Woolley & Wallis Auctioneers

BRITISH ART POTTERY & DESIGN WEDNESDAY 29TH & THURSDAY 30TH NOVEMBER 2023

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly Georgina Way

339752 446980 446980

ASIAN ART John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Michelle Yu Sophie Moore Nelson Chui

424506 424583 424589 +44 (0)7812 601098 424571 424591 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

424589 424571

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone Victoria Elwell

411854 446974 339161 339161 339161

JAPANESE ART Alexandra Aguilar

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Megan Corbett Beth Reardon

424595 424504 424586

Jeremy Lamond MRICS FRSA Neil Grenyer Amanda Lawrence Archie Swann (Trainee Valuer) Hannah Farthing (Trainee Valuer)

GENERAL OFFICE Ruth Pike (Office Manager) Lynda Cummins Gemma Pointer Nicola Young

Sally Litherland

MARKETING Chloe Davie Lucinda Phillips

ACCOUNTS Sharon Ringwood Ania Antkowiak

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Ed Beer Clare Durham Victor Fauvelle Will Hobbs Samuel Hug FGA DGA Michael Jeffery Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

341469 446980 446980

PAINTINGS Victor Fauvelle Ed Beer Sarah Bennie

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

424500

CASTLE GATE RECEPTION

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly Georgina Way

424502 446974 424509

CBP006075

446951

BRITISH ART POTTERY & DESIGN WEDNESDAY 29TH NOVEMBER 2023 10.30AM - LOTS 501-760 THURSDAY 30TH NOVEMBER 2023 10.30AM - LOTS 761-1121

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

AT OUR CITY CENTRE SALEROOMS, SP1 3SU

VIEWING WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Saturday 25th November Monday 27th November Tuesday 28th November Wednesday 29th November

Zoe Smith 01722 446955 zs@woolleyandwallis.co.uk

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 12 noon

DIRECTIONS TO THE OLD SARUM GALLERIES E

WOOLLEY & WALLIS Old Sarum Galleries Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Kia Motors Old Sarum Park

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Westover Garage

W

Sarum Business Park

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AUCTION WOOLLEY & WALLIS City Centre Salerooms

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Storage Works

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A345 Castle Rd

AMESBURY

SALISBURY

Old Sarum

A36

A3 45

VIEWING WOOLLEY & WALLIS Old Sarum Galleries A36 Ch urchill W ay

MARLBOROUGH & SWINDON

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WOOLLEY & WALLIS City Centre Salerooms 51-61 Castle Street Salisbury SP1 3SU

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX Client Parking Available Saturday 25th November Monday 27th November Tuesday 28th November Wednesday 29th November

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 12 noon

THE AUCTION ON 29TH & 30TH NOVEMBER WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS 51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26% plus VAT CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk

COLLECTION OF LOTS BY APPOINTMENT Collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

Instagram: @woolleyandwallisdesign @woolleyandwallissalerooms

All accounts to be settled prior to collection

Twitter: @woolleywallis

EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Lots marked with a Φ symbol which sell for more than €1000 are subject to the levy, payable by the bidder. Please refer to page 169 for full details.

4

Facebook: @woolleyandwallis

Pinterest: Woolley and Wallis

ILLUSTRATIONS Front cover: Lots 551 & 568 Back cover: Lot 760 Inside cover: Lot 1032­1037 Catalogue £10.00 (£15.00 by post)

5

FROM THE COLLECTION OF IAN AND RITA SMYTHE 501 A pair of Aesthetic Movement Mintons three tile panels, printed and painted with classical female figures, one in red robe picking an apple from a tree bough, the other a purple robe cutting a branch with a knife, in colours, framed, impressed factory marks, painted $2000 and B marks, 48 x 17.5cm (frame), 15cm square (tiles), (2) Provenance From the collection of Ian and Rita Smythe. £300­500 502 A Royal Doulton Sung vase designed by Charles Noke, square body with tall tapering neck, applied loop handles, painted with a Peacock before poppy seedheads, in colours on a red flambe ground, a Royal Doulton stoneware Persian vase, a Royal Doulton dragonfly soap dish made for Wright’s Coal tar soap, a stoneware cruet and a Doulton Slater’s Patent jardiniere, printed and painted marks to Sung vase, Persian vase and soap dish restored, 15.5cm. high (5) Provenance From the collection of Ian and Rita Smythe.

501

£150­200 503 A Doulton Lambeth stoneware planter, dated 1878, square section, modelled in relief with flower and foliage roundels, in blue, green and ochre, with cluster ball finials and beadwork rim, and a Doulton Lambeth flume or jardiniere stand, impressed marks, chips, flume unsigned, 21.5cm. wide. (2) Provenance From the collection of Ian and Rita Smythe. £120­180

502

503

504 An unusual large Mintons Secessionist vase and cover designed by John Wadsworth and Leon Solon, shouldered, square section form with domed square section cover, slip modelled in low relief with Art Nouveau flower stems in purple, yellow and green on a graduated green ground, impressed Mintons mark, finial chipped off, minor damages, 56cm. high (2) Provenance From the collection of Ian and Rita Smythe. £150­250 505 A Mintons Secessionist vase designed by John Wadsworth and Leon Solon, swollen cylindrical form, tubeline decorated with Art Nouveau flower stems in buff and cream on a mottled green ground, a Mintons Secessionist soap dish, cover and drainer, a Bretby Pottery Art Nouveau vase and two Foley Intarsio pieces, printed factory marks, No.1 to Mintons vase, 24cm. high (7)

505 6

504

Provenance From the collection of Ian and Rita Smythe. £150­200

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

506 A fine Mintons Art Pottery Studio Kensington Gore charger by William S Coleman, painted with a portrait of Diana the Huntress, she depicted naked, seated, wearing a quiver of arrows, placing a garland of flowers around the deer’s neck, in a Japoniste garden of prunus and peony flowers, in colours printed and impressed factory marks, painted WS Coleman signature, 42.5cm. diam.

Provenance From the collection of Ian and Rita Smythe.

Literature America & Europe, The Decorative Arts Society Journal, 30, 2006 page 46 this charger illustrated in the collector’s house. £1,000­1,500 7

507 Alimondo Ciampi (1876­1939) Lycie an Anton Kessel & Co Turn terracotta bust, of an Art Nouveau maiden signed A Ciampi, Firenze, and titled in the cast, impressed factory marks, 62.5cm. high Provenance From the collection of Ian and Rita Smythe. £150­250 507

508 Peter Tereszczuk (1875­1963) An Art Nouveau pottery table lamp, modelled as an Art Nouveau maiden, her billowing scarf held up to form the shade, glazed matt mint green and cream, cast P Tereszsczuk signature 50cm. high Provenance From the collection of Ian and Rita Smythe. £150­250

508 8

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

509

510

511

509 A Martin Brothers stoneware vase by Edwin and Walter Martin, dated 1891, slender baluster form, incised and painted with wild flowers in green, ochre and blue on a buff ground, incised 10 1891 Martin Bros, London & Southall, 19cm. high Provenance From the collection of Ian and Rita Smythe. £200­300 510 A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1884, slender bottle form with cylindrical neck, incised and painted with martins swooping over ears of corn, in blue and ochre highlighted in white on a buff ground, incised 12.5.84, R W Martin & Bros, London & Southall, neck restuck, 22.5cm. high Provenance From the collection of Ian and Rita Smythe. £150­250 511 A William De Morgan pottery Persian plate, painted with a band of radiating carnation flowers in shades of aubergine, green, blue and turquoise on a white ground, unsigned, minor chips to rim, 21cm. diam.

Provenance From the collection of Ian and Rita Smythe. £300­500 512 A William De Morgan Merton Abbey period Persian vase, painted by JB, shouldered form with flaring rim, painted with carnation flowers and scrolling foliage in blue, turquoise, green and aubergine on a cream ground, impressed factory marks, painted JB monogram, rim broken and museum restored, 23.5cm. high Provenance From the collection of Ian and Rita Smythe. £300­400 512 9

513 ‘Brown Chrysanthemum’ a Moorcroft Pottery vase designed by William Moorcroft, footed form, tubeline decorated in shades of red, blue and green, painted green signature, hairline to top rim, 23.5cm. high Provenance From the collection of Ian and Rita Smythe. £150­250 514 ‘Daffodil’ a Moorcroft Pottery vase designed by William Moorcroft, flaring cylindrical form with inverted rim, tubeline decorated with daffodil flower stems in celadon green and white on a blue ground, impressed factory mark, painted green signature, hairline cracks, 13.5cm. high Provenance From the collection of Ian and Rita Smythe. £150­200 515 Geoffrey Luff a Bernard Palissy style majolica wall dish, circa 1998, circular, modelled and applied with a pond scene, a young frog resting on a waler lily pad, whilst an adult frog and snake confront each other, the rim with a lizard amongst shells, in colours impressed GL, 32.5cm. diam.

513

Provenance From the collection of Ian and Rita Smythe.

Ian and Rita bequeathed a similar dish decorated with fish to the well, to the Victoria & Albert Museum in 2018, (C.330.2018). £120­180 516 A Hancock & Sons Morrisware vase designed

by George Cartlidge, pattern C.10.7, compressed body with tapering cylindrical neck, painted with purple cornflowers, on a mottled blue ground, and a Morrisware bowl pattern C46.1, painted with wild rose and blackberry frieze, printed and painted factory marks, facsimile signature, 23.5cm. high (2)

514

Provenance From the collection of Ian and Rita Smythe.

515

£150­250 517 A pair of Bursley Ware Seed Poppy vases designed by Charlotte Rhead, shouldered form, tubeline decorated with flowers and foliage in pink, purple and green on a blue ground, printed factory mark, minor glaze loss to foot of one, 19.5cm. high (2) Provenance From the collection of Ian and Rita Smythe. £150­200

516 10

517

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

518 A Della Robbia Pottery Water Vase by George Seddon and Annie Smith, slender, shouldered form incised and painted with flower and fan panels, in yellow, turquoise and green on a brown ground incised factory mark, JS monogram, painted ADS, handle re-stuck, 29.5cm. high Provenance From the collection of Ian and Rita Smythe. £150­250

518 two views

519 A Della Robbia Pottery vase by Charles Collis, ovoid with modelled handles, incised and painted with wild roses, in red, yellow, green and blue on a tan ground, incised mark, 656 and C artist mark, minor glaze loss, professional restoration to top rim, 12.5cm. high Provenance From the collection of Ian and Rita Smythe. £150­200

519

520 A Della Robbia vase by Charles Collis, shouldered twin­handled form, incised and painted with Art Nouveau flowers on long entwined stems, in orange, green and red on a green ground, incised factory mark, C monogram and 888, painted monogram, paint flakes, 23.5cm. high Provenance From the collection of Ian and Rita Smythe. £150­250

520

11

A PRIVATE COLLECTION OF RUSKIN POTTERY & ART POTTERY

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

521 A Della Robbia Pottery vase by Annie Smith, slender, shouldered cylindrical form, painted with arched panels of foliage in green, turquoise, blue and yellow, incised mark, incised L and painted AS artist monogram, 28.5cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £300­500

521

522 A Pilkington’s Lancastrian vase by Richard Joyce, dated 1915, slender, shouldered cylindrical form, painted with fish swimming amongst waterweed, in golden lustre on a dark blue­black ground, impressed marks, painted artist cipher and date code 20cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £600­1,000 522 13

524 523 A pair of Ruskin Pottery stoneware Souffle vases by William Howson­Taylor, dated 1918, slender baluster form, covered in a pale blue speckled souffle glaze with lustre, impressed mark and date, one restored to neck, the other hairline to base rim, 28.5cm. high (2)

523

Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £300­400 524 A Ruskin Pottery stoneware lustre vase by William Howson­ Taylor, dated 1924, baluster form, covered in a pale blue lustre glaze, and two other Ruskin vases glazed blue, impressed marks, 26.5cm. high (3) Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £120­180 525 A Ruskin Pottery stoneware Kingfisher lustre vase by William Howson­Taylor, indistinct date possibly 1911, slender baluster form, covered in a petrol lustre glaze, impressed mark and indistinct date, drilled to base, 28.5cm. high 525

Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200 526 A Ruskin Pottery stoneware Souffle vase by William Howson­ Taylor, dated 1906, shouldered baluster form with flaring neck, covered in lavender glaze over sang de boeuf, with lavender mint speckles, impressed mark and date, 35cm. high £300­500 527 A Ruskin Pottery stoneware lustre vase and cover by William Howson­Taylor, dated 1907, baluster form with shallow domed cover, covered in a pink lustre graduated to white, with patches of turquoise, impressed mark and date, 19cm. high (2) Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200

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526

527

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

528 A small Ruskin Pottery high­fired stoneware vase by William Howson­Taylor, dated 1910, shouldered, cylindrical from, covered with a sang de boeuf and lavender fissured glaze, over silver­grey, impressed mark and date, 11.8cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £120­180 528 two views 529 A Ruskin Pottery high­fired stoneware vase by William Howson­Taylor, ovoid with tall flaring cylindrical neck, covered in a mottled turquoise, mint green, purple and lavender speckled glaze over silver­grey, impressed Ruskin mark, 16cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £400­600

530 A Ruskin Pottery high­fired stoneware vase by William Howson­Taylor, dated possibly 1906, ovoid with tapering cylindrical solifleur neck, covered with a white glaze, the neck and base streaked lavender and purple with mint speckles, impressed mark, flooded date, 17cm. high,

529

Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £300­400

531 A Ruskin Pottery high­fired stoneware vase by William Howson­Taylor, dated 1907, ovoid with flaring cylindrical neck, covered in a sang de boeuf glaze over white, with lavender and mint green speckles, impressed mark and date, 15.5cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £400­600

530

531

15

533

532

532 A Ruskin Pottery stoneware Souffle vase by William Howson­Taylor, indistinct date probably 1906, baluster form, covered in a blue souffle glaze, the shoulder decorated with a band of ivy, impressed mark and date, 19cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £120­180 533 A Ruskin Pottery stoneware Souffle vase by William Howson­Taylor, dated 1906, shouldered form with short solifleur neck, covered in a turquoise glaze over lavender, the shoulder decorated with a band of fruiting grape vine, impressed mark and date, painted scissor mark, 19cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200 534

534 A Ruskin Pottery stoneware Kingfisher lustre vase by William Howson­ Taylor, dated 1915, cylindrical form with flaring top rim, covered in a petrol lustre, impressed mark and date, 20cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £200­300 535 A Ruskin Pottery stoneware Kingfisher lustre vase by William Howson­ Taylor, dated 1916, shouldered cylindrical form, covered in a petrol lustre glaze, impressed mark and date, 14.5cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­250

535 16

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

536

537

536 A Ruskin Pottery stoneware vase by William Howson­Taylor, dated 1912, baluster form, covered in a blue snakeskin glaze, impressed RUSKIN and date, 16.5cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­250 537 An unusual Ruskin Pottery stoneware Souffle vase by William Howson­ Taylor, dated 1905, shape no.255, shouldered baluster form, covered in a fiery orange­red with green speckling glaze, impressed Ruskin mark, 255 and date 1905, 15.5cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest.

Literature Paul Atterbury & John Henson, Ruskin Pottery, Richard Dennis Publications, page 39 for a comparable vase also dated 1905.

538

£200­400 538 A Ruskin Pottery high­fired stoneware vase by William Howson­Taylor, dated 1933, ovoid with tall, flaring cylindrical neck, covered in a lavender graduating to sang de boeuf glaze with mint speckles, impressed marks, 21.5cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­250 539 A Ruskin Pottery stoneware Souffle vase by William Howson­Taylor, dated 1909, cylindrical form with flaring neck, covered in a streaked sang de boeuf glaze over silver with lavender and purple, impressed mark and date, 24.5cm. high Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200 539 17

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

540

541

542

540 A Ruskin Pottery stoneware Souffle glaze jar and cover by William Howson­Taylor, shouldered form, covered in a mottled purple glaze, the shoulder decorated with fruiting grape vine, under a green glaze, and two Ruskin Pottery vases covered in a streaked golden yellow and sky­blue glaze, impressed mark and scissor mark, 11.5cm. high (4) Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200 541 A Ruskin Pottery stoneware lustre vase by William Howson­Taylor, dated 1922, shouldered, ovoid form, covered in a lavender glaze, a Ruskin Pottery jug covered in a strawberry lustre glaze, and two other vases, impressed marks, 11.5cm. high (4)

543

Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £120­180 542 A Ruskin Pottery stoneware lustre ginger­jar and cover vase by William Howson­Taylor, dated 1912, covered in a pale pink lustre glaze, another smaller covered in a yellow lustre glaze, two Ruskin Pottery bowls covered in a yellow lustre glaze, a Royal Doulton veined flambe vase, a Royal Doulton Flambe vase and a bowl, impressed marks, one Ruskin bowl smashed and re-stuck, 13.5cm. high (9) Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200

544

543 A Ruskin Pottery stoneware lustre vase by William Howson­Taylor, dated 1920, slender baluster form, covered in a blue lustre glaze under lavender patches, and two other Ruskin Pottery lustre vases glazed blue, impressed marks, 19cm. high (3) Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200 544 A Ruskin Pottery stoneware Souffle glaze vase by William Howson­Taylor, dated 1905, shouldered form covered in a strawberry pink glaze, and two other Ruskin Pottery vases glazed strawberry pink lustre and purple, impressed marks, 20cm. high (3) Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £150­200

545

545 A Ruskin Pottery stoneware lustre jar and cover by William Howson­Taylor, dated 1926, covered in apple green lustre glaze, a ginger jar dated 1910 covered in a green lustre glaze, and two other Ruskin Pottery green lustre vases impressed marks, 9.5cm. high (5) Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £120­180 546 A Ruskin Pottery stoneware Crystalline glaze lamp base by William Howson­Taylor, shouldered cylindrical form on pierced foot, covered in a turquoise, yellow and blue glaze, and three Ruskin Pottery Crystalline glaze vases, impressed marks, 23cm. high (4)

546 18

Provenance The private collection of Gretchen Andersen, The Lacquer Chest. £120­180

MARTIN BROTHERS POTTERY

547 A Martin Brothers stoneware vase by Robert Wallace Martin, flaring form on trefoil foot, incised with stylised foliate panels in blue and ochre and a small Martin glazed tile, incised R W Martin & Bros London & Southall, repaired 12cm. high (2) £100­200

548 A Martin Brothers stoneware vase, dated 1889, ovoid with cylindrical neck, painted with daisy flowers in ochre, green and white on a mottled ground, incised 1889 Martin Brothers, London & Southall, 20.5cm. high £200­300 547

549 A Martin Brothers stoneware Bird vase by Robert Wallace Martin, shouldered form, incised and painted with finches flying and perched on boughs of prunus blossom, in mushroom, ochre and white on a buff ground, incised R W Martin London & Southall, 23cm. high £500­800

550 A Martin Brothers stoneware vase by Robert Wallace Martin, dated 1887, twin­handled, shouldered cylindrical form, painted with white flowers and foliage, in white, green and ochre on a buff ground, incised 11887, R W Martin & Bros, London & Southall, 22cm. high £400­600

548

549 20

550

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

551 A fine Martin Brothers stoneware spoonwarmer by Robert Wallace Martin, dated 1880, modelled seated, the anthropomorphic creature with smiling face, gaping mouth with toothy grin, the tail curled up forming the handle, in shades of ochre, buff with green­blue highlights, incised R W Martin 9.80 London & Southall, impressed R W Martin mark, 15.5cm. high Provenance Private collection of Martin Ware Pottery. £15,000­25,000

21

552 A Martin Brothers Pottery stoneware jug by Edwin and Walter Martin, dated 1896, tapering cylindrical form, incised with dragonflies flying above blue flag iris and wildflowers, in blue, green and brown on a grey ground, 11-1896 Martin Bros London & London, professional restoration to top rim, 27.5cm. high £300­500 553 A tall Martin Brothers stoneware Aquatic vase by Robert Wallace Martin, dated 1888, slender, baluster form painted with grotesque fish and an eel swimming amongst waterweed, in green, blue and ochre on a buff ground, incised 12-1888 R W Martin & Bros, London & Southall, small glaze frits to base rim, 33cm. high £1,000­2,000 554 A Martin Brothers stoneware Aquatic Loving cup by Edwin & Walter Martin, dated 1888, cylindrical form with two applied handles, incised and painted with fish swimming amongst scrolling waterweed, in shades of green, brown and white on a buff ground, incised 6-1888, R W Martin & Bros, London & Southall, paper collection label, 15.5cm. high Provenance Martin Brothers Pottery Exhibition, Richard Dennis Gallery, 1978, catalogue number 205.

Private collection.

552

Literature Malcolm Haslam, The Martin Brothers Potters, Richard Dennis Publications, page 78 figure 96, this piece illustrated. £3,500­4,500

554

553 22

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

555 A Martin Brothers stoneware miniature bird by Robert Wallace Martin, modelled with claw feet, standing with wings tucked in and angled thoughtful gaze, glazed blue and ochre on a buff ground, on ebonised wood base, incised 6-13 R W Martin & Bros Southall, 7.8cm. high Provenance Private collection.

