Woolley & Wallis Auctioneers

CLARICE CLIFF

ART DECO &

DESIGN

WEDNESDAY 22ND & THURSDAY 23RD MARCH 2023

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

CLARICE CLIFF, ART DECO & DESIGN

WEDNESDAY 22ND MARCH 2023

10.00AM LOTS 1-449

STUDIOPOTTERY

INCLUDING THE ESTATE OF RICHARD BATTERHAM

THURSDAY 23RD MARCH 2023

10.00AM. LOTS 450-752

at our Castle Street Salerooms, SP1 3SU

VIEWING AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX

Saturday 18th March 10.00am – 1.00pm

Monday 20th March 10.00am – 4.00pm

Tuesday 21st March 10.00am – 4.00pm

Wednesday 22nd March 9.00am –4.00pm

Thursday 23rd March 9.00am –12noon

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

Zoe Smith 01722 446955 zs@woolleyandwallis.co.uk

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

Unit 1B, Castle Gate Business Park

Old Sarum, Salisbury, SP4 6QX

Client Parking Available

Saturday 18th March 10.00am – 1.00pm

Monday 20th March 10.00am – 4.00pm

Tuesday 21st March 10.00am – 4.00pm

Wednesday 22nd March 9.00am –4.00pm

Thursday 23rd March 9.00am –12noon

THE AUCTION ON 22ND & 23RD MARCH WILL TAKE PLACE AT OUR CITY CENTRE SALEROOM

51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 25% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Tuesday 21st March

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

COLLECTIONOF LOTS BY APPOINTMENT

Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

All accounts to be settled prior to collection

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a ‡ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 181 for full details.

LIVE ONLINE BIDDING – FREE OF CHARGE

bid.woolleyandwallis.co.uk

Please register by 5pm on Tuesday 21st March

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ILLUSTRATIONS

Front cover: Lots 41, 51 & 54

Back cover: Lots 59­73

Inside cover lots from 91­125

Catalogue £10.00 (£15.00 by post)

1

1

A Wilkinson’s Pottery Oriflamme vase designed by John Butler, shouldered form with knopped neck, covered in a fumed purple, blue and red glaze, printed factory mark, 15cm. high

Provenance

David and Theresa Latham

£100­150

2

‘Original Bizarre’ a pair of Clarice Cliff Bizarre candlesticks, shape no.331, painted with radiating star design in orange, green and blue, outlined in black, printed factory mark, 9cm. diam. (2)

£120­180

3

‘Liberty’ a Clarice Cliff Bizarre fern pot, shape no.416, painted with thin bands, a Clarice Cliff ‘Liberty’ small Beehive preserve pot and cover, a cruet set and a small mustard pot, printed factory mark, 8.5cm. high (8)

£120­180

4

‘Original Bizarre’ a Clarice Cliff Bizarre Lotus jug, painted with orange, blue and purple triangles, outlined in brown, between green, orange and brown bands, printed factory mark, restored, 28.5cm. high

£120­180

5

2 3

‘Double V’ an unusual Clarice Cliff Bizarre vase, shape no.13, painted in colours inside brown and black bands, printed factory marks, hairline crack, 22cm. high

£120­180

6

A Clarice Cliff Sardine dish and cover, shape no.447, rounded rectangular section, the cover modelled with a stylised fish handle, painted in shades of yellow and green, printed factory marks, hairline to rim of cover and base, 13.5cm. wide, (2)

£120­180

7

‘Delecia Daisy’ a Clarice Cliff Bizarre salt and pepper cruet set, painted in colours, a Clarice Cliff ‘Rudyard’ salt and pepper cruet, a red, black and grey banded conical coffee can and saucer, nine various egg cups, five blackbird pie funnels and nine other items, printed factory marks, minor damages, 8cm. high (29)

£150­250

8

A Clarice Cliff Bon Jour coffee set, painted with green, pink and brown bands, comprising; coffee pot and cover, milk­jug and sugar basin, five Conical cups and six saucers, printed factory marks, 18cm. high (15)

9

‘Forest Glen’ a Clarice Cliff small Beehive Preserve pot and cover, painted in colours, and a Clarice Cliff ‘Forest Glen’ Bon Jour preserve pot and cover, printed factory marks 7cm. high (4)

£150­250

10

A Clarice Cliff lamp base, ovoid cast in low relief in stylised flowers, glazed in colours on a mushroom ground, and a Royal Cauldron pottery twin­handled lamp base printed factory mark, 16cm. high (2)

£120­180

11

‘Delecia Citrus’ a Clarice Cliff Bizarre Conical sugar sifter, painted in colours printed factory marks, 14cm. high Provenance

Clarice Cliff Christie’s South Kensington, 13th November 1997 lot 202.

£200­300

12

‘Delecia Citrus’ a Clarice Cliff Bizarre Stamford tea trio, comprising teapot and cover, milk­jug and sugar basin, painted in colours printed factory marks, chips to top rim of pot, 12.5cm. high (4)

£150­200

13

‘Delecia Citrus’ a Clarice Cliff Bizarre part tea set, comprising; small Athens teapot and cover, sugar basin, three saucers and two side plates, painted in colours printed factory marks, minor damages, 11.5cm. high (8)

£150­200

14

‘Delecia Citrus’ a Clarice Cliff Bizarre Conical coffee pot and cover, painted in colours, and a Clarice Cliff ‘Delecia Citrus’ Cylindrical preserve pot and cover, printed factory marks, 17.5cm. high, (4)

£150­250

15

‘Crocus’ a Clarice Cliff Beehive preserve pot and cover, painted in colours, a ‘Crocus’ beaker, four piece cruet set, mustard pot, egg cup, two coasters and a flower brick, and a ‘Spring Crocus’ Bon Jour preserve pot and cover, printed factory marks, hairline crack to cover of beehive, 9cm. high (14)

£150­250

16

‘Viscaria’ a Clarice Cliff Beehive preserve pot and cover, painted in colours, a ‘Viscaria’ Conical milk­jug and a vase and jug similar, printed factory marks, 9.5cm. high (5)

£120­180

17

‘Honolulu’ a Clarice Cliff Bon Jour sugar sifter, painted in colours printed factory mark, 12.5cm. high

£300­500

18

‘Honolulu’ a Clarice Cliff Bizarre Bon Jour preserve pot and cover, painted in colours, the cover with green and black bands, printed factory mark, repaired crack to pot 10cm. high

£120­180

19

‘Honolulu’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, shape no.3, painted in colours printed factory marks, 9.5cm. high (2)

£150­200

20

‘Honolulu’ a Clarice Cliff Fantasque Bizarre Crown jug, painted in colours above black and green bands, printed factory marks, 8.5cm. high

£120­180

21

‘Honolulu’ a Clarice Cliff Bizarre candlestick, shape no.331, painted in colours, and a Clarice Cliff ‘Honolulu’ cigarette and ashtray, printed factory marks, cigarette and ashtray restored, 8.5cm. diam. (candlestick), (2)

£150­250

22

‘Honolulu’ a Clarice Cliff Bizarre Conical sugar bowl and Daffodil jug, painted in colours printed factory mark to jug, chip to top rim, 11.5cm. diam. (bowl), (2)

£200­300

23

‘Umbrellas and Rain’ a Clarice Cliff Fantasque Bizarre cylindrical preserve pot and cover, painted in colours between orange and blue bands, printed factory mark, 8.5cm. high (2)

£120­180

24

‘Tennis’ a Clarice Cliff Bizarre Cylindrical preserve pot and cover, painted in colours printed factory marks, 9cm. high, (2)

£500­800

25

`Melon’ a Clarice Cliff Fantasque Bizarre Cylindrical preserve pot and later electroplated metal cover, painted in colours, a Clarice Cliff ‘Broth’ Cylindrical preserve pot and metal cover and a ‘Taormina’ preserve pot and cover, printed factory mark, 9.5cm. high (6)

£120­180

26

‘Waverly’ a Clarice Cliff Bon Jour preserve pot and cover, painted in colours, printed factory mark, 10cm. high

£120­180

27

‘Applique Palermo’ a rare Clarice Cliff Applique Bizarre small Beehive preserve pot and cover, painted in colours, printed and painted factory marks, 7cm. high (2)

Provenance

Clarice Cliff, Christie’s South Kensington, 24th May 1996, lot 96.

£150­200

28

‘Honolulu’ a Clarice Cliff Bizarre bowl, painted in colours between black and green bands, a Clarice Cliff ‘Broth’ bowl and a small ‘Original Bizarre’ bowl printed factory marks, Broth bowl and Original Bizarre bowl restored, 22cm. diam. (3)

£120­180

29

‘Gay Day’ a Clarice Cliff Bizarre small Beehive honey pot and cover, painted in colours, a large Clarice Cliff flower wall plaque, a Clarice Cliff bowl moulded with blossom and a Clarice Cliff leaf shaped sandwich set for six shape no.925, printed factory marks, Gayday cover restuck, 7cm. high (11)

£120­180

30

‘Laughing Cat’ a Clarice Cliff Bizarre figure, painted with orange, black and green spots, printed factory mark, 19cm. high.

Provenance

David and Theresa Latham

Literature

Leonard Griffin Clarice Cliff The Art of Bizarre, Pavilion, page 29 for a comparable figure.

£300­500

31

‘Orange Chintz’ a Clarice Cliff Bizarre Teddy Bear book end, painted in colours printed factory marks, 15cm. high

Provenance

David and Theresa Latham

£400­600

32

‘Golly’ a rare Clarice Cliff Bizarre pen­holder, modelled as a toy golly seated next to a cylindrical pen holder, printed factory mark, 14.5cm. high

£400­600

‘Crocus’ a Clarice Cliff Bizarre Globe teapot and cover, shape no.36, painted in colours, an en suite toast rack, two cake plates and a small square dish, printed factory marks, chips and wear to plates, 11cm. high (6)

£150­200

34

‘Crocus’ a Clarice Cliff Bizarre Stamford tea set, comprising teapot and cover, milk­jug and sugar basin, painted in colours printed factory marks, star-hairline to side of pot, 12cm. high (teapot), (4)

£150­200

35

‘Crocus’ a Clarice Cliff Bizarre double inkwell, shape no.462, comprising inkwell and two covers, painted in colours, printed factory marks, 10cm. wide, (3)

£150­250

36

‘Rudyard’ two Clarice Cliff Fantasque Bizarre egg cups, painted in colours, and Clarice Cliff ‘Crocus’ egg cup, printed factory marks, 4cm. high (3)

£150­250

37

‘Kelverne’ a Clarice Cliff Bizarre Lynton part coffee set, comprising coffee pot and cover, milk­jug and sugar basin and one coffee cup, painted in colours on red, brown and cream bands, printed factory marks, 19.5cm. high (5)

£150­200

38

‘Orange Chintz’ a Clarice Cliff sugar sifter with electroplated cover, painted in colours, printed Newport Factory mark, 16cm. high

£150­200

39

‘Applique Palermo’ a Clarice Cliff Bizarre octagonal side plate, painted in colours inside yellow, red and black bands, printed factory mark, 16.8cm. wide.

£400­600

40

‘Applique Avignon’ a Clarice Cliff Bizarre plate, painted in colours inside black and red bands, printed and painted factory mark, 25cm. diam.

£600­900

41

‘Applique Lugano’ a Clarice Cliff Fantasque Bizarre Hiawatha bowl, painted in colours inside yellow, red and black bands, printed factory mark, 28.5cm. diam.

£800­1,200

42

‘Melon’ a Clarice Cliff Bizarre small Beehive preserve pot and cover, painted in colours, a Clarice Cliff ‘Melon’ a fern pot and a Clarice Cliff ‘Melon’ Drum jam pot and cover, printed factory marks, 7.5cm. high (5)

£300­500

43

‘Melon’ a Clarice Cliff Bizarre Conical milk­jug and sugar basin, painted in colours, and a Clarice Cliff ‘Melon’ Conical coffee can and saucer printed factory mark, 6.5cm. high (4)

£200­400

44

‘Melon’ a Clarice Cliff Fantasque Bizarre side plate, painted in colours, inside orange and black bands, a Clarice Cliff ‘Melon’ octagonal bowl, a ‘Crocus’ side plate and a preserve pot and cover, printed factory marks, 14.5cm. diam. (5)

£150­200

45

‘Melon’ a Clarice Cliff Fantasque Bizarre bowl, painted in colours, another bowl and a Breakfast bowl in the same pattern, printed factory mark, large bowl repaired, 12.5cm. diam (largest bowl), (3)

£200­400

46

‘Umbrellas’ a Clarice Cliff Fantasque Bizarre duck egg cruet tray, painted in colours, printed factory marks, duck handle restored to legs, 13.5cm. high

£120­180

47

‘Autumn’ a Clarice Cliff Fantasque Bizarre duck egg cruet tray, painted in colours inside yellow band, printed factory mark, 13cm. high

£150­200

48

‘Mondrian’ a Clarice Cliff Bizarre duck egg cruet tray, painted in colours, and six Clarice Cliff egg cups banded green and blue, printed factory marks, hairline crack to one egg cup, 13cm. high (7)

£200­300

49

‘Industry’ a unique Clarice Cliff Latona Bizarre plate designed by Ron Birks, enamelled in colours with an abstract design, printed and painted factory marks, 22.5cm. diam.

Literature

Richard Green & Des Jones, The Rich Designs of Clarice Cliff, Rich Designs, page 122 this actual example illustrated.

Greg Slater & Jonathan Brough Comprehensively Clarice, Thames & Hudson, page 203 image no.5 for a comparable companion plate 'Fashion' designed by Ron Birks.

Provenance

David and Theresa Latham.

£400­600

50

‘Inspiration Caprice’ a Clarice Cliff Bizarre vase, shape no. 363, painted in shades of blue, purple, black and tan on an Inspiration turquoise ground, painted factory mark, 16.5cm. high

Provenance

David and Theresa Latham.

£500­800

51

‘Inspiration Caprice’ a Clarice Cliff Bizarre Globe vase, shape no. 370, painted in shades of blue, purple, black and tan on an Inspiration turquoise ground, painted factory mark, 14.5cm. high

Provenance

David and Theresa Latham.

£1,000­1,500

52

‘Autumn’ a Clarice Cliff Fantasque Bizarre Conical sugar sifter, painted in shades of yellow, orange and brown, printed factory mark, small glaze frit to tip, 13.5cm. high

£300­500

53

‘Rudyard’ a Clarice Cliff Fantasque Bizarre side plate, painted in colours inside pink, green and blue bands, printed factory marks, 17.5cm. diam.

£200­300

54

‘Red Autumn’ a Clarice Cliff Fantasque Bizarre Isis vase, painted in colours between green and red bands, printed factory marks, 24.5cm. high

£1,000­1,500

55

‘Apples’ a Clarice Cliff Fantasque Bizarre octagonal plate, painted in colours, printed factory marks, 22cm. diam.

£150­200

56

‘Football’ a Clarice Cliff Bizarre side plate, painted in colours inside yellow, blue and orange bands, printed factory mark, 17cm. diam.

Provenance

11th September 1997 lot 78.

£300­500

57

‘Sliced Circle’ a Clarice Cliff Fantasque Bizarre side plate, painted in colours inside blue and orange bands, printed factory mark, over-painted restoration, 15cm. diam.

Provenance

Clarice Cliff, Christie’s South Kensington, 11th November 1994, lot 40.

£150­200

58

‘Orange and Blue Squares’ a Clarice Cliff Bizarre vase, shape no. 200, triangular tapering section, painted in colours, printed factory marks, repaired damages, 19cm. high

£300­500

LAURA KNIGHT’S CIRCUS

59

‘Circus’ a Clarice Cliff Bizarre entree plate designed by Dame Laura Knight, printed and painted with the well with three performing seals, the rim a circus audience, in colours, highlighted in gilt, and two ‘Circus’ Clarice Cliff side plates designed by Dame Laura Knight decorated with two performing horses, printed factory marks, wear to plates, one side plate has a hairline crack to rim. 25.5cm. diam. (3)

£200­400

60

‘Circus’ a Clarice Cliff Bizarre side plate designed by Dame Laura Knight, printed and enamelled with two performing horses in the ring, the rim garlands and bunting, in colours highlighted in gilt, printed factory marks, first edition and facsimile signature, 17cm. diam.

Catalogue notes

This plate has the impressed date mark for 1934.

£200­300

61

‘Circus’ a Clarice Cliff Bizarre dinner plate designed by Dame Laura Knight, printed and enamelled with a rearing performing horse to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, scratches to design 25.5cm. diam.

£500­800

62

‘Circus’ a Clarice Cliff Bizarre entree plate designed by Dame Laura Knight, printed and enamelled with a lion tamer to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, hairline to well, 22.5cm. diam.

£400­600

63

‘Circus’ a Clarice Cliff Bizarre dinner plate designed by Dame Laura Knight, printed and enamelled with an acrobat resting side­saddle on the back of a horse to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, repaired chip to rim,25.5cm. diam.

£300­500

64

‘Circus’ a Clarice Cliff Bizarre tureen and cover designed by Dame Laura Knight, twin­handled form, the handles modelled in low relief with two female acrobats, the cover with a modelled clown finial, the rim a big top audience, printed and enamelled in colours and highlighted in gilt, printed factory mark, first edition, and facsimile signature, 29cm. wide 18cm. high, (2)

Provenance

Applied Arts, Sotheby’s Olympia, 31st May 2007, lot 171.

Literature

Fay Blanchard & Anthony Spira, Laura Knight - A Panoramic View, PWP, page 100­101 for a comparable example illustrated.

£800­1,200

65

‘Circus’ a Clarice Cliff Bizarre dinner plate designed by Dame Laura Knight, printed and enamelled with an acrobat walking the trapeze wire the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, 25.5cm. diam.

£500­800

66

‘Circus’ a Clarice Cliff Bizarre entree plate designed by Dame Laura Knight, printed and enamelled with an acrobat resting side­saddle on a horse to the well, the rim a circus audience, in colours, highlighted in gilt, and another ‘Circus’ entree plate designed by Dame Laura Knight decorated with three performing seals, printed factory mark, first edition and facsimile signature, hairline to well of acrobat plate, 22.5cm. diam. (2)

£400­600

67

‘Circus’ a Clarice Cliff Bizarre entree plate designed by Dame Laura Knight, printed and enamelled with a performing polar bear on hind legs, standing with a ringmaster, to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, 22.5cm. diam.

Literature

Thirties, Art Council exhibition catalogue, 1979, page 153 cat. no. 4.105 for a comparable plate.

£400­600

68

‘Circus’ a Clarice Cliff Bizarre side plate designed by Dame Laura Knight, printed and enamelled with two performing horses in the ring, the rim garlands and bunting, in colours highlighted in gilt, and another decorated with a clown in yellow suit, printed factory marks, first edition and facsimile signature, 17cm. diam. (2)

Provenance

Applied Arts, Sotheby’s Olympia, 31st May 2007, lot 171 (Horse side plate).

£300­500

69

‘Circus’ a pair of Clarice Cliff Bizarre side plates designed by Dame Laura Knight, printed and enamelled with two performing horses in the ring, the rim garlands and bunting, in colours highlighted in gilt, printed factory marks, first edition and facsimile signature, 17cm. diam. (2)

Provenance

Applied Arts, Sotheby’s Olympia, 31st May 2007, lot 171.

£300­500

70

‘Circus’ a Clarice Cliff Bizarre dinner plate designed by Dame Laura Knight printed and enamelled with three performing clowns to the well, the rim a circus audience, in colours, highlighted in gilt, and another ‘Circus’ dinner plate decorated to the well with three female acrobats juggling printed factory mark, first edition and facsimile signature, 25.5cm. diam. (2)

£500­800

71

‘Circus’ a Clarice Cliff Bizarre dinner plate designed by Dame Laura Knight, printed and enamelled with an acrobat walking the trapeze wire to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, 25.5cm. diam.

£500­800

72

‘Circus’ a Clarice Cliff Bizarre dinner plate designed by Dame Laura Knight, printed and enamelled with a rearing performing horse to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, 25.5cm. diam.

£500­800

73

‘Circus’ a Clarice Cliff Bizarre entree plate designed by Dame Laura Knight, printed and enamelled with a lion tamer to the well, the rim a circus audience, in colours, highlighted in gilt, printed factory mark, first edition and facsimile signature, 22.5cm. diam.

£400­600

74

‘Latona Red Roses’ a modern limited edition Wedgwood Clarice Cliff Age of Jazz figure, made for The Clarice Cliff Collector’s Club, and a modern Wedgwood Clarice Cliff Grotesque Wall mask, originally designed by Ron Birks, boxed, printed marks, Jazz figure with certificate number 13 of 50, 21cm. high, (Jazz figure), (2)

£150­250

75

‘Blue Firs’ a modern limited edition Wedgwood Clarice Cliff YoYo vase, made for the Clarice Cliff Collector’s Club, in original box, a Wedgwood Clarice Cliff ‘Carpet’ vase and a ‘Blue W’ vase, printed factory marks, Blue Firs with certificate numbered 66 of 200, 23cm. high, (3)

£150­250

76

‘Clarice Cliff’ a book by Peter Wentworth­Sheilds and Kay Johnson, published by L’Odeon, 1976, and a modern ‘Blue W’ artwork by S Elliott, (2)

Provenance

Clarice Cliff, The Daniel Brodie Hogg Collection, Christie’s South Kensington, 11th February 1999 lot 49 (L’Odeon)

£120­180

77

‘Tennis’ a modern limited edition Wedgwood Clarice Cliff Conical bowl, made for the Clarice Cliff Collector’s Club, in original box, a limited edition Wedgwood ‘Apples/Red Roofs’ teapot and a ‘Tennis/Summerhouse’ teapot, printed factory marks, Tennis number 38 of 250, 18cm. diam. (3)

£150­250

78

A Foley plate designed by Dame Laura Knight, decorated to the well with two stylised figures amidst fruit, the border with streamer motif, in colours and purple lustre, printed factory mark, wear to enamels, 21.5cm. diam.

£150­250

79

A Thomas Forester & Sons Trogon jardiniere and stand designed by Ronald Dean, ovoid bowl on flaring cylindrical jardiniere stand, each tubeline decorated with a peacock, perched on a branch of stylised flowers and fruit, in colours on a blue ground, signed R Dean, 92cm. high, (2)

£300­400

80

A Carter & Co Poole Pottery Sporting series tile designed by Edward Bawden, painted with a man fishing, in colours impressed mark, painted VC, 12.5cm. square

£100­150

81

A Gray’s Gloria Lustre vase designed by Susie Cooper, pattern 5153, shouldered baluster form, painted with a running deer and rearing ibex, in lustre on a cream ground, two Gray’s Pottery chargers, a Susie Cooper Studio Ware vase, painted in colours, and a collection of Susie Cooper table ware, printed and painted marks, 17cm. high (a lot)

£150­250

82

A Shelley Regent Harmony tea set designed by Eric Slater, W.12085, comprising teapot and cover, milk­jug and sugar basin, painted with orange dripware design, highlighted with green, printed and painted marks, 12cm. high, (4)

£150­200

83

An unusual Shelley Pottery Mode coffee set for six designed by Eric Slater, pattern S.2150, comprising six demi­tasse cups and saucers, each printed and painted with stylised fruit and foliage, in colours printed and painted factory marks, small hairlines to two cups, 6.5cm. high (12)

£500­1,000

84

‘Zodiac’ A Wedgwood Pottery model of a bull designed by Arnold Machin, applied star­sign transfers impressed and printed factory marks, 38.5cm. wide.

£120­180

85

A Wedgwood Pottery ‘Coronation of Her Majesty Queen Elizabeth II’ mug after the original design by Eric Ravilious, 1953, printed with heraldic design below stylised fireworks, printed factory marks, 10.2cm. high

£120­180

86

A rare Wedgwood Pottery Annular coffee set designed by Tom Wedgwood and John Goodwin in collaboration with Keith Murray, ribbed form, covered in a Matt Straw glaze, comprising; coffee pot and cover, milk­jug and sugar basin, six cups and saucers, and a Wedgwood Pottery part coffee set designed by Keith Murray covered in a matt white glaze, printed factory marks, restored, 16cm. high (coffee pot), (a lot)

Provenance

Christie’s South Kensington, 21st February 2005 lot 366 (Matt Straw set)

Literature

Maureen Batkin Wedgwood Ceramics 1846­1959, Richard Dennis Publications, page 209 plate 515 for a comparable set illustrated, circa 1932.

£150­200

87

A Wedgwood black basalt coffee set designed by Keith Murray, comprising coffee pot and cover, milkjug, sugar basin and cover, black basalt with turned band decoration, impressed factory marks, printed facsimile signature, 20.5cm. high (5)

£250­350

88

A Wedgwood Pottery vase by Norman Wilson, shouldered cylindrical form, covered in a peach and pink streaked glaze, impressed factory mark, NW monogram,12cm. high

Provenance

Decorative Arts and Design, Hanson’s Auctioneer’s 26th June 2017, lot 234.

David and Theresa Latham

£150­250

89

A Stevens & Williams Brierley Hill glass vase designed by Keith Murray, footed, flaring cylindrical form, pale blue glass internally decorated with bubbles, another smaller, a James Powell, Whitefriars trailed ovoid vase and two other glass vases, unsigned, 31cm. high (5)

Literature

Charles R Hajdamach 20th Century British Glass, Antique Collector’s Club, page 148 this shape illustrated in a green colourway, Provenance

David and Theresa Latham

£150­200

90

A Stevens & Williams glass decanter and stopper designed by Keith Murray, footed form, the decanter with flat cut bands to base and neck, and a black glass band to foot, the flat disc stopper with black glass band, apparently unsigned, 26cm. high (2)

Provenance

Nigel Benson 20th Century Glass, 2002.

