Woolley & Wallis Auctioneers

SPECIALIST DEPARTMENTS

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JEWELLERY

Marielle Whiting FGA 424595

Jonathan Edwards FGAA (Consultant) 424504

Samuel Hug FGA DGA 424586 Megan Corbett 424562

20TH CENTURY DESIGN

Michael Jeffery 424505 Zoe Smith 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Will Hobbs 339752 Molly O’Reilly 446980

ASIAN ART

John Axford MRICS ASFAV 424506

Alexandra Aguilar 424583

Freya Yuan­Richards 424589

Jeremy Morgan +44 (0)7812 601098 Michelle Yu 424571 Sophie Moore 424591 Nelson Chui 424591

CHINESE PAINTINGS & CALLIGRAPHY

Freya Yuan­Richards 424589 Michelle Yu 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

Clare Durham 424507 Hollie Morrison 446964

FURNITURE, WORKS OF ART & CLOCKS

Mark Yuan­Richards 411854

Neil Grenyer 446974 Jim Gale 339161 Sarah Stone 339161 Victoria Elwell 339161

JAPANESE ART

Alexandra Aguilar 424583

MEDALS & COINS, ARMS & ARMOUR

Ned Cowell 341469 Molly O’Reilly 446980

PAINTINGS

Victor Fauvelle 446961

Ed Beer 446962 Sarah Bennie 446970

SILVER

Rupert Slingsby 424501 Lucy Chalmers 424594

VALUATIONS FOR INSURANCE & PROBATE

Jeremy Lamond MRICS ASFAV FRSA 424502

Neil Grenyer 446974

Amanda Lawrence 424509 Archie Swann (Trainee Valuer) Hannah Farthing (Trainee Valuer)

GENERAL OFFICE

Ruth Pike (Office Manager) 424500 Serina Tandy­Cockram Nicola Young

CASTLE GATE RECEPTION Sally Litherland

MARKETING

Chloe Davie 446951 Lucinda Phillips

ACCOUNTS

Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS

John Axford MRICS ASFAV Chairman

Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs

Michael Jeffery

Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA

Freya Yuan­Richards Mark Yuan­Richards

FINE

JEWELLERY

Friday 27th January 10.00am – 4.00pm

Saturday 28th January 10.00am – 1.00pm

Monday 30th January 10.00am – 4.00pm

Tuesday 31st January 10.00am – 4.00pm

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 25% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Tuesday 31st January

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 478

Inside front cover: Lot 464

Page 1: Lot 473

Back cover: Lot 477

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk Megan Corbett 01722 424562 mc@woolleyandwallis.co.uk

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bid.woolleyandwallis.co.uk

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JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported. VAT

Please note that lots marked † are subject to VATon the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT

DE SUITE

Lots marked ‡ are potentially subject to a levy.

2

1 A mixed group of 100 antique and modern jewellery boxes £400­600

2 8 assorted jewellery boxes, including Cartier, Tiffany & Co., Liberty, Chaumet and Lacloche £100­200

3 A wooden specimen box, containing three trays of assorted gem stones, paste stones, cameos, intaglios and glass beads, the box 38 x 27 x 8.4cm £200­300

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4 28 assorted antique and modern jewellery boxes, and two Cartier pouches £200­300

5 A collection of beaded jewellery, comprising: a gold and chrysoprase bead necklace, length 96.5cm; a seventeen­strand chrysoprase bead necklace with a wood clasp, length 50cm, signed Monies; a garnet bead necklace suspending a fringe of gilt metal fish pendants, length 41.5cm; three strands of agate beads; and a pair of multistrand bracelets, one in white gold strung with onyx beads, the other in yellow gold strung with tourmaline bead, length 17cm each, each signed Calgaro, stamped 750 £400­600

6 Two sets of paste buttons, late 18th century, comprising: a set of sixteen buttons of concentric arrangements of variously­cut colourless pastes, 3.1cm diameter each, large case; and a set of six buttons of floral design, set with circular­cut pastes, 2.1cm each, case £400­600

7 Two sets of paste buttons, 18th century, comprising: a set of twenty buttons and two smaller buttons, each designed as a cluster of cushionshaped colourless pastes in closed­back settings, the reverse with hoop fittings, larger buttons 2.6cm diameter, fitted leather case, ten smaller buttons deficient, one smaller button mismatched; and a set of six buttons, each of swirled design, set with circular­cut colourless pastes, mounted in silver, diameters 2.4cm each, fitted case £200­300

8 Three sets of Georgian paste buttons, late 18th century, the three sets each comprising twelve studs, one set with circular­cut pink pastes, one with circular­cut colourless pastes, and one with cushion­shaped purple pastes, each in closed back settings with hoop fittings, allowing them to be attached to clothing, each cased, the largest 1.4cm diameter £150­200

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10 Five pairs of Georgian shoe buckles, late 18th century, comprising: four pairs of shoe buckles set with variously cut colourless pastes imitating diamonds in foiled closed­back settings, largest inner curve 10.9cm, two pairs cased; and a pair of gilt metal shoe buckles decorated with floral scrolls and fleurs de lis, case £200­300

λ 11 A large collection of cut steel jewellery, late 18th/early 19th century, comprising: a demi­parure consisting of a necklace and a pair of earrings, each composed of butterfly motifs; a necklace suspending a Maltese cross pendant; a cuff bracelet with star motifs; five pairs of pendant earrings and two single pendant earrings; a butterfly hairpin with tortoiseshell fittings; two belt buckles; a heart­shaped pendant; four brooches; a torsade bracelet; and a tiara­style hair ornament £100­200

12 A mixed selection of late 18th / early 19th century cut steel jewellery, including a diadem, two bracelets, a brooch, three fringe necklaces, a chatelaine and a pair of earrings £200­300

λ 13 A large group of tortoiseshell jewels and accessories, 18th and 19th century, comprising: three haircombs, one with a Japanese­inspired design of peacocks, one with floral piqué work and one of Greek Key motif, two pairs of tortoiseshell hairpins; a tortoiseshell bangle of Greek Key motif with elasticated ribbon; three piqué work butterfly brooches; an anchor link chain and a belcher link longchain; a piqué work heart­shaped padlock pendant, two pairs of pendant earrings; two single earrings; two unmounted piqué work plaques; and nine loose links £400­600

16 Two rare Georgian ‘Coque de Perle’ necklaces, mid 18th century, each designed as a collar set with oval ‘coque de perles’, suspending a central pendant, one set in silver set with marcasite, one in gilt metal, each with hoops intended for a fastening ribbon, marcasite necklace length 29cm, pendant length 8.1cm, gilt necklace length 31.5cm, length of pendant 6cm, pendant detachable, both with original fitted cases £200­300

‘Coque de perle’ is the term given to a composites of domed shell, stabilised with a cement and backed with mother of pearl, which were popular for their high iridescence. Cf.: a Coque de Perle and diamond necklace dated c.1740­60 from the collection of Dame Joan Evans, in the collection of the Victoria and Albert Museum, accession no. M.151&PART­1975

17 A pair of enamel bracelets and a hardstone bracelet, mid 19th century, comprising: a pair of cuff bracelets, composed of gilt metal stamped with floral scrolls, to a central enamel panel depicting a bird among flowering branches, inner circumferences approximately 16cm; and a cuff bracelet composed of stamped gilt metal with foliate scroll designs, the centre set with a large agate cabochon within a border of smaller agate cabochons, inner circumference 17.8cm £200­300

18 A group of hair work jewellery, comprising: a mourning bracelet composed of woven hair, to gold links and clasp applied with black enamel, dedicatory inscription dated 1851; another hair work bracelet, to a gold heartshaped padlock locket, decorated with scrollwork in light blue enamel; and four pairs of hair work earrings, hook fittings, length of longest 9.2cm £100­150

λ 19 A gilt metal and tortoiseshell hair ornament, mid 19th century, the gilt upper section designed as an arc of pointed almond­shaped motifs above a beaded band, to a hinged hair comb in tortoiseshell, inner curve 13.5cm, length at front 10.7cm including comb £200­300

λ 20 Two gilt metal and tortoiseshell hair ornaments and a pair of earrings, mid 19th century, comprising: a gilt metal hair ornament set with seven graduated simulant pearls, to a tortoiseshell hair comb, inner curve 16.5cm, length 10.5cm including comb; a pair of simulant pearl drop earrings, length 4.6cm each, hook fittings; and a gilt metal hair ornament designed as coiled wire, to a tortoiseshell comb, inner curve 28.9cm, length 7.7cm including comb £200­300

λ 21 A gilt metal and tortoiseshell hair orament, mid 19th century, the gilt upper section designed as an arc of graduated spheres, to a hinged hair comb in tortoiseshell, inner curve 17.8cm, length of comb 12.5cm including comb £200­300

λ 22 Three hair ornaments, mid 19th century, comprising: a hair ornament designed as a band of gilt metal set with coral beads, to a tortoiseshell comb fitting, inner curve 18cm, height 2.9cm, comb broken; a hair ornament designed as floral gilt metal band set with circular­cut colourless pastes, to a hinged tortoiseshell comb, inner curve 18.1cm, height 4.3cm; and a hair ornament designed as floral gilt metal band set with yellow, purple and pale blue pastes, inner curve 17cm, height 5.6cm £200­300

23 Three paste bandeaus, circa 1900, the head bands each set with circular­cut paste stones, mounted in silver, inner curves 23.2cm, stamped 8CP, England, each end with holes intended for a back fastening; together with a gilt metal hair comb, measuring 15.4 x 8.1cm £200­300

24 A collection of 19th century horse hair jewellery, c1830, including an elaborate dyed red horsehair necklace formed from woven quatrefoils on woven oval­link chain, with two similar dyed red horsehair bracelets and various other elaborate items of horsehair jewellery £2,000­3,000

Literature: Jewellery: The International Era, Bury, Shirley, p.690 horse hair jewellery was ‘particularly popular in moneyed circles during the first 30­40 years of the 19th Century when Wellington’s celebrated charger Copenhagen was robbed of tail hairs for a bracelet. In 1823 or thereabouts the vogue was extended to small girls whose outfits were embellished with dyed (red) horsehair bracelets called dandies.’

25 Two hardstone necklaces and an opal pendant, comprising: a gold chain necklace strung with tiger’s eye beads, length 53cm, stamped 18CT; a gold and chrysocolla bead necklace, the barrel clasp set with single­cut diamonds, length 79cm; and a drop­shaped treated matrix opal pendant, length 4.3cm including bail £200­300

26 A collection of three chrysoprase necklaces and a pair of earrings, the three necklaces each composed of gold links set with rose­cut chrysoprase, one with an oval link back chain, longest 86cm, each stamped 18K; together with a pair of earrings set with rose­cut chrysoprase and onyx, the surmounts set with small brilliant­cut diamonds, hook fittings, length 5.9cm, stamped 18K £300­500

27 A pair of amethyst cabochon and gold earrings, set in polished gold collets, 16mm wide, stamped 585, post and clip fittings, with a wooden circular­link chain, the links alternately gilded, a niello and gold oval­link chain and a cut steel oval­link chain, length 150cm £200­300

28 Four cultured pearl necklaces, comprising: a five­strand cultured pearl necklace, to a floral clasp set with a cabochon star sapphire, to petals set with circular­cut sapphires and cushion­shaped diamonds, length 36.5cm; a single row of cultured pearls, the hook clasp set with oval and marquise­shaped sapphires and brilliant­cut diamonds, length 38.5cm, pearls 9.8mm diameter on average; a three­row cultured pearl necklace to a gold clasp of scroll design set with brilliant­cut diamonds, length 61.5cm, marked 585, and a single­row cultured pearl necklace with a spherical gold clasp pavé­set with brilliant­cut diamonds, length 90cm £500­700

λ 29 A collection of jewellery including a jadeite bangle, comprising: a white and russet jadeite bangle; a light bluish green jadeite bangle, broken and restuck; two dark green nephrite jade bangles; a jadeite bead necklace; an amazonite bead necklace; a white coral bead necklace; a jadeite and gold ring, size O; a synthetic ruby and jadeite brooch; a nephrite and quartz pendant; a gold bead and turquoise bangle; a soapstone pendant carved with the face of a bearded man; and a synthetic colour­change sapphire ring, size P £200­300

λ 30 A group of jewels, late 19th and early 20th century, comprising: a seed pearl and diamond locket, mounted in gold, length 2.5cm; a heart­shaped locket pendant pavé­set with turquoise cabochons, length 2.8cm including bail; a turquoise and diamond starburst brooch, diameter 2cm; a mid 19th century garnet and gold floral brooch, length 4.1cm; an oval gold and garnet brooch, length 2.6cm; an insect brooch set with amethyst, pink tourmaline, citrine and seed pearls, length 3.6cm; a gold and lapis bracelet and a turquoise and faience scarab bracelet, each of Egyptian inspiration, length of gold bracelet 19.5cm; a gold, coral, lapis lazuli and mother of pearl lotus pendant, length 2.4cm; an Egyptian gold hieroglyph pendant, length 4.7cm, a silver, enamel and cultured pearl bow brooch, a sapphire and amethyst ring size F; and an amethyst and garnet pendant in silver, length 4cm £300­400

31 A framed conch shell cameo, late 19th century, centring on an oval conch shell cameo carved with a young boy in profile, within a gilt metal frame of renaissance inspiration, pierced and engraved with designs of scrolls and animals, mounted within a leather and velvet case, cameo 5.2 x 4.1cm, frame 12.6 x 9.9cm £300­400

32 A gilt metal, enamel and marcasite chatelaine, mid 19th century, designed in the Rococo revival style, the belt hook and central pendant set with enamelled plaques depicting men and women in 18th century attire, within marcasite borders, suspending five pendants culminating in two etuis, and a bloodstone fob seal engraved with a tree and a motto, full length 31.6cm £200­300

33 A mixed lot of gold jewellery, comprising: two gold bangles, one with British hallmark for 9ct gold, one stamped 375; a gold bracelet and 9ct gold lady’s Accurist watch, watch with Swiss assay mark for 9ct gold, bracelet with British hallmarks for 9ct gold; a brick link necklace, stamped 375; a 9ct gold box link chain suspending a citrine and cultured pearl pendant, each with British hallmarks; a 9ct gold rope twist chain, British hallmarks; a 9ct gold curb link watch chain suspending a pendant, British hallmarks; and a 9ct wheatsheaf chain necklace, British hallmarks; combined gross weight 182 grams £1,500­2,000

34 A jadeite and diamond necklace demi­parure and a pair of dyed quartz and diamond earrings, comprising: a necklace, set to the front with three jadeite cabochons within borders of brilliant­cut diamonds, mounted in gold, base metal back chain, length 48cm; together with a matching bangle, inner circumference 16.3cm; and a pair of dyed green quartz and diamond earrings, post fittings, length 1.5cm each £200­300

35 A group of jewellery, 19th and 20th centuries, comprising: a gold chain necklace suspending a series of collet­set diamond pendants, length 53cm, British hallmarks for 18ct gold; two other fine 9ct gold chains, the longest 44cm; a gold filigree brooch designed as a bird, set with step­cut emeralds, length 3.6cm; two pairs of citrine earrings, hook fittings; a citrine ring, size L (sizing band), British hallmarks for 9ct gold; a late Victorian gold locket pendant designed as a leather binder, enclosing a photograph, length 3.2cm including bail; a gold and tiger’s eye bracelet, length 19.5cm; a 9ct Capricorn pendant, length 4.2cm, British hallmarks; a mid 19th century gold brooch set with foil­backed rock crystal, length 6.3cm; a step­cut citrine and seed pearl brooch, pearls untested, case; a silver and amethyst necklace; a seed pearl mourning brooch, dated 1831, length 2.4cm, later brooch fitting; a silver and paste star brooch; a silver pendant with a retractable hook; and a yellow paste pendant £400­600

36 A group of gold jewels, comprising: a 9ct gold charm bracelet suspending a charm of a horse jumping a fence, the base set with agate, British hallmarks; a gold figaro chain necklace suspending a cylindrical ingot pendant, British hallmarks; and a belcher link necklace suspending a Capricorn medallion; and two signet ring, one set with carnelian, British hallmarks for 9ct gold, one in gold with engraved scrollwork, sizes L and N, combined gross weight 94 grams £700­900

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A collection of jewels, comprising: three lady’s 9ct gold wristwatches; a 22ct gold wedding band, size M½, British hallmarks; a lady’s 9ct gold Omega wristwatch, gilt metal strap; two amethyst bar brooches; a black enamel and diamond mourning brooch of entwined hearts, inscription dated 1902; a 9ct gold opal bar brooch; a garnet, emerald and paste ring, size Q, British hallmarks for 15ct gold, two stones deficient; a 9ct gold signet ring, size N, British hallmarks; an opal and paste cluster ring; two silver rings set with an amethyst and a garnet; a gold curb link bracelet; a butterfly wing bar brooch; a silver pocket watch, glass broken £200­300

λ 38 A group of jewellery including a mourning pendant, comprising: a large mourning jewel, early 19th century, set with an oval ivory plaque with a miniature painting of a woman grieving by a funerary urn in a landscape partially of hairwork, inscribed ‘Affection Weeps, Heaven Rejoices’, mounted in gold, length 6.8cm; a hairwork mourning ring and heart pendant; a garnet stick pin; a pair of gold pendant earrings; three silver brooches; a cultured pearl and faceted bead necklace, clasp broken; and a pair of of paste pendant earrings £200­300

