond bow in silver and gold, 2.6cm high £300­400 1360 A spinel and diamond ring, collet­set with a cushion­shaped purple spinel, the shoulders set with rose­cut diamonds, to a split band ornamented with foliate motifs, size R½ £400­600 This lot is to be sold without reserve 1361 A Victorian ruby and diamond snake ring, set with graduated diamonds and a ruby in yellow gold, Birmingham hallmarks for 1863, size Y½ £300­400 1362 A paste stone ring, France, circa 1900, set with a large cushion­shaped greenish blue paste stone, to a gold mount with openwork scroll shoulders, size I½, French assay mark for 18ct gold, partial French maker’s mark £300­400 1363 A Victorian diamond cluster ring, set with an old cushion­shaped and rose­cut diamonds in 18ct yellow gold, size S½, case £200­300 1364 A five­stone diamond ring, claw­set with five circular­cut diamonds, to a gold mount with scrolled details, size O, 4.5 grams £400­600 1365 A late 19th century enamel and diamond heart brooch, the red enamel heart applied with a diamond­set flower within white enamel border and a further surround of diamonds, surmounted with a diamond­set bow in silver and gold, glazed locket compartment to reverse, detachable brooch fitting and folding pendant loop, 2.1cm wide £400­600 1366 A sapphire ring, the three principal cushion­shaped sapphires spaced by smaller pairs of circular­cut sapphires, size M½ £300­500 1367 A diamond ring, claw­set with a circular­cut diamond weighing approximately 2.20 carats, to a fluted gold band, size R, stamped 18CT. £3,000­4,000 1368 A sapphire and diamond ring, late 19th century, set with three oval sapphires, spaced by pairs of cushion­ shaped diamonds, the mount accented with carved scroll motifs, size R £400­600 1369 A late Victorian diamond five stone ring, set with graduated old circular­cut diamonds and diamond pointers in carved and pierced yellow gold mount, size L½ £800­1,200 1370 A Victorian amethyst and gold foliate brooch, the hexagonal amethyst within stylised gold fern borders and diamond accents, 5.2cm wide, fitted case £200­300 1371 A late Victorian gem­set witches heart brooch, the solid white opal heart set within a surround of rubies and a diamond accent above, in silver and gold, 2.1cm wide, case £600­800

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1354

1355

1353

1356

1358

1363 1359

1362

1366 1357

1369 1361

1365

1360

1364

1368 1370 1367 1371 59

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1372 A pearl, natural pearl and diamond pendant necklace, late 19th century, designed as a bouton­shaped pearl within a border of rose­cut diamonds suspending a drop­shaped natural pearl, to a chain necklace, length 34cm, length of pendant 2.4cm, one rose diamond deficient, bouton pearl untested. £2,500­3,500 Accompanied by GCS report no.5782­1523, stating that the drop­shaped pearl measuring 8.77­9.67 x 14.1mm is natural, saltwater.

1373 A natural pearl pendant necklace, composed of a scrolled surmount millegrain­set with half pearls, suspending a drop­shaped natural pearl measuring approximately 17.2 x 9.7 x 9mm, to a fine chain necklace, necklace length 41cm, pendant length 4.6cm £2,000­3,000 1374 An early 20th century natural pearl and diamond necklace, the strand of natural pearls measuring approximately 2.8­6.0mm, with a knife­edge pendant set with circular and brilliant­cut diamonds, the clasp set with a pair of circular­cut diamonds, length approximately 4.8cm, 10.1 grams £800­1,200 Accompanied by Gem & Pearl Laboratory report no. 20204, stating that the pearls are natural, saltwater.

1375 A diamond and pearl brooch, Cartier, circa 1920, of annular design, set with pearls and French­cut diamonds, 3.1cm diameter, signed Cartier, numbered 7640, pearls untested, case stamped Cartier £4,000­6,000 1376 A pink sapphire and diamond ring, set with an oval pink sapphire weighing 0.90 carats, within an open work oval border of brilliant­cut diamonds, size N½, stamped PLAT £700­900 1377 A pair of natural pearl, diamond and enamel drop earrings, the pearls suspend from diamond set caps and a further articulated line of diamonds with black enamel decoration, gold mounts, 4.5cm £15,000­20,000 Accompanied by SSEF report no. 114284, stating that the half­drilled pearls measuring approximately 9.15­9.50 x 18.50mm and 8.80­9.50 x 16mm are natural, saltwater.

1378 A natural pearl, sapphire and diamond necklace, early 20th century, designed as a single strand of graduated natural pearls, measuring 2.64­7.53mm, to an Art Deco clasp set with circular­cut diamonds and calibré­ cut sapphires, length 53cm £3,000­4,000 Accompanied by GCS report no.5782­1365, stating that the pearls are natural, saltwater.

1379 A single row natural pearl necklace, with a diamond­set lozenge clasp set in white gold and platinum, necklace 50cm long £400­600 Accompanied by report no.11807 from the Gem & Pearl Laboratory, stating that the pearls measuring 2.7­5.8mm are natural, saltwater.

1380 An early 20th century pearl and diamond bracelet, the central pearl within millegrains­set graduated diamond borders and laurels, on a geometric design pierced bracelet, set in platinum, 16.9cm long, pearl untested £4,000­6,000 1381 A yellow diamond solitaire ring, claw­set with a circular­cut diamond of yellow tint, to a gold band, size N, stamped 18CT £1,500­2,000 1382 A ruby and diamond ring, early 20th century, claw­set with a step­cut ruby, within a border of cushion­ shaped and circular­cut diamonds, size M, stamped PLAT £2,500­3,500 1383 A pair of natural pearl, cultured pearl and diamond drop earrings, each designed as a seed pearl question mark motif suspending a drop­shaped natural pearl and cultured pearl respectively, from diamond­set caps, length 3.7cm each £15,000­20,000 Accompanied by GCS report no. 5782­984, stating that the pearl measuring 10.07­10.15 x 13.11mm is natural, saltwater.

1384 A diamond ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 1.10 carats, to shoulders accented with single­cut diamonds, size L½ £3,500­4,000

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1373

1372

1377

1376

1374

1375

1383 1378 1380

1382 1379 1381 1384 61

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1385 A pair of emerald and diamond earrings, each designed as a brilliant­cut diamond surmount suspending a drop set with a pear­shaped emerald within a border of brilliant­cut diamonds, each 2.1cm long, post fittings, case £3,000­4,000 1386 An emerald and diamond ring, set with three step­cut emeralds weighing 0.90, 2.36 and 0.91 carats respectively, within an openwork mount millegrain­set with brilliant­cut diamonds, size N, British hallmarks for platinum £4,000­5,000 1387 An emerald and diamond half hoop ring, the emerald­cut emerald flanked with graduated square­shaped shoulder diamonds in yellow gold, size O½ £1,200­1,500 1388 An emerald and diamond ring, claw­set with a step­cut emerald, to shoulders channel­set to the front with two rows of baguette diamonds, size O½, 7.2 grams. £1,500­2,000 1389 An emerald and diamond lavalier, the necklace set with round brilliant­cut diamonds separated with marquise­shaped diamonds rubover­set in white gold, suspending a demi­lune emerald and four graduated pear­shaped emeralds on articulated links set with diamonds, the clasp set with a further emerald, 41cm, pendant 9cm long £8,000­12,000 1390 An emerald and diamond cluster ring, composed of a step­cut emerald within a border of circular­cut diamonds, size N, French assay mark for 18 carat white gold, French maker’s mark £3,000­5,000 1391 A pair of emerald and diamond earrings, each of cluster design, set with an oval emerald within a border of brilliant­cut diamonds, each 1.1 x 1.3cm, post fittings £800­1,200 1392 A diamond longchain necklace, of bicoloured design, composed of spectacle­set brilliant­cut diamonds connected by fine chain, length 830mm, stamped 750 £1,800­2,000 1393 750

A diamond line bracelet, designed as an articulated line of claw­set brilliant­cut diamonds, 18.5cm, stamped £6,000­8,000

1394 A diamond ring, set with a pear­shaped diamond weighing 0.92 carats, to shoulders set with tapered baguette diamonds, size M, British hallmark for platinum £1,000­1,500 1395 A diamond ring, of halo design in 18ct white gold, centring on a brilliant­cut diamond weighing 1.06 carats, within a border of smaller brilliant­cut diamonds, size M, British hallmarks £2,000­2,500 1396 A diamond ring, set with a marquise­shaped diamond weiging 0.92 carats, to shoulderd set with tapered baguette diamonds, size J½, stamped 10% IRID PLAT £2,200­2,500 Accompanied by a gemmological report from WGI, stating that the marquise­shaped diamond is D colour, VVS2 clarity, with no fluorescence.