The Martin Brothers Potters, Woolley and Wallis Auctioneers, 24th October 2006, lot 58.

Private collection.

Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 112 figure XVI for a comparable bird illustrated. £5,000­8,000

23

556 A Martin Brothers stoneware Dragon vase by Robert Wallace Martin, dated 1889, shouldered baluster form with cylindrical neck, incised with classical dragon with scrolling foliate motif, flanking mask shield panels, in buff and ochre on a tan ground, incised 1889 R W Martin & Bros, London & Southall, 34.5cm. high Provenance Private collection of Martin Ware Pottery. £4,000­6,000

557 A Martin Brothers stoneware Aquatic miniature vase by Edwin and Walter Martin, dated 1899, ovoid with flaring neck, incised and painted with fish swimming amongst jelly fish and a limpet, in green, blue and brown on a buff ground, incised 1-99 Martin Bros, London, 6.2cm. high Provenance Lillian Hoffman collection Rago Auctions.

Private collection. £1,000­1,500

558 A Martin Brothers stoneware Aquatic chamberstick by Edwin and Walter Martin, dated 1891, tapering cylindrical base incised and painted with grotesque fish swimming with eels, octopus and shell fish amongst waterweed, in green, blue and ochre on a buff ground, the handle with fronds of waterweed, incised 6-1891 Martin Bros, London & Southall, Harriman Judd paper label, 9.5cm. high

556

557 24

Provenance Harriman Judd Collection.

Sotheby’s Online sale.

Private collection of Martin Ware Pottery. £1,000­2,000

558

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

559 A Martin Brothers stoneware miniature bird jar and cover by Robert Wallace Martin, modelled standing on claw feet, the head slightly tilted with forward pointing beak and gaze, glazed in shades of ochre, tan and buff with blue highlights, on ebonised wood base, painted Martin Bros London & Southall to head and base, fine hairline to rim of cover, 10.5cm. high (2) Provenance The Martin Brothers Potters, Woolley and Wallis,31st October 2005, lot 56.

Private collection of Martin Ware Pottery. £4,000­6,000

25

560 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, dated 1906, modelled seated playing the cello, glazed white, on a wooden base, incised 1-1906 R W Martin & Bros, London & Southall, 12.5cm. high Provenance Private collection of Martin Ware Pottery.

Literature Malcolm Haslam, The Martin Brothers Potters Richard Dennis Publications, page 134 figure 208 this imp illustrated. £1,000­1,500 561 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing the tambourine, glazed white, on an ebonised wood base, incised Martin Bros London & Southall, 12cm. high

560

Provenance Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49.

Private collection.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated. £1,000­2,000 562 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing the harp, glazed white, with ebonised wood base, incised Martin Bros London, harp repaired, 10.5cm. high Provenance Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49.

Private collection.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated. £1,000­2,000 563 A grotesque earthenware Reptile jug in the manner of Robert Wallace Martin, dated 1901, modelled seated with head raised and mouth open, its tail scrolling back to form the handle, glazed in shades of brown and tan, incised R W Martin London & Southall, 1901, 23cm. wide

561

562 26

£1,500­2,000

563

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

564 A Martin Brothers stoneware Monkey jug by Edwin and Walter Martin, dated 1893, shouldered form, incised and painted with three anthropomorphic monkeys sitting amongst tree boughs picking nuts, in shades of ochre on a buff ground, incised 12-1893 Martin Bros, London & Southall, 984, 25.5cm. high Provenance Private collection of Martin Ware Pottery.

Literature Malcolm Haslam, The Martin Brothers Potters Richard Dennis Publications, page 75 figure 92 for an identical jug dated 1894. £5,000­8,000 27

565 A Martin Brothers stoneware Grotesque vase by Edwin and Walter Martin, dated 1911, ovoid form with flaring top rim, applied with two modelled reptile handles­ each biting the top rim of the vase, the vase incised with turbulent flowing water design, glazed green highlights on a matt brown ground, incised 11-1911 Martin Bros London & Southall, 21.5cm. high Provenance Samuel Avery, purchased directly from the Martin Brothers.

Private collection.

Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis Publications, page 144, figure 226 for an identical example illustrated. £5,000­10,000 28

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

566 A Martin Brothers stoneware jug by Edwin and Walter Martin, dated 1896, ovoid with loop handle, modelled in low relief with a goat mask, in shades of tan with white and black highlights on an ochre ground, incised 1-1896 Martin Bros, London & Southall, 26.5cm. high Provenance Private collection of Martin Ware Pottery.

Literature Malcolm Haslam, The Martin Brothers Potters Richard Dennis Publications, page 94 figure 133 for a comparable jug dated 1895. £3,000­5,000

29

567 A fine Martin Brothers Pottery Bird jug by Robert Wallace Martin, dated 1897, shouldered form, incised and painted with an anthropomorphic bird, standing amongst wheat stems, in ochre, blue and green on a buff ground, incised 6-1897 Martin Bros, London & Southall, exhibition paper label, 26.5cm. high Provenance Martin Brothers Pottery Exhibition, Richard Dennis, 1978, catalogue number 210.

Private collection of Martin Ware Pottery.

Literature Malcolm Haslam, The Martin Brothers Potters Richard Dennis Publications, page 73 figure XIII this jug illustrated. £3,000­5,000 30

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

568 A rare and early Martin Brothers Grotesque stoneware spoonwarmer by Robert Wallace Martin, dated 1879, modelled as anthropomorphic reptile, with smiling face, a staring gaze and large conical ears, glazed in green, blue and ochre, incised R W Martin London & Southall 11-79, and number 15, 16cm. long, 10.5cm. high Provenance Private collection. £15,000­20,000

31

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569 A Martin Brothers stoneware pawn chess piece by Robert Wallace Martin, dated 1920, modelled as a medieval knight, glazed buff incised R W Martin & Bros Southall, 1920, 8.5cm. high Provenance Private collection of Martin Ware Pottery. £800­1,200 569

570 A Martin Brothers stoneware pawn chess piece by Robert Wallace Martin, dated 1901, modelled as a medieval knight in helmet with chain mail, glazed white incised R W M Sc 6-1901, London & Southall, 8.5cm. high Provenance Private collection of Martin Ware Pottery. £800­1,200 570

571 A Martin Brothers stoneware pawn chess piece by Robert Wallace Martin, modelled as a medieval knight in chain mail, glazed pale blue over white incised R W Martin & Bros London & Southall, 8.5cm. high Provenance Private collection of Martin Ware Pottery. £800­1,200 571 32

572 A rare early Martin Brothers stoneware Squawking Penguin jug by Robert Wallace Martin, dated 1880, modelled as a standing, stylised bird with open gaping mouth, wing stretched back to form the handle, glazed green and blue on a grey ground, incised 24.2.80 R W Martin London & Southall, 33cm. high Provenance Richard Dennis, 1980.

Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 48.

Private collection.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 22 this bird illustrated. £15,000­25,000 33

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

573

573 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing the pan pipes, glazed matt white, on an ebonised wood base, incised Martin Bros, London 12cm. high

576 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing a banjo, glazed grey with tan, on an ebonised wood base, incised Martin to banjo, 11.5cm. high

Provenance Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49.

Private collection.

Provenance Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49.

Private collection.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated.

£1,000­2,000

£1,000­2,000

574 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing the blocks, glazed white, on ebonised wood base, incised Martin Bros London, 14.5cm. high

577 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated playing the triangle, glazed white, on ebonised wood base, incised Martin Bros London, 14cm. high

Provenance Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49.

Private collection.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated. £1,000­2,000 575 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled as a singer, seated holding a songbook, glazed grey with tan, on ebonised wood base, incised Martin bros to book cover, 12cm. high

574

Provenance Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49.

Private collection.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated. £1,000­2,000

Provenance Collection of Peter Rose & Albert Gallichan.

An Aesthetic Odyssey, The Peter Rose and Albert Gallichan Collection, Christies, 30th September 2021, lot 49.

Private collection.

Literature Brian Coleman The Best of British Arts and Crafts, Schiffer, page 27 this Imp Musician illustrated. £1,000­2,000

34

575

576

577

578 A rare Martin Brothers stoneware triple bird group by Robert Wallace Martin, dated 1905, the central bird modelled with wings outstretched around the flanking birds, on rounded rectangular base, glazed in shades of royal blue, green and brown, on a buff ground, on ebonised wood base, incised R W Martin & Bros, London & Southall, base dated 1905, two heads dated 1908, 18cm. high (4) Provenance A Private New York Collector.

10th December 1994 lot 403 Christies New York.

Private collection. £30,000­40,000 35

578 reverse

36

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THE BARRY STOCK COLLECTION

Barry with the artists Gilbert & George

579 A CIC Bailey stoneware single­handled vase by Edgar Kettle, dated 1875, shouldered form, modelled in low relief with berried foliage sprays, incised and painted mark, 16.5cm. high

579

£200­300

580 An autotype print on wood of Walter Frazer Martin potting, in original oak frame, stamped autotype mark bottom left, 31 x 24.5cm. £300­500 580 37

581 An early Martin Brothers stoneware jug by Robert Wallace Martin, dated 1874, tapering cylindrical form, incised with a roundel of owls roosting on a branch, above two roundels representing night and day with birds perched on a tree bough, on a jewelled ground cast in low relief, in shades of blue and brown on a buff ground, with white highlights, incised D8 R W Martin, Fulham 8-74, handle off and missing, 26.5cm. high £300­500

581 two views

582 A Martin Brothers stoneware jug by Robert Wallace Martin, dated 1876, tapering cylindrical form, incised with a large mask inside scrolling foliage panels with dragons and swooping martin birds, in blue on a buff ground, incised 48 R W Martin, stress hairline to top rim, 23.5cm. high £1,500­2,000

582 two views

583 A Martin Brothers stoneware inkwell, tapering square section, incised and painted with a bird perched on a flowering bough, another side with a butterfly flying past daisy flowers, the two sides with flower sprays, in green and blue, highlighted with white on a buff ground, with metal mounts and cover, incised Martin Bros, London, date concealed by mount, 11cm. high £250­350

38

583

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

584 An Important Martin Brothers stoneware clock case made for Frederick Nettlefold dated 1875, architectural form, domed base supporting circular body with pitched roof, flanked with lions, the ridge set with dragon supporting the coat of arms for the Nettlefold family, glazed in shades of blue, green and brown, circular dial, with clock movement, incised Martin London 8 -1875 and 32, small chip to back of base, 40cm. high.

Catalogue notes Although this actual clock case does not appear in the Nettlefold catalogue the coat of arms is included as a plate, it is also listed in Burke’s Landed Gentry.

Frederick John Nettlefold played an enthusiastic role in promoting the brothers work.

Provenance British Art Pottery, Woolley and Wallis Auctioneer’s, 30th November 2004, lot 646.

AD Antiques Martin Brothers, David Rago, 21st September 2019 lot 27. £5,000­10,000

39

585 A Martin Brothers stoneware face jug by Robert Wallace Martin, dated 1900, modelled in relief to one side with a smiling face, the reverse, a grimacing face, matt glazed in black, white and ochre on a buff ground, incised 1-1900 R W Martin & Bros, London & Southall, 16.5cm. high £2,000­3,000

40

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586 A good Martin Brothers stoneware Barrister face jug by Robert Wallace Martin, modelled on one side with a smiling face with eyes cast to one side, the reverse with a sympathetic forward looking expression, glazed green on a grey ground, incised R W Martin & Bros, Southall, small glaze frit to wig, 17cm. high £4,000­5,000

41

587

588

587 A Martin Brothers stoneware Dragon vase by Robert Wallace Martin, dated 1890, footed, urn shape with applied scrolling handles, incised with dragons in scrolling foliage flanking central flower stem, in shades of ochre on a buff ground, incised 10-1890 R W Martin & Bros, London & Southall, one handle restored, 21cm. high £700­900 588 A pair of Martin Brothers stoneware vases by Robert Wallace Martin, dated 1884, footed, twin­handled form incised and painted with putti flying amongst white convolvulus and honeysuckle flowers and foliage, the handles and neck with band of scallop shell motif, in shades of green and brown on a buff ground, incised 4.12.84, R W Martin & Bros, London & Southall, 24cm. high (2) Provenance Decades of Design, Fieldings, 30th March 2019, lot 124. £1,500­2,000 589 An unusual Martin Brothers stoneware Lizard vase by Robert Wallace Martin, dated 1893, slender baluster form, incised with lizards amongst scrolling flower stems with splitting fruit, in ochre on a buff ground, incised 1-1893 R W Martin & Bros, London & Southall 31cm. high £2,000­3,000

589 42

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590 591 590 A Martin Brothers stoneware miniature Aquatic vase by Edwin and Walter Martin, shouldered, square section with loop handles, incised and painted with fish, water snails and an eel amongst waterweed in green and blue, incised 7-1913 Martin Bros London & Southall, minor professional restoration to top rim, 8cm. high £500­700 591 A Martin Brothers stoneware Aquatic jug by Edwin and Walter Martin, dated 1884, ovoid with flaring neck, incised and painted with a skate swimming amongst fish and an eel and waterweed, in blue, green and ochre on a buff ground, incised 1-84 Martin Bros, London & Southall, 13cm. high £1,500­2,000 592 A small Martin Brothers stoneware Aquatic vase by Edwin and Walter Martin, urn shaped, incised and painted with a shoal of fish swimming amongst waterweed, in shades of blue, green and ochre, incised Martin Bros London & Southall, 8cm. high £800­1,200

592 43

593 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated, playing the blocks, glazed white, on an ebonised wooden base, incised Martin Brothers, old minor restoration to top of blocks, 15.5cm. high £1,000­1,500

594 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated, playing the harp, glazed white, with wire strings, on ebonised wood base, incised Martin Bros, professional restoration, 13.5cm. high Provenance The George Twyman Collection of Martin Ware.

British Art Pottery, Woolley and Wallis, 27th November 2019, lot 49.

Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis, page 134 for an example of this Imp illustrated. £800­1,200

595 A Martin Brothers stoneware Imp Musician by Robert Wallace Martin, modelled seated, blowing a cornet, glazed white, on ebonised wood base, incised Martin Bros, professional restoration to tip of cornet, 13.5cm. high Provenance The George Twyman Collection of Martin Ware.

British Art Pottery, Woolley and Wallis, 27th November 2019, lot 48. £800­1,200 593

594 44

595

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

596 A Fine Martin Brothers stoneware Aquatic ewer by Edwin and Walter Martin, dated 1898, shouldered, square section, incised and painted with a shoal of fish swimming with jelly fish amongst waterweed, in green, blue and ochre on a buff ground incised 8-1898, Martin Bros London & Southall, 22cm. high £3,000­5,000

596

597 A Martin Brothers stoneware Aquatic vase by Edwin & Walter Martin, dated 1896, slender, shouldered form, modelled in low relief and incised with a large sun­fish, eels, an octopus and scaly fish swimming through waterweed, in colours, highlighted with white, incised 1896 Martin Bros London & Southall, minor professional restoration to base rim, 25cm. high £1,500­2,000 597 45

598 A fine Martin Brothers stoneware Dragon vase by Edwin & Walter Martin, dated 1894, ovoid, incised and painted with ferocious dragons amongst scrolling berried holly boughs, in brown on a buff ground, incised 5-1894, Martin Bros London & Southall, 25cm. high £4,000­6,000 599 An early Martin Brothers stoneware ewer by Robert Wallace Martin, dated 1874, made at Fulham, swollen form, incised with a panel of three owls perched on an oak bough, the reverse with a panel of a flying bird, inside impressed floret ground, the neck with shield RWM, the applied handle with a lion mask to the base, glazed blue, brown and white on a buff ground, with applied metal rim and cover, incised I RWMartin Fulham, London 5/74, old repair to handle, 30cm. high Catalogue notes This is probably the first example of Robert Wallace Martin’s depictions of a family of birds, here the three owls huddled together as a family. £500­800 600 A rare Martin Brothers stoneware Insect vase by Edwin and Walter Martin, dated 1900, gourd form, incised and painted to each rib with a mayfly insect, in ochre and white on a buff ground, incised Martin Bros, London & Southall, 12-1900, 14cm. high Provenance A H Forsyth.

Private collection.

598

£3,000­5,000

600

599 46

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

601 A Martin Brothers stoneware bird jar and cover by Robert Wallace Martin, dated 1913, modelled standing on claw feet, the head with open, short beak and forward looking gaze, glazed blue and ochre on a buff ground, on ebonised wood base, incised Martin Bros, London & Southall, 17.10,13, to head and base, 17.5cm. high (2) £8,000­12,000

47

602 A Martin Brothers stoneware Bird loving cup by Edwin and Walter Martin, tapering cylindrical form, painted with anthropomorphic birds amongst grasses, in ochre, blue and green on a buff ground, 10-1898, Martin Brothers London & Southall, paper label, professional restoration, 17cm. high Provenance Arts and Crafts, Woolley and Wallis Auctioneers, 18th June 2014, lot 184.

Private collection. £2,500­3,500

48

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603 A Martin Brothers stoneware double bird group by Robert Wallace Martin, modelled as two standing birds, one with wings outstretched around the other, glazed blue, green and aubergine, incised R W Martin & Bros, Southall, 14.5cm. high (3) Provenance AD Antiques, 2010.

Andrew Furer collection.

Martin Brothers, Rago Auctioneer’s, 21st September 2019, lot 23. £16,000­20,000

49

604 A Torquay terracotta vase by Alexander Fisher, baluster form with flaring neck, painted with a kingfisher perched on a reed, in green with white highlights, on a brown ground, impressed Torquay, painted AF monogram, small chip to top rim, 33.5cm. high £200­300

605 A large Torquay terracotta pottery vase by Alexander Fisher, shouldered form, painted with two herons wading in shallow water, the next with printed carnation flower repeat band, enamelled in colours and highlighted in gilt, signed A Fisher to side, minor frit chips, 43cm. high Literature Keith Poole The Art of the Torquay and South Devon Potters, page 103 figure 148 for a comparable vase by Alexander Fisher. Alexander Fisher was awarded special mention and was highly acclaimed for a pair of Eastern vases painted with storks and herons at the Paris exhibition of 1878. Alexander Fisher senior, was the father of the well known enamel artist (Alexander Fisher). £300­500

604

605 50

606 A Torquay terracotta pottery vase probably by Alexander Fisher, shouldered form, painted with a Heron flying from long grasses and vegetation, in white and ochre on a brown ground, unmarked, unsigned, chips to rims, 22.5cm. high £150­250

606

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

607

608

607 A tall Doulton Lambeth stoneware ewer by Florence Barlow, dated 1876, slender, shouldered form, incised with panels of horses and ponies, inside beadwork borders, with scrolling foliage, between bands of still­leaf foliage in green, blue and ochre, highlighted in white, on a buff ground, impressed factory marks, incised monogram, professional restoration to handle and neck, 37.5cm. high £400­600 608 A Doulton Lambeth stoneware vase by Hannah Barlow, shouldered form with swollen neck, the body incised with horses galloping with a dog, between slip foliage bands, in ochre and green on a buff ground, impressed marks, incised monogram, 31.5cm. high £300­500 609 A Doulton Lambeth stoneware vase by Hannah Barlow, dated 1878, baluster form, incised with a pride of resting lions, between borders of applied florets and stiff­leaf foliage, in green, blue and white on a buff ground impressed factory marks, date and incised monogram, 19.5cm. high Provenance Julian Eade.

Private collection.

Catalogue notes The vase has the usual HB monogram which is continued Barlow and KAS, this is for the Kensington Art School. £700­900 609 51

610 A Pre­Raphaelite tile plaque, rectangular, painted with a classical female figure, seated reading from a book, in blue on a white ground, in silvered metal frame, unmarked, cracked in half, 29 x 14cm (tile). £200­300

611 A Maw & Co Pottery Knight charger by MJ, painted with a knight on horseback, amidst scrolling foliage, in ruby on a white ground, impressed marks, painted camel and MJ monogram, hairline crack, 34cm. diam. £400­600

612 A James Macintyre & Co Florian Ware biscuit barrel with electroplated cover and handle, shouldered form, tubeline decorated with panels of Art Nouveau bearded iris flower panels, in green, blue yellow and gold on a pale blue ground, printed factory marks, painted green signature, 16cm. high (2) £300­500

610

611

52

612

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

615

613

614

613 A Sunflower Pottery chamberstick by Sir Edmund Elton, tapering cylindrical form, covered in a crackled gold glaze over yellow and lime green painted Elton, 11cm. high, 12.5cm. diam. £300­500 614 A Sunflower Pottery vase by Sir Edmund Elton, ovoid with tall cylindrical neck with flaring top rim, applied with three curved handles, covered in a crackled golden lustre over green glaze painted Elton, 25.5cm. high £500­800

616

615 A Sunflower Pottery tyg by Sir Edmund Elton, cylindrical with pinched rim, applied with three handles, each with mask terminal to top rim, covered in a rich golden crackle glaze over tan, painted Elton, professional restoration, 18cm. high £300­500 616 A Sunflower Pottery vase by Sir Edmund Elton, shouldered form with knopped neck and modelled cabochon to the base, covered in a crackled gold lustre glaze over green, painted Elton mark, 19.5cm. high £400­500 617 A Sunflower Pottery large ewer by Sir Edmund Elton, ovoid with angled cylindrical neck and floriform handle, applied with flower bough in red and brown on a streaked green ground, painted Elton mark, professional restoration to top rim, 38cm. high £400­600

617

53

618 ‘St George’ a Potters’ Arts Guild Compton figure designed by Mary Seton Watts, modelled standing, holding a half drawn sword, the dragon slain at his feet, in colours impressed Potters’ Arts Guild roundel, minor paint loss, 30.5cm. high Literature Hilary Calvert & Louise Boreham, Mary Seton Watts and the Compton Pottery, PWP, page 139, catalogue number 8.17 for comparable figure illustrated. £500­800 619 ‘St Michael’ a large Potters’ Arts Guild Compton figure designed by Mary Seton Watts, modelled standing holding flaming sword and scales, on square base with impressed St Michael title, in colours highlighted in gilt, impressed mark, professional restoration to wings, 32cm. high Literature Hilary Calvert & Louise Boreham, Mary Seton Watts and the Compton Pottery, page 208 catalogue number A3 this model illustrated.

