Woolley & Wallis Auctioneers

FINE JEWELLERY THURSDAY 15TH JULY 2021 9.30AM

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA (Maternity Leave) Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV (Consultant) Amanda Lawrence

424598 424509 424509

GENERAL OFFICE

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424500

339752

CASTLE GATE RECEPTION ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees

Sally Litherland 424506 +44 (0)7812 601098 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Amber Lees

411854 339161 446974

JAPANESE ART Alexandra Aguilar

424583

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS 424507 446964

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

Sally Trench

ACCOUNTS 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Sarah Stone

MARKETING

424501 424594

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

446959

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FINE JEWELLERY THURSDAY 15TH JULY 2021 9.30AM

Marielle Whiting FGA (maternity leave) 01722 424595 mw@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU

VIEWING BY APPOINTMENT ONLY Saturday 10th July Monday 12th July Tuesday 13th July Wednesday 14th July

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm

There is no viewing on the sale day Please contact the department to make an appointment

Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Wednesday 14th July

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 14th July

CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions.

Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

EXPORT AND CITES LICENSES

Facebook: @woolleyandwallis

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Twitter: @woolleywallis

ILLUSTRATIONS Front cover: Lot 1558. Edith Vane­Tempest­Stewart, Marchioness of Londonderry (1878­1959),

by Philip de Laszlo. © National Trust.

Back cover: Lot 1555 | Inside front: Lot 1557 (left), Lot 1547 (right) Catalogue £10.00 (£15.00 by post)

Pinterest: Woolley and Wallis

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained

by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life­sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Items described as ‘seed pearls’ have not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

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1000

1000 LITERATURE: A collection of twelve books on the subject of jewellery and watches, including: Auction Catalogue, The Sandberg Watch Collection, Antiquorum Auctioneers, 31.3 ­ 1.4.2001 Auction Catalogue, OmegaMania, Important Omega Collector’s Timepieces, Antiquorum Auctioneers, 14­15.4.2007 Auction Catalogue, Revolution: The Evolution of the Rolex Sport Watch, Antiquorum Auctioneers, 17.4.2008 Brunner. G. L., Pfeiffer­Belli, C., Wehrli, M. K., Audemars Piguet: Meisterwerke klassischer Uhrmacherkunst (Callwey: 1992) ­ German Bruton, E., The History of Clocks and Watches (MacDonald & Co: 1989) Day­Lewis, T., Hemmerle., Delicious Jewels (Prestel: 2011) Drucker, J., Georg Jensen: A Tradition of Splendid Silver (Schiffer Publishing Ltd: 1997) Foulkes, N., Nardi: Venezia, (Assouline Publishing: 2012) Lyons, H., Christopher Dresser: The People’s Designer 1834 ­ 1904, (Antique Collector’s Club: 2005) Patrizzi, M & O, Collezionare Orologi Patek Philippe: Collecting Patek Philippe Watches (Guido Mondani Editore) Patrizzi, O., Dictioniare des Horlogers Genevois (Antiquorum Editions) ­ French The Art of Jewellery: And Artist’s Jewels in the 20th Century (Giunti: 2001) ­ Italian £400­600

1001

1001 LITERATURE: Christie’s, The Collection of Elizabeth Taylor, (2011) Vol I ­ V, Auction Catalogue £200­300 1002 A large quantity of approximately 170 assorted jewellery boxes, including Bulgari, Garrard, Mellerio, Tiffany & Marina B £400­600 1003 A quantity of jewellery boxes

£400­600 1002

1004 A quantity of jewellery boxes, including boxes by Cartier £400­600

1003

1004

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1005 A red leather necklace case by Cartier, the textured red leather hard case with four soft folding sleeves, with gilt tooled decoration, signed Cartier Paris, internal dimensions 25.2 x 18.3 x 1cm £200­300

1006 A fitted tiara case, the brown leather with gilt tooled decoration, purple velvet interior with silk lining, tiara section 18cm circumference £200­300

1007 A purple velvet fitted tiara case, signed to the silk liner F.B. Thomas & Company 163 New Bond St, with hidden compartment for fittings, tiara section 13cm wide, together with another purple velvet tiara case, the silk liner signed William Boore 54 Strand London, tiara section 13.5cm wide, and a centre opening green leather earring case by Wartski interior section 8 x 7.5cm £150­250

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1008 Two early 19th century shaped and hinged jewellery cases, each fitted for a suite of jewellery, with gilt tooled red morroco leather with fitted velvet and silk lined interior, one marked ‘amethysts’, 27 and 28cm wide £200­300

1008

1009 Two early 19th century shaped and hinged jewellery cases, each fitted for a suite of jewellery, with gilt tooled red morroco leather with fitted velvet and silk lined interior, each 27cm wide £200­300

1009 7

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λ 1010 An early 20th century ostrich feather and tortoiseshell panel fan, with diamond­set Art Nouveau design to the front panel and feathers dyed purple, 48cm, with a red leather covered case with tooled borders and monogrammed with initials VR with coronet for Queen Victoria, with an early 20th century tortoiseshell parasol handle, the tapered handle with compressed circular handle, mounted with a gold ring with mauve guilloché enamel and seed pearls, gold berule marked for Brigg, London and 18ct, 34cm, fitted case by Brigg & Sons, London & Paris £200­300

λ 1012 A brown leather jewellery case containing various items of jewellery, including a silver buckle with glass bead decoration, signed HHW, a pair of large gold mounted amber drop earrings, a pair of carnelian drop earrings, a pair of diamond forget­me­not gold drop earrings, a pair of fluted coral bead and gold drop earrings, a pair of micromosaic and gold studs with French control mark, various other studs, a pair of gold folded ribbon cufflinks, a rose­cut diamond­set gold foliate brooch, a zircon gold ring with diamond shoulders and four further rings, an amethyst­mounted gold link, a glazed cameo depicting Diana with whippets within rose­cut diamond border, a pair of turquoise and agate gold plaques, two further plauqes and a gold bean locket pendant with three small rubies and containing a green enamel clover, the case 33cm, with centre opening hinged compartments, signed Nathan Gebr Berlin, lock by Bramah, London £400­600

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1011 A green leather jewellery casket containing various items of jewellery, including an 18th century three­row cluster ring set with graduated cushion­shaped diamonds (missing centre stone), a diamond­set two­row ring (missing two centre stones), a freshwater pearl­mounted ring, four other assorted rings, a large moss agate mounted brooch with gold frame, large unmounted moss agate plaque, a paste­set girondole pendant brooch, a stylised bow brooch centred with a cultured pearl and rose­cut diamonds (missing pin), a pair of shell­mounted gold cufflinks and three studs, a pearl­mounted gold stick pin, a pair of hardstone­mounted gold drop earrings, a silver­gilt snake­form buckle mounted with turquoise, six assorted buckles, a pair of pink­stone mounted rectangular gilt slides, further assorted slides and an Art Deco silver gilt desk clock with lozenge­shaped dial signed Henry Capt, with greek key pattern enamel border and striped face, 10.5cm high, the case in the form of a gladstone bag, double centre opening, velvet lined, stamped S.A.B., with lock and key £1,000­1,500

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1013 A large quantity of jewellery, including various hardstone bead necklaces, a silver bangle, a silver circular pendant, a chased silver pendant by James Walker Ltd (Birmingham hallmarks for 1934), A Victorian monogramed silver locket pendant, A silver presentation medal for the Royal Horticultural society dated 1915, 77g, a gold ring with diamond­set gold monogrammed charm, size N, 8g, two gem­set jet bangles, a cultured pearl and faceted bead necklace, a gilt metal longuard chain, a based metal long chain, and various other items of jewellery and costume jewellery £400­600

λ 1014 A quantity of earrings and other items of jewellery, including two pairs of semi­circular formed earrings each set with a hardstone on gold, a pair of stone­set gold feather­form earrings (possibly tourmaline), four pairs of graduated hardstone bead drop earrings with coral terminals, a pair of cultured pearl­mounted gold hoop earrings, a pair of gold­mounted fluted hardstone bud­form earrings, a pair of carved hardstone floral earrings set in gold and each centred with a cluster of seven small diamonds, two pairs of carved hardstone flowerhead earrings set in gold and each centre with white stones, three pairs of gold earrings with large bead drops, a pair of rock crystal disc­ mounted gold drop earrings, a 9ct gold cage­form pendant containing small stones, a pair of owl­mounted gold earrings, a pair of malachite disc­ mounted gold earrings, a flower head pendant, a single yellow gold multi­disc drop earring and a pendant in the Oriental manner £400­600

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1015 A quantity of jewellery items, including a modern amethyst rivière necklace, the slightly graduated oval­shaped amethysts are mounted in silver gilt cut­down collets, 48cm, with a similar citrine mounted silver gilt necklace, 39cm, a similar white topaz­mounted silver­gilt necklace, 40cm, and three silver­ gilt bar link necklaces, all mounted with assorted gem pendants, 39, 42 and 46cm, a yellow gold ring set with sections of lapis lazuli stamped ‘M, 750’, two yellow gold rings alternately­set with raised assorted stones and stamped ‘M, 750’, a 9ct gold ring mounted with an iridescent stone with London marks and tamped ‘M, 375’, a gold ring mounted with raised sections of lapis lazuli stamped ‘M, 375’, and a square­form gold ring mounted with hardstone to each side, total weight of six rings, 75g £600­800

1016 A quantity of jewellery, including a silver Perrier bottle cap signed Cartier, an Art Deco silver and black­stone compact, an amber dragon­form pendant with gold mount, a heavy silver cuff bracelet mounted with lattice­form hardstones, a white gold brooch mount set within a border of circular sapphires, a jadeite circular disc, a pair of silver bulldog head cufflinks, two further pairs of cufflinks and three single cufflinks, a cabochon pink stone pendant with diamond­set cap, a section of boulder opal, nine Chinese oval­shaped mother­of­pearl counters, two modern silver rings each set with a section of black stone and a modern silver ring formed with graduated discs £400­600 10

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λ 1017 A quantity of gem­set gold rings, including a carved coral rose­set gold ring, a carved lapis lauzi­set gold bombé ring, a kunzite­set gold ring, a prasiolite­set gold ring, a various other items of jewellery and costume jewellery

£800­1,200

1018 A collection of five gem­set gold rings, including a diamond­set bombé ring, size N, a tourmaline­set gold ring with white enamel decoration, size M, a malachite­set gold ring with green enamel decoration, size M ½, a gem­set flowerhead gold ring, size N, with another diamond and gem­set gold ring, size N ½ £300­400

λ 1019 An early 20th century gold dome­shaped brooch, centred with a pearl within diamond­set star on light blue enamel ground, 2cm wide, a diamond­ set ‘mother’ ring in gold, a gold horseshoe brooch set with seed pearls (damaged), a coral bead­set gold bracelet, a small coral bead necklace and a pair of gold earrings set with red stones £300­400

11

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1020 Four pairs of gold hoop earrings and a ring, the first pair suspending two rows of aquamarine briolettes (one deficient), two pairs of single hoops applied with a graduated line of spheres, a pair of spiral ear pendants suspending a pear­shaped white stone collet, and a bloomed conical ring, engraved 375, size M, earrings 34g total, ring 11g £300­400 1021 A 9ct gold horse brooch, a 19th century enamel female figure brooch in diamond surround, and eleven items of costume jewellery £400­600 1020

1022 A shell brooch mounted in gold and set with a gold sphere to the centre, 4cm wide, a pair of damaged diamond­set scroll earrings (two diamonds missing) with no fittings, 2.5cm wide, and diamond­set scroll brooch, 4.2cm high £400­600 1023 A carved hardstone­mounted ring, depicting a man’s profile. A carved shell cameo, possibly depicting Athena mounted in a gold scrolling brooch mount. A carved shell cameo, depicting a hunting scene with Diana in gold brooch mount. A hardstone panel­mounted silver Scottish bracelet. A lattice­form hardstone mounted silver brooch. A micro mosaic­ mounted brooch and a micro mosaic­mounted pendant £200­300

1021

1022 12

1023

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1024 1024 A diamond three stone ring, set with three baguette­shaped diamonds in white gold, size K ½, case, a diamond three­stone ring, set with three graduated round brilliant­cut diamonds in white gold, size I, an 18ct white gold wedding band, size K, a hardstone came stickpin mounted in gold, and various other items of jewellery and jewellery boxes etc £100­200 1025 A white gold brooch, alternately set with cultured pearls and pairs of rose­cut diamonds, a gold fox mask bar brooch, a cultured pearl­set two­ colour gold foliate brooch, fitted case by Collingwood £300­400

1026 A gold sword brooch set with emeralds and diamonds, a carved shell cameo mounted in a gold brooch with a pearl border, a damaged gold mourning ring with London hallmarks and a gold small bangle with two carved hardstone moon pendants £400­600 1027 A diamond­set five­stone gold ring, a gold abstract ring, four further gold rings, a stone­set gold bar brooch, two stone­set pendants and a gold locket pendant on a fine­link gold neck chain £600­800

1025

1026 1027

13

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1028 1028 A gold curb­link neck chain, 62cm, approximately 36g (unhallmarked, tests as 18ct), a gold curb­link bracelet, approximately 12g (unhallmarked, tests as 14ct gold), a gold necklace 110cm, 23g (unhallmarked, tests as 9ct gold), a gold twist­link longuard chain, 130cm, 31g (unhallmarked, tests as 9ct gold) and two fine link gold necklaces £800­1,200 1029 An 18ct gold ring set with three turquoise cabochons, two gold wedding rings, a sapphire and diamond­set white gold cluster ring, a fine link two­coloured gold bracelet, approximately 32g, a gold fancy­link neck chain, approximately 10g, a gold textured fox mask mounted bar brooch and a crescent brooch set with red and white stones £400­600 1030 A gold cross shovel and pick­axe brooch with gold ingot, stamped 18ct, 5.3cm, a smaller similar pendant stamped 18ct, 2.5cm, a gold ice pick stick pin mounted with a small diamond, a gold nugget mounted stick pin and two gold nuggets £300­400

1029

1030 14

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1031

1032

1031 Ten late 18th century glazed mourning lockets and brooches, depicting various mourning scenes or with plaited hair and seed pearls in gold £200­300 1032 A French early 19th century shield­form locket pendant, centred with a vacant cartouche and with glazed hinged locket compartment to the reverse and suspending a small working gold padlock with key, 5cm high, a late 18th century gold amphora­form pendant with enamel decoration (some damage) and centred with a glazed locket compartment depicting a cupid leaning on a willow tree with heart at his feet, the reverse with the initials JH, 3cm high, a gold brooch formed with nine sections of banded agate, repaired clasp, 5.5cm wide. a pair of oval shaped topaz mounted gold cannetille earrings, and a fine link gold longuard chain alternately mounted with untested pearls and turquoise cabochons, 60cm £400­600 1033 A pair of 19th century carved lava cameo mounted gold drop earrings, depicting female baccante profiles with fruiting vines to their hair, 6cm high, and a carved cameo (probably bone), possibly depicting Zeus in later silver ring mount, London marks for 1952 and maker’s mark FEK, size O £400­600

1033

1034 An early 19th century carved agate moor fob seal, surmounted with a ruby and rose­cut diamond fleur­ de­lys and the octagonal rock crystal matrix carved with a flower and insect flourishing in blazing sunshine and with motto ‘SINE INJURIA’, 3cm high, a gold ring mounted with assorted carved lava cameos, a carved hardstone female head, 1.8cm high, a small locket pendant with glazed compartment containing plaited hair with memorial inscription dated ‘1784’, 2.3cm high £1,500­2,000

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1035 1036

λ 1035 Four pairs of antique gold earrings, including a pair of topaz mounted gold cannetille earrings (converted, one damaged), a pair of Victorian gold drop earrings, a pair of coral earrings and a pair of shell earrings £200­300 1036 A late 18th century ruby and untested pearl brooch pendant, set in closed back silver mount, a George III garnet­set gold flower brooch, two garnet­set gold fruiting vine pendants and a gold bracelet mounted with shells £200­300 1037 A selection of late 18th century paste­set jewellery, including two Saint Esprit pendants, two white paste brooches and a blue paste pendant all set in silver closed­back settings £200­300 1038 A graduated banded agate bead necklace, 76cm, and a low carat gold brooch set with sixteen round faceted garnets £200­300 1039 Six gem­set rings, including a gold ring with bands of tapered baguette diamonds and six smaller circular­cut shoulder diamonds, a diamond solitaire ring in yellow and white gold, an eternity ring set with small circular­cut diamonds and sapphires in gold, a diamond and ruby­set gold ring c.1940s, a diamond solitaire ring set with a small diamond in a raised gold shank, a diamond and seed pearl set enamel and foliate gold ring (damaged) £500­700

1037

1038

1039

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1040

1041

1044

1042

1040 A collection of six rings, including a ruby and diamond­ set gold snake ring, a blue topaz­set gold ring with tank­track shank, a sapphire and diamond cluster ring, and three twisted gold rings £600­800

1045

1041 A Victorian gold ring set with three peridots and small amethysts in gold, a gold Art Nouveau ring set with three small diamonds, a late Victorian gold ring set with a cluster of turquoise cabochons and centred with a seed pearl, a gold ring mounted with a scarab with hieroglyphs to the reverse £100­150 1042 A Victorian diamond­set gypsy ring, with Birmingham marks for 1893, size N, a 9ct gold ring set with a round brilliant­ cut diamond, Birmingham marks 1957, size W £400­600

1043

λ 1043 An early 19th century gold­mounted greenstone dip pen (damaged), 11cm, a gold cased dip pen with patterned black material (probably tortoiseshell), 23cm extended, an early 19th century gold­cased and black material (probably tortoiseshell) propelling pencil, 12cm extended, an early 19th century small gold and gold cased propelling pencil set with turquoise cabochons and seed pearls, the terminal engraved ‘Hester,’ 9cm extended` £100­150 1044 A late 19th century ruby and diamond half hoop ring, set with graduated oval­shaped rubies and single­cut diamonds in 18ct yellow gold, Chester hallmarks, size L ½ £200­300 1045 A diamond ring, the central oval plaque set with ten brilliant­cut diamonds, to the tapering ridged shoulders, shank stamped ‘75’, 12.5g, size P ½ £400­600 1046 An English mid 18th century agate bodkin case, of tapered chamfered oval form with fluted gold mounts and gold thumb piece, the hinged cover melded with a lighter coloured agate, 8.8cm high, an English 18th century gold bodkin case in the form of a quiver with arrows, profuse scroll decoration with a cupid and eagle beneath and a seated putti with eagles to the other side, 8.5cm high, an early 19th century gold tapered oval bodkin case with two colour foliate decoration overall, 9.5cm high, and a 19th century banded agate letter opener with gold scroll engraved terminal, 18.5cm £200­300

1046 17

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1048

1047

1049 1050

1047 A pair of foliate gold earrings, each set with diamonds, an emerald, ruby and sapphire in yellow and white gold 3.5cm high £600­800 1048 A tiger’s eye pendant, the carved tiger’s eye bead suspends from a gold ropetwist necklace, bead 3.5cm high, chain 76cm long, 77g £200­300 1049 A pair of cultured pearl and diamond cluster earrings, the cultured pearls set within a surround of round brilliant­cut diamonds in white gold, clip fittings, 12mm £600­800

1052

1051

1050 A gold heart pendant, with green enamel decoration and two additional heart motifs, 2.2cm wide £150­250 1051 A pair of green tourmaline stud earrings, the circular­cut tourmalines weigh 7.44cts in total, claw­set in platinum, 1cm wide £750­850 1052 A pair of sapphire and 18ct gold scroll earrings, maker’s mark RHB and London import marks for 1960, 2cm high £300­400 λ 1053 A coral and emerald­set brooch pendant, composed of a series of coral tiered floral clusters with an 18ct yellow gold backing, with trailing surround interspersed with cabochon emeralds, London hallmarks for 2005, 6cm long, 27grams £600­800