λ 39 A collection of jewellery including a diamond ring by Tiffany & Co., comprising: an 18ct gold ring, partially composed of articulated links set with brilliant­cut diamonds, size H½, British hallmarks, sponsor’s mark T&Co.; a ring set with a brilliantcut diamond weighing approximately 0.45 carats, mounted in 18ct white gold, size L, British hallmarks; a pair of diamond pendant earrings, post fittings; three additional gold rings, including one set with amethyst and one signet ring with the initials CH; together with an ivory miniature brooch; a pair of 9ct gold cufflinks, British hallmarks; two coral bead necklaces; an orange bead necklace; a Chinese silver bangle; an Arts and Crafts amazonite and rock crystal necklace, a green glass bangle; a hat pin capped in gold and chalcedony; and a Chinese carved turquoise brooch £200­300

40 A collection of five pendants, comprising: a large pendant designed as an oval photo frame within a foliate border set with brilliant­cut diamonds and circular­cut sapphires and emeralds, pendant length 8.2cm, chain length 45cm, stamped 750; a circular ‘Happy Spirit’ pendant by Chopard, the glazed circular centre bordered by brilliant­cut diamonds, pendant length 3.9cm, necklace length 58cm, signed Chopard, numbered, Swiss assay marks for 18ct gold; an oval photo locket pendant bordered with brilliant­cut diamonds, the centre with an Arabic inscription, pendant length 3.8cm including bail, necklace length 44cm, stamped DSA, 18K; and a navette­shaped pendant with Arabic calligraphy bordered in brilliant­cut diamonds, pendant length 4.1cm, necklace length 40cm, stamped 750; anda floral photo frame pendant set with cubic zirconias, mounted in white gold, pendant length 7cm, necklace length 40cm £1,000­2,000

41 Two paste necklaces, early 19th century, each composed of navette­shaped and floral links in alternation, set with circular­cut pastes, mounted in silver with closed­back settings, one 25.5cm, with loops for a back ribbon, French assay mark for silver, French maker’s marks DE with target, the other length 46cm, later back chain £100­150

42 A paste demi­parure, France, early 19th century, comprising: a necklace and a pair of bracelets, each composed of S­curve and floral links in alternation, set with circular­cut colourless paste, in closed­back silver settings, necklace length 41cm, bracelet lengths 19cm each, French assay marks for silver, four loose sections of linking, two with later jump rings £100­200

43 44

43 Murrle Bennett, two gold and gem­set jewels, circa 1900; and a pink tourmaline and seed pearl brooch, circa 1900, comprising: an Arts and Crafts gold, turquoise and pearl pendant, length 4.1cm, maker’s mark for Murrle Bennet, stamped 15CT; a brooch of Art Nouveau inspiration, designed as three foliate motifs set with cabochon opals, within an undulating frame, length 3.2cm, maker’s mark for Murrle Bennett, stamped 9ct; and a gold brooch set with a pink tourmaline and seed pearls, length 3.6cm, stamped 9ct £200­300

44 A selection of Arts & Crafts jewellery, including a silver and enamel pendant by William Hair Haseler, Birmingham hallmarks for 1908, 4cm high, with a blue and green enamel and silver pendant by James Fenton, Birmingham marks for 1908, 5.2cm high, a Tudor rose silver and enamel brooch by James Fenton, a silver and enamel mistletoe brooch by Charles Horner, a silver and green enamel lizard brooch by Arthur Johnson Smith and two other silver and enamel brooches £150­250

45 A group of six Arts and Crafts jewels, early 20th century, comprising: a silver and blue enamel pendant by Charles Horner, length 3.7cm, British hallmark, sponsor’s mark CH; two silver pendants applied with blue and green enamel, each with British hallmarks for silver, sponsor’s marks JK and S&E, larger 5.6cm; a silver pendant set with mother of pearl and suspending a baroque pearl, maker’s mark CVBO, length 4.5cm; a silver and blue enamel brooch set with mother of pearl, length 2.87cm; and a silver brooch of abstract floral form in the style of Charles Rennie Mackintosh, length 6.1cm, maker’s mark £150­250

46 Charles Horner, three Arts and Crafts enamel brooches, early 20th century, each designed as a winged scarab in silver, applied with coloured enamel, wingspans 4.4cm each, each with British hallmarks for silver, sponsor’s marks for Charles Horner, two brooch fittings damaged £100­150

λ

47

A group of jewels, late 19th and early 20th century, comprising: nine brooches, including a silver swallow brooch set with pastes, a silver Art Nouveau medallion brooch depicting a woman and a bat, accented with paste; a butterfly wing brooch depicting a kingfisher; a silver plaque brooch enamelled with a design of primroses; a crescent moon brooch set with cabochon moonstones; an oval brooch applied with purple enamel and paste; a black enamelled brooch inscribed ‘May We Be Happy’; an enamelled floral wreath; and an elongated oval silver and niello brooch; together with four pendants, including an Egyptian hieroglyphic plaque mounted in gold, a paste locket; a heartshaped blue enamel and paste pendant; and a large oval rock crystal with a rope twist border; together with a coral bead necklace, necklace length 55cm, largest brooch 7cm, largest pendant length 5.2cm £200­300

48 A group of jewellery, early 20th century, comprising: two amethyst and seed pearl pendants, lengths 5.2cm and 3cm, chain lengths 42cm and 51cm; two pairs of amethyst and seed pearl earrings, post fittings, length 4.3cm and 1.3cm; a pair of citrine and seed pearl earrings, post fittings, length 2.7cm each; a bar brooch set with a converted square cufflink applied with white enamel and set with rubies and diamonds, length 4.7cm, dated 1925; and an enamel bar brooch, length 5.1cm, British hallmarks for 9ct gold, all mounted in gold, pearls untested £200­300

49 A collection of jewellery, comprising: a gold ring set with a turquoise cabochon accented with scrolls of channel­set baguette diamonds, size N½; a pair of gold, cultured pearl and diamond drop earrings, post fittings, length 3.2cm each; and a 9ct gold cable link chain, British hallmarks, length 26.5cm, suspending a gold charm pendant designed as the bust of Tutankhamun £150­250

50 A group of three pendants, early 20th century, comprising: a double­sided rock crystal reverse intaglio pendant with the alphabet in international maritime signal flags, backed in mother of pearl, mounted in gold, length 2.7cm; a heart­shaped rock crystal pendant, length 2.4cm, fitted case stamped Peake, dated 1912; and a gold pendant of geometric design centred on a circular­cut aquamarine issuing foliate motifs set with seed pearls, to a fine belcher link chain, pendant length 4.9cm including bail, necklace length 41cm, case £400­600

51 A collection of jewels, comprising: six rings, including an 18ct white gold diamond cluster ring, British hallmarks; a turquoise and half pearl cluster ring; a cubic zirconia ring, a sapphire and diamond seven stone ring, one sapphire deficient; a ruby and diamond seven­stone ring; and an amethyst and diamond cluster ring, each mounted in gold, sizes J½-Q½; together with three bar brooches, one set with pearls, French assay marks; one of curb chain design; and one set with amethysts, each mounted in gold, longest 5.5cm; and an agate cabochon, 4 x 3cm, pearls untested £200­300

52 A group of brooches and a ring, comprising: two 18ct gold diamond bow brooches, two 18ct floral brooches set with turquoise and emerald respectively; a 9ct gold ruby and cultured pearl wreath brooch; and a 9ct gold foliate brooch set with sapphires, each with British hallmarks, combined gross weight 35.8g; together with three conch shell cameo brooches and a ring; a foliate brooch set with turquoise and cultured pearls, and two navette­shaped brooches, combined gross weight 39.5g £400­600

53 A group of jewellery, comprising: a pair of amethyst and cultured pearl earrings, post fittings, length 2.8cm each, stamped 750; a pair of diamond hoop earrings, post fittings, length 2.7cm each, stamped 14K; a 19th century gold, ruby and sapphire dragonfly pendant, length 3.2cm including pendant bail, converted into pendant; a 9ct gold ruby half eternity ring, size K, British hallmark; and a 19th century amethyst brooch in a foiled setting, diameter 1.5cm £300­400

54 Two brooches, late 19th century and a pair of earrings, including a gold sunburst brooch set with seed pearls, 3.5cm; and a gold, seed pearl and turquoise bar brooch centring on a peacock, its eye set with a tiny ruby, length 5cm; together with a later pair of garnet and seed pearl stud earrings, diameter 1.1cm, post fittings, pearls untested £150­200

55 A group of jewellery, comprising: a sapphire, ruby and diamond flower basket brooch, mounted in gold, length 2.4cm; a pair of jadeite stud earrings, diameter 1.1cm each; a nephrite and seed pearl shamrock brooch, length 3.6cm; a lady’s 9ct gold watch by Tudor, bracelet signed Rolex, hallmark for 9ct gold, dated 1962; a conch shell cameo necklace and brooch, each mounted in gold; and two silver brooches modelled as dogs, their names inscribed ‘Laddie’ and ‘Scamp’ £200­300

56 A group of gold jewellery, comprising: a brooch designed as a crossed spade and pickaxe, decorated with gold nugget motifs, length 4cm, stamped 15ct; a pair of rose gold cufflinks with a hammered finish, stamped 9ct; a gold pendant set with a Romanstyle silver medallion of Cupid holding a trident and riding a hippocamp, length 3.1cm, stamped 375 and 925; and a gold brooch designed as a fox and a riding crop, the fox’s eye set with a ruby, length 5.1cm £200­300

57 A collection of fob seals, 19th century, comprising seven seals mounted in gold: one in carnelian carved with a figure of fame blowing her trumpet; one in citrine carved with a coat of arms; one in white chalcedony with initals in a garter border reading ‘Thomas’s Hotel Berkeley Square’; one in light yellow chalcedony with a knot and the motto ‘A Toi Seul’ (‘Yours Alone’); one in plain bloodstone; one in carnelian with a tree and the motto ‘Nec Fluctu Nec Flatu’ (‘Neither Wind nor Wave’); and one in white chalcedony with the name ‘Isabella’, tallest 3.6cm; together with two smaller gilt metal seals, tallest 1.9cm £300­400

58 A group of ten gem­set rings and a pair of garnet earrings, comprising: an elongated diamond cluster ring, size N½, British hallmarks for 18ct gold; an opal and diamond cluster ring, size K½, a ruby and diamond cluster ring, size N; an opal and garnet cluster ring, size K, British hallmark for 9ct gold; a green and colourless paste ring, size K, British hallmarks for 9ct gold; a tanzanite and diamond ring, size O, stamped 14K; and four garnet rings, mounted in gold, sizes L-N; together with a pair of heart­shaped garnet earrings, post fittings £500­700

59 A mixed group of jewellery, including a doublet and pearl half hoop gold ring, size N ½, a white stone and diamond cluster ring, size K ½, a peridot and diamond­set gold ring, size M ½, a turquoise and diamond­set gold ring, size P and an early 20th century gem­set brooch in platinum and gold, width 7cm, case £200­300

60 A group of jewels, comprising: a bouton pearl ring, size K; a half pearl and rose­cut diamond cluster ring, size P; an 18ct gold wedding band, size P½, British hallmarks; three gold bands, one inscribed Auld Lang Syne and dated 1853, maker’s mark WW, sizes M½-Q½; a bloodstone signet ring engraved with a family crest, size N½; a hairwork and seed pearl mourning brooch dated 1832; an early 19th century amethyst and seed pearl brooch; and a yellow and colourless paste brooch, pearls untested, jewellery case stamped Hawley & Son, 289 High Holborn £200­300

61 A collection of 8 gem­set gold rings, including an opal five stone ring in carved yellow gold mount, size Q ½, a diamond half hoop ring set in yellow gold, size N, an emerald five stone set in yellow gold, size O, two opal cabochon rings in yellow gold sizes P ½ and O, a gem­set half hoop ring set in yellow gold, size N ½, an orange stone and diamond cluster ring, size N and a white stone eternity ring, size N ½ £200­300

62

A collection of three rings, comprising: a ring designed as a cluster of brilliant­cut diamonds and circular­cut rubies, mounted in white gold, size P, stamped 18CT, case; a ring set with an oval sapphire within a border of single­cut and baguette diamonds, mounted in white gold, size M½, case; and ring set with an opal triplet within a border of single­ and circular­cut diamonds, mounted in gold, size O, case £200­300

63 Two diamond rings, comprising: one of cluster design, set with cushion­shaped diamonds, size Q ½, stamped 18CT; and a three­stone ring set with brilliant­cut diamonds, mounted in gold, size N £300­400

64 66

64 A group of jewellery, comprising: a lady’s 9ct gold and diamond wristwatch by Beuche­Girod, manual winding movement, British hallmark; a sapphire and diamond cluster ring, size I½; a sapphire five­stone ring, size M; a baguette sapphire and diamond ring, size J; a millegrain­set emerald and diamond cluster ring, size O½; a 18ct gold ring star­set with a cushion­shaped diamond, size P½; side stones deficient; a diamond eternity ring, size K½; a diamond toi et moi ring, size L½; a 9ct gold wedding band, size Q½, British hallmarks; a textured gold signet ring, size P; a conch shell cameo and ring; a knife wire peridot pendant necklace, pendant length 4.5cm, necklace length 38cm; and a 9ct gold charm bracelet, British hallmarks £800­1,200

65 Seven gentleman’s wristwatches and one travel watch, comprising: a 9ct Rolex watch, dial 2.2 x 1.6cm, numbered 52217 and 1936, Swiss assay marks; a stainless steel watch by Omega, a leather and gilt metal travel watch by Movado; a stainless steel automatic wristwatch by Seconda; three quartz watches by Tissot, Accurist and Raymond Weil; and a digital Pulsar watch by Tiffany & Co, numbered 224004 £400­600

66 Two gold wristwatches, 1970s, comprising: a lady’s 9ct watch by Beuche Girod, length 16.2cm, dial 1.6 x 1.6cm, British hallmarks, date letter for 1978, quartz movement,; and a gentleman’s 9ct watch by Roamer, dial 3cm diameter, length 20cm, British hallmarks for 9ct gold, date letter for 1974, manual winding movement £600­800

67 Rolex, a lady’s diamond and synthetic sapphire Art Deco wristwatch, 1920s, the tonneau­shaped silvered dial with black enamel indicators and blued steel hands, to a tonneau­shaped case of geometric design set with single­cut diamonds and calibré­cut synthetic sapphires, to a white gold mesh strap, dial measuring 1.4 x 1.2cm, manual winding movement and interior of case signed Rolex, British import hallmark for 18ct white gold, Glasgow, numbered 112 8399, later adjustable strap stamped 18CT white gold £400­600

68 Zenith, a ladies gold and diamond wristwatch, signed dial with baton numerals, manual winding, with diamond­set bezel, case numbered 070121 on 18ct gold bracelet, London import marks for 1967, case 11mm wide, length 15.5cm, case £500­700

69 Rolex, a gold Cellini wristwatch, the oval red enamelled dial with gold hands, within a gold bezel with incised baton indicators, to a leather strap, manual winding movement, dial and strap signed Rolex, case back numbered 4083, 4364418, Swiss and European convention assay marks for 18ct gold, stamped 18K, original box and papers £600­800

70 A stainless steel World War II pilot’s watch, 1940s, the black enamelled dial with white and luminescent indicators and hands, to a plain stainless steel case and later black leather strap, dial 2.9cm diameter, manual winding movement, case back numbered 6B-9101000 H 1664 M £500­700

71 Four gold watches, mid 20th century, comprising: an 18ct gold watch by West End Watch Co., Swiss assay mark for 18ct gold; and three gold watches, including one by Rotary and one by Madex, largest 3.9cm, all manual winding movements £200­300

72 A gold pocket watch, circa 1844, the white enamel dial with Roman numeral indicators and blued steel hands, to a gold case with an engraved floral border, the reverse with engine turned decoration, length 6.6cm including suspension hoop, British hallmarks for 18ct gold, Chester, 1844, winding keys deficient £500­700

73 A gold pocket watch, circa 1900, the white enamel dial with red Roman numeral indicators and gold and silver decoration, to a gold case decorated with hatching, the reverse engraved with floral scrolls and an escutcheon, length 4.7cm including suspension hoop, interior stamped 14K, Swiss assay mark for 14ct gold, numbered 138539, suspension hoop and inner back plate of base metal £300­500

74 An 18ct gold repeater pocket watch, early 20th century, the white enamelled dial with black Roman numeral indicators, with blued steel hands and subsidiary seconds dial, to a plain 18ct gold case, length 7cm including suspension hoop, Swiss assay marks for 18ct gold, numbered 7981, interior inscribed Tho’s Brearley, Silshelf, Derbyshire £800­1,200

75 A gold repeater pocket watch, Switzerland, the white enamel dial and subsidiary seconds dial with black enamel indicators and blued steel hands, the front cover with a central aperture bordered with additional Roman numeral indicators, the back plain, to an 18ct gold curb link watch chain, watch length 7.3cm including suspension hoop, later winder, interior with Swiss assay marks for 18ct gold, numbered 10179, later base metal winder, watch chain length 42cm, British hallmarks, gross weight 153 grams £800­1,200

76 A gold chain necklace, composed of rope chain linking in gold, length 91cm, Italian maker’s marks, stamped 750, gross weight 41.6 grams £800­1,200

77 A gold charm bracelet, the elongated curb chain bracelet suspending twenty two charms, including a poodle, a Victorian half sovereign, a guitar, the leaning tower of Pisa, two ‘emergency money’ box charms, a garnet, sapphire and diamond hand charm, a mountain goat, a folding fan and a cat among others, to a heart­shaped padlock clasp, length 19cm, longest charm 2.5cm, British hallmarks for 9ct gold to bracelet and ten charms, gross weight 65 grams £600­800