Literature

The Studio, April 1937 page 206 this design illustrated.

£200­300

91

A pair of Wedgwood Pottery beaker vases designed by Keith Murray, fluted form, glazed matt green, another similar glazed white with silver lines, a smaller beaker, a goblet, dish and two ashtrays, printed factory marks, KM monogram, 11cm. high (8)

£120­180

92

A Wedgwood Pottery coffee set designed by Keith Murray, covered in a matt white glaze, comprising coffee pot and cover, milk­jug and sugar basin, one can and saucer, a Wedgwood Pottery Lemonade jug, a candlestick and a rectangular box in matt white, a matt green lemonade jug, and a ‘King George VI and Queen Elizabeth 1937’ coronation commemorative cigarette box and cover designed by Keith Murray, covered in a matt white glaze, printed factory marks, chip to milk-jug, sugar basin re-stuck, 20cm. high (12)

Literature

Andrew Casey, page 198 figure 217 for a comparable set illustrated.

£120­180

93

A set of six Wedgwood Pottery Beer tankards designed by Keith Murray, ribbed, cylindrical form, covered in a Matt Green glaze, and eleven other Wedgwood Beer tankards, printed factory marks, facsimile signature, 12cm. high (17)

£120­180

94

A collection of twenty­one Wedgwood Pottery mugs designed by Keith Murray, glazed in colours printed factory marks, minor damages, 12cm.high (tallest), (21)

£120­180

95

A Wedgwood Pottery urn shaped vase designed by Keith Murray, shape no. 4225, covered in a Champagne and cream glaze, a Wedgwood Pottery footed bowl and a jug printed factory mark, facsimile signature, bowl restored, 26cm. high (3)

£120­180

96

A Wedgwood Pottery vase designed by Keith Murray, shape no. 4225, twin­handled, footed urn shape, glazed celadon and white, another smaller and a jug printed factory mark, KM monogram, 25cm. high (3)

Literature

Andrew Casey, 20th Century Ceramic Designers in Britain, ACC Books, page 208, figure 230 for a comparable urn­shaped vase.

£150­250

97

A rare Wedgwood Pottery lamp base designed by Keith Murray, shape no.3953, swollen, footed form with cylindrical neck, covered in a matt silver grey glaze, impressed and printed marks, facsimile signature and original paper label, 25cm. high

£150­200

98

A rare Wedgwood Pottery vase designed by Keith Murray, shape no. 4325, footed, flaring cylindrical form, covered in a silver grey moonstone glaze, the rim and base bands of silver, impressed and printed factory marks, facsimile signature, professional restoration to base of vase, 32cm. high

Literature

Andrew Casey, 20th Century Ceramic Designers in Britain, ACC Books, page 210 figure 232 for a comparable vase glazed Moonstone, designed 1939.

£200­300

99

A Wedgwood Pottery vase designed by Keith Murray, flaring bucket form, covered in a matt blue glaze, printed factory mark, KM monogram, 24cm. high

Provenance

Art Deco Etc, Brighton, 1999.

£150­250

100

A Wedgwood Pottery vase designed by Keith Murray, shape no. 4197, ovoid, ribbed form covered in a matt blue glaze, and another Wedgwood Pottery matt blue vase designed by Keith Murray, shape no.3801, printed factory mark, km monogram, 15cm. high (2)

£200­300

101

A Wedgwood Pottery vase designed by Keith Murray, ribbed ovoid form, covered in a matt white glaze, and another Wedgwood Pottery ovoid vase, shape no.3801, printed factory mark KM monogram, 16.5cm. high (2)

£150­250

102

A Wedgwood Pottery vase designed by Keith Murray, shape no.4197, ovoid with collar neck, covered in a matt white glaze, and another Wedgwood Pottery vase designed by Keith Murray, printed factory marks, facsimile signature, hairline to top rim of second vase, 15.5cm. high (2)

£120­180

103

A pair of Wedgwood Pottery vases designed by Keith Murray, shape no.3801, ribbed, ovoid form, glazed matt white printed factory marks, KM monogram, 15.5cm. high (2)

£120­180

104

A Wedgwood Pottery vase designed by Keith Murray, shape no. 4196, ribbed, ovoid form with collar rim, covered in a matt white glaze, printed factory mark, facsimile signature, 24cm. high

£200­300

105

A Wedgwood Pottery footed bowl designed by Keith Murray, shape no. 3753, flaring fluted form, covered in a matt white Moonstone glaze, another smaller and two other Wedgwood Pottery bowls printed factory marks, facsimile signature to main bowl, damages to two bowls, 16cm. high, 22cm diam. (4)

£150­200

106

A Wedgwood Pottery vase designed by Keith Murray, shape no.3805, shouldered form, covered in a matt white glaze, printed factory mark, facsimile signature, 28.5cm. high

£150­200

107

A Wedgwood Pottery vase designed by Keith Murray, shape no. 3820, compressed, shouldered form covered in a matt white glaze, printed factory mark KM monogram, 16cm. high

Provenance

The Mike Villis Collection of Wedgwood by Keith Murray and John Skeaping.

£150­250

108

A Wedgwood Pottery vase designed by Keith Murray, ribbed ovoid form, covered in a matt white glaze, printed factory mark, KM monogram, 18cm. high

£120­180

109

A Wedgwood Pottery vase designed by Keith Murray, shape no.3805, shouldered form, covered in a matt white glaze, and another Wedgwood Pottery vase, printed factory mark, KM monogram, second vase restored to base, 28cm. high (2)

£200­400

110

A Wedgwood Pottery vase designed by Keith Murray, flaring cylindrical form with narrow rib decoration, covered in a matt green glaze, impressed factory marks, KM monogram.

12.5cm. high

£120­180

111

A Wedgwood Pottery vase designed by Keith Murray, shape no.3801, ribbed ovoid form, covered in a matt green glaze, and a Wedgwood Pottery ‘Top Hat’ bowl designed by Keith Murray, printed factory mark, facsimile signature, 15.5cm. high (2)

£120­180

112

A Wedgwood Pottery vase designed by Keith Murray, shape no.4197, ovoid with collar rim, covered in a matt green glaze, another Wedgwood Pottery vase covered in a matt straw glaze and two wall pockets, printed factory marks, facsimile signature, 15.5cm. high (4)

£150­200

113

A Wedgwood Pottery vase designed by Keith Murray, shape no. 4124, footed, flaring form, glazed matt green, another Wedgwood vase glazed matt white another glazed matt yellow and a wall pocket similar, printed factory mark, facsimile signature, hairline to main vase, 21cm. high (4)

£150­200

114

A Wedgwood Pottery vase designed by Keith Murray, shape 3805, shouldered form covered in a matt green glaze, printed factory mark, facsimile signature, 28.5cm. high

£200­300

115

A Wedgwood Pottery vase designed by Keith Murray, shape no. 3805, shouldered, ribbed form, covered in a Matt Green glaze, printed factory marks, facsimile signature, 29cm. high

£200­300

116

vase

£150­200

117

A Wedgwood Pottery vase designed by Keith Murray, shape no. 3820, swollen, shouldered form, covered in a matt green glaze, printed factory mark, facsimile signature, 17cm. high

£200­300

118

Provenance

20th Century Decorative Arts, Bonhams, May 2004 lot 513.

£200­300

A Wedgwood Pottery

designed by Keith Murray, ribbed, ovoid form, covered in a matt green glaze, printed factory mark, facsimile signature, 19cm. high

A Wedgwood Pottery vase designed by Keith Murray, shape no. 3805, shouldered, ribbed form covered in a matt green glaze, printed factory mark, facsimile signature, 28cm. high

119

A Wedgwood Pottery vase designed by Keith Murray, shape 4326, ovoid ribbed form, covered in a matt yellow glaze, printed factory mark KM monogram, 12.5cm. high

Provenance

Appleby Antiques, 2001.

Literature

Andrew Casey, 20th Century Ceramic Designers in Britain, ACC Books, page 210 figure 233 for a comparable example in matt white Moonstone.

£120­180

120

A Wedgwood Pottery vase designed by Keith Murray, shape no.3801, ovoid ribbed form, covered in a matt yellow glaze, and another Wedgwood Pottery vase designed by Keith Murray, printed factory mark, KM monogram, second vase restored, 15.5cm. high (2)

£120­180

121

A rare Wedgwood Pottery vase designed by Keith Murray, shape 3802, ribbed ovoid form with collar neck, covered with a champagne glaze over white, printed factory mark, facsimile signature, star crack to base, 22cm. high

£150­200

122

A Wedgwood Pottery vase designed by Keith Murray, ribbed ovoid form with collar neck, covered in a Matt Green glaze, and another Wedgwood Pottery vase designed by Keith Murray, printed factory marks, facsimile signature, both restored, 18cm. high (2)

£150­200

123

A Wedgwood Pottery vase designed by Keith Murray, flaring bucket form, covered in a matt straw glaze, printed factory mark, km monogram, 23cm. high

£150­250

124

A Wedgwood Pottery vase designed by Keith Murray, shape no. 3991, footed form, with vertical ribs, glazed matt straw, printed factory mark, km monogram,minor professional restoration to foot rim, 23cm. high

£120­180

125

A Wedgwood Pottery bowl designed by Keith Murray, shape no 3753, footed, flaring form, covered in a matt straw glaze, another Wedgwood Pottery larger bowl, a powder bowl and cover and a tea cup and saucer designed by Keith Murray, printed factory marks, larger bowl restored 10.5cm. high (smaller bowl), (6)

£120­180

126

‘Polar Bear’ a Wedgwood Pottery figure designed by John Skeaping, covered in a matt white glaze, another Wedgwood ‘Duiker Standing’, and ‘Duiker Lying’ figures, a ‘Bison’ figure all designed by John Skeaping and glazed matt white, and a Wedgewood figure of a standing shire horse, printed and impressed marks, Bison figure damaged, 25cm. wide (polar bear), (5)

Literature

Maureen Batkin, Wedgwood Pottery, 1846­1959, Richard Dennis Publications, page 188 these figure designs illustrated.

£150­200

127

‘Tiger and Buck’ a Wedgwood Pottery figure designed by John Skeaping, glazed straw yellow, impressed factory marks, restored base, 33.5cm. wide

Literature

Maureen Batkin, Wedgwood Ceramics 1846­1959, Richard Dennis Publications, page 188 plate 464 this model illustrated.

£120­180

128

‘Fallow Deer’ a Wedgwood Pottery figure designed by John Skeaping, covered in a celadon glaze, impressed factory marks and J Skeaping, 18cm. high

£120­180

129

‘Buffalo’ a rare Wedgwood Pottery black basalt figure designed by John Skeaping, modelled standing on rectangular base, impressed factory marks, J Skeaping, 22cm. wide.

Literature

Maureen Batkin, Wedgwood Ceramics 1846­1959, Richard Dennis Publications, page 188 plate XLVIII for this model glazed by Norman Wilson in tan and grey.

£120­180

130

A Wedgwood Pottery lustre Malfrey pot designed by Daisy Makeig­Jones, printed and painted in colours and gilt with shoals of fish, on a mottled blue ground, and a pedestal bowl in the same pattern decorated with fish, printed factory marks, 19cm. high, (2)

£150­250

131

A Wedgwood Pottery Dragon lustre bowl designed by Daisy Makeig­Jones, pattern no. Z.4829, printed in gilt with Chinese dragons on a pale blue lustre ground, the interior with dragons on a pearl lustre printed and painted factory marks, 22.5cm. diam.

£200­300

132

A Wedgwood Pottery Dragon lustre Octagon bowl designed by Daisy Makeig­Jones, pattern no. Z4831, printed with Chinese dragons in gilt on a dark green ground, the interior with a roundel of fruit in colours and gilt on a pearl lustre ground, and another Wedgwood Pottery Dragon lustre bowl printed and painted factory marks, 15.8cm. diam. (2)

£150­250

133

A Wedgwood Pottery Dragon lustre bowl designed by Daisy Makeig­Jones, pattern no.Z4831, printed in gilt with Chinese dragons on a green lustre ground to the exterior, the interior well a gilt dragon on pearl lustre ground, two smaller Wedgwood Pottery Dragon lustre circular bowls and a small Octagonal bowl, printed and painted factory marks, 13cm. diam. (4)

£150­250

134

A Wedgwood Pottery Dragon lustre bowl designed by Daisy Makeig­Jones, printed and painted in colours and gilt, with ferocious Chinese dragons on a mottled blue ground, the interior printed in gilt with a dragon, on pearl ground, a pair of Wedgwood Pottery lustre bowls printed with Chinese dogs of Fo and cranes, and another Wedgwood Pottery lustre bowl decorated with fruit to the interior, the exterior with gilt dragons, printed factory mark, 13.8cm. diam. (4)

£200­300

135

A Wedgwood Pottery Butterfly lustre bowl designed by Daisy Makeig­Jones, pattern Z.4827, octagonal form, printed with butterflies to the exterior in gilt on a mottled red lustre ground, the interior with butterflies in colours and gilt on a pearl lustre ground, a smaller octagonal Butterfly lustre bowl, and two smaller Butterfly lustre round bowls, printed and painted marks, 16.5cm. diam. (4)

£200­300

136

A Wedgwood Pottery Butterfly lustre bowl designed by Daisy Makeig­Jones, pattern Z4832, the exterior printed and painted with butterflies, in colours and gilt on a mottled pearl lustre ground, with gilt Greek key borders, the interior orange lustre, printed and painted marks, 26.5cm. diam.

£200­300

137

A Wedgwood Pottery Hummingbird lustre vase designed by Daisy Makeig­Jones, pattern no.Z5294, footed, flaring cylindrical form, printed and painted with exotic birds in colours and gilt on a mottled royal blue lustre ground, the interior mottled orange lustre, printed and painted factory marks, 18cm. high

£150­250

138

A pair of Wedgwood Pottery Dragon lustre vases designed by Daisy Makeig­Jones, pattern no.Z4831, footed, trumpet form, printed in gilt with Chinese dragon on a mottled green ground, printed and painted factory marks, 24.5cm. high, (2)

£300­500

139

A Wedgwood Pottery Dragon lustre Antique bowl designed by Daisy Makeig­Jones, printed and painted in colours and gilt on a mottled blue lustre ground, the interior with Chinese dragons on a pearl lustre ground, printed factory mark, 22cm. diam, 14cm. high

£200­400

140

‘Castle on a Road’ a Wedgwood Pottery Fairyland lustre Octagon bowl designed by Daisy MakeigJones, pattern no. Z5128, printed and painted in colours and gilt to the exterior blue ground, the interior ‘Fairy in a Cage’ on a pearl lustre ground, printed and painted in colours and gilt 22.5cm. diam.

£1,000­2,000

141

‘Moonlight Fairyland’ a Wedgwood Pottery Fairyland lustre Octagon bowl designed by Daisy Makeig­Jones, pattern no.Z.5462, printed and painted in colours and gilt on a royal blue lustre ground, the interior ‘Jumping Faun’ pattern printed and painted factory marks, bowl rivetted, 20cm. diam.

Literature

Una des Fontaines, Wedgwood Fairyland Lustre Sotheby Parke Bernet, page 218 this design discussed.

£400­500

142

‘Castle on a Road’ a Wedgwood Fairyland lustre Octagon bowl designed by Daisy Makeig­Jones, pattern no. Z5128, printed and painted in colours and gilt to the exterior on a blue lustre ground, the interior ‘Fairy in a Cage’ on a pearl lustre ground, printed and painted factory marks, 22.5cm. diam.

Literature

Una des Fontaines, Wedgwood Fairyland Lustre, Sotheby Parke Bernet, page 134 plate 27 for a comparable bowl illustrated.

£1,000­2,000

143

‘Woodland Elves III’ a Wedgwood Pottery Fairyland lustre Imperial bowl designed by Daisy Makeig­Jones, pattern no.Z.5481, printed and painted in colours and gilt on an orange flame lustre ground, printed and painted factory marks, 23.5cm. diam.

£1,200­1,800

144

‘Moonlight Fairyland’ a Wedgwood Pottery Fairyland lustre Melba Centre bowl designed by Daisy Makeig­Jones, pattern no.Z.5462, printed and painted in colours and gilt on a royal blue lustre ground, the interior ‘Jumping Faun’ pattern printed and painted factory marks, bowl rivetted, 20cm. diam.

Literature

Una des Fontaines, Wedgwood Fairyland Lustre Sotheby Parke Bernet, page 218 this design discussed.

£1,500­2,500

145

‘Butterfly Woman’ a pair of Wedgwood Pottery Fairyland lustre vases designed by Daisy Makeig­Jones, patten no.Z4968, printed and painted in colours and gilt on a black lustre ground, the interior pearl lustre printed and painted factory marks, 20cm. high (2)

Literature

Una des Fontaines, Wedgwood Fairyland Lustre, Sotheby Parke Bernet, page 146 plate 30 for a comparable example illustrated.

£1,500­2,500

146

‘Tree Serpent’ a Wedgwood Fairyland lustre vase designed by Daisy Makeig­Jones, pattern Z4968, shouldered form shape no.3150, painted in colours on a flame ground, highlighted in gilt, printed and painted marks, 30cm. high

Literature

Una des Fontaines Wedgwood Fairyland Lustre, Sotheby Park Bernet, page 199 plate 44 for a comparable vase illustrated.

£3,000­5,000

147 both sides

CONTINENTAL CERAMICS

147

A Boch Freres Keramis vase designed by Charles Catteau, model no. D.943, swollen cylindrical form with flaring rim, enamelled with deer grazing and resting, in shades of black, blue and turquoise on a crackled white ground, printed and painted marks, 30.5cm. high

Literature

Alastair Duncan Art Deco Complete, Thames & Hudson, page 209 for comparable vases illustrated.

£300­500

148

A Boch Freres Modernist vase, model no. 1346, ovoid with flaring neck, on stepped foot, applied with stepped, lugged handles, impressed and printed factory marks, small frit chips to base rim, 33cm. high

£150­250

149

Haniroff

Pierrot standing

A large Goldscheider Pottery model, glazed in colours signed in the cast, printed factory marks, professionally restored 71cm. high

£500­800

GLASS

150

Sir Laurence Whistler CBE (1912­2000) an early rare glass decanter and stopper and six glasses, dated 1938, made as a wedding present for Eve & Christopher Hassall from Jill & Laurence Whistler, smoked grey glass, the decanter diamond point engraved with columns of stylised bell flowers, an oval cartouche inscribed Eve and Christopher Hassall for December the 28th 1938 from Jill and Laurence Whistler, the stopper with radiating star and central H, the six footed glasses each with a different classical border to the top rim and foliate scrolling monogram, 23.5cm. high (decanter and stopper) 8cm. high (glasses), (8)

Provenance

The son of the illustrator John Hassall, and brother of Joan Hassall, Christopher Hassall was a recognised actor, dramatist and poet. He formed a successful musical partnership with Ivor Novello whom he originally worked with in a touring company. This early decanter set was made for the wedding of Eve & Christopher in 1938 when Laurence was only twenty six years old.

£1,500­2,000

151

A tall Powell Whitefriars glass vase by James Powell, flaring cylindrical form, cut with wavy bands of disc and line, unsigned, 24.5cm. high

Literature

Lesley Jackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 129 plate 126 for an identical vase.

Provenance

Jeanette Hayhurst Fine Glass, 1997.

Exhibited

Whitefriars Glass, Manchester Museum & Art Gallery, (Brian Cargin & Chris Morley Manchester loan).

£150­200

152

A small Powell Whitefriars glass vase by James Powell, flaring cylindrical form, cut with wavy bands of disc and line, unsigned, collection loan sticker, 15cm. high

Literature

Lesley Jackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 129 plate 126 for an identical vase.

Provenance

Jeanette Hayhurst Fine Glass, 1997. Exhibited Whitefriars Glass, Manchester Museum & Art Gallery, (Brian Cargin & Chris Morley Manchester loan).

£150­200

153

A Powell Whitefriars Roman glass vase designed by Harry Powell, flint glass with cut panel of decoration unsigned 20.5cm. high

Literature

Lesley Jackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 103 plate 29 for an identical vase illustrated.

£150­250

154

A Whitefriars Sapphire glass bowl designed by Barnaby Powell, flaring low bowl cut with discs, on cylindrical foot, unsigned 25.5cm. diam.

Literature

Lesley Jackson Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications, page 127 plate 122 for a comparable bowl in amber glass.

Provenance

The Country Seat, 2004.

£150­200

155

A Gray Stan vase designed by Elizabeth Graydon­Stannus, tall tapering form, mottled blue and white, cased in clear, with applied long black handles, etched Gray-Stan mark, paper collection label, 37.5cm. high

Provenance

Centuries of Glass, Fieldings Auctioneer’s, 7th March 2015, lot 863.

The Paul Kettle Collection. David and Theresa Latham

£100­150

156

A Leune enamelled glass vase, tapering cylindrical form, enamelled with blue geometric flowers, enamelled in blue and black on a yellow glass, enamelled Leune signature to side, 29.5cm. high

£150­200

157

A Legras enamelled glass vase, shouldered form, cast in low relief with geometric panels enamelled aubergine, the glass mottled white, yellow and pink, painted Legras signature, 12cm. high

£150­200

158

A Legras enamelled glass vase, shouldered, tapering form, cast in low relief and enamelled with stylised flower motif, in aubergine on a mottled white and yellow glass cameo Legras signature to side, 16cm. high

£150­200

159

An Art Nouveau Daum Nancy cameo glass vase, swollen triangular section with pulled rim, on circular foot, mottled yellow and red glass graduating to blue, cased in green, decorated to each side with a forest landscape, cameo Daum Nancy signature, 19cm. high

Provenance

Private collection.

£1,000­1,500

160

A Decorchemont pate de verre glass bowl, pale green glass, the shallow bowl on cylindrical foot, cast in low relief with swag motif, and another Decorchemont twinhandled pate de verre glass vase, cast Decorchemont mark, etched 753 to bowl, chips, 12.7cm. diam, 5.7cm. high, (2)

£400­600

161

A Decorchmont pate de verre glass bowl, mottled blue glass, the shallow, circular bowl on cylindrical foot, cast to the well with a fish and eel roundel, the exterior with radiating geometric columns, impressed Decorchemont mark, etched A 550, small nick to foot rim, 19.5cm. diam, 7cm. high

£600­800

157

158

156

159

LALIQUE GLASS

162

A modern Daum glass model of a puppy playing with a ball, a modern Lalique black glass model of a mouse and a Lalique pink glass model of a butterfly, etched marks, 9cm wide (puppy), (3)

£150­200

163

‘Sanglier’ no.1157 a modern Lalique clear and frosted glass figure originally designed by Rene Lalique, etched Lalique France to base rim, small frit to ear, 8.4cm. wide

£120­180

164

‘Taureau’ no. 1194 a Lalique clear and frosted glass paperweight designed by Rene Lalique, stencil R Lalique France, 12.5cm. wide

£300­500

165

‘Tete de Paon’ no.1140 a modern Lalique blue glass mascot originally designed by Rene Lalique, with metal mount, etched Lalique France to side, 18cm. high

£200­300

166

‘Meudon (Dahlias)’ no.61 a Lalique powder box and cover designed by Rene Lalique, with blue staining, cover cast signature R Lalique, 8.3cm. wide. (2)

£250­300

167

‘L’Origan’ a Lalique clear glass box and cover designed by Rene Lalique for Coty, with sepia staining, cast Lalique France and Coty to base, 8.7cm. diam. (2)

£250­300

168

‘Zigane’ a Lalique clear and frosted glass scent bottle and stopper designed by Rene Lalique, made for Corday, Paris, cast R Lalique French Bottle to base, 11.4cm. high

£250­300

169

‘Epines’ Flacon no.4 a Lalique glass bottle and stopper designed by Rene Lalique, with pink staining, cast mark R Lalique, 8.5cm. high (2)

£250­300

170

‘Squirrel’ a modern Lalique clear and frosted glass figure, etched Lalique France 16cm. high

£120­180

171

‘Taureau’ a modern Lalique clear and frosted glass paperweight originally designed by Rene Lalique, and a Lalique model of a bull similar, etched Lalique France, 12.5cm. wide, (2)

£250­300

172

‘Cactus’ model no.5291 a Lalique enamelled glass decanter and stopper designed by Rene Lalique, clear glass, the stopper modelled as a cactus with enamelled black dots, stencil R Lalique France mark, 21cm. high (2)

£150­200

173

‘Anemone Ouvert’ two Lalique clear and frosted glass flowers originally designed by Rene Lalique, with black enamelled decoration, and a frosted glass bird table decoration, stencilled Lalique France to flower stems, 10cm. wide, (3)

£150­200

174

‘Graines D’Asperges’ no.3220 a Lalique opalescent glass bowl designed by Rene Lalique, cast R Lalique and incised no.3220, 24cm. diam.