1053 18

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1054

1055

1056

1054 A pair of flowerhead earrings, centred with a diamond cluster and the petals pavé­set with circular cut sapphires in white gold, 2.5cm wide £500­700 1055 A diamond single­row necklace, mounted with matched round brilliant­cut diamonds in yellow gold collets, 42cm £600­800 1056 A pair of gun­metal early 20th century opera glasses, with adjustable focussing and both eye pieces set with a rose­cut diamond­set bow, 9.2cm wide (widest) and a small early 20th century conforming gun­metal cigarette case applied with two butterflies and a foliate design all set with rose­cut diamonds, spring loaded hinge, 7cm long £80­120 1057 A circular rotating steel and black enamel pendant by Bulgari, with white gold suspension mount on a five­strand leather necklace with yellow gold mounts, pendant 3cm wide £800­1,200 1058 A gem­set butterfly brooch, set with round brilliant­cut diamonds, circular­cut and pear­shaped rubies and circular­cut sapphires in two­colour gold, 5.5cm wide £800­1,200 1059 A ruby and diamond­set bee brooch, set with round brilliant­cut diamonds and circular­cut rubies in gold, 4cm wide £400­600 1060 An emerald and diamond­set bee brooch, set with round brilliant­cut diamonds and circular­cut emeralds in gold, 4cm wide £300­400

1058

1057

1059

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1061 A gold bird brooch, the small bird flapping it’s wings and set with ruby eyes and perched on a branch which is set with a turquoise, sapphire and diamond to one side, 2.5cm wide £350­450 1062 A paraiba tourmaline pendant, weighing 1.50cts, claw­set in 18ct white gold on a fine­ link white gold neck chain, 45cm long £600­800 1061

1062 1063 A pair of sapphire and diamond flowerhead earrings, centred with circular­cut sapphires, the petals set with graduated old circular­cut diamonds in white gold, signed E Ltd, 18ct London hallmarks for 1998, clip fittings, 2.5cm wide, 16.5g total £500­700 1064 A sapphire and diamond spray brooch, the stylised spray set with marquise and circular­ cut sapphires and diamonds, tied with a diamond­set ribbon in platinum, 4.5cm high £400­600 1065 A diamond­set gold bangle, set with princess­cut and round brilliant­cut diamonds in platinum and yellow gold, 5.8cm inner diameter, 73g £2,500­3,000

1063

1066 A diamond­set gold bracelet, of stylised herringbone link with round brilliant­cut diamond­set bar spacers to the concealed clasp, stamped ‘750’, 19cm long, 27g £800­1,200 1064

1067 A pair of black and white diamond earrings, formed of interwoven lines of circular­ cut black and white diamonds in white gold, post and clip fittings, 3.7cm high £500­700

1065

1066

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1068 A diamond floral spray brooch, the principal flower centrally set with a brilliant­cut diamond, similarly­set petal surround, with brilliant­cut and single­cut diamond bud leaves and stem, 4.3cm long, 4.9g £500­700 1069 A pair of quartz and diamond drop earrings, each briolette­shaped quartz suspends from an articulated line of round brilliant­cut diamonds in gold, post fittings, 3.5cm high £500­700 1070 An Edwardian emerald and diamond cluster pendant, the oval­shaped emerald set within a surround of round brilliant­cut diamonds, on a gold neck chain £2,000­3,000

1068

1071 A pair of onyx and diamond drop earrings, set in yellow gold, clip fittings, 4.7cm high £400­600

1069

1072 A pair of diamond­set scroll earrings, set in white gold, 2cm high £200­300 1073 A pair of ruby and diamond­set circular foliate earrings, centred with a ruby and circular­ cut diamond cluster and with two graduated circular­cut rubies to each of the eight petals, 2cm wide £800­1,200 1074 A large aquamarine and diamond pendant, the pear­shaped aquamarine is set within two rows of small circular­cut diamonds in white gold, with diamond­set white gold bail, 6.5cm (including bail) £800­1,200

1070

1071

1072

1073

1074 21

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1075

1076

1075 A ruby and diamond­set gold necklace, set with clusters of graduated round brilliant­cut diamonds and marquise­shaped rubies claw­set in white gold on a textured and woven design white gold neck chain, 46cm long, case £1,500­2,000 1076 A diamond and 18ct gold flexible link bracelet, each of the nine white gold bar links separated by a yellow gold collet and set throughout with brilliant­cut diamonds, London import marks on tongue, 19cm long £600­800 1077 A two­row graduated cultured pearl necklace, set with a sapphire and diamond cluster clasp in yellow gold, 52cm longest. With a two row graduated cultured pearl necklace, set with an amethyst and seed pearl clasp in yellow gold, 50cm longest, case £200­300 Accompanied by original purchase receipt Heming & Co Ltd dated 23 October 1962 and a second receipt from T.A. Henn & Son Ltd dated 23 December 1964 1078 A diamond double clip brooch, set with graduated baguette­ shaped and circular­cut diamonds in scroll design setting in platinum and white gold, 5cm wide, case £1,000­1,500 1079 A diamond pendant, centred with an oval­shaped rose­cut diamond within a rose­cut diamond surround, in silver and gold, 1.5cm high £350­450

1077

1080 A diamond and platinum octagonal brooch, centred with a circular­cut diamond and smaller diamonds to the scrolling pierced decoration, 1.3cm wide £300­400

1079 1078 22

1080

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1082

1081

1081 A textured oval link chain necklace of varying sizes, suspending a disc engraved ‘750’, 67cm approx., 54g £600­800 1082 A two­row gold longuard chain, the plain gold links with a Regency split ring with foliate engraved decoration, chain 76cm long, 65g £1,000­1,500

1083

1083 A yellow gold fancy link longuard chain, unhallmarked but tests as 18ct, 56g £800­1,200 1084 A gold filigree bracelet, with pierced rectangular links and a cultured pearl set to the safety chain, 18cm long, 22g £200­300 1085 A 9ct gold gate­link bracelet, mounted with circular turquoise cabochons and with 9ct gold padlock clasp, 20cm, approximately 21g £200­300 λ 1086 A French early 19th century gilt metal six­draw monocular, with undecipherable writing at the eyepiece and engraved ‘Place du Pont Neuf a Paris’, the tortoiseshell base with gold star decoration, 9cm long (extended), three similar monoculars and a small pendant monocular, 3cm extended and with pendant loop £200­300

1084

1085

1086

23

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1087

1088

1089

1087 An Edwardian seed­pearl set gold fringe necklace, set overall with seed pearls, with detachable star pendant brooch, 39cm long £300­400 1088 A baroque natural pearl pendant, the hollow natural pearl with a lattice­work diamond­set cap, 3cm high, 6g, together with a cultured freshwater pearl pendant, to the elongated single­cut diamond­set platinum cap, with an old brilliant­cut diamond collet to the surmount and base, 3.5cm high, 8g £800­1,200 1089 A late 19th century natural pearl and diamond floral brooch, the hollow natural pearl mounted as a stylised snowdrop (nivalis), with rose­cut diamomd­set sepals, set on a curvilinear brooch with rose­cut diamond­set terminals in silver on gold, 8.6cm wide £600­800 1090 A Victorian fancy­link gold chain, the flat rectangular links with filigree decoration are separated by smooth oval links in yellow gold, 47cm long, suspending a detachable shell cameo in gold frame £600­800 Accompanied by original insurance valuation from Nathan & Co dated 3 September 1982 with a letter 1091 An early 20th century rock crystal, diamond and onyx brooch, the rock crystal intaglio depicting a nymph within a border quartered with diamonds and onyx surround, set in platinum and gold, 2.8cm high £200­300 1092 A fine­link gold necklace, with green enamel bar links and with seed pearls, 57cm £400­600

1090

1093 A late Victorian sapphire and diamond­set closed crescent gold brooch, centred with a pearl, with sapphire and diamond terminals, 5cm wide £400­600

1092

1091 24

1093

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1094

1095

1094 A Victorian pearl and diamond bar brooch, the flowerhead centre section set with untested half pearls and graduated old circular­ cut diamonds, with pearl terminals in gold, 4.5cm long £350­450 1095 An early 20th century amethyst and half seed pearl cluster brooch, the oval­shaped amethyst with semi cabochon table is set within a surround of seed pearls in gold, 3.1cm wide £600­800

1096

1097

1096 A Victorian gold cannetille framed cushion­shaped amethyst brooch, 3.5cm wide and an early 19th century gold brooch centred with a glazed locket containing plaited hair within a seed pearl surround, engraved with initials to reverse £350­500 1097 An amethyst and diamond brooch, the sugarloaf amethyst is set within a diamond­set border depicting wild roses and laurels, in silver and gold, 5cm wide £1,500­2,000 1098 An Edwardian amethyst and seed pearl mounted gold brooch pendant, with detachable brooch pin and pendant loop, 4.5cm high, fitted case £500­700

1098 1099

1099 A late Victorian amethyst and seed pearl brooch, the two heart­shaped amethysts are set within a seed pearl border beneath and seed pearl coronet in yellow gold, 2.2cm wide £300­400 1100 A Victorian scroll pendant with three drops mounted with aquamarines and blue topaz, gold festoons and two side aquamarine drops, 7cm high, fitted case £800­1,200

1100 25

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1101 1102

1101 A 19th century colourless paste fringe necklace, the front section of the graduated rivière suspending a graduated floral and foliate fringe, mounted in silver and gold, 40cm, fitted case £300­400 1102 A Victorian gem­set dragonfly brooch, the body formed from a cabochon emerald and kite­shaped rubies with diamond and ruby wings and ruby cabochon eyes in silver and gold, wingspan 7cm £800­1,200 1103 A three­row seed pearl necklace, the twisted seed pearl necklace with a blue enamel and rose­cut diamond­set circular gold clasp, 47cm long £400­600 1104 A Regency topaz­set gold hair bracelet, the cushion­shaped orange topaz is set within gold cannetille border on a plaited hair bracelet, joined with engine­turned gold plaques, 16cm long. With an early 19th century blue enamel and gold hair bracelet, with a blue enamel foliate engraved clasp suspending a double sided circular blue enamel locket set with seed pearls, on a plaited and woven hair bracelet, 20cm long £300­400

1103

1105 A silver frame by Mario Buccellati, depicting the Madonna and child engraved on copper, in silver foliate frame with strut back, inscribed to copper reverse 'Inciso Nella Bottega di Mario Buccellati', the silver framed with hinged strut support and folding pendant loop, 4.5cm high £300 – 500 1106 A heart­shaped loose morganite, weighing 46.66cts

£1,000­2,000

Accompanied by report number 81298­61 dated 18 March 2021 stating that the heart­cut morganite is a natural light pink beryl. Comment: this mineral is commonly heated and/or irradiated to improve or change its colour. Whether or not this particular gemstone has been heated or irradiated cannot currently be determined.

1107 A quantity of loose gem stones, including: 36 square pink tourmalines weighing 24.48cts A cushion­shaped pink spinel weighing 4.17cts 45 baguette­shaped peridots weighs 17.51cts An oval blue sapphire weighing 2.59cts An oval­shaped pink tourmaline weighing 9.53cts 226 square blue topaz weighing 69.12cts

1104

1106 1105 26

1107

£1,500­2,000

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1108

1109

1108 An 18ct gold Parker pen and pencil, Duette, with engine­ turned decoration and London hallmarks for 1961, case £1,000­1,500 1109 An 18ct gold Parker pen and pencil, Duette, with engine­ turned decoration and London hallmarks for 1963, case £1,000­1,500 1110 An 18ct gold Parker pen and pencil, Presidential Duette, with engine­turned decoration and London hallmarks for 1968, case £1,000­1,500 1111 An 18ct gold Parker pen and pencil, Presidential Duette, with engine­turned decoration and London hallmarks for 1968, case £1,000­1,500 1112 An 18ct gold Parker pen and pencil, Duette, with engine­ turned decoration and London hallmarks for 1961, case £1,000­1,500

1110

1111

1112 27

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1114

1113

1113 A rutilated quartz and silver pendant torc necklace by Vivianna Torun Bulow­Hube for Georg Jensen, the detachable square rutilated smokey quartz pendant numbered 132, the collar necklace numbered 169, both signed ‘TORUN’, Jensen Mark, ‘925 5, Denmark’, 15cm diameter £800­1,200 1114 A late 20th century hardstone and silver ring, designed as a revolving tower of circular discs, the five upper most graduated in size and each set with a different hardstone, to the bifurcated shank, hallmrked London 1989, maker’s mark approximately SGC, size K ½ approximately, together with a silver part textured motif pendant attached to a leather cord necklace £200­300 1115 A silver lozenge brooch attributed to George Hunt, c1920, set with a central glass beach pebble, amethysts and mother­of­pearl in silver foliate surround, 7cm high £300­400 1115

Accompanied by original purchase receipt from Didier Antiques 1994 1116 An Arts & Crafts chalcedony silver ring, in the manner of Bernard Instone, the oval­ shaped chrysoprase set within an openwork foliate surround with engraved decoration, size O ½ £80­120 1117 A gem­set and enamel ring stack by Wendy Ramshaw, comprising a 9ct gold band set with a cabochon carnelian, maker’s mark and dated 1971, a silver band set with a cabochon moonstone, maker’s mark and dated 1971, together with two other wide silver bands decorated with red enamel (one damaged) on a Perspex ring stack, ring size O­P £200­300

1116

1118 A late Victorian peridot and seed pearl bracelet, the oval­shaped peridots set within rectangular pierced and scroll links each set with a seed pearl in yellow gold, 18cm long £600­800 Accompanied by original purchase receipt from Sheldon Shapiro and Co Ltd dated 4 May 2006 1119 A silver foliate bracelet by Georg Jensen, design no. 50, post­1945, designed as alternating quatrefoil links between blossoming flower head links, box clasp with safety catch, stamped Sterling Denmark and with maker’s mark, one link missing, 20cm long £200­300

1118

1119 1117 28

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1120

1120 An Arts & Crafts silver and enamel disc necklace, the graduated circular plaques decorated with graduated blue enamel and counter enamel, festooned on a fine­link silver chain, the largest disc suspending two blue enamel hearts and an oval mother­of­pearl pendant, 34cm long £600­800

1122

Accompanied by an Insurance valuation from D.H. Edmonds Ltd dated 8 October 1994 1121 Two items of silver and enamelled jewellery by Charles Horner, comprising an openwork pendant necklace with green enamel decoration, Chester 1911, 5.5cm high including bail, suspended from a trace­link chain necklace with barrel clasp, together with an openwork enlarged torpedo­ shaped brooch with green and blue enamel decoration, Chester 1911, 7cm long £150­250

1121

1122 An Art Nouveau mistletoe pendant, realistically formed in textured yellow gold with seed pearls, on fine link gold neck chain, pendant 3.2cm high, chain 44cm long £300­400

1123

Accompanied by Insurance valuation by D.H. Edmonds Ltd dated 22 May 1993 1123 An Arts & Crafts silver and enamel brooch, centred with an enamel plaque depicting a woodland scene (possibly

by Charles Fleetwood Varley), within a scrolling silver surround, 4cm wide £300­400

1124

1124 An amethyst and demantoid garnet brooch by Murrle Bennett & Co, the central circular amethyst within scrolling gold surround set with circular­cut demantoids in millegrain surround, 2.5cm wide £400­600

1125

1125 An Art Nouveau amethyst, seed pearl and yellow gold brooch, of bloomed entwined foliate openwork design, collet­set with three pearl­shaped amethysts, with seed pearl to the centre, the reverse stamped ‘14K D’ diameter 2.5cm, 6.9g £200­300 1126 An Art Nouveau amethyst and enamel brooch by Liberty & Co, maker’s mark to reverse, 3.2cm wide £300­400 Accompanied by original purchase receipt from Shapiro and Co dated 3 October 1993

1126

1127 An Art Nouveau topaz and enamel seed pearl brooch by Krementz & Co, c1900, the emerald­cut yellow topaz within border of shaded enamel leaves, a diamond and seed pearls, makers mark to clasp, 3.8cm wide £600­800 Accompanied by original purchase receipt from Shapiro and Co dated 23 November 1991 1127

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1129

1128

1128 A pair of lapis lazuli and gold baton cufflinks, with ropetwist and fluted decoration in gold £400­600 1129 A pair of lapis lazuli and gold cufflinks, the rectangular gold links set with a sugarloaf lapis lazuli within textured and granular 18ct gold border and folding textured gold terminal, stamped R&G, London import marks for 1972, in Asprey case £300­500 1130 A Regimental brooch for the 14th King’s Hussars, set with diamonds and rubies, red and blue enamel decoration, 2cm wide, and a pair of gold cufflinks for the 14th King’s Hussards with blue and red enamel decoration, cufflinks with fitted case by Carrington £400­600 1131 A pair of carved carnelian­mounted gold cufflinks, a pair of lapis lazuli bead­mounted gold cufflinks and a pair of black onyx­mounted gold cufflinks £200­300

1130

1132 Five pairs of cufflinks, the first of white gold circular design and applied with rows of brilliant­cut diamonds, swivel backs stamped ‘750’, 11g, the second of white gold trapezoidal design, with round brilliant­cut diamond­set detail, the swivel backs stamped ‘18K,750’, 12g, the third of citrine pumpkin design, with a green­stone cabochon detail, rock crystal baton terminal with yellow gold chain link connections, the fourth each comprising two rutilated quartz cabochons, onyx collets, yellow gold chain link connections, together with another pair of cufflinks £800­1,200 1133 Assorted gentleman’s accessories in fitted cases, including a set of four octangonal mother­of­pearl shirt buttons (one deficient), with sapphire collet centres, engraved ‘18CT + PLAT’, and a pair of collar studs en suite, together with a pair of oval mother­of­pearl and gem­set cufflinks, each collet­set in low carat gold with either a diamond, sapphire, a ruby or a green garnet, chain link connections, and a pair of 9ct gold oval plaque cufflinks with chain link connections £200­300

1131

1132 30

1133

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1134

1134 Three cased sets of dendritic and banded agate specimen stones, in three fitted hinged cases containing seventeen, thirty­one (including an additional white cabochon stone) and thirty specimen stones £600­800 1135 A cased set of twenty­four buttons, each with foliate enamel decoration on black ground, set with pastes on gilt metal, 3.3cm ­ 1.2cm wide, tooled Morrocan leather case £200­300 1136 A Chinese boat­shaped silver ingot, 3.3cm wide, 36g £80­120 1137 A gold nugget, the irregular­shaped base rock with gold veining and partly cased in gold, 56.6g £1,000­1,500 1135

1136

1137

31

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1138

1139

1141

1138 Two silver intaglio rings, one depicting a galleon ship, approximately size K, the other the profile of Ares, approximately size Q, with a small Roman gold child’s ring set with a jasper cabochon £200­300 1139 A Regency bi­colour gold fob seal, with textured foliate decoration, carnelian seal with crest and cipher, with three other early 19th century gold seals £200­300 1140 An early 19th century gilt metal stirrup­ form fob seal, foliate scroll decoration with conforming split ring, the cornelian matrix carved wit arms and a crest within laurel wreath, 4cm high £200­300

1140

1142

I purchased this in 2005 from Catherine Derry, of West Bridford, sadly now deceased, she had previously submitted it to Christies, London, for their Trafalgar Sale as the crest of Admiral Lord Vincent. It was found to be the crest of SALATHIELL GEORGE of Trenmouth in Cornwall, born 1570.