78 A gold charm bracelet, the curb link bracelet with stamped floral decoration suspending eleven charms including: a Victorian sovereign coin, a conch shell, an articulated shrimp, a hinged cowboy hat opening to reveal a miniature cow, an early motor car, an enamelled fourleaf clover, a pair of moccasins, a plaque with a domed basilica, a ‘Faith, Hope and Charity’ charm, and a red, squirrel, bracelet and nine charms with British hallmark for 9ct gold, one charm stamped 750, squirrel charm detached, unmarked, combined gross weight 63.7 grams £800­1,200

79 A gold charm bracelet, mid 20th century, the curb link bracelet suspending five charms, including a heart inscribed ‘I Love You’, a guitar, a violin, a drum and a grand piano with opening top, to a heart padlock clasp, length 20cm, British hallmarks for 9ct gold, 67.2 grams £800­1,200

80 A gold fringe necklace, of textured brick­link design, stamped 585, length 46cm, 37g £500­700

81 Garrard, a gold demi­parure, comprising: a necklace and a bracelet, each composed of fancy chain linking in 18ct gold, necklace length 46cm, bracelet length 19.5cm, each with British import hallmarks, maker’s mark for Garrard & Co., case stamped Garrard £1,200­1,500

82

82 An Arts and Crafts opal and mother of pearl pendant necklace, circa 1900, and a pearl, enamel and diamond ring, the necklace of scroll design, set with sections of mother of pearl and cabochon opals, to a fancy link chain with T bar clasp, pendant length 7cm, necklace length 44.5cm; the ring set with a pearl measuring 8.8mm, within a gold mount accented with rose­cut diamonds and applied with blue enamel, size P, stamped K18, pearl untested £200­300

83 A group of two necklaces and a brooch, comprising: a brooch designed as a harlequin figure in blue and yellow enamel, to a gold bar brooch tipped with seed pearls, length 3.8cm, a silver and enamel fringe necklace, length 45.5cm, later back chain, and a seed pearl and gem­set necklace, length 37cm £200­300

84 A gold and hardstone bracelet, mid 19th century, and a synthetic pink sapphire and diamond ring, early 20th century, the gold bracelet suspending a series of spectacle­set polished hardstones, length 19.2cm, later clasp; together with ring set with a cushion­shaped synthetic pink sapphire between single­cut diamond shoulders, mounted in platinum, size L½ £100­200

85 A pink tourmaline, synthetic opal and diamond demi­parure, comprising: a gold bangle of hinged construction, centring on a pair of triangular pink tourmalines, to shoulders set with brilliant­cut diamonds and polished sections of synthetic opal, inner circumference approximately 16.8cm, stamped 14K; together with a ring of similar design, size M, stamped 14K £600­800

83 84

86 An emerald, garnet and pearl demi­parure, France, comprising: a pendant/brooch, set with cabochon emeralds, half pearls and oval garnets in a radiating design, suspending three garnet and pearl pendants, length 6.8cm including pendant bail; and a pair of pendant earrings of similar design, length 6cm each, post fittings, all with French assay marks for 18ct gold, pearls untested £400­600

87 A pearl stick pin, late 19th century, designed as a bird’s claw holding a pearl, mounted in gold, length 7.9cm, pearl untested £200­300

88 A diamond tie pin, 19th century composite, designed as a question mark, set with rose­cut diamonds, mounted in gold, length 6.6cm £150­250

89 A Victorian pair of enamel cufflinks, late 19th century, designed as shotgun cartridges, applied with green enamel, mounted in gold, length 2cm at each end £400­600

90 A Royal Artillery Regimental brooch, circa 1910, designed as the regimental badge of the Royal Artillery, depicting a crowned cannon, set with circular­ and rose­cut diamonds and circular­cut demantoid garnets, entwined with a ribbon scroll in blue enamel with the motto ‘Ubique Quo Fas Et Gloria Ducunt’ (‘Everywhere that Right and Glory Lead’), mounted in gold and platinum, measuring 3.9 x 2.7cm £150­250

91 A turquoise and enamel pendant, India, of radiating floral design, set with cabochon turquoise, the reverse applied with floral designs in blue, red, green and white enamel, mounted in gold, length 6cm including bail £300­400

92 A gold, emerald, ruby and diamond bangle, the hinged openwork bangle designed as a pair of birds, their tails forming the bracelet, set with circular­cut emeralds and rubies and single­cut diamonds. mounted in gold, inner circumference 17.3cm £600­800

93 A Retro gold and aquamarine brooch, 1940s, designed as a ribbon bow, claw­set with a step­cut aquamarine, accented with white gold cut to imitate diamonds, length 4.6cm £600­800

94 A mother of pearl, ruby and sapphire brooch, mid 20th century, designed as a sprig of flowers, their petals of carved mother of pearl, their centres set with circular­cut rubies and sapphires, their stems and leaves in gold, length 6.9cm, stamped 750, indistinct maker’s mark, case £400­600

95 A pair of Retro synthetic ruby and diamond clip brooches, circa 1940, each of abstract scroll design, set with a circular­cut diamond and radiating lines of circular­cut synthetic rubies, mounted in gold, each measuring 3.2 x 2.9cm £600­800

96 A Retro gold, sapphire and diamond brooch, 1940s, designed as an abstract ribbon bow in gold, the centre set with single­cut diamonds and circularcut sapphires, length 5.5cm, French assay marks for 18ct gold and platinum, French maker’s mark RN with a flower £300­400

97 A pair of synthetic gem­set gold earrings, set with a cabochon blue and red stone in polished yellow gold, post and clip fittings, 2.5cm, case £600­800

100

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98 A coral, cultured pearl and diamond sautoir pendant, the pendant composed of a coral bead carved with Chinese dragons, capped at each end with graduated rings of pavéset brilliant­cut diamonds and terminating in bouton­shaped cultured pearls, suspending two further cultured pearl pendants, to a gold rope­twist belcher link chain necklace, chain length 91cm, pendant length 15.6cm £300­400

99 A diamond, aventurine and carved jade necklace, the carved jade suspends from a diamond trefoil cap on a cord necklace tied with amazonite beads and rock crystal rondels, pendant width 4.5cm, necklace length 41cm £200­300

100 An amber bead necklace, composed of graduated oval amber beads, the largest measuring 2.7 x 2.0 x 2.0cm, length 86cm, gross weight 81 grams £200­300

101 An gem­set, pearl and diamond bracelet, composed of two half cylinders of carved onyx, set with lines of calibrécut rubies and circular­cut diamonds, connected via five chains strung with onyx beads, pearls and collet­set oval pink sapphires, each section centred on a step­cut rock crystal inset with a cabochon ruby, mounted in white gold, length 18cm, pearls untested £800­1,200

102 A diamond and synthetic ruby brooch, designed as a flower, set with rose­cut diamonds and synthetic rubies, diameter 3cm £300­400

103 An emerald and diamond pendant necklace, the pendant set with a heart­shaped emerald, to a double border and suspension hoop set with circular­cut emeralds and brilliant­cut diamonds, to a rope twist chain, mounted in gold, pendant length 5cm, necklace length 49cm, stamped 750 £1,500­2,000

103 105

104 A gold, steel and diamond bracelet, designed as a coiled snake constructed from blackened steel gaspipe linking, its head and tail of rose gold, pavé­set with brilliant­cut diamonds, length adjustable, stamped 750 £300­400

105 A pair of icy jadeite pendants, each translucent, pale lavender plaque of pear­shaped outline, topped by a drilled surmount, finely carved and pierced with a design of flowers, each measuring 4.5 x 3.1cm £1,000­1,500

106 An emerald and diamond wreath brooch, set with tapered emeralds, baguette­shaped and circular­cut diamonds in platinum, 3cm wide £1,200­1,500

107 An emerald and diamond ring, claw­set with an oval emerald within a channel­set border of tapered baguette diamonds, mounted in gold, size L ½ £600­800

104 106 107

109 A turquoise and diamond cluster ring, the oval turquoise cabochon set within a border of rose­cut diamonds in yellow gold, size P £300­400

110 A garnet and diamond ring, colletset with a circular mixed­cut garnet, the shoulders set with rose­cut diamonds, mounted in gold, size L £100­200

111 A quartz cat’s eye and diamond ring, of cluster design, set with a cabochon quartz cat’s eye in a border of rose­cut diamonds, to a plain shank, size L, British hallmarks for 18ct gold £150­250

112 A George III enamel and gold mourning ring, circa 1810, centring on a glazed panel of woven hairwork, within a gold ouroboros snake eating its own tail, symbolising eternity, accented with black enamel, to a gold shank with openwork shoulders, the reverse engraved ‘Chas Fox Esq Ob 11 Oct 1810 at 73’, mounted in gold, size O £150­250

113 A George IV enamel and gold mourning ring, circa 1822, centring on a glazed panel of woven hairwork within a foliate gold border on a black enamel ground, to floral gold shoulders further accented with black enamel, the reverse engraved ‘ Sarah Slatter died 27th Jan 1822 Aged 36’, size O, British hallmark for 18ct gold, date letter for 1822 £150­250

114 A Jewish silver wedding ring, Russia, designed as a temple, symbolising the temple in Jerusalem and the new marital household of the bride and groom, modelled in silver with a hinged roof, the shoulders decorated with stars of David, size X½, Russian marks for silver £300­400

115 Cartier, a lady's 'Pasha de Cartier' wristwatch, the signed pink dial with date aperture, sweep seconds hand, automatic movement, steel case signed and numbered 925594UF, on Cartier leather band with steel deployant clasp, case 3.6cm wide excluding winder, in Cartier leather box £1,000­1500

116 A Georgian gold and emerald locket brooch, early 19th century, designed as a ribbon bow intricately constructed from gold filigree, the central floral motif set with a step­cut emerald, the reverse with a glazed locket compartment for hair, length 3.7cm £300­400

117 A garnet and diamond brooch, designed as a ribbon bow, set with a step­cut and a pearshaped garnet and circular­cut diamonds, length 3.4cm £500­700

118 A garnet and pearl brooch, circa 1850, designed as a ribbon bow suspending a pedant, set with oval and cushion­shaped garnets and pearls, mounted in gold, length 6.7cm, later brooch fitting £250­350

119 A gold and pearl pendant, 19th century, designed as a Maltese cross, set with pearls, length 8cm including bail, bail with indistinct assay marks, pearls untested £400­600

120 A Victorian gold and enamel locket brooch, the polychrome enamel depicting a posy of flowers covering a hinged and glazed locket compartment in yellow gold, height 4cm £200­300

121 A pink topaz and emerald bracelet, mid19th century composite, centring on a foliate central section in stamped gold, set with oval and pear­shaped topazes in pink foiled settings, and accented with small cushion­shaped emeralds, to a gold bracelet composed of oval links, length 17cm, case £400­600

124

122 An Edwardian amethyst and seed pearl pendant, circa 1910, of asymmetrical design in the Art Nouveau style, set with half seed pearls and suspending a pearl pendant, centring on an oval amethyst, the reverse inscribed EP HP and dated 1910, to a fine gold chain, pendant with brooch fittings, length 5.3cm including bail, chain length 43cm, pearls untested, case £200­300

123 A pink tourmaline, demantoid garnet, seed pearl and diamond pendant, circa 1910, the drop­shaped pendant set with a pear­shaped pink tourmaline within a wreath of rose­cut diamonds and circular­cut demantoid garnets, bordered by half pearls, mounted in gold and platinum, pendant length 3.9cm, to a later gold chain, length 54cm, Italian maker’s marks £400­600

124 A red paste and seed pearl brooch, 18th century, set with two oval red pastes within seed pearl frames, accented with floral motifs, suspending two pendants, similarly set and spaced by bow motifs, mounted in silver, length 8cm, brooch fitting with French assay mark and maker’s mark, pearls untested £300­400

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125 A Georgian ivory miniature brooch, late 18th century, of navette outline, the centre with a glazed ivory miniature of a woman holding as basket of fruit, the basket intricately composed of seed pearls and gold, to a border of blue and white enamel banding, the reverse with a glazed compartment for hair, applied with intertwined initials, mounted in gold, length 4.6cm, later brooch fittings £500­700

126 An unusual gilt metal bracelet, composed of links set with moulded resin fox faces, in gilt rope twist borders, length 17.5cm £400­600

127 An enamel and pearl locket, late 19th century, of oval outline, the front and bail applied with black enamel, centring on a star motif set with half pearls, the reverse with a glazed compartment, containing a photograph, mounted in gold, length 6.8cm including bail, pearls untested, one pearl replaced with a simulant, fitted case stamped Folkard & Son, Brighton £400­600

128 An Art Deco jadeite and diamond clip brooch, circa 1930, of triangular outline, set with a carved jadeite plaque, accented with single­cut diamonds in millegrain­bordered platinum, length 3.8cm, stamped 18CT PLAT £300­400

129 An Art Deco jadeite and diamond clip brooch, circa 1930, set with a carved jadeite plaque, bordered with single­cut diamonds in platinum, length 5cm £500­700

130 A gem­set brooch, late 19th century, designed as a butterfly, set with circular­cut sapphires and rubies, rose­cut diamonds and pearls, mounted in silver on gold, wingspan 3.6cm £300­400

131 An enamel and cultured pearl duck brooch, the realistically formed ducks with blue and green enamel decoration and a cultured baroque pearl body in yellow gold, width 3.5cm £300­500

132 A sapphire and diamond brooch, late 19th century, designed as a crescent moon, set with cushion­set sapphires spaced by rose­cut diamonds, mounted in gold, length 5.7cm £1,000­2,000

133 A pair of rock crystal, sapphire and diamond earrings, of pendant design, set with frosted rock crystal, circular­cut sapphires and brilliant­cut diamonds, mounted in silver and gold, length 5.7cm, post fittings £1,500­2,000

134 A ruby, rock crystal, diamond and cultured pearl bracelet, 19th century and later, centring on an oval cabochon rock crystal inset with the initials TM set with rose­cut diamonds and rubies, within a border of cushion­shaped rubies and diamonds, mounted in gold, the clasp similarly set, to a later cultured pearl mesh bracelet, length 17.5cm £400­600

135 A sardonyx cameo, seed pearl and diamond pendant/brooch, early 20th century, set with an oval sardonyx cameo of a crowned woman in profile, within an open work platinum and gold frame set with seed pearls and rose­cut diamonds, length 3.6cm including bail £500­700

136 A sardonyx cameo and diamond brooch, early 20th century, centring on a cameo of a dancing Bacchante holding Bacchus’ staff and a bunch of grapes, to a brooch of bar design with scrolled borders, set with cushion­shaped diamonds and two annular sections of sardonyx, mounted in gold, length 7.5cm, cameo 3.4 x 2.2cm £800­1,200

137 A carnelian brooch, designed as a carnelian plaque intricately carved with Quranic calligraphy, mounted in gold, length 6cm £300­400

138 A chalcedony intaglio and diamond brooch, early 19th century, set with a section of chalcedony engraved with an intaglio of Ceres in profile, within frame of silver scrollwork set with rose­cut diamonds, accented with blue enamel, overall dimensions 6.9 x 5.9cm, intaglio 4 x 2.9cm, later brooch fitting £600­800

139 A Wedgwood jasperware cameo, circa 1790, the abolitionist­themed cameo in black and white ceramic, depicting a kneeling African slave, his hands and feet in chains, a motto reading ‘Am I not a Man and a Brother?’, to a plain gold mount, length 3.9cm including bail £400­600

140 A reverse­carved rock crystal intaglio brooch, late 19th century, centring on a rock crystal cabochon carved to the reverse with a painted intaglio of a Maltese terrier, within a gilt frame, to a later gold bar brooch, length 5cm £200­300

141

141 A Chinese carved horn bracelet, each oval panel set with a carved horn plaque depicting flowers within gold filigree surround, Chinese marks and marker’s plaque for L.C, length 17.5cm, with a matching gold brooch, height 3.2cm £400­600

142 A horn parure, early 20th century and later, comprising: a necklace, a pair of earrings and a brooch, each set with panels of horn intricately carved with various Chinese mythological scenes and floral sprays, mounted in gold, brooch 5.8 x 4.6, length of earrings 2.2cm each, post fittings, necklace length 35cm, case £800­1,200

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143 A collection of paste jewels, late 18th / early 19th century, the three brooches designed as ears of wheat, lengths 9.3cm and 8cm, mounted in silver on gold, one with a tortoiseshell hair pin, two with later brooch fittings; and a brooch designed as a feather, set with cushion­shaped paste stones, mounted in silver, length 11.5cm £200­300

144 A group of antique green paste stones, comprising: a large cross pendant set with cushion­shaped and oval green pastes, spaced by ray motifs set with rose­cut colourless pastes, mounted in closed­ back settings in silver on gold, length 9.1cm; a Maltese cross pendant/brooch set with square and trapezoid green pastes in closed back settings, length 4.3cm including bail; a cross pendant claw­set with step­cut green pastes, mounted in gold, length 3.9cm; and an early 19th century demi­parure, the necklace and bracelets of sycamore motifs, set with circular­cut green pastes in closed­back silver settings, necklace length 41.5cm, bracelet length 18cm, French assay marks for silver and gilt silver, French maker’s mark to bracelet £200­300

145 Two paste bracelets, circa 1800, comprising: a bracelet designed as a line of cushion­shaped pastes in closedback foiled settings, mounted in silver, length 18cm; and a bracelet composed of graduated panels set with circular­shaped pastes, mounted in silver, length 17cm £200­300

146 A pair of gilt metal and paste bracelets, mid 19th century, each composed of spiral linking, to a foliate clasp set with oval and circular­cut purple pastes, length 18.5cm each £200­300

147 A pair of gilt metal and agate bracelets, early 19th century, each composed of open work panels set with agate cabochons, length 17.5cm each £200­300

148 A rare Georgian ‘Queen Anne’ paste parure, mid 18th century, comprising: a necklace suspending a pendant, composed of faceted blue paste in foiled settings, the back with hoops for fastening via a ribbon, length 31.5cm, length at front 7cm; a similar bracelet, length 21cm; and a pair of earrings, length 3.6cm, hook and clip fittings £200­300

Cf.: Derek Clifford, Anne Clifford’s Antique Jewellery: The Story of a Collection, London, 1985, no. 12, for a similar ‘peacock blue’ parure of paste jewels in this distinctive style.