1397 A diamond ring, of cluster design, centring on a claw­set brilliant­cut diamond weighing approximately 1.10 carats, within a border of smaller brilliant­cut diamonds, size I½ £5,000­7,000 1398 A pair of diamond stud earrings, each claw­set with a brilliant­cut diamond weighing 1.25 and 1.23 carats respectively, post fittings £6,500­7,500

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DAY TWO 1399 A French gold and diamond flower brooch, set with a central cluster of diamonds with articulated mesh leaves, fluted leaves and polished gold stem, French control mark’s and maker’s lozenge JL, 6cm high £1,500­2,500 1400 A French gold rose brooch, the stylised flower in textured yellow gold with diamond­set petals and a diamond to the stem, in 18ct yellow gold, French control marks, 7cm high, 24g £1,000­1,500 1401

A diamond flower brooch, pavé­set overall with old cushion­shaped diamonds in platinum, 4.8cm long £2,000­3,000

1402 A citrine, ruby and diamond brooch, E. Wolfe, 2001, designed as a long­eared owl perched on a branch, its feathers finely engraved in 18ct gold, its breast set with an oval citrine, its eyes set with cabochon rubies within borders of brilliant­cut diamonds, length 36mm, signed EW&Co., British hallmarks for 18ct gold £1,000­1,500 1403 A gold grasshopper brooch, realistically formed in 18ct yellow gold with chalcedony eyes, stamped KW and dated 1969, 5.2cm long £1,000­1,500 1404 A gold necklace by Lalaounis, the cylindrical gold links with fluted terminals suspending a stylised knot, necklace 49cm long, 73g £3,500­4,500 1405 An 18ct gold Zodiac pendant, Cartier, 1976, the textured circular medallion depicting a lion and the zodiac sign for Leo, to an oval hoop bail fitting, length 5.7cm including bail, signed Cartier, British hallmarks for 18 ct gold, sponsor’s mark JC for Cartier London £5,000­6,000 1406 An 18ct gold Zodiac pendant, Cartier, 1977, the textured gold medallion depicting Pisces, length 34mm including pendant hoop, British hallmarks for 18 carat gold, unsigned, sponsor’s mark JC for Cartier London, numbered 02276 £2,000­3,000 1407 A gold, garnet and diamond zodiac pendant, Cartier, circa 1971, depicting Aquarius, set with brilliant­cut diamonds and a circular­cut garnet, the reverse inscribed ‘PAOLO XMAS 1971 FLORA’, length 4.1cm including bail, signed Cartier £1,500­2,000 1408 A pair of diamond and gold earrings, set with a lozenge of round brilliant­cut diamonds within fluted yellow gold spherical decoration, clip fittings, 2.5cm high £1,000­1,500 1409 A pair of onyx, chalcedony and diamond ear clips, Kutchinsky, 1976, each of hoop design, the front set with carved onyx, with rope twist details and sections pavé­set with brilliant­cut diamonds, clip fittings, each 28mm, signed Kutchinsky, maker’s mark for Kutchinsky, British hallmarks for 18 carat gold, one onyx section replaced with chalcedony £1,500­2,000 1410 A pair of gold and diamond ear clips, Van Cleef & Arpels, each designed as a twisted hoop, one section pavé­set with brilliant­cut diamonds, 2.1cm long, each signed VCA, numbered B3058A14, stamped 750 £4,000­6,000 1411 A pair of diamond­set gold earrings by Martinelli, of semi­spherical design, decorated with shagreen and divided with a plain of pavé­set diamonds in 18ct yellow gold, signed, clip fittings, 3cm high £2,000­3,000 1412 A pair of Retro ruby ear clips, Van Cleef & Arpels, 1940s, each of stylised palm tree design, set with circular­ cut rubies, each 2.2 x 2.3cm, each signed Van Cleef & Arpels, numbered 9645CS, French assay marks for 18ct gold, French maker’s mark for Péry et Fils £5,000­7,000 The ‘CS’ at the end of the serial number for these ear clips stands for ‘Commission Spéciale’, and suggests that they were made specially to order.

1413 A diamond­set abstract gold ring by Boucheron, set with 9 textured gold discs with concentric circular decoration and set with diamonds in yellow gold, size N½, signed Boucheron, Made in France, Boucheron case £1,500­2,000 1414 A spinel three stone ring, the three graduated oval­shaped red spinels set within rubover gold bombé mount, size O½ £3,000­4,000

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1415 A mid 19th century gold necklace and matching gold earrings, all mounted with oval­ shaped intaglios depicting various classical scenes, the fine­link flexible necklace with French control mark to the clasp tongue on the main section and the shorter 4.5cm extension, 41cm total length, each intaglio mounted in a gold scroll and bead frame £10,000­15,000

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1416 A gem­set tiara, early 19th century, composite, composed of three starburst clusters of oval and pear­ shaped multicoloured gemstones including peridot, aquamarine, hessonite garnet and topaz, spaced by oval amethysts and aquamarines with foliate surmounts, all in foil­backed settings, later mounted onto a tiara frame, inner curve 35.5cm, height at centre 4.5cm £12,000­15,000

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1417 A conch shell cameo mourning ring, mid 19th century, set with a conch shell cameo depicting Achilles being dipped in the river Styx, behind a domed glass, to a gold bezel setting, the reverse with a compartment containing woven hair, the band’s interior inscribed ‘GH Ob June 10th 1854, size M½ £800­1,200 1418

A mid 19th century gold necklace, of tubular construction, entwined in coiled wire, in yellow gold, 41cm long £1,000­1,500 Provenance: Previously sold at Christie's, The Abbatucci Cargo Sale 7th October 1997, lot 180 Lots 1418 and 1420 were both on the ship The General Abbatucci, when it sank following a collision off the north coast of Corsica on 7th May 1869. Believed to be carrying cargo destined for The Vatican, the wreck was found nearly 127 years later and much of the cargo sold through Christie's South Kensington.

Accompanied by a certificate of authenticity from Christie’s.

1419 A Regency gem­set butterfly necklace, the stylised butterfly set with amethysts, garnets and chrysolites in closed­back settings within gold filigree decoration on a later gold chain set with matching gems in yellow gold, butterfly 5.8cm wide, necklace 46cm long £4,000­6,000 1420 A mid 19th century gold cruciform pendant, set with a cushion­shaped diamond, the cross decorated with layered and textured gold ivy leaves, 2.9cm wide £300­400 Provenance: Previously sold at Christie's, The Abbatucci Cargo Sale, 7th October 1997, lot 28 Accompanied by a certificate of authenticity from Christie’s.

1421 A Regency gem­set acrostic brooch, circa 1830, of plaque design, set with a sequence of circular­cut and cushion­shaped stones including ruby, emerald, garnet, amethyst. ruby and diamond, their initials spelling out ‘REGARD’, within a stud and filigree border, length 30mm, later brooch fitting £400­600 1422 An early 19th century gold Fedé ring, circa 1825, the central rock crystal plaque with carved clasped hands, with turquoise and seed pearl­set shoulders in filigree mount, French marks to the shank, size M, case £600­800 1423 An early 19th century green paste and diamond cluster ring, the green pastes (damaged) set within a border of old cushion­shaped diamonds in closed­back silver mounts on gold, size N½, case £1,000­1,500 1424 A Victorian diamond three stone ring, set with three graduated old circular­cut diamonds with diamond pointers (one missing) in platinum and yellow gold, size M½ £1,000­1,500 1425 A George III diamond, ruby and emerald ring, the half hoop ring in silver on gold, set with three rose­cut diamonds, spaced by a circular­cut emerald and ruby, in closed­back cut down collet settings, to a fluted band, size N £800­1,200 1426 A Georgian ruby and diamond ring, early 19th century, set with a cushion­shaped diamond between cushion­shaped rubies, accented with beaded decoration, the band composed of S­curve motifs in gold, size K, fitted case £400­600 1427 A plain gold Crimean war memorial ring, inscribed and commemorating Granville Elliot, killed Nov 5th 1854 at the battle of Inkerman, size S £200­300 1428 A George II amethyst and diamond mourning ring, set with a cushion­shaped amethyst, the shoulders set with rose­cut diamonds, the band applied with black enamel and inscribed JN Cross OBt 1758 Agd 67, size L, extensive losses to black enamel, possibly resized £400­600 1429 A garnet and seed pearl necklace, comprising a George III garnet cross suspending on a necklace formed of alternately­set filigree bows and garnets in closed­back yellow gold mounts, joined with seed pearls, cross 4.2cm high (including bail) necklace 43cm long £2,000­3,000 1430 A mid 18th century gold mourning ring, set with an oval­shaped rock crystal above woven initials, on a white enamel band with the inscription Ann Wood Ob 28 Feb 1756 AE 6, size N½ £400­600 1431 An early 18th century rock crystal and enamel mourning ring, the rectangular­shaped rock crystal above woven hair, on a black enamel band with gold inscription W DEW E OB 22 NOV 1725 AET 58, size H½, case £400­600

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1418

1421

1420

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1425

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1427

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1432 A sardonyx cameo, early 19th century, in the style of Luigi Michelini (active circa 1810­1852), of oval outline, the stone’s contrasting layers finely carved with a portrait of Omphale draped in the skin of the Nemean lion, 29 x 21mm £2,000­3,000 1433 A large hardstone cameo, 18th century, the brown and beige hardstone carved in high relief with a scene depicting the Judgement of Paris, within a base metal mount, 63mm diameter excluding mount, case £1,000­2,000 1434 An agate intaglio bead, late 19th century, of oval outline, finely carved with a scene depicting a reclining Pan comforting Psyche, 2.0 x 2.8cm, drilled lengthways £1,600­1,800 1435 A carnelian intaglio, early 19th century, of oval outline, engraved with a procession of putti, one putto playing pipes, the other holding a thyrsus rod, in a chariot pulled by goats, length 3.7cm £400­600 1436 An agate cameo brooch, 19th century, the agate cameo delicately carved to depict a bust of Apollo with a laurel headress and lyre, within a foliate gold border, the reverse with a brooch pin and hook fitting, 45 x 46mm £2,500­3,000 1437 A large and deeply carved oval white chalcedony intaglio, depicting a cavalry engagement, signed within initials AB and dated 1869, 6.2 x 5.0cm, case £2,000­3,000 1438 A carnelian intaglio stick pin, early 19th century, set with a carnelian intaglio carved in an archaistic style, depicting Achilles dragging the corpse of his defeated enemy Hector away from Troy back to the Achaean camp, to a plain gold collet and stick pin, intaglio 1.6 x 1.3cm, total length 9cm £2,000­3,000 1439

A Roman jasper intaglio, 2nd century AD, of oval outline, depicting Serapes, Nemesis and Fortuna, 1.1 x 1.3cm £700­900

1440

A Roman jasper intaglio, of oval outline, engraved with a figure of a priapic Pan holding grapes, 1.3 x 1.0cm £600­800

1441

A banded agate intaglio, 17th century, depicting Eros with a stag and a star, 1.5 x 1.2cm

£600­800

1442 An ancient Roman silver and jasper intaglio ring, 3rd century AD, the silver ring of broad­shouldered design, set with a small red jasper intaglio carved with a portrait of Hercules, size G½ £2,000­3,000 1443 A carved spinel ring, collet­set with a spinel cabochon with a concave back, carved with an Arabic inscription, to a mount of knot design, size N½ £2,500­3,000 1444 A green beryl intaglio ring, collet­set with a green beryl engraved with an intaglio of a lady in profile, to a heavy gold mount, the shoulders of column design, size N½ £2,500­3,500 1445 An agate cameo ring, early 19th century, the oval grey and white agate carved with a depiction of a Roman emperor wearing a radiate crown, in a closed­back collet­setting and half hoop ring, cameo 1.7cm long, ring size G½ £600­800 1446 A gold and carnelian intaglio ring, 17th century, set with a carnelian intaglio carved with a laurel­crowned figure in profile, the closed­back setting engraved to the reverse with a radiating pattern, intaglio measuring 1.2 x 1.0cm, ring size I £400­600 1447

