Woolley & Wallis Auctioneers

FURNITURE WORKS OF ART & CLOCKS WEDNESDAY 22ND SEPTEMBER 2021

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

VALUATIONS FOR INSURANCE & PROBATE 411854 339161 446974

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV (Consultant) Amanda Lawrence

424598 424509 424509

GENERAL OFFICE

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424500

339752

CASTLE GATE RECEPTION ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Alana Ker Mercer Michelle Yu

Sally Litherland 424506 +44 (0)7812 601098 424571 424591

MARKETING Sally Trench

ACCOUNTS CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards

424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Sarah Stone

BOARD OF DIRECTORS 424507 446964

JAPANESE ART Alexandra Aguilar

424583

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell

341469

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

Sharon Ringwood Anna Gentleman

424501 424594

Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

446959

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FURNITURE WORKS OF ART & CLOCKS ND

WEDNESDAY 22 10.00AM

Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

SEPTEMBER 2021

at our Castle Street Salerooms, SP1 3SU Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

VIEWING Saturday 18th September Monday 20th September Tuesday 21st September Wednesday 22nd September

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 3.00pm 8.30am – 10.00am Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

BUYER’S PREMIUM

LIVE ONLINE BIDDING – FREE OF CHARGE

Each lot is subject to a Buyer’s Premium of 25% plus VAT

LIVE

TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 21st September

bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 21st September

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults COLLECTION OF LOTS BY APPOINTMENT Collection by appointment from Monday 27th September from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready All accounts to be settled prior to collection

Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms Facebook: @woolleyandwallis Twitter: @woolleywallis Pinterest: Woolley and Wallis

EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance

ILLUSTRATIONS Front cover: Lot 607 detail Back cover: Lots 492 & 607 details Catalogue £10.00 (£15.00 by post)

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THE SIR MICHAEL CODRON COLLECTION OF LIONS SIR MICHAEL CODRON CBE Since his first production in February 1956, Sir Michael, now a doyen of British theatre, has gone on to produce around two hundred West End shows by many of our finest writers. His influence upon and success of British theatre is, in no small way, down to his ability to seek out new talent. Now in his nineties his involvement in London’s West End continues as Administrator of the Aldwych theatre where the hit musical ‘Tina’ is currently playing.

A graduate of Worcester College, Oxford, of which he was made an Honorary Fellow in 2012, he was appointed Cameron Mackintosh Professor of Contemporary Theatre in 1993. For services to the Theatre, he was appointed CBE in August 1989 and Knighted in 2014.

As a collector of memorabilia associated with Caroline of Brunswick, also with his passion for the art and craftmanship associated with rural British taste, he has amassed a number of comprehensive collections. Of these, the lions begun in the early 1950s, are offered in this auction.

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1 A NAIVE POTTERY SLIP GLAZED MODEL OF A RECUMBENT LION LATE 18TH / EARLY 19TH CENTURY 9.7cm high, 20.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

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2 A STAFFORDSHIRE POTTERY MODEL OF A RECUMBENT LION LATE 18TH / EARLY 19TH CENTURY with a Whieldon­type glaze 9.3cm high, 19.7cm long Provenance The Sir Michael Codron Collection of Lions.

£150­250 3 A POTTERY MODEL OF A RECUMBENT LION 19TH CENTURY with a mottled brown and blue spongeware­type glaze 13.5cm high, 20.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

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4 A FOLK ART PRIMITIVE POTTERY MODEL OF A ROARING LION LATE 18TH / EARLY 19TH CENTURY

5 A PAIR OF STAFFORDSHIRE POTTERY LIONS LATE 18TH / EARLY 19TH CENTURY

with a dark treacle glaze, standing on a ribbed oval base 21.2cm high, 23.8cm wide

with a Whieldon­type glaze, the lions recumbent on a rectangular base with a reeded edge (2) 9.8cm high, 14cm wide

Provenance The Sir Michael Codron Collection of Lions.

Provenance The Sir Michael Codron Collection of Lions.

£100­150

£150­250

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6 A STAFFORDSHIRE POTTERY TREACLE GLAZED MEDICI LION C.1840 with one paw resting on a sphere, standing on a rectangular plinth moulded with figures, lions and a grapevine 25.3cm high, 33cm wide Provenance The Sir Michael Codron Collection of Lions.

£200­300

7 A NEAR PAIR OF BROWN STONEWARE POTTERY SASH WINDOW / FURNITURE RESTS 19TH CENTURY in the form of lion’s heads (2) 13cm high, 11.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150

8 EIGHT POTTERY LION SASH WINDOW / FURNITURE RESTS 19TH CENTURY seven with a treacle glaze, comprising: a set of three, one very similar, a pair and two single models (8) 13.3cm high, 11cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£150­250

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9 A STAFFORDSHIRE POTTERY PEARLWARE LION C.1820­30 the lion modelled with a human face, perhaps a political caricature, standing on a polychrome rainbow base 13.5cm high, 18.4cm wide Provenance The Sir Michael Codron Collection of Lions.

£300­500

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10 TWO PRATT WARE POTTERY LIONS C.1800 each with a spotted coat, lying on a green naturalistic base (2) 7.3cm high, 11.1cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250 11 A PAIR OF SLIPWARE POTTERY BOOKENDS POSSIBLY NORTH DEVON, LATE 19TH CENTURY

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each modelled with a roaring lion and with a faux­ tortoiseshell sponge glaze, the underside with incised initials ‘A R’ (2) 15.5cm high, 14.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£200­300 12 A SLIPWARE POTTERY MODEL OF A RECUMBENT LION LATE 18TH / EARLY 19TH CENTURY with a yellow and brown streak glaze, on a stepped rectangular base 10.8cm high, 19.7cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

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13 A STAFFORDSHIRE PEARLWARE POTTERY FIGURE OF THE ENGLISH LION

BY JOHN WALTON, C.1820 modelled recumbent on a grassy mound, wearing a crown, his left paw resting on a yellow sphere, with flowering bocage, the back applied with a ‘Walton’ banner 15cm high, 13.3cm wide Provenance The Sir Michael Codron Collection of Lions.

Catalogue Note See Mylne Schkolne, ‘People, Passions, Pastimes and Pleasures’, p.163, for an identical figure with its pair, the unicorn.

£400­600

14 A STAFFORDSHIRE PEARLWARE POTTERY LION

BY JOHN WALTON, C.1820 modelled seated on a grassy mound, decorated with Rococo scrolls and bocage, the back applied with a ‘Walton’ banner 12cm high, 10cm wide Provenance The Sir Michael Codron Collection of Lions.

£200­300

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15 A PAIR OF BRASS LION FIREPLACE ORNAMENTS 19TH CENTURY titled ‘The British Lion’, above an arcaded gallery decorated with roses, thistles and shamrocks, stamped with registration number ‘358 630’ (2) 23.2cm high, 22.2cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150

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16 16 THREE BRASS FIREPLACE ORNAMENTS 19TH CENTURY comprising: two in the form of Royal Coats of Arms, with lions and unicorns, together with a single flatback lion (3) 31.5cm (max) Provenance The Sir Michael Codron Collection of Lions.

£100­150 17 FOUR BRASS FIRE RESISTING SAFE-DOOR PLAQUES LATE 19TH CENTURY all decorated with the Royal Coat of Arms, comprising: a rare Royal Warrant Patent Plaque, inscribed ‘Makers to her Majesty by appointment Hobbs Hart & Co. Limtd London Patents’, two for ‘Milners 212 patent’, the other for ‘C. S. P. Wood & Co.’, together with another brass Royal Coat of Arms (5) 24.5cm (max) Provenance The Sir Michael Codron Collection of Lions.

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£80­120

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18 A PAIR OF BRASS LION DOORSTOPS / FIREPLACE ORNAMENTS 19TH CENTURY each modelled with a lion, on a leaf and stylised fleur­de­lis decorated base (2) 20.6cm high, 22cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

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19 THREE BRASS LION CHIMNEY ORNAMENTS 19TH CENTURY

20 TWO PAIRS OF BRASS BOOKENDS LATE 19TH CENTURY

each modelled with a Medici lion, comprising: a pair by ‘Crowley & Co. Manchester’, together with a similar ornament raised on a stepped base, stamped ‘Prickett 271’ (3) 13.5cm high, 17.2cm wide (max)

comprising: the lion and the unicorn, and two lions, each stamped ‘Made in England’ (4) 15.5cm high, 14cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

Provenance The Sir Michael Codron Collection of Lions.

£80­120

£80­120

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21 THREE BRASS MODELS OF LIONS 19TH CENTURY one of a recumbent sleeping lion after Canova, with a lead weight, another recumbent example and a flatback chimney ornament (3) 18cm (max) Provenance The Sir Michael Codron Collection of Lions.

£80­120 22 WATERLOO INTEREST. A BRASS TRAY 19TH CENTURY decorated with the lion statue at Waterloo, designed by Jean­ Louis van Geel (Belgian 1787­1852), together with another tray, the model of the lion statue and two other brass trays, one in the form of a lion’s pelt, the other of a lion in undergrowth; stamped ‘D. L. depose n­19’ (5) 18cm (max)

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Provenance The Sir Michael Codron Collection of Lions.

£100­150 23 A BRONZE TAZZA LATE 19TH CENTURY with lion’s mask handles, on a turned black marble plinth, together with a brass group of three lions, a sphinx candlestick and a white metal letter opener with a lion finial (4) 16.1cm (max) Provenance The Sir Michael Codron Collection of Lions.

£80­120 24 FIVE LION ITEMS LATE 19TH CENTURY AND LATER comprising: a brass and ebonised wood letter rack, a gilt brass buckle, a brass desk lighter in the form of a water hydrant and two desk stands (5) 20.5cm (max)

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Provenance The Sir Michael Codron Collection of Lions.

£50­100 12

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25 A PAIR OF BRASS WALL SCONCES 19TH CENTURY in jack­rack style, each with a star and scroll backplate, the arm decorated with a lion, the end with a hook, with apertures probably for gas or electricity fittings (2) 26.8cm high, 22cm deep Provenance The Sir Michael Codron Collection of Lions.

£150­250

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26 TWO PAIRS OF FOLK ART BRASS CHIMNEY ORNAMENTS 19TH CENTURY with engraved details (4) 18.7cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£100­150 27 A PAIR OF BRASS ANDIRONS LATE 18TH / EARLY 19TH CENTURY each with a flaming urn finial, above a triangular body, with pierced and engraved decoration, with a pair of lions supporting a crown, on lion’s paw front feet (2) 36.3cm high, 22.8cm wide, 29.5cm deep Provenance The Sir Michael Codron Collection of Lions.

£300­400

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28 TWO LARGE BRASS DOOR KNOCKERS LATE 19TH / 20TH CENTURY each modelled with a lion’s mask and a ribbon and rosette knocker (2) 24cm diameter (max) Provenance The Sir Michael Codron Collection of Lions.

29 A PAIR OF PAINTED COMPOSITION STONE LION’S MASKS PROBABLY ITALIAN (2) 12 x 11.4cm Provenance The Sir Michael Codron Collection of Lions.

£100­150

£150­250

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30 FOUR LION’S MASKS 19TH CENTURY comprising: a pair of lead examples, a bronze mask originally with a ring handle and a verde antico marble paperweight decorated with a gilt bronze mask (4) 12cm (max) Provenance The Sir Michael Codron Collection of Lions.

£100­150 31 TWO BRONZE LION’S MASK DOOR KNOCKERS one patinated, the other polished (2) 23cm high (max) Provenance The Sir Michael Codron Collection of Lions.

£100­150 30

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32 A VICTORIAN COPPER JELLY MOULD

BY BENHAM & FROUD, 19TH CENTURY modelled with a recumbent lion, on a part fluted base, with cross and orb mark and numbered ‘628’ 15.2cm high, 20cm wide, 13cm deep Provenance The Sir Michael Codron Collection of Lions.

£150­250

33 A FOLK ART COPPER JELLY MOULD 19TH CENTURY modelled with a naive lion, the face possibly a satirical portrait of a politician of the period, with a suspension ring 7.7cm high, 24.2cm wide Provenance The Sir Michael Codron Collection of Lions.

£200­300

34 A COPPER AND TIN JELLY MOULD 19TH CENTURY modelled with a recumbent lion and numbered ‘114’ 15cm high, 21cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150

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35 A POTTERY JELLY MOULD IN THE FORM OF A LION LATE 19TH CENTURY 16.8cm wide Provenance The Sir Michael Codron Collection of Lions.

£80­120 36 FOUR ASSORTED LIONS 20TH CENTURY comprising: a plastic Hongkong and Shanghai Banking Corporation money box, a moulded glass plaque, a naive beadwork model of a lion, and a felt and metal thread example (4) 18.5cm (max) Provenance The Sir Michael Codron Collection of Lions.

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£80­120 37 A SILVERED ELECTROTYPE RELIEF PANEL OF LIONS LATE 19TH CENTURY hunting in a landscape setting, together with a gilt spelter model of a lion, lioness and two cubs and a gilt bronze relief plaque of a lion and a lioness (3) 27.2cm (max) Provenance The Sir Michael Codron Collection of Lions.

£100­150 38 A SMALL COLLECTION OF LIONS comprising: a porcelain recumbent lion after Canova, a folk art treen box with a sliding cover, a bronzed metal model of a pacing lion, a modern painted metal doorstop and a resin example (5) 31cm (max) Provenance The Sir Michael Codron Collection of Lions.

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£100­150

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39 39 A PAIR OF FOLK ART TREEN CARVED OAK MODELS OF RECUMBENT LIONS MID­19TH CENTURY each on a rectangular plinth (2) 12cm high, 22.2cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

40 A FOLK ART TREEN OAK MONEY BOX MID­19TH CENTURY modelled with a recumbent primitive lion, with a single slot, above a Gothic base carved with quatrefoil and lancet panels 17.1cm high, 16.8cm wide Provenance The Sir Michael Codron Collection of Lions.

£200­300

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41 A FOLK ART TREEN CARVED AND STAINED WOOD LION TABLE SNUFF MULL PROBABLY LATE 19TH CENTURY the primitive recumbent lion with a hinged lid revealing a vacant interior 16.2cm high, 36cm long Provenance The Sir Michael Codron Collection of Lions.

£300­400

42 A CARVED WOOD HERALDIC LION POSSIBLY A NEWEL POST FINIAL, 19TH CENTURY modelled holding a shield decorated with a fleur­de­lis 29.3cm high, 12.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

43 A FOLK ART TREEN MODEL OF A RECUMBENT LION LATE 19TH CENTURY 7.5cm high, 18.8cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150

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44 A PAIR OF FOLK ART PAINTED CAST IRON DOORSTOPS 19TH CENTURY each in the form of a standing lion holding one paw in the air, on a Greek key decorated base (2) 20.2cm high, 24cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

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45 A BRONZE ROYAL COAT OF ARMS 19TH CENTURY with a lion and a unicorn flanking an oval coat of arms surmounted by a crown and a further lion, inscribed ‘Dieu et mon droit’, with a verdigris finish, possibly a coach or carriage mount 26.5 x 30.8cm Provenance The Sir Michael Codron Collection of Lions.

£150­250

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46 FIVE CAST IRON MODELS OF LIONS 19TH CENTURY comprising: a heraldic example of a rampant lion, holding a flagpole, the flag inscribed ‘DON’, a gilt decorated example, a pair of black painted recumbent lions and a flatback chimney ornament (5) 24cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£150­250 46

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NEEDLEWORKS

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47 A NAIVE STUMPWORK PICTURE LATE 17TH CENTURY worked with various stitches and techniques, with a castle, a lion, an owl, a rabbit, a tree and the sun, applied with seed pearls, shells and small mirrored panels for the windows, on a silk ground, in a glazed ebonised oval frame 14 x 18cm Provenance The Sir Michael Codron Collection of Lions.

£400­600

48 A GEORGE IV SILK AND HAIRWORK EMBROIDERED PICTURE OF A LION C.1825­30 depicted in a landscape setting, with tees and a cave, titled ‘Nero a young lion’, in a verre églomisé glazed and giltwood moulded frame 15.7 x 20.5cm Provenance The Sir Michael Codron Collection of Lions.

Catalogue Note The famed Nero belonged to promoter George Wombwell, who staged a lion­baiting in 1825 alongside some dog dealers in Warwick. Despite being ferociously set upon by three English bulldogs, Nero surprisingly did not attempt to retaliate and it was reported in the Morning Herald at the time that “from the beginning of the contest to the end, the lion was merely a sufferer; he never struck a blow in anger.”

£150­250

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49 A REGENCY SILKWORK PICTURE OF BRITANNIA EARLY 19TH CENTURY the female warrior holding a spear, seated on war trophies and banners beside a recumbent lion, in a glazed ebonised reeded frame 13.3 x 14.7cm Provenance The Sir Michael Codron Collection of Lions.

£100­150

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50 A VICTORIAN WOOLWORK PICTURE OF A ROARING LION C.1860 in a glazed bird’s eye maple frame 21.5 x 28cm Provenance The Sir Michael Codron Collection of Lions.

£100­150

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51 AN EARLY VICTORIAN WOOLWORK PICTURE OF A LION C.1840­50 depicted standing and with detailed whiskers, in a glazed ebonised frame 39.5 x 49cm Provenance The Sir Michael Codron Collection of Lions.

£200­300

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52 A REGENCY FOLK ART EMBROIDERED WOOLWORK PICTURE OF A RECUMBENT LION EARLY 19TH CENTURY worked in various stitches, with coloured silks and wool, in a landscape setting with trees and shrubs, in a glazed giltwood frame 35.7 x 48.1cm Provenance The Sir Michael Codron Collection of Lions.

£500­800

53 A REGENCY WOOLWORK EMBROIDERED PICTURE OF A LION WITH A SNAKE AFTER JAMES NORTHCOTE, R. A. (1746­1831), EARLY 19TH CENTURY worked in various stitches, with coloured silk and wool, depicting a recumbent lion grappling with a snake in a landscape setting, in a glazed ebonised reeded frame 53.2 x 67.8cm Provenance The Sir Michael Codron Collection of Lions.

£1,000­1,500

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54 A WILLIAM IV FOLK ART WOOLWORK EMBROIDERED PRIMITIVE PICTURE OF A LION C.1830­40 depicted standing in a landscape setting, with detailed mane and whiskers, in a glazed bird’s eye maple frame 38.8 x 45.1cm Provenance The Sir Michael Codron Collection of Lions.

£200­300

55 A VICTORIAN FOLK ART WOOLWORK PICTURE OF A LION C.1860 depicting the lion recumbent on a tasselled carpet, with detailed whiskers, within a leaf border, with a glazed mahogany frame 26.8 x 38.7cm Provenance The Sir Michael Codron Collection of Lions.

£150­250

56 A LATE REGENCY FOLK ART WOOLWORK PICTURE OF A RECUMBENT LION C.1820­30 with detailed whiskers, with a tree and foliage, within a leaf outer border, in a glazed oak frame 23.9 x 24.6cm Provenance The Sir Michael Codron Collection of Lions.

£200­300

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57 A LARGE REGENCY FOLK ART WOOLWORK EMBROIDERED PICTURE OF A LION EARLY 19TH CENTURY worked in various techniques on a linen ground with a naive lion, with detailed whiskers, prowling in a landscape setting with trees, leaves and boulders, in a glazed bird’s eye maple frame 35.5 x 69.3cm Provenance The Sir Michael Codron Collection of Lions.

£3,000­5,000

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58 A VICTORIAN FOLK ART NEEDLEWORK PICTURE OF A RECUMBENT LION MID­19TH CENTURY the lion lying before a tree, on a pink ground, in a glazed bird’s eye maple frame 40.2 x 37cm Provenance The Sir Michael Codron Collection of Lions.

59 A VICTORIAN SILKWORK APPLIQUÉ PICTURE OF A RECUMBENT LION MID­19TH CENTURY mounted on a burgundy silk ground, in a glazed bird’s eye maple frame 23.8 x 35.2cm Provenance The Sir Michael Codron Collection of Lions.

£150­200

£200­300

60 A WATERCOLOUR PAINTING OF A PRIDE OF LIONS

BY CUTHBERT EDMUND SWAN (IRISH 1870­1931)

61 A VICTORIAN WOOLWORK PICTURE OF A LION C.1860­70

signed and dated to the lower right ‘C. E. Swan 21’, in a glazed bird’s eye maple frame 19 x 23.3cm

depicted standing, in a glazed bird’s eye maple frame 39.2 x 53.9cm

Provenance The Sir Michael Codron Collection of Lions.

£100­150 26

Provenance The Sir Michael Codron Collection of Lions.

£150­250

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62 TWO ITALIAN BRONZE MODELS OF LIONS AFTER ANTONIO CANOVA (ITALIAN 1757­1822), LATE 19TH CENTURY depicting recumbent lions, on a rectangular plinth (2) 8cm high, 21.5cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£150­200

63 A PAIR OF BRONZE HERALDIC LIONS PROBABLY ITALIAN, 19TH CENTURY each holding a vacant cartouche, standing on an Ionic capital (2) 11cm high Provenance The Sir Michael Codron Collection of Lions.

£100­150

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64 AN ITALIAN BRONZE GRAND TOUR SAINT MARK’S LION LATE 19TH / EARLY 20TH CENTURY the winged beast with his left paw resting on the Bible, together with a copper model of the lion of Lucerne, after Bertel Thorvaldsen (Danish 1770­1844) (2) 16.7cm high, 22.5cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£100­200

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65 A BRONZED COPPER HERALDIC RONDEL PROBABLY ITALIAN repoussé decorated with a rampant lion, holding a sword, with a wreath and a closed flower 25cm diameter Provenance The Sir Michael Codron Collection of Lions.

£100­150 66 A BRONZED GROUP OF UNA AND THE LION the classical maiden holding an apple 23.9cm high, 22.8cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150 67 A SILVER PLATED LION’S HEAD WALKING CANE EARLY 20TH CENTURY 67

with a white metal collar, with an ebonised shaft and brass ferrule 93cm long Provenance The Sir Michael Codron Collection of Lions.

£200­300 68 TWO BRONZE MODELS OF THE SAINT MARK’S LION ITALIAN, MID­19TH CENTURY AND LATER one patinated, the other polished, each holding an open book (2) 13.3cm high, 18cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£100­150 68 28

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69 69 A MATCHED PAIR OF BROWN STONEWARE SALTGLAZED POTTERY LIONS POSSIBLY BRAMPTON, DERBYSHIRE, C.1830­40, ONE DATED ‘1836’ each modelled with a recumbent lion, one with its right paw raised slightly and with incised initials ‘R. S.’ and the date ‘1836’, with hatched decoration to the bases and raised on four feet (2) 12.4cm high, 20cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£300­400 70 A BROWN STONEWARE SALTGLAZED POTTERY MODEL OF A RECUMBENT LION C.1840 13.2cm high, 22.5cm wide Provenance The Sir Michael Codron Collection of Lions.

70

£150­200

71 A BROWN STONEWARE POTTERY MODEL OF A RECUMBENT LION C.1840 on an oval stepped base with a ribbed foot 10.3cm high, 16.3cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150 71

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72 73

72 A PAIR OF STONEWARE POTTERY MODELS OF LIONS AFTER ANTONIO CANOVA (ITALIAN 1757­1822), MID­19TH CENTURY each with a brown glaze, depicting recumbent lions sleeping and awake, on rectangular plinths (2) 10.3cm high, 16cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­200 73 A POTTERY MODEL OF A RECUMBENT LION C.1840 with a treacle glaze 11.3cm high, 14cm wide

74

Provenance The Sir Michael Codron Collection of Lions.

£100­150 74 A FOLK ART PRIMITIVE POTTERY MODEL OF A LION POSSIBLY DEVON OR SOMERSET, EARLY 19TH CENTURY on a rectangular base, with zigzag designs and arched feet 10.3cm high, 11.1cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150 75 A BROWN STONEWARE SALTGLAZED POTTERY MODEL OF A RECUMBENT LION POSSIBLY DERBYSHIRE, BRAMPTON, C.1840 the rectangular plinth applied with oak leaves and acorns 12cm high, 16.3cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250 75

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76 A RARE FOLK ART BROWN STONEWARE SALTGLAZED POTTERY FLATBACK LION PROBABLY DERBYSHIRE, C.1800­30 modelled in two toned clay, depicting a naive lion baring his teeth, standing in grass before a tree, with a bird in its nest 30.8cm high, 26cm wide Provenance The Sir Michael Codron Collection of Lions.

Catalogue Note For a pair of similar figures, see the Victoria and Albert Museum, accession number C.7&A­1975.

£1,000­1,500

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77 A MATCHED PAIR OF STAFFORDSHIRE POTTERY LION GROUPS MID­19TH CENTURY each modelled with a recumbent lion, with a classical shepherdess holding a lamb and a wreath of flowers, with gilt lined bases, the underside of one with a paper trade label for ‘Oliver Sutton Antiques’ (2) 17.5cm high, 16.7cm wide Provenance The Sir Michael Codron Collection of Lions.

£150­250

78 A STAFFORDSHIRE POTTERY FLATBACK FIGURE OF THE ‘LION SLAYER’ MID­19TH CENTURY depicting Roualeyn George Gordon­Cumming, in Highland dress, standing on a rock, holding the paw of the lion in his right hand, titled 42.7cm high, 21cm wide Provenance The Sir Michael Codron Collection of Lions.

Catalogue Note See P. D. Gordon Pugh, ‘Staffordshire Portrait Figures of the Victorian Era’, p.516, fig.9, for a similar figure by Sampson­Smith.

£100­150

79 A STAFFORDSHIRE POTTERY MODEL OF THE BRITISH LION C.1860 victorious over the vanquished body of Napoleon III, together with a Staffordshire pottery model of a standing lion with glass eyes (2) 30cm high, 30.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£80­120

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80

81 A PAIR OF STAFFORDSHIRE POTTERY MODELS OF THE BRITISH LION C.1860

80 A PAIR OF STAFFORDSHIRE POTTERY LION AND LAMB GROUPS 19TH CENTURY each lion seated on its haunches, with a recumbent lamb at his side, raised on gilt lined oval bases (2) 22.5cm high, 16cm wide

victorious over the vanquished body of Napoleon III (2) 23.5cm high

Provenance The Sir Michael Codron Collection of Lions.

Provenance The Sir Michael Codron Collection of Lions.

Catalogue Note Denoted as rare among collectors, the pair commemorates the visit to Great Britain of American lion tamer Isaac van Amburgh in the 1840s where he caused a sensation with his spectacular act.

Catalogue Note See Gordon Pugh, Staffordshire Portrait Figures, p.292, fig.277 for a similar example.