λ 149 A gilt and tortoiseshell hair ornament, mid 19th century, designed as a row of oval and spherical motifs mounted on a headband in gilt metal, to a hinged tortoiseshell comb fitting, inner curve 17.5cm, height at front 3.5cm £200­300

150 Two gilt metal bracelets, mid 19th century, and a gilt metal and glass bracelet, 20th century, comprising: a gilt metal bracelet composed of panels decorated with floral scrolls, length 18cm; a gilt metal bracelet composed of interlocking spiral links with a textured finish, the clasp of floral design, length 19cm; and a later bracelet set with panels of glass painted to the reverse with pink and black patterning, spaced by links with foliate decoration, length 18.5cm, marked MG £200­300

151 An unusual order insignia necklace, early 20th century composite, the cord suspending a collection of dress miniature badges, variously enamelled and set with gemstones including calibré cut synthetic rubies and circular and rose cut diamonds; representing inter alia the Order of the Crown and the Order of Leopold (Belgium), the Order of Military Merit and the Order of Civil Merit (Spain), and the Papal Order of the Holy Sepulchre, together with a miniature Jerusalem Pilgrim’s Cross [13], necklace length 50.5cm, pouch £800­1,200

152 A hardstone cameo ring, late 18th century/early 19th century, the carved agate cameo depicting a woman in profile, her hair elaborately styled, to a gold mount, cameo 3 x 1.9cm, ring size O (shank split), cameo with restoration £300­500

153 Filippo Tignani, an onyx cameo, 1870, the black and white banded stone finely carved to depict Alexander the Great wearing a laureated helmet surmounted by a dragon, the reverse inscribed 'Tignani Filipp Incisore Romano li 10 8bre 1870', measuring 4.1 x 3.2cm, cameo signed F. Tignani Inc. £1,000­1,500

The iconography of a handsome male figure with long curling hair wearing an elaborate dragon-crested helmet was especially popular in 19th century cameo carving, and is commonly identified as Achilles (such as British Museum, collection no. 1978,1002.1049 from the Hull Grundy Collection, by Luigi Rosi). However, the dragon-topped helmet is traditionally associated with depictions of Alexander the Great, for example a relief of Alexander the Great in the National Gallery of Art, Washington DC from the workshop of Andrea del Verrocchio (c.1435-1488), accession no. 1956.2.1

λ 154 A coral hat finial, China, Qing Dynasty, 19th century, the drilled coral bead engraved with a shou medallion, originally from an official’s hat denoting their status as an officer of the second grade, measuring 3.0 x 2.5 x 2.5cm £500­700

Provenance: the collection of Heinrich Aigner (1919­2005) a German importer who formed a collection of Chinese art throughout his frequent travels to Asia in the 1960s and 1970s

LOTS 155 – 162: A PRIVATE COLLECTION OF DESK SEALS

155 A turquoise, gold, bloodstone and citrine desk seal, possibly France, circa 1825, the faceted handle in bloodstone, to a textured gold mount decorated with acanthus leaves and floral scrolls, the seal matrix in citrine, with an intaglio of two cherubs in a sail boat beneath the motto ‘J’ai Mon Désir’, measuring 6 x 1.9 x 1.7cm £600­800

156 An unusual amber desk seal, the seal designed as the bust of a man wearing a cap, with chin­length curled hair, the seal matrix with a stylised rhinoceros beneath an colonnade on a checquered ground, the exterior reading ‘S.SCLATT/E:DNI:RANERII:D:ChAnCEL’, measuring 7.5 x 4 x 4cm, composite £400­600

157 A rare Louis XVIII ‘Décoration du Lys’ glass desk seal, circa 1814, of faceted baluster form, the base engraved with the Decoration of the Lily (‘Décoration du Lys’) and an initial, measuring 9 x 3.5 x 3.1cm £200­300 Likely manufactured by the Royal glass makers in Le Creusot, the insignia on this seal is the ‘Decoration of the Lily’, an order created in 1814 by the newly­restored Bourbon king Louis XVIII to reward members of the National Guard for their service and fidelity to the French crown.

158 A bloodstone desk seal, England, circa 1835, the tapering bloodstone handle of faceted form with a domed top, to a fluted gold collar and cushion, the bloodstone matrix engraved with the arms of Walter quartering Lonsdale, with the motto ‘Fideliter non Serviliter’ measuring 9 x 1.7 x 2cm, fitted case £600­800 The coat of arms is for Gwalter­Borranskill­Congrave Lonsdale (1811­1866), an attaché to the British embassy at Munich.

Provenance: Bonhams Knightsbridge, 2nd July 1996, Lot 10

159 A micromosaic desk seal, second half 19th century, the handle set with micromosaics depicting the Forum, the Pantheon, the Colosseum and the Vatican, mounted in gilt metal with a rope twist border, the navette­shaped base with the initials OP, measuring 9.1 x 2.8 x 1.5cm £600­800

160 A lace agate, gold and enamel desk seal, Geneva or Turin, circa 1835, the lace agate handle of flattened pommel form with a further polished section below, mounted in gold applied with black enamel with floral scrollwork in reserve, the seal engraved with two coats of arms beneath a princely coronet, likely commemorating a marriage, measuring 6.7 x 2.1 x 1.8cm £600­800

161 A rock crystal seal, England, second quarter 19th century, the flat­topped handle of tapering faceted form, the matrix engraved with the arms of Kelsall impaling Ainsworth, the motto reading ‘Meliora Sequentur’, measuring 7.7 x 3.0 x 2cm £200­300

This seal was made for Henry Kelsall of Rochdale (1793­1869), an industrial pioneer who brought the woollen trade to Rochdale in Lancashire, building their first factory in the town in 1835. Kelsall’s descendants continued his legacy, and his grandson George Kemp was created 1st Baron Rochdale in 1913.

162 A glass and gold desk seal, France, circa 1833, the flaring cylindrical glass handle with red and white twists, to a gold base composed of acanthus leaves supported by winged cherubs, the seal engraved with the initials ET, length 9.5cm, French assay mark for 18ct gold, 18191838, fitted case. £400­600

The case is applied with an inscribed label reading ‘Cachet de Mme Thiers/ jeune fille, Melle Dosne/ Il m’a été donné en 1923 pare M. Calmm. Maison dont le père fut amis de Thiers.’ Assuming this inscription is correct, the initials ET possibly refer to Elise Thiers (1818­1880), wife of Adolphe Thiers, first elected president of the Third Republic of France. They married in 1833, which would date this seal between 1833­1838.

163

An aquamarine and diamond ring, set with an oval aquamarine, between shoulders set with brilliant­cut diamonds, set in platinum, size N½ £650­750

164 A ruby and diamond ring, designed as a cluster with a Templar cross in calibré­cut rubies, spaced by pavé­set brilliant­cut diamonds, mounted in platinum and gold, size M½, one ruby deficient £400­600

165 A five­stone diamond ring, set with brilliant­cut diamonds totalling 0.75 carats in millegrained borders, mounted in platinum, size N £750­850

166 A sapphire and diamond three stone ring, the oval­shaped sapphire set within old circular­cut diamonds in white gold, size N½ £600­800

167 A diamond ring, designed as a rectangular plaque set with brilliant­cut diamonds totalling 0.85 carats, mounted in platinum, size N½ £900­1,000

168 A pink sapphire and diamond ring, of cluster design,set with an oval pink sapphire within an openwork border millegrain­set with brilliant­cut diamonds, mounted in platinum, size N½ £650­750

169 A diamond full eternity ring, set in the round with brilliant­cut diamonds, mounted in platinum, size T½, one diamond setting replaced by platinum repair £800­1,200

170 A diamond half hoop ring, alternately­set with square and emerald­cut diamonds in gold, size N½ £200­300

171 A diamond cluster ring, millegrain­set with a concentric arrangement of brilliant­cut diamonds totalling 1.00 carat, mounted in platinum, size N½ £1,000­1,500

172 An emerald and diamond cluster ring, the emerald­cut emerald set within a surround of circular­cut diamonds in yellow gold, size M £800­1,200

173 An opal, emerald and diamond ring, claw­set with an oval cabochon opal, wthin a double border of circularcut diamonds, the shoulders accented with pear­shaped emeralds, mounted in white gold, size O £1,800­2,500

174 An emerald and diamond ring, claw­set with an oval emerald within an openwork border millegrain­set with brilliant­cut diamonds, mounted in gold and platinum, size N½ £800­900

175 A diamond and sapphire ring, of target design, collet­set with a cushion­shaped diamond, within concentric borders of calibré­cut sapphires and millegrain­set single­cut diamonds, the shoulders set with further single­cut diamonds, mounted in white gold, size N½ £2,000­3,000

176 A diamond half hoop ring, set with a central round brilliant­cut diamond weighing approximately 0.70cts, the shoulders set with further smaller round brilliant­cut diamonds in gold, stamped 18ct and maker’s lozenge SF, size P £800­1,200

177 An emerald and diamond ring, claw­set with an oval emerald weighing 1.10 carats, to shoulder set with circular­cut diamonds totalling 0.55 carats, mounted in platinum, size P½ £1,200­1,500

178 A sapphire and diamond ring, collet­set with a cushion­shaped sapphire, within a border of brilliant­cut diamonds, mounted in gold, size M½, stamped 18CT £600­800

179 A sapphire and diamond three­stone ring, the oval sapphire flanked with round brilliant­cut diamonds in platinum and gold, London hallmarks for 1969, size N £800­1,200

180 A tourmaline and diamond ring, of cluster design, set with an oval green tourmaline within a border of brilliantcut diamonds, mounted in platinum and gold, size P½, stamped 18CT PLAT £300­400

181 A diamond solitaire ring, the step­cut diamond weighing approximately 0.80cts, claw­set in white gold, size O £500­700

182 An emerald cameo, of oval outline, carved to depict the warrior Ajax, weighing 196.45 carats, measuring approximately 4.3 x 4.1 x 1.5cm £8,000­12,000

183 Lalaounis, a gold brooch, circa 1969, designed as three entwined snakes, length 6.7cm, signature and maker’s mark for Ilias Lalaounis, Greek assay marks, case £1,500­2,000

184 Elizabeth Gage, a gold ring, of Classical inspiration, the wide band decorated with rams’ heads on a Florentinefinished ground, to rope twist borders, size Q, signed GAGE FR, British hallmarks for 18ct gold £1,200­1,500

185 No Lot

186 A ruby and diamond ring, circa 1873, collet­set with a sequence of five cushion­shaped rubies and diamonds in alternation, mounted in gold, size O, British hallmarks for 15ct gold £300­400

187 A diamond solitaire ring, collet­set with a cushion­shaped diamond weighing 1.50 carats, within a millegrain border, mounted in platinum, size J, stamped PLAT £6,000­8,000 Accompanied by GIA report no. 2211147203, stating that the cushion-shaped diamond weighing 1.50 carats is F colour, VS2 clarity

188 An emerald and diamond ring, set with two rows of circular­cut emeralds and diamonds arranged in alternation, mounted in 18ct gold, size L, British hallmarks. £300­400

189 A Victorian ruby and pearl cluster ring, set with three untested pearls within border of rubies and further rubies to the shoulders in 15ct yellow gold, Birmingham hallmarks for 1873, size O £200­300

190 A ruby necklace, the front composed of oval and cushion­shaped rubies, to a curb link back chain, mounted in gold, length 39.5cm £10,000­15,000

191 Meister, a gold and diamond bracelet, composed of plaited links, set in sections with brilliant­cut diamonds, mounted in bicoloured gold, length 18.8cm, maker’s mark for Meister, stamped 750, case stamped Meister £1,500­2,000

192 A natural pearl, ruby and diamond necklace, early 20th century, composed of graduated natural pearls of yellow tint, measuring 1.93 ­ 6.27mm diameter,to a trefoil clasp of target design set with rose­ and circular­cut diamonds, accented with calibré­cut rubies, length 37cm £2,500­3,500 Accompanied by GIA report no. 5202142774, stating that the pearls are natural, saltwater, with no indications of treatment

193 A diamond solitaire ring, set with a cushion­shaped diamond of yellow tint weighing 2.96 carats, in a cutdown collet setting, mounted in silver and gold, size M½, stamped 18K £6,500­7,500

194 A Victorian diamond ring, late 19th century, of lozenge­shaped outline, set with circular­cut and cushionshaped diamonds, to fleur de lis shoulders, mounted in gold and silver, size N½, central antique circular-cut diamond a later replacement £4,000­6,000

195 An Edwardian diamond brooch, circa 1910, the openwork brooch designed as a confronted pair of trefoils, set with cushion­shaped, circular­ and rose­cut diamonds, mounted in silver and gold, length 4.2cm £4,000­6,000

196 A diamond ring, late 19th century, of navette outline, set with cushion­shaped diamonds, mounted in silver and gold, size N, French assay marks and maker’s mark £5,000­7,000

197 Bulgari, a malachite and diamond pendant, the rose gold disc set with a cluster of diamonds to one side and a panel of malachite to the other, with diamond­set bail in 18ct gold, height 2cm, on a fine-link gold neck chain length 43cm £600­800

λ 198 Van Cleef & Arpels, a mother of pearl, coral and diamond pendant, ‘Mercredi à Paris’, designed as a girl holding a bunch of balloons, mounted in gold, pendant length 3.7cm, necklace length 41.5cm, signed VCA, numbered BL272575, Swiss and European assay marks for 18ct gold £1,000­1,500

199 Van Cleef & Arpels, a diamond demi­parure, comprising: a pendant necklace and a pair of stud earrings, each designed as a flower, set with brilliant­cut diamonds, mounted in white gold, earrings 9mm diameter, post fittings, pendant 9mm diameter, chain length 39cm, earrings and necklace each signed VCA, stamped 750, earrings numbered JC002554, chain numbered JC0011659 £400­600

200 Cartier, a gold and diamond ‘Love’ pendant, the pendant designed as a ring inscribed ‘LOVE’, set with a brilliant­cut diamond, to a rose gold chain with a collet­set brilliant­cut diamond, pendant diameter 1.3cm, chain length 39cm, signed Cartier, numbered AYJ582, Italian maker’s mark, stamped 750 £400­600

201 Bulgari, a white gold and diamond pendant, ‘Diva’s Dream’, the pendant shaped as a gingko leaf in polished white gold, set with brilliant­cut diamonds, to an integrated fine link chain necklace, necklace length 42cm, pendant length 2.7cm, clasp and back pendant signed Bulgari, stamped 750 £400­600

202 Cartier, a white gold and diamond ‘LOVE’ pendant necklace, the pendant designed as a ring set with brilliantcut diamonds, inscribed 'LOVE', the 'O' designed as a screw motif, to a cable link chain, pendant diameter 2.4cm diameter, necklace length 41cm, pendant signed Cartier, numbered PG0855, Italian maker's mark, pendant and chain stamped 750 £1,000­1,500

203 Bulgari, a malachite and diamond pendant, ‘Diva’s Dream’, the pendant designed in the shape of a gingko leaf, set with polished malachite and accented by brilliant­cut diamonds, set in 18ct gold, pendant length 2.6cm, chain length 40cm, chain clasp and back pendant signed Bulgari, stamped 750 £600­800

204 Boodles, a diamond pendant necklace, ‘Blossom’, the pendant designed as a cherry blossom, pavé­set with brilliant­cut diamonds, to a diamond­set bail, on a fine white gold chain set with a smaller cherry blossom motif and a single collet­set brilliant­cut diamond, pendant length 2.5cm including bail, chain length 37cm, adjustable, signed Boodles, numbered 0735J2795HNEXX £600­800

205 Bulgari, a gold and mother of pearl pendant, designed as a cross, inset with sections of mother of pearl, mounted in gold, length 6.3cm, signed Bulgari, Italian maker’s mark £300­500

206 Tiffany & Co., a gold brooch, designed as an S­shaped scroll of pleated ribbon, length 4.1cm, signed Tiffany & Co., stamped 14K, pouch stamped Tiffany & Co. £600­800

207 Harry Winston, a pair of white gold and enamel cufflinks, the circular glazed fronts each enamelled with a design of a night sky, mounted in white gold, each front 19mm diameter, reverse initialled HW, setting signed Harry Winston, stem stamped 750 £400­600

208 Chopard, a lady’s stainless steel, ruby and diamond wriswatch, ‘Happy Sport, Limited Edition’, the pink mother of pearl dial applied with a design of hearts, with Roman numeral and baton indicators, stainless steel hands and a date wheel aperture, the glass containing two freely moving heart­shaped motifs pavé­set with brilliant­cut diamonds and circular­cut rubies respectively, the winder set with a circular­cut ruby, to a pink leather strap, dial 2.5cm diameter, quartz movement, dial, case back and clasp signed Chopard, Happy Sport, Limited Edition, numbered 500, 1484408 and 8475 £300­400

209 Tiffany & Co., a white goldand diamond bracelet, the oval link bracelet suspending a heart charm set with brilliant­cut diamonds, inscribed ‘Please return to Tiffany & Co. New York’, length 18cm, charm length 2cm, stamped 750, bracelet and pendant signed T&Co. £400­600