An 18th century carnelian intaglio ring, depicting Hercules in profile, with later gold shank, size Q½ £300­400

1448 A Roman carnelian intaglio, 1st­2nd century AD, of oval outline, engraved with a figure of Mars beside a half column, wearing a helmet and spear and holding an orb, mounted in a 19th century ring, intaglio 1.3 x 0.9cm, ring size N £600­800 1449 An onyx cameo ring, 19th century, the oval grey, brown and white onyx carved with a bust of Psyche in profile, a butterfly wing in her hair, mounted in a gold collet setting, intaglio 2.0 x 1.5cm, ring size P £1,500­2,000 1450

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A late 15th century cameo depicting a woman in profile (nose broken) mounted in gold as a brooch, 1.5cm high £300­500

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1432

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1444 1446 1445

1447

1448 1449 1450

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1451 A boulder opal­set gold ring, in the style of Arthur King, the solid boulder opal set in textured abstract gold shank, size R½ £400­600 1452 A gold and emerald ring, Pierre Brun, mid 20th century, of bombé design, centring on a line of channel­ set calibré­cut emeralds, size L½, sizing band, French maker’s mark for 18 carat gold, French maker’s mark PABS with crossed wheatsheaves for Pierre Brun £800­1,200 Pierre Brun opened his workshop in Paris in 1936, where he worked until 1975, making jewellery for Van Cleef & Arpels, Cartier and Chaumet among others. In 1975 the business transferred to his sons, and in 2000 was taken in­house by Cartier.

1453 A ruby and diamond brooch, Kutchinsky, 1968, designed as an abstract floral spray in 18ct gold, accented with circular­cut rubies and brilliant­cut diamonds, length 5.6cm, signed Kutchinsky, British hallmarks for 18ct gold £1,200­1,500 1454

A spinel solitaire ring, the polished gold band set with a rough red spinel in yellow gold, size T £600­800

This lot is to be sold without reserve 1455 An aquamarine and diamond ring by Peter Lion, set with an oval­shaped aquamarine and two round brilliant­cut diamonds in 18ct white gold navette­shaped ring, maker’s mark and London hallmarks for 1972, size N½ £500­700 1456 A purple sapphire ring, the circular­cut sapphire weighs approximately 4.30cts, in brushed yellow gold mount, size O £4,000­6,000 1457 A diamond­set gold waterlily brooch by Kutchinsky, the graduated circular­cut diamonds within textured 18ct gold petals, signed, maker’s mark and London hallmarks for 1973, 5cm wide £1,500­2,000 1458 A gold ring stack by Wendy Ramshaw, then ten rings set with aquamarines, moonstones and tourmalines in yellow gold rubover settings, one with maker’s mark and London hallmarks for 2001, size N½, on a clear Perspex ring stand £1,000­1,500 1459 A textured gold and diamond brooch by Alan Gard, set with graduated old circular­cut diamonds, the principal two stones weighing approximately 1.05cts each, maker’s marks and London hallmarks for 1955, 6.1cm high £4,000­6,000 1460 A white gold and diamond signet ring, Kutchinsky, 1968, the rectangular front set with a step­cut diamond and incised PT, to textured sides and shank, size N (sizing beads), signed Kutchinsky, British hallmark for 18ct gold £1,000­1,500 1461 A gold and diamond­set brooch by Andrew Grima, the central agate crystal set with a diamond with border of textured gold triangles , two set with diamonds, unsigned, maker’s mark HJCo and London hallmark for 1964, 6.8cm wide £6,000­7,000 1462 An abstract diamond bangle by Charles de Temple, the abstract diamond plaques set within woven 18ct gold threads, signed, with London hallmarks for 1983, 6.7cm inner diameter £2,000­3,000 1463 A pair of diamond­set gold bangles, the circular­cut diamonds in square collets on plain polished yellow gold bangle, 6.2cm inner diameter, approximately 1.20cts of diamonds in total, 30g total £2,000­3,000 1464 A pair of abstract gold and diamond earrings by Andrew Grima, the crossover textured gold spikes set with a triangle of graduated diamonds in platinum on gold, with Grima plaque, maker’s mark and London hallmarks for 1967, clip fittings, 2.7cm wide £1,500­2,000 1465 An abstract diamond­set gold brooch pendant, c1970, of textured and plain pierced rectangular design, set with graduated circular­cut diamonds in yellow gold, 4.5cm high £2,000­3,000 1466 An amethyst cabochon ring, set within a a fluted mounted with two birds beak to beak to each shoulder, approximately size N £300­400 This lot is to be sold without reserve 1467 An emerald and diamond dress ring, 1960s, of abstract design, the textured gold setting enhanced with brilliant­cut diamonds enclosing a large cabochon emerald in yellow gold, size O £1,500­2,000 Accompanied by Gem and Pearl Laboratory report no. 21490, stating that the emerald measuring approximately 15­16 x 14­15 x 8mm is of Colombian origin, with evidence of moderate clarity enhancement.

1468 A gem­set gold jigsaw ring by Charles de Temple, formed as three component parts, comprising an outer ring set with marquise shaped diamonds and gold drops, with an emerald and diamond cluster ring which can be inserted into the centre and worn together, and an abstract matching gold ring which can be inserted into the centre and worn together, the emerald ring signed, with London hallmarks for 18ct, 1978, size L½ £1,500­2,000 Accompanied by an insurance valuation from Charles de Temple listing the three components, dated 25th July 1978.

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1469 A diamond cluster ring, set with 7 round brilliant­cut diamonds in 18ct white gold, total approximate diamond weight 1.25cts, London hallmarks for 1968, size M £1,000­1,500 1470 A George V gold snake brooch, the serpent’s head set with graduated old cushion­shaped diamonds in yellow gold, maker’s mark JBS and Birmingham hallmarks for 1911, size S½ £600­800 1471 A fire opal and diamond ring, of cluster design, set with a cushion­shaped fire opal within a border of circular­cut diamonds, size N½, stamped 18CT, case £600­800 1472 A half pearl and diamond brooch, circa 1890, designed as a crescent moon, set with half pearls and circular­ cut diamonds in gold, length 2.9cm, stamped 18CT, fitted case stamped JAYS, pearls untested £1,200­1,500 1473 A Victorian diamond­set gold hinged bangle, the central cluster set with an old circular­cut diamond weighing 2.19cts, within a surround of smaller diamonds and graduated diamond shoulders in yellow gold, 6cm inner diameter 1474 A diamond crescent brooch, late 19th century, set with graduated circular­cut diamonds in yellow gold, length 71mm, numbered 26 £1,000­1,500 1475 A Victorian citrine rivière necklace, set with graduated oval­shaped orange citrines in yellow gold collets, 45cm long £2,000­3,000 1476 An Edwardian citrine bracelet, set with graduated oval and circular­cut citrines in gold coronet mounts, 18.5cm long £400­600 1477 An unusual Gothic Revival gold, ruby, enamel and diamond bracelet, mid 19th century, composed of openwork panels depicting scrolling vines of grape, ivy, rose and lily within rope twist frames, likely referencing the four seasons, the lily panel additionally set with oval rubies and cushion­shaped diamonds, and centred upon an enamelled escutcheon bearing the initials TM, to a bar clasp in yellow gold, length approximately 165mm, 43 grams £800­1,200 Cf.: Gere, C. and Munn, G., Pre-Raphaelite to Arts and Crafts Jewellery, Antique Collector’s Club, 1996, p.90, no.37, for a bracelet by Hardman & Co., 1859, similarly enamelled in Gothic script with the initials of the wearer, and p.97, no.52, for a jewel made by William Burges in 1871­2 for the Marchioness of Bute, suspending a number of similarly intialled escutcheon pendants.

1478 A pink topaz bar brooch, circa 1900, claw­set with a cushion­shaped pink topaz weighing 7.77 carats, length 46mm, fitted case stamped Johnson, 84 Grafton Street, Dublin £2,000­3,000 1479 A diamond ring, the disc­shaped centre pavé­set with cushion­shaped diamonds, to shoulders each set with a trio of additional cushion­shaped diamonds in yellow gold, size V½, 5.1 grams £400­600 1480 A Victorian sapphire and diamond gypsy ring, the cushion­shaped sapphire and diamonds rubover­set in yellow gold, stamped 18ct, size P £600­800 1481 A late 19th century diamond three stone ring, set with graduated old cushion­shaped diamonds, with diamond pointers in gold with later rhodium plating, size M½ £3,000­5,000 1482 A late Victorian 18ct gold and diamond five­stone ring, set with a sequence of five graduated circular­cut diamonds accented with rose­cut diamonds, size N½, stamped 18CT, numbered 289 £400­600 1483 A late Victorian diamond three­stone ring, set with an oval diamond between smaller cushion­shaped diamonds, the gold mount accented with carved scrolls, size M, stamped 18ct £3,000­5,000 1484

A diamond solitaire ring, the old circular­cut diamond weighs approximately 1.05cts, set in platinum, size J½ £800­1,200

1485 A synthetic ruby and diamond cluster ring, early 20th century, set with an oval synthetic ruby within a border of cushion­shaped diamonds, size Q½, stamped 585 £500­700

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1469

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1476

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1486 An opal and diamond bird brooch, late 19th century, designed as a bird in flight, set with rose­cut diamonds and cabochon opals, mounted in silver on gold, length 4.8cm, two diamonds deficient £800­1,200 1487 A Victorian gem­set shamrock brooch, late 19th century, the three leaves set with a pear­shaped ruby, diamond and sapphire, all within diamond borders and sinuous diamond­set mount in silver on gold, 3.0cm diameter, case stamped Hancocks. £6,000­8,000 By family tradition, this brooch was originally purchased to celebrate the Golden Jubilee of Queen Victoria in June 1887.

