Woolley & Wallis Auctioneers

FINE JEWELLERY

WEDNESDAY 25TH & THURSDAY 26TH OCTOBER 2023

SPECIALIST DEPARTMENTS

Please dial +44 (0)1722 followed by the number listed below

FINE JEWELLERY

WEDNESDAY 25TH OCTOBER 2023

10.00AM LOTS 300 - 705

THURSDAY 26TH OCTOBER 2023

10.00AM LOTS 706 - 1097 at our City Centre Salerooms, SP1 3SU

VIEWING AT OUR CITY CENTRE SALEROOMS, SP1 3SU

Thursday 19th October 10.00am – 4.00pm

Friday 20th October 10.00am – 4.00pm

Saturday 21st October 10.00am – 1.00pm

Monday 23rd October 10.00am – 4.00pm

Tuesday 24th October 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 26% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Tuesday 24th October

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 1097

Inside front cover: Lot 1095

Page 1: Lot 1039

Back cover: Lot 1094

Catalogue £10.00 (£15.00 by post)

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk

Megan Corbett mc@woolleyandwallis.co.uk

Beth Reardon br@woolleyandwallis.co.uk

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE

bid.woolleyandwallis.co.uk

Please register by 5pm on Tuesday 24th October

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JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT

Please note that lots marked † are subject to VAT on the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked Φ are potentially subject to a levy.

DESIGNER HANDBAGS / LUGGAGE

300

2015

30cm wide, 21cm

2011

48cm wide, 32cm high, includes dustbag and key bell with key ring and hook £100­200

To be sold without reserve

500

1996

25cm wide, 22cm high, includes dustbag £100­200

To be sold without reserve

302 Louis Vuitton, a monogram canvas Speedy 25

25cm wide, 18cm high, includes dustbag and box £200

303 Louis Vuitton, a limited­edition monogram Totem Speedy 30

high, includes dustbag, box, padlock and keys £300

304 Louis Vuitton, a monogram canvas Drouot crossbody

300 Louis Vuitton, monogram canvas Pegase 55 rolling suitcase 37.5cm wide, 55cm high, 19.5cm deep, includes name tag and padlock £200­300

301 Louis Vuitton, a monogram canvas Artsy MM

305 Louis Vuitton, a red amarante monogram Vernis Montebello MM

2014

Gold tone hardware

39cm wide, 24.5cm high, 42cm shoulder strap drop, includes padlock and keys, dustbag and removable shoulder strap £500­700

306 Louis Vuitton, a cherry red monogram mini Lin Lucille PM

2003

Gold tone hardware

31cm wide, 17.5cm high, includes dustbag £300­500

307 Loewe, two Nappa Aire handbags

Black

Metallic bronze

Both: 50cm wide, 28cm high, both include dustbags £100­200 To be sold without reserve

308 Bottega Veneta, a large Intrecciato Cervo Hobo

Black 50cm wide, 40cm high, includes dustbag £200­300

309 Gucci, a canvas flora Jackie O Bouvier Hobo Black

Medium

Gold tone hardware

38cm wide, 22cm high, includes dustbag £200­300

310 Prada, a large vintage tote bag

wide, 37 high, includes name tag

311 Dolce & Gabbana, a Miss Escape orange/tan tote Gold tone hardware

wide, 33cm high, includes dustbag, padlock and keys

To be sold without reserve

312 Mulberry, a vintage leather Holdall Tan

wide, 35cm high, includes dustbag

313 Mulberry, a classic grain Bayswater Black

wide, 30cm high, includes dustbag

314 Mulberry, A Freya Hobo Rose Petal

wide, 34cm high, includes dustbag

312

315 Chanel, a vintage Square Flap Crossbody

2002­2003

Silver tone hardware

23cm wide, 20.5cm high, 24cm shoulder strap drop, 46cm full strap drop, includes serial sticker, authentication card and dustbag £300­500

316 Chanel, a quilted glitter Full Flap Crossbody

2010­2011

Silver tone hardware

26cm wide, 16cm high, 32cm shoulder strap drop, 57cm full strap drop, includes authentication card £300­500

317 Chanel, a vintage quilted flap shoulder bag

2000­2002

Gold tone hardware

28cm wide, 17cm high, includes authentication card and dustbag £300­500

318 Chanel, a quilted black caviar leather medium Classic Double Flap Bag

2008­2009

Gold tone hardware

22.5cm wide, 14cm high, 24cm shoulder drop, 45cm full strap drop, includes serial sticker and dustbag £1,000­2,000

319 Chanel, a quilted black caviar leather medium Classic Double Flap Bag

2006­2008

Silver tone hardware

25cm wide, 15cm high, 24cm shoulder drop, 45cm full strap drop, includes serial sticker and dustbag £2,000­3,000

320 Chanel, a quilted white caviar leather mini Square Classic Flap Bag

2005­2006

Silver tone hardware

16.5cm wide, 13cm high, 52cm full strap drop, includes serial sticker, authentication card and dustbag £1,500­2,000

Palladium hardware

35cm wide, 24cm high, includes dustbag and box, padlock and keys, clochette and removable shoulder strap (44cm drop) £4,000­6,000

Blue Paon

31cm wide, 30cm high, 41cm strap drop, includes dustbag £1,500­2,000

Gold hardware

35cm wide, 28.5cm high, 10cm handle drop, includes padlock, keys, clochette and dustbag £6,000­8,000

323

a brown clemence retourne Kelly 32

Palladium hardware

32cm wide, 23cm high, includes box, padlock and keys, clochette and removable shoulder strap (44cm drop) £4,000­6,000

322 Hermès, an orange chevre mysore retourne Kelly 35

323

324

321

Hermès,

324 Hermès, a tan togo retourne Birkin 35 1999

321 Hermès, a GM togo Evelyn III

322

325 A collection of jewellery boxes, the 125 jewellery boxes including four by Tiffany & Co., and one stamped Must de Cartier £200­300

326 A pair of paste shoe buckles, late 18th century, and a collection of buttons, 18th­early 20th century, comprising: a pair of silver shoe buckles set with cushion­shaped colourless pastes, length 5cm each, later brooch fittings; an additional paste shoe buckle; a glass moulded intaglio brooch; and a collection of buttons, including examples of cut steel, mother of pearl, gilt metal and enamel, and glass; and a set of six silver Art Nouveau buttons, British hallmarks for 1907, fitted case £200­300

327 A collection of jewels and accessories including a turquoise and pearl charm, possibly retailed by Cartier, early 20th century, comprising: a charm pendant designed as a bird in carved turquoise, surmounted by a pearl, length 1.6cm, unsigned, pearl untested, case stamped Cartier Ltd; an Art Deco eight­day travel clock in a folding leather display case by LeCoultre, dial 5.3 x 4.6cm; another by Malcolm; dial 5.5cm diameter, glass detached, case initialled EL beneath a marquess’ coronet; a foiled blue paste and seed pearl wreath brooch, 3.1cm diameter, case stamped Asprey; a similar seed pearl and foiled yellow paste cluster brooch, 2.9cm diameter, case stamped W Phillips; an Egyptian revival flexible coiled snake bracelet applied with blue and orange enamel; a gold pendant necklace designed as an owl perched within a hoop, suspended by chains from a pearl, to a fine chain necklace, length 36cm, pendant length 3.7cm, stamped 9CT, pearl untested, case stamped Vickery; a silver flask, height 8.9cm, British hallmark for silver, 1916; an amethyst and seed pearl brooch, fittings deficient; and an oval amethyst pendant, pendant length 2.7cm, stamped 14CT, on a black cord £200­300

328 A collection of shoe buckles and a set of buttons, 18th/19th century, comprising: one pair of buckles set with colourless pastes; four additional buckles set with colourless pastes, largest 6.1 x 4.7cm; five pairs of buckles set with cut steel, largest 6.6 x 5.cm, some fittings deficient; a small pair of buckles set with blue pastes; a gilt metal and paste buckle designed as a snake; a gilt metal and enamel buckle of floral design; a plain gilt metal buckle; and a set of six buttons in cut steel, 1.4cm diameter each, fitted case £200­300

329 A group of jewellery, 19th and early 20th century, comprising: a ruby and diamond cluster ring, mounted in gold, size O; a bar brooch designed as a swallow, set with rosecut diamonds, mounted in silver and gold, length 4.7cm, one stone replaced with paste; an enamel and seed pearl horseshoe bar brooch, fitted case; an amethyst cluster ring; a shell cameo ring; a garnet cabochon and gold ring; a gold and smoky quartz fob seal; a pair of mourning earrings; a rock crystal pendant; an enamel and simulant pearl brooch; a carnelian and gilt metal hook pendant; a mourning brooch with vacant glazed compartment; three gilt metal locket pendants; an Arts and Crafts silver and enamel brooch, stamped 800 Silver; and three watches £200­300

329

328

330 A group of jewels, 19th/20th century, comprising: a gold long guard chain, stamped 15 C; a gold belcher chain necklace; a bicoloured gold bracelet, stamped 750; a gold belcher link bracelet; a gold fob seal initialled FH; a gold charm bracelet, stamped 9ct; a gold and hairwork mourning brooch; a gold and pearl bar brooch, pearls untested; a gold bangle set with circular­cut rubies and diamonds; a low carat gold fob seal set with a white chalcedony intaglio depicting a dog; two garnet and mourning brooches; two gold bar brooches, British hallmarks for 9ct and 15ct gold respectively; a gold locket pendant bearing initials; three 9ct rose gold bangles, tish hallmarks, combined gross weight 183 grams; and a silver bracelet and brooch, set with brilliant­cut blue zircons and circular­cut colourless pastes £800­1,200

331 A group of cultured pearl jewels, comprising: a brooch, set with three cultured pearls of gold, grey and white tint, connected by lines of brilliant­cut diamonds in white gold, accented with circular­cut pink sapphires, length 5.8cm, 750 18K; a brooch and a ring, each set with cultured mabé pearls, the brooch set with brilliant­cut and baguette diamonds, each mounted in white gold, brooch length 3.9cm, ring size K; a cultured pearl and silver ring, size I½; a gilt metal ring designed as interconnected hoops, size H½; a pair of cultured pearl stud earrings; and four cultured pearl necklaces, one with a gold clasp, length 43cm, stamped 14K £200­300

λ 332 A group of jewellery, comprising: a gold collar of woven design, length 41cm, stamped 750; and a white gold bracelet of gaspipe linking, length 18cm, stamped 750, Italian maker’s marks, combined gross weight 85 grams; a gold and diamond bow brooch, length 3.3cm, a fine white gold rope twist chain, length 39cm, stamped 750; a gold cross pendant, length 3.1cm; and a pair of synthetic ruby earrings, length 2.1cm each, screw fittings; and two coral cabochons £600­800

333 A group of jewellery, including a Tiffany & Co. demi­parure, comprising: a hematite, cultured pearl, gold and onyx necklace, suspending a heart­shaped gold and onyx pendant, length 41cm, pendant length 4cm, signed KMcD for Kiki McDonaugh, partial British hallmark; a pair of gold, citrine and onyx earrings by Kiki McDonaugh, length 3.1cm each, clip and post fittings, signed KMcD, British hallmarks for 9ct gold; a ruby and diamond turtle brooch, length 4.3cm; an oval citrine and half cultured pearl brooch, length 3.2cm, two cultured pearls deficient; a silver ‘X’­shaped demi­parure of brooch and earrings by Paloma Picasso for Tiffany & Co., brooch length 6.2cm, earrings each 3cm, each signed Paloma Picasso and Tiffany & Co., stamped 925 for silver, a gilt metal watch by Chanel, length 18cm, quartz movement; and a bicoloured platinum and gold ring, size L½ £400

600

334 A collection of jewels, late 19th/early 20th century, comprising: a diamond ring, set with a circular­cut diamond weighing approximately 0.25 carats, mounted in gold, size R, stamped 18CT; an expanding gold bracelet set with seed pearls and turquoise cabochons, stamped 15; a chrysoprase and seed pearl gold pendant necklace; a gold locket pendant set with a horseshoe motif in half pearls, length 4.8cm; a gold brooch designed as interlocking horseshoes in coral cabochons and half pearls, length 2.8cm; a garnet pendant of foliate design in stamped gold, possibly adapted from an earring, to a gold chain necklace; a brooch designed as two ribbon bows suspending a pansy, in gold applied with blue and pink enamel, set with seed pearls, length 4.9cm; and a bangle and brooch set with circular­cut and rose­cut garnets, bangle inner circumference 17cm, brooch length 4cm, pearls untested £200­300

335 A group of gem­set and diamond jewels, comprising: a ring of cluster design, set with a cabochon jadeite, within a border of single­cut and baguette diamonds, mounted in white gold, size M; a ring of foliate cluster design, set with oval sapphires and single­cut and baguette diamonds, mounted in white gold, size K½, stamped 18K; three brooches of floral spray design: one set with polished jadeite, single­cut and baguette diamonds; one set with marquise­shaped rubies, single­cut and baguette diamonds; and one set with brilliant­cut diamonds, longest 6.2cm, each stamped 18K; a Lalique brooch set with butterflies of moulded pink and purple glass, length 8.7cm, signed Lalique; and a brooch of abstract foliate design, set with floral clusters of brilliant­cut diamonds, mounted in white gold, length 5.5cm, stamped K18 £400­600

336 An Arts and Crafts sapphire and gem­set brooch, and a collection of jewels, early­mid 20th century, comprising: a brooch designed as a flower, set with a cushion­shaped pale blue sapphire weighing approximately 3.50 carats, a cabochon moonstone, cabochon and carved almandine garnets and pastes, mounted in silver, length 8cm, case stamped Garrard; an Arts and Crafts silver ring set with pink and green tourmalines, size M, case; a moonstone brooch designed as a scorpion, length 8.6cm; and an amethyst brooch of geometric design, length 4.1cm, case £300­500

337 Tiffany & Co., three silver objects, comprising: a silver magnifying glass and perfume bottle necklace, magnifying glass length 15.7cm, signed Elsa Peretti and Tiffany & Co., stamped Sterling, dated 1984, perfume bottle 3.5cm, chain length 71cm, signed Elsa Peretti and Tiffany & Co., stamped 925 Spain; and a silver padlock keyring, length 6.5cm, signed Tiffany & Co., stamped 925, three pouches and two boxes stamped Tiffany & Co. £100­150

To be sold without reserve

338 A group of five gold and gem­set rings and a cultured pearl necklace, comprising: an opal and seed pearl ring, size M; a foliate sapphire and diamond ring, size L½; a blue topaz ring, size N; a three­stone diamond ring, size K½, British hallmark for 18ct gold; a plain wedding band, size K½, British hallmark for 18ct gold; and a cultured pearl necklace, length 37.5cm, indistinct British hallmark, maker’s mark for Cropp & Farr £200­300

339 A collection of buttons, shirt studs and a fob seal, late 19th/early 20th century, comprising: three buttons composed of faceted almandine garnets inset with circular­cut diamonds, 1.3cm diameter each; three shirt studs in blue enamel, applied with a fly set with rose­cut diamonds and cabochon ruby eyes, 0.8cm diameter each; four pendants set with small rose­cut diamonds, length 1cm each, hook fittings, central stones deficient; four guilloché enamel buttons, 3.2 x 2.3cm each; two malachite buttons centring on coronets, larger 3.7 x 3.0cm; and a bloodstone fob seal, height 2.7cm, stamped 9CT £200­300

340 A gold, chalcedony and diamond pendant, circa 1975, and a gold and gem­set brooch, circa 1984, comprising: a pendant depicting a woman in profile in engraved gold, to a ground of dyed blue chalcedony, within a gold border, length 6.8cm, British hallmark for 9ct gold; and a brooch of giardinetto design, set with clusters of emeralds, rubies and cultured pearls, measuring 4.1 x 4.0cm, British import hallmark for 18ct gold £600­800

341 A collection of six stick pins, late 19th century, comprising stick pins topped with: a horseshoe in half pearls, pearls untested; a horseshoe in circular­cut garnets; a floral micromosaic; a hardstone cameo depicting a classical woman wearing a tiara; a gold fox head with cabochon ruby eyes; and a colourless paste within a black enamel border, longest stick pin 7.5cm, six cases £200­300

339

338

340

341

342 A collection of stick pins and brooches, 19th and early 20th century, comprising: two gold stick pins, one capped with a gold seashell set with a seed pearl, the other topped with the letter H set with rose­cut diamonds, surmounted by a seed pearl, longest 6.2cm; a jabot pin set with rose­cut diamonds and a tooth, dated 29 January 1927; and four bar brooches, including one set with a cabochon star sapphire and rosecut diamonds; one set with three cabochon moonstones; one centring on a partridge set with rose­cut diamonds and a ruby eye; and one set with a line of pearls, longest 4.5cm, each mounted in silver and gold, pearls untested £400­600

343 A collection of six rings, 19th and early 20th century, comprising: a pearl and rose­cut diamond ring, size O, pearl untested; a child’s gold ring set with a colourless paste, size D; a half hoop ring set with five graduated half pearls, size S½, pearls untested; a two­stone diamond ring, size V, stamped 18CT; a navette­shaped sapphire and diamond ring, size N, stamped 18CT; and a mourning ring set with seed pearls around a glazed panel of hairwork, size M½, pearls untested, each with fitted case £200­300

344 A collection of four rings, each of fivestone design, set with oval garnets and rose­cut diamonds; turquoise cabochons; half pearls; and step­cut emeralds with cushion­shaped diamonds respectively, mounted in gold, sizes KN, pearls untested £400­600

345 A collection of rings, comprising: two ruby rings, an onyx signet ring; two turquoise rings; a sapphire and diamond ring; a gold buckle ring set with a colourless paste; a garnet and seed pearl cluster ring; a pale blue chalcedony ring; three garnet rings; a cabochon moonstone ring; a ring set with a cabochon moonstone and circular­cut garnets; two seed pearl cluster rings; a black enamel memorial ring reading ‘Memory’; a gold ring of knotted design; a gold and elephant hair ring; a synthetic ruby ring; a lapis lazuli intaglio ring; and a garnet intaglio ring, each mounted in gold, sizes K-S½, nine with British hallmarks for gold; together with a silver ring set with cushionshaped pastes, size N½ £300­400

346 A collection of four rings, comprising: an amethyst ring, mounted in gold, size O½; a sapphire and diamond seven­stone half­hoop ring, mounted in gold, size S; an asymmetrical ring in white gold knife wire, set with quatrefoils of brilliant­cut diamonds, size R, stamped 9KT; and a pearl and diamond cluster ring, mounted in gold, size J½, pearl untested £200­300

347 Two diamond rings, comprising: a five­stone diamond ring, set with five brilliant­cut diamonds totalling approximately 1.00 carat, between borders of smaller brilliant­cut diamonds, mounted in white gold, size M½, stamped 585; and a ring of curved design, centring on a line of channel­set baguette diamonds, within borders of brilliant­cut diamonds, mounted in white gold, size N, stramped 750 £500­700

348 Three rings, comprising: a ring collet­set with a princesscut diamond, mounted in gold, size N, British hallmark for 18ct gold; an amethyst and diamond ring, size O, British hallmark for 18ct gold, and a synthetic opal ring, mounted in gold, size O½, British hallmark for 9ct gold £200­300

349 Two mourning rings, 19th century, comprising: one ring centring on a cluster of half seed pearls and a cushion­shaped diamond, the shoulders with a floral design, applied with black and white enamel, the reverse with a glazed compartment containing hairwork, size M, British hallmark for 18ct gold, date letter for 1840; and mourning ring centring on a glazed panel of hairwork, within an engraved gold mount of scrolled design, size N £200­300

350 A collection of four gold and gem­set rings, 19th century, comprising: a pink topaz and chrysoberyl ring, size M; a fivestone diamond ring, size British hallmarks for 18ct gold; a threestone ruby ring, size K½, British hallmarks for 9ct gold; a three­stone turquoise ring spaced by rose­cut diamonds, size L, stamped 18CT £500­700

351 Three gem­set and diamond rings, comprising: a ring of bombé design, pavé­set with brilliant­cut diamonds and floral arrangements of circular­cut rubies, mounted in gold, size M, stamped 18K 750; a ring pavé­set with brilliant­cut diamonds, spaced by bands of calibré­cut emeralds, rubies and diamonds, mounted in gold, size O, stamped 750, numbered 25021; and an articulated gold ring set with step­cut sapphires and brilliant­cut diamonds, size O £300­500

λ 352 A group of three rings, comprising: a ring of buckle design, composed of a textured gold band with an oval band of brilliant­cut diamonds, size N½; a ring designed as an eagle’s talons gripping a coral bead, size P; and a ring of floral outline, the centre with an enamelled design of a cherub, bordered in seed pearls, size O

£150­250

353 A sapphire and diamond eternity ring and wedding band, mid 20th century, comprising: an eternity ring set with single­cut diamonds and calibré­cut sapphires, mounted in platinum, size M; and a plain platinum wedding band, size O, stamped Platinum, faintly inscribed, case stamped Goldsmiths & Silversmiths Company £200­300

347

348

349

351

350

354 A collection of five rings and a pendant, comprising: a ring mount of ballerina design, set with tapered baguette and brilliant­cut diamonds, mounted in white gold, size L½; a synthetic ruby ring, mounted in gold, size I½; a platinum ring mount, size L½, stones deficient; a ring set with marquise­shaped garnets and single­cut diamonds, size N½; an enamel ring, size N½; and a gold zodiac pendant for Capricorn, length 2.7cm £200­300

355 A group of three rings, comprising: one mourning ring set with a banded onyx, to a gold mount enhanced with black enamel and rose­cut diamonds, the interior with a dedicatory inscription dated 1888, size L; a ring centring on a half pearl between cushion­shaped diamonds, within geometric borders applied with black enamel and accented with rose­cut diamonds, size O; and a ring set with an oval emerald between trios of brilliant­cut diamonds, mounted in gold, size Q, British hallmarks for 18ct gold

£100­150

356 A group of five rings, comprising: a diamond solitaire on a yellow gold band, size J, British hallmark for 18ct gold, date letter 1890, inscription dated 1939, 0.45 carat brilliant-cut diamond loose; a diamond three­stone ring in 18ct yellow gold, size L, one diamond deficient; a band decorated with twists of brilliant­cut diamonds in millegrained borders, size J, British hallmark for 18ct gold; a gold ring set with cushion­shaped diamonds in star surrounds, size M½, British hallmarks for 18ct gold, 1902; and a plain gold wedding band, the interior with a dedicatory inscription, size K, British hallmark £400­600

357 A diamond signet ring, set with a circularcut diamond weighing approximately 0.40 carats, within a star border, mounted in gold, size I½ £400­600

358 An enamel and diamond ring, Italy, mid 20th century, of bombé design, applied with light blue enamel, set with a central line of circular­ and single­cut diamonds, mounted in gold, size L, Italian maker’s mark 160 AL for Lunati, stamped 750 £800­1,200

359 A group of three gold rings, comprising: two set with hardstone cameos depicting classical women in profile, size M½ each; and a ring of oval outline with a bouquet of flowers in red and blue enamel, accented with cultured pearls, size O, three cases £150­250

360 Two rings, comprising: a diamond solitaire ring, set with a brilliant­cut diamond weighing approximately 0.35 carats, within a square mount, to shoulders set with smaller single­cut diamonds, mounted in 18ct gold, size M, British hallmark; and a ring of abstract cluster design, set with circular­cut emeralds and brilliant­cut diamonds, mounted in white gold, size N½, stamped 18CT £600­800

361 A sapphire and diamond demi­parure, comprising: a ring, set with an oval sapphire between scrolled shoulders set with calibré­cut sapphires and brilliant­cut diamonds, mounted in palladium, size R; and a pair of ear studs of similar design, length 2cm each £2,000­3,000

362 A group of jewellery, comprising: an emerald and diamond ring of asymmetrical design, mounted in 18ct white gold, size L½, British hallmarks; an 18ct gold and green tourmaline ring, size N, British hallmarks; a gold ring set with four emeralds, size O; a gold and onyx signet ring, size O½; a pair of faceted blue glass earrings mounted in gilt silver; length 1.6cm each, clip and post fittings; and a multi­gem necklace set with cushion­shaped and step­cut gemstones including amethyst, zircon and citrine, length 38cm £600­800

363 A collection of opal and diamond jewels, early 20th century, comprising: an opal and diamond bar brooch, mounted in gold, length 4.4cm; a ring set with three black opals, spaced with circular­cut diamonds, mounted in gold, size M, a bar brooch centring on a pearl within a border of circular­cut diamonds, mounted in gold, length 3.9cm, pearl untested; and a diamond ring set with three brilliant­cut diamonds, mounted in gold and platinum, size M½, stamped 18CT PLAT £300­500

364 Two rings and a fob seal, late 19th/early 20th century, comprising: a ring of cross­shaped cluster design, set with half pearls and cushionshaped diamonds, mounted in gold, size F½, stamped 18CT PLAT; a diamond ring set with five graduated cushion­shaped diamonds, mounted in gold, size N, British hallmark for 18ct gold, date letter for 1903; and a swivel fob seal, modelled as a scarab, set with a banded onyx intaglio carved with the initials LB, intaglio measuring 1.5 x 1.0cm, and a pair of pearl shirt studs in a leather case

£200­300

365 A diamond ring and pendant, comprising: a ring, centring on a collet­set brilliant­cut diamond within a border of tapered baguette diamonds, to openwork shoulders set with smaller brilliant­cut diamonds, mounted in gold, size J½, stamped 750; and a pendant of heartshaped outline, set with brilliant­cut diamonds, mounted in gold, length 2.2cm, stamped 18K £300­500

366 A group of five pearl and diamond brooches, 19th and early 20th century, comprising: a broch of foliate scroll design, set with rose­cut diamonds, cushion­shaped rubies and suspending a pearl, measuring 3.0 x 2.5cm; a bar brooch suspending a pear­shaped drop, set with rose­cut diamonds in closed settings, measuring 3.4 x 3.8cm; a brooch of scroll design, set with rose­cut diamonds and pearls, length 3.6cm; a bar brooch of twisted wire set with rose­cut diamonds and pearls, length 4.5cm; and a bar brooch set with a pearl measuring 9.4mm diameter, within a border of rose­cut diamonds, length 7.1cm, pearls untested £200­300

367 A collection of three stick pins and four brooches, early 20th century, comprising: three gold stick pins, capped respectively with a sphere set with step­cut rubies and rosecut diamonds, a dachshund with ruby eyes, and a chick set with rubies and rose­cut diamonds emerging from an egg, longest 7.6cm; a brooch designed as an arrow, set with a natural pearl measuring approximately 7.8mm diameter, and a circular­cut rhodolite garnet, accented with rose­cut diamonds, mounted in gold, length 3.3cm; and three matching bar brooches, set with step­cut rubies, rose­cut diamonds and pearls, each mounted in gold, length 2cm each, pearls untested £200­300

A verbal report from GCS states that the pearl in the brooch of arrow­design is natural, saltwater, the remaining pearls untested.

368 Two pendants, one of navette outline, set with a radiating cluster of brilliant­cut diamonds, circular­cut rubies and emeralds, length 4.1cm; and an oval pendant applied with turquoise enamel, centring on a seed pearl, mounted in gilt silver, length 4cm £60­80

To be sold without reserve

369 A lady’s 9ct gold purse, circa 1907, the gold purse of mesh design suspending a fringe of gold beads, suspended from a gold chain handle, inscribed ‘1907­1917 Billie’, opening to reveal a smaller coin purse of similar design, larger purse measuring 25.1 x 16.7cm including chain suspension, stamped with British import hallmarks for 9ct gold, sponsor’s mark GV, date letter for 1907, gross weight 183 grams £1,800­2,200

370 A group of gold jewels including a Tiffany & Co. ring and chain, comprising: a textured gold necklace of fringe design, length 41cm, three fancy link gold necklaces, longest 50cm, stamped 750; a bicoloured gold and platinum ring by Tiffany & Co., size L, signed Tiffany & Co., stamped 750 PT950, dated 1970; a pair of lobed gold rings by Garrard & Co., each size L, signed G&Co., British hallmarks for 18ct gold, date letter for 1982; a flower brooch in tricoloured gold, diameter 4.3cm, Italian maker’s mark, stamped 750; and a fine gold chain by Tiffany & Co., length 39.5cm, signed Tiffany & Co., stamped 750, combined gross weight 13 grams £800­1,200

371 A collection of gold jewels, late 19th and 20th century, comprising: a gate link bracelet; an expandable bangle; a curb link bracelet; a rope twist chain necklace; a fancy link Albert chain; a textured strap bracelet; a ring; and a pair of cufflinks, all with British hallmarks for 9ct gold; a gold long guard chain, stamped 9CT; a fancy link bracelet, stamped 9CT; an engraved locket pendant on a fancy link chain necklace, stamped 9CT; a gold glazed locket pendant; a belcher link gold necklace suspending a gold medallion depicting the Virgin Mary; a threerow fancy link gold chain bracelet converted from a watch chain; two fine gold chain necklaces; and a pair of white gold cufflinks, total gross weight 271 grams £1,800­2,000

372 A group of jewels, comprising: a gold necklace composed of chain festoons connected by two geometric links set with brilliant­cut diamonds, length 55.5cm, stamped 585; a tricoloured gold pendant designed as a skier descending a mounted slope, accented by a brilliant­cut diamond, signed 1989 Bryson, stamped 583; a ring designed as two leopard’s heads, set with emeralds, sapphires and brilliant­cut diamonds, size L½, stamped 750; a ruby and diamond ring, size N½, stamped 585; a cross pendant set with blue and colourless cubic zirconia, length 4.6cm, stamped Italy 14K; a brooch designed as a butterfly set with brilliant­cut diamonds and marquise­ and pearshaped garnet, blue topaz, amethyst, citrine and peridot, length 5.2cm, stamped 750; a gold brooch designed as a safety pin, threaded with a malachite bead, length 4.9cm; a gold and diamond pendant suspending an interchangeable hoop of black onyx or lapis lazuli, length 3.7cm, French assay mark for 18ct gold; a chain necklace in high carat gold, length 99cm, stamped 916; two rings in high carat gold, one stamped with Chinese characters, the other a signet ring enamelled with the letter G, size H, one with sizing band; and a gold crucifix pendant, length 4.1cm, total gross weight 112 grams; together with a gilt metal necklace and ring, and a base metal and enamel bangle £800­1,200

373 A collection of gold jewels, comprising: a crossover ring, set with cushion­shaped diamonds totalling approximately 0.55 carats, size M½; a gold and diamond ring, the cushion­shaped diamond weighing approximately 0.25 carats, size M; an 18ct gold signet ring with the initials BJW, size Q, British hallmarks; a 22ct gold wedding band, size M, British hallmarks; a 9ct gold ring of twist design, size J, British hallmarks; a ring set with an oval sapphire, size N a rope twist bracelet, length 21cm, Italian maker’s mark, stamped 585; a gold anchor link bracelet, length 19.5cm, stamped 375; a 9ct gold locket pendant on a fine link chain, British hallmark; an Edwardian gold pendant set with a circular­cut paste within a border of seed pearls, length 5cm, stamped 15CT; a floral gem­set pendant; and a pair of 9ct gold cufflinks, British hallmarks, combined total gross weight 79 grams £300­500

374 Two gold pocket watches and three gold fobs, late 19th/early 20th century, comprising: a gold and enamel pocket watch, length 5.1cm, numbered 76806, maker’s mark LW, stamped 14K; an engraved gold pocket watch, length 4.3cm, numbered 117568, stamped 14K; a gold compass on an Albert chain; a gold and bloodstone fob seal on a black ribbon, length 19cm; and an 18ct gold compass on a black ribbon, to a T bar fitting, length 15.9cm, British hallmarks for 18ct gold £400­600

375 A group of jewels, comprising: a ring set with three rubies spaced by cushion­shaped diamonds, size L½; a 22ct gold wedding band, size K, British hallmarks; a sapphire and diamond ring in 18ct gold, size M, British hallmarks; an 18ct gold ring of woven design, size P, British hallmarks; a pink sapphire and rose­cut diamond ring, size M½; a fluted gold bar brooch, length 4.7cm; a 15ct gold cross pendant, British hallmark, on a gold chain; a gold and cultured pearl brooch, stamped K14; and a 9ct gold padlock clasp, British hallmarks; on a gilt metal curb link bracelet £200­300

376 Uno a Erre, a gold chain necklace, Italy, of rope twist design in bicoloured gold, length 49cm, Italian maker’s mark 1 AR, signed Uno a Erre, stamped 750, gross weight 57 grams £1,000­1,500

377 A gold charm bracelet, mid 20th century, the curb chain bracelet suspending nine gold charms, including a line of ‘can can’ dancers with kicking legs operated by a lever at the reverse, British hallmark for 9ct gold, a matador lifting his hat; a ballerina, British hallmark for 9ct gold; a telephone box, British hallmark for 9ct gold; a street lamp; and a half sovereign coin dated 1905, bracelet length 15cm, combined gross weight 47 grams £500­700

378 A Victorian gold long guard chain and sovereign coin pendant, late 19th century, the chain composed of fancy gold linking, suspending a sovereign coin pendant, chain length 148cm, clasp stamped 15, sovereign coin dated 1891, combined gross weight 65 grams £800­1,200

379 Gubelin, a gold bracelet, designed as a mesh strap, length 18.5cm, stamped 750, maker’s mark for Gubelin, gross weight 52 grams £1,000­1,500

380 A gold bracelet, composed of curb linking, to a heart­shaped padlock clasp, length 20cm, British hallmark for 9ct gold, sponsor’s mark LC, gross weight 41 grams £400­600

377

378

379

380

381 A gold Albert chain, early 20th century, composed of fancy linking, suspending a T bar pendant, length 39cm, British hallmarks for 9ct gold, sponsor’s mark B&S, gross weight 37 grams £400­600

382 A mid 19th century gold propelling pencil, circa 1846, modelled as a pig with diamond­set eyes in yellow gold, with British registry mark for 1846, length 3.8cm, with four other gold charms, all suspended from a fancy link gold necklace, length 74cm, gross weight 51g £1,000­1,500

383 A collection of jewellery, comprising: two diamond rings; an opal and diamond cluster ring; two gold and carnelian signet rings, and a plain wedding band, sizes M-Q, mounted gold, four with British hallmarks; an Austro­Hungarian gold 4 ducat coin pendant dated 1915, to a later gold mount, length 5.4cm including pendant hoop; a 9ct gold curb link charm bracelet, length 19cm, British hallmarks, maker’s mark for Cropp & Farr; a lady’s 9ct watch by Avia, length 17cm, British hallmarks; a pair of gold cuff earrings, length 1.5cm each, post fittings, total gross weight 82 grams; and two rings and a pendant set with pastes £1,200­1,500

384 A gold necklace, composed of graduated foxtail linking in bicoloured gold, length 42cm, signed Caplain Paris, French assay mark for 18ct gold, French maker’s mark, gross weight 46 grams £600­800

385 Tiffany & Co., a gold parure, comprising: a cross pendant, length 2.7cm, a circular brooch, length 3.2cm, and a ring, size K½, each of fluted design crossed by a ribbon, ring and brooch signed Tiffany & Co., pendant signed T&Co., each stamped 750, £400­600

382

386 A citrine pendant and gold long chain necklace, late 19th century, the pendant set with a briolette citrine, to a gold surmount set with a rose­cut diamond, suspended from a fancy link gold long chain, pendant length 4.8cm, necklace measuring 119cm, Austro-Hungarian assay mark for gold, chain gross weight 18 grams £400

387 A gold and hardstone charm bracelet, 19th century and later, the gold curb link bracelet to a heart­shaped padlock clasp, suspending eleven charms, including a 9ct gold articulated fish, a gold openwork coal shovel, and two hardstone intaglios bearing a crest and motto ‘Audax atque Fidelis’ (bold and faithful), length 17.5cm, six charms and padlock with British hallmarks for 9ct gold, compass and small locket charm of gilt metal, combined gross weight 71 grams £500

388 A gold and diamond necklace, of figaro linking in three­coloured gold with a Florentine finish, the elonga links pavé­set with brilliant­cut diamonds, length 47.5cm, stamped 750, gross weight 39 grams £600

389 Marco Bicego, a gold and diamond necklace, designed as three twisted gold wirework strands set with brilliant­cut diamonds, length 42.3cm, signed Marco Bicego, Italian maker's mark, stamped 750, gross weight 38 grams, fitted case stamped Marco Bicego £1,400­1,600

390 Four pairs of gold earrings, comprising: a pair of circular bombé studs in high carat gold with a hammered finish, 12mm diameter each, post fittings, stamped EK635, 0.990, indistinct maker’s mark; a pair of hoop earrings, length 1cm each; a pair of studs of annular design, 0.8cm diameter each, post fittings, British hallmarks for 9ct gold; and a pair of studs designed as ladybirds, length 0.9cm each, post fittings, British hallmarks for 18ct gold, sponsor’s mark VP £200­300

391 A gold bracelet, composed of gold wirework links tied in lover’s knots, length 17.4cm, gross weight 20 grams £1,000­1,500

λ 392 A collection of four carved coral and hardstone brooches, mid 20th century, comprising: a coral and nephrite brooch designed as a branch of berries, length 5.1cm, Austrian assay marks for gold, stamped 585, maker's mark FP; a coral and nephrite brooch designed as a rose, length 6.4cm, a carved chalcedony and nephrite brooch designed as a stylised flower, accented with single­cut diamonds and a cabochon ruby, mounted in gold and platinum, length 4.5cm, Portuguese assay marks and maker's mark; and a brooch designed as a bouquet set with carved sodalite, chalcedony, rhodonite and nephrite, accented with a simulant diamond, length 6.1, Austrian assay marks for gold £400­600

393 Three carved hardstone brooches, Austria, mid 20th century, comprising: a brooch designed as a spray of violets in carved amethyst and nephrite, accented with single­cut diamonds, mounted in gold, length 4.3cm, Austrian assay mark for 14ct gold, maker’s mark IB; a cosmos flower brooch in carved chalcedony and nephrite, the centre set with a circular­cut diamond, length 7.3cm, Austrian assay marks for 14ct gold, maker’s mark IB; and a wild rose in carved white chalcedony, centring on a cultured pearl, to a branch with carved nephrite leaves, length 7.8cm, Austrian assay mark for 14ct gold, maker’s mark IB £400­600

394 An Oregon sunstone, nephrite and diamond brooch, designed as a cluster of grapes, set with circular­cut Oregon sunstones and brilliant­cut diamonds, with carved nephrite leaves and gold tendrils, length 6.4cm, stamped GR, 18K, 14K £400­600

395 A collection of five carved stone and diamond brooches, mid 20th century, comprising: two designed as posies of violets, composed of carved amethyst and rose quartz, with nephrite leaves, accented with brilliant­cut diamonds, longest 6.3cm, each with Austrian assay marks for 14ct gold; a posy of forget me nots in carved blue hardstone accented with brilliant­cut diamonds, with nephrite leaves, length 4cm, Austrian assay mark for 14ct gold; a convolvulus flower in carved rock crystal, the centre set with circularcut rubies and brilliant­cut diamonds, length 5.6cm, stamped 14K, signed Baumf; and a bouquet of flowers in carved moonstone, each centring on a single­cut diamond, length 4.1cm, stamped 750 £400­600

396 A rock crystal, cultured pearl and diamond brooch, Austria, mid 20th century, designed as a mallow flower in carved rock crystal, centring on a cultured pearl and single­cut diamonds, 4.1cm diameter, Austrian assay marks for 14ct gold, case £300­400

397 A chalcedony and diamond brooch, Austria, mid 20th century, designed as a sunflower in carved yellow chalcedony and onyx, accented with brilliant­cut diamonds, length 5.5cm, Austrian assay marks for 14ct gold, case £300­400

398 A rock crystal and diamond brooch, Austria, designed as an orchid in carved rock crystal, set with brilliant­cut diamonds, mounted in white gold, length 7.5cm, pouch £500­700

399 Koch, a carved amethyst, enamel and diamond brooch, mid 20th century, designed as a posy of violets in carved amethyst, each set with a circular­cut diamonds, between leaves of green plique à jour enamel, mounted in gold, length 3.7cm, maker’s marks for Koch, stamped 750, pre1965 Austrian import assay mark for 18ct gold £300­400

396

400 A collection of five lady’s watches including a gold watch by Omega, comprising: a ‘Bulgari Bulgari’ watch by Bulgari, ref.BB33SS, case width 2.3cm, numbered L9030, quartz movement; a gilt watch by Universal Genève, case width 2.7cm, numbered 542114/03 and 2 621 854, manual winding movement; a gold watch by Omega, case width 2cm, Swiss assay marks for 18ct gold, numbered 511008, manual winding movement; a stainless steel watch by Leonard, case width 2.8cm, quartz movement; and a stainless steel watch by Seiko, case width 2.5cm, numbered 891192 £200­300 Accompanied by GIA report no.5222922839, Dated May 8 2023, Stating that 2 pearls are Cultured and 2 pearls are Natural Saltwater, as detailed on the report.

401 Baume & Mercier, three stainless steel quartz watches, each in bicoloured stainless steel, comprising: a lady’s ref.5822, case width 2.0cm, numbered 1295363; a lady’s Riviera ref. A5222 018, case width 3cm, numbered 1192637; and a smaller lady’s Riviera ref.5221 018, case width 2.5cm, numbered 1142525 £200­300

402 Omega, a gentleman’s stainless steel Seamaster wristwatch, 1960s, signed dial with baton numerals and sweep seconds hand, on flexible bracelet with deployant claps, case width 3.5cm £200­300

403 Omega, a gentleman’s gold De Ville wristwatch, signed dial with baton numerals, date aperture and sweep seconds hand, automatic movement, on brown leather band, case width 3.5cm £200­300

400 402 403

401

404 IWC Schaffhausen, a gentleman’s 9ct gold wristwatch, circa 1959, the silvered dial with gold baton indicators and hands, to a plain gold bezel, and later leather strap, case width 3.4cm, dial signed International Watch Co Schaffhausen, manual winding movement, interior of watch back numbered 13322 and 918002, signed Dennison and ALD, British hallmarks for 9ct gold, date letter for 1959, case £400­600

405 Bucherer, a lady’s white gold and diamond wristwatch, the circular brushed metal dial with baton indicators, beneath a faceted crystal, to a plain bezel and integrated chain link bracelet set with brilliant­cut diamonds, length 15cm, case width 1.6cm, manual winding movement, dial signed Bucherer, clasp with maker’s mark CB, Swiss assay mark for 18ct gold, gross weight 19 grams, stamped 18K and 750, case stamped Bucherer £300­500

406 Incabloc, a lady’s 9ct gold ‘Roamer’ wristwatch, circa 1956, the square white enamelled dial with gold baton indicators, to an integrated bracelet in textured tricoloured gold, length 17cm, case width 1.4cm, British hallmark for 9ct gold, manual winding movement, dial signed Incabloc, case stamped Roamer £300­500

407 Cartier, a lady's gilt silver wristwatch, 'Must de Cartier Vendôme', the round maroon dial with gilt hands, to a plain gilt bezel and synthetic sapphire winder, on a leather strap, case width 3cm, signed Cartier, quartz movement, Swiss assay mark for silver, numbered 17 and 012236, pouch stamped Cartier, facsimile of servicing paperwork from Cartier £150­200

405

406

407

404

408 Girard Perregaux, a lady’s gold wristwatch, signed dial with baton and Arabic hour markers, manual movement, on a flexible 9ct gold brick­link bracelet, length 16cm, 45g £300­500

409 Rolex, a lady’s white gold watch, ‘Orchid’, ref. 57900, mid 20th century, the circular silvered dial with baton indicators, to a white gold bracelet composed of fluted linking, case width 1.4cm, length 15.5cm, manual winding movement, dial signed Rolex, back numbered 579010, case with Swiss assay mark, bracelet stamped K18 Italy £200­300

410 Ernest Borel, a lady’s gold wristwatch, mid 20th century, the square brushed gold dial with baton indicators and gold hands accented with black enamel, to an integrated gold strap of textured design, case width 1.4cm, bracelet length 16.5cm, manual winding movement, dial and case back interior signed Ernest Borel, case back numbered 138057, stamped with Swiss assay marks for 18ct gold, gross weight 39 grams, accompanied by two guarantee booklets £300­500

411 Cartier, two lady’s wristwatches, ‘Must de Cartier’, comprising: a gilt silver Vendôme ref.1851, case width 2.4cm, quartz movement, signed Cartier, numbered CC113462, Swiss assay marks, Cartier maker’s mark, original box and papers; and a stainless steel Ronde ref.2933, case width 2.9cm, signed Cartier, quartz movement, pouch stamped Cartier £200­300

412 Boucheron, a swivel wristwatch, circa 1930, the signed dial with baton and Arabic numerals and blued steel hands, the central case swivelling within brown leather articulated bracelet, inner circumference 17cm £200­300

413 Goldsmith’s Company, an 18ct gold half hunter pocket watch, circa 1882, the front with a circular aperture bordered by Roman numeral indicators in blue enamel, opening to reveal a white enamel dial with black enamel Roman numeral indicators with a subsidiary seconds dial, the reverse engraved with the crest of the Maud family, length 6.9cm including suspension hoop, dial and movement signed Goldsmith’s Company, 112 Regent Street, case with British hallmarks for 18ct gold, date letter G for 1882, sponsor’s mark GAP, case and movement numbered 6466 £400­600

414 A nephrite and sapphire desk clock/paper weight, late 19th/early 20th century, the key wind clock with guilloché dial, to a gilt foliate border set with cabochon sapphires, set within a hexagonal domed nephrite base, with a gilt laurel wreath band encircling the foot, engraved with the patent mark ‘Brevete SGDG’ to the reverse, 8.3cm diameter £400­600

From the estate of the late Jean Louis Chameroy.

To be sold without reserve

415 Juvenia, an Art Deco silver and lacquer travelling clock, 1930s, the silver case applied with red lacquer, outlined in gilt, opening to reveal a square silvered dial with gilt indicators and blued steel hands, measuring 4.1 x 3.3 x 1.0cm, dial signed Juvenia Bijou, manual winding movement, indistinct assay marks, original fitted case stamped Fab Suisse £200­300

416 A pocket watch and fob seal, early 19th century, comprising: a gold key wind, open­faced pocket watch, the gold dial with gold Roman numerals on textured gold chapter ring with a foliate surround, 4.2cm diameter, glass deficient; and a gold cased stirrup­form fob seal with oak and foliate scroll decoration, mounted with a citrine carved with arrow­head arms, height 5cm high £400­600

From the estate of the late Jean Louis Chameroy.

To be sold without reserve

417 A diamond ring watch, 1920s, the square silvered dial with black enamel indicators and blued steel hands, within an oval case set with rose­cut diamonds, to foliate shoulders, one shoulder opening via a hinge to conceal the winder, size P, front measuring 2.0 x 1.4cm, reverse numbered 616509, manual winding movement, Swiss and French import assay marks for 18ct gold £200­300

418 An Edwardian spherical silver watch and chain, the ball watch with Arabic numerals, blued steel hands, manual winding, the case decorated with blue guilloche enamel on a long chain of oval linking separated with blue enamel links, length 84cm £200­300

418

414

413

415

416

419 Charles Rivaud, an Art Nouveau silver, gold and enamel pendant, France, circa 1900, the oval pendant with a depiction of the Madonna and Child in shallow relief in silver, within a foliate openwork mount applied with dark blue enamel, accented with half pearls, length 4.8cm, French assay mark for gold and partial French maker's mark for Charles Rivaud £200­300

Cf.: Beatriz Chadour­Sampson & Sonya Newell­Smith, Tadema Gallery London Jewellery from the 1860s to 1960s, Arnoldsche Art Publishers, Stuttgart 2021, p. 175, for a sim

ilar example

420 Four carnelian intaglio brooches, each of oval outline, set with a carnelian intaglio depicting one of the labours of Hercules: capturing the Cretan Bull; obtaining the cattle of the three­bodied giant Geryon; capturing Cerberus; and capturing the Mares of Diometes, each in a gilt metal frame, largest 5.0 x 4.4cm, each signed Phoeser £300­500

421 René Boivin, a cigarette case and lighter, 1925­35, the cigarette case of rectangular outline, applied with a mosaic of mirror tiles, mounted in silver, measuring 11 x 7.7 x 1.1cm; the cylindrical lighter of similar design, length 5.3cm, each signed René Boivin, cigarette case numbered 5443, each with French assay marks for silver and French maker’s mark RM with axe, some losses and restoration to mosaic £1,000­1,500

422 A fine citrine fob seal, early 19th century, set with an oval citrine engraved with the coat of arms of the Maxwell family, the motto reading ‘Reviresco’ (I flourish again), to a gold mount in the neoclassical style, height 4.6cm, citrine 3.6 x 2.9cm £800­1,200

423 A gold and citrine fob seal, 19th century, set with a step­cut citrine intaglio depicting the Pelican in Her Piety, to a fluted gold fob mount, length 2.7cm £200­300

λ 424 A jasperware and tortoiseshell box, 19th century, of elongated octagonal outline, composed of tortoiseshell mounted in gold, the lid set with a jasperware cameo of Ceres, measuring 7.7 x 4.5 x 2.0cm £400­600

425 A malachite snuff box/bonbonnière, 19th century, of circular outline, tilting slightly downwards towards the opening, composed of malachite panels mounted in gold, the hinged lid opening to reveal a plain gold interior, the base of green hardstone, measuring 7.6 x 7.6 x 2.9cm, indistinct assay marks to interior, significant losses to malachite £800­1,200

426 Cartier ­ a silver propellor pencil, mid 20th century, the plain silver pencil with octagonal grip rotating to reveal an interchangeable lead, length 7.6cm, signed Cartier, stamped with French assay marks for silver and French maker’s marks, fitted case stamped Cartier, including replacement leads £200­300

427 Retailed by Mappin & Webb, S. Mordan and Co., a 9ct gold fountain pen, circa 1919, the long tapering handle in 9ct gold, initialled ADH, to a gilt metal nib, length 19.5cm including nib, signed S Mordan & Co., British hallmark, date letter for 1919, gross weight 10 grams, fitted case stamped Mappin & Webb £100­150

428 Waterman, a gold fountain pen, circa 1940, inscribed ‘To Lady Mairi, from friends at Mount Stewart, 10.12. 40’, length 11.3cm, British hallmarks for 9ct gold, signed Waterman, fitted case stamped Waterman £200­300

Provenance: Lady Mary Elizabeth (‘Mairi’) Bury, née Vane-Tempest Stewart (1921-2009), aviator and philatelist, daughter of the 7th Marquess and Marchioness of Londonderry, on the occasion of her marriage to the Hon. Derek William Charles Keppel, later Viscount Bury, on December 10th 1940, thence by descent

429 A tapered cylindrical rock crystal handle, C.1900, decorated with a band of cabochon ruby­set gold swags, stamped with a Cyrillic initials MP and with rubbed 56, chipped base, 5.5cm. And a gold bar brooch set with a cabochon sapphire and small diamond, stamped with Kokoshnik and 56 zolotnik and NI in Cyrillic, rubbed marks to pin, 5.8cm, case.

£400­600

430 A collection of pearl, enamel and diamond jewels, India, comprising: a pair of earrings designed as a cluster of rose­cut diamonds suspending a pearl and green paste tassel pendant, applied with red and green enamel, length 4cm each, hook fittings deficient; a pair of earrings composed of a rose­cut diamond in a setting applied with blue, green and red enamel, suspending tassels of pearls and green pastes, length 2.9cm each, hook fittings; and five matching pendants, pearls untested £200­300

λ 431 A multi­gem, enamel and diamond ‘Navaratna’ bracelet, India, the centre set with a table­cut garnet, within a border of coral, pearl, hessonite garnet, foiled rock crystal imitating emerald, diamond, blue and yellow sapphire, representing the nine planets, within foliate gold mounts set with lasqué­cut diamonds, the reverse applied with floral designs in multicoloured enamel, to a seed pearl and gold bead bracelet, and similar ‘Navaratna’ clasp, bracelet length 15.5cm £600­800

432 A cultured pearl, enamel and diamond necklace, India, centring on a plaque set with foiled lasqué diamonds, the back applied with floral designs in blue, green, red and white enamel, to a three­row cultured pearl choker, length 34cm £400­600

433 An emerald, ruby and diamond brooch/pendant, designed as the Imperial double­headed eagle, surmounted by a cross, set with cabochon rubies and sapphires, and suspending three emerald bead pendants, length 8.6cm, stamped 18K, one emerald pendant detached £1,000­1,500

434 A pair of turquoise bracelets, each composed of an oval plaque set with concentric arrangements of turquoise cabochons, connected by three lines of turquoise cabochon links in floral borders, mounted in gold, connected by base metal jump rings, length 17.5cm each, combined gross weight 112 grams £1,000­1,500

435 An enamel and gem­set brooch, mid 19th century, of foliate scroll design in stamped gold, applied with multicoloured enamel and set with foiled circular­cut emeralds and rubies, centring on a cabochon turquoise, measuring 5.0 x 3.7cm £400­600

436 GT Marsh & Co., a silver and carnelian bracelet, designed in the Chinoiserie style, set with panels of carnelian carved with designs of birds among flowers, spaced by geometric openwork links in silver, length 17.5cm, signed GT Marsh & Co. £300­500

GT Marsh & Co. was established in San Francisco in 1876 by George Turner Marsh, an Australian who had emigrated to America via Japan. One of the earliest US galleries specialising in Japanese art, by the 1930s GT Marsh & Co were also producing highly distinctive Art Deco jewels, famed for their unique blackened metal and strikingly modern aesthetic, and jewels such as the present bracelet, infused with the founder’s passion for East Asian decorative arts.

432

433

437 A pair of cultured pearl and diamond earrings, each composed of a cultured pearl measuring approximately 11.5mm diameter, surmounted by a brilliant­cut diamond weighing approximately 0.25 carats, length 1.7cm each, post fittings £400­600

438 A cultured pearl and diamond ring, early 20th century and later, of cluster design, set with a large black bouton­shaped cultured pearl measuring approximately 13mm diameter, within a border of circular­cut diamonds, mounted in gold, size M, cultured pearl possibly a later replacement £300­500

439 A cultured pearl and diamond pendant necklace, the pendant of cross design, centring on a brilliant­cut diamond weighing approximately 0.40 carats, surrounded by four cultured pearls of white and grey tints, mounted in white gold, pendant length 4.5cm, stamped 750, chain length 41cm, chain with Italian maker’s mark and European convention assay marks for 18ct gold £400­600

440 A pair of cultured pearl and diamond earrings, each composed of a brilliantcut diamond weighing approximately 0.50 carats, above a cultured pearl measuring approximately 9.5mm, mounted in white gold, 1.8cm each, post fittings £600­800

441 A cultured South Sea pearl and diamond ring, set with a cultured South Sea pearl measuring approximately 13.3mm, within an undulating ‘ballerina’­style border of tapered baguette and brilliant­cut diamonds, mounted in white gold, size L £200­300

442 A pearl and diamond pendant, circa 1900, composed of a baroque pearl measuring approximately 21 x 20 x 13mm, accented by rose­cut diamonds, to a rose­cut diamond cap, length 3.8cm, French import assay mark for platinum, pearl untested £2,000­3,000

442A A pair of cultured pearl and diamond earrings, each set with a cultured pearl measuring approximately 11mm, surmounted by three brilliant­cut diamonds, length 1.6cm each, post fittings £300­500

443 A jadeite necklace, composed of a single line of graduated jadeite beads measuring 3.5­7.1mm diameter, to a gold clasp collet­set with a cabochon jadeite, length 53cm, stamped 15CT £400­600

Accompanied by GIA report no. 2551922968, dated May 11, 2023, stating that the Jadeite is of natural colour with no indication of impregnation.

444 A jadeite and diamond pendant, the large jadeite pendant carved with a design of fish among lotus leaves, to a pendant fitting set with single­cut diamonds, length 9.5cm £1,000­2,000

445 An Art Deco jadeite and diamond brooch, 1920s, set with a jadeite plaque carved with an openwork design of flowers, to geometric motifs at each end set with rose­cut and circular­cut diamonds, mounted in platinum and gold, length 4.8cm £200­300

446 Three jadeite pendants, comprising: a green jadeite plaque pendant, carved to depict a bird among fruiting branches, to a gold shou bail fitting, measuring 6.5 x 4.1cm including bail; a pale lavender jadeite pendant carved to depict double gourds, length 6.1cm; and a smaller green jadeite pendant depicting a double gourd, pendant length 3.2cm, gold chain length 39cm £200­300

gemstones including opals, tourmalines, pearls, sapphires and zircons, the largest sapphire weighing approximately 3.00 carats, necklace length 43.5cm, bracelet length 20.5cm, pearls untested £1,000­1,500

448 Willy Fagert for Halberstadt, a modernist amber demiparure, Denmark, 2000, the demi­parure comprising a pendant on a snake chain, and a pair of earrings, each rubover­set with an amber cabochon, mounted in highly polished 14ct gold, pendant length 4.6cm, necklace length 49cm, earrings 1.9cm each, clip and post fittings, all signed Halberstadt, Willy Fagert, Handmade in Denmark, British import hallmarks for 14ct gold, chain stamped 585, maker’s mark FBM; together with a large amber bead necklace, length 49cm, amber possibly treated £200­300

449 An amber bead necklace, composed of graduated oval amber beads, the largest measuring 3.5cm, length 57cm £400­600

448

449

447

450 Three cultured pearl necklaces, comprising: a two­row necklace strung with tumbled garnet beads, spaced by cultured pearls, to a gold clasp of shou medallion design, length 39cm, signed Gump’s, stamped 14K; a three­row baroque cultured pearl necklace, the clasp set with cultured pearls, sapphires and blue topaz cabochons, length 42cm, stamped 14K; and a four­row necklace of grey baroque cultured pearls, to a navette­shaped clasp in gold rope twist set with sapphires, length 46cm, stamped 14K £200­300

451 An opal bead necklace, composed of graduated spherical opal beads measuring 7.5­15.7mm diameter, spaced by rock crystal rondelles, to a mount in gold cannetille set with cabochons of opal and turquoise, length 48cm £400­600

λ 452 A coral and gem­set bracelet, the double strand of coral beads with a clasp designed as two carved coral lion heads collared in single­cut diamonds and circularcut emeralds, holding a cultured pearl and sapphire cluster in their mouths, length 21cm £400­600

453 Stephen Webster, a hematite bead necklace, designed as a line of spheres composed of woven hematite beads, to a textured spherical clasp, length 42cm, maker’s mark SW £600­800

λ 454 A coral, enamel, cultured pearl and diamond pendant, of tassel design, composed of a large porous coral bead, in a setting applied with black enamel and pavé­set with brilliant­cut diamonds, suspending a tassel of cultured pearls, length 12.6cm, French assay marks for silver and gold £600­800

455 A gem­set long chain necklace, spectacle­set with circular­cut citrines, amethysts and blue topaz, mounted in white gold, length 78.5cm, stamped 750 £800­1,200

456 Paloma Picasso for Tiffany & Co., a gem­set bracelet, ‘Dot Station’, designed as a line of spectacle­set citrine, peridot, amethyst and pink tourmaline, connected by fine link chain, mounted in gold, length 18cm, signed Tiffany & Co. and Paloma Picasso, stamped 750 £500­700

457 An emerald and diamond bracelet, designed as a line of oval emeralds spaced by brilliant­cut diamonds, mounted in white gold, length 18cm £500­700

458 A diamond and black diamond bracelet, designed as a line of brilliant­cut diamonds between rows of brilliant­cut black diamonds, mounted in gold, length 19.1cm £200­300

455

456

459 A gold and diamond bangle, the hinged bangled designed as coiled rope in gold, the front pavé­set with lines of brilliant­cut diamonds, inner circumference 18cm, gross weight 46 grams, case £500­700

460 A diamond necklace, composed of dot and dash linking, set with brilliant­cut diamonds, mounted in white gold, length 42cm, stamped 750 £400­600

461 A pair of sapphire and diamond earrings, each composed of an articulated line of two claw­set cushion­shaped diamonds suspending a step­cut sapphire, mounted in gold, length 2.9cm each, screw back fittings £400­600

462 A gold, ruby and diamond bracelet, designed as a spray of flowering rose branches in tricoloured gold, accented with brilliant­cut diamonds and cabochon rubies, inner circumference 18cm, gross weight 138 grams £5,000­7,000

463 A ruby and diamond necklace, collet­set with an oval ruby weighing approximately 1.00 carat, within an asymmetrical mount of marquise­shaped diamonds, to a chain necklace, mounted in gold, length 39cm

£1,000­1,500

464 A pair of ruby and diamond ear clips and a garnet and diamond pendant, each of cluster design, the ear clips each composed of an oval ruby within a border of brilliant­cut diamonds, the pendant set with an oval garnet within a border of brilliant­cut diamonds, earring length 1.2cm each, clip fittings, stamped 750, pendant length 1.8cm, British hallmarks for 18ct gold

£1,500­2,000

465 A turquoise and diamond demi­parure, 1960s, comprising: a brooch, set with a cabochon turquoise within a border of marquise­shaped diamonds, length 2.9cm; and a pair of clips of similar design, set with marquise­shaped and brilliant­cut diamonds, length 2.3cm each

£800­1,200 To be sold without reserve

466 Two diamond brooches, each of foliate scroll design, set with brilliant­cut diamonds and rose­cut diamonds of brown tint, lengths 7.0 and 3.9cm respectively £800­1,200

467 Tiffany & Co., a gem­set and diamond pendant, designed as a heart­shaped padlock and key, the padlock of floral openwork, set with a sequence of circular­cut coloured stones including citrine, tourmaline, amethyst, iolite and fire opal, and brilliant­cut diamonds, the reverse spelling out ‘Tiffany’, to a white gold chain, pendant length 2.9cm, 44cm, pendant signed T&CO, the chain signed Tiffany & Co £300­500

468 A pair of Retro diamond earrings, 1940s, of scroll design in polished platinum, set with single­cut and baguette diamonds, length 2.7cm each, later post fittings £300­400

469 A ruby and diamond spray brooch, of openwork design set with circularcut rubies and diamonds in platinum, length 4.6cm £200­300

470 A diamond pendant, of heart­shaped outline, pavé­set with brilliant­cut diamonds totalling approximately 1.20 carats, mounted in gold and silver, length 2.2cm £500­700

471 Tiffany & Co. silver bracelet, of gate link design, length 18cm, signed T& Co., stamped 925 and 750 £100­150

472 A gold, lapis lazuli and diamond brooch, the large medallion centring on a scale with a sphere of pavé­set single­cut diamonds, to a ground of lapis lazuli, within a gold border, length 8cm including bail, gross weight 84 grams £600­800 To be sold without reserve

473 A gold brooch, designed as an elephant and its calf, their eyes set with brilliant­cut diamonds, length 3.7cm £400­600

474 A pair of diamond drop earrings, set with graduated round brilliant­cut diamonds, with three articulated drops to the terminals in white gold, post fittings, length 4.5cm £600­800

475 A Retro ruby and diamond brooch, 1940s, designed as a spray of flowers in polished gold, set with circular­cut diamonds and circular­ and calibré­cut rubies, length 5.6cm, case £400­600

476 Tiffany & Co., a gold and multi­gem necklace, the pendant composed of aquamarine, peridot, citrine, pink tourmaline and tanzanite briolettes, suspended from a chain of twisted wire links, to a T­bar clasp, chain length 39cm, pendant length 7cm, signed Tiffany & Co., British hallmark for 18ct gold, sponsor’s mark for Tiffany & Co., date letter for 2008 £800­1,200

477 Elsa Peretti for Tiffany & Co., a pair of gold and diamond earrings, each composed of a spectacle­set brilliant­cut diamond suspending a section of gold chain mesh, length 5cm each, hook fittings, each signed Peretti, T&Co., stamped 750 £400­600

478 Leo Pizzo, a pair of gold and diamond earrings, each designed as three interconnecting chain links, the central link pavé­set with brilliant­cut diamonds, mounted in bicoloured gold, length 3cm each, clip and post fittings, each signed Leo Pizzo, Italian maker’s marks, stamped 750 £800­1,200

479 A gold and diamond brooch, circa 1973, of abstract swirl design in matte gold, set with brilliant­cut diamonds, 4.2cm diameter, British import hallmark for 18ct gold, maker’s mark CJLtd £300­400

480 A sapphire and diamond demi­parure, each of floral design, set with circular­cut sapphires and brilliant­cut diamonds, mounted in white gold, earrings 3.4cm each, post fittings, pendant 3.2cm £800­1,200

481 A ruby and diamond bracelet, the articulated strap set with oval rubies totalling approximately 13.00 carats, accented with brilliant­cut diamonds, length 20cm, stamped 14K £1,500­2,000 To be sold without reserve

482 Paloma Picasso for Tiffany & Co., an amethyst ring, collet­set with a cabochon amethyst, mounted in silver and gold, size M, signed Paloma Picasso, signed T&Co., stamped 925 and 750, French import maker’s marks for 18ct gold and silver £1,000­1,500

483 Birks, a gem­set foliate bracelet, the stylised leaves in textured yellow gold, set with pink and blue sapphires, maker's mark and 18k stamped to clasp, length 15.5cm £1,800­2,000

478

477

λ 484 A hornbill parure, early 20th century and later, comprising: a necklace, a pair of earrings and a brooch, each set with panels of hornbill intricately carved with various Chinese mythological scenes and floral sprays, mounted in gold, brooch 5.8 x 4.6, length of earrings 2.2cm each, post fittings, necklace length 35cm, case £800­1,200

485 A mother of pearl necklace, composed of oval mother of pearl plaques finely carved with Chinese mythological scenes, connected by two lines of chain, mounted in gold, length 39cm £800­1,200

486 A Victorian onyx cameo and half pearl brooch, late 19th century, set with an oval onyx cameo depicting a Bacchante, within a border of half pearls, mounted in gold, length 4.2cm, case £400­600

487 A Victorian hardstone cameo and pearl pendant, late 19th century, set with an oval cameo depicting a woman in a pearl necklace, to a border, bail and fringe of pendants set with half pearls, suspended from a later belcher link gold chain, chain length 46.5cm, stamped 15CT, pendant length 6cm, pearls untested, case £400­700

488 A Victorian cameo demi­parure, comprising a cameo brooch depicting Cupid in hardstone within pierced gold border, folding pendant loop, width 3cm, with a pair of matching cameo earrings of the same design, length 3.2cm £800­1,200

489 A Victorian coral bracelet, the twisted gold clasp suspending a heart­shaped diamond locket on a twisted and plaited coral bead bracelet, length 18cm, with a Victorian coral cameo and gold brooch, within engraved border, length 3.2cm £200­300

λ 490 Carlo Giuliano, a coral and gold brooch, late 19th century, designed in the Archaeological Revival style, set with a coral cameo depicting a cherub, within a border of gold flowers and bead work, 2.4cm diameter, signed C&AG for Carlo and Arthur Giuliano £1,200­1,500

491 A carved opal brooch probably Wilhelm Schmidt, the cameo depicting Amphitrite in boulder opal within scrolling gold border, length 4.7cm, case £600­800

492 A carved opal, enamel, cultured pearl and diamond pendant/brooch, centring on an oval black opal cameo depicting a woman in profile, within a border of circular­cut diamonds, and outer surround of engraved gold applied with blue and black enamel, accented with pearls, length 4.2cm, cameo 2.4 x 1.4cm £400­600

Accompanied by GIA report no.5222922839, Dated May 8 2023, Stating that 2 pearls are Cultured and 2 pearls are Natural, as detailed on the report.

493 A Victorian enamel and seed pearl portrait miniature pendant, mid 19th century, set with an oval enamel portrait of a young boy, within a border of seed pearl, mounted in gold, length 5.2cm including bail, pearls untested, fitted case

£300­400

494 An enamel and amethyst portrait miniature brooch, mid 19th century, set with an oval portrait of a lady in profile, possibly Marie Antoinette, within a border of step­cut amethysts, mounted in gold, length 5.2cm, later brooch fittings, case

£300­500

495 A carnelian seal ring, collet­set with an oval carnelian intaglio carved with a coat of arms, to a plain shank, mounted in gold, size W, intaglio measuring 3.3 x 2.6cm £400­600

496 A gold and bloodstone signet ring, rubover­set with a section of bloodstone carved in intaglio to depict the coat of arms of the Martin family, mounted in gold, size L½

£200­300

497 An unusual Victorian silver and enamel necklace and locket, second half 19th century, the collar composed of two panels with scalloped edges, applied in multicoloured painted enamels with sprays of lilies and forget­me­nots, to a belcher­link back chain, the centre with a jump ring suspending an oval locket pendant enamelled with a spray of narcissus, primrose and cyclamen, necklace length 40.5cm, pendant length 6.3cm, fitted case £1,500­2,000

498 An unusual Art Nouveau silver and gem­set pendant, early 20th century, designed as a standing bird, possibly a shoebill, amongst abstract foliate scrolls intermingled with human faces, set with a step­cut emerald and cushion­shaped rubies, suspending a mask pendant, length 9.5cm, mask pendant possibly later £200­300

499 An Art Deco sapphire and diamond clasp, 1920s, of geometric design, set with radiating rays of rose­cut diamonds, and a line of three circular­cut sapphires, length 2.9cm, French import marks for 18ct gold and platinum £600­800

500 A diamond and sapphire ring, early 20th century, of navette outline, centring on an oval diamond weighing approximately 0.55 carats, to an engraved openwork mount set with two French­cut sapphires, mounted in gold, size H½ £400­600

501 A gold, silver and lapis lazuli brooch, France, 19th century, designed as a silver cherub sat atop a gold bar brooch decorated with a festoon of wildflowers in varicoloured gold, suspending four lapis lazuli bead pendants, length 7.3cm, fitted case £600­800

502 A gold, pearl and diamond slide, Switzerland, early 20th century, of sinuous design, centring on a pearl, accented with rose­cut diamonds, length 6.9cm, Swiss assay mark for 18ct gold, unidentified maker’s mark, case £200­300

503 Child & Child, an unusual enamel caduceus pendant, the green guilloche pendant loop suspends a snake’s rattle with an enamel surmount and green enamel stylised wings in gold, length 6.5cm, fitted Child & Child case £800­1,200

504 Murrle Bennett & Co., an Arts and Crafts hardstone and pearl pendant, early 20th century, set with a pebble in a sinuous gold wire frame, suspending a baroque pearl, to a later gold chain necklace, pendant length 6.5cm, chain length 50cm, pendant signed MBCo, stamped 15CT £600­800

505 An amethyst and seed pearl pendant, early 20th century composite, the pendant composed of a circular­cut amethyst suspending an oval amethyst from two seed pearl chains, set between four circular­cut diamonds in silver collet settings, within a border of half pearls, suspending a further oval amethyst pendant, to a later fine gold chain, necklace length 37cm, pendant length 6.5cm, fitted case £2,500­3,000

506 An Edwardian gold, aquamarine and seed pearl necklace, early 20th century, of negligée design, centring on a circular­cut aquamarine within an openwork wreath of seed pearls in floral settings, suspending two aquamarine and seed pearl pendants, to a gold chain necklace, pendant length 6.1cm, length 37cm

£200­300

507 An Edwardian peridot and seed pearl pendant, early 20th century, of circular outline, centring on a circular­cut peridot, within an openwork gold mount set with seed pearls, length 4.5cm including bail, stamped 15CT £400­600

508 An early 20th century sapphire and diamond bar brooch, set with graduated sapphires within rose­cut diamonds in gold, length 6cm, fitted case

£200­300

509 A Victorian lapis lazuli and pearl brooch, third quarter 19th century, designed as a star, set with lapis lazuli cabochons and half pearls, mounted in yellow gold, 2.5cm diameter, pearls untested £300­400

510 An enamel and diamond brooch, early 20th century, designed as a ribbon bow set with circular­cut diamonds, suspending a heart­shaped locket pendant applied with green guilloché enamel, centring on a cushion­shaped diamond, mounted in silver and gold, measuring 2.4 x 2.3cm, case

£200­300

511 A ruby and diamond brooch, designed as a stylised flower, centring on a cabochon ruby and rose­cut and circular­cut diamonds, mounted in silver and gold, diameter 3cm £600­800

505

506

507

512 An Edwardian gold and pearl necklace, early 20th century, the front suspending a series of floral pendants set with pearls and half­pearls, from disc­shaped links set with half­pearls, to a rope twist back chain, mounted in gold, length 40.5cm, pendant length 1.9cm, stamped 15ct, pearls untested, one pearl deficient, gross weight 20 grams, case stamped Garrard £1,000­1,500

513 An Edwardian seed pearl and tourmaline pendant, circa 1900, of foliate scroll design, set with seed pearls and oval pink and green tourmalines, mounted in gold, to a later gold chain necklace, pendant length 3.4cm, necklace length 41cm, pendant stamped 15 CT, necklace stamped 375, Italian maker’s mark £200­300

514 A gold long guard chain, late 19th century, of foxtail linking, to a sliding link set with carved onyx flowers, and a circular­cut emerald and garnet, length 82cm, gross weight 43 grams £800­1,200

515 A pearl, sapphire and diamond necklace, composed of graduated pearls measuring 2.8­5.6mm diameter, to a clasp set with circular­cut sapphires and brilliant­cut diamonds, length 44cm, pearls untested £300­500 To be sold without reserve

516 An opal and diamond ring, early 20th century, clawset with a sequence of three cabochon opals, spaced by circular­cut diamonds, to a mount of scroll design in yellow gold, size O, partial British hallmark £200­300

517 A lapis lazuli and seed pearl brooch, late 19th century, designed as a bee, set with cabochon lapis lazuli and seed pearls, its eyes accented with cushion­shaped rubies, mounted in gold, wingspan 3.2cm £200­300

518 A George III enamel and seed pearl brooch, late 18th/early 19th century, of elongated outline with cut corners, applied with blue and white enamel and a border of seed pearls, the centre inscribed ‘A VOUS SEULE’ (for you alone), mounted in gold, length 3.3cm, later brooch fitting £150­250

519 A George III onyx and diamond brooch, early 19th century and later, designed as a bow, centring on a polished cabochon of banded onyx, within a surround of rose­cut diamonds, mounted in silver and gold, length 4cm, composite, converted from a clasp, later brooch fitting, case £300­400

520 A Victorian seed pearl and enamel mourning brooch, circa 1893, of heart­shaped outline, the front with a glazed compartment centring on the initial S beneath a Viscount’s coronet, accented with seed pearls, to a ground of blue enamel bordered by white enamel, within a beaded gold frame, the reverse with a glazed compartment containing a lock of hair, surrounded by the dedicatory inscription ‘In memory of James David, Viscount Strathallan, born Sept 23 1839 died Decr 5 1893’, length 2.5cm £1,200­1,500

521 A Stuart crystal mourning pendant, late 17th/early 18th century, the pear­shaped pendant set with a faceted rock crystal over a panel of hairwork, mounted in gold, the back embossed with the initials EG SG, length 4cm, later bail fittings £200­300

To be sold without reserve

522 A garnet and diamond pendant, 19th century, of cross design, set with foil­backed pear­shaped garnets, the reverse set with rose­cut diamonds, mounted in silver and gold, length 4.7cm £600­800

523 A Victorian diamond brooch, late 19th century, centring on a crescent moon and trefoil, to a bar brooch in gold knifewire with a star at each end, set with circular­cut diamonds, length 4.6cm, case £150­250

524 A Victorian pearl and diamond brooch, late 19th century, designed as a curved flowering branch, set with a half pearl and rose­cut diamonds, mounted in silver and gold, length 5.2cm, pearl untested, case £200­300

525 A Victorian ruby, pearl and diamond brooch, circa 1890, designed as a crescent moon set with cushion­shaped rubies and circular­cut diamonds, encircling a pearl, to a bar brooch claw­set to each end with a cushion­shaped ruby, mounted in silver and gold, length 4.7cm, pearl untested £800­1,200

526 A Victorian diamond brooch, late 19th century, designed as a star, set with circular­cut diamonds, mounted in silver and gold, length 3.8cm, detachable brooch fittings, brooch bent £200­300

527 A Scottish hardstone brooch, late 19th century, designed as a cross within a circular frame, set with sections of polished bloodstone and jasper, in an engraved gold mount, diameter 3.3cm £200­300

519

524

521

522

523

528 A paste rivière, 19th century, composed of graduated oval violet pastes in foil­backed gilt settings, length 38cm £200­300

To be sold without reserve

529 A gem­set locket brooch, mid 19th century, set with a radiating arrangement of oval citrines and amethyst around a cabochon garnet, within gilt cannetille borders, the reverse with a small glazed compartment, diameter 2.9cm, fitted case £300­400

530 A gold, garnet and seed pearl bangle, late 19th century, the cuff of hinged construction, the front with three clusters of cabochon garnets and half seed pearls, inner circumference 16.5cm, gross weight 41 grams £600­800

531 A gold and micromosaic bangle, late 19th century, designed in the Archaeological Revival style, the hinged gold bangle with grain and rope twist decoration, applied to the front with a micromosaic frieze depicting swans and doves, inner circumference 17.8cm, case £400­600

532 A loose aquamarine, the step­cut aquamarine weighing 36.00 carats £400­600

533 A diamond pendant, late 18th century, of openwork scrolling design, set with rose­cut and table­cut diamonds, mounted in silver and gold, length 8.5cm £600­800

530

531

532

† 534 A loose group of multicoloured sapphires, including pinks, yellows, blues, in various cuts, 39.66cts

† 535 A loose group of blue sapphire beads, 68.12cts

A loose group of spinels, 37.19cts

A loose group of spinels, 105.56cts

A loose group of spinels, 28.14cts

THE COLLECTION OF THE LATE ROBIN HAMBRO – LOTS 538-586

ALL TO BE SOLD WITHOUT RESERVE

Born Mary Robinson Boyer in Philadelphia in 1939, the daughter of Mr and Mrs Francis Boyer, her father was the Chairman of Smith Kline & French Laboratories, a pharmaceutical company. Educated at Vassar College and Columbia, she moved to New York and married the Chicago industrialist Michael Butler in 1957, a close friend and confidante of John F. Kennedy, and who later produced ‘Hair’ on Broadway. Robin was his second wife (there were to be three) and they lived together in an apartment on 3rd Avenue. Following their divorce a few years later she worked at Christian Dior in New York, handling public relations.

Her apartment was photographed for Vogue in May 1967, and in the accompanying article her skill at assembling and combining works of art was justly lauded. Very beautiful and incredibly glamourous, Robin was photographed by the leading photographers of the day including Horst P. Horst and Norman Parkinson. Robin joined Vogue as a fashion editor in 1968 and after moving to London about a year later she became the London Editor of Vogue. Shortly after, she became engaged to Rupert Hambro of the Hambro banking dynasty, who she later married. The couple set up a home in London curating an ex

tensive collection of furniture, paintings, objects and Robin’s jewellery.

538 A collection of four cultured pearl necklaces, comprising: a five­row cultured pearl necklace with a gold bar clasp, length 31cm; a two­row cultured pearl necklace with a 9ct gold clasp set with a cabochon amethysts and rubies, length 41.5cm, British hallmark; a cultured pearl and leather cord sautoir with a simulant diamond clasp, length 100cm, signed Perle by Lola; and a six­row baroque cultured pearl necklace with a circular 18ct gold clasp set with pear­shaped cabochon amethyst and mixed­cut citrines, length 49.5cm, British hallmark £200­300

539 Three cultured pearl necklaces, comprising: a five­row cultured pearl choker centring on a geometric plaque pavé­set with brilliant­cut diamonds, mounted in white gold, length 31.5cm; a single row necklace of cultured pearls spaced with brilliant­cut diamond rondelles, the centre suspending a square blue topaz over a cultured pearl pendant, length 41.5cm; and a necklace composed of baroque cultured pearls connected by a white gold fine link chain, suspending a similar pendant, length 34cm, pendant length 10cm £200­300

540 A group of six necklaces, comprising: a cord necklace suspending a pendant set with a coin within a border of polished lapis lazuli, the bail set with chevrons of brilliantcut diamonds, mounted in gold, length 34cm, Italian maker’s mark, stamped 750; a bead necklace composed of sodalite beads spaced by gold rondelles, length 42cm, British hallmarks for 18ct gold; a bead necklace composed of lace agate, pink and white hardstone beads and cultured pearls, mounted in gold, length 42.5cm, stamped 750; a cultured pearl, synthetic ruby, simulant diamond and dyed quartz necklace, length 42.5cm; a necklace composed of tumbled emerald beads and cultured pearls, mounted in gold, length 43.5cm; a cultured pearl and lasqué diamond bead necklace, length 43cm; and a fourrow onyx bead choker centring on a stylised white gold ‘A’ motif pavé­set with brilliant­cut diamonds, length 32cm £200­300

541 A collection of jewels including a Cartier travel timepiece, comprising: a mother of pearl, gold and seed pearl dress set, early 20th century, fitted case stamped Asprey; a carved amethyst, emerald, cultured pearl and diamond pendant, mounted in gold, length 5.9cm, signed A C Lunn; a single pendent earring set with sugarloaf pink and green tourmalines suspending a cultured pearl, length 7.9cm, hook fitting; a collection of earring pendants, including pairs of green paste, emerald, emerald and cultured pearl, citrine, blue paste briolettes and lasqué diamonds, earring surmounts deficient; an additional single earring pendant set with pale blue chalcedony and a cultured pearl, earring surmount deficient; two pairs of cross pendants in gold and steel, longest 4.5cm; two single gold earrings; three hinged hoops in gold; a gold bail set with brilliant­cut diamonds; two gold clips, each signed Marina B, numbered C198, stamped 750; a pair of faceted blue topaz and citrine pendants; a gilt metal chain necklace; and a Cartier gilt metal and enamel timepiece, case width 5.3cm, signed Cartier, quartz movement, numbered 357103686, travel pouch stamped Cartier £200­300

542 A group of jewels, comprising: three pairs of earrings, each composed of hardwood, one pair of disc design, set with yellow and colourless pastes, accented with hematite beads, length 6.9cm each, French assay marks for 18ct gold; and two of crescent design, one set with marquise­shaped cubic zirconias, clip fittings; the other set with oval cubic zirconias and amethysts, and cabochon rubies, post fittings, lengths 4.7 and 4.5cm respectively, both with French assay marks for 18ct gold; together with a hardwood brooch designed as a flower, set with a cultured pearl and brilliant­cut diamonds, bordered with seed pearls, 6.3cm, French assay and maker’s marks; and a lucite and gold ‘La Squadra’ collar, inner curve 29.5cm, signed Mancadori La Squadra £200­300

543 Four pairs of earrings, comprising: a pair of cultured pearl drop earrings, suspended from surmounts set with brilliant­cut diamonds of brown and blue tints, length 3.8cm each, diamonds not tested for natural colour origin; a pair of ear clips designed as a hoop of cultured pearls, to foliate surmounts pavé­set with brilliant­cut diamonds, length 4cm each, signed Giovane, stamped 750, Italian maker’s marks; a pair of pendent ear clips set with yellow and grey cultured pearls, brilliant­cut diamonds of brown and colourless tints, and cabochon rubies, mounted in white gold, length 5.4cm each, signed Mimi, drop pendants detachable; and a pair of white gold ear clips, each centring on a line of brilliant­cut diamonds, length 2cm each £200­300

544 A group of gem­set earrings and a pendant, comprising: a pair of earrings designed as fruiting vines composed of disc­shaped non­nucleated cultured pearls surmounted by citrines and brilliant­cut diamonds of brown and colourless tints, mounted in white gold, length 7.7cm each, clip and retractable post fittings, each stamped 750; a pair of drop earrings set with azurmalachite, lapis lazuli, turquoise, demantoid garnet, emerald and diamonds, mounted in gold, length 6.7cm each, clip and retractable post fittings, stamped 750; a pair of cultured pearl drop earrings, longest 3.1cm, post fittings; and an aquamarine and pink tourmaline pendant, mounted in gold, length 7.1cm, stamped 750 £200­300

543

545 Two pairs of cultured pearl and diamond earrings, comprising: one pair of ‘top and drop’ design, composed of flat baroque cultured pearls accented with scrolls of brilliant­cut diamonds, mounted in white gold, length 5.4cm each, clip fittings, stamped 18K 750; and a pair of earrings composed of annular links set with brilliant­cut diamonds, suspending grey cultured pearls, mounted in white gold, length 6.8cm each, clip fittings, stamped 750 £300­400

546 Two pairs of gold earrings, India, comprising: one pair of pendent earrings set with lasqué diamonds and foiled cabochon rubies, mounted in gold applied with multicoloured enamel, length 5.2cm; and a pair of gold earrings of chandelier design, to trefoil surmounts set with lasqué diamonds, the reverse applied with multicolour enamel, length 5.8cm each, post fittings £500­700

546 547 See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

547 Four pairs of earrings, comprising: a pair of earrings composed of citrine briolettes, to a brilliant­cut diamond surmount, length 6.9cm each, post fittings; a pair of studs set with a circular­cut citrine and a circular­cut blue topaz topped with brilliant­cut diamonds of brown and blue tints respectively, length 2cm each, diamonds not tested for natural colour origin; a pair of ear clips, each designed as section of sea urchin in gold, suspending a square non­nucleated cultured pearl, measuring 2.8 x 3.6cm each, stamped 750; and a pair of earrings designed as spiral seashells set with polished white chalcedony and circular­cut sapphires, mounted in white gold, length 3cm each, clip and retractable post fittings, stamped 18K £200­300

548

Lots 538­586 – The Collection of the late Robin Hambro, to be sold without reserve

549 A pair of gold ear clips, each of circular outline, of textured design in gold, diameter 2.1cm, stamped 750, gross weight 17 grams £400­600

550 A gem­set brooch, designed as a bar brooch suspending a detachable drop, set with cabochons of pink and blue tourmalines and peridot, accented with mother of pearl and sections of polished amethyst , mounted in gold, measuring 5.7 x 5.7cm, drop detachable, retractable pendant hoop, signed Kylo, stamped 18K 750 £400­600

551 A pair of gold and amethyst ear clips, each set with a step­cut amethyst within gold rope twist borders, surmounted by a looped knot motif, length 3cm each, clip fittings £300­400

λ 552 An emerald, coral and diamond pendant, composed of a coral bead suspending an emerald drop, capped in gold, accented with brilliant­cut diamonds, length 7.7cm £200­300

553 René Boivin, a cultured pearl and pink tourmaline necklace, composed of seven strands of cultured pearls fastened by an adjustable clasp in blackened gold set with a cabochon pink tourmaline, suspending a loop of cultured pearls threaded through a bicoloured gold hoop, length adjustable, French assay marks for 18ct gold, French maker’s marks Sté RB with snake for René Boivin £400­600

554 A pair of mabé cultured pearl and diamond ear clips, circa 1994, each set with a mabé cultured pearl within an 18ct gold border, set with princess­cut diamonds at the cardinal points, each 2.7cm diameter, clip fittings, British hallmarks £200­300

555 A pair of mabé cultured pearl ear clips, circa 1992, each of pear­shaped outline in 18ct gold, set with a mabé cultured pearl, length 2.5cm, clip fittings, British hallmarks £400­600

556 Elizabeth Gage, a pair of haematite and cultured pearl ear clips, ‘African Queen’, each composed of an oval cabochon haematite within an 18ct gold border with ropetwist decoration, surmounted by a cultured pearl, and suspending three grey cultured pearls in banded settings, length 4cm each, clip fittings, signed Gage, British hallmarks £1,000­2,000

557 A pair of gold ear clips, each designed as a leaf of an arrowleaf plant, length 4.6cm each, clip fittings, each stamped 10K, combined gross weight 34 grams £600­800

558 A gold and citrine brooch, designed as a heart inscribed ‘Fill This Heart With Love’, surmounted by a cabochon citrine, mounted in gold, length 5cm, stamped 750 £300­400

559 A pair of gold and diamond hoop earrings, each designed as a hoop suspending a series of gold heart pendants, two pavé­set with brilliant­cut diamonds, length 5.6cm, post fittings £600­800

560 Pomellato, two charm pendants, set with a pear­shaped cabochon iolite and pink tourmaline respectively, claw­set in gold, to a gold keyring, pendants 3.9cm each, each signed Pomellato, each with Italian maker’s marks, stamped 750, keyring fittings stamped 375, unsigned £400­600

549

550

551

552

553

554

555

556

557

558

559

560

561 A gold, ruby and diamond bar brooch, of fluted design in gold, centring on a line of baguette diamonds, each end capped with a cabochon ruby, length 5cm £200­300

562 A pair of gold and garnet ear clips, each of crescent design in gold, set with a line of cabochon garnets, length 3.5cm, clip fittings, stamped 750, combined gross weight 28 grams £500­700

563 A gold necklace, designed as a series of graduated gold beads, each applied with floral and rope twist decoration, length 40.5cm, gross weight 109 grams £2,500­3,500

564 A pair of gold ear clips, circa 1993, each of circular outline, designed as a crescent moon and star in textured and polished 18ct gold, each 2.3cm diameter, clip fittings, British hallmarks £600­800

565 A glass intaglio, amethyst and garnet pendant/brooch, circa 1992, set with an oval red glass intaglio depicting a figure, possibly Apollo, within an 18ct gold border set with step­cut amethysts and garnets, length 6cm, British hallmarks £400­600

566 A glass intaglio, gold and tourmaline pendant, circa 1992, of circular outline, centring on a blue glass intaglio within an 18ct gold mount set with step­cut green tourmalines, length 5.7cm, British hallmark for 18ct gold £200­300

567 A sapphire and diamond brooch, designed as a star, pavé­set with circular­cut sapphires, the edges accented with brilliant­cut diamonds, mounted in white gold, length 4.9cm £200­300

568 A tsavorite, peridot and diamond brooch, designed as a star, pavé­set with circular­cut tsavorite garnets and peridots, the edges accented with brilliant­cut diamonds, mounted in white gold, length 4.3cm £200­300

569 A pair of rock crystal and diamond ear clips, of quatrefoil design in polished rock crystal, set with brilliantcut diamonds, mounted in white gold, length 2.9cm each £200­300

570 A pair of gold and mabé cultured pearl earrings, each of quatrefoil design, decorated with gold bead work and centring on a mabé cultured pearl, each 3.5cm diameter, clip and post fittings, British hallmarks for 18ct gold, maker’s mark RH, combined gross weight 45 grams £600­800

571 A pair of brown diamond and diamond ear clips, each designed as a leaf, pavé­set with brilliant­cut diamonds of brown and colourless tints, mounted in white gold, length 2.8cm each, stamped 750 £200­300

572 A pair of cultured pearl, sapphire and brown diamond earrings, each of floral design, centring on a cultured pearl of grey tint, the petals pavé­set with circular­cut sapphires and brilliant­cut diamonds of brown tint, mounted in blackened gold, length 3.7cm each, clip and retractable post fittings, stamped 750 18K £400­600

573 Elizabeth Gage, a gold zodiac pendant, circa 1980, of square outline in textured gold, depicting a goat signifying Capricorn, with a retractable double hook pendant fitting, measuring 4.1 x 4.0cm, signed Gage, British hallmark for 14ct gold, date letter for 1980, gross weight 43 grams

£1,000­2,000

574 A gold collar, the tapered gold collar decorated to the front with a line of graduated lozenges and domes, inner curve 31.5cm, signed Yves, stamped 750, gross weight 83 grams

£1,500­2,000

575 A gold bracelet, composed of hinged gold links, length 20.5cm, stamped 750, signed Cetas, gross weight 41 grams

£1,000­2,000

576 A gold locket pendant and chain, the plain circular gold locket opening to reveal two glazed photo compartments, to a gold longchain necklace, pendant length 4cm including bail, stamped 18CT to interior, chain length 150cm, stamped 18CT, combined gross weight 47 grams

£800­1,200

577 A pair of gold and diamond earrings, each composed of two spiderweb motifs, accented with brilliant­cut diamonds, connected by double hoop links, mounted in 18ct gold, length 8.1cm each, clip and post fittings, British hallmarks, combined gross weight 42 grams £800­1,200

578 Verdura, a gold and diamond ‘Zodiac’ pendant, the gold disc pendant depicting the winged centaur of the sign Sagittarius, its constellation picked out in brilliant­cut­diamonds, length 3.8cm, signed Verdura, stamped 750 £500­700

579 A pair of gold and mabé cultured pearl earrings, each of quatrefoil design, decorated with gold bead work and centring on a mabé cultured pearl, each 3.5cm diameter, clip and post fittings, combined gross weight 36 grams £600­800

580 A gold and steel bangle, of flexible design, composed of modular gold links threaded onto a steel core, inner curves 13.7cm, stamped 750 £1,500­2,000

581 A gold collar, circa 1993, of torque design in 18ct gold, with a concealed pendant hook, inner curve 31cm, British hallmark, sponsor’s mark RH, gross weight 67 grams £1,500­2,000

582 A pair of gold ear clips, each of crescent design in gold, length 3.4cm each, clip fittings, stamped 750 £500­700

583 A pair of diamond earrings, each designed as a sunflower in gold, set with brilliant­cut diamonds, diameter 1.5cm each, stamped 18K, clip and post fittings £400­600

584 A gold bracelet, of flexible coiled design, composed of gold links enclosing steel core, British hallmarks for 18ct gold, gross weight 80 grams £1,000­1,500

585 Theo Fennell, a pair of gold, enamel and tanzanite earrings, circa 1994, each of circular outline, centring on a circular­cut tanzanite, within a gold border applied with sections of black enamel, diameter 2.5cm, clip and post fittings, signed Fennell, British hallmarks for 18ct gold, sponsor’s mark TF £500­700

586 Chaumet, a gold and diamond ring, set with princess­cut diamond, to a wide bombé gold band, size N, signed Chaumet, numbered 102652, French assay mark for 18ct gold, French maker’s mark £200­300

587 An orangey­pink sapphire and diamond ring, of cluster design, set with an oval cushion shaped orangeypink sapphire, within a border of marquise­shaped and tapered baguette diamonds, mounted in platinum, size H, stamped 2.16 £1,000­1,500

588 An opal and diamond cluster ring, designed as a cabochon opal set within a surround of brilliant­cut diamonds, mounted in gold, size S £300­400

589 A ruby and diamond ring, of cluster design, set with an oval ruby within a surround of diamonds, mounted in platinum and 18ct yellow gold, size I, British hallmarks for London, 2000, the shank with a hinge so it can be opened £600­800

590 A pink tourmaline and diamond ring, of cluster design, set with an oval pink tourmaline weighing approximately 1.80 carats, within a border of brilliant­cut diamonds totalling approximately 0.60 carats, mounted in platinum, size N, stamped PLAT £900­1,200

591 A ruby and diamond ring, early 20th century, set with a vertical line of oval rubies, to an openwork mount set with rose­cut diamonds, mounted in gold and platinum, size O, stamped 18CT PLAT £2,500­3,000

Accompanied by The Gem & Pearl Laboratory report no.22406, Dated November 18th 2022, stating that the oval/rectangular/cushion­cut Rubies are of Burmese origin with no evidence of heat treatment.

592 A diamond ring, set with three brilliant­cut diamonds, within an asymmetrical border set with smaller brilliantcut diamonds, mounted in white gold, size I½ £300­500

593 A sapphire and diamond ring, set with a pear­shaped diamond weighing approximately 0.50 carats to a gold mount pavé­set with brilliant­cut diamonds and channel­set with calibré­cut sapphires, size K½ £1,000­1,500

594 A gold and micromosaic ring, mid 19th century, centring on a micromosaic depicting a fly, to an openwork gold cannetille mount, size M½ £200­300

595 An Art Deco diamond ring, first half 20th century, set with an antique marquise­shaped diamond weighing approximately 0.70 carats, between geometric shoulders set with baguette diamonds, mounted in platinum, size N½ £600­800

596 A star ruby ring, claw­set with a cabochon star ruby measuring 14.8 x 13.9 x 10.7mm, mounted in gold, size K½, stamped 14K 585 £400­600

597 A diamond and synthetic ruby ring, early 20th century, of ‘toi et moi’ design, set with a circular­cut diamond and a circular­cut synthetic ruby, to a platinum band set with smaller circular­cut diamonds, size N £300­400

598 An Art Deco diamond eternity ring, France, 1920s, of openwork construction, collet­set with circular­cut diamonds, spaced by a double row of smaller single­cut and rose­cut diamonds, in millegrained borders, size L½, French assay mark for 18ct gold, case £400­600

599 An aquamarine and diamond ring, of geometric design, set with a step­cut aquamarine weighing approximately 0.60 carats, within a border of brilliant­cut diamonds, mounted in platinum, size N, stamped PLAT £600­800

600 An emerald and diamond ring, of cluster design, set with a step­cut emerald weighing approximately 1.35 carats, within a border of brilliant­cut diamonds totalling approximately 1.10 carats, mounted in gold, size Q

£1,500­2,000

601 A sapphire and diamond ring, centring on a brilliant­cut diamond weighing approximately 0.40 carats, to a mount channel­set with a line of calibré­cut sapphires, mounted in gold, size O½ £400­600

602 A sapphire ring, set with three cushion­shaped blue and yellow sapphires totalling approximately 4.50 carats, mounted in gold, size R½ £800­1,200

603 A sapphire and diamond ring, of cluster design, centring on a step­cut teal sapphire, within a border of brilliant­cut diamonds, mounted in white gold and platinum, size N, stamped 18CT PLAT, case £400­600

604 A tanzanite and diamond ring, claw­set with an oval tanzanite weighing 2.70 carats, between brilliant­cut diamonds totalling approximately 0.60 carats, mounted in platinum, size N½ £1,300­1,500

605 A diamond solitaire ring, set with a brilliant­cut diamond weighing approximately 0.60 carats, mounted in gold, size M, stamped 18CT PT, numbered 1188 £300­500

606 Rolex, a lady's gold and diamond wristwatch, 'Oyster Perpetual Datejust', ref. 69178, the circular gold dial with single­cut diamond indicators, within a brilliant­cut diamond bezel, to an 18ct gold case and integrated bracelet with deployant clasp, case width 2.5cm, model ref. 69178, automatic movement, dial and bracelet signed Rolex, bracelet with Swiss assay mark for 18ct gold, pouch stamped Rolex

£3,000­5,000

607 Rolex, a lady’s stainless steel wristwatch, ‘Oyster Perpetual’, ref 67193, circa 1991, the brushed gilt dial with baton indicators, to a bicoloured stainless steel bezel and link bracelet, case width 2.9cm, model no 67193, case no. L578264, dial and clasp signed Rolex, original box and papers

£1,000­1,500

608 Piaget, a lady’s gold wristwatch, signed gold dial with baton numerals, manual movement, case numbered 9821 811 and 129570, on 18ct gold mesh bracelet, length 14cm, Piaget box

£1,000 ­2,000

609 Piaget, a lady’s gold watch, the rectangular brushed metal dial with gold hands, to a case and bracelet of geometric design, dial 1.0 x 1.3cm, bracelet length 17cm, quartz movement, dial signed Piaget, winder deficient, Swiss assay marks for 18ct gold, case back numbered 15217K81 481731, case stamped Piaget £1,500­2,000

610 Rolex, a gentleman’s stainless steel wristwatch, ‘Explorer Mark 1’, ref 14270, circa 1992, the black dial with baton indicators, and numerals at 3, 9 and 6, to a stainless steel bezel and link bracelet, case width 35cm, model no 14270, case no. N440254, dial and clasp signed Rolex, original box and papers

£2,000­3,000

611 Rolex, a gentleman’s gold wristwatch, ‘Oyster Perpetual Superlative Chronometer’, ref 1011, circa 1965, the silvered dial with gold baton indicators and Rolex crown at 12, within a gold bezel to a later fabric strap, case width 3.2cm, dial signed Rolex, case stamped 14K, model no. 1011, case no. 933490, original papers

£1,500­2,000

612 Omega, a white gold and diamond wristwatch, ref. 1365, of square outline with rounded corners, the bezel set with single­cut diamonds, mounted in white gold, to a leather strap, case width 3cm, quartz movement, signed Omega, numbered 291 9206 Z, Swiss assay marks for 18ct gold, case stamped Omega, instruction manual £400­600

613 Omega, a lady's gold and diamond wristwatch, 'De Ville', the circular brushed gold dial with baton indicators and gold hands, within a bezel set with brilliant­cut diamonds, to an integrated brick link gold bracelet, case width 2.2cm, bracelet length 18cm, quartz movement, dial and case back interior signed Omega, numbered 56656849, case back interior numbered 795 1111 and 895 1111, stamped with Swiss assay marks for 18ct gold, bracelet with Italian maker's marks £800­1,200

614 Cartier, a lady's gold wristwatch, 'Mini Panthère' ref. 1130, the square dial in cream enamel with black Roman numeral indicators and blued steel hands, to a gold case and integrated bracelet with double deployant clasp, inner circumference 16.2cm, case width 1.7cm, quartz movement dial signed Cartier, secret signature at X, case back signed Cartier, numbered 1130 1, C29370, Swiss assay marks for 18ct gold and maker's mark for Cartier, clasp signed Cartier, key for hand adjustment

£4,000­6,000

615 Cartier, a lady's gold wristwatch, 'Panthère Vendôme', the round dial with black enamel Roman numeral indicators and date wheel, to a gold bezel with synthetic sapphire winder, and integrated gold brick link bracelet with double deployant clasp, case width 2.9cm, bracelet length 15cm, signed Cartier, additional Cartier signature at VII, Swiss assay marks for 18ct gold

£3,000­4,000

616 Ebel, a lady's gold wristwatch, '1911', ref. 888901, the circular cream dial with Roman numeral indicators and date wheel, within a gold bezel decorated with screw heads, to an integrated gold link bracelet, case width 2.6cm, bracelet length 15cm, quartz movement, signed Ebel 1911, numbered 88901 and 72100067, Swiss assay marks for 18ct gold

£2,000­3,000

617 Girard Perregaux, a lady’s diamond cocktail watch, mid 20th century, the circular silvered dial with baton indicators, within a border of single­cut diamonds, to a bracelet composed of foliate motifs set with single­cut and baguette diamonds, mounted in white gold, case width 1.5cm, bracelet length 14cm, dial and case back interior signed Girard Perregaux, bracelet stamped 14K, case back interior with Swiss assay marks for 18ct gold, manual winding movement £200­300

618 Patek Phillippe, a very rare lady’s platinum, sapphire and diamond wristwatch, ref. 3447, circa 1960, the circular plain cream enamel dial with platinum hands, within a bezel set with channel­set with tapered baguette diamonds and carré­cut sapphires, to an integrated platinum bracelet, the shoulders set with baguette diamonds, case width 2.3cm bracelet length 16.5cm, dial, case back interior and manual winding movement signed Patek Philippe, case back with Swiss assay marks for platinum, numbered 3447/1 and 311314, case interior stamped 314, clasp stamped M and PT950 £6,000­8,000

Cf.: another example of this rare model, sold at Christie’s Geneva, 15th November 2004, lot 53

619 Cartier, a lady’s white gold and diamond wristwatch, ‘Tank Française’, ref. 2365, the square dial with Roman numeral indicators and blued steel hands, to a case set with lines of brilliant­cut diamonds and an inverted brilliantcut diamond winder, to an integrated white gold link bracelet with double deployant clasp, case width 2cm, quartz movement signed Cartier, secret Cartier signature on dial at X, numbered 2365 and MG270952, Swiss assay mark for 18ct gold, sponsor’s mark for Cartier, pouch stamped Cartier £3,500­4,500

620 A ruby and diamond watch, mid 20th century, of padlock design, set with circular­cut diamonds, the central panel of calibré­cut rubies opening to reveal a square silvered dial with black enamel indicators and blued steel hands, to a brick link strap, mounted in platinum and white gold, case width 2.2cm, bracelet length 17cm, manual winding movement £4,000­5,000

621 Longines, a lady’s gold wristwatch, signed mother of pearl dial with Roman and dot hour markers, diamondset bezel to 18ct white gold case, case numbered 30490708, on flexible gold bracelet, case width 1.8cm £400­600

622 Cartier, a lady’s stainless steel watch, ‘Panthère Ruban’, ref. 2420, the square mother of pearl dial to a stainless steel bezel and integrated brick­link bracelet with a double deployant clasp, case width 2.1cm, bracelet length 16.5cm, quartz movement, signed Cartier, numbered 2420 and 76732 PB £600­800

623 Cartier, a Belle Époque enamel and diamond pendant watch, circa 1900, the circular engined turned dial with black enamel indicators and blued steel hands, within a border of violet guilloché and dotted white enamel, the reverse similarly in violet guilloché enamel, centring on a floral motif in platinum set with rose­cut diamonds, to a platinum suspension loop set with rose­cut diamonds, to a later fine link chain, watch signed Cartier to dial and movement, case back interior numbered 2902, 3320 and 1842, stamped with French import assay marks for 18ct gold, length 3.7cm including suspension, manual winding movement, chain length 58cm £4,000­6,000

624 An early 20th century square form 18ct gold stem wind pocket watch, guilloché dial, black Arabic numerals and subsidiary seconds dial, 4.8cm wide, London import hallmarks £600­800

From the estate of the late Jean Louis Chameroy.

To be sold without reserve

625 Cartier, an Art Deco agate, sapphire and enamel desk timepiece, circa 1920, the silvered dial of guilloché design, with black enamel Roman numeral indicators and openwork gold hands, within a bezel applied with light blue enamel with foliate motifs in reserve, to an agate frame of square outline with inverted corners, accented to each corner with a cabochon sapphire, the reverse with a gilt metal strut, dial 4.1cm diameter, frame 7.3 x 7.4cm, dial signed Cartier, back signed Cartier NY and EW&C Co. Inc France, numbered 399 £4,000­6,000

626 Cartier, a white gold fob watch, mid 20th century, the square white dial with black Roman numeral indicators and blue steel hands, within a plain square case, to a triangular suspension hoop, length 5.2cm including suspension hoop, manual winding movement, dial signed Cartier, movement signed European Clock and Watch Co., interior of case with French assay mark for 18ct gold, maker's mark EJ with hour glass for Jaeger, numbered 10253, 3743 and 4517, case back interior numbered 5253 and 3743, later case stamped Cartier £4,000­6,000

627 An 18th Century three colour gold open faced repeating pocket watch, the white enamel dial with black Roman numerals and Arabic minutes, laurel border and radiating pattern from the central mask to the reverse, plunge repetition, 4.5cm wide £600­800

From the estate of the late Jean Louis Chameroy.

To be sold without reserve

628 An early 20th Century three colour gold, stem wind, dress pocket watch, the reduced dial with black Arabic numerals on discs, subsidiary seconds dial, with plain and reeded ilistrations and fine engraving to the reverse, dated 1915 £400­600

From the estate of the late Jean Louis Chameroy.

To be sold without reserve

623

624

625 626

627

628

629 Boucheron, a rare enamel, ruby and diamond desk timepiece, early 20th century, the circular white enamel dial inscribed ‘8 Jours’, with black enamel indicators and gold hands, within a border of rose­cut diamonds to a gilt silver case designed in the Rococo revival style on four cabriole legs, applied to the front and sides with pink guilloché enamel, accented by floral motifs set with cabochon rubies, measuring 8.5 x 5.6 x 2.4cm, reverse signed Boucheron, French sponsor’s mark LK with cockerel, French assay marks for silver, stamped 900, gilt metal winding key, original fitted case stamped Boucheron £1,500­2,000

£3,500­4,000

630 A gold and synthetic ruby cigarette case, mid 20th century, the exterior engraved with brick motifs, the push piece and lid set at each edge with lines of calibré­cut rubies, opening to reveal a plain interior, measuring 8.1 x 5.5 x 1.1cm, gross weight 105 grams

631 Fabergé, a nephrite and gold bell push, workmaster Henrik Wigström, late 19th century, composed of polished green nephrite, the circular foot tapering up into a domed button, trimmed in gold with a fringe of acanthus leaf motifs, the foot with a gold band of laurel leaves, supported on three fluted circular feet, the base issuing a wire, measuring 6.1 x 6.1 x 4.5cm, signed Fabergé, Russian assay mark, workmaster’s stamp HW, scratched inventory number 14197

£3,000­5,000

632 An amethyst, emerald and diamond scent bottle, late 19th/early 20th century, the twisted cylindrical glass bottle mounted in textured gold of foliate design with a hinged lid, set with a cabochon amethyst, circular­cut diamonds and step­cut emeralds, length 8.8cm £800­1,200

633 Ernesto Pierret, a silver and gold stick pin, circa 1862, the gold stick pin capped with a three­dimensional figure of a young man in blackened silver, within a beaded gold frame in the Etruscan Revival style, length 8.4cm, signed Pierret, engraved 'Frank from Mary, Xmas 1862' £750­850

634 A gold, enamel and diamond snuff box, of oval outline, centring on the cipher of Tsar Nicholas II, set with rosecut diamonds, within a border of larger rose­cut diamonds and surmounted by a crown set with cabochon rubies, to a ground of radiating pale and deep blue guilloché enamel, the box sides with deep blue guilloché enamel, the juncture between box and lid lined with a border of laurel leaves in gold, centring on a cabochon ruby within scrolled borders of rose­cut diamonds, opening to reveal a plain gold interior, measuring 6.2 x 5.1 x 3cm, spurious marks for Fabergé and Henrik Wigström, gross weight 141 grams, fitted wooden case with spurious Fabergé stamp £3,000­5,000

635 A fine ruby, sapphire, enamel and diamond regimental brooch, circa 1930, designed as the insignia of the 9th Lancers Regiment, set with calibré­cut rubies and circular­ and rose­cut diamonds, the ribbon and crown accented with blue and red basse taille enamel respectively, mounted in platinum and gold, measuring 4.4 x 4.8cm, case stamped James R Ogden £3,000­5,000

636 Fabergé, a gold, sapphire and ruby ‘samorodok’ brooch, circa 1915, of circular outline in textured samorodok gold, set with a cabochon sapphire and ruby, diameter 2.6cm, signed Fabergé, workmaster’s mark for Alexander Wakeva, fitted case stamped Fabergé £800­1,200

637 A moonstone and diamond pendant, Russia, circa 1900, designed as an egg in polished moonstone, set with a line of rose­cut diamonds, mounted in silver and gold, length 2.4cm including bail, bail stamped with Russian 56 zolotnik assay mark and indistinct maker’s mark

£4,000­6,000

638 Tiffany & Co., a pair of gold cufflinks, each of rectangular outline engraved with a sunburst motif, to rotating back fittings, in gold, fronts measuring 1.3 x 1.7cm, each signed Tiffany & Co

£800­1,200

639 Tiffany & Co., a pair of gold cufflinks, circa 1900, each end of oval outline, with a design of putti dancing among flowing ribbons, each end 1.5 x 1.9cm, each signed Tiffany & Co

£600­800

640 Cartier, a diamond and ceramic dress set, 1920s, comprising: a pair of cufflinks, two collar studs and three buttons, each composed of a disc of white biscuit porcelain within a millegrained border of rose­cut diamonds, the collar studs with circular­cut and cushion­shaped diamonds, mounted in gold and platinum, diameters 0.9-1.3cm, cufflinks and shirt studs signed Cartier, cufflinks numbered 01239, French assay marks and maker’s mark HD with rose for Henri Droguet, shirt studs numbered 0204, collar studs unsigned, one possibly a replacement, fitted case stamped Cartier £2,000­3,000

641 Carlo Giuliano, a lapis lazuli, pink tourmaline and enamel pendent brooch, late 19th century, the surmount modelled as a bow applied with red, white and pink enamel, suspending a freeform bead of pink tourmaline, to a Chinese openwork carving in lapis lazuli of a bird alighting on a fruiting branch of peaches, mounted in gold, length 8.8cm, bow brooch and hoop with maker’s mark for Carlo & Arthur Giuliano, fitted case stamped Giuliano. £5,000­7,000

642 A rock crystal intaglio fob seal, 19th century, set with an oval rock crystal intaglio depicting a man in profile, possibly Hercules, mounted in gilt silver, length 2.6cm £400­600

643 A pair of gold and enamel cufflinks, each designed as a lady in a Harlequin mask in black enamel, within an oval border of white enamel, to tapered bar links at the reverse, front links measuring 1.8 x 1.5cm, French assay marks for 18ct gold £400­600

644 A cultured pearl, enamel and diamond demi­parure, India, comprising: a necklace, composed of links set with lasqué­cut diamonds in foiled settings applied with green and white enamel, suspending a diamond and cultured pearl pendant accented with red enamel, to a gold back chain, length 45cm, adjustable; and a pair of pendent earrings of similar design, the articulated links suspending chains, designed to loop around the ear, length 6.5cm each excluding chain

£2,000­3,000

λ 645 A gem­set and diamond ‘Navaratna’ parure, comprising: a necklace, set with various gemstones, centring on nine pendants of pearl, hessonite garnet, turquoise, emerald, ruby, sapphire, cat’s eye chrysoberyl, yellow sapphire and coral representing the nine planets in the Indian tradition, among step­cut synthetic rubies, brilliant­cut diamonds and rock crystal, to a back chain, length 40cm; a pair of drop earrings, length 5.6cm each, screw fittings; and a ring of similar design, size J, fitted case

£3,000­5,000

646 A pair of diamond earrings, each set with a circular­cut diamond weighing 2.60 and 2.68 carats respectively, within blackened collet settings, length 1.9cm, hook fittings

£5,000­7,000

647 An amethyst and demantoid garnet ring, late 19th century, of cluster design, set with an oval amethyst within a border of circular­cut demantoid garnets, mounted in gold, size O £400­600

648 An unusual gold and sapphire ring, 19th century, set with a cabochon sapphire, within a gold mount elaborately decorated with floral scrolls, and beaded decoration, the shoulders decorated with birds, size M

£2,000­3,000

649 A sapphire and diamond ring, of cluster design, claw­set with an oval sapphire weighing 9.28 carats, within a border of brilliant­cut diamonds, size O, indistinct French import assay marks for 18ct gold and platinum

£8,000­12,000

Accompanied by a facsimile of LFG Paris report no.385423, dated April 11th 2021, stating that the oval­cut Sapphire is of Sri Lankan (Ceylon) origin, weighing 9.28 carats with no indications of heat treatment.

650 An unusual gold, jadeite and diamond ring, mid 20th century, finely modelled as two Chinese dragons in gold, their eyes set with single­cut diamonds, their mouths each holding a jadeite bead, size Q½, stamped 18K, Chinese maker’s mark Tian He £800­1,200

651 A diamond eternity ring, channel­set with a continuous line of brilliant­cut diamonds, totalling approximately 1.50 carats, mounted in platinum, size M½ £300­400

652 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 1.80 carats, mounted in platinum, size M, British hallmarks £900­1,200

653 A diamond bangle, of hinged design, set with a continuous wreath of pear­shaped diamonds, totalling approximately 6.00 carats, mounted in gold, inner circumference 18.3cm £1,200­1,500

654 A fancy coloured diamond and diamond ring, early 20th century, of cluster design, set with cushion­shaped diamonds of light blue, pinkish brown and greenish yellow and colourless tints, mounted in gold, size Q £2,500­3,000

655 A sapphire and diamond ring, collet­set with a rectangular cushion­shaped diamond weighing approximately 10.00 carats, within a border of circular­cut and cushion­shaped diamonds, mounted in white gold, size M, stamped 18CT £4,000­5,000

656 A gold and diamond ring, set with a brilliant­cut diamond weighing approximately 0.35 carats, to a gold band composed of woven gold wire, size M½, maker’s mark JT, European Convention assay marks for 18ct gold £400­600

657 A diamond bracelet, designed as a line of graduated brilliant­cut diamonds totalling approximately 9.40 carats, in millegrained white gold collet settings, length 18.2cm, stamped 750 £4,000­6,000

Accompanied by WGI report no. 9624140805, Dated October 25th 2022, stating that the brilliant­cut diamonds have a combined total weight of 9.40 carats, colour H­I, clarity VS1­VS2.

658 A gold, hardstone and diamond bracelet, Austria, mid 20th century, designed as a series of gold panels with flowers in repoussé, centring on giardinetti set with carved flowers of lapis lazuli, carnelian and turquoise, accented with rose­cut diamonds, spaced by buff­topped calibré­cut green chalcedony, length 18.5cm, Austrian export mark for 14ct gold

£2,000­3,000

659 A diamond eternity ring, set with a continuous band of step­cut diamonds totalling approximately 5.00 carats, mounted in platinum, size M½, stamped PT950 £5,000­7,000

660 A ruby and diamond cluster ring, the oval ruby set within concentric surrounds of round brilliant­cut diamonds in white gold, size K £1,000­2,000

661 A ruby and diamond ring, designed in the Art Deco style of hexagonal outline, set with a hexagonal diamond within concentric borders of French­cut diamonds and calibré­cut rubies, size L½, French import assay mark for platinum £6,000­8,000

662 A ruby and diamond ring, of bombé design, set with alternating rows of oval rubies and brilliant­cut diamonds, mounted in white gold, size N £800­1,200

663 An emerald and diamond eternity ring, set with a continuous band of brilliant­cut diamonds and circular­cut emeralds in alternation, the diamonds totalling approximately 2.00 carats, mounted in white gold, size M½, stamped 18K £1,800­2,000

664 A ruby and diamond ring, of cluster design, claw­set with an oval ruby weighing approximately 0.80 carats, within a border of brilliant­cut diamonds, mounted in white gold, size L½, stamped 585, case £400­600

665 An emerald and diamond cluster pendant, the emerald­cut emerald set within a surround of old circular­cut diamonds in gold, length 2.6cm £2,000­3,000

666 A diamond solitaire ring, claw­set with a pear­shaped diamond weighing approximately 0.80 carats, mounted in white gold, size H½, stamped JMC £400­600

667 A diamond ring, of cluster design, set with a floral arrangement of circular­cut diamonds totalling approximately 1.10 carats, in millegrain borders, mounted in platinum, size K, case stamped Ogden £600­800

668 A diamond ring, 1960s, of cluster design, set with a marquise­shaped diamond of light yellow tint weighing approximately 2.30 carats, within a ‘ballerina’­style border of tapered baguette diamonds, mounted in platinum, size L½ (sizing beads), stamped PLAT £3,000­5,000

669 A ruby and diamond ring, of cluster design, set with an oval ruby weighing approximately 2.20 carats, within a border of brilliantcut diamonds totalling approximately 1.20 carats, mounted in platinum, size N½, stamped PLAT £1,500­2,000

670 A diamond full­circle eternity ring, set with round brilliant­cut diamonds in white gold, total approximate diamond weight 3.00cts, size R £1,000­1,500

671 A pair of diamond earrings, each designed as a navette­shaped openwork plaque, set with brilliant­cut diamonds, length 2.7cm each, clip and post fittings, stamped 750 £400­600

672 Larry, a diamond rivière necklace, designed as a line of brilliant­cut diamonds totalling approximately 10.00­11.00 carats, in hexagonal settings, mounted in platinum, length 39.5cm, signed Larry, stamped PT950 £5,000­7,000

673 A diamond ring, mid 20th century, claw­set with a circular­cut diamond weighing approximately 1.00 carat, within a surround of millegrain­set single­cut, marquise­shaped and baguette diamonds, mounted in platinum, size M½ £600­800

674 Bachet, a diamond eternity ring, set with a continuous band of brilliant­cut diamonds totalling approximately 1.40 carats, mounted in white gold, size N, signed Bachet, French assay mark for 18ct white gold and French maker’s mark £600­800

675 A pair of tanzanite and diamond earrings, each composed of a brilliant­cut diamond suspending an oval tanzanite, the tanzanites totalling approximately 6.00 carats, mounted in white gold, length 1.6cm each, post fittings £2,300­2,800

676 A pair of citrine, amethyst and diamond ear clips, each designed as a butterfly, their wings set with mixed­cut amethyst and citrine, outlined with brilliant­cut diamonds, their eyes set with small rubies, mounted in gold, wingspan 1.8cm each £500­700

677 A diamond bracelet, designed as an articulated strap, set with four rows of round brilliant­cut diamonds totalling approximately 14.00 carats, set in white gold, length 18cm £4,000­5,000

678 A diamond strap bracelet, of geometric design, set with baguette­shaped and circular­cut diamonds in 18ct white gold, maker’s mark LG and London hallmarks for 2003, length 17.8cm

£2,600­2,800

679 A sapphire and diamond line bracelet, designed as an articulated line of square step­cut sapphires spaced by brilliant­cut diamonds, mounted in gold, length 18.5cm £500­700

680 A pair of tsavorite garnet and sapphire ear clips, each composed of a pear­shaped tsavorite garnet suspending a circular­cut sapphire, in spiked ‘Sputnik’­style settings in white gold, length 2.7cm each

£1,000­1,500

681 A pair of diamond earrings, each set with a pear­shaped diamond weighing approximately 0.70 carats, within a border of brilliantcut diamonds, mounted in white gold, length 2.5cm, hook fittings

£2,000­3,000

682 A pair of sapphire and diamond earrings, each of cluster design, set with a step­cut sapphire weighing approximately 2.10 carats and 2.20 carats respectively, within borders of circular­cut diamonds totalling approximately 4.00 carats, mounted in white gold, length 1.8cm each, clip and retractable post fittings, stamped 750

£3,500­4,500

683 Chopard, a gold necklace, ‘Casmir’, the articulated collar composed of paisley linking in polished white gold, length 37cm, signed Chopard, numbered 9253218, stamped 750, gross weight 163 grams

£6,000­8,000

684 An aquamarine and diamond necklace, the front composed of collet­set brilliant­cut diamond links suspending a detachable briolette aquamarine pendant, to a plain back chain, mounted in platinum, necklace length 43cm (adjustable)

£2,000­3,000

685 A pair of aquamarine and diamond earrings, each composed of a collet­set brilliant­cut diamond suspending a briolette aquamarine drop, mounted in platinum, length 2.4cm each, case

£1,500­2,000

686 An emerald and diamond ring, of cluster design, collet­set with a step­cut emerald weighing approximately 6.00 carats, within a border of brilliant­cut diamonds totalling approximately 1.90 carats, mounted in platinum, size Q½

£4,000­6,000

687 A sapphire and diamond ring, set with a cushion­shaped sapphire weighing approximately 9.00 carats, between brilliant­cut diamonds, to shoulders of coiled wire, mounted in silver, size O

£2,000­3,000

688 An aquamarine ring, claw­set with a step­cut aquamarine weighing approximately 11.00 carats, to a plain platinum shank, size N, British hallmark for platinum, case £800­1,200

689 An emerald and diamond cocktail ring, designed as an openwork cluster of rectangular outline, centring on a claw­set sugarloaf cabochon emerald, within a border of brilliant­cut diamonds, mounted in white gold, size K½, case stamped Garrard & Co.

£3,000­4,000

690 An aquamarine and diamond ring, collet­set with a cushion­shaped aquamarine weighing approximately 9.00 carats, within a border of circular­cut diamonds, mounted in platinum, size R½ £1,500­2,000

691 A pair of synthetic sapphire and diamond earrings, early 20th century composite, each designed as a line of circular­cut diamond links suspending a scissor­cut synthetic sapphire within a border of single­cut diamonds, mounted in white gold, length 2.9cm, later post fittings £800­1,200

692 A sapphire and diamond ring, early 20th century, claw­set with a step­cut sapphire weighing approximately 4.00 carats, to an openwork platinum mount set with circular­cut and rose­cut diamonds, size K, sizing beads £2,000­3,000

693 An aquamarine solitaire ring, claw­set with a step­cut aquamarine weighing approximately 12.00 carats, mounted in white gold, size P½, stamped 18K, maker’s mark £800­1,200

694 A sapphire and diamond three stone ring, the step­cut sapphire flanked with diamonds in platinum and yellow gold, size J £3,000­5,000

695 A sapphire and diamond ring, claw­set with a cushion­shaped sapphire, within a border of oval and tapered baguette diamonds, size L½, stamped 750 £300­500

696 A pair of diamond ear clips, each of cluster design, set with brilliant­cut diamonds, within beaded gold borders, the diamonds totalling approximately 2.00 carats, diameter 2.1cm each £2,500­4,000

697 A mother of pearl and diamond necklace, composed of graduated discs of mother of pearl, accented by collet­set brilliant­cut diamonds, mounted in gold, to a bar clasp, length 64cm £1,200­1,500

698 A jade and diamond cluster ring, the oval jadeite cabochon within twisted surround set with circular and baguette­shaped diamonds in yellow gold, with inner re-sizing band, size K £2,000­3,000

699 A sapphire and diamond ring, of cut­cornered rectangular outline, collet­set with an oval sapphire within a border of brilliant­cut diamonds, mounted in white gold, size N½ £300­500

700 A ruby, emerald and diamond ring, designed as a big cat, pavé­set with brilliant­cut diamonds and step­cut rubies, its eyes set with circular­cut emeralds, size M½, stamped 750, maker’s mark £400­600

701 A sapphire and diamond ring, centring on a cabochon sapphire, between lines of channel­set carré­cut diamonds, to a gold band pavé­set with brilliant­cut diamonds, size R½ £400­600

702 A garnet ring, set with a cushion­shaped almandine garnet weighing approximately 7 carats, to a fluted band in bicoloured gold, size K, stamped 750 £150­250

703 A diamond ring, of bombé form, the front composed of brick motifs set with brilliant­cut diamonds, mounted in gold, size K½, stamped 18ct £200­300

704 A ruby and diamond ring, centring on two confronted scrolls of channel­set baguette diamonds, to a band channel­set to the front with calibré­cut rubies between lines of brilliant­cut diamonds, mounted in gold, size K½, stamped 750 £500­700

705 An emerald and diamond ring, of cluster design, claw­set with an oval emerald weighing approximately 1.20 carats, within a border of brilliant­cut diamonds totalling approximately 1.80 carats, mounted in gold, size P, French assay mark for 18ct gold £3,000­5,000

Accompanied by the Gem & Pearl Laboratory report no. 23375, dated July 7th 2023, stating that the oval­cut emerald is of Zambian origin, with indications of negligible clarity enhancement

END OF DAY ONE

DAY TWO

THURSDAY 26TH OCTOBER 2023 AT 10.00AM

706 A 19th century emerald cluster ring, in yellow gold scroll mount with glazed locket compartment to reverse, size P ½ £200­300

707 A late 19th century ruby five stone ring, set with graduated cushion­shaped rubied and diamond pointers in carved and pierced yellow gold setting, size O £1,500­2,000

708 A gold and garnet bracelet, mid 19th century, centring on a step­cut almandine garnet, within an engraved shield­shaped mount with scrolled edges, to a bracelet composed of engraved rectangular linking, length 16cm, length of extension 5.5cm, French import assay marks for 18ct gold, fitted case £800­1,200

709 A Regency gem­set and enamel gold bracelet, set with banded agate cabochons in filigree surround and red and white enamel flowers, all in yellow gold, one of the links has been removed and adapted to be worn as a pendant, bracelet 16.7cm

£3,000­5,000

710 A 19th century citrine rivière necklace, the graduated oval­shaped citrines set in yellow gold spectacle mounts and suspending a larger oval shaped citrine, with an oval­link back­chain and gold barrel clasp, length 43cm £400­600

711 A Victorian emerald and diamond demi­parure, mid 19th century, comprising: a brooch and pair of earrings, each of ribbon scroll design in gold, engraved with foliate motifs, set with step­cut emeralds and cushion­shaped diamonds, the brooch suspending an articulated emerald and diamond pendant from twisted rope swags, brooch length 9.1cm, earrings 5.6cm each, later fittings

£1,500­2,000

712 A French late 19th century gold bangle, decorated with rubies, diamonds and black enamel in geometric design in 18ct yellow gold, maker’s mark and French control mark, 5.5cm inner width £2,000­3,000

713 A cased pair of early 19th century bracelets, each clasp depicting a dove facing in alternate directions, with pellet decorated borders on twisted rope plaited bracelets, each bracelet length 19cm, case £1,500­2,000

714 A Victorian seed pearl, enamel and gold bangle, centring on a star motif set with seed pearls and blue enamel on a circular glazed locket, hinged opening, pellet decoration to border and flanked with further seed pearl and enamel stars in yellow gold, internal width 5.5cm, fitted case

£1,200­1,500

λ 715 An Etruscan Revival gold bangle, late 19th century, with three coral cabochons in rectangular filigree gold surround and tapered shoulders with further filigree and pelletwork decoration in yellow gold, internal width 5.8cm, case £600­800

716 A Victorian gold locket pendant, set with a central panel of seed pearls and rubies within ropetwist borders and scallop­edged decorated with pellet work, all in yellow gold, glazed locket compartment to interior, length 5.2cm £600­800

717 An early 19th century cased suite of jewellery, comprising a pair of circular white chalcedony earrings, in gold fittings with detachable drops, with a matching chalcedony Maltese cross pendant, with a central glazed locket compartment containing hair, and a graduated white chalcedony bead necklace, with later gold fittings, largest bead cracked, all in fitted case, earrings length 7.2cm, brooch length 5.4cm, necklace length 38cm £1,000­1,500

718 A garnet fringe necklace, set with graduated rose­cut garnets suspending further garnets in gold claw settings, length 36cm, case £600­800

719 An early 19th century gold long guard chain, of fancy linking, with a garnet­set repousse clasp, length 132cm, 62g £2,000­3,000

720 A sapphire and diamond cluster ring, set with old­cut diamonds and pear­shaped sapphires in 18ct yellow gold, London hallmarks for 1972, size R £300­400

721 A pearl and diamond ring, late 19th century, of cluster design, modelled as a wild rose, set with half seed pearls and cushion­shaped and rose­cut diamonds, to fleur­de­lis shoulders, mounted in gold, size M £150­250

722 A diamond ring, late 19th century, of garter design, set with a circular­cut diamond, mounted in yellow gold, the interior inscribed with the initials ‘GRA’, size M½, stamped 18, maker’s mark JW £400­600

723 A late Victorian diamond half hoop ring, set with graduated old circular­cut diamonds and diamond pointers in carved and pierced yellow gold setting, size J ½ £1,000­2,000

724 A half­pearl and diamond ring, early 20th century, set with a sequence of five graduated half pearls, accented with rose­cut diamonds, to a gold mount of scrolled design, size P½, stamped 18CT, pearls untested £300­400

725 A late 19th century pearl and diamond half hoop ring, set with graduated half pearls in carved and pierced yellow gold mount, size K £200­300

726 A gold and pearl bangle, the solid bangle composed of pearls in gold collet settings, inner circumference 18.7cm, pearls untested £300­500

727 A Victorian gold bangle, set with a central emerald and diamond cluster with black enamel and ropetwist decoration, with engraved ivy leaf borders in yellow gold, inside diameter 5cm £1,000­1,500

728 An early 20th century French pearl and gold bracelet, the seed pearls each set within twisted links in 18ct yellow gold, French control marks, length 18cm £800­1,200

729 A ruby and diamond half hoop ring, set with cabochon rubies and diamonds in rubover, closed­back yellow gold settings, size M £200­300

730 A ruby and diamond five­stone ring, late 19th century, set with three cushion­shaped diamonds and two oval rubies, mounted in gold, size O, stamped 18CT, case £800­1,200

731 A Victorian diamond 3 stone ring, the three old circular­cut diamonds in square setting in polished gold setting, size L, case £200­300

£5,000­7,000

732 A large emerald and diamond pendant, the emerald­cut emerald weighs approximately 24.00cts, set within radiating surround of circular and baguette­shaped diamonds quartered with marquise diamond trefoils in yellow gold, folding pendant loop, length 5.4cm

A verbal report was obtained stating that the emerald is Colombian, with significant clarity enhancement

733 A Retro diamond cocktail ring, 1940s, designed as a stylised bow, set with circular­cut and oval diamonds totalling approximately 2.50 carats, mounted in platinum, size N, case

£1,500­2,000

734 Henri Lavabre, a diamond brooch, circa 1950, designed as a stylised ribbon rosette, set with circular and single­cut diamonds, mounted in platinum and gold, measuring 5.0 x 4.5cm, French assay marks for platinum and 18ct gold, maker's mark for Henri Lavabre £4,000­6,000

The Parisian workshop of Henri Lavabre was one of Cartier's most important manufacturers in the Art Deco era, working exclusively for the firm between 1906 and 1921. After this Lavabre's workshop continued to produce jewels of superb quality for some of the most prominent jewellery houses of the 20th century, eventually closing in 1975.

735 A diamond cocktail ring, France, mid 20th century, of bombé design, centring on a cluster of circular­cut diamonds, to a mount pavé­set with circular­cut diamonds and channel­set with lines of baguette diamonds, mounted in platinum and white gold, size O½, French assay marks for 18ct gold and platinum

£4,000­6,000

736 A diamond brooch, mid 20th century, designed as a feather, set with brilliant­cut and baguette diamonds, mounted in palladium, length 7.5cm £800­1,200

737 A diamond, emerald and ruby brooch, France, 1960s, of abstract rosette design, set with brilliant­cut, singlecut and baguette diamonds, step­cut and circular­cut emeralds, and a line of channel­set calibré­cut rubies, mounted in platinum and white gold, length 5.5cm, French assay marks for 18ct gold and platinum, indistinct French maker’s mark HP £1,000­1,500

738 An emerald and diamond ring, centring on a step­cut emerald weighing approximately 2.00 carats, to a bombé mount pavé­set with brilliant­cut diamonds, size K, French import assay mark for 18ct gold

£3,000­4,000

739 Kutchinsky, an emerald and diamond bangle, of hinged design, the curved front centring on a collet­set step­cut emerald weighing approximately 1.20 carats, and two rows of channel­set carré­cut diamonds totalling approximately 4.50 carats, mounted in white gold, inner circumference approximately 16.1cm, European Convention assay mark for 18ct gold, maker’s mark Ku for Kutchinsky

£7,000­9,000

740 A pair of diamond earrings, mid 20th century, each of foliate design suspending two articulated pendants, set with single­cut and circular­cut diamonds, mounted in platinum, length 4cm each, clip and post fittings

£800­1,200

741 Cartier, a diamond eternity ring, the faceted band set with brilliant­cut diamonds, spaced by panels of plain white gold, to a central Cartier signature, size L, signed Cartier, numbered NV7760, Swiss and European Convention assay marks for 18ct gold, case and certificate of authenticity stamped Cartier £500­700

742 A diamond ring, set with a brilliant­cut diamond weighing approximately 1.80 carats, between pear­shaped diamond shoulders, mounted in 18ct gold, size L, British hallmarks

£4,000­6,000

743 Cartier, a cultured pearl and diamond ring, set with a cultured pearl measuring approximately 12.9mm diameter, to a foliate setting and shank set throughout with brilliant­cut diamonds, mounted in platinum, size L½, signed Cartier, numbered 860208, French assay mark for platinum, French maker’s mark Sté A&F, fitted case stamped Cartier £3,000­5,000

744 An emerald and diamond ring, mid 20th century, claw­set with a square step­cut emerald weighing approximately 3.50 carats, within a scrolled quatrefoil mount set with single­cut diamonds, mounted in platinum, size P½, four diamonds deficient £3,000­5,000

Accompanied by GCS report no. 80275­94, dated October 29th 2020, stating that the Octagonal­cut emerald weighing approximately 4.0 carats is of Colombian origin, with indications of minor clarity enhancement.

745 A diamond cocktail ring, of bombé design, pavé­set with circular­cut diamonds, mounted in white gold, size M½, stamped 750 £1,500­2,000

£3,000­4,000

746 A pair of gold and gem­set bracelets, each designed as a gold curb chain collet­set with cabochons of amethyst, aquamarine, pink tourmaline, green tourmaline and citrine, connecting to form a choker necklace, bracelets 19.5cm and 20cm respectively, stamped 18K, gross weight 73 grams

747 A gold and diamond necklace, designed as a hinged torque collar in high carat gold, decorated with bead work and lines of channel­set brilliant­cut diamonds, inner circumference 38cm, signed Eris, stamped 995, gross weight 184 grams £6,000­8,000

748 A blue topaz dress ring, the buff­top pear­shaped blue topaz in fluted yellow gold setting, size Q ½ £600­800

749 A yellow sapphire, pink sapphire and emerald ring, set with a cushion­shaped yellow sapphire weighing approximately 8.00 carats, to a gold mount set with circular­cut emeralds and pink sapphires, size N £1,000­1,500

750 An amethyst, emerald and diamond ring, of bombé design, the front set with calibré­cut amethyst cabochons spaced by step­cut emeralds, within outer borders of brilliant­cut diamonds, mounted in gold, size N½, stamped 750 £600­800

751 A multi­gem­set dress ring, set with a central faceted yellow quartz within rubellite and diamond border in yellow gold, size N £800­1,200

752 A star ruby and diamond ring, circa 2000, the wide band collet­set with a cabochon star ruby, between oval diamonds, the borders accented with brilliant­cut diamonds, mounted in 18ct gold, size S, British hallmarks £500­700

753 A ruby and diamond ring, of cluster design, set with an oval ruby weighing approximately 1.50 carats, within a border of brilliant­cut diamonds, mounted in gold, size Q½, stamped 14K £1,000­1,500

754 A sapphire and diamond ring, the gold band set with brilliant­cut diamonds, suspending a sphere pavé­set with circular­cut sapphires, size K, stamped 18K, CJ £400­600

755 Cartier, a gold and diamond ring, of asymmetrical design, composed of three fluted gold bands connected by cascades of brilliant­cut diamonds, size O½, signed Cartier, numbered 751507 £1,000­1,500

756 A diamond ring, designed as a split gold band, connected at the front by three collet­set brilliant­cut diamonds, size K½, British hallmarks for 18ct gold £200­300

757 Elizabeth Gage, a carnelian intaglio and gold ring, circa 1997, collet­set with an oval carnelian intaglio depicting a Tudor rose, backed in mother of pearl, to a wide gold band engraved with swirled designs, size L, British hallmarks for 18ct gold, maker’s mark EG for Elizabeth Gage, pouch and box stamped Elizabeth Gage £800­1,200

758 An emerald and diamond pendant, collet­set with a cabochon emerald weighing approximately 11.00 carats, within a bombé mount pavé­set with circular­cut emeralds and brilliant­cut diamonds, to a gold chain pendant length 2.6cm, chain length 43cm, Italian maker’s mark, stamped 750 £4,000­6,000

759 An emerald and diamond ring, collet­set with a cabochon emerald weighing approximately 17.00 carats, within a bombé mount pavé­set with circular­cut emeralds and brilliant­cut diamonds, size S, Italian maker’s mark, stamped 750 £6,000­8,000

Accompanied by GCS report no.5782­1936, dated May 25 2022, stating that the Cabochon­cut emerald is of Colombian origin, weighing approximately 17.00 carats with indications of moderate to significant clarity enhancement.

760 A gold and diamond collar, composed of articulated interlocking linking in 18ct gold, the front accented with brilliant­cut diamonds, length 38cm, Italian maker’s mark, stamped 750, gross weight 196 grams £6,000­8,000

761 A pair of yellow sapphire and diamond ear clips, each designed as a flower, set with calibré­cut yellow sapphires in invisible settings, centring on a cluster of brilliant­cut diamonds, length 2.8cm each, stamped 750, clip and retractable post fittings £1,000­2,000

762 A zircon and diamond ring, claw­set with a step­cut brown zircon weighing approximately 26.00 carats, between shoulders set with baguette diamonds, mounted in gold, size R½, stamped 14K £1,000­1,500

763 A pair of gold earrings, each of scroll design, in 18ct gold, length 2.5cm, French assay marks, clip and post fittings

£600­800

764 A pair of pink tourmaline and diamond ear clips, each centring on a cabochon pink tourmaline, within a double border of pavé­set brilliant­cut diamonds, length 2.6cm each

£3,000­4,000

765 A diamond and yellow diamond ring, designed as two flowers, set with brilliant­cut diamonds of yellow and colourless tints, mounted in yellow gold, size K½, stamped 750 £800­1,200

766 A pair of diamond earrings, each designed as a gold hoop of chevron pattern, pavé­set with a section of brilliant­cut diamonds, length 2.7cm, British hallmarks for 18ct gold, stamped 750

£2,000­3,000

767 A ruby and diamond brooch/pendant, designed as a heart, set with circular­cut rubies and brilliant­cut diamonds in alternation, mounted in gold, length 3.1cm

£800­1,200

768 Fasano, a diamond ring, the wide gold band set to the front with three rows of channel­set carré­cut diamonds, size M, signed Fasano, Italian maker’s mark, stamped 750

£2,500­3,500

769 A brown diamond and diamond ring, the front composed of brilliant­cut diamonds of brown and colourless tints totalling approximately 1.90 carats, mounted in white and rose gold collet settings, size M½, stamped Au750

£600­800

770 A ruby and diamond ring, set with an oval ruby weighing 2.72 carats, between shoulders set with pearshaped diamonds, each weighing approximately 0.50 carats, mounted in 18ct gold, size R½, British hallmark

£10,000­15,000

A verbal report from GCS states that the ruby is of Thai/Cambodian origin, with indications of heat treatment.

771 A sapphire and diamond demi­parure, comprising: a pendant, set with a cushion­shaped sapphire weighing 13.10 carats, to a geometric surmount channel­set with calibré­cut sapphires and brilliant­cut diamonds, the bail of ribbon design, to a fine link chain, pendant length 3.3cm, chain length 40cm, one sapphire deficient; and a pair of stud earrings of similar design, length 1.4cm, post fittings £4,000­6,000

A verbal report from GCS states that the sapphire weighing 13.10 carats is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

772 An Art Deco diamond clip brooch, 1930s, of shield­shaped outline, set with a geometric arrangement of circular­cut and baguette diamonds, the central diamond weighing approximately 0.75 carats, mounted in platinum, length 3.8cm £2,000­2,500

773 An Art Deco diamond ring, 1920s, designed as a geometric plaque, set with circular­cut diamonds, mounted in platinum, size N, case £1,000­1,500

774 A sapphire and diamond cluster ring, set with a cushion­shaped diamond within radiating border of calibré­cut sapphires and single­cut diamonds, mounted in platinum and gold, size K £600­800

775 An Art Deco double clip brooch, the two clips of openwork geometric design, millegrain­set with graduated circular­cut diamonds in platinum, both detaching from one clip to be worn separately, total length 5cm £800­1,200

776 A diamond ring, early 20th century, of elongated plaque design, set with circular­cut diamonds, to fleur­de­lis shoulders, mounted in white gold, size N½ £1,200­1,500

777 An Art Deco topaz and diamond ring, first half 20th century, claw­set with a step­cut orange topaz weighing approximately 2.90 carats, between geometric shoulders set with circular­cut diamonds, mounted in platinum, size L £300­400

778 A synthetic ruby and diamond ring, early 20th century, claw­set with a step­cut synthetic ruby, to a platinum mount set with single­cut diamonds, size P½ £400­600

779 A yellow sapphire and diamond ring, of geometric design, set with a step­cut yellow sapphire weighing 1.20 carats, and brilliantcut diamonds, mounted in platinum, size N, stamped PLAT £600­800

780 An early 20th century gem­set lozenge brooch, set with an outer border of rock crystal surrounding rubies and diamond in openwork geometric design in white gold, length 6.4cm £1,500­2,000

781 A sapphire and diamond ring, early 20th century composite, of rectangular outline, centring on a collet­set step­cut sapphire weighing approximately 4.50 carats, within a double border of circular­cut diamonds, mounted in platinum, size M½, central sapphire and diamond cluster possibly later added £2,500­3,000

782 A sapphire and diamond plaque bracelet, the oval plaque set with lines of calibré­cut sapphires and circular­cut diamonds within a diamond border, to a flexible diamond bracelet in platinum and white gold, Portuguese hallmarks for platinum and white gold, length 15.5cm £2,000­2,500

783 An Art Deco diamond bracelet, circa 1930, of geometric design, set with circular­cut, single­cut and baguette diamonds, mounted in platinum, length 17cm, case £3,000­5,000

784 Garrard & Co., a sapphire and diamond ring, circa 1990, set with a step­cut sapphire weighing approximately 2.20 carats, between shoulders set with a circular­cut and a brilliant­cut diamond respectively, totalling approximately 2.00 carats, mounted in platinum, size O½, maker’s mark G&Co Ltd, British hallmarks, date letter for 1990 £3,000­5,000

785 A diamond brooch, early 20th century, of bar design, set with circular­cut diamonds, mounted in platinum, length 7.2cm £270­350

786 A sapphire and diamond half hoop ring, set with two old cushion­shaped diamonds within sapphire and diamond borders in geometric surround, set in platinum, size K £800­1,200

787 A zircon and diamond ring, claw­set with a step­cut blue zircon weighing approximately 2.00 carats, between shoulders set with baguette diamonds, mounted in platinum, size M½, numbered A1345 £300­400

788 A sapphire and diamond bar brooch, early 20th century, set with single­cut diamonds and calibré­cut sapphires, mounted in platinum and gold, length 6.5cm £200­300

789 An natural pearl and diamond cluster ring, early 20th century, the pearl set within a surround of old circular­cut diamonds in platinum, French assay marks, size L £2,000­3,000

Accompanied by GIA report no.1453258805, dated November 25th 2022, stating that the pearl is natural, saltwater.

790 A diamond brooch, early 20th century, of bar design, set with a line of graduated circular

cut diamonds, mounted in platinum, length 4.1cm £600­800

791 A garnet, gold and enamel pendant, late 19th century, designed as a cross, of foliate scroll design applied with blue and white enamel, set to the front with foil­backed cushion­shaped garnets, mounted in gold, the reverse additionally accented with red basse taille enamel, length 11.7cm, gross weight 48 grams, case stamped Goldsmiths and Silversmiths Company £1,000­1,500

792 An amethyst necklace, early 20th century, centring on a pendant set with a heart­shaped amethyst within a scrolled border of gold wire work, suspending a smaller pear­shaped amethyst pendant, to a pair of circular­cut amethyst links and a fine gold back chain, length 40cm, pendant length 3.5cm, stamped 9ct £600­800

793 A late Victorian sentimental diamond pendant, each side with a circular locket compartment containing a painting of a young girl, within a diamond border to one side in silver and gold, folding pendant loop and fine­link yellow gold neck chain, pendant width 3.2cm, chain length 52cm, fitted case £400­600

794 Le Roy et Fils, a gold and enamel pocket watch, Switzerland, 19th century, the circular textured silvered dial with black enamel Roman numeral indicators and blued steel hands, within a lobed case intricately enamelled throughout with colourful floral sprays and musical and military trophies within palmette borders, to a similarly enamelled suspension hoop, length 6.1cm, manual winding movement, watch key and glass deficient, signed Le Roy & Fils, Paris, unidentified assay mark, numbered 45009 £400­600

795 An enamel and diamond locket, Austria­Hungary, late 19th century, of circular outline, set with two circular­cut diamonds, applied with enamel in the design of a four­leaf clover, opening to reveal a glazed compartment for a photograph, in 14ct gold, length 3.3cm including bail, Austro-Hungarian assay mark for gold, maker’s mark IH, marked A for Vienna £200­300

796 A pearl, enamel and diamond brooch, circa 1900, designed as a heart, applied with deep blue and white enamel, centring on a half pearl within a border of circular­cut diamonds, surmounted by a ribbon bow motif set with additional circular­cut diamonds, mounted in silver and gold, length 2.7cm, pearl untested £400­600

797 An Egyptian Revival carnelian, gold and enamel brooch, second half 19th century, set with a carnelian bead carved as a scarab, the reverse with an intaglio depicting Cupid holding a snake, possibly Roman, to wings applied with green, blue and white cloisonné enamel in fine gold rope twist borders, wingspan 3.4, case £600­800

Cf.: a brooch of similar design attributed to and cased by Giacinto Melillo, sold in these rooms, 26th January 2017, lot 1879

798 A Victorian sapphire and diamond bangle, set with graduated cushion­shaped sapphires spaced with pairs of diamonds in yellow gold, internal width 5.5cm £600­800

799 A rare Belle Époque sapphire, ruby and diamond ‘Entente Cordiale’ brooch, early 20th century, designed as a sword flanked by the British and French flags, set with calibré­cut rubies and sapphires, and circular­cut diamonds, within a gold nautical knot, commemorating the Entente Cordiale signed between the United Kingdom and France in 1904, length 3cm, French import assay marks for 18ct gold and platinum, case stamped Edward & Sons £300­400

800 A Victorian enamel and diamond child’s ring, late 19th century, the front applied with bright blue enamel and set with a cushion­shaped diamond in a star setting, mounted in gold size E½ £200­300

801 An enamel, citrine and turquoise necklace, late 19th century and later, composed of circular­cut citrines and turquoise cabochons, spaced by scrolled links applied with black and white enamel, to a later back chain, mounted in gold, length 37cm £600­800

802 A five­stone diamond ring, set with five brilliant­cut diamonds, in a gold mount of scrolled design, size J½ £400­600

803 A ruby and diamond ring, early 20th century, set with three circular­cut rubies, spaced by circular­cut diamonds, mounted in gold size Q½ £300­400

804 A five­stone turquoise and diamond ring, early 20th century, set with circular­cut diamonds and cabochon turquoise in alternation, to a gold mount of scrolled design, size N½ £400­600

805 A late Victorian opal and diamond ring, the solid white opal set within a surround of diamonds in yellow gold, size M, case £800­1,200

806 A pearl and diamond ring, early 20th century, set with three pearls, within a border of circular­cut diamonds, mounted in gold, size P½, pearls untested £400­600

807 An opal and diamond cluster ring, early 20th century, set with an oval cabochon opal, within a border of circular­cut diamonds, mounted in gold, size J½ £200­300

808 A diamond solitaire ring, early 20th century, claw­set with a cushion­shaped diamond weighing approximately 1.10 carats, mounted in gold, size F½ £1,500­2,000

809 An early 20th century diamond target brooch, the old cushion­shaped diamond within a border of green enamel and a further border of diamonds in platinum, length 5cm, case £600­800

810 A pair of late 19th century enamel flower earrings, the stylised pansies decorated with shaded enamel and a central seed pearl in yellow gold, suspending from plain gold earrings, length 2.1cm £800­1,200

811 A pair of fancy coloured and white diamond flower earrings, the petals set with green, pink, brown and colourless diamonds in yellow gold, length 2.6cm, case £1,500­2,000

812 A pair of gold and diamond earrings, mid 20th century, each designed as a cluster of collet­set circular­cut diamonds, within a border of openwork petals in gold, diameter 2.3cm each, later post fittings

£2,000­2,500

813 A five­stone diamond ring, claw­set with five brilliant­cut diamonds totalling approximately 1.90 carats, to a wide bicoloured gold band, the interior with a dedicatory inscription, size N, case £800­1,200

λ 814 Mappin & Webb, a coral necklace, 1970s, designed as a series of coral cabochons in textured gold mounts, to a textured gold back chain, length 47.5cm, signed Mappin, Italy, 18K, gross weight 73 grams

£2,500­3,500

815 A pair of gold and diamond earrings, designed as fruiting branches, set with brilliant­ and single­cut diamonds, mounted in gold and silver, length 4.1cm each, post and clip fittings £400­600

816 Gilbert Albert, a gold and multi­gem brooch and ring, each of textured gold openwork, set with an interchangeable bead of steel, sodalite, tiger’s eye, rhodonite, glass simulating rutilated quartz, and amazonite, brooch 5.3 x 5.3cm, signed Gilbert Albert, ring size O, maker’s mark

£1,000­2,000

817 A gold and diamond collar, the flexible collar composed of domed triangular links, the front pavé­set in sections with brilliant­cut diamonds, length 35.5cm, stamped 750, gross weight 188 grams

£6,000­8,000

818 An enamel and ruby bracelet, composed of flexible textured gold linking, applied with stripes of blue and white enamel, spaced by trios of circular­cut rubies, length 18cm, gross weight 68 grams

£2,200­3,200

819 A garnet necklace, 19th century composite, composed of clusters of foil­backed circular­cut garnets suspending a similar pendant, connected by fine link belcher chain, mounted in gold, necklace length 40.5cm, pendant length 6.7cm, fitted case £600­800

820 A diamond ring, circa 1800 and later, centring on a square diamond within a border of cushion­shaped diamonds and one circular­cut diamond, between layered shoulders set with smaller cushion­shaped diamonds, mounted in silver closed­back settings, to a later added gold backing and shank, size I ½ £300­400

821 A late 18th century moss agate and seed pearl ring, the central moss agate plaque set within a border of seed pearls in yellow gold, inscribed in German to reverse with the passage from Colossians 3:14­15 which translates to ‘And over all these virtues put on love, which binds them all together in perfect unity’, size J £600­800

822 A mourning ring, late 18th/ early 19th century, of navette outline, centring on a glazed compartment depicting a bouquet of flowers in a vase, in seed pearls and hairwork, to a blue glass ground, mounted in gold, size Q

£1,000­1,500

823 A Renaissance agate cameo, 16th/17th century, depicting Leda and the swan, with a sea nymph, possibly one of her children, swimming in the waves below, measuring 3.6 x 2.7cm, damage to nose £1,500­2,000

824 A gold posy ring, England, 17th/18th century, the plain gold band inscribed ‘Providence divine hath made thee mine’ to the interior, size T½ £800­1,200

Cf.: a similar ring with the same inscription on Loan to the Metropolitan Museum from the Griffin Collection, dated 1600­1650, accession no. L.2015.72.48

825 An enamel and hairwork mourning ring, circa 1771, centring on an oval glazed compartment containing a painted white plaque applied with hairwork depicting a funerary urn beneath the words ‘In Memory of a Friend’, to a white enamelled band, the dedicatory inscription ‘THOS ADAMSON OB 28 DEC 1771 AET 29’, mounted in gold, size J½, maker’s mark EP £200­300

826 A rock crystal and enamel mourning ring, circa 1734, centring on a step­cut rock crystal enclosing a lock of hair, to openwork gold shoulders and a mount composed of sections of black enamel, a dedicatory inscription in reserve reading ‘BRID TAYLOR OB 13 JUNE 1734’, size L½ £300­400

827 An enamel mourning ring, circa 1832, centring on a glazed section containing woven hair, within a floral gold frame, to a wide gold band applied with black enamel, the borders with further gold floral motifs, the interior inscribed ‘Revd WHH Hartley Obt Septr1832 At 44’, size K £400­600

828 An early medieval gold ring, Java, circa 9th­10th century, of stepped hexagonal outline with incised cord decoration, engraved with the stylised Sanskrit character Sri, size K½ £800­1,200 The chased motif on the stepped bezel symbolizes the Sanskrit character Sri, which is associated with Dewi Sri, the Goddess of rice and fertility. Rings with the Sri motif were thought to have talismanic properties, bringing wealth and prosperity to the owner

Cf.: a closely comparable ring from the Samuel Eilenberg­Jonathan P. Rosen Collection of Indonesian Gold, in the Metropolitan Museum of Art, accession no.1998.544.383

829 An emerald ring, of half hoop design, set with cushion­shaped and circular­cut emeralds in closed­back gold settings, to a fluted shank, size K½ £200­300

λ 830 Karl­August Schreinzer (1819­1897), a portrait miniature, gold and diamond bracelet, mid 19th century, the clasp set with an oval miniature on ivory reputedly depicting the engineer Charles Baird (1766­1843), within a border of cushion­shaped diamonds, to a bracelet composed of gold cylindrical links engraved to the front with Rococo­style scroll work, bracelet length 18.3cm, portrait miniature 4.2 x 3.2cm excluding frame, fitted case, portrait miniature signed Schreinzer £3,000­4,000

831 A pair of gold, enamel and pearl patch boxes, 19th century, each of cylindrical form, applied with deep blue guilloché enamel, the lids set with half pearls, each measuring 2.5 x 2.5 x 2.1cm, pearls untested, fitted case with tooled inscription dated 1918 £800­1,200

832 A late 18th century memento mori ring, the stylised skull within engraved foliate decoration, inscribed to the interior A.C obt 8 Octo 87, with maker’s mark RM, enamel removed, size S £800­1,200

833 A gold posy ring, mid 15th century, inscribed in ‘Black Letter’ script, possibly reading ‘tut en bone foi’ (all in good faith), spaced by engraved lozenge motifs, size L½ £400­600

834 Tiffany & Co., a gold demi­parure, comprising: a necklace and bracelet, each composed of several strands of fine gold chain, centring on an open gold heart motif, to a gold hoop and T­bar clasp, bracelet length 19cm, necklace length 39cm, each signed Tiffany & Co., British hallmarks for 18ct gold, date letter for 2006, combined gross weight 67 grams

£2,000­3,000

835 FOPE, a gold necklace, composed of fancy linking in 18ct gold, length 45.5cm, signed FOPE, Italian maker’s mark, stamped 750, gross weight 85 grams

£800­1,200

836 Gavello, a pair of ear clips, ‘Sella’, each designed as a curved disc, pavé­set with brilliant­cut diamonds, mounted in gold, length 3.9cm each, signed Gavello, Italian maker’s marks, stamped 750

£2,000­3,000

837 A sapphire and diamond ring, collet­set with an oval sapphire weighing approximately 2.50 carats, between triangular diamonds, to a white gold band, size O, French assay and maker’s mark

£4,000­6,000

838 A topaz and diamond ring, collet­set with a step­cut topaz, within a part border of brilliant­cut diamonds, to a fluted gold band, size P½, Portuguese assay mark for gold £600­800

839 A pair of diamond hoop earrings, each set with brilliant­cut diamonds in platinum and yellow gold, length 3cm £700­900

840 Van Cleef & Arpels, a pair of diamond ear clips, each of scrolled design, set with three rows of brilliant­cut diamonds, mounted in gold, length 3.2cm each, each signed Van Cleef & Arpels, numbered M37775, stamped with French assay marks for 18ct gold and French maker’s mark Sté E with snowflake £12,000­15,000

841 A diamond ring, of openwork design, set with a central band of step­cut and brilliant­cut diamonds in gold collet settings, to outer borders of pavé­set brilliant­cut diamonds, size J, signed Sonia B, stamped 14K £1,500­2,000

842 A ruby and diamond ring, of cluster design, set with a marquise­shaped ruby weighing approximately 0.60 carats, within a border of single­cut diamonds, mounted in gold and platinum, size Q½, stamped 18ct PLAT, case £200­300

843 A diamond solitaire ring, claw­set with a step­cut diamond weighing approximately 0.50 carats, mounted in 18ct gold, size J, British hallmark £200­300

844 A diamond ring, of crossover design, set with two triangular diamonds, to a gold mount pavé­set with brilliantcut diamonds, size M, stamped 750 £1,000­1,500

845 A gold and diamond cocktail ring, of domed square design, pavé­set with brilliant­cut diamonds, size I, stamped 18K, French import assay marks for 18ct gold and platinum £800­1,200

846 Bulgari, a gold necklace, ‘Spiga’, the articulated gold collar composed of bicoloured chevron linking, length 39cm, signed Bulgari, Italian maker’s mark 2337 AL, stamped 750, gross weight 167 grams £11,500­15,000

847 No lot

848 A chalcedony and citrine tank track bracelet, circa 1940, with square pyramidal links set with trapeze­shaped chalcedony, spaced with citrines in yellow gold (one missing), signed Antrobus and numbered 1515, length 18.5cm, 97g £1,500­2,000

849 A gold and diamond bracelet, mid 20th century, of ‘Tank’ design, composed of a double row of gold links connected by links set with circular and brilliant­cut diamonds, length 17.5cm, stamped 750, numbered 8669, maker’s mark, gross weight 37 grams, case £1,500­2,000

850 A Belle Époque emerald, pearl and diamond pendant, circa 1900, of ribbon bow design, mounted in silver and gold, set with rose­cut diamonds and cushion­shaped and step­cut emeralds, accented with pearls, to a fine link platinum chain, pendant length 5.9cm, chain length 42cm, pearls untested

£2,000­3,000

851 A sapphire and diamond three stone ring, the cushion­shaped sapphire weighing approximately 2.80cts, flanked with cushion­shaped diamonds in yellow gold, French import mark, size R £2,000­3,000

A verbal report stated that the sapphire was Sri Lankan, no heat

852 A late 19th century pearl and diamond pendant, of scroll design, set with graduated diamonds and pearls, suspending on a fine­link seed pearl neck chain, pendant length 2.8cm, chain 40cm, pearls untested, case

£1,000­1,500

853 An emerald and diamond necklace, late 19th century and later, the front of scrolled design, set with circularcut diamonds, suspending a pendant set with a pear­shaped cabochon emerald and a cushion­shaped diamond, mounted in silver and gold, to a later gold back chain, necklace length 43cm, length at front 4.6cm, composite, emerald pendant interchangeable with untested pearl pendant, case

£3,000­5,000

854 An emerald and diamond brooch/pendant, late 19th century, designed as bow, centring on an oval emerald weighing approximately 2.00 carats, and circular­cut and cushion­shaped diamonds, length 3.8cm, case stamped Mappin & Webb

£3,000­4,000

855 A diamond cluster ring, set with a central rose­cut diamond with graduated and stepped diamond­set shoulders in silver and gold, size M £400­600

856 A sapphire and diamond ring, early 20th century, of cluster design, set with an oval sapphire weighing 5.63 carats, within a border of cushion­shaped diamonds, mounted in gold, size N½ £3,000­3,500

Accompanied by AGL report no. CS84439, dated March 16th 2015, stating that the oval­cut sapphire weighing 5.63 carats is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

857 A mabé pearl and diamond brooch, late 19th century, designed as a stylised dove, its body formed from a mabé pearl, the wings and head pavé­set with rose­cut diamonds, mounted in silver and gold, French import assay mark, length 3.5cm

£2,000­3,000

858 An Edwardian aquamarine and diamond drop pendant, the large cushion­shaped aquamarine weighs approximately 65.00cts, claw­set and suspending from a scrolling surmount set with graduated diamonds in silver, length 7cm, fitted case

£2,000­3,000

859 A late 19th century sapphire and diamond foliate brooch, set overall with graduated rose­cut diamonds and a cabochon sapphire in silver and gold, length 7.2cm

£4,000­6,000

860 A late 19th century pearl and diamond crescent brooch, set with graduated untested pearls and rose­cut diamonds in silver and gold, length 3.1cm £300­400

861 An Edwardian aquamarine and diamond pendant, early 20th century, the oval aquamarine suspended from a diamond swag pendant mounted in silver and gold, to a fine­link yellow gold neck chain, pendant length 3.2cm, chain length 42cm £200­300

862 A French late 19th century diamond flower brooch, the stylised sprig of flowers set overall with graduated old­circular and rose­cut diamonds in silver and gold, the three flowerheads mounted en tremblant, French control mark, length 9cm £2,000­3,000

863 A late 19th century diamond shamrock brooch, set with graduated old­cut diamonds in silver and gold, length 3cm £400­600

864 A late Victorian diamond­set horse and jockey brooch, designed as a jockey riding a jumping horse, with enamel silks, the horse pavé­set with diamonds in silver and gold, width 5cm £1,000­2,000

865 An opal and diamond navette­shaped ring, the lozenge­shaped opal set within a surround of diamonds in silver and gold, size L £300­400

866 A late 19th century diamond tassel brooch, of starburst design centring on an articulated diamond drop and suspending articulated tassels all in silver and gold, length 6cm £3,000­4,000

Φ 867 Andrew Grima, a superb tourmaline and diamond brooch/pendant, circa 1971, of abstract design set with a large cross­section of a watermelon tourmaline crystal, to a textured 18ct gold mount accented with a line of brilliant­cut diamonds, measuring 6.2 x 6.7cm, signed Grima, maker’s mark AG Ltd, British hallmark for London, 1971 £3,000­5,000

In September 1971, Andrew Grima launched Rock Revival, an exhibition of 100 new designs built around extraordinary specimens of uncut minerals, at his boutique on Jermyn Street in London. Invites to the exhibition played on the ‘Rock’ theme, and came in the shape of vinyl records, with a stick of rock candy reading Rock Revival through the cross section. The exhibition was a hit, with buyers including the sculptor Barbara Hepworth, and the intended transfer of the exhibition to Australia was delayed because it sold out so rapidly. Grima’s imagination had clearly been captured, however ­ at short notice he flew to Zurich to source more stones for this Australian leg of the tour, and reportedly designed another entirely new collection at the buffet in Zurich airport, before flying back to London. The bold design of this brooch and its incorporation of such an impressive slice of watermelon tourmaline (which often appears in Grima’s jewels), combined with the 1971 date, suggests that this astonishing jewel was made in conjunction with this seminal exhibition, which marked a creative zenith in Grima’s extraordinary career.

Cf.: William Grant, Andrew Grima: the Father of Modern Jewellery, Suffolk, 2020, p.154­155 for a discussion of Rock Revival, and p.156­163 for a selection of jewels from the exhibition

868 An amethyst and diamond cocktail ring, France, third quarter 20th century claw­set with a large step­cut amethyst weighing approximately 50.00 carats, within a gold rope twist mount, French assay marks for 18ct gold and platinum, size H (sizing band) £2,500­3,500

869 No lot

870 Nanna and Jorgen Ditzel for Georg Jensen, a modernist gold bangle, Denmark, circa 1961, of elliptical form in polished gold, inner circumference 18.4cm, signed Georg Jensen, maker’s mark for Nanna and Jorgn Ditzel, numbered 75 and 1111, British import hallmark for 18ct gold, 1961, gross weight 64 grams £2,000­3,000

871 Ilias Lalaounis, a pair of gold pendent ear clips, of abstract seashell design in yellow gold, length 6.2, clip fittings, maker’s mark for Lalaounis, Greek assay mark for gold, stamped 750, gross weight 33 grams £2,000­3,000

872 Lapponia, a gold and cultured pearl brooch, circa 1970, the textured gold plaque set with two cultured pearls, measuring 3.4 x 3.4cm, maker’s marks for Lapponia, Finnish and British hallmarks for 18ct gold, date letter for 1970, case and original receipt £150­250

873 A cultured pearl, sapphire, emerald and diamond brooch, 1960s, designed a stylised tree in textured gold set with circular­cut emeralds and sapphires, each branch terminating in a cultured pearl among single­cut diamond leaves, length 8cm £800­1,200

874 A gem­set brooch, designed as a rectangular gold plaque set with a sequence of four fancy­cut gemstones including a sapphire and a heart­shaped ruby, arranged to form the word ‘LOVE’, length 2.9cm £2,000­3,000

875 An amethyst and diamond ring, claw­set with a step­cut amethyst, between shoulders set with tapered baguette diamonds, mounted in 18ct gold, size P, British hallmarks, sponsor’s mark IPS, case £300­500

876 A tourmaline and diamond ring, claw­set with an elongated cushion­shaped green tourmaline, to shoulders set with brilliant­cut diamonds, mounted in gold, size N½, stamped 18CT £600­800

877 Pomellato, a citrine ring, ‘Nudo’, set with a mixed­cut citrine in a closed­back setting, to a plain band in 18ct gold, size N½, signed Pomellato, Italian maker’s mark, stamped 750 £400­600

878 Pomellato, a blue topaz and diamond ring, ‘Nudo’, set with a mixed­cut blue topaz in a closed­back setting, to a band pavé­set with brilliant­cut diamonds in bicoloured 18ct gold, size M½, signed Pomellato, Italian maker’s mark, stamped 750, fitted case stamped Pomellato £800­1,200

879 Pomellato, an amethyst ring, ‘Nudo’, set with a mixed­cut amethyst in a closed­back setting, to a plain band in 18ct gold, size O, signed Pomellato, Italian maker’s mark, stamped 750 £400­600

£4,000­6,000

880 Van Cleef & Arpels, a pair of gold door knocker earrings, the graduated fluted gold hoops suspend pairs of detachable hoops in gold, green chalcedony and carnelian, stamped VCA and numbered B3322 C86, with maker’s lozenge and French control marks, the detachable gold drops stamped VCA and numbered B3015 and Z286 post and clip fittings, length of hoops 1.6cm, length of full earrings 3.8cm, with VCA leather pouches

881 Boucheron, a gold and ruby brooch, circa 1966, designed as a songbird on a branch, its eyes set with circularcut rubies, length 4.1cm, signed Boucheron Paris, French export assay mark for 18ct gold, partial French maker’s mark, British import hallmark, date letter for 1966, case stamped Boucheron

£2,000­3,000

882 Cartier, a gold and sapphire brooch, circa 1958, designed as a fish in 18ct gold, its eyes set with cabochon sapphires, length 4.1cm, signed Cartier, British hallmark for 18ct gold, date letter for 1958, sponsor’s mark JC for Cartier London

£4,000­6,000

883 Mauboussin, a diamond necklace, mid 20th century, the front designed as a fringe of ribbon festoons, set with circular­cut and brilliant­cut diamonds, to a wheat sheaf chain, mounted in gold, length 37.5cm, signed Mauboussin Paris, numbered 12672, French assay marks for 18ct gold, faint maker’s mark

£6,000­8,000

884 Boucheron, a gold, rock crystal and diamond demi­parure, comprising: a necklace of torque design in flexible bicoloured gold gas pipe linking, each end accented with a line of brilliant­cut diamonds and terminating in a fluted rock crystal bead inset with a cabochon sapphire and ruby respectively, inner curve 37.5cm, signed Boucheron, numbered 58282, French assay marks for 18ct gold, maker’s mark JB for Bondt; and a pair of ear clips of similar design, length 3cm each, each signed Boucheron, French assay marks for 18ct gold, maker’s mark for Bondt, stamped OR750 £5,000­7,000

885 Cartier, a gold ‘Zodiac’ pendant, 1973, the textured gold medallion pendant depicting the ram and symbol of Aries, length 5.9cm including bail, signed Cartier, numbered P5309, British hallmark for 18ct gold, date letter for 1973, sponsor’s mark JC for Cartier London

£6,000­8,000

886 Boucheron, a gold and diamond brooch/pendant, circa 1966, designed as an abstract foliate spray in engraved gold, centring on a cluster of brilliant­cut diamonds, measuring 4.7 x 4.1cm, signed Boucheron, French export maker’s mark, British import hallmarks for 18ct gold, date letter for 1966, later pendant fitting, case stamped Boucheron £1,500­2,000

Accompanied by a facsimile insurance valuation from Boucheron, dated December 9 1992, with the diamond brooch listed.

887 Van Cleef & Arpels, a gold brooch, mid 20th century, designed as spray of textured leaves in 18ct gold, length 4.2cm, signed Van Cleef & Arpels, numbered 97270, French assay marks for 18ct gold, French maker’s mark for Péry et Fils

888 No lot

£1,500­2,000

889 Boucheron, a pair of gem­set and diamond ear clips, 1960s, each of abstract woven design, set with lines of brilliant­cut diamonds, and circular­cut sapphires, rubies and emeralds in gold rope twist borders, length 4.1cm each, each signed Boucheron Paris, French assay marks for 18ct gold, French maker’s marks for Verger Frères, case stamped Chaumet £3,000­5,000

890 Monture Cartier, a diamond brooch, mid 20th century, designed as a flower in yellow gold, set with cushionshaped diamonds, length 5cm, signed Mtd Cartier, fitted case stamped Cartier London £4,000­6,000

891 A pair of diamond earrings, mid 20th century, each of foliate design in engraved gold, set with a cluster of circular­cut diamonds, length 2.1cm each, unsigned, screw fittings, case stamped Cartier London £1,500­2,000 By family tradition, these earrings were purchased from Cartier, and are accompanied by a facsimile of a Cartier insurance document.

892 A Victorian diamond pendant/brooch, late 19th century, designed as an openwork flower, set with circularcut diamonds, mounted in silver and gold, to a later 9ct gold chain necklace, pendant length 2.9cm, chain length 52cm, later brooch fitting, chain with British hallmark and Italian maker’s mark £800­1,200

893 A diamond rivière necklace, late 19th century, designed as a graduated line of circular­cut diamonds in box settings, mounted in silver and gold, length 37.5cm, fitted case stamped Frazer & Haws from Garrards £2,000­3,000

894 A Victorian diamond heart pendant, pavé­set with old cushion­shaped diamonds in silver, each side applied with a gold letter D and I respectively, on gold pendant loop, width 1.8cm £400­600

895 An attractive Victorian garnet and diamond pendant/brooch, late 19th century, of floral design, centring on a cushion­shaped pyrope/almandine garnet weighing approximately 4.00 carats, within a border of circular­cut diamonds totalling approximately 4.00 carats, mounted in silver and gold, length 4.6cm including diamond bail fitting, brooch fitting detachable £2,000­3,000

896 A Victorian gem­set and diamond brooch, late 19th century, designed as a ribbon tied in a trefoil bow, set with circular­cut and cushion­shaped diamonds, emeralds and rubies, and suspending two pearl pendants, mounted in silver and gold, length 4cm, pearls untested £400­600

897 A pair of diamond drop earrings, each designed as a vertical line of cushion­shaped diamonds in silver collet settings, the largest diamonds weighing approximately 0.80 and 0.85 carats respectively, length 2.7cm each, hook

fittings

£4,000­5,000

898 A diamond brooch, late 19th/early 20th century, designed as a five­petalled flower, set with cushion­shaped diamonds, mounted in silver, 2.8cm diameter £1,500­2,000

899 A late Victorian amethyst rivière necklace, late 19th century, set with graduated oval­shaped amethysts in gold coronet settings, length 38cm, case

£1,500­2,000

900 A diamond brooch, late 19th/early 20th century, designed as an asymmetrical ribbon bow, set with cushionshaped diamonds, the central diamond weighing approximately 0.75 carats, mounted in silver and gold, length 4.2cm

£2,000­3,000

901 An Art Nouveau diamond brooch, late 19th century, designed as a spray of oats, of knifewire construction in silver and gold, set with cushion­shaped diamonds, length 8cm, case stamped Arthur Jack & Co., Cheltenham

£800­1,200

902 An amethyst and diamond brooch, mid 19th century, of cluster design, claw­set with an oval step­cut amethyst, within an openwork surround of circular­cut diamonds, mounted in silver and gold, measuring 3.3 x 3.0cm, fitted case

£3,000­4,000

903 A diamond demi­parure, late 19th century and later, comprising: a brooch, designed as a spray of wild rose, set with circular­cut, cushion­shaped and rose­cut diamonds, length 7.5cm, mounted in silver and gold, later rhodium plating and brooch fitting, and a pair of 20th century earrings of similar design, set with brilliant­ and single­cut diamonds, diameter 2.1cm each, post fittings

£1,000­2,000

904 A diamond bangle, late 19th century, of hinged construction in knife wire, the front of floral design set with circular­cut diamonds, mounted in silver and gold, inner circumference 16cm £500­700

905 An unusual convertible diamond bangle/pair of brooches, late 19th century, the hinged gold bangle of knife wire construction, centring on a pair of floral openwork clusters set with rose­cut and cushion­shaped diamonds, detaching to form a pair of brooches, mounted in silver and gold, inner circumference of bangle 15.8cm, brooches each 2.5 x 2.3cm

£1,000­1,500

906 A diamond ring, late 19th century, of navette­shaped outline, pavé­set with circular­cut diamonds, mounted in gold, size Q, stamped 18CT

£2,000­3,000

907 A diamond brooch, late 19th century, realistically modeled as a cockerel, pavé­set with graduated rose­cut diamonds and a cabochon ruby eye, mounted in silver and gold, length 5.5cm

£3,000­4,000

908 A diamond brooch, France, late 19th century, designed as a crescent moon, set with a line of cushion­shaped diamonds, within a border of rose­cut diamonds, mounted in silver and gold, length 3.4cm, French assay mark for 18ct gold, partial French maker’s mark R Fres

£1,500­2,000

909 A diamond brooch/pendant, late 19th century, designed as a twelve­rayed star, set with cushion­shaped diamonds, mounted in silver and gold, diameter 3.1cm

£1,000­1,500

910 A George III agate necklace, early 19th century, designed as graduated oval agate cabochons in gold borders with engraved decoration, connected by floral links, length 41.5cm

£2,000­3,000

911 A George III rivière necklace, set with graduated oval­shaped aquamarines in closed­back yellow gold setting, with a later fine­link back chain, length 46.5cm

£2,000­3,000

λ 912 An unusual diamond mourning locket pendant, mid 19th century, centring on a crescent­shaped glazed compartment with a hinged back, containing an ivory plaque applied with hairwork in a design of a wreath tied with a ribbon bow, surmounted by a pear­shaped diamond weighing approximately 1.00 carat, within a border of cushionshaped diamonds in pinched collet settings, mounted in silver and gold, length 4.1cm, later brooch fitting, fitted case

£5,000­7,000

913 A garnet and diamond brooch, George III and later, the pear­shaped garnets within garnet surround in closed back silver and gold setting, within a later border of old cushion­shaped diamonds, joined on knife­edge wire in silver and gold, width 3.5cm, case

£2,000­3,000

914 A gold and enamel crucifix pendant, early 17th century, designed as Christ on the cross, applied with green and white enamel on gold, beneath a banner reading INRI (‘Iesus Nazarenus, Rex Iudaeorum’, ‘Jesus of Nazareth, King of the Jews’), the reverse with scrollwork applied with black and green enamel, the skull of Golgotha at the base, length 5.5cm

£3,000­5,000

915 A George III navette­shaped diamond ring, pavé­set with rose­cut diamonds in silver and gold closed back setting, later shank, size T

£2,000­3,000

λ 916 A pair of Royal portrait miniature rings, Portugal, circa 1785, each of elongated rectangular outline, containing an ivory miniature of Dom João, later King John VI of Portugal (1767­1826) and his mother, Queen Maria I of Portugal (1734­1816), each outlined with cushion­shaped diamonds, mounted in silver and gold, each size M, miniatures measuring approximately 3.0 x 1.9cm, original fitted presentation case

£3,000­5,000

It is possible that these rings were made around 1785 or shortly after, possibly as a diplomatic or personal gift, as the young prince can be seen wearing the Order of the Golden Fleece, bestowed upon him on the occasion of his marriage into the Spanish royal family that year, to the Infanta Carlota Joaquina of Spain. The two figures also wear the early green and red sash of the Three Military Orders, the design of which was changed in 1796. In 1788, Dom João’s older brother Dom José died of smallpox, and Dom João became heir to the Portuguese throne. He took over from his mother as regent in 1799, and succeeded to the throne in 1816. The portrait of the Dom João is possibly an embellished version of a painting by Giuseppe Troni, a copy of which can be seen in the British Royal Collection, ref. RCIN 406047, and the portrait of Queen Maria is based on a painted likeness of her dated to circa 1785/6, reproduced by the engraver Gaspar Fróis Machado, a copy of which can be see in the Biblioteca Nacional de Portugal, ref. E. 236 A.

λ 917 After Bernard Lens III, an ivory miniature mourning ring, 18th century, centring on a glazed ivory miniature commonly identified as Mary, Queen of Scots, within a border of woven gold thread, to openwork shoulders and a fluted band, mounted in gold, size O½, miniature 1.3 x 1.0cm £400­600

Cf.: a portrait miniature in the Royal Collection, RCIN 420113, for an early example of this portrait by Bernard Lens III (1682­1740). It was reproduced many times by Lens on the order of his patron, the 4th Duke of Hamilton, who had discovered the original portrait and identified it as Mary, Queen of Scots ­ a fashionable and romantic historical figure, viewed sympathetically among his contemporaries at the courts of Queen Anne and George I. The true identity of the figure, however, is unknown, and is more likely to be Mary Bellenden, later the Duchess of Argyll (c.1690­1735).

918 A George III diamond ring, late 18th century, of cluster design, set with cushion­shaped diamonds in closedback collet settings, mounted in silver and gold, size N, case £1,000­1,500

919 A gold and enamel poison ring, late 19th century, of bombé form, the hollow front carved with sprays of flowers applied with black and multicoloured enamel, the reverse with a hidden hinged compartment, mounted in gold, size Q½ £800­1,200

920 A Regency seed pearl and emerald­set gold ring, early 19th century, of quatrefoil design with a vacant centre, to a carved bifurcated yellow gold shank, size O, case £200­300

921 A gold mirror compact pendant, of oval outline with a hammered finish, sliding open to reveal two mirrors, mounted in gold, length 8.9cm £1,500­2,000

922 A late 19th century diamond bird brooch pendant, realistically formed with spread wings set with rubies and diamonds, an articulated old cushion­shaped diamond suspended from the bird’s mouth, all set in 18ct yellow gold, width 9.5cm, detachable brooch fitting £1,000­2,000

923 A Victorian gold and garnet necklace, mid 19th century, designed as a snake biting its own tail, its head engraved with a scale pattern and set with a foiled pear­shaped cabochon garnet with step­cut garnet eyes, its articulated body composed of tapering gold links, length 37.5cm £1,500­2,000

924 An Edwardian sapphire and diamond snake ring, 1903, the intertwined serpents with a sapphire and diamond set to each of their heads respectively in 18ct yellow gold, size T, British hallmarks for Chester, date letter for 1903, £400­600

925 A gold and diamond ring, designed as a coiled snake, its head set with a cushion­shaped diamond, size P, French assay mark for 18ct gold, numbered 7095 £800­1,200

926 A mid 19th century snake bracelet, circa 1860, the stylised serpent with blue enamel head set with seed pearls, on a graduated gold snake link necklace, suspending an Edwardian seed pearl and blue enamel heart pendant, all in yellow gold, length 17.5cm £700­900

927 A five­stone diamond ring, late 19th century, set with a sequence of five cushion­shaped diamonds totalling approximately 2.00 carats, spaced with rose­cut diamonds, to a gold mount of scrolled design, size N½ £1,000­2,000

928 A ruby ring, set with five graduated oval rubies, the largest weighing approximately 0.80 carats, to a gold mount with a scrolled gallery, size N½ £4,000­5,000

929 A pink sapphire ring, claw­set with an oval sapphire weighing approximately 3.00 carats, mounted in gold, size P £700­900

930 An Etruscan Revival gold and enamel brooch, second half 19th century, designed as a butterfly, its wings intricately applied with patterns of blue and white cloisonné enamel in gold rope twist borders, wingspan 4.5cm, case £3,500­4,500

931 Carlo Giuliano, an enamel, zircon, pearl and diamond pendant, late 19th century, of elaborate foliate scroll design in the Renaissance revival style, in gold applied with black and white enamel, set with cushion­shaped diamonds and an elongated step­cut green zircon, suspending a pearl pendant, length 6.2cm, maker’s mark CG for Carlo Giuliano, pearls untested £5,000­7,000

932 A ruby, emerald and diamond brooch, France, late 19th century, designed as a leopard’s head, set with ruby eyes and a cabochon emerald in its mouth, within diamond­set laurels in 18ct yellow gold, width 3.5cm

£1,500­2,000

933 A Victorian gold and garnet necklace, mid 19th century, designed as a snake, its head set with a polished almandine garnet, inset with rose­cut diamond eyes, suspending a heart­shaped locket pendant in its mouth set with a smaller cabochon garnet, to a body composed of articulated gold links, length 40.5cm, locket pendant possibly later, case

£1,000­1,500

934 A Victorian pearl, enamel and diamond bangle, mid 19th century, designed as a snake applied with blue enamel, its hinged body winding around the wrist, set with rose­cut and cushion­shaped diamonds and three pearls, its eyes set with cabochon rubies, mounted in silver and gold, inner circumference 14.5cm, expandable, pearls untested

A verbal report from GCS stated that the pearls are natural saltwater.

£6,000­8,000

935 Attributed to Hunt & Roskell, a gold, garnet and diamond brooch, mid 19th century, designed as a snake, suspending a heartshaped locket pendant, the snake’s body composed of gold linking, its head of polished and foiled almandine garnet, its eyes and mouth accented by rose­cut diamonds, the locket pendant set with a further heart­shaped cabochon garnet in a foiled setting, the reverse with a glazed compartment, measuring approximately 6.0 x 6.3cm, unsigned, fitted case stamped Hunt & Roskell

£5,000­7,000

936 Boucheron, a rare enamel and diamond brooch, 1880s, designed as a length of embroidery on a stretcher, the intricately pierced rectangular plaque applied with floral scrolls in green, blue, red and white enamel, accented with rose­cut diamonds, mounted in gold, length 4.7cm, signed Boucheron, French assay marks for 18ct gold, stamped with patent mark Breveté, French maker’s mark P&L, fitted case stamped Boucheron, the lid with metal initials AP £5,000­7,000

937 An attractive gold and half pearl bangle, late 19th/early 20th century, the hinged gold cuff decorated with lily­of­the­valley motifs accented with half pearls, inner circumference 18.4cm, faint assay or maker’s mark, pearls untested, gross weight 42 grams

£1,500­2,000

938 A Victorian gold, ruby and diamond bracelet, mid 19th century, composed of gold links designed as snakes, their heads alternately set with circular­cut diamonds and oval rubies, length 19cm

£1,500­2,000

939 A gold, enamel and gem­set bracelet, late 19th century, designed in the Archaeological Revival style, composed of gold panels decorated with floral arrangements gold wire and ropework, variously applied with multicoloured enamel and accented with circularcut rubies and sapphires, length 19cm, stamped 750, gross weight 75 grams

£3,000­4,000

940 An Art Deco sapphire and seed pearl sautoir, 1920s, composed of braided strands of seed pearls, threaded with sapphire beads, to a link set with circular­cut sapphires and diamonds suspending a tassel pendant, necklace length 86cm, tassel length 9cm, largest sapphire 18.3 x 15.1 x 11.3mm

£5,000­7,000

A verbal report from GCS states that the largest sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment, the remaining sapphires untested

941 An opal, demantoid garnet and diamond pendant, early 20th century, designed as a wild rose in carved opal, centring on a circular­cut demantoid garnet, suspended from an articulated section of knife wire linking set with circular demantoid garnets, to a Y­shaped motif set with rose­cut diamonds, on a fine link chain, mounted in platinum and gold, necklace length 38cm, pendant length 6.5cm, stamped 14, early 20th century Romanian assay mark for 14ct gold, fitted case

£2,000­3,000

942 An Art Nouveau pearl, enamel and diamond pendant, first half 20th century, of flaring outline, set with a line of cushion­shaped diamonds and a pearl, to a ground of foliate goldwork applied with blue and green plique à jour enamel and accented with rose­cut diamonds, to a pearl and diamond pendant and surmount, to a later gold chain, pendant length 7.6cm, chain length 36cm

£1,500­2,000

943 A natural pearl long guard chain, circa 1920, the platinum chain set with natural pearls measuring approximately 3.2­5.2mm diameter, length approximately 260cm

£8,000­12,000

944 A natural pearl necklace, composed of natural pearls measuring 4.6­6.9mm diameter, spaced by seed pearls, to a plain barrel clasp, length 50.5cm £600­800

A verbal report from GCS states that the pearls are natural, saltwater.

945 A fine natural pearl and diamond necklace, early 20th century, designed as a line of graduated natural pearls measuring approximately 4.9­9.2mm diameter, to a barrel clasp pavé­set with circular­cut diamonds, length 60cm £20,000­30,000

Accompanied by SSEF report no. 84088, dated February 11th 2016, stating that the 101 pearls are natural, saltwater.

946 A pearl, enamel and diamond bracelet, first half 20th century, composed of elongated hexagonal links in green plique à jour enamel, applied with sprays of roses in intricate gold work, each centring on a rose­cut diamond and bordered with pearls, mounted in gold, length 18.5cm, pearls untested £2,000­3,000

947 A natural pearl, sapphire and diamond necklace, early 20th century, composed of a single row of graduated natural pearls measuring approximately 3.9­7.3mm diameter, to a clasp designed as conjoined hearts, set with a pear­shaped diamond and sapphire, within an outer border of smaller circular­cut diamonds, mounted in silver and gold, length 45.5cm, case £3,000­5,000

Accompanied by The Gem & Pearl Laboratory report no. 23532, dated August 4th 2023, Stating that the 80 pearls are natural, saltwater. largest pearl: 7.2­7.3mm in width, smallest pearl: 3.9mm in width, overall weight 17.78grams.

948 Two natural pearl necklaces, each composed of a single row of natural pearls, one strand measuring 2.2­5.3mm diameter, length 42cm; the other strand measuring 2.2­5.1mm diameter, to a pearl and diamond clasp, length 50cm £400­600

A verbal report from GCS states that the pearls in both necklaces are natural, saltwater.

949 An Art Nouveau enamel and diamond ring, first half 20th century, of bombé design, the front composed of wild rose motifs in gold work applied with green plique à jour enamel and accented with rose­cut diamonds, centring on a cushion­shaped diamond, mounted in gold, size P½ £600­800

950 A natural pearl, enamel and diamond ring, set with a bouton­shaped natural pearl measuring approximately 8.9­90 x 5.8mm, to a circular setting applied with blue and green enamel and set with table and rose­cut diamonds, size L, French import assay marks for gold and silver £500­700

Accompanied by The Gem and Pearl Laboratory report no. 23373, dated July 7th 2023, stating that the pearl is natural saltwater, measuring approximately 8.9­9. x 5.8mm.

951 A cultured pearl and diamond ring, early 20th century and later, of cluster design, set with a cultured pearl of pink tint, within a border of circular­cut diamonds, mounted in gold, size M, cultured pearl possibly a later replacement £400­600

not lifesize

952 A Belle Époque natural pearl, ruby and diamond pendant/brooch, circa 1910, designed as a bow suspending a drop­shaped natural pearl of grey tint measuring 13.0 x 10.1 x 13.9mm, within three articulated concentric frames set with circular­cut diamonds and channel­set calibré­cut rubies, mounted in silver, gold and platinum, length 5.3cm £6,000­8,000

Accompanied by GCS report no. 5783­2998, dated June 19th 2023, stating that the pearl is natural, saltwater, with no indications of treatment.

953 A pair of sapphire and diamond drop earrings, mid 20th century, each designed as as floral motif set with a cabochon sapphire and circular­and rose­cut diamonds, suspending a detachable cabochon sapphire drop bordered with rose­cut diamonds, clip and post fittings, length 4cm each, clip fittings with Swedish assay marks for 18ct gold, Stockholm, date 1953, maker’s mark EAT, two diamonds deficient £10,000

20,000

not lifesize

954 A pair of diamond drop earrings, early 20th century, each composed of tapering elongated links suspending a hoop, set throughout with cushion­shaped diamonds, the centre of each hoop suspending a cushion­shaped diamond weighing approximately 1.00 carat each, mounted in platinum, length 4.4cm each, later post fittings £5,000­7,000

955 A spinel and diamond bracelet, France, late 19th century, composed of scrolled and pointed links in alternation, set with cushion­shaped diamonds and red spinels, mounted in silver and gold, length 20.4cm, French assay mark for gold, indistinct French maker’s mark, numbered 798, together with back chain enabling it to be worn as a choker, fitted case stamped Tessier £3,000­4,000

956 Lacloche Frères, an Art Deco gold and ruby pendant, 1920s, of hexagonal outline in gold, the central panel outlined in calibrécut rubies, opening via a spring­loaded hinge to reveal an interior photo compartment, length 3.2cm, signed Lacloche Frères Paris, numbered 35024, French import assay mark for 18ct gold, additional indistinct mark £1,500­2,000

957 A sapphire and diamond ring, circa 1920, set with an oval sapphire, within a rectangular border of cushion­shaped diamonds, the shoulders accented with smaller circular­cut diamonds, mounted in white gold, size I, case £600­800

958 A navette­shaped diamond cluster ring, pavé­set with graduated circular­cut diamonds and further diamonds set to the shoulders in white gold, size R £1,000­1,500

959 A sapphire and diamond ring, mid 20th century, of cluster design, set with an oval sapphire weighing approximately 0.80 carats, within a border of circular­cut diamonds, mounted in gold and platinum, size N, stamped 18CT PLAT, numbered 1114Y £600­800

960 An Edwardian ruby and diamond fringe necklace, millegrain­set with graduated old circular­cut diamonds suspending diamondset flowers and graduated pear­shaped rubies in platinum and gold, length 42cm £1,000­2,000

961 A sapphire and diamond ring, of cluster design, claw­set with an oval sapphire weighing approximately 3.00 carats, within a border of circular­cut diamonds, mounted in white gold, size Q½ £2,000­3,000

962 A diamond solitaire ring, the old circular­cut diamond with diamond shoulders set in white gold, size K ½ £200­300

963 A ruby and diamond ring, of cluster design, claw­set with an oval ruby weighing approximately 1.00 carat, to a double border and shoulders set with circular­cut diamonds, mounted in gold, size Q £1,000­1,500

964 A three­stone diamond ring, early 20th century, set with a circular­cut diamond weighing approximately 1.10 carats, between smaller circular­cut diamonds each weighing approximately 0.65 carats, mounted in platinum and gold, size Q, stamped CT & PT £3,000­5,000

965 A zircon solitaire ring, the circular­cut zircon set within rose­cut diamond shoulders in platinum and gold, size K £400­600

966 A pink sapphire and diamond ring, mid 20th century, of cluster design, set with an elongated cushion­shaped pink sapphire weighing approximately 1.50 carats, within a border of circular­cut diamonds, mounted in platinum, size J½ £500­700

967 An emerald and diamond cluster ring, the step­cut emerald set within a border of diamonds and emeralds in an octagonal setting with diamond shoulders, size N £2,000­3,000

968 A synthetic orange sapphire and diamond ring, claw­set with a cushion­shaped synthetic orange sapphire, between shoulders set with circular­cut diamonds in navette­shaped millegrain borders, mounted in white gold, size I½ £200­300

969 A sapphire and diamond ring, of cluster design, claw­set with an oval sapphire weighing approximately 1.50 carats, within a border of brilliant­cut diamonds totalling approximately 1.10 carats, mounted in platinum, size N½ £1,800­2,200

970 A diamond long chain, spectacle­set with single­cut diamonds, mounted in white gold, length 134cm £3,500­4,500

971 An Edwardian diamond bracelet, early 20th century, of openwork design, set with graduated old circular­cut diamonds within four fine­link chains in platinum, length 18cm £1,000­1,500

972 A gold, ruby and diamond bracelet, France, early 20th century, composed of tapering gold links centring on rose­cut diamonds within rope twist borders, connected by links set with cabochon rubies, mounted in gold, length 15.5cm, French assay marks for 18ct gold £1,000­1,500

† 973 A loose lavender coloured star sapphire cabochon, measuring 10.52 x 7.53 x 7.68, weighing 7.06cts £400­600

974 A diamond­set bow brooch, set with graduated circular­cut diamonds in white gold, width 4.6cm £800­1,200

975 A fine Belle Époque jasperware, pearl and diamond brooch, circa 1900, composed of a cut­cornered rectangular jasperware cameo depicting a mythological scene, possibly the triumph of Poseidon and Amphitrite, within a fine platinum border millegrain­set with rose­cut diamonds and pearls, suspending a pearl and diamond pendant, length 4.9cm, French assay marks for 18ct gold, fitted case

£1,000­1,500

976 An Edwardian ruby, emerald, pearl and diamond brooch, circa 1910, of floral scroll design, set with rose­cut diamonds and circular­cut rubies, suspending a pear­shaped emerald and a pearl pendant, mounted in gold and platinum, length 4.9cm, detachable brooch fitting, fitted case stamped Arthur & Co.

£800­1,200

977 An early 20th century topaz and diamond bar brooch, the cushion­shaped topaz set on a bar brooch with diamond trefoils and terminals in platinum and yellow gold, length 7.6cm

£2,000­3,000

978 A diamond brooch, early 20th century, of bar design, claw­set with a line of cushion­shaped diamonds, mounted in gold, length 5.7cm, fitted case £400­600

979 An Art Deco emerald, ruby and diamond clip brooch, 1930s, designed in the ‘Tutti Frutti’ style as a giardinetto of flowers, set with carved emeralds and rubies, and circular­cut and baguette diamonds, mounted in platinum, length 3.0cm £3,000­5,000

980 An Art Deco Egyptian Revival emerald, carnelian, glass intaglio and diamond necklace, circa 1925, set with an oblong reverse glass intaglio depicting an ancient Egyptian figure carrying an urn, within a geometric openwork border of carnelian, step­cut emeralds and circular­cut diamonds, to a fancy link chain necklace set with circular­cut diamonds, the bolt ring clasp set with additional rose­cut diamonds, mounted in platinum, necklace length 38cm, pendant length 5.6cm £3,000­4,000

981 A Belle Époque pearl and diamond necklace, circa 1910, the pendant designed as an articulated tassel set with circular­cut diamonds, surmounted by a pearl, to a fine chain threaded with seed pearls, mounted in platinum, pendant length 6.5cm, chain length 40cm £8,000­12,000

982 A natural pearl and diamond necklace, early 20th century, designed as a single row of natural pearls measuring approximately 3.7­4.2mm diameter, to a clasp set with a cluster of cushion­shaped diamonds, length 44.5cm £600­800

A verbal report from GCS states that the pearls are natural, saltwater

983 A diamond long chain, spectacle­set with marquise­shaped diamonds, mounted in platinum, length 80.5cm £15,000­20,000

984 A diamond ring, collet­set with a brilliant­cut diamond weighing approximately 0.55 carats, within an openwork mount pavé­set with brilliant­cut diamonds and channel­set with baguette diamonds, mounted in white gold, size K½ £500­700

985 An emerald ring, millegrain­set with a step­cut emerald, to a platinum band engraved with foliate decoration and set with a line of calibré­cut emeralds, size M½, stamped 850 PLAT E118 03 £800­1,200

986 A diamond eternity ring, mid 20th century, of full eternity design, set in the round with single­cut diamonds, mounted in white gold, size L½ £300­500

To be sold without reserve

987 A diamond eternity ring, of full eternity design, set throughout with brilliant­cut diamonds, mounted in white gold, size J £200­300

988 An emerald and diamond ring, centring on a rose­cut diamond, within a rectangular openwork platinum plaque, millegrain­set with single­cut diamonds and lines of calibré­cut emeralds, size N, stamped 850 PLAT D0.41 03 04 £800­1,200

To be sold without reserve

989 A diamond ring, 1930s composite, centring on an antique cluster of cushion­shaped diamonds, on an Art Deco mount with baguette diamond shoulders, mounted in platinum, size I, case £800­1,200

990 A diamond ring, early 20th century, designed as a rectangular openwork plaque, set with a vertical line of oval and circular­cut diamonds, within a border of smaller circular­cut diamonds, mounted in platinum, size J, numbered 178 £1,000­1,500

991 An Art Deco tsavorite garnet and diamond ring, circa 1920 and later, of geometric design, set with two step­cut tsavorite garnets, set with circular­cut, single­cut and baguette diamonds, mounted in platinum, size O, garnets later added £1,000­1,500

992 Attributed to Fontana, an Art Deco diamond bracelet, France, circa 1920, composed of rectangular and bar­shaped links, set with circular­cut and cushion­shaped diamonds, centring on larger collet­set circular­cut diamonds, totalling approximately 11.50­12.50 carats, mounted in platinum, length 19.4cm, unsigned, French assay mark for platinum, indistinct French maker’s mark, fitted case stamped Fontana £12,000­15,000

993 A diamond solitaire ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 1.80 carats, to shoulders set with smaller circular­cut diamonds, mounted in white gold and platinum, size Q, stamped 18CT PLATINUM£3,000­5,000

994 A sapphire and diamond ring, early 20th century, of elongated plaque design, set with two oval sapphires within an outer border of circular­cut diamonds, mounted in white gold and palladium, size N½ £1,000­1,200

995 Cartier, a sapphire and diamond jabot pin, the stylised arrow set with single­cut diamonds and buff­top sapphires in platinum and gold, stamped Cartier, with makers lozenge, French control marks and numbered 5876, length 5.2cm £800­1,200

996 Birks, an early 20th century jadeite and diamond brooch, the carved jade depicting a butterfly amongst foliate, within scrolling laurel borders set with fancy yellow and white diamonds in platinum and white gold, length 5.7cm £2,000­3,000

A verbal report from GCS stated that the jadeite jade had no indications of impregnation.

not lifesize

997 A sapphire and diamond ring, early 20th century, of square outline, set with an octagonal sapphire weighing 1.81 carats, within a border of cushion­shaped diamonds, mounted in white gold, size L, stamped 18CT £8,000­12,000

Accompanied by SSEF report no. 129618, dated May 24th 2023, stating that the octagonal­cut sapphire weighing 1.81 carats is of Kashmir origin, with no indications of heat treatment.

Accompanied

not lifesize

998 Vever, a sapphire and diamond brooch, early 20th century, of bar design, centring on a step­cut sapphire weighing 4.93 carats, between three circular­cut diamonds at each side, mounted in gold, length 7cm, numbered 3492, French assay marks for 18ct gold, French maker’s mark for Vever £20,000­30,000

by SSEF report no. 129040, dated May 16th 2023, stating that the rectangular­cut sapphire weighing 4.93 carats is of Kashmir origin, with no indications of heat treatment.

999 An impressive amethyst and diamond brooch, circa 1890 and later, set with a large oval amethyst within a border of cushion­shaped diamonds, suspending an amethyst drop pendant capped with cushion­shaped and rose­cut diamonds, length 7.4cm, later gallery and brooch pin, later pendant hook and rhodium plating to pendant £5,000­7,000

1000 An enamel and ruby vinaigrette pendant, France, late 19th century, the hinged gold locket of openwork design, decorated with a horse chestnut leaf motif applied with green enamel, set with circular­cut rubies, the reverse pierced with an openwork horse chestnut leaf design in engraved gold, to a later gold chain, length 3.1cm, French assay mark for 18ct gold, chain length 40cm £600­800

To be sold without reserve

1001 An Art Nouveau peridot and diamond pendant, circa 1900, of negligée design, set with a cushion­shaped peridot and suspending two pear­shaped peridot pendants, circular­cut diamonds and a pearl, mounted in silver and gold, pendant length 6.3cm, chain length 32cm, pearl untested, case £1,000­1,500

1002 A late 19th century sapphire and diamond cluster ring, the cushion­shaped sapphire set within a surround of old cushion­shaped diamonds in silver and gold, size P £2,000­3,000

1003 An amethyst and diamond brooch/pendant, claw­set with a hexagonal step­cut amethyst, within a border of brilliant­cut diamonds, length 2.5cm, mounted in gold £300­400

1004 A ruby and enamel mourning locket, mid 19th century, designed in the ‘Holbeinesque’ style, centring on a foiled cabochon ruby, within a border applied with red, green, blue and white enamel, and set with cabochon rubies in lozenge borders, suspending a cabochon ruby pendant, the reverse with a glazed locket compartment containing a lock of hair, mounted in gold, length 5.6cm £1,500­2,000 To be sold without reserve

1005 An emerald and diamond ring, early 20th century, designed as a floral cluster, collet­set with a step­cut emerald weighing approximately 1.40 carats, within a border of cushion­shaped diamonds, mounted in gold and platinum, size N½ £800­1,200

1006 A diamond, ruby and emerald brooch, late 19th century, designed as a bee, set with cushion­shaped and rose­cut diamonds, a cushion­shaped ruby and emerald, to a bar brooch, mounted in gold and silver, length 5.1cm £300­400

1007 A pearl, ruby and diamond brooch, late 19th century, designed as a bee, set with cushion­shaped diamonds, its thorax set with a pearl, its eyes set with cabochon rubies, mounted in silver and gold, wingspan 3.6cm, pearl untested, box stamped Bentley & Skinner £2,000­3,000

1008 A Victorian sapphire, ruby and diamond brooch, late 19th century, designed as a salamander, set with cushion­shaped and circular­cut diamonds, circular­cut emeralds and cabochon rubies, mounted in silver and gold, length 5.5cm £1,000­2,000

1009 A hessonite garnet and diamond bracelet, France, 19th century, composed of floral clusters spaced by scroll­shaped links, set with circular­cut hessonite garnets and diamonds, mounted in silver and gold, length 17.5cm, French assay marks for 18ct gold, partial maker’s mark £1,500­2,000

1010 An amethyst and diamond ring, early 20th century, set with a rectangular step­cut amethyst, to a border and fleur­de­lis shoulders set with rosecut diamonds, mounted in platinum and gold, size J½ £1,000­1,500

1011 A Victorian diamond brooch, late 19th century, designed as a six­rayed star bordered by X­shaped motifs, set with cushion­shaped diamonds, mounted in silver and gold, length 4.2cm £800­1,200

To be sold without reserve

1012 A Victorian diamond pendant, later 19th century, of cluster design, to a foliate scroll surmount and bail fitting, set with cushion­shaped and rosecut diamonds, mounted in silver and gold, length 6.6cm, fitted case, accompanied by receipt dated 1947 £3,000­4,000

1013 A late Victorian diamond brooch, circa 1900, designed as an aymmetrical ribbon bow suspending a cluster and festoon of knife wire construction, claw­set with circular­cut diamonds, mounted in silver and gold, length 3.5cm, case stamped Streeter & Co. £800­1,200

1014 A pearl and diamond brooch, late 19th century, designed as a bee, set with rose­cut diamonds, its thorax set with a pearl, its eyes with rubies, mounted in silver and gold, wingspan 3.4cm, pearl untested £400­600

1015 A paste ring, circa 1903, set with five cushion­shaped red pastes, spaced by rose­cut diamonds, mounted in 18ct gold, size R, British hallmarks £100­150

To be sold without reserve

1016 A diamond brooch, late 19th century, designed as a star, set with circular­cut diamonds, mounted in silver and gold, diameter 3.0cm £600­800

1017 A Victorian diamond brooch, late 19th century, designed as a crescent moon, set with circular­cut diamonds, mounted in silver and gold, length 5.7cm £1,000­1,500

1018 A George III diamond brooch, early 19th century, designed as a floral cluster, set with cushion­shaped diamonds in closed settings, mounted in silver and gold, 2.6cm diameter, case £3,000­4,000

1019 A five­stone sapphire ring, set with five graduated cushion­shaped sapphires, mounted in gold, size S½, stamped 18CT £400­600

To be sold without reserve

£3,000­5,000

1020 A George IV amethyst parure, 1830s, comprising: a necklace, the front set with three oval amethysts, suspending a fringe of three pear­shaped amethyst pendants, each in scrolling frames of gold cannetille, the back chain formed from twisted bar links, length 35cm, length at front 6cm; a pair of drop earrings, length 7cm each, hook fittings possibly later; and a brooch, length 2.6cm, fitted case

1021 A ruby and diamond ring, early 20th century, of five­stone design, set with three oval rubies spaced by a pair of circular­cut diamonds, to a scrolled setting in yellow gold accented with rose­cut diamonds, size Q½

£1,500­2,000

1022 Alabaster & Wilson, a late 19th century diamond three stone ring, set with three graduated old circularcut diamonds within diamond pointers in carved and pierced yellow gold, size P, case

£2,000­3,000

1023 A late 19th century diamond five stone ring, set with graduated cushion­shaped diamonds, within diamond pointers in carved and pierced yellow gold shank, size R, case

£1,000­1,500

1024 A 19th century French sapphire and gold mesh purse, of square design, set with a border of calibré­cut sapphires in yellow gold, with a central square sapphire on gold mesh, hinged opening, French control marks and numbered 37615, 5.2cm high (diagonally) £800­1,200

1025 A demantoid garnet and diamond ring, early 20th century, of cluster design, set with a cushion­shaped demantoid garnet, within concentric borders of rose­cut diamonds and circular­cut demantoid garnets, mounted in gold, size M½

£3,000­4,000

1026 A garnet intaglio signet ring, 20th century, set with a garnet intaglio depicting a crest of a bull holding an arrow in its mount, to a gold mount engraved with star motifs, size O½ £400­600

1027 A late 19th century diamond five stone ring, set with graduated old cushion­shaped diamonds within diamond pointers in carved and pierced yellow gold setting, size T, case £800­1,200

1028 A diamond three­stone ring, set with three graduated circular­cut diamonds totalling approximately 1.70 carats, in a carved and pierced yellow gold setting, spaced by smaller cushion­shaped diamonds, size M £2,000­3,000

1029 A sapphire and diamond ring, late 19th century, set with cushion­shaped sapphires and diamonds in alternation, in a carved and pierced yellow gold setting, size M £1,000­2,000

1030 A gold, sapphire, ruby and diamond bracelet, France, late 19th century, designed as a strap composed of gold mesh linking, decorated with trefoils set with cushion­shaped sapphires, rubies and diamonds, length 18.5cm, partial French assay mark for 18ct gold, maker’s mark MR with compass, gross weight 53 grams £3,500­4,500

1031 An amethyst and diamond pendant, late 19th century, set with a buff­topped cushion­shaped amethyst, within a border of rose­cut diamonds, the mount with an elaborately pierced scroll gallery, to a rose­cut diamond bail, mounted in silver and gold, length 2.8cm £300­500

1032 A kunzite and diamond scroll brooch, the large step­cut kunzite weighing approximately 45.00cts, set within diamond­set scrolls in silver and gold, length 4cm £10,000­20,000

1033 A ruby and diamond bracelet, late 19th century, of lattice design, set with cushion­shaped rubies and cushion­shaped and rose­cut diamonds, mounted in silver and gold, length 17cm, French import assay marks for gold and silver £8,000­12,000

1034 A Victorian diamond brooch, late 19th century, designed as a swallow in flight, set with cushion­shaped diamonds with circular­cut ruby eyes, connected by a safety chain to a bar brooch set with a circular­cut diamond, mounted in silver and gold, the swallow inscribed ‘Jim to Cissie, Jan 7th ‘99’, swallow wingspan 5.4cm, fitted case stamped Byrne, Liverpool £3,000­5,000

1035 G. Petochi, a late 19th century gem­set brooch, designed as a hummingbird, pavé­set with cushion­shaped diamonds, rubies and emeralds, mounted in gold, length 6.5cm, signed G.Petochi to the pin £10,000­15,000 Fratelli Petochi was established in 1884 by brothers Alessandro and Giuseppe Petochi in Rome. Their talents were noticed by Prince Alessandro Torlonia, who offered them a salon space in the Palazzo Torlonia, a famed 16th­century townhouse in the centre of Rome, in 1904. This move led to a number of prestigious commissions, from grand families such as the the Borghese, and the Odescalchi, as well as the Royal House of Savoy who granted them a Royal Warrant in 1926. Their trajectory continued throughout the 20th century, and the firm continued to serve an elite clientele, notably including the Hollywood star Audrey Hepburn. Said to have dropped into the Petochi salon to have an earring repaired while filming Roman Holiday, Hepburn reportedly became one of the firm's longstanding clients, embodying the firm's 'Dolce Vita' aesthetic.

1036 A pair of emerald and diamond earrings, 19th century, of pendent design, composed of foliate scrolls set with cushion­shaped diamonds and emeralds, suspending three foliate pendants set with pear­shaped diamonds, the largest diamonds weighing approximately 1.05 and 0.90 carats respectively, mounted in silver and gold, length 5.7cm each, post and clip fittings, surmounts detachable, fitted case stamped SJ Phillips £15,000­20,000

1037 A diamond brooch, late 19th century, designed as a shamrock, set with circular­cut and cushion­shaped diamonds, mounted in silver and gold, length 4cm £2,000­3,000

1038 A pair of diamond earrings, 19th century composite, each of tassel design, set with cushion­shaped diamonds, mounted in gold and silver, the principal diamonds weighing approximately 1.15 and 1.10 carats respectively, length 2.9cm each, composite, later post fittings, case £3,000­4,000

not lifesize

1039 A sapphire and diamond ring, claw­set with an oval sapphire weighing 19.35 carats, between triangular diamonds shoulders, mounted in white gold, size N £15,000­20,000

Accompanied by GCS report no.5777­9277, dated March 21st 2017, stating that the oval­cut sapphire weighing 19.35 carats is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

1040 Mauboussin, an impressive Art Deco diamond bracelet, 1930s, of geometric design, set with circular­cut and baguette diamonds, mounted in platinum, length 18cm, signed Mauboussin Paris, French assay marks for 18ct gold, French maker’s mark LR with ace of clubs £40,000­50,000

not lifesize

1041 A sapphire and diamond ring, early 20th century, of cluster design, set with a large cushion­shaped sapphire weighing approximately 38.00 carats, within a border of circular­cut diamonds, mounted in gold, size X £30,000­40,000

Accompanied by GCS report no. 80274­59, dated 4 September 2020, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

1042 A fine sapphire and diamond ring, set with a cushion­shaped sapphire weighing 4.87 carats, in a mount of bombé design set with brilliant­cut diamonds, mounted in platinum, size J½ £100,000­150,000 Accompanied by SSEF report no. 104126 dated January 16th 2019, and GCS report no. 79192­99 dated December 18th 2018, stating that the cushion­cut sapphire weighing 4.87 carats is of Kashmir origin, with no indications of heat treatment.

not lifesize

1043 A diamond pendant, early 20th century, of navette outline suspending a drop, set with circular­cut and rose­cut diamonds, mounted in platinum, length 5.9cm including bail, later brooch fitting, case £1,000­2,000

1044 An unusual Art Deco onyx, heliodor and diamond pendant, France, 1920s, centring on a circular­cut diamond weighing approximately 0.70 carats, within a hexagonal onyx setting and calibré­cut helidor border, to a pendant designed as a geometric openwork plaque with foliate details, set with circular­cut diamonds and crossed with lines of calibré­cut onyx, mounted in platinum, length 4.5cm, French assay mark for platinum, partial French maker’s mark L with oak leaf/feather £2,500­3,500

1045 An Art Deco ruby and diamond brooch, 1930s, of geometric design, set with single­, circular­ and Frenchcut diamonds, and a central line of calibré­cut rubies, mounted in platinum, length 3.3cm £1,000­1,500 To be sold without reserve

1046 An Art Deco emerald and diamond ring, 1920s, designed as an elongated openwork plaque, centring on a cushion­shaped emerald weighing approximately 1.10 carats, within a surround of cushion­shaped diamonds totalling approximately 1.20 carats, mounted in platinum, size L½

£4,000­6,000

Accompanied by GCS report no.5777­8763, Dated February 2nd 2022, stating that the cushion­cut emerald is of Colombian origin, weighing approximately 1.10 carats with indications of minor clarity enhancement.

1047 Drayson, an Art Deco sapphire and diamond ring, 1930s, designed as two confronted scrolls of channelset baguette diamonds, to shoulders set with step­cut sapphires, mounted in platinum, size I½, signed Drayson

£5,000­7,000

1048 A ruby and diamond ring, set with an oval ruby between tapering calibré­cut ruby shoulders, within a border of single­cut diamonds, to a platinum mount engraved with foliate decoration, size N, stamped 850 PLAT R12 D016

£1,000­1,500

To be sold without reserve

1049 A diamond ring, of cluster design, the octagonal front pavé­set with circular­ and single­cut diamonds, mounted in white gold, size M½ £600­800

1050 A diamond brooch, early 20th century, the oval platinum brooch of serpentine outline, centring on three circular­cut diamonds weighing approximately 1.30, 0.55 and 0.60 carats respectively, and pavé set with smaller circular­cut diamonds, length 5.3cm

£3,000­4,000

1051 A diamond solitaire ring, the circular­cut diamond weighs approximately 1.20cts, set in platinum, size Q £1,000­1,500

1052 A fine Art Deco ruby and diamond ring, 1920s, of square outline, set with two circular­cut diamonds and two circular­cut rubies accented with calibré­cut ruby borders, to an outer border and shoulders set with circularcut diamonds, mounted in platinum, size N £1,500­2,000

1053 A diamond solitaire ring, set with a step­cut diamond weighing 0.56 carats, to a plain 18ct white gold mount, size L½, British hallmark £400­600

Accompanied by The Gem Testing Laboratory of Great Britain report no.0077641, Dated September 2nd 1999, stating that the emerald­cut diamond weighing 0.56 carats is G colour, VS2 clarity with no fluorescence.

1054 An Art Deco sapphire and diamond brooch, circa 1920, centring on an oval cabochon sapphire weighing approximately 10.00 carats, to a geometric bar brooch channel­set with calibré­cut sapphires, and outlined with single­cut diamonds in millegrained borders, mounted in platinum, length 6.6cm, French assay marks for platinum, French maker’s mark GT with arrow £16,000­18,000

Accompanied by AGL report no.1109360, Dated August 28th 2020, Stating that the oval cabochon sapphire measuring 15.5x11.4x6.05mm is of Sri Lankan (Ceylon) origin with no indication of heat treatment.

1055 An Edwardian diamond choker necklace, the five openwork slides of rounded rectangular form, millegrainset with single­cut diamonds in platinum on gold, each slide adjustable on the velvet collar, with a diamond­set clasp, width 3cm, length 32cm £2,000­3,000

1056 A diamond solitaire ring, first half 20th century, claw­set with an antique cushion­shaped diamond weighing approximately 2.70 carats, mounted in platinum, size S, stamped PT950 £5,000­7,000

1057 A diamond ring, set with an antique navette­shaped diamond weighing approximately 3.50 carats, within a millegrained platinum mount set with circular­cut diamonds, size K½ £32,000­40,000

1058 Tiffany & Co, an early 20th century amethyst and diamond bow brooch, the circular­cut diamond set within calibré­cut amethyst ribbons in platinum, stamped Tiffany & Co, length 5.6cm £5,000­7,000

1059 An early 20th century diamond jabot pin, the stylised arrow set with rose­cut diamonds in platinum and gold, length 8.4cm, case £400­600

1060 A diamond necklace, designed as a line of spectacle­set marquise­ and pear­shaped diamonds totalling approximately 3.50 carats, length 40.5cm, stamped 585 £3,000­4,000

1061 Cartier, a late Art Deco diamond bracelet, New York, 1930s, composed of tank­style linking set with circularcut diamonds, mounted in platinum, length 17.5cm, signed Cartier, stamped PLAT £8,000­12,000

1062 A fine Art Deco diamond bracelet, 1930s, of geometric design, centring on circular­cut diamonds within fans of baguette diamonds totalling approximately 18.00­20.00 carats, mounted in platinum, length 18cm, partial French maker’s mark, numbered 23, fitted case £20,000­30,000

1063 Ruser, a sapphire and diamond brooch, America, mid 20th century, designed as abstract drapery, pavé­set with circular­cut diamonds and channel­set with lines of French­cut sapphires, length 6cm, signed Ruser, inscribed Irid.Plat £5,000­7,000

Ruser was the eponymous firm founded by the American jeweller William Ruser, whose career began at Trabert & Hoeffer Mauboussin in New Jersey. Setting up shop on Rodeo drive in 1947, Ruser found success catering to the Hollywood elite, who particularly coveted his figurative jewels set with freshwater baroque pearls, as well as his more traditional designs, beautifully set with precious stones. He closed his business in 1969, selling the Rodeo Drive location to Van Cleef & Arpels.

1064 Cartier, an Art Deco sapphire and diamond charm pendant, early 20th century, together with an enamel and diamond ‘Mickey Mouse’ charm pendant, early 20th century, comprising: a charm designed as a stylised dog set with baguette and tapered baguette diamonds, and a calibré­cut sapphire, mounted in platinum, length 1.5cm, faintly signed Cartier, faintly numbered 02583, partial maker’s mark; together with a charm designed as Mickey Mouse, applied with black enamel and set with single­cut diamonds, length 1.5cm, French assay mark for platinum, possibly by Cartier, unsigned, one leg deficient £4,000­6,000

1065 A diamond ring, claw­set with brilliant­cut diamond weighing 6.87 carats, to shoulders set with triangular diamonds, mounted in 18ct white gold, size L (sizing beads), British hallmarks, case £25,000­30,000 Accompanied by a gemmological report.

1066 A diamond solitaire ring, collet­set with a step­cut diamond weighing approximately 1.90 carats in an articulated mount, connected to hoop shoulders, mounted in bicoloured 18ct gold, size L½, British hallmark, sponsor’s mark E Ltd £10,000­15,000

not lifesize

1067 A cultured pearl and diamond necklace, the cultured pearl necklace with a diamond barrel clasp and diamond­set rondels suspends and circular diamond pendant set with a large central round brilliant­cut diamond weighing 4.02cts within a further diamond border, necklace length 44cm

£20,000­30,000

Accompanied by IGR report number L14500705 dated 4th April 2014 stating that the diamond weighs 4.02cts, with J colour VS1 clarity, fluorescence: none.

1068 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 2.20cts, claw­set in platinum, London hallmarks for 2003, size K £3,500­4,500

1069 A diamond ring, claw­set with a circular­cut diamond weighing 3.18 carats, to a yellow gold mount set with baguette diamonds, size Q £12,000­18,000

1070 A Fancy Intense Greenish Yellow diamond ring, of cluster design, centring on a cushion­shaped Fancy Intense Greenish Yellow diamond weighing 1.02 carats, within a border of circular­cut diamonds, mounted in platinum, size P, stamped PLAT, case £5,000­7,000

Accompanied by HRD, Antwerp report no. 13011372004, dated April 26th 2013. Stating that the central cushioncut diamond weighing 1.02 carats is Fancy Intense Greenish Yellow, natural colour, VVS1 clarity with strong fluorescence.

1071 Tiffany & Co, a diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 1.26 carats, mounted in platinum, size K, signed Tiffany & Co, numbered 31858569, British hallmarks for London, date letter for 2013 £3,000­5,000

1072 A diamond ring, centring on a circular­cut diamond weighing approximately 1.00 carat, flanked with graduated baguette diamonds, mounted in platinum, size I (sizing beads) £600­800

1073 A diamond rivière necklace, the graduated round brilliant­cut diamonds weighing approximately 18.60cts, rubover­set in white gold, length 46cm £10,000­15,000

Accompanied by WGI report no.9624140804, Dated October 25th 2022, stating the brilliant­cut diamonds total weight of 18.60 carats, colour H­I, clarity VS1­VS2.

1074 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.25cts, claw­set in twisted gold setting, size K

£1,200­1,500

1075 A diamond ring, claw­set with a brilliant­cut diamond weighing approximately 2.90 carats, to a plain gold band, size J, stamped 18CT

£3,000­5,000

1076 A diamond ring, of toi et moi design, set with two circular­cut diamonds, each weighing approximately 1.00 carat, mounted in platinum, size M½, stamped PLAT, maker’s mark SMA BVH, case

£4,000­6,000

1077 A diamond half hoop ring, set with a round brilliant­cut diamond weighing 1.50cts, flanked with graduated baguette­shaped diamonds in platinum, size N

£3,000­4,000 Accompanied by report number 13011372001 from HRD, Antwerp stating that the diamond weighs 1.50cts with G colour, SI2 clarity, fluorescence: nil.

1078 An Edwardian diamond bracelet, set with nine graduated circular­cut diamonds in millegrained square settings on an articulated back chain in white gold, the diamonds graduating from approximately 0.70 to 1.40 carats, totalling approximately 8.00 carats, length 16.5cm £6,000­8,000

1079 A diamond­set bangle, set with three rows of graduated circular and baguette­shaped diamonds, total approximate diamond weigh 7.50ct, internal width 5.8cm £5,000­7,000

1080 A large pair of sapphire and diamond drop earrings, formed of two sapphire and diamond clusters, each centring on an oval­shaped sapphire with a surround of round brilliant­cut diamonds in yellow gold, total approximate sapphire weight 25.00cts, total approximate diamond weight 11.50cts, clip fittings, length 4.8cm £20,000­30,000

1081 Pragnell, a diamond ring, ‘Manhattan Classic’, of bombé design, set with five rows of graduated carré and French­cut diamonds channel­set in platinum, approximate total diamond weight 5.90 carats, London hallmarks for 2018, size N £6,000­8,000

1082 Monture Mellerio, a diamond cluster ring, the round brilliant­cut diamond weighing 4.61 carats, set within a surround of round brilliant­cut diamonds in platinum, size M, signed Mellerio Monture and numbered 20396, French assay and maker's marks £40,000­50,000

Accompanied by a copy of Carat Gem Lab report no. CGL08634, Dated March 2015, stating that the round brilliantcut diamond weighing 4.61 carats, is of I colour, SI1 clarity, with medium fluorescence.

1083 Oscar Heyman & Brothers, a ruby and diamond ring, circa 1980, of bombé design, the invisibly­set rubies separated by lines of graduated brilliant­cut diamonds in platinum, size O, maker's mark OHB, numbered 155647, stamped PLAT, French maker's mark RM with beetle and pre-1994 French export assay mark for platinum on exterior of shank £18,000­24,000

Oscar Heyman is often known as the 'Jeweller's Jeweller', because the firm has quietly produced some of the most extraordinary American jewels of the 20th century, for some of the most famous jewellery houses. Oscar and his brother Nathan initially trained in their uncle's workshop in Karkhiv, Ukraine, which produced jewels for firms such as Fabergé. Becoming proficient in the use of platinum (which was a recent innovation), the brothers emigrated to America in 1906. They were employed by Pierre Cartier, who was establishing Cartier's New York branch at the time, before founding their eponymous firm in 1912. Heyman Brothers was renowned for their superb craftsmanship, and Heyman jewels can be found signed by jewellers such as Tiffany & Co., Black, Starr & Frost, and Marcus & Co. Perhaps their most fruitful collaboration came in 1939 with Van Cleef & Arpels, who were looking for a jeweller who could handle the technical demands of manufacturing their signature serti mysterieux jewels in America. This technique required stones to be specially cut for complete tesselation, and then specially incised once cut, allowing them to be slotted into metalwork grids, resulting a glittering, seamless surface of coloured gems with no visible settings. Oscar Heyman Brothers mastered this technique to the extent that it then became one of their own signature designs. The present lot showcases their command of this famously difficult technique, with the additional complication of setting the rubies across a curved surface, threaded with lines of brilliant­cut diamonds to give an illusion of cushioned fabric. Oscar Heyman Brothers still produces jewels of superb quality, and are now in their third generation of family ownership.

1084 A pink topaz ring, mid 20th century, the cushion­shaped pink topaz weighing 27.06 carats, claw­set in an openwork yellow gold mount, size O½ £6,000­8,000

A verbal report from GCS stated that the topaz in natural.

1085 A fine spinel and diamond cluster ring, the cushion­shaped spinel weighing approximately 12.70 carats, to stepped shoulders with millegrain borders set with circular­cut diamonds, size O, stamped IRID PLAT £20,000­30,000

Accompanied by GCS report no. 5783­1464, dated February 15th 2023, stating that the cushion­cut spinel weighing approximately 12.70 carats is natural, with no indications of heat treatment.

1086 A cabochon sapphire and diamond cluster ring, the oval cabochon sapphire weighing 14.5cts, set within a surround of circular­cut diamonds in white gold, size M approx. £10,000­20,000

A verbal report from GCS stated that the sapphire is Sri Lanka, no heat.

1087

Accompanied by SSEF report no. 126117, dated 13th December 2022, stating that the emeralds weighing 8.67 and 7.69 carats are of Colombian origin, with indications of minor clarity enhancement

Accompanied by GRS report no. GRS2018­098405, dated 10th September 2018, stating that the emeralds are of Colombian origin, with no indications of clarity enhancement.

A pair of emerald and diamond earrings, each of drop design, composed of a tapering surmount set with circular­, single­ and rose­cut diamonds, suspending a pear­shaped emerald, post fittings, length 5.2cm each, case £35,000­45,000

lifesize

1089 Monture Cartier, a pair of diamond earrings, each composed of a collet­set diamond surmounting a larger circular­cut diamond, mounted in yellow gold, the diamonds totalling approximately 5.00 carats, length 1.7cm each, clip and post fittings, each signed Mtd Cartier London, stamped JC, numbered HLS00625, British hallmarks for 18ct gold, date letter for 1994, case stamped Cartier Paris £20,000­30,000

1090 Cartier, a citrine, topaz and diamond brooch, 1930s, designed as a flower, set with oval topazes, pear­shaped citrines and cushion­shaped diamonds, mounted in gold, length 5.6cm, signed Cartier London, numbered 01116 £20,000­30,000

Cf.: Nadine Coleno, Amazing Cartier: Creations Since 1937, p.103 and 121 for comparable flower brooches by Cartier London, dated to circa 1945.

1091 A diamond rivière, designed as a line of graduated brilliant­cut diamonds totalling approximately 17.00 carats, the central diamond weighing approximately 2.60 carats, claw­set in platinum illusion settings, length 45.5cm, stamped 750 £45,000­50,000

1092 A sapphire and diamond ring, early 20th century, claw­set with a cushion­shaped sapphire weighing 5.79 carats, between shoulders millegrain­set with rose­cut diamonds, mounted in white gold, size N½ £15,000­20,000

Accompanied by SSEF report no. 128081, dated 23rd March 2023, stating that the antique cushion­cut sapphire weighing 5.79 carats is of Kashmir origin, with no indications of heat treatment.

lifesize

Accompanied

1093 Cartier, a diamond ring, claw­set with a brilliant­cut diamond weighing 2.94 carats, to a knife edge shank pavé­set to each side with brilliant­cut diamonds, mounted in platinum, size O, unsigned, sponsor’s mark JC for Cartier London, case stamped Cartier London £20,000­30,000

by HRD, Antwerp report no.190000016201, Dated January 30th 2019, stating that the brilliant­cut diamond weighing 2.94 carats is G colour, VVS1 clarity, with no fluorescence. lifesize

A comb of identical design by Falize Frères, circa 1902, illustrated in Henri Vever, La Bijouterie Francaise au XIXe siècle III, Paris, 1906­8, p.515.

λ 1094 Falize Frères, a superb Art Nouveau tortoiseshell, opal and gold comb, ‘Gui’, circa 1902, crowned with a sprig of mistletoe in gold with opal berries, to an openwork comb of blonde tortoiseshell, 10.7 x 9.6cm, unsigned, French import assay mark for 18ct gold £10,000­20,000

Cf.: Alaistair Duncan, The Paris Salons: 1895-1914, A-L, Antique Collector’s Club, 1994, p.230, for a tortoiseshell, gold and opal comb of identical design by Falize Frères, dated 1902, and Katherine Purcell, Falize: a dynasty of jewellers, London, 1999, p.130, for a comb of mistletoe design, acquired from Falize Frères by the Berlin Kunstgewerbemuseum at the 1900 Exposition Universelle.

not lifesize

Accompanied by GIA report no. 7428012483, dated February 4th 2022, stating that the oval cabochon star sapphire measuring 18.0 x 17.46 x 16.30mm is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

Provenance: Magnificent Jewels I, Sotheby’s Hong Kong, 29th April 2022, lot 1802, ‘Property of a Distinguished Private Collector’.

lifesize

1095 A fine star sapphire and diamond ring, claw­set with a cabochon star sapphire, to shoulders channel­set with baguette diamonds, mounted in white gold, size M½, stamped 750 £20,000­30,000

not lifesize

1096 Cartier, a rare Art Deco diamond “Montre Bague Navette” keyless ring watch, circa 1920, the dial with Roman numerals, blued steel hands and visible balance, within a rose­cut diamond bezel, and diamond­set case, manual movement, Jaeger Le­Coultre movement, signed to inside shank Cartier Paris with maker’s lozenge and French control mark, size I £25,000­30,000

Accompanied by paperwork from Cartier relating to the ring being serviced in 2019 and put in working order. For a similar ring watch, dated 1920, see “The Magical Art of Cartier”, Antiquorum/Tajan, 19th November 1996, lot 122. For similar examples of watch cases with visible movements dated 1925 and 1921 see, “Le Temps de Cartier”, Barraca, Negretti, Nencini, Milan, 1989, plates 114 and 115.

1097 Attributed to Maynier et Pinçon, a fine Art Deco multi­gem­set and enamel brooch, circa 1925, designed as a spray of flowers, leaves and berries, within a scalloped circular frame on a horizontal bar, set with circular­cut diamonds, outlined in black enamel, and accented with cabochon rubies, sapphires and emeralds, mounted in platinum, length 6.5cm, French assay mark for platinum, partial French maker's marks for Maynier et Pinçon, case £20,000­30,000

Maynier et Pinçon were based at 10, Rue Castiglione in Paris, and were one of the capital's most prestigious jewellery workshops. Later known as the training ground of the jeweller Pierre Sterlé, jewels made by Maynier et Pinçon appeared in the cabinets of Boucheron, Linzeler et Marchak and Marzo at the seminal 'Exposition Internationale des Arts Decoratifs et Industriels Modernes', which took place in Paris in 1925. The abbreviation of the fair's rather long title gave its name to the bold new aesthetic that was reflected in the jewels and objects exhibited there, as well as their architectural surroundings ­ 'Art Deco'.

Though it is widely reported that Maynier et Pinçon produced important jewels for these famed jewellery houses in the mid 1920s, documented examples of the workshop's jewels are extremely scarce, making this extraordinary jewel an exciting rediscovery from one of the unsung heroes of Art Deco jewellery, made at one of the great turning points in jewellery design history.

The combination of carved or cabochon rubies, sapphires, emeralds and diamonds with accents of black enamel was a defining 'Art Deco' jewellery design aesthetic of the mid 1920s, and can be seen in designs by Cartier, Lacloche Frères, Mauboussin, Boucheron and Marzo, often used for stylised, geometric depictions of flowers and birds.

Cf.: Pierre Contreau et al., Le Grand Négoce, organe du commerce de luxe français: Exposition des arts décoratifs 1925, Paris, 1925, pages 11, 19, 29 and 35, for stylised floral jewels of comparable style and technique exhibited at the 1925 fair by Mauboussin, Boucheron, Lacloche and Marzo.

Cf.: Laurence Mouillefarine and Véronique Ristelheuber, Lacloche Joaillers, Paris, 2019, p.168­9 and 183 for additional mid 1920s jewels by Lacloche of comparable design, and p.265 for a later platinum, ruby and diamond bracelet later made by Maynier et Pinçon for Jacques Lacloche in 1938.

END OF SALE

AUCTION INFORMATION

OPENING HOURS City Centre Salerooms

Monday to Friday 9am – 5pm

Old Sarum Galleries

Monday to Friday 9am – 5pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping +44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd +44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send +44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

ZIXIS Fine Art Limited +44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS

VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs. For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

PLEASE

ABSENTEE BID FORM FINE JEWELLERY

25TH & 26TH OCTOBER 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Lot

THE COLLECTION OF THE LATE JEAN LOUIS CHAMEROY

TUESDAY 24TH OCTOBER 2023

TO BE SOLD WITHOUT RESERVE

AUCTION CALENDAR

2023

OCTOBER

4th & 5th Furniture, Works of Art & Clocks & Kenneth Neame: An Enduring Legacy

18th & 19th Design

24th The Jewellery Collection of the late Jean Louis Chameroy

25th & 26th Fine Jewellery

29th Horatio's Garden Charity Online Art Auction

31st Fine Silver & Objects of Vertu (Day One)

NOVEMBER

1st & 2nd Silver & Objects of Vertu (Day Two & Three)

14th The Lawrence Collection & Fine Asian Art

15th Asian Art II

16th Japanese Works of Art & The Allen Collection

28th Medals & Coins, Arms & Armour

29th British Art Pottery

DECEMBER

13th Modern British & 20th Century Art

2024

JANUARY

17th & 18th Furniture, Works of Art & Clocks

24th & 25th Fine Jewellery

30th & 31st Silver & Objects of Vertu

Dates may be subject to change

+44 (0) 1722 424500

enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU

www.woolleyandwallis.co.uk