DESIGN WEDNESDAY 19TH & THURSDAY 20TH OCTOBER 2022
20TH CENTURY DESIGN
VALUATIONS FOR INSURANCE & PROBATE
Mark Yuan Richards 411854 Neil Grenyer 446974 Jim Gale 339161 Suzy Becsy 446974 Sarah Stone 339161
Clare Durham 424507 Hollie Morrison 446964
BOARD OF DIRECTORS
Ruth Pike (Office Manager) 424500 Sarah NicolaSerinaLeyanneBennieHindTandyCockramYoung
CHINESE PAINTINGS & CALLIGRAPHY
PAINTINGS
ANTIQUITIES
SPECIALIST DEPARTMENTS
MRICS ASFAV FRSA
Freya Yuan Richards Mark Yuan Richards
AFRICAN & OCEANIC ART
Alexandra Aguilar 424583
Freya Yuan Richards 424589
Jeremy Morgan +44 (0)7812 601098 Michelle Yu 424571 Sophie Moore 424591
JEWELLERY
Ned Cowell 341469 Molly O’Reilly 446980
SILVER
Rupert MarielleSlingsbyWhiting FGA
ASIAN ART
Sharon Ringwood Anna Gentleman
Sally Litherland MARKETING
Alexandra Aguilar 424583
Michael Jeffery 424505 Zoe Smith 446955
Freya Yuan Richards 424589 Michelle Yu 424571
Will Hobbs 339752 Molly O’Reilly 446980
CASTLE GATE RECEPTION
Chloe Davie 446951
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS CBP006075
ENGLISH & EUROPEAN CERAMICS & GLASS
Rupert Slingsby 424501 Lucy Chalmers 424594
John Axford MRICS ASFAV 424506
MEDALS & COINS, ARMS & ARMOUR
GENERAL OFFICE
Victor Fauvelle 446961
Please dial +44 (0)1722 followed by the number listed below
Marielle Whiting FGA 424595
Ed Beer 446962 Hannah Farthing 446970
Samuel Hug FGA DGA 424586 Megan Corbett 424562
Jonathan Edwards FGAA (Consultant) 424504
ACCOUNTS
FURNITURE, WORKS OF ART & CLOCKS
John Axford MRICS ASFAV NatalieChairmanMilsted FCCA Managing Director
ASSOCIATE DIRECTORS
Alexandra Aguilar Clare JeremyMichaelWillVictorDurhamFauvelleHobbsJefferyLamond
Jeremy Lamond MRICS ASFAV FRSA 424502 Neil Grenyer 446974 Amanda Lawrence 424509
JAPANESE ART
Monday 17th October 10.00am – 4.00pm
THURSDAY 20TH OCTOBER
2022
3
WEDNESDAY 19TH OCTOBER
Wednesday 19th October 9.00am 12 noon
VIEWING AT OUR EXHIBITION SPACE AT CASTLE GATE
Saturday 15th October 10.00am – 1.00pm
A345 Castle RdPortwayBeehivePark&RideA345 A36ChurchillWay A36Old Sarum Woolley & Wallis Unit Castle1BGate Business Park Old SP4SalisburySarum6QX SALISBURYAMESBURY WOOLLEY & WALLIS Salisbury Salerooms Sarum Business Park Old Sarum Park E NS W Kia WestoverMotorsGarage MARLBOROUGH & SWINDON WOOLLEY & WALLIS Castle Gate 1st Self Access Storage VIEWING HERE AUCTION HERE DIRECTIONS TO THE EXHIBITION SPACE AT CASTLE GATE DESIGN Michael Jeffery 01722 zs@woolleyandwallis.co.ukZoemj@woolleyandwallis.co.uk424505Smith01722446955
10.00AM. LOTS 437-634
10.00AM LOTS 1-436
VIEWING
at our Castle Street Salerooms, SP1 3SU
2022
Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX
Tuesday 18th October 10.00am – 4.00pm
Some lots may require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.
Please register by 5pm on Tuesday 18th October LIVE
Wednesday 19th October 9.00am 12 noon
TELEPHONE BIDDING
Each lot is subject to a Buyer’s Premium of 25% plus VAT
THE AUCTION ON 19TH & 20TH OCTOBER WILL TAKE PLACE AT CASTLE STREET
Front cover: Lot 68
Twitter: Pinterest:@woolleywallisWoolleyandWallis
COLLECTIONOF LOTS BY APPOINTMENT
Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.
Saturday 15th October 10.00am – 1.00pm
Tuesday 18th October 10.00am – 4.00pm
ILLUSTRATIONS
EXPORT AND CITES LICENCES
Requests for telephone bids cannot be accepted after 5pm on Tuesday 18th October
THE VIEWING OF THIS SALE WILL TAKE PLACE AT
Instagram: @woolleyandwallissalerooms@woolleyandwallisdesign Facebook: @woolleyandwallis
Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX
Client Parking Available
Inside cover: Lots 194 196
Back cover: Lot 348
Catalogue £12.00 (£15.00 by post)
4
51 61 Castle Street, Salisbury, SP1 3SU
CONDITION OF LOTS
LIVE ONLINE BIDDING FREE OF CHARGE
bid.woolleyandwallis.co.uk
BUYER’S PREMIUM
Monday 17th October 10.00am – 4.00pm
Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready All accounts to be settled prior to collection
GLASS
£120 180
LesleyLiteratureJackson
£150 200
A4 Thomas Webb Bronze glass ewer the design attributed to Dr Christopher Dresser, ovoid, footed body with vertical neck and spout, applied loop handle, petrol lustre surface unsigned, 22.5cm high £200 300
A1 Webb glass liqueur set, clear glass applied with green glass prunts, the decanter with silver neck rim, comprising decanter and stopper, water jug and stopper, eight glasses, each with gilt rims, unsigned, stamped marks L&S Birmingham 1909, 27cm. high (12)
A7 set of six Art Nouveau wine glasses attributed to Theresienthal, the bowl engraved with a scrolling band of stylised grape vine, unsigned, 15.5cm. high (6)
Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 54 figure 138 for a jug and wine glass with comparable teardrop engraving (to the footed vase.)
LesleyLiterature(8)Jackson
A3 pair of James Green and Nephew engraved glass decanters and tumblers, the footed ovoid decanters with cylindrical neck and trefoil flaring rims, engraved with panels of birds and prunus, and sixteen James Green and Nephew glasses, unsigned, 18cm. high (20)
A5 silver mounted glass vase possibly American, ovoid, smoky amethyst glass overlaid with a maiden being serenaded by musicians, above a band of sheep, in a garden setting, unsigned, 23cm. high £150 200
1 2 4 5 6 6
A6 James Powell & Sons Whitefriars flint glass decanter and stopper designed by Harry Powell, tapering form, a Whitefriars Sapphire blue vase designed by Geoffrey Baxter, and five other glass items, unsigned, 22cm. high
Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 102, plate 25 for a comparable decanter illustrated.
£150 200
An2 early James Powell & Sons Whitefriars engraved glass jug, footed, tapering cylindrical form, with applied handle, engraved with geometric columns with stylised flowerhead motif, and a footed vase similar unsigned, 25cm. high (2)
£150 200
£150 200
3 7
A8 James Powell & Son Whitefriars glass dimpled carafe, tapering square section with dimpled sides, the neck with applied rigoree band, and a modern Lalique ‘Dahlia’ frosted glass scent bottle and stopper, applied label to Lalique bottle, Powell unsigned, 24.5cm. high (carafe), (3)
8 9 10 11 12 7 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 13
£120 180
A10large Whitefriars glass ‘Munstead’ flower vase designed by Gertrude Jekyll, tall, tapering fluted body with flaring neck, unsigned, 46cm. high
£120 180
LesleyLiteratureJackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 102, plate 25 for a comparable decanter illustrated.
A12Whitefriars Sapphire glass vase designed by William Wilson, swollen cylindrical form with flared rim, a Whitefriars Sapphire glass lobed bowl designed by James Hogan and another clear glass bowl, unsigned, 21.5cm. high (3)
A9 James Powell & Sons Whitefriars green glass finger bowl designed by T G Jackson, swollen form, and two James Powell & Sons pedestal dishes possibly designed by T G Jackson, unsigned 12.5cm. diam (finger bowl), (3)
£200 300
£100 200
£150 200
A11James Powell & Sons flint glass ‘Poppy head’ decanter and stopper designed by Harry Powell, dimpled, tapering square section form with applied rigoree band, unsigned, 28.5cm. high (2)
A13James Powell & Sons Whitefriars ‘Roman’ cut glass bowl designed by Harry Powell, cut with geometric bands, unsigned, 20cm. wide
£150 200
14 15 17 8 16 18
LesleyLiteraturehighJackson
£200 300
A17small Powell Whitefriars glass vase designed by James Powell, flaring cylindrical form, cut with wavy bands of disc and line, unsigned, collection loan sticker, 15cm. high
LesleyLiteratureJackson
A14James Powell Whitefriars ‘Roman’ glass vase designed by Harry Powell, flint glass with cut panel of decoration unsigned 20.5cm. high
Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 103 plate 29 for an identical vase illustrated.
Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 121 plate 104 for an identical ribbon trailed Provenancevase.
JeaneProvenance tte Hayhurst Fine Glass, 1997.
A16tall Powell Whitefriars glass vase designed by James Powell, flaring cylindrical form, cut with wavy bands of disc and line, unsigned, 24.5cm.
£200 300
£300 500
JeaneProvenance tte Hayhurst Fine Glass, 1997.
Exhibited
£300 500
Whitefriars Glass, Manchester Museum & Art Gallery, (Brian Cargin & Chris Morley Manchester loan).
LesleyLiteratureJackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 129 plate 126 for an identical vase.
Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 129 plate 126 for an identical vase.
Exhibited
Whitefriars Glass, Manchester Museum & Art Gallery, (Brian Cargin & Chris Morley Manchester loan).
Country Seat, 2003 (ribbon trailed vase) £200 300
LesleyLiterature(2)Jackson
Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 132 plate 137 for an identical vase.
MalleProvenance tt, 1998.
A18Whitefriars glass vase designed by William Wilson and Bernard Fitch, flaring cylindrical form cut with columns of circles inside square panels, and a smaller Sapphire blue glass vase with columns of cut discs, unsigned, 16.5cm. high
A15Powell Whitefriars ribbon trailed vase designed by Barnaby Powell, flaring cylindrical sea green glass with blue ribbon trail, a Powell flaring ribbed bowl, a sea green glass diamond moulded vase and a flaring green vase with bubble inclusions, unsigned 17.8cm. high (4)
LesleyLiteratureJackson
A19rare
LesleyLiteratureJackson
222120 9 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 19
CarginProvenance&Morley Collection Private collection.
Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 127 plate 122 for three comparable designs
£200 300
Exhibited
£300 500
A20Whitefriars
Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 127 plate 122 for a comparable bowl in amber glass.
Sapphire glassbowl designed by Barnaby Powell, flaring low bowl cut with discs, on cylindrical foot, unsigned 25.5cm. diam.
LesleyLiteratureJackson
Whitefriars Glass The Art of James Powell & Sons, Manchester Art Galleries, 1996, Museum of London 1997, this vase exhibited.
TheProvenanceillustrated.Country Seat, 2004.
Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 128 plate 123 for an identical vase.
£200 400
A22fine Powell Whitefriars amber glass Comet vase designed by William Wilson and Albert Tubby, cut with geometric comet, planet and star design, unsigned 21cm. high
Whitefriars Sapphire glass vase designed by William Wilson and Bernard Fitch, flaring cylindrical form with bands of cut oval and elliptical panels, later incised RL France monogram, 18cm. high
TheProvenanceCountry Seat, 2004.
amber glass pedestal bowl designed by Barnaby Powell and Albert Tubby, 1932, the shallow flaring bowl cut with radiating lines, on applied glass foot, unsigned 22cm. diam.
LesleyLiteratureJackson
A21Whitefriars
£300 500
tte Hayhurst Fine Glass, 1997.
LesleyLiteratureJackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 132 plate 137 (this actual vase).
JeaneProvenance
An25 Art Nouveau Loetz pewter mounted glass vase, model no. 1943, tapering form with swollen neck and fluted rim, green glass with blue lustre striations, stamped marks, 18cm. high £250 350
An23 Art Nouveau glass fish vase designed by Emile Galle, probably made by Baccarat, lime green glass, moulded as two conjoined fish unsigned, 15cm. high £120 180
A26Loetz glass vase, tapering cylindrical form with wide flaring top rim, yellow lustre finish, and two modern lustre vases unsigned, 10cm. high (3) £120 180
2423 10 2625
Candia Papillon glass vase, footed, flaring cylindrical form with fluted rim, applied with butterfly motif, covered in a golden iridescence unsigned, 20cm. high £300 500
A24Loetz
28 11 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 29
A29large Moncrieff’s Monart Ware glass vase, shape no.NE 324, flaring cylindrical form, mottled green with mottled yellow rim, cased in clear, remains of paper label, 32.5cm. high £120 180
illustrator John Hassall, and brother of Joan Hassall, Christopher Hassall was a recognised actor, dramatist and poet. He formed a successful musical partnership with Ivor Novello whom he originally worked with in a touring company. This early decanter set was made for the wedding of Eve & Christopher in 1938 when Laurence was only twenty six years old. £3,000 5,000
ff’s Monart Ware glass vase, shouldered ovoid form with collar neck, mottled off white glass with orange graduating to brown neck, cased in clear, remains of paper label, 15.8cm. high £300 500
an early rare glass decanter and stopper and six glasses, dated 1938, made as a wedding present for Eve & Christopher Hassall from Jill & Laurence Whistler, smoked grey glass, the decanter diamond point engraved with columns of stylised bell flowers, an oval cartouche inscribed Eve and Christopher Hassall for December the 28th 1938 from Jill and Laurence Whistler, the stopper with radiating star and central H, the six footed glasses each with a different classical border to the top rim and foliate scrolling monogram, 23.5cm. high (decanter and stopper) 8cm. high (glasses), (8)
‡ Sir27Laurence Whistler CBE (1912 2000)
TheProvenancesonofthe
A28Moncrie
An31
3231 3533 12 34 36
Art Deco glass jar and cover probably French, shouldered form with simple band decoration, mottled blue faux hardstone, unsigned, 17cm. high (2) £120 180
An32
Orrefors engraved glass vase by Ernest Gordon, model no. 2039, flaring, flattened form, engraved with two figures holding a fishing net with a catch of fish, a woman and child watching on, etched Orrefors GG 2039 Ernest Gordon, 16cm. high £120 180
tinental glass table lamp and shade, tapering form with mushroom shade, mottled orange and red glass unsigned 49cm. high (2) £100 200
A33Con
A35Legras
Winter Landscape enamelled glass vase, cylindrical form, enamelled with trees in a snowy landscape enamelled Legras signature 5.5cm. high £120 180
A36modern
30
Art Deco enamelled glass desk clock, on rectangular base, the octagonal face enamelled with geometric design in blue and black, octagonal dial with Arabic numerals, unsigned, 14.5cm. high £120 180
£300 500
An30
Art Deco frosted glass panel, the shaped panel decorated with a naked maiden and leaping gazelle, inside scrolling wave motif, unsigned, 119.5 x 56.5cm.
Daum pate de verre glass photograph frame, the base cast as two leaping scaly fish in turbulent water, holding clear glass rectangular panels and bronze fish clip, incised Daum France, 21cm. high £150 200
An34
PrivateProvenancecollection.
£300 500
JanineLiteraturelongBloch
£1,500 2,000
37
3839 13
37
Dermant G Argy-Rousseau Glassware as Art, Thames & Hudson, page 195 plate 23.30 for a comparable example.
See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
Schneider glass vase with wrought iron mount, manufactured for retail by Finnigans, Bond Street, flaring mottled orange glass body with swollen rim, with irregular blue spots, set in wrought iron open mount with columns and loop terminals, etched Schneider Finnigans 16.5cm. high, 24cm diam.
Cicada a Gabriel Argy Rousseau pate de verre glass pendant, cast in relief, with silk tassel and necklace, cast GAR, 6.5cm.
A38Charles
£400 500
An39 Art Nouveau Daum Nancy cameo glass vase, swollen triangular section with pulled rim, on circular foot, mottled yellow and red glass graduating to blue, cased in green, decorated to each side with a forest landscape, cameo Daum Nancy signature, 19cm. high
14 42
£150 200
An41 Art Deco opalescent glass table lamp probably Sabino or Etling, modelled as a naked maiden offering up a pearl, before a large clam shell, unsigned, 26.5cm. high £150 250
A42Sabino opalescent glass vase, tapering cylindrical fluted body with four flange panels cast Made in France to base, 17.5cm. high £150 250
A40French opalescent glass bowl in the manner of Sabino, cast in low relief with stylised flower and foliage, a faceted cut glass vase possibly Moser, flaring faceted form on shallow foot, in the manner of Josef Hoffmann, another Orrefors faceted smoky topaz glass vase, an Orrefors Amethyst glass footed bowl and a clear and frosted glass ceiling shade, main bowl cast France mark, vase unsigned, Orrefors with incised marks, 14cm. high (5)
£80 120
A43Sabino
opalescent glass perfume bottle and stopper, shouldered form, cast in low relief with Art Deco maidens, with billowing drapes, standing in a water setting, signed Sabino Paris, minor nicks, 18.5cm. high (2)
40 41 43
Les48 Fontaines Parfumes Paris a clear and frosted glass perfume bottle and cover designed by Marcel Pautot, made by Andre Jollivet for Pellisier Aragon, the shaped bottle cast with tassel motif, simple stopper and cover modelled as a fountain set in an architectural alcove at Grasse, stained sepia cast title, minor nicks, 13cm. high (3) £250 350
£200 300
‘L’Air49 du Temps’ a large Lalique glass display scent bottle and stopper designed by Marc Lalique, clear glass body with raised spirals, the stopper frosted glass modelled as two birds flying, etched Lalique mark, 30.5cm. high, (2) £200 300
44 45 46 47 15 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 494848 open
‘Ormeaux’47 no.984 a Lalique opalescent glass vase designed by Rene Lalique, etched R Lalique France to base, 14.5cm. high £200 300
‘Libellule’45 no. 1145 a modern Lalique clear and frosted glass paperweight, originally designed by Rene Lalique, in original box and cover, etched Lalique France, 20.5cm. high £300 500
‘Ganymede’46 no.11951 a modern Lalique clear and frosted glass champagne or wine cooler, cast in relief with female figure, etched Lalique France to side of base, 22.8cm. high £150 250
‘Chrysis’44 a modern Lalique frosted glass figure originally designed by Rene Lalique, in original presentation box, etched Lalique France, 13cm. high
a set of four Lalique clear and frosted glass champagne bowls designed by Rene Lalique, with blue staining, stencil R Lalique France, 7.2cm. high, (4)
£150 200
a Lalique clear and frosted glass menu holder designed by Rene Lalique, with blue staining, a Lalique ‘Groseilles’ menu holder and a Lalique ‘Prunes’ menu holder model no.3509, etched R Lalique, 5.2cm. wide (3)
‘Dampierre’54
£150 200
£100 200
£200 300
50 51 52 54 16 53
‘Cerises’53
‘Verone’no.1121850
‘Saint52 Francois’ no.1055 a Lalique opalescent glass vase designed by Rene Lalique, and a Lalique ‘Amiens’ clear and frosted glass vase stencil R Lalique, both damages, 17.5cm. high (2)
a modern Lalique clear and frosted glass vase, footed, flaring cylindrical form, cast with birds perched amongst scrolling foliage, in original Lalique presentation box, and a modern Lalique clear and frosted glass bowl, etched Lalique France, 11218, 19.5cm. high, 27.5cm diam, (2)
‘Lys’51 no.382 a Lalique opalescent glass bowl designed by Rene Lalique, an enamelled glass bowl by Mazoyer and a modern glass plate possibly Lalique stencilled R Lalique France, No.382, damages to bowl, chips to plate 24cm.diam. (3)
£150 200
Ruby red glass vase designed by Geoffrey Baxter, shouldered square section, textured grid surface, unsigned, 15cm. high £120 180
Ruby red Coffin vase designed by Geoffrey Baxter, textured glass, and another Whitefriars Coffin vase, unsigned, flat chip to red coffin, 13.2cm. high (2) £120 180
A56Whitefriars
A57Whitefriars
55 56
A55Whitefriars
Kingfisher Blue Drunken Bricklayer vase designed by Geoffrey Baxter, textured blue glass unsigned, 20.5cm. high £150 250
59 17 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 60
A60Mdina glass Fish vase by Michael Harris, dated 1975, flatted form with tapering solifleur neck, blue glass with yellow inclusions, cased in clear, signed Mdina Glass Michael Harris 1975, 23.5cm. high £120 180
Kingfisher blue glass vase designed by Geoffrey Baxter, with rectangular textured body unsigned, 17.5cm. high £150 250
A58Whitefriars
A59Whitefriars Cinnamon glass vase designed by Geoffrey Baxter, ovoid disc body cast in low relief with star motif, unsigned 15.5cm. high £150 200
a lustred glass solifleur flask, dated 2000, tapering ovoid form with flaring rim, applied trailing, another Siddy Langley ovoid vase with columns of white spots and a John Ditchfield pebble vase, etched marks, 21.5cm. high (3)
Deborah67 Fladgate
A62Wedgwood dark blue glass Sheringham three tier candle holder designed by Ronald StennettWillson, another three tier amethyst glass candle holder, seven other Sheringham candle holders, two graduated Wedgwood candle holders, a Wedgwood Sapphire Brancaster candle holder and a clear Helix shaped candle holder, applied Wedgwood label to one, 15.5cm. high (dark blue Sherringham), (13)
Catalogue notes Woolley and Wallis would like to thank the artist for authenticating the vase. £150 200
a footed glass vase, dated 1993, blue glaze with thin irregular vertical cuts, a vase by Alison McConachie, and three other contemporary vases, etched signature and date 10cm. high (5)
a flaring glass vase on applied foot, dated 1991, purple and orange geometric design cased in clear, and a blue feathered glass vase by Deborah Fladgate, etched signature and date 13.5cm. high (2)
18 66 6563 67
£250 300
Siddy66
Charlie64 Meaker (born 1946)
£200 300
61 62 64
Layne65 Rowe (born 1971)
PrivateProvenancehighcollection.
A61Wedgwood green glass Sandringham candle holder designed by Ronald StennettWillson, another shorter, three other Wedgwood Sandringham candle holders, six Wedgwood Brancaster candle holders, a tall thin flute and another with thistle bowl, one with paper label, 25.5cm. high (tallest green Sandringham), (13)
George63 Elliott RCA (1933 1988)
Peacock Ovoid, 1999 marbled pink glass with thin wavy pale yellow bands below a broad pale yellow band to shoulder, cased in clear, unsigned, 24cm.