1488 A late Victorian gem­set bird brooch, the three songbirds pavé­set with rose­cut diamonds an turquoise cabochon bodies in silver and gold, 3.8cm wide £200­300 1489 A Victorian diamond and ruby bird brooch, late 19th century, designed as a swallow in flight, pavé­set with rose­cut diamonds, its collar set with cushion­shaped rubies and suspending a seed pearl, its eye set with a ruby cabochon, length 44mm, brooch pin and pendant loop, French assay mark for silver £2,000­3,000 1490 A Victorian diamond and natural pearl brooch, late 19th century, composed of a circular brooch set with concentric circles of cushion­shaped diamonds, suspending a detachable natural pearl in silver and gold, length 4.5cm £4,000­6,000 1491 A late Victorian diamond bow brooch, set with a central old circular­cut diamond within diamond­set ribbons in silver and gold, 4.1cm wide £2,000­2,500 1492

A diamond cluster ring, set with old cushion­shaped diamonds in white gold, size S, case

£2,000­3,000

1493 A Russian sapphire and diamond circular brooch, set with rose­cut diamonds (one missing) and three oval­ shaped sapphires in silver on gold, 56 zolotnik and St Petersburg mark, rubbed workmaster’s initials, 2.5cm wide £600­800 1494 A diamond pocket watch, circa 1900, the circular dial in white enamel with gold hands, the case set with rose­cut diamonds, topped with a hinged trefoil handle, interior numbered 19238, French assay mark for silver, partial maker’s mark, measuring 34 x 21mm, 13 grams £800­1,200 1495 A late Victorian moonstone and diamond heart, later converted to a ring, the cabochon moonstone heart within diamond border and beneath a diamond­set bow in silver and gold, ring size M½ £300­400 1496 A pair of George III diamond and enamel pendants, the central blue enamel plaque (damaged) applied with a diamond­set flower within graduated diamond border suspending from a diamond bow in closed back silver and gold setting, length 5cm including bail £800­1,200 1497 A late 19th century diamond and enamel brooch, set with an early 20th century plaque later conjoined as a centrepiece, the centre of lattice form with a central sapphire in diamond surround, in platinum, the outer border in closed back silver and gold setting, 6cm wide £3,000­5,000 1498 A natural pearl and diamond brooch, late 19th century, designed as a foliate openwork medallion set with cushion­shaped and rose­cut diamonds, centring on a bouton­shaped natural pearl in silver and gold, length 3.9cm including bail fitting £3,000­5,000 1499 A diamond bar brooch, late 19th century, of knife wire construction, set with cushion­shaped diamonds in silver and gold, length 30mm, 3.4 grams, fitted case dated December 1886 £200­300 1500 A 19th century diamond­set brooch, the principal rose­cut diamonds within scroll borders of smaller rose­ cut diamonds in foiled and closed back silver and gold settings, with three articulated pendants, later brooch pin, 5.2cm wide £1,000­1,500 1501 A Victorian foliate diamond brooch, designed as a posy of flowers tied with a ribbon, all set with graduated old cushion­shaped diamonds in silver and gold, later rhodium plated, 8.6cm long case £2,000­3,000 1502 A late 19th century enamel and diamond shamrock brooch, the blue enamel heart­shaped petals applied with a diamond, within smaller diamond border in silver and gold, 3cm high £600­800 1503 A mid 19th century enamel and diamond brooch, the oval blue enamel plaque applied with a diamond flower, set within a surround of old cushion­shaped diamonds in silver and gold, 3.2cm wide £800­1,200 1504 A Victorian natural pearl and diamond brooch, late 19th century, centred on a natural pearl measuring 9.08­9.86 x 7.78mm, among petals set with graduated cushion shaped diamonds in silver and gold, detachable brooch mount, 2.8cm diameter £1,000­1,500 Accompanied by SSEF report no.67920, dated April 2013, stating that the pearl is natural, saltwater.

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1505 A diamond ring, set with a circular­cut diamond within a lozenge­shaped border channel­set with princess­ cut diamonds, the edges with a millegrain finish, size N, stamped PLAT £550­750 1506 A sapphire and diamond ring, early 20th century, set with a step­cut sapphire, within a millegrain­set border of single­cut diamonds extending to the shoulders, size N, stamped 18CT&PT £600­800 1507 An emerald and diamond ring, set with a step­cut emerald weighing 0.50 carats, to a millegrain­set border of brilliant­cut and baguette diamonds, size N½, stamped 18CT £800­1,200 1508 A tanzanite and diamond ring, of cluster design, set with an oval tanzanite weighing 2.10 carats, within a millegrain border of brilliant­cut diamonds, size M½, stamped PLAT £1,000­1,500 1509

A diamond lozenge form ring millegrain set with graduated old circular cut diamonds in white gold, size N½ £600­800

1510 A diamond ring, circa 1920, designed as an open work plaque with millegrain borders, set with circular­cut diamonds, size N, setting 27 x 15mm £1,000­1,500 1511 An Art Deco diamond and black onyx ring, the old circular cut diamond is millegrain set in a rectangular onyx plaque and white gold, size O £1,500­2,000 1512 An Art Deco onyx and diamond ring, circa 1920, designed as a polished onyx plaque, the centre inset with three millegrain­bordered circular­cut diamonds, each end terminating in a trefoil of cushion­shaped diamonds, size O £600­800 1513 A diamond pendant, the flat diamond in platinum spectacle mount weighing approximately 4.00cts on a fine­link platinum neck chain, pendant 2.6cm high, chain 42cm long £4,000­6,000 1514 An early 20th century diamond bow brooch by Wendt’s, of stylised design set with graduated circular­cut diamonds in palladium, 3.8cm wide £600­800 1515 An Art Deco diamond double clip brooch, of scroll design, set overall with graduated circular­cut and baguette­shaped diamonds in platinum, the two brooches detach to be worn separately as clips, 5.8cm wide £2,000­3,000 1516 A diamond and black onyx bar brooch, with black onyx centre and terminal chevrons, and millegrain set with circular and rose­cut diamonds to the pierced platinum mount, yellow gold pin, 9.0 cm long £1,200­1,500 1517 An Art Deco diamond brooch, 1930s, designed as a geometric plaque, set with circular­, single­cut and baguette diamonds, centring on a circular­cut diamond weighing approximately 1.00 carat, length 7.1cm, French assay marks for 18ct gold and platinum £5,000­6,000 1518 An Art Deco rock crystal, sapphire and diamond brooch, 1920s, of elongated design, composed of frosted rock crystal inset with an alternating line of collet­set oval sapphires and circular­cut diamonds, to a millegrain border of circular­cut diamonds, each end set with an additional cushion­shaped sapphire, length 5.4mm, French assay marks for 18ct gold and platinum, fitted case stamped JB Yabsley £1,000­1,500 1519 A diamond clasp, of square outline, pavé­set with rose­cut diamonds, centring on a square cushion­shaped diamond, 18 x 18mm, French import marks for 18 carat gold £2,000­3,000 1520 A pair of emerald and diamond drop earrings, the carved fluted emerald bead suspending from circular­ cut diamonds, pairs of baguette­shaped diamonds and a principal rose­cut diamond in white gold, 4cm high £6,000­8,000 1521 A pair of emerald and diamond earrings, of drop design, each set with brilliant­cut diamonds and a pear­ shaped emerald, length 2.5cm, post fittings £800­1,200

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1522 A sapphire and diamond flowerhead brooch, set with a central diamond and calibré­cut sapphire petals, with further circular and baguette­shaped diamond surround in platinum, 5.9cm longest £2,000­3,000 1523 A pair of gold and diamond ear clips, Kutchinsky, each designed as an openwork flower, set with brilliant­ cut diamonds, centring on a brilliant­cut diamond within a foliate border of pear­shaped diamonds, each 3.2cm diameter, each signed Kutchinsky, fitted case stamped Kutchinsky £12,000­15,000 1524 A pair of diamond­set wings earrings, the stylised wings pierced and millegrain­set with single­cut diamonds in platinum, 2.4cm longest, post fittings, case £600­800 1525 A pair of tourmaline and diamond scroll earrings, the green tourmalines set within scrolls set with circular­ cut diamonds in platinum, 2.5cm high, clip fittings £800­1,200 1526 A sapphire, ruby and diamond bracelet, the articulated strap composed of three rows of fluted links, set with clusters of circular­cut rubies, sapphires and diamonds in a chequered arrangement, length 187mm, Italian maker’s mark, stamped 750 for 18 carat gold, 78 grams £4,000­6,000 1527 A mid 20th century emerald and diamond ring, set with an emerald within scrolling shoulders set with baguette­shaped and circular­cut diamonds in palladium, size M½ £600­800 1528 A pair of natural pearl and diamond drop earrings, the stylised scrolls set with graduated round brilliant­ cut diamonds, and suspending an articulated drop with a natural pearl terminal in platinum, length 6.4cm each £10,000­15,000 Accompanied by CISGEM report no. 10205, stating that the pearls measuring 9.92­10.05 x 11.75mm and 9.20­ 9.94 x 11.60mm are natural, saltwater.

1529 A pair of emerald and diamond brooches, 1960s, each of radiating design, constructed in wire, one centring on a cushion­shaped diamond, the other on a step­cut emerald, each within borders of single­cut and baguette diamonds and step­cut emeralds, the outer edges set with baguette diamonds alternating with trios of circular­cut diamonds, each 4.7cm diameter, indistinct assay marks for platinum £8,000­12,000 1530 A sapphire and diamond cocktail ring, set with an octagonal mixed­cut sapphire, within a mount of scroll design set with graduated brilliant­cut and baguette diamonds in platinum, size approximately G (sizing beads) £15,000­20,000 Accompanied by report no. 10730 from the Gem & Pearl Laboratory, stating that the sapphire measuring 14.2 x 11.1 x 10.2cm is natural, with no indications of heat treatment. The sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment, as per a verbal report from GCS. 1531 A French diamond cluster ring, 1960s, centred on two confronted pear­shaped diamonds, flanked by smaller marquise­shaped diamonds, within a navette­shaped border of brilliant­cut diamonds, to a fluted platinum band, size I½, sizing band, French assay mark for platinum £8,000­12,000 1532 A Padparadscha sapphire ring, the sugarloaf cabochon sapphire weighing approximately 17.96 carats, in a polished yellow gold rubover setting, size L £20,000­30,000 Accompanied by AGL report no. 1117469, stating that the Padparadscha sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment or clarity enhancement, and additionally exhibits a rare natural colour shift relative to exposure to light and/or heat, the dominant tone varying from orange to pink.