210 Boucheron, Trouble gold snake ring, the two serpents holding a sphere of jade within their jaws in 18ct yellow gold, stamped E64501 53 and Boucheron 750, with French control marks and maker’s mark, size M £400­600

211 Van Cleef and Arpels, a diamond ring, the gold band tension­set with a princess­cut diamond, size L, signed VCA, numbered B5943A16, partial French assay mark, French maker’s mark SM, stamped 750, British import hallmark for 18ct gold, case stamped Van Cleef & Arpels £1,200­1,500

212 Cartier, a mother of pearl and diamond bracelet, ‘Caresse d’Orchidées’, the centre set with a disc of inlaid mother of pearl marquetry depicting stylised orchids, inset and bordered w ith brilliant­cut diamonds, mounted in white gold, to a white gold chain, length 16.5cm, signed Cartier, numbered SY9167, Italian maker’s mark, stamped 750 £600­800

213 Cartier, a diamond bracelet, set with three graduated round brilliant­cut diamonds in white gold surrounds on a fine­link 18ct white gold bracelet, Signed and numbered WQ1285, length 18.5cm longest £600­800

214 Cartier, a diamond tennis bracelet, designed as a line of collet­set brilliant­cut diamonds, length 18.2cm, signed Cartier, numbered ZK9582, Swiss and European assay marks for 18ct gold, maker’s mark for Cartier £400­600

215 An Edwardian sapphire and diamond necklace, circa 1910, of negligée design, composed of a bow motif suspending two asymmetrical pendants set with drop­shaped sapphires and rose­cut diamonds, to a fine back chain, mounted in platinum, necklace length 46cm, pendant length 5.2cm £400­600

216 A pair of diamond drop earrings, the quatrefoil flowerhead tops set with old cushion­shaped diamonds, suspending circular­cut diamonds in silver and gold, 13mm high, case £800­1,200

217 An Art Deco diamond brooch / pendant, of pierced openwork design, set overall with graduated round brilliant­cut diamonds in platinum, with later detachable brooch and pendant fitting and fine link platinum chain, pendant 7cm high (including bail), chain 70cm long £2,000­3,000

218 An amethyst and diamond demi­parure, circa 1900 and later, comprising: a pendant composed of a cushionshaped amethyst suspending a pear­shaped amethyst, each within a lobed border of millegrain­set cushion­shaped and rose­cut diamonds, circa 1900, length 5cm; and a later pair of matching amethyst and diamond earrings, screw fittings, length 2.4cm £600­800

219 A sapphire and diamond ring, of cluster design, set with brilliant­ and single­cut diamonds and circular­cut sapphires, mounted in white gold, size O £500­700

220 An Edwardian seed pearl and diamond brooch, circa 1910, designed as a ribbon bow in openwork platinum, set with seed pearls and circular­cut diamonds, centring on a cushion­shaped diamond, length 6.8cm £600­800

221 A pearl and diamond brooch, circa 1910, of bar design, set with rose­cut diamonds and three bouton­shaped pearl, the largest approximately 8.2mm diameter, mounted in gold and platinum, length 9cm, French assay mark for 18ct gold, fitted case £400­600

222 An Arts and Crafts opal necklace, early 20th century, designed as a series of oval foliate links set with opal cabochons, suspending a similar pendant, length 43.5cm, length of pendant 5.6cm, stamped 18CT, fitted case stamped Jay’s £600­800

Cf.: Vivienne Becker, Art Nouveau Jewellery, London, 1985, pg. 120 no.191, for a closely comparable necklace designed by Carl Otto Czechka and made by Anton Pribil, made at the Wiener Werkstatte, circa 1905

223 A synthetic ruby and diamond ring, early 20th century, set with a step­cut synthetic ruby, within a shieldshaped mount set with circular­cut diamonds, size O½, stamped PLAT £400­600

224 A sapphire and diamond brooch, circa 1900, the bar brooch composed of foliate scrolls in the Art Nouveau style, mounted in platinum with millegrained borders, length 6.4cm £300­500

225 A diamond pendant/brooch, mid 20th century, designed as a bar brooch, centring on a detachable lozengeshaped pendant set with brilliant­, single­cut and marquise­shaped diamonds, mounted in white gold, brooch length 5.5cm, pendant length 2.5cm including bail, case £400­600

226 Georg Jensen, a silver, opal and ruby cross pendant, 1933­44, designed as a cross with scrollwork decoration, set with cabochon opals and a circular­cut ruby, length 6.8cm, signed GJ for Jensen, Swedish assay marks for silver, design no. 89A £200­300

227 An early 20th century sapphire and diamond brooch, of sinuous outline set with graduated old circular­cut diamonds and three square­shaped sapphires millegrain­set in platinum, width 10.2cm £1,200­1,500

228 A diamond solitaire ring, the old circular­cut diamond with diamond shoulders set in white gold, size K½ £400­600

229 A Russian baptismal cross locket pendant, of silver and gold, designed as a cross, one side with a design of Christ with a Bible, the other with the Orthodox cross, unscrewing at the base to open via a hinge, revealing an interior with reliefs of the Virgin Mary, and three angels gathered around a table, bordered with Cyrillic inscriptions, length 5.6cm, indistinct Russian marks £400­600

230 A diamond bracelet, early 20th century, the front composed of circular­cut diamonds in millegrain­bordered box settings, to an expandable link bracelet, mounted in gold, length 17cm, bracelet stamped 18CT, case £800­1,200

231 A ruby, seed pearl and diamond bracelet, early 20th century, composed of seven rows of ruby beads and seed pearls strung in alternating pairs, to a clasp and links set with vertical lines of circular­cut diamonds, length 17cm £1,500­2,000

232 A diamond cluster pendant, set with a central step­cut diamond weighing approximately 1.50cts, set within a surround of circular­cut diamonds in white gold, on a fine­link white gold neck chain, pendant width 14mm, chain length 38cm £1,500­2,000

233 A diamond solitaire pendant, the round brilliant­cut diamond weighing approximately 0.55cts, claw­set in gold on a fine­link yellow gold neck chain, stamped 750, chain 39cm long £300­400

234 A chrysoberyl cat’s eye and diamond cluster pendant, set with two graduated chrysoberyl catseye cabochons within diamond surrounds in platinum, on fine­link white gold neckchain, pendant length 4cm, chain 39cm £2,000­3,000

235 A gem­set gold Union Jack brooch pendant, set with French­cut sapphires and rubies and round brilliant­cut diamonds in 18ct gold, London hallmarks, folding pendant loop, width 3.5cm £1,000­1,500

236 A diamond solitaire ring, the step­cut diamond weighing approximately 1.00cts, set in white gold, Birmingham hallmarks for 18ct, size M½ £2,000­3,000

237 A diamond solitaire ring, the round brilliant­cut diamond weighing approximately 1.05cts, set in 18ct gold, London hallmarks for 2002, size M £1,200­1,500

238 A diamond three­stone ring, claw­set with three brilliant­cut diamonds, the largest weighing approximately 1.50 carats, to shoulders set with single­cut diamonds, mounted in platinum, size U £5,000­7,000

239 A diamond chain necklace, the fine chain spectacle­set with brilliant­cut diamonds in bicoloured gold, length 82cm £500­600

240 A diamond ring, claw­set with a brilliant­cut diamond weighing approximately 2.13 carats, to shoulders set with smaller brilliant­cut diamonds, mounted in yellow gold, size P½, stamped 18CT £5,000­7,000

241 A diamond cluster ring, set with graduated round brilliant­cut diamonds within a square polished border in yellow gold on a square­shaped gold shank, approximately size P £700­900

242 A topaz and diamond ring, the oval topaz set with a trefoil of diamonds to each shoulder in gold, size M½ £600­800

243 An emerald and diamond cluster ring, the square step­cut emerald set within a surround of round brilliantcut diamonds in gold, size M½ £1,000­2,000 Accompanied by The Gem & Pearl Laboratory report number 22062, dated 26th August 2022 stating the Natural Emerald has evidence of negligible clarity enhancment, origin opinion: Zambia

244 A sapphire and diamond cluster ring, the cushion­shaped sapphire set within a surround of old­cut diamonds in yellow gold, size N½ £600­800

245 A diamond ring, designed as a pierced panel with millegrain borders set with circular­cut diamonds, mounted in platinum and gold, size K½, stamped 18CT PLAT £600­800

246 A peridot and diamond ring, of cluster design, set with an oval peridot within a border millegrain­set with brilliant­cut diamonds, mounted in platinum, size N½ £500­700

247 A pair of sapphire hoop earrings, the vari­coloured graduated pear­shaped sapphires in yellow gold mounts, stamped 750, post and clip fittings, height 4.2cm £2,000­3,000

248 A pair of diamond­set crescent earrings, the stylised moon set with demi­lunes of circular­cut diamonds in yellow gold, post and clip fittings, length 3cm, 14g £800­1,200

249 A set of three gold chick brooches, set with blue glass bodies and stylised gold decoration, one red stone eye deficient, stamped 18k, case £600­800

250 A pair of rock crystal, sapphire and diamond earrings, each of pendant design, composed of circular motifs set with concentric arrangements of rose­cut sapphires and rock crystal and brilliant­cut diamonds, mounted in rose gold with a blackened finish, length 5.6cm, clip fittings, stamped 750 £400­600

251 A diamond, emerald, enamel and pearl necklace, India, designed as an articulated collar of foliate scrollwork set with lasqué diamonds and a fringe of pearls, suspending a similar pendant an an emerald bead, the reverse applied with floral designs in green, red, white and blue enamel, to a gold back chain, inner circumference 39cm, length at front 11.5cm, pearls untested £2,000­3,000

252 A black and white diamond knot ring, one loop pavé­set with black and white diamonds, the other in blackened gold, size O £1,000­2,000

253 An emerald, pearl and diamond necklace, the pendant set with a pear­shaped diamond of brown tint, within a frame of brilliant­cut and baguette diamonds, topped with circular­cut emeralds, to a necklace composed of emerald beads and pearls, necklace length 41cm, pendant length 3.2cm, pearls untested £2,000­3,000

254 An emerald and diamond cluster pendant, the two pear­shaped emerald and diamond clusters joined with a round brilliant­cut diamond and suspending a further emerald and diamond cluster in white gold, on fine­link white gold neck chain, pendant height 4.5cm, chain 44cm £7,000­9,000

255 A loose cabochon jadeite, measuring 20 x 8.4 x 5.1mm, weighing 9.95 carats £400­600 Accompanied by report no.21565 from the Gem & Pearl laboratory stating that the jadeite shows no indication of treatment

256 A synthetic sapphire and diamond ring, of cluster design, set with an oval synthetic sapphire within a border of brilliant­cut diamonds, mounted in gold, size M, case £600­800

257 A pair of emerald stud earrings, each claw­set with an oval emerald, mounted in white gold, post fittings £1,000­2,000

Accompanied by a copy of GCS report number 81299-43 dated 17th March 2021 stating the natural beryl emeralds are Zambian with indication of moderate to significant clarity enhancment

λ

258 A Victorian gold, coral, enamel and diamond bangle, mid 19th century, the hinged bangle applied with bead and rope twist decoration in the Archeological Revival style, centring on three domed motifs applied with light blue enamel and inset with stars set with cabochon coral, the central motif accented with cushion­shaped diamonds, the reverse with a glazed compartment for hair, inner circumference 16.3cm, original fitted case stamped WW Johnson £1,500­2,000

259 A diamond brooch, designed as a foliate panel, set with cushion­shaped diamonds, length 4.9cm, fitted case £600­800

260 A Regency gold micro mosaic necklace, the graduated oval micro mosaic within gold cannetille surround in yellow gold, French import mark to clasp, length 46cm, with matching earrings, height 2.6cm (including hoop), fitted case £4,000­6,000

261 A stone scarab ring, 19th century, set with an Egyptian stone scarab, within a gold rope twist mount in the Archaeological Revival style, to an engraved and fluted shank, size S, shank possibly later added £400­600

262 A late 19th century pearl and diamond bangle, alternately­set with cushion­shaped diamonds and half pearls in yellow gold, internal width 5.8cm £600­800

263 A garnet snake necklace, 19th century, designed as an articulated snake, its body of gold linking, its head suspending a heart­shaped pendant from its mouth, decorated with variously coloured gold scroll work, collet­set with foil­backed oval garnets and cabochon garnet eyes, length 38.5cm, fitted case £1,000­1,500

264 A late 19th century diamond star pendant, set with graduated cushion­shaped diamonds in silver and gold, with later plating, width 3.2cm £300­400

265 A natural pearl and diamond necklace, early 20th century, composed of two strands of natural pearls, measuring approximately 2.2­6.2mm diameter, to a navette­shaped clasp pavé­set with circular­cut diamonds, length approximately 43.5cm £2,500­3,500 Accompanied by GCS report no. 5783-234, dated 3rd November 2022 stating that the pearls are natural, saltwater

266 An early 19th century enamel and gold fob watch, decorated with a polychrome enamel cherub within a rose­cut diamond border, with blue counter enamel and a diamond­set posy in yellow gold, movement signed Merimont Watch Co, stem wind, width 4cm, case £1,500­2,000

267 A Victorian diamond brooch, late 19th century, designed as a crescent moon, set with cushion­shaped diamonds, mounted in silver on gold, length 3.4cm £1,000­1,500

268 A stone scarab ring, 19th century, composite, set with an Egyptian stone scarab, within a gold rope twist mount in the archaeological revival style, to a fluted shank, size O½, possibly converted from a bracelet link £400­600

269 A Victorian sapphire and diamond ring, circa 1885, rubover­set with a cushion­shaped diamond between cushion­shaped sapphires, mounted in gold, size O, partially inscribed, dated 1885 £200­300

270 A late 19th century diamond starburst pendant, set with graduated old cushion­shaped diamonds in silver and gold, height 4.5cm £400­600

271 An aquamarine and diamond pendant, set with a step­cut aquamarine weighing 2.50 carats, within a border of brilliant­cut diamonds weighing a total of 0.40 carats, mounted in white gold, to a fine link chain, pendant length 2.2cm, chain length 40cm £1,000­1,500

272 A gem­set Welsh Guards brooch, set with graduated circular­cut emeralds and diamond in 18ct white gold, London hallmarks, height 4.7cm £1,000­1,500

273 A pair of aquamarine and diamond stud earrings, the oval­shaped aquamarines set within a surround of round brilliant­cut diamonds in gold, post fittings, height 1.6cm £2,000­3,000

274 A diamond pendant, claw­set with a princess­cut diamond weighing approximately 1.10 carats, to a bail set with brilliant­cut diamonds, mounted in gold, length 1.3cm including bail, stamped 750 £1,500­2,000

275 A pair of diamond drop earrings, of twisted design, pavé­set with graduated circular­cut diamonds in white gold, stamped 750, post and clip fittings, height 4.8cm £5,000­7,000

276 A tanzanite and diamond pendant, the cushion­shaped tanzanite set within a surround of diamonds on a fancy­link white gold chain, necklace length 36cm £3,000­4,000 Accompanied by GIA report number 6102169152 stating the tanzanite is brilliant cut and violetish blue

277 A pair of diamond earrings, each of hoop design surmounted by a floral motif, illusion­set with geometric arrangements of baguette and brilliant­cut diamonds, mounted in white gold, length 2.8cm, clip and post fittings, stamped 18K and 750 £3,000­4,000

278 A diamond cluster ring, collet­set with a brilliant­cut diamond weighing approximately 0.75 carats, to a border and shoulders set with smaller brilliant­cut diamonds, mounted in gold, size H £1,200­1,800

279 A diamond bangle, the hinged bangle of crossover design, the front section pavé­set with brilliant­cut diamonds and channel­set with baguette diamonds, mounted in white gold, inner circumference 16.3cm, stamped 18K £800­1,200

280 A pair of cultured pearl and diamond cluster earrings, the pearls set within radiating surround of round brilliant­cut diamonds in white gold, post fittings, diameter 16mm, Chaumet box £1,500­2,000

281 A diamond ring, of bombé design, the front pavé­set with brilliant­cut diamonds, mounted in white gold, size N £400­600

282 A tourmaline and diamond bangle, 1960s, the hinged bangle in white gold, set to the front with a graduated line of step­cut green tourmalines spaced by pairs of single­cut diamonds, inner circumference 13.7cm, case £400­600

283 A diamond three­stone ring, set with graduated circular­cut diamonds in white gold, total approximate diamond weight 1.90cts, size Q £5,000­7,000

284 A tanzanite and diamond ring, the cushion­shaped tanzanite flanked with emerald­cut diamonds in white gold, size J £1,000­1,500

285 A pair of diamond cluster stud earrings, the round brilliant­cut diamond studs claw­set in white gold, with removable diamond­set jackets, width 1cm £1,000­1,500

286 A chrysolite and ruby brooch, 19th century, designed as a bird with outstretched wings, its feathers set with variously­shaped chrysolites, its eye set with a small ruby, mounted in silver on gold, wingspan 7.3cm £800­1,200

287 A Georgian amethyst and diamond mourning ring, circa 1785, set with an oval amethyst within a closedback setting, between rose­cut diamonds backed in green foil, mounted in gold, the shank applied with black enamel with the dedicatory inscription MARY ROBINSON OB:24 MAR1785 AE43 in reserve, size S½, case stamped George Andrews, Shoreditch £400­600

288 A George IV gold mourning ring, circa 1823, set with a central plaque containing hair within black enamel surround and a border of seed pearls in engraved gold mount, inscription to reverse for 1823, rubbed hallmarks, size J½ £200­300