£200­300

£300­500

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83

82

82 A PAIR OF GILT METAL LION’S HEAD BOOKENDS LATE 20TH CENTURY the bases decorated with a band of fleur­de­lis (2) 20.8cm high, 14.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150 83 A CHINESE BRONZE MODEL OF A LION DOG 19TH CENTURY sporting a bell, seated on a rectangular plinth, together with a Chinese porcelain model of a lion dog (2) 25.3cm high, 26cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

84

£150­200 84 A PATINATED METAL LION LANTERN LATE 20TH CENTURY the back with a hinged door to access the candle holder, together with a cardboard model of a lion, made from wine and crisp boxes (2) 31cm high, 35.5cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£80­120 85 A GILT BRONZE AND ALABASTER DESK PAPERWEIGHT LATE 19TH / EARLY 20TH CENTURY modelled with a recumbent lion, together with an ashtray with a bronzed spelter lion and a carved alabaster paperweight (3) 13.8cm wide (max)

85

Provenance The Sir Michael Codron Collection of Lions.

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86 A FOLK ART PAINTED TERRACOTTA MODEL OF A LION EARLY 19TH CENTURY 15.7cm high, 13.8cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150

86

87

87 AN EBONISED PLASTER MODEL OF THE MEDICI LION 20TH CENTURY together with an Italian gilt plaster model of an Etruscan ewer, with a lion handle and relief decorated with Bacchanalian figures (2) 23.3cm high, 34.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­200

88 A STAFFORDSHIRE POTTERY GROUP OF QUEEN VICTORIA AND THE BRITISH LION MID­19TH CENTURY together with a Staffordshire pottery flatback watch group with Daniel and two lions (2) 24.8cm high, 18cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

88

Literature See Thomas Balston, Staffordshire Portrait Figures, pl.12.

£100­200

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FOLK ART, OAK & COUNTRY 89 A LARGE FOLK ART CARVED PINE LION MASK POSSIBLY BLACK FOREST, 19TH CENTURY the snarling beast with an open mouth, possibly originally concealing a handle 59.3cm high, 42.7cm wide

£1,000­1,500 90 A FOLK ART CARVED AND PAINTED WOOD PULL-TOY PRIMITIVE SHEEP LATE 19TH CENTURY together with a pine toy dog, with articulated head, ears, tail and limbs (2) 35.5cm long (max) Provenance David and Paula Newman, London / Eastbourne.

£200­300 91 A FOLK ART CARVED AND PAINTED PINE MODEL OF A NAIVE HORSE LATE 19TH CENTURY 25.7cm high, 28cm long

£100­150

89

90

36

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92 A FOLK ART CARVED WOOD AND DECORATED PRIMITIVE BEDPOST DOLL POSSIBLY AMERICAN, LATE 19TH CENTURY with enamel eyes and remains of hair and decoration 39cm high

£200­300

93 A FOLK ART CARVED AND PAINTED WOOD JIG DOLL LATE 19TH CENTURY of a man wearing a green hat, with articulated limbs, later mounted 35.2cm high

£100­150

94 A STAINED WOOD ARTIST’S GIRAFFE LAY MODEL FIRST HALF 20TH CENTURY with articulated head, neck and limbs 45.3cm high, 53cm long

£800­1,200

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95 95 A FOLK ART PAINTING OF A RACING PIGEON EARLY 20TH CENTURY oil on canvas, laid on board, inscribed ‘Mr H. Pearces Gould Flown All States Rennes 1912’, signed lower right with initials ‘A F’, in a bird’s eye maple frame 27.8 x 38cm

£150­250 96 A FOLK ART CARVED AND PAINTED PINE DECOY PIGEON FIRST HALF 20TH CENTURY with glass eyes, mounted on a rustic wood base 30cm high, 28cm long

£100­200 97 A FOLK ART CARVED AND PAINTED PINE DECOY PIGEON FIRST HALF 20TH CENTURY 96

with glass eyes, mounted on a root wood base 17.5cm high, 40cm long

£100­200

97 38

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98 A FOLK ART HORN BEAKER 19TH CENTURY with silver bands, engraved with a fox hunting scene with figures on horseback and hounds, with buildings in landscapes, signed ‘John Ward’ 10.4cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 99 TWO FOLK ART HORN BEAKERS 19TH CENTURY each engraved with a hunting scene with a man shooting game birds, with trees, buildings, dogs and a windmill (2) 12cm high (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 100 TWO FOLK ART HORN BEAKERS 19TH CENTURY

98

both engraved with fox hunting scenes, with figures on horseback and hounds, one with silver bands and inscribed ‘A gift to my love’ (2) 10.2cm high (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

99

100

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101 A FOLK ART SAILOR’S HORN BEAKER EARLY 19TH CENTURY scrimshaw decorated with a three masted sailing ship and signed ‘Wm Forde, Whitby’ 7.1cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

101

102 A HARDWOOD SAILOR’S FID 19TH CENTURY

102

with a clenched fist terminal, the tapering shaft with chip carved and incised hatched decoration 52.5cm long

£200­300

103 A FOLK ART HORN BEAKER 18TH / 19TH CENTURY engraved with flower rondels and elliptical designs, with initials ‘C P’ 10.8cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 103 40

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104 A SAILOR’S SCRIMSHAW BOTTLENOSE DOLPHIN JAW BONE MID­19TH CENTURY the exterior of each half engraved with a fully rigged three masted sailing ship or schooner and with three other vessels, the sky with hatched shading, possibly representing aurora boreralis or the Northern Lights, the interiors with scribed circles and flowerhead designs, one half retaining two teeth (2) 48.5cm long Catalogue Note See the Museum of Applied Arts and Sciences, object no. A4652 for a similar Australian example.

£2,000­3,000

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105

106

105 TWO SMALL FOLK ART HORN BEAKERS 19TH CENTURY

106 TWO SMALL FOLK ART HORN BEAKERS 19TH CENTURY

each with a hatched band and primitively engraved with farm buildings, one with a swan and titled ‘Hill Farm’, the other ‘Jm Holms Crake Farm’ (2) 8.4cm high (max)

one engraved with a courting couple amidst roses and other flowers, the other with a barrel above a tankard and flanked by leaves, inscribed ‘L. Barleycorn Long maye he live’, signed ‘H. Gopp, Marwood 1847’ (2) 9.2cm high

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

107

107 A CHARLES I HORN BEAKER POSSIBLY SCOTTISH

108 SEVEN HORN BEAKERS 18TH CENTURY AND LATER

the silver rim inscribed with the date ‘1641’ 10.3cm high

12.3cm high (max) (7)

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

108 42

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

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109

109 A TREEN PIPE TAMPER OR STOPPER LATE 18TH / EARLY 19TH CENTURY with a turned finial, above two balls in cages 12.6cm long Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

110

110 A TREEN KNITTING SHEATH PROBABLY SCANDINAVIAN, LATE 18TH CENTURY the handle carved with a bird above a figure of a lady, with long hair, bodice and dress with hatched decoration, the blade inscribed ‘W3’ 29.6cm long Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

111 A TREEN APPLE CORER LATE 18TH / EARLY 19TH CENTURY with chip carved decoration 11cm long

111

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

112 A TREEN KNITTING SHEATH POSSIBLY WELSH, LATE 18TH CENTURY with chip carved decoration and with a ball in a cage 20cm long

112

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250

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113

114

113 A TREEN MAPLE NUTCRACKER POSSIBLY FRENCH, MID­19TH CENTURY with a screw­action, a ball handle and a bone collar, stamped ‘Souan’ 16.5cm long Literature See Jonathan Levi, ‘Treen for the Table’, p.166, pl.12/19 for a very similar example by the same maker.

114 A TREEN SYCAMORE SPICE TOWER 19TH CENTURY the screw­off lid above three divisions, each with a label ‘Mace’, ‘Cloves’ and ‘Cinnamon’ 15.5cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

£150­250

115

115 A TREEN SNUFF SHOE MID­19TH CENTURY

116 A SMALL COLLECTION OF TREEN 19TH CENTURY

with brass tack inlay and decorated with ebonised leaves, the hinged lid inset with a panel impressed with an anchor design 15.3cm long

comprising: a yew barrel, a snuff shoe with brass tack inlay and a sliding cover, a horn snuff shoe with a basket weave hinged lid and two carved coquilla nut scent flasks, one decorated with a portrait of a gentleman, the other with war trophies (5) 10cm (max)

£100­150

£200­300

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117 A 17TH CENTURY SAILOR’S TREEN OAK CHIP CARVED BOX PROBABLY WELSH, DATED ‘1653’ all over relief carved with rondels of various designs, the hinged lid revealing a paper lined interior, the underside of the lid carved with a love heart, with initials and a date ‘G M 1653’, with an applied handwritten note ‘This box made and carved with a penknife by Gideon Meggerson when a sailor on board of ship. Gill was related to my grandmother Lydia Richards, who gave me the box.

G. M. left ...to....F. Pearce’ 10cm high, 29cm wide, 18cm deep Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£400­600

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118 AN UNUSUAL ANTIQUARIAN CARVED OAK ‘FISHING’ BOX IN JACOBEAN STYLE C.1840 the hinged lid carved with various fish and leaves, with an oak leaf edge, the front and sides relief decorated with figures in various pursuits and two portraits, one of Izaac Walton, titled, the vacant interior originally with a lift­out tray 14.2cm high, 44cm wide, 31cm deep Catalogue Note Izaak Walton (1593­1683) was an English writer and best known as the author of ‘The Compleat Angler’.

£300­400

119 A MINIATURE FAUX BAMBOO OPEN ARMCHAIR EARLY 19TH CENTURY possibly an apprentice piece, with a rush seat 28.5cm high, 14.5cm wide

£150­250

120 A TREEN SYCAMORE TURNED DAIRY BOWL 19TH CENTURY the exterior with reeded bands 27.5cm diameter

£150­250

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121 A GEORGE III OAK POTBOARD DRESSER SOUTH WALES, THIRD QUARTER 18TH CENTURY the raised plate rack with a shaped frieze with iron hooks, above three shelves, the base with a moulded top above three frieze drawers, one with later baize lined divisions for cutlery, on baluster turned legs and an undertier 205.5cm high, 189.5cm wide, 45cm deep

£500­800

122 A RARE SET OF FIVE WILLIAM AND MARY OAK JOINT STOOLS C.1690­1700 each with a moulded edge seat, above part moulded friezes, on baluster and vase turned legs, united by an unusual block and baluster ‘H’ stretcher (5) 52cm high, 45.6cm wide, 35.3cm deep

£3,000­5,000

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123

123 A GEORGE II OAK DRESSER C.1740

124 AN OAK MURAL CUPBOARD PROBABLY WEST COUNTRY

the boarded top with a moulded edge, above three frieze drawers and a shaped fret apron, on baluster and block front legs 78.2cm high, 189cm wide, 55cm deep

inlaid with bog oak and holy chevron banding, the hinged door with a relief carved strapwork panel, above an open spindle panel, with further carved panels, the interior with a shelf 52.6cm high, 50.5cm wide, 19.5cm deep

£200­300

£300­500

125 A RUSTIC STAINED ELM OCCASIONAL TABLE 19TH CENTURY the slab top with a bark edge and on primitive branch supports 60.1cm high, 62cm wide Provenance Daisy Fellowes, Donnington Grove.

£150­200

124 48

125

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126 A GEORGE II WELSH OAK PRESS CUPBOARD MID­18TH CENTURY the top section with three arc d’arbalète fielded panelled doors, the central one enclosing a fruitwood and pine Gothic arch recess with three drawers, the base fitted with three drawers, above a pair of fielded panelled cupboard doors, each enclosing a shelf, with bone escutcheons 189.2cm high, 142.4cm wide, 56cm deep

£500­800 127 AN OAK MURAL CUPBOARD IN LATE 17TH CENTURY STYLE PROBABLY 20TH CENTURY of arched bentwood construction, the front carved with three rosette lozenges, above the date ‘1735’ and initials ‘I T’, with incised zigzag borders around the cupboard door, with a conforming lozenge, with a vacant interior 53.8cm high, 61.7cm wide, 22.5cm deep

£500­800 128 TWO WELSH SYCAMORE AND ASH DAIRY STOOLS 19TH CENTURY each with a dished seat, one with dot owner’s initials to the top of the seat, the other etched ‘E E’ to the underside, with traces of green painted decoration (2) 32.3cm high, 33cm wide (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

126

127

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130

129

129 AN UNUSUAL GEORGE II BRASS EJECTOR CANDLESTICK C.1740

130 A GEORGE III PEWTER OEWS HALF-PINT BUD BALUSTER MEASURE NEWCASTLE­UPON­TYNE, C.1790

the stem of seamed construction and with a very broad sconce, medial band knop and ejector fitted with a brass knob, with a dished drip­pan, the moulded edge engraved ‘The Town of Perth’ 20.8cm high, 16.5cm diameter

incised with rings, a touchmark to centre of lid of William Hogg, Newcastle­Upon­Tyne (fl.1780­1815), capacity 8.2 fl. oz., together with a five­lobed wavy edge pewter plate, with a reproduction touchmark for Stynt Duncombe and a single­reed pewter plate with reproduction maker’s mark for Thomas Groce, the rim with a pseudo George III ‘housemark’ (3) 24.5cm (max)

£300­400

131 A LATE GEORGE III BRASS SOCKET CANDLESTICK C.1800 the column stem topped by a broad sconce and raised on a heavy gauge square base with dished centre, stamped ‘Lloyds’ to each corner 20cm high Catalogue Note The marks to this candlestick and its very heavy, stable base, suggest that it might have been made for Lloyd’s of London, a market for underwriting marine insurance which was founded by Edward Lloyd (d.1713) at Lloyd’s Coffee House in 1686.

131

£300­400

132 AN UNUSUAL COPPER ALLOY SOCKET CANDLESTICK EUROPEAN, PROBABLY 17TH CENTURY the tubular stem with a moulded socket rim and cast with two ‘wedding band’ knops, on a high­domed stepped foot 16.5cm high, 14.2cm diameter

£700­1,000

132 50

133

Provenance Ex Kenneth Gordon Collection. Purchased 1993.

Literature Illustrated and discussed in ‘Journal of the Pewter Society’, Vol. 26, Autumn 2006, item 4.

£300­400

133 A RARE BRASS SKILLET C.1700 the bowl with tapering sides and issuing a straight handle, stamped with a maker’s mark ‘AD’ or ‘MD’ within a circle and terminating in a round terminal pierced for hanging, all raised on tripod legs 9.2cm high, 27.5cm long, 11cm diameter of bowl Literature R. Butler & C. Green, ‘A Study Collection of Marked Domestic Brass and Other Base Metalware, c.1600 ­ c.1900’, p.98, for a similar small skillet of the late 17th century with the maker’s mark of a cross within a circlet of pellets.

£200­300

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134 A FRENCH PROVINCIAL CHERRYWOOD FARMHOUSE KITCHEN TABLE 19TH CENTURY the boarded top with cleated ends, above an end frieze drawer, on turned tapering legs 78.5cm high, 73cm wide, 200.4cm long Provenance The Property of a Lady of title.

£500­800

135 A REGENCY ELM TRIPOD OCCASIONAL TABLE EARLY 19TH CENTURY the rectangular fixed top with rounded corners, on a ring turned stem 75cm high, 50.8cm wide

£150­250

136 A 17TH CENTURY OAK COFFER DATED ‘1690’ the triple panelled hinged lid revealing a vacant interior, the carved front with initials ‘H W’ and the date ‘1690’, above three panels carved with lozenges, flowerheads and interlaced scrolls, the front stiles with flower lunettes 61cm high, 102.2cm wide, 49cm deep

£300­400

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137

138

137 A SMALL COLLECTION OF PINS ROMAN TO THE 17TH CENTURY eighteen examples, made from bronze and brass, later mounted on a plush fabric and in a wooden frame 7.1cm long (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 138 LITERATURE A complete run of the Journal of the Regional Furniture Society from Volume 1. 1997 to Volume 34.

2020, together with Gabriel Olive, ‘Farm and Cottage Furniture in the West Country’ and Christopher Gilbert, ‘Selected Writings on Vernacular Furniture 1966­98’ (36)

£80­120 139 A BLACK JAPANNED TÔLE HANGING RACK POSSIBLY FOR RAZORS OR MAID’S INSTRUCTIONS, 19TH CENTURY inscribed in gilt with the days of the week 38cm high

£80­120 140 A WROUGHT IRON FLOOR STANDING ADJUSTABLE CANDLE HOLDER 18TH CENTURY STYLE

139

with a hammered finish, the top with a cockerel finial, above an adjustable twin arm with a crown nozzle, with a hexagonal drip­pan and a rushnip, on a tripod base 143.9cm high, 35cm wide

£150­250 140 52

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141

141 A CARVED SANDSTONE BUST OF A BEARDED SAINT POSSIBLY 15TH / 16TH CENTURY originally a corbel 20cm high Provenance David and Paula Newman, London / Eastbourne.

£300­400

142 A PAIR OF CARVED OAK TERMS 17TH CENTURY with a saint figure, above a green man mask and ribbon tied garlands of fruit and leaves (2) 56cm high Provenance The Property of a Lady of title.

£300­400

142

143 TWO LEADED STAINED GLASS PANELS 19TH CENTURY depicting angels playing a harp and a horn (2) 42.1cm (max)

£150­200

143 part

143 part

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144 A PAIR OF FOLK ART BRASS STAG CHIMNEY ORNAMENTS LATE 19TH CENTURY depicted standing under a tree with a bird, mounted on mahogany plinths (2) 26.8cm high, 17.8cm wide

£100­150

145 A PAIR OF WALNUT WALL PLAQUES POSSIBLY NORTH ITALIAN, LATE 19TH CENTURY each carved with a prancing stag, the scroll moulded edge carved with rosettes (2) 19 x 26.8cm

£100­150

146 A SMALL COLLECTION OF POTTERY MOCHA WARE EARLY 19TH CENTURY AND LATER

147 A VICTORIAN MAHOGANY SOLITAIRE BOARD LATE 19TH CENTURY

comprising: an unusual mug, with dot decorated flowerheads and a band of scrolls, two jugs and two mugs, a pint and a quart, decorated with tree like tendrils, with various marks, together with two buff pottery pieces, a mug and a vomit pot decorated with seaweed bands, possibly Bovey Tracey (7) 15.8cm high (max)

together with thirty­two marbles (33) 28.5cm diameter

£150­250

54

£100­150

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148 TWO THEATRICAL TINSEL PRINT PICTURES EARLY 19TH CENTURY ‘Mr Palmer as Sir Glorion Ribemont’ and ‘Mr Macready as Prince Julian’, hand­coloured engravings with cut­tinfoil, silk, felt and sequins, each in a glazed wood frame (2) 22.7 x 18cm

£100­200

148

149 A FOLK ART NAIVE PORTRAIT PAINTING OF A YOUNG GIRL C.1840­50 watercolour, the standing girl wearing a red dress and holding a purse, the back with a handwritten paper label, inscribed ‘Miss G. S. Sumner’, in a glazed carved oak frame 21.7 x 16.6cm

£100­150 150 A NAIVE REVERSE GLASS PICTURE OF A KING LATE 17TH CENTURY possibly of William III, depicted standing in an interior with his crown on a table, before a window, in a carved pine frame with traces of gilding and polychrome decoration 26.9 x 18.3cm

£150­250

149

150

151 ENGLISH SCHOOL. A WATERCOLOUR HERALDIC PAINTING 19TH CENTURY depicting the coat of arms of the Henington family, the back with a cut­out signature panel, inscribed in pen ‘John Mercer Esqre, Uxbridge Midde, Oct 1st /88’, in a glazed ebonised moulded frame 41.5 x 32cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

151

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FURNITURE & CLOCKS 152 A WILLIAM AND MARY OYSTER VENEERED AND MARQUETRY CHEST ON STAND C.1690­1700 with holly banding and inlaid all over with scrolling foliage, the rectangular top with a central oval panel and corner spandrels, above two short and two long drawers, the stand with later elements and fitted with a long drawer 92.3cm high, 99cm wide, 59.7cm deep

£2,000­3,000 153 A GEORGE II MAHOGANY STOOL C.1740 the later needlework drop­in seat above a shaped frieze, on stylised shell capped and hocked cabriole legs and pad feet 50cm high, 58.8cm wide, 43.5cm deep

£400­600 154 A GEORGE II MAHOGANY TEA TABLE C.1740 the hinged fold­over top on a single gate support, with protruding front corners, above a frieze drawer, on lappet carved legs and pad feet 72.7cm high, 76cm wide, 37.2cm deep

£400­600 152

153 56

154

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155 AN EARLY GEORGE III MAHOGANY SIDE TABLE C.1760­70 the rectangular top with a moulded edge, above a frieze drawer, with ‘Chinese Chippendale’ fretwork back and sides, on chamfered legs united by an undertier 72.7cm high, 87cm wide, 56.8cm deep Provenance Sotheby’s, Sussex, December 1996.

£1,200­1,800

156 TWO GEORGE III MAHOGANY OPEN ARMCHAIRS C.1770 each with a pierced splat back and scroll arms, on moulded legs united by stretchers, one carved with leaves and husks, with a dished needlework seat (2)

£300­500

157 AN EARLY GEORGE III MAHOGANY PEMBROKE TABLE IN THE MANNER OF PHILLIP BELL, C.1760 the drop­leaf top with pull­out supports with brass ring handles, above a plain frieze and chamfered legs united by an undertier with a moulded edge, on leather roller castors 69.5cm high, 54.7cm wide, 60.7cm deep

£300­500

57

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158 A GEORGE II RED WALNUT CONCERTINA ACTION CARD TABLE C.1740­50 the fold­over top revealing a later baize lined playing surface, the concertina action with sliding support and an iron latch, on leaf capped cabriole legs and pad feet 71.8cm high, 89.8cm wide

£300­500 159 A GEORGE III MAHOGANY CARD TABLE C.1770 the fold­over top with a moulded edge, revealing a baize lined playing surface supported by twin gates, with a frieze drawer, on square tapering legs and block feet 74cm high, 87.5cm wide, 42.6cm deep

£300­500 160 A SET OF SIX GEORGE III OAK SIDE CHAIRS 18TH CENTURY AND LATER

158

each later carved with birds, leaves, flowers and zigzag bands, with a pierced splat, above a solid seat and leaf capped cabriole front legs (6)

£300­500

159

58

160

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161 A GEORGE III MAHOGANY SERVING TABLE C.1770­80 the serpentine top with a moulded edge, above a plain frieze, on moulded and chamfered legs 87cm high, 138.5cm wide, 70.3cm deep

£1,000­1,500

162 A GEORGE III MAHOGANY SILVER TABLE C.1770 AND LATER the top with a serpentine edge gallery, above a plain serpentine frieze, on part blind fret carved chamfered tapering legs, with flower and leaf carved brackets, on block feet, united by a pierced fret carved ‘X’ stretcher, originally on castors 73.5cm high, 89cm wide, 64.2cm deep Provenance Lady Elizabeth Bulteel, Flete House, Devon and by descent.

£1,000­1,500 59

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164

163

164 A GEORGE III MAHOGANY COMMODE CHEST OR NIGHT TABLE AFTER A DESIGN BY GEORGE HEPPLEWHITE, C.1790

163 A GEORGE III MAHOGANY DINING TABLE C.1770 with a pair of ‘D’ ends and a central drop­leaf section, on moulded and chamfered legs 72.4cm high, 150cm long (not fully open)

the hinged top with a moulded edge, revealing a wooden lid and a ceramic pot, the part hinged front with faux drawer fronts, on bracket feet 75.7cm high, 69cm wide, 48.2cm deep

£300­500

£300­500

166 A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS IN SHERATON STYLE C.1800

165 A GEORGE III MAHOGANY POLE FIRESCREEN C.1770 with an urn finial above an adjustable gros­point needlework panel, depicting a lady accompanied by Cupid in a woodland setting, the fluted base on moulded tripod scroll legs 176.8cm high

each with a bar back, with four vertical splats, above a stuffed­over seat, with stretchered supports, together with an associated armchair (7)

£200­300

£300­400

165

166 60

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167 AN EARLY GEORGE III MAHOGANY CHEST C.1770 the rectangular top with a moulded edge, above four long graduated drawers, with probably original gilt brass handles, on ogee bracket feet 82.5cm high, 93.8cm wide, 48.5cm deep Provenance Acquired from Lita Kaye Antiques, 16th August 2004.

£1,000­1,500

168 A WING ARMCHAIR IN GEORGE III STYLE 19TH CENTURY later upholstered, on moulded mahogany front supports united by an ‘H’ stretcher, on brass castors

£500­800

169 A GEORGE III MAHOGANY COMMODE CHEST C.1780 AND LATER CONVERTED the moulded edge top now fixed, above a pair of hinged doors revealing a baize lined interior, on later bracket feet 74.7cm high, 65cm wide, 44cm deep

£100­200

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170

170 A REGENCY MAHOGANY BREAKFAST TABLE C.1805­10 the rectangular crossbanded flame mahogany tilt­ top with a moulded edge, above a ring turned stem, on four reeded downswept legs terminating in leaf and fan scroll sabot and brass castors 73cm high, 151.5 x 109cm

171 A GEORGE III MAHOGANY BIDET IN THE MANNER OF GILLOWS, C.1790­1800 of kidney shape, the lift­off top with a brass handle, revealing a lift­out metal liner 47cm high, 52.2cm wide, 32.5cm deep

£150­250

172 A GEORGE III MAHOGANY DEMI-LUNE CARD TABLE C.1790­1800 the fold­over crossbanded top inlaid with a sunburst, on twin gate supports, with a baize lined playing surface 73.6cm high, 89.1cm wide, 44cm deep

£200­300

£500­800

171

62

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173

173 A LARGE GEORGE III IRISH MAHOGANY SIDEBOARD C.1790­1800

174 A GEORGE III GILTWOOD NURSING CHAIR IN THE FRENCH MANNER, LATE 18TH CENTURY

175 A SMALL GEORGE II GILTWOOD WALL MIRROR C.1730­40

inlaid with barber’s pole stringing, leaf and flower swags, chimera and with a monogram ‘AMS’, the crossbanded top with a bowed centre, above three drawers, on square tapering legs with applied fret brackets 92.9cm high, 252cm wide, 62cm deep

the padded back and seat button upholstered with pink silk, the cartouche shaped back with gadroon moulding, on cabriole legs

the oval plate within a gadroon carved slip, the frame carved with leaves, rocaille and a stylised shell, the surmount with an acorn on a diaper panel 39.5 x 26cm

£300­500

£300­500

Provenance Florian Papp, New York.

£2,500­3,500

175 174

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176 A REGENCY MAHOGANY ARCHITECT’S TABLE EARLY 19TH CENTURY the adjustable hinged top on a ratchet, with a detachable rest, with hinged swivel candle holders and a pull­out baize lined slide, with a lower tier with a reeded edge, on splay legs and brass castors 98.2cm high, 93cm wide, 62cm deep

£500­800

177 A GILTWOOD WALL MIRROR IN GEORGE III STYLE MID­20TH CENTURY the later oval plate within a leaf, flower and ‘C’ scroll carved frame 99.5 x 59.5cm

£300­500

λ 178 A GEORGE III SATINWOOD DRESSING TABLE MIRROR C.1790­1800 the later oval plate with scroll supports above a serpentine box base, inlaid with barber’s pole stringing and rosewood banding, the centre inlaid with a burr yew oval panel and a parquetry star, fitted with three drawers, on shaped bracket feet 63.7cm high, 47.5cm wide, 22cm deep

£300­500

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A PRIVATE COLLECTION FROM A LONDON TOWNHOUSE LOTS 179-207

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179 A WILLIAM AND MARY KINGWOOD AND SEAWEED MARQUETRY CUSHION FRAMED WALL MIRROR IN THE MANNER OF GERRIT JENSEN, LATE 17TH / EARLY 18TH CENTURY the rectangular bevelled plate within a leaf border and panels of finely inlaid seaweed marquetry, with a conforming outer border and a moulded edge 100.6 x 78.8cm Provenance Acquired by the present owner from Richard Courtney Ltd, 112­114 Fulham Road, London, 26th July 1983.

A Private Collection, London.

Catalogue Note This mirror is veneered partially in kingwood. In the late 17th / early 18th century kingwood was known as ‘princeswood’ and was highly prized.

£2,000­3,000 66

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180 A RARE WILLIAM AND MARY GREEN JAPANNED CHEST ON STAND C.1690­1700 the front with raised gilt chinoiserie decoration, with figures, birds, buildings and flowers, the sides with cranes, with a cushion drawer above three short and three long graduated drawers, the stand fitted with an arrangement of four drawers, on turned tapering legs united by a peripheral stretcher 179.5cm high, 107cm wide, 58.3cm deep Provenance Acquired by the present owner from Alistair Sampson Antiques, 156 Brompton Road, London, 20th September 1983, originally exhibited at the Grosvenor House Antiques Fair, June 1983 and illustrated in the catalogue.

A Private Collection, London.

£8,000­12,000

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181 A GEORGE II WALNUT BACHELOR’S CHEST C.1725­30 with cross and feather banding, the hinged fold­over top with a burr veneered panel and a caddy moulded edge, above four long graduated drawers fitted with later brass handles, on bracket feet 79cm high, 73.8cm wide, 33.7cm deep Provenance Acquired by the present owner from Richard Courtney Ltd., 112­114 Fulham Road, London, 10th January 1983.

A Private Collection, London.

£3,000­5,000

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182 A GEORGE II WALNUT CHEST ON CHEST C.1730 the moulded cornice above three short and three long burr veneered drawers, with cross and feather banding, flanked by fluted angles, above a brushing slide and two short and three long conforming drawers 185.6cm high, 110cm wide, 58cm deep Provenance Acquired by the present owner from Millhouse Antiques, Halfway Bridge, nr. Petworth, 8th November 1987.

A Private Collection, London.

£4,000­6,000 69

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open

183 A GEORGE II MAHOGANY DINING TABLE C.1740 the oval drop­leaf top on cabriole legs and claw and ball feet 70.7cm high, 152.5 x 165.5cm (open) Provenance Acquired by the present owner from Millhouse Antiques, Halfway Bridge, nr. Petworth, 18th August 1983.

A Private Collection, London.

£1,500­2,000

184 A PAIR OF GEORGE I FRUITWOOD SIDE CHAIRS C.1720 probably cherry, each with a vase shaped splat above a drop­in seat, with a shaped front rail on cabriole legs and pad feet (2) Provenance Acquired by the present owner from Millhouse Antiques, Halfway Bridge, nr. Petworth, 13th October 1982.

A Private Collection, London.

£500­700

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185 AN EARLY GEORGE III GILTWOOD WALL MIRROR CHIPPENDALE PERIOD, C.1765 the later oval plate in a leaf, branch, ‘C’ scroll and rocaille carved frame, with a leafage surmount flanked by a pair of ho­ho birds, re­gilt 120 x 73cm Provenance Acquired by the present owner from Jeremy Ltd., 255 King’s Road, London, 11th March 1985.

A Private Collection, London.

£3,000­5,000

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λ 186 A GEORGE III YEW SCREEN TABLE IN THE MANNER OF JOHN COBB, C.1785 in French Hepplewhite style, inlaid with stringing and quarter veneered panels, the top with rosewood banding and a pull­up pleated silk screen, the front with a gilt tooled green leather writing slide and the right side with a mahogany lined drawer, on cabriole legs 76.2cm high, 46cm wide, 36cm deep Provenance Acquired by the present owner from Hotspur Ltd., 14 Lowndes Street, London, 29th January 1985.

A Private Collection, London.

£2,000­3,000

187 A GEORGE III MAHOGANY WORK TABLE IN THE MANNER OF THOMAS SHEARER, C.1780 inlaid with stringing and satinwood banding, the serpentine top inset with an oval flame mahogany panel, above a frieze drawer, originally with divisions, and a bag slide, on splay legs and moulded feet 71.5cm high, 52cm wide, 39.5cm deep Provenance Acquired by the present vendor from Ronald Phillips Ltd., 26 Bruton Street, London, 22nd November 1985.

A Private Collection, London.

£3,000­5,000

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188 AN EARLY GEORGE III GILTWOOD WALL MIRROR CHIPPENDALE PERIOD, C.1765 the original plate within a column and scroll frame, with outer ‘C’ scrolls, flowers, and leaves, with a floral and leafage surmount 92 x 45cm Provenance Acquired by the present owner from Ronald Phillips Ltd, 26 Bruton Street, London, 4th February 1987.

A Private Collection, London.

£800­1,200

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189 A GEORGE III PAINTED SATINWOOD CHEVERET SHERATON PERIOD, C.1790 crossbanded and inlaid with stringing and decorated with ribbon tied flowers, the lift­off book carrier fitted with two short and one long drawer, the base with a drawer, on splay legs united by an undertier, on brass castors 111cm high, 41.8cm wide, 35cm deep Provenance Acquired by the present owner from Ronald Phillips Ltd., 26 Bruton Street, London, 4th February 1987.

A Private Collection, London.

£2,000­3,000

λ 190 A GEORGE III WORK TABLE SHERATON PERIOD, C.1790 inlaid with stringing, the octagonal hinged top with rosewood and satinwood banding, the interior with a secret drawer and a trade label for Norman Adams, on splay legs united by an arched ‘X’ stretcher 77cm high, 46.3cm wide, 35.6cm deep Provenance Acquired by the present owner from Norman Adams Ltd., 8­10 Hans Road, London, 18th September 1986.

A Private Collection, London.

£800­1,200

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191 AN EARLY GEORGE III GILTWOOD WALL MIRROR AFTER A DESIGN BY WILLIAM AND JOHN LINNELL, C.1765­1770 the later oval plate within a carved rush and flower wreath frame, re­gilt 88 x 61.3cm Provenance Acquired by the present owner from Clifford Wright Antiques Ltd., 104 & 106 Fulham Road, London, 6th May 1987.

A Private Collection, London.

£1,000­2,000

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192

192 A GEORGE III MAHOGANY SERPENTINE SIDEBOARD SHERATON PERIOD, IN THE MANNER OF GILLOWS, C.1790 inlaid with stringing and with satinwood banding, the front fitted with four drawers, the right side with a lift­out lead­lined cellaret compartment, the left possibly for washing glasses with cut­out linings, the sides with simulated drawer fronts, the left side with a secret cupboard, on moulded rhomboid legs 89.9cm high, 137.3cm wide, 70.2cm deep Provenance Acquired by the present owner from Ronald Phillips Ltd., 26 Bruton Street, London, 20th September 1985.

A Private Collection, London.

£2,000­3,000

193 A SMALL GEORGE III MAHOGANY WATERFALL OPEN BOOKCASE SHERATON PERIOD, C.1785 the three­quarter gallery with undulating sides, fitted with three drawers, on square tapering legs, the top drawer with a trade label for Norman Adams 119cm high, 52.8cm wide, 34.3cm deep Provenance Acquired by the present owner from Norman Adams Ltd., 8­10 Hans Road, London, 12th May 1987.

A Private Collection, London.

£4,000­6,000

193 76

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194 A PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS IN THE MANNER OF THOMAS CHIPPENDALE, C.1775 each with an oval back, with eight pierced spokes and a central leaf carved rondel, with moulded scroll arms and an embroidered silk upholstered seat, with a fluted frieze and fluted tapering legs terminating in brass caps and leather roller castors, the seat rails with ‘V’ shaped cuts and holes for cross battens (2) Provenance Acquired by the present owner from Partridge Fine Arts Ltd., 144­146 New Bond Street, London, 6th November 1984.

A Private Collection, London.

Catalogue Note A suite of furniture with similar backs was made by Thomas Chippendale for Ninian Home of Paxton House, Berwickshire, Scotland and also a set of related hall chairs probably by Thomas Chippendale for Newby Hall. See Christopher Gilbert, ‘The Life and Work of Thomas Chippendale’, pp.100 and 103, pls.164 and 174.

£8,000­12,000

77

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195 A GEORGE III MAHOGANY SIDE CABINET C.1800 with reeded decoration, with a pair of oval panelled doors, each enclosing a shelf, flanking a central pleated silk panelled door enclosing two adjustable shelves, on ribbed tapering legs 91.9cm high, 124.5cm wide, 30cm deep Provenance Acquired by the present owner from Sotheby’s London, Good English Furniture, 11th November 1988, lot 81.

A Private Collection, London.

£800­1,200

196 A PAIR OF EARLY VICTORIAN PORCELAIN LUSTRE CANDLESTICKS C.1840 gilt decorated on a light blue and yellow ground in Rococo style, the leaf drip­pan hung with cut­glass faceted lustres (2) 24.8cm high Provenance A Private Collection.

£300­400

197 A SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY each with a tablet top rail above an ‘X’ shape back and a later drop­in seat, on square tapering front legs united by stretchers (6) Provenance Acquired by the present owner from Millhouse Antiques, Halfway Bridge, nr. Petworth, 21st March 1983.

A Private Collection, London.

£400­600

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198 A FINE GEORGE III SATINWOOD AND PURPLEHEART SEMI-ELLIPTICAL COMMODE IN THE MANNER OF GILLOWS, C.1790 AND LATER with painted decoration of swags, ribbon tied leaves, wreaths, a feather fan patera, the crossbanded top with a leaf and bead border, above a frieze drawer, the brass lock stamped ‘Mist’, above a pair of doors with oval satinwood panels, enclosing a shelf, flanked by conforming panels, on square tapering legs and spade feet, the back with a trade label, inscribed ‘Antique furniture from Apter Fredericks Ltd 265­267 Fulham Rd. London S.W.3’ 91cm high, 126.5cm wide, 52.3cm deep Provenance Acquired by the present owner from Apter­Fredericks Ltd., 265­267 Fulham Road, London, 5th September 1986.

Exhibited at the Grosvenor House Antiques Fair, June 1986.

A Private Collection, London.

£20,000­30,000

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199 A REGENCY MAHOGANY PARTNER’S WRITING TABLE EARLY 19TH CENTURY the reeded edge top inset with a gilt tooled green leather writing surface, above a pair of frieze drawers to either side, on ring turned legs and brass spoke castors 77cm high, 120.5cm wide, 80.2cm deep Provenance Acquired by the present owner from The General Trading Company, 144 Sloane Street, London, 14th June 1994.

A Private Collection, London.

£600­800

200 A GEORGE IV MAHOGANY WASHSTAND C.1820 with a three quarter gallery, above a later frieze drawer flanked by false fronts, on ring and bobbin turned legs and brass castors 94.5cm high, 76.7cm wide, 49.5cm deep Provenance A Private Collection, London.

£400­600

201 A MAHOGANY TWIN PEDESTAL DESK 19TH CENTURY AND LATER the rectangular top with a green gilt tooled writing surface, above three frieze drawers and three drawers to each pedestal, on brass castors 77.1cm high, 135.3cm wide, 79.2cm deep Provenance A Private Collection, London.

£500­700

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202 A GEORGE III SATINWOOD BOWFRONT CHEST ATTRIBUTED TO GILLOWS, C.1790 inlaid with ebonised and boxwood stringing and with goncalo alves banding, fitted with four long graduated drawers, with silvered handles, on French style swept bracket feet 88cm high, 114cm wide, 63cm deep Provenance Acquired by the present owner from Ronald Phillips Ltd. 26 Bruton Street, London, 22nd February 1985.

A Private Collection, London.

Catalogue Note See Lindsay Boynton, ‘Gillow Furniture Designs 1760­1800’, pl.11 for a coloured sketch of a closely related satinwood chest of drawers, which appears in the Estimate Sketch Books 24th October 1789.

£5,000­7,000

81

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203

203 A BIEDERMEIER FRUITWOOD AND EBONISED SETTEE POSSIBLY SWEDISH, SECOND HALF 19TH CENTURY with a triple lyre back, above an upholstered seat, on square tapering front legs 89.7cm high, 119.1cm wide, 60cm deep Provenance A Private Collection, London.

£300­500

204 A FRENCH TÔLE PEINTE BOUILLOTTE LAMP LATE 19TH CENTURY painted with gilt flowers on a red ground, with three lights 44.2cm high Provenance Acquired by the present owner from Mallett at Bourdon House, 2 Davies Street, London, 8th September 1986.

A Private Collection, London.

204

82

£300­500

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205 A FRENCH VERRE ÉGLOMISÉ WALL MIRROR ATTRIBUTED TO MAX INGRAND (FRENCH 1908­1969), C.1950 with a rectangular central plate within a gilt slip, with verre églomisé marginal plates, decorated with chinoiserie, with figures playing the flute and a mandolin, with leaf scrolls, a canopy and a stylised shell motif 120.8 x 90.8cm Provenance Acquired by the present owner from Bob Lawrence Gallery, 93 Lower Sloane Street, London, 20th August 2002.

A Private Collection, London.

£1,000­1,500

206 A GREEN JAPANNED WALL MIRROR IN QUEEN ANNE STYLE, 19TH CENTURY with two arched plates, one reverse painted with Chinese ladies, the moulded frame with gilt and polychrome chinoiserie decoration 111.3 x 44cm Provenance Acquired by the present owner from Through the Looking Glass Ltd., 137 Kensington Church St. London, 15th January 2003.

A Private Collection, London.

£1,000­1,500

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λ 207 AN ANGLO-CHINESE HUANGHUALI TWIN PEDESTAL DESK QIANLONG PERIOD, LATE 18TH / EARLY 19TH CENTURY possibly commissioned by a naval sea captain, the boarded reeded edge top above an arrangement of seven camphorwood lined drawers, the top right one divided to hold a lockable compartment, the fronts with ebonised raised decoration and sunken brass handles, on carved lion’s paw feet 77.5cm high, 122cm wide, 57cm deep Provenance Acquired by the present owner from Ciancimino Ltd, 104 Mount Street, London, 5th March 1984.

A Private Collection, London.

£3,000­5,000

END OF COLLECTION

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λ 208 AN ANGLO-CHINESE HUANGHUALI COMBINED GAMES AND TEA TABLE QIANLONG, C.1740 the demi­lune triple fold­over top on a single gate support, hinged for tea and baize lined for cards, with a scrolling leaf carved edge, with four dished wells for counters, with a conforming frieze, on turned legs terminating in pad feet carved with dragon masks and ruyi 74.3cm high, 84.1cm wide, 42cm deep Catalogue Note A table of similar form with mother of pearl inlay can be found at Saltram House, Devon.

Also, see Carl L. Crossman, ‘The Decorative Arts of The China Trade’, p.236, pl.87 for a table with very similar carving to the feet, in the collection of Richard Milhender. The author notes that this ‘handsome, stylish table is a very rare form’.

£4,000­6,000

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λ 209 AN ANGLO-CHINESE HUANGHUALI AND PADOUK SIDE CABINET QIANLONG, C.1750­60 BUT LATER ADAPTED with a pair of arched glazed doors, with a leaf carved slip, enclosing two adjustable shelves, with paktong hinges and side carrying handles, with later gilt brass mounts and on bracket feet, formerly the top of a bureau bookcase 101.5cm high, 110cm wide, 34cm deep

£2,000­3,000 λ 210 AN ANGLO-CHINESE HUANGHUALI BUREAU CABINET QIANLONG, C.1750­60 with a moulded cornice, above a pair of panelled doors with leaf carved mouldings, enclosing an associated adjustable shelf and two drawers, the backboards with an inscription with Chinese characters for a retail establishment, above a hinged fall revealing nine drawers and five pigeonholes around a central cupboard, above four long graduated drawers and bracket feet, with paktong escutcheons, hinges and handles, some of the drawer linings and pigeonholes with Chinese character marks 190.2cm high, 108cm wide, 56cm deep Provenance George Rognvald (Bill) Sykes Esq (1889­1955) and by descent to the current owner. George Sykes joined the Malay Civil Service in 1913 and specialised in Chinese, learning to speak three different dialects. He was stationed in Singapore, Kedah, Kuala Lumpur, Ipoh (where there is a road named after him) and Singapore again. The highlight of his career was when he became Resident Councillor of Malacca, the oldest Malay state. On each of his postings, because of his expertise in Chinese, he was appointed the Protector of the Chinese. The bureau was possibly acquired whilst he was a resident in Malacca.

Catalogue Note This bureau cabinet was constructed in China, probably Canton or Macau, for an English client, possibly ordered for an East India Company official. It is made of huanghuali, a timber native to Asia. Huanghuali (Dalbergia odorifera) literally translates as 'yellow flowering pear' wood which is a member of the rosewood family.

It was predominantly found on the island of Hainan and was the wood of choice for the Emperor of China and the elite during the Ming and Qing dynasties. This cabinet is based on an English prototype but constructed in an entirely Chinese way, in­particularly with the use of solid timbers.

A very similar pair of cabinets were sold in these rooms, Furniture, Works of Art & Clocks, 9th January 2020, lot 169 for £112,500 (including fees).

Literature For a discussion of 18th century Chinese export furniture and a related bureau cabinet in the collection of Richard Milhender, see Carl S. Crossman, ‘The Decorative Arts of the China Trade’, pp.220­237, pl.79.

£8,000­12,000 86

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87

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211 AN ANGLO-CHINESE CAMPHORWOOD TRUNK LATE 19TH CENTURY with brass mounts and handles and a vacant interior 52.5cm high, 105cm wide, 51.8cm deep

£300­500

212 A SET OF FOUR CHINESE WATERCOLOUR PANELS LATE 19TH / EARLY 20TH CENTURY depicting cranes and other birds, amidst leaves and flowers, each in a later glazed gilt frame (4) 123.4 x 44cm Provenance The Property of a Lady of title.

£200­300

212 part

213 A CHINESE PADOUK KANG TABLE LATE 19TH CENTURY the panelled top above a plain frieze and a pierced and carved apron of interlocking stylised bird’s heads 45.5cm high, 92.5cm wide, 92cm deep

£200­300

88

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214 A SMALL CHINESE PAINTED VELLUM TRUNK EARLY 20TH CENTURY decorated with courtly ladies in pavilions, with prunus trees, the interior with a blue silk lining, with brass handles and a lock plate 12.3cm high, 27.8cm wide, 15.5cm deep

£100­150

215 CHINESE SCHOOL. A MINIATURE PORTRAIT PAINTING OF A YOUNG LADY LATE 18TH / EARLY 19TH CENTURY in a verre églomisé mount and a reeded hardwood frame 15 x 12.1cm

£200­300

216 A CHINESE PORCELAIN SANG DE BOEUF VASE TABLE LAMP LATE 19TH / EARLY 20TH CENTURY mounted on a hardwood stand, with later brass fitting with twin lights 33.5cm high

£300­400

89

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λ 217 THREE ORIENTAL SHAGREEN SPECTACLE CASES JAPANESE OR CHINESE, 19TH / EARLY 20TH CENTURY of flatted oval form, two with copper mounts, one containing a pair of tortoiseshell and gilt metal spectacles (3) 16.7cm long (max)

£200­300 λ 218 A CHINESE EXPORT LACQUER TEA CHEST MID­19TH CENTURY decorated in gilt with fishermen, boats, willow trees and pagodas, in a watery landscape, on an aubergine ground, the interior with a lift­out pewter canister, with a hinged lid and an ivory bun handle, together with a Chinese rosewood and mother of pearl inlaid box, the interior with a divided lift­out tray (2) 12cm high, 23cm wide, 15cm deep (max)

£200­300 219 A SMALL ALBUM OF CHINESE RICE PAPER PAINTINGS 19TH CENTURY the part leather and marbled card­bound album containing twenty­ three gouache pictures of butterflies, birds, figures and boats, with a brass lock and key and a trade label ‘Mortimer & Co. Calcutta’ 11 x 15.7cm

217

£200­300

218

219

90

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220 220 A SMALL CHINESE BLUE AND WHITE PORCELAIN DISH KANGXI (1662­1722) painted with panels of flowers, the centre with insects, flowers and rockwork, with double ring and leaf mark, together with a small Chinese blue and white shallow dish, a carved rock crystal model of an elephant and two hardwood stands (5) 13cm (max)

£150­250 221 A LARGE PAIR OF CHINESE PORCELAIN FAMILLE ROSE VASE CANDELABRA QING DYNASTY, LATE 19TH / EARLY 20TH CENTURY with associated gilt bronze flower and leaf mounts, one with five lights, the other with six, the vases with reduced necks above brightly painted bodies, decorated with courtly figures in an interior scene (2) 89.3cm high (overall)

221

£1,500­2,000

222 A PAIR OF CHINESE EMROIDERED SILK PICTURES LATE 19TH CENTURY worked with metal thread with a pair of birds, with leaves, flowers and auspicious symbols and applied mirrored studs, in later glazed gilt frames (2) 38.5 x 51cm

£200­300 91

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223 THREE CHINESE WALKING CANES LATE 19TH CENTURY each with a silver handle, one faux bamboo, the handle stamped with maker’s marks, one decorated with scaly dragons, with an applied plaque engraved with a monogram, above a Malacca shaft, the other repoussé decorated with figures, buildings and trees, above a shagreen stem (3) 89.2cm long (max)

£200­300 224 AN ANGLO-INDIAN SANDALWOOD WALKING CANE PROBABLY MYSORE, LATE 19TH CENTURY

223

carved with a tiger’s head handle, the stem relief decorated with figures, animals, birds, leaves and flowers 94.5cm long

224

£200­300

λ 225 A COLLECTION OF TEN WALKING CANES EARLY 18TH CENTURY AND LATER

λ 226 A RHINOCEROS HORN LETTER OPENER 19TH CENTURY

comprising: two early 18th century ivory handled Malacca canes, one with a silver collar, unmarked, together with four other Malacca canes, one an early Victorian system cane with a compass in the handle, inscribed ‘Corrected for England 1845’, a lignum vitae cane by Brigg with a silver handle hallmarked for London 1897, a faceted oak example with a gilt metal handle, a faux bamboo cane and a system walking cane, the screw­off top revealing a glass spirit tube (10) 113.5cm long (max)

25.1cm long, weight: 22g

£100­150

£200­300 225

226

92

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227

λ 227 AN ANGLO-INDIAN EBONY AND IVORY BOX VIZAGAPATAM, PROBABLY LATE 18TH / EARLY 19TH CENTURY finely inlaid with panels of lac decorated scrolling foliage, the hinged lid centred with a double headed eagle, the underside of the lid inlaid with an urn of flowers, the interior with a lidded compartment, with a secret drawer under, with white metal hinges and a lock 9.5cm high, 30.3cm wide, 22.8cm deep

£800­1,200

228 AN INDIAN CARVED COCONUT AND COVER 19TH CENTURY pierced and carved with flowers and leaves, the lid with an urn finial, mounted on a lobed baluster stem and ebony base 21.7cm high

£150­200 229 A MUGHAL INDIAN MARBLE ARCH 18TH CENTURY in two sections, carved in relief with leaves and flowers, later mounted on a metal base 35.4cm high, 75cm wide Provenance Acquired by the current owner from Simon Ray, Indian and Islamic Works of Art, 13th February 2004.

The Property of a Lady of title.

£400­600 228

229 93

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λ 230 AN INDO-PORTUGUESE CARVED IVORY FIGURE OF THE VIRGIN GOA, 18TH CENTURY with flowing drapery, standing on the horns of the devil, with a serpent’s head and angels, the base with swags of leaves 21.3cm high

£400­600

231 A SPANISH COLONIAL CARVED WOOD BUST OF A SAINT SOUTH AMERICAN, 18TH CENTURY with traces of polychrome decoration and shell eyes, later mounted on a wooden plinth, within a Perspex case 24cm high Provenance Acquired by the current vendor from Julian Hartnoll in c.2007.

£400­600

230

231 94

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λ 232 AN INDO-PORTUGUESE ROSEWOOD, HARDWOOD AND IVORY INLAID TABLE CABINET GUJARAT OR SINDH, EARLY 17TH CENTURY AND LATER inlaid with panels of birds amongst urns of flowers and leaves, the top with flying exotic birds holding two baby elephants, tigers attacking antelopes and a pair of falconers, the sides with the addition of tigers, the front with peacocks and snakes, tigers and two falconers, the front adapted with later brass hinges and a pair of doors enclosing an arrangement of seven drawers, the top a long drawer with a false front, the centre a deep drawer, inlaid with scrolling leaves, flowers and birds and a balustrade, with side iron carrying handles 35.7cm high, 53.7cm wide, 39.3cm deep Catalogue Note See Amin Jaffer, ‘Luxury Goods from India’, pp.44­45 for a discussion of this type of cabinet.

For very similar cabinets, see the Victoria and Albert Museum, no.122­1906, Woolley & Wallis, Furniture, Works of Art & Clocks, 11th August 2020, lot 340, Bonham’s, Islamic and Indian Art, 23rd October 2017, lot 168 and Christie’s, Art of the Islamic & Indian Worlds, 7th April 2011, lot 256.

£8,000­12,000

95

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233 open 233 A BURMESE HARDWOOD CABINET ON STAND EARLY 20TH CENTURY

233 234 A MOORISH WALNUT AND EBONISED TORCHÈRE PROBABLY SYRIAN, LATE 19TH / EARLY 20TH CENTURY

carved with panels of scrolling leaves and figures in various pursuits, with a lift­off top revealing six secret divisions, above a pair of doors, enclosing an arrangement of eight drawers 137.8cm high, 64.9cm wide, 44cm deep

inlaid with mother of pearl, the dished circular top on tripod turned supports, with spindle panels and a central turned stem 119.8cm high

£400­600

£200­300

234 96

235

235 A MOORISH WALNUT SIDE TABLE LATE 19TH CENTURY inlaid with brass, bone, mother of pearl and abalone, with scrolling leaves and geometric star rondels, the rectangular top above a frieze drawer, on square tapering legs and brass sabots 75.3cm high, 69.5cm wide, 43.3cm deep

£300­500

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236 A MOSQUE PORTIÈRE OTTOMAN, LATE 19TH CENTURY the black and brown ground embroidered with calligraphy and geometric motifs in metal threads 173 x 319cm Provenance A Private Collection.

£400­600 λ 237 A MOORISH WALNUT HEXAGONAL OCCASIONAL TABLE FIRST HALF 20TH CENTURY inlaid with bone, mother of pearl, tortoiseshell and ebonised wood, with geometric designs and star motifs, the base with mihrab arches 73.9cm high, 46.4cm wide

£200­300 238 AN ISLAMIC KHORASAN BRONZE LAMPSTAND BASE IRAN, 11TH / 12TH CENTURY with a verdigris patination and engraved decoration, with panels of scrolls and pierced star rondels, on tripod feet 12.2cm high, 22.7cm wide Catalogue Note See Marilyn Jenkins, ‘Islamic Art in the Kuwait National Museum­The al­Sabah Collection’, p.66 for a complete lampstand with a similar base.

£200­300

236

238

237 97

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239 A MOROCCAN RUG TAZNAKHT, 20TH CENTURY 207 x 108.7cm Provenance By repute, purchased at Liberty’s.

£400­600

239

240

240 A HAMADAN RUNNER NORTH WEST PERSIA, 20TH CENTURY 283 x 110cm

£200­300 241

98

241 AN USHAK RUG TURKEY, C.1880 217 x 101.5cm

£400­600

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242 A ZIEGLER CARPET ARAK, SULTANABAD, C.1880 with an allover design of scattered large palmettes on a red ground 407.5 x 331cm

£6,000­8,000

99

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243 AN ISFAHAN CARPET CENTRAL PERSIA, 20TH CENTURY with an allover design of palmettes and a signature cartouche 495 x 348cm

£2,000­3,000

244 A KERMAN RUG SOUTH EAST PERSIA, C.1920 with a signature cartouche for ‘Argmand Company number 120 Made in 1299 Kerman’ 233 x 149cm

£300­500

100

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245 A MAHAL CARPET NORTH WEST PERSIA, C.1900 with an allover design 500 x 326cm

£3,000­5,000

101

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246 A HERIZ CARPET NORTH WEST PERSIA, EARLY 20TH CENTURY 373 x 275.5cm

£800­1,200

246

247 A SMALL KHORASSAN CARPET NORTH EAST PERSIA, EARLY 20TH CENTURY 237 x 182cm

£400­600

247 102

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248 248 A BRUSSELS VERDURE TAPESTRY LATE 17TH CENTURY worked with figures, in a landscape with cranes and a lake, within a floral border 287.2 x 368cm

£2,000­3,000

249 A FABRIC WALL HANGING OF THE SECOND TRUMPET AND THE SHIPWRECK FROM THE APOCALYPSE OF ANGERS (1373­1387), MODERN 121.5 x 175cm Provenance The Property of a Lady of title.

£100­150

250 A NEEDLEPOINT TAPESTRY CARPET C.1870­80 the chequerboard centre with Prince of Wales plumes of feathers, within a heraldic shield border 360.5 x 272.6cm

£500­800 103

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SELECTED CONTENTS FROM A PRIVATE CORNISH COUNTRY ESTATE LOTS 251-326

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251 A BAROQUE WALNUT SIDE TABLE FRENCH OR ITALIAN, 17TH CENTURY the boarded top, with cleated ends and a moulded edge, above a frieze drawer with a printed paper trade label for Liberty & Co., inscribed ‘Walnut five spiral leg table, Jacobean period 1640, Guaranteed genuine and of the period stated, Liberty & Co. January 1928, No. 3’, on five spiral twist supports united by a stretcher, on bun feet 74.2cm high, 105.7cm wide, 65cm deep Provenance From a Private Cornish Country Estate.

£800­1,200

252 A DUTCH DELFT BLUE AND WHITE TIN GLAZED POTTERY VASE TABLE LAMP LATE 17TH CENTURY painted with Chinese figures, landscapes and deer, in Transitional style, with later giltwood mounts and twin­light fitting 31.3cm high Provenance From a Private Cornish Country Estate.

£200­300

253 A PAIR OF WILLIAM AND MARY STAINED WALNUT AND BEECH SIDE CHAIRS LATE 17TH / EARLY 18TH CENTURY each with a later upholstered padded back and seat, on faceted baluster front legs united by a scroll crest and block and turned stretchers (2) Provenance From a Private Cornish Country Estate.

£400­600

105

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254

254 A FLEMISH WALNUT SIDE TABLE 17TH CENTURY

255 AN OAK REFECTORY TABLE 17TH CENTURY

the boarded top with canted corners, above a frieze drawer with a moulded front, on cup and cover supports united by a turned and block ‘H’ stretcher 78.8cm high, 129cm wide, 82.6cm deep

the boarded top with cleated ends and a moulded edge, on Gothic chamfered legs united by peripheral stretchers 77.4cm high, 78.2cm wide, 194.6cm long

Provenance From a Private Cornish Country Estate.

£800­1,200

255 106

Provenance From a Private Cornish Country Estate.

£600­800

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256 AN ANTWERP MARQUETRY CENTRE TABLE IN BAROQUE STYLE 19TH CENTURY with ebony, ebonised and bone decoration, inlaid with fruitwoods, with scrolling leaves, flowers and birds, the rectangular top with a chevron edge, above a frieze drawer with a trade label for ‘Harrods’, on spiral twist legs united by an ‘X’ stretcher 74.5cm high, 117.2cm wide, 76.8cm deep Provenance From a Private Cornish Country Estate.

£3,000­5,000 107

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257 A GEORGE I WALNUT LOWBOY C.1720 the crossbanded top with feather banding and a moulded edge above three frieze drawers, the centre one with divisions, on moulded cabriole legs and pointed pad feet 68.7cm high, 72cm wide, 51cm deep Provenance From a Private Cornish Country Estate.

£800­1,200 258 A GEORGE II WALNUT BUREAU C.1730 cross and feather banded, the hinged fall revealing pigeonholes and drawers flanking a central cupboard, with two short and three long graduated drawers, on bracket feet 101.1cm high, 95.6cm wide, 52.6cm deep Provenance From a Private Cornish Country Estate.

£600­800

257

259 TWO GEORGE II BRASS CANDLESTICKS C.1740­60 each with an urn shape nozzle and turned stems, one with a petal foot (2) 18.1cm high (max) Provenance From a Private Cornish Country Estate.

£100­150

259

258 108

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260 A GEORGE II MAHOGANY TRIPOD TABLE C.1740 AND LATER the circular dished tilt­top on a ring turned baluster stem and a fluted bowl, on leaf capped cabriole legs with hairy paw feet and leather roller castors 72cm high, 74.5cm diameter Provenance From a Private Cornish Country Estate.

£600­800 261 A GEORGE II MAHOGANY KETTLE STAND C.1740 the circular dished fixed top on a turned gun barrel stem, on tripod cabriole legs and pad feet 63.7cm high, 47.5cm wide Provenance From a Private Cornish Country Estate.

£500­700 262 A GEORGE III MAHOGANY BUREAU C.1770 the hinged fall revealing a fitted interior inlaid with parquetry stringing and a star, with a long drawer above a central pull­out cupboard (locked), the back with secret compartments, with shaped front drawers and pigeonholes, above four long graduated drawers, on bracket feet 103.2cm high, 93.5cm wide, 51.8cm deep

260

Provenance From a Private Cornish Country Estate.

£400­600

261

262 109

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263

263 A GEORGE III MAHOGANY BOWFRONT CHEST C.1800

264 AN EARLY GEORGE III MAHOGANY CANDLESTAND C.1760

265 A GEORGE II MAHOGANY TRIPOD OCCASIONAL TABLE MID­18TH CENTURY

the top with a reeded edge, above three long drawers, on French bracket feet 85cm high, 102.5cm wide, 59.2cm deep

the hexagonal fixed top with a moulded edge, above a fluted stem and bowl, on moulded hipped cabriole legs, headed by carved quatrefoils, the underside of the top with an ivorine label, inscribed ‘Frank Partridge, Works of Art, 26 King Street, St, James’s and New York’ 74.6cm high, 42cm wide

the circular dished tilt­top above a fluted stem and a conforming urn, on cabriole legs and pad feet 70.2cm high, 57.3cm diameter

Provenance From a Private Cornish Country Estate.

£600­800

Provenance From a Private Cornish Country Estate.

£400­600

Provenance From a Private Cornish Country Estate.

£600­800

264 110

265

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266 A GEORGE III MAHOGANY GAINSBOROUGH OPEN ARMCHAIR C.1770 AND LATER upholstered with green damask, with a serpentine padded back, with downswept arms carved with rosettes and an entrelac band terminating in shells, on conforming moulded front legs united by pierced ‘Chinese Chippendale’ style stretchers, on later brass castors Provenance From a Private Cornish Country Estate.

£600­1,000

267 A GEORGE III MAHOGANY OVAL DRINKS TRAY IN THE MANNER OF THOMAS CHIPPENDALE, C.1780­90 with a wavy edge laminated gallery and a chamfered border to the underside, with a paper trade label, inscribed ‘Collezione d’arte antica parenti Firenze’ 46 x 68.2cm Provenance From a Private Cornish Country Estate.

Catalogue Note See Christopher Gilbert, ‘The Life and Work of Thomas Chippendale’, p.276, pl.505, for a similar tray, probably supplied by Thomas Chippendale in 1763 to Dumfries House. Also, Christie’s, 500 Years Decorative Arts Europe, 18th November 2010, lot 104, for a related example.

£200­300

111

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268 A SET OF MAHOGANY FOLDING LIBRARY STEPS with brass hinges and four treads to each side 88.7cm high, 78.2cm wide, 39.2cm deep Provenance From a Private Cornish Country Estate.

£200­300

269 A REGENCY TÔLE OVAL COAL BOX AND COVER EARLY 19TH CENTURY painted in gilt with bands of leaves, Greek key design and a pair of angels, on a yellow ground, with cast handles and lion’s paw feet, the interior with a lift­out metal liner 37.5cm high, 48cm wide, 33.5cm deep Provenance From a Private Cornish Country Estate.

£400­600

270 THREE POLISHED STEEL FIRE TOOLS EARLY 19TH CENTURY AND LATER each with a gilt bronze urn shape handle with stiff leaf decoration, with knopped stems, the pan pierced with a lyre (3) 74.4cm long Provenance From a Private Cornish Country Estate.

£400­600

112

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271 A PAIR OF PAINTED AND PARCEL GILT TUB CHAIRS IN GEORGE III STYLE each button upholstered with cream silk, with moulded frames and fluted tapering legs (2) Provenance From a Private Cornish Country Estate.

£400­600

272 TWO PAIRS OF GILTWOOD WALL APPLIQUÉS IN LOUIS XVI STYLE 19TH / 20TH CENTURY

273 A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY

one pair carved with ribbon tied branches of fruit, flowers and acorns, the other with a ribbon, drapes, flowers and tassels (4) 135.3cm and 89.5cm high

the rectangular plate within a beaded slip, flanked by ribbed columns with leaf capitals and with a verre églomisé frieze, with a leaf and flower lattice ground and an oval panel decorated with a windmill, a lone figure and trees 100.4 x 63cm

Provenance From a Private Cornish Country Estate.

£600­800

Provenance From a Private Cornish Country Estate.

£500­700

113

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274 A GEORGE III MAHOGANY PATIENCE TABLE C.1800­05 with kingwood banding and inlaid with boxwood and parquetry stringing, the twin hinged top supported on pull­out slides, revealing a later tooled suede playing surface, the frieze drawer with cedar divisions for cards, on square tapering legs and brass caps and castors 74.5cm high, 51.2 x 102cm (open) Provenance From a Private Cornish Country Estate.

£600­800 275 A REGENCY MAHOGANY LETTER RACK EARLY 19TH CENTURY with a pierced handgrip, above twin divisions and turned spindle galleries, on brass ball feet 19.3cm high, 26.5cm wide, 17cm deep Provenance From a Private Cornish Country Estate.

£300­500 276 A REGENCY MAHOGANY CHEESE COASTER EARLY 19TH CENTURY

274

with split baluster lifts and applied rondels, with an adjustable division, on sunken leather roller castors (one missing) 17.5cm high, 40.6cm wide, 26.3cm deep Provenance From a Private Cornish Country Estate.

£150­250

275

276

114

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277 A REGENCY MAHOGANY GAMES TABLE EARLY 19TH CENTURY inlaid with boxwood stringing, the kingwood banded top with a reversible slide­out central section inlaid with a chequerboard, revealing a lift­out backgammon board, with two frieze drawers, on anthemion carved trestle ends and ribbed scroll supports and foliate cast brass sabots and castors 76cm high, 93.7cm wide, 61cm deep Provenance From a Private Cornish Country Estate.

£1,000­1,500

λ 278 A REGENCY ROSEWOOD AND BRASS MOUNTED CARD TABLE IN THE MANNER OF JOHN MCLEAN, EARLY 19TH CENTURY inlaid with stringing and flowerheads, with classical relief appliqués, with a hinged and swivel top revealing a baize lined interior, on lyre shape supports and brass paw sabots and castors 75.3cm high, 91.2cm wide, 45.2cm deep Provenance From a Private Cornish Country Estate.

£1,000­1,500

115

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279 A REGENCY MAHOGANY LIBRARY TABLE EARLY 19TH CENTURY with a reeded edge dished top, above a pair of frieze drawers, with false fronts to reverse, on solid trestle ends united by a ring turned baluster stretcher, on brass caps and castors 77.5cm high, 101.2cm wide, 71.3cm deep Provenance Partridge Fine Arts Ltd. From a Private Cornish Country Estate.

£1,000­1,500

280 A PAIR OF REGENCY MAHOGANY OPEN ARMCHAIRS EARLY 19TH CENTURY each with a curved and panelled top rail above a scroll horizontal splat, with a drop­in seat and scroll arms, on sabre legs (2) Provenance From a Private Cornish Country Estate.

£200­300

281 A SET OF EIGHT REGENCY SIMULATED ROSEWOOD DINING CHAIRS EARLY 19TH CENTURY each with a ribbed curved top rail above a brass marquetry panel and a rondel decorated bar splat, above a drop­in seat, on sabre legs, the rails stamped ‘9344’ (8) Provenance From a Private Cornish Country Estate.

£600­800

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282 A REGENCY MAHOGANY LIBRARY TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the reeded edge top inset with later gilt tooled leather, above a pair of panelled frieze drawers, with false fronts to the reverse, on solid trestle ends with ribbed scroll supports and brass caps and castors 76.5cm high, 135.3cm wide, 74cm deep Provenance From a Private Cornish Country Estate.

£1,500­2,500

283 A GEORGE IV MAHOGANY BERGÈRE LIBRARY ARMCHAIR C.1830 with a wing caned back, sides and seat with two green leather cushions, the moulded frame with scroll arms on rondel headed ribbed front legs and brass caps and castors Provenance From a Private Cornish Country Estate.

£500­800

λ 284 A REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE EARLY 19TH CENTURY the drop­flap banded top above two frieze drawers, on a ‘U’ shape support and a quatreform platform base, on foliate cast brass sabots and castors 72.5cm high, 62.3 x 142.5cm (open) Provenance From a Private Cornish Country Estate.

£800­1,200

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285 A VICTORIAN MAHOGANY TWIN PARTNER’S PEDESTAL DESK MID­19TH CENTURY

λ 286 A WILLIAM IV ROSEWOOD LIBRARY TABLE C.1840

the top inset with a gilt tooled leather writing surface and with a moulded edge, above three frieze drawers to each side, and three drawers to each side of the pedestal, on castors 67cm high, 183cm wide, 122cm deep

the rectangular top with rounded corners, above solid trestle ends united by a ring and baluster turned simulated rosewood stretcher, on sunken brass castors 73.5cm high, 138.5cm wide, 75.3cm deep

Provenance From a Private Cornish Country Estate.

Provenance From a Private Cornish Country Estate.

£600­800

£600­800

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λ 287 A REGENCY ROSEWOOD BREAKFRONT SIDE CABINET EARLY 19TH CENTURY

λ 288 A LARGE EARLY VICTORIAN ROSEWOOD LIBRARY TABLE IN THE MANNER OF GILLOWS, C.1840

inlaid with brass stringing, the later green marble top above three frieze drawers, with pleated silk cupboards enclosing adjustable shelves, flanked by curved pilasters 88.8cm high, 174.1cm wide, 38cm deep

the oblong top with a moulded edge, above panelled solid trestle ends, carved with lappets, scrolls and rosettes, united by a turned lappet stretcher, on lion’s paw feet and sunken castors 74.2cm high, 197cm wide, 91.5cm deep

Provenance From a Private Cornish Country Estate.

Provenance From a Private Cornish Country Estate.

£600­800

£3,000­5,000

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289

289 A CHINESE EXPORT LACQUER WORK TABLE EARLY 19TH CENTURY gilt decorated on a black ground with figures in various pursuits, with buildings and pagodas in a water landscape, with bands of scaly dragons, the hinged lid centred with an initial ‘M’, revealing a fitted interior with lidded compartments and divisions, above a silk bag, on turned supports and shell and lion’s paw feet 74.5cm high, 63.5cm wide, 46cm deep Provenance From a Private Cornish Country Estate.

£500­800 290 A CHINESE FAMILLE ROSE PORCELAIN VASE TABLE LAMP 19TH CENTURY 290

of square section and decorated with courtly figures, with a later fitted twin­ light and a hardwood stand 56.6cm high Provenance From a Private Cornish Country Estate.

£500­800 291 FOUR INDIAN HUNTING AQUATINTS FROM ‘ORIENTAL FIELD SPORTS’ AFTER CAPTAIN THOMAS WILLIAMSON & SAMUEL HOWITT (1756­ 1822) comprising: ‘The Chase after a Hog’, ‘The Return from Hog Hunting’, ‘Beating Sugar Canes for a Hog’ and ‘Hunters Going out in the Morning’, ‘Published & Sold June 4th 1805 by Edward Orme, Printseller to his Majesty, 59. Bond Street, London’, each in later glazed walnut and parcel gilt frames, with labels for ‘Richard Green, Frank T Sabin 4 New Bond Street’ (4) 35.3 x 46cm Provenance From a Private Cornish Country Estate.

£500­800 291 120

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292

λ 292 A CHINESE EXPORT LACQUER WORK TABLE EARLY 19TH CENTURY gilt decorated on a black ground with figures in various pursuits, with buildings and pagodas in a water landscape, the hinged lid revealing a fitted interior with lidded compartments and divisions, with some carved ivory utensils above a silk lined pull­out bag, on pierced lyre shape supports united by a stretcher, on carved giltwood lion’s paw feet 70.6cm high, 61.5cm wide, 40.8cm deep Provenance From a Private Cornish Country Estate.

£500­800 293 A CHINESE FAMILLE ROSE PORCELAIN ‘HUNDRED ANTIQUES’ VASE TABLE LAMP 19TH CENTURY

293

of square section, the body moulded with vases, gourds, censers, urns of flowers and fish, with a later twin­light fitting and a hardwood stand 58.8cm high Provenance From a Private Cornish Country Estate.

£600­800 294 SIX TOPOGRAPHICAL ENGRAVINGS OF MACAO AFTER THOMAS ALLOM (1804­1872) each hand­coloured, comprising: ‘Jugglers exhibiting in the Court of a Mandarin’s Palace’, ‘Chapel in the Great Temple, Macao’, ‘Macao from the Forts of Heang­Shan’, ‘Facade of the Great Temple, Macao’, ‘The Pria Grande, Macao’ and ‘The Grotto of Camoens, Macao’, published by ‘The London Publishing and Printing Company Limited’ and ‘Peter Jackson’, all mounted (6) 17.2 x 20.5cm Provenance From a Private Cornish Country Estate.

£100­200 294 121

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295 A FRENCH BRONZE FIGURE OF A CHINAMAN 19TH CENTURY seated, holding a temple shaped birdcage and a bird on a branch 34.2cm high, 20.5cm wide Provenance From a Private Cornish Country Estate.

£300­500 296 A CHINESE FAMILLE ROSE PORCELAIN VASE TABLE LAMP 19TH CENTURY decorated with flowers, leaves and butterflies, with a later twin­light fitting, shade and hardwood stand 39.9cm high Provenance From a Private Cornish Country Estate.

£300­500 297 A PAIR OF CHINESE PADOUK CHILD’S CHAIRS QING DYNASTY, LATE 18TH / EARLY 19TH CENTURY each with a vase shaped splat carved with leaves and a flower, above a panelled seat, on stretchered supports (2)

295

Provenance From a Private Cornish Country Estate.

£300­500

296

297

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298 A GOOD SAROUK CARPET NORTH WEST PERSIA, EARLY 20TH CENTURY with an allover floral design 510.5 x 299cm Provenance From a Private Cornish Country Estate.

£2,000­4,000 123

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299 A SAROUK CARPET NORTH WEST PERSIA, EARLY 20TH CENTURY 377 x 261cm Provenance From a Private Cornish Country Estate.

£600­800 300 A JAPANESE BAMBOO AND PARQUETRY SIDE CABINET LATE 19TH CENTURY decorated with geometric motifs, with a pair of lacquered panel doors enclosing a shelf 95.8cm high, 85.8cm wide, 38.8cm deep Provenance From a Private Cornish Country Estate.

£300­500 301 A CARVED STONE HEAD OF BODHISATTVA POSSIBLY THAI of flattened form, depicting a courtly lady, with a later hardwood stand 34cm high Provenance From a Private Cornish Country Estate.

£200­300

299

300

124

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302 A FRENCH MARBLE FIGURE OF VENUS AFTER ÉTIENNE­MAURICE FALCONET (FRENCH 1716­1791), LATE 19TH CENTURY the goddess about to bathe 83.4cm high Provenance From a Private Cornish Country Estate.

£600­800

303 A FRENCH BRONZE GRAND TOUR FIGURE OF THE BORGHESE GLADIATOR AFTER THE ANTIQUE, LATE 19TH / EARLY 20TH CENTURY incised ‘H. Rouard, fondeur, Paris’, mounted on a verde antico marble base 69.2cm high, 52cm wide Provenance From a Private Cornish Country Estate.

£600­800

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304 A BRONZE GROUP OF A MARE AND HER FOAL

BY HANS MÜLLER (AUSTRIAN 1873­1937) signed ‘H. Muller’, on a hardstone plinth 20cm high, 22.2cm wide Provenance From a Private Cornish Country Estate.

£400­600

305 A BRONZE BUST OF A YOUNG LADY

BY JACQUES MARIN (BELGIAN 1877­1950) with a grapevine in her hair and draped over her right shoulder, the base strewn with a ewer, musical instruments, shells and a grapevine, signed ‘Marin’ 21.7cm high Provenance From a Private Cornish Country Estate.

£200­300

306 A FRENCH ANIMALIER BRONZE OF A WHIPPET AFTER PIERRE­JULES MÊNE (FRENCH 1810­1879) mounted on an oval marble base 16.7cm high, 16.5cm wide Provenance From a Private Cornish Country Estate.

£150­250

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307 308 ‘QUEEN VICTORIA RECEIVING THE SACRAMENT AT HER CORONATION’ AFTER CHARLES ROBERT LESLIE (1794­1859)

λ 307 A LARGE EARLY VICTORIAN ROSEWOOD OPEN BOOKCASE C.1840 fitted with adjustable shelves and flanked with rosette headed pilasters, with carved leaf capitals, the back stamped ‘VR 1866 NT Room 18’ and with inventory number ‘18’, together with a trade label for Harrods 107.5cm high, 259.1cm wide, 30cm deep

a mezzotint and mixed media engraving by Samuel Cousins (1801­1887), published by Sir Francis Graham Moon, 1st Baronet, 1st May 1843, in an impressive glazed maple and gilt composition frame decorated with scrolls and with a Royal Coat of Arms surmount, the back with publisher’s label and the remains of a chart to identify the participants 67.5 x 118cm

Provenance From a Private Cornish Country Estate.

Catalogue Note The stamps on the back of this bookcase would suggest that this bookcase graced one of Queen Victoria’s Royal residences.

Provenance From a Private Cornish Country Estate.

£1,000­1,500

£300­500

308 127

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309

309 A VICTORIAN BURR WALNUT AND WALNUT LIBRARY TABLE C.1860

310 A NEST OF THREE SATINWOOD AND PARCEL GILT OCCASIONAL TABLES LATE 19TH CENTURY

λ 311 A LATE VICTORIAN ROSEWOOD AND MARQUETRY ENVELOPE CARD TABLE C.1880

the moulded edge top inset with a gilt tooled green leather writing surface, with curved ends, above a pair of frieze drawers, on fluted legs united by an ‘H’ stretcher and brass castors 75cm high, 152.3cm wide, 82.3cm deep

each with a serpentine moulded edge top painted with flowers, on ring turned legs (3) 71cm high, 57cm wide, 34.4cm deep

inlaid with scrolling leaves, shells and paterae, the hinged and swivel top with a gilt tooled leather banded baize playing surface, above a divided frieze drawer, on square tapering legs united by a fret carved undertier 73cm high, 57.5cm square

Provenance From a Private Cornish Country Estate.

£700­900

Provenance From a Private Cornish Country Estate.

£300­500

Provenance From a Private Cornish Country Estate.

£400­600

310 128

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312 312 A VICTORIAN BURR WALNUT CREDENZA C.1860

313 A VICTORIAN WALNUT WRITING DESK IN LOUIS XV STYLE, C.1860

with ormolu mounts, the breakfront top above a pair of panelled doors, with incised decoration, enclosing two shelves, flanked by a pair of open ends fitted with three shelves 101.3cm high, 142.4cm wide, 40.3cm deep

with gilt brass mounts, the raised back with a pierced gallery above a mirror and fitted with five drawers, above a tooled green leather writing surface, above a frieze drawer, on cabriole legs 95.2cm high, 121cm wide, 67cm deep

Provenance From a Private Cornish Country Estate.

Provenance From a Private Cornish Country Estate.

£500­800

£800­1,200

313 129

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λ 314 A GEORGE IV ROSEWOOD WRITING TABLE C.1820 the top with a brass baluster gallery and inset with a tooled leather writing surface, above a pair of frieze drawers, on fluted tapering legs and brass caps and castors 75.8cm high, 91.4cm wide, 53.5cm deep Provenance From a Private Cornish Country Estate.

£500­700

314

315 A PAIR OF FRENCH PORCELAIN VASE TABLE LAMPS IN SÈVRES STYLE LATE 19TH CENTURY with bronze mounts, painted with panels of courting couples in 18th century costumes, each signed ‘G. Poitevi’ in gilt reserves, on a bleu du roi ground, with later fittings (2) 53cm high Provenance From a Private Cornish Country Estate.

£500­800

316 315 130

316 A PAIR OF GREEN GLASS CORNUCOPIA VASES EARLY TO MID­19TH CENTURY with gilt decoration and a gauntlet terminal, on an alabaster rectangular base (2) 14.9cm high Provenance From a Private Cornish Country Estate.

£300­500

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317

317 A PAIR OF FRENCH KINGWOOD AND AMBOYNA PIER CABINETS IN LOUIS XVI STYLE, C.1870­80 each with ormolu mounts and a white marble top, above a glazed panel door, enclosing a bird’s eye maple lined interior with two adjustable shelves, on toupie feet (2) 91.4cm high, 71.7cm wide, 37.5cm deep Provenance From a Private Cornish Country Estate.

£1,500­2,500

318 A PAIR OF FRENCH ORMOLU AND VERDE ANTICO MARBLE CASOLETTES IN LOUIS XVI STYLE, LATE 19TH CENTURY each in the form of an athénienne, with a reversible top, above ram’s head tripod monopodia and decorated with ribbon tied swags of fruit and flowers (2) 36.9cm high Provenance From a Private Cornish Country Estate.

£600­800

318

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319 A VICTORIAN WALNUT WELLINGTON CHEST C.1860 with six burr veneered graduated drawers, with a pilaster locking bar 128cm high, 56.8cm wide, 44cm deep Provenance From a Private Cornish Country Estate.

£500­700

λ 320 A SATINWOOD LAMP TABLE IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY inlaid with kingwood and chequer banding, the circular rosewood banded top marquetry inlaid with ribbon tied harebell swags and book matched flame veneers, the edge with dot inlay, on fluted legs united by an ‘X’ stretcher with an urn finial 73cm high, 61cm diameter Provenance From a Private Cornish Country Estate.

£500­700

319

320 132

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321 A PAIR OF FRENCH NAPOLEON III GILT AND PATINATED BRONZE FIGURAL CANDELABRA IN LOUIS XVI STYLE, AFTER CLODION each modelled with a dancing infant Bacchus, with a vine leaf loin cloth supporting a pair of spiral fluted cornucopiae, filled with grapes and vine leaves, with a detachable drip­pan, standing on a rocky base, one with a tambourine, the other with a sack, each on a rouge griotte marble plinth, with a ribbon tied laurel wreath band (2) 43.4cm high Provenance From a Private Cornish Country Estate.

£1,000­1,500

321

322 A FRENCH NAPOLEON III GILT AND PATINATED BRONZE TABLE LAMP AFTER CLODION, MID­19TH CENTURY modelled with a cherub holding a cornucopia issuing leaves, seated on a rouge griotte marble fluted socle, with a band of oak leaves and acorns, with a later light fitting, formerly the base of a candelabra 50.5cm high Provenance From a Private Cornish Country Estate.

£300­500

323 A PAIR OF FRENCH GILT AND PATINATED BRONZE CANDLESTICKS IN LOUIS XVI STYLE, LATE 19TH CENTURY both modelled with a winged cherub, one supporting a bird in its nest, the other with flowers, each supporting a flaming torch snuffer, on a rouge marble plinth, slight differences (2) 26.4cm high (max) Provenance From a Private Cornish Country Estate.

£100­200

322 323 133

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324 A QUEEN ANNE WALNUT LONGCASE CLOCK

BY SAMUEL WATSON LONDON the brass month going movement with six turned and finned pillars, with an anchor escapement striking on a bell, with an outside countwheel, the twelve inch brass dial with a silvered chapter ring, with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and date aperture, signed ‘Sam Watson London’, with gilt boys and crown spandrels, the hood with a blind fret carved frieze, above a trunk door with book matched burr veneers 216.6cm high Provenance From a Private Cornish Country Estate.

Catalogue Note See Britten’s ‘Old Clocks & Watches and their Makers’: Samuel Watson, Coventry and London, horologist, is listed as active between 1649­1710, ‘inventor curious piece of clockwork; a clock sold to Charles II, shows the rising and setting of the sun and many other motions.’ He is credited with inventing the five­minute repeater.

£3,000­5,000

325 A FRENCH BRASS CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day repeating movement with a platform lever escapement, striking on a gong, the circular dial with Arabic numerals and subsidiary alarm dial, in a corniche case 14.8cm high Provenance From a Private Cornish Country Estate.

£300­500

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326 A WILLIAM AND MARY EBONY BRACKET CLOCK

BY CHARLES HALSTED LONDON, LATE 17TH CENTURY the brass eight day movement with five turned and finned pillars and a verge escapement, striking the quarters on three bells and the hours on a separate bell, with pull­repeat, the backplate finely engraved with scrolling leaves and with a signature panel, inscribed ‘Charle Halsted London’, the brass seven inch square dial with a silvered chapter ring, with Roman and Arabic numerals, signed ‘Char Halsted London’, with a matted centre, with a false pendulum and date apertures, with scroll blued steel hands and cherub spandrels, the case with a pad top with a brass handle, with fret panels, on flattened bun feet 37cm high, 26cm wide Provenance From a Private Cornish Country Estate.

Catalogue Note Charles Halstead, active between 1656­1705.

He was apprenticed to the Clockmaker’s Company in 1670 and was free in September 1677.

He died in 1705.

£1,500­2,000

END OF COLLECTION

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CLOCKS, BAROMETERS & SCIENTIFIC INSTRUMENTS

327 A GEORGE II JAPANNED LONGCASE CLOCK

BY JAMES JORDAN CHATHAM

328 A PAINTED CHIMING LONGCASE CLOCK

BY THOMAS TURNER LONDON

329 A MAHOGANY GRANDMOTHER CLOCK

BY JOHN HICCOX LONDON

the brass eight day movement with five turned and finned pillars, with an anchor escapement striking on a bell, the twelve inch brass arched dial with Roman and Arabic numerals, the matted centre engraved with a basket of flowers and birds, with a subsidiary seconds dial and date aperture, signed ‘Iam Iorden, Chatham’, with gilt boys and crown spandrels, the arch with an engraved boss, the black and green lacquer case with gilt highlights decorated with chinoiserie scenes 254.5cm high

the brass eight day three train movement with four turned pillars, the anchor escapement striking on eight bells and a gong (fixed to case), the twelve inch brass arched dial with a silvered chapter ring with Roman and Arabic numerals, the centre engraved with two boys on a see­saw, with a subsidiary seconds dial, with adjuster for 4/7 bells, with gilt mask spandrels, the arch with chime/silent dial and signed ‘Thos Turner London’, the case painted in the manner of Angelica Kauffmann with figures, cherubs, urns, flowers and scrolling foliage, the hood with two brass finials 252cm high

the brass eight day movement with four turned pillars and tapering plates, with a verge escapement, the seven inch circular brass dial with Roman and Arabic numerals and a faux pendulum aperture, signed ‘John Hiccox London’, in a well carved ‘Chippendale’ style case decorated with scrolls, rocaille and husks, on swept feet 138.2cm high

£800­1,200

£800­1,200

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£300­500

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330 AN 18TH CENTURY EBONY BRACKET CLOCK

BY CHRISTOPHER PINCHBECK LONDON the brass eight day movement with a verge escapement and a pull­ quarter repeat, striking on six bells, the backplate engraved with scrolling leaves, birds and baskets of fruit, the brass seven inch arched dial with a silvered chapter ring, with Roman and Arabic numerals, with pierced blued steel handles, the matted centre with a faux bob pendulum and date aperture, with a signature cartouche, inscribed ‘Chr Pinchbeck London’, with gilt spandrels and strike/silent dial to the arch, the moulded case with a bell top and a brass handle, together with a first edition copy of ‘Christopher Pinchbeck and his Family’ by Rita Shenton, no.467 (2) 45.5cm high, 27.3cm wide Provenance Acquired by the current vendor’s father from Henry Hall Antique Clocks, Westenham, Kent on 13th November 1985.

Catalogue Note The Pinchbeck Family started as clockmakers under Christopher Pinchbeck (1670­1732). The family took their name from a small village in Lincolnshire. He was famous for his complicated astronomical­ musical clocks and automata. He also invented a metal with the appearance of gold, known today as ‘Pinchbeck metal’. His elder son, also called Christopher (d.1783), continued on his own and supplied George III with an astronomical clock, which is still in the Royal Collection.

£3,000­5,000

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λ 331 A LATE REGENCY ROSEWOOD BRACKET CLOCK

BY FRANKCOM & MOWAT BATH, EARLY 19TH CENTURY the brass eight day movement with an anchor escapement and striking on a bell, the circular painted dial with Roman numerals and signed ‘Frankcom & Mowat Bath’, the arched case with brass mounts, pierced fishscale panel sides and ring handles, on flattened bun feet 42.7cm high Catalogue Note Frankcom & Mowat are recorded as clockmakers working in Bath between 1810­1842.

£400­600

332 A VICTORIAN MAHOGANY WALL DIAL CLOCK LATE 19TH CENTURY the single fusée eight day brass movement with a repainted twelve inch dial, with Roman numerals, inscribed ‘MEADERS LTD BOSCOMBE’ with a brass bezel and a moulded frame 36.5cm diameter

£200­300

333 AN OAK AND BRASS WATER WALL CLOCK IN 17TH CENTURY STYLE PROBABLY LATE 19TH / EARLY 20TH CENTURY with a carved angel backplate, the circular dial with Arabic numerals, inscribed ‘Tyme is Short, Night Cometh’, with an hourglass hand, above an engraved tube, signed ‘R. Tranter, Londini, Anno Dom 1617’, with applied griffin plaques and a further panel, inscribed ‘Charles Homer Bristol’ 77cm high Provenance The Property of a Lady of title.

£200­300

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334 A GEORGE III EBONISED FRUITWOOD AND BRASS SEDAN CLOCK

BY WILLIAM HARRISON, LONDON the brass watch movement with a three arm balance and a finely engraved and pierced cock, signed ‘WM Harrison London N.968’, with a circular Battersea or Bilston enamel dial, with Arabic numerals and painted with Masonic symbols, with brass hands 9.7cm diameter Catalogue Note William Harrison (1728­1815) was an English instrument and watch maker, the son of John Harrison, the inventor of the marine chronometer.

£500­700

335 A FRENCH GILT BRASS OVAL CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day repeating movement with a platform lever escapement striking on a bell, with alarm, the backplate and case stamped ‘450’, the white enamel dial with Roman numerals and blued steel Breguet type hands, with a subsidiary alarm dial, the floral engraved case with five bevelled glass panels 14.9cm high

£700­900

336 AN EMPIRE ORMOLU AND MALACHITE SEDAN CLOCK EARLY 19TH CENTURY the gilt brass watch movement with a three arm balance and a pierced and engraved leaf scroll cock, with a silvered regulation disc, the enamel dial with Arabic numerals within a leaf and beaded bezel, the case with a grapevine border and a classical Cupid surmount, with a brass suspension ring 17.8cm high

£400­600

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337 A LOUIS XVI ORMOLU AND WHITE MARBLE MANTEL CLOCK

BY DETOUR PARIS, C.1785­90 the brass drum eight day movement with an outside countwheel, striking on a bell, the circular enamel dial with Arabic numerals and with an inner calendar dial, signed ‘Detour A Paris’, with pierced gilt hands, the case surmounted with a recumbent semi­naked classical maiden, possibly Ariadne, drinking from a chalice, supported by a pair of winged cherubs riding seated rams, with grapevine swags, the moulded marble plinth with ormolu bands, on toupie feet, with a later giltwood base (2) 47.5cm high, 38.2cm wide

£1,000­1,500

338 A FRENCH BRASS AUTOMATON SINGING BIRDS IN CAGE LATE 19TH / EARLY 20TH CENTURY with a clockwork mechanism and a suspension ring for hanging 27.3cm high

£100­150

339 A CONTINENTAL PAINTED WOOD AND ORMOLU MOUNTED CLOCK BRACKET PROBABLY SWISS, NEUCHATEL, LATE 18TH / EARLY 19TH CENTURY decorated with a courting couple, with trees and flowers 23.8cm high, 41cm wide, 14.6cm deep

£150­250 140

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340 A LARGE PAIR OF BRASS ARTILLERY CALIPERS

BY GEORGE ADAMS, LATE 18TH CENTURY the steel tipped arms engraved with scales and tables, with various symbols and initials ‘LSM’, signed ‘G. Adams at No. 60, Fleet Street, London, Instru’t Maker to his Majesty K, G, III’, with a steel butterfly hinge 57.5cm long

£1,000­1,500

341 A GEORGE III BRASS SEXTANT

BY DOLLOND, LATE 18TH CENTURY with index mirror, two pivoted shades and an engraved arm with scale 0­125 and signed ‘Dollond London’, in a mahogany keystone box 24cm wide

£400­600

141

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342 A FRENCH GILT BRASS AND RED MARBLE ASTROLABE

BY HOUR LAVIGNE PARIS, C.1985 of octagonal shape, the glass domed top with various dials for months, seasons, the zodiac and an outer ring of Roman numerals, with dragon hands, above a clock dial with Roman numerals, signed ‘Henry Lavigne a Paris depuis 1848’, a barometer and two other dials interspaced with brass panels engraved with eastern swords and a kanjar, with a presentation plaque, inscribed ‘Presented to General J. P. Watts by Palace Office Sultanate of Oman on 30th July 1987’, the underside stamped ‘France 1439 84’ 17.5cm high, 31cm wide Catalogue Note Lieutenant General Sir John Peter Barry Condliffe Watts KBE CB MC was a British Army officer who became Chief of Defence Staff for the Sultan of Oman’s Armed Forces.

£800­1,200

343 A FRENCH MODEL STEAM ENGINE MID­19TH CENTURY with an applied brass plaque ‘Faite par Emrich donnée en souvenir à son chèr frère Angelnis 1867’, mounted on an oak plinth, originally with a dome (now missing) 31.9cm high, 48cm wide, 23.3cm deep

£300­400

344 A 19TH CENTURY BRASS REFRACTING TELESCOPE

BY DOLLOND OF LONDON the tube inscribed ‘Dollond London’, on a folding tripod stand, with the original stained pine case containing various lenses the tube: 155cm long, the tripod base: 177.5cm high

£200­300 142

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345 A GEORGE III MAHOGANY STICK BAROMETER

BY BANKS LONDON, C.1800­10 the silvered arch dial with an adjustable vernier scale, signed ‘Banks 441 Strand London’, with a turned bone adjuster, the case with reeded and banded decoration, with an ebonised urn reservoir cover 91cm high,

£300­400 346 A GEORGE III MAHOGANY STICK BAROMETER

BY G. & C. DIXEY LONDON, C.1800 the silvered dial with an adjustable vernier scale, signed ‘G. & C. Dixey, Opticians to the King, 3 New Bond St. London’, the flame veneered case inset with a thermometer with a silvered dial, with a bone adjuster and a swan neck pediment centred with an urn 103.6cm high

£200­300 347 A RARE SCOTTISH STONE WALL SUNDIAL SCOTTISH, EARLY 18TH CENTURY the sides carved with Roman numerals, the centre with a sunburst and points of the compass, with an inscription ‘Memento Mori’ and the indistinct date of ‘1708’ 39.8 x 34.4cm Provenance The Property of a Lady of title.

345

346

£500­700 348 AN ELEVEN INCH TERRESTRIAL TABLE GLOBE

BY MERZBACH & FALK, BRUSSELS, 20TH CENTURY with maker’s cartouche, inscribed ‘Geographical Institute of Brussels, New Physical and Political Globe, Published by Merzbach & Falk, Brussels, 1881 Patent’, on an ebonised baluster column and circular moulded foot 54cm high Provenance The Property of a Lady of title.

£100­150

347 348 143

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349 AN ART DECO ALABASTER DESK CLOCK EARLY 20TH CENTURY the eight day Swiss movement, with a circular dial with Roman numerals and with a blue guilloche enamel centre, together with a similar smaller clock in black marble and a glass lancet shape desk clock (3) 11.3cm high (max)

£200­300

350 A FRENCH GILT BRASS AND MOSAIC DESK CLOCK C.1900 the brass eight day movement with a platform lever escapement, the backplate stamped ‘C R 33 Made in France’, the circular enamel dial with Arabic numerals and painted with floral swags, with a millefiori case and an easel back 14.4cm high

£150­200

λ 351 A BRONZE AND BRASS DESK CLOCK AND ANEROID BAROMETER LATE 19TH / EARLY 20TH CENTURY the centre with an ivory thermometer, together with a French brass cased holosteric desk barometer, with a silvered dial, the back stamped with initials ‘PHPN’, together with a brass desk clock and a compass (4) 20.8cm high Provenance The Property of a Lady of title.

£150­250

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352

352 FOUR FRENCH PAIRS OF OPERA GLASSES 19TH / EARLY 20TH CENTURY comprising: a shagreen and gilt brass pair in a leather case, marked ‘Boin Taburet, Rue Pasquier 3, Paris’, an engraved white metal example in a velvet case, inscribed ‘L. Fischer Rue del Paix 7, Paris’, a mother of pearl and gilt brass pair, stamped ‘Colmont Paris’ and a gilt brass and blue enamel pair in an associated leather case (4) 11cm wide (max)

£200­300

λ 353 A GEORGE III WHITE METAL MONOCULAR OPERA OR SPY GLASS

BY DOLLOND, LATE 18TH / EARLY 19TH CENTURY

353

two­draw, signed ‘Dollond London’, above an ebonised band of ivory, in a leather case 8.4cm (extended) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

λ 354 A PAIR OF FRENCH TORTOISESHELL AND GILT BRASS OPERA GLASSES

BY BAUTAIN, C.1830­50 bi­colour gold inlaid with scrolling leaves and flowers, signed ‘Bautain brevete a Paris’ (handle missing), together with a similar pair, inscribed ‘Par brevet d’invention et de perfectionnement’ (2) 12cm wide (max)

£200­300

354

145

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SELECTED CONTENTS FROM

DEAN’S FARMHOUSE STRATFORD-SUB-CASTLE SALISBURY LOTS 355-392

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355 A GEORGE III MAHOGANY BRACKET CLOCK

BY THOMAS COXWORTHY PLYMOUTH, C.1770 the brass eight day movement with a verge escapement, striking on a bell, the backplate engraved with Rococo scrolling leaves, the arched silvered dial with Roman and Arabic numerals, with calendar and strike/silent dials and signed ‘Thos Coxworthy Plymouth Dock’, the moulded edge case with brass fishscale sides and feet, the pad top with a brass handle 40cm high, 28cm wide Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£1,500­2,000

356 A BRASS SHIP’S BULKHEAD WALL CLOCK

BY BENZIE OF COWES, ISLE OF WIGHT, LATE 19TH CENTURY with a brass eight day single fusée movement, the painted six inch dial with Roman numerals and subsidiary seconds dial, signed ‘Benzie Cowes’ 18cm diameter Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­150

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357 A MAHOGANY PEMBROKE TABLE IN CHIPPENDALE STYLE the butterfly drop­leaf top with a cabochon carved edge, with a frieze drawer with applied ribbon tied leaves, on chamfered and moulded legs 71cm high, 82.5 x 87.2cm (open) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

358 A SET OF OAK HANGING WALL SHELVES 19TH CENTURY with three graduated tiers, with scroll supports 71.3cm high, 66.2cm wide, 18.2cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­150

359 A VICTORIAN MAHOGANY PATIENCE TABLE LATE 19TH CENTURY inlaid with barber’s pole and feather stringing, the twin hinged top revealing a baize lined playing surface above a frieze drawer, on square tapering legs and applied ankles 74.8cm high, 48.1 x 82.5cm (open) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£150­250

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360 A SET OF TEN GEORGE III MAHOGANY DINING CHAIRS C.1770 each with a serpentine top rail carved with harebells and palmettes, above a pierced vase shape splat carved with a ribbon, above a later needlework seat decorated with flowers and a coat of arms, on moulded front legs united by an ‘H’ stretcher, comprising: a pair of open armchairs and eight side chairs (10) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£2,000­3,000

361 A REGENCY MAHOGANY EXTENDING DINING TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with a pair of ‘D’ ends and a central section on hinged gates, with two additional leaves, on turned and ribbed tapering legs and brass castors, one leaf inscribed in chalk ‘Lady Bell’ 74cm high, 125.1cm wide, 289cm long Provenance The Smith­Barry Family of Marbury Hall, Cheshire and Fota Island, County Cork and by descent.

Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£800­1,200

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362

362 A GEORGE III MAHOGANY DINING TABLE C.1770 with a pair of ‘D’ ends and a central drop­leaf section, with an additional leaf, on moulded and chamfered legs and brass castors 74cm high, 267cm long (max) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

363 A GEORGE III MAHOGANY CARD TABLE POSSIBLY IRISH, LATE 18TH / EARLY 19TH CENTURY

364 A GEORGE III MAHOGANY BEDSIDE CUPBOARD LATE 18TH CENTURY

inlaid with boxwood stringing and satinwood banding, the ‘D’ shape crossbanded top revealing a baize lined playing surface on twin gate supports, on square tapering legs and applied ankles 73.9cm high, 91.6cm wide, 46.3cm deep

the gallery pierced with three handgrips, above a tambour shutter and a drawer 76.8cm high, 39cm wide, 33.8cm deep

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£300­500

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

£500­800

363 150

364

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365 365 AN ITALIAN WALNUT SETTEE LATE 18TH CENTURY

366 A GEORGE II MAHOGANY SUPPER TABLE MID­18TH CENTURY AND LATER

the moulded open frame above a later upholstered seat, an arc d’arbalète apron and on cabriole legs united by a flat shaped stretcher 91.5cm high, 167.5cm wide, 54cm deep

the lobed dished top revolving on a birdcage, on a stop fluted and cabochon carved stem and tripod supports 69.7cm high, 70.5cm wide

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£500­800

£400­600

367 A PAIR OF IRISH MAHOGANY OPEN ARMCHAIRS IN GEORGE II STYLE, 19TH CENTURY each with a serpentine top rail carved with shells, above a vase shaped splat, with outscrolling arms, above a needlework drop­in seat, on cabriole front legs and claw and ball feet (2) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

366

367 151

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368

369

368 A PAIR OF CUT-GLASS SWEETMEAT JARS AND COVERS POSSIBLY IRISH, EARLY 19TH CENTURY

369 A PAIR OF EARLY VICTORIAN CUT-GLASS LUSTRE CANDLESTICKS C.1840

each with a faceted finial, with a cut oval design, on a faceted baluster stem and a dodecagonal foot, together with a later and smaller sweetmeat jar and cover (3) 33cm high (max)

each with an urn shape sconce, above a drip­pan hung with faceted drops and lustres, with a faceted baluster stem and a petal foot (2) 32cm high

all painted with coloured enamels with bands of roses, leaves and other flowers, including: jars and covers, decanters and stoppers, bottles and jugs (15) 26.8cm (max)

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

£200­300

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­200

152

370

370 A COLLECTION OF GLASS ITEMS LATE 19TH / EARLY 20TH CENTURY

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371 371 A REGENCY MAHOGANY DRUM TABLE EARLY 19TH CENTURY the circular revolving top inset with a later green leather writing surface, above four frieze drawers and four false fronts, on a turned and ribbed stem and leaf capped downswept legs, on brass caps and castors 78.8cm high, 127cm diameter Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

372 A GEORGE III MAHOGANY PEMBROKE TABLE LATE 18TH CENTURY

λ 373 A REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY

the drop­flap top above a frieze drawer, on chamfered legs, turned ankles, block feet and brass castors 72.5cm high, 61 x 95.5cm

inlaid with satinwood stringing, the crossbanded drop­leaf top above a pair of cedar lined frieze drawers, with false fronts to the reverse, on a single pillar and brass lion’s paw sabots and castors 74cm high, 73.7cm x 148.5cm (open)

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£300­500

£300­500

£800­1,200

372

373

153

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374

374 A THREE SEATER SOFA EARLY 20TH CENTURY with later green herringbone loose covers, on bun feet and castors 75.4cm high, 209cm wide, 99.3cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£500­1,000

375

375 A PAIR OF PAINTED PINE BEDSIDE TABLES IN REGENCY STYLE, MODERN each fitted with a drawer (2) 60.7cm high, 60.5cm wide, 66.2cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

376 A MAHOGANY WINDOW SEAT IN GEORGE III STYLE with scroll arms and a serpentine front seat, on moulded legs united by stretchers 70cm high, 115.3cm wide, 52.5cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£150­250 376

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377 A PAIR OF GILTWOOD GIRANDOLES IN GEORGE III STYLE 19TH CENTURY the shaped plates within a leaf, ‘C’ scroll and rocaille carved frame, with twin lights and an urn finial (2) 87.5cm high, 36cm wide Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£600­800

378 A SET OF FIVE GILT BRASS AND GLASS WALL LIGHTS IN GEORGE III STYLE EARLY 20TH CENTURY each with an urn finial, above an open stylised crown, the body hung with beads, with twin lights, the scroll arms hung with faceted drops and lustres (a number of drops off, require attention) (5) 38cm high, 31.5cm wide Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£150­200

379 A PAIR OF VICTORIAN GILTWOOD AND COMPOSITION MIRROR WALL BRACKETS C.1870­80 each with an oval plate and a ribbon tied surmount, with a serpentine front bracket above a ribbon cartouche leaf and flower support (2) 81.5cm high, 37cm wide, 17cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

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380 A LATE VICTORIAN MAHOGANY BREAKFRONT DISPLAY CABINET IN SHERATON STYLE, LATE 19TH / EARLY 20TH CENTURY inlaid with boxwood stringing, satinwood banding and conch shells and fan spandrels, with geometric astragal glazed doors, enclosing a velvet lined interior with fixed shelves 203.5cm high, 102.7cm wide, 49.2cm deep Provenance Deans Farmhouse, Stratford­sub­Castle, Salisbury.

£500­800

381 A VEINED ALABASTER COLUMN EARLY 20TH CENTURY the detachable top with canted corners, above a ring turned stem and an octagonal base 101.5cm high Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

382 A BRASS SERPENTINE FENDER IN GEORGE III STYLE LATE 19TH CENTURY with pierced and engraved decoration, with ribbon tied bell flowers, paterae and with a beaded border, each end with a pair of implement rests, together with a pair of brass andirons, a pair of bellows and various brass fire tools (13) 52.5cm high, 152.2cm wide, 32.3cm deep (max) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£200­300

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383 A REGENCY MAHOGANY BREAKFRONT SECRÉTAIRE LIBRARY BOOKCASE EARLY 19TH CENTURY with reeded decoration, the moulded detachable cornice above astragal glazed doors, enclosing adjustable shelves, the secrétaire fitted with six drawers flanking a recess with a later baize lined writing surface, above a pair of panelled doors enclosing a shelf, flanked by further cupboards, with later lion’s mask handles 228.7cm high, 193.3cm wide, 53cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£1,500­2,500

384 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790 AND LATER the later oval plate and scroll supports above a serpentine box base fitted with three drawers 54cm high, 39.7cm wide, 20.5cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£150­200

385 COACHING INTEREST. A RARE MAHOGANY CARRIAGE WASHSTAND EARLY 19TH CENTURY the hinged top revealing three bowl apertures, above a bowfront cupboard and square tapering front legs 81.8cm high, 52.7cm wide, 24.7cm deep

383

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£150­250

384

385

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387 386 AN EBONISED AND PARCEL GILT OCCASIONAL TABLE SECOND HALF 19TH CENTURY 386

the circular tilt­top painted with flowers, on tripod supports together with a pair of side chairs with similar decoration (3) 70.3cm high, 55cm diameter Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­150 387 A BLACK SILK TOP HAT

BY TRESS & CO, EARLY 20TH CENTURY

388

with maker’s mark, inscribed ‘Prize medals awarded to Tress & Co. London’, contained in a brown leather bucket shape hat box, with a green silk lining, together with a felt bowler hat and a grey felt top hat by Lock & Co. (4) the hat: 15cm high, 20.5 x 16.2cm interior Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­200 388 A COLLECTION OF NOVELTY VESTA HOLDERS 19TH CENTURY AND LATER in brass, carved wood, terracotta and cold painted white metal, including: an elephant with a howdah, the hinged lid with a strike, a pig, a bulldog head, a Black Forest bear head and a fox holding a tambourine (12) 14.4cm (max)

389

Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£150­250 389 A TREEN TURNED DAIRY BOWL 19TH CENTURY 34cm diameter Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­150 390 A COLLECTION OF SEASHELLS 20TH CENTURY displayed in three glass jars and a glass bowl (4) 32.8cm high Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

390 158

£150­200

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391 A PAIR OF FRENCH BRONZE EQUESTRIAN GROUPS C.1870 depicting a man and a woman on horseback, in 16th century costumes, accompanied by running whippets, each on a verde antico and black marble plinth base (2) 40cm high, 40.5cm wide Provenance Woolley & Wallis, 23rd February 1989.

Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£600­1,000

392 A COLLECTION OF CHINESE EXPORT FAMILLE ROSE PORCELAIN 18TH CENTURY comprising: a large octagonal deep dish decorated with a peony, rock and fence, a charger painted with cockerels and flowers, fourteen small plates with various designs, a pair of baluster vases painted in the Mandarin palette with figures in a lake landscape, with buildings and a monkey (18) 39.5cm (max) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£400­600

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393

394

λ 393 A GEORGE III IVORY DODECAGONAL TEA CADDY C.1790

λ 394 A GEORGE III IVORY OCTAGONAL TEA CADDY C.1790

λ 395 A GEORGE III HAREWOOD AND MARQUETRY TEA CADDY LATE 18TH CENTURY

with tortoiseshell stringing and silver mounts, unmarked, the front with a cartouche shape escutcheon and an oval bright cut vacant plaque, the hinged tent top revealing a singled lidded interior 12.2cm high, 11cm wide

with ebony stringing and silver mounts, the lock stamped with maker’s mark ‘C. C.’, the hinged tent top revealing a single lidded interior 13.5cm high, 10.7cm wide

of cube form, inlaid with flowerhead paterae, the lid with grapes and vine leaves, with barber’s pole stringing and tulipwood banding, with a single lidded interior, together with a George III satinwood and marquetry tea caddy of canted form, inlaid with urns of flowers and a Victorian rosewood and Tunbridge Ware caddy (damages) (3) 12.1cm high, 12.2cm wide, 11.5cm deep (max)

£300­500

£300­500

£150­250

395 160

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396 A GEORGE III SATINWOOD AND MARQUETRY CUBE TEA CADDY LATE 18TH CENTURY inlaid with four panels of floral sprays, the lid with a laurel wreath, with purpleheart banding and ebony edging, the hinged lid with a brass handle, with a vacant interior 12.2cm high, 12.9cm wide and deep

£150­250

397 A GEORGE III HAREWOOD TEA CADDY LATE 18TH CENTURY of cube form, inlaid with oval blackthorn book matched panels, with barber’s pole stringing and satinwood banding with dot inlay, with a brass handle (off) and with a single lidded interior 12cm high, 12cm wide, 11cm deep

£150­250

398 A SMALL GEORGE III OVAL BURR YEW TEA CADDY C.1800 with boxwood edging and a bone escutcheon, the interior with traces of foil 5.5cm high, 10.5cm wide

£200­300

161

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399

400

λ 399 A GEORGE III TORTOISESHELL SNUFF BOX LATE 18TH CENTURY of ribbed form, the pull­off lid applied with a white glass paste cameo of George III as a Roman emperor, within a gold band (unmarked) 8.1cm diameter

£200­300 400 A FRENCH PRESSED MAPLE SNUFF BOX EARLY 19TH CENTURY

401

the lid decorated with the French Pantheon, titled, together with a small Scottish Mauchline ware sycamore snuff box, the lid decorated with two racehorses and a treen snuff box (3) 9cm

£100­200 λ 401 A FRENCH PRESSED BURR MAPLE NAPOLEON SNUFF BOX EARLY 19TH CENTURY the turned lid decorated with a bust of Napoleon as a Roman Emperor, with a tortoiseshell lined interior 8.3cm diameter

£200­300 λ 402 A SMALL COLLECTION OF TREEN BOXES 19TH CENTURY comprising: a rosewood cylindrical travelling inkwell in the shape of a castle, with twin compartments, one with a small glass bowl, two engine turned circular boxes and covers in ebony and lignum vitae, a disc shape wax seal box and two other boxes (6) 8.3cm (max)

£100­200

402 162

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403 A SMALL REGENCY PENWORK AND SIMULATED ROSEWOOD TABLE CABINET EARLY 19TH CENTURY the top with a printed view of Margate pier, within an outer band of vine leaves, the hinged door with a view of Ranelagh Gardens, St. Peter’s Thanet, revealing four long drawers, lined with pink paper and with original gilt brass handles, two with printed paper labels describing the views, the lowest drawer fitted for sewing, with compartments for reels, a thimble with a pin cushion and a needle book, the base with marbled paper, on brass ball feet 16.1cm high, 17.5cm wide, 11cm deep

£200­300

404 A REGENCY PAINTED SYCAMORE COTTAGE SEWING BOX POSSIBLY TUNBRIDGE WARE, C.1800­15 naively painted with windows and doors, the hinged roof revealing a lift­out tray, originally with divisions, with a bone tape measure and a thimble, above a pink paper lined compartment, the base with a conforming drawer with six divisions for spools, with key 14.4cm high, 15cm wide, 11cm deep Provenance By family repute, given by the Music Hall star Marie Lloyd to her seamstress for her 21st birthday, later gifted to a close friend and thence by descent.

£500­800

163

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405 406

λ 405 A GEORGE IV ROSEWOOD AND BOULLE MARQUETRY INKSTAND C.1825­30

406 A NOVELTY WHITE METAL AND LEATHER BARREL ÉTUI LATE 19TH CENTURY

inlaid with cut­brass on a red tortoiseshell ground, with a leaf cast brass handle above a lidded compartment, flanked by a pair of glass inkwells and with two dished pen trays, on flattened bun feet 11cm high, 28.7cm wide, 21.4cm deep

the interior containing three sewing utensils: a gilt metal pin holder, a thread holder and a silver thimble, hallmarked for Birmingham 1897 5cm high

£100­150

£150­250

407 A GEORGE III RED LEATHER DISPATCH BOX EARLY 19TH CENTURY

408 A GREEN JAPANNED POPE JOAN BOARD EARLY 19TH CENTURY

the hinged lid tooled with ‘GR Crowned’ and the number ‘3’, the underside of the lid with a printed paper trade label, inscribed ‘Sold by Wrangham, Stationer, 161 Old Bond Street opposite Clifford Street’, with a paper lined interior and a brass Bramah self­locking lock with key 10.3cm high, 30.5cm wide, 15.3cm deep

painted with gilt highlights with flowers and printed card suits, inscribed ‘Intrigue’, ‘Game’ and ‘Matrimony’, the centre with a lidded compartment 28cm diameter

£100­150

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

407 408

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409 409 NAPOLEON INTEREST. A RARE CUT-PAPER SILHOUETTE TROMPE L’OEIL PICTURE IN THE MANNER OF LUISE DUTENHOFER (1776­1829), EARLY 19TH CENTURY

410 A GEORGE III SILHOUETTE PORTRAIT ON GLASS OF CAPTAIN DUNN R.N. IN THE MANNER OF JACOB SPORNBERG OF BATH, C.1800

depicting a family and a hidden Napoleon Bonaparte before his tomb on St. Helena, with palm trees and an officer on guard, in a glazed ebonised moulded frame 20.5 x 29cm

depicted half­length in profile below drapes, the back inscribed in pen ‘Captain Dunn R. N., great great uncle to W. King Peirce & to C. L. Chamier’, in a pressed gilt brass frame 10 x 7.5cm

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£300­500

£100­150

410

411 A NAPOLEONIC PRISONER OF WAR STRAW WORK BOX EARLY 19TH CENTURY inlaid with panels of scrolling leaves, the lid (hinges broken) with the Royal Coat of Arms, the interior with a lift­out tray with six lidded compartments, inlaid with baskets of flowers, a man fishing and leaves and flowers 10.5cm high, 26.8cm wide, 18.1cm deep

£100­150

411 165

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412 A GEORGE III PAINTED MAHOGANY TIPSTAFF C.1800

413 A WILLIAM IV PAINTED WOOD POLICEMAN’S TRUNCHEON C.1835

with parcel gilt decoration, with a crown and initials ‘GR III’, with a baluster handle 21.5cm long

with a crown tip above ‘R. W. IIII’, above a shaft decorated with paterae and other symbols, with a green painted handle 34.1cm long

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

414 A GEORGE III PAINTED WOOD POLICEMAN’S TRUNCHEON SOMERSET, EARLY 19TH CENTURY

415 A GEORGE III PAINTED WOOD POLICEMAN’S TRUNCHEON SOMERSET, EARLY 19TH CENTURY

painted with a crown, with the Royal Coat of Arms and cypher, on a blue ground with initials ‘G. R.’ above ‘Glastonbury’, with a ribbed handle 43.8cm long

painted with a crown and cypher and with initials ‘G. R.’ on a blue ground, with two gilt panels, inscribed ‘Taunton Police’, with a ribbed handle 48.4cm long

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

166

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416 AN EARLY VICTORIAN PAINTED MAHOGANY POLICEMAN’S TRUNCHEON CORNWALL, DATED ‘1848’

417 A GEORGE III PAINTED LIGNUM VITAE POLICEMAN’S TRUNCHEON DATED ‘1815’

the square section head painted with a red ground with a nipple tip, decorated with the Royal Coat of Arms, a crown above ‘VR 1’ and a gilt panel with acorns, inscribed ‘Joseph Carne, Parish of Kenwyn 1848’ 29.2cm long

the head decorated to one side with a crown, above ‘G R III’, the other side with ‘S­S 1815’ and a monogram ‘C W’, with a plain turned handle 28.8cm long

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250

£100­150

418 POLICE CONSTABULARY INTEREST. A LACQUERED PAPIER-MÂCHÉ SNUFF BOX MID­19TH CENTURY the lid decorated in gilt with a crown, above a pair of pistols, a key, a pair of handcuffs, a monogram ‘V R’ and a tipstaff, with a gilt decorated interior with a further monogram 10.5cm diameter

£200­300

167

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419 THREE GEORGE III MAHOGANY CIRCULAR DISHED TRAYS 18TH CENTURY

420 A GEORGE III MAHOGANY CIRCULAR TRAY LATE 18TH CENTURY

28.8cm diameter (max) (3)

with a dished edge 25cm diameter

£200­300

£80­120

421 A REGENCY MAHOGANY CHEESE COASTER EARLY 19TH CENTURY with two divisions, baluster split lifts and applied rondels 14cm high, 43.1cm wide, 27.8cm deep

£200­300

422 A SET OF REGENCY PENWORK AND PAINTED WOOD HANGING SHELVES EARLY 19TH CENTURY with three tiers with leaf and flower decorated edges, (lacking pole / string supports), together with a Regency mahogany set of shelves, with three tiers and reeded edges (also lacking supports) (2) 64.6cm wide (max)

£200­300

168

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423 A REGENCY MAHOGANY CHEESE COASTER EARLY 19TH CENTURY of scroll form, with panelled sides and originally with two divisions, on brass roller castors 21cm high, 46.7cm wide, 20.5cm deep

£200­300

424 A GEORGE III MAHOGANY COUNTRY HOUSE WINE BOTTLE CARRIER LAST QUARTER 18TH CENTURY with six divisions and a central pierced handgrip 20cm high, 40.5cm wide, 34.6cm deep Provenance Acquired by the current owner from Witney Antiques.

£400­600

425 A LATE REGENCY EBONISED FRUITWOOD GALLERY / MAGNIFYING GLASS EARLY 19TH CENTURY

426 A PAIR OF REGENCY BLACK LACQUERED PAPIER-MÂCHÉ WINE COASTERS EARLY 19TH CENTURY

with a reeded frame, brass mount and turned baluster, now flattened handle 32.3cm long

with ribbed bodies and bronzed copper rims and ring handles (2) 14cm diameter

£150­250

£200­300

169

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427 A PAIR OF FOLK ART PINPRICK AND WATERCOLOUR PICTURES LATE 18TH / EARLY 19TH CENTURY depicting pilgrims holding staffs and one begging, in later glazed bird’s eye maple frames (2) 30.5 x 26.2cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note See James Ayres, ‘English Naive Painting’, pls.134 & 135 for similar examples.

£200­300

428 QUEEN CAROLINE INTEREST. A COMMEMORATIVE PINPRICK PICTURE C.1821 decorated with an urn issuing leaves, with flowers, a heart, birds and a cable border, inscribed ‘In memory of our most gracious Queen, Carouline, afflictions sore for 25 years she bore with sorrow, great and pain, tell God was pleased to come and ease Her of all Her troubles again. Died Aug 7 1821 aged 54 5M.’ 28.5 x 17.5cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

170

429 A WILLIAM IV INFANT’S BLOUSE DATED ‘1836’ of small proportions, possibly a child’s Christening gown, embroidered with a name and date ‘Jane Millson 1836’, mounted in a glazed bird’s eye maple frame 19.5 x 15.5cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

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430 A RARE PAIR OF EMBROIDERED SILK WATCH POCKETS 18TH CENTURY each worked with a pair of quiver of arrows with ribbon tied scrolling leaves, later mounted in a glazed gilt box frame, the back with a handwritten label, inscribed ‘Pair of watch pockets about 150 years old once belonged to my grand Aunt, June 1909’ 19.5 x 8cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£500­800

431 FOUR FANS 18TH CENTURY AND LATER comprising: two lace examples, with mother of pearl sticks and guards, the centre of one decorated with a courting couple, the man playing a mandolin, together with an Italian fan, painted with a central panel of classical figures, with pierced and parcel gilt mother of pearl sticks and guards in Rococo style and a fan decorated with a 16th century interior banquet scene, with figures and a falconer, with mother of pearl sticks and guards (4) 50.5cm wide (max)

£150­250

430

431

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432

433 434 432 TWO VICTORIAN PAPIERMÂCHÉ OVAL TRAYS MID­19TH CENTURY

433 AN OTTOMAN TÔLE PEINTE OVAL TRAY TURKISH, 19TH CENTURY

one by Henry Loveridge & Co., painted with white roses and with gilt borders, the underside with maker’s mark ‘Henry Loveridge & Co. Merridale Works, Wolverhampton’ (2) 78cm wide (max)

painted with a view of palaces beside the Bosphorus, with brass handles 46.7 x 62.7cm

£300­500

£150­200

435

434 A VICTORIAN PAPIER-MÂCHÉ OVAL TRAY C.1850

435 A LATE REGENCY PAINTED TÔLE TRAY EARLY 19TH CENTURY

inlaid with mother of pearl, the centre painted with lily of the valley 60.5 x 75cm

decorated with flowers, leaves, a butterfly, an exotic bird and with a gilt scrolling leaf border 55.7 x 76.2cm

£100­150

172

£150­200

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436 A TÔLE TEA CANISTER 19TH CENTURY

437 A TÔLE TEA CANISTER SECOND HALF 19TH CENTURY

of square section, gilt decorated on a green ground with ribbon tied scrolling leaves with a cartouche and numbered ‘6’, with lid 48cm high

gilt decorated on a green ground with lattice work and Chinese characters, with lid 37.5cm high

£300­500

£200­300

438 A LATE REGENCY PAPIER-MÂCHÉ TRAY EARLY 19TH CENTURY

439 A LATE REGENCY PAPIER-MÂCHÉ TRAY EARLY 19TH CENTURY

gilt decorated on a black ground with scrolling leaves, flowers and butterflies 60.8 x 81.8cm

gilt decorated on an aubergine ground with floral sprays, leaves and grapes 57 x 77.3cm

£150­250

£200­300

173

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440 FOUR BLUE JOHN BOWLS DERBYSHIRE, 19TH / 20TH CENTURY 10.6cm diameter (4) (max)

£200­300

441 A VICTORIAN PIETRA DURA AND BLACK MARBLE CHAMBERSTICK ASHFORD, DERBYSHIRE, MID­19TH CENTURY inlaid with various hardstones, including: malachite and fossil stones, together with a similar paperweight with a gilt cone finial (2) 14.6cm diameter (max)

£150­250

442 A NOVELTY CAST METAL AND MOTHER OF PEARL TORTOISE TABLE BELL EARLY 20TH CENTURY with a clockwork mechanism 15cm long

£300­400

174

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open

443 A VICTORIAN COROMANDEL DECANTER CASE ATTRIBUTED TO GEORGE BETJEMANN & SONS, C.1860­70 with engraved gilt brass strapwork mounts and handles and six agate cabochons, the hinged lid and front revealing a plush lined interior fitted with an engraved gilt brass tray, three cut­glass decanters and stoppers and eight liqueur glasses 28cm high, 31.6cm wide, 23cm deep

£800­1,200

444 A PAIR OF VICTORIAN GILT METAL TAZZA / FRUIT BASKETS

BY ELKINGTON, C.1870 each with an open lattice top and decorated with a grapevine, above an entwined branch stem and a fluted spreading base, with vacant cartouches and scroll feet, with crowned Elkington & Co faux silver marks (2) 50.6cm high

£800­1,200

445 TWO VICTORIAN BOOKSLIDES C.1860 both with brass strapwork mounts, one in walnut, with a printed trade label for ‘W. Childs Jr, 51 Kings Road, Brighton, Desk and Dressing Case Makers...’, the other coromandel with applied enamel cabochons (2) 43cm wide (max) Provenance The Property of a Lady of title.

£150­250 175

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446 TWO MAPS OF SCOTLAND

447 THREE MAPS OF EAST ANGLIA

‘L’Ecosse divisee en shires ou comtes’ by Robert de Vaugondy, c.1751, together with ‘Nouvelle carte d’Ecosse’ by Henri Abraham Chatelain, c.1708, each in a glazed gilt frame (2) 50 x 59.2cm

comprising: a hand­coloured engraved map of Norfolk ‘Nortfolcia’ by Johannes Blaeu, c.1662, together with two hand­coloured engraved maps of Suffolk, ‘Suffolcia’ by Johannes Janssonius (1588­1664) and ‘A map of Suffolk from the best authorities by J. Cary, published by John Stockdale 26 March 1805’, all in glazed frames (3) 39.7 x 51.3cm (max)

£100­150

£150­200

448 ‘BORDEAUX’ AN ENGRAVED MAP numbered ‘104’ and ‘16.E’, together with a hand­coloured engraved map of ‘Dept dela Gironde’, both in glazed frames (2) 58.5 x 89.5cm

£100­150

176

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449 A LARGE SCROLL MAP OF ENGLAND AND WALES

BY JOHN CARY hand­coloured engraving, composed of seventy­eight individual plates laid down, titled ‘Cary’s New Map of England and Wales with part of Scotland on which are carefully laid down all the direct and principal cross roads, the course of the rivers and navigable canals..’, ‘Published June 11th 1794 by J. Cary, Engraver & Map­Seller, No. 181 Strand’ 225 x 177.5cm

£200­300

450 ‘DEVON’ AN ENGRAVED MAP BY JOHN SPEED (1552­1629)

451 A MAP OF SAINT HELENA

BY LIEUTENANT R. P. READ

Devonshire with an inset view of Exeter, inscribed ‘Performed by John Speed and sold by Henry Overton at the White Horse without Newgate, London’, c.1720­43, in a later glazed frame 37.5 x 50.5cm

a hand­coloured engraving, ‘This Geographical Plan of the Island & Forts of Saint Helena is Dedicated by permission to Field Marshall His Royal Highness The Duke of Kent and Strathearn’, ‘Published for the Proprietor June 4th 1817

by J & M. Rippin, No. 21 Theobald’s Road’ 46 x 60cm

£100­200

£100­150

177

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452

453

452 ‘THE RAKE’S PROGRESS’ AFTER WILLIAM HOGARTH (1697­1764) a set of eight engravings, ‘Invented Painted & Engraved by Wm Hogarth & Published June ye 25 1735 according to Act of Parliament’, each mounted and in a later glazed gilt and ebonised frame (8) 35.6 x 41cm

£200­400 453 ‘THE HARLOT’S PROGRESS’ AFTER WILLIAM HOGARTH (1697­1764) a set of six engravings, inscribed ‘Wm Hogarth invt, pinxt et sculpt’, each mounted and in a later glazed gilt and ebonised frame (6) 31 x 38cm

£200­300 454 ‘MARRIAGE A LA MODE’ AFTER WILLIAM HOGARTH (1697­1764) 454

a set of six engravings, ‘Invented Painted & Published by Wm Hogarth, Engraved by R. F. Ravenet, According to Act of Parliament April 1st 1745’, each mounted and in a later glazed gilt and ebonised frame (6) 38 x 46.5cm

£200­300

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455

456

455 ‘THE TIMES OF THE DAY’ AFTER WILLIAM HOGARTH (1697­1764) a set of four engravings, inscribed ‘Invented Painted & Engineered by Wm Hogarth & Published March 25 1738 according to Act of Parliament’, each mounted in a later glazed gilt and ebonised wood frame (4) 49 x 40.5cm

£200­300 456 ‘AN ELECTION ENTERTAINMENT’ AFTER WILLIAM HOGARTH (1697­1764) a set of four engravings, ‘Painted & Engraved by Wm Hogarth, Published 24th Febry 1755 as the Act directs’, each mounted and in a later glazed gilt and ebonised frame (4) 43.2 x 56cm

£200­300 457 ‘A MIDNIGHT MODERN CONVERSATION’ AFTER WILLIAM HOGARTH (1697­1764) an engraving, together with ‘The Enraged Musician’, ‘The Distressed Poet’ and three other engravings after William Hogarth, each mounted and in a later glazed gilt and ebonised frame (6) 36 x 41.2cm

£200­300 457

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458

459

458 ‘A SHIPWRECKED SAILOR BOY’ AFTER WILLIAM REDMORE BIGG (1755­1828) a coloured stipple engraving, together with ‘The sailor boy’s return’, published 1781 and 1792, engraved by J. Gaugain, both mounted, in later glazed gilt and ebonised moulded frames (2) 48 x 58.3cm

£100­150

459 FOUR TOPOGRAPHICAL PRINTS OF BRITISH CATHEDRALS 19TH CENTURY en grisailles aquatints, each in a later glazed gilt and ebonised wood frame (4) 40.5 x 58.5cm

£100­150

460 ‘THE TIMES’ AFTER WILLIAM HOGARTH (1697­1764)

460

two engravings, plates 1 and 2, two different editions, together with another engraving after Hogarth, ‘La Rencontre au bois de Boulogne’ after Heinrich Guttenberg, ‘Ah, S’il S’eveillait’, a stipple engraving after Nicolas­François Regnault, two Russian equestrian coloured prints mounted as one, and a French print of a lady dressing in her bedroom, all in glazed frames (7) 40.5 x 32cm (max)

£100­150

180

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461 A COLLECTION OF PRINTS OF FISH, SHELLS AND INSECTS AFTER RICHARD POLYDORE NODDER (FL.1793­1820)

462 FIVE PAINTINGS OF WATERFOWL 19TH CENTURY

hand­coloured engravings, comprising: eighteen individual prints mounted in five glazed and painted moulded frames (5) 18.5 x 8.3cm

gouache on paper, each numbered and mounted as one in a glazed and painted wood frame 22.5 x 18.5cm

£200­300

£200­300

463 A PAIR OF LARGE PAINTINGS OF BIRDS IN 18TH CENTURY STYLE gouache on silk, one of a Sacred Ibis after Ruignet, the other of an Ostrich after Nicolas Marechal, in glazed silvered frames (2) 115.5 x 86.5cm Provenance From the family collections of Captain George Lionel Jameson OBE (1880­1961) and by descent.

£300­500

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464 TWO SATIRICAL PRINTS EARLY 19TH CENTURY

465 A PORTRAIT ENGRAVING OF QUEEN ADELAIDE C.1835

hand­coloured engravings, one titled ‘Music’, each in a later glazed walnut frame (2) 22.7 x 17.7cm (max)

with hand­coloured decoration, published by ‘J. Fairburn 110 Minories London’, in a glazed giltwood frame, together with four hand­coloured engravings of Queen Victoria, depicting ‘The Coronation’, ‘Dining at Guildhall’, ‘The Return from Westminster Abbey’ and ‘Leaving Buckingham Palace, on a visit to the City of London’, published by ‘J. L. Marks 91 Long Lane, Smithfield, London’, in later glazed ebonised frames (5) 21.6 x 26cm (max)

£80­120

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 466 LITERATURE A collection of books, catalogues and pamphlets relating to Indian and Islamic art (15)

£100­200 467 466

LITERATURE

467

A collection of books, catalogues and pamphlets relating mostly to South African Cape Dutch, Dutch Colonial, VOC and Sri Lankan art, furniture and architecture (21)

£100­200 468 LITERATURE A collection of books, catalogues and pamphlets relating mostly to Portuguese, Goan, Latin American and Spanish Colonial art, furniture and architecture (39)

£200­300 469 LITERATURE A collection of books relating mostly to art, antiques, furniture, ivory, China trade, Japanese okimono, caddies and boxes and Prisoner of War (33)

£100­200 468 182

469

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CONTINENTAL FURNITURE, WORKS OF ART & LIGHTING

470

470 A KARELIAN BIRCH EXTENDING DINING TABLE PROBABLY BALTIC, 20TH CENTURY

471 A FRENCH GILTWOOD FAUTEUIL IN LOUIS XVI STYLE SECOND HALF 19TH CENTURY

472 A FRENCH LOUIS PHILIPPE BURR-ELM SECRÉTAIRE C.1830­40

inlaid with ebonised stringing, the top accommodating nine additional leaves, on sabre legs 74.3cm high, 104cm wide, 350cm long (max. approx.)

the padded back, seat and armrests covered in damask fabric, the moulded frame carved with ribbons, leaves and flowers, on spiral fluted legs

with a white marble top above a hinged fall, inset with a gilt tooled red leather writing surface, revealing divisions for stationery and hinged swivel compartments for pens and ink, on scroll legs and brass castors 116.8cm high, 56.2cm wide, 44cm deep

£200­300

Provenance The Property of a Lady of title.

£400­600

£800­1,200

471

472 183

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473 A NORTH EUROPEAN FLAME MAHOGANY DEMI-LUNE SIDE CABINET POSSIBLY DANISH OR GERMAN, C.1840 with brass mounts, the breakfront marble top above a frieze drawer and a pair of doors enclosing a shelf, flanked by curved corbels 91cm high, 143.5cm wide, 59.7cm deep

£1,000­1,500

474 A FRENCH MAHOGANY AND VERNIS MARTIN VITRINE IN LOUIS XV STYLE C.1890­1900 with ormolu mounts, the broken rouge marble top (in need of restoration) above a glazed door flanked by glazed concave panels, enclosing a plush lined interior with two shelves, the base with three painted panels, depicting a lady and a gentleman in landscapes 160.6cm high, 91.7cm wide, 38.5cm deep

£600­800

λ 475 A FRENCH LOUIS XV ROSEWOOD AND KINGWOOD COIFFEUSE 18TH CENTURY decorated with panels of lattice parquetry and with ormolu mounts, the top with a pair of hinged silk lined compartments, flanking a hinged dressing mirror, above a leather lined slide and a drawer 78.3cm high, 88cm wide, 52cm deep

£500­800

184

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476 A SOUTH GERMAN WALNUT AND INLAID BUREAU CABINET 18TH CENTURY with ebonised mouldings and burr veneered panels, the arched serpentine top section fitted with ten drawers, around a central cupboard inlaid with fruitwoods, with a parrot perched on a tree branch, enclosing four further drawers, the base with a hinged fall revealing an ebonised interior with seven pigeonholes, above three long concave fronted drawers, inlaid with parquetry stars, on later bun feet 189.2cm high, 135.5cm wide, 74cm deep

£800­1,200

λ 477 A TORTOISESHELL WALL MIRROR IN BAROQUE STYLE POSSIBLY DUTCH OR ITALIAN, 19TH CENTURY the rectangular plate in an ebonised moulded frame 64.8 x 48cm Provenance David and Paula Newman, London / Eastbourne.

£200­300

185

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478 A PIETRA DURA TABLE TOP LATE 20TH CENTURY inlaid with a parrot perched, amidst ribbon tied flowers 121.2 x 76.5cm Provenance Acquired by the current owner from Christie’s South Kensington, 4th August 2009, lot 303.

The Property of a Lady of title.

£400­600

479 A PAIR OF FRENCH CEDAR OCCASIONAL TABLES MID­19TH CENTURY each with a black marble circular fixed top, on an ebonised stem and triform base applied with gilt metal palmettes and castors (2) 71.6cm high, 52cm diameter

£1,200­1,800

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480 A PAIR OF PAINTED PINE AND GILTWOOD AND GESSO CONSOLES LATE 18TH / EARLY 19TH CENTURY each with a scagliola faux Siena marble top, with rounded corners and a moulded edge, above an egg and dart and entrelac decorated frieze, with two plush lined open shelves flanked by fluted, lattice and bead decorated columns, with stiff leaf capitals and with a mirrored back (2) 98.4cm high, 126cm wide, 42cm deep

£3,000­5,000

187

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481

482

λ 481 A FRENCH PORTRAIT MINIATURE OF EMPRESS JOSEPHINE DE BEAUHARNAIS AFTER FRANÇOIS GERARD (FRENCH 1770­1837), LATE 19TH CENTURY painted on ivory, signed ‘Castelle’, in an Empire style frame, with an eagle surmount and an easel back 8.2 x 6.2cm

£200­300 482 A FRENCH MAHOGANY AND MARQUETRY SERPENTINE TABLE JARDINIÈRE LATE 19TH CENTURY 483

with ormolu mounts, the pierced gallery above lattice panels flanked by ram’s head and laurel pilasters, with a lift­out metal liner, with side handles 20cm high, 42cm wide

£200­300 483 A FRENCH ORMOLU ENCRIER IN LOUIS XV STYLE 19TH CENTURY modelled in the Rococo style, with leaves, ‘C’ scrolls and flowers, with three compartments with hinged covers, two for inkwells with glass liners, the other with a sander / pounce pot 14.8cm high

£150­250 484 A GERMAN GILT BRONZE FRAME

BY C. H. PREETZ, EARLY 20TH CENTURY relief decorated with eagles and medals, inset with a silk panel, stamped ‘C. H. Preetz, Berlin W. 8’, with an easel back 39.3 x 25.8cm Provenance Acquired from Sotheby’s, 20th December 1994, lot 434.

£300­500

484 188

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485 A LIMOGES ENAMEL TAZZA AND COVER IN RENAISSANCE STYLE AFTER PIERRE REYMOND, PROBABLY 19TH CENTURY painted en grisailles with a battle and a scene with a seated king, possibly Ahaseurus, being greeted by a bearded man holding a staff, with soldiers and tents in a landscape setting, the underside of the bowl and stem with swags, masks and portrait busts, with gilt scrolling borders and highlights 25.2cm high, 19cm diameter

£500­800

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486 A BLACK FOREST LINDEN WOOD CASKET

BY C.V. BERGEN & CO. INTERLAKEN, LATE 19TH CENTURY of sarcophagus shape, the lid carved with two birds perched on a branch, with roses, oak leaves and ball finials, the front with a pair of lion’s masks and leaves, stamped to the left side ‘C. V. Bergen Interlaken’, with a vacant interior 22cm high, 38cm wide, 20cm deep

£400­600

487 A BLACK FOREST CARVED WALNUT WALL MIRROR FIRST HALF 20TH CENTURY the bevelled crescent mirror plate grappled by an eagle, with glass eyes, the reverse with a hand­written paper label, inscribed ‘This came from George Formby’s house; there is a society which might be interested, if no­one likes it.’

45 x 44.5cm

£200­300

488 A BLACK FOREST CARVED WOOD WINE DECANTER WAGON C.1880 the centre with three frolicking Bacchanalian cherubs, with twin bottle holders, with pierced grapevine galleries, on serpent spoke wheels and bone castors 23.9cm high, 46.8cm wide

£300­500

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489 A BLACK FOREST LINDEN WOOD WINE COOLER OR JARDINIÈRE LATE 19TH CENTURY carved with a grapevine centred with a cartouche, with the initial ‘M’, with entwined branch handles and a lift­out metal liner 19.4cm high, 110.5cm wide, 51.5cm deep

£800­1,200

490 A BLACK FOREST CARVED LINDEN WOOD MODEL OF A STROLLING BEAR LATE 19TH / EARLY 20TH CENTURY with glass eyes 10.7cm high, 17cm long

£150­200

491 A SMALL COLLECTION OF BLACK FOREST CARVED WOOD FIGURES LATE 19TH / EARLY 20TH CENTURY comprising: two mountain rescue dogs, a chamois, bears sledging and a seated bear painting with his easel (6) 16.8cm (max)

£300­400 191

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492 A FINE PAIR OF ITALIAN CARVED WALNUT FIGURES OF YOUNG HUNTSMEN ATTRIBUTED TO VALENTINO PANCIERA BESAREL (ITALIAN 1829­1902), C1880 each wearing Renaissance costume and with various hunting accoutrements, including: a flask, a horn and a bag, one holding up a fish trophy with nets at his side, the other a falconer, holding aloft a hawk, with his trusty hound and dead game beside him, each standing on a naturalistic base (2) 147.4cm and 148.8cm high Provenance The Allcroft Family, ‘The Hall’ Stokesay Court, Shropshire.

Acquired by the present owner from Sotheby’s, Stokesay Court, Shropshire, 28th September 1994, lot 42.

Catalogue Note Valentino Panciera, known as Besarel, was born in Zoldo near Belluno on 29th July 1829. He belonged to a family of carvers and carpenters but his style was heavily influenced by the 17th century sculptor Andrea Brustolon. During the 1860s he established his workshop in Venice on the Grand Canal. He soon became famous for creating exquisite sculpture and furniture for wealthy clients, even royalty, Edward, Prince of Wales, was a known patron. At the age of fifty­six, through carelessness, he cut off the fingers of his right hand. However, with his strong willpower and the use of prosthesis he continued to work. In 1878 he exhibited at the Paris Universelle Exposition where he won a gold medal. He died in Venice in 1902.

Stokesay Court is a country house and estate in the parish of Onibury in Shropshire. It is described

by John Newman in the Shropshire volume of Pevsner’s Buildings of England as ‘the most grandiloquent Victorian mansion in the county’. It was built for John Derby Allcroft, who had made his fortune as a glover, by the architect Thomas Harris. The work lasted from 1889 and 1892 and was finished only six months before Derby Allcroft’s death. Following Jewell Magnus­Allcroft’s death in 1992 the contents were sold by Sotheby’s in 1994 to fund building repairs. The court was the main location for the filming of the 2007 movie, Atonement, featuring Kiera Knightley and James McAvoy.

Literature Illustrated in Michael Hall, The Victorian Country House­From the archives of Country Life’, p.147.

£8,000­12,000

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493 A BRASS CHANDELIER IN 18TH CENTURY STYLE LATE 19TH / EARLY 20TH CENTURY

494 A DUTCH BRASS TEN-LIGHT CHANDELIER IN BAROQUE STYLE 20TH CENTURY

the fluted stem decorated with swags and ram’s head masks, with six lights, with leaf scroll branches and a cone pendant, together with a gilt and patinated brass six­light chandelier in Empire style (2) 44.2cm high, 69.7cm wide

the baluster turned body issuing scroll branches, with bird’s head finials and turned urn sconces 80.8cm high, 68cm wide

£300­500

Provenance The late Greta Morrison, widow of Bryan Morrison.

£200­300

495 A CUT-GLASS BASKET CHANDELIER IN REGENCY STYLE EARLY 20TH CENTURY

496 A PAIR OF FRENCH GILT BRASS AND CUT-GLASS CHANDELIERS IN EMPIRE STYLE, LATE 19TH CENTURY

with four lights, the moulded corona hung with graduated drops, the base with lustres and foliate prunts 94.5cm high, 40cm wide

each of basket form, with six lights, hung with faceted lustres and drops, the arcaded corona decorated with fleur­de­lis, the body with scrolling leaves and cabochons, with scroll arms and dished drip­pans and a ball pendant (2) 104cm high, 68cm wide

Provenance From the family collections of Captain George Lionel Jameson OBE (1880­ 1961) and by descent.

£200­300 194

£400­600

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497 A FRENCH ORMOLU ‘VERSAILLES’ HALL LANTERN LATE 19TH CENTURY with an open crown surmount decorated with fleur­de­lis and issuing a chain, the octagonal faceted body with bevelled glass panels and a hinged door, applied with shells and flowerheads, with a single light fitting, the base with bearded male masks and a probably later cone pendant 77.5cm high Provenance By repute, this was originally in Chelmsford Cathedral.

£1,500­2,500

498 A PAIR OF BRASS HEXAGONAL CHANDELIERS IN GOTHIC STYLE IN THE MANNER OF PUGIN, LATE 19TH / EARLY 20TH CENTURY with pierced quatrefoil decoration and six torch lights with opaque glass of flaming shades, hung with chains, one chandelier with only one glass shade (2) 67.5cm high, 72cm wide

£800­1,200

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500

499

499 A PAIR OF FRENCH SÈVRES PORCELAIN VASES LATE 18TH CENTURY AND LATER painted with oval panels, with landscape scenes and with baskets of flowers and fruit, on a dark blue ground with gilt decoration and dragon handles, with ormolu square bases (2) 40cm high

£300­500 500 A PAIR OF FRENCH BRASS ROCOCO CANDLESTICKS MID­18TH CENTURY decorated with scrolls, leaves and shells, of part seamed construction, probably originally silvered (2) 25cm high

£150­200 501 A FRENCH CUT-GLASS AND ORMOLU MOUNTED VASE LATE 19TH CENTURY the fluted and lobed urn shape glass vase possibly by Baccarat, with twin mermaid style mounts, on a stepped base 27.2cm high

£200­300

501

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502 A PAIR OF NEPHRITE JADE AND ORMOLU CANDLESTICKS PROBABLY RUSSIAN OR ITALIAN, FIRST HALF 19TH CENTURY each with an urn shape sconce relief decorated with Bacchanalian scenes, with a detachable nozzle, on a part spiral ribbed stem decorated with swags of flowers, the base decorated with ribbon tied laurel leaves (2) 18.2cm high Catalogue Note See Sotheby’s, Paris, 14th September 2017, lot 27 for an identical pair.

£2,000­3,000

503 A NAPOLEON III GILT AND PATINATED BRONZE KRATER STYLE VASE

BY VICTOR PAILLARD FOUNDRY, THIRD QUARTER 19TH CENTURY the lid with a pelican finial, the body decorated with panels of cherubs and with grapevine handles, stamped twice ‘VP crowned’, together with a pair of candlesticks in the similar manner, with classical busts and column stems (3) 24.2cm high (max)

£300­400

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505

504 504 TWO GILTWOOD WALL APPLIQUÉS IN LOUIS XVI STYLE 20TH CENTURY each with a ribbon tied surmount, one decorated with a pair of birds, with a scrolling grapevine, a flaming torch and a quiver of arrows, the other with a laurel leaf, horns and a musical instrument (2) 114cm high, 29cm wide

£600­1,000

505 A PAIR OF ORMOLU AND PAINTED WOOD CANDELABRA IN LOUIS XV STYLE 19TH CENTURY AND LATER the simulated marble urn issuing leaves and flowers, with five lights (2) 55.2cm high

£300­400

506 A PAIR OF GILTWOOD WALL LIGHTS IN ADAM STYLE 19TH CENTURY the ribbon tied backplate decorated with a patera and a pair of ram’s masks issuing husks, with twin lights and scroll branches (2) 78.5cm high, 28.5cm wide

£400­600

506

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507 507 A PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDELABRA EARLY 19TH CENTURY

λ 508 A LOUIS XVI TORTOISESHELL AND HORN BONBONNIÈRE LATE 18TH CENTURY

each with a standing blackamoor supporting a pair of torches, with cut­glass sconces and drip­pans, hung with faceted drops and lustres, the base decorated with a basket of fruit and flowers and two laurel leaves, on a marble plinth (2) 31.8cm high, 23.7cm wide

the lid decorated with gilt metal filigree, enamel and seed pearls with a lyre and urns of flowers, together with a similar card box, the lid with an urn of flowers (2) 8cm diameter (max)

509 A LOUIS XVI CARD BOX LATE 18TH CENTURY of shield shape, gilt foil decorated with seed pearls and enamel with a love heart, a basket of fruit and urns of flowers within a grapevine border, on a mirrored ground 16.5cm

£200­300

£200­300

Provenance A Private London Collection. Acquired in the first half of the 20th century and thence by descent.

£2,000­3,000

508

509

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λ 510 A LOUIS XVI FAUX SHAGREEN AND GOLD MOUNTED BONBONNIÈRE LATE 18TH CENTURY with basket work decoration, the lid with an enamel oval portrait miniature of a lady, with a tortoiseshell lined interior, both rims stamped twice with French marks 8cm diameter

λ 511 A FRENCH CIRCULAR SNUFF BOX LATE 18TH / EARLY 19TH CENTURY with gilt metal mounts, the lid with an oval straw­work panel of a drummer boy, with a tortoiseshell lined interior, together with a basket weave snuff box with a gilt brass lined interior (2) 6.3cm diameter (max)

£200­300

£200­300

λ 512 A LOUIS XV ROCOCO PRESSED TORTOISESHELL SNUFF BOX PROBABLY FRENCH, C.1760

513 A FRENCH SHAGREEN SNUFF BOX 19TH CENTURY

with gilt metal mounts, decorated with leaves, ‘C’ scrolls and rocaille, with a scrolling shell thumbpiece 8.3cm wide

the lid decorated with a silver and enamel urn of flowers 7.9cm diameter

£200­300

200

£150­250

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514 A HARDSTONE BONBONNIÈRE PROBABLY FRENCH OR ITALIAN, LATE 18TH / EARLY 19TH CENTURY

515 A SMALL COLLECTION OF HARDSTONE ITEMS 18TH CENTURY AND LATER

with gold mounts (unmarked) 7.3cm diameter

comprising: a small moss agate bowl of square section, a small chalcedony bowl, a small fluorspar bowl with an everted rim, a dendritic agate baguette cabochon and a nephrite jade paperknife (5) 13cm (max)

£200­300

£200­300

516 AN OVAL HARDSTONE PILL BOX POSSIBLY ITALIAN, LATE 18TH CENTURY

517 A SMALL HARDSTONE PILL BOX POSSIBLY ITALIAN, LATE 18TH / EARLY 19TH CENTURY

with gilt metal mounts, together with a similar oblong box (2) 8cm wide (max)

in the form of a trunk / chest, with a domed lid, with gilt metal mounts 6.3cm wide

£150­200

£100­150

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518 A RARE SULPHIDE OF THE ‘NIGHTMARE’ AFTER HENRY FUSELI (SWISS 1741­1825), LATE 18TH CENTURY depicting a young lady sleeping with a demonic ape like incubus figure crouched on her chest, with a horse’s head peering through curtains, titled ‘Incubus’, the reverse with a basket of flowers, set in an outer glass frame 7.8 x 6.8cm

£150­200

519 AN ITALIAN LAVA STONE SEAL 19TH CENTURY carved in the form of Pulcinella from the Commedia dell’arte 7.5cm high

£100­150

520 THREE GERMAN PLASTER PORTRAIT MEDALLIONS 19TH CENTURY depicting Queen Victoria, George Frederick Handel after Emil Wolff and Niccolo Paganini, each in a glazed gilt brass frame, the back with printed labels for ‘Galerie Beruhmter Manner und Frauen, ....800 Portraits...Berlin (Linden 27)’ (3) 6.2cm diameter (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 202

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521 A BRONZE INKWELL AFTER PETER VISCHER THE YOUNGER (GERMAN 1487­1528) with a naked female figure, probably symbolising Vanity, with her right foot on a skull, standing by a plaque and an urn, possibly an allegory of heavenly life 16.3cm high, 14.3cm wide Catalogue note See Cecil Headlam, ‘Peter Vischer’, fig. 22 for a similar inkstand from the Fortnum collection in the Ashmolean Museum, Oxford.

£400­600

522 AN ITALIAN BRONZE BUST OF A ROMAN LADY AFTER THE ANTIQUE, PROBABLY 19TH CENTURY with a verdigris surface, with a later wooden stand 24cm high

£200­300

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523 A MARBLE RELIEF PLAQUE OF A GIRL 18TH CENTURY with flowing hair and wearing a dress, with an iron mount for suspension, the reverse with a paper trade label for ‘Alistair Sampson’ 27cm high, 21.7cm Provenance The Property of a Lady of title.

£300­500

524 A MARBLE BUST OF SAMUEL JOHNSON 19TH CENTURY depicted wearing a wig and coat, raised on a turned socle 42.5cm high

£300­500

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λ 525 AN AUSTRIAN IVORY AND SILVER MOUNTED CUP IN THE MANNER OF IGNAZ ELHAFEN, 18TH CENTURY AND LATER carved in high relief with the Rape of the Sabine Women, depicting half­naked women struggling with men in armour, the base of the silver mounts with Vienna hallmarks for probably Friedrich Georg Triesch 1836, and inscribed with inventory number ‘No. 81’, the rim inscribed ‘From Sir Charles Domvile Bart to Lady Louisa Boyle on her marriage’ 14.5cm high (overall), 13cm wide Provenance The Collection of Sir Charles Compton William Domvile, 2nd Baronet (1822­1884).

Gifted to Lady Louisa Caroline Elizabeth Boyle (d.1876) on the occasion of her marriage to Arthur Algernon Capell, 6th Earl of Essex (1803­1892) on the 3rd June 1863.

By direct descent.

£500­800

λ 526 A PAIR OF IVORY AND CARVED WOOD FIGURES OF BEGGARS IN THE MANNER OF SIMON TROGER (AUSTRIAN 1683­ 1768), PROBABLY 19TH CENTURY each wearing ragged clothes, a tricorn hat, with glass eyes and carrying a small bag, one with a printed paper label (2) 27.4cm high

£400­600

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527

527 A LARGE FRENCH BRONZE OF SAPPHO

BY JACQUES LOUIS GAUTIER (FRENCH B.1831) reclining on a classical daybed, draped with a lion’s pelt, she holds a lyre, with a turtle shell in her left hand, signed ‘Jacques Gautier, sculpteur 1863’, with indistinct foundry stamp ‘A. Tabreny’ 45.3cm high, 79.4cm wide

£2,000­3,000

528

528 A FRENCH BRONZE ANIMALIER GROUP OF BIRDS IN THE MANNER OF JULES MOIGNIEZ (FRENCH 1835­1894) naturalistically modelled, mounted on a later giltwood base 12.7cm high, 20.8cm long

£80­120

529

529 A FRENCH BRONZE ANIMALIER FIGURE OF A RECUMBENT ALSATIAN DOG

BY LOUIS RICHÉ (FRENCH 1877­1949) signed ‘L. Riche’, mounted on a marble base 9.2cm high, 28.2cm long

£200­300

530 A FRENCH BRONZE MODEL OF A SPHINX LATE 19TH CENTURY mounted on a verde antico marble plinth 19.5cm high, 30.5cm wide

£200­300

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531 ‘EMILY AND THE WHITE DOE’ A PLASTER RELIEF

BY FELIX MARTIN MILLER (FRENCH 1819­1908) depicting a sorrowful young lady hugging a deer, titled and inscribed in blue lettering ‘Emily of Rylstone, Her last companion in a dearth of love upon a hapless earth.’, signed ‘F. M. Miller SC’, in a glazed giltwood frame 50.3 x 57cm Provenance The Property of a Lady of title.

Catalogue Note This current work is after the bas­relief of the same title exhibited at the Royal Academy in 1857. It is based on Birkett Foster’s illustrations of Wordsworth poems. ‘The White Doe of Rylestone’ was set in the time of Queen Elizabeth. Emily, the only surviving daughter of a family of Catholic rebels was comforted by the visits of a white doe that she had reared in happier times.

£400­600

532 ‘LEDA AND THE SWAN’

BY HIBBERT CHARLES BINNEY (1872­1951) a plaster relief rondel, signed ‘H. Binney’ and dated ‘1913’, in a giltwood frame 76cm diameter Provenance Acquired from Sotheby’s, 6th April 2004, lot 173.

The Property of a Lady of title.

£300­500

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533 A FRENCH BRONZE RELIEF PORTRAIT RONDEL

BY L. MARE, DATED ‘1892’ depicting three children, probably from the same family, signed ‘L Mare Juin 1892’ 43cm diameter

£500­800

534 A PAIR OF FRENCH BRONZE FIGURES OF BACCHANTES C.1870 both with a grapevine in their hair, the lady playing a tambourine, Pan wearing a lion’s pelt and holding pipes, with founder’s signature ‘Ed. Delesalle’, raised on circular black marble socles (2) 39.9cm high

£600­800

535 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A FEATHER LATE 19TH / EARLY 20TH CENTURY stamped ‘Geschutzt’ and numbered ‘1983’, together with an Austrian cold painted bronze model of a young Arab boy (2) 33.8cm (max)

£150­200

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536

536 A GEORGE IV MAHOGANY BOOT JACK

BY GILLOWS, C.1830 with turned baluster supports and brass mounts, the underside stamped ‘Gillows Lancaster’ 79.7cm high 40.7cm wide, 53.5cm deep

537 A MAHOGANY WHIP AND BOOT STAND 19TH CENTURY

537

with baluster turned supports 91.4cm high, 69.3cm wide, 30cm deep

£150­200

£600­1,000

538

538 AN OAK WHIP RACK

BY MAXWELL, FIRST HALF 20TH CENTURY

539 A VICTORIAN MAHOGANY WHIP AND BOOT STAND MID­19TH CENTURY

in the form of a five­bar gate, with brass hooks, with an ivorine trade label, inscribed ‘Maxwell Dover Street London’, together with five various riding whips / crops (6) 54.2 x 52cm

with vase turned supports, the top with eight whip hooks, above two revolving boot tiers, on paw feet 140cm high, 45cm diameter

£400­600

£300­500 539

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540 A BROWN LEATHER SANDWICH TIN CASE POSSIBLY CAMPAIGN, FIRST HALF 20TH CENTURY the interior with a pair of metal tins, together with a similar flask case containing a pair of flasks, marked ‘Stanley Ferrostat ‘It will not break’ Made in U.S.A.’ (2) 34.5cm high (max)

£200­300 541 A BROWN LEATHER SANDWICH TIN AND FLASK CASE PROBABLY CAMPAIGN, EARLY 20TH CENTURY with a silver plated tin, stamped ‘Owen & Co.’ and a glass flask with a twist and pull locking stopper 16.5cm high

£200­300 540

542 A CAMPAIGN BROWN LEATHER SPIRIT DECANTER CASE EARLY 20TH CENTURY the strap stamped ‘A. S.’, the interior with four glass spirit decanters with white metal lids, together with a Campaign leather beaker case, with four graduated silver beakers, a glass beaker in a leather case, two pairs of playing cards, pencils and scorecards in a leather case, a brass bridge score card holder and a Victorian red leather stationery case by W. & J. Milne, Edinburgh, with initials ‘J. W. P.’ and the date ‘1877’ (6) 25.5cm (max)

£300­400 543 A SMALL COLLECTION OF CAMPAIGN ITEMS FIRST HALF 20TH CENTURY

541

three in brown leather cases, comprising: a stove with pan, a spirit flask / decanter case with three glass bottles with silver plated lids, another decanter case with three rectangular glass bottles, with two printed labels for ‘E. G. Pigott­Smith.

Grimsby’ and a crocodile leather and plated cutlery case, fitted with a bone handled folding knife, fork and spoon (4) 14cm (max)

£300­400

542 543

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544 A HARDWOOD FOLDING PLANTER’S CHAIR POSSIBLY CAMPAIGN with brass mounts, with an adjustable canvas seat on a ratchet and with extendable arms

£800­1,200

545 A BROWN LEATHER SANDWICH TIN AND FLASK CASE PROBABLY CAMPAIGN, EARLY 20TH CENTURY with a silver plated tin, originally with a division and a glass flask with a twist and pull locking stopper 26cm wide

£200­300

546 A BLACK PAINTED STEEL AND BRASS CAMPAIGN FOLDING BED / ARMCHAIR 19TH CENTURY of slatted from, on turned supports and ceramic and wooden castors (one missing), with an integral retractable foot rest, a later cream buttoned cushion and padded armrests Provenance Acquired by the current owner from Christie’s South Kensington, 8th June 2016, lot 467.

The Property of a Lady of title.

£500­700

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547 A COACHING PANEL 19TH CENTURY oil on board, painted with a coat of arms, the back with a handwritten paper label, inscribed ‘Mrs Massell Bridge House Waltham Abbey, Essex‘ and a printed trade label for ‘F. G. Moon, Carver, Gilder, Printseller and Publisher, Threadneedle Street, London’, in a bird’s eye maple frame 31.6 x 27cm

£400­600

λ 548 A COACHING PANEL LATE 18TH CENTURY oil on board, painted with a coat of arms for General Sir Robert Sloper (1729­1802), in a rosewood frame 22.8 x 17.8cm Catalogue Note General Sir Rupert Sloper (1729­1802) was Commander in Chief in India in 1785.

£300­400

λ 549 TWO COACHING PANELS 19TH CENTURY 547

each oil on board, painted with a coat of arms and with a rosewood frame (2) 14 x 10.5cm and 9.8 x 13.5cm

£300­400

548

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550

550 A GEORGE V CARVED AND PAINTED WOOD HALF-BLOCK FISHING TROPHY MODEL OF A SALMON EARLY 20TH CENTURY mounted on a stained pine board, inscribed ‘24 lbs.

Caught by G. B. in Two Stone Pool Delfur April 28, 1914’ 42.3 x 110cm

£4,000­6,000

551 SIXTEEN SEASHELLS 20TH CENTURY each individually mounted on a stained oak plaque (16) 14.5cm square

£300­400

551

λ 552 A COLLECTION OF SEASHELLS AND CORAL SPECIMENS displayed in a late Victorian walnut hanging cabinet, with a pair of arched glazed doors, enclosing an interior with adjustable shelves and two drawers (A lot) 64.7cm high, 55.5cm wide, 20.7cm deep

£300­400

552 213

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554 553

553 A COLLECTION OF VARIOUS MINERALS AND FOSSILS the majority with handwritten labels: ‘Boreovieus Camp, Roman Wall’, ‘Arthur’s Seat, Edinburgh’, ‘Blindburn, N. Tyne’, ‘Dale Head’, housed in a miniature mahogany chest of two short and three long drawers (A lot) 41.3cm high, 29cm wide, 17.5cm deep

£400­600 554 A TABLE CROQUET SET EARLY 20TH CENTURY with a wooden stand supporting eight mallets, four balls, two marker posts and eight hoops 32.3cm high Provenance The Property of a Lady of title.

£150­250 555 A FRENCH TABLETOP HORSE RACING GAME ‘JEU DE COURSE’ EARLY 20TH CENTURY with seven painted metal horse and riders, with a central wager cup, in a baize lined and ebonised wood base, with an associated folding metal stand 28cm high, 70cm square

555

Provenance Acquired by the current owner from Sotheby’s, 6th November 2002.

The Property of a Lady of title.

£200­300

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556 A VENTRILOQUIST’S DUMMY FIRST HALF 20TH CENTURY with a painted papier­mâché head with an articulated mouth, dressed as a sailor 101.5cm high Provenance David and Paula Newman, London / Eastbourne.

£150­250

557 A FRENCH PAPIER-MÂCHÉ AND FELT MODEL OF A FRENCH BULLDOG EARLY 20TH CENTURY with glass eyes, a nodding head and a lead operated growler mechanism, on wooden castors 37.8cm high, 44cm long Provenance David and Paula Newman, London / Eastbourne.

£300­500

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558 A PAIR OF BRASS ANDIRONS LATE 19TH CENTURY

559 A LARGE PAIR OF BRASS ANDIRONS IN BAROQUE STYLE EARLY 20TH CENTURY

decorated with leaf scrolls and a Greek key border, with an iron support (2) 29.6cm high, 20cm wide, 42.8cm deep

each with a turned finial above a sphere, the arched base decorated with a boy’s mask, with iron supports (2) 56.3cm high, 26.7cm wide, 54cm deep

£300­500

£300­500

560 A PAIR OF FRENCH ORMOLU CHENETS IN LOUIS XVI STYLE 19TH CENTURY

561 A PAIR OF BRASS ANDIRONS 19TH CENTURY

each modelled with a seated cherub (2) 30cm high, 24.8cm wide

each in the form of an urn, with leaf, gadrooned and bead decoration, on leaf scroll feet and with a cast iron support (2) 42.8cm high, 15.4cm wide, 51cm deep

£400­600

£300­500 216

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562 A FRENCH WHITE MARBLE FIRE SURROUND / CHIMNEYPIECE 19TH CENTURY with ormolu mounts, with a pair of stop­fluted columns with acanthus leaf capitals, the frieze decorated with ribbon tied laurel leaves 108.7cm high, 146.5cm wide, 40.5cm deep, internal measurements: 84 x 104.4cm

£2,000­3,000

563 A BRASS AND CAST IRON FIREGRATE IN GEORGE III STYLE 20TH CENTURY the arched back above a railed serpentine front, with pierced and engraved decoration and urn finials 50.2cm high, 72cm wide, 38cm deep

£300­500

217

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564 A CARVED PINE FIRE SURROUND / CHIMNEY PIECE IN GEORGE III STYLE LATE 19TH CENTURY with leaf carved and egg and dart borders, the frieze with a central tablet carved with frolicking cherubs, flanked by ribbon tied swags of fruit and flowers, with stop fluted jambs 140 x 143.5cm exterior, 107.5 x 93cm interior

£800­1,200

565 AN ARCHED CAST IRON FIRE BACK EARLY 20TH CENTURY decorated with two bearded woodsmen, seated by the side of fire, flanked by leaves, together with a pair of Gothic style andirons, in the manner of the Carron Foundry and a railed fire basket (4) 56 x 64.2cm

£200­300

566 A BRASS FENDER IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY with pierced Vitruvian scroll and Greek key decoration 18.2cm high, 138.2cm wide, 34.6cm deep

£100­150

218

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567 A PINE FIRE SURROUND / CHIMNEY PIECE IN GEORGE III STYLE LATE 19TH CENTURY with applied composition decoration, with leaf and egg and dart mouldings, the breakfront mantel above a frieze with a central tablet, with palm fronds and a laurel leaf 140 x 177.3cm exterior, 109.5 x 120cm interior

£800­1,200

568 A BRASS MOUNTED CAST IRON FIREGRATE IN THE MANNER OF GEORGE BULLOCK, EARLY 19TH CENTURY the moulded back above a railed front, the supports decorated with leaves and lion’s paw feet 70.7cm high, 89.3cm wide, 38cm deep

£700­1,000

569 A GEORGE III IRISH BRASS SERPENTINE FENDER C.1790 with pierced and engraved decoration of urns, swags and leaves 14.2cm high, 122.3cm wide 20.5cm deep

£500­700

219

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570 A DUTCH DELFT TILE FIRE SURROUND 18TH CENTURY AND LATER comprising: fifty blue and white pottery tiles decorated with various scenes and subject matters, including: landscapes, birds, religious scenes and figures external: 91.5 x 129.6cm internal: 61.2 x 45.4cm Provenance Christie’s, The Contents of the Manor House at Clifton Hill, Hampden the home of Christopher Gibbs.

Acquired by the current owner from Sotheby’s Olympia, 6th April 2004 lot 248.

The Property of a Lady of title.

£800­1,200

571 A DUTCH BRASS OVAL JARDINIÈRE LATE 19TH / EARLY 20TH CENTURY

572 A DUTCH BRASS OVAL JARDINIÈRE LATE 19TH / EARLY 20TH CENTURY

with a wavy edge and pierced decoration, with a lift­out metal liner, with stag head’s mask, on claw and ball feet 18.8cm high, 49cm wide, 26.5cm deep

repoussé decorated with a band of apples, with lion’s mask ring handles, on claw and ball feet 18cm high, 56cm wide

£200­300

£100­200

220

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

573 A PAIR OF GARDEN URNS POSSIBLY COADE STONE, LATE 18TH / EARLY 19TH CENTURY each of Campana shape, with a bead and palmette decorated everted rim, the body decorated with scrolls and further anthemion motifs and a gadrooned base, on associated composition stone socles, together with a copy of ‘Mrs Coade’s Stone’ by Alison Kelly (3) 68.5cm high, 55cm diameter

£500­700

574 A MATCHED SET OF FOUR LEAD PLANTERS PROBABLY 18TH CENTURY AND LATER each decorated with four lion’s head masks (4) 26cm high, 32.5cm diameter

£800­1,200

221

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575 A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY

576 TWO VICTORIAN BRASS DOORSTOPS C.1870

with a brass ring handle 22.7cm high

each with an iron weighted base (2) 37.5cm high (max)

£150­250

£100­150

577 A MATCHED PAIR OF BRASS LION’S PAW DOORSTOPS 19TH CENTURY

578 A VICTORIAN PAINTED CAST IRON AESOP FABLES DOORSTOP ATTRIBUTED TO THE KENRICK FOUNDRY, C.1875

each with a foliate handle and stem, the paw with hairy ankles and a weighted base (2) 38.5cm high (max)

modelled with a pair of cranes dropping pebbles into an urn, with polychrome decoration, together with a brass doorstop (2) 29cm high (max)

£200­300

Literature See Alex Ames, ‘Collecting Cast Iron’, p.71 for Kenrick’s catalogue with the design for the present lot.

£150­200 222

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 579 A REGENCY ROSEWOOD LIBRARY BERGÈRE ARMCHAIR IN THE MANNER OF GEORGE SMITH, EARLY 19TH CENTURY the moulded frame with scroll arms carved with leaves, upholstered with zigzag petit point stitch, possibly by the Royal School of Needlework, on quatrefoil headed and reeded front legs terminating in carved lion’s paw feet and brass castors Provenance John Jeffreys Pratt, 1st Marquess Camden (1759­1840) and by descent.

Dreweatts, Selected Items from the 5th Marquis Camden Will Trust, 14th September 2010, lot 70.

Catalogue Note The Pratt family descends from Sir John Pratt, Lord Chief Justice from 1718­1725. The Pratt family were lawyers and politicians and Sir John’s son, Charles (1713­1794), served as Lord Chancellor between 1766 and 1770. He was created Baron Camden in 1765. He acquired large property holdings in the then northern outskirts of London, the area subsequently becoming Camden Town. John Jeffreys Pratt (1759­1840) served as Lord Lieutenant of Ireland. In 1812 he was created Marquess Camden. Sir John Pratt bought the Bayham Abbey estate in 1714, constructing a resident adjacent to the abbey ruins. The present chair was housed at Bayham Manor.

£2,000­3,000

580 A GEORGE IV AMBOYNA AND GILTWOOD CARD TABLE ATTRIBUTED TO MOREL AND SEDDON, C.1830 with a swivel fold­over top, the baize lining lacking, revealing a compartment for playing cards and counters, above a panelled frieze with carved scrolls, on a lappet stem and quatrefoil base and brass castors 76.2cm high, 92cm wide, 45.5cm deep

£400­600

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581

581 A WILLIAM IV GILTWOOD OVERMANTEL MIRROR C.1830 with three rectangular plates within ebonised reeded slips and spiral twist mouldings, with a beaded frieze and a baton outer frame 79 x 160.1cm

£800­1,200

582 A GEORGE III GILTWOOD WALL BRACKET LATE 18TH / EARLY 19TH CENTURY the demi­lune top above a fluted and paterae decorated frieze, with stiff leaves and a cone pendant base 36.3cm high, 35cm wide, 17cm deep

£200­300

583 A PAIR OF GILTWOOD FAUX BAMBOO STOOLS 19TH CENTURY each with a button upholstered green silk seat, on stretchered supports (2) 20.5cm high, 26cm diameter.

£150­200

583 582 224

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584 A PAIR OF REGENCY PAINTED PINE FAUX BAMBOO BOWFRONT COMMODES EARLY 19TH CENTURY each with an ebonised simulated marble top, above a pair of doors decorated with palmettes, enclosing a shelf, on bun feet (2) 86.5cm high, 109cm wide, 64.5cm deep Provenance Acquired by the present owner from Bonhams, The Contents of Great Brampton House, 1st October 2008, lot 671.

£3,000­4,000

225

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585

585 A REGENCY MAHOGANY SCROLL END SOFA IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY later upholstered with green striped silk fabric with squab cushions and bolsters, the part ribbed lappet arms terminating in turned rondels, the conforming frieze on ribbed tapering legs and brass caps and castors 83.7cm high, 201cm wide, 71cm deep

586 A GILT BRASS ÉTAGÈRE MID­20TH CENTURY with two arc d’arbalète tiers, the top one inset with a Regency penwork panel, decorated with chinoiserie figures, flowers, leaves and butterflies, on castors 57.7cm high, 40.1cm wide, 32.5cm deep

£200­300

587 A REGENCY EBONISED AND PARCEL GILT ARMCHAIR IN THE MANNER OF JOHN GEE, EARLY 19TH CENTURY with a triple bar back and fluted downswept arms, above a cane seat on ring turned front legs, stamped with workman’s initials ‘I M’, twice

£300­400

£1,000­1,500

586 226

587

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588 A REGENCY MAHOGANY EXTENDING DINING TABLE IN IMPERIAL STYLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the rectangular top with rounded corners and a reeded edge, accommodating six leaves supported on a concertina action frame, with locking catches, on ten ring turned tapering legs and brass caps and castors, with a leaf cradle (2) 74cm high, 145cm wide, 436cm long (extended)

£2,000­3,000

227

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589 A GEORGE IV MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, C.1830 the rectangular plate with turned supports and mushroom finials, on lion’s paw sabots and brass castors 160cm high, 76.5cm wide, 68cm deep

£500­700

590 A GEORGE IV MAHOGANY SERPENTINE SIDE TABLE C.1820 the moulded edge top above a frieze drawer, on vase turned legs and brass castors 86.6cm high, 106cm wide, 44.5cm deep

£250­300

591 A REGENCY MAHOGANY HANGING WALL CABINET EARLY 19TH CENTURY with a pair of lancet astragal glazed doors enclosing three adjustable shelves 76.8cm high, 67.5cm wide, 25.8cm deep Provenance The Property of a Lady of title.

£200­300

228

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592 A GEORGE IV MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, C.1820 with part ebonised decoration, the rectangular plate within ring and baluster turned supports, on brass castors 155.2cm high, 73.5cm wide, 52.5cm deep

£400­600

593 A GEORGE IV MAHOGANY WASHSTAND C1820 with a three quarter gallery, above a pair of frieze drawers, on turned and lappet carved legs 97cm high, 99.6cm wide, 51.8cm deep

£300­500

594 A REGENCY MAHOGANY BOWFRONT CHEST EARLY 19TH CENTURY inlaid with boxwood stringing and edging, the crossbanded top above three long drawers, fitted with probably original brass handles and with bone shield shape escutcheons 83.1cm high, 101cm wide, 53.2cm deep

£400­600

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595 AN EARLY VICTORIAN PARTNER’S WRITING DESK POSSIBLY GONCALO ALVES, C.1840­50 the moulded edge top inset with a leatherette writing surface, above three frieze drawers to either side, one stamped ‘James Winter & Sons 151 153 155 Wardour St. Soho, London’, on ribbed tapering legs and brass castors 78.5cm high, 167.5cm wide, 109cm deep

£600­1,000

596 A VICTORIAN WALNUT PEDESTAL C.1860 the rectangular moulded edge top above a fluted body and a leaf carved base 106cm high, 69.2cm wide, 38cm deep

£300­500

597 A SET OF FOUR COUNTRY MAHOGANY SIDE CHAIRS POSSIBLY EAST ANGLIAN, EARLY 19TH CENTURY each with a horizontal bar back and a dished solid seat, on turned front legs (4)

£200­300

230

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598 A WILLIAM IV MAHOGANY PARTNER’S WRITING DESK IN THE MANNER OF GILLOWS, C.1830 the moulded edge top inset with a later gilt tooled green leather writing surface, with three frieze drawers on either side, with ribbed tapering legs and brass castors 75cm high, 152cm wide, 107cm deep

£800­1,200

λ 599 A WILLIAM IV ROSEWOOD PEDESTAL C.1830 the stepped top with entrelac carving, the stem with panelled sides (one panel missing) 123cm high, 40cm square

£200­300

λ 600 A SET OF FOUR GEORGE IV ROSEWOOD SIDE CHAIRS ATTRIBUTED TO GILLOWS, C.1830 each with a shell and scroll carved back, above a cane seat with a silk squab cushion, with panelled friezes, on an anthemion headed turned and ribbed tapering legs (4)

£500­700

231

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601

602

λ 601 AN EARLY VICTORIAN ROSEWOOD WORK TABLE C.1840 with a frieze drawer above a pull­out bag, on lappet scroll supports and brass castors 76cm high, 52cm wide, 43.3cm deep

£250­350

602 A MAHOGANY OVAL WINE COOLER ON STAND EARLY 19TH CENTURY AND LATER of staved construction, with brass bands, with a lead lining, the later stand on moulded legs 60.8cm high, 57cm wide, 44.6cm deep

£200­300

λ 603 A WILLIAM IV ROSEWOOD SIDE CABINET C.1825 the raised back carved with scrolling leaves, fitted with a frieze drawer, above a pair of arched panelled doors enclosing a shelf, flanked by pilasters with leaf capitals, on lobed mushroom front feet 126.3cm high, 71cm wide, 45.5cm deep

£200­300

603

232

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604

λ 604 A PAIR OF EARLY VICTORIAN ROSEWOOD PIER CABINETS

BY J. PEMBERTON, LIVERPOOL

605 A GEORGE IV MAHOGANY BREAKFAST TABLE C.1825

each with a breakfront top above a pair of arched glazed doors, enclosing an interior with six slides, flanked by lappet carved columns, on castors, one door stamped ‘J. Pemberton Maker Liverpool 1841’ (2) 106.1cm high, 90.7cm wide, 45.7cm deep (slight differences to dimensions between the cabinets)

the rectangular tilt­top with rounded corners and a reeded edge, on a turned stem and four legs inlaid with ebonised stringing, on brass caps and castors 71.3cm high, 91 x 125cm

606 A VICTORIAN MAHOGANY POT CUPBOARD MID­19TH CENTURY with a three quarter gallery, above a panelled door enclosing two shelves 81.8cm high, 40cm wide, 38.2cm deep

£200­300

£300­500

Catalogue Note See the ‘Dictionary of English Furniture Makers, 1660­1840’, where John Pemberton of Liverpool is listed as active between 1827­39, son of Peter Pemberton, cooper. He was free on the 19th October 1827 and trading at 74 Upper Frederick Street in that year.

£1,500­2,000

605

606 233

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607 A FINE EARLY VICTORIAN WALNUT AND MARQUETRY CENTRE TABLE IN THE MANNER OF RICHARD BRIDGENS, C.1835­40 in Elizabethan revival style, inlaid with ebony and specimen woods, the octagonal tilt­top decorated with a central interlaced parquetry star and rosette, surrounded by scrolling foliage and arabesques, with eagle’s heads, flowers and butterflies, with a strapwork border, crossbanding and moulded edge, on a conforming faceted baluster stem and a carved triform base decorated with scrolls, cabochons and carved cartouches, on scroll feet and brass castors 75.2cm high, 140.5cm wide

£8,000­12,000

234

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235

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608 A LATE VICTORIAN WALNUT ‘GOTHIC’ EXTENDING DINING TABLE BY GILLOWS IN THE MANNER OF PUGIN, C.1880 the moulded edge top with canted corners, extending on a telescopic frame with six brass clip holders, with two additional leaves, above buttress supports, on chamfered legs and sunken brass castors, one leg stamped twice ‘Gillows.

Lancaster’ 73.8cm high, 244.8cm long, 122cm deep (extended)

£500­700

609 A PAIR OF VICTORIAN OAK GOTHIC REVIVAL HALL CHAIRS C.1870 with brass mounts and a pierced back (2)

£200­300

236

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610 A SET OF FOURTEEN EARLY VICTORIAN OAK OPEN ARMCHAIRS POSSIBLY IRISH, C.1850­60 the frames carved with three and four leaf clovers, foliage, oak leaves and overlapping discs, each with a padded back and seat upholstered with later damask fabric, with scroll arms on cabochon and fluted baluster front legs, the back legs on castors (14)

£3,000­5,000

237

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611 A LATE VICTORIAN WALNUT DESK CHAIR C.1900

612 A MAHOGANY STOOL IN GEORGE II STYLE LATE 19TH CENTURY

with a buttoned blue leather upholstered back, above turned baluster supports, with a solid saddle seat, on brass castors

with a floral needlework seat above a gadrooned apron and cabochon carved cabriole legs and claw and ball feet 47.5cm high, 58cm wide, 50.5cm deep

£200­300

£200­300

613 AN EDWARDIAN MAHOGANY TUB DESK CHAIR EARLY 20TH CENTURY

614 TWO WALNUT STOOLS IN GEORGE II STYLE 18TH CENTURY ELEMENTS AND LATER

the slatted curved back above a leather upholstered swivel seat, on four cabriole legs, ball feet and ceramic castors, the underside with two ivorine plaques, one inscribed ‘Royal Society’, the other for ‘Spillman & Co., St. Martins Lane, London’

45cm high, 58.5cm wide, 52.5cm deep (2) 49.cm high, 58.2cm wide, 49cm deep

Provenance The Property of a Lady of title.

£200­300 238

£200­300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

615 A PAIR OF LENYGON & MORANT CLAYTON ‘HOWARD’ ARMCHAIRS THIRD QUARTER 20TH CENTURY each later upholstered with a tartan style fabric, on beechwood legs and brass castors, each with a label to the underside of the seats, inscribed ‘Lenygon & Morant Ltd, Makers of Howard Chairs & Settees’ 48 South Audley St. London W.1.’, consecutively numbered ‘14775 and 14776’ (2) Provenance Purchased by the current vendor’s parents directly from Lenygon & Morant.

£4,000­6,000

616 A PAIR OF PAINTED WOOD DEMI-LUNE PIER TABLES IN ADAM STYLE 20TH CENTURY each with a green marble veneered top, above a frieze decorated with a central urn tablet, flanked by sphinx, swags of husks and paterae, on square tapering legs and spade feet (2) 81.8cm high, 95cm wide, 49cm deep

£800­1,200

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617 A PAIR OF PAINTED SATINWOOD SHERATON REVIVAL ARMCHAIRS IN THE MANNER OF GILLOWS, LATE 19TH / EARLY 20TH CENTURY each with a tablet top rail decorated with landscape scenes, above a lattice back and side panels, the frames painted with flowers and leaves, with a silk upholstered seat, on square tapering legs, the back rails stamped ‘16960’ and ‘05685’ (2)

£1,000­1,500

618 TWO ARMCHAIRS IN GEORGE II STYLE LATE 19TH / EARLY 20TH CENTURY each with a padded back, one serpentine, the other concave, with scroll arms and later loose covers, on walnut front cabriole legs, with leaf and shell decoration and claw and ball feet (2)

£800­1,200

619 A SET OF EIGHT WALNUT DINING CHAIRS IN GEORGE I STYLE LATE 19TH / EARLY 20TH CENTURY each with a shell capped vase shape splat above a drop­in seat, on cabriole front legs and pad feet, comprising: a pair of open armchairs and six side chairs (8) Provenance Acquired by the current owner from Winchester Antiques, 15th April 2000.

The Property of a Lady of title.

£400­600

END OF SALE 240

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UPPER SLAUGHTER MANOR, THE COLLECTION OF MICHEÁL & ELIZABETH FELLER TUESDAY 9TH & WEDNESDAY 10TH NOVEMBER 2021

ENQUIRIES Mark Yuan­Richards | +44 (0) 1722 411854 myr@woolleyandwallis.co.uk

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SILVER & OBJECTS OF VERTU TUESDAY 5TH & WEDNESDAY 6TH OCTOBER 2021

A Victorian silver presentation racing trophy, The Warwick Cup, by the Barnards, London 1874 Estimate £20,000 ­ 25,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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ENGLISH & EUROPEAN CERAMICS & GLASS THURSDAY 7TH OCTOBER 2021

A London delftware Royal blue dash charger of William III, c.1690­95, 34cm.

Estimate £2,000 ­ 3,000*

ENQUIRIES Clare Durham | +44 (0) 1722 424507 | cd@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FURNITURE

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WORKS OF ART & CLOCKS WEDNESDAY 22ND SEPTEMBER 2021 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR SEPTEMBER 8th 22nd

The Robin Simpson Collection of Commemoratives Furniture, Works of Art & Clocks

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS

OCTOBER 5th & 6th 7th 20th

Silver & Objects of Vertu English & European Ceramics & Glass British Art Pottery & Design

NOVEMBER 9th & 10th 17th & 18th 23rd & 24th

Upper Slaughter Manor, The Collection of Micheál & Elizabeth Feller Fine Jewellery Asian Art, Chinese Paintings & Japanese Works of Art

DECEMBER 7th & 8th 14th 15th

Modern British & 20th Century Art Medals & Coins, Arms & Armour African & Oceanic Art | Antiquities

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

An Italian marble Grand Tour bust of a Roman Emperor Probably late 17th / early 18th century SOLD FOR £30,000*

www.woolleyandwallis.co.uk