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1533 A sapphire and diamond ring, designed as three oval sapphires within a border of brilliant­cut diamonds, size K½, British hallmarks for 14 carat gold £600­800 1534 An Edwardian diamond­set pendant, the stylised bows set around a diamond cluster and suspending an articulated drop pendant set with a pear­shaped diamond weighing approximately 0.75cts within a border of diamonds in platinum, on fine­link platinum neck chain, pendant 4.9cm high, chain 41cm long £2,500­3,500 1535 An Edwardian aquamarine pendant, the pear­shaped aquamarine suspends from a fine­link seed pearl neck chain in platinum, pendant 3.2cm high including bail, chain 62cm long £3,000­4,000 1536

A diamond solitaire ring, the circular­cut diamond weighs 2.09cts, set in white gold, size P½ £7,000­9,000

1537 An Art Nouveau diamond pendant, circa 1900, composed of knife wire arranged in an abstract foliate scroll design suspending three pendants, set with circular­cut and cushion­shaped diamonds, to a detachable back chain, chain length 39.5cm, pendant length 4.7cm £6,000­8,000 1538 An Edwardian diamond swag necklace, the pear­shaped clusters of diamonds suspending within articulated rows of diamonds joining at central diamond crescents with swags beneath and further pairs of diamonds in platinum on fine­link platinum neck chain, French control marks to chain, 41cm long £5,000­6,000 1539 An Edwardian emerald and diamond brooch, set with a central lozenge of tapering emeralds within a surround of single­cut diamonds and graduated old circular­cut diamond terminals in platinum, 4.5cm wide £400­600 1540 An American Belle Époque diamond brooch, Gorham, circa 1910, designed as a abstract bow in intricate openwork, set with circular­cut diamonds in millegrain borders, length 61mm, signed Gorham, case stamped Edward & Sons £3,000­5,000 1541 A Edwardian diamond brooch, pavé­set with graduated old cushion­shaped diamonds in platinum and gold, 10.2cm wide £2,000­3,000 1542 A sapphire and diamond cluster ring, set with a cushion­shaped sapphire weighing approxiunately 3.06 carats, within a border of brilliant­cut diamonds, size T £2,000­3,000 The central sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment, according to a verbal report by GCS. 1543 An Edwardian oval­shaped diamond brooch, pierced openwork design millegrain­set overall with graduated old cushion­shaped diamonds and a border of rose­cut diamonds in platinum and gold, 5cm wide, case £2,000­3,000 1544 An Edwardian amethyst and diamond brooch, circa 1900, set with a step­cut amethyst, within an open work scrolled border set with circular­ and rose­cut diamonds, the edges with a millegrain finish, length 28mm, brooch fittings possibly later £1,200­1,500

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1545 A ruby and diamond ring, designed as a flower set with lasqué­cut diamonds and centred on a rose­cut ruby, the shoulders set with cabochon rubies, the mount applied with multicoloured enamel in a design of floral scrollwork, size S £600­800 1546 A cultured pearl, ruby and emerald necklace, designed as a single strand of cultured pearls suspending a series of polished emerald drops, their mounts accented with cabochon rubies and spaced with green paste beads, length 41.5cm £800­1,200 1547 A seed pearl, ruby, emerald and diamond necklace and pair of earrings, the front of the necklace of fringe design, suspending a series of pendants, set with polished rubies and emeralds, lasqué­cut diamonds and seed pearls, accented with green paste beads, mounted in gold, to a cord back section, length adjustable, length of longest pendant 8cm; the pair of earrings of matching design, length 6.6cm each, hook fittings £2,000­3,000 1548 A pair of fancy yellow and white diamond drop earrings, the stylised palmette pavé­set with yellow and white diamonds with a central rose­cut pear­shaped diamond, suspending a tassel of briolette­cut diamonds in white gold, total diamond weight approximately 48cts, post fittings, 6.7cm high £30,000­40,000 1549 A diamond necklace, designed in the Indian style as a rivière of graduated lasqué­cut diamonds, in foil­ backed settings, suspending a cluster pendant similarly set with lasqué­cut diamonds, length 530mm, length at front 43mm including pendant £5,000­8,000 1550 A pair of Indian enamel and diamond earrings, each composed of a lotus motif set with lasqué­cut diamonds in foiled settings, suspending an oval drop set with a large lasqué­cut diamond in a foiled setting, within a border of lotus petals in pink enamel, the reverse similarly enamelled with lotus motifs, clip and post fittings, each 5.3cm long £6,000­8,000 1551 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 2.30 carats, size L½, sizing beads, British hallmarks for 18ct gold £1,000­1,500 1552

A diamond solitaire ring, the rose­cut diamond weighs approximately 1.30cts, claw­set in platinum, size J½ £2,000­3,000

1553 A diamond four­stone ring, early 20th century, set with a sequence of four circular­cut diamonds spaced by smaller pairs of single­cut diamonds, to a yellow gold mount with scrolled engraving, size R½, stamped OR £5,500­6,000

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1554 A yellow sapphire pendant, the large polished yellow sapphire weighing approximately 120.00cts, in a polished gold spectacle setting, length 4.6cm including bail £8,500­12,000 1555 A gold and diamond necklace, Cartier, circa 1961, the articulated gold collar of ribbon design, the central knot motif accented with graduated lines of brilliant­cut diamonds, length 35.5cm, signed Cartier, numbered L4637, stamped Made in France, French export assay marks for 18ct gold, British import hallmarks for 18ct gold, date letter f for 1961, sponsor's mark JC for Cartier London £4,000­6,000 1556 An emerald and diamond swag necklace, set with graduated circular­cut diamonds separated with stylised leaves set with baguette­shaped diamonds, suspending five graduated emerald drops in white gold, 41cm long, with a matching pair of emerald and diamond drop earrings in white gold, post and clip fittings, 4.6cm high £18,000­25,000 1557 A sapphire and diamond cluster ring, the cushion­shaped sapphire is set within a surround of round brilliant­cut diamonds, with a pear­shaped diamond to each shoulder in platinum, size M½ £11,500­12,000 Accompanied by G¸belin report number 13100294 dated 30 October 2013, stating that the cushion­shaped sapphire weighing 11.31cts is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

1558 A sapphire and diamond ring, claw­set with a mixed­cut sapphire weighing 2.84 carats, between shoulders set with princess­cut diamonds weighing an approximate total of 1.30 carats, size N £3,000­4,000 1559 A sapphire solitaire ring, the cushion­shaped sapphire weighing over 20.00cts, collet­set in a brushed gold setting, size P £16,000­20,000 1560 A large emerald solitaire ring, the step­cut emerald weighing approximately 22.20 carats, claw­set in white gold, size M½ £3,500­4,500 Accompanied by GCS report no. 81299­42, stating that the emerald is of Zambian origin, with indications of moderate clarity enhancement.

1561 A diamond ring, set with a circular­cut diamond weighing approximately 4.95cts, the shoulders set with baguette diamonds, size K½, stamped PLAT £4,000­6,000 Please note that the central diamond is laser­drilled.

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LOTS 1562­1574 A PRIVATE COLLECTION OF JEWELLERY 1562 A citrine and diamond dress ring by G.Weil, set with triangular­shaped citrines and round brilliant­cut diamonds in abstract textured gold surround and pierced textured gold shank, maker’s plaque to reverse, size N £2,000­3,000 1563 A French gold bird of paradise brooch, the stylised bird with a diamond­set head, textured gold wings and diamond­set tail feathers in gold, maker’s lozenge RB and French control marks, 6.7cm high £3,000­5,000 1564 A mid 20th century aquamarine and diamond ring, the emerald­cut aquamarine weighs approximately 40.00cts, decorated with marquise and round brilliant­cut diamonds to one corner in fluted yellow gold shank, size P½ £9,000­12,000 1565 An Art Deco diamond bracelet, Raymond Yard, 1920s, formed of three symmetrical panels millegrain­set with old circular­cut and baguette­shaped diamonds, conjoined with diamond­set pierced rectangular links in platinum, signed Yard Inc, 18cm long, Austrian import assay marks for platinum £22,000­25,000 1566 A pair of mid 20th century fire opal and diamond drop earrings, set with crescents of baguette­shaped and circular­cut diamonds beneath a diamond scroll, suspending a further cluster of diamonds and a fire opal drop in platinum, 7.5cm high £10,000­15,000 1567 An emerald and diamond three­stone ring, set with a step­cut emerald flanked with circular­cut diamonds in platinum and gold, size N £3,500­4,500 The emerald is of Colombian origin, with indications of moderate clarity enhancement, as per a verbal report from GCS. 1568 A late 19th century emerald and diamond three stone ring, the cushion­shaped emerald weighs approximately 4.20cts, flanked with old circular­cut diamonds weighing approximately 1.90cts in total, in carved yellow gold mount, size N½ £12,500­13,500 The emerald is of Colombian origin, with indications of moderate clarity enhancement, as per a verbal report from GCS. 1569 A French sapphire and diamond scroll ring, set with a cushion­shaped orange sapphire, weighing approximately 8.50cts, within scroll shoulders set with onyx and diamonds in carved platinum mount, French assay marks and maker's lozenge J&G, size N £6,000­8,000 The sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment, as per a verbal report from GCS. 1570 An early 20th century amethyst and diamond cluster ring, the step­cut amethyst set within a border of circular­cut diamonds and further diamonds to the shoulders in platinum, size L (with inner re-sizing balls) £2,500­3,500 1571 A ruby and diamond Odeonesque ring, circa 1940, set with a central line of calibré­cut rubies within diamond borders in scrolling yellow gold mount, size I½ £3,500­4,500 1572 A mid 20th century diamond bombé ring, set with graduated circular and marquise­shaped diamonds within a border of baguette­shaped diamonds in platinum, size P £4,000­6,000 1573 An early 20th century ruby and diamond cluster ring, the central old circular­cut diamond weighs approximately 0.75cts, set within a geometric border of tapered calibré­cut rubies and diamonds in oval platinum surround and further shoulder diamonds, with inner re-sizing balls, size L £5,500­6,500 1574 An Art Deco natural pearl and diamond ring by Cartier, circa 1920, the bouton­shaped pearl flanked with baguette­shaped diamonds within a bombé surround pavé­set in the round with single­cut diamonds, on a diamond­ set platinum band, inner­resizing balls and a resize to shank, approximately size K, French assay mark for platinum £7,500­8,500 The bouton­shaped pearl is natural, saltwater, according to a verbal report from GCS.