£150 200
£200 300
Langley (born 1955)
£250 300
a near pair of glass bottles, 1979 square section body with tapering neck and everted circular disc rim, pale blue glass internally decorated with combed aubergine from the foot, each with irregular horizontal band with splashes of colour, etched George Elliott Bewdley 1979 and anchor, 28.5cm. high (tallest), (2)
£150 250
‡ Dale68 Chihuly (born 1941) Persian Set, PP01, 2001 fluted bowl and central flower stem, yellow and blue bands with thin aubergine veins and applied red rim, with Perspex display box and cover, etched PP01 to flower stem, for Portland Press 2001 studio edition 31cm wide (bowl), (4)
PurchasedProvenancefrom
the Victoria & Albert Museum shop, 2001 Private collection. £2,000 4,000 19 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
A71Leerdam glass vase designed by A D Copier, flaring, ribbed cylindrical form with lustre finish, three Leerdam glasses and five various James Powell glasses, acid etched mark to Leerdam glasses, 10.8cm. high (vase) (9) £100 150
Wayne70 Filan (born 1946) ovoid glass with solifleur neck, 1969 blue glass with trailed band etched signature and date 12.5cm. high £200 300
A72Daum Nancy glass bowl, circular with fluted rim, pale green glass internally decorated with air bubbles, etched Daum Nancy France to base rim, 25.5cm. diam. £150 200
A73Nuutajarvi glass bird designed by Oiva Toikka, red glass under pulled lustre surface, with applied clear glass head, and a frosted glass model of a duck signed Cenedese, etched marks, 20.5cm. wide, (2) £120 180
71
70
A74Murano glass vase, flattened, shouldered form, streaked blue, green, white and red with cane inclusions, cased in clear, on applied black foot, unsigned 34.5cm. high £120 180
ovoid glass vase possibly Salviati, ovoid with flaring rim, spiral black and latticinio stripes, cased in clear, unsigned, 23.5cm. high £200 300
Karlin69 Rushbrooke (born 1944) six goblets, 1974 green glass with yellow trail decoration, and two Kumela textured glass vases by Kai Blomqvist etched signature and date, 14cm. high (8) £120 180
An75
20 74
69 72 7573
A78Venini green glass Pharmacist’s jar and cover designed by Paolo Venini, designed 1958, footed urn shape vase with swollen cover and tall pointed finial, acid etched Venini mark to base, 21.5cm. high Literature(2)
£400 600
£600 800
Vision 21 Bonhams Auctioneer’s, 30th June 2010, lot Private27 collection
Venini Catalogue Raisonne 1921-1986, Skira Publications, page 207 figure 95 this shape illustrated.
A77Venini Murano glass VVV vase designed by Gianni Versace, made in 1999, flaring bucket form of black and white squares and one red square, cased in clear applied Venini label, etched Venini 99 Gianni Versace, paper certificate, 27.5cm. high Provenance
£150 200
A79Salvia
Simon80 Moore
a tall Salviati Aureola glass vase, amethyst glass, cased in white with impressed and cut depressed design and another ovoid vase, orange glass overlaid in brown acid etched Salviati mark, 35cm. high (white vase), (2) £200 400
76 7877 80 21 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 79
A76glass and chromed metal ceiling light in the manner of Max Ingrand for Fontana Arte, central chrome metal column with radiating arms supporting graduated clear and blue glass panels, with spare hanging bracket, unsigned 37cm. high (2)
ti glass vase, white glass cased in amber internally decorated with zig zag design, with applied brown rim, and another Salviati vase similar dated 2001, etched Salviati mark, 31.5cm. high (2) £200 400
83 22 84
a tall flaring cylindrical glass vase, central clear hammered band between bands of green and blue overlay glass with elliptical cut out decoration, etched signature to base, 45cm. high £100 200
A82tall Italian glass vase by Afro Celotto, slender ovoid form with pulled solifleur neck, blue, yellow and red spiralling stripes, with frosted hammered surface decoration, cased in clear etched signature, 49cm. high £400 600
Iestyn81 Davies
Amanda83 Brisbane Butterfly sand cast glass sculpture signed 50cm. high £300 500 Amanda84 Brisbane Fish sand cast glass sculpture signed 48cm. wide £250 350 81 82
A88Daum glass sculpture of a Jousting Knight on horseback by Christian Poincignon, mottled green and amber pate de verre glass, with patinated metal lance, etched Daum France and Poincignon, 27.5cm. wide, 47.5cm. high (2) £300 500
Theoreme a modern Daum Nancy pate de verre figure designed by Capo di Feltre, green blue glass modelled as a male torso, in original presentation case, signed in the cast Capo di Feltre, etched Daum France 65/295 27.5cm.
An86 Italian glass mask sculpture by Silvio Vigliaturo, in the manner of Picasso, yellow, blue and black glass cased in clear, on arched base etched signature to base, 26.5cm. high (plaque), (2)
86 87 88 23 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 85
£120 180
87
A85frosted glass model of a resting hound dog probably Daum, modelled lying with head up and alert, amber glass graduating to clear on a polished clear glass base unsigned, small nick to ear, 30cm wide. £150 250
Daum,ProvenancehighNancy,
directly in 2000. £200 300
An90 Orrefors cut glass designed by Simon Gate, model no. 3457, flaring conical form, cut with geometric, textured decoration, etched marks, 23cm. diam, 9.5cm. high £150 200
A91Maleras glass block sculpture designed by Mats Jonasson, cast with face to reverse, applied label, incised marks and MJ monogram to base, 18cm. high £120 180
A89Murano glass model of a bird by Pino Signoretto, modelled as a tall blue glass wading bird above clear glass wave base, etched S Signoretto, 48cm. high £150 250
92 24
A92Murano glass model of an owl, modelled perched on a tree trunk with flaring tripod foot and applied leaves, unsigned, 40.5cm. high £150 200 89 91 90
93 9495 25 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
A94cylindrical vase by Josef Soukup, the cylindrical body with cut and polished edge, green and blue glass, etched Soukup to base, 30.5cm. high
£200 300
Louis93 Thompson tall double gourd glass vase, made at the Glasshouse, aubergine and white thin lines, cased in clear etched signature to side 54cm. high
Berarek95 Glass Cone, blue glass cone inside amber glass spiral trail cased in thick clear glass cone, after a design by Stanislav Libensky unsigned 22.5cm. high £120 180
£150 200
A98Minton’s Secessionist vase designed by John Wadsworth and Leon Solon, model no.50, shouldered, swollen form, tubelined with a panel of flowers in blue and purple on a white ground, and an Art Nouveau Minton Secessionist toothbrush holder vase, printed factory marks, 13.5cm. high (2)
£120 180
A96Minton’s Secessionist pot designed by John Wadsworth and Leon Solon, model no.67, shouldered ovoid form, tubelined with stylised foliate sprays in red and green on a turquoise ground, and a pair of Minton Secessionist candlesticks, printed factory marks, restored rim of pot, 10.5cm. high, (3)
£120 180
Two97 Minton’s Secessionist vases designed by John Wadsworth and Leon Solon, each ovoid with tapering cylindrical neck, tubelined with spiky foliage, in shades of green and tan on a blue ground, impressed and printed factory marks, professional restoration, 13cm. high, (2) £120 180
CERAMICSSECESSONISTMINTON’SCERAMICS
989796 26
A103pair of Minton’s Secessionist vases designed by John Wadsworth and Leon Solon, ovoid with tapering cylindrical solifleur necks, tubelined with a stylised Art Nouveau flower in green and yellow on a red ground, impressed and printed marks, 27.5cm. high (2) £200 400
£200 400
£120 180
Minton’s Secessionist ewer designed by John Wadsworth and Leon Solon, tapering cylindrical form, slip decorated with Art Nouveau flowers and foliage in shades of mustard, green, turquoise and blue, printed factory marks, stress hairline to neck, 36cm. high
A102Minton’s Secessionist vase designed by John Wadsworth and Leon Solon, model no.1, shouldered, cylindrical form, tubelined with stylised peacock eye above laurel garlands, in green and cream on a red ground, impressed and printed marks, 31.5cm. high £200 300
A101tall Minton’s Secessionist vase designed by John Wadsworth and Leon Solon, shouldered, swollen cylindrical form, tubelined with a band of peacock feathers above laurel garlands, in colours on a white ground, printed factory mark, 32cm. high
£150 250
A100tall Minton’s Secessionist vase designed by John Wadsworth and Leon Solon, ovoid with broad, tapering neck and everted rim, printed with a band of Tudor rose in black, below a modelled band of berries to the neck, on a mottled green ground impressed factory marks, 31cm. high
A104Minton’s Secessionist vase designed by John Wadsworth and Leon Solon, model no.7, shouldered cylindrical form, tubelined with stylised Art Nouveau flowers and foliage in green and cream on a red ground, and another taller Minton Secessionist vase impressed and printed marks, taller vase restored neck, 10.5cm. high, (2)
99 102100 103 27 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 104
A99tall
£200 300
A110Farnham
Hilary Myers William Morris Tiles, Richard Dennis, page 42 figs 10d and 10e for two comparable Longden designs. £150 250
28 110
A108pair of Old Hall Hampden small tureens designed by Dr Christopher Dresser, printed in brown with Japoniste foliate designs, comprising; two tureens, covers and three saucers, various marks, 20.8cm wide (saucers), (7) £100 200
A106Morris
Bretby Pottery jardiniere in the manner of Dr Christopher Dresser, drum form, on flaring foot, printed with stylised scrolling foliate design, in gilt on a black ground stamped marks, crack to foot, 31.5cm. high £120 180
jardiniere the design attributed to Dr Christopher Dresser, shouldered form on three cast mask feet, printed in blue with cranes flying amongst small clouds impressed factory marks, 14cm. high £150 200 107
& Co Longden tin glazed tile, painted with alternating flowers and foliage stems, in blue on a white ground, a ‘Scroll’ tile and two ‘Artichoke’ tiles unsigned, minor losses, 13cm. square
105 106 108 109 111
A109large
A111Minton
‘Ages105 of Animals’ four Minton Hollins & Co tiles, printed in black on a sand ground, comprising; ‘The Scholar’, ‘The Lover’, ‘The Infant’ and ‘The Pantaloon’ and six Minton’s large tiles designed by John Moyr Smith, impressed factory marks, 15.3cm. square, (10) £150 250
RichardLiterature(4)&
A107pair of Wedgwood plates designed by Emile Lessore, printed to the rim with two classical females, in colours, and a Barnicott & Banfield ‘Sydenham Crystal Palace soup bowl, printed with a coat of arms, impressed factory marks, 26cm. diam, (3) £120 180
Pottery owl jug, modelled as a stylised bird, covered in a green glaze, a Fishley Holland flaring bowl decorated to the interior with impressed leaf design and an Aller Vale dolphin bowl, main jug unsigned, 20cm. high, (3) £100 200
£100 200
A116Wemyss Pottery Pheasant teapot and cover, ovoid, painted with a bird walking before ferns, in colours impressed factory mark, restored spout, 10.5cm. high
£400 600
A112Thomas
Wileman Intarsio Mantel clock designed by Frederick Rhead, model no.3160, the central panel with ships sailing behind white lilies, titled Carpe Diem, flanked by classical maidens depicting night and day, under pitched mantel, in colours, with Smith’s circular metal dial printed factory mark, 28.5cm. high
A113Foley
A115large Wemyss Pottery egg basket retailed by Thomas Goode, flaring fluted form with rope twist over slung handle, painted with a frieze of brown chickens and a cockerel, in colours impressed Wemyss, printed Thomas Goode mark, 40.5cm. wide
‘Bulldog’114 a rare Royal Doulton wall pocket, modelled in relief, the back plate with inscription What we have we hold, painted in colours printed Royal Doulton mark, 18cm. long £200 300
£150 200
ChrisLiteratureWatkins, William Harvey & Robert Senft Shelley Potteries, Barrie & Jenkins, page 59 colour plate III for a comparable example. £400 600
A117Wemyss Ware Cherry wash basin and ewer, painted with sprays of fruiting cherry in green and black on a white ground, and another smaller, impressed Wemyss Ware mark to base, 39cm. diam (basin), (4)
£200 300
Forester & Sons Trogon jardiniere and stand designed by Ronald Dean, ovoid bowl on flaring cylindrical jardiniere stand, each tube line decorated with a peacock, perched on a branch of stylised flowers and fruit, in colours on a blue ground, signed R Dean, 92cm. high, (2)
112 115 29 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 117 116 113114
118 119 121122 124
A119James Macintyre ‘Aurelian Ware’ vase designed by William Moorcroft, baluster form printed with flowers and foliage in red and blue, highlighted in gilt, a Moorcroft ‘Iris’ jug and two modern Moorcroft twin handled coupe, printed factory marks, 11cm. high (4) £150 200
30 123 120
MOORCROFT POTTERY
A118James Macintyre & Co tea set designed by William Moorcroft, painted with a frieze of daisy chains in yellow, blue and green on a mauve ground, inside gilt, cream and mushroom bands, comprising teapot and cover, teapot stand, large jug with pewter cover, smaller milk jug and a sugar basin, printed factory mark, hairline to base of teapot and rim of sugar basin, 11cm. high (teapot), (7)
a James Macintyre & Co side plate designed by William Moorcroft, the rim with a border of flower and foliage in green and blue on a white ground, and a James Macintyre & Co Dura Ware plate, impressed marks, 13.8cm. diam. (2) £150 200
ft Pottery solifleur vase designed by William Moorcroft for Liberty & Co, ovoid with tall cylindrical neck and everted top rim, tubeline decorated with anemone flowers in pink, purple and green on a yellow lustre ground, printed Liberty mark, painted green signature, professional restoration to inside of top rim, 21cm. high £150 200
A123Moorcro
‘Floral121 Spray’ a James Macintyre & Co jardiniere designed by William Moorcroft, footed form with applied twin handles, tubelined and painted in colours, highlighted in gilt on a white ground, printed factory mark, painted green facsimile signature, hairline from top rim, crazed, 20.5cm. high £150 200
‘Anemone’124
a large modern Moorcroft Pottery Trial vase, dated 1994, shouldered form, tubelined in colours on a blue ground, impressed and painted marks, 27cm. high £150 250
£200 300
‘Anemone’122
‘Anemone’120 a James Macintyre & Co teapot stand designed by William Moorcroft, circular, tubeline decorated with two flowers in blue and green on a white ground, printed factory marks, 16.5cm. diam. £120 180
‘Flambe128 pear vase, tubeline colours with Frilled and Slipper owers, flambe glaze, date 1939, 32.5cm.
a Moorcroft Pottery
painted
Orchids’ a large Moorcroft Pottery vase designed by William Moorcroft,
tion. £500 800
‘Anemone’125 vase, shouldered tubeline anemone owers, mark, painted blue signature,
and Slipper Orchids’ a
Orchids before spring fl
on
£150 200
foot,
bowl, on
form with
ft Po
£150 200
impressed
ft Po
‘Frilled127 Moorcro ttery vase, compressed waisted neck, painted in colours on a green ground, and another smaller, blue signature, 20.5cm. (2)
impressed marks painted
decorated in
swollen,
impressed factory marks, painted blue signature and
17.5cm.
‘Frilled126 Moorcro ttery shallow painted colours a green ground, blue signature 21.5cm. diam.
tion. £100 200
form,
decorated with
high
fl
in
PrivateProvenancecollec
shaped
in colours under a
high
‘Big129
and Slipper Orchids’ a
Poppy’ a Moorcroft Pottery twin handled vase designed by William Moorcroft, tubeline decorated with flower stems in purple, red and green on a blue ground, impressed marks, painted blue signature, 20cm. high £500 800 128 31 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 126 127125 129
PrivateProvenancehighcollec
130 133 134 136
‘Bu132
‘Etoile’131
‘Gardenia’136 a modern Moorcroft vase, dated 2003, waisted cylindrical form, painted in colours, a MCC Weekend vase and another vase impressed and painted marks, 31cm. high (3) £150 250
‘Chrysanthemum’130
a modern Moorcroft vase, dated 2000, painted in colours, a Moorcroft ‘Tazetta’ vase, a ‘Martagon’ vase and two others in the same shape, impressed and painted marks 16cm. high (5) £150 200
‘Blue135
£150 200
‘Sea133
tterfly’ a Moorcroft Pottery MCC vase, dated 1993, painted in colours on a white ground, a Moorcroft Pottery ‘Clematis’ vase a ‘Tudor Rose’ vase and an ‘Accolade’ vase, impressed and painted marks, 10.5cm. high (4) £150 200
a modern Moorcroft vase, dated 2003, ovoid with solifleur neck glazed in blue on a pale blue ground, ‘Eve’ another similar designed by Rachel Bishop and a ‘Leila’ vase, impressed and painted marks, 23.5cm. high (3) £150 250
‘A134New Dawn’ a modern Moorcroft vase designed by Emma Bossons, dated 2006, painted in colours, a vase similar and a ‘Cornflower’ vase impressed and painted marks, 21cm. high (3)
£150 200
Rhapsody’ a modern Moorcroft Collector’s Club vase designed by Philip Gibson, dated 2001, painted in colours on a blue ground, and a ‘Lamia’ vase impressed and painted marks, 26cm. high (2)
131
32 135 132
Drift’ a modern Moorcroft vase designed by Rachel Bishop, dated 2002, compressed body with tall solifleur neck, and two other modern Moorcroft vases, impressed and painted marks, 21cm. high (3) £150 200
‘Wolfsbane’137
a modern Moorcroft limited edition bottle vase designed by Anji Davenport, dated 2000, painted in colours, and a ‘Poppy’ bottle vase, impressed and painted marks, 69/350 31.5cm. high (2)
£150 250
£150 200
‘Unicorn’141 a Moorcroft Pottery Trial vase designed by Kerry Goodwin, dated 2017, tubeline decorated in colours painted factory marks, 17cm. high £120 180
Tribute’ a large limited edition modern Moorcroft vase, shouldered ovoid form glazed in colours on a purple ground, impressed and painted marks, 369/400, 27.5cm. high £150 250
141 33 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 142 137 138 140139
a modern Moorcroft bottle vase, dated 2002, painted in colours, and a ‘Love in a Mist’ vase impressed and painted marks, 31.5cm. high (2)
£150 200
‘Royal142
‘Cuckoo139
Pint’ a Moorcroft Pottery limited edition vase designed by Kerry Goodwin, dated 2002, slender form, painted in colours, and a Moorcroft ‘Cuckoo Song’ vase impressed and painted marks, 37/50, 31cm. high, (2)
£150 250
‘Arabesque’138
‘Crown140
Imperial’ a modern limited Moorcroft limited edition vase, painted in colours on a cream ground, and another Moorcroft MCC vase decorated with tulips, dated 2002, impressed and painted marks, 221/600, 31cm. high, (2)
‘Ka148ffir Lily’ a modern Moorcroft Pottery vase by S Hayes, dated 2002, painted in colours, and four Moorcroft Pottery vases impressed and painted marks, 15.5cm. high (5)
‘Lamia’145
£150 200
‘Red149
143 144 145
of Spring’ a modern Moorcroft Pottery vase, dated 2000, painted in colours, a Moorcroft ‘Daisy’ vase and an ‘Oriental Poppy’ vase impressed and painted marks, 15cm. high (3)
£150 200
a modern Moorcroft Pottery vase, dated 1995, painted in colours, and a Moorcroft ‘Oxalis’, ‘Convolvulus’ and ‘Orchid’ vases impressed and painted marks, 19.5cm. high (4)
£150 200
a modern Moorcroft Pottery vase, painted in colours, and a Moorcroft MCC ‘Samarkand Lily’ vase and two other vases impressed and painted marks, 18.5cm. high, (4)
Orchid’ a modern Moorcroft vase designed by Philip Gibson, slender baluster form, painted in colours, a Moorcroft MCC ‘Victoriana’ vase and a ‘Rudbeckia’ vase impressed and painted marks, 20.5cm. high, (3)
and Strawberries’ a modern Moorcroft vase, compressed form, painted in colours, a Moorcroft ‘Banksia’ vase and three others similar, impressed and painted marks, 10cm. high, (5)
£150 200
£150 200
147146149 34 150148
£150 200
a modern Moorcroft part tea set designed by Sally Tuffin, painted in colours, comprising; tea cup, saucer and milk jug, three small vases in the same pattern, a Hibiscus vase, box and cover, an Anemone vase, tray and a box and cover, four plates and five pin dishes, impressed and painted marks, (a lot)
‘Blackberries144
‘Datura’146
‘Violets’143
‘Heralds147
Ribbons’ a Moorcroft Pottery jug, dated 2003, painted in colours, a Moorcroft ‘Fuchsia’, ‘Violet’ and ‘Cornflower’ solifleur vases, impressed and painted marks, 24.5cm. high, (4)
£150 200
£150 200
‘Lizard150
Hawks Beard’ a modern Moorcroft Pottery vase, painted in colours, and three other Moorcroft vases, impressed and painted marks, 13.5cm. high (4)
‘Heartsease’155
a modern Moorcroft Pottery vase, dated 2000, painted in colours, a Moorcroft Pottery ‘Ostara’ limited edition vase designed by Rachel Bishop, and another vase impressed and painted marks, 21cm. high (3)
£150 200
Moorcroft MCC vase, painted in colours with flowers on a graduated blue ground, a Moorcroft ‘Bolderwood’ vase designed by Rachel Bishop and a ‘Spike’ vase impressed and painted marks, 16cm. high (3)
a limited edition Moorcroft Pottery small ginger jar and cover, painted in colours, two others similar and two Moorcroft ‘Hibiscus’ vases, impressed and painted marks, 11cm. high (8)
Elegance’ a Moorcroft Pottery MCC vase, dated 1998, painted in colours and a modern Moorcroft Pottery ‘Protea’ vase impressed and painted marks, 15cm. high (2)
£120 180
‘Rough154
a modern Moorcroft Pottery vase, dated 1994, painted in colours, and a Moorcroft ‘Anemone’, ‘Bryony’ and ‘Tudor Rose’ vase impressed and painted marks, 13.5cm. high (4) 200
‘Floral153
£150 200
‘Hesperian152
A156modern
£150 200
Waters’ a modern limited edition Moorcroft vase designed by Sian Leeper, dated 2005, painted in colours, Moorcroft ‘The Keepsake’ and ‘Carousel’ vases impressed and painted marks, 27/50, 23.5cm. high (3)
£150 200
‘Century’157
£150 200
‘Pansy’151
£150
152 156155154 35 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 157 151 153
‘Lion’163
‘Elephant’161
a Dennis China Works Mr T vase designed by Sally Tuffin, dated 2001, painted in shades of yellow and orange, a Dennis China Works ‘Ladybird’ Mr T vase and a Dennis China Works ‘Tiger’ Mr T vase, impressed and painted marks, 8.5cm. high (3) £150 200
‘Ladybirds’160
‘Dragon159
‘Rhino162
161162164 36 163
a Dennis China Works Trial miniature vase designed by Sally Tuffin, dated 2005, shouldered form with modelled ladybirds, in colours, and three other vases similar, impressed and painted marks, 8.5cm. high, (4) £150 250
‘Bu164
165
tterflies’ a Dennis China Works Mr T vase designed by Sally Tuffin, dated 2010, painted with numerous butterflies, in colours on a graduated blue to green ground, a Dennis China Works ‘Panda’ Mr T vase and a ‘Leopard’ Mr T vase impressed and painted marks, 8.5cm. high (3) £150 250
a Dennis China Works vase designed by Sally Tuffin, dated 2002, shouldered form, painted in colours, a ‘Rhino after Durer’ vase and an ‘Owl’ vase impressed and painted marks, 8.5cm. high (3) £150 250
‘Mouse’165
a Dennis China Works miniature vase designed by Sally Tuffin, dated 2009, and two other miniature ovoid vases, impressed and painted marks, 5.5cm. high (3) £150 200
DENNIS CHINA WORKS
fly’ a Dennis China Works Trial miniature vase designed by Sally Tuffin, dated 2008, painted in colours, and three other miniature vases impressed and painted marks, 6.5cm. high (4) £150 200
‘Stag’158
after Durer’ a Dennis China Works miniature vase designed by Sally Tuffin, dated 2003, painted in colours, and two other small vases, impressed and painted marks, 8.5cm. high (3) £150 250
a Dennis China Works miniature vase designed by Sally Tuffin, dated 2004, made for Garners, painted in colours on a graduated green ground, another on blue and purple ground, a Dennis China Works ‘Ladybirds’ vase and two others impressed and painted marks, (5) £150 250
158 159 160
‘Cockerel’169
£120 180
£150 200
A172Dennis
£500 800
£200 300
a Dennis China Works Trial vase designed by Sally Tuffin, dated 2003, tubeline decorated with flowers and a bee in green and cream on a black ground impressed and painted marks, 29.5cm. high
Coats’ a Dennis China Works limited edition vase designed by Sally Tuffin, dated 2010, painted by Vanessa Thompson, painted in colours highlighted in silver, impressed and painted marks, 5/20, 32cm. high £200 300
‘Lustre168
Bear’ a Dennis China Works Trial preserve pot and saucer designed by Sally Tuffin, dated 2004, cylindrical jar and cover with polar bear finial, the saucer modelled with eight polar bears, in shades of blue, yellow and turquoise, painted marks and signature, 19cm. diam. 13.5cm. high, (3)
a Dennis China Works limited edition vase designed by Sally Tuffin, dated 2006, shouldered form, tubeline decorated with a standing cockerel in ruby and pink lustre on a cream ground, impressed and painted marks, 19/25, 21.5cm. high
£200 300
China Works Mouse Trial chess piece, dated 2010, painted in colours, and a Dennis China Works miniature pot and cover with mouse finial, impressed and painted marks, 5.5.cm. high (3)
167 168 166 170
‘Polar167
‘Datura’170
‘Winter171
Butterfly’ a Dennis China Works Trial vase designed by Sally Tuffin, dated 2008, painted by Theresa Blackmore, painted in colours on a graduated green ground, impressed and painted marks, 16.5cm. high £150 200
A166Dennis
China Works Trial vase designed by Sally Tuffin, dated 2013, painted by Theresa Blackmore, painted in colours on a cream ground, impressed and painted marks, 32.5cm. high
171169 37 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 172
£120 180
173 174 175 176 178
Pottery Solian Ware Fan tailed Dove wall pocket, glazed in colours on a cream ground, another glazed cream and three other wall pockets, printed factory marks, 23.5cm. high, (5)
A174Susie
£120 180
Five178
‘Monaco’177 a Midwinter Modern shape tea for two set designed by Jessie Tait, printed in black, comprising; teapot and cover, milk jug and sugar basin, two cups, saucers and a cake plate, and a Midwinter ‘Monaco’ pattern coffee set for six designed by Jessie Tait, comprising; coffee pot and cover, milk jug and sugar basin, six cups and saucers, printed factory marks, 13cm. high (teapot), (25)
‘Do176 Scratch my Back’ a Wilkinson’s Pottery vesta, modelled as a dog, seated with tongue out, painted in shades of yellow, red and black, the oval base inscribed Do scratch my back, retailed by Soane & Smith, London, stamped factory mark, 12cm wide, 12cm high
A175Louis
A173Simpsons
Carlton Ware Guinness Advertising bar figures, from the original poster designed by John Gilroy, comprising ostrich, toucan, kangaroo and two tortoises, in colours printed factory marks, 10.5cm. high (ostrich), (5) £150 200
Cooper Studio Ware jug, pattern M.72, ovoid form, painted with stylised orchid flowers in pastel colours on a cream ground, and a Susie Cooper tea set for two, printed with stars in rust, highlighted in gilt, comprising teapot and cover, milk jug and sugar basin, two cups, saucers and a side plate printed and painted factory marks, 17.5cm. high (10)
£120 180
Wain Lucky Pig spill vase, painted in colours impressed factory marks, facsimile signature, professional restoration to ear, 11.5cm. high
38 177
£120 180
£300 500
UnaLiteratureDesFontaines
UnaLiteraturediam.desFontaines,
Pottery Butterfly lustre bowl designed by Daisy Makeig Jones, octagonal, printed to the exterior with butterflies and bugs in gold on a red lustre ground, the interior pearl lustre printed and painted marks, 22cm. diam. £150 250
Pottery tazza by Norman Wilson, the shallow bowl on cylindrical foot, moulded in low relief with radiating foliage, glazed green, the exterior glazed mottled matt grey and mushroom, impressed Wedgwood and NW marks, 22cm. diam.