SALATHIELL married AGNES and was living there in 1620 with three daughters. His father SIMON GEORGE was in the court of HENRY VIII and is mentioned in a book by HANS HOLBEIN 1141 A 19th century silver ring mounted with an oval carnelian intaglio, carved with a standing Cupid under a motto, intaglio 2.2cm wide £600­800

1143

1142 An early 19th century carved shell cameo brooch, depicting a seated fauna, receiving a basket of flowers from a winged cupid, glazed, gold frame and mount, 3.4cm wide £400­600 1143 An early 19th century small circular silver gilt filigree box pendant, with sliding tray containing four silver and enamel playing card motifs, for the 2, 3, 4 and Ace of diamonds, the container 1.7cm £100­200 1144 Six assorted gold stickpins, including a bird carrying a small pearl, a pear­shaped cabochon amethyst in foliate mount, two pearls suspended from a foliate mount, a double snake with French control marks, a pearl­set bricklayer’s trowel, a larger cabochon amethyst £200­300

1144 32

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1145

1146

λ 1145 A collection of hardstone and paste cameos, intaglios and plaques, including a carnelian intaglio depicting Nike (possibly Roman 1st century AD), a chalcedony intaglio depicting an Eagle (possibly ancient), a coral cameo depicting an amorous scene (possibly ancient), a shell cameo of a woman in profile, two small shell cameos, a moss agate oval intaglio depicting the head of a warrior laureate, a collection of hardstone plaques, a collection of paste intaglio seals, a glass cameo of Rubens, the portrait taken from Joseph Hart's medal commemorating the statue erected in Antwerp, and a £100­150 carved shield­form hardstone

1146 A reverse­carved crystal intaglio stickpin, depicting the head of a spaniel, mounted in gold, 1.9cm wide £200­300

1147

1147 A 9ct gold engine­turned cigarette case, with engine­turned decoration overall and monogram AGR, 9ct hallmarks, maker's mark, 8cm wide, 76g £400­600 1148 A pair­cased pocket watch by Delisle & les fres Moricand, C1770, signed enamel dial with Arabic and Roman numeral, winding at 2 o’ clock, paste­set bezel, signed movement, pierced watchcock, outer case decorated with shagreen, together with an Art Deco diamond­set cocktail watch, manual movement, Arabic numerals and diamonds set to the case, 17mm wide including winder £200­300 1149 An 18ct gold cased keyless wind open faced pocket watch by Charles Frodsham, the silvered engined­turned dial with Roman numerals, subsidiary seconds dial, cuvette movement signed, London, 1903, case 45mm, 69g, with a 15ct gold swivel and fancy­link chain with base metal bolt ring, 42cm long, 11g, fitted case, together with a French gold cased keyless wind open faced pocket watch, the white enamel dial with Roman numerals and subsidiary seconds dial, base metal suspension loop, French control and maker’s marks, numbered 1080, case 45mm, 49g £600­800

1148

1149

1150 An 18ct gold half­hunting cased pocket watch, the white enamelled dial signed Benson, subsidiary seconds dial, manual winding, the movement stamped ‘The Field Watch’ and signed, back case engraved with cypher, 116g total weight, with a 15ct gold watch chain, 45cm 36g £800­1,200

1150 33

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1152

1151

1152 detail

1151 A travelling clock by Cartier, the square chapter ring with blue enamel Roman numerals, plain white dial signed ‘Cartier’ with steeled hands and seconds hand, a blue enamel torpedo motif with yellow caps applied above and below, cabochon sapphire winder, hinged cover, the reverse signed Cartier in script and numbered 890908582, quartz movement, 6.3cm longest £100­200 1152 An 18ct gold deployant clasp by Cartier, 21 x 47mm, signed

£200­300

1153 A collection of four wristwatches, including an 18ct gold watch by Dunhill, the signed rectangular dial part pavé­set with circular­cut diamonds and Roman numerals, onyx cabochon winder, quartz movement, inscription to the case back, on signed leather strap with 18ct gold buckle, case by Dunhill;, together with a steel and gold wristwatch by Longines, the signed cream dial with gold baton numerals and Roman numerals at 12, quartz movement, box and papers, with a further wristwatch

by Audemars Piguet,and another wristwatch £200­300 1154 A lady’s silver gilt Tank wristwatch by Cartier, the rectangular dial signed ‘Must de Cartier’, with addorsed ‘C’ logo, the reverse signed and numbered ‘156160’, to the maker’s leather strap and clasp, fitted Cartier case and outer box, two suede pouches, with papers dated 1981 £150­250

1153

1154

34

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1156

1155 1155 A gentleman’s steel Prince Oysterdate wristwatch by Tudor, the signed circular dial with baton markers, date aperture at 3, ‘Rotor’ self­winding, reverse engraved ‘original oyster case by Rolex Geneva’, to the maker’s tapering three­row brick link strap with deployant clasp, case 34mm, 20cm long £200­300 1156 A lady’s yellow gold wristwatch by Bertolucci, signed dial, sweep seconds hand, the reverse stamped Pulchra, 18k, 2.6cm wide, black leather band with Bertolucci clasp £300­500 1157 A lady’s 18ct yellow gold wristwatch in the style of Pulchra by Bertolucci, the white enamel dial with Roman quartered numerals and date aperture, numbered 129805568 and 383620 to the case, heavy 18ct yellow gold conforming band signed Bertolucci, total weight 111g, fitted but dilapidated case £1,200­1,800 1158 A gentleman’s 18ct gold Piaget wristwatch, the signed gold dial with baton numerals on a textured brick­link gold bracelet, automatic movement, case 39mm wide (including winder), case numbered 12601 A6 and 108706, 18cm long, hallmarks for 1989, Piaget case and spare links £2,000­3,000 1159 A lady’s diamond wristwatch by Chopard, the signed gold dial set within a surround of marquise­shaped diamonds on flexible gold bracelet, quartz movement, 15mm wide, 17cm long £600­800

1157

1159

1158

35

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1160 A lady’s yellow gold diamond­set watch by Piaget, the circular black dial with diamond markers, to the yellow gold bezel, quartz movement, the reverse signed and numbered ‘8062’ and ‘437336’, black leather strap and initialled ‘P’ with gold clasp, case 32mm, 22.5cm long £600­800 1161 A lady’s 18ct gold and diamond wristwatch by Patek Philippe, the signed oval dial with diamond­set bezel on integrated gold bracelet, manual movement, London import marks for 1969, case 24mm wide, 17cm long £1,500­2,000 Accompanied by original certificate and guarantee from Patek Philippe dated 24 December 1970, ref no. 3350/1, movement no. 1240882, calibré 13.5.

1162 A gold ‘Calandre’ wristwatch by Cartier, black Roman numerals to the signed dial, quartz movement, numbered 810820604 to the reverse, case 22mm, red leather Cartier strap £800­1,200 1163 A diamond­set white gold wristwatch by Vacheron Constantin, the circular black signed dial, the reverse numbered ‘511515’, the bezel set with three rows of single­cut diamonds, black leather strap, white gold clasp, case 33mm, 21cm long £1,200­1,500 1164 A lady’s diamond­set 18ct gold wristwatch by Vacheron Constantin, the signed rectangular slightly bombé dial channel­set with six rows of baguette­shaped diamonds, to the baguette­shaped diamond surround, quartz movement, the reverse signed and numbered ‘653835’, black leather strap with a diamond­set clasp, case 20mm, 32g £1,500­2,000 1165 A yellow gold Reflet wristwatch by Boucheron, the fluted watch with signed plain conforming dial, quartz movement, the reverse signed and numbered 908247, with French control marks and 76981 2.2cm wide, black leather band signed Boucheron and Boucheron slide­action attachment £800­1,200 1166 A yellow and pink gold Reflet wristwatch by Boucheron, yellow engine­turned pattern to the case and integrated band and pink gold undersides, manual winding and movement by Omega, signed movement number 12844738, strap with Boucheron slide­action attachment, 2.1cm wide, fitted Boucheron case £1,500­2,000

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1161 1163

1160

1162

1165

1164

1166

37

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1167 An Art Deco desk clock by Tiffany, in the chinoiserie architectural manner, with gold numerals and hand (two numerals and one hand missing), on a raised carved agate plinth with smaller gold­mounted agate sections to the top and sides, signed to the reverse ‘Tiffany & Co, France Stirling’, French control marks to the gold mounts, 9.5cm high £1,000­1,500 1168 A George III gold open­faced pocket watch by Elizabeth Haworth of Liverpool, key wind, the signed white enamel dial with black Roman numerals and dated March 1st 1803, the side chased with foliate scroll decoration, skeleton back, the pierced back plate finely decorated with snakes and birds and with foliate pierced decoration to the balance cock, 4.3cm wide, with a two­row gold curb link watch chain with gold slide, two split rings supporting a gold watch key and fob seal mounted with a citrine matrix carved with a coat of arms, crest and motto, chain 21cm long, centre­opening fitted case £3,500­4,500 1169 A gentleman’s 18ct gold wristwatch by Patek Philippe, the circular signed matte dial with baton numerals, date aperture at 3 o’clock, subsidiary seconds dial, to the integrated matte textured tapering strap, automatic movement, signed ‘Patek Philippe / Geneve’, monogram, London import hallmarks for 1970, case 35mm, 21cm long, 112g, case by Patek Philippe £4,000­6,000 Accompanied by original certificate and guarantee from Patek Philippe dated 24 December 1970, ref no. 3445/6, movement no. 1118434, calibré 27460 M. 1170 A gentleman’s 18ct gold wristwatch by Patek Philippe, the circular signed cream dial with baton numerals, subsidiary seconds dial, to the integrated mesh link tapering strap, automatic movement, signed and with addorsed ‘P’, London import hallmarks for 1962, case 34mm, 20cm long, 88g, case by Patek Philippe. £4,000­6,000 Accompanied by the Certificate of Origin dated 1967 from Patek Philippe, ref 3429/4k, movement number 1114615/2624009, calibré 27.460 aut, and various service papers

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1167

1170

1169

1168

39

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1171 A sapphire and diamond cluster ring, the circular cabochon sapphire weighs 7.24cts and is set within a surround of round brilliant­cut diamonds in platinum, size M ½ £1,500­2,000 1172 A diamond­set 18ct gold ring, the central emerald­cut diamond flanked to either side by two graduated step­cut diamonds, hallmarked 18ct white and yellow gold mount, size M £600­800 1173 An amethyst and diamond ring, the rectangular­shaped amethyst is set with three single­cut diamonds to each shoulder in platinum and white gold, size S £400­600 1174 A diamond three­stone ring, the central brilliant­cut diamond flanked to either side by an old brilliant­cut diamond, all coronet set in platinum, size J £200­300 1175 A sapphire and diamond half­hoop ring, alternately­set with round brilliant­cut sapphires and diamonds in 18ct yellow and white gold, London hallmarks for 1997, size R £600­800 1176 A sapphire­set gold ring, the oval cabochon sapphire rubover set in a wide 18ct gold band ring, 18ct London hallmarks for 1986, size M £400­600 1177 A pink sapphire and diamond cluster ring, the oval­shaped sapphire set within a surround of round brilliant­ cut diamonds, with a baguette­shaped diamond to each shoulder in platinum, size O £700­900 1178 A sapphire and diamond bombé ring, set with an oval­shaped sapphire within pavé­set border of circular­ cut diamonds in yellow gold, size M ½ £400­600 1179 A diamond­set foliate ring, set with four graduated cushion­shaped diamonds, in platinum and white gold, size S ½ £100­200 1180 A diamond­set dress ring, the slightly bombé rectangular plaque set with seventeen graduated old brilliant­ cut diamonds, the tapering shoulders each set with three single­cut diamonds, size N ½ £800­1,200 1181 A diamond and gem­set gold butterfly ring by Geoffrey Rowlandson, with carved ametrine wings, a diamond­set thorax and ruby eyes in 18ct gold, maker’s mark, London hallmarks for 2005, size L. £500­700 1182 A diamond solitaire ring, the marquise­shaped diamond weighs approximately 0.80cts, with a trefoil of round brilliant­cut diamonds to each shoulder, with further diamonds to the shoulders and gallery in white gold, size M ½ £600­800 1183 An aquamarine and diamond three­stone ring, the emerald­cut aquamarine set with round brilliant­cut diamonds to each shoulder in platinum, aquamarine approximately 1.30cts, diamonds approximately 0.65cts total, size O½ £800­1,200 1184 A sapphire and diamond three­stone ring, the emerald­cut sapphire is set with an emerald­cut diamond to each shoulder, rubover­set in platinum, London import marks for 1987, size P £800­1,200 1185 A ruby and diamond crossover ring, set with a circular­cut ruby and an old cushion­shaped diamond, with further old circular­cut diamonds to the shoulders in white gold, size P £350­450 1186 A diamond cluster ring, the openwork square head with quatrefoil motif, set with round brilliant­cut diamonds in white gold, 18ct London hallmarks for 1995, size N ½ £600­800 1187 An emerald and diamond half­eternity ring, channel­set with square­shaped emeralds and round brilliant­ cut diamonds in 18ct white gold, Birmingham hallmarks, size J ½, case £400­600 1188 An aquamarine and diamond ring, the emerald­cut aquamarine set with baguette­shaped diamonds to each shoulder in platinum, aquamarine approximately 2.10cts, diamonds approximately 0.30cts, size N ½ £600­800 1189 A yellow sapphire and diamond cluster ring, set with an emerald­cut yellow sapphire, old circular­cut and baguette­shaped diamonds in platinum, size P £800­1,200 1190 A sapphire and diamond three­stone ring, the circular­cut sapphire is set with two pear­shaped shoulder diamonds in platinum, size J £600­800 1191 An amethyst and citrine ring, the square shaped amethyst and citrine are set within old cushion­shaped shoulder diamonds in platinum and iridium, size M ½ £400­600 1192 A sapphire solitaire ring, the cushion­shaped sapphire is claw­set in platinum and gold, rubbed inventory mark, size L ½ £1,000­1,500

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1172

1171

1178

1175 1173

1179

1174

1176 1180

1177 1185 1181

1188 1182 1186

1183 1187 1189 1184

1191

1190

1192

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1193 A smoky quartz­set gold ring by Björn Weckström, of abstract design, set with a baguette­shaped smoky quartz in textured gold, signed BW, Finnish hallmarks, stamped 585, size O ½ £400­600 λ 1194 An Art Deco coral­set silver ring by Theodor Fahrner, c.1925, set with two convex coral plaques and geometric black enamel decoration in silver, with maker’s mark TF, stamped 935, size Q £250­350 1195 A trio of gold rings by Tiffany & Co, the fluted gold bands decorated with X’s and set with either a ruby, emerald or sapphire in yellow gold, size M £1,000­1,500 1196 A pair of citrine­set gold drop earrings, the emerald­cut citrines are rubover­set, each suspending a pear­ shaped citrine, hook fittings, 4cm high £400­600 1197 A French citrine­set gold ring, the rectangular step­cut citrine is claw­set, with ornate wirework shoulders and gallery in gold, French control marks, size R ½ £350­450 1198 A citrine­set 18ct gold ring, c.1970s, the oval mixed­cut citrine within an ornate setting of textured and plain columns of varying lengths in two coloured gold, indistinct maker’s mark (possibly GK), London hallmarks for 1975, size N ½ approximately, 22.7g £600­800 1199 A diamond eternity ring by Tiffany & Co. Schlumberger, claw­set with pairs of round brilliant­cut diamonds between gold ‘X’ motifs, within platinum borders, signed ‘Tiffany & Co Schlumberger Studios’, size J, case by Tiffany £1,500­2,000 1200 A topaz and diamond abstract ring, claw­set with a circular­cut blue topaz and quartered with baguette­ shaped diamonds, the openwork textured gold mount designed as abstract foliate branches and set with circular and single­cut diamonds, stamped ‘18ct’, size S £400­600 1201 A pair of black onyx and cultured pearl earrings by Verdura, of shell design, set in 18ct yellow gold, signed, clip fittings, 2.8cm high £1,500­2,000 1202 A gold, enamel and metal ‘stars and stripes’ brooch by Cartier, c1940, the upwardly curving star­shaped frames of copper­coloured metal centered by flared ‘en tremblant’ segments applied with red, white and blue enamel in an American flag motif, surmounted by emblems of gold eagles, the medals commemorating ‘Friends of Soldiers & Sailors, New York State,’ signed Cartier, U.S. Pat 2­220­442, 4.5cm wide £300­500 1203 A pair of Greek emerald and gold disc earrings, the emerald cabochons within scrolling granular decorated surround in yellow gold, post and clip fittings, 2.2cm diameter £700­1,000 1204 A silver ring by Moshe Oved, c.1940, modelled as a figural lamb, in silver with later parcel gilt tail and eyes, signed to the base, size M £1,500­2,000 1205 A scrolling asymmetric witches heart gold brooch by Cartier, French clip brooch fitting, engraved Cartier, numbered 1C881, stamped 14k, 4.3cm long, 12.6g £600­800 1206 A pair of 18ct gold clip earrings by Kutchinsky, the circular discs with mesh pattern, one signed in full to the clip fitting, the other with rubbed signature to earring reverse and stamped KLd, London hallmarks for 1964, clip fittings, 2.3cm wide, 25g total £800­1,000 1207 An abstract gold bracelet by Björn Weckström, with textured gold links, signed BW, Finnish hallmarks, stamped 585, 18cm long, 18g £600­800

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1193 1194

1195 (3)

1198

1197 1199

1196

1200

1201

1203

1202

1206

1204 1205

1207 43

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1208 A silver gilt and green enamel butterfly brooch by Child & Child, the wings finely engraved with veins and decorated with green enamel, with red enamel eyes, maker’s mark to reverse, 6.4cm wide, fitted Child & Child case £400­600 1209 An Edwardian gem­set fringe necklace, in the Suffragette colours, the fine­link gold neck chain alternately­ set with graduated pear­shaped pink tourmalines and peridots, on knife­edge mounts and each set with a graduated circular­cut goshenites, 40cm long, fitted case £1,000­1,500 Accompanied by report number 19982 dated 28 May 2021 from The Gem & Pearl Laboratory, stating that the necklace is set with natural pink rubelite tourmalines, peridots and colourless beryl.

1210 A peridot­set gold necklace, in the Edwardian style, set with hexagonal mixed­cut peridots and an old circular­cut diamond, the scroll links with black and white enamel decoration in gold, on a fancy­link gold chain, 46cm long, pendant drop 4cm £1,500­2,000 1211 An amethyst and seed pearl­set gold pendant by H. G. Murphy, centred with an oval­shaped amethyst within a surround of seed pearls, with further seed pearls to the bail, signed to the reverse ‘HGM’ and with falcon maker’s mark, stamped ‘18ct’, 4.5cm high, on a fine­link gold neck chain, 42cm long, fitted H. G. Murphy case £2,500­3,500 1212 A silver gilt and enamel butterfly pendant by Child & Child, the wings in two­coloured blue guilloché enamel (damaged), on a silver gilt backing, signed to the reverse with maker’s mark, 3.5cm high including bail, case by Child & Child £200­300 1213 An early 20th century gold swallow brooch, with enamel decoration, the wings and eye set with diamonds and holding a small pearl in its beak, realistically engraved feathers on the underside, 3.7cm long £600­800 1214 An amethyst and diamond ring, the oval­shaped amethyst is set within a surround of circular­cut diamonds in pierced geometric platinum mount, size P ½ £600­800 1215 A boulder opal and diamond­set brooch, the oval boulder opal measures 20 x 15mm, with an old circular­ cut diamond­set surround in white gold £200­300 1216 A diamond cluster ring, of openwork foliate design, set with old circular­cut diamonds and centred with a transitional round brilliant­cut diamond, set in white gold, size N £600­800 1217 An Art Nouveau turquoise and diamond­set ‘Marguerite’ ring by Eugène Barral, c.1900, set with a navette­ shaped turquoise cabochon within a surround of rose­cut diamonds in silver on gold, with foliate engraved gold shoulders, French control mark, maker’s lozenge, size Q ½, case by Tadema £800­1,200 1218 An early 20th century synthetic sapphire and diamond ring, the oval synthetic sapphire set with diamond trefoil terminals and a diamond and sapphire surround in platinum, size N ½ £1,000­1,500 1219 An Art Nouveau beryl and diamond­set flexible link bracelet, the central section set with hexagonal­shaped heliodors, morganites and aquamarines, the openwork scrolling plaques and foliate links interspersed with rose­cut diamonds, engraved 585, 16.5cm long, 18.4g £3,000­5,000 1220 An early 20th century emerald and diamond bow brooch, set with an emerald­cut emerald and graduated old circular­cut diamonds millegrain­set in platinum with a yellow gold pin, 6cm wide £800­1,200 1221 A diamond crossover ring, set with two old circular­cut diamonds weighing approximately 0.70cts each, with further single­cut diamonds to the shoulders in platinum, size O £1,500­2,000 1222 A diamond solitaire ring, c.1930, the old circular­cut diamond is set with baguette and small circular­cut shoulder diamonds in white gold and palladium, size Q £800­1,200 1223 A sapphire and diamond crossover ring, set with a round brilliant­cut diamond weighing approximately 0.50cts, and a circular­cut sapphire set in white gold, Birmingham hallmarks for 1980, size H ½ £600­800 1224 A diamond cluster ring, set with round brilliant­cut diamonds in platinum, diamonds approximately 1.00cts total, size N ½ £800­1,200

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1208

1209

1210 1213

1211 1212

1214

1215

1216

1217

1218

1220

1223

1219 1222

1221

1224

45

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1225 A rubelite and diamond pendant, the oval­shaped pink tourmaline weighs 10.59cts, claw­set beneath a diamond­set pendant loop in platinum, on a fine­link white gold chain, pendant 2.5cm long, chain 44cm long £1,400­2,000 1226 A gold and diamond collar necklace by Wellendorff, the alternating plain gold links and diamond­set clusters sit within twisted yellow gold borders, suspending a diamond­set ‘W’ for Wellendorff, stamped 750, maker’s mark, 34cm long, 96g £2,000­3,000 1227 An aquamarine and diamond ring, the rectangular step­cut aquamarine weighs approximately 18.00cts, with a line of five round brilliant­cut diamond collets to each shoulder, with gold wirework shoulders and plain shank, stamped ‘14K’, size K ½ £1,500­2,000 1228 A cased suite of natural pearl and diamond jewellery, comprising a ring, brooch and a pair of earrings, each centred with a cluster of graduated vari­coloured pearls, the brooch and ring with additional diamonds set to the cluster, each mounted in a surround of small diamonds, in platinum £2,000­3,000 Accompanied by report number 19830 dated 30 April 2021 from The Gem & Pearl Lab stating that the vari­coloured pearls are natural saltwater with no evidence of treatment. (Random test on six pearls).