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1575 A pair of rose­cut diamond drop earrings, the diamonds weighing 1.04 and 0.87cts, set in silver and gold on gold shepherd’s hook posts £3,000­4,000 1576 A five­stone diamond ring, early 20th century, set with a sequence of five graduated cushion­shaped diamonds in claw settings, size P, stamped 18CT PLAT £3,000­5,000 1577 A sapphire and diamond pendant, mid 19th century, composed of a lozenge set with rose­cut diamonds in closed­back collet settings, centring on a cabochon sapphire, suspending a polished sapphire drop, the bail fitting similarly set with rose­cut diamonds, length 6.1cm including bail £8,000­10,000 The sapphires are of Sri Lankan (Ceylon) origin, with no indications of heat treatment, as per a verbal report from GCS. 1578 A Victorian diamond brooch, late 19th century, designed as an asymmetrical flower in silver on gold, centring on a circular­cut diamond, the petals set with cushion­shaped and rose­cut diamonds, 64 x 48mm, detachable brooch fitting with indistinct assay marks £4,000­6,000 1579 A late Victorian ruby and diamond brooch, circa 1900, designed as a lyre, set with circular­cut diamonds and an elongated oval ruby, length 47mm, 9.4 grams £2,000­3,000 1580 A 19th century diamond­set demi parure, comprising a foliate brooch set overall with graduated rose­cut diamonds, with diamond swags and articulated diamond drops in silver and gold closed­back settings, with a matching pair of diamond drop earrings, brooch 9.5cm long, earrings 8cm long, case £10,000­15,000 1581 A Victorian diamond­set gold bangle, set with a central cluster of old cushion­shaped diamonds within diamond­set laurels in bifurcated yellow gold mount, 5.6cm inner diameter, the central diamond cluster removes to be attached to a yellow gold ring, size M½, case £1,500­2,000 1582 A Victorian diamond bangle, late 19th century, designed as three diamond flowerheads conjoined with rows of old cushion­shaped diamonds in silver and gold collets, on a carved hinged yellow gold bangle of knife wire construction, inner circumference 16.5cm, case £3,000­4,000 1583 A late Victorian ruby and diamond brooch, circa 1890, designed as a butterfly mounted en tremblant, of openwork construction, set with circular­cut diamonds, its eyes set with circular­cut rubies, wingspan 5.6cm, detachable brooch fitting, later safety chain, fitted case £1,500­2,000 1584 A diamond cloak pin, France, late 19th century, of bar design concealing a clasp, each end terminating in foliate scrolls and a fleur­de­lis, set with circular and rose­cut diamonds, length 7.6cm, clasp tongue marked BTE SGDG, pin with French assay mark and partial maker’s mark, one diamond deficient £2,000­3,000 1585 A late Victorian gem­set trefoil brooch, set with a pear­shaped topaz, chrysolite and garnet within a diamond border in silver and gold, 3cm wide £1,000­1,500 1586 A Victorian diamond­set quatrefoil brooch pendant, the openwork lattice design set with graduated old circular­cut diamonds in silver and gold, detachable brooch fitting and folding pendant loop, 3.7cm wide £2,000­3,000

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1587 A late 18th century Portuguese topaz girandole brooch, the central cluster with swags beneath suspends three articulated topaz pendants set in foiled closed back silver mounts, 7cm wide £2,500­3,500 1588 A gold and enamel necklace, 19th century, composed of roundels applied with blue guilloché and white enamel, connected by three strands of fine chain, to an oval clasp of similar design set with a half pearl, the reverse inscribed 'Chainette d'amour' (little chain of love), length 40.8cm, pearl untested £1,500­2,000 1589 A late 18th century ruby and diamond cruciform pendant, set with rose­cut diamonds and rubies in closed back silver settings, later pendant loop and chain, pendant 5.2cm high, chain 48cm long £800­1,200 1590 A diamond and enamel ring, circa 1700, centring on a table­cut diamond in a cut­down collet setting, the shoulders similarly set with trios of rose­ and table­cut diamonds, the closed­back setting of the central stone and the shoulders accented with green enamel, the shoulders with additional fleur­de­lis motifs, to a fine band engraved with panels, size K £4,000­6,000 1591 A pair of late 18th century diamond drop earrings, the cluster of table­cut diamonds suspend a further detachable articulated drop in silver and gold, length 4cm each, hook and clip fittings £4,000­6,000 1592 A gold posy ring, circa 1700, the exterior engraved with a skull and a scale pattern, the interior inscribed 'In thy breast my heart doth rest', size N½, 2.4 grams £400­600 1593 A fine late medieval gold posy ring, circa 1400, of spiral design, composed of alternating bands of pellet and engraved decoration, the interior with an inscription in Lombardic script reading ‘DELVI:PENSEZ:PAR:kISVI:SI (‘think of he by whom I am here’), the lettering with traces of black enamel or niello, mostly removed or lost, size P £5,000­7,000 Cf.: Victoria & Albert Museum, accession no. 889­1871 for an earlier ring with a similar inscription (which is usually written as a rhyming couplet), and British Museum accession no. 1967,1208.1, for a ring circa 1400­1464 with similar decoration Provenance: Discovered and excavated in the grounds of Breamore House, Hampshire in April 2021 Accompanied by a copy of a letter from the British Museum and a curator’s report, discussing the ring in further detail and confirming that the ring has been declared as an archaeological find under the Treasure Act (1996), and the Crown’s potential interest in this find has been disclaimed.

1594 A late medieval gold posy ring, 15th century, the wide band carved with delicate sprays of wildflowers and an indistinct 'Black Letter' inscription in French, size D, misshapen £700­900 Cf.: Scarisbrick, D., Rings: Jewelry of Love, Power and Loyalty, Thames & Hudson, 2007, p.67 no. 89, for a similar 15th century posy ring Provenance: Discovered and excavated in the grounds of Castle Headingham, Essex, in 2019 Accompanied by a copy of a letter from the British Museum and a curator's report, discussing the ring in further detail and confirming that the ring has been declared as an archaeological find under the Treasure Act (1996), and the Crown's potential interest in this find has been disclaimed.

1595 A Renaissance green paste stone and gold ring, late 16th century, centring on a square green paste stone in a scalloped setting engraved with floral motifs, the shoulders of strapwork design, size P £800­1,200 1596 A Renaissance rock crystal and enamel ring, mid 17th century, collet­set with an octagonal rose­cut rock crystal backed in red foil, the setting with a gallery of arches applied with white enamel, to shoulders engraved with scrolls, with similar remnants of white enamel in gold, size P £2,500­3,500 1597 An 18ct gold and enamel mourning ring, circa 1856, designed as a band with the words ‘In Memory Of’ in black enamel, within a carved foliate border, size R, British hallmarks, maker’s mark JW £300­500 1598 A late 18th century topaz and diamond brooch, the oval­shaped topaz set within a border of rose­cut diamonds and further smaller oval­shaped topaz in foiled and closed back silver and gold settings, 3.1cm wide, later brooch fitting £1,500­2,000 1599

A rare gold ring, Viking, 9th­11th century, the front of woven design in high carat gold, size Q, 7.8 grams

£800­1,200

Rings and arm bands of woven gold or silver wire, plaited and hammered together, are a typical design of Viking jewellery in the 9th­ 11th centuries. Cf.: Scarisbrick, D., Wagner, C. and Boardman, J., The Guy Ladrière Collection of Rings, New York, 2016, p.282 no.267, and British Museum reference no. AF.537 for similar examples.

1600 A late 18th century topaz and diamond brooch, set with a central square cushion­shaped orange topaz within a star­shaped and laurel surround set with old mine­cut diamonds in closed­back silver setting, 3.2cm wide £2,000­3,000 1601 A gold signet ring, England, late 16th/early 17th century, the oval front engraved with the initials WI, flanking a floral spray with knotted roots, within a stippled border, size R £4,000­6,000 Initials linked by knots were a popular motif in late 16th/early 17th century English jewellery. The initials may refer to lovers or may also be those of an individual.

Cf.: Oman, C., British Rings 800­1914, B.T. Batsford Ltd, 1974, pl.44 A, for an illustration of a similar ring, dated to the second half of the 16th century, in the collection of the British Museum, ref AF.798 1602 A gold signet ring, late 16th/early 17th century, the circular front engraved with the christogram IHS, between scroll motifs, to an engraved border, size P½ £2,500­3,500 Cf.: Oman, C., British Rings 800-1914, B.T. Batsford Ltd, 1974, pl 71E, for an illustration of a similar ring, dated to circa 1540, in the collection of the Victoria and Albert Museum 92

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LOTS 1603­1608 A PRIVATE COLLECTION OF EARLY JEWELLERY 1603 A gold, garnet, rock crystal and verre églomisée ‘Agnus Dei’ pomander pendant, probably Spain, circa 1600, the gold pendant of oval outline, the engraved border pierced and set with table­cut garnets, one side set with a glass panel gilded and foiled to the reverse to depcit the Lamb of God, atop a Bible and the christogram IHS, the reverse set with a rock crystal intaglio depicting the crucifixion, backed in pink foil, opening to reveal a plain interior intended for perfume, suspending a Baroque pearl pendant, length 6.9cm including bail fitting and pearl pendant, pearls untested £2,000­5,000 1604 An unusual George II mourning pendant, circa 1745, the glazed pendant of oval outline mounted in gold containing painted vellum, one side reading 'Sir Rob. Williams Baronet, Born the 3d May 1716', to ground of floral scrolls surmounted by a pair of cherubs holding a crown, the reverse with a skull and crossbones atop a reliquary applied with hair, reading 'Sir Rob. Williams Baronet Obt the 12th November 1745, length 4.6cm including bail fitting £3,000­6,000 Sir Robert Williams was the 7th of the Williams­Bulkelely Baronetcy of Penrhyn in Wales, who died at the age of 29, unmarried and without issue, his title passing to his cousin. Their family seat was the now­derelict Baron Hill in Beaumaris, Anglesey.