618

619

£500­800 620 ‘St Francis’ a rare Potters’ Arts Guild Compton figure designed by Mary Seton Watts, modelled standing holding a dove and book, glazed in colours impressed Compton Pottery Guild mark, 21.5cm. high £400­600 621 ‘Saint Cecilia’ a Potters’ Arts Guild Compton figure designed by Mary Seton Watts, modelled holding a small hand organ, in colours impressed Potters Art Guild roundel, 25.5cm. high Literature Hilary Calvert & Louise Boreham, Mary Seton Watts and the Compton Pottery, PWP, page 139, catalogue number 8.18 for comparable figure illustrated. £500­800

620

621

622 ‘St Joan of Arc’ a Potters’ Arts Guild Compton plaque designed by Mary Seton Watts, rectangular, cast in low relief, in colours impressed Potters’ Arts Guild roundel mark, 15.5 x 13,5cm.

Literature Hilary Calvert & Louise Boreham, Mary Seton Watts and the Compton Pottery, PWP, page 213 catalogue number B10 for comparable plaque illustrated. £200­300 623 ‘Sir Galahad’ a Potters’ Arts Guild Compton pottery plaque designed by Mary Seton Watts, rectangular, cast in low relief with the knight resting by his horse, in colours impressed Potters’ Arts Guild roundel mark, 18.5 x 11cm. £200­300

END OF COLLECTION 54

622

623

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

624

RUSKIN POTTERY

625

624 A rare Ruskin Pottery miniature high­fired stoneware ginger jar and cover by William Howson­Taylor, covered in a sang de boeuf and silver­ grey glaze, impressed Ruskin, 2.5cm. high (2) £200­300 625 A Ruskin Pottery High­fired stoneware Elephant’s Foot vase designed by William Howson­Taylor, swollen cylindrical form, covered in a sang de boeuf glaze, with silver­grey top rim, streaked with lavender and turquoise speckles, impressed factory mark and date, applied collection label, professional restoration, 20.3cm. high Provenance The Albert E Wade Collection.

The Albert E Wade Collection, Sotheby’s Olympia, 2nd May 2002, lot 263.

Literature Paul Atterbury & John Henson, Ruskin Pottery, Richard Dennis Publications, page 59 (top) this vase illustrated. £600­1,000 626 A Ruskin Pottery stoneware vase by William Howson­Taylor, shouldered form, covered in a streaked blue glaze over iron red, impressed mark, stress hairline to foot rim, 19.5cm. high

626

£150­200 627 A Ruskin Pottery pedestal tazza by William Howson­Taylor, the hexagonal foot supporting circular base, covered in a mottled lavender and sang de boeuf glaze over white, with lavender speckles, impressed Ruskin 15cm. high.

21cm. diam.

Provenance The Ferneyhough Collection, no.51.

Albert E Wade.

The Albert E Wade Collection Part 1, Sotheby’s 2nd May 2002 lot 351.

Private collection. £500­800 627 55

628

629 628 A small pottery dish by John Pearson, circular, painted to the well with a large pelican, the rim with three fish swimming in turbulent water, in blue and silver lustre, the reverse painted with geometric panels in blue and purple, painted JP and ship monogram to reverse, 15.5cm. diam. £150­250

629 A pottery dish by John Pearson, circular, painted to the well with a salamander amdist scrolling, flowering foliage, in gold on a yellow ground, painted JP monogram to reverse, hairline crack to rim, 18.7cm. diam. £150­250

630

630 A William De Morgan Sands End Pottery Ship tile, painted with a ship at sail, with four fish leaping in the calm sea, in colours, impressed marks, restored rim, 15cm. square £500­700

631 A William De Morgan ruby lustre Bird tile, painted in ruby lustre on a white ground, impressed mark 15.5cm, square £400­600

631 56

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

632

632 A Burmantoft’s Faience Pottery vase by Leonard King, shouldered form with cylindrical neck, painted with Persian flower and foliage in ruby lustre on a smoky buff ground, painted LK monogram, 30cm. high Provenance A Private Collection of Burmantoft’s Faience Pottery, Woolley & Wallis, 22nd June 2017, lot 670. £400­600

633 A large William De Morgan Sands End Pottery single­handled vase, swollen form with applied angled handle, painted with facing griffin before stylised flames in ruby lustre on a cream ground impressed factory mark, 40cm. high £8,000­12,000 633 57

634

635 634 A pair of Mintons Pottery tiles in the manner of Kate Greenaway, probably Minton, one painted with a man greeting a young lady in a rural setting, the other three young children seated on a fence in a farmland setting, in colours, framed, cast Mintons mark, 15cm square (2) £120­180 635 A Burmantoft’s Faience Anglo Persian vase by Leonard King, ovoid with tapering neck, painted with a frieze of diving scaly fish before waterweed, in blue, turquoise aubergine and green on a white ground, impressed factory marks, painted marks and LK monogram, Design 30, minor paint flakes to design, 24.5cm. high £700­1,000

636

637

636 A pair of Leeds Art Pottery Barbotine vases, probably by Harold Leach, shape no.104, slender baluster form, painted with flowers and foliage in colours on a blue ground, impressed factory marks, small re-stuck chip to top rim, 29cm. high (2) £120­180 637 A Burmantoft’s Faience pottery ewer, model no. 1737, swollen form with over­slung handle, cast in low relief with Egyptian motif, glazed red, impressed marks, professional restoration to handle, 31.5cm. high £120­180 638 A Large Della Robbia Pottery by Lizzie Wilkins, dated 1899, shouldered ovoid form, modelled in relief with entwined rose stems with hips, in ochre, green and turquoise on textured yellow and red ground, incised and painted marks, minor glaze frit loss, 23.5cm. high £500­600 639 A Della Robbia twin­handled Moorish vase by John Cecil Shirley and Ruth Bare, dated 1917, shouldered form with applied twin­handles, incised and painted with kingfishers flying and perched on reeds by a river, in shades of blue, yellow and green, incised Della Robbia mark, C Shirley and 17, painted RB monogram 26cm. high

638

58

639

Literature Peter Hyland The Della Robbia Pottery, ACC Books, page 212 figure 228 for a comparable vase by Shirley illustrated. £300­500

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

640

641

642

ELTON WARE 640 A small Sunflower Pottery jug by Sir Edmund Elton, covered in a gold crackle glaze over lime green painted Elton mark, 11.5cm. high £200­300

641 A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with angled spout and loop handle, red ground covered in a golden crackled glaze, painted Elton mark, 18.5cm. high £150­250

642 A Sunflower Pottery ewer by Sir Edmund Elton, ovoid with angled tube spout and loop handle, covered in a crackled golden glaze, painted Elton mark, 12cm. high

643

£150­200

643 A Sunflower Pottery vase by Sir Edmund Elton, shouldered ovoid form with pinched neck, covered in a crackled gold glaze over lime green, painted Elton mark, 19cm. high £300­500

644 A Sunflower Pottery tyg by Sir Edmund Elton, swollen, cylindrical form, the handles with mask terminals, crackled gold glaze over blue, painted Elton mark, repainted interior, 20cm. high £300­400

644

59

BRANNAM WARE 645 A Baron Barnstaple pottery Dragon vase, tall, tapering form with flaring rim, applied with twin dragon handles, incised and painted with panels of Art Nouveau scaly fish, in green and brown incised marks, professional restoration, 48cm. high £150­200 646 A C H Brannam vase by James Dewdney, dated 1905, tapering cylindrical form with flaring top rim and three applied handles, painted with a large stylised bird amongst flowers and foliage, in green, blue and ochre incised marks, restored 44.5cm. high £150­200 645

646

647

647 A large pottery Dragon vase probably Brannam, tapering cylindrical form with applied twin dragon handles, incised and painted with birds perched on a flowering branch in green and ochre on a yellow ground, unsigned, 49cm. high £150­200 648 A C H Brannam frog jug, dated 1911, painted in shades of green and ochre on a blue ground, a C H Brannam Puffin jug possibly made for Liberty & Co, and a C H Brannam dragon chamberstick glazed blue, incised marks, glaze loss and old restoration, 15cm. wide (3)

648

£150­200 649 A large C H Brannam Pottery vase by James Dewdney, dated 1901, shouldered form with applied twin­fish handles, each modelled as a scaly fish, glazed green, white and blue on a green glaze, and a small C H Brannam jug dated 1899 decorated with a dragon, incised marks, JD monogram and date, restored, 41cm. high (2) £120­180

649

650

650 A C H Brannam Pottery vase by James Dewdney, dated 1903, tapering form with flaring neck and applied scroll handles, painted with panels of fish amongst waterweed in green, highlighted in terracotta and white, a Lauder Pottery solifleur vase and a jug incised marks, old damages 29.5cm. high (3) £120­180 651 A C H Brannam Pottery vase, baluster form painted with an owl perched in a fir tree, in green and ochre on a yellow ground, and a pair of Brannam jugs, impressed and incised marks, restored, 21cm. high (3) £120­180

60

651

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

652 A C H Brannam Dolphin vase by William Baron, dated 1891, ovoid vase with three dolphin supporting small knopped neck, painted with a shoal of stylised mackerel, in blue and white on an olive green ground, the dolphins terracotta, incised marks, 22.5cm. high £120­180

653 A C H Brannam Pottery Dragon coffee pot and cover, dated 1891, modelled in relief, glazed in blue and ochre on a cream ground, and a small Baron Pottery grotesque jug in the manner of Blanche Georgiana Vulliamy, incised marks, old restoration, 19.5cm. high (3) £120­180

654 A pair of C H Brannam vases by James Dewdney, dated 1888, shouldered form with flaring necks, painted with panels of birds and stylised flowers in blue, cream and brown on a tan ground, and a C H Brannam vase decorated with fish, incised marks, dated 1888, restored, 28.5cm. high (3)

652

£120­180

655 A C H Brannam Barum Ware pottery Galleon centrepiece, dated 1900, pierced and modelled design, glazed in shades of green, brown and blue, incised C H Brannam, Barum 1900, professional restoration, 29.5cm. wide. £150­200

653

654

655 61

656 A tall Mintons Secessionist floor vase designed by Leon Solon and John Wadsworth, slip decorated with Art Nouveau flowers in salmon pink and green on a turquoise ground impressed marks, restored, 47.5cm. high £150­200 657 A Mintons Pottery Secessionist floor vase designed

by Leon Solon and John Wadsworth, model no.3573, shouldered cylindrical form with tapering collar neck, cast in low relief, printed and painted with Art Nouveau flowers and foliage in salmon pink, red and green on a turquoise blue ground, impressed factory marks, minor glaze loss, 48cm. high £300­500

656

657

658 A Minton’s Secessionist solifleur vase designed by Leon Solon and John Wadsworth, model no.28, ovoid with tapering cylindrical neck, tubeline decorated with columns of circles in green and cream on a red ground, a Minton’s Secessionist cylindrical vase and a Minton’s Secessionist plate, printed factory marks, professional restoration, 18.5cm. high (3) £200­300 659 A pair of Aesthetic Movement Mintons Pottery vases, shape no.2804, tall slender baluster form with applied dragon handles, covered in a green glaze, impressed marks, 38.5cm. high (2) £300­500 660 An S Hancock & Sons Morrisware vase designed by George Cartlidge, pattern C.79, swollen cylindrical form, tubeline decorated in shades of purple, blue and green on a tan ground, printed factory mark, painted green signature, small chip to foot rim, 27.5cm. high £120­180

658

661 An Ashby Guild solifleur vase, covered in a speckled pink lustre glaze graduating to white, impressed mark, 27cm. high £120­180

62

659

660

661

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

662 662 A Wedgwood bowl designed by Alfred Powell, painted to the well with flowers and foliage in blue, yellow and green on a white ground, impressed factory marks, painted number 17, 26cm. diam.

663 666 A pair of Wedgwood plates by Alfred Powell, painted to the rim with small stylised flowers inside a foliage wreath, in green, sky blue and red, impressed marks, painted artist monogram, no.2, exhibition paper label, wear, 24cm. diam. (2)

Provenance Private collection of Cotswold Artist Wedgwood ceramics.

Provenance Wedgwood Exhibition, Richard Dennis, 1982, catalogue number P.79.

Private collection of Cotswold Artist Wedgwood ceramics.

£120­180 663 A pair of Wedgwood covered pots by Grace Barnsley, numbered 228, painted with bands of cornflowers, in blue, green and brown, on a white ground, impressed marks, painted artist monogram, painted number, professional restored finial, 9.5cm. high (4) Provenance Private collection of Cotswold Artist Wedgwood ceramics. £150­200 664 A Wedgwood plate, painted with stylised blue flowers and large silver leaves, on white ground, impressed marks, painted AMM7667, 24cm. diam.

Provenance Private collection of Cotswold Artist Wedgwood ceramics. £120­180 665 A Wedgwood Pottery vase by Alfred Powell, shouldered form, model no.4238, painted with a band of running stags in a woodland setting, between stylised Tudor rose and foliage, in shades of purple, green and orange lustre on a white ground, impressed and painted marks, 14cm. high Provenance Lawrences Auctioneers 12th April 2018 lot 927.

664

£120­180 667 A Wedgwood Rhodian Ware box and cover designed by Alfred Powell, rectangular, painted in colours and highlighted in copper lustre, impressed factory marks, painted NE monogram, 17cm. long (2) Provenance Private collection of Cotswold Artist Wedgwood ceramics. £120­180 668 A Wedgwood mug, number 1404, painted with scrolling foliage in green and brown, between brown bands, impressed mark, painted artist monogram, number 1404, 7.5cm. high

665

£120­180 669 A Wedgwood pot and cover by Grace Barnsley, tapering form, the shallow domed cover surmounted with figural finial, painted with scrolling foliage in black on a white ground, impressed marks, painted artist monogram, number 84, small chip to top rim of pot, 11cm. high (2) Provenance Mr H M Gimson, Private collection of Cotswold Artist Wedgwood ceramics.

Literature Maureen Batkin Wedgwood Ceramics, 18461959, Richard Dennis Publications, page 141 plate XLVI for a comparable example illustrated.

Exhibited Crafts of the Cotswolds, Cheltenham, 1951, catalogue number 286 (loaned along with seven other pieces of pottery by H M Gimson).

£300­500

£100­200

666

667 668

669

63

670 Queen Elizabeth II a Wedgwood Pottery Coronation mug designed by Eric Ravilious, printed in colours, a Wedgwood Bicentenary mug designed by Robert Goodden and a Wedgwood coronation mug designed by Richard Guyatt printed factory marks, 10.5cm. high (3) £150­250 671 Alphabet a Wedgwood Pottery mug designed by Eric Ravilious, printed in black on a pink band, and a Wedgwood Pottery ‘Alphabet’ jug, printed factory marks, 10.5cm. high (2)

670

£200­300 672 Garden Implements a Wedgwood Pottery jug designed by Eric Ravilious, printed in pink lustre and black, and Oranges and Lemons a Wedgwood Pottery jug designed by Richard Guyatt, printed factory marks, 20cm. high (2) £300­500 671

673 A Wedgwood Pottery Dragon lustre vase designed by Daisy Makeig­Jones, footed form, printed in gilt on a mottled red ground, the interior with butterflies on a pearl lustre ground printed factory mark, painted Z11827, professional restoration to foot, 13.8cm. high £100­200 674 A Wedgwood Pottery Butterfly lustre vase designed by Daisy Makeig­Jones, shape H.16, fluted form with knopped neck, printed and enamels and gilt on a pearl lustre ground the interior orange lustre, printed factory mark, painted Z4832, 20.5cm. high £150­200 675 A Wedgwood Pottery lustre bowl designed by Daisy Makeig­Jones, pattern Z4831, octagonal form, printed with Chinese characters to the exterior, the interior a dragon to the well, in gilt on a mottled green lustre ground, the interior pearl lustre, and a small Wedgwood Pottery dish printed with a hummingbird design, printed and painted marks, 8.8cm. diam, (2)

672

£100­200

64

673

674

675

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

676 two views

676 A Wedgwood Fairyland Lustre Octagonal bowl designed by Daisy Makeig­Jones, the interior decorated in the ‘Ship and Mermaid’ pattern on pearl lustre ground, the exterior in the ‘Fiddler in Tree’ pattern on a black lustre ground, printed and painted factory marks, 19.5cm. diam.

677 ‘Fairy in a Cage’ a Wedgwood Fairyland lustre Octagon bowl designed by Daisy Makeig­Jones, printed and painted in colours and gilt to the interior, the exterior in the ‘Castle on a Road’ pattern on a black lustre ground, printed and painted marks, 23cm. diam.

Literature Una des Fontaines, Wedgwood Fairyland Lustre, page 152 plate 33 for a comparable bowl with flame lustre ground.

£1,500­2,000

£1,500­2,000

677 two views

65

PILKINGTON’S LANCASTRIAN 678 A Pilkington’s Lancastrian box and cover by Jessie Jones, circular, painted with bands of berried foliage, the cover with five carnation flowers to the centre, in ruby and golden lustre on a pale yellow ground, impressed factory marks, painted artist cipher, 5cm. diam. (2) £500­600 678 679 A Pilkington’s Lancastrian solifleur vase by Richard Joyce, dated 1919, compressed ovoid body with cylindrical neck, painted with three deer running through a woodland, in golden lustre on a graduated ground, impressed factory marks, painted artist cipher and date mark, 22.5cm. high £700­900

680 A rare large Pilkington’s Lancastrian vase and cover by Richard Joyce, dated 1917, shouldered form, painted with a knight on horseback, flanked by columns of Art Nouveau foliage, in golden lustre on a dark midnight ground, the top rim with inscription, impressed factory marks, painted artist cipher and date mark, 31cm. high £600­1,000

681 A Pilkington’s Royal Lancastrian vase, ovoid with flaring rim, painted with a frieze of flowers in red and gold lustre on a pale blue ground, impressed marks, 16.5cm. high 679

680 66

£500­600

681

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

682

683

682 A Pilkington’s Royal Lancastrian Pottery vase by Gordon Forsyth, dated 1915, shouldered, ribbed form with flaring rim, painted with scrolling flowers and foliage in lustre on a streaked green and ochre ground, impressed marks, painted artist cipher and date mark, 19.5cm. high £600­800

683 A Pilkington’s Lancastrian Pottery vase by William S Mycock, dated 1919, shape no.2994, octagonal, section, shouldered form, painted with pencil cypress trees in gilt on a scrolling foliate ground, in red highlighted with yellow, impressed mark, painted artist cipher, dated 1919, 24.5cm. high £600­800

684 A Pilkington’s Lancastrian vase by Charles Cundall, dated 1910, shape no.2867, ovoid with cylindrical neck, painted with a frieze of large cats in golden lustre on an orange ground, the neck with stylised flowers and foliage impressed factory marks, painted artist cipher and date mark, 21cm. high

684

£800­1,200

685 A Pilkington’s Lancastrian vase by William S Mycock, dated 1912,shouldered form, painted with flowers and foliage in shades of gold and ruby lustre, between geometric bands impressed mark and painted monogram and date mark, 26cm. high Provenance Arts and Crafts, Woolley and Wallis Auctioneers, 19th June 2013 lot 248.

Private collection. £1,500­2,000

685 67

686 A Bernard Moore Pottery vase, shouldered form with waisted cylindrical body, decorated with a broad band of flowers and scrolling foliage in ruby on a smoky brown ground, painted Bernard Moore mark, paper collection label, 14cm. high Provenance The Harriman Judd Collection, Sotheby’s. £150­250 686

687 A Royal Doulton Veined Flambe vase, shouldered form, and a Royal Doulton Flambe vase decorated with smoked patches, printed factory marks, 29cm. high (2) £120­180 687

688 A Howson’s Pottery Flambe vase, dated 1912, fluted, shouldered form with pinched square section neck, covered in a flambe glaze, and another Howson’s Pottery Flambe baluster vase, incised marks and date 25.5cm. high (2) £120­180 688 68

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

689 A fine Bernard Moore Flambe Viking Boat vase, shouldered, ovoid form, painted with a rowing boat at sea, in flambe red, blue and yellow, highlighted with white printed Bernard Moore mark, 20cm. high Provenance The Daryl Fromm collection.