289 A George III diamond cross pendant, late 18th century, set with rose­cut diamonds in foil­backed cut­down collet settings, length 3.9cm £300­400

290 A Georgian paste parure, 1830s, comprising: a necklace, a brooch and a pair of earrings, each set with oval pink paste stones and opaque blue paste cabochons imitating turquoise, in floral gilt metal mounts, earring length 6.2cm each, hook fittings, necklace length 42.5cm, brooch 3.7 x 4cm, necklace and earrings with fitted cases £1,500­2,000

291 A diamond brooch, circa 1800, designed as a foliate spray set with rose­cut diamonds, issuing from a cluster of rose­cut diamonds, possibly intended as an elaborately stylised depiction of Halley’s Comet, mounted in silver, length 6cm £800­1,200

292 A Regency gold guard chain, early 19th century, the circular links with engraved decoration and gold cannetille barrel clasp, length 36cm, 22g £800­1,200

293 A garnet slide pendant, 18th century, of floral design with a detachable lower section, mounted in silver, length 6.6cm £400­600

294 A chrysolite, tourmaline and heliodor ring, Portugal, 19th century, of navette outline with a beaded border, pavé­set with cushion­shaped chrysolites and green tourmalines, centring on an oval heliodor, mounted in gold, size U, later shank £1,500­2,000

295 A hardstone cameo, enamel and diamond pendant, circa 1800, set with a oval cameo of the muse Terpsichore, goddess of dance and music, leaning against a plinth and holding a lyre, within a border of red basse taille enamel set with a band of cushion­shaped diamonds, mounted in gold, length 4.1cm including bail, pendant fitting later added £3,500­4,500

296 A group of amethyst jewels, mid 19th century, comprising: a pendant/brooch designed as a cross, set with oval and circular­cut amethysts mounted in gold cannetille work, length 6.3cm including bail; a similar cross pendant set with oval, circular­cut and pear­shaped amethysts, length 6.9cm including bail; another cross pendant set with oval amethysts, the centre with a rose­cut diamond, to a mount of foliate design with tricoloured gold, length 7.8cm including bail; and a cross brooch set with foil­backed cabochon amethysts, length 2.4cm £200­300

297 A late Georgian chrysoberyl and enamel mourning brooch, circa 1827, of oval outline, designed as a cluster of oval chrysoberyls in foil­backed settings accented with a band of black enamel, mounted in gold, the reverse with the dedicatory inscription HIJ, Ob 23 Jan 1827, length 2.8cm £400­600

DAY TWO

THURSDAY 2ND FEBRUARY 2023 AT 10.00AM

298 A diamond brooch, early 19th century, designed as a crescent moon, the centre with a row of graduated collet­set cushion­shaped diamonds, to outer borders of smaller cushion­shaped diamonds, all in closed­back settings, mounted in silver on gold, length 4cm, later added brooch fittings, reverse with slide hoops and screw fittings, one diamond deficient £6,000­8,000

299 A Regency topaz and gold necklace, early 19th century, the chain set with graduated oval topazes separated with fine­link neck chains and seed pearls, suspending a topaz and seed pearl pendant within repoussé gold surround, with glazed locket compartment to reverse, later clasp, 40cm long, with a similar pair of Regency topaz earrings, set in yellow gold, one earring hook deficient, length 5cm £800­1,200

300 A rare glass and gilt metal necklace, 19th century, composed of links set with foil­backed glass cabochons, within lobed links set with moulded resin in gilt rope­twist borders, the centre suspending a similar pendant fringed with gilt metal drops, necklace length 40cm, pendant length 8.2cm £200­300

301 A late 18th century diamond pendant, formed from a stylised palmette and bow motif suspending a diamond cluster drop is closed back silver setting, later pendant fittings and loop, height 3.5cm (excluding bale), case £1,000­2,000

302 A George III diamond cluster ring, the pear­shaped diamond within a diamond surround and stylised diamond coronet in closed­back gold setting on a pierced and fluted gold shank, size L½ £1,000­1,500

303 A late 18th century enamel and diamond brooch, of oval form, set with a border of graduated old mine­cut diamonds surrounding an oval blue enamel plaque set with diamonds, in a silver and gold closed­back setting, folding pendant loop, height 3.8cm, case £4,000­5,000

304 A mixed group of antique jewellery, including a green paste rivière necklace, the green paste in foil­backed metal settings (broken) length 34.5cm, a green and white paste articulated silver­gilt pendant, and a white and red paste­set brooch £100­200

305 An early 19th century gem­set cruciform brooch, the Maltese cross set with amethysts and chrysoberyls in gold, pendant loop, height 3cm, case £200­300

λ

306 Karl­August Schreinzer (1819­1897), a portait miniature, gold and diamond bracelet, mid 19th century, the clasp set with an oval miniature on ivory reputedly depicting the engineer Charles Baird (1766­1843), within a border of cushion­shaped diamonds, to a bracelet composed of gold cylindrical links engraved to the front with Rococo­style scroll work, bracelet length 81.3cm, portrait miniature 4.2 x 3.2cm excluding frame, fitted case, portrait minature signed Schreinzer £3,000­4,000

307 A George III garnet­set flowerhead brooch, the flat­cut garnets in closed­back silver setting, later brooch fitting, width 3.8cm, fitted case £400­600

308 A diamond brooch, 19th century and later, designed as a spray of wild rose, set with cushion­shaped, circularand brilliant­cut diamonds, the largest cushion­shaped diamond weighing approximately 1.20 carats, length 8.6cm, later brooch fittings and rhodium plating, some stones later replacements, signed Mauritius £2,000­3,000

309 A Victorian sapphire, ruby, pearl and diamond brooch, late 19th century, designed as a bee within a crescent moon, set with an oval sapphire, cushion­shaped diamonds and half pearls, the eyes accented with cabochon rubies, mounted in gold, length 2.5cm, fitted case, pearls untested £1,000­2,000

310 A Victorian diamond brooch, late 19th century, designed as a flower, set with cushion­shaped diamonds, mounted in silver on gold, diameter 2.2cm £800­1,200

311 A late 19th century citrine and diamond cluster ring, set with an oval citrine within a surround of old cushionshaped diamonds in silver and gold, size Q½ £200­300

312 A Georgian ruby and diamond ring, early 19th century, of cluster design, set with an oval ruby within a border of rose­cut diamonds, mounted in gold, size L½ £200­300

313 A Victorian amethyst rivière necklace, the oval graduated amethysts in gold cut­down collets suspend nine graduated pear­shaped amethysts, necklace length 36cm £1,500­2,000

314 A garnet and diamond demi­parure, mid 19th century and later, and a citrine ring, comprising: a brooch, designed as a flower set with rose­cut diamonds and cabochon garnets, suspending two garnet and diamond pendants en pampille, length 7.1cm; and a pair of ear clips of similar design, diameter 2cm each, later added clip fittings; together with a ring claw­set with an oval citrine, in a gold mount with rope twist decoration, size R (not illustrated) £2,000­3,000

315 A Victorian pearl and diamond heart pendant, the central grey pearl within a surround of old cushion­shaped diamonds in silver and gold, with a pearl and diamond­set bail, 2cm high £400­600

316 A late 19th century diamond bow brooch, set with graduated rose­cut and old cushion­cut diamonds in silver and gold, later rhodium plated, height 5.3cm £500­700

317 A topaz and diamond brooch, 19th century, set with an oval topaz, within an openwork silver and gold mount of foliate design, set with rose­cut and cushion­shaped diamonds, length 3.4cm, later brooch fitting £600­800

318 A Victorian emerald and diamond five­stone ring, late 19th century, set with three circular­cut emeralds spaced by a pair of circular­cut diamonds, to a gold mount with scrolled galleries, numbered 238, size K½ £800­1,200

319 A ruby and diamond three stone ring, the old circular­cut diamond flanked with cushion­shaped rubies in yellow gold, size S £500­700

320 A late 19th century pearl half hoop ring, set with diamond pointers in carved and pierced yellow gold mount, stamped 18 and maker E.C, size O½ £300­400

321 A Victorian diamond ring, mid 19th century, of elongated oval outline, pavé­set with cushion­shaped diamonds, to a fluted shank, mounted in gold, size P½, case £1,000­2,000

322 A Victorian diamond­set pendant, late 19th century, set with a central old cushion­shaped diamond within radiating surround of graduated old cushion­shaped diamonds suspending from a detachable diamond set bow in silver and gold, height 6cm, fitted case £2,000­3,000

323 A pair of diamond brooches, each designed as a leaf, set with brilliant­cut diamonds, mounted in gold, length 5.5cm each, stamped 14K £1,500­2,000

324 A pair of yellow sapphire and diamond bombé earrings, set with a central panel of circular­cut diamonds within yellow sapphire surrounds in yellow gold, stamped 750, post and clip fittings, height 2.2cm £2,000­3,000

325 An indicolite tourmaline and diamond ring, claw­set with a step­cut deep greenish blue tourmaline weighing 13.32 carats, to a border and shoulders set with brilliant­cut diamonds, mounted in gold, size M, stamped 18ct £2,000­3,000

Accompanied by report no. 22418 from the Gem & Pearl Laboratory, stating that the tourmaline is natural

326 A diamond three stone ring, the three graduated old cushion­shaped diamonds rubover­set in gold, with inner re­sizing balls, approximately size J £2,000­3,000

327 Cartier, a rare lady’s retro gold wristwatch, mid 20th century, the circular blue dial with white enamel indicators and hands, within a plain gold case, attached by hoops to a snake link bracelet with a hoop clasp, dial 1.3cm, length 16.5cm, dial signed Cartier, case back numbered 72431 and 5592, Swiss assay marks for 18ct gold, maker’s marks for Jaeger, movement signed Jaeger LeCoultre, glass deficient, winder detaching £800­1,200

To be sold without reserve

328 Cartier, a lady’s retro gold wristwatch, mid 20th century, the square dial with baton indicators and gold hands, to an integrated gold fancy link bracelet, bracelet length 17cm, dial 8 x 8mm, manual winding movement, dial signed Cartier, case back numbered 5979 (stamped twice), 8598 and 701974, bracelet stamped 750, maker’s mark EJ with hourglass for Jaeger £4,000­6,000

329 A gem­set gold hinged bangle, of hinged torque design, the terminals pavé­set with brilliant­cut diamonds and circular­cut yellow sapphires respectively, mounted in gold, inner circumference 18cm, Italian maker’s mark, stamped 750 £1,500­2,000

330 Piaget, a lady’s gold watch, the rectangular brushed metal dial with gold hands, to a case and bracelet of geometric design, dial 1.0 x 1.3cm, bracelet length 17cm, quartz movement, dial signed Piaget, winder deficient, Swiss assay marks for 18ct gold, case back numbered 15217K81 481731, case stamped Piaget £2,000­3,000

331 A pair of gem­set pansy earrings, in the style of Oscar Heyman, the stylised flowers set with sapphires and diamond in platinum, post and clip fittings, height 3.8cm £4,000­6,000

332 A mid 19th century amethyst and diamond brooch, c1865, the large oval amethyst set within a surround of undulating graduated diamond clusters in silver and gold, length 5.2cm, case £3,000­4,000

333 A late 19th century amethyst and diamond brooch, the oval amethyst set within a surround of old­cushionshaped diamonds in silver and gold, width 3.5cm, fitted case £1,500­2,000

334 An amethyst necklace, mid 19th century, designed as a series of oval amethysts in foliate gold borders, spaced by pearls, suspending a similarly pear­shaped amethyst pendant, necklace length 41.5cm, pendant length 5.7cm, pearls untested, fitted case stamped Catchpole and Williams £1,500­2,000

335 A Victorian lorgnette, late 19th century, the handle with an iris and half­pearl crescent moon to one side, and entwined initials to other, mounted in gold, revealing a spring­loaded pair of glasses, opening via a lever, handle length 11.5cm, glasses length when opened 11.4cm, pearls untested £400­600

336 Attributed to Carlo Giuliano, an important Royal enamel and pearl mourning brooch, 1880s, of circular outline, containing a hand­coloured photograph of Princess Alice of England (1843­1878) behind a glazed panel, within a black and white enamel border of floral design and an outer border of pearls, mounted in gold, diameter 3.7cm, reverse inscribed ‘In remembrance of dear Alice Princess of England, Duchess of Hesse and monogrammed VRI for ‘Victoria Regina Imperatrix, later replaced brooch fitting partially obscuring inscription £5,000­7,000

Provenance

Estate of the late Victor Albert Francis Spencer, 3rd Viscount Churchill (1864-1934)

Alice was the third child of Queen Victoria and Prince Albert, and the mother of the future Tsarina Alexandra Feodorovna of Russia, wife of Tsar Nicholas II of Russia.

Princess Alice was the first of Queen Victoria’s children to die, and one of three to predecease her, meaning that her death was met with a particularly intense period of grief and mourning. Victor Spencer, 1st Viscount Churchill, was page of honour to Queen Victoria between 1876-1881 during this time, coinciding with this mourning period.

While Carlo Giuliano never received a royal warrant despite his widespread popularity, he is thought to have created the mourning jewel commissioned by Queen Victoria upon the death of her son, Prince Alfred, Duke of Edinburgh and SaxeCoburg-Gotha in 1900, (see G.Munn, Castellani & Giuliano, London 1984, pg. 75 pl 69). He was patronised by several of the royal children including Empress Victoria of Prussia, and the later King Edward VII, who also entrusted Giuliano with the cleaning and restringing of Queen Alexandra’s collection of pearls. While unsigned, strong artistic and technical similarities to Giuliano jewels strengthen the attribution to this highly personal mourning jewel, dedicated to one of Queen Victoria’s most beloved children.

337 A late Victorian amethyst­set gold snake necklace, the realistically formed head set with an oval faceted amethyst and amethyst cabochon eyes, suspending an amethyst­set heart locket, on graduated snake­link necklace, length 38cm £1,200­1,500

338 A late Victorian garnet and diamond brooch, with sugarloaf garnet terminals joined with rows of rose­cut diamonds in gold, height 5cm £600­800

339 Phillips Brothers, a turquoise and enamel gold bangle, c1870, set with a central panel of circular enamel decoration within gold pellet and ropetwist borders and outer borders of turquoise cabochons in yellow gold, with maker’s plaque, with a later gold extender for the bangle which can be removed, internal diameter 6cm £2,000­3,000

340 A pair of diamond ear studs, each set with a cushion­shaped diamond weighing approximately 1.60 and 1.70 carats respectively, mounted in gold, post fittings £3,000­4,000

341 A pair of diamond earrings, early 20th century, each composed of a circular­cut diamond suspending an antique pear­shaped diamond weighing approximately 1.10 and 0.95 carats respectively, accented by smaller circular­cut diamonds, mounted in platinum, length 24mm each, post fittings, case stamped Garrard & Co. £4,000­6,000

342 An opal and diamond cluster ring, the white opal set within a surround of old cushion­shaped diamonds in platinum and white gold, size N½ £400­600

343 A Victorian cat’s eye chrysoberyl and diamond bangle, late 19th century, of hinged design, the front set with graduated cat’s eye chrysoberyl cabochons, spaced by circular­cut diamonds, mounted in gold with a foliate scroll gallery, inner circumference 16cm £1,500­2,000

344 A pair of Victorian pearl and diamond brooches, late 19th century, each designed as a crescent moon, composed of floral motifs set with rose­cut diamonds and pearls, mounted in silver on gold, length 4.1cm each, pearls untested £4,000­6,000

345 A natural pearl and diamond pendant, circa 1900, designed as an abstract open work flower, centring on a bouton­shaped natural pearl measuring 9.3 x 9.4mm, and set with rose­cut and cushion­shaped diamonds, mounted in silver on gold, length 3.9cm £1,500­2,000

Accompanied by GCS report number 5782-2005, dated 6th June 2022 stating the central pearl is natural, saltwater, with no indications of treatment

346 A diamond brooch, mid 19th century, modelled as a wild rose, centring on a cushion­shaped diamond, its pistils set with rose­cut diamonds, its undulating petals set with cushion­shaped and rose­cut diamonds, mounted in silver and gold, the gold sepals appearing between the petals, diameter 3.4cm, detachable brooch fitting £3,500­4500

347 An opal and diamond brooch, 19th century and later, designed as a three­leaf clover, set with cushion­shaped diamonds and cabochon opals, mounted in silver and gold, length 3.1cm, opals later added £800­1,200

348 A late Victorian gem­set butterfly brooch, set with demantoid garnets, rubies and diamonds in silver and gold, height 3.5cm £1,500­2,000

349 A diamond pendant necklace, early 20th century composite, the front composed of a crescent suspending an open cluster pendant, millegrain­set with circular­cut diamonds, to a silver back chain, necklace length 44cm, pendant length 5.2cm, case stamped Tiffany & Co. £2,000­3,000

350 A diamond pendant watch, early 20th century, the white enamelled dial with blue enamel indicators and red and gold enamel decoration, to a case pavé­set with rose­cut diamonds, to a similarly set trefoil­shaped suspension hoop, length 3.2 including suspension hoop, interior numbered 96171, French assay mark for gold, manual winding movement £800­1,200

351 A late Victorian diamond­set dragonfly brooch, set overall with graduated old cushion­shaped diamonds (one missing), with ruby cabochon eyes, in silver and gold, width 5.5cm, case £1,500­2,000

352 A late Victorian diamond flowerhead brooch, set with graduated old cushion­shaped diamonds, in silver and gold, width 3cm £400­600

353 A late Victorian diamond diamond floral brooch, set with graduated old cushion­shaped and rose­cut diamonds, the flower head mounted ‘en tremblant’ in silver and gold, length 5.5cm £800­1,200