1605 An important gold and enamel mourning ring for Lord Byron, 1824, centring on a plaque inscribed ‘BYRON’ in gold reserve surmounted by a baronial coronet in white and red basse taille enamel on a black enamel ground, to a band inscribed ‘IN MEMORY OF’ in gold reserve on black enamel, between gold borders carved with floral garlands, the interior with a compartment containing a lock of hair and inscribed ‘Died 19 Aprl 1824 at. 36’, size N½, British hallmarks for 18ct gold, date letter i for 1824, maker’s mark CR for Charles Rawlings £8,000­12,000 Only three other mourning rings for Lord Byron are recorded: one in the Pforzheimer collection in the New York Public Library, another from the Hone collection, sold at Christie’s in 2016, and another sold at Tennants in 2018, thought to originate from the contents of Newstead Abbey, Byron’s family seat.

This ring, one of only two containing a lock of Byron’s hair (the other of different design, from the Hone collection mentioned above), was possibly gifted by Augusta Leigh (half­sister to Lord Byron) to Reverend Francis Hodgson, an assistant master at Eton and close friend of Lord Byron upon Byron’s death. A ring matching this description and mentioning a lock of hair was sold at Christie’s in January 1899 by a Mrs Hodgson, selling to a J. Ward. The present ring was rediscovered and sold in the UK in 2013, and has been subsequently kept in a private collection.

1606 A rare Tudor memento mori ring, c1550, the hexagonal bezel engraved with stylised skull motif surrounded by the name of the deceased: James Porlace, with volutes and foliate shoulders in plain gold band, remnants of black enamel, size M (approximately) £6,000­8,000 Cf.: Scarisbrick, D,. Tudor and Jacobean Jewellery, plate 37, and Oman, C,. British Rings, plate 57, as well as British Museum accession no.

1871,0302.5, with a central swivel panel, and Victoria and Albert Museum accession no. 13­1888.

1607 A Renaissance gold, enamel, pearl and paste stone pendant, possibly Spain or Italy, circa 1600, of openwork scroll design, applied with black enamel and set with foil­backed table­cut paste stones, suspending five pendants, centring on a pearl, length 9.6cm incuding bail fitting, pearl untested £3,000­5,000 1608 An important George III mourning brooch for King Edward IV, circa 1789, the glazed brooch of oblong outline in hair work and sepia, depicting a tomb with an urn and crown flanked with the initials ER, inscribed EDWARD IIII REX DIED 9 APRL 1483, to a fluted gold border and plain reverse, measuring 3.0 x 1.7cm £4,000­6,000 This Georgian mourning brooch commemorates King Edward IV (1442­1483). Edward was a central figure in the Wars of the Roses, a brutal conflict between Yorkist and Lancastrian cadet branches of the Plantagenet dynasty that overwhelmed medieval England. Edward was the son of Richard, Duke of York, and inherited the Yorkist claim to the throne upon his father’s death in 1460 at the Battle of Wakefield. After defeating the forces of the Lancastrian Henry VI, he became Edward IV in 1461. His controversial marriage to Elizabeth Woodville set him at odds with his advisors, most notably the Earl of Warwick, and he was deposed in 1470, in favour of the king he deposed, Henry VI. Fleeing and gathering his strength in Flanders, he invaded the next year, and was re­crowned in 1471, reigning for twelve years before dying in 1483. His young son and heir Edward V became one of the vanished, presumed murdered ‘Princes in the Tower’, and the throne was seized by Richard III. During renovations of St George’s Chapel, Windsor (which Edward IV had extensively remodelled during his reign), his coffin was accidentally opened while being moved. Some of his hair was found to be preserved, and was used to make mourning jewellery.

Locks of Edward IV’s hair are in possession of the Society of Antiquaries and the Wellcome Collection, London, and a related mourning ring was sold at Christie’s, 11th October 1995, lot 24.

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1609 A pair of early 20th century ‘Tutti Frutti’­style earrings, set with carved sapphires within a crescent of diamonds in platinum, clip fittings, 2.6cm high £1,500­2,000 1610 A sapphire and diamond ring, circa 1900, of cluster design, claw­set with a sugarloaf sapphire within a border of cushion­shaped diamonds, size N½ £3,000­4,000 The central sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment, as per a verbal report from GCS. 1611 A sapphire and diamond three stone ring, set with a circular­cut sapphire and diamond shoulders in platinum, size S £2,000­3,000 1612 An Art Deco emerald and diamond ring, 1920s, collet­set with a step­cut emerald within a geometric mount set with single­cut and baguette diamonds, size N½, stamped PLAT, case by Spink & Son £200­300 1613 A sapphire and diamond ring, set with an emerald­cut sapphire weighing approximately 5.00 carats, to baguette­shaped shoulder diamonds in platinum, size J £12,000­15,000 Accompanied by GCS report no.5782­1409, stating that the sapphire is of Myanmar (Burmese) origin, with no indications of heat treatment.

1614 A diamond solitaire ring, set with a central circular­cut diamond weighing approximately 2.05 carats, with baguette­shaped shoulder diamonds in platinum, size K½ £3,000­5,000 1615 An early 20th century diamond, sapphire and emerald ring, of bombé design, set with marquise­shaped diamonds, cabochon emeralds and sapphires in platinum, size P ½, partially stamped PLAT £1,500­2,000 1616 An aquamarine pendant, the briolette­cut aquamarine suspending from diamond­set mount in platinum on fine­link platinum neck chain, pendant 4.5cm high, chain 82cm long £4,000­5,000 1617 A pair of diamond drop earrings, early 20th century composite, designed as articulated floral drops, millegrain­set with circular­cut diamonds, each suspending a larger circular­cut diamond weighing 1.23 and 1.27 carats respectively, length 5.4cm, hook fittings, case stamped Mappin & Webb £8,000­12,000 1618 A diamond brooch, France, circa 1920, designed as a ribbon tied in a bow, pavé­set with circular­cut diamonds, French assay marks for platinum, indistinct signature, possibly for Lacloche, numbered 87605, maker’s lozenge M&C with indistinct symbol, width 4.8cm, case £2,000­3,000 1619 A platinum and diamond bracelet, circa 1920, designed as an articulated strap, the open work links with millegrain borders set with circular­cut diamonds, the sides with engraved scrollwork, length 190mm £10,000­15,000 1620 A Belle Époque onyx and diamond brooch, of elliptical outline pierced in a floral design, set with circular­ and rose­cut diamonds, the border accented with half­moon cabochons of polished onyx, mounted in platinum and gold, 8cm wide, case £2,000­3,000 1621 An Art Deco diamond double clip butterfly brooch, of geometric scrolling design, forming a stylised butterfly, set with baguette­shaped and old circular­cut diamonds in platinum, the clips detach from the frame to be worn separately, 6cm wide (brooch) £3,000­4,000

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1622 A sapphire and diamond ring, early 20th century, of cluster design, millegrain­set with an oval sapphire weighing 4.69 carats, within a border of circular­cut diamonds, size P £20,000­30,000 lifesize

98

Accompanied by SSEF report no. 53128, dated 2009, stating that the sapphire is of Burmese (Myanmar) origin, with no indications of heat treatment. Please note that this certificate is over five years old and may require an update.

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1623 A sapphire and diamond three stone ring, the cushion­shaped sapphire weighing 3.51 carats set within trapeze­ cut diamond shoulders in platinum, size N £70,000­90,000 Accompanied by SSEF report no.121517, dated 25th March 2022, stating that the sapphire is of Kashmir origin, with no indications of heat treatment.

lifesize

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1624 A late Art Deco diamond necklace, mid 20th century, mounted in platinum, designed as a graduated collar of baguette diamonds, accented to each side with scroll motifs set with circular­cut, baguette and carré­cut diamonds, length 39.5cm £40,000­50,000 1625 A ruby and diamond ‘wreath’ brooch, Verdura, 1996, set with a large hexagonal cabochon ruby weighing approximately 77 carats, within a mount of laurel wreath design set with brilliant­cut diamonds, signed Verdura GP £30,000­50,000 Provenance: The collection of Jayne Wrightsman (1919­2019) Sotheby’s New York, 2012 1626 A diamond ring, claw­set with an emerald­cut diamond weighing 3.30 carats, to a plain band, size S, stamped 750 £20,000­30,000 Accompanied by a GIA report no.5222479230, stating that the diamond is D colour, VVS2 clarity, with faint fluorescence.