£120­180

175

‘Fleurons’ No.3314 a Lalique clear glass bowl designed by Rene Lalique, a ‘Lalique’ glass display sign, a Lalique clear and frosted glass urn vase, a small Lalique perfume bottle and stopper for Nina Ricci and another small Lalique Cristal frosted glass vase, stencil R Lalique France to bowl, 23.5cm. diam. (5)

£120­180

176

‘Ete Surtout Quatre Saisons’ no.840 a Lalique clear and frosted glass figure, etched R Lalique France, 19cm. high £200­300

177

‘Chrysis’ a modern Lalique frosted glass figure, originally designed by Rene Lalique, etched Lalique France and retail sticker to base, 13.7cm. high £120­180

178

‘Chrysis’ no. 1183 a modern Lalique opalescent glass figure, on circular base, etched Lalique France and no.27 to base, 13.4cm. high £300­500

179

‘Coq Nain’ no.1135 a clear and frosted glass figure originally designed by Rene Lalique, stencilled Lalique France to base, 21cm. high

£150­250

180

‘Hirondelle’ No.1143 a modern Lalique clear and frosted glass book end originally designed by Rene Lalique, modelled as a swallow, etched Lalique France, 15.5cm. high

£150­250

181

‘Tete D’Aigle’ no.1138 a Lalique clear and frosted glass figure designed by Rene Lalique, cast R Lalique to side of head, 11cm. high

£800­1,200

181

182

‘Esterel’ no.941 a Lalique clear and frosted glass vase designed by Rene Lalique, with sepia staining, stencil R Lalique to base, 15.5cm. high £400­600

183

‘Muscat’ no.10­3477 a Lalique opalescent glass lave­raisins designed by Rene Lalique, stencil R Lalique France to base, small frit chip to top rim, 16.4cm. high £300­500

184

‘Gobelet Six Figurines’ no.903 a Lalique clear and frosted glass vase designed by Rene Lalique, with blue staining, cast Lalique signature to one panel, 19.2cm. high £1,200­1,800

186

METALWORK & SCULPTURE

185

A patinated metal Cobra candlestick in the manner of Edgar Brandt, three entwined snakes, twisting around central sconce, unsigned, 26.5cm. high

£300­400

186

A large Art Deco silvered metal compact by CH, circular, the cover cast in low relief with a pair of deer running through stylised flowers and foliage, signed in the cast CH, 15cm. diam.

£120­180

187

A pair of Hagenauer style patinated metal figures, each modelled as a stylised dancer, dancing with a hoop, on flaring metal base, unmarked, 87cm. high (tallest), (2)

£150­250

188

An Art Deco style limestone wall mask, unsigned, 34cm. high

£200­300

‡

189

A Schaub Bust of a Man

a large carved oak bust of an athletic young man, with a towel thrown over his shoulder, signed A Schaub Sculpteur, 82cm. high

£400­600

187

‡ 190

Annibale Gammarelli, attributed The Archery Lesson, verdi gris patinated bronze, signed in the cast A Gammarelli, foundry mark, LN JL Paris, 47.5cm. high £800­1,200

191

Josef Lorenzl (1892­1950)

Bat Girl

patinated bronze on domed base, mounted on veined marble base signed Lorenzl to domed base 26.5cm. high

£800­1,200

λ 192

Josef Lorenzl (1892­1950)

Lady with a Riding Crop, patinated bronze and ivory figure, on green onyx base signed R Lor in the bronze cast 23.5cm. high

Ivory declaration reference 15JWPZTQ

£300­500

193

Hagenauer

Bust of a Woman, patinated bronze with applied brass earrings, on chromed metal base, and a silvered metal car mascot of a crouching figure by J R Emerson, stamped marks, 12cm. high (2)

£120­180

194

Szoke

Dancer

patinated bronze model of a nude female dancer on her toes, arms raised, in the manner of Josef Lorenzl, on an oval red marble base signed Szoke to base, 30.5cm. high

£300­500

195

Pierre Le Faguays (1892­1962)

Classical maidens

patinated bronze table lamp, on pink veined marble base, inlaid with black and gilt chequerboard band, holding up a veined green onyx shade incised Le Faguays to marble

41.5cm. high (including base).

£4,000­6,000

22cm.

£800­1,200

£400­600

196

Claire Jeanne Roberte Colinet (1880­1950) Egyptian Dancer, gilt patinated Art Nouveau bronze of a woman standing, balanced on one leg, in exotic headdress and flowing skirt, with cold painted jewels, on later veined black marble base unsigned

high (figure)

197

Franz Xavier Bergman (1861­1931) Salome with the Head of John the Baptist, patinated bronze, on green veined marble base signed in the cast Nam Greb, 45cm. high

£500

37.8cm.

47.5cm. high (total height)

Literature Alberto Shayo Statuettes of the Art Deco Period, ACC Books, page 232 for a comparable bronze and ivory example of this figure illustrated.

£2,500­3,500

198 Max Le Verrier (1891­1973) Exotic Dancer patinated bronze, on green veined marble base signed in the cast M Le Verrier, 55cm. high

800 198

199 Bruno Zach (1891­1945) Young Woman in Chemise and Garters, cold­painted bronze on marble base signed in the cast and foundry mark,

high (bronze)

DODO BURGNER

‡ 200

Dorte Clara Dodo Burgner (1907­1998)

Watching from the Box, The Performance red ink on paper, mounted signed Dodo in red ink and annotated, 32 x 22.5cm.

£120­180

‡ 201

Dorte Clara Dodo Burgner (1907­1998)

Die Hauptnumer (The Main Number) red ink on paper, mounted unsigned 31 x 22cm. (image)

Catalogue notes

The Main Number depicts a pair of acrobats balancing, the lady wearing a costume reminiscent of Josephine Baker’s infamous Banana Dance costume.

£120­180

‡ 202

Dorte Clara Dodo Burgner (1907­1998)

Portrait of a Dancer, pencil on paper, mounted unsigned 32.5 x 21.5cm. (image)

£120­180

‡ 203

Dorte Clara Dodo Burgner (1907­1998)

The Actor’s Address ink on paper, mounted unsigned but annotated in ink 30 x 22cm. (image)

£120­180

‡ 204

Dorte Clara Dodo Burgner (1907­1998)

Woodland Sprite, watercolour on paper, mounted unsigned, 33 x 25.5cm. (image)

£300­400

‡ 205

Dorte Clara Dodo Burgner (1907­1998)

Der Backfisch, (Lady in a Blue Dress) gouache on paper, signed Wolff 29.5 x 23cm.

Catalogue notes

This early work, signed Wolff her maiden name translates as The Back Fish.

£200­300

Dorte Clara Dodo Burgner (1907­1998)

The Warmth of the Fire watercolour and highlighted with white, on card signed Dodo top left corner, studio stamps to reverse 40.5 x 30cm. £4,000­6,000

‡ 207

£200­300

‡

£300­400

Dorte Clara Dodo Burgner (1907­1998) Promenading on a Rainy Day pencil on paper, mounted unsigned, numbered 25.IV.24 25 x 18cm (image)

208

Dorte Clara Dodo Burgner (1907­1998) The New Gown pen and ink on paper possibly an illustration for Ulk magazine, mounted signed Dodo Wolff to reverse, 23 x 19cm.

‡ 209

Dorte Clara Dodo Burgner (1907­1998)

Faces watercolour on paper, mounted unsigned, 28 x 22.5cm. £500­800

FURNITURE

210

Thomas Cibort

Coupes de Paris, 2003 (after Geo Ham) a modern acrylic on canvas of a stylised motor racing driver advertising the Autodrome de Montlhery, 5,6,7 May 1939, framed Signed Thos Cibort 5.9.MMIII 111 x 86cm.

£200­400

211

A Harrod’s London ebonised wood cocktail drinks trolley, rectangular section, the top two hinged doors which open and raise a fitted compartment, painted white, on castors, applied label 77cm. high, 42cm wide.

£120­180

212

An English walnut laminate cocktail cabinet in the manner of Harry and Lou Epstein, central two door compartment, flanked by fitted side cupboards, with central fall­front drinks compartment with peach tinted mirrored glass lining, with matched cut­glass glasses, unsigned

192cm. high 62 x 99cm.

£400­600

213

A modern chromed metal and glass E1027 adjustable table, originally designed by Eileen Gray, unsigned 76cm. high

£120­180

214

An Art Deco bird’s eye maple occasional table, round on rectangular legs with low cross stretcher, unsigned, 55cm. high, 74cm. diam.

£120­180

215

A pair of Rowley Gallery Anglo­Chinese oak tables, rectangular top with stepped under rail, on square legs, one with inset leather top, applied label, 182 x 60cm.

77cm. high (2)

£200­300

216

A pair of George VI Coronation stools, 1937, limed oak with blue velvet padded seat and gold braiding, impressed inscription to base, 48cm. high

46.5cm wide (2)

£400­600

217

A limed oak dressing table in the manner of Heals, asymmetric form, tall single cupboard and shorter two drawer pedestal, flanking central glass shelf, below a central mirror, on later castors, unsigned, 98cm. wide

159cm. wide.

£150­250

DESIGN DOULTON STONEWARE

218

A Doulton Lambeth stoneware vase by George Tinworth and Bessie Newberry, ovoid with flaring top rim, incised and painted with scrolling seaweed design in blue, with applied white beadwork details, on a white scrolling slip and buff ground, the neck with stiff­leaf border, impressed factory mark, incised GT monogram to side and BN to base, 20cm. high

£200­300

219

A Royal Doulton stoneware vase by George Tinworth, baluster form, incised and applied with scrolling seaweed design, in shades of brown, blue and green impressed factory marks, incised GT monogram to side, restored foot rim, 23cm. high

£150­200

220

A pair of Doulton Lambeth stoneware vases by Frank Butler, shouldered form decorated with applied florets and beadwork forming panels in blue, white and ochre, impressed factory mark, incised monogram, restored top rim to one, 27.5cm. high (2)

£400­600

221

A Doulton Lambeth stoneware jug by Edith Lupton, dated 1875, tapering cylindrical form, incised and applied with stylised flower motif, glazed green, blue and brown, impressed factory marks, date and incised monogram, 23cm. high

£150­200

222

A pair of Doulton Lambeth stoneware vases by George Hugo Tabor, dated 1883, shouldered form, incised with stylised flower vase panels, in shades of blue, ochre and green on a buff ground, between floret and geometric borders, impressed factory marks, 1883, incised monograms, one restored, 40cm. high (2)

£300­500

223

A pair of Royal Doulton stoneware slender baluster vases by Hannah Barlow, incised with donkeys and goats resting and running, highlighted in white, between Art Nouveau borders, in shades of blue and green on a buff ground, impressed factory mark, incised monograms 34cm. high (2)

£500­800

224

A Doulton Lambeth stoneware beaker by Hannah Barlow, dated 1883, flaring cylindrical form, incised with a Lioness and three cubs between borders in green and blue on a buff ground, impressed and incised marks, restored, 13.5cm. high

£200­300

225

A Doulton Lambeth stoneware baluster vase by Hannah Barlow, incised with a broad band of hounds, between modelled bands, in shades of green, brown and blue on a buff ground, impressed and incised marks, restored top rim, 30.5cm. high

£400­600

223 both sides

228

226

A tall Doulton Lambeth stoneware twinhandled vase by Frank Butler, dated 1884, shouldered form, incised with stylised foliate frieze with applied floret centres, in blue, green and brown , with applied beadwork borders impressed factory mark, incised monogram, 1884 restored neck, 36.5cm. high

£300­500

227

A pair of Art Nouveau Royal Doulton stoneware vases, shouldered form with flaring disc top rim, decorated in low relief with stylised flowers and foliage in shades of blue, green and ochre, with applied white beadwork, impressed factory marks, incised monograms, 36.5cm. high (2)

£150­200

228

An unusual Doulton Lambeth stoneware mantel clock, model no.3676, rectangular section, cast in low relief with scrolling foliage panels in blue, turquoise, aubergine and sand, with circular enamelled dial by J W Benson Old Bond Street, impressed factory mark, 3676, old restoration to corners, 25cm. high

£400­600

229

A pair of Doulton Lambeth Faience ‘Persian’ cylinder vases by LCM, shouldered form, painted with white flower panels in architectural arches, in colours printed and painted factory marks, chips to base rim, 26cm. high (2)

£200­400

230

‘Lord Nelson’ a Royal Doulton stoneware pot and cover, applied with medallions inside rope borders, the rim inscribed England Expects Every Man Will Do His Duty, in green, blue and ochre, and a small Royal Doulton Art Nouveau vase, impressed factory marks, chip to inside of cover rim, 13cm. high (3)

£120­180

231

A tall Art Nouveau Royal Doulton Stoneware vase by Frank Butler and Bessie Newberry, slender, shouldered form, incised with panels of linking foliage in brown, blue and green impressed factory mark, incised monograms, 45cm. high

£300­500

232

A tall Art Nouveau Royal Doulton stoneware vase by Frank Butler, slender, shouldered form, with pushed out and incised scrolling fruit design, in shades of blue, green and ochre, impressed factory mark, incised monogram, restored, 38.5cm. high

£250­300

233

An Aesthetic Movement Doulton Lambeth stoneware vase by Eliza Simmance, dated 1887, incised and modelled with panels of splitting pomegranate fruit, in green and sand on a textured buff ground, with applied white beadwork borders and thin band of painted flowers to shoulder, impressed factory mark, 1887, incised monogram, 25.5cm. high

£300­500

234

An unusual Doulton Lambeth stoneware dish attributed to Hannah Barlow, rectangular, cast in low relief with an alert dog, the rim with incised scrolling foliage border, in shades of green and brown on a buff ground, impressed factory mark and date, incised monograms for Mary Ann Thomson and GB, restored, 13cm. wide

£200­300

235

A Doulton Lambeth stoneware twin­handled cup by Hannah Barlow, cylindrical form with applied handles, incised with ducks on a riverbank, in black on a buff ground, with metal rim, impressed factory mark, incised monogram, restored, 18.5cm. high

£200­300

236

A pair of Doulton Lambeth stoneware vases by Hannah Barlow, baluster form, incised with a frieze of grazing sheep in a farm field, between applied floret borders and scrolling foliage borders, in shades of blue and ochre, highlighted in white, with metal mount and tripod mask and scroll feet, marks concealed, 36.5cm. high (2)

£700­1,000

237

A Doulton Lambeth stoneware jug by Florence Barlow and Emily Stormer, pate sur pate decorated with two chickens standing amongst grasses, inside beadwork border on a scrolling foliate ground in green, blue and ochre on a buff ground, impressed factory marks, incised monograms, repaired handle, 24.5cm. high

£150­200

238

A pair of Doulton Lambeth stoneware servers by Hannah Barlow, the stoneware handles incised with sheep grazing and resting. with electroplated bowls, in fitted silk lined case, incised HB monograms, 27cm. long (2)

£300­400

239

‘Standing Bulldog’ HN1043 a Royal Doulton porcelain figure designed by Frederick Daws, painted in colours, and a Rosenthal model of a standing bulldog printed and painted marks, stress crack to Doulton figure, 17.5cm. wide (2)

£120­150

240

A Doulton Lambeth stoneware tyg, cylindrical with applied handles, the body applied with sporting figures of a runner, long jumper and a shot putter, each in tubelined border and flowers, in shades of blue, green and white on a buff ground, with electroplated mount and cover, impressed marks, 19.5cm. high (2)

£120­180

241

‘World’s Columbian Exposition 1893’ a Doulton Lambeth stoneware commemorative jug by Bessie Newberry, cylindrical with swollen base, applied with portrait’s of George Washington and Christopher Columbus flanking the American Eagle, between applied bands of star decoration, in blue and brown on a buff ground, a Doulton Lambeth Queen Victoria 1837­1897 commemorative jug, a Royal Doulton Lambeth Edward VII Coronation jug a Doulton sprigged water­jug and beaker, impressed marks, incised artists marks, 18.5cm. high (Exposition jug), (5)

Literature

Louise Irvine The Doulton Lambeth Wares, Richard Dennis Publications, page 282 for a comparable World’s Columbian Exposition jug illustrated.

£120­180

242

A Doulton Lambeth stoneware jug by Florence Barlow, dated 1876, tapering cylindrical form, incised with bands of scrolling foliage between raised borders, in blue on a brown ground, impressed factory mark, incised monogram, 21.5cm. high

£120­180

243

A Doulton Lambeth stoneware lemonade jug by Frank Butler, cylindrical form, incised and applied with a band of scrolling foliage and florets, on geometric slip ground, in shades of green, blue and brown on a buff ground, with electroplated cover and mount, and another Doulton Lambeth stoneware lemonade jug by Kate Davis, incised and applied with florets, impressed marks and incised artists monograms, 26.5cm. high (Frank Butler jug), (2)

£120­180

244

A tall Royal Doulton Chang vase by Charles Noke and Harry Nixon, footed, cylindrical form with inverted rim, covered in a running volcanic glaze, green, yellow and flambe, under a thick white cracked glaze, painted marks and monograms to base, stress hairlines to neck, 43.5cm. high

£1,000­1,500

245

A Pilkington’s Royal Lancastrian Pottery vase, shouldered cylindrical form, cast in low relief with heraldic lion frieze, covered in a matt orange glaze, impressed factory marks, shape 3353, 25cm. high

£120­180

246

A small Della Robbia Pottery bowl by Tom Hall, painted with radiating flower stems in red and green on a turquoise ground, incised factory marks, HSR and painted TH monogram, 12cm. diam.

£120­180

247

‘A Bird in the Hand is Worth Two in the Bush’ a Della Robbia Pottery solifleur vase by Violet, footed, ovoid form with knopped neck, painted with birds perched amongst scrolling foliage, in green, pink and aubergine on a cream ground, painted inscription to neck, painted factory mark and Violet, 21cm. high

£120­180

248

An unusual Bretby Pottery Peacock wall plaque, modelled in relief, glazed in colours impressed marks, restored beak and comb feathers, 38cm. high

£120­180

249

A large Ault Pottery Peacock vase designed by Dr Christopher Dresser, model no.358, modelled in low relief with fifteen tail­feather apertures, glazed green and brown impressed marks, glaze chips, 42cm. high

£300­500

248

245

247

246

250

A graduated set of two Rye Pottery jugs, tapering cylindrical form, each applied with hop band, in green and speckled yellow ground, unsigned, minor damages to tallest jug, 17cm. high (2)

£150­200

251

A Wedgwood Humming Bird Lustre bowl designed by Daisy Makeig­Jones, printed in gilt on a mottled orange lustre interior, the exterior blue lustre, and a Mintons bowl by H Holland decorated with mallards flying, printed and painted factory marks, Wedgwood restored, 28cm. high (2)

£120­180

251

252

A Wedgwood plate by Emile Lessore, fluted form, the well painted with two boys playing with a pond yacht, in colours impressed factory mark, painted signature to front 23cm. diam.

£120­180

253

A large urn shaped vase possibly Wedgwood the design attributed to Frederick Alfred Rhead, decorated with Epoe seated on a throne with classical maidens in attendance, in low relief, painted in colours and highlighted in gilt on a pale grey ground, the swollen lower body with a band of scrolling stylised vine and berry, the foot with a laurel border with blue flowerheads, a James Macintyre & Co bowl designed by William Moorcroft and a Ruskin Pottery lustre bowl, apparently unmarked, restored, 44cm. high (3)

Provenance

The Douglas Johnson collection.

£120­180

254

‘Cabbage Rose’ a large Wemyss Pottery vase, waisted cylindrical form, painted in colours impressed Wemyss & painted yellow Wemyss mark, 29cm. high

£150­200

255

Andrew Hull (born 1966)

The Unfortunate Offspring, 2021 a pair of bird jar and covers, glazed in colours, impressed and painted marks, dated 32cm. high (tallest bird), (4)

£300­500

256

A Moore grotesque spoon warmer, modelled as a scaly toad­like figure, covered in a blue glaze, with applied glass impressed Moore, printed Thomas Goode mark, 20cm. wide

Literature

Aileen Dawson Bernard Moore, Master Potter 1850­1935, Richard Dennis Publications, for a Moore Brothers grotesque listed as Liu Hai’s Toad retailed by Thomas Goode (page 9) and illustrates a similar creature figure 2 page 6.

£150­250

257

A Minton’s Pottery Secessionist large vase designed by Leon Solon and John Wadsworth, shouldered, baluster form, cast in low relief with Art Nouveau flag iris, in shades of blue, turquoise and yellow on a pale pink ground, cast mark, restored base, 49cm. high

£200­400

258

A Minton’s Pottery Secessionist floor vase designed by Leon Solon and John Wadsworth, shouldered, cylindrical form, applied, printed and painted with stylised Art Nouveau flowers in salmon pink, red and green impressed and printed marks, 46.5cm. high

£200­400

255

256

257

STELLA CROFTS

‡ 259

Stella R Crofts (1898­1964) Monkey vase, stoneware, covered in a mottled purple and blue glaze, incised Stella R Crofts, 16.5cm. high

Literature

Paul Hughes, Stella’s Art, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private press, back cover for a comparable example illustrated. This vase design was first exhibited in 1926.

£150­250

‡ 260

Stella R Crofts (1898­1964)

K for Kangaroo a tile, painted in colours unsigned, chips to corners 15.3cm square

Literature

Paul Hughes Stella’s Ark, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private press, page 175 this tile illustrated.

£120­180

‡ 261

Stella R Crofts (1898­1964) Siamese Cat, 1939 stoneware, glazed in colours incised Stella R Crofts, Siamese Cat 1939 to base, professionally restored ears 14.5cm. high

Literature

Paul Hughes, Stella’s Ark. Stella Crofts, Studio Potter, Animal Modeller & Designer, Private Press, page 172 figure J this model illustrated.

£300­400

‡ 262

Stella R Crofts (1898­1964)

Camel & Arab stoneware, glazed in colours incised Stella R Crofts, professional restoration to camel’s neck, 24cm. wide 22.5cm. high

Literature

Paul Hughes, Stella’s Ark, Stella Crofts Studio Potter, Animal Modeller & Designer, Private press, page 96 this example illustrated.

£300­500

‡ 263

Stella R Crofts (1898­1964)

Girl with dogs stoneware, glazed in colours incised Stella R Crofts

19.5cm. high

Literature

Paul Hughes, Stella’s Ark, Stella Croft Studio Potter, Animal Modeller & Designer. page 174 image 0 this figure illustrated.

£200­300

‡ 264

Stella R Crofts (1898­1964)

Lions a stoneware tile plaque, modelled in low relief, incised Stella R Crofts 34 x 18cm.

Literature

Paul Hughes, Stella’s Art, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private Press, page 176 plate H for a comparable plaque, dated to 1936.

£300­400

‡ 265

Stella R Crofts (1898­1964)

Giraffes

a stoneware tile plaque, glazed in colours incised Stella R Crofts 39.5 x 21cm.

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private Press, page 176 plate E this plaque illustrated.

£350­450

267

‡ 266

Stella R Crofts (1898­1964)

Pigeon, 1950

a stoneware figure, painted in colours, with overglaze painted black detail to tail, incised Stella R Crofts (twice) and dated 1950 17.5cm. wide, 13cm. high

£150­200

‡ 267

Stella R Crofts (1898­1964)

Long Eared Owl stoneware, glazed in colours signed Stella R Crofts, ears chipped 15.7cm. high

Literature

Paul Hughes, Stella’s Art, Stella Crofts Studio Potter, Animal Modeller & Designer, Private Press, page 171 figure M.

£250­350

‡ 268

Stella R Crofts (1898­1964)

Erect Giraffes (Giraffe Group), pottery figure, glazed in colours incised Stella R Crofts, original paper label with title 24cm. high

Provenance

Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis, 22nd March 2007 lot 283.

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private Press, page 68 for a comparable example illustrated. this model was used by Royal Worcester for a porcelain figure Giraffes.

£800­1,200

‡ 269

Stella R Crofts (1898­1964)

American Bison stoneware, glazed in colours incised Stella R Crofts England and paper label 18cm. wide 15cm. high

Literature

Paul Hughes, Stella’s Art, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private Press, page 83 for a comparable example, dated 1928.

£400­600

‡ 270

Stella R Crofts (1898­1964)

Ocelot porcelain with back enamels, Stella R Crofts, repaired chip to base rim, 11.5cm. wide.

Literature

Paul Hughes, Stella’s Ark, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private Press, page 110 this example illustrated.

£250­350

‡ 271

Stella R Crofts (1898­1964)

Elephant Lamp base stoneware glazed in colours, on ebonised wood base marks probably concealed, 28cm. high

Literature

Paul Hughes Stella’s Ark, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private press, page 32 for a comparable example. This figure was illustrated in the The Studio Yearbook, 1926 titled Indian Elephants.

£700­900

MOORCROFT POTTERY

272

A James Macintyre & Co tea set designed by William Moorcroft, painted with a frieze of daisy chains in yellow, blue and green on a mauve ground, inside gilt, cream and mushroom bands, comprising teapot and cover, teapot stand, large jug with pewter cover, smaller milk­jug and a sugar basin, printed factory mark, hairline to base of teapot and rim of sugar basin, 11cm. high (teapot), (7)

£120­180

273

‘Anemone’ a James Macintyre & Co side plate designed by William Moorcroft, the rim with a border of flower and foliage in green and blue on a white ground, and a James Macintyre & Co Dura Ware plate, impressed marks, 13.8cm. diam. (2)

£120­180

274

‘Pomegranate’ a Moorcroft Pottery vesta designed by William Moorcroft, tapering form, tubeline decorated in colours, and another James Macintyre vesta designed by William Moorcroft, painted green signature, chip to rim of Pomegranate vesta, Macintyre vesta restored, 7cm. high (2)

£200­300

275

A Moorcroft Pottery solifleur vase designed by William Moorcroft for Liberty & Co, ovoid with tall cylindrical neck and everted top rim, tubeline decorated with anemone flowers in pink, purple and green on a yellow lustre ground, printed Liberty mark, painted green signature, professional restoration to inside of top rim, 21cm. high

£120­180

276

‘Flambe Frilled Orchids’ a Moorcroft Pottery jardiniere designed by William Moorcroft, flaring cylindrical form, painted in colours on a red flambe ground and ‘Eastern Lady’ M.37 an Ashtead Pottery figure designed by Phoebe Stabler, impressed factory marks, tubelined RML mark, repaired, 19.5cm. high (2)

£120­180

277

‘Aurelian Ware’ a James Macintyre & Co vase designed by William Moorcroft, baluster form, printed in gilt with Art Nouveau flower panels on a deep blue ground, ‘Eighteenth Century’ a James Macintyre & Co tyg designed by William Moorcroft and a small Moorcroft Pottery pot printed factory marks, 21cm. high, (3)

£120­180

278

‘Big Poppy’ a Moorcroft Pottery twin­handled vase designed by William Moorcroft, tubeline decorated with flower stems in purple, red and green on a blue ground, impressed marks, painted blue signature, 20cm. high

£300­500

279

‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue and green on a deep blue ground, impressed factory marks, painted green signature, 12cm. high

£200­300

280

‘Anemone’ a rare James Macintyre & Co miniature vase designed by William Moorcroft, shouldered form, tubeline decorated with blue flowers on a pale blue ground, printed factory mark, painted green signature, small chip to inside of foot rim, 7.5cm. high

£300­400

281

‘Landscape’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, tubeline decorated with tall tress in a landscape, painted in blue on a pale blue ground, printed factory mark, painted green signature, old restoration, 18.5cm. high

£200­400

279

280

278

DENNIS CHINA WORKS

282

‘Datura’ a Dennis China Works trial vase designed by Sally Tuffin, dated 2003, tubeline decorated with flowers and a bee in green and cream on a black ground impressed and painted marks, 29.5cm. high

£150­200

283

‘Sea Bream’ a Dennis China Works Trial vase designed by Sally Tuffin, dated 2001, shouldered form, painted in colours impressed and painted marks, 18.5cm. high

£120­180

284

‘Dragonfly’ a Dennis China Works Trial miniature vase designed by Sally Tuffin, dated 2008, painted in colours, and three other miniature vases impressed and painted marks, 6.5cm. high (4)

£120­180

285

‘Carp’ a Dennis China Works Trial preserve pot and cover designed by Sally Tuffin, dated 2005, painted in colours on a pale yellow ground, the cover with modelled leaping fish, and another Dennis China Works Trial ‘Carp’ preserve pot and cover with lustre highlights, impressed and painted factory marks, 15cm. high (4)

£150­250

286

‘Indian Elephant’ a large Dennis China Works Trial pot and cover designed by Sally Tuffin, dated 2002, painted in colours, the cover surmounted with an elephant finial, and another smaller, impressed and painted marks, 15cm. high (4)

£150­250

287

‘Cockerel’ a Dennis China Works limited edition vase designed by Sally Tuffin, dated 2006, shouldered form, tubeline decorated with a standing cockerel in ruby and pink lustre on a cream ground, impressed and painted marks, 19/25, 21.5cm. high

£120­180

288

‘Lustre Butterfly’ a Dennis China Works Trial vase designed by Sally Tuffin, dated 2008, painted by Theresa Blackmore, painted in colours on a graduated green ground, impressed and painted marks, 16.5cm.

high

£120­180

289

‘Polar Bear’ a Dennis China Works Trial preserve pot and saucer designed by Sally Tuffin, dated 2004, cylindrical jar and cover with polar bear finial, the saucer modelled with eight polar bears, in shades of blue, yellow and turquoise, painted marks and signature, 19cm. diam. 13.5cm. high, (3)

£300­500

290

‘Penguin’ a Dennis China Works large pot and cover designed by Sally Tuffin, dated 2000, cylindrical form, tubeline decorated with a colony of penguins, in colours, the cover with a modelled penguin, impressed and painted marks, 16cm. high (2)

£150­200

291

A Dennis China Works Egyptian Trial vase designed by Sally Tuffin, dated 2001, glazed in shades of blue and black on a grey ground, impressed and painted marks, 20cm. high

£120­180

292

‘Tumbling Blocks’ a Dennis China Works Trial vase designed by Buchan Dennis, dated 2011, ovoid with tapering neck, painted in colours impressed and painted marks, 17cm. high

£300­400

292 both sides

289

290

291

293

‘Yesterdays’ a Dennis China Works preserve pot and cover designed by Sally Tuffin, dated 2003, the preserve with tubelined honeycomb design on a blue ground, the finial modelled as a bee, and a Dennis China Works Trial ‘Serpent’ pot and cover, printed and painted factory marks, 10.5cm. high (4)

£120­180

294

‘Owl’ a Dennis China Works preserve pot and cover designed by Sally Tuffin, dated 2004, the cylindrical preserve decorated with autumnal foliage, the cover modelled with a perched owl, and a Dennis China Works Moonlight Hare preserve pot and cover, impressed and painted marks, 17cm. high (4)

£150­250

295

‘Leopard’ a Dennis China Works miniature ovoid vase designed by Sally Tuffin, painted in colours, a Dennis China Works Wren vase, Snow Leopard vase and Ladybird vase similar, impressed and painted marks, 5cm. high (4)

£120­180

296

‘Cockerel’ a Dennis China Works Natural Bottle vase designed by Sally Tuffin, dated 2002, painted in colours, and a Dennis China Works Grape vase and a Foxglove vase, impressed and painted marks, 12cm. high (3)

£120­180

297

‘Hummingbird and Hibiscus’ a Dennis China Works Collect It preserve pot and cover designed by Sally Tuffin, dated 2004, painted in colours, a Dennis China Works Primrose preserve and cover and a Trial fish pot and cover impressed and painted marks, 9cm. high (6)

£120­180

298

A Richard Parkinson Pottery dish designed by Susan Parkinson, elliptical form, resist decorated with two fish, in blue­grey on a white ground, another similar decorated with two figures, and two Richard Parkinson Pottery bottle stoppers one modelled as a fish the other a French Gendarme originally designed by Guy Neale, main dish impressed marks, 21.5cm. wide (4)

Literature

Carol Cashmore & Tim Smith­Vincent Susan Parkinson and the Richard Parkinson Pottery, private press, page 62 and 63 for comparable bottle stoppers illustrated.

£120­180

‡ 299

Clive Soord

Polar Bear on a Glacier, porcelain, glazed incised mark to base, 15cm. high

£100­200

300

Roger Cockram (born 1947)

Fish

a hard­paste porcelain vase, elliptical form with pierced columns, painted with a large tropical fish, in colours, highlighted in gilt, impressed seal marks and incised signature, 36.5cm. high

Provenance

Roger Cockram Tropical Gold, an exhibition of ten pieces at Bonhams, 2010.

£250­350

301

‘Monaco’ a Midwinter Modern shape tea for two set designed by Jessie Tait, printed in black, comprising; teapot and cover, milk­jug and sugar basin, two cups, saucers and a cake plate, and a Midwinter ‘Monaco’ pattern coffee set for six designed by Jessie Tait, comprising; coffee pot and cover, milk­jug and sugar basin, six cups and saucers, printed factory marks, 13cm. high (teapot), (25)

£120­180

302

‘Lord Kitchener’ a Carter’s of Poole portrait tile after the portrait by Bassano, dated Nov.1914, modelled in low relief and glazed in sepia, a Carter’s tile ‘Guildhall’ from the Dorset Views range designed by Bernard Charles, a Poole Pottery small owl designed by Barbara Linley Adams and a small collection of Poole Pottery, impressed marks to portrait tile, 14.8 x 10.6cm. (13)

Provenance

Cottee’s auctioneer’s 5th October 1999, lot 361 (Kitchener tile).

The Redstone Collection

Literature

Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 23 for a comparable Kitchener tile glazed blue.

£80­120

303

A Troika Pottery Wheel lamp base, round, cast in low relief with geometric panels in blue, tan and cream, painted factory marks and artist cipher, 21cm. high

£120­180

304

A Troika Pottery Wheel lamp base by Louise Jinks, cast in low relief with geometric panels, glazed blue, brown and buff painted marks LJ monogram, 27cm. high

£150­200

305

A Troika Pottery Double Base vase by Ann Lewis, shouldered form, cast in low relief with geometric panels in shades of blue and buff, painted factory marks, artist cipher, professional restoration to top rim, 35.5cm. high

£150­200

306

A Troika Pottery Double Base lamp base, modelled in low relief with geometric panels, glazed in shades of green, brown and cream painted marks AW monogram, small chip to side, 36cm. high

£150­250

THE FOON TSE COLLECTION OF POOLE POTTERY FREEFORM AND CONTEMPORARY WARE

307

‘Poole Pottery The First Hundred Years’ an advertising book, printed by Broglia Press, 1973, ‘A Potter’s Life’ a signed limited edition book by Guy Sydenham, ‘The Poole Potteries’ by Jennifer Hawkins and two Poole catalogues, (5)

£120­180

308

A Poole Pottery Contemporary charger designed by Alfred Read, pattern X/PRP, shape 920, footed form, painted in red and white on a grey band, printed and painted marks, 32cm. diam.

£120­180

309

A pair of Poole Pottery Contemporary vases designed by Alfred Read, shape 716, covered in a black panther glaze, printed factory marks, 20.5cm. high, (2)

£120­180

310

A Poole Pottery Contemporary vase designed by Alfred Read, pattern PKC, shape no.708, painted with yellow and white hatching on white and grey columns, printed and painted marks, 32cm. high

£150­200

311

A Poole Pottery Contemporary lamp base designed by Alfred Read, pattern X/PRP, shape 708A, painted with red and white arc lines on a wide grey band, printed and painted marks, 32cm. high

£120­180

312

A Poole Pottery Contemporary lamp base designed by Alfred Read, pattern X/PKT, shape no.698A, painted with columns of hatching in red and blue on ice green and white columns, printed and painted marks, 38.5cm. high

£150­200

313

A Poole Pottery Contemporary Carafe vase designed by Alfred Read, pattern X/PRP, shape 697, painted in shades of red and white on a grey band, and another Poole Pottery Contemporary Carafe vase pattern, X/PRB printed and painted marks, 26.5cm. high, (2)

£150­200

314

A Poole Pottery Contemporary vase designed by Alfred Read and Guy Sydenham, pattern HYL, shape 726, waisted cylindrical form, painted with stylised rope bands in green, yellow and red, printed factory mark, impressed shape number, 20.5cm. high

Literature

Leslie Hayward and Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 108 for this pattern illustrated,

£150­200

315

A Poole Pottery Contemporary vase designed by Alfred Read, pattern FSU, shape 725, painted with butterfly motif, in purple and red, printed and painted marks, 19.5cm. high

£120­180

316

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/HYL, shape 725, waisted, flaring cylindrical form, painted with stylised robe bands in yellow, green and rust­red, printed and painted marks, 19.5cm. high

£120­180

317

A Poole Pottery Contemporary vase designed by Alfred Read and Guy Sydenham, pattern X/PY, shape 700, the twin aperture vase painted with Totem design in red, turquoise and yellow, printed and painted marks, 31cm. wide.

£200­300

318

A Poole Pottery Contemporary vase, pattern X/PY, the twin aperture vase painted with Totem design in red, turquoise and yellow, printed and painted marks, 31cm. wide.

£200­300

319

A Poole Pottery Contemporary vase designed by Alfred Read and Guy Sydenham, pattern X/FST, shape 700, two aperture vase, painted with mintgreen and black butterfly motif, printed and painted marks, 31cm. wide.

£150­200

320

A pair of Poole Pottery Contemporary vases designed by Alfred Read, pattern X/PV, painted with red and blue elliptical motif, on an Alpine white ground, printed and painted marks, chip to base of one, 18.5cm. high

£150­250

321

323

A Poole Pottery Contemporary vase designed by Alfred Read, shape 716, covered in a lime yellow glaze, and another Poole Pottery Contemporary vase, shape 595, printed factory marks, 20cm. high, (2)

£120­180

322

A pair of Poole Pottery Contemporary vases designed by Alfred Read, shape 714, covered in a lime yellow glaze, and another Poole Pottery Contemporary vase, covered in an alpine white glaze, printed factory mark, 19.5cm. high, (3)

£150­200

323

A Poole Pottery Contemporary vase designed by Alfred Read, shape 719, waisted cylindrical form. covered in a mottled matt white and light grey glaze, and a Poole Pottery Carafe vase glazed matt mushroom, printed factory mark, star-crack ot base to main vase, 31.5cm. high, (2)

£120­180

324

A Poole Pottery Contemporary vase designed by Alfred Read, shape no. 715, covered in an Ice Green glaze, and another Poole Pottery vase shape 716 glazed Ice Green, printed and impressed marks, 25.5cm. high (2)

£120­180

325

A rare Poole Pottery Freeform vase designed by Alfred Read and Guy Sydenham, shape no.724, waisted cylindrical form with flared asymmetrical top rim, glazed Ice Green, the interior Alpine white, printed factory mark, 36cm. high

Literature

Leslie Hayward & Paul Atterbury, Poole Pottery, Richard Dennis Publications, page 104 for an identical example.

£150­250

326

A Poole Pottery Contemporary vase designed by Alfred Read, shouldered cylindrical form, covered in a ice green glaze over alpine white, two graduated Poole Pottery jardinieres in ice green, and a Poole Pottery Contemporary vase shape 443, glazed terracotta printed factory marks, 23cm. high, (4)

£150­200

327

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PKC, shape 704, footed, swollen cylindrical form painted with hatched columns in shades of grey, alpine white and yellow, printed and painted marks, 27cm. high

£120­180

‡ 328

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PKT, shape 704, footed, swollen cylindrical form, painted in shades of Ice Green, Alpine White, pink and grey, printed and painted marks, 27cm. high

£120­180

329

A Poole Pottery Contemporary lamp base designed by Alfred Read, X/PKT, shape no.708A, shouldered cylindrical form, painted with columns of cross­hatch in red and grey on alternating Alpine white and Ice Green glaze, printed and painted factory marks, 32.5cm. high

£120­180

330

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PKT, shape no. 700, painted with red and grey hatching over ice green and white columns, printed and painted marks, 27.5cm. high

£150­200

331

A Poole Pottery Contemporary carafe vase designed by Alfred Read, pattern X/PKT, shape269, ovoid with tapering neck, painted in shades of ice green, red and grey, and two smaller Carafe vases one glazed Ice Green the other Black Panther, printed and painted marks, 26.5cm. high (3)

£150­200

332

A Poole Pottery Contemporary vase designed by Alfred Read, pattern PQB, shape no.700, waisted cylindrical form, painted with columns of square panels in mushroom with thin Ice Green stripes, printed factory mark, 27.5cm. high

£150­200

333

A tall Poole Pottery Contemporary vase designed by Alfred Read, pattern E/PRP, shape no.701, painted with red and white linked arc motif on a grey ground, printed factory mark, 32.5cm. high

£150­200

334

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PLC, shape no.700, shouldered, waisted cylindrical form, painted with columns in mushroom, grey and dark grey, printed and painted marks, 27.5cm. high

£120­180

335

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PLC, shape 595, painted in shades of mushroom, grey, black and white, and another Poole Pottery vase, pattern X/YBC painted with grey columns, printed and painted marks, 22.5cm. high, (2)

£120­180

336

Two Poole Pottery Contemporary vases designed by Alfred Read and Guy Sydenham, pattern X/PKT tapering cylindrical form with inverted rim painted with hatching columns, in red, white and grey on a ice green columns, printed and painted marks, hairlines to rim of one, 23.5cm. high (tallest), (2)

£120­180

337

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PKT, shouldered cylindrical form, painted in shades of ice green, pink and grey with hatched design, and a Poole Pottery vase pattern YMP, printed and painted marks, 19.5cm. high, (2)

£150­200

338

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PKT, shape 715, waisted form, painted with hatch columns, in blue, red and white on white and mint green columns, printed and painted marks, 25.5cm. high

£120­180

339

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PLC, shape 715 painted with alternate grey and mushroom columns, painted with white circle designs, printed and painted marks, 25.5cm. high

£120­180

340

A Poole Pottery Contemporary vase designed by Alfred Read and Guy Sydenham, pattern X/HZU, swollen form, painted with purple scroll and yellow leaf columns, printed and painted marks, 20cm. high

£120­180

341

A large Poole Pottery Contemporary Carafe vase designed by Alfred Read, pattern YFT, shape 691, painted with alternate wavy columns of foliage in mint green, black and silver­grey, printed and painted marks, 30cm. high

£150­200

342

A Poole Pottery Contemporary vase designed by Alfred Read, pattern X/PV, shape 716, painted with elliptical motif in blue and red on an Alpine white ground, printed and painted marks, 20.5cm. high

£120­180

343

A Poole Pottery Contemporary footed vase designed by Alfred Read and Guy Sydenham, pattern X/GGP, shape 721, footed form, painted with ‘Ravioli’ panels in grey, red and green, printed factory mark, impressed shape number, 22.3cm. high

Literature

Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 108 for a comparable pot illustrated.

£120­180

344

A Poole Pottery Contemporary vase designed by Alfred Read, pattern FST, shape 342, painted with motif in ice green and black on an alpine white ground, and another glaze ice green, printed and painted marks, 23cm. wide, (2)

£120­180

345

A Poole Pottery Contemporary vase designed by Alfred Read, pattern E/YCB, shape 687, painted in shades of mushroom, grey and black on an alpine white ground, and a Poole Pottery Contemporary jardiniere pattern E/YBC, printed and painted marks, 17.5cm. high, (2)

£120­180

346

A large Poole Pottery Contemporary Carafe vase designed by Alfred Read and Guy Sydenham, pattern X/PKC, painted with hatched columns in shades of blue, white and yellow, printed and painted factory marks, 39cm. high

£150­200

347

A Poole Pottery Contemporary Free Form vase designed by Alfred Read, pattern X/PY, shape 352, painted with totem motif in ice green, red and yellow on an alpine white glaze, and another Poole Pottery vase pattern X/FSU, printed and painted marks, 19.5cm. high, (2)

£150­200

348

A Poole Pottery Contemporary centrepiece designed by Alfred Read, pattern X/PY, shape no. 338, painted with columns in red, mint­green and yellow, another Poole Contemporary dish pattern X/PX and another pattern X/PV, printed factory marks, 43.5cm. wide, (3)

£150­250

CONTINENTAL CERAMICS

349

A Russian Moscow 1980 Olympic porcelain part coffee set, printed in red and gilt, with Olympic rings and Moscow 1980 Olympic motif, comprising coffee pot and cover, one can, two saucers and side plates and a Russian model of a bird, printed factory marks, 13.5cm. high (8)

£120­180

350

An Art Nouveau stoneware ewer by Alexis Boissonnet, cylindrical form, cast in relief with a mask below the handle, covered in a yellow graduated to green crystalline glaze, an American Encaustic Tiling Co tile plaque, An Art Nouveau pottery Peacock dish, a cylindrical pottery vase, an Art Nouveau Limoges Elite works plate by Lise, and a Dresden plate incised AB to base, 23cm. high (6)

Provenance

Arts Decoratifs, Styles 1900 et 1925, Sotheby’s Monaco 18th November 1978, lot 132.

Private collection.

£120­180

351

A pair of Art Nouveau Turn Vienna vases, model no.4959, flaring cylindrical form, with cast mask lug handles, the body cast in low relief with blue lily panels, glazed in colours, a Carlton Ware moulded pink anemone ewer and a large studio pottery charger, impressed marks, chips, 36cm high (4)

£150­250

352

A Hallstatt Pottery horse designed by Gudrun Baudisch­Wittke, glazed with white highlights, incised GBW and Hallstatt, 17cm. wide, 12.5cm. high

£120­180

353

An Art Nouveau Royal Dux figural centrepiece, model no.1521, modelled as two standing maiden resting beside a giant shell rising up from foliage, in colours highlighted in gilt, another Royal Dux figure group, number 597, and another modelled as a Charioteer, impressed factory marks, raised pink triangle, 39cm. high (3)

£200­300

WORKS ON PAPER & REFERENCE BOOKS

354

‘Die Pflanzeim Ornament’ by J Hempel and ‘La Flore Decorative’ by Paul Lorain, two books on design (2)

£150­200

355

An Arts and Crafts wooden bookshelf, set with patinated metal plaques of Art Nouveau figures, with thirty­eight volumes by William Shakespeare, published by J M Dent, dated 1895, (39)

£100­150

356

‘History of the Merton Abbey Tapestry Works ­ founded by William Morris’ by H C Marillier, published by Constable & Company, 1927, four books on stained glass comprising ‘The Stained Glass of AWN Pugin’ by Stanley Shepherd, ‘Angels & Icons’, ‘Saints & Symbols’ and ‘Damozels & Deities’ three books by William Waters and Alastair Carew­Cox, two books on Dr Christopher Dresser and posters, ‘Arts and Crafts from The Studio’ volume two, 1905, and a collection of eighteen Decorative Arts Society Journals, (a lot)

£120­180

357

A large library of art and design reference books and catalogues, approximately 90 books including; Alastair Duncan Art Deco Complete, Edward Horswell, Rembrandt Bugatti - Life in Sculpture, Sladmore Gallery, Jacob Epstein Sculpture and Drawings, Whitechapel Art Gallery, Van Cleef & Arpels, Edition Paris­Musees, The Machine Age in America 1918-1941, F Borsi Victor Horta, Elizabeth Aslin EW Godwin, Jane Kallir Viennese Design and the Wiener Werkstatte, Ruhlmann, George Nakashima, Mervyn Levy Liberty Style, Malcolm Haslam In the Nouveau Style, Alistair Duncan Glass by Galle, Seymour Chwast The Left-Handed Designer, Edward Burne-Jones Victorian Artist and Dreamer and Louis Comfort Tiffany Couleurs et Lumiere, and seventy­six auction catalogues from Christies, Sotheby’s, and Quittenbaum, (a lot)

£200­400

358

‘Peter Pan in Kensington Gardens’ a signed book with illustrations by Arthur Rackham, published by Hopper & Stoughton, pencil A Rackham to inside page.

£100­200

‡ 359

Sir Frank Brangwyn RA (1867­1956)

Tournay Cathedral and Belfry &Town Hall Ghent, two engravings engraved by G W Moore, signed and titled in pencil, 17 x 12.5cm. (2)

£120­180

‡ 360

Rena Gardiner (1929­1999)

Dorset: Tarrant to Blandford, lithographic print book, printed at the Workshop Press, designed, drawn, printed and published by Rena Gardiner, 1970 33.5 x 26cm.

£120­180

‡ 361

Richard Bawden RWS NEAC RE (born 1936) Floods

aquatint on paper, framed signed in pencil Richard Bawden, 1/40 60 x 41cm (image)

80 x 59.5cm (frame)

Provenance

Private collection, Dorset.

Catalogue notes

It is believed this aquatint was created in 1964­65 and might be The Stour or Blackwater.

Woolley and Wallis would like to thank Hattie Bawden for her help cataloguing this lot.

£150­200

362

Edward Bawden CBE RA, (1903­1989)

The Pagoda (Kew Gardens), etching on paper, unframed, ‘Southcliff Beach’ by Edward Bawden, and a collection of prints by various artists including; ‘Near Ullswater’ by James Bostock, ‘Canada Family and Perch’ by Colin See­Paynton, Spring Morning by Marcus Bowen, ‘West Highland Breakfast’ by Sue Scullard, ‘Storm Landscape’ by George Tute, ‘Low Tide Maine Coast’ by Herbert Waters, main signed in the print E.Bawden, Southcliff Beach unsigned.

37.7 x 28.3cm (Bawden print), (8)

Catalogue notes

This print, The Pagoda at Kew, originally etched in 1927­1929 was reprinted in 1988 to celebrate Bawden’s 85th Birthday.

£150­200

361

359

360

363

Graham Clarke (born 1941)

Full House (Royal Shakespeare Company), limited edition print, framed, and ‘Confidential Exchanges’ a limited edition print by Sir William Russell Flint, RA, published by the Royal Academy, both framed, two books on Graham Clark and ‘Works by Sir William Russell Flint’ Royal Academy publications, 1962 Clarke print signed, titled and numbered 135/300 in pencil

35 x 27cm. (5)

£120­180

364

Eric Gill ARA (1882­1940)

Nativity with Midwife, St Joseph Standing, 1913, (P14)

wood engraving and ‘Nativity (by the Mystery)’ a wood engraving by David Jones, both framed unsigned

5.2cm. square (Gill image) (2)

Literature

Christopher Skelton Eric Gill The Engravings, The Herbert Press, P14 this image reproduced. £150­200

‡ 365

Harry Brockway (born 1958)

Nostalgic Figures, woodblock on paper, framed signed, titled and numbered 24/30, 10 x 10cm. (image)

£150­200

‡ 366

Eugene Leliepvre (1908­2013)

Reclining female nude, oil on canvas, framed signed lower left 39.5 x 22.5cm.

£200­300

367

George Montague Ellwood (1875­1955)

Tulips, No.3 oil on canvas board, framed signed G M Ellwood to front and dated (probably 1930), painted title and address to reverse 33 x 24cm.

Provenance

The Ellwood family.

£120­180

368

Anthony Gormley (born 1950) Arms, 2005

three sheets of limited edition wrapping paper, published for the Teenage Cancer Trust/Selfridges, and ‘Tate Gallery’ (Little Stanley Sleeping) a poster designed by David Hockney, 1987 70 x 49.5cm. (4)

£200­300

369

Lin Jammet (1958­2017)

Summer screenprint on paper, unframed signed, dated and numbered 43/50 Lin Jammet ‘97 (in pencil to margin), and with Gresham Studio blindstamp 97 x 74cm. (sheet)

Provenance

The Estate of Lin Jammet

£80­120

367

368

GLASS

370

A John Walsh Walsh vaseline glass Fan vase, on applied foot modelled as stylised leaves, another similar with twisted stem and a tapering cylindrical vase with pulled trefoil rim, unsigned, 17cm. high (3)

£300­500

371

A Whitefriars Kingfisher Blue glass vase designed by Geoffrey Baxter, rectangular form with cast maze design, and another Whitefriars clear glass vase unsigned, 10.5cm. high (2)

£120­180

372

A Whitefriars Ruby Red Coffin vase designed by Geoffrey Baxter, textured glass, and another Whitefriars Coffin vase, unsigned, flat chip to red coffin, 13.2cm. high (2)

£120­180

373

A Whitefriars Tangerine glass Banjo vase designed by Geoffrey Baxter, cast in low relief, unsigned, 32.5cm. high

Provenance

20th Century Decorative Arts, Christie’s South Kensington, by repute

£800­1,200

374

A Loetz cameo glass box and cover, circular section, pale blue cased in blue, decorated with clover flower and foliage cameo signature, 11cm. high. (2)

£200­300

375

An Art Nouveau Galle cameo glass solifleur vase designed by Emile Galle, opaque white cased in brown, decorated with flower stems, firepolished finish, cameo Galle* signature, 17.5cm. high

£300­400

376

An Art Nouveau Galle cameo glass vase designed by Emile Galle, slender, solifleur form on flaring foot, brown glass over pink, cameo decorated with pussy willow sprays, 22.5cm. high

£500­800

377

An Art Nouveau Galle cameo landscape vase designed by Emile Galle, slender, shouldered form, yellow glass cased in purple, decorated with a mountainous landscape, cameo signature to base, 33cm. high

£600­800

378

An Art Nouveau Galle marquetry two­tier table designed by Emile Galle, shaped, rectangular top inlaid with a large butterfly flying in a riverside landscape, inlaid Galle signature to top, 67 x 41cm (top) 76cm. high

£800­1,200

379

An etched glass vase by Paolo Martinuzzi, shouldered, rectangular clear glass, etched with stylised figures, two Venini miniature glass vases in the manner of Carlo Scarpa, eight Italian glass vases in the manner of Venini or Paolo Martinuzzi and seven other miniature glass vases, An Italian glass miniature hen, three other glass animals and ten glass miniature corked bottles each set with mineral sample 17cm. wide (32)

£200­400

‡ 380

Morag Gordon (born 1959)

a cast glass bowl, clear glass cased in brown with design of stylised figures, etched signature, 34cm. diam.

£120­180

381

Peter Dreisler MBE (1936­2006)

an engraved spherical paperweight, 1980, a Venini glass teardrop dish, with lustre finish, a Lalique clear and frosted Lotus flower glass vase and six other glass items, etched signature and 80 date, 6.5cm. high (10)

£150­200

‡ 382

An Italian glass mask sculpture by Silvio Vigliaturo, in the manner of Picasso, yellow, blue and black glass cased in clear, on arched base etched signature to base, 26.5cm. high (plaque), (2)

Provenance

Design Woolley and Wallis, 19th October 2022, lot 86.

£120­180

383

An Orrefors limited edition glass vase designed by Martti Rytkonen, dated 2007, flaring elliptical form, cast in low relief with an abstract face motif in the manner of Pablo Picasso, etched marks, 63/300, 27.5cm. high

£120­180

‡ 384

Layne Rowe (born 1971)

Peacock Ovoid, 1999

marbled pink glass with thin wavy pale yellow bands below a broad pale yellow band to shoulder, cased in clear, unsigned, 24cm. high

Provenance

Private collection. Catalogue notes Woolley and Wallis would like to thank the artist for authenticating the vase.

£120­180

385

Thebes a modern Daum pate de verre glass vase, cast with two swan head handles, graduated blue glass, with eyes highlighted in gilt, in original presentation box, etched Daum France to base, 30cm. high

£150­200

‡ 386

Maria Lugossy (1950­2012)

Pyramid, 1984

cast and etched glass sculpture, etched Lugossy 84, small nick to edge 20.5cm. wide,

£200­300

‡ 387

Colin Reid (born 1953)

Pyramid, 1994

kiln­cast and polished glass two piece sculpture, (R635) etched signature, date and R635, minor chips, 26cm. wide. (2)

Literature

Amanda Gane Contemporary British Crafts, page 36, 37, cat. no. 8 for a comparable form.

£200­400

385

386 387

384

388

A set of four Tiffany Studios Favrile glass shades, each flaring, fluted form with moulded trellis decoration in low relief, covered in golden lustre, a similar Tiffany Favrile glass shade covered in a green lustre shade, and two candle lights, acid etched LCT mark, minor rim frits, 9cm. high, 17.8cm. wide (7)

£500­800

389

A Moser Karslbad Egyptian Revival glass vase, faceted aubergine glass vase, cast in low relief with winged scarab motif, highlighted in gilt, unsigned, 12cm. high

£150­200

390

Charlie Beaker (born 1946)

a flaring glass vase on applied foot, dated 1991, purple and orange geometric design cased in clear, a blue feathered glass vase and a footed glass vase by Deborah Fladgate and four other contemporary vases, etched signature and date 13.5cm high (7)

£150­250

391

A large Venini glass bowl, pale blue glass, slender elliptical section, etched Venini, 2006/6 61.5cm. wide

£150­200

392

392

Paul Boak

a large Sycamore bowl with inverted rim, inlaid with gold and red line decoration, a large macrocarpa bowl by Tobias Kaye, a beech, yew and resin bowl by Alan Long, a laburnum bowl by Peter Thomas, a stained sycamore bowl a bowl by Jeremy Freeman and four other items, signed P Boak 53cm. diam. (9)

Provenance

Century Galleries’, Henley on Thames, December 1987 (Tobias Kaye bowl).

£150­200

393

David Trewin

a wood bowl, circular with graduated carved band to rim, two graduated bowls by Cecil Colyer, two others by Cecil Colyer, a small Broom tree bowl by Peter Thomas, a deep sycamore bowl by Paul Boak, a bowl with inverted rim by Dave the Lathe a stained wood vase and cover and two rectangular section bowls, monogram to base of Trewin bowl, 38cm. diam (11)

Provenance

Private collection.

£150­200

393

394

FURNITURE

394

A Chinese cedar and elm Scroll table, in Ming dynasty style, with a panelled top on turned legs united by stretchers, together with a pair of similar benches, originally lacquered 86.4cm high, 56cm deep, 164cm long (3)

Provenance

From the collection of Dr Jonathan Mirsky (1932­2021). Dr Mirsky was an America journalist and historian of China.

£500­800

395

A large William Ingham oak glazed bookcase in the manner of A.W.N. Pugin, probably for Constantine & Co, three cupboard form with linen fold carved panels, brass furniture, with Hobbs & Co locks, stamped mark to underside of door, locks stamped Hobbs & Co 56cm. deep, 223cm high, 179cm. wide

£1,000­1,500

396

A carved oak table, square top, on square section legs, the under­tier carved with Classical scrolling foliage swags, unsigned, 72cm. high, 52.5 x 53cm.

£80­120

397

A Cotswolds School composite bedroom suite probably designed by Peter Waals, comprising, English walnut single bed headboard and foot board, oak bureau, English walnut dressing chest with mirror and English Walnut two­door wardrobe, unsigned, headboard 106cm. wide Bureau 76.5 x 33.5cm.

Dressing chest 50 x 107cm, 86.5cm. high Wardrobe 192cm. high, 62 x 99cm. £800­1,200

‡ 398

Charles Jencks (1939­2019)

an Egyptian revival Symbolic Range table, square top on tapering, curved legs with routed decoration, the undercarriage with cut­out square panels, unsigned 75cm. high 75cm. square top

£400­600

‡ 399

Charles Jencks (1939­2019)

an Egyptian revival Symbolic Range dining table, 1984, circular with four extending leaves, decorated with geometric motif, and six Sun chairs with Egyptian fan backs, unsigned 187cm. diam. (table extended) 96cm. high (chairs), (13)

£1,000­2,000

‡ 400

Philip Koomen (born 1953)

a pair of satinwood and glass display shelves over plan shelves, the three rectangular glass shelves supported on Egyptian obelisk supports, with inlaid geometric panels, unsigned

177cm. high

80.5 x 46.5cm (base), (2)

£800­1,200

401

A modern ottoman footstool after a design by Charles Eames, teak laminate with black padded cushion, unsigned, 61cm. wide £120­180

402

A lounge chair and ottoman originally designed by Charles & Ray Eames, laminated palisander bent ply seat and shell, with black leather pads, unsigned, 76cm. high 82cm wide. (2)

Provenance

Purchased by the father of the vendor in the 1970s by repute.

£300­500

403

A perspex coffee table, rectangular top on two angled legs, unsigned, 119cm. square top, 49cm. high

£100­150

404

Anish Kapoor (born 1954) a table lamp designed by Anish Kapoor and manufactured by Welwyn Lighting Company for ‘At Home With Art’, wood and parchment, with seven Three Hundred and Sixty Degrees plates designed by Richard Wentworth, 2017, each with impressed fingerprint motif, four made for the Tate Gallery, two with boxes, and a pair of coat pegs designed by Antony Gormley, in original card boxes, ink AK monogram to lamp 35.5cm. high 27.5cm. diam. (plates), (10)

Literature

Colin Painter, At Home With Art, Hayward Gallery Publications, page 38 & 39 (Kapoor), 32 & 33 (Gormley), 56­57 (Richard Wentworth).

Catalogue notes

At Home with Art was a collaboration between nine artists from the contemporary art world and the public through the design and production of household objects. The plates designed by Richard Wentworth were produced by Royal Doulton with Richard Wentworth designing gold­leaf fingerprints to be applied to the surface. The examples in this lot have either the Tate or Royal Doulton backstamp.

£200­300

405

A pair of modern swivel armchairs, probably Italian, red padded elliptical seats on chrome base, unsigned, 69cm. high, 112cm. wide, (2)

£150­250

406

A John Makepeace Furniture occasional table, white painted wood frame with square glass top, 35cm high, 63.5cm square (2)

£120­180

A Fornasetti Studios four­fold screen designed by Piero Fornasetti, with alternating panels of Egyptian obelisk and column, in shades of black and white on a mottled mushroom ground, on castors, signed Fornasetti made in Italy, no.1di1, 97 130 x 35cm (each panel),

Provenance Private collection.

A pair of Fornasetti Oggetti Caccia plates designed by Piero Fornasetti, printed in colours with a still life of hunting items, printed factory marks, 26cm. diam. (2)

‡ 407 Mark Stoddart (born 1960) Cheeky Hippo patinated bronze and glass limited edition table, signed in the cast, numbered 1/99 138cm wide, 59cm. high £2,000­3,000

408

409

408

£1,000­2,000

409

£120­180

410

A large collection of Star Wars collector’s toys, including an unboxed X­Wing fighter, a boxed Hasbro Star Wars Original Trilogy Collection Millennium Falcon, a Revenge of the Sith Arc 170 Fighter, a Republic Gunship, a boxed Y wing fighter, Tie Fighter, Obi­Wan’s Jedi Starfighter, Grievous Wheel Bike, Droid Tri­Fighter, Acklay, Speeder, Dew Back & Sandtrooper, Moto Speedbike with Princess Leia, and nine other boxed figures, three Big Figs Stormtroopers, a Disney Star Wars Chewbacca, Kylo Ren, Praeturian Guard and two other figures by Jakks, a Nabu N­1 Starfighter and an R2D2 figure, (a lot)

£300­500

411

‘A Pail of Water With a Very Little Hudson’s Goes a Long Way’ an enamelled metal advertising sign for Hudson’s soap, enamelled in colours

32.5 x 24.2cm.

£200­300

412

‘To­Day We Close At... Hudson’s Soap’ an enamelled metal advertising wall clock sign, enamelled in colours, the round dial with moveable hands and Roman numerals, 45.5 x 32.5cm.

£120­180

413

‘Guinness is Good For You’ an enamelled tin advertising sign, rectangular form, enamelled in colours, 70 x 47.5cm

£150­200

414

A Carlton Ware Guinness Toucan table lamp, modelled standing beside a pint of Guinness, glazed in colours, and a Carlton Ware Guinness Advertising Sea Lion table lamp, printed factory marks, Toucan restored, 30cm. high, (2)

£120­180

414A

‘Guinness Time’ an Ingersoll Guinness advertising pocket watch, the dial with a smiling pint, the second hand a nodding toucan, printed markers details to edge of dial, 6cm. high

£150­200

415

A Rock­Ola 120 Hifi jukebox, applied label to reverse, serial no.172414, 141cm. high

78cm wide

69cm deep.

£2,000­3,000

416

A The Ritva Man acrylic jumper designed by Dame Elisabeth Frink and The Ritva Man, blue with yellow arms, with an embroidered eagle panel, applied labels, numbered 41, Catalogue notes

Originally established as a knitwear business in 1966, Mike and Ritva Ross created 'The Ritva Man' label in 1969. The aim was to collaborate with artists including David Hockney, Elisabeth Frink, Allen Jones and Patrick Hughes, to produce a limited range of knitwear. Originally intended to be issued in an edition of 200, it is thought that fewer than this were actually produced.

£200­300

‡ 417

Larry Rivers (1923­2002)

Golden Oldies 60s

a modern limited edition silk tapestry, facsimile signature Larry Rivers 78-88, 252 x 183cm.

£800­1,200

418

A set of three Horgun Glarus bent ply stools designed by Michel Peclard, model no.11­020, originally designed in 1960, shaped top with three tapering legs, applied labels to one, losses, 45cm. high (3)

£100­200

419

A Vallauris tile topped table designed by Roger Capron, on steel frame, the rectangular top set with irregular rectangular tiles impressed with foliage stems, in tan and brown impressed Capron Vallauris, 106.5 x 48cm.

£150­200

‡ 420

A Twergi Faces With Blue painted wood box with hinged cover designed by Nuala Goodman, painted with portraits of a young couple, in colours on a blue ground, with hinged pyramid cover, stamped marks no.1223, 33cm. high

Provenance

British Art Pottery & Design, Woolley and Wallis, 20th October 2021, lot 356.

£200­300

418 stacked

421

SCULPTURE

BRIAN WILLSHER

‡ 421

Brian Willsher (1930­2010)

untitled panel, 2004 cedar mounted on board signed and dated in pen to reverse 76.5 x 61cm.

Provenance

Bought by the vendor from the artist directly. £1,000­1,500

‡ 422

Brian Willsher (1930­2010) Rabbit,1982 cedar, signed and dated in pen to foot, 34.5cm. high

Provenance

Gifted by the artist to the vendor. £150­200

‡ 423

Brian Willsher (1930­2010)

untitled, standing form cedar, on rectangular wooden base unsigned 82.5cm. high

Provenance

Purchased from the artist directly by the vendor. £400­600

‡ 424

Brian Willsher (1930­2010)

untitled, standing form in two pieces, 2003 cedar signed and dated in pen, 79cm. high (2)

£500­800

‡ 425

Dhruva Mistry CBE RA (born 1957) Woman, 1982 painted stone sculpture unsigned 33cm. wide 25.5cm. high

Literature

A comparable example Woman 4 (1982) is in the Arts Council collection.

£150­250

‡ 426

Harry Brockway (born 1958)

Woman with wavy hair, carved limestone, carved H 31cm. wide, 20.5cm. high

£300­500

427

Kenneth Carter (1928­2007)

Sculptural Relief, 1980 patinated bronze plaque with gilding and another two plaques by Kenneth Carter signed K Carter, 80 36 x 29.5cm. (3)

Provenance

A private collection of sculpture.

£100­150

428

A marble sculpture of Venus Arising, Venus and a cherub modelled resting in a large shell, on oval alabaster base unsigned 21cm wide £120­180

‡ 429

John Huggins (born 1938) untitled, bronze, signed Huggins 6/6 20.5cm. high

Provenance

Alwyn Gallery

£200­400

430

Michael O’Connor RBS untitled, organic form Indian rosewood unsigned, exhibition number 11 48.5cm. high

Provenance

The estate of the artist.

£120­180

431

A patinated bronze model of a French artillery soldier, unsigned 36.5cm. high

£120­180

‡ 432

Paul Jenkins (born 1949)

Handstanding Hare, patinated bronze, signed PH in the cast, and ‘Cheetah on a Branch’ and ‘Seated Bronze’ two bronze figures by Jonathan Sanders 17cm. high (3)

Provenance

Paul Jenkins Gallery, purchased directly by the vendor.

£150­250

‡ 433

Tim Shaw RA (born 1964)

Dancer on Bull, 2000 patinated bronze on black slate base signed in the bronze, dated and 3/8, small chip to tail tip, 27cm. high

Provenance Lemon Street Gallery.

£500­800

‡ 434

Nag Arnoldi (1928­2017)

Rearing Horse, patinated bronze, signed in the base, numbered 12/50 19cm. high

£800­1,200

432 433

434

431

437

METAL WARE

435

A Limoges enamel vase by Charles Peltant, slender, shouldered form enamelled with Art Nouveau flower stems in shades of purple and green on a mottled yellow ground, highlighted in gilt, painted signature ch. Peltant Limoges, 20.5cm. high Provenance

Arts Decoratifs, Styles 1900 et 1925, Sotheby’s Monaco 18th November 1978, lot 165. Private collection.

£300­500

436

A Handel patinated metal lamp base, the flaring square section base cast in low relief with scrolling ribbon panels, cylindrical stem with three light fittings, cast marks to base, 56cm. high

£100­200

437

A Secessionist WMF brass wine cooler, tapering cylindrical foot, the cylindrical bucket with stamped roundel decoration, with hinged handle, and a brass coal box and cover with liner, brass, rounded body on four legs, cast with geometric band, stamped mark, 93cm. high (3)

£100­150

438

An Art Nouveau WMF electroplated metal Diana the Huntress tray, model no.250, cast in low relief with a hunting scene, another WMF dish model no.220, cast in low relief with Art Nouveau sprite, and a small Art Nouveau dish stamped and cast marks, 40cm. wide (3)

£200­300

439

An Art Nouveau pewter desk inkwell, possibly Kayserzinn, cast in low relief with an Art Nouveau maiden, flanked by twin ink wells, the hinged covers cast in low relief with whiplash design, and slender elliptical pen tray, unsigned, etched VII to reverse, 39cm.wide.

£100­200

440

Omar Ramsden (1873­1939)

Marco Polo, a patinated bronze double inkwell and cover, dated 1921, tapering rectangular base, the cover cast with a figure of Marco Polo standing on a boat, inscribed I Was made for Frank Henry Cook, AD MCMXXI, wooden base

signed Omar Ramsden 35.5cm. wide, 22cm. high

£300­500

441

A pair of H G Murphy silver and enamel cufflinks, the rectangular panels enamelled with stylised flowers and foliage in black, in Charles Beech retail case, stamped marks, London 1931, 1.5cm. long.

£150­250

442

A Jorgen Jensen pewter and tiger’s eye pendant necklace, on link chain, two other Jorgen Jensen pewter pendant necklaces, a pair of earrings by Jorgen Jensen, a silver pendant necklace a pewter pendant and a brooch similar, stamped marks, 4cm. diam. (main pendant), (8)

£150­200

443

A Georg Jensen silver pendant necklace designed by Ole Kortzau , model no.395, cast amorphic form, stamped marks, 6.5cm. wide.

£150­250

444

A Georg Jensen silver brooch designed by Arno Malinowski, model no.283, circular cast and pierced with butterflies and flowers, stamped marks, 5cm. diam.

£150­200

442

443 444

445

A Georg Jensen silver brooch designed by Arno Malinowski, circular cast and pierced with a deer resting before stylised flowers, stamped marks, 4cm. diam.

£150­200

446

A Georg Jensen silver brooch designed by Arno Malinowski, model no.309, cast and pierced with a wren perched on a scrolling fern, stamped marks, 4.5cm. wide

£150­200

447

A Georg Jensen silver brooch designed by Arno Malinowski, model no.239, heart­shaped, cast and pierced with a bird amongst two foliate stems, and another Georg Jensen silver brooch model no.294, square cast in low relief with a butterfly, stamped marks, 4cm. wide (2)

£150­200

448

A Georg Jensen silver brooch designed by Arno Malinowski, model no.311,cast with a young lamb and ivy spray, and another Georg Jensen silver brooch model no,279, stamped marks, 4.5cm. wide (2)

£150­200

449

A Georg Jensen silver brooch designed by Arno Malinowski, model no.239, heart­shaped, cast and pierced with a bird amongst two foliate stems, and another Georg Jensen silver brooch model no.318, square cast in low relief with a resting deer, stamped marks, 4cm. wide (2)

£150­200

DAY TWO

THURSDAY 23RD MARCH AT 10AM

STUDIO POTTERY FROM THE ESTATE OF RICHARD BATTERHAM

THE ESTATE OF RICHARD BATTERHAM

‡ 450

Anthony Connolly (born 1957)

Portrait of Richard Batterham digital print on paper, unsigned

69.5 x 49.5cm (sheet)

Provenance

The Estate of Richard Batterham.

Catalogue notes

Woolley and Wallis would like to thank Anthony Connolly for his help in cataloguing this lot. The print is a unique reproduction of the original drawing circa 2012. Anthony Connolly is currently president of the Royal Society of Portrait Painters.

£100­200

451

A large pine display table made by Michael Ricketts for Richard Batterham’s showroom at Durweston, made in 1994, near rectangular top on four tapering square legs, unsigned, 77cm., high

152 x 135cm (top)

Provenance

The Estate of Richard Batterham.

£100­200

452

A large Sussex stoneware pot and cover, flaring conical form the cover with loop handle, used by Richard Batterham to dip pots in glaze, and a salt­glazed stoneware flagon impressed James Blandford, unsigned, glaze loss, 57cm. diam. (3)

Provenance

The Estate of Richard Batterham.

£120­180

453

Verwood Pottery

Four large graduated pots, glazed to the interior, two smaller pots, a pot and cover, a lid and two other pots, unsigned 48cm. wide (largest), (11)

Provenance

The Estate of Richard Batterham. £200­400

454

A Verwood Pottery Dorset Owl vase, ovoid with pinched, pierced handles, glaze to the shoulder, with applied rope handle, two other Verwood Pottery Owl pots and a jug, unsigned, 19.5cm. high (4)

£150­250

455

A tall salt­glaze stoneware Bellarmine jar, swollen form, the narrow neck incised with bearded face, and four others smaller, unsigned 45cm high (5)

Provenance

The Estate of Richard Batterham. £150­250

456

Isaac Button

A Soil Hill Pottery twin­handled bread bin and pierced cover, glazed to the foot, another similar and two Soil Hill Pottery pippin bowls, unsigned, 40cm. high (6)

Provenance

The Estate of Richard Batterham. £150­200

457

Isaac Button six large Soil Hill Pottery bowls, glazed to the interior mustard yellow unsigned 44.5cm. diam. (largest), (6)

Provenance

The Estate of Richard Batterham. £150­200

457

456

453

454

455

458

A large south­east Asian baluster vase, shouldered form with four applied loop handles and raised bands, glazed from neck to lower body with dark brown glaze, 56cm. high

Provenance

Gordon Reece Gallery, circa 1984­85, purchased by Richard Batterham as Korean.

The Estate of Richard Batterham.

£200­300

459

A large south­east Asian shouldered vase with collar rim, shouldered form with three applied loop handles, glaze from the neck to the upper body in dark brown, with slip decoraton unsigned 65cm. high

Provenance

Gordon Reece Gallery, Richard and Reuben drove to Yorkshire in 1985­86 and bought this vase as Burmese 14th to 16th Century.

The Estate of Richard Batterham.

£200­400 459

460

Richard Batterham (1936­2021)

an early Bryanston School slip decorated dish, decorated with a bearded figure, in brown and blue slip on a cream ground, unsigned, firing crack 34.5 x 28cm.

Provenance

The Estate of Richard Batterham.

£120­180

461

Richard Batterham (1936­2021)

an early tin­glaze stoneware teapot and cover, made at Bryanston School, ovoid form, covered in a speckled tin­glaze, unsigned 20cm. high (2)

Provenance

The Estate of Richard Batterham.

£120­180

462

Richard Batterham (1931­2021)

an early flagon, ribbed form with applied handle, covered in a green glaze to the foot, and a twin­handled stoneware vase covered in a mottled glaze, incised # to base, 37cm. high (2)

Provenance

The Estate of Richard Batterham. Exhibited

Richard Batterham A Life in Pots, Contemporary Applied Arts, London, 2016.

£120­180

463

Richard Batterham (1936­2021)

an early stoneware jar and cover, twin­lug handles, incised with circular maze design, covered in a speckled tin­glaze, a vase similar decorated in low relief with a lizard, a footed bowl with incised inscription, a covered tureen, a large bowl and a mug, unsigned, some with incised marks, bowl and mug broken and repaired, 23.5cm. high (8)

Provenance

The Estate of Richard Batterham.

£150­250

464

Richard Batterham (1936­2021)

a rare porcelain table lamp and shade, cylindrical with domed shade, with incised decoration and pieced aperture, unsigned

22.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£120­180

465

465

Richard Batterham (1936­2021)

a small porcelain box and cover, covered in a oak ash glaze, and a porcelain pestle and mortar, unsigned 6.5cm. high (4)

Provenance

The Estate of Richard Batterham.

£150­250

466

Richard Batterham (1936­2021)

a large porcelain bowl with chattering band, covered in a pale oak ash glaze, unsigned, paper exhibition label no.239 23.6cm. diam. 10.5cm. high.

Provenance

Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972. The Estate of Richard Batterham.

£400­600

467

Richard Batterham (1936­2021)

a porcelain bowl with chattering band, covered in a pale oak ash glaze unsigned, in half and re-stuck 29cm. diam.

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 107 catalogue number 87.

Provenance

The Estate of Richard Batterham. £150­250

468

Richard Batterham (1936­2021) a porcelain bowl, covered to the foot with a pale oak­ash glaze, unsigned 15.7cm. diam. 5.5cm. high

Exhibited Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 106 catalogue number 86, this bowl dates from 1964.

Provenance

The Estate of Richard Batterham.

£120­180

469

Richard Batterham (1936­2021) a set of three porcelain avocado dishes, covered in a pale blue oak ash glaze unsigned, applied exhibition number labels, 13cm. diam. (largest), (3)

Provenance

Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October 1972, no.226, 232 and 233, The Estate of Richard Batterham.

£150­250

470

Richard Batterham (1936­2021) a rare porcelain miniature pot and cover, covered in a pale oak ash glaze unsigned, applied paper label 268 number 5cm. diam. (2)

Provenance

Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972. The Estate of Richard Batterham.

£120­180

471

Richard Batterham (1936­2021)

a stoneware beaten bottle, covered to the foot with an ash glaze unsigned, 34cm. high

Provenance

The Estate of Richard Batterham.

£150­200

472

Richard Batterham (1936­2021)

a stoneware bottle, with chatter and raised bands, covered to the foot with an ash glaze unsigned, cobalt mark to base, 35.5cm. high

Provenance

The Estate of Richard Batterham.

£200­400

473

Richard Batterham (1936­2021)

a stoneware flower bottle, covered in an ash glaze, unsigned, cobalt blue 2 22cm. high

Exhibited

Richard Batterham: Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 141 catalogue number 127.

Provenance

The Estate of Richard Batterham.

£250­350

474

Richard Batterham (1936­2021)

a stoneware flower bottle, ash glaze to neck and shoulder over black iron, unsigned, remains of paper exhibition label, 22.5cm. high

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum, this vase dates from the 1980s.

Provenance

The Estate of Richard Batterham.

£150­250

475

Richard Batterham (1936­2021)

a salt­glaze stoneware flower bottle, with cut size, and two other beaten flower bottles by Richard Batterham, unsigned, 8.5cm. high (3)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 126, catalogue numbers 110,111,112

Provenance

The Estate of Richard Batterham.

£300­500

476

476

Richard Batterham (1936­2021)

a stoneware beer jar and cover, covered in an ash glaze

unsigned, 38cm. high (2)

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum

Provenance

The Estate of Richard Batterham.

Literature

Tanya Harrod & Sarah Griffin Richard Batterham Studio Potter, V&A Publishing, page 130 catalogue number 115 this jar illustrated.

£700­900

477

Richard Batterham (1936­2021)

a salt­glaze stoneware beer jar and cover, with lug handles and chattering band to shoulder, unsigned, incised 19, original paper exhibition number label, 133 32cm. high (2)

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum, this jar dates to 1996.

Provenance

The Estate of Richard Batterham.

Literature

Tanya Harrod & Sarah Griffin Richard Batterham Studio Potter, V&A Publishing, page 138 catalogue number 124 this jar illustrated.

£300­500

478

Richard Batterham (1936­2021) a large stoneware two­piece beer jar and cover, with incised bands, covered to the foot with an ash glaze unsigned, 41cm. high (2)

Provenance

The Estate of Richard Batterham. Catalogue notes This dates to the mid 1980s.

£300­500

479

Richard Batterham (1936­2021) a stoneware beer jar and cover, twinhandled form with raised ribs, glazed to the foot in ash, unsigned, paper exhibition label numbered 130, 37cm. high, (2)

Exhibited Richard Batterham, Master Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

Literature

Tanya Harrod & Sarah Griffin Richard Batterham Studio Potter, V&A Publishing, page 131 catalogue number 117 this jar and cover illustrated.

£700­1,000

480

Richard Batterham (1936­2021) an early salt­glaze stoneware casserole and cover, twin­handled form, the interior glazed ash, and two other casserole dishes and covers unsigned

11cm. high

17cm wide (6)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 57 catalogue number 11 (dated 1978)

Provenance

The Estate of Richard Batterham.

£120­180

481

Richard Batterham (1936­2021) a stoneware supper dish, covered in an ash glaze, a stoneware star dish and another larger dinner plate, unsigned, painted cobalt 9 23cm. diam. (supper dish), (3)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 72 catalogue number 42 (dinner plate).

Provenance

The Estate of Richard Batterham.

£150­250

482

Richard Batterham (1936­2021) a salt­glaze stoneware footed bowl, unsigned 22.5cm. diam.

Provenance

The Estate of Richard Batterham. £150­200

483

Richard Batterham (1936­2021) a footed bowl, the interior glaze ash, the exterior black iron, unsigned, 22.5cm. diam.

Provenance

The Estate of Richard Batterham. £150­200

484

481

Richard Batterham (1936­2021) a large stoneware fruit dish, ash glaze, with white slip, the rim black iron, unsigned 40.5cm. diam.

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 117 catalogue number 102

Provenance

The Estate of Richard Batterham.

£300­500

485

Richard Batterham (1936­2021)

a large stoneware fruit dish with chatter bands, the ash glaze with blue, unsigned, painted blue cobalt 6 42cm. diam.

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

£300­500

486

Richard Batterham (1936­2021) a large stoneware supper dish, with chatter band, covered in an ash glaze, unsigned, cobalt 3 to reverse 37cm. diam.

Provenance

The Estate of Richard Batterham.

£150­250

487

Richard Batterham (1936­2021) a tall two­piece stoneware bottle, with single chattering band, covered to the foot with an ash glaze unsigned, 74cm. high

Provenance

The Estate of Richard Batterham. Catalogue notes

This vase dates from the 1980s. £2,500­3,000

488

Richard Batterham (1936­2021)

an early stoneware teapot and cover, ovoid with side handle, covered to the base in a pale ash glaze unsigned, applied paper label 35 12.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£100­200

489

Richard Batterham (1936­2021)

a cut­sided stoneware teapot and cover, covered in an ash glaze, a small jug and two mugs, unsigned, chips to one mug, 11.5cm. high (5)

Provenance

The Estate of Richard Batterham.

Catalogue notes

This teapot, splashed with slip, lived on the window sill in front of Richard’s wheel.

£150­200

490

Richard Batterham (1936­2021)

a small cut­sided stoneware teapot and cover, covered with an ash glaze, unsigned, 10.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­250

491

Richard Batterham (1936­2021)

an early stoneware teapot and cover, ovoid with incised stripes, covered in an ash glaze, unsigned, painted 17, hairline to body, chip to spout, 16cm. high

Provenance

The Estate of Richard Batterham.

£120­180

492

Richard Batterham (1936­2021)

a stoneware medium caddy and cover, covered in a manganese glaze, the interior ash, unsigned, 14.5cm. high (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 100 catalogue number 81.

Provenance

The Estate of Richard Batterham.

£200­400

493

Richard Batterham (1936­2021)

a stoneware beaten jar and cover, raised bands with simple chevron motif, ash glaze to the foot, unsigned, repaired chip to rim of cover, 24cm. high (2)

Provenance

The Estate of Richard Batterham.

£120­180

494

Richard Batterham (1936­2021)

a stoneware box and cover, covered with an ash glaze, and another similar unsigned, paper exhibition label 11cm. diam. (largest), (4)

Provenance

Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972, no.120 and no.124.

The Estate of Richard Batterham.

£150­250

495

Richard Batterham (1936­2021)

a tall two­piece stoneware bottle with chattering bands, covered to the foot with an ash glaze

unsigned 64cm. high

Provenance

The Estate of Richard Batterham.

Catalogue notes

This vase dates from the 1970s.

£1,500­2,000

496

Richard Batterham (1936­2021)

a tall two­piece stoneware bottle with chattering bands, covered with a tenmoku glaze to the foot, unsigned, bloat to shoulder, 60cm. high

Provenance

The Estate of Richard Batterham.

Catalogue notes

This vase dates from the 1970s.

£1,500­2,000

496

495

497

Richard Batterham (1936­2021) an extra large salt­glaze stoneware tazza, with fluted decoration unsigned, 48.5cm. diam.

Provenance

The Estate of Richard Batterham. Exhibited Oxford exhibition £300­400

498

Richard Batterham (1936­2021) a graduated set of three salt­glaze stoneware pudding basins, unsigned 16cm. diam, 8.5cm. high (largest), (3)

Provenance

The Estate of Richard Batterham.

£120­180

499

Richard Batterham (1936­2021) a salt­glaze stoneware jug, with slip band to shoulder, unsigned, incised 19 27.5cm. high

Provenance

The Estate of Richard Batterham.

£150­250

500

Richard Batterham (1936­2021)

a salt­glazed stoneware pint coffee pot and cover, unsigned, original paper price label for £12, 15cm. high (2)

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum, this coffee pot dates from the 1980s

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 67 catalogue number 28.

Provenance

The Estate of Richard Batterham.

£150­250

501

Richard Batterham (1936­2021)

a salt­glaze stoneware teapot and cover, unsigned, 13.5cm. high (2)

Provenance

The Estate of Richard Batterham.

Literature

Tanya Harrod & Sarah Griffin, Richard Batterham Studio Potter, V&A Publishing, page 60 catalogue no. 17 for a comparable teapot.

£150­250

502

Richard Batterham (1936­2021)

a salt­glaze stoneware medium size teapot and cover, glazed to the foot, the shoulder with cobalt band unsigned 14cm. high, (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 60 catalogue number 16.

Provenance

The Estate of Richard Batterham.

£200­300

498 stacked

498

503

Richard Batterham (1936­2021) a salt­glaze stoneware flower bottle, unsigned, 19cm. high

Provenance

The Estate of Richard Batterham.

£200­300

504

Richard Batterham (1936­2021)

a small stoneware bottle, covered with a running manganese glaze to foot, the neck and shoulder ash glaze

unsigned, 39.5cm. high

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

Literature

Tanya Harrod & Sarah Griffin Richard Batterham Studio Potter, V&A Publishing, page 134 catalogue number 120 this vase illustrated.

£800­1,200

505

Richard Batterham (1936­2021) a stoneware flower vase, the rim and shoulder glazed ash, the body black iron, unsigned 24.5cm. high

Provenance

The Estate of Richard Batterham.

£200­400

506

Richard Batterham (1936­2021)

a stoneware beaten bottle, the shoulder and neck glazed ash, the body tenmoku with hand wipe to both sides, unsigned 35cm. high

Provenance

The Estate of Richard Batterham.

£300­500

507

Richard Batterham (1936­2021)

a salt­glaze stoneware cut­sided bowl, unsigned

21cm. diam.

12cm high

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

£150­250

508

Richard Batterham (1936­2021)

a salt­glaze stoneware cut­sided bowl, unsigned

18cm. diam.

11cm. high

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham

Studio Potter, V&A Publishing, page 111 catalogue number 93

Provenance

The Estate of Richard Batterham.

£150­250

509

Richard Batterham (1936­2021)

a large cut­sided stoneware bowl, covered in ash glaze, unsigned, painted cobalt blue number, 34cm. diam.

19.5cm. high

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

£300­500

510

Richard Batterham (1936­2021)

a cut­sided stoneware bowl, covered in an ash glaze, unsigned, applied paper exhibition label, 18cm. diam.

Provenance

Richard Batterham Exhibition of Stoneware and Porcelain, British Crafts Centre, Earlham Street, London, 27th September­14th October, 1972, no.83. The Estate of Richard Batterham.

£150­250

511

Richard Batterham (1936­2021)

a large cut­sided stoneware bowl, covered in an ash glaze, the exterior black iron, unsigned

35.5cm. diam.

18.5cm. high

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

£300­500

512

Richard Batterham (1936­2021)

Prince Charles & Lady Diana Spencer, 1981, a stoneware charger, with lettering carved by Dinah Batterham, under ash glaze

unsigned

35.5cm. diam.

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum

Provenance

The Estate of Richard Batterham. £200­400

513

Richard Batterham (1936­2021)

a tall stoneware table lamp, with cut sides, covered in a pale ash glaze, based on a design by Atsuya Hamada, with paper shade

unsigned

38.5cm. high (2)

Provenance

The Estate of Richard Batterham. £300­500

514

Richard Batterham (1936­2021)

a stoneware table lamp, based on a design by Atsuya Hamada, tapering cylindrical form, the base with cut decoration, covered in an ash glaze,

unsigned

41.5cm. high

Provenance

The Estate of Richard Batterham. £150­250

515

Richard Batterham (1936­2021) a salt­glaze stoneware box and cover, circular unsigned, incised 27, 9.5cm. diam. (2)

Provenance

The Estate of Richard Batterham.

£150­200

516

Richard Batterham (1936­2021) a salt­glaze stoneware box and cover, circular, with cobalt blush to glaze, unsigned, applied paper labels, 9.5cm. diam. (2)

Provenance

The Estate of Richard Batterham.

£200­300

517

Richard Batterham (1936­2021) a stoneware box and cover, circular, the cover with radiating star design, covered in an ash glaze, and a small stoneware souffle dish, unsigned, painted cobalt 14, applied paper exhibition label no.54 9cm. diam. (3)

Provenance

The Estate of Richard Batterham.

£150­200

518

Richard Batterham (1936­2021)

a large stoneware souffle dish with chatter band, covered in an ash glaze to the foot, unsigned, cobalt 6 13.5cm. diam.

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page catalogue number 20.

Provenance

The Estate of Richard Batterham. £100­200

519

Richard Batterham (1936­2021) a stoneware small batter bowl with spout, covered with an ash glaze, and a stoneware souffle dish with chatter band unsigned 16cm. wide (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 55 catalogue number 3

Provenance

The Estate of Richard Batterham.

£150­200

520

Richard Batterham (1936­2021) two graduated stoneware plates with chatter band, with white slip, and a stoneware oblong dish unsigned, chip to rim of smaller plate 27.5cm. diam. (largest plate), (3)

Provenance

The Estate of Richard Batterham. £100­200

521

Richard Batterham (1936­2021) a small pudding basin, covered in a manganese glaze, and a stoneware bowl with chatter band unsigned, second bowl cracked, 13cm. diam. (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 61 catalogue number 23 (pudding basin).

Provenance

The Estate of Richard Batterham. £150­200

522

Richard Batterham (1936­2021)

a cut sided stoneware bowl, covered to the foot with an ash glaze, unsigned

26.5cm. diam. 14cm. high

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 114 catalogue number 97.

Provenance

The Estate of Richard Batterham.

£300­500

523

Richard Batterham (1936­2021)

a cut­sided stoneware bowl, covered in an ash glaze, unsigned 26.5cm. diam. 16.5cm. high

Provenance

The Estate of Richard Batterham.

£150­200

524

Richard Batterham (1936­2021)

a cut­sided stoneware bowl, covered to the foot with an ash glaze, unsigned 18cm. diam. 10.5cm. high

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 114 catalogue number 96.

Provenance

The Estate of Richard Batterham.

£150­250

525

Richard Batterham (1936­2021)

a cut sided stoneware bowl, covered to the foot with an ash glaze, unsigned 15.5cm. diam. 9cm. high

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 114 catalogue number 98.

Provenance

The Estate of Richard Batterham.

£150­250

526

Richard Batterham (1936­2021)

a small cut­sided stoneware bowl, with lavender ash glaze on slip, unsigned 15cm. diam.

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 110 catalogue number 90

Provenance

The Estate of Richard Batterham.

£120­180

527

Richard Batterham (1936­2021)

a large stoneware lugged pan, the interior glazed ash, and a stoneware pie dish by Richard Batterham, unsigned, bloat to side of pan, hairline to pie dish, 36cm. wide (2)

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

£200­300

528

Richard Batterham (1936­2021)

an early stoneware oblong dish, glazed ash to interior, the exterior unglazed, and a stoneware salad bowl, unsigned, chip to rim of salad bowl 20cm. wide (oblong dish), (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 56 catalogue number 7 (oblong dish dated 1965), page 55 catalogue number 5 bowl.

Provenance

The Estate of Richard Batterham.

£120­180

529

Richard Batterham (1936­2021)

a stoneware footed bowl with chatter band, ash glaze to interior, the exterior dark iron, a cut sided souffle dish and a small dessert bowl by Richard Batterham, unsigned, paper exhibition label number 38 to footed bowl, 16cm. diam. 8cm. high (3)

Exhibited

Richard Batterham, Master Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham.

£200­300

530

Richard Batterham (1936­2021) a salt­glaze stoneware jug, and two other stoneware jugs by Richard Batterham, unsigned, damages 22cm. high (3)

Provenance

The Estate of Richard Batterham.

£120­180

531

Richard Batterham (1936­2021)

532

531 533

536

Richard Batterham (1936­2021)

a stoneware caddy and cover with chatter band, the cover with radiating star motif, partially glazed in black ash

unsigned, chips to cover rim, 15.5cm. high (2)

Provenance

The Estate of Richard Batterham.

Literature

Tanya Harrod (editor), Richard Batterham, V&A Publishing, page 99 catalogue number 80 for a comparable example illustrated.

£120­180

532

Richard Batterham (1936­2021)

an early stoneware caddy and cover, with chatter bands, covered to the foot with an ash glaze, unsigned, blue cobalt 7 to base, 12.5cm. high (2)

Catalogue notes

This is Richard Batterham’s first ever caddy.

Provenance

The Estate of Richard Batterham.

£150­250

533

Richard Batterham (1936­2021)

a cut­sided stoneware white slipped tea caddy and cover, the cover with chatter band, covered in a pale ash glaze, unsigned 12.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­250

534

Richard Batterham (1936­2021)

a large salt glazed stoneware storage jar and cover with broad chatter band, covered to the foot with ash glaze, unsigned, cover repaired, 25cm. high (2)

Provenance

The Estate of Richard Batterham.

£120­180

535

Richard Batterham (1936­2021)

a salt­glaze stoneware jar and cover, the cover with loop handle, cover and shoulder with river slip, unsigned, 17cm. high (2)

Provenance

The Estate of Richard Batterham. £150­250

a stoneware little square jar and cover, with ash glaze, unsigned, 10.5.cm. high (4)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 88­89 catalogue number 61 and 64

Provenance

The Estate of Richard Batterham. £200­300

537

Richard Batterham (1936­2021) a stoneware jar and cover, with chatter band to shoulder, covered with ash glaze, unsigned, painted cobalt 2 17cm. high (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Provenance

The Estate of Richard Batterham. £250­350

538

Richard Batterham (1936­2021) a beaten jar and cover, covered in a poplar ash glaze, unsigned, painted cobalt 6 22cm. high (2)

Provenance

The Estate of Richard Batterham. £150­250

536

534

539

Richard Batterham (1936­2021)

a salt­glaze stoneware square jar and cover, with chatter band, the cover and shoulder with blue pooling and brown salt­glaze, unsigned, incised 13 14cm. high (2)

Exhibited

Richard Batterham, Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 86 catalogue number 57.

Provenance

The Estate of Richard Batterham.

£200­300

540

Richard Batterham (1936­2021)

a stoneware little square jar and cover, with ash glaze to cover and shoulder, the body manganese, unsigned, 11.cm. high (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 88 catalogue number 59

Provenance

The Estate of Richard Batterham.

£150­200

541

Richard Batterham (1936­2021)

a salt­glaze stoneware beaten jar and cover, unsigned, incised 30, chip to inside of rim 16cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­250

542

Richard Batterham (1936­2021) a stoneware caddy and cover, the cover and shoulder glazed in ash over dark iron, unsigned, 15.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­200

543

Richard Batterham (1936­2021)

a light blue salt­glaze stoneware lidded square jar and cover unsigned, 14cm. high (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 86 catalogue number 56. This jar was fired circa 1974­76 in John Maltby’s salt­glaze kiln.

Provenance

The Estate of Richard Batterham.

£200­400

544

Richard Batterham (1936­2021)

a salt­glaze stoneware sugar jar and cover, with river slip, unsigned, applied exhibition label no.33 14cm. high (2)

Provenance

The Estate of Richard Batterham, Catalogue notes

This jar and cover date form the late 1970s.

£150­250

545

Richard Batterham (1936­2021)

a stoneware beaten jar and cover, with chatter band to shoulder, covered with an ash glaze, unsigned, cobalt 19 to base 14cm. high (2)

Exhibited

Richard Batterham : Studio Potter Victoria & Albert Museum.

Literature

Tanya Harrod & Sarah Griffin (edited) Richard Batterham Studio Potter, V&A Publishing, page 85 catalogue number 55.

Provenance

The Estate of Richard Batterham.

£200­300

546

Richard Batterham (1936­2021)

a stoneware beaten jar and cover, the cover and shouldered glazed ash above black iron, unsigned, cobalt blue 1 mark, applied exhibition label no. 24, 17.5cm. high (2)

Provenance

The Estate of Richard Batterham. £150­200

547

Richard Batterham (1936­2021)

a large salt­glaze stoneware beaten jar and cover, with chatter band to shoulder, the blue­green glaze with a tenmoku drip, unsigned, 22cm. high (2)

Provenance

The Estate of Richard Batterham. £150­200

548

Richard Batterham (1936­2021)

a large salt­glaze stoneware caddy and cover, with chatter band, the interior glazed ash unsigned, incised 30 27.5cm. high (2)

Provenance

The Estate of Richard Batterham. £300­500

548

547

546

‡ 549

Reuben Batterham (born 1967)

a large, early stoneware vase, shouldered form with cut band, covered to the base in an ash glaze annotated to base 41.5cm. high

Provenance

The Estate of Richard Batterham. Catalogue notes

This early vase dates from 1984 and was Reuben’s O’ Level exam piece.

£150­200

‡ 550

Reuben Batterham (born 1967)

a large two piece salt­glaze stoneware beer jar and cover, with applied handles, the jar with broad band of chattering, glazed brown with inlaid slip, impressed seal mark, 55cm. high

Provenance

The Estate of Richard Batterham.

£350­450

‡ 551

Reuben Batterham (born 1967)

an extra large stoneware beer jar and cover, with applied handles, incised with flower motif to shoulder and vertical rib band, black glaze over ochre, impressed seal mark, 76cm. high

Provenance

The Estate of Richard Batterham.

£350­450

‡ 552

Reuben Batterham (born 1967)

a large stoneware mixing bowl made at the Durweston Pottery, with cut column design, glazed from top rim to foot with ash glaze, impressed seal mark, 47cm. diam.

Provenance

The Estate of Richard Batterham.

£250­300

‡ 553

Reuben Batterham (born 1967)

A Ravilloles Pottery soupiere and cover, covered in a streaked green glaze impressed seal mark, 22cm. high

Provenance

The Estate of Richard Batterham.

£80­120

‡ 554

Reuben Batterham (born 1967)

a large stoneware garden pot, made at Durweston shouldered, twin­handled form, covered with an ash glaze above black iron, with three drainage holes to the base, impressed seal mark 50cm. high

Provenance

The Estate of Richard Batterham.

£300­500

551

549 550

556

‡ 558

Bernard Leach CBE (1887­1979)

A Leach Pottery stoneware coffee pot and cover, glazed to the top rim and cover in ash, and another with incised decorations glazed in tenmoku, impressed seal marks to base, second pot’s cover smashed and re-stuck 16cm. high, (4)

Provenance

The Estate of Richard Batterham.

£150­250

555

Leach Pottery

a salt­glaze stoneware coffee pot and cover, two tankards glazed in tenmoku, and a collection of Leach Pottery and related ware impressed seal mark, 23.5cm. high (a lot)

Provenance

The Estate of Richard Batterham.

£150­200

556

Leach Pottery

a stoneware plate, decorated with a zigzag motif in rust and brown, a small Leach Pottery ‘Willow’ pattern stoneware dish, a Leach Pottery pot and cover, the cover incised with a stylised oak leaf under a celadon glaze and a small pot and cover probably Crowan Pottery impressed Leach Pottery seal 28.5cm. diam. (6)

Provenance

The Estate of Richard Batterham.

£200­300

557

Dinah Batterham (1930­2007)

a stoneware pot and cover dated 1952, ovoid, resist decorated in tenmoku, a small Leach Pottery vinegar jug, incised Vinegar’ under a celadon ash glaze, and a collection of ware by Dinah Batterham, painted DRD and dated 52, 11.5cm. high (a lot)

Provenance

The Estate of Richard Batterham.

£200­400

559 Leach Pottery

a set of six stoneware bowls, each glazed ash, with brushed tenmoku design over translucent cobalt band, two saki cups by Atsuya Hamada glazed tenmoku and two unglazed piggy­banks, one titled Tregenna Bank, impressed seal marks to bowls, 14cm. diam. (10)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 560

Bernard Leach CBE (1887­1979)

A Leach Pottery stoneware unomi, glazed ash to the top rim above tenmoku, impressed seal marks to base, 8cm. high

Provenance

The Estate of Richard Batterham.

£150­200

561

‡ 561

Bernard Leach CBE (1887­1979)

a salt­glaze stoneware vase, 1957/58, ovoid with flaring cylindrical neck, impressed seal marks

13.5cm. high

Provenance

The Estate of Richard Batterham.

£200­400

‡ 562

Bernard Leach CBE (1887­1979)

a stoneware bottle, 1958, the fluted tapering body with flaring cylindrical neck, covered to the foot with a tenmoku glaze, impressed seal marks, 22cm. high

Provenance

The Estate of Richard Batterham.

£300­500

563

Atsuya Hamada (1932­1986)

a Leach Pottery stoneware bottle, ovoid with cylindrical neck, glazed to the foot with speckled ash glaze, simple painted white abstract design, impressed Leach Pottery seal, 19.5cm.high

Provenance

The Estate of Richard Batterham. Catalogue notes Richard Batterham notes it was made in late 1958, and Atsuya had left the pottery before it came out of the kiln.

£150­200

562

563

566

565

‡ 564

Bernard Leach CBE (1887­1979)

A Leach Pottery porcelain miniature box and cover, circular form, painted with a radiating floral motif, in blue, impressed seal marks to base, 4.5cm. diam. (2)

Provenance

Primavera.

The Estate of Richard Batterham.

£120­180

‡ 565

Bernard Leach CBE (1887­1979)

A Leach Pottery stoneware jar and cover, shouldered form with domed cover and loop finial, incised hatch design, under rich tenmoku glaze, impressed seal marks to base, 8cm. high (2)

Provenance

The Estate of Richard Batterham. Circa 1955, Bernard wrapped these pieces up as a Christmas present.

Literature

Exhibition of the Art of Bernard Leach, Ohara Museum of Art, 1980, page 110 catalogue number 134 for a comparable example illustrated.

£150­200

‡ 566

Bernard Leach CBE (1887­1979)

a Leach Pottery porcelain jar and cover, cut sided form, covered in a celadon glaze, and another similar impressed seal marks to base, 8cm. high (4)

Provenance

Primavera (green jar).

The Estate of Richard Batterham.

£150­250

‡ 567

Bernard Leach CBE (1887­1979)

a Leach Pottery stoneware tile dated 1933, painted with two fish in tenmoku on a cream ground, another painted with a fritillary flower stem, another painted with a running deer, another with a pottery and another painted with a symbol, impressed seal marks to reverse, main painted seal mark, BL and date 1933, losses and repairs to fritillary, 10cm. square (5)

Provenance

The Estate of Richard Batterham.

£400­600

‡ 568

Bernard Leach CBE (1887­1979)

A Leach Pottery stoneware shallow bowl, incised to the well with a flying bird motif, glaze speckled celadon, impressed seal marks to base, 12.5cm. diam.

Provenance

The Estate of Richard Batterham.

Literature

Exhibition of the Art of Bernard Leach, Ohara Museum of Art, 1980, page 87 catalogue number 140 for a comparable example illustrated.

£150­250

‡ 569

Bernard Leach CBE (1887­1979)

a footed porcelain bowl, covered in a pale celadon glaze, impressed seal marks 12cm. diam. 9cm. high.

Provenance

The Estate of Richard Batterham.

£150­250

‡ 570

Bernard Leach CBE (1887­1979) and Dinah Batterham (1930­2007)

a Leach Pottery plate, 1958, painted to the well with a figure planting rice, painted in shades of cobalt, with thin iron band to rim, and another smaller painted with a flower motif, impressed BL mark, smaller plate smashed and re-stuck, 20cm. diam. (2)

Provenance

Given as a wedding present to Richard and Dinah by Bernard Leach. The Estate of Richard Batterham.

Literature

Tony Birks & Cornelia Wingfield Digby, Bernard Leach, Hamada & Their Circle, From the Wingfield Digby Collection, Phaidon, page 45 figure 37 for a comparable plate painted with two fish.

£120­180

‡ 571

Bernard Leach CBE (1887­1979)

a stoneware box and cover, rounded rectangular form, the cover painted with two birds in a weak cobalt on an ash ground, impressed seal marks to base, 10.5cm. wide (2)

Provenance

The Estate of Richard Batterham.

Literature

Exhibition of the Art of Bernard Leach, Ohara Museum of Art, 1980, page 67 catalogue number 54C for a comparable box in porcelain.

£200­300

572

572

Shoji Hamada (1894­1978)

a stoneware unomi, footed cylindrical form, simple brushed design and rim band on an ash glaze unsigned, 9cm. high

Provenance

The Estate of Richard Batterham.

£300­500

573

Shoji Hamada (1894­1978)

a stoneware footed tea bowl, covered in a streaked iron over tenmoku glaze to the foot, with iron top rim, unsigned 15cm. wide, 8cm. high

Provenance

Shoji Hamada, Hay Hill, 1963, purchased by Richard Batterham.

The Estate of Richard Batterham.

£700­900

574

Shoji Hamada (1894­1978)

a stoneware jug, waisted form with applied strap handle, painted in resist with three bands of leaf motif, in cobalt blue on a salt­glaze grey ground, unsigned 21.5cm. high

Provenance

Shoji Hamada, Hay Hill, 1963, purchased by Richard Batterham. The Estate of Richard Batterham.

£800­1,200 574

573

575

Shoji Hamada (1894­1978)

a stoneware vase, shouldered form with collar rim, the shoulder with paddle impressions, The body resist decorated with a flower stem, glazed in tenmoku under iron to shoulder and rim, unsigned, 26.5cm. high

Provenance

Shoji Hamada, Hay Hill, 1963 purchased by Richard Batterham. The Estate of Richard Batterham.

Catalogue notes Richard noted that he was rather unsure of the vase, but telephoned the next day to purchase it for £70.

£3,000­5,000

577

576

Atsuya Hamada (1932­1986)

a stoneware unomi, footed form, covered to the foot with a tenmoku glaze and another similar, unsigned, kiln-kiss to side of main unomi, second unomi minor frits to top rim 10cm. high (2)

Catalogue notes

Richard Batterham dates them to 1958.

Provenance

The Estate of Richard Batterham.

£150­250

577

Atsuya Hamada (1932­1986)

a stoneware unomi, footed form with incised decoration under a tenmoku glaze, and another similar glazed ash unsigned, small chip to top rim of main, second smashed and re-stuck, 9.8cm. high (2)

Provenance

The Estate of Richard Batterham.

Literature

Tony Birks & Cornelia Wingfield Digby, Bernard Leach, Hamada & Their Circle from the Wingfield Digby Collection, Phaidon, page 173 catalogue number 176 for a comparable unomi illustrated.

£120­180

578

Atsuya Hamada (1932­1986)

a stoneware unomi, footed form with incised vertical ribs, glazed dark iron, and another similar, unsigned, small glaze nick to main unomi, two chips to second unomi 9.5cm. high (2)

Provenance

The Estate of Richard Batterham.

Literature

Tony Birks & Cornelia Wingfield Digby, Bernard Leach, Hamada & Their Circle from the Wingfield Digby Collection, Phaidon, page 173 catalogue number 176 for a comparable unomi illustrated.

£150­200

579

Atsuya Hamada (1932­1986)

a salt glaze stoneware unomi, 1957/58, with brushed white slip, and another with incised decoration under an ash glaze, unsigned, 9.5cm. high (2)

Provenance

The Estate of Richard Batterham.

Literature

Tony Birks & Cornelia Wingfield Digby, Bernard Leach, Hamada & Their Circle from the Wingfield Digby Collection, Phaidon, page 173 catalogue number 176 for a comparable unomi illustrated.

£150­200

580

Atsuya Hamada (1932­1986)

a Leach Pottery stoneware bud vase, 1958, facetted form with slightly flaring cylindrical neck, glazed tenmoku, the neck ash, and two smaller vases unsigned, impressed Leach seal mark, 13.5cm. high (3)

Provenance

The Estate of Richard Batterham.

£200­300

581

Atsuya Hamada (1932­1986)

a stoneware dish, 1958, hexagonal section, covered in a ying­ching glaze and applied simple brush line, unsigned, small bruise to top rim, 15.5cm. wide

Provenance

The Estate of Richard Batterham.

£150­250

582

Atsuya Hamada (1932­1986)

a stoneware teapot and cover, 1958, ovoid with side handle, covered in a streaked tenmoku glaze and another teapot and cover covered in a speckled ash glaze unsigned, 11.5cm. high (4)

Provenance

The Estate of Richard Batterham.

£150­250

583

Atsuya Hamada (1932­1986)

a stoneware teapot and cover, ovoid with side handle, covered in a tenmoku glaze, unsigned 10cm. high (2)

Provenance

The Estate of Richard Batterham.

Catalogue notes Richard Batterham recalls this was the first side­handled teapot Atsuya made in 1957.

£120­180

584

Atsuya Hamada (1932­1986)

a Leach Pottery stoneware teapot and cover with side handle, ash glaze, the cover tenmoku impressed seal mark, spout damaged, 11.5cm. high (2)

Provenance

The Estate of Richard Batterham. £80­120

583

584

581

‡ 585

Katharine Pleydell­Bouverie (18951985)

a stoneware beaker vase, covered in a pale blue ash glaze to the foot, a small stoneware jug by Katharine PleydellBouverie, two other glazed pots and an unglazed flower pot by Katharine Pleydell­Bouverie, impressed seal mark, crack to flower pot, 7cm. high (vase), (5)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 586

Katharine Pleydell­Bouverie (18951985)

An ovoid stoneware vase, covered in a pale blue glaze to the foot, and two other ovoid vases by Katharine PleydellBouverie, impressed seal mark and painted marks, stress cracks, 12cm. high (3)

Provenance

Kilmington Manor Estate sale, Phillips, 1st May 1985, where purchased by Richard Batterham.

The Estate of Richard Batterham.

£150­250

‡ 587

Thiebaut Chague (born 1958)

a salt­glaze stoneware pot and cover, single­handled form, with ash glaze to the base, a salt­glaze stoneware jug and a small dish by Thiebaut Chague, main unsigned, jug impressed seal to handle, 17.5cm. high (4)

Provenance

The Estate of Richard Batterham.

£150­200

‡ 588

Thiebaut Chague (born 1958)

a Wenford Bridge stoneware jar and cover, shouldered form, the shoulder with impressed band, covered in a tenmoku glaze, and two Wenford Bridge covered pots by Thiebaut Chaque, impressed seal marks to main jar, one cover re-stuck, 18cm. high (6)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 589

Michael Cardew CBE (1901­1993) attributed

A Wenford Bridge stoneware oven dish, rounded rectangular section, with brushed design, impressed Wenford Bridge mark, in two and repaired, 38.5cm. long

Provenance

This dish was used by the Batterham’s regularly for cooking food. It is believed by the Batterham family that the dish was a gift directly from Michael Cardew.

The Estate of Richard Batterham.

£100­200

590

Wenford Bridge

an earthenware plate, decorated with a combed design, two others similar, a small Wenford Pottery dish by Seth Cardew and a small flagon, impressed marks, 23cm. diam. (5)

Catalogue notes

Given to Richard by Chalotte Bawden, Richard notes they were decorated by Michael Cardew.

Provenance

The Estate of Richard Batterham.

£120­180

‡ 591

Michael Cardew CBE (1901­1983)

a Wenford Bridge footed bowl, incised with radiating motif to well, covered in a sage ash glaze, impressed seal marks, paper price label, 31.5cm. diam. 13cm. high

Provenance

The Estate of Richard Batterham.

£150­200

‡ 592

Michael Cardew CBE (1901­1983)

a large Wenford Bridge twin­handled jar and cover, incised with wading birds amongst reeds, covered in a mottled brown glaze impressed seal marks, 32.5cm. high, (2)

Provenance

The Estate of Richard Batterham.

£300­500

‡ 593

Michael Cardew CBE (1901­1983)

a Wenford Bridge twin­handled bread jar and cover, shouldered form decorated with geometric design in ash green over tenmoku, applied seal marks, original paper price labels, 24.5cm. high (2)

Provenance

The Estate of Richard Batterham.

£150­250

591

592

593

‡ 594

William Bill Marshall (1923­2007)

a Leach Pottery stoneware teapot and cover, circa 1955/56, ovoid with overslung cane handle, resist decorated with brush design in ash, and another smaller covered in a tenmoku glaze, impressed mark, incised monogram 10cm. high (4)

Provenance

The Estate of Richard Batterham. £120­180

‡ 595

William Bill Marshall (1923­2007)

a Leach Pottery teapot and cover, ovoid with over­slung cane handle, resist decorated with simple brushed design, in ash, and another similar by William Bill Marshall, impressed mark, incised monogram, 12.5cm. high (4)

Provenance

The Estate of Richard Batterham. £120­180

‡ 596

William Bill Marshall (1923­2007)

attributed

a Leach Pottery stoneware jug, circa 1954, painted with simple cobalt blue

flower stem on ash glaze, a Leach Pottery small pot and cover and a storage jar and cover impressed Leach Pottery marks, 21.5cm. high (5)

Provenance

The Estate of Richard Batterham. £120­180

‡ 597

William Bill Marshall (1923­2007)

a Leach Pottery stoneware box and cover, circular form, resist decorated with radiating brushed design in kaki, and two others similar by William Bill Marshall, impressed factory mark, incised monogram, repaired knop to one, 10.5cm. diam. (6)

Provenance

The Estate of Richard Batterham. £120­180

‡ 598

William Bill Marshall (1923­2007)

a Leach Pottery stoneware tea set for two, painted with simple brushed grass design in cobalt on an ash glaze, comprising teapot and cover, two cups and saucers, and a stoneware bowl by William Bill Marshall, impressed Leach Pottery marks to tea set, bowl incised monogram, bowl smashed and re-stuck, 12,5cm. high (teapot), (7)

Provenance

The Estate of Richard Batterham. £120­180

‡

599

William Bill Marshall (1923­2007)

a Leach Pottery stoneware canister and cover, cylindrical form, painted simple brush grass motif on an ash glaze, and another smaller, impressed seal mark, incised monogram, 10.5cm. high (4)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 600

William Bill Marshall (1923­2007)

a Leach Pottery stoneware vase, 1957/58, shouldered ovoid form with cylindrical neck, painted with simple brushed grass design, in dark iron, and another solifleur vase by William Bill Marshall, impressed seal mark, incised monogram

13cm. high (2)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 601

William Bill Marshall (1923­2007)

a stoneware unomi, footed form brushed with hakeme over ash, impressed seal mark, 14.5cm. wide 10cm. high

Provenance

William Bill Marshall, Bettles Gallery, September 2007.

The Estate of Richard Batterham.

£200­300

599

600 601

‡ 602

David Leach OBE (1911­2005) a cuts­sided stoneware bowl, footed , cylindrical form, covered in a matt pale blue glaze with pink blush, impressed seal marks, paper note 13cm. high 15.5cm. diam.

Provenance

Given to Richard and Dinah Batterham by David Leach.

The Estate of Richard Batterham. £120­180

603

Sarah Walton (born 1945) a salt­glaze stoneware square bowl, a stoneware unomi by Scott Rivers, a Lowerdown Pottery stoneware tankard by Jeremy Leach, a small stoneware bowl by Piere Culot and seven other items, impressed factory mark, small chip to corner, 24cm. square, (11)

Provenance

The Estate of Richard Batterham. £120­180

‡ 604

Gwyn Hanssen Piggott (1935­2013) a porcelain bowl, elliptical section, covered in a celadon glaze, a celadon bowl by Nigel Wood and two other celadon glazed bowls, unsigned

16.3cm. wide (4)

Provenance

The Estate of Richard Batterham. £120­180

‡ 605

Micki Schloessingk (born 1949) a salt­glaze stoneware milk jug and sugar bowl, and two other salt­glaze stoneware dishes by Micki Schloessingk, impressed seal mark, 9.5cm. high (jug), (4)

Provenance

The Estate of Richard Batterham. £50­100

‡ 606

Dame Lucie Rie DBE (1902­1995) a small porcelain sgraffito bowl, flaring conical form, with terracotta band to foot and well, with incised sgraffito bands, covered in a manganese glaze impressed factory mark, broken and restuck 12.5cm. diam.

5.5cm. high

Provenance

Primavera, London, 17th March 1970, purchased by Richard Batterham. The Estate of Richard Batterham.

£1,000­2,000

43.5cm.

Provenance

‡ 607

John Maltby (1936­2020)

Royal Barge, 2007

stoneware sculpture, on painted wooden base impressed seal mark, signed, titled and dated to base, original exhibition number

wide 34.5cm. high

The Estate of Richard Batterham.

£1,000­1,500

611

RICHARD BAWDEN

‡ 608

Richard Bawden RWS NEAC RE (born 1936) View Through a Window aquatint on paper, framed signed Richard Bawden, titled and numbered 39/100 81 x 63cm (framed)

61 x 39.5cm (image)

Provenance

The Estate of Richard Batterham. Catalogue notes

Richard and I first met when we were nine, at a small school in the Winterborne valley, just over the hill from Durweston. Our friendship continued at Bryanston, where we both enjoyed working in the pottery. After school we always remained in touch, and I am godfather to his eldest child, Annabel. As we both became settled in our creative life a great respect for each others work grew year by year. We often chatted about our current projects and I was impressed how Richard always stressed the joy of ‘making’. Though so different we both understood the importance of design, colour and perfecting technical skills: whether starting with a lump of clay or a sheet of metal, we each worked through the creative process, until finally the kiln was opened or the paper lifted from the plate. The many pots I have, and use daily, remind me of Richard and our lifelong friendship.

Richard Bawden, 2022. £120­180

‡ 609

Richard Bawden RWS NEAC RE (born 1936) Winter Still Life aquatint on paper, framed signed Richard Bawden, titled and Artist Proof in pencil,

51 x 40cm. (image)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 610

Richard Bawden RWS NEAC RE (born 1936)

Reflections, linocut on paper, signed Richard Bawden, Reflections, artist’s proof in pencil 67 x 52.3cm (sheet)

50.5 x 40cm (image)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 611

Richard Bawden RWS NEAC RE (born 1936)

Whom that Aprille with his Showres Soote, Prologue to the Canterbury Tales, 1986 linocut on paper, framed signed Richard Bawden Artist Proof, titled and dated 1986

43 x 24cm. (image)

Provenance

The Estate of Richard Batterham

£120­180

‡ 612

Richard Bawden RWS NEAC RE (born 1936) Solitary Walk aquatint on paper, framed signed Richard Bawden, titled and A/P in pencil, 39.5 x 35cm (image)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 613

Richard Bawden RWS NEAC RE (born 1936) Winchester From St Giles Hill, linocut on paper, framed signed Richard Bawden and titled in pencil

18 x 15.5cm (image)

34 x 33cm. (frame)

Provenance

Richard Bawden 60th Birthday Retrospective, Gainsborough House, Suffolk, 9th March­21st April 1996 (catalogue number 3). The Estate of Richard Batterham.

£120­180

610

‡ 614

Richard Bawden RWS NEAC RE (born 1936)

Baby and Jug, aquatint on paper, framed signed Richard Bawden, Artists Proof in pencil, 34.5 x 32cm. (image)

Provenance

The Estate of Richard Batterham.

Catalogue notes

This early print features Richard Bawden’s son Philip who was born in March 1964, dating this print to late 1964 or early 1965.

£120­180

‡ 615

Richard Bawden RWS NEAC RE (born 1936)

Dried Plants

aquatint on paper, framed signed Richard Bawden, titled and numbered 86/100 in pencil, 57 x 40cm (image)

Provenance

The Estate of Richard Batterham.

£120­180

‡

616

Richard Bawden RWS NEAC RE (born 1936)

The Porch

aquatint on paper, framed signed Richard Bawden, titled and numbered 52/75 in pencil 49.5 x 39.5cm (image)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 617

Richard Bawden RWS NEAC RE (born 1936)

The Glass Bowl

aquatint on paper, framed signed Richard Bawden, titled and numbered 6/75 in pencil, 59 x 49.5cm. (image)

Provenance

Richard Bawden 60th Birthday Retrospective, 9th March ­ 21st April 1996, Gainsborough House, Suffolk, number 31. The Estate of Richard Batterham.

£120­180

614

615

618

‡

618

Richard Bawden RWS NEAC RE (born 1936) Cold Morning, aquatint on paper, framed signed Richard Bawden, titled and numbered 3/75 in pencil

41.5 x 36cm. (image)

Provenance

The Estate of Richard Batterham.

£120­180

‡ 619

Richard Bawden RWS NEAC RE (born 1936) Dried Plants

aquatint on paper, framed signed Richard Bawden, titled and 77/100 in pencil 56.5 x 40cm.

Provenance

The Estate of Richard Batterham.

£120­180

619

‡ 620

Richard Bawden RWS NEAC RE (born 1936) Starling

aquatint on paper, framed signed Richard Bawden, titled and A/P in pencil 29.5 x 21.5cm. (image)

Provenance

The Estate of Richard Batterham.

£120­180

‡

621

Richard Bawden RWS NEAC RE (born 1936) River Stour at Nayland

aquatint on paper, framed signed Richard Bawden, titled and numbered 44/75 in pencil, 49.5 x 39.5cm. (image)

Provenance

The Estate of Richard Batterham.

£120­180

622 No lot

‡ 623

George Young (born 1981)

A Sudden Gust of Wind, 2021 reduction woodcut print on Saunders Waterford paper titled, numbered 6/9 indistinct signature in pencil 55 x 51cm (sheet)

Provenance

The Estate of Richard Batterham. Inscribed to the reverse in pencil Dearest Richard lots of love George Jenna Theo & Audrey

£80­120

624

A teak serving trolley probably by Ercol, rectangular section with two sliding shelves, on castors, unsigned, wear from use, 59cm. high, 75 x 51cm (top)

Provenance

Given to Richard & Dinah Batterham as a wedding present. The Estate of Richard Batterham.

£100­150

‡ 625

Lucy Goffin (born 1947)

Moti & Shisha, (Pearl & Mirror)

Contemplation in reflective materials, mixed media coverlet, silk, velvet, mashru, mirror and pearl, natural dye and hand­blocked lining, and a patchwork tapestry wall hanging by Birgitta Debenham, with paper receipt, Debenham with applied label, 190 x 178cm (Goffin)

159­232 (Debenham), (2)

Provenance

The Estate of Richard Batterham.

623 624 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price END OF COLLECTION 625

STUDIO POTTERY

‡ 626

Richard Batterham (1936­2021)

a stoneware plate with chatter bands, and six bowls, all covered with ash glaze, unsigned, chip to rim of one bowl, 23cm. diam. (7)

£150­200

‡ 627

Richard Batterham (1936­2021)

a stoneware jug, covered in a tenmoku glaze, the top rim glazed ash, and a footed bowl with cut flutes, glazed ash, by Richard Batterham incised 3 to base of jug, 18.5cm. high, (2)

£150­200

‡ 628

Richard Batterham (1936­2021)

five graduated stoneware jugs, glazed black iron, the top rims ash, painted cobalt mark to tallest jug, 28.5cm. high (5)

£500­1,000

‡ 629

Richard Batterham (1936­2021)

a ribbed stoneware beer jar and cover with lug handles, covered in an ash glaze unsigned, cover repaired 40cm. high (2)

£500­1,000

‡ 630

David Leach OBE (1911­2005)

a Lowerdown Pottery red earthenware vase, waisted cylindrical form, covered in a speckled tin­glaze mushroom ground, impressed seal mark, 19cm. high

Literature

Emmanuel Cooper & Kathy Niblett David Leach, Richard Dennis

Publications, page 84 catalogue number 29 for a comparable form illustrated.

£120­180

‡ 631

David Leach OBE (1911­2005)

a Lowerdown Pottery teapot and cover, stoneware, painted with a foxglove motif in tenmoku, and a Lowerdown Pottery cut­sided porcelain bowl covered in a celadon glaze impressed seal mark, minor damages

15.5cm. high (3)

Provenance

David Leach, purchased by the vendor directly.

Literature

David Leach A Potter’s Life, page 18 (teapot) and page 2 (cut­sided bowl) illustrated.

£100­200

‡ 632

David Leach OBE (1911­2005)

a Lowerdown Pottery stoneware vase, compressed form with collar rim, sgraffito decorated with overlapping motif to the shoulder, over tenmoku, and two Lowerdown Pottery cut­sided porcelain bowls by David Leach, covered in a pale blue celadon ground, impressed seal marks, 12.5cm. high

16 & 17cm diam (bowls), (3)

Provenance

Online Gallery, Southampton, 1995 (vase) Courcoux & Courcoux, Salisbury 1987 (one bowl)

Private collection.

£150­250

‡ 633

David Leach OBE (1911­2005)

a Lowerdown Pottery cut­sided porcelain teapot and cover, covered in a pale celadon glaze, with bamboo handle, and a Lowerdown Pottery stoneware teapot and cover by David Leach painted with flower motif, impressed seal mark to cut sided teapot, firing crack to base, two seal marks to stoneware teapot (4)

£150­250

‡ 634

David Leach OBE (1911­2005)

a small porcelain bowl, with a stylised flower in cobalt, rust and tenmoku, a Lowerdown Pottery cannister and cover, a teapot and cover and a cut­sided stoneware bowl covered with a celadon glaze impressed seal marks, 12.5cm. wide (bowl), (6) £300­400

‡ 635

Janet Leach (1918­1997)

a Leach Pottery squashed stoneware pot, the body incised with irregular bands, glazed brown with ash glaze to the top rim and interior, impressed seal marks, 16.5cm. high

£150­200

‡ 636

Charles Vyse (1882­1971)

a stoneware lotus flower bowl, dated 1939, covered in a green celadon glaze incised Vyse 1939, 20cm. diam.

£120­180

‡ 637

Phil Rogers (1951­2020)

a stoneware vase with applied handles, shouldered form, with incised combed decoration, covered in an ash glaze and a salt­glazed stoneware jug, waisted form, with impressed repeat design, covered in a rich salt­glaze, impressed seal mark, 26cm. high (2)

Provenance

Purchased from the potter directly by the vendor.

£150­200

‡ 638

Mike Dodd (born 1943)

a cut­sided stoneware vase, covered in a tenmoku glaze, the shoulder a running white ash glaze, flooded seal mark, 28cm. high

Provenance

Online Gallery, Southampton.

£150­200

‡ 639

Jim Malone (born 1946)

a cut­sided stoneware vase, shouldered form, the body glazed tenmoku over ash, impressed seal mark 23cm. high

£120­180

‡ 640

Jim Malone (born 1946)

a stoneware vase, shouldered form with flattened sides, incised with simple grass motif, glazed in nuka and green ash, impressed seal mark, 20.5cm. high

£150­200

‡ 640A

Richard Batterham (1936­2021)

an early stoneware sugar jar and cover, speckled blue­grey ash glaze

unsigned

17cm. high (2)

Provenance

The Estate of Richard Batterham. Catalogue notes

This jar dates from the 1960s.

£150­200

‡ 641

Mary Rich (1940­2022)

solifleur vase

a tall porcelain solifleur vase, shouldered form, decorated with gilt bands over blue, impressed seal mark

20cm. high

£120­180

‡ 642

Mary Rich (1940­2022)

a porcelain footed bowl, glazed with purple and blue bands, highlighted with gilt geometric bands, and two porcelain vases by Mary Rich, impressed seal mark, (one vase broken and re-stuck to the neck),

17.5cm. diam.

8.5cm. high (Bowl), (3)

Provenance

Courcoux & Courcoux, Salisbury, 1987

Private collection.

£120­180

‡ 643

Charles Hair (born 1955)

a stoneware vase, ovoid with collar rim, covered in a speckled dark chestnut brown glaze, painted monogram

24cm. high

£120­180

641

642

643

640A

644

A large collection of reference books, catalogues, auction catalogues and magazines relating to pottery, studio pottery and design, (a lot)

£200­400

645

A collection of thirteen black and white photos of Harry Parr figures, mounted in a photograph album, £80­120

‡ 646

Svend Bayer (born 1946)

a large stoneware charger, covered in a Chun glaze, unsigned 46.5cm. diam.

Provenance

Joanna Bird Pottery, 2008.

£200­300

‡ 647

Svend Bayer (born 1946)

a salt­glaze stoneware vase, shouldered form with applied small loop handles, glazed brown with running white glaze to shoulder, unsigned, 16.5cm. high

£150­200

‡ 648

William Bill Marshall (1923­2007)

a stoneware bowl, flaring form, covered in a streaked running glaze, impressed seal mark to inside of foot rim, 16cm. diam. 9.5cm. high

£120­180

‡ 649

William Bill Marshall (1923­2007)

a solifleur vase dated 1993, shouldered form with applied loop handles, impressed flowerhead motif to shoulder, covered in a celadon glaze, impressed seal mark, incised 1993 date 27cm. high

£150­200

‡ 650

William Bill Marshall (1923­2007) a stoneware teapot and cover, with side handle, decorated in resist with a flower motif, under tenmoku glaze, impressed seal mark to side 13cm. high, (2)

£150­200

‡ 651

William Bill Marshall (1923­2007)

a stoneware slab bottle vase with collar neck, resist decorated with a running glaze over tenmoku, impressed seal mark to base, 34cm. high

£200­300

‡ 652

Phil Rogers (1951­2020)

a slab­built stoneware bottle, shouldered rectangular form, incised with grasses, covered to the foot in a celadon glaze impressed seal mark 25.5cm. high

£120­180

‡ 653

Jim Malone (born 1946)

an Ainstable Pottery cut­sided stoneware bowl, the exterior glazed tenmoku, the interior ash impressed seal marks, 15.5cm. high 30.5cm. diam.

£150­200

‡ 654

Jim Malone (born 1946)

an Ainstable Pottery coffee pot and cover, cut­sided form, covered in a tenmoku glaze impressed seal marks, 22cm. high (2)

£120­180

‡ 655

Clive Bowen (born 1943)

a tall slipware jug, earthenware bellied body with applied handle, covered with a speckled yellow glaze and zig­zag band to foot, unsigned 42cm. high

£100­200

‡ 656

Clive Bowen (born 1943)

a tall slipware jug, earthenware bellied form with applied, handle, covered to the foot with a mottled green glaze and white slip brushed design, and three other Clive Bowen jugs, unsigned, 38cm. high (4)

£150­250

651

652

653

654

‡ 657

Phil Rogers (1951­2020)

a stoneware platter, incised to the well with grasses, covered in an ash glaze, impressed seal mark 32.5cm. diam.

£120­180

‡ 658

Mike Dodd (born 1943)

a stoneware vase, with incised comb design, under thick broken slip peat clay glaze, impressed seal to base 29cm. high

£120­180

‡ 659

Michael Casson OBE (19252003)

a salt­glaze stoneware jug, waisted form, on three lug feet, another salt­glaze stoneware jug by Michael Casson and a jug by Michael Casson with combed decoration, impressed seal mark to all three, 28cm. high (tallest), (3)

£150­200

‡ 660

Nic Collins (born 1958)

a salt­glaze stoneware jug, bellied form, impressed seal marks, 32cm. high

£120­180

‡ 661

Malcolm Pepper (1937­1980) a stoneware vase, ovoid with collar rim, partially covered with an ash glaze to the shoulder, painted with simple foliate stems in blue and brown, and another stoneware vas by Malcolm Pepper, covered in a tenmoku glaze to the foot, impressed seal mark to both, 21.5cm. high (2)

£120­180

‡ 662

Dylan Bowen (born 1967) earthenware jug form, hand built painted Dylan Bowen 50cm. high

Provenance Oxford Ceramics

£200­300

‡ 663

Dylan Bowen (born 1967)

Totem

earthenware glazed in colours signed to base 38cm. high

£150­200

664

Takeshi Yasuda (born 1943) a stoneware footed bowl with star rim, covered in a cream glaze

unsigned 28.5cm. diam.

£200­300

665

Takeshi Yasuda (born 1943) a pair of stoneware single­handled dishes, cream glaze with brown, unsigned 18.5cm. wide (2)

£150­250

666

Takeshi Yasuda (born 1943) three stoneware unomi, each with applied slip design, two cream and brown glazes the other pale blue paper label to one 10cm. high (tallest), (3)

£150­250

667

Toi Tetuo

Bernard Leach and Shoji Hamada, two woodblock prints on paper, and Bernard Leach 100th Birthday 1987, all three framed stamped seal mark, one signed in pencil 29 x 20cm (image), (3)

£100­150

668

Shoji Hamada (1894­1978), attributed a pair of stoneware dishes, each with painted brush design in cobalt on an ash ground, the rim tenmoku, unsigned 13.5cm. diam. (2)

£150­200

669

Shoji Hamada (1894­1978) a stoneware teapot with angled handle, covered to the foot with an ash glaze, unsigned 11.5cm. high

Literature

Bernard Leach Hamada Potter, Kodansha International, plates 77­78 for two comparable pots illustrated.

£150­200

672 673

‡ 670

Lawrence McGowan (born 1942)

a tin­glaze pottery shallow bowl, painted with rows of birds, a bowl similar and a bowl painted with calligraphic alphabet, painted monogram 27cm. diam. (3)

£150­200

‡ 671

Edgar Campden (born 1930)

an Aldermaston Pottery tin­glaze jug, painted with simple blue brushed leaf motif, and a large Aldermaston Pottery bowl painted monogram, bowl chipped 18.5cm. high (2)

£120­180

‡ 672

Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery tin­glazed earthenware jug, painted with foliate panels in red lustre, painted artist cipher, date code 25.5cm. high

£120­180

‡ 673

Margaret Frith (born 1943) a porcelain ginger jar and cover, with impressed raised seal mark motif, glazed celadon with rush highlights, impressed seal marks, 23cm. high (2)

£120­180

‡ 674

Chris Keenan (born 1960)

a porcelain vase, solifleur, shouldered form, covered in a deep tenmoku glaze with brushed design, three graduated covered pots, a teapot and cover, and two mugs, three graduated vases and two bowls similar, and a porcelain pourer glazed celadon, impressed seal marks, 24.5cm. high (solifleur), (13)

£300­500

‡ 675

Chris Keenan (born 1960)

three small ovoid porcelain pots, one glazed black over celadon, the other two celadon unsigned 10cm. high (3)

£120­180

676

‡ 676

Jack Doherty (born 1948)

a flaring conical porcelain bowl, with impressed comb design, covered in a soda vapour glaze, impressed seal mark, 23.5cm. diam. 13cm. high

£120­180

‡ 677

Jack Doherty (born 1948)

porcelain jar and cover, impressed seal mark, 21cm. high (2)

£120­180

‡ 678

Adam Buick (born 1978)

Moon Jar

porcelain vase with celadon glaze running to the foot, seal concealed under running glaze 27cm. high

£120­180

‡ 679

Julian Stair (born 1955)

a teapot and cover, ovoid with simple over­slung handle, covered in a white glaze, impressed JS seal mark, 18cm. high, (2)

£150­200

‡ 680

Julian Stair (born 1955)

Porcelain teapot and cover and two unomi, on burnished wooden tray, impressed seal mark, C 19.5cm. high (teapot), (5)

£300­500

677

678

‡ 681

Ashley Howard (born 1963)

a stoneware vase, hand­built, the inside and shoulder with running thick, white volcanic glaze, and two covered jars by Ashley Howard jars with impressed seal marks, 18cm. diam. (vase), (5)

Provenance

Winchester Cathedral exhibition (main vase).

£120­180

681

‡

Paul Soldner (1921­2011)

a stoneware vase, slightly leaning and with flaring rim, painted with brushed black abstract design over pink burnished ground with white and another similar Paul Soldner stoneware vase (2)

impressed seal mark, 44cm. high

£200­400

‡

Sotis Filippides (born 1963)

a stoneware bowl, flaring, ribbed form, covered in a matt black glaze, the interior with streaked blue glaze, incised mark

19.5cm. high

£120­180

682

683

684

Sotis Filippides (born 1963)

a tall vase, swollen, shouldered form with tall swollen cylindrical neck, covered in a textured matt black glaze, incised monogram 67.5cm. high

£800­1,200

685

Sotis Filippides (born 1963)

a tall shouldered vase with flaring rim, covered in 24 carat gold, the interior glazed matt black, incised monogram 65cm. high

£800­1,200

686

Sotis Filippides (born 1963)

a pair of tube lamps, each five textured tubes covered in 24 carat gold, on textured base glazed matt black, with hand­painted shades, incised monogram

52cm. high (total height) 38.5cm. (height of ceramic), (4)

£800­1,200

684

685

‡ 687

Tim Andrews (born 1960)

Humbug, 2021

raku with black and white striped design impressed seal mark, 21 date 16cm. diam.

£120­180

‡ 688

Stephen Murfitt (born 1953)

flaring raku bowl covered in a crackled lavender and red glaze, and a raku vase by Stephen Murfitt impressed seal mark, hairline crack to rim of bowl, 35cm. diam. (bowl) (2)

Provenance

Courcoux & Courcoux, Salisbury 1987

Private collection.

£150­200

‡ 689

Ashraf Hanna (born 1967)

a raku fired earthenware vase, black and white glazes, incised Ash

17cm. high

£150­200

‡ 690

Duncan Ross (born 1943)

a terra­sigillata burnished earthenware vase incised DR monogram

15cm. high

£150­200

688

687

687 top

‡ 691

Robin Welch (1936­2019)

a stoneware cylinder on foot, painted panel on manganese band, above white impressed RW 27cm. high

£150­200

‡ 692

Rupert Spira (born 1960)

a stoneware vase, swollen cylindrical form covered in a matt black glaze, the interior glazed off white, impressed seal mark, 26.5cm. high

£400­600

‡ 693

Rupert Spira (born 1960)

a stoneware bowl, shallow form, resist decorated in green and white impressed seal mark 28cm. diam.

£1,000­1,500

693

692 691

‡ 694

Peter Lane (born 1932)

flaring porcelain bowl, painted with radiating blue and yellow graduated panels, to interior and exterior incised signature

35.5cm. diam.

12.5cm. high

£120­180

‡ 695

Anthony Theakston (born 1965)

Bird jug, 1993

a large salt­glaze stoneware jug, and another smaller, incised signature and date 22cm. high (2)

£150­250

‡ 696

Sun Kim (born 1977)

a porcelain vase, rectangular, shouldered section with elliptical neck, covered in a matt white glaze, a pouring vessel similar and a set of three graduated bowls by Sun Kim, impressed seal mark, 13.5cm. high (5)

£200­400

‡ 697

Maria Geszler­Garzuly (born 1941)

Bust of a Figure, stoneware with partial glaze, painted marks to base 15.5cm. high

£120­180

‡ 698

Dan Kelly (born 1953)

Ovoid Torn Vessel, on three feet, glazed matt black with white highlights, unsigned, 27cm. high

£150­250

‡ 699

Dan Kelly (born 1953)

Tall Split Vessel, matt black glaze with painted yellow, pale blue and red lines, unsigned 59cm. high

£200­300

‡ 700

Dan Kelly (born 1953)

a porcelain vase, with impressed panel, glazed matt white, the interior black, with brushed black and blue detail, and another vase by Dan Kelly

unsigned, 13.5cm. high (2)

£100­200

‡ 701

Marianne De Trey CBE (1913­2016)

a stoneware vase, cylindrical with flaring top rim, impressed decoration, ash glaze, impressed seal mark, 21cm. high

£50­100

‡ 702

Waistel Cooper (1921­2003)

a stoneware vase, ovoid with flaring neck, matt white and speckled brown finish, oatmeal gloss glaze to interior, painted Waistel to base 16cm. high

£200­300

‡ 703

Waistel Cooper (1921­2003)

a stoneware goblet vase, textured finish, with running brown glaze to interior, painted Waistel signature 21.5cm. high

£150­200

‡ 704

Eric James Mellor (1925­2014)

Nude

a stoneware tile with elm ash glazes, and a Leach Pottery stoneware tile by Trevor Corser, painted with a boat and lighthouse seascape, EJM tile signed and titled to the side, TC tile impressed marks 19.5 x 10cm. (2)

£120­180

‡ 705

Eric James Mellon (1925­2014)

Persephone about to throw a Pomegranate at Pluto, 1978 lithograph on paper, framed signed, titled, dated and numbered 4/12 in pencil, 29 x 19.5cm. (image)

£100­200

‡ 706

Nancy Baldwin (1934­2021)

Two Crows, 1988 pencil on paper, framed signed and dated 1988 76 x 56.5cm.

£150­250

‡ 707

Nancy Baldwin (1934­2021)

untitled, nude figure in a landscape, 1991 acrylic on paper, framed signed and dated 76.5 x 56.5cm. (sheet)

£150­250

708

‡ 708

Gordon Baldwin (born 1932) Birds Flying, 2001 pencil on paper, framed signed and dated in pencil GB October 2001, dedication label to reverse 56 x 39cm. (image)

£150­250

‡ 709

Gordon Baldwin (born 1932) Cup Form, 1972 marbled stoneware, the interior glazed mottled chestnut brown, painted GB 72 to base 26cm. high

Provenance

purchased from the artist directly by the vendor.

£150­250

‡ 710

Gordon Baldwin (born 1932)

Footed Bowl, cylindrical form, painted geometric design, the interior glazed black, unsigned 12.5cm. high

Provenance

Purchased from the artist directly by the vendor.

£120­180

‡ 711

Gordon Baldwin (born 1932) Vessel, 1978 blue and purple metallic glaze over white incised GB and 78 30cm. high

Provenance Purchased from the artist directly.

£200­300

‡ 712

709

Gordon Baldwin (born 1932) Bowl Form, 1975 glazed white with sand and pale blue painted design signed GB dated 75 14.5cm diam.

£120­180

710

714

‡ 713

Bernard Rooke (born 1938) a stoneware vase, rectangular form, cast in relief with geometric panels, glazed brown, 27.5cm. high

£120­180

‡ 714

Bruce Winn (1959­2012), a porcelain chawan, dated 1992, faceted form with painted decoration and a footed unomi by Bruce Winn incised signature and date 92, 8.5cm. high 13.5cm diam. (2)

£150­250

‡ 715

Rosa Nguyen (born 1960) untitled (figure and hand) a large pottery wall plaque, worked in low relief and painted, unsigned 55 x 34cm.

£120­180

‡ 716

Rosa Nguyen (born 1960) three plates, each painted in colours raised signature to back, 28.5cm. diam. (3)

£120­180

717

Sandy Brown (born 1946) Bowl Form, hand­built stoneware on five ball feet, glazed in colours painted signature, 30.5cm. wide

£120­180

‡ 718

Rodney Lawrence (born 1950)

stoneware vase

tapering with squared top rim, sgraffito decorated with figures in an art gallery, a plate by Rodney Lawrence with figures in a landscape after Manet, a bowl by Peter Care, a vase by Caroline Randall and a dish, impressed seal marks, 22.8cm. high (5)

Provenance

Courcoux & Courcoux (care bowl and Randall vase), 1987. Private collection.

£120­180

‡ 719

Colin Pearson (1923­2007)

Winged Vessel stoneware vase with applied handles highlighted with golden lustre glaze impressed seal mark, 17cm. high

£400­600

‡ 720

Kate Malone MBE (born 1959)

Seedpod crystalline glazed stoneware, the exterior matt turquoise unsigned 25cm. wide

£150­200

719

‡ 721

Peter Hayes (born 1946) Standing figure, canal clay with rust-red glaze, on slate base unsigned 34.5cm. high

£150­200

‡ 722

Peter Hayes (born 1946) Standing couple, stoneware figure group, on polished black slate base, signed Peter Hayes to base 16cm. high

£200­300

‡ 723

Peter Hayes (born 1946) blade form with keyhole, 2013 textured raku, on polished slate base, signed and dated to base 27.5cm. high

Provenance

Purchased from the artist directly.

£300­500

721 two views

724

‡ 724

Alan Wallwork (1931­2019)

Slice Form stoneware, pale grey with rust brown highlights incised AW monogram 11.5cm. wide

£150­200

‡ 725

Alan Wallwork (1931­2019)

Seed Head stoneware vase, glazed silver­grey with pale yellow spots incised AW monogram 15cm. high

£200­250

‡ 726

Alan Wallwork (1931­2019)

Split Form a tall vase, glazed grey with rust spots and pale blue highlights incised AW monogram

22.5cm. high

£300­400

‡ 727

Alan Wallwork (1931­2019)

Split Form a stoneware vase with grey and brown glazes incised monogram 15cm. high

£200­250

‡ 728

Alan Wallwork (1931­2019)

Split Form a stoneware vase, covered with impressed holes, glaze pale grey with rush highlights incised AW monogram 20.5cm. high

£250­350

‡ 729

Janet Leach (1918­1997)

a Leach Pottery stoneware dish, square, with brushed design in ash and tenmoku, impressed seal marks, 15cm. square

£120­180

‡ 730

John Maltby (1936­2020)

a stoneware footed dish, glazed with large cross motif, in shades of dark chestnut, red and white impressed seal mark 20cm. wide

£120­180

‡ 731

John Maltby (1936­2020)

a large stoneware square plate with raised rim, painted to the well with houses and crosses, in blue, white and black on a speckled oatmeal ground, the rim glazed tenmoku, impressed seal mark, 30cm. square

£200­300

‡ 732

John Maltby (1936­2020)

a stoneware pot with cane handle, octagonal cylinder form, painted with simple geometric motif in tenmoku and green, highlighted in gilt on a silver­grey ground, unsigned, paper label from Peter Dingley Gallery 20cm. high (total)

Provenance

Peter Dingley Gallery, purchased by the vendor. £150­200

‡ 733

John Maltby (1936­2020)

a stoneware basket with bamboo handle, enamelled with cobalt flower motif, highlighted in gilt, on a grey chequered ground, impressed seal mark, 15cm. wide

£150­200

‡ 734

John Maltby (1936­2020)

Guardian Angel

stoneware on ebonised wood base, signed and tiled to wooden base, professional restoration, 35.8cm. high

£150­200

‡ 735

John Maltby (1936­2020)

Seated Angel

stoneware sculpture, impressed seal mark, applied paper exhibition number, small chip to back of shield, 22cm. high

£150­200

732

733

‡ 736

Dame Lucie Rie (1902­1995) conical porcelain bowl, covered with a manganese glaze, the interior with resist white bands inlaid with radiating lines, the exterior with sgraffito band towards the top rim impressed seal mark, 15.2cm. diam.

7.2cm. high

Provenance

Courcoux & Courcoux, Salisbury

Private collection.

£8,000­12,000

encrusted stoneware with applied decoration

Micro Moon Jar

applied and encrusted stoneware with cherry ash glaze painted mark under paper label,

‡ 737

Akiko Hirai (born 1970)

MJ2 11cm. high £500­800

‡ 738

Akiko Hirai (born 1970) Moon Jar

painted monogram 23cm. high £2,000­4,000

‡ 739

Akiko Hirai (born 1970)

Cloud Moon Jar

encrusted stoneware with applied detail, covered in a white glaze, painted mark to base 40cm. high £5,000­8,000

‡ 740

Walter Keeler (born 1942) a salt­glaze stoneware jug with beak spout, covered in a blue­grey glaze, impressed seal mark, 23.5cm. wide, 10.5cm., high

£120­180

‡ 741

Walter Keeler (born 1942) a stoneware mug, glazed blue to the exterior and mustard yellow to interior, and a cylindrical tea bowl, glazed cream with a blue wash to base, impressed seal mark, 8cm. high, (2)

£120­180

‡ 742

Walter Keeler (born 1942) Leaning pot and cover, salt glazed stoneware, and a salt glazed stoneware leaning jug by Walter Keeler, impressed seal mark to both 16.5cm. high (3)

£150­200

740 both sides 741 742 744

‡ 743

Walter Keeler (born 1942) Apple pot and cover, cream earthenware, impressed seal mark, 10cm. high (2)

£120­180

‡ 744

Walter Keeler (born 1942)

five mugs, each glazed canary yellow, impressed seal mark to side 9cm. high (5)

£150­250

‡ 745

Walter Keeler (born 1942)

a salt­glaze stoneware jug with beak spout, glazed blue­grey, and another jug with strap handle by Walter Keeler, impressed seal marks, 14cm. high (2)

£150­200

‡ 746

Walter Keeler (born 1942)

a Whieldon Ware stoneware extruded jug with thorn handle, glazed blue with yellow and green patches, and a mug similar, impressed seal mark, 17.5cm. high (2)

£150­200

‡ 747

Walter Keeler (born 1942)

Jug on Plinth with Thorns, covered in a Whieldon Ware glaze impressed seal mark, 24cm. high

Literature

Emmanuel Cooper & Amanda Fielding Walter Keeler, page 47 for a comparable form illustrated.

£150­250

‡ 748

Walter Keeler (born 1942)

a tall salt­glaze stoneware jug, with applied strap handle, covered in a blue salt­glaze, applied seal mark to side 35.5cm. high

£350­450

746

747

748

745

752

751

‡ 749

Walter Keeler (born 1942)

a salt­glaze stoneware leaning pourer, covered in a green­blue glaze, impressed seal mark, 14.3cm. high

£120­180

‡ 750

Walter Keeler (born 1942)

a jug with beak spout, covered in a grey glaze, and two other jugs by Walter Keeler, impressed seal marks, 13cm. high (3)

£150­200

‡ 751

Walter Keeler (born 1942)

an extruded jug with thorn handle, covered in a grey glaze with mustard yellow highlights, impressed seal mark to side 24.5cm. high

£300­500

‡ 752

Walter Keeler (born 1942)

a salt­glaze stoneware jug, covered in a greyblue glaze and an extruded jug by Walter Keeler, impressed seal mark, 15cm. high (jug), (2)

£150­200

749 both sides 750

Wiener Werkstätt

silver and malachite fruit tray designed by Josef Hoffmann for Adolphe Stoclet, 1908 for the Palais Stoclet.

EXHIBITION

Robert Wallace Martin Potter, Sculptor, Artist

12th ­ 23rd June

To celebrate the centenary of Robert Wallace’s death in 1923, we are pleased to hold an exhibition of Robert Wallace’s work, from private collections.

For more information about the exhibition please contact Michael Jeffery.

ENQUIRIES

Michael Jeffery | +44 (0)1722 424505

mj@woolleyandwallis.co.uk

SILVER & OBJECTS OF VERTU

By Gilbert Marks, a late­Victorian Arts and Crafts silver bowl, London 1896/97, also signed 'Gilbert Marks 97', diameter 23.7cm, height on stand 18.3cm Estimate £2,000 ­ 3,000*

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5.30pm

Castle Gate Offices

Monday to Friday 9am – 5.30pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. Once registration is complete you will be provided with a paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or Amex

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3%€50,000.01 ­ 200,000

1%€200,000.01 ­ 350,000

0.5%€350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs. For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

ABSENTEE BID FORM CLARICE CLIFF ART DECO &DESIGN

22ND & 23RD MARCH 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Signature

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2023 AUCTIONS

AUCTION CALENDAR

MARCH

8th Old Masters, British & European Paintings

22nd & 23rd Clarice Cliff, Art Deco & Design

APRIL

4th & 5th Furniture, Works of Art & Clocks

18th & 19th Silver & Objects of Vertu

20th & 21st Fine Jewellery

26th British & Continental Ceramics & Glass

MAY

17th Medals & Coins, Arms & Armour

23rd & 24th Asian Art, Chinese Paintings & Japanese Works of Art

JUNE

7th Modern British & 20th Century Art

21st Fine Arts & Crafts (Including Martin Ware)

Exhibition Robert Wallace Martin Potter, Sculptor, Artist 12th to 23rd June

Dates may be subject to change

+44 (0) 1722 424500

enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk

*Price includes buyer’s premium

Walter Crane (1845­1915) Divers (Mermaids) SOLD FOR £16,250*