1229 A garnet and diamond ring, the large oval­shaped garnet is flanked with circular­cut diamonds in yellow gold, size K ½ £1,000­2,000 1230 A cultured pearl and diamond cluster ring, set in 18ct yellow gold, marked K to interior and APLC with London import marks for 1986, size L £500­700 1231 An oval­shaped opal and diamond ring, the predominately orange opal with green and red flash set in gold with three small circular­cut diamonds to each shoulder, size O £3,000­4,000 1232 A diamond cluster ring, the cushion­shaped diamond weighs 3.02cts, set within a surround of round brilliant­ cut diamonds in highly polished closed­back gold setting, with a trapeze­shaped diamond to each shoulder, with further circular­cut diamonds to the bifurcated shoulders in white gold, size M ½ £2,000­3,000 The diamond weighs 3.02cts, and is a natural diamond with S­Z colour and SI2 clarity as per a verbal report from GCS. 1233 A sapphire and diamond bombé ring, the emerald­cut sapphire is flanked with channel­set square­shaped diamond shoulders and a pavé­set diamond surround in yellow gold, size M £600­800 1234 A ruby and diamond three­stone ring, the oval­shaped ruby set with a baguette­shaped diamond to each shoulder in platinum, size K £1,500­2,000 Accompanied by report number 81305­73 dated 17 May 2021 from GCS stating that the oval­cut ruby is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar).

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1226

1225

1227

1229 1230

1231

1232

1228 1234

1233 47

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1235 A tanzanite and diamond dress ring, set with a square­shaped tanzanite, set to the gallery and openwork shoulders with round brilliant­cut diamonds in white gold, size O ½ £1,000­1,500 1236 A large amethyst and diamond ring, the cushion­shaped amethyst is quartered with diamond­set claws and diamonds to the gallery in 18ct white gold, maker B&D and London hallmarks for 2009, size O £800­1,200 1237 An emerald and diamond cluster ring, the oval­shaped emerald set within a surround of round brilliant­cut diamonds in gold, size N ½ £1,500­2,000 1238 A tourmaline and diamond lattice ring, set with square green tourmalines, interspersed with brilliant­cut diamonds weighing approximately 0.44cts in total, in 18ct yellow gold, size N ½ £300­400 1239 A sapphire and diamond cluster ring, the oval­shaped sapphire weighs approximately 4.80cts, set within ballerina style tapered baguette­shaped diamond surround, in yellow gold, size O £1,000­1,500 1240 A diamond three­stone ring, the cushion­shaped diamond weighs approximately 2.02cts, set with two smaller square­shaped diamonds in white gold with five circular­cut diamonds to each shoulder, size Q ½ £1,500­2,000 1241 A navette­shaped diamond cluster ring, set with a central marquise­shaped diamond and concentric surround of baguette­shaped and circular­cut diamonds in platinum and gold, the diamonds weigh 1.54cts in total, size R ½ £1,000­1,500 Accompanied by insurance valuation from Nathan & Co Ltd dated 25 November 1983 1242 A two­row opal bead necklace, the opals graduate from 5.0 ­ 10.0mm, with a gold and diamond cluster clasp, 45cm long £1,400­1,600 1243 A gem­set gold and enamel dragonfly brooch, with diamond­set legs and demantoid garnet eye with sectioned body and plique­à­jour enamel wings with diamond highlights, 7cm long £2,500­3,000 1244 A tanzanite and diamond ring, the pear­shaped tanzanite set with a trefoil of round brilliant­cut diamonds to each shoulder in white gold, diamonds approximately 1.00ct total, engraved to the inside shank TZ8.29 D1.08, size N £1,000­1,500 1245 A cultured pearl, turquoise and diamond necklace, the cultured pearl suspending an articulated drop set with diamonds and a spherical turquoise bead with diamond­set cap, with further round brilliant­cut diamonds to the necklace, on knife­edge links in white gold, diamonds approximately 0.11cts each, 42cm long, drop section 5cm £800­1,200 1246 A pair of diamond drop earrings, each earring suspends an old circular­cut diamond from a knife­edge bar in platinum, diamonds approximately 1.35ct in total £1,500­2,000 1247 A tanzanite and diamond pendant, the pear­shaped tanzanite weighs approximately 6.40cts, within a double surround of round brilliant­cut diamonds, the suspension loop stamped ‘14k’, and signed, 3.5cm high, to the associated foxtail link chain necklace stamped ‘925 £1,500­2,000 1248 A diamond and garnet butterfly brooch, its outstretched wings and articulated abdomen pavé­set with round brilliant­cut diamonds to the oval demantoid garnet cusped edges, its thorax formed of an oval­shaped green garnet collet, cabochon ruby eyes, sapphire antennae terminals, set in silver and gold, 5.9cm wide, 27g £3,000­5,000 1249 A gem­set 18ct white gold fish brooch, pavé­set with graduated circular­cut Tsavorite garnets and with diamond eye, 3cm wide £400­600 1250 A tanzanite and diamond cluster ring, the tanzanite cabochon is set within teardrop surround set with single­cut diamonds in silver and gold, size M £600­800 1251 A diamond solitaire ring, set with a round brilliant­cut diamond weighing approximately 0.70cts, claw­set with a tapered shank in gold, with a circular­cut pink stone set to the inside shank, 18ct London hallmarks for 2015, size M £600­800

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1235 1237

1236

1240 1238

1239

1241

1242

1244

1245 1247

1243

1251 1246

1249

1248

1250 49

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1252 A mid Victorian turquoise and yellow gold Latin cross pendant, set overall with oval and circular turquoise cabochons, 8cm including bail £450­550 1253 A mid Victorian set of graduated star brooch pendants, the three five­rayed stars each set with an old­cut diamond to the centre, to the rose­cut diamond­set surround (one missing), in silver on gold, with seven hair pin fittings, stars 4cm largest, 3.3cm smallest, fitted case £800­1,200 1254 A diamond­set monogram ring, (possibly royal), the initial ‘E’ on black enamel ground and set overall with cushion and rose­cut diamonds, surmounted with a crown set with two small rubies, closed back, French control mark to shank, size F £200­300 1255 A Victorian turquoise­set gold hinged bangle, the oval bombé plaque is pavé­set with cabochon turquoise within gold scrolling and textured gold surround, 5.5cm inner diameter £1,000­1,500 1256 A Victorian ruby and diamond­set hinged bangle, set with graduated cushion­shaped rubies, each separated by a pair of old­cut diamonds to the yellow gold knife­edge hinged bangle with safety chain, 5.9cm internal diameter, 13g £2,000­3,000 1257 A Victorian ruby and diamond hinged bangle, the centre detachable cluster section set with an oval­shaped ruby weighing approximately 1.20cts, within a surround of ten old round brilliant­cut diamonds, with four graduated old­cut diamonds to the shoulders in silver and gold, to the trifurcated knife­edge bangle, with safety chain, 5.7cm internal diameter £1,500­2,000 1258 A Victorian diamond star pendant brooch, set with graduated old cushion­shaped diamonds in silver and gold, 3cm wide £800­1,200 1259 A mid 19th century diamond­set brooch, the openwork bow design centred with three graduated diamonds flanked to either side by a pendoloque hoop, set in silver and yellow gold with old circular­cut diamonds, 4cm wide, 2.6g £300­400 1260 A Belle Époque diamond and pearl­set lozenge­shaped gold brooch, the centre­shaped blue enamel lozenge is set with a diamond cluster to the centre within a surround of diamond­set laurels, graduated seed pearl surround, 4.3cm wide £800­1,200 1261 A mid 19th century graduated colourless paste rivière necklace, each circular faceted paste within a silver rub­over mount, with a detachable bracelet section with folding pendant loop, 38.5cm longest, bracelet section 7cm long, case £400­600 1262 A diamond five­stone ring, with graduated cushion­shaped diamonds set in gold, size K ½

£600­800

1263 An early Victorian diamond five­stone ring, set with graduated cushion­shaped diamonds, with foliate engraved pierced shoulders, and further foliate engraving to the shank in gold, size I, case £400­600 1264 An early­mid 19th century diamond­set cluster ring, the central seven stone old brilliant­cut diamond cluster, to the openwork scrolling yellow gold shank, size K £400­600 1265 A sapphire and diamond three­stone ring, the oval shaped sapphire is set with two old circular­cut shoulder diamonds in platinum and gold, size L £800­1,200 1266 An emerald and diamond cluster ring, the emerald­cut emerald set within a surround of round brilliant­cut diamonds in gold, size K £800­1,200 1267 A sapphire and diamond cluster ring, the oval­shaped sapphire is set within a surround of round brilliant­ cut diamonds in platinum and gold, size S £400­600 1268 An opal and diamond cluster ring, the opal set within a surround of old circular­cut diamonds in gold, size L £300­400 1269 An Edwardian lozenge­shaped diamond cluster ring, set with graduated old circular­cut diamonds in platinum and yellow gold, size M ½, case £600­800 1270 A sapphire and diamond graduated five­stone ring, the three mixed­cut sapphires separated by a brilliant­ cut diamond, to the 18ct yellow gold scrolling setting and plain shank, London hallmarks for 1974, size P ½ approximately, 4.8g £200­300 1271 An early 20th century diamond five­stone ring, the graduated old circular­cut diamonds are set in 18ct yellow gold with nine rose­cut diamonds (one missing), Chester marks for 1901, size P ½ £600­800

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1254 1252 1253 (3)

1264

1265

1255

1266 1256

1267

1257

1260 1268 1261 1269

1270 1258

1262 1271 1263

1259 51

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1272 Fabergé ­ a silver­mounted blue ceramic bell push, the cabochon white stone push button is set within a foliate circular surround and acanthus design rim to the base, on three lobed circular feet, signed to the base ФАБЕРЖЕ and initial for work master Karl Armfeldt, with 88 zolotnik, kokoshnik mark and scratched inventory number 13113, 7cm diameter £7,000­9,000 1273 Fabergé ­ a gilt­lined square form silver cigarette case, with rounded corners, applied to the lower right corner with a rose­cut diamond­set fish with a ruby eye, signed ФАБЕРЖЕ to sprung­hinged cover, work master’s initials for Michael Perchin, St Petersberg with 88 zolotnik mark, the base stamped with Michael Perchin’s initials, and 88 zolotnik with St Petersberg mark, scratched with inventory number 59896 and 621A, gold­mounted moonstone thumbpiece 8.5cm wide, fitted case by Wartski 138 Regent Street, London £3,500­5,000 Previously sold Sotheby's, 'Fabergé and Icons' 2 December 2020, ex lot 64.

1274 A silver whistle with niello decoration, with hinged cover to the terminal with suspension loop, indistinct lozenge mark with initials, (possible French), 7.8cm long (without suspension ring) £200­300 1275 An early 19th century Russian silver gilt and niello rectangular cartographic snuff box, the hinged cover with a map of Vologodsk Guberniya and with the names of neighbouring areas with the appropriate kilometres, the reverse with a demographic table, gilt interior, marked with the maker’s and engraver’s initials for Feodor Bushkovskii and Velikiy Ustyug with date 1819, 84 zolotnik, 9cm wide £7,000­9,000 1276 Fabergé ­ A pair of moonstone, enamel and gold cufflinks, each link centred with a cabochon moonstone within a mauve guilloché enamel border, each link with work master’s initials (some indistinct) for August Hollming, the links 1.3cm wide, fitted case by Bentley & Co £4,000­6,000

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1272

1273

1274

1275

1276

53

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1277 A Russian silver gilt samorodok cigarette case by Ovchinnikov, of rectangular form, set overall with vari­ cut stones, pastes and a small pearl, the hinged cover signed with the mark П. Овчинников, 88 zolotnik and kokoshnik, 9.8cm wide £600­800 1278 Fabergé ­ A rectangular gold box, decorated with alternate blue and white enamel bands overall on engine­turned ground, Greek key­pattern borders and rose­cut diamonds set to the thumbpiece, the hinged cover marked ФАБЕРЖЕ, work master’s initials H.W but slightly obscured (probably for Henrik Wigström), and probably a kokoshnik, scratched with inventory number 25830, the base marked with kokoshnik and 56 zolotnik mark, 9.2cm wide, 194g £6,000­8,000 λ 1279 An ivory baton with carved smoky quartz engraved foliate handle, (probably Russian, early 20th century), centred with a domed circular cluster of topaz, joined to a tapered ivory baton with an olive­green guilloché enamel band with gold swags, the flowerhead 5.3cm wide, 38.5cm long, in fitted hollywood case stamped with Imperial double­ headed eagle to the silk lining £7,000­9,000 1280 Fabergé ­ a circular nephrite pendant, centred with a rose­cut diamond­set scroll design in gold and applied with an enamel bar spelling Дружба (Friendship), signed to the reverse KФ and inventory number 2437 with further KФ with 56 zolotnik to the border, 2.1cm wide, associated fitted box £1,500­2,000 1281 A sapphire and diamond stickpin, the oval cabochon sapphire is set with an old circular­cut diamond in gold, indistinct marks, (possibly Russian), 6.7cm long £800­1,200 1282 A sapphire and diamond stickpin, probably by Fabergé, the two concentric circles are set with rose­cut diamonds and centred with a cabochon sapphire, mounted in gold, the pin marked with 56 zolotnik and two further obscure initials (possibly for August Hollming), 1.5cm wide £1,200­1,500 1283 A nephrite miniature egg pendant with gold mounts, with oblique laurel­chased gold band and gold suspension ring, in the style of Henrik Wigström, 1.6cm high £800­1,200

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1277

1279

1278

1280

1281 1282 1283

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1284 A 9ct gold samorodok­style rectangular cigarette case by Dunhill, signed by Bando, with sliding hinge spring­loaded opening, London marks for 1966 and with AD for Alfred Dunhill, the cover marked ‘Dunhill London’ with the signature of Bando, 13cm long, 209g (total), leather box by Dunhill and silk sleeve, with two spare expandable cigarette containers £4,000­5,000 Matteo Cellini was a famous Dunhill craftsman having started there in 1919. His name was kept up until the 1960s as a brand.

1285 A yellow­gold rectangular cigarette case, with square engine­turned pattern overall, stamped 18ct to both sides, 13.5cm wide, 264g (total) £5,000­6,000 1286 A gold ruler with partly concealed pencils by Mellerio dits Meller, with calibrated markings for inches (up to eight) to one side and centimetres (up to twenty) to the other, one terminal with concealed pencils (plain, red and blue), and to the other a dip pen, with knife and bodkin, each mounted with an emerald, turquoise, pearl, ruby, sapphire and black stone (probably hematite), signed Mellerieo dits Meller Paris 1199 D, and 750 with a cross, 22.3cm long, centre opening fitted case by Mellerio dits Meller, silk lining signed to both sides and repeated to the reverse £1,500­2,000 1287 A 9ct gold samorodok­style rollagas lighter by Alfred Dunhill, London marks with AD for Alfred Dunhill, 6.5cm high, 107g total weight £500­700 1288 A 9ct yellow gold samorodok­style square­form cigarette case, cabochon sapphire thumbpiece, London marks 1963, with Garrard mark, 9.7cm wide, 172g £1,500­2,000 1289 A striated gold rectangular pendant, incorporating a small manual­winding clock, dial signed ‘Dunhill’, with Arabic numerals, a penknife, key and striated gold propelling pencil, folding gold suspension loop, 7cm long, probably 1950s and stamped 14K, with a small brush and associated Dunhill box, engraved with the initials RHB £400­600

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1286

1285

1289

1287

1288

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1290 A silver lighter by Cartier, with fluted silver case, the flip­top cover set with a rectangular­cut blue stone in gilt collet, signed ‘Cartier Paris, Depose’, French control mark, maker’s mark for Louis Pebaumas, 3,4cm high £1,800­2,500 1291 A gold rectangular compact by Cartier, with engine­turned pattern overall, internal mirror and hinged cover to inner compartment, cabochon ruby thumpiece, signed Cartier, 14kt 4658, 7cm wide, 98g without mirror, red leather slip case £2,500­3,500 1292 A rectangular silver and gold cigarette case by Chaumet, with engine turned and linear engraved decoration, the thumbpiece set with four calibré­cut rubies (probably synthetic), signed ‘Chaumet Paris’, stamped ‘Or/Argent’ for silver and yellow gold, oval poinçon for mixed metals, maker’s lozenge, 9.5cm longest, 155.8g £150­250 1293 A silver and gold cigarette case by Sterlé, of rectangular silver nibbed form, with plain gold edges and thumbpiece, the interior signed ‘Sterlé Paris’ and numbered ‘2637’, French control marks, maker’s lozenge, stamped ‘Argent’, 8.7 x 8.1cm, 140g £200­300 1294 An 18ct gold rectangular cigarette case by Cartier, with unusual engine­turned pattern overall, sapphire­ set raised thumbpiece, spring­loaded opening, London marks for 1938, marked JC and signed Cartier London, 11.7cm wide, 270g total weight, fitted Cartier red leather box embossed B.J.S. £5,000­6,000 1295 A gold propelling pencil with gold clip, marked LO775 3225, 7cm long (unextended), in fitted case by Cartier £300­400 1296 A 9ct gold fluted short ballpoint pen by Cartier, the detachable top set with a cabochon blue stone to the clip, rubbed marks including maker's mark JC, London date letter for 1955, fitted Cartier case £200­300

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1291

1292

1294 1293

1295

1296 59

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1297 A pair of early Victorian moss agate brooches, the stylised Maltese cross set with panels of moss agate in repoussé gold mounts, 6.1cm wide, the butterfly set in gilt metal, 6.1cm wide £600­800 1298 An early 19th century gilt metal bracelet and matching earrings, all set with chalcedony cabochons, bracelet 19cm long £200­300 1299 A late 18th century large circular gold mourning pendant, centred with white enamel lyre on blue ground within a lock of hair, tied with artificial pearls, forget­me­nots and fine gold wire corn sheafs, seed pearl and open scroll border, plaited hair to the reverse and gold suspension clip, 6cm wide, fitted red leather case £300­400 1300 Three items of 19th century cornelian­mounted jewellery, including a 19th century cornelian and gold pendant brooch, the faceted circular plaque contains a glazed heart motif and suspends a heart­shaped cornelian on three gold chains, together with a pair of 19th century gold­mounted cornelian earrings and a cornelian­mounted gold cruciform pendant, 3.5cm £300­400 1301 A 19th century agate plaque bracelet, each dendritic agate plaque is mounted in gold, 19cm

£400­600

1302 An early 19th century carnelian padlock pendant, with gold filigree decoration depicting a lyre and key, 4.4cm wide, with an early 19th century carnelian, seed pearl and filigree pendant, set in gold, 4.7cm wide £200­300

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1297 (2)

1298 (2)

1299

1300 (3)

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1303 A Victorian gold hinged bangle, with stylised gold buckle decoration set with seed pearls in a blue enamel border, 5.5cm inner diameter, 33g £400­600 λ 1304 A Victorian carved coral necklace, set with seven graduated carved coral faces spaced with carved coral shells, 40cm long £600­800 1305 A George III seed pearl and gold acorn necklace, the twisted seed pearl and gold necklace suspends a stylised seed pearl and gold acorn locket pendant, pendant 4cm high, chain 45cm long £300­400 1306 A mid 19th century gold locket pendant, pierced with scroll decoration and a stylised buckle surmount set with seed pearls and diamonds in rose gold, hinged opening with glazed locket compartment to interior, seed pearl­ set bail, French control marks, 6cm high total £400­600 1307 A pair of Victorian gold and chalcedony earrings, the yellow gold scrolls suspend faceted chalcedony drops, 7cm high £300­400 1308 A Victorian gold heart pendant, set with a ruby flower on hammered yellow gold, 2cm wide, with two other Victorian diamond­set heart pendants, a Victorian diamond­set circular locket pendant and a Victorian circular basket of fruit pendant in tri­colour gold £200­300 1309 A Victorian reverse carved crystal ring, depicting a leaping horse and jockey within twisted yellow gold mount, size P ½ £400­600 1310 A pair of mid 19th century Swiss enamel and gold earrings, the enamel portrait plaques within gold laurel borders suspending a seed pearl, with blue and white foliate enamel decoration to reverse, hook fittings, 6.2cm high £800­1,200

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1304

1305

1307

1306

1310

1309

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1311 A George III heart­shaped cluster ring, the rock crystal heart is set within a border of rubies and diamonds in closed­back silver and gold mount, size M ½ £600­800 1312 A natural pearl and diamond cluster ring, c.1930s, the button­shaped pearl set within two old circular­cut diamonds, millegrain­set within pierced scrolling surround set with single­cut diamonds in platinum, size I ½ £1,000­1,500 Accompanied by report number 20019735 dated 21 October 2014 from AnchorCert Gem Lab, stating that the part drilled pearl measures 7.26mm ­ 7.35mm and is natural saltwater.