354 An aquamarine and diamond brooch, circa 1900, designed as a foliate spray, set with cushion­shaped aquamarines, among leaves set with rose­cut diamonds, mounted in silver and gold, length 5.5cm, later brooch fitting £800­1,200

355 A diamond four­stone ring, set with four old cushion­shaped diamonds claw­set in platinum, size N½ £500­700

356 A late 19th century ruby and diamond cluster ring, the oval ruby set within a surround of old cushion­shaped diamonds in silver and gold, size N £400­600

357 A pair of diamond cluster earrings, the late 19th century clusters with later fittings, set with an old cushionshaped diamond within a surround of smaller diamonds in silver and gold, screw fittings, diameter 11mm £1,000­1,500

358 A late Victorian gem­set quatrefoil pendant, set with four opals within diamonds borders centring on a square­shaped emerald in silver and gold, with a matching pair of opal and diamond earrings, pendant length 3.5cm, earrings length 2.5cm £400­600

359 A Stuart Crystal and diamond mourning ring, early 18th century, set to the front with a coffin­shaped faceted rock crystal between rose­cut diamonds, the band carved with a skeleton and hour glass applied with black enamel, the interior inscribed ‘Let us share in joy and care’, indistinct maker’s mark, possibly IC, size J½ £800­1,200

360 A Georgian emerald and diamond cluster ring, circa 1821, designed as a cluster with foliate shoulders, set with a cabochon emerald and cushion­shaped diamonds in closed­back settings, to a gold band enhanced with floral engraving, reverse with inscribed date 20 August 1821, size O½ £1,000­1,500

361 A rare Berlin iron ring, early 19th century, designed in the neoclassical style, constructed from cast iron with a blackened finish, depicting a bust of Minerva, the band with a design of roses, size M £100­150

362 A Stuart crystal mourning ring, circa 1748, set with a faceted oval rock crystal covering a skull on a ground of woven hair, to a band of ribbon scroll design applied with black enamel, the inscription ‘EDW:ASHE_ARM OB:22 MAY 1748 AE: 75’ in reserve, mounted in gold, size S £800­1,200

363 An Arts and Crafts enamel, moonstone and synthetic ruby necklace, circa 1905, in the style of Jessie M. King, composed of floral and foliate motifs applied with green and blue enamel, set with cabochon moonstones and circular­cut synthetic rubies, mounted in silver, with filigree and rope­twist details, length 40cm, length of pendant 5.3cm, unsigned £600­800

364 A rare and exquisite enamel, ruby and diamond ring, France, circa 1765, designed as a pair of doves among flowering branches, applied with black, white, green and deep blue enamel and set with rose­cut diamonds and cushion­shaped rubies, the reverse similarly enamelled with an indistinct inscription in French, to a fluted gold shank, size L½ £800­1,200

Cf.: Hugh Tait ed., The Art of the Jeweller: a Catalogue of the Hull Grundy Gift to the British Museum, London, 1984, p.77 cat no. 360, for an illustration of a ring of similar design, likely intended as a betrothal gift, British Museum accession no.1978,1002.213. A similar design by the French jeweller Maria, published in Paris circa 1765, is illustrated in Charlotte Gere, Rings from 1,500-1900, in A. Ward et al., The Ring from Antiquity to the Twentieth Century, London, 1981, p. 110­111

365 A Georgian garnet and hairwork pendant, 18th century, the oval pendant converted from a ribbon slide, the central glazed compartment set with a section of card applied with hair arranged in the form of a ship at sea, within a border of cushion­shaped garnets, mounted in gold, length 2cm including later bail £200­300

366 A gold and seed pearl pendant necklace, 19th century, composite, the fine gold chain threaded with seed pearls, suspending a gold pendant modelled as a cherub holding a bouton­shaped pearl, chain length 44cm, pendant length 3cm including later bail, later pendant bail with maker’s mark CG for Giuliano, pearls untested £500­700

367 A gold, enamel and seed pearl baptismal cross pendant, Russia, 19th century, the cross pendant with lily­shaped arms finely enamelled in black, with an Orthodox cross, floral scrolls and lettering in reserve, accented by seed pearl borders, length 2.7cm including bail £150­250

Cf.: a silver pendant of this traditional Russian design, dated to the 19th century, in the collection of the Victoria and Albert Museum, accession no. 508­1869

λ 368 A Stuart crystal miniature portrait, early 18th century, the faceted oval rock crystal over an ivory portrait miniature of a woman, possibly Queen Anne, within an open work scroll frame, surmounted by a crown applied with enamel and set with a tiny diamond crystal, length 3cm including crown, possibly adapted from a slide or pendant, fittings deficient £300­500

369 An unusual enamel locket pendant, 19th century, composite, the circular gold locket applied with painted enamels depicting a scene of Pero breast feeding her father Cimon, opening to reveal a plain interior, the reverse with an engraving of Rococo inspiration, length 2.8cm including bail, back panel possibly later added £200­300

The unusual scene of a woman secretly breast feeding her imprisoned father, who has been sentenced to death by starvation, is from the story ‘Roman Charity’, recorded in circa 30 AD by the ancient Roman historian Valerius Maximus, as a parable of filial piety. A painting depicting this scene by Peter Paul Rubens, dated 1612, can be found in the Siegerland Museum in Germany.

370 An enamel and hair work mourning pendant, 18th century, of circular outline, the glazed central section containing knotted hairwork, the border in blue enamel with the inscription ‘GEORGE LORD ST GEORGE’ in reserve, mounted in gold, length 3cm including bail and pendant loop £200­300

George, St George, 1st Baron St George (c.1658­1735) was an Anglo­Irish politician, soldier and peer, who participated in relieving Derry from siege during the Williamite­Jacobite war in Ireland

371 A rare Stuart Crystal mourning slide, circa 1690, of oval outline set with a faceted section of rock crystal, covering a reclining skeleton in painted card beneath entwined initials in gold wire, on a ground of woven hair, mounted in gold, length 2.6cm £800­1,200

372 An opal, enamel and diamond charm pendant, circa 1900, designed as a fish, its body applied with irirdescent basse taille enamel and set at each side with a cabochon opal, its fins and tail set with rose­cut diamonds, its eyes set with cabochon rubies, length 3.5cm £800­1,200

373 Rolex, a seed pearl watch pendant, circa 1914, the circular white enamel dial with black enamel indicators and blued steel hands, to a case of spherical design, applied with dark blue enamel, intricately set with graduated half seed pearls, length 3cm including pendant hoop, manual winding movement signed Rolex, interior with British import hallmarks for gilt silver, numbered 593878, sponsor’s mark W&D £500­700

374 A Renaissance revival gold, enamel and nephrite ring, 19th century, designed in the 17th century style, set with a sugarloaf cabochon nephrite, to a mount with scrolled shoulders accented with black enamel, size O £300­500

375 A gold, enamel and diamond ring, 18th century, the table­cut diamond within a domed square gold mount accented with arches of black and pale blue enamel, to a shank with engraved shoulders, size N½ £800­1,200

376 A ruby and diamond ring, India, set with a cabochon ruby the shoulders set with lasqué diamonds, mounted in gold, decorated with floral motifs in green, white and red enamel, size N½, enamel losses £500­700

377 A fine and rare gold, enamel, pearl and diamond crucifix pendant, circa 1600, depicting Christ on the cross, a banner reading INRI above and the skull of Golgotha below, applied with white enamel en ronde bosse, the cross with engraved woodgrain applied with brown basse taille enamel, accented with table­cut diamonds and suspending a pearl, length 4.7cm including pearl pendant, pearl untested, losses to enamel £3,000­5,000 Cf. Hugh Tait ed. The Art of the Jewellery, a Catalogue of the Hull Grundy Gift to the British Museum, London 1984, pg. 70, catalogue no. 281, for a Spanish crucifix pendant of similar traditional iconography including the INRI banner and the skull of Golgotha, suspending three pearls, applied with basse taille enamel.

378 A diamond ring, early 19th century, centring on a rose­cut diamond in a silver foiled­backed cut­down collet setting, to a carved gold band with silver accents at the shoulders, size O½, later Dutch assay marks for 14ct gold and silver, later sponsor’s mark £1,000­1,500

379 A 17th century rock crystal and enamel ring, set with seven graduated rose­cut rock crystals in cut­down collets with black enamel decoration to the gallery in closed­back yellow gold setting and carved gold shoulders, size S £400­600

380 An unusal iron, gold and diamond ring, 19th century, the plain gold band overlaid with with a layer of iron, rubover­set with a cushion­shaped diamond, size K½ £500­700

381 A French lapis lazuli and gold frame, 1970s, formed from joined panels of lapis lazuli, with textured gold corners, French control marks and rubbed maker’s lozenge, height 15.8cm, width 12.3cm depth 1.6cm £5,000­7,000

382 Boucheron, a gold and tiger’s eye demi parure, comprising an 18ct gold ring set with a spherical tiger’s eye, signed and with maker’s mark, French control marks and London import marks for 1975, size K½, and matching earings, signed with French control marks, maker’s lozenge and London import marks, post and clip fittings, height 2.5cm £1,000­1,500

383 A diamond­set gold bangle, 1960s, designed as an openwork hinged cuff, the oval bombé panel pavé­set with brilliant­cut diamonds, stamped 18k and ‘B’, inner circumference approximately 164mm £3,000­5,000

384 A fine lapis lazuli necklace, designed as a single row of lapis lazuli beads measuring 16.5mm diameter, length 43cm, clasp stamped 18K £600­800

‡ 385 Charles De Temple, a pair of cultured pearl and diamond earrings, circa 1978, of stylised cornucopia design set with round brilliant­cut diamonds and a cultured pearl in textured yellow gold, length 3.3cm each, clip and post fittings, each signed C de T, British hallmarks for 18ct gold £800­1,200

386 An amethyst and diamond­set gold ring, in the style of Charles de Temple, of stylised cornucopia design with an amethyst cabochon terminals and pierced and textured yellow gold band set with diamonds, size M £600­800

‡

387 Andrew Grima, a peridot and diamond ring, circa 1968, the emerald­cut peridot with diamond accents set within textured abstract gold surround and shank, maker’s plaque, marks for HJ Co and London hallmarks for 1968, size M½ £3,000­4,000

388 A diamond rivière necklace, set with graduated round brilliant­cut diamonds in hexagonal yellow gold mounts, stamped 750, length 44cm, with a matching diamond­set gold bracelet, length 18.5cm £4,000­6,000

389 A sapphire and diamond gypsy ring, the sugarloaf sapphire set within old circular­cut diamonds in platinum, size R £2,000­3,000

390 A cabochon ruby and diamond three stone ring, the ruby flanked with old cushion­shaped diamonds in platinum and gold, size Q £5,000­7,000

391 A gem­set gold bird brooch, circa 1940, the stylised bird set with synthetic rubies and diamonds in polished yellow gold and platinum, length 8.2cm £1,500­2,000

392 A diamond­set gold scroll ring, circa 1940, the stylised bow waisted with graduated old cushion­shaped diamonds in platinum and gold, size N½ £600­800

393 A French gold tank track bracelet, circa 1940, in bi­colour 18ct gold, French control marks, length 18.8cm £3,000­4,000

394 A gold, onyx and diamond bracelet, the gold bracelet composed of brick linking, set with faceted onyx accented with circular­cut diamonds, length 17.5cm £3,000­4,000

395 A sapphire and diamond gold bow brooch, mid 20th century, set with clusters of sapphire and diamond flowers against a tied gold bow, height 6cm £800­1,200

396 A ruby and diamond brooch, circa 1900, designed as a flower with a curving stem, set with cushion­shaped diamonds, centring on a cabochon ruby weighing approximately 2.40 carats, mounted in gold, length 4.5cm £3,000­4,000

Accompanied by GCS report number 5782-3105, dated 21st September 2022, stating the cabochon ruby is of Burmese origin, with no indications of heat treatment

397 Boucheron, a gold necklace, 1976, the articulated collar composed of conjoined cable linking, to a concealed clasp, length 39cm, signed Boucheron, British hallmarks for 18ct gold, date letter for 1976, sponsor’s mark B Ltd for Boucheron, 84 grams £1,500­2,000

398 A pair of sapphire and diamond brooches, each of abstract foliate design, composed of gold wire, set with circular­cut sapphires and single­cut diamonds, length 3.1cm each, stamped 18K £1,000­2,000

λ 399 Boucheron, a tortoiseshell and gold ‘Caraibe’ demi­parure, 1970s, comprising: a bracelet, composed of rectangular links of polished tortoiseshell, mounted in 18ct gold, length 16.7cm, signed Boucheron, French export assay mark for 18ct gold, French maker’s mark for Mathon, British import hallmark for 1973, fitted case stamped Boucheron; and a pair of earrings of matching design, length 1.8cm, clip and post fittings, similarly marked £2,000­3,000

400 Naum Slutzky, a rare Modernist silver ring, 1962, designed as a trio of partially articulated silver bars, to a silver band with panelled shoulders, maker’s mark for Naum Slutzky, case stamped Horton, size P £1,500­2,000 Naum Slutzky (1894­1933) was born in Ukraine, the son of Gilel Slutzky, a goldsmith in the employ for Carl Fabergé. Naum Slutzky trained as a goldsmith under Josef Hoffman at the Wiener Werkstatte, before joining the Bauhaus. He fled to England in 1933 as a result of the Nazi rise to power, and eventually taking a series of posts as a lecturer in jewellery design in London and Birmingham, starting at the Central College of Art (now St Martin’s), and participating in the seminal 1961 International Jewellery Exhibition at Goldmith’s Hall. He initially planned to exhibit his early Bauhaus pieces, but instead exhibited recent designs, in a strikingly modernist style, which were subsequently purchased by the Goldmith’s Hall.

Literature: David Horton, Naum Slutzky, Bauhaus Master Goldsmith, London, 2017, pg.11

Provenance: David Horton, previously in the collection of Naum Slutzky’s wife Rita

An identical ring dated to 1965 can be found in the collection of the Victoria and Albert Museum, collection no. CIRC.412-1966

401 A diamond ring, of bombé form, the front of twist design, pavé­set with stripes of circular­cut diamonds, mounted in gold, size N £200­300

402 A pair of diamond brooches, 1950s, the asymmetrical brooches each designed as a flower, set with singlecut and baguette diamonds, mounted in platinum, lengths 5cm and 3.9cm respectively £3,000­4,000

403 A diamond foliate brooch, set with graduated circular­cut and baguette­shaped diamonds in platinum, height 5.5cm £800­1,200

404 A diamond­set floral brooch, the stylised flower tied with a ribbon set with graduated circular­cut and tapered baguette­shaped diamonds in platinum, the central flowerhead cluster mounted ‘en tremblant’, length 7cm £4,500­6,500

405 A mid 20th century duck brooch, the stylised bird with a bow­tie set with synthetic gemstones in gold, length 6.2cm £800­1,200

406 A diamond spray brooch, 1950s, set with graduated round brilliant­cut diamonds in platinum, height 6cm £1,200­1,500

407 A diamond line bracelet, set with graduated baguette­shaped diamonds separated by two diamond flowerhead clusters in platinum, length 17.5cm £4,000­6,000

408 A fancy pink and white diamond ring, of crossover design, one side set with a heart­shaped diamond of pink tint within a surround of brilliant­cut pink diamonds, the other set with a heart­shaped diamond within a similar diamond surround, to tapered baguette­shaped shoulders in 18ct white gold, maker EL and London hallmarks for 2021, size M½ £2,000­3,000

409 A diamond half hoop ring, channel­set with graduated baguette­shaped diamonds and two round brilliantcut diamonds in platinum, size Q½, case £3,000­5,000

410 A mid 20th century amethyst and diamond brooch, the large emerald­cut amethyst set within a pierced lozenge­shaped diamond­set surround in platinum, width 6cm, case £1,500­2,000

411 A pair of ruby and diamond earrings, the stylised bows half set with graduated circular­cut rubies and diamonds, tied and waisted with tapered baguette­shaped diamonds in platinum, clip fittings, 2.2cm £800­1,200

412 An aquamarine solitaire ring, in gold coronet setting and plain gold shank, size Q½ £400­600

413 Garrard, a pair of aquamarine and diamond earrings, mid 20th century, each of scroll design topped with a floral motif, set with single­cut diamonds and oval aquamarines, mounted in platinum and gold, length 3.2cm, clip and post fittings, clips signed Garrard London, pouch stamped Hancocks £1,500­2,000

414 A pair of natural pearl and diamond earrings, 1920s and later, centring on a bouton­shaped white and black natural pearl respectively, each approximately 7mm diameter, within radiating openwork mounts set with circularcut and baguette diamonds, diameter 2.4cm each, later post fittings £2,000­3,000

415 Cartier, a pearl and diamond bar brooch, early 20th century, set with a central square diamond within further single­cut diamonds and pearl terminals in platinum, signed Cartier and numbered 3150, pearls untested, width 2.7cm £2,000­3,000

416 An Art Deco emerald and diamond brooch, circa 1920, the pierced curved plaque set with circular­ and single­cut diamonds and channel­set with step­cut emeralds, mounted in platinum, length 3.7cm £400­600

417 An Art Deco aquamarine and diamond double clip brooch, 1930s, each of geometric design, set with singlecut and baguette diamonds and calibré­cut aquamarines, together with a brooch mount enabling them to be worn together, combined length 5.6cm, stamped 18CT PT £3,000­4,000

418 A ruby, onyx and diamond brooch, designed as an early motor car, set with polished onyx, calibré­cut rubies and brilliant­cut diamonds, mounted in white gold, length 2.9cm £800­1,200