£120 180
Pottery Lustre Lahore Imperial bowl designed by Daisy Makeig Jones, the exterior decorated with swags and paper lanterns, enamelled in colours, highlighted in gilt on a mottled blue lustre ground, the interior a frieze of Indian warriors riding elephants and camels around a central bird motif, on yellow lustre, printed and painted factory marks, 27cm.
180 182181 39 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price WEDGWOOD179
A180Wedgwood
Pottery lustre bowl designed by Daisy Makeig Jones, the exterior printed and painted with fish swimming amidst waterweed, in colours and gilt on a streaked green ground, the interior with a band of waterweed on a pearl lustre ground printed Wedgwood mark, 26.5cm. diam.
Wedgwood Fairyland Lustre, page 233 plate 55 for a comparable bowl. £600 1,000
Wedgwood Fairyland Lustre, page 79 plate 10 for a line drawing of two of the fish on this bowl. Although originally designing elaborate and grotesque fish patterns, their unpopularity led Daisy to create a range of more realistic fish. £150 200
A179Wedgwood
A181Wedgwood
A182Wedgwood
£200 300
A187Wedgwood
183 184 185 186
A184Wedgwood
Pottery vase designed by Keith Murray, flaring conical form with four cut bands, covered in a matt white glaze, printed factory mark and facsimile signature, 23.5cm. high
Pottery black basalt coffee set designed by Keith Murray, comprising coffee pot and cover, milk jug, sugar basin and cover, black basalt with turned band decoration, impressed factory marks, printed facsimile signature, 20.5cm. high (5)
A183Wedgwood
A184AWedgwood
£150 200
A185Wedgwood
184A
Pottery cigarette box and cover designed by Keith Murray, shape 3871, rectangular form covered in a Moonstone matt white glaze, another Wedgwood cigarette box and cover glazed matt green and a tankard mug, printed factory marks, facsimile signature, chip to corner of green box, 18.5cm. wide (5) £120 180
Pottery vase designed by Keith Murray, shape no. 3765, ovoid ribbed form, covered in a matt yellow glaze printed factory mark, KM monogram, 18.5cm. high £150 250
£300 500
A186Wedgwood
Pottery vase designed by Keith Murray, shape 3801, ovoid form with thin cut groove bands, covered in a Moonstone matt white glaze, printed factory mark and facsimile signature, 15cm. high £120 180
Pottery vase designed by Keith Murray, ribbed ovoid form, covered in a matt white glaze, and a Robj box and cover, modelled as a lady in a flaring skirt, holding a fan, printed factory marks, hairline and minor chips to vase, 15.5cm. high (3)
40 187
A188rare
Litererature: Ravilious Wedgwood, Richard Dennis, page 28 and 29 the vignettes illustrated, designed 1938. £3,000 5,000
and
Wedgwood Pottery Boat Race bowl designed by Eric Ravilious, printed with boat race vignette to the exterior, the well Piccadilly Circus, in colours printed factory mark, fine star hairline to base 31cm. diam, 13cm. high
41 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
A190Wedgwood Travel breakfast set designed by Eric Ravilious, printed with travel vignette in black and blue on a grey ground, comprising, coffee pot and cover, tea cup, saucer and side plate, sandwich set and bowl, printed factory marks, 17.5cm. high (9)
Pottery Coronation of Her Majesty Queen Elizabeth II 1953 commemorative mug originally designed by Eric Ravilious, printed in colours with Royal crest and 1953, below a frieze of fireworks, in pink, yellow and black, and a pair of Wedgwood Queen Elizabeth II Coronation mugs designed by Richard Guyatt printed factory marks, 10.3cm. high, (3)
£300 400
£200 300
Pottery Coronation of Her Majesty Queen Elizabeth II 1953 commemorative mug originally designed by Eric Ravilious, printed with royal coat of arms over a pink band, below a frieze of fireworks, and a Wedgwood ‘God Save The Queen’ mug designed by Richard Guyatt, printed factory marks, 10cm. high (2)
£200 400
190 196
A194Wedgwood
£150 250
£150 250
A191Wedgwood Pottery Garden Implements beaker mug designed by Eric Ravilious, printed in black on pink lustre with a group of garden tools in a barrel, two Wedgwood ‘Alphabet’ mugs, a ‘Garden’ jug, a ‘Persephone’ jug and a collection of Wedgwood tableware by Eric Ravilious, mainly Persephone, printed factory marks, minor damages, 10.5cm. high (a lot)
A189Wedgwood Pottery Persephone part coffee service designed by Eric Ravilious, printed in black and green with harvest vignette, comprising, coffee pot and cover, sugar basin, five cans and six saucers, four side plates and two sets of Wedgwood Persephone milk jugs and sugar basin printed in black, printed factory marks, 18cm. high, (22)
£400 600
A192Wedgwood Garden meat platter designed by Eric Ravilious, printed with a vignette of a man diving into a pool, the rim a stylised border, in blue and black printed factory mark, 32.5cm. wide £150 200
A195Wedgwood
A196Wedgwood
A193Wedgwood Garden teapot and cover designed by Eric Ravilious, printed with garden vignette to the cover in black and yellow, and three graduated Wedgwood Garden plates printed factory marks, 10cm. high (5)
£300 400
Pottery Coronation of Her Majesty Queen Elizabeth II 1953 commemorative mug originally designed by Eric Ravilious, printed with royal coat of arms, 1953, below a frieze of fireworks, and a Wedgwood Queen Elizabeth II Golden Jubilee mug printed factory marks, 10.5cm. high (2)
189192193 195 42 194 191
A197Wedgwood Pottery Alphabet mug designed by Eric Ravilious, printed in green on a white ground, printed factory mark, 8.5cm. high
Wedgwood Pottery Alphabet mug designed by Eric Ravilious, printed with alphabet vignette over green bands, printed factory marks, designed by Eric Ravilious, small frit to handle, 10.5cm. high
£700 1,000
Ravilious and Wedgwood Richard Dennis Publications, page 22 this design illustrated, designed in 1937.
A199large
£150 250
£300 400
200 43 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 201199 197 198
A198small
Wedgwood Pottery Alphabet mug designed by Eric Ravilious, printed with alphabet vignette on pink bands, printed factory mark, 8cm. high
A200Wedgwood Garden Implements beaker mug designed by Eric Ravilious, printed with a vignette of garden tools in a barrel, in black and pink lustre printed factory mark, 11cm. high
£100 200
A201Wedgwood Orient Line trio designed by Edward Bawden, printed with a heartsease flower in black and purple, comprising bowl, saucer and side plate printed factory mark, 15.5cm. diam. (3)
£150 200
Literature
205203 44 206
£200 300
Clarice Cliff Christies South Kensington, 22nd November 1996, lot 312.
£150 200
£100 200
a Clarice Cliff Bizarre bowl, ‘Pastel Melon’ a Clarice Cliff Fantasque Bizarre plate and ‘Kew’ a large Clarice Cliff Bizarre platter, painted in colours printed factory mark, 21.5cm. diam. (3)
Clarice Cliff
£150 250
CLARICE CLIFF
A203Foley
Mar202tin Battersby (1914 1982)
an advertising poster for the Brighton Art Gallery Exhibition, 1972 and a collection of poster and art reference books, signed in the print 76.5 x 50cm. (a lot)
£150 200
A204Foley
202 204
Cliff Bizarre meat platter designed by Vanessa Bell, made for the Modern Art for the Table Exhibition, 1934, painted with stylised flowers to the well, in blue on a pale blue ground, printed factory mark, restored, 42cm. wide
Literature Age of Jazz British Art Deco Design, National Museum of Liverpool, page 86 cat. no. 80 for a side plate in this design illustrated.
Provenance
£120 180
Literature
A205Clarice
‘Cherry’207
Cliff lamp base, ovoid cast in low relief in stylised flowers, glazed in colours on a mushroom ground, and a Royal Cauldron pottery twin handled lamp base printed factory mark, 16cm. high (2)
White Rose tea set for one designed by Graham Sutherland for the 1934 Modern Art for the Table exhibition, printed with a rose in black on a green ground, comprising large teapot and cover, milk jug and sugar basin, one cup, saucer and side plate, printed factory mark, hairline to teapot base and milk-jug handle, 14cm. high (7)
207
Graham Sutherland, Tate Gallery Exhibition catalogue, 1982, page 66 cat. no.27 for the original design, and page 67 cat. no.28 for a part tea set illustrated.
Embroidery tea trio designed by Dod Procter, V.629, painted with panels of pink daisy flowers, comprising tea cup, saucer and side plate, a Foley tea cup, saucer and sugar basin by Ernest Procter, and a Foley Convolvulus part service designed by Milner Gray, printed factory marks, minor damages, 23cm diam (large plate) (17)
A206Clarice
208 209 45 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price ‘Inspira208tion Caprice’ a Clarice Cliff Bizarre ribbed charger, painted with radial design in shades of blue, pink, sand and black on a turquoise inspiration ground, printed and painted factory mark, 45cm. diam. PrivateProvenancecollection £2,000 4,000 ‘Inspira209tion Clouvre’ a Clarice Cliff Bizarre 358 vase, enamelled in colours on a matt blue ground, printed and painted marks, 20cm. high £800 1,200
‘Delecia213 Pansies’ a Clarice Cliff Bizarre Athens jug, shape 30, painted in colours printed and painted factory mark, 18cm. high £150 200
‘Rhodanthe’215 a Clarice Cliff Biarritz plate, painted in colours, a ‘Rhodanthe’ fern pot, ‘Marguerite’ cruet set, a ‘Cherry Blossom’ vase and a small collection of Clarice Cliff printed factory marks, plate repaired, 26.5cm. ( a lot) £120 180
£150 250
a Clarice Cliff Bizarre plate, painted in colours inside yellow and green bands, a Clarice Cliff ‘Rhodanthe large bowl, small bowl and Biarritz plate, an ‘Aurea’ Biarritz plate, two ‘Amber Rose’ plates a part green banded tea set and a collection of Clarice Cliff including late Crocus, books on Clarice Cliff and a continental Screamer wall mask, printed factory marks, 22.5cm. wide (a lot)
211 210 213 215
£300 400
‘Gay211 Day’ a Clarice Cliff Fantasque Bizarre miniature ovoid vase, painted in colours between yellow and brown bands, a ‘Gay Day’ beaker and sugar basin, a ‘Ravel’ Daffodil shape toast rack and a Czechoslovakian fan vase, printed factory mark 6.5cm. high (5)
a Clarice Cliff Bizarre stepped bowl, shape no.419, painted in colours, and a Clarice Cliff ‘Orange Trees and House’ bowl, printed factory marks, 17cm. diam, (2) £120 180
‘Autumn’212
‘Original214 Bizarre’ a Clarice Cliff Bizarre sandwich tray, painted with radiating star design in purple, blue yellow and red, outlined in green, another similar and a Clarice Cliff Original Bizarre side plate printed factory mark, 29.8cm. wide. (3)
46 212214
‘Secrets’210
£150 200
‘Pastel216 Autumn’ a pair of Clarice Cliff Bizarre 269 vases, painted in colours between pink bands, printed factory marks, 15cm. high, (2) £500 600
Idyll’ a Clarice Cliff Bizarre Leda sandwich set for six, dated 1930 31, each painted with a Crinoline lady in colours inside yellow, red and black bands, comprising a sandwich plate and six side plates, printed and painted factory marks, chips and wear, 22.8cm. diam (sandwich plate), (7)
£300 500
‘Applique218
216
‘Blue217 Chintz’ a Clarice Cliff Bizarre vase, shape no.451, painted in colours printed factory marks, 15cm. high £200 300
217 218 47 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
a Clarice Cliff Bizarre large Athens jug, painted in colours above brown and green bands, a low drum preserve pot and cover, a bowl, plate, flower brick and cruet set in the same pattern, printed factory mark, mustard pot lid missing 19.5cm. high, (9)
‘Blue220
a Clarice Cliff 376 vase, painted in colours, a Clarice Cliff Bizarre ‘Crocus’ jug and drum preserve pot, printed factory marks, chips to crocus items, hairline to vase, 18cm. high, (3) £120 180
‘Sliced222
£150 250
‘Beechwood’224
a pair of Clarice Cliff Bizarre clogs, painted in colours printed factory marks, 10.5cm. wide (2)
£150 200
A223Wilkinson’s Kiddies Ware hot chocolate set designed by Joan Shorter, printed and enamelled with wild animals elephant, penguins, monkeys and a stork, comprising Conical pot and cover, two beaker cups and an octagonal tray, printed factory marks, 17.5cm. high (5)
‘Red221 Tulip’ a Clarice Cliff Fantasque Bizarre cigarette and match vesta, painted in colours, an ‘Orange Trees and House’ Beehive preserve pot, an ‘Autumn’ sugar basin with plated cover, and a ‘Farmhouse’ cruet printed factory marks, cruet restored, 7cm. high (6) £120 180
Fruit’ a Clarice Cliff Bizarre toast rack, painted in colours printed factory marks, 17cm. wide £120 180
£150 250
The set uses Clarice Cliff’s Conical coffee pot and cover as a hot chocolate pot. £200 400
a Clarice Cliff Bizarre Apple preserve pot and cover, painted in colours printed factory marks, small nick to cover of rim, 9cm. high (2) £150 200
‘Crocus’227
Catalogue notes
‘Cr225ocus’
‘Crocus’226
‘Kew’219
219 220 221 222 223 224 226 48 225 227
Firs’ a Clarice Cliff Bizarre preserve pot and cover, painted in colours printed factory marks, old restoration to cover, 8.5cm. high £150 200
a Clarice Cliff Bizarre Beehive preserve pot and cover, painted in colours and a collection of Clarice Cliff Crocus, comprising, low drum preserve and cover, cylindrical preserve and cover, two Beehive preserve pots, toast rack, Bon Jour preserve and cover, cruet set, Hiawatha bowl, side plate and cake plate printed factory marks, minor damages, 10cm. high (a lot)
a Clarice Cliff Bizarre 360 vase, painted in colours between yellow and brown bands, printed factory marks, 21cm. high £150 200
a Clarice Cliff Bizarre vase, shape no.196, painted in colours between yellow and brown bands, printed factory marks, 16cm. high £120 180
229 230 231 49 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 233 228 232
‘Crocus’230
£120 180
‘Crocus’228
a Clarice Cliff Bizarre Bon Jour coffee set for six, comprising, coffee pot and cover, milk jug and sugar basin, six cups and saucers, painted in colours printed factory marks, fine hairline to the sugar basin, restored chip to rim of one cup, 19cm. high (16) £200 400
‘Crocus’231
‘Crocus’233
a Clarice Cliff Bizarre Tankard coffee set for six, dated 1929, painted in colours between yellow and brown bands, comprising, coffee pot and cover, milk jug and sugar basin, six cans and saucers printed factory marks, coffee pot professionally restored, chip out of one saucer, 19cm. high (coffee pot), (16) £200 400
‘Crocus’232
‘Crocus’229
a Clarice Cliff Bizarre Conical sugar sifter, painted in colours between yellow and brown bands printed factory marks, 13.5cm. high
a Clarice Cliff Conical sugar sifter, painted in colours between yellow and brown bands, printed factory mark, 14cm. high £150 200
A235large Carter Stabler & Adams Poole Pottery Angel architectural faience panel designed by Harold and Phoebe Stabler, circular, modelled in relief with an angel offering up flowers, glazed in colours impressed CSA mark to the rim edge, 68cm. diam.
Kitchener’ a Carter’s of Poole portrait tile after the portrait by Bassano, dated Nov.1914, modelled in low relief and glazed in sepia, a Carter’s tile ‘Guildhall’ from the Dorset Views range designed by Bernard Charles, a Poole Pottery small owl designed by Barbara Linley Adams and a small collection of Poole Pottery, impressed marks to portrait tile, 14.8 x 10.6cm.
‘Waterbirds’238 a Carter’s Poole Pottery tile panel designed by Harold Stabler, six bird tiles painted in colours, inter spaced with grasses and plain tiles, in modern wooden frame, marks concealed, museum restoration, 66 x 51cm.
Lalique & Design 1860-1945, Bonham’s London, lot 160 for another pair of roundel acquired from John Adam’s family, the family house at Broadstone in 1956.
234235236237 239
Provenance
£120 180
British Art Pottery Woolley and Wallis, 26th November 2008, lot 191.
£150 250
A236near
LeslieLiteratureHayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 23 for a comparable Kitchener tile glazed blue.
LeslieLiteratureHayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 39 for a pair of facing roundel flanking central Christ figure exhibited at the British Empire Exhibition, Wembley 1924 exhibition, and then installed at the Mortuary Chapel, Mary Abbots, Kensington Infirmary. When this site was re developed these panels were returned to Poole Pottery and erected at the factory in 1989.
A234Carter Stabler & Adams Poole Pottery vase by Anne Hatchard, shouldered form, painted with simple zigzag band in yellow and blue on a pale grey ground, a Poole Pottery Hors d’oevre set, a large cut glass bowl possibly Stuart, two Wedgwood Persephone soup bowls designed by Eric Ravilious, and a collection of ceramics including Heal & Sons Country Bunch tableware impressed marks, 12cm. high (a lot)
TheProvenance(4)Redstone
Literature
POOLE POTTERY
A237Carter Stabler & Adams Poole Pottery vase probably designed by Truda Adams, ovoid with applied loop handles, shape 202, painted with bands of simple geometric design, in purple, green, blue and yellow on an offwhite ground, a Poole Pottery vase after an original by James Radley Young, pear shaped form painted in shades of black and terracotta on an unglazed brown ground, and two smaller vases, shape no.563, impressed marks, painted marks, 17cm. high
50 238
ttee’s Wareham, lot 423 The Redstone Collection.
£120 180
CoProvenance(13)
CoProvenance
ttee’s auctioneer’s 5th October 1999, lot 361 (Kitchener tile).
Collection.
The Redstone Collection.
LeslieLiteratureHayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 32 for a comparable jug illustrated.
£300 500
£120 180
‘Lord239
The Redstone Collection
£200 400
pair of Carter Stabler & Adams Poole Pottery large jugs probably designed by Truda Carter, pattern HZ, painted by Eileen Prangnell, painted with stylised tulip flowers and scrolling foliage in brown on a matt brown ground, impressed and painted marks, 35.5cm. high (2)
The Poole Potteries, V & A Museum Exhibition, February to April 1978 front cover for similar tiles illustrated.
Private collection Exhibited
Art Deco by The Sea, Sainsbury Centre for the Visual Arts, 9th February 14th June 2020 and Laing Art Gallery, Newcastle Upon Tyne, 11th July 10th October 2020, this tile panel.
A242Carter Stabler & Adams Poole Pottery deep charger designed by Truda Adams, pattern SL, painted by Truda Rivers, painted with geometric flowers and foliage in colours impressed mark, painted artist cipher, 37.5cm. diam.
£600 800
‘Sea244
GhislaineLiterature Wood Art Deco by The Sea,Sainsbury Centre, page 121 figure 128 this tile panel Leslieillustrated.Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 173 for a comparable example illustrated.
Tales’ a Carter’s Poole Pottery tile panel made for W H Smith, decorated with a galleon at full sail, in colours about title ‘Sea Tales’ in Eric Gill’s Serif typeface, in oak frame, marks concealed, 53.5 x 36cm.
243
240 Guild Hall a Carter & Co Poole Pottery tile designed by Edward Bawden for the tearooms, printed in black and green on a speckled ground, impressed mark, 13cm. square £300 400
W.H.ProvenanceSmith Newsagents, Liverpool
Private collection Exhibited
GhislaineLiterature Wood Art Deco by The Sea, Sainsbury Centre, page 121 figure 127 this tile panel illustrated.
241 242240
W.H.ProvenanceSmith Newsagents, Liverpool
A241Carter & Co Poole Pottery Sporting series tile designed by Edward Bawden, painted with a man fishing, in colours impressed mark, painted VC, 12.5cm. square £150 200
‘Animal243 Books’ a Carter’s Poole Pottery tile panel made for W H Smith, decorated with three alert gazelle in a grassland setting, in colours about title ‘Animal Books’ in Eric Gill’s Serif typeface, in oak frame, marks concealed, 54 x 20.5cm (tiles)
£300 500
51 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 244
Art Deco by The Sea, Sainsbury Centre for the Visual Arts, 9th February 14th June 2020 and Laing Art Gallery, Newcastle Upon Tyne, 11th July 10th October 2020, this tile panel.
£600 800
Pottery Love Birds group modelled by Harry Brown, modelled perched on fruiting vine on oval base, spray glazed in shades of blue, green and chestnut brown Picotee glaze, impressed factory mark, 19.5cm. high
Pottery stoneware Barred Owl designed by Barbara Linley Adams, model no. 705, glazed in matt colours, a Poole Pottery seated hound, model no,701 and a Poole Pottery Fawn resting by Marjorie Drawbell, impressed marks, 33cm. high (owl), (3) £150 200
£150 200
A247Poole
52 249 251
LeslieLiteraturediamHayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 194 for a comparable example illustrated.
Pottery stoneware Mallard Duck designed by Barbara Linley Adams, model no.707, introduced in 1973 in a limited edition of 1000, matt glazed with chestnut brown detailing, impressed marks, incised signature, 38cm. wide
£150 200
‘Old249 Harry Rocks’ a Poole Pottery Isle of Purbeck limited edition charger designed by Karen Brown, painted by Susan Pottinger, dated 1998, painted with the Dorset coastal scene of Old Harry Rocks in colours, printed mark, painted signature numbered 7/100, 40.5cm.
£150 250
248247246245 250
A245Poole
LeslieLiteratureHayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 150 for a comparable Mallard dusk illustrated.
£150 200
A251Poole
Pottery Delphis plate, painted with an owl flying, in colours on a purple ground, printed factory mark, 27cm. diam.
‘Old246 Harry Rocks’ a Poole Pottery Isle of Purbeck vase designed by Karen Brown, shouldered form, painted with the Dorset landscape of Old Harry Rocks in colours and a Poole Pottery cylindrical vase painted with chevron design in blue, printed mark, painted monogram, 20.5cm. high, (2) £150 200
‘Viking250 Longboat’ a Poole Pottery limited edition charger designed by Karen Brown, painted by Susan Pottinger, dated 1999, painted with two boats at sea, inside border of shields and waves, in colours printed mark, painted signatures and date, 33/100, 41cm. diam.
A248Poole
LeslieLiteratureHayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 51 for a comparable example illustrated.
£120 180
A255Richard Parkinson Pottery Judge bust designed by Susan Parkinson, model no.87, modelled in relief and painted in shades of blue/grey, the base painted with Ionic pillars and cartouche with SP RP monogram, impressed factory marks to base, 33.5cm. high
a large panel of two hundred and four terracotta tiles, each cast in low relief with geometric designs, with bronze glaze, framed unsigned, chip to one tile, 129 x 27cm. (tiles) 185 x 48cm (frame)
CarolLiteratureCashmore & Tim Smith Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 62 and 63 for comparable bottle stoppers illustrated.
A253Next Interior cylindrical vase, elliptical section, painted with black irregular design on celadon, with green spots, another Next Interior shouldered vase, a Next Interior shaped plate by Carol McNicoll, and five other Next Interior ceramics printed factory marks, 26.5cm. high (8)
£150 250
£300 500
252 253 53 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 255 254
£150 200
CarolLiteratureCashmore & Tim Smith Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 55 for a comparable example illustrated.
£300 500
Ron252 Hitchens (1926 2019)
A254Richard Parkinson Pottery dish designed by Susan Parkinson, elliptical form, resist decorated with two fish, in blue grey on a white ground, another similar decorated with two figures, and two Richard Parkinson Pottery bottle stoppers one modelled as a fish the other a French Gendarme originally designed by Guy Neale, main dish impressed marks, 21.5cm. wide (4)
A258Troika
Pottery Wheel lamp base by Annette Walters, round, cast in relief with geometric panels glazed blue, green and brown, painted marks, 27cm. high £150 200
260ATroika
54 261
TROIKA POTTERY258
A257Troika
£450 550
Pottery Coffin vase by Alison Brigden, tapering rectangular form, cast in low relief with geometric panels, glazed in shades of green and brown, painted factory mark, artist monogram, 17cm. high £120 180
A261Troika
A262Troika
Pottery Urn vase by Simone Kilburn, painted with a band of circles in brown, buff and green painted factory marks and artist monogram 26cm. high £120 180
Pottery Wheel vase, cast in low relief with a Taj Mahal design in blue and brown, painted marks artist monogram 19.5cm. high £200 300
Pottery Globe vase by Louise Jinks, ovoid on circular foot, painted with geometric bank in brown and buff with thin orange bands, painted mark, artist monogram, 19.5cm.
A256Troika
Pottery Brick vase by Alison Brigden, rectangular, shouldered form with oval aperture, modelled in low relief with geometric panels, glazed green and brown on a buff ground, painted marks, 20.5cm. high
259ATroika
256 259 262260
Pottery double egg cup, painted with a band of black dots over brown band, on a white glaze, and a Troika Pottery Marmalade pot by Teo Bernatowitz, egg cup faint printed mark, marmalade painted marks, 9cm. high (2) £120 180
£150 250
257
Pottery Double Base lamp base by Louise Jinks, modelled in low relief with geometric panels, glazed buff and blue, painted factory marks, 36cm. high
A266Troika
Pottery large Wheel vase by Avril Bennett, cast in low relief with geometric panels, glazed brown and blue painted marks, 32cm. high
£250 350
Pottery Double Base vase by Jane Fitzgerald, cast in low relief with geometric panels, in blue, green and brown painted factory marks and artist monogram, stress hairlines to top rim, 35cm.
tioneer’s 21st August 2006, (14076) lot 370.
263 266264 55 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
265
£450 550
tioneers 21st August 2006, (14076) lot 371.
Pottery Double Base vase, cast in low relief with a geometric figure design in tan and blue painted factory marks, painted CC monogram, 35.5cm. high
A264Troika
£350 450
A265Troika
BonhamsProvenancehighAuc
A263Troika
£300 500
BonhamsProvenanceAuc
56 270
Pottery vase probably designed by Constance Spry, model no.FMC2, footed, twin handled form, glazed interior, another Fulham Pottery twin handled vase glazed grey, a Fulham Pottery Hulingham Club jug and another small vase, impressed and incised marks, stress hairlines to main, 44cm. wide (4) £200 300
A268Fulham
A271The Fulham Pottery twin handled vase designed by Constance Spry, footed form, with flaring bowl, covered in a matt cream glaze, printed factory marks, 51cm. wide. £150 200
FULHAM POTTERY
A270large Fulham Pottery vase designed by Constance Spry, model no. FMA1, footed, flaring form with loop handles, clear glaze to the interior, impressed and incised marks, 50cm wide, 23cm high £200 300
269268267 271
A269Fulham
A267Fulham
Pottery vase probably designed by Constance Spry, model no. FNE footed, flaring twin handled form, glazed interior, impressed and incised marks, 37.5cm. wide. £150 200
Pottery vase designed by Constance Spry, footed, twin handled form, glazed interior, impressed factory mark, incised Constance Spry signature, 46cm. wide.
BrightonLiteratureMuseum & Art Gallery, for a comparable example. £250 300
high £150 200
covered
A273Fulham
designed
Pottery vase probably by Constance Spry, model no.FME, footed, flaring form, the with three flutes, glazed interior, impressed and incised marks, 16.5cm.
Fulham
designed
high £400 600
interior,
A274Fulham
A275large Pottery Fan vase designed by Gerard De Witt, flaring fan shape with six aperture, on circular foot, covered in a matt white glaze impressed marks, 29.5cm.
Pottery vase by Gerard De Witt, four flaring tubes, on stepped base, in a matt white glaze impressed marks, no.3, 19.5cm.
form,
high £200 300
designed
high £150 200 273 274 275 57 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 276 272
Fan
designed
A276large Fulham Pottery vase by Gerald de Witt, footed form, the flaring vase with six aperture, impressed factory marks, 30cm.
A272Fulham
body
Pottery vase probably by Constance Spry, model FW.3, footed, flaring cylindrical glazed impressed factory mark, incised FJ3, 19cm.
high £300 500
£250
Pottery twin handled vase designed by Constance Spry, footed form, the handles cast as wreath, glazed interior, impressed factory marks and facsimile Constance Spry signature, 41cm. wide
Pottery vase designed by Constance Spry, tapering stem foot supporting swollen bowl, covered in a celadon grey glaze incised Constance Spry signature, 18.5cm. high
£150 200
Pottery vase designed by Elaine Goddard, on square base, urn shaped, with glazed interior, impressed factory marks, 22cm. high £150 200
A280Fulham
£200 300 277 280279 58 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 278
A278Fulham
A277Fulham
Pottery vase designed by Constance Spry, footed, flaring form, the body cast with foliate motif, glazed interior, impressed factory marks, facsimile Constance Spry signature, 40cm. wide. 300
A279Fulham
59 An281Omega Workshops vase by Roger Fry, low, shouldered form, painted with panels of animals in terracotta on a grey tin glaze, the interior painted with a star motif, painted Omega mark, damages 17cm. diam. EverardProvenanceMeynell, by repute, thence by descent. Exhibited A Room of Their Own: Lost Bloomsbury Interiors, Victoria Art Gallery, Bath 11th June 4th September 2016 Mantelpiece Modernism The Omega Workshops, Bloomsbury & Gordine Dorich House Museum, 27th September 17th November 2018. Literature Mantelpiece Modernism The Omega Workshops, Bloomsbury & Gordine Dorich House Museum, page 5 two views illustrated. £1,500 2,000
£120 180
STUDIO POTTERY 284
288A
£150 200
Andrew286 Richardson (born 1949)
a set of four oat cake boxes, dated 2003, covered, each triangular form modelled in relief with figures, glazed in colours, a Canterbury Tales box and cover, dated 2002, and two figural sculptures by Eric Marwick, painted EM 03 to boxes, 13cm. wide, 11cm high (each box) (12)
282 283
a stoneware vase in the manner of Shoji Hamada, shouldered ovoid form with flaring neck, resist decorated with a simple grass brushstroke design in resist, covered in a tenmoku glaze, unsigned, 15cm. high £300 400
a Fulham Pottery bowl, flaring form on shallow foot, painted with floral design in red on a turquoise blue ground painted Fulham Pottery Quentin Bell, minor glaze loss, 27cm. diam, 12cm high
£100 200
Provenance
A284Chelsea Pottery Green Man vase, shouldered form, painted with a green man mask, in colours incised marks, paper label, 27cm. high £150 200
Mashiko285 Pottery
A283Chelsea Pottery model of a textile studio by Gill Turner, depicting workers screen printing, two blocks hanging on the wall, and another Chelsea Pottery model of two seated figures, incised signature 24.5cm. wide (2)
Breakfast with Eric, 2003 Neville Pundole, The Gallery in the Friars Canterbury, (oat cake Canterburyboxes). Tales, 2002, Neville Pundole. £200 300
Quen282tin Bell (1910 1996)
£120 180
A287small collection of studio pottery, by various artists, DavidProvenance(11)Coachworth and Peter Myers
286285 288 60 287
Houses in a walled castle glazed stoneware castle with five loose and inter changeable houses, a stoneware vase by Eileen Lewenstein, a bowl by Bernard Charles and a Wenford Bridge Pottery large platter impressed seal marks in the design, 25cm wide, 17cm .high, (9)
Duncan288 Ross (born 1943)
Eric288AMarwick (1946 2018)
a swollen earthenware vase, burnished geometric design incised monogram 17.5cm. high £150 200
£120 180
Richard290 Batterham (19362021) a stoneware bowl with chattering band, the exterior salt glazed, the interior glazed ash, and two smaller bowls with chattering bands by Richard Batterham, unsigned 21.5cm. diam (main bowl), (3) £150 200
291 289 292 61 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 293 290
a small cut sided stoneware teapot and cover, partially covered with an ash glaze painted cobalt mark 11.5cm. high
£150 200
a large and deep stoneware mixing bowl, glazed to the interior with a pale ash glaze unsigned, 37.5cm. diam, 16cm. high £200 400
RICHARD BATTERHAM
Richard291 Batterham (1936 2021)
Richard289 Batterham (1936 2021)
a cut sided stoneware bowl, covered to the foot with an ash glaze, a small twin handled cut sided casserole, a large mixing bowl with chattering bands and four Muchelney Pottery salt glaze covered pots unsigned 15cm. diam, 9cm. high (11)
Richard293 Batterham (1936 2021) a tall stoneware jug, covered in an ash glaze, and two smaller graduated jugs by Richard Batterham unsigned, 27.5cm. high (tallest), (3) £200 300
Richard292 Batterham (1936 2021)
Richard295 Batterham (born 1936 2021) a large cut sided stoneware bowl, covered in an ash glaze unsigned, tape exhibition label 19 31cm. diam.19cm. high
Richard294 Batterham (born 1936 2021) a small cut sided stoneware bowl, ash glazed to the foot unsigned 22cm.
a cut sided stoneware bowl, covered in a running ash glaze unsigned, paper exhibition label no.6 and to base BC20 label, 28.5cm. wide, 18.5cm high
FROMTHEESTATE OF RICHARD BATTERHAM
295294296 62 297
FromProvenancediam.theestate of Richard Batterham £120 180
Richard296 Batterham (1936 2021)
FromProvenancetheestate of Richard Batterham £200 250
FromProvenance14.5cm.diam.hightheestate of Richard Batterham. £120 180
FromProvenancetheestate of Richard Batterham £150 200
Richard297 Batterham (1936 2021) large stoneware footed bowl with chattering band, the exterior glazed in iron, the interior covered in an ash glaze, unsigned, 34cm.
a large stoneware cut sided bowl, covered with an ash glaze to the foot unsigned 36cm. diam, 18cm. high
Richard299 Batterham (1936 2021)
a large salt glazed stoneware cut sided bowl, on shallow foot, unsigned, exhibition paper label no.37 34cm. diam, 20cm. high
FromProvenancetheestate of Richard Batterham
FromProvenancetheestate of Richard Batterham
299298300 63 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
£200 300
Richard300 Batterham (born 1936 2021)
£200 300
FromProvenancetheestate of Richard Batterham
£200 300
a large cut sided stoneware bowl, the exterior glazed black iron, the interior ash unsigned 33cm. diam, 19cm. high
Richard298 Batterham (born 1936 2021)
FromProvenancetheestate of Richard Batterham. £150 200
a large salt glaze stoneware beaten jar and cover, with chattering band, the interior glazed ash
FromProvenancehightheestate of Richard Batterham. £300 500
Richard303 Batterham (1936 2021)
a salt glaze stoneware beaten jar and cover, beaten and pushed out, covered to the shoulder with an ash glaze, the cover with sun motif unsigned, 23cm. high (2)
FromProvenancetheestate of Richard Batterham. £150 250
Richard304 Batterham (1936 2021)
Richard302 Batterham (1936 2021)
a stoneware tea caddy and cover, with fluted sides, covered in an ash glaze, unsigned, 12.5cm. high (2)
302301 304
FromProvenancetheestate of Richard Batterham. £150 200
a salt glazed stoneware beer jar and cover, circa 1995 1996, unsigned 34.5cm.
64 303
Richard301 Batterham (1936 2021)
FromProvenancetheestate of Richard Batterham.
Provenance
FromProvenancehightheestate of Richard Batterham.
308306307 65 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
Richard306 Batterham (1936 2021)
Richard305 Batterham (1936 2021)
a teapot with red salt glaze unsigned, incised clay type mark 13cm. high (2)
FromProvenancetheestate of Richard Batterham.
Richard308 Batterham (1936 2021)
£120 180
£400 600 305
£120 180
a cut sided stoneware lidded box, covered in an ash glaze unsigned, applied paper exhibition label number 126, 9.5cm. diam. (2)
Richard307 Batterham (1936 2021)
Richard Batterham, 1972 British Crafts Centre exhibition, catalogue number 128 From the estate of Richard Batterham.
a large two handled melon teapot, decorated with broad chattering band, glazed in ash 26cm.
£150 250
a small stoneware cut sided teapot and cover, covered in an ash glaze unsigned, paper label number 77 for the V&A exhibition list, 11cm. high (2)
two footed stoneware bowls, both with chattering bands to the interior, covered to the foot with an ash glaze, unsigned, one with paper exhibition number 40 label, 30cm. diam, 15cm. high, (2)
Richard310 Batterham (1936 2021)
FromProvenancetheestate of Richard Batterham
a small footed bowl with chattering bands, glazed to the interior ash, the exterior tenmoku, and another similar unsigned, glaze nicks to main, small chip to rim of second, 17cm diam, 10cm high, (2)
Richard309 Batterham (1936 2021)
£150 200
Richard313 Batterham (1936 2021) an early stoneware jug, covered in a running ash glaze impressed seal mark, handle repaired 21cm.
66 312
FromProvenancehightheestate of Richard Batterham. £150 200
309 310 311 313
£150 200
FromProvenancetheestate of Richard Batterham. £150 250
FromProvenancehightheestate of Richard Batterham. This jug was used by Richard as a water jug at the pug mill.
Richard311 Batterham (1936 2021)
£120 180
large stoneware footed bowl, with chattering band, the exterior glazed iron, the interior glazed ash, unsigned 37.5cm. diam, 18.5cm.
a cut sided stoneware mustard pot and cover, another salt glazed mustard pot and cover with chattering bands and another salt glazed mustard pot and cover, unsigned, repaired chip to one, 8cm. high (6)
Richard312 Batterham (1936 2021)
£150 250
£150 200
Richard314 Batterham (1936 2021)
salt glazed stoneware medium bottle, beaten, unsigned, 33cm.
£400 600
FromProvenancehightheestate of Richard Batterham.
315 316317 67 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 314
Richard317 Batterham (1936 2021)
Richard Batterham Studio Potter, V&A Publications, page 153 plate 143 for a comparable form.
FromProvenancehightheestate of Richard Batterham.
Richard315 Batterham (1936 2021)
£200 300
a salt glazed cut sided stoneware Lily vase, unsigned, 27.5cm.
a cut sided stoneware Lily vase covered in a running manganese glaze, unsigned, 34cm.
a stoneware medium bottle, beaten, covered to the foot with an ash glaze, unsigned, 43cm. Literaturehigh
FromProvenancetheestate of Richard Batterham.
FromProvenancehightheestate of Richard Batterham.
Richard316 Batterham (1936 2021)
FromProvenancetheestate of Richard Batterham. £200 300
FromProvenancediam.theestate of Richard Batterham £200 300
68 321 320 side 321 side
eleven small clay test bowls, glazed in ash and black iron, unsigned, incised H clay numbers, chip to rim of one, largest 11.5cm. diam. (11)
Richard321 Batterham (1936 2021)
FromProvenancetheestate of Richard Batterham. £150 250
Richard318 Batterham (1936 2021)
Richard319 Batterham (1936 2021) a stoneware butter dish with chattering band, glazed to the interior ash, and three other butter dishes by Richard Batterham, unsigned, one damage and repaired, 15.5cm. diam. (4)
FromProvenancehightheestate of Richard Batterham. £120 180
Richard320 Batterham (born 1936 2021) a large stoneware fruit dish, covered with an ash glaze, the well unglazed with prop unsigned 44.5cm,
318 319 320
a large stoneware fruit bowl with cut fluting, ash glazed to the interior unsigned, araldite fill to firing, fault to well by Richard Batterham 46cm. diam. 12cm.
FromProvenancediam.theestate of Richard Batterham.
Provenancehigh
Richard Batterham, 1972 British Crafts Centre exhibition, catalogue number 250.
From the estate of Richard Batterham. £150 250
£120 180
322 323324 69 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
a rare porcelain bowl, with simple chattering band to inside foot rim, covered in a pale celadon glaze, and a large porcelain bowl by Richard Batterham, circa 1984, decorated with a chattering band to interior, unsigned, large bowl broken and repaired, 25.2cm. diam, 6cm. high (small bowl) 30cm. diam, 12.5cm. high (larger bowl), (2)
Richard322 Batterham (1936 2021)
a small porcelain bowl, covered in a pale celadon glaze unsigned 15.5cm.
FromProvenancetheestate of Richard Batterham.
£120 180
Richard323 Batterham (1936 2021)
Richard324 Batterham (1936 2021)
a porcelain cut sided vase, shouldered form, covered in a pale celadon glaze, unsigned applied paper exhibition label no.250 9.5cm.
So325 tis Filippides (born 1963) a pair of tube lamps, each five textured tubes covered in 24 carat gold, on textured base glazed matt black, with hand painted shades, incised monogram 52cm. high (total height) 38.5cm. (height of ceramic), (4) £1,000 2,000 70
So326 tis Filippides (born 1963)
327
71 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
a tall shouldered vase with flaring rim, covered in 24 carat gold, the interior glazed matt black, incised monogram 65cm. high £1,200 1,800
So327 tis Filippides (born 1963)
a tall vase, swollen, shouldered form with tall swollen cylindrical neck, covered in a textured matt black glaze, incised monogram 67.5cm. high £1,000 1,500 326
Nouveau Dutch pottery vase, model no.540, shouldered form, painted with Art Nouveau chrysanthemum flower stems in blue and white on a mottled yellow ground, two Arnhem Pottery vases, two Dutch pottery vases retailed by Liberty & Co and another Dutch pottery vase, painted marks, 9.5cm. high (6) £150 200
An331Art
CONTINENTAL CERAMICS
a tall crystalline glaze porcelain vase, tapering cylindrical form, covered in a purple crystalline glaze, signed with monogram 49.5cm.
Pecs vase, shouldered form, painted with a frieze of stylised birds, in colours on a semi lustre ground, and a Zsolnay Pecs fluted vase covered in a green lustre glaze impressed factory mark, 7cm. high (main vase), (2) £120 180
Angelika333 & Gerd Panten
An329Art
Nouveau Royal Copenhagen vase, pattern 401/240, shouldered square section, painted with snowdrop flowers in green and white on a deep blue ground, and another Danish Art Nouveau solifleur vase painted with tulip flowers, printed and painted marks, 17.5cm. high, (2) £120 180
Freres Keramis vase designed by Charles Catteau, pattern D.1130, painted with birds perched on a bough of stylised foliage, in colours printed and painted marks, 22.5cm. high £120 180
tings, Farnham. Private collection. £150 200
An328Art
72 333
A330Zsolnay
TheProvenancehighMal
328 329 331 332 334
A332Boch
Nouveau Rozenburg den Haag vase, shouldered ovoid form with collar neck, painted with sprays of flowers in colours on a deep blue ground, and another Rozenburg vase painted with panels of butterflies, painted factory mark, 10cm. high (2) £150 200
A334pottery model of a cat by Robert Rigon, the stylistic cat modelled standing, covered in a textured white glaze unsigned, 31cm. wide £80 120 330
Haniro338ff Pierrot standing
ThLiteratureomasArlt & Arthur Weilinger, Wiener Keramik 1906-1912, page 94 WK282 illustrated. 200 336
£300
A large Goldscheider Pottery model, glazed in colours signed in the cast, printed factory marks, professionally restored 71cm. high £1,000 1,500
£150
A335Wiener
Olandesina an Essevi figure designed by Sandro Vacchetti, modelled as a young girl holding a basket of flowers, in traditional costume painted marks, glaze chip to bonnet, 17cm. high 500
A337Goldscheider Pottery model of a girl and terrier designed by Claire Weiss, model no.7274, painted in colours, on an oval base, impressed marks, printed mark, professionally restored, 25cm. high Provenance Mark Birley, The Private Collection, Sotheby’s 21st March 2013, lot 222. Private collection. £300 500
337 73 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 336335 338
Keramik model of a girl holding a bird the design attributed to Bertold Loffler or Ida Schwetz Lehmann, model no.282, she modelled standing feeding a yellow bird, held close to her chest, glazed in colours impressed marks, 17.5cm. high
339 340 341342 344
pottery vase retailed by Halga Paris, triangular section, with collar neck, printed and painted in colours with a geometric landscape design, highlighted in gilt, printed Halga Paris France 21.4cm. high
stoneware bowl by Stig Lindberg, footed, flaring square section bowl, covered in a blue hare’s fur glaze incised G and Lindberg hand cipher, 13cm. diam. £120 180
A342Sant
A340Modernist
Vicens tile by Jacques Poussines, rectangular, painted with a woman holding a basket of lemons, in colours, painted Saint Vicens J Poussines 22 x11cm.
White Combatant - Cockerel a plate with lithographic design to well in black and red painted signature printed Salins France mark 24.5cm.
Jean339 Lurcat (1892 1966)
On Nature - The Ceramics of Jean Lurcat, Whitford Fine Art, December 1 to January 15th 2021 for a comparable piece illustrated.
74 343
£120 150
£100 150
LiteratureAndrewProvenancediam.Harriss
A341pair of Cupole d’Italia plates designed by Piero Fornasetti, comprising La Cupola della Rotonda and La Cupola di S.Maria Dell Ammiraglio, printed in black, the rim highlighted in gilt, printed factory marks, 24cm. diam. (2)
A343Gustavsberg
A344modern Italian figure of a woman bathing, modelled seated inside a life ring, wearing polka dot bikini, in colours, another Lav Amano figure modelled standing having been caught by a cactus spine, a figure of a cowboy and a lamp base modelled as a young Italian child in national costume, painted VB 164 Italy, 21.5cm. wide (4)
£120 180
£200 300
PrivateProvenancecollection.
£120 180
A347Cmielow
porcelain Marabut rocking bird, model C 166, two piece, glazed black and white, a Cmielow swan, wading stork and stylised bird printed and painted marks, 17cm. high, (5) £200 300
A345Lomonosov
346345 347 75 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
A346Torino
Italian pottery Ariele bull, stylised form, modelled standing with head lowered, spray glazed mint and white painted factory mark, 34cm. wide £120 180
character jug designed by Natalia Danko, modelled wearing a headdress, glazed in vivid colours and highlighted in gilt, printed factory marks, 13.5cm. high £150 200
See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price ‡ Pablo348 Picasso (1881 1973) Mask,(Ramie 311) a Madoura Pottery Edition Picasso limited edition tile, designed 1956, framed painted inscription 19.8cm. square £2,500 3,500 76
THE COLLECTION OF JOHNSON
DOUGLAS
78 351350both sides
TheProvenanceDouglas Johnson collection.
OnExhibitedloanto Bristol Museum & Art Gallery £150 200
OnExhibitedloanto Bristol Museum & Art Gallery. £300 500
Johnson collection.
OnExhibitedloanto Bristol Museum & Art Gallery. £150 200
A352pair of Doulton stoneware spill vases, cylindrical form on flaring feet, painted with fruit in shades of green and tan, a Royal Doulton cabinet plate painted with St Michael’s Mount, two Doulton Series Ware plates, a Royal Doulton Morrison Ware vase and a collection of ceramics including a Foley Wileman part tea set, impressed marks, 18.5cm. high (a lot)
TheProvenanceDouglas Johnson collection.
A351Royal Doulton Brangwyn Ware jug designed by Frank Brangwyn, swollen form, cast in low relief and glazed with harvest fruit and foliage, in colours on a running off white ground, five Royal Doulton Brangwyn Ware plates and a Brangwyn Ware cup and saucer pattern D5035 decorated with flowers, printed factory mark facsimile signature, 22cm. high
A350Doulton Lambeth stoneware jug by Hannah Barlow, dated 1879, tapering cylindrical form, incised with a broad band of sheep grazing and resting, between applied floret borders and incised stylised foliage bands, glazed in shades of blue, green and ochre on a buff ground, applied silver rim, impressed and incised marks, incised HB monogram to side, hallmarks London 1878, 24cm. high
A349pair of Doulton Lambeth stoneware bottle vases by Florence Barlow, pear shaped with flaring top rim, pate sur pate decorated with panels of finches perched amongst daisy flowers, inside applied beadwork border, and incised scrolling foliage, glazed in shades of green, ochre and white on a brown ground impressed factory marks, incised Florence Barlow monogram, 23.5cm. high (2)
OnExhibitedloanto Bristol Museum & Art Gallery (jug, cup and saucer) £120 180
TheProvenance(8)Douglas
349 352
TheProvenanceDouglas Johnson collection.
TheProvenance15cm.Douglas
An354early William De Morgan tile, painted in blue with a large scaly fish swimming in a shoal of smaller fish unsigned, 15.5 x
£1,500 2,000
MarLiterature
354353
TheProvenancesquareDouglasJohnson collection.
Johnson collection.
79 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
tin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 131 cat. no. 1027 for the original design illustrated.
£1,500 2,500
An353early William De Morgan tile, painted in blue with a swan catching a fish in a river with bullrush, unsigned, 15. x 15.5cm. 15.2cm
An356early William De Morgan tile, painted in blue with a large scaly fish swimming in a shoal of smaller fish unsigned, 15.5 x 15.2cm.
A355pair of early William De Morgan tiles, painted with a spray of berried foliage in blue on a white ground, a tile decorated in the Longden pattern in the manner of Morris & Co and another tile, unsigned, 15.2 x 15cm (4)
TheProvenanceDouglas Johnson collection. £1,500 2,500
356355 80
TheProvenanceDouglas Johnson collection. £400 600
An357early William De Morgan tile, painted in blue with a swan catching a fish in a river with bullrush, unsigned, 15. x TheProvenance15.5cm.Douglas Johnson collection. MarLiterature tin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 131 cat. no. 1027 for the original design illustrated. £1,500 2,500 81 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
A359large John Mortlock & Co London wall charger, on Minton blank, painted with a medieval figure in broad rimmed hat with ostrich feather, before foliage, in colours, a large Aesthetic Movement wall charger and two other chargers, impressed mark, painted Mortlock inscription, restored, 48.5cm. diam. (4)
A360Minton’s Pottery Beer jug designed by Henry Stacy Marks, printed with portrait roundels and bands of stylised flowers and foliage, in colours on a white ground, a large tile plaque possibly Burmantoft’s Faience, a small washbasin and jug in the manner of Dr Christopher Dresser, a larger jug, two vases and two brass pouring vessels, impressed marks, 22cm. high (jug) (9)
A358large urn shaped vase possibly Wedgwood the design attributed to Frederick Alfred Rhead, decorated with Epoe seated on a throne with classical maidens in attendance, in low relief, painted in colours and highlighted in gilt on a pale grey ground, the swollen lower body with a band of scrolling stylised vine and berry, the foot with a laurel border with blue flowerheads, apparently unmarked, restored, 44cm.
TheProvenanceDouglas Johnson collection. £120 180
TheProvenanceDouglas Johnson collection. £120 180
Johnson collection. £150 250
TheProvenancehighDouglas
359358
82 360
TheProvenancediam.DouglasJohnson collection.
£120 180
TheProvenanceDouglas Johnson collection.
£200 300
Fugit’ a Late Foley Intarsio mantel clock, model no.3676, tapering rectangular section with overhanging mantel, printed with Art Nouveau foliate panels in colours, circular metal dial, printed factory marks, painted 3676, 25cm. high
£200 300 A362Minton wall charger designed by William Wise, printed and painted to the well with a farmworker scything a meadow, the rim inscribed Moonpennies in the grass. Silver and Golden, Moonpennies in the Grass. Silver and Golden, No Flowers of June surpass Moonpennies in the Grass; From Mowers Scythe, alas ure not Withholden, to the rim with a band of white daisy flowers, in colours indistinct date mark impressed to reverse, 37.5cm.
PaulLiteratureA tterbury Moorcroft Pottery, Richard Dennis Publications, page 50 figure 2 for related Florian Ware seaweed patterns illustrated.
362361 363 83 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
OnExhibitedloanto Bristol Museum & Art Gallery.
A363James Macintyre & Co bowl designed by William Moorcroft, tubeline decorated with seaweed panels in green, blue and rust on a white ground and a Ruskin Pottery purple lustre bowl printed factory mark painted green signature, 21.5cm. diam. (2)
OnExhibitedloanto Bristol Museum & Art Gallery.
TheProvenanceDouglas Johnson collection.
‘Tempus361
TheProvenanceDouglas Johnson collection. £300 500
OneExhibitedofthe Keller & Guerin plates on loan to Bristol Museum & Art Gallery. £120 180
TheProvenanceDouglas Johnson collection. £120 180
370
‘Jazz365 Stitch’ a Carlton Ware jug, pattern no.3655, shouldered form, printed and painted in colours, highlighted in gilt, a Carlton Ware bowl in the same pattern, a Crown Devon vase pattern 2250 printed and painted with a bird, a Crown Devon Art Deco bowl printed with butterflies and a Falcon Ware sugar sifter, printed and painted marks, 19.5cm. high (5)
‘Suga367r
A366pair of Copeland octagonal cabinet plates by CFH, painted with orchids in colours, inside a turquoise band, a pair of Minton’s portrait plates, a Cauldron plate decorated with highland cattle by D Birbeck and a collection of plates, printed factory mark, painted signature, 20.5cm diam. (a lot)
Pottery plate designed by A W N Pugin, printed to the rim with stylised flowers and inscribed Who deceived me once shame on him if he deceives me twice shame on me, in puce and green, a New Stone Gothic platter, a ‘Brighton’ pattern jug after a design by Dr Christopher Dresser, and a collection of ceramics mainly nineteenth century including blue and white impressed marks, 23cm. diam. (a lot)
OnExhibitedloanto Bristol Museum & Art Gallery (Carlton Ware jug and sugar sifter).
‘Fes370tival’ a Midwinter Fashion Shape part tea set designed by Jessie Tait, painted with atomic design in colours, comprising milk jug and sugar basin, cake plate, six cups, saucers and five side plates, and a Bristol tureen and cover printed factory marks, 24.5cm wide, (22)
366365364367
TheProvenanceDouglas Johnson collection. £150 250
TheProvenanceDouglas Johnson collection.
for the Birds’ a Modern Poole Pottery charger from the original design by Olive Bourne, pattern CM, painted with an Art Deco maiden holding a sugar cube, in colours , three Wedgwood Travel side plates designed by Eric Ravilious, a Wedgwood Garden plate, a Wedgwood ‘Outlines of Grandeur’ plate designed by Laurence Whistler decorated with Holyrood House, an Adams plate designed by Gertrude Hermes, a continental Art Deco box and cover modelled as a stylised dancer, and a collection of ceramics printed marks, 31.5cm. diam. (a lot)
OnExhibitedloanto Bristol Museum & Art Gallery (continental box and cover) £150 250
£150 250
A369pair of Art Deco Keller & Guerin plates, each with pierced rim, printed with a farm worker collecting vegetables in a basket, in golden yellow and black on a cream ground, two Rosenthal plates painted with fish, a Fornasetti ‘Classical Busts’ coffee can and saucer, two Royal Copenhagen Faience pieces and a collection of Quimper and continental ceramics, printed factory marks, 19/5cm. diam (K&G plates), (a lot)
36984 368
A364Minton
TheProvenanceDouglas Johnson collection.
£120 180
TheProvenanceDouglas Johnson collection.
TheProvenanceDouglas Johnson collection.
‘Violets’368 a Wemyss dish, rectangular painted with flowers and inscribed ‘I looked for something sweet to send you and the Violets asked if they would do’, two Wemyss thistle shaped vases, a waisted Wemyss ‘Jazzy’ vase a Black Cockerel vase and dish and eight various Wemyss plates painted with fruit, impressed and painted marks to Violets dish, damages, 14.5cm. wide (14)
Bizarre’ a pair of Clarice Cliff plates, painted with radiating arrow motif in yellow, red and blue, outlined in green, inside yellow and red bands, printed hand painted mark, impressed date mark for 1927, 21.5cm. diam., (2)
a Clarice Cliff Bizarre Muffin dish and cover, dated 1933, the cover painted in colours above orange and black bands, the dish with orange and black bands, impressed and printed factory marks, 22.5cm. diam.,
TheProvenance(2)Douglas Johnson collection.
£150 250
‘Rhodanthe’373 a Clarice Cliff small ribbed charger, painted in colours printed factory marks, 32.5cm. diam.
OnExhibitedloanto Bristol Museum & Art Gallery.
TheProvenanceDouglas Johnson collection.
TheProvenanceDouglas Johnson collection.
£120 180
‘Original371
‘Farmhouse’374 a Clarice Cliff Bizarre vase, shape no.265, painted in colours between yellow, orange and black bands, printed factory mark, professional restoration, 15.2cm. high
OnExhibitedloanto Bristol Museum & Art Gallery.
‘Melon’372
OneExhibitedofthe pair of plates on loan to Bristol Museum & Art Gallery.
£120 180
TheProvenanceDouglas Johnson collection.
£150 200
373372374 85 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 371
A378Crown Ducal wall charger designed by Charlotte Rhead, tubeline decorated with a band of flowers and foliage in orange and green, highlighted in gilt, a Crown Ducal ‘Golden Leaves’ bowl, two other bowls and a single handled vase by Bennett, printed factory mark, facsimile signature, 32cm. diam. (5)
Sonic chrome metal Jet novelty lighter, articulated on ball, on octagonal black bakelite base, another similar four Ronson Touch-tip chrome and bakelite desk lighters and two other lighters jet lighters unsigned, cast marks to Ronson lighters 23.5cm. long (jets), (8)
TheProvenanceDouglas Johnson collection.
TheProvenanceDouglas Johnson collection.
OnExhibitedloanto Bristol Museum & Art Gallery. £120 180
TheProvenanceDouglas Johnson collection.
OnExhibitedloanto Bristol Museum & Art Gallery.
TheProvenanceDouglas Johnson collection.
377376375 378 380
‘Crocus’375
OnExhibitedloanto Bristol Museum & Art Gallery (jug and vase). £150 250
three Clarice Cliff Bizarre entree plates and two side plates designed by John Armstrong, printed with a stylised horse to the well in blue, black and mushroom, a plate designed by Ernest Procter, and a plate by M J Riach for the exhibition printed factory marks, 22.5cm. diam. (7)
£150 200
a Clarice Cliff Bizarre Conical jug, painted in colours above a brown band, with yellow spout and green detailing, a Clarice Cliff Patina bowl and a Clarice Cliff ‘Rhodanthe’ posy vase, printed factory marks, 18cm. high, (3)
TheProvenanceDouglas Johnson collection.
A379Gala
£150 200
OnExhibitedloanto Bristol Museum & Art Gallery (charger and Bennett vase)
£150 250
The380 Master an Incolour bakelite and chrome metal cocktail shaker, black and cream body, with chrome metal band and fittings, the neck with cocktail recipe band cast marks to base, 28.5cm. high
‘Viscaria’376 a Clarice Cliff Bizarre single handled jug, shape no.634, painted in colours printed factory marks, 16.5cm.
86 379
‘Chevaux’377
TheProvenancehighDouglas Johnson collection.
OnExhibitedloanto Bristol Museum & Art Gallery (one Armstrong plate, the Proctor plate and the Riach plate) £150 250
A383rare Wedgwood Pottery vase designed by Keith Murray, shape 3765,ovoid, ribbed body with cylindrical collar neck, covered in a matt blue glaze, printed factory mark, KM monogram, 18.5cm.
382
£150 200
£200 300
A381rare pair of Wedgwood Pottery book ends designed by Keith Murray, on square base, cast with L’Odeon stepped panels, glazed matt green, a Wedgwood footed bowl and a plate designed by Keith Murray, glazed matt green impressed Wedgwood mark to book ends, 15.5cm. high (4)
A385Wedgwood Pottery vase designed by Keith Murray, shape 3805, shouldered form with cut horizontal bands, covered in a matt yellow glaze, impressed and printed factory marks, facsimile signature, 28cm. high
£200 300
TheProvenanceDouglas Johnson collection.
OnExhibitedloanto Bristol Museum & Art Gallery. £250 350 381
TheProvenanceDouglas Johnson collection.
OnExhibitedloanto Bristol Museum & Art Gallery.
£150 200 383 384 385
TheProvenanceDouglas Johnson collection.
TheProvenancehighDouglas Johnson collection.
A384Wedgwood Pottery vase designed by Keith Murray, shape 3765, ovoid, ribbed body with cylindrical collar neck, covered in a Matt Green glaze, printed factory mark and facsimile signature, 19cm. high
A382Wedgwood Pottery vase designed by Keith Murray, shape 3801, ovoid with cut groove decoration, covered in a grey glaze, impressed and printed factory marks, facsimile signature, 15.5cm.
OnExhibitedloanto Bristol Museum & Art Gallery.
TheProvenancehighDouglas Johnson collection.
87 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
Still life with Guitar oil on Daler board, framed, signed with monogram 50 x 39.5cm (image)
Still Life (Picnic), 1955 oil on board, framed signed with monogram, dated 1955 to reverse 33.5 x 25.5cm (image)
TheProvenanceDouglas Johnson collection. £300 500
‡ Doris388 Hatt (1890 1969)
£300 500
TheProvenanceDouglas Johnson collection. £120 180
TheProvenanceDouglas Johnson collection. FesExhibited tival Gallery, Linley House, Bath in Woolley1977.andWallis would like to thank Jackie Harding for authenticating the painting. £150 250
‡ Doris389 Hatt (1890 1969)
‡ Doris390 Hatt (1890 1969)
See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 387386 389 88 388 390
The White Anemone, 1975 acrylic on board, framed signed 152 x 121cm (image)
TheProvenanceDouglas Johnson collection. Philip D Lace, purchased in 1958 Donald Johnson
TheProvenanceDouglas Johnson collection. Philip D Lace Donald Johnson
£300 500
The Blue Awning, 1958 oil on board, framed signed with monogram, signed, titled and dated to reverse, paper label, 38 x 30.5cm (image)
‡ Jackie387 Harding (born 1944)
James386 Elliott (Elliott of Newquay), Cornish Coastline with steam ship, watercolour on paper, framed, another watercolour of a coastal harbour scene, a watercolour of a rural village and a portrait of a lady by Walter Seymour, dated 1878, and a print of Hallowell by J C Armytage, all framed, main signed Elliott Newquay 34 x 25cm (image), (5)
DODO BURGNER ARTWORK
394 ‡ Dorte391 Clara Dodo Burgner (1907 1998) Lady by the Streetlight pencil on paper, mounted unsigned 31.5 x 20.5cm. £120 180 ‡ Dorte392 Clara Dodo Burgner (1907 1998) Lady Resting by a Table, watercolour and pen on paper, mounted unsigned 45 x 35cm. £300 400 ‡ Dorte393 Clara Dodo Burgner (1907 1998) Opfer (exotic Dance) pencil and watercolour on paper, mounted signed Dodo bottom left 25 x 19.6cm. (sheet) £300 400 ‡ Dorte394 Clara Dodo Burgner (1907 1998) Bachantisches Fest (Bachantian Festi pencilval)and watercolour on paper, mounted signed bottom left titled top left 31.5 x 23.5cm. (sheet) £120 180 90 393 392391
‡ Dorte395 Clara Dodo Burgner (1907 1998) Contemplation, 1929 pencil and watercolour on card signed and dated lower left 47.4 x 35.7cm. (sheet) 40.5 x 30cm. (image) £3,000 5,000 91 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
180
‡
‡ Dorte400 Clara Dodo Burgner (1907 1998)
£150 200 92 399 401 398
‡ Dorte397 Clara Dodo Burgner (1907 1998) Lady in Green (Meet me by the Clocktower) pencil, pen and watercolour, unsigned 35.5 x 27.5cm. (sheet)
Lady in a Dress (Tricoleur) fashion design in pencil and watercolour on paper, mounted signed Dodo lower right 36.5 x 16.5cm. (image)
Lady with a Parasol (at the concert) pencil on paper, mounted signed Wolff lower right, 26.5 x 21.3cm. (sheet)
‡ Dorte401 Clara Dodo Burgner (1907 1998) Woman with a feather fan watercolour on paper with silver highlights, framed, unsigned 34 x WoolleyProvenance22cm.and Wallis Auctioneers
300
‡
£120
500
Bring me their Heads sepia ink on paper, mounted signed Dodo lower right and annotated 32 x 22.5cm. (image)
‡
£400
Dorte398 Clara Dodo Burgner (1907 1998)
The Dance sepia ink on paper, mounted annotated in ink to lower margin, 26.8 x 21.2cm.
Dorte399 Clara Dodo Burgner (1907 1998)
396 397 400
£200 300
£200
Dorte396 Clara Dodo Burgner (1907 1998)
£120 180
WORKS ON PAPER & TEXTILES
£150 250
£200 300
TheProvenanceotherssignatures
Le Cornet, (no.237)
£300 500
Thomas403 Cibort
Catalogue notes Arthur Halcrow Verstage (1875 1969), architect, was a follower ofWilliam Morris and friend of May Morris.
Maurice404 Milliere (1871 1946)
lithographic printed menu on paper, depicting a semi naked lady wearing top hat and holding a cane, in colours, two other Le Cornet menus and another lithographic print by Maurice Milliere, framed signed inthe print, 45 x 26.5cm. (4)
405404
relating toArthur HalcrowVerstage, (a lot)
An405Archive ofphotographs and postcards
402 403 93 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
were collected by the vendor on the night of the celebration dinner in 1988.
‘Olivier402
The Laurence Olivier Awards 1987’ a celebration menu (1988) signed by Freddie Mercury, also signed by Anita Dobson, Susan Hampshire, Ian McKellen, Koo Stark, Simon Williams, Maureen Lipman, Gemma Craven and
£300 500
Coupes de Paris, 2003 (after Geo Ham) a modern acrylic on canvas of a stylised motor racing driver advertising the Autodrome de Montlhery, 5,6,7 May 1939, framed Signed Thos Cibort 5.9.MMIII 111 x 86cm.
William407 Berkeley Henderson a woven tapestry, rectangular form decorated with flowers inside a scrolling border on a blue ground, and another decorated with a floral panel inside tassel border, on a buff ground woven number to one edge, 163 x 136cm. 153 x 171cm. (2)
Sir410Edward Maufe RA FRIBA (1882 1974) Guildford Cathedral, 502, 503, 504 three blueprint architectural plans on paper, signed in the print with architects office, 63 x 49cm. (3) 200
£150
Cli408fton Montieth, attributed Peacock, 1929 pen and ink on paper, highlighted with gilt background, frames signed C Montieth 1929 32.5 x 14.5cm. 200
Provenance Furniture and Works of Art, Woolley and Wallis Auctioneers, 13th January 2009, lot 31. Private collection. 250
£200
£150
406408 409 411
£150
409John William Waterhouse RA, (1849 1917) Pandora, (Pandora’s Box) colour lithographic print on paper, framed, and ‘Bathing Poole’ by M Mende, dated 1925 signed in the pint and titled to margin 43 x 24cm. (image)
£150 250
94 410 407
406AMorris & Co silk embroidered panel, embroidered with scrolling foliage design, unsigned, 48 x 32.5cm. 300
£80 120
Provenance Design Woolley and Wallis Auctioneer’s 25th August, 2021, lot 636 and 637, the collection of the late Kate Catleugh.
413412
£150 200
£1,000 2,000
£400 600
John413 Catleugh (1920 2009) landscape, 1995 acrylic on board, and a collection of eighteen paintings by John Catleugh unsigned, dated to reverse 81 x 61cm. (19)
Woman with a Basket of Roses, 1912 pen and ink on paper of a young lady walking before a row of trees, throwing Glasgow roses from her basket, framed signed A R Lawson 30.12.12 18.5 x 12cm.
A411R Lawson
95 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 414
Bob414 Marchant (Australian b.1938) Flamingos wading in a pond Signed and dated Bob Marchant 1980 (lower Oilright)on canvas 152.5 x PropertyProvenance:182cm.fromthe Estate of Roland Baker.
Vladimir412 Tretchikoff (1913 2006) Balinese Girl, print, framed, Lady From Orient, Lady of Ndebele, Dying Swan three colour prints by Tretchikoff, Maya With a Boat a Collection Domaine Picasso limited edition colour print (105 500), and two portrait prints by J H Lynch, signed in the print top left 60 x 50cm. (image of Balinese Girl), (7)
‘Ark’418 eight volumes of the Journal of the Royal College of Art, comprising volumes 1, 3,5 9 and 34, (8)
£80 120
£120 180
GiProvenance
£400 600
415 416 419418 421 96 420 422
‘Mo419tif’ volumes 1 12 a journal of the Visual Arts, (12)
£120 180
‘Image’420 two bound volumes, a quarterly of the Visual Arts, volume 2 4 Autumn 1949 and volume 5 6 A History of English Wood Engraving, (2) £150 250
Studies of Wildlife five original crayon drawings laid on board, framed, together with two books by BB, Monty Woodpig’s Caravan, 1957 first edition, colour plates by the author, original cloth binding, dust wrapper, signed by BB and The Little Grey Men Go Down The Bright Stream, 1977, paperback, signed and inscribed by BB, (drawings) unsigned 32cm x 27cm (3)
‘Peter417 Pan in Kensington Gardens’ a signed book with illustrations by Arthur Rackham, signed by Arthur Rackham, published by Hodder & Stoughton.
£150 250
A415collection of Art Reference books, including Christopher Dresser A Design Revolution, Christopher Dresser by Widar Halem, Christopher Dresser Design by Christopher Morley, Truth Beauty & Design Christopher Dresser, Owen Jones, The Cult of Beauty exhibition catalogue, Lewis Foreman Day, Heywood Sumner’s Wessex, Clouds a Biography of a Country House, and Cuckoo Hill the Book of Gorley by Heywood Sumner, (a lot)
£200 300
‘Graphics421 Annual 73/74’ and ‘Graphics Annual 75/76’ and six Graphics magazines from 1962 63, and five various journals of mid century art and design (13)
BB422Denys Watkins Pitchford (1905 1990)
417
fted to the vendor by BB who was a family friend.
£150 250
‘The416 Studio’ four volumes including for 1899, twenty one loose studio magazines, three bound scrap volumes of images from the studio and Edmund Dulac’s Picture Book for the French Red Cross, circa 1916, (29)
The Beau ful Cape
500
Fuck You All, and Frog (front of) Frog (back of), set of four offset lithographs in colours, unsigned 80
Terence423 Donovan (1936 1996)
‡
600 423 97 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 422A424
Jerry Hall, photograph,1976framed
£300
ti
signed and dated 44 x 29.5cm.
David424 Shrigley (born 1968)
(image)
Anonymous422A
- For Your Holiday 1913 1914, lithographic poster, printed in colours by Cape Times Ltd unsigned, mounted on paper, 127 x 98cm.
Crab,
You Got Beaten by a (Wasp) for Being Annoying, Says x
£120
Sorry
60cm (4)
£400
Fish
180
Charles425 Fouqueray (1869 1956)
La Journee Serbe, 1916 lithographic print, propaganda poster published by Devambez, Paris, linen backed, and On Les Aura by Jules Abel Faivre, and Exposition Crimes Allemands, 1917 by F Jonas, signed in the print, 113.5 x 79.5cm, (3)
Prestito Nazionale, lithograph on paper, poster published by Richter & Co Napoli, mounted on linen, and Grande Matinee de Bienfaisance by F Jonas and Societe Francais by F Jonas, two propaganda posters signed in the print 99 x 70cm. (3)
£150 200
£150 200
426425
£150 200
Theophile427 Steinlen (1859 1923)
Journee Serb, 1916 lithograph on paper, poster published by I Lapina, Paris, and L’or Combat Pour Victoire and Journee de la Armee D’Afrique by Charles Fouqueray, 1917, two posters, signed in the print Steinlen, 119 x 81cm. (3)
98 427
Mario426 Borgoni (1869 1936)
Apple paperweight designed by John Lyndon for The Apple Boutique, 1968, clear glass, unsigned 9cm. high
A431glass
JohnProvenanceLyndon, manager of The Apple Boutique set up by The Beatles, who states the apples were made by Daum.
Apple paperweight designed by John Lyndon for The Apple Boutique, 1968, mottled orange, yellow and blue, cased in clear, unsigned 10cm. high
A430glass
£400 600
£120 180
A429glass
A Cellarful of Noise Brian Epstein, a first edition hard back autobiography published by Souvenir Press, 1964, 22.3 x 15cm.
428
£200 300
428 429 430 431 99 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 432
JohnProvenanceLyndon , manager of The Apple Boutique set up by The Beatles, who states the apples were made by Daum.
£200 300
THE BEATLES & THE BOUTIQUEAPPLE
JohnProvenanceLyndon, manager of The Apple Boutique set up by The Beatles, who states the apples were made by Daum.
JohnProvenanceLyndon, manager of The Apple Boutique set up by The Beatles, who states the apples were made by Daum.
£400 600
A432glass Apple paperweight designed by John Lyndon for The Apple Boutique, 1968, green glass, cased in clear, unsigned 9cm. high
Apple paperweight designed by John Lyndon for The Apple Boutique, 1968, mottled orange and yellow and blue , cased in clear, unsigned 8cm. high
100 436
END OF DAY ONE
‘Phrenology’434 by L N Fowler an advertising pottery head, printed with advertising inscription and phrenological details, and a copy of the book ‘Phrenology’ by LN Fowler, 30cm. high (2)
An435Apple stoneware sculpture by Pete Flux for the Apple Boutique, tapering cylindrical stem with broad, flaring uneven rim, glazed chestnut brown, blue and cream, incised Apple, impressed Pete Flux, 15.5cm. high
Four436 Moroccan scroll belts bought by The Fool to retail at The Apple Boutique, with silk string tassels, 180cm long, 15cm. wide (4)
£100 200
JohnProvenanceLyndon
JohnProvenanceLyndon
‡ John433Judkins (born 1951)
Brian Epstein and John Lennon, 1967 (attributed) two gold patinated plaster busts, signed J Judkins, 67 in the plaster 38cm. high (tallest), (2)
£100 200
£150 250
433 434 435
JohnProvenanceLyndon
£100 150
A437large William Ingham oak glazed bookcase in the manner of A.W.N. Pugin, probably for Constantine & Co, three cupboard form with linen fold carved panels, brass furniture, with Hobbs & Co locks, stamped mark to underside of door, locks stamped Hobbs & Co 56cm. deep, 223cm high, 179cm. wide £1,500 2,500 101 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price FURNITURE DAY TWO - THURSDAY 20TH OCTOBER AT 10AM
The table cloth or counterpane came from the home of Lewis F Day’s niece Edith. some of the other embroideries (not designed by Day) were loaned to the V&A by Day’s wife Temma after his death. £500 1,000
102 LEWIS FOREMAN DAY (1845-1910) 438
Accessory Ornament by Lewis F Day, 1880 (unbound), The Planning of Ornament, 1887, Lettering in Ornament, 1902, Art in Needlework, 1900, Stained Glass, 1903, The Anatomy of Pattern, 1898, The Application of Ornament, 1888, Nature and Ornament, all by Lewis F Day, The Art Journal February 1906, June 1905, July 1905, September 1905, with articles by Lewis F Day, Flowering Plants of Great Britain Vols 1 6 by Anne Pratt, signed by Lewis F Day 1872, and a suitcase of textiles including designs by Lewis F Day, including a large table cloth designed by Lewis F Day decorated with dragon and birds amongst foliage border in red and black on a mushroom ground, (a lot)
A438collection of books and textiles by Lewis F Day, and from his collection, Instancescomprising;of
TheProvenancefamilyof Lewis F Day.
A441large slate mantel clock by Wassell & Halford designed by Lewis F Day, rectangular with circular dial with Arabic numerals, the dial painted with a panel of daisy flower stems in blue and white on a gold ground, the case with incised floral lunette panels, between two rectangular ceramic panels of flowers Night shade and Day’s eye, signed Wassell & Halford to the dial, 38cm. high
£200 300
TheProvenancefamilyof Lewis F Day.
Lewis440 Foreman Day (1845 1910)
An439Omar Ramsden and Alwyn Carr silver napkin ring designed by Lewis Foreman Day, made for his wife Temma, circular, hammered in low relief in script Temma, on a textured ground, stamped marks, London 1908, 5cm. diam. (0.7oz)
£1,000 1,500
LewisProvenanceFDay, thence by descent
£500 1,000
440442 103 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 439 441
watercolour and white highlight on paper book illumination, framed signed Lewis F Day, 1885 7.5 x 6.5cm
£150 250
VO 1885
A442pair of carved oak bellows designed by Lewis F Day, teardrop shape, carved in low relief with Lewis D and Temma Day, the reverse Wild Flowers, inside a floral border, 59cm. long
LewisProvenanceFDay, thence by descent.
443
TheProvenanceFamilyof Lewis F Day.
A447Morris & Co Rossetti armchair the design attributed to Dante Gabriel Rossetti, ebonised ash with rush seat unsigned, 89cm. high
£200 300
‘Even443tide’ a rare Moorcroft Pottery lustre vase designed by William Moorcroft, baluster form, tubeline decorated with a band of trees, covered in a bronze lustre glaze, impressed factory marks, 22.5cm. high
An444early Pilkington’s Lancastrian twin handled tazza, covered in a streaked aventurine glaze, impressed P mark, 31.5cm. diam. 11.5cm. high
£200 300
A446Maw & Co pottery vase possibly designed by Lewis F Day, ovoid with tapering neck, painted with interlaced vine design in orange lustres, unsigned, neck re-stuck 25cm. high
A445pottery vase possibly designed by Lewis F Day, shouldered, swollen cylindrical form painted with pomegranate flowers in golden lustre on a red ground unsigned, small chip to base, 19.5cm. high
£200 300
£200 300
TheProvenancefamilyof Lewis F Day.
444 447 104 446
TheProvenancefamilyof Lewis F Day.
445
TheProvenancefamilyof Lewis F Day.
£300 500
TheProvenancefamilyof Lewis F Day.
£200 300
An449Aesthetic Movement oak cupboard, square section, with hinged plank door, inlaid holly and ebony geometric decoration, brass furniture, 77cm high, 41cm wide.
A450carved oak table, square top, on square section legs, the undertier carved with Classical scrolling foliage swags, unsigned, 72cm. high, 52.5 x 53cm. £120 180
tic Movement ebonised wood corner cabinet, two triangular shelves below turned bobbin rail, the back set with four bevelled square mirror panels, with tapering base unsigned, 94cm. high, 39cm. wide £200 300
£400 600
451450 452 105 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
449
A453set of four ash and elm Clissett chairs possibly by Edward Gardiner, five tapering splat backs, rush seat, comprising two carvers and two chairs, unsigned, 115cm. high, (4)
£150 200
An448Aesthe
A451set of five ash Clissett chairs, three slat back, rush seat unsigned, 89cm. high (5)
448
A452Falkirk cast iron umbrella stand and drip pan, pierced and cast with scrolling foliate panels, enamelled black, cast marks and regd diamond to back, 75.5cm. high (2)
453
£400 500
‘In456The Wood’ a Rowley Gallery panel, square section marquetry panel, framed, and two Rowley Gallery mirrors, applied paper label and stamped marks, 33.5cm. square (3) £150 250
A460Guild of Handicrafts oak armchair designed by Charles Robert Ashbee, ladderback with rush seat, on turned legs, unsigned, 104.5cm. high £150 200
A458copper and patinated metal fire screen, the rectangular copper panel stamped in low relief with a wading bird amongst bull rushes, inside scrolling frame, unsigned, 78cm. wide £100 150
A455pair of patinated metal and glass hall lanterns, each cylindrical form with domed top, the glass shades with textured surface, 34.5cm. high (2) £150 250
A459Continental Secessionist picture frame, pierced and carved with stylised berried stems, inset with brass decoration, with colour print of a medieval encounter, unsigned, 95 x 76cm. £150 200
454 455 456 459457 106 458 460
An454oak magazine rack, rectangular form, with two partitions, the rounded plank ends with pierced trefoil cut out, unsigned, 88cm. high, 40cm wide £80 120
A457Leatho oak and embossed leather firescreen, the rectangular panel embossed with Art Nouveau fruiting foliage design, the oak frame with pegged joints and pierced decorative rail, unsigned, paper Leatho trademark label, 77cm high, 58cm wide £80 120
462461 463 107 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
and impressive John Pearson oak and repousse copper wall mirror, rectangular, oak frame with central bevelled glass mirror, flanked with two repousse copper panels each depicting a gecko climbing a stylised branch, above simple flower and foliage motif, stamped signature and date visible to left hand panel 122 x 76cm, 59 x 24cm (panels) AProvenanceprivatecollection of John Pearson. £1,200 1,800
A461pa
tinated copper and oak firescreen in the manner of John Pearson, pegged wooden oak frame set with rectangular patinated copper panel stamped with a Galleon at full sail, unsigned, 77cm high, 67cm wide. £150 200
A462large
A463large
Liberty & Co oak sideboard buffet, rectangular section, two pairs of hinged door cupboards below shelf, the overmantel with angled cupboards with glazed doors, pierced heart decoration, below a pierced arrow rail, with patinated copper furniture unsigned 214cm. wide 206cm. high 60cm. deep £500 1,000
108
HRDProvenanceAuc tion Rooms, Brading Isle of Wight, 2018, lot 242. Private collection. £2,000 3,000
A464large oak overmantel by Edgar Wood, rectangular, two open shelves flanking central cupboard with hinged door, the door decorated with a gesso panel of a mermaid and fish, with overhanging mantel with plate rack groove, patinated door furniture and candle arms to each side, unsigned, 155cm. wide, 89cm high, 33cm deep.
An465oak cabinet designed by Edgar Wood, rectangular with two hinged door cupboards, under a hinged rectangular cupboard door set with a gesso panel of flowers, inscribed Read, Mark, Learn, patinated iron furniture, unsigned 140cm. high 85cm. wide 48cm.
£2,000 3,000 464
465
HRDProvenancedeepAuc tion Rooms, Brading, Isle of Wight, 2018, lot 241. Private collection. Literature Iconic Arts and Crafts Oscar Graf, 2016, page 26 catalogue number 7 for a cabinet by Wood and an article on his furniture designs.
easel backed frame with embroidery panel the design attributed to Edgar Wood, the flaring rectangular frame with flaring mantel, with pierced stem columns and carved flower panels, and central flowerhead roundel, the embroidered panel depicting an Art Nouveau maiden entitled ‘The Daisy Chain’, 91cm.
Private collection.
TheProvenancehighVictorian Society.
An466oak
Blackwell The Arts and Crafts House, page 34 for this chair illustrated in the bedroom.
BlackwellExhibited House, The Arts and Crafts House, Windermere, on loan from 2001.
BonhamsProvenanceAuctioneers, lot 450 (sale 17089).
The Best of British Design from the 19th and 20th Centuries- Paul Reeves The Auction, Sotheby’s London, lot 109 for a comparable chair.
£200 300
A468rare oak side chair designed by Charles Francis Annesley Voysey, the oak frame, back with extended uprights to the arched top, with carved grove , the back splat with carved heart shaped motif, over square legs joined with stretchers, drop in rush seat, paper exhibition label C.18 Dining Chair (Vic Soc), 102cm.
GardinerProvenancehighHoulgate, circa 2017.
A467mahogany
wall calendar and notice board in the manner of C F A Voysey, rectangular with domed top, set with heavy brass shallow cabinet with hinged door for notices, below circular calendar unsigned, 121cm. high, 68cm wide.
Karen Livingstone C.F.A Voysey, Arts and Crafts Designer, V&A Publications, page 197 catalogue number 251 for an example of this chair design from The Crabtree Collection illustrated. The maker attributed to F C Nielsen. Page. Catalogue number 250 for a comparable chair illustrated in the Library at Garden Corner, 13 Chelsea Embankment.
£400 600
WendyLiteratureHitchmough C.F.A Voysey, page 130 no.26 for a comparable example illustrated
109 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 466 468
£3,000 5,000
Deco bird’s eye maple veneer occasional nest of tables, the main large circular section table housing four quarter tables with shelves, unsigned, 58cm. high, 77cm. diam. (5) £300 500
469 472 474
An469Art
A473Bath
A472tall plum tinted wall mirror with electric clock, arched glass with rectangular plum mirror panels, set with sunburst design clock with electric movement, unsigned, 142cm. high, 76cm wide £120 180
A474Fortnum & Mason carved and painted door overmantel, carved with a stork and foliage, over turned pillars, unsigned 169cm wide 87cm FromProvenancehighthecollection of Dr Jonathan Mirsky (1932 2021). £150 200
110 473 471470
Cabinet Makers oak cupboard, two hinged door fitted cupboard, with full length mirror inside door, over single drawer, ebonised wood handles, applied label, 188cm high, 123cm wide, 50cm. deep. £200 400
An470Art
Deco bird’s eye maple occasional table, round on rectangular legs with low cross stretcher, unsigned, 55cm. high, 74cm. diam. £150 200
‘Rotary471 Watches’ a patinated metal illuminating advertising wall clock, for Rotary watches, gilt patinated metal with perspex face, electric light, unsigned 53cm. diam. £400 600
PierreLiterature1247.Kjellberg
A477Paul
A475Sonover and Piquet patinated metal and glass table lamp in the manner of Edgar Brandt, square section base on ball feet, rising to square column with cast disk panels, with textured finish, flaring arms supporting domed frosted glass shade by Societe Normande De Verriere (Sonover), signed in the glass cast Sonover, 29.5cm. high £200 300
Provenance Design, Koller Auctioneer’s, 7th December 2013, lot
£3,000 5,000
478477476 111 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 475
An476Art
Le Mobilier du XXe siecle, 200 s.129. £1,500 2,500
Kiss wrought iron table, circular section, with four square section open work legs which arch to form lower tier, the rim cast with a band of flowers and foliage, drop in grey marble top, signed with stamp P Kiss Paris 51cm diam. 61cm
Deco ebonised wood occasional table, low rectangular form, on D shaped support on rectangular base, unsigned, 148 x 46cm (top), 52cm. high £300 500
A478modern walnut and iron MB 405 desk designed by Pierre Chareau, manufactured by Nussbaum und 181cmEisen,wide, 138cm deep.
AProvenancehighprivatecollection.
Deco peach tinted glass triptych dressing table mirror, stepped, cloud top, the central large mirror articulated, on maple frame, unsigned, 90cm. wide, 68cm high £150 200
112 481 481 open
479 480
Deco burr walnut extending pedestal dining table and six mahogany dining chairs, the rectangular top with quarter sawn butterfly veneer, central tapering fluted pedestal, with two additional leaves, the chairs with tapering gadrooned legs and back, with red seat and back pads, unsigned, 176 x 112cm, leaves (49cm. wide), (9) £300 500
An480Art
A481Harrod’s London ebonised wood cocktail drinks trolley, rectangular section, the top two hinged doors which open and raise a fitted compartment, painted white, on castors, applied label 77cm. high, 42cm wide. £200 300
An479Art
A482chrome and frosted glass ceiling light, hexagonal section, with hinged door, the side panels with lattice panels, unsigned, 38cm. wide.
An483Art
£200 300
£150 200
An484Art
Deco rosewood sideboard in the manner of Andre Arbus, rectangular section, on four flaring legs with brass feet, two double cupboards with hinged doors, internally fitted with drawers, central marquetry and mother of pearl panel of a figure flanked between stylised flower sprays, carved pillars to each end, unsigned, 231 cm. wide, 55cm deep, 95cm high
Deco rosewood veneer desk, rectangular section on flaring legs, the top with shallow step detail, central drawer flanked by two bands of two drawers, patinated metal furniture and feet, unsigned, 185 x 77cm (top) 76cm. high
£300 500
485483 113 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 482
Deco rosewood and satinwood bureau cabinet in the manner of Andre Arbus, rectangular form, twin cupboard below, fitted bureau desk, the cover with diamond design, below small display cabinet with sliding glass doors, unsigned, 157cm. high, 91cm wide, 45cm deep.
£300 400 484
An485Art
LesleyLiteraturehighJackson, Modern British Furniture, V&A, page 82 and 83 for comparable tables illustrated from original Kandya adverts circa 1954.
486
£150 200
A490teak veneer side table, triangular top over offset ebonised shelf, on three flaring legs, unsigned, 53cm. high, 57cm. wide £120 180
France & Son British Pioneer of Danish Furniture, page 131 this design illustrated.
A489Kandya drop leaf table the design attributed to Frank Guille, on turned legs, the top and hinged leaves with black and white abstract laminate, applied paper label to base, 68cm square (top), 33cm wide (leaves), 73cm.
491487490
A491France & Son teak coffee table designed by Peter Hvidt and Orla Molgaard, model no. 519, square section, with raised corner shelf, on tapering legs, the top with rattan weave, applied label, 64cm. high, 77cm. square
A487large polished steel table lamp and shade, retailed by Heal’s, disc base supporting four curved panels flanking central square rod, four light fittings, with drum shade, unsigned, 68.5cm. high, (2)
488
489
A492Swiss Lamps International polished metal and plastic table lamp designed by Robert Haussmann, circular base supporting short stem, and black domed shade, factory marks to base 46cm. high, 80cm wide £80 120
£80 120
A486pair of Heal’s teak veneer chest of drawers, rectangular section on ebonised feet, graduated band of four drawers, with polished metal handles, unsigned, 76cm. high, 87 x 47cm (top), (2)
JamesLiteraturetopFrance,
£80 120
£150 250
£300 500
A488pair of Italian chairs, brass flaring legs supporting bucket seat with plush cream upholstery, unsigned, 79cm. high (2)
114 492
A493set of six PP Mobler oak chairs designed by Hans Wegner, model PP62, with paper cord seats, applied PP Mobler label 72.5cm. high (6) PrivateProvenancecollection. HatjeLiteratureCantz Wegner Just One Good Chair, Olesen, page 151 for a comparable chair. £5,000 8,000 115 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
116 497 498
A495PH Artichoke light designed by Poul Henningsen, originally designed in 1958 and produced by Louis Poulson, copper petal diffusers, unsigned 76cm. high £2,000 3,000
A498Syroco gilt plastic wall mirror, rectangular, cast in low relief with brutalist design cast marks Syroco made in USA, 106.5 x 50cm. £200 400
tile topped table designed by Roger Capron, on steel frame, the rectangular top set with irregular rectangular tiles impressed with foliage stems, in tan and brown impressed Capron Vallauris, 106.5 x 48cm. £300 500
A496Myer
494 495 496
A494PH Artichoke light designed by Poul Henningsen, originally designed in 1958 and produced by Louis Poulson, copper petal diffusers, unsigned 76cm. high £2,000 3,000
A497Vallauris
coffee table designed by John Piper for retail by Heal’s, enamelled metal frame with rectangular shelf, the rectangular top with printed formica surface depicting St Paul’s and St Martin in the Field and Lincoln’s Inn, in a winter landscape, unsigned, 115 x 38cm (top), 35cm. high £200 300
A499Fornasetti Strumenti Musicali four fold screen designed by Piero Fornasetti, lithographic print on lacquered wood, the reverse lacquered black, on castors painted NO2 DI.6/1990 NR SS to base of one panel 206cm. high 50cm wide (each panel) ThemesProvenanceand Variations, 1995, purchased by the vendor. £2,000 4,000 117 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
A500chrome metal and marble Arco floor lamp after the original design by Achille Castiglioni, extending chrome metal arched stem, with domed shade, 214cm. high £120 180
500 501 503
A501large Italian brass and ebonised wood ceiling light, radiating arms supporting eight lights, the central rod with loop terminal, unsigned 115cm. high £400 600
118 502
A503modern leather Rhino foot stool after a design by Dimitri Omersa, originally designed in the 1950s and retailed by Liberty & Co, chestnut brown leather, unsigned, 90cm wide, 48cm. high £300 500
A502Chester Jones folio stand, rectangular panelled top, with four shelves each set with rollers, unsigned, 120 x 60cm. (top) 87cm. high £800 1,200
show
505 504 506
tte and match holder, the back bumper a draw with metal
119 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
Italian
The MK2 SE was built to commemorate the landmark sale of 750 000 choppers.
150
300
£1,800 2,200
£100
A505novelty Walnut to cigare ashtray,
tin plate model of a Gul wing Mercedes 330 SL, commemorating the 40th Anniversary of the car, 1952 1992, in presentation box, transfer Marklin, paper certificate, 33cm. wide
car model, the roof hinged, opening
the front bumper a tray unsigned 37cm. wide
£200
A504Marklin
A506Raleigh Chopper Mk 2 SE bicycle, three speed gears, silver with cast alloy mag wheels, applied Raleigh and SE decals, 106cm. high, 136cm long Catalogue notes
A511dining table and six chairs in the manner of Umberto Mascagni, the rectangular table top painted with Chinese figures, under glass top, on four tapering legs with black vinyl covering, six en suite dining chairs with white pads, unsigned, 97cm. high (chairs), 142 x 81cm (table top), (8) £300 500
A510modern chrome metal Barcelona Ottoman foot stool after a design by Mies van der Rohe, with white leather buttoned pad unsigned, 39cm. high, 61 x 56cm (pad), (2) £100 200
507 508 509510
A507modern Ottoman footstool after a design by Charles and Ray Eames, teak laminate with black padded cushions, unsigned, 61cm. wide. £200 300
A509modern chrome metal LC4 chaise lounge after a design by Le Courbusier, enamelled black base supporting chrome tube frame with black padded seat, unsigned, 151cm long, 81cm. high (2) £200 400
120 511511 top
A508modern lounger and Ottoman after a design by Charles & Ray Eames, macassar veneer with black padded cushions, unsigned, 87cm. high (2) £200 400
‡ David513 Linley (born 1961)
Andaman Padouk and sandblasted glass, designed in 1986, made at the Albany Studio & Workshops, 1987 141 x 92cm. 43cm. high
£1,000 1,500
a pair of Linley burr walnut and cherry large picture frames, easel back, burr walnut veneer with cherry banding, and a Linley desk blotter stamped Linley, 41.5cm. high, 29.5cm. wide, (3)
‡ David512 Linley (born 1961)
£1,000 1,500
514 121 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 515
‡ Ma514 tthew Burt (born 1951) low table, 1987
A515large contemporary burr walnut and beech table, oval base with twelve birch cylindrical legs, supporting large oval top with burr walnut veneer bands, unsigned 124 X 300cm (top), 72cm,. high, (2)
£400 600
512 513
£400 500
A pair of Linley maple and sycamore dressing mirrors, long, rectangular form, applied Linley labels 146cm x 53cm (2)
A517perspex coffee table, rectangular top on two angled legs, unsigned, 119cm. square top, 49cm. high £150 250
£120 180
A520modern table lamp, domed black enamel base supporting angled stem and flat domed shade, unsigned, 50cm. high
A521modern table lamp, Modernist form with enamelled black shade, central black plastic and chrome stem with glass discs, unsigned, 43cm. high £120 180
A516perspex and glass occasional table, rectangular section, with drop in glass top, unsigned, 91 x 75cm (top), 51cm. high (2) £150 250
516 517 518 521519
A518modern nickel plated desk lamp originally designed by Marcel Breuer, rectangular base supporting two three rod columns, with cube terminals, domed rectangular shade, stamped mark Exposition Paris 1925 Marcel Breuer to base, 52.5cm. high, 31cm wide. £200 300
122 520
£200 300
A519modern nickel plated desk lamp originally designed by Marcel Breuer, circular, flat base supporting two three rod column clusters, domed rectangular shade, stamped mark Exposition Paris 1925 Marcel Breuer to base, 48.5cm. high
Towards the Unknown (Valkyrie) patinated and gilded bronze and on textured stone base signed in the stone base Cl J R Colinet, 68.5cm high 70cm.
Murray, Dinmore
Art
tion reference CXSQQX5K £7,000 10,000
and
λ Claire522 Jeanne Roberte Colinet (1880 1950)
FromProvenancewidethecollec
123 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
for
& Other Figures, ACC Books, page
SCULPTURE
tion of Richard Hollins Estate, thence by descent.
ivory
size illustrated. Ivory
BryanLiteratureCatley Deco 111 this the smaller declara
Girl with an Apple, patinated metal of a young girl, standing, eating an apple, on veined white onyx base, signed in the cast Pomgracz 35.5cm. high £200 300
Female Dancer with Flowers, patinated bronze figure of a nude maiden, on veined red marble base, signed in the cast Franz Seifert Wein, 198/115, 45cm. high £500 800
Szigfrid525 Pomgracz (1872 1929)
Franz523 Seifert (1866 1951)
An526Art Nouveau patinated bronze figure of Venus bathing, modelled standing gazing at a mirror, a drape to her shoulder falling to an urn on a pedestal, square plinth on ebonised wooden base, apparently unsigned, 30.5cm. high £400 600
523 525 526 124
Bust of a Woman, model no.5131, pottery signed and stamped marks 55cm. high £200 300
524
Georges524 Morin (1874 1950)
Marco Polo, a patinated bronze double inkwell and cover, dated 1921, tapering rectangular base, the cover cast with a figure of Marco Polo standing on a boat, inscribed I Was made for Frank Henry Cook, AD MCMXXI, wooden base signed Omar Ramsden 35.5cm. wide, 22cm. high
Lucy527 Gwendolen William (1870 1955) Queen of Dreams
patinated bronze dipped plaster, on a flaring, shaped alabaster base, highlighted in gilt signed in the cast LGW 1905 23.5cm.
Omar529 Ramsden (1873 1939)
527 528 529 125 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
£150 200
£1,500 2,500
ThereCataloguehighnotesisasimilar example held in the Victoria & Albert Museum collection.
Charles528 Sykes (1875 1950) Adam and Eve bronze patinated plaster figure, on stone plinth signed in the cast 34.5cm. high
£500 800
A531marble sculpture of Venus Arising, Venus and a cherub modelled resting in a large shell, on oval alabaster base unsigned 21cm wide £120 180
Julien530
Maurice532 Guiraud Riviere (1881 1947)
To Hate the Victory, 1919 cire perdue patinated bronze of two defiant women, after the poster design by Auguste Leroux, 1918, signed in the cast M Guiraud Riviere 1919, cire perdue no.5 53.5cm. high £800 1,200
A533patinated bronze model of naked woman riding a snail, in the manner of Bruno Zach, on veined marble base, unsigned 19.5cm. wide (base) £200 300 530 531
532 533 126
Bust of a young lady an Art Nouveau alabaster sculpture, carved with a central flower and scrolling ivy tendrils, on a serpentine base signed Julien to the reverse, 68cm high £800 1,200
£1,000 1,500
Cyriel535 de Brauwer (1914 1989)
Roger536 Godchaux (1878 1958)
Woman with a Deer
534 536
patinated bronze, on veined marble base signed in the base, 41.5cm. wide.
Panthers a pair of patinated bronze book ends, wooden bases applied plaque Godchaux Susse Fres Ed Paris, 19cm high (tallest panther), (2)
£2,500 3,500
Henri534 Fugere (1872 1944)
Grazing Horse and Foal patinated bronze signed in the cast de Brauwer e/a 48cm. wide
127 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
£1,500 2,000
Max541 Le Verrier (1891 1973)
a verdi gris patinated sculptural lamp, modelled as a woman seated on a plinth, on veined marble base, with later glass sphere, signed M Le Verrier in the cast 23.5cm. high (2) £150 200
Ugo538 Cipriani (1897 1960)
Pierrot lamp, an Art Deco patinated metal table lamp, modelled as a pierrot couple seated on a frosted glass ball shade, on grey striated marble base, signed in the cast EXE, 29.5cm. high £150 200
Woman holding a bird a patinated spelter sculpture,modelled kneeling, with two birds resting on a polished black slate base, signed to the slate base, 50.5cm. wide £300 400
Seated Elephants a pair of silvered metal book ends, with bone tusks, on veined marble bases signed H Moreau in the cast 13.2cm. high (2) £300 400
A540nickel
plated metal car mascot, modelled as a grotesque figure with monkey face and long webbed frog legs, sitting on the shoulders of a large grotesque indistinct cast mark to side of base, 14.5cm. high £120 180
Exe542
128 541
A537painted metal figure of a dancer in a top hat, on shaped veined marble base, unsigned, 23cm. high £150 200
537 538 539 540 542
Hippolyte539 Moreau (1832 1927)
patinated bronze model of a nude female dancer on her toes, arms raised, in the manner of Josef Lorenzl, on an oval red marble base signed Szoke to base, 30.5cm. high
Lady with a Riding Crop, patinated bronze and ivory figure, on green onyx base signed R Lor in the bronze cast 23.5cm. high
patinated bronze on domed base, mounted on veined marble base signed Lorenzl to domed base 26.5cm. high
Szoke543
λ Josef545Lorenzl (1892 1950)
Dancer
£500 1,000
Ivory declaration reference PL5XLHJC
λ Josef544Lorenzl (1892 1950)
£500 800
Dancers
Ivory declaration reference 15JWPZTQ
a pair of patinated bronze and ivory figures, on different green onyx base signed Lorenzl in the bronze cast, 27.5cm. high (2)
Josef546 Lorenzl (1892 1950)
546545544 129 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 543
£1,500 2,000
£500 1,000
Bat Girl
field Studio, purchased directly by the vendor’s aunt. £300 400
‡ Andrew552 Baldwin St George and the Dragon automata on a stand, unsigned 104cm. NevilleProvenancehighPundole Gallery £1,000 2,000 549
Celes550tino Mukavhi (born 1972, Zimbabwe) Torso, patinated bronze on polished marble base signed C Mukavhi 1/20 in the bronze, 49.5cm. high £150 250
Michel549 Milberger (1922 1997) attributed left hand, 1950 cire perdue patinated bronze cast at Valsuani foundry, and another similar also cast at the Valsuani foundry, cast foundry mark, MM monogram and 1950 to one, 21.5cm. long (2) Provenance £100 200
550
130 552
Jade patinated bronze female dancer on stepped ebonised base signed and numbered 51/150, with certificate and catalogue 16.5cm. high (figure),(3)
MerriProvenance
Kenneth548 Carter (1928 2007) Sculptural Relief, 1980 patinated bronze plaque with gilding signed K Carter, 80 36 x AProvenance29.5cm.privatecollection of sculpture. £100 150
An547Art Deco style carved wood panel of a seated maiden, unsigned 43 x 31cm. £150 200
551
Tom551 Merrifield MRSS, (Australian, born 1932)
547 548
Bust of a woman, silvered metal,modelled wearing a headscarfon square base, stamped mark, 20cm. high
£200 300
a
pa
wide £300 500 554 555556 131 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 553
£150 200
Karl556 Hagenauer (1898 1956)
A553pair patinated 18cm.
of
Hagenauer554 Workshops
bronze horses designed by Frederick Weinberg, stylised form with geometric swastika motif, unsigned
metal base stamped
high, (2) £120 180
model of
Bear and Cub, Werkstatte Hagenauer patinated marks, 13.5cm. high, 22.5cm.
dancer in
carved wood, on
A555tall tinated bronze a the manner of Hagenauer, modelled unsigned, 119cm.high
standing on circular base, arms raised above her head
A558pa
557 558 559 562
tinated metal hall lantern, scrolling foliate decoration, cylindrical frosted glass shade, and a spare glass shade, unsigned, 72cm. high (2) £150 200
A561set of fifteen large Art Nouveau brass door plates by Jules Cayette, slender rectangular form with shaped ends, cast in low relief with poppy seedheads and foliage, signed Cayette Nancy 77cm long, 7cm wide. (15) £300 500
A562hexagonal brass box and cover by E McEwen Osborne, dated 1931, on stepped foot, the cover inset with a silk embroidered floral panel, inscribed to the foot rim To George Taylor Friend from his grateful pupil E McEwen Osborne, 1931, 17cm. wide, 9cm high Catalogue notes George Taylor Friend was an engraver and jeweller’s engraver and taught metalwork at the Central School of Art and Design. £150 200 560
A557wrought iron fire basket, with scroll feet and open basket terminals, unsigned, 85cm. wide, 47cm. high £200 300
tinated copper and brass table lamp in the manner of the Birmingham Guild of Handicraft, tapering tripod base supporting glaring pink opaline glass shade, unsigned 46.5cm. high £150 200
A560Cotswold School set of fire tools, comprising tongs, brush poler and shovel on stand, all wrought with twisted stem and hammered decoration to the handle, unsigned, 58cm. high £150 200
132 561 METAL WARE
A559pa
An566Elkington & Co electroplated ewer, model no.12356, shouldered ovoid form, etched with a floral swag design, with hinged cover stamped marks to base, 30.5cm. high £150 200
An565Elkington & Co cloisonne enamel vase, model no.317, shouldered form, enamelled with a panel of cranes standing beside flowers, the reverse a flying crane, the panels inside scrolling foliage, the neck a band of stylised foliage stamped marks, 16cm. high £150 200
A567large John Pearson repousse copper casket, dated 1906, rectangular with hinged cover, hammered in low relief with stylised exotic flowers on scrolling stems to the front, the hinged cover hammered in relief with two exotic birds flanking central flower motif, above scroll, stamped JP 1906, 26 x 17.5cm. 15cm. high £300 400
133 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 567 563 564 566 565
An564Elkington & Co cloisonne enamel coupe, model no.1013, tapering cylindrical stem supporting shallow bowl, enamelled with panels of stylised flowers, a footed tray similar, model no.10907 and a pair of small candlesticks, stamped marks, 16cm. high (4) £200 300
An563Elkington & Co Egyptianesque electroplated jug, flaring conical form with flat hinged cover, cast in low relief with a scarab motif, an electroplated metal sphinx probably Elkington and a dish stamped 15 to cover, 15cm. high (3) £150 200
A575Robert Mouseman Thompson oak breadboard, octagonal with carved mouse to edge, carved mouse signature, 30.5cm. wide
A568pair of Cotswolds School copper candlesticks designed by Ernest Gimson, octagonal base with domed centre supporting tapering square column, flaring circular sconce, with punched decoration, unsigned, 25.5cm. high £500 700
A569copper and brass hall lantern, flaring square section with tapering base, the flaring overmantel with heart shaped cut out motif, frosted glass panels, unsigned, 55.5cm. high £200 300
A571Fivemiletown brass tray, rounded rectangular tray with fluted rim, stamped in low relief with two peacocks perched in a fruiting pomegranate tree unsigned, 54 x 42.5cm. £100 150
An570Art Nouveau brass table lamp, tripod foot, central column, with fluted clear glass shade and a tall silvered metal oil lamp base, unsigned, 47.5cm. high (2) £120 180
A572silvered metal ‘Pullman’ table lamp, on tripod foot, the articulated fitting with frosted glass shade, unsigned, 21cm. high £100 200
568 569 571572 574 134 573 570575
A573copper and wrought iron firescreen in the manner of John Pearson, rounded rectangular panel stamped in low relief with a stylised tree, with stylised link border, inside Art Nouveau wrought iron frame, unsigned, 78.5cm. high £100 200
£120 180
An574Arts and Crafts pewter wall mirror, circular, stamped in low relief with a frieze of thistle flowers and foliage, with circular bevelled mirror, on wooden frame, unsigned, 57cm. diam.
An581Elkington & Co electroplated metal and glass cruet stand designed by Dr Christopher Dresser, three domed compartments with central T bar handle, two glass salt and pepper pots with metal tops, a Hukin & Heath cruet stand in the manner of Dr Christopher Dresser and a Hukin & Heath egg coddler and cover, with ebonised wood handles, designed by Dr Christopher Dresser stamped marks, 12.5cm. high (9)
580
A578large
A579WAS
Benson brass standard lamp, arched cruciform foot with claw terminal, with cylindrical, adjustable column, stamped WAS Benson mark, 157cm. high
& Heath electroplated metal and glass claret jug designed by Dr Christopher Dresser, the tapering cylindrical glass body with collar neck, rod and bar handle and angular spout, hinged cover, stamped mark and regd diamond, 24.5cm. high
135 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 576 581577579
£150 250
Benson copper and brass inkwell, copper water lily tray supporting flaring brass well with hinged cover, a small Benson silvered metal jug and a Benson copper kettle on a stand stamped marks to jug, 15.5cm. diam (inkwell), (4)
Benson brass double inkwell and pen tray, the oval tray with twin handles on four feet, unsigned, 30.5cm. wide
£300 500
£150 200
A580Hukin
£150 200
A576WAS
and impressive copper and brass wall light in the manner of WAS Benson, three scrolling brass arms supporting copper flower reflectors, with copper foliate panels and brass wall mount, unsigned 53cm long £150 200
£300 500
A577WAS
578
582 585 586 588
Nouveau WMF electroplated metal ewer, slender form, cast in low relief with stylised bands, with hinged cover, another similar, two others, a twin handled vase and a teapot stamped marks to base, 34cm. high (6)
A588WMF polished pewter and glass urn shaped vase, model 336/A, twin handled form, cast with laurel wreaths, with green glass liner with cut star decoration, and a small electroplated metal and glass basin, cast 336/A 28.5cm. high (4)
A586Secessionist
A583Liberty & Co English Pewter cruet set designed by Archibald Knox, model no. 0347, cast in low relief with Art Nouveau foliage design, comprising salt pot and green glass liner, pepper pot, mustard pot with hinged cover, stamped marks, 5.5cm. high (pepper), (4)
£150 250
A582Liberty & Co English Pewter coffee pot designed by Archibald Knox, model no.0231, cylindrical form on sleigh feet, hammered finish, with hinged cover, and an Art Nouveau Solkets dish model no.0283, stamped marks, 22.5cm. high, (2)
£120 150
136 587 584583
A584set of four Arts and Crafts pewter and enamel napkin rings, two with hammered decoration, two plain, set with square enamel panel, unsigned, 5cm. wide (4)
A585Limoges miniature enamel vase, tapering cylindrical form covered in a blue graduating enamel with green splashes, two other small vases and four Limoges enamel dishes, applied labels and painted marks to dishes 9cm. high (blue vase), (7)
£120 180
£120 180
£300 500
£150 200
WMF brass wine cooler, tapering cylindrical foot, the cylindrical bucket with stamped roundel decoration, with hinged handle, and a brass coal box and cover with liner, brass, rounded body on four legs, cast with geometric band, stamped mark, 93cm. high (3)
An587Art
£200 300
Nouveau WMF pewter card tray, oval, cast in low relief with a maiden picking a berry from a bramble bough, unsigned 39cm. wide
Nouveau WMF electroplated metal and glass flower trough, oval section, cast with scrolling foliate panels, on four feet, with tall looped scroll handles, the glass liner cut with foliate design, stamped marks, 32cm. wide.
£120 180
£150 250
An593Art
An590Art
Nouveau WMF pewter plaque, model no. 279, cast in low relief with an Art Nouveau maiden, and another large silvered metal plaque with a young girl with flowers in her hair, cast number, 21cm. wide, (2)
590 593 137 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 589 592
£150 250
An589Art
An591Art
£150 250
An592Art
Nouveau WMF pewter wine bottle coaster, model no.358, cast in low relief with berried foliage panels, and another electroplated wine coaster stamped factory marks, 9.5cm. high (2)
Nouveau pewter desk ink well, possibly Kayserzinn, cast in low relief with an Art Nouveau maiden, flanked by twin ink wells, the hinged covers cast in low relief with whiplash design, and slender elliptical pen tray, unsigned, etched VII to reverse, 39cm.wide, £200 300 591
An599Omar Ramsden silver spoon, cast Tudor rose terminal, hammered finish, stamped marks, London 1937 13.5cm. long, 1.39oz £120 180
A594W J Myatt & Co silver mounted oak easel back photograph frame, rectangular, cast in low relief with Art Nouveau flower stems, on textured ground stamped marks, Birmingham 1915, 26.5cm. high £120 180
594 595 597596
WoolleyJulianProvenancehighFall.and
138 598
Wallis Auctioneer’s 30th November 2011, lot 721. Private collection. £200 300
An596Art Nouveau William Hutton & Sons Ltd silver casket, rectangular, on four shaped feet, with hinged cover, cast in low relief with whiplash panels, with blue velvet lined interior stamped marks, London, 1902, 15.3cm wide £200 300
An595A E Jones silver sugar caster, cylindrical form with pierced domed top, applied with a band of rope twist decoration to the base, the neck with four stylised flowers, hammered finish, and a copper and silver overlay inkwell probably by A E Jones, stamped marks, Birmingham 1934, 13.5cm. high (2) £150 200
£150 200
An598Omar Ramsden and Alwyn Carr silver spoon, the terminal cast with a flower motif on scrolling stem, hammered finish, stamped marks, London 1912, 15.5cm. long, 1.49oz
An597A E Jones silver coffee pot, hammered finish on four flat disc feet, shouldered form with collar neck, applied with stylised flower roundels, hinged cover, with bakelite finial and handle, stamped marks, Birmingham, 1924, 10cm.
599
£1,000 2,000
A602modern George Hart Guild of Handicrafts silver spoon designed by Charles Robert Ashbee, the slender teardrop shaped bowl on tapering stem with open terminal set with green chrysoprase, stamped GofH London 1997, 16cm. long.
601600 139 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 602 602 detail
£300 500
JohnProvenanceLyndon
£200 300
A601modern George Hart Guild of Handicrafts silver porringer designed by Charles Robert Ashbee, the hammered bowl with wirework handle, set with green chrysoprase cabochon, with glass liner, stamped marks GofH London, 1997, 19cm wide (2)
A600large Art Nouveau William Hutton & Sons silver twin handled vase, tall, swollen baluster form with applied strap handles with foliate motif, the body of the vase with applied floral panels, stamped marks, London 1901, 47cm. high, 108 ozt (3)
‘1984’605 an Isle of Jura bottle of whisky, celebrating the centenary of the birth of George Orwell, in original cardboard retail box, 70cl bottle £120 180
An604Asprey travel clock in leather case, rectangular dial with arabic numerals, eight day movement, and a chrome table barometer, signed to the dial, 6 x 5.5cm. (2) £120 180
A607Walker & Hall electroplated four piece tea set designed by David Mellor, model no. 53722, with black plastic handles and finials, comprising, teapot and cover, hot water pot and cover, milk jug and sugar basin, stamped marks, 16cm. high (hot water), (6) £100 200
MoMALiteraturehold an example of the cheese knife in their permanent collection. £120 180
140 607 605 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price
A603Henry Howell & Co YZ comical bird, burr walnut and amboyna wood with bakelite head and loose ashtray, stamped marks, 16.5cm. high £120 180
A606Boda Nova stainless steel canteen of cutlery designed by Mikael Bjornstjerna, comprising, four serving spoons, cheese knife, butter knife, seven entree knives and forks, eight dinner forks, six dinner knives, eight dessert spoons, eight smaller spoons, and four teaspoons, with scandinavian teak cutlery tray stamped marks, 22.8cm long (serving spoons), (a lot)
603 604 606
A612Gourdel Vales & Co silver and enamel brooch, cast in low relief in the form of a moth, enamelled green and blue, with three abalone shell drops, stamped marks, under enamel to back, 4cm. wide
£500 700
£150 250
A609George Hunt silver and abalone bar brooch, open trefoil wirework frame set with large abalone panel and smaller moonstone cabochon, stamped shield mark, 8.4cm.
£150 250
A608silver and abalone shell stick pin probably by George Hunt, with cast leaf and flower motif, large abalone shell terminal, a silver crucifix attributed to Jean Despres, a set of six Art Deco silver and enamel coffee spoons, a bar cocktail stick set, and a three pronged fork, bar brooch stamped Sterling, crucifix stamped Jean Despres 7.5cm. long, (10)
An611Art Nouveau silver and enamel pendant necklace, cast in low relief with geometric foliate design, in blue and green enamel, set with abalone and drop, unsigned, 4.5cm. long.
A613collection of seventeen silver hat pins including Charles Horner, including a golf club, acorn terminal, pierced flowerhead and scrolling thistle terminals with purple and amber glass flowers, and a hat pin stand, stamped marks, longest 28cm. (18)
609 610 612 611
141 614
£150 250 613
A610Liberty & Co silver and moonstone pendant necklace designed by Jessie M King, model no.9259, the silver frame cast with foliage sprays enamelled sky blue and pink, set with two moonstones, on link chain, stamped patent to chain clasp, 3cm
DidierProvenancelongAn
A614Charles Horner silver and enamel pendant, shield shaped, cast in low relief and enamelled with a green and blue panel, stamped CH marks, Chester 1910, 1.5cm. high
tiques, London Private collection.
ThisLiteraturedesign is illustrated in a Liberty catalogue as number 9259.
£700 900
JEWELLERY
£120 180
£150 250
Hunt The Silent World of an Arts and Crafts Jeweller, A Touring Exhibition, Bonham’s, November December 2006, page 24 catalogue number 37 for a comparable example.
GeorgeLiteraturelongEdward
616
Finn Jensen silver and enamel bracelet, seven rectangular panels, enamelled blue, stamped Norway Sterling 925, 18.5cm. long £150 250
615 618 619 621142 620
A621Modernist
pendant necklace by MJM, square form cast in relief, stamped marks MJM, 5cm. long £120 180
A618Niels
A616Norwegian
A619Mexican silver necklace and earrings, circular with pierced aperture, and a small English silver and blue enamel pendant necklace, stamped marks, 2cm. wide (4) £150 200
617
A617silver
A615silver and enamel bracelet in the manner of James Fenton, square panels, enamelled with blue and green flower head design and a Charles Horner silver brooch with amethyst glass heart shaped stone, unsigned 17cm. long (2) £150 200
Erik From silver necklace bracelet and brooch, the necklace and bracelet links of curved leaf panels, each set with a berry, the brooch a spray of similar leaves, stamped marks, 40cm. long (necklace), (3) £150 250
A620silver and enamel pendant necklace, curved bottle form with enamelled black rectangular panel, a Warming Denmark silver brooch, another similar and a Mexican silver bracelet main item unmarked, 6.5cm. long (4) £120 180
18ct gold and smoky quartz ring designed by Bertel Gardberg, the domed quartz covered in free moving metallic beads, a pair of Michael Bolton silver and bead earrings, a silver ring and a crucifix, stamped marks, size N (Gardberg ring), (5) £200 300
silver pendant necklace, open circular frame set with central hardstone cabochon, stamped marks, 4.5cm. long £120 180
A623Finnish
silver pendant necklace, cast textured form, another star shaped pendant and a brooch decorated with a sun face, unsigned, 5.5cm. long (3) £150 200
A625Mexican
A622Finnish
A624Brutalist
silver necklace and bracelet, curved, streamlined link panels, another bracelet and a pair of earrings, stamped marks, 41cm. long (5) £150 200
silver necklace and earrings set by JWP, simple alternating rectangular panels, stamped marks, JWP, (3) £150 200 143626 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price 622 623 624 625
sliver pendant necklace, heart shaped strap frame set with central hardstone cabochon, stamped marks, 5cm. long £120 180
An626English
A627Siersbol silver ring, with cast circular textured panel, and five other silver rings, stamped marks, size N (main ring), (6) £150 250
633 144 632629 627 628
A629Georg Jensen silver ring, square section, cast with circle design, and another Georg Jensen silver ring with cast heart shaped aperture, stamped marks, size M (main) and O, (2) £150 200
A631Georg Jensen 18ct white gold Eclipse ring designed by Kim Buck, set with rubyite stone, stamped marks, size N £350 450
A632Hand Hansen silver ring, simple loop form stamped mark, facsimile signature, S1/2 (size) £120 180
A634Georg Jensen silver brooch designed by Henning Koppel, model no.324, stamped marks, London 1965, 4.3cm. wide £150 200
634
END OF SALE
A633Georg Jensen silver bangle designed by Hans Hansen, tapering width stamped marks and facsimile signature, 7.5cm. wide £150 200
A630Georg Jensen 18ct white gold Eclipse ring designed by Kim Buck, stamped marks, size P £300 400
630 631
An628English silver ring by R G W, cast with irregular textured finish, and five other silver rings, stamped RGW size N (main ring), (6) £150 200
BRITISH ART POTTERY WEDNESDAY 30TH NOVEMBER 2022 Akiko Hirai (born 1970) Extra Large Moon Jar, 2019 BeauxProvenanceArts,Bath, 2019 Private collection. Estimate £15,000 20,000* ENQUIRIES Michael Jeffery | +44 (0) 1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price
SILVER & OBJECTS OF VERTU TUESDAY 25TH & WEDNESDAY 26TH OCTOBER 2022 A selection of vinaigrettes from a private collection ENQUIRIES Rupert Slingsby | +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk
FINE JEWELLERY WEDNESDAY 2ND & THURSDAY 3RD NOVEMBER 2022 A selection of highlights from the November Fine Jewellery auction Estimates from £4,000 £25,000* ENQUIRIES Marielle Whiting | +44 (0) 1722 424595 | mw@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price
Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand carried exports.
You will be asked to show your documents, or fax or email
Monday to Friday 9am – 5.30pm
All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification:
All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.
1. a passport or photographic driving licence
2. a utility bill or document showing your name and address
If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
TELEPHONE BIDDING
REGISTERING WITH US
Alban Shipping+44 (0)1582 www.albanshipping.co.ukinfo@albanshipping.co.uk493099
EXPORTING YOUR PROPERTY FROM THE UK
If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.
The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.
Kimdan Ltd+44 (0)7973 andy@kimdan.co.uk389436
LIVE ONLINE BIDDING
In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.
SALE RESULTS
Pack & Send+44 (0)1635 www.packsend.co.uk/newburynewbury@packsend.co.uk887237
BUYER’S PREMIUM
The colours printed in the catalogue are not necessarily true.
To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.
It is usually possible to bid on the telephone by prior arrangement with the office.
Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.
VIEWING
See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.
COMMISSION BIDDING
CONDITION REPORTS
BIDDING AT AUCTION
The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.
These will be posted on our website shortly after the sale.
PACKING AND SHIPPING
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
AUCTION INFORMATION
PLEASEcopies.NOTE:
Monday to Friday 9am – 5.30pm
Castle Street Salerooms
Castle Gate Offices
You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk
Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.
OPENING HOURS
BIDDING IN THE ROOM
Registering with our website, or any third party website, does not automatically register you to bid with us.
Mailboxes +44 (0)1962 www.mbe.co.uk/winchestermbewinchester@btconnect.com622133
Debit cards: Delta, Switch, Connect
Sort code 30 97 41 IBAN no. GB20LOYD30974100957707
Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707
ARTIST’S RESALE RIGHT / DROIT DE SUITE
Credit cards: Visa, Mastercard or Amex
Lots marked with a ‡ symbol are potentially subject to a Droitlevy.de
Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.
The following methods of payment may be made:
Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.
Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.
Please enquire for the accepted exchange rate on the day of the Royaltiessale. for Droit de Suite are as follows:
Please note that lots marked λ may be subject to CITES Regulations when exported.
Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.
Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.
Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.
Where practical, payment can be made and purchases collected during the auction.
Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card holder is not present.
BIC code LOYDGB21063
VAT
4% Up to Up0.25%0.5%€350,000.011%€200,000.013%€50,000.01€50,000200,000350,000500,000Inexcessof€500,000toamaximumlevyof€10,000
PAYMENT AND CLEARANCE
LOT SYMBOLS
FIREARMS
The CITES Regulations may be found at www.defra.gov.uk/ahvla en/imports exports/cites/
CITES REGULATIONS
We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
INFORMATION FOR BUYERS
1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.
5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.
4. The purchase price.
10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.
6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).
2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.
11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
11. Unsold and withdrawn items. If an item is unsold it may with your consent be re offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.
12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.
TERMS OF CONSIGNMENT FOR SELLERS
7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.
5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).
The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.
(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.
9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.
(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.
2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.
8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.
10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.
8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.
3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.
Reserves.
9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.
4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS
3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.
6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.
(b) A reserve once set cannot be changed except with our consent.
1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.
(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;
(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;
(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.
(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;
Bidding increments shall be at the auctioneer’s sole discretion.
(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.
5. VALUE ADDED TAX
CONDITIONS OF SALE
(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.
(c) Bidders shall be deemed to act as principals.
15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.
2. BIDDING PROCEDURES AND THE BUYER
(ii) to rescind the sale of that lot and/or any other lots sold by us to you;
(vi) to retain that or any other lot sold to you until you pay the total amount due;
(h) The singular includes the plural and vice versa as appropriate.
(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling
All members of the public on our premises are there at their own risk and must note the lay out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
1. DEFINITIONS
7. TITLE AND COLLECTION OF PURCHASES
14. Authority to deduct commission and expenses and retain premium and interest.
(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;
Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.
(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.
(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;
13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.
4. THE PURCHASE PRICE
In these Conditions:
(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.
(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.
(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.
(i) to proceed against you for damages for breach of contract;
6. PAYMENT
(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;
3. INCREMENTS
The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.
(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.
8. REMEDIES FOR NON PAYMENT OR FAILURE TO COLLECT PURCHASES
(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:
(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions
9. THIRD PARTY LIABILITY
Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).
(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.
(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;
(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.
(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;
16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.
(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;
(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.
(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;
Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.
(k) Pictures are framed unless otherwise stated.
22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.
(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.
(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.
11. WARRANTY OF TITLE AND AVAILABILITY
ARTIST’S RESALE RIGHT / DROIT DE SUITE
(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.
The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.
18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.
(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.
12. AGENCY
The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.
(j) Dimensions are given height before width.
0.5% €350,000.01 500,000 0.25% In excess of €500,000
4% Up to €50,000
The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.
If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
3% €50,000.01 200,000 1% €200,000.01 350,000
10. COMMISSION BIDS
Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.
(g) After Edward Lear: In our opinion a copy of a known work of the artist.
Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
Lots marked with a ‡ symbol are potentially subject to the levy.
19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.
14. DESCRIPTIONS AND CONDITION
Up to a maximum levy of €10,000
15. FORGERIES
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s Royaltiesdeath. are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.
(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.
(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.
(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS
21. English law applies to the interpretation of these Conditions.
BOOK AUCTIONS
20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
GLOSSARY
Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.
Royalties for Droit de Suite are as follows:
(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.
17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.
(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.
In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.
(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.
(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.
13. TERMS OF SALE
GENERAL
• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;
• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;
We collect your personal data from the following sources:
• in order to assist with investigations (including criminal investigations) carried out by competent authorities;
Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).
• By telephone – +44 (0)1722 424599
• personal identification documents, including copies of government issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);
DATA CONTROLLER AND CONTACT DETAILS
We may collect the following personal data about you:
• credit and payment history (where you open an account with us as a buyer or bidder);
• our website and email management software provider.
If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:
• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);
• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and
• the saleroom.com;
• the saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the saleroom.com) of individuals who register for one of our auctions (please see the saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the saleroom.com’s payment provider);
In this respect we will provide your data to the following:
• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;
• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.
HOW WE COLLECT YOUR PERSONAL DATA
This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.
• for our internal business record keeping and processes;
From you when you:
• interact with us before entering into a contract with us, for example when you express your interest in our Services;
In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.
• to customise our website and marketing communications in line with your particular interests or preferences;
• to collect money owed to us or our consignors;
• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;
We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:
THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA
• debt collection agencies;
• to seek advice on our rights and obligations, including obtaining legal advice;
• third parties who assist us with our marketing;
• external auditors;
• account details and other information relating to your transactions/dealings with us and your use of our Services;
This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.
• to carry out background and credit checks in relation to bidders and buyers.
• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.
• By email – privacyofficer@woolleyandwallis.co.uk
• payment details such as credit card and bank account details;
WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU
• to deal with any concerns or feedback you may have in the performance of the Services;
• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;
• shipping companies whom you hire to collect items you purchased from us.
We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:
LEGAL OBLIGATIONS
• your name and contact details including address, telephone and email address;
• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;
WHAT THIS PRIVACY NOTICE DOES
• your image, as captured by CCTV, if you attend our premises;
• the police and other competent authorities, including HMRC;
• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.
• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51 61 Castle Street, Salisbury, SP1 3SU.
In this respect we will provide your data to the following:
• our professional advisors;
From third parties such as:
• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);
LEGITIMATE INTERESTS
PRIVACY NOTICE FOR CUSTOMERS
THE CATEGORIES OF PERSONAL DATA WE COLLECT
We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:
We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.
• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;
HOW LONG YOUR INFORMATION IS KEPT
PROFILING
YOUR LEGAL RIGHTS
If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk
We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.
• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;
• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;
We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.
In particular:
We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.
• to require that we cease processing your personal data if the processing is causing you damage or distress;
• to require us not to send you marketing communications.
• to require us to correct the personal data we hold about you if it is incorrect;
SPECIAL CATEGORIES OF PERSONAL DATA
Pleaserights.note
• to require us to erase your personal data;
CONSENT
We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).
• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;
• to obtain access to, and copies of, the personal data that we hold about you;
INTERNATIONAL TRANSFERS OF DATA
Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.
We process special categories of personal data for the following reasons:
• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your
• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);
We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.
Under the DPA you have the following rights:
We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.
that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.
• if it is necessary to protect your or another person’s vital interests (for example, where you have a life threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);
• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.
• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);
VALUATIONS
We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.
PROBATE VALUATIONS
FREE AUCTION VALUATIONS
Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500
We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.
Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk
For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.
Woolley & Wallis Salisbury Salerooms Ltd. 51 61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29 SALISBURY MILL ROAD NEWSTREET FISHERTONST WYNDHAMROAD SCOTS LN BEDWIN ST WINCHESTER ST CHIPPER LN SALT LN ASHLEYROAD ST ANN ST SOUTH WESTRD HULSERD CATHEDRALNCASTLESTREETEWCANALA360DEVISESRD A36(T)CHURCHILLWAYWEST A36 CHURCHILLWAYNORTH 543ADRELTSAC COOMBEROAD A36(T)CHURCHILLWAYSOUTHA36(T)CHURCHILLWAYEASTA36(T) SOUTHAMPTONROAD HARNHAMROAD A3094 NEW HARNHAM DOWNTONROADA338 WILTONRDA36 CARCENTRALPARK AMESBURY MARLBOROUGH& LONDON, ANDOVER & WINCHESTER WILTON WARMINSTER& A338 BOURNMOUTH & RINGWOODA354WEYMOUTHDORCHESTER&BLANDFORD SOUTHAMPTON WOOLLEY & SALEROOMSWALLIS A345 Castle RdPortwayBeehivePark&RideA345 A36ChurchillWay A36 Old Sarum Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU Woolley & Wallis Unit Castle1BGate Business Park Old SP4SalisburySarum6QX SALISBURY AMESBURY WOOLLEY & WALLIS Salisbury Salerooms Sarum Business Park Old Sarum Park E NS W Kia WestoverMotorsGarage MARLBOROUGH & SWINDON WOOLLEY & WALLIS Castle Gate 1st Self Access Storage DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough eet ondon W1S 3RQ SMayfairecond Floor 7 Clifford Street allislley Wo&W BrewerStreet Wo PiccadillyCircus adilly ee ewerStre GreatMarlboroughStre 1SLMaddoxaddStreeSxoxoitStreetStreetStree RegentStreet OxfordCircusdCi ege reatMarlboroughSt StreeitStre SavilleRow SackvilleStreetBurlingtonArcadeVigo St.StreeStreet ngtonAr NewBond DoAlbemarleStreettrebemrleStreStreetavilleRodd StJamesStreet Conduit d DoverStreet BerStreOldBond eStr CliffordStreet ark Clifford OOLL GreenP CorkStreet t SackvilleStreeOldBond lingtonArcJamesStree CliffordStreet go S dSStreet W Street, Mayfair WAALLIS Piccad LEY & W Green P 17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only) Design & Production by Jamm Design Ltd +44 (0) 20 7459 jammdesign.co.uk4749
Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
INSURANCE VALUATIONS
Woolley & Wallis valuations are accepted by all leading insurance companies.
Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.
19TH & 20TH OCTOBER 2022
Signature
Billing Name (please print)
Address Postcode Daytime telephone
ABSENTEE BID FORM DESIGN
PLEASE PRINT CLEARLY IN BLOCK LETTERS
51 61 Castle Street,
www.woolleyandwallis.co.uk
IDEmailmay be required even if you have bid with us before.
Salisbury
Lot Number Brief Decription Price Excluding in numerical buyer’s premium order & VAT Salerooms, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0) 1722 424500 | Fax: +44 (0) 1722 424508
5thOCTOBER2022AUCTIONCALENDARExburyHouse: ‘Le Goût Rothschild’ 6th Fine Furniture, Works of Art & Clocks 19th & 20th Design 25th & 26th Silver & Objects of Vertu 15th2ndNOVEMBER&3rdJewellery&16thAsianArt, Chinese Paintings & Japanese Works of Art 23rd Medals & Coins, Arms & Armour 30th British Art Pottery 14thDECEMBERModern British & 20th Century Art Dates may be subject to change ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2023 AUCTIONS A Liberty & Co Cymric silver and enamel carriage clock designed by David Veasey SOLD FOR £12,500* +44 (0) 1722 51enquiries@woolleyandwallis.co.uk42450061CastleStreet,Salisbury,SP1 3SU *Pricewww.woolleyandwallis.co.ukincludesbuyer’spremium
www.woolleyandwallis.co.uk