Literature Aileen Dawson, Bernard Moore Master Potter, Richard Dennis, page 72, plate XII, this vase illustrated. £800­1,200 69

690

691

692

MOORCROFT POTTERY 690 ‘Anemone’ a rare James Macintyre & Co miniature vase designed by William Moorcroft, shouldered form, tubeline decorated with blue flowers on a pale blue ground, printed factory mark, painted green signature, small chip to inside of foot rim, 7.5cm. high £150­200 691 ‘Bara Ware’ a Moorcroft Pottery pot and cover designed by William Moorcroft, made for Liberty & Co, painted with roses in green and red on a white ground, printed and painted marks, 7.5cm. high (2) £120­180 692 ‘Eighteenth Century’ a James Macintyre & Co vase designed by William Moorcroft, shouldered form with collar rim, tubeline decorated with swags of flowers in red, blue and green on a white ground, with gilt highlights, printed factory mark, painted green signature, small chips to base rim, 23.5cm. high £100­200

694

693

693 A James Macintyre and Co Aurelian vase designed by William Moorcroft, ovoid with flaring cylindrial neck, printed in red and blue, highlighted in gilt printed factory mark, 27cm. high £120­180 694 ‘Grape Vine’ a tall lustre vase designed by William Moorcroft, slender baluster form, tubeline decorated with bands of grape vine, in shades of purple, green and blue on a mottled lustre ground, painted Moorcroft signature, base drilled, 40cm. high Catalogue notes The base is signed W Moorcroft New York suggesting the vase was made for export to Tiffany’s New York.

695

Literature Paul Atterbury Moorcroft, Richard Dennis Publications, page 62 figure 1 for a comparable lustre vase and also a lustre rose vase made for Tiffany’s New York. £300­400 695 A James Macintyre & Co tea set designed by William Moorcroft, painted with a frieze of daisy chains in yellow, blue and green on a mauve ground, inside gilt, cream and mushroom bands, comprising teapot and cover, teapot stand, large jug with pewter cover, smaller milk­jug, a sugar basin and an ‘Anemone’ side plate designed by William Moorcroft and a ‘Dura’ plate, printed factory mark, hairline to base of teapot and rim of sugar basin, 11cm. high (teapot), (9)

70

£120­180

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

696

696 ‘Persian’ a Moorcroft Pottery bowl designed by William Moorcroft, tubeline decorated in shades of purple, pink and green on a white ground, painted green signature, 10.5cm. diam, 6.5cm. high

698 ‘Spanish’ a Moorcroft Pottery vase designed by William Moorcroft, painted in shades of pink, purple, blue and green on a mottled green ground, impressed marks, painted green signature 20.5cm. high

Provenance Clarice Cliff & Moorcroft, Christie’s 23rd October 2007, lot 226.

Private collection.

Provenance Bonham’s, 20th September 2016, lot 313.

Private collection.

£200­400 697 ‘Late Florian’ a Moorcroft Pottery twin­ handled vase designed by William Moorcroft, cylindrical with flaring rims, tubeline decorated in blue, green and yellow on a mottled green ground, impressed factory marks, painted green signature, minor glaze frits to top rim, 21cm. high £150­250

698

£400­600 699 ‘Brown Chrysanthemum’ a Moorcroft Pottery vase designed by William Moorcroft, footed, shouldered form, painted in shades of pink, purple, ochre and blue on a green ground, painted green signature, 14.5cm. high

697

Provenance Bonham’s, 20th September 2016 lot 316. £400­600

699

71

72

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

700 ‘Peacock Feather’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, compressed body with knopped, tall flaring cylindrical neck, tubeline decorated with peacock feathers in blue on a pale blue ground printed factory mark, painted signature, 22.5cm. high £300­400 701 ‘Pansy’ a Moorcroft Pottery vase designed by William Moorcroft, shape no.76, compressed form with knopped, flaring cylindrical neck, tubeline decorated with flowers in yellow, purple and green on a white ground, impressed factory marks, painted green signature, 23.5cm. high £200­400 702 ‘Cornflower’ a James Macintyre & Co Florian Ware vase designed by William Moorcroft, shape no.76, compressed form with knopped, flaring cylindrical neck, tubeline decorated with flowers in shades of yellow, blue and green on a white ground, printed factory marks, painted signature, professional restoration, 22cm, high

700

701

702

703

704

705

£150­200 703 ‘Pomegranate’ a Moorcroft Pottery vase designed by William Moorcroft, shape no.76, compressed form with knopped, flaring cylindrical neck, tubeline decorated in shades of pink, purple, ochre and green on a blue ground, professional restoration, 23cm. high £150­200 704 ‘Florian’ a James Macintyre & Co vase designed by William Moorcroft, shape no.76, compressed form with knopped, flaring cylindrical neck, tubeline decorated in shades of blue, pink and gilt on a pale blue ground, printed factory marks, painted green monogram, 22.5cm. high Literature Paul Atterbury Moorcroft, Richard Dennis Publications, page 52 figure 2 for a comparable vase in this blue colourway of the ‘Green and Gold Florian’ range. £250­350 705 ‘Orchid’ a large Moorcroft Pottery vase designed by William Moorcroft, shape no.76, compressed form with knopped, flaring cylindrical neck, tubeline decorated with frilled and slipper orchids in colours on a graduated green to blue ground, impressed marks, painted green signature, 26cm. high £200­400

73

706

707

706 A modern Moorcroft Pottery miniature ‘Florian Ware’ vase, dated 2003, shouldered form, painted with blue flowers on a pale blue ground, a vase designed by Philip Gibson painted with purple flowers, an Anemone pattern plate and four other Moorcroft items, impressed and painted marks, 9.5cm. high (7)

707A 'Big Poppy' a Moorcroft Pottery vase designed by William Moorcroft, slender, shouldered form, painted in shades of pink, purple and green on a blue ground, impressed marks, painted blue signature, 31.5cm. high

£120­180

708 ‘Leaf and Berry’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form with collar rim, tubeline decorated in blue and celadon green on a graduated green to blue ground, impressed factory marks, painted blue signature, small glaze nick to top rim, 23.5cm. high

707 ‘Fresia’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered form, tubeline decorated with flower stems in red and green on a graduated sand yellow to blue ground, impressed factory marks, painted blue signature, 24cm. high

£300­500

£300­500

707A 74

£400­600

708

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

709 ‘Landscape’ a Moorcroft Pottery vase designed by William Moorcroft, waisted cylindrical form with inverted top rim, tubelined with trees before small hills, in matt buff on a matt green­blue ground impressed factory marks, painted green signature, hairline to top rim, 21.5cm. high Literature Paul Atterbury Moorcroft, Richard Dennis Publications, page 95 figure 4 this vase illustrated. £1,000­2,000

709 710 ‘Landscape’ a Moorcroft Pottery vase designed by William Moorcroft, ovoid with collar rim, tubeline decorated with trees in shades of green and tan, impressed factory marks, painted signature, professional restoration to base rim, 15cm. high £150­250

711 ‘Fish’ a Moorcroft Pottery trough designed by William Moorcroft, rectangular section, tubeline decorated with fish swimming amongst waterweed, in matt green, blue and ochre, impressed marks, painted blue signature, small nick to glaze and small fill to base rim, 31wide, 14cm deep, 10.5cm high £500­800 710

711 75

712 ‘Pomegranate’ a large Moorcroft Pottery vase designed by William Moorcroft, waisted cylindrical form, tubeline decorated in shades of purple, red, ochre and green on a blue ground, impressed factory marks, painted green signature, paper collection labels, firing crack to base, 44cm. high Provenance Albert Wade The Albert E Wade Collection Part 1, Sotheby’s Olympia, 2nd May 2002, lot 94.

Private collection.

Catalogue notes The vase has a paper label suggesting Albert lent this vase to the Victoria & Albert Museum. £200­400

713

713 ‘Pomegranate’ a Moorcroft Pottery jardiniere designed by William Moorcroft, made for retail by Liberty & Co, cylindrical form with flaring rim and base, painted in shades of blue, purple, ochre and green on a mottled green ground, painted green signature, impressed marks, printed Liberty retail mark, 17.5cm. high £200­300 714 ‘Pomegranate’ a pair of Moorcroft Pottery vases designed by William Moorcroft, waisted, cylindrical form, painted in shades of pink, purple, ochre and green on a blue ground, impressed factory marks, painted green signature, professional restoration to one, firing flaws to other (2)

712

£300­500 715 ‘Pomegranate’ a Moorcroft pottery vase designed by William Moorcroft, footed, urn shape, painted in shades of pink, purple, blue and green on a mottled green ground, painted green signature, restored foot, 25.5cm. high £300­500 716 ‘Pomegranate’ a Moorcroft Pottery shallow bowl designed by William Moorcroft, painted in colours, and another smaller Pomegranate bowl impressed factory marks, painted blue signature, 16cm. diam. (2) 714

76

715

£120­180

716

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

717

718

717 ‘Flambe Orchids and Springflowers’ a Moorcroft Pottery vase designed

by William Moorcroft, tubeline decorated under a rich flambe glaze, impressed factory marks, painted blue signature, 28cm. high £300­500

718 ‘Hazledene’ a Moorcroft Pottery pot pourri vase and cover designed by William Moorcroft, circular section, tubeline decorated with trees in a landscape, in blue, green and yellow on a celadon green ground, painted green signature, professional restoration to thread on pot, 10.5cm. high (2) £400­600

719 ‘Big Poppy’ a Moorcroft Pottery biscuit box and cover designed by William Moorcroft, square section, tubeline decorated in blue on a speckled blue ground, impressed marks, painted blue monogram, small nick to cover, firing crack to base rim, 16.5cm. high (2) £400­600 719 77

720 ‘Moonlit Blue’ a near pair of Moorcroft Pottery vases designed by William Moorcroft, waisted cylindrical form, painted in shades of blue and green on a blue ground, impressed factory marks, painted green signature, minor overpainting to top rims, 11.5cm. high (2) Provenance Private collection. £300­500

720

721 ‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered ovoid body with waisted cylindrical neck, tubeline decorated with trees in green and blue on a blue ground, impressed factory marks, painted blue signature, small glaze flake to foot rim, 24.5cm. high £1,000­1,500

722 ‘Moonlit Blue’ a pair of Moorcroft Pottery vases designed by William Moorcroft, shouldered ovoid form with tall waisted neck, painted in shades of blue and green on a blue ground, impressed factory marks, painted green signature, 18.5cm. high, (2) Provenance Arts and Crafts, Woolley and Wallis, 21st June 2017, lot 186. £1,500­2,000

723 ‘Moonlit Blue’ a Moorcroft Pottery vase designed by William Moorcroft, compressed form with waisted cylindrical neck, tubeline decorated with trees in blue and green on a blue ground, impressed marks, painted blue signature, 19.5cm. high £400­600

721

722 78

723

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

724

725

POOLE POTTERY 724 An early Carter’s Poole Pottery vase possibly designed by James Radley Young, shouldered ovoid form with cylindrical neck, with painted hatched band to shoulder in ochre, and a Carter Stabler & Adams Etruscan vase, impressed marks, 27.5cm. high (2) £150­250 725 A pair of Carter Stabler & Adams Poole Pottery vases by Myrtle Bond, pattern RW, shouldered form, painted with geometric panels in brown and terracotta, impressed mark, painted monogram, 14cm. high (2) £150­250 726 A large Poole Pottery vase probably designed

by Harold Stabler, shouldered form, covered in a streaked rust and ochre glaze, impressed and painted marks, 33cm. high

726

727

Provenance Christie’s South Kensington.

Private collection. £300­500 727 A Poole Pottery footed vase, octagonal, covered in a deep tenmoku glaze to the exterior, the interior speckled tan on grey, and two Poole Pottery Chinese Blue vases, impressed and painted Poole mark, 12cm. wide (3) Provenance Poole Pottery Archive, Christie’s South Kensington, 31st March 2004, lot 47 (main pot). £150­200 728 A large Carter’s Poole Pottery lustre ewer, ovoid with cylindrical neck and over­slung handle, covered in a ruby lustre glaze, impressed Carter’s Poole mark, 35cm. high £300­500

728

79

729

730

731

729 A Carter Stabler & Adams Poole Pottery vase, shouldered form, covered in an iron brown glaze, and two other Carter Stabler & Adams vases painted Poole mark, paper label, 12.5cm. high (3)

733 A Poole Pottery Atlantis bowl by Guy Sydenham, painted with geometric band to the well in brown on a white ground, impressed Poole mark, incised monogram, 29cm. diam.

Provenance Poole Pottery Archive, Christie’s South Kensington, 31st March 2004, lot 47 (two pots).

£150­200

£180­220

732

730 A Carter, Stabler & Adams Poole Pottery Chinese Blue vase, shouldered form, covered in a speckled blue glaze, a Poole Pottery Atlantis egg vase, and four Carter’s Dutch Scenes tiles, impressed factory marks, 21cm. high (6) £150­200 731 A Modern Poole Pottery six tile panel by Sue Pottinger, originally designed by Olive Bourne, dated 2000, painted in colours printed and painted marks, 49.5 x 34cm. £120­180 732 A Poole Pottery Aegean charger by Carolyn Wills, shape 54, resist decorated with an owl in the manner of Robert Jefferson, in shades of mushroom and black, another Poole Aegean charger and a Minton’s dish printed and painted marks, 41cm. diam. (3)

734 A Poole Pottery stoneware Atlantis vase by Catherine Connett, ovoid with cylindrical neck, covered in a streaked blue and glazed with brushed mint­green design, incised marks, 18cm. high £120­180 735 A tall Poole Pottery Atlantis vase by Guy Sydenham, ovoid with cylindrical neck, the body cut with vertical fern fronds, glaze ochre, turquoise and white on a terracotta ground, impressed factory mark, incised monogram, 28.5cm. high £150­250 736 A Poole Pottery Studio vase probably designed by Robert Jefferson and thrown

by Guy Sydenham, shape 85, cylindrical form with cut bands, glazed brown and turquoise on a white ground, printed Poole mark, 40cm. high £400­600

£120­180 733

80

734

735

736

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

737

737 Jonathan Cox Fly Agarics a pottery vase, tubeline decorated with mushrooms, in an autumnal wood landscape, in colours painted title and signature 30.5cm. high £150­200 Φ 738 Stella R Crofts (1898­1964) Cheetah Family stoneware glazed in colours, incised Stella R Crofts, pencil price and title annotation, 21cm. wide Provenance The collection of Mrs A Fletcher.

Woolley and Wallis, 13th April 2010, lot 1055.

Private collection. £800­1,200 739 Roger Cockram (born 1947) Fish a hard­paste porcelain vase, elliptical form with pierced columns, painted with a large tropical fish, in colours, highlighted in gilt, impressed seal marks and incised signature, 36.5cm. high Provenance Roger Cockram Tropical Gold, an exhibition of ten pieces at Bonhams, 2010. £150­200

738 740 A Troika Pottery wheel vase, cast in low relief with geometric panels, in terracotta and blue on a buff ground, painted marks and D monogram, 16.5cm. high 739

£120­180 741 A Troika Pottery Shouldered Bottle vase by Honor Curtis, modelled in low relief with a stylised figure with impressions from the ‘Stove Plaque’, the reverse geometric panels, in brown, terracotta and blue on buff with a bronze shoulder, painted marks, £150­250 742 A Chelsea Pottery Green Man vase, shouldered form, painted in shades of green with white highlights on a pale mint green ground, incised Chelsea England to base, retail paper label, 27cm. high

740

£120­180 743 Chelsea Pottery a model of a perched owl, glazed in colours, another smaller and three other bird sculptures, printed factory marks, 33cm. high (5) £150­200 744 A large Chelsea Pottery wall charger by SW, painted with two tigers, in colours, and a another Chelsea Pottery charger, impressed mark, incised SW monogram, 50cm. wide (2)

741

£120­180

742

743

744

81

745

746

DENNIS CHINA WORKS 745 ‘Hummingbird’ a Dennis China Works miniature vase designed by Sally Tuffin, dated 2003, painted in colours, a Kingfisher vase and another similar, impressed marks, 8cm. high (3) £150­250 746 ‘Panda’ a Dennis China Works miniature vase designed by Sally Tuffin, dated 2009, painted in colours a ‘Jelly Fish’ miniature vase and a ‘Thrush’ vase impressed and painted marks, 7.5cm. high (3) 747

748

£150­250 747 ‘Young Owl’ a Dennis China Works trial vase designed by Sally Tuffin, dated 2008, painted in colours, impressed and painted marks, 18.5cm. high £150­250 748 ‘Ostrich’ a Dennis China Works trial vase designed by Sally Tuffin, dated 2008, painted in colours, impressed and painted marks, 17.5cm. high £120­180 749 ‘Datura’ a Dennis China Works vase designed

by Sally Tuffin, dated 2003, shouldered form, painted in colours, impressed and painted marks, 41.5cm. high £250­300 750 ‘Thistle’ a Dennis China Works trial vase designed by Sally Tuffin, dated 2007, painted in colours, impressed and painted marks, 30.5cm. high £150­200

82

749

750

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

751

752

753

754

755

751 ‘Foxglove’ a pair of Dennis China Works vases designed by Sally Tuffin, dated 1993, cylindrical form, painted in colours on a sky blue ground, impressed and painted marks, 38cm. high (2) £200­400 752 ‘Serpent’ a Dennis China Works trial vase designed by Sally Dennis, dated 2002, painted in green and blue on a purple ground, impressed and painted marks, 31.5cm. high £200­300 753 ‘Koala’ a Dennis China Works vase designed

by Sally Tuffin, dated 2000, painted in colours and an ‘Elephant’ Dennis China Works vase, dated 2000, impressed and painted marks, 16.5cm. high (2) £150­250 754 ‘Tulip Tree’ a Dennis China Works sample vase designed by Sally Tuffin, dated 2001, painted in colours impressed and painted marks, 20.5cm high £150­200 755 ‘Blue Carp’ a Dennis China Works vase designed by Sally Tuffin, dated 1995, painted in colours impressed and painted marks, 23cm. high £150­250 756 ‘Carp’ a Dennis China Works trial vase and cover designed by Sally Tuffin, dated 2003, in shades of red on a coral red ground, impressed and painted marks 24.5cm. high (2) £150­250 756

83

757

758

UNIQUE DENNIS CHINA WORKS 757 ‘Eugenia’ a Dennis China Works Trial Spill vase designed by Sally Tuffin, dated 2022, thrown by Rory McLeod, painted by Vanessa Thompson, painted in colours on a yellow ground, impressed factory marks, painted marks, 34cm. high £750­850

758 ‘Klimt’ a Dennis China Works Japanese teapot and cover designed by Sally Tuffin, dated 2023, thrown by Rory McLeod and painted by Theresa Blackmore, in colours, highlighted in gilt, impressed factory marks, painted marks WW 22, 16cm. high (2) Catalogue notes This vase was made specifically for this auction. £700­800

759 ‘Hero’ a Dennis China Works Cube vase designed by Sally Tuffin, dated 2023, modelled by Rory Mcleod, painted by Vanessa Thompson, in colours, highlighted in gilt, impressed factory marks, painted marks, WW23, 33cm. high Catalogue notes This vase was made specifically for this auction. £850­950 759 84

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

760 ‘Titian’ a unique Dennis China Works Sphere vase designed and painted by Buchan Dennis, dated 2023, thrown by Rory McLeod, ovoid with two rings, painted with thin bands of colours impressed factory marks, painted BD monogram, numbered 1/1 and WW21, 20cm. high Catalogue notes This vase was made specifically for this auction. £750­850

END OF DAY ONE 85

DAY TWO THURSDAY 30TH NOVEMBER AT 10.30AM THE ESTATE OF RICHARD BATTERHAM

Φ 762 Thiebaut Chague (born 1958) a salt­glaze stoneware pot and cover made at Durweston, single­handled form, with ash glaze to the base, a salt­glaze stoneware jug and a small dish by Thiebaut Chague, main unsigned, jug impressed seal to handle, 17.5cm. high (4) 761 762

Provenance The Estate of Richard Batterham. £120­180

761 Shoji Hamada (1894­1978) a stoneware vase, shouldered form with collar rim, the shoulder with paddle impressions, The body resist decorated with a flower stem, glazed in tenmoku under iron to shoulder and rim, unsigned, 26.5cm. high Provenance Shoji Hamada, Hay Hill, 1963 purchased by Richard Batterham.

The Estate of Richard Batterham.

Catalogue notes Richard noted that he was rather unsure of the vase, but telephoned the next day to purchase it for £70.

Literature The Retrospective Exhibition of Shoji Hamada, 16th April to June 5th 1977, The National Museum of Modern Art, Tokyo page 65 catalogue number 105 for an identical jar with iron glaze over wax resist with beaten pattern, dated 1943.

763

£2,000­3,000

86

764

Φ 763 Reuben Batterham (born 1967) a large stoneware garden pot made at the Durweston Pottery, shouldered, twin­handled form, covered with an ash glaze above black iron, with three drainage holes to the base, impressed seal mark 50cm. high Provenance The Estate of Richard Batterham. £150­200 Φ 764 Richard Bawden RWS NEAC RE (born 1936) My Work Room, 2016 etching on paper, artist’s proof The Glass Bowl aquatint on paper and Dried Plants aquatint on paper signed and titled numbered 6 of 75, 59 x 49.5cm (2) Provenance The Estate of Richard Batterham. £150­200

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

765

766

765 Richard Batterham (1936­2021) a stoneware small caddy and cover, covered in black and iron and ash glaze, the cover with radiating motif, unsigned, incised 2 12cm. high (2) Provenance The Estate of Richard Batterham. £200­300

766 Richard Batterham (1936­2021) a stoneware small caddy and cover, covered in black and iron and ash glaze, the cover with circular motif, unsigned, 12cm. high (2) Provenance The Estate of Richard Batterham. £200­300

767 Richard Batterham (1936­2021) a large stoneware five­pint jug, covered in an ash glaze, unsigned, 39cm. high Provenance The Estate of Richard Batterham.

767

£300­400

768 Richard Batterham (1936­2021) a large stoneware bowl with turned foot, covered to the interior with ash glaze, the exterior bark iron, unsigned 39cm. diam.

19cm. high Provenance The Estate of Richard Batterham. £300­500

768

87

769 Richard Batterham (1936­2021) a salt­glaze stoneware jug, the shoulder with ash glaze unsigned, 22.5cm. high Provenance The Estate of Richard Batterham. £200­300

770 Richard Batterham (1936­2021) a salt­glaze stoneware medium bottle, beaten, unsigned, 35cm. high Provenance The Estate of Richard Batterham.

769

£300­500

771 Richard Batterham (1936­2021) a large cut­sided stoneware bowl, covered in a salt glaze unsigned, 32cm diam.

19cm. high Provenance The Estate of Richard Batterham. £250­350

772 Richard Batterham (1936­2021) a salt glaze stoneware little beaten jar and cover, unsigned, paper 120 exhibition number 13cm. high (2) Provenance The Estate of Richard Batterham. £200­300

770

771 88

772

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

773

774

775

773 Richard Batterham (1936­2021) a rare fluted stoneware table lamp, after the original design by Atsuya Hamada, unsigned, painted cobalt 19 23cm. high Provenance The Estate of Richard Batterham. £200­300 774 Richard Batterham (1936­2021) a stoneware tazza covered in an ash glaze, unsigned 21cm. diam.

11cm. high Provenance The Estate of Richard Batterham. £150­200 775 Richard Batterham (1936­2021) a stoneware little beaten jar and cover, covered in an ash glaze, unsigned, exhibition paper 156 label, 13cm. high (2) Provenance The Estate of Richard Batterham. £200­400 776 Richard Batterham (1936­2021) a tall two­piece stoneware bottle with chatter bands, covered to the foot with an ash glaze unsigned 64cm. high Provenance The Estate of Richard Batterham.

Catalogue notes This vase dates from the 1970s. £800­1,200

776 89

777 778 777 Richard Batterham (1936­2021) a stoneware jug, covered in an ash glaze, and another salt­glaze stoneware jug by Richard Batterham. unsigned, chips to rim 31cm. high (2) Provenance The Estate of Richard Batterham. £200­300 778 Richard Batterham (1936­2021) a salt­glaze stoneware tazza with chatter bands to inside and out, the interior and rim with ash glaze, unsigned 28cm. diam.

12cm. high Provenance The Estate of Richard Batterham.

779

£120­180

779 Richard Batterham (1936­2021) a stoneware Store jar and cover, with two bands, covered in an ash glaze over iron, unsigned, minor damages, 30.5cm. high (2) Provenance The Estate of Richard Batterham. £120­180 780 Richard Batterham (1936­2021) a stoneware jar and cover, covered in a dark river iron glaze unsigned, damages 27cm. high (2) Provenance The Estate of Richard Batterham. £120­180 781 Richard Batterham (1936­2021) a salt­glaze stoneware beaten jar and cover, unsigned, incised 3 23cm high (2) Provenance The Estate of Richard Batterham. £200­300

780 90

781

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

782

783

782 Richard Batterham (1936­2021) a stoneware batter bowl, covered in an ash glaze unsigned 27cm. wide 12cm. high Provenance The Estate of Richard Batterham. £150­200 783 Richard Batterham (1936­2021) a stoneware batter bowl, covered in an ash glaze, unsigned, painted cobalt 9 24.5cm. wide

784

Provenance The Estate of Richard Batterham. £150­200 784 Richard Batterham (1936­2021) an early stoneware bowl, covered to the foot with an ash glaze, and another with cut interior decoration, unsigned, 2nd bowl painted K3 in cobalt and incised 67C, 28cm. diam. (main bowl) 21.5cm. diam. (2nd bowl), (2) Provenance The Estate of Richard Batterham. £200­300

785 two views

785 Richard Batterham (1936­2021) a large stoneware tazza with chatter band, covered in an ash glaze, unsigned 42cm. diam.

Provenance The Estate of Richard Batterham. £300­500 786 Richard Batterham (1936­2021) a large stoneware supper dish with chatter band, covered in an ash glaze unsigned, painted Cobalt 9 42cm. diam.

Provenance The Estate of Richard Batterham. £300­500

786 two views 91

787 Richard Batterham (1936­2021) a salt­glaze stoneware teapot and cover unsigned 13.5cm. high (2) Provenance The Estate of Richard Batterham. £150­200

787 two views

788 Richard Batterham (1936­2021) a salt­glaze stoneware cut­sided teapot and cover unsigned 14.5cm. high (2) Provenance The Estate of Richard Batterham. £200­300

789 Richard Batterham (1936­2021) a large cut­sided twin handled stoneware teapot and cover, covered to the foot in an ash glaze, unsigned, painted cobalt 2 25.5cm. high Provenance The Estate of Richard Batterham.

788 two views

£200­400

789 two views

92

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

790

790 Richard Batterham (1936­2021) a salt­glaze stoneware little square jar and cover, with cut­sided decoration, and another mustard pot and cover with chatter bands, salt­ glaze with ash, unsigned, 7.5cm. high (4)

791

Provenance The Estate of Richard Batterham. £150­250 791 Richard Batterham (1936­2021) a stoneware beaten jar and cover, with chatter band, covered to the cover and shoulder in ash over black iron, unsigned, 22.5cm. high (2) Provenance The Estate of Richard Batterham. £200­300 792 Richard Batterham (1936­2021) a stoneware beaten jar and cover with chatter band, covered to the foot with ash glaze unsigned, painted X, applied paper number to cover and base, 22.5cm. high (2)

792

Provenance The Estate of Richard Batterham. £200­400 793 Richard Batterham (1936­2021) a stoneware caddy and cover with chatter band, covered to the foot with an ash glaze, unsigned, painted cobalt 1 23cm. high (2) Provenance The Estate of Richard Batterham.

Literature Tanya Harrod & Sarah Griffin, Richard Batterham Studio Potter, V&A Publications, page 94 catalogue number 75 for a comparable caddy illustrated. £200­400 793 93

794 Richard Batterham (1936­2021) a porcelain mustard pot and cover, covered in a pale ash glaze, and another similar. unsigned 7cm. high (4) Provenance The Estate of Richard Batterham. £200­400 794 795 Richard Batterham (1936­2021) a small fluted porcelain pot and cover, covered in a pale celadon glaze unsigned 7.5cm. high (2) Provenance The Estate of Richard Batterham. £120­180

795

796

796 Richard Batterham (1936­2021) a porcelain small beaten jar and cover with chatter band, covered in a pale ash glaze, unsigned 8.5cm. high (2) Provenance The Estate of Richard Batterham. £150­250

797 Richard Batterham (1936­2021) a porcelain bowl with chatter band, covered in a pale ash glaze unsigned, paper exhibition number 163 19cm. diam.

797 two views

Provenance The Estate of Richard Batterham. £150­200

798 Richard Batterham (1936­2021) a porcelain dish with chatter band to the exterior, covered in a pale ash glaze unsigned, exhibition number 159 label 21.5cm. diam.

Provenance The Estate of Richard Batterham. £150­200

798 two views

94

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

799

799 Richard Batterham (1936­2021) a porcelain bowl with chatter band to well, covered in a pale ash glaze, and another smaller porcelain bowl unsigned, 12.5cm. diam. (2) Provenance The Estate of Richard Batterham. £150­200 800 800 Richard Batterham (1936­2021) a porcelain box and cover, circular with cut sides, covered in a pale ash glaze, and another smaller with impressed decoration unsigned, 7.5cm diam (large) 4.5cm. diam. (small) (4) Provenance The Estate of Richard Batterham. £150­250

801 Richard Batterham (1936­2021) a porcelain bottle vase, covered in a pale ash glaze unsigned, 11.5cm. high Provenance The Estate of Richard Batterham.

Literature Tanya Harrod and Sarah Griffin, Richard Batterham Studio Potter, V&A, page 92 cat. no. 68 for a comparable vase. £200­300 801 95

802 Richard Batterham (1936­2021) a cut sided stoneware coffee pot and cover, covered in a salt­glaze unsigned, 18cm. high Provenance The Estate of Richard Batterham. £120­180

802 two views

803 Reuben Batterham (born 1967) an unusual salt­glaze stoneware bellied jug, unsigned, incised 19, small chip to top rim, 23cm. high Provenance The Estate of Richard Batterham. £120­180

804 Richard Batterham (1936­2021) a salt­glaze stoneware beaten jar and cover unsigned, incised 30, cobalt mark, small bloats 25cm. high (2) Provenance The Estate of Richard Batterham. £150­200

805 Richard Batterham (1936­2021) a stoneware souffle dish with chatter band, covered to the foot with ash glaze, with blue, and another smaller unsigned, 11cm. diam. (2) Provenance The Estate of Richard Batterham.

803

804 96

£120­180

805

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

806

806 Richard Batterham (1936­2021) a stoneware flat box and cover, covered in an ash glaze unsigned, paper 12.5cm. diam. (2)

809 Richard Batterham (1936­2021) a stoneware box and cover, covered in an ash glaze, and another smaller unsigned 13cm. diam. (4)

Provenance The Estate of Richard Batterham.

Provenance The Estate of Richard Batterham.

£120­180

£150­200

807 Richard Batterham (1936­2021) a stoneware medium bottle with chatter band, beaten, covered to the foot with a running ash glaze, unsigned, 42cm. high

810 Richard Batterham (1936­2021) a salt­glaze stoneware box and cover with chatter band, and another covered in an ash glaze unsigned, 9.5cm. wide (4)

Provenance The Estate of Richard Batterham.

Provenance The Estate of Richard Batterham.

£400­600

£150­200

807

808 Richard Batterham (1936­2021) a salt­glaze stoneware flower bottle, covered to the shoulder with running ash glaze, 19.5cm. high Provenance The Estate of Richard Batterham. £150­200

808

809

810

END OF COLLECTION

97

811 Bernard Leach, attributed a Leach Pottery stoneware bowl, painted to the well with a temple, in temoku on an ash glaze impressed Leach Pottery seal 25.5cm. diam. £150­200 812 Margaret Rey (1911­2010) an ovoid vase with collar rim, painted with translucent white glaze over ash with simple brush design impressed seal mark, chip to top rim, 15cm. high £180­220 813 Bernard Leach, manner of shouldered, ovoid form with collar rim, covered to the foot with a textured tenmoku glaze, with simple painted brush design in lavender, impressed flooded seal mark to side, 13cm. high £150­200 811

Φ 814 Trevor Corser (born 1938) a stoneware vase, shouldered form, covered to the foot in a running green and turquoise glaze with patches of lavender, impressed seal marks, 19cm. high £120­180 Φ 815 Trevor Corser (born 1938) a stoneware tea bowl, footed form, decorated with vessels sailing before a coastal landscape, ash glaze impressed seal marks, 9.5cm. high £150­200

812

Φ 816 Trevor Corser (born 1938) a Leach Pottery stoneware faceted vase, with flaring cylindrical neck and applied loop handles, covered in a tenmoku glaze, impressed seal marks,

813

£200­300

98

814

815

816

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

817

818

Φ 817 Bernard Leach CBE (1887­1979) a Leach Pottery stoneware vase, ovoid with collar rim, covered in a speckled lavender and pale blue running glaze to the foot, incised mark, 13cm. high £300­500

Φ 818 Bernard Leach CBE (1887­1979) a Leach Pottery stoneware vase, ovoid with short, collar rim, covered to the foot with a pitted olive green, impressed seal marks, 18.5cm. high £400­600

819 Shoji Hamada (1894­1978) a stoneware charger, with poured decoration in green on a tenmoku ground, unsigned, 31cm. diam.

Provenance Arts and Crafts, Christie’s South Kensington 5th July 2007, lot 8. £800­1,200 819 99

820

821

820 Katherine Pleydell­Bouverie (1895­1985) a stoneware box and cover, circular with incised foliate band, the cover with incised flowerhead, glazed blue flooded seal mark 9cm diam. (2) £200­300

821 Katherine Pleydell­Bouverie (1895­1985) a stoneware vase, shouldered form, covered in a green ash glaze, impressed seal mark, 11.5cm. high 822

£150­200

Φ 822 Katherine Pleydell­Bouverie (1895­1985) a stoneware, faceted ovoid form, covered in a blue­grey glaze to the foot impressed seal mark, 19cm. high Provenance The Daryl Fromm Collection. £400­600

Φ 823 Katherine Pleydell­Bouverie (1895­1985) a large stoneware vase, with cut flutes, covered in a pale ash glaze, impressed seal mark 13.5cm.high 18cm. diam. £200­300 823 100

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

824 two views

Φ 824 William Staite Murray (1881­1962) a stoneware footed bowl, glazed to the foot with crazed ash glaze, painted with stylised forms to interior and simple grass motif to exterior in cobalt, impressed pentagon mark, applied paper labels, small chip to top rim, 20cm. diam, 9.5cm.high Provenance The Daryl Fromm Collection.

Catalogue notes The paper labels have a hand written note ‘William S Murray 1930s survived German plane crashing into Worthing house’. £300­500

825

Φ 825 William Staite Murray (1881­1962) a stoneware footed bowl, covered to the foot with a running iron and ash glaze, impressed seal mark, hairline crack, 11.5cm. high, 16cm diam. £150­200

Φ 826 William Staite Murray (1881­1962) a large stoneware vase, shouldered form with collar rim, covered to the foot with an iron glaze over celadon, impressed pentagon seal mark, incised K3 and painted OS2 marks, 34cm. high £700­1,000

826 101

828 Φ 827 Janet Leach (1918­1997) a Leach Pottery stoneware footed vase, cylindrical with cut grooves, glazed impressed seal marks

827

£200­300 Φ 828 Janet Leach (1918­1997) a large Leach Pottery stoneware bowl, glazed to the interior with a tenmoku glaze, the exterior with running glaze panels, impressed seal marks, bloats 33.5cm. diam. £250­350 Φ 829 Janet Leach (1918­1997) a Leach Pottery stoneware vase, shouldered form, impressed band decoration, covered in an ash glaze, and a stoneware pot and cover by Richard Batterham, covered in an ash glaze to the foot, impressed seal marks to Janet Leach vase, 12.5cm. high (3)

829

£120­180 Φ 830 Janet Leach (1918­1997) a salt­glazed Leach Pottery stoneware vase, tapering cylindrical form with twin­lug handles, impressed seal marks, 12.5cm. high £120­180 Φ 831 Janet Leach (1918­1997) a Leach Pottery stoneware vase, swollen square section, with splashed decoration, impressed seal marks, hairline to top rim, 13cm. high £150­200 830 102

831

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

832

Φ 832 William Bill Marshall (1923­2007) a stoneware bowl, elliptical section, painted with simple brushed grasses in tenmoku on hakeme over ash, impressed seal mark, 20cm. diam.

12cm. high

Φ 834 William Bill Marshall (1923­2007) a stoneware tea caddy and cover, resist decorated with simple grasses, under an ash glaze, and another smaller porcelain caddy and cover by William Bill Marshall, impressed seal mark 14cm. high (4)

£200­300

Literature Peter Maber, William Marshall Organic Vision, plate 6 for a comparable caddy.

Φ 833 William Bill Marshall (1923­2007) a Leach Pottery stoneware vase, shouldered form with flaring conical neck, incised grooves, covered in a tenmoku glaze impressed seal marks, 25cm. high £200­300

833

£150­200 Φ 835 William Bill Marshall (1923­2007) tall cut­sided stoneware vase, covered to the foot with a tenmoku glaze, impressed seal mark, 51.5cm. high Provenance The Daryl Fromm Collection. £300­500

834

835 103

836 David Leach OBE (1911­2005) a Lowerdown Pottery stoneware vase, elliptical form, covered in a tenmoku glaze, with brushed flower stem impressed seal mark, 25cm high £150­200 837 David Leach OBE (1911­2005), attributed a Lowerdown Pottery stoneware vase, shouldered form, simple brush design on a tenmoku glaze, impressed Lowerdown Pottery seal mark, applied paper label to base, 24cm. high £150­200 836

838 David Leach OBE (1911­2005) a Lowerdown Pottery stoneware platter, painted to the well with lines of stylised decoration in blue and brown on a mottled ground, impressed seal marks, 33cm. diam.

837

£150­200 Φ 839 Sarah Walton (born 1945) a large salt­glaze stoneware jar and cover, swollen form with incised hatch decoration, impressed seal mark, 36.5cm. high (2) £200­300 840 Henry Hammond (1914­1989) an earthenware footed bowl, painted with a frieze of large scaly fish under a streaked green and ochre glaze impressed seal mark 18.5cm. diam.

Literature Henry Hammond 1914-1989, Bonhams 5th April 1990, lot 139 for an identical bowl.

838 839

£300­400 841 Henry Hammond (1914­1989) a stoneware vase, ovoid, painted with a scaly fish in rust on a mottled ground, impressed seal mark, 10cm. high £150­200

840 104

841

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

842

844 843 845 Svend Bayer (born 1946) a stoneware plate, painted with two fish in cobalt on a off­white ground, a large Muchelney Pottery stoneware jug by John Leach and an Aldermaston Pottery tin­ glazed rectangular dish Svend plate unsigned, small glaze chip to dish, 25cm. diam (plate), (3)

842 John Leach (1939­2021) a Muchelney Pottery stoneware flask, 2001 swollen form, covered with a running tan glaze over brown, and a salt­glaze stoneware pilgrim flask, impressed seal marks, 22.5cm. high (John Leach), (2) £120­180

Provenance Private collection.

843 Svend Bayer (born 1946) large stoneware bowl, painted with two fish in cobalt and ochre on a speckled oatmeal ground unsigned, annotated in pencil 41cm. diam.

£150­200 846 Paul Barron (1917­1983) a stoneware vase, compressed form, painted with simple glass stem motif in brown on a pale grey ash glaze, and another stoneware vase impressed seal mark, second vase drilled, 6.5cm. high (2)

Provenance Purchased by the vendor directly from Svend Bayer after he saw it at an exhibition at the Holbourne Museum in Bath, by repute

845

£120­180

£200­300

847 Henry Hammond (1914­1989) a stoneware footed bowl, painted with a geometric pattern in iron on an ash ground, impressed seal mark, 21.5cm, diam.

844 Svend Bayer (born 1946) a stoneware plate impressed to the well with scallop shells, two salt glaze stoneware jugs by Svend Bayer and a dish

by David Eeles decorated with fish unsigned (Bayer) 25cm. diam. (4)

£150­200

£200­300

846

847

105

848 Quentin Bell (1910­1996) a small Fulham Pottery footed bowl, painted to the interior with radiating fronds, in terracotta, the exterior a band of budding foliage, incised marks 14cm. diam. £120­180 849 Michael Cardew CBE (1901­1983) a large Wenford Bridge stoneware pourer, glazed to the interior with a band of circle and hatch motif in blue on a cream ground, impressed seal marks, 34cm. diam.

848 two views

£180­220 850 David Leach OBE (1911­2005) an early earthenware mug made for The Duke of Cornwall’s Light Infantry, probably made at the Leach Pottery, modelled in low relief, covered in a terracotta glaze, and a Winchcombe Pottery stoneware platter by Ray Finch, impressed seal mark, 13.5cm. high (mug), (2) £150­200 851 Michael Cardew CBE (1901­1983) a small Winchcombe Pottery flagon, glazed in mustard with combed bands impressed seal marks, 19.5cm. high

849

£120­180 852 Michael Cardew CBE (1901­1983) an early Winchcombe Pottery mug, purchased in 1926­27, glazed in tan, inscribed A boat a boat Haste to the Ferry, For well go over & be merry, & Laugh & Quaff& drink old sherry, and a small plate by Michael Cardew with combed decoration, impressed seal marks, 10cm. high (mug) 23cm. diam. (2) £200­300

850

853 Ray Finch MBE (1914­2012) A Winchcombe Pottery jug, bellied form, painted with simple swirl motif in brown on a yellow ground, 22.5cm. high £150­200

106

851

852

853

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 854 Jim Malone (born 1946) a large Llandegla Pottery stoneware bottle vase, ovoid with tapering cylindrical neck, with impressed geometric decoration under hakeme glaze with copper pours, impressed seal marks, 45cm. high £300­500

Φ 855 Jim Malone (born 1946) an Ainstable Pottery stoneware vase, bottle form, painted with cobalt blue foliate stems on a brushed hakeme ground, impressed seal marks, 34cm. high £300­400

855 Φ 856 Phil Rogers (1951­2020) a salt­glaze stoneware vase, shouldered, square section with four loop handles, textured panel sides, impressed seal marks, 29cm. high

854

£120­180

Φ 857 Phil Rogers (1951­2020) a stoneware jug, bellied form with impressed column decoration, covered to the foot in an ash glaze impressed seal mark, 21.5cm. high £120­180

Φ 858 Phil Rogers (1951­2020) a salt­glaze stoneware vase, shouldered form, incised with simple grass motif, under a hakeme glaze, impressed seal mark, 20cm. high

857

856

£300­400

859 Phil Rogers (1951­2020) a salt­glaze stoneware bottle, swollen square section, incised with grasses, glaze tan, impressed seal mark 33cm., high £120­180 858

859

107

859A Phil Rogers (1951­2020) a stoneware jug, slender, shouldered form with incised vertical columns, glazed tenmoku over ash, impressed seal mark, 28cm. high £150­200 860 Mike Dodd (born 1943) a stoneware bellied jug, incised with vertical foliate stem motif, glazed ash with white ash to shoulder impressed seal mark, 24cm. high

860

859A

£120­180 861 Jim Malone (born 1946) a stoneware vase, footed, square section form with knopped neck, the shoulder applied with four handles, covered to the foot with an ash glaze, impressed seal mark, 29.5cm. high £120­180 862 Mike Dodd (born 1943) a stoneware cut­sided vase, covered in a tan glaze over tenmoku, seal mark flooded, 27cm. high

863 Mike Dodd (born 1943) shouldered vase with collar rim, with vertical cut decoration, ash glaze and nuka impressed seal mark, 26.5cm. high Provenance Purchased from the potter directly. £150­200 864 Mike Dodd (born 1943) peat clay vase, shouldered with collar rim, ash glaze over crackled slip with panels, impressed seal mark, 37.5cm. high Provenance Purchased from the potter directly. £200­300 865 Mike Dodd (born 1943) peat clay vase, waisted, shouldered form, ash glaze over crackled slip, impressed seal mark, 23cm. high Provenance Purchased from the potter directly. £120­180

£180­220

861

108

862

863

864

865

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 866 William Plumptre (born 1959) a tall stoneware paddled vase, swollen, shouldered form, square section with flaring neck, pale blue lines under, off white glaze to the foot, with simple tenmoku brushmarks, painted monogram, 38cm. high Provenance Purchased from the potter directly. £200­300 Φ 867 William Plumptre (born 1959) a stoneware square bottle, with flaring neck, covered in a tenmoku glaze painted monogram 25.5cm. high Provenance Purchased from the potter directly. £200­300 Φ 868 Sam Haile (1909­1948) a stoneware vase, baluster form, covered to the foot with a cream and ochre glaze with cobalt blue brush design unsigned, chips to foot rim 22cm. high

867

866

£300­500 Φ 869 Sam Haile (1909­1948) a stoneware vase, shouldered form, painted with abstract design in ochre on a sand ground impressed seal mark 25cm. high £800­1,200 Φ 870 Waistel Cooper (1921­2003) an Icelandic period vase, ovoid with loop handles, incised with a stylised male face, glazed pale blue with lavender patches to base, incised marks, 14cm. high £250­350

868

869

870

109

871

872

873 Φ 871 Richard Batterham (1936­2021) a stoneware jug, covered in an ash glaze to the foot, unsigned 27cm. high Provenance The Daryl Fromm Collection. £120­180 Φ 872 Richard Batterham (1936­2021) a stoneware jug, covered in a manganese glaze over ash unsigned 22cm. high Provenance The Daryl Fromm Collection. £120­180 Φ 873 Richard Batterham (1936­2021) a salt­glaze stoneware jug, unsigned, incised 19, painted cobalt R 27cm. high

874

Provenance The Daryl Fromm Collection. £150­250 874 Richard Batterham (1936­2021) a salt­glaze stoneware jug, and a smaller stoneware jug by Richard Batterham covered in an ash glaze unsigned, inscribed 27 18cm. high (2) Provenance The Daryl Fromm Collection. £200­300 875 Richard Batterham (1936­2021) a small stoneware jug, ash glazed rim under a tenmoku glaze, and a smaller jug covered in an ash glaze unsigned 10.5cm. high (2)

875 110

Provenance The Daryl Fromm Collection. £120­180

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

876

877 876 Richard Batterham (1936­2021) three small cut sided stoneware bowls, covered in an ash glaze unsigned, small chip to one 14.5cm. diam.

Φ 880 Richard Batterham (1936­2021) a stoneware Melon teapot and cover, covered in an ash glaze unsigned, painted cobalt 4 14cm. high (2)

Provenance The Daryl Fromm Collection.

Provenance The Daryl Fromm Collection.

£150­200

£150­200

877 Richard Batterham (1936­2021) three small cut­sided stoneware bowls, glazed in ash and tenmoku unsigned 15cm. diam. (3)

Φ 881 Richard Batterham (1936­2021) a stoneware large dish with chatter band, covered with an ash glaze with blue, unsigned 37cm. diam.

Provenance The Daryl Fromm Collection.

Literature Tanya Harrod & Sarah Griffin, Richard Batterham Studio Potter, V&A Publishing, page 117 catalogue number 101 for a comparable platter illustrated.

£150­200 Φ 878 Richard Batterham (1936­2021) a salt­glaze stoneware cut­sided bowl, unsigned 17cm. diam.

11cm. high

878

879

Provenance The Daryl Fromm Collection. £200­400

Provenance The Daryl Fromm Collection. £150­200

880

Φ 879 Richard Batterham (1936­2021) a small cut­sided stoneware two­handled teapot and cover, covered in an ash glaze, unsigned, painted cobalt A 19.5cm. high (2) Provenance The Daryl Fromm Collection. £200­300

881

111

CHARLES VYSE Φ 882 Charles Vyse (1882­1971) a stoneware bottle vase, dated 1935, shouldered form with tapering cylindrical neck, incised Vyse 1935 31.5cm. high £300­500

883

Φ 883 Charles Vyse (1882­1971) a stoneware mug dated 1935, inscribed THE GOING’S GOOD in iron with blue chevron incised Vyse 1935 13.5cm. high £150­200 Φ 884 Charles Vyse (1882­1971) a small stoneware vase, dated 1934, swollen, fluted body covered in a tenmoku glaze incised Vyse 34 to base 10cm. high

882

£200­300 Φ 885 Charles Vyse (1882­1971) an early stoneware vase dated 1926, ovoid with collar rim, covered in a mottled blue, cream and sky blue glaze, incised CV 1926, £300­400

884

885

Φ 886 Charles Vyse (1882­1971) a stoneware vase dated 1939, shouldered form, painted with bands of flowers, incised Vyse 1939, 26.5cm. high £300­500 Φ 887 Charles Vyse (1881­1971) a stoneware vase, waisted cylindrical form, painted with grasses, under tenmoku incised C Vyse Chelsea 14cm. high £150­200

112

886

887

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

888 Φ 888 Charles Vyse (1882­1971) a stoneware footed vase, dated 1938, ovoid form, covered in a running Chun glaze, incised Vyse 1938 15.5cm. high

889

£250­350 Φ 889 Charles Vyse (1882­1971) a stoneware vase, dated 1933, faceted, bottle form with flaring top rim, covered in a dark tenmoku glaze incised CV , 1933 26cm. high £300­500 Φ 890 Charles Vyse (1882­1971) a stoneware vase, dated 1936, ovoid with inverted rim, painted with simple heart motif in iron on a tenmoku ground, incised Vyse 1936 18.5cm. high Literature

Charles Vyse, FAS/Richard Dennis, page 46 catalogue number 84 for a comparable vase illustrated.

890

£400­600 Φ 891 Charles Vyse (1882­1971) a stoneware Lotus bowl, dated 1935, covered in a tenmoku glaze, painted Vyse 1935 to base, 25cm. wide, 13.5cm. high Provenance Private collection.

Literature Charles Vyse, FAS/Richard Dennis, page 54 catalogue number 124 this Lotus bowl illustrated.

Terence Cartlidge, Charles & Nell Vyse, Richard Dennis/ Ed Pascoe, Page 55 this bowl illustrated. £500­800 891 113

892 An Ashworth Pottery vase made for Coldrum Chelsea, dated 1910, swollen cylindrical form, covered in a speckled blue glaze, incised marks, 31cm. high £150­200 893 Camberwell School a stoneware vase, slender, shouldered form, painted with stylised flower motif in iron and tenmoku on an ash ground indistinct painted mark to base, 26cm. high £200­300 894 George J Cox a Mortlake Pottery vase, dated 1912, shouldered form, covered in a mottled green glaze incised marks and date, hairline to top rim 17.5cm. high £120­180

892

893

895 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery miniature vase, shouldered form, covered in a streaked green glaze impressed RFW mark 8.5cm. high £120­180 896 Reginald Fairfax Wells (1877­1951) an early stoneware vase, cylindrical with shallow shoulder, covered in a volcanic turquoise and green textured glaze, impressed marks 15cm. high £150­200 897 Harry Parr (1882­1966) a rare pottery twin­handled vase, dated 1938, shouldered form, covered in a mottled green glaze with ochre patches incised H Parr Chelsea 1938, chip to handle, 14.5cm. high

895

£120­180 898 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery bowl, covered in a streaked turquoise, blue and green glaze impressed marks 24.5cm. diam.

894

£180­220

114

896

897

898

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

900

899

899 Frances Richards (1903­1985) a small stoneware vase, dated 1931, shouldered form with flaring neck, covered in a volcanic and fissured lavender, white and sky blue high­fired glaze, incised monogram and date, 11cm. high £150­200

900 Reginald Fairfax Wells (1877­1951) a Soon Pottery stoneware vase, shouldered form with applied looped handles, covered in a pitted and running dark blue glaze, impressed Soon 15cm. high

901

£200­300

901 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery vase, shouldered form, covered in a running pink and white glaze impressed Coldrum mark, 14cm. high £300­400

902 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery stoneware vase, cylindrical form covered in a textured blue glaze, impressed Coldrum mark, chip to base rim, 24cm. high £200­300

902 115

903 Reginald Fairfax Wells (1877­1951) a Coldrum Chelsea Pottery vase, swollen form, covered in a pitted, textured red glaze impressed RFW mark, Chelsea 19.5cm. high £150­200 904 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery vase, shouldered form, covered in a running and crazed white glaze, stamped marks, 16cm. high £200­300 905 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery vase, rectangular section with inverted top rim, applied lug handles, covered in a cream, off white glaze impressed Coldrum mark, stress hairlines and firing cracks 15.5cm. high £120­180 903

904

906 Reginald Fairfax Wells (1877­1951) a Soon Pottery vase, shouldered twin­handled form, covered in a running lavender and pale blue glaze, incised Soon 18cm. high £200­300 907 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery bowl, covered in a mottled and textured green and ochre glaze faint impressed marks, 17.5cm. diam. £120­180

905

906

907 116

908 Reginald Fairfax Wells (1877­1951) a Soon Pottery bowl, covered in a textured and splitting blue glaze, impressed Soon mark, 14.5cm. diam. £120­180

908

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

909

910

909 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery bowl, covered in a deep blue mottled glaze impressed Coldrum mark 16cm. diam.

912 Margaret Rey (1911­2010) a stoneware vase, shouldered ovoid form, covered in a streaked tan glaze impressed seal mark, 12.5cm. high

£120­180

£150­200

910 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery vase, ovoid covered in a mottled blue and light blue glaze incised Coldrum and RFW mark 9.5cm. high

913 Dora Lunn (1881­1955) a Ravenscourt Pottery vase, shouldered baluster form, covered in a royal blue glaze impressed Ravenscourt mark, 26cm, high

£150­200

£200­400

911

911 Reginald Fairfax Wells (1877­1951) a Coldrum Pottery stoneware vase, shouldered form with cylindrical neck, covered in a blue and green glaze impressed marks, 25cm. high £300­500

912

913 117

914

914 Henry Hammond (1914­1989) a stoneware footed tea bowl, flaring conical form covered to the foot in tenmoku, with brushed panel decoration, impressed seal mark, 8.5cm. high £120­180

917

915 Paul Barron (1917­1983) an ovoid stoneware vase with collar rim, covered in a banded iron glaze impressed seal mark, 13.5cm. high £200­300 916 Paul Barron (1917­1983) a stoneware vase, ovoid, painted in iron and tenmoku with a simple leaf motif impressed seal mark, 13cm. high £150­200

918

916

915

917 Norah Braden (1901­2001) attributed a stoneware tea bowl, covered to the foot in a speckled ash glaze impressed seal mark, 5.6cm. high £120­180

918 Norah Braden (1901­2001) a small footed tea bowl, brushed decoration in iron on a green ground, and a vase in the manner of Norah Braden, decorated with pale green spots, impressed seal mark to main, 7.5cm. diam. (2) £200­300 919 Margaret Rey, attributed a stoneware vase, ovoid with collar rim, covered to the base in a dark umber glaze, incised M Rey, impressed seal mark 10.5cm. high £120­180 920 Frances Richards (1903­1985) a stoneware vase dated 1949, compressed ovoid form, covered in a running and fissured sand yellow glaze, incised monogram, chip to top rim 13.5cm. high £120­180 921 Frances Richards (1903­1985) shouldered vase, painted with an abstract landscape design in colours, incised monogram 21.5cm. high £200­300

118

919

920

921

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

922

923

Φ 922 Michael Casson OBE (1925­2003) a large salt­glaze stoneware Gozo bowl, twin­handled form, with olive green glaze to interior, impressed seal mark, bloats to interior, 43cm. wide.

Provenance Purchased from the artist directly. £200­300 Φ 923 Michael Casson OBE (1925­2003) a salt glaze stoneware vase, ovoid, footed form, with turquoise brushed design painted monogram 15cm. high £120­180 Φ 924 Michael Casson (1925­2003) a large salt­glaze stoneware vase, swollen form, resist decorated with panels, impressed seal mark, 30cm. high

924

£200­300 Φ 925 Michael Casson (1925­2003) Swimmers a salt­glaze stoneware vase painted monogram, 12cm. high £180­220

925 119

926

926 Alan Caiger Smith MBE (1930­2020) a pair of large footed dishes, each painted with a heraldic deer and crown motif, and another Alan Caiger­Smith fish dish painted marks 69cm. long (3) £150­200 927 Edgar Campden (born 1930) a large Aldermaston Pottery twin­handled bread crock and cover, tin­glazed with simple brushed bands, painted monogram, small glaze chip to rim of pot 39cm. wide.

33cm. high (2) £150­250 927

Φ 928 Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery charger, dated 1973, painted with brown and yellow swirls, on a tin­glaze painted monogram and date code, printed factory mark, 36cm. diam.

Provenance Private collection.

Φ 929 Alan Caiger­Smith MBE (1930­2020) a set of three tin­glaze earthenware plates, with brushed design, date code for 1978, painted monogram and date code 26.5cm. diam. (3) Provenance Private collection. £300­500 930 Edgar Campden (born 1930) an Aldermaston Pottery tin­glaze jug, painted with panels in blue and ochre, printed factory mark, painted artist monogram, 33cm. high £120­180 931 Laurence McGowan (born 1942) a tin­glaze pottery plate, painted with a robin amongst grasses to the well, the rim with a band of birds, five various jugs and a bowl painted signature 27.5cm. diam. (7) Provenance Collection of John and Pierrette Beckley £150­250

£150­200

928

120

929

930

931

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

932 Alan Caiger­Smith MBE (1930­2020) Gin Flagon an Aldermaston Pottery tin­glaze flagon, with cork bung and wooden tap painted signature 36.5cm. high £200­300 933 Alan Caiger­Smith MBE (1930­2020) Whisky Flagon an Aldermaston Pottery tin­glaze flagon, with cork bung and wooden tap painted signature 35cm. high £200­300 934 Alan Caiger­Smith MBE (1930­2020) an Aldermaston Pottery tin­glaze bowl footed, flaring form, painted in shades of blue, orange and black on a grey tin­glaze ground painted monogram, date mark and pottery label, 32cm. diam.

12.5cm. high

932

933

£150­200 935 Edgar Campden (born 1930) an Aldermaston Pottery bowl, footed form, painted design to inside and out, in blue and brown on a tin­glaze, painted monogram, small chip to glaze on the rim, 31cm. diam.

12.5cm. high

934

Provenance Private collection. £150­200 Φ 936 Alan Caiger­Smith (1930­2020) an Aldermaston Pottery Albarello vase, dated 1981, painted with bands in red, purple and gold on a tin­glaze painted marks and date mark, 23.5cm. high £300­500

935

937 Edgar Campden (born 1930) an Aldermaston Pottery bowl, painted to the well with flowers and foliage, inside a band of flower stems, in ruby and golden lustre painted monogram and marks, 27cm. diam. £150­200

936

937

121

938 Geoff Fuller (1936­2022) a stoneware bowl on three feet, painted to the well with geometric panel, a plate by Seth Cardew, two tiles painted with grasses attributed to David Leach, two dishes by Josie Walter, a plate by Ray Finch and another dish Fuller unsigned, small chip to foot, 32cm. wide (8) Provenance Collection of John and Pierrette Beckley £120­180 938

939

939 Gareth Mason (born 1965) a porcelain ovoid vase with flaring neck, covered in a streaked green and ochre glaze over white impressed seal mark, 12cm. high £150­200 940 Peter Sparrey (born 1967) a porcelain footed bowl, tall flaring form, covered in a white glaze, the rim with running manganese bronze, two Raku vases with applied metal handles by Peter Sparrey, a large jardiniere vase similar and three other studio pottery pieces impressed seal mark, 21.5cm. diam 13.5cm. high (Peter Sparrey bowl), (7)

940

£200­400 941 Abdo Nagi (1941­2001) a pottery jug, covered in a volcanic tan glaze over tenmoku, impressed seal mark 19.5cm. high £120­180 942 Poh Chap Yeap (1927­2007) a porcelain vase, shouldered, flatted form, covered in a pale celadon glaze, and another vase by Poh Chap Yeap covered in a tenmoku glaze, painted signature, 15cm. high (2)

941

£300­400 Φ 943 Jason Wason (born 1946) a large Leach Pottery stoneware vase, shouldered form with swollen neck and applied loop handles to the shoulder, glazed with irregular celadon ash and iron bands, impressed seal marks 36.5cm. high £500­700

122

942

943

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

945

944

Φ 944 John Maltby (1936­2020) a stoneware square dish, painted with a grid of red and black cross panels, in colours, the rim tenmoku painted Maltby signature 27cm. square Provenance Collection of John and Pierrette Beckley £150­200 Φ 945 John Maltby (1936­2020) a stoneware box and cover, cylindrical section, enamelled with geometric design in red and tenmoku on a speckled off­white ground, with bamboo handle, impressed seal mark, 12cm. high (2) £150­200

946

Φ 946 John Maltby (1936­2020) Seated Warriors stoneware on ebonised wood base, painted Maltby, no.7 paper exhibition label, 30.5cm. high £200­300 Φ 947 John Maltby (1936­2020) An Angel, 2007 stoneware on ebonised wood base painted John Maltby, An Angel, 2007 to base, restored 27.5cm. high £150­200

947

123

948

Φ 948 Rupert Spira (born 1960) a pair of stoneware plates, covered in a blue glaze graduating to green rim, impressed seal mark 25cm. diam. (2)

Φ 950 Rupert Spira (born 1960) a small cylinder vase stoneware, speckled glaze with black rim, impressed seal mark, 20cm. high

£200­300

£150­200

Φ 949 Rupert Spira (born 1960) a cylinder vase stoneware, speckled glaze with black rim, impressed seal mark, 22.8cm. high

Φ 951 Rupert Spira (born 1960) a stoneware bowl, on shallow foot covered in a pale silver­grey glaze impressed seal marks, 11.5 high 13.5cm. diam.

£150­250

£200­300

949

950 124

951

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 952 Rupert Spira (born 1960) a large footed bowl stoneware covered in a speckled glaze, with black band to top rim impressed seal mark 30.5cm. diam.

19.5cm. high £500­1,000

Φ 953 Rupert Spira (born 1960) a large footed elliptical bowl with wavy rim, covered in a sang de boeuf glaze, the exterior with silver grey patch, the interior lavender and turquoise, impressed seal mark, 34cm. wide 11.5cm. high £500­1,000

952

953

125

Φ 954 Betty Blandino (1927­2011) a hand­built coiled stoneware vase, ovoid with angled neck, glazed in colours on a textured surface, impressed seal mark flooded with glaze, 33cm. high £150­250 Φ 955 Betty Blandino (1927­2011) a hand­built coiled stoneware vase, ovoid with angled neck, glazed in colours on a textured surface, impressed seal mark, 33cm. high £150­250 954

955

956 Mary Rich (1940­2022) a porcelain conical bowl, covered in a pale blue streaked glaze, another glazed with pinks, and four smaller bowls by Mary Rich, impressed seal mark, 24.5cm. diam.

9cm. high (6) Provenance Collection of John and Pierrette Beckley. £150­200 957 Mary Rich (1940­2022) a porcelain bowl, glazed in pink and white under gilt geometric bands, five bottle vases and a small teapot and cover by Mary Rich, impressed seal marks, teapot handle repaired, 15cm. diam.

6cm. high (bowl), (8)

956

Provenance Collection of John and Pierrette Beckley. £120­180 958 Mary Rich (born 1940) a large porcelain bowl, conical form, decorated with bands in lavender and pink under gilt band decoration, another smaller, a shouldered bowl and eleven vases by Mary Rich impressed seal mark, 23.5cm. diam. (14)

957

£400­600

958

126

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

960

959 959 JaeJun Lee (born 1987) polished porcelain vase impressed marks, 26.5cm. high Provenance Portside Gallery. £250­350 Φ 960 Emmanuel Cooper OBE (1938­2012) a footed bowl porcelain covered in a turquoise blue glaze, with manganese bronze rim and gold speckles impressed seal mark, 25cm. diam.

10.5cm. high

962

961

£300­500 Φ 961 Joanna Constantinidis (1927­2000) a stoneware vase, ovoid form with solifleur aperture, covered in a speckled white glaze impressed seal mark, 11.5cm. high £250­300 Φ 962 Joanna Constantinidis (1927­2000) a stoneware vase, ovoid form with solifleur aperture, covered in a golden iridescence impressed seal mark 11.5cm. high £250­300 Φ 963 Joanna Constantinidis (1927­2000) a stoneware vase with pinched, flaring rim covered in a speckled golden glaze impressed seal mark 35.5cm. high £400­600 963

127

964 965 964 Janice Tchalenko (1942­2018) a Dartington Pottery vase dated 1996, modelled with clam and limpets, the rim with two langoustine, in blue and green glazes, and a large platter by Janice Tchalenko decorated with a snake, incised monogram and date, chips to rim of platter 21.5cm. high (2)

Φ 966 David Garland (born 1941) a pottery vase, waisted, tapering cylindrical form, covered in a rich chestnut brown glaze with resist, white brushstroke decoration, incised Garland, applied paper exhibition labels, 35cm. high

£150­200

967 Janice Tchalenko (1942­2018) a Dartington Pottery ‘Squares’ stoneware charger dated 2003, painted with geometric panels in colours, Impressed marks, painted signature, date and inscription, 46cm. diam.

965 Janice Tchalenko (1942­2018) a Dartington Pottery stoneware platter, painted with stylised cow parsley stems, glazed purple with a translucent lavender, unsigned, 34cm. wide £120­180

966

£150­200

£150­200 968 Dartington Pottery a limited edition stoneware vase by Petra Tilly, cylindrical with inverted rim, painted with stylised flowers and foliage in colours, an elliptical platter and a bowl, impressed seal marks, painted 7/50, 34cm. high (3) £120­180

128

967

968

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

969

969 Julian Dyson (1936­2003) glazed pottery heads, comprising horse, bird, human and reptile, each mounted on wooden plinth signed Julian Dyson 8.5cm. high (tallest), (4) Provenance Market House Gallery, Marizion. £150­200 Φ 970 Peter Hayes (born 1946) Sack form, 1988 a large raku pottery vase with small aperture, incised signature, 55cm. high £200­400 971 Dylan Bowen (born 1967) jug form earthenware with glazes unsigned 33.5cm. high

972 Dylan Bowen (born 1967) winged vase earthenware with glazes painted signature 25cm. high Provenance Purchased from the potter directly. £120­180 973 Dylan Bowen (born 1967) Winged totem earthenware with glazes painted signature 54cm. high

970

Provenance Purchased from the potter directly. £200­300

Provenance Purchased from the potter directly. £120­180

971

972

973

129

Φ 974 Robin Welch (1936­2019) a stoneware cylinder, elliptical form, incised and painted with geometric motif in red, white and tan on white slip ground, impressed seal mark 26cm. high £150­200 Φ 975 Robin Welch (1936­2019) Torso, a stoneware vase, glazed in colours impressed seal mark 35.5cm. high £200­300 976 Ian Gregory (1942­2021) Standing nude, a salt­glaze stoneware figure of a woman, and a polished ceramic disc by Antonia Salmon, impressed seal mark, 20cm. high, (2) 974

Provenance Collection of John and Pierrette Beckley.

975

£120­180 977 Eric James Mellon (1925­2014) Themes of Tenderness, 1983, a stoneware vase, glazed in colours with gilt painted signature, title and date, 15cm. high £300­400 978 Eric James Mellon (1925­2014) Lady Godiva, a stoneware plate, painted in colours and highlighted in gilt, painted signature and title 25cm. diam. £150­200

976

977

979 Eric James Mellon (1925­2014) Standing Nude, 1997 a stoneware tile panel, and two others similar by Eric James Mellon, signed, dated and titled to side, 18.5 x 9.5cm. (3) £300­400

130

978

979

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

980

Φ 980 Paul Wearing (born 1967) Cylinder stoneware with multiple oxidised slips and glazes impressed seal mark, 17cm. high

Φ 982 Katerina Evangelidou (born 1960) a wood­fired stoneware vase, flattened disc form with vertical grooves, tapering neck, covered in a speckled glaze unsigned, paper labels, Besson Gallery label 30cm. high

Provenance Art in Clay, Hatfield.

Provenance Galerie Besson.

Private collection.

£150­250

981

£150­250

Φ 981 Sara Radstone (born 1955) a hand­built stoneware vase with worked surface unsigned 35cm. high

Φ 983 Felicity Aylieff (born 1954) a footed vase, elliptical section, marble blue, tan, black and white glaze on black foot, incised F Aylieff 17.5cm wide

Provenance Katharine House Gallery.

Private collection.

£200­300 Φ 984 Felicity Aylieff (born 1954) earthenware with cylindrical neck, marbled tan ground with vertical zigzag columns in blue and white, 23cm. high

£400­600

£400­600 982

983

984

131

985 Carol McNicoll (born1943) a tea service for six, comprising large squared teapot and cover, six cups and saucers, glazed yellow, pink and blue abstract design painted signature 13.5cm. high (14) £200­300 986 Peter Simpson (born 1943) a porcelain split vase glazed matt white with translucent green, impressed seal mark, 22cm. high £120­180 987 Christy Keeney (born 1958) Figure in a Crown painted in colours, and a model Puffin by Jennie Hale, incised Keeney 32.5cm. high, (2)

985

Provenance Collection of John and Pierrette Beckley £150­200 Φ 988 Peter Wright (1919­2003) Seated Figures porcelain glaze white, incised Wright, 20.5cm. high (3) £200­300 Φ 989 Peter Wright (1919­2003) attributed a stoneware sculpture of a sailing vessel painted Wright to base 10.5cm. high £120­180 986

Φ 990 Ken Spooner (born 1942) Owl ceramic, painted in black on a white ground, impressed KS and painted N9, 25cm. high

987

Provenance Cornwall Contemporary.

Private collection. £300­400

132

988

989

990

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 991 Paul Young (born 1961) a pottery sculpture of two gentlemen sitting on a high­back bench, birds perched on the arms, painted in colours on a cream ground, unsigned, chip to back foot, 31cm. high £120­180 Φ 992 Ken Eastman (born 1960) large square platter, 1987 terracotta, painted design painted signature and date 43.5cm square £200­300 Φ 992A David Roberts (born 1947) large raku earthenware bowl, covered to the rim with a crackled white glaze, the rough rim unglazed, impressed seal mark 59cm diam.

18cm high

991

Provenance Courcoux & Courcoux.

Private collection. £200­300 Φ 993 Philip Sutton RA (born 1928). a large Fulham Pottery floor vase dated 1989, shouldered form, painted with female figures and a cherub, in blue and sand on an off­white ground, painted signature, date and Fulham Pottery, 56cm. high Provenance 20th Century Decorative Arts, Christie’s South Kensington, 4th May 2000, lot 216.

Private collection. £400­600

992

992A

993

133

995 994 994 Jonathan Chiswell Jones (born 1944) a shouldered vase, painted with fish amongst waterweed in blue lustre on a midnight blue ground, painted monogram 20.5cm. high £150­250 995 Roger Law (born 1941) a Dartington Pottery stoneware charger, dated 2001, elliptical form, painted with a frog diving into a pond, below grasses in black on a white ground, painted mark, 34.5cm. wide £120­180

996

996 Sheila Casson (born 1930) a salt­glaze stoneware jug, cylindrical form with tall angled tube spout and applied loop handle, with applied leaf decoration, covered in a pale grey glaze, impressed seal mark 24.5cm. high

997 Bernard Forrester (1908­1990) Surrealist bowl, dated 1955 earthenware, painted with figures in a landscape, in colours painted monogram and date £300­400 998 Bernard Forrester (1908­1990) a large stoneware bowl, painted to the well with geometric design painted F 30cm. diam.

11cm. high £150­200 999 Marianne De Trey (1913­2016) a large stoneware bowl, painted with stylised flower panels to the well in ochre and green on a speckled white ground impressed seal mark 30cm. diam. £120­180

£120­180

134

997

998

999

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1001 1000 Φ 1000 Robert Fournier (1915­2008) a large stoneware disc vase with four aperture, incised and painted design in white and tan, impressed seal mark, 35cm. high £300­500 Φ 1001 Alan Wallwork (1931­2019) Acorns a stoneware vase modelled as two acorns, pierced solifleur spouts, glazed grey with buff patches, incised AW to base 12cm. high 18.5cm. wide Provenance Purchased from the potter directly.

1002

1003

£120­180 Φ 1002 Alan Wallwork (1931­2019) a stoneware vase, pierced, ovoid form, glazed grey with buff patches, incised AW to base 13.5cm. high Provenance Purchased from the potter directly. £120­180 Φ 1003 Alan Wallwork (1931­2019) split form, a stoneware vase, glazed silver­grey over brown incised W 15.5cm. high £200­300 Φ 1004 Alan Wallwork (1931­2019) a stoneware vase, pierced form, glazed grey with buff patches, incised AW to base 21.5cm. high Provenance Purchased from the potter directly. £120­180 1004

135

1005 Takeshi Yasuda (born 1943) a sprigged stoneware teapot and cover, three colour glaze impressed seal mark, 13cm. high (2) £150­200

1006 Siddig El Nigoumi (1931­1996) a small terracotta bowl, dated 1989, incised scorpion to well, with geometric border incised signature and date 15cm. diam

1005 two views

Provenance Collection of John and Pierrette Beckley £120­180

1007 Aki Moriuchi (born 1947) stoneware shouldered bottle form, covered in a volcanic, pitted off white glaze, impressed seal mark, 31.5cm. high Provenance British Art Pottery, Woolley and Wallis Auctioneers, 21st November 2007, lot 309. £150­200 1006 two views

1008 A stoneware footed unomi, covered in a textured umber, brown and cream glaze, and another tea bowl, impressed seal mark to base 10.5cm. high, (2) £120­180

1008

136

1007

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1009 Φ 1009 Akiko Hirai (born 1970) a stoneware Dry Kohiki tea bowl, the exterior with textured finish, painted mark to base, 12cm. diam. £120­180 Φ 1010 Akiko Hirai (born 1970) a stoneware Dobin teapot and cover, textured, running, volcanic glaze, with woven handle, unsigned, 18.5cm. high (total), (2) £200­300 Φ 1011 Akiko Hirai (born 1970) an early, small vase with wing, leaning, ovoid form glazed black with applied surface decoration incised monogram, 13cm. high Provenance New Ashgate Gallery, Farnham.

Φ 1012 Akiko Hirai (born 1970) Saki bottle, grogged stoneware with ragged and cracked porcelain surface decoration, under running ash glaze, unsigned 15.5cm. high

1010

Provenance Elemental Making, Make, Hauser & Worth, Bruton, 2022. £400­600 Φ 1013 Akiko Hirai (born 1970) stoneware unomi, glazed volcanic blue and white, unsigned, 7.5cm. high 12.5cm. wide Provenance Beaux Arts, Bath. £150­200 1011

£200­300

1013

1012

137

1014

1015

1014 Mick Casson OBE (1925­2003) a salt­glaze stoneware bowl, and a small collection of salt­glaze stoneware including a mug by Walter Keeler, a pouring vessel by Ruthanne Tudball and a jug dated 1977 by Steve Harrison, faint seal mark to Casson, 11.5cm. high Provenance Collection of John and Pierrette Beckley. £120­180

1016 part

1015 John Maltby (1936­2020) a small stoneware box and cover, painted to the cover with panels of flowers, two bowls by Marianne de Trey, a Sheila Fournier bowl, a Robert Fournier vase, a burnished vase by John Nuttgens and another terracotta vase, painted Maltby 5cm. diam. (8) Provenance Collection of John and Pierrette Beckley. £150­200

1017

1016 Nic Collins (born 1958) a wood fired stoneware bottle with lug handles, with impressed and modelled decoration, and a large collection of studio pottery by various makers incised signature 28cm. high, (a lot) Provenance Collection of John and Pierrette Beckley. £150­200 Φ 1017 Tim Andrews (born 1960) raku vase shouldered ovoid form with knopped neck, burnished black, the shoulder crackled white with burnished linear motif, and another similar, applied seal mark, small chip to top rim of one, 13.5cm. high (2) £100­150 Φ 1018 Tim Andrews (born 1960) a tall raku vase, swollen cylindrical form, covered in a pale blue crackled glaze with black burnished spots, applied seal mark, 47.5cm. high £200­300 Φ 1019 Tim Andrews (born 1960) a large raku vase, ovoid with collar rim, incised column and band decoration, burnished black, the rim white impressed seal mark, 21 31cm. high Provenance British Art Pottery, Woolley and Wallis, 1st December 2010, lot 514. £200­300

138

1018

1019

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 1020 Dame Lucie Rie DBE (1902­1995) a porcelain bottle vase, shouldered form, cylindrical neck with flaring rim, the neck sgraffito decorated with radiating lines, the exterior glazed manganese with sgraffito lines to the rim, the base with similar decoration, impressed seal mark, 16cm. high Provenance Private collection. £1,000­2,000

139

A PRIVATE COLLECTION OF WAISTEL COOPER CERAMICS Φ 1021 Waistel Cooper (1921­2003) a rare Icelandic plaque, diamond shaped, slip decorated with a figure painted Waistel 25cm. long Literature

Waistel Cooper 1921-2003, The Fine Art Society, page 14 catalogue number 1 and 2 for comparable pieces. £300­500 Φ 1022 Waistel Cooper (1921­2003) a small stoneware vase, ovoid with flaring rim, textured surface with ochre glazed highlights, painted Waistel, 11.5cm, high

1022

1021

Provenance Private collection purchased from the Potter directly. £150­250 1023 Waistel Cooper (1921­2003) a stoneware footed bowl, covered to the foot with a pale blue glaze, and two other stoneware bowls by Waistel Cooper incised Waistel 13.5cm. diam. (3)

1023

Provenance Private collection purchased from the Potter directly. £150­200 1024 Waistel Cooper (1921­2003) a stoneware vase, ovoid with flaring neck, covered in a pale blue and white speckled glaze, and a bowl covered in a running blue and translucent white glaze by Waistel Cooper, painted Waistel, crack to vase, 20cm. high (2) Provenance Private collection purcahsed from the Potter directly.

1024

£150­250 1025 Waistel Cooper (1921­2003) a pair of stoneware lamp bases, shouldered form, glazed matt iron, and an unglazed vase by Waistel Cooper, painted Waistel, one lamp repaired, 26.5cm. high (3) Provenance Private collection purchased from the Potter directly.

Literature Waistel Cooper 1921-2003, The Fine Art Society, page 53 catalogue number 38 for a comparable form. £150­250

1025

1026 Waistel Cooper (1921­2003) a Porlock Pottery vase, waisted cylindrical form, painted with blue and mushroom bands under wavy cream slip lines, a small jug, a taller jug, five various mugs, and a zebra striped cruet set painted W Porlock, 11cm. high (vase), (11) Provenance Private collection purchased from the Potter directly.

140

1026

£150­250

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1027

1028

1029

Φ 1027 Waistel Cooper (1921­2003) a small stoneware lamp base, ovoid with waisted neck, glazed ochre painted W 14.5cm. high Provenance Private collection purchased from the Potter directly. £150­200 Φ 1028 Waistel Cooper (1921­2003) a small stoneware poppyhead vase, glazed in ochre painted Waistel 8.5cm. high Provenance Private collection purchased from the Potter directly. £150­200 Φ 1029 Waistel Cooper (1921­2003) a small compressed ovoid vase with flaring neck, covered in a white and pale blue matt glaze painted Waistel 8cm. high

1030

Provenance Private collection purchased from the Potter directly.

Literature Waistel Cooper 1921-2003, The Fine Art Society, page 55 catalogue number 40 for a comparable form. £150­200 Φ 1030 Waistel Cooper (1921­2003) a stoneware vase, shouldered form with flaring neck, covered to the shoulder with a dark umber glaze, painted signature 11.5cm. high Provenance Private collection purchased from the Potter directly. £150­200 Φ 1031 Waistel Cooper (1921­2003) a large stoneware vase, swollen, shouldered form with horizontal bands, the shoulder with applied tiny loop handles, and flaring neck, signature concealed 39cm. high Provenance Private collection purchased from the Potter directly. £1,000­1,500

1031

141

JOHN WARD

142

Φ 1032 John Ward (1938­2023) a hand­built stoneware vase, elliptical form, covered in a matt white glaze, impressed seal mark 12cm. high

Φ 1033 John Ward (1938­2023) a hand­built stoneware vase, elliptical form, covered in a matt white glaze impressed seal mark 8.5cm. high

£400­600

£300­500

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 1034 John Ward (1938­2023) a hand­built stoneware vase, with pulled rim and cut lines, glazed matt turquoise highlights on iron impressed seal mark, 14cm. high £800­1,200

143

Φ 1035 John Ward (1938­2023) a hand­built stoneware vase, tan with pale blue patches impressed seal mark 12cm. high £500­800

1035

Φ 1036 John Ward (1938­2023) a hand­built stoneware vase with wavy rim, glazed matt grey­blue and rust impressed seal mark, 19.5cm. high Provenance Courcoux & Courcoux.