419 A pair of Art Deco jadeite and diamond earrings, circa 1920, each composed of an elongated platinum surmount set with circular­ and single­cut diamond, suspending a carved jadeite drop, length 4.8cm each, stamped 18CT PLAT, later post fittings, fitted case stamped Goldsmiths and Silversmiths Company £600­800

420 A diamond rivière necklace, designed as a series of millegrain­bordered links set with graduated brilliant­cut diamonds, mounted in platinum, length 41.5cm £10,000­20,000

421 René Boivin, an Art Deco diamond ring, 1920s, of cluster design, set with a marquise­shaped diamond, to a border and shoulders set with single­cut diamonds, mounted in platinum, size M½, maker’s mark for René Boivin, indistinct assay mark £10,000­20,000

422 An aquamarine and diamond ring, claw­set with a step­cut aquamarine between shoulders set with baguette diamonds, mounted in platinum, size P½ £1,000­1,500

423 A gem­set and diamond brooch, designed as a ship, set with brilliant­cut diamonds, and accented with calibrécut sapphires, small rubies and emeralds, the waves of black enamel, mounted in platinum, length 5.8cm, one sapphire deficient £2,000­3,000

424 An Art Deco emerald, onyx and diamond bracelet, 1920s, composed of emerald beads, to a clasp and links set with polished onyx and single­cut diamonds, length 18.2cm, French assay marks for 18ct gold and platinum £1,500­2,000

425 An Art Deco sapphire and diamond line bracelet, 1920s, designed as an articulated line of calibré­cut emeralds and circular­cut diamonds, mounted in platinum, length 16.8cm £3,000­5,000

426 A diamond ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 2.00 carats, within an openwork mount of bombé design set with circular­, single­ and rose­cut diamonds, mounted in platinum, size P½ £10,000­15,000

427 An Art Deco diamond, onyx and emerald brooch, France, 1920s, centring on a collet­set circular­cut diamond, to a bar brooch of geometric design set with calibré­cut onyx and emeralds and circular­cut diamonds, length 8.4cm, numbered 95049, French assay marks for platinum and 18ct gold £2,000­3,000

428 A pearl and diamond ring, early 20th century, set with a bouton­shaped pearl measuring approximately 6.4mm diameter, to an octagonal border pavé­set with single­cut diamonds, mounted in platinum, size N½, pearl untested, later shank £1,000­2,000

429 An Art Deco diamond full eternity ring, circa 1920, channel­set with French­cut diamonds in platinum, the sides engraved with bands of Greek key decoration, size J½, case £600­800

430 A diamond solitaire ring, claw­set with a cushion­shaped diamond weighing 1.20 carats, to shoulders set with single­cut diamonds, mounted in platinum, size M £3,000­4,000

431 An Art Deco ruby and diamond brooch, circa 1920, designed as a trio of interlocking hoops set with calibrécut rubies and rose­cut diamonds, length 3.9cm, French import assay marks for 18ct gold, case £600­800

432 An Art Deco diamond full eternity ring, circa 1920, channel­set in the round with step­cut diamonds, mounted in platinum, size K½ £400­600

433 434

435

433 A gold box, 19th century, of oval outline in three­coloured gold, the centre with an oval scene of a dog looking up at a bird in flight, the lid, side and base with floral borders, and engraved decoration, the base with an engraved scene of a Neoclassical urn among trees and flowers, measuring 7.2 x 4.6 x 1.9cm, lid and base interior stamped MC, gross weight 58 grams, fitted case stamped Garrard £1,500­2,000

434 A gold snuff box, England, circa 1843, of rectangular outline, the lid with a Rococo­style cartouche, the border, sides and base engraved with a meandering line, the lip with engraved floral scrollwork, measuring 7.5 x 5.7 x 2.2cm, interior with British hallmarks for Birmingham, date letter U for 1843, maker’s mark JW, gross weight 142 grams, fitted case stamped Garrard £3,000­5,000 λ 435 A portrait miniature, gold and enamel snuff box, early 19th century, of rectangular outline, the lid inset with a glazed ivory portrait miniature of Napoleon after Jean­Baptiste Isabey (1767­1855), bordered by blue enamel, the lid, sides and base engraved with floral scrolls and geometric panels, measuring 8.9 x 6.2 x 2cm, assay and maker’s marks, gross weight 163.9 grams, fitted case stamped Garrard & Co. £6,000­8,000

436 An enamel snuff box, France, 19th century, the lid set with an oval portrait of a lady in 18th century dress wearing pearls, possibly Marie Antoinette, within a dotted white border, to a ground of red guilloché enamel, the outer edge with a further border of white enamel and floral scrollwork in three­coloured gold, the sides and base of similar design, measuring 8.3 x 6.5 x 3.8cm, French assay mark and maker’s mark, gross weight 302 grams, fitted case stamped Garrard & Co. £10,000­15,000

437 An enamel snuff box, France, late 18th / early 19th century, of oval outline, set with an enamel miniature depicting the three Graces festooning an urn, within a border of cushion­shaped diamonds, on an olive green guilloché enamel ground, the borders with green and white enamel decoration, the side panels spaced with urns, the base similarly decorated, measuring 8.2 x 6.2 x 4.1cm, partial French guarantee, maker’s and décharge marks, gross weight 183.4 grams, fitted case stamped Garrard & Co. £10,000­15,000

λ

438 A portrait miniature, enamel and pearl snuff box, late 18th/early 19th century, the miniature circle of Richard Cosway, of oval outline, set with a glazed ivory miniature portrait, possibly of a young George IV when Prince of Wales, to a sunburst ground in deep blue guilloché enamel bordered with white and gold enamel and half pearls, the side with similar panels between enamelled urns, accented with gold, green and white enamel decoration, measuring 8.6 x 6.2 x 2.8cm, box apparently unmarked, the interior of the lid with a glazed compartment containing a lock of hair, gross weight 147.9 grams, fitted case stamped Garrard & Co. £8,000­12,000

Cf.: Royal Collection Trust, accesison nos. RCIN 605164 and RCIN 605140 for similar images of the future George IV after Richard Cosway (1742­1821), from miniatures commissioned in the period spanning 1781­86

438

439 439 An enamel and diamond snuff box, possibly France, late 18th / early 19th century, of oval outline, the lid set with an enamel portrait, possibly of the Marquise de Montespan after Jean I Petitot (16071691), to a border of rose­cut diamonds, within a frame of enamelled laurel leaves, against a blue guilloché enamel ground, the outer edge, side and base similarly enamelled, measuring 8.1 x 5.8 x 3cm, interior with partial French warden, decharge and maker’s marks, panel possibly later added, gross weight 161.5 grams, fitted case stamped Garrard & Co. £8,000­12,000

440 An emerald and diamond demi­parure, comprising: an articulated collar of foliate design set with brilliantcut, baguette and pear­shaped diamonds, suspending a fringe of emerald drops, inner circumference 38cm, length at front 7.2cm, stamped 18K; and a pair of drop earrings of similar design, length 4.7cm each, clip and post fittings £8,000­12,000

441 Vourakis, a sapphire and diamond demi­parure, comprising a brooch and earrings,the stylised camelias set with graduated circular and oval­shaped sapphires in radiating design alternately­set with graduated circular­cut diamonds in white gold, signed and stamped 18k, brooch height 5cm, earrings height 2.2cm £5,000­7,000

442 A sapphire and diamond dress ring, the cushion­shaped sapphire weighing 10.15cts, with tapered baguetteshaped shoulder diamonds in platinum, size L, case £5,000­7,000

Accompanied by gemmological report number 22100 dated 4th September 2022 from The Gem and Pearl Lab London, stating that the sapphire weighs 10.15cts, with no indication of heat treatment, origin: Sri Lanka

443 A spinel solitaire ring, the cushion­shaped spinel weighing 6.25cts, claw­set in polished yellow gold mount, size M½ £2,500­3,500

444 A pair of cultured pearl and diamond drop earrings, the detachable silver cultured pearls suspending from diamond­set cap and three graduated diamonds in platinum, height 3.1cm, red leather case by Cartier £1,500­2,000

445 Vourakis, a diamond bracelet, set with graduated circular and baguette­shaped diamonds totalling approximately 30.00cts in platinum, length 18cm £18,000­20,000

446 A fine Belle Époque emerald and diamond brooch, circa 1910, of elongated quatrefoil outline with millegrain borders, composed of concentric bands of circular­cut and rose­cut diamonds, centring on a step­cut emerald, mounted in palladium, length 5.2cm, case stamped Harvey & Gore £4,000­6,000

447 A diamond cluster ring, the marquise­shaped diamond weighing approximately 2.70cts within a radiating surround of tapered baguette and circular­cut diamonds in white gold, size K £4,000­6,000

448 A ruby and diamond three­stone ring, the central cushion­shaped ruby set within old circular­cut diamonds claw­set in platinum, size Q½ £6,000­8,000

449 An Art Deco ruby and diamond ring, 1930s, set with an oval ruby weighing approximately 1.50 carats, to stepped shoulders set with baguette diamonds, mounted in platinum, size M½ £1,000­1,500

Accompanied by GCS report no. 5783-579, stating that the ruby weighing approximately 1.50 carats is of Burmese (Myanmar) origin, Mogok region, with no indications of heat treatment

450 A diamond solitaire ring, the old circular­cut diamond weighing approximately 1.00 carat claw­set in platinum with diamond shoulders, size M½ £1,500­2,000

451 A French diamond negligée necklace, set with round brilliant­cut diamonds centring on a cluster of graduated marquise and round brilliant diamonds suspending two articulated baguette­shaped diamond drops with circularcut terminals in platinum and gold, maker’s lozenge MB and French control marks, length 38cm £20,000­30,000

452 A ruby and diamond cluster ring, mid 20th century, set with an oval ruby weighing approximately 1.25 carats, within a border of brilliant­cut diamonds, mounted in platinum and white gold, size N½ £2,000­3,000

Accompanied by Gem & Pearl Laboratory report no. 22030, stating that the ruby measuring 7.4 x 7.1 x 3.4mm is of Burmese (Myanmar) origin, with no indications of heat treatment

453 A sapphire and diamond ring, set with an emerald­cut sapphire weighing approximately 5.00 carats, to baguette­shaped shoulder diamonds in platinum, size J £10,000­15,000

Accompanied by GCS report number 5782-1409, dated 30th March 2022 stating the Burma sapphire has no indications of treatment

454 An emerald and diamond ring, early 20th century, of toi et moi design, set with a circular­cut diamond weighing approximately 1.50 carats, and a step­cut emerald weighing approximately 1.40 carats, to sinuously curved shoulders set with smaller circular­cut diamonds, mounted in platinum, size L, case £5,000­7,000

Accompanied by GCS report no. 5783-578, stating that the emerald weighing approximately 1.40 carats is of Colombian origin, with indications of minor clarity enhancement

not illustrated lifesize

455 A sapphire and diamond pendant, late 19th century, composed of an oval cabochon sapphire with a faceted base, within a border of rose­cut diamonds, suspending a similar drop­shaped pendant, mounted in gold, length 5.0cm £20,000­30,000

456 457 456 A turquoise and amethyst desk seal, late 19th century, of baluster form, pavé­set with graduated turquoise cabochons, decorated with a band of gilt metal oak leaves, the base set with a step­cut amethyst engraved with crowned initials, measuring 9.0 x 3.0 x 3.0cm, fitted case £4,000­6,000 457 Cartier, an Art Deco rutilated quartz and diamond desk seal, circa 1913, modelled as a plinth in polished rutilated quartz, accented with rose­cut diamonds, the seal engraved with a ducal and a royal coat of arms, signifying the marriage between Archduchess Mechthildis of Austria (1891 ­ 1966) and Prince Olgierd Czartoryski in 1913, measuring 6.5 x 2.4 x 2.4cm, signed Cartier Paris Londres New York, faintly numbered, French assay mark £6,000­8,000

458 A ruby and diamond parure, comprising a necklace, earrings and a ring, the impressive necklace formed from graduated cabochon ruby and diamond clusters separated with stylised diamond fleur­de­lys, suspending a detachable ruby and diamond drop, with a matching ruby and diamond cluster ring and matching day and night earrings with detachable pendant drops, all in platinum and gold, total approximate diamond weight 46.00 carats, earrings length 5.3cm and 2.1cm, clip fittings, ring size J½, necklace 40cm £25,000­30,000

459 A spinel and diamond ring, claw­set with an oval cushion­shaped pink­purple spinel weighing 7.59 carats, to shoulders set with trios of brilliant­cut diamonds, mounted in 18ct gold, British hallmarks, size N½ £4,000­6,000 Accompanied by Gubelin report no. 22070011, stating that the pink-purple spinel is of Burmese (Myanmar) origin, with no indications of heat treatment

460 Mellerio, a late 19th century emerald and diamond locket pendant, circa 1880, later set with a central rectangular cushion­shaped emerald separating a diamond­set anchor motif on bloom gilded gold locket, glazed compartment to interior, maker’s plaque to interior and French control marks to pendant loop, height 5.1cm, fitted Mellerio case £20,000­30,000

Accompanied by SSEF report number 124637, dated 27th September 2022 stating the fancy step cut emerald has indications of minor clarity modification and minor amounts of oil in fissures at the time of testing.

lifesize

462

A verbal report from GCS states that the rubies are of Burmese (Myanmar) origin, the central and one flanking ruby showing indications of heat treatment, the remaining seven rubies with no indications of heat treatment

An Art Deco ruby and diamond bracelet, circa 1930, of geometric design, set with oval rubies and circular­, single­cut and baguette diamonds, mounted in platinum, case stamped Ogden, length 17.2cm £12,000­15,000

463 Van Cleef & Arpels, a diamond­set feather brooch, 1990s, with a central line of graduated tapered baguetteshaped diamonds forming the rachis, the feathers pavé­set with graduated round brilliant­cut diamonds in platinum, signed and numbered M41327, with maker’s lozenge and French control marks, height 8.2cm £25,000­30,000

464 Van Cleef & Arpels, a fancy light yellow diamond cluster ring, set with a fancy coloured old circular­cut diamond weighing 6.63cts, within a surround of round brilliant­cut diamonds within diamond shoulders in yellow gold, stamped VCA, maker’s mark and 750, central diamond a later replacement, size M £30,000­40,000 Accompanied by GIA report number 5222508562, stating the round brilliant diamond is fancy light yellow with VS2 clarity, 6.63cts lifesize

466 A colour­change sapphire and diamond cluster ring, the cushion­shaped sapphire weighing 10.90cts, clawset within a surround of old circular­cut diamonds in platinum, size N½, case £4,000­6,000 Accompanied by the The Gem & Pearl Laboratory report no. 22451 dated 29th November 2022 stating the natural colour change sapphire weighs 10.90cts, has no evidence of heat treatment, origin: Sri Lanka

Illustrated exhibiting purple and blue lifesize

not illustrated lifesize

472 A pink spinel and diamond ring, the cushion­shaped spinel weighing 20.50cts, set within tapered squareshaped diamond shoulders in platinum, size L £25,000­30,000

Accompanied by GIA report number 6224695364, dated 26th October 2022 stating brilliant cut, pink spinel is natural, weighing 20.50cts with no indications of heating

476 Van Cleef & Arpels, a diamond and sapphire bow brooch, circa 1920, designed as a tied ribbon bow with millegrain borders, set with calibré­cut sapphires and circular­ and single­cut diamonds, length 6.9cm, signed Van Cleef et Arpels, numbered 20393, French assay marks for platinum, partial French maker’s mark £10,000­15,000

477 An Art Deco sapphire and diamond bracelet, 1930s, composed of geometric links with millegrain borders pavé­set with circular­ and single­cut diamonds, connected by arches of calibré­cut sapphires and cylindrical links similarly set, each end capped with a cabochon sapphire, mounted in platinum, length 17.5cm, later British hallmarks and stamp PT950 £10,000­15,000

478 Cartier, an Art Deco diamond clip brooch, circa 1930, designed as a stylised buckle, the top formed as a stepped half­cylinder suspending a wide ruyi motif, pavé­set with circular­cut diamonds and accented by collet­set cushion­shaped and circular­cut diamonds, mounted in platinum, signed Cartier London, 4.3 x 3.8cm £10,000­20,000

SALE

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5.30pm

Castle Gate Offices

Monday to Friday 9am – 5.30pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made:

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or Amex

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000 3%€50,000.01 ­ 200,000 1%€200,000.01 ­ 350,000 0.5%€350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS

1

. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

ABSENTEE BID FORM

FINE JEWELLERY

1ST & 2ND FEBRUARY 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

PLEASE PRINT CLEARLY IN BLOCK LETTERS

Lot Number Brief Decription Price Excluding in numerical buyer’s premium order & VAT Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0) 1722 424500 | Fax: +44 (0) 1722 424508 www.woolleyandwallis.co.uk

AUCTION CALENDAR

2023

JANUARY

17th Adornment: The Romy Rey Collection (Online)

18th & 19th Furniture Works of Art & Clocks

24th & 25th Silver & Objects of Vertu

FEBRUARY

1st & 2nd Fine Jewellery

21st Fine Pottery & Porcelain

22nd Arts of Africa, Oceania and the Americas

MARCH

8th Old Masters, British & European Paintings

22nd Clarice Cliff, Art Deco & Design

APRIL

4th & 5th Furniture, Works of Art & Clocks

18th & 19th Silver & Objects of Vertu

20th & 21st Fine Jewellery 26th English & European Ceramics & Glass

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

A rare and exceptional emerald and diamond ‘zarf’ cup, 19th century SOLD FOR £105,000*