Woolley & Wallis Auctioneers

SILVER & OBJECTS OF VERTU

TUESDAY 18TH & WEDNESDAY 19TH APRIL 2023

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

SILVER & OBJECTS OF VERTU

TUESDAY 18TH & WEDNESDAY 19TH APRIL 2023

10.00AM

at our Castle Street Salerooms, SP1 3SU

VIEWING WILL TAKE PLACE AT OUR CASTLE STREET SALEROOMS

Saturday 15th April 10.00am – 1.00pm

Monday 17th April 10.00am – 4.00pm

Tuesday 18th April 9.00am – 9.45am (Day 2 until 4.00pm)

Wednesday 19th April 9.00am – 9.45am

PLEASE NOTE THIS IS A TWO DAY SALE

DAY ONE : LOTS 1 - 359

DAY TWO : LOTS 360 - 705

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 25% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Monday 17th April

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults

COLLECTIONOF LOTS BY APPOINTMENT

All lots will be cleared to our Castle Gate office on Friday 21st April. Collection on this date should be made after 1pm

All accounts to be settled prior to collection

EXPORT AND CITES LICENSES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance

Silver weights in the catalogue are in Troy ounces

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

Lucy Chalmers01722 424594 lc@woolleyandwallis.co.ukini

LIVE ONLINE BIDDING – FREE OF CHARGE

bid.woolleyandwallis.co.uk

Please register by 5pm on Monday 17th April

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ILLUSTRATIONS

Front cover: lot 705

Back cover: lot 555

Catalogue £10.00 (£15.00 by post)

1 Mitchinson, D., Calling Cards and Cases, Patrick Cramer, 2012, hardback with dust wrapper, together with a photocopied article from The Silver Society Journal, Autumn 2000, by Peter Cameron on ‘The First ‘Castle-tops’, a short examination of some Birmingham topographical souvenirs and their makers 1825-38’. (2) £40-60

3 Constable, D., Silver Spoons of Britain, 1200-1710, Constables Publishing, 2016, volume I and II, hardback with dust jackets, plus Constable, D., The Benson Collection of Early Silver Spoons, Constables Publishing, 2012, hardback with dust jacket. (3)

£100-150

4 A collection of reference books on modern silver, comprising: Andrew, J. and Styles, D., Designer British Silver, Atterbury, P. and Benjamin, J., The Jewellery and Silver of H. G. Murphy, and other volumes including The Designs of Archibald Knox for Liberty & Co., A Personal Touch: The Seawolf Collection, Gerald Benney Goldsmith, and The Silversmith Art. (6) £100-150

5 A mixed lot of silver-related reference books, including: Moffatt, H., Old Oxford Plate 1906, Butler, R., The Albert Collection, in wrapper, and three volumes relating to the collection of The United Grand Lodge of England. (5)

£100-150

6 A collection of reference books on modern silver, comprising: Martin, S. A., Archibald Knox, hardbound with dust wrapper, C. R. Ashbee's English Silverwork, Treasures of the 20th Century: The Worshipful Company of Goldsmiths, three volumes on Christopher Dresser, and Archibald Knox: Beauty and Modernity. (7)

£100-150

2 Schroder, T., English Silver before the Civil War, The David Little Collection, John Adamson, 2015, hardback with dust wrapper, still wrapped in cellophane. £80-120

9 A collection of Dutch and Belgian silver-related reference books, including: Gans, M. H. and Duyvené de Wit-Klinkhamer, Dutch Silver, 1961; Baudouine, P., Colman, P. and Goethals, D., Orfevrerie en Belgique XVI, XVII, XVIII Siecles, 1988, and other volumes. (8) £80-120

11 A collection of Art Nouveau and Art Deco-related reference books, including: Carpenter, C. H. and M. G., Tiffany Silver, 1979; Martin, S. A., Archibald Knox, and other volumes. (8) £80-120

12 A collection of silver, gold and Fabergé reference books, including: Snowman, K.A., Eighteenth Century Gold Boxes of Europe, hardbound, 1990; Bainbridge, H.C., Peter Carl Fabergé Goldsmith and Jeweller to the Russian Imperial Court, 1968, and other titles. (10) £80-120

7 Fairbairn’s Book of Crests, Arthur Fox-Davies Edition, 1892, two volumes. (2) £100-150

8 Glanville, P., Silver in Tudor and Early Stuart England, hardbound, 1990, and Jackson, C. J., Illustrated History of English Plate, hardbound with dust wrappers, 1967 (2 Vols). (3) £80-120

10 Frederiks, J. W., Dutch Silver, Martinus Nijhoff, 1952, 1958, 1960 and 1961, hardbound. (4) £100-150

13 A quantity of various reference books and publications, including: Oman, C., English Engraved Silver 1150-1900, Culme, J., Nineteenth-Century Silver, 1977, and other volumes. (qty) (two boxes)

£100-150

14 A quantity of assorted auction catalogues, including: Mentmore, vols 1-5. (qty) £80-120

15 A collection of various Foreign and American silver-related reference books, including: Müller, H., The Thyssen-Bornemisza Collection, European Silver, 1986, von Solodkoff, A., Russian Gold & Silver, 1981, and other titles. (qty)

£80-120

16 A pair of George III old Sheffield plated candlesticks, unmarked, by Boulton and Fothergill, circa 1775, circular tapering baluster stems with foliate decoration and swags below stylised ionic terminals bearing medallions, vase-shaped capitals with removable drip pans, on raised filled circular bases with fluting and acanthus leaf shoulders, height 29.4cm (2) £300-400 For an illustration of a similar candlestick and for the design of the candlestick from the Boulton and Fothergill pattern book, see Crosskey, G., Old Sheffield Plate, Treffry Publishing, 2011, page 307.

17 A George III old Sheffield plated coffee pot, by Henry Tudor and Co., circa 1765, baluster form, gadroon borders, scroll handle, embossed decoration, height 27cm, plus another George III old Sheffield plated coffee pot, by Henry Tudor and Co., circa 1765, of plain baluster form, height 27cm. (2)

£200-300

18 A George III old Sheffield plated coffee pot, by Richard Morton, circa 1770, baluster form, gadroon borders, scroll handle, the hinged cover with an acorn finial, height 30cm, plus another George III old Sheffield plated coffee pot, by Henry Tudor and Co., circa 1765, of similar form, height 27cm. (2) £200-300

19 The Milton Shield, a large Victorian electrotype shield, by Elkington and Co.,1866, oval form, decorated with scenes from Milton’s Paradise Lost, the central panel depicts in high relief the archangel Raphael with Adam and Eve, to the right and left of this are two panels showing marching and defeated rebel angels, above is God the Father and below the archangel Michael defeating Satan, with a rope-work border, signed ‘Morel-Ladeuil Fecit 1866’, and signed ‘Elkington’, length 85cm. £800-1,200

The Milton shield was designed for the Paris Exhibition of 1867, where it won a gold medal. The original is in the Victoria and Albert Museum.

20 A pair of Austrian plated

two-handled urns, one a raised base, and both on circular mirror plateau bases, by Stephen Mayerhofer, also marked with the Imperial eagle, campana form, part-fluted decoration, the interiors with a raised vase, one on a raised circular base, with foliate borders, both on mirror plateaux, with foliate borders, on four steel paw feet, with two replacement wooden bases, height of urn 32cm, diameter of plateaux 56cm. (7) £600-800

At the end of the 18th century Stephan Mayerhofer (17721852) was a maker of ‘silver-plated wares on iron and steel’, and by 1802 was a maker of ‘English plated wares’, presumably in reference to the Sheffield plate system of sandwiching metal between sheets of silver. The doubleheaded eagle mark denoting Imperial and Royal privilege for an ‘iron and metal English-plated wares factory’ was awarded in 1808. The firm of Mayerhofer and Klinkosch, and later as J.C. Klinkosch, eventually rose to become Austria’s leading 19th century silver and luxury goods manufacturer.

21 An electrotype classical shield, circular form, with classical figures and horses with a central raised boss, foliate borders, ovolo rim, diameter 71.5cm.

£300-400

22 A pair of early 19th century old Sheffield plated entrée dishes, covers and warming bases, unmarked, circa 1830, shaped rectangular form, one detachable handle fixed, foliate capped scroll side handles, the bases on raised foliate and shell bracket feet, length handle to handle 36cm. (2) £80-120

23 A Victorian electrotype tankard, by JG & Sons, circular form, with reliefs of classical deity figures dancing, scroll handle with foliate decoration, the hinged cover with a relief of a classical scene and a decorative thumbpiece, height 18.5cm. £150-200

24 A modern silver-mounted glass tankard, by Mappin and Webb, Birmingham 1988, cylindrical form, hobnail cut decoration, plain hinged cover, plus three silver-mounted glass sugar sifters. (4) £150-200

25 A mixed lot of silver items, comprising: a modern silver tankard, by Wilson & Gill, London 1953, with the Queen’s Coronation mark, a silver sugar shaker, by Adie Brothers Ltd, Birmingham 1931, a George III silver cream jug, by John Mewburn, London 1795, and a Victorian silver mug, by Wakely & Wheeler, London 1897, total approx. weight 21.8oz. (4) £250-300

26 A mixed lot, comprising silver items: a Victorian blue glass vase, with a silver rim and foot, by H. Matthews, Birmingham 1899, another Victorian blue glass vase, silver base, London 1894, a swing-handled sugar basket, unmarked, and a modern lobed oval dish, Chester 1929, total approx. weighable 11oz. (4) £250-300

λ 27 A mixed lot of English and continental silver and metalware items, comprising: a silver and enamel mounted glass powder jar, by the Adie Brothers, Birmingham 1939, with floral decoration, a bonbon dish, a pin tray, a Dutch basket, two ashtrays, a silver and tortoiseshell scent bottle, the cover inlaid with a ship, plus another scent bottle and an electroplated mounted toilet jar, approx. weighable 6oz. (qty) £100-150

28 A silver two-handled christening bowl, by The Goldsmiths and Silversmiths Company, London 1938, circular form, scroll handles, engraved with a border of chickens and ducks, plus a silver cream jug and sugar bowl, Chester 1915, approx. weight 17.6oz. (3) £150-200

29 A mixed lot of silver items, comprising: a pair of George III silver salt cellars, a French wine taster twice stamped with the maker’s mark ‘GD’ and engraved to the rim ‘P Lavrin de Binas 1794’, an Edwardian sugar shaker, a Victorian tea canister, and a modern Christening mug, total approx. weight 20.2oz. (6) £300-400

30 A small mixed lot of silver items, various dates and makers, comprising: a sauce boat, Birmingham 1911, a tapering vase and a circular sugar bowl, approx. weight 12.5oz. (3) £150-200

31 A mixed lot of silver items, comprising: a waiter by John Turnton & Co, Sheffield 1971, shaped circular form, with moulded reeded rim, with engraved logo and inscription, plus a George II mug by Charles Chesterman, London 1753, circular form, scroll handle, later embossed decoration, with an initialled cartouche and crest, and a silver-gilt wine taster by C J Vander Ltd, London 1973, circular form, with engraved fluted decoration, and snake decorated ring handle, height 7.8cm, approx. weight 10.3oz. (3) £200-300

32 A mixed lot of silver items, various dates and makers, comprising: a Bead pattern butterknife, by George Adams, London 1861, a tea strainer, two pairs of sugar spoons, a bread fork, a jam spoon, a set of six coffee spoons, four teaspoons, five salt spoons, and three metalware Kiddish cups, approx. weighable 9oz. (qty) £80-120

33 A small collection of four George II and George III silver cream jugs, comprising: one of baluster form, by Henry Brind, London 1748, one of helmet form, London 1790, engraved decoration, one of oval bellied form, possibly by John Baddeley, London 1821, embossed foliate scroll decoration, on a matted background, plus a plain oval cream jug, London 1807, approx. total weight 16.5oz. (4) £300-400

34 A mixed lot of silver items, comprising: an Edwardian bachelor’s teapot, by William Leather, Birmingham 1902, a pair of Edwardian candlesticks, by Ellis & Co, Birmingham 1908, another similar pair of candlesticks, a pair of twohandled pierced dishes, and a two-handled bowl, London 1898, approx. weighable 14.8oz. (8)

£300-400

35 A mixed lot, comprising silver items: a three-piece tea set, by J W Benson Ltd, London 1937, a cased set of six teaspoons, five napkin rings, a bracelet, an egg cup, a silver-handled cake knife, a manicure item, a silver mounted desk blotter, plus silver plated items: two egg cups, three teaspoons, a hedgehog and three pierced trays, approx. weighable 34.2oz. (qty) £350-400

36 A mixed lot of silver items, various dates and makers, comprising: a waiter, Sheffield 1898, a two-handled sugar bowl, two sauce boats, two cream jugs, a pair of pierced bonbon dishes, and a napkin ring, approx. weight 33.5oz. (qty)

£300-400

37 A mixed lot of silver items, comprising: a Victorian Britannia standard jug, by Wakely & Wheeler, London 1895, baluster form, reeded scroll handle, a sauce boat, two small cream jugs, a cased pair of shell salt cellars, shell spoons, a cased pair of horse-shoe napkin rings, a baby’s rattle, and two magnifying glasses, approx. weighable 17oz. (qty) £200-300

38 A mixed lot of silver items, comprising: a late-Victorian nurse’s belt buckle by George Unite & Sons, Birmingham 1891, a George I two-handled lemon strainer, probably London 1717, an etui case, the interior with two implements, a scent bottle, six mounted glass bottles, a mounted glass powder pot, three mustard pots, a mustard and salt spoon, a pair of sugar nips, two buckles, a cased set of six buttons and two covered glass toilet boxes, approx. weighable 15.6oz. (qty) £300-400

39 A collection of modern silver and metalware items, including: twelve boxes, a vesta case, five pin cushions, two scent bottles and a money clip. (qty) £100-200

λ 40 A mixed lot of silver and electroplated items, including: a continental box, of circular form, embossed with a figural scene, two scent bottles, two vesta cases, an unmarked vinaigrette of watch case form, a box with a tortoiseshell cover, another box, plus two snuff boxes, a cigarette case and a tortoiseshell aide-memoire cover. (qty) £200-300

41 A mixed lot of silver items, comprising: a silver and bakelite postal scale by Levi & Salaman 1906, a silver pepper mill by Hukin & Heath 1908, a pot commemorating the Diamond Jubilee of Queen Victoria, an Edwardian heart-shaped dressing table pot, a matched set of four silver matchbox covers, an armada dish, an ashtray and a small silver plated coaster, total approx. weighable 10.4oz. (11) £200-300

42 A mixed lot of silver items, various dates and makers, comprising: a Victorian mug, by Henry Wilkinson and Co, Sheffield 1851, a Victorian jug, a bowl, a mustard pot, a cigarette box, and two spoons, approx. weight 14oz. (7) £200-300

43 A mixed lot of silver items, comprising: a George III mug of baluster form, by Charles Hougham, London 1784, a smaller George III mug, London 1776, similar design, a fluted circular bowl, London 1898, two smaller bowls and a sugar caster, approx. weight 25.5oz. (6) £300-400

44 A mixed lot of silver, metalware and electroplated items, some modern, comprising: two snuff boxes, a cotton reel holder, five other boxes, plus three plated boxes, three enamel boxes and two other items. (qty) £100-150

45 A mixed lot of silver, metalware and electroplated items, comprising: a Hoxton Lodge badge, London 1877, three table vesta holders, two corkscrews, various coins and brushes, and other items. (qty) £100-150

λ 46 A mixed lot of electroplated items, comprising: a large hipflask, with crocodile mounts and pull-off drinking cup, inscribed, plus a cased set of twelve fish eaters, a cased pair of grape scissors, two further pairs of grape scissors, a breadboard, two entrée dishes and covers, one lacking a handle, a toastrack, two miniature wine coolers, and other items. (qty)

£100-150

47 A mixed lot, comprising silver items: a 19th century silver-mounted harvest jug, a cream jug, a set of six teaspoons, three other spoons, a mirror, four brushes, a continental silver and red glass bowl and stand, plus electroplated items: a jug, a beaker, a lacquer coaster, and other items including a steel gun mount, approx. weighable 8.5oz. (qty) £200-300

48 A mixed lot of electroplated items, comprising: a four-piece travelling communion set with a travelling case, a cased set of six spoons, two sets of salad servers, one cased, two toast racks, an engraved scalloped dish, a pair of candlesticks, (a.f), a pair of entrée dishes with another similar, a tea tray, three butterknives, a pair of sugar tongs and a ‘MADEIRA’ wine label. (qty)

£80-120

49 A mixed lot, comprising silver items: an Edwardian swing-handled sugar basket, by Charles Stuart Harris, date letter worn, a William IV mug, the rim dented to make a spout, a pair of oval salt cellars, London 1773, another pair of salt cellars, (a.f), two dishes, a Kiddish cup, a mirror, (a.f), eight Queen’s pattern table knives, and various other items including flatware, plus electroplated items: an egg topper, two salvers, a pair of cafe au lait pots and other items, approx. weighable 31oz. (qty) £300-500

50 A mixed lot of silver items, comprising: a cased set of four Victorian napkin rings by George Unite, Birmingham 1879, numbered 1-4, two cased sets of six teaspoons and a pair of sugar tongs, two cased sets of six teaspoons, a cased silver-handled manicure set, with one later pot, two mustard pots, two pairs of salt cellars, five salt spoons, a toast rack, a vesta case, a card case, a marrow scoop, a pair of wishbone sugar tongs, another pair of tongs, a butterknife, an American silver teaspoon, and a dish set with a coin, approx. weighable 25.1oz. (qty) £250-300

51 A mixed lot of silver items, various dates and makers, comprising: a five-piece silver and green enamel dressing table set, by Hasset & Harper Ltd, Birmingham 1935, a pair of vases of tapering circular form, pierced scroll decoration, height 19.5cm, plus a sugar caster, a pair of salt cellars, a cased set of six grapefruit spoons, and a cased set of six fruit knives with mother-of-pearl handles, approx. weighable 20oz. (qty) £300-500

52 A mixed lot, comprising silver items: a six-piece silver manicure set, with a pair of steel scissors, two cased sets of six teaspoons and tongs, two cased sets of six silver-handled fish knives and forks, with electroplated blades and tines, one with servers, and a gilt-metal champagne cork opener and stopper, in a fitted case retailed by Asprey Plc. (qty) £100-150

53 A mixed lot of silver items, various dates and makers, comprising: a sugar caster and three-piece condiment set applied with the arms of the Worshipful Company of Founders, Birmingham 1937/38, plus eight pairs of sugar tongs, a pair of 18th century sugar nips, a pair of salt spoons, a five-piece dressing table set, cased, a cased set of spoons, a pair of silver and glass churn salt and pepper pots, (a.f), a spoon and a pair of electroplated sugar tongs, approx. weighable 20oz. (qty) £300-400

54 A mixed lot of silver and electroplated items, comprising: an Edwardian dressing table box base, by Nathan and Hayes, Chester, 1908, the front set with a ceramic heart motif, a silver and wooden candlestick, an electroplated Arts and Crafts box, the cover with an enamelled boss, four liqueur goblets, two quaiches, a bell, and other items. (qty)

55 A mixed lot of silver and electroplated items, comprising: a cased set of six silver and enamel cocktail sticks, modelled as cockerels, six coffee bean end spoons, a modern Italian model of a deer, a garlic bulb, a pair of gilt metalware spoons, various button hooks and other items. (qty) £100-150

£200-300

56 A mixed lot, comprising Spanish silver items: a ewer of fluted ovoid form, leaf capped scroll handle, on a raised fluted weighted base, height 34cm, a cream jug, a fluted bowl, nine dishes and a rectangular tray, plus a continental silver vesta case, set with two red stones, probably Austrian or German, and electroplated items, a suite of three meat platters, a jug, a mug, nine fruit knives, and other items, approx. weighable 21oz. (qty) £300-500

57 A mixed lot, comprising silver items: a Victorian salver, by J and A Savory, London 1849, circular form, foliate scroll border, the centre engraved and initialled, diameter 26cm, plus a Victorian mug, London 1875, and a George II salt cellar, plus electroplated items: an oval tray and a cased set of six napkin rings, approx. weighable 28oz. (5) £250-300

58 A mixed lot of silver frames, various dates and makers, various designs, some lacking easel backs and glass. (qty)

£100-150

59 A mixed lot of silver items, comprising: a cased pair of Victorian pepper pots, by Walker and Hall, Sheffield 1891, a cased presentation engraved mug and napkin ring, by Wakely & Wheeler, London 1912, a George III teapot stand, by Henry Chawner & John Eames, London 1797, a Victorian Britannia standard caster, London 1881, octagonal form, and a cup, by Charles Boyton & Son Ltd, Birmingham 1919, total approx. weight 32oz. (7)

£300-400

60 A mixed lot of silver items, comprising: a Victorian heart-shaped trinket box, by Deakin and Francis, Birmingham 1897, a Rose pattern teaspoon, London 1837, a matched set of three teaspoons with private dies of lambs to the terminals, two ladles, a dessert fork, three dessert spoons, two teaspoons, a pair of sauce boats, two two-handled christening bowls, two cream jugs, three pepper pots, two mustard pots, two salt cellars, a small Indian silver bowl, four salt spoons, a pepper mill, and a plated sugar sifter, approx. weighable 47.2oz. (qty) £500-700

61 A mixed lot of silver items, various dates and makers, comprising: a miniature porringer and cover, London 1927, a mug, a scent bottle, a three-piece condiment set, three mustard pots, a silver and enamel compact with the navel crown, a silver and shagreen compact, plus other items including flatware, approx. weighable 30oz. (qty) £300-500

£200-300

62 A mixed lot of silver items, various dates and makers, comprising: a wine taster, London 1966, a cased manicure set, three brushes, a pair of glove stretchers, six napkin rings, a silver and leather covered travelling inkwell, four silver-mounted toilet jars and bottles, two button hooks and a pair of tweezers, approx. weighable 12oz. (qty)

63 A mixed lot of silver items, comprising: a silver cream jug and sugar bowl, with a pair of sugar tongs, by Nathan and Hayes, Birmingham and Chester 1914, the tongs Sheffield 1915, circular form, in a fitted case, plus a set of six silver tea knives, with carved mother-of-pearl handles, Sheffield 1917, a threepiece christening set, (case a.f), plus a cased set of six electroplated fish knives and forks, approx. weighable 7oz. (4) £200-300

64 A mixed lot of metalware and electroplate, comprising: a box and cover, of shaped rectangular form, (a.f), a sugar bowl and cover, a cream jug and cover, a pierced dish, various boxes and other items. (qty) £200-300

65 A mixed lot of silver items, various dates and makers, comprising: a cased six-piece condiment set, by Mappin and Webb, Birmingham 1924, a pair of candlesticks, Birmingham 1911, a napkin ring mounted with a dog, eleven further napkin rings, a nurse’s buckle and belt, a compact, two fruit knives, a jug, (a.f), three modern wine labels, three buttons, a shoehorn, a pair of glove stretchers, a pair of curling tongs and two button hooks, approx. weighable 20oz. (qty) £300-400

66 A mixed lot of silver items, various dates and makers, comprising: a dressing table box, Birmingham 1901, a toilet box, Birmingham 1910, engine-turned cover, plus a baby’s rattle, a Chester Trefid spoon, by Lowe and Sons, 1953, with the Queen’s coronation mark, and a set of six teaspoons, with various Assay Office marks, approx. weighable 6oz. (5)

£150-200

Provenance: From the private collection of the late Joyce Lowe, of Lowe and Sons, Chester. She became the only female Honorary Member of The Chester Goldsmiths Company in her family’s two hundred year ownership of the firm (1770-1977).

67 A mixed lot of silver and electroplated items, comprising: six silver and enamel spoons, two scent bottles, a silver dart, various brooches with enamel decoration, a bear rattle, a thimble, two lockets, a modern page marker modelled as a frog and other items. (qty) £100-150

£100-150

λ 68 A mixed lot of knives, comprising: a silver cased smoker’s knife, Chester 1900, with various implements and a cigar cutter, plus seven silver fruit knives and various penknives with steel blades, including one modelled as a shoe. (qty)

λ 69 A mixed lot, comprising: a gilt-metal mounted shell snuff box, a gilt-metal fob seal with a carved matrix of a classical head, an agate frame back, two gilt-metal seals and chain, a tortoiseshell snuff box and four agate boxes. (qty) £150-200

λ 70 A mixed lot, comprising silver and metalware items: a George III caster, London 1788, two silver-mounted tortoiseshell toilet jars, two further toilet jars, a small silver over-lay red glass decanter, no stopper, a masonic badge, a pair of salt cellars, a magnifying glass and other items including a copper and brass tobacco box, approx. weighable 4oz. (qty) £150-200

71 A mixed lot, comprising silver items: a George III nutmeg grater, by Phipps and Robinson, London 1802, hinged cylindrical form, (a.f), an Indian silver soap box, scent bottle and toilet jar, a silver sovereign case, a silver matchbox cover, a pill box, a miniature silver pepper pot modelled as a saucepan, a miniature silver bell, plus two ceramic pin cushions modelled as ladies, and two miniature metal dogs and a miniature pair of scissors, total approx. weighable 13.3oz. (14) £300-400

λ 72 A mixed lot of silver items, various dates and makers, comprising: a silver hipflask, by Mappin and Webb, Sheffield 1911, rounded rectangular form, mounted with crocodile skin, pull-off drinking cup, plus a card case of envelope form, with a chain attachment, an engine-turned box, a vesta case, an ashtray embossed with a golfer and stamped ‘The Daily Telegraph and Morning Post Tournament for Lady Golfers’, London 1938, plus six ashtrays with Celtic borders, and two further ashtrays, approx. weighable 26oz. (qty) £200-300

73 A collection of silver motoring trophies, won by J.D. Daniell, some from the Motor Cycling Club, including: a cigarette box for the London to Lands End Race 1929, a cigarette case, an ashtray, and an unmarked trophy modelled as a signpost, (a.f), plus a 9 carat gold medallion for the London to Edinburgh 1928 Race in a Car, plus four other medallions, various materials, and a golf medallion, approx. weight of gold 17.6g, approx. weight of silver 6.5oz. (10) £400-600

74 A mixed lot of silver items, comprising: an Irish silver sauce boat, by James Wakely & Frank Clarke Wheeler, Dublin 1904, a tea strainer on stand, an inkwell, a pair of silver napkin rings, a silver scent bottle lacking stopper, a silver napkin ring, and assorted flatware including a meat skewer, a pair of sugar tongs, three condiment spoons, two tablespoons, a sifting spoon and ten teaspoons, total approx. weighable 15.7oz (25) £200-300

75 A mixed lot of silver items, various dates and makers, comprising: a cigarette box, a table lighter, two ashtrays, and three modern wine labels, approx. weighable 5.5oz. (7) £80-120

λ 76 A collection of hat pins, various materials, including: silver examples by Charles Horner, a tortoiseshell one inlaid with a silver beetle, and a gilt-metal pair with enamelled birds, in six ceramic hat pin stands. (qty) £100-150

77 A set of eight Victorian silver-mounted glass toilet jars and bottles, by James Vickery, London 1855, the covers with engraved foliate decoration and engraved with a crest, comprising: two boxes of rectangular form, four jars and two unmarked scent bottles, approx. weighable 5.8oz. (8) £100-200

The crest is that of Hamilton.

78 A collection of thimbles, comprising: an unmarked gold one, set with turquoise, fifteen silver thimbles, plus six unmarked/electroplated ones, and two cases. (qty) £200-300

79 A small mixed lot of objects of vertu, comprising: a small 19th century gold and enamel vinaigrette, probably French, urn form, damage to enamel, with a chain attachment, length 2.7cm, plus a bloodstone desk seal, a fob seal with a carved hardstone matrix of a classical warrior, a pencil lead case, a 22 carat gold wedding band, a watch and two other items. (qty) £200-300

λ 80 An Art Deco silver and enamel minaudiere, with import marks for London 1924, importer’s mark of P H Vogel & Co, with red and black geometric decoration, the gilded interior with a mirror and three compartments, with a tassel and strap carrying handle, length 8.4cm, a gold and tortoiseshell hair piece, Birmingham 1898, two silver hair pieces, plus an Asprey metal minaudiere, the interior with three compartments and a mirror, (a.f). (5) £200-300

λ 81 A cased Art Deco silver and green and black enamelled sixpiece dressing set, by William Comyns & Sons Ltd, London 1933 and 1934, comprising: a hand mirror, four brushes and a tortoiseshell comb, in a fitted case with cream silk lining, length of mirror 29.1cm. (6) £100-150

82 A silver cigarette box, by Walker and Hall, Birmingham 1929, rectangular form, with a spring-loaded hinged cover with a front clasp, engine-turned and scroll foliate decoration, wood-lined interior, on four bracket feet, length 11.8cm.

£150-200

83 A Victorian silver spirit flask, by S. Mordana and Co, London 1894, rounded rectangular form, screw-off cover, the pull-off drinking cup with a presentation inscription, length 12.8cm, approx. weight 1.1oz.

£80-120

84 A Victorian silver-mounted mirror, by William Gibson & John Langman, London 1898, rectangular form, pierced and chased foliate decoration, with a central vacant cartouche, no easel back, height 55.2cm. £200-300

85 A silver presentation rifle trophy, by Walker and Hall, Sheffield 1910, modelled as a .303 rifle, on a stand with silver plaque relating to ‘The Clayton West Rifle Club’, and shields engraved with the names of winners, in a fitted wood and glass case, length of rifle 15.2cm. £200-300

86 A large pair of French silver-mounted glass scent bottles, maker’s mark of J.G in a lozenge, tapering circular faceted form, engraved ribbon decoration, the pulloff covers with engine-turned decoration, with glass stoppers (chips), height 19cm. (2) £150-200

87 An Edwardian silver-mounted mirror, by Henry Matthews, Chester 1905, rectangular form, chased and pierced foliate scroll decoration, on a velvet ground, with a central vacant cartouche, the easel back in a glued shut position, height 52cm. £200-300

89 A George III silver nutmeg grater, by Joseph Wyatt, Birmingham 1793, rectangular form, bright-cut decoration, the cover initialled, hinged base, the interior with a loose steel grater, length 4.9cm, approx. weight 2oz. £400-600

91 A Victorian engraved silver ‘castletop’ vinaigrette, Lichfield Cathedral, by Hilliard and Thomason, Birmingham 1886, rectangular form, the hinged cover engraved with a scene of the Cathedral, the silver-gilt interior with a pierced and engraved foliate scroll grille, length 5.5cm, approx. weight 1.8oz. £300-400

88 A George III silver nutmeg grater, unmarked, circa 1790, vase form, hinged cover with a fluted finial, the hinged front opens to reveal a steel grater, on a rectangular foot, height 8.3cm, approx. weight 2.2oz. £400-600

90 A George III silver nutmeg grater, by Samuel Pemberton, Birmingham 1809, canted rectangular form, hinged cover and base, bright-cut oak leaf decoration, the interior with a steel grater, engraved with initials ‘G.B’, length 3.1cm, approx. weight 0.7oz. £300-400

92 A Victorian silver vinaigrette, by Edward Smith, Birmingham 1863, rectangular form, engraved foliate scroll decoration with tracery and flowers, gilt interior, pierced foliate scroll grille, length 5.6cm, approx. weight 1oz. £150-200

93 A George III silver-gilt and banded agate vinaigrette, marks worn, probably Birmingham 1809, rounded rectangular form, chased foliate sides and chased base, the interior with a filigree grille, length 4cm, plus an unmarked vinaigrette of shell form, approx. total weight 1.5oz. (2) £200-300

94 Three antique silver vinaigrettes, comprising: a George IV vinaigrette by Thomas & William Simpson, Birmingham 1822, rectangular form, engraved decoration to cover and base with engraved initials to the cover, rope-work border to the sides, gilded interior with a pierced and engraved foliate scroll grille, length 3.9cm, plus a Victorian vinaigrette by Neill & Cook, Birmingham 1859, shaped rectangular form, engraved geometric and Greek pattern to cover and base, with scroll decoration to the sides, a gilded interior with a pierced and engraved foliate scroll grille, length 4.2cm, and a Victorian vinaigrette by Francis Clark, Birmingham 1847, of oblong form, engraved foliate scroll decoration to cover and base, with reeded sides, engraved initials to cover’s cartouche, with an unmarked pierced and engraved foliate scroll grille, (possibly later), length 8cm, total approx. weight 3.3oz. (3) £200-300

95 A Victorian silver vinaigrette, by Nathaniel Mills, Birmingham 1840, rectangular form, engraved decoration, pierced foliate scroll grille, the inside of the cover inscribed, length 4.5cm, plus a William IV silver vinaigrette, Birmingham 1834, length 2.9cm, approx. total weight 1.3oz. (2) £150-200

96 A cast gilt metalware mounted bird, together with a carved hardstone bird, one possibly modelled as a flamingo in the standing position, with textured cast decoration and set with polished stones, on a purple rock crystal base, plus a carved blue and white hardstone bird, set with glass eyes and a hardstone beak, on a rock crystal base. (2)

£300-400

97 By Asprey and Co Plc, a graduated pair of silver-gilt scent bottle holders, London 1984, in the Middle Eastern manner, rectangular form, chased foliate decoration on a matted background, with pull-off tapering covers, the undersides with detachable bases, height 15.7cm and 10.5cm, approx. weight 12oz. (2) £300-400

98 Three gilt metalware and enamelled birds, one modelled as a peacock in a standing position, enamel and gilt decoration, with an unassociated agate base, plus two birds modelled sitting in a tree, with gilt and enamelled decoration and set with stones in a carved wooden tree, and one modelled as a crane in the standing position on a polished stone base, height 19.4cm. (3)

£300-400

99 A Victorian silver and enamel box, by Edward Barnard & Sons Ltd, London 1891, oval form, hinged cover with an inset enamel panel of a bridge, probably Ramsdale Valley Bridge, Scarborough, with a gilt interior, length 14.1cm, approx. weight 10.6oz. £400-600

100 A gilt-metal mounted agate box, probably early 19th century, cylindrical form, the mounts with engraved decoration, (cracks to agate), length 10.3cm, plus a small gilt-metal mounted agate casket, rectangular form, domed cover, length 6cm. (2) £200-300

tortoiseshell snuff box, unmarked, rectangular form, with inlaid pique foliate scrolls, fish scale and shell decoration, hinged cover, (some small losses), length 6.8cm.

£600-800

102 A 19th century gilt-metal commemorative Wellington snuff box, circular form, the pull-off cover with a portrait of Wellington and ‘Marquis Wellington’, the sides with an anchor, a rear view of H.M.S. Victory, canons, and battle honours, the base with names of battle victories, diameter 7.2cm.

£100-150

A George IV silver-gilt Chinoiserie miniature teapot, by Joseph Willmore, Birmingham 1829, square form, chased foliate decoration, scroll handle, pull-off cover with flower finial, on four bracket feet, height 4.5cm, approx. weight 1.1oz.

£300-400

104 A late-Victorian Scottish novelty silver golf ball pepper pot, by Brooke and Son, Edinburgh 1892, screw-off pierced cover, weighted base, height 4.5cm. £150-200

105 A late-Victorian silver finial modelled as a Kiwi bird, by Frank Hyams, Birmingham 1900, modelled in a standing position, with textured feathers, height 5cm, approx. weight 2.9oz. £100-150

106 An Edwardian novelty silver pheasant caster, with import marks for London 1901, importer’s mark of S. Landeck, modelled in a standing position, textured feathers, hinged wings, the pull-off head reveals a pierced cover, red eyes, length 23.5cm, approx. weight 4.4oz. £250-300

107 A continental silver model of a pheasant, probably German, modelled in a standing position with spread wings, length 18.5cm, plus a continental silver novelty bird pepper pot, by Neresheimer of Hanau, spread wings, textured feathers, pull-off pierced head, length 9cm, approx. total weight 6oz. (2) £300-400

108 A French silver and enamel travelling clock, retailed by C. Hour, marked ‘CH. HOUR-FRANCE, 13 JEWELS’ to interior, tapering rectangular form, with purple enamel decoration and garlands of flowers and with white enamel borders, with a hinged front panel which opens to reveal a compartment, height 5cm. £300-400

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109 A 9 carat gold and tortoiseshell cigarette case, by Horton and Allday, Birmingham 1921, rectangular form, plain mounts, the front applied with a gold beetle, length 9cm. £100-150

110 A silver and pink enamel cigarette case, with Glasgow import marks for 1928, importer’s mark possibly that of McKay Cunningham & Co, rectangular form, pink enamel cover and base, the sides with black enamel, length 7.9cm, approx. weight 3oz. £100-150

111 By Cartier, a silver and silver-gilt snuff box, with import marks for London 1928, importer’s mark of J. Cartier, also engraved ‘Cartier Made in France’, rectangular form, with two bands of gilded zigzag decoration, the hinged cover applied with a carved green hardstone cabochon with gem mounts, only two stones remaining, plain thumb-piece, length 7.4cm, approx. weight 2.5oz. £400-600

112 A silver and enamel dressing table box, by Cohen and Charles, Birmingham 1911, circular form, the hinged cover with blue and white enamel decoration, on four hoof feet, diameter 5cm, plus a silver and enamel compact, with import marks for Birmingham 1907, with turquoise enamel with gilt fleurs-de-lis motifs. (2) £150-200

113 A silver and enamel dog compact, with import marks for London 1927, importer’s mark of P. H. Vogel & Co, circular form, the hinged cover with a standing Bouvier des Flandres dog in a landscape setting, no mirror, the base with engine-turned decoration, diameter 6.4cm. £150-200

114 A Victorian silver-gilt and glass scent bottle / vinaigrette, unmarked, faceted cylindrical form, engine-turned hinged cover, the reverse with a hinged cover which opens to reveal a hinged pierced foliate grille, length 9.7cm. £100-150

115 A silver-gilt and mother-of-pearl cigarette case, by Callow, London 1913, rectangular form, plain mother-of-pearl panels, the hinged cover with a crown and name, length 7.8cm. £150-200

116 A matched set of four electroplated animal menu card holders, modelled as a kangaroo, tiger, lion and elephant in standing positions, height 6.1cm. (4)

£100-150

117 A set of twelve Coronation silver menu card holders, by Collingwood & Co, London 1953, in the form of a medal commemorating the Coronation of Queen Elizabeth II, length 4.7cm, approx. weight 15.1oz. (12) £300-500

118 A collection of twelve 19th-century ceramic bin labels, including: a small one by Farrow and Jackson, titled ‘CHAMPAGNE’, plus others including four by Wedgwood, titled ‘PORT’, ‘HERMITAGE’, ‘HOCK’ and ‘MOSELLE’, two by Minton, ‘HOCK’ and ‘CHAMPAGNE’, one by Copeland ‘CLARET’, and four various unmarked ones ‘TINTO MADEIRA’, ‘MADEIRA’, ‘WHITE PORT’ and ‘GENEVA’. (12) £400-600

119 Two American silver wine labels, by Tiffany and Co, one of rectangular form, fluted gadrooned border, pierced ‘WHISKEY’, plus one of shaped oblong form, foliate scroll border, pierced ‘WHISKEY’, approx. weight 0.3oz. (2) £150-200

120 A George III silver lion’s pelt wine label, by Paul Storr, London 1813, cartouche form, vine decoration, retitled ‘Brandy’, length 7.2cm, approx. weight 1.4oz. £200-300

121 A mixed lot of silver items, comprising: a miniature bottle, two goblets, (one a.f), and a tray, by Levi and Salaman, Birmingham 1905/06, a thimble, a small wine label, by Matthew Linwood, Birmingham 1812, incised ‘HOLLANDS’, and an electroplated wine label ‘PORT’. (7) £100-150

hinged rectangular form, engine-turned decoration, foliate borders, enamel dial, length 7.2cm. £100-150

122 A silver egg cutter, ‘The Ekutta’, by H.J.C. and Co Ltd, also with a registration number, scissor form, length 10.4cm, approx. weight 1.1oz. £200-300

123 A novelty silver Imp table cigar lighter, maker’s mark worn, Birmingham 1911, modelled in a seated position, pull-off head, height 6.8cm, approx. weight 0.9oz. £250-300

124 A silver table bell, by William Hutton and Sons, Sheffield 1910, circular form, pierced scroll decoration, twist-action mechanism, on three claw and ball feet, diameter 8.5cm. £100-150

A PRIVATE COLLECTION OF PENCILS

126 A George IV silver combination pen and pencil, by Mordan and Riddle, London 1828, also marked ‘Mordan and Co. Patent’, reeded cylindrical barrel, slide action mechanisms, length closed 10.6cm, plus another silver combination pen and pencil, by S. Mordan, marks worn, also marked ‘Mordan and Co. Patent’, reeded cylindrical barrel, slide action mechanisms, length closed 10.5cm. (2)

£150-200

127 A Victorian 10 carat gold pencil, by S. Mordan and Co., reeded cylindrical form, lacking terminal cover, length 13.3cm, plus a Victorian combination slide-action pen and pencil, unmarked, with a colour glass matrix terminal, length closed 9.5cm. £200-300

£150-200

128 Three Victorian silver combination pen and pencils by S. Mordan and Co., London, one 1846, one 1866, and one stamped Sterling Silver, engine-turned and fluted decoration, two with bloodstone matrix seal terminals, the other with a yellow matrix seal terminal, length of longest closed 9.7cm. (3)

129 A collection of five Victorian silver pencils, comprising four by S. Mordan and Co., including: an engine-turned one, stamped ‘S. Mordan and Co., Makers and Patentees’, plus two with engraved decoration, and one fluted, three with hardstone matrix seal terminals, and an engine-turned pencil, with incuse maker’s mark of W and R. (5) £150-200

130 A collection of five Victorian silver pencils by S. Mordan and Co., comprising: one London 1844, slide-action mechanism, with a purple matrix finial, one with engraved decoration, and with a bloodstone seal matrix, plus one with reeded decoration and two with engine-turned decoration. (5)

£150-200

131 A collection of four Victorian silver pencils by Mordan and Co., comprising: a combination pen and pencil, London 1879, engraved decoration, lacking terminal, plus an engine-turned one, London 1869, with a carved bloodstone seal matrix, and two fluted ones, one of which has a shield shaped bloodstone matrix. (4) £150-200

132 comprising: an Edwardian slide-action pencil, Chester 1905, lozenge form, with a ring attachment, length 7cm, plus a drop-action one, London 1912, plain cylindrical form, two of plain sliding form, and a

133 A collection of five silver pencils by S. Mordan and Co., four Victorian including: a slide-action one with engraved decoration, inscribed ‘A.H.Smith’, plus one with a yellow cartouche seal-top finial, two with engine-turned decoration, and a small plain early 20th century pencil. (5) £150-200

134 A small collection of five silver pencils by S. Mordan and Co., comprising: an Edwardian slide-action engine-turned pencil, London 1906, one with spiral fluted decoration and a fluted finial, one with textured decoration, one reeded, and a ‘Centennial’ patent pencil. (5) £150-200

135 A small collection of three pencils by S. Mordan and Co., comprising: a three-colour silver slide-action pencil, rounded rectangular form, with a red, blue and black pencil, with a ring attachment, length closed 7.3cm, plus a silver telescopic pull-out pencil, with a large ball finial, the case modelled as a desk seal, length 8cm, and an electroplated slide-action pencil with a gnome finial. (3) £150-200

136 A small mixed lot of silver pencils, comprising: a three-colour slide-action pencil, unmarked, cylindrical form, ring attachment, plus one modelled as a golf tee, a telescopic one in a foliate cylindrical case, and a small slide-action one, with two silver chains and a hardstone swivel fob seal. (6) £150-200

137 A collection of eight Victorian and later pencils, various makers, comprising: a combination pen and pencil, engine-turned decoration, the terminal with a bloodstone shield seal-top finial, plus three further engine-turned examples, a fluted one, two with engraved decoration, and one with foliate decoration on a reeded background. (8) £150-200

138 A collection of ten pencils, various materials, including: a silver and wooden one by S. Mordan and Co., Chester 1907, also engraved ‘L & C Hardtmuth’s Koh-I-Noor. No. 1568A copying’, a novelty American wooden rifle pencil, stamped ‘Irwin N. Megargee and Co. Paper, Philadelphia’, plus six others of various designs and a rectangular case. (10) £150-200

139 A continental silver two-colour pencil / ruler, marked with a Dutch import mark, rectangular form, the ruler measures 20cm, the ends with a pull-out red and blue pencil, the terminals with a red and blue enamelled band, plus a modern silver pencil, retailed by Asprey, engine-turned decoration, in a fitted case, initialled, and with a pencil lead holder, length of pencil 7.8cm, and a cased Mordan pencil with fluted decoration and a plain tapering dip pen. (3) £150-200

OTHER PROPERTIES

140 A collection of six S. Mordan and Co. spare lead boxes, with leads, plus another empty copying lead box, and three glazed wooden display cases for pencils, the hinged covers with bevelled glass, with a pull-out drawer, in fitted carrying cases. (10) £80-120

141 A late Victorian gold three-colour slide-action pencil, by S. Mordan and Co., cylindrical form, set with three enamelled panels indicating the pencil colour red, black and blue, with a ring attachment, length closed 7.6cm, approx. gross weight including interior fitting 25.4g. £300-400

142 A late-Victorian novelty silver pen wipe, by S. Mordan and Co., London 1898, modelled as a boot cleaner, square form, with side handles, on a leather base, length 8.3cm. £100-150

143 An Edwardian novelty silver pen wipe, by Adie & Lovekin Ltd, Birmingham 1906, modelled as a standing pig, length 6.5cm, plus an Edwardian novelty silver pin cushion, by Adie & Lovekin Ltd, Birmingham, date letter worn, modelled as a dog, length 4cm. (2) £200-300

14.2cm, approx. weight 1oz.

£80-120

plain blade, the handle modelled as a standing owl, with textured feathers and yellow glass eyes, length 21.5cm, approx. weight 1.9oz.

£300-400

146 A mixed lot of silver items, various dates and makers, comprising: an Edwardian pin cushion modelled as a standing elephant, Birmingham 1905, an Edwardian slide-action pencil and magnifying glass, by W. Hornby, London 1903, an unmarked wine label ‘Helpyersel’, and a miniature silver caddy. (4)

£200-300

147 A late 18th / early 19th century silver etui case, unmarked, tapering rounded rectangular from, engine-turned decoration, the interior fitted for implements, but only with a steel corkscrew with a hinged handle, length 10cm, plus a continental silver and glass double hinged snuff box, unmarked, rectangular form, canted corners, the hinged covers and base with engraved decoration, length 8cm. (2) £200-300

148 A small mixed lot of silver items, comprising: a George III scent bottle case, Birmingham 1807, engraved decoration, a vinaigrette, an oval patch box, Birmingham 1792, and a hexagonal box, by Joseph Taylor, Birmingham 1801, approx. weight 1.4oz. (4)

£150-200

149 A William IV silver snuff box, by Joseph Willmore, Birmingham 1830, rectangular form, engine-turned decoration, initialled, plus a reeded vinaigrette, probably Birmingham 1812, and an unmarked snuff box, possibly plated, shaped rectangular form, chased and engraved decoration, inscribed ‘10th May 1810’, approx. weighable 2.8oz. (3) £150-200

150 A Victorian silver snuff box, by George Unite, Birmingham 1886, rectangular form, engraved decoration, foliate scroll thumb-piece, length 7.4cm, approx. weight 2.4oz. £100-150

151 An early-18th century silver snuff box, maker’s mark probably that of Edward Hall, London circa 1720, rectangular form, canted corners, the flush-hinged cover with engraved scroll decoration, plus another box of similar form, unmarked, approx. total weight 3.6oz. (2) £200-300

152 A George III silver toilet box, maker’s mark only, that of Langford and Sebile, London circa 1780, rectangular form, reeded borders, the pull-off cover with a crest, length 9cm, plus an electroplated snuff box, engraved foliate scroll decoration, the underside with a bird and foliate decoration, approx. weighable 7oz. (2) £200-300

153 A George III silver snuff box, by Parker and Simpson, London 1819, oblong form, reeded sides, the hinged cover with an engraved border, length 9.5cm, approx. weight 2.2oz. £100-150

154 A William IV silver inkwell mount and stopper, the mount London 1833, the stopper by Paul Storr, London 1833, circular form, later glass body, with rams’ heads and swags, the stopper with an owl finial, diameter of base 10cm. £200-300

155 An Iraqi silver and niello work cigarette case, rectangular form, with buildings in landscape settings, length 8.5cm, plus a metalware dressing table box, unmarked, circular form, the hinged cover with filigree decoration and with a central engraved lozenge cartouche, diameter 7.8cm. (2) £150-200

156 A Chinese silver fish vase, unmarked, textured scales, circular base, broken from base, on a wooden stand, height 18cm. (2) £100-150

157 A Thai silver and enamel box, unmarked, rectangular form, with chased foliate decoration and green and blue enamel, with traces of gilding, gilded interior, length 10.7cm. £300-400

158 A Chinese silver-handled walking cane, unmarked, tapering circular form, embossed with a dragon, tapering ebonised shaft, length 92.5cm. £100-150

159 A set of three Chinese metalware and mother-of-pearl dishes, unmarked, shaped form, applied with Chinese characters, which translates as ‘good fortune, prosperity and longevity’, on three ball feet, length 13.8cm. (3) £80-120

160 An Indian silver card case, unmarked, rectangular form, hinged cover, decorated with animals and trees on a matted background, length 9.7cm, plus a pair of Indian silver bowls of flower form, chased foliate decoration, on wire-work bases, approx. total weight 8oz. (3) £200-300

161 An Indian silver beaker, unmarked, tapering circular form, chased with animals and foliate scrolls on a matted background, with a vacant cartouche, height 12.5cm, plus an Indian silver needle case, unmarked, chased with animals and palm trees on a matted background, pull-off cover, approx. weight 7oz. (2) £100-150

162 An American silver christening mug and basket, by Gorham Manufacturing Co., the basket 1917, the mug of circular tapering form, engraved garland and foliate decoration with an engraved inscription, on a raised circular foot, the sugar basket of oval form, with embossed foliate and garland decoration, and a pierced handle, height 14.5cm, approx. weight 11.5oz. (2) £300-400

163 A pair of silver travelling chambersticks, marked Sterling, probably American, plain circular form, screw-off urn capitals, diameter 9.4cm, approx. weight 4.9oz. (2) £150-200

164 By Tiffany and Co., a pair of American silver-handled boot jacks, circa 1890, the plain handles applied with a monogram, steel shafts and hooks, length 16.5cm. (2) £300-400

165 An Israeli metalware mounted book of The Holy Scriptures, by Dugma, rectangular form, the front applied with a crown, two stone cabochons and inscribed ‘Bible’, with a hinged clasp fitting, length 13.2cm. £150-200

166 An early 19th century French provincial silver wine taster, maker’s mark of S.J.D in a lozenge, 1819-1838, shallow circular form, ring handle, inscribed ‘E.C. Lelong’, diameter 6.5cm, approx. weight 1.2oz.

£100-150

167 A French silver brandy pan, by the Linzeler Brothers, Paris, circular form, faceted wooden handle, length 20cm, plus a French silver wine taster, circular form, fluted and beaded decoration, ring handle, approx. total weight 8oz. (2) £200-300

168 An 18th century Swedish silver beaker, by Carl Lemon, Uppsala 1768-1786, tapering circular form, gilded upper and lower border, engraved decoration, with initials, on a circular foot, height 10cm, approx. weight 3.4oz. £100-150

169 A 19th century Maltese silver mug, by Enrico Critien,1848, Sir Thomas Maitland period, tapering circular form, scroll handle, gilded interior, engraved with two crests, reeded borders, height 9.7cm, approx. weight 8.6oz. £400-600

170 A three-piece Malaysian metalware coffee set and tray, Kelantan, baluster form, foliate decoration, scroll handles, the tray of circular form, chased foliate decoration, plus a metalware spoon, diameter of tray 29.2cm. (5) £200-300

171 An Indian silver hot water jug, by Oomersi Mawji, Bhuj, Cutch, tapering circular form, chased with animals with foliate scroll decoration, on a matted background, wicker-bound scroll handle, the hinged cover with a wooden scroll finial, height 18.8cm, approx. weight 10.8oz. £600-800

172 A Spanish silver mirror, marks worn, possibly Cordoba, maker’s mark LA?, probably 18th century, arched rectangular form, embossed foliate scroll and fruit decoration, with a central urn, some distress to mirror, wooden easel back, height 47.5cm. £800-1,200

173 A 19th century Italian silver oil lamp, Rome, the central column modelled as a classical maiden holding the oil lamp in her raised hand, she is standing on a large globe on a raised cylindrical and spread circular base, some sections missing, wooden underside to base, height 46.8cm. £600-800

174 A 19th century Portuguese silver wine taster, maker’s mark unidentified, Oporto circa 1860, tapering circular form, engraved foliate border, raised centre, in a fitted case, diameter 11.5cm, approx. weight 4oz. £300-400

175 A 19th century silver feeding bowl, marked to underside of base PAJ, probably colonial, circular gilded bowl, covered feeding spout, length 10.8cm, approx. weight 1.7oz. £150-200

£400-600

176 A three-piece Chinese silver tea set, marked to the underside with Chinese characters, baluster form, foliate decoration, leaf-capped scroll handles, on four bracket feet, length handle to spout 25.5cm, approx. weight 31oz. (3)

177 A Dutch two-handled silver brandy pan, maker’s mark WF conjoined, possibly 18th century, lobed oval form, mythical beast head mounted scroll handles, engraved with an armorial, gilded interior, on a raised lobed oval foot, length handle to handle 23.3cm, approx. weight 7.37oz.

£150-200

the body decorated with a carriage on a matted background with a monogram and date ‘1883’, the rim inscribed ‘For the best four-in-hand and best-appointed gentleman’s drag’, height 24.5cm, approx. weight 31.5oz. £1,000-1,500

178 By Fabergé, a Russian two-handled silver sugar bowl and cover, Moscow 1908-1917, circular form, with a band of classical swan and garland decoration, on a matted background, angular fluted scroll handles, the hinged cover with a fluted finial, beaded borders, on a circular foot, gilded interior, initialled, length handle to handle 17cm, approx. weight 17.5oz. £1,000-1,500

179 A late 19th century American silver carriage driving trophy tankard, by The Whiting Manufacturing Company, New York circa 1883, tapering circular form, the scroll handle modelled as a horse’s tail, the hinged cover with a horse’s head finial,

178

180 A continental silver beaker, with an unidentified town mark and maker’s mark MB conjoined, possibly 17th century, tapering octagonal panelled form, gilded interior, the base set with a Christian II Electorate of Saxony, half Thaler, with 19th century initials and armorials, height 8.2cm, approx. weight 3oz. £400-600

181 A late 17th / early 18th century continental silver-gilt beaker, maker’s mark I*?, also marked with an eagle with spread wings, circa 1700, tapering circular form, embossed with three medallions of male heads within foliate scroll decoration, on a matted background, on a tall raised foliate circular foot, height 11.8cm, approx. weight 3.6oz. £600-800

182 A mixed lot of silver flatware, various dates and makers, comprising: nine Old English pattern tablespoons, twelve Thread pattern dessert knives and two table knives, Sheffield 1937, eight teaspoons, three pairs of sugar tongs, a jam spoon and a salt spoon, plus a small quantity of electroplated flatware, approx. weighable 33oz. (qty)

£300-400

A Victorian matched silver Fiddle pattern canteen for six, by George Adams, London 1847/8, William Chawner, London 1829, and Messrs. Lias, London 1840, the terminals initialled, comprising: six dessert forks, six dessert spoons, six tablespoons, six table forks, and six teaspoons, and a condiment ladle, plus two Old English pattern sauce ladles, a cream ladle, and three tablespoons, and eight Bright-cut teaspoons, approx. weight 65oz. (qty) £800-1,200

184 A mixed lot of silver flatware, various dates and makers, comprising: twelve matched table forks, a set of six tablespoons, London 1829, six Fiddle and Thread pattern tablespoons, a pair of sauce ladles, ten various tablespoons, a pair of sauce ladles, two dessert spoons, twelve teaspoons and three salt spoons, and a small quantity of electroplated flatware, approx. weighable 94oz. (qty)

£700-900

185 A mixed lot of silver flatware, various dates and makers, comprising: four Irish table forks, four tablespoons, four dessert spoons, a butterknife, forty-five various teaspoons, six condiment spoons, a pair of sugar tongs, two forks, and other items including two cased sets of six teaspoons and a cased set of six coffee spoons, approx. weighable 60oz. (qty) £300-400

186 A mixed lot of silver flatware, various dates and makers, comprising: a pair of sardine servers, four pairs of sugar tongs, thirty-five teaspoons, two butterknives, two salt spoons and a reproduction Roman spoon, approx. weight 27oz. (qty) £200-300

187 A collection of silver Old English pattern flatware, various dates and makers, comprising: twelve table forks, by J. Round, Sheffield 1908/09, six dessert forks, five dessert spoons, six tablespoons and an Exeter basting spoon, 1819, approx. weight 56oz. (qty) £400-600

188 A mixed lot of silver flatware, including: a cased pair of French sugar tongs, a commemorative spoon, six silver-handled tea knives, a serving slice, a marrow spoon, various condiment spoons, various souvenir spoons, a continental spoon and an electroplated meat skewer, approx. weighable 15oz. (qty) £200-300

189 A matched silver Hanoverian Rat-tail pattern canteen for six, by The Barker Brothers, Chester 1910, J. Round, Sheffield 1910, and one tablespoon, London 1921, comprising: six table forks, six dessert forks, silver dessert spoons, five tablespoons, a pair of sauce ladles and a pair of salt spoons, approx. weight 54oz. (qty) £500-700

190 A mixed lot of silver flatware, comprising: a set of six George IV King’s Hourglass pattern table forks, London 1826, a set of five Fiddle, Thread and Drop pattern table forks, London 1806, a set of five Queen’s pattern dessert spoons, by George Adams, London 1856, a set of six Hanoverian Rat-tail pattern dessert spoons, Sheffield 1879, a pair of Fiddle and Thread sauce ladles and a Hanoverian Rat-tail sauce ladle, approx. weight 58.5oz. (qty) £500-700

191 A matched set of six William IV and Victorian silver Fiddle pattern dessert forks, by Charles Boyton, London1830/31 and 1838, the reverse of the terminals with a crest, plus a cased set of six silver teaspoons, approx. weight 10oz. (12) £150-200

192 A collection of silver flatware, various dates and makers, comprising: seven Hanoverian pattern tablespoons, including London 1726, a matched set of six King’s Hourglass teaspoons, and four dessert spoons with later decoration, approx. weight 24oz. (17) £250-300

part

193 A mixed lot of silver flatware, various dates and makers, comprising: a set of six Fiddle pattern forks, by William Bennett, London 1828, plus Hanoverian pattern: a set of six soup spoons, by Goldsmiths & Silversmiths Co Ltd, Sheffield 1940, a matched set of six tablespoons, maker’s mark ‘F.J.M.Ltd’, Sheffield 1931 and 1933, a matched set of six dessert spoons, by Cooper Brothers & Sons Ltd, Sheffield 1924-1929, a matched set of six dessert forks, and a matched set of six teaspoons, total approx. weight 62.1oz. (36) £500-700

λ 194 A mixed lot of silver flatware, various dates and makers, comprising: a pair of Harlequin sugar nips, maker’s mark worn, London 1823, another pair of sugar nips, a George II marrow scoop, London 1728, a silver-gilt sifting spoon with a mother-of-pearl handle, another sifting spoon, a ladle, a punch ladle with a whale bone handle, a cased spoon, a cased pair of fruit serving spoons, Sheffield 1898, a cased set of six Apostle teaspoons and tongs, plus a salt spoon and a mustard spoon, approx. weighable 16oz. (qty) £300-400

195 A mixed lot of silver flatware, various dates and makers, comprising: a George III Old English pattern basting spoon, London 1787, two Irish tablespoons, three further tablespoons, two Danish tablespoons, five jam spoons, two pairs of sugar tongs, two bread forks, three butterknives and a Norwegian spoon, approx. weighable 22oz. (qty) £250-300

196 A mixed lot of antique silver flatware, various dates and makers, comprising: fifteen Hanoverian pattern table forks, with threepronged tines, the terminals with initials and crests, plus six three-pronged Dog-nose dessert forks, and six Dog-nose pattern dessert spoons, terminals possibly re-fashioned, approx. weight 41oz. (qty) £500-750

197 A mixed lot of English and continental silver flatware, various dates and makers, comprising: a christening fork and spoon, a pair of butterknives, a fork, a salt spoon, a jam spoon, seven teaspoons, a souvenir spoon, a baby spoon, a strainer, a fish slice, a knife and fork with wooden handles, three further teaspoons, and eleven Apostle teaspoons, approx. weighable 20oz. (qty) £100-150

198 A George II West Country silver punch ladle, possibly by Sampson Bennett of Falmouth, Exeter 1740, oval form, turned wooden baluster handle, the reverse of the bowl scratch initialled ‘I’ over ‘IA’, length 32.5cm. £80-120

199 A George III provincial silver meat skewer, by Robert Jones of Liverpool, Chester 1810, plain ring terminal, initialled, length 26cm, approx. weight 1.2oz. £200-300

Provenance: From the private collection of the late Joyce Lowe, of Lowe and Sons, Chester. She became the only female Honorary Member of The Chester Goldsmiths Company in her family’s two hundred year ownership of the firm (1770-1977).

Written up in Ridgway, M., Chester Silver 1727-1837, Phillimore and Co. Ltd., 1985, page 93, no.2 in the skewer section.

200 A George III silver naturalistic spoon, by Edward Farrell, London 1817, leaf shaped bowl, the pierced foliate handle with a standing jester, length 12.5cm, plus a Queen Anne silver Dog-nose spoon, London 1703, later initials, approx. total weight 2.6oz. (2) £100-150

202 A George III silver Old English pattern straining spoon, possibly by William Townsend, London 1775, length 29.5cm, approx. weight 3.6oz. £100-150

203 A small collection of four George III silver meat / poultry skewers, plain ring terminals, comprising: one by Smith and Fearn, London 1792, one by Solomon Hougham, London 1812, plus one 1807 and one 1808, approx. total weight 9oz. (4) £200-300

208

204 By Tiffany and Co., a pair of late 19th century American silver Aesthetic Movement grape scissors, Edward Moore period, with engraved and pierced decoration, geometric handles, length 15.4cm, approx. weight 3oz. £400-600

205 The Worshipful Company of Vintners, a George III Old English pattern silver tablespoon, by Richard Crossley, London 1799,

206 A pair of modern silver grape scissors, maker’s mark of E.M, London 1973, trailing grapevine handles, plus a pair of William IV silver grape scissors, by Rawlings and Summers, London 1829, plain ring handles, approx. total weight 6.4oz. (2) £150-200

by Richard Scarlett, London 1724, the reverse of the bowl with a double drop heel, the reverse of the terminal with scratch initials ‘W’ over ‘W.E’, length 34.5cm, approx. weight 4.9oz.

210 A modern silver part canteen for four, by Elkington and Co., Birmingham 1961/62, stylised Old English pattern, comprising: five table forks, four fish forks, four fish knives, four soup spoons, four dessert spoons, a dessert fork, four table knives, two dessert knives and a teaspoon, approx. weighable 41oz. (qty) £300-400

211 A collection of 19th century silver King’s and Queen’s pattern flatware, comprising: twelve George IV King’s pattern table forks by Charles Eley, London 1827, eight Victorian Queen’s pattern dessert forks by Joseph & Albert Savory, London 1839, and six Edwardian Queen’s pattern dessert spoons by John Round & Son Ltd, Sheffield 1905, approx. weight 74.8oz. (26) £700-900

212 A set of twelve Victorian silver-gilt Albany pattern ice cream spoons, a sifting spoon and ladle, by Mappin & Webb, London 1886, total approx. weight 14.5oz. (14) £200-300

213 A set of six silver Hanoverian pattern ice cream spoons, by The Goldsmiths and Silversmiths Company, London 1920, gilded bowls, the reverse of the terminals with a crest, approx. weight 5.4oz. (6) £80-120

λ 214 A mixed lot of silver flatware, various dates and makers, including: a pair of Victorian harlequin sugar nips, by Charles and George Fox, London 1854, a Liberty butterknife, Birmingham 1908, a Scottish punch ladle, with twisted whale-bone handle, by George McHattie, Edinburgh 1826, another silver punch ladle, the base set with a coin, (handle a.f), and a butterknife, total approx. weighable 3oz. (5) £200-300

215 A set of twelve silver-gilt and enamel teaspoons, by Mappin and Webb, Sheffield 1932, the terminals with an enamelled butterfly, in a fitted case, approx. weight 4oz. £100-150

216 A matched set of six early 18th century Hanoverian Rat-tail pattern silver tablespoons, London, marks worn, also with French import mark, the terminals engraved with two different crests, approx. weight 13.2oz. (6) £150-200

217 A good set of six George II silver Hanoverian pattern tablespoons, by James Tookey, London 1756, plain terminals, approx. weight 12.9oz. (6) £300-400

Provenance: From the private collection of the late Joyce Lowe, of Lowe and Sons, Chester. She became the only female Honorary Member of The Chester Goldsmiths Company in her family’s two hundred year ownership of the firm (1770-1977).

218 A set of six George III silver Old English pattern tablespoons, maker’s mark of J.S, London 1778, plain terminals, plus a set of six George III silver Bright-cut teaspoons, by Peter and William Bateman, London 1808, approx. total weight 14.5oz. (12) £200-300

219 A set of four George III silver Fiddle pattern dessert forks and spoons, Paul Storr, London 1815, the terminals with a crest, approx. weight 11.5oz. (8) £300-500

220 Two Korean metalware spoons and four chopsticks, circa 1953, oval bowls, the tapering handles with engraved decoration, with two presentation letters dated ‘25 September 1953’, length of spoon 20.1cm. (6) £100-150

221 A Victorian silver King’s pattern soup ladle, by Charles Boyton, London 1886, oval bowl, the terminal with a crest, plus a George IV silver Fiddle pattern soup ladle, London 1821, plain terminal, approx. total weight 19.9oz. (2) £250-300

223 A collection of antique silver Fiddle pattern flatware, various dates and makers, comprising: eleven table forks, by George Adams, London 1869, a soup ladle, a basting spoon, three tablespoons, four dessert forks, nine dessert spoons and a teaspoon, approx. weight 70oz. (qty) £700-900

222 A Victorian silver Fiddle, Thread and Shell pattern canteen for twelve, by J. Aldewinckle & T. Slater, London 1893, the terminals engraved with a crest, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons, twelve tablespoons, ten teaspoons, plus matching items, different makers and with initials comprising: a pair of sauce ladles, a sifting spoon, and six egg spoons, approx. weight 154oz. (qty) £1,500-2,000

224 A Victorian silver Fiddle, Thread and Shell pattern part canteen for twelve, by John Aldwinckle & James Slater, London 1881, with an engraved crest to the terminals, comprising: twelve table forks, twelve dessert spoons, ten dessert forks, ten teaspoons, and eight tablespoons, approx. weight 119.9oz. (qty) £1,500-2,500

223 part

225 By Garrard and Co., a Commemorative parcel-gilt silver Lace-back Trefid pattern canteen for twelve, London 1981, celebrating the marriage of King Charles III to Lady Diana Spencer, the terminals applied with gilded Prince of Wales Feathers, three-pronged forks, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons, twelve fish knives and forks, twelve table knives, twelve dessert knives, twelve teaspoons, twelve coffee spoons, six tablespoons, two sauce ladles, and a three-piece carving set, in a brass bound three-drawer Indian rosewood case, the top inlaid with a circular brass plaque inscribed ‘Celebration of the Royal Wedding, 29th July 1981’, approx. weighable 156oz. £3,500-4,000

226 A matched silver Old English pattern part canteen for eighteen, by Searle and Co., the majority London 1923/35, comprising: eighteen table forks, fifteen tablespoons, seventeen dessert spoons, twelve dessert forks, three teaspoons, a pair of sauce ladles and a soup ladle, plus various composition handled table and dessert knives and a three-piece carving set, in a fitted wooden case, approx. weight 142oz. £1,500-2,500

227 An early 19th century Scottish provincial silver Fiddle pattern toddy ladle, by William Jamieson, Aberdeen circa 1820, the terminal with initials, plus another early 19th century Scottish provincial silver Fiddle pattern toddy ladle, by George Booth circa 1830, the terminal with initials, approx. weight 2oz. (2) £80-120

228 A collection of five George III Scottish silver Fiddle pattern teaspoons, Glasgow, various makers, the reverse of the terminals with initials, including: one by David Warnock, two by W.M, and two others, approx. weight 1.6oz. (5) £150-200

229 A collection of seven George III Scottish silver Fiddle pattern teaspoons, Edinburgh, various makers, the reverse of the terminals with initials, including: a set of four by Aitchison & Son, one by James Hewitt, one by William Davie, and one with maker’s mark of DE, approx. weight 2.4oz. (7) £150-200

230 A pair of William IV Scottish silver quaiches, by Elder & Co, Edinburgh 1831, circular form, embossed and chased with game birds in a landscape and cartouches, engraved with a crest, gilt interiors, fox mask handles, on a circular foot, length handle to handle 10.8cm, total approx. weight 5.2oz. (2) £300-400

231

£200-300

232 A set of six George III Irish Bright-cut dessert spoons, by John Power, Dublin 1811, with vacant cartouches and engraved Prince of Wales feathers to the terminals, plus a pair of George III Irish silver tongs by Benjamin Taitt, Dublin circa 1790, with Bright-cut decoration and an initialled cartouche, approx. weight 5.7oz. (7) £200-300

A George III Irish silver Bright-cut straining spoon, maker’s mark of JS, Dublin 1800, the terminal with a star motif and initialled, length 33.2cm, approx. weight 4.3oz.

233 A pair of mid-18th century Irish silver two-handled cups, marks partially lost in decoration, possible maker’s mark M or W?, circa 1750-60, circular form, central girdle, embossed with scroll-work, trailing vines, birds and foliate decoration, engraved with two crests, leaf-capped scroll handles, on raised circular bases, the underside of both with initials ‘F’ over ‘T.M’ and ‘R’, height 13.4cm, total approx. weight 27.4oz. (2) £600-800

The crests are that of Brin, Clifford, Duin and others.

16cm,

weight 5.8oz. £200-300

234 A George II Irish silver sugar bowl, maker’s mark worn, probably by Andrew Goodwin, Dublin circa 1750, circular form, fluted bowl with scalloped rim, on three lion mask paw feet, the underside with a scratch weight ‘10’5’, diameter 14.8cm, approx. weight 9.7oz. £400-600

235 A George III Irish silver sauceboat, maker’s mark W?, Dublin circa 1770, oval form, wavy-edge border, leaf capped scroll handle with fluted scroll motif, on three lion mask capped pad feet, length

approx.

236 The Yorkshire Club, a Victorian provincial silver Old English pattern basting spoon, by James Barber & William North, York 1838, also with the town mark, the terminal engraved with the Yorkshire Rose, length 30.5cm, approx. weight 5oz. £300-400

The Yorkshire Club was established in 1839 at number 5 St Leonard’s Place, and it merged with The Yorkshire Union Hunt Club in 1856. The silver flatware from the club was sold at Christie’s on the 8th October 1969.

For further reading see Schrager, L., The Yorkshire Club and Its Flatware, The Finial, Volume 32/02 Nov/Dec 2021, pages 10 and 11.

237 The Yorkshire Club, a Victorian provincial silver Old English pattern soup ladle, by James Barber & William North, York 1841, also with the town mark, the terminal engraved with the Yorkshire Rose, length 26.4cm, approx. weight 25.2oz. £220-280

The Yorkshire Club was established in 1839 at number 5 St Leonard’s Place, and it merged with The Yorkshire Union Hunt Club in 1856. The silver flatware from the club was sold at Christie’s on the 8th October 1969.

For further reading see Schrager, L., The Yorkshire Club and Its Flatware, The Finial, Volume 32/02 Nov/Dec 2021, pages 10 and 11.

238 The Yorkshire Club, a Victorian provincial silver Old English pattern sauce ladle, by James Barber & William North, York 1838, also with the town mark, the terminals engraved with the Yorkshire Rose, length 17.1cm, approx. weight 2.6oz. £150-200

The Yorkshire Club was established in 1839 at number 5 St Leonard’s Place, and it merged with The Yorkshire Union Hunt Club in 1856. The silver flatware from the club was sold at Christie’s on the 8th October 1969.

For further reading see Schrager, L., The Yorkshire Club and Its Flatware, The Finial, Volume 32/02 Nov/Dec 2021, pages 10 and 11.

239 The Yorkshire Club, a Victorian provincial silver Old English pattern fish slice, by James Barber & William North, York 1838, also with the town mark, the blade with pierced decoration, the terminal engraved with the Yorkshire Rose, length 30cm, approx. weight 4.8oz. £300-400

The Yorkshire Club was established in 1839 at number 5 St Leonard’s Place, and it merged with The Yorkshire Union Hunt Club in 1856. The silver flatware from the club was sold at Christie’s on the 8th October 1969.

For further reading see Schrager, L., The Yorkshire Club and Its Flatware, The Finial, Volume 32/02 Nov/Dec 2021, pages 10 and 11.

240 The Yorkshire Club, a Victorian provincial silver Old English pattern basting spoon, by James Barber & William North, York 1838, also with the town mark, the terminal engraved with the Yorkshire Rose, length 30.7cm, approx. weight 5.3oz. £300-400

The Yorkshire Club was established in 1839 at number 5 St Leonard’s Place, and it merged with The Yorkshire Union Hunt Club in 1856. The silver flatware from the club was sold at Christie’s on the 8th October 1969.

For further reading see Schrager, L., The Yorkshire Club and Its Flatware, The Finial, Volume 32/02 Nov/Dec 2021, pages 10 and 11.

242 A George III provincial silver cream jug, by James Barber & William Whitwell, York 1815, oblong bellied form with a reeded band and border, reeded scroll handle, height 9.5cm, approx. weight 4.4oz. £80-120

243 A George III provincial silver mug, by Edward Jackson, York 1819, tapering circular form with reeded bands, scroll handle, height 6.5cm, approx. weight 2.8oz. £60-80

241 A Victorian provincial silver cream jug, by James Barber & William North, York 1840, shaped circular bellied form, on four shell bracket feet, scroll handle, height 9.5cm, approx. weight 5.2oz. £80-120

244 A George III provincial silver poultry skewer, by Hampston, Princes & Cattles, York circa 1800, tapering form, with a ring terminal handle, length 13.7cm, approx.

245 A pair of George IV provincial silver Fiddle pattern sauce ladles, by James Barber & William Whitwell, York 1821, the terminals initialled, length 18.6cm, approx. weight 4oz. (2) £100-150

246 A William IV provincial silver Fiddle pattern basting spoon, by James Barber, George Cattle II & William North, York 1832, also with the town mark, the terminal with a crest, length 30cm, approx. weight 4.5oz. £300-400

The crest is that of Walker of Yorkshire, Beauchamp, Lee and Massy.

247 A George III provincial silver meat skewer, by John Hampston & John Prince, York circa 1780, tapering form, ring terminal handle with Bright-cut decoration, crested, length 32.5cm, approx. weight 3.8oz. £150-200 The crest is that of Player.

248 Four pairs of antique York silver sugar tongs, various dates, conventional form, comprising: a Fiddle and Thread pattern pair by James Barber & William North, two pairs by Robert Cattle & James Barber and a pair by Edward Jackson, approx. weight 5.3oz. (4) £100-150

249 A William IV provincial silver Fiddle pattern sifting spoon, by James Barber, George Cattle II & William North, Yorkshire 1832, oval pierced bowl, the terminal crested, plus a George III toddy ladle, by Hampston, Prince & Cattles, date letter worn, wooden baluster handle (repaired), the bowl set with a coin, approx. weighable 0.7oz. (2) £150-200

250 Four pairs of antique York silver sugar tongs, various dates, conventional form, comprising: three Fiddle pattern pairs by James Barber & William North, plus a Bright-cut pair by James Barber & William Whitwell, approx. weight 5.9oz. (4) £100-150

251 A pair of George IV provincial silver knife rests, by James Barber, George Cattle II & William North, York circa 1825, baluster form, baluster cross frame ends, length 7.4cm, approx.

252 spoon, by James Barber & William Whitwell, York 1821, the terminal initialled with a ‘C’, length 29.4cm, approx. weight 3.8oz. £300-400

with the town mark, length 34.9cm, approx. weight 8.3oz. £400-600

254 A George III provincial silver meat skewer, by Robert Cattle & James Barber, York 1811, tapering form, ring terminal handle, crested, length 26.8cm, approx. weight 2.7oz. £120-140

The crest is that of Baines of Bell Hall, Yorkshire.

255 A George IV provincial silver Fiddle pattern fish slice, James Barber, George Cattle II & William North, York 1827, the blade with pierced decoration, length 29.5cm, approx. weight 4.2oz. £140-180

256 A set of four George III provincial silver salt cellars, by Hampston, Prince & Cattles, York 1797, oval form, with bright-cut engraved decoration, on four pierced scroll feet, with blue glass liners, initialled cartouche, length 8cm, approx. weight 6.6oz. (4) £800-1,200

257 A George III provincial silver salt cellar, by Robert Cattle & James Barber, York 1807, oval form, on a raised oval base, with a reeded border, gilded bowl, and another similar by John Emes, London 1804, plus another by Hampston, Prince & Cattles, overstriking another, York 1801, oval form, scroll handles, length handle to handle 13cm, approx. weight 7.9oz. (3) £180-200

258 A George III provincial silver teapot, by Hampston, Prince & Cattles, York 1801, plain circular cape form, wooden scroll handle, flush pull-off cover with wooden finial, length handle to spout 25cm, approx. weight 16.9oz.

£600-800

259 A George III provincial silver cream jug, maker’s mark worn, probably for James Barber & William Whitwell, York 1815, oblong bellied form with a reeded band, gadrooned border, scroll handle, on four ball feet, height 9cm, approx. weight 4oz. £80-120

260 A George III provincial silver four-bottle cruet frame, by Hampston, Prince & Cattles, overstamped by John Hampston & John Prince, York 1799, also with the town mark, oval form, reeded wire-work frame, central carrying handle, on an oval base with reeded border and four scroll feet, with four silvermounted glass bottles, two with pull-off pierced covers, height 28cm, approx. weight 23.5oz. £1,200-1,500

262 A George III provincial silver teapot, by John Hampston & John Prince, York circa 1785, also with the town mark, plain oval form, wooden scroll handle, flush-hinged cover with wooden finial, engraved decoration, initialled, length handle to spout 23.5cm, approx. weight 12.3oz. £600-800

261 A George III provincial silver brandy pan, by John Hampston & John Prince, York 1790, circular bellied form, with a turned wooden handle, length 21.5cm, approx. weight 5.8oz. £600-800 The crest is that of Bagge, Borough, Burrowes, Francheville and others.

260

262

261

OTHER PROPERTIES

263 A pair of silver-mounted glass whisky tots, by S Blanckensee & Son Ltd, Birmingham 1925, tapering conical form, scroll handles, plain hinged mounts, with two whisky labels, Chester 1925 and one unmarked, height 10.8cm (2)

£150-200

264 A late-Victorian silver pot and cover, by Elkington and Co., Birmingham 1893, artichoke form, pull-off cover, height 5.3cm, plus a silver pot-pourri pot and cover, pierced decoration, Birmingham 1914, and a Victorian silver bowl, London 1867, approx. weight 14oz. (3) £200-300

265 A George III silver mug, by James Sutton, London 1781, baluster form, leaf-capped scroll handle, later foliate scrolls, gilded bowl, on a circular foot, height 13.2cm, approx. weight 11.9oz.

£200-300

266 A Britannia standard silver ‘sparrow beak’ cream jug, by George Lowe and Son, Chester 1938, baluster form, scroll handle, on three hoof feet, height 9.2cm, approx. weight 6.5oz. £200-300

Provenance: From the private collection of the late Joyce Lowe, of Lowe and Sons, Chester. She became the only female Honorary Member of The Chester Goldsmiths Company in her family’s two hundred year ownership of the firm (1770-1977).

For the maker’s mark see Ridgway, M., Chester Silver 1837-1962, Denbigh Ltd., 1996, plate 41.

£250-300

by

£150-200

270 A

II

worn, probably 1746 or 1753, oval form, wavy-edge border, leaf-capped scroll handle, on three hoof feet, length 18cm, plus a sauce boat, by Nathan and Hayes, Chester 1903, oval form, leaf-capped scroll handle, approx. total weight 14.5oz. (2) £200-300

267 A George I silver mug, maker’s mark worn, London 1724, tapering form, scroll handle, the front with an armorial shield, on a raised circular foot, the underside later inscribed, height 11.7cm, approx. weight 12.3oz.

The armorial is that of C(o)oke, quartering Baroughby/Baronby and Major/Mayor.

J. Chatterley and Co., Birmingham 1966, plain form, baluster handle, height 11.3cm, approx. weight 7oz. £150-200

269 A George IV silver kettle stand, maker’s mark ?A, London 1823, circular form, with hanging fruit garland decoration, on three leaf capped scroll shell formed feet, diameter 11.2cm, approx. weight 11.7oz.

George

silver sauce boat, marks

272

271 A modern silver-mounted glass claret jug, by Da-mar Silverware, London 1977, tapering bellied form, the mount with a scroll form foliate handle, Bacchus mask spout, domed hinged cover with crown finial, height 29.8cm. £150-200

273 A Victorian silver-mounted claret jug, by Charles Boyton, London 1885, tapering circular form, hob-nail cut decoration, the mount with a scroll handle and with birds and foliate scroll decoration on a matted background, hinged cover with a beaded finial, on a later unmarked circular foot, height 33cm. £300-400

272 A Victorian silver-mounted glass decanter, by Henry Stratford, Sheffield 1884, the plain mount with a pull-out stopper, ring terminal, tapering glass body, height 22cm. £150-200

274 Three 19th century coloured glass decanters, tapering circular ship decanter form, engraved with grapes, thistles, roses and shamrock, blue, green and amber coloured bodies, with plated stoppers titled ‘BRANDY’, ‘GIN’ and ‘WHISKY’, with a George III silver wine label, London 1813, incised ‘CLARET’, four modern labels and an electroplated label. (9) £100-150

276 A pair of Victorian silver-mounted amethyst coloured glass decanters, the mounts by George Fox, London 1878, swirl-fluted cylindrical form, the mounts with engraved decoration and four lips, with pull-out figural stoppers, one stopper mount detached from cork, height 29.5cm. (2) £200-300

274

275 276

275 A late-Victorian silver-mounted glass claret jug, by King & Son, Chester 1895, tapering lobed circular form, the glass with engraved decoration, plain mount with a hinged cover, fluted scroll handle, height 25cm. £80-120

£150-200

£500-700

16.7oz. £200-250

277 A silver tazza, by The Barker Brothers, Chester 1914, circular form, moulded border, on a raised circular foot, diameter 21cm, approx. weight 11.9oz.

278 by West & Son, London 1896, Corinthian column form, removable beaded drip pans, on raised, filled, stepped square bases with beading, height 16cm. (2) £100-150

279 A pair of George III silver sauce boats, by Walter Brind, London 1762, oval form, leaf capped scroll handles, wavy-edge border, on three shell capped hoof feet, length 18.8cm, approx. weight 18.5oz. (2)

280 An Edwardian silver two-handled dish, by A. Haviland-Nye, Sheffield 1904, shaped square form, inset handles, pierced foliate border, on a raised shaped square foot on four bracket feet, length 22.4cm, approx. weight

281 A Victorian silver mug, by J and J Angell, London 1845, baluster form, embossed decoration, leaf-capped handle, applied with an initialled cartouche, height 11cm, approx. weight 7oz.

£100-150

282 A George III silver cream jug, by Thomas Ollivant (of Manchester), London 1790, helmet form, bright cut decoration, reeded handle, on a raised circular foot, plus another George III silver cream jug, by Peter and Ann Bateman, London 1795, approx. weight 5.5oz. (2) £200-300

283 An unusual William IV silver sauce boat, by J and J Angell, London 1834, oval form, scroll handle, the base with a reservoir for hot water, and with a hinged cover, on four pad feet, engraved with a crest, length 18cm, plus a George III silver helmet cream jug, London 1788, and a George II silver baluster cream jug, London 1758, approx. weight 14.7oz. (3) £250-300

284 A George II silver waiter, by Francis Pages, London 1733, circular form, moulded border, on three hoof feet, the underside faintly scratched ‘Jane Mather’ and initials ‘RO’ over ‘1838’, diameter 15.2cm, plus a George III silver waiter / teapot stand, by James Young, London 1782, circular form, beaded border, the centre with a crest, on three pad feet, diameter 14.3cm, total approx. weight 13.62oz. (2) £200-300

285 A silver salver, by J B Chatterley & Sons Ltd, London 1930, circular form, gadroon and shell border, on four claw and ball feet, diameter 26.5cm, plus a Victorian silver salver, by Joseph Rodgers & Sons, Sheffield 1896, circular form, shell and scroll border, the centre with bright-cut foliate scrolls, on three bun feet, diameter 23.4cm, total approx. weight 33.4oz. (2)

286 A Victorian silver salt cellar, by J. Barkentin, London 1862, circular form, with rams’ heads, gilded bowl, on four scroll and hoof feet, diameter 9.4cm, approx. weight 4.3oz. £100-150

£300-400

287 A Victorian silver two-handled sugar bowl, by R & S Garrard & Co, London 1891, tapering circular form, scroll handles, height 10.4cm, plus an Edwardian silver bleeding bowl or porringer, the bowl engraved ‘Deal justly, live cleanly, breath sweet breath‘, the handle chased with allegorical figures, by Elkington & Co Ltd, London 1902, height 6.8cm, total approx. weight 17.7oz. (2)

£200-300

288 A Victorian silver-gilt mug, by C.F. Hancock, London 1862, circular form, scroll handle, engine-turned decoration, initialled, on a circular foot, height 7.5cm, plus a George III silver wine coaster, by John Roberts & Co., Sheffield 1810, circular form, part-fluted decoration, turned wooden base, with a central button, approx. weighable 5.9oz. (2)

£300-400

scroll base, scroll handle, detachable drip pan and conical snuffer, approx. total weight 13oz. (2) £250-300

289 A Victorian silver mustard pot, by Charles and George Fox, London 1854, plain drum form, the hinged cover with a shell thumb-piece, engraved with a crest, with a later blue glass liner, height 7cm, approx. weight 4oz. £100-150

290 A Victorian silver mustard pot, by Thomas Hughes Headland, London 1848, circular form, pierced scroll decoration, the hinged cover with engraved decoration, scroll handle, with a blue glass liner and matched spoon, approx. weight 4.3oz. (2) £150-200

291 A late-Victorian silver mug, by H. Atkin, Sheffield 1897, tapering circular form, scroll handle, height 12.5cm, approx. weight 10oz. £100-150

292 An Edwardian silver chamberstick, by Thomas Bradbury, London 1901, shaped circular form, scroll handle, detachable drip pan and conical snuffer, diameter of base 15cm, plus a Victorian silver chamberstick, by Henry Wilkinson and Co., Sheffield 1848, on a raised shaped foliate

293 A Britannia standard silver bleeding bowl / porringer, by Vander & Hedges Tessiers Ltd, London 1912, circular form, pierced side handle, spot hammered decoration, with presentation inscription, length 20cm, plus a Britannia standard silver single-handled bowl by Cornelius Joshua Vander, London 1903, circular tapering form, scroll handle, spot hammered decoration, on a circular base, height 6.8cm, total approx. weight 19.7oz. (2)

294 An Edwardian silver pen / dressing table tray, by William Hutton and Sons, Birmingham 1907, rectangular form, beaded borders, the centre with ribbon-tied garlands, with a monogram, length 24.3cm, approx. weight 4oz.

£80-120

£200-300

295 A George III silver cream jug, by Edward Farrell, Birmingham 1813, oblong bellied form, scroll handle, gadroon border, on four ball feet, initialled and later inscribed, plus a Victorian tea canister, Sheffield 1900, the cover later pierced, approx. total weight 8.8oz. (2)

£150-200

296 A pair of silver five-bar toastracks, by Walker and Hall, Sheffield 1904, rounded rectangular form, central carrying handle, on four bun feet, length 9cm, approx. weight 8.9oz. (2) £150-200

297 A George III Channel Islands silver mug, by Pierre Amiraux, Jersey circa 1760-70, baluster form, scroll handle, on a raised circular foot, the underside scratch initialled ‘RNC’ over ‘MAFL to EPDH’, height 12.5cm, approx. weight 13oz. £800-1,200

For maker’s mark see, Mayne, R., Channel Islands Silver, Phillimore,1985, page 24.

298 An Edwardian novelty silver ‘TOAST’ toastrack, by Heath and Middleton, Birmingahm 1904, the bars modelled as the letters of toast, on a lozenge base on four ball feet, length 12.2cm, approx. weight 2.8oz. £200-300

299 A presentation silver salver, by Wakely & Wheeler, London 1967, circular form, moulded border, on three scroll feet, inscribed ‘Presented by The Anglo-American Sporting Club to Billy Cotton, Always a Man’s Man, in recognition of his contribution to Sport and Show Business London Hilton Hotel, Monday 9th December 1968’, diameter 25.6cm, approx. weight 19.15oz. £150-200

300 A pair of Victorian silver sauce boats, by Edward, John & William Barnard, London 1848, oval form, gadroon border, leaf-capped scroll handle, on three shellcapped hoof feet, length 17.4cm, total approx. weight 25.2oz. (2) £300-400

302

301 A three-piece late-Victorian bachelor’s tea set, by James Deakin & Sons, Chester 1896, rounded rectangular form, part-fluted decoration, gadroon borders, scroll handles, length handle to spout 23.2cm, total approx. weight 18.58oz. (3) £150-200

303 A three-piece Edwardian silver bachelor’s tea set, by Walker and Hall, Sheffield 1909, circular form, central girdle, scroll handles, approx. weight 15oz. (3) £150-200

302 A three-piece late-Victorian silver tea set, by John Gallimore, Sheffield 1897, oval form, part-fluted decoration, scroll handles, approx. weight 30oz. (3) £300-400

304 A three-piece silver tea set, by Elkington and Co., Birmingham 1946, lobed circular form, engraved scroll, lattice and shell decoration, flush-hinged cover, wicker-bound scroll handle, the cream and sugar with gilded interiors, on circular bases, length handle to spout 27.5cm, approx. weight 39oz. (3)

£400-600

306 A matched three-piece tea set, various dates and makers, comprising: a teapot, by Charles & Richard Comyns, London 1926, a sugar bowl, by Wakely & Wheeler, London 1907, and a cream jug, by J B Chatterley & Sons Ltd, Birmingham 1957, total approx. weight 30.2oz. (3)

£250-300

305 A late-Victorian three-piece silver bachelor’s tea set, by A and J Zimmerman, Birmingham 1892, circular form, part-fluted decoration, scroll handles, length handle to spout 20.5cm, approx. weight 15.7oz. (3)

£200-300

304

305

306

307 A George III silver pap boat, by George Brasier, London 1800, oval form, reeded border, length 12.2cm, plus a George III silver pepper pot, London 1775, baluster form, height 12.7cm, approx. weight 3.8oz. (2) £150-200

308 A George III Britannia standard silver salver, by John Crouch I & Thomas Hannam, London 1782, circular form, beaded borders, the centre with the Royal Arms of George III, on three beaded bracket feet, diameter 21cm, approx. weight 15.2oz. £700-900

309 A George II silver sugar caster, by Samuel Wood, London 1750, baluster form, pull-off pierced cover with a knop finial, engraved with a crest, on a raised circular foot, height 18.7cm, approx. weight 8.5 oz. £200-300

The crest is that of Turner.

310 A Victorian silver salver, by George Richards & Edward Brown, London 1862, circular form, foliate and scroll moulded border, the centre with engraved foliate scroll decoration, on three foliate bracket feet, diameter 26.2cm, approx. weight 16.5oz. £150-200

£200-300

312

the pull-off pierced cover with a knop finial, on a circular foot, engraved with a crest, height 12.5cm, plus a George III silver sugar caster, London 1770, baluster form, rope-work girdle, on a circular foot, approx. weight 5.9oz. (2) £200-300

Provenance: From the private collection of the late Joyce Lowe, of Lowe and Sons, Chester. She became the only female Honorary Member of The Chester Goldsmiths Company in her family’s two hundred year ownership of the firm (1770-1977).

313 A George II silver sugar caster, by Samuel Wood, London 1744, baluster form, pull-off pierced cover with a knop finial, engraved with an armorial, on a raised circular foot, height 17cm, approx. weight 7.75oz.

314 A George II silver sugar caster, by Charles Alchorne, London 1733, baluster form, pull-off pierced cover with a knop finial, engraved with monogram, on a raised circular foot, height 15.4cm, approx. weight 5.9oz. £200-300

311 A George II silver sugar caster, by Thomas Bamford, London 1732, circular bellied form, pull-off pierced cover with a baluster finial, on a raised circular base, height 20.5cm, approx. weight 10oz. £400-600

A George II silver sugar caster, London 1748, circular bellied form,

315 A pair of silver candlesticks, by Thomas Bradbury and Sons, Sheffield 1926, in the early 18th century manner, knopped baluster stems, detachable drip-pans, on raised square bases with canted corners, height 17.5cm. (2)

£100-150

316 A silver tazza, by Collingwood & Sons Ltd., Birmingham 1919, circular shaped bowl, with a pierced foliate border and shaped rim, on a raised circular foot, diameter 18.3cm, approx. weight 13.9oz. £150-200

317 A silver two-handled trophy cup, by Charles Boyton and Sons, London 1923, baluster and tapering circular form, scroll handle, inscribed, on a wooden plinth with the names of winners, height 26.5cm, approx. weight 22oz. (2)

£200-300

318 A George III silver salver, probably by Richard Rugg, London 1777, circular form, later chased foliate scroll decoration on a matted background, on four claw and ball feet, diameter 30cm, approx. weight 26.6oz.

£300-400

319 A Victorian silver goblet cup, by Edward, John & William Barnard, London 1848, circular bellied bowl, gilded interior, engraved scroll and horse decoration with a vacant cartouche, on a raised circular foot, height 14.9cm, approx. weight 6.1oz.

320 A pair of silver candlesticks, by Ellis & Co., Birmingham 1918, octagonal-shaped stems, beaded borders, with pull-off drip pans, on raised square bases, height 21cm. (2) £100-150

£150-200

£250-300

321 A late-Victorian silver salver, by James Dixon and Sons, Sheffield 1900, circular form, husk and beaded borders, the centre engraved with a shield cartouche, on three claw and ball feet, diameter 25.5cm, approx. weight 16.5oz.

322 A pair of silver yachting trophy cups, by Edward Dimes, London 1935, vase form, plain scroll handles, pull-off cover with a yacht finial, on a raised circular foot, both inscribed ‘Glenham Cup Memento’, height 24.2cm, approx. weight 22.4oz. (2) £300-400

The Glenham Cup is a race held by The Royal Channel Islands Yacht Club.

324 A pair of silver cafe au lait pots, by

323 A late-Victorian silver coffee pot, by Charles Boyton, London 1898, baluster form, embossed scroll and fluted decoration, on a circular foot, engraved with a crest, height 26cm, approx. weight 16oz. £180-200

The crest is that of Arkwight.

325 A modern silver coffee pot, by Nayler Brothers, London 1965, in the early-18th century manner, tapering circular form, domed hinged cover with a knop finial, height 21.7cm, approx. weight 23.4oz. £200-300

324

The Barnards, London 1931, tapering panelled square form, domed covers with knopped finials, scroll handles, height 19.5cm, approx. weight 26.5oz. (2) £300-400

λ 326 A George III silver teapot, by Naphthali Hart, London 1807, rounded rectangular form, shell-capped scroll handle with ivory insulators, the hinged cover with an ivory finial, on four ball feet, engraved with a crest, length handle to spout 27cm, approx. weight 20oz.

The crest is that of Atkins, Bratt, Lysons. Ivory Act registration reference: P797V7EG.

£300-400

λ

£200-300

Ivory Act registration reference: TMZXQMBB

£150-200

326

327

327 An Edwardian silver teapot, by James Dixon and Sons, Sheffield 1909, oval form, wooden scroll handle and finial, on a raised oval foot on a rectangular base, length handle to handle 25.8cm, approx. weight 15oz.

328 A Victorian silver teapot, by William Moulson, London 1845, circular form, embossed foliate scroll decoration, scroll handle with ivory insulators, the hinged cover with a Chinaman finial, on a circular foot, initialled, length handle to spout 24.5cm, approx. weight 18oz.

329 An modern silver dish, by Edward & Sons, Sheffield 1963, circular form, pierced with trailing grapevines, the border with further embossed grapevines, on a circular foot, diameter 26.5cm, approx. weight 25.6oz. £200-300

by Docker and Burn Limited, Birmingham 1927, the barrel with a plain silver tap, two silver bands and a pull-out stopper, on a later wooden base, height 19.5cm. £150-200

331 A Victorian silver swing-handled sugar basket, by The Barnards, London 1872, tapering circular form, embossed decoration with cherub heads and garlands of flowers, on a raised circular foot, with a crest, height 12cm, approx. weight 7.7oz. £150-200 The crest is that of Walmesley.

332 Two modern silver models of owls, by Langfords Silver Galleries, London 1989, both modelled in perched positions, one on a branch, the other on an old wooden fence, textured feathers, the undersides inscribed ‘Jane and David’, ‘A pair of Wise Old Birds’, filled, heights 22cm. (2) £500-700

333 A silver entrée dish and cover, by The Goldsmiths and Silversmiths Company, London 1933, rectangular form, gadroon border, the pull-off cover with plain handles, length 28.8cm, approx. weight 42oz. £400-600

334 A continental silver dish ring, with import marks for London 1902, importer’s mark of John Piddington, circular tapering form, beaded borders, pierced and embossed with birds, grapes and foliate scroll decoration, diameter 18.3cm, approx. weight 13oz. £300-400

335 A George III silver waiter, by Robert Rew, London 1770, circular form, gadroon border, the centre with an armorial, on three hoof feet, diameter 17.5cm, plus a similar George III silver waiter, by the same maker, London 1773, gadroon border, on three hoof feet, diameter 18.8cm, approx. weight 18.5oz. (2) £250-300

336 A presentation silver salver, by Mappin & Webb Ltd, Sheffield 1934, circular form, moulded border, the centre with a presentation inscription ‘Presented to Lt Col C W M Norrie DSO MO by the Members of Sergts Mess XRH 1935’, on three hoof feet, diameter 27.2cm, approx. weight 20oz. £150-200

weighable 3.8oz. (3) £100-150

337 A

lamp,

London 1887, rectangular form, hinged front cover, with a hinged top cover with applied monogram initials, the reverse with a ring attachment and spike supports, the base with turning supports for table use, with a vesta compartment and hinged cover with a striker, height closed 15.5cm. £500-700

approx. weight 18oz. £500-700

338

Victorian silver carriage

by W & G Neal,

339 A Victorian Aesthetic Movement silver ewer by Frederick Elkington, Birmingham 1870, circular body, engraved decoration, scroll handle, tapering neck, flush-hinged cover, foliate finial, on a raised oval foot, height 27.5cm,

338 An Edwardian silver epergne, by Walker and Hall, Chester 1906, with a central vase and three further vases, on a raised circular base, height 32.5cm, plus a pair of silver vases, Birmingham 1907, approx.

337 open

340 A pair of modern silver three-light candelabra, by William Comyns & Sons Ltd, London 1967, in the George I manner, knopped baluster stems, spoolshaped capitals, scroll branches, on raised filled circular bases, height 35.5cm, approx. weight of branches 23.3oz. (2)

£400-600

341 A silver two-handled siphon stand, by Mappin and Webb, Sheffield 1933, cylindrical form, pierced foliate scroll girdle, on a raised circular foot, the underside wood lined, height 16.3cm.

£200-300

342 A pair of modern silver three-light candelabra, by Mappin and Webb, Sheffield 1959, tapering oval columns, plain scroll branches, urn capitals with removable drip pans, on raised oval bases, height 36cm, approx. weight of branches 27oz. (2)

£400-600

343 A George III silver teapot, by Thomas Wallis, London 1804, oval form, wooden scroll handle and finial, engraved foliate decoration, worn crest, (some repairs), length handle to spout 27.2cm, approx. weight 15oz. £200-300

344 A pair of George III silver coasters, by Robert Hennell, London 1792, circular form, pierced with vertical slats, and with bright-cut decoration, engraved with a crest, beaded border, turned wooden bases, diameter 12.3cm. (2) £600-800

345 A presentation silver salver, by Stevenson & Law, Sheffield 1937, circular form, gadroon border, the centre with a presentation inscription for the 1st King’s Dragoon Guards, with signatures and dated 28 November 1938, on four bracket feet, diameter 26.3cm, approx. weight 19.9oz. £150-200

346 A pair of Victorian silver chambersticks, by Henry Wilkinson & Co, Sheffield 1856, octofoil form, central baluster capitals with detachable drip pans, scroll handles with quatrilobe thumbpieces, detachable conical snuffers, unmarked, diameter of bases 14.7cm, total approx. weight 14.24oz. (2) £400-600

347 A

1738, circular form, scroll border, on three scroll feet, the underside inscribed ‘L:PRAED M: COLLINS JUN’, diameter 18.2cm, plus a George III silver waiter, by Hannam and Crouch, London 1765, circular form, shell and scroll border, on three hoof feet, diameter 20cm, approx. total weight 19oz. (2) £250-300

Hindmarsh,

348 A late-Victorian silver inkstand, by The Barnards, London 1898, rectangular form, pierced foliate scroll gallery, with two silvermounted glass inkwells, on four scroll feet, the underside lacking three nuts, length 23.5cm, approx. weight 19.5oz. £250-300

350 A silver salver, by

Harrison Brothers, Sheffield 1932, circular form, gadroon border, on four claw and ball feet, diameter 21cm, on a wooden stand, approx. weight 14oz. (2) £150-200

George II silver waiter, by George

London

349 A set of four George IV silver butter shells, by Robert Garrard, London 1822, plain shell form, on two winkle feet, engraved with a crest, length 10.5cm, approx. weight 10.8oz. (4) £800-1,200

The

352 A Victorian silver swing-handled basket, by Walter & John Barnard, London 1891, octagonal form, pierced bright-cut decoration, the swing-handle with pierced decoration, on four beaded bun feet, length 26.2cm, approx. weight 20.1oz. £200-300

351 A pair of modern silver two-light candelabra, by William Comyns & Sons Ltd, London 1963, in the George I manner, knopped baluster stems, scroll arms, spool shaped capitals, on raised filled circular bases, height 23cm, approx weight of branches 19oz. (2) £300-400

353 A Victorian silver salver, by Sibray, Hall & Co, London 1889, circular form, pierced rim and beaded border, the centre initialled, on three claw and ball feet, diameter 24.7cm, plus a hot water jug, by Nathan & Hayes, Chester 1910, octagonal baluster form, domed octagonal lid with a flame finial, on an octagonal foot, total approx. weight 26.8oz. (2) £200-300

351

352

354 A large presentation silver salver, by James Dixon and Sons, Sheffield 1922, circular form, moulded border, on four gnarl feet, with a presentation inscription, and with a wooden stand, diameter 41.5cm, approx. weight 58.6oz. (2)

£600-800

355 A cased three-piece Victorian silver tea set, by Walker & Hall, Sheffield 1887, shaped oval form, part-fluted with bright-cut decoration above, engraved crest and initials ‘A.B.H’ over ‘18.7.52’, scroll handles, on a raised oval foot, gilt interiors, in a fitted case with pink silk lining, length of teapot handle to spout 21cm, total approx. weight 23.4oz. £300-400

354

355

356

356 A silver two-handled tray, by E. Viner, Sheffield 1932, rounded rectangular form, plain handles, moulded border, length 66.5cm, approx. weight 110oz. £1,000-1,500

358 A set of three Queen Anne silver sugar casters, marks worn, probably London 1709 or 1711, baluster form, central girdles, fluted decoration, pierced pull-off covers with knop finials, on a raised circular foot, engraved with an armorial, height of larger 21cm, height of smaller 16.5cm, approx. weight 21.5oz. (3) £1,500-2,000

357 A George III silver salver and waiter, probably by John Carter, London 1771, circular form, shell and scroll borders, the centre engraved with armorials within foliate mantling, on three hoof feet, the underside engraved ‘PAVY’, diameters 30.5cm and 20.2cm, approx. weight 38.5oz. (2) £700-900

The armorials are that of Pavey, Pavie or Pavy.

END OF DAY ONE

359 A Victorian silver two-handled tray, by D and C Houle, London 1877, oval form, fluted decoration, beaded border, leaf capped reeded handles, on four bracket feet, the underside with a later inscription, length handle to handle 56.7cm, approx. weight 64.9oz. £800-1,200

358

357

DAY TWO:

WEDNESDAY 19TH APRIL 2023 AT 10.00AM

A PRIVATE COLLECTION OF SILVER

360 A George IV silver-gilt vinaigrette, by Nathaniel Mills, Birmingham 1826, rectangular form, engine-turned decoration, foliate borders, the interior with a pierced and engraved foliate scroll grille, length 3.4cm, approx. weight 0.5oz. £80-120

Provenance: A Private Collection.

361 A George IV silver vinaigrette, by William Ellerby, London 1822, rectangular form, with bands of reeded decoration, initialled, the interior with a silver-gilt grille pierced and engraved with a lyre, sheet music and foliate decoration, length 3.7cm, approx. weight 0.8oz. £150-200

Provenance: A Private Collection.

362 A Victorian silver vinaigrette, by Edward Smith, Birmingham 1857, oblong form, engraved tartan decoration, the cover with a vacant cartouche, the interior with a pierced and engraved silvergilt foliate scroll grille, length 3.7cm, approx. weight 0.7oz. £100-150

Provenance: A Private Collection.

363 A George III silver vinaigrette, by Joseph Willmore, Birmingham 1816, rectangular form, fluted cover with chequerboard decoration, the interior with a pierced and engraved foliate scroll grille, length 4.2cm, approx. weight 0.7oz. £150-200

Provenance: A Private Collection.

364 A William IV silver vinaigrette, by William Sharp, Birmingham 1832, rectangular form, engine-turned decoration, the border with emblems of the British Isles, the interior with a pierced and engraved foliate scroll grille, length 4.1cm, approx. weight 0.8oz. £100-150

Provenance: A Private Collection.

365 A Victorian silver vinaigrette, by Nathaniel Mills, Birmingham 1837, rectangular form, engine-turned decoration, foliate borders, the interior with a pierced and engraved foliate scroll grille, length 4cm, approx. weight 0.9oz. £150-200

Provenance: A Private Collection.

366 A 19th century Chinese silver vinaigrette, marked with a W, probably for Wong Shing, circa 1830, rectangular form, chased with figural scenes in landscape settings, the interior with a pierced and engraved foliate grille, length 3.7cm, approx. weight 1oz. £300-400

Provenance: A Private Collection.

367 A 19th century Chinese silver vinaigrette, marked with Chinese characters, rectangular form, engraved engine-turned decoration, the interior with a pierced and engraved foliate grille, length 2.8cm, approx. weight 0.6oz. £150-200

Provenance: A Private Collection.

368 A George IV silver-gilt vinaigrette, by Vale and Wheeler, Birmingham 1829, rectangular form, engine-turned decoration, foliate borders, the interior with a pierced and engraved foliate scroll grille, length 3.7cm, approx. weight 0.8oz. £80-120

Provenance: A Private Collection.

369 A Victorian silver vinaigrette, by Nathaniel Mills, Birmingham 1837, rectangular form, engraved foliate scroll decoration, the centre with engraved decoration over a cartouche, the interior with a pierced and engraved foliate scroll grille, length 4.5cm, approx. weight 0.9oz. £150-200

Provenance: A Private Collection.

365

366 368

370 A George III silver vinaigrette, by Joseph Willmore, Birmingham, no date letter, rectangular form, engraved decoration, the hinged cover initialled, the interior with a pierced silver-gilt foliate grille, length 4.2cm, approx. weight 0.7oz. £150-200

Provenance: A Private Collection.

371 A Victorian silver-gilt vinaigrette, by Archibald Douglas, London 1828, rectangular form, engine-turned decoration, the interior with a pierced and engraved foliate grille, length 4.9cm, approx. weight 1.4oz. £150-200

Provenance: A Private Collection.

372 A George III silver vinaigrette, by Samuel Pemberton, Birmingham 1790, purse form, engraved decoration, pierced foliate grille, length 2.6cm, plus a George III silver vinaigrette, by the same maker, Birmingham 1801, octagonal form, foliate border, the interior with a gilded filigree grille, length 2.5cm, approx. weight 0.6oz. (2) £150-200

Provenance: A Private Collection.

373 A Victorian silver-gilt vinaigrette, by Frederick Marston, Birmingham 1885, rounded rectangular form, engraved foliate decoration, the interior grille pierced and engraved with a heron and foliate decoration, with a ring attachment, length 4.7cm, approx. weight 0.6oz. £200-300

Provenance: A Private Collection.

374 A pair of gilt-metal mounted scent bottles, unmarked, probably French, the hinged covers with engraved decoration, in a fitted gilt-metal mounted velvet box, modelled as a bag, length 8.7cm. £150-200

Provenance: A Private Collection.

375 unmarked, the hinged cover set with an agate panel, (cracked), and engraved with a man on horseback and inscribed ‘Henry Coxon Davidson’, length 8.5cm. £100-150

Provenance: A Private Collection.

377 Two late-18th century gilt-metal thimble cases from a chatelaine, circa 1770-80, shaped circular form, foliate decoration, the hinged covers with loop attachments, length 3.7cm. (2) £150-200

Provenance: A Private Collection.

379 An early-19th century Scottish silver-mounted snuff mull, unmarked, the hinged cover mounted with an agate panel, engraved with a crest and inscribed ‘J McCay McDonald’, length 8.8cm. £150-200

Provenance: A Private Collection.

the hinged cover set with an agate panel and with a Gaelic inscription, and dated 1819, length 10.5cm. £150-200

Provenance: A Private Collection.

378 A Victorian presentation silver snuff box, by E. Smith, Birmingham 1851, shaped rectangular form, engraved foliate scroll and engine-turned decoration, the cover inscribed with a presentation to Mr Stephen Tonks, by his employees on reaching his 50th Birthday in 1852, length 10cm, approx. weight 6oz. £200-300

Provenance: A Private Collection.

380 An early-19th century Scottish silver-mounted snuff mull, unmarked, plain mounts, the cover with an initialled cartouche, and inscribed ‘From J McGregor to John McGregor’, length 10cm. £100-150

Provenance: A Private Collection.

381 A Victorian silver-gilt mounted toilet jar, by Robert Garrard, London 1841, cylindrical form, the pull-off cover with chased foliate scroll decoration on a matted background, plain glass body with a plain mount, height 10cm, approx. weighable 1.5oz. £80-120

Provenance: A Private Collection.

383 A George III silver spirit funnel, maker’s mark worn, London 1806, circular form, with a ring attachment, length 7.2cm, approx. weight 1.2oz. £100-150

Provenance: A Private Collection.

385 A George I silver bun pepper pot, by John Goode, London 1716, baluster form, pierced cover, on a circular foot, height 8cm, approx. weight 2.2oz. £100-150

Provenance: A Private Collection.

382 An Edwardian silver cage-work teapot mount, by William Comyns, London 1905, in two sections, pierced and decorated with Chinoiserie scenes and foliate scrolls, length 13.2cm, approx. weight 3.9oz. (2) £60-80

Provenance: A Private Collection.

384 A small early-Victorian silver mug, by J and A Savory, London 1837, tapering circular form, scroll handle, reeded decoration, height 6.6cm, approx. weight 2.9oz. £80-120

Provenance: A Private Collection.

386 A pair of George III silver salt cellars, by Urquhart and Hart, London 1801, shaped rectangular form, canted corners, rope-work borders, gilded bowls, engraved with a crest, on raised rectangular bases, canted corners, length 8.5cm, approx. weight 4.5oz. (2) £100-150

Provenance: A Private Collection.

387 A set of six George III parcel-gilt silver salt dishes, by Henry Green, London 1796, rectangular form, canted corners, reeded borders, engraved with a crest and monogram, length 11.5cm, approx. weight 16oz. (6) £300-400

Provenance: A Private Collection.

389 A George III silver strainer, possibly for punch, by Elizabeth Morley, London 1809, oval form, pierced plain hole, scroll handle, length 8.5cm, approx. weight 1.3oz. £80-120

Provenance: A Private Collection.

391 A Victorian silver two-handled strainer, by Rawlings and Summers, London 1849, circular form, reeded border, lug handles, length 10.2cm, approx. weight 1.2oz. £80-120

Provenance: A Private Collection.

388 A George III silver wig powderer, maker’s mark mis-struck, London 1804, globular form, the screw-off pierced cover with a knop finial, on a raised circular base, rope-work borders, height 9cm, approx. weight 3.5oz. £250-300

Provenance: A Private Collection.

390 A late-19th century Dutch novelty scent flask, modelled as a mandolin, figural and foliate decoration, hinged cover, length 11cm, approx. weight 1.4oz. £80-120

Provenance: A Private Collection.

392 By R. E. Stone, a silver coronation tea strainer, London 1936, also signed, circular form, with a crown handle, length 8.5cm, approx. weight 0.9oz. £80-120

Provenance: A Private Collection.

393 A George III silver two-handled racing cup, by Stephen Adams, London 1800, circular form, scroll handles, central girdle, on a raised circular foot, engraved with a monogram, and with a rider on horseback, inscribed ‘PUNKS 42 Inches’, height 16.2cm, approx. weight 13oz. £250-300

Provenance: A Private Collection.

394 A George III silver swing-handled sugar basket, by William Plummer, London 1784, oval form, pierced and engraved with slats and foliate decoration, beaded borders and swing-handle, on a raised oval foot, with a blue glass liner, length 16.2cm, approx. weight 6.9oz. £300-400

Provenance: A Private Collection.

395 A George III silver swing-handled basket, no apparent maker’s mark, London 1786, oval form, pierced and engraved decoration, beaded swing-handle and borders, on an oval foot, engraved with an armorial shield, length 34.7cm, approx. weight 22.8oz. £700-900

The armorial is that of Cayne, Cotton, Hill, Redward and others impaling Deane, Gerlinston/Girlington, Muschamp and others.

Provenance: A Private Collection.

396 A George III old Sheffield plated dish cross, unmarked, circa 1780, conventional form, shell supports and on shell feet, length 28.5cm. £80-120

Provenance: A Private Collection.

397 A George III silver teapot and stand, by John Emes, London 1799, oval form, engraved foliate decoration, wooden scroll handle and finial, initialled, the stand of oval form, reeded border, on four bracket feet, length handle to spout 30cm, approx. weight 20.9oz. (2)

Provenance: A Private Collection.

£600-800

398 A pair of George II silver waiters, by William Peaston, London 1751, circular form, shell and scroll borders, the centres with an armorial, on three hoof feet, diameter 21.2cm, approx. weight 28oz. (2) £600-800

The arms are those of Chichester impaling Incledon.

Provenance: A Private Collection.

399 An early-19th century Dutch silver teapot, by Theodorus Gerardus Bentveld, Amsterdam 1807, lozenge form, scroll handle, pull-off cover with a cone finial, engraved with initials, length handle to spout 22.3cm, approx. weight 12.7oz.

Provenance: A Private Collection.

£250-300

400 A George II silver and mahogany travelling cutlery box, circa 1745, tapering canted rectangular form, reeded mounts, with a lock and key, the red leather interior with nine holes for cutlery, the interior of the cover velvet lined, height 19cm. £800-1,200

Provenance: A Private Collection.

401 An American silver feeding cup / shaving mug, by J. E. Caldwell and Co., cylindrical form, embossed foliate decoration, leaf-capped scroll handle, the bowl with a straining section, engraved with a crest, height 7.9cm, approx. weight 5.3oz. £100-150 The crest is that of Fitz-Maurice.

Provenance: A Private Collection.

402 An Edwardian silver dressing table box, by J and F Pairpoint, London 1903, modelled as a James I shell spice box, on four shell feet, the velvet lined interior with three slits for rings, length 13cm, approx. weight 11oz. £250-300

Provenance: A Private Collection.

403 A George III silver cream pail, possibly by Sarah Buttall, London 1770, tapering circular form, pierced decoration, rope-work swing-handle and borders, with a blue glass liner, height 6.8cm, approx. weight 2.5oz. £200-300

Provenance: A Private Collection.

404 A George III silver mustard pot, maker’s mark possibly that of Hester Bateman, over-struck with another, London 1787, circular form, beaded borders, scroll handle, with a later spoon and blue glass liner, approx. weight 3.6oz. (2) £150-200

Provenance: A Private Collection.

405 A Victorian silver mustard pot, by Aldewinckle and Slater, London 1881, oval form, pierced and engraved decoration, beaded borders, scroll handle, the hinged cover with a shell thumbpiece, with a blue glass liner, length 10.5cm, approx. weight 4oz. £200-300

Provenance: A Private Collection.

406 A George III silver mustard pot, by Augustin Le Sage, London 1765, circular form, scroll handle, pierced with geometric decoration, possibly to simulate Chinese lacquer work, the hinged cover with a plain thumbpiece, with a blue glass liner, height 7.4cm, approx. weight 3.9oz. £200-300

Provenance: A Private Collection.

407 A Victorian silver mustard pot, by Charles and George Fox, London 1856, modelled as a 17th-century flagon, baluster form, the hinged cover with a ball finial, gilded interior, on a circular foot, engraved with a crest, height 11.5cm, approx. weight 6.7oz. £200-300 The crest is that of Christopherson.

Provenance: A Private Collection.

408 A George III silver mustard pot, by Robert Hennell, London 1782, circular form, pierced and engraved decoration, beaded borders, scroll handle, the hinged cover with a pierced thumbpiece, with a blue glass liner and later spoon, approx. weight 3.4oz. (2) £200-300

Provenance: A Private Collection.

409 A George III silver toast rack, by Nathaniel Smith and Co. Ltd., Sheffield 1798. lyre form, on an oval base with a central carrying handle, on four fluted bracket feet, engraved with a monogram, height 18.8cm, approx. weight 6oz. £200-300

Provenance: A Private Collection.

411 A Victorian silver swing-handled sugar basket, by George Unite, Birmingham 1858, circular form, pierced scroll decoration, beaded swing-handle, on four scroll feet, with a blue glass liner, diameter 10.8cm, approx. weight 5.8oz.

Provenance: A Private Collection.

£150-200

410 A George III silver swing-handled sugar basket, by Aldridge and Green, London 1777, circular form, pierced with slats and with engraved decoration, beaded swing-handle and borders, on a raised circular foot, with a blue glass liner, height 12.4cm, approx. weight 5.8oz. £250-300

Provenance: A Private Collection.

412 An 18th century silver-mounted cowrie shell salt cellar, unmarked, circa 1770, the mount with a monogram and crest, on a raised oval foot, length 7.6cm. £100-150

Provenance: A Private Collection.

Provenance: A Private Collection.

weight 9.6oz. £300-400

7.3oz. £400-600

Provenance: A Private Collection.

415 A George III silver

box,

cylindrical form, leaf-capped scroll handle, the pull-off cover with a hinged cutter, the interior with a wax coil, engraved with an armorial shield within foliate mantling, height 8cm, approx. weight 5.9oz. £800-1,200

Provenance: A Private Collection.

by J. Rawlings, London 1896, central column, with scissor-action cutters and sconce, on a pierced hexagonal foot, gadroon border, on three claw and ball feet, height 14.8cm, approx. weight 5oz. £200-300

Provenance: A Private Collection.

413 A Victorian silver chamberstick, by William Moulson, London 1848, circular form, raised pierced gallery, with a pierced handle, and with a conical snuffer, length 17cm, approx.

414 A Victorian silver-gilt chamberstick, by Samuel Whitford, London 1846, lobed circular form, tapering faceted stem, with a scroll handle, on three scroll feet, with a conical snuffer, height 13cm, approx. weight

bougie

by William Lancester, London 1773,

417 By H. G. Murphy, a silver tree of life dish, London 1938, also marked with the Falcon mark, circular form, spot-hammered decoration, pierced tree of life handle, length 14.9cm, approx. weight 4.2oz. £300-400

Provenance: A Private Collection.

7.8cm, approx. weight 4.6oz. £200-300

Provenance: A Private Collection.

Provenance: A Private Collection.

420 By Omar Ramsden, a matched pair of Arts and Crafts silver salt cellars, London 1931 and 1932, one engraved ‘OMAR RAMSDEN ME FECIT’, rectangular form, spot-hammered decoration, pierced scroll and berry border, on four pierced feet, length 9.8cm, approx. weight 6.4oz. (2) £400-600

Provenance: A Private Collection.

418 By H. G. Murphy, a silver cream jug, London 1935, also marked with the Falcon mark, tapering circular form, spot-hammered decoration, scroll handle, with initials, height

419 A Channel Islands modern silver Guernsey milk can, by Bruce Russell for Paint and Son, St. Peter Port, Guernsey, scroll handle, height 10.8cm, approx. weight 4oz. £100-150

421 A late-Victorian silver-gilt table vesta box, by Joseph Braham, London 1890, gilding worn, rectangular from, the hinged cover mounted with a crowned ‘M’, the front applied with a steel striker, the reverse with a trough for spent vestas, length 8.4cm, approx. weight 5.8oz. £150-200

Provenance: A Private Collection.

422 An early-Victorian silver-gilt handled dagger and sheath, by Joseph Willmore, Birmingham 1843, with birds, urns and foliate scroll decoration on a matted background, the sheath with a loop attachment, the steel blade with foliate decoration, length 36.8cm. £800-1,200

Provenance: A Private Collection.

423 A William IV silver hunting flask and cup, by Rawlings and Summers, London 1835, tapering circular form, the base with a pull-off drinking cup with a hinged loop, the cover possibly later and with a later brass screw, length 25.3cm, approx. weight 6.5oz. £150-200

Provenance: A Private Collection.

424 A pair of American silver grape scissors, by Gorham, the handles with pierced grapevines and classical motifs, steel cutters, in a fitted case, case (a.f), length 16.5cm, approx. total weight 5.9oz. £150-200

Provenance: A Private Collection.

425 A George III old Sheffield plated argyle and stand, unmarked, circa 1790, oval form, scroll handle with a hinged cover to the water compartment, tapering spout, with a crest, the stand of oval form, reeded border, length handle to spout 31.5cm. (2) £200-300

The crest is that of Hudson or Loyd.

Provenance: A Private Collection.

426 A George III old Sheffield plated argyle, unmarked, circa 1780, baluster form, scroll handle, pull-off cover, the raised circular base with a water compartment, with a hinged cover, height 16.5cm. £100-150

Provenance: A Private Collection.

427 A George III silver argyle, by Henry Green, London 1797, urn form, scroll handle, the hinged cover with an urn finial, the interior with a conical water / hot rod compartment, on a circular foot, engraved with a crest, height 19.5cm, approx. weight 13.7oz. £800-1,200

The crest is that of Acock, Beauchamp, Chalke, Folkard and others.

Provenance: A Private Collection.

428 An Edwardian silver argyle, by Martin, Hall and Co., Sheffield 1907, plain cylindrical form, hinged cover with a knop finial, wicker-bound scroll handle, the water compartment with a hinged cover, height 14cm, approx. weight 15oz. £300-400

Provenance: A Private Collection.

429 A George III silver argyle, by John Emes, London 1805, oval tapering form, scroll handle, pull-off cover with a ball finial, the interior with a cylindrical hot water / hot rod compartment, pull-off cover, on a raised oval foot, reeded borders, engraved with a crest, height 17cm, approx. weight 16oz. £1,000-1,500

Provenance: A Private Collection.

430 A George III silver argyle, by Charles Hougham, London 1790, oval form, scroll handle. tapering spout, bright-cut decoration, with a crest, pull-off cover, the interior with a conical water / hot rod compartment with a bright-cut cover, length handle to spout 22cm, approx. weight 11oz. £1,000-1,500

The crest is that of Coppinger, Green(e), Gubbins, Lawston and Wyer Provenance: A Private Collection.

431 A George III old Sheffield plated argyle, unmarked, circa 1790, oval form, scroll handle, the water compartment with a hinged cover, the pull-off lid with a scroll urn finial, beaded borders, length handle to spout 18.2cm. £150-200

The crest is that of Mount.

Provenance: A Private Collection.

432 A William IV silver argyle, by Mary and Richard Sibley, London 1835, plain cylindrical form, scroll handle, the pull-off cover with an urn finial, the interior with a conical water / hot rod compartment with a pull-off cover, height 11.3cm, approx. weight 13.5oz. £800-1,200

Provenance: A Private Collection.

433 A pair of George III silver two-handled cups and covers, by Henry Chawner, London 1795, vase form, part-fluted decoration, reeded scroll handles, the part-fluted pull-off covers with urn finials, on raised circular bases, engraved with armorials and crests, height 25.5cm, approx. weight 35.5oz. (2) £800-1,200

The armorials and crests are that of Carleton (as exemplified to the branch at Clare, County Tiperary and Greenfield, County Cork).

Provenance: A Private Collection.

434 A George III silver dish cross, by Robert Makepeace, London 1775, conventional form, pierced supports and feet, beaded borders, with a central burner with medallions, urn and drape decoration above part-fluting, length 31.2cm, approx. weight 23oz. £500-700

Provenance: A Private Collection.

435 A George III silver six-bottle sauce bottle frame, by Henry Chawner, London 1792, oval boat form, reeded scroll handles, wire-work frame with a central carrying handle, on four bracket feet, initialled, with six glass sauce bottles and stoppers and with a matched set of six George III silver sauce labels, incised ‘LEMON-P’, ‘KETCHUP’, ‘CHILLI’, ‘SOY’, ‘ANCHOVY’, and ‘CAYENNE’, length 24cm, approx. weight 7.7oz. £400-600

The crest is that of MacSweeney.

Provenance: A Private Collection.

434

436 A George III provincial silver tankard, by John Langlands, Newcastle 1769, tapering circular form, central girdle, domed hinged cover with a pierced thumbpiece, scroll handle with a heart-shaped terminal, on a raised circular foot, engraved with an armorial within foliate mantling, the underside later initialled, height 18.5cm, approx. weight 22.9oz. £1,000-1,500

The armorial is that of Bethell, Davis, Whyte and Thirlway.

Provenance: A Private Collection.

Provenance: A Private Collection.

£800-1,200

Provenance: A Private Collection.

£600-800

437 A George III silver meat platter, by Robert Sharp, London 1800, rectangular form, canted corners, gadroon borders, engraved with a crest, length 38.3cm, approx. weight 38.6oz.

438 A George III silver ewer, by John Scofield, London 1782, vase from, beaded borders, scroll handle, the cover with a fluted acorn finial, on a raised circular foot, engraved with a crest, height 29.8cm, approx. weight 23oz.

439 A George silver III mug, over-struck with maker’s mark of Josiah Snatt, London 1811, barrel form, with bands of reeded decoration, scroll handle, gilded bowl, the underside inscribed ‘James Saner of London to His Godson James Saner of Hull’, height 7cm, approx. weight 3.5oz.

Provenance: A Private Collection.

£100-150

440 A George II silver snuffer’s tray, by William Gould, London 1745, shaped rectangular form, moulded border, central scroll handle, engraved with an armorial, on four hoof feet, length 18cm, approx. weight 9oz.

The armorial is that of English, Fillingham and Orden.

Provenance: A Private Collection.

£300-400

441 A set of six George III silver salt cellars, by Crispin Fuller, London 1818, oblong bellied form, gadroon borders, gilded bowls, engraved with a monogram, on four ball feet, length 8.3cm, plus six earlier Featheredge salt spoons, approx. weight 17oz. (12)

Provenance: A Private Collection.

£300-400

442 A George II silver cream pail, by George Greenhill Jones, London 1743, bucket form, with reeded bands and textured decoration, rope-work swing-handle, height with handle raised 8cm, approx. weight 3oz.

Provenance: A Private Collection.

£250-300

443 A George III silver swing-handled sugar basket and cream basin, by Urquhart and Hart, London 1796, oval form, with a border of engraved foliate scroll decoration on a matted background, above part-fluted decoration, reeded swing-handles and borders, gilded bowls, initialled, on raised oval bases, lengths 15.7cm and 13.2cm, approx. weight 16.2oz. (2) £800-1,200

Provenance: A Private Collection.

445 A matched pair of George III silver sauce boats, by Smith and Sharp, London 1760 and 1762, oval form, gadroon borders, leaf-capped scroll handles, on three shell-capped scroll legs, terminating in shell pad feet, length 22.5cm, approx. weight 26.5oz. (2) £600-800

The crest is that of Bover of Appleton, Cheshire.

Provenance: A Private Collection.

444 A set of four George IV silver salt cellars, by Robert Garrard, London 1822, circular form, gadroon borders, gilded bowls, on three heavy lion mask-capped paw feet, engraved with a crest and coronet, diameter 8.5cm, approx. weight 30oz. (4) £800-1,200

The crest is that of Robert, 6th Earl of Cardigan (1760-1837).

Provenance: A Private Collection.

447 A George III silver swing-handled basket, London 1767, later over-stamped with maker’s mark of W and P Cunningham (of Edinburgh), oval wire-work form, applied with trailing grapevines and ears of corn, twisted rope-work handle, on a raised oval foot with a rope-work border, engraved with an armorial, length 35cm, approx. weight 29.8oz. £800-1,200

The armorial is that of Leith.

Provenance: A Private Collection.

446 A three-piece George III presentation silver tea set, by Samuel Hennell, London 1801, oval form, reeded borders, scroll handles, all inscribed with initials, the teapot with ‘From The Royal Aberdeen Volunteers to The Revd. Dr. I. Shirrefs their Worthy Chaplain’, length handle to spout 28.3cm, approx. weight 30oz. (3) £700-900

Provenance: A Private Collection.

448 A George III silver two-bottle oil and vinegar frame, by T and J Daniell, London 1773, double circular form, pierced with vertical slats and applied with medallions and swags, beaded scroll handle, on three pierced bracket feet, engraved with a crest, with two silvermounted glass oil and vinegar bottles, leaf and beaded capped scroll handles, the hinged covers with a crest, height 19.5cm, approx. weight 13oz. £800-1,200

The crest is that of Buchanan.

Provenance: A Private Collection.

447

449 A Victorian silver card case, by Hilliard and Thomason, Birmingham 1877, rectangular form, engine-turned decoration, engraved foliate borders, leather fitted interior, length 9.8cm, approx. weight 3oz. £100-150

Provenance: A Private Collection.

451 A Victorian silver card case, by F. Marston, Birmingham 1862, rectangular form, engraved foliate decoration, silk lined interior, length 9.8cm, approx. weight 2.4oz. £100-150

Provenance: A Private Collection.

453 An Edwardian silver card case, by William Hayes, Birmingham 1903, rectangular form, engraved decoration, the centre embossed with a kissing couple on horseback, length 10.3cm, approx. weight 2oz. £100-150

Provenance: A Private Collection.

450 A William IV silver card case, by Taylor and Perry, Birmingham 1832, rectangular form, simulated filigree foliate scroll decoration, engraved with a monogram, length 9.8cm, approx. weight 2.3oz. £150-200

Provenance: A Private Collection.

452 A Victorian electroplated card case, unmarked, rectangular form, engine-turned decoration, engraved foliate borders, length 9cm. £80-120

Provenance: A Private Collection.

454 A Victorian silver card case, by Edward Smith, Birmingham 1851, rectangular form, engine-turned decoration, engraved foliate borders, length 9.8cm, approx. weight 2oz. £80-120

Provenance: A Private Collection.

455 A 19th century Chinese silver card case, by Kecheong, circa 1850, rectangular form, the front chased with a figural scene, and initialled, the reverse with birds and bamboo on a matted background, length 10.2cm, approx. weight 2.6oz. £200-300

Provenance: A Private Collection.

457 A Victorian silver card case, by Edward Smith, Birmingham 1856, rectangular form, engraved decoration, engraved with a monogram, length 9.8cm, approx. weight 2oz. £100-150

Provenance: A Private Collection.

459 A Victorian silver card case, by Robert Thornton, rectangular form, engine-turned decoration, the centres engraved with foliate oval cartouches, length 9.8cm, approx. weight 2.3oz.

Provenance: A Private Collection.

£80-120

456 A Victorian silver card case, by Aston and Son, Birmingham 1861, rectangular form, engine-turned decoration, engraved foliate borders, with a monogram, length 9.8cm, approx. weight 1.9oz. £80-120

Provenance: A Private Collection.

458 A Victorian silver card case, by Taylor and Perry, Birmingham 1845, rectangular form, with panels of engine-turned and engraved foliate decoration, length 9.7cm, approx. weight 2.5oz. £100-150

Provenance: A Private Collection.

460 A Victorian Aesthetic Movement silver and mixed metals card case, by Deakin and Nephew, Birmingham 1880, rectangular form, engraved cherry blossom and bamboo decoration, applied with a stork within a circular band and with a bird, the reverse engraved with birds and blossom, length 9.6cm, approx. weight 3oz. £200-300

Provenance: A Private Collection.

OTHER PROPERTIES

461 A Victorian silver ‘castle-top’ card case, Windsor Castle and Warwick Castle, by Nathaniel Mills, Birmingham 1841, rectangular form, foliate scroll borders, the front with a view of Windsor Castle with the round tower, the reverse with Warwick Castle, in a fitted case, length 9.3cm, approx. weight 2oz.

£400-600

462 An Edwardian silver Monarch of the Glen card case, by Crisford and Norris, Birmingham 1906, rectangular form, embossed with the stag within foliate scroll decoration, length 10cm, plus an Edwardian silver card case, by the same maker, Birmingham 1904, embossed with a classical ruin, with foliate scroll decoration, approx. total weight 3.8oz. (2)

£250-300

463 A Victorian silver card case, by Hilliard and Thomason, Birmingham 1854, rectangular form, engine-turned decoration, engraved foliate border, with a crest, initials and motto, in a later case, length 10cm, approx. weight 1.8oz.

The crest is that of Keith.

£100-150

464 A late-19th century American silver-gilt visiting card case, by Gorham, 1881, rectangular form, embossed with a classical archer, the reverse with a monogram and dated ‘Dec 25 1883’, with a chain attachment, length 10.5cm, approx. weight 2.6oz.

£200-300

462 (2)

A PRIVATE COLLECTION OF CARD CASES

465 A Victorian silver card case / aide memoire, by Sampson Morden & Co., London 1848, rectangular form, engine-turned and foliate scroll decoration, with initialled cartouche, pull-off top with hinged inside cover, with a composition note pad with gilt lettering, fitted with a pull-out pencil, length 9.7cm, approx. weight 6.9oz. £600-800

Provenance: A Private Collection.

466 A Victorian silver engraved ‘castle-top’ card case, London Bridge, by Nathaniel Mills, Birmingham 1850, rectangular form, the front with a view of London Bridge with St. Paul’s Cathedral in the background and boats in the foreground, scroll borders, engine-turned decoration, the reverse with similar decoration and an initialled shield cartouche, length 9.8cm, approx. weight 2.2oz. £800-1,200

Provenance: A Private Collection.

467 A Victorian silver engraved ‘castle-top’ card case, Osborne House, by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of Osborne House on the hillside, with the Royal Yacht and Solent in the foreground, scroll borders, engine-turned decoration, the reverse with similar decoration and a vacant cartouche, length 9.1cm, approx. weight 1.6oz. £800-1,200

Provenance: A Private Collection.

468 A Victorian silver engraved ‘castle top’ card case, Trafalgar Square, by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of the National Gallery, Nelson’s Column, and St. Martin’s in the Fields, engine-turned decoration, the reverse with similar decoration and an initialled cartouche, length 8.5cm, approx. weight 1.4oz. £1,500-2,000

Provenance: A Private Collection. Woolley & Wallis, Salisbury, The Arthur Holder Collection, 25th October 2016, lot 721.

469 A Victorian silver engraved ‘castle-top’ card case, St. Paul’s Cathedral, by Nathaniel Mills, Birmingham 1843, rectangular form, the front with a view of St. Paul’s Cathedral, with engraved foliate scroll decoration, the reverse with similar decoration and an initialled cartouche, length 9.8cm, approx. weight 2.1oz. £700-900

Provenance: A Private Collection.

470 A Victorian silver engraved ‘castle-top’ card case, Osborne House, by Nathaniel Mills, Birmingham 1849, rectangular form, the front with a view of Osborne House, with the Solent behind, scroll borders, with engine-turned decoration, the reverse with similar decoration and an initialled cartouche, length 9.8cm, approx. weight 2.1oz.

£800-1,200

Provenance: A Private Collection.

468

471 A Victorian silver engraved ‘castle-top’ card case, Balmoral Castle, by Nathaniel Mills, Birmingham 1849, rectangular form, the front with a view of Balmoral Castle from the River Dee, scroll border with engineturned decoration, the reverse with similar decoration and a cartouche with engraved armorial, length 10cm, approx. weight 2.3oz. £800-1,200

Provenance: A Private Collection.

472 A Victorian Scottish silver engraved ‘castle-top’ card case, Linlithgow Palace, by James Nasmyth & Co, Edinburgh 1846, rectangular form, the front with a view of Linlithgow Palace, with rolling hills in the foreground, engineturned foliate scroll decoration, the reverse with similar decoration and an initialled cartouche, length 9.6cm, approx. weight 2.6oz. £1,500-2,000

Provenance: A Private Collection.

473 A Victorian silver engraved ‘castle-top’ card case, St Paul’s Cathedral, by Nathaniel Mills, Birmingham 1853, rectangular form, the front with a view of St. Paul’s Cathedral, scroll borders with engine-turned decoration and a vacant cartouche, the reverse with similar decoration and a central initialled cartouche, length 10.1cm, approx. weight 1.9oz. £800-1,200

Provenance: A Private Collection.

474 A Victorian silver engraved ‘castle-top’ card case, Westminster Abbey, by Nathaniel Mills, Birmingham 1843, rectangular form, the front with a view of Westminster Abbey, foliate scroll borders with engraved scroll foliate decoration, the reverse with similar decoration and a vacant cartouche, length 10cm, approx. weight 2.2oz. £600-800

Provenance: A Private Collection.

475 A Victorian silver engraved ‘castle-top’ card case, The High Level Bridge, Newcastle, by Nathaniel Mills, Birmingham 1850, rectangular form, the front with a view of the bridge and the Tyne with boats in the foreground, engraved foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 10cm, approx. weight 2oz. £1,500-2,000

Provenance: A Private Collection.

Woolley & Wallis, Salisbury, The Arthur Holder Collection, 25th October 2016, lot 741. Lawrence’s, Crewkerne, 14th October 2014, lot 735.

476 A Victorian silver engraved ‘castle-top’ card case, Southampton Bargate, by Nathaniel Mills, Birmingham 1844, rectangular form, the front with a view of the Southampton Bargate, engraved foliate scroll decoration, the reverse with similar decoration and a worn initialled cartouche, length 10cm, approx. weight 2.2oz. £1,000-1,500

Provenance: A Private Collection. Woolley & Wallis, Salisbury, The Arthur Holder Collection, (Part III) 25th April 2017, lot 741. Christie’s Interior Sale, South Kensington, 30 June 2015, lot 264.

477 A Victorian silver engraved ‘castle-top’ card case, Crystal Palace, by Nathaniel Mills, Birmingham 1850, rectangular form, the front with a view of Crystal Palace, scroll borders, with engine-turned decoration, the reverse with similar decoration and an initialled cartouche and dated ‘25 March 1851’ length 10cm, approx. weight 2.2oz. £800-1,200

Provenance: A Private Collection.

478 A Victorian silver engraved ‘castle-top’ card case, Chatsworth House, Derbyshire, by Nathaniel Mills, Birmingham 1853, rectangular form, the front with a view of Chatsworth House, with foliate scroll borders, engraved foliate and engine-turned decoration, the reverse with similar foliate scroll decoration, length 9.8cm, approx. weight 1.8oz. £1,000-1,500

Provenance: A Private Collection.

479 A Victorian silver engraved ‘castle-top’ card case, Balmoral Castle, by Nathaniel Mills, Birmingham 1849, rectangular form, the front with a view of Balmoral Castle form the River Dee, scroll borders, with scroll foliate decoration, the reverse with similar decoration and an initialled cartouche, length 9.8cm, approx. weight 2.2oz. £800-1,200

Provenance: A Private Collection.

480 A Victorian silver engraved ‘castle-top’ card case, The Scott Monument, Edinburgh, by Nathaniel Mills, Birmingham 1851, rectangular form, the front with a view of the Scott Monument, scroll borders, engraved foliate scroll decoration, the reverse with similar decoration and a vacant cartouche, length 9.8cm, approx. weight 2oz. £400-600

Provenance: A Private Collection.

A PRIVATE COLLECTION OF ARTS & CRAFTS SILVER

four ball feet, length 13.5cm, approx. weight 6.8oz. £200-300

481 By A. E. Jones, an Edwardian Arts and Crafts silver double inkwell, Birmingham 1907, casket form, fitted with two clear glass inkwells, spot-hammered decoration, applied foliate border and pen holder, raised hinged cover with a ball and bar handle, hinged clasp, on

482 By The Birmingham Guild of Handicraft, a matched pair of Victorian Arts and Crafts silver bowls, Birmingham 1899 and 1900, circular form, spot-hammered decoration, on a raised circular base, height 5.2cm, diameter 7.6cm, approx. weight 3oz. (2) £250-300

483 By Nelson Dawson, an Edwardian Arts and Crafts silver porringer, London 1907, tapering circular form, spot-hammered decoration, scroll handles, diameter handle to handle 15.5cm, approx. weight 3.8cm. £200-300

484 By Bernard Cuzner for William Hair Haseler, an Edwardian Arts and Crafts silver bowl, Birmingham 1904, shaped circular form, central girdle, with four wire-work foliate supports on a pierced circular base, diameter 6.3cm, approx. weight 2.2oz. £300-400

485 By

an Arts and Crafts silver

London 1924, also engraved ‘OMAR RAMSDEN ME FECIT’ oil lamp form, spot-hammered decoration, cast figural handle, pull-off cover with a flame finial, on a raised oval base, length 14.2cm, approx. weight 3.4oz. £700-900

486 By A. E. Jones, an Edwardian Arts and Crafts silver bowl, Birmingham 1906, circular form, spot-hammered and engraved decoration, foliate border, set with four Ruskin-style turquoise cabochons, height 7.5cm, diameter 10.2cm, approx. weight 4.6oz. £200-300

487 By Omar Ramsden and Alwyn Carr, an Edwardian Arts and

vase, London 1902, tall capstan form, spot-hammered decoration, embossed flowers with intertwined stems, height 8.6cm, approx. weight 3oz. £250-300

488 By A. E. Jones, an Edwardian Arts and Crafts silver scent bottle, Birmingham 1908, tapering circular oil-jar form, spot-hammered decoration, central girdle, four scroll handles, pull-off mounted cork stopper, with a chain attachment, height 7cm, approx. weight 0.6oz. £100-150

Omar Ramsden,

table cigar lighter,

Crafts silver

490

489 By Hugh Wallis, a matched pair of Arts and Crafts silver vases, Chester 1912 and 1915, plain circular form, embossed foliate decoration, rope-twist band around the base, heights 9cm and 9.4cm, approx. weight 4.1oz. (2) £200-300

491 By Hugh Wallis, a pair of Arts and Crafts silver vases, Chester 1926, plain circular form, embossed foliate decoration, with a rope-twist band around the base, height 12.7cm, approx. weight 11.6oz. (2) £400-600

490 By H. G. Murphy, an Art Deco silver caster, London 1935, also marked with the Falcon mark, circular baluster form, with a central girdle, pierced domed bayonetfitting cover, ball finial, height 11cm, approx. weight 5oz. £400-600

oil

decoration, embossed ‘THERE IS NO HERB LIKE IT UNDER THE CANOPY OF HEAVEN’, detachable finial, scroll handle, on a raised circular foot, height 7.5cm, approx. weight 3oz. £300-400

492

493

494

492 By H. G. Murphy, an Art Deco silver canister, London 1930, also marked with the Falcon mark, circular form, with bands of reeded decoration, pull-off raised cover with black enamel geometric decoration, faceted glass finial, height 10cm, approx. weighable 5.1oz. £1,000-1,500

493 By A. E. Jones, an Edwardian Arts and Crafts table cigar lighter, Birmingham 1907, modelled as an

lamp, spot-hammered

494 By Omar Ramsden,a silver cigarette box, London 1938, rectangular form, engraved foliate decoration, vacant cartouche, plain semi-circular applied handles, gilt interior, hinged cover, length 10.2cm, approx. weight 7.8oz. £600-800

17oz. £2,000-3,000

495

496

495 By Liberty & Co, an Edwardian Art Nouveau vase, Birmingham 1903, also stamped Cymric, tapering circular form, scroll handles, set with three turquoise cabochons, on a raised circular base with knot decoration, height 14.7cm, approx. weight 13.3oz. £1,500-2,000

497 By C. R. Ashbee, a Victorian Arts and Crafts silver cup and cover, London 1898, circular form, knopped stem with seven wire-work caryatid supports, raised cover with embossed foliate swags and foliate finial, spot-hammered decoration, on a raised and embossed circular foot, height 20cm, approx. weight

496 By C. R. Ashbee for The Guild of Handicraft Limited, an Edwardian Arts and Crafts silver dish, London 1906, oval form, pierced and embossed with poppies, on a raised circular foot, length 7.7cm, approx. weight 4oz. £600-800

500

a three-piece Danish silver tea set,

4A, the teapot and sugar bowl with import marks for London 1929/30, importer’s mark of George Stockwell, tapering fluted form, spot-hammered decoration, carved scroll handle, the cream jug with bead and scroll wire-work handles, plus a Jensen Pyramid pattern cream ladle, with import marks for London 1931, height of teapot 17cm, approx. total weight 24.5oz. (4) £1,000-1,500

498

OTHER PROPERTIES

499

500

498 By Gilbert Marks for Walker & Tolhurst Ltd, a late-Victorian Arts and Crafts silver dish, London 1895, signed to the underside ‘Gilbert Marks’ ‘95, circular form, embossed with poppies and foliate decoration, diameter 28.4cm, approx. weight 22.8oz. £1,000-1,500

499 By Georg Jensen, a Danish silver two-handled tray, design no. 377, with import marks for London 1923, importer’s mark of George Stockwell, oval form, inset handles, the gallery with scroll and bud decoration, spot-hammered centre, length 34.4cm, approx. weight 34.5oz. £1,000-1,500

By Georg Jensen,

design number

501 By Bernard Instone,an Arts and Crafts silver caddy spoon, Birmingham 1928, shaped oval bowl, spot-hammered decoration, pierced foliate handle, length 7.5cm, approx. weight 0.7oz. £150-200

502 By Georg Jensen, a Danish silver Cactus pattern caddy / baby spoon, with import marks for London 1933, the reverse of the bowl initialled, plus two Arts and Crafts electroplated caddy spoons, spot-hammered bowls, approx. weighable 0.7oz. (3) £100-150

505 An Art Nouveau silver hand mirror, by William Aitkin, Birmingham 1913, embossed with a maiden within foliate and scroll decoration, length 28cm. £80-120

506 By Omar Ramsden, an Arts and Crafts silver paperknife, London 1931, spot-hammered decoration, the terminal set with a green hardstone cabochon, length 21.5cm, approx. weight 2.8oz. £300-400

503 A small Art Deco silver tray, by William Lister & Sons, London 1933, plain circular form, geometric side handles, length handle to handle 24cm, approx. weight 11oz. £200-300

504 By The Brighton College of Art, a set of six modern fish knives and forks, London 1952, wide spot-hammered blades, tapering wooden handles. (12) £300-400

Gerald Benney trained at the Brighton College of Art, where his father was principal.

509 A modern silver owl, maker’s mark of CN, London 1976, modelled standing on a rocky base, the reverse inscribed ‘To my Godson Nicholas from Christopher’, height 5.5cm, approx. weight 3.5oz. £100-150

510 By Georg Jensen,a set of six Danish silver and enamel teaspoons, tapering form, with geometric enamel pattern to terminals, in the original fitted case, length 9.8cm, approx. weight 2.2oz. £150-200

507 By H. G. Murphy, a silver and niello work box, London 1932, circular form, the pull-off cover with a maiden by a river, diameter 5cm, approx. weight 1.3oz. £250-300

508 By Rod Kelly, a modern silver caddy spoon, London 2014, the handle modelled as a fish, chased scales, gilded eye, the figshaped bowl with chased scroll decoration, length 14.3cm, approx. weight 1.6oz. £600-800

511 By Georg Jensen, a three-piece Danish silver cruet set, design no. 236, the pepper pot with import marks for London 1935, importer’s mark of Georg Jensen Limited, the salt with import marks for London 1928, the mustard with import marks London 1931, both with importer’s mark of George Stockwell, tapering circular form, on a pierced foliate and cone circular foot, beaded borders, bud and stem finials, clear cut glass liners, the spoon with a horn bowl with a silver bud terminal, mustard pot height 10.3cm, approx. weighable 8.2oz. (4) £300-400

512 By Charles Hall, a modern commemorative silver bowl, Sheffield 1996, number 256, tapering circular form, spot-hammered and geometric decoration, made to mark the demerger of THORN from the EMI Group, in a fitted box, with a certificate and copy of a menu, diameter 18cm, approx. weight 7.8oz. £150-200

Prior to establishing a studio and workshop in Cornwall in 1972, Charles Hall studied at Hornsey College of Art and the Royal College of Art. He is a founding member of Contemporary British Silversmiths and has undertaken many important commissions.

513 A late-Victorian silver-mounted glass liquor decanter, by Heath and Middleton, Birmingham 1897, baluster form, scroll handle, domed hinged cover with a plain thumbpiece, height 14.5cm. £100-150

514 By Georg Jensen, a Danish silver mustard pot and horn spoon, design numbers 190 and 130, with import marks for London 1924, the mustard spoon with import marks for London 1923, importer’s mark of George Stockwell, circular form, spot-hammered decoration, engraved borders, beaded scroll handle, clear cut glass liner, the spoon with a horn bowl with a silver bud terminal, clear glass liner, height 8cm, approx. weighable 3.6oz. (2) £200-300

517 A set of four modern silver tumbler cups, maker’s mark of R. Comyns, Birmingham Assay Office, Edinburgh Assay Office and The Sheffield Assay Office, London, Birmingham, Edinburgh and Sheffield 1975, plain circular form, height 4.2cm, approx. weight 8oz. (4) £400-600 Provenance: From the private collection of the late Joyce Lowe, of Lowe and Sons, Chester. She became the only female Honorary Member of The Chester Goldsmiths Company in her family’s two hundred year ownership of the firm (1770-1977).

518

silver

Connell, an Arts

Crafts

Monica Edwards, London 1893, circular form, chased flower head and leaf decoration, on a matted background, the reverse engraved ‘ARTS & CRAFTS No. 110X’, diameter 22.4cm, approx. weight 7.5oz. £400-600 Exhibited at the Arts and Crafts Exhibition Society, The New Gallery, Regent Street, 1893, number 110X.

executed

515 By Leslie Durbin, a modern silver tray, London 1949, oval form, raised reeded sides, the centre engraved with three fish amongst seaweed, length 32.8cm, approx. weight 21.3oz. £400-600

516 An Arts and Crafts mixed metal biscuit barrel, cylindrical form, spot-hammered copper body, applied with pierced unmarked silver decoration, the pull-off cover with a ball finial, height 15cm. £300-400

Designed by B. Collier for

and

small

salver,

by

519

520

519 A two-handled small silver soup tureen and cover with a soup ladle, by The Goldsmiths and Silversmiths Company, London 1929, circular form, with stylised geometric motifs, the pull-off cover with a fluted handle, on a circular foot, inscribed, the terminal of the soup ladle with a similar motif, length handle to handle 27cm, approx. weight 55oz. (2) £400-600

520 A pair of Arts and Crafts silver candlesticks, by James Dixon and Sons, Sheffield 1916, tapering square form, circular capitals and drip pans, on raised square bases with riveted borders, height 21.8cm. (2) £800-1,200

521 By Gilbert Marks, a late-Victorian Arts and Crafts silver bowl, London 1896/97, also signed ‘Gilbert Marks 97’, circular form, embossed with daffodils on a matted spot-hammered background, on a circular foot, on a detachable copper stand on four spot hammered legs, diameter 23.7cm, height on stand 18.3cm, approx. weight 23.8oz. (2) £2,000-3,000

open

522 A William IV presentation Naval silver snuff box, by Nathaniel Mills, Birmingham 1835, rectangular form, reeded sides and base, the hinged cover with engine-turned decoration and engraved with a steam frigate within a shield cartouche, the interior of the cover inscribed ‘Presented to George Evans Esq., Commander of H.M Steam Frigate Rhadamanthus in token of Friendship and regard by her constructor Thomas Roberts, April 21 1835’, length 9cm, approx. weight 4.4oz. £400-600 Built at HM Dockyard, Devonport, HMS Rhadamamthus measured 164 feet in length by 32 feet in the beam and a tonnage of 813 gross. It was powered by two side-lever reciprocating steam engines driving paddle wheels 20 feet in diameter, which produced a top speed of 10 knots. It was one of five ships ordered for the Royal Navy and was amongst the earliest steam warships in the world. HMS Rhadamamthus saw no action, but achieved the distinction by being the first British warship to cross the Atlantic assisted by steam in 1833. In 1847, she was converted to a transport ship and later, in 1862, converted to a store ship before finally being broken up in 1864. Ref: The Royal Museums Greenwich www.rmg.co.uk/collections/objects/rmgc-object-66702

A

3oz. £150-200

A

£150-200

underside

525 A 19th century Chinese silver and malachite snuff box, maker’s mark T, possibly for Tu Hopp of Canton, circa 1850, rectangular form, the hinged cover with chased floral decoration and malachite plaque, the edges and underside with chased scenes of figures in a landscape, gilt interior, length 6.6cm. £300-400

523

George III silver-gilt snuff box, by William Snooke Hall, London 1819, rectangular form, engine-turned cover and base, the sides with foliate decoration, length 7.3cm, approx. weight

524

George III silver-gilt snuff box, by John Whittingham, London 1795, oval form, engraved foliate and sunray decoration, and initialled cartouche to hinged cover, length 6cm, approx. weight 1.3oz.

λ 526 A George IV silver snuff box with two portraits, by William Ellerby, London 1823, rectangular form, the hinged cover with two circular portrait miniatures of ladies on ivory under glass, one possibly later, foliate borders, the gilded interior inscribed ‘George Stephen, Kings Arms Yard, Coleman Street’, length 5.5cm, approx. weight 2.5oz.

Ivory Act registration reference: B71G5KLW

£200-300

527 A William IV presentation silver snuff box, by Edward Smith, Birmingahm 1836, rectangular form, engine-turned decoration, foliate borders, initialled, the interior inscribed ‘Presented to Wm. Hooker by Mrs Heaviside and a few friends for his meritorious Conduct in apprehending 3 Notorious House Breakers who broke into her house, June 1838’, length 7.5cm, with a gold mourning ring, the interior inscribed ‘William Hooker died March 26th 1849, aged 40’, and with a small note, approx. weight of silver 3oz., approx. weight of ring 2g. (3)

£250-300

528 A William IV silver presentation snuff box, by Nathaniel Mills, Birmingham 1832, rectangular form, engine-turned sides and base, the hinged cover with engine-turned decoration, and inscribed ‘To William Patey Baldy, M.D. in testimony of the Gratitude and Esteem of his fellow townsmen for his humane and increasing attention to the Poor, during the awful visitation of Mailgnant Cholera at Plymouth, A.D 1832’, the inside of the cover later inscribed ‘W.C. Baldy to E.J.S.L 1861’, length 9cm, approx. weight 4.5oz. £300-400

529 A William IV presentation silver snuff box, by Joseph Willmore, Birmingham 1832, rectangular form, the hinged cover with chased foliate decoration, the underside inscribed ‘Presented by the Underwriters of The Brig Messenger of Sunderland to William Baylie of Castletownsend for his Exertions on the nights of the 24th and 26th November 1835’, length 7.5cm, approx. weight 1.7oz. £100-150

531 By Asprey and Co. Limited, a modern silver cigarette box of Omani interest, London 1979, rectangular form, engine-turned sides, the hinged cover engraved with four scenes of Omani forts, within a gilded border and with the central crowned national emblem of Oman, wood lined, length 22.9cm.

£800-1,200

530 A matched pair of George III silver wine coasters, by Digby Scott & Benjamin Smith I, London 1805, circular form, pierced and chased with trailing grapevines and bunches of grapes below an egg and dart border, turned wooden bases with central buttons engraved with a Moor’s head, diameter 13cm, height 4.8cm. (2) £800-1,200

532 A George III silver waiter, by Ebenezer Coker, London 1760, circular form, shell and scroll border, the centre with a foliate scroll cartouche, on three bun feet, the underside scratch initialled ‘T’ over ‘IM’, diameter 18.5cm, approx. weight 8oz. £100-150

531

533 A Charles II silver tobacco box, maker’s mark FP, with a quatrefoil beneath, probably for Francis Pile, London circa 1670, oval form, the hinged cover engraved with an armorial and crest, within foliate scroll mantling, and inscribed ‘Ralph Milburne’, slide-action button to cover, inside of cover with steel spring, length 8.4cm, approx. weight 3.6oz. £3,000-4,000 The arms may be those of Ralph Milbourne of Chirton House, Tynemouth, Northumberland (1646-1689). For the maker’s mark see: Mitchell, D., Silversmiths in Elizabethan and Stuart London, Boydell Press 2017, pp.297-298.

534 A William and Mary silver squeeze-action spice / snuff box, maker’s mark worn, ?R with a crown above, circa 1690-1700, canted rectangular form, engraved decoration, the hinged cover engraved with a seated cherub holding a heart, inscribed ‘IE LE PREFERE’, length 3.8cm, approx. weight 0.8oz. £600-800

535 A William and Mary silver box, unmarked circa 1690-1700, circular form, the pull-off cover with an engraved flower, the edge crudely engraved ‘This box was given to my wife...’, diameter 3.8cm, approx. weight 0.5oz. £300-400

536 An 18th century silver spirit funnel, marks worn, circa 1720, tapering circular form, with a ring attachment, engraved with a crest, height 10cm, approx. weight 1.6oz. £300-400

534

535

536

537 A George III silver mazarine, by Paul Storr, London 1815, oval form, pierced with mullets and scroll decoration, the centre with an armorial shield, with four later composition bun feet, length 56.5cm, approx. weight 89oz. £1,500-2,000

The armorial is that of Antrobus.

538 A George III silver second-course plate, by Paul Storr, London 1796, circular form, gadroon border, engraved with an armorial, diameter 29.6cm, approx. weight 23.5oz. £800-1,200

The armorial is that of Thomas Orby Hunter (1775-1847), who married Frances Heywood (d.1834) in 1796.

539 A set of four George III silver candlesticks, probably by John Carter, London 1772, fluted tapering columns, with acanthus leaf capitals, detachable drip pans, on raised square bases with medallions and ribbon-tied swags, beaded borders, engraved with a crest, height 32.2cm. (4) £2,000-3,000 The crest is that of Meyrick.

538

540 A pair of George II cast silver Rococo candlesticks, by Ayme Videau, London 1743, baluster columns, foliate scroll decoration, detachable drip pans, on raised, shaped foliate circular bases, engraved with a crest, height 25.5cm, approx. weight 57.5oz. (2) £3,000-4,000

A SMALL PRIVATE COLLECTION OF PAUL STORR

542 A George IV silver-mounted toilet / potpourri box, by Paul Storr, London 1821, square form, the pull-off cover with pierced scroll decoration, and engraved with an armorial, the interior with a pierced silver-gilt tray / liner, plain glass body, height 6.4cm, approx. weighable 2.6oz. (2) £300-500

Provenance: A Private Collection.

This lot is sold with an old hand-written label, probably purchased from Gerald Sattin Limited.

43.3oz. £2,000-2,500

The armorials are that of Alche, Greike, Kyme, Lamborne, M’Lellan, MackLeld and Manny.

Provenance: A Private Collection.

Provenance: A Private Collection.

£1,800-2,200

542

541 A William IV silver basket, by Paul Storr, London 1836, circular form, engraved scroll foliate decoration, with embossed armorials, moulded scroll foliate rim with two acanthus leaf mounted shell handles, on a raised circular foot, length handle to handle 37.4cm, approx. weight

543 A George III silver four-bottle frame, by Paul Storr, London 1805, shaped oval form, central rectangular carrying handle, wire-work frame with paw and column supports, central armorial engraving to the loaded base, with four cut glass bottles (one cracked), length 27.4cm.

544 A George III silver punch bowl, by Paul Storr, London 1804, circular form, later embossed scroll and foliate decoration, with a fluted band and gadrooned rims, two scroll-formed cartouches, one engraved with an armorial, one inscribed ‘Presented by COL. L E.D.W. SIBTHORP. M.P, Commanding the Royal South Lincoln Militia, To ROB SHIPMAN ESQR, on the resignation of his commission as SURGEON to that regiment. Aug 9 1854’, diameter of bowl 29.2cm, approx. weight 68.1oz. £3,000-4,000

Provenance: A Private Collection.

546 A pair of George III silver entrée dishes and covers, by Paul Storr, London 1802, rectangular form, gadrooned borders, with engraved armorials to the covers and crests to the dishes, screw-off finals modelled as baskets of fruits, one cover London 1803, one numbered ‘2’, the other numbered ‘1’ and ‘3’, length 28.4cm, approx. weight 99.7oz. (4) £2,500-3,000

Provenance: A Private Collection.

545 An early-Victorian silver-mounted inkwell, by Paul Storr, London 1837, shaped circular form, pull-off domed shaped cover with three pierced circular holes and a ball finial, engraved initials surmounted by a crown, with scalloped glass sides, height 7.4cm, approx. weighable 0.8oz. £100-150

Provenance: A Private Collection.

545

548 A William IV silver burner, by Paul

London 1834, lobed tapering circular form, with alternate panels of engraved foliate decoration, engraved with a crest, with pierced scroll decoration to the sides, with a burner, diameter 17.5cm, approx. weight 14.2oz. £600-800

Provenance: A Private Collection.

Provenance: A Private Collection.

£300-400

approx. weight 8.9oz. £300-400 The armorial is that of Bolton impaling Littledale or Longe.

Provenance: A Private Collection.

547

548

547 A George III silver teapot, by William Frisbee & Paul Storr, London 1790, oval form, wooden scroll handle, bright-cut decoration, two vacant cartouches, domed hinged cover with knop finial, length handle to spout 29.6cm, approx. weight 15.7oz.

549 A George III silver waiter, by Paul Storr, London 1809, circular form, gadrooned border, engraved with a central armorial, on four scroll paw feet, diameter 15.5cm,

Storr,

550 A pair of George III silver sauce tureens and covers, by Paul Storr, London 1804, plain oval form, with two drop-ring handles with acanthus leaf decoration, gadrooned borders, domed pull-off cover with reeded and foliate ring handle, (unmarked), on a raised oval base, numbered ‘1’ and ‘3’, length handle to handle 20.6cm, approx. weight 45oz. (2) £2,000-3,000

Provenance: A Private Collection.

551 A George III silver coffee pot stand, by Paul Storr, London 1808, circular form, gadrooned border, on a circular base with a wooden underside, diameter 13.8cm. £300-400

Provenance: A Private Collection.

552 A George III silver dish stand, burner and dish with a matched base, by Paul Storr, London 1794, the dish base by Joseph Scammell London 1793, oval wire-work form, threaded borders and supports, on four claw and ball feet, the dish cover of plain oval form, engraved with a crest and with a ring handle, the dish of plain oval form with a reeded border and engraved crest, length 30.9cm, approx. weight 49.4oz. (4) £1,500-2,000

Provenance: A Private Collection.

OTHER PROPERTIES

553

554

553 A William IV silver-gilt mazarine, by William Bateman, London 1835, oval form, pierced with foliate and scroll decoration, the centre with an engraved armorial, length 49.7cm, approx. weight 43.6oz. £1,000-1,500

The armorial is that of Hoghton Baronet: for Sir Henry Bold-Houghton (1799-1862), 8th Baronet of Hoghton Tower, Lancashire.

554 A pair of George III silver wine coasters, by Benjamin Smith & James Smith, London 1809, circular form, pierced and chased with trailing grapevines and bunches of grapes, pierced border, the turned wooden bases with unmarked central buttons, diameter 14.8cm. (2) £800-1,200

555 A rare silver-gilt George II coronation canopy bell, by Francis Garthorne, London circa 1727, conventional form, with a loop attachment and reeded borders, inscribed 'ONE OF THE BELLS BELONGING TO THE CANOPY BORN OVER KING GEORGE THE SECOND AT HIS CORONATION GIVEN TO THE LADY ELIZ GERMAIN BY THE HON. GEORGE BERKELEY HER BROTHER ONE OF THE BARONS OF THE CINQUE PORTS', height 7.1cm, approx. weight 7.3oz. £7,000-10,000

Provenance: The Hon. George Berkeley, d.1746 to Lady Elizabeth Germain, d.1769 by family descent to Col Sir Joseph Weld, Lulworth, Dorset, d.1992 by family descent to the present owner.

Illustrated in Clayton, M., The Collectors Dictionary of the Silver and Gold of Great Britain and North America, Woodbridge, 1971, p. 34, fig. 33b. A similar George II silver-gilt canopy coronation bell with a later baluster handle sold at Christie's in their sale 20th November 2009, lot 40, Property From The Collection of HRH The Prince George, Duke of Kent, KG, KT, and HRH Princess Marina, Duchess of Kent CI, GCVO and Their Families.

A small group of coronation bells survive today, of which the earliest example is thought to have been used at the coronation of King Charles II in 1660. Two coronation bells were bequeathed to the nation by the Countess of Waldegrave. The first is by Francis Garthorne, the maker of the present bell, and is hallmarked for 1714/15. However, it is engraved 'George 2nd 1727'. It has been suggested that it was first used at the coronation of King George I in 1714 and re-used at the coronation of his son in 1727.

At the coronation of King George II, held on the 11th October 1727, the Canopy of State was carried by the members of parliament of the Cinque Ports. In his position as M.P. for Dover, the Hon. George Berkeley was appointed as a canopy bearer. This right was established during the reign of King Edward I as cited by Mantel, T., in Coronation Ceremonies and Customs, relative to the Barons of the Cinque Ports as Supports of the Canopy, Dover, 1820.

556 A rare pair of Queen Anne provincial silver footed waiters, by Richard Richardson I, Chester 1718, circular form, moulded borders, the centres with armorials within foliate mantling, on raised unmarked circular bases, the undersides scratch initialled ‘DE’, diameter 14.8cm, approx. weight 12oz. (2) £1,000-1,500

557 A George I silver tankard, by William Spackman, London 1725, tapering circular form, later foliate scroll decoration, domed hinged cover, the front later inscribed ‘To Mr. Field as a token of gratitude and remembrance from one of his scholars Phebe Boode 1821’, height 18.4cm, approx. weight 25oz. £800-1,200

556

Provenance: A Private

Purchased

558 A William and Mary silver two-handled porringer and cover, by John Duck, London 1691, circular form, part-fluted swirl decoration below a stamped border, scroll handles, the pull-off cover with fluted decoration and a fluted urn finial, on a raised circular foot, height 22.8cm, length handle to handle 27.4cm, approx. weight 37.44oz. £5,000-7,000

Collection.

from N and I Franklin, London, 25 January 2002.

A PRIVATE COLLECTION OF EARLY SPOONS

559 A rare Henry IV silver Diamond Point spoon, London circa 1400, the reverse of the fig-shaped bowl engraved with a device, and also with a later 18th century initial ‘L’, later gilded, tapering faceted stem with a Diamond Point finial, the reverse of bowl with an old collection label, length 16.6cm, approx. weight 0.8oz. £8,000-12,000

Provenance: A Private Collection.

560 A rare Henry VII silver Wrythen Knop spoon, maker’s mark of a key, London 1488, fig-shaped bowl, tapering faceted stem with a fluted Wrythen Knop finial with traces of gilding, the reverse of the bowl with an old collection label, length 15.9cm, approx. weight 1oz. £10,000-15,000

Provenance: A Private Collection. The Staniforth Collection.

Illustrated and written up in How, G., and How, J., English and Scottish Silver Spoons, 1953, Volume One, Chapter I, Section IV, Plate 5, pages 86/87. How writes about this spoon. ‘At one time it was in the famous Staniforth Collection, being then the earliest known dated spoon’.

For the maker’s mark see Jackson’s, Ian Pickford Edition, Antique Collectors Club, 1989, page 87.

561 A rare pair of Henry VII silver Apostle Spoons, St. Simon Zelotes and possibly St. Phillip, maker's mark of a device known as a Gothic L, London 1490, fig-shaped bowls, tapering faceted stems, with gilded Apostle finials, one very worn, the nimbi with engraved ray decoration, the reverse of the bowls with an old collection label, lengths 18.2cm and 18cm, approx. weight 2.9oz. (2) £30,000-40,000

Provenance: A Private Collection.

These spoons are from a larger set, where six are known to exist. One from the set was in the Benson Collection and is written up and illustrated in Constable, D., The Benson Collection of Early Silver Spoons, Constables Publishing, 2002, entry number 26, pages 79-81. It is also illustrated in his book on Silver Spoons of Britain 1200-1700, Volume One, entry number 29, pages 226-229.

Another spoon from the set (St. Andrew), is illustrated and written up in How, G., and How, J., English and Scottish Silver Spoons, 1953, Volume Two, Chapter III, Section II, Plate 2, pages 48/49. How writes about this spoon and the others in the set as 'the earliest recorded Apostle Spoons bearing full London hallmarks'.

The St. Simon Zelotes was probably sold at Christie's, London 5 June 1928, lot 94. It was then exhibited by Asprey at the Antiques Dealer's Fair, London 1947.

562 A Henry VIII silver Maidenhead spoon, maker’s mark of a fringed S, for William Simpson, London 1532, fig-shaped bowl, the reverse of the bowl with a 19th century crest, tapering faceted stem with a Maidenhead finial, with very faint traces of gilding, the reverse of the bowl with an old collection label, length 15.4cm, approx. weight 1.1oz.

£5,000-7,000

Provenance: A Private Collection.

563 A Henry VIII silver Apostle spoon, possibly St. James the Greater, maker’s mark of a device, London 1543, fig-shaped bowl, tapering faceted stem, gilded Apostle finial, nimbus lacking, the reverse of the bowl with an old collection label, length 17.7cm, approx. weight 1.6oz.

£5,000-7,000

Provenance: A Private Collection.

564 An Edward VI silver Lion Sejant spoon, by Nicholas Bartholomew, London 1548, fig-shaped bowl, faceted stem, the finial with faint traces of gilding, the reverse of the bowl with an old collection label, length 16.8cm, approx. weight 1.6oz.

£4,000-6,000

Provenance: A Private Collection.

565 A Mary I silver Apostle spoon, St Peter, maker’s mark of a crescent enclosing a star, for Nicholas Bartholomew, London 1553, fig-shaped bowl, the reverse scratch initialled ‘RV’ tapering faceted stem, with a gilded Apostle finial holding a large key, damage to the pierced nimbus, the reverse of the bowl with an old collection label, length 18cm, approx. weight 1.8oz.

£4,000-6,000

Provenance: A Private Collection.

For the maker’s mark see Constable, D., Silver Spoons of Britain,1200-1700, Constables Publishing, 2016, Volume II, page 991.

566 An Elizabeth I silver Lion Sejant spoon, maker’s mark of a mullet above an annulet, London 1578, fig-shaped bowl, faceted stem, the finial with faint traces of gilding, the reverse of the bowl with an old collection label, length 16.8cm, approx. weight 1.6oz.

£3,000-4,000

Provenance: A Private Collection.

For the maker’s mark see Jackson’s, Ian Pickford Edition, The Antique Collectors’ Club, 1989, page 100.

567 An Elizabeth I silver Slip-top spoon, by William Cawdell, London 1598, fig-shaped bowl, tapering faceted stems, the reverse of the bowl with an old collection label, length 15.8cm, approx. weight 1.5oz.

£1,500-2,000

Provenance: A Private Collection.

568 An early-17th century provincial silver Seal-top spoon, marked once to the bowl with a five petal mark, unascribed, possibly East Anglian, circa 1600-1620, fig-shaped bowl, tapering faceted stem, gilded seal-top finial, the reverse of the bowl with an old collection label, length 17.2cm, approx. weight 1.9oz.

£1,000-1,500

Provenance: A Private Collection.

569 A pair

mark worn, London 1629, fig-shaped bowls, tapering faceted stems, the reverse of the bowls with an old collection label, length 16.5cm, approx. weight 3oz. (2)

£2,000-3,000

Provenance: A Private Collection.

of Charles I silver Slip-top spoons, maker’s

569 (2)

570 An early-17th century provincial silver-gilt Apostle spoon, Hooded St. Andrew, marked three times to the stem CR or RC conjoined, and once to the bowl with RC in a circular rose punch within a rope-work border, unascribed, circa 1600, fig-shaped bowl, the reverse with later prick-dot initials ‘I*W’ over ‘I*B’, below ‘1632’, and with a 19th century crest, tapering faceted stem, the large Apostle finial with a hood rather than a nimbus, length 19.1cm, approx. weight 2oz.

£3,000-5,000

Provenance: A Private Collection.

Illustrated and written up in How, G., and How J., English and Scottish Silver Spoons, 1953, Volume Two, Chapter III, Section II, Plate 47, pages 142/143.

How writes about this spoon, ‘The large hooded figure, which has never had a nimbus, is an exact duplicate of the St. Andrew in the famous Astor Set, London 1536, although this spoon has lost his emblem. Apart from the Astor St. Andrew, I have never seen a similar hooded figure, but there is no reason why early models, such as this, should not have been used over a long period by later silversmiths, both in London and the Provinces’.

For the mark in the bowl see Jackson’s, Ian Pickford Edition, The Antique Collectors’ Club, 1989, page 525.

571 A pair of West Country Commonwealth provincial silver Puritan spoons, marked GR four times to the stem and once to the bowl, for George Reeve, Bath circa 1650, the reverse of the oval bowls with an armorial shield, the stems prick-dot initialled ‘E.P’, the reverse scratch initialled ‘DS’, lengths 17.3cm and 17.4cm, approx. weight 2.5oz. (2)

£2,000-3,000

Provenance: A Private Collection.

For the maker’s mark and write-up on the maker, see: Kent, T., West Country Silver Spoons and their Makers 1550-1750, J. H. Bourdon-Smith 1992, pages 126/127.

572 A fine James II provincial silver Trefid spoon, maker’s mark RW in a rectangular punch, probably for Ralph Walley, Chester 1686, oval bowl, plain raised rat-tail, the reverse of the terminal scratch initialled ‘E.S’, and with an old collection label, length 19cm, approx. weight 2oz. £1,500-2,000

Provenance: A Private Collection.

For the maker’s marks see Jackson’s, Ian Pickford Edition, The Antique Collectors’ Club, 1989, page 390. The date letter used on this spoon was the first date letter used by the Chester Assay Office. It was in use from the 1 February 1686 to the 2 June 1690. The spoon also has the City Crest as well as the City Arms.

Provenance: A Private Collection.

573 A William and Mary silver Trefid spoon, by William Matthew, London 1690, oval bowl with a raised and beaded rat-tail, the reverse of the terminals scratch initialled ‘R*G’, length 19.5cm, approx. weight 2oz. £300-500

OTHER PROPERTIES

574 A late-17th century silver Trefid spoon, maker’s mark I.I, and with a mark of an animal’s head and another mark, unascribed, circa 1696, oval bowl, raised rat-tail, the reverse of the terminal with scratch initials ‘R.S’ over ‘96’, length 20.2cm, plus a Channel Islands silver Trefid spoon, maker’s mark of G.S, Jersey circa 1700, approx. weight 2.6oz. (2)

£300-400

575 A William III silver Trefid spoon, by Samuel Jefferys, London 1700, oval bowl, the reverse of the bowl with a beaded raised rat-tail, the reverse of the terminal with scratch initials ‘E*S’, length 19.8cm, approx. weight 1.9oz

£300-400

576 A Queen Anne West Country silver Lace-back Trefid spoon, by Richard Sweet II, Chard c.1704, oval bowl, the reverse of the bowl with a raised rat-tail and foliate scroll decoration, the terminal with stylised flowers, the reverse of the terminal with prick-dot initials ‘W*L’ over ‘M*L’ over ‘1704’, length 20cm, approx. weight 1.8oz.

£600-800

577 A late-17th century silver Trefid spoon, maker’s mark II, circa 1680, oval bowl, the reverse of the bowl with a raised rat-tail, the reverse of the terminal with scratch initials ‘S*S’ over ‘S*P’, length 9cm, approx. weight 1.7oz.

£200-300

578 A Charles II Sussex silver Trefid spoon, by Robert Colegate, Lewes circa 1683, oval bowl, the reverse with a raised rat-tail, the terminal with scratch initial ‘I.P’, the reverse of the terminal with scratch initial ‘V’ over ‘WM’ over ‘1683’, length 18.8cm, approx. weight 1.5oz. £800-1,200

For the maker’s mark see Constable, D., Silver Spoons of Britain 1200-1700, Constables Publishing, 2017, page 999, entry number 108.

579 A William III silver Lace-back Trefid spoon, by William Scarlett, London 1697, oval bowl, the reverse of the bowl with a raised rat-tail and foliate scroll decoration, the terminal also with scroll decoration, the reverse of the terminal with prick-dot initials ‘T.A’, length 19cm, approx. weight 1.6oz. £400-600

580 An Elizabeth I silver Seal-top spoon, maker’s mark of a device, London 1600, fig-shaped bowl, the reverse with a rudimentary rat-tail, with traces of gilding, the reverse of the bowl with three later petal motifs and a star, probably indicating it is from a collection, faceted tapering stem, seal-top finial with traces of gilding, prick-dot initialled 'MO', length 7.6cm, approx. weight 1.9oz. £800-1,200

For similar engravings of the petal motifs and star, see Constable, D., The Benson Collection of Early Silver Spoons, Constables Publishing, 2012, page 82/83, entry number 27.

581 A Charles I silver Apostle spoon, St. Matthew, by Edward Hole, London 1634, fig-shaped bowl with later gilding, faceted tapering stem, the finial without a nimbus, in a later fitted case, retailed by Shapland of London, length 18.2cm, approx. weight 1.8oz. £800-1,200

582 An Charles I West Country silver Apostle spoon, St. Jude, by Edward Anthony, Exeter circa 1640, fig-shaped bowl, tapering faceted stem, gilded Apostle finial with nimbus bearing prick-dot initials ‘I*C’ over ‘1670’ over ‘I*P’, the reverse of the bowl with scratch initials ‘G’ over ‘B*E’ over ‘1654’, length 18.5cm, approx. weight 1.5oz. £1,000-1,500

583 An early 18th century Dutch silver Trefid spoon, probably by Geradus Bryns, Gorinchem 1726, the reverse of the bowl with a raised rat-tail, the reverse of the stem with scratch initials, length 18cm, plus a pair of 18th century silver Trefid spoons, probably Delft, 1712 or 1736, the reverse of the bowls with a raised rat-tail, the reverse of the terminals scratch initialled ‘I:T:D:I’ over ‘F:W’, length 19.5cm, approx. weight 4oz. (3) £600-800

584 A George III silver serving trowel, by William Plummer, London 1772, the triangular shaped blade with pierced and engraved foliate and scroll decoration, feather-edge handle, length 26cm, approx. weight 3.7oz. £400-600

585 A George I silver Hanoverian Rat-tail pattern basting spoon, maker’s mark over-striking another, London 1718, the oval bowl with a plain rat-tail, the terminal with an armorial and later crest, length 35cm, approx. weight 5.3oz. £500-700

Provenance: From the private collection of the late Joyce Lowe, of Lowe and Sons, Chester. She became the only female Honorary Member of The Chester Goldsmiths Company in her family’s two hundred year ownership of the firm (1770-1977).

583 (3)

THE BARRY LOCK COLLECTION

Barry Lock was born in July 1934 in Wimbledon. He was educated at King’s School Canterbury, and then he went to read for a BA in Jurisprudence at Magdalen College Oxford from 1953 to 1956. He then stayed for another year for a bachelorship in civil law. After Oxford, he became a solicitor and was articled with Coward Chance (later Clifford Chance) where in 1964, he became the firm’s youngest equity partner. By 1988 he had moved to Lawrence Graham, where he remained until his retirement in 2005.

Barry had a lifelong interest in and knowledge of royal and aristocratic history, and a great passion for collecting antiques, which he loved talking about with his many friends. As well as silver, he focused on enamel boxes, paintings and portrait miniatures. As you will see in the collection many pieces are engraved with family armorials and crests, and some have Royal provenance/ connections. He was fascinated in researching these pieces. Barry purchased his silver from auctions, as well as several leading London silver dealers. He also liked to support smaller dealers, and this was particularly the case at the Sunday antique fair he loved to attend at the Royal Horticultural Halls, a short walk from his home in Morpeth Mansions.

Barry was a very generous man, and he actively supported a range of charities including The Richard III Society, The Society of St. Augustine of Canterbury, and the Friends of Westminster Cathedral. He was a founding member of the King’s School Legacy Club. At Magdalen he funded the Barry Lock Bursary, which is awarded to students in need every year, as well as supporting the Choir, The Longwall Library and the Grove Quad.

Barry died in April 2021, and his funeral was at Westminster Cathedral, where he regularly attended mass, and his ashes are interred in Magdalen College Fellows’ Garden, Oxford.

586 A set of ten William IV silver King’s pattern table forks, by Mary Chawner, London 1835, the reverse of the terminals engraved with a crest, total approx. weight 33oz. (10)

Provenance: The Barry Lock Collection.

£250-300

£200-300

588 A pair of Victorian silver Trailing Vine pattern grape scissors, by Francis Higgins, London 1872, the reverse of the blades engraved with a crest, length 17.5cm, plus a pair of Victorian silver-gilt Pierced Vine pattern grape scissors, maker’s mark for Yapp & Woodward only, length 18.5cm, total approx. weight 7.8oz. (2)

Provenance: The Barry Lock Collection. The grape scissors by Francis Higgins purchased from Payne & Son, Tunbridge Wells, 22 April 2006.

589 A pair of Victorian silver Queen’s pattern grape scissors, by Hyam Hyams, London 1868, length 18.8cm, plus a pair of George IV silver Queen’s pattern grape scissors, by Mary & Charles Reilly, London 1828, length 18cm, total approx. weight 7oz. (2) £200-300

Provenance: The Barry Lock Collection. Purchased from Schredds of London, 8 March 2010.

590 A matched set of seven Victorian silver King’s pattern dessert forks, two by George Adams, London 1858, and five with maker’s mark worn, Dublin 1857, the reverse of the terminals engraved with a crest, total approx. weight 14.8oz. (7)

Provenance: The Barry Lock Collection.

£100-150

591 A mixed lot of George IV and later silver Queen’s pattern flatware, various dates and makers, comprising: one table fork, maker’s mark worn, London 1839, four dessert spoons, by Charles Eley, London 1826, and Chawner & Co, London 1852, and six dessert forks, by A B Savory & Sons, London 1833, total approx. weight 22.8oz. (11) £200-300

Provenance: The Barry Lock Collection.

592 A large late-Victorian silver-gilt fish serving fork, by Thomas Bradbury & Sons Ltd, London 1882, five tines engraved with clover in a landscape, tapering stem engraved with floral scrolls on a matted ground and zig-zag border, the terminal with floral scrollwork around a creel of fish, length 38.8cm, approx. weight 9.4oz.

£200-300

Provenance: The Barry Lock Collection. Purchased from J. H. Bourdon-Smith Ltd, London, 13 December 2003.

593 A pair of George III silver-gilt King’s Hourglass pattern ice cream spades, by Eley, Fearn & Chawner, London 1809, the terminals with a crest, length 26cm, total approx. weight 12.8oz. (2) £400-600

Provenance: The Barry Lock Collection. Purchased from J. H. Bourdon-Smith Ltd, London.

594 A late-19th century Russian silver serving slice, by Alexander Lyubavin, 1896-1908, trowel form, the blade pierced with engraved foliate scrolls, the handle with engraved tapering stem and shaped terminal, length 24.6cm, approx. weight 5.1oz.

£150-200

Provenance: The Barry Lock Collection. Purchased from Honeycombe Antiques, Framlingham, 6 October 2005.

595 A pair of Victorian silver fish servers, by Francis Higgins, London 1856, swirl fluted stems, the blade and tines with pierced decoration, the terminals with a crest, approx. weight 9.1oz. (2) £300-400

596 A set of twelve silver-gilt and blue enamel coffee spoons, by the Adie Brothers, Birmingham 1931, in a fitted case, plus an egg server and serving fork, London 1918, cased, a set of six London souvenir spoons, cased, a set of twelve continental pierced vine teaspoons, cased, and two teaspoons in a case, approx. weighable 14oz. (5) £150-200

Provenance: The Barry Lock Collection.

597 A mixed lot of antique silver flatware, by Francis Higgins, various dates, comprising: a pair of Victorian spiral twist vine-chased fruit carvers, London 1860, a pair of late-Victorian silver-gilt and mother-of-pearl fruit carvers, London 1887, a pair of George IV King’s Honeysuckle pattern fruit serving spoons, London 1825, a late-Victorian silver sugar sifting spoon and a matching ladle, London 1889, a Victorian butter spade, London 1864, total approx. weighable 12.3oz. (9) £400-600

Provenance: The Barry Lock Collection.

598 A collection of silver flatware, various dates and makers, comprising: a set of twelve William IV Irish Fiddle pattern dessert forks, Dublin 1832, a pair of Georg Jensen Acorn pattern salad servers, another pair of salad servers, a set of eight King’s pattern dessert forks, a set of six silver-gilt King’s Hourglass pattern dessert knives, a set of twelve George III fruit knives, by Moses Brent, London 1801/02, a table fork, a pair of Dutch serving tongs, a Danish silver-gilt and enamel fork and spoon, a set of six 18th century picture front teaspoons, thirty-two various teaspoons and other items, approx. weighable 65oz. (qty) £400-600

Provenance: The Barry Lock Collection.

599 A mixed lot of silver flatware, various dates and makers, comprising: a set of six George III Old English pattern dessert spoons, by Edward Lees, London 1804, the terminals engraved with a crest, a set of six George IV Old English pattern dessert spoons, by Eley & Fearn, London 1822, the terminals engraved with a crest, a matched set of six late-Victorian Scottish King’s Shape (Rococo End) pattern dessert spoons, by Robert Gray & Son, Glasgow 1895-1896, the terminals initialled, a set of four late-Victorian Scottish King’s Shape (Rococo End) pattern teaspoons, by Robert Gray & Son, Glasgow 1896, the terminals initialled, a modern Italian spaghetti server, maker’s mark BR, total approx. weight 33.5oz. (23) £200-300

Provenance: The Barry Lock Collection.

600 A large collection of silver-handled table and dessert knives, various dates and makers, including: sixteen Fiddle,Thread and Shell pattern table knives and four dessert knives, a set of twelve Thread pattern table knives, and eleven dessert knives, Sheffield 1979, twenty-four King’s pattern table knives and fourteen dessert knives, twelve Fluted and Shell dessert knives, plus six French silver-bladed fruit knives, plus three silver fish forks, and eleven silver- bladed fruit knives. (qty) £300-500

Provenance: The Barry Lock Collection.

601 A matched Victorian and later silver-gilt Canova pattern dessert service for six, by George Adams, London 1864, and Holland, Aldwinckle and Slater, London 1913, comprising: two fruit serving spoons, six dessert spoons, six dessert forks, six dessert knives, plus six silver-gilt teaspoons, marks worn, the terminals with a mask, total approx. weighable 34.6oz. (26)

Provenance: The Barry Lock Collection.

£400-600

602 A collection of six George III and later silver King’s pattern basting spoons, various dates and makers, comprising: a pair, by Eley & Fearn, London 1819, the terminals engraved with a crest, a pair, by Robert Peppin, London 1822, one, by Mary Chawner, London 1828, the terminal engraved with a crest, and one, by Eley, Fearn & Chawner, London 1808, total approx. weight 39.6oz. (6)

Provenance: The Barry Lock Collection.

£500-700

603 A matched set of eight George IV silver King’s pattern tablespoons, five by Josiah & George Piercy, London 1819, and three by George Piercy, London 1820, the terminals engraved with a crest, total approx. weight 26.5oz. (8)

Provenance: The Barry Lock Collection.

£200-300

604 A mixed lot of silver flatware, comprising: a Georg Jensen Pyramid pattern jam spoon and butterknife, a pair of serving spoons with pierced terminals, a King’s pattern serving slice and bread knife, a sardine fork and server, a silver-handled cheese slice, a serving slice, a Danish cocktail spoon and a silver-handled spoon with a plated bowl, approx. weighable 8.5oz. (qty) £150-250

Provenance: The Barry Lock Collection.

605 A matched Victorian silver Scroll and Rosette pattern canteen for eight, by George Adams, London 1849-1853, comprising: eight tablespoons, the reverse of the terminals initialled, eight table forks, the reverse of three terminals initialled, eight dessert forks, the reverse of the terminals initialled, and eight dessert spoons, the reverse of seven terminals initialled, total approx. weight 82.9oz. (32) £800-1,200

Provenance: The Barry Lock Collection.

606 A mixed set of antique silver flatware, various dates and makers, comprising: a matched set of six silver King’s pattern table forks, the reverse of the terminals engraved with a crest, by William Chawner, London 1819-1822, a set of five silver King’s Honeysuckle variant pattern table forks, by George Adams, London 1848, two silver Queen’s pattern table forks, by Adey Bellamy Savory, London 1832, a set of ten silver King’s Honeysuckle pattern dessert forks, the terminals initialled, by Hayne & Cater, London 1841, a set of three silver King’s Honeysuckle variant pattern dessert forks, by Solomon Royes, London 1820, total approx. weight 72.7oz (26) £600-800

Provenance: The Barry Lock Collection.

607 A set of twelve early-Victorian silver Queen’s pattern dessert spoons, by Mary Chawner, London 1839, the terminal with initials, plus four Queen’s pattern table forks, London 1832, and two King’s Husk pattern table forks, approx. weight 43oz. (18) £300-500

Provenance: The Barry Lock Collection.

608 A collection of silver King’s pattern flatware, various dates and makers, comprising: eighteen table forks, some with crests or initials to the terminals, nine tablespoons, one with a crest to the terminal, a set of six dessert forks, by Edward Barton, London 1839, twenty-three dessert forks, some with crests to the terminals, a set of six dessert spoons, by Laurence Keary, Dublin 1824, the terminals engraved with a crest, a set of six dessert spoons, by John, Henry & Charles Lias, London 1826, the terminals engraved with a crest, a set of six dessert spoons, by George Adams, London 1870, twenty-eight dessert spoons, some with crests to the terminals, a pair of sauce ladles, by George Adams, London 1849, the terminals engraved with a crest, total approx. weight 245.26oz. (104) £2,000-3,000

Provenance: The Barry Lock Collection.

609 A collection of William IV and later silver Fiddle pattern flatware, various dates and makers, comprising: a set of twelve William IV table forks, by A B Savory & Sons, London 1833, the reverse of the terminals initialled, a set of eleven Victorian dessert fork, maker’s mark ‘JH’ over ‘AH’, London 1837, the reverse of the terminals initialled, a set of five William IV tablespoons, twelve dessert spoons, four sauce ladles and seven teaspoons, by William Eaton, London 1831, the terminals initialled, plus a matched set of three teaspoons with the terminals initialled, total approx. weight 95.9oz. (54) £800-1,200

Provenance: The Barry Lock Collection.

610 part

610 A matched Victorian silver-gilt Trailing Vine pattern dessert service for twelve, by George Adams, London 1852 and 1855, comprising: two fruit serving spoons, twelve dessert spoons, twelve dessert forks, twelve dessert knives, total approx. weighable 57.7oz. (38) £1,000-1,500

Provenance: The Barry Lock Collection.

611 A collection of George III and later silver Fiddle, Thread and Shell pattern flatware, various dates and makers, comprising: a basting spoon, by Eley, Fearn & Chawner, London 1810, the reverse of the terminal engraved with a crest, a set of six tablespoons, by Eley & Fearn, London 1816, the terminals engraved with a crest, a set of six table forks, by George Adams, London 1852, the reverse of the terminals engraved with a crest, a set of six table forks, by Eley & Fearn, London 1817, the reverse of the terminals engraved with a crest, a set of six table forks, by Eley & Fearn, London 1816, the reverse of the terminals engraved with a crest, a set of six table forks, by Eley & Fearn, the reverse of the terminals engraved with a crest, a set of six dessert spoons, by Eley, Fearn & Chawner, London 1808, the terminals engraved with a crest, a set of six dessert spoons, by William Chawner, London 1828, the terminals engraved with a crest, a set of six dessert spoons, by William Eaton, London 1839, a set of ten dessert forks, by Eley & Fearn, London 1818, the terminals engraved with a crest and the reverses initialled, a set of six dessert forks, by Eley & Fearn, London 1817, the reverse of the terminals engraved with a crest, a matched set of six dessert forks, the terminals engraved with a crest, total approx. weight 178.5oz. (71) £2,500-3,000

Provenance: The Barry Lock Collection.

612 A mixed lot of flatware, various dates and makers, comprising silver items: a matched George IV silver-gilt Coburg christening knife and fork, the terminals engraved with a coronet, by Eley & Fearn, London 1821 and 1823, a set of six William IV silver King’s pattern dessert forks, the reverse of the terminals engraved with a crest, by William Traies, London 1834, a set of three William IV silver Queen’s pattern dessert spoons and forks, by Jonathan Hayne, London 1832, three Victorian King’s pattern silver-gilt egg spoons, the terminals engraved with a crest, by George Adams, London 1842, a pair of Victorian silver Grecian pattern jam spoons, Sheffield 1881, a reeded silver caddy spoon, London 1804, a King’s pattern carving fork, a pair of modern silver wine labels, engraved ‘WHISKY’ and ‘SHERRY’, London 1967, two electroplated wine labels, unmarked, total approx. weighable 33.2oz. (25) £300-400

Provenance: The Barry Lock Collection.

613 A quantity of silver flatware, various dates and makers, comprising: five Queen’s pattern dessert spoons, a table fork, thirteen dessert spoons, fifteen various King’s pattern teaspoons, a chutney spoon, a dessert fork, a set of six Russian silver-gilt teaspoons, six silver-gilt Old English pattern teaspoons, pair of silver-gilt jam spoons, London 1881, three egg spoons, two Georg Jensen hors d’oeuvres forks, a set of ten French teaspoons, a sugar spoon, a cake knife, some silver-bladed fruit knives and some fruit forks, and a pair of Russian claw shaped forks, a sifting spoon, plus various spoons, and other items including some electroplated items, approx. weighable 90oz. (qty) £700-900

Provenance: The Barry Lock Collection.

614 A mixed lot of silver flatware, various dates and makers, comprising: a cased pair of late-Victorian fruit carvers, by Joseph Gloster, Birmingham 1879-1880, the handles chased with trailing grapevines, a Victorian silver-gilt reproduction of a lion sejant spoon, London 1865, the shield engraved with a crest, a late-Victorian souvenir teaspoon commemorating the Diamond Jubilee of Queen Victoria, Birmingham 1896, a late-Victorian serving slice, by Levi & Salaman, Birmingham 1897, an American serving slice, by Ball, Black & Co, New York, NY, circa 1880, a modern serving slice, by Michael Allen Bolton, London 1990, a modern three-piece pistolhandled carving set, Sheffield 1976, a pair of Austrian articulated sugar tongs, and a matched pair of parcel-gilt tablespoons with later decoration, total approx. weighable 20.1oz. (13) £400-500

Provenance: The Barry Lock Collection.

615 A mixed lot of antique silver flatware, various dates and makers, comprising: a George III Fiddle, Thread and Shell pattern presentation fish slice, by William Ellerby, London 1813, engraved ‘Presented as a token of respect to John Huggins Esq. by the workmen of the distillery Albany St. 26th June 1850.’, a William IV Queen’s pattern basting spoon, by J. & A. Savory, London 1835, a pair of Victorian Fiddle pattern fish servers, by George Adams, London 1853, the terminals engraved with a crest, and a pair of Victorian Fiddle and Thread pattern asparagus servers, by George Adams, London 1851, total approx. weight 26.7oz. (5) £400-600

Provenance: The Barry Lock Collection.

616 A set of six Victorian silver fish knives and forks, by Foxhall, Hill & Foxhall, Birmingham 1859, the handles with ovolo border around engraved scroll-work, the tines and blades with pierced and engraved scroll-work. (12) £200-300

Provenance: The Barry Lock Collection. Purchased from Mary Cooke Antiques Ltd, London, 18 September 2012.

λ 617 A mixed lot of silver items, comprising: a silver-mounted dish, by Walker and Hall, Birmingham 1932, the centre with a ceramic disc by Carlton Ware with the arms of Magdalen College, Oxford, (cracked), plus a modern silvermounted corkscrew with a vine handle, a metalware and green hardstone handled magnifying glass, and an electroplated handled tortoiseshell shoehorn. (4) £150-200

Provenance: The Barry Lock Collection.

618 A mixed lot, various dates and makers, comprising silver items: a miniature silver-gilt cream jug, London 1896, a cream jug engraved with initials, Birmingham 1926, a match book cover, Birmingham 1928, a Scottish reproduction of the Traprain salt cellar, Edinburgh 1935, a table bell, Birmingham 1945, a tankard, Sheffield 1947, a paper knife commemorating the Silver Jubilee of Queen Elizabeth II, London 1977, an ashtray, Sheffield 1979, a dish engraved with an armorial, Birmingham 1983, a German sugar bowl, and a pair of electroplated presentation mugs (a.f), total approx. weighable 42.6oz. (12) £400-600

Provenance: The Barry Lock Collection.

619 A mixed lot of silver items, various dates and makers, comprising: a commemorative Royal Wedding silver-gilt square dish, by C J Vander Ltd, London 1981, a polyfoil dish, by Richard Comyns, London 1988, a two-handled muffin dish cover and liner, by Mappin & Webb, London 1912, with an associated base, by S Blanckensee & Son Ltd, Chester 1941, a pair of Armada dishes, by Richard Comyns, London 1957, a dish with engraved initials, by Atkin Brothers, Sheffield 1911, an Armada dish, by Richard Comyns, London 1969, a two-handled bowl, by G Payne & Sons, Birmingham 1916, total approx. weight 58.2oz. (9) £400-600

Provenance: The Barry Lock Collection.

620 A mixed lot of silver items, various dates and makers, comprising: a pair of goblets, by Barrowclift Silvercraft, Birmingham 1975, circular bowls, gilt interiors, on raised knopped stems with Celtic decoration and animal masks, on a circular foot, a Britannia standard porringer, by Tessiers Ltd, London 1959, circular form, pierced side handle, spot-hammered decoration, and a commemorative mug, by Birmingham Mint, 1978, circular tapering form, the body with an applied plaque commemorating the Silver Jubilee of Queen Elizabeth II, scroll handle with the thumbpiece modelled as a portrait head of Queen Elizabeth II, on a raised circular foot, total approx. weight 27.6oz. (4) £200-300

Provenance: The Barry Lock Collection.

621 A mixed lot of silver items, various dates and makers, comprising: a cased commemorative dish for the Silver Jubilee of Queen Elizabeth II, by Gerald Benney, London 1977, a small strawberry dish, London 1965, and a cased set of six Soviet-era silver-gilt teaspoons with enamelled floral stems, total approx. weight 13.9oz. (3) £150-200

Provenance: The Barry Lock Collection.

622 A mixed lot, various dates and makers, comprising silver items: a George IV mug, by Charles Gordon, London 1828, a mug, by J B Chatterley & Sons Ltd, London 1934, an American mug, 1925, and two Persian metalware tea glass holders, marked below the handle terminal, total approx. weighable 26.5 oz. (5) £300-500

Provenance: The Barry Lock Collection.

623 An Edwardian commemorative silver sugar caster, by Holland, Aldwinckle and Slater, London 1902, baluster form, the gilt pierced pull-off cover modelled as a crown commemorating the Coronation of Edward VII, on a raised circular foot, height 18cm, plus a George III silver sugar caster, by George Gray, London 1789, baluster form, rope-work decoration, engraved with initials, the pierced pull-off cover with an acorn finial, on a raised circular foot with ropework decoration, height 15.2cm, total approx. weight 9.1oz. (2)

Provenance: The Barry Lock Collection.

£150-250

624 An Indian metalwork casket, unmarked, shell form, pierced foliate scrolls, with a hinged cover, diameter 14cm. £150-250

Provenance: The Barry Lock Collection.

625 A George IV Scottish silver lemon strainer, by Robert Gray & Son, Glasgow 1826, circular form, lily leaf border, scroll handle above a clip, length 15.4cm, plus an Indian Colonial silver quaich, by Hamilton & Co, Calcutta circa 1930, circular form, lug handles, on a circular stepped foot, length handle to handle 11.3cm, total approx. weight 6.1oz. (2) £200-300

Provenance: The Barry Lock Collection.

626 A modern Egyptian metalware casket, standard mark, palm tree and date letter to inside base, rectangular form, domed cover, chased arabesque decoration and beaded border, on four bun feet, length 12.1cm, plus a Persian metalware sugar bowl and stand, circular form, engraved with figurative panels between floral borders, diameters 11cm and 19cm. (3) £100-150

Provenance: The Barry Lock Collection.

627 An Edwardian silver shell dish, by Horace Woodward & Co Ltd, London 1903, scalloped form, on three bracket feet, plus a wager cup, by Birch & Gaydon, London 1936, total approx. weight 6.5oz. (2) £150-200

Provenance: The Barry Lock Collection.

628 A mixed lot of silver items, various dates and makers, comprising: a George IV mustard pot, by Thomas Wilkes Barker, London 1827, a George IV mustard pot, with a liner, by Samuel Roberts & Co, Sheffield 1828, a Victorian regimental mustard pot with a liner, London 1855, a silver mustard spoon, Sheffield 1909, a George III pepper pot, by Emes & Barnard, London 1814, a Victorian pepper pot, by Richard Sibley, London 1865, total approx. weight 24.3oz. (6)

Provenance: The Barry Lock Collection.

£300-500

629 A pair of Edwardian silver salt cellars, by L. A. Crichton, London 1913, circular form, chased with floral swags, gadroon rim, on three lion mask and claw feet, diameter 7cm, total approx. weight 11.9oz. (2) £150-250

Provenance: The Barry Lock Collection.

630 A pair of George IV silver salt cellars, by William Eaton, London 1829, circular lobed form, shell and floral scroll rims with traces of gilding, gilt interiors, on three flower-capped foliate scroll feet, with blue glass liners, diameter 19.3cm, plus a pair of Victorian silver salt spoons, by Charles Fox, London 1838, shell bowls, tapering chased stems, mask terminals, total approx. weight 14.1oz. (4) £200-300

Provenance: The Barry Lock Collection.

631 A pair of George III silver-gilt salt cellars, by Naphthali Hart, London 1811, rectangular form, reeded borders, engraved with a crest, length 10.5cm, total approx. weight 6.5oz. (2) £100-150 The crest is that of Butterfield, Chisholm, Galloway, Lucas, Weld, and Williamson.

Provenance: The Barry Lock Collection.

632 A George III silver snuffer tray and scissor snuffers, by William Abdy I, London 1779, shaped oblong form, bright-cut pierced gallery and beaded border, engraved with initials, wooden base, length 19.7cm, the scissor snuffers with bright-cut decoration, engraved with initials, pierced handles, length 16.7cm, total approx. weighable 3.8oz. (2) £500-800

Provenance: The Barry Lock Collection.

633 Six George III silver salt cellars, by Samuel Hennell, London 1813, circular form, gadroon rim, engraved with initials, gilt interior, on a circular foot, plus four Victorian silver salt cellars, by Hawksworth, Eyre & Co, Sheffield 1853, circular form, gadroon rim, engraved with initials, gilt interior, on a circular foot, diameter 8.2cm, total approx. weight 27.8oz. (10) £500-700

Provenance: The Barry Lock Collection. Purchased from Mary Cooke Antiques Ltd, London, 13 June 2013.

634 A George III silver waiter, by John Crouch, London 1809, rounded rectangular form, gadroon and foliate shell border, engraved with a crest, on four anthemion bracket feet, length 26cm, approx. weight 23oz.

Provenance: The Barry Lock Collection.

£300-400

635 A George III silver butter dish and stand, by John Edwards III, London 1808, oval form, plain banded decoration and gadroon border, engraved with a crest, marks worn, gilt interior, raised lug handles, the domed pull-off cover with a scroll ring handle, the stand with gadroon border and engraved with a crest, length 13cm, approx. weight 15.6oz.

Provenance: The Barry Lock Collection.

£500-700

636 A pair of Russian silver goblets, maker's mark И К, 1908-1917, tapering baluster form, engraved with swags and a monogram above Roman numerals ‘XXV’, gilt interior, on a baluster stem and circular foot, height 16.4cm, total approx. weight 6.6oz. (2) £150-250

Provenance: The Barry Lock Collection.

λ 637 An American five-piece silver tea and coffee set, by the Alvin Manufacturing Co, Providence, RI, circa 1900-1920, baluster form, beaded rim, engraved with initial ‘M’, scroll handle, ivory insulators, the domed cover with beaded knop finial, on a raised circular beaded foot, two handles present but detached, length handle to spout 21cm, total approx. weight 45.4oz. (5) £400-600

Provenance: The Barry Lock Collection. Ivory Act registration reference: Z8BHJJJK

638 A pair of late-19th century French silver second-course dishes, retailed by Bointaburet, Paris circa 1890, shaped circular form, rim chased with gadrooning and floral bosses, ribbon and laurel border, engraved with a monogram, diameter 29.2cm, total approx. weight 52.2oz. (2) £500-700

Provenance: The Barry Lock Collection.

637

639 A late-19th century Russian silver swing-handled vodka pail, maker's mark ПM, Moscow 1890, tapering cylindrical form, chased with scenes of troika racing, engraved geometrical strapwork to rim and handle, height to top of raised handle 28.5cm, approx. weight 44.1oz. £1,200-1,800

Provenance: The Barry Lock Collection.

641 A pair of 19th century German silver candlesticks, by Kessler, Hanau circa 1825, circular tapering stems, chased with acanthus leaves to the base, resting on cylindrical pedestals with applied Classical figures, circular tapering capitals, removable drip-pans with an anthemion border, raised circular bases with wide gadrooning, height 26.5cm, total approx. weight 19.7oz. (2) £500-700

Provenance: The Barry Lock Collection.

640 A Russian holy water dispenser, maker's mark ДO, Moscow 1868, assay master Viktor Savinkov, circular form, engraved in Cyrillic, shaped lug handle with engraved decoration, length 12.8cm, approx. weight 2.8oz. £250-350

Provenance: The Barry Lock Collection.

642 A William IV silver mug, by Joseph Willmore, Birmingham 1831, circular form, chased with trailing grapevines, gilt interior, grapevine scroll handle, height 7.2cm, approx. weight 5.8oz. £250-300

Provenance: The Barry Lock Collection. Purchased from Partridge Fine Arts, London, 9 December 2004.

643 A George III silver snuffer tray and scissor snuffers, the tray by David Hennell, London 1801, the snuffers with maker’s mark I.B, London 1816, shaped rectangular form, gadroon rim, engraved with a crest, length 25.4cm, the scissor snuffers with shells and gadroon borders, pierced handles, length 17.7cm, total approx. weight 9.5oz. (2) £300-400

The crest is that of Nevill family (as borne by the Barons Abergavenny).

Provenance: The Barry Lock Collection.

644 A cased late-Victorian set of six silver tot cups, by Roskell, Roskell & Hunt, London 1887, urn shaped bowls, gilt interiors, engraved ‘H.F. & K.E. M 6th June 1866-1891’, scroll handles, on a plain stem and circular foot, in a fitted box with purple silk lining, height 8cm, total approx. weight 7.2oz. £250-300

Provenance: The Barry Lock Collection.

A George III silver chamberstick, by William Troby, London 1814, circular form, gadroon border, engraved with a crest, scroll handle with a foliate thumbpiece, urn-shaped capital, removable gadrooned drip-pan and conical snuffer with engraved crest, diameter 15cm, approx. weight 12.4oz. £150-200

The crest is that of Henry William Paget (1768-1854), who fought at Waterloo and was created a Knight of the Garter in 1818.

Provenance: The Barry Lock Collection.

646 A George III presentation silver-gilt snuff box, by A. J. Strachan, London 1805, rectangular form, engine-turned decoration, the hinged cover with applied Greek key border and lettering ‘RICORDANZA’, the inside of the cover inscribed ‘From Colonel Sir John Eamer. To Lieut. Col. Birch. 1805.’, length 7.6cm, approx. weight 2.6oz. £400-600

Provenance: The Barry Lock Collection.

Purchased from Mary Cooke Antiques Ltd, London, 17 March 2010.

Lieutenant-Colonel Thomas James Birch (c.1768-1829) was, amongst other things, a celebrated fossil collector. He famously sold his entire collection to help the family of Mary Anning (1799-1847), the noted palaeontologist. It was in 1820 that Birch organised his auction, which attracted international collectors and raised £400. This sale not only provided a financial grounding for Anning’s further work, but also helped raise her profile in paleontological circles.

647 A George III silver-gilt double-lidded table snuff box, by A. J. Strachan, London 1814, rectangular form, engine-turned decoration, oak leaf border, applied armorials, length 12.2cm, approx. weight 11.5oz. £600-800

The armorial is that of William Waynflete (Bishop of Winchester 1447-1486) and another.

Provenance: The Barry Lock Collection.

A George III silver nutmeg grater, by Phipps and Robinson, London 1793, urn form, the hinged cover with reeded border and ball finial, fitted with a steel grater, on a raised square base, height 6.7cm, approx. weight 1.2oz. £400-600

Provenance: The Barry Lock Collection.

649 A late-Victorian silver tea caddy, by Mappin & Webb, London 1886, rounded rectangular form, part-fluted with vertical chased corner leaf straps, engraved with a crest, the engraved pull-off cover with a rose finial, on four leaf-capped scroll feet, height 13.4cm, approx. weight 11.9oz. £300-500

The crest is that of Bolden, Moyne or Stafford.

Provenance: The Barry Lock Collection.

650 A George III silver meat dish cover, no maker’s mark, London 1807, oval stepped dome form, convolvulus finial, length 30.5cm, approx. weight 31.1oz.

Provenance: The Barry Lock Collection.

£300-500

651 A silver teapot, by James Dixon & Sons Ltd, Sheffield 1928, circular lobed form, gadroon border, scroll handle, on a raised circular gadrooned foot, length handle to spout 25.2cm, approx. weight 21.9oz.

Provenance: The Barry Lock Collection.

£150-200

652 A George IV silver salver, by Barak Mewburn, London 1827, circular form, shell and scroll border, the centre with engraved scrolls, diaperwork, flowers and vines around a crest, on three foliate bracket feet, diameter 24cm, approx. weight 20.6oz.

£300-400

The crest is that of the Marquis of Salisbury or Marquis of Stafford.

Provenance: The Barry Lock Collection.

653 A George III silver salver, by Hannam & Carter, London 1766, circular form, shell and scroll border, engraved with foliate scrolls and a vacant cartouche, on three pad feet, diameter 32.2cm, approx. weight 27.4oz.

Provenance: The Barry Lock Collection.

£300-400

654 A George III silver meat platter, by Digby Scott & Benjamin Smith and with a retailer’s mark, London 1805, shaped oval form, reeded border with trailing grapevines, engraved with an armorial, length 42.3cm, approx. weight 61oz. £700-900

The armorial is that of William, 2nd Baron Bagot and Lady Emily Fitzroy (d. 1800), who married in 1799.

Provenance: The Barry Lock Collection.

655 A Victorian Rifle Volunteer’s silver two-handled trophy cup and cover, by John S. Hunt, London 1860, baluster form, applied laurel wreath around a blank reserve, gilt interior, foliate scroll and rosette handles, the pull-off cover with an anthemion border and the finial modelled as a rifleman, on a gadrooned and beaded raised foot, height 28.7cm, approx. weight 27.3oz. £300-500

Provenance: The Barry Lock Collection.

656 A George III silver meat dish, by Philip Rundell, London 1819, shaped oval form, gadroon and foliate shell border, foliate shell handles, engraved with armorials, length 48.2cm, approx. weight 72.8oz. £1,000-1,500

The armorial is that of Philips impaling Cavendish, Bowlby, Prowse quartering Hackett and Christopher.

Provenance: The Barry Lock Collection.

657 A pair of George III silver meat dishes, by William Burwash, London 1817, oval form, gadroon border, engraved with an armorial and a crest, length 34.8oz, total approx. weight 61.1oz. (2) £800-1,200

The armorial and crest are that of Charles ChetwyndTalbot, 2nd Earl Talbot (1777-1849). Talbot was Viceroy of Ireland (1817-1821) and made a Knight of St. Patrick in 1817 and a Knight of the Garter in 1844.

Provenance: The Barry Lock Collection.

658 A pair of George II silver candlesticks, possibly by Henry Morris, London 1758, knopped faceted stems with gadroon borders, spool-shaped capitals with gadroon borders, removable drip-pans with gadroon borders and engraved with a crest, on a square raised base, with gadroon borders and foliate scroll-work, engraved with an armorial, height 27.4cm, total approx. weight 47.9oz. (2) £1,500-2,000

Provenance: The Barry Lock Collection.

659 A matched pair of George III and George IV silver graduated meat platters, by John Houle, London 1818 and 1823, shaped oval form, gadroon and foliate shell border, engraved with an armorial shield and a crest, lengths 39.4cm and 33.6cm, total approx. weight 84.6oz. (2) £1,000-1,500

Provenance: The Barry Lock Collection. Purchased from J. H. Bourdon-Smith Ltd, London.

657

659

658

660 A pair of George IV silver salvers, by John Bridge, London 1825, circular form, foliate scroll and shell border, the centre engraved with a crest, on shell and trailing grapevine bracket feet, diameter 35.5cm, total approx. weight 112.1oz. (2) £3,000-4,000

The crest is that of Henry, 2nd Marquess of Waterford (1772-1826).

Provenance: The Barry Lock Collection.

662 A George III Scottish silver two-handled cake basket, by James McKay, Edinburgh 1815, shaped rectangular form, fluted sides, foliate scroll, gadroon and shell border and handles, on a raised rounded rectangular foot, length handle to handle 44.4cm, approx. weight 34.4oz.

£800-1,200

Provenance: The Barry Lock Collection. Purchased from Mary Cooke Antiques Ltd, London, 9 June 2006.

661 A modern beer jug, by Mappin & Webb, London 1984, baluster form, leaf-capped scroll handle, on a raised circular base, height 24cm, approx. weight 38.7oz. £800-1,200

Provenance: The Barry Lock Collection.

663 A 19th century Chinese Export silver goblet, by Hoaching, Canton circa 1860, circular form, chased with a battle scene, gilt interior, the stem modelled as a trailing vine, height 20.8cm, approx. weight 13oz. £800-1,200

Provenance: The Barry Lock Collection.

661

662

664 A set of four George II silver candlesticks, by William Cafe, London 1758, baluster stems with shell shoulders, spool-shaped capitals, removable leaf drip-pans, on raised circular bases decorated with floral scroll decoration, height 24.7cm, total approx. weight 68.6oz. (4) £2,500-3,500

Provenance: The Barry Lock Collection.

Provenance:

£1,000-1,500

weight 52.1oz. £600-800

The armorial is that of Charles Richard John Spencer-Churchill, 9th Duke of Marlborough (1871-1934), and his first wife, Consuelo Vanderbilt (1877-1964), daughter of William Kissam Vanderbilt.

Provenance: The Barry Lock Collection.

Purchased from J. H. Bourdon-Smith Ltd, London, 6 March 2008.

665 A late-Victorian silver knife tray, by James Garrard, London 1892, shaped rectangular form, gadroon border, engraved with an armorial, length 45.7cm, approx.

666 A George III silver meat platter, by Thomas Robins, London 1811, shaped oval form, gadroon and foliate shell border, engraved with an armorial, length 52.7cm, approx. weight 80.2oz.

The Barry Lock Collection.

£300-500

667 A pair of George IV silver entrée dishes, by John Bridge, London 1829, shaped rectangular form, oak leaf, shell and gadroon border, engraved with a crest, length 27.7cm, total approx. weight 61.3oz. (2) £800-1,200

The crest is that of Aitkinson, Bailey or Elphinstone.

Provenance: The Barry Lock Collection.

Provenance:

668

669 A pair of George III silver entrée dish bases, by

&

London 1790, shaped rectangular form, gadroon border, engraved with an armorial, the undersides with scratch weight ‘N.1’ over ‘22.0’ and ‘N.3’ over ‘22.14’, length 26.4cm, total approx. weight 43.2oz. (2) £1,000-1,500

The armorial is that of James Brudenell, 5th Earl of Cardigan (1725-1811), who acceded to Earldom in 1790.

Provenance: The Barry Lock Collection. Purchased from J. H. Bourdon-Smith Ltd, London.

Wakelin

Taylor,

668 A George III silver meat dish, by William Bennett, London 1807, shaped oval form, ribbon and reed border, length 34.6cm, approx. weight 25.7oz.

The Barry Lock Collection.

670 A George III silver two-handled soup tureen and cover, by Robert Hennell, London 1819, oval bellied form, rose and gadroon border, foliate handles, the domed pull-off cover with chased acanthus leaves and a foliate scroll handle, on four rose capped scroll feet, length handle to handle 42cm, approx. weight 117oz. £3,000-5,000

Provenance: The Barry Lock Collection.

671 A Scottish silver bowl, by Hamilton & Inches, Edinburgh, 1938, circular form, border chased with Celtic strap-work and bosses, on a raised circular foot with similar border, diameter 20.2cm, approx. weight 13.6oz. £250-300

Provenance: The Barry Lock Collection. Purchased from Robert Nevin Antiques Ltd, 7 July 2019.

672 A late-Victorian silver bowl, by G. M. Jackson, London 1894, circular form, chased with swirl bands alternating in plain and floral decoration, on a raised circular foot with gadroon border, diameter 20cm, approx. weight 15.9oz. £300-400

Provenance: The Barry Lock Collection.

673 A Victorian silver bowl, by William Bateman & Daniel Ball, London 1840, circular form, gadroon and shell rim, on three foliate scroll feet, diameter 18.6cm, approx. weight 18.8oz. £500-700

Provenance: The Barry Lock Collection.

674 A pair of George III silver coasters, by John Green & Co, Sheffield 1802, circular form, Greek key borders, beaded rims, turned wooden bases with blank silver buttons, diameter 14.2cm. (2) £700-900

Provenance: The Barry Lock Collection.

675 A silver fruit dish, by Mappin & Webb, Sheffield 1928, oval form, gadroon and shell rim, oval base on four foliate bracket feet, length 24.2cm, approx. weight 20.4oz. £200-300

Provenance: The Barry Lock Collection.

676 A Victorian silver cream jug, by Robert Garrard, London 1849, baluster form, part-fluted, engraved with a crest, gilt interior, scroll handle, on a raised circular base, height 16.3cm, approx. weight 12.4oz. £150-200

The crest is that of John Naylor J.P.D.L (1813–1889) of Leighton Hall, Montgomeryshire, and his wife Georgiana, daughter of John Edwards of Ness Strange, Shropshire.

Provenance: The Barry Lock Collection.

Purchased from Mary Cooke Antiques Ltd, London, 1 July 2009.

677 A pair of George II Irish silver-gilt waiters, by William Townsend, Dublin circa 1745, circular form, scroll and shell border, the centre engraved with scrolls, diaperwork and flowers around a worn vacant cartouche, the undersides with scratch weights ‘10:1:½’ and ‘9:14’, on three hoof feet, diameter 16.3cm, total approx. weight 18.5oz. (2) £500-800

Provenance: The Barry Lock Collection. Purchased from Bonhams, London, Silver, Objects of Vertu including Flatware and Portrait Miniatures, 22 April 2015, lot 270.

678 A Victorian silver goblet, by Hunt & Roskell, London 1870, circular form, gilt interior, on a stem and raised foot modelled as trailing hops, height 16.4cm, approx. weight 15.9oz. £400-600

Provenance: The Barry Lock Collection.

λ 679 A George III silver three-piece tea set, by William Stroud, London 1816, circular form, part-fluted, gadroon and foliate shell border, engraved with a crest, spout chased with acanthus leaves, scroll handle with foliate shell thumbpiece, ivory insulators, on a raised circular gadrooned foot, length handle to spout 2.7.4cm, plus a pair of Edwardian sugar tongs, Sheffield 1909, total approx. weight 57.9oz. (4) £700-900

Provenance: The Barry Lock Collection.

Ivory Act registration reference: PFECGHNH

λ 680 A George III Scottish silver hot water pot, by Robert Gray & Son, Edinburgh 1816, baluster form, part-fluted, shell and scroll border with large beading above, laurel leaf girdle to the neck, angular scroll handle with anthemion thumbpiece and shoulder and a shell terminal, ivory insulators, anthemion-capped spout with gadroon border, the hinged stepped cover with a bud finial, on a raised circular foot with gadroon border, height 24.2oz, approx. weight 33oz. £600-800

Provenance: The Barry Lock Collection.

Ivory Act registration reference: X123NELU

680

λ 681 A matched George IV silver three-piece tea set, by Philip Rundell, London 1820-1821, circular form, part-fluted, anthemion border, egg and dart rim, anthemion-capped spout, the hinged lid part-fluted with an ivory fluted knop finial, leaf-capped scroll handle, on a circular raised foot with fluted border, the sugar bowl and cream jug with gilt interiors, length handle to spout 28.3cm, total approx. weight 57.8oz. (3) £700-900

Provenance: The Barry Lock Collection.

Ivory Act registration reference: H22X2VDW

λ 682 A Victorian silver-gilt four-piece tea and coffee set, by Mortimer & Hunt, London 1839, circular baluster form, shell-capped panels chased with an armorial and trailing vines between floral scroll-work, grapevine finials, chased scroll handles with ivory insulators, on four leaf-capped scroll feet, length handle to spout 21.2cm, total approx. weight 67.4oz. (4) £1,500-2,000

Provenance: The Barry Lock Collection. Ivory Act registration reference: EFBY8DYE

684 A George II silver salver, by Edward Feline, London 1755, circular form, cast and pierced trailing grapevine and Bacchus mask border, the centre engraved with an armorial, on three gnarl feet, diameter 33.4cm, approx. weight 44.4oz. £800-1,200 The armorial is for Aske, Raymond, Beauchamp, Codenor and others. Provenance: The Barry Lock Collection.

683 A George II Irish silver footed waiter, by William Townsend, Dublin circa 1730, circular form, moulded border, engraved with a crest, marks worn, the underside with scratch initials ‘N.P’, on a raised circular foot, diameter 13.4cm, approx. weight 4.8oz.

Provenance: The Barry Lock Collection.

£400-500

685 A George II Irish silver footed waiter, no maker’s mark, Dublin circa 1730, circular form, on a raised circular foot, the centre engraved with a crest, the underside with scratch weight ‘81.8’, diameter 16.2cm, approx. weight 8.5oz.

£400-600

The crest is that of Ottley, Skeleren, Spyre, Stiock and Vance.

Provenance: The Barry Lock Collection.

683

684

686 Royal interest, a George III silver two-handled bowl and cover, by Robert Garrard I, London 1805, circular form, rope border, engraved with the Coronet for a Princess of the Blood Royal over ‘AS’ and the Royal Crown over ‘RC’, scroll handles, to underside scratch lettering ‘EA.’ over ‘Fs.’, on a collet foot, the domed pull-off cover with knop finial, engraved with matching cyphers, diameter 14.8cm, total approx. weight 15.5oz. £600-800

Provenance: The Barry Lock Collection.

Purchased from Mary Cooke Antiques Ltd, London, 17 March 2018.

The ciphers are those of Her Majesty Queen Charlotte (1744-1818), Consort of King George III, and H.R.H. Princess Augusta Sophia (1768-1840), the Queen’s sixth child.

This bowl was originally made for Queen Charlotte, later passing to Princess Augusta Sophia, said to be the favourite daughter of King George III. Upon her death, her possessions were divided between her siblings and this bowl was inherited by her brother Ernest Augustus (1771-1851), King of Hanover, Duke of Cumberland and Brunswick-Luneburg. The initials on the base of the bowl stand for ‘Ensti Augusti Fideikommis Sum’, King of Hanover.

687 A George IV two-handled silver tray, by John Bridge, London 1826, oval form, shell and gadroon border, the centre engraved with an armorial, handles modelled as oak branches, on four shell and grapevine bracket feet, length handle to handle 57.4cm, approx. weight 107oz. £1,500-2,000

The armorial is that of Bridge impaling Bragge.

Provenance: The Barry Lock Collection.

688 A pair of George II silver candlesticks, by John Cafe, London 1751, knopped rocaille stems, with shell shoulders, urn-shaped capitals with swirl quilting and ropework, removable drip-pans, on a raised spread circular base with quilting and scroll-work, height 24.2cm, total approx. weight 50.26oz. (2) £1,500-2,500

Provenance: The Barry Lock Collection.

A

IV

coffee biggin and stand, by William Eaton, London 1821, ribbed baluster form, shell and foliate scroll girdle, engraved with an armorial, the spout with a sea god mask, leaf-capped scroll handle and finial, on four flower and shell-capped scroll feet, the ribbed stand with shell and foliate scroll border, engraved with an armorial, on four floral scroll feet, total height 31.5cm, total approx. weight 66.4oz. £1,500-2,000

The armorial is probably that of the Duke of York.

Provenance: The Barry Lock Collection.

690 A George II silver caryatid candlestick, by Henry Hayens, London 1750, caryatid stem, urn-shaped capital with floral scroll-work, removable drip-pan with scratch numbering ‘No 4’, on a raised shaped triangular base with shell and floral scroll-work, height 26.4, approx. weight 22oz. £800-1,200

Provenance: The Barry Lock Collection.

689

689

George

silver

691 A pair of George II silver caryatid candlesticks, by Henry Hayens, London 1751, caryatid stems, urn shaped capitals with floral scroll-work, removable drip-pans with floral scroll borders, on a raised shaped triangular base with shell and floral scroll-work, the undersides with scratch weights ‘No.3/22.16’ and ‘No.4/22.6’, height 26.2cm, total approx. weight 45.9oz. (2) £2,000-3,000

Provenance: The Barry Lock Collection.

693 A pair of George III silver candlesticks,

1771, knopped twisted stems, with gadroon borders and leaf shoulders, spool-shaped capitals with gardoon borders, removable drip-pans shaped as twisting waves with a gadroon border, on a raised shaped square base with shells, foliate scrolls and a gadroon border, height 27.3cm, total approx. weight 50oz. (2) £1,000-1,500

Provenance: The Barry Lock Collection.

scratch weight ‘12 34 19’ to underside, length 38.2cm, approx. weight 34.5oz. £700-900

Provenance: The Barry Lock Collection.

29.3oz. £300-400

Provenance: The Barry Lock Collection. Purchased from The Silver Shop, Dublin, 17 October 1988.

692

693

692 A George III silver meat dish, by Fogelberg & Gilbert, London 1792, shaped oval form, gadroon border, engraved with a crest,

694 An Austro-Hungarian silver meat dish, maker’s mark FB, probably Austrian circa 1859, oval form, laurel border, length 49cm, approx. weight

by Ebenezer Coker, London

695 A pair of Victorian silver second-course dishes, by Robert Garrard, London 1858, shaped circular form, ovolo border, diameter 29cm, total approx. weight 64.6oz. (2) £800-1,200

Provenance: The Barry Lock Collection.

697 A pair of Victorian silver second-course dishes, by Messrs. Barnard, London 1841, shaped circular form, gadroon and acanthus leaf border, engraved with the Royal arms, diameter 31cm, total approx. weight 65.2oz. (2) £1,000-1,500

Provenance: The Barry Lock Collection. Purchased from J. H. Bourdon-Smith Ltd, London.

696 A pair of George III silver candlesticks, by Edward Farrell, London 1802, knopped rocaille stems, urn-shaped capitals chased with foliate scroll-work, removable drip-pans with floral scroll borders, on a raised spread base chased with rocaille, foliate scroll-work and a gadroon and rosette border, height 27.7cm, total approx. weight 67.5oz. (2) £1,500-2,000

Provenance: The Barry Lock Collection.

695

696

697

698 A set of twelve George III silver soup plates from the Pelham service, by Paul Storr, London 1808, circular shaped form, ribbon and reed border with palm fronds, engraved with an armorial, diameter 26.2cm, total approx. weight 264.9oz. (12) £10,000-15,000

The armorial is that of Pelham impaling Aufrere, for Charles Anderson Pelham, 1st Baron Yarborough (1748-1823), and his wife Sophie, daughter of George Aufrere of Chelsea.

Provenance: The Barry Lock Collection.

A set of twelve soup plates from this service was sold at Christie’s, London, 31 March 1998, lot 82 and again at Christie’s, London, Important Silver, 12 June 2002, lot 57.

These soup plates are from the Pelham service, originally commissioned by Charles Anderson Pelham from John Parker and Edward Wakelin, possibly to commemorate his marriage to Sophie Aufrere in 1770. The design was developed, at least in part, by Sir William Chambers, and this initial service is recorded in Parker and Wakelin’s ‘Workman’s and Gentleman’s Ledgers’, now in the Victoria and Albert Museum. In 1808, Pelham then commissioned Paul Storr to create an addition to this service, of which the set offered here was a part.

Born in 1748 to Francis Anderson and his wife Eleanor, Charles Anderson assumed the surname and the arms of Pelham upon the death of his maternal great-uncle Charles Pelham Esq. (d.1763) of Brocklesby, Lincolnshire, whose estate he inherited. Elected to the House of Commons in 1768, he stood as M.P. for Beverly until 1774, and then as M.P. for Lincoln until 1794. Pelham was elevated to the peerage in 1774 as Baron Yarborough of Yarborough, co. Lincoln, and upon his death at Brocklesby Hall in 1823, was succeeded by his son Charles, who was to be then created Earl of Yarborough in 1837.

The

Provenance: The Barry Lock Collection.

Two sets of twelve dinner plates from this service were sold at Christie’s, London, 31 March 1998, lots 80 and 81. These dinner plates are from the Pelham service, originally commissioned by Charles Anderson Pelham from John Parker and Edward Wakelin, possibly to commemorate his marriage to Sophie Aufrere in 1770. The design was developed, at least in part, by Sir William Chambers, and this initial service is recorded in Parker and Wakelin’s ‘Workman’s and Gentleman’s Ledgers’, now in the Victoria and Albert Museum. In 1808, Pelham then commissioned Paul Storr to create an addition to this service, of which the set offered here was a part. Born in 1748 to Francis Anderson and his wife Eleanor, Charles Anderson assumed the surname and the arms of Pelham upon the death of his maternal great-uncle Charles Pelham Esq. (d.1763) of Brocklesby, Lincolnshire, whose estate he inherited. Elected to the House of Commons in 1768, he stood as M.P. for Beverly until 1774, and then as M.P. for Lincoln until 1794. Pelham was elevated to the peerage in 1774 as Baron Yarborough of Yarborough, co. Lincoln, and upon his death at Brocklesby Hall in 1823, was succeeded by his son Charles, who was to be then created Earl of Yarborough in 1837.

699 A set of twelve George III silver dinner plates from the Pelham service, by Paul Storr, London 1808, circular shaped form, ribbon and reed border with palm fronds, engraved with an armorial, diameter 26.3cm, total approx. weight 259.7oz. (12) £10,000-15,000

armorial is that of Pelham impaling Aufrere, for Charles Anderson Pelham, 1st Baron Yarborough (1748-1823), and his wife Sophie, daughter of George Aufrere of Chelsea.

700 A George IV Scottish two-handled silver tray, by George McHattie, Edinburgh 1809, rounded rectangular form, gadroon border, the centre engraved with an armorial, acanthus leaf handles, on four acanthus leaf bracket feet, length handle to handle 56cm, approx. weight 88oz. £1,000-1,500

The armorial is that of Admiral Sir Eliab Harvey G.C.B (1758-1830), captain of HMS Temeraire in the Battle of Trafalgar.

Admiral Sir Eliab Harvey was a notorious figure in the Royal Navy during the French Revolutionary Wars and the Napoleonic Wars. Known for his gambling and duelling, he was also celebrated for his service in the Battle of Trafalgar. During the combat, he brilliantly captained the HMS Temeraire, known as The Fighting Temeraire, forcing the surrender of two French ships of the line. Their names would feature in the family motto he later created, ‘Redoutable et Fougueux’.

Provenance: The Barry Lock Collection. Purchased from J. H. Bourdon-Smith Ltd, London, 7 January 2009.

701 A George III two-handled silver tray, by William Bennett, London 1810, rounded rectangular form, gadroon and foliate shell border, the centre engraved with two armorials, foliate shell bracket handles, length handle to handle 66.4cm, approx. weight 104oz. £1,000-1,500

The armorials are that of the East India Company and Lytton.

Provenance: The Barry Lock Collection.

702 A George III two-handled silver tray, by John Crouch II, London 1809, rounded rectangular form, gadroon, foliate shell and oak leaf border, the centre engraved with an armorial, foliate scroll handles, on four honeysuckle bracket feet, length handle to handle 67.7cm, approx. weight 158oz. £2,000-3,000

The armorial is that of Charles, 8th Baron Kinnaird (1780-1826).

Provenance: The Barry Lock Collection.

703 A George III two-handled silver tray, by Emes & Barnard, London 1813, rounded rectangular form, gadroon border, reeded handles with foliate shoulders, the centre engraved with an armorial, the reverse engraved ‘ICH to JL Nov. 4, 1815.’, length handle to handle 59cm, approx. weight 66.3oz. £800-1,200

The armorial is that of Lund of Parsons Green (Middlesex) and of Yorkshire.

Provenance: The Barry Lock Collection.

704 A pair of early-Victorian silver entrée dishes and covers, by Samuel Roberts & Co, Sheffield 1837, shaped rectangular form, scroll and acorn borders, the pull-off covers with scroll and acorn borders, engraved with an armorial, the finials modelled as a lion passant, length 32cm, total approx. weight 132.8oz. (2) £1,500-2,000

The armorial is that of Sneyd with the cadency mark for a second son.

Provenance: The Barry Lock Collection. Purchased from J. H. Bourdon-Smith Ltd, London, 16 June 2009.

705 A George III silver-gilt trophy ewer, The Wellington Cup, by John Houle, London 1815, baluster form, the body with applied laurel wreaths around the lettering ‘WELLINGTON CUP’ and ‘WATERLOO’, engraved ‘SWAFFHAM RACES, 20th July 1815. Given by the Nobility and Gentry, of the COUNTY of NORFOLK, as a Memento of NATIONAL GLORY. Won by LORD ROUS’S Chesnut [sic] Gelding ARAXES.’, chased with acanthus leaves below, gadroon rim, beaded and laurel leaf scroll handle with a horse’s mask terminal, on a raised circular foot with gadroon and acanthus leaf decoration, engraved ‘Major Gen. The Hon. Wm. Fitz Roy and H. S. Partridge Esq. STEWARDS’, height 34.2cm, approx. weight 61.6oz. £2,500-3,500

Provenance: The Barry Lock Collection.

705 front

FINE JEWELLERY

THURSDAY 20TH & FRIDAY 21ST APRIL 2023

An impressive mid 19th century diamond parure Estimate £50,000 – 70,000*

Provenance: Lord Lucius O`Brien, 15th Baron Inchiquin (1864­1929) and Ethel Lady Inchiquin, thence by descent

MEDALS & COINS, ARMS & ARMOUR, MILITARIA

for

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5.30pm

Castle Gate Offices

Monday to Friday 9am – 5.30pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. Once registration is complete you will be provided with a paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or Amex

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3%€50,000.01 ­ 200,000

1%€200,000.01 ­ 350,000

0.5%€350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs. For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

ABSENTEE BID FORM SILVER & OBJECTS OF VERTU

18TH & 19TH APRIL 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Signature

AUCTION CALENDAR

2023

APRIL

4th & 5th Furniture, Works of Art & Clocks

18th & 19th Silver & Objects of Vertu

20th & 21st Fine Jewellery

26th English & European Ceramics & Glass

MAY

17th Medals & Coins, Arms & Armour

23rd & 24th Asian Art, Chinese Paintings & Japanese Works of Art

JUNE

7th Modern British & 20th Century Art

21st Fine Arts & Crafts (Including Martin Ware)

Exhibition Robert Wallace Martin Potter, Sculptor, Artist 12th to 23rd June

JULY

5th & 6th Furniture, Works of Art & Clocks

11th & 12th Silver & Objects of Vertu

13th Fine Jewellery

Dates may be subject to change

+44 (0) 1722 424500

enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2023 AUCTIONS

A late Elizabeth I / James I silver­mounted coconut cup, unmarked, circa 1600­1620 SOLD FOR £6,875*