1627 A pair of diamond earrings, Boucheron, each designed as a hoop pavé­set with brilliant­cut diamonds, diameter 4.3cm each, sprung post fittings, each signed Boucheron, French assay marks for 18 carat gold, partial French maker’s marks £28,000­30,000

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1628 A mid 20th century diamond double clip brooch, designed as a stylised posy tied with a bow, set with graduated circular­cut diamonds and baguette­shaped diamonds in platinum, the brooch separates to be worn as two clips, brooch 6.6cm wide £2,000­3,000 1629 An Edwardian emerald and diamond negligée necklace, circa 1910, the fine link chain suspending four step­cut emeralds from circular­cut diamond surmounts, the centre composed of a larger step cut emerald suspending a pair of asymmetrical knife wire pendants set with circular­cut diamonds and step­cut emeralds in platinum and gold, length 3.9cm, pendant length 4.6cm £5,000­7,000 1630 An Art Deco diamond line bracelet, 1920s, designed as an articulated line of graduated square and rectangular step­cut diamonds, length 16.3cm, French assay mark for platinum, indistinct French maker’s mark £6,000­8,000 1631 An emerald and diamond strap bracelet, 1920s, designed as a line of circular­cut diamonds within borders of step­cut emeralds, the settings with a millegrain finish, the sides incised with laurel leaves, length 17.8cm, French assay marks for platinum and 18 carat gold £4,000­6,000 1632 A diamond cluster ring, early 20th century and later, designed as a border of circular­cut and cushion­ shaped diamonds encircling a later brilliant­cut diamond weighing approximately 1.65 carats, size M½ £8,000­12,000 1633 A fine pair of Art Deco emerald and diamond earrings, 1920s, of geometric drop design, set with graduated single­ and circular­cut diamonds, the surmounts accented with pairs of carré­cut diamonds, suspending a pear­ shaped emerald in platinum, screw fittings, each 5.4cm length £4,000­6,000 The emeralds are of Colombian origin, with indications of moderate and insignificant/no clarity enhancement respectively, as per a verbal report from GCS. 1634 A pair of emerald and diamond drop earrings, designed as polished emerald drops set in diamond caps suspending from an old circular­cut diamond in platinum, length 3cm each, hook fittings £4,000­6,000 Accompanied by AGL report no. 1110109A and B, stating that the emeralds measuring 7.98 x 6.55 x 14mm and 7.75 x 6.4 x 14mm are of Colombian origin, with indications of minor clarity enhancement with oil.

1635 A pair of jade and diamond drop earrings, each designed as a line of three graduated circular­cut diamonds suspending a jadeite cabochon in gold, length 2.7cm £4,000­6,000 Accompanied by GCS report nos. 77114­12 and 77114­11, stating that the jadeite cabochons weiging 8.99 and 7.82 carats are natural jadeite, with no evidence of impregnation 1636 An early 20th century ruby and diamond ring, the oval ruby weighing 3.62cts in a platinum mount set with circular and baguette shaped diamonds, size L½ £8,000­10,000 1637

A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.30cts in white gold, size J½ £2,000­3,000

1638 A emerald and diamond cluster ring, France, early 20th century, the step­cut emerald millegrain­set within a surround of single­cut diamonds in platinum, French assay mark, size Q £8,000­12,000 Accompanied by AGL report no. CS85262, dated June 2016, stating that the emerald measuring approximately 12.8 x 12.1 x 6.1mm is of Colombian origin, with insignificant clarity enhancement with oil.

1639 A platinum and diamond solitaire ring, early 20th century, set with an old European­cut diamond weighing approximately 0.70 carats, size N½, stamped Platinum £600­800 1640 A diamond brooch, Cartier, circa 1920 and later, of horseshoe­shaped design, set with circular­cut diamonds in millegrain borders, converted from a hair comb, later added brooch fitting, measuring 4.1 x 4.6cm, signed Cartier Paris Londres New York, French assay mark for platinum, two diamonds deficient £10,000­20,000 1641 An Art Deco diamond cluster ring, 1930s, the circular­cut diamond millegrain­set in a geometric stepped mount set with smaller single­cut diamonds in platinum, size M½, stamped 950 £600­800 1642 An Edwardian opal and diamond cluster ring, the oval­shaped solid black opal is set within a surround of single­cut diamonds in platinum, size O £2,000­3,000 1643 A ruby and diamond set stylised eye ring, the oval shaped ruby is set within ten circular cut diamonds in white gold, size N½ £1,000­1,500 1644 case 102

An Edwardian diamond­set bow brooch, pierced and millegrain­set with diamonds in platinum, 3.5cm wide, £300­400

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1645 A Victorian sapphire and diamond convertible ring and pendant, the ring of cluster design mounted in silver and gold, claw­set with a cushion­shaped sapphire weighing 8.98 carats, within a border of circular­cut diamonds, size N, the cluster detachable, mounting via a screw fitting into a pendant/brooch designed as a hinged half­hoop with a symmetrical scrolled surmount, similarly set with circular­cut diamonds, to a later bail fitting set £60,000­70,000 with an oval sapphire, length 69mm including bail, additional screwdriver lifesize

104

Accompanied by SSEF report no. 121515, dated 25th March 2022, stating that the sapphire weighing 8.98 carats is of Sri Lankan (Ceylon) origin, with no indications of heat treatment

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1646 A late Victorian sapphire and diamond cluster ring, the cushion­shaped sapphire weighs 7.56cts and is set within a surround of old cushion­shaped diamonds in yellow gold, total approximate diamond weight 1.80cts, size K £50,000­60,000 Accompanied by SSEF report no. 122729, dated 17th May 2022, stating that the sapphire is of Kashmir origin, with no indications of heat treatment. lifesize

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1647 A diamond three stone ring, the oval­shaped diamond weighs 4.07cts, set with heart­shaped shoulder diamonds in 18ct yellow gold, London hallmarks for 2021, size I½ £20,000­30,000 Accompanied by HRD report no. 13005399001, dated February 2013, stating that the central diamond weighing 4.07 carats is K colour, VS2 clarity, with slight fluorescence.

1648 A ruby and diamond cluster ring, the oval­shaped ruby weighing 3.03 carats set within a surround of eight brilliant­cut diamonds in white gold, size O £6,000­8,000 Accompanied by GCS report no.79188­40, stating that the ruby is of Myanmar (Burmese) origin, with no indications of heat treatment.

1649 A diamond ring, of halo design, millegrain­set with a diamond weighing 6.10 carats, to a border and shoulders set with smaller circular­cut diamonds, size M½, French assay mark for platinum, partial French maker’s mark £20,000­30,000 1650 A fine sapphire and diamond cocktail ring, the cushion­shaped sapphire weighing approximately 7.20cts, set in bombé surround set with graduated baguette­shaped shoulder diamonds and circular­cut diamonds in platinum, French import marks, size M £200,000­250,000 Accompanied by Gübelin report no. 16045090, dated April 2016, stating that the sapphire stated to weigh 7.20 carats is of Kashmir origin, with no indications of heat treatment, together with an information sheet Additionally accompanied by AGL report no. CS 1074344, dated March 2016, stating that the sapphire weighing 7.20 carats is of Kashmir origin, with no indications of heat treatment.

1651 A diamond necklace and bracelet, 'Moonlight', Cartier, the necklace formed from three graduated rows of white gold spheres, intermittently set with round brilliant­cut diamonds, French assay marks, maker's lozenge, signed Cartier, numbered 832198, length 38cm; the matching bracelet with four graduated rows of white gold spheres intermittently set with diamonds, with French assay marks, maker's lozenge, signed Cartier, numbered 879603, length 18.5cm £23,500­25,000

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LOTS 1652­1656 A PRIVATE COLLECTION OF JEWELLERY 1652 A pair of ruby, emerald and diamond 'Tutti Frutti'­style ear clips, mid­20th century, each of scrolled design, set with carved rubies and emeralds and brilliant­cut and baguette diamonds, mounted in platinum, each length 2.6cm £3,000­5,000 1653 An Art Deco emerald, ruby and diamond 'Tutti Frutti'­style bracelet, 1930s, the articulated bracelet composed of alternating sections of claw­set carved emeralds and rubies accented with collet­set single­cut diamonds, spaced by links pavé­set with single­cut diamonds and channel­set with baguette diamonds, mounted in platinum, length 16.5cm, one carved emerald replaced with a faceted emerald £18,000­20,000 1654 A fine Art Deco emerald, ruby and diamond 'Tutti­Frutti'­style brooch, circa 1930, of giardinetto design, set with carved rubies and emeralds and circular­cut, single­cut and baguette diamonds, accented with polished black onyx and black lacquer, the base set with a cabochon emerald, mounted in platinum, measuring 4.3 x 5.0cm, incised number £10,000­15,000 1655 A cultured pearl and diamond necklace, mid­20th century, the triple row of cultured pearls measuring approximately 8.5­8.7mm diameter, to a clasp designed as two conjoined clusters centring on a circular­cut diamond weighing approximately 1.40 carats and a brilliant­cut diamond weighing approximately 2.80 carats respectively, each within a border of brilliant­cut and baguette diamonds, mounted in white gold, necklace length 36.0cm, clasp length 4.0cm £18,000­25,000 1656 An extremely rare Art Deco platinum and diamond wristwatch with portrait­cut diamond crystal, Van Cleef & Arpels, 1930s, the square face with black enamel Arabic numeral indicators and blued steel hands, fronted by a square portrait diamond, to a bezel and integrated bracelet of geometric design, set with circular­cut, carré and baguette diamonds, manual winding movement, watch face 1.0 x 1.1cm, length 16.0cm, watch back signed Van Cleef & Arpels, Made in France, numbered 29644, French assay marks for platinum, French maker’s mark EK with pliers for Encausse & Krasker £30,000­50,000

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SILVER & OBJECTS OF VERTU TUESDAY 12TH & WEDNESDAY 13TH JULY 2022

A George IV silver­gilt novelty monkey mustard pot and associated spoon, by John Bridge, London 1825, the spoon London 1824 Estimate £6,000 ­ 8,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS WEDNESDAY 7TH SEPTEMBER 2022

John Smart (1741­1811) Portrait miniature of a gentleman wearing a brown coat and white waistcoat, and with powdered hair Signed with initials and dated J.S./1784 (lower left) Oval, in a silver frame with a rose­cut diamond border and gold back 50 x 36mm

ENQUIRIES

Provenance: Purchased in Sweden by the present private collector

Victor Fauvelle +44 (0)1722 446961 vf@woolleyandwallis.co.uk

Estimate £6,000 ­ 8,000*

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0) 20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

Lot Number

FINE JEWELLERY

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

14TH & 15TH JULY 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

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AUCTION CALENDAR 2022 JULY 12th & 13th 14th & 15th

Silver & Objects of Vertu Fine Jewellery

SEPTEMBER 7th 20th 21st

Old Masters, British & European Paintings English & European Ceramics & Glass African & Oceanic Art | Antiquities

OCTOBER 5th 6th 19th 25th & 26th

Exbury House Fine Furniture, Works of Art & Clocks Design Silver & Objects of Vertu

NOVEMBER 2nd & 3rd 15th & 16th 23rd 30th

Jewellery Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour British Art Pottery

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk