Woolley & Wallis Auctioneers

FINE JEWELLERY THURSDAY 18TH NOVEMBER 2021 9.30AM

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Emily O’Donnell

424595 424504 424586

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV (Consultant) Amanda Lawrence

424598 424509 424509

GENERAL OFFICE 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Debbie Mason­Smith Nicola Young

424500

CASTLE GATE RECEPTION Sally Litherland

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Alana Ker Mercer Michelle Yu

424506 +44 (0)7812 601098 424571 424591

Chloe Davie

ACCOUNTS Sharon Ringwood Anna Gentleman

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards

MARKETING

424589

BOARD OF DIRECTORS ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

Natalie Milsted FCCA Managing Director

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

411854 339161 446974

JAPANESE ART Alexandra Aguilar

424583

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

John Axford MRICS ASFAV Chairman

424501 424594

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

446951

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FINE JEWELLERY THURSDAY 18TH NOVEMBER 2021 9.30AM

Marielle Whiting FGA (maternity leave) 01722 424595 mw@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

VIEWING Saturday 13th November Monday 15th November Tuesday 16th November Wednesday 17th November

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

Emily O’Donnell eo@woolleyandwallis.co.uk

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT LIVE ONLINE BIDDING – FREE OF CHARGE TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Wednesday 17th November CONDITION OF LOTS

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 17th November

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

ILLUSTRATIONS

Facebook: @woolleyandwallis

Front cover: Lot 674 Back cover: Lot 676 Inside front: Lot 670 Page 1: Lot 668 Above: Lots 457 & 458

Twitter: @woolleywallis Pinterest: Woolley and Wallis

Catalogue £10.00 (£15.00 by post)

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained

by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life­sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Items described as ‘seed pearls’ have not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT Please note that lots marked † are subject to VAT on the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

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1 1 LITERATURE: A collection of twelve books on the subject of jewellery and watches, including: Auction Catalogue, The Sandberg Watch Collection, Antiquorum Auctioneers, 31.3 ­ 1.4.2001 Auction Catalogue, OmegaMania, Important Omega Collector’s Timepieces, Antiquorum Auctioneers, 14­15.4.2007 Auction Catalogue, Revolution: The Evolution of the Rolex Sport Watch, Antiquorum Auctioneers, 17.4.2008 Brunner. G. L., Pfeiffer­Belli, C., Wehrli, M. K., Audemars Piguet: Meisterwerke klassischer Uhrmacherkunst (Callwey: 1992) ­ German Bruton, E., The History of Clocks and Watches (MacDonald & Co: 1989) Day­Lewis, T., Hemmerle, Delicious Jewels (Prestel: 2011) Drucker, J., Georg Jensen: A Tradition of Splendid Silver (Schiffer Publishing Ltd: 1997) Foulkes, N., Nardi: Venezia, (Assouline Publishing: 2012) Lyons, H., Christopher Dresser: The People’s Designer 1834 ­ 1904, (Antique Collector’s Club: 2005) Patrizzi, M & O, Collezionare Orologi Patek Philippe: Collecting Patek Philippe Watches (Guido Mondani Editore) Patrizzi, O., Dictioniare des Horlogers Genevois (Antiquorum Editions) ­ French The Art of Jewellery: And Artist’s Jewels in the 20th Century (Giunti: 2001) ­ Italian £400­600

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2 Eighteen jewellery boxes, including two large necklace boxes and other boxes by Fontana, Tiffany and Oscar Heyman £200­300 3 Forty­one jewellery boxes, including three small cases by Mrs Newman, one at Saville Row, the other two at Duke Street, with various other cases by S. J. Phillips, Liberty, Dibdin, Asprey and Frederico Giuliano, Howland Street £400­600 3 4 Sixty­four jewellery boxes, including boxes by S. J. Phillips, Harvey & Gore, Antrobus and Carrington £400­600 5

Seven jewellery boxes by Cartier, of various ages

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£200­300

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6 A large fitted necklace case, the silk lining marked for Rozet & Fischmeister, Wien, 28cm wide and a green leather jewellery casket £400­600 7 Eleven jewellery boxes by Cartier, of various ages, including an attractive large necklace case and a pendant case and twenty leather suede Cartier pouches £200­300 8

Six jewellery boxes by Cartier, including a slightly curved bracelet case £600­800

9 A centre­open cream leather fitted tiara/bandeu case by Cartier, the interior mounted with a plaque engraved with ‘Kaiser Franz Joseph I, Franz Ferdinand Erzherzog, Osterreich­Est, 28cm high £600­800

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10 A brown leather rectangular jewellery case, the case with a hinged fold­up tray with compartments, applied to a corner with initials MRJ, canvas outer case and handle protector, 30cm wide £200­300

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11 A gentleman’s leather travelling toilet case by Cartier, containing various silver­mounted glass bottles and boxes, stamped with maker’s initials JC, London marks for 1933, and various leather boxes etc, stamped with initials OET, case inscribed Cartier London, key and lock, 32cm wide £600­800 λ 12 A black leather travel bag by Cartier, marked next to the lock in italics ‘Cartier London Paris New York. Made in France’, the gladstone bag with hinged base compartment containing a lift­out tray with various silver­gilt mounted glass bottles, etc, French control marks to the mounts, separate sewing kit including a silver gilt thimble, 30cm wide £400­600 13 A quantity of leather wallets, including a red leather wallet with gilt metal corner mounts by Cartier, 19cm high; a brown leather wallet retailed

by Asprey with 18ct gold corner mounts, applied with initials RHB, 15cm high; a red leather wallet by Cartier, signed, gilt metal corner mounts, 11cm wide; a brown leather wallet with 9ct gold corner mounts, applied with initials RHB, retialed by Asprey, signed, 18.5cm high; a brown leather wallet applied with gold initials, 16cm high; a black leather wallet with 9ct gold corner mounts, retailed by Asprey, signed, applied with gold initials, 17cm high; a blue leather wallet applied with initials EMB, 15cm high; a brown leather folding wallet by Asprey, gilt metal folding mounts, 9cm wide; a black leather wallet applied with gold initials RHB, 17cm high; a black leather wallet with silver corner mounts, applied with gold initials, 17cm high; a black leather spectacle case applied with gold initials, 16cm high; a brown leather spectacle case applied with hold initials, 16cm high; a red leather spectacle case by Cartier, 17cm high; a black leather racing wallet by Asprey, 9ct gold mounts and applied with gold initials GS, with 9ct gold propelling pencil by Asprey, 17cm high £80­120

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λ 14 Two early 20th century ostrich plume fans, one with white feathers, the other with black feathers, each with blonde tortoiseshell sticks, one applied with diamond­set initials, each 50cm high, case marked Phillips, with note stating that this fan was purchased from Phillips & Co by Lady Ribblesdale in 1926 for her presentation at court, etc. £200­300

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Four cultured pearl necklaces and a faceted ruby bead necklace £800­1,200

16 A two­row cultured pearl necklace, the vari­coloured cultured pearls with a diamond and ruby­set gold clasp, 44cm shortest £400­600 17 A banded agate spherical bead necklace, the front section comprising three rows of graduated beads, measures 9.7 ­ 13.3mm, conjoined to the back chain by a triangular trapezoidal black agate link, 64cm long, 228g £80­120

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18 A single-row opal bead necklace, the opal beads graduate from 6.8 ­ 14.9mm, each separated by a faceted rock crystal rondel, with navette­ shaped diamond and sapphire clasp, 38cm long £400­600

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19 A mid­late 19th century banded agate bead necklace, the eighteen beads measure 20mm diameter, conjoined by yellow gold mounts and circular links, 60cm long £2,000­3,000 20

A three­row opal bead necklace, the opal beads graduate from 3.8 ­ 7.6mm, with a spherical pavé­set diamond clasp, 41cm long

£800­1,200

21 A graduated amber bead necklace, the oval beads graduate from 1.0 – 2.4cm long, necklace 95cm long; a gold gate­link bracelet set with oval­shaped pink tourmalines, with heart padlock clasp, stamped 15ct, 23g, and an 18ct open­faced pocket watch with foliate engraved decoration to the case back, on a gold neck chain, watch and chain 67.5g total £800­1,200 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

22 A platinum cylindrical link longuard chain, mounted with artificial pearls, 150cm, and two platinum cylindrical link neck chains mounted with seed pearls, 41cm each £200­300

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23 A two­row cultured pearl necklace, with a diamond­set gold bow clasp, 54cm shortest £600­800

24 Twelve natural and cultured pearl items, including three loose natural pearls and a natural pearl­set acorn pendant with diamond­set cap, and eight other cultured pearl items £400­600 23

25 A small collection of gem­set rings and jewellery, including a French­cut tanzanite and diamond­set ring set in white gold, size O½, a pair of oval sapphire and diamond­set ear studs, a pair of diamond and sapphire half hoop earrings, a seven­stone multi gem­set rainbow ring set in 18ct gold, size P, and a Victorian 9ct gold hinged bangle, the top section set with white and blue sapphires, and various other items of jewellery etc. £300­400

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26 A small quantity of jewellery items, mostly 19th century, including two blue jasperware spherical bead necklaces, each with spacers; three brooches and one locket all with half pearl borders and one with blue enamel and diamond­set detail; two oval brooches with diamond­set borders; a brooch with an ornate diamond­set entwined border; three early 19th century gold and gem­set foliate spray locket brooches; a George III garnet­set double floral cluster brooch; a spherical rock crystal pendant; a rose­cut diamond­set tie pin, a small gold and citrine seal modelled as a thistle head, a paste­set oval pendant with bow surmount and two items of mourning jewellery containing hair £100­150

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λ 27 Various items of jewellery, including three pairs of ‘poissarde’ gilt metal earrings; a coral bead necklace; a moonstone­set gold heart pendant with fitted case; a moonstone and diamond­ set gold trefoil (no fittings); a late 19th century enameled gold compact pendant with mirror to the hinged lid interior; a bloodstone­mounted silver gilt padlock pendant; a 19th century chrysoprase­mounted pendant with ornate scroll surround; two diamond­set gold hardstone drop pendants; a late 18th century table­cut diamond­set silver girandole­form silver pendant centred with a pearl (probably cultured); two hardstone and seed­pearl set necklaces with gold pellet and filigree mounts, and various other items of jewellery £400­600

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28 A small collection of mostly 19th century jewellery, including a 15ct gold hinged bangle, the top navette section set with a graduated line of half pearls, 6.3cm; a chrysoprase collet and ornate yellow gold brooch, 4.2cm; three diamond­set brooches, one with old­cut diamonds and black enamel border in gold with Egyptian Pharoah to the centre, 3cm, one with rose­cut diamond and cultured pearl flowerhead cluster in gold, 2.4cm; and one with a green wreath design set with rose­cut diamonds, 2.8cm; together with two gold mesh­link bracelets, one with a black and white enamel clasp and blue enamel detail, set with oval­shaped amethysts and citrines, 18cm, the other with cannetille decoration and green stone cabochon clasp, 17cm; an amethyst pendant cross with seed pearl detail in gold closed back setting, 4.5cm; a gold revolving fob containing various oval hardstone intaglio seals, some engraved with vignettes and French mottos; four tie pins including a pair of oval citrine and ornate gold floral scrolling and cannetille settings, and four hair pins including one set with turquoise and half pearls £100­150

29 A small quantity of mostly 19th century garnet­set jewellery, including a graduated cluster fringe necklace with floral cluster back chain, 45cm long; various items of circular and oval cabochon­set pieces, some centrally set with a star motif containing half pearls and one with a diamond­set collet; assorted paste and gem­set hair ornaments, one with fitted case; a small quantity of unmounted faceted stones including crescent cabochons and faceted rectangular cuts; a cased set of nine flowerhead cluster buttons; a set of three gilt metal rhomboid cabochon dress studs, Asprey fitted case £200­300

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λ 30 A small collection of mostly mid­late 19th century jewellery, including a brooch with carved coral head of a baccante, within a gold viticultural mount and drop, the reverse stamped ‘K14’, 5cm long; together with an unmounted coral bar carved with similar motifs, a gold mounted and engraved swivel pendant with vacant bloodstone and carnelian oval matrices; an oval gold­cased and moss agate locket pendant, a gold­cased quizzing glass; a gold and black enamel filigree brooch; a miniature seed pearl and garnet­set heart­shaped locket pendant with glazed compartment to the centre; a gold and plaited hair bracelet with filigree clasp £300­400

λ 31 A late 18th century mourning pendant, centred with a blue enamel plaque with initials and border set with glass beads, seed pearls and lockets of hair all on an opalescent grille­shaped ground, gold frame 8cm high; four miniature paintings in assorted mounts with various decoration; an 18th century mourning brooch painted with an urn and six assorted locket pendants, miniature swivel seal etc, set with amethysts, garnets and paste £200­300

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32 A gold crowned wings brooch, centred with a heart­shaped amethyst; a pair of 19th century gold tassel pendants set with seed pearls within blue enamel square mounts; a gold Royal Artillery Regimental brooch with flaming bomb above the motto 'Ubique' in blue enamel; a gold ATS bar brooch; a carved shell cameo depicting the profile of a woman above a dove, a 9ct gold open faced dress pocket watch, white enamel dial applied with gold Arabic numerals and subsidiary seconds dial, two colour gold fine­link watch chain with a gold cased fob seal engraved with crest and initials, the watch engraved to the reverse 'Iain'; and a gold open faced fob watch with white enamel dial and black Roman numerals £400­600

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33 Assorted jewellery items, including an opal dress ring with openwork closed back setting in gold, size P; a gold gypsy ring set wit an old circular­cut diamond, size R½; a 9ct gold curb­link bracelet with a 9ct gold padlock clasp, 20g; a 9ct gold belcher link chain necklace, 6.8g; a gold snake link necklace, 49cm long, 22g; a Victorian oval shell cameo brooch, depicting Venus surround by Cupid with attributes, to the ornate gold frame, 7cm; and another later cameo brooch and three enamel and silver brooches £400­600

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34 Three gem-set brooches, an amethyst heart pendant to the half­pearl and gold bow surmount, 3.5cm, fitted case by Tessier; a sapphire and half­pearl 15ct gold bar brooch, 4cm wide; a peridot and half pearl 9ct gold openwork bar brooch, 4.2cm wide, fitted case; an oval hardstone cameo brooch, of a maiden in profile with a floral garland adorn her hair, plain gold frame, 4.4cm long, and other items including two green paste brooches £300­400

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35 Five items of 19th century hair jewellery, including a hair bracelet with rose­cut diamond and ruby­set ornate monogram gold oval clasp, 18cm; a woven mesh bracelet to the gold oval clasp engraved with a monogram and spherical bead border, articulated hinges, 19cm; an oval gold brooch with applied ivy leaves, faceted berries to the central double glazed compartments each containing hair arrangements, 6.1cm long; an ornate locket bracelet, the tapered crescent openwork gold links containing hair with oval clasp engraved with foliate motif and suspending a quatrefoil engraved locket with glazed compartment to reverse, 20cm approximately, and an oval gold brooch, containing cut hair panel depicting a large weeping willow and riparian scene, 4.6cm £300­400

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36 Five items of 19th century paste­set jewellery, including a flower and star cluster necklace suspending four swags and faceted pear­shaped drops, 38cm; a flexible wide link bracelet with tiered central bombé cluster, 19cm; an articulated bracelet, each link comprised of a central floral cluster, 17cm; an oval bombé cluster brooch, 4.5cm, a hair comb of arched openwork form, 7cm widest £200­300

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37 An early 20th century diamond-set flowerhead brooch, with two larger diamond terminals, 4.3cm wide; a gold brooch formed with Tiger's eye and textured gold discs, circa 1965, marked GAM, 5.2cm wide; an Art Deco lady's dress wrist watch set overall with graduated circular and baguette­shaped diamonds, platinum case and black cord band; an Edwardian graduated seed pearl­set gold open crescent brooch, a carved and pierced jade plaque­mounted gold ring; a seed pearl­ set circular gold foliate brooch; a pair of cultured pearl and sapphire­mounted scrolling earrings; a bracelet formed from diamond­set and shell­mounted gold and platinum dress cufflinks and studs, 17.5cm £400­600

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38 Six items of 19th century hair jewellery, including two circular double glazed lockets containing hair arrangements to each side, one gold and the other in gilt metal, 4.3 and 4.1cm wide, together with a gold ornate snake brooch containing plaited hair, suspending an engraved locket from its mouth, 3.3cm long; two pairs of gold and plaited hair hoop earrings, 3.5 and 3.6cm; a plaited hair snake brooch, with engraved gold head and tail, cabochon turquoise eyes, 4.3cm diameter £300­400

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39 Two pairs of Edwardian 18ct gold­lidded glass toilette bottles for Asprey London, each with a moulded clear glass cylindrical body, to gold lids, three with screw tops, one with a push­ on top, each with foliate decoration and engraved monogram, London hallmarks for 1906, 8.5 ­ 9cm high, weighable gold 82.5g £300­400

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40 A mid 17th century gold ring, the tapered square bezel missing the stone, blue and white enamel decoration to the shank and foliate shoulders, size J; an early 19th century gold bracelet mounted with nine hexagonal plaques, 15cm; three small bar brooches (one missing pin); a gold horseshoe stick pin; a small gun­ metal open­faced fob watch, two fleur­de­lis buttons set with white paste stones and a thimble £100­150

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41 A small collection of jewellery, including a sapphire and diamond five­ stone ring in platinum and white gold, size V; an opal half­hoop ring with diamond pointers, set in 18ct gold, Chester hallmarks, size P; an oval ruby and diamond cluster ring, stamped 750, size Y; a ruby and diamond three­stone ring, in 9ct white gold, size N; a ruby and diamond five­stone ring, set in gold, size S; an oval garnet ring set in gold, size W; a 22ct gold wedding band, size N½; an 18ct gold wedding band, size P; a 15ct gold and half pearl sawllow and ivy leaf bar brooch, 5.3cm; with a gold swivel seal set with a faceted quartz, 25g total £400­600

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42 A diamond cluster ring set in gold, a ruby and diamond three­stone ring set in gold, a sapphire and diamond­ set half hoop ring set in gold, an Edwardian peridot and seed pearl­set gold pendant, an Edwardian seed pearl­set gold crescent brooch, a seed pearl­set riding crop brooch, a three row gold ring and an Edwardian pendant £200­300 43 A lady’s diamond­set evening watch, the oval bezel set with single­cut diamonds to the platinum case, 15 jewelled movement, 2.7cm long, associated Garrard case, together with a cased set of four mother­of­pearl, pearl, 18ct gold and platinum shirt studs with shirt and cufflink fittings, and a gold flattened curb link long chain with swivel bolt ring, slide modelled as a bunch of grapes, 28.g £100­150 44 An 18th century foliate pendant set with topaz in a silver closed­back mount, 4cm wide; an 18th century pendeloque brooch set overall with yellow stones including chrysoberyl, in closed­ back silver mount, 6cm high; a lozenge­form 18th century slide set with yellow stones including chrysoberyl, in closed back silver mount and an 18th century pendeloque pendant set overall with yellow stones including chrysoberyl in silver closed­back mount; an early 19th century gold oval­shaped brooch centred with a glazed locket containing a figure of Hope, within white enamel border, and a late19th century glazed circular gold locket with seed pearl border, 4cm wide and a gilt metal oval brooch applied with the initials ‘GL’ and set with cushion­shaped diamonds on a blue ground and backed on shell, 3.8cm wide £200­300

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45 A pair of Russian horseshoe­design gold studs, marked with St. Petersburg stamp, 2.5cm high, a pair of gold and silver heraldic studs and a pair of gold heraldic studs, the arms within garter­form surrounds of turquoise cabochons, 2cm wide £300­400 46 A pair of 19th century gilt metal foliate scroll drop earrings, 7cm long, a pair of 19th century gilt metal long drop earrings, each suspending a shell­ form pendant and also suspended from a shell form, hinged terminal, 8cm high and a pair of faceted green paste drop earrings with gilt metal mounts £80­120

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47 Two mid Victorian oval mourning brooches, including an enamel, pearl and yellow gold mourning brooch, the central glazed compartment containing a floral spray in hair, within a surround of half pearls and outer border of blue enamel and engraved gold wreath decoration with applied fleur de lys motif, the reverse with engraved memorial inscription date 1855, 6.1cm widest, fitted case, together with a gold brooch, the central glazed compartment containing ornate scrolling hair, with openwork vine leaf and grape scrolling border, 5.6cm widest £300­400

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48 Three items of early­mid 19th century jewellery, including an agate and gilt metal hinged bangle, the central oval agate is collet­set above a surround of textured acorns and oak leaves, bangle shoulders similarly decorated, 5.5cm diameter, together with a cameo­set gilt metal bracelet, the two oval­link chains with hardstone­set clasp, each applied with a hardstone profile of a moor wearing a gilt metal necklace, 18.5cm, and a two­colour oval jasperware cameo and gilt metal bracelet, the alternating blue and beige plaques depicting busts of women, collet­set to the ropetwist surround, 16.5cm long £200­300

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49 49 A pair of 19th century shaped drop earrings, with black, white and gold chinoiserie decoration (missing hoops); a pair of Chinese pendologue drop earrings mounted with kingfisher feathers, 7cm, a pair of gold­mounted hardstone drop earrings, 7cm long, a small pair of garnet heart­shaped drop earrings and three further pairs of earrings £200­300 λ 50 A George III fluted and tapered bloodstone etui, applied with rococo­style gold mounts with diamond push button cover release, containing various implements, damaged, fitted case, 9.5cm high; a lady's early 19th century gold wristwatch with blue guilloché enamel dial and gold Arabic numerals, the back case marked Le Roy, diamond bezel and foliate shoulder decoration; a gold bracelet mounted with seven Indian miniature archaeological paintings in cannetille mounts, 19cm long, fitted case, and a pair of cultured pearl and diamond­set white gold earrings in fitted case £1,000­1,500 51 A three­row cultured pearl choker necklace, the graduated cultured pearls measure 4 ­ 9mm diameter, each separated by a seed pearl, with an oval clasp set with an old pear­shaped diamond, 35cm shortest, together with a single­row graduated cultured pearl necklace to the silver clasp, 46cm £1,000­1,500

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λ 52 Eight 19th century stick pins, including a pair of Archaeological Revival gold stick pins with white enamel decoration; a pair of gold racquets each with a seed pearl applied to the mesh conjoined by a fine­link trace chain; a bloomed gold ivy leaf applied with cabochon opal detail and seed pearl foliate motifs; two paste examples (one modelled as a stylised flower), a carved coral knot and a carved coral bow £80­120

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53 Three late 19th century ­ early 20th century diamond­set stick pins, including a stick pin designed as two stylised acorns set with two untested pearls (possibly natural) with old­cut diamond­ set cap and oak leaf in silver and gold, together with a similar stick pin designed as an acorn set with an untested pearl (possibly natural) with rose­cut diamond­set silver cap, and a diamond­set platinum wreath stick pin £200­300 54 Two gem­set stick pins, including a stick pin set with a trefoil of demantoid garnets and centred with an old circular­cut diamond, with a diamond­set stem in yellow gold, 1.3cm long, and a stick pin set with an old marquise­shaped diamond and onyx pin to the platinum and white gold setting, 1.2cm long £200­300 55 Six 19th ­ 20th century stick pins, including a diamond­set floral spray stick pin and a similar paste example; a stick pin with circular yellow gold plaque depicting the head of a young man with an old­cut diamond below his chin, a stick pin with gold ropetwist knot with a seed pearl to the centre; a stick pin mounted with an oval cameo of a moor looking left and wearing a turquoise earring within a ropetwist border, and a stick pin set with a trefoil of paste stones with cut­down silver collets £150­250

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56 Six late 19th ­ early 20th century stick pins, two set with moss agate cabochons, one designed as a circular gold plaque with engraved decoration and old­cut diamonds, 1.4cm wide, a turquoise­set sphere, one set with a spiral of garnets and seed pearls and one with hair decoration in the form of a cornucopia within a gold enamelled surround £200­300 57 A collection of pearl­mounted items, including a collection of seven pearl­mounted stick pins (untested, possibly natural and cultured), a pearl­ mounted ring with rose­cut diamonds to the shoulders in platinum, size L (untested, possibly natural), and a pair of pearl­mounted paste­set acorn earrings, 4cm high (untested, possibly cultured) £200­300

57

58 Two gold­mounted reverse carved crystal intaglio stick pins, one depicting a chestnut horse in profile with jockey up in yellow cap and blue blouson, spherical bead border, 2.2cm wide, the second depicting a stylised black grouse on a moorland crag, 1.9cm wide £400­600 59 A mid 19th century oval reverse carved crystal intaglio brooch, depicting a mill with bridge across the mill pond, with trees to either side and a mountain to the background, mounted in gold, engraved decoration to the reverse, 4cm diameter £400­600

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61 λ 60 Three carved coral cameos, two carved hardstone cameos and two hardstone intaglios, a carved lava cameo, a carved shell cameo and a metal cameo in gold pendant frame, £200­300 61

A carved hardstone cameo, depicting a female in profile with ivy leaves to her curling hair £800­1,200

62 An oval hardstone cameo brooch, depicting the profile of Arethusa, with feathers to her curly hair, wearing an ear pendant and necklace, to the gold collet frame with applied ropetwist border, 4.7cm high £200­300 63 A mid 19th century hardstone cameo and seed pearl ­set brooch pendant and pair of earrings, each circular sardonyx cameo depicting the profiled head of a maiden, collet­set to a seed pearl gold border, the brooch pendant with glazed compartment to the reverse, 4cm, the earrings with engraved and enamel detail surmount, hoop fittings, maker’s mark to reverse, fitted case £400­600 λ 64 A George III portrait miniature­mounted gold brooch, the oval brooch containing a portrait miniature of a gentleman in profile and wearing full military uniform with Garter star, 2.9cm high, and an oval double locket pendant, set to one side with a silhouette miniature with gold work, depicting a European soldier in profile and ornate gold frogging, signed 'Miers by Field', 4.3cm high £400­600

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65 A pair of 19th century gilt metal bracelets, each set with shaped rectangular coloured pastes, 18cm long, an early 19th century gilt metal finely pierced bracelet with paste­set cannetille gilt metal clasp, 17cm long, and a 19th century necklace comprising gilt metal repoussé foliate scroll mounts centrally set with vari­coloured navette­shaped pastes, 46cm £300­400 66 An early 19th century gilt metal fancy­link guard chain, alternated with circular textured links and fancy foliate links, 78cm £200­300 67 A 19th century fancy­link gilt metal necklace, probably Swiss, alternate links decorated with polychrome enamel, 43cm £100­150

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68 A diamond cluster eternity ring, set with clusters of baguette­shaped diamonds in gold, size K £200­300 69 A diamond­set 18ct white gold pendant, of boteh form and set with a round brilliant­cut diamond, on a flattened curb­link chain, and a diamond solitaire ring, the collet set to a tapered 18ct white gold hammered band, London hallmarks, size L½ £600­800 68 69

70 A sapphire and diamond cluster ring, centered with a rectangular­shaped sapphire within a surround of single­cut diamonds in platinum on gold, size M½, together with a gold 22ct gold wedding band, Birmingham marks for 1928, size N £100­150 71 A ruby and diamond ring, set with marquise­shaped diamonds and calibré­cut rubies in gold, size R, and a pair of ruby and diamond half­hoop earrings in gold, post and clip fittings £800­1,200 72 A diamond ring, the central oval plaque set with ten brilliant­cut diamonds, to the tapering ridged shoulders, shank stamped ‘75’, size R½, 12.5g £300­400 73 Two gem­set rings, including a ruby and diamond half­hoop ring set in 18ct gold, size M, and a diamond­set platinum eternity ring, size M £400­600

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74 A pair of mid Victorian style gold ear pendants, of engraved bloomed oval ‘garter’ design, each suspending a spherical bead, hoop fittings, indistinct hallmarks and later stamped ‘585’, 3cm high, together with a pair of ornate openwork black stone ear pendants, each with a central glazed crescent compartment attached to a quatrefoil black stone and seed pearl surmount, hoop fittings, 4cm high £200­300 75 Four 19th century mourning rings, including a pearl, enamel and jet­set 18ct gold cluster ring, the central oval black enamel with half pearls, jet detail and a rose­cut diamond, trifurcated scroll shoulders with jet detail and ridged shank, the reverse with engraved memorial inscription dated 1838, London hallmarks for 1836, size P½, together with a gold engraved split ring, containing plaited hair and applied with a half pearl ivy leaf with tendrils, size L, and two plaited hair and half pearl edge gold band rings, size P & N £200­300

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77

76 A 19th century garnet­set gold ring, the central oval garnet cabochon set within an ornate collet with tapering shoulders in 18ct gold, Birmingham hallmarks, size M approximately, together with a half pearl­set gold ring, with a central glazed plaque and trifurcated reeded shank, size T approximately £200­300 77 A ruby and diamond three­stone ring, set with three graduated oval­shaped rubies, with round brilliant­cut diamond pointers in gold, size O £400­600 78 An untested pearl and diamond cluster ring, the button­ shaped pearl is set in a shaped surround set with circular ­cut diamonds in gold, size M, and an untested pearl cluster ring set in gold, size P £200­300 79 Two diamond five­stone rings, the first claw­set with a graduated line of old brilliant­cut diamonds to the plain tapering platinum shank, size Q, the second coronet­set with a graduated link of transitional brilliant­cut diamonds, size O £400­600

79 78

80 A natural pearl­set gold bar brooch, set with five graduated natural pearls in gold, 6.5cm wide £400­600 Accompanied by report number 20330 dated 17 August 2021 from The Gem and Pearl Lab stating that the five button­shaped pearls are natural saltwater.

81 Four items of pearl and cultured pearl­set jewellery, including a bar brooch alternately­set with five pearls (untested, possibly natural), each separated by a rose­cut diamond­set foliate motif, 6.5cm, together with a pearl (untested, probably cultured), an old­ cut diamond­set bar brooch, 7.2cm, and a pearl (untested, probably cultured) and rose­cut diamond­set wreath brooch, 4.3cm, and a seed pearl­set bow brooch 4.2cm £800­1,200

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82 Two silver brooches designed by Arno Malinowski for Georg Jensen, one with a heart border containing a bird perched on foliage, design 239, 4.3cm wide, the other designed as a bird in flight, design 320, 4.3cm wide, both with Georg Jensen mark to the reverse and ‘Sterling’ £80­120 83 A pair of silver bangles by Nanna Ditzel for Georg Jensen, of shaped oval design, numbered 155, indistinct mark for Georg Jensen, stamped 925, 6.5 x 6.7 internal dimensions, 63g £150­250

82

84 A French plique­à­jour enamel gold pendant, designed as two mirrored peacocks with polychrome plique­à­jour enamel decoration in gold, French control marks, 3cm high £200­300 85 An Art Nouveau topaz and enamel seed pearl brooch by Krementz & Co, c1900, the emerald­cut yellow topaz within border of shaded enamel leaves, a diamond and seed pearls, makers mark to clasp, 3.8cm wide £300­400 Accompanied by original purchase receipt from Shapiro and Co dated 23 November 1991 86 An amethyst and demantoid garnet brooch by Murrle Bennett & Co, the central circular amethyst within scrolling gold surround set with circular­cut demantoids in millegrain surround, 2.5cm wide £200­300

83

84

87 A pair of sapphire and 18ct gold scroll earrings, maker’s mark RHB and London import marks for 1960, 2cm high £150­250 88 A 19th century amethyst­set gold brooch, set with an oval­shaped amethyst and with wirework and engraved decoration in gold, 4cm wide £300­400 89 A Victorian gem­set butterfly brooch, set with circular­cut rubies, sapphires, rose­cut diamonds and seed pearls in silver and gold, 4cm wide £600­800

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90 An Edwardian gold peridot and seed pearl pendant, the openwork pendant with textured floral goldwork, the central circular collet­set peridot with a seed pearl detail, suspending an peridot drop, the applied plaque to the reverse stamped ‘15ct’, 4.5cm high, the trace­ link necklace with barrel clasp £100­150 91 A Victorian seed pearl­set gold fringe necklace, of foliate design and set with seed pearls in yellow gold, 41cm long £600­800 92 A citrine and seed pearl fringe choker necklace, the seed pearl necklace suspends graduated oval­shaped citrines, gold clasp, 31cm long £600­800

92

93 Two gem­set brooches, one of openwork circular design, set with circular­cut rubies and circular­cut diamonds, mounted in silver and gold, 3cm, the other an opal cluster pendant brooch with ruby detail, detachable opal surmount, 3.4cm, suspending from a 9ct gold ropetwist chain £600­800 94 Two mid 19th century gem­set gold hinged bangles, each with applied decoration to the shoulders and edges, one alternately­set with graduated rubies and old brilliant­cut diamonds in 15ct gold, Birmingham marks, 6cm diameter, the other alternately­set with sapphires and old­ cut diamonds, stamped ‘15ct’, 5.8cm diameter £800­1,200 95 A pair of gold earrings, of Archaelogical Revival design, drop­ shaped with applied wirework decoration, hook fittings, stamped ‘15ct’ with later 14ct hallmark, 4.3cm high, 6g total £200­300 96 A pair of early 19th century chrysoberyl and seed pearl­set gold brooches, set in scroll mounts with pellet decoration in gold, each 3cm wide £400­600

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97 A sapphire­set gold longuard necklace, the vari­coloured oval­shaped sapphires are set in gold spectacle mounts, stamped ‘585’, 79cm long £1,200­1,500 98 A diamond­set cross pendant, set with six round brilliant­cut diamonds in white gold with a fine link white gold neck chain, a baguette­ shaped emerald and circular­cut diamond pendant set in white gold with a fine link white gold neck chain £800­1,200 99 An aquamarine­set gold longuard necklace, set with oval­shaped and circular­cut aquamarines in spectacle gold mounts, stamped 585, 78cm long £1,200­1,500 100 A pair of gem-set gold earrings by Langlois, of abstract design, set with circular­cut sapphires and diamonds, cultured pearls and a moonstone cabochon in gold, post fittings, 3.3cm high, case by Garrard £400­600

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101 A collection of rings and earrings, including a matching multi gem­ set gold geometric ring and pair of ear clips, set with citrines, garnets, peridot, amethyst and aquamarine, stamped 585, ring size P½, a smokey quartz­set 9ct gold ring, with peridot, citrine and aquamarine detail, Birmingham marks, size L, a pair of diamond­set gold ear clips, stamped 585, 5.3g, a pair of cultured pearl and diamond­set gold ear clips, stamped 750, case, and a pair of 9ct bloomed gold earrings, and another pair designed as a ball and chain, 8.3g £300­400

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102 An emerald and diamond pendant, the pear­shaped emerald set in a surround of round brilliant­cut diamonds in yellow and white gold, suspended from a single circular­cut diamond on a fine link white gold chain £2,000­3,000 103 An emerald and diamond necklace, set overall with pear­ shaped emeralds and round brilliant­cut diamonds in white gold, and a fine link white gold neck chain, 41cm £800­1,200 103 104 A pair of lapis lazuli­set white gold cufflinks, the carved fluted oval lapis lazuli set in white gold rubover mounts, 1.2cm high £400­600 105 An emerald and diamond­set white gold bracelet, set with pear­shaped emeralds and small round brilliant­cut diamonds in a scrolling white gold mount, 17cm £800­1,200 106 A diamond line bracelet, set with round brilliant­cut diamonds in white gold, diamonds approximately 3.50cts total, 18cm long £800­1,200 107 A large citrine pendant, claw­set to the silver basket mount, citrine measures 45 x 37 x 23mm, 63g £100­150 108 A ruby and diamond cluster bar brooch, centred with a cushion­shaped ruby within a surround of old circular­cut diamonds on a plain white gold bar brooch, 5.5cm wide, cluster 11mm high £600­800 109 An amber pendant, the pear­shaped pendant is mounted with a rose­cut diamond­set cap, 5cm high, fitted case by Carrington £300­400 109A An amber pendant, the pear­shaped amber pendant is mounted with a rose­cut diamond­set cap with fine link chain, 5cm high £300­400 102 104

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110 A late Victorian amethyst and diamond brooch, the oval­shaped amethyst set within a surround of rose­cut diamonds in platinum and gold, 2.5cm wide, and a graduated faceted amethyst bead necklace, 55cm long £400­600 111 A pair of lapis lazuli gold ear clips by Erte, each of assymetrical design, the textured gold reeded surmount with cultured pearl detail, reverse signed Erte and stamped ‘18k’, 3.5cm long £800­1,200 112 Two 9ct gold and enamel brooches for the Imperial Order of Knights by Garrard, one with diamond­set rays and applied crown, both with Birmingham hallmarks and ‘G&Co.’ sponsor’s mark, 3.1cm wide, 20g total £600­800 113 A zircon and white gold flexible link bracelet

by Cropp & Farr, comprising eight circular­cut blue zircons, each separated by a rectangular ‘S’ scroll link, in white gold, the clasp stamped ‘9ct’, 20cm long £400­600 114 A late 19th century diamond­set gold hinged bangle, the top section composed of a pair of interlocking nailhead motifs each centred with a round brilliant­cut diamond, inscription dated 1900, inner diameter 6cm, 8.5g £300­400

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115 An Italian hardstone­set gold necklace by Petroch, comprising five green, blue or yellow fluted carved spheres measuring 20mm diameter, with trace­link chain connections and back chain, plaque stamped G. Petroch and 750, 42cm long £400­600 116 A turquoise and seed pearl­set gold bracelet, the twisted gold bracelet entwined with rows of seed pearls and turquoise beads, stamped 18, 20cm long £400­600 117 A pair of early 20th century gold drop earrings, with gold and seed pearl articulated upper sections, with five sets of interchangeable drop sections, including chrysoprase, agate and rock crystal briolettes, amber drop sections (damaged) and faceted onyx hoops, all with gold fittings, fitted case

by Hamilton & Inches, screwback fittings (one is a gilt metal replacement), 4.8 ­ 7.5cm high £800­1,200 118 Three gem­set gold novelty brooches, the first designed as two rose­ cut diamond­set ostriches applied to a bar, 4.5cm wide, fitted case, the second modelled as a leaping frog, set with cabochon emeralds in gold (one deficient), diamond­set eyes and front claws, French control marks, 4.7cm, the third modelled as a bird with green eye and ruby­set collar clinging to a reed, French control mark, 4.9cm £600­800 119 A pair of jade and diamond earrings, the jade cabochons set within a surround of old circular­cut diamonds in gold, clip fittings, 2cm wide £600­800 120 A gem­set gold shell brooch, c.1940s, designed as two scallop shells, set with two old circular­cit diamonds, calibré­cut rubies and further rose­ cut diamonds, with engraved decoration in gold, 3.5cm wide £350­450

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121 A Victorian gold casket pendant, with foliate engraved decoration and spiral finials, with hinged lid and clasp, on gold bale, 3cm high, 5g £200­300 122 A French gold circular locket pendant, the cover mounted with a ruby and a seed pearl trefoil, 2.5cm wide, and three gold pendants in the form of beans and each set with a small circular­cut diamond, 2cm each £200­300

121

123 A mid Victorian enamel and diamond­set brooch, the central red guilloche and white bordered heart motif centrally set with an old brilliant­cut diamond, the wings set with rose­cut diamonds in silver and gold, 3.3cm, together with an early 19th century style three­colored gold paste­set locket pendant, designed as a reticule with carrying handle and key attached, glazed compartment to interior, 1.7cm £400­600

122

124 Two mid 19th century gold rectangular locket pendants, each in the form of a hinged book, the engraved exteriors opening to reveal folding photograph frames, 2.2 and 2.5cm widest, 17.6g total £300­400 125 Four Japanese studs in the Aesthetic taste, the first shaped plaque with Shakudo depicting a crane astride a stream, below a tree in blossom, 2.7cm widest, the second hexagonal plaque with Shakudo depicting the head and shoulders of a Japanese lady, 1.3cm widest, two oval mother­of­pearl plaques with gold decoration depicting landscapes with boats and mountains, 3.1cm widest £200­300

123

126 A silver­plated metal circular stud, depicting Benjamin Disreali (1804 ­ 1881), former Prime Minister of the United Kingdom, 2.2cm wide, and a brass circular stud depicting a purging scene with two figures in a bedroom, 2.9cm wide £100­150 127 Five assorted 19th century silver topped studs, each depicting the profile of a classical head, three with a crescent fitting, stamped J.Jeffery’s / Patent’, various sizes largest 2.6cm £200­300

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128 An unusual egg-shaped ivorine hinged case, the interior silk inscribed 'Spinkins from Dent', 6 x 4cm £100­150 129 A leather jewellery box by Giuliano, the circular box with fine gilt tooled decoration to the dark blue leather, the velvet interior with circular compartment, silk lining signed ‘C. Giuliano, 115 Piccadilly London’, interior fitted compartment 3.5cm diameter, external dimensions 5.2 x 3.5cm £100­150 top

130 Two early­mid 19th century gem­set gold mesh link bracelets, one with an openwork engraved foliate three­colour gold clasp, set with oval­shaped amethysts, 15cm long, the other with an oval cannetille clasp set with aquamarine and a citrine to the centre clasp, 13cm £200­300

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129

131 Four gem­set cruciform pendants, including an early 19th century topaz­set cruciform pendant, with foliate and cannetille decoration overall, 5cm high, a 19th century gold cruciform pendant set with five closed­back amethysts, an early 19th century gold cruciform pendant set with nine amethysts and four seed pearls to the cannetille decoration, 8cm high, and a damaged cruciform pendant set with purple and colourless pastes £400­600 λ 132 A seed pearl-set two colour gold ornate cruciform pendant, a filigree gold cruciform pendant, 6.5cm high, a 19th century gold spherical husk­design cruciform pendant and a 19th century tortoiseshell cruciform pendant applied with seed pearls and filigree gold £200­300 133 A garnet­set cruciform pendant, set with oval and pear­shaped garnets in closed­back settings, with black and white enamel decoration on silver, 10cm high, later silver chain, 70cm long £300­400 130

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134 A Swiss late 18th century gold chatelaine, the central glazed gold plaque containing a hair­tied wheat sheaf, suspending two similar pierced globe­form miniature fob seals, each mounted with a citrine or amethyst and a two­colour gold watch key, 24cm and a late 18th century gold chatelaine formed with faceted gold plated beads and clear glass faceted beads with two conforming glass bead tassels and a watch key mounted with a faceted rock crystal with gold mounts, 26cm £80­120 135 A pair of 19th century chalcedony ear pendants, with gilt metal surmount and hoop fittings, 5.9 and 6.1cm high, together with a brooch pendant modelled as a bunch of grapes with spherical bead fruit and gold foliate surmount, 5.7cm high £200­300 136 Four items of early­mid 19th century jewellery, including a pansy spray brooch set with two pear­shaped citrines and three pear­shaped amethysts in textured gold, 3.2cm, together with a pansy brooch set with pear­shaped amethysts and citrines in closed­back settings within the ornate gilt­ metal cannetille surround, 2.2cm, a circular gem­set gold locket pendant, the central convex citrine applied with a turquoise forget­me­knot spray within a surround of circular­cut amethysts, glazed compartment to reverse, 2.6cm, a pink topaz and seed pearl bar brooch, set with circular pink topaz in gold, 3.7cm wide £100­150

136

137 A pair of 19th century amethyst-coloured paste set gold cannetille-drop earrings, 6cm high, and a pair of 19th century gilt metal drop earrings £80­120 138 Five items of 19th century jewellery, including a gold openwork wreath brooch set with old cushion­shaped diamonds, 3.4cm, a turquoise and diamond­set forget­me­not bar brooch, 3.6cm, and amethyst­set gilt metal pendant with glazed compartment to the reverse, 5.2cm, two topaz­set cluster brooches in foil­back gilt metal settings, each with a central locket containing hair, glazed compartment to the reverse, 2.7 x 3.0mm £200­300 139 An early 19th century gold­mounted carnelian cruciform pendant, a pair of early 19th century gold­mounted carnelian drop earrings, a pair of 19th century faceted carnelian ball earrings with gold mounts, a 19th century triple carnelian oval plaque gold­mounted brooch, brooch 10.5cm wide £200­300

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140 A 19th century citrine and diamond­set pendant, the pear­shaped citrine set in a cut­down collet within a scroll surround set with old cushion­ shaped diamonds, in silver on gold, on a fine­link gold neck chain, pendant 5cm, chain 44cm long £600­800 141 A mid Victorian mother­of­pearl, pearl and gold brooch and earrings, each of oval form, the central mother­of­pearl plaque applied with hair foliate decoration within a surround of half pearls, the earrings with hinged hook fittings, brooch 3.2cm widest, earrings 2.3cm (not including hooks), fitted case £200­300 142 A mid Victorian Scottish hardstone and quartz brooch, of domed lobed design in yellow gold, the agate specimens including bloodstone, banded agate and onyx, set with seven circular­cut smokey quartz, presentation inscription to reverse, 5.7cm wide £200­300

141

143 A gem­set snake brooch, the coiled snake with ruby eyes and diamond­set collar in textured platinum and gold, suspending a freshwater pearl, 4cm wide £300­400 144 Three items of early 19th century jewellery, including a gold mourning ring with central oval plaque depicting a young woman standing beside an urn on a pedestal in hair, with black paste­set border, in closed­ back settings with engraved inscription dated 1818, size K, together with a diamond and paste­set Latin cross pendant brooch, set with rose­cut diamonds and four baguette­shaped diamonds to the closed­back silver setting, and a paste­set Greek cross pendant, closed­back gilt metal setting, 3.2cm £100­150

140

145 Three late 18th ­ early 19th century gold­cased navette­shaped lockets, each with glazed locket compartments containing hair decoration, the first with ornate hair decoration and enamelled glass bead anchor to the obverse, the reverse with plaited hair, the second with a classical urn to the centre with a hair border, the reverse with a memorial inscription date 1787, later brooch fitting, the third containing an elaborate beadwork and hair decoration of floral spray on a mother­of­pearl pedestal, with a diamond and seed pearl­set enamelled necklace clasp fitting £200­300

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146 Two drop­set pendants and six spherical bead links, each pavé­set with circular white stones £300­400 λ 147 Four gem­set clasps, including a French single­row platinum navette­shaped clasp, centred with a button­shaped natural pearl and set with four diamonds, 2.3cm; a gold and platinum clasp mounted with a rectangular carved coral plaque with borders set with small diamonds, 1.5cm wide; a navette­ shaped platinum clasp set with a border of calibré­cut sapphires, 2cm wide, a gold clasp centred with an oval­shaped opal within a surround of circular­cut diamonds, 2cm wide £400­600 148 Five torpedo­shaped single­row necklace clasps, each set with small diamonds, two clasps set with white paste stones and a white metal torpedo­shaped clasp £300­400 149 Ten assorted clasps, mostly gem set, including a slightly bombé navette­shaped clasp set with alternating bands of calibré­cut rubies and old­cut diamonds, 1.6cm, two sapphire and diamond­set clasps, one stamped 9ct to reverse, three diamond­set clasps, two seed pearl bar clasps, a red stone and rose­cut diamond­set cluster clasp, 10.4g total £200­300 150 A pair of 18th century paste­set double circular­drop earrings, a pair of foliate­pierced paste­ set discs converted to cufflinks, 3cm wide and a paste­set girondole pendent, 7cm high £200­300 148

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λ 151 Four items of coral jewellery, including a carved coral fancy­link and spherical bead bracelet, seperated by yellow gold circular ridged links, concealed clasp and safety chain, 22cm long, a carved coral two­row and square­link bracelet, the gold work with engraved decoration, maker’s mark, 16cm, a graduated coral bead necklace suspending an oval cabochon and pendoloque pendant, both with ornate textured gold mounts, 38cm long, and a pair of faceted coral engraved gold ear pendants, the oval surmount with detachable pendeloque drop with blue enamel decoration, 4cm high £200­300

152

152 A mid 19th century gilt metal­mounted operculum parure, comprising a slightly graduated necklace, a bracelet, a pair of ear pendants and a brooch, each operculum collet­set within a ropetwist border, necklace 44cm long, bracelet 19cm, ear pendants 1.8cm high (excluding hoops), brooch 2.4cm £600­800 153 A ruby and diamond­set floral brooch, the foliate scroll mount set with old cushion­shaped and rose­cut diamonds in gold, with cabochon ruby flower heads in silver, 6.5cm wide £800­1,200 154 A late 19th century diamond bar brooch, the flowerhead set with old circular­cut diamonds, with further diamonds to the bar in silver on gold, 4cm wide £150­250 155 An Indian gold bangle, the terminals designed as serpent’s heads, decorated overall with Jaipur enamel and set with diamonds and rubies, possibly shellac filled, 5.5cm diameter, 56g £800­1,200

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156

156 A suite of jewellery by Thomas Mann, in the Techno Romantic style, the front section of the necklace centering on a stylised cat with applied perspex body, toe the abstract links and back chain, 57cm long, the flexible bracelet formed of fauna and geometric links, 23cm maximum, and a pair of ear pendants formed of a hand motif applied with fauna and coloured perspex decoration, 6.5cm high, all signed TM, stamped ‘Bronze’ and ‘Sterling’ £500­700 157 A gem­set abstract gold brooch, set with an agate plaque, a circular­cut ruby and round brilliant­cut diamonds in textured gold, stamped 18KT and signed Heidrun, 8cm wide, 36g £1,200­1,500 158 A silver lozenge brooch attributed to George Hunt, c1920, set with a central glass beach pebble, amethysts and mother of pearl in silver foliate surround, 7cm wide £150­250 Accompanied by original purchase receipt from Didier Antiques 1994 159 An Art Deco ‘PHILADELPHIA’ Bakelite bangle, the tapered bangle with vari­ coloured Bakelite sections, 6.2cm diameter £80­120

157

159

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162

160

161 160 A fancy­link gold bracelet, alternately­set with twisted polished links and fluted oval links, large bolt­ring clasp, stamped 750, 22cm long, 28g £1,000­1,500 λ 161 A yellow­gold tight curb­link bracelet, centred with a gold horseshoe design alternately set with round coral cabochons and pairs of small circular old­cut diamonds, 19cm, 25g total £400­600 162 A gem­set gilt metal curb link bracelet, the three centre links set with cushion­shaped diamonds, sapphires and rubies, in textured gilt metal, 18cm long £200­300 163 A 15ct gold mesh­link strap bracelet, 19cm, 23.5g

£400­600

164 A gold curb link charm bracelet, two charms stamped ‘14k’, one charm containing a Middle Eastern coin with filigree mount stamped 750, 18cm long, 50g £500­700

163

165 A 9ct gold curb link watch chain, 36cm, a 9ct shield­form pendant, 62g, with a 9ct gold­mounted two steel blade penknife and a 9ct gold long and short oval link watch chain, 40cm, 34g £800­1,200

164

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166 166 A gold strap bracelet, c.1960s, the integrated three­colour gold links with engraved decoration, Italian hallmarks and stamped ‘750’, 19.5cm long, 74g, case £1,500­2,000 167 A coin bracelet, comprising six George III ‘spade’ guineas, some dated 1790, 1787, 1794, 1787, one forming the clasp, with gold chain link connections, 19cm long, 60g £1,000­1,500 168 A gold curb­link bracelet suspending thirteen assorted charms, each charm commemorating various travel destinations, six stamped ‘14k’, three stamped ‘18k’, 17.5cm, 107g total £1,500­2,000 169 Various items of jewellery, including a George III green paste­set circular brooch, a pair of 19th century turquoise and seed pearl­set bean­ form gold cufflinks, a diamond five­stone ring with scroll engraved shoulders, size K, a gold mechanical pencil, a late 19th century turquoise and rose­cut diamond­set gold crescent brooch, etc £200­300

167

170 A Masonic gold fob seal, depicting a pillared tabernacle over an alter, with Greek and English inscription ‘We Have Found’ around the base and hardstone seal, a 9ct gold pendant depicting a compass, scale and star, the reverse with lodge details, Birmingham hallmarks, both attached to a swivel split ring to the gold faceted belcher and snake­link long chain necklace £550­700

168

169 40

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171 A gold necklace and earring suite by H. Stern, the necklace of spiral design in hammered finish, stamped 18, maker's mark, Italian marks, 41cm long, with a pair of similarly designed earrings, post fittings, 12mm high, 74.5g total £2,000­3,000 172 A pair of hammered gold earrings, post fittings, 1.5cm high, 10.5g, case by H. Stern £400­600 173 Three pairs of yellow gold earrings, the first set with brilliant­cut diamond­set geometric details, stamped 750, the second designed as ridged scrolls, stamped 750, the third as graduated flexible pairs of faceted foliate pendants, hoop fittings, 22.5g £800­1,200

172

171

174 A diamond­set gold curb­link bracelet, the twisted double curb links applied with seven old circualr­cut diamonds in square­shaped mounts, not hallmarked but testing as 18ct, 20cm long, 37g, £800­1,200 175 Four items of gold jewellery, including a 9ct fancy­link bracelet, 19.5cm, a Victorian soverign­mounted 9ct gold ring, a 9ct lady’s wrist watch by Omega with integrated tapered mesh­link bracelet with deployant clasp, 19cm long, and a garnet­set tiered cluster ring, size Q½ £400­600 176 Two 18ct gold cable and capstan link long chain necklaces, conjoined by two 9ct gold circular rings, all to the 15ct gold bolt ring clasp, 46 and 76cm, 41g total £800­1,200 177 A yellow gold necklace, twisted rope ball design with half border, 42cm 23g, a gold curb­ link bracelet, with alternate plain and engraved links and engraved padlock clasp stamped 9ct, 18.5cm, 19g, a small gold mesh link coin purse with a metal chain handle, 15g £700­900

175

173

174

176

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178

179

178 A Victorian gold snake bracelet, with graduated scale­like links, the head set with turquoise cabochons (some missing) and garnet eyes, 21cm £600­800 179 A 9ct gold keyless wind open­faced pocket watch by Kendal & Dent, the white enamel dial with Roman numerals and subsidiary seconds dial, Chester 1924, fitted maker’s case, together with a 9ct gold curb link chain with ‘T’ bar and swivel terminals, 64cm, 26g, and a 9ct gold graduated curb link necklace with ‘T’ bar pendant and two swivels as the clasp, 37cm, 45g £400­600 180 A gilt metal pair­cased pocket watch, the white enamel dial with black Arabic numerals and gold hands, movement signed James Gordon, Dublin 1253, foliate pierced balance cock with grotesque mark, twisted curb link watch chain, 44cm, 22g £600­800 181 A gold hunting cased pocket watch, with a 9ct gold curb­link Albert watch chain, 54g, 40cm £400­600

181 180

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182

183

182 An 18ct gold open-faced pocket watch, the white enamel dial with black Roman numerals, key wind, Chester marks for 1870, 4cm wide, loose glass, with key £100­150 183 A George IV 18ct gold hunting-cased pocket watch, the gold dial centred with an engine­turned centred disc within a matted ring applied with polished gold Roman numerals within a three­colour gold foliate border, subsidiary seconds dial, movement signed Jameson, New Bond Street, numbered 1696, outer case centred with an engraved crest, 5.3cm wide £500­700

184 (2)

184 A early 20th century 18ct gold half hunting cased dress pocket watch, black Arabic numerals, 4.5cm wide, a French early 20th century gold dress pocket watch with shell back and mounts, subsidiary seconds dial, 4.5cm wide £200­300 185 An early 20th century gun metal open­faced dress pocket watch, the gold face applied with Arabic numerals, signed TAVANNES WATCH Co, subsidiary seconds dial and with a multi­section shokudo­style fob with gold mounts, the watch 4.5cm wide, and an early 20th century gun metal open­ faced pocket watch with susidiary seconds hand, 5cm wide £200­300 186 A yellow gold deployant clasp by Cartier, signed, 4.6cm long £200­300

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188

187 (3) 187 A gold wristwatch by Omega de Ville, the signed square dial with black Roman numerals and sweep seconds hand, automatic movement, case 30mm, leather band, together with a lady's gold wristwatch by Jaeger LeCoultre, the signed square dial applied with Arabic and bar numerals, on integrated gold band, manual movement, case 17mm, and a gold wristwatch retailed by Asprey, the white enamel dial signed Asprey, black Roman numerals, double octagonal bezel, blue stone winder, numbered to reverse 508401, 38259, case 22mm, black leather band £1,000­1,500 188 A gentleman’s ‘Must de Cartier’ tank wristwatch, the three­colour silver gilt striped dial with blued steel hands, silver gilt rectangular case, the reverse with Swiss control marks, numbered 6209063, associated brown leather strap, 23cm long, red suede Cartier pouch £200­300 189

189 A lady's gold wristwatch by Longines, the signed circular dial applied with gold baton numerals within a two­row diamond­set bezel, 18ct yellow gold integrated band, 18cm (adjustable) £800­1,200 190 A lady’s Art Deco diamond­set wristwatch, the rectangular bezel and lugs set with single­cut diamonds, to the platinum case with presentation inscription dated 1927, 17 jewel movement, numbered 2336, on a 9ct white gold tapered mesh­link strap bracelet with deployant clasp, 17cm long £600­800 191 A white gold dress wrist watch by Chopard, of double lobed, square octagonal form, signed, plain dial and numbered 158539 2130 to the reverse, mechanical winding, 3cm wide, black leather band, a gold wrist watch by Longines, quartz movement, 2.8cm high, black leather band and a pair of emerald and diamond­set yellow and white gold cufflinks £800­1,200

190

192 A 18ct white gold slim dress watch by Dugena, signed dial with bar numerals, engraved with initials, 4cm wide, with a fine­link platinum watch chain, 34.5cm long, 13g, with a yellow gold abstract wristwatch

by Piaget, the signed tiger’s eye dial without numerals, leather strap, fitted case £600­800

191 (3) 44

192 (2)

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193 A 19th century copper carriage clock in the Gothic taste, probably

by Alexis Falize, the pierced top section with hinged handle formed with griffins, the sides with twelve circular figures representing the agricultural months, Roman numerals to the octagonal dial, missing hands, the lower section with the praying mother of Christ attending by an angel with lillies between and words ‘Angelus Domini Nuntiavit Qariae’, the reverse with locking hinged opening compartment to the movement over two figures and the words Vigilate quia netcitis diem neque horam, 13cm high £80­120 For a carved ivory and enamel clock of similar design by Falize, see Purcell, K., ‘Falize: a Dynasty of Jewelers’ (Thames & Hudson: 1999), p.71.

193

194 A malachite­mounted small carriage clock, (damaged) 7.3cm high, a silver rectangular cigarette case with engine­turned pattern decoration and gilt­lined, London marks, 12.5cm wide, a silver envelope­form card case, Birmingham marks, 6cm wide, a wristwatch by Must de Cartier, cased, and two leather cigarette lighter holders by Dunhill, £80­120

194

195 A gold mesh­link bag with carrying chain, the hinged frame stamped ‘750’, 207g, together with a gold and polychrome enamel arched frame (reverse section deficient), 10cm long £4,000­5,000

195

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197

196

196 A French 18ct gold rectangular cigaratte case by Boucheron, with diaper engraving to the exterior, signed ‘Boucheron Paris’, Brevete SGDG, French control mark, maker’s mark, numbered 60730, London import mark, 9.5 x 7.5cm, 164g £3,000­4,000 197 A Victorian 9ct gold rectangular snuff box, in the Regency manner, London marks for 1868, 8cm wide, 93g £1,000­1,500 198 An 18th century enamel bottle holder with hinged cover, of rectangular form with green and gold enamel decoration overall and rococo gilt metal sides, the interior with four sections, each contain a small waisted faceted bottle with stopper (one broken), 9.5cm high £200­300 199 A late 19th century gold oval­shaped locket pendant, the gold mount with heavy foliate decoration on matted ground and containing a picture of a child holding the Union flag, 5.5cm high; a French late 18th century circular two­colour gold­mounted white hardstone box, the glazed cover containing a fine gold wirework giardinetto design, with French maker’s and control marks, 6.5cm wide; a 19th century oval box with gilt metal mounts, the lobed cover with vacant cartouche, 5.3cm wide; an early 19th century circular charlcedony box, slightly domed hinged cover, the base marked Finnigans of Bond St, 4.5cm diameter and a gold frame, the border decorated with seed pearls and blue enamel scrolls, hinged A­form strut back, 6.5cm high £300­400 198

199 46

200 An early 19th century gold snuff box, rectangular form with rounded terminals and engine­turned decoration within foliate borders, 7.5cm long, 56g, and a 19th century gold cylindrical tape measure container (missing tape), 3.5cm wide, 18g, with fitted shagreen case £400­600

200

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202

201

201 An early 20th century silver gilt minaudière, the rectangular box realistically chased with a seated long­haired dog to the hinged cover, with ruby eyes, the reverse chased with the reverse of the dog, with a hinged mirror and two vacant compartments, cabochon ruby­set thumbpiece and with oval link chain handle, 9.3cm high £1,500­2,000

203

202 A late 19th century silver singing bird automata music box, probably German, in the manner of Karl Griesbaum, of shaped rectangular form, the top with oval hinged cover decorated with a figural scene, opening to reveal a feathered automated bird and pierced grill, the box repoussé decorated with birds amongst scrolling foliage, with applied opening catch in the form of a bird, hinged compartment to the reverse concealing a key, 10cm wide £600­800 203 A Dutch 19th century gold­mounted glass scent bottle, of elliptical form and foliate­etched decoration, with hinged gold oak leaf top, 12cm long, a gold early 20th century frame with double border decorated in blue guilloche enamel and diamond­set mounts, containing a photograph of a gentleman, 8cm high, a pendant frame with blue guilloche enamel decoration and with four crosses set with rose­cut diamonds, 5.2cm high, an octagonal glazed pendant painted front and back with a lady in the 18th century style, gold frame, 7.5cm wide £200­300 204 A collection of nephrite and jade items, including an early 20th century torpedo shaped jade centre­opening container, with central yellow guilloche enamel bands and gold terminals, 10.5cm long, an oval nephrite dish with white stone terminals each millegrain­set with diamonds, 6.5cm wide, an oval and rectangular nephrite buckle clasp, each set with small circular­cut sapphires and gilt metal mounts, 7.5cm highest £200­300

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top 206 205 (6)

205 A late 18th century bell­form gold and gold cased fob seal, the carnelian matrix carved with full arms and a stag crest, 5cm, with three further gold and gold cased fob seals, two with carnelian matrix and one with chalcedony matrix engraved with initials; a grey agate fob seal with gold cased mount and an early 19th century gold stirrup­form fob seal with two split rings and chalcedony matrix £200­300 206 A 19th century gold musical fob seal, of stirrup form, the central winding column with melon­ shaped rotating thumbpiece, 4cm high £200­300 207 A silver and lapis lazuli desk seal, modelled as Pan playing the pipes, the lapis lazuli pedestal with vacant matrix, 11.5cm high £400­600 208 Five early­mid 19th century seals, including a bloodstone gold­cased desk seal, the shaped rectangular intaglio engraved with a standing eagle, 6.3cm; a hardstone seal intaglio engraved with initials, 4cm, a gold­cased seal mounted with an oval citrine seal with French motto in a garter, crown and ladder, engraved inscription dated 1806, 3.5cm; a paste and gilt metal seal containing the oval intaglio profile bust of a young man, 4.2cm, and a gold swivel containing an oval compass, the reverse set with an intaglio of a female figure standing beside an anchor (possibly St Philomena), 4,4cm £200­300 209 A late 19th century gold three­sided spinning fob seal, mounted with crystal, chalcedony and bloodstone, 2.3cm high; a Regency three­coloured gold miniature fob seal mounted with a carnelian intgalio carved with a woman clutching a cross held over a flame; four paste­mounted gilt metal miniature fob seals; a gold­cased fob seal with coiled snake body and a broken­faced matrix £100­150

207

208 (5)

209 (8) 48

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211

210

210 Three early 19th century hardstone­set watch keys, the first yellow gold wirework watch key with double­sided agate swivel seal, 6cm long, the second designed as a carnelian spherical bead with ornately chased gold mounts with split ring, 5.8cm, the third chased in bi­colour gold, containing an oval white chalcedony plaque within a bi­colour gold cased mount, 7.5cm £150­250 211 An early 19th century scent bottle, a white glass bottle with gold mounts, the hinged cover mounted with five Maltese Cross emblems each set with hard stones, centred with a cabochon red stone and with foliate scroll decoration, 8cm high; an early 19th century circular white glass scent bottle, with gold foliate mounts and screw cover suspending from a gold foliate ring with three fine­link gold chains, 6.5cm high £200­300 212 A pair of 18th century cased metal buckles, mounted with white paste flower heads, each 4.5cm wide; a pair of 18th century oval buckles mounted with blue paste stones, 2.5cm high, cased by Tessier, a set of four 19th century open square­form brooches set with garnets, 3.5cm wide, fitted case by Tessier, with a pair of open lozenge­shaped garnet­set brooches with a case, and a pair of 19th century rectangular open­work slides set with white paste stones, 3.5cm wide, fitted case, £200­300

212

213 An early 19th century miniature waisted oval agate snuff box, the hinged cover with remnants of white enamel to the border posy, the base with intaglio engraved with two birds under the posy ‘VIVONS UNIT’ (let’s live together), 2cm high; a late 18th century miniature egg­form agate snuff box with gold mounts, 3cm high; an agate scent flask with gold­plated mounts and pendant chain, 5cm high; a carved hardstone egg­form pendant with gold mounts (worn), 2cm high, and an early 19th century gold vinegrette with carnelian­mounted cover, the hinged grille pierced with foliate design, 3.2cm wide £100­150

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214

215

214 An 18ct three­colour woven gold propelling pencil by Cartier, French control marks, 12.5cm, a 9ct gold fountain pen with engine­turned pattern decoration, a 9ct gold ballpoint pen with striated decoration and a 9ct gold propelling pencil with engine­turned decoration, a marble­finished fountain pen and propelling pencil set by Parker with gold­plated mounts, with original case £600­800 215 An 18ct gold propelling pencil S. Mordan & Co., engraved decoration to the body with presentation inscription, missing internal mechanisms, signed, London hallmarks, 7.3cm, 19.6g £200­300 λ 216 A gold­mounted coral branch ink pen by Tiffany & Co., the gold mounts signed Tiffany & Co New York and stamped 14kt, 22cm long £600­800 217 A 9ct gold ballpoint pen by Cartier, of fluted design and twist top pen extension, cabochon blue stone terminal, London marks, stamped J C and Cartier London à HLS00566, clasp stamped 375, 14cm long, Cartier case £400­600 218 A gold­mounted black leather notebook with 9ct gold pencil by Cartier, signed, and a gold mounted notebook by Cartier, striated decoration with engraved cartouche, signed and numbered 15332, 7.8cm with gold propelling pencil by Cartier, £600­800 216

217

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219

219 A yellow gold textured money clip by Alfred Dunhill, four 9ct gold collar straighteners and two silver collar straighteners, a damaged silver­mounted folding comb £350­450 λ 220 A gold­mounted hair comb by Cartier, the comb with one broken tooth mounted with fluted gold handle and matching fluted gold cover with London marks for 1960, and signed Cartier S, 11.3cm long, Cartier red fabric case, a gold­mounted hair comb, the comb with 9ct gold cover with engine­turned decoration and stamped 9, matching 9ct gold case with Birmingham marks for 1947, 11.5cm £600­800 221 A three­colour 9ct gold textured cigarette holder with a Cartier box, four further cased cigar holders with gold ring­mounts; a bamboo cigarette holder; a 9ct gold hinged book marker by Asprey and London marks 1928 with Cartier box and a collection of tie clips including a 9ct yellow gold Samorodock clip by Alfred Dunhill and London marks for 1976; an 18ct white gold and an 18ct yellow gold clip by Cartier and three further gold tie clips (six) and a red leather belt with 18ct yellow gold buckle by Cartier signed JC and fitted case £200­300 220

221

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222

223

222 A gold­mounted slide­action magnifying glass by Tiffany, rectangular form with fluted decoration engraved with initials and signed, 6cm high with Must de Cartier associated box £200­300 223 A gold­mounted bamboo ballpoint pen by Cartier, signed Cartier with inventory no 06266 13.5cm long, in fitted case by Cartier, and two gold­plated cigarette lighters by Must to Cartier, both cased £200­300

224

224 A seven section two­colour gold Russian wedding ring

by Cartier, signed, Cartier case; a two­colour gold signet ring by Cartier, a square cartouche engraved with a crest, signed Cartier London, Cartier case, 18ct yellow gold keyring of twist design, one ball terminal unscrews, London marks, platinum wedding ring by Cartier, signed, size Q½, a gold plated ballpoint pen with bottle opener terminal and red leather bound container pendant attachment, a pair of twist­carved crystal cufflinks, the gold mounts engraved with textured pattern and a Tiger’s Eye mounted tie tack £400­600 225 A 9ct gold tapered six­sided cigarette holder by Alfred Dunhill, the mouthpiece set with the Dunhill White Spot, signed Dunhill and London marks with A D maker’s mark, engraved with initials and date 1938, fitted case by Alfred Dunhill; a black fabric belt with gold interlocking buckle, signed Cartier Paris, and a malachite­style ballpoint pen by Must de Cartier, plated mounts, 13.5cm closed, fitted case £600­800

225

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226

227

226 A pair of gold torpedo­form cufflinks, a pair of gold and black enamel cufflinks and a pair of cabochon sapphire­centred shell cufflinks mounted on gold £100­150 227 Two pairs of gem-set gold cufflinks, one set with domed citrine cabochons in rubover 18ct gold mounts, maker's mark AP and London marks for 1967, case, and another set with moonstone cabochons in circular gold surround, stamped 750, case £400­600 228 A pair of gold cufflinks, the plain oval links decorated with ‘B’s’ in red and white enamel, 1.7cm wide, cased, and a pair of opal­mounted gold oval cufflinks £200­300 229 Two pairs of cufflinks, including a pair of carved bloodstone cufflinks with gold chain link connections, and a pair of continental A­form gold cufflinks with sugarloaf garnet terminals, maker’s mark, 23.3g total £300­400

228

230 A pair of French gold centre­hinged bar cufflinks, each bar set with a line of calibré­cut sapphires, French control marks, 2cm wide, cased, a pair of moonstone­mounted yellow gold cufflinks, the oval­shaped moonstones are pavé­set in gold with two conforming moonstone and gold studs (one missing), cased £600­800 231 A French Medieval Revival enamel and diamond­set stick pin, c.1870, the polychrome enamel circular plaque depicting the head and shoulders of a young woman in collared dress in a surround of rose­cut diamonds, mounted in silver and gold, 1.5cm wide, French control mark, maker’s lozenge to the pin, fitted case by Marnet £200­300

230

229

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233

232

232 An early 20th century circular gold locket pendant, mounted with a reverse­carved crystal intaglio depicting a racehorse with jockey, hinged locket compartment to the reverse containing a soldier in uniform, 2.2cm wide and a pair of 9ct gold cufflinks, each mounted with a circular reverse­ carved intaglio crystal depicting flying ducks, Birmingham marks for 1955 £200­300 λ 233 Two pairs of gold cufflinks by Cartier, one pair mounted with coral cabochons the other with malachite cabochons, both signed Cartier, a pair of twisted rope­design gold cufflinks probably by Cartier, signed JC, and a coral­mounted gold tie clip, with Cartier case £800­1,200

234

234 A set of Art Deco dress cufflinks and studs, each black onyx rectangular link is centred with a small diamond in white gold, fitted case; a pair of moonstone and sapphire­mounted circular platinum and gold dress cufflinks and studs, each circular moonstone is centred with a surround of calibré­cut sapphires, French control marks, and a pair of black cultured pearl and diamond cufflinks, each link designed as a bar of three pearls and four small diamonds in white gold £600­800 235 A pair of turquoise and diamond-mounted platinum dress cufflinks, the turquoise cabochons are set within a surround of circular­cut diamonds with white gold clasps, 1.2cm wide, cased, and a pair of gold dress cufflinks each with tiger eye ball terminal, 1cm wide £400­600 236 A pair of square yellow and white gold cufflinks, each centred with a green stone, cased, a pair of French gold cufflinks by Fred, each link incorporating a circle of lapis lazuli, French control marks, cased, a pair of yellow and white gold horseshoe and spur cufflinks, cased, and a pair of silver cufflinks by Georg Jensen, signed case, with a silver Georg Jensen tie clip £600­800

235

54

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λ 237 A quantity of gem stones, including two solid black opals, a circular­ cut yellow sapphire, tourmalines, corals, a spinel, jadeite discs and a kingfisher wing­mounted Chinese brooch £200­300

237

238 A quantity of assorted gem stones, including sapphires, rubies, tourmalines etc £200­300

238

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240

239

239 A quantity of loose gem stones, including: 36 square pink tourmalines weighing 24.48cts A cushion­shaped pink spinel weighing 4.17cts 45 baguette­shaped peridots weighs 17.51cts An oval blue sapphire weighing 2.59cts An oval­shaped pink tourmaline weighing 9.53cts 226 square blue topaz weighing 69.12cts

241

241 Three unset spinels, one oval­shaped purple spinel 5.60cts, an oval­ shaped blue spinel 6.12cts, and a cushion­shaped blue spinel 4.90cts £600­800 Accompanied by report number 19904 dated 15 May 2021 from the Gem & Pearl Lab stating that the cushion­shaped spinel weighs 5.61cts and is a natural purple spinel with no indications of heat treatment.

£1,000­1,500

† 240 An unmounted square­shaped yellow sapphire, 42.51cts, £8,000­12,000

Accompanied by report number 19905 dated 15 May 2021 from the Gem & Pearl Lab stating that the cushion­shaped spinel weighs 4.90cts and is a natural blue spinel with no indications of heat treatment.

Accompanied by report number 20232 dated 23 July 2021 from The Gem & Pearl Lab stating that the square cushion­shaped sapphire weighs 42.51cts and is a natural yellow sapphire with no indications of heat treatment.

Accompanied by report number 19906 dated 15 May 2021 from the Gem & Pearl Lab stating that the oval­shaped spinel weighs 6.12cts and is a natural blue spinel with no indications of heat treatment.

242

243

† 245 Thirty-one unset diamonds, 3.28cts total

242 Two pear-shaped diamonds, weighing approximately 0.35cts each and set in white gold pendant mounts £200­300

† 247 Six unmounted diamonds, some with faint fancy hue, 1.17cts total £400­600

† 244 Six old cushion-shaped fancy-coloured diamonds, 0.89cts total £100­150

56

£200­300

† 246 Twenty-nine fancy-coloured diamonds, mostly round brilliant­cuts, 1.90cts total £400­600

† 243 Thirty-four unset round diamonds, of various cuts including round brilliant and old cushion­shaped diamonds, 5.81cts total £400­600

245

244

246

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247B

247D

247A 247A An early 19th century green paste necklace, cruciform pendant and earrings, the necklace formed with graduated cushion­ shaped pastes mounted in gold open­backed collets and joined with turquoise coloured paste cabochon­mounted gold flowerhead links, some damaged, suspending a gold pendant set with six green pastes and a pair of conforming paste­set earrings (one detached from upper section), the gold clasp with unidentified control marks, necklace 39cm, fitted case £2,000­3,000

247C 247E

247B A Belle Époque diamond­set platinum slide, the centre circular­cut diamond suspends with a smaller diamond from an oval and octagonal­cut border frame containing knife­edge bars and laurels, all diamond­set, the centre diamond weighs approximately 0.95cts, 3.3cm wide, with maroon silk band £3,000­5,000 247C An Edwardian seed pearl­set gold bow brooch, suspending a pear­shaped cabochon amethyst and rose­cut diamond pendant, 4cm wide, fitted case £800­1,200 247D An Art Deco diamond ring, millegrain­set with two old circular­ cut diamonds with a black onyx bezel and white gold shank, size O½ £800­1,200 247E An early 20th century sapphire and diamond three­stone ring, the cushion­shaped sapphire is millegrain­set with two old circular­cut shoulder diamonds in white gold, size J, case £1,000­1,500 247F A 19th century citrine­set gold demi­parure, the rivière necklace set with graduated oval­shaped citrines in openwork gold cut­down collets, suspending a circular­cut citrine pendant, with conforming bracelet and gold earrings each mounted with a pear­ shaped and oval­shaped citrine, necklace 36cm, case £2,000­3,000

247F 57

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248 A pink sapphire and diamond cluster ring, the oval­shaped pink sapphire is set within a surround of round brilliant­cut diamonds, quartered with four larger diamonds in white gold, size P½ £500­700 249 A sapphire and diamond ring, the circular­cut sapphire is set with a trefoil of round brilliant­cut diamonds to each shoulder in white gold, size L £600­800 250 A diamond cluster ring, the rectangular plaque with baguette­shaped and round brilliant­cut diamonds within a surround of smaller round brilliant­cut diamonds, further diamonds to the tapered shoulders in white gold, size N £800­1,200 251 A diamond cluster ring, the circular ring set with circular­cut diamonds with scalloped edge in 18ct white gold, diamonds approximately 2.00cts total, principal diamond approximately 0.40cts, Birmingham marks, maker’s mark, size R £1,000­1,500 252 An emerald and diamond cluster ring, the oval­shaped emerald weighs approximately 2.00cts, within a surround of round brilliant­cut and tapered baguette­shaped diamonds in white gold, size N½ £1,500­2,000 253 A peridot and diamond ring, the oval­shaped peridot is set with three old circular­cut diamonds in gold, London hallmarks, size P £300­400 254 A sapphire and diamond plaque ring, set with old circular and rose­cut diamonds and fancy­cut sapphires in platinum, size L £300­500 255 A diamond cluster ring, the circular­shaped ring is set overall with round brilliant­cut diamonds in white gold, size L £400­600 256 A diamond cluster ring, set with a round brilliant­cut diamond and the upper section pavé­set with smaller round brilliant­cut diamonds in yellow gold, size N½ £600­800 257 A turquoise and diamond cluster ring, centred with a turquoise cabochon within a surround of graduated old cushion­shaped diamonds in silver, size Q £300­400 258 An opal and diamond cluster ring, the oval opal cabochon set within a surround of round brilliant­cut diamonds in white gold, size S½ £1,000­1,500 259 A tourmaline and diamond cluster ring, the oval­shaped pink rubellite tourmaline is set within a surround of single­cut diamonds, with a baguette­shaped diamond to each shoulder in white gold, inventory number 14575, size N £400­600 260 An emerald and diamond ring, the emerald­cut emerald set with square­shaped diamonds to the shoulders in platinum, size N £1,500­2,000 261 A ruby and diamond half­hoop ring, set with calibré­cut rubies between rows of round brilliant­cut diamonds in white gold, size N½ £600­800 262 A sapphire and diamond cluster ring, the oval­shaped diamond is set within a surround of round brilliant­cut and tapered baguette­shaped diamonds in white gold, size M½ £1,000­1,500 263 A ruby and diamond three­stone ring, the oval­shaped ruby with a round brilliant­cut diamond to each shoulder in platinum and white gold, size N½ £300­400 264 A sapphire and diamond three­stone ring, the circular­cut sapphire is set with two pear­shaped shoulder diamonds in platinum, size J £300­400 265 A diamond­set white gold ring, the three­row ring with hammered finish, one section pavé­set with round brilliant­cut diamonds, size N½, case by H. Stern £600­800

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262 265 264

263

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266 A pair of gold­mounted domed and fluted lapis lazuli cufflinks by Cartier, signed and inventory number 6850 £600­800 267 A 9ct gold circular pill box by Cartier, with engine­turned reeded decoration overall, pull­top lid, maker’s mark JC with inventory number 5194, London marks for 1940, 3cm wide, 23g £200­300 268 A panther’s head money clip, the head with black and red enamel decoration and red stone eyes, set with small diamonds and hinged to the main body, all in 18ct yellow gold, 5cm long £400­600 269 A 9ct gold Rollagas lighter by Alfred Dunhill, with engine turned decoration, London marks for 1962, 6.5cm high, 105g total £400­600 270 A 9ct gold Rollagas lighter by Alfred Dunhill, with stylised samarodock decoration, London marks for 1965, 6.5cm high, 108g total £400­600 271 A pair of gold cufflinks by Andrew Grima, 1970s, each link formed with assymetrical squares in textured 18ct gold, signed ‘GRIMA’, maker’s mark AGLtd, London marks for 1972, 2cm widest, 38g total £600­800 272 A pair of Trinity de Cartier cufflinks, semi­circular design in two­colour gold, centre sprung, signed and numbered 58682, 2cm wide, fitted Cartier box £300­400 273 A French cultured pearl stickpin, the platinum shaft with diamond­set rondel, French control marks, 7.5cm long, fitted tapered red leather case by Cartier £400­600 274 A pair of white gold folding circular hoop and bar cufflinks by Cartier, with hematite terminals, signed Cartier Paris and French control marks, 3.5cm long, and a pair of white gold centre­hinged inverted D design cufflinks by Cartier, signed with French control marks, 2cm wide, in double compartment Cartier box £600­800 275 A Medieval Revival gold scarf ring by Wièse, depicting the Virgin Mary within a pierced and engraved Gothic architectural surround with scrolling acanthus leaves, rubbed partial signature, 3cm wide £800­1,200 276 A pair of pink sapphire­mounted gold disc cufflinks, probably by Cartier, each disc­shaped circular disc is set with two calibré­cut pink sapphires, rubbed signature but probably Cartier, French control marks, each disc 1.2cm wide £400­600 277 A pair of gold locket cufflinks, each oval locket compartment contains a lock of hair, two links with initials below and Earl's coronet and one engraved 'Annie', 1.5cm high £600­800

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278 A 9ct gold samorodok­style rectangular cigarette case by Dunhill, with slide­action spring­loaded opening, London marks for 1966 and with AD for Alfred Dunhill, the cover marked ‘Dunhill London’ and ‘Bando’, 13cm long, 209g (total), leather box by Dunhill and silk sleeve, with two spare expandable cigarette containers £3,000­4,000 Matteo Cellini, known to his fellow workmen as ‘Bando’ was a famous Dunhill craftsman having started there in 1919. His name was kept up until the 1960s as a brand.

279 A 9ct gold cigarette case by Dunhill, set in three­colour with geometric pattern, with striated terminals within black enamel border, concealed thumpiece, signed ‘Dunhill London’, maker’s mark, London hallmarks for 1933, 11.2 x 8.3 x 1cm, 190g, case by Alfred Dunhill Ltd, 30 Duke St £2,000­3,000 280 An 18ct gold rectangular cigarette case by Cartier, with hobnail engine­turned pattern overall, sapphire­set raised thumbpiece, spring loaded opening, London marks for 1938 and marked JC and signed Cartier London, 11.7cm wide, 270g total weight, fitted Cartier red leather box embossed B.J.S £4,000­5,000 281 A 9ct gold cigar cutter and etui by Alfred Dunhill, with engine­turned decoration overall, the cigar cutter with hinged cover, with seven concealed compartments containing a swizzle stick, tooth pick, knife, key, nail file, drill and pencil, each with descriptive inscription, concealed centre compartment, London hallmarks for 1954, maker’s mark, signed to interior ‘Dunhill London’ and ‘Bando’, 9cm longest, 148g £800­1,200 Matteo Cellini, known to his fellow workmen as ‘Bando’ was a famous Dunhill craftsman having started there in 1919. His name was kept up until the 1960s as a brand.

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λ 282 A late 19th century wooden rectangular box, possibly birch, with rounded edges, gold and white enamel band around horizontal centre, centred with a rose­cut diamond to the blue flower head design, cabochon sapphire and gold thumbpiece, scratched inventory number 715, 9.5cm wide, green leather Cartier box, together with an early 19th century fossilised agateised coral circular box, with gold mounts to base and cover, 5.3cm wide £100­150 283 A George III rectangular necessaire, in the style of James Barbot, the orange agate panels with chased gold Rococo scrolling overlay decoration with birds and a dog, the hinged cover with white enamel posy to the lower rim, ‘Votre amitie fait mon bon heur’ (Your friendship makes me happy), red stone push button for cover release, containing two glass bottles with gold lids, and various implements, cover contains a mirror, 5.5cm high £3,000­4,000 284 A Russian Art Nouveau circular nephrite pot, on three silver gilt foliate feet, each mounted with a cabochon red stone and brown enamel border, with Cyrillic maker’s mark and kokoshnik, 6cm wide £200­300 285 A 19th century nephrite Middle Eastern lion’s head dagger hilt, in the Mughal manner, with cabochon ruby eyes and the lower edge mounted with a surround of further rubies and rose­cut diamonds, 8cm high £400­600 286 An early 19th century gold­cased spinning fob seal, mounted with a chalcedony matrix carved on one side with arms and initials to the other, 4cm high; a small 19th century gold propelling pencil set with rubies and turquoise cabochons; two small 19th century gold­cased watch keys, and a large early 19th century gold cased watch key pendant mounted with an agate , 7.5cm high £100­150 287 An Austro­Hungarian silver gilt pendant pencil holder, with purple guilloche enamel decoration overall, 6cm high; a gold bodkin case with blue and red guilloche enamel decoration, 8cm long; a 19th century fluted agate bodkin case with gold mounts and the terminals applied with gold hearts, 7.5cm long; and a gold 19th century quiver­form bodkin case, 8cm high, and an early 19th century three­colour gold thimble with foliate decoration on matted ground, 2.5cm high, fitted red leather case £200­300

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283

285 284

286 (5)

287 (5)

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288 A 19th century Almanac, with vari­coloured dendritic agate leaves with gold mounts and hinged clasp, dated 1837 in Roman numerals, 6cm long; a late 18th century octagonal banded agate snuff box with gold mounts and hinged cover, and an early 19th century French false open­faced pocket watch with concealed locket compartment with miniature portrait of a young lady, the reverse with glazed locket compartment containing a miniature portrait of an older lady, the front designed as a two­dial watch face signed ‘Breguet à Paris’, 6cm wide £200­300 λ 289 Two late 18th century gold­mounted boxes, the first long oval­shaped patch box with base and hinged cover with striped two colour gold and tortoiseshell decoration, the cover with scrolling Rococo decoration to the centre, the base with tortoiseshell lining and cover with internal mirror, rubbed control marks, 12cm long, the second gold­mounted striated tortoiseshell navette­shaped box mounted with a glazed locket to the cover and velvet lined, 7cm long £80­120 290 An early 19th century gold mounted lapis lazuli rectangular­shaped vinaigrette, the hinged cover with engine turned decoration and vacant cartouche, scroll and shell thumbpiece and plain hinged vinaigrette, 3cm wide £400­600 291 An Art Deco hardstone scent bottle by Janesich, the cylindrical agate body with carved stepped onyx lid and turquoise terminal, with gold mounts and dauber, signed Janesich, numbered 13080, French control marks, maker’s mark GM, 8cm high £3,500­4,500 292 A pink tourmaline pendant, on blue cord with paste beads, 3.5cm high, fitted case by Goode

66

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289 (2)

291

290

292

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293 A late Victorian cased set of garnet­mounted dress cufflinks and studs, the gold cufflinks mounted with oval­shaped cabochon garnets with circular­cut garnets to the eight further gold studs, cased £600­800 294 A hematite and gold dress set by Verdura, comprising a pair of cufflinks and two studs, set with hemispherical hematites in scrolling gold mounts, each signed Verdura Paris, maker’s mark for Dumont et Cie, French control marks, fitted case by Verdura £2,000­3,000 295 A pair of gem­set gold cufflinks, set with cabochon gemstones including tourmalines, amethysts and a citrine, 1cm diameter £200­300 296 A pair of gold­mounted onyx cufflinks by Van Cleef & Arpels, the onyx cabochons with gold ropetwist mounts, signed and numbered 91391 with French control marks 1.2cm wide £600­800 297 A pair of green and red enamel striped semi­spherical gold cufflinks by Boucheron, in chevron­pattern border and stylised plaited decoration to the bars, signed Boucheron, 33536 1.3cm wide, Boucheron case £400­600 298 A pair of gold dress cufflinks mounted with chalcedony cabochons, 1.2cm wide, cased

£200­300

299 A pair of gold stylised curb­link A­form cufflinks by Cartier, the bars set with a square­shaped sapphires to each terminal, signed Cartier London H6875, 2.2cm wide, fitted case £600­800 300 A pair of yellow gold heavy mesh­link cufflinks by Cartier, signed Cartier Paris and numbered R1407, 1.5cm wide, fitted cartier box £400­600 301 A pair of gold and enamel playing card cufflinks, each link designed as one of the aces, 1.7cm high, fitted case by Wartski £600­800 302 A pair of gold stirrup­form cufflinks by Boucheron, with stylised curve design bodies, the signed bars with buff­top sapphire terminals, French control marks, 2.5cm wide £600­800 303 A pair of yellow gold chain and clasp cufflinks by Boucheron, cabochon sapphire terminals, signed with French control marks, 2.2cm wide, boxed by Sandra Cronan £800­1,200 304 A pair of gold cufflinks by Cartier, the textured rectangular links with polished borders, signed Cartier, numbered N3022, London hallmarks for 1966, stamped HGM, each link 14mm high, 15g, fitted case by Cartier £1,000­1,500

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294 (4) 295

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297 298

300

301 299

302

303 304

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305 An aquamarine and diamond cluster ring, the pear­shaped aquamarine is set within a surround of round brilliant­cut diamonds in gold, size O £400­600 306 A ruby and diamond cluster ring, the oval­shaped ruby is set within a surround of round brilliant­cut diamonds, with further outer border of round brilliant­cut and baguette­shaped diamonds, and circular­cut diamonds to the shoulders in white gold, size K £3,000­4,000 Accompanied by report number 19203 dated 27 October 2020 from The Gem & Pearl Lab stating that the oval­ shaped ruby is a natural ruby with no indications of heat treatment. Origin: East Africa.

307 A tanzanite and diamond ring, the oval­shaped tanzanite is set with two round brilliant­cut diamonds in 14ct gold, London hallmarks, size O £500­700 308 A sapphire and diamond ring, the oval­shaped sapphire is set within scrolling shoulders with rose­cut diamonds (one missing), gold and platinum, size N £600­800 Accompanied by report number 286202/20053921 dated 15th September 2021 from Anchorcert stating that the oval­shaped sapphire is a natural sapphire with no evidence of treatment. Origin: Sri Lanka (Ceylon).

309 A diamond cluster ring, centred with a circular­cut diamond within a heart­shaped surround of smaller diamonds in platinum and gold, size L½ £400­600 310 A sapphire and diamond cluster ring, the circular­cut sapphire is set within a surround of round brilliant­cut diamonds, with a further diamond to each shoulder in platinum and gold, size Q £600­800 311 A tanzanite and diamond cluster ring, the triangular­shaped tanzanite set within a surround of round brilliant­ cut diamonds in 18ct white gold, London hallmarks, size Q½ £1,500­2,000 312 A kunzite and diamond ring, the cushion­shaped kunzite is set with baguette­shaped diamonds to each shoulder in white gold, size O £400­600 313 A citrine­set gold ring, the emerald­cut citrine is claw set, with fluted cylindrical shoulders in gold, stamped 9ct, size N½ £200­300 314 A pink tourmaline and diamond cluster ring, the oval­shaped tourmaline is set within a surround of circular­ cut diamonds in yellow and white gold, size O £400­600 315 A fire opal and diamond ring, the oval­shaped fire opal is set with baguette­shaped diamonds to the bifurcated shoulders in 18ct gold, maker’s bark DB, London hallmarks, size P £600­800 316 A diamond­set platinum ring, of scroll design, set with baguette­shaped and circular­cut diamonds in platinum, size H £1,000­1,500 317 An emerald and diamond half hoop ring, set with round brilliant­cut diamonds and circular­cut emeralds in white gold, size K approximately £800­1,200 318 A ruby and diamond five­stone ring, the cushion­shaped ruby set with old circular­cut diamonds to each shoulder in two­colour gold, size R½ £800­1,200 319 An aquamarine and diamond ring, the emerald­cut aquamarine is set with cushion­shaped diamonds to each shoulder in a geometric surround, in platinum and gold, size P, case £400­600 320 A ruby and diamond three­stone ring, the oval­shaped ruby is set with two old circular­cut shoulder diamonds in platinum, size O½ £1,000­1,500 321 Three gem­set gold half hoop rings, one set with seven square­shaped diamonds, another with sapphires and the other with rubies, all size M £400­600

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320 321 (3)

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322 A diamond­set cruciform pendant, set with round brilliant­cut diamonds, with a diamond­set bale in platinum, 4.5cm high £1,000­1,500 323 A 19th century gold crucifix pendant, the cross with engraved decoration, applied with a figure of Christ and a plaque reading ‘INRI’ (Iesus Nazarenus, Rex Iudaeorum ­ Jesus the Nazarene, King of the Jews), French marks for c.1819 and master mark, 9cm high, 14g £800­1,200 324 A Russian gold crucifix pendant, the model of Christ realistically formed, the cross decorated with wood pattern and halo, with 56 zolotnik and kokoshnik, maker’s initials in Cyrillic, reverse engraved with inscription dated 1908, 10.5cm high, 70g £500­700 325 A mid Victorian turqouise­set cross pendant, set with turquoise cabochons in silver on gold, 7cm high £300­400 326 A late Victorian diamond cruciform pendant, set with circular­cut diamonds with single­cut diamond pointers in silver on gold, approximately 5.50cts total, one diamond missing, 4.5cm high including bale £4,000­6,000 327 A late 19th century diamond cruciform pendant, set with eleven old cushion­shaped diamonds in silver and platinum cut­down collets, with further diamonds to the bale, principal diamonds approximately 8.00cts total, 5.2cm high, fitted case £4,000­6,000 328 A 19th century gold­mounted rock crystal cruciform pendant, the four faceted rock crystal arms mounted in gold, with gold suspension loop, 8.5cm high £400­600 329 A 19th century gold cruciform pendant, applied with gold disc finials to each quarter, centred with the letters AEI, engraved to the reverse SPSP and with central locket compartment possibly with a reliquary, 5cm high £400­600 330 A late 19th century nephrite cruciform pendant, quartered with gold scrolls and with pellet terminal, 7cm high; an early 19th century carnelian Maltese cross pendant, centred with elaborate three­coloured gold decoration with glazed locket to the reverse, 3.2cm wide, and a lapis lazuli cruciform pendant with gold mount and drill hole to each quarter, 8cm high £200­300 331 A late George III topaz­mounted gold cruciform brooch pendant, the pink topaz are mounted in foil­back closed mounts with pellet decoration overall, 6.5cm high £2,000­3,000

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330 (3)

331

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332 A set of Art Deco emerald and diamond platinum dress cufflinks and three studs, each square­shaped plaque is centred with an oval cabochon emerald within baguette­shaped shoulder diamonds, all 1cm wide, Cartier fitted case £1,000­1,500 333 A pair of frosted rock crystal and sapphire­mounted gold dress cufflinks, the crystal discs are each set with a line of calibré­cut sapphires in gold mounts, 1.3cm diameter, fitted case £600­800 334 A pair of French early 20th century gem­set cufflinks, each circular link centred with a green stone cabochon, within a motif of Eastern influence set with rose­cut diamonds, with black enamel decoration in platinum and gold, stamped Depose, French control marks, maker’s mark, 1.4cm high, case £400­600 335 A pair of sapphire­set white gold cufflinks by Cartier, the square­form bars with striated decoration and calibré­cut sapphires to the curved body terminals, signed Cartier Paris, French control marks and numbered 59033, 2.6cm wide, fitted case by SJ Phillips £1,000­1,500 336 A pair of emerald and diamond A­form cufflinks, set with graduated calibré­cut emeralds and diamonds in platinum, maker’s mark ‘T’ in lozenge, 1.9cm x 1.8 x 0.4cm, case by Longmire £1,000­1,500 337 A pair of French emerald cufflinks, each link mounted with nine square­shaped emeralds in platinum, French control marks, 2cm wide £1,500­2,000 338 A pair of ruby and diamond dress cufflinks, each square link is quartered with pairs of baguette­shaped diamonds and four rectangular­shaped rubies in yellow gold, 1.2cm wide, case by Sandra Cronan £1,000­1,500 339 A pair of carved rock crystal and sapphire dress cufflinks, the square octagonal crystals are centred with four calibré­cut sapphires in platinum, 1cm wide, cased £800­1,200 340 A pair of French amethyst and diamond cufflinks, each circular link set with a domed amethyst cabochon, centred with an old circular­cut diamond and within a surround of rose­cut diamonds, set in platinum on gold, French control marks, maker’s mark R&G, each link 13mm high £1,500­2,000

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340

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341 A 17th century metal signet ring, the gold decoration highlights the initials R.H. with remnants of white enamel decoration to the scroll shoulders, the copper alloy also contains tin, zinc and iron, ring size S and a classical Roman­style metal ring, missing the central stone £300­400 342 An antique cameo­mounted brooch, possibly Indo­Persian, the rectangular sardonyx cameo depicting a bull, the 19th century brooch with turquoise cabochons in silver, 6cm wide £400­600 343 A Roman carnelian intaglio­mounted gold ring, the oval intaglio depicting two warriors in conversation, set in a later gold ring, intaglio 12mm wide, size P £1,000­1,500 344 A late 18th century carnelian intaglio­mounted gold ring, the intaglio depicting a phiolospher in profile, 2cm high, in a later gold ring mount, size R £500­700 345 A Sassanian intaglio­set gold ring, the carnelian intaglio depicting an antelope in aggressive posture, c.5th century AD, in a later gold ring, intaglio 11.5mm wide, size S £200­300 346 A Roman chalcedony intaglio mounted gold ring, the intaglio depicting Zeus with an eagle, c. 1st century BC, in a later gold ring with engraved decoration, intaglio 13mm high, size Q½ £600­800 347 A hardstone cameo­set gold ring, the sardonyx cameo depicting a skull and crossbones, size N

£400­600

348 A late 19th century bloodstone intaglio ring, the oval bloodstone carved with a skull and cross bones, with foliate engraved shoulders in gold, size N½ £300­400

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348

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349 An early 20th century ruby and diamond cluster ring, set with graduated oval­shaped rubies within a surround of single­cut diamonds in gold, size N £600­800 Accompanied by report number 81288­05 dated 4 December 2020 from GCS stating that the oval and cushion­ shaped rubies are natural rubies with no indications of heat treatment. Origin: Four ­ Burma (Myanmar), One ­ Thailand (Siam).

350 A 19th century gold fedé gimmel ring, the clasped hands opening to reveal a heart, size L½

£200­300

351 A late 19th century ruby and diamond gold gypsy ring, set with an old cushion­shaped diamond and two pear­shaped rubies in 18ct gold, London marks, size L £400­600 352 A late 19th century sapphire and diamond gold gypsy ring, set with a sugarloaf cabochon sapphire and two old circular­cut diamonds in gold, stamped ‘18ct’, size T½ £400­600 353 A late 19th century opal and diamond half­hoop ring, set with graduated opal cabochons and diamond pointers in gold, rubbed marks, size N½ £200­300 354 An early 20th century sapphire and diamond nine­stone ring, the centre oval­shaped sapphire set with six small diamonds and two sapphires, scroll carved shoulders in gold, size L £400­600 355 An opal and diamond cluster ring, the opal set within a surround of old cushion­shaped diamonds, with carved fluted shoulders in gold, size N £300­400 356 A late 19th century hardstone­set gold gypsy ring, set with three banded agate cabochons in gold, stamped 18, size N½ £300­400 357 A mid Victorian amethyst­set gold pendant, centred with an oval­shaped amethyst, within a gold surround with ropetwist and pellet decoration, bloom finish, 5cm high, on a later gold neck chain, 42cm long £400­600 358 A late Victorian sapphire and diamond three­stone ring, set with a cushion­shaped sapphire and two old circular­cut diamonds in gold, London hallmarks for 1896, maker’s mark, size O £400­600 359 A late 19th century sapphire and diamond three­stone ring, the oval­shaped sapphire is set with two old circular­cut shoulder diamonds in gold, scroll pierced and carved shoulders, size Q £400­600 360 A late 19th century diamond­set gold snake ring, the crossover snake heads set with an old circular­cut diamond, with ruby or rose­cut diamond eyes in gold, size N £400­600 361 A Victorian diamond cluster ring, set with old circular­cut diamonds, with further diamonds to the bifurcated shoulders in silver on gold, fluted gold shank, size M £600­800 362 An amethyst and diamond cluster ring, the oval­shaped amethyst is set closed­back within a surround of old cushion­shaped diamonds in silver on gold, on a wirework gold shank, size S £300­500 363 A late 19th century sapphire and diamond five­stone gypsy ring, set with old circular­cut sapphire and diamonds in 18ct gold, Birmingham marks for 1891, size M½ £300­400 364 A late Victorian diamond three­stone gypsy ring, set with three old cushion­shaped diamonds in gold, rubbed 18ct London hallmarks, size O £400­600 365 A late 19th century sapphire and diamond three­stone gypsy ring, set with an old circular­cut diamond and cushion­shaped sapphires in gold, size M½ £300­400 366 A late Victorian turquoise and diamond cluster bangle, the turquoise cabochon set within a surround of single­cut diamonds, with single­cut diamonds to the shoulders in gold, French import marks, 6cm wide £1,500­2,000 367 Three gem­set gold rings, including an early 20th century 18ct gold crossover ring, set with two circular­cut diamonds, size L½; a Victorian gold ring set with turquoise cabochons and centred with a seed pearl, size O½, and a late Victorian 18ct gold ruby and diamond triple­cluster ring, Birmingham marks for 1899, size N½ £200­300

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367 (3)

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368 A two­row natural pearl necklace, the pearls graduate from 3.2 ­ 7.1mm, with a diamond­set platinum cluster clasp, 45cm shortest £1,200­1,500 Accompanied by report number 20377 dated 27 August 2021 from The Gem & Pearl Lab stating that the ninety­ one and ninety­seven pearls measure 3.2 ­ 7.1mm and are natural saltwater.

369 A single­row natural pearl necklace, the pearls graduate from 2.1 ­ 4.5mm, with a pearl and diamond cluster clasp in gold, 41cm long £600­800 Accompanied by report number 81293­87 dated 24 March 2021 stating that the cream pearls measure 2.1 ­ 4.5mm and are natural saltwater.

370 A pair of natural pearl and diamond drop earrings, each pearl suspends from an articulated line of three circular­cut diamonds with smaller diamonds set to the foliate top and cap, in platinum and gold, 5cm high £5,000­7,000 Accompanied by report number 285794/20053825 dated 10 September 2021 from Anchorcert stating that the half­drilled white pearls measures 15.9 x 10.4 and 16.0 x 9.8 mm approximately and are natural saltwater.

371 A five­row untested pearl bracelet with a large natural pearl clasp, with four gold retaining clasps each set with small cushion­shaped diamonds, 19cm £600­800 Accompanied by report number 81307­56 dated 27 May 2021 from GCS stating that the largest cream pearl measures 14.3 x 14.2 x 12.9mm and is a natural saltwater pearl with no indications of treatment.

372 A single­row natural pearl necklace, the pearls graduate from 2.3 ­ 6.1mm, with a heart­shaped chrysoprase and rose­cut diamond cluster clasp, 214cm long £4,000­6,000 Accompanied by report number 77102­27 dated 11 May 2017 from GCS stating that the cream pearls measure 2.3 ­ 6.1mm and are natural saltwater (random test of 200 pearls). Comment: this necklace includes pearls under 3mm in size. These ‘seed pearls’ may be natural or cultured.

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373 A three­row natural pearl necklace, the pearls graduate from 3.4 ­ 6.2mm, with a pearl and diamond­set platinum plaque clap, French import mark, 38cm shortest £6,000­7,000 Accompanied by report number 20137 dated 29 June 2021 from The Gem & Pearl Lab stating that the eighty­ three, ninety­three and ninety­two pearls measure 3.4 ­ 6.2mm and are natural saltwater with the exception of one bead nucleated cultured pearl.

374 A natural pearl and diamond pendant, the natural pearl with a rose­cut diamond­set cap, suspending from an articulated line of circular­cut and baguette­shaped diamonds in platinum, the white gold suspension loop set with a baguette­shaped diamond and a seed pearl, 4cm high £3,000­5,000 Accompanied by report number 81297­98 dated 6 April 2021 from GCS stating that the cream pearl measures 4.6 x 4.4 x 2.7mm and is natural saltwater with no indications of treatment.

375 A late Victorian natural pearl and diamond bar brooch, centred with a natural pearl and two old circular­cut diamonds in gold, 3.5cm wide £400­600 Accompanied by report number 203281 dated 27 August 2021 from The Gem & Pearl Lab stating that the part­ drilled high­domed button­shaped pearl measures 7.6 ­ 7.7 x 8­9mm and is natural saltwater.

376 A natural and cultured pearl necklace, the graduated pearls are set with an cushion­shaped diamond and pearl cluster gold clasp, 87cm long £600­800 The pearls are natural saltwater from the clasp tongue to 57, and position 6, 79, 88, 99­104, 111­118, 135­137, and 141 to the end. The remaining pearls are cultured as per verbal report from Anchorcert.

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377 A pair of early 20th century natural pearl and diamond drop earrings, the natural pearls with diamond­set caps, suspending from an articulated line of circular­cut diamonds in white gold, post fittings, 2.5cm high £800­1,200 Accompanied by report number 81300­38 dated 10 May 2021 stating that the light grey to cream pearls measure 9.5 x 9.8 x 9.4mm and 10.5 x 9.1 x 8.6mm and are natural saltwater with no indications of treatment.

378 A natural pearl and diamond cluster ring, the pearl set within a surround of eighteen round brilliant­cut diamonds in white gold, size N½ £8,000­12,000 Accompanied by report number 78132­74 dated 27 November 2017 from GCS stating that the half­drilled bronze/golden pearl weighs 13.11cts (analysed loose) and measures 13.77 – 14.10 x 10.06mm and is natural saltwater with no indications of treatment.

379 A single­row natural pearl necklace, the pearls graduate from 3.4 ­ 9.4mm, with a diamond­set platinum clasp (one diamond missing), French control marks, 36cm long £2,000­3,000 Accompanied by report number 19535 dated 2 February 2021 from The Gem & Pearl Lab stating that the seventy­ three pearls measure 3.4 ­ 9.4mm and are natural saltwater.

380 A natural pearl and diamond pendant, the natural pearl suspends from an old cushion­shaped diamond­set collet, on a fancy­link white gold chain, 62cm long £4,000­5,000 Accompanied by report number 114555 dated 16 September 2020 from SSEF stating that the slightly brown­ish grey half­drilled drop­shaped pearl measures 8.4 ­ 8.5 x 16.00mm and is natural saltwater.

381 A natural pearl and diamond longuard necklace, alternately set with varicoloured natural pearls and briolette­ cut diamonds and sapphires, with a diamond­set platinum clasp, 111cm long £10,000­12,000 Accompanied by report number 81305­85 dated 9 June 2021 from GCS stating that the sixty­four vari­coloured pearls measure 3.2 ­ 8.3mm and are natural saltwater.

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377

379

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382 An early 19th century gold circular brooch, the domed blue enamel centre applied with a diamond­set foliate design within a pearl border, 3.5cm wide, and a two­row seed pearl necklace with six small circular gold discs each applied with a small diamond on blue and white enamel ground, 33cm £400­600 383 A Swiss late 18th century gold chatelaine, with seed pearl and enamel decoration with two graduated navette­shaped shields and suspending a miniature fob seal and two stylised tassel pendants, 25cm long, together with a Swiss late 18th century gold chatelaine, the central line of alternate oval and circular plaques decorated with blue and white enamel, suspending a conforming watch key and two stylised tassels, 24cm long £100­200 384 Four George III navette and oval­shaped brooches, each set with seed pearls and white glass beads on blue and purple ground, various foliate designs, gold and gold plated mounts, 4cm high largest £200­300 385 A George III diamond and seed pearl enamel brooch pendant, the circular brooch pendant with scalloped edge, with blue guilloche enamel applied with old circular­cut diamonds, centred with a cluster of seed pearls and further outer border of seed pearls in gold, glazed locket compartment to reverse, hinged brooch pin and pendant loop, 3cm wide £1,500­2,000 386 A late 18th century lozenge­shaped gold pendant, applied with a letter ‘E’ in seed pearls and within larger pearl border, 4cm high; a late 18th century lozenge­shaped gold brooch centred with an oval design of seed pearls within a surround of larger pearls; a late 18th century gold brooch applied with a shell emblem within gold rope­ design border; an early 19th century gold pendant with locket to both sides, the front containing a foliate design of seed pearls and glass beads; a late 18th century gold brooch with white paste border and vacant locket, and a late 18th century oval gold brooch with glazed locket containing gold amphora­design within a white enamel border and further vacant locket to the reverse £200­300 387 A collection of 19th century items, including small early 19th century circular gold box, probably French, the cover centred with an enamel scene of a flaming amphora between lamb and doves, with white and blue enamel border, the base with foliate decoration, 2.4cm wide, together with a late 18th century gold oval pendant mounted with a glazed compartment containing a plinth and urn (probably earlier) within a star and forget­me­not border, graduated pellet design to the border, 2.5cm high; an octagonal gold clasp white polychrome enamel decoration overall, 3.5cm wide, and a gold early 19th century square­form six­row clasp set with turquoise cabochons on matted ground, 2.5cm wide £100­150

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384 (4) 383 (2)

387 (4)

386 (6)

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388 A late Victorian gold closed crescent brooch, set with a central line of graduated quartz cat’s eye cabochons within seed pearl borders, 2.8cm diameter, cased by Tessier £400­600 389 A Victorian giardinetto pendant, the woven gold basket containing flowers set with dermantoid garnets, diamonds, rubies and a pearl, 2.6cm high £600­800 390 A Victorian emerald and diamond­set gold brooch pendant, the elaborate brooch set with a large square­shaped emerald and four later circular­cut diamonds to the ornate engraved scrolling mount, with two tassels, 6.5cm high £1,000­1,500 391 A diamond­set gold picador brooch, designed as a picador leaning against a fence, with enamel decoration and set with rose­cut diamonds in silver and gold, French control marks to pin, 2 x 3.5cm £400­600 392 A micromosaic­mounted gold necklace, the micromosaic oval plaques depicting baskets of flowers and agricultural scenes on red ground, on a two­row fine­link gold neck chain, 42cm long £1,500­2,000 393 A Victorian suite of seed pearl­set gold jewellery, in the Etruscan Revival manner, the brooch with pellet decoration and centred with a seed pearl­set blue enamel star, the conforming gold drop earrings with similar decoration, the brooch 4.2cm wide £800­1,200 394 An Edwardian gold hinged bangle, set with seven graduated old circular­cut diamonds and with scroll engraved shoulders, internal diameter 5.5cm £600­800 λ 395 A mid 19th century coral fringe necklace, each slightly graduated oval bead separated by a carved spiral shell pendant, to the oval bead gold­mounted clasp, 39.5cm £800­1,200 λ 396 A Victorian coral fringe necklace, alternately­set with oval coral beads and graduated drop­shaped beads, gold­mounted coral clasp, 39cm long £1,600­1,800

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394 395

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397 An Art Nouveau sapphire and diamond brooch pendant, the upper section of stylised butterfly form, set with six old circular­cut diamonds on knife­edge mounts, the surround pavé­set with rose cut diamonds, centred with a pear­shaped sapphire and diamond flower, suspending a drop section set with single­cut diamonds and old circular­ cut diamond terminal, in platinum on gold, detachable brooch fitting and detachable fine­link neck chain, fitted case £3,000­4,000 398 A Victorian diamond bow pendant, set with circular­cut diamonds and seed pearls, suspend a diamond drop section in silver, gilt to the reverse, 6cm high, on a fine­link silver neck chain, 40cm long £800­1,200 399 An early 20th century aquamarine pendant, set with a cushion­shaped aquamarine on a fine­line platinum neck chain, 40cm long £400­600 400 An Edwardian natural pearl and diamond pendant, the natural pearl suspends from a oval wreath set with old circular and rose­cut diamonds, with diamond­set fleur­de­lys upper section in platinum on gold, 4cm high, on a fine­link gold neck chain, 40cm long £4,000­5,000 Accompanied by report number 80276­96 dated 17 September 2020 from GCS stating that the light grey pearl measures 7.6 ­ 7.7 x 13.3mm and is natural saltwater.

401 A late Victorian diamond and demantoid garnet lizard brooch, set overall with graduated circular­cut diamonds and a central line of graduated circular­cut demantoid garnets, garnet eyes in silver and gold, 6.5cm long £1,500­2,000 402 An Art Nouveau diamond and pearl brooch, of scrolling foliate form, millgrain­set with graduated old circular­ cut diamonds and three untested pearls, set in platinum and gold, 6.5cm wide, case by Harvey & Gore £2,000­3,000 403 A late Victorian pink tourmaline and diamond flowerhead brooch, each petal is formed with a pear­shaped tourmaline, centred with a circular­cut diamond and within an undulating border of smaller cushion­shaped diamonds in silver and gold, 2cm wide, fitted case £800­1,200 404 A French late 19th century diamond and demantoid garnet crescent brooch, the closed crescent set with circular­cut demantoid garnets and rose­cut diamonds in silver on gold, three stones deficient, French control marks, 5cm wide £2,000­3,000 405 A sapphire, diamond and moonstone cluster ring, set with a cabochon moonstone within a surround of demi­lune­cut sapphires and rose­cut diamonds in platinum on gold, size K½ £300­500 406 A sapphire and diamond crossover ring, the old circular­cut diamond weighs approximately 0.65cts, set with a circular­cut sapphire, with circular­cut diamonds to the shoulders in silver on gold, fluted shank, stamped 18, size N½ £800­1,200 407 A Belle Époque opal and diamond pendant, the diamond­set bow suspends a pear­shaped black opal within diamond wreath surround, suspending a further circular­cut diamond, millegrain­set in platinum on gold, 5cm high £1,000­1,500 408 A peridot and diamond brooch pendant, set with an oval and pear­shaped peridot, the scroll mount set with old cushion­shaped diamonds in silver on gold, folding pendant loop, 4cm high £1,000­1,500 409 A late 19th century sapphire, diamond and pearl pendant, centred with a rectangular­cut sapphire within a diamond surround and upper scroll frame of further graduated diamonds set with untested pearls, suspending a pear­shaped diamond drop with a smaller oval­shaped sapphire, set in silver and gold, 6cm high £2,000­3,000 Accompanied by report number 286202/20053917 dated 15th September 2021 from Anchorcert stating that the two sapphires are natural sapphires with no indications of heat treatment. Origin: Burma (Myanmar).

410 A pair of late 19th century pink topaz and diamond drop earrings, the circular­cut pink topaz suspends a pear­shaped topaz in gold, each earring set with ten rose­cut diamonds in silver collets, hook fittings, 3cm high £2,000­3,000

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411 A ruby and diamond lozenge­shaped cluster ring, the seven graduated oval­shaped rubies are set within a surround of graduated old circular­cut diamonds in gold, size O½ £600­800 412 A diamond three stone ring, set with three old circular­cut diamonds in platinum, each in coronet mounts and weigh approximately 0.90, 1.45, 0.92cts each, size O½ £3,000­4,000 413 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of old circular­cut diamonds, with a diamond to each shoulder in platinum on gold, size R £6,000­8,000 Accompanied by report number 80275­32 dated 15 September 2020 from GCS stating that the cushion­cut ruby is a natural ruby with no indications of heat treatment. Origin: Burma 414 A Victorian diamond floral brooch pendant, the flowerhead centred with an old cushion­shaped diamond, the petals set with graduated old cushion­shaped diamonds in silver on gold, folding pendant loop, 2.8cm wide £600­800 415 An early 20th century emerald and diamond cluster ring, the hexagonal­shaped emerald is set within a surround of cushion­shaped diamonds in gold, size N £800­1,200 416 A tourmaline and diamond cluster ring, the circular­cut green tourmaline set within a surround of old circular­ cut diamonds in silver on gold, size N½ £500­700 417 A Victorian diamond foliate brooch, the principal flowerhead mounted ‘en tremblant’, the petals and leaves pavé­set with old circular and cushion­shaped diamonds, with three pear­shaped diamond­set sprays, set in silver on gold, scratched inventory number, 9cm long, fitted case by J. W. Benson £3,000­5,000 418 An Edwardian gem­set lover’s knot brooch, alternately set with circular­cut rubies and diamonds in platimun and gold, 3cm wide £400­600 419 A Victorian diamond flower head brooch, centred with an old circular­cut diamond and set overall with graduated circular­cut diamonds in silver and gold, 4.7cm wide £1,000­1,500 420 A 19th century diamond brooch pendant, of heart­shaped foliate scroll design, set overall with old cushion­ shaped diamonds, suspending three drop sections ‘en pampille’, with further rose­cut diamonds to the detachable bale in silver on gold, 8cm high £600­800 421 A late Victorian diamond crescent brooch, set with graduated old circular­cut diamonds and rose­cut diamonds in silver on gold, diamonds approximately 2.90cts total, 7.5cm wide, fitted case £1,000­1,500 422 A diamond five­stone ring, set with five old circular­cut diamonds with a scroll pierced gallery in platinum, centre diamond approximately 0.95cts, size J½ £2,000­3,000 423 An early 19th century diamond brooch, of foliate design, set overall with graduated old cushion­shaped diamonds in silver on gold, 2.8cm wide, fitted case by Collingwood £600­800 424 A 19th century emerald and diamond snake brooch, set with cushion­shaped emeralds and diamonds, with red stone eyes in silver and gold, 6cm high £400­600 425 A moonstone cameo, sapphire and diamond cluster ring, the moonstone cameo depicting Apollo in profile, within a surround of four circular­cut sapphires and twelve diamonds in white gold, size L £800­1,200

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426 An amethyst and diamond pendant, set with a line of three amethyst cabochons with diamond­set connecting links, the shoulders set with single­ cut and baguette­shaped diamonds in platinum, on a fine­link platinum neck chain, pendant 11cm high, chain 32cm £1,000­1,500 427 A cultured pearl and diamond pendant, the golden cultured pearl with diamond­set white gold cap, further diamonds to the bale, suspending from a longuard chain set with white stones in spectacle mounts, pendant 4cm high, chain 96cm long £200­300 428 A pair of cultured pearl and diamond earrings, the diamond­set coronet mounts each set with a cultured pearl, in white gold, post fittings, 1.2cm high £400­600 429 A pair of gold knot earrings, 18ct London import marks, post and clip fittings, 2.8cm, 10g

£400­600

430 A cultured pearl and diamond ring, set with a silver and golden cultured pearl, pavé­set with round brilliant­cut diamonds in white gold, size M £600­800 431 A tourmaline­set gold Tronchetto ring by Bulgari, the pink tourmaline cabochon is set in gold, size L † 432 A cushion­shaped fancy­coloured diamond, 0.82cts

£400­600 £1,600­2,000

Accompanied by report number 2125164272 dated 27 May 2010 from GIA stating that the cushion­shaped diamond weighs 0.82cts and is a natural diamond with fancy pink colour, SI1 clarity. Fluorescence: medium red † 433 A cushion­shaped fancy­coloured diamond, 1.05cts

£1,600­2,000

Accompanied by report number 2125310525 dated 30 November 2010 from GIA stating that the cushion­shaped diamond weighs 1.05cts and is a natural diamond with fancy yellow colour, VVS2 clarity. Fluorescence: Medium. † 434 An oval­shaped fancy­coloured diamond, 1.02cts

£1,600­2,000

Accompanied by report number 5121245387 dated 17 June 2010 from GIA stating that the oval­shaped diamond weighs 1.02cts and is a natural diamond with fancy intense orange­yellow colour † 435 An oval­shaped fancy­coloured diamond, 1.22cts

£2,000­3,000

Accompanied by report number 2121073170 dated 10 May 2010 from GIA stating that the oval­shaped diamond weighs 1.22cts and is a natural diamond with fancy intense yellow colour, VS2 clarity. Fluorescence: medium † 436 A pear­shaped fancy­coloured diamond, 0.60cts

£800­1,200

Accompanied by report number F6B37117 dated 26 August 2011 from IGI stating that the pear­shaped diamond weighs 0.60cts and is a natural diamond with fancy yellow colour. Fluorescence: nil. † 437 A square­shaped fancy­coloured diamond, 0.33cts

£1,000­1,500

Accompanied by report number 5141401383 dated 7 February 2012 from GIA stating that the cut­cornered square modified brilliant­cut diamond weighs 0.33cts and is a natural diamond with fancy blue colour. † 438 A pear­shaped fancy­coloured diamond, 1.97cts

£500­700

Accompanied by report number F1M36813 dated 4 August 2009 from IGI stating that the pear­shaped diamond weighs 1.97cts and is a natural diamond with fancy deep green­yellow colour. Fluorescence: strong. † 439 Two round brilliant­cut fancy­coloured diamonds, 0.11 and 0.12cts

£300­400

Accompanied by report number F1N95696 dated 23 November 2011 from IGI stating that the round brilliant­cut diamond weighs 0.11cts and is a natural diamond with fancy purple colour, SI2 clarity. Fluorescence: nil.

Accompanied by report number F1N95697 dated 23 November 2011 from IGI stating that the round brilliant­cut diamond weighs 0.12cts and is a natural diamond with fancy purple colour, P1 clarity. Fluorescence: nil. † 440 A pear­shaped fancy­coloured diamond, 1.60cts

£500­700

Accompanied by report number 5131918584 dated 25 October 2011 from GIA stating that the pear­shaped diamond weighs 1.60cts and is a natural diamond with fancy dark gray colour 441 Four gem­set gold eternity rings, of ‘dot­dash’ design, alternately­set with circular­cut and baguette­shaped citrines, aquamarines, pink tourmalines and green garnets in gold, size L £1,000­1,500 442 A diamond­set crossover ring, pavé­set to the upper section with graduated round brilliant­cut diamonds in white and yellow gold, stamped 750, size P½ approximately £1,200­1,600 443 A pair of sapphire and diamond gold earrings, the crossover bombé sections pavé­set with round brilliant­cut diamonds and invisibly­set with French­ cut orange sapphires in yellow gold, one sapphire missing, stamped ‘750’, retractable posts and with clip fittings, 2cm high £1,500­2,000 444 A pair of diamond­set gold earrings, designed as X’s and pavé­set overall with graduated round brilliant­cut diamonds in white and yellow gold, stamped 750, post and clip fittings, 2cm widest £1,000­1,500 445 A diamond­set gold crossover cocktail ring, the tapered gold band set with round brilliant­cut diamonds in gold, Italian marks, stamped 750, size J½ approximately, 33g £1,100­1,300 94

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446 A rubelite and diamond pendant, the oval­shaped pink tourmaline weighs 10.59cts, claw­set beneath a diamond­set pendant loop in platinum, on a fine­link white gold chain, pendant 2.5cm long, chain 44cm long £1,000­1,500 447 A fancy diamond and baroque pearl brooch, of abstract design, set with three fancy­coloured diamonds, a baroque pearl and carved onyx sections in white gold, 3.5cm wide £600­800 448 A gem­set giardinetto brooch, the base formed with onyx, set with carved sapphires, emeralds and rubies, and round brilliant­cut diamonds in gold, 3cm high £600­800 449 A cultured pearl, diamond and onyx ring with matching earrings, each formed with carved onyx and set with lines of round brilliant­cut diamonds in white gold, the ring set with a large cultured pearl, maker’s mark EC, earrings 2cm high, post fittings, ring size O £800­1,200 450 A cultured pearl and diamond necklace, the grey cultured pearls alternately set with round brilliant­cut diamonds in spectacle mounts, on a fine­link white gold neck chain, 61cm long £300­400 451 A pair of aquamarine and diamond drop earrings, the pear­shaped aquamarines suspend from three small and a larger articulated circular­cut diamond, millegrain­set in white gold, post fittings, 2.7cm high, two additional diamond­set links £500­700 452 A pair of diamond flowerhead earrings, centred with an old cushion­shaped diamonds within a surround of round brilliant­cut diamonds in white gold, post fittings, 2.2cm high £2,000­3,000 453 A white gold ‘LOVE’ ring by Cartier, of crossover design with tapering shank and screw­head detail, signed Cartier, maker’s mark, numbered BK1963, Swiss assay mark, stamped 750, size L½ £900­1,200 454 A pair of South Sea cultured pearl and diamond drop earrings, the slightly oval pearls each suspending from an articulated line of graduated round brilliant­cut diamonds in white gold, post fittings, 3.8cm long £1,500­2,000 455 A pair of ruby, diamond and onyx earrings and a matching ring, each centred with a cabochon ruby, pavé­ set with round brilliant­cut and baguette­shaped diamonds and carved black onyx in gold, each stamped 750, earrings with post and clip fittings, 2cm, ring size O approximately £1,000­1,500 456 A Belle Époque­style diamond­set choker necklace, the black velvet band is mounted with five marquise­ shaped diamond clusters joined with foliate links and suspending conforming festoons, the clasp formed with two further interlocking marquise­shaped diamond clusters, set in white gold, 34cm, £2,000­3,000

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457 A diamond­set bee brooch by Sabbadini, claw and pavé­set overall with round brilliant­cut diamonds in white gold, signed, stamped 750, 3cm £1,000­1,500 458 A diamond­set bee brooch attributed to Sabbadini, claw and pavé­set overall with round brilliant­cut diamonds in white gold, Italian marks, stamped 750, 3cm £1,000­1,500 459 A pair of diamond cluster earrings, of target design, set with concentric rows of graduated round brilliant­ cut diamonds platinum and white gold, screw back fittings, approximately 3.50cts total, 2cm high £3,000­4,000 460 A ruby full circle eternity ring, the calibré­cut rubies are channel­set in gold, size R

£600­800

461 An emerald­set gold dress ring, the emerald­cut emerald is rubover­set to a textured gold tapered band with fluted shank, rubbed maker’s lozenge, size T £1,500­2,000 Accompanied by report number 80275­93 dated 29 September 2020 from GCS stating that the octagonal­cut emerald is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia.

462 An aquamarine and diamond ring, the square­shaped aquamarine is claw set, with round brilliant­cut diamonds to the gallery and shoulders in white gold, size N½ £1,000­1,500 463 An emerald and diamond bracelet, the slightly curved white gold panels alternately set with a line of round brilliant­cut diamonds and calibré­cut emeralds,19cm £1,000­1,500 464 A South­Sea cultured pearl necklace, with spherical diamond­set white gold clasp, largest pearl 17mm widest approximately, necklace 46cm long £1,000­1,500 465 A cultured pearl necklace, the cultured pearls are alternately­set with vari­coloured faceted beryl rondels, with a fancy­coloured diamond­set clasp, 54cm long £1,200­1800 466 A pair of ruby and diamond flowerhead earrings, set with circular­cut rubies and diamonds in two­colour 18ct gold, Birmingham import marks, clip fittings, 1.8cm high £400­600 467 An amusing freshwater pearl brooch by Geoffrey Rowlanson, entitled ‘Cat and Mouse Game’, the baroque pearls representing the cat’s head and mouse, with diamond eyes and diamond­set crescent moon, the lower half of the brooch designed as a brick wall in 18ct gold, signed, London marks for 2015, 5.5cm wide, fitted case £1,000­1,500 468 A pair of cultured pearl and diamond cluster earrings, the cultured pearls set within a surround of round brilliant­cut diamonds in white gold, post fittings, 1.3cm wide £400­600 469 A pair of French emerald and diamond earrings by Fred, pavé­set with brilliant­cut diamonds and a cabochon emerald at the base, signed ‘FRED’ to the reverse, ‘750’ and French control marks, 1.6cm long, maker’s fitted case £400­600 470 A pair of cultured pearl and diamond earrings, the cultured pearls suspend from diamond­set bows in white gold, post and clip fittings, 2cm high £600­800 471 An amusing freshwater pearl and diamond brooch by Geoffrey Rowlandson, entitled ‘Call Line 2’, the four ducks formed with baroque­shaped freshwater pearls, set on a line of four round brilliant­cut diamond and each with a black diamond eye in 18ct white gold, London marks for 2007, signed, ‘Call Line 2’, 10.5cm long, fitted case, marked ‘Chat Line No2’ £800­1,200

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472 A platinum slim dress pocket watch by Jules Jurgensen, the signed dial applied with Arabic numerals and subsidiary seconds dial, manual movement signed and numbered 17001, the border and hinged swivel suspension loop set with small diamonds, the winder set with a small moonstone, 4.3cm diameter, the white gold fancy link watch chain 32cm, fitted case by Jules Jurgensen with numbered card for the chronometer dated 1925 £1,000­1,500 473 A gold dress wrist watch by Vacheron Constantin, the signed plain black dial with a textured square integrated gold band, manual movement numbered 534561 to the reverse, the face 2cm high, 73g total £1,200­1,800 474 A steel and gold Tank Francaise wristwatch by Cartier, signed square cream dial, black Roman numerals, secret signature at 10, blued steel hands, cabochon synthetic spinel winder, case 20mm, quartz movement, steel and gold strap, signed deployant clasp, caseback numbered 183331BB, 2384, 16cm long approximately, box and papers £800­1,200 475 A white gold Reflet wristwatch by Boucheron, the dial and case with hobnail decoration overall, dot and square numerals, case 21mm, case back signed Boucheron Paris, B1908­247, Ω, numbered 72.901, French control mark, manual movement by Omega, interior case back numbered 6100, repeated hobnail pattern to the white gold integrated band with slide­action invisible clasp, 17.5cm long, with a pair of conforming pattern cufflinks, signed Boucheron Paris £800­1,200 476 A gold wristwatch by Boucheron, square champagne signed dial with baton numerals and Roman numeral at 12, manual movement, square gold case 24mm, caseback signed to reverse Boucheron Paris, French control mark, brown leather band 18.5cm longest, gold buckle clasp with French control mark and maker's lozenge, leather Boucheron case £600­800 477 A lady’s diamond­set wristwatch by David Morris, the square dial with diamond markers at 12, 3, 6, and 9, the dial and bezel pavé­set with round brilliant­cut diamonds, diamond winder, quartz movement, case 22mm, black fabric strap, fitted case £2,000­3,000 478 A lady’s gold Baigniore wristwatch by Cartier, c.1960s, the signed oval dial with black Roman numerals, blued steel hands, gold case with cabochon blue stone winder, caseback numbered 9103, manual movement, black leather strap, 18ct gold deployant clasp with maker’s mark JC £1,000­1,500 479 A lady's diamond­set wrist watch by Cartier, signed silver dial with black Roman numerals, with tonneau­ shaped case, case 20mm, the bezel set with circular­cut diamonds, manual movement, case numbered .1444., gold deployant clasp with diamond­set buckle to the black silk band, 13cm long £2,000­3,000

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473

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478 477 475 (2)

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480 A square­faced gold wristwatch by Cartier, the signed dial with black Roman numerals, blued steel hands, square gold case, case 25mm, manual movement by European Watch & Clock Co, caseback numbered .7632., 552621 and 5271, on a black leather strap, gold deployant clasp with maker’s mark JC, numbered 0111 and 18ct hallmarks for 1951, case £2,000­3,000 481 A gentleman’s diamond­set 18ct white gold ‘Long Island’ wristwatch by Franck Muller, the signed black enamel dial with cream Arabic numerals, two retrograde displays for continuous seconds with red Arabic numerals, case and lugs set with round brilliant­cut diamonds, caseback signed, ref 1100 DS R D ‘COLOR DREAMS’. No. 34 and inscribed ‘Master of Complications’, case 32mm, automatic movement signed and numbered 2892A2, signed black leather strap 22cm long, diamond­set white gold buckle with maker’s mark ‘FM’, 23cm long, box and papers £5,000­7,000 482 A gentleman’s 18ct gold ‘Diagono Scuba’ chronograph wristwatch by Bulgari, the signed black dial with Arabic and index numerals, two subsidiary dials, rotating bezel, automatic movement, case 38mm, caseback signed, ref. SC 38 GG, Serial L555, signed gold strap with deployant clasp, 17cm long approx., two spare links, box and papers £5,000­7,000

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483 A gem­set gold foliate brooch by Kutchinsky, the three flower heads each centred with a sapphire within a cluster of round brilliant­cut diamonds in 18ct gold, signed Kutchinsky, maker’s mark, London marks for 1963, 5cm high, 32g £800­1,200 484 A gem­set gold collar necklace by Lalaounis, set with sapphire and garnet cabochons in gold collets on a ropetwist collar necklace, signed and with maker’s mark, stamped 750, 42cm long, 99g £2,500­3,500 485 A pair of gold earclips, designed as domed triangles in gold, unidentified marks and stamped 750, clip fittings, 18.5g £800­1,200 486 A pink sapphire ring, rubover­set with a pink sapphire cabochon in gold, size N

£400­600

487 A pair of gold hoop earrings, with hammered finish, post fittings, 2.5cm high, 20g

£400­600

488 A gold cocktail ring by Henry Dunay, of bombé form with faceted hammered finish in gold, signed Dunay, stamped 18k size K approximately, 18g £800­1,200 489 A pair of 18ct yellow gold scroll earrings, set with small round brilliant­cut diamonds and circular­cut sapphires, London marks for 1989, maker’s mark HGM, 2.3cm wide, 18g £400­600 490 A diamond­set gold ring by Tiffany & Co. Schlumberger, the ropetwist gold ring with diamond­set ‘x’ motifs in platinum, signed ‘Tiffany & Co Schlumberger’, size P, Tiffany pouch £1,000­1,500 491 A sapphire­set gold ring, centred with a cabochon sapphire within an abstract textured closed­back gold mount, size R, 20g £600­800 492 A diamond ring by David Morris, of chevron design, set with marquise­shaped diamonds in gold, approximately 2.00cts total maker’s mark DM, size P approximately £800­1,200 493 A gold and lapis lazuli ring by Tiffany & Co., set with two lapis lazuli plaques in domed gold setting, signed ‘TIFFANY’, stamped 18k, size K £900­1,200 494 A ruby­set gold ring, the heart­shaped ruby cabochon is set to a fluted gold crossover ring, stamped 750, size N £300­400 495 A pair of gold ear clips by Elsa Peretti for Tiffany & Co., of abstract heart­shape design in gold, signed ‘Elsa Peretti’ and ‘Tiffany & Co.’, stamped ‘750’ and ‘Spain’, clip fittings, 2.5cm high, 14.5g £900­1,200 496 A pair of gold earrings by Angela Cummings, designed as fir cones, with pellet decoration in gold, signed Cummings, 1989 and stamped 18K, post and clip fittings, 2.8cm high, 22.5g £900­1,200 497 A gold ring by Elsa Peretti for Tiffany & Co., of abstract heart­shape open design in gold, signed 'Elsa Peretti' and 'Tiffany & Co.', stamped '750' and 'Spain', size M £500­700 498 A pair of gold earrings by Gucci, set with demi­lune­shaped white stones in circular gold mounts, maker’s mark, Italian marks, post fittings, 2.2cm high £500­700

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493

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499 A Regency gem­set gold acrostic brooch pendant, the heart­shaped brooch pendant set with a ruby, emerald, garnet, amethyst, ruby and diamond spelling ‘REGARD’, with further seed pearls and foliate decoration in three­ colour gold, glazed locket compartment to the reverse containing hair, 2.8cm high, on a fine­link gold neck chain, 22cm long, case by Harvey & Gore £500­700 500 A Regency gem­set gold acrostic bag­form locket pendant, set with a ruby, emerald, garnet, amethyst, ruby and diamonds spelling ‘REGARD’, with heavy foliate scroll decoration on matted ground and clusters of flat pellets to the reverse, opening to reveal a glazed locket compartment, suspended on three fine link gold chains from a George III hand­form clasp with red stone ring and foliate decorated cuff, locket 2cm wide £600­800 501 A Regency gold padlock­form brooch pendant, set overall with diamonds and turquoise cabochons, crescent­ shaped glazed locket compartment containing plaited hair and suspending a turquoise­set key and pear­shaped pendant and cannetille decoration overall £400­600 502 A Regency gold pendant brooch, centred with a glazed compartment containing plaited hair within a surround of alternately­set emeralds and diamonds with pellet border, a further glazed and hinged locket compartment to the reverse, 2.5cm wide £600­800 λ 503 A 19th century coral cameo brooch by Giuliano, the circular cameo depicting a putti in high relief, with granulated decoration to the border in gold, signed C&AG, 2.4cm wide £1,200­1,500 λ 504 An early 19th century portrait miniature­mounted gold bracelet, the portrait depicting a lady with curling hair and wearing a pink dress and gold necklace (possibly by circle of William Egley), the frame with gold cannetille and granulation decoration on a fancy­link textured gold bracelet, miniature frame 4.5cm high, bracelet 17.5cm long, fitted case £3,000­4,000 505 A 19th century gilt metal longuard chain, the fancy links alternate with quartrefoil and rectangular scrolling links centred with cylindrical paste stones, 85cm £200­300 506 A 19th century gilt metal fancy­link guard chain, triple oval­links are decorated with pellet quatrefoils, conforming barrel clasp, 78cm £200­300 507 Five late 19th ­ early 20th century gold mouring rings, including a gold mourning ring, carved with foliate scroll decoration and slide action revealing five lockets containing plaited hair, rubbed marks, size Q; a Victorian 15ct gold mourning ring with seven lozenge­shaped lockets containing plaited hair, engraved with inscription Alice Davies died on Sunday 12th Feb 1871 aged 50 years, Birmingham marks for 1871, size W; a gold mourning ring mounted with a cushion­shaped brown stone and foliate decoration on matted ground, size X; a 9ct gold mourning ring, centred with a heart design and seven square­shaped lockets containing plaited hair, Chester marks for 1913, size O, and an early 19th century gold mourning ring, centred with a glazed locket containing hair within foliate scroll gold border, bifurcated shoulders and set overall with seed pearls and black stones, fluted shank, size Q £300­400

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501 499

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506 507 (5)

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508 A Queen Anne suite of paste­set jewellery, in closed­back gilt metal mounts set overall with assorted foil­ back pink paste stones, the main section 19.5cm wide, £300­400 509 A George III diamond cluster ring, centred with a cushion­shaped diamond within a cluster of smaller cushion­ shaped diamonds set in silver, on a gold bifurcated shank (possibly later), size J½, case by SJ Phillips £1,500­2,000 510 A Renaissance gem­set gold ring, c.1580­1600, centred with a rectangular­shaped emerald with a rose­cut diamond to each shoulder, with white enamel decoration overall (damaged), in gold, size K½ £200­300 511 A George III heart­shaped cluster ring, the rock crystal heart is set within a border of rubies and diamonds in closed­back silver and gold mount, size M½ £600­800 512 A Perpignan garnet­set brooch, of starburst form in closed back gold setting, 2cm wide, with another similar crescent brooch set in yellow metal, 6.7cm wide £80­120 513 A late George III cased set of garnet buckles, the larger oval shaped silver buckle 6.5cm wide, the pair of navette­shaped silver buckles set overall with garnets, in closed­back foiled settings, partitioned case by Parkes £400­600 514 Two 19th century circular topaz gold pendants, each set with graduated topaz, one with a locket centre on an articulated topaz and half pearl star surround, 3.5cm wide, the other with a detachable two­stone surmount, 3cm wide £300­400 515 A 19th century diamond­set pear­shaped pendant, set with graduated cushion­shaped diamonds overall and suspending a pear­shaped diamond in silver and gold, 3.5cm high and a pair of diamond­set steel, gold and copper octagonal clasps, 4cm high £400­600 516 A George III topaz and seed pearl brooch, the oval­shaped topaz is set within a surround of seed pearls, in closed­back gold setting, 2.2cm wide £400­600 517 A late 18th century topaz pendant, the pear­shaped topaz is set in closed­back gold mounts, with simple open­pendant loop, 3cm high £800­1,200

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LOTS 518–534 AND 619-637 ARE FROM A SIGNIFICANT PRIVATE COLLECTION OF MAINLY 20TH CENTURY JEWELLERY

518 A French sapphire and citrine­set gold ring, c.1940, of architectural design, set with a rectangular­shaped citrine and baguette­shaped sapphires to the shoulders in gold, French control marks, maker’s lozenge, size L approximately £1,500­2,000 519 A diamond and citrine­set gold brooch by Andrew Grima, 1965, designed as an abstract swag of textured gold fronds, terminating with pear­shaped citrines and set with round brilliant­cut diamonds in platinum and 18ct gold, unsigned, mark for H J Co, London hallmarks for 1965, 7cm wide £4,000­6,000 520 A French sapphire and diamond­set gold bracelet attributed to Verger Frères, c1940, the flexible hexagonal link two­row bracelet with padlock design clasp, the two gold sections joined with a cylinder set with calibré­cut sapphires between rows of round brilliant­cut diamonds, with further calibré­cut sapphires to the hinged clasp in gold (one sapphire missing), French control marks, obscured maker’s lozenge, 18cm long, 68g £3,000­4,000 521 A French diamond­set gold strap bracelet by Espezel, c.1950s, the bracelet of woven mesh­link design, the terminal with gold plaited tassels, the fluted gold clasp set with graduated round brilliant­cut diamonds, French control marks, maker’s mark, adjustable length ­ 18cm longest, 112g £3,500­4,000 522 A lady’s sapphire and diamond­set gold bracelet watch by Patek Philippe, c.1950s, the signed square dial with gold baton numerals and Arabic numeral at 12, within a surround of round brilliant­cut diamonds, dial 12mm, manual movement, the gold bracelet with ropetwist decoration and set with circular­cut sapphires, clasp stamped 750, signed PPCo and MR, 16.5cm long, 102g £5,000­7,000

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523 A sapphire and diamond ring, in the style of Mauboussin, the oval­shaped sapphire weighs 1.77cts and is set within a surround of ten circular­cut diamonds in pink gold, with fluted shoulders and shank, size L £5,000­7,000 Accompanied by report from Gübelin dated September 2021 stating that the cushion­shaped sapphire weighs 1.77cts and is a natural sapphire with no indications of heat treatment. Origin: Kashmir.

524 A sapphire and diamond­set gold bracelet attributed to Oscar Heyman, c.1940, each link designed as architectural scrolling waves, alternately­set with calibré­cut sapphires and old circular­cut diamonds in platinum on gold, 20cm long £8,000­12,000 525 A diamond­set gold bracelet, c.1960, the gold links designed as ears of wheat with textured decoration, applied with scrolls of graduated round brilliant­cut diamonds in platinum and gold, 17cm long £8,000­12,000

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526 An aquamarine and diamond­set gold scroll brooch, c.1940s, set with two emerald­cut aquamarines and a round brilliant­cut diamond weighing approximately 1.30cts, with further round brilliant­cut diamonds to the gold fronds, hinged double brooch fitting, stamped 18k, 7cm high £5,000­7,000 527 A pair of diamond and onyx­set gold earrings, of stylised cornucopia design, set with fluted carved onyx and a chevron of round brilliant­cut diamonds on fluted yellow gold, stamped 750 and maker’s mark ‘T’, clip fittings, 3cm high £2,000­3,000 528 A kunzite, diamond and cultured pearl necklace by Paloma Picasso for Tiffany & Co., 1980s, the cross­ shaped pendant is pavé­set with round brilliant­cut diamonds and suspends a large fancy­cut rutilated kunzite weighing 715cts, in platinum and gold, on a single­row cultured pearl necklace with a diamond­set cross clasp, signed Paloma Picasso and Tiffany & Co., pendant 8cm high, necklace 42cm £30,000­40,000 At 715 carats, this kunzite is a particularly large stone. The Smithsonian Museum in New York has a spectacular unmounted example of 880 carats which is thought to be the largest faceted specimen in the world. The Smithsonian also have a 396ct kunzite which, like lot 528, is mounted in a pendant on a cultured pearl necklace and designed by Paloma Picasso for Tiffany & Co. The kunzite in lot 528 is believed to be the largest mounted quality example in the world.

529 A diamond­set gold bracelet watch by UTI Paris, the textured gold bracelet with hinged compartment pavé­ set with round brilliant­cut diamonds in platinum and gold, lifts to reveal a rectangular­shaped signed watch dial with baton and dot makers, manual movement, bracelet 15cm long £2,000­3,000 530 A pair of diamond and ruby­set earrings by Raymond Yard, c.1950, of stylised scrolling feather design, the tails pavé­set with round brilliant­cut diamonds, the gold feather fronds applied with a row of tapered calibré­cut rubies and diamonds and further round brilliant­cut diamonds, clip fittings, signed YARD, 2.6cm high £2,000­3,000

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531 A French diamond­set platinum double clip brooch, c.1950s, of asymmetric stylised foliate form, the twisted leaves pavé­set to both sides with graduated round brilliant­cut diamonds, sprays set with baguette­shaped diamonds in platinum, detaches to be worn as two double clip brooches, French control marks, brooch 7.5cm x 5.5cm, clips 3.0 x 5.0 and 5.0 x 7.0cm £8,000­12,000 532 A pair of diamond ‘night and day’ drop earrings, c.1950, the wing­form upper sections set with baguette­ shaped diamonds and a row of round brilliant­cut diamonds, suspending two detachable sections set with tapered baguette­shaped diamonds and round brilliant­cut diamond tassel terminals in platinum, clip fittings, 5­6.5cm high (night), 3.5cm high (day) £6,000­8,000

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533 A late Victorian diamond fringe necklace, set with graduated old circular­cut diamonds, alternately suspending an old old circular­cut diamond­set collet on knife­edge links and a diamond­set fleur­de­lys, set in silver on gold, 37cm long £15,000­20,000

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534

534 An impressive French diamond strap bangle, c.1930s, the hinged bangle is pavé­set overall with circular­cut diamonds with two raised diamond­set bars with detachable clip section set with circular­cut and baguette­shaped diamonds and two larger circular­cut diamonds in geometric design, set in platinum, French control mark, scratch inventory number 23481, principal diamonds approximately 1.10 and 1.15cts each, 5.8cm diameter £35,000­40,000

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535 An early 20th century French jade, ruby and diamond ring, the oval jade cabochon set within a surround of calibré­cut rubies and ten baguette­shaped shoulder diamonds in platinum, size L £1,000­1,500 536 A diamond full­circle eternity ring, claw­set with round brilliant­cut diamonds in white gold, diamonds approximately 5.00cts total, size L £3,000­4,000 537 An opal and diamond pendant, the palmette upper section set with pear­shaped opal cabochons and round brilliant­cut diamonds, suspending an opal and diamond­set drop in white gold, 5.5cm high, on a fine­link neck chain, 40cm long £3,000­4,000 538 An Edwardian opal, diamond and ruby brooch, the rectangular brooch with a stepped border set with single­ cut diamonds and four rectangular­shaped rubies in platinum, 2.7cm widest £3,000­4,000 539 A French early 20th century diamond bracelet, the links with openwork geometric design and pavé­set overall with graduated circular­cut diamonds, with five principal diamonds weighing approximately 0.35cts each and rubover­set in platinum, French control marks, 18.5cm long £3,000­5,000 540 An opal, rock crystal and seed pearl necklace, the semi­spherical opal beads and rondels are alternately­set with faceted rock crystal rondels to form ovals, with seed pearl spacers, with an oval rose­cut diamond clasp in white gold, 42cm long £600­800 541 A pair of diamond­set drop earrings, each round brilliant­cut diamond suspends a larger round brilliant­cut diamond, rubover­set in white gold, diamonds approximately 0.90cts total, post fittings. 1.2cm wide £900­1,200 542 An emerald and diamond ring, the emerald­cut emerald weighs 4.46cts, with baguette­shaped diamonds to each shoulder in platinum and gold, French import marks, size M £10,000­15,000 Accompanied by report number 79190­54 dated 11 December 2018 from GCS stating that the emerald­cut emerald is a natural emerald with indications of moderate clarity enhancement. Origin: Colombia.

543 An emerald and diamond full circle dress ring, set with a row of seven emerald­cut emeralds within a border of four baguette­shaped diamonds, the band pavé­set overall with round brilliant­cut diamonds in platinum, size P £4,000­6,000 544 An early 20th century cabochon emerald and diamond cluster ring, the high­domed cabochon emerald is set in a swirling design of circular and rose­cut diamonds in platinum, size N £6,000­8,000 Accompanied by report number 286611/20054155 dated 21 September 2021 from Anchorcert stating that the round cabochon emerald is a natural emerald with evidence of minor clarity enhancement. Origin: Colombia.

545 A diamond solitaire ring, the old cushion­shaped diamond weighs approximately 1.20cts, set with a baguette­ shaped diamond and two circular­cut diamonds to each shoulder in platinum, size L½ £1,000­1,500 546 An Edwardian diamond and emerald cluster ring, the marquise­shaped diamond is set within a surround of graduated circular­cut diamonds and calibré­cut emeralds to each corner, each fleur­de­lys shoulder is set with a small diamond in platinum, size I £2,000­3,000 547 An early 20th century diamond and emerald cluster ring, the heart­shaped diamond is rubover­set within a surround of calibré­cut emeralds with open­work scrolling under bezel, size I £1,500­2,000 548 An early 20th century diamond cluster ring, the marquise­shaped diamond is set within a surround of graduated calibré­cut rubies and a further border of small circular­cut diamonds in platinum, size H £2,000­3,000

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549 An Art Nouveau pearl and diamond­set gold brooch pendant, the foliate scroll pendant with anemone flowers with polychrome enamel decoration, suspending an old circular­cut diamond and an untested pearl, the detachable gold neck chain with two enamelled flowerhead links, French control mark, maker’s mark (obscured), detachable brooch fitting, pendant 6cm high, chain 43cm £7,000­9,000 550 An Edwardian gem­set fringe necklace, set with pear­shaped pink tourmalines and peridots, circular­cut goshenites and seed pearls in gold, 38cm long £800­1,200 551 An Edwardian peridot and diamond cluster ring, the rectangular­shaped peridot is set within an openwork surround set with single­cut diamonds in palladium and white gold, size L½, case by Mappin & Webb £600­800 552 An Art Nouveau enamelled gold brooch by Masriera y Carrera, c.1920, depicting a woman in profile surrounded by foliage, her dress with blue enamel and the leaves with green plique­à­jour enamel, signed, 4cm wide £5,000­7,000 553 An amethyst and seed pearl cluster ring, with black and white enamel decoration, bifurcated gold shank, size I½ £300­400 554 A gem­set gold locket pendant, the triangular pendant with trefoil diamond decoration, with a central cabochon sapphire, 2.5cm high, on a gold and seed­pearl neck chain, 42cm long, case £400­600 555 An Edwardian gold heart­shaped locket pendant, pavé­set with seed pearls and a diagonal band alternately set with four circular­cut rubies and three diamonds, glazed locket compartment to the reverse, 2cm high £300­400 556 Fabergé ­ an emerald­set gold egg pendant, in hammered finish and rubover­set with an oval­shaped emerald, 56 zolotnik mark, maker’s mark MП for Michael Perchin, 3cm high £1,500­2,000 557 A late Victorian seed pearl and diamond enamel gold necklace, the flowerhead links alternately­set with a seed pearl and an old circular­cut diamond, each joined with figure­eight links with polychrome enamel decoration overall in gold, folding pendant loop, 38cm long £800­1,200 558 A silver gilt and enamel butterfly pendant by Child & Child, the butterfly realistically designed with closed wings decorated with shaded blue enamel, maker’s mark to reverse, 3cm long £300­400 559 An Edwardian star sapphire­set gold bracelet, the oval cabochon star sapphire is rubover­set, on an adjustable gold mesh bracelet, 17cm longest £1,500­2,000 Accompanied by report number 80237­27 dated 5 November 2019 from GCS, London stating that the cabochon­ cut sapphire weighs approximately 13.30cts and is a natural star sapphire with no indications of heat treatment.

Origin: Sri Lanka (Ceylon).

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560 An early 19th century gold necklace mounted with twenty­one classical and neo­classical cameos and intaglios, each carved stone mounted in gold and separated with a circular split ring, 55cm long, fitted case by S. J. Phillips, 139 New Bond Street £10,000­15,000 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21

Sardonyx cameo, profile portrait of a man in classical dress (possibly Aristotle), 17th century, 1.8cm high Sardonyx cameo, Gryllus with four heads (three of gods and one of a Ram), 17th ­ 18th century, 1.3cm high Sardonyx cameo, Full­faced youth’s head in three colours, late 17th ­ early 18th century, 1.2cm high Carnelian cameo, Talismanic gem with emblems of fertility, 2nd ­ 3rd century AD, 1.5cm high Onyx cameo, God Cupid making an offering on an alter and observed by Psyche, 17th century, 1.4cm wide Hessonite garnet cameo, Full­head portrait of Pan, possibly late Roman or Renaissance, 1.3cm high Dark sard intaglio, Female profile, 17th century or possibly late Classical period, 1.3cm high Sardonyx cameo, Young male portrait (possibly Britannicus, late 17th century, 1.3cm high Onyx cameo, head of the Virgin Mary, late 18th century, 1.3cm high Three­colour onyx cameo, portrait of the goddess Psyche, 17th century, 1.2cm high Sardonyx cameo, profile of an athlete wearing a taenia, 17th century, 1.2cm high Onyx cameo, profile of a philosopher (possibly Aristotle), late 17th ­ early 18th century, 1cm high Hessonite garnet cameo, profile of a male bust (possibly Francis Bacon), 17th century, 1.3cm high Sardonyx cameo, profile of a female Goddess, 18th ­ 19th century, 1.3cm high Onyx cameo, figure with sacrifice to the gods (possibly Hercules with a serpent), 17th century, 1.2cm wide Onyx cameo, Standing lion, late Roman or possibly Renaissance, 1.5cm wide Onyx cameo, head of Athena in profile, 16th ­ 17th century, 1.3cm high Sardonyx cameo, profile of a satyr, late 17th ­ early 18th century, 1cm high Sardonyx cameo, double portrait of a beaded man and woman (possibly Antony & Cleopatra, popularised by William Shakespeare), 1.3cm high Onyx cameo, profile of Michaelangelo, possibly 17th century, 1.1cm high Sardonyx intaglio, full female mask and follower of god Bacchus, a rare female Bacchanalian memorial death mask, 1.2cm high

PROVENANCE: The well detailed carved gems were all from the collection of Arthur Richard Wellesley, 2nd Duke of Wellington. The relatively small gems were considered discreet, sophisticated and highly desirable when the collection was formed.

The necklace was exhibited as part of ‘The Wellington Gems’ by S.J. Phillips in 1977 and was listed as item 433.

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561 An early 20th century natural pearl and diamond cluster ring, the pearl is set within borders of graduated circular­cut diamonds and further diamonds to the flowerhead shoulders in platinum, size L £1,000­1,500 Accompanied by report number 286611/20054158 dated 21 September 2021 from Anchorcert stating that the white pearl measures 10.1mm approximately and is natural saltwater.

562 A natural pearl and diamond pendant, the slightly baroque­shaped pearl suspends from a foliate cap millegrain set with small diamonds, the fine­link platinum neck chain set with seed pearls, 42cm £15,000­20,000 Accompanied by report number 72607 dated 10 February 2014 from SSEF stating that the slightly cream undrilled slightly baroque button­shaped pearl weighs 20.990cts and measures 13.85 ­ 16.5 x 12.20mm and is natural saltwater.

563 An early 20th century sapphire, diamond and natural pearl pendant, the pear­shaped pendant set with calibré­cut sapphires and single­cut diamonds, centred with a natural pearl within a surround of old circular­cut diamonds, diamond­set bale, set in platinum, French control mark, 5.5cm high, on a fancy­link platinum neck chain, 20cm high £15,000­20,000 Accompanied by report number 11585 dated 24 July 2015 from The Gem & Pearl Lab stating that the part­drilled button­shaped pearl weighs 9.09cts, measures 11.7 ­ 11.8 x 10.1mm and is natural saltwater.

564 A single­row graduated natural pearl necklace, the pearls graduate from 3.7 ­ 7.7mm, with a diamond­set platinum clasp, 54.5cm long £2,000­3,000 Accompanied by report number 20380 dated 27 August 2021 from The Gem & Pearl Lab stating that the eighty­ eight pearls measure 3.7 ­ 7.7mm and are natural saltwater.

565 A single­row graduated natural pearl necklace, the platinum oval clasp centred with a natural pearl and six small diamonds, 43cm long £1,500­2,000 Accompanied by report dated October 2021 from Anchorcert stating that the pearls are natural saltwater.

566 A single­row graduated natural pearl necklace, the marquise­shaped platinum clasp set with five small diamonds, 37cm long £1,000­1,500 Accompanied by report dated October 2021 from Anchorcert stating that the pearls are natural saltwater.

567 An early 20th century natural pearl, sapphire and diamond pendant, the bale set with an old circular­cut diamond weighing approximately 0.75cts, suspending a platinum cap set with circular­cut diamonds and calibré­ cut sapphires, 4.5cm high £20,000­30,000 Accompanied by report number 80263­07 dated 5 June 2020 stating that the half­drilled cream pearl weighs 29.86cts and measures 19.32 x 15.41 x 12.81mm and is natural saltwater.

568 A single­row natural pearl necklace, the pearls graduate from 4.2 ­ 6.8mm, with a marquise­shaped diamond­ set platinum clasp, 43cm long, with a pair of natural pearl stud earrings, 6.75 ­ 6.89mm, gold post fittings £800­1,200 Accompanied by report number 20379 dated 17 August 2021 stating that the seventy­seven cream pearls measure 4.2 ­ 6.8mm and are natural saltwater.

Accompanied by report number 20378 dated 17 August 2021 stating that the two part­drilled button­shaped pearls measure 6.7 ­ 6.8 x 6.6­6.7mm and are natural saltwater.

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λ 569 A gem­set gold insect brooch by Cartier, c.1950s, with lapis lazuli and carved coral body and cabochon emerald eyes, signed ‘Cartier London’, numbered 4390, 2.4cm long, case by Cartier £5,000­7,000 570 No lot 571 An aquamarine, ruby and diamond cocktail ring by Mellerio, the emerald­cut aquamarine weighs approximately 28.00cts and set within a border of circular­cut rubies and diamonds in fluted yellow gold mount, the inside shank signed Mellerio with inventory number C.11.995., French import marks to the outside shank, size O £5,000­6,000 572 A gold flower brooch by Hermès, designed as a chrysanthemum, with hammered gold petals and twisted gold stamen, engraved decoration to the base, textured stem with engraved leaf pin fitting, signed Hermes Paris, numbered 40571, French control mark, maker’s mark (rubbed, possibly for Georges L’Enfant), 12cm long, 29g £2,500­3,500 573 A gem­set gold bow brooch, c.1940s, centred with a large emerald­cut blue topaz within a surround of circular­cut rubies and diamonds, within a scrolling gold bow surround, 8.5cm wide £900­1,200 574 An enamel and diamond­set gold pendant, the circular pendant set with a fancy­cut diamond and quartered with baguette­shaped diamonds, the centre section rotates to point the principal diamond at the four cardinal points reading ‘NEVER’, ‘SOMETIMES’, ‘THIS YEAR’ and ‘NEXT YEAR’, on a fine­link gold neck chain, pendant 4cm high including bale, chain 72cm long £4,000­6,000 575 A diamond and lapis lazuli gold fish brooch by René Boivin, designed as two intertwining fish, each set with an old circular­cut diamond eye, diamonds approximately 0.40cts total, signed René Boivin, maker’s mark for Robert Davière, 4cm high £8,000­12,000 576 A gold and silver bracelet, the rectangular links with geometric pattern in two­colour gold and silver, French control marks, 19cm long, 47g £1,500­2,000 577 A fancy­link gold bracelet, set with polished gold circular links, 2cm wide, 19cm long, 33g

£1,000­1,500

578 A diamond bombé ring, set with graduated round brilliant­cut diamonds in gold, rubbed maker’s lozenge and French import marks, size M½ £800­1,200 579 Two gold clip brooches by Cartier, c.1960s, of fluted leaf design, signed and with inventory numbers, stamped 14k, 3cm high, and another larger gold clip brooch of similar design, stamped 14k, 4.5cm high £800­1,200

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580 A sapphire, diamond and tourmaline wreath brooch, set with marquise­shaped pink tourmalines, calibré­cut sapphires and round brilliant­cut diamonds in platinum and gold, 8cm high £3,500­4,000 581 A diamond scroll brooch, centred with an old oval­shaped fancy­coloured diamond with a further fourteen untested old­cut diamonds to each shoulder, set in gold with textured scroll terminals, 5cm wide £4,000­6,000 Accompanied by report number 79234­15 dated 24 September 2019 from GCS stating that the largest centre cushion­cut diamond weighs 1.88cts, and is a natural diamond with fancy deep yellowish brown colour, I1 clarity, and medium fluorescence (yellow).

Only the principal diamond has been tested and certificated. Please see our special jewellery notices for information about coloured diamonds and possible treatments.

582 A French ruby and diamond­set bracelet by André Vassort, the scroll links with fluted decoration and pavé­ set with graduated round brilliant­cut diamonds, alternately­set with rows of circular­cut rubies in platinum and gold, French control marks, maker’s mark, signed ‘MADE IN PARIS FRANCE’, 17cm long £10,000­12,000 583 A topaz and diamond ring, the oval­shaped topaz is set with a half­moon­shaped diamond to each shoulder in platinum, size L £2,800­3,500 584 A French ruby and diamond Odeonesque ring, the oval­shaped ruby weighs 3.28cts, within a surround of old cushion­shaped diamonds in platinum on gold, French control marks, maker’s mark (rubbed), size M £12,000­15,000 Accompanied by report number 9711079 dated 17 November 1997 from Gubelin stating that the cushion­shaped ruby weighs 3.28cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar).

585 A ruby and diamond ring, the cushion­shaped ruby weighs 11.73cts, claw set with baguette­shaped diamonds to each shoulder in platinum, size N £8,000­12,000 Accompanied by report number 5171365875 dated 13 November 2015 from GIA stating that the cushion­shaped ruby weighs 11.73cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar).

586 A ruby and diamond­set Trombino ring by Bulgari, set with graduated ruby cabochons and pavé­set with graduated round brilliant­cut diamonds in platinum, signed Bulgari, French control mark and stamped pt950 with cross mark, size Q £5,000­6,000 587 A purple sapphire and diamond cluster ring, the oval­shape sapphire is set within a surround of circular­cut diamonds, with wirework shank in platinum and white gold, French import marks, size K½ £5,000­7,000 588 A diamond eternity ring, set with four rows of round brilliant­cut diamonds in white gold, diamonds approximately 0.05cts each, size M £1,500­2,000

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589 A diamond scroll brooch, c.1950s, set overall with graduated round brilliant­cut diamonds in white gold, 4.8cm high £2,000­3,000 590 A diamond­set cocktail ring, the hexagonal openwork centre section set with round brilliant­cut diamonds, with further diamonds set to the pierced shoulders in white gold, size N £800­1,200 591 A pair of diamond­set bow earrings, c.1950s, each earring centred with a pear­shaped diamond weighing approximately 1.40 and 1.50cts each, the surround set with round brilliant­cut and baguette­shaped diamonds in platinum, clip fittings, 4cm widest £8,000­12,000 592 A star sapphire and diamond ring, the star sapphire set with a square and triangular­shaped diamond to each shoulder in platinum, marked ‘PLAT 3675’, size Q½ £1,000­1,500 593 A pair of emerald and diamond cluster earrings, centred with an emerald­cut emerald within a surround of baguette­shaped and round brilliant­cut diamonds in platinum and gold, clip and post fittings, 1.3cm wide £5,000­7,000 Accompanied by report number 81307­12 from GCS stating that the emeralds are natural emeralds, with indications of minor clarity enhancement. Origin: Colombia.

594 An emerald and diamond­set navette­shaped cluster ring, the square shaped emerald is set within a surround of round brilliant­cut diamonds in 18ct gold, London hallmarks, diamonds approximately 1.95cts total, size N½ £2,000­3,000 595 An emerald and diamond double clip brooch, c.1950s, pavé and claw­set with graduated round brilliant­cut diamonds, and transverse rows of tapered baguette­shaped emeralds and diamonds in platinum, the two sections detach to be worn as clips or separate individual brooches, 6.5cm high £4,000­6,000 596 A Paraiba tourmaline and diamond three­stone ring, the oval­shaped tourmaline is set with a triangular­ shaped diamond to each shoulder in platinum, London hallmarks, size R £6,000­8,000 Accompanied by report number 79201­05 dated 20 February 2019 from GCS, London stating that the oval­cut tourmaline is a natural Paraiba tourmaline.

597 A diamond foliate double clip brooch, 1950s, set overall with graduated circular­cut and baguette shaped diamonds in platinum, 5cm high £1,800­2,500 598 An emerald and diamond foliate spray brooch, c.1935, set with eleven graduated cabochon emeralds and lines of graduated round brilliant cut diamonds, terminating with five baguette­shape diamonds in platinum, 8.5cm long £3,000­4,000 599 An emerald and diamond cluster ring, the emerald­cut emerald weighs approximately 5.00cts and is set within a surround of round brilliant­cut diamonds in white gold, size M approximately £3,000­5,000 Accompanied by report dated October 2021 from Anchorcert stating that the emerald is a natural emerald with indications of minor clarity enhancement. Origin: Colombia.

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600 An Art Deco sapphire and diamond ring, centred with an oval­shaped sapphire, within an openwork hexagonal mount set with old single­cut diamonds and baguette­shaped diamonds to each shoulder in platinum, size M £400­600 601 An early 20th century sapphire and diamond ring, set with a sugarloaf cabochon sapphire on a stepped square­shaped mount set with single­cut diamonds, with further single­cut diamonds to the shoulders in platinum, size M £1,500­2,000 602 A sapphire and diamond cluster ring, the oval­shaped sapphire is set within a double surround of old circular­ cut diamonds, with graduated diamonds to the shoulders in platinum, size Q½ £3,000­4,000 603 A diamond eternity ring, pavé­set with single­cut diamonds in platinum, scratched inventory number, size L £400­600 604 A diamond­set oval brooch, centred with a rubover­set round brilliant­cut diamond, the centre section designed as openwork bars pavé­set with single­cut diamonds within an outer border of diamonds in white gold, principal diamond 0.25cts approximately, 4.5cm wide, fitted case £3,500­4,500 605 An Edwardian triple locket oval­shaped pendant, the cover applied with diamond­set initials BM&R, the reverse engraved with ‘1923 Betty 9, Mary 7, and Richard 2’, diamond­set bale in platinum, 4.8cm high, fitted case

by Bruford £1,000­1,500 606 A diamond­set heart pendant, centred with two principal old circular­cut diamonds, the surround pavé­set with round brilliant­cut diamonds in palladium, principal diamonds approximately 1.00 and 0.70cts, smaller diamonds approximately 4.00cts, fitted case £5,000­7,000 607 An early 20th century sapphire and diamond bracelet, the rectangular links centred with old circular­cut diamonds and sapphires within a surround of old circular­cut diamonds, with square­shaped diamond­set connecting links in platinum, 17cm long £5,000­7,000 608 An Art Deco rectangular platinum brooch, millegrain set with lines of old circular­cut diamonds, calibré­cut sapphires and calibré­cut rubies, centred with a rectangular section of frosted rock crystal applied with a circular­ cut diamond, 5.5cm wide £1,500­2,000 609 A pair of diamond and sapphire cluster drop earrings, each centred with a cushion­shaped diamond within a calibré­cut sapphire surround, set with a further border of old circular­cut diamonds in platinum, hook fittings, 1.8cm high £3,000­4,000 610 An Art Deco diamond­set brooch, the stylised bow centre section millegrain­set overall with graduated circular­cut diamonds, with two larger old circular­cut diamonds within similar diamond­set mounts in platinum, 4.7cm wide £3,000­4,000 611 A zircon and diamond ring, c.1930s, the round blue zircon is set with square­shaped and circular­cut shoulder diamonds with a scroll pierced under bezel in platinum, size Q½ £600­800 612 An early 20th century sapphire and diamond cluster ring, the square­shaped sapphire is set within a surround of circular­cut diamonds and two baguette­shaped shoulder diamonds in platinum, size I £1,500­2,000 613 A diamond and sapphire cluster ring, the square emerald­cut diamond is set within a surround of calibré­cut sapphires and a tapered baguette­shaped diamond to each corner, six further square­shaped diamonds to the shoulders in platinum, size P £1,000­1,500 614 An Art Deco sapphire and diamond openwork ring, c.1930s, set with marquise­shaped and circular­cut diamonds, with calibré­cut and buff­top sapphires to the foliate design in platinum, size M £800­1,200

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615 A gold purse watch by Van Cleef & Arpels, c.1960, of rectangular form, the sliding cover engraved with diamond­set flowerheads, opens to reveal the manual wind watch, signed Van Cleef & Arpels and Jager­LeCoultre, case numbered 116155, case 3.5cm long, brown VCA fabric pouch £1,200­1,500

616 An Art deco diamond and gem­set enamel fob watch by Vacheron and Constantin, the rectangular dial signed Vacheron & Constantin Geneve Suisse, black Arabic numerals with black and red enamel decoration (probably restored), the reverse with a Japanese influenced foliate design, pavé­set with circular­cut diamonds with buff top emeralds, sapphires and black onyx, pearl winder and suspending from a conforming bar brooch ajoined with a marquise­ shaped diamond with two circular­cut diamonds in platinum and white gold, 8cm high £4,000­6,000 See online for further images of the gem­set reverse.

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617 A rock crystal ‘Scintillante’ miniature travel clock by Van Cleef & Arpels, c.1930s, the signed oval dial with baton and Arabic numerals, in faceted rock crystal case, manual movement visible through the rock crystal when viewed from above but concealed by a mirror illusion when viewed through the oval side sections, rose­cut diamond winder, dial signed at 6, 30 x 20 x 17mm, fitted case with magnetic arms which suspend and swivel the clock above a mirror £3,000­4,500

617

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618 An Art Deco diamond fob watch by Van Cleef & Arpels, the bar brooch of geometric form and set with three old circular­cut diamonds weighing approximately 0.40, 0.85 and 0.40cts, suspending trefoil­form connecting links set with single­cut diamonds, the watch with square dial signed Van Cleef­Arpels, black lacquered Arabic numerals and blued steel hands, the bezel set with single­cut diamonds with further engraved decoration to the case sides, the case back applied with a diamond­set mistletoe motif on black ground within a border of single­cut diamonds, all set in platinum, one diamond missing, manual movement, case 30mm, 6.5cm high, bar brooch 4.3cm wide £8,000­12,000

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619 An emerald and diamond­set gold collar necklace by Boivin, c1970s, the front section pavé­set with round brilliant­cut diamonds and circular­cut emeralds, with four sliding gold sections which move to reveal or conceal the gems or brushed gold sections, French control mark, maker’s mark, 12cm diameter, 38cm circumference approximately £14,000­18,000 λ 620 A French diamond and coral­set gold watch by Caplain Saint André, c.1940s, movement by Baume et Mercier, the square champagne dial signed Baume et Mercier, with gold Arabic numerals and black baton numerals, domed face, the case set with coral batons and pavé­set with single­cut diamonds in gold, case 17.5mm, manual movement, the tapered gold bracelet terminals with further carved coral sections and single­cut diamonds, French control marks, maker’s mark CSA, two spare links, 17cm long £3,000­4,000 621 A French diamond­set wide gold strap bracelet, c.1950s, of braided fabric design in gold, the terminals set with round brilliant­cut diamonds in platinum on gold, with hinged S­shaped clasp of ropetwist design and set with lines of circular­cut diamonds and a centre diamond­set bombé­section, French control mark, obscured maker’s mark, 18cm approximately (25cm long open) £4,000­6,000 λ 622 A French diamond and coral gold bangle, c.1970, the hinged scrolling fluted gold bangle with carved fluted coral sections, the centre pavé­set with round brilliant­cut diamonds, French control mark, maker’s mark, 5.2cm diameter £3,000­4,000

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623 A diamond­set gold foliate brooch by Sterlé, c.1950s, with twisted gold fronds, two sections pavé­set with round brilliant­cut diamonds, in platinum and gold, signed Sterlé, numbered 4.340, 8cm high £6,000­8,000 624 A diamond­set gold necklace by Gubelin, c.1950, designed as scrolls and swags of gold brick­pattern links, one scroll section pavé­set with round brilliant­cut diamonds in platinum on gold, signed Gubelin, stamped 750, 38cm approximately £5,000­7,000 625 A diamond­set gold brooch by Sterlé, c.1960, the wing­form upper section pavé­set with gradauted round brilliant­cut diamonds, suspending ropetwist articulated tassels set with graduated round brilliant­cut diamonds in gold, hinged clip brooch fitting, French control mark, signed Sterlé Paris, stamped SC, numbered 3994, 11cm high £8,000­12,000 626 A pair of diamond­set ‘Angel­Wire’ earrings by Sterlé, c.1950s, formed with plaited tassels, the terminals set with graduated pear­shaped diamonds in platinum, French control mark, rubbed maker’s mark, signed Sterlé Paris, numbered 2130, clip fittings, 6cm high £8,000­12,000 627 A pair of diamond­set gold earrings, c.1970, set with four articulated swags of round brilliant­cut diamonds in gold, stamped 750, post and clip fittings, diamonds approximately 15.00cts total, 4.5cm high £6,000­12,000

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628 An Edwardian opal and diamond ring, the oval opal is set with rose­cut and single­cut diamonds to the triangular­shaped openwork shoulders in platinum, size O £1,000­1,500 629 A diamond­set pendant, c.1950s, the principal old circular­cut diamond weighs approximately 1.35cts, suspending a tassel­form pendant with chevron and crescent motif, set with graduated old circular­cut and baguette­ shaped diamonds in platinum, further baguette­shaped diamonds and a circular­cut diamond­set collet to the fine­link platinum chain, pendant 6cm high, chain 34cm long £8,000­12,000 630 An Art Deco onyx and diamond brooch by Marchak, the oval onyx frame mounted in platinum, with diamond­set demi­lune terminals set with single­cut diamonds and onyx sections, with four platinum diamond­set hoops, signed Marchak Paris (obscured), 8cm wide £8,000­12,000 631 An Art Deco onyx, moonstone and diamond brooch, the arrow­head onyx terminals centred with diamond­ set blossom­form sections each centred with an old pear­shaped diamond, the centre set with semi­cylindrical moonstone plaques between rows of circular­cut diamonds, obscured signature, 7cm wide £3,000­4,000 632 An Art Deco fancy­coloured and white diamond­set plaque brooch, the geometric brooch with a chevron motif, set with a fancy­coloured diamond, pavé­set overall with old circular­cut white diamonds and further baguette­shaped diamonds in platinum, 4.8cm wide £2,000­3,000

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633 An Art Deco diamond brooch, designed as interlocked squares, pavé­set overall with circular­cut diamonds and a further domed band set with graduated circular­cut diamonds within borders of baguette­shaped diamonds in platinum, obscured inventory number to pin fitting, diamonds approximately 9.00cts total, 7.5cm wide £8,000­12,000 634 A carved ruby and diamond circular brooch, c.1930s, the stylised cornucopia brooch pavé­set overall with round brilliant­cut and single­cut diamonds, with further baguette­shaped diamonds, and carved rubies in platinum, 5.5cm widest £6,000­8,000 635 A French sapphire and diamond plaque brooch, c.1930, the rectangular brooch pavé­set with round brilliant and single­cut diamonds, square­shaped sapphires and baguette­shaped diamonds in platinum, French control mark, the white gold pin with French control mark and maker’s mark (possibly L. Frères et Cie), 4.7cm wide £5,000­7,000

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633

634

635

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636 A French early 20th century diamond necklace, the graduated old circular­cut diamonds are alternately­set with lozenge­shaped links set with old circular and rose­cut diamonds in platinum on gold, French control marks, diamonds approximately 13.00cts total, principal diamond approximately 1.10cts, 36.5cm long £10,000­15,000

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636

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637

637 An Art Deco sugar­loaf ruby and diamond ring by Janesich, the ruby weighs 12.30cts, with circular­cut diamonds and a chevron of calibré­cut rubies to the shoulders in platinum, French control marks and signed, size J £40,000­60,000 Accompanied by report from Gübelin dated September 2021 stating that the cabochon ruby weighs 12.30cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar).

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637 NOT LIFESIZE

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638 A gem­set and enamel gold brooch by Castellani, c.1860, of quatrefoil design, with green and turquoise enamel decoration, set with cabochon rubies and emeralds and with ropetwist and pellet decoration in gold, the four pearl terminals with gold caps, signed to reverse, pearls untested, 5cm wide £6,000­8,000 Literature: A similar example was shown in the 1862 International Exhibition, see ‘Weber Soros, S., Walker, S., Castellani and Italian Archaeological Jewellery, (2004), p. 228, pl. 9­1’.

639 A gem­set gold enamel brooch by Giuliano, of lozenge form and openwork scroll design, set with five vari­ coloured circular­cut zircons, with black and white enamel decoration in gold, signed C:G, 5cm wide £2,000­3,000 640 A Renaissance Revival gem­set and enamel gold necklace by Giuliano, c.1895, the openwork gold scroll necklace with black and white enamel decoration, set with five vari­coloured cushion­shaped zircons, suspending a foliate scroll gold drop pendant with conforming enamel deocarion and set with a diamond, suspending a further old cushion­shaped diamond in a cut­down collet and a pearl, signed to the clasp C&AG, 37cm long £6,000­8,000 641 A Renaissance Revival gem­set and enamel gold necklace by Giuliano, c.1860, centred with a cushion­shaped green zircon and set with old cushion­shaped diamonds, the openwork scroll panels with black and white enamel decoration and each suspending a pearl, the necklace with openwork foliate scroll links with conforming enamel decoration and alternately­set with circular diamond­set links, signed to reverse C.G, pearls untested, 44cm approximately £6,000­8,000

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638

639

640

641 153

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642 A Renaissance Revival pearl, diamond and enamel gold necklace by Giuliano, c.1895, the foliate scroll centre section with black and white enamel decoration and set with a diamond and seed pearls, suspending three articulated drops set with old circular­cut and pear­shaped diamonds in silver and gold cut­down collets and a pearl, the back chain with gold open scrolling links with confirming enamel decoration, signed to reverse and to clasp ‘C&AG’, pearls untested, pendant 4.5cm high, chain 34cm £8,000­12,000 Literature: For a similar example see ‘Bennett, D., Mascetti, D., Understanding Jewellery, (1989), p. 224.

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642

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643 NOT LIFESIZE

643 An Asscher­cut diamond solitaire ring, the diamond weighs 5.47cts, the shoulders millegrain­set with circular­ cut diamonds in platinum, size M £60,000­80,000 Accompanied by report number 13438861 dated June 23rd 2004 from GIA, New York stating that the square emerald­cut diamond measures 9.91 x 9.52 x 6.69mm and weighs 5.47ct, with H colour and IF clarity. Fluorescence: strong blue.

PROVENANCE: Previously sold Woolley and Wallis, 28th April 2016, ex lot 1392.

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644 An Art Deco marquise­shaped diamond ring, set with an old­cut marquise­shaped diamond weighing approximately 4.80cts, within graduated shoulders set with old cushion­cut diamonds millegrain­set in platinum, size J½, in Wartski case £12,000­15,000

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645 An Art Deco star sapphire and diamond cluster ring, the circular cabochon sapphire is set within a surround of circular­cut diamonds and baguette­shaped diamonds to the shoulders in platinum, size Q £8,000­12,000 Accompanied by report number 285794/20053821 dated 10 September 2021 from Anchorcert stating that the cabochon sapphire measures 18.4 ­ 18.5 x 10.85mm approximately and is a natural star sapphire with no indications of heat treatment. Origin: Burma (Myanmar).

646 A pair of diamond and seed pearl earrings by Van Cleef & Arpels, the star upper sections each suspend a drop section with chevron motifs, set with round brilliant­cut and baguette­shaped diamonds and seed pearls in platinum, signed Van Cleef & Arpels, and numbered N.Y. 12095, clip fittings, 5.5cm high £20,000­30,000 647 An Art Deco onyx and diamond brooch, of geometric design, set with old circular­cut diamonds and calibré­ cut onyx in platinum, 6.5cm wide £2,000­3,000 648 A diamond eternity ring, pavé­set with round brilliant­cut diamonds in platinum, London hallmarks for 1996, size R £800­1,200 649 A diamond eternity ring, set with baguette­shaped diamonds in platinum, size T

£1,500­2,000

650 A diamond brooch by Cartier, c.1960, of Indian inspiration and of ‘boteh’ form, centred with two half­moon­ shaped diamonds, within a surround pavé­set with round brilliant­cut and baguette­shaped diamonds in platinum, signed Cartier London, spring­loaded hinged clip brooch fitting, 5.5cm high, fitted case by Cartier £6,000­8,000 651 An Art Deco diamond­set brooch by Cartier, designed as a skiing figure, set with baguette­shaped and circular­cut diamonds in platinum, signed Cartier London, JC and pt950, 1.8cm high, case by Cartier £2,500­3,500 652 A zircon and diamond three­stone ring, the emerald­cut blue zircon is set with a round brilliant­cut diamond to each shoulder in white gold, size L £600­800 653 A pair of jade, onyx and diamond drop earrings, set with carved jade plaques, onyx and set overall with circular­cut diamonds in white gold, post fittings, 4cm high, fitted case £800­1,200

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645

646

648

647

651 649

650

652

653

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654 A marquise­shaped diamond solitaire ring, set with two tapered­baguette shoulder diamonds in white gold, marquise­shaped diamond approximately 1.18cts, size L½ £3,000­4,000 655 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.20cts, set in gold, size P £1,500­2,000 656 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.49cts, set in white gold, size M, case £4,000­6,000 657 A diamond rivière necklace, the sixty­six graduated round brilliant­cut diamonds are set in articulated white gold collets, 39cm £25,000­30,000 658 A diamond three­stone ring, the three old circular­cut diamonds are set in platinum, centre diamond approximately 0.95cts, shoulder diamonds approximately 1.55cts total, size J £2,000­3,000 659 A diamond full circle eternity ring, set with twenty emerald­cut diamonds in platinum, diamonds approximately 6.50cts total, size L½­ M £8,000­10,000 660 A large three­stone diamond ring, set with a transitional circular­cut and two cushion­shaped shoulder diamonds, with three baguette­shaped diamonds to each scroll engraved shoulder in platinum, diamonds approximately 2.25, 3.15 and 2.25cts total, size M £20,000­25,000 661 A diamond line bracelet, the twenty­one graduated round brilliant­cut diamonds are each box­set in platinum with four small corner diamonds, scroll engraved sides, 18.5cm long £12,000­15,000 662 An emerald and diamond bombé ring, the emerald­cut emerald is claw­set on a white gold bombé ring pavé­ set with graduated round brilliant­cut diamonds in an openwork scroll design, size P approx. £6,000­8,000 Accompanied by report number 79228­15 dated 21 August 2019 from GCS, London stating that the octagonal­ cut emerald weighs 5.70cts approx. and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 663 A sapphire and diamond ring, the oval­shaped sapphire weighs approximately 8.95cts, with a trefoil of round brilliant­cut diamonds to each shoulder in white gold, size M £5,000­7,000 Accompanied by report number 19717 dated 26 March 2021 stating that the oval­shaped sapphire is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

664 A yellow sapphire and diamond ballerina ring, the cushion­shaped sapphire weighs approximately 9.90cts, within an undulating surround of tapered baguette­shaped diamonds in platinum, size N £6,000­8,000 Accompanied by report number 286202/20053920 dated 15th September 2021 from Anchorcert stating that the cushion­shaped sapphire is a natural yellow sapphire with no evidence of treatment. Origin: Sri Lanka (Ceylon).

665 A French sapphire and diamond bombé ring, the cushion­shaped sapphire weighs 16.88cts, set in raised surround pavé­set with diamonds in platinum, French control marks, size M £15,000­20,000 Accompanied by report number 5777­8906 dated 3 March 2017 from GCS, London stating that the cushion­cut sapphire weighs 16.88cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 666 An emerald and diamond three­stone ring, the sugarloaf cabochon emerald is set with an old circular­cut diamond to each shoulder in white gold, signed Puig Doria, diamonds approximately 1.80cts each, size K £10,000­15,000 Accompanied by report number 20382 dated 27 August 2021 from The Gem & Pearl Lab stating that the sugarloaf cabochon emerald measures 10.9 x 9.7 x 5.9mm and is a natural emerald with evidence of minor clarity enhancement. Origin: Colombia.

667 A sapphire and diamond cluster ring, the cushion­shaped sapphire weighs 3.84cts and is rubover set within a surround of old circular­cut diamonds in white gold, size M½ £30,000­40,000 Accompanied by report number 117644 dated 1 July 2021 from SSEF stating that the cushion­shaped sapphire weighs 3.846cts and is a natural sapphire with no indications of heat treatment. Origin: Kashmir.

Accompanied by report number 81314­06 dated 22 June 2021 stating that the cushion­shaped sapphire weighs 3.84cts and is a natural sapphire with no indications of heat treatment. Origin: Kashmir.

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654

655

656

657 658

659

660

662 663 664 661 665 666 667

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668 A pair of early 19th century diamond flowerhead earrings, each centred with a cushion­shaped diamond, the petals set overall with graduated old cushion­shaped diamonds in silver on gold, post fittings, 3cm high, fitted case by Harvey & Gore £3,000­4,000 669 A pair of late Victorian diamond earrings, of chandelier design, set with graduated old circular­cut diamonds in silver on gold, hook fittings, 4.5cm high, fitted case £4,000­6,000 670 An early 19th century diamond bracelet, formed from alternating diamond­set oval links with scalloped edges, and a three­stone diamond connecting links, in silver on gold, 20cm long £3,000­4,000 671 A pair of late 18th century diamond drop earrings, the flowerheads surmounted with a bow and suspending from cluster upper sections, set overall with graduated old cushion­shaped diamonds in closed­back silver settings, later gold screw­back fittings, 3.5cm high, fitted centre­opening case by Wartski £3,000­5,000 672 A pair of 19th century diamond pendants, converted, each oval pendant set with graduated old cushion­ shaped diamonds, and suspending a further large cushion­shaped diamond to the centre, in silver on gold cut­down collets, both with later pendant bale, one with a later brooch fitting £8,000­10,000 673 A pair of early 19th century diamond drop earrings, the cluster upper sections suspend pear­shaped drop sections set overall with old cushion­shaped diamonds in silver on gold, 3.8cm high, fitted case £2,000­3,000

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668 670

671

669

672

673

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674 A very fine Art Nouveau necklace and foliate brooch pendant by René Lalique, c.1900, mounted in gold with pale green plique­à­jour enamel to the gold leaves (probably Anemone), and dark green enamel highlights, suspending a natural pearl and mounted with nine cultured pearls, suspending from a confirming gold bar­link neck chain with dark green enamel decoration, detachable brooch pin, two French control marks, lozenge maker’s mark, pendant 6.5cm wide, necklace 52.5cm, fitted grey leather case stamped to exterior L.D., silk lining stamped R. Lalique 440 Cours­la­Reine, Paris £40,000­60,000 Provenance: For a working drawing by Rene Lalique of a very similar piece, see auction catalogue Coutau­Bégarie, 'RENÉ LALIQUE: DESSINS ORIGINAUX’, 20.10.1994, p.9, ex lot 40.

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675

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675

675 A late 19th century diamond tiara, converting to a necklace, probably French, set with graduated cushion­ shaped diamonds in cut­down collets, further trefoils of old circular­cut diamonds, old cushion­shaped diamonds in square­shaped collets and a lower row of rose­cut diamonds, all in silver on gold, the diamond section detaches from the tiara frame to be worn as a necklace with a detachable diamond­set backchain, French control marks to back chain, 3cm high (as a tiara, including frame), 38cm long (as a necklace), fitted case £10,000­15,000

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676 Illustrated left with lot 644

676 A pair or ruby and diamond drop earrings, of foliate design, set with two principal cushion­shaped rubies weighing approximately 4.00cts total, suspending articulated tassle drop sections set with oval and cushion­shaped rubies and marquise­shaped diamonds in white gold, rubies approximately 17.00cts total, diamonds approximately 6.50cts total, post and clip fittings, 6.5cm high £40,000­60,000 Accompanied by report number GRS2020­031736 dated 12 March 2020 from GRS stating that the cushion­shaped ruby weighs 2.00cts, and is a natural ruby, of GRS­type 'Pigeon Blood' and has no indications of heat treatment.

Origin: Burma (Myanmar).

Accompanied by report number GRS2019­123068 dated 23rd September 2019 from GRS stating that the cushion­ shaped ruby weighs 2.03cts and is a natural ruby, of GRS­type 'Pigeon Blood' and has no indications of heat treatment. Origin: Burma (Myanmar).

Accompanied by report number 20034 dated 4 June 2021 from The Gem & Pearl Lab stating that a sample of the twenty­four rubies are natural rubies with no indications of heat treatment. Origin: Burma (Mong­Hsu).

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677

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677

677 A 19th century diamond tiara, converting to a choker necklace, designed as graduated foliate clusters within scroll surrounds, set with old cushion­shaped diamonds in silver on gold, with detachable tiara frame and two diamond­set detachable extension sections, the centre cushion­shaped diamond weighs approximately 3.50cts, the total diamond weight approximately 58.00cts, 34cm minimum length as a necklace, extension sections each 2cm long, with maroon velvet­lined leather case gilt tooled for Lenchare 38 & 39 Picadilly and Rue de la Paix Paris £40,000­60,000

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678 A single­row graduated natural pearl necklace, the pearls measure 3.55 ­ 11.85mm, the clasp formed with a natural pearl, the pearls approximately 143cts total, approximately 57cm long £30,000­40,000 Pearl measurements and carat weights clockwise from male clasp end:

1.

3.7mm, 0.36cts

25.

4.7mm, 0.73cts

49.

9.1mm, 8.36cts

73.

4.1mm, 0.55cts

2.

3.8mm, 0.40cts

26.

4.8mm, 0.75cts

50.

7.5mm, 5.66cts

74.

4.1mm, 0.56cts

3.

3.9mm, 0.41cts

27.

4.7mm, 0.85cts

51.

7.3mm, 3.08cts

75.

4.1mm, 0.57cts

4.

3.9mm, 0.44cts

28.

4.9mm, 0.87cts

52.

7.1mm, 2.90cts

76.

4.1mm, 0.55cts

5.

3.8mm, 0.49cts

29.

5.1mm, 0.93cts

53.

7.1mm, 2.65cts

77.

4.0mm, 0.51cts

6.

4.0mm, 0.42cts

30.

5.1mm, 0.94cts

54.

6.9mm, 2.84cts

78.

4.0mm, 0.49cts

7.

3.9mm, 0.43cts

31.

5.2mm, 1.02cts

55.

6.7mm, 2.43cts

79.

3.9mm, 0.45cts

8.

3.9mm, 0.46cts

32.

5.4mm, 0.97cts

56.

6.3mm, 2.36cts

80.

3.9mm, 0.47cts

9.

3.9mm, 0.48cts

33.

6.0mm, 1.14cts

57.

6.2mm, 1.97cts

81.

4.0mm, 0.47cts

10.

3.9mm, 0.53cts

34.

6.0mm, 1.51cts

58.

6.0mm, 1.79cts

82.

4.0mm, 0.52cts

11.

4.0mm, 0.53cts

35.

6.0mm, 1.59cts

59.

5.3mm, 1.64cts

83.

4.0mm, 0.45cts

12.

4.0mm, 0.44cts

36.

6.6mm, 1.72cts

60.

5.1mm, 1.15cts

84.

4.0mm, 0.49cts

13.

4.1mm, 0.52cts

37.

6.4mm, 2.22cts

61.

5.1mm, 1.06cts

85.

4.0mm, 0.48cts

14.

4.1mm, 0.55cts

38.

7.0mm, 1.74cts

62.

5.1mm, 1.01cts

86.

3.8mm, 0.44cts

15.

4.1mm, 0.53cts

39.

7.5mm, 2.48cts

63.

5.0mm, 1.00cts

87.

3.8mm, 0.47cts

16.

4.0mm, 0.55cts

40.

7.3mm, 3.15cts

64.

4.7mm, 0.79cts

88.

3.8mm, 0.43cts

17.

4.1mm, 0.54cts

41.

7.4mm, 3.08cts

65.

4.8mm, 0.83cts

89.

3.8mm, 0.45cts

18.

4.1mm, 0.59cts

42.

7.4mm, 3.08cts

66.

4.6mm, 0.83cts

90.

3.8mm, 0.46cts

19.

4.3mm, 0.62cts

43.

8.0mm, 3.11cts

67.

4.6mm, 0.82cts

91.

3.6mm, 0.34cts

20.

4.1mm, 0.61cts

44.

10.8mm, 4.13cts

68.

4.3mm, 0.69cts

92.

3.6mm, 0.36cts

21.

4.3mm, 0.56cts

45.

11.02mm, 8.70cts

69.

4.3mm, 0.63cts

93.

8.3mm, 4.80cts

22.

4.4mm, 0.59cts

46.

11.7mm, 9.79cts

70.

4.3mm, 0.66cts

23.

4.4mm, 0.73cts

47.

11.2mm, 10.11cts

71.

4.2mm, 0.64cts

24.

4.1mm, 0.70cts

48.

10.7mm, 10.41cts

72.

4.3mm, 0.66cts

Accompanied by report number 80765 dated 26 June 2015 from SSEF stating that the ninety­two white ­ cream roundish to oval and barrel­shaped drilled pearls measure approximately 3.55 ­ 11.85mm and are natural saltwater, with a natural pearl clasp.

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678

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679

679 A fancy­coloured diamond­set pendant, the pear­shaped diamond weighs 2.71cts, suspending from a square­shaped white diamond, set in platinum and gold £30,000­40,000 Accompanied by report number 5775­2789 dated 12 August 2015 from GCS stating that the pear­shaped diamond weighs 2.71cts and is a natural diamond with fancy vivid yellow colour and SI1 clarity. Fluorescence: faint.

END OF SALE

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FINE CHINESE PAINTINGS AND WORKS OF ART TUESDAY 23RD NOVEMBER 2021

An Important Chinese scroll painting by Chen Zhifo (1895­1963) Mandarin Ducks in a Lotus Pond Gifted by General He Yingqin to Field Marshal Archibald Percival Wavell, dated 1943 Estimate £50,000 ­ 80,000* ENQUIRIES Michelle Yu | my@woolleyandwallis.co.uk | +44 (0)1722 424571 *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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JAPANESE WORKS OF ART TUESDAY 23RD NOVEMBER 2021

ENQUIRIES A rare and important Japanese lacquer cabinet depicting merchants from the Dutch East India Company, 17th century, 88cm x 100cm x 54cm Provenance: an English private collection and thence by descent, Norfolk Estimate £40,000 ­ 60,000*

Alexandra Aguilar aa@woolleyandwallis.co.uk +44 (0)1722424583 *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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MODERN BRITISH & 20TH CENTURY ART TUESDAY 7TH & WEDNESDAY 8TH DECEMBER 2021

Félix Vallotton (Swiss 1865­1925) Fleurs d'arbustes dans pot de Quimper Signed and dated F.VALLOTTON 12 (lower right) Oil on canvas 81.2 x 65.5cm Estimate £40,000 ­ 60,000*

ENQUIRIES Victor Fauvelle vf@woolleyandwallis.co.uk +44 (0)1722 446961 *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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MEDALS & COINS, ARMS & ARMOUR TUESDAY 14TH DECEMBER 2021 CLOSING FOR ENTRIES 5TH NOVEMBER

A fine 17th Century chiseled steel sword guard

ENQUIRIES Ned Cowell +44 (0)1722 341469 nc@woolleyandwallis.co.uk

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AFRICAN & OCEANIC ART ANTIQUITIES WEDNESDAY 15TH DECEMBER 2021

A selection of Roman Glass from the Plesch collection

ENQUIRIES Will Hobbs | +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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SILVER & OBJECTS OF VERTU TUESDAY 25TH & WEDNESDAY 26TH JANUARY 2022 ENTRIES ARE NOW BEING ACCEPTED

Three novelty silver Mr Punch menu card holders, by Horace Woodward & Co Ltd, London 1910 Estimate £400 ­ 600*

ENQUIRIES Rupert Slingsby | +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

FINE JEWELLERY

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

18TH NOVEMBER 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR 2021 OCTOBER 20th

British Art Pottery & Design

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS

NOVEMBER 9th & 10th 18th 23rd & 24th

Upper Slaughter Manor, The Collection of Micheál & Elizabeth Feller Fine Jewellery Asian Art, Chinese Paintings & Japanese Works of Art

DECEMBER 7th & 8th 14th 15th

Modern British & 20th Century Art Medals & Coins, Arms & Armour African & Oceanic Art | Antiquities

2022 JANUARY 12th 25th & 26th

Furniture, Works of Art & Clocks Silver & Objects of Vertu

FEBRUARY 9th

Fine Porcelain and Pottery

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A pair of mid 19th century diamond and ruby drop earrings Provenance: Edith Vane­Tempest­Stewart, Marchioness of Londonderry (1878­1959) SOLD FOR £46,250*

www.woolleyandwallis.co.uk