Private collection. £2,000­4,000

144

1036

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Φ 1037 John Ward (1938­2023) a hand­built stoneware Tulip vase, covered in a matt black and iron glaze, impressed seal mark 20cm. high £1,500­2,000

145

PETER BEARD 1038 Peter Beard (born 1951) Wavy form vessel, 2023 press moulded then altered, grey­green wax resist, impressed seal marks, 19cm. high £400­600

1039 Peter Beard (born 1951) Slab vessel, 2022 rectangular form with stepped top, blue wax resist impressed seal marks, 30cm. high 31cm. wide

1038

£800­1,200

1040 Peter Beard (born 1951) Vessel with feet, 2022 grey­green wax resist, impressed seal marks, 27.5cm. diam.

15cm. high £800­1,200

1039

1040 two views 146

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1041 Peter Beard (born 1951) Block vessel, 2023 blue wax resist, impressed seal marks, 22.5cm. high £800­1,200

1042 Peter Beard (born 1951) Ground vessel, 2021 white, yellow and black, impressed seal marks, 26.5cm. high £800­1,200

1043 Peter Beard (born 1951) Ovoid vessel, 2023 grey­green dash wax resist, impressed seal marks, 30cm. high

1041

£700­1,000

1042

1043 147

DESIGN CONTINENTAL CERAMICS 1045 1044

1044 A Clement Massier Vallauris vase, compressed with cylindrical neck, covered in a sang de boeuf glaze, and a double gourd vase covered in a streaked yellow and green glaze dated 1935, impressed marks, 20.5cm. high (2) £120­180 1045 A Clement Massier pottery vase, dated 1887, ovoid with cylindrical neck, painted with carnation flowers in red on a yellow ground, painted CM monogram and date, restoration and minor glaze loss to top rim, 12.5cm. high £100­150

1046

1046 A Theodore Deck pottery Iznik charger, painted to the well with flowers and foliage in shades of blue, turquoise, green and coral red, on a white ground, the rim with simple geometric border in blue and turquoise, impressed TD mark, museum restoration to rim, 40cm. diam. £400­500 1047 A large barbotine pottery vase in the manner of Ernest Chaplet, shouldered, baluster form, applied with flower stems, the body painted with a young courting couple in medieval dress, in colours on a mottled blue ground, incised E mark to base, minor losses, and old restoration to neck, 50cm.high £300­500

1047 1048

1048 A Zsolnay Pecs lustre dish, modelled with a lobster on the rim, covered in a green and golden iridescence, a Zsolnay Pecs model of an eagle and a small hedgehog, printed factory marks, 17.5cm. wide (3) £150­250 1049 A Vallauris Delphin Massier ‘bird’ vase, footed form, the shouldered, compressed body applied with five birds perched on a bough before blue convolvulus, painted in colours painted Delphin Massier, Vallauris Alpes Maritime, and JB monogram, minor chips, 30cm. high £300­500 1050 Stanislas Raychan (1897­1994) Mask stoneware with applied decoration, glazed mustard yellow with black highlights impressed seal mark 38cm. high

1049

£200­300 148

1050

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1051

1052

1051 A Royal Copenhagen stoneware figure of a seated woman and a cat by Knud Kyhn, model 20262, covered in a mottled chestnut glaze, a Royal Copenhagen standing elephant and a seal, printed and incised marks, painted KK, 23cm. high (3)

1055 A Royal Copenhagen stoneware model of a bear by Knud Khyn, model no.21435, covered in a chestnut glaze, and six other Copenhagen figures printed and painted marks, 8cm. high (7)

£120­180

1056 A Royal Copenhagen stoneware model of a seated monkey by Knud Khyn, model no.20187, four other stoneware monkeys, and two stoneware dishes, printed and painted marks, 8.5cm. high (7)

1052 A Royal Copenhagen stoneware figure of a bear and a snake by Knud Kyhn, model no. 21152, covered in a chestnut glaze, and eight other Royal Copenhagen figures, printed and painted marks, 24.5cm. high (9) £120­180 1053 A Royal Copenhagen stoneware figure of a bear by Knud Kyhn, model no.28371, modelled rolling on its back, covered in a chestnut glaze, six other Royal Copenhagen bear figures, and six Royal Copenhagen plates printed and painted marks, 14cm. wide (13) £120­180 1054 A Royal Copenhagen stoneware model of a seated monkey by Knud Khyn, model 21153, modelled seated holding a lizard, covered in a streaked chestnut glaze, another Royal Copenhagen model of a monkey screaming, and another printed, incised and painted marks, 25.5cm. high (3)

1053

£120­180

1054

£120­180 1057 A large Royal Copenhagen porcelain vase, model 1378/142, shouldered form, painted with wild rose flowers in colours, another smaller Royal Copenhagen vase painted with tulips, and four other vases printed and painted marks, 44.6cm. high (6) £150­250 1058 A Royal Copenhagen vase, model no.

351/2547, swollen form, painted with a deer in colours and gilt on a terracotta ground, a Royal Copenhagen vase painted with a lapwing, two other vases and a lamp base, printed and painted marks, 30cm. high (5)

1055

£120­180 1056

Literature

Scandinavian Ceramics & Glass in the 20th Century, V&A, page 40 catalogue number 41 for a comparable monkey figure illustrated. £120­180

1057

1058

149

FURNITURE 1059 A large oak overmantel by Edgar Wood, rectangular, two open shelves flanking central cupboard with hinged door, the door decorated with a gesso panel of a mermaid and fish, with overhanging mantel with plate rack groove, patinated door furniture and candle arms to each side, unsigned, 155cm. wide, 89cm high, 33cm deep.

1059

Provenance HRD Auction Rooms, Brading, Isle of Wight, 2018, lot 242.

Private collection. £1,000­2,000 1060 An oak easel backed frame with embroidery panel the design attributed to Edgar Wood, the flaring rectangular frame with flaring mantel, with pierced stem columns and carved flower panels, and central flowerhead roundel, the embroidered panel depicting an Art Nouveau maiden titled ‘The Daisy Chain’, 91cm. high Provenance Gardiner Houlgate, circa 2017.

Private collection. £200­300 1061 An Arts and Crafts copper overmantel mirror, stamped in low relief with flower stems, applied with five ceramic roundels, and four coat hooks, unsigned, 111 x 62cm. £200­400

1060

1062 An Arts and Crafts copper firescreen possibly retailed by Liberty & Co, stamped in low relief with a stylised tree, on enamelled frame, unsigned, 78cm. high £100­200

1061 150

1062

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1063

1064 1063 A pair of Arts and Crafts copper wall sconces, rectangular, stamped in low relief with an owl perched, unsigned, 30cm. high (2) £200­300 1064 Aubrey Beardsley (1872­1898) Avenue Theatre, A Comedy of Sighs, 1894 colour lithograph poster printed by Stafford & Co 75 x 50cm. £800­1,200 1065 Aubrey Beardsley (1872­1898) The Studio, 1895 a lithographic poster, 74 x 49.5cm. £500­800

1065 151

1066 A Robert Mouseman Thompson dark­fumed oak table, octagonal top with adzed surface, on cruciform base, carved mouse signature, 50cm wide, 46.5cm. high £400­600

1067 A pair of Cotswold School L shaped bookcases, with chip­cut decorative bands, unsigned, 104 x 78cm, 26cm deep. (2) £200­400

1066

1067

152

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1068 An oak dressing table mirror designed by Ernest Gimson, rectangular base on sleigh feet, set with two drawers, the shaped rectangular mirror with hay­rake support, unsigned, 78cm. high, 60.5cm wide.

Provenance by repute sold at Sotheby’s Belgravia in 1972 as part of a collection of Gimson’s designs.

Literature Ernest Gimson and the Cotswold Group of Craftsmen, Leicester Arts and Museums Services, page 44 catalogue F6 for a comparable oak mirror with ebony inlay. This design is listed in various woods and drawer configurations dated circa 1909. £1,000­1,500

1069 A pair of Reformed Gothic brass candlesticks, stepped domed bases supporting knopped, twisted stems and flaring sconces with pierced rims, unsigned, converted for electricity, 54cm. high, (2) £120­180

1070 A fine polished iron fender designed by Ernest Gimson and made by Alfred Bucknell, bow fronted form, with alternate panel divisions, unsigned, 19cm, high, 126cm. wide Provenance Mentor Gimson (1851­1925) thence by descent.

Mellors & Kirk Auctioneer’s 6th March 2013 lot 4.

Private collection.

1068

£1,500­2,000

1070 1069

153

1071

1071 A set of eight Alan Peters Workshop ash armchairs designed by Alan Peters OBE, square section legs with routed groove decoration, the square section arms with shaped arm rests, with drop in blue leather seats stamped Alan Peters, 92cm. high (8) Provenance Clarice Cliff, Art Deco & Design, Woolley and Wallis, 26th May 2021, lot 780. £600­1,000

λ 1072 A Danish Dyrlund Flip-Flap rosewood and chrome dining table, the circular figured rosewood top with pull­out extending, folding side leaves, on pedestal of six polished chrome legs, applied label, 110cm. diam., 150cm diam (extended), 72cm. high This lot is sold with Cites Certificate no. 23GBA10J7G14C Provenance Fine Art, Hutchinson Scott Auctioneers, 28th May 2022, lot 964. £400­600 1071 detail

154

1072

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1073

1073 A large Linley Studios cherry and ash wall mirror designed by David Linley, rectangular, stamped mark, 160 x 120cm. £400­600

1074 A tall Linley Studios Obelisk drinks cabinet designed by David Linley, the tapering cupboard with seven graduating glass shelves, above twin­door compartment, walnut and satinwood with ebony bands, stamped mark, 255cm high, base 61cm square (2) £1,500­2,000 1074 155

1075

1075 A Fehlbaum red plastic Panton chair designed by Verner Panton, and two chrome metal and acrylic folding Plia chairs designed by Giancarlo Piretti, cast marks, 82cm. high (3) £100­200 1076 A large articulated wooden monkey designed by Kay Bojesen, teak and limba wood, with hooked hands and feet, unsigned 29cm. high (seated) Literature Charlotte & Peter Fiell, Scandinavian Design, Taschen, page 140 for a comparable monkey illustrated. £120­180 1077 A Danish teak desk designed by Heinrich Roepstorff, rectangular top, with bank of three fitted drawers and a slide, on chrome pylon legs, stamped made in Denmark to feet, 160 x 75cm. (top), 75cm high £150­250 1076

1078 & 1079 No lots

1077 156

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1080 A pair of Danish France & Son Boomerang chairs designed by Peter Hvidt and Orla Molgaard­Nielsen, the teak frame on flaring brass legs, strung, with loose green upholstered pads, applied labels, 79cm. high, (2) Literature James France, France & Son British Pioneer of Danish Furniture, page 54 for a reproduction of two Boomerang chairs illustrated on the cover of House & Garden, February 1963. £2,000­3,000

157

Φ 1081 Tony Mann (1927­2013) Coronation wood automaton, with four flags, painted in colours, unsigned 115cm. high Catalogue notes Tony Mann, worked for 20 years as an industrial designer before turning his creative energy into automata. Each automaton was a one­of­a­kind piece and show his love of bright colours. In 1987 and again in 1988 he was voted Toymaker of the Year by the British Toymakers Guild. £400­600

1081

Φ 1082 Tony Mann (1927­2013) Birds in the Trees 1995 wooden automaton, painted in colours, with feathers and dried grasses, signed and dated 95 109cm. high ‘Mann’s depiction of enterprise is a caricature, but like all caricatures has an element of truth.... ‘ Sir Nicholas Goodison. £300­500 1082 158

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1083

METAL WARE 1083 Sir Hubert Von Herkomer RA (1849­1914) A group of four enamelled copper vessels, comprising a compressed copper jug with leaf spout, covered in a grey­blue enamel, a vase enamelled blue, a small bowl enamelled green and a hexagonal box and cover enamelled in purple and lavender, cast HVH and laurel wreath mark to three, box and cover unmarked, minor losses, 13cm high (jug), 13.5cm wide (box), (5) Provenance Bonham’s, From the Herkomer family directly £800­1,200 1084 A silver mounted ebony hand mirror by Ernest Gimson for Nellie Gimson, circular the back set with a hammered silver roundel with NG, inside rope border, all inside a further link border, stamped real ebony, 29cm. long.

1084 1086 A Birmingham Guild of Handicraft copper and brass coffee pot probably designed by Arthur Stansfield Dixon, the footed, swollen copper body with hammered finish, domed copper cover with brass hinge and finial, brass angled handle, and a Guild of Handicraft silver pepper pot by Georg Hart, tapering cylindrical form with hammered finish, coffee pot stamped The Birmingham Guild Ltd, England, silver pepper stamped Gof H, London 1911, 21cm. high (2) £200­300 1087 A Gorham & Co mixed metal vase, model no.Y50, ovoid copper body with fluted rim, decorated in low relief with a pumpkin and butterflies, a swallow and a cricket in white metal, stamped marks, 9cm. high £150­200

Catalogue Notes It has been suggested that the silver cartouche is possibly by John Paul Cooper.

1088 A repousse hammered copper wall charger in the manner of John Pearson, the well hammered with a galleon at sail, the rim a frieze of swimming fish, unsigned, 38cm. diam.

£150­200

£200­300

1085 A copper and brass lamp in the manner of WAS Benson, foliate form, unsigned, 22.5cm. high

1089 A repousse copper wall mirror the design attributed to John Pearson, circular form, hammered in relief with dragons and rivet panels, unsigned, 60.5cm. diam.

£120­180

1085

1086

£300­500

1087

1088

1089

159

1090 A Newlyn Industrial Classes copper rose bowl and cover, hammered in relief with a frieze of fruit, and a Newlyn copper tray similar, stamped marks, 21cm. diam. (2) £200­300 1091 Sir William Goscombe­John RA (1860­1952) The Youthful John The Baptist, copper panel, cast in low relief signed WGJ in the cast, etched Goscombe John to reverse 13.5 x 5.7cm.

1090 1091

Provenance The Andrew Keith Collection, Law Fine Art, 5th April 2005, lot 92.

Private Collection. £150­200 1092 An octagonal oak tray in the manner of Dr Christopher Dresser, the raised rail painted with geometric panels of stylised foliage, in black and gilt, the tray with central panel, unsigned, 59 x 42.5cm.

Provenance Private collection. £120­180 1093 A pair of Thornton & Downer fire tongs and a toasting fork, wrought steel, square section with spiral panel and stamped geometric decoration, unsigned, 61cm. long, (2) £120­180 1094 An Art Deco alabaster table lamp, modelled as a stylised leaf, on octagonal base, and a pair of patinated metal twin­branch wall lights, unsigned, 26.5cm. high (3)

1092

£100­200

1093

1094 160

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1096

1095 1095 A Liberty & Co patinated brass wall mirror, circular stamped in relief with three Celtic roundels, applied Liberty label, 55cm. diam.

1098 A patinated spelter model of two resting panthers, one lying down, the other sitting and preening, unsigned, 76cm. wide.

£200­400

£150­250

1096 A Liberty Tudric Pewter rose bowl, model no.011, footed, twin­handled form, cast in low relief with stylised trees, and applied blue­ green enamel panels, incised And The Woodbine Spices Are Wafter Abroad, And The Musk Of The Rose Is Blown, to the side, stamped Tudric mark, 31cm. wide,

1099 A silver­plated bust of a Bacchanalian Fawn by Omar Ramsden, modelled leaning forward, on oak plinth, signed Omar Ramsden Me Fecit, 15cm. high (including base)

£150­250

£500­800

Catalogue notes This fawn head was used by Ramsden on candlesticks and wine­jugs.

1097 Paul Ludwig Kowalczewski (1865­1910) Art Nouveau maiden by a bird bath patinated bronze, on marble base signed in the cast P Kowalczewski 26.5cm. high

1097

£300­500

1098

1099

161

SILVER 1100 A silver butterfly dish by Philip Frederick Alexander, cast in low relief, stamped marks, London 1903, 18cm. wide £150­250

1101 Three silver twin­handled dishes by GHM, hammered finish, the handles cast with poppy, tulip and wild rose flowerheads, hammered GHM to two, 14cm. wide (3) 1100

£150­250

1102 A silver pedestal dish by Frederick Smythe­Greenwood, retailed by Payne, Oxford, twin­handled pedestal form, cast with a band of Art Nouveau pomegranate, set with two green chrysoprase, stamped marks, London 1911, 16.5cm. diam. £150­200

1103 A silver sauce bowl by Albert John Wilkins, on four feet, the handle cast as a mermaid with long flowing hair, stamped marks, London 1934, 19.5cm. wide £150­200 1101

1102 162

1103

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1105

1104

1104 A silver and enamel plate by Agnes Frances Elanor Vyse, circular cast in low relief with winged panels, with applied enamel hearts in blue, green and orange enamel, Not What We Give But What We Share, inscribed to the rim of the well, stamped marks, London 1909, 24.5cm. diam. £300­500

1105 A silver goblet by Leslie Durbin, tapering cylindrical foot supporting cast grape vine knop and flaring bowl stamped marks, London 1951, 9.5cm. high

1106

£150­200

1106 An A E Jones silver and enamel dish, circular with cast beadwork border, the raised centre with cast tree of life inscribed As The Sun Colors Flowers So Art Colors Life, over blue enamel roundel, stamped marks, Birmingham 1911, 24cm. diam. £300­500

1107 A silver goblet by Omar Ramsden, tapering hexagonal foliate stem with knop and hammered bowl, stamped marks, London 1922, 15.5cm. high £400­600

1107 163

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1108 A silver and enamel goblet by Frances Loyen, the bowl pierced and enamelled in red and orange champagne bubbles, stamped marks, London 1986, 16cm. high £150­200

1109 An Aurum silver gilt goblet designed by Hector Miller, made by the Order of the Dean and Chapter of Gloucester to commemorate the thirteenth century of the foundation in 681, architectural base with flaring silver gilt bowl, stamped marks, inscription and numbered 44 of 681, London 1981, 16.5cm. high £200­300

1110 A textured silver gilt cup by Grant Macdonald for John Siddeley, the rim with faux melted edge drip, set with small ruby stones, and a sauce boat by D Allen and Sidney James Glaister, stamped marks, London 1977 to goblet, 18cm. high (2) £120­180

1108

1109 164

1110 part

JEWELLERY 1111 A silver pendant necklace the design attributed to Georgie Gaskin, scrolled wirework frame set with clear quart stones and drop, the chain set with similar stylised moth panel and two drops, in Van Den Bosch case, unsigned, 3.5cm. wide Literature The Studio, volume 26 1902 for a comparable wirework pendant by Mrs Gaskin, exhibited at the Cork Arts and Crafts Exhibition, 1902. £400­600 1112 A silver and citrine necklace possibly Australian, the simple drop with foliate border and central oval citrine, with leaf links and two similar flowerhead panels each set with a citrine, on link chain, unsigned, 2.5cm. wide.

1112

£200­300 1113 A Bernard Instone silver and enamel brooch, pierced, square section enamelled with small white flowers and foliage, inside a green border, and a Bernard Instone silver and Lapis ring, brooch stamped Instone silver, 2.3cm. square (brooch) (2)

1111

Provenance Didier Antiques, 2004 (brooch) £150­250 1114 A silver and lapis pendant by Arthur and Georgie Gaskin, the rounded rectangular silver frame set with seven scored gold squares, and central large polished lapis stone, stamped G, 2.5cm. long

1113

1114

Provenance Bonhams, July 2007.

Exhibited Arthur & Georgie Gaskin, Birmingham Museum & Art Gallery, 1982, catalogue number G.45. (provenance family descent, lent by Joscelyne V Charlewood Turner). £200­300 1115 A yellow metal pendant necklace, cast with a reclining putti figure, amongst flowers, set with stones, unsigned 5.5cm drop Provenance Halls Auctioneers, April 2008. £150­200 1116 A silver pendant necklace, quattro­lobe form with robe banding, set with two square section cornelian, two small abalone shell panels and a central larger abalone shell, unsigned 3.5cm. long, Provenance Bonham’s May 2007. £120­180

1116

1115

165

1117

1118 1120

1117 A Celtic bog oak and silver Cuibhig remembrance bracelet, seven circular bog oak panels, each set with a Celtic letter spelling Cuibhig, stamped regd diamond dating to June 1875, 19.5cm.long Provenance Bonhams, May 2005.

1119 An Iona enamelled silver brooch designed by Ian McCormack, enamelled with a Celtic motif in yellow, turquoise and blue, two other Iona brooches, a W B Taylor silver pin and two other brooches, stamped marks A H Des Birmingham 1920, 3.5cm. diam. (6) £200­300

£120­180

1119

1118 A silver and pink tourmaline bar brooch in the manner of Dorrie Nossiter, wirework tendril decoration with small fruit terminals, set with two pink tourmaline cabochon, unsigned, 7.5cm. long.

1120 A George Hunt silver and abalone shell brooch, scrolling wirework form with large elliptical abalone shell, and small polished cabochon, and another silver brooch by George Hunt set with abalone shell, stamped marks, 8cm. wide (2)

£150­200

£120­150

1121 Arthur Joseph Gaskin (1862­1928) Portrait of the Artist’s Brother, 1885 pen on paper, framed together with Portrait of Frank Richards, 1885 signed with monogram, dated 1885 bottom left 10 x 8cm (image) (2) Provenance Art of the Print, 2004. £150­200

END OF SALE 166

1121

CLARICE CLIFF, ART DECO & DESIGN WEDNESDAY 20TH & THURSDAY 21ST MARCH 2024 CLOSING DATE FOR ENTRIES FRIDAY 19TH JANUARY

Demetre Chiparus, Les Amis de Toujours (Friends Forever) Estimate £7,000 ­ 10,000*

ENQUIRIES Michael Jeffery +44 (0) 1722 424505 mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

ZIXIS Fine Art Limited

+44 (0)7873 981026 zixisfineart@163.com www.zixisfineart.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, debit and credit cards. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Debit and Credit cards: Visa, Mastercard, Amex or Union Pay. Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a Φ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

BRITISH ART POTTERY & DESIGN

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

29TH & 30TH NOVEMBER 2023 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500

www.woolleyandwallis.co.uk

AUCTION CALENDAR 2023 NOVEMBER 14th 15th 16th 28th 29th & 30th

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2024 AUCTIONS

The Lawrence Collection & Fine Asian Art Asian Art II Japanese Works of Art & The Allen Collection Medals & Coins, Arms & Armour British Art Pottery

DECEMBER 13th

Modern British & 20th Century Art

2024 JANUARY 17th & 18th 24th & 25th 30th & 31st

Furniture, Works of Art & Clocks Fine Jewellery Silver & Objects of Vertu

FEBRUARY 20th 21st

Arts of Africa, Oceania and The Americas Fine Pottery & Porcelain

MARCH 6th 20th & 21st

Old Masters, British & European Paintings Clarice Cliff, Art Deco & Design

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

For Thoughts a fine pair of mounted enamel panels by Ernestine Mills SOLD FOR £3,528*

www.woolleyandwallis.co.uk