1313 A George III diamond bow brooch, (converted), set with graduated old cushion­shaped diamonds in closed back silver and gold setting, 2.4cm wide £600­800 1314 An Art Deco rectangular clasp, the pierced floral design millegrain­set with graduated circular­cut diamonds and buff­top rubies, sapphires and emeralds in platinum, 4.5cm wide £1,500­2,000 1315 A oval­shaped diamond clasp, millegrain­set with a central elongated old marquise­shaped diamond within a border of single­cut diamonds in platinum and gold, 1.5cm long £400­600 1316 A pair of late 18th century topaz and diamond pendants, the diamond­set bows in closed back silver collets suspend detachable pear­shaped orange topaz in gold collets, missing fittings, 4cm high £2,000­3,000 1317 A pair of mid 19th century mercury glass earrings, glass drops suspended from gold fittings, (probably later converted), 6.5cm high £80­120 1318 Three gem­set clasps, including a French gold clasp, set with graduated baguette­shaped diamonds in white gold, 2.2cm long, an oval­shaped clasp set with three graduated diamonds within pierced scrolling diamond­set surround, 2cm long, and a white­stone spherical link set in white gold, 1cm long £500­700

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1312

1313

1314 1315

1316

1317

1318 (3)

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1319 An early 19th century gilt fancy­link long chain necklace, each link with floral and bead decoration, the barrel­shaped clasp set with three circular­cut amethysts, with applied bead and wirework decoration, 89cm long £200­300 1320 An early 19th century gilt cruciform pendant, the ornate Latin cross applied with bead and wirework foliate decoration to the centre and terminals, the necklace links applied with cross­hatched and bead decoration, to the cross hatched barrel clasp, cross 9.5cm high (including suspension loop), necklace 119cm long £200­300 1321 An early 19th century agate pendant, suspended from a fancy­link gilt chain necklace with barrel clasp, the oval agate swivel plaque with an ornate applied bead and wirework surround, the gilt wirework mount formed from two scrolling serpents, pendant 7cm high, chain 137.5cm £200­300 1322 An early 19th century gilt fancy­link longuard chain, each textured link with applied bead decoration, with similar decoration to the barrel clasp, 91cm long £200­300 1323 Three assorted flexible link hardstone bracelets, including an early 19th century rectangular gilt plaque bracelet, collet set with seven hardstones including carnelian and banded agate, gilt surround with scrolling decoration, 18cm long, a 19th century bloodstone­ plaque bracelet, each separated by a conjoined double scrolling gilt wirework link, length 17.5cm, and a mixed onyx octagonal plaque hardstone bracelet with gold mounts, 19cm long £300­400 1324 An early 19th century paste­set gilt long chain necklace, alternately set with foliate and rectangular­shaped links, the rectangular links centered with vari­coloured navette­shaped pastes, 112cm long £200­300

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1319

1320 1321

1322

1323 (3)

1324 67

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1325 An early 19th century gold topaz crescent brooch, set with graduated oval shaped orange topaz and pear­ shaped terminals in yellow gold collets, 4.6cm wide £400­600 1326 A George III gem­set gold flower brooch, later brooch fitting to reverse (damaged), a Regency multi­gem­ set gold target brooch, and a gem­set pansy pendant in gilt metal £200­300 1327 A Regency gold wheatsheaf buckle / pendant, set with graduated oval­shaped amethysts within bi­colour gold wheatsheaf design surround and set with a chrysolite and a gold scythe, 5.7cm high £400­600 1328 A group of five antique gold gem­set rings, including an amethyst five stone ring, size N ½, a peridot five stone ring, size O ½, a Regency seed pearl and turquoise cluster ring, size O ½, a Regency seed pearl cluster ring, size L, and a chrysolite and amethyst ring, size N ½ £200­300 1329 A mid 19th century amethyst rivière necklace, the graduated oval­shaped amethysts are set within repoussé gold surround and separated with gold flowerheads, the largest link suspends a girandole­style pendant set with an oval­shaped amethyst and three amethyst briolettes, 38cm long, with a pair of conforming amethyst and gold earrings, 4cm long, French marks £1,000­1,500 1330 A Victorian gold cross brooch / pendant, set with emeralds, seed pearls and a ruby in fine wirework and pellet decorated scroll surround, later metal brooch pin, 4cm high £600­800 1331 Two early 19th century gold flower brooches, the triple flowerhead brooch set with amethysts and citrines in yellow gold pellet borders, 4.5cm high, the other set with an amethyst, ruby, garnets and topaz in closed back gold mount, 4.2cm high £200­300 1332 A Regency pink topaz and chrysolite brooch / clasp, set with graduated oval­shaped pink topaz and circular­ cut chrysolites within elaborate cannetille surround, later fittings for a brooch and clasp to reverse, 4.6cm wide £300­400 1333 A Regency gold shell brooch, set with graduated pear­shaped amethysts within tri­colour gold surround decorated with a flowerhead, feathers and gold pellet surround, with later brooch fitting to reverse, 3.2cm wide £200­300

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1325

1327

1329 (2)

1330

1328 (5)

1332

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1334 A Portuguese chrysolite navette­shaped cluster ring, c.1770, pavé­set in silver cut­down collets within gold pellet border in closed­back mount, size Q ½ £1,000­1,500 1335 A George III moss agate and seed pearl necklace (loose), comprising eight graduated plaques (including two clasps), each centered with a moss agate plaque within engraved yellow gold surround set with a border of seed pearls, with a broken artificial pearl necklace set with three similar moss agate plaques (not pictured) £800­1,200 1336 Two late 18th century navette­shaped mourning lockets, one late 18th century navette­shaped mourning pendant, the seed pearls and glass beads depicting a willow tree with a sheep on blue enamel ground, with colourless paste­set border, locket to reverse, with a similar brooch pendant depicting a basket of flowers £200­300 1337 A late 18th century enamel and diamond­set harvest ring, depicting a diamond­tied wheatsheaf with fork and flowers, glazed and within diamond and red and white enamel border, in closed back gold mount, size O ½ £1,000­1,500 1338 A mid 19th century gold signet mourning ring, mounted with a banded agate coat of arms, the shank decorated with black enamel inscription ‘IN MEMORIAM’, internal inscription ‘Abraham Levy Esq, Ob 8 Jany 1860 ae 65’, with inner resizing band, size O £600­800 1339 Two 18th century navette­shaped mourning lockets, one gold late 18th century mourning brooch pendant, set with seed pearls and glass beads depicting a caged and free dove, with a similar lozenge­shaped plaque depicting doves by a fountain and engraved with a romantic posy to the reverse, case £200­300 1340 A late 18th century Perpignan garnet­set brooch, of starburst form in closed back gold setting, 2cm wide, with another similar open crescent brooch set in yellow metal, 6.7cm wide £80­120 1341 A Regency gold locket ring, the ring with repoussé gold floral decoration and set with a vacant oval cartouche, with a secret hinged locket compartment to inside shank, size U ½ £600­800 1342 An early 19th century gold secret locket ring, the fluted gold ring with a hinged compartment engraved with the letter F and which opens to reveal plaited hair, inscription to inside shank ‘Frederica 15 July 1815’ size P ½ £200­300 1343 A George III garnet mourning ring, the glazed locket compartment containing hair (front and back) within a border of garnets in closed back setting, size O ½, with three other George III mourning brooches set with garnets in silver or gold £300­400

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1334

1335

1336 (2)

1339 (2) 1337

1338

1341 1343 (4)

1340 (2)

1342

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1344 An early 20th century ruby and diamond­set heart pendant, centred with a heart­shaped diamond weighing approximately 3.00cts, within a surround of calibré­cut rubies in platinum and gold, with scroll engraved decoration to the outer border, the rose­cut diamond­set bail with French import marks, 2.5cm high £10,000­15,000 1345 A fancy­coloured diamond­set suite of jewellery, comprising a bracelet, a pendant and a pair of stud earrings, set with emerald­cut, pear, oval, cushion, marquise, and heart­shaped fancy­coloured diamonds, within surrounds of round brilliant­cut diamonds in brushed oxidised gold, bracelet 17cm long, pendant 4.5cm high, necklace 40cm long, earrings 1cm high, post fittings £35,000­45,000 Accompanied by various reports from GIA and EGL, stating that the diamonds are all natural diamonds, with the shape/cut, weight and colour grading as below: Heart­shaped, 1.02cts, fancy light blue colour, SI1 clarity. Fluorescence: faint.

Marquise­shaped, 0.82cts, fancy deep brownish yellowish orange, SI2 clarity. Fluorescence: nil.

Heart­shaped, 1.51cts, fancy deep brownish yellowish orange, I3 clarity. Fluorescence: nil.

Pear­shaped, 0.71cts, fancy light yellow, VS1 clarity. Fluorescence: nil.

Heart­shaped, 0.51cts, fancy yellow­green.

Pear­shaped, 0.51cts, 'chameleon' diamond, fancy greyish yellowish green. Comment: The colour of this stone changes temporarily when gently heated or when left in darkness.

Square­shaped, 0.85cts, fancy intense yellow.

Pear­shaped, 1.01cts, fancy yellow.

Heart­shaped, 0.58cts, fancy light pink colour, SI1 clarity. Fluorescence: strong blue.

Oval­shaped, 1.00cts, very light pink colour, SI1 clarity. Fluorescence: nil.

Oval­shaped, 1.39cts, fancy intense green­yellow, VS2 clarity. Fluorescence: strong blue.

Rectangular­shaped, 2.09cts, fancy intense greenish yellow, SI1 clarity. Fluorescence: very strong green.

Round brilliant­cut, 0.70cts, fancy intense yellow colour.

Cushion­shaped diamond, 0.96cts, fancy intense yellowish­orange. Fluorescence: nil.

Cushion­shaped diamond, 1.01cts, fancy dark brown colour, SI3 clarity. Fluorescence: nil.

Further details available online.

1346 A colour change sapphire and diamond ring, the octagonal sapphire weighs 6.48cts and is flanked with triangular shaped diamonds in wide yellow gold mount with pellet borders, size P £7,000­9,000 Accompanied by report number 984222 dated 5 October 2007 from The Precious Stone Laboratory stating that the square­shaped sapphire weighs 6.48cts and is a natural colour­change sapphire exhibiting purplish blue in daylight and purple under incandescent light, with no indications of heat treatment.

1347 A diamond two­stone cross­over ring, the fancy­coloured round brilliant­cut diamond weighs 1.64ct, the other round brilliant­cut diamond weighs approximately 1.30ct, the scroll shoulders each set with three rose­cut diamonds in platinum, size N £6,000­8,000 Accompanied by report number 79187­72 dated 7 December 2018 from GCS stating that the round brilliant­cut diamond weighs 1.64cts and is a natural diamond, with fancy deep brownish yellow colour, SI2 clarity and faint fluorescence. Type: IaAB. 1348 An emerald ring, the emerald­cut emerald weighs approximately 21.00cts and is claw­set in white gold, size M ½ £6,000­8,000 Accompanied by report number 81299­42 dated 17 March 2021 from GCS stating that the octagonal­cut emerald measures 17.7 x 15.8 x 11.2mm and is a natural emerald with indications of moderate clarity enhancement. Origin: Zambia.

1349 A sapphire and diamond cluster ring, centred with a cushion­shaped sapphire weighing 12.97cts, in an openwork double surround set with graduated old circular­cut diamonds in platinum, size M £14,000­16,000 Accompanied by report number 79216­27 dated 21 June 2019 from GCS stating that the cushion­cut sapphire weighs 12.97cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1350 A baguette­shaped red spinel ring, the baguette­shaped spinel weighs 3.09cts and is rubover­set in an oxidised silver mount with gold shank, size M ½ £5,500­6,500 Accompanied by report number 8087864 dated 18 May 2018 from AGL stating that the rectangular­shaped spinel weighs 3.09cts, and is a natural red spinel with no indications of treatment. Origin: Burma (Myanmar) 1351 An Indian gold and enamel ring, mounted with a circular­cut cabochon spinel, size L

£1,800­2,500

1352 A sapphire solitaire ring, the oval­shaped sapphire is claw­set in a simple gold mount, size J £11,000­15,000 Accompanied by report number 81307­14 from GCS stating that the cushion­shaped sapphire is a natural sapphire, with no indications of heat treatment. Origin: Burma (Myanmar).

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1345 (3)

1346 1347 1348

1349 1350

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1353 A diamond foliate brooch, of openwork tied design, formed of two undulating rows of round brilliant­cut and marquise­shaped diamonds, with a baguette­shaped diamond­set scroll tie, in platinum, white gold clip brooch fitting, 5.8cm long £2,500­3,500 1354 A diamond cluster pendant, the central round brilliant­cut diamond weighs approximately 0.95cts, within a surround of ten round brilliant­cut diamonds in platinum, 1.7cm high including bail, on a platinum snake­link neck chain with safety chain, 42cm long £1,500­2,000 1355 A turquoise and diamond­set gold ballerina brooch in the manner of Rubel Frères, c.1950, set with turquoise cabochons, circular­cut and cushion­shaped diamonds to the pierced polished gold and platinum mount, clip brooch fitting, French import mark to the pin, 7cm high £2,500­3,500 1356 An 18ct white gold gem­set turtle brooch, with articulated legs, tail and head, pavé­ set with circular cut pink sapphires and diamonds, cabochon green stone eyes, 2.8cm long £600­800 1357 A diamond rivière necklace, claw­set with graduated round brilliant­cut diamonds in white gold, approximately 9.00cts total, 41cm long £8,000­10,000 1358 A pair of diamond, emerald and cultured pearl­set drop earring mounts, each earring set with two circular­ cut emeralds, ten long baguette­shaped diamonds and a small circular­cut diamond and cultured pearls in platinum and suspending a vacant pear­shaped mount, 7cm high £5,000­7,000 1359 A pair of emerald and diamond cluster earrings, centred with an emerald­cut emerald within a surround of baguette­shaped and round brilliant­cut diamonds in platinum and gold, clip and post fittings, 1.3cm wide £6,000­8,000 Accompanied by report number 81307­12 from GCS stating that the emeralds are natural emeralds, with indications of minor clarity enhancement. Origin: Colombia 1360 An aquamarine and diamond ring by Kutchinsky, the emerald­cut aquamarine weighs approximately 15cts, set with a tapered baguette­shaped diamond to each shoulder in platinum, signed, size L £1,000­1,500 1361 A diamond and aquamarine three­stone ring, the oval­shaped diamond weighs approximately 2.30cts and is rubover­set, with a circular­cut aquamarine to each shoulder in platinum, size J £4,000­6,000 1362 A diamond line necklace, claw set with round brilliant­cut diamonds in white gold, diamonds approximately 6.50cts total, 41cm long £6,000­8,000 1363 A graduated diamond line bracelet, the round brilliant­cut diamonds are rubover­set in platinum, diamonds approximately 3.90cts total, principal diamond approximately 0.40cts, 18cm long £4,000­6,000 1364 A pair of sapphire and diamond ballerina cluster earrings, the oval­shaped sapphires set within a surround of round brilliant­cut diamonds and further undulating outer border of tapered baguette­shaped diamonds in platinum, clip fittings, 1cm high £4,000­6,000

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1355

1356

1354

1361 1357

1360 1359

1358

1362

1363

1364

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1365 A 19th century carnelian intaglio­set gold ring, the intaglio depicting Bellerophon and Pegasus, 21mm high, the gold ring with gold ropetwist border, trifurcated shoulders and fluted shank, size M ½ approximately £600­800 1366 A hardstone cameo­set gold ring, the cameo depicting a moor, c.17­18th century, 13mm high, in a later gold ring, size L £400­600 1367 A Hellenistic garnet intaglio­set gold ring, the domed garnet intaglio depicting the Goddess Isis, Ptolemaic Hellenistic, c.2nd­1st century BC, (damaged, with gold repair), 18mm high, in a later gold ring with bifurcated shoulders and fluted shank, size N £400­600 1368 A carnelian intaglio­set gold ring, depicting the head of a Roman Emperor (possibly Ceasar), c17th­18th century, 13mm high, in a later gold ring with bifurcated shoulders, size N £600­800 1369 A gold bracelet mounted with five carved hardstone Sassanian seals, the seals c. 4th­5th century AD, bracelet 18cm long £400­500 1370 A Roman sardonyx intaglio­set gold ring, the intaglio depicting the astrological sign Cancer with two minute busts, possibly Jupiter and Juno, c.1st century AD, in a later gold ring with ropetwist border, pellet decoration and fluted shank, size P £400­600 1371 A Roman carnelian intaglio­set gold ring, the intaglio depicting Dionysus with his panther, c.1st­2nd century AD, 16mm high, set in a later gold ring with bifurcated shoulders, size O £400­600 1372 A 19th century hardstone cameo­set gold ring, depicting the Duke of Wellington, in a later gold ring, Chester hallmarks for 1914, maker’s mark S U Ltd, size M £600­800

1373 1373 A Medieval gold posy ring, c.1450, with foliate and quatrefoil engraved decoration and French inscription reading ‘AVES MON COER’ (‘You Have My Heart’), size M, 3.2g £1,500­2,000 Accompanied by Treasure Act correspondence from the British Museum confirming that the finder and landowner have joint rights to sell the ring.

1374 A Roman carnelian intaglio­set gold ring, the intaglio depicting a hare, c.1st century BC, in a later gold ring with scroll shoulders and fluted shank, size L ½ £400­600 1375 A 19th century sardonyx cameo­mounted gold stick pin, the cameo depicting Hercules wearing the Nemean lion skin, with foliate engraved decoration to the mount and pin, cameo 24mm, pin 8cm £800­1,200 1376 A late Renaissance gold signet ‘mission’ ring, c.1620, the circular ring head inscribed ‘IHS’, for the Latin ‘Iesus Hominum Salvator’ (Jesus, Saviour of men), within engraved circular border, with further engraved decoration to the shoulders, size Q, 4g £6,500­7,500 1377 A Roman chalcedony intaglio­set gold ring, the intaglio depicting an eagle on a hare, c.1st­2nd century AD, 10mm high, in a later gold ring with closed­back setting, size L ½ £400­600 1378 A Roman carnelian intaglio depicting Salus, the goddess of health, feeding a snake from a bowl, c.2nd­ early 3rd century AD, 11mm high, in a contemporary gold ring, size D approximately £200­300

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1370

1366 1369

1371 1367

1372

1368

1375 1373

1376

1374

1377

1378

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1379 A pair of rectangular 18ct gold cufflinks by Cartier, of interlocking textured gold design, signed Cartier, JC and numbered N6837, London import marks for 1968, 18mm long, Cartier box £1,000­1,500 1380 A sapphire and gold dress set retailed by Cartier, comprising cufflinks, buttons and three studs, the circular­ links with fluted decoration and a central cabochon sapphire, all set in 9ct gold, stamped ‘S’, London marks for 1964, maker’s mark AP, signed Cartier, fitted case £300­500 1381 A pair of emerald and gold D­shaped cufflinks by Cartier, each rounded outer section is channel­set with graduated emeralds, the joint signed Cartier with French control mark and inventory number 45209, with maker’s lozenge for Societe Anonyme, 2.8cm wide, fited Cartier box £1,500­2,000 1382 A pair of gold panther head cufflinks by Cartier, with pear­shaped emerald eyes and black onyx nose, with ribbed ball terminals, London marks for 1993 with JC mark and signed ‘Cartier London’ and R1504, 1.7cm long, Cartier red leather box £2,000­3,000 1383 A pair of sapphire and gold cufflinks by Van Cleef & Arpels, of square form, set with stylised woven fabric in gold to each terminal, one set with a border of calibré­cut sapphires, signed V.C.A and with maker’s mark and French control marks, associated case £1,000­1,500 1384 A pair of wood­textured 18ct gold rectangular cufflinks by Boucheron, London marks for 1963, maker’s mark B&Co and signed ‘Boucheron London’ 1.5cm long, fitted Boucheron case £400­600 1385 A pair of ruby and gold striated bar cufflinks by Boucheron, signed Boucheron OR750 and A340 2673, 2.5cm wide, fitted case by Longmire £1,000­1,500 1386 A pair of 18ct bi­colour gold oval cufflinks, of textured mesh fabric design within gold ropetwist border, Cartier case, each oval link 19mm high £600­800 1387 A pair of sapphire­set striated bar gold cufflinks by Boucheron, of curved form, French control marks, signed ‘Boucheron Paris’ and numbered 28831, 3cm wide £1,500­2,000

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1388 A pair of French gold grotesque bird cufflinks, both birds holding a circular­cut diamond in their beaks, French control marks, both links engraved DFR £400­600 1389 A pair of enamel and gold cufflinks for the Royal Yacht Squadron, the circular links with red enamel border and signed ‘Benzie Cowes’, 1.4cm wide £200­300 1390 A pair of sapphire cufflinks, each set in gold with an oval­shaped blue and yellow sapphire, the links with obscured marks (possibly Russian), Sandra Cronan fitted case £4,000­6,000 Accompanied by report number 81308­86 from GCS stating that the sapphires are natural sapphires, with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

1391 A pair of gold cufflinks, c.1935, each oval link with hammered decoration, maker’s mark EB, 18ct London hallmarks for 1935, each chain link stamped 18, each link 2cm, 13.7g total £200­300 1392 A pair of diamond­set cylindrical bar cufflinks, each link pavé­set with square­shaped diamonds and pink circular diamond terminals, stamped with inventory number 500909 and 750, 2.7cm wide, with fitted case by Oscar Heymen & Brothers £2,000­3,000 1393 A gem­set gold flag brooch, set with a diagonal cross of blue sapphires and pavé­set to the quarters with deep pink circular cut stones, 2.4cm wide £400­600 1394 A burgee brooch for the Royal Yacht Squadron, the ruby­set cross centred with a crown and quartered with graduated circular­cut diamonds in gold, the bar brooch alternately millegrain­set with smaller diamonds and rubies, 5.5cm wide £500­700 1395 A burgee design brooch for the Royal Thames Yacht Club, with diamond­set cross centred with an enamel decorated crown and quartered with calibré­cut sapphires in 9ct gold, London marks, 3cm wide £900­1,200 1396 A pair of emerald­set 18ct gold A­form cufflinks, the hoops set with a line of inverted rectangular­cut emeralds with a further square­shaped emerald to the terminal, obscured London hallmarks, 2.5cm wide, fitted case

by Longmire £1,000­1,500 1397 A burgee brooch for the Royal Yacht Squadron, with calibré­cut ruby set cross and centred with a crown, quartered with graduated circular­cut diamonds in platinum and gold, 3.5cm wide £1,000­1,500 1398 A gem­set platinum nautical flag brooch, the four flags spell the words ‘PHIL’ and are millegrain set with diamonds, sapphires, rubies, citrines and black onyx, 4cm high £700­900 1399 A pair of French gold diamond­set A­form cufflinks, the hoops set with square­shaped diamonds with inverted square­shaped diamond terminal, French control marks, 750, and obscure maker’s lozenge, 2.5cm wide, fitted case by S.J Phillips Ltd, 139 New Bond Street £1,000­1,500 1400 A pair of French ruby­set striated bar cufflinks by Lestret, set with calibré­cut rubies in white gold, French control marks, maker’s lozenge, 2.6cm wide, cased by Anne Bloom £600­800 The jewellery firm ‘Lestret’ also made pieces for Van Cleef & Arpels.

1401 A pair of French ruby­set gold A­form cufflinks, the hoops set with a line of calibré­cut rubies and with further square­shaped rubies to both terminals, French control marks, 2.3cm wide £800­1,200 1402 A pair of illusional cufflinks set with diamonds and amethysts, the hexagonal links appear as cubes with two sides pavé­set with rose­cut diamonds and a kite­shaped amethyst to the other, set in gold and platinum, the links stamps ‘Brevete and S.G.D.G’, links 1.3cm wide £800­1,200 1403 A pair of ruby and sapphire cufflinks, the oval links are centred with two lines of rectangular­cut sapphires and further calibré­cut rubies in platinum, fitted case by Sandra Cronan £1,000­1,500

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1404 An early 19th century gold spinning fob seal, the bloodstone matrix engraved with arms to one side and initials to the other, 4.5cm high, a gold mounted watch key mounted with carnelian, 5cm high, and a gold­cased watch key mounted with a chalcedony, 5.5cm £100­150 1405 A mid 19th century three­colour gold and gem­set open­faced pocket watch, the circular engine­turned dial with Roman enamelled numerals to the chapter ring, the bezel applied with feather decoration, interspersed with ruby collets (probably foiled), with key, 4.2cm wide £200­300 1406 A 17th century style rock crystal and enamel cross pendant brooch, the rock crystal bevelled Latin cross with ornate black and white enamel terminals suspending pearls (damaged), suspending from a later fancy link chain necklace, pendant 6cm £600­800 1407 A gold ring, engraved with Cupid riding a dolphin, in the Hellenistic manner, approximately size L, 39g £1,000­1,500 1408 Three late 18th ­ early 19th century gold­cased navette­shaped lockets, each with glazed locket compartments containing hair decoration, the first with ornate hair and glass bead anchor to the obverse, the reverse with plaited hair, the second with a classical urn to the centre with a hair border, the reverse with a memorial inscription date 1787, later brooch fitting, the third containing an elaborate beadwork and hair decoration of floral spray on a mother­of­pearl pedestal, with clasp fitting £200­300 1409 An early 19th century carnelian and gold cased pendant on a split ring, the ornately engraved split ring suspending two carnelian heart­shaped pendants and a rotating carved carnelian pendant, together with a watch key, an ornately engraved gold­cased pear­shaped pendant with a glazed compartment containing plaited hair, together with a mid 19th century swivel seal set with three rectangular hardstone plaques, a bloodstone and gold­ cased ‘hourglass’ pendant, and an unmounted oval mixed­cut citrine, centrally intaglio engraved with a heraldic crest £300­400 1410 Three items of 19th century jewellery, including a French gold oval swivel pendant, the central glazed locket compartment containing a hair wheatsheaf, the surmount formed with serpents, 4cm widest, together with a yellow gold, enamel and seed pearl brooch, a trophy of two flaring torches applied to the guilloché enamel centre, within a border of seed pearls, 4.5cm high, and a gold pendant incorporating a metal key, applied with an ornate surround with lambrequins and split ring, 2.5cm wide £300­400 1411 Five early 19th century hardstone and gold­cased fob seals, including a split ring suspending three miniature seals, each set with an intaglio­engraved hardstone plaque, together with a seal containing an oval chalcedony plaque, intaglio­engraved with the profile of a classical maiden, and a seal set with a circular amethyst intaglio­ engraved with a floral spray £100­150 1412 Three early 19th century hardstone­set watch keys, the first yellow gold wirework watch key with double­ sided agate swivel seal, 6cm long, the second designed as a carnelian spherical bead with ornately chased gold mounts with split ring, 5.8cm, the third chased in bi­colour gold, containing an oval white chalcedony plaque within a bi­colour gold cased mount, 7.5cm £150­250

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1413 A French late 18th century oval­shaped gold snuff box, chased with foliate decoration and various swags, French control marks to the interior, 6cm side 36g. Together with a French gold rectangular snuff box with rounded corners, engine turned decoration to the hinged cover and foliate engraved to the sides, French control marks, 5.5cm wide, 47g £400­600 1414 An early 19th century two­colour gold thimble, with five rubies set to the textured foliate decoration with vacant cartouche, 2.3cm high, fitted leather case £400­600 1415 A French early 19th century rectangular gold vinaigrette, the hinged cover decorated with scrolls and pellets on a matted ground, highlighted with turquoise cabochons, engine­turned decoration elsewhere, foliate pierced hinged grille with sponge, French control mark and numbered 156, 3cm wide, 15g £200­300 1416 An early 19th century double compartment rectangular gold box, each hinged cover is centred with a foliate design within enamel borders, with further blue enamel borders and engine­turned decoration, the larger compartment opens to reveal a mirror and holder for three needles, the smaller compartment contains a small gold mounted brush, stamped 18K, 7.6cm wide, 38g £200­300 1417 An early 20th century gold and enamel mounted flat sided rock crystal scent bottle, in the Islamic manner, the shoulders carved with elongated rings issuing from a stylised lion mask, the gold base with faded pink, blue and white enamel scroll border repeated to the top of the bottle and with an acanthus rim, the plain thumbpiece releases the spring­loaded cover, with rose­cut diamond set foliate and lattice decoration to the white enamel ground and surmounted with a cabochon amethyst, suspension ring to the reverse, 7.5cm high £400­600 1418 An English mid 18th century egg­form bonbonnière, the hinged bloodstone box with ornate gold cage­ work decorated with birds and scrolls, diamond thumbpiece, the rim with white and gold enamel posy ‘Dieu Vous Garde’ (God Bless you), 5.6cm high, in fitted egg­shaped green leather case £600­800 1419 A George III rectangular moss agate snuff box, with gold mounts, the slightly raised hinged cover with foliate scrolled thumbpiece and reeded gold borders, 6cm wide £400­600

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1420 A Swiss late 18th century gold chatelaine suspended from a gilt­metal brooch, with seed pearl and enamel decoration to the two centrepieces, suspending two tassel pendants and a three colour gold miniature fob seal mounted with chalcedony matrix with pansy beneath the words ‘A Vous,’ 23cm. A shorter Swiss late 18th century gold chatelaine with blue enamel decoration and spaced with seed pearls, suspending a plaque with enamel decoration, a dog to one side and putti to the other and suspending a miniature fob seal engraved with a scorpion, and two gilt­metal keys, 16.5cm £100­200 1421 A late 19th century Royal presentation nephrite covered pot, with gold mounts in the classical manner, the hinged cover applied with the cipher VR beneath a Royal coronet and set with rose­cut diamonds, the gold rim engraved with retailer Frank Hyams, 128 New Bond Street, the conforming nephrite base with three gold strut legs with ram’s head shoulders and cushion feet, 5.5cm high £400­600

1422 1422 An early 19th century fob seal, the gold and gold cased seal with fine blue enamel scrolling decoration overall, with foliate border to the carnelian matrix, carved with a steeplechase scene with two horses and riders jumping a ditch, 3.2cm high £600­800 1423 A Russian oval­shaped agate bowl, with gold rim and foliate decoration, slightly obscured mark to rim ‘IF’ 56 with possibly a Moscow mark and London import marks with initials GS, 9cm wide £200­300 1424 A most unusual early 19th century gold and hair watch chain, the cylindrical links are formed with sections of hair and bound with gold lattice cylinders, the gold t­bar with scroll engraved spherical terminals, suspending a conforming hair and gold lattice­form pendant with glazed compartment to one side, the other with a flip open locket compartment containing a photograph of a young lady, the chain 31cm, the locket 2.5cm high and with French control marks £200­300 1425 A early 19th century continental (probably French) gold rectangular box, with foliate and engine­turned decoration overall, 4.2cm wide, 20g, and an oval­form rectangular gold small box with foliate gold decoration overall, 2.5cm wide, 7g £150­200 1426 A 19th century amphora form gold scent flask, probably French, with profuse foliate engraved decoration overall, side handles with chain and the hinged cover opens to reveal a stopper, 5.7cm, 21g £400­600 1427 A late 19th century lava stone, diamond and ruby momento mori stick pin, the carved skull with round brilliant­cut diamond­set collet eyes, clenching a pipe between it’s teeth set with cabochon rubies, gold plated pin, alterations, 1.8cm long, fitted case £300­400

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1428 An emerald and diamond lavalier, the diamond­set scroll upper section suspends two knife­edge mounted pendants formed with a larger circular­cut diamond and pear­shaped emerald cabochons with diamond­set caps in platinum and gold, white gold chain, height of lavalier 6cm, chain 41cm £10,000­15,000 1429 An early 20th century diamond cluster pendant, centred with five cushion­shaped diamonds within an oval surround of twelve graduated cushion­shaped diamonds, suspending five further diamonds in platinum, fitted case

by Carrington £1,500­2,000 1430 A two­row cultured black pearl necklace, the cultured pearls graduate from 3.0 ­ 8.7mm approximately, the clasp set with three oval­shaped sapphires and millegrain set with a surround of old circular­cut diamonds in platinum and gold, 45cm shortest £3,000­4,000 1431 A mid 19th century diamond and pearl oak pendant, designed as a wreath of oak leaves and suspending a central foliate pendant, set with old cushion­shaped and rose­cut diamonds and seed pearls in silver on gold, diamond­set bail, 3.5cm high £600­800 1432 An Art Deco jade and diamond­set brooch, the shaped rectangular jadeite jade plaque carved with various auspicious symbols, openwork single­cut diamond stepped terminals set in white gold, 7.3cm long, gold flattened curb link chain necklace £800­1,200 1433 A diamond bar brooch, the twenty­one graduated cushion­shaped diamonds are set in white gold, the three principle diamonds weigh approximately 1.20ct 0.90ct, 0.80ct, 7.5cm wide £3,000­4,000 1434 An early 20th century diamond bar brooch, pavé­set with graduated old circular­cut diamonds in platinum on gold, 6cm long £800­1,200 1435 A ruby and diamond bar brooch, centred with an old circular­cut ruby, with further graduated old circular­ cut diamonds and cushion­shaped rubies in white gold, diamonds approximately 0.50cts total, 4.2cm wide £600­800 1436 A pink tourmaline and diamond cluster ring, the emerald­cut tourmaline is alternately­set in a surround of rose­cut diamonds and pink tourmalines in gold, size N £1,000­1,500 1437 An early 20th century sapphire and diamond bar brooch, the eight graduated oval­shaped sapphires are separated with pairs of graduated circular­cut diamonds in platinum, 5.5cm wide £400­600 1438 A ruby and diamond cluster bar brooch, centred with a cushion­shaped ruby within a surround of old circular­cut diamonds on a plain white gold bar brooch, 5.5cm wide, cluster 11mm high £2,000­3,000 1439 A ruby and diamond cluster ring, the cushion­shaped ruby set within hexagonal border of baguette­shaped and circular­cut diamonds, with further shoulder diamonds in white gold, size M ½ £600­800 1440 A jade and diamond ring, the green jadeite jade cabochon is set with single­cut diamonds to the shoulders in white gold, size P ½ £400­600 1441 A ruby and diamond cluster ring, the cushion­shaped ruby weighs approximately 3.00cts, set within a surround of round brilliant­cut diamonds in gold, diamonds approximately 0.70cts total, size N ½ approximately (with inner resizing balls) £2,500­3,000 1442 An aquamarine, pink sapphire and enamel brooch, the oval­shaped aquamarine flanked with pairs of oval­ shaped pink sapphires with white enamel leaves to each terminal, set in yellow gold, 4cm wide £300­400

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1443 A pair of natural pearl and diamond cluster earrings, the natural pearls set within a surround of old circular­ cut diamonds in platinum, 15mm wide, post fittings, case £800­1,200 Accompanied by report number 81303­71 dated 10 May 2021 from GCS stating that the cream pearls measure 7.4 ­ 7.5 x 5.9 and 7.1 ­ 7.2 x 6.0mm and are natural saltwater with no indications of treatment.

1444 A natural pearl and diamond ring, the two natural bronze coloured pearls, quartered with old circular­cut diamonds in gold cornet mount, 2.5cm long, size O ½ £1,500­2,000 1445 A late Victorian natural pearl and diamond cluster ring, the pearl is set within a surround of twelve cushion­ shaped diamonds in silver and gold, size O £1,500­2,000 Accompanied by report number 81307­58 from GCS stating that the pearl is natural saltwater.

1446 A two­row natural pearl and diamond necklace, with a diamond­set clasp, 42cm shortest, 23.85g £1,200­1,500 Accompanied by report number 79215­00 dated 21 May 2019 from GCS stating that the 173 cream pearls measure 3.2 ­ 6.1mm and are natural saltwater with no indications of treatment.

1447 A single­row natural pearl necklace, set with vari­coloured pearls and a diamond­set cluster clasp, 45cm long £3,000­4,000 Accompanied by report number 81311­80 from GCS stating that the 73 pearls are natural saltwater, the largest pearl is a hollow natural saltwater pearl.

1448 A five­row untested pearl bracelet with a large natural pearl clasp, with four gold retaining clasps each set with small cushion­shaped diamonds, 19cm £600­800 Accompanied by report number 81307­56 dated 27 May 2021 from GCS stating that the largest cream pearl measures 14.3 x 14.2 x 12.9mm and is a natural saltwater pearl with no indications of treatment.

1449 A natural pearl and diamond pendant, the natural pearl with a rose­cut diamond­set cap, suspending from an articulated line of circular­cut and baguette­shaped diamonds in platinum, the white gold suspension loop set with a baguette­shaped diamond and a seed pearl, 4cm high £3,000­5,000 Accompanied by report number 81297­98 dated 6 April 2021 from GCS stating that the cream pearl measures 4.6 x 4.4 x 2.7mm and is natural saltwater with no indications of treatment.

1450 A natural pearl and diamond pendant, the natural pearl with three­row diamond­set cap and suspending from a square­shaped diamond collet, in platinum, white gold suspension loop, 2.9cm high £6,000­8,000 Accompanied by report number 318663 dated 5 July 2016 from The Laboratoire Francais de Gemmologie, stating that the white­cream half­drilled drop­shaped pearl measures 9.5 ­ 9.5 x 12.5mm approximately and is natural saltwater.

1451 A natural pearl and diamond pendant, the natural pearl suspends from a foliate diamond­set cap, the bail set with a baguette­shaped diamond in platinum and white gold, 3cm high, 3.89g £2,000­3,000 Accompanied by report number 19829 dated 30 April 2021 from The Gem & Pearl Lab stating that the part­drilled irregular drop­shaped pearl measures 9.7 ­ 12.7mm x 17­18mm and is natural saltwater.

1452 A single­row graduated natural pearl necklace, the navette­shaped platinum clasp centred with a cabochon sapphire with two pear­shaped and four rose­cut diamonds, 44cm £2,000­3,000 Accompanied by report number 81308­79 from GCS stating that the 83 pearls are natural saltwater.

1453 A pair of early 20th century natural pearl and diamond drop earrings, the natural pearls with diamond­set caps, suspending from an articulated line of circular­cut diamonds in white gold, post fittings, 2.5cm high £800­1,200 Accompanied by report number 81300­38 dated 10 May 2021 stating that the light grey to cream pearls measure 9.5 x 9.8 x 9.4mm and 10.5 x 9.1 x 8.6mm and are natural saltwater with no indications of treatment.

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1454 A pink sapphire and diamond cluster ring, the cushion­shaped pink sapphire is set with three graduated baguette­shaped shoulder diamonds in platinum, size O £6,000­8,000 Accompanied by report number 16798 dated 1 February 2019 from The Gem & Pearl Lab, stating that the cushion­ shaped sapphire is a natural pink sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

1455 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 4.00cts, claw­set in 18ct white gold, London hallmarks for 2005, size K £8,000­12,000 1456 A pair of diamond cluster drop earrings, the openwork flowerhead cluster sections centred with round brilliant­cut diamonds weighing approximately 1.70 and 2.00cts each, suspending from diamond­set knife edge drops and smaller diamond foliate upper sections is platinum, hook fittings, 5.5cm high £13,000­15,000 1457 A diamond necklace, alternately­set with graduated round brilliant­cut diamonds and pairs of square baguette­shaped diamonds in white gold, approximately 23.00cts total (approximately 15.00cts round brilliant­cuts and 8.00cts baguettes), 44.5cm long £30,000­40,0000 1458 A diamond line bracelet, the slightly tapered bracelet channel­set with baguette­shaped diamonds in platinum, maker’s mark GS, inventory number 2224, stamped PT950, 17.5cm long £12,000­15,000 1459 A diamond two­stone cross­over ring, the old circular cut diamonds weigh approximately 1.70ct and 1.75ct each, with five smaller diamonds to each shoulder in platinum and gold, size J £4,000­5,000 1460 A diamond three­stone ring, the marquise­shaped diamond weighs 5.34cts, set with an oval­shaped diamond to each shoulder in gold, oval­shaped diamonds approximately 1.60cts, size K £20,000­25,000 1461 A diamond five­stone ring, the emerald­cut diamond weighs 3.02cts, with baguette­shaped shoulder diamonds in platinum, London hallmarks for 2007, size O ½ £20,000­30,000 Accompanied by report number 16754 dated 28 August 2007 from The Gem Testing Laboratory of Great Britain stating that the emerald­cut diamond weighs 3.02cts and is a natural diamond with F colour, SI1 clarity and faint fluorescence.

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1462 An Edwardian diamond, natural pearl and ruby bracelet, formed with nine graduated foliate links each centred with a natural pearl and a line of calibré­cut rubies within a surround of millegrain­set graduated circular­ cut diamonds and with conforming clasp, set in gold and platinum, 17.8cm £10,000­15,000 1463 A Belle Époque circular natural pearl and diamond pendant, centred with a natural pearl to the openwork diamond­set platinum foliate surround, quartered with round brilliant­cut diamonds to the diamond­set undulating outer border, diamond­set platinum bail, 2.7cm high including bail, suspended from a trace­link chain necklace, fitted leather and gilt tooled case for A. Kaysat/Nancy £2,000­3,000 Accompanied by report number 81292­04 dated 22 December 2020 from GCS stating that the half­drilled cream pearl measures 9.31 x 8.68 x 7.89mm and weighs 4.34cts, and is natural saltwater with no indications of treatment.

Comment: This pearl presents a small metal insert inside the drilling hole.

1464 A Belle Époque diamond pendant brooch, of openwork arched garland design, suspending an articulated old round brilliant­cut diamond weighing approximately 0.70cts, suspending a further articulated old round brilliant­ cut diamond terminal, the reverse applied with two plaques engraved with Roman numerals, in platinum and yellow gold, 4.2cm high, with diamond­set suspension loop and chain necklace £2,000­3,000 1465 An early 20th century diamond and natural pearl­set brooch pendant, the four outer pearls each millegrain­ set within a surround of circular­cut diamonds and suspending a further pearl with four diamonds to the inner diamond lattice, set in platinum and gold, detachable brooch fitting and pendant loop, 4cm wide £2,000­3,000 1466 An early 20th century frog brooch, set with graduated old circular­cut diamonds and lines of demantoid garnets, with cabochon ruby eye, set in gold, 3.7cm long, missing one garnet and one diamond £600­800 1467 A diamond three­stone ring, the centre diamond weighs approximately 0.98cts, set in gold, size P £2,000­3,000 1468 A diamond­set platinum bow brooch, c.1930s, of flowing form and centred with an old slightly oval shaped diamond which weighs approximately 2.45ct, pavé­set overall with old circular­cut diamonds and thirteen larger old circular­cut diamonds, 7.5cm wide £12,000­15,000 1469 An early­mid 19th century gem­set bee brooch, c.1840, set with oval­shaped demantoid garnets, rose­cut diamonds and red­stone eyes, in open and closed­back silver on gold, 2.2cm high £1,200­1,500 1470 An early 20th century diamond­set frog brooch, pavé­set overall with graduated circular­cut diamonds in silver and gold, ruby eyes, 2.6cm long £1,500­2,000 1471 An emerald and diamond brooch, of openwork foliate design, set with a central round brilliant­cut diamond and four pear­shaped emeralds, with further circular­cut diamonds to the mount in platinum, scratched inventory number JA3949, 3.5cm wide £4,000­6,000 Accompanied by report number 81311­82 from GCS stating that the four pear­shaped emeralds are natural emeralds, with indications of minor to moderate clarity enhancement. Origin Colombia (3) and Zambia (1) 1472 An early 20th century tourmaline and diamond cluster ring, the octagonal green tourmaline set within a border of circular­cut diamonds in platinum, size P £800­1,200 1473 An early 20th century opal and diamond cluster ring, the opal cabochon set within a surround of single­ cut diamonds in platinum, with trifurcated shoulders and fluted shank, size M ½ £2,500­3,000 1474 A pair of early 20th century sapphire and diamond drop earrings, each centre quatrefoil formed with four pear­shaped diamonds and centred with a smaller circular­cut diamond, suspending from a frame of small circular­ cut diamonds and calibré­cut sapphires, surmounted with a line of five graduated brilliant­cut diamonds, in platinum, 5cm high £2,000­3,000

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1475 An emerald and diamond necklace and a pair of emerald and diamond earrings, c.1950, the articulated and graduated fringe necklace formed with two rows of graduated baguette­shaped and circular­cut diamonds, with graduated fringe of diamond­set stylised­cut ribbons, a lower border of fourteen square­shaped emeralds, diamond­set back chain, 40.5cm, platinum mount, 84g total, with a pair of diamond and emerald drop earrings, each emerald suspends from an articulated line of circular and baguette­shaped diamonds with a stylised fabric frame pavé­set with small diamonds in platinum, later added white gold clip fittings signed ‘Pederzani’, 4cm, damaged case £20,000­30,000 1476 A French emerald and diamond target ring, 1930s, the round brilliant­cut diamond weighs approximately 1.65cts and is rubover­set, within an outer border of calibré­cut emeralds, with a single­cut diamond to each shoulder in platinum, French mascaron platinum mark, size L ½ £4,000­6,000 1477 A pair of diamond drop earrings, each earring set with a principal old circular­cut diamond weighing approximately 1.20cts, suspending from an artiuclated section set with old circular and single­cut diamonds in white gold, post fittings, 2.5cm high £6,000­8,000 1478 An Art Deco emerald and diamond­set brooch, the central emerald­cut emerald in closed­back collet setting (probably foiled), above the openwork surround set with old brilliant­cut diamonds, 4.9cm wide £800­1,200 1479 An Art Deco emerald and diamond bracelet, millegrain­set with a central line of rectangular­cut emeralds within borders and overlapping diagonal sections of millegrain­set circular­cut diamonds in platinum, clasp stamped 585, 18.5cm £8,000­10,000 1480 A diamond full circle eternity ring, channel­set with French­cut diamonds in platinum, size P £1,000­1,500 1481 A diamond eternity ring, claw­set with Asscher­cut diamonds in white gold, diamonds approximately 5.00cts total, size L ½ £5,000­7,000

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1482 A diamond eternity ring by Van Cleef & Arpels, set with baguette­shaped diamonds in platinum, signed and numbered 18294, rubbed platinum hallmark and maker’s lozenge for Charles Profillet, size K £2,000­3,000 1483 An Art Deco sapphire and diamond cluster ring, the rectangular sapphire within single­cut diamond surround in platinum, size L £600­800 1484 A sapphire and diamond cluster ring, centred with a round brilliant­cut diamond weighing approximately 2.30cts, within a surround of French­cut sapphires, with further sapphires and circular­cut diamonds to the gallery and shoulders in platinum, size O £8,000­12,000 1485 A diamond and onyx­set ring, centred with an old round brilliant­cut diamond, within a hexagonal surround set with old circular­cut diamonds and calibré­cut onyx, with baguette­shaped diamonds to the shoulders in platinum, size N ½ £4,000­5,000 1486 A platinum and diamond­set open­faced watch by Cartier, the circular signed engine­turned dial with black Arabic numerals, the border set with rose­cut diamonds, articulated bail with winder, European Watch Company movement, manual winding, French control mark, 6.2cm high including bail, case 48mm, 61g total £3,000­4,000 1487 An early 20th century diamond­set platinum square­form fob watch, the guilloché dial signed ‘Ansorena Madrid’, black Arabic numerals, the reverse centred with a diamond foliate cluster, pierced diamond­set open work quarters, rose­cut diamond border and suspension loop, 4.9cm high with bail £1,500­2,000 1488 A French diamond­set platinum bracelet, the square­shaped links set with graduated old cushion­shaped diamonds, with diamond­set links, diamonds approximately 4.00cts total, French platinum marks, Swedish import marks, 17cm long £5,000­7,000 1489 A diamond­set platinum fob watch by Cartier, c.1905, the guilloché decorated dial with black Roman numerals and signed ‘Cartier Paris’, rose­cut diamond borders each side and with larger diamond winder, the movement signed ‘Cartier Paris’, 18 eighteen jewels, 8 Eight Adjustments, the case back numbered internally 6946 and with French control mark, on black silk soutoir, fittings millegrain­set with diamonds, the central hexagonal link signed ‘Cartier Paris Londre 4088’ with repeated inventory number to another hexagonal link, missing hour hand, the watch 3cm wide, 39cm total length £8,000­10,000 1490 A cased set of Art Deco diamond and black onyx gold dress cufflinks and studs by Cartier, of circular form, each plaque millegrain­set with nine rose­cut diamonds in a square, gold mounts, every link signed Cartier Paris, some signatures and inventory numbers indistinct, the cufflinks 1.3cm wide, lift out liner reveals backing for the four larger studs, in green leather fitted case by Cartier £1,500­2,000 1491 An Art Deco rectangular silver gilt and gold vanity case with watch by Auguste Peyroulx, black lacquered silver­gilt with gold mounts to all sides and watch in the hinged cover, the unsigned watch with gold mount, silver dial with black Arabic numerals and unsigned movement, the glazed aperture with diamond­set borders continuing to the thumbpiece, two centre­opening hinged internal compartments and the smaller missing the cover, possibly missing mirror, maker’s lozenge, French control marks and inventory number 3279 stamped overall, 8cm wide £1,500­2,000 Peyroulx was a famous maker of vanity cases and undertook work for Cartier.

1492 A seed­pearl set gold pendant attributed to Cartier, the circular pendant with pierced geometric design, with outer of seed pearls in gold, French control mark, maker’s lozenge, 1.8cm high including bail, fitted case by Cartier £200­300 1493 A briolette diamond pendant, suspending from a small diamond­set platinum double loop, approximately 4.90ct in total, diamond approximately 13.1mm wide £11,000­12,000 1494 A ruby and diamond stickpin by Van Cleef & Arpels, the oval plaque millegrain­set with tapered calibré­cut rubies and two square­shaped diamonds surrounding graduated rose­cut diamonds in silver and gold, signed to the pin and with French control marks, 1cm wide, 6.7cm high, in Van Cleef & Arpels case £600­800

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Original design drawing for lot 1495, c.1930, as illustrated in Atterbury, P., Benjamin, J., The Jewellery and Silver of H. G. Murphy, p.38.

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1495 An intricate gold and pearl necklace by H.G. Murphy, the textured and plain oval links suspend seven graduated gold discs, five set with natural saltwater half­pearls within stylised swirling leaf and spiral motifs and a twisted wirework border in yellow gold, each separated with a fancy twisted gold link set with a natural half­pearl, with maker’s plaque HGM to reverse, 18ct and the Falcon studio plaque, 40cm long, in original fitted box £8,000­12,000 Originally presented by her father as a gift to Angela Scott­Nicholson on her 21st birthday in 1931, and thence by descent to the current owner through four generations on each of their 18th birthdays.

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1496 A pair of early 19th century ‘poissarde’ earrings, probably French, of gold filigree stylised floral design, 5cm high £800­1,200 Poissarde earrings are based on a design originally favoured by French ‘fish wives’. The ‘poissarde’ (fish wives) wore them in base metal, which were then copied by the French aristocracy in gold.

1497 A pair of mid 19th century gold drop earrings, set with graduated circular­cut garnets in repoussé gold mounts, 6.2cm high including hooks £100­150 1498 An early 19th century chrysoprase and ruby necklace, c1810, the graduated oval­shaped chrysoprase set within bi­colour gold scrolling surround and closed­back mounts, each separated with a stylised foliate link set with three rubies in gold, 38cm long £800­1,200 For a similar example see Bury, S., Jewellery 1789­1910, The International Era, Vol. I, 1789­1861, p.105 (as illustrated below) 1499 An early 19th century orange topaz and seed pearl brooch, the elongated cushion shaped topaz is set within a closed­back seed pearl (one missing) surround in yellow gold, 3.2cm long £200­300 1500 A George III gem­set gold cruciform pendant, set with rubies, amethysts, an emerald and an aquamarine in seed pearl borders in yellow gold, with twisted rope and pellet decoration on a seed pearl pendant loop, 5cm high total, with an early 19th century pearl and gold cross pendant decorated with blue enamel, 4.7cm high £300­400 1501 A George III moss agate pendant, set within a border of rubies, sapphires and emeralds in closed back silver and gold mount, 3.2cm high, with two other early 19th century moss agate gold brooches set within gold borders, 7cm and 3cm wide, and a moss agate gold clasp set within a surround of emeralds, 2.8cm wide £200­300 1502 A Regency gold lyre brooch, set with a garnet, 2.8cm high, an early 19th century gold lyre brooch decorated with plaited hair, 2.2cm high, and an Edwardian gold banjo brooch set with mother­of­pearl, 4.2cm long £300­400

‘The Comtesse Daru’ by Jacques­Louis David, 1810 © The Frick Collection.

The sitter wears a similar necklace to lot 1498.

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1503 A pair of 19th century fine Etruscan Revival gold earrings, formed as a gold sphere suspending from a central gold cone with wirework and pellet decoration, 7cm long total £1,500­2,000 1504 A pair of 19th century gold plated decorative long drop earrings, 9cm, and a pair of 19th century gold plated drop earrings mounted with artificial pearls, 6.5cm £80­120 1505 A pair of early 19th century gold cannetille earrings, the chandelier design with gold filigree scrolling design and articulated gold spheres, 9cm long £600­800 1506 A pair of early 19th century French moss agate earrings, the two graduated oval moss agate panels in gold borders, separated with articulated gold chains, with a blue enamel forget­me­not, French marks, 5cm high £600­800 1507 A pair of early 19th century gold drop earrings, decorated with stylised gold shells, turquoise and seed pearls in yellow gold, 7cm high £400­600 1508 A pair of Victorian gold drop earrings, the hollow gold lozenges with scrolling decoration and set with three graduated turquoise, suspending from a floral gold hoop, 5.8cm high £400­600 1509 A pair of early 19th century moss agate earrings, the oval plaques suspend from articulated gold chain and with four gold double spheres beneath, 6cm high £400­600

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1507 1508

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1510 A 19th century suite of amethyst and gold jewellery, the gold filigree brooch pendant is mounted with three amethysts and with five pear­shaped drop amethysts, the cruciform pendant set with six oval­shaped amethysts and quartered with two colour gold textured flower designs, and a pair of girandole drop earrings, brooch 5.6cm, pendant 7.7cm including bail, earrings 5cm including bails, fitted case £2,500­3,000 1511 A Victorian demi parure, the gold pendant of oval­form with pellet and fine twisted wire scroll decoration, centred with a diamond and half­pearl star in gold, with conforming diamond, pearl and enamel gold earrings, fitted case by Everington, pendant 6.5cm high £1,000­1,500 1512 A mid Victorian Holbeinesque enamel and gem­set gold pendant, centred with an oval­shaped aquamarine (possibly a replacement), within an openwork surround set with old circular­cut diamonds and rubies, the surround with polychrome enamel decoration and quartered with cushion­shaped chrysolites, suspending a further chrysolite drop, all set in gold with engraved decoration to the reverse, 7.5cm high £2,000­3,000 1513 A Victorian gem­set Holbeinesque brooch pendant, decoration overall with polychrome enamel, centre section centred with an emerald­cut emerald, set with four cushion­shaped rubies and eight old circular­cut diamonds in gold, 4.2cm wide £6,000­8,000 Accompanied by report number 81307­55 from GCS stating that the emerald is a natural emerald, with indications of minor clarity enhancement. Origin: Colombia 1514 A Victorian citrine rivière necklace, the graduated oval­shaped citrines set in gold cut­down collets, three suspending a further pair of graduated citrines, 41cm long £800­1,200 Accompanied by original purchase receipt from Christopher Warner dated 2 May 1973 1515 A Victorian emerald and diamond­set gold brooch pendant, the elaborate brooch set with a large square­ shaped emerald and four later circular­cut diamonds to the ornate engraved scrolling mount, with two tassels, 6.5cm high £1,000­1,500 Accompanied by report number 81307­51 from GCS stating that the emerald is a natural emerald, with indications of minor clarity enhancement. Origin: Colombia 1516 A 19th century pietra dura gold bracelet, mounted with nine oval pietra dura floral mosaic panels, each panel backed on lapis lazuli, with scroll bead and wirework decoration, 18cm long £600­800 1517 A late Victorian amethyst, gold and seed pearl demi­parure, comprising a circular brooch centred with a circular amethyst, five seed pearls and with granulated decoration, 3.8cm wide and a pair of conforming earrings, set in gold, fitted case, with unidentified marks £700­1,000 1518 A circular micro­mosaic brooch by Castellani, c.1865, depicting the Holy Dove with gold halo, on light blue ground, the gold brooch mount with fluted border, signed to the reverse with applied addorsed Cs cartouche, 2.3cm wide £1,000­1,500 For similar Holy Dove earrings and pendant see SOROS, S.W., WALKER, S., Castellani and Italian Archaeological Jewellery, page 246 For a similar brooch, see Woolley and Wallis, ‘Jewellery by Design: The Collection of Dr Anne Shannon, An Academic Eye’, 31st Oct 2018, ex lot 278

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NOT LIFESIZE 1519 A mid 19th century green paste and silver­gilt parure, comprising a hair comb, a graduated necklace, a pair of graduated bracelets and a pair of ear pendants, together with a later two­stone pendant brooch and a ring (possibly foiled), in gilt tooled morroco red leather fitted case £1,000­2,000

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NOT LIFESIZE 1520 A cased diamond­set tiara (without terminals), the five graduated arrow­like stems are each set with a line of graduated old circular­cut diamonds in silver and gold, the detachable terminal jewels missing, cloth­bound metal frame, highest stem 7.5cm, tiara 15cm widest, fitted blue velvet box, the silk lining stamped R&S Garrard Haymarket £2,000­3,000

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1521 A late 19th century diamond­set foliate brooch, designed as a posy of ghinkgo leaves and foliate sprays, set with graduated old cushion­shaped diamonds and smaller rose­cut diamonds in silver on gold, 8cm long, fitted case £1,500­2,000 1522 An early 19th century diamond­set Maltese cross brooch pendant, set with old circular­cut diamonds in silver on gold, diamond­set bail, numbered to reverse 126, folding pendant loop, 4.3cm high including bail, case by Bentley & Co £1,000­1,500 1523 A 19th century diamond heart locket pendant, set with graduated old circular­cut diamonds in silver on gold, with diamond­set bail, glazed locket compartment to reverse, with later gold neck chain, 3.5cm high including bail £1,000­1,500 1524 A diamond and emerald corsage brooch, wild rose design with a circular­cut emerald and pavé­set with graduated circular­cut diamonds, suspending further diamond­set articulated foliate sections, the centre suspending a pear­shaped emerald, set in gold and silver, possible alterations, 10cm high £10,000­15,000 1525 A late 19th century diamond bow brooch, the ribbons set with graduated old circular­cut diamonds with a central cluster of two cushion­shaped diamonds within a surround of smaller diamonds in silver and gold, 5cm wide £2,000­3,000 1526 A pair of late Victorian emerald and diamond drop earrings, each earring centred with a square­shaped emerald within a shaped lozenge surround of cushion and rose­cut diamonds, with a diamond­set tassel and suspending from a further square­shaped emerald, 4.5cm high, fitted case £2,000­3,000 Accompanied by report number 81307­53 from GCS stating that the two principal emeralds are natural emeralds with indications of minor clarity enhancement. Origin: Colombia.

1527 A mid 19th century emerald and diamond three­stone ring, the emerald­cut emerald weighs approximately 0.85cts, flanked by old round brilliant­cut diamonds, with diamond pointers in yellow gold, size O ½ £400­600 1528 A late Victorian ruby five­stone ring, set with graduated cushion­shaped rubies, with rose­cut diamond pointers, with scroll pierced and engraved gold mount, stamped ‘18’, size M ½ £2,000­3,000 Accompanied by report number 06392 dated 2 October 2012 from The Gem & Pearl Lab stating that the cushion­ shaped rubies are natural rubies with no evidence of heat treatment.

1529 A ruby five­stone ring, the graduated oval­shaped rubies set in yellow gold, Birmingham marks for 14ct gold, size T £4,000­5,000 Accompanied by report number 11053 dated 25 March 2015 from The Gem & Pearl Lab stating that the oval­ shaped rubies are natural rubies, the centre ruby measuring 6.0 x 5.5 x 2.9mm, with no evidence of heat treatment observed. Origin: Burma. Comment: a random ‘sample’ of the rubies were tested.

1530 A Victorian ruby and diamond cluster ring, the oval­shaped ruby set within a surround of eight old cushion­ shaped diamonds weighing approximately 3.10cts in total, in yellow gold, approximately size K £2,000­3,000 Accompanied by report number 81305­70 dated 11 May 2021 from GCS stating that the cushion­cut ruby is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar).

1531 A ruby five­stone ring, the five oval­shaped rubies set is gold with rose­cut diamond pointers (one missing), stamped ‘18’, size P £1,500­2,000 Accompanied by report number 79187­88 dated 27 November 2018 from GCS stating that the cushion­cut rubies are natural rubies with no indications of heat treamtment. Origin: Burma (Myanmar)

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1532 A George III garnet rivière necklace, set with graduated cushion­shaped garnets in closed­back gold collets, the largest seven suspending articulated pear­shaped garnet drops, 38cm long, with matching earrings (with later converted fittings) 4cm high, case £1,000­1,500 Accompanied by original purchase receipt from Resners’ dated 9 May 1973 and insurance valuation from Resners’ dated 25 May 1973 1533 A George III garnet and diamond brooch, the cabochon garnet is set within two rows of cushion­shaped diamonds in silver and gold, 2.9cm wide £1,500­2,000 1534 An 18th century emerald and diamond cluster, the foil­backed cushion­shaped emerald set in a gold cut­ down collet, within a surround of cushion­shaped diamonds in silver and gold, possibly converted from a brooch, 1.7cm wide £4,500­5,500 Accompanied by report number 81311­90 from GCS stating that the cushion­shaped emerald is a natural emerald, with indications of minor clarity enhancement. Origin: Colombia. Comment: The colour is modified by the setting.

1535 A George III diamond and blue enamel ring, the navette­shaped closed­back section with blue enamel ground, applied with a row of three graduated cushion­shaped diamond clusters, with cruciform diamond terminals (two diamonds missing), with further outer border of cushion­shaped diamonds in silver on gold, with later inscription to the reverse ‘Diamond Jubilee 1837 ­ 1897 GB to CLB’, size N £2,000­3,000 1536 A late George III diamond­set Saint Esprit dove brooch pendant, set overall with graduated cushion and rose­cut diamonds in silver and gold, red stone eyes, with diamond­set hinged pendant loop, suspending an articulated line of rose­cut diamonds, 3.5cm wide £3,000­4,000 1537 A late 18th century Iberian circular diamond brooch, pavé­set with concentric circles of graduated rose­ cut diamonds and with silver and gold mount, 3.5cm wide £4,500­5,500 1538 A 19th century gold fede ring, the hinged and opening clasped hands are decorated with fine cannetille swirls and set with seed pearls and turquoise cabochons, size I £600­800 1539 An early 19th century eye miniature mounted brooch, the glazed compartment containing the miniature and set in silver and gold with graduated cushion­shaped diamonds, glazed locket compartment to the reverse containing plaited hair, 2.7cm wide £1,500­2,000

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1540 A French natural pearl and diamond ring by Ravinet d’Enfert, c.1930s, set with a cream and a grey natural pearl, the shoulders set with with graduated round brilliant­cut and baguette­shaped diamonds in platinum, French platinum mark and maker’s lozenge, size O ½ £20,000­30,000 Accompanied by report number 80246­84 dated 9 December 2019 from GCS stating that the grey and cream pearls measure 10.8 ­ 11.0 x 8.2 and 10.9 ­ 11.0 x 8.0mm and are natural saltwater pearls with no indications of treatment.

1541 A two­row natural pearl necklace, the vari­coloured pearls, set with a gold clasp set with rose­cut diamonds, minimum length 44.5cm, case £12,000­15,000 Accompanied by report number 16861 dated 15 February 2019 from The Gem & Pearl Lab stating that the vari­ coloured cream/white and yellow pearls graduate from 4.3 ­ 9.0mm and are natural saltwater.

1542 An Art Deco ruby and diamond bracelet by Tiffany & Co., of geometric design, set with round brilliant­cut and baguette­shaped diamonds, and calibré­cut rubies in platinum, signed, 18cm long £4,000­5,000 1543 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 2.61ct and is set in platinum, size P ½ £7,500­8,500 Accompanied by report number 80260­83 dated 9 March 2020 from GCS, stating that the round brilliant­cut diamond weighs 2.61cts, and is a natural diamond with J colour and VS1 clarity. Fluorescence: Faint.

1544 A ruby and diamond dress ring by Boucheron, set with graduated cabochon rubies amongst baguette­ shaped diamonds in platinum, signed Boucheron Paris, with inventory number 48145, size K ½ £1,200­1,500 1545 A pair of ruby and diamond scroll earrings, c.1950s, set with graduated circular­cut rubies and diamonds in platinum, 2.2cm high £1,500­2,000 1546 A diamond brooch, centred with an old oval­shaped fancy­coloured diamond with a further fourteen old­ cut diamonds to each shoulder, set in gold with textured scroll terminals, 5cm wide £8,000­12,000 Accompanied by report number 79234­15 dated 24 September 2019 from GCS stating that the largest centre cushion­cut diamond weighs 1.88cts, and is a natural diamond with fancy deep yellowish brown colour, I1 clarity, and medium fluorescence (yellow).

Only the principal diamond has been tested and certificated. Please see our special jewellery notices for information about coloured diamonds and possible treatments.

1547 A George III sapphire and diamond cluster ring, c.1810, set with a cushion­shaped sapphire within open­ backed gold cut­down collet setting, within a surround of old cushion­shaped diamonds in silver on gold, with foliate engraved shoulders in gold, fluted shank, size I ½ £12,000­15,000 Accompanied by report number 80272­95 dated 19 August 2020 from GCS stating that the cushion­cut sapphire is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

1548 A diamond Odeonesque ring, 1940s, the scroll design set with graduated cushion­shaped diamonds in platinum, size P £1,500­2,000

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NOT LIFESIZE

1549 A spinel and diamond cluster ring, the oval­shaped purplish—pink spinel weighs 8.29cts, set within a surround of round brilliant­cut diamonds in platinum, size M ½ £6,000­8,000 Accompanied by report number 117097 dated 17 May 2021 from SSEF stating that the cushion­shaped purplish­pink spinel weighs 8.298cts and is a natural spinel with no indications of treatment. Origin: Burma (Myanmar).

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1551

1550

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NOT LIFESIZE

1550 A diamond cluster ring, the transitional round brilliant­cut diamond weighs approximately 2.00cts, within a surround of transitional round brilliant­cut diamonds in gold, with engraved fleur­de­lys shoulders, size K ½ £8,000­12,000 Provenance: Property of a Lady 1551 A late Victorian diamond three­stone ring, the three transitional round brilliant­cut diamonds weigh approximately 1.30, 2.50 and 1.25cts, with old circular­cut diamond pointers, with scroll pierced and engraved shoulders in gold, stamped 18, size M ½ £10,000­15,000 1552 A late Victorian diamond five­stone ring, set with graduated old­cut diamonds weighing approximately 0.43.

1.10, 1.30, 1.10, 0.60cts, with rose­cut diamond pointers, with scroll pierced mount and engraved shoulders in gold, size O ½ £10,000­15,000

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NOT LIFESIZE

1553 A late 19th century diamond and natural pearl tiara, with a slightly graduated line of forty­two cushion­ shaped diamonds in silver and gold, box settings, each pair surmounted with a scroll set with three rose­cut diamonds and a natural pearl with a line of rose­cut diamonds beneath, detaching from the metal mount to form a necklace (without backchain). £5,000­7,000 Accompanied by report number 81307­44 dated 18 May 2021 from GCS stating that the cream pearls graduate from 4.0 ­ 6.4mm and are natural saltwater with no indications of heat treatment

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1554 A pair of late 18th century natural pearl and diamond chandelier earrings, the circular upper sections centred with natural pearls within a double surround of rose­cut diamonds, each suspending a pear­shaped diamond and articulated diamond­set chains, further suspending a detachable natural pearl and diamond bow and chandelier tassels set with articulated rows of seed pearls and rose­cut diamonds, set in silver and gold, spring­loaded clips and safety hoops, 10cm high, fitted centre­opening red leather case £8,000­12,000

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lifesize

1555 A gold and enamel pendant by René Lalique, c.1900, the centre blue pâte de verre plaque depicting the profile of an ethereal nymph­like female figure with iridescent surround, the gold pierced border formed with intertwining cornflowers each with light blue enamel detail and further mounted with shaped blue paste cabochons, the reverse chased with fine detail, signed, 6.5cm wide £40,000­60,000 René Lalique (1860 ­ 1945) had a fascination with nature, which was heavily influenced by his formative years during holidays to the French countryside. He went on to study jewellery and design in Paris and London, and started as an apprentice goldsmith to Louis Aucos on his return to Paris. It was as a freelance artist that he was noticed by some of the great French jewellers such as Cartier and Boucheron.

In 1885, he opened his own business designing and making his own jewellery and glasswork. In 1895, he also created pieces for Samuel Bing’s Paris shop, the Maison de L’Art Nouveau, which gave the movement its name.

Lalique soon began gaining wide recognition in European society, attracting the attention of major patrons such as Sarah Bernhardt. His most prominent patron was Calouste Gulbenkien who commissioned more than a hundred and forty works over almost thirty years.

As well as his wonderful use of natural subjects and insects, Lalique was also fascinated with the portrayal of ethereal maidens and nymphs. Lot 1555 is a fine example of this in which an almost ghostly form has been captured and subtly highlighted with the delicate use of iridescence.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

A PRESENTATION SNUFF BOX TO ‘NAPOLEON’S JAILER’

1556 An early­mid 19th century jewelled and enamelled gold presentation snuff box, possibly French, of shaped rectangular form and with fine blue and black enamel foliate decoration overall, the hinged cover later applied with diamond­set initials CA for Carlo Alberto, King of Sardinia, and surmounted with the Crown of Savoy within elaborate foliate borders, unmarked, 8.5cm wide, red leather case £10,000­15,000 PROVENANCE Formerly the property of Colonel Sir Thomas Reade CB (1782 ­ 1849) and thence by descent to the current owner.

Colonel Sir Thomas Reade CB was born in Congleton. Aged sixteen he ran away from home and joined the Army. Following campaigns in Europe, Egypt and America, and by then a much­decorated Colonel, he was knighted aged just 33.

In 1816 Reade set sail with Admiral Sir Hudson Lowe for St Helena with Napoleon Bonaparte. Reade was Deputy Adjutant General to Lowe the commander of the garrison guarding Napoleon in St Helena. Reade became the ‘chief go between’ since Napoleon and Lowe famously did not get on. Following Napoleon’s death on 5 May 1821 Reade returned to England and on 5 June 1824 was appointed Consul General in Tunis, a post he held until his death in 1849.

Reade was a collector of Islamic manuscripts. His important collection is now in the British Library following its sale at Sotheby & Wilkinson in 1852. Buried in Tunis, there is a fine memorial to Reade in St Peter’s Church, Congelton.

Accompanied by the draft of a diplomatic letter prepared in Chancery 4th Division in the Ministry of Foreign Affairs, Turin dated 8 August 1846, for signature by the Secretary of State, together with the final, and shorter, version of the letter which was issued. This letter accompanied the snuff box, a diplomatic gift to Reade, at the time the British Consul General in the Regency of Tunis from 1824 until his death in 1849.

Also accompanied with two volumes of ‘Napoleon in Exile ­ A Voice from St Helena’ by Barry O’Meara ­ Napoleon’s surgeon, which record Reade’s dealings with the Emperor.

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1557 A Victorian sapphire and diamond brooch pendant, centred with a cushion­shaped sapphire weighing 12.33cts in gold, within a surround pavé­set with circular­cut diamonds, and two further foliate surrounds of old cushion­shaped diamonds in silver on gold, detachable brooch fitting, folding pendant loop and open suspension loop, 3.7cm high £10,000­15,000 Accompanied by report number19783 dated 13 April 2021 from The Gem & Pearl Lab stating that the rectangular cushion­shaped sapphire weighs 12.33cts, and is a natural sapphire with no indications of treatment. Origin: Sri Lanka (Ceylon).

Accompanied by an insurance valuation dated 1962 from T. A. Henn & Son Ltd.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

EDITH VANE-TEMPEST-STEWART, MARCHIONESS OF LONDONDERRY (1878-1959)

Edith Helen Chaplin, when Viscountess Castlereagh, by Philip de Laszlo. © National Trust.

Edith Vane­Tempest­Stewart (née Chaplin), Marchioness of Londonderry D.B.E, wearing the uniform of the Women’s Legion, by Philip de Laszlo. © IWM, London

Edith Chaplin (1878­1959) was the daughter of the 1st Viscount Chaplin and his wife Lady Florence Leveson­Gower, daughter of the 3rd Duke of Sutherland. In 1899 she married Charles Vane­Tempest­Stewart, Viscount Castlereagh who became the 7th Marquess of Londonderry on the death of his father in 1915.

Among the several important properties that Charles inherited in the British Isles was Mount Stewart, the seat of the Stewart family in County Down, Northern Ireland, where Edith created a legendary garden and where the family still live today.

It was from Londonderry House, on London’s Park Lane, that Edith organised the Women’s Legion for work in the First World War and led to her being made the first ever Dame Commander in the Military Division of the Order of the British Empire. After the war she became London’s most important and influential political hostess. Edith’s appearance at the top of the Londonderry House staircase wearing the fabulous Londonderry jewels – a selection of which are on loan to the Jewellery Gallery of the V & A – was an integral part of London social life in the interwar period.

Active in the early days of the suffragist movement, Edith was a significant scholar and authoress in her own right. She was passionate about fine jewellery, researching and documenting the Londonderry jewels from the Down Diamonds, the Golconda Stomacher, the Turquoise parure, the Siberian Emeralds and the Russian Amethysts, the Bonaparte­Murat pearls as well as the Antrim Rubies while patronising the finest jewellers in London and Paris. For those who remember her reputation as a charming and generous hostess, her love of fine jewellery will always be a part of her image.

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1558 A pair of mid 19th century diamond and ruby drop earrings, each earring centred with a cushion­shaped ruby and graduated circular­cut diamonds in scrolling silver and gold mounts and suspending a larger pear­shaped diamond, later peg fittings, pear­shaped diamonds approximately 5.50cts total, smaller diamonds approximately 3.50cts total, 4.5cm high, possible alterations, case by S.J Phillips, 139 New Bond Street £15,000­20,000 Accompanied by report number 81307­49 dated 19 May 2021 from GCS stating that the cushion­cut rubies are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar).

PROVENANCE Edith Vane­Tempest­Stewart, Marchioness of Londonderry (1878­1959), thence by direct family descent.

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SILVER & OBJECTS OF VERTU TUESDAY 13TH & WEDNESDAY 14TH JULY 2021

A fine George III silver two­handled tea urn, by Paul Storr, London 1814 Estimate £10,000 ­ 15,000*

ENQUIRIES Rupert Slingsby | +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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FINE CHINESE PAINTINGS AND WORKS OF ART TUESDAY 27TH & WEDNESDAY 28TH JULY 2021

A fine Chinese Imperial cloisonné tripod incense burner and cover, Qianlong 1736­95, 24.7cm Provenance: purchased from Cambridge Antiques, Cheltenham in the 1970s Estimate £30,000 ­ 40,000*

ENQUIRIES Amber Lees | +44 (0)1722 424571 | aml@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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JAPANESE WORKS OF ART TUESDAY 27TH JULY 2021

A good Japanese silver and shakudo bracelet, Meiji period (19th century), 20.7cm Provenance: From the collection of Hugh Fergie Hall Esq.(1832­1923) and thence by descent Estimate £1,500 ­ 2,000*

ENQUIRIES Alexandra Aguilar | +44 (0)1722 424583 | aa@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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UPPER SLAUGHTER MANOR, THE COLLECTION OF MICHEÁL & ELIZABETH FELLER TUESDAY 9TH & WEDNESDAY 10TH NOVEMBER 2021

ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

FINE JEWELLERY

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

THURSDAY 15TH JULY 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR JULY 6th & 7th 13th & 14th 15th 27th & 28th

Furniture, Works of Art & Clocks Silver & Objects of Vertu Fine Jewellery Asian Art, Chinese Paintings & Japanese Works of Art

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR NOVEMBER 2021 AUCTION

AUGUST 11th & 12th 24th 25th

Old Masters, British & European Paintings Arts & Crafts Design

SEPTEMBER 8th 22nd

The Robin Simpson Collection of Commemorative Ceramics Furniture, Works of Art & Clocks

OCTOBER 5th & 6th 7th 20th

Silver & Objects of Vertu English & European Ceramics & Glass British Art Pottery & Design

NOVEMBER 9th & 10th 17th & 18th 23rd & 24th

Upper Slaughter Manor, The Collection of Micheál & Elizabeth Feller Fine Jewellery Asian Art, Chinese Paintings & Japanese Works of Art

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A diamond cluster ring, 2.50ct centre, GIA: D, Flawless SOLD FOR £33,750*

www.woolleyandwallis